1 00:00:01,080 --> 00:00:02,080 Speaker 1: All right, job. 2 00:00:03,680 --> 00:00:08,119 Speaker 2: All across the USC Compton, Watts Bay to LA. Come 3 00:00:08,160 --> 00:00:12,080 Speaker 2: on to California, say from aalley to valley. We represent 4 00:00:12,160 --> 00:00:14,920 Speaker 2: that Keller County. So if you're keeping it real on 5 00:00:14,960 --> 00:00:17,640 Speaker 2: your side of your town, you tune into Gainst the 6 00:00:17,720 --> 00:00:20,960 Speaker 2: Chronicles chronic Goals. 7 00:00:21,160 --> 00:00:23,320 Speaker 1: He gonna tell you how we goals. 8 00:00:24,160 --> 00:00:26,520 Speaker 2: If I lie, my nose will grow like Pinocchio. We're 9 00:00:26,520 --> 00:00:28,920 Speaker 2: gonna tell you the truth and nothing but the truths. 10 00:00:29,240 --> 00:00:30,560 Speaker 3: The chronic goals. 11 00:00:30,760 --> 00:00:32,919 Speaker 1: This is not your average shows. 12 00:00:33,320 --> 00:00:37,200 Speaker 2: You're now tuned into the rail mc ain't big change 13 00:00:37,240 --> 00:00:40,240 Speaker 2: and big spiels from the streets. 14 00:00:40,600 --> 00:00:49,080 Speaker 3: Hello, Welcome to the gangst the Chronicles podcast, the production 15 00:00:49,159 --> 00:00:52,440 Speaker 3: of iHeart Radio and Black Effect Podcast Network. Make sure 16 00:00:52,479 --> 00:00:55,440 Speaker 3: you download the iHeart app and subscribe to Against the Chronicles. 17 00:00:55,600 --> 00:00:57,720 Speaker 3: For my Apple users, hit the Purple Michael on your 18 00:00:57,720 --> 00:01:00,240 Speaker 3: front screen. Subscribed to Against the Chronicles, leave a five 19 00:01:00,320 --> 00:01:03,440 Speaker 3: start rating and comment. We like to welcome every one 20 00:01:03,520 --> 00:01:06,959 Speaker 3: to another episode of The Gangster Chronicles podcast. I am 21 00:01:07,000 --> 00:01:10,680 Speaker 3: Big Steal with my guy Jill. And you know today 22 00:01:10,720 --> 00:01:13,319 Speaker 3: we got one of my I could say, one of 23 00:01:13,360 --> 00:01:14,360 Speaker 3: my favorite rappers. 24 00:01:14,400 --> 00:01:14,600 Speaker 4: Man. 25 00:01:14,880 --> 00:01:18,160 Speaker 3: My guy represents San Diego, Jayo Fellony bullet. 26 00:01:17,840 --> 00:01:21,920 Speaker 5: Loco, what still, what's the deal man, man, Jio Western Man? 27 00:01:22,640 --> 00:01:23,480 Speaker 1: It finally don't. 28 00:01:23,280 --> 00:01:26,440 Speaker 5: Got you up in here? Man oh ship man. Steal, 29 00:01:26,560 --> 00:01:29,240 Speaker 5: what's the deal you need a pill? Hell? 30 00:01:29,319 --> 00:01:30,640 Speaker 3: Yeah, you know what I'm gonna ask. 31 00:01:31,040 --> 00:01:33,600 Speaker 5: Go ask you again, steal, what's the deal you need 32 00:01:33,640 --> 00:01:35,440 Speaker 5: to peel? 33 00:01:37,440 --> 00:01:40,560 Speaker 1: I'm still don't mess with. 34 00:01:39,959 --> 00:01:44,720 Speaker 5: I don't mess with the dig got right, That's how 35 00:01:44,760 --> 00:01:46,280 Speaker 5: we do we get out for sure? 36 00:01:46,640 --> 00:01:50,120 Speaker 3: Hey, so I wanted to ask him to drag you 37 00:01:50,160 --> 00:01:53,600 Speaker 3: into this debate that the eight was having right the 38 00:01:53,720 --> 00:01:57,080 Speaker 3: eight because eight got beef for Linzo right now from 39 00:01:57,080 --> 00:01:57,760 Speaker 3: the world class. 40 00:01:58,880 --> 00:02:00,440 Speaker 1: He got beef a lot. 41 00:02:01,160 --> 00:02:09,120 Speaker 5: Check this out, you shut Alonzo? Okay, Yeah, because I don't. 42 00:02:09,160 --> 00:02:10,760 Speaker 5: I don't claim that I don't be I don't have 43 00:02:10,840 --> 00:02:13,440 Speaker 5: beef with niggas. Man, I'm too old to have beef 44 00:02:13,480 --> 00:02:17,880 Speaker 5: with niggas. What it is is we have misunderstandings with motherfuckers. 45 00:02:17,919 --> 00:02:18,160 Speaker 1: You know. 46 00:02:18,440 --> 00:02:22,000 Speaker 5: So what it is is you You you grew up 47 00:02:22,160 --> 00:02:26,040 Speaker 5: West Coast. You know you know all about West Coast 48 00:02:26,120 --> 00:02:30,160 Speaker 5: music from the foundation of what it is, right, Yeah, okay, 49 00:02:31,600 --> 00:02:38,760 Speaker 5: as an early teen, what was your influences as far 50 00:02:38,800 --> 00:02:42,639 Speaker 5: as what made you want to grab the mic and 51 00:02:42,680 --> 00:02:49,240 Speaker 5: start spitting about the neighborhood and you know the situations 52 00:02:49,280 --> 00:02:52,359 Speaker 5: of the block and all that. What was your influence? 53 00:02:53,200 --> 00:02:56,800 Speaker 4: Oh shit, man, you already know, Nigga you the n 54 00:02:56,960 --> 00:02:59,280 Speaker 4: W as motherfucking okay. 55 00:02:59,400 --> 00:03:01,799 Speaker 1: You up said all the geister ship. You know what 56 00:03:01,840 --> 00:03:04,360 Speaker 1: I'm saying. My growing up, you feel me? 57 00:03:04,880 --> 00:03:10,360 Speaker 4: The fucking Rocky Yeah, yeah yeah, Big Daddy Kings exactly, 58 00:03:10,720 --> 00:03:11,680 Speaker 4: all that type of ship. 59 00:03:12,160 --> 00:03:16,959 Speaker 5: My influences even audio tubes, Yeah yeah, milk is chilling, 60 00:03:17,040 --> 00:03:20,040 Speaker 5: and and and and as a and I'm gonna tell 61 00:03:20,080 --> 00:03:24,320 Speaker 5: you something, as an early motherfucker who was pop, locking 62 00:03:24,400 --> 00:03:28,320 Speaker 5: and breaking, you know, we all had those you know 63 00:03:28,520 --> 00:03:34,360 Speaker 5: those fucking you know, the Herbie Hancock, Rocky Egyptian, the 64 00:03:34,440 --> 00:03:39,840 Speaker 5: craft work toward these France you know what else you know, 65 00:03:40,200 --> 00:03:43,400 Speaker 5: just electric kingdom. Whatever you pop to or break to, 66 00:03:43,680 --> 00:03:47,040 Speaker 5: you get. And a lot of that was was West 67 00:03:47,120 --> 00:03:52,960 Speaker 5: Coast music in the beginning. You know, they had those 68 00:03:53,560 --> 00:03:57,600 Speaker 5: four staples of of of whatever. 69 00:03:57,760 --> 00:03:59,360 Speaker 1: Had unknown d J. 70 00:04:00,080 --> 00:04:03,880 Speaker 5: You had Lonzo who was with the Recon Crew, You 71 00:04:04,040 --> 00:04:08,400 Speaker 5: had l a dream Team, and then you had Egyptian 72 00:04:08,520 --> 00:04:11,280 Speaker 5: Lover did I bang my beat goals? 73 00:04:11,360 --> 00:04:11,760 Speaker 3: Boom? 74 00:04:12,000 --> 00:04:15,680 Speaker 5: And what is a DJ if he can't Scratch, I 75 00:04:15,760 --> 00:04:21,359 Speaker 5: certainly did. Did I listen to you know, Run DMC 76 00:04:22,240 --> 00:04:27,320 Speaker 5: and and just Ice and and and Schoolly D? 77 00:04:28,200 --> 00:04:29,840 Speaker 1: I definitely did. 78 00:04:30,440 --> 00:04:36,600 Speaker 5: But as far as the Recond Crew was concerned, they 79 00:04:37,040 --> 00:04:39,920 Speaker 5: had a different style of music. 80 00:04:40,480 --> 00:04:41,160 Speaker 1: You feel me. 81 00:04:43,360 --> 00:04:45,880 Speaker 5: In our early days. I don't know if it was 82 00:04:46,360 --> 00:04:49,760 Speaker 5: gimmicky rap or whatever. You know, they had Bobby Jimmy 83 00:04:49,800 --> 00:04:55,159 Speaker 5: and the Critters and Ship like that. That's fun that 84 00:04:55,360 --> 00:04:59,480 Speaker 5: you give me. That didn't influence me to want to rap. 85 00:05:00,240 --> 00:05:03,600 Speaker 5: Did I listen to the Ship, of course I did? Uh. 86 00:05:03,960 --> 00:05:08,359 Speaker 5: Did I listen to the fucking club records of the 87 00:05:08,400 --> 00:05:11,480 Speaker 5: Wrecking Crew as far as listening to Doctor. 88 00:05:11,240 --> 00:05:15,240 Speaker 1: Dre Surgery when he was cutting up on what? Of course? 89 00:05:15,440 --> 00:05:15,760 Speaker 1: I mean? 90 00:05:15,839 --> 00:05:18,919 Speaker 5: I was getting into early rap. You know DJ. I 91 00:05:18,960 --> 00:05:21,200 Speaker 5: thought the Nigga was a hell of a DJ. You 92 00:05:21,400 --> 00:05:25,560 Speaker 5: listen to dream Team. I listened to Rockberry Jam and 93 00:05:26,520 --> 00:05:29,840 Speaker 5: dream Team is in the house, Like I said, I listen. 94 00:05:32,680 --> 00:05:37,280 Speaker 4: See yeah, I think they had their time and who 95 00:05:37,320 --> 00:05:37,920 Speaker 4: they was. 96 00:05:38,520 --> 00:05:40,120 Speaker 1: But my thing is this. 97 00:05:41,760 --> 00:05:48,960 Speaker 5: Listening to that era and comparing that era to hearing 98 00:05:49,120 --> 00:05:55,279 Speaker 5: Grand Master Flash or Sugar Heel or you know those records. 99 00:05:55,880 --> 00:06:00,480 Speaker 5: That is what more influenced me to want to becoming MC. 100 00:06:01,040 --> 00:06:04,040 Speaker 5: When I heard Eric be as President you get me? 101 00:06:04,720 --> 00:06:08,720 Speaker 5: Or when I heard fucking six in the Morning or 102 00:06:08,880 --> 00:06:10,800 Speaker 5: fucking Schoolly d P s K. 103 00:06:12,040 --> 00:06:13,960 Speaker 1: That was more street ship. You know what I'm saying. 104 00:06:14,000 --> 00:06:17,000 Speaker 4: That's because I'm in the streets right all that ship 105 00:06:17,080 --> 00:06:20,640 Speaker 4: had more street the Wrecking Crew with songs like Lovers 106 00:06:21,160 --> 00:06:26,200 Speaker 4: and and and turn Off the Lights and world class. 107 00:06:27,000 --> 00:06:30,200 Speaker 4: You know, if mostly females is playing records when you 108 00:06:30,279 --> 00:06:32,800 Speaker 4: go trying to hang out with a broad just a 109 00:06:32,880 --> 00:06:37,520 Speaker 4: lot of a lot of that music before we had 110 00:06:37,600 --> 00:06:41,320 Speaker 4: the before we had the fucking Foundation off the Lights. 111 00:06:41,320 --> 00:06:46,800 Speaker 1: It's in the name, you know, they was. I definitely 112 00:06:46,839 --> 00:06:48,239 Speaker 1: ain't playing this with the homies. 113 00:06:48,680 --> 00:06:49,160 Speaker 3: There you go? 114 00:06:50,560 --> 00:06:54,520 Speaker 5: Did did turn Off the Lights influenced Jo fellon me 115 00:06:54,640 --> 00:06:57,600 Speaker 5: to grab a mic and want to start bussing. 116 00:06:57,960 --> 00:07:01,000 Speaker 1: Not at all, want to go get my My point is, 117 00:07:01,440 --> 00:07:02,520 Speaker 1: I've listened to that. 118 00:07:02,800 --> 00:07:09,560 Speaker 5: When you know my point is, I said no disrespect to, 119 00:07:10,480 --> 00:07:13,920 Speaker 5: no disrespect to Lonzo, And like I said, my first 120 00:07:14,000 --> 00:07:19,360 Speaker 5: record I ever did was because Lonzo changed his perception 121 00:07:20,120 --> 00:07:24,120 Speaker 5: of gangster rap music and he figured, fuck it, I'm 122 00:07:24,120 --> 00:07:27,400 Speaker 5: a jump on board. So we put out a record 123 00:07:27,480 --> 00:07:31,200 Speaker 5: called The Compting compilation that was my first ever record. 124 00:07:32,200 --> 00:07:36,000 Speaker 5: If you listen to it, it had no fucking influences 125 00:07:36,280 --> 00:07:41,080 Speaker 5: of turn off the lights or lovers and friends or 126 00:07:41,560 --> 00:07:47,880 Speaker 5: he's bionic or you know that technotronics that's what they did, 127 00:07:48,200 --> 00:07:50,200 Speaker 5: you know what I mean. So it didn't influence me. 128 00:07:50,320 --> 00:07:53,840 Speaker 5: When I listened to Record Crew, I said, Okay, niggas 129 00:07:53,840 --> 00:07:56,720 Speaker 5: can scratch like a motherfucker, but it didn't make me 130 00:07:56,880 --> 00:07:59,840 Speaker 5: want to go, oh man, I'm finna go grab my 131 00:08:00,080 --> 00:08:03,840 Speaker 5: because because Lonzo and Client Tail and Yellow and Trey 132 00:08:04,480 --> 00:08:05,640 Speaker 5: like you know. 133 00:08:07,040 --> 00:08:07,080 Speaker 3: No. 134 00:08:07,680 --> 00:08:09,960 Speaker 1: So your homeboy did say it was an influence on 135 00:08:10,040 --> 00:08:11,960 Speaker 1: you though, but that's what he said. 136 00:08:12,040 --> 00:08:14,840 Speaker 5: He said he was an influence on my career and 137 00:08:15,160 --> 00:08:17,680 Speaker 5: me wanting to pick up the mic you saying and 138 00:08:17,800 --> 00:08:19,760 Speaker 5: I said, no, that ship was corny. 139 00:08:21,160 --> 00:08:22,880 Speaker 1: It was corny RAPU. 140 00:08:23,560 --> 00:08:25,800 Speaker 5: It was corny rap just like when you listen to 141 00:08:25,880 --> 00:08:28,480 Speaker 5: Bobby Jimmy and the Critters and he was weird Al 142 00:08:28,600 --> 00:08:32,440 Speaker 5: Yankovich in the Rumors song with roaches and ship. Look 143 00:08:32,480 --> 00:08:35,800 Speaker 5: at all these roaches and you know what, that's what 144 00:08:35,920 --> 00:08:37,000 Speaker 5: we had over here. 145 00:08:37,120 --> 00:08:38,920 Speaker 3: Hey, let me ask you one question before we jump 146 00:08:39,000 --> 00:08:41,040 Speaker 3: off of that. When you was over there doing your 147 00:08:41,080 --> 00:08:43,360 Speaker 3: song for the com compilation then make you go. 148 00:08:45,679 --> 00:08:48,880 Speaker 5: It makes me see you you you fucking me, you guys, 149 00:08:49,120 --> 00:08:51,560 Speaker 5: because it wasn't THEO you give me like I said, 150 00:08:52,720 --> 00:08:55,800 Speaker 5: I said, and I came in and I what was 151 00:08:55,880 --> 00:08:57,280 Speaker 5: I playing when I walked there? 152 00:08:57,360 --> 00:08:57,720 Speaker 3: Today? 153 00:08:58,080 --> 00:09:01,319 Speaker 5: Niggat playing the whole Record Crew catalog and I'm playing 154 00:09:01,400 --> 00:09:02,520 Speaker 5: it for everybody in. 155 00:09:02,640 --> 00:09:05,640 Speaker 1: Here so they can listen. They hasn't done fast music, 156 00:09:05,840 --> 00:09:08,880 Speaker 1: but it wasn't influence on MC eight or comptas, most 157 00:09:09,280 --> 00:09:11,000 Speaker 1: R and B music, you know they was. They was 158 00:09:11,120 --> 00:09:14,480 Speaker 1: ready for the world. They was the West Coast full force. 159 00:09:14,840 --> 00:09:16,560 Speaker 1: You get me, you get and I like. 160 00:09:16,640 --> 00:09:20,520 Speaker 4: All them groups, full for the world. But it's a 161 00:09:20,679 --> 00:09:22,280 Speaker 4: time and place for that, you know what I'm saying. 162 00:09:22,400 --> 00:09:24,920 Speaker 4: Like that ain't gonna get no play when I'm trying 163 00:09:24,960 --> 00:09:27,080 Speaker 4: to concentrate on some writing, some ship. 164 00:09:27,200 --> 00:09:29,560 Speaker 5: When I'm trying to content like that on them question 165 00:09:29,800 --> 00:09:33,360 Speaker 5: of the neighborhood and the homies who got killed or 166 00:09:33,559 --> 00:09:35,479 Speaker 5: we getting jacked by the police. 167 00:09:35,720 --> 00:09:37,559 Speaker 1: I don't want to hear no soft music when I'm 168 00:09:37,600 --> 00:09:38,640 Speaker 1: trying to create. 169 00:09:38,559 --> 00:09:40,040 Speaker 3: Or you're trying to get a moved, you're trying to 170 00:09:40,080 --> 00:09:42,160 Speaker 3: get so, like I said. 171 00:09:42,040 --> 00:09:45,360 Speaker 4: Get my weight up with my rap shit. No disrespect 172 00:09:45,520 --> 00:09:47,600 Speaker 4: to all hardcore rap shit. 173 00:09:47,760 --> 00:09:50,719 Speaker 5: No disrespect to the cats who felt like you know, 174 00:09:51,440 --> 00:09:55,040 Speaker 5: they were a staple in West Coast music because like 175 00:09:55,200 --> 00:09:59,680 Speaker 5: I said, they were, they definitely can crew Egyptian Lover 176 00:10:00,360 --> 00:10:05,439 Speaker 5: l a dream team. But my influences came from really 177 00:10:05,559 --> 00:10:09,599 Speaker 5: niggas like Toddy T mixed Master Spade and d J 178 00:10:09,920 --> 00:10:15,240 Speaker 5: varr and and like King T in his early days. Yeah, 179 00:10:15,280 --> 00:10:19,200 Speaker 5: fucking iced tea with six in the morning and fucking 180 00:10:19,600 --> 00:10:21,199 Speaker 5: Schoolly D with p s K. 181 00:10:21,679 --> 00:10:25,800 Speaker 1: You know that's what we banged when we didn't have that. 182 00:10:26,920 --> 00:10:30,840 Speaker 5: We was in the hood playing Parliament Flashlight and fucking 183 00:10:31,360 --> 00:10:33,079 Speaker 5: you know that type of ship. 184 00:10:34,960 --> 00:10:37,400 Speaker 3: I'm sure it was one thing you discovered that Lonzo 185 00:10:37,559 --> 00:10:42,800 Speaker 3: was they can keep sucking with him, gonna fuck you up, 186 00:10:46,000 --> 00:10:48,720 Speaker 3: that's still keep fucking with go get to. 187 00:10:48,679 --> 00:10:52,959 Speaker 1: You, I know you. Yeah, like I said, it's all good. 188 00:10:53,120 --> 00:10:53,280 Speaker 3: You know. 189 00:10:53,440 --> 00:10:55,640 Speaker 1: One thing I wanted to do that real quick man 190 00:10:55,800 --> 00:11:00,360 Speaker 1: is like hell no that it didn't man ship. I 191 00:11:00,440 --> 00:11:01,920 Speaker 1: didn't want to. I didn't come on. 192 00:11:02,360 --> 00:11:05,280 Speaker 5: I didn't want to go grab a sequence jacket, and 193 00:11:05,679 --> 00:11:09,400 Speaker 5: and and and and right about trying to get pussy. 194 00:11:10,120 --> 00:11:13,560 Speaker 1: Lonzo was a player. Let's keep it. He was a player. 195 00:11:13,800 --> 00:11:16,680 Speaker 4: Bump of your ship, man, I gotta he wasna ice 196 00:11:16,840 --> 00:11:20,240 Speaker 4: Rock exactating there bumping your ship, nigga all the time. 197 00:11:20,679 --> 00:11:21,720 Speaker 3: Happy when you came. 198 00:11:21,600 --> 00:11:23,839 Speaker 4: Out with that motherfucker CD with the low Rider with 199 00:11:23,920 --> 00:11:26,640 Speaker 4: the blue low Rider music to drive out. Yeah, we 200 00:11:26,840 --> 00:11:29,720 Speaker 4: own that nigga music to drive by banging that type ship. 201 00:11:29,800 --> 00:11:30,440 Speaker 1: You know what I'm saying. 202 00:11:31,000 --> 00:11:34,040 Speaker 5: And see that's what that's what I say when that's 203 00:11:34,040 --> 00:11:36,400 Speaker 5: what nigga influence some motherfucker we. 204 00:11:36,600 --> 00:11:39,400 Speaker 1: Riding around and that niggas glasshouse. 205 00:11:38,880 --> 00:11:42,480 Speaker 5: When niggas is, when when niggas is is trying to 206 00:11:42,559 --> 00:11:46,640 Speaker 5: get on and they listening to a motherfucker and they going, Man, 207 00:11:46,720 --> 00:11:49,959 Speaker 5: this nigga talking about what we went through yesterday and 208 00:11:50,280 --> 00:11:53,319 Speaker 5: and and the homie guy who smoked and nigga the 209 00:11:53,360 --> 00:11:57,040 Speaker 5: police raided us and woot the womt So now I'm 210 00:11:57,080 --> 00:12:00,280 Speaker 5: finna go start writing about what going in my neighborhood 211 00:12:00,520 --> 00:12:03,280 Speaker 5: and today this happened, and nigga, won't you want that's 212 00:12:03,320 --> 00:12:07,160 Speaker 5: an influence. You could listen to a nigga all day 213 00:12:07,200 --> 00:12:09,199 Speaker 5: and be like, the nigga got some good ship, but 214 00:12:09,320 --> 00:12:12,640 Speaker 5: he not making me want to go grab the microsong 215 00:12:12,760 --> 00:12:13,880 Speaker 5: and a pad and a pin. 216 00:12:14,240 --> 00:12:16,959 Speaker 4: And that's what I mean when exactly when I when 217 00:12:17,000 --> 00:12:20,440 Speaker 4: I wrote that song for the show soundtrack with South 218 00:12:20,480 --> 00:12:25,439 Speaker 4: Central Cartels, Yeah, tretching every that was the bigg influenced 219 00:12:25,600 --> 00:12:28,400 Speaker 4: on my Mama. That that record with the Dog Pound, 220 00:12:28,480 --> 00:12:29,880 Speaker 4: that that one. I think it was on A Minute 221 00:12:29,920 --> 00:12:33,600 Speaker 4: to Society soundtrack that Boom boom. I think it's called 222 00:12:33,720 --> 00:12:36,760 Speaker 4: Jen and something like that, uh, raging him on it. 223 00:12:36,920 --> 00:12:37,800 Speaker 4: That ship was knocking. 224 00:12:38,200 --> 00:12:41,240 Speaker 5: So I took that that you're talking about it in 225 00:12:41,360 --> 00:12:44,719 Speaker 5: my head Tanger ray and ship, Yeah, bosting on that, 226 00:12:45,960 --> 00:12:46,439 Speaker 5: you know what I mean. 227 00:12:46,800 --> 00:12:49,960 Speaker 4: That's what I had a video cut, Yeah, video forward 228 00:12:50,000 --> 00:12:52,319 Speaker 4: to that beat was like I think that was a 229 00:12:52,400 --> 00:12:55,240 Speaker 4: doctor dre b. That was that beat in my head, 230 00:12:55,559 --> 00:12:59,719 Speaker 4: tangle right wrap for that South Central song. I had 231 00:12:59,760 --> 00:13:01,920 Speaker 4: that beat in my head right my rap and I 232 00:13:02,000 --> 00:13:05,559 Speaker 4: went to the studio and killed that Monther. Yeah, that 233 00:13:05,679 --> 00:13:08,319 Speaker 4: type of influence, you know what I mean. And I 234 00:13:08,360 --> 00:13:11,600 Speaker 4: didn't even hear the beat that I was that beat 235 00:13:11,679 --> 00:13:14,240 Speaker 4: I had, yeah. 236 00:13:15,760 --> 00:13:21,240 Speaker 3: Ship, Hey, are you all familiar with this Travis Rudolph situation? Yeah? 237 00:13:21,320 --> 00:13:22,840 Speaker 1: You think he was telling me about it earlier? 238 00:13:23,040 --> 00:13:23,240 Speaker 3: Yeah? 239 00:13:23,280 --> 00:13:27,679 Speaker 1: I was. I was reading a couple of little little lines. 240 00:13:27,720 --> 00:13:29,800 Speaker 4: It's just a regular dude. He played sports or something. 241 00:13:30,080 --> 00:13:32,480 Speaker 5: He played football. He's play football. He went to a 242 00:13:32,720 --> 00:13:34,600 Speaker 5: you know, he went to a top notch high school. 243 00:13:35,760 --> 00:13:40,000 Speaker 5: He played for Florida State. I think he got drafted 244 00:13:40,080 --> 00:13:41,200 Speaker 5: too by the Dolphins. 245 00:13:41,400 --> 00:13:43,120 Speaker 3: Yeah, yeah, he played for He played for the Exams. 246 00:13:43,160 --> 00:13:44,679 Speaker 3: He played a few years for the Exams. Then he 247 00:13:44,800 --> 00:13:48,400 Speaker 3: was playing for the Dolphins, and I think he was 248 00:13:48,440 --> 00:13:51,600 Speaker 3: with Baltimore. He was with Baltimore was his latest team, right, 249 00:13:51,640 --> 00:13:53,360 Speaker 3: He played up in the CFL for a few years. 250 00:13:53,840 --> 00:13:59,160 Speaker 3: But apparently his ex girlfriend or whatever showed up to 251 00:13:59,240 --> 00:14:01,040 Speaker 3: his mama's house with some cats. 252 00:14:01,040 --> 00:14:03,080 Speaker 1: And this and this happened in twenty twenty one. 253 00:14:03,160 --> 00:14:05,480 Speaker 3: Yeah, this happened to twenty one. So she showed up 254 00:14:05,520 --> 00:14:08,440 Speaker 3: over his mama's house, of all places, with her brothers. 255 00:14:08,480 --> 00:14:10,199 Speaker 3: They fell out. She was going through his phone and 256 00:14:10,240 --> 00:14:12,719 Speaker 3: shit found out he was having some you know, as 257 00:14:13,160 --> 00:14:16,199 Speaker 3: Will's wife would say, in entanglement. He was copping a 258 00:14:16,240 --> 00:14:19,840 Speaker 3: little entanglement, you know what I mean. So I guess 259 00:14:19,920 --> 00:14:21,640 Speaker 3: she got hot and said, my brother's gonna come and 260 00:14:21,680 --> 00:14:23,360 Speaker 3: fuck you up. They showed up over his mama's house. 261 00:14:23,400 --> 00:14:26,040 Speaker 3: He wound up banging on killing one of the dudes. Now, 262 00:14:26,120 --> 00:14:30,200 Speaker 3: what I don't understand is Florida is known as Staniel 263 00:14:30,240 --> 00:14:31,920 Speaker 3: ground state. They allowed. 264 00:14:33,440 --> 00:14:34,360 Speaker 1: Martin got killed. 265 00:14:34,480 --> 00:14:37,360 Speaker 3: Yeah, they loved they allowed Trayvon Martin to get killed 266 00:14:37,480 --> 00:14:39,840 Speaker 3: like that. They let that dude go scott free because 267 00:14:39,840 --> 00:14:42,760 Speaker 3: he was defending himself. But you got a situation here 268 00:14:43,080 --> 00:14:47,160 Speaker 3: in which a dude's safety was impeter somebody show up. 269 00:14:48,000 --> 00:14:50,280 Speaker 1: Yeah, or he thought, oh, you don't know. 270 00:14:50,880 --> 00:14:52,560 Speaker 3: Are you supposed to give someone a chance to wait 271 00:14:52,640 --> 00:14:54,280 Speaker 3: till you get shot before you retaliate. 272 00:14:55,000 --> 00:14:56,880 Speaker 4: No, if somebody show up at your house, you're just 273 00:14:56,880 --> 00:14:58,840 Speaker 4: supposed to do what you gotta do to survive. 274 00:14:58,920 --> 00:14:59,360 Speaker 1: You know what I mean. 275 00:15:00,080 --> 00:15:02,080 Speaker 4: I don't feel like there's no nothing to even talk 276 00:15:02,120 --> 00:15:04,840 Speaker 4: about at that point, you know what I'm saying. 277 00:15:04,680 --> 00:15:06,760 Speaker 3: Exactly, because I feel like if you come to my house, 278 00:15:06,920 --> 00:15:10,960 Speaker 3: especially my mama's house, my mama's safetiest threat, my daddy safe. 279 00:15:10,960 --> 00:15:15,200 Speaker 4: That girl already put that thread out there that they 280 00:15:15,320 --> 00:15:19,280 Speaker 4: coming to get him or whatever for whatever they went through. Shit, 281 00:15:19,680 --> 00:15:22,080 Speaker 4: you come to my mom house, I'm gonna just shit. 282 00:15:22,680 --> 00:15:24,400 Speaker 4: You're gonna get aired out. It ain't gonna be no 283 00:15:24,480 --> 00:15:25,840 Speaker 4: talking or none of that. You know what I'm saying, 284 00:15:25,840 --> 00:15:28,000 Speaker 4: because I don't know what the threat is. You know 285 00:15:28,000 --> 00:15:30,000 Speaker 4: what I'm saying, just don't know. You don't have no idea. 286 00:15:30,000 --> 00:15:32,200 Speaker 4: And that's the whole purpose of having weapons is to 287 00:15:32,320 --> 00:15:35,640 Speaker 4: defend yourself in case somebody come. So that loss stood 288 00:15:35,800 --> 00:15:39,920 Speaker 4: for for the white man, but it ain't standing for him. 289 00:15:40,360 --> 00:15:41,440 Speaker 1: No, it's not staying for him. 290 00:15:41,480 --> 00:15:43,680 Speaker 3: No. Fuck the dude's whole career up. Man, you know 291 00:15:44,360 --> 00:15:46,160 Speaker 3: he's been he's sitting up in the show. They did 292 00:15:46,280 --> 00:15:47,600 Speaker 3: let him post bond. He's out on the. 293 00:15:47,600 --> 00:15:54,360 Speaker 5: Cashle, he's out on bond. So I'm reading about basically 294 00:15:54,560 --> 00:15:55,280 Speaker 5: what happened. 295 00:15:55,520 --> 00:15:57,240 Speaker 1: Right, So. 296 00:16:02,680 --> 00:16:05,560 Speaker 5: She's she's fucking with the dude. That the girl's name 297 00:16:05,640 --> 00:16:12,120 Speaker 5: is Dominique, right, so ms Jones and and what's his name, Travis? 298 00:16:12,800 --> 00:16:15,960 Speaker 5: I guess they was fucking around whatever said. They was 299 00:16:16,040 --> 00:16:22,520 Speaker 5: at the crib one night. They playing Uno, right, they 300 00:16:22,640 --> 00:16:26,800 Speaker 5: playing Uno and taking shots. Oh shit, loser takes the shot. 301 00:16:27,920 --> 00:16:31,480 Speaker 5: So they getting so they getting fucked up. My man 302 00:16:31,600 --> 00:16:33,760 Speaker 5: say he gotta get up, he gotta go take a piss. 303 00:16:34,960 --> 00:16:37,320 Speaker 5: So as he going to take a piss, she grabs 304 00:16:37,400 --> 00:16:41,920 Speaker 5: his phone, breaks his past code, goes in his phone 305 00:16:42,600 --> 00:16:44,480 Speaker 5: see probably naked pictures. 