WEBVTT - Best Bits: JUST THE BITS

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<v Speaker 1>It's the best Bits of the week with Morgan, I

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<v Speaker 1>kill just the bits.

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<v Speaker 2>Welcome, Welcome. This is part two of Best Bits.

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<v Speaker 3>If you're just getting caught up on the Bobby Bone

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<v Speaker 3>Show from this week, maybe you miss some things and

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<v Speaker 3>you just want to hear the big segments.

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<v Speaker 2>That's what this is all about. My name is Morgan.

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<v Speaker 3>If you're new to this little party, but we've got

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<v Speaker 3>a lot to talk about. It was a big week

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<v Speaker 3>on the show. Before we dive in, be sure to

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<v Speaker 3>check out Part one. In part three, Amy is joining me.

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<v Speaker 3>On part one, we talked about some signs that I've

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<v Speaker 3>gotten recently, and I got Amy's advice because she's like

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<v Speaker 3>the sign queen. And we talked about what kind of

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<v Speaker 3>friends we are in our friend groups, which is always

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<v Speaker 3>fun to look at from a friendship aspect, and listener

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<v Speaker 3>Q and A. We talked about Amy's kids and how

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<v Speaker 3>we deal with body dysmorphia.

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<v Speaker 2>So a lot of stuff on both of those to

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<v Speaker 2>check out.

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<v Speaker 3>I highly encourage you too, if you've never listened before,

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<v Speaker 3>to see them.

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<v Speaker 2>I promise it's good content and it's all.

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<v Speaker 3>New you've never heard it on the show before, but

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<v Speaker 3>this stuff you may have heard a few or none

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<v Speaker 3>of it.

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<v Speaker 2>Whatever you're here for, we're gonna dive in.

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<v Speaker 3>These are the top seven segments from the show this week.

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<v Speaker 3>We have a new champion in Elder versus Millennial. The

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<v Speaker 3>championship game went down, which means that something's gonna rotate,

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<v Speaker 3>whether it be the millennial or the elder.

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<v Speaker 2>Something is getting rotated after this game.

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<v Speaker 3>So you got to be caught up. No, what's happening? So,

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<v Speaker 3>without further adode done, No, no, no, I wish I had

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<v Speaker 3>like a Oh that was a good drum roll. Okay,

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<v Speaker 3>Older versus Millennial Championship.

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<v Speaker 4>Here we go.

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<v Speaker 1>Number seven.

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<v Speaker 4>It's trivia, it's Elder versus Millennial. It's Eddie, the oldest

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<v Speaker 4>on our show. It's Swifty Lauren, the youngest on our show.

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<v Speaker 4>Winter or this is the champions Yeah, this is it.

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<v Speaker 4>Winner's the champion, Eddie. Let me introduce you first. First,

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<v Speaker 4>he's the data four. I call him the Hispanic who

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<v Speaker 4>don't panic. He just gave birth the ten butterflies and

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<v Speaker 4>he sees the championship in his eyes. It's producer read

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<v Speaker 4>ed Eddie. She'll know the answer to these. Okay, these

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<v Speaker 4>are for you. What's the stitch is? A catchphrase from

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<v Speaker 4>What two Thousand's Disney Show.

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<v Speaker 5>I'm gonna play you a clip, So what's the sitch?

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<v Speaker 6>What's this?

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<v Speaker 4>Listen to the clip because there are also sounds in

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<v Speaker 4>the clip. Obviously, go ahead, Okay, I like it. That's

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<v Speaker 4>a good hint. Give me Veronica Mars. Wow, No, Lauren,

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<v Speaker 4>you can steal him. Possible, Kim Possible is correct?

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<v Speaker 6>What were the sounds?

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<v Speaker 4>I was looking for?

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<v Speaker 6>Like and stuff?

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<v Speaker 4>He was doing compossible things, Eddie. What's the name of

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<v Speaker 4>Taylor Swift's brother who shares his name with a city?

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<v Speaker 4>She has a brother and he his name's as city.

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<v Speaker 7>Oh that's Dallas Swift.

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<v Speaker 5>I know she knows it.

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<v Speaker 1>That's Austin, Austin Swift.

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<v Speaker 4>Oh, my goodness, so close.

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<v Speaker 7>It's three hours away.

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<v Speaker 4>Lauren to Eddie zero, you could lose the championship, Eddie.

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<v Speaker 4>Lady gud got wore a dress made in entirely of

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<v Speaker 4>what at the MTV Video Music Awards in twenty ten.

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<v Speaker 4>Meats correct, mates, all right, I got one, Eddie with

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<v Speaker 4>one Swifty Lauren was two. Oh boy, oh boy, Lauren,

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<v Speaker 4>are you ready?

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<v Speaker 8>I'm feeling good? Yeah, I'm ready.

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<v Speaker 4>Thunderstruck is a song from what classic rock band ac DC.

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<v Speaker 4>My god, wow you know that?

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<v Speaker 9>Holy crap?

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<v Speaker 6>Yeah, exactly.

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<v Speaker 9>You're on the ropes, Eddie.

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<v Speaker 4>She gets any more, right, she's the champion, or if

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<v Speaker 4>she misses it, then you miss it. She's the champion.

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<v Speaker 4>Swifty Lauren, what's the name of the key chain size

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<v Speaker 4>virtual pet simulation game that became popular in the nineties. Correct,

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<v Speaker 4>winner wowow, And.

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<v Speaker 3>He says, set out.

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<v Speaker 4>I want to go to the champion a second, wow

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<v Speaker 4>wow wow. But first I want to go talk to there.

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<v Speaker 4>That was terrible. That was like going all the way

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<v Speaker 4>to the super Bowl just to like not score a touch.

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<v Speaker 5>She won Rookie of the Year and the super Bowl the.

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<v Speaker 2>Same year, and that was a comeback because I was

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<v Speaker 2>and a comeback true.

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<v Speaker 4>Dang, she's good man.

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<v Speaker 7>I'm I feel bad for the next challenger, whoever's going

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<v Speaker 7>to challenge her.

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<v Speaker 4>So, Lauren, who would you rather? Who do you want

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<v Speaker 4>to be the elder against you the next round? Because

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<v Speaker 4>that he's eliminated? Does you like for it to be

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<v Speaker 4>Amy or lunchbox? You get to pick your elder man.

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<v Speaker 4>You're picking your opponents.

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<v Speaker 10>So you think you can beat that person that's trash talk,

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<v Speaker 10>bolt and board material.

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<v Speaker 4>So which who would you like to have as your

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<v Speaker 4>elder starting next week?

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<v Speaker 1>Oh, let's do Lunchbox.

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<v Speaker 4>I want to touch his knowledge.

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<v Speaker 10>You're about to get tested. Say no, because I don't

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<v Speaker 10>know any of those answers. When I was listening that,

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<v Speaker 10>I was like, I don't know.

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<v Speaker 4>Any of the swifty Lauren is the champion. The new

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<v Speaker 4>elder will be lunch Box starting next week.

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<v Speaker 9>I mean, here's the crazy part. Even the questions you

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<v Speaker 9>ask her, I don't know the answer too.

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<v Speaker 5>Oh yeah, you know the elder question.

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<v Speaker 9>I don't know the elder question.

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<v Speaker 4>Do you want to hear somewhere elder questions? Yea? If

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<v Speaker 4>you got him. What was the name of the toy

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<v Speaker 4>line that featured small plastic figures with exaggerated features and

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<v Speaker 4>colorful hair. Oh troll been that you should know, Laura.

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<v Speaker 4>I would have asked, Okay, how about this one. What's

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<v Speaker 4>the occupation of Fraser and the show Fraser?

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<v Speaker 9>Well, he does radio, but he's also a doctor, Fraser Kream.

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<v Speaker 4>I accept it radio psychiatrist. Yep who is the actress

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<v Speaker 4>that played Princess Leiah in the original Star Wars.

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<v Speaker 9>I'm truly a Robbert correct.

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<v Speaker 4>Fish. But see you did pretty good. He did pretty good.

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<v Speaker 4>Lauren will see you next week, Lunchbox will see you

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<v Speaker 4>next week too.

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<v Speaker 1>It's the best bits of the week with Morgan.

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<v Speaker 3>Number two, everybody knows that Raymundo loves Sam Hunt, and

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<v Speaker 3>I don't just mean like love, like he loves him

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<v Speaker 3>and so well, Sam Hunt's going to be in Nashville.

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<v Speaker 3>He had a concert last night. If you're listening to

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<v Speaker 3>it Saturday air this weekend. He had a concert in

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<v Speaker 3>Nashville on Friday, and basically, Raymundo wanted an inn. He

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<v Speaker 3>wanted to go hang out with Sam Hunt, take shots

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<v Speaker 3>of them, maybe even go on stage, and Bobby tried

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<v Speaker 3>to pull some strings. So that's where you're gonna hear.

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<v Speaker 3>You're gonna hear this whole setup and the result of that,

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<v Speaker 3>but we don't have the full result. We're maybe gonna

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<v Speaker 3>get that next week. We'll find out. So you got

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<v Speaker 3>to be caught up on this bit before you hear

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<v Speaker 3>the final result, Like did Raymundo get to hang out

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<v Speaker 3>with Sam Hunt again?

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<v Speaker 4>Number six, Raymundo wants to go to the Sam Hunt concert,

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<v Speaker 4>which is happened as a tour night. Yeah, Friday night, yep,

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<v Speaker 4>And he thought he was gonna get some secret surprise

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<v Speaker 4>from Sam Hunt and you thought the surprise might be

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<v Speaker 4>backstage passes. You thought it might be hanging out with

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<v Speaker 4>Sam before the show. I don't know why you thought that,

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<v Speaker 4>because nothing really led you to believe that was happening.

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<v Speaker 4>Maybe Vegas. I got backstage, Yeah, because I got you

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<v Speaker 4>backstage because I called and said Sam Ray would like

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<v Speaker 4>to come back, right, So I knew it was possible,

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<v Speaker 4>so I kind of had my Hey, I didn't know

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<v Speaker 4>it was on me to do this too.

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<v Speaker 11>No, no, not you. I told you there was other

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<v Speaker 11>people involved, Adam. There's our sales guy, Alex.

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<v Speaker 4>But never trust the sales guy. He said he's got

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<v Speaker 4>some hook ups. What they say, Oh so Alex hooks

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<v Speaker 4>you up?

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<v Speaker 9>Of course?

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<v Speaker 4>Right, well, he said, I don't even know who Alex is.

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<v Speaker 4>I'm just saying he's at Atlanta is how do you

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<v Speaker 4>know that.

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<v Speaker 10>He comes in all the time he works with, saying Jude, Yeah, yeah,

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<v Speaker 10>he's a good dude from Atlanta.

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<v Speaker 4>Yeah. I take it back, Adam, what's up, buddy, I

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<v Speaker 4>take it back. I want to meet Alex Ray. But

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<v Speaker 4>you're basing that off. The last time when I Sam

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<v Speaker 4>and I have the same management. So I just called

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<v Speaker 4>and said, hey, can Ray come back whenever he gets there,

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<v Speaker 4>and they said, yeah, of course, you never told me

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<v Speaker 4>to do that again, right right.

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<v Speaker 11>I didn't want it to be the same thing. I

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<v Speaker 11>have a big thing against that. I'm not trying to

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<v Speaker 11>do exactly what I did in Vegas. I want it

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<v Speaker 11>to be different.

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<v Speaker 4>Maybe more, yes, no, different as in more he wants

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<v Speaker 4>to do shots with them on stage. I know there's

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<v Speaker 4>aspects of a show you do understand. No, no, no, I

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<v Speaker 4>shouldn't say it like that, Hey, Ray, what's up? Hey.

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<v Speaker 4>So a lot of times someone like Sam, when they're

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<v Speaker 4>doing their show, if it's full bait and it's not

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<v Speaker 4>just them playing acoustic, which good, they play kind of

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<v Speaker 4>onto it what's called a click track, and during the

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<v Speaker 4>song everything it can't really be affected with, so you'll

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<v Speaker 4>hear in their ears or you know, Eddie's in my ears,

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<v Speaker 4>We'll hear with the music because that keeps everybody on

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<v Speaker 4>the same page. So there's not a lot of hey,

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<v Speaker 4>let's bring Ray up in the middle of a song,

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<v Speaker 4>and they did. They just play you know, unless I

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<v Speaker 4>rehearse that. You got to play and rehearse that. Now,

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<v Speaker 4>Sam may run wild and free. I don't know how

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<v Speaker 4>he does this show, but a lot of artists in

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<v Speaker 4>a big place like that, they are run on a

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<v Speaker 4>click track. Yeah, maybe in between, maybe they're like, Ray,

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<v Speaker 4>let's do a shot, and like Luke Combs does where

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<v Speaker 4>he does a beer that's not to a song. I

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<v Speaker 4>was gonna say, that's not a click track. Oh that's not.

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<v Speaker 4>But maybe just up in the middle. But I just

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<v Speaker 4>can't see him doing house party and being like in

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<v Speaker 4>the middle of the song where it's Ray all right,

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<v Speaker 4>I didn't know that. Okay, what do you I will

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<v Speaker 4>text right now what do you want?

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<v Speaker 6>No, don't ask him that.

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<v Speaker 4>No, No, what's your dream? What's your dream? Just tell

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<v Speaker 4>me your dream? Because I even called Sam and asked

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<v Speaker 4>him to play the million dollar show at the Riamon.

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<v Speaker 12>Wow, you say you're gonna call an another favor.

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<v Speaker 5>Nope, I'm gonna text it.

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<v Speaker 6>You're gonna waste your favor on that.

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<v Speaker 4>I wasted the favor on Sam to play with us

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<v Speaker 4>for charity, which I don't feel. It's a massive gift

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<v Speaker 4>for him to come in on a Wednesday night and

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<v Speaker 4>do that. I will because we have the same management.

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<v Speaker 4>I will text Sam's manager and say, hey, Ray's dying,

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<v Speaker 4>this is his last wish. There you go, that'll get

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<v Speaker 4>it not bad. He wants a shot? What do you

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<v Speaker 4>what do you want during house party? I can't ask

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<v Speaker 4>for something on stage if he doesn't do something. Does

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<v Speaker 4>he do that normally? Definitely not. I thought that's a

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<v Speaker 4>direction we were going.

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<v Speaker 11>But if it could be a pre show type thing

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<v Speaker 11>where I can do some live footage, I'm down with that.

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<v Speaker 4>I'm your breaking news. You're gonna stream it? No that.

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<v Speaker 4>Sam's a very private guy. I know he's not gonna

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<v Speaker 4>want you streaming. Hanging out before why not? He said,

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<v Speaker 4>dream big, Okay, I'll be like, you're live.

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<v Speaker 9>Sam.

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<v Speaker 4>He's like, get that out of my face. I've got

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<v Speaker 4>a show. I can't. I can't. I don't know, man,

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<v Speaker 4>I can't ask that. Give me something reasonable shots before

0:10:03.320 --> 0:10:07.199
<v Speaker 4>the show? Great, thank you shot. I don't even know

0:10:07.240 --> 0:10:09.360
<v Speaker 4>if Sam's doing shots. You know, got two kids now.

0:10:09.360 --> 0:10:11.319
<v Speaker 11>Right, Usually it's the band, but he would be there.

0:10:11.320 --> 0:10:13.240
<v Speaker 11>I mean there's there's waters that people do.

0:10:13.480 --> 0:10:16.480
<v Speaker 4>Stand by waters like shoot shoot waters yea by stand

0:10:16.520 --> 0:10:21.120
<v Speaker 4>by hey man, we're on the air. Ray Mundo is

0:10:21.160 --> 0:10:25.520
<v Speaker 4>in love with Sam, obviously, and whenever we did the

0:10:25.600 --> 0:10:29.160
<v Speaker 4>Vegas show. We sent Ray back and Ray met him

0:10:29.160 --> 0:10:31.040
<v Speaker 4>and you know, when Sam comes up, he gives Ray

0:10:31.080 --> 0:10:32.920
<v Speaker 4>a shirt or something. I don't even know if Sam

0:10:32.960 --> 0:10:37.319
<v Speaker 4>knows who Ray is, but Ray has requested as his

0:10:37.440 --> 0:10:40.080
<v Speaker 4>dying wish. That's something I tell you about later, but

0:10:40.440 --> 0:10:45.840
<v Speaker 4>it's private because it's it's medical hippa that before the

0:10:46.000 --> 0:10:49.160
<v Speaker 4>show or the set, if Sam does any sort of

0:10:49.440 --> 0:10:52.200
<v Speaker 4>pre show shot, if there's any chance Ray could be

0:10:52.480 --> 0:10:54.720
<v Speaker 4>and do that shot with them, and just have somebody

0:10:54.720 --> 0:10:57.160
<v Speaker 4>get a video of that so he can record, not

0:10:57.280 --> 0:10:59.120
<v Speaker 4>to be too and true. And if the answer is no, no,

0:10:59.240 --> 0:11:01.680
<v Speaker 4>just say no. But we're on the air and I

0:11:01.720 --> 0:11:04.600
<v Speaker 4>owe it to Rake. I'm gonna miss him. It's hip hippop.

0:11:04.600 --> 0:11:07.360
<v Speaker 4>I can't tell you, but I'll tell you later. I

0:11:07.400 --> 0:11:10.480
<v Speaker 4>know that shows he'll then. Yeah, he should still be around.

0:11:10.520 --> 0:11:13.520
<v Speaker 4>R should still be around by day hopefully, hopefully. If

0:11:13.520 --> 0:11:16.440
<v Speaker 4>this is just a big fat no, let me know,

0:11:17.200 --> 0:11:18.840
<v Speaker 4>anything you send me could be played on the air.

0:11:18.880 --> 0:11:22.800
<v Speaker 4>If you send me a voice memo back legal, thank you,

0:11:25.920 --> 0:11:26.720
<v Speaker 4>Thanks dude.

0:11:26.480 --> 0:11:27.760
<v Speaker 6>You feel good about that. Ray?

0:11:28.000 --> 0:11:29.439
<v Speaker 4>I mean you got.

0:11:29.280 --> 0:11:31.720
<v Speaker 11>Bones same management still or you know the people to

0:11:31.800 --> 0:11:34.679
<v Speaker 11>call the same management or right, nobody else has got

0:11:34.720 --> 0:11:35.560
<v Speaker 11>those kind of connections.

0:11:35.640 --> 0:11:36.959
<v Speaker 4>So what if you have to show up like in

0:11:36.960 --> 0:11:38.720
<v Speaker 4>a wheelchair now or something.

0:11:38.920 --> 0:11:41.720
<v Speaker 6>No, no, ok, you gotta play it out.

0:11:41.760 --> 0:11:41.880
<v Speaker 10>Yay.

0:11:41.880 --> 0:11:44.439
<v Speaker 4>You gotta do what you gotta do, buddy. No, I'm

0:11:44.440 --> 0:11:45.200
<v Speaker 4>not doing that.

0:11:45.559 --> 0:11:50.680
<v Speaker 7>Why he's got an ivy drip he walks around with it.

0:11:52.360 --> 0:11:54.160
<v Speaker 4>I can't believe I just sent that. I can't.

0:11:54.440 --> 0:11:55.040
<v Speaker 6>I can't believe.

0:11:55.520 --> 0:11:58.720
<v Speaker 4>I love Ray and it's hilarious and outside chance it works,

0:11:58.760 --> 0:12:01.880
<v Speaker 4>that would be sick. I may not get it back

0:12:01.920 --> 0:12:03.920
<v Speaker 4>before tomorrow or but are you gonna go to the

0:12:03.960 --> 0:12:06.400
<v Speaker 4>show anyway? Yeah? And the show is tomorrow night?

0:12:06.880 --> 0:12:08.480
<v Speaker 9>Okay, So you do have tickets?

0:12:08.679 --> 0:12:11.920
<v Speaker 4>I mean, Alex, you didn't even say you need a ticket.

0:12:12.080 --> 0:12:13.560
<v Speaker 4>I literally just had him on and you didn't say

0:12:13.559 --> 0:12:14.120
<v Speaker 4>you need a ticket.

0:12:14.440 --> 0:12:16.520
<v Speaker 12>Didn't you just want a message? You can leave another one.

0:12:16.640 --> 0:12:18.880
<v Speaker 12>It was a voice text that I was making sure

0:12:18.920 --> 0:12:19.920
<v Speaker 12>that he has tickets.

0:12:20.120 --> 0:12:29.720
<v Speaker 4>Thank you. Also, Ray doesn't have tickets. This is so dumb. Well,

0:12:29.760 --> 0:12:33.679
<v Speaker 4>all of his money, all money wanted medical bills, and

0:12:33.760 --> 0:12:35.720
<v Speaker 4>Alex was supposed to go to John and somebody promised

0:12:35.760 --> 0:12:37.880
<v Speaker 4>Ray tickets and then they weren't able to get him.

