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Speaker 1: Hey, everybody, welcome to a bonus episode of I Saw

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Speaker 1: What You Did. My name is Millie to Jericho, I'm

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Speaker 1: Danielle Henderson and uh yeah, man, we're back here with you.

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Speaker 1: We're bonusing, we're on the main feed. Now. How are

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Speaker 1: you feeling?

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Speaker 2: This is our.

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Speaker 3: First main feed bonus episode. WHOA, I feel exactly the same.

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Speaker 1: Do you feel naked?

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Speaker 3: No?

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Speaker 2: I feel fine.

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Speaker 1: You feel fully clothed, You're fully clothed.

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Speaker 3: I'm wearing a fucking an anna rak.

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Speaker 2: Already. I feel insane. No, I feel good. It's weird, though.

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Speaker 3: What's weird to me is that, you know, a couple

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Speaker 3: of weeks ago we started releasing our old episode bonus

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Speaker 3: episodes into the main feed, and it's just really interesting

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Speaker 3: to go back to two years ago and what we

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Speaker 3: were talking about in the bonus, especially the first few

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Speaker 3: bonus episodes, because we didn't have any emails yet. We

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Speaker 3: didn't have any listeners, so we.

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Speaker 2: Didn't have any listener email.

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Speaker 1: When was it that we established that we were the

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Speaker 1: first topless podcast. Do you remember when we said that.

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Speaker 1: We were saying, like, oh, these are bonus episodes, we

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Speaker 1: can really stretch out. We can just like take our

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Speaker 1: shirts off.

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Speaker 3: I don't remember specifically, but I feel it was probably

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Speaker 3: like ten episodes.

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Speaker 1: Okay, so we weren't even topless yet. Think about that.

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Speaker 3: We weren't even topless. We were fully clothed. We're wearing

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Speaker 3: a fucking.

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Speaker 1: Maniacs multiple interacts. I was wearing three cardigans. You were

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Speaker 1: wearing twelve interacts.

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Speaker 3: It was it was days, I swear, I just I

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Speaker 3: dressed like Paddington We just like Paddington Bear. The first

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Speaker 3: few we had a like hats on and little toggle coats.

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Speaker 1: Dude. It's so it's so crazy because so much has

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Speaker 1: happened between that episode and now, like that was over

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Speaker 1: two years ago, but then a lot of shit happened

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Speaker 1: in two years to where now I feel like a

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Speaker 1: completely different person. Yeah, yeah, and a lot I guess

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Speaker 1: I do. At that time, like the pandemic was still

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Speaker 1: like thumpin' m like we were.

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Speaker 3: This was like pre vaccine. Yeah, oh yeah, that's remember,

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Speaker 3: and it was definitely yeah, it was.

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Speaker 2: It was really we were in la but we weren't.

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Speaker 3: Recording together, Like we were in the same city but

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Speaker 3: not recording in the same place. Yeah, we've never recorded

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Speaker 3: in the same place.

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Speaker 2: But it was just weirder.

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Speaker 3: It was weirder back then because I'm like, wait, you're

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Speaker 3: like right down the street.

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Speaker 2: Yeah, we record together.

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Speaker 1: Yeah, and it was, uh, I don't know, just felt

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Speaker 1: like I guess that's maybe what I meant by I

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Speaker 1: feeling naked, because I was like, oh, we remember back then,

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Speaker 1: completely a different world. We were also behind a paywall,

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Speaker 1: so it kind of felt like we were really taken,

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Speaker 1: you know, taking it easy. We were on easy street,

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Speaker 1: if you will. But then I remember we talked about

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Speaker 1: I guess the episode was about like what we were

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Speaker 1: doing in quarantine, like all right, what were things that

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Speaker 1: we wanted or needed for Quarantine? And then we talked

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Speaker 1: about the last movie that we saw before the pandemic.

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Speaker 2: Right before lockdown. Yeah, and yours was Wild.

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Speaker 1: Yes that listen. I talk about this all the time

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Speaker 1: because I'm like, this was truly like this was the

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Speaker 1: week before the shutdown, so it was like the first

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Speaker 1: week of March twenty twenty. And I just remember, like

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Speaker 1: I told, like I said in that episode, like they

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Speaker 1: handed out bubbles. I went to a rowdy screening of

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Speaker 1: Cats at the Alamo Draft House in downtown LA, and

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Speaker 1: they handed out bubbles, so people were spitting their spit

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Speaker 1: into bubbles, and those bubbles were flying above the crowd

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Speaker 1: and osensively popping in people's faces.

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Speaker 3: Just COVID bubbles, just like, hey, get some, get amongst it,

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Speaker 3: Get just some COVID.

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Speaker 1: And then I remember I was with April, my friend

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Speaker 1: April Richardson, who had just gone off of international flight,

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Speaker 1: and she flew into San Francisco, which don't you remember.

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Speaker 1: San Francisco was like the first codd like had one

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Speaker 1: of the first COVID cases before it made it down

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Speaker 1: to La.

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Speaker 2: Yeah, she was a typhoid Mary. Dude.

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Speaker 1: It was like, if I didn't catch COVID, then.

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Speaker 2: You can still get it. Calm down, I can still

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Speaker 2: get it. Okay, you are you are now like I.

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Speaker 3: You've never had it, so you're like, I'm fucking invincible.

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Speaker 3: We're three years into this shit, and that's when it's

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Speaker 3: gonna get you.

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Speaker 1: I know, I'm It's when I when I'm slipped, and

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Speaker 1: I'm slipping. That's the problem. Is that, like when people

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Speaker 1: start getting like Lucy Josy, is when they catch it.

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Speaker 1: I mean, bottom line, I mean I just got back

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Speaker 1: from Europe too, and I wore a mask the entire

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Speaker 1: time on the plane.

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Speaker 2: Yep.

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Speaker 3: Same when I was in London wear that mask I

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Speaker 3: got back from I was in Jamaica for a few days.

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Speaker 2: Yeah, it's a four hour flight from New York.

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Speaker 3: And they kept coming around and being like, you want

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Speaker 3: something to drink, And I'm like, no, I might taking

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Speaker 3: my mask off for four hours?

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Speaker 2: Are you kidding me?

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Speaker 1: Well, I feel like, I mean, look, knock on wood,

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Speaker 1: but I'm just saying like for those who were in

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Speaker 1: my position right who had had never had COVID and

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Speaker 1: then finally caught COVID, it feels like the international flight

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Speaker 1: was the deciding factor on them finally getting COVID.

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Speaker 2: And I got it a dunkin Donuts.

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Speaker 1: Oh yeah, you did get in a Duncan dot my.

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Speaker 2: Thing London, and then I got it at dunkin Donuts.

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Speaker 2: I am convinced.

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Speaker 3: But I do remember, for months after we recorded that

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Speaker 3: first Bonus episode, you were for months so distraught that

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Speaker 3: Cats might be the last movie you ever seen the theater.

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Speaker 2: Oh yeah.

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Speaker 1: It was such a stain on my record at the time,

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Speaker 1: Like I just kind of felt like the world is

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Speaker 1: blowing up and Cats will be the final film of

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Speaker 1: my lifetime. The movie which was filled with weird CGI

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Speaker 1: butttholes or something now I can't even remember what.

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Speaker 3: That Isn't every movie, though, at heart, filled with CGI butttholes,

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Speaker 3: even if you can't see them. Wouldn't it be great

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Speaker 3: if we spent our first main feed bonus episode talking

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Speaker 3: about our old bonus episode.

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Speaker 1: You you'd have to be a real head to enjoy

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Speaker 1: that one.

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Speaker 2: Is this what you've been paying for this whole time?

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Speaker 1: This is shit. They're gonna file a class ass action

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Speaker 1: lawsuit on our stupid asses. We're gonna be the Camp

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Speaker 1: la June of we are of this whole podcast.

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Speaker 3: We're just pulling out all the look you got to

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Speaker 3: be if you're listen to the bonus, we assume that

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Speaker 3: you are an old head when it comes to our pod,

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Speaker 3: Camp Lajune.

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Speaker 2: Like, fuck it, We're pulling out all the old jokes.

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Speaker 1: We're like, I don't know, Jeene Kelly on roller skates,

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Speaker 1: like going through our whole like catalog like remember the days,

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Speaker 1: remember the hits? That sends a tamement, Baby.

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Speaker 3: Well I do we do actually have a format for

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Speaker 3: our bonus episodes If this is your first time listening

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Speaker 3: to one where we read your emails back to you

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Speaker 3: and I feel like we should just jump in. I agree, dude,

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Speaker 3: we're starting off with a banger.

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Speaker 1: Yes, I uh. We've got a listener out there who

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Speaker 1: has become one of our faves, always always sends us

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Speaker 1: the most important emails of our lifetime.

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Speaker 2: They make our day, they make our week.

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Speaker 3: Yes, and this title alone, and if again, if you're

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Speaker 3: a longtime listener, you will recognize this person who created

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Speaker 3: the alternative Oscar categories. And then many many other questions

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Speaker 3: that were fantastic, but this one I love. The subject

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Speaker 3: is eat it Rex Manning hah. And it's from Stephanie,

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Speaker 3: whose family we will infiltrate one day. And Stephanie says,

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Speaker 3: can I please be on a bonut so all three

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Speaker 3: of us can discuss our mutual disdain for the movie

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Speaker 3: Empire Records? And guess what, I think that's a great

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Speaker 3: fucking idea.

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Speaker 2: Just a matter of when, put it on the matter

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Speaker 2: of when.

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Speaker 3: Let's figure it out and make it happen, Because, like

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Speaker 3: I said, I'm going to adopt Stephanie at some point,

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Speaker 3: So why not just start the paperwork with this with

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Speaker 3: an episode where we all talk about Empire Records?

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Speaker 1: Okay, so before any of y'all get hot about.

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Speaker 2: This too late. We lost half of them.

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Speaker 1: Well yeah, they're like, this is it. Nope, they're going

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Speaker 1: they're going to our reviews and just writing Nope, Nope.

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Speaker 1: This is a generational thing because most people that I

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Speaker 1: know who are younger than me love Empire Records absolutely,

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Speaker 1: And I'm just curious as to your opinion as like,

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Speaker 1: I want you to establish the party line for the

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Speaker 1: pod for Stephanie, why we don't like Empire Records and

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Speaker 1: why it's generational.

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Speaker 2: I got to carry that weight for all of us. Yes,

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Speaker 2: I will.

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Speaker 3: I will agree with you that it is generational, and

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Speaker 3: I do think again, we won't get too deep into

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Speaker 3: our thoughts here, because we definitely should have Stephanie on

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Speaker 3: the pod. But I do think that for those of

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Speaker 3: us of a certain age, that age being forty and up,

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Speaker 3: who where this movie was really least at a time

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Speaker 3: when we had like jobs and rent and bills. It's

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Speaker 3: the most annoying representation of what it was like for

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Speaker 3: us to be working in because we were working in

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Speaker 3: those jobs when that movie came out, Like we were

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Speaker 3: working in record stores and bookstores and not having that experience,

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Speaker 3: and it just felt very saccharine, yeah, and very inappropriate.