306 00:16:44,520 --> 00:16:45,120 Speaker 1: Of bitches. 307 00:16:45,280 --> 00:16:48,440 Speaker 5: He talking to bitches, probably hooked up with some bitches. 308 00:16:49,040 --> 00:16:55,120 Speaker 5: So she automatically started going off, grabbing her shit like nigga, 309 00:16:55,200 --> 00:16:58,520 Speaker 5: fucked it somethingna leave? Won't he won't, He don't know 310 00:16:58,640 --> 00:17:02,760 Speaker 5: what she tripping off of up. He realized, Oh this 311 00:17:02,880 --> 00:17:07,800 Speaker 5: motherfucker went in my phone shawl. He like, are you trimping? 312 00:17:07,880 --> 00:17:08,560 Speaker 5: You trimping? 313 00:17:08,640 --> 00:17:09,119 Speaker 1: You? Whooped? 314 00:17:09,480 --> 00:17:12,040 Speaker 5: You know how nigga gonna do? He like, bits you dripping? 315 00:17:13,080 --> 00:17:15,280 Speaker 5: She like, nigga, get the fuck up out my way? 316 00:17:15,440 --> 00:17:17,879 Speaker 5: Say she grab a trophy or something, threatening to hit 317 00:17:17,960 --> 00:17:21,560 Speaker 5: the nigga. The nigga like, fuck you gone? So as 318 00:17:21,640 --> 00:17:26,960 Speaker 5: they are? You instill and she leaving. He get there like, yeah, 319 00:17:27,080 --> 00:17:27,480 Speaker 5: you just. 320 00:17:27,680 --> 00:17:30,240 Speaker 1: Like all the other broads. You know you ain't WoT 321 00:17:30,320 --> 00:17:30,840 Speaker 1: He won't say. 322 00:17:30,920 --> 00:17:33,159 Speaker 5: She pick up the phone, text her brother tell her 323 00:17:33,280 --> 00:17:34,719 Speaker 5: come shoot this motherfucker. 324 00:17:34,800 --> 00:17:38,840 Speaker 1: Oh right, sawl. 325 00:17:40,080 --> 00:17:41,000 Speaker 3: Next thing you know? 326 00:17:42,119 --> 00:17:47,440 Speaker 5: He look up, it's four niggas on his doorstep, said so, 327 00:17:47,960 --> 00:17:52,840 Speaker 5: they said. A brief altercation happened, and so he claimed, 328 00:17:53,440 --> 00:17:56,760 Speaker 5: in fear of his safety, he went and grabbed the 329 00:17:56,880 --> 00:18:01,359 Speaker 5: fifteen who we are? Say so when I guess you 330 00:18:01,520 --> 00:18:06,120 Speaker 5: know niggas knowing or baby doesn't put them up on game. 331 00:18:06,560 --> 00:18:10,399 Speaker 5: Nigga got that thing in here. So after whatever, and 332 00:18:10,520 --> 00:18:14,680 Speaker 5: he probably break loose and running the crib. They automatically 333 00:18:14,880 --> 00:18:18,960 Speaker 5: know he gonna get that thing. They run for the car, 334 00:18:19,440 --> 00:18:24,080 Speaker 5: jumping the whip and try to speed off. My nigga, 335 00:18:24,160 --> 00:18:28,600 Speaker 5: come out, dump thirty nine times on them, kill the 336 00:18:28,680 --> 00:18:29,840 Speaker 5: nigga in the passenger seat. 337 00:18:30,760 --> 00:18:33,040 Speaker 1: So they's some goofy motherfuckers anyway, So. 338 00:18:34,160 --> 00:18:37,120 Speaker 5: The judge don't give him to stand your ground law 339 00:18:37,880 --> 00:18:41,920 Speaker 5: because they're trying. You know, they automatically gonna say the 340 00:18:42,040 --> 00:18:46,480 Speaker 5: niggas was running away. They got in their car and 341 00:18:46,720 --> 00:18:50,240 Speaker 5: was banging down the block. You as a nigga, though, 342 00:18:51,520 --> 00:18:55,240 Speaker 5: you gonna be like, fuck these niggas. Mans. Niggas just 343 00:18:55,359 --> 00:18:58,200 Speaker 5: jump me and rushed me. And I'm pissed off because 344 00:18:58,240 --> 00:19:00,199 Speaker 5: the broad done hit him and told him to come 345 00:19:00,320 --> 00:19:05,520 Speaker 5: shoot me. Already got the mentality fuck these niggas. So 346 00:19:05,760 --> 00:19:08,400 Speaker 5: even though they then jumped in the whip, Nigga, I'm 347 00:19:08,440 --> 00:19:14,520 Speaker 5: at the front door with that thing, I'm an empty 348 00:19:14,600 --> 00:19:18,440 Speaker 5: that motherfucker man. So they're gonna they're saying one of 349 00:19:18,480 --> 00:19:21,399 Speaker 5: them get killed. They want the passenger get killed, and 350 00:19:21,480 --> 00:19:24,240 Speaker 5: I think somebody in the back seat got hit, So 351 00:19:24,400 --> 00:19:29,880 Speaker 5: they're saying, was you really in fear of your safety 352 00:19:29,920 --> 00:19:31,520 Speaker 5: if the niggas had jumped in the car. 353 00:19:31,840 --> 00:19:32,320 Speaker 1: That's a whole. 354 00:19:33,280 --> 00:19:36,680 Speaker 5: That's where the stand your ground law is killed because 355 00:19:37,840 --> 00:19:41,000 Speaker 5: they fleeing. And you know they always gonna flip the 356 00:19:41,080 --> 00:19:45,639 Speaker 5: script when they say the niggas was fleeing, but you 357 00:19:45,880 --> 00:19:50,200 Speaker 5: ran in the crib grab the strap after they fleeing already. 358 00:19:50,359 --> 00:19:52,600 Speaker 1: But but you can't say I don't know if they 359 00:19:52,680 --> 00:19:53,600 Speaker 1: was going to get something. 360 00:19:54,160 --> 00:19:54,720 Speaker 3: Yeah, that's. 361 00:19:56,119 --> 00:19:56,520 Speaker 1: What I'm saying. 362 00:19:56,520 --> 00:19:58,639 Speaker 5: He can go, they can run to the car, they 363 00:19:58,800 --> 00:20:01,159 Speaker 5: knowing I got the heat doing they know I got 364 00:20:01,240 --> 00:20:03,399 Speaker 5: the heat? Who says they ain't got the heat in 365 00:20:03,480 --> 00:20:06,000 Speaker 5: the car and that they gonna go in. As soon 366 00:20:06,080 --> 00:20:08,040 Speaker 5: as they get to the car, they're gonna turn around 367 00:20:08,200 --> 00:20:12,240 Speaker 5: me out start serving. So that's just like they say, nigga, 368 00:20:12,800 --> 00:20:14,560 Speaker 5: you better swing first before a nigga. 369 00:20:15,240 --> 00:20:19,159 Speaker 4: You you already beat me up now, even without a weapon. 370 00:20:19,760 --> 00:20:21,640 Speaker 4: If it ain't it ain't even a one on one, 371 00:20:21,760 --> 00:20:24,240 Speaker 4: y'all could kill me jumping me right. You know what 372 00:20:24,240 --> 00:20:26,639 Speaker 4: I'm saying, My life is still in danger even if 373 00:20:26,680 --> 00:20:27,560 Speaker 4: you don't got a pistol. 374 00:20:27,640 --> 00:20:29,719 Speaker 1: Man, how many times have you seen somebody hit their 375 00:20:29,800 --> 00:20:30,199 Speaker 1: head on. 376 00:20:30,240 --> 00:20:34,040 Speaker 4: Something trying to say while I'm on the ground or 377 00:20:34,080 --> 00:20:37,080 Speaker 4: anything and make me a vegetable. 378 00:20:37,520 --> 00:20:39,680 Speaker 1: And then you gotta take it to a count like 379 00:20:41,920 --> 00:20:44,680 Speaker 1: like you can say, these niggas gonna come back again. 380 00:20:44,800 --> 00:20:48,560 Speaker 5: You got to take into account like ship, bitch, I 381 00:20:48,680 --> 00:20:52,679 Speaker 5: know your brother that I know that hard head motherfucker. 382 00:20:53,040 --> 00:20:57,359 Speaker 5: So with some other mother it came with three other dudes. 383 00:20:58,200 --> 00:21:00,359 Speaker 5: It's you and this four other niggas and they on 384 00:21:00,480 --> 00:21:05,520 Speaker 5: your porch. I mean, what should you have done though? 385 00:21:05,800 --> 00:21:08,119 Speaker 5: Should you have opened the door and like, nigga, what 386 00:21:08,280 --> 00:21:11,080 Speaker 5: the fuck? Or should you have just stood there behind 387 00:21:11,160 --> 00:21:13,320 Speaker 5: the door. But like I said, well you nigga might 388 00:21:13,440 --> 00:21:16,520 Speaker 5: kick in my door, Like what do you know? The 389 00:21:16,680 --> 00:21:21,879 Speaker 5: mentality of what homeboy thinking because his sister done called 390 00:21:21,960 --> 00:21:24,440 Speaker 5: and said, come shoot this motherfucker. 391 00:21:24,680 --> 00:21:27,600 Speaker 4: Hey, But I'm thinking, like does he have do they 392 00:21:27,680 --> 00:21:29,840 Speaker 4: have the proof that she said that they got it 393 00:21:29,920 --> 00:21:31,879 Speaker 4: on text? They got her in. 394 00:21:32,320 --> 00:21:35,960 Speaker 5: She's on the stand right now because the defense for 395 00:21:36,200 --> 00:21:39,520 Speaker 5: him is going it was self defense. 396 00:21:40,000 --> 00:21:40,520 Speaker 1: You give me. 397 00:21:42,000 --> 00:21:45,080 Speaker 5: It was self defense because here's the text, and she's 398 00:21:45,160 --> 00:21:48,480 Speaker 5: trying to say it was wrong of me to do that. 399 00:21:48,840 --> 00:21:51,040 Speaker 5: It was wrong of me to send my brother a 400 00:21:51,160 --> 00:21:56,520 Speaker 5: text saying, come shoot this motherfucker. Because now she's trying 401 00:21:56,520 --> 00:21:59,720 Speaker 5: to say it was all out of anger. Okay, yeah, 402 00:22:00,040 --> 00:22:02,600 Speaker 5: because maybe you should have just took your ship and 403 00:22:02,760 --> 00:22:06,760 Speaker 5: should have just went on about you the nigga gone. 404 00:22:08,040 --> 00:22:10,600 Speaker 4: The running the way part shouldn't matter. If she told 405 00:22:10,680 --> 00:22:13,360 Speaker 4: him to come kill the motherfucker. The running the way 406 00:22:13,400 --> 00:22:17,080 Speaker 4: parts shouldn't even matter, you know what I mean. I'm 407 00:22:17,119 --> 00:22:19,440 Speaker 4: feeling like y'all came to do what she told y'all 408 00:22:19,440 --> 00:22:21,720 Speaker 4: to do. You know what I'm saying, whether you had 409 00:22:21,760 --> 00:22:24,280 Speaker 4: a gun or not exactly, you know what I mean. 410 00:22:26,040 --> 00:22:28,760 Speaker 4: And I'm thinking you got a gun anyway, because if 411 00:22:28,800 --> 00:22:31,000 Speaker 4: she said come shoot this motherfucker, I'm thinking y'all got 412 00:22:31,040 --> 00:22:31,240 Speaker 4: a gun. 413 00:22:31,320 --> 00:22:33,600 Speaker 1: That's what I said. I mean, y'all beat me up 414 00:22:33,720 --> 00:22:37,160 Speaker 1: to start off with you. I know at some point 415 00:22:37,359 --> 00:22:38,280 Speaker 1: I know she mad. 416 00:22:41,680 --> 00:22:45,639 Speaker 5: She's fear like like she's hot right now because like 417 00:22:45,760 --> 00:22:48,560 Speaker 5: I said, she wouldn't win in my phone. Probably doesn't 418 00:22:48,560 --> 00:22:51,960 Speaker 5: seen some button naked videos or whatever, so she. 419 00:22:52,119 --> 00:22:54,920 Speaker 1: The reason all the bullshit. But let me tell you something. 420 00:22:55,720 --> 00:22:58,400 Speaker 5: Scenes No, Travis got you man, you gott you gotta 421 00:22:58,400 --> 00:23:00,240 Speaker 5: put you gotta grab your phone when you want to 422 00:23:00,280 --> 00:23:01,640 Speaker 5: take a piss, I don't give a fuck. 423 00:23:01,760 --> 00:23:01,920 Speaker 1: Man. 424 00:23:02,080 --> 00:23:05,080 Speaker 4: Sometimes though, a real bitch is gonna be like, I'm 425 00:23:05,119 --> 00:23:07,240 Speaker 4: not going and look, I'm gonna find some many. 426 00:23:07,240 --> 00:23:09,600 Speaker 1: Right, so what I'm looking in his phone? So you 427 00:23:09,720 --> 00:23:11,560 Speaker 1: gotta figure, gotta figure. 428 00:23:11,760 --> 00:23:15,040 Speaker 5: She was already, she was already on the shaky because 429 00:23:15,480 --> 00:23:18,160 Speaker 5: she felt like and even in that quick of a time, 430 00:23:18,400 --> 00:23:20,440 Speaker 5: like a nigga just going to take a piss. He 431 00:23:20,480 --> 00:23:23,359 Speaker 5: ain't saying I'm gonna take a ship. That nigga said, nigga, 432 00:23:23,359 --> 00:23:25,400 Speaker 5: I fin gonna take me a piss right quick. That's 433 00:23:25,480 --> 00:23:26,920 Speaker 5: real quick, like you feel me. 434 00:23:27,040 --> 00:23:31,240 Speaker 3: He got his past code, please believe me. Eventually, she 435 00:23:31,440 --> 00:23:34,959 Speaker 3: was waiting for anything any given time, past cold, get 436 00:23:35,000 --> 00:23:37,560 Speaker 3: put in and everything. That's what women do. They sit 437 00:23:37,640 --> 00:23:39,560 Speaker 3: up and look at you. Don't be saying shit, you 438 00:23:39,680 --> 00:23:43,040 Speaker 3: be putting your past cod fellas, I ain't fellas. I 439 00:23:43,040 --> 00:23:45,359 Speaker 3: ain't gonna say like, you know, you know you gotta 440 00:23:45,440 --> 00:23:47,600 Speaker 3: take your phone with you. But you know, when you 441 00:23:47,680 --> 00:23:52,720 Speaker 3: got a female and you know she's uncertain, women, y'all 442 00:23:52,800 --> 00:23:54,399 Speaker 3: haven't y'all haven't built it. 443 00:23:54,680 --> 00:23:58,199 Speaker 5: Y'all haven't built that trust or the trust has been 444 00:23:58,320 --> 00:24:02,040 Speaker 5: broken to where she gotta do that. May you gotta 445 00:24:02,080 --> 00:24:05,000 Speaker 5: be careful. Man, you know, I ain't telling you what 446 00:24:05,119 --> 00:24:07,560 Speaker 5: to do, but man, get your backup phone or something. 447 00:24:07,880 --> 00:24:12,000 Speaker 5: Leave it in the car some you know, because a 448 00:24:12,119 --> 00:24:15,400 Speaker 5: lot of ship transpire from the mess of relationships. 449 00:24:15,680 --> 00:24:20,520 Speaker 1: When ship is unsure, I think they was just they 450 00:24:20,640 --> 00:24:21,359 Speaker 1: was dating. 451 00:24:22,240 --> 00:24:24,480 Speaker 3: Anyway, because I was gonna say when you married, when 452 00:24:24,520 --> 00:24:27,000 Speaker 3: you married, when you married, your wife can kind of 453 00:24:27,040 --> 00:24:30,000 Speaker 3: because I'm going and that's not like I grab my 454 00:24:30,080 --> 00:24:30,520 Speaker 3: wife's phone. 455 00:24:31,640 --> 00:24:32,160 Speaker 1: Being married. 456 00:24:32,200 --> 00:24:36,200 Speaker 5: If you've been with a significant other for and it's significant, 457 00:24:36,640 --> 00:24:40,399 Speaker 5: she's gonna feel like she got that. Nigga, what because 458 00:24:40,480 --> 00:24:42,480 Speaker 5: in a minute, let me tell you something, Because let 459 00:24:42,520 --> 00:24:44,440 Speaker 5: me tell you something. In a minute, she gonna do this. 460 00:24:46,000 --> 00:24:48,520 Speaker 5: She's gonna she gonna she gonna put your ass on 461 00:24:48,680 --> 00:24:51,920 Speaker 5: the spot, and she gonna tell you in a second. Nigga, here, 462 00:24:52,160 --> 00:24:55,359 Speaker 5: you could check my fucking phone. You can check my ship. 463 00:24:55,640 --> 00:24:58,200 Speaker 1: Seems like some fucking seventeen year old ship. 464 00:24:58,560 --> 00:25:01,160 Speaker 5: It don't matter what I they gonna do that ship. 465 00:25:01,320 --> 00:25:04,680 Speaker 5: Nig at this point, though, Man here here, look here, 466 00:25:05,000 --> 00:25:08,359 Speaker 5: you can check my ship. You can check my phone. Nigga, 467 00:25:08,440 --> 00:25:10,400 Speaker 5: go up and check my nigga. Fucking here, you wanna 468 00:25:10,440 --> 00:25:13,200 Speaker 5: check my purse to go inside. Nigga check it off 469 00:25:13,720 --> 00:25:16,840 Speaker 5: some teenager. It is teeny bopper ship, but it's just 470 00:25:17,000 --> 00:25:19,359 Speaker 5: with some Like you said, if you ain't built that 471 00:25:19,520 --> 00:25:22,760 Speaker 5: trust with your woman, then you go. If you don't 472 00:25:22,800 --> 00:25:25,040 Speaker 5: trust the feed me And I don't know if it's 473 00:25:25,119 --> 00:25:27,520 Speaker 5: different from us as as as men. 474 00:25:28,240 --> 00:25:30,880 Speaker 4: Kevin looking into no bitch phone, boy, you might find 475 00:25:30,960 --> 00:25:34,760 Speaker 4: out because I don't like even if you don't trust them, 476 00:25:35,240 --> 00:25:37,960 Speaker 4: even if even if you don't trust the motherfucker, you 477 00:25:38,080 --> 00:25:38,399 Speaker 4: get me. 478 00:25:38,760 --> 00:25:41,320 Speaker 5: It's a certain level where nigga just be like, Man, 479 00:25:41,359 --> 00:25:43,680 Speaker 5: I ain't picking up no bitch phone like that. I'm 480 00:25:43,720 --> 00:25:50,000 Speaker 5: not doing that ship. They say, you're gonna open that 481 00:25:50,080 --> 00:25:52,680 Speaker 5: motherfucker up and see her, see her bent over like 482 00:25:52,880 --> 00:25:55,440 Speaker 5: but getting her ass slapped off by another digger, you 483 00:25:55,600 --> 00:25:59,040 Speaker 5: gonna be like, oh my god, just go. 484 00:25:59,160 --> 00:26:02,240 Speaker 1: To your stomach like you man. That ain't no feeling 485 00:26:02,280 --> 00:26:02,520 Speaker 1: you ever. 486 00:26:02,680 --> 00:26:04,640 Speaker 3: Man. But I'm gonna tell you this, sometimes it's best 487 00:26:04,720 --> 00:26:06,320 Speaker 3: nothing to know. If you don't want no ship, if 488 00:26:06,359 --> 00:26:08,040 Speaker 3: you don't want to see some ship, don't be digging 489 00:26:08,160 --> 00:26:08,760 Speaker 3: nobody's ship. 490 00:26:09,119 --> 00:26:09,840 Speaker 1: That's my point. 491 00:26:10,240 --> 00:26:13,879 Speaker 5: Or or or or had the confidence that hey, it 492 00:26:14,040 --> 00:26:16,560 Speaker 5: is what it is got out of confidence. 493 00:26:16,640 --> 00:26:17,399 Speaker 1: It is what it is. 494 00:26:17,800 --> 00:26:19,680 Speaker 3: I've been with my wife for thirty years, so it 495 00:26:19,720 --> 00:26:22,000 Speaker 3: ain't all that going through phone. Ain't no such thing 496 00:26:22,040 --> 00:26:22,240 Speaker 3: as that. 497 00:26:22,359 --> 00:26:22,639 Speaker 1: No more. 498 00:26:22,680 --> 00:26:24,879 Speaker 3: Of course she used my phone, I use hers. You 499 00:26:24,920 --> 00:26:27,640 Speaker 3: know we're old now, so you know it's old ship. 500 00:26:27,920 --> 00:26:30,320 Speaker 3: You old ship because you be chilling. You ain't because 501 00:26:30,320 --> 00:26:34,359 Speaker 3: you know better. You ain't keeping No. I ain't got no. 502 00:26:34,440 --> 00:26:36,000 Speaker 1: Button nakets on your phone. Huh. 503 00:26:36,240 --> 00:26:38,679 Speaker 3: I ain't got nothing to got no butt nakeds on there? 504 00:26:38,920 --> 00:26:39,080 Speaker 1: You what? 505 00:26:39,440 --> 00:26:41,440 Speaker 3: But I go through there right down. See if I 506 00:26:41,560 --> 00:26:43,880 Speaker 3: see something butt that you have. They had a situation 507 00:26:44,040 --> 00:26:44,640 Speaker 3: one time. 508 00:26:44,560 --> 00:26:46,840 Speaker 5: Maria, he ain't got no butt leckds on there. 509 00:26:49,560 --> 00:26:53,360 Speaker 3: Whistle you one thing. Something did happen when the homies 510 00:26:53,400 --> 00:26:56,080 Speaker 3: just saw somebody that we knew. The homies send you 511 00:26:56,119 --> 00:26:58,840 Speaker 3: a picture. So it was a woman that we know 512 00:26:59,000 --> 00:27:01,880 Speaker 3: who shall remain there aimless. She on Twitter and got 513 00:27:01,920 --> 00:27:05,280 Speaker 3: her whole little motherfucking swinger lifestyle cracking or whatever. Right, 514 00:27:05,880 --> 00:27:10,520 Speaker 3: so the homie sends me the picture for some reason. 515 00:27:10,600 --> 00:27:13,600 Speaker 3: My dumb ass, I'm looking at the picture, and you 516 00:27:13,680 --> 00:27:15,639 Speaker 3: gonna ship pop up on the iPhone or where you 517 00:27:15,640 --> 00:27:17,119 Speaker 3: can afford the motherfucker to somebody. 518 00:27:17,600 --> 00:27:19,560 Speaker 1: So I forwarded to her by accident. 519 00:27:21,240 --> 00:27:23,359 Speaker 3: Like a dumb ass, Like a dumb ass, and I 520 00:27:23,520 --> 00:27:25,640 Speaker 3: was trying to find every little thing online to where 521 00:27:25,640 --> 00:27:30,680 Speaker 3: I could retrieve that motherfucking and it wasn't cracking. She 522 00:27:30,760 --> 00:27:32,879 Speaker 3: didn't trip though. I told her what it was and 523 00:27:33,000 --> 00:27:35,320 Speaker 3: she saw and and that was it. It kind of 524 00:27:35,400 --> 00:27:38,560 Speaker 3: got laughed off, But man, I learned a long time ago, 525 00:27:38,720 --> 00:27:40,720 Speaker 3: man Nix, you gotta give even if you may, or 526 00:27:40,760 --> 00:27:44,280 Speaker 3: you gotta give people a privacy because it might not 527 00:27:44,400 --> 00:27:46,159 Speaker 3: beat them delicious. Just like we sit up here and 528 00:27:46,200 --> 00:27:48,720 Speaker 3: talk about bitches, ass and titties. How we know bitches 529 00:27:48,720 --> 00:27:50,959 Speaker 3: when they at their job. Don't be talking about niggas. 530 00:27:51,680 --> 00:27:53,119 Speaker 1: Of course, look at what. 531 00:27:53,160 --> 00:27:55,800 Speaker 4: We're talking about right now. Like, like, you gotta be 532 00:27:55,920 --> 00:27:59,159 Speaker 4: real careful. It was just pussy and dick shit, bro, 533 00:27:59,280 --> 00:28:01,440 Speaker 4: because that ship get you killed. You know what I'm saying. 534 00:28:02,160 --> 00:28:04,800 Speaker 1: It's just you gotta know who you're dealing with, especially 535 00:28:04,920 --> 00:28:07,880 Speaker 1: these days. Yeah, man, let me tell you somethings will 536 00:28:07,920 --> 00:28:10,080 Speaker 1: smoke you. Man ship. 537 00:28:10,480 --> 00:28:15,200 Speaker 5: Back in the days, back in the neighborhood days, you 538 00:28:15,520 --> 00:28:18,320 Speaker 5: you get your cap peeled over some some some some 539 00:28:18,520 --> 00:28:21,960 Speaker 5: female ship. Still, Yeah, for sure, fucking fucking with the 540 00:28:22,040 --> 00:28:24,639 Speaker 5: wrong female and she fucking with a nigga from the 541 00:28:24,800 --> 00:28:27,960 Speaker 5: rival set or a different set or what niggas would use. 542 00:28:28,080 --> 00:28:29,480 Speaker 1: They life over broads. 543 00:28:29,600 --> 00:28:31,920 Speaker 4: Man, It's like a biscuit be trying to trying to 544 00:28:32,600 --> 00:28:35,800 Speaker 4: make her nigga jealous of some bullshit, right, and they 545 00:28:35,920 --> 00:28:39,120 Speaker 4: trying to give you some attention, and you ain't even 546 00:28:39,160 --> 00:28:41,240 Speaker 4: tripping on the broad. You don't even want the broad 547 00:28:41,440 --> 00:28:45,560 Speaker 4: because another nigga fucking her anyway, you know what I'm saying, Like, Nigga, 548 00:28:45,560 --> 00:28:47,560 Speaker 4: I don't want to be fucking behind you, nigga, but 549 00:28:48,080 --> 00:28:53,400 Speaker 4: they'll put that out there, like at the end of 550 00:28:53,440 --> 00:28:56,920 Speaker 4: the day, this nigga looking at you sideways. You know 551 00:28:56,960 --> 00:28:59,280 Speaker 4: what I'm saying now, he plotting on you behind his 552 00:28:59,400 --> 00:28:59,920 Speaker 4: punk bitch. 553 00:29:00,160 --> 00:29:02,960 Speaker 1: You don't even know, you know, and you don't even 554 00:29:03,840 --> 00:29:04,960 Speaker 1: growing up in the hood. 555 00:29:05,120 --> 00:29:07,760 Speaker 4: You ain't even thinking about you know what I'm saying, 556 00:29:08,000 --> 00:29:10,280 Speaker 4: trying to have no sex with her or nothing because 557 00:29:10,280 --> 00:29:13,640 Speaker 4: of another nigga that you like, Nigga, that's the homie 558 00:29:13,640 --> 00:29:14,160 Speaker 4: fucking with her. 559 00:29:14,240 --> 00:29:16,760 Speaker 1: But some niggas don't think like that. It's it's kind 560 00:29:16,800 --> 00:29:18,600 Speaker 1: of like disgusting to me, Nigga, I don't want to 561 00:29:18,600 --> 00:29:19,760 Speaker 1: sufter no other nigga. 562 00:29:20,080 --> 00:29:21,440 Speaker 4: You know what I'm saying, I don't want to have 563 00:29:21,600 --> 00:29:23,320 Speaker 4: sex with if I know you fucking with the bitch, 564 00:29:23,680 --> 00:29:24,480 Speaker 4: I don't want the bitch. 565 00:29:24,840 --> 00:29:27,440 Speaker 1: Yeah, too many females out here, you know what I 566 00:29:27,480 --> 00:29:28,920 Speaker 1: mean exactly. 567 00:29:29,200 --> 00:29:34,440 Speaker 3: When you think about in society, man, nigga, why are 568 00:29:34,440 --> 00:29:36,160 Speaker 3: you even talking like that? You know what I'm saying. 569 00:29:36,440 --> 00:29:39,080 Speaker 3: Throughout the history of mankind, if you look at it, 570 00:29:39,960 --> 00:29:42,520 Speaker 3: women have been the cause of major wars. 571 00:29:43,400 --> 00:29:46,440 Speaker 1: That's what I'm talking thinking about it, don't it. 572 00:29:46,480 --> 00:29:49,120 Speaker 3: Don't be wars kicked off because of a bitch behind it, 573 00:29:50,160 --> 00:29:52,000 Speaker 3: because of a big whole nation is going to get 574 00:29:52,320 --> 00:29:53,440 Speaker 3: gets each other going to war. 575 00:29:54,200 --> 00:29:56,000 Speaker 5: And let us put the disclaim. Let us put the 576 00:29:56,080 --> 00:30:01,840 Speaker 5: disclaim around right now. All women are you know, you know, 577 00:30:02,000 --> 00:30:05,480 Speaker 5: we we we loose with the tongue sometime by referring 578 00:30:05,520 --> 00:30:10,560 Speaker 5: to females as bitch. So we we don't wanna, we 579 00:30:10,680 --> 00:30:14,040 Speaker 5: don't wanna, you know, we don't want to fucking spark 580 00:30:14,200 --> 00:30:17,920 Speaker 5: anybody or or disrespect any females by saying, you know, 581 00:30:18,520 --> 00:30:22,040 Speaker 5: like we're specifically talking about all females or you you know, 582 00:30:22,240 --> 00:30:24,560 Speaker 5: it's just you know, it's just it just is what 583 00:30:24,680 --> 00:30:27,600 Speaker 5: it is. Like I said, there's been plenty of situations 584 00:30:27,640 --> 00:30:30,920 Speaker 5: where I know, growing up in the neighborhood, you get 585 00:30:31,080 --> 00:30:34,400 Speaker 5: caught fucking with a female wrong, or you fucking with 586 00:30:34,520 --> 00:30:37,520 Speaker 5: a female and you fuck up. Man, they instantly, Oh, 587 00:30:37,600 --> 00:30:40,000 Speaker 5: nigg I'm gonna call my brother, give me or I'm 588 00:30:40,240 --> 00:30:43,080 Speaker 5: in and brother coming over with about three or four 589 00:30:43,120 --> 00:30:47,560 Speaker 5: homies from the neighborhood and niggas is it ain't no 590 00:30:47,880 --> 00:30:49,720 Speaker 5: fucking discussions. 591 00:30:50,240 --> 00:30:51,720 Speaker 1: Niggas are ready to peel your cat. 592 00:30:51,840 --> 00:30:54,760 Speaker 4: Brothers got sense though, they gonna be like Lord nig 593 00:30:55,040 --> 00:30:55,840 Speaker 4: put his hands on you. 594 00:30:56,240 --> 00:31:00,320 Speaker 5: Man, some of that ship was hands and if it 595 00:31:00,440 --> 00:31:03,760 Speaker 5: was hands putting on you know, niggas, niggas was coming through. 