0:12:40.240 --> 0:12:44.360
<v Speaker 4>Now I'm embarrassed. Okay, thank you and let me hit

0:12:44.360 --> 0:12:49.080
<v Speaker 4>me back. That's went in a weird direction. Man sent

0:12:49.440 --> 0:12:51.080
<v Speaker 4>All right, now I go back. Ray just died.

0:12:51.360 --> 0:12:53.440
<v Speaker 6>Is there anyway can Eddie go?

0:12:53.600 --> 0:12:53.840
<v Speaker 4>Now?

0:12:55.760 --> 0:12:57.360
<v Speaker 9>We thought Ray was gonna already be in the building.

0:12:57.480 --> 0:12:59.520
<v Speaker 4>I thought Ray was going to be there. And it's like, hey, Ray,

0:13:00.200 --> 0:13:02.520
<v Speaker 4>go on back and meet or see Sam. But it's

0:13:02.559 --> 0:13:05.000
<v Speaker 4>like Ray, Hey, Ray doesn't have a car. Is there

0:13:05.000 --> 0:13:08.320
<v Speaker 4>any way you can buy my car to get there? Okay?

0:13:08.320 --> 0:13:09.719
<v Speaker 4>I will let you know if we get a message back.

0:13:09.720 --> 0:13:11.480
<v Speaker 4>All right, Yeah, that sounds good. You feel okay about

0:13:11.480 --> 0:13:11.760
<v Speaker 4>all that?

0:13:11.880 --> 0:13:14.760
<v Speaker 7>I feel great, way better than before the bit you do,

0:13:14.920 --> 0:13:16.800
<v Speaker 7>even the whole line story of the dying.

0:13:16.880 --> 0:13:19.880
<v Speaker 4>And now he'll know that's my that's my guy. Okay,

0:13:20.080 --> 0:13:22.080
<v Speaker 4>who's over every Well, he'll know that you're that Ray's

0:13:22.120 --> 0:13:26.480
<v Speaker 4>not dying. He'll think Ray's not dying. And also when

0:13:26.480 --> 0:13:28.520
<v Speaker 4>I said when Amy Amy fed me the funny joke

0:13:28.559 --> 0:13:31.880
<v Speaker 4>of all his money is going money wanted medical bills

0:13:31.920 --> 0:13:33.679
<v Speaker 4>whenever she laughed out loud when I said it, I

0:13:33.720 --> 0:13:36.360
<v Speaker 4>think that probably tipped it off. Okay, I'm gonna play Sam. Now,

0:13:36.960 --> 0:13:38.640
<v Speaker 4>Rad you have a request? What song you gonna do?

0:13:38.640 --> 0:13:42.040
<v Speaker 4>House parties since that was what you asked, ye okay,

0:13:42.080 --> 0:13:43.560
<v Speaker 4>And if he comes back and says, yeah, Ray can

0:13:43.600 --> 0:13:45.280
<v Speaker 4>do a shot or something, I'll be like, now he

0:13:45.320 --> 0:13:47.960
<v Speaker 4>wants to go on stage, but I can't elevate until

0:13:47.960 --> 0:13:50.120
<v Speaker 4>I get to an already uncomfortable position. Yeah, I get it.

0:13:50.559 --> 0:13:53.319
<v Speaker 4>Ray Mundo, our producer does all the audio, wants to

0:13:53.320 --> 0:13:56.000
<v Speaker 4>go to Sam Hunt tonight. Sam hunts in town. I

0:13:56.000 --> 0:13:57.719
<v Speaker 4>assumed you already had tickets, because like, I just want

0:13:57.720 --> 0:13:59.520
<v Speaker 4>to go on stage. Well, you can't get on stage

0:13:59.520 --> 0:14:01.600
<v Speaker 4>if you're not in the It turns out he didn't even

0:14:01.640 --> 0:14:04.160
<v Speaker 4>have tickets, so I had to reach out to somebody, like,

0:14:04.200 --> 0:14:07.760
<v Speaker 4>can Ray get tickets to the show tonight? And he

0:14:07.840 --> 0:14:09.719
<v Speaker 4>really wants to go do shots with Sam Hunt, which

0:14:09.760 --> 0:14:13.000
<v Speaker 4>is a weird ask because Ray's in love with Sam

0:14:13.679 --> 0:14:15.160
<v Speaker 4>And so I'm here, do you want to hear? The

0:14:15.160 --> 0:14:17.880
<v Speaker 4>message is God, I don't know what's said yet. Here

0:14:17.880 --> 0:14:18.200
<v Speaker 4>we go.

0:14:19.120 --> 0:14:25.760
<v Speaker 13>Hey, Bobby heard the request from Ray, and man, I

0:14:25.800 --> 0:14:28.760
<v Speaker 13>think there needs to be a restraining order against him.

0:14:28.840 --> 0:14:31.680
<v Speaker 13>But with all of that said, in the spirit of

0:14:31.720 --> 0:14:35.880
<v Speaker 13>trying to support Ray and Sam, I've reached out to

0:14:35.960 --> 0:14:37.880
<v Speaker 13>their camps to see if there's anything we can do,

0:14:38.840 --> 0:14:42.840
<v Speaker 13>could be fun. It's not something I can necessarily make

0:14:42.880 --> 0:14:43.520
<v Speaker 13>the decision on.

0:14:43.560 --> 0:14:46.160
<v Speaker 4>So I'm just connecting with them and I'll come back

0:14:46.200 --> 0:14:47.840
<v Speaker 4>to you as soon as I have any kind of answer.

0:14:48.080 --> 0:14:50.920
<v Speaker 13>Hopefully we can make Ray's dreams come true, because that's

0:14:50.960 --> 0:14:53.440
<v Speaker 13>what I live for, is to make his dreams come true.

0:14:53.600 --> 0:14:56.080
<v Speaker 4>So he's joking a little, but yeah, he's gonna try.

0:14:55.560 --> 0:14:58.160
<v Speaker 9>But he didn't even say anything about tickets.

0:14:58.600 --> 0:15:01.320
<v Speaker 4>That's Dray's dream. But I said tickets. I'm sure they

0:15:01.760 --> 0:15:03.360
<v Speaker 4>I don't know. It doesn't sound good bones See I

0:15:03.360 --> 0:15:04.400
<v Speaker 4>didn't even sound like tickets.

0:15:04.440 --> 0:15:04.600
<v Speaker 14>Man.

0:15:05.680 --> 0:15:08.960
<v Speaker 11>I think we're more positive now than we were back then.

0:15:09.000 --> 0:15:11.040
<v Speaker 11>I think I was like twenty percent chances happened. I'd

0:15:11.040 --> 0:15:11.960
<v Speaker 11>say fifty to fifty.

0:15:12.160 --> 0:15:14.560
<v Speaker 4>I would say, I think you'll get tickets. It's not

0:15:14.960 --> 0:15:16.120
<v Speaker 4>really hard.

0:15:15.760 --> 0:15:17.560
<v Speaker 12>I felt a ticket vibe.

0:15:17.640 --> 0:15:19.520
<v Speaker 4>But I and maybe you can do something where you

0:15:19.560 --> 0:15:22.640
<v Speaker 4>go say hi, Yeah, I can always do an Instagram

0:15:22.680 --> 0:15:27.280
<v Speaker 4>post for what. I don't know how to tour hashtag Sam

0:15:28.720 --> 0:15:31.400
<v Speaker 4>Sam Man.

0:15:31.560 --> 0:15:33.280
<v Speaker 7>I know that he's joking a little bit about the

0:15:33.280 --> 0:15:35.480
<v Speaker 7>calling the police training order, but like Ray needs to

0:15:35.600 --> 0:15:36.200
<v Speaker 7>chill on that.

0:15:36.360 --> 0:15:38.800
<v Speaker 4>Well, he posts on every Sam Hunty Instagram. It's funny though,

0:15:39.680 --> 0:15:41.760
<v Speaker 4>but in real life though, it goes in seasons right,

0:15:41.800 --> 0:15:43.280
<v Speaker 4>like it's really funny, but then he does it a

0:15:43.320 --> 0:15:45.240
<v Speaker 4>little too much where it's like then it gets creepy,

0:15:45.240 --> 0:15:47.120
<v Speaker 4>but then he's so creepy it kind of gets funny again,

0:15:47.320 --> 0:15:49.640
<v Speaker 4>so it's it just kind of bounces back and forth.

0:15:49.680 --> 0:15:49.880
<v Speaker 14>Yeah.

0:15:49.880 --> 0:15:52.960
<v Speaker 11>And also my last post for on Sam's Instagram haven't

0:15:52.960 --> 0:15:55.120
<v Speaker 11>got many likes, so it is actually crossing the line.

0:15:55.120 --> 0:15:58.040
<v Speaker 4>I imagine what you say. Uh, well, the last one,

0:15:58.040 --> 0:15:58.720
<v Speaker 4>I only got one.

0:15:58.880 --> 0:16:01.640
<v Speaker 11>Like he just posted Grand Rappids Louisville, Chicago and kind

0:16:01.640 --> 0:16:04.520
<v Speaker 11>of promoting his tour, and I said, missing that carousel

0:16:04.600 --> 0:16:05.240
<v Speaker 11>in Nashville.

0:16:05.320 --> 0:16:08.160
<v Speaker 4>But soon, my bro Friday, am ditching all plans.

0:16:08.200 --> 0:16:11.160
<v Speaker 11>I'm finna get house drunk at Fifth and B grease

0:16:11.200 --> 0:16:14.600
<v Speaker 11>a worker with five bucks for top shelf. Downtown's dead,

0:16:14.640 --> 0:16:17.120
<v Speaker 11>gonna hit different once you played that one, since Downtown

0:16:17.200 --> 0:16:20.720
<v Speaker 11>died when you and me moved to the country. Yeah,

0:16:20.840 --> 0:16:24.320
<v Speaker 11>only one, Like, that's a long beau finish it.

0:16:25.880 --> 0:16:32.560
<v Speaker 4>You wrote an essay.

0:16:29.600 --> 0:16:32.960
<v Speaker 12>Hold on I Yes, Sam Hunt moved to the country

0:16:33.000 --> 0:16:34.680
<v Speaker 12>and Ray moved. Is this why I wrote to move

0:16:34.720 --> 0:16:35.200
<v Speaker 12>in the country?

0:16:35.280 --> 0:16:38.040
<v Speaker 2>In which direction of town to you.

0:16:38.920 --> 0:16:40.520
<v Speaker 4>I'm sure to ask you an honest question. Do you

0:16:40.520 --> 0:16:41.320
<v Speaker 4>know where Sam lives?

0:16:41.640 --> 0:16:41.760
<v Speaker 14>No?

0:16:41.920 --> 0:16:45.120
<v Speaker 4>But I mean I imagine it's Expensive Land.

0:16:45.720 --> 0:16:47.200
<v Speaker 5>But do you know what I'm not gonna say, but

0:16:47.200 --> 0:16:47.600
<v Speaker 5>do you know where?

0:16:47.720 --> 0:16:49.320
<v Speaker 4>Could you drive to his house? If I said, hey, Ray,

0:16:49.560 --> 0:16:51.640
<v Speaker 4>one hundred bucks drive to Sam's house right now, I

0:16:51.680 --> 0:16:52.560
<v Speaker 4>wouldn't be able to find it.

0:16:52.560 --> 0:16:54.160
<v Speaker 11>But I know where the expensive Land is, and I

0:16:54.200 --> 0:16:55.840
<v Speaker 11>know that's where all the country artists live.

0:16:55.960 --> 0:17:01.320
<v Speaker 4>No, that's okay, Expensive Land. Have fun. I'm sure I

0:17:01.320 --> 0:17:04.880
<v Speaker 4>can get you tickets. I don't know what that's going

0:17:05.000 --> 0:17:06.639
<v Speaker 4>to be as far as like what you can do

0:17:06.680 --> 0:17:08.920
<v Speaker 4>with Sam. But it just is a bit aggressive.

0:17:09.160 --> 0:17:09.520
<v Speaker 9>Yeah.

0:17:09.640 --> 0:17:14.720
<v Speaker 4>Even that man guys on this Instagram post it's eight

0:17:14.760 --> 0:17:18.080
<v Speaker 4>lines long going down. Yeah too much. It's more than what.

0:17:18.000 --> 0:17:20.320
<v Speaker 5>He wrote in the body of the message under the picture.

0:17:20.600 --> 0:17:22.120
<v Speaker 4>It made me laugh. I mean, I guess he didn't

0:17:22.119 --> 0:17:25.840
<v Speaker 4>think it was funny, or any of his fans wrote yeah,

0:17:25.840 --> 0:17:31.119
<v Speaker 4>Mikey's you the one like it? Or it's somebody named

0:17:31.359 --> 0:17:34.560
<v Speaker 4>Sarah kay Ryan thirteen, so a true fan.

0:17:34.600 --> 0:17:35.800
<v Speaker 5>Her account's private.

0:17:36.040 --> 0:17:37.719
<v Speaker 6>True fan of Ray's comments.

0:17:38.240 --> 0:17:39.560
<v Speaker 5>Okay, we'll find out. I hope you get to go

0:17:39.560 --> 0:17:40.480
<v Speaker 5>to Sam tonight. That'll be fun.

0:17:40.520 --> 0:17:43.800
<v Speaker 4>Yeah, thank you. Top three favorite Sam songs Downtown's Dead,

0:17:43.880 --> 0:17:45.240
<v Speaker 4>number one, House party to.

0:17:45.560 --> 0:17:52.639
<v Speaker 11>Ecstasy, Wow, Ecstasy, Ecstasy, Rascal you Wow.

0:17:53.800 --> 0:17:55.960
<v Speaker 4>By the way, Sam's playing the Million Dollar Show, which

0:17:56.000 --> 0:17:57.560
<v Speaker 4>is Eddie and I's show at the Ryman.

0:17:58.680 --> 0:18:00.439
<v Speaker 6>Ray will not go to the third.

0:18:00.600 --> 0:18:02.879
<v Speaker 4>Yeah, he's playing with us. You can do some songs

0:18:02.880 --> 0:18:04.880
<v Speaker 4>and Ray will not be in the building, So get

0:18:04.880 --> 0:18:05.520
<v Speaker 4>it out of your system.

0:18:05.560 --> 0:18:07.520
<v Speaker 12>Buddy, What is ecstasy about?

0:18:07.600 --> 0:18:09.480
<v Speaker 4>It's an old one. It's on the right you taught

0:18:09.520 --> 0:18:11.680
<v Speaker 4>you tell us. It's an album cut. It's a play

0:18:11.720 --> 0:18:14.359
<v Speaker 4>on words. Ecstasy is one thing. It also is X

0:18:14.520 --> 0:18:17.200
<v Speaker 4>like ex girlfriend, like.

0:18:17.160 --> 0:18:19.879
<v Speaker 5>On the mixtape, was on the like the early No

0:18:19.920 --> 0:18:20.359
<v Speaker 5>way he's.

0:18:20.240 --> 0:18:21.760
<v Speaker 6>Playing that one, but yeah, right, you liked that.

0:18:21.760 --> 0:18:22.760
<v Speaker 4>Love in the back of the trap of the t

0:18:23.040 --> 0:18:25.200
<v Speaker 4>down there and speakers. I mean that's the first song

0:18:25.240 --> 0:18:28.720
<v Speaker 4>where somebody talked in a song. Yeah, started the whole trend. No,

0:18:28.840 --> 0:18:31.800
<v Speaker 4>it's not, but he brought it back around. But Johnny

0:18:31.800 --> 0:18:33.480
<v Speaker 4>Cash talked in songs. Mm hmm.

0:18:36.320 --> 0:18:37.479
<v Speaker 9>He just gave him my answer.

0:18:39.680 --> 0:18:40.120
<v Speaker 5>Good luck.

0:18:40.160 --> 0:18:42.600
<v Speaker 4>Ray. I hope tonight it's awesome and I'll let you

0:18:42.640 --> 0:18:44.680
<v Speaker 4>know if I get an update on tickets or being

0:18:44.720 --> 0:18:47.840
<v Speaker 4>able to go to Sam's no, being able to be

0:18:47.920 --> 0:18:49.040
<v Speaker 4>around Sam at some point tonight.

0:18:49.080 --> 0:18:54.159
<v Speaker 1>Okay, cool, it's the best bits of the week with Morgan.

0:18:54.280 --> 0:18:58.440
<v Speaker 3>Number two, huge news for Amy's daughter. She was able

0:18:58.520 --> 0:19:02.439
<v Speaker 3>to change her name at school. And that name is

0:19:02.520 --> 0:19:05.120
<v Speaker 3>going to surprise you because I don't think anybody could

0:19:05.119 --> 0:19:07.600
<v Speaker 3>have predicted this. That's her name unless you've heard kind

0:19:07.600 --> 0:19:10.000
<v Speaker 3>of some of the segments of Amy talking about it before.

0:19:10.240 --> 0:19:10.680
<v Speaker 8>But if you.

0:19:10.640 --> 0:19:12.719
<v Speaker 3>Haven't, you're gonna be like, wait, what And it's just

0:19:12.720 --> 0:19:14.840
<v Speaker 3>at school. It's not in her day to day life,

0:19:14.920 --> 0:19:18.000
<v Speaker 3>just at school. So you're about to meet Amy's daughter

0:19:18.480 --> 0:19:19.720
<v Speaker 3>with her new name for the first time.

0:19:20.280 --> 0:19:23.560
<v Speaker 4>Number five, we had mentioned it just in passing a

0:19:23.560 --> 0:19:25.800
<v Speaker 4>bit a few weeks ago. But Amy's daughters to Shira,

0:19:26.080 --> 0:19:27.959
<v Speaker 4>which is what I know we're in call her as.

0:19:28.000 --> 0:19:29.080
<v Speaker 4>But she decided a school she want to be a

0:19:29.119 --> 0:19:29.640
<v Speaker 4>different name.

0:19:30.000 --> 0:19:32.480
<v Speaker 12>Yeah, says her given name by her mom and Haiti.

0:19:32.359 --> 0:19:34.840
<v Speaker 4>And so she's been probably not common.

0:19:34.640 --> 0:19:36.080
<v Speaker 12>As long as I could know her.

0:19:36.320 --> 0:19:38.240
<v Speaker 4>Probably not common a common name, yeah, but.

0:19:38.240 --> 0:19:42.399
<v Speaker 12>She likes her name, and that's what she's known, like,

0:19:42.600 --> 0:19:46.040
<v Speaker 12>you know, church outside of Shira to Shira. But then

0:19:46.080 --> 0:19:49.320
<v Speaker 12>at school she decided to change her name to Diamond.

0:19:49.800 --> 0:19:53.480
<v Speaker 4>That's a legit name. Yeah, And I also wouldn't mind

0:19:53.480 --> 0:19:56.560
<v Speaker 4>going they let you do that.

0:19:56.760 --> 0:20:00.080
<v Speaker 12>Well that at school they say, you know you, you

0:20:00.119 --> 0:20:01.440
<v Speaker 12>have your name, and then I guess they say, is

0:20:02.040 --> 0:20:04.920
<v Speaker 12>there a nickname you have or what name would.

0:20:04.680 --> 0:20:06.159
<v Speaker 4>You like to be called? Like, if there's a Charlie

0:20:06.160 --> 0:20:08.600
<v Speaker 4>and let's go by Chuck, right natural, if there's a

0:20:08.880 --> 0:20:11.320
<v Speaker 4>my real name is Bobby, it's not Robert. So but

0:20:11.359 --> 0:20:13.399
<v Speaker 4>if there's a Robert and let's go by Bobby or

0:20:13.760 --> 0:20:17.720
<v Speaker 4>the comments to share it a Diamond, same good transition. Yeah.

0:20:17.760 --> 0:20:19.720
<v Speaker 12>So this is way back at the beginning of the

0:20:19.720 --> 0:20:22.680
<v Speaker 12>school year, and I didn't learn it from her. It

0:20:22.800 --> 0:20:25.439
<v Speaker 12>was that she was she had signed up for an

0:20:25.480 --> 0:20:28.960
<v Speaker 12>extracurricular club and so they had a roster sheet where

0:20:29.000 --> 0:20:30.800
<v Speaker 12>everybody kind of signed in. And then I sent an

0:20:30.840 --> 0:20:32.840
<v Speaker 12>email about it because there was like a thirty dollars

0:20:32.960 --> 0:20:36.199
<v Speaker 12>dues or something for the year, and so I emailed

0:20:36.240 --> 0:20:40.560
<v Speaker 12>about that and said Amy Brown's Toashira's mom and she

0:20:40.760 --> 0:20:42.800
<v Speaker 12>replied back, I don't have this to share on the

0:20:43.240 --> 0:20:45.800
<v Speaker 12>sign in sheet. And I'm like, huh, that's weird because

0:20:45.880 --> 0:20:47.840
<v Speaker 12>she's all excited she talked about it.

