Speaker 1: All right, job.
Speaker 2: All across the USC Compton, Watts Bay to LA. Come
Speaker 2: on to California, say from aalley to valley. We represent
Speaker 2: that Keller County. So if you're keeping it real on
Speaker 2: your side of your town, you tune into Gainst the
Speaker 2: Chronicles chronic Goals.
Speaker 1: He gonna tell you how we goals.
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Speaker 2: gonna tell you the truth and nothing but the truths.
Speaker 3: The chronic goals.
Speaker 1: This is not your average shows.
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Speaker 2: and big spiels from the streets.
Speaker 3: Hello, Welcome to the gangst the Chronicles podcast, the production
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Speaker 3: to another episode of The Gangster Chronicles podcast. I am
Speaker 3: Big Steal with my guy Jill. And you know today
Speaker 3: we got one of my I could say, one of
Speaker 3: my favorite rappers.
Speaker 4: Man.
Speaker 3: My guy represents San Diego, Jayo Fellony bullet.
Speaker 5: Loco, what still, what's the deal man, man, Jio Western Man?
Speaker 1: It finally don't.
Speaker 5: Got you up in here? Man oh ship man. Steal,
Speaker 5: what's the deal you need a pill? Hell?
Speaker 3: Yeah, you know what I'm gonna ask.
Speaker 5: Go ask you again, steal, what's the deal you need
Speaker 5: to peel?
Speaker 1: I'm still don't mess with.
Speaker 5: I don't mess with the dig got right, That's how
Speaker 5: we do we get out for sure?
Speaker 3: Hey, so I wanted to ask him to drag you
Speaker 3: into this debate that the eight was having right the
Speaker 3: eight because eight got beef for Linzo right now from
Speaker 3: the world class.
Speaker 1: He got beef a lot.
Speaker 5: Check this out, you shut Alonzo? Okay, Yeah, because I don't.
Speaker 5: I don't claim that I don't be I don't have
Speaker 5: beef with niggas. Man, I'm too old to have beef
Speaker 5: with niggas. What it is is we have misunderstandings with motherfuckers.
Speaker 1: You know.
Speaker 5: So what it is is you You you grew up
Speaker 5: West Coast. You know you know all about West Coast
Speaker 5: music from the foundation of what it is, right, Yeah, okay,
Speaker 5: as an early teen, what was your influences as far
Speaker 5: as what made you want to grab the mic and
Speaker 5: start spitting about the neighborhood and you know the situations
Speaker 5: of the block and all that. What was your influence?
Speaker 4: Oh shit, man, you already know, Nigga you the n
Speaker 4: W as motherfucking okay.
Speaker 1: You up said all the geister ship. You know what
Speaker 1: I'm saying. My growing up, you feel me?
Speaker 4: The fucking Rocky Yeah, yeah yeah, Big Daddy Kings exactly,
Speaker 4: all that type of ship.
Speaker 5: My influences even audio tubes, Yeah yeah, milk is chilling,
Speaker 5: and and and and as a and I'm gonna tell
Speaker 5: you something, as an early motherfucker who was pop, locking
Speaker 5: and breaking, you know, we all had those you know
Speaker 5: those fucking you know, the Herbie Hancock, Rocky Egyptian, the
Speaker 5: craft work toward these France you know what else you know,
Speaker 5: just electric kingdom. Whatever you pop to or break to,
Speaker 5: you get. And a lot of that was was West
Speaker 5: Coast music in the beginning. You know, they had those
Speaker 5: four staples of of of whatever.
Speaker 1: Had unknown d J.
Speaker 5: You had Lonzo who was with the Recon Crew, You
Speaker 5: had l a dream Team, and then you had Egyptian
Speaker 5: Lover did I bang my beat goals?
Speaker 3: Boom?
Speaker 5: And what is a DJ if he can't Scratch, I
Speaker 5: certainly did. Did I listen to you know, Run DMC
Speaker 5: and and just Ice and and and Schoolly D?
Speaker 1: I definitely did.
Speaker 5: But as far as the Recond Crew was concerned, they
Speaker 5: had a different style of music.
Speaker 1: You feel me.
Speaker 5: In our early days. I don't know if it was
Speaker 5: gimmicky rap or whatever. You know, they had Bobby Jimmy
Speaker 5: and the Critters and Ship like that. That's fun that
Speaker 5: you give me. That didn't influence me to want to rap.
Speaker 5: Did I listen to the Ship, of course I did? Uh.
Speaker 5: Did I listen to the fucking club records of the
Speaker 5: Wrecking Crew as far as listening to Doctor.
Speaker 1: Dre Surgery when he was cutting up on what? Of course?
Speaker 1: I mean?
Speaker 5: I was getting into early rap. You know DJ. I
Speaker 5: thought the Nigga was a hell of a DJ. You
Speaker 5: listen to dream Team. I listened to Rockberry Jam and
Speaker 5: dream Team is in the house, Like I said, I listen.
Speaker 4: See yeah, I think they had their time and who
Speaker 4: they was.
Speaker 1: But my thing is this.
Speaker 5: Listening to that era and comparing that era to hearing
Speaker 5: Grand Master Flash or Sugar Heel or you know those records.
Speaker 5: That is what more influenced me to want to becoming MC.
Speaker 5: When I heard Eric be as President you get me?
Speaker 5: Or when I heard fucking six in the Morning or
Speaker 5: fucking Schoolly d P s K.
Speaker 1: That was more street ship. You know what I'm saying.
Speaker 4: That's because I'm in the streets right all that ship
Speaker 4: had more street the Wrecking Crew with songs like Lovers
Speaker 4: and and and turn Off the Lights and world class.
Speaker 4: You know, if mostly females is playing records when you
Speaker 4: go trying to hang out with a broad just a
Speaker 4: lot of a lot of that music before we had
Speaker 4: the before we had the fucking Foundation off the Lights.
Speaker 1: It's in the name, you know, they was. I definitely
Speaker 1: ain't playing this with the homies.
Speaker 3: There you go?
Speaker 5: Did did turn Off the Lights influenced Jo fellon me
Speaker 5: to grab a mic and want to start bussing.
Speaker 1: Not at all, want to go get my My point is,
Speaker 1: I've listened to that.
Speaker 5: When you know my point is, I said no disrespect to,
Speaker 5: no disrespect to Lonzo, And like I said, my first
Speaker 5: record I ever did was because Lonzo changed his perception
Speaker 5: of gangster rap music and he figured, fuck it, I'm
Speaker 5: a jump on board. So we put out a record
Speaker 5: called The Compting compilation that was my first ever record.
Speaker 5: If you listen to it, it had no fucking influences
Speaker 5: of turn off the lights or lovers and friends or
Speaker 5: he's bionic or you know that technotronics that's what they did,
Speaker 5: you know what I mean. So it didn't influence me.
Speaker 5: When I listened to Record Crew, I said, Okay, niggas
Speaker 5: can scratch like a motherfucker, but it didn't make me
Speaker 5: want to go, oh man, I'm finna go grab my
Speaker 5: because because Lonzo and Client Tail and Yellow and Trey
Speaker 5: like you know.
Speaker 3: No.
Speaker 1: So your homeboy did say it was an influence on
Speaker 1: you though, but that's what he said.
Speaker 5: He said he was an influence on my career and
Speaker 5: me wanting to pick up the mic you saying and
Speaker 5: I said, no, that ship was corny.
Speaker 1: It was corny RAPU.
Speaker 5: It was corny rap just like when you listen to
Speaker 5: Bobby Jimmy and the Critters and he was weird Al
Speaker 5: Yankovich in the Rumors song with roaches and ship. Look
Speaker 5: at all these roaches and you know what, that's what
Speaker 5: we had over here.
Speaker 3: Hey, let me ask you one question before we jump
Speaker 3: off of that. When you was over there doing your
Speaker 3: song for the com compilation then make you go.
Speaker 5: It makes me see you you you fucking me, you guys,
Speaker 5: because it wasn't THEO you give me like I said,
Speaker 5: I said, and I came in and I what was
Speaker 5: I playing when I walked there?
Speaker 3: Today?
Speaker 5: Niggat playing the whole Record Crew catalog and I'm playing
Speaker 5: it for everybody in.
Speaker 1: Here so they can listen. They hasn't done fast music,
Speaker 1: but it wasn't influence on MC eight or comptas, most
Speaker 1: R and B music, you know they was. They was
Speaker 1: ready for the world. They was the West Coast full force.
Speaker 1: You get me, you get and I like.
Speaker 4: All them groups, full for the world. But it's a
Speaker 4: time and place for that, you know what I'm saying.
Speaker 4: Like that ain't gonna get no play when I'm trying
Speaker 4: to concentrate on some writing, some ship.
Speaker 5: When I'm trying to content like that on them question
Speaker 5: of the neighborhood and the homies who got killed or
Speaker 5: we getting jacked by the police.
Speaker 1: I don't want to hear no soft music when I'm
Speaker 1: trying to create.
Speaker 3: Or you're trying to get a moved, you're trying to
Speaker 3: get so, like I said.
Speaker 4: Get my weight up with my rap shit. No disrespect
Speaker 4: to all hardcore rap shit.
Speaker 5: No disrespect to the cats who felt like you know,
Speaker 5: they were a staple in West Coast music because like
Speaker 5: I said, they were, they definitely can crew Egyptian Lover
Speaker 5: l a dream team. But my influences came from really
Speaker 5: niggas like Toddy T mixed Master Spade and d J
Speaker 5: varr and and like King T in his early days. Yeah,
Speaker 5: fucking iced tea with six in the morning and fucking
Speaker 5: Schoolly D with p s K.
Speaker 1: You know that's what we banged when we didn't have that.
Speaker 5: We was in the hood playing Parliament Flashlight and fucking
Speaker 5: you know that type of ship.
Speaker 3: I'm sure it was one thing you discovered that Lonzo
Speaker 3: was they can keep sucking with him, gonna fuck you up,
Speaker 3: that's still keep fucking with go get to.
Speaker 1: You, I know you. Yeah, like I said, it's all good.
Speaker 3: You know.
Speaker 1: One thing I wanted to do that real quick man
Speaker 1: is like hell no that it didn't man ship. I
Speaker 1: didn't want to. I didn't come on.
Speaker 5: I didn't want to go grab a sequence jacket, and
Speaker 5: and and and and right about trying to get pussy.
Speaker 1: Lonzo was a player. Let's keep it. He was a player.
Speaker 4: Bump of your ship, man, I gotta he wasna ice
Speaker 4: Rock exactating there bumping your ship, nigga all the time.
Speaker 3: Happy when you came.
Speaker 4: Out with that motherfucker CD with the low Rider with
Speaker 4: the blue low Rider music to drive out. Yeah, we
Speaker 4: own that nigga music to drive by banging that type ship.
Speaker 1: You know what I'm saying.
Speaker 5: And see that's what that's what I say when that's
Speaker 5: what nigga influence some motherfucker we.
Speaker 1: Riding around and that niggas glasshouse.
Speaker 5: When niggas is, when when niggas is is trying to
Speaker 5: get on and they listening to a motherfucker and they going, Man,
Speaker 5: this nigga talking about what we went through yesterday and
Speaker 5: and and the homie guy who smoked and nigga the
Speaker 5: police raided us and woot the womt So now I'm
Speaker 5: finna go start writing about what going in my neighborhood
Speaker 5: and today this happened, and nigga, won't you want that's
Speaker 5: an influence. You could listen to a nigga all day
Speaker 5: and be like, the nigga got some good ship, but
Speaker 5: he not making me want to go grab the microsong
Speaker 5: and a pad and a pin.
Speaker 4: And that's what I mean when exactly when I when
Speaker 4: I wrote that song for the show soundtrack with South
Speaker 4: Central Cartels, Yeah, tretching every that was the bigg influenced
Speaker 4: on my Mama. That that record with the Dog Pound,
Speaker 4: that that one. I think it was on A Minute
Speaker 4: to Society soundtrack that Boom boom. I think it's called
Speaker 4: Jen and something like that, uh, raging him on it.
Speaker 4: That ship was knocking.
Speaker 5: So I took that that you're talking about it in
Speaker 5: my head Tanger ray and ship, Yeah, bosting on that,
Speaker 5: you know what I mean.
Speaker 4: That's what I had a video cut, Yeah, video forward
Speaker 4: to that beat was like I think that was a
Speaker 4: doctor dre b. That was that beat in my head,
Speaker 4: tangle right wrap for that South Central song. I had
Speaker 4: that beat in my head right my rap and I
Speaker 4: went to the studio and killed that Monther. Yeah, that
Speaker 4: type of influence, you know what I mean. And I
Speaker 4: didn't even hear the beat that I was that beat
Speaker 4: I had, yeah.
Speaker 3: Ship, Hey, are you all familiar with this Travis Rudolph situation? Yeah?
Speaker 1: You think he was telling me about it earlier?
Speaker 3: Yeah?
Speaker 1: I was. I was reading a couple of little little lines.
Speaker 4: It's just a regular dude. He played sports or something.
Speaker 5: He played football. He's play football. He went to a
Speaker 5: you know, he went to a top notch high school.
Speaker 5: He played for Florida State. I think he got drafted
Speaker 5: too by the Dolphins.
Speaker 3: Yeah, yeah, he played for He played for the Exams.
Speaker 3: He played a few years for the Exams. Then he
Speaker 3: was playing for the Dolphins, and I think he was
Speaker 3: with Baltimore. He was with Baltimore was his latest team, right,
Speaker 3: He played up in the CFL for a few years.
Speaker 3: But apparently his ex girlfriend or whatever showed up to
Speaker 3: his mama's house with some cats.
Speaker 1: And this and this happened in twenty twenty one.
Speaker 3: Yeah, this happened to twenty one. So she showed up
Speaker 3: over his mama's house, of all places, with her brothers.
Speaker 3: They fell out. She was going through his phone and
Speaker 3: shit found out he was having some you know, as
Speaker 3: Will's wife would say, in entanglement. He was copping a
Speaker 3: little entanglement, you know what I mean. So I guess
Speaker 3: she got hot and said, my brother's gonna come and
Speaker 3: fuck you up. They showed up over his mama's house.
Speaker 3: He wound up banging on killing one of the dudes. Now,
Speaker 3: what I don't understand is Florida is known as Staniel
Speaker 3: ground state. They allowed.
Speaker 1: Martin got killed.
Speaker 3: Yeah, they loved they allowed Trayvon Martin to get killed
Speaker 3: like that. They let that dude go scott free because
Speaker 3: he was defending himself. But you got a situation here
Speaker 3: in which a dude's safety was impeter somebody show up.
Speaker 1: Yeah, or he thought, oh, you don't know.
Speaker 3: Are you supposed to give someone a chance to wait
Speaker 3: till you get shot before you retaliate.
Speaker 4: No, if somebody show up at your house, you're just
Speaker 4: supposed to do what you gotta do to survive.
Speaker 1: You know what I mean.
Speaker 4: I don't feel like there's no nothing to even talk
Speaker 4: about at that point, you know what I'm saying.
Speaker 3: Exactly, because I feel like if you come to my house,
Speaker 3: especially my mama's house, my mama's safetiest threat, my daddy safe.
Speaker 4: That girl already put that thread out there that they
Speaker 4: coming to get him or whatever for whatever they went through. Shit,
Speaker 4: you come to my mom house, I'm gonna just shit.
Speaker 4: You're gonna get aired out. It ain't gonna be no
Speaker 4: talking or none of that. You know what I'm saying,
Speaker 4: because I don't know what the threat is. You know
Speaker 4: what I'm saying, just don't know. You don't have no idea.
Speaker 4: And that's the whole purpose of having weapons is to
Speaker 4: defend yourself in case somebody come. So that loss stood
Speaker 4: for for the white man, but it ain't standing for him.
Speaker 1: No, it's not staying for him.
Speaker 3: No. Fuck the dude's whole career up. Man, you know
Speaker 3: he's been he's sitting up in the show. They did
Speaker 3: let him post bond. He's out on the.
Speaker 5: Cashle, he's out on bond. So I'm reading about basically
Speaker 5: what happened.
Speaker 1: Right, So.
Speaker 5: She's she's fucking with the dude. That the girl's name
Speaker 5: is Dominique, right, so ms Jones and and what's his name, Travis?
Speaker 5: I guess they was fucking around whatever said. They was
Speaker 5: at the crib one night. They playing Uno, right, they
Speaker 5: playing Uno and taking shots. Oh shit, loser takes the shot.
Speaker 5: So they getting so they getting fucked up. My man
Speaker 5: say he gotta get up, he gotta go take a piss.
Speaker 5: So as he going to take a piss, she grabs
Speaker 5: his phone, breaks his past code, goes in his phone
Speaker 5: see probably naked pictures.
Speaker 1: Of bitches.