596 00:31:04,160 --> 00:31:06,200 Speaker 5: So it was a lot of that growing up in 597 00:31:06,320 --> 00:31:11,440 Speaker 5: the neighborhood, you know. So it's just unfortunate, like I 598 00:31:11,600 --> 00:31:17,240 Speaker 5: said that, like that, that one little text will lead 599 00:31:17,360 --> 00:31:19,480 Speaker 5: to you know what I'm saying, Like you said, when 600 00:31:19,520 --> 00:31:22,120 Speaker 5: my fucker see, yeah, I just told my brother, you know, 601 00:31:22,280 --> 00:31:26,280 Speaker 5: come over here smoke this Nigga's that Now I got 602 00:31:26,480 --> 00:31:30,400 Speaker 5: whoop his ass or come no, not like that. And 603 00:31:30,480 --> 00:31:34,200 Speaker 5: I don't even like you so hot to where you 604 00:31:34,440 --> 00:31:37,320 Speaker 5: even said that the nigga ain't put his hands on you, 605 00:31:37,560 --> 00:31:39,160 Speaker 5: or he ain't dead ship to you. 606 00:31:39,640 --> 00:31:40,920 Speaker 1: You just so fierce. 607 00:31:41,760 --> 00:31:45,280 Speaker 5: Yeah, come kill me because you done saw another bitch's 608 00:31:45,360 --> 00:31:47,960 Speaker 5: ass in my phone. So you ready for a nigga 609 00:31:48,000 --> 00:31:51,680 Speaker 5: to smoke? Just smoke me because I got a picture 610 00:31:51,720 --> 00:31:54,080 Speaker 5: of another bitch's ass on my phone. 611 00:31:54,280 --> 00:31:57,160 Speaker 1: Not knowing where you got it from, not knowing none, none. 612 00:31:57,320 --> 00:31:59,600 Speaker 5: And that ain't and it don't matter fuck it if 613 00:31:59,640 --> 00:32:02,440 Speaker 5: somebody he sent it to it anyway, if y'all not clicking, 614 00:32:02,560 --> 00:32:05,760 Speaker 5: y'all not clicking, that's just it. Fucking the nigga fucked up. 615 00:32:06,040 --> 00:32:08,800 Speaker 5: You're either gonna accept the apology or you're gonna move 616 00:32:08,880 --> 00:32:11,080 Speaker 5: the fuck on. But you don't call a nigga and 617 00:32:11,160 --> 00:32:12,840 Speaker 5: go come smoke this motherfucker. 618 00:32:13,000 --> 00:32:16,520 Speaker 1: You get me. You said her mother fucking anger she was. 619 00:32:16,640 --> 00:32:18,719 Speaker 1: She was dealing with her feelings and emotions, that god 620 00:32:18,840 --> 00:32:21,760 Speaker 1: damn right. And then they off that liquor. And then 621 00:32:21,840 --> 00:32:24,800 Speaker 1: when everything came down and somebody's dead and. 622 00:32:25,080 --> 00:32:27,240 Speaker 5: Who know, I mean, who know how many hands and 623 00:32:27,320 --> 00:32:30,120 Speaker 5: who knows she done lost it had the sip sip sient, 624 00:32:30,400 --> 00:32:32,600 Speaker 5: you know she could have been. 625 00:32:34,120 --> 00:32:35,960 Speaker 1: And that I wish I wouldn't have sent this take 626 00:32:37,520 --> 00:32:40,280 Speaker 1: how many how many hands of udo? She lost? 627 00:32:40,320 --> 00:32:44,640 Speaker 5: How what was they sipping off? She wouldn't have sent Yeah, 628 00:32:45,000 --> 00:32:47,240 Speaker 5: you know what I mean. They sitting up playing udo 629 00:32:47,440 --> 00:32:50,440 Speaker 5: taking shots. So you know what I'm saying. He plotted 630 00:32:51,720 --> 00:32:53,800 Speaker 5: ready to get her tipsy your ship. So he go 631 00:32:53,920 --> 00:32:56,240 Speaker 5: in there and beat up some ass and he don't 632 00:32:56,320 --> 00:32:58,920 Speaker 5: fuck it up, and I got got caught slipping on 633 00:32:59,080 --> 00:32:59,680 Speaker 5: the fault. 634 00:32:59,640 --> 00:33:02,640 Speaker 1: Started all the ship. Why that bitch ain't in jail still? 635 00:33:03,560 --> 00:33:06,560 Speaker 1: Why nigga and all the ship? Why nigga, they're playing 636 00:33:06,720 --> 00:33:10,040 Speaker 1: udo taking shots? What he try to do? You having fun? 637 00:33:10,160 --> 00:33:14,880 Speaker 1: Just fuck it up because I'm he said, you having fun? 638 00:33:15,040 --> 00:33:17,200 Speaker 5: Nigga tried to get him some ass. He tried to 639 00:33:17,240 --> 00:33:21,000 Speaker 5: get her tipsy. Tipsy she should be too, She should be. 640 00:33:22,080 --> 00:33:24,520 Speaker 5: He tried get her tip one. Nigga tried to get 641 00:33:24,560 --> 00:33:28,320 Speaker 5: her Jayo. You had told the bist to take a 642 00:33:28,400 --> 00:33:29,720 Speaker 5: few shots and get her. 643 00:33:30,880 --> 00:33:31,320 Speaker 1: Lost in that. 644 00:33:31,440 --> 00:33:33,800 Speaker 6: You know, that's what it really was. That death got killed. 645 00:33:33,840 --> 00:33:42,560 Speaker 6: That nigga lost in that old Nigga, you beat me 646 00:33:42,680 --> 00:33:43,400 Speaker 6: one more time. 647 00:33:43,760 --> 00:33:49,680 Speaker 5: They had fIF for some Jose Quervo too. They didn't 648 00:33:49,680 --> 00:33:51,800 Speaker 5: even have a god, Holy yo, nigga. They had the 649 00:33:52,000 --> 00:33:55,520 Speaker 5: Jose on that bitch nigga, just that brown too, just 650 00:33:55,720 --> 00:33:59,960 Speaker 5: taking that nigga like oh there, oh no, take another way. 651 00:34:00,040 --> 00:34:02,960 Speaker 1: I'm calling my brothers. They didn't even have a shot glass. 652 00:34:03,240 --> 00:34:05,760 Speaker 5: He tried to put shots in the red paper cup 653 00:34:05,880 --> 00:34:08,799 Speaker 5: knowing this is two full because it called her. 654 00:34:09,520 --> 00:34:13,200 Speaker 3: He was trying to get some draws that last. That's 655 00:34:13,239 --> 00:34:15,399 Speaker 3: why she was mad, man, That's why she was mad. 656 00:34:15,760 --> 00:34:17,439 Speaker 3: Draws after game. 657 00:34:20,239 --> 00:34:23,000 Speaker 1: Get there. Every every other head, he is a slapping 658 00:34:23,080 --> 00:34:23,359 Speaker 1: that ship. 659 00:34:23,600 --> 00:34:28,000 Speaker 5: Oh no, bitch, think another one got shit there, probably 660 00:34:28,080 --> 00:34:30,759 Speaker 5: off the six one like this that. 661 00:34:31,000 --> 00:34:32,600 Speaker 1: I think it's a whole up. Baby, Let me go 662 00:34:32,719 --> 00:34:34,719 Speaker 1: take a piss, right, you got drinking. But she been 663 00:34:34,800 --> 00:34:37,120 Speaker 1: knowing she was going that phone since when she first came. 664 00:34:37,120 --> 00:34:39,880 Speaker 3: Waiting wait for the niggah, You wait for the opportoon. 665 00:34:40,320 --> 00:34:42,800 Speaker 1: That's the brothers to shoot that nigga. Yeah she shoot. 666 00:34:43,600 --> 00:34:47,000 Speaker 1: That's a crime. Like all jokes aside. Man actually got 667 00:34:47,239 --> 00:34:48,640 Speaker 1: shoot that nigga in the phone. 668 00:34:48,960 --> 00:34:53,000 Speaker 5: Yeah they they I was looking at she said, come 669 00:34:53,160 --> 00:34:57,879 Speaker 5: shoot this nigga. Now that she's being cross examined by 670 00:34:57,960 --> 00:35:01,560 Speaker 5: the defense, it's like, oh, I should have never did that. 671 00:35:01,719 --> 00:35:02,680 Speaker 1: It was a mistake. 672 00:35:02,880 --> 00:35:05,320 Speaker 3: It was trying to establish no, it's probably trying to 673 00:35:05,440 --> 00:35:09,120 Speaker 3: establish Yeah, that well ship when they running out the house. 674 00:35:09,160 --> 00:35:11,080 Speaker 3: I know if a nigga run up in here. Let's 675 00:35:11,080 --> 00:35:12,560 Speaker 3: say a nigga come up here and shoot, but he 676 00:35:12,600 --> 00:35:15,120 Speaker 3: don't hit nobody, and he running that way, I don't 677 00:35:15,120 --> 00:35:16,400 Speaker 3: know if he's going out to the car to get 678 00:35:16,480 --> 00:35:17,280 Speaker 3: some bigger ship. 679 00:35:22,160 --> 00:35:25,480 Speaker 1: Like where he's came over here and some harm where 680 00:35:25,560 --> 00:35:26,680 Speaker 1: he's getting fucked. 681 00:35:26,719 --> 00:35:31,360 Speaker 5: That is where when they decided, when the judge decided 682 00:35:31,440 --> 00:35:33,960 Speaker 5: from the gate, I'm not gonna let you slide on 683 00:35:34,080 --> 00:35:38,839 Speaker 5: the stand your ground because the niggas was fleeing when 684 00:35:38,880 --> 00:35:42,680 Speaker 5: you decided to shoot, so you can't say you was 685 00:35:42,760 --> 00:35:45,399 Speaker 5: in fear of your life. When niggas is running away, 686 00:35:47,440 --> 00:35:51,359 Speaker 5: he like, how do you know it's like some stupid ship. 687 00:35:51,719 --> 00:35:53,840 Speaker 5: It's like some stupid ship, Like was it. 688 00:35:54,360 --> 00:35:56,600 Speaker 1: That went through the ship? Or me? How the fuck 689 00:35:56,640 --> 00:35:58,520 Speaker 1: you gonna tell me? What? What level? 690 00:36:00,200 --> 00:36:00,359 Speaker 3: Say? 691 00:36:00,400 --> 00:36:03,359 Speaker 5: You like, say you're in the military and they tell 692 00:36:03,440 --> 00:36:06,840 Speaker 5: you like the rules of engagement you can't shoot until 693 00:36:06,960 --> 00:36:10,520 Speaker 5: being shot upon. So okay, the niggas just jump me, 694 00:36:11,360 --> 00:36:13,440 Speaker 5: they run into their car. So you want me to 695 00:36:13,600 --> 00:36:17,520 Speaker 5: wait until the niggas pull out and start dumping for 696 00:36:17,680 --> 00:36:18,600 Speaker 5: me to dump back. 697 00:36:18,880 --> 00:36:20,640 Speaker 1: I just got my ass kicked by Poe. 698 00:36:20,800 --> 00:36:23,960 Speaker 5: Niggas, you get me, I'm not finna give him a 699 00:36:24,040 --> 00:36:27,200 Speaker 5: fucking chance to go to the car, show me the 700 00:36:27,320 --> 00:36:30,880 Speaker 5: strap and then shoot first. And then I go, Okay, 701 00:36:30,960 --> 00:36:33,320 Speaker 5: now I'm in fear for my life, let me start dumping. 702 00:36:33,600 --> 00:36:33,640 Speaker 1: No. 703 00:36:33,840 --> 00:36:36,200 Speaker 5: I was in fear for my life when the bitch said, 704 00:36:36,680 --> 00:36:42,440 Speaker 5: come shoot this nigga. So I'm already fucking paranoid California. 705 00:36:43,160 --> 00:36:48,960 Speaker 5: I'm I'm already paranoid because I know them niggas like 706 00:36:49,120 --> 00:36:52,080 Speaker 5: you give me when you on some street ship. I 707 00:36:52,200 --> 00:36:55,400 Speaker 5: know them niggas. Then niggas ain't coming over here for 708 00:36:55,560 --> 00:36:56,520 Speaker 5: no conversation. 709 00:36:57,520 --> 00:36:58,399 Speaker 3: He should get off. 710 00:36:58,520 --> 00:36:58,799 Speaker 1: I don't. 711 00:36:59,840 --> 00:37:02,920 Speaker 5: He's not gonna get off. They gonna get in for something. 712 00:37:03,040 --> 00:37:05,400 Speaker 5: I don't give a If they break it down the 713 00:37:05,520 --> 00:37:07,919 Speaker 5: murder to a few years, he's gonna do a few years. 714 00:37:07,920 --> 00:37:09,960 Speaker 5: If they break it down the murder too or man 715 00:37:10,120 --> 00:37:13,080 Speaker 5: slaughter or whatever. But all they're gonna go is you 716 00:37:13,360 --> 00:37:15,920 Speaker 5: kill the nigga straight up. That's it. 717 00:37:16,480 --> 00:37:16,840 Speaker 1: You know what. 718 00:37:17,080 --> 00:37:19,480 Speaker 3: This needs to be a message for all the young 719 00:37:19,520 --> 00:37:23,760 Speaker 3: homies out there, though, stay away from messy as women. 720 00:37:24,880 --> 00:37:27,080 Speaker 3: A messy as woman will get your head knocked on. 721 00:37:27,160 --> 00:37:27,719 Speaker 1: I'm being real. 722 00:37:27,840 --> 00:37:30,840 Speaker 3: Dog, A messy ass woman will get you killed. She 723 00:37:30,960 --> 00:37:33,440 Speaker 3: gonna try to use you to get other motherfucker's jealous. 724 00:37:33,600 --> 00:37:35,400 Speaker 3: She gonna try to get you mad and plucks you 725 00:37:35,440 --> 00:37:37,480 Speaker 3: against homie. She the type of bra that when your 726 00:37:37,520 --> 00:37:39,719 Speaker 3: friends come around, like to homie, Willie, do you talk 727 00:37:39,760 --> 00:37:41,759 Speaker 3: about the type of girl war shorts up her ass 728 00:37:41,840 --> 00:37:42,960 Speaker 3: when friends come around. 729 00:37:43,320 --> 00:37:46,839 Speaker 5: Some niggas like messy the females dog, So you can't 730 00:37:46,880 --> 00:37:49,719 Speaker 5: even put that because they're because you'll hear female tell 731 00:37:49,760 --> 00:37:52,520 Speaker 5: you in a minute, y'all, like the motherfucking bitches that 732 00:37:52,680 --> 00:37:55,719 Speaker 5: be messy and shit loud loud, like. 733 00:37:55,960 --> 00:38:01,600 Speaker 1: Yeah say it again. So like them holes you you 734 00:38:01,880 --> 00:38:03,239 Speaker 1: you have to be careful like. 735 00:38:03,320 --> 00:38:06,960 Speaker 5: I said, this is what I say is no, this 736 00:38:07,120 --> 00:38:10,080 Speaker 5: is what I tell motherfucker's right now in a regular situation. 737 00:38:10,640 --> 00:38:13,200 Speaker 1: Know who you fucking with this period. 738 00:38:13,600 --> 00:38:17,000 Speaker 5: Just know who you fucking with, Know what type you know, 739 00:38:17,320 --> 00:38:19,480 Speaker 5: and have a little something about the mother for know 740 00:38:19,600 --> 00:38:22,759 Speaker 5: a little something. You know this this nigga gets hot 741 00:38:23,360 --> 00:38:26,840 Speaker 5: or this girl get fiery, or I know like I 742 00:38:26,960 --> 00:38:29,480 Speaker 5: can't do this or she gonna be ready to fight 743 00:38:29,600 --> 00:38:32,720 Speaker 5: every bitch or I can't do this because this nigga 744 00:38:32,760 --> 00:38:35,520 Speaker 5: gonna be ready to fight every nigga. You gotta know 745 00:38:35,760 --> 00:38:40,400 Speaker 5: who you fucking with. You get me so in in 746 00:38:40,800 --> 00:38:44,480 Speaker 5: in on on his end, he know who he fucking 747 00:38:44,560 --> 00:38:48,240 Speaker 5: with and he know he got bitches asses in his phone. 748 00:38:48,719 --> 00:38:53,080 Speaker 5: You slipped y'all, y'all fucking drinking and y'all having a 749 00:38:53,160 --> 00:38:57,520 Speaker 5: good time. But again, you know who you fucking with, 750 00:38:57,960 --> 00:39:00,640 Speaker 5: and then you a nigga, then you're bigger. Who know 751 00:39:01,280 --> 00:39:03,280 Speaker 5: I got bitches asses on my phone? 752 00:39:03,280 --> 00:39:05,399 Speaker 1: You wouldn't have no murder on his belt right now? 753 00:39:06,000 --> 00:39:08,800 Speaker 3: So leave my phone. Ain'twhere I don't be giving the fuck. 754 00:39:09,280 --> 00:39:11,759 Speaker 5: Right because you have that trust from your wife and 755 00:39:11,880 --> 00:39:14,879 Speaker 5: then you don't well, ain't got as on your phone? 756 00:39:14,920 --> 00:39:17,879 Speaker 1: Fuck, he's stupid enough. Did she know the colde she's 757 00:39:17,920 --> 00:39:18,319 Speaker 1: been had? 758 00:39:18,360 --> 00:39:23,880 Speaker 5: That cold man? Come on, man, want to tell you 759 00:39:24,520 --> 00:39:27,080 Speaker 5: he been with her. He been with her long enough 760 00:39:27,320 --> 00:39:31,840 Speaker 5: that she know birthdays, social security and special numbers and 761 00:39:32,040 --> 00:39:34,760 Speaker 5: she know the nigga. So she know O, this nigga 762 00:39:34,840 --> 00:39:38,040 Speaker 5: gonna use to too five five for his co Give 763 00:39:38,080 --> 00:39:38,640 Speaker 5: me what the. 764 00:39:38,680 --> 00:39:39,920 Speaker 1: Fuck is the code for it? 765 00:39:40,040 --> 00:39:40,200 Speaker 3: Then? 766 00:39:41,400 --> 00:39:42,479 Speaker 1: Apparently not for her. 767 00:39:42,800 --> 00:39:46,680 Speaker 4: So that's the saying't worried about nobody else at that finger, 768 00:39:46,800 --> 00:39:49,120 Speaker 4: you ain't worried about nobody else knowing to go with 769 00:39:49,239 --> 00:39:51,319 Speaker 4: the bitch. So why the bitch know the cold? Because 770 00:39:51,320 --> 00:39:53,960 Speaker 4: she opposed don't know the cold. She the motherfucker that 771 00:39:54,080 --> 00:39:55,279 Speaker 4: don't supposed to know the cold. 772 00:39:55,719 --> 00:39:57,239 Speaker 1: So that's what I don't. 773 00:39:58,200 --> 00:39:59,480 Speaker 3: Got drunk and told her one day, you. 774 00:39:59,480 --> 00:40:03,200 Speaker 5: Feel me even that man, Females can figure it. Man, y'all, man, 775 00:40:03,280 --> 00:40:06,240 Speaker 5: don't put it. Don't put it past the female. 776 00:40:06,400 --> 00:40:09,280 Speaker 1: Man was the last motherfucker that don't She don't suppose 777 00:40:09,320 --> 00:40:09,879 Speaker 1: to know the code. 778 00:40:09,920 --> 00:40:14,200 Speaker 5: I know we we on some nigga niggas, but let 779 00:40:14,280 --> 00:40:16,160 Speaker 5: me tell you something, I don't put nigga nigga. A 780 00:40:16,280 --> 00:40:20,719 Speaker 5: female smart as a motherfucker, female smartests enough fucker, and 781 00:40:20,840 --> 00:40:23,320 Speaker 5: she'll drink you under the table. So while your motherfucker 782 00:40:23,400 --> 00:40:26,239 Speaker 5: dumb ass over there, loaded as a motherfucker, she over 783 00:40:26,280 --> 00:40:29,280 Speaker 5: there and had five shots and steal like reddy niggas, 784 00:40:29,600 --> 00:40:32,840 Speaker 5: watch like what nigga? Yeah, And while your ass stumbled 785 00:40:32,840 --> 00:40:35,440 Speaker 5: into the bathroom and then forgot you the left the phone. 786 00:40:35,719 --> 00:40:38,200 Speaker 5: She's looking at you the whole time while you're going 787 00:40:38,440 --> 00:40:41,120 Speaker 5: as soon as that door closed, bing bing, big big 788 00:40:41,200 --> 00:40:45,040 Speaker 5: bing bing bing, bing binghy got e. 789 00:40:48,440 --> 00:40:51,360 Speaker 3: You know what I want to ask you, man, I 790 00:40:51,600 --> 00:40:53,680 Speaker 3: gotta talk to you about some music, and we got 791 00:40:53,719 --> 00:40:56,200 Speaker 3: you off. We gotta talk to you about some motherfucking music. Doog, 792 00:40:59,239 --> 00:41:02,120 Speaker 3: you would have fir rapping from San Diego to get 793 00:41:02,640 --> 00:41:04,760 Speaker 3: a national presence, to have a national presence? 794 00:41:05,160 --> 00:41:06,359 Speaker 1: Am I correct? Yeah? 795 00:41:06,520 --> 00:41:10,840 Speaker 4: It was a group called a Legion of Doom. The 796 00:41:10,960 --> 00:41:15,960 Speaker 4: Legion of Doom. When I was like sixteen seventeen, I 797 00:41:16,080 --> 00:41:16,919 Speaker 4: heard they. 798 00:41:16,840 --> 00:41:19,600 Speaker 1: Shit and they was from San Diego. Yeah, they were 799 00:41:19,600 --> 00:41:20,320 Speaker 1: from San Diego. 800 00:41:20,600 --> 00:41:23,279 Speaker 4: They had a deal, I think, So I think they 801 00:41:23,400 --> 00:41:26,600 Speaker 4: had something like a local situation, but not like death Jam, 802 00:41:27,520 --> 00:41:30,520 Speaker 4: you know what I mean? So probably yeah, like the 803 00:41:30,600 --> 00:41:33,240 Speaker 4: first major you know what I mean, first major situation. 804 00:41:33,760 --> 00:41:35,960 Speaker 3: Now, how did you get hooked up with jam Master J. 805 00:41:38,880 --> 00:41:39,640 Speaker 1: Jam messad Jay? 806 00:41:39,719 --> 00:41:43,320 Speaker 4: He It was a situation where I was on the 807 00:41:43,400 --> 00:41:47,120 Speaker 4: run from WYI and my brother came and got me. 808 00:41:47,200 --> 00:41:49,279 Speaker 4: He was living in Virginia, so he came and flew 809 00:41:49,360 --> 00:41:53,399 Speaker 4: me back to Virginia and I stayed out there until 810 00:41:53,440 --> 00:41:56,239 Speaker 4: I turned twenty one. So in that between that time 811 00:41:56,360 --> 00:41:59,600 Speaker 4: and me being like like nineteen to twenty one, I 812 00:41:59,719 --> 00:42:00,719 Speaker 4: stayed back out there. 813 00:42:00,800 --> 00:42:01,320 Speaker 1: So I wouldn't. 814 00:42:01,920 --> 00:42:04,480 Speaker 4: Uh, So once I turned twenty one, I wouldn't have 815 00:42:04,520 --> 00:42:05,960 Speaker 4: to worry about going to jail no more. 816 00:42:06,000 --> 00:42:07,640 Speaker 1: It was like an honorable discharge, you know. 817 00:42:08,520 --> 00:42:11,320 Speaker 4: So I stayed out there for that two years, and 818 00:42:11,440 --> 00:42:14,080 Speaker 4: then that two years one of the guys was going 819 00:42:14,120 --> 00:42:14,799 Speaker 4: to Norfolk State. 820 00:42:14,880 --> 00:42:15,720 Speaker 1: He was from Queens. 821 00:42:16,239 --> 00:42:19,360 Speaker 4: So I made a like a two song demo and 822 00:42:19,480 --> 00:42:22,120 Speaker 4: we took it to jamsaj Mom's house out in the Hollis, 823 00:42:22,200 --> 00:42:26,200 Speaker 4: Queens and shit, he he he heard the ship and 824 00:42:26,280 --> 00:42:28,319 Speaker 4: wanted to sign me the JMJ Records. And that's when 825 00:42:28,360 --> 00:42:31,120 Speaker 4: Onyxon was on there at the time. So I ended 826 00:42:31,200 --> 00:42:33,920 Speaker 4: up flying back home after I was off, you know, 827 00:42:34,200 --> 00:42:36,920 Speaker 4: off of paperwork or whatever, and he was like, man, 828 00:42:36,960 --> 00:42:38,640 Speaker 4: we want to sign you to the label. So I 829 00:42:38,760 --> 00:42:41,719 Speaker 4: signed with jam Master J's label first, and then I 830 00:42:41,960 --> 00:42:44,480 Speaker 4: ended up doing the soundtrack the Jason's lyric and the 831 00:42:44,640 --> 00:42:46,319 Speaker 4: show shit like that. 832 00:42:47,000 --> 00:42:48,880 Speaker 1: Because of the juice J had with Russell. 833 00:42:48,920 --> 00:42:50,920 Speaker 4: So I was able to get on those different soundtracks 834 00:42:50,960 --> 00:42:53,279 Speaker 4: before I even put out a single or something, you 835 00:42:53,360 --> 00:42:57,239 Speaker 4: know what I mean. So and I was out in 836 00:42:57,360 --> 00:43:01,000 Speaker 4: New York with him, like at a twenty five seven studios, 837 00:43:01,040 --> 00:43:02,680 Speaker 4: and he was showing me how to make hooks to 838 00:43:02,840 --> 00:43:05,280 Speaker 4: records and shit like that, even though I knew how already, 839 00:43:05,760 --> 00:43:08,279 Speaker 4: but it just seizoned me, you know, a lot more 840 00:43:08,440 --> 00:43:10,239 Speaker 4: being with guys like that that I looked up to, 841 00:43:10,400 --> 00:43:13,480 Speaker 4: like run DMC shit like. Then I found out Jay 842 00:43:13,640 --> 00:43:16,520 Speaker 4: actually worked on one of my favorite albums was Slick 843 00:43:16,640 --> 00:43:19,560 Speaker 4: Rick's album, you know what I mean. Said Jay had 844 00:43:19,600 --> 00:43:22,359 Speaker 4: production on that, you know what I mean. So for sure, Yeah, 845 00:43:22,440 --> 00:43:24,000 Speaker 4: so he knew what he was doing. Man, So I 846 00:43:24,120 --> 00:43:26,520 Speaker 4: kind of, you know, took a lot of lessons from him, 847 00:43:26,760 --> 00:43:29,400 Speaker 4: and that's where it all started, you know what I mean. 848 00:43:29,800 --> 00:43:32,680 Speaker 4: Then I went to Death Jam after this situation with Jay, 849 00:43:32,719 --> 00:43:34,080 Speaker 4: I went directly to Death Jam. 850 00:43:34,800 --> 00:43:35,279 Speaker 3: You know what I mean. 851 00:43:35,640 --> 00:43:38,480 Speaker 5: Was that a like a stipulation in the contract that 852 00:43:38,640 --> 00:43:42,440 Speaker 5: if something happened with Jam J, you would fall straight 853 00:43:42,520 --> 00:43:43,200 Speaker 5: to death Jam. 854 00:43:44,120 --> 00:43:47,520 Speaker 4: Nah, I think on some real shit. I just think 855 00:43:47,600 --> 00:43:49,120 Speaker 4: my lyrics got to be over there, you know what 856 00:43:49,120 --> 00:43:51,799 Speaker 4: I mean, because I didn't have a thing. I think 857 00:43:52,080 --> 00:43:57,640 Speaker 4: actually leor leor like helped that situation, you know what 858 00:43:57,680 --> 00:43:59,920 Speaker 4: I'm saying. He kind of got me away from jamming 859 00:44:00,040 --> 00:44:01,920 Speaker 4: jam Master Jay's label and got me a deal with 860 00:44:02,040 --> 00:44:04,359 Speaker 4: Death Jam, you know what I mean. And they kind 861 00:44:04,400 --> 00:44:08,359 Speaker 4: of I don't know what happened, what business went bad 862 00:44:08,400 --> 00:44:11,319 Speaker 4: with them or whatever, but they like got evicted out 863 00:44:11,360 --> 00:44:13,920 Speaker 4: the building. You know what I'm saying that that label, 864 00:44:14,960 --> 00:44:16,680 Speaker 4: what happened with them in death Jam, you know what 865 00:44:16,680 --> 00:44:19,480 Speaker 4: I mean? But I signed directly to them, and I 866 00:44:19,560 --> 00:44:21,680 Speaker 4: had like a ten album fucking deal. Like I'll still 867 00:44:21,719 --> 00:44:23,640 Speaker 4: be making albums right now, you know what I mean. 868 00:44:24,160 --> 00:44:26,680 Speaker 4: If I didn't ask to get out of my contract. 869 00:44:27,360 --> 00:44:30,920 Speaker 4: But I did a ten album deal with them back then. 870 00:44:31,640 --> 00:44:33,520 Speaker 1: But what you want to leave? 871 00:44:35,320 --> 00:44:38,920 Speaker 4: It was like, really, I think if I would have 872 00:44:38,960 --> 00:44:41,800 Speaker 4: had somebody fight my battles because I was signed to 873 00:44:41,840 --> 00:44:43,880 Speaker 4: the New York label, you know what I mean. So 874 00:44:44,000 --> 00:44:47,000 Speaker 4: I was thinking if I had somebody to handle the business, 875 00:44:47,760 --> 00:44:50,160 Speaker 4: I wouldn't I probably wouldn't have left. 876 00:44:50,680 --> 00:44:51,879 Speaker 1: But that was the only thing. 877 00:44:51,960 --> 00:44:53,480 Speaker 4: It was like I had to be the artist and 878 00:44:53,560 --> 00:44:56,840 Speaker 4: the nigga fighting to get more from the label and 879 00:44:56,880 --> 00:44:57,400 Speaker 4: shit like that. 880 00:44:57,600 --> 00:44:58,200 Speaker 3: So it was like. 881 00:45:00,200 --> 00:45:02,320 Speaker 4: Clash heads like that, you know what I mean exactly, 882 00:45:02,800 --> 00:45:05,040 Speaker 4: Like I didn't have a point person like an earth 883 00:45:05,120 --> 00:45:08,400 Speaker 4: Gotti or a wire from Rough Riders or somebody like. 884 00:45:08,440 --> 00:45:11,160 Speaker 1: That, right to handle somebody to go in and talk 885 00:45:11,239 --> 00:45:13,400 Speaker 1: to ship for you, Yeah, so I could eat it. 886 00:45:13,560 --> 00:45:16,200 Speaker 4: Just an artist, I gotta be the motherfucker like like 887 00:45:16,480 --> 00:45:19,320 Speaker 4: Dame Dash and they're cussing their ass out and trying 888 00:45:19,320 --> 00:45:21,279 Speaker 4: to be the fucking jay Z at the same time, 889 00:45:21,320 --> 00:45:21,480 Speaker 4: you know. 890 00:45:21,800 --> 00:45:23,480 Speaker 3: And it's rough when you want to label. It's on 891 00:45:23,520 --> 00:45:24,879 Speaker 3: the other side of the country too. 892 00:45:25,080 --> 00:45:28,040 Speaker 4: Yeah, exactly, And you know that it's a New York 893 00:45:28,120 --> 00:45:31,040 Speaker 4: Lates based late it's a New York based label, so 894 00:45:32,880 --> 00:45:36,360 Speaker 4: really they really not really giving a fuck, really, you 895 00:45:36,400 --> 00:45:38,120 Speaker 4: know what I'm saying about niggas from the coast. 896 00:45:38,239 --> 00:45:41,719 Speaker 1: So the typical shit you wasn't getting the promotion, you wasn't. 897 00:45:41,520 --> 00:45:44,440 Speaker 4: Getting there, You're going there niggas, And like I would 898 00:45:44,480 --> 00:45:47,239 Speaker 4: go in there to New York and I would look 899 00:45:47,280 --> 00:45:51,520 Speaker 4: at the walking and promotion plan for say like somebody 900 00:45:51,680 --> 00:45:54,480 Speaker 4: like Joah Rule, and I would look at all the ship. 901 00:45:54,280 --> 00:45:55,160 Speaker 1: They had them doing. 