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Speaker 3: Anthony Lapo Anthony Lapogli was the best part of the movie.

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Speaker 1: I agree, I agree, and I will say I will,

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Speaker 1: I will extrapolate. I felt like the nineties in particular

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Speaker 1: was a was very sensitive to the commercialization of like

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Speaker 1: our scene. Yes, for lack of a better term, like

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Speaker 1: authenticity and selling out. I mean, god, it's it sounds

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Speaker 1: so dumb considering how further along capitalism has come, but

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Speaker 1: it's also like it was that was truly the thing

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Speaker 1: in the nineties was that it was anything that seemed

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Speaker 1: inauthentic and fake in corporate like corporate versions of cool

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Speaker 1: things were so such it was such a no no.

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Speaker 1: And that's kind of how I felt was that I

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Speaker 1: was like, man, who are these beautiful people pretending to

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Speaker 1: work in this like Tower Records esque record store which

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Speaker 1: I worked at Tower Records in Atlanta. None of the

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Speaker 1: people that I worked with were that hot, and they

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Speaker 1: all didn't like make out with each other, like it

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Speaker 1: was like it was a job. I guess that's kind

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Speaker 1: of more to your point. It was a job. Everybody

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Speaker 1: was fucking stoned and making like five seventy five.

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Speaker 3: Not even Sam Goodie was having that much fun. Yeah,

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Speaker 3: and Sam Goody was low rent compared to the indies

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Speaker 3: and the Tower Records. But yeah, it just felt like

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Speaker 3: it felt insulting because I'm like, wait, why is my

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Speaker 3: job on a movie screen and it's not representative of

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Speaker 3: what my job is.

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Speaker 2: It just felt wrong.

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Speaker 1: Yeah, I gotta be honest, though, I'm starting to think

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Speaker 1: about what if there was a TV show about a

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Speaker 1: group of film and television programmers and they were all

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Speaker 1: hot and they were all like having like dalliances with

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Speaker 1: each other. That would be the worst show. That would

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Speaker 1: be the worst show. I would never watch that show,

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Speaker 1: but I would still feel it was that authentic because

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Speaker 1: I'm like, yo, programmers are not Live Tyler and Reneezelweger.

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Speaker 1: They're like, Renee zel Weger would never work at at

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Speaker 1: Tower Records. She's she's too much, too beautiful. And I'm

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Speaker 1: not saying that as a mean girl, by the way,

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Speaker 1: Like I'm just saying that because it's fact, Like I

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Speaker 1: worked at a record store.

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Speaker 3: I am not Live Tyler. I never saw Live Tyler

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Speaker 3: in my record store working direct correlation, direct correlation. Yeah,

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Speaker 3: it's just it was Yeah, it's just not it's not

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Speaker 3: for us it's not for It was about us, but

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Speaker 3: it wasn't for us, and I think that's why I

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Speaker 3: can't stand it.

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Speaker 1: Yeah, true, and so hopefully that's not you know, for

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Speaker 1: anybody who's like getting their underwear in in a wad

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Speaker 1: about it. That's just how it feels for somebody of

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Speaker 1: our age group.

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Speaker 3: Sometimes it'd be like that, Look, there's I've brought so

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Speaker 3: many movies to the pod that I'm like, this is

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Speaker 3: a different way to look at this film that everyone

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Speaker 3: loves and some people really don't enjoy. Like for some

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Speaker 3: people who truly don't enjoy the fact that I refer

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Speaker 3: to high fidelity as a bare minimum romance, but other

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Speaker 3: people are like, you have opened my fucking eyes, And

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Speaker 3: those are the people I'm talking to.

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Speaker 1: Yeah. Man, people really didn't like when I trash Three

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Speaker 1: Days of the Condor.

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Speaker 2: But Home Alone you will never look at Home Alone

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Speaker 2: the same.

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Speaker 3: Sorry, but that's how it is. Sometimes movies are part

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Speaker 3: of our lives. Yeah, but it's I know, and I

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Speaker 3: get it.

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Speaker 1: Like, the last thing people want at this point is

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Speaker 1: for somebody to disagree with them, were someone to not

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Speaker 1: completely align with their beliefs and their interests. That's the

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Speaker 1: last thing anybody wants, and they will tell you that

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Speaker 1: it's not what they want.

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Speaker 2: So I don't know.

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Speaker 3: Look do we try to be gentle about it, but

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Speaker 3: sometimes we're just gonna give it to you straight.

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Speaker 2: Millie's never seen Titanic. There's nothing you can do about it.

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Speaker 1: Although people have written and said, how much would it

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Speaker 1: take for you to watch Titanic? Could you raise money

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Speaker 1: for charity? Could you do something like along those lines?

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Speaker 1: I was I sure as fuck would do that, like

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Speaker 1: if it was for some good reason that could benefit

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Speaker 1: something good. I'll I guess you know I'll watch it,

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Speaker 1: like I'll definitely watch it. I guess it's more like,

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Speaker 1: would you pay to hear me make fun of it?

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Speaker 3: I don't know, you like, I'll watch it, but you

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Speaker 3: have to pay me to watch it. And I already

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Speaker 3: hate it that much that you have to pay me

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Speaker 3: to watch it.

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Speaker 2: But I do think Stephanie had to.

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Speaker 3: We talked about Empire Records this now, but we will

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Speaker 3: have you on the pod to discuss something anything.

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Speaker 1: Really, Stephanie. Uh, you're you gotta wait for your paperless

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Speaker 1: posts to arrive in the mail. It's coming, it's coming.

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Speaker 1: But thanks for writing in once again you're you're one

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Speaker 1: of our faves man like it's it's always a joy

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Speaker 1: to get a letter from you.

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Speaker 2: Uh.

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Speaker 1: So we've got the second letter, and uh for those

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Speaker 1: who are new to the bonus, we also do a

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Speaker 1: thing uh what we actually love doing, which is that

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Speaker 1: we do fmks Fuck Mary Kills, and we get people

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Speaker 1: to send us their most unhinged ones and they're super fun,

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Speaker 1: too uh to parse out. And so we got an

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Speaker 1: we got another one from a listener name R and H.

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Speaker 1: I'll read it to you right now. It's called FMK

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Speaker 1: Magical Bitches Edition Esteemed Queens. Listening to your latest episode,

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Speaker 1: I burst out laughing so hard at don't touch your

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Speaker 1: dick January to fight human Trafficking that my cat ran

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Speaker 1: out of the room. I've written before Filipino Girls U Nite.

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Speaker 1: And that letter where I offered slash threatened to bare

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Speaker 1: knuckle box the haters, and hearing y'all read my messages

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Speaker 1: really made my day. I could say plenty more, but

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Speaker 1: I'll save that for a handwritten note in your overflowing

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Speaker 1: peel box. For now, let's get down to Millie's proverbial

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Speaker 1: breast tacks. Fuck Mary Kill. The Magical bitches edition. Now

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Speaker 1: there's three rounds. I'm gonna announce the rounds as we

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Speaker 1: do them. Okay, okay, all right, so we got round

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Speaker 1: one ethereal bitches, fuck Mary, kill Stevie Nicks, Enya and

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Speaker 1: Loreena mckennitt's Danielle.

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Speaker 2: Okay, all right.

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Speaker 3: I'm gonna fuck Stevie Nicks because i want all this

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Speaker 3: stories of everyone else she's fucked. Like the post quoital

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Speaker 3: combo is going to be, like, tell me what it

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Speaker 3: was like to actually have to see Lindsay Buckyham's dick.

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Speaker 1: Wait a second, is that.

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Speaker 2: I'm doing it for the stories. I'm fucking her for

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Speaker 2: the stories.

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Speaker 1: But is it common practice that when you sleep with someone,

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Speaker 1: after you sleep with them, they tell you everybody that

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Speaker 1: they've slept with.

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Speaker 2: No, I'm just doing that for Stevie Nicks. You just

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Speaker 2: want to ask, Okay, it's the reason to fuck Stevie

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Speaker 2: Nicks is to get the stories.

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Speaker 1: Just saying that. Usually people are like, well, there's you

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Speaker 1: just now, and then there's like fifty seven other people.

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Speaker 2: I want those stories.

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Speaker 3: I'd be like, look, now that we're close and you

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Speaker 3: feel safe with me, I want to know what it

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Speaker 3: was like to see the dicks of all your bandmates.

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Speaker 1: I just feel like it's that that technique is kind

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Speaker 1: of unper active for people who want to try to

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Speaker 1: sleep with people because they just want They don't want

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Speaker 1: to tell you that you're a one night stand amongst

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Speaker 1: fifty six other people or whatever.

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Speaker 3: I'm assuming I'm a one night stand. I'm assuming I'm

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00:18:12,080 --> 00:18:14,520
Speaker 3: a one night stand. We've had the combo, we've got

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Speaker 3: on the date, we've had all the date shit, we fucked,

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Speaker 3: and then I'm like, all right, tell me these stories.

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Speaker 2: It's the only reason.

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00:18:21,680 --> 00:18:27,800
Speaker 1: Tell me if Don Henley storted coke off of your boobs.

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00:18:28,000 --> 00:18:32,960
Speaker 3: While you were recording Leather and Lace. Tell me everything

339
00:18:33,040 --> 00:18:40,879
Speaker 3: about Mick Fleetwood's like jodniper pants on rumors. Did he

340
00:18:40,960 --> 00:18:45,320
Speaker 3: have those custom made? Was it part of a bigger suit?

341
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Speaker 3: I just want the stories. I'm fucking for the stories.

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Speaker 3: I'm marrying Enya because I will be living in that

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Speaker 3: castle with those cats. Hell, Yeah, you know, I'm marrying

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Speaker 3: Enya because I will never have to see Enya. Yeah,

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Speaker 3: she'll be in that fucking Orinoco studio doing thing. We'll

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Speaker 3: be hanging out with the cats and doing my thing.

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Speaker 1: Yes, the least possible amount of interaction with your UH

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Speaker 1: partner as possible.

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Speaker 3: That's always the goal, That's always the goal. How much

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Speaker 3: will you be out of my face?

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Speaker 2: Enya?

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Speaker 3: I might see her once a year, and then Loreena McKennitt,

353
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Speaker 3: I'm just gonna kill. I's got no use, it's got

354
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Speaker 3: no use for Loreena McKennitt.

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Speaker 2: She just gotta go in a lesser round.

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Speaker 3: She might have made the fuck, but because she's up

357
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Speaker 3: there with Stevie Nixon, Enya, she gotta go.

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Speaker 1: Well I will, I will. I will tell you this much.

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Speaker 1: I will fuck Loreena McKennitt. What Yeah, look redhead? You know,

360
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Speaker 1: you know, you know the rumors about the Redheads.

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Speaker 2: Like one word redhead?