Speaker 5: He talking to bitches, probably hooked up with some bitches.
Speaker 5: So she automatically started going off, grabbing her shit like nigga,
Speaker 5: fucked it somethingna leave? Won't he won't, He don't know
Speaker 5: what she tripping off of up. He realized, Oh this
Speaker 5: motherfucker went in my phone shawl. He like, are you trimping?
Speaker 5: You trimping?
Speaker 1: You? Whooped?
Speaker 5: You know how nigga gonna do? He like, bits you dripping?
Speaker 5: She like, nigga, get the fuck up out my way?
Speaker 5: Say she grab a trophy or something, threatening to hit
Speaker 5: the nigga. The nigga like, fuck you gone? So as
Speaker 5: they are? You instill and she leaving. He get there like, yeah,
Speaker 5: you just.
Speaker 1: Like all the other broads. You know you ain't WoT
Speaker 1: He won't say.
Speaker 5: She pick up the phone, text her brother tell her
Speaker 5: come shoot this motherfucker.
Speaker 1: Oh right, sawl.
Speaker 3: Next thing you know?
Speaker 5: He look up, it's four niggas on his doorstep, said so,
Speaker 5: they said. A brief altercation happened, and so he claimed,
Speaker 5: in fear of his safety, he went and grabbed the
Speaker 5: fifteen who we are? Say so when I guess you
Speaker 5: know niggas knowing or baby doesn't put them up on game.
Speaker 5: Nigga got that thing in here. So after whatever, and
Speaker 5: he probably break loose and running the crib. They automatically
Speaker 5: know he gonna get that thing. They run for the car,
Speaker 5: jumping the whip and try to speed off. My nigga,
Speaker 5: come out, dump thirty nine times on them, kill the
Speaker 5: nigga in the passenger seat.
Speaker 1: So they's some goofy motherfuckers anyway, So.
Speaker 5: The judge don't give him to stand your ground law
Speaker 5: because they're trying. You know, they automatically gonna say the
Speaker 5: niggas was running away. They got in their car and
Speaker 5: was banging down the block. You as a nigga, though,
Speaker 5: you gonna be like, fuck these niggas. Mans. Niggas just
Speaker 5: jump me and rushed me. And I'm pissed off because
Speaker 5: the broad done hit him and told him to come
Speaker 5: shoot me. Already got the mentality fuck these niggas. So
Speaker 5: even though they then jumped in the whip, Nigga, I'm
Speaker 5: at the front door with that thing, I'm an empty
Speaker 5: that motherfucker man. So they're gonna they're saying one of
Speaker 5: them get killed. They want the passenger get killed, and
Speaker 5: I think somebody in the back seat got hit, So
Speaker 5: they're saying, was you really in fear of your safety
Speaker 5: if the niggas had jumped in the car.
Speaker 1: That's a whole.
Speaker 5: That's where the stand your ground law is killed because
Speaker 5: they fleeing. And you know they always gonna flip the
Speaker 5: script when they say the niggas was fleeing, but you
Speaker 5: ran in the crib grab the strap after they fleeing already.
Speaker 1: But but you can't say I don't know if they
Speaker 1: was going to get something.
Speaker 3: Yeah, that's.
Speaker 1: What I'm saying.
Speaker 5: He can go, they can run to the car, they
Speaker 5: knowing I got the heat doing they know I got
Speaker 5: the heat? Who says they ain't got the heat in
Speaker 5: the car and that they gonna go in. As soon
Speaker 5: as they get to the car, they're gonna turn around
Speaker 5: me out start serving. So that's just like they say, nigga,
Speaker 5: you better swing first before a nigga.
Speaker 4: You you already beat me up now, even without a weapon.
Speaker 4: If it ain't it ain't even a one on one,
Speaker 4: y'all could kill me jumping me right. You know what
Speaker 4: I'm saying, My life is still in danger even if
Speaker 4: you don't got a pistol.
Speaker 1: Man, how many times have you seen somebody hit their
Speaker 1: head on.
Speaker 4: Something trying to say while I'm on the ground or
Speaker 4: anything and make me a vegetable.
Speaker 1: And then you gotta take it to a count like
Speaker 1: like you can say, these niggas gonna come back again.
Speaker 5: You got to take into account like ship, bitch, I
Speaker 5: know your brother that I know that hard head motherfucker.
Speaker 5: So with some other mother it came with three other dudes.
Speaker 5: It's you and this four other niggas and they on
Speaker 5: your porch. I mean, what should you have done though?
Speaker 5: Should you have opened the door and like, nigga, what
Speaker 5: the fuck? Or should you have just stood there behind
Speaker 5: the door. But like I said, well you nigga might
Speaker 5: kick in my door, Like what do you know? The
Speaker 5: mentality of what homeboy thinking because his sister done called
Speaker 5: and said, come shoot this motherfucker.
Speaker 4: Hey, But I'm thinking, like does he have do they
Speaker 4: have the proof that she said that they got it
Speaker 4: on text? They got her in.
Speaker 5: She's on the stand right now because the defense for
Speaker 5: him is going it was self defense.
Speaker 1: You give me.
Speaker 5: It was self defense because here's the text, and she's
Speaker 5: trying to say it was wrong of me to do that.
Speaker 5: It was wrong of me to send my brother a
Speaker 5: text saying, come shoot this motherfucker. Because now she's trying
Speaker 5: to say it was all out of anger. Okay, yeah,
Speaker 5: because maybe you should have just took your ship and
Speaker 5: should have just went on about you the nigga gone.
Speaker 4: The running the way part shouldn't matter. If she told
Speaker 4: him to come kill the motherfucker. The running the way
Speaker 4: parts shouldn't even matter, you know what I mean. I'm
Speaker 4: feeling like y'all came to do what she told y'all
Speaker 4: to do. You know what I'm saying, whether you had
Speaker 4: a gun or not exactly, you know what I mean.
Speaker 4: And I'm thinking you got a gun anyway, because if
Speaker 4: she said come shoot this motherfucker, I'm thinking y'all got
Speaker 4: a gun.
Speaker 1: That's what I said. I mean, y'all beat me up
Speaker 1: to start off with you. I know at some point
Speaker 1: I know she mad.
Speaker 5: She's fear like like she's hot right now because like
Speaker 5: I said, she wouldn't win in my phone. Probably doesn't
Speaker 5: seen some button naked videos or whatever, so she.
Speaker 1: The reason all the bullshit. But let me tell you something.
Speaker 5: Scenes No, Travis got you man, you gott you gotta
Speaker 5: put you gotta grab your phone when you want to
Speaker 5: take a piss, I don't give a fuck.
Speaker 1: Man.
Speaker 4: Sometimes though, a real bitch is gonna be like, I'm
Speaker 4: not going and look, I'm gonna find some many.
Speaker 1: Right, so what I'm looking in his phone? So you
Speaker 1: gotta figure, gotta figure.
Speaker 5: She was already, she was already on the shaky because
Speaker 5: she felt like and even in that quick of a time,
Speaker 5: like a nigga just going to take a piss. He
Speaker 5: ain't saying I'm gonna take a ship. That nigga said, nigga,
Speaker 5: I fin gonna take me a piss right quick. That's
Speaker 5: real quick, like you feel me.
Speaker 3: He got his past code, please believe me. Eventually, she
Speaker 3: was waiting for anything any given time, past cold, get
Speaker 3: put in and everything. That's what women do. They sit
Speaker 3: up and look at you. Don't be saying shit, you
Speaker 3: be putting your past cod fellas, I ain't fellas. I
Speaker 3: ain't gonna say like, you know, you know you gotta
Speaker 3: take your phone with you. But you know, when you
Speaker 3: got a female and you know she's uncertain, women, y'all
Speaker 3: haven't y'all haven't built it.
Speaker 5: Y'all haven't built that trust or the trust has been
Speaker 5: broken to where she gotta do that. May you gotta
Speaker 5: be careful. Man, you know, I ain't telling you what
Speaker 5: to do, but man, get your backup phone or something.
Speaker 5: Leave it in the car some you know, because a
Speaker 5: lot of ship transpire from the mess of relationships.
Speaker 1: When ship is unsure, I think they was just they
Speaker 1: was dating.
Speaker 3: Anyway, because I was gonna say when you married, when
Speaker 3: you married, when you married, your wife can kind of
Speaker 3: because I'm going and that's not like I grab my
Speaker 3: wife's phone.
Speaker 1: Being married.
Speaker 5: If you've been with a significant other for and it's significant,
Speaker 5: she's gonna feel like she got that. Nigga, what because
Speaker 5: in a minute, let me tell you something, Because let
Speaker 5: me tell you something. In a minute, she gonna do this.
Speaker 5: She's gonna she gonna she gonna put your ass on
Speaker 5: the spot, and she gonna tell you in a second. Nigga, here,
Speaker 5: you could check my fucking phone. You can check my ship.
Speaker 1: Seems like some fucking seventeen year old ship.
Speaker 5: It don't matter what I they gonna do that ship.
Speaker 5: Nig at this point, though, Man here here, look here,
Speaker 5: you can check my ship. You can check my phone. Nigga,
Speaker 5: go up and check my nigga. Fucking here, you wanna
Speaker 5: check my purse to go inside. Nigga check it off
Speaker 5: some teenager. It is teeny bopper ship, but it's just
Speaker 5: with some Like you said, if you ain't built that
Speaker 5: trust with your woman, then you go. If you don't
Speaker 5: trust the feed me And I don't know if it's
Speaker 5: different from us as as as men.
Speaker 4: Kevin looking into no bitch phone, boy, you might find
Speaker 4: out because I don't like even if you don't trust them,
Speaker 4: even if even if you don't trust the motherfucker, you
Speaker 4: get me.
Speaker 5: It's a certain level where nigga just be like, Man,
Speaker 5: I ain't picking up no bitch phone like that. I'm
Speaker 5: not doing that ship. They say, you're gonna open that
Speaker 5: motherfucker up and see her, see her bent over like
Speaker 5: but getting her ass slapped off by another digger, you
Speaker 5: gonna be like, oh my god, just go.
Speaker 1: To your stomach like you man. That ain't no feeling
Speaker 1: you ever.
Speaker 3: Man. But I'm gonna tell you this, sometimes it's best
Speaker 3: nothing to know. If you don't want no ship, if
Speaker 3: you don't want to see some ship, don't be digging
Speaker 3: nobody's ship.
Speaker 1: That's my point.
Speaker 5: Or or or or had the confidence that hey, it
Speaker 5: is what it is got out of confidence.
Speaker 1: It is what it is.
Speaker 3: I've been with my wife for thirty years, so it
Speaker 3: ain't all that going through phone. Ain't no such thing
Speaker 3: as that.
Speaker 1: No more.
Speaker 3: Of course she used my phone, I use hers. You
Speaker 3: know we're old now, so you know it's old ship.
Speaker 3: You old ship because you be chilling. You ain't because
Speaker 3: you know better. You ain't keeping No. I ain't got no.
Speaker 1: Button nakets on your phone. Huh.
Speaker 3: I ain't got nothing to got no butt nakeds on there?
Speaker 1: You what?
Speaker 3: But I go through there right down. See if I
Speaker 3: see something butt that you have. They had a situation
Speaker 3: one time.
Speaker 5: Maria, he ain't got no butt leckds on there.
Speaker 3: Whistle you one thing. Something did happen when the homies
Speaker 3: just saw somebody that we knew. The homies send you
Speaker 3: a picture. So it was a woman that we know
Speaker 3: who shall remain there aimless. She on Twitter and got
Speaker 3: her whole little motherfucking swinger lifestyle cracking or whatever. Right,
Speaker 3: so the homie sends me the picture for some reason.
Speaker 3: My dumb ass, I'm looking at the picture, and you
Speaker 3: gonna ship pop up on the iPhone or where you
Speaker 3: can afford the motherfucker to somebody.
Speaker 1: So I forwarded to her by accident.
Speaker 3: Like a dumb ass, Like a dumb ass, and I
Speaker 3: was trying to find every little thing online to where
Speaker 3: I could retrieve that motherfucking and it wasn't cracking. She
Speaker 3: didn't trip though. I told her what it was and
Speaker 3: she saw and and that was it. It kind of
Speaker 3: got laughed off, But man, I learned a long time ago,
Speaker 3: man Nix, you gotta give even if you may, or
Speaker 3: you gotta give people a privacy because it might not
Speaker 3: beat them delicious. Just like we sit up here and
Speaker 3: talk about bitches, ass and titties. How we know bitches
Speaker 3: when they at their job. Don't be talking about niggas.
Speaker 1: Of course, look at what.
Speaker 4: We're talking about right now. Like, like, you gotta be
Speaker 4: real careful. It was just pussy and dick shit, bro,
Speaker 4: because that ship get you killed. You know what I'm saying.
Speaker 1: It's just you gotta know who you're dealing with, especially
Speaker 1: these days. Yeah, man, let me tell you somethings will
Speaker 1: smoke you. Man ship.
Speaker 5: Back in the days, back in the neighborhood days, you
Speaker 5: you get your cap peeled over some some some some
Speaker 5: female ship. Still, Yeah, for sure, fucking fucking with the
Speaker 5: wrong female and she fucking with a nigga from the
Speaker 5: rival set or a different set or what niggas would use.
Speaker 1: They life over broads.
Speaker 4: Man, It's like a biscuit be trying to trying to
Speaker 4: make her nigga jealous of some bullshit, right, and they
Speaker 4: trying to give you some attention, and you ain't even
Speaker 4: tripping on the broad. You don't even want the broad
Speaker 4: because another nigga fucking her anyway, you know what I'm saying, Like, Nigga,
Speaker 4: I don't want to be fucking behind you, nigga, but
Speaker 4: they'll put that out there, like at the end of
Speaker 4: the day, this nigga looking at you sideways. You know
Speaker 4: what I'm saying now, he plotting on you behind his
Speaker 4: punk bitch.
Speaker 1: You don't even know, you know, and you don't even
Speaker 1: growing up in the hood.
Speaker 4: You ain't even thinking about you know what I'm saying,
Speaker 4: trying to have no sex with her or nothing because
Speaker 4: of another nigga that you like, Nigga, that's the homie
Speaker 4: fucking with her.
Speaker 1: But some niggas don't think like that. It's it's kind
Speaker 1: of like disgusting to me, Nigga, I don't want to
Speaker 1: sufter no other nigga.
Speaker 4: You know what I'm saying, I don't want to have
Speaker 4: sex with if I know you fucking with the bitch,
Speaker 4: I don't want the bitch.
Speaker 1: Yeah, too many females out here, you know what I
Speaker 1: mean exactly.
Speaker 3: When you think about in society, man, nigga, why are
Speaker 3: you even talking like that? You know what I'm saying.
Speaker 3: Throughout the history of mankind, if you look at it,
Speaker 3: women have been the cause of major wars.
Speaker 1: That's what I'm talking thinking about it, don't it.
Speaker 3: Don't be wars kicked off because of a bitch behind it,
Speaker 3: because of a big whole nation is going to get
Speaker 3: gets each other going to war.
Speaker 5: And let us put the disclaim. Let us put the
Speaker 5: disclaim around right now. All women are you know, you know,
Speaker 5: we we we loose with the tongue sometime by referring
Speaker 5: to females as bitch. So we we don't wanna, we
Speaker 5: don't wanna, you know, we don't want to fucking spark
Speaker 5: anybody or or disrespect any females by saying, you know,
Speaker 5: like we're specifically talking about all females or you you know,
Speaker 5: it's just you know, it's just it just is what
Speaker 5: it is. Like I said, there's been plenty of situations
Speaker 5: where I know, growing up in the neighborhood, you get
Speaker 5: caught fucking with a female wrong, or you fucking with
Speaker 5: a female and you fuck up. Man, they instantly, Oh,
Speaker 5: nigg I'm gonna call my brother, give me or I'm
Speaker 5: in and brother coming over with about three or four
Speaker 5: homies from the neighborhood and niggas is it ain't no
Speaker 5: fucking discussions.
Speaker 1: Niggas are ready to peel your cat.
Speaker 4: Brothers got sense though, they gonna be like Lord nig
Speaker 4: put his hands on you.
Speaker 5: Man, some of that ship was hands and if it
Speaker 5: was hands putting on you know, niggas, niggas was coming through.
Speaker 5: So it was a lot of that growing up in
Speaker 5: the neighborhood, you know. So it's just unfortunate, like I
Speaker 5: said that, like that, that one little text will lead
Speaker 5: to you know what I'm saying, Like you said, when
Speaker 5: my fucker see, yeah, I just told my brother, you know,
Speaker 5: come over here smoke this Nigga's that Now I got
Speaker 5: whoop his ass or come no, not like that. And
Speaker 5: I don't even like you so hot to where you
Speaker 5: even said that the nigga ain't put his hands on you,
Speaker 5: or he ain't dead ship to you.