902 00:45:56,320 --> 00:45:58,480 Speaker 4: I was like, goddamn, you know what I'm saying, Like 903 00:45:58,719 --> 00:46:02,759 Speaker 4: like it's it was like this nigga, like you feel me, 904 00:46:02,920 --> 00:46:03,760 Speaker 4: Like come on, okay. 905 00:46:04,320 --> 00:46:05,880 Speaker 1: So basically. 906 00:46:07,040 --> 00:46:09,200 Speaker 4: I just started doing shit on my own, you know 907 00:46:09,239 --> 00:46:11,080 Speaker 4: what I mean, Like trying to get my name bigger. 908 00:46:11,320 --> 00:46:13,759 Speaker 4: So I got on shit like E forty record with 909 00:46:13,920 --> 00:46:16,400 Speaker 4: me and him and ce Bow because I can record. 910 00:46:16,480 --> 00:46:19,400 Speaker 4: Then I got on the record with me and Snoop 911 00:46:19,520 --> 00:46:21,759 Speaker 4: that got Beef record, you know what I mean. So 912 00:46:21,840 --> 00:46:25,000 Speaker 4: I started getting making my own buzz, just just off 913 00:46:25,080 --> 00:46:26,799 Speaker 4: of my lyrics, you know what I'm saying. I got 914 00:46:26,880 --> 00:46:29,560 Speaker 4: on Scarface album fucking ice Cube, you know what I mean. 915 00:46:29,640 --> 00:46:31,960 Speaker 4: It started making my own way, and it kind of 916 00:46:32,000 --> 00:46:34,000 Speaker 4: took my name, you know what I mean, my stake 917 00:46:34,040 --> 00:46:37,480 Speaker 4: up more because a lot of artists was requesting me 918 00:46:37,600 --> 00:46:39,680 Speaker 4: to be on their projects, you know what I mean. 919 00:46:39,840 --> 00:46:41,560 Speaker 4: So that kind of kept my name, you know what 920 00:46:41,600 --> 00:46:44,120 Speaker 4: I mean, out there until I can get on do 921 00:46:44,239 --> 00:46:45,919 Speaker 4: my own. Then I came out with the crip hoop 922 00:46:45,960 --> 00:46:47,880 Speaker 4: shit when I went independent, you know. 923 00:46:47,880 --> 00:46:50,719 Speaker 1: What I mean. So that's what it was. You did 924 00:46:50,800 --> 00:46:53,759 Speaker 1: well with that album, Nigga, No doubt it was independent. 925 00:46:53,840 --> 00:46:55,279 Speaker 1: I think it would have did more. 926 00:46:55,880 --> 00:46:59,680 Speaker 4: But I remember back then, Volet Brown was working for 927 00:46:59,760 --> 00:47:03,960 Speaker 4: where House telling me take the fucking disc record off 928 00:47:03,960 --> 00:47:05,799 Speaker 4: because I had a record diss and Snoop on there. 929 00:47:06,239 --> 00:47:06,719 Speaker 1: You know what I mean. 930 00:47:07,520 --> 00:47:10,080 Speaker 4: I think I should have took that more off. She 931 00:47:10,200 --> 00:47:11,919 Speaker 4: was like, take that motherfucking record off and I'm gonna 932 00:47:11,960 --> 00:47:16,759 Speaker 4: order more. Uh, order more copies of the album, you 933 00:47:16,800 --> 00:47:18,360 Speaker 4: know what I mean. And at the time I was 934 00:47:18,480 --> 00:47:20,840 Speaker 4: hot there. I was like, fuck that, you know what 935 00:47:20,840 --> 00:47:23,040 Speaker 4: I'm saying. I just kept the record on there so 936 00:47:23,560 --> 00:47:25,880 Speaker 4: crip hop. He's still sold a lot of records to 937 00:47:25,960 --> 00:47:26,880 Speaker 4: be independent, you know. 938 00:47:27,960 --> 00:47:29,520 Speaker 5: So you know that. 939 00:47:29,800 --> 00:47:32,000 Speaker 1: I mean shit, that was my ship, you know what 940 00:47:32,000 --> 00:47:34,000 Speaker 1: I'm saying. So you know what I mean. 941 00:47:34,080 --> 00:47:36,200 Speaker 4: But me and Snoop we ended up squashing that ship 942 00:47:36,280 --> 00:47:39,840 Speaker 4: at the fucking uh the Comic Con out San Diego. 943 00:47:40,280 --> 00:47:41,920 Speaker 4: I went and met him down there at Comic Con. 944 00:47:42,040 --> 00:47:42,640 Speaker 1: Then I came to the. 945 00:47:42,640 --> 00:47:45,120 Speaker 4: Studio with y'all the next day with your damn and all. 946 00:47:45,160 --> 00:47:46,680 Speaker 4: Y'all was in the studio that next day. 947 00:47:46,880 --> 00:47:49,120 Speaker 1: What was it about? I mean, what was you gonna 948 00:47:49,120 --> 00:47:50,000 Speaker 1: Snoop at it about? 949 00:47:51,200 --> 00:47:55,680 Speaker 4: It really was just basically like God, no, it was 950 00:47:55,760 --> 00:47:58,040 Speaker 4: yeah about the crip hop, me making up crip hop 951 00:47:58,080 --> 00:47:59,239 Speaker 4: with E forty, you. 952 00:47:59,280 --> 00:48:01,560 Speaker 1: Know what I'm saying. And then I heard them saying 953 00:48:01,600 --> 00:48:02,279 Speaker 1: this shit, you know. 954 00:48:02,280 --> 00:48:02,600 Speaker 3: What I mean? 955 00:48:03,239 --> 00:48:05,400 Speaker 4: And all I was saying is when the nigga like, 956 00:48:05,480 --> 00:48:07,680 Speaker 4: if I say something that you made up and be like, nigga, 957 00:48:08,000 --> 00:48:10,560 Speaker 4: I make this like MC eight, you feel me? I 958 00:48:10,600 --> 00:48:13,120 Speaker 4: would have gave like how dev C did on the 959 00:48:13,560 --> 00:48:16,400 Speaker 4: first West Side Connection. Now, bitch, be like jayo, felony 960 00:48:16,480 --> 00:48:17,759 Speaker 4: bitch and take a ride with me. 961 00:48:18,120 --> 00:48:20,040 Speaker 1: You know what i mean. It's just humage is all 962 00:48:20,080 --> 00:48:23,040 Speaker 1: I'm saying, you know what I mean. And even he 963 00:48:23,160 --> 00:48:25,120 Speaker 1: forty was like, hey, nephew, ain't at your shit, you 964 00:48:25,200 --> 00:48:29,040 Speaker 1: know what I mean, Like like it was just it 965 00:48:29,200 --> 00:48:29,720 Speaker 1: was crazy. 966 00:48:30,000 --> 00:48:30,480 Speaker 3: And then. 967 00:48:32,440 --> 00:48:35,160 Speaker 1: What was funny about it. What was funny about it 968 00:48:35,480 --> 00:48:38,200 Speaker 1: is like Trady was up there right. 969 00:48:38,480 --> 00:48:41,120 Speaker 4: We was all at the Baby Boy movie set because 970 00:48:41,120 --> 00:48:44,080 Speaker 4: they was in the forties in La, you know what 971 00:48:44,080 --> 00:48:46,840 Speaker 4: I mean. And the forties called me like cut snooping 972 00:48:46,920 --> 00:48:47,960 Speaker 4: him over here, you know what I mean. So I 973 00:48:48,040 --> 00:48:50,040 Speaker 4: went over there to holler at him. But it was 974 00:48:50,160 --> 00:48:52,320 Speaker 4: kind of like, you know what I mean, Like I 975 00:48:52,480 --> 00:48:54,480 Speaker 4: was like, come holler at me, like like you're biting 976 00:48:54,560 --> 00:48:57,320 Speaker 4: my shit, you know what I'm saying. Right, And and 977 00:48:57,680 --> 00:48:59,279 Speaker 4: you know I was born on the East Coast, you 978 00:48:59,320 --> 00:49:00,960 Speaker 4: know what I mean. So I got into wrap from 979 00:49:01,440 --> 00:49:05,680 Speaker 4: from Beach Street and breaking and fucking crush groove and shit. 980 00:49:05,800 --> 00:49:08,480 Speaker 1: So you know how EMC's like, no, you're a biter, 981 00:49:08,600 --> 00:49:10,719 Speaker 1: you know what I'm saying. So exactly I was like 982 00:49:11,120 --> 00:49:12,759 Speaker 1: that was the type of shit I was on. 983 00:49:12,920 --> 00:49:14,919 Speaker 4: You know what I'm saying, Like Nigga, cus bit my shit, 984 00:49:15,000 --> 00:49:17,879 Speaker 4: you know what I'm saying. So that's what it was, man, 985 00:49:17,960 --> 00:49:20,360 Speaker 4: But I don't know. I just wish we would you know, 986 00:49:20,400 --> 00:49:21,879 Speaker 4: I mean we could have you know what I'm saying. 987 00:49:22,120 --> 00:49:23,879 Speaker 4: Niggas just would have say, Nigga, we may crip hop 988 00:49:23,960 --> 00:49:25,160 Speaker 4: like my nigga j o' felony. 989 00:49:25,239 --> 00:49:28,560 Speaker 1: I never would have said nothing. Yeah, yeah, pay homage. 990 00:49:29,080 --> 00:49:31,520 Speaker 3: Especially as you trying to develop your career and get 991 00:49:31,600 --> 00:49:34,880 Speaker 3: your career going, you really can't give no freebies away. 992 00:49:34,880 --> 00:49:37,040 Speaker 1: On forty crip Like nigga, I'm a wie baby. I 993 00:49:37,080 --> 00:49:38,200 Speaker 1: didn't know nothing about no. 994 00:49:38,800 --> 00:49:40,640 Speaker 4: You know what I'm saying. I ain't first, I ain't 995 00:49:40,680 --> 00:49:43,239 Speaker 4: no ask kiss her cub. I'm just nigga and I 996 00:49:43,320 --> 00:49:44,240 Speaker 4: thought we was boys. 997 00:49:44,280 --> 00:49:44,799 Speaker 1: You know what I'm saying. 998 00:49:44,840 --> 00:49:47,399 Speaker 4: Like Nigga, I'm just trying to you know what I'm saying, 999 00:49:47,440 --> 00:49:50,240 Speaker 4: make music, create like like you know what I'm. 1000 00:49:50,120 --> 00:49:52,440 Speaker 5: Saying, So I guess it in the same way. It 1001 00:49:52,640 --> 00:49:55,439 Speaker 5: be in the same aspect. Like you hear a gang 1002 00:49:55,480 --> 00:49:59,759 Speaker 5: a motherfucker saying jail. Don't nobody say, oh I got 1003 00:49:59,800 --> 00:50:02,520 Speaker 5: that from eight on the real you know that the 1004 00:50:02,640 --> 00:50:06,239 Speaker 5: Ganga motherfuckers have a sly that over time, like how 1005 00:50:06,280 --> 00:50:09,080 Speaker 5: do you feel when you hear niggas like jay Z 1006 00:50:09,640 --> 00:50:13,520 Speaker 5: or Young j Z, you know or whoever? 1007 00:50:14,360 --> 00:50:18,800 Speaker 1: And I just be like, you know something, man, I 1008 00:50:18,960 --> 00:50:22,600 Speaker 1: know where the shit started from. Real shit. Can't no 1009 00:50:22,719 --> 00:50:26,239 Speaker 1: nigga go back to nineteen eighty seven and be like 1010 00:50:26,400 --> 00:50:29,880 Speaker 1: I was saying, Jill, Nigga, I started jail in nineteen 1011 00:50:29,920 --> 00:50:34,600 Speaker 1: eighty seven, fucking twelve itch in a song called This 1012 00:50:34,840 --> 00:50:38,520 Speaker 1: Is Counting that I did in nineteen eighty seven, so. 1013 00:50:41,040 --> 00:50:43,440 Speaker 5: Nobody can take that away from me. And so I 1014 00:50:43,640 --> 00:50:46,000 Speaker 5: just look at it like yeah, whatever. But in the 1015 00:50:46,080 --> 00:50:49,719 Speaker 5: same sense, like Jayo said, nigga, just say yeah when 1016 00:50:49,760 --> 00:50:52,719 Speaker 5: you when you JA and all over records going like 1017 00:50:53,200 --> 00:50:55,840 Speaker 5: and everybody should know that that came from the homie 1018 00:50:55,880 --> 00:50:57,800 Speaker 5: eight you know or whatever, cause. 1019 00:50:57,680 --> 00:51:00,880 Speaker 4: You gotta imagine, like like like he's saying, like, imagine 1020 00:51:00,920 --> 00:51:04,720 Speaker 4: it's me and you hear you listening to uh kJ, 1021 00:51:05,000 --> 00:51:07,600 Speaker 4: you hear nigga where crip hop crip hop, you get 1022 00:51:07,640 --> 00:51:10,680 Speaker 4: to hear the Baby Boy movie soundtrack, crip pop crip hoop, 1023 00:51:11,040 --> 00:51:14,640 Speaker 4: fucking Eve album. You know what I'm saying pop crip. 1024 00:51:14,800 --> 00:51:17,520 Speaker 4: I'm like, whoa, you know what I'm saying, nigga never 1025 00:51:17,680 --> 00:51:18,840 Speaker 4: say my name or nothing. 1026 00:51:19,000 --> 00:51:19,440 Speaker 3: You know what I mean? 1027 00:51:19,520 --> 00:51:20,239 Speaker 1: Yeah, you get you. 1028 00:51:20,440 --> 00:51:24,000 Speaker 4: Then niggas act like like I don't know. Niggas act 1029 00:51:24,080 --> 00:51:25,719 Speaker 4: like they didn't get this ship from me, Like where 1030 00:51:25,760 --> 00:51:27,799 Speaker 4: the fuck you get it from? Cause they was up 1031 00:51:27,840 --> 00:51:30,560 Speaker 4: on E forty basketball court? Is where you ever first 1032 00:51:30,640 --> 00:51:33,080 Speaker 4: heard that when I said fuck hip hop niggas crip hoop? 1033 00:51:33,480 --> 00:51:35,560 Speaker 4: I was on E forty basketball court when I wrote 1034 00:51:35,600 --> 00:51:35,919 Speaker 4: that ship. 1035 00:51:36,480 --> 00:51:39,640 Speaker 1: You know what I mean? Yeah, you know what I mean. 1036 00:51:39,760 --> 00:51:42,360 Speaker 1: It is what it is. I mean, I mean some niggas, 1037 00:51:42,400 --> 00:51:44,279 Speaker 1: That's that's what it was about. You know what I'm saying. 1038 00:51:44,320 --> 00:51:47,239 Speaker 1: So some niggas want to take take shit and and 1039 00:51:48,320 --> 00:51:51,480 Speaker 1: own it for themselves. You know what I'm saying. And 1040 00:51:52,400 --> 00:51:54,520 Speaker 1: I don't know what it is about. Just you know 1041 00:51:55,120 --> 00:51:56,640 Speaker 1: niggas period. 1042 00:51:56,400 --> 00:51:59,920 Speaker 4: Like it's funny eight about that shit. Like like Trady, 1043 00:52:00,000 --> 00:52:02,040 Speaker 4: he was like, oh my mama made up crip. I 1044 00:52:02,120 --> 00:52:03,440 Speaker 4: remember we was at the trailer over Hi. 1045 00:52:03,440 --> 00:52:05,520 Speaker 1: I'm like, cause you're gonna blow your mama up cuz 1046 00:52:05,560 --> 00:52:07,399 Speaker 1: I'm like, what the fuck. You know what I'm saying? 1047 00:52:07,960 --> 00:52:08,960 Speaker 1: Like like it was. 1048 00:52:09,160 --> 00:52:12,520 Speaker 4: It was so crazy, and and me and Trady niece 1049 00:52:12,680 --> 00:52:15,200 Speaker 4: was together. She was living with me at the time. Right, 1050 00:52:15,760 --> 00:52:18,480 Speaker 4: So I'm like, cuse I need cutting fade. You know 1051 00:52:18,480 --> 00:52:20,520 Speaker 4: what I'm saying, Like we gotta go, We gotta get down. 1052 00:52:20,560 --> 00:52:21,160 Speaker 1: You know what I'm saying. 1053 00:52:21,320 --> 00:52:23,600 Speaker 4: Right, And what had me pissed off about that is 1054 00:52:23,680 --> 00:52:27,319 Speaker 4: like me and Trady used to shoot fucking rockets at 1055 00:52:27,360 --> 00:52:28,520 Speaker 4: each other every fourth of July. 1056 00:52:28,719 --> 00:52:31,120 Speaker 1: Nigga, we in cank on or you know what I'm saying. 1057 00:52:31,200 --> 00:52:32,880 Speaker 1: So that was my boy. So I was like, man, 1058 00:52:32,920 --> 00:52:34,000 Speaker 1: why the fuck you taking up? 1059 00:52:34,120 --> 00:52:34,640 Speaker 5: You know what I mean. 1060 00:52:34,719 --> 00:52:36,680 Speaker 1: We was going through it, like why are you taking 1061 00:52:36,760 --> 00:52:38,359 Speaker 1: up for niggas trying to lie? You know what I mean? 1062 00:52:38,600 --> 00:52:41,160 Speaker 4: So I tell his niece like like, you gotta take 1063 00:52:41,239 --> 00:52:43,040 Speaker 4: me to cuse I need my issue cause I need 1064 00:52:43,160 --> 00:52:45,080 Speaker 4: my fade, you know what I mean, Like, you gotta 1065 00:52:45,080 --> 00:52:45,960 Speaker 4: take me to Cuz house. 1066 00:52:46,000 --> 00:52:48,279 Speaker 1: So she called him, Hey, we on our way over there. 1067 00:52:49,160 --> 00:52:50,840 Speaker 1: You know what I mean, Jayo need his fade, he 1068 00:52:50,920 --> 00:52:56,560 Speaker 1: need this issue. You know what I'm saying. That nigga 1069 00:52:56,600 --> 00:52:59,320 Speaker 1: said my name Trady Mohammed nigga. Well we gotta do 1070 00:52:59,480 --> 00:53:03,120 Speaker 1: the result. He like nigga try to fight you over 1071 00:53:03,200 --> 00:53:06,359 Speaker 1: that bullshit. You know what I'm saying. I'm like, I'm like, hell, 1072 00:53:06,440 --> 00:53:08,760 Speaker 1: y'all niggas crazy, Well. 1073 00:53:08,640 --> 00:53:12,360 Speaker 4: I want stand michaelphone. All I wanted was niggas to 1074 00:53:12,400 --> 00:53:13,360 Speaker 4: pay hummage to what. 1075 00:53:15,040 --> 00:53:15,680 Speaker 3: We was boys. 1076 00:53:15,719 --> 00:53:17,400 Speaker 1: You know what I'm saying. It wasn't like Nigga, like 1077 00:53:17,480 --> 00:53:19,400 Speaker 1: we was on tour together, My nigga, like me. 1078 00:53:19,440 --> 00:53:20,960 Speaker 4: And the East Siders, Nigga, we you know, I mean 1079 00:53:21,080 --> 00:53:23,399 Speaker 4: me Gody Low for Steves. Yeah, you know what I'm saying. 1080 00:53:23,480 --> 00:53:25,160 Speaker 1: We was on tour. We all east Side, you know 1081 00:53:25,200 --> 00:53:27,360 Speaker 1: what I mean. So it was like nigga. 1082 00:53:27,520 --> 00:53:29,840 Speaker 4: When we was on the Upper Smoke tour, it was 1083 00:53:30,040 --> 00:53:33,480 Speaker 4: it was me Goldie Local trade together on the tour bus. 1084 00:53:33,640 --> 00:53:34,239 Speaker 1: You know what I'm saying. 1085 00:53:34,719 --> 00:53:37,240 Speaker 4: We had to hold each other down while while Snoop 1086 00:53:37,280 --> 00:53:39,919 Speaker 4: couldn't even perform them records with the East Siders because 1087 00:53:39,960 --> 00:53:42,080 Speaker 4: he was on Doctor Dre set, you know what i mean. 1088 00:53:42,200 --> 00:53:43,840 Speaker 4: So he had to do them big records with Dre 1089 00:53:44,040 --> 00:53:47,000 Speaker 4: on for the Upper Smoke shit. So we had to 1090 00:53:47,080 --> 00:53:47,600 Speaker 4: hold it down. 1091 00:53:47,680 --> 00:53:47,919 Speaker 1: Nigga. 1092 00:53:47,960 --> 00:53:50,000 Speaker 4: We was coming out sometimes, Nigga, when we was coming 1093 00:53:50,040 --> 00:53:53,160 Speaker 4: out to them shows, it didn't even be no crowd 1094 00:53:53,239 --> 00:53:55,360 Speaker 4: in the motherfuckers sometimes, you know what I'm saying. And 1095 00:53:55,480 --> 00:53:58,320 Speaker 4: we had to fucking so one time, me and Trady 1096 00:53:58,520 --> 00:54:00,279 Speaker 4: we threatened to fuck t Paine up. 1097 00:54:00,520 --> 00:54:02,920 Speaker 1: I mean not t paying. What's the nigga name? Uh 1098 00:54:03,480 --> 00:54:07,000 Speaker 1: that was on cash Money, Uh t Q t Q. Yeah, 1099 00:54:07,400 --> 00:54:08,160 Speaker 1: so we we was. 1100 00:54:08,280 --> 00:54:10,360 Speaker 4: We told Dre, hey, nigga, we finna beat up t 1101 00:54:10,520 --> 00:54:13,359 Speaker 4: Q tonight because he was taking our time slot where 1102 00:54:13,760 --> 00:54:15,520 Speaker 4: he was coming in. I think he paid to go 1103 00:54:15,600 --> 00:54:18,560 Speaker 4: on tour, you know what I'm saying. So when he 1104 00:54:19,040 --> 00:54:21,800 Speaker 4: was doing his time, the fucking audience was packed. But 1105 00:54:21,920 --> 00:54:23,600 Speaker 4: he was an R and B singer, you know what 1106 00:54:23,640 --> 00:54:26,319 Speaker 4: I'm saying. And we like, nigga, we got got beef, 1107 00:54:26,400 --> 00:54:28,239 Speaker 4: we got hit records, fuck that cud. 1108 00:54:28,320 --> 00:54:30,640 Speaker 1: We We told Dre We're finna fuck t. 1109 00:54:30,760 --> 00:54:38,799 Speaker 3: Q up tonight, mam beat like you know what I'm saying, 1110 00:54:38,920 --> 00:54:41,279 Speaker 3: Like that, you need to switch off his mother. 1111 00:54:42,040 --> 00:54:44,400 Speaker 1: You know what I'm saying. We weren't gonna t Q, 1112 00:54:44,600 --> 00:54:48,600 Speaker 1: but we was like, fuck that cut spot. 1113 00:54:48,719 --> 00:54:52,760 Speaker 4: We nigga doctor dre put Us on his show, right, Nigga, 1114 00:54:52,840 --> 00:54:54,800 Speaker 4: we did got beef in New York. I think it 1115 00:54:55,000 --> 00:54:57,239 Speaker 4: was in New York. We came out on his set, 1116 00:54:57,280 --> 00:55:01,520 Speaker 4: so Dre start telling us, Hey, you're gonna come out 1117 00:55:01,560 --> 00:55:05,040 Speaker 4: the liquor store. At this point, he started organizing ship, 1118 00:55:05,120 --> 00:55:07,239 Speaker 4: you know what I'm saying. So he made it to 1119 00:55:07,360 --> 00:55:09,560 Speaker 4: a way to where we was gonna come out on 1120 00:55:09,640 --> 00:55:11,319 Speaker 4: his set. That shit, it would would have been dope 1121 00:55:11,320 --> 00:55:13,880 Speaker 4: as fuck, but it got took off the show, you 1122 00:55:13,920 --> 00:55:16,040 Speaker 4: know what I'm saying. But we did that like too 1123 00:55:16,760 --> 00:55:19,520 Speaker 4: in New York, and then another took off the show. 1124 00:55:19,960 --> 00:55:21,880 Speaker 4: I don't know, you know what I'm saying. Niggas probably 1125 00:55:22,000 --> 00:55:23,520 Speaker 4: like I don't know, niggas that. 1126 00:55:23,600 --> 00:55:26,560 Speaker 3: That mysterious ship that were talking about earlier, like a 1127 00:55:26,640 --> 00:55:32,959 Speaker 3: little mysterious shit, because I wonder sometimes like it's certain ship, 1128 00:55:33,120 --> 00:55:36,120 Speaker 3: Like I see a big ass concert happened in Inglewood, right, 1129 00:55:36,960 --> 00:55:39,399 Speaker 3: and mac tain ain't nowhere on the motherfucker. I be wondering, 1130 00:55:39,440 --> 00:55:41,120 Speaker 3: Like I wonder what that nigga' on that show that. 1131 00:55:41,120 --> 00:55:41,960 Speaker 1: He from Inglewood. 1132 00:55:42,160 --> 00:55:44,480 Speaker 3: Yeah, that would be like a motherfucker having some big 1133 00:55:44,560 --> 00:55:46,720 Speaker 3: assh it in San Diego and you not on the motherfucker. 1134 00:55:46,719 --> 00:55:49,000 Speaker 3: It's just certain shit that makes sense. They're not be 1135 00:55:49,080 --> 00:55:51,280 Speaker 3: wondering why they don't fuck with eight like they should 1136 00:55:51,800 --> 00:55:54,040 Speaker 3: and I just be wondering if it beat niggas behind 1137 00:55:54,080 --> 00:55:56,040 Speaker 3: the scenes just doing little hate and ass. 1138 00:55:55,880 --> 00:55:59,560 Speaker 5: Ship your best belief that ship. It ain't even no secret, 1139 00:55:59,680 --> 00:56:01,239 Speaker 5: that's best believe it. 1140 00:56:03,239 --> 00:56:05,560 Speaker 3: Yeah, that's come on, real talk, like you know, the 1141 00:56:05,640 --> 00:56:08,400 Speaker 3: niggas just the authentic my nigga and my nigga. 1142 00:56:08,480 --> 00:56:10,759 Speaker 5: J O can't get a mother fuck I can't get 1143 00:56:10,840 --> 00:56:12,439 Speaker 5: five minutes of the show by. 1144 00:56:12,400 --> 00:56:16,880 Speaker 7: Digging, bro, I'll be seeing way less caliber, you know, 1145 00:56:18,960 --> 00:56:22,520 Speaker 7: come on, man, like real talk caliber catalogs, way less 1146 00:56:22,719 --> 00:56:26,120 Speaker 7: caliber performances, you know what I mean, Like they don't 1147 00:56:26,120 --> 00:56:28,640 Speaker 7: even have a stage presence. 1148 00:56:28,440 --> 00:56:30,799 Speaker 1: Because it ain't like you ain't got the records, my nigga. 1149 00:56:30,920 --> 00:56:33,400 Speaker 4: Not even just the records, nigga, I'll rock shit. I'm 1150 00:56:33,440 --> 00:56:36,320 Speaker 4: a I'm a performer, my nigga rock ship, you know 1151 00:56:36,360 --> 00:56:36,640 Speaker 4: what I mean. 1152 00:56:36,760 --> 00:56:39,040 Speaker 1: So I mean niggas have the records. 1153 00:56:39,120 --> 00:56:44,080 Speaker 5: It's just like I mean, it's in a nutshells man, 1154 00:56:44,960 --> 00:56:48,520 Speaker 5: straight up, on every show every year. It's just it's 1155 00:56:48,640 --> 00:56:51,520 Speaker 5: just fucking haters, man, But it's every show. 1156 00:56:52,040 --> 00:56:54,239 Speaker 4: When it comes to that type of ship. The only 1157 00:56:54,320 --> 00:56:57,120 Speaker 4: way out of that to solve that ship is make 1158 00:56:57,160 --> 00:56:59,319 Speaker 4: a way for your self. You know what I mean, 1159 00:57:00,200 --> 00:57:03,840 Speaker 4: we're doing right now, making a way for ourselves because, uh, 1160 00:57:04,360 --> 00:57:07,520 Speaker 4: waiting on anything else is uncivilized, you know what I mean, 1161 00:57:07,560 --> 00:57:09,920 Speaker 4: because it never happened if you're waiting for the next motherfucker, 1162 00:57:09,960 --> 00:57:12,360 Speaker 4: especially niggas that don't want to see you there, you 1163 00:57:12,400 --> 00:57:14,080 Speaker 4: know what I mean. A lot of these niggas never 1164 00:57:14,200 --> 00:57:18,480 Speaker 4: really cut cut from that cloth that they rapping about, 1165 00:57:18,800 --> 00:57:20,920 Speaker 4: you know what I mean. So when you ain't got 1166 00:57:21,040 --> 00:57:23,120 Speaker 4: niggas around like me, it do make you look like 1167 00:57:23,800 --> 00:57:26,640 Speaker 4: you the motherfucker. You know what I'm saying, Like, goddamn, 1168 00:57:26,720 --> 00:57:29,200 Speaker 4: I'm just trying to push music. Got to live the rough. 1169 00:57:29,480 --> 00:57:31,480 Speaker 1: Yeah, I get, I get, you know what I'm saying. 1170 00:57:31,920 --> 00:57:34,960 Speaker 5: Your presence of just being a real straight up nigga 1171 00:57:35,440 --> 00:57:37,200 Speaker 5: overshadows niggas with people. 1172 00:57:38,480 --> 00:57:39,080 Speaker 1: It's just like. 1173 00:57:41,240 --> 00:57:43,720 Speaker 4: When I get on stage, I don't gotta dance. I 1174 00:57:43,760 --> 00:57:45,880 Speaker 4: don't got to do no funny ship. All I gotta 1175 00:57:45,920 --> 00:57:49,440 Speaker 4: do is do my little walk around and rock this motherfucker, 1176 00:57:49,640 --> 00:57:52,080 Speaker 4: you know what I'm saying, And that energy alone. Some 1177 00:57:52,240 --> 00:57:55,520 Speaker 4: motherfuckers don't understand, like I say, some simple ship like this, 1178 00:57:56,360 --> 00:57:59,800 Speaker 4: like these powers that be and these these motherfuckers that 1179 00:57:59,880 --> 00:58:03,120 Speaker 4: be pulling strings, they don't even want us to be 1180 00:58:03,280 --> 00:58:06,880 Speaker 4: comfortable just going around in a nice car and got 1181 00:58:06,960 --> 00:58:09,240 Speaker 4: that bass and that and that good feeling of music 1182 00:58:09,280 --> 00:58:11,440 Speaker 4: and you got your little joint. They don't even want 1183 00:58:11,480 --> 00:58:13,560 Speaker 4: you to be at peace, my nigga. Just if you 1184 00:58:13,640 --> 00:58:17,040 Speaker 4: at peace with yourself, motherfuckers want to somehow disturb that, 1185 00:58:17,560 --> 00:58:18,160 Speaker 4: you know what I mean. 1186 00:58:18,360 --> 00:58:20,480 Speaker 1: And that's and that's how that's how I feel like 1187 00:58:20,560 --> 00:58:23,160 Speaker 1: it is. Like so even with me right now, I 1188 00:58:23,280 --> 00:58:23,840 Speaker 1: had to chill. 1189 00:58:24,320 --> 00:58:26,760 Speaker 4: I had to focus and say, fuck it, let me 1190 00:58:26,840 --> 00:58:28,800 Speaker 4: get back in the gym, let me do my shit, 1191 00:58:28,840 --> 00:58:30,600 Speaker 4: because a lot of these niggas trying to copy me. 1192 00:58:30,800 --> 00:58:31,400 Speaker 1: You know what I'm saying. 