0:20:48.080 --> 0:20:50.680
<v Speaker 4>And named Diamond Brown an awesome name. Yeah.

0:20:50.720 --> 0:20:54.080
<v Speaker 12>That teacher replied, or the whoever the sponsor was for

0:20:54.119 --> 0:20:57.119
<v Speaker 12>the club, and she said, oh, you're talking about Diamond,

0:20:57.320 --> 0:21:00.879
<v Speaker 12>and I thought, oh am I when she got home.

0:21:01.359 --> 0:21:03.920
<v Speaker 4>You know, girl friends call her dime, then dime, because

0:21:03.960 --> 0:21:06.840
<v Speaker 4>you know, diamond is little. Too many syllables, go dime.

0:21:07.560 --> 0:21:11.280
<v Speaker 7>Yeah, Diamond's two syllables, Diamond, it's not too many?

0:21:11.359 --> 0:21:12.520
<v Speaker 4>Yeah, too many.

0:21:12.920 --> 0:21:15.200
<v Speaker 12>Even though it's been months, I still get caught off guard.

0:21:15.400 --> 0:21:16.040
<v Speaker 4>We call lunchbox.

0:21:16.040 --> 0:21:17.440
<v Speaker 5>That's two syllables, lunchbox.

0:21:17.600 --> 0:21:20.720
<v Speaker 12>No, we called lunch No, it's it's diamond.

0:21:20.720 --> 0:21:25.560
<v Speaker 4>But Eddie one syllable, ed No, I just go Eddie. Okay,

0:21:25.880 --> 0:21:28.720
<v Speaker 4>you guys learned it by that the clap yeah Edie. Yeah.

0:21:28.800 --> 0:21:30.240
<v Speaker 4>I didn't even I never even knew how to do

0:21:30.240 --> 0:21:31.480
<v Speaker 4>syables til I got the clap, and then all of

0:21:31.480 --> 0:21:32.720
<v Speaker 4>a sudden, I had I knew how to do it.

0:21:32.840 --> 0:21:36.800
<v Speaker 4>The clap. Yeah.

0:21:36.840 --> 0:21:39.040
<v Speaker 12>So, but I meet some of her friends and her

0:21:39.040 --> 0:21:41.280
<v Speaker 12>friend's mom, like the other day of a friend's mom

0:21:41.359 --> 0:21:43.160
<v Speaker 12>came to pick up the friend and she was like, Oh,

0:21:43.160 --> 0:21:45.200
<v Speaker 12>we're just so glad that diamonds in our life.

0:21:45.240 --> 0:21:45.920
<v Speaker 4>That we've met Dion.

0:21:46.200 --> 0:21:48.960
<v Speaker 12>That's crazy and I kind of I kind of get

0:21:48.960 --> 0:21:51.159
<v Speaker 12>caught off guard every time it happens, and then I'm like,

0:21:51.240 --> 0:21:52.080
<v Speaker 12>oh yeah.

0:21:51.960 --> 0:21:53.920
<v Speaker 4>Yeah, yeah, and then you don't call it that at all.

0:21:54.200 --> 0:21:58.159
<v Speaker 12>No. No, Sometimes if i'm you know, funny, how is

0:21:58.200 --> 0:21:58.880
<v Speaker 12>Diamond's day?

0:21:59.160 --> 0:22:02.159
<v Speaker 4>Yeah? And you know, yes, So you're not legally going

0:22:02.200 --> 0:22:02.600
<v Speaker 4>to change it.

0:22:02.720 --> 0:22:06.200
<v Speaker 12>No, she doesn't want to. Everywhere else she's her.

0:22:06.280 --> 0:22:08.600
<v Speaker 4>Yeah, what would you like your name to be changed?

0:22:08.800 --> 0:22:13.080
<v Speaker 4>If you could these? But the problem is you lose

0:22:13.119 --> 0:22:15.320
<v Speaker 4>every bit of right name recognition you have, and it's

0:22:15.359 --> 0:22:18.040
<v Speaker 4>it's like starting over. Okay, would you want to change.

0:22:17.880 --> 0:22:20.400
<v Speaker 12>Your name if for the sake of this No?

0:22:20.400 --> 0:22:23.119
<v Speaker 5>No, no, just would you change a name if that

0:22:23.200 --> 0:22:24.520
<v Speaker 5>was an option on this show?

0:22:24.560 --> 0:22:26.360
<v Speaker 4>For now on? You get to go buy whatever you want.

0:22:26.359 --> 0:22:29.800
<v Speaker 4>But we change all the promos. We never address that

0:22:29.920 --> 0:22:32.280
<v Speaker 4>you used to be amy. No, we just call you

0:22:32.280 --> 0:22:32.880
<v Speaker 4>your new name.

0:22:33.640 --> 0:22:35.639
<v Speaker 12>No. I would keep my everything. I mean, I'm not

0:22:35.680 --> 0:22:38.480
<v Speaker 12>even changing my last name from my marriage.

0:22:38.760 --> 0:22:41.600
<v Speaker 4>Was that part of the settlement? No, you keep it,

0:22:41.800 --> 0:22:42.800
<v Speaker 4>that's one thing you have to keep.

0:22:43.000 --> 0:22:45.440
<v Speaker 12>No, but I feel like that's for the last seventeen years.

0:22:45.440 --> 0:22:47.320
<v Speaker 12>It's a kid and the kids.

0:22:47.640 --> 0:22:49.160
<v Speaker 5>Yes, so you don't want to change your name?

0:22:49.960 --> 0:22:53.199
<v Speaker 7>No, okay, Eddie man, I thought about it, like I

0:22:53.320 --> 0:22:55.800
<v Speaker 7>like Willie. I think Willie Garcia would be really cool.

0:22:55.880 --> 0:22:59.159
<v Speaker 7>Willy's pretty cool, right, But I can't change it. I

0:22:59.160 --> 0:23:00.840
<v Speaker 7>can't change I have two more any things under my name,

0:23:00.880 --> 0:23:02.320
<v Speaker 7>and then I'm gonna do smoking chicken.

0:23:02.359 --> 0:23:04.320
<v Speaker 4>It's got to be anybody.

0:23:04.320 --> 0:23:05.080
<v Speaker 9>He's not doing.

0:23:05.000 --> 0:23:05.960
<v Speaker 4>Willly smoking chicken.

0:23:06.119 --> 0:23:07.000
<v Speaker 6>I don't know Willy.

0:23:07.480 --> 0:23:10.199
<v Speaker 4>I don't know. Oh Willy, then nothing like Willie Nelson.

0:23:10.359 --> 0:23:11.560
<v Speaker 4>Willy's more of a smoking chicken.

0:23:12.960 --> 0:23:14.080
<v Speaker 6>Maybe we got something here.

0:23:14.160 --> 0:23:15.760
<v Speaker 4>I know Lunchbox wants to change it. What would you

0:23:15.800 --> 0:23:16.119
<v Speaker 4>change it to?

0:23:16.359 --> 0:23:16.959
<v Speaker 9>Sex symbol?

0:23:18.240 --> 0:23:21.240
<v Speaker 4>We just have to call you sex sex dude? Hi?

0:23:21.400 --> 0:23:22.360
<v Speaker 9>Sex? What up?

0:23:22.680 --> 0:23:22.880
<v Speaker 4>Yeah?

0:23:24.680 --> 0:23:25.399
<v Speaker 12>Would you change?

0:23:26.280 --> 0:23:28.800
<v Speaker 4>No? Not even Bob, not even to Bob. We did

0:23:28.800 --> 0:23:30.320
<v Speaker 4>that bit once for we had a bunch of things

0:23:30.359 --> 0:23:31.800
<v Speaker 4>cut where it was the Bob Bone Show, like an

0:23:31.800 --> 0:23:34.560
<v Speaker 4>April Fools to mess with people, and I didn't like that.

0:23:34.600 --> 0:23:39.400
<v Speaker 4>I don't like that feels Bob feels Bob feels older.

0:23:39.520 --> 0:23:42.879
<v Speaker 4>It feels not only older, but like I have the

0:23:43.200 --> 0:23:44.480
<v Speaker 4>the balding ring on my head.

0:23:44.960 --> 0:23:45.640
<v Speaker 9>I can see that.

0:23:45.920 --> 0:23:47.560
<v Speaker 6>Oh yeah, you know it feels good?

0:23:47.720 --> 0:23:48.040
<v Speaker 9>Sex?

0:23:48.480 --> 0:23:49.879
<v Speaker 12>What stop?

0:23:50.040 --> 0:23:51.120
<v Speaker 5>To be called that he's saying.

0:23:52.000 --> 0:23:52.920
<v Speaker 6>That's not what he was saying.

0:23:53.119 --> 0:23:53.800
<v Speaker 9>That's what I'm saying.

0:23:53.840 --> 0:23:56.040
<v Speaker 4>Yeah, sex, I hear you, buddy.

0:23:55.800 --> 0:23:56.800
<v Speaker 8>Thank you.

0:23:56.800 --> 0:23:57.800
<v Speaker 9>You guys just don't understand.

0:23:57.840 --> 0:24:01.399
<v Speaker 4>Hey, what about be Well, that is short for Bobby.

0:24:01.520 --> 0:24:03.119
<v Speaker 4>I know you call me that sometimes our bone, but

0:24:03.240 --> 0:24:07.320
<v Speaker 4>you can spell like b E bones bb bones bones

0:24:07.359 --> 0:24:10.040
<v Speaker 4>one syllable. You try to achieve a nickname with one syllable.

0:24:10.119 --> 0:24:11.840
<v Speaker 4>That happens a lot. That's true, it looks.

0:24:13.040 --> 0:24:14.560
<v Speaker 6>But you wanted to be sex symbol.

0:24:14.920 --> 0:24:17.120
<v Speaker 4>Well, that his full name, that's his full first name.

0:24:17.280 --> 0:24:20.560
<v Speaker 10>Yeah, but he said we would shortened to sex.

0:24:20.640 --> 0:24:26.160
<v Speaker 4>Yeah, which is like sex. I'll consider it, thank you, okay, Okay,

0:24:26.160 --> 0:24:27.240
<v Speaker 4>say I'm gonna go with it for sure.

0:24:27.400 --> 0:24:29.359
<v Speaker 6>Yeah, boy, I don't think I can call him that

0:24:29.400 --> 0:24:29.840
<v Speaker 6>every day.

0:24:29.920 --> 0:24:31.640
<v Speaker 4>I will not, so let me say it left. We're

0:24:31.680 --> 0:24:33.480
<v Speaker 4>practicing a bit all right. Time for the bonehead story

0:24:33.520 --> 0:24:38.840
<v Speaker 4>the day. Let's go over to sex this story. Yeah,

0:24:39.080 --> 0:24:39.560
<v Speaker 4>pretty good.

0:24:39.840 --> 0:24:40.879
<v Speaker 6>That's a funny one sex.

0:24:43.520 --> 0:24:44.480
<v Speaker 4>Hey, that's good sex.

0:24:44.600 --> 0:24:46.800
<v Speaker 9>Thanks what I do?

0:24:47.119 --> 0:24:50.480
<v Speaker 4>Okay, guys, I'll consider it. Let me give me, give

0:24:50.520 --> 0:24:53.399
<v Speaker 4>me a couple of days. You guys call us if

0:24:53.400 --> 0:24:56.919
<v Speaker 4>you want. Eight seven seven seventy seven, Bobby Sex, how

0:24:56.960 --> 0:24:57.560
<v Speaker 4>you feeling today.

0:24:57.720 --> 0:24:58.440
<v Speaker 9>I'm feeling great.

0:24:59.480 --> 0:25:05.720
<v Speaker 10>Of course you are worn out, He's.

0:25:04.520 --> 0:25:08.840
<v Speaker 4>Saying, I have three kids. It's tired, right, have three kids.

0:25:09.240 --> 0:25:10.160
<v Speaker 6>That's how you have kids.

0:25:10.720 --> 0:25:16.320
<v Speaker 4>No, he is all right, right, right, sorry, sorry, giggling

0:25:16.359 --> 0:25:16.720
<v Speaker 4>the whole time.

0:25:17.040 --> 0:25:22.720
<v Speaker 10>You guys gotta rued it, You guys gotta quit being immature.

0:25:22.880 --> 0:25:25.959
<v Speaker 4>Yes see, now we have to go all right.

0:25:27.440 --> 0:25:30.639
<v Speaker 1>It's the best bits of the week with Morgan.

0:25:30.720 --> 0:25:31.120
<v Speaker 9>Number two.

0:25:34.000 --> 0:25:35.639
<v Speaker 2>So there was a situation at the studio.

0:25:35.880 --> 0:25:38.480
<v Speaker 3>Some flowers arrived and Lunchbox was like, oh my gosh,

0:25:38.480 --> 0:25:41.399
<v Speaker 3>Morgan's in love. Well, it turns out a very kind

0:25:41.640 --> 0:25:45.280
<v Speaker 3>listener named Dave sent me some flowers, very beautiful flowers,

0:25:45.720 --> 0:25:48.160
<v Speaker 3>and well, the guys wanted to call him and talk

0:25:48.200 --> 0:25:49.919
<v Speaker 3>to him, find out why he's in the flowers, and

0:25:50.160 --> 0:25:52.280
<v Speaker 3>find out what he's all about, basically acting like my

0:25:52.320 --> 0:25:54.760
<v Speaker 3>older brothers. And that's what you're about to hear is

0:25:54.760 --> 0:25:57.120
<v Speaker 3>the call with Dave. So shout out Dave, like really

0:25:57.160 --> 0:25:59.440
<v Speaker 3>cool that you sent flowers and it's really awesome. And

0:25:59.800 --> 0:26:02.520
<v Speaker 3>now are you gonna hear Bobby, Lunchbox Eddie act like

0:26:02.600 --> 0:26:03.480
<v Speaker 3>my big brothers.

0:26:04.080 --> 0:26:07.000
<v Speaker 4>Number four, Okay, on the phone is Dave, we're not

0:26:07.040 --> 0:26:08.600
<v Speaker 4>gonna put him up yet, right he can't hear me

0:26:08.680 --> 0:26:12.760
<v Speaker 4>right now, right right, like on hold, he can't hear me.

0:26:12.800 --> 0:26:15.479
<v Speaker 5>Okay, well, well no, I said, don't put him up yet.

0:26:15.480 --> 0:26:16.400
<v Speaker 5>Oh boy, now he can.

0:26:18.240 --> 0:26:20.640
<v Speaker 4>Morgan, you're not here, okay, I'm not here, So don't

0:26:20.720 --> 0:26:24.159
<v Speaker 4>don't make a noise. Don't do your thing where you

0:26:24.240 --> 0:26:26.720
<v Speaker 4>fall down because your eyes are almost up. Don't do

0:26:26.760 --> 0:26:29.480
<v Speaker 4>that thing where you can't take for mill. Yeah. So

0:26:29.600 --> 0:26:34.800
<v Speaker 4>Dave sent Morgan flowers. Dave lives in Ohio, and he

0:26:34.880 --> 0:26:37.119
<v Speaker 4>sent Morgan flowers because.

0:26:36.760 --> 0:26:40.159
<v Speaker 3>Why he thought I deserve to have them on Valentine's

0:26:40.200 --> 0:26:42.880
<v Speaker 3>Day because I'm single, and I didn't get any.

0:26:43.040 --> 0:26:44.600
<v Speaker 4>And he didn't really leave a message as to like,

0:26:44.640 --> 0:26:46.719
<v Speaker 4>hey call me as far as I come, I'd love

0:26:46.760 --> 0:26:48.560
<v Speaker 4>to take you out. It was just like, here's some flowers.

0:26:48.600 --> 0:26:51.000
<v Speaker 3>He was just like, if you'd like to show appreciation,

0:26:51.080 --> 0:26:51.760
<v Speaker 3>here's my number.

0:26:51.760 --> 0:26:53.479
<v Speaker 2>But it's not it's not needed.

0:26:54.000 --> 0:26:57.840
<v Speaker 4>Oh well, Dave's on now. Morgan is officially she's off

0:26:57.960 --> 0:27:00.639
<v Speaker 4>right now, and but the three big other's gonna hop

0:27:00.680 --> 0:27:05.520
<v Speaker 4>in here and no, no, no you oh oh it's

0:27:05.640 --> 0:27:09.000
<v Speaker 4>it's due. We're intimidating. Oh yeah, what was budd.

0:27:08.800 --> 0:27:10.879
<v Speaker 6>Because, yeah, what are your intentions with Morgan?

0:27:11.359 --> 0:27:12.800
<v Speaker 4>I'll do a sound effect? I got a shot again,

0:27:13.960 --> 0:27:18.320
<v Speaker 4>all right, put them on right? Hey Dave, what's up, buddy?

0:27:19.400 --> 0:27:21.040
<v Speaker 14>How much? How you guys doing do it pretty good?

0:27:21.119 --> 0:27:24.400
<v Speaker 4>Uh? It's just me, Bobby, Eddie and Lunchbox here talking

0:27:24.440 --> 0:27:26.240
<v Speaker 4>with you. And thanks for taking a few minutes to

0:27:27.000 --> 0:27:29.119
<v Speaker 4>talk with us. Because we saw that you send the

0:27:29.119 --> 0:27:30.960
<v Speaker 4>flowers up here. We thought that was super sweet of you,

0:27:31.040 --> 0:27:35.200
<v Speaker 4>right guys, Yeah, yeah, So so tell me what what

0:27:35.240 --> 0:27:36.720
<v Speaker 4>motivated you to send flowers to Morgan?

0:27:37.080 --> 0:27:38.760
<v Speaker 14>I don't know. She said she really didn't have a

0:27:38.760 --> 0:27:43.920
<v Speaker 14>good memory for Valentine's Day, so I hope I could help.

0:27:44.000 --> 0:27:44.359
<v Speaker 14>I guess.

0:27:44.440 --> 0:27:46.680
<v Speaker 4>Yeah. Do you follow her on Instagram? Like, have you

0:27:46.720 --> 0:27:48.399
<v Speaker 4>seen what she looks like? Like you feel like you

0:27:48.440 --> 0:27:50.119
<v Speaker 4>know a little bit from her social media posts?

0:27:50.200 --> 0:27:52.400
<v Speaker 14>Yeah? And I listened to the radio too cool?

0:27:52.520 --> 0:27:53.159
<v Speaker 4>Do you what do you?

0:27:53.160 --> 0:27:53.920
<v Speaker 14>Fellow? You guys?

0:27:54.000 --> 0:27:55.800
<v Speaker 4>Oh? Thanks? Man? What do you feel like you have

0:27:55.880 --> 0:27:58.680
<v Speaker 4>in common with Morgan? Because I would see this because

0:27:58.680 --> 0:28:02.840
<v Speaker 4>they were like rote different roses. They were legit, I like,

0:28:03.119 --> 0:28:06.000
<v Speaker 4>but semi half romantic, not just hey buddy, buddy. It

0:28:06.040 --> 0:28:09.320
<v Speaker 4>was like maybe something could happen romantically from this? What

0:28:09.400 --> 0:28:11.280
<v Speaker 4>do you think you and Morgan have in common that

0:28:11.280 --> 0:28:12.440
<v Speaker 4>would let you guys hit it off?

0:28:13.040 --> 0:28:15.160
<v Speaker 14>Honestly, I'm not really sure. I mean, I wasn't really

0:28:15.160 --> 0:28:18.560
<v Speaker 14>trying to be oh like, super romantic, considering I live

0:28:18.800 --> 0:28:23.600
<v Speaker 14>in a completely other state, but considering this is also

0:28:23.640 --> 0:28:27.080
<v Speaker 14>for Valentine's Day and whatnot, so I figured just kind

0:28:27.080 --> 0:28:27.800
<v Speaker 14>of went with a theme.

0:28:27.880 --> 0:28:28.439
<v Speaker 4>That's good to know.

0:28:28.520 --> 0:28:29.840
<v Speaker 6>So, David, you're just being a nice guy.

0:28:30.880 --> 0:28:33.200
<v Speaker 14>Someone flowers, yeah, pretty much.

0:28:33.720 --> 0:28:34.280
<v Speaker 4>Are you married?

0:28:35.600 --> 0:28:35.760
<v Speaker 14>No?

0:28:35.920 --> 0:28:37.680
<v Speaker 4>Good deal. I just turned to throwing that real quick.

0:28:37.720 --> 0:28:40.080
<v Speaker 14>That would kind of be a yeah, bad, bad thing

0:28:40.200 --> 0:28:40.719
<v Speaker 14>if I was.

0:28:41.120 --> 0:28:41.760
<v Speaker 9>Are you dating?

0:28:41.920 --> 0:28:43.400
<v Speaker 4>Yeah?

0:28:43.480 --> 0:28:43.880
<v Speaker 14>I am not.

0:28:44.040 --> 0:28:44.760
<v Speaker 4>Have you been married?

0:28:46.120 --> 0:28:46.280
<v Speaker 14>No?