Speaker 1: You just so fierce.
Speaker 5: Yeah, come kill me because you done saw another bitch's
Speaker 5: ass in my phone. So you ready for a nigga
Speaker 5: to smoke? Just smoke me because I got a picture
Speaker 5: of another bitch's ass on my phone.
Speaker 1: Not knowing where you got it from, not knowing none, none.
Speaker 5: And that ain't and it don't matter fuck it if
Speaker 5: somebody he sent it to it anyway, if y'all not clicking,
Speaker 5: y'all not clicking, that's just it. Fucking the nigga fucked up.
Speaker 5: You're either gonna accept the apology or you're gonna move
Speaker 5: the fuck on. But you don't call a nigga and
Speaker 5: go come smoke this motherfucker.
Speaker 1: You get me. You said her mother fucking anger she was.
Speaker 1: She was dealing with her feelings and emotions, that god
Speaker 1: damn right. And then they off that liquor. And then
Speaker 1: when everything came down and somebody's dead and.
Speaker 5: Who know, I mean, who know how many hands and
Speaker 5: who knows she done lost it had the sip sip sient,
Speaker 5: you know she could have been.
Speaker 1: And that I wish I wouldn't have sent this take
Speaker 1: how many how many hands of udo? She lost?
Speaker 5: How what was they sipping off? She wouldn't have sent Yeah,
Speaker 5: you know what I mean. They sitting up playing udo
Speaker 5: taking shots. So you know what I'm saying. He plotted
Speaker 5: ready to get her tipsy your ship. So he go
Speaker 5: in there and beat up some ass and he don't
Speaker 5: fuck it up, and I got got caught slipping on
Speaker 5: the fault.
Speaker 1: Started all the ship. Why that bitch ain't in jail still?
Speaker 1: Why nigga and all the ship? Why nigga, they're playing
Speaker 1: udo taking shots? What he try to do? You having fun?
Speaker 1: Just fuck it up because I'm he said, you having fun?
Speaker 5: Nigga tried to get him some ass. He tried to
Speaker 5: get her tipsy. Tipsy she should be too, She should be.
Speaker 5: He tried get her tip one. Nigga tried to get
Speaker 5: her Jayo. You had told the bist to take a
Speaker 5: few shots and get her.
Speaker 1: Lost in that.
Speaker 6: You know, that's what it really was. That death got killed.
Speaker 6: That nigga lost in that old Nigga, you beat me
Speaker 6: one more time.
Speaker 5: They had fIF for some Jose Quervo too. They didn't
Speaker 5: even have a god, Holy yo, nigga. They had the
Speaker 5: Jose on that bitch nigga, just that brown too, just
Speaker 5: taking that nigga like oh there, oh no, take another way.
Speaker 1: I'm calling my brothers. They didn't even have a shot glass.
Speaker 5: He tried to put shots in the red paper cup
Speaker 5: knowing this is two full because it called her.
Speaker 3: He was trying to get some draws that last. That's
Speaker 3: why she was mad, man, That's why she was mad.
Speaker 3: Draws after game.
Speaker 1: Get there. Every every other head, he is a slapping
Speaker 1: that ship.
Speaker 5: Oh no, bitch, think another one got shit there, probably
Speaker 5: off the six one like this that.
Speaker 1: I think it's a whole up. Baby, Let me go
Speaker 1: take a piss, right, you got drinking. But she been
Speaker 1: knowing she was going that phone since when she first came.
Speaker 3: Waiting wait for the niggah, You wait for the opportoon.
Speaker 1: That's the brothers to shoot that nigga. Yeah she shoot.
Speaker 1: That's a crime. Like all jokes aside. Man actually got
Speaker 1: shoot that nigga in the phone.
Speaker 5: Yeah they they I was looking at she said, come
Speaker 5: shoot this nigga. Now that she's being cross examined by
Speaker 5: the defense, it's like, oh, I should have never did that.
Speaker 1: It was a mistake.
Speaker 3: It was trying to establish no, it's probably trying to
Speaker 3: establish Yeah, that well ship when they running out the house.
Speaker 3: I know if a nigga run up in here. Let's
Speaker 3: say a nigga come up here and shoot, but he
Speaker 3: don't hit nobody, and he running that way, I don't
Speaker 3: know if he's going out to the car to get
Speaker 3: some bigger ship.
Speaker 1: Like where he's came over here and some harm where
Speaker 1: he's getting fucked.
Speaker 5: That is where when they decided, when the judge decided
Speaker 5: from the gate, I'm not gonna let you slide on
Speaker 5: the stand your ground because the niggas was fleeing when
Speaker 5: you decided to shoot, so you can't say you was
Speaker 5: in fear of your life. When niggas is running away,
Speaker 5: he like, how do you know it's like some stupid ship.
Speaker 5: It's like some stupid ship, Like was it.
Speaker 1: That went through the ship? Or me? How the fuck
Speaker 1: you gonna tell me? What? What level?
Speaker 3: Say?
Speaker 5: You like, say you're in the military and they tell
Speaker 5: you like the rules of engagement you can't shoot until
Speaker 5: being shot upon. So okay, the niggas just jump me,
Speaker 5: they run into their car. So you want me to
Speaker 5: wait until the niggas pull out and start dumping for
Speaker 5: me to dump back.
Speaker 1: I just got my ass kicked by Poe.
Speaker 5: Niggas, you get me, I'm not finna give him a
Speaker 5: fucking chance to go to the car, show me the
Speaker 5: strap and then shoot first. And then I go, Okay,
Speaker 5: now I'm in fear for my life, let me start dumping.
Speaker 1: No.
Speaker 5: I was in fear for my life when the bitch said,
Speaker 5: come shoot this nigga. So I'm already fucking paranoid California.
Speaker 5: I'm I'm already paranoid because I know them niggas like
Speaker 5: you give me when you on some street ship. I
Speaker 5: know them niggas. Then niggas ain't coming over here for
Speaker 5: no conversation.
Speaker 3: He should get off.
Speaker 1: I don't.
Speaker 5: He's not gonna get off. They gonna get in for something.
Speaker 5: I don't give a If they break it down the
Speaker 5: murder to a few years, he's gonna do a few years.
Speaker 5: If they break it down the murder too or man
Speaker 5: slaughter or whatever. But all they're gonna go is you
Speaker 5: kill the nigga straight up. That's it.
Speaker 1: You know what.
Speaker 3: This needs to be a message for all the young
Speaker 3: homies out there, though, stay away from messy as women.
Speaker 3: A messy as woman will get your head knocked on.
Speaker 1: I'm being real.
Speaker 3: Dog, A messy ass woman will get you killed. She
Speaker 3: gonna try to use you to get other motherfucker's jealous.
Speaker 3: She gonna try to get you mad and plucks you
Speaker 3: against homie. She the type of bra that when your
Speaker 3: friends come around, like to homie, Willie, do you talk
Speaker 3: about the type of girl war shorts up her ass
Speaker 3: when friends come around.
Speaker 5: Some niggas like messy the females dog, So you can't
Speaker 5: even put that because they're because you'll hear female tell
Speaker 5: you in a minute, y'all, like the motherfucking bitches that
Speaker 5: be messy and shit loud loud, like.
Speaker 1: Yeah say it again. So like them holes you you
Speaker 1: you have to be careful like.
Speaker 5: I said, this is what I say is no, this
Speaker 5: is what I tell motherfucker's right now in a regular situation.
Speaker 1: Know who you fucking with this period.
Speaker 5: Just know who you fucking with, Know what type you know,
Speaker 5: and have a little something about the mother for know
Speaker 5: a little something. You know this this nigga gets hot
Speaker 5: or this girl get fiery, or I know like I
Speaker 5: can't do this or she gonna be ready to fight
Speaker 5: every bitch or I can't do this because this nigga
Speaker 5: gonna be ready to fight every nigga. You gotta know
Speaker 5: who you fucking with. You get me so in in
Speaker 5: in on on his end, he know who he fucking
Speaker 5: with and he know he got bitches asses in his phone.
Speaker 5: You slipped y'all, y'all fucking drinking and y'all having a
Speaker 5: good time. But again, you know who you fucking with,
Speaker 5: and then you a nigga, then you're bigger. Who know
Speaker 5: I got bitches asses on my phone?
Speaker 1: You wouldn't have no murder on his belt right now?
Speaker 3: So leave my phone. Ain'twhere I don't be giving the fuck.
Speaker 5: Right because you have that trust from your wife and
Speaker 5: then you don't well, ain't got as on your phone?
Speaker 1: Fuck, he's stupid enough. Did she know the colde she's
Speaker 1: been had?
Speaker 5: That cold man? Come on, man, want to tell you
Speaker 5: he been with her. He been with her long enough
Speaker 5: that she know birthdays, social security and special numbers and
Speaker 5: she know the nigga. So she know O, this nigga
Speaker 5: gonna use to too five five for his co Give
Speaker 5: me what the.
Speaker 1: Fuck is the code for it?
Speaker 3: Then?
Speaker 1: Apparently not for her.
Speaker 4: So that's the saying't worried about nobody else at that finger,
Speaker 4: you ain't worried about nobody else knowing to go with
Speaker 4: the bitch. So why the bitch know the cold? Because
Speaker 4: she opposed don't know the cold. She the motherfucker that
Speaker 4: don't supposed to know the cold.
Speaker 1: So that's what I don't.
Speaker 3: Got drunk and told her one day, you.
Speaker 5: Feel me even that man, Females can figure it. Man, y'all, man,
Speaker 5: don't put it. Don't put it past the female.
Speaker 1: Man was the last motherfucker that don't She don't suppose
Speaker 1: to know the code.
Speaker 5: I know we we on some nigga niggas, but let
Speaker 5: me tell you something, I don't put nigga nigga. A
Speaker 5: female smart as a motherfucker, female smartests enough fucker, and
Speaker 5: she'll drink you under the table. So while your motherfucker
Speaker 5: dumb ass over there, loaded as a motherfucker, she over
Speaker 5: there and had five shots and steal like reddy niggas,
Speaker 5: watch like what nigga? Yeah, And while your ass stumbled
Speaker 5: into the bathroom and then forgot you the left the phone.
Speaker 5: She's looking at you the whole time while you're going
Speaker 5: as soon as that door closed, bing bing, big big
Speaker 5: bing bing bing, bing binghy got e.
Speaker 3: You know what I want to ask you, man, I
Speaker 3: gotta talk to you about some music, and we got
Speaker 3: you off. We gotta talk to you about some motherfucking music. Doog,
Speaker 3: you would have fir rapping from San Diego to get
Speaker 3: a national presence, to have a national presence?
Speaker 1: Am I correct? Yeah?
Speaker 4: It was a group called a Legion of Doom. The
Speaker 4: Legion of Doom. When I was like sixteen seventeen, I
Speaker 4: heard they.
Speaker 1: Shit and they was from San Diego. Yeah, they were
Speaker 1: from San Diego.
Speaker 4: They had a deal, I think, So I think they
Speaker 4: had something like a local situation, but not like death Jam,
Speaker 4: you know what I mean? So probably yeah, like the
Speaker 4: first major you know what I mean, first major situation.
Speaker 3: Now, how did you get hooked up with jam Master J.
Speaker 1: Jam messad Jay?
Speaker 4: He It was a situation where I was on the
Speaker 4: run from WYI and my brother came and got me.
Speaker 4: He was living in Virginia, so he came and flew
Speaker 4: me back to Virginia and I stayed out there until
Speaker 4: I turned twenty one. So in that between that time
Speaker 4: and me being like like nineteen to twenty one, I
Speaker 4: stayed back out there.
Speaker 1: So I wouldn't.
Speaker 4: Uh, So once I turned twenty one, I wouldn't have
Speaker 4: to worry about going to jail no more.
Speaker 1: It was like an honorable discharge, you know.
Speaker 4: So I stayed out there for that two years, and
Speaker 4: then that two years one of the guys was going
Speaker 4: to Norfolk State.
Speaker 1: He was from Queens.
Speaker 4: So I made a like a two song demo and
Speaker 4: we took it to jamsaj Mom's house out in the Hollis,
Speaker 4: Queens and shit, he he he heard the ship and
Speaker 4: wanted to sign me the JMJ Records. And that's when
Speaker 4: Onyxon was on there at the time. So I ended
Speaker 4: up flying back home after I was off, you know,
Speaker 4: off of paperwork or whatever, and he was like, man,
Speaker 4: we want to sign you to the label. So I
Speaker 4: signed with jam Master J's label first, and then I
Speaker 4: ended up doing the soundtrack the Jason's lyric and the
Speaker 4: show shit like that.
Speaker 1: Because of the juice J had with Russell.
Speaker 4: So I was able to get on those different soundtracks
Speaker 4: before I even put out a single or something, you
Speaker 4: know what I mean. So and I was out in
Speaker 4: New York with him, like at a twenty five seven studios,
Speaker 4: and he was showing me how to make hooks to
Speaker 4: records and shit like that, even though I knew how already,
Speaker 4: but it just seizoned me, you know, a lot more
Speaker 4: being with guys like that that I looked up to,
Speaker 4: like run DMC shit like. Then I found out Jay
Speaker 4: actually worked on one of my favorite albums was Slick
Speaker 4: Rick's album, you know what I mean. Said Jay had
Speaker 4: production on that, you know what I mean. So for sure, Yeah,
Speaker 4: so he knew what he was doing. Man, So I
Speaker 4: kind of, you know, took a lot of lessons from him,
Speaker 4: and that's where it all started, you know what I mean.
Speaker 4: Then I went to Death Jam after this situation with Jay,
Speaker 4: I went directly to Death Jam.
Speaker 3: You know what I mean.
Speaker 5: Was that a like a stipulation in the contract that
Speaker 5: if something happened with Jam J, you would fall straight
Speaker 5: to death Jam.
Speaker 4: Nah, I think on some real shit. I just think
Speaker 4: my lyrics got to be over there, you know what
Speaker 4: I mean, because I didn't have a thing. I think
Speaker 4: actually leor leor like helped that situation, you know what
Speaker 4: I'm saying. He kind of got me away from jamming
Speaker 4: jam Master Jay's label and got me a deal with
Speaker 4: Death Jam, you know what I mean. And they kind
Speaker 4: of I don't know what happened, what business went bad
Speaker 4: with them or whatever, but they like got evicted out
Speaker 4: the building. You know what I'm saying that that label,
Speaker 4: what happened with them in death Jam, you know what
Speaker 4: I mean? But I signed directly to them, and I
Speaker 4: had like a ten album fucking deal. Like I'll still
Speaker 4: be making albums right now, you know what I mean.
Speaker 4: If I didn't ask to get out of my contract.
Speaker 4: But I did a ten album deal with them back then.
Speaker 1: But what you want to leave?
Speaker 4: It was like, really, I think if I would have
Speaker 4: had somebody fight my battles because I was signed to
Speaker 4: the New York label, you know what I mean. So
Speaker 4: I was thinking if I had somebody to handle the business,
Speaker 4: I wouldn't I probably wouldn't have left.
Speaker 1: But that was the only thing.
Speaker 4: It was like I had to be the artist and
Speaker 4: the nigga fighting to get more from the label and
Speaker 4: shit like that.
Speaker 3: So it was like.
Speaker 4: Clash heads like that, you know what I mean exactly,
Speaker 4: Like I didn't have a point person like an earth
Speaker 4: Gotti or a wire from Rough Riders or somebody like.
Speaker 1: That, right to handle somebody to go in and talk
Speaker 1: to ship for you, Yeah, so I could eat it.
Speaker 4: Just an artist, I gotta be the motherfucker like like
Speaker 4: Dame Dash and they're cussing their ass out and trying
Speaker 4: to be the fucking jay Z at the same time,
Speaker 4: you know.
Speaker 3: And it's rough when you want to label. It's on
Speaker 3: the other side of the country too.
Speaker 4: Yeah, exactly, And you know that it's a New York
Speaker 4: Lates based late it's a New York based label, so
Speaker 4: really they really not really giving a fuck, really, you
Speaker 4: know what I'm saying about niggas from the coast.
Speaker 1: So the typical shit you wasn't getting the promotion, you wasn't.
Speaker 4: Getting there, You're going there niggas, And like I would
Speaker 4: go in there to New York and I would look
Speaker 4: at the walking and promotion plan for say like somebody
Speaker 4: like Joah Rule, and I would look at all the ship.
Speaker 1: They had them doing.
Speaker 4: I was like, goddamn, you know what I'm saying, Like
Speaker 4: like it's it was like this nigga, like you feel me,
Speaker 4: Like come on, okay.
Speaker 1: So basically.
Speaker 4: I just started doing shit on my own, you know
Speaker 4: what I mean, Like trying to get my name bigger.
