1 00:00:01,040 --> 00:00:03,480 Speaker 1: It's the best Bits of the week with Morgan, I 2 00:00:03,680 --> 00:00:05,319 Speaker 1: kill just the bits. 3 00:00:05,960 --> 00:00:08,360 Speaker 2: Welcome, Welcome. This is part two of Best Bits. 4 00:00:08,360 --> 00:00:09,920 Speaker 3: If you're just getting caught up on the Bobby Bone 5 00:00:09,920 --> 00:00:12,200 Speaker 3: Show from this week, maybe you miss some things and 6 00:00:12,200 --> 00:00:13,560 Speaker 3: you just want to hear the big segments. 7 00:00:13,640 --> 00:00:15,520 Speaker 2: That's what this is all about. My name is Morgan. 8 00:00:15,600 --> 00:00:17,800 Speaker 3: If you're new to this little party, but we've got 9 00:00:17,840 --> 00:00:19,400 Speaker 3: a lot to talk about. It was a big week 10 00:00:19,440 --> 00:00:21,599 Speaker 3: on the show. Before we dive in, be sure to 11 00:00:21,680 --> 00:00:24,079 Speaker 3: check out Part one. In part three, Amy is joining me. 12 00:00:24,400 --> 00:00:27,440 Speaker 3: On part one, we talked about some signs that I've 13 00:00:27,440 --> 00:00:29,600 Speaker 3: gotten recently, and I got Amy's advice because she's like 14 00:00:29,600 --> 00:00:32,400 Speaker 3: the sign queen. And we talked about what kind of 15 00:00:32,440 --> 00:00:34,320 Speaker 3: friends we are in our friend groups, which is always 16 00:00:34,320 --> 00:00:37,120 Speaker 3: fun to look at from a friendship aspect, and listener 17 00:00:37,200 --> 00:00:39,959 Speaker 3: Q and A. We talked about Amy's kids and how 18 00:00:40,000 --> 00:00:41,520 Speaker 3: we deal with body dysmorphia. 19 00:00:41,600 --> 00:00:43,519 Speaker 2: So a lot of stuff on both of those to 20 00:00:43,600 --> 00:00:44,000 Speaker 2: check out. 21 00:00:44,000 --> 00:00:46,400 Speaker 3: I highly encourage you too, if you've never listened before, 22 00:00:47,040 --> 00:00:47,600 Speaker 3: to see them. 23 00:00:47,680 --> 00:00:49,560 Speaker 2: I promise it's good content and it's all. 24 00:00:49,479 --> 00:00:51,240 Speaker 3: New you've never heard it on the show before, but 25 00:00:51,360 --> 00:00:54,400 Speaker 3: this stuff you may have heard a few or none 26 00:00:54,440 --> 00:00:54,680 Speaker 3: of it. 27 00:00:55,480 --> 00:00:57,360 Speaker 2: Whatever you're here for, we're gonna dive in. 28 00:00:57,400 --> 00:00:59,560 Speaker 3: These are the top seven segments from the show this week. 29 00:01:00,280 --> 00:01:03,320 Speaker 3: We have a new champion in Elder versus Millennial. The 30 00:01:03,400 --> 00:01:07,360 Speaker 3: championship game went down, which means that something's gonna rotate, 31 00:01:07,400 --> 00:01:09,319 Speaker 3: whether it be the millennial or the elder. 32 00:01:09,360 --> 00:01:11,319 Speaker 2: Something is getting rotated after this game. 33 00:01:11,760 --> 00:01:14,120 Speaker 3: So you got to be caught up. No, what's happening? So, 34 00:01:14,200 --> 00:01:16,280 Speaker 3: without further adode done, No, no, no, I wish I had 35 00:01:16,319 --> 00:01:19,320 Speaker 3: like a Oh that was a good drum roll. Okay, 36 00:01:19,480 --> 00:01:21,240 Speaker 3: Older versus Millennial Championship. 37 00:01:21,240 --> 00:01:21,680 Speaker 4: Here we go. 38 00:01:22,160 --> 00:01:22,880 Speaker 1: Number seven. 39 00:01:22,959 --> 00:01:26,480 Speaker 4: It's trivia, it's Elder versus Millennial. It's Eddie, the oldest 40 00:01:26,480 --> 00:01:30,039 Speaker 4: on our show. It's Swifty Lauren, the youngest on our show. 41 00:01:30,160 --> 00:01:32,760 Speaker 4: Winter or this is the champions Yeah, this is it. 42 00:01:32,800 --> 00:01:36,839 Speaker 4: Winner's the champion, Eddie. Let me introduce you first. First, 43 00:01:37,160 --> 00:01:39,800 Speaker 4: he's the data four. I call him the Hispanic who 44 00:01:39,800 --> 00:01:42,360 Speaker 4: don't panic. He just gave birth the ten butterflies and 45 00:01:42,400 --> 00:01:44,960 Speaker 4: he sees the championship in his eyes. It's producer read 46 00:01:45,120 --> 00:01:50,440 Speaker 4: ed Eddie. She'll know the answer to these. Okay, these 47 00:01:50,440 --> 00:01:54,720 Speaker 4: are for you. What's the stitch is? A catchphrase from 48 00:01:54,720 --> 00:01:56,400 Speaker 4: What two Thousand's Disney Show. 49 00:01:56,560 --> 00:01:59,760 Speaker 5: I'm gonna play you a clip, So what's the sitch? 50 00:02:01,200 --> 00:02:01,920 Speaker 6: What's this? 51 00:02:02,320 --> 00:02:04,080 Speaker 4: Listen to the clip because there are also sounds in 52 00:02:04,120 --> 00:02:09,720 Speaker 4: the clip. Obviously, go ahead, Okay, I like it. That's 53 00:02:09,760 --> 00:02:15,080 Speaker 4: a good hint. Give me Veronica Mars. Wow, No, Lauren, 54 00:02:15,160 --> 00:02:17,600 Speaker 4: you can steal him. Possible, Kim Possible is correct? 55 00:02:18,160 --> 00:02:18,919 Speaker 6: What were the sounds? 56 00:02:18,919 --> 00:02:19,600 Speaker 4: I was looking for? 57 00:02:19,800 --> 00:02:22,040 Speaker 6: Like and stuff? 58 00:02:22,040 --> 00:02:26,880 Speaker 4: He was doing compossible things, Eddie. What's the name of 59 00:02:26,960 --> 00:02:31,480 Speaker 4: Taylor Swift's brother who shares his name with a city? 60 00:02:32,480 --> 00:02:38,679 Speaker 4: She has a brother and he his name's as city. 61 00:02:39,000 --> 00:02:44,000 Speaker 7: Oh that's Dallas Swift. 62 00:02:44,760 --> 00:02:45,480 Speaker 5: I know she knows it. 63 00:02:46,360 --> 00:02:48,160 Speaker 1: That's Austin, Austin Swift. 64 00:02:48,200 --> 00:02:50,960 Speaker 4: Oh, my goodness, so close. 65 00:02:50,960 --> 00:02:53,480 Speaker 7: It's three hours away. 66 00:02:54,680 --> 00:02:58,520 Speaker 4: Lauren to Eddie zero, you could lose the championship, Eddie. 67 00:02:58,600 --> 00:03:00,640 Speaker 4: Lady gud got wore a dress made in entirely of 68 00:03:00,720 --> 00:03:02,840 Speaker 4: what at the MTV Video Music Awards in twenty ten. 69 00:03:03,040 --> 00:03:07,640 Speaker 4: Meats correct, mates, all right, I got one, Eddie with 70 00:03:07,680 --> 00:03:11,200 Speaker 4: one Swifty Lauren was two. Oh boy, oh boy, Lauren, 71 00:03:11,200 --> 00:03:11,680 Speaker 4: are you ready? 72 00:03:11,760 --> 00:03:13,040 Speaker 8: I'm feeling good? Yeah, I'm ready. 73 00:03:14,760 --> 00:03:21,320 Speaker 4: Thunderstruck is a song from what classic rock band ac DC. 74 00:03:21,880 --> 00:03:23,560 Speaker 4: My god, wow you know that? 75 00:03:24,320 --> 00:03:25,120 Speaker 9: Holy crap? 76 00:03:25,320 --> 00:03:26,280 Speaker 6: Yeah, exactly. 77 00:03:27,240 --> 00:03:28,320 Speaker 9: You're on the ropes, Eddie. 78 00:03:29,200 --> 00:03:32,120 Speaker 4: She gets any more, right, she's the champion, or if 79 00:03:32,160 --> 00:03:34,520 Speaker 4: she misses it, then you miss it. She's the champion. 80 00:03:35,760 --> 00:03:38,600 Speaker 4: Swifty Lauren, what's the name of the key chain size 81 00:03:38,720 --> 00:03:44,120 Speaker 4: virtual pet simulation game that became popular in the nineties. Correct, 82 00:03:44,120 --> 00:03:49,560 Speaker 4: winner wowow, And. 83 00:03:49,640 --> 00:03:54,320 Speaker 3: He says, set out. 84 00:03:56,160 --> 00:03:58,320 Speaker 4: I want to go to the champion a second, wow 85 00:03:58,360 --> 00:04:00,320 Speaker 4: wow wow. But first I want to go talk to there. 86 00:04:00,840 --> 00:04:02,520 Speaker 4: That was terrible. That was like going all the way 87 00:04:02,560 --> 00:04:05,080 Speaker 4: to the super Bowl just to like not score a touch. 88 00:04:05,160 --> 00:04:07,480 Speaker 5: She won Rookie of the Year and the super Bowl the. 89 00:04:07,440 --> 00:04:09,240 Speaker 2: Same year, and that was a comeback because I was 90 00:04:09,560 --> 00:04:10,640 Speaker 2: and a comeback true. 91 00:04:10,800 --> 00:04:13,119 Speaker 4: Dang, she's good man. 92 00:04:13,440 --> 00:04:16,560 Speaker 7: I'm I feel bad for the next challenger, whoever's going 93 00:04:16,600 --> 00:04:17,120 Speaker 7: to challenge her. 94 00:04:17,160 --> 00:04:19,360 Speaker 4: So, Lauren, who would you rather? Who do you want 95 00:04:19,360 --> 00:04:21,520 Speaker 4: to be the elder against you the next round? Because 96 00:04:21,560 --> 00:04:23,520 Speaker 4: that he's eliminated? Does you like for it to be 97 00:04:24,120 --> 00:04:29,520 Speaker 4: Amy or lunchbox? You get to pick your elder man. 98 00:04:29,600 --> 00:04:30,640 Speaker 4: You're picking your opponents. 99 00:04:30,680 --> 00:04:33,400 Speaker 10: So you think you can beat that person that's trash talk, 100 00:04:33,880 --> 00:04:35,200 Speaker 10: bolt and board material. 