0:28:46.720 --> 0:28:47.440
<v Speaker 4>Have you been dating?

0:28:47.600 --> 0:28:49.720
<v Speaker 14>Not married? No kids? Been dating?

0:28:49.960 --> 0:28:50.160
<v Speaker 4>Yeah?

0:28:50.360 --> 0:28:51.400
<v Speaker 14>So you've been on recently?

0:28:51.480 --> 0:28:52.600
<v Speaker 4>But are you on the apps?

0:28:53.040 --> 0:28:55.479
<v Speaker 14>I'm on some of them? What's kind of giving up

0:28:55.480 --> 0:28:56.920
<v Speaker 14>on them? I just worked too much?

0:28:57.000 --> 0:28:59.560
<v Speaker 4>I felt that, buddy, what celebrity would you say? You

0:28:59.600 --> 0:29:01.320
<v Speaker 4>mostly client? Good? Question of.

0:29:03.000 --> 0:29:07.600
<v Speaker 14>The bad guy from the Matrix series, I can't remember

0:29:07.600 --> 0:29:08.000
<v Speaker 14>his name?

0:29:08.720 --> 0:29:11.040
<v Speaker 4>Is that Lawrence Fisher? Lawrence Fishbern yea Lawrence Fishburn.

0:29:11.280 --> 0:29:12.720
<v Speaker 14>No, he was a good butt, he was a.

0:29:12.720 --> 0:29:13.560
<v Speaker 4>Good Oh that's true.

0:29:13.680 --> 0:29:18.160
<v Speaker 14>That's true. Yeah, the one, Agent Smith. That's what his

0:29:18.240 --> 0:29:19.600
<v Speaker 14>name was. I can't remember his celebrity.

0:29:20.080 --> 0:29:25.880
<v Speaker 4>Yeah, agent Smith. Yeah, his name is Hugo Weaving. That's

0:29:25.880 --> 0:29:27.360
<v Speaker 4>who you. I don't even that is. That's he's a

0:29:27.360 --> 0:29:29.760
<v Speaker 4>good looking do you think so? Huh?

0:29:29.800 --> 0:29:31.760
<v Speaker 9>How oldfl are you?

0:29:31.960 --> 0:29:32.960
<v Speaker 4>Hugo sixty three?

0:29:33.040 --> 0:29:34.120
<v Speaker 5>Oh, Hugo sixty three?

0:29:34.120 --> 0:29:34.280
<v Speaker 4>Now?

0:29:34.360 --> 0:29:35.480
<v Speaker 5>And I guess maybe if you look like.

0:29:35.600 --> 0:29:37.400
<v Speaker 9>He's only forty three, I mean that's yeah.

0:29:37.480 --> 0:29:40.200
<v Speaker 5>Yeah, yeah, you got a job he does?

0:29:40.240 --> 0:29:40.680
<v Speaker 6>He works a lot.

0:29:40.960 --> 0:29:42.320
<v Speaker 14>Yeah, I drive a semi for a living.

0:29:42.360 --> 0:29:44.640
<v Speaker 4>Oh so you drive around into other states?

0:29:44.800 --> 0:29:45.120
<v Speaker 6>Okay?

0:29:45.200 --> 0:29:47.880
<v Speaker 10>So yeah, and Morgan psychic said she was going to

0:29:47.920 --> 0:29:49.120
<v Speaker 10>meet someone from out of state.

0:29:49.200 --> 0:29:53.000
<v Speaker 4>Okay, follow me here. Ever, are you driving regionally nationally?

0:29:53.680 --> 0:29:55.320
<v Speaker 4>Are you talking to a CDL license?

0:29:56.120 --> 0:30:00.320
<v Speaker 14>And yeah? I primarily drive in Ohio and miss again.

0:30:00.480 --> 0:30:03.360
<v Speaker 4>Okay, so it's so region the regional there. Yeah, Okay,

0:30:03.360 --> 0:30:04.440
<v Speaker 4>have you ever been to Nashville?

0:30:04.960 --> 0:30:05.479
<v Speaker 14>Actually? No?

0:30:06.080 --> 0:30:07.800
<v Speaker 4>Oh man, this is getting better and better. If you

0:30:07.840 --> 0:30:10.560
<v Speaker 4>were to take Morgan on a date, what kind of

0:30:10.600 --> 0:30:12.040
<v Speaker 4>date would you take her on a first date?

0:30:13.240 --> 0:30:16.600
<v Speaker 14>Honestly, I got no idea. I'm not really familiar with

0:30:16.680 --> 0:30:17.520
<v Speaker 14>Nashville because I have.

0:30:17.520 --> 0:30:19.040
<v Speaker 4>Let's say she came to your town. Let's say we

0:30:19.080 --> 0:30:19.560
<v Speaker 4>center up.

0:30:19.520 --> 0:30:21.240
<v Speaker 14>There this time of year. I'm not really sure.

0:30:21.400 --> 0:30:26.960
<v Speaker 4>Put her in the big room, let her pull them. Yeah.

0:30:26.960 --> 0:30:28.280
<v Speaker 4>What kind of cargo you moving around?

0:30:28.880 --> 0:30:30.720
<v Speaker 14>Automotive parts for jeep?

0:30:30.960 --> 0:30:31.960
<v Speaker 4>How big old boy are you?

0:30:32.240 --> 0:30:32.600
<v Speaker 3>Jeep?

0:30:32.920 --> 0:30:33.120
<v Speaker 12>Oh?

0:30:33.400 --> 0:30:34.480
<v Speaker 8>Morgan, you're not here?

0:30:34.600 --> 0:30:36.880
<v Speaker 4>I I okay, I'm gonna get it. I'm gonna get back.

0:30:37.560 --> 0:30:40.320
<v Speaker 14>How big that's Amy?

0:30:40.560 --> 0:30:41.480
<v Speaker 4>How big old boy are you?

0:30:42.440 --> 0:30:45.240
<v Speaker 14>Like? Two hundred and twenty height?

0:30:45.280 --> 0:30:45.480
<v Speaker 4>Though?

0:30:45.640 --> 0:30:46.120
<v Speaker 14>Oh? Six?

0:30:46.120 --> 0:30:46.959
<v Speaker 9>What okay?

0:30:47.080 --> 0:30:47.280
<v Speaker 14>Oh?

0:30:47.560 --> 0:30:50.200
<v Speaker 4>Pretty solid guy? Us? Yeah? No, no, just a six

0:30:50.240 --> 0:30:53.640
<v Speaker 4>you're not even six five six foot man? Amy?

0:30:53.640 --> 0:30:55.400
<v Speaker 5>My, my my friend, Amy's coming through my ear?

0:30:55.400 --> 0:30:55.960
<v Speaker 4>What did you mean? Dad?

0:30:56.000 --> 0:30:56.200
<v Speaker 15>Say?

0:30:56.200 --> 0:30:57.840
<v Speaker 4>Oh, he's the jeep? Morgan tries a jeep.

0:30:58.080 --> 0:30:59.120
<v Speaker 12>Yeah, they have that in common.

0:30:59.200 --> 0:31:02.000
<v Speaker 4>Yeah. Is it that brand jeep? Or do you move jeeps?

0:31:02.080 --> 0:31:04.959
<v Speaker 14>Just the brand of Paul? Like door parts?

0:31:07.000 --> 0:31:07.640
<v Speaker 12>A door part?

0:31:07.880 --> 0:31:10.560
<v Speaker 4>Yeah, guys, let's do one question. Let's decide if he's

0:31:10.560 --> 0:31:12.920
<v Speaker 4>good enough for our girl or I yeah, lunch box.

0:31:12.960 --> 0:31:13.960
<v Speaker 4>What do you want to ask? Dave here?

0:31:14.560 --> 0:31:16.600
<v Speaker 9>How much money you got in your bank accounts?

0:31:16.640 --> 0:31:18.640
<v Speaker 5>That crazy question to ask, but I'm here for it.

0:31:20.240 --> 0:31:21.280
<v Speaker 14>Enough to fix my truck?

0:31:21.440 --> 0:31:23.840
<v Speaker 6>Boom Eddie, have you ever been arrested Dave.

0:31:24.240 --> 0:31:25.400
<v Speaker 14>No, that's good.

0:31:25.400 --> 0:31:28.160
<v Speaker 4>So mine was going to be sexual registry, but he's no,

0:31:28.240 --> 0:31:30.400
<v Speaker 4>he's not been arrested because we don't have to know

0:31:30.440 --> 0:31:32.640
<v Speaker 4>where he lives by the dogars and all that. Yeah, uh,

0:31:32.800 --> 0:31:34.880
<v Speaker 4>what is your let's your My question is today?

0:31:34.920 --> 0:31:35.320
<v Speaker 6>What are you like?

0:31:35.360 --> 0:31:36.880
<v Speaker 5>Three hobbies you enjoy doing the most.

0:31:37.040 --> 0:31:42.760
<v Speaker 14>I enjoy building firearms. I enjoy drawing and online gaming

0:31:42.760 --> 0:31:45.680
<v Speaker 14>with a couple of friends of mine that live nowhere

0:31:45.720 --> 0:31:46.040
<v Speaker 14>near me.

0:31:46.240 --> 0:31:49.120
<v Speaker 4>I felt that I love the online gamming part. Don't

0:31:49.160 --> 0:31:50.800
<v Speaker 4>like to draw sounds like you're in a militia. The

0:31:50.840 --> 0:31:53.200
<v Speaker 4>first part build fire arm.

0:31:53.440 --> 0:31:55.200
<v Speaker 14>I just plays a preparnology behind him.

0:31:55.320 --> 0:31:58.720
<v Speaker 4>Yeah, okay, well we're going to take these notes and

0:31:58.840 --> 0:32:01.120
<v Speaker 4>give them the Morgan and I think if you ever

0:32:01.160 --> 0:32:03.080
<v Speaker 4>come to Nashville, you should let us know because that

0:32:03.160 --> 0:32:05.320
<v Speaker 4>was very nice of you. Aside from everything else, that

0:32:05.440 --> 0:32:07.240
<v Speaker 4>was very sweet of you. Oh, morgan'salking into the room.

0:32:07.280 --> 0:32:10.560
<v Speaker 4>Now we say hi, Morgan. Morgan's here. Hello. We were

0:32:10.600 --> 0:32:12.840
<v Speaker 4>talking to Dave. You don't know anything about Dave, but

0:32:12.920 --> 0:32:14.120
<v Speaker 4>he seems like a really great guys.

0:32:14.320 --> 0:32:14.840
<v Speaker 5>What do you want to say?

0:32:14.840 --> 0:32:15.680
<v Speaker 4>You just say thanks? What do you want to say?

0:32:15.680 --> 0:32:16.480
<v Speaker 4>Difference for the flowers.

0:32:16.600 --> 0:32:18.720
<v Speaker 3>Yeah, Dave, thanks for the flowers. That was really sweet

0:32:18.720 --> 0:32:20.800
<v Speaker 3>of you to think of that, and they're really pretty flowers.

0:32:20.840 --> 0:32:23.160
<v Speaker 3>That was just a really kind gesture for someone that

0:32:23.280 --> 0:32:24.960
<v Speaker 3>you just kind of know through the internet.

0:32:25.080 --> 0:32:25.640
<v Speaker 14>So thank you.

0:32:25.840 --> 0:32:27.600
<v Speaker 4>Good guy, Dave. Right here, good guy, Dave, good guy.

0:32:27.680 --> 0:32:30.040
<v Speaker 4>Da All right, Dave, here's what I think. I think

0:32:30.080 --> 0:32:32.320
<v Speaker 4>if you ever come to Nashville. I can't promise you

0:32:32.360 --> 0:32:34.880
<v Speaker 4>a date with Morgan because I'm really not her pimp,

0:32:35.160 --> 0:32:38.480
<v Speaker 4>but I would love to meet you. Come by the

0:32:38.480 --> 0:32:40.480
<v Speaker 4>studio say high to us, and Morgan would be a

0:32:40.480 --> 0:32:41.560
<v Speaker 4>part of that group, So let us know if you

0:32:41.600 --> 0:32:42.160
<v Speaker 4>ever come by.

0:32:42.720 --> 0:32:43.200
<v Speaker 6>I can do that.

0:32:43.320 --> 0:32:46.520
<v Speaker 4>Yeah, I really appreciate the gesture toward her and just

0:32:46.640 --> 0:32:48.360
<v Speaker 4>of kindness. I think that goes a long way just

0:32:48.440 --> 0:32:50.960
<v Speaker 4>in life. So thank you, and hopefully we'll talk again

0:32:51.040 --> 0:32:52.120
<v Speaker 4>soon and let us know if you're ever come in

0:32:52.160 --> 0:32:52.840
<v Speaker 4>this way. Hong Kong.

0:32:52.960 --> 0:32:53.800
<v Speaker 14>All right, sounds good.

0:32:54.080 --> 0:32:55.760
<v Speaker 4>Listen, I like Dave, do I think it's a match. No,

0:32:56.080 --> 0:32:58.200
<v Speaker 4>sounds like a nice guy though, Yeah, sounds like a

0:32:58.280 --> 0:32:59.959
<v Speaker 4>nice guy. I'd like the game with him a little bit.

0:33:00.040 --> 0:33:01.520
<v Speaker 4>But I feel like you play shooter games. Don't play

0:33:01.520 --> 0:33:02.320
<v Speaker 4>shooter games, right, right.

0:33:02.400 --> 0:33:03.760
<v Speaker 6>The drawing and the firearms threw me off.

0:33:03.800 --> 0:33:09.280
<v Speaker 4>They're building firearms. I have guns, but I don't build them, right.

0:33:09.480 --> 0:33:12.440
<v Speaker 3>Right, right, right, But yeah, and he seems maybe potentially

0:33:12.560 --> 0:33:15.160
<v Speaker 3>too laid back for me, like when you were like, okay,

0:33:15.200 --> 0:33:16.360
<v Speaker 3>well what would you do for a date?

0:33:16.480 --> 0:33:18.320
<v Speaker 4>There was nothing there, But we also gave him no

0:33:18.360 --> 0:33:19.760
<v Speaker 4>heads up. He could be a little nervous.

0:33:20.600 --> 0:33:23.880
<v Speaker 3>Okay, hey, Lunchbox, if you get a date with like

0:33:23.960 --> 0:33:25.800
<v Speaker 3>a girl you sent flowers to, like you scored it,

0:33:25.880 --> 0:33:26.680
<v Speaker 3>where are you taking her.

0:33:26.680 --> 0:33:27.040
<v Speaker 4>On a date?

0:33:27.520 --> 0:33:27.960
<v Speaker 9>My house?

0:33:31.720 --> 0:33:35.560
<v Speaker 4>All right? Well, Dave, Dave's a nice guy. Not a

0:33:35.600 --> 0:33:38.040
<v Speaker 4>love connection, but a very nice guy. Thanks man, I

0:33:38.080 --> 0:33:38.640
<v Speaker 4>appreciate that.

0:33:40.120 --> 0:33:43.280
<v Speaker 1>It's the best bits of the week With Morgan.

0:33:43.400 --> 0:33:47.480
<v Speaker 3>Number two, Lunchbox almost went to jail, Like he almost

0:33:47.520 --> 0:33:50.320
<v Speaker 3>got arrested when he was at his kids school. This

0:33:50.520 --> 0:33:52.680
<v Speaker 3>whole thing went down because we were doing pick a bit.

0:33:52.960 --> 0:33:54.880
<v Speaker 3>We're like, you just send in like a really catchy

0:33:54.920 --> 0:33:56.960
<v Speaker 3>headline and you get the show to bet on it,

0:33:57.000 --> 0:33:58.480
<v Speaker 3>and most of the time it's kind of clickbaity, right,

0:33:58.560 --> 0:34:00.080
<v Speaker 3>like that's the whole purpose you want the bit to

0:34:00.160 --> 0:34:00.560
<v Speaker 3>be picked.

0:34:01.320 --> 0:34:03.120
<v Speaker 2>But Lunchboxes was.

0:34:03.200 --> 0:34:05.800
<v Speaker 3>Not clickbaby at all, Like he said, Lunchbox almost went

0:34:05.840 --> 0:34:09.320
<v Speaker 3>to jail, and he did. This story is crazy and,

0:34:09.440 --> 0:34:12.080
<v Speaker 3>as Bobby said, like one of the best picka bits

0:34:12.160 --> 0:34:14.680
<v Speaker 3>we've ever had. So I don't know that anything's going

0:34:14.719 --> 0:34:16.839
<v Speaker 3>to be able to measure up to this. I'm sure

0:34:16.920 --> 0:34:19.160
<v Speaker 3>we'll find a way, but this is a great story,

0:34:19.280 --> 0:34:22.560
<v Speaker 3>so be prepared. The tables have turned. Lunchbox be calling

0:34:22.600 --> 0:34:24.960
<v Speaker 3>nine one one on all kinds of people. It happened

0:34:25.000 --> 0:34:26.399
<v Speaker 3>to him number three.

0:34:26.520 --> 0:34:28.840
<v Speaker 4>It's democracy with bits. Here we have four people that

0:34:28.920 --> 0:34:33.279
<v Speaker 4>have submitted a bit pick a bit. Lunchbox scent has

0:34:33.320 --> 0:34:35.200
<v Speaker 4>been in he said. For pick abit, I like to

0:34:35.200 --> 0:34:38.200
<v Speaker 4>suggest this bit Lunchbox almost lost his family and almost

0:34:38.200 --> 0:34:39.919
<v Speaker 4>spent the rest of his life in prison. You don't

0:34:39.920 --> 0:34:42.160
<v Speaker 4>want to miss this. We back after Morgan Wallen Okay

0:34:43.200 --> 0:34:47.880
<v Speaker 4>even wrote the t's points for that. Morgan wrote, I

0:34:47.960 --> 0:34:49.799
<v Speaker 4>had my first experience with the UFO and now I'm

0:34:49.840 --> 0:34:55.040
<v Speaker 4>scared ood that's one of the bits we could pick.

0:34:56.040 --> 0:34:58.920
<v Speaker 4>RAYMONDO wrote, cops on my doorstep. Raymond, who already had

0:34:58.920 --> 0:35:01.160
<v Speaker 4>a cop come to his new house, flash his badge.

0:35:02.239 --> 0:35:05.120
<v Speaker 4>That's interesting, it is, And then Eddie has I have

0:35:05.200 --> 0:35:07.279
<v Speaker 4>a way the Lunchbox keep to Ultima running for a

0:35:07.400 --> 0:35:09.520
<v Speaker 4>long long time. I found a way this could be

0:35:09.520 --> 0:35:12.239
<v Speaker 4>possible if he really wants it. This is legit, man,

0:35:12.400 --> 0:35:15.439
<v Speaker 4>So the voters will be me Amy and Mike d Amy.

0:35:15.560 --> 0:35:17.600
<v Speaker 4>Of those bets you got Lunchbox in the family thing,

0:35:17.719 --> 0:35:20.920
<v Speaker 4>got Eddie and the ultima Morgan in the UFO ray

0:35:20.920 --> 0:35:21.960
<v Speaker 4>at the copp at his doorstep.

0:35:22.080 --> 0:35:23.440
<v Speaker 12>Yeah, I want to hear lunchboxes.

0:35:23.680 --> 0:35:25.759
<v Speaker 9>Thank you, Amy, Yes, let's go.

0:35:26.280 --> 0:35:28.440
<v Speaker 4>Mike. Don't want to know how he lost his family

0:35:28.760 --> 0:35:30.880
<v Speaker 4>going lunch vote? Then my vote doesn't matter. So Lunchbox

0:35:31.000 --> 0:35:33.319
<v Speaker 4>and what were you gonna vote? My vote doesn't matter.

0:35:33.400 --> 0:35:34.640
<v Speaker 9>Now I would like to hear who are you gonna

0:35:34.680 --> 0:35:36.320
<v Speaker 9>vote for me? Is it a unit? Is it a sweet?

0:35:36.600 --> 0:35:39.879
<v Speaker 4>I was gonna vote for Morgan? Ah, but we don't

0:35:39.920 --> 0:35:42.080
<v Speaker 4>get to do it. Pick a bet time, Lunchbox. The

0:35:42.120 --> 0:35:42.799
<v Speaker 4>bet has been picked.

0:35:43.200 --> 0:35:44.239
<v Speaker 9>Are you ready to do it right now? Or you

0:35:44.239 --> 0:35:45.480
<v Speaker 9>want to come back after Morgan Walling?

0:35:45.520 --> 0:35:47.160
<v Speaker 4>We No, we don't have Morganwalla to play. And secondly,

0:35:47.200 --> 0:35:49.840
<v Speaker 4>we just did the tease for it. Here's here is

0:35:50.239 --> 0:35:54.040
<v Speaker 4>the pitch. Lunchbox almost lost his family and almost spent

0:35:54.120 --> 0:35:56.640
<v Speaker 4>the rest of his life in prison. You don't want

0:35:56.640 --> 0:35:58.719
<v Speaker 4>to miss this, right So.