Speaker 4: So I got on shit like E forty record with
Speaker 4: me and him and ce Bow because I can record.
Speaker 4: Then I got on the record with me and Snoop
Speaker 4: that got Beef record, you know what I mean. So
Speaker 4: I started getting making my own buzz, just just off
Speaker 4: of my lyrics, you know what I'm saying. I got
Speaker 4: on Scarface album fucking ice Cube, you know what I mean.
Speaker 4: It started making my own way, and it kind of
Speaker 4: took my name, you know what I mean, my stake
Speaker 4: up more because a lot of artists was requesting me
Speaker 4: to be on their projects, you know what I mean.
Speaker 4: So that kind of kept my name, you know what
Speaker 4: I mean, out there until I can get on do
Speaker 4: my own. Then I came out with the crip hoop
Speaker 4: shit when I went independent, you know.
Speaker 1: What I mean. So that's what it was. You did
Speaker 1: well with that album, Nigga, No doubt it was independent.
Speaker 1: I think it would have did more.
Speaker 4: But I remember back then, Volet Brown was working for
Speaker 4: where House telling me take the fucking disc record off
Speaker 4: because I had a record diss and Snoop on there.
Speaker 1: You know what I mean.
Speaker 4: I think I should have took that more off. She
Speaker 4: was like, take that motherfucking record off and I'm gonna
Speaker 4: order more. Uh, order more copies of the album, you
Speaker 4: know what I mean. And at the time I was
Speaker 4: hot there. I was like, fuck that, you know what
Speaker 4: I'm saying. I just kept the record on there so
Speaker 4: crip hop. He's still sold a lot of records to
Speaker 4: be independent, you know.
Speaker 5: So you know that.
Speaker 1: I mean shit, that was my ship, you know what
Speaker 1: I'm saying. So you know what I mean.
Speaker 4: But me and Snoop we ended up squashing that ship
Speaker 4: at the fucking uh the Comic Con out San Diego.
Speaker 4: I went and met him down there at Comic Con.
Speaker 1: Then I came to the.
Speaker 4: Studio with y'all the next day with your damn and all.
Speaker 4: Y'all was in the studio that next day.
Speaker 1: What was it about? I mean, what was you gonna
Speaker 1: Snoop at it about?
Speaker 4: It really was just basically like God, no, it was
Speaker 4: yeah about the crip hop, me making up crip hop
Speaker 4: with E forty, you.
Speaker 1: Know what I'm saying. And then I heard them saying
Speaker 1: this shit, you know.
Speaker 3: What I mean?
Speaker 4: And all I was saying is when the nigga like,
Speaker 4: if I say something that you made up and be like, nigga,
Speaker 4: I make this like MC eight, you feel me? I
Speaker 4: would have gave like how dev C did on the
Speaker 4: first West Side Connection. Now, bitch, be like jayo, felony
Speaker 4: bitch and take a ride with me.
Speaker 1: You know what i mean. It's just humage is all
Speaker 1: I'm saying, you know what I mean. And even he
Speaker 1: forty was like, hey, nephew, ain't at your shit, you
Speaker 1: know what I mean, Like like it was just it
Speaker 1: was crazy.
Speaker 3: And then.
Speaker 1: What was funny about it. What was funny about it
Speaker 1: is like Trady was up there right.
Speaker 4: We was all at the Baby Boy movie set because
Speaker 4: they was in the forties in La, you know what
Speaker 4: I mean. And the forties called me like cut snooping
Speaker 4: him over here, you know what I mean. So I
Speaker 4: went over there to holler at him. But it was
Speaker 4: kind of like, you know what I mean, Like I
Speaker 4: was like, come holler at me, like like you're biting
Speaker 4: my shit, you know what I'm saying. Right, And and
Speaker 4: you know I was born on the East Coast, you
Speaker 4: know what I mean. So I got into wrap from
Speaker 4: from Beach Street and breaking and fucking crush groove and shit.
Speaker 1: So you know how EMC's like, no, you're a biter,
Speaker 1: you know what I'm saying. So exactly I was like
Speaker 1: that was the type of shit I was on.
Speaker 4: You know what I'm saying, Like Nigga, cus bit my shit,
Speaker 4: you know what I'm saying. So that's what it was, man,
Speaker 4: But I don't know. I just wish we would you know,
Speaker 4: I mean we could have you know what I'm saying.
Speaker 4: Niggas just would have say, Nigga, we may crip hop
Speaker 4: like my nigga j o' felony.
Speaker 1: I never would have said nothing. Yeah, yeah, pay homage.
Speaker 3: Especially as you trying to develop your career and get
Speaker 3: your career going, you really can't give no freebies away.
Speaker 1: On forty crip Like nigga, I'm a wie baby. I
Speaker 1: didn't know nothing about no.
Speaker 4: You know what I'm saying. I ain't first, I ain't
Speaker 4: no ask kiss her cub. I'm just nigga and I
Speaker 4: thought we was boys.
Speaker 1: You know what I'm saying.
Speaker 4: Like Nigga, I'm just trying to you know what I'm saying,
Speaker 4: make music, create like like you know what I'm.
Speaker 5: Saying, So I guess it in the same way. It
Speaker 5: be in the same aspect. Like you hear a gang
Speaker 5: a motherfucker saying jail. Don't nobody say, oh I got
Speaker 5: that from eight on the real you know that the
Speaker 5: Ganga motherfuckers have a sly that over time, like how
Speaker 5: do you feel when you hear niggas like jay Z
Speaker 5: or Young j Z, you know or whoever?
Speaker 1: And I just be like, you know something, man, I
Speaker 1: know where the shit started from. Real shit. Can't no
Speaker 1: nigga go back to nineteen eighty seven and be like
Speaker 1: I was saying, Jill, Nigga, I started jail in nineteen
Speaker 1: eighty seven, fucking twelve itch in a song called This
Speaker 1: Is Counting that I did in nineteen eighty seven, so.
Speaker 5: Nobody can take that away from me. And so I
Speaker 5: just look at it like yeah, whatever. But in the
Speaker 5: same sense, like Jayo said, nigga, just say yeah when
Speaker 5: you when you JA and all over records going like
Speaker 5: and everybody should know that that came from the homie
Speaker 5: eight you know or whatever, cause.
Speaker 4: You gotta imagine, like like like he's saying, like, imagine
Speaker 4: it's me and you hear you listening to uh kJ,
Speaker 4: you hear nigga where crip hop crip hop, you get
Speaker 4: to hear the Baby Boy movie soundtrack, crip pop crip hoop,
Speaker 4: fucking Eve album. You know what I'm saying pop crip.
Speaker 4: I'm like, whoa, you know what I'm saying, nigga never
Speaker 4: say my name or nothing.
Speaker 3: You know what I mean?
Speaker 1: Yeah, you get you.
Speaker 4: Then niggas act like like I don't know. Niggas act
Speaker 4: like they didn't get this ship from me, Like where
Speaker 4: the fuck you get it from? Cause they was up
Speaker 4: on E forty basketball court? Is where you ever first
Speaker 4: heard that when I said fuck hip hop niggas crip hoop?
Speaker 4: I was on E forty basketball court when I wrote
Speaker 4: that ship.
Speaker 1: You know what I mean? Yeah, you know what I mean.
Speaker 1: It is what it is. I mean, I mean some niggas,
Speaker 1: That's that's what it was about. You know what I'm saying.
Speaker 1: So some niggas want to take take shit and and
Speaker 1: own it for themselves. You know what I'm saying. And
Speaker 1: I don't know what it is about. Just you know
Speaker 1: niggas period.
Speaker 4: Like it's funny eight about that shit. Like like Trady,
Speaker 4: he was like, oh my mama made up crip. I
Speaker 4: remember we was at the trailer over Hi.
Speaker 1: I'm like, cause you're gonna blow your mama up cuz
Speaker 1: I'm like, what the fuck. You know what I'm saying?
Speaker 1: Like like it was.
Speaker 4: It was so crazy, and and me and Trady niece
Speaker 4: was together. She was living with me at the time. Right,
Speaker 4: So I'm like, cuse I need cutting fade. You know
Speaker 4: what I'm saying, Like we gotta go, We gotta get down.
Speaker 1: You know what I'm saying.
Speaker 4: Right, And what had me pissed off about that is
Speaker 4: like me and Trady used to shoot fucking rockets at
Speaker 4: each other every fourth of July.
Speaker 1: Nigga, we in cank on or you know what I'm saying.
Speaker 1: So that was my boy. So I was like, man,
Speaker 1: why the fuck you taking up?
Speaker 5: You know what I mean.
Speaker 1: We was going through it, like why are you taking
Speaker 1: up for niggas trying to lie? You know what I mean?
Speaker 4: So I tell his niece like like, you gotta take
Speaker 4: me to cuse I need my issue cause I need
Speaker 4: my fade, you know what I mean, Like, you gotta
Speaker 4: take me to Cuz house.
Speaker 1: So she called him, Hey, we on our way over there.
Speaker 1: You know what I mean, Jayo need his fade, he
Speaker 1: need this issue. You know what I'm saying. That nigga
Speaker 1: said my name Trady Mohammed nigga. Well we gotta do
Speaker 1: the result. He like nigga try to fight you over
Speaker 1: that bullshit. You know what I'm saying. I'm like, I'm like, hell,
Speaker 1: y'all niggas crazy, Well.
Speaker 4: I want stand michaelphone. All I wanted was niggas to
Speaker 4: pay hummage to what.
Speaker 3: We was boys.
Speaker 1: You know what I'm saying. It wasn't like Nigga, like
Speaker 1: we was on tour together, My nigga, like me.
Speaker 4: And the East Siders, Nigga, we you know, I mean
Speaker 4: me Gody Low for Steves. Yeah, you know what I'm saying.
Speaker 1: We was on tour. We all east Side, you know
Speaker 1: what I mean. So it was like nigga.
Speaker 4: When we was on the Upper Smoke tour, it was
Speaker 4: it was me Goldie Local trade together on the tour bus.
Speaker 1: You know what I'm saying.
Speaker 4: We had to hold each other down while while Snoop
Speaker 4: couldn't even perform them records with the East Siders because
Speaker 4: he was on Doctor Dre set, you know what i mean.
Speaker 4: So he had to do them big records with Dre
Speaker 4: on for the Upper Smoke shit. So we had to
Speaker 4: hold it down.
Speaker 1: Nigga.
Speaker 4: We was coming out sometimes, Nigga, when we was coming
Speaker 4: out to them shows, it didn't even be no crowd
Speaker 4: in the motherfuckers sometimes, you know what I'm saying. And
Speaker 4: we had to fucking so one time, me and Trady
Speaker 4: we threatened to fuck t Paine up.
Speaker 1: I mean not t paying. What's the nigga name? Uh
Speaker 1: that was on cash Money, Uh t Q t Q. Yeah,
Speaker 1: so we we was.
Speaker 4: We told Dre, hey, nigga, we finna beat up t
Speaker 4: Q tonight because he was taking our time slot where
Speaker 4: he was coming in. I think he paid to go
Speaker 4: on tour, you know what I'm saying. So when he
Speaker 4: was doing his time, the fucking audience was packed. But
Speaker 4: he was an R and B singer, you know what
Speaker 4: I'm saying. And we like, nigga, we got got beef,
Speaker 4: we got hit records, fuck that cud.
Speaker 1: We We told Dre We're finna fuck t.
Speaker 3: Q up tonight, mam beat like you know what I'm saying,
Speaker 3: Like that, you need to switch off his mother.
Speaker 1: You know what I'm saying. We weren't gonna t Q,
Speaker 1: but we was like, fuck that cut spot.
Speaker 4: We nigga doctor dre put Us on his show, right, Nigga,
Speaker 4: we did got beef in New York. I think it
Speaker 4: was in New York. We came out on his set,
Speaker 4: so Dre start telling us, Hey, you're gonna come out
Speaker 4: the liquor store. At this point, he started organizing ship,
Speaker 4: you know what I'm saying. So he made it to
Speaker 4: a way to where we was gonna come out on
Speaker 4: his set. That shit, it would would have been dope
Speaker 4: as fuck, but it got took off the show, you
Speaker 4: know what I'm saying. But we did that like too
Speaker 4: in New York, and then another took off the show.
Speaker 4: I don't know, you know what I'm saying. Niggas probably
Speaker 4: like I don't know, niggas that.
Speaker 3: That mysterious ship that were talking about earlier, like a
Speaker 3: little mysterious shit, because I wonder sometimes like it's certain ship,
Speaker 3: Like I see a big ass concert happened in Inglewood, right,
Speaker 3: and mac tain ain't nowhere on the motherfucker. I be wondering,
Speaker 3: Like I wonder what that nigga' on that show that.
Speaker 1: He from Inglewood.
Speaker 3: Yeah, that would be like a motherfucker having some big
Speaker 3: assh it in San Diego and you not on the motherfucker.
Speaker 3: It's just certain shit that makes sense. They're not be
Speaker 3: wondering why they don't fuck with eight like they should
Speaker 3: and I just be wondering if it beat niggas behind
Speaker 3: the scenes just doing little hate and ass.
Speaker 5: Ship your best belief that ship. It ain't even no secret,
Speaker 5: that's best believe it.
Speaker 3: Yeah, that's come on, real talk, like you know, the
Speaker 3: niggas just the authentic my nigga and my nigga.
Speaker 5: J O can't get a mother fuck I can't get
Speaker 5: five minutes of the show by.
Speaker 7: Digging, bro, I'll be seeing way less caliber, you know,
Speaker 7: come on, man, like real talk caliber catalogs, way less
Speaker 7: caliber performances, you know what I mean, Like they don't
Speaker 7: even have a stage presence.
Speaker 1: Because it ain't like you ain't got the records, my nigga.
Speaker 4: Not even just the records, nigga, I'll rock shit. I'm
Speaker 4: a I'm a performer, my nigga rock ship, you know
Speaker 4: what I mean.
Speaker 1: So I mean niggas have the records.
Speaker 5: It's just like I mean, it's in a nutshells man,
Speaker 5: straight up, on every show every year. It's just it's
Speaker 5: just fucking haters, man, But it's every show.
Speaker 4: When it comes to that type of ship. The only
Speaker 4: way out of that to solve that ship is make
Speaker 4: a way for your self. You know what I mean,
Speaker 4: we're doing right now, making a way for ourselves because, uh,
Speaker 4: waiting on anything else is uncivilized, you know what I mean,
Speaker 4: because it never happened if you're waiting for the next motherfucker,
Speaker 4: especially niggas that don't want to see you there, you
Speaker 4: know what I mean. A lot of these niggas never
Speaker 4: really cut cut from that cloth that they rapping about,
Speaker 4: you know what I mean. So when you ain't got
Speaker 4: niggas around like me, it do make you look like
Speaker 4: you the motherfucker. You know what I'm saying, Like, goddamn,
Speaker 4: I'm just trying to push music. Got to live the rough.
Speaker 1: Yeah, I get, I get, you know what I'm saying.
Speaker 5: Your presence of just being a real straight up nigga
Speaker 5: overshadows niggas with people.
Speaker 1: It's just like.
Speaker 4: When I get on stage, I don't gotta dance. I
Speaker 4: don't got to do no funny ship. All I gotta
Speaker 4: do is do my little walk around and rock this motherfucker,
Speaker 4: you know what I'm saying, And that energy alone. Some
Speaker 4: motherfuckers don't understand, like I say, some simple ship like this,
Speaker 4: like these powers that be and these these motherfuckers that
Speaker 4: be pulling strings, they don't even want us to be
Speaker 4: comfortable just going around in a nice car and got
Speaker 4: that bass and that and that good feeling of music
Speaker 4: and you got your little joint. They don't even want
Speaker 4: you to be at peace, my nigga. Just if you
Speaker 4: at peace with yourself, motherfuckers want to somehow disturb that,
Speaker 4: you know what I mean.
Speaker 1: And that's and that's how that's how I feel like
Speaker 1: it is. Like so even with me right now, I
Speaker 1: had to chill.
Speaker 4: I had to focus and say, fuck it, let me
Speaker 4: get back in the gym, let me do my shit,
Speaker 4: because a lot of these niggas trying to copy me.
Speaker 1: You know what I'm saying.
Speaker 4: A lot of niggas stole my style and shit like that,
Speaker 4: and some of the top gangster rappers. And I know, nigga,
Speaker 4: that's me because when you a writer and you do
Speaker 4: your shit, when somebody steal your shit, it automatically triggered you.
Speaker 4: You know what I'm saying, When somebody say some shit
Speaker 4: that you put your heart into, Nigga, I probably was
Speaker 4: up three, four, five o'clock in the morning writing this shit.
Speaker 4: So when I hear somebody else say it the style
Speaker 4: of it, or say some words that I made up.