101 00:04:35,640 --> 00:04:37,480 Speaker 4: So which who would you like to have as your 102 00:04:37,760 --> 00:04:38,960 Speaker 4: elder starting next week? 103 00:04:39,160 --> 00:04:40,440 Speaker 1: Oh, let's do Lunchbox. 104 00:04:41,800 --> 00:04:43,080 Speaker 4: I want to touch his knowledge. 105 00:04:43,920 --> 00:04:46,840 Speaker 10: You're about to get tested. Say no, because I don't 106 00:04:46,839 --> 00:04:49,080 Speaker 10: know any of those answers. When I was listening that, 107 00:04:49,160 --> 00:04:49,800 Speaker 10: I was like, I don't know. 108 00:04:49,760 --> 00:04:54,839 Speaker 4: Any of the swifty Lauren is the champion. The new 109 00:04:54,920 --> 00:04:57,080 Speaker 4: elder will be lunch Box starting next week. 110 00:04:57,200 --> 00:04:59,560 Speaker 9: I mean, here's the crazy part. Even the questions you 111 00:04:59,640 --> 00:05:01,520 Speaker 9: ask her, I don't know the answer too. 112 00:05:01,640 --> 00:05:03,000 Speaker 5: Oh yeah, you know the elder question. 113 00:05:03,080 --> 00:05:04,000 Speaker 9: I don't know the elder question. 114 00:05:03,960 --> 00:05:05,440 Speaker 4: Do you want to hear somewhere elder questions? Yea? If 115 00:05:05,480 --> 00:05:07,560 Speaker 4: you got him. What was the name of the toy 116 00:05:07,600 --> 00:05:10,279 Speaker 4: line that featured small plastic figures with exaggerated features and 117 00:05:10,279 --> 00:05:14,400 Speaker 4: colorful hair. Oh troll been that you should know, Laura. 118 00:05:14,400 --> 00:05:16,840 Speaker 4: I would have asked, Okay, how about this one. What's 119 00:05:16,880 --> 00:05:19,440 Speaker 4: the occupation of Fraser and the show Fraser? 120 00:05:20,200 --> 00:05:22,880 Speaker 9: Well, he does radio, but he's also a doctor, Fraser Kream. 121 00:05:23,640 --> 00:05:26,480 Speaker 4: I accept it radio psychiatrist. Yep who is the actress 122 00:05:26,480 --> 00:05:28,480 Speaker 4: that played Princess Leiah in the original Star Wars. 123 00:05:29,920 --> 00:05:33,040 Speaker 9: I'm truly a Robbert correct. 124 00:05:34,160 --> 00:05:36,560 Speaker 4: Fish. But see you did pretty good. He did pretty good. 125 00:05:36,720 --> 00:05:40,920 Speaker 4: Lauren will see you next week, Lunchbox will see you 126 00:05:40,960 --> 00:05:41,440 Speaker 4: next week too. 127 00:05:43,600 --> 00:05:46,799 Speaker 1: It's the best bits of the week with Morgan. 128 00:05:46,880 --> 00:05:50,880 Speaker 3: Number two, everybody knows that Raymundo loves Sam Hunt, and 129 00:05:50,920 --> 00:05:53,280 Speaker 3: I don't just mean like love, like he loves him 130 00:05:53,720 --> 00:05:55,880 Speaker 3: and so well, Sam Hunt's going to be in Nashville. 131 00:05:55,920 --> 00:05:58,080 Speaker 3: He had a concert last night. If you're listening to 132 00:05:58,160 --> 00:06:00,360 Speaker 3: it Saturday air this weekend. He had a concert in 133 00:06:00,440 --> 00:06:03,800 Speaker 3: Nashville on Friday, and basically, Raymundo wanted an inn. He 134 00:06:03,839 --> 00:06:05,839 Speaker 3: wanted to go hang out with Sam Hunt, take shots 135 00:06:05,880 --> 00:06:08,520 Speaker 3: of them, maybe even go on stage, and Bobby tried 136 00:06:08,560 --> 00:06:10,000 Speaker 3: to pull some strings. So that's where you're gonna hear. 137 00:06:10,000 --> 00:06:12,920 Speaker 3: You're gonna hear this whole setup and the result of that, 138 00:06:13,040 --> 00:06:15,400 Speaker 3: but we don't have the full result. We're maybe gonna 139 00:06:15,400 --> 00:06:17,120 Speaker 3: get that next week. We'll find out. So you got 140 00:06:17,160 --> 00:06:19,320 Speaker 3: to be caught up on this bit before you hear 141 00:06:19,400 --> 00:06:22,720 Speaker 3: the final result, Like did Raymundo get to hang out 142 00:06:22,720 --> 00:06:23,679 Speaker 3: with Sam Hunt again? 143 00:06:24,279 --> 00:06:26,840 Speaker 4: Number six, Raymundo wants to go to the Sam Hunt concert, 144 00:06:26,880 --> 00:06:29,640 Speaker 4: which is happened as a tour night. Yeah, Friday night, yep, 145 00:06:29,800 --> 00:06:31,440 Speaker 4: And he thought he was gonna get some secret surprise 146 00:06:31,440 --> 00:06:34,200 Speaker 4: from Sam Hunt and you thought the surprise might be 147 00:06:34,279 --> 00:06:36,680 Speaker 4: backstage passes. You thought it might be hanging out with 148 00:06:36,680 --> 00:06:39,000 Speaker 4: Sam before the show. I don't know why you thought that, 149 00:06:39,040 --> 00:06:42,159 Speaker 4: because nothing really led you to believe that was happening. 150 00:06:42,160 --> 00:06:45,719 Speaker 4: Maybe Vegas. I got backstage, Yeah, because I got you 151 00:06:45,720 --> 00:06:47,800 Speaker 4: backstage because I called and said Sam Ray would like 152 00:06:47,839 --> 00:06:49,520 Speaker 4: to come back, right, So I knew it was possible, 153 00:06:49,560 --> 00:06:50,720 Speaker 4: so I kind of had my Hey, I didn't know 154 00:06:50,720 --> 00:06:51,839 Speaker 4: it was on me to do this too. 155 00:06:51,960 --> 00:06:53,600 Speaker 11: No, no, not you. I told you there was other 156 00:06:53,600 --> 00:06:55,839 Speaker 11: people involved, Adam. There's our sales guy, Alex. 157 00:06:55,920 --> 00:06:58,960 Speaker 4: But never trust the sales guy. He said he's got 158 00:06:58,960 --> 00:07:02,160 Speaker 4: some hook ups. What they say, Oh so Alex hooks 159 00:07:02,200 --> 00:07:02,400 Speaker 4: you up? 160 00:07:02,440 --> 00:07:02,839 Speaker 9: Of course? 161 00:07:02,960 --> 00:07:05,200 Speaker 4: Right, well, he said, I don't even know who Alex is. 162 00:07:05,320 --> 00:07:08,960 Speaker 4: I'm just saying he's at Atlanta is how do you 163 00:07:09,000 --> 00:07:09,520 Speaker 4: know that. 164 00:07:09,720 --> 00:07:14,600 Speaker 10: He comes in all the time he works with, saying Jude, Yeah, yeah, 165 00:07:14,680 --> 00:07:15,720 Speaker 10: he's a good dude from Atlanta. 166 00:07:15,800 --> 00:07:19,120 Speaker 4: Yeah. I take it back, Adam, what's up, buddy, I 167 00:07:19,160 --> 00:07:24,440 Speaker 4: take it back. I want to meet Alex Ray. But 168 00:07:24,480 --> 00:07:27,240 Speaker 4: you're basing that off. The last time when I Sam 169 00:07:27,280 --> 00:07:29,720 Speaker 4: and I have the same management. So I just called 170 00:07:29,720 --> 00:07:32,360 Speaker 4: and said, hey, can Ray come back whenever he gets there, 171 00:07:32,360 --> 00:07:34,560 Speaker 4: and they said, yeah, of course, you never told me 172 00:07:34,600 --> 00:07:35,840 Speaker 4: to do that again, right right. 173 00:07:35,840 --> 00:07:37,080 Speaker 11: I didn't want it to be the same thing. I 174 00:07:37,120 --> 00:07:39,160 Speaker 11: have a big thing against that. I'm not trying to 175 00:07:39,160 --> 00:07:40,960 Speaker 11: do exactly what I did in Vegas. I want it 176 00:07:40,960 --> 00:07:41,400 Speaker 11: to be different. 177 00:07:41,440 --> 00:07:45,360 Speaker 4: Maybe more, yes, no, different as in more he wants 178 00:07:45,360 --> 00:07:47,960 Speaker 4: to do shots with them on stage. I know there's 179 00:07:48,000 --> 00:07:52,200 Speaker 4: aspects of a show you do understand. No, no, no, I 180 00:07:52,200 --> 00:07:55,080 Speaker 4: shouldn't say it like that, Hey, Ray, what's up? Hey. 181 00:07:55,160 --> 00:07:58,600 Speaker 4: So a lot of times someone like Sam, when they're 182 00:07:58,600 --> 00:08:01,040 Speaker 4: doing their show, if it's full bait and it's not 183 00:08:01,040 --> 00:08:03,400 Speaker 4: just them playing acoustic, which good, they play kind of 184 00:08:03,400 --> 00:08:06,360 Speaker 4: onto it what's called a click track, and during the 185 00:08:06,440 --> 00:08:09,480 Speaker 4: song everything it can't really be affected with, so you'll 186 00:08:09,520 --> 00:08:11,840 Speaker 4: hear in their ears or you know, Eddie's in my ears, 187 00:08:11,880 --> 00:08:16,920 Speaker 4: We'll hear with the music because that keeps everybody on 188 00:08:16,960 --> 00:08:19,400 Speaker 4: the same page. So there's not a lot of hey, 189 00:08:19,440 --> 00:08:20,880 Speaker 4: let's bring Ray up in the middle of a song, 190 00:08:21,280 --> 00:08:23,560 Speaker 4: and they did. They just play you know, unless I 191 00:08:23,680 --> 00:08:26,320 Speaker 4: rehearse that. You got to play and rehearse that. Now, 192 00:08:26,440 --> 00:08:28,560 Speaker 4: Sam may run wild and free. I don't know how 193 00:08:28,560 --> 00:08:30,240 Speaker 4: he does this