1193 00:58:31,400 --> 00:58:33,760 Speaker 4: A lot of niggas stole my style and shit like that, 1194 00:58:33,960 --> 00:58:37,040 Speaker 4: and some of the top gangster rappers. And I know, nigga, 1195 00:58:37,040 --> 00:58:39,840 Speaker 4: that's me because when you a writer and you do 1196 00:58:39,960 --> 00:58:43,840 Speaker 4: your shit, when somebody steal your shit, it automatically triggered you. 1197 00:58:44,480 --> 00:58:46,280 Speaker 4: You know what I'm saying, When somebody say some shit 1198 00:58:46,360 --> 00:58:48,240 Speaker 4: that you put your heart into, Nigga, I probably was 1199 00:58:48,360 --> 00:58:50,880 Speaker 4: up three, four, five o'clock in the morning writing this shit. 1200 00:58:51,120 --> 00:58:53,240 Speaker 4: So when I hear somebody else say it the style 1201 00:58:53,360 --> 00:58:55,560 Speaker 4: of it, or say some words that I made up. 1202 00:58:56,280 --> 00:58:59,360 Speaker 4: It automatically triggered me, like that's my shit, you know 1203 00:58:59,400 --> 00:59:02,080 Speaker 4: what I'm saying. So I just take the good good 1204 00:59:02,160 --> 00:59:05,040 Speaker 4: with the bad, you know what I'm saying. Nigga, I 1205 00:59:05,120 --> 00:59:06,680 Speaker 4: have had my ups and downs. I'd have been to 1206 00:59:06,760 --> 00:59:09,600 Speaker 4: the pen twice, you know what I'm saying. I fucking 1207 00:59:09,680 --> 00:59:11,640 Speaker 4: the last time I went was over some pistol shit 1208 00:59:12,200 --> 00:59:14,920 Speaker 4: that basically, you know, they put a nigga like me 1209 00:59:15,080 --> 00:59:17,760 Speaker 4: in a fucked up situation because the world is crazy. 1210 00:59:18,040 --> 00:59:19,200 Speaker 1: I'm not trying to hurt nobody. 1211 00:59:19,280 --> 00:59:21,240 Speaker 4: I'm not gonna shoot up no goddamn school or no 1212 00:59:21,440 --> 00:59:23,120 Speaker 4: grocery store or none of that. I'm not the one 1213 00:59:23,160 --> 00:59:25,640 Speaker 4: you need to be worried about, right, But niggas is 1214 00:59:25,680 --> 00:59:28,280 Speaker 4: out here getting popped by the police every day and 1215 00:59:29,560 --> 00:59:32,120 Speaker 4: motherfucker's just mass shooting. This motherfucker might come shoot up 1216 00:59:32,120 --> 00:59:33,840 Speaker 4: to church. What I'm trying to go pray, you know 1217 00:59:33,880 --> 00:59:37,720 Speaker 4: what I mean. So I'm just trying to protect my motherfuckingself. 1218 00:59:37,960 --> 00:59:40,640 Speaker 4: But now you put me in a situation where I'm 1219 00:59:40,680 --> 00:59:42,800 Speaker 4: a felling with a firearm, you know what I mean. 1220 00:59:43,280 --> 00:59:46,200 Speaker 4: So now it's like I gotta think twice. If you 1221 00:59:46,320 --> 00:59:48,320 Speaker 4: pull me over and I got a pistol to where 1222 00:59:48,560 --> 00:59:50,280 Speaker 4: do I want this nigga to take me to jail 1223 00:59:50,360 --> 00:59:53,440 Speaker 4: for the next ten years of my life because I'm 1224 00:59:53,440 --> 00:59:56,080 Speaker 4: a felling with a firearm or fuck it cause I'm 1225 00:59:56,120 --> 00:59:58,240 Speaker 4: a whole court in the street. Because that now, that's 1226 00:59:58,320 --> 01:00:01,320 Speaker 4: the they don't understand by making laws like that, you 1227 01:00:01,440 --> 01:00:04,360 Speaker 4: put motherfuckers in that in a pretzel to where they 1228 01:00:04,400 --> 01:00:06,320 Speaker 4: got to make a decision like do I really want 1229 01:00:06,360 --> 01:00:07,960 Speaker 4: to do ten years or am I gonna blow this 1230 01:00:08,080 --> 01:00:11,000 Speaker 4: nigga brains out and just fuck it hole Courton Street 1231 01:00:11,760 --> 01:00:13,840 Speaker 4: because I can lose my life in this ten years 1232 01:00:13,920 --> 01:00:16,560 Speaker 4: behind bars. You feel me, I might not make it 1233 01:00:16,680 --> 01:00:18,720 Speaker 4: back home. I might not make it to even go 1234 01:00:18,880 --> 01:00:21,200 Speaker 4: to the pen I might die in the county jail 1235 01:00:22,280 --> 01:00:25,040 Speaker 4: waiting to go to the penitentiary, you know what I'm saying, 1236 01:00:25,160 --> 01:00:27,880 Speaker 4: So what the fuck? I might as well take the 1237 01:00:27,960 --> 01:00:28,600 Speaker 4: gamble right here. 1238 01:00:28,640 --> 01:00:32,400 Speaker 3: Yeah, you feel me? I definitely, man feel like it's 1239 01:00:32,480 --> 01:00:35,560 Speaker 3: a conspiracy against real niggas and this shit dog well shit, 1240 01:00:35,640 --> 01:00:38,320 Speaker 3: even with the podcast shit Dog like, I see certain 1241 01:00:38,320 --> 01:00:41,960 Speaker 3: little shit like we was the first ones doing the 1242 01:00:42,000 --> 01:00:45,600 Speaker 3: shit that we do. Whole formatt, I see a whole 1243 01:00:45,600 --> 01:00:47,880 Speaker 3: bunch of other people. These white boys stay stealing our shit. 1244 01:00:48,520 --> 01:00:50,200 Speaker 3: And I don't got no issue with them. They ain't 1245 01:00:50,200 --> 01:00:52,320 Speaker 3: never done nothing to me, but they do steal shit. Now, 1246 01:00:52,520 --> 01:00:54,800 Speaker 3: they don't even talking to any nigga. That and then 1247 01:00:54,840 --> 01:00:58,200 Speaker 3: they find the most ignorant niggas they can interview, right right. 1248 01:01:00,040 --> 01:01:02,760 Speaker 3: It don't be in certain celebrities. You know, eight don't 1249 01:01:02,760 --> 01:01:04,720 Speaker 3: got a certain niggas. And it's always we will see 1250 01:01:05,360 --> 01:01:07,080 Speaker 3: over this, but you will look up and see niggas 1251 01:01:07,120 --> 01:01:09,640 Speaker 3: over there fucking with New York niggas and this and that, 1252 01:01:09,920 --> 01:01:13,440 Speaker 3: and it's like we stayed paying home much to niggas. 1253 01:01:13,440 --> 01:01:14,880 Speaker 3: And then I know it was a time where I 1254 01:01:15,000 --> 01:01:17,440 Speaker 3: was worried about ruffling feathers with certain niggas. Now I'm like, 1255 01:01:17,440 --> 01:01:19,000 Speaker 3: I don't give a fuck them. Niggas not doing a 1256 01:01:19,040 --> 01:01:21,360 Speaker 3: damn thing for me, No way. It's not like they 1257 01:01:21,440 --> 01:01:23,320 Speaker 3: come over here to support niggas. So if it's fucked me, 1258 01:01:23,440 --> 01:01:23,959 Speaker 3: fuck them. 1259 01:01:23,880 --> 01:01:26,600 Speaker 4: Too, real shit. And y'all shure gonna just keep keep 1260 01:01:26,720 --> 01:01:28,840 Speaker 4: elevating and elevating. If you do it the way y'all 1261 01:01:28,920 --> 01:01:30,120 Speaker 4: do it, make your own mark, you. 1262 01:01:30,080 --> 01:01:30,560 Speaker 1: Know what I'm saying. 1263 01:01:30,600 --> 01:01:32,760 Speaker 3: So I rather be honest with you I'd rather sit 1264 01:01:32,840 --> 01:01:36,280 Speaker 3: down with real niggas, like niggas is my partners and shit, 1265 01:01:36,360 --> 01:01:38,640 Speaker 3: come sit down them, sit down, you know. Shot at 1266 01:01:38,640 --> 01:01:40,720 Speaker 3: the Homie Catero. I brother had klo on this motherfucker. 1267 01:01:41,520 --> 01:01:41,840 Speaker 5: You know what. 1268 01:01:41,920 --> 01:01:43,360 Speaker 1: I got a real muff out here. 1269 01:01:43,680 --> 01:01:45,960 Speaker 3: Then the muff of this like behind my back, trying 1270 01:01:46,000 --> 01:01:49,000 Speaker 3: to sut some shit down, you know, trying to set 1271 01:01:49,040 --> 01:01:49,640 Speaker 3: some ship down. 1272 01:01:49,720 --> 01:01:52,960 Speaker 1: Man, do that every every day all day. Man, motherfucker. 1273 01:01:53,120 --> 01:01:55,720 Speaker 3: You know we was talking about that, man, that this industry, 1274 01:01:56,600 --> 01:02:00,240 Speaker 3: it's very very strange. Dog Like I was telling I 1275 01:02:00,400 --> 01:02:02,520 Speaker 3: was telling eight a few weeks ago about a party 1276 01:02:03,240 --> 01:02:05,760 Speaker 3: I went to you and home. You have to kind 1277 01:02:05,760 --> 01:02:08,720 Speaker 3: of crawl off the little cellar windows and ship they're 1278 01:02:08,720 --> 01:02:11,000 Speaker 3: doing some weird shit. You don't have the wild. It's 1279 01:02:11,080 --> 01:02:13,880 Speaker 3: like at the wild and little plate trays start getting 1280 01:02:13,960 --> 01:02:18,480 Speaker 3: passed right, the niggas doing ship this nigga over here, 1281 01:02:18,560 --> 01:02:21,080 Speaker 3: with this nigga over here, and like what the fuck 1282 01:02:21,240 --> 01:02:22,520 Speaker 3: is going on the loose. 1283 01:02:23,120 --> 01:02:25,240 Speaker 5: They want you, they want you to put on some 1284 01:02:25,360 --> 01:02:28,320 Speaker 5: of them vanilla masks or some of them mask walk 1285 01:02:28,400 --> 01:02:32,200 Speaker 5: around decade the nigga nigga vanilla. 1286 01:02:32,920 --> 01:02:36,680 Speaker 3: I ain't fucking with it. I ain't fucking with im out, man. 1287 01:02:37,800 --> 01:02:40,480 Speaker 5: They want nigga put on one of the more fucking 1288 01:02:40,640 --> 01:02:44,240 Speaker 5: masquerade ball bag. Oh yeah, we'll walk around in the red, 1289 01:02:44,600 --> 01:02:47,120 Speaker 5: walk around in the red. Your whole side of your face, 1290 01:02:47,280 --> 01:02:56,439 Speaker 5: asshole decade igs watch shut looking at watch shut, looking 1291 01:02:56,480 --> 01:02:58,240 Speaker 5: at the nigga every Yeah, And I think some of 1292 01:02:58,680 --> 01:03:02,200 Speaker 5: the premise of selling your soul. I think some people 1293 01:03:02,560 --> 01:03:04,680 Speaker 5: when they think of people selling their soul, they think 1294 01:03:04,720 --> 01:03:07,560 Speaker 5: of just like some sataniccause, demonic ship. No, it's the 1295 01:03:07,640 --> 01:03:10,520 Speaker 5: most little basic ship. If you if you go let 1296 01:03:10,600 --> 01:03:14,960 Speaker 5: another man do anything that you touch on you, you're 1297 01:03:15,000 --> 01:03:20,440 Speaker 5: selling your soul anything you can do this your principles. 1298 01:03:21,320 --> 01:03:25,880 Speaker 1: You know, I gotta be I gotta be a man. 1299 01:03:27,280 --> 01:03:31,960 Speaker 3: Yeah, niggas of all kind of weird ship. It's niggas 1300 01:03:32,000 --> 01:03:34,120 Speaker 3: that want to see. It's niggas that want you to 1301 01:03:34,200 --> 01:03:37,080 Speaker 3: knock that girl down or for you to watch they 1302 01:03:37,360 --> 01:03:38,080 Speaker 3: watch the ship like. 1303 01:03:41,280 --> 01:03:42,360 Speaker 1: Stay from one of the mother. 1304 01:03:44,240 --> 01:03:46,360 Speaker 5: I see why you want to leave? 1305 01:03:46,880 --> 01:03:47,480 Speaker 1: Why leave? 1306 01:03:47,760 --> 01:03:50,360 Speaker 5: I see why you took the podcast from the house 1307 01:03:50,440 --> 01:03:51,720 Speaker 5: in the Hollywood Hills. 1308 01:03:52,040 --> 01:03:56,040 Speaker 1: They was doing well. There wasn't no no weird ship. 1309 01:03:56,720 --> 01:04:01,040 Speaker 3: My nigga came. Nigg Cato was over there with me, 1310 01:04:01,160 --> 01:04:05,600 Speaker 3: but them niggas got weird a little bit too. That yeah, 1311 01:04:05,880 --> 01:04:09,800 Speaker 3: it would get crazy after dark. But I'm gonna tell 1312 01:04:09,840 --> 01:04:13,600 Speaker 3: this story again, so forgive me for Ironicals fans, because Jay, 1313 01:04:13,720 --> 01:04:15,280 Speaker 3: I don't know if he heard this story. I was 1314 01:04:15,360 --> 01:04:17,520 Speaker 3: somewhere dog with one of the homies, and this is 1315 01:04:17,520 --> 01:04:20,000 Speaker 3: a homie that's kind of from the hood, right, So 1316 01:04:20,080 --> 01:04:22,080 Speaker 3: I'm just taking them while you're hanging out. And then 1317 01:04:22,160 --> 01:04:24,080 Speaker 3: he tell me, hey, man, you see such and suctions 1318 01:04:24,080 --> 01:04:26,720 Speaker 3: over there Christinas. I said, no, you ain't even shit 1319 01:04:26,840 --> 01:04:29,280 Speaker 3: like that happened my nigga. So we just starting to 1320 01:04:29,440 --> 01:04:31,960 Speaker 3: just chill. You know, there's more people coming in. The 1321 01:04:32,120 --> 01:04:35,360 Speaker 3: music start happening. The next thing you know, I'm seeing 1322 01:04:35,480 --> 01:04:38,280 Speaker 3: niggas take their shirts off and ship when they get 1323 01:04:38,480 --> 01:04:42,120 Speaker 3: naked and they around there. They they doing some ship dog. 1324 01:04:42,240 --> 01:04:45,480 Speaker 3: They got some motherfucking like some pink cocaine and some 1325 01:04:45,560 --> 01:04:48,120 Speaker 3: shit dog Like, I've never seen no ship like that before. 1326 01:04:48,360 --> 01:04:50,919 Speaker 3: They asked. I'm like, no, I'm cool. I'm cool. 1327 01:04:51,160 --> 01:04:52,920 Speaker 1: I got my own weeds. I don't even. 1328 01:04:54,280 --> 01:04:54,480 Speaker 5: Man. 1329 01:04:54,680 --> 01:04:56,600 Speaker 3: Once the ship got so off the hook, and then 1330 01:04:56,640 --> 01:04:59,040 Speaker 3: you know, the housees be so strange, you don't know 1331 01:04:59,080 --> 01:05:00,760 Speaker 3: how to get out the mother fucking So I'm walking 1332 01:05:00,760 --> 01:05:03,680 Speaker 3: into people's bedrooms and ship I'm trying to get out, 1333 01:05:03,760 --> 01:05:07,280 Speaker 3: and I'm high and I'm trying to get out, so smoke. 1334 01:05:07,520 --> 01:05:10,400 Speaker 3: Me and the homie go down these stairs and it's 1335 01:05:10,560 --> 01:05:12,680 Speaker 3: like a little motherfucking thing, and then we see some 1336 01:05:12,760 --> 01:05:15,960 Speaker 3: ship in this dark. It's like a pentagram on the 1337 01:05:16,000 --> 01:05:18,680 Speaker 3: floor of my nigga and it's some motherfucking like, what's 1338 01:05:18,760 --> 01:05:21,440 Speaker 3: that ship In the movie on one of my favorite 1339 01:05:21,480 --> 01:05:23,760 Speaker 3: motherfucking movies, the nigga that had the mask on was 1340 01:05:23,800 --> 01:05:24,320 Speaker 3: tied up. 1341 01:05:24,360 --> 01:05:26,480 Speaker 1: Like you look out of you. They wanted him to 1342 01:05:26,560 --> 01:05:31,920 Speaker 1: put on the masks and red robe. Asshole. 1343 01:05:32,040 --> 01:05:34,840 Speaker 3: Next you know, Hollywood Hills got them little windows on 1344 01:05:34,920 --> 01:05:37,200 Speaker 3: the side. They go all off into the back thing. 1345 01:05:37,960 --> 01:05:39,920 Speaker 3: So me and the hommy crawled through this little bitty 1346 01:05:39,960 --> 01:05:41,920 Speaker 3: ass window darg and we getting off. I thought I'm 1347 01:05:41,920 --> 01:05:44,200 Speaker 3: about to fall down the motherfucking heel and ship Dog 1348 01:05:44,560 --> 01:05:46,080 Speaker 3: were on the side of the house in the back 1349 01:05:46,120 --> 01:05:47,880 Speaker 3: and were holding on the ship because it was a 1350 01:05:47,960 --> 01:05:50,720 Speaker 3: steep bass slope like a nigga would have failed. Nigga 1351 01:05:50,720 --> 01:05:54,080 Speaker 3: probably died falling off that motherfucker. But man, we got on. 1352 01:05:54,200 --> 01:05:56,440 Speaker 3: The homie was My homie was a little chunky. He 1353 01:05:56,480 --> 01:05:58,520 Speaker 3: couldn't get so I had to grab his ass through 1354 01:05:58,560 --> 01:06:00,600 Speaker 3: this crash, the whole side of his up and. 1355 01:06:00,600 --> 01:06:03,880 Speaker 1: Ship man trying to escape. You had to get away 1356 01:06:03,920 --> 01:06:06,280 Speaker 1: from that motherfucker. It's some weird ass ship. 1357 01:06:06,200 --> 01:06:09,560 Speaker 3: Going on out that Ye stay up out of Hollywood, man, 1358 01:06:09,880 --> 01:06:17,080 Speaker 3: Hollywood got share your parents. Stay yeah, because I'm gonna 1359 01:06:17,080 --> 01:06:19,800 Speaker 3: tell you though. It's a lot, and this niggas is 1360 01:06:19,960 --> 01:06:22,240 Speaker 3: willing to do anything to be in his industry. 1361 01:06:22,280 --> 01:06:22,400 Speaker 1: Though. 1362 01:06:23,160 --> 01:06:26,320 Speaker 4: You know what's crazy, man, The way that ship works, 1363 01:06:26,400 --> 01:06:32,320 Speaker 4: it's like people, the average like person, the average person. 1364 01:06:32,760 --> 01:06:35,760 Speaker 1: Don't believe none of that ship. You know what I'm saying. 1365 01:06:36,120 --> 01:06:39,120 Speaker 1: I didn't believe. I saw myself, the average person, their 1366 01:06:39,160 --> 01:06:40,000 Speaker 1: favorite celebrity. 1367 01:06:40,600 --> 01:06:43,480 Speaker 4: What you go back, They're not gonna They're not going 1368 01:06:43,520 --> 01:06:48,400 Speaker 4: to They're not gonna ever fathom what what about none 1369 01:06:48,440 --> 01:06:48,880 Speaker 4: of that ship? 1370 01:06:49,000 --> 01:06:51,440 Speaker 1: Oh niggas believe these niggas are superheroes. 1371 01:06:51,280 --> 01:06:54,040 Speaker 4: So it'll never registered with them as long as that's 1372 01:06:54,440 --> 01:06:56,760 Speaker 4: as long as that's the fact. They don't give a 1373 01:06:56,840 --> 01:07:01,000 Speaker 4: fuck who knows what because they have enough people that's 1374 01:07:01,320 --> 01:07:04,360 Speaker 4: so stupid that they'll never know how it works. They 1375 01:07:04,400 --> 01:07:07,320 Speaker 4: don't give a fuck about who knows or who you never. 1376 01:07:07,600 --> 01:07:09,680 Speaker 4: They got this shit so locked down, they don't give 1377 01:07:09,680 --> 01:07:13,800 Speaker 4: a fuck like how they hell, they'll have your ass 1378 01:07:13,840 --> 01:07:15,600 Speaker 4: thinking you a crackhead before you make it back. 1379 01:07:15,760 --> 01:07:18,200 Speaker 3: I'm telling you, dog, some of these niggas that you 1380 01:07:18,240 --> 01:07:19,960 Speaker 3: see out here, like what's the one little harmy to 1381 01:07:20,040 --> 01:07:21,480 Speaker 3: act that that don't lost his mind, he'd be. 1382 01:07:21,520 --> 01:07:23,800 Speaker 1: On there talking crazy Orlando Brown. 1383 01:07:24,520 --> 01:07:26,840 Speaker 3: I'm gonna tell you, dog, it's niggas out here that 1384 01:07:26,920 --> 01:07:28,440 Speaker 3: don't seen some ship and they want to paint these 1385 01:07:28,520 --> 01:07:31,200 Speaker 3: niggas being crazy. These niggas ain't crazy. They telling the 1386 01:07:31,280 --> 01:07:33,840 Speaker 3: motherfucking truth. Dog, These niggas is weirdos. 1387 01:07:33,840 --> 01:07:36,080 Speaker 4: That motherfucker crazy because I seen them talking about the 1388 01:07:36,080 --> 01:07:38,120 Speaker 4: old pie, rude blood and a nigga. 1389 01:07:38,120 --> 01:07:42,120 Speaker 1: If you don't knock it off, some niggas don't throw 1390 01:07:42,200 --> 01:07:43,680 Speaker 1: I'm gonna tell you, dog, it used to be a 1391 01:07:43,800 --> 01:07:47,240 Speaker 1: thing dog I heard up in the bay. It makes 1392 01:07:47,280 --> 01:07:49,800 Speaker 1: a lot of sense, though sometimes it's like all of 1393 01:07:49,880 --> 01:07:50,120 Speaker 1: them do. 1394 01:07:50,520 --> 01:07:52,720 Speaker 3: Some niggas don't got slipped the mickey though, my niggas. 1395 01:07:52,760 --> 01:07:54,600 Speaker 3: Some niggas don't got a bad bas this. Why don't 1396 01:07:54,600 --> 01:07:56,640 Speaker 3: smoke weed after niggas, Dog, I don't do none of 1397 01:07:56,680 --> 01:07:58,080 Speaker 3: this shit. I don't want. 1398 01:07:58,160 --> 01:07:58,800 Speaker 1: I want whatever. 1399 01:07:58,880 --> 01:08:01,320 Speaker 3: I'm whatever our take, it's gonna be on my own 1400 01:08:01,400 --> 01:08:03,400 Speaker 3: the cord. You ain't gonna sneak no shit up on me. 1401 01:08:04,240 --> 01:08:06,920 Speaker 4: They be putting fence and all in every motherfucking thing anyway, 1402 01:08:07,000 --> 01:08:08,600 Speaker 4: you know, going on. 1403 01:08:08,800 --> 01:08:10,320 Speaker 3: You don't know what the fuck is? Go go on 1404 01:08:10,480 --> 01:08:12,720 Speaker 3: at the Batch, hey, man, you know one thing, and 1405 01:08:12,800 --> 01:08:14,800 Speaker 3: I'm trying to stay away from the controversial shit. But 1406 01:08:14,920 --> 01:08:18,720 Speaker 3: niggas go be like, why you ain't asking this? Yeah, 1407 01:08:19,000 --> 01:08:19,559 Speaker 3: bad Batch. 1408 01:08:19,800 --> 01:08:22,240 Speaker 1: You was the first nigga I've seen really and you 1409 01:08:22,320 --> 01:08:23,639 Speaker 1: can't make Jay early dog? 1410 01:08:24,479 --> 01:08:26,240 Speaker 3: Is he your blood? Does he crip our suck that 1411 01:08:26,560 --> 01:08:29,240 Speaker 3: in his big ass lips? I see, Damn Jay I 1412 01:08:29,400 --> 01:08:32,560 Speaker 3: was really trying to massac motherfuckers on his microphone. 1413 01:08:32,760 --> 01:08:37,080 Speaker 1: Man, and man, oh that's crazy. 1414 01:08:38,520 --> 01:08:41,200 Speaker 4: Trued Up was crazy because it came out on Motown, 1415 01:08:41,720 --> 01:08:44,519 Speaker 4: the label Motown, you know what I mean. So it 1416 01:08:44,680 --> 01:08:47,519 Speaker 4: got really a lot of buzz and it was getting 1417 01:08:47,520 --> 01:08:49,120 Speaker 4: a lot of radio play. 1418 01:08:49,880 --> 01:08:53,640 Speaker 1: And then not to take nothing away from jay Z 1419 01:08:53,720 --> 01:08:58,040 Speaker 1: we cool now or whatever, but the song was it 1420 01:08:58,200 --> 01:08:59,439 Speaker 1: was like back. 1421 01:08:59,320 --> 01:09:02,400 Speaker 4: Then, I was going against the machine of death jam 1422 01:09:03,240 --> 01:09:07,080 Speaker 4: and bet uh like I just thought it was some battleship. 1423 01:09:07,120 --> 01:09:08,920 Speaker 4: I just wanted to rap. I ain't want no harm 1424 01:09:09,040 --> 01:09:11,160 Speaker 4: to come to the nigga nothing, you know what I'm saying. 1425 01:09:11,240 --> 01:09:14,000 Speaker 4: But it was like the Machine of Death. Jam was 1426 01:09:14,120 --> 01:09:16,439 Speaker 4: calling them labels like if you play that record again, 1427 01:09:16,840 --> 01:09:19,160 Speaker 4: they we ain't doing the summer Jam type of shit, 1428 01:09:19,280 --> 01:09:21,760 Speaker 4: you know what I'm saying, or or we're gonna pull 1429 01:09:21,840 --> 01:09:24,439 Speaker 4: our artists type of ship like. It was like the 1430 01:09:24,600 --> 01:09:27,000 Speaker 4: machine you know what I'm saying. The true up was 1431 01:09:27,000 --> 01:09:30,639 Speaker 4: getting getting ground. It was playing in Miami and Ship 1432 01:09:30,760 --> 01:09:32,439 Speaker 4: like that. They were starting to get ground, and they 1433 01:09:32,600 --> 01:09:35,599 Speaker 4: pulled that motherfucker and they stopped the video from playing, 1434 01:09:35,640 --> 01:09:38,280 Speaker 4: like they banned the video from BT. The videos was 1435 01:09:38,400 --> 01:09:39,720 Speaker 4: like a fucking film like I was. 1436 01:09:39,920 --> 01:09:40,840 Speaker 1: I remember. 1437 01:09:42,720 --> 01:09:45,080 Speaker 4: I had homies from sixties with the Low Riders and 1438 01:09:45,360 --> 01:09:48,120 Speaker 4: and we was in the valley and and it was 1439 01:09:48,160 --> 01:09:50,479 Speaker 4: a part when the when the video start and you 1440 01:09:50,520 --> 01:09:51,280 Speaker 4: see me eying my. 1441 01:09:51,360 --> 01:09:52,120 Speaker 1: Khakis and ship. 1442 01:09:52,160 --> 01:09:56,080 Speaker 4: This look like a movie like And I remember the van, 1443 01:09:56,240 --> 01:09:59,479 Speaker 4: the bus from San Diego radio station Z ninety coming 1444 01:09:59,479 --> 01:10:01,320 Speaker 4: out here. It was like a light light blue van, 1445 01:10:01,760 --> 01:10:04,720 Speaker 4: I mean a light blue tour like a like a 1446 01:10:04,920 --> 01:10:07,000 Speaker 4: city bus. Looked like you know what I mean. So 1447 01:10:07,120 --> 01:10:08,760 Speaker 4: they had this big ass bus come out here and 1448 01:10:08,840 --> 01:10:09,800 Speaker 4: we were standing on the bus. 1449 01:10:09,920 --> 01:10:10,320 Speaker 1: That shit was. 1450 01:10:11,479 --> 01:10:14,479 Speaker 4: But they banned that video from from you know what 1451 01:10:14,520 --> 01:10:17,680 Speaker 4: I mean, from BT and I used to just look 1452 01:10:17,680 --> 01:10:19,680 Speaker 4: at sh like now how they let all kinds of 1453 01:10:19,760 --> 01:10:21,160 Speaker 4: gang bang shit on TV. 1454 01:10:21,320 --> 01:10:22,920 Speaker 3: Oh yeah, you al was a free curse up. You 1455 01:10:22,960 --> 01:10:26,000 Speaker 3: gotta remember you and eight was like in the golden 1456 01:10:26,080 --> 01:10:28,680 Speaker 3: age of hip hop. Dog Everything was quality back then. 1457 01:10:28,720 --> 01:10:31,000 Speaker 3: It wasn't like now to where some of the ship 1458 01:10:31,040 --> 01:10:32,679 Speaker 3: that might have a banging beat, but the nigga ain't 1459 01:10:32,680 --> 01:10:35,680 Speaker 3: saying nothing on it. It was everything was quality back then. 1460 01:10:35,720 --> 01:10:37,839 Speaker 3: If you called yourself a rapper back in the nineties, 1461 01:10:37,880 --> 01:10:39,760 Speaker 3: you had to really know how to rap well. You 1462 01:10:39,760 --> 01:10:41,080 Speaker 3: wouldn't go give in a microphone. 1463 01:10:41,640 --> 01:10:45,080 Speaker 4: Everybody had their own style, like eight didn't sound like 1464 01:10:45,320 --> 01:10:47,080 Speaker 4: this person or this person that's sounds. 1465 01:10:46,960 --> 01:10:48,840 Speaker 1: Like like you know when you here eight, that's eight shit. 1466 01:10:48,920 --> 01:10:50,400 Speaker 1: You know you hear king t that's Kate. 1467 01:10:50,600 --> 01:10:53,240 Speaker 3: Then it wasn't no biting the dog. You couldn't couldn't 1468 01:10:53,280 --> 01:10:55,400 Speaker 3: go sound like Jo Fell and the ship. Actually you 1469 01:10:55,439 --> 01:10:58,519 Speaker 3: couldn't go grab eighth. Everybody sound like like the. 1470 01:11:00,360 --> 01:11:02,519 Speaker 1: Things very high on biting you feel. 1471 01:11:02,320 --> 01:11:07,240 Speaker 4: Me no doubt Auto to him things like, even though 1472 01:11:07,320 --> 01:11:09,200 Speaker 4: some of that ship sound dope, I ain't gonna front 1473 01:11:09,240 --> 01:11:12,280 Speaker 4: you know, some of us cool, but it's like, what's 1474 01:11:12,479 --> 01:11:13,240 Speaker 4: be cool about it? 1475 01:11:13,280 --> 01:11:16,160 Speaker 1: It would be mostly the melody that you create. Be 1476 01:11:16,280 --> 01:11:17,120 Speaker 1: what's cool about it? 1477 01:11:17,200 --> 01:11:18,920 Speaker 4: You know what I'm saying, And then you harmonize that 1478 01:11:19,000 --> 01:11:22,240 Speaker 4: ship and repeat it now it said fucking hit you was. 1479 01:11:22,240 --> 01:11:22,920 Speaker 1: The first song. 1480 01:11:23,280 --> 01:11:26,559 Speaker 3: You was the first rapper on a major label I've 1481 01:11:26,600 --> 01:11:28,679 Speaker 3: ever seen battle niggas at his n store. 