Speaker 4: It automatically triggered me, like that's my shit, you know
Speaker 4: what I'm saying. So I just take the good good
Speaker 4: with the bad, you know what I'm saying. Nigga, I
Speaker 4: have had my ups and downs. I'd have been to
Speaker 4: the pen twice, you know what I'm saying. I fucking
Speaker 4: the last time I went was over some pistol shit
Speaker 4: that basically, you know, they put a nigga like me
Speaker 4: in a fucked up situation because the world is crazy.
Speaker 1: I'm not trying to hurt nobody.
Speaker 4: I'm not gonna shoot up no goddamn school or no
Speaker 4: grocery store or none of that. I'm not the one
Speaker 4: you need to be worried about, right, But niggas is
Speaker 4: out here getting popped by the police every day and
Speaker 4: motherfucker's just mass shooting. This motherfucker might come shoot up
Speaker 4: to church. What I'm trying to go pray, you know
Speaker 4: what I mean. So I'm just trying to protect my motherfuckingself.
Speaker 4: But now you put me in a situation where I'm
Speaker 4: a felling with a firearm, you know what I mean.
Speaker 4: So now it's like I gotta think twice. If you
Speaker 4: pull me over and I got a pistol to where
Speaker 4: do I want this nigga to take me to jail
Speaker 4: for the next ten years of my life because I'm
Speaker 4: a felling with a firearm or fuck it cause I'm
Speaker 4: a whole court in the street. Because that now, that's
Speaker 4: the they don't understand by making laws like that, you
Speaker 4: put motherfuckers in that in a pretzel to where they
Speaker 4: got to make a decision like do I really want
Speaker 4: to do ten years or am I gonna blow this
Speaker 4: nigga brains out and just fuck it hole Courton Street
Speaker 4: because I can lose my life in this ten years
Speaker 4: behind bars. You feel me, I might not make it
Speaker 4: back home. I might not make it to even go
Speaker 4: to the pen I might die in the county jail
Speaker 4: waiting to go to the penitentiary, you know what I'm saying,
Speaker 4: So what the fuck? I might as well take the
Speaker 4: gamble right here.
Speaker 3: Yeah, you feel me? I definitely, man feel like it's
Speaker 3: a conspiracy against real niggas and this shit dog well shit,
Speaker 3: even with the podcast shit Dog like, I see certain
Speaker 3: little shit like we was the first ones doing the
Speaker 3: shit that we do. Whole formatt, I see a whole
Speaker 3: bunch of other people. These white boys stay stealing our shit.
Speaker 3: And I don't got no issue with them. They ain't
Speaker 3: never done nothing to me, but they do steal shit. Now,
Speaker 3: they don't even talking to any nigga. That and then
Speaker 3: they find the most ignorant niggas they can interview, right right.
Speaker 3: It don't be in certain celebrities. You know, eight don't
Speaker 3: got a certain niggas. And it's always we will see
Speaker 3: over this, but you will look up and see niggas
Speaker 3: over there fucking with New York niggas and this and that,
Speaker 3: and it's like we stayed paying home much to niggas.
Speaker 3: And then I know it was a time where I
Speaker 3: was worried about ruffling feathers with certain niggas. Now I'm like,
Speaker 3: I don't give a fuck them. Niggas not doing a
Speaker 3: damn thing for me, No way. It's not like they
Speaker 3: come over here to support niggas. So if it's fucked me,
Speaker 3: fuck them.
Speaker 4: Too, real shit. And y'all shure gonna just keep keep
Speaker 4: elevating and elevating. If you do it the way y'all
Speaker 4: do it, make your own mark, you.
Speaker 1: Know what I'm saying.
Speaker 3: So I rather be honest with you I'd rather sit
Speaker 3: down with real niggas, like niggas is my partners and shit,
Speaker 3: come sit down them, sit down, you know. Shot at
Speaker 3: the Homie Catero. I brother had klo on this motherfucker.
Speaker 5: You know what.
Speaker 1: I got a real muff out here.
Speaker 3: Then the muff of this like behind my back, trying
Speaker 3: to sut some shit down, you know, trying to set
Speaker 3: some ship down.
Speaker 1: Man, do that every every day all day. Man, motherfucker.
Speaker 3: You know we was talking about that, man, that this industry,
Speaker 3: it's very very strange. Dog Like I was telling I
Speaker 3: was telling eight a few weeks ago about a party
Speaker 3: I went to you and home. You have to kind
Speaker 3: of crawl off the little cellar windows and ship they're
Speaker 3: doing some weird shit. You don't have the wild. It's
Speaker 3: like at the wild and little plate trays start getting
Speaker 3: passed right, the niggas doing ship this nigga over here,
Speaker 3: with this nigga over here, and like what the fuck
Speaker 3: is going on the loose.
Speaker 5: They want you, they want you to put on some
Speaker 5: of them vanilla masks or some of them mask walk
Speaker 5: around decade the nigga nigga vanilla.
Speaker 3: I ain't fucking with it. I ain't fucking with im out, man.
Speaker 5: They want nigga put on one of the more fucking
Speaker 5: masquerade ball bag. Oh yeah, we'll walk around in the red,
Speaker 5: walk around in the red. Your whole side of your face,
Speaker 5: asshole decade igs watch shut looking at watch shut, looking
Speaker 5: at the nigga every Yeah, And I think some of
Speaker 5: the premise of selling your soul. I think some people
Speaker 5: when they think of people selling their soul, they think
Speaker 5: of just like some sataniccause, demonic ship. No, it's the
Speaker 5: most little basic ship. If you if you go let
Speaker 5: another man do anything that you touch on you, you're
Speaker 5: selling your soul anything you can do this your principles.
Speaker 1: You know, I gotta be I gotta be a man.
Speaker 3: Yeah, niggas of all kind of weird ship. It's niggas
Speaker 3: that want to see. It's niggas that want you to
Speaker 3: knock that girl down or for you to watch they
Speaker 3: watch the ship like.
Speaker 1: Stay from one of the mother.
Speaker 5: I see why you want to leave?
Speaker 1: Why leave?
Speaker 5: I see why you took the podcast from the house
Speaker 5: in the Hollywood Hills.
Speaker 1: They was doing well. There wasn't no no weird ship.
Speaker 3: My nigga came. Nigg Cato was over there with me,
Speaker 3: but them niggas got weird a little bit too. That yeah,
Speaker 3: it would get crazy after dark. But I'm gonna tell
Speaker 3: this story again, so forgive me for Ironicals fans, because Jay,
Speaker 3: I don't know if he heard this story. I was
Speaker 3: somewhere dog with one of the homies, and this is
Speaker 3: a homie that's kind of from the hood, right, So
Speaker 3: I'm just taking them while you're hanging out. And then
Speaker 3: he tell me, hey, man, you see such and suctions
Speaker 3: over there Christinas. I said, no, you ain't even shit
Speaker 3: like that happened my nigga. So we just starting to
Speaker 3: just chill. You know, there's more people coming in. The
Speaker 3: music start happening. The next thing you know, I'm seeing
Speaker 3: niggas take their shirts off and ship when they get
Speaker 3: naked and they around there. They they doing some ship dog.
Speaker 3: They got some motherfucking like some pink cocaine and some
Speaker 3: shit dog Like, I've never seen no ship like that before.
Speaker 3: They asked. I'm like, no, I'm cool. I'm cool.
Speaker 1: I got my own weeds. I don't even.
Speaker 5: Man.
Speaker 3: Once the ship got so off the hook, and then
Speaker 3: you know, the housees be so strange, you don't know
Speaker 3: how to get out the mother fucking So I'm walking
Speaker 3: into people's bedrooms and ship I'm trying to get out,
Speaker 3: and I'm high and I'm trying to get out, so smoke.
Speaker 3: Me and the homie go down these stairs and it's
Speaker 3: like a little motherfucking thing, and then we see some
Speaker 3: ship in this dark. It's like a pentagram on the
Speaker 3: floor of my nigga and it's some motherfucking like, what's
Speaker 3: that ship In the movie on one of my favorite
Speaker 3: motherfucking movies, the nigga that had the mask on was
Speaker 3: tied up.
Speaker 1: Like you look out of you. They wanted him to
Speaker 1: put on the masks and red robe. Asshole.
Speaker 3: Next you know, Hollywood Hills got them little windows on
Speaker 3: the side. They go all off into the back thing.
Speaker 3: So me and the hommy crawled through this little bitty
Speaker 3: ass window darg and we getting off. I thought I'm
Speaker 3: about to fall down the motherfucking heel and ship Dog
Speaker 3: were on the side of the house in the back
Speaker 3: and were holding on the ship because it was a
Speaker 3: steep bass slope like a nigga would have failed. Nigga
Speaker 3: probably died falling off that motherfucker. But man, we got on.
Speaker 3: The homie was My homie was a little chunky. He
Speaker 3: couldn't get so I had to grab his ass through
Speaker 3: this crash, the whole side of his up and.
Speaker 1: Ship man trying to escape. You had to get away
Speaker 1: from that motherfucker. It's some weird ass ship.
Speaker 3: Going on out that Ye stay up out of Hollywood, man,
Speaker 3: Hollywood got share your parents. Stay yeah, because I'm gonna
Speaker 3: tell you though. It's a lot, and this niggas is
Speaker 3: willing to do anything to be in his industry.
Speaker 1: Though.
Speaker 4: You know what's crazy, man, The way that ship works,
Speaker 4: it's like people, the average like person, the average person.
Speaker 1: Don't believe none of that ship. You know what I'm saying.
Speaker 1: I didn't believe. I saw myself, the average person, their
Speaker 1: favorite celebrity.
Speaker 4: What you go back, They're not gonna They're not going
Speaker 4: to They're not gonna ever fathom what what about none
Speaker 4: of that ship?
Speaker 1: Oh niggas believe these niggas are superheroes.
Speaker 4: So it'll never registered with them as long as that's
Speaker 4: as long as that's the fact. They don't give a
Speaker 4: fuck who knows what because they have enough people that's
Speaker 4: so stupid that they'll never know how it works. They
Speaker 4: don't give a fuck about who knows or who you never.
Speaker 4: They got this shit so locked down, they don't give
Speaker 4: a fuck like how they hell, they'll have your ass
Speaker 4: thinking you a crackhead before you make it back.
Speaker 3: I'm telling you, dog, some of these niggas that you
Speaker 3: see out here, like what's the one little harmy to
Speaker 3: act that that don't lost his mind, he'd be.
Speaker 1: On there talking crazy Orlando Brown.
Speaker 3: I'm gonna tell you, dog, it's niggas out here that
Speaker 3: don't seen some ship and they want to paint these
Speaker 3: niggas being crazy. These niggas ain't crazy. They telling the
Speaker 3: motherfucking truth. Dog, These niggas is weirdos.
Speaker 4: That motherfucker crazy because I seen them talking about the
Speaker 4: old pie, rude blood and a nigga.
Speaker 1: If you don't knock it off, some niggas don't throw
Speaker 1: I'm gonna tell you, dog, it used to be a
Speaker 1: thing dog I heard up in the bay. It makes
Speaker 1: a lot of sense, though sometimes it's like all of
Speaker 1: them do.
Speaker 3: Some niggas don't got slipped the mickey though, my niggas.
Speaker 3: Some niggas don't got a bad bas this. Why don't
Speaker 3: smoke weed after niggas, Dog, I don't do none of
Speaker 3: this shit. I don't want.
Speaker 1: I want whatever.
Speaker 3: I'm whatever our take, it's gonna be on my own
Speaker 3: the cord. You ain't gonna sneak no shit up on me.
Speaker 4: They be putting fence and all in every motherfucking thing anyway,
Speaker 4: you know, going on.
Speaker 3: You don't know what the fuck is? Go go on
Speaker 3: at the Batch, hey, man, you know one thing, and
Speaker 3: I'm trying to stay away from the controversial shit. But
Speaker 3: niggas go be like, why you ain't asking this? Yeah,
Speaker 3: bad Batch.
Speaker 1: You was the first nigga I've seen really and you
Speaker 1: can't make Jay early dog?
Speaker 3: Is he your blood? Does he crip our suck that
Speaker 3: in his big ass lips? I see, Damn Jay I
Speaker 3: was really trying to massac motherfuckers on his microphone.
Speaker 1: Man, and man, oh that's crazy.
Speaker 4: Trued Up was crazy because it came out on Motown,
Speaker 4: the label Motown, you know what I mean. So it
Speaker 4: got really a lot of buzz and it was getting
Speaker 4: a lot of radio play.
Speaker 1: And then not to take nothing away from jay Z
Speaker 1: we cool now or whatever, but the song was it
Speaker 1: was like back.
Speaker 4: Then, I was going against the machine of death jam
Speaker 4: and bet uh like I just thought it was some battleship.
Speaker 4: I just wanted to rap. I ain't want no harm
Speaker 4: to come to the nigga nothing, you know what I'm saying.
Speaker 4: But it was like the Machine of Death. Jam was
Speaker 4: calling them labels like if you play that record again,
Speaker 4: they we ain't doing the summer Jam type of shit,
Speaker 4: you know what I'm saying, or or we're gonna pull
Speaker 4: our artists type of ship like. It was like the
Speaker 4: machine you know what I'm saying. The true up was
Speaker 4: getting getting ground. It was playing in Miami and Ship
Speaker 4: like that. They were starting to get ground, and they
Speaker 4: pulled that motherfucker and they stopped the video from playing,
Speaker 4: like they banned the video from BT. The videos was
Speaker 4: like a fucking film like I was.
Speaker 1: I remember.
Speaker 4: I had homies from sixties with the Low Riders and
Speaker 4: and we was in the valley and and it was
Speaker 4: a part when the when the video start and you
Speaker 4: see me eying my.
Speaker 1: Khakis and ship.
Speaker 4: This look like a movie like And I remember the van,
Speaker 4: the bus from San Diego radio station Z ninety coming
Speaker 4: out here. It was like a light light blue van,
Speaker 4: I mean a light blue tour like a like a
Speaker 4: city bus. Looked like you know what I mean. So
Speaker 4: they had this big ass bus come out here and
Speaker 4: we were standing on the bus.
Speaker 1: That shit was.
Speaker 4: But they banned that video from from you know what
Speaker 4: I mean, from BT and I used to just look
Speaker 4: at sh like now how they let all kinds of
Speaker 4: gang bang shit on TV.
Speaker 3: Oh yeah, you al was a free curse up. You
Speaker 3: gotta remember you and eight was like in the golden
Speaker 3: age of hip hop. Dog Everything was quality back then.
Speaker 3: It wasn't like now to where some of the ship
Speaker 3: that might have a banging beat, but the nigga ain't
Speaker 3: saying nothing on it. It was everything was quality back then.
Speaker 3: If you called yourself a rapper back in the nineties,
Speaker 3: you had to really know how to rap well. You
Speaker 3: wouldn't go give in a microphone.
Speaker 4: Everybody had their own style, like eight didn't sound like
Speaker 4: this person or this person that's sounds.
Speaker 1: Like like you know when you here eight, that's eight shit.
Speaker 1: You know you hear king t that's Kate.
Speaker 3: Then it wasn't no biting the dog. You couldn't couldn't
Speaker 3: go sound like Jo Fell and the ship. Actually you
Speaker 3: couldn't go grab eighth. Everybody sound like like the.
Speaker 1: Things very high on biting you feel.
Speaker 4: Me no doubt Auto to him things like, even though
Speaker 4: some of that ship sound dope, I ain't gonna front
Speaker 4: you know, some of us cool, but it's like, what's
Speaker 4: be cool about it?
Speaker 1: It would be mostly the melody that you create. Be
Speaker 1: what's cool about it?
Speaker 4: You know what I'm saying, And then you harmonize that
Speaker 4: ship and repeat it now it said fucking hit you was.
Speaker 1: The first song.
Speaker 3: You was the first rapper on a major label I've
Speaker 3: ever seen battle niggas at his n store.
Speaker 1: Yeah, you had.
Speaker 3: You in confident that shout out to the big a
Speaker 3: big ship Underworld Records, because I have my record store
Speaker 3: up the street and pair of my big a me
Speaker 3: help me open my ship up. Yeah, and this nigga
Speaker 3: sayo he was gonna perform one of his songs, and
Speaker 3: he said fuck. He was in the middle of the
Speaker 3: first verse, said fuck this ship. I was tearing some
Speaker 3: niggas answers up. My little niggas start lining up. He
Speaker 3: was like, niggas up and then't guess who came on stage,
Speaker 3: Orlando Anderson's nephew, Yeah, and got his ass lit up,
Speaker 3: got a viscerrat all. I remembers Jo telling that nigga
Speaker 3: I would bust a nut on your curly top. I
Speaker 3: was like, damn, you just told a nigga, I bust
Speaker 3: a nut on your curly top. And he was just
Speaker 3: up there, just fucking niggas up like about five or
Speaker 3: six niggas. I said, this nigga really can rap. But
Speaker 3: that made me a fan of his music. Keep him more.