show, but a lot of artists in 194 00:08:30,280 --> 00:08:31,960 Speaker 4: a big place like that, they are run on a 195 00:08:31,960 --> 00:08:34,600 Speaker 4: click track. Yeah, maybe in between, maybe they're like, Ray, 196 00:08:34,679 --> 00:08:36,319 Speaker 4: let's do a shot, and like Luke Combs does where 197 00:08:36,320 --> 00:08:38,520 Speaker 4: he does a beer that's not to a song. I 198 00:08:38,600 --> 00:08:40,440 Speaker 4: was gonna say, that's not a click track. Oh that's not. 199 00:08:40,679 --> 00:08:42,360 Speaker 4: But maybe just up in the middle. But I just 200 00:08:42,360 --> 00:08:44,040 Speaker 4: can't see him doing house party and being like in 201 00:08:44,080 --> 00:08:47,560 Speaker 4: the middle of the song where it's Ray all right, 202 00:08:47,679 --> 00:08:49,480 Speaker 4: I didn't know that. Okay, what do you I will 203 00:08:49,480 --> 00:08:50,600 Speaker 4: text right now what do you want? 204 00:08:50,640 --> 00:08:51,480 Speaker 6: No, don't ask him that. 205 00:08:52,600 --> 00:08:54,600 Speaker 4: No, No, what's your dream? What's your dream? Just tell 206 00:08:54,600 --> 00:08:56,760 Speaker 4: me your dream? Because I even called Sam and asked 207 00:08:56,800 --> 00:08:58,440 Speaker 4: him to play the million dollar show at the Riamon. 208 00:08:58,840 --> 00:09:00,720 Speaker 12: Wow, you say you're gonna call an another favor. 209 00:09:00,920 --> 00:09:02,199 Speaker 5: Nope, I'm gonna text it. 210 00:09:02,480 --> 00:09:03,640 Speaker 6: You're gonna waste your favor on that. 211 00:09:04,320 --> 00:09:06,720 Speaker 4: I wasted the favor on Sam to play with us 212 00:09:06,760 --> 00:09:08,960 Speaker 4: for charity, which I don't feel. It's a massive gift 213 00:09:08,960 --> 00:09:10,320 Speaker 4: for him to come in on a Wednesday night and 214 00:09:10,360 --> 00:09:14,680 Speaker 4: do that. I will because we have the same management. 215 00:09:14,760 --> 00:09:20,920 Speaker 4: I will text Sam's manager and say, hey, Ray's dying, 216 00:09:21,040 --> 00:09:23,120 Speaker 4: this is his last wish. There you go, that'll get 217 00:09:23,160 --> 00:09:26,040 Speaker 4: it not bad. He wants a shot? What do you 218 00:09:26,080 --> 00:09:28,640 Speaker 4: what do you want during house party? I can't ask 219 00:09:28,640 --> 00:09:30,959 Speaker 4: for something on stage if he doesn't do something. Does 220 00:09:31,000 --> 00:09:35,199 Speaker 4: he do that normally? Definitely not. I thought that's a 221 00:09:35,400 --> 00:09:36,160 Speaker 4: direction we were going. 222 00:09:36,160 --> 00:09:38,000 Speaker 11: But if it could be a pre show type thing 223 00:09:38,040 --> 00:09:40,040 Speaker 11: where I can do some live footage, I'm down with that. 224 00:09:42,200 --> 00:09:45,480 Speaker 4: I'm your breaking news. You're gonna stream it? No that. 225 00:09:46,559 --> 00:09:48,680 Speaker 4: Sam's a very private guy. I know he's not gonna 226 00:09:48,679 --> 00:09:54,040 Speaker 4: want you streaming. Hanging out before why not? He said, 227 00:09:54,080 --> 00:09:56,000 Speaker 4: dream big, Okay, I'll be like, you're live. 228 00:09:56,120 --> 00:09:57,120 Speaker 9: Sam. 229 00:09:57,320 --> 00:09:58,880 Speaker 4: He's like, get that out of my face. I've got 230 00:09:58,880 --> 00:10:00,480 Speaker 4: a show. I can't. I can't. I don't know, man, 231 00:10:00,480 --> 00:10:03,280 Speaker 4: I can't ask that. Give me something reasonable shots before 232 00:10:03,320 --> 00:10:07,199 Speaker 4: the show? Great, thank you shot. I don't even know 233 00:10:07,240 --> 00:10:09,360 Speaker 4: if Sam's doing shots. You know, got two kids now. 234 00:10:09,360 --> 00:10:11,319 Speaker 11: Right, Usually it's the band, but he would be there. 235 00:10:11,320 --> 00:10:13,240 Speaker 11: I mean there's there's waters that people do. 236 00:10:13,480 --> 00:10:16,480 Speaker 4: Stand by waters like shoot shoot waters yea by stand 237 00:10:16,520 --> 00:10:21,120 Speaker 4: by hey man, we're on the air. Ray Mundo is 238 00:10:21,160 --> 00:10:25,520 Speaker 4: in love with Sam, obviously, and whenever we did the 239 00:10:25,600 --> 00:10:29,160 Speaker 4: Vegas show. We sent Ray back and Ray met him 240 00:10:29,160 --> 00:10:31,040 Speaker 4: and you know, when Sam comes up, he gives Ray 241 00:10:31,080 --> 00:10:32,920 Speaker 4: a shirt or something. I don't even know if Sam 242 00:10:32,960 --> 00:10:37,319 Speaker 4: knows who Ray is, but Ray has requested as his 243 00:10:37,440 --> 00:10:40,080 Speaker 4: dying wish. That's something I tell you about later, but 244 00:10:40,440 --> 00:10:45,840 Speaker 4: it's private because it's it's medical hippa that before the 245 00:10:46,000 --> 00:10:49,160 Speaker 4: show or the set, if Sam does any sort of 246 00:10:49,440 --> 00:10:52,200 Speaker 4: pre show shot, if there's any chance Ray could be 247 00:10:52,480 --> 00:10:54,720 Speaker 4: and do that shot with them, and just have somebody 248 00:10:54,720 --> 00:10:57,160 Speaker 4: get a video of that so he can record, not 249 00:10:57,280 --> 00:10:59,120 Speaker 4: to be too and true. And if the answer is no, no, 250 00:10:59,240 --> 00:11:01,680 Speaker 4: just say no. But we're on the air and I 251 00:11:01,720 --> 00:11:04,600 Speaker 4: owe it to Rake. I'm gonna miss him. It's hip hippop. 252 00:11:04,600 --> 00:11:07,360 Speaker 4: I can't tell you, but I'll tell you later. I 253 00:11:07,400 --> 00:11:10,480 Speaker 4: know that shows he'll then. Yeah, he should still be around. 254 00:11:10,520 --> 00:11:13,520 Speaker 4: R should still be around by day hopefully, hopefully. If 255 00:11:13,520 --> 00:11:16,440 Speaker 4: this is just a big fat no, let me know, 256 00:11:17,200 --> 00:11:18,840 Speaker 4: anything you send me could be played on the air. 257 00:11:18,880 --> 00:11:22,800 Speaker 4: If you send me a voice memo back legal, thank you, 258 00:11:25,920 --> 00:11:26,720 Speaker 4: Thanks dude. 259 00:11:26,480 --> 00:11:27,760 Speaker 6: You feel good about that. Ray? 260 00:11:28,000 --> 00:11:29,439 Speaker 4: I mean you got. 261 00:11:29,280 --> 00:11:31,720 Speaker 11: Bones same management still or you know the people to 262 00:11:31,800 --> 00:11:34,679 Speaker 11: call the same management or right, nobody else has got 263 00:11:34,720 --> 00:11:35,560 Speaker 11: those kind of connections. 264 00:11:35,640 --> 00:11:36,959 Speaker 4: So what if you have to show up like in 265 00:11:36,960 --> 00:11:38,720 Speaker 4: a wheelchair now or something. 266 00:11:38,920 --> 00:11:41,720 Speaker 6: No, no, ok, you gotta play it out. 267 00:11:41,760 --> 00:11:41,880 Speaker 10: Yay. 268 00:11:41,880 --> 00:11:44,439 Speaker 4: You gotta do what you gotta do, buddy. No, I'm 269 00:11:44,440 --> 00:11:45,200 Speaker 4: not doing that. 270 00:11:45,559 --> 00:11:50,680 Speaker 7: Why he's got an ivy drip he walks around with it. 271 00:11:52,360 --> 00:11:54,160 Speaker 4: I can't believe I just sent that. I can't. 272 00:11:54,440 --> 00:11:55,040 Speaker 6: I can't believe. 273 00:11:55,520 --> 00:11:58,720 Speaker 4: I love Ray and it's hilarious and outside chance it works, 274 00:11:58,760 --> 00:12:01,880 Speaker 4: that would be sick. I may not get it back 275 00:12:01,920 --> 00:12:03,920 Speaker 4: before tomorrow or but are you gonna go to the 276 00:12:03,960 --> 00:12:06,400 Speaker 4: show anyway? Yeah? And the show is tomorrow night? 277 00:12:06,880 --> 00:12:08,480 Speaker 9: Okay, So you do have tickets? 278 00:12:08,679 --> 00:12:11,920 Speaker 4: I mean, Alex, you didn't even say you need a ticket. 279 00:12:12,080 --> 00:12:13,560 Speaker 4: I literally just had him on and you didn't say 280 00:12:13,559 --> 00:12:14,120 Speaker 4: you need a ticket. 281 00:12:14,440 --> 00:12:16,520 Speaker 12: Didn't you just want a message? You can leave another one. 282 00:12:16,640 --> 00:12:18,880 Speaker 12: It was a voice text that I was making sure 283 00:12:18,920 --> 00:12:19,920 Speaker 12: that he has tickets. 284 00:12:20,120 --> 00:12:29,720 Speaker 4: Thank you. Also, Ray doesn't have tickets. This is so dumb. Well, 285 00:12:29,760 --> 00:12:33,679 Speaker 4: all of his money, all money wanted medical bills, and 286 00:12:33,760 --> 00:12:35,720 Speaker 4: Alex was supposed to go to John and somebody promised 287 00:12:35,760 --> 00:12:37,880 Speaker 4: Ray tickets and then they weren't able to get him. 288 00:12:40,240 --> 00:12:44,360 Speaker 4: Now I'm embarrassed. Okay, thank you and let me hit 289 00:12:44,360 --> 00:12:49,080 Speaker 4: me back. That's went in a weird direction. Man sent 290 00:12:49,440 --> 00:12:51,080 Speaker 4: All right, now I go back. Ray just died. 291 00:12:51,360 --> 00:12:53,440 Speaker 6: Is there anyway can Eddie go? 292 00:12:53,600 --> 00:12:53,840 Speaker 4: Now? 293 00:12:55,760 --> 00:12:57,360 Speaker 9: We thought Ray was gonna already be in the building. 