1482 01:11:29,160 --> 01:11:29,920 Speaker 1: Yeah, you had. 1483 01:11:31,360 --> 01:11:33,519 Speaker 3: You in confident that shout out to the big a 1484 01:11:34,000 --> 01:11:36,840 Speaker 3: big ship Underworld Records, because I have my record store 1485 01:11:36,880 --> 01:11:38,720 Speaker 3: up the street and pair of my big a me 1486 01:11:38,760 --> 01:11:41,719 Speaker 3: help me open my ship up. Yeah, and this nigga 1487 01:11:41,800 --> 01:11:44,680 Speaker 3: sayo he was gonna perform one of his songs, and 1488 01:11:44,800 --> 01:11:46,400 Speaker 3: he said fuck. He was in the middle of the 1489 01:11:46,439 --> 01:11:48,320 Speaker 3: first verse, said fuck this ship. I was tearing some 1490 01:11:48,400 --> 01:11:52,640 Speaker 3: niggas answers up. My little niggas start lining up. He 1491 01:11:52,880 --> 01:11:55,719 Speaker 3: was like, niggas up and then't guess who came on stage, 1492 01:11:57,200 --> 01:12:01,439 Speaker 3: Orlando Anderson's nephew, Yeah, and got his ass lit up, 1493 01:12:03,080 --> 01:12:06,360 Speaker 3: got a viscerrat all. I remembers Jo telling that nigga 1494 01:12:06,680 --> 01:12:10,280 Speaker 3: I would bust a nut on your curly top. I 1495 01:12:10,439 --> 01:12:12,240 Speaker 3: was like, damn, you just told a nigga, I bust 1496 01:12:12,280 --> 01:12:14,519 Speaker 3: a nut on your curly top. And he was just 1497 01:12:14,680 --> 01:12:17,360 Speaker 3: up there, just fucking niggas up like about five or 1498 01:12:17,360 --> 01:12:20,280 Speaker 3: six niggas. I said, this nigga really can rap. But 1499 01:12:20,439 --> 01:12:22,599 Speaker 3: that made me a fan of his music. Keep him more. 1500 01:12:24,240 --> 01:12:29,760 Speaker 3: He wasn't. That's crazy. I remember that ship went up 1501 01:12:29,800 --> 01:12:32,720 Speaker 3: to music merchandise. Remember they had the one stop of 1502 01:12:32,840 --> 01:12:35,600 Speaker 3: the Murder Park. I went up there and bought like 1503 01:12:36,320 --> 01:12:38,599 Speaker 3: two hundred copies of your CD Dog and put him 1504 01:12:38,600 --> 01:12:40,559 Speaker 3: in the store and had a little display up there 1505 01:12:40,680 --> 01:12:42,840 Speaker 3: because I said, this nigga really out there battling niggas. 1506 01:12:42,880 --> 01:12:45,280 Speaker 3: Now was important to me. If Nigga MC can he 1507 01:12:45,400 --> 01:12:46,760 Speaker 3: really rhyme exactly? Man. 1508 01:12:46,800 --> 01:12:49,000 Speaker 4: I wish I would have stayed doing that, like selling 1509 01:12:49,360 --> 01:12:51,160 Speaker 4: the music directly to the consumer. 1510 01:12:51,920 --> 01:12:56,320 Speaker 1: That's when that's when the bag was fat. Yeah, yeah, 1511 01:12:56,360 --> 01:12:59,599 Speaker 1: if we would Yeah, if Nigga kept making them CDs 1512 01:12:59,640 --> 01:13:02,880 Speaker 1: and selling them directly to the motherfucker's boy, I don't know. 1513 01:13:03,040 --> 01:13:09,439 Speaker 1: It was just something about being on a label. It 1514 01:13:09,600 --> 01:13:11,280 Speaker 1: was something. It was our era. 1515 01:13:11,560 --> 01:13:15,120 Speaker 5: It was like you made it, nigga, you signed the 1516 01:13:15,200 --> 01:13:18,360 Speaker 5: who or you won't, oh you on sony, or you 1517 01:13:18,560 --> 01:13:22,120 Speaker 5: own so and so so that that that made. 1518 01:13:22,000 --> 01:13:24,519 Speaker 4: Us feel like the movies attached to having a deal 1519 01:13:24,920 --> 01:13:27,080 Speaker 4: like them soundtracks and exactly like that. 1520 01:13:27,680 --> 01:13:29,479 Speaker 1: It seemed like all that should be attached to the 1521 01:13:29,560 --> 01:13:30,880 Speaker 1: magor label your It was. 1522 01:13:30,880 --> 01:13:33,040 Speaker 3: At a time when that soundtrack money was. It was 1523 01:13:33,080 --> 01:13:34,599 Speaker 3: a motherfuckerracund track. 1524 01:13:34,520 --> 01:13:36,680 Speaker 1: Money, and it was some like quality movies coming out, 1525 01:13:36,760 --> 01:13:41,160 Speaker 1: like fucking forty out forty ounce. 1526 01:13:41,200 --> 01:13:43,800 Speaker 5: Commercial money was good, you know what I mean That 1527 01:13:44,000 --> 01:13:47,960 Speaker 5: Saint I's money was good. Fucking like you said, soundtrack 1528 01:13:48,080 --> 01:13:51,200 Speaker 5: money was good. Niggas was getting like thirty forty thousand 1529 01:13:51,360 --> 01:13:54,200 Speaker 5: for you know, for a backing hard days of the 1530 01:13:54,479 --> 01:13:58,799 Speaker 5: of the late eighties early nineties. You getting forty thousand 1531 01:13:58,960 --> 01:14:02,280 Speaker 5: for one song on a soundtrack. I did like four 1532 01:14:02,320 --> 01:14:05,000 Speaker 5: of their motherfuckers, Hell yeah, and that's crazy. 1533 01:14:05,200 --> 01:14:07,639 Speaker 3: I remember eight saying, Man, I knew something was wrong 1534 01:14:07,680 --> 01:14:09,439 Speaker 3: when I was getting more money for turning in a 1535 01:14:09,520 --> 01:14:11,559 Speaker 3: song and I got for my whole motherfucking album. 1536 01:14:11,600 --> 01:14:14,320 Speaker 1: Oh yeah, motherfucker that soundtrack breaking the yeah. 1537 01:14:14,160 --> 01:14:17,920 Speaker 5: Them soundtracks breaking me off, thirty thousand. Nigga, I wasn't 1538 01:14:17,960 --> 01:14:21,760 Speaker 5: seeing thirty thousand for a whole record. I was like, 1539 01:14:21,880 --> 01:14:23,599 Speaker 5: Nigga see him like seven years. 1540 01:14:24,040 --> 01:14:27,320 Speaker 3: Oh you think Unknown Unknown probably was mad as a 1541 01:14:27,400 --> 01:14:29,880 Speaker 3: motherfucker when he was dealing directly with the motherfuckers, wasn't it. 1542 01:14:30,880 --> 01:14:34,840 Speaker 5: I mean, he probably had to look at it like. 1543 01:14:38,479 --> 01:14:41,280 Speaker 5: I don't think he was probably mad. He probably looked 1544 01:14:41,320 --> 01:14:46,439 Speaker 5: at it like it's time. You know, I've I've you know, 1545 01:14:47,400 --> 01:14:51,120 Speaker 5: I've dealt my diligence. I've had my hand in the 1546 01:14:51,200 --> 01:14:54,560 Speaker 5: cookie jar for long enough. It's probably it's gonna just 1547 01:14:54,640 --> 01:14:57,000 Speaker 5: be a matter of time before a nigga wake up 1548 01:14:57,400 --> 01:15:02,479 Speaker 5: and be like, fuck this shit. You know, coming into 1549 01:15:02,560 --> 01:15:08,479 Speaker 5: this business, I always tell niggas, man, I always tell niggas, 1550 01:15:09,800 --> 01:15:12,519 Speaker 5: you're gonna get fucked. Somebody gonna have their hand in 1551 01:15:12,600 --> 01:15:15,680 Speaker 5: the cookie jar again, and you give me. I had 1552 01:15:15,760 --> 01:15:18,800 Speaker 5: to come through somebody, so of course they was gonna 1553 01:15:18,840 --> 01:15:22,400 Speaker 5: be like, you get me, Nigga getting, nigga, niggas getting 1554 01:15:22,680 --> 01:15:25,040 Speaker 5: And I had no idea niggas was pulling in a 1555 01:15:25,160 --> 01:15:28,599 Speaker 5: quarter of a million, three hundred thousand for fucking records 1556 01:15:28,880 --> 01:15:30,559 Speaker 5: to do CMW records. 1557 01:15:31,040 --> 01:15:33,680 Speaker 1: Nigga, I didn't know shit. And Nigga hand me a 1558 01:15:33,800 --> 01:15:35,360 Speaker 1: check for five grand. Nigga. 1559 01:15:35,439 --> 01:15:38,680 Speaker 5: I'm like, Nigga, let's get it cracking, not knowing that 1560 01:15:39,120 --> 01:15:41,799 Speaker 5: somebody just got a check for two hundred and fifty 1561 01:15:42,040 --> 01:15:46,000 Speaker 5: thousand dollars to do this record, and that's probably you know, 1562 01:15:46,160 --> 01:15:50,120 Speaker 5: that's that's that's shit today, you know, to some artists. 1563 01:15:50,439 --> 01:15:55,840 Speaker 5: But Nigga backing motherfucking eighty nine ninety ninety one, Nigga 1564 01:15:55,880 --> 01:15:58,160 Speaker 5: and the niggas like Nigga, niggas was getting quarter of 1565 01:15:58,160 --> 01:15:58,880 Speaker 5: a million. 1566 01:15:58,760 --> 01:16:01,840 Speaker 1: Hurt y'all heard, niggas ain't getting them bags no more 1567 01:16:02,240 --> 01:16:05,639 Speaker 1: the labels, man. I mean, I couldn't you know because 1568 01:16:05,720 --> 01:16:08,880 Speaker 1: right now, you know, niggas is creating make. 1569 01:16:08,800 --> 01:16:11,040 Speaker 3: No money off there streaming shit. Though they talk about 1570 01:16:11,120 --> 01:16:14,160 Speaker 3: niggas making money, man, but that shit you get something. 1571 01:16:14,800 --> 01:16:17,880 Speaker 3: Niggas is making money like you know that. To me, 1572 01:16:18,200 --> 01:16:21,360 Speaker 3: the artists of today, a lot of them are making 1573 01:16:21,479 --> 01:16:23,960 Speaker 3: money like we used to do touring. If you can 1574 01:16:24,040 --> 01:16:26,719 Speaker 3: get on the motherfucking tour and you get. 1575 01:16:26,760 --> 01:16:28,759 Speaker 1: Sixty deals, they want a piece of everything. 1576 01:16:28,880 --> 01:16:32,200 Speaker 5: Yeah, I mean, the deal is a deal wasn't shipped 1577 01:16:32,240 --> 01:16:35,680 Speaker 5: to me because like I said, they gonna hand me 1578 01:16:35,840 --> 01:16:39,280 Speaker 5: what they're gonna have me one hundred grand to do 1579 01:16:39,439 --> 01:16:42,639 Speaker 5: my record. Okay, Sony used to have me one hundred 1580 01:16:42,680 --> 01:16:47,200 Speaker 5: and eighty grand to do my record. Okay, really that 1581 01:16:47,240 --> 01:16:50,880 Speaker 5: ain't shit. Not back in our days when you got 1582 01:16:51,000 --> 01:16:52,960 Speaker 5: to pay to go up in a place like Echo 1583 01:16:53,160 --> 01:16:57,080 Speaker 5: Sounds and fucking Cheroke and producing something like that. And 1584 01:16:57,160 --> 01:16:59,760 Speaker 5: then yeah, and then if you going to somebody that 1585 01:17:00,200 --> 01:17:03,559 Speaker 5: you know ain't inside the crew. Niggas was wanting twenty 1586 01:17:03,760 --> 01:17:08,760 Speaker 5: thousand for beats. So my brother Bob, I think he 1587 01:17:08,920 --> 01:17:10,120 Speaker 5: was getting twenty thirty. 1588 01:17:10,000 --> 01:17:11,800 Speaker 1: Beat Niggas was getting. Niggas was getting. 1589 01:17:12,600 --> 01:17:15,839 Speaker 5: You could easily back in those days, you could easily 1590 01:17:15,960 --> 01:17:18,760 Speaker 5: acts a label for ten fifteen, twenty thousand for a 1591 01:17:18,880 --> 01:17:21,160 Speaker 5: meet and they give it to you like it wasn't shit, 1592 01:17:21,560 --> 01:17:24,840 Speaker 5: especially if you had a little name mister shit, Yes, 1593 01:17:25,200 --> 01:17:28,360 Speaker 5: you had a name as a producer, like when they 1594 01:17:28,479 --> 01:17:31,280 Speaker 5: brought in, when they brought in I think Mugs did 1595 01:17:31,479 --> 01:17:34,000 Speaker 5: like four songs on my record. 1596 01:17:34,600 --> 01:17:38,000 Speaker 1: They probably paid Mugs probably one hundred grand to do them. 1597 01:17:38,080 --> 01:17:41,479 Speaker 1: Four songs, you give me. I think Daz produced the 1598 01:17:41,600 --> 01:17:44,599 Speaker 1: song on my record. You know when the Dog Pound 1599 01:17:44,680 --> 01:17:48,000 Speaker 1: and Snoop was them was at the height. They probably 1600 01:17:48,080 --> 01:17:50,880 Speaker 1: paid Dazz about thirty grand to do that song. 1601 01:17:51,200 --> 01:17:51,720 Speaker 3: You get me. 1602 01:17:52,960 --> 01:17:55,880 Speaker 5: They didn't give a fuck. You know why because you 1603 01:17:56,080 --> 01:17:59,960 Speaker 5: never saw a royalty check. I never saw a royalty check, 1604 01:18:00,200 --> 01:18:03,160 Speaker 5: you know. When I was signed to Epic, never I 1605 01:18:03,240 --> 01:18:05,080 Speaker 5: could go in and I could get a budget of 1606 01:18:05,160 --> 01:18:08,200 Speaker 5: about one hundred and fifty or two hundred grand. And 1607 01:18:09,120 --> 01:18:12,680 Speaker 5: that's how I work my bread. I go, okay, I 1608 01:18:12,680 --> 01:18:15,160 Speaker 5: ain't finna go hire no producers. Me and Slip fin 1609 01:18:15,240 --> 01:18:18,240 Speaker 5: to do this whole motherfucker. That's all. If I go, 1610 01:18:18,479 --> 01:18:21,280 Speaker 5: fuck it, If I go, I'm finished. Set aside fifty 1611 01:18:21,439 --> 01:18:25,439 Speaker 5: thousand for production. Nigga, I throw slip twenty five and 1612 01:18:25,560 --> 01:18:28,559 Speaker 5: I take twenty five, and we produced the whole record. 1613 01:18:29,080 --> 01:18:34,679 Speaker 5: And then when it came to recording, Nigga, I tried 1614 01:18:34,720 --> 01:18:37,400 Speaker 5: to fly. When they came like Nigga, I'm gonna go 1615 01:18:37,439 --> 01:18:39,439 Speaker 5: book the studio up for like four a's. 1616 01:18:39,640 --> 01:18:42,000 Speaker 3: Most niggas just bought their own equipment. I remember Nigga, 1617 01:18:42,080 --> 01:18:44,639 Speaker 3: thirty niggas start, we started doing equipment. 1618 01:18:44,800 --> 01:18:48,880 Speaker 5: Started like in the beginning, I recorded everything that slips 1619 01:18:48,920 --> 01:18:52,360 Speaker 5: house right in his den, you know. And then when 1620 01:18:52,400 --> 01:18:55,920 Speaker 5: you get to the epics and the death jams, you 1621 01:18:56,080 --> 01:18:58,080 Speaker 5: had that sense of oh no, Nigga I'm going to 1622 01:18:58,200 --> 01:19:02,200 Speaker 5: studio studio. So I started booking Echo Sounds, I started 1623 01:19:02,240 --> 01:19:05,439 Speaker 5: booking Cherokee, I started booking Record One. 1624 01:19:05,560 --> 01:19:06,640 Speaker 1: In places like that. 1625 01:19:06,960 --> 01:19:13,559 Speaker 5: Music, I'd be like, I'd kickback, like, hey, I wasn't 1626 01:19:13,600 --> 01:19:15,640 Speaker 5: kicking back like Nigga. I'd be in there, Nigga, you 1627 01:19:15,720 --> 01:19:20,200 Speaker 5: talking about nigga thousands and thousands and thousands to where 1628 01:19:20,280 --> 01:19:22,960 Speaker 5: I'd be like, Nigga, this shit eating up a nigga budget, 1629 01:19:23,479 --> 01:19:25,799 Speaker 5: and especially when you know you're not getting a royalty 1630 01:19:25,960 --> 01:19:28,680 Speaker 5: check and you gotta you gotta maintain off that up 1631 01:19:28,760 --> 01:19:31,879 Speaker 5: front money. So that's what we did. Nigga, we record 1632 01:19:32,000 --> 01:19:35,080 Speaker 5: at home. We gonna mix at the studio, but we 1633 01:19:35,240 --> 01:19:38,360 Speaker 5: record at home and me and Slip do all the beats. 1634 01:19:38,600 --> 01:19:41,080 Speaker 5: So that's how I was able to maintain because I 1635 01:19:41,120 --> 01:19:44,280 Speaker 5: didn't see a royalty check, Nigga royalty check. They'd be like, Nigga, 1636 01:19:44,320 --> 01:19:46,960 Speaker 5: we gave you two hundred and fifty grand, and then 1637 01:19:47,040 --> 01:19:50,719 Speaker 5: we paid for three videos at seventy five thousand apiece, 1638 01:19:51,040 --> 01:19:54,240 Speaker 5: and then you went on promo tour and we paid rooms, 1639 01:19:54,320 --> 01:19:57,639 Speaker 5: and we paid for phone calls and meals and trips. 1640 01:19:57,720 --> 01:19:59,880 Speaker 3: And I found out about the recruitming shit. The he 1641 01:20:00,000 --> 01:20:03,160 Speaker 3: oh wait. Man. When I first went to London, I 1642 01:20:03,280 --> 01:20:06,160 Speaker 3: took my homie with me. Man, I took DJ Kochie 1643 01:20:06,160 --> 01:20:09,000 Speaker 3: with me. We flew back. We had like we was 1644 01:20:09,080 --> 01:20:11,960 Speaker 3: on a MTV bas tour because you know, the MTV 1645 01:20:12,040 --> 01:20:14,080 Speaker 3: out there caught some different shit was called MTV base. 1646 01:20:14,160 --> 01:20:16,240 Speaker 3: That was all the urban shit. We was out there 1647 01:20:16,320 --> 01:20:19,000 Speaker 3: for fifteen dates, I think, dog and so the first 1648 01:20:19,040 --> 01:20:21,439 Speaker 3: five dates we had two weeks off me and this 1649 01:20:21,560 --> 01:20:23,720 Speaker 3: nigga flew back home like two or three times. Like 1650 01:20:23,760 --> 01:20:25,280 Speaker 3: I thought I was free, you know, like I'm gonna 1651 01:20:25,280 --> 01:20:27,840 Speaker 3: go back home. Watch my son a man running the 1652 01:20:27,880 --> 01:20:30,200 Speaker 3: tab up. I got my statement because the first check, 1653 01:20:30,200 --> 01:20:31,960 Speaker 3: because you know, I had to deal with a distributor, 1654 01:20:32,600 --> 01:20:33,639 Speaker 3: so it was a little different. 1655 01:20:34,400 --> 01:20:35,400 Speaker 1: The first nine days. 1656 01:20:35,439 --> 01:20:37,240 Speaker 3: I got my shit here and I was like a 1657 01:20:37,320 --> 01:20:39,479 Speaker 3: nigga on soda, decent mom, I'm expecting next check to 1658 01:20:39,520 --> 01:20:42,679 Speaker 3: be fifty or sixty. That shit was fourteen thousand dollars. 1659 01:20:42,840 --> 01:20:45,679 Speaker 3: Dog a nigga, my Flight's dog, Day Sharks, the nigga 1660 01:20:45,720 --> 01:20:48,360 Speaker 3: twenty five hundred, the flight dog, every little thing for 1661 01:20:48,520 --> 01:20:50,240 Speaker 3: this and that, and I thought the shit was free. 1662 01:20:50,280 --> 01:20:52,880 Speaker 3: We ordered all kinds of shit. We catching cars. It 1663 01:20:52,960 --> 01:20:55,160 Speaker 3: wasn't an uber round back then. We hopped in taxis, 1664 01:20:55,560 --> 01:20:58,000 Speaker 3: riding all over the most of the place. They said, no, 1665 01:20:58,240 --> 01:21:00,960 Speaker 3: you paying that back, homie. Oh no, we recooping that 1666 01:21:01,439 --> 01:21:04,439 Speaker 3: were all that shit. But then I start telling niggas, man, no, 1667 01:21:04,680 --> 01:21:07,040 Speaker 3: we can't go back home, y'op, but you come back 1668 01:21:07,080 --> 01:21:08,960 Speaker 3: on this road. Ask beat it til we get back. 1669 01:21:09,640 --> 01:21:12,240 Speaker 3: All that flying home because the girlfriends and shit like that. 1670 01:21:12,720 --> 01:21:14,479 Speaker 3: Niggas woman get to call on them crying on the 1671 01:21:14,520 --> 01:21:16,040 Speaker 3: phone and shit, niggas be like, I'm glad to go 1672 01:21:16,120 --> 01:21:18,640 Speaker 3: back home. It's an emergency, Like, nigga, that's not no 1673 01:21:18,800 --> 01:21:19,880 Speaker 3: motherfucking emergency. 1674 01:21:20,240 --> 01:21:21,439 Speaker 1: Yeah, man, fuck that. 1675 01:21:21,960 --> 01:21:23,920 Speaker 4: I was doing that shit, taking niggas in New York 1676 01:21:24,000 --> 01:21:25,800 Speaker 4: all the time when I first signed my deal with 1677 01:21:25,960 --> 01:21:29,920 Speaker 4: J and M. Flying niggas from the San Diego hotel, rooms, 1678 01:21:29,960 --> 01:21:31,880 Speaker 4: homies out there, food and all that shit. 1679 01:21:33,400 --> 01:21:34,360 Speaker 1: Crazy to recoop. 1680 01:21:34,520 --> 01:21:38,240 Speaker 5: Yeah, well yeah, I always learned to keep my shit down. 1681 01:21:39,520 --> 01:21:43,040 Speaker 5: I would only take niggas like that, essential niggas. I 1682 01:21:43,080 --> 01:21:45,960 Speaker 5: would only take niggas like if we was rolling deep 1683 01:21:46,439 --> 01:21:49,920 Speaker 5: when it was like a real concert tour or something 1684 01:21:50,280 --> 01:21:53,200 Speaker 5: with anything that had to do with the label. I 1685 01:21:53,400 --> 01:21:56,400 Speaker 5: wouldn't take nobody. But once Chill went, you know, I 1686 01:21:56,439 --> 01:21:58,880 Speaker 5: had to do his time. I just take me and 1687 01:21:59,040 --> 01:22:02,960 Speaker 5: Mike t be me mighty and slip that's it because 1688 01:22:03,080 --> 01:22:06,360 Speaker 5: fuck that shit. Hey that ship you already know they 1689 01:22:06,439 --> 01:22:08,920 Speaker 5: recooping the ship off your budget. So yeah, I learned 1690 01:22:08,960 --> 01:22:09,519 Speaker 5: that fast. 1691 01:22:10,520 --> 01:22:17,720 Speaker 3: Oh yeah, yeah, you know. On What's crazy is man? 1692 01:22:17,760 --> 01:22:19,760 Speaker 3: This seemed like jam Master J kind of did right 1693 01:22:19,840 --> 01:22:21,160 Speaker 3: by you though. Yeah. 1694 01:22:21,240 --> 01:22:24,720 Speaker 4: One thing about Jay, like if it was something in 1695 01:22:24,800 --> 01:22:27,280 Speaker 4: the contract or something like that that I didn't like, 1696 01:22:27,439 --> 01:22:30,040 Speaker 4: he would change that shit. And I had like built 1697 01:22:30,080 --> 01:22:32,600 Speaker 4: a relationship with him, you know what I'm saying. And 1698 01:22:33,520 --> 01:22:36,880 Speaker 4: even after I had left his label, we still was cool, 1699 01:22:37,000 --> 01:22:41,000 Speaker 4: you know what I mean, because he ended up introduced 1700 01:22:41,040 --> 01:22:43,519 Speaker 4: me to Scarface and shit got me on Scarface album 1701 01:22:43,640 --> 01:22:47,640 Speaker 4: with Corrupting Dads, the record we did, and when I 1702 01:22:47,720 --> 01:22:50,200 Speaker 4: did the sharm Stick video, Snoop came to that motherfucker 1703 01:22:50,240 --> 01:22:51,720 Speaker 4: on the strength of jam Master Jay, you know what 1704 01:22:51,720 --> 01:22:52,000 Speaker 4: I mean. 1705 01:22:52,640 --> 01:22:53,599 Speaker 1: He came to that motherfucker. 1706 01:22:53,680 --> 01:22:55,400 Speaker 4: That's when I the first time I had met Snoop 1707 01:22:55,439 --> 01:22:58,560 Speaker 4: and I went ended up going to a party with 1708 01:22:59,439 --> 01:23:01,920 Speaker 4: him and uh left Eye. 1709 01:23:01,800 --> 01:23:02,240 Speaker 3: And all them. 1710 01:23:02,280 --> 01:23:05,439 Speaker 4: I remember they was together, like uh depth Row's Ship party, 1711 01:23:05,479 --> 01:23:08,320 Speaker 4: you know what I mean. But jam I said Jay 1712 01:23:08,479 --> 01:23:09,960 Speaker 4: was the glue man, you know what I mean. And 1713 01:23:10,520 --> 01:23:13,320 Speaker 4: I remember, uh, he had a concert at the House 1714 01:23:13,360 --> 01:23:16,680 Speaker 4: of Blues and he was getting his turntables and Ship 1715 01:23:16,800 --> 01:23:19,920 Speaker 4: and needles and ship right and Wesley Snipes all kind 1716 01:23:19,920 --> 01:23:21,880 Speaker 4: of motherfuckers came to that show, you know what I mean. 1717 01:23:22,000 --> 01:23:24,679 Speaker 4: But it just was even when I had left the label, 1718 01:23:24,760 --> 01:23:26,280 Speaker 4: we still had you know what I mean. We had 1719 01:23:26,320 --> 01:23:28,280 Speaker 4: a cool, loute little bond, you know what I mean. 1720 01:23:28,320 --> 01:23:29,559 Speaker 4: I mean, I used to be with that nigga. They 1721 01:23:29,640 --> 01:23:32,040 Speaker 4: used to shoot pistols out the motherfucking studio and Ship. 1722 01:23:32,760 --> 01:23:34,160 Speaker 4: Jay was with the Ship, you know what I mean. 1723 01:23:34,200 --> 01:23:35,240 Speaker 4: He was cool, motherfucker. 1724 01:23:35,720 --> 01:23:37,880 Speaker 3: Yeah man. When when he passed the way, man, how 1725 01:23:37,920 --> 01:23:38,680 Speaker 3: did that didn't pack? You? 1726 01:23:38,840 --> 01:23:39,000 Speaker 1: Man? 1727 01:23:40,080 --> 01:23:42,640 Speaker 4: Fucked me up, you know what I mean, because he 1728 01:23:42,800 --> 01:23:44,439 Speaker 4: wasn't that type of person like you know what I'm 1729 01:23:44,479 --> 01:23:45,960 Speaker 4: saying that, you know what I mean. He wasn't trying 1730 01:23:46,000 --> 01:23:49,000 Speaker 4: to bring nobody no physical harm. 1731 01:23:50,080 --> 01:23:53,519 Speaker 1: The motherfucker cat man, Yeah man. 1732 01:23:53,640 --> 01:23:56,360 Speaker 4: And then it like happened right before Halloween and Ship 1733 01:23:56,520 --> 01:24:00,880 Speaker 4: and it just seemed like, uh, like some setup shit 1734 01:24:01,000 --> 01:24:02,600 Speaker 4: or something, you know what I mean, Like motherfucker that 1735 01:24:02,720 --> 01:24:04,200 Speaker 4: killed him was a nigga that he let sleep on 1736 01:24:04,280 --> 01:24:06,800 Speaker 4: his couch, you know what I'm saying. So it was 1737 01:24:06,920 --> 01:24:09,559 Speaker 4: like some motherfucker that you grow up with type of ship. 1738 01:24:09,640 --> 01:24:12,320 Speaker 4: Which that's why with me, Bro, I'll be on on 1739 01:24:12,479 --> 01:24:14,519 Speaker 4: my ship. Like you know what I'm saying, don't ever 1740 01:24:15,479 --> 01:24:18,400 Speaker 4: extra or trust some motherfucker too much, you know what 1741 01:24:18,439 --> 01:24:18,840 Speaker 4: I'm saying. 1742 01:24:18,880 --> 01:24:20,960 Speaker 1: With your with your well being, you know what I mean. 1743 01:24:21,040 --> 01:24:23,240 Speaker 1: That be a nigga right up under you most of 1744 01:24:23,320 --> 01:24:23,679 Speaker 1: the time. 1745 01:24:24,920 --> 01:24:27,479 Speaker 5: Didn't be the motherfuckers that hate you the most, straight 1746 01:24:27,600 --> 01:24:30,479 Speaker 5: up your nigga right there shaking your hand talking about 1747 01:24:30,560 --> 01:24:33,240 Speaker 5: all my nigga, and that be the nigga that hate 1748 01:24:33,280 --> 01:24:33,800 Speaker 5: you the most. 1749 01:24:33,960 --> 01:24:34,120 Speaker 1: Man. 1750 01:24:34,880 --> 01:24:38,000 Speaker 4: Even with that situation, like like I was hearing like 1751 01:24:38,120 --> 01:24:40,920 Speaker 4: the dude was going to it's like memorial shit, you 1752 01:24:40,960 --> 01:24:42,160 Speaker 4: know what I mean, every year like. 1753 01:24:42,800 --> 01:24:44,560 Speaker 5: Just some old just some more week tell me like 1754 01:24:44,640 --> 01:24:47,479 Speaker 5: some crazy ship like you ain't had nothing to do 1755 01:24:47,600 --> 01:24:48,160 Speaker 5: with this ship. 1756 01:24:48,280 --> 01:24:50,479 Speaker 3: They were trying to blame I forget the homies name, 1757 01:24:50,560 --> 01:24:53,360 Speaker 3: and they was trying to blame one of his good 1758 01:24:53,400 --> 01:24:55,360 Speaker 3: friends for the longest and they came out to see 1759 01:24:55,360 --> 01:24:57,080 Speaker 3: it that it wasn't him. Mom, but it was a 1760 01:24:57,120 --> 01:24:59,200 Speaker 3: good friend. I forget the brother's name. He actually brother 1761 01:24:59,320 --> 01:25:01,800 Speaker 3: owned a business and he employs a whole bunch of people. Now, 1762 01:25:02,560 --> 01:25:05,680 Speaker 3: good brother, I'm gonna tell you his name right now. 1763 01:25:06,920 --> 01:25:08,800 Speaker 3: Let me tell you his name right now, because we 1764 01:25:08,960 --> 01:25:10,560 Speaker 3: I want to have him on the show Dog And 1765 01:25:10,640 --> 01:25:12,439 Speaker 3: I thought that was fucked up how they put him 1766 01:25:12,439 --> 01:25:15,600 Speaker 3: out there and then then retract the ship. I was like, 1767 01:25:15,720 --> 01:25:19,000 Speaker 3: that's fucked up. You know what I mean, that's fucked up. 1768 01:25:19,000 --> 01:25:29,080 Speaker 3: I'm gonna tell you right now. His name is uh, 1769 01:25:29,640 --> 01:25:33,760 Speaker 3: let me tell you right now. Let me tell you 1770 01:25:33,800 --> 01:25:37,920 Speaker 3: the brother's name right now. His name is Schoon. I 1771 01:25:38,040 --> 01:25:39,120 Speaker 3: think it's Curtis Scoon. 1772 01:25:41,240 --> 01:25:41,439 Speaker 1: Yeah. 1773 01:25:41,439 --> 01:25:43,280 Speaker 3: They tried to blame him for it at first, right, 1774 01:25:43,640 --> 01:25:45,880 Speaker 3: and then they came out or wasn't him, But he's like, 1775 01:25:45,960 --> 01:25:50,960 Speaker 3: the damage has already done, motherfuckers. I he's knowing by Schoon? 