Speaker 3: He wasn't. That's crazy. I remember that ship went up
Speaker 3: to music merchandise. Remember they had the one stop of
Speaker 3: the Murder Park. I went up there and bought like
Speaker 3: two hundred copies of your CD Dog and put him
Speaker 3: in the store and had a little display up there
Speaker 3: because I said, this nigga really out there battling niggas.
Speaker 3: Now was important to me. If Nigga MC can he
Speaker 3: really rhyme exactly? Man.
Speaker 4: I wish I would have stayed doing that, like selling
Speaker 4: the music directly to the consumer.
Speaker 1: That's when that's when the bag was fat. Yeah, yeah,
Speaker 1: if we would Yeah, if Nigga kept making them CDs
Speaker 1: and selling them directly to the motherfucker's boy, I don't know.
Speaker 1: It was just something about being on a label. It
Speaker 1: was something. It was our era.
Speaker 5: It was like you made it, nigga, you signed the
Speaker 5: who or you won't, oh you on sony, or you
Speaker 5: own so and so so that that that made.
Speaker 4: Us feel like the movies attached to having a deal
Speaker 4: like them soundtracks and exactly like that.
Speaker 1: It seemed like all that should be attached to the
Speaker 1: magor label your It was.
Speaker 3: At a time when that soundtrack money was. It was
Speaker 3: a motherfuckerracund track.
Speaker 1: Money, and it was some like quality movies coming out,
Speaker 1: like fucking forty out forty ounce.
Speaker 5: Commercial money was good, you know what I mean That
Speaker 5: Saint I's money was good. Fucking like you said, soundtrack
Speaker 5: money was good. Niggas was getting like thirty forty thousand
Speaker 5: for you know, for a backing hard days of the
Speaker 5: of the late eighties early nineties. You getting forty thousand
Speaker 5: for one song on a soundtrack. I did like four
Speaker 5: of their motherfuckers, Hell yeah, and that's crazy.
Speaker 3: I remember eight saying, Man, I knew something was wrong
Speaker 3: when I was getting more money for turning in a
Speaker 3: song and I got for my whole motherfucking album.
Speaker 1: Oh yeah, motherfucker that soundtrack breaking the yeah.
Speaker 5: Them soundtracks breaking me off, thirty thousand. Nigga, I wasn't
Speaker 5: seeing thirty thousand for a whole record. I was like,
Speaker 5: Nigga see him like seven years.
Speaker 3: Oh you think Unknown Unknown probably was mad as a
Speaker 3: motherfucker when he was dealing directly with the motherfuckers, wasn't it.
Speaker 5: I mean, he probably had to look at it like.
Speaker 5: I don't think he was probably mad. He probably looked
Speaker 5: at it like it's time. You know, I've I've you know,
Speaker 5: I've dealt my diligence. I've had my hand in the
Speaker 5: cookie jar for long enough. It's probably it's gonna just
Speaker 5: be a matter of time before a nigga wake up
Speaker 5: and be like, fuck this shit. You know, coming into
Speaker 5: this business, I always tell niggas, man, I always tell niggas,
Speaker 5: you're gonna get fucked. Somebody gonna have their hand in
Speaker 5: the cookie jar again, and you give me. I had
Speaker 5: to come through somebody, so of course they was gonna
Speaker 5: be like, you get me, Nigga getting, nigga, niggas getting
Speaker 5: And I had no idea niggas was pulling in a
Speaker 5: quarter of a million, three hundred thousand for fucking records
Speaker 5: to do CMW records.
Speaker 1: Nigga, I didn't know shit. And Nigga hand me a
Speaker 1: check for five grand. Nigga.
Speaker 5: I'm like, Nigga, let's get it cracking, not knowing that
Speaker 5: somebody just got a check for two hundred and fifty
Speaker 5: thousand dollars to do this record, and that's probably you know,
Speaker 5: that's that's that's shit today, you know, to some artists.
Speaker 5: But Nigga backing motherfucking eighty nine ninety ninety one, Nigga
Speaker 5: and the niggas like Nigga, niggas was getting quarter of
Speaker 5: a million.
Speaker 1: Hurt y'all heard, niggas ain't getting them bags no more
Speaker 1: the labels, man. I mean, I couldn't you know because
Speaker 1: right now, you know, niggas is creating make.
Speaker 3: No money off there streaming shit. Though they talk about
Speaker 3: niggas making money, man, but that shit you get something.
Speaker 3: Niggas is making money like you know that. To me,
Speaker 3: the artists of today, a lot of them are making
Speaker 3: money like we used to do touring. If you can
Speaker 3: get on the motherfucking tour and you get.
Speaker 1: Sixty deals, they want a piece of everything.
Speaker 5: Yeah, I mean, the deal is a deal wasn't shipped
Speaker 5: to me because like I said, they gonna hand me
Speaker 5: what they're gonna have me one hundred grand to do
Speaker 5: my record. Okay, Sony used to have me one hundred
Speaker 5: and eighty grand to do my record. Okay, really that
Speaker 5: ain't shit. Not back in our days when you got
Speaker 5: to pay to go up in a place like Echo
Speaker 5: Sounds and fucking Cheroke and producing something like that. And
Speaker 5: then yeah, and then if you going to somebody that
Speaker 5: you know ain't inside the crew. Niggas was wanting twenty
Speaker 5: thousand for beats. So my brother Bob, I think he
Speaker 5: was getting twenty thirty.
Speaker 1: Beat Niggas was getting. Niggas was getting.
Speaker 5: You could easily back in those days, you could easily
Speaker 5: acts a label for ten fifteen, twenty thousand for a
Speaker 5: meet and they give it to you like it wasn't shit,
Speaker 5: especially if you had a little name mister shit, Yes,
Speaker 5: you had a name as a producer, like when they
Speaker 5: brought in, when they brought in I think Mugs did
Speaker 5: like four songs on my record.
Speaker 1: They probably paid Mugs probably one hundred grand to do them.
Speaker 1: Four songs, you give me. I think Daz produced the
Speaker 1: song on my record. You know when the Dog Pound
Speaker 1: and Snoop was them was at the height. They probably
Speaker 1: paid Dazz about thirty grand to do that song.
Speaker 3: You get me.
Speaker 5: They didn't give a fuck. You know why because you
Speaker 5: never saw a royalty check. I never saw a royalty check,
Speaker 5: you know. When I was signed to Epic, never I
Speaker 5: could go in and I could get a budget of
Speaker 5: about one hundred and fifty or two hundred grand. And
Speaker 5: that's how I work my bread. I go, okay, I
Speaker 5: ain't finna go hire no producers. Me and Slip fin
Speaker 5: to do this whole motherfucker. That's all. If I go,
Speaker 5: fuck it, If I go, I'm finished. Set aside fifty
Speaker 5: thousand for production. Nigga, I throw slip twenty five and
Speaker 5: I take twenty five, and we produced the whole record.
Speaker 5: And then when it came to recording, Nigga, I tried
Speaker 5: to fly. When they came like Nigga, I'm gonna go
Speaker 5: book the studio up for like four a's.
Speaker 3: Most niggas just bought their own equipment. I remember Nigga,
Speaker 3: thirty niggas start, we started doing equipment.
Speaker 5: Started like in the beginning, I recorded everything that slips
Speaker 5: house right in his den, you know. And then when
Speaker 5: you get to the epics and the death jams, you
Speaker 5: had that sense of oh no, Nigga I'm going to
Speaker 5: studio studio. So I started booking Echo Sounds, I started
Speaker 5: booking Cherokee, I started booking Record One.
Speaker 1: In places like that.
Speaker 5: Music, I'd be like, I'd kickback, like, hey, I wasn't
Speaker 5: kicking back like Nigga. I'd be in there, Nigga, you
Speaker 5: talking about nigga thousands and thousands and thousands to where
Speaker 5: I'd be like, Nigga, this shit eating up a nigga budget,
Speaker 5: and especially when you know you're not getting a royalty
Speaker 5: check and you gotta you gotta maintain off that up
Speaker 5: front money. So that's what we did. Nigga, we record
Speaker 5: at home. We gonna mix at the studio, but we
Speaker 5: record at home and me and Slip do all the beats.
Speaker 5: So that's how I was able to maintain because I
Speaker 5: didn't see a royalty check, Nigga royalty check. They'd be like, Nigga,
Speaker 5: we gave you two hundred and fifty grand, and then
Speaker 5: we paid for three videos at seventy five thousand apiece,
Speaker 5: and then you went on promo tour and we paid rooms,
Speaker 5: and we paid for phone calls and meals and trips.
Speaker 3: And I found out about the recruitming shit. The he
Speaker 3: oh wait. Man. When I first went to London, I
Speaker 3: took my homie with me. Man, I took DJ Kochie
Speaker 3: with me. We flew back. We had like we was
Speaker 3: on a MTV bas tour because you know, the MTV
Speaker 3: out there caught some different shit was called MTV base.
Speaker 3: That was all the urban shit. We was out there
Speaker 3: for fifteen dates, I think, dog and so the first
Speaker 3: five dates we had two weeks off me and this
Speaker 3: nigga flew back home like two or three times. Like
Speaker 3: I thought I was free, you know, like I'm gonna
Speaker 3: go back home. Watch my son a man running the
Speaker 3: tab up. I got my statement because the first check,
Speaker 3: because you know, I had to deal with a distributor,
Speaker 3: so it was a little different.
Speaker 1: The first nine days.
Speaker 3: I got my shit here and I was like a
Speaker 3: nigga on soda, decent mom, I'm expecting next check to
Speaker 3: be fifty or sixty. That shit was fourteen thousand dollars.
Speaker 3: Dog a nigga, my Flight's dog, Day Sharks, the nigga
Speaker 3: twenty five hundred, the flight dog, every little thing for
Speaker 3: this and that, and I thought the shit was free.
Speaker 3: We ordered all kinds of shit. We catching cars. It
Speaker 3: wasn't an uber round back then. We hopped in taxis,
Speaker 3: riding all over the most of the place. They said, no,
Speaker 3: you paying that back, homie. Oh no, we recooping that
Speaker 3: were all that shit. But then I start telling niggas, man, no,
Speaker 3: we can't go back home, y'op, but you come back
Speaker 3: on this road. Ask beat it til we get back.
Speaker 3: All that flying home because the girlfriends and shit like that.
Speaker 3: Niggas woman get to call on them crying on the
Speaker 3: phone and shit, niggas be like, I'm glad to go
Speaker 3: back home. It's an emergency, Like, nigga, that's not no
Speaker 3: motherfucking emergency.
Speaker 1: Yeah, man, fuck that.
Speaker 4: I was doing that shit, taking niggas in New York
Speaker 4: all the time when I first signed my deal with
Speaker 4: J and M. Flying niggas from the San Diego hotel, rooms,
Speaker 4: homies out there, food and all that shit.
Speaker 1: Crazy to recoop.
Speaker 5: Yeah, well yeah, I always learned to keep my shit down.
Speaker 5: I would only take niggas like that, essential niggas. I
Speaker 5: would only take niggas like if we was rolling deep
Speaker 5: when it was like a real concert tour or something
Speaker 5: with anything that had to do with the label. I
Speaker 5: wouldn't take nobody. But once Chill went, you know, I
Speaker 5: had to do his time. I just take me and
Speaker 5: Mike t be me mighty and slip that's it because
Speaker 5: fuck that shit. Hey that ship you already know they
Speaker 5: recooping the ship off your budget. So yeah, I learned
Speaker 5: that fast.
Speaker 3: Oh yeah, yeah, you know. On What's crazy is man?
Speaker 3: This seemed like jam Master J kind of did right
Speaker 3: by you though. Yeah.
Speaker 4: One thing about Jay, like if it was something in
Speaker 4: the contract or something like that that I didn't like,
Speaker 4: he would change that shit. And I had like built
Speaker 4: a relationship with him, you know what I'm saying. And
Speaker 4: even after I had left his label, we still was cool,
Speaker 4: you know what I mean, because he ended up introduced
Speaker 4: me to Scarface and shit got me on Scarface album
Speaker 4: with Corrupting Dads, the record we did, and when I
Speaker 4: did the sharm Stick video, Snoop came to that motherfucker
Speaker 4: on the strength of jam Master Jay, you know what
Speaker 4: I mean.
Speaker 1: He came to that motherfucker.
Speaker 4: That's when I the first time I had met Snoop
Speaker 4: and I went ended up going to a party with
Speaker 4: him and uh left Eye.
Speaker 3: And all them.
Speaker 4: I remember they was together, like uh depth Row's Ship party,
Speaker 4: you know what I mean. But jam I said Jay
Speaker 4: was the glue man, you know what I mean. And
Speaker 4: I remember, uh, he had a concert at the House
Speaker 4: of Blues and he was getting his turntables and Ship
Speaker 4: and needles and ship right and Wesley Snipes all kind
Speaker 4: of motherfuckers came to that show, you know what I mean.
Speaker 4: But it just was even when I had left the label,
Speaker 4: we still had you know what I mean. We had
Speaker 4: a cool, loute little bond, you know what I mean.
Speaker 4: I mean, I used to be with that nigga. They
Speaker 4: used to shoot pistols out the motherfucking studio and Ship.
Speaker 4: Jay was with the Ship, you know what I mean.
Speaker 4: He was cool, motherfucker.
Speaker 3: Yeah man. When when he passed the way, man, how
Speaker 3: did that didn't pack? You?
Speaker 1: Man?
Speaker 4: Fucked me up, you know what I mean, because he
Speaker 4: wasn't that type of person like you know what I'm
Speaker 4: saying that, you know what I mean. He wasn't trying
Speaker 4: to bring nobody no physical harm.
Speaker 1: The motherfucker cat man, Yeah man.
Speaker 4: And then it like happened right before Halloween and Ship
Speaker 4: and it just seemed like, uh, like some setup shit
Speaker 4: or something, you know what I mean, Like motherfucker that
Speaker 4: killed him was a nigga that he let sleep on
Speaker 4: his couch, you know what I'm saying. So it was
Speaker 4: like some motherfucker that you grow up with type of ship.
Speaker 4: Which that's why with me, Bro, I'll be on on
Speaker 4: my ship. Like you know what I'm saying, don't ever
Speaker 4: extra or trust some motherfucker too much, you know what
Speaker 4: I'm saying.
Speaker 1: With your with your well being, you know what I mean.
Speaker 1: That be a nigga right up under you most of
Speaker 1: the time.
Speaker 5: Didn't be the motherfuckers that hate you the most, straight
Speaker 5: up your nigga right there shaking your hand talking about
Speaker 5: all my nigga, and that be the nigga that hate
Speaker 5: you the most.
Speaker 1: Man.
Speaker 4: Even with that situation, like like I was hearing like
Speaker 4: the dude was going to it's like memorial shit, you
Speaker 4: know what I mean, every year like.
Speaker 5: Just some old just some more week tell me like
Speaker 5: some crazy ship like you ain't had nothing to do
Speaker 5: with this ship.
Speaker 3: They were trying to blame I forget the homies name,
Speaker 3: and they was trying to blame one of his good
Speaker 3: friends for the longest and they came out to see
Speaker 3: it that it wasn't him. Mom, but it was a
Speaker 3: good friend. I forget the brother's name. He actually brother
Speaker 3: owned a business and he employs a whole bunch of people. Now,
Speaker 3: good brother, I'm gonna tell you his name right now.
Speaker 3: Let me tell you his name right now, because we
Speaker 3: I want to have him on the show Dog And
Speaker 3: I thought that was fucked up how they put him
Speaker 3: out there and then then retract the ship. I was like,
Speaker 3: that's fucked up. You know what I mean, that's fucked up.
Speaker 3: I'm gonna tell you right now. His name is uh,
Speaker 3: let me tell you right now. Let me tell you
Speaker 3: the brother's name right now. His name is Schoon. I
Speaker 3: think it's Curtis Scoon.
Speaker 1: Yeah.
Speaker 3: They tried to blame him for it at first, right,
Speaker 3: and then they came out or wasn't him, But he's like,
Speaker 3: the damage has already done, motherfuckers. I he's knowing by Schoon?
Speaker 3: Who brother though, good brother, good brother man. And it
Speaker 3: was a lot of stuff in that case. They tried
Speaker 3: to say that the homie was doing this. It's like, man,
Speaker 3: you almost they almost didn't look at homie wrist in peace,
Speaker 3: like they was trying to say he was doing this
Speaker 3: and all that, you know, I mean the man don't
Speaker 3: lost his life. Yeah, y'all need to be put Yeah,
Speaker 3: y'all think y'all need to be putting that effort in
Speaker 3: the finder who did this to this man versus trying
Speaker 3: to find out what y'all thought was wrong with his life?