0:35:58.840 --> 0:36:01.279
<v Speaker 10>I got a note from my kid's daycare saying that

0:36:01.480 --> 0:36:03.200
<v Speaker 10>one of my kids when they go out to recess,

0:36:03.760 --> 0:36:06.360
<v Speaker 10>doesn't like they give you a progress support, doesn't interact

0:36:06.400 --> 0:36:09.320
<v Speaker 10>with other kids, kind of plays by himself. And I'm like,

0:36:09.640 --> 0:36:12.200
<v Speaker 10>is my kid a loser? Like does he not have friends?

0:36:12.640 --> 0:36:15.080
<v Speaker 10>I'm gonna see if like this is true. So I

0:36:15.200 --> 0:36:17.600
<v Speaker 10>know what time they go out to the playground. So

0:36:17.760 --> 0:36:21.279
<v Speaker 10>there's a parking garage that you can go and you

0:36:21.360 --> 0:36:23.200
<v Speaker 10>can look over the fence you crept on your kid.

0:36:23.480 --> 0:36:26.040
<v Speaker 10>So it's around two thirty in the afternoon. So I went,

0:36:26.239 --> 0:36:28.480
<v Speaker 10>got some Chick fil A, rolled up there in the

0:36:28.560 --> 0:36:31.279
<v Speaker 10>parking garage in the ultima, sat on the hood and

0:36:31.560 --> 0:36:32.560
<v Speaker 10>peeked over while they.

0:36:32.480 --> 0:36:34.160
<v Speaker 6>Played on the playground with binoculars.

0:36:34.800 --> 0:36:35.759
<v Speaker 9>Not with binoculars.

0:36:35.840 --> 0:36:38.320
<v Speaker 5>I like preschoolers.

0:36:38.440 --> 0:36:39.120
<v Speaker 6>I get older.

0:36:40.960 --> 0:36:44.560
<v Speaker 10>But someone in a nearby office building saw me sitting

0:36:44.600 --> 0:36:46.440
<v Speaker 10>in my hood looking into the playground.

0:36:46.520 --> 0:36:47.600
<v Speaker 5>Yeah, just a creepy guy.

0:36:47.680 --> 0:36:50.200
<v Speaker 9>Yeah, And they called lung eating my lunch.

0:36:51.280 --> 0:36:52.200
<v Speaker 4>I do it every day.

0:36:53.239 --> 0:36:54.280
<v Speaker 9>They called police.

0:36:56.239 --> 0:36:58.440
<v Speaker 10>Yeah, And so the police came up in the parking

0:36:58.480 --> 0:37:01.160
<v Speaker 10>garage to figure out what I was doing doing And I.

0:37:01.239 --> 0:37:03.560
<v Speaker 4>Told him all my kids, you told him your kid

0:37:03.600 --> 0:37:04.520
<v Speaker 4>got a progress.

0:37:04.239 --> 0:37:06.480
<v Speaker 10>Report, and so they had to go down to the

0:37:06.560 --> 0:37:11.000
<v Speaker 10>school and verify that my kid was on the playground.

0:37:11.040 --> 0:37:14.920
<v Speaker 10>And I was not just some dude looking at the playground?

0:37:15.120 --> 0:37:15.600
<v Speaker 14>Is this real?

0:37:15.920 --> 0:37:16.240
<v Speaker 9>Also?

0:37:17.800 --> 0:37:18.600
<v Speaker 5>Not that I'm for it.

0:37:18.840 --> 0:37:20.560
<v Speaker 4>Can you not just be a dude looking at the playground?

0:37:21.239 --> 0:37:22.400
<v Speaker 6>That's not a good look, I know.

0:37:22.520 --> 0:37:26.120
<v Speaker 4>But to cops arrest somebody for just looking at a playground.

0:37:25.760 --> 0:37:27.520
<v Speaker 6>No, but they look into it. They're investigating.

0:37:27.960 --> 0:37:29.840
<v Speaker 9>I let's say, I'm taking pictures of the playground, but

0:37:29.840 --> 0:37:30.640
<v Speaker 9>you weren't though where you know?

0:37:30.880 --> 0:37:33.319
<v Speaker 4>Okay, But I'm saying, mediot are you sure?

0:37:33.719 --> 0:37:33.759
<v Speaker 15>So?

0:37:33.880 --> 0:37:35.399
<v Speaker 4>What did you okay? Too? I want to go first?

0:37:35.440 --> 0:37:37.640
<v Speaker 4>What did you see it with your kid? H?

0:37:37.800 --> 0:37:40.880
<v Speaker 10>He does kind of, but he is two, so I

0:37:40.920 --> 0:37:43.920
<v Speaker 10>don't know if two year olds really play together. It's more,

0:37:44.000 --> 0:37:46.200
<v Speaker 10>you know, he's doing his own thing. He's not really

0:37:46.400 --> 0:37:50.279
<v Speaker 10>he doesn't look like he has many friends. So I

0:37:50.440 --> 0:37:52.480
<v Speaker 10>was like, okay, maybe maybe I got to teach him

0:37:52.480 --> 0:37:54.120
<v Speaker 10>how to like go up to people and be like, hey,

0:37:54.200 --> 0:37:54.600
<v Speaker 10>let's play.

0:37:54.719 --> 0:37:56.600
<v Speaker 5>And how long did you sit up there and watch?

0:37:57.239 --> 0:37:57.880
<v Speaker 9>Thirty minutes?

0:37:58.560 --> 0:38:01.239
<v Speaker 5>And how long while you were sitting there did it

0:38:01.280 --> 0:38:02.320
<v Speaker 5>take for the cops to get.

0:38:02.160 --> 0:38:04.399
<v Speaker 9>There, oh thirty minutes.

0:38:04.400 --> 0:38:05.960
<v Speaker 4>Oh so you only stopped because they showed up.

0:38:06.040 --> 0:38:08.280
<v Speaker 9>Yeah, yeah, because they're on the playground for forty five minutes.

0:38:08.440 --> 0:38:10.520
<v Speaker 4>Did it scare you? And they pulled up, I was

0:38:10.560 --> 0:38:11.080
<v Speaker 4>just like, oh.

0:38:11.000 --> 0:38:11.520
<v Speaker 9>What's going on?

0:38:12.280 --> 0:38:12.640
<v Speaker 4>I didn't know.

0:38:12.680 --> 0:38:14.280
<v Speaker 9>I just thought they were driving through the parking garage.

0:38:14.320 --> 0:38:15.920
<v Speaker 5>And how do they initiate that conversation?

0:38:16.120 --> 0:38:19.480
<v Speaker 10>They're like, oh, what do you They said, we got

0:38:19.560 --> 0:38:23.000
<v Speaker 10>a call that you're watching the kids on the playground.

0:38:23.480 --> 0:38:23.760
<v Speaker 9>Creepy.

0:38:23.760 --> 0:38:24.880
<v Speaker 4>They treat you like that, yeah, And.

0:38:24.960 --> 0:38:27.000
<v Speaker 6>I'm like, well, no, no, no, no no, I said,

0:38:27.120 --> 0:38:27.719
<v Speaker 6>oh that helps.

0:38:27.800 --> 0:38:29.160
<v Speaker 14>No no, no, no, no, no, no, no, no no.

0:38:30.000 --> 0:38:32.160
<v Speaker 10>And so they had me get off the car obviously,

0:38:32.680 --> 0:38:35.200
<v Speaker 10>and they sit there and they're like what's and I say,

0:38:35.280 --> 0:38:37.239
<v Speaker 10>my kids out of the playground. And they told me

0:38:37.320 --> 0:38:39.600
<v Speaker 10>that he doesn't have any friends. So I just wanted

0:38:39.600 --> 0:38:42.440
<v Speaker 10>to see how he acts on the playground. They go, so,

0:38:42.600 --> 0:38:44.960
<v Speaker 10>your kid is on the playground. They definitely think he's

0:38:44.960 --> 0:38:47.440
<v Speaker 10>a creeper. Yeah, and they're like, is there. I was like,

0:38:47.520 --> 0:38:48.640
<v Speaker 10>They're like, we're gonna have to go down to the

0:38:48.640 --> 0:38:51.560
<v Speaker 10>school and confirm this. And I was like, okay, that's fine, Like, well,

0:38:51.800 --> 0:38:55.000
<v Speaker 10>you'll wait here, and they sent the his partner or

0:38:55.280 --> 0:38:56.640
<v Speaker 10>someone stayed with you so he didn't run out.

0:38:56.680 --> 0:38:58.759
<v Speaker 9>Yeah, and they go down there and they talk to

0:38:58.840 --> 0:39:01.759
<v Speaker 9>the director and aint you. I know, they showed him

0:39:01.760 --> 0:39:07.200
<v Speaker 9>my picture and that's how I was let go. So

0:39:07.320 --> 0:39:09.120
<v Speaker 9>I always got arrested for being a pedophile.

0:39:09.600 --> 0:39:13.880
<v Speaker 4>Well, I mean, I mean that's what it was. No, no, no, no,

0:39:14.160 --> 0:39:17.239
<v Speaker 4>I weren't almost weren't you arrested because they thought there

0:39:17.320 --> 0:39:20.600
<v Speaker 4>was CreI was, That's what I'm saying, not a pedophile. Yeah,

0:39:20.760 --> 0:39:22.320
<v Speaker 4>I hear you, though, So what did they say to

0:39:22.360 --> 0:39:23.279
<v Speaker 4>you whenever you were freed?

0:39:23.480 --> 0:39:25.399
<v Speaker 9>They just said, you know, we got a call.

0:39:25.480 --> 0:39:27.880
<v Speaker 10>We gotta look it seems weird guy sitting on a

0:39:27.920 --> 0:39:32.120
<v Speaker 10>car looking at so yeah, probably not do that in

0:39:32.160 --> 0:39:33.440
<v Speaker 10>the future and have a nice day.

0:39:33.480 --> 0:39:36.040
<v Speaker 9>And they watched me drive out the parking garage.

0:39:37.480 --> 0:39:39.160
<v Speaker 4>I'll say it if you guys don't want to. This

0:39:39.200 --> 0:39:39.920
<v Speaker 4>is the greatest pick of it.

0:39:40.080 --> 0:39:42.600
<v Speaker 6>No, no, no, good job, Yeah, good job.

0:39:43.440 --> 0:39:44.080
<v Speaker 4>That was awesome.

0:39:44.239 --> 0:39:45.440
<v Speaker 6>Wow, not click bait.

0:39:45.680 --> 0:39:47.440
<v Speaker 4>And you said they thought you were a pedophile and

0:39:47.680 --> 0:39:49.759
<v Speaker 4>they you weren't, but you went hard on what they

0:39:49.760 --> 0:39:52.200
<v Speaker 4>thought you might have been. And I appreciate that. Follow

0:39:52.600 --> 0:39:55.960
<v Speaker 4>the man it was like the police to tell your wife.

0:39:56.280 --> 0:39:57.160
<v Speaker 4>Yeah what she say?

0:39:57.440 --> 0:39:58.800
<v Speaker 9>She was like, you can never talk about it on

0:39:58.840 --> 0:40:01.360
<v Speaker 9>the radio, showed her So I waited a couple of

0:40:01.360 --> 0:40:01.719
<v Speaker 9>months and.

0:40:02.280 --> 0:40:02.920
<v Speaker 4>A couple months ago.

0:40:03.000 --> 0:40:05.840
<v Speaker 10>Yeah, and that kind of like, oh, because it was

0:40:05.880 --> 0:40:07.719
<v Speaker 10>a weird feeling, that's a great I'm sure it was

0:40:08.960 --> 0:40:11.160
<v Speaker 10>being called a you know, they didn't call me a creeper,

0:40:11.239 --> 0:40:12.000
<v Speaker 10>a creeper.

0:40:11.800 --> 0:40:15.759
<v Speaker 4>Creeper being treated like you could have been yeah, yeah,

0:40:16.960 --> 0:40:18.080
<v Speaker 4>have you been back? No?

0:40:18.360 --> 0:40:20.279
<v Speaker 2>No, no no, But he doesn't even like.

0:40:22.600 --> 0:40:23.840
<v Speaker 9>That parking garage off limits.

0:40:25.160 --> 0:40:27.000
<v Speaker 4>Possibly the greatest pick a bit in history of pickings

0:40:27.000 --> 0:40:30.399
<v Speaker 4>are really, good job, buddy, good job. And all you're

0:40:30.400 --> 0:40:32.440
<v Speaker 4>looking out for your kid was love. That's all all

0:40:32.480 --> 0:40:33.160
<v Speaker 4>it was was love.

0:40:33.280 --> 0:40:37.239
<v Speaker 1>Yes, Wow, Wow, it's the best bits of the week

0:40:38.080 --> 0:40:38.680
<v Speaker 1>with Morgan.

0:40:38.800 --> 0:40:39.200
<v Speaker 9>Number two.

0:40:44.920 --> 0:40:48.520
<v Speaker 3>Bobby's been struggling with sleep for years, maybe even a decade,

0:40:48.920 --> 0:40:51.399
<v Speaker 3>but finally he went and got a sleep study done

0:40:51.440 --> 0:40:53.359
<v Speaker 3>and he got those results back. So we found out

0:40:53.480 --> 0:40:56.200
<v Speaker 3>why he's been having all these problems sleeping for so

0:40:56.280 --> 0:41:00.399
<v Speaker 3>many years, and the results are going to change his life,

0:41:00.640 --> 0:41:03.400
<v Speaker 3>Like there's a big way that he can do something

0:41:03.480 --> 0:41:05.720
<v Speaker 3>different and his sleep's going to be better. And life's

0:41:05.760 --> 0:41:07.719
<v Speaker 3>going to be drastically better for him. So you're about

0:41:07.760 --> 0:41:10.520
<v Speaker 3>to hear that whole story and now what he's going

0:41:10.600 --> 0:41:11.560
<v Speaker 3>to be doing moving forward.

0:41:12.080 --> 0:41:14.640
<v Speaker 4>Number two met with a sleep doctor yesterday after I

0:41:14.719 --> 0:41:17.239
<v Speaker 4>did my sleep study and we met on zoom and

0:41:17.480 --> 0:41:18.360
<v Speaker 4>are you ready for the results.

0:41:18.480 --> 0:41:18.719
<v Speaker 3>Yes.

0:41:20.320 --> 0:41:21.360
<v Speaker 4>First of all, it was weird. I had to go

0:41:21.440 --> 0:41:27.120
<v Speaker 4>and put all the cables on ekg's EMTs, DVD's MVPs,

0:41:28.000 --> 0:41:30.080
<v Speaker 4>all of them, all those things, and I was strapped

0:41:30.160 --> 0:41:32.879
<v Speaker 4>up all of my sticky things in my chest into

0:41:32.960 --> 0:41:35.520
<v Speaker 4>my head, and my legs were like tied together as

0:41:35.520 --> 0:41:37.320
<v Speaker 4>a whole. I don't even know. How did you sleep

0:41:37.400 --> 0:41:39.680
<v Speaker 4>that night? Not great, but I don't sleep great anyway.

0:41:39.719 --> 0:41:40.839
<v Speaker 4>But they even go it's going to be a little

0:41:40.880 --> 0:41:42.160
<v Speaker 4>ncomfortable because you're covered in wires.

0:41:42.200 --> 0:41:44.040
<v Speaker 12>Okay, I can't tell if you're joking about your legs

0:41:44.080 --> 0:41:44.800
<v Speaker 12>being tied together.

0:41:45.200 --> 0:41:46.760
<v Speaker 4>I was strapped with chords.

0:41:47.040 --> 0:41:50.200
<v Speaker 5>Okay, yeah, so it felt like they were tied together.

0:41:50.800 --> 0:41:54.839
<v Speaker 4>I get on the conference call yesterday and she goes, well,

0:41:56.200 --> 0:41:57.400
<v Speaker 4>the good news is I think we can fix it.

0:41:57.480 --> 0:41:59.200
<v Speaker 4>The bad news is you have right on the border

0:41:59.200 --> 0:42:01.279
<v Speaker 4>of severe sleep. And I'm like, I don't even know

0:42:01.280 --> 0:42:03.680
<v Speaker 4>what that is. She goes. Your throat closes up about

0:42:03.680 --> 0:42:05.960
<v Speaker 4>thirty times an hour, and what happens is when your

0:42:05.960 --> 0:42:09.000
<v Speaker 4>throat closes up, shoots a drill into your brain because

0:42:09.400 --> 0:42:10.239
<v Speaker 4>your brain is built too.

0:42:10.239 --> 0:42:13.280
<v Speaker 5>If you start losing oxygen, wake.

0:42:13.120 --> 0:42:14.960
<v Speaker 12>You up and that's where you wake up.

0:42:15.120 --> 0:42:17.640
<v Speaker 4>I'll be like, yes, that's why I wake up.

0:42:17.719 --> 0:42:18.879
<v Speaker 6>My god, this is great news.

0:42:19.000 --> 0:42:22.680
<v Speaker 4>Wow. So yeah, I have to wear a sea pat

0:42:22.800 --> 0:42:25.160
<v Speaker 4>machine when I sleep every night with the sea.

0:42:26.560 --> 0:42:27.359
<v Speaker 5>Have to get a path ready.

0:42:27.560 --> 0:42:30.359
<v Speaker 4>No, it's uh yeah, it's what is that? It's got

0:42:30.560 --> 0:42:32.840
<v Speaker 4>nose things you know I have people do like the

0:42:32.920 --> 0:42:35.840
<v Speaker 4>oxygen bar or whatever. It's I got nose things that

0:42:35.880 --> 0:42:37.239
<v Speaker 4>go on your nose and just a little thing around

0:42:37.239 --> 0:42:39.360
<v Speaker 4>your face. But it cranks up the air. And so

0:42:39.520 --> 0:42:40.719
<v Speaker 4>what I've got to do is keep my mouth shut.

0:42:40.800 --> 0:42:43.279
<v Speaker 4>I can take my mouth whatever and you do that

0:42:44.440 --> 0:42:46.440
<v Speaker 4>and it shoots air up because if you open your

0:42:46.480 --> 0:42:48.960
<v Speaker 4>mouth comes out of your mouth. So what it's doing

0:42:49.040 --> 0:42:51.440
<v Speaker 4>is shooting a constant stream of air. What's gonna be annoying,

0:42:51.520 --> 0:42:54.120
<v Speaker 4>hopefully not? Is that machine? How loud it is? I

0:42:54.160 --> 0:42:57.120
<v Speaker 4>don't know because my wife is in the same bed.

0:42:57.440 --> 0:43:00.440
<v Speaker 4>It's gonna be like you're in a coma. Yeah, right,

0:43:00.440 --> 0:43:02.839
<v Speaker 4>because like that's what I just have to wear a machine. Yeah.

0:43:03.640 --> 0:43:05.239
<v Speaker 4>I've asked him for some IV bags as well, just

0:43:05.280 --> 0:43:07.799
<v Speaker 4>put up there to look like I'm the whole vibe yeah,

0:43:08.360 --> 0:43:12.160
<v Speaker 4>and the beeping. But they they said, yeah, it's it's

0:43:12.400 --> 0:43:15.600
<v Speaker 4>it is almost the most severe because thirty times is

0:43:15.640 --> 0:43:17.239
<v Speaker 4>where it's severe. And I think I was like twenty nine,

0:43:17.920 --> 0:43:20.200
<v Speaker 4>twenty nine and thirty wow, and twenty eight like through

0:43:20.239 --> 0:43:21.239
<v Speaker 4>the hours that I did.

0:43:21.719 --> 0:43:23.279
<v Speaker 6>Oh okay, but how long do you have to wear

0:43:23.320 --> 0:43:23.800
<v Speaker 6>this machine?

0:43:23.840 --> 0:43:23.960
<v Speaker 4>Oh?

0:43:24.000 --> 0:43:24.239
<v Speaker 14>Forever?

0:43:24.680 --> 0:43:25.839
<v Speaker 6>What do you mean for the rest of your life?

0:43:25.920 --> 0:43:29.200
<v Speaker 4>Yeah, because you can improve. When I sleep, my throat

0:43:29.239 --> 0:43:31.920
<v Speaker 4>closes up and I stop breathing. Okay, I didn't know this.

0:43:32.800 --> 0:43:34.919
<v Speaker 4>And again, whenever your body is built to like wake

0:43:34.960 --> 0:43:37.719
<v Speaker 4>you up if that happens, and that's why that adrenaline

0:43:38.160 --> 0:43:40.360
<v Speaker 4>and I'm awake. Not I'll wake up thirty times, but

0:43:40.440 --> 0:43:42.279
<v Speaker 4>I do have small When I would monitor it with

0:43:42.360 --> 0:43:44.960
<v Speaker 4>like an aura ring, it would just show like wait wait, wait,

0:43:44.960 --> 0:43:46.080
<v Speaker 4>wait wait wait, And I was like, I don't wake

0:43:46.120 --> 0:43:47.560
<v Speaker 4>up that many times, but that was what was happening.