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Speaker 1: I mean, is that a rumor? Yes? That I mean

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Speaker 1: I do want to subscribe to those rumors. No, but

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Speaker 1: I'm just saying, if we're if if we're gonna go

365
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Speaker 1: off of of real fucking, annoying, stereotypical information about redheads,

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Speaker 1: then yes, I will. I will have sex with Loreena McKennitt. Mary,

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Speaker 1: I think you know who it would be, Enya. Of course,

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Speaker 1: of course that's your number one homie. She's a nester.

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Speaker 1: I would spend my entire life with her, we would

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Speaker 1: have an extremely chilled out relationship. That's all you need.

371
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Speaker 1: You need like a really solid partner who's not gonna

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Speaker 1: like freak you out.

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Speaker 2: I bet there's a lot of orzo salads in your future.

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Speaker 1: Orzo flow. We're gonna have an orzo flow every night.

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Speaker 2: She cooks with pine nuts.

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Speaker 1: So I guess that means I'm killing Stevie Nicks. And wow,

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Speaker 1: I know, and I know that I'm gonna get a

378
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Speaker 1: lot of guff about this, but I feel like Stevie

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Speaker 1: has probably been dead at least four or five times

380
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Speaker 1: in her life based on her hard living.

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Speaker 2: So like she wouldn't mind there.

382
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Speaker 1: Not you know, been there. So I don't know. I

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Speaker 1: hate to do it, but I'm just saying like I

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Speaker 1: feel like she would be the most adept at being killed.

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Speaker 1: I don't know. Does that make sense?

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Speaker 2: Yeah, that makes sense.

387
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Speaker 3: I mean this is we're within the boundaries of the

388
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Speaker 3: fuck Mary Kill universe, and those boundaries you don't all

389
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Speaker 3: often get to make the decision that you would that

390
00:21:41,359 --> 00:21:43,560
Speaker 3: you think you would make because you're pushed into a

391
00:21:43,680 --> 00:21:46,320
Speaker 3: very limited field. So in the liv and that's what

392
00:21:46,359 --> 00:21:48,800
Speaker 3: makes a good fuck Mary Kill. So in the limited field.

393
00:21:48,960 --> 00:21:50,840
Speaker 3: Sometimes you have to kill people that you normally wouldn't

394
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Speaker 3: kill for reasons that are you don't you don't even

395
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Speaker 3: think you're gonna get to.

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Speaker 1: Yeah, I killed Michael J. Fox in one of our rounds.

397
00:21:59,720 --> 00:22:01,879
Speaker 1: I have a couple sleepless nights about it, but you

398
00:22:01,920 --> 00:22:04,000
Speaker 1: know what, like it had to be done. It had

399
00:22:04,040 --> 00:22:09,679
Speaker 1: to be done. Them are the rules. So okay, so

400
00:22:09,760 --> 00:22:13,200
Speaker 1: let's go on to this round two. This is gonna

401
00:22:13,240 --> 00:22:18,360
Speaker 1: be a barn burner. Okay. Round two is spooky bitches.

402
00:22:19,280 --> 00:22:24,920
Speaker 1: So we've got fuck Mary, kill Wednesday Adams, Lydia Deets,

403
00:22:25,320 --> 00:22:27,600
Speaker 1: and Nancy Downs.

404
00:22:28,080 --> 00:22:30,720
Speaker 3: See this is already a tough one for me because

405
00:22:30,720 --> 00:22:31,640
Speaker 3: these are all children.

406
00:22:32,920 --> 00:22:37,720
Speaker 2: Yes, so Mari in an impossible position here.

407
00:22:38,440 --> 00:22:42,679
Speaker 3: But having said that, yes, I am gonna fuck Nancy

408
00:22:42,720 --> 00:22:48,320
Speaker 3: Downs because, as per usual with most cities fmks, I'm

409
00:22:48,480 --> 00:22:49,920
Speaker 3: I'm a fucking run on this one.

410
00:22:50,000 --> 00:22:51,760
Speaker 2: Like I'm not staying around to get haunted.

411
00:22:51,800 --> 00:22:55,680
Speaker 3: I'm not staying around to get fucking dragged into some

412
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Speaker 3: some witchcraft shit.

413
00:22:56,880 --> 00:22:59,200
Speaker 2: I'm just gonna fucking run on that one.

414
00:22:59,560 --> 00:23:05,000
Speaker 3: Absolutely, I'm gonna marry Lydia Deats because her parents have property.

415
00:23:06,280 --> 00:23:08,920
Speaker 3: You'd be married in the money baby, they got property

416
00:23:08,920 --> 00:23:10,400
Speaker 3: in original art.

417
00:23:10,640 --> 00:23:12,280
Speaker 2: They're New York gallerists.

418
00:23:12,760 --> 00:23:15,920
Speaker 3: Like, I'm married into that family because even if Lydia

419
00:23:16,000 --> 00:23:20,280
Speaker 3: is all sad and like communicating with a bog demon

420
00:23:20,680 --> 00:23:23,040
Speaker 3: half of the time, I'll be like, I'll be in

421
00:23:23,080 --> 00:23:25,960
Speaker 3: our Connecticut house because your parents are definitely dead now

422
00:23:26,320 --> 00:23:30,920
Speaker 3: it's been quite a few years. Yes, So I will

423
00:23:30,920 --> 00:23:33,440
Speaker 3: marry into that family for the property. And that means

424
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Speaker 3: I'm killing Wednesday Adams. Yeah, and I'm killing every iteration

425
00:23:37,040 --> 00:23:42,320
Speaker 3: of Wednesday Adams. Not just the current Netflix Wednesday. I'm

426
00:23:42,400 --> 00:23:45,120
Speaker 3: killing all the Wednesdays because if you don't kill Wednesday.

427
00:23:44,800 --> 00:23:46,320
Speaker 2: Adams, she gonna kill you.

428
00:23:46,960 --> 00:23:48,679
Speaker 1: Uh huh.

429
00:23:49,200 --> 00:23:51,080
Speaker 2: So that that's where I'm coming down on this one.

430
00:23:51,520 --> 00:23:54,960
Speaker 1: Well, let me just say right now, we got the

431
00:23:55,160 --> 00:23:58,320
Speaker 1: same list, walk up the same list.

432
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Speaker 2: Oh yeah, happened. I love it.

433
00:24:00,680 --> 00:24:04,280
Speaker 1: I love it right right down the line. Definitely the

434
00:24:04,400 --> 00:24:07,320
Speaker 1: f is for Nancy. I think we we definitely know

435
00:24:07,359 --> 00:24:09,639
Speaker 1: that just the jewelry alone suggests that she would be

436
00:24:09,640 --> 00:24:15,560
Speaker 1: amazing in bed Lydia Detz. It's definitely a marriable, uh

437
00:24:15,840 --> 00:24:18,720
Speaker 1: spooky bitch like life partner. Like I said, her mom's

438
00:24:18,720 --> 00:24:22,080
Speaker 1: probably got like a Googenheim some kind of you know,

439
00:24:24,160 --> 00:24:26,480
Speaker 1: I don't know, wing of the Museum or something.

440
00:24:26,520 --> 00:24:26,879
Speaker 2: I don't know.

441
00:24:27,040 --> 00:24:29,879
Speaker 1: We could like go and do things there, like be

442
00:24:30,000 --> 00:24:33,399
Speaker 1: like real patron of the arts. And I'm killing Wednesday

443
00:24:33,440 --> 00:24:37,680
Speaker 1: Adams because i mean, especially in this new Netflix version, man,

444
00:24:37,760 --> 00:24:41,159
Speaker 1: she got that mouth and that mouth runs. She's just

445
00:24:41,200 --> 00:24:43,879
Speaker 1: like insulting you all the time. She's talking back, she

446
00:24:43,960 --> 00:24:46,439
Speaker 1: doesn't listen, and I'm just like, well, what kind of

447
00:24:46,760 --> 00:24:47,800
Speaker 1: what is that going to be? Like?

448
00:24:49,040 --> 00:24:49,640
Speaker 2: Oh good.

449
00:24:50,119 --> 00:24:53,920
Speaker 3: That's what I'm laughing about, is that as much as

450
00:24:53,960 --> 00:24:56,480
Speaker 3: I always want to marry the person I'm never gonna see,

451
00:24:56,680 --> 00:24:59,280
Speaker 3: you're always killing the person who's got that mouth.

452
00:25:00,280 --> 00:25:04,639
Speaker 1: Whoever's talking shit. It's like Freddy Krueger, same same scenario.

453
00:25:04,760 --> 00:25:07,800
Speaker 1: I'm like, you guys are just like in my face

454
00:25:07,840 --> 00:25:12,800
Speaker 1: all the time, like pointing out every flaw I ever have, Like,

455
00:25:13,640 --> 00:25:15,280
Speaker 1: who needs the who needs that grief?

456
00:25:15,680 --> 00:25:18,639
Speaker 3: No, Brady Krueger, Chucky Wednesday Adams, you gotta go?

457
00:25:18,680 --> 00:25:19,359
Speaker 2: You got that mouth?

458
00:25:21,040 --> 00:25:22,000
Speaker 1: What did I say?

459
00:25:22,280 --> 00:25:23,159
Speaker 2: Did I say that.

460
00:25:23,160 --> 00:25:28,560
Speaker 1: Chucky was a an edge lord? An edge lord? Wednesday

461
00:25:28,560 --> 00:25:30,600
Speaker 1: Adams seems a bit like an edge lord as well.

462
00:25:30,840 --> 00:25:32,760
Speaker 1: So yeah, the edge Lord's gotta go. And I'm sorry

463
00:25:32,800 --> 00:25:35,239
Speaker 1: because Wednesday Adam seems to be the youngest out of

464
00:25:35,280 --> 00:25:35,800
Speaker 1: these three.

465
00:25:36,720 --> 00:25:38,560
Speaker 3: We will kill children on this show. Let it not

466
00:25:38,600 --> 00:25:40,399
Speaker 3: be Let it be known right now, this is your

467
00:25:40,400 --> 00:25:45,199
Speaker 3: first bonus. FMK is no limit, soldiers. We will kill

468
00:25:45,280 --> 00:25:46,879
Speaker 3: children in an FMK round.

469
00:25:47,240 --> 00:25:51,520
Speaker 1: We have done it before and we will do it again. Oh,

470
00:25:51,880 --> 00:25:57,320
Speaker 1: last round, last round. Wow, this is this is great.

471
00:25:57,560 --> 00:26:02,159
Speaker 1: So round three Fround of the Magical Bitches Edition of

472
00:26:02,280 --> 00:26:10,800
Speaker 1: FMK Black Magic Bitches. Fuck Mary, Kill Vampira, Elvira, and Mortitia.

473
00:26:11,680 --> 00:26:18,040
Speaker 3: All right, I I'm gonna fuck Mortitia. I've just killed

474
00:26:18,040 --> 00:26:19,639
Speaker 3: her child, so it's the least I could do.

475
00:26:21,800 --> 00:26:26,600
Speaker 4: She's a grieving mother. Perfect time to slide in there,

476
00:26:27,880 --> 00:26:32,560
Speaker 4: some peaches, fuck the pain away moments. I've just killed

477
00:26:32,560 --> 00:26:33,359
Speaker 4: her child.