294 00:12:57,480 --> 00:12:59,520 Speaker 4: I thought Ray was going to be there. And it's like, hey, Ray, 295 00:13:00,200 --> 00:13:02,520 Speaker 4: go on back and meet or see Sam. But it's 296 00:13:02,559 --> 00:13:05,000 Speaker 4: like Ray, Hey, Ray doesn't have a car. Is there 297 00:13:05,000 --> 00:13:08,320 Speaker 4: any way you can buy my car to get there? Okay? 298 00:13:08,320 --> 00:13:09,719 Speaker 4: I will let you know if we get a message back. 299 00:13:09,720 --> 00:13:11,480 Speaker 4: All right, Yeah, that sounds good. You feel okay about 300 00:13:11,480 --> 00:13:11,760 Speaker 4: all that? 301 00:13:11,880 --> 00:13:14,760 Speaker 7: I feel great, way better than before the bit you do, 302 00:13:14,920 --> 00:13:16,800 Speaker 7: even the whole line story of the dying. 303 00:13:16,880 --> 00:13:19,880 Speaker 4: And now he'll know that's my that's my guy. Okay, 304 00:13:20,080 --> 00:13:22,080 Speaker 4: who's over every Well, he'll know that you're that Ray's 305 00:13:22,120 --> 00:13:26,480 Speaker 4: not dying. He'll think Ray's not dying. And also when 306 00:13:26,480 --> 00:13:28,520 Speaker 4: I said when Amy Amy fed me the funny joke 307 00:13:28,559 --> 00:13:31,880 Speaker 4: of all his money is going money wanted medical bills 308 00:13:31,920 --> 00:13:33,679 Speaker 4: whenever she laughed out loud when I said it, I 309 00:13:33,720 --> 00:13:36,360 Speaker 4: think that probably tipped it off. Okay, I'm gonna play Sam. Now, 310 00:13:36,960 --> 00:13:38,640 Speaker 4: Rad you have a request? What song you gonna do? 311 00:13:38,640 --> 00:13:42,040 Speaker 4: House parties since that was what you asked, ye okay, 312 00:13:42,080 --> 00:13:43,560 Speaker 4: And if he comes back and says, yeah, Ray can 313 00:13:43,600 --> 00:13:45,280 Speaker 4: do a shot or something, I'll be like, now he 314 00:13:45,320 --> 00:13:47,960 Speaker 4: wants to go on stage, but I can't elevate until 315 00:13:47,960 --> 00:13:50,120 Speaker 4: I get to an already uncomfortable position. Yeah, I get it. 316 00:13:50,559 --> 00:13:53,319 Speaker 4: Ray Mundo, our producer does all the audio, wants to 317 00:13:53,320 --> 00:13:56,000 Speaker 4: go to Sam Hunt tonight. Sam hunts in town. I 318 00:13:56,000 --> 00:13:57,719 Speaker 4: assumed you already had tickets, because like, I just want 319 00:13:57,720 --> 00:13:59,520 Speaker 4: to go on stage. Well, you can't get on stage 320 00:13:59,520 --> 00:14:01,600 Speaker 4: if you're not in the It turns out he didn't even 321 00:14:01,640 --> 00:14:04,160 Speaker 4: have tickets, so I had to reach out to somebody, like, 322 00:14:04,200 --> 00:14:07,760 Speaker 4: can Ray get tickets to the show tonight? And he 323 00:14:07,840 --> 00:14:09,719 Speaker 4: really wants to go do shots with Sam Hunt, which 324 00:14:09,760 --> 00:14:13,000 Speaker 4: is a weird ask because Ray's in love with Sam 325 00:14:13,679 --> 00:14:15,160 Speaker 4: And so I'm here, do you want to hear? The 326 00:14:15,160 --> 00:14:17,880 Speaker 4: message is God, I don't know what's said yet. Here 327 00:14:17,880 --> 00:14:18,200 Speaker 4: we go. 328 00:14:19,120 --> 00:14:25,760 Speaker 13: Hey, Bobby heard the request from Ray, and man, I 329 00:14:25,800 --> 00:14:28,760 Speaker 13: think there needs to be a restraining order against him. 330 00:14:28,840 --> 00:14:31,680 Speaker 13: But with all of that said, in the spirit of 331 00:14:31,720 --> 00:14:35,880 Speaker 13: trying to support Ray and Sam, I've reached out to 332 00:14:35,960 --> 00:14:37,880 Speaker 13: their camps to see if there's anything we can do, 333 00:14:38,840 --> 00:14:42,840 Speaker 13: could be fun. It's not something I can necessarily make 334 00:14:42,880 --> 00:14:43,520 Speaker 13: the decision on. 335 00:14:43,560 --> 00:14:46,160 Speaker 4: So I'm just connecting with them and I'll come back 336 00:14:46,200 --> 00:14:47,840 Speaker 4: to you as soon as I have any kind of answer. 337 00:14:48,080 --> 00:14:50,920 Speaker 13: Hopefully we can make Ray's dreams come true, because that's 338 00:14:50,960 --> 00:14:53,440 Speaker 13: what I live for, is to make his dreams come true. 339 00:14:53,600 --> 00:14:56,080 Speaker 4: So he's joking a little, but yeah, he's gonna try. 340 00:14:55,560 --> 00:14:58,160 Speaker 9: But he didn't even say anything about tickets. 341 00:14:58,600 --> 00:15:01,320 Speaker 4: That's Dray's dream. But I said tickets. I'm sure they 342 00:15:01,760 --> 00:15:03,360 Speaker 4: I don't know. It doesn't sound good bones See I 343 00:15:03,360 --> 00:15:04,400 Speaker 4: didn't even sound like tickets. 344 00:15:04,440 --> 00:15:04,600 Speaker 14: Man. 345 00:15:05,680 --> 00:15:08,960 Speaker 11: I think we're more positive now than we were back then. 346 00:15:09,000 --> 00:15:11,040 Speaker 11: I think I was like twenty percent chances happened. I'd 347 00:15:11,040 --> 00:15:11,960 Speaker 11: say fifty to fifty. 348 00:15:12,160 --> 00:15:14,560 Speaker 4: I would say, I think you'll get tickets. It's not 349 00:15:14,960 --> 00:15:16,120 Speaker 4: really hard. 350 00:15:15,760 --> 00:15:17,560 Speaker 12: I felt a ticket vibe. 351 00:15:17,640 --> 00:15:19,520 Speaker 4: But I and maybe you can do something where you 352 00:15:19,560 --> 00:15:22,640 Speaker 4: go say hi, Yeah, I can always do an Instagram 353 00:15:22,680 --> 00:15:27,280 Speaker 4: post for what. I don't know how to tour hashtag Sam 354 00:15:28,720 --> 00:15:31,400 Speaker 4: Sam Man. 355 00:15:31,560 --> 00:15:33,280 Speaker 7: I know that he's joking a little bit about the 356 00:15:33,280 --> 00:15:35,480 Speaker 7: calling the police training order, but like Ray needs to 357 00:15:35,600 --> 00:15:36,200 Speaker 7: chill on that. 358 00:15:36,360 --> 00:15:38,800 Speaker 4: Well, he posts on every Sam Hunty Instagram. It's funny though, 359 00:15:39,680 --> 00:15:41,760 Speaker 4: but in real life though, it goes in seasons right, 360 00:15:41,800 --> 00:15:43,280 Speaker 4: like it's really funny, but then he does it a 361 00:15:43,320 --> 00:15:45,240 Speaker 4: little too much where it's like then it gets creepy, 362 00:15:45,240 --> 00:15:47,120 Speaker 4: but then he's so creepy it kind of gets funny again, 363 00:15:47,320 --> 00:15:49,640 Speaker 4: so it's it just kind of bounces back and forth. 364 00:15:49,680 --> 00:15:49,880 Speaker 14: Yeah. 365 00:15:49,880 --> 00:15:52,960 Speaker 11: And also my last post for on Sam's Instagram haven't 366 00:15:52,960 --> 00:15:55,120 Speaker 11: got many likes, so it is actually crossing the line. 367 00:15:55,120 --> 00:15:58,040 Speaker 4: I imagine what you say. Uh, well, the last one, 368 00:15:58,040 --> 00:15:58,720 Speaker 4: I only got one. 369 00:15:58,880 --> 00:16:01,640 Speaker 11: Like he just posted Grand Rappids Louisville, Chicago and kind 370 00:16:01,640 --> 00:16:04,520 Speaker 11: of promoting his tour, and I said, missing that carousel 371 00:16:04,600 --> 00:16:05,240 Speaker 11: in Nashville. 372 00:16:05,320 --> 00:16:08,160 Speaker 4: But soon, my bro Friday, am ditching all plans. 373 00:16:08,200 --> 00:16:11,160 Speaker 11: I'm finna get house drunk at Fifth and B grease 374 00:16:11,200 --> 00:16:14,600 Speaker 11: a worker with five bucks for top shelf. Downtown's dead, 375 00:16:14,640 --> 00:16:17,120 Speaker 11: gonna hit different once you played that one, since Downtown 376 00:16:17,200 --> 00:16:20,720 Speaker 11: died when you and me moved to the country. Yeah, 377 00:16:20,840 --> 00:16:24,320 Speaker 11: only one, Like, that's a long beau finish it. 378 00:16:25,880 --> 00:16:32,560 Speaker 4: You wrote an essay. 379 00:16:29,600 --> 00:16:32,960 Speaker 12: Hold on I Yes, Sam Hunt moved to the country 380 00:16:33,000 --> 00:16:34,680 Speaker 12: and Ray moved. Is this why I wrote to move 381 00:16:34,720 --> 00:16:35,200 Speaker 12: in the country? 382 00:16:35,280 --> 00:16:38,040 Speaker 2: In which direction of town to you. 383 00:16:38,920 --> 00:16:40,520 Speaker 4: I'm sure to ask you an honest question. Do you 384 00:16:40,520 --> 00:16:41,320 Speaker 4: know where Sam lives? 