0:43:48.200 --> 0:43:49.960
<v Speaker 6>You're telling me we can put a man on the moon,

0:43:50.080 --> 0:43:51.160
<v Speaker 6>we can invent the Internet.

0:43:51.200 --> 0:43:53.319
<v Speaker 7>I'm not sure right right, right, but al gor vent

0:43:53.360 --> 0:43:56.320
<v Speaker 7>of the internet all that stuff, right, But we can't

0:43:56.560 --> 0:43:58.560
<v Speaker 7>figure out your sep your sleep apnea, like we.

0:43:58.600 --> 0:44:00.360
<v Speaker 4>Can't how they figure it out? No, no, no, no,

0:44:01.200 --> 0:44:01.840
<v Speaker 4>going to improve it.

0:44:01.920 --> 0:44:03.759
<v Speaker 6>That's a band aid. We got to fix this it.

0:44:04.800 --> 0:44:06.680
<v Speaker 6>It's like putting oxygen.

0:44:06.320 --> 0:44:08.520
<v Speaker 5>In your in your brain is fixing it. It's just

0:44:08.680 --> 0:44:10.000
<v Speaker 5>more oxygen and.

0:44:10.040 --> 0:44:11.839
<v Speaker 12>It needs to be used every night. So you're going

0:44:11.880 --> 0:44:13.160
<v Speaker 12>to travel, you can travel with it.

0:44:13.239 --> 0:44:13.880
<v Speaker 5>I have no idea.

0:44:14.000 --> 0:44:15.279
<v Speaker 4>It takes two weeks to get here. I might die

0:44:15.320 --> 0:44:17.560
<v Speaker 4>before then. Oh no, no, you haven't died yet. You're good.

0:44:17.960 --> 0:44:20.040
<v Speaker 9>No, no, you're not good because they're putting you on

0:44:20.120 --> 0:44:22.360
<v Speaker 9>the machine. So there's a problem.

0:44:22.560 --> 0:44:24.520
<v Speaker 4>But there as do not plug me, everybody, I'm saying

0:44:24.600 --> 0:44:26.800
<v Speaker 4>right now, if anybody unplugs me, I'm gonna haunt you.

0:44:27.160 --> 0:44:31.319
<v Speaker 10>You're exercises that you can do to open your throat, right,

0:44:31.400 --> 0:44:33.719
<v Speaker 10>I don't want to do those, okay Ooh.

0:44:34.120 --> 0:44:37.719
<v Speaker 12>It says here Bobby that the seapops can it can

0:44:37.800 --> 0:44:40.480
<v Speaker 12>be hard to maintain and hard to sleep with at times.

0:44:40.760 --> 0:44:43.400
<v Speaker 12>So as a result, people give up on the seapap

0:44:43.520 --> 0:44:46.480
<v Speaker 12>treatment and doctors and medical care providers describe them as

0:44:46.760 --> 0:44:47.880
<v Speaker 12>SEAPAP dropouts.

0:44:48.120 --> 0:44:51.200
<v Speaker 4>I have not in twenty years.

0:44:51.880 --> 0:44:54.480
<v Speaker 5>So if there's one thing I'm gonna do, i'd be cool.

0:44:54.520 --> 0:44:57.120
<v Speaker 4>I stay in school. Okay, good man, good So it

0:44:57.239 --> 0:44:58.640
<v Speaker 4>takes like two weeks to get here. Has to go

0:44:58.719 --> 0:45:01.120
<v Speaker 4>through insurance. Wow, they have to write a prescription to

0:45:01.160 --> 0:45:03.719
<v Speaker 4>get the machine. You can't just get the machine. And

0:45:03.880 --> 0:45:05.880
<v Speaker 4>then I was supposed to slavey. I don't know, but

0:45:06.000 --> 0:45:10.440
<v Speaker 4>I do have borderline severe sleep apnea, which I really

0:45:10.440 --> 0:45:11.200
<v Speaker 4>didn't know what that meant.

0:45:12.000 --> 0:45:13.640
<v Speaker 7>But you know, the good news is that you don't

0:45:13.680 --> 0:45:16.080
<v Speaker 7>it's not stress related. You don't have anything going on

0:45:16.120 --> 0:45:16.560
<v Speaker 7>with your brain.

0:45:16.600 --> 0:45:17.120
<v Speaker 4>You don't know that.

0:45:17.239 --> 0:45:17.959
<v Speaker 5>That's the truth.

0:45:18.120 --> 0:45:19.960
<v Speaker 4>I don't know why it happens. Oh, but they can

0:45:20.040 --> 0:45:20.920
<v Speaker 4>keep it from happening.

0:45:21.160 --> 0:45:21.919
<v Speaker 9>I figured it out.

0:45:22.040 --> 0:45:25.799
<v Speaker 10>Go ahead, all right, A seatpap in ooral appliances work well,

0:45:26.600 --> 0:45:29.560
<v Speaker 10>but there is no cure for sleep apnea. The only

0:45:29.640 --> 0:45:34.760
<v Speaker 10>way is to lose weight or have surgery to remove

0:45:34.920 --> 0:45:38.280
<v Speaker 10>excess tissue from the palat or throat.

0:45:38.400 --> 0:45:42.040
<v Speaker 5>Palette is a palette.

0:45:42.840 --> 0:45:46.319
<v Speaker 4>That's a palette. That's a palette, which is like.

0:45:46.320 --> 0:45:55.719
<v Speaker 10>The surgery can have side effects. I didn't laugh at

0:45:55.719 --> 0:45:57.120
<v Speaker 10>you when you said, you had sleep apnea.

0:45:58.280 --> 0:46:00.719
<v Speaker 4>Try to tell me I could cure it. You can.

0:46:00.960 --> 0:46:02.359
<v Speaker 4>I don't know enough about it. I don't know enough

0:46:02.360 --> 0:46:03.160
<v Speaker 4>about it. I'm not an expert.

0:46:03.360 --> 0:46:05.960
<v Speaker 10>They said there are side effects, so that is why

0:46:06.000 --> 0:46:08.280
<v Speaker 10>it's a last resort surgery.

0:46:08.480 --> 0:46:09.319
<v Speaker 12>Well it's pretty much.

0:46:09.320 --> 0:46:12.160
<v Speaker 4>I have that surgery and I come in like this

0:46:12.960 --> 0:46:15.840
<v Speaker 4>mess with my voice. But Stanley, my bulldog, had to

0:46:15.880 --> 0:46:22.000
<v Speaker 4>have his palette remove some of it removed because bulldogs

0:46:22.120 --> 0:46:25.400
<v Speaker 4>they can't breathe, which is a bit of like a

0:46:25.440 --> 0:46:28.680
<v Speaker 4>bulldog apnea, because they can't break they wake up, So

0:46:28.760 --> 0:46:31.399
<v Speaker 4>we had that removed from him. Maybe I do it too, Yeah,

0:46:31.480 --> 0:46:34.480
<v Speaker 4>maybe talk with him and see how he how he

0:46:34.560 --> 0:46:38.120
<v Speaker 4>did it? Yeah, but like how to feel. So anyway,

0:46:38.239 --> 0:46:39.800
<v Speaker 4>a couple of weeks they get the machine. Apparently.

0:46:40.080 --> 0:46:42.239
<v Speaker 5>I hope it's not loud. It's not the whole mask.

0:46:42.600 --> 0:46:44.439
<v Speaker 4>They have the new versions. They have different kinds of masks.

0:46:44.480 --> 0:46:46.480
<v Speaker 4>But they're gonna send me the straight nose shooters to

0:46:46.560 --> 0:46:48.520
<v Speaker 4>go open the nose and that's it. I'm gonna be held.

0:46:48.560 --> 0:46:49.839
<v Speaker 4>I'm gonna come in here, I'm gonna be rocking.

0:46:49.920 --> 0:46:50.879
<v Speaker 6>Oh no, I can't wait.

0:46:51.000 --> 0:46:53.480
<v Speaker 4>Oh you think this show has been good over the

0:46:53.600 --> 0:46:56.080
<v Speaker 4>last few years. What you just brace yourself.

0:46:57.560 --> 0:47:02.120
<v Speaker 9>What is the life expectancy if someone with sleep apnea severe?

0:47:02.160 --> 0:47:02.960
<v Speaker 4>Why did you google that?

0:47:03.920 --> 0:47:05.640
<v Speaker 9>If you are under the age of fifty, you can

0:47:05.719 --> 0:47:07.879
<v Speaker 9>expect to live eight to eighteen years more?

0:47:08.040 --> 0:47:11.320
<v Speaker 6>What we'll hurry forteen years.

0:47:11.520 --> 0:47:15.400
<v Speaker 12>If you don't receive my intervention like care right now?

0:47:15.480 --> 0:47:18.160
<v Speaker 6>Oh my what amy? He's had this forever, and my god,

0:47:18.239 --> 0:47:18.880
<v Speaker 6>he barely.

0:47:18.640 --> 0:47:20.600
<v Speaker 9>Figured out when he's under fifty. Right, he's under fifty

0:47:20.640 --> 0:47:20.960
<v Speaker 9>years old.

0:47:21.000 --> 0:47:21.919
<v Speaker 4>Right. I preached on the phone.

0:47:21.960 --> 0:47:24.520
<v Speaker 12>Okay, is lunchbok saying that's if.

0:47:24.440 --> 0:47:28.040
<v Speaker 7>You don't He was to say, people with severe amy,

0:47:28.120 --> 0:47:30.600
<v Speaker 7>it says has only eight to eighteen years left with

0:47:30.719 --> 0:47:32.600
<v Speaker 7>a though he's.

0:47:32.480 --> 0:47:34.400
<v Speaker 9>Going to if they receive treatment.

0:47:35.760 --> 0:47:37.840
<v Speaker 4>If you received He couldn't even read the word palette,

0:47:37.880 --> 0:47:38.800
<v Speaker 4>So I'm not gonna trust.

0:47:39.120 --> 0:47:41.600
<v Speaker 6>Nailing hey bones. It's right in front of us. It

0:47:41.640 --> 0:47:42.520
<v Speaker 6>says eight to eighteen.

0:47:42.680 --> 0:47:42.839
<v Speaker 14>Kay.

0:47:42.920 --> 0:47:48.520
<v Speaker 4>Well, then I went sid I went rocking mount Come in,

0:47:49.600 --> 0:47:50.480
<v Speaker 4>I'll just play that song.

0:47:50.600 --> 0:47:51.800
<v Speaker 6>He starts riding bulls.

0:47:52.160 --> 0:47:54.280
<v Speaker 4>I'm just gonna go crazy. It's gonna be the greatest

0:47:54.280 --> 0:47:57.520
<v Speaker 4>eight years of anybody's life. Eight years.

0:47:59.560 --> 0:48:00.640
<v Speaker 6>That's not good, lunchbox.

0:48:00.680 --> 0:48:02.719
<v Speaker 4>You're right, why would you even yell that out though

0:48:03.480 --> 0:48:05.840
<v Speaker 4>I just looked it up. You're dying tomorrow, okay, you

0:48:06.000 --> 0:48:07.480
<v Speaker 4>know that. We you know you were dying when you

0:48:07.560 --> 0:48:10.040
<v Speaker 4>were dying, so no, no, you know so many listen.

0:48:10.160 --> 0:48:11.600
<v Speaker 9>Well I didn't know that was going to happen.

0:48:11.440 --> 0:48:13.359
<v Speaker 4>So many eight whole years. So let's get to living.

0:48:13.840 --> 0:48:16.360
<v Speaker 5>Get busy living, or get busy dying.

0:48:17.239 --> 0:48:19.880
<v Speaker 12>I think that a lot of our listeners have experienced

0:48:19.920 --> 0:48:21.400
<v Speaker 12>with SEAPAP. I know a lot of people do, so

0:48:21.480 --> 0:48:22.520
<v Speaker 12>maybe they could call in and give you.

0:48:22.560 --> 0:48:24.320
<v Speaker 6>Advice if they're still around.

0:48:31.200 --> 0:48:34.360
<v Speaker 1>It's the best bits of the week with Morgan.

0:48:34.480 --> 0:48:37.560
<v Speaker 2>Number two, Keith Urban stopped by the show.

0:48:37.680 --> 0:48:40.120
<v Speaker 3>He's always been one of my favorite performers, but he

0:48:40.200 --> 0:48:42.040
<v Speaker 3>also always comes in with just some good stories like

0:48:42.120 --> 0:48:44.600
<v Speaker 3>little gems that peek out. And one of those that

0:48:44.640 --> 0:48:47.080
<v Speaker 3>happened was he talked about an old BMX injury that

0:48:47.160 --> 0:48:50.320
<v Speaker 3>he got, which crazy did not know Keith Urban did BMX.

0:48:50.760 --> 0:48:52.759
<v Speaker 3>And then he also shared the time that he was

0:48:52.800 --> 0:48:55.600
<v Speaker 3>playing a gig and he got booed, and then because

0:48:55.600 --> 0:48:58.439
<v Speaker 3>of the booing situation, he then got fired, Like Keith

0:48:58.520 --> 0:49:01.919
<v Speaker 3>Urban got fired, so mind blowing. I just love hearing

0:49:02.000 --> 0:49:04.680
<v Speaker 3>his stories also listening to him talk. He's a beautiful accent,

0:49:04.719 --> 0:49:07.759
<v Speaker 3>beautiful voice. He's a great man. I mean it's Keith Urban,

0:49:07.960 --> 0:49:10.640
<v Speaker 3>so here he is. Guys, this is Bobby talking to

0:49:10.719 --> 0:49:12.600
<v Speaker 3>Keith Urban number one.

0:49:13.080 --> 0:49:16.320
<v Speaker 1>The Friday Morning Conversation with you.

0:49:16.480 --> 0:49:19.160
<v Speaker 4>I have all these notes that I have for every guest,

0:49:19.200 --> 0:49:21.239
<v Speaker 4>but I feel like we know each other and a lot.

0:49:21.360 --> 0:49:23.719
<v Speaker 4>Have you ever seen the information that your people send

0:49:23.760 --> 0:49:24.120
<v Speaker 4>about you?

0:49:24.360 --> 0:49:24.400
<v Speaker 8>No?

0:49:24.560 --> 0:49:26.279
<v Speaker 4>Because it's a mixture, right, It's a mixture of things

0:49:26.320 --> 0:49:29.400
<v Speaker 4>that I want to talk about, but it's also information

0:49:29.640 --> 0:49:33.400
<v Speaker 4>like your your PR people or whomever advances. Do you

0:49:33.440 --> 0:49:34.200
<v Speaker 4>want to see some of it?

0:49:34.600 --> 0:49:34.880
<v Speaker 9>Maybe?

0:49:34.960 --> 0:49:35.000
<v Speaker 14>Not?

0:49:36.280 --> 0:49:40.200
<v Speaker 4>Well, it's stuff like, Okay, for example, you were inducted

0:49:40.200 --> 0:49:42.680
<v Speaker 4>into the Nashville Songwriters Hall of Fame, right, And I

0:49:42.719 --> 0:49:45.279
<v Speaker 4>don't know unless I just know this, and if it

0:49:45.320 --> 0:49:46.600
<v Speaker 4>were to come up, I'd be like, oh, and by

0:49:46.680 --> 0:49:49.560
<v Speaker 4>the way, Nashville Songwriters Hall of Fame. Right, it's so

0:49:49.840 --> 0:49:52.759
<v Speaker 4>got it? So it's that has to be cool for you.

0:49:53.040 --> 0:49:55.600
<v Speaker 4>It's different than a performance award. It's like a thinking

0:49:55.880 --> 0:49:58.239
<v Speaker 4>award to be in the songwriter Hall of Fame? What

0:49:58.440 --> 0:49:59.360
<v Speaker 4>is that ceremony?

0:49:59.560 --> 0:49:59.600
<v Speaker 14>Like?

0:50:01.280 --> 0:50:01.680
<v Speaker 8>Surreal?

0:50:02.120 --> 0:50:02.320
<v Speaker 4>For me?

0:50:02.520 --> 0:50:05.200
<v Speaker 15>I mean, it's just you know it's a songwriting town. Uh,

0:50:05.560 --> 0:50:08.879
<v Speaker 15>And man, that was an amazing not I mean, that's

0:50:08.880 --> 0:50:10.719
<v Speaker 15>a that's a cool club to be in.

0:50:10.960 --> 0:50:12.960
<v Speaker 4>I would think it would feel like an elevated like

0:50:13.080 --> 0:50:15.520
<v Speaker 4>a really special place to be because not everybody gets

0:50:15.560 --> 0:50:17.800
<v Speaker 4>to see the work that goes into songwriting. Yeah, and

0:50:17.920 --> 0:50:20.800
<v Speaker 4>the people that are in the crowd actually understand the

0:50:21.000 --> 0:50:24.200
<v Speaker 4>undertaking of it. Yeah. So it's a very relatable award

0:50:24.280 --> 0:50:25.120
<v Speaker 4>with everybody in the room.

0:50:25.760 --> 0:50:27.879
<v Speaker 15>It is. And there's a like a reminder of I've

0:50:27.920 --> 0:50:30.560
<v Speaker 15>written a lot of songs. Yeah, I forget how many

0:50:30.640 --> 0:50:32.560
<v Speaker 15>songs I've written. And then and then they start playing

0:50:32.640 --> 0:50:34.239
<v Speaker 15>them and you're like, oh my.

0:50:34.280 --> 0:50:38.080
<v Speaker 4>Gosh, that's really a thing where tons of songs where

0:50:38.200 --> 0:50:41.000
<v Speaker 4>Joan Rivers used to keep every joke in a file

0:50:41.080 --> 0:50:43.359
<v Speaker 4>cabinet that she's ever written. Is that true? Yes?

0:50:44.120 --> 0:50:45.600
<v Speaker 8>Like why why did she do that?

0:50:46.000 --> 0:50:48.680
<v Speaker 4>She just wanted to have an organization and a collection

0:50:48.760 --> 0:50:49.719
<v Speaker 4>of all of her jokes and you know, and she

0:50:50.000 --> 0:50:52.040
<v Speaker 4>ended up dying and she was older when she died,

0:50:52.080 --> 0:50:56.040
<v Speaker 4>like maybe almost ninety. Is there a database of everything

0:50:56.080 --> 0:50:57.880
<v Speaker 4>you've ever written that you have that you could get

0:50:57.920 --> 0:50:59.520
<v Speaker 4>into or would you have to go and scurry around

0:50:59.520 --> 0:51:00.640
<v Speaker 4>and find it different places.

0:51:00.760 --> 0:51:04.360
<v Speaker 8>Probably that. Yeah, Yeah, I think it's kind of scattered everywhere.

0:51:05.200 --> 0:51:06.719
<v Speaker 8>Cassettes en.

0:51:06.760 --> 0:51:09.560
<v Speaker 15>I'm still like cassettes. I've got stuff on cassette I opened. Yeah,

0:51:09.600 --> 0:51:11.400
<v Speaker 15>I found this little box of the night up in

0:51:11.440 --> 0:51:13.080
<v Speaker 15>the attic and I opened it up and it's full

0:51:13.120 --> 0:51:13.760
<v Speaker 15>of cassettes.

0:51:14.440 --> 0:51:16.680
<v Speaker 8>Days go by being written, really stuff like that.

0:51:16.800 --> 0:51:19.600
<v Speaker 4>Yeah, you always record the room when you're writing, or

0:51:19.680 --> 0:51:21.480
<v Speaker 4>do you just record like a work tape when you're done?

0:51:22.040 --> 0:51:23.440
<v Speaker 9>I I like to.

0:51:23.640 --> 0:51:23.680
<v Speaker 10>So.

0:51:23.800 --> 0:51:25.320
<v Speaker 15>I have my own record company, which I've had for

0:51:25.360 --> 0:51:27.359
<v Speaker 15>a long time, and it's called hit Red. The reason

0:51:27.400 --> 0:51:29.439
<v Speaker 15>it's cool that is because I always think a great

0:51:29.480 --> 0:51:34.640
<v Speaker 15>engineer hits record the second anybody walks in the studio.

0:51:34.680 --> 0:51:36.200
<v Speaker 8>Don't worry for us to sit down and start playing.

0:51:36.280 --> 0:51:38.800
<v Speaker 15>Just hit Red right away, because you walk in, you

0:51:38.880 --> 0:51:41.520
<v Speaker 15>start whistling something, humming something, you peak a guitar out,

0:51:41.560 --> 0:51:43.279
<v Speaker 15>you tune it up, your play a riff, and you're like, oh,

0:51:43.400 --> 0:51:44.320
<v Speaker 15>did anybody get that?