478
00:26:33,760 --> 00:26:38,840
Speaker 2: Let's bone. I feel like she'd be the sexiest. I'm going.

479
00:26:38,960 --> 00:26:40,000
Speaker 2: I'm going more Titia.

480
00:26:40,359 --> 00:26:42,920
Speaker 1: Sure, I'm gonna marry Elvira.

481
00:26:44,640 --> 00:26:49,840
Speaker 3: And because she's funny, She's really funny. And the actress

482
00:26:49,840 --> 00:26:53,359
Speaker 3: who plays Elvira is like a total hippie at heart. Yes,

483
00:26:53,880 --> 00:26:56,320
Speaker 3: like she lives in Oregon now with her girlfriend and

484
00:26:56,400 --> 00:26:59,080
Speaker 3: like yes, I read something like she's always kind of

485
00:26:59,119 --> 00:27:01,439
Speaker 3: like no plastic in and like she's like my my

486
00:27:01,520 --> 00:27:04,080
Speaker 3: kind of person. So I could live with Elvira for sure,

487
00:27:04,720 --> 00:27:07,400
Speaker 3: for sure could make that work. And again she's out

488
00:27:07,400 --> 00:27:12,080
Speaker 3: in the garden. I'm off doing something else. Yeah, Alvira

489
00:27:12,160 --> 00:27:15,399
Speaker 3: doesn't doesn't need me. And the persona of Elvira is

490
00:27:15,560 --> 00:27:18,600
Speaker 3: just funny and reminds me of my childhood and was

491
00:27:18,680 --> 00:27:20,200
Speaker 3: just so weird and wild.

492
00:27:20,520 --> 00:27:21,560
Speaker 1: Oh yes, of course.

493
00:27:22,000 --> 00:27:24,439
Speaker 2: And I'm killing Vampire because I Vampire, because I just

494
00:27:24,520 --> 00:27:30,440
Speaker 2: you know, casualty of the game. Baby.

495
00:27:30,640 --> 00:27:34,760
Speaker 1: So here's where I'm gonna go. I mean, this is

496
00:27:35,160 --> 00:27:42,879
Speaker 1: right off the dome. Okay, I'm going to fuck Vampira, Okay.

497
00:27:42,880 --> 00:27:47,639
Speaker 1: And the reason why is because A she's super duper hot.

498
00:27:48,119 --> 00:27:51,600
Speaker 1: B she was friends with James Dean and that maybe,

499
00:27:51,800 --> 00:27:55,800
Speaker 1: in some weird wrinkle in the universe that that means

500
00:27:55,840 --> 00:27:58,359
Speaker 1: that maybe the three of us could maybe you know,

501
00:27:58,560 --> 00:28:00,680
Speaker 1: have a little fun some night.

502
00:28:01,359 --> 00:28:04,280
Speaker 3: Wait, how are you taking this to some like ghostly

503
00:28:04,359 --> 00:28:06,119
Speaker 3: apparition threesome.

504
00:28:07,520 --> 00:28:12,440
Speaker 2: That's not fmk. I'd James Dean to Vampire.

505
00:28:13,440 --> 00:28:17,280
Speaker 1: If they're if the rules are off, and we've done

506
00:28:17,320 --> 00:28:20,239
Speaker 1: this before, We've had to retroactively kill people who are

507
00:28:20,240 --> 00:28:25,720
Speaker 1: already dead. Remember we've done this before. Ah, Like I

508
00:28:25,800 --> 00:28:28,919
Speaker 1: could jump back in time to a Vampira, like a

509
00:28:28,960 --> 00:28:32,600
Speaker 1: fifties vampire where she was friends with James Dean and

510
00:28:32,640 --> 00:28:35,600
Speaker 1: hanging out with that whole crew, and that maybe the

511
00:28:35,640 --> 00:28:39,000
Speaker 1: three of us could maybe have a little thing. If

512
00:28:39,000 --> 00:28:39,680
Speaker 1: that makes sense.

513
00:28:39,920 --> 00:28:41,920
Speaker 3: Well, if we're time traveling, that changes the game for

514
00:28:42,000 --> 00:28:43,200
Speaker 3: the other two rounds for me too.

515
00:28:44,880 --> 00:28:49,040
Speaker 1: I just as we were chime traveling. Why why are

516
00:28:49,040 --> 00:28:52,440
Speaker 1: we of them now We've done this like fifteen twenty times.

517
00:28:54,960 --> 00:28:56,360
Speaker 2: I'm allowing it.

518
00:28:56,480 --> 00:28:58,840
Speaker 3: I'm just saying, I have to remember that that is

519
00:28:58,920 --> 00:29:00,960
Speaker 3: part of the game, that we can time travel.

520
00:29:03,040 --> 00:29:09,120
Speaker 1: You married the blob. I think anything is possible, really really,

521
00:29:13,960 --> 00:29:17,760
Speaker 1: So okay, we're gonna check the ruling on that. We're

522
00:29:17,800 --> 00:29:21,000
Speaker 1: gonna have to do, you know, pull pull the referees

523
00:29:21,040 --> 00:29:24,720
Speaker 1: together to look at the instant replay on the ability

524
00:29:24,760 --> 00:29:25,600
Speaker 1: to time travel.

525
00:29:26,480 --> 00:29:29,719
Speaker 3: I'm just saying time travel. I'm fine with the time travel.

526
00:29:30,040 --> 00:29:32,719
Speaker 3: I'm I did not know that we could time travel

527
00:29:32,760 --> 00:29:35,320
Speaker 3: to a land where we could drag someone else into

528
00:29:35,360 --> 00:29:38,760
Speaker 3: the f and start having three sums and being in

529
00:29:38,800 --> 00:29:44,760
Speaker 3: thrumples and shit, like if you're f and Vampira just

530
00:29:44,800 --> 00:29:48,120
Speaker 3: because of her proximity to James Dean then you're really

531
00:29:48,160 --> 00:29:49,440
Speaker 3: fucking James Dean.

532
00:29:50,240 --> 00:29:54,000
Speaker 1: No, it's additive. I listen, if she wants to be

533
00:29:54,080 --> 00:29:56,680
Speaker 1: a one woman at a time out of goal, I'm

534
00:29:56,840 --> 00:29:59,920
Speaker 1: very fine with that. I'm just saying, like, if they

535
00:30:00,160 --> 00:30:03,480
Speaker 1: has gone a little naughty and that were an opportunity,

536
00:30:03,560 --> 00:30:05,920
Speaker 1: I would I would love it. I would love I

537
00:30:05,920 --> 00:30:09,120
Speaker 1: would actively pursue that if that was what she would want.

538
00:30:09,440 --> 00:30:14,080
Speaker 3: That because we we already know that James Dean was

539
00:30:14,080 --> 00:30:18,800
Speaker 3: a freak. Yes, he was a real low down freak.

540
00:30:19,200 --> 00:30:22,520
Speaker 1: I mean, I doubt James Dean even liked women at all,

541
00:30:22,800 --> 00:30:24,520
Speaker 1: so that would it would it would be like a

542
00:30:24,560 --> 00:30:26,840
Speaker 1: hard sell for him to listen. I'm just saying, in

543
00:30:26,880 --> 00:30:30,160
Speaker 1: a universe of my own creation, that is what would happen,

544
00:30:30,200 --> 00:30:32,280
Speaker 1: a threesome with vampire and James Dean.

545
00:30:32,680 --> 00:30:34,720
Speaker 3: All Right, I'm just saying, from now on, if we're

546
00:30:34,760 --> 00:30:37,200
Speaker 3: able to drag people in through time travel, the f

547
00:30:37,320 --> 00:30:43,680
Speaker 3: MK round is gonna get fucking wild for men about me.

548
00:30:44,320 --> 00:30:48,440
Speaker 1: I've opened I've opened Pandora's box, okay, opened the portal well,

549
00:30:48,480 --> 00:30:51,040
Speaker 1: and then the other like the other two are basically

550
00:30:51,080 --> 00:30:54,000
Speaker 1: the same as yours. I would definitely marry Elvira, Okay,

551
00:30:54,160 --> 00:30:57,160
Speaker 1: like we we know vampire has in it for the

552
00:30:57,200 --> 00:31:05,000
Speaker 1: long haul, and she is such a wonderful character. Funny, smart, sexy,

553
00:31:05,400 --> 00:31:08,040
Speaker 1: the whole package, and you gotta have that in your

554
00:31:08,200 --> 00:31:10,880
Speaker 1: life every day. As far as I'm concerned, we gotta

555
00:31:10,960 --> 00:31:13,480
Speaker 1: kill more Titia for me, because that's that's the thing

556
00:31:13,560 --> 00:31:18,120
Speaker 1: is that I'm like, she seems a little a little

557
00:31:18,120 --> 00:31:20,200
Speaker 1: aloof You're.

558
00:31:20,040 --> 00:31:24,280
Speaker 3: Just wiping out the whole Adams family. First, I'm coming

559
00:31:24,320 --> 00:31:26,719
Speaker 3: for your child, Then I'm coming for your mom. Now

560
00:31:26,760 --> 00:31:29,000
Speaker 3: I'm gonna kill your fucking dad in that goddamn hand,

561
00:31:29,960 --> 00:31:31,560
Speaker 3: and then I'm coming for that ball of hair.

562
00:31:33,720 --> 00:31:35,320
Speaker 2: I'm gonna get all y'all.

563
00:31:36,800 --> 00:31:39,560
Speaker 1: It's like, give that family some peace, I guess, I

564
00:31:39,560 --> 00:31:42,160
Speaker 1: don't know. Just kill like mort Titia. You gotta go.

565
00:31:42,360 --> 00:31:43,360
Speaker 1: It seems like she would.

566
00:31:43,280 --> 00:31:46,080
Speaker 2: Enjoy being dead, to be honest a real point.

567
00:31:46,240 --> 00:31:48,720
Speaker 1: Yeah, yes, so I kind of feel that way with

568
00:31:48,760 --> 00:31:52,600
Speaker 1: Wednesday Adams too, right, So that's there you go that

569
00:31:52,680 --> 00:31:56,400
Speaker 1: Those are my answers, those are Daniel's answers. Are you

570
00:31:56,560 --> 00:31:58,840
Speaker 1: knocked it out of the park? Thank you so much

571
00:31:58,880 --> 00:31:59,160
Speaker 1: for that.

572
00:32:00,120 --> 00:32:02,640
Speaker 3: So we learned so much, Like I just learned that

573
00:32:03,400 --> 00:32:09,240
Speaker 3: you would wipe out an entire matriarchal lineage in two

574
00:32:09,320 --> 00:32:13,280
Speaker 3: rounds of FMK and I do love it. I do

575
00:32:13,360 --> 00:32:13,680
Speaker 3: love it.

576
00:32:14,960 --> 00:32:15,680
Speaker 2: Oh my god.