385 00:16:41,640 --> 00:16:41,760 Speaker 14: No? 386 00:16:41,920 --> 00:16:45,120 Speaker 4: But I mean I imagine it's Expensive Land. 387 00:16:45,720 --> 00:16:47,200 Speaker 5: But do you know what I'm not gonna say, but 388 00:16:47,200 --> 00:16:47,600 Speaker 5: do you know where? 389 00:16:47,720 --> 00:16:49,320 Speaker 4: Could you drive to his house? If I said, hey, Ray, 390 00:16:49,560 --> 00:16:51,640 Speaker 4: one hundred bucks drive to Sam's house right now, I 391 00:16:51,680 --> 00:16:52,560 Speaker 4: wouldn't be able to find it. 392 00:16:52,560 --> 00:16:54,160 Speaker 11: But I know where the expensive Land is, and I 393 00:16:54,200 --> 00:16:55,840 Speaker 11: know that's where all the country artists live. 394 00:16:55,960 --> 00:17:01,320 Speaker 4: No, that's okay, Expensive Land. Have fun. I'm sure I 395 00:17:01,320 --> 00:17:04,880 Speaker 4: can get you tickets. I don't know what that's going 396 00:17:05,000 --> 00:17:06,639 Speaker 4: to be as far as like what you can do 397 00:17:06,680 --> 00:17:08,920 Speaker 4: with Sam. But it just is a bit aggressive. 398 00:17:09,160 --> 00:17:09,520 Speaker 9: Yeah. 399 00:17:09,640 --> 00:17:14,720 Speaker 4: Even that man guys on this Instagram post it's eight 400 00:17:14,760 --> 00:17:18,080 Speaker 4: lines long going down. Yeah too much. It's more than what. 401 00:17:18,000 --> 00:17:20,320 Speaker 5: He wrote in the body of the message under the picture. 402 00:17:20,600 --> 00:17:22,120 Speaker 4: It made me laugh. I mean, I guess he didn't 403 00:17:22,119 --> 00:17:25,840 Speaker 4: think it was funny, or any of his fans wrote yeah, 404 00:17:25,840 --> 00:17:31,119 Speaker 4: Mikey's you the one like it? Or it's somebody named 405 00:17:31,359 --> 00:17:34,560 Speaker 4: Sarah kay Ryan thirteen, so a true fan. 406 00:17:34,600 --> 00:17:35,800 Speaker 5: Her account's private. 407 00:17:36,040 --> 00:17:37,719 Speaker 6: True fan of Ray's comments. 408 00:17:38,240 --> 00:17:39,560 Speaker 5: Okay, we'll find out. I hope you get to go 409 00:17:39,560 --> 00:17:40,480 Speaker 5: to Sam tonight. That'll be fun. 410 00:17:40,520 --> 00:17:43,800 Speaker 4: Yeah, thank you. Top three favorite Sam songs Downtown's Dead, 411 00:17:43,880 --> 00:17:45,240 Speaker 4: number one, House party to. 412 00:17:45,560 --> 00:17:52,639 Speaker 11: Ecstasy, Wow, Ecstasy, Ecstasy, Rascal you Wow. 413 00:17:53,800 --> 00:17:55,960 Speaker 4: By the way, Sam's playing the Million Dollar Show, which 414 00:17:56,000 --> 00:17:57,560 Speaker 4: is Eddie and I's show at the Ryman. 415 00:17:58,680 --> 00:18:00,439 Speaker 6: Ray will not go to the third. 416 00:18:00,600 --> 00:18:02,879 Speaker 4: Yeah, he's playing with us. You can do some songs 417 00:18:02,880 --> 00:18:04,880 Speaker 4: and Ray will not be in the building, So get 418 00:18:04,880 --> 00:18:05,520 Speaker 4: it out of your system. 419 00:18:05,560 --> 00:18:07,520 Speaker 12: Buddy, What is ecstasy about? 420 00:18:07,600 --> 00:18:09,480 Speaker 4: It's an old one. It's on the right you taught 421 00:18:09,520 --> 00:18:11,680 Speaker 4: you tell us. It's an album cut. It's a play 422 00:18:11,720 --> 00:18:14,359 Speaker 4: on words. Ecstasy is one thing. It also is X 423 00:18:14,520 --> 00:18:17,200 Speaker 4: like ex girlfriend, like. 424 00:18:17,160 --> 00:18:19,879 Speaker 5: On the mixtape, was on the like the early No 425 00:18:19,920 --> 00:18:20,359 Speaker 5: way he's. 426 00:18:20,240 --> 00:18:21,760 Speaker 6: Playing that one, but yeah, right, you liked that. 427 00:18:21,760 --> 00:18:22,760 Speaker 4: Love in the back of the trap of the t 428 00:18:23,040 --> 00:18:25,200 Speaker 4: down there and speakers. I mean that's the first song 429 00:18:25,240 --> 00:18:28,720 Speaker 4: where somebody talked in a song. Yeah, started the whole trend. No, 430 00:18:28,840 --> 00:18:31,800 Speaker 4: it's not, but he brought it back around. But Johnny 431 00:18:31,800 --> 00:18:33,480 Speaker 4: Cash talked in songs. Mm hmm. 432 00:18:36,320 --> 00:18:37,479 Speaker 9: He just gave him my answer. 433 00:18:39,680 --> 00:18:40,120 Speaker 5: Good luck. 434 00:18:40,160 --> 00:18:42,600 Speaker 4: Ray. I hope tonight it's awesome and I'll let you 435 00:18:42,640 --> 00:18:44,680 Speaker 4: know if I get an update on tickets or being 436 00:18:44,720 --> 00:18:47,840 Speaker 4: able to go to Sam's no, being able to be 437 00:18:47,920 --> 00:18:49,040 Speaker 4: around Sam at some point tonight. 438 00:18:49,080 --> 00:18:54,159 Speaker 1: Okay, cool, it's the best bits of the week with Morgan. 439 00:18:54,280 --> 00:18:58,440 Speaker 3: Number two, huge news for Amy's daughter. She was able 440 00:18:58,520 --> 00:19:02,439 Speaker 3: to change her name at school. And that name is 441 00:19:02,520 --> 00:19:05,120 Speaker 3: going to surprise you because I don't think anybody could 442 00:19:05,119 --> 00:19:07,600 Speaker 3: have predicted this. That's her name unless you've heard kind 443 00:19:07,600 --> 00:19:10,000 Speaker 3: of some of the segments of Amy talking about it before. 444 00:19:10,240 --> 00:19:10,680 Speaker 8: But if you. 445 00:19:10,640 --> 00:19:12,719 Speaker 3: Haven't, you're gonna be like, wait, what And it's just 446 00:19:12,720 --> 00:19:14,840 Speaker 3: at school. It's not in her day to day life, 447 00:19:14,920 --> 00:19:18,000 Speaker 3: just at school. So you're about to meet Amy's daughter 448 00:19:18,480 --> 00:19:19,720 Speaker 3: with her new name for the first time. 449 00:19:20,280 --> 00:19:23,560 Speaker 4: Number five, we had mentioned it just in passing a 450 00:19:23,560 --> 00:19:25,800 Speaker 4: bit a few weeks ago. But Amy's daughters to Shira, 451 00:19:26,080 --> 00:19:27,959 Speaker 4: which is what I know we're in call her as. 452 00:19:28,000 --> 00:19:29,080 Speaker 4: But she decided a school she want to be a 453 00:19:29,119 --> 00:19:29,640 Speaker 4: different name. 454 00:19:30,000 --> 00:19:32,480 Speaker 12: Yeah, says her given name by her mom and Haiti. 455 00:19:32,359 --> 00:19:34,840 Speaker 4: And so she's been probably not common. 456 00:19:34,640 --> 00:19:36,080 Speaker 12: As long as I could know her. 457 00:19:36,320 --> 00:19:38,240 Speaker 4: Probably not common a common name, yeah, but. 458 00:19:38,240 --> 00:19:42,399 Speaker 12: She likes her name, and that's what she's known, like, 459 00:19:42,600 --> 00:19:46,040 Speaker 12: you know, church outside of Shira to Shira. But then 460 00:19:46,080 --> 00:19:49,320 Speaker 12: at school she decided to change her name to Diamond. 461 00:19:49,800 --> 00:19:53,480 Speaker 4: That's a legit name. Yeah, And I also wouldn't mind 462 00:19:53,480 --> 00:19:56,560 Speaker 4: going they let you do that. 463 00:19:56,760 --> 00:20:00,080 Speaker 12: Well that at school they say, you know you, you 464 00:20:00,119 --> 00:20:01,440 Speaker 12: have your name, and then I guess they say, is 465 00:20:02,040 --> 00:20:04,920 Speaker 12: there a nickname you have or what name would. 466 00:20:04,680 --> 00:20:06,159 Speaker 4: You like to be called? Like, if there's a Charlie 467 00:20:06,160 --> 00:20:08,600 Speaker 4: and let's go by Chuck, right natural, if there's a 468 00:20:08,880 --> 00:20:11,320 Speaker 4: my real name is Bobby, it's not Robert. So but 469 00:20:11,359 --> 00:20:13,399 Speaker 4: if there's a Robert and let's go by Bobby or 470 00:20:13,760 --> 00:20:17,720 Speaker 4: the comments to share it a Diamond, same good transition. Yeah. 471 00:20:17,760 --> 00:20:19,720 Speaker 12: So this is way back at the beginning of the 472 00:20:19,720 --> 00:20:22,680 Speaker 12: school year, and I didn't learn it from her. It 473 00:20:22,800 --> 00:20:25,439 Speaker 12: was that she was she had signed up for an 474 00:20:25,480 --> 00:20:28,960 Speaker 12: extracurricular club and so they had a roster sheet where 475 00:20:29,000 --> 00:20:30,800 Speaker 12: everybody kind of signed in. And then I sent an 476 00:20:30,840 --> 00:20:32,840 Speaker 12: email about it because there was like a thirty dollars 477 00:20:32,960 --> 00:20:36,199 Speaker 12: dues or something for the year, and so I emailed 478 00:20:36,240 --> 00:20:40,560 Speaker 12: about that and said Amy Brown's Toashira's mom and she 479 00:20:40,760 --> 00:20:42,800 Speaker 12: replied back, I don't have this to share on the 480 00:20:43,240 --> 00:20:45,800 Speaker 12: sign in sheet. And I'm like, huh, that's weird because 481 00:20:45,880 --> 00:20:47,840 Speaker 12: she's all excited she talked about it. 482 00:20:48,080 --> 00:20:50,680 Speaker 4: And named Diamond Brown an awesome name. Yeah. 483 00:20:50,720 --> 00:20:54,080 Speaker 12: That teacher replied, or the whoever the sponsor was for 484 00:20:54,119 --> 00:20:57,119 Speaker 12: the club, and she said, oh, you're talking about Diamond, 485 00:20:57,320 --> 00:21:00,879 Speaker 12: and I thought, oh am I when she got home. 486 00:21:01,359 --> 00:21:03,920 Speaker 4: You know, girl friends call her dime, then dime, because 487 00:21:03,960 --> 00:21:06,840 Speaker 4: you know, diamond is little. Too many syllables, go dime. 488 00:21:07,560 --> 00:21:11,280 Speaker 7: Yeah, Diamond's two syllables, Diamond, it's not too many? 489 00:21:11,359 --> 00:21:12,520 Speaker 4: Yeah, too many. 490 00:21:12,920 --> 00:21:15,200 Speaker 12: Even though it's been months, I still get caught off guard. 