0:51:44.600 --> 0:51:47.920
<v Speaker 8>Because I'll forget it. So, yeah, I think record all

0:51:48.000 --> 0:51:48.319
<v Speaker 8>the time.

0:51:48.520 --> 0:51:50.880
<v Speaker 4>Did you watch the Greatest Night and Pop that we

0:51:50.960 --> 0:51:51.560
<v Speaker 4>are the world? Did?

0:51:51.960 --> 0:51:52.160
<v Speaker 14>Yeah?

0:51:52.360 --> 0:51:56.120
<v Speaker 4>Whenever? Lionel Ritchie, who I've been fortunate enough to know,

0:51:56.640 --> 0:51:59.080
<v Speaker 4>for a while he's awesome, like in every way on

0:51:59.160 --> 0:52:00.920
<v Speaker 4>that show, he's like that and he's the greatest dude.

0:52:01.280 --> 0:52:03.040
<v Speaker 4>But when he's talking about working on Michael Jackson and

0:52:03.080 --> 0:52:05.000
<v Speaker 4>that Michael Jackson didn't play an instrument, so he laid

0:52:05.000 --> 0:52:08.160
<v Speaker 4>down layers and layers of then he would come on

0:52:08.200 --> 0:52:11.960
<v Speaker 4>top of a table and go. So have you worked

0:52:11.960 --> 0:52:15.719
<v Speaker 4>with anyone who didn't have the traditional music skills? But

0:52:15.840 --> 0:52:19.719
<v Speaker 4>we're so good at something like that, where just going

0:52:19.760 --> 0:52:22.520
<v Speaker 4>in and humming a line. But being a great artist

0:52:22.600 --> 0:52:24.839
<v Speaker 4>that mostly if you're a great artist because you learn

0:52:24.880 --> 0:52:25.439
<v Speaker 4>how to do music.

0:52:25.560 --> 0:52:29.840
<v Speaker 15>Yeah, I've had to do it myself with string arrangements

0:52:30.440 --> 0:52:32.360
<v Speaker 15>on records that I've done because I can't. For you,

0:52:32.560 --> 0:52:35.040
<v Speaker 15>I can't write music. I can't I can't read music.

0:52:35.120 --> 0:52:38.000
<v Speaker 15>I can't write it or read it. But I can

0:52:38.239 --> 0:52:41.160
<v Speaker 15>hum it to the to the conductor or the arranger

0:52:41.360 --> 0:52:43.360
<v Speaker 15>and go so the I think the violins might do

0:52:43.480 --> 0:52:46.799
<v Speaker 15>this line, you know, oh with strings not guitar. Yes,

0:52:47.160 --> 0:52:49.759
<v Speaker 15>like violin when you got a big string section.

0:52:50.120 --> 0:52:53.520
<v Speaker 4>I saw Justin Bieber doing with an orchestra in a

0:52:53.560 --> 0:52:55.799
<v Speaker 4>recording studio and he did the same like he didn't

0:52:55.840 --> 0:52:58.319
<v Speaker 4>know how to play but he would go la la

0:52:58.400 --> 0:53:00.680
<v Speaker 4>lu lulu, give him the melody, and then he would

0:53:00.680 --> 0:53:04.799
<v Speaker 4>go strings, and eventually they created this really cool sound.

0:53:05.080 --> 0:53:07.200
<v Speaker 4>And I guess I didn't put those two together kind

0:53:07.200 --> 0:53:10.080
<v Speaker 4>of what Michael was doing and what justin Bieber and

0:53:10.120 --> 0:53:12.560
<v Speaker 4>what you're talking about there, because again you don't play

0:53:12.600 --> 0:53:13.719
<v Speaker 4>I mean, do you play the fiddle at all?

0:53:14.200 --> 0:53:14.239
<v Speaker 15>No?

0:53:15.000 --> 0:53:17.279
<v Speaker 5>No, but to be able to tell hey, I need this,

0:53:17.680 --> 0:53:19.640
<v Speaker 5>you would just hum a melody.

0:53:19.680 --> 0:53:22.200
<v Speaker 15>The other coolest thing that's happened is like that you

0:53:22.280 --> 0:53:24.759
<v Speaker 15>sing a melody in the studio. Sometimes I sing it

0:53:24.800 --> 0:53:26.920
<v Speaker 15>as a placeholder, like when I want to keep a

0:53:27.000 --> 0:53:30.120
<v Speaker 15>player to come in and do um kind of thing,

0:53:30.440 --> 0:53:32.400
<v Speaker 15>and then maybe and then the harmony would be dead

0:53:32.680 --> 0:53:33.480
<v Speaker 15>and you do the hominy.

0:53:34.160 --> 0:53:35.440
<v Speaker 8>Sometimes we've just left.

0:53:35.320 --> 0:53:39.479
<v Speaker 15>That in the actual Yeah, the vocal of the vocal

0:53:39.719 --> 0:53:43.400
<v Speaker 15>attempted trying to sound like something ends up being textually

0:53:43.520 --> 0:53:45.640
<v Speaker 15>so much more interesting and cooler than the actual thing.

0:53:45.800 --> 0:53:47.799
<v Speaker 4>Do you ever have part of a chorus or even

0:53:47.840 --> 0:53:49.719
<v Speaker 4>a bridge that you acted in the leave end that

0:53:49.800 --> 0:53:51.520
<v Speaker 4>ends up becoming like what the song is most known for,

0:53:51.880 --> 0:53:55.759
<v Speaker 4>like an accidental discovery or like an ad lib that

0:53:55.840 --> 0:53:57.319
<v Speaker 4>you're like, you know what, why don't we just put

0:53:57.400 --> 0:54:00.560
<v Speaker 4>that in or a guitar lick for example, all Vamp?

0:54:00.600 --> 0:54:02.520
<v Speaker 4>Why you think about it? Because's a hard question. Uh,

0:54:02.680 --> 0:54:06.960
<v Speaker 4>Radiohead and within Creep, Oh yeah, that really wasn't what

0:54:07.080 --> 0:54:10.080
<v Speaker 4>it was supposed to be. Hook, but now it's you know,

0:54:11.160 --> 0:54:12.800
<v Speaker 4>and they were like, yeah, really in the recording of it,

0:54:12.920 --> 0:54:14.920
<v Speaker 4>that guitar part wasn't supposed to be like that. It

0:54:14.960 --> 0:54:17.000
<v Speaker 4>was kind of an accident and they left it. Anything

0:54:17.120 --> 0:54:19.120
<v Speaker 4>like that strike you when I tell that story, No.

0:54:19.320 --> 0:54:21.759
<v Speaker 8>I it probably is. I can't think of anything off

0:54:21.760 --> 0:54:22.239
<v Speaker 8>the top of my head.

0:54:22.280 --> 0:54:25.279
<v Speaker 15>But I was thinking about that beautiful as James what's

0:54:25.320 --> 0:54:29.080
<v Speaker 15>his name, No James, and he started too early, I love, yeah,

0:54:29.719 --> 0:54:33.359
<v Speaker 15>my love brilliant Yeah, and then he came in too early,

0:54:33.440 --> 0:54:34.200
<v Speaker 15>and then they left it in.

0:54:34.400 --> 0:54:36.200
<v Speaker 8>It's one of my favorite moments in that song.

0:54:36.160 --> 0:54:39.239
<v Speaker 4>Which is what that song was known for until it

0:54:39.280 --> 0:54:40.840
<v Speaker 4>became a massive hit, the song where he sings it

0:54:40.880 --> 0:54:42.480
<v Speaker 4>twice at the beginning, or even like.

0:54:44.480 --> 0:54:44.960
<v Speaker 14>We come in.

0:54:46.160 --> 0:54:49.600
<v Speaker 4>We all know that, And you wonder if that even

0:54:49.680 --> 0:54:52.840
<v Speaker 4>really because she probably wasn't saying that. She was probably

0:54:52.840 --> 0:54:55.239
<v Speaker 4>talking to the sound engineer, will you count me in?

0:54:55.800 --> 0:54:56.279
<v Speaker 8>Turn it up?

0:54:56.600 --> 0:54:58.880
<v Speaker 4>And we still remember that, I said, Colby Cala and Keith,

0:54:58.920 --> 0:55:00.640
<v Speaker 4>and at the same time went will you count me in?

0:55:01.520 --> 0:55:02.839
<v Speaker 4>Isn't that crazy? Guys?

0:55:02.920 --> 0:55:03.680
<v Speaker 8>Yeah, it's so hooky.

0:55:03.800 --> 0:55:05.919
<v Speaker 4>You have a new song that we've been playing all morning.

0:55:05.960 --> 0:55:08.839
<v Speaker 4>It's called Messed Up as Me? What about this song?

0:55:08.920 --> 0:55:10.000
<v Speaker 4>Did you love? And why do you think you need

0:55:10.080 --> 0:55:10.480
<v Speaker 4>to record it?

0:55:10.800 --> 0:55:13.879
<v Speaker 15>It's a super relatable song for me. I mean, it's

0:55:13.920 --> 0:55:17.960
<v Speaker 15>about a relationship that has one good thing going. All

0:55:18.000 --> 0:55:22.040
<v Speaker 15>the rest is dysfunctional, toxic, makes no sense. But one

0:55:22.120 --> 0:55:26.520
<v Speaker 15>part of this relationship is phenomenal us me and you.

0:55:26.840 --> 0:55:28.239
<v Speaker 4>Yeah that one.

0:55:28.320 --> 0:55:30.560
<v Speaker 8>Bits were sitting so close, thank.

0:55:30.360 --> 0:55:34.359
<v Speaker 1>You, thank you the Friday morning conversation.

0:55:34.120 --> 0:55:38.040
<v Speaker 4>With So I'm sitting right next to Keith because we're

0:55:38.120 --> 0:55:40.120
<v Speaker 4>very close, and he's actually seeing my notes. I never

0:55:40.160 --> 0:55:42.520
<v Speaker 4>let anyone see my notes. Well, and I felt bad.

0:55:42.600 --> 0:55:44.400
<v Speaker 4>I felt bad for you and jealous of you. This

0:55:44.520 --> 0:55:47.440
<v Speaker 4>picture of the paparazzi took of you, Oh god, you

0:55:47.560 --> 0:55:51.520
<v Speaker 4>look great? Are you kidding? Right? Thank you? Are you well?

0:55:51.560 --> 0:55:51.640
<v Speaker 10>Then?

0:55:51.640 --> 0:55:52.360
<v Speaker 12>Why do you feel bad for.

0:55:52.400 --> 0:55:54.080
<v Speaker 4>Him because paparazzi taking pictures of them?

0:55:54.120 --> 0:55:54.200
<v Speaker 15>Oh?

0:55:54.280 --> 0:55:56.040
<v Speaker 5>Yeah, like the guy can't live.

0:55:56.280 --> 0:56:00.239
<v Speaker 8>That's a good question. It was confusing there for a second.

0:56:00.080 --> 0:56:04.240
<v Speaker 4>I was gonna get there. But if I you look awesome,

0:56:04.800 --> 0:56:06.560
<v Speaker 4>and I know who cares, right, it's body with all.

0:56:06.800 --> 0:56:09.080
<v Speaker 4>But it's like I was irritated that the paparazzi was

0:56:09.160 --> 0:56:10.640
<v Speaker 4>not letting you live your life, but then I was

0:56:10.640 --> 0:56:12.520
<v Speaker 4>irritated at you for being in great shape.

0:56:13.640 --> 0:56:15.279
<v Speaker 8>You can talk, yeah, but I have to.

0:56:15.440 --> 0:56:19.360
<v Speaker 4>I struggle. I struggle with why. I don't know, you

0:56:19.480 --> 0:56:20.000
<v Speaker 4>smell good?

0:56:20.080 --> 0:56:20.640
<v Speaker 6>You look good?

0:56:20.880 --> 0:56:23.120
<v Speaker 4>Please? How often do you have to? Is it worse

0:56:23.200 --> 0:56:25.880
<v Speaker 4>for you out of America with paparazzi than it is

0:56:25.920 --> 0:56:26.360
<v Speaker 4>in America.

0:56:26.920 --> 0:56:28.560
<v Speaker 8>It's more so when I'm with Nick.

0:56:28.719 --> 0:56:30.680
<v Speaker 4>Yeah, yeah, never by yourself.

0:56:31.000 --> 0:56:33.920
<v Speaker 8>Uh yeah, obviously, but yeah, occasionally do.

0:56:33.960 --> 0:56:35.640
<v Speaker 4>You worry because I would say you're even one of

0:56:35.680 --> 0:56:37.960
<v Speaker 4>the more fashion forward dudes in music, not even just

0:56:38.000 --> 0:56:39.880
<v Speaker 4>country music, Like for a long time, I mean, you

0:56:39.960 --> 0:56:42.799
<v Speaker 4>were wearing off White before like off White was like, yeah,

0:56:42.840 --> 0:56:44.279
<v Speaker 4>me too, but it was like I would notice that

0:56:44.360 --> 0:56:46.520
<v Speaker 4>you were wearing off White like way way early before

0:56:46.560 --> 0:56:48.160
<v Speaker 4>it kind of became a bigger cultural.

0:56:48.200 --> 0:56:50.880
<v Speaker 15>I rode skateboards and rode BMX bikes when I was

0:56:51.000 --> 0:56:52.840
<v Speaker 15>a kid, and I think that whole street thing is

0:56:52.920 --> 0:56:53.360
<v Speaker 15>just part.

0:56:53.239 --> 0:56:54.640
<v Speaker 4>Of what I love that makes a lot of sense

0:56:54.719 --> 0:56:56.560
<v Speaker 4>didn't know. Did you ever injure yourself real bad doing that?

0:56:56.719 --> 0:56:56.839
<v Speaker 15>Oh?

0:56:56.920 --> 0:56:57.759
<v Speaker 8>Yeah, yeah.

0:56:57.800 --> 0:57:01.120
<v Speaker 15>I was in a BMX race and uh, first jump

0:57:01.440 --> 0:57:03.960
<v Speaker 15>went over and landed on the front, flipped the bike over,

0:57:05.280 --> 0:57:08.960
<v Speaker 15>broke this left arm, and I remember a guy, you know,

0:57:09.040 --> 0:57:12.200
<v Speaker 15>one of the you know, people in charge of officials,

0:57:12.280 --> 0:57:14.360
<v Speaker 15>running out and going you got to keep going, you

0:57:14.440 --> 0:57:16.600
<v Speaker 15>got to keep going. I'm like thirteen, I'm like what,

0:57:16.800 --> 0:57:19.120
<v Speaker 15>I'm hanging out my arms like here. I picked up

0:57:19.160 --> 0:57:22.000
<v Speaker 15>my bike which was just trashed and carried it around

0:57:22.040 --> 0:57:22.640
<v Speaker 15>the track.

0:57:22.640 --> 0:57:26.320
<v Speaker 4>To finish, to finish the race. Yeah, did you continue

0:57:26.400 --> 0:57:27.000
<v Speaker 4>racing after that?

0:57:28.480 --> 0:57:30.720
<v Speaker 8>I did for a long time, and then my mom

0:57:30.840 --> 0:57:33.440
<v Speaker 8>was like she wouldn't have with those doing it.

0:57:33.800 --> 0:57:36.640
<v Speaker 4>Have you ever in the last five years, again, you're

0:57:36.840 --> 0:57:40.160
<v Speaker 4>such a great guitar player, have you discovered anything new

0:57:40.360 --> 0:57:42.680
<v Speaker 4>about the guitar? And I talked to coaches at a

0:57:42.720 --> 0:57:45.320
<v Speaker 4>high levels like have you have you figured anything out

0:57:45.320 --> 0:57:47.160
<v Speaker 4>about an offense or a defense even though you've been

0:57:47.160 --> 0:57:48.440
<v Speaker 4>doing it for thirty years, And I'd be like, you know,

0:57:48.600 --> 0:57:50.520
<v Speaker 4>I did, have have you done that with a guitar

0:57:50.560 --> 0:57:52.640
<v Speaker 4>at all? Where you're like, you know what I found

0:57:52.680 --> 0:57:53.920
<v Speaker 4>that I can go from here to hear or do

0:57:54.080 --> 0:57:55.920
<v Speaker 4>something new that you had never discovered.

0:57:56.560 --> 0:57:59.280
<v Speaker 15>I think I'm working on not playing so much so

0:57:59.360 --> 0:58:01.840
<v Speaker 15>the opposite. Yeah, it's like you have a It's like

0:58:02.120 --> 0:58:04.200
<v Speaker 15>it's like saying a sentence. I'm going to say this

0:58:04.320 --> 0:58:07.640
<v Speaker 15>whole thing, but learning to stop halfway through and leave

0:58:07.680 --> 0:58:10.400
<v Speaker 15>it there. That's kind of the version of playing a

0:58:10.480 --> 0:58:11.160
<v Speaker 15>lick on the guitar.

0:58:11.200 --> 0:58:11.960
<v Speaker 4>Is that hard for you to do?

0:58:12.240 --> 0:58:15.160
<v Speaker 15>Yes, because I want to complete the thought, But the

0:58:15.240 --> 0:58:17.240
<v Speaker 15>newest thing is to not complete the thought and end

0:58:17.280 --> 0:58:18.680
<v Speaker 15>it in the middle and see what happened.

0:58:18.720 --> 0:58:22.120
<v Speaker 4>To leave the space, let art happen then a different

0:58:22.200 --> 0:58:24.760
<v Speaker 4>kind of art. Or you're just like I'm tired.

0:58:25.440 --> 0:58:28.800
<v Speaker 8>Just to stop getting into the predictability.

0:58:28.200 --> 0:58:31.560
<v Speaker 4>Place like muscle memory. Almost it's exactly what it is

0:58:31.680 --> 0:58:34.640
<v Speaker 4>with like brain muscle memory, because your brain is going

0:58:34.680 --> 0:58:37.320
<v Speaker 4>to a place playing what you feel is not to us,

0:58:38.080 --> 0:58:40.320
<v Speaker 4>but where you feel like it's predictable. Obviously, I'm on

0:58:40.440 --> 0:58:40.840
<v Speaker 4>this scale.

0:58:40.880 --> 0:58:41.840
<v Speaker 8>I do this right.

0:58:42.040 --> 0:58:45.480
<v Speaker 15>Wow. Yeah, So making myself stop because then whenever I

0:58:45.600 --> 0:58:48.600
<v Speaker 15>start the next phrase, that'll be probably different because of

0:58:49.360 --> 0:58:50.720
<v Speaker 15>being so aware of.

0:58:50.960 --> 0:58:51.440
<v Speaker 14>What's going on.

0:58:51.560 --> 0:58:54.560
<v Speaker 4>Why did this awareness happen? No, I just hear things

0:58:54.600 --> 0:58:58.200
<v Speaker 4>back and I'm like, stop, do you hear stuff back?

0:58:58.280 --> 0:59:01.640
<v Speaker 4>And yeah, yeah, of course yeah, I hear stuff back.

0:59:01.680 --> 0:59:04.040
<v Speaker 4>And I'm like, dude, just you had it in the middle.

0:59:04.080 --> 0:59:05.520
<v Speaker 4>Stop there, shush.

0:59:06.440 --> 0:59:07.800
<v Speaker 5>That gives everybody else hope.

0:59:07.960 --> 0:59:10.280
<v Speaker 4>That's not amazing. It's something if he can hear stuff back.

0:59:10.600 --> 0:59:13.400
<v Speaker 12>I know, I'm very curious. How long do you pause

0:59:13.600 --> 0:59:13.919
<v Speaker 12>or wait?

0:59:14.240 --> 0:59:15.840
<v Speaker 4>Like an hour? It'd be awesome. He does like an

0:59:15.880 --> 0:59:18.640
<v Speaker 4>Andy Kaufman and just stops and watches the crowd its yeah.

0:59:18.880 --> 0:59:21.240
<v Speaker 8>So yeah, so Michael, I think of him so often.

0:59:21.640 --> 0:59:23.720
<v Speaker 5>It's my He's my favorite performer of all time.

0:59:23.800 --> 0:59:26.040
<v Speaker 8>We would be like playing a lick like didn't Do,

0:59:26.520 --> 0:59:26.880
<v Speaker 8>Didn't Do?

0:59:27.280 --> 0:59:28.560
<v Speaker 15>And I said to guys, how long do you think

0:59:28.560 --> 0:59:31.360
<v Speaker 15>we could play that lick for until the audience started to.

0:59:31.680 --> 0:59:33.960
<v Speaker 4>It's him reading the book and then there.

0:59:34.200 --> 0:59:37.120
<v Speaker 8>But I'd like to know what happens, who leaves, who stays?

0:59:37.200 --> 0:59:38.360
<v Speaker 8>How did they leave? To people?

0:59:38.440 --> 0:59:38.640
<v Speaker 9>Boo?

0:59:38.720 --> 0:59:40.880
<v Speaker 8>Do they quietly leave? What happens?