577
00:32:17,920 --> 00:32:22,520
Speaker 3: Here's our last question, our last email. The subject is

578
00:32:22,760 --> 00:32:27,200
Speaker 3: epic movies, and this is a letter from K and

579
00:32:27,320 --> 00:32:30,200
Speaker 3: K says, dear movie best friends.

580
00:32:30,560 --> 00:32:32,360
Speaker 2: You guys are great. Let me get to.

581
00:32:32,280 --> 00:32:38,520
Speaker 3: It, perfect, perfect opening. What is your favorite epic movie?

582
00:32:39,200 --> 00:32:43,680
Speaker 3: What was your first introduction to epic movies. My realization

583
00:32:43,760 --> 00:32:47,360
Speaker 3: of an epic was The Last Emperor. Age of Innocence

584
00:32:47,400 --> 00:32:50,880
Speaker 3: comes in second. For a small town girl renting videos

585
00:32:50,920 --> 00:32:54,040
Speaker 3: and watching them on a nineteen eighties boxy big screen TV.

586
00:32:54,640 --> 00:32:56,920
Speaker 3: That's when I fell in love with epics. Thank you

587
00:32:57,000 --> 00:32:59,320
Speaker 3: for all the laughs and enjoy you bring to me. K.

588
00:33:00,400 --> 00:33:05,480
Speaker 3: I love this question. Yes. I think it's because epics

589
00:33:05,480 --> 00:33:09,200
Speaker 3: for me span time like it's kind of a you know,

590
00:33:09,240 --> 00:33:11,720
Speaker 3: I had a very Sundays with Granddad kind of movie

591
00:33:11,760 --> 00:33:15,200
Speaker 3: experience in my youth. We watched a lot of sweeping dramas.

592
00:33:15,640 --> 00:33:19,440
Speaker 3: But I think my first introduction to an epic movie

593
00:33:19,640 --> 00:33:22,600
Speaker 3: that felt like it was made just for me was

594
00:33:22,600 --> 00:33:27,880
Speaker 3: amadaeis Ah. Yes, that was like my first time feeling like,

595
00:33:28,120 --> 00:33:30,960
Speaker 3: oh my goodness, this world is so expansive and wild

596
00:33:31,160 --> 00:33:34,960
Speaker 3: and it's like nothing I've ever seen before. And Tom

597
00:33:35,040 --> 00:33:37,600
Speaker 3: Holtz was incredible, and I love the music, and it

598
00:33:37,720 --> 00:33:42,640
Speaker 3: just felt very grand and big and spooky and it

599
00:33:42,720 --> 00:33:45,719
Speaker 3: had everything. So I'm gonna say that was probably one

600
00:33:45,720 --> 00:33:51,000
Speaker 3: of my first favorite epics that was made just for me,

601
00:33:51,440 --> 00:33:51,640
Speaker 3: or that.

602
00:33:51,720 --> 00:33:53,600
Speaker 2: Felt like it was tailored for me.

603
00:33:54,720 --> 00:33:58,200
Speaker 3: But I also and this is really just an age

604
00:33:58,240 --> 00:34:03,520
Speaker 3: thing Indiana Jones. Yeah, going to see Indiana Jones in

605
00:34:03,560 --> 00:34:05,760
Speaker 3: a theater or even just watching it at home with

606
00:34:05,880 --> 00:34:10,799
Speaker 3: friends or just like like just watching this dude rip

607
00:34:10,880 --> 00:34:14,280
Speaker 3: through the fucking universe and then well I'm not universe

608
00:34:14,320 --> 00:34:18,319
Speaker 3: the world and be just like he's a professor and

609
00:34:18,360 --> 00:34:20,320
Speaker 3: an adventurer and like, I don't know, it just felt

610
00:34:20,520 --> 00:34:21,360
Speaker 3: and he was funny.

611
00:34:21,760 --> 00:34:23,600
Speaker 2: It just felt kind of cool. Yeah.

612
00:34:23,600 --> 00:34:26,880
Speaker 3: I had a professor in college who admitted to us

613
00:34:26,920 --> 00:34:28,520
Speaker 3: that she became a professor because she.

614
00:34:28,480 --> 00:34:31,800
Speaker 2: Loved Indiana Jones. Yeah, but I think is very sweet.

615
00:34:32,840 --> 00:34:38,080
Speaker 1: Yeah, honestly, Wow, I mean it's funny because we actually

616
00:34:38,080 --> 00:34:41,799
Speaker 1: have talked about EPICX on the podcast before. Like I

617
00:34:42,520 --> 00:34:45,480
Speaker 1: to me, I think there's a lot of avenues you

618
00:34:45,520 --> 00:34:48,200
Speaker 1: can go down, because Okay, if you think about epics

619
00:34:48,840 --> 00:34:53,080
Speaker 1: in kind of a very basic sense, right, I always

620
00:34:53,120 --> 00:34:56,640
Speaker 1: think of them as movies that are long, yeah, you know,

621
00:34:56,800 --> 00:34:59,400
Speaker 1: and that they spend time, just like you said. So

622
00:34:59,440 --> 00:35:02,200
Speaker 1: basically it's like an epic film is something I would

623
00:35:02,239 --> 00:35:06,560
Speaker 1: say in the three hour range bare minimum, maybe like

624
00:35:06,880 --> 00:35:13,680
Speaker 1: two forty five, but three hours, right, And a lot

625
00:35:13,719 --> 00:35:17,239
Speaker 1: of times they're shot in like seventy millimeter or there's

626
00:35:17,280 --> 00:35:21,640
Speaker 1: some kind of like higher film gauge that people are

627
00:35:21,719 --> 00:35:24,920
Speaker 1: using and that they're spending time. Even the it's like

628
00:35:24,960 --> 00:35:27,480
Speaker 1: the course of a life or like a course of

629
00:35:27,560 --> 00:35:30,120
Speaker 1: like a historic event or something like that.

630
00:35:30,680 --> 00:35:30,960
Speaker 2: Right.

631
00:35:32,000 --> 00:35:35,120
Speaker 1: So for me, I mean there's a lot of like

632
00:35:35,520 --> 00:35:40,840
Speaker 1: older epics that I had grown up seeing, like Lawrence

633
00:35:40,880 --> 00:35:44,160
Speaker 1: of Arabia and Out of Africa and stuff like that.

634
00:35:44,880 --> 00:35:50,279
Speaker 1: I wouldn't call this necessarily a favorite maybe, but I

635
00:35:50,280 --> 00:35:53,760
Speaker 1: think one of the most like I mean, one of

636
00:35:53,440 --> 00:35:57,080
Speaker 1: the most famous epics, and certainly one that I came

637
00:35:57,160 --> 00:35:59,799
Speaker 1: to see as an epic after I finally saw it

638
00:35:59,840 --> 00:36:02,040
Speaker 1: was Gone with the Wind. Oh see you I've never

639
00:36:02,080 --> 00:36:05,719
Speaker 1: seen it, yes, And I mean, listen, I know that

640
00:36:05,760 --> 00:36:08,319
Speaker 1: film has a lot of baggage and part of like

641
00:36:08,400 --> 00:36:10,640
Speaker 1: why I think I told myself that I should see

642
00:36:10,640 --> 00:36:14,120
Speaker 1: it is because I knew that and bus being from Atlanta, like,

643
00:36:15,080 --> 00:36:17,520
Speaker 1: you can't not know what Gone with the Wind is.

644
00:36:17,520 --> 00:36:19,600
Speaker 1: And I kept that a secret for a very long

645
00:36:19,640 --> 00:36:22,360
Speaker 1: time because I was like, oh, yeah, Senkalla, who hasn't

646
00:36:22,400 --> 00:36:25,400
Speaker 1: scarlet Frankly, my dear, Yes.

647
00:36:25,280 --> 00:36:27,760
Speaker 3: You had like the whole like the Cotillion dress costume,

648
00:36:27,800 --> 00:36:29,719
Speaker 3: because don't they do that in Atlanta where they make

649
00:36:29,760 --> 00:36:32,040
Speaker 3: you reenact On with the Wind once a year as

650
00:36:33,400 --> 00:36:35,600
Speaker 3: they're like, get your fucking dresses out, it's time to

651
00:36:35,640 --> 00:36:36,800
Speaker 3: get on them damn planes.

652
00:36:38,120 --> 00:36:40,200
Speaker 1: Yes, the secret is when you move to Atlanta, they

653
00:36:40,239 --> 00:36:43,879
Speaker 1: make you get your driver's license and then put you

654
00:36:43,960 --> 00:36:47,240
Speaker 1: in a petticoat and we're like, that's it. To establish

655
00:36:47,360 --> 00:36:49,239
Speaker 1: residency in the state of Georgia. You have to wear

656
00:36:49,280 --> 00:36:51,600
Speaker 1: this fucking petticoat and bonnet.

657
00:36:52,200 --> 00:36:54,160
Speaker 3: No, I mean that is the DMV test is you

658
00:36:54,160 --> 00:36:56,200
Speaker 3: have to recite her whole monologue.

659
00:36:57,600 --> 00:37:00,160
Speaker 1: You have to hold a potato in your hand and walk.

660
00:37:01,680 --> 00:37:02,120
Speaker 2: For something.

661
00:37:06,239 --> 00:37:10,319
Speaker 1: But like I told myself, like I'm gonna watch this

662
00:37:10,440 --> 00:37:13,120
Speaker 1: movie and like to that point of it being an epic,

663
00:37:13,280 --> 00:37:15,759
Speaker 1: it is a spectacle. And I feel like I've talked

664
00:37:15,760 --> 00:37:18,840
Speaker 1: about this before on the one of our main Fiet episodes,

665
00:37:18,880 --> 00:37:21,839
Speaker 1: but just that whole idea of like you get you're like, well,

666
00:37:21,880 --> 00:37:24,600
Speaker 1: I'm gonna be here for the next three four hours,

667
00:37:24,800 --> 00:37:27,960
Speaker 1: you know, I'm gonna have like an intermission and a prologue.

668
00:37:28,000 --> 00:37:30,560
Speaker 1: And so the way that it's designed and the way

669
00:37:30,560 --> 00:37:32,640
Speaker 1: that it shot and all of the art direction and

670
00:37:32,719 --> 00:37:35,040
Speaker 1: all that stuff is very epic. It costs like a

671
00:37:35,120 --> 00:37:38,480
Speaker 1: lot of money and it looks that way. So that,

672
00:37:38,600 --> 00:37:41,640
Speaker 1: to me, I think is an epic. And I will say,

673
00:37:41,680 --> 00:37:42,840
Speaker 1: I mean, I don't want to go out there and

674
00:37:42,880 --> 00:37:44,920
Speaker 1: be like everybody watch Gone with the Wind, because, like

675
00:37:44,960 --> 00:37:48,160
Speaker 1: I said, I know it's it's not for everyone, but

676
00:37:48,239 --> 00:37:50,440
Speaker 1: I feel like if you just want a pure example

677
00:37:50,680 --> 00:37:53,720
Speaker 1: of something that's just like a spectacle, like a big

678
00:37:54,000 --> 00:37:59,640
Speaker 1: fucking huge spectacle, and maybe watched Babylon, maybe watched Elvis

679
00:37:59,719 --> 00:38:02,359
Speaker 1: or something recently, and you're like, damn, man, I want

680
00:38:02,360 --> 00:38:04,919
Speaker 1: to see like an old movie that's like that, then

681
00:38:05,080 --> 00:38:10,520
Speaker 1: I would watch something like or Lords of Arabia. But honestly,

682
00:38:10,560 --> 00:38:12,560
Speaker 1: for me, I love epic westerns. I think those are

683
00:38:12,560 --> 00:38:16,839
Speaker 1: my favorites. Like you know what movie I loved and

684
00:38:16,880 --> 00:38:20,759
Speaker 1: I want to see again so much as there will

685
00:38:20,760 --> 00:38:21,280
Speaker 1: be Blood.