1776 01:25:51,880 --> 01:25:55,280 Speaker 3: Who brother though, good brother, good brother man. And it 1777 01:25:55,400 --> 01:25:57,040 Speaker 3: was a lot of stuff in that case. They tried 1778 01:25:57,080 --> 01:25:59,320 Speaker 3: to say that the homie was doing this. It's like, man, 1779 01:26:00,200 --> 01:26:03,000 Speaker 3: you almost they almost didn't look at homie wrist in peace, 1780 01:26:03,120 --> 01:26:04,680 Speaker 3: like they was trying to say he was doing this 1781 01:26:04,880 --> 01:26:06,519 Speaker 3: and all that, you know, I mean the man don't 1782 01:26:06,560 --> 01:26:11,160 Speaker 3: lost his life. Yeah, y'all need to be put Yeah, 1783 01:26:11,479 --> 01:26:13,120 Speaker 3: y'all think y'all need to be putting that effort in 1784 01:26:13,160 --> 01:26:15,280 Speaker 3: the finder who did this to this man versus trying 1785 01:26:15,320 --> 01:26:17,360 Speaker 3: to find out what y'all thought was wrong with his life? 1786 01:26:17,400 --> 01:26:17,880 Speaker 3: You know what I mean? 1787 01:26:18,880 --> 01:26:19,080 Speaker 1: Yeah? 1788 01:26:19,200 --> 01:26:22,160 Speaker 3: Man, with you being in the industry, dog, you wanted 1789 01:26:22,240 --> 01:26:25,439 Speaker 3: the few people man to get a song with DMX man. Yeah, 1790 01:26:26,479 --> 01:26:30,400 Speaker 3: how that collaboration come about? Man, because that had that 1791 01:26:30,560 --> 01:26:32,240 Speaker 3: ship blew up like a motherfucker dog. 1792 01:26:32,479 --> 01:26:35,160 Speaker 1: Yeah, the Nigga Methic Man plugged that up for me. 1793 01:26:36,360 --> 01:26:39,400 Speaker 4: I mean he hooked that feature up, you know what 1794 01:26:39,400 --> 01:26:42,000 Speaker 4: I mean, Like he actually did the ship for free, 1795 01:26:42,040 --> 01:26:44,120 Speaker 4: and he had X get on there because it was 1796 01:26:44,200 --> 01:26:46,040 Speaker 4: me and him in Old Dirty Bastard on the ship 1797 01:26:46,120 --> 01:26:47,320 Speaker 4: at first, Is that right? 1798 01:26:47,520 --> 01:26:49,559 Speaker 1: Yeah? Yeah, Old Dirty started. 1799 01:26:49,720 --> 01:26:53,160 Speaker 4: He actually, uh was first on the record and he 1800 01:26:53,360 --> 01:26:56,000 Speaker 4: was talking about fucking bitches and the ass all kind of. 1801 01:26:56,040 --> 01:26:58,160 Speaker 1: Crazy ship, you know what I'm saying. So he got 1802 01:26:58,200 --> 01:26:58,679 Speaker 1: that version. 1803 01:26:59,640 --> 01:27:02,320 Speaker 4: I think Kenny McLeod got it. We recorded at the 1804 01:27:02,360 --> 01:27:06,640 Speaker 4: black Hole over the Yeah, I think I think he 1805 01:27:06,840 --> 01:27:09,360 Speaker 4: still got it. I remember I've been to the black Hole. 1806 01:27:10,200 --> 01:27:12,280 Speaker 4: The Nigga verse was dope, but it was just it 1807 01:27:12,439 --> 01:27:15,240 Speaker 4: was just that's where I did, uh water. It was 1808 01:27:15,400 --> 01:27:18,600 Speaker 4: vulgar as fun, you know what I mean. Yeah, so 1809 01:27:18,960 --> 01:27:22,000 Speaker 4: so O d B was the top knocking bros and 1810 01:27:22,000 --> 01:27:24,400 Speaker 4: the colon and ship. Yeah, I was talking about that 1811 01:27:24,560 --> 01:27:26,360 Speaker 4: too on the record. If you notice, you know what 1812 01:27:26,360 --> 01:27:29,320 Speaker 4: I'm saying. But it was done in a certain way, 1813 01:27:29,360 --> 01:27:32,040 Speaker 4: you know what I'm saying. He just said fucking bitches 1814 01:27:32,040 --> 01:27:34,960 Speaker 4: in the ass, my popular styles, fucking bitches in the ass. 1815 01:27:35,080 --> 01:27:39,400 Speaker 4: And then he did a long ass like when the 1816 01:27:39,479 --> 01:27:40,799 Speaker 4: song came on, he just did. 1817 01:27:40,680 --> 01:27:44,360 Speaker 1: A long whoa some ship like that, like this ship 1818 01:27:44,439 --> 01:27:51,720 Speaker 1: went long you imagine that come on. Then I hear 1819 01:27:51,760 --> 01:27:55,000 Speaker 1: that ship. I was like, oh ship the whole time. 1820 01:27:56,320 --> 01:27:58,360 Speaker 1: Then the nigga tried to charge me like twenty five 1821 01:27:58,479 --> 01:27:59,560 Speaker 1: racks for that ship. You know what. 1822 01:28:00,680 --> 01:28:03,680 Speaker 4: Method man was like, hell no, like fuck no, we 1823 01:28:03,760 --> 01:28:06,599 Speaker 4: ain't doing that, Like we finna get DMX on here. 1824 01:28:07,240 --> 01:28:09,360 Speaker 4: And DMX was the hottest nigga in the country at 1825 01:28:09,360 --> 01:28:09,679 Speaker 4: the time. 1826 01:28:09,760 --> 01:28:11,680 Speaker 3: Yeah, yeah, you had it. You had it when X 1827 01:28:11,840 --> 01:28:14,160 Speaker 3: was that nigga dog. That's when X just dropped them 1828 01:28:14,200 --> 01:28:16,320 Speaker 3: back to back on the head. That nigga came from 1829 01:28:16,400 --> 01:28:18,400 Speaker 3: chicken and waffles Rest in peace of X. 1830 01:28:18,439 --> 01:28:22,240 Speaker 4: That nigga came from uh Rosco's Chicken and waffles him 1831 01:28:22,280 --> 01:28:26,479 Speaker 4: in a wire from rough Riders, and he busts like 1832 01:28:26,720 --> 01:28:28,960 Speaker 4: four raps, like told me which one I wanted, you 1833 01:28:29,000 --> 01:28:32,120 Speaker 4: know what I mean. Like he came with a different styles, 1834 01:28:32,200 --> 01:28:35,280 Speaker 4: variety of ship. He busts one rap, then he go 1835 01:28:35,479 --> 01:28:35,960 Speaker 4: back in there. 1836 01:28:36,600 --> 01:28:37,240 Speaker 3: You like that one? 1837 01:28:37,280 --> 01:28:39,519 Speaker 4: You like that one ship? He said, I got more 1838 01:28:39,560 --> 01:28:41,800 Speaker 4: homes in the essay. I'm like, yeah, they gonna like 1839 01:28:41,920 --> 01:28:44,240 Speaker 4: that ship right there. So that was the one. 1840 01:28:44,320 --> 01:28:48,040 Speaker 1: But he was definitely a humble dude, and he was 1841 01:28:48,200 --> 01:28:49,559 Speaker 1: fucking hell of mc man. 1842 01:28:49,840 --> 01:28:50,439 Speaker 3: Yeah he was. 1843 01:28:50,560 --> 01:28:53,160 Speaker 1: Man, I'm not motherfucker's cut your fucking throat with that 1844 01:28:53,320 --> 01:28:53,760 Speaker 1: rap ship. 1845 01:28:54,360 --> 01:28:56,439 Speaker 3: Yeah. I saw that nigga man in the lake Wood 1846 01:28:56,520 --> 01:28:59,960 Speaker 3: Mall one time. Yeah, just random Man's place. And you 1847 01:29:00,080 --> 01:29:03,000 Speaker 3: don't realize he that little until you see him in person. 1848 01:29:03,040 --> 01:29:04,479 Speaker 3: I'm like, is he not no big old? You know, 1849 01:29:04,520 --> 01:29:06,519 Speaker 3: I'm thinking I'm gonna see some big six for it, nigga, 1850 01:29:06,520 --> 01:29:08,200 Speaker 3: you know me with shame from his nigga and ship 1851 01:29:08,479 --> 01:29:11,160 Speaker 3: and the wife beat her on. Nigga was in there 1852 01:29:11,160 --> 01:29:13,160 Speaker 3: and he was in there arguing with a nigga dog 1853 01:29:13,280 --> 01:29:14,120 Speaker 3: over for a discount. 1854 01:29:14,520 --> 01:29:17,559 Speaker 1: That's crazy. He was like, come on, son, I'm exed, 1855 01:29:17,600 --> 01:29:19,880 Speaker 1: you know, charge me all this money. 1856 01:29:19,960 --> 01:29:22,439 Speaker 3: Nigga realist. And I was just like him. I said, 1857 01:29:22,439 --> 01:29:23,800 Speaker 3: that's dem X. You know, I ain't the type of 1858 01:29:23,880 --> 01:29:25,160 Speaker 3: nigga to be approach the nigga. I was like this 1859 01:29:25,320 --> 01:29:26,960 Speaker 3: dem mix them all arguing with a nigga. 1860 01:29:27,439 --> 01:29:30,120 Speaker 4: Hey, when that nigga was at his big of his career, bro, 1861 01:29:30,320 --> 01:29:32,439 Speaker 4: he was I think he was performing for the Soul 1862 01:29:32,520 --> 01:29:35,920 Speaker 4: Training Awards, right, and uh at that time, I was 1863 01:29:36,000 --> 01:29:38,320 Speaker 4: running around with red Man, red Man taking me to 1864 01:29:38,640 --> 01:29:41,360 Speaker 4: taking me everywhere. We just rapping and busting up and 1865 01:29:41,479 --> 01:29:43,959 Speaker 4: ship rapping on taking the spot and ship. 1866 01:29:44,439 --> 01:29:46,519 Speaker 1: And we go to DMX room. 1867 01:29:46,560 --> 01:29:50,400 Speaker 4: He's finnah perform for the Soul Training Awards and he 1868 01:29:50,520 --> 01:29:51,960 Speaker 4: was telling us, yeah, I got to come back to 1869 01:29:52,040 --> 01:29:53,439 Speaker 4: New York with me, you know what I mean, come 1870 01:29:53,479 --> 01:29:56,519 Speaker 4: to the pad or whatever. This nigga put this jacket on, 1871 01:29:56,720 --> 01:30:00,160 Speaker 4: he's finna perform in. It was like it was some 1872 01:30:00,320 --> 01:30:03,200 Speaker 4: kind of like gold sequence shit, you know what I mean, Like. 1873 01:30:03,439 --> 01:30:06,920 Speaker 1: You see how they got me. We started laughing like 1874 01:30:07,000 --> 01:30:07,680 Speaker 1: a motherfucker. 1875 01:30:07,720 --> 01:30:07,800 Speaker 3: Bro. 1876 01:30:07,920 --> 01:30:10,240 Speaker 1: He put that mofucker on he went and rocked that motherfucker. 1877 01:30:10,560 --> 01:30:12,760 Speaker 4: And I think that night, if you ever see the 1878 01:30:12,800 --> 01:30:14,760 Speaker 4: Soul Train Ship, I think he said the same verse 1879 01:30:14,840 --> 01:30:19,080 Speaker 4: twice that night on that one song. Yeah, he got 1880 01:30:19,160 --> 01:30:23,519 Speaker 4: that gold sequence, uh, that gold ship on. But yeah, man, 1881 01:30:23,880 --> 01:30:24,719 Speaker 4: he was real cool. 1882 01:30:24,840 --> 01:30:25,000 Speaker 1: Man. 1883 01:30:25,520 --> 01:30:28,000 Speaker 4: That's when he was still married to his wife and shit, 1884 01:30:29,000 --> 01:30:31,120 Speaker 4: you know what I mean, he was first that name 1885 01:30:31,280 --> 01:30:32,559 Speaker 4: was manit was Wraw. 1886 01:30:33,040 --> 01:30:33,200 Speaker 1: Yeah. 1887 01:30:33,280 --> 01:30:36,839 Speaker 3: That nineties was a special motherfucking era, dog. Yes, indeed, 1888 01:30:37,000 --> 01:30:40,040 Speaker 3: that nineties was a special motherfucking era. Man. Yeah. Yeah. 1889 01:30:40,160 --> 01:30:41,960 Speaker 1: And you know what, man, It's like. 1890 01:30:43,960 --> 01:30:47,160 Speaker 3: The ship didn't really start getting weird weird until like 1891 01:30:47,360 --> 01:30:49,519 Speaker 3: the late nineties, two thousands, dog. 1892 01:30:50,280 --> 01:30:52,479 Speaker 1: Yeah, I think that's when all the money and shit 1893 01:30:52,560 --> 01:30:54,599 Speaker 1: started coming through it, dog, you know, all the money 1894 01:30:54,640 --> 01:30:56,519 Speaker 1: and the shoot thousands it started. 1895 01:30:56,760 --> 01:31:01,320 Speaker 5: You know, everything went to flaws and you know, bottles 1896 01:31:01,360 --> 01:31:07,200 Speaker 5: of champagne and private jets and you know, and platinumness 1897 01:31:07,360 --> 01:31:11,920 Speaker 5: and platinum that, and you know, everything started being about 1898 01:31:12,120 --> 01:31:17,240 Speaker 5: wealth and who was balling, and you know, it was 1899 01:31:17,439 --> 01:31:21,600 Speaker 5: it was no more about you know, the substance of 1900 01:31:22,120 --> 01:31:25,800 Speaker 5: hip hop and making good music and just trying to 1901 01:31:25,920 --> 01:31:32,639 Speaker 5: tell stories and whatever. Everything became about crystyle and platinum 1902 01:31:32,760 --> 01:31:34,880 Speaker 5: chains and you get me real talk. 1903 01:31:35,560 --> 01:31:38,680 Speaker 4: Even with the radio the format changed up. Well, how 1904 01:31:38,800 --> 01:31:40,280 Speaker 4: you know you used to be able if you was 1905 01:31:40,320 --> 01:31:42,519 Speaker 4: in the community, you could go take a song to 1906 01:31:42,600 --> 01:31:45,360 Speaker 4: the radio station and if that mother could get some buzz, 1907 01:31:46,040 --> 01:31:47,320 Speaker 4: it'll blow up, you know what I'm saying. 1908 01:31:48,360 --> 01:31:50,840 Speaker 1: Definitely used to play a niggas. Remember they used to 1909 01:31:50,840 --> 01:31:52,760 Speaker 1: have bump of the dump it and all that pump 1910 01:31:52,800 --> 01:31:53,400 Speaker 1: of the dump it. 1911 01:31:53,640 --> 01:31:56,280 Speaker 4: Yeah, you know what I mean. And it went from 1912 01:31:56,360 --> 01:31:59,080 Speaker 4: that to the control of the radio. Is like, if 1913 01:31:59,120 --> 01:32:02,760 Speaker 4: you ain't uh connected with the ship we're talking about, they. 1914 01:32:02,680 --> 01:32:06,040 Speaker 5: Ain't connected with the machine, then don't get played. Don't 1915 01:32:06,080 --> 01:32:08,040 Speaker 5: give a fuck how many niggas request you. 1916 01:32:08,240 --> 01:32:10,680 Speaker 1: Yeah, you might have to put this dress on right 1917 01:32:10,960 --> 01:32:11,880 Speaker 1: with the Big four? 1918 01:32:12,080 --> 01:32:14,519 Speaker 3: If the you might have put that dress on real quick. 1919 01:32:15,080 --> 01:32:16,800 Speaker 3: What's the weak, say y'all? I know you don't seen 1920 01:32:16,840 --> 01:32:18,599 Speaker 3: some ship. What's the weirdest shicks? You don't every y'all 1921 01:32:18,680 --> 01:32:21,080 Speaker 3: got me telling them about my little party experience though, 1922 01:32:21,560 --> 01:32:23,280 Speaker 3: what's the weirdest shicks you don't ever encounter? 1923 01:32:25,280 --> 01:32:27,160 Speaker 4: I ain't really seen no weird ship, you know what 1924 01:32:27,160 --> 01:32:29,799 Speaker 4: I mean? Because I ain't finna be around no weird shit. 1925 01:32:29,680 --> 01:32:32,880 Speaker 1: I tried to. I didn't go to weird parties. Yeah. 1926 01:32:32,880 --> 01:32:36,720 Speaker 4: I didn't really party with motherfuckers outside of my homies. Really, Yeah, 1927 01:32:36,760 --> 01:32:39,200 Speaker 4: I didn't do when all the industry ship was going on. 1928 01:32:39,400 --> 01:32:41,200 Speaker 4: If I'm gonna to the party, it's gonna be a 1929 01:32:41,320 --> 01:32:44,160 Speaker 4: public party that the industry throwing. It ain't gonna be 1930 01:32:44,240 --> 01:32:47,800 Speaker 4: no no in the cut house bullshit. You know what 1931 01:32:47,840 --> 01:32:50,439 Speaker 4: I'm saying, No eyes wide, shut ass ship. 1932 01:32:52,040 --> 01:32:55,200 Speaker 3: Dog. The one thing I did realize is that, yeah, 1933 01:32:55,560 --> 01:32:58,840 Speaker 3: these brawls you see on TV, man, man, that you 1934 01:32:58,960 --> 01:33:01,599 Speaker 3: be thinking this all that them but basic Booker band. 1935 01:33:02,479 --> 01:33:04,760 Speaker 4: I've seen a girl pep on another girl. That was 1936 01:33:04,840 --> 01:33:07,880 Speaker 4: the most That was the most nasty ship I see. 1937 01:33:09,160 --> 01:33:11,120 Speaker 4: But but you know what I'm saying, I got up 1938 01:33:11,120 --> 01:33:13,120 Speaker 4: and left. I watched it for I'm like, is that 1939 01:33:13,280 --> 01:33:14,800 Speaker 4: pepe alright? 1940 01:33:14,920 --> 01:33:16,080 Speaker 1: No, I got up and left. 1941 01:33:16,880 --> 01:33:17,360 Speaker 3: It'd be some. 1942 01:33:19,280 --> 01:33:23,040 Speaker 1: I didn't. I didn't attend that type of ship. You 1943 01:33:23,120 --> 01:33:25,920 Speaker 1: ain't going none of that ship was always the curious 1944 01:33:25,960 --> 01:33:33,200 Speaker 1: nigga on this bitch all right, like man over here 1945 01:33:33,280 --> 01:33:36,840 Speaker 1: and like nah man, it wasn't a celebrity bro. It 1946 01:33:36,960 --> 01:33:41,080 Speaker 1: was my ad bitches. Man, I'm gonna go deal with 1947 01:33:41,200 --> 01:33:44,040 Speaker 1: the regular hood right out though, and it's. 1948 01:33:43,800 --> 01:33:50,000 Speaker 4: All I was like, God damn, what the with all that? 1949 01:33:50,160 --> 01:33:52,200 Speaker 4: You know how it's like some like some strip club 1950 01:33:52,280 --> 01:33:55,040 Speaker 4: party ship, but it ain't. It's like it's like a party. 1951 01:33:55,439 --> 01:33:57,519 Speaker 4: It's an industry party, you know what I'm saying. 1952 01:33:57,920 --> 01:33:58,640 Speaker 1: But it's like. 1953 01:34:00,800 --> 01:34:03,880 Speaker 4: And it's like, goddamn that she got Like I'm thinking 1954 01:34:03,960 --> 01:34:06,599 Speaker 4: they just grinding each other doing the ship. I'm down 1955 01:34:06,640 --> 01:34:08,880 Speaker 4: there watching that throwing little dollars there. 1956 01:34:09,520 --> 01:34:11,600 Speaker 1: That got to piss it. That was too much for me. 1957 01:34:11,840 --> 01:34:14,800 Speaker 1: I was like, whoa, I was still attending. 1958 01:34:14,800 --> 01:34:20,439 Speaker 5: You guys stitch on me because out whoa backyard parties. 1959 01:34:22,160 --> 01:34:27,080 Speaker 5: I didn't go later the enter outside to Compton City. Linux, Man, 1960 01:34:27,640 --> 01:34:29,240 Speaker 5: you just seem like one of them type of niggas 1961 01:34:29,240 --> 01:34:29,960 Speaker 5: that didn't do none of that. 1962 01:34:31,840 --> 01:34:32,640 Speaker 1: Funk around with that. 1963 01:34:33,439 --> 01:34:35,880 Speaker 5: And that's what s in the fucking garage all day, 1964 01:34:36,479 --> 01:34:42,400 Speaker 5: smoke places like or or ride some motherfucking mope mini 1965 01:34:42,520 --> 01:34:44,000 Speaker 5: bikes up and down the block. 1966 01:34:44,960 --> 01:34:48,120 Speaker 4: I like used to see me bro like when I 1967 01:34:48,240 --> 01:34:49,720 Speaker 4: used to come from San Diego, used to have the 1968 01:34:49,760 --> 01:34:52,439 Speaker 4: Coach East Ego mom in the hood with me, like 1969 01:34:52,720 --> 01:34:56,120 Speaker 4: three different grip gangs all together. That's when it was 1970 01:34:56,240 --> 01:34:59,000 Speaker 4: more unity, you know what I'm saying, And niggas is 1971 01:34:59,080 --> 01:35:01,679 Speaker 4: coming out here and low, and I had my homies 1972 01:35:01,760 --> 01:35:03,680 Speaker 4: like Big Bull and then with me big motherfuckers with 1973 01:35:03,800 --> 01:35:06,360 Speaker 4: Jerry Curroll's big telling security cut, get out the way, 1974 01:35:06,360 --> 01:35:08,360 Speaker 4: I'm gonna knock you out type of shit, you know 1975 01:35:08,400 --> 01:35:08,760 Speaker 4: what I mean. 1976 01:35:08,920 --> 01:35:10,960 Speaker 1: So even one G and them, we used to see 1977 01:35:11,000 --> 01:35:11,360 Speaker 1: me with the. 1978 01:35:11,439 --> 01:35:13,680 Speaker 4: Niggas back, they like, hey, then come fuck with us, man, 1979 01:35:13,760 --> 01:35:15,559 Speaker 4: you know what I mean. G W and them because 1980 01:35:15,560 --> 01:35:18,280 Speaker 4: they see me always with my homies. So and I 1981 01:35:18,360 --> 01:35:20,080 Speaker 4: remember we used to be up there at the Little 1982 01:35:20,080 --> 01:35:23,479 Speaker 4: Park Hotel. You remember the Little Park Hotel over there 1983 01:35:23,479 --> 01:35:27,640 Speaker 4: in Hollywood, La Mandrion. We used to be at them 1984 01:35:27,680 --> 01:35:30,639 Speaker 4: hotels and we be think like thirty forty homies and ship, 1985 01:35:30,720 --> 01:35:33,759 Speaker 4: you know what I mean. But that's how I was rolling, 1986 01:35:33,880 --> 01:35:35,720 Speaker 4: you know what I'm saying. So it was it was 1987 01:35:35,840 --> 01:35:39,120 Speaker 4: always that energy. So I ain't never really seen no 1988 01:35:39,840 --> 01:35:44,479 Speaker 4: weird shit, you know what I mean. Yeah, it was 1989 01:35:44,600 --> 01:35:47,240 Speaker 4: that was just real, real street ship. But you never 1990 01:35:47,360 --> 01:35:49,640 Speaker 4: know when somebody will try to slide some ship, you 1991 01:35:49,680 --> 01:35:51,439 Speaker 4: know what I mean, Try to slide and see. 1992 01:35:51,280 --> 01:35:52,360 Speaker 1: If you go for something. 1993 01:35:52,800 --> 01:35:55,120 Speaker 4: You never know if you ain't paying attention, you know 1994 01:35:55,160 --> 01:35:58,479 Speaker 4: what I'm saying. Shit, that's and attention, bro, because you 1995 01:35:58,560 --> 01:36:00,960 Speaker 4: know they I don't know, seemed like they know who 1996 01:36:01,000 --> 01:36:02,800 Speaker 4: they want or they know who you know what I mean? 1997 01:36:03,120 --> 01:36:06,160 Speaker 3: Oh for sure, for sure, shit, they know who they 1998 01:36:06,200 --> 01:36:07,400 Speaker 3: can try with that bullshit. 1999 01:36:07,880 --> 01:36:09,439 Speaker 1: Yeah, they know who they came. 2000 01:36:11,040 --> 01:36:15,400 Speaker 3: Now at the time when you was at death jam, right, yeah, 2001 01:36:15,880 --> 01:36:18,080 Speaker 3: you was on one of the most It's like death jams, 2002 01:36:18,120 --> 01:36:22,640 Speaker 3: everybody's ring labeling shit, right, Yeah. Do you ever have 2003 01:36:22,840 --> 01:36:25,679 Speaker 3: any like like like, do you ever have any regrets 2004 01:36:25,760 --> 01:36:27,439 Speaker 3: on the way the ship went down with y'all with 2005 01:36:27,520 --> 01:36:29,120 Speaker 3: you handlet differently a little bit now. 2006 01:36:29,840 --> 01:36:31,800 Speaker 4: Yeah, Like I was telling eight, I just wish I 2007 01:36:31,880 --> 01:36:34,240 Speaker 4: had somebody to fight my battles, so it wouldn't it 2008 01:36:34,320 --> 01:36:36,560 Speaker 4: just had to be me, being an artist and a 2009 01:36:36,640 --> 01:36:38,840 Speaker 4: business person that had to get at them to make 2010 01:36:38,920 --> 01:36:42,200 Speaker 4: my situations better, you know what I mean, contractually or whatever. 2011 01:36:42,640 --> 01:36:45,000 Speaker 4: I wish I would have had somebody like an IRV 2012 01:36:45,080 --> 01:36:48,519 Speaker 4: Gotti or or or Dame Dash or somebody like that, 2013 01:36:48,680 --> 01:36:51,400 Speaker 4: so I could have remained to be the joh Rule 2014 01:36:51,560 --> 01:36:55,479 Speaker 4: or the jay z or whatever. You know, even even 2015 01:36:55,720 --> 01:36:57,439 Speaker 4: even while from Rough Riders. You know what, I'm saying, 2016 01:36:57,439 --> 01:36:59,800 Speaker 4: if I would have had somebody like that to where 2017 01:37:00,520 --> 01:37:03,080 Speaker 4: DMX can just concentrate on being an artist. You know 2018 01:37:03,120 --> 01:37:05,000 Speaker 4: what I'm saying, my boy going in there and making 2019 01:37:05,040 --> 01:37:07,280 Speaker 4: sure the business is right, you know what I'm saying. 2020 01:37:07,680 --> 01:37:10,240 Speaker 4: So I'm getting everything I deserve. But I don't have 2021 01:37:10,360 --> 01:37:12,519 Speaker 4: to be the one arguing with Lee or in them. 2022 01:37:12,800 --> 01:37:14,200 Speaker 1: You know what I'm saying. I don't have to be 2023 01:37:14,320 --> 01:37:18,400 Speaker 1: that psy because once you relationship, shit is gone. Niggas 2024 01:37:18,439 --> 01:37:20,960 Speaker 1: not have managers. Back then, I didn't have a man 2025 01:37:21,400 --> 01:37:23,719 Speaker 1: I had a manager, but somewhat. 2026 01:37:24,600 --> 01:37:27,519 Speaker 4: But the thing is, my manager got me my deal, 2027 01:37:28,000 --> 01:37:29,720 Speaker 4: you know what I'm saying. Originally he got me my 2028 01:37:29,840 --> 01:37:32,519 Speaker 4: deal because he knew Jay and them. But Nigga, I 2029 01:37:32,600 --> 01:37:34,800 Speaker 4: wanted my own ship. I didn't want to be giving 2030 01:37:34,840 --> 01:37:37,479 Speaker 4: away my publishing and my you know what I'm saying. 2031 01:37:37,880 --> 01:37:41,320 Speaker 4: Because having that deal with him hooking it up, of course, 2032 01:37:41,400 --> 01:37:43,360 Speaker 4: that came with him getting some of the perks of 2033 01:37:43,520 --> 01:37:44,160 Speaker 4: my ship. 2034 01:37:43,960 --> 01:37:46,160 Speaker 1: That I'm supposed to have. You feel what I'm saying. 2035 01:37:46,560 --> 01:37:50,000 Speaker 4: So after that first album came out, Nigga I managed 2036 01:37:50,040 --> 01:37:52,640 Speaker 4: to get away from all of that shit and was 2037 01:37:52,760 --> 01:37:55,840 Speaker 4: able to get directly signed to death Jam and got 2038 01:37:55,960 --> 01:37:57,400 Speaker 4: rid of all that, you know what I'm saying, even 2039 01:37:57,400 --> 01:37:59,800 Speaker 4: though I should have but even if it wasn't gonna 2040 01:37:59,800 --> 01:38:01,560 Speaker 4: be the manager, I should have bought some of it 2041 01:38:01,720 --> 01:38:02,240 Speaker 4: else because you. 2042 01:38:02,200 --> 01:38:03,960 Speaker 3: Ain't necessarily have to have because he seemed like a 2043 01:38:04,080 --> 01:38:06,360 Speaker 3: middle man, like more like an unknown type of. 2044 01:38:06,400 --> 01:38:09,000 Speaker 1: Yeah, that's what basically, Yeah, same. 2045 01:38:08,800 --> 01:38:11,800 Speaker 4: Ship brought someone else, and that I that I had 2046 01:38:11,920 --> 01:38:14,400 Speaker 4: had to trust motherfuckers exactly, so I had to do 2047 01:38:14,520 --> 01:38:15,120 Speaker 4: it all myself. 2048 01:38:15,240 --> 01:38:17,080 Speaker 3: You put a motherfucker on the trail faces until the 2049 01:38:17,120 --> 01:38:19,720 Speaker 3: nigga is with you saying, you go get this. You're 2050 01:38:19,720 --> 01:38:21,240 Speaker 3: gonna eat what your key, nigga. You ain't gonna be 2051 01:38:21,240 --> 01:38:22,639 Speaker 3: sitting upre eating off my ship. 2052 01:38:22,560 --> 01:38:24,559 Speaker 1: No doubt. You know what I'm saying, no doubt. 2053 01:38:24,640 --> 01:38:26,800 Speaker 4: So once I left def Jam, I went to a 2054 01:38:26,960 --> 01:38:32,439 Speaker 4: label UH with with UH Treacherous Records, with Big Psych 2055 01:38:32,560 --> 01:38:37,280 Speaker 4: and and I was there. Nocturnal was there. Them niggas 2056 01:38:37,280 --> 01:38:39,360 Speaker 4: was cutting chicks, That's what I'm talking about. 2057 01:38:39,439 --> 01:38:40,519 Speaker 1: So I was, I was. 2058 01:38:40,960 --> 01:38:42,720 Speaker 4: I kind of made more money than them than I 2059 01:38:42,840 --> 01:38:44,960 Speaker 4: made when I was at Depth Jam, you know what 2060 01:38:44,960 --> 01:38:45,360 Speaker 4: I'm saying. 2061 01:38:45,520 --> 01:38:46,160 Speaker 1: And it was like. 2062 01:38:47,640 --> 01:38:50,280 Speaker 4: Like the motherfuckers had my back on some like whatever. 2063 01:38:50,400 --> 01:38:52,160 Speaker 4: You know what I'm saying, like Jayo, we got you. 2064 01:38:52,280 --> 01:38:55,400 Speaker 4: And they had shipped like Diamond Minds and Ship, you 2065 01:38:55,439 --> 01:38:58,479 Speaker 4: know what I'm saying, like the joke any of homies, 2066 01:38:58,520 --> 01:39:01,879 Speaker 4: Tico and and you know saying Aling and Ship. 2067 01:39:02,360 --> 01:39:06,439 Speaker 1: Had crooked around the Bentley Crooked had it made. 2068 01:39:07,120 --> 01:39:10,000 Speaker 4: Yeah they still got They actually still got the studio 2069 01:39:10,080 --> 01:39:12,120 Speaker 4: I can go to today if I wanted to. They 2070 01:39:12,200 --> 01:39:14,599 Speaker 4: still got the studio right there in Glendale. And Ship, 2071 01:39:14,920 --> 01:39:17,120 Speaker 4: Yeah still got that motheruck. It looked like the house 2072 01:39:17,200 --> 01:39:20,200 Speaker 4: out front in the front. Yeah still got Big Sight 2073 01:39:20,280 --> 01:39:23,760 Speaker 4: got them a situation over the rest Big site. 2074 01:39:23,800 --> 01:39:23,960 Speaker 3: It was. 2075 01:39:24,080 --> 01:39:27,640 Speaker 4: Yeah, it was me, Big Sych, Crooked Eye, Nocturnal. We 2076 01:39:27,800 --> 01:39:29,640 Speaker 4: was all over at the same time. Yeah, it's like 2077 01:39:30,320 --> 01:39:32,200 Speaker 4: we did a photo shoot together with all of us. 2078 01:39:32,200 --> 01:39:33,680 Speaker 4: I don't know if they still got this with me 2079 01:39:33,840 --> 01:39:41,840 Speaker 4: Big Sych knocking all. They had Joe over there at 2080 01:39:41,920 --> 01:39:44,920 Speaker 4: the time too, Joe Is. I think they were supposed 2081 01:39:44,920 --> 01:39:47,320 Speaker 4: to have distribution with Universal, but I don't know what happened. 