0:59:41.240 --> 0:59:43.480
<v Speaker 4>There are things like that too that I like, I

0:59:43.640 --> 0:59:46.560
<v Speaker 4>wanted to be a part of let's say, let's say

0:59:46.560 --> 0:59:48.720
<v Speaker 4>would be your band, Like but you gave me like

0:59:48.840 --> 0:59:53.240
<v Speaker 4>a saxophone and it's like I'm Okay, let's go to

0:59:53.280 --> 0:59:55.200
<v Speaker 4>the solo. I don't want to play saxophone. And I

0:59:55.280 --> 0:59:56.920
<v Speaker 4>go out front and I'm just trying as hard as

0:59:56.960 --> 0:59:59.080
<v Speaker 4>I can, but I'm terrible. Yeah, and you just and

0:59:59.160 --> 1:00:01.280
<v Speaker 4>everybody kind of walks off stage and lets me play.

1:00:01.880 --> 1:00:03.720
<v Speaker 4>Like you know, Motley Crue, they would do the whole solo,

1:00:03.760 --> 1:00:05.040
<v Speaker 4>they could hook a couple of girls, but instead, you

1:00:05.080 --> 1:00:06.400
<v Speaker 4>guys were just letting me play to see how long

1:00:06.480 --> 1:00:08.959
<v Speaker 4>til people booed, Like when will they booed the random

1:00:09.000 --> 1:00:10.160
<v Speaker 4>saxophone player that sucks?

1:00:10.480 --> 1:00:12.760
<v Speaker 8>Wouldn't that be a hilarious when you're doing it dead serious?

1:00:12.760 --> 1:00:16.720
<v Speaker 8>You know, I never break You look dead serious, really meaning.

1:00:16.640 --> 1:00:18.240
<v Speaker 4>And then I get real sad when they boom me off.

1:00:18.360 --> 1:00:22.920
<v Speaker 4>Yeah you been You ever been booed bad? That affected

1:00:23.000 --> 1:00:25.880
<v Speaker 4>your confidence? Yeah? I had?

1:00:25.920 --> 1:00:28.560
<v Speaker 15>Well, I had a guy walk up and and and

1:00:28.680 --> 1:00:31.240
<v Speaker 15>put his fingers in his ears, like stand right in

1:00:31.320 --> 1:00:33.080
<v Speaker 15>front of me, in front of everybody, when I was

1:00:33.080 --> 1:00:35.160
<v Speaker 15>playing at a club and I was sort of on

1:00:35.280 --> 1:00:35.800
<v Speaker 15>ground level.

1:00:36.280 --> 1:00:37.680
<v Speaker 4>Do you think that was a you thing or him thing?

1:00:38.760 --> 1:00:43.120
<v Speaker 15>A bit of both, probably, But yeah, I got fired

1:00:43.320 --> 1:00:46.800
<v Speaker 15>from that gig because of that specifically, or.

1:00:47.280 --> 1:00:49.080
<v Speaker 8>Because I was trying to be nice to this guy

1:00:49.160 --> 1:00:51.320
<v Speaker 8>and your long story short. He came up at the

1:00:51.400 --> 1:00:52.840
<v Speaker 8>end of the night. I'm packing up my gear.

1:00:53.360 --> 1:00:54.800
<v Speaker 15>I was filling in for a guy who was a

1:00:54.840 --> 1:00:58.240
<v Speaker 15>solo act there Friday night at this club, playing solo

1:00:58.440 --> 1:01:00.960
<v Speaker 15>backing tracks live guitar, and I finished with Devil and

1:01:01.000 --> 1:01:03.320
<v Speaker 15>Anda Georgia did a little and on the guitar. It's

1:01:03.360 --> 1:01:05.760
<v Speaker 15>my big moment, you know, and I'm shredding away and

1:01:05.840 --> 1:01:08.439
<v Speaker 15>this guy walks up in front of me and I'm

1:01:08.480 --> 1:01:10.280
<v Speaker 15>on the floor with you know, he's all the crowd

1:01:10.360 --> 1:01:11.120
<v Speaker 15>of me, and.

1:01:11.200 --> 1:01:16.520
<v Speaker 8>He's like, no, it's just terrible. You sound terrible. He's hammered,

1:01:16.600 --> 1:01:18.680
<v Speaker 8>he is terrible. You sound terrible.

1:01:19.160 --> 1:01:21.120
<v Speaker 15>And I'm trying to get rid of him while I'm

1:01:21.200 --> 1:01:23.440
<v Speaker 15>playing and not make a scene in front of everybody.

1:01:23.480 --> 1:01:29.800
<v Speaker 8>And anyway, I finished, like thank you, good night, and I'm.

1:01:29.840 --> 1:01:32.919
<v Speaker 15>Furious, and I'm packing up my gear and this guy

1:01:33.080 --> 1:01:35.400
<v Speaker 15>comes over and I'm like, I just don't say anything.

1:01:35.440 --> 1:01:37.400
<v Speaker 15>He don't say anything, this guy, You're almost.

1:01:37.200 --> 1:01:37.600
<v Speaker 4>Out of here.

1:01:38.120 --> 1:01:44.560
<v Speaker 15>Anyway, I called him some incredibly offensive things, like horrendously

1:01:44.640 --> 1:01:45.479
<v Speaker 15>offensive things.

1:01:46.120 --> 1:01:50.520
<v Speaker 8>Uh yeah, and then he just he.

1:01:50.640 --> 1:01:54.360
<v Speaker 15>Goes, ah, you're you're a young guy. But with an

1:01:54.400 --> 1:01:57.480
<v Speaker 15>attitude like that your career is over before it's begun.

1:01:58.080 --> 1:02:00.960
<v Speaker 15>And then he just waddled off into the distance. And

1:02:01.040 --> 1:02:02.960
<v Speaker 15>then he comes back with the manager of the hotel.

1:02:03.000 --> 1:02:06.320
<v Speaker 15>Oh we go, and he goes he Karen died him.

1:02:08.040 --> 1:02:09.720
<v Speaker 15>He hit him with the Karen before the Karen was

1:02:09.800 --> 1:02:12.200
<v Speaker 15>a thing because I got fired for filling in for

1:02:12.240 --> 1:02:12.520
<v Speaker 15>a guy.

1:02:12.920 --> 1:02:14.800
<v Speaker 4>We played the new song earlier. We've been playing it

1:02:14.800 --> 1:02:16.760
<v Speaker 4>all morning long. So what when you put out a

1:02:16.800 --> 1:02:19.080
<v Speaker 4>new song. It's kind of with you. You're a bit

1:02:19.160 --> 1:02:21.600
<v Speaker 4>unpredictable in that sometimes you'll put out like eight singles

1:02:21.920 --> 1:02:23.600
<v Speaker 4>before you put out a record, and sometimes you put

1:02:23.640 --> 1:02:25.520
<v Speaker 4>out a bit like what's happening now with you? Musically,

1:02:26.160 --> 1:02:26.720
<v Speaker 4>we put out.

1:02:26.640 --> 1:02:29.040
<v Speaker 15>Straight Line, which is technically the first single off the

1:02:29.120 --> 1:02:31.920
<v Speaker 15>new album and the first song on the album, and

1:02:32.000 --> 1:02:35.200
<v Speaker 15>then Messed Up as Me is the first radio single

1:02:35.280 --> 1:02:38.400
<v Speaker 15>and second single off the record. Hopefully another song in

1:02:38.440 --> 1:02:41.680
<v Speaker 15>the next few months and then album coming. I've got

1:02:41.720 --> 1:02:44.920
<v Speaker 15>a jewet on the record which I recorded last summer.

1:02:45.080 --> 1:02:45.760
<v Speaker 4>Have you said with Who?

1:02:46.280 --> 1:02:48.360
<v Speaker 15>No, I haven't, and I've been sitting on it since

1:02:48.440 --> 1:02:50.360
<v Speaker 15>last summer and it's killing me. So I can't wait

1:02:50.400 --> 1:02:50.640
<v Speaker 15>to get that.

1:02:50.800 --> 1:02:52.480
<v Speaker 4>Don't say it. I'm not even ask you to say

1:02:52.520 --> 1:02:53.600
<v Speaker 4>it now, But what if you whispered it in my

1:02:53.600 --> 1:02:54.520
<v Speaker 4>ear and I don't tell anybody.

1:02:55.720 --> 1:02:57.400
<v Speaker 5>Oh, I think he would tell trustworthy.

1:02:57.760 --> 1:02:59.280
<v Speaker 4>I think he would tell him. I know where he lives.

1:02:59.280 --> 1:02:59.960
<v Speaker 5>I think he would tell me.

1:03:01.240 --> 1:03:02.360
<v Speaker 14>You do you do?

1:03:02.800 --> 1:03:06.640
<v Speaker 5>Let me do a live reaction, and I'm never gonna

1:03:06.640 --> 1:03:07.600
<v Speaker 5>tell you trust me?

1:03:07.720 --> 1:03:08.280
<v Speaker 4>Really? Yeah, I do?

1:03:08.360 --> 1:03:10.960
<v Speaker 5>Okay, Ray play a little hold music?

1:03:14.280 --> 1:03:23.520
<v Speaker 4>Thank you. Yeah, It's it's gonna be big, guys. It's

1:03:23.560 --> 1:03:26.400
<v Speaker 4>gonna be big, and I'm trying to hold back. It's

1:03:26.400 --> 1:03:29.320
<v Speaker 4>gonna be big. And that's all I'm gonna say because

1:03:29.400 --> 1:03:31.600
<v Speaker 4>this face here is that of a trustworthy person. But

1:03:31.760 --> 1:03:34.680
<v Speaker 4>it is going to be big for multiple people. Some

1:03:34.720 --> 1:03:36.480
<v Speaker 4>people are calling the new We Are the World oh my,

1:03:38.400 --> 1:03:39.920
<v Speaker 4>But me, I'm that person who.

1:03:39.800 --> 1:03:41.720
<v Speaker 15>Calls it, like, how great is that moment with Ray

1:03:41.840 --> 1:03:44.080
<v Speaker 15>Childs singing his solo moment in that way of the

1:03:44.120 --> 1:03:44.920
<v Speaker 15>World things.

1:03:45.280 --> 1:03:47.800
<v Speaker 4>There were so many great moments to me, even seeing

1:03:47.840 --> 1:03:54.320
<v Speaker 4>the humanity in Bob Dylan, where yeah, Bob Dylan struggling,

1:03:54.360 --> 1:03:56.040
<v Speaker 4>he doesn't know how to because he's not a he's

1:03:56.080 --> 1:03:59.280
<v Speaker 4>not a sing on a traditional vocalist. And then when

1:03:59.360 --> 1:04:01.720
<v Speaker 4>Stevie Won under goes Hey, come to the piano, makes

1:04:01.720 --> 1:04:03.600
<v Speaker 4>everybody leave the room. Bob deyla one of the greatest

1:04:03.720 --> 1:04:08.000
<v Speaker 4>of all time, like songwriters like and he's mimicking Bob Dylan,

1:04:08.080 --> 1:04:09.760
<v Speaker 4>So Bob Dylan can here how I'm supposed to sing it?

1:04:09.880 --> 1:04:11.440
<v Speaker 8>Yeah, we are the world.

1:04:13.880 --> 1:04:20.080
<v Speaker 15>Making leves and you can tell Bob's like that was terrible,

1:04:20.120 --> 1:04:21.240
<v Speaker 15>and they're like it was amazing.

1:04:22.040 --> 1:04:24.600
<v Speaker 4>Yeah. The humanity in that show of people that we

1:04:24.640 --> 1:04:27.520
<v Speaker 4>don't feel are human because they're so famous was super cool.

1:04:27.680 --> 1:04:27.880
<v Speaker 14>Yeah.

1:04:27.920 --> 1:04:29.200
<v Speaker 4>I felt bad for Sheila.

1:04:30.240 --> 1:04:31.720
<v Speaker 8>I don't remember Prince.

1:04:32.000 --> 1:04:34.040
<v Speaker 4>They just gave her a verse because they wanted Prince

1:04:34.080 --> 1:04:36.560
<v Speaker 4>to car I didn't know that, and then he didn't

1:04:36.560 --> 1:04:38.160
<v Speaker 4>show up, and so she was just like, I'm out.

1:04:39.160 --> 1:04:41.760
<v Speaker 12>Oh, sometimes do you multitask when you watch shows?

1:04:42.080 --> 1:04:42.600
<v Speaker 4>Because I do.

1:04:43.800 --> 1:04:45.960
<v Speaker 12>I do, and I miss things like here and there.

1:04:46.200 --> 1:04:48.000
<v Speaker 8>Yeah, but it's actually is a quick part, you know

1:04:48.080 --> 1:04:48.360
<v Speaker 8>what it is.

1:04:48.520 --> 1:04:52.000
<v Speaker 15>I didn't see that there was another, uh one that's

1:04:52.080 --> 1:04:54.840
<v Speaker 15>like three hours long. On the making of that song,

1:04:55.360 --> 1:04:58.520
<v Speaker 15>they use all the same footage but then additional footage.

1:04:58.560 --> 1:04:59.600
<v Speaker 8>It goes for three hours.

1:04:59.640 --> 1:05:02.640
<v Speaker 15>This thing that sounds better I downloaded that, you know,

1:05:02.720 --> 1:05:05.440
<v Speaker 15>had those multiple cameras in the studio, sometimes it's just

1:05:05.640 --> 1:05:08.360
<v Speaker 15>the other camera's point of view, Like it's kind of crazy.

1:05:08.400 --> 1:05:09.840
<v Speaker 15>Do you ever watch like the eight hour Tom Petty

1:05:09.880 --> 1:05:12.480
<v Speaker 15>documentary Run is it Running Down and Draw?

1:05:13.280 --> 1:05:15.680
<v Speaker 4>That's it? Yeah, and it's so long, but it's so good.

1:05:15.720 --> 1:05:17.200
<v Speaker 4>It's so yeah, it's so good.

1:05:17.280 --> 1:05:17.480
<v Speaker 8>Yeah.

1:05:17.560 --> 1:05:20.439
<v Speaker 4>That and the Eagles whenever they have their documentary that's

1:05:20.640 --> 1:05:22.480
<v Speaker 4>like hours and hours. You ever watched that one where

1:05:22.520 --> 1:05:25.120
<v Speaker 4>they announced their health freeze is over? Like? Yes, that

1:05:25.200 --> 1:05:26.000
<v Speaker 4>one's really cool too.

1:05:26.120 --> 1:05:27.680
<v Speaker 8>Yes, documentaries.

1:05:28.280 --> 1:05:29.240
<v Speaker 4>Is the Keith Urban documentary?

1:05:29.280 --> 1:05:29.880
<v Speaker 8>I'm working on it?

1:05:29.960 --> 1:05:32.560
<v Speaker 4>Are you really? Yeah? That's awesome. How far back does

1:05:32.600 --> 1:05:32.760
<v Speaker 4>it go?

1:05:33.480 --> 1:05:36.160
<v Speaker 8>I don't know yet, which literally just preliminary.

1:05:36.440 --> 1:05:37.840
<v Speaker 4>Do you have a lot of footage of you as

1:05:37.840 --> 1:05:38.680
<v Speaker 4>a child playing?

1:05:38.760 --> 1:05:41.440
<v Speaker 8>Not as much as I wish I did. Yeah, it's Obama.

1:05:41.600 --> 1:05:42.240
<v Speaker 8>That's really cool.

1:05:42.400 --> 1:05:45.560
<v Speaker 4>Well, I'm not gonna mention anything about it about his

1:05:46.200 --> 1:05:50.680
<v Speaker 4>duet and I'm not mentioning anything. There we go. That's

1:05:50.720 --> 1:05:53.560
<v Speaker 4>it's gonna be awesome. Have you ever asked Keith about

1:05:53.560 --> 1:05:57.520
<v Speaker 4>the kangaroo? Okay, that seems eating a kangaroo? There you go. Okay,

1:05:57.520 --> 1:05:58.200
<v Speaker 4>here's the question.

1:05:58.480 --> 1:06:01.400
<v Speaker 8>I wouldn't recommend it if the if they just.

1:06:01.440 --> 1:06:04.000
<v Speaker 4>Picked a generic kangaroo from any any kangaroo in the wild,

1:06:04.040 --> 1:06:05.840
<v Speaker 4>it could be a baby or an old or small

1:06:06.120 --> 1:06:08.560
<v Speaker 4>generic kangaroo. I think if you put me up against

1:06:08.560 --> 1:06:11.520
<v Speaker 4>a generic kangaroo, I could whoop. I could whoop its

1:06:11.600 --> 1:06:13.840
<v Speaker 4>button a fight, not the big muscle ones they put

1:06:13.880 --> 1:06:16.240
<v Speaker 4>on the It could, but it also could be one

1:06:16.280 --> 1:06:19.120
<v Speaker 4>that's had been in an accident. So I think a

1:06:19.240 --> 1:06:23.120
<v Speaker 4>generic kangaroo, one on one kangaroo, I would beat it up.

1:06:24.120 --> 1:06:28.600
<v Speaker 4>You want film muscle though, it doesn't it dang, dude,

1:06:28.920 --> 1:06:29.600
<v Speaker 4>Now tell me again.

1:06:29.680 --> 1:06:30.880
<v Speaker 8>You've been hanging out with caratop.

1:06:31.440 --> 1:06:34.240
<v Speaker 4>Oh he's massive, insane, he's massive.

1:06:34.440 --> 1:06:36.120
<v Speaker 8>Okay, he could kick a kangaroos ass.

1:06:36.000 --> 1:06:38.400
<v Speaker 4>No, no, no, I could see. I knew he'd make

1:06:38.400 --> 1:06:40.360
<v Speaker 4>it a joke. He doesn't respect my art.

1:06:41.240 --> 1:06:43.400
<v Speaker 8>It's more respecting the kangaroo's art.

1:06:43.840 --> 1:06:46.040
<v Speaker 4>Okay. Anyway, they're pretty bad as His name's Keith Thurban.

1:06:46.120 --> 1:06:48.600
<v Speaker 5>He's got some fine his hey, hey, his duet coming out.

1:06:48.600 --> 1:06:49.000
<v Speaker 4>It's fine.

1:06:50.800 --> 1:06:53.680
<v Speaker 8>Wait a minute, Oh, you're super buff. You would kick

1:06:53.720 --> 1:06:54.680
<v Speaker 8>that can. You would kick.

1:06:56.960 --> 1:06:58.760
<v Speaker 4>It's already won a Grammy. It's even how it works.

1:06:58.960 --> 1:07:02.080
<v Speaker 8>It works now a right, yeah, keep slowly, a bit slow.

1:07:02.160 --> 1:07:04.080
<v Speaker 4>You're my friend. Thank you, love you all right, bye bye.

1:07:05.400 --> 1:07:09.080
<v Speaker 1>It's the Best Bits of the Week with Morgan number two.

1:07:10.120 --> 1:07:12.120
<v Speaker 3>All right, y'all, that's it for me this weekend. I'm

1:07:12.120 --> 1:07:15.040
<v Speaker 3>wrapping everything up. Be sure check out part one, Part

1:07:15.080 --> 1:07:17.640
<v Speaker 3>three this weekend with Amy. I promise you'll like it.

1:07:18.320 --> 1:07:20.040
<v Speaker 3>You've never given it a chance before. I hope you

1:07:20.120 --> 1:07:22.360
<v Speaker 3>do this weekend. Or maybe you're annoyed of me saying

1:07:22.360 --> 1:07:24.000
<v Speaker 3>that enough that you'll just go do it. I don't

1:07:24.040 --> 1:07:26.280
<v Speaker 3>know either one works. But if you don't want to

1:07:26.320 --> 1:07:28.320
<v Speaker 3>do that, I suppose that's okay. You can come hang

1:07:28.360 --> 1:07:30.520
<v Speaker 3>out with me on social media at web Girl Morgan.

1:07:30.600 --> 1:07:33.360
<v Speaker 3>You can follow the show at Bobby Bone Show. Whatever

1:07:33.440 --> 1:07:35.800
<v Speaker 3>you do next, I still hope you have a fabulous,

1:07:36.200 --> 1:07:37.680
<v Speaker 3>amazing and safe weekend.

1:07:37.800 --> 1:07:38.400
<v Speaker 2>Bye everybody.

1:07:39.120 --> 1:07:40.040
<v Speaker 9>That's the Best.

1:07:39.840 --> 1:07:42.640
<v Speaker 1>Bits of the Week with Morgan. Thanks for listening. Be

1:07:42.760 --> 1:07:44.960
<v Speaker 1>sure to check out the other two parts this weekend.

1:07:45.080 --> 1:07:47.919
<v Speaker 1>Go follow the show on all social platforms.

1:07:48.360 --> 1:07:50.040
<v Speaker 4>And followed web Girl Morgan

1:07:50.280 --> 1:07:52.680
<v Speaker 1>To submit your listener questions for next week's episode.