686
00:38:21,760 --> 00:38:23,600
Speaker 2: Oh yeah, I want to watch that again too.

687
00:38:24,200 --> 00:38:26,760
Speaker 1: I haven't seen that in me too, And I remember

688
00:38:26,840 --> 00:38:29,040
Speaker 1: seeing it. I think I saw it like twice in

689
00:38:29,080 --> 00:38:33,040
Speaker 1: the theater when it was in the theater, and I

690
00:38:33,120 --> 00:38:35,399
Speaker 1: was sort of obsessed with it and I was I

691
00:38:35,440 --> 00:38:38,239
Speaker 1: was just the world that it's in, you know.

692
00:38:39,960 --> 00:38:42,239
Speaker 3: And so now I'm like, I gotta see that again, like,

693
00:38:42,719 --> 00:38:43,919
Speaker 3: you know, we got to come up with the themes.

694
00:38:44,040 --> 00:38:45,120
Speaker 3: We can watch it together.

695
00:38:45,719 --> 00:38:51,080
Speaker 1: Yeah, yeah, but I I I saw Babylon and I

696
00:38:51,120 --> 00:38:53,359
Speaker 1: saw Elvis. Like you know, it's a thing of like

697
00:38:53,400 --> 00:38:55,200
Speaker 1: I know that those are being talked about right now

698
00:38:55,200 --> 00:38:58,319
Speaker 1: because you know, they're in the in the culture, but

699
00:38:58,480 --> 00:39:03,160
Speaker 1: it's also like people who have been complaining about like

700
00:39:03,360 --> 00:39:05,480
Speaker 1: how big the productions are and how long they're and

701
00:39:05,480 --> 00:39:07,799
Speaker 1: I'm like, yeah, they've been doing that for a long time, right,

702
00:39:08,280 --> 00:39:09,960
Speaker 1: I mean I'm not saying that these are.

703
00:39:09,880 --> 00:39:13,080
Speaker 2: Good completely completely.

704
00:39:12,680 --> 00:39:14,279
Speaker 1: They've been doing it for a long time. There's been

705
00:39:14,400 --> 00:39:17,320
Speaker 1: three hour movies in the past, trust me. Oh definitely,

706
00:39:17,719 --> 00:39:18,560
Speaker 1: oh for sure.

707
00:39:18,680 --> 00:39:23,640
Speaker 3: And it's it's kind of like like Boz Luhrman especially

708
00:39:23,760 --> 00:39:27,400
Speaker 3: kind of prefers the epic in his work, and so

709
00:39:27,480 --> 00:39:30,280
Speaker 3: I think that like Mulin Rouge is a modern example

710
00:39:30,320 --> 00:39:33,120
Speaker 3: of what feels to me like an epic, maybe not

711
00:39:33,200 --> 00:39:36,480
Speaker 3: purely in length of time, but just the spectacle of it,

712
00:39:36,560 --> 00:39:39,239
Speaker 3: the time that they're discussing, and you know, it just

713
00:39:39,480 --> 00:39:43,360
Speaker 3: kind of feels more. It just feels like a big movie.

714
00:39:43,520 --> 00:39:46,120
Speaker 3: And so I think that there are definitely certain directors

715
00:39:46,239 --> 00:39:49,759
Speaker 3: who prefer an epic like right now and kind of

716
00:39:50,200 --> 00:39:52,600
Speaker 3: like you know, Steven Spielberg with The Fableman's and like,

717
00:39:52,640 --> 00:39:54,800
Speaker 3: you know, just kind of enjoy going back and telling

718
00:39:54,840 --> 00:39:57,400
Speaker 3: a really full story like that seems to be a

719
00:39:57,719 --> 00:39:58,560
Speaker 3: cornerstone of.

720
00:40:00,360 --> 00:40:02,040
Speaker 2: Modern screenwriting.

721
00:40:02,880 --> 00:40:05,520
Speaker 1: A I would even go as far to argue that

722
00:40:05,560 --> 00:40:08,640
Speaker 1: maybe epics are back, like in a bigger way because

723
00:40:08,680 --> 00:40:11,680
Speaker 1: of like stuff like Avatar. You know, like all movies

724
00:40:11,719 --> 00:40:14,359
Speaker 1: are three hours long now, and I think that's why

725
00:40:14,400 --> 00:40:16,319
Speaker 1: people were complaining about them. We're like, oh my god,

726
00:40:16,360 --> 00:40:18,279
Speaker 1: all these movies are so fucking long. I can't believe it.

727
00:40:18,280 --> 00:40:20,560
Speaker 1: Blah blah blah. And I'm like, yeah, well that's been

728
00:40:20,560 --> 00:40:22,160
Speaker 1: that way in the past. But also I feel like

729
00:40:22,280 --> 00:40:27,680
Speaker 1: now because in order for things to be released as

730
00:40:28,320 --> 00:40:31,799
Speaker 1: a film, it seems like right now it needs to

731
00:40:31,840 --> 00:40:35,160
Speaker 1: have that little bit of it needs that little pomp

732
00:40:35,160 --> 00:40:39,600
Speaker 1: and circumstance, right exactly, And so maybe the only people

733
00:40:39,600 --> 00:40:42,160
Speaker 1: who are making movies like that are these big directors

734
00:40:42,160 --> 00:40:44,759
Speaker 1: like James Cameron and Steven Spielberg and Boz Lorman, who

735
00:40:44,800 --> 00:40:47,440
Speaker 1: are who are able to make these like bigger movies

736
00:40:47,480 --> 00:40:50,120
Speaker 1: because I guess there needs to be some kind of

737
00:40:50,200 --> 00:40:53,040
Speaker 1: reason for people to want to leave the house, right,

738
00:40:53,080 --> 00:40:54,320
Speaker 1: And I guess.

739
00:40:54,120 --> 00:40:57,040
Speaker 3: And sit down for three hours, yes, but like it's

740
00:40:57,080 --> 00:41:00,760
Speaker 3: more of like a it's like a vent view versus

741
00:41:01,600 --> 00:41:03,040
Speaker 3: you know, it's kind of the reason on how we

742
00:41:03,080 --> 00:41:07,239
Speaker 3: talk about how there are like no ninety minute comedies

743
00:41:08,280 --> 00:41:09,799
Speaker 3: that get made as much as there used to be

744
00:41:09,920 --> 00:41:10,640
Speaker 3: or whatever.

745
00:41:10,440 --> 00:41:16,160
Speaker 1: Because of just the market conditions, I guess. But yeah, yeah,

746
00:41:16,200 --> 00:41:19,080
Speaker 1: I don't know. I to your point, I think that

747
00:41:19,080 --> 00:41:22,200
Speaker 1: there's maybe maybe something to that, Like I feel like

748
00:41:22,520 --> 00:41:25,239
Speaker 1: there might be like an uptick in epics now for

749
00:41:25,280 --> 00:41:26,200
Speaker 1: something reason.

750
00:41:26,320 --> 00:41:28,359
Speaker 3: But I can see that, and I think even something

751
00:41:28,400 --> 00:41:30,839
Speaker 3: like Drive My Car is an epic if you think

752
00:41:30,880 --> 00:41:33,279
Speaker 3: of it in terms of length of time and storytelling.

753
00:41:34,480 --> 00:41:36,239
Speaker 3: But that also brings up an interesting point for me,

754
00:41:36,320 --> 00:41:38,239
Speaker 3: which is what is the difference between an epic and

755
00:41:38,280 --> 00:41:38,960
Speaker 3: a blockbuster?

756
00:41:40,560 --> 00:41:40,840
Speaker 1: Yeah?

757
00:41:40,920 --> 00:41:43,960
Speaker 2: I don't because Avatar feels like a blockbuster to me.

758
00:41:44,320 --> 00:41:47,919
Speaker 1: I think blockbusters are financial Like I think that those

759
00:41:47,960 --> 00:41:50,319
Speaker 1: are movies that are meant to make a lot of

760
00:41:50,360 --> 00:41:54,160
Speaker 1: money and are meant to be sold internationally and are like,

761
00:41:55,000 --> 00:41:58,839
Speaker 1: you know, basically trying to do the most to make

762
00:41:58,840 --> 00:42:01,000
Speaker 1: the most money and to appear the most amount of people.

763
00:42:01,360 --> 00:42:05,560
Speaker 1: I think epics are just movies that are like big

764
00:42:05,719 --> 00:42:09,080
Speaker 1: in scope and and like like with with the case

765
00:42:09,120 --> 00:42:12,640
Speaker 1: of something like Babylon, I mean, I'm sure that Damien

766
00:42:12,719 --> 00:42:14,239
Speaker 1: Chazelle was like, yes, I want to make a lot

767
00:42:14,239 --> 00:42:16,320
Speaker 1: of money on this movie about the history of Hollywood.

768
00:42:16,320 --> 00:42:19,960
Speaker 1: But but I also feel like he he was also

769
00:42:20,120 --> 00:42:23,759
Speaker 1: making a movie that was very specifically his vision right

770
00:42:24,480 --> 00:42:28,120
Speaker 1: and his style, and maybe at a certain point said, well,

771
00:42:28,160 --> 00:42:32,440
Speaker 1: I don't care you know who, like who would watch it? Like,

772
00:42:32,440 --> 00:42:34,239
Speaker 1: I just gotta make my own art type of thing.

773
00:42:34,280 --> 00:42:38,200
Speaker 2: Yeah, you know exactly exactly. I gotta don't care. I

774
00:42:38,239 --> 00:42:39,280
Speaker 2: don't care who was watching.

775
00:42:39,560 --> 00:42:42,279
Speaker 3: Listen up, studios, give me like your fucking money and

776
00:42:42,280 --> 00:42:43,560
Speaker 3: shut your goddamn traps.

777
00:42:43,600 --> 00:42:46,120
Speaker 2: I don't care. I gotta make I gotta be mad.

778
00:42:46,239 --> 00:42:49,200
Speaker 1: We're gonna have Margot Robbie tap dancing in our underwear.

779
00:42:49,960 --> 00:42:52,440
Speaker 1: This is my art. I don't care.