491 00:21:15,400 --> 00:21:16,040 Speaker 4: We call lunchbox. 492 00:21:16,040 --> 00:21:17,440 Speaker 5: That's two syllables, lunchbox. 493 00:21:17,600 --> 00:21:20,720 Speaker 12: No, we called lunch No, it's it's diamond. 494 00:21:20,720 --> 00:21:25,560 Speaker 4: But Eddie one syllable, ed No, I just go Eddie. Okay, 495 00:21:25,880 --> 00:21:28,720 Speaker 4: you guys learned it by that the clap yeah Edie. Yeah. 496 00:21:28,800 --> 00:21:30,240 Speaker 4: I didn't even I never even knew how to do 497 00:21:30,240 --> 00:21:31,480 Speaker 4: syables til I got the clap, and then all of 498 00:21:31,480 --> 00:21:32,720 Speaker 4: a sudden, I had I knew how to do it. 499 00:21:32,840 --> 00:21:36,800 Speaker 4: The clap. Yeah. 500 00:21:36,840 --> 00:21:39,040 Speaker 12: So, but I meet some of her friends and her 501 00:21:39,040 --> 00:21:41,280 Speaker 12: friend's mom, like the other day of a friend's mom 502 00:21:41,359 --> 00:21:43,160 Speaker 12: came to pick up the friend and she was like, Oh, 503 00:21:43,160 --> 00:21:45,200 Speaker 12: we're just so glad that diamonds in our life. 504 00:21:45,240 --> 00:21:45,920 Speaker 4: That we've met Dion. 505 00:21:46,200 --> 00:21:48,960 Speaker 12: That's crazy and I kind of I kind of get 506 00:21:48,960 --> 00:21:51,159 Speaker 12: caught off guard every time it happens, and then I'm like, 507 00:21:51,240 --> 00:21:52,080 Speaker 12: oh yeah. 508 00:21:51,960 --> 00:21:53,920 Speaker 4: Yeah, yeah, and then you don't call it that at all. 509 00:21:54,200 --> 00:21:58,159 Speaker 12: No. No, Sometimes if i'm you know, funny, how is 510 00:21:58,200 --> 00:21:58,880 Speaker 12: Diamond's day? 511 00:21:59,160 --> 00:22:02,159 Speaker 4: Yeah? And you know, yes, So you're not legally going 512 00:22:02,200 --> 00:22:02,600 Speaker 4: to change it. 513 00:22:02,720 --> 00:22:06,200 Speaker 12: No, she doesn't want to. Everywhere else she's her. 514 00:22:06,280 --> 00:22:08,600 Speaker 4: Yeah, what would you like your name to be changed? 515 00:22:08,800 --> 00:22:13,080 Speaker 4: If you could these? But the problem is you lose 516 00:22:13,119 --> 00:22:15,320 Speaker 4: every bit of right name recognition you have, and it's 517 00:22:15,359 --> 00:22:18,040 Speaker 4: it's like starting over. Okay, would you want to change. 518 00:22:17,880 --> 00:22:20,400 Speaker 12: Your name if for the sake of this No? 519 00:22:20,400 --> 00:22:23,119 Speaker 5: No, no, just would you change a name if that 520 00:22:23,200 --> 00:22:24,520 Speaker 5: was an option on this show? 521 00:22:24,560 --> 00:22:26,360 Speaker 4: For now on? You get to go buy whatever you want. 522 00:22:26,359 --> 00:22:29,800 Speaker 4: But we change all the promos. We never address that 523 00:22:29,920 --> 00:22:32,280 Speaker 4: you used to be amy. No, we just call you 524 00:22:32,280 --> 00:22:32,880 Speaker 4: your new name. 525 00:22:33,640 --> 00:22:35,639 Speaker 12: No. I would keep my everything. I mean, I'm not 526 00:22:35,680 --> 00:22:38,480 Speaker 12: even changing my last name from my marriage. 527 00:22:38,760 --> 00:22:41,600 Speaker 4: Was that part of the settlement? No, you keep it, 528 00:22:41,800 --> 00:22:42,800 Speaker 4: that's one thing you have to keep. 529 00:22:43,000 --> 00:22:45,440 Speaker 12: No, but I feel like that's for the last seventeen years. 530 00:22:45,440 --> 00:22:47,320 Speaker 12: It's a kid and the kids. 531 00:22:47,640 --> 00:22:49,160 Speaker 5: Yes, so you don't want to change your name? 532 00:22:49,960 --> 00:22:53,199 Speaker 7: No, okay, Eddie man, I thought about it, like I 533 00:22:53,320 --> 00:22:55,800 Speaker 7: like Willie. I think Willie Garcia would be really cool. 534 00:22:55,880 --> 00:22:59,159 Speaker 7: Willy's pretty cool, right, But I can't change it. I 535 00:22:59,160 --> 00:23:00,840 Speaker 7: can't change I have two more any things under my name, 536 00:23:00,880 --> 00:23:02,320 Speaker 7: and then I'm gonna do smoking chicken. 537 00:23:02,359 --> 00:23:04,320 Speaker 4: It's got to be anybody. 538 00:23:04,320 --> 00:23:05,080 Speaker 9: He's not doing. 539 00:23:05,000 --> 00:23:05,960 Speaker 4: Willly smoking chicken. 540 00:23:06,119 --> 00:23:07,000 Speaker 6: I don't know Willy. 541 00:23:07,480 --> 00:23:10,199 Speaker 4: I don't know. Oh Willy, then nothing like Willie Nelson. 542 00:23:10,359 --> 00:23:11,560 Speaker 4: Willy's more of a smoking chicken. 543 00:23:12,960 --> 00:23:14,080 Speaker 6: Maybe we got something here. 544 00:23:14,160 --> 00:23:15,760 Speaker 4: I know Lunchbox wants to change it. What would you 545 00:23:15,800 --> 00:23:16,119 Speaker 4: change it to? 546 00:23:16,359 --> 00:23:16,959 Speaker 9: Sex symbol? 547 00:23:18,240 --> 00:23:21,240 Speaker 4: We just have to call you sex sex dude? Hi? 548 00:23:21,400 --> 00:23:22,360 Speaker 9: Sex? What up? 549 00:23:22,680 --> 00:23:22,880 Speaker 4: Yeah? 550 00:23:24,680 --> 00:23:25,399 Speaker 12: Would you change? 551 00:23:26,280 --> 00:23:28,800 Speaker 4: No? Not even Bob, not even to Bob. We did 552 00:23:28,800 --> 00:23:30,320 Speaker 4: that bit once for we had a bunch of things 553 00:23:30,359 --> 00:23:31,800 Speaker 4: cut where it was the Bob Bone Show, like an 554 00:23:31,800 --> 00:23:34,560 Speaker 4: April Fools to mess with people, and I didn't like that. 555 00:23:34,600 --> 00:23:39,400 Speaker 4: I don't like that feels Bob feels Bob feels older. 556 00:23:39,520 --> 00:23:42,879 Speaker 4: It feels not only older, but like I have the 557 00:23:43,200 --> 00:23:44,480 Speaker 4: the balding ring on my head. 558 00:23:44,960 --> 00:23:45,640 Speaker 9: I can see that. 559 00:23:45,920 --> 00:23:47,560 Speaker 6: Oh yeah, you know it feels good? 560 00:23:47,720 --> 00:23:48,040 Speaker 9: Sex? 561 00:23:48,480 --> 00:23:49,879 Speaker 12: What stop? 562 00:23:50,040 --> 00:23:51,120 Speaker 5: To be called that he's saying. 563 00:23:52,000 --> 00:23:52,920 Speaker 6: That's not what he was saying. 564 00:23:53,119 --> 00:23:53,800 Speaker 9: That's what I'm saying. 565 00:23:53,840 --> 00:23:56,040 Speaker 4: Yeah, sex, I hear you, buddy. 566 00:23:55,800 --> 00:23:56,800 Speaker 8: Thank you. 567 00:23:56,800 --> 00:23:57,800 Speaker 9: You guys just don't understand. 568 00:23:57,840 --> 00:24:01,399 Speaker 4: Hey, what about be Well, that is short for Bobby. 569 00:24:01,520 --> 00:24:03,119 Speaker 4: I know you call me that sometimes our bone, but 570 00:24:03,240 --> 00:24:07,320 Speaker 4: you can spell like b E bones bb bones bones 571 00:24:07,359 --> 00:24:10,040 Speaker 4: one syllable. You try to achieve a nickname with one syllable. 572 00:24:10,119 --> 00:24:11,840 Speaker 4: That happens a lot. That's true, it looks. 573 00:24:13,040 --> 00:24:14,560 Speaker 6: But you wanted to be sex symbol. 574 00:24:14,920 --> 00:24:17,120 Speaker 4: Well, that his full name, that's his full first name. 575 00:24:17,280 --> 00:24:20,560 Speaker 10: Yeah, but he said we would shortened to sex. 576 00:24:20,640 --> 00:24:26,160 Speaker 4: Yeah, which is like sex. I'll consider it, thank you, okay, Okay, 577 00:24:26,160 --> 00:24:27,240 Speaker 4: say I'm gonna go with it for sure. 578 00:24:27,400 --> 00:24:29,359 Speaker 6: Yeah, boy, I don't think I can call him that 579 00:24:29,400 --> 00:24:29,840 Speaker 6: every day. 580 00:24:29,920 --> 00:24:31,640 Speaker 4: I will not, so let me say it left. We're 581 00:24:31,680 --> 00:24:33,480 Speaker 4: practicing a bit all right. Time for the bonehead story 582 00:24:33,520 --> 00:24:38,840 Speaker 4: the day. Let's go over to sex this story. Yeah, 583 00:24:39,080 --> 00:24:39,560 Speaker 4: pretty good. 584 00:24:39,840 --> 00:24:40,879 Speaker 6: That's a funny one sex. 585 00:24:43,520 --> 00:24:44,480 Speaker 4: Hey, that's good sex. 586 00:24:44,600 --> 00:24:46,800 Speaker 9: Thanks what I do? 587 00:24:47,119 --> 00:24:50,480 Speaker 4: Okay, guys, I'll consider it. Let me give me, give 588 00:24:50,520 --> 00:24:53,399 Speaker 4: me a couple of days. You guys call us if 589 00:24:53,400 --> 00:24:56,919 Speaker 4: you want. Eight seven seven seventy seven, Bobby Sex, how 590 00:24:56,960 --> 00:24:57,560 Speaker 4: you feeling today. 