2082 01:39:47,560 --> 01:39:50,519 Speaker 4: But they let me keep my album, the Masters everything 2083 01:39:50,600 --> 01:39:53,439 Speaker 4: and fucking we're still cool to you know what I 2084 01:39:53,479 --> 01:39:56,439 Speaker 4: mean to this day. But I still got it was 2085 01:39:56,479 --> 01:39:59,040 Speaker 4: called any Trenches, I never put the album. I still 2086 01:39:59,080 --> 01:40:00,519 Speaker 4: got some of those records, you know what I mean. 2087 01:40:01,320 --> 01:40:03,000 Speaker 4: I still got the masters to that ship. 2088 01:40:03,560 --> 01:40:06,120 Speaker 3: Yeah, that was a cool sixty ways. Everybody knew over 2089 01:40:06,200 --> 01:40:09,000 Speaker 3: there was happy niggas was getting over that one. I 2090 01:40:09,040 --> 01:40:10,960 Speaker 3: remember I made a lot of songs with Jelly Roll 2091 01:40:11,040 --> 01:40:14,000 Speaker 3: on that project. He produced a lot of ship on there. 2092 01:40:14,080 --> 01:40:16,800 Speaker 1: I'm surprised didn't hell your ass over. I didn't know 2093 01:40:16,880 --> 01:40:17,320 Speaker 1: about him. 2094 01:40:19,360 --> 01:40:21,679 Speaker 4: I think he was already with Snoop at that time. 2095 01:40:21,960 --> 01:40:23,720 Speaker 4: I think around that time that was when you and 2096 01:40:23,840 --> 01:40:26,839 Speaker 4: Cam and Snooping was gonna do the war Zone project. 2097 01:40:26,960 --> 01:40:29,320 Speaker 4: But that that did that didn't see the like of 2098 01:40:29,320 --> 01:40:30,880 Speaker 4: the wars on Was you ever signed? 2099 01:40:30,960 --> 01:40:33,680 Speaker 1: Did you ever? You never did a deal with Snoop Diction? Nah? No, 2100 01:40:34,000 --> 01:40:39,760 Speaker 1: I was going to UH at one point around the 2101 01:40:39,840 --> 01:40:41,280 Speaker 1: time I was supposed to deal with. 2102 01:40:43,960 --> 01:40:45,840 Speaker 4: With Damn Dash Now, I wanted to do a deal 2103 01:40:45,880 --> 01:40:49,720 Speaker 4: with Rockefeller and Snoop Dogg too, So it was like 2104 01:40:50,560 --> 01:40:53,840 Speaker 4: I did the Got Beef record, then I was gonna 2105 01:40:53,840 --> 01:40:56,479 Speaker 4: sign the Dog Doggy Style, you know what I mean. 2106 01:40:56,600 --> 01:40:59,360 Speaker 4: But when I left Death Jam, I just went to 2107 01:40:59,479 --> 01:41:02,800 Speaker 4: Treacherous and did did my own independence shit, you know 2108 01:41:02,840 --> 01:41:03,240 Speaker 4: what I mean. 2109 01:41:03,520 --> 01:41:07,240 Speaker 3: But yiggase you was hot as a motherfucker fire cracker. 2110 01:41:07,280 --> 01:41:09,760 Speaker 3: When that got beef Ricker came out. You had the 2111 01:41:09,840 --> 01:41:11,120 Speaker 3: first verse from that motherfucker. 2112 01:41:11,160 --> 01:41:13,920 Speaker 1: He was rapping. Oh, no doubt that ship was dope. 2113 01:41:14,000 --> 01:41:16,640 Speaker 1: That she got added to Hot ninety seven. You know 2114 01:41:16,680 --> 01:41:19,280 Speaker 1: what I'm saying. Angie Martinez said, they added that motherfucker 2115 01:41:19,280 --> 01:41:20,960 Speaker 1: because of my verse on there. I was like, whoa, 2116 01:41:21,120 --> 01:41:23,519 Speaker 1: that's what's up. You know what I'm saying. You had 2117 01:41:23,560 --> 01:41:26,439 Speaker 1: a muffler. You probably had the hardest verse on there. Yeah, 2118 01:41:26,600 --> 01:41:28,599 Speaker 1: I ain't fucking out my money again. And she because 2119 01:41:28,600 --> 01:41:31,479 Speaker 1: it's none of him. It got a body on it 2120 01:41:31,560 --> 01:41:33,680 Speaker 1: from a party, don't it. Yeah, I've been trying to 2121 01:41:33,760 --> 01:41:35,280 Speaker 1: sling it, but don't nobody want it. 2122 01:41:35,400 --> 01:41:37,720 Speaker 4: Got beef sh It was dope. That video is dope 2123 01:41:37,760 --> 01:41:39,760 Speaker 4: as fuck too, man. I remember were doing that video. 2124 01:41:41,560 --> 01:41:43,120 Speaker 4: That's what I was saying. Man, I mean the east 2125 01:41:43,160 --> 01:41:46,400 Speaker 4: side of you. I mean it was my niggas man traded. 2126 01:41:46,400 --> 01:41:47,479 Speaker 4: He did this ship on there too. 2127 01:41:47,720 --> 01:41:50,839 Speaker 1: Oh yeah, Silkie Fine was on that motherfucker. 2128 01:41:51,880 --> 01:41:55,080 Speaker 4: She was on the original version. Yeah, Silkie Fine had 2129 01:41:55,120 --> 01:41:55,880 Speaker 4: a dope verse on that. 2130 01:41:56,160 --> 01:41:58,800 Speaker 3: Yeah, Silky Fine do her motherful thing. It's just you 2131 01:41:58,880 --> 01:42:01,880 Speaker 3: know what she another one man, just people. I think 2132 01:42:01,960 --> 01:42:04,560 Speaker 3: they got certain niggas dog that they just scared of 2133 01:42:05,479 --> 01:42:07,640 Speaker 3: because they know, like if they know what you and 2134 01:42:07,720 --> 01:42:10,519 Speaker 3: this nigga right here, y'all will speak, y'all mind, ain't 2135 01:42:10,520 --> 01:42:12,479 Speaker 3: gonna be no kind of shenanigans. So they just rather 2136 01:42:12,800 --> 01:42:15,040 Speaker 3: y'all like the niggas just like kind of bad in school. 2137 01:42:15,160 --> 01:42:18,599 Speaker 3: It ain't really bad. Say, you know, I'm good at 2138 01:42:18,640 --> 01:42:18,960 Speaker 3: what I do. 2139 01:42:19,200 --> 01:42:21,479 Speaker 4: That should count for something that you know what I'm saying. 2140 01:42:21,720 --> 01:42:23,960 Speaker 4: I mean, we we we've been doing this. We our 2141 01:42:24,040 --> 01:42:26,519 Speaker 4: catalogs speak for theyself, you know what I'm saying. So 2142 01:42:26,680 --> 01:42:28,680 Speaker 4: it's like I ain't tripping. I'm gonna just keep on, 2143 01:42:29,280 --> 01:42:30,800 Speaker 4: you know what i mean, putting God first, and I 2144 01:42:30,920 --> 01:42:34,600 Speaker 4: know whatever, whatever, my mother fucking future holes it's gonna be. 2145 01:42:35,200 --> 01:42:36,960 Speaker 4: I mean, if you ain't gonna give it to me, 2146 01:42:37,000 --> 01:42:38,920 Speaker 4: I'm gonna take it. I'm gonna make my own mark, 2147 01:42:39,240 --> 01:42:40,760 Speaker 4: you know what I'm saying. I'm not a motherfucker that 2148 01:42:40,840 --> 01:42:43,400 Speaker 4: fear out here, you know what i mean, motherfucking little 2149 01:42:43,479 --> 01:42:44,920 Speaker 4: dude man trying to hurt. 2150 01:42:45,560 --> 01:42:48,080 Speaker 1: Yeah, you gotta make your own mark, you know whatever, 2151 01:42:48,400 --> 01:42:49,320 Speaker 1: whatever it may be. 2152 01:42:50,000 --> 01:42:51,719 Speaker 4: Straight up you know what I mean, and the people 2153 01:42:51,800 --> 01:42:54,559 Speaker 4: that love what you do, cater to them and make 2154 01:42:54,640 --> 01:42:56,280 Speaker 4: it said, because that's at the end. 2155 01:42:56,160 --> 01:42:57,920 Speaker 1: Of the day. I don't give a fucker. It's two 2156 01:42:58,040 --> 01:42:58,880 Speaker 1: three motherfuckers. 2157 01:42:59,400 --> 01:43:02,639 Speaker 4: I'm gonna make the ship that they know me for making, 2158 01:43:02,760 --> 01:43:04,680 Speaker 4: and niggas love me for what I do, and I'm 2159 01:43:04,680 --> 01:43:07,200 Speaker 4: gonna push the line and help others along the way. 2160 01:43:07,240 --> 01:43:07,840 Speaker 1: You know what I'm saying. 2161 01:43:08,600 --> 01:43:11,680 Speaker 4: And one thing about it, bro before we finish it up. 2162 01:43:12,080 --> 01:43:15,160 Speaker 4: It's like, I'm a writer, my nigga, and it ain't 2163 01:43:15,240 --> 01:43:17,080 Speaker 4: just gotta be rap music. You know what I'm saying. 2164 01:43:17,120 --> 01:43:19,439 Speaker 4: I'm trying to write and create and be creative and 2165 01:43:19,960 --> 01:43:22,840 Speaker 4: use my imagination and get paid off of it, no 2166 01:43:22,960 --> 01:43:24,080 Speaker 4: matter what that is. 2167 01:43:24,120 --> 01:43:24,639 Speaker 1: You know what I'm saying. 2168 01:43:24,680 --> 01:43:26,760 Speaker 4: A nigga's a writer at heart, So it ain't just 2169 01:43:26,840 --> 01:43:29,680 Speaker 4: gotta be talking about gangster rapping or ship like that. 2170 01:43:29,800 --> 01:43:30,160 Speaker 1: You know what I mean. 2171 01:43:30,160 --> 01:43:34,200 Speaker 4: I'm writing a fucking h educational comedy for kids right now. 2172 01:43:34,479 --> 01:43:37,680 Speaker 4: You know what I'm saying. Do Yeah, I think it's 2173 01:43:37,680 --> 01:43:40,160 Speaker 4: gonna be dope. I appreciate that, man. I appreciate y'all 2174 01:43:40,240 --> 01:43:40,720 Speaker 4: having me eight. 2175 01:43:40,760 --> 01:43:42,280 Speaker 1: You know what I'm saying. I've been trying to get 2176 01:43:42,360 --> 01:43:44,519 Speaker 1: up here for San Diego. Bro, it is better late 2177 01:43:44,560 --> 01:43:44,760 Speaker 1: than that. 2178 01:43:45,000 --> 01:43:45,160 Speaker 5: Man. 2179 01:43:45,600 --> 01:43:47,880 Speaker 4: You go to the traffic I fucked up and went 2180 01:43:47,920 --> 01:43:49,519 Speaker 4: to that stupid ass and you if you own the 2181 01:43:49,640 --> 01:43:52,479 Speaker 4: ninety one God damn it, Hey, don't fuck up and 2182 01:43:52,560 --> 01:43:54,720 Speaker 4: go ninety one west on that carpool and that bitch 2183 01:43:54,800 --> 01:43:59,320 Speaker 4: take your ass. You what's a fucking way before you 2184 01:43:59,439 --> 01:44:02,000 Speaker 4: can get off the goddamn exit and come back the 2185 01:44:02,040 --> 01:44:03,120 Speaker 4: way you're supposed to go. 2186 01:44:03,680 --> 01:44:07,960 Speaker 1: You're gonna go seventeen miles the wrong way, you alway 2187 01:44:08,160 --> 01:44:10,760 Speaker 1: before you can get off. That's what happens. So you 2188 01:44:10,840 --> 01:44:18,160 Speaker 1: gotta wait for that. I Hey, watch out for my 2189 01:44:18,240 --> 01:44:21,120 Speaker 1: new album coming out fifty five. Get your Feet Whipped. 2190 01:44:21,479 --> 01:44:23,719 Speaker 1: That's the name of my new ship, Get your Feet Whipped. 2191 01:44:23,720 --> 01:44:26,400 Speaker 4: And it's a salute to everybody that got hands that 2192 01:44:26,640 --> 01:44:29,960 Speaker 4: that that squabble your ass up before they pick up 2193 01:44:29,960 --> 01:44:31,639 Speaker 4: a gun and take your life. They got the heart 2194 01:44:31,680 --> 01:44:33,680 Speaker 4: to squabble you up. And shout out to all the 2195 01:44:33,760 --> 01:44:35,720 Speaker 4: niggas that that squabble up. You know what I mean, 2196 01:44:35,840 --> 01:44:37,800 Speaker 4: Like niggas squabble up niggas and. 2197 01:44:37,880 --> 01:44:40,040 Speaker 1: Lose a draw. Shout out to them niggas. Some heart, 2198 01:44:40,160 --> 01:44:41,560 Speaker 1: some real heart we go. 2199 01:44:41,680 --> 01:44:43,599 Speaker 3: I want to ask you a question, real quick man, 2200 01:44:44,640 --> 01:44:47,280 Speaker 3: because you came out of San Diego and you always 2201 01:44:47,400 --> 01:44:48,320 Speaker 3: was ripping your stuff. 2202 01:44:48,320 --> 01:44:50,040 Speaker 1: It's like when I first heard Age, I knew he 2203 01:44:50,120 --> 01:44:50,519 Speaker 1: was a quip. 2204 01:44:51,040 --> 01:44:52,960 Speaker 3: First heard you and he was a cryp. Right now, 2205 01:44:53,720 --> 01:44:57,240 Speaker 3: is do you see any big, any big difference between 2206 01:44:57,280 --> 01:44:59,120 Speaker 3: the way San Diego get down on the wait Loss 2207 01:44:59,160 --> 01:45:01,200 Speaker 3: Angeles get on this far as game banging. Because I 2208 01:45:01,280 --> 01:45:05,680 Speaker 3: know you from forties. My god brother Bob is one 2209 01:45:05,680 --> 01:45:07,919 Speaker 3: of the you know, he's one of the original forty 2210 01:45:07,960 --> 01:45:10,360 Speaker 3: Crip members, you know what I mean. So you think 2211 01:45:10,400 --> 01:45:14,479 Speaker 3: it's any difference kind of it? 2212 01:45:15,240 --> 01:45:17,559 Speaker 4: It is in a way, But at the same time, 2213 01:45:17,840 --> 01:45:20,200 Speaker 4: it's a lot of similarities, you know what I'm saying. 2214 01:45:21,280 --> 01:45:22,520 Speaker 4: It's a lot of similarities. 2215 01:45:22,600 --> 01:45:24,280 Speaker 1: But like with LA. 2216 01:45:24,479 --> 01:45:27,439 Speaker 4: The difference of San Diego in LA, like San Diego 2217 01:45:27,640 --> 01:45:30,360 Speaker 4: is like it was mostly bloods and LA was mostly 2218 01:45:30,439 --> 01:45:33,200 Speaker 4: crips exactly I mean. So that's one of the differences, 2219 01:45:33,320 --> 01:45:36,680 Speaker 4: is it was more of bloods in San Diego than 2220 01:45:36,760 --> 01:45:38,160 Speaker 4: the crip hoods, you know what I mean, And in 2221 01:45:38,360 --> 01:45:41,719 Speaker 4: LA is the total opposite. So that's one of the differences. 2222 01:45:41,800 --> 01:45:46,160 Speaker 4: But a lot of motherfuckers connect. We connect with each 2223 01:45:46,200 --> 01:45:49,160 Speaker 4: other because sometimes niggas got family from different others and 2224 01:45:49,200 --> 01:45:52,080 Speaker 4: shit like that, So niggas connect. But the main thing 2225 01:45:52,160 --> 01:45:55,920 Speaker 4: about it is like like like motherfuckers from my era, 2226 01:45:56,200 --> 01:45:58,559 Speaker 4: like we're trying to push a line as far as 2227 01:45:58,640 --> 01:45:59,800 Speaker 4: like niggas making music. 2228 01:46:00,000 --> 01:46:01,360 Speaker 1: Don't give a fuck if you dissing each other in 2229 01:46:01,360 --> 01:46:02,439 Speaker 1: the music. That can make music. 2230 01:46:02,520 --> 01:46:04,960 Speaker 4: It's better than a motherfucking going across trying to try 2231 01:46:05,000 --> 01:46:06,920 Speaker 4: to hurt you. So what I'm saying, So I'd rather 2232 01:46:07,000 --> 01:46:09,880 Speaker 4: it be on wax nigga than the motherfucker really out here, 2233 01:46:10,520 --> 01:46:12,240 Speaker 4: you know what I'm saying, actually trying to do some 2234 01:46:12,360 --> 01:46:13,400 Speaker 4: harm to some motherfucking But. 2235 01:46:13,439 --> 01:46:15,200 Speaker 3: I know it's like a lot of you know, like 2236 01:46:15,280 --> 01:46:17,400 Speaker 3: you said that she was like you and Michie Slick, 2237 01:46:17,640 --> 01:46:19,160 Speaker 3: y'all talk about doing some things. 2238 01:46:19,200 --> 01:46:21,240 Speaker 1: Shout out my boy. I got like two songs with you. 2239 01:46:21,320 --> 01:46:23,320 Speaker 3: Yeah, And that's dope, man. I think that's how it 2240 01:46:23,360 --> 01:46:25,719 Speaker 3: should be because I always felt like if San Diego 2241 01:46:25,760 --> 01:46:28,880 Speaker 3: could kind of unify y'all got some series rappers out there. 2242 01:46:29,040 --> 01:46:32,560 Speaker 4: Oh, no doubt, no doubt. Uh yeah, you know what 2243 01:46:32,600 --> 01:46:34,160 Speaker 4: I mean. With me and Mitch, we did a we 2244 01:46:34,240 --> 01:46:38,000 Speaker 4: did a show with exhibit. Uh, right before the pandemic happened, 2245 01:46:38,240 --> 01:46:39,760 Speaker 4: you know what I'm saying, And we talked about doing 2246 01:46:39,840 --> 01:46:41,080 Speaker 4: some ship, putting some shit together. 2247 01:46:41,280 --> 01:46:41,400 Speaker 5: Uh. 2248 01:46:41,840 --> 01:46:43,559 Speaker 1: Shout out to my bro Cricket. Cricket. 2249 01:46:43,720 --> 01:46:46,880 Speaker 4: Uh, it's actually responsible for like Mitchie Slick first album, 2250 01:46:46,880 --> 01:46:48,280 Speaker 4: you know what I mean, Cricket from the hood, you 2251 01:46:48,320 --> 01:46:50,280 Speaker 4: know what I mean. And he been trying to get 2252 01:46:50,360 --> 01:46:53,000 Speaker 4: us together for the longest. So we're telling him, hey, man, 2253 01:46:53,080 --> 01:46:54,800 Speaker 4: put the ship together. Let's let's get to make it. 2254 01:46:54,920 --> 01:46:57,680 Speaker 4: Let's make an EP or something. Because when that we 2255 01:46:57,800 --> 01:47:01,320 Speaker 4: did that show with exhibit, we took picture together, and 2256 01:47:01,479 --> 01:47:05,320 Speaker 4: that one picture ended up being in fucking restaurants in 2257 01:47:05,400 --> 01:47:05,920 Speaker 4: San Diego. 2258 01:47:06,000 --> 01:47:06,559 Speaker 1: You know what I'm saying. 2259 01:47:06,640 --> 01:47:10,040 Speaker 4: Like one of the restaurants, I go to Poyo Grill, 2260 01:47:10,200 --> 01:47:11,439 Speaker 4: you know what I mean, They got me and Mitchie 2261 01:47:11,439 --> 01:47:12,920 Speaker 4: Slick picture up in there, you know what I mean. 2262 01:47:13,040 --> 01:47:15,360 Speaker 4: So I and I go in there all the time 2263 01:47:15,439 --> 01:47:16,920 Speaker 4: and I see that ship on the wall. I'm like, 2264 01:47:17,400 --> 01:47:19,880 Speaker 4: it shows me, like this is what San Diego wants. 2265 01:47:20,240 --> 01:47:23,280 Speaker 4: Fuck all the where you're from where I'm from, bullshit, 2266 01:47:23,360 --> 01:47:25,240 Speaker 4: Because we didn't been through that, we didn't both been 2267 01:47:25,640 --> 01:47:26,479 Speaker 4: parts of the problem. 2268 01:47:26,560 --> 01:47:28,679 Speaker 1: Let's be a part of the solution. Let's leave by example. 2269 01:47:29,520 --> 01:47:32,920 Speaker 4: I mean, and I feel like, yeah, you know, by 2270 01:47:33,080 --> 01:47:35,280 Speaker 4: us sleeping by example, we do some music together, do 2271 01:47:35,400 --> 01:47:38,280 Speaker 4: a show together, or whatever it is, it shows that 2272 01:47:38,400 --> 01:47:40,360 Speaker 4: it could be done, you know what I'm saying. And 2273 01:47:41,760 --> 01:47:44,120 Speaker 4: it's not like I haven't tried to do the shit before, 2274 01:47:44,160 --> 01:47:45,519 Speaker 4: you know what I'm saying. When I did the trued 2275 01:47:45,600 --> 01:47:49,000 Speaker 4: Up video, when I did the record Call came Around 2276 01:47:50,240 --> 01:47:52,519 Speaker 4: that was on the master p West Coast Bad Boys 2277 01:47:52,560 --> 01:47:55,880 Speaker 4: shit that had Baby Scar on it, Baby Scars from Skyline. 2278 01:47:55,880 --> 01:47:56,439 Speaker 1: You know what I'm saying. 2279 01:47:56,479 --> 01:47:59,519 Speaker 4: With meet him and a rapper I had called Baylok, 2280 01:48:00,080 --> 01:48:01,679 Speaker 4: I mean me and him and Baylog was on the record. 2281 01:48:01,720 --> 01:48:03,800 Speaker 4: Two Niggas from the Hood and the Domo nigga. He 2282 01:48:03,960 --> 01:48:05,560 Speaker 4: was actually in the trued Up video, you know what 2283 01:48:05,560 --> 01:48:08,280 Speaker 4: I mean. So I've been always trying to connect the dots, 2284 01:48:08,320 --> 01:48:10,439 Speaker 4: you know what I mean. But that's right, I think now, 2285 01:48:11,800 --> 01:48:14,160 Speaker 4: like with the show, we're about the dudes, Me, Mitchie, Slick, 2286 01:48:14,280 --> 01:48:17,720 Speaker 4: mac ten, DJ Quick Aunt, Doesn't Harmony, m C eight 2287 01:48:17,840 --> 01:48:20,280 Speaker 4: on the Motherfucker We finished Tear that bitch down, you 2288 01:48:20,280 --> 01:48:23,640 Speaker 4: know what I'm saying. You know, and I know a 2289 01:48:23,680 --> 01:48:26,200 Speaker 4: lot of the audience is coming because some of those 2290 01:48:26,200 --> 01:48:28,080 Speaker 4: people on the lineup you don't get to see. You 2291 01:48:28,160 --> 01:48:29,880 Speaker 4: know what I'm saying. It be sometimes it'll be the 2292 01:48:29,960 --> 01:48:32,960 Speaker 4: same every time. It's the same lineup, you know what 2293 01:48:33,040 --> 01:48:35,760 Speaker 4: I mean. So I'm looking forward to it. 2294 01:48:35,920 --> 01:48:38,000 Speaker 1: Man, I'm ready to go. I'm in the gym, you 2295 01:48:38,040 --> 01:48:38,599 Speaker 1: know what I'm saying. 2296 01:48:39,080 --> 01:48:41,320 Speaker 4: Hey, by that time this show come up, I'm be 2297 01:48:41,400 --> 01:48:43,160 Speaker 4: cut up the death nigga ready to go. 2298 01:48:43,720 --> 01:48:45,040 Speaker 1: You're gonna tear that muff for them. 2299 01:48:46,520 --> 01:48:48,360 Speaker 3: And that's June tenth and Bisley Hill. 2300 01:48:48,600 --> 01:48:49,000 Speaker 1: Yes, sir. 2301 01:48:49,439 --> 01:48:51,360 Speaker 4: Shout out to mac one Oh for putting it together. 2302 01:48:51,400 --> 01:48:52,639 Speaker 4: We finished tear that bitch down. 2303 01:48:53,600 --> 01:48:56,880 Speaker 3: I mean, well, man, I really appreciate you coming through. 2304 01:48:56,960 --> 01:48:59,840 Speaker 3: Dog Hey, thank you for having me man. Y'all follow 2305 01:49:00,360 --> 01:49:02,200 Speaker 3: on this Instagram man, Yeah. 2306 01:49:02,240 --> 01:49:04,599 Speaker 1: Follow me at jo Felony Music. 2307 01:49:04,680 --> 01:49:08,400 Speaker 4: That's on all my ship Twitter, Facebook, Instagram, all the ships. 2308 01:49:08,800 --> 01:49:10,360 Speaker 4: You know what I'm saying, Follow me there. I got 2309 01:49:10,439 --> 01:49:12,639 Speaker 4: a new album coming out called Get Your Feet Whooped. 2310 01:49:13,160 --> 01:49:16,560 Speaker 4: It's finna be stupid. Fly shout out the slot of 2311 01:49:16,600 --> 01:49:19,760 Speaker 4: Piper Doctor Dre helped me record a lot of the 2312 01:49:19,840 --> 01:49:22,240 Speaker 4: ship and shit. 2313 01:49:22,360 --> 01:49:23,719 Speaker 1: It's finna be dope as fuck. 2314 01:49:23,560 --> 01:49:25,040 Speaker 3: Hey real quick before you go. I got to ask 2315 01:49:25,080 --> 01:49:27,479 Speaker 3: this because you don't see the good doctor's name. Yeah, 2316 01:49:27,640 --> 01:49:28,960 Speaker 3: how is it working with Trey Doog? 2317 01:49:31,360 --> 01:49:34,960 Speaker 4: I'm gonna tell you like this, Like with me, it's 2318 01:49:35,080 --> 01:49:37,320 Speaker 4: like like playing with Michael Jordan or something. It's like 2319 01:49:37,400 --> 01:49:40,960 Speaker 4: it takes your something about dre take your motherfucking adrenaline up, 2320 01:49:41,040 --> 01:49:43,760 Speaker 4: you know what I'm saying. So so so with me, 2321 01:49:44,439 --> 01:49:46,160 Speaker 4: I'm rapping on all kinds of different beats, and I 2322 01:49:46,240 --> 01:49:48,760 Speaker 4: got a slot of Piper doing bomb ass hooks and 2323 01:49:48,960 --> 01:49:51,800 Speaker 4: all them tracks is coming from the Aftermath camp, you 2324 01:49:51,840 --> 01:49:55,880 Speaker 4: know what I mean. So it's just like you know, 2325 01:49:56,080 --> 01:49:58,000 Speaker 4: it takes your adrenaline into another place, you know what 2326 01:49:58,040 --> 01:50:00,320 Speaker 4: I'm saying. So now that I'm in the studio, it's 2327 01:50:00,400 --> 01:50:03,600 Speaker 4: like them niggas know how how to get get the 2328 01:50:03,680 --> 01:50:06,680 Speaker 4: best work from me is give me the track and 2329 01:50:06,840 --> 01:50:09,120 Speaker 4: let me go home, you know what I'm saying. And 2330 01:50:09,200 --> 01:50:11,559 Speaker 4: when I come back, I'm gonna say some amazing ship. 2331 01:50:12,000 --> 01:50:13,880 Speaker 4: If I got to write on the spot, I might 2332 01:50:13,960 --> 01:50:16,560 Speaker 4: say some amazing ship. But you're not gonna get the 2333 01:50:16,600 --> 01:50:18,240 Speaker 4: best out of me trying to write on the spot, 2334 01:50:18,360 --> 01:50:20,240 Speaker 4: you know what I mean. Even though we can do 2335 01:50:20,320 --> 01:50:21,880 Speaker 4: it like that. But if I get to go home 2336 01:50:21,920 --> 01:50:23,400 Speaker 4: and sit with this motherfucker. 2337 01:50:23,000 --> 01:50:26,760 Speaker 1: For two three days, come with some ship. Yeah, I'm 2338 01:50:26,800 --> 01:50:29,760 Speaker 1: gonna come back with that ship guaranteed, you know what 2339 01:50:29,760 --> 01:50:30,800 Speaker 1: I mean. So that's the thing. 2340 01:50:30,880 --> 01:50:33,360 Speaker 4: It just take a nigga adrenaline to another level, you 2341 01:50:33,439 --> 01:50:35,599 Speaker 4: know what I mean? Yeah, man, you know you're playing 2342 01:50:35,640 --> 01:50:37,160 Speaker 4: with playing with the A team. 2343 01:50:37,280 --> 01:50:37,720 Speaker 3: You know what I mean. 2344 01:50:37,840 --> 01:50:41,120 Speaker 1: Actly, You ain't never, you ain't never did no work 2345 01:50:41,160 --> 01:50:41,439 Speaker 1: with three. 2346 01:50:41,520 --> 01:50:46,920 Speaker 3: You know that gotta happen. Good doctor man, Come on, man, Yeah, 2347 01:50:47,120 --> 01:50:48,880 Speaker 3: I need you on this next album. 2348 01:50:48,960 --> 01:50:51,479 Speaker 5: Trayo you with some fire man, or get me on 2349 01:50:51,600 --> 01:50:53,720 Speaker 5: this being it's all good. Yeah, you know what I'm saying. 2350 01:50:53,960 --> 01:50:56,479 Speaker 5: We needs you, man, what shit. I appreciate you, homeboy. 2351 01:50:56,560 --> 01:50:59,240 Speaker 3: Man, I appreciate Mike Man in the cup man on 2352 01:50:59,360 --> 01:51:02,680 Speaker 3: drove oile here with the homie man for you man. 2353 01:51:02,800 --> 01:51:05,080 Speaker 1: And that's it, man, just the beginnings still. You know 2354 01:51:05,120 --> 01:51:05,599 Speaker 1: what I'm saying. 2355 01:51:05,880 --> 01:51:07,720 Speaker 5: It's how we do that. You know what I'm saying. 2356 01:51:07,760 --> 01:51:10,520 Speaker 5: We bring y'all the official right here as the chronicles. 2357 01:51:10,600 --> 01:51:11,439 Speaker 1: Man, we out here. 2358 01:51:12,680 --> 01:51:20,960 Speaker 2: Yeah, if I lie my notes, bro, like Pinocchio, We're 2359 01:51:20,960 --> 01:51:22,360 Speaker 2: gonna tell you the truth and nothing but. 2360 01:51:25,439 --> 01:51:26,280 Speaker 1: It's not Your. 2361 01:51:31,320 --> 01:51:34,280 Speaker 3: Well. That concludes another episode of The Gainst the Chronicles podcast. 2362 01:51:34,400 --> 01:51:36,640 Speaker 3: Be sure to download the iHeart app and subscribe to 2363 01:51:36,680 --> 01:51:39,640 Speaker 3: the Gainst the Chronicles podcast. For Apple users, find a 2364 01:51:39,640 --> 01:51:41,640 Speaker 3: purple Michael on the front of your screen, subscribe to 2365 01:51:41,720 --> 01:51:44,519 Speaker 3: the show, leave a comment and rating. Executive producers for 2366 01:51:44,560 --> 01:51:47,920 Speaker 3: The Gainst the Chronicles podcast Norman Steel, James MacDonald, Aaron 2367 01:51:48,040 --> 01:51:51,280 Speaker 3: m c a Tyler. Our visual media director is Brian Wyatt, 2368 01:51:51,280 --> 01:51:54,040 Speaker 3: and all your editors tell It Hayes. The Gainst Chronicles 2369 01:51:54,160 --> 01:51:56,360 Speaker 3: is a production of iHeart Media Network and the Black 2370 01:51:56,400 --> 01:52:00,000 Speaker 3: Effect Podcast Network. For more podcasts from iHeart Radio vision 2371 01:52:00,080 --> 01:52:03,040 Speaker 3: is the iHeartRadio app Apple Podcasts wherever you're listening to 2372 01:52:03,080 --> 01:52:03,800 Speaker 3: your podcasts,