780
00:42:52,400 --> 00:42:57,600
Speaker 3: Who buys it, and they're like, finger raised, we do,

781
00:42:57,880 --> 00:43:00,000
Speaker 3: we give you eight hundred million dollars.

782
00:43:01,040 --> 00:43:06,160
Speaker 1: Can we get a dollar back? Please? Get I please?

783
00:43:07,640 --> 00:43:10,239
Speaker 2: I love the notion of all these movies. Do you

784
00:43:10,280 --> 00:43:12,799
Speaker 2: gos be like, Hi, can I please have a dollar back?

785
00:43:12,880 --> 00:43:15,719
Speaker 2: Thank you? Thank you?

786
00:43:15,880 --> 00:43:17,719
Speaker 1: Maybe twelve dollars today.

787
00:43:18,520 --> 00:43:20,880
Speaker 3: Lydia Tarr is really interesting, but can we make some

788
00:43:20,960 --> 00:43:21,640
Speaker 3: money please?

789
00:43:23,800 --> 00:43:25,800
Speaker 1: Well, like, look at that. That's an example.

790
00:43:25,840 --> 00:43:28,600
Speaker 2: I mean like, yeah, that's an epic. Yeah, I would say.

791
00:43:28,480 --> 00:43:33,920
Speaker 1: It's it's definitely something that they were not like, I mean,

792
00:43:33,920 --> 00:43:36,440
Speaker 1: that's a long movie about you know, the arc of

793
00:43:36,480 --> 00:43:43,120
Speaker 1: a character. And they were like, will it play on

794
00:43:43,960 --> 00:43:47,920
Speaker 1: you know, four thousand screens in America opening weekend or whatever?

795
00:43:48,000 --> 00:43:49,480
Speaker 1: You know, It's like probably not.

796
00:43:50,760 --> 00:43:55,359
Speaker 3: Well, will this movie about an orchestra conductor, even if

797
00:43:55,360 --> 00:43:56,720
Speaker 3: it's Kate fucking Bland?

798
00:43:56,719 --> 00:44:00,319
Speaker 2: Shit? Will this be a hit in Tulsa? Well?

799
00:44:00,360 --> 00:44:04,279
Speaker 3: Can we get the Oklahomans out to see this?

800
00:44:04,360 --> 00:44:05,439
Speaker 2: Bitch? Be a Bitch?

801
00:44:05,480 --> 00:44:09,480
Speaker 1: On screening, parents are bringing all their children. They're running

802
00:44:09,719 --> 00:44:12,080
Speaker 1: to the movie theater to see a woman give an

803
00:44:12,080 --> 00:44:15,560
Speaker 1: interview to Adam Gopnik of The New Yorker for like

804
00:44:15,680 --> 00:44:17,000
Speaker 1: thirty five forty.

805
00:44:17,080 --> 00:44:20,279
Speaker 3: Thirty minutes and the opening of that movie, I'm like,

806
00:44:20,280 --> 00:44:21,840
Speaker 3: they are really going there, and I listen.

807
00:44:21,880 --> 00:44:25,560
Speaker 2: Toddfield is a fucking master. I love him. We've talked

808
00:44:25,600 --> 00:44:26,760
Speaker 2: about him on this pod before.

809
00:44:26,960 --> 00:44:30,680
Speaker 1: We're a stand dude. We ever since Walking and Talking? Yeah,

810
00:44:30,800 --> 00:44:33,480
Speaker 1: remember we talked to a Walking and Talking or like

811
00:44:33,880 --> 00:44:35,000
Speaker 1: second or third episode.

812
00:44:35,239 --> 00:44:38,719
Speaker 3: Yeah, we love him and I love this to me

813
00:44:38,960 --> 00:44:42,040
Speaker 3: feels like like the movie Tar. To me feels like,

814
00:44:43,320 --> 00:44:45,560
Speaker 3: not only is it it's a great movie. I fucking

815
00:44:45,600 --> 00:44:47,480
Speaker 3: loved it. I've seen it like three times because I

816
00:44:47,520 --> 00:44:51,120
Speaker 3: got a screener. I got dig It's digital screener season folks.

817
00:44:51,520 --> 00:44:53,439
Speaker 3: So as a member of the Writer's gilds, I get

818
00:44:53,440 --> 00:44:54,600
Speaker 3: to watch a lot of movies.

819
00:44:54,920 --> 00:44:56,759
Speaker 1: Yeah, and you get to flex on people who are

820
00:44:56,800 --> 00:44:58,200
Speaker 1: not in any guilds.

821
00:44:58,000 --> 00:44:58,920
Speaker 2: Like hell yeah.

822
00:44:59,160 --> 00:45:01,239
Speaker 3: I walk around my and I'm like, look at you

823
00:45:01,360 --> 00:45:04,439
Speaker 3: guildless motherfuckers, and they're like cold.

824
00:45:04,480 --> 00:45:06,960
Speaker 2: I just get my gas, please, all.

825
00:45:06,880 --> 00:45:10,080
Speaker 1: You fucking guild people. I swear my whole life, my

826
00:45:10,120 --> 00:45:12,160
Speaker 1: whole fucking life. Oh like, especially when I lived in

827
00:45:12,239 --> 00:45:14,759
Speaker 1: la Hey, guys, I got like every fucking movie that's

828
00:45:14,760 --> 00:45:16,279
Speaker 1: out right now, you want to come over and watch

829
00:45:16,320 --> 00:45:19,239
Speaker 1: the I'm like, yeah, fuck off. Yes, I work in

830
00:45:19,239 --> 00:45:22,880
Speaker 1: the film business, but I don't get screeners because I suck.

831
00:45:23,280 --> 00:45:25,520
Speaker 3: And we can't send them around because then we'll get

832
00:45:25,520 --> 00:45:26,879
Speaker 3: booted from the guild.

833
00:45:27,160 --> 00:45:29,000
Speaker 2: Like I have so many I have so many.

834
00:45:28,800 --> 00:45:30,120
Speaker 3: Friends here that I want to be like, hey, you

835
00:45:30,120 --> 00:45:32,200
Speaker 3: should watch this and give them the fucking disc And

836
00:45:32,200 --> 00:45:33,799
Speaker 3: I'm like, I can't because then I won't get them

837
00:45:33,800 --> 00:45:34,280
Speaker 3: ever again.

838
00:45:35,200 --> 00:45:37,160
Speaker 1: Yeah, and we have to, like in order you have

839
00:45:37,239 --> 00:45:40,560
Speaker 1: to be with me to watch it, like we're carrying

840
00:45:40,600 --> 00:45:42,799
Speaker 1: around the fucking Hope Diamond or some shit.

841
00:45:43,800 --> 00:45:47,880
Speaker 3: All the screeners come with a set of handcuffs and

842
00:45:47,920 --> 00:45:51,560
Speaker 3: a briefcase. They're like, oh, you want to watch the

843
00:45:51,600 --> 00:45:54,040
Speaker 3: fucking Gableman, you want to watch Amsterdam?

844
00:45:55,239 --> 00:45:58,719
Speaker 2: You better cut off that goddamn arm. They treat it

845
00:45:58,760 --> 00:45:58,920
Speaker 2: like that.

846
00:45:59,120 --> 00:46:02,279
Speaker 3: But I do have a shitload of screeners, and a

847
00:46:02,320 --> 00:46:04,920
Speaker 3: lot of them are digital, which I appreciate. And so

848
00:46:04,960 --> 00:46:07,080
Speaker 3: I've seen Tara a lot, and I love todd Field,

849
00:46:07,120 --> 00:46:10,120
Speaker 3: and I think this is kind of like the length

850
00:46:10,160 --> 00:46:12,400
Speaker 3: of this movie and the scope of this movie is

851
00:46:12,520 --> 00:46:15,439
Speaker 3: itself an inside joke for him. I feel like him

852
00:46:15,480 --> 00:46:18,680
Speaker 3: being like I'm gonna write this epic story, like this

853
00:46:18,760 --> 00:46:23,440
Speaker 3: huge story, almost three hour long movie about this one person.

854
00:46:23,520 --> 00:46:27,080
Speaker 3: I feel like that is a really funny, funny approach.

855
00:46:27,560 --> 00:46:30,799
Speaker 1: Well, listen, I've loved him ever since I saw him

856
00:46:30,920 --> 00:46:36,760
Speaker 1: give his mole in a jewelry box to Anne Hash

857
00:46:36,760 --> 00:46:41,319
Speaker 1: and walking and talking. I was like, that's my guy

858
00:46:41,400 --> 00:46:43,280
Speaker 1: right there, like anything for a joke.

859
00:46:44,000 --> 00:46:46,560
Speaker 3: Absolutely, he is such a delightful weirdo, I just feel.

860
00:46:46,640 --> 00:46:49,319
Speaker 3: And he's a great drama He's a great dramatist. But

861
00:46:49,360 --> 00:46:52,560
Speaker 3: he's also if you watch his films and you watch

862
00:46:52,600 --> 00:46:54,839
Speaker 3: his act the films where he's been an actor in

863
00:46:54,880 --> 00:46:58,000
Speaker 3: those films, there's always a little vein of the comedic,

864
00:46:58,080 --> 00:46:59,200
Speaker 3: and I really appreciate that.

865
00:47:00,200 --> 00:47:02,200
Speaker 1: Yeah, but see, that's what I mean is that I

866
00:47:02,200 --> 00:47:05,319
Speaker 1: feel like Tar is an epic and not a blockbuster,

867
00:47:05,800 --> 00:47:12,000
Speaker 1: right exactly, But like, yeah, that and I gotta be

868
00:47:12,040 --> 00:47:17,640
Speaker 1: honest with you. That is why if you're gonna present

869
00:47:17,719 --> 00:47:21,359
Speaker 1: me with a three hour movie, you better have some

870
00:47:21,480 --> 00:47:24,319
Speaker 1: razzle dazzle. That's all I'm saying, because if you come

871
00:47:24,360 --> 00:47:26,120
Speaker 1: at me with like a three hour movie where it's

872
00:47:26,120 --> 00:47:30,279
Speaker 1: just people like I don't know, eating dinner. Actually, I

873
00:47:30,400 --> 00:47:34,439
Speaker 1: like Jon del Men so maybe I'm just completely I'm

874
00:47:34,440 --> 00:47:37,160
Speaker 1: completely negating what I just said. But in this era,

875
00:47:37,800 --> 00:47:41,080
Speaker 1: in this era, yeah, you need a little razzle dazzle

876
00:47:41,120 --> 00:47:43,160
Speaker 1: if anybody is making them, and they're making them all

877
00:47:43,160 --> 00:47:45,879
Speaker 1: the time, like it's gotta be something.

878
00:47:45,840 --> 00:47:46,400
Speaker 2: You gotta have.

879
00:47:46,520 --> 00:47:52,000
Speaker 3: Kate Blanchette reading A Child for fucking filth, hah, that

880
00:47:52,040 --> 00:47:56,320
Speaker 3: to me counts as razzle dazzle. In this day and age,

881
00:47:56,880 --> 00:48:01,279
Speaker 3: I want to see some severe pantsuits bare minimum.