591 00:24:57,720 --> 00:24:58,440 Speaker 9: I'm feeling great. 592 00:24:59,480 --> 00:25:05,720 Speaker 10: Of course you are worn out, He's. 593 00:25:04,520 --> 00:25:08,840 Speaker 4: Saying, I have three kids. It's tired, right, have three kids. 594 00:25:09,240 --> 00:25:10,160 Speaker 6: That's how you have kids. 595 00:25:10,720 --> 00:25:16,320 Speaker 4: No, he is all right, right, right, sorry, sorry, giggling 596 00:25:16,359 --> 00:25:16,720 Speaker 4: the whole time. 597 00:25:17,040 --> 00:25:22,720 Speaker 10: You guys gotta rued it, You guys gotta quit being immature. 598 00:25:22,880 --> 00:25:25,959 Speaker 4: Yes see, now we have to go all right. 599 00:25:27,440 --> 00:25:30,639 Speaker 1: It's the best bits of the week with Morgan. 600 00:25:30,720 --> 00:25:31,120 Speaker 9: Number two. 601 00:25:34,000 --> 00:25:35,639 Speaker 2: So there was a situation at the studio. 602 00:25:35,880 --> 00:25:38,480 Speaker 3: Some flowers arrived and Lunchbox was like, oh my gosh, 603 00:25:38,480 --> 00:25:41,399 Speaker 3: Morgan's in love. Well, it turns out a very kind 604 00:25:41,640 --> 00:25:45,280 Speaker 3: listener named Dave sent me some flowers, very beautiful flowers, 605 00:25:45,720 --> 00:25:48,160 Speaker 3: and well, the guys wanted to call him and talk 606 00:25:48,200 --> 00:25:49,919 Speaker 3: to him, find out why he's in the flowers, and 607 00:25:50,160 --> 00:25:52,280 Speaker 3: find out what he's all about, basically acting like my 608 00:25:52,320 --> 00:25:54,760 Speaker 3: older brothers. And that's what you're about to hear is 609 00:25:54,760 --> 00:25:57,120 Speaker 3: the call with Dave. So shout out Dave, like really 610 00:25:57,160 --> 00:25:59,440 Speaker 3: cool that you sent flowers and it's really awesome. And 611 00:25:59,800 --> 00:26:02,520 Speaker 3: now are you gonna hear Bobby, Lunchbox Eddie act like 612 00:26:02,600 --> 00:26:03,480 Speaker 3: my big brothers. 613 00:26:04,080 --> 00:26:07,000 Speaker 4: Number four, Okay, on the phone is Dave, we're not 614 00:26:07,040 --> 00:26:08,600 Speaker 4: gonna put him up yet, right he can't hear me 615 00:26:08,680 --> 00:26:12,760 Speaker 4: right now, right right, like on hold, he can't hear me. 616 00:26:12,800 --> 00:26:15,479 Speaker 5: Okay, well, well no, I said, don't put him up yet. 617 00:26:15,480 --> 00:26:16,400 Speaker 5: Oh boy, now he can. 618 00:26:18,240 --> 00:26:20,640 Speaker 4: Morgan, you're not here, okay, I'm not here, So don't 619 00:26:20,720 --> 00:26:24,159 Speaker 4: don't make a noise. Don't do your thing where you 620 00:26:24,240 --> 00:26:26,720 Speaker 4: fall down because your eyes are almost up. Don't do 621 00:26:26,760 --> 00:26:29,480 Speaker 4: that thing where you can't take for mill. Yeah. So 622 00:26:29,600 --> 00:26:34,800 Speaker 4: Dave sent Morgan flowers. Dave lives in Ohio, and he 623 00:26:34,880 --> 00:26:37,119 Speaker 4: sent Morgan flowers because. 624 00:26:36,760 --> 00:26:40,159 Speaker 3: Why he thought I deserve to have them on Valentine's 625 00:26:40,200 --> 00:26:42,880 Speaker 3: Day because I'm single, and I didn't get any. 626 00:26:43,040 --> 00:26:44,600 Speaker 4: And he didn't really leave a message as to like, 627 00:26:44,640 --> 00:26:46,719 Speaker 4: hey call me as far as I come, I'd love 628 00:26:46,760 --> 00:26:48,560 Speaker 4: to take you out. It was just like, here's some flowers. 629 00:26:48,600 --> 00:26:51,000 Speaker 3: He was just like, if you'd like to show appreciation, 630 00:26:51,080 --> 00:26:51,760 Speaker 3: here's my number. 631 00:26:51,760 --> 00:26:53,479 Speaker 2: But it's not it's not needed. 632 00:26:54,000 --> 00:26:57,840 Speaker 4: Oh well, Dave's on now. Morgan is officially she's off 633 00:26:57,960 --> 00:27:00,639 Speaker 4: right now, and but the three big other's gonna hop 634 00:27:00,680 --> 00:27:05,520 Speaker 4: in here and no, no, no you oh oh it's 635 00:27:05,640 --> 00:27:09,000 Speaker 4: it's due. We're intimidating. Oh yeah, what was budd. 636 00:27:08,800 --> 00:27:10,879 Speaker 6: Because, yeah, what are your intentions with Morgan? 637 00:27:11,359 --> 00:27:12,800 Speaker 4: I'll do a sound effect? I got a shot again, 638 00:27:13,960 --> 00:27:18,320 Speaker 4: all right, put them on right? Hey Dave, what's up, buddy? 639 00:27:19,400 --> 00:27:21,040 Speaker 14: How much? How you guys doing do it pretty good? 640 00:27:21,119 --> 00:27:24,400 Speaker 4: Uh? It's just me, Bobby, Eddie and Lunchbox here talking 641 00:27:24,440 --> 00:27:26,240 Speaker 4: with you. And thanks for taking a few minutes to 642 00:27:27,000 --> 00:27:29,119 Speaker 4: talk with us. Because we saw that you send the 643 00:27:29,119 --> 00:27:30,960 Speaker 4: flowers up here. We thought that was super sweet of you, 644 00:27:31,040 --> 00:27:35,200 Speaker 4: right guys, Yeah, yeah, So so tell me what what 645 00:27:35,240 --> 00:27:36,720 Speaker 4: motivated you to send flowers to Morgan? 646 00:27:37,080 --> 00:27:38,760 Speaker 14: I don't know. She said she really didn't have a 647 00:27:38,760 --> 00:27:43,920 Speaker 14: good memory for Valentine's Day, so I hope I could help. 648 00:27:44,000 --> 00:27:44,359 Speaker 14: I guess. 649 00:27:44,440 --> 00:27:46,680 Speaker 4: Yeah. Do you follow her on Instagram? Like, have you 650 00:27:46,720 --> 00:27:48,399 Speaker 4: seen what she looks like? Like you feel like you 651 00:27:48,440 --> 00:27:50,119 Speaker 4: know a little bit from her social media posts? 652 00:27:50,200 --> 00:27:52,400 Speaker 14: Yeah? And I listened to the radio too cool? 653 00:27:52,520 --> 00:27:53,159 Speaker 4: Do you what do you? 654 00:27:53,160 --> 00:27:53,920 Speaker 14: Fellow? You guys? 655 00:27:54,000 --> 00:27:55,800 Speaker 4: Oh? Thanks? Man? What do you feel like you have 656 00:27:55,880 --> 00:27:58,680 Speaker 4: in common with Morgan? Because I would see this because 657 00:27:58,680 --> 00:28:02,840 Speaker 4: they were like rote different roses. They were legit, I like, 658 00:28:03,119 --> 00:28:06,000 Speaker 4: but semi half romantic, not just hey buddy, buddy. It 659 00:28:06,040 --> 00:28:09,320 Speaker 4: was like maybe something could happen romantically from this? What 660 00:28:09,400 --> 00:28:11,280 Speaker 4: do you think you and Morgan have in common that 661 00:28:11,280 --> 00:28:12,440 Speaker 4: would let you guys hit it off? 662 00:28:13,040 --> 00:28:15,160 Speaker 14: Honestly, I'm not really sure. I mean, I wasn't really 663 00:28:15,160 --> 00:28:18,560 Speaker 14: trying to be oh like, super romantic, considering I live 664 00:28:18,800 --> 00:28:23,600 Speaker 14: in a completely other state, but considering this is also 665 00:28:23,640 --> 00:28:27,080 Speaker 14: for Valentine's Day and whatnot, so I figured just kind 666 00:28:27,080 --> 00:28:27,800 Speaker 14: of went with a theme. 667 00:28:27,880 --> 00:28:28,439 Speaker 4: That's good to know. 668 00:28:28,520 --> 00:28:29,840 Speaker 6: So, David, you're just being a nice guy. 669 00:28:30,880 --> 00:28:33,200 Speaker 14: Someone flowers, yeah, pretty much. 670 00:28:33,720 --> 00:28:34,280 Speaker 4: Are you married? 671 00:28:35,600 --> 00:28:35,760 Speaker 14: No? 672 00:28:35,920 --> 00:28:37,680 Speaker 4: Good deal. I just turned to throwing that real quick. 673 00:28:37,720 --> 00:28:40,080 Speaker 14: That would kind of be a yeah, bad, bad thing 674 00:28:40,200 --> 00:28:40,719 Speaker 14: if I was. 675 00:28:41,120 --> 00:28:41,760 Speaker 9: Are you dating? 676 00:28:41,920 --> 00:28:43,400 Speaker 4: Yeah? 677 00:28:43,480 --> 00:28:43,880 Speaker 14: I am not. 678 00:28:44,040 --> 00:28:44,760 Speaker 4: Have you been married? 679 00:28:46,120 --> 00:28:46,280 Speaker 14: No? 680 00:28:46,720 --> 00:28:47,440 Speaker 4: Have you been dating? 681 00:28:47,600 --> 00:28:49,720 Speaker 14: Not married? No kids? Been dating? 