Speaker 3: You know what I mean?
Speaker 1: Yeah?
Speaker 3: Man, with you being in the industry, dog, you wanted
Speaker 3: the few people man to get a song with DMX man. Yeah,
Speaker 3: how that collaboration come about? Man, because that had that
Speaker 3: ship blew up like a motherfucker dog.
Speaker 1: Yeah, the Nigga Methic Man plugged that up for me.
Speaker 4: I mean he hooked that feature up, you know what
Speaker 4: I mean, Like he actually did the ship for free,
Speaker 4: and he had X get on there because it was
Speaker 4: me and him in Old Dirty Bastard on the ship
Speaker 4: at first, Is that right?
Speaker 1: Yeah? Yeah, Old Dirty started.
Speaker 4: He actually, uh was first on the record and he
Speaker 4: was talking about fucking bitches and the ass all kind of.
Speaker 1: Crazy ship, you know what I'm saying. So he got
Speaker 1: that version.
Speaker 4: I think Kenny McLeod got it. We recorded at the
Speaker 4: black Hole over the Yeah, I think I think he
Speaker 4: still got it. I remember I've been to the black Hole.
Speaker 4: The Nigga verse was dope, but it was just it
Speaker 4: was just that's where I did, uh water. It was
Speaker 4: vulgar as fun, you know what I mean. Yeah, so
Speaker 4: so O d B was the top knocking bros and
Speaker 4: the colon and ship. Yeah, I was talking about that
Speaker 4: too on the record. If you notice, you know what
Speaker 4: I'm saying. But it was done in a certain way,
Speaker 4: you know what I'm saying. He just said fucking bitches
Speaker 4: in the ass, my popular styles, fucking bitches in the ass.
Speaker 4: And then he did a long ass like when the
Speaker 4: song came on, he just did.
Speaker 1: A long whoa some ship like that, like this ship
Speaker 1: went long you imagine that come on. Then I hear
Speaker 1: that ship. I was like, oh ship the whole time.
Speaker 1: Then the nigga tried to charge me like twenty five
Speaker 1: racks for that ship. You know what.
Speaker 4: Method man was like, hell no, like fuck no, we
Speaker 4: ain't doing that, Like we finna get DMX on here.
Speaker 4: And DMX was the hottest nigga in the country at
Speaker 4: the time.
Speaker 3: Yeah, yeah, you had it. You had it when X
Speaker 3: was that nigga dog. That's when X just dropped them
Speaker 3: back to back on the head. That nigga came from
Speaker 3: chicken and waffles Rest in peace of X.
Speaker 4: That nigga came from uh Rosco's Chicken and waffles him
Speaker 4: in a wire from rough Riders, and he busts like
Speaker 4: four raps, like told me which one I wanted, you
Speaker 4: know what I mean. Like he came with a different styles,
Speaker 4: variety of ship. He busts one rap, then he go
Speaker 4: back in there.
Speaker 3: You like that one?
Speaker 4: You like that one ship? He said, I got more
Speaker 4: homes in the essay. I'm like, yeah, they gonna like
Speaker 4: that ship right there. So that was the one.
Speaker 1: But he was definitely a humble dude, and he was
Speaker 1: fucking hell of mc man.
Speaker 3: Yeah he was.
Speaker 1: Man, I'm not motherfucker's cut your fucking throat with that
Speaker 1: rap ship.
Speaker 3: Yeah. I saw that nigga man in the lake Wood
Speaker 3: Mall one time. Yeah, just random Man's place. And you
Speaker 3: don't realize he that little until you see him in person.
Speaker 3: I'm like, is he not no big old? You know,
Speaker 3: I'm thinking I'm gonna see some big six for it, nigga,
Speaker 3: you know me with shame from his nigga and ship
Speaker 3: and the wife beat her on. Nigga was in there
Speaker 3: and he was in there arguing with a nigga dog
Speaker 3: over for a discount.
Speaker 1: That's crazy. He was like, come on, son, I'm exed,
Speaker 1: you know, charge me all this money.
Speaker 3: Nigga realist. And I was just like him. I said,
Speaker 3: that's dem X. You know, I ain't the type of
Speaker 3: nigga to be approach the nigga. I was like this
Speaker 3: dem mix them all arguing with a nigga.
Speaker 4: Hey, when that nigga was at his big of his career, bro,
Speaker 4: he was I think he was performing for the Soul
Speaker 4: Training Awards, right, and uh at that time, I was
Speaker 4: running around with red Man, red Man taking me to
Speaker 4: taking me everywhere. We just rapping and busting up and
Speaker 4: ship rapping on taking the spot and ship.
Speaker 1: And we go to DMX room.
Speaker 4: He's finnah perform for the Soul Training Awards and he
Speaker 4: was telling us, yeah, I got to come back to
Speaker 4: New York with me, you know what I mean, come
Speaker 4: to the pad or whatever. This nigga put this jacket on,
Speaker 4: he's finna perform in. It was like it was some
Speaker 4: kind of like gold sequence shit, you know what I mean, Like.
Speaker 1: You see how they got me. We started laughing like
Speaker 1: a motherfucker.
Speaker 3: Bro.
Speaker 1: He put that mofucker on he went and rocked that motherfucker.
Speaker 4: And I think that night, if you ever see the
Speaker 4: Soul Train Ship, I think he said the same verse
Speaker 4: twice that night on that one song. Yeah, he got
Speaker 4: that gold sequence, uh, that gold ship on. But yeah, man,
Speaker 4: he was real cool.
Speaker 1: Man.
Speaker 4: That's when he was still married to his wife and shit,
Speaker 4: you know what I mean, he was first that name
Speaker 4: was manit was Wraw.
Speaker 1: Yeah.
Speaker 3: That nineties was a special motherfucking era, dog. Yes, indeed,
Speaker 3: that nineties was a special motherfucking era. Man. Yeah. Yeah.
Speaker 1: And you know what, man, It's like.
Speaker 3: The ship didn't really start getting weird weird until like
Speaker 3: the late nineties, two thousands, dog.
Speaker 1: Yeah, I think that's when all the money and shit
Speaker 1: started coming through it, dog, you know, all the money
Speaker 1: and the shoot thousands it started.
Speaker 5: You know, everything went to flaws and you know, bottles
Speaker 5: of champagne and private jets and you know, and platinumness
Speaker 5: and platinum that, and you know, everything started being about
Speaker 5: wealth and who was balling, and you know, it was
Speaker 5: it was no more about you know, the substance of
Speaker 5: hip hop and making good music and just trying to
Speaker 5: tell stories and whatever. Everything became about crystyle and platinum
Speaker 5: chains and you get me real talk.
Speaker 4: Even with the radio the format changed up. Well, how
Speaker 4: you know you used to be able if you was
Speaker 4: in the community, you could go take a song to
Speaker 4: the radio station and if that mother could get some buzz,
Speaker 4: it'll blow up, you know what I'm saying.
Speaker 1: Definitely used to play a niggas. Remember they used to
Speaker 1: have bump of the dump it and all that pump
Speaker 1: of the dump it.
Speaker 4: Yeah, you know what I mean. And it went from
Speaker 4: that to the control of the radio. Is like, if
Speaker 4: you ain't uh connected with the ship we're talking about, they.
Speaker 5: Ain't connected with the machine, then don't get played. Don't
Speaker 5: give a fuck how many niggas request you.
Speaker 1: Yeah, you might have to put this dress on right
Speaker 1: with the Big four?
Speaker 3: If the you might have put that dress on real quick.
Speaker 3: What's the weak, say y'all? I know you don't seen
Speaker 3: some ship. What's the weirdest shicks? You don't every y'all
Speaker 3: got me telling them about my little party experience though,
Speaker 3: what's the weirdest shicks you don't ever encounter?
Speaker 4: I ain't really seen no weird ship, you know what
Speaker 4: I mean? Because I ain't finna be around no weird shit.
Speaker 1: I tried to. I didn't go to weird parties. Yeah.
Speaker 4: I didn't really party with motherfuckers outside of my homies. Really, Yeah,
Speaker 4: I didn't do when all the industry ship was going on.
Speaker 4: If I'm gonna to the party, it's gonna be a
Speaker 4: public party that the industry throwing. It ain't gonna be
Speaker 4: no no in the cut house bullshit. You know what
Speaker 4: I'm saying, No eyes wide, shut ass ship.
Speaker 3: Dog. The one thing I did realize is that, yeah,
Speaker 3: these brawls you see on TV, man, man, that you
Speaker 3: be thinking this all that them but basic Booker band.
Speaker 4: I've seen a girl pep on another girl. That was
Speaker 4: the most That was the most nasty ship I see.
Speaker 4: But but you know what I'm saying, I got up
Speaker 4: and left. I watched it for I'm like, is that
Speaker 4: pepe alright?
Speaker 1: No, I got up and left.
Speaker 3: It'd be some.
Speaker 1: I didn't. I didn't attend that type of ship. You
Speaker 1: ain't going none of that ship was always the curious
Speaker 1: nigga on this bitch all right, like man over here
Speaker 1: and like nah man, it wasn't a celebrity bro. It
Speaker 1: was my ad bitches. Man, I'm gonna go deal with
Speaker 1: the regular hood right out though, and it's.
Speaker 4: All I was like, God damn, what the with all that?
Speaker 4: You know how it's like some like some strip club
Speaker 4: party ship, but it ain't. It's like it's like a party.
Speaker 4: It's an industry party, you know what I'm saying.
Speaker 1: But it's like.
Speaker 4: And it's like, goddamn that she got Like I'm thinking
Speaker 4: they just grinding each other doing the ship. I'm down
Speaker 4: there watching that throwing little dollars there.
Speaker 1: That got to piss it. That was too much for me.
Speaker 1: I was like, whoa, I was still attending.
Speaker 5: You guys stitch on me because out whoa backyard parties.
Speaker 5: I didn't go later the enter outside to Compton City. Linux, Man,
Speaker 5: you just seem like one of them type of niggas
Speaker 5: that didn't do none of that.
Speaker 1: Funk around with that.
Speaker 5: And that's what s in the fucking garage all day,
Speaker 5: smoke places like or or ride some motherfucking mope mini
Speaker 5: bikes up and down the block.
Speaker 4: I like used to see me bro like when I
Speaker 4: used to come from San Diego, used to have the
Speaker 4: Coach East Ego mom in the hood with me, like
Speaker 4: three different grip gangs all together. That's when it was
Speaker 4: more unity, you know what I'm saying, And niggas is
Speaker 4: coming out here and low, and I had my homies
Speaker 4: like Big Bull and then with me big motherfuckers with
Speaker 4: Jerry Curroll's big telling security cut, get out the way,
Speaker 4: I'm gonna knock you out type of shit, you know
Speaker 4: what I mean.
Speaker 1: So even one G and them, we used to see
Speaker 1: me with the.
Speaker 4: Niggas back, they like, hey, then come fuck with us, man,
Speaker 4: you know what I mean. G W and them because
Speaker 4: they see me always with my homies. So and I
Speaker 4: remember we used to be up there at the Little
Speaker 4: Park Hotel. You remember the Little Park Hotel over there
Speaker 4: in Hollywood, La Mandrion. We used to be at them
Speaker 4: hotels and we be think like thirty forty homies and ship,
Speaker 4: you know what I mean. But that's how I was rolling,
Speaker 4: you know what I'm saying. So it was it was
Speaker 4: always that energy. So I ain't never really seen no
Speaker 4: weird shit, you know what I mean. Yeah, it was
Speaker 4: that was just real, real street ship. But you never
Speaker 4: know when somebody will try to slide some ship, you
Speaker 4: know what I mean, Try to slide and see.
Speaker 1: If you go for something.
Speaker 4: You never know if you ain't paying attention, you know
Speaker 4: what I'm saying. Shit, that's and attention, bro, because you
Speaker 4: know they I don't know, seemed like they know who
Speaker 4: they want or they know who you know what I mean?
Speaker 3: Oh for sure, for sure, shit, they know who they
Speaker 3: can try with that bullshit.
Speaker 1: Yeah, they know who they came.
Speaker 3: Now at the time when you was at death jam, right, yeah,
Speaker 3: you was on one of the most It's like death jams,
Speaker 3: everybody's ring labeling shit, right, Yeah. Do you ever have
Speaker 3: any like like like, do you ever have any regrets
Speaker 3: on the way the ship went down with y'all with
Speaker 3: you handlet differently a little bit now.
Speaker 4: Yeah, Like I was telling eight, I just wish I
Speaker 4: had somebody to fight my battles, so it wouldn't it
Speaker 4: just had to be me, being an artist and a
Speaker 4: business person that had to get at them to make
Speaker 4: my situations better, you know what I mean, contractually or whatever.
Speaker 4: I wish I would have had somebody like an IRV
Speaker 4: Gotti or or or Dame Dash or somebody like that,
Speaker 4: so I could have remained to be the joh Rule
Speaker 4: or the jay z or whatever. You know, even even
Speaker 4: even while from Rough Riders. You know what, I'm saying,
Speaker 4: if I would have had somebody like that to where
Speaker 4: DMX can just concentrate on being an artist. You know
Speaker 4: what I'm saying, my boy going in there and making
Speaker 4: sure the business is right, you know what I'm saying.
Speaker 4: So I'm getting everything I deserve. But I don't have
Speaker 4: to be the one arguing with Lee or in them.
Speaker 1: You know what I'm saying. I don't have to be
Speaker 1: that psy because once you relationship, shit is gone. Niggas
Speaker 1: not have managers. Back then, I didn't have a man
Speaker 1: I had a manager, but somewhat.
Speaker 4: But the thing is, my manager got me my deal,
Speaker 4: you know what I'm saying. Originally he got me my
Speaker 4: deal because he knew Jay and them. But Nigga, I
Speaker 4: wanted my own ship. I didn't want to be giving
Speaker 4: away my publishing and my you know what I'm saying.
Speaker 4: Because having that deal with him hooking it up, of course,
Speaker 4: that came with him getting some of the perks of
Speaker 4: my ship.
Speaker 1: That I'm supposed to have. You feel what I'm saying.
Speaker 4: So after that first album came out, Nigga I managed
Speaker 4: to get away from all of that shit and was
Speaker 4: able to get directly signed to death Jam and got
Speaker 4: rid of all that, you know what I'm saying, even
Speaker 4: though I should have but even if it wasn't gonna
Speaker 4: be the manager, I should have bought some of it
Speaker 4: else because you.
Speaker 3: Ain't necessarily have to have because he seemed like a
Speaker 3: middle man, like more like an unknown type of.
Speaker 1: Yeah, that's what basically, Yeah, same.
Speaker 4: Ship brought someone else, and that I that I had
Speaker 4: had to trust motherfuckers exactly, so I had to do
Speaker 4: it all myself.
Speaker 3: You put a motherfucker on the trail faces until the
Speaker 3: nigga is with you saying, you go get this. You're
Speaker 3: gonna eat what your key, nigga. You ain't gonna be
Speaker 3: sitting upre eating off my ship.
Speaker 1: No doubt. You know what I'm saying, no doubt.
Speaker 4: So once I left def Jam, I went to a
Speaker 4: label UH with with UH Treacherous Records, with Big Psych
Speaker 4: and and I was there. Nocturnal was there. Them niggas
Speaker 4: was cutting chicks, That's what I'm talking about.
Speaker 1: So I was, I was.
Speaker 4: I kind of made more money than them than I
Speaker 4: made when I was at Depth Jam, you know what
Speaker 4: I'm saying.
Speaker 1: And it was like.
Speaker 4: Like the motherfuckers had my back on some like whatever.
Speaker 4: You know what I'm saying, like Jayo, we got you.
Speaker 4: And they had shipped like Diamond Minds and Ship, you
Speaker 4: know what I'm saying, like the joke any of homies,
Speaker 4: Tico and and you know saying Aling and Ship.
Speaker 1: Had crooked around the Bentley Crooked had it made.
Speaker 4: Yeah they still got They actually still got the studio
Speaker 4: I can go to today if I wanted to. They
Speaker 4: still got the studio right there in Glendale. And Ship,
Speaker 4: Yeah still got that motheruck. It looked like the house
Speaker 4: out front in the front. Yeah still got Big Sight
Speaker 4: got them a situation over the rest Big site.
Speaker 3: It was.
Speaker 4: Yeah, it was me, Big Sych, Crooked Eye, Nocturnal. We
Speaker 4: was all over at the same time. Yeah, it's like
Speaker 4: we did a photo shoot together with all of us.
Speaker 4: I don't know if they still got this with me
Speaker 4: Big Sych knocking all. They had Joe over there at
Speaker 4: the time too, Joe Is. I think they were supposed
Speaker 4: to have distribution with Universal, but I don't know what happened.