882
00:48:01,480 --> 00:48:02,040
Speaker 2: I need that.

883
00:48:02,200 --> 00:48:08,480
Speaker 1: I need that really understated, like European style furniture.

884
00:48:09,760 --> 00:48:13,000
Speaker 3: I want to see every Berlin apartment with that, like

885
00:48:13,160 --> 00:48:16,920
Speaker 3: mood lighting that comes from a lamp that looks like

886
00:48:16,920 --> 00:48:17,560
Speaker 3: an eyeball.

887
00:48:20,600 --> 00:48:22,919
Speaker 2: Give me all. That to me is epic, Like I'm

888
00:48:23,080 --> 00:48:24,840
Speaker 2: I'm changing the game. Maybe I'm changing the.

889
00:48:24,880 --> 00:48:27,360
Speaker 3: Rules of what an epic is. But the length of

890
00:48:27,400 --> 00:48:29,839
Speaker 3: that movie, the scope of the movie doesn't quite fit

891
00:48:29,880 --> 00:48:31,600
Speaker 3: the epic for me because it's only about a certain

892
00:48:31,640 --> 00:48:34,279
Speaker 3: amount of time. But it feels epic because of the

893
00:48:34,360 --> 00:48:35,040
Speaker 3: journey you're on.

894
00:48:35,560 --> 00:48:39,759
Speaker 1: So yeah, agreed, agreed, But I like this question from

895
00:48:39,840 --> 00:48:45,120
Speaker 1: k because I, first of all, I do I do

896
00:48:45,200 --> 00:48:47,680
Speaker 1: think that if you were a child of the eighties

897
00:48:48,280 --> 00:48:54,000
Speaker 1: like they had mentioned in in their letter, Watching epics

898
00:48:54,120 --> 00:48:59,320
Speaker 1: on those eighties TVs sucked ass. Oh my god, watching

899
00:48:59,680 --> 00:49:04,160
Speaker 1: like fucking ben her On like a black and white

900
00:49:05,120 --> 00:49:10,520
Speaker 1: you know, four x three znith screen and the ratio.

901
00:49:10,239 --> 00:49:12,279
Speaker 2: Is like cuts out half of the fucking Yeah.

902
00:49:12,640 --> 00:49:16,960
Speaker 1: Yes, there's actually like a really good if. This is

903
00:49:17,080 --> 00:49:19,080
Speaker 1: nerdy as shit, But if you want to go down

904
00:49:19,120 --> 00:49:23,919
Speaker 1: the rabbit hole of of wondering why things are letterboxed

905
00:49:24,000 --> 00:49:29,399
Speaker 1: and pillar box TCM has a great example of that

906
00:49:29,520 --> 00:49:33,400
Speaker 1: on their YouTube channel where they basically explain why things

907
00:49:33,440 --> 00:49:36,239
Speaker 1: are letterboxed. But and then the biggest reason why they

908
00:49:36,239 --> 00:49:39,879
Speaker 1: were pan and scan is because they were they were

909
00:49:39,880 --> 00:49:42,920
Speaker 1: making movies that weren't fitting those like shitty ass TVs

910
00:49:42,960 --> 00:49:45,600
Speaker 1: back in the day, and so instead of like showing

911
00:49:45,640 --> 00:49:48,800
Speaker 1: it in the proper aspect ratio, they would just blow

912
00:49:48,800 --> 00:49:53,080
Speaker 1: it up and then follow the action, which is not

913
00:49:53,200 --> 00:49:56,000
Speaker 1: how the director intended anyway. Blah blah blah. All I'm

914
00:49:56,000 --> 00:49:58,480
Speaker 1: saying is that watching epics in the eighties was such

915
00:49:58,480 --> 00:50:03,839
Speaker 1: a pain in the ass, And if I loved them

916
00:50:03,880 --> 00:50:07,080
Speaker 1: in spite of that, your a real head, Yeah, real head,

917
00:50:07,400 --> 00:50:08,240
Speaker 1: which I love.

918
00:50:08,440 --> 00:50:13,720
Speaker 2: Completely, so h great, great, great emails this time, y'all.

919
00:50:13,760 --> 00:50:15,120
Speaker 2: Thank you so much for writing in.

920
00:50:15,960 --> 00:50:18,400
Speaker 3: Yes, and I like we're gonna keep the flavor of

921
00:50:18,400 --> 00:50:21,440
Speaker 3: the bonus exactly what it is, which is we'll talk

922
00:50:21,480 --> 00:50:23,360
Speaker 3: about whatever we want and read your emails.

923
00:50:23,680 --> 00:50:28,359
Speaker 1: Yes, and you know we like, like we said, uh,

924
00:50:28,400 --> 00:50:30,719
Speaker 1: you know, when we do bonuses, we tend to, you know,

925
00:50:31,280 --> 00:50:35,080
Speaker 1: unbutton the pants for damn sure, like we unbutton the pants.

926
00:50:35,120 --> 00:50:38,080
Speaker 1: Sometimes we take the tops off. But we're just hanging out.

927
00:50:38,120 --> 00:50:40,600
Speaker 1: And you know, if if that's your vibe, if you

928
00:50:40,640 --> 00:50:43,560
Speaker 1: want to hear us, geloose, bring it, come to the

929
00:50:43,600 --> 00:50:46,880
Speaker 1: bonus and if you want to email us for bonus,

930
00:50:47,480 --> 00:50:50,600
Speaker 1: we will. We will read them sometimes if they're entertaining. Right,

931
00:50:51,840 --> 00:50:54,640
Speaker 1: We're at assoergy to pot at gmail dot com.

932
00:50:54,360 --> 00:50:56,520
Speaker 3: And you can find us on our social media as always.

933
00:50:56,640 --> 00:50:58,280
Speaker 3: And I saw pot on Instagram and Twitter.

934
00:50:59,040 --> 00:51:01,200
Speaker 1: We also got murder me go to the I Saw

935
00:51:01,239 --> 00:51:03,120
Speaker 1: what you did section of the exactly right shop to

936
00:51:03,160 --> 00:51:06,520
Speaker 1: find our hoodies Bargellow, kits, et cetera.

937
00:51:07,560 --> 00:51:12,960
Speaker 3: I think if people bought out our store, if they

938
00:51:13,000 --> 00:51:15,640
Speaker 3: bought all of our merch, then you should watch The

939
00:51:15,680 --> 00:51:17,160
Speaker 3: Titanic and we'll donate that money.

940
00:51:17,360 --> 00:51:21,360
Speaker 1: Oh totally. So let that be a challenge. Buy our merch.

941
00:51:21,480 --> 00:51:23,920
Speaker 1: If you sell up store, I'll watch Titanic and we'll

942
00:51:25,040 --> 00:51:26,440
Speaker 1: donate money.

943
00:51:26,800 --> 00:51:30,520
Speaker 3: Yeah, we'll donate the proceeds from this point on any sales. Okay,

944
00:51:30,800 --> 00:51:32,560
Speaker 3: but you gotta do it and like the next month.

945
00:51:32,800 --> 00:51:35,240
Speaker 3: But if you do it, if you sell out our store,

946
00:51:35,360 --> 00:51:37,600
Speaker 3: we will ask exactly right, if we can donate the money,

947
00:51:37,960 --> 00:51:40,279
Speaker 3: and then we will make MILLI watch Titanic and we

948
00:51:40,320 --> 00:51:42,120
Speaker 3: will even live stream it.

949
00:51:42,840 --> 00:51:45,480
Speaker 1: Oh my god, we should well.

950
00:51:45,320 --> 00:51:47,800
Speaker 3: We rent Oh my god, we should rent a theater.

951
00:51:49,480 --> 00:51:51,680
Speaker 3: We are losing so much money on this idea. I'm like,

952
00:51:51,719 --> 00:51:54,959
Speaker 3: we're giving away the proceeds, we're renting a theater. We're

953
00:51:55,120 --> 00:51:58,279
Speaker 3: bucking getting the rights to play Titanic just so that

954
00:51:58,320 --> 00:51:59,560
Speaker 3: people can watch you watch it.

955
00:52:00,400 --> 00:52:02,160
Speaker 1: Yeah, we could do that. We could set that up.

956
00:52:02,200 --> 00:52:04,000
Speaker 1: We could do it to the plaza for damn sure.

957
00:52:05,000 --> 00:52:06,000
Speaker 1: We can definitely do that.

958
00:52:06,520 --> 00:52:08,920
Speaker 3: And our bonus apps. You know, you're listening to a

959
00:52:08,960 --> 00:52:12,160
Speaker 3: brand new bonus app and it's on the main feed,

960
00:52:12,200 --> 00:52:13,600
Speaker 3: and that's how it's gonna be from now on.

961
00:52:13,680 --> 00:52:14,480
Speaker 2: But don't forget.

962
00:52:15,000 --> 00:52:19,759
Speaker 3: We are releasing slowly our back catalog, so we have

963
00:52:19,840 --> 00:52:22,839
Speaker 3: old bonus episodes going up on the main feed every

964
00:52:22,840 --> 00:52:27,279
Speaker 3: couple of weeks on Wednesdays, so there might be weeks

965
00:52:27,280 --> 00:52:29,080
Speaker 3: where you have us for three days in a row,

966
00:52:29,200 --> 00:52:31,960
Speaker 3: a Tuesday episode, an old bonus, and a new bonus.

967
00:52:32,440 --> 00:52:37,000
Speaker 1: Damn dude, that's a lot of us. Get Ready, it's

968
00:52:37,000 --> 00:52:37,880
Speaker 1: gonna be wonderful.

969
00:52:38,520 --> 00:52:42,120
Speaker 3: Get Ready, We're gonna kill all the children of the

970
00:52:42,120 --> 00:52:43,480
Speaker 3: fictional characters you love.

971
00:52:46,280 --> 00:52:50,439
Speaker 1: Hohay, shit Well, Danielle as always a fucking pleasure doing

972
00:52:50,480 --> 00:52:53,480
Speaker 1: this bonus episode with you, so fun.

973
00:52:54,000 --> 00:53:04,000
Speaker 3: The best until next time, Bye everyone. This has been

974
00:53:04,000 --> 00:53:07,279
Speaker 3: an exactly right production produced by Casey O'Brien, mixed by

975
00:53:07,400 --> 00:53:10,040
Speaker 3: Edson Choi. Our theme song is by Tom bry Fogel,

976
00:53:10,360 --> 00:53:14,080
Speaker 3: artwork by Garrett Ross. Our executive producers are Georgia Hartstart,

977
00:53:14,160 --> 00:53:16,920
Speaker 3: karenkle Gareff, and Daniel Kramer. You can follow us on

978
00:53:16,960 --> 00:53:19,920
Speaker 3: Instagram and Twitter at I Saw Pod, and you can

979
00:53:20,000 --> 00:53:22,239
Speaker 3: email us at I Saw What You Did Pod at

980
00:53:22,280 --> 00:53:22,680
Speaker 3: gmail