Speaker 4: But they let me keep my album, the Masters everything
Speaker 4: and fucking we're still cool to you know what I
Speaker 4: mean to this day. But I still got it was
Speaker 4: called any Trenches, I never put the album. I still
Speaker 4: got some of those records, you know what I mean.
Speaker 4: I still got the masters to that ship.
Speaker 3: Yeah, that was a cool sixty ways. Everybody knew over
Speaker 3: there was happy niggas was getting over that one. I
Speaker 3: remember I made a lot of songs with Jelly Roll
Speaker 3: on that project. He produced a lot of ship on there.
Speaker 1: I'm surprised didn't hell your ass over. I didn't know
Speaker 1: about him.
Speaker 4: I think he was already with Snoop at that time.
Speaker 4: I think around that time that was when you and
Speaker 4: Cam and Snooping was gonna do the war Zone project.
Speaker 4: But that that did that didn't see the like of
Speaker 4: the wars on Was you ever signed?
Speaker 1: Did you ever? You never did a deal with Snoop Diction? Nah? No,
Speaker 1: I was going to UH at one point around the
Speaker 1: time I was supposed to deal with.
Speaker 4: With Damn Dash Now, I wanted to do a deal
Speaker 4: with Rockefeller and Snoop Dogg too, So it was like
Speaker 4: I did the Got Beef record, then I was gonna
Speaker 4: sign the Dog Doggy Style, you know what I mean.
Speaker 4: But when I left Death Jam, I just went to
Speaker 4: Treacherous and did did my own independence shit, you know
Speaker 4: what I mean.
Speaker 3: But yiggase you was hot as a motherfucker fire cracker.
Speaker 3: When that got beef Ricker came out. You had the
Speaker 3: first verse from that motherfucker.
Speaker 1: He was rapping. Oh, no doubt that ship was dope.
Speaker 1: That she got added to Hot ninety seven. You know
Speaker 1: what I'm saying. Angie Martinez said, they added that motherfucker
Speaker 1: because of my verse on there. I was like, whoa,
Speaker 1: that's what's up. You know what I'm saying. You had
Speaker 1: a muffler. You probably had the hardest verse on there. Yeah,
Speaker 1: I ain't fucking out my money again. And she because
Speaker 1: it's none of him. It got a body on it
Speaker 1: from a party, don't it. Yeah, I've been trying to
Speaker 1: sling it, but don't nobody want it.
Speaker 4: Got beef sh It was dope. That video is dope
Speaker 4: as fuck too, man. I remember were doing that video.
Speaker 4: That's what I was saying. Man, I mean the east
Speaker 4: side of you. I mean it was my niggas man traded.
Speaker 4: He did this ship on there too.
Speaker 1: Oh yeah, Silkie Fine was on that motherfucker.
Speaker 4: She was on the original version. Yeah, Silkie Fine had
Speaker 4: a dope verse on that.
Speaker 3: Yeah, Silky Fine do her motherful thing. It's just you
Speaker 3: know what she another one man, just people. I think
Speaker 3: they got certain niggas dog that they just scared of
Speaker 3: because they know, like if they know what you and
Speaker 3: this nigga right here, y'all will speak, y'all mind, ain't
Speaker 3: gonna be no kind of shenanigans. So they just rather
Speaker 3: y'all like the niggas just like kind of bad in school.
Speaker 3: It ain't really bad. Say, you know, I'm good at
Speaker 3: what I do.
Speaker 4: That should count for something that you know what I'm saying.
Speaker 4: I mean, we we we've been doing this. We our
Speaker 4: catalogs speak for theyself, you know what I'm saying. So
Speaker 4: it's like I ain't tripping. I'm gonna just keep on,
Speaker 4: you know what i mean, putting God first, and I
Speaker 4: know whatever, whatever, my mother fucking future holes it's gonna be.
Speaker 4: I mean, if you ain't gonna give it to me,
Speaker 4: I'm gonna take it. I'm gonna make my own mark,
Speaker 4: you know what I'm saying. I'm not a motherfucker that
Speaker 4: fear out here, you know what i mean, motherfucking little
Speaker 4: dude man trying to hurt.
Speaker 1: Yeah, you gotta make your own mark, you know whatever,
Speaker 1: whatever it may be.
Speaker 4: Straight up you know what I mean, and the people
Speaker 4: that love what you do, cater to them and make
Speaker 4: it said, because that's at the end.
Speaker 1: Of the day. I don't give a fucker. It's two
Speaker 1: three motherfuckers.
Speaker 4: I'm gonna make the ship that they know me for making,
Speaker 4: and niggas love me for what I do, and I'm
Speaker 4: gonna push the line and help others along the way.
Speaker 1: You know what I'm saying.
Speaker 4: And one thing about it, bro before we finish it up.
Speaker 4: It's like, I'm a writer, my nigga, and it ain't
Speaker 4: just gotta be rap music. You know what I'm saying.
Speaker 4: I'm trying to write and create and be creative and
Speaker 4: use my imagination and get paid off of it, no
Speaker 4: matter what that is.
Speaker 1: You know what I'm saying.
Speaker 4: A nigga's a writer at heart, So it ain't just
Speaker 4: gotta be talking about gangster rapping or ship like that.
Speaker 1: You know what I mean.
Speaker 4: I'm writing a fucking h educational comedy for kids right now.
Speaker 4: You know what I'm saying. Do Yeah, I think it's
Speaker 4: gonna be dope. I appreciate that, man. I appreciate y'all
Speaker 4: having me eight.
Speaker 1: You know what I'm saying. I've been trying to get
Speaker 1: up here for San Diego. Bro, it is better late
Speaker 1: than that.
Speaker 5: Man.
Speaker 4: You go to the traffic I fucked up and went
Speaker 4: to that stupid ass and you if you own the
Speaker 4: ninety one God damn it, Hey, don't fuck up and
Speaker 4: go ninety one west on that carpool and that bitch
Speaker 4: take your ass. You what's a fucking way before you
Speaker 4: can get off the goddamn exit and come back the
Speaker 4: way you're supposed to go.
Speaker 1: You're gonna go seventeen miles the wrong way, you alway
Speaker 1: before you can get off. That's what happens. So you
Speaker 1: gotta wait for that. I Hey, watch out for my
Speaker 1: new album coming out fifty five. Get your Feet Whipped.
Speaker 1: That's the name of my new ship, Get your Feet Whipped.
Speaker 4: And it's a salute to everybody that got hands that
Speaker 4: that that squabble your ass up before they pick up
Speaker 4: a gun and take your life. They got the heart
Speaker 4: to squabble you up. And shout out to all the
Speaker 4: niggas that that squabble up. You know what I mean,
Speaker 4: Like niggas squabble up niggas and.
Speaker 1: Lose a draw. Shout out to them niggas. Some heart,
Speaker 1: some real heart we go.
Speaker 3: I want to ask you a question, real quick man,
Speaker 3: because you came out of San Diego and you always
Speaker 3: was ripping your stuff.
Speaker 1: It's like when I first heard Age, I knew he
Speaker 1: was a quip.
Speaker 3: First heard you and he was a cryp. Right now,
Speaker 3: is do you see any big, any big difference between
Speaker 3: the way San Diego get down on the wait Loss
Speaker 3: Angeles get on this far as game banging. Because I
Speaker 3: know you from forties. My god brother Bob is one
Speaker 3: of the you know, he's one of the original forty
Speaker 3: Crip members, you know what I mean. So you think
Speaker 3: it's any difference kind of it?
Speaker 4: It is in a way, But at the same time,
Speaker 4: it's a lot of similarities, you know what I'm saying.
Speaker 4: It's a lot of similarities.
Speaker 1: But like with LA.
Speaker 4: The difference of San Diego in LA, like San Diego
Speaker 4: is like it was mostly bloods and LA was mostly
Speaker 4: crips exactly I mean. So that's one of the differences,
Speaker 4: is it was more of bloods in San Diego than
Speaker 4: the crip hoods, you know what I mean, And in
Speaker 4: LA is the total opposite. So that's one of the differences.
Speaker 4: But a lot of motherfuckers connect. We connect with each
Speaker 4: other because sometimes niggas got family from different others and
Speaker 4: shit like that, So niggas connect. But the main thing
Speaker 4: about it is like like like motherfuckers from my era,
Speaker 4: like we're trying to push a line as far as
Speaker 4: like niggas making music.
Speaker 1: Don't give a fuck if you dissing each other in
Speaker 1: the music. That can make music.
Speaker 4: It's better than a motherfucking going across trying to try
Speaker 4: to hurt you. So what I'm saying, So I'd rather
Speaker 4: it be on wax nigga than the motherfucker really out here,
Speaker 4: you know what I'm saying, actually trying to do some
Speaker 4: harm to some motherfucking But.
Speaker 3: I know it's like a lot of you know, like
Speaker 3: you said that she was like you and Michie Slick,
Speaker 3: y'all talk about doing some things.
Speaker 1: Shout out my boy. I got like two songs with you.
Speaker 3: Yeah, And that's dope, man. I think that's how it
Speaker 3: should be because I always felt like if San Diego
Speaker 3: could kind of unify y'all got some series rappers out there.
Speaker 4: Oh, no doubt, no doubt. Uh yeah, you know what
Speaker 4: I mean. With me and Mitch, we did a we
Speaker 4: did a show with exhibit. Uh, right before the pandemic happened,
Speaker 4: you know what I'm saying, And we talked about doing
Speaker 4: some ship, putting some shit together.
Speaker 5: Uh.
Speaker 1: Shout out to my bro Cricket. Cricket.
Speaker 4: Uh, it's actually responsible for like Mitchie Slick first album,
Speaker 4: you know what I mean, Cricket from the hood, you
Speaker 4: know what I mean. And he been trying to get
Speaker 4: us together for the longest. So we're telling him, hey, man,
Speaker 4: put the ship together. Let's let's get to make it.
Speaker 4: Let's make an EP or something. Because when that we
Speaker 4: did that show with exhibit, we took picture together, and
Speaker 4: that one picture ended up being in fucking restaurants in
Speaker 4: San Diego.
Speaker 1: You know what I'm saying.
Speaker 4: Like one of the restaurants, I go to Poyo Grill,
Speaker 4: you know what I mean, They got me and Mitchie
Speaker 4: Slick picture up in there, you know what I mean.
Speaker 4: So I and I go in there all the time
Speaker 4: and I see that ship on the wall. I'm like,
Speaker 4: it shows me, like this is what San Diego wants.
Speaker 4: Fuck all the where you're from where I'm from, bullshit,
Speaker 4: Because we didn't been through that, we didn't both been
Speaker 4: parts of the problem.
Speaker 1: Let's be a part of the solution. Let's leave by example.
Speaker 4: I mean, and I feel like, yeah, you know, by
Speaker 4: us sleeping by example, we do some music together, do
Speaker 4: a show together, or whatever it is, it shows that
Speaker 4: it could be done, you know what I'm saying. And
Speaker 4: it's not like I haven't tried to do the shit before,
Speaker 4: you know what I'm saying. When I did the trued
Speaker 4: Up video, when I did the record Call came Around
Speaker 4: that was on the master p West Coast Bad Boys
Speaker 4: shit that had Baby Scar on it, Baby Scars from Skyline.
Speaker 1: You know what I'm saying.
Speaker 4: With meet him and a rapper I had called Baylok,
Speaker 4: I mean me and him and Baylog was on the record.
Speaker 4: Two Niggas from the Hood and the Domo nigga. He
Speaker 4: was actually in the trued Up video, you know what
Speaker 4: I mean. So I've been always trying to connect the dots,
Speaker 4: you know what I mean. But that's right, I think now,
Speaker 4: like with the show, we're about the dudes, Me, Mitchie, Slick,
Speaker 4: mac ten, DJ Quick Aunt, Doesn't Harmony, m C eight
Speaker 4: on the Motherfucker We finished Tear that bitch down, you
Speaker 4: know what I'm saying. You know, and I know a
Speaker 4: lot of the audience is coming because some of those
Speaker 4: people on the lineup you don't get to see. You
Speaker 4: know what I'm saying. It be sometimes it'll be the
Speaker 4: same every time. It's the same lineup, you know what
Speaker 4: I mean. So I'm looking forward to it.
Speaker 1: Man, I'm ready to go. I'm in the gym, you
Speaker 1: know what I'm saying.
Speaker 4: Hey, by that time this show come up, I'm be
Speaker 4: cut up the death nigga ready to go.
Speaker 1: You're gonna tear that muff for them.
Speaker 3: And that's June tenth and Bisley Hill.
Speaker 1: Yes, sir.
Speaker 4: Shout out to mac one Oh for putting it together.
Speaker 4: We finished tear that bitch down.
Speaker 3: I mean, well, man, I really appreciate you coming through.
Speaker 3: Dog Hey, thank you for having me man. Y'all follow
Speaker 3: on this Instagram man, Yeah.
Speaker 1: Follow me at jo Felony Music.
Speaker 4: That's on all my ship Twitter, Facebook, Instagram, all the ships.
Speaker 4: You know what I'm saying, Follow me there. I got
Speaker 4: a new album coming out called Get Your Feet Whooped.
Speaker 4: It's finna be stupid. Fly shout out the slot of
Speaker 4: Piper Doctor Dre helped me record a lot of the
Speaker 4: ship and shit.
Speaker 1: It's finna be dope as fuck.
Speaker 3: Hey real quick before you go. I got to ask
Speaker 3: this because you don't see the good doctor's name. Yeah,
Speaker 3: how is it working with Trey Doog?
Speaker 4: I'm gonna tell you like this, Like with me, it's
Speaker 4: like like playing with Michael Jordan or something. It's like
Speaker 4: it takes your something about dre take your motherfucking adrenaline up,
Speaker 4: you know what I'm saying. So so so with me,
Speaker 4: I'm rapping on all kinds of different beats, and I
Speaker 4: got a slot of Piper doing bomb ass hooks and
Speaker 4: all them tracks is coming from the Aftermath camp, you
Speaker 4: know what I mean. So it's just like you know,
Speaker 4: it takes your adrenaline into another place, you know what
Speaker 4: I'm saying. So now that I'm in the studio, it's
Speaker 4: like them niggas know how how to get get the
Speaker 4: best work from me is give me the track and
Speaker 4: let me go home, you know what I'm saying. And
Speaker 4: when I come back, I'm gonna say some amazing ship.
Speaker 4: If I got to write on the spot, I might
Speaker 4: say some amazing ship. But you're not gonna get the
Speaker 4: best out of me trying to write on the spot,
Speaker 4: you know what I mean. Even though we can do
Speaker 4: it like that. But if I get to go home
Speaker 4: and sit with this motherfucker.
Speaker 1: For two three days, come with some ship. Yeah, I'm
Speaker 1: gonna come back with that ship guaranteed, you know what
Speaker 1: I mean. So that's the thing.
Speaker 4: It just take a nigga adrenaline to another level, you
Speaker 4: know what I mean? Yeah, man, you know you're playing
Speaker 4: with playing with the A team.
Speaker 3: You know what I mean.
Speaker 1: Actly, You ain't never, you ain't never did no work
Speaker 1: with three.
Speaker 3: You know that gotta happen. Good doctor man, Come on, man, Yeah,
Speaker 3: I need you on this next album.
Speaker 5: Trayo you with some fire man, or get me on
Speaker 5: this being it's all good. Yeah, you know what I'm saying.
Speaker 5: We needs you, man, what shit. I appreciate you, homeboy.
Speaker 3: Man, I appreciate Mike Man in the cup man on
Speaker 3: drove oile here with the homie man for you man.
Speaker 1: And that's it, man, just the beginnings still. You know
Speaker 1: what I'm saying.
Speaker 5: It's how we do that. You know what I'm saying.
Speaker 5: We bring y'all the official right here as the chronicles.
Speaker 1: Man, we out here.
Speaker 2: Yeah, if I lie my notes, bro, like Pinocchio, We're
Speaker 2: gonna tell you the truth and nothing but.
Speaker 1: It's not Your.
Speaker 3: Well. That concludes another episode of The Gainst the Chronicles podcast.
Speaker 3: Be sure to download the iHeart app and subscribe to
Speaker 3: the Gainst the Chronicles podcast. For Apple users, find a
Speaker 3: purple Michael on the front of your screen, subscribe to
Speaker 3: the show, leave a comment and rating. Executive producers for
Speaker 3: The Gainst the Chronicles podcast Norman Steel, James MacDonald, Aaron
Speaker 3: m c a Tyler. Our visual media director is Brian Wyatt,
Speaker 3: and all your editors tell It Hayes. The Gainst Chronicles
Speaker 3: is a production of iHeart Media Network and the Black
Speaker 3: Effect Podcast Network. For more podcasts from iHeart Radio vision
Speaker 3: is the iHeartRadio app Apple Podcasts wherever you're listening to
Speaker 3: your podcasts,