682 00:28:49,960 --> 00:28:50,160 Speaker 4: Yeah? 683 00:28:50,360 --> 00:28:51,400 Speaker 14: So you've been on recently? 684 00:28:51,480 --> 00:28:52,600 Speaker 4: But are you on the apps? 685 00:28:53,040 --> 00:28:55,479 Speaker 14: I'm on some of them? What's kind of giving up 686 00:28:55,480 --> 00:28:56,920 Speaker 14: on them? I just worked too much? 687 00:28:57,000 --> 00:28:59,560 Speaker 4: I felt that, buddy, what celebrity would you say? You 688 00:28:59,600 --> 00:29:01,320 Speaker 4: mostly client? Good? Question of. 689 00:29:03,000 --> 00:29:07,600 Speaker 14: The bad guy from the Matrix series, I can't remember 690 00:29:07,600 --> 00:29:08,000 Speaker 14: his name? 691 00:29:08,720 --> 00:29:11,040 Speaker 4: Is that Lawrence Fisher? Lawrence Fishbern yea Lawrence Fishburn. 692 00:29:11,280 --> 00:29:12,720 Speaker 14: No, he was a good butt, he was a. 693 00:29:12,720 --> 00:29:13,560 Speaker 4: Good Oh that's true. 694 00:29:13,680 --> 00:29:18,160 Speaker 14: That's true. Yeah, the one, Agent Smith. That's what his 695 00:29:18,240 --> 00:29:19,600 Speaker 14: name was. I can't remember his celebrity. 696 00:29:20,080 --> 00:29:25,880 Speaker 4: Yeah, agent Smith. Yeah, his name is Hugo Weaving. That's 697 00:29:25,880 --> 00:29:27,360 Speaker 4: who you. I don't even that is. That's he's a 698 00:29:27,360 --> 00:29:29,760 Speaker 4: good looking do you think so? Huh? 699 00:29:29,800 --> 00:29:31,760 Speaker 9: How oldfl are you? 700 00:29:31,960 --> 00:29:32,960 Speaker 4: Hugo sixty three? 701 00:29:33,040 --> 00:29:34,120 Speaker 5: Oh, Hugo sixty three? 702 00:29:34,120 --> 00:29:34,280 Speaker 4: Now? 703 00:29:34,360 --> 00:29:35,480 Speaker 5: And I guess maybe if you look like. 704 00:29:35,600 --> 00:29:37,400 Speaker 9: He's only forty three, I mean that's yeah. 705 00:29:37,480 --> 00:29:40,200 Speaker 5: Yeah, yeah, you got a job he does? 706 00:29:40,240 --> 00:29:40,680 Speaker 6: He works a lot. 707 00:29:40,960 --> 00:29:42,320 Speaker 14: Yeah, I drive a semi for a living. 708 00:29:42,360 --> 00:29:44,640 Speaker 4: Oh so you drive around into other states? 709 00:29:44,800 --> 00:29:45,120 Speaker 6: Okay? 710 00:29:45,200 --> 00:29:47,880 Speaker 10: So yeah, and Morgan psychic said she was going to 711 00:29:47,920 --> 00:29:49,120 Speaker 10: meet someone from out of state. 712 00:29:49,200 --> 00:29:53,000 Speaker 4: Okay, follow me here. Ever, are you driving regionally nationally? 713 00:29:53,680 --> 00:29:55,320 Speaker 4: Are you talking to a CDL license? 714 00:29:56,120 --> 00:30:00,320 Speaker 14: And yeah? I primarily drive in Ohio and miss again. 715 00:30:00,480 --> 00:30:03,360 Speaker 4: Okay, so it's so region the regional there. Yeah, Okay, 716 00:30:03,360 --> 00:30:04,440 Speaker 4: have you ever been to Nashville? 717 00:30:04,960 --> 00:30:05,479 Speaker 14: Actually? No? 718 00:30:06,080 --> 00:30:07,800 Speaker 4: Oh man, this is getting better and better. If you 719 00:30:07,840 --> 00:30:10,560 Speaker 4: were to take Morgan on a date, what kind of 720 00:30:10,600 --> 00:30:12,040 Speaker 4: date would you take her on a first date? 721 00:30:13,240 --> 00:30:16,600 Speaker 14: Honestly, I got no idea. I'm not really familiar with 722 00:30:16,680 --> 00:30:17,520 Speaker 14: Nashville because I have. 723 00:30:17,520 --> 00:30:19,040 Speaker 4: Let's say she came to your town. Let's say we 724 00:30:19,080 --> 00:30:19,560 Speaker 4: center up. 725 00:30:19,520 --> 00:30:21,240 Speaker 14: There this time of year. I'm not really sure. 726 00:30:21,400 --> 00:30:26,960 Speaker 4: Put her in the big room, let her pull them. Yeah. 727 00:30:26,960 --> 00:30:28,280 Speaker 4: What kind of cargo you moving around? 728 00:30:28,880 --> 00:30:30,720 Speaker 14: Automotive parts for jeep? 729 00:30:30,960 --> 00:30:31,960 Speaker 4: How big old boy are you? 730 00:30:32,240 --> 00:30:32,600 Speaker 3: Jeep? 731 00:30:32,920 --> 00:30:33,120 Speaker 12: Oh? 732 00:30:33,400 --> 00:30:34,480 Speaker 8: Morgan, you're not here? 733 00:30:34,600 --> 00:30:36,880 Speaker 4: I I okay, I'm gonna get it. I'm gonna get back. 734 00:30:37,560 --> 00:30:40,320 Speaker 14: How big that's Amy? 735 00:30:40,560 --> 00:30:41,480 Speaker 4: How big old boy are you? 736 00:30:42,440 --> 00:30:45,240 Speaker 14: Like? Two hundred and twenty height? 737 00:30:45,280 --> 00:30:45,480 Speaker 4: Though? 738 00:30:45,640 --> 00:30:46,120 Speaker 14: Oh? Six? 739 00:30:46,120 --> 00:30:46,959 Speaker 9: What okay? 740 00:30:47,080 --> 00:30:47,280 Speaker 14: Oh? 741 00:30:47,560 --> 00:30:50,200 Speaker 4: Pretty solid guy? Us? Yeah? No, no, just a six 742 00:30:50,240 --> 00:30:53,640 Speaker 4: you're not even six five six foot man? Amy? 743 00:30:53,640 --> 00:30:55,400 Speaker 5: My, my my friend, Amy's coming through my ear? 744 00:30:55,400 --> 00:30:55,960 Speaker 4: What did you mean? Dad? 745 00:30:56,000 --> 00:30:56,200 Speaker 15: Say? 746 00:30:56,200 --> 00:30:57,840 Speaker 4: Oh, he's the jeep? Morgan tries a jeep. 747 00:30:58,080 --> 00:30:59,120 Speaker 12: Yeah, they have that in common. 748 00:30:59,200 --> 00:31:02,000 Speaker 4: Yeah. Is it that brand jeep? Or do you move jeeps? 749 00:31:02,080 --> 00:31:04,959 Speaker 14: Just the brand of Paul? Like door parts? 750 00:31:07,000 --> 00:31:07,640 Speaker 12: A door part? 751 00:31:07,880 --> 00:31:10,560 Speaker 4: Yeah, guys, let's do one question. Let's decide if he's 752 00:31:10,560 --> 00:31:12,920 Speaker 4: good enough for our girl or I yeah, lunch box. 753 00:31:12,960 --> 00:31:13,960 Speaker 4: What do you want to ask? Dave here? 754 00:31:14,560 --> 00:31:16,600 Speaker 9: How much money you got in your bank accounts? 755 00:31:16,640 --> 00:31:18,640 Speaker 5: That crazy question to ask, but I'm here for it. 756 00:31:20,240 --> 00:31:21,280 Speaker 14: Enough to fix my truck? 757 00:31:21,440 --> 00:31:23,840 Speaker 6: Boom Eddie, have you ever been arrested Dave. 758 00:31:24,240 --> 00:31:25,400 Speaker 14: No, that's good. 759 00:31:25,400 --> 00:31:28,160 Speaker 4: So mine was going to be sexual registry, but he's no, 760 00:31:28,240 --> 00:31:30,400 Speaker 4: he's not been arrested because we don't have to know 761 00:31:30,440 --> 00:31:32,640 Speaker 4: where he lives by the dogars and all that. Yeah, uh, 762 00:31:32,800 --> 00:31:34,880 Speaker 4: what is your let's your My question is today? 763 00:31:34,920 --> 00:31:35,320 Speaker 6: What are you like? 764 00:31:35,360 --> 00:31:36,880 Speaker 5: Three hobbies you enjoy doing the most. 765 00:31:37,040 --> 00:31:42,760 Speaker 14: I enjoy building firearms. I enjoy drawing and online gaming 766 00:31:42,760 --> 00:31:45,680 Speaker 14: with a couple of friends of mine that live nowhere 767 00:31:45,720 --> 00:31:46,040 Speaker 14: near me. 768 00:31:46,240 --> 00:31:49,120 Speaker 4: I felt that I love the online gamming part. Don't 769 00:31:49,160 --> 00:31:50,800 Speaker 4: like to draw sounds like you're in a militia. The 770 00:31:50,840 --> 00:31:53,200 Speaker 4: first part build fire arm. 771 00:31:53,440 --> 00:31:55,200 Speaker 14: I just plays a preparnology behind him. 772 00:31:55,320 --> 00:31:58,720 Speaker 4: Yeah, okay, well we're going to take these notes and 773 00:31:58,840 --> 00:32:01,120 Speaker 4: give them the Morgan and I think if you ever 774 00:32:01,160 --> 00:32:03,080 Speaker 4: come to Nashville, you should let us know because that 775 00:32:03,160 --> 00:32:05,320 Speaker 4: was very nice of you. Aside from everything else, that 776 00:32:05,440 --> 00:32:07,240 Speaker 4: was very sweet of you. Oh, morgan'salking into the room. 777 00:32:07,280 --> 00:32:10,560 Speaker 4: Now we say hi, Morgan. Morgan's here. Hello. We were 778 00:32:10,600 --> 00:32:12,840 Speaker 4: talking to Dave. You don't know anything about Dave, but 779 00:32:12,920 --> 00:32:14,120 Speaker 4: he seems like a really great guys. 780 00:32:14,320 --> 00:32:14,840 Speaker 5: What do you want to say? 781 00:32:14,840 --> 00:32:15,680 Speaker 4: You just say thanks? What do you want to say? 782 00:32:15,680 --> 00:32:16,480 Speaker 4: Difference for the flowers. 783 00:32:16,600 --> 00:32:18,720 Speaker 3: Yeah, Dave, thanks for the flowers. That was really sweet 784 00:32:18,720 --> 00:32:20,800 Speaker 3: of you to think of that, and they're really pretty flowers. 785 00:32:20,840 --> 00:32:23,160 Speaker 3: That was just a really kind gesture for someone that 786 00:32:23,280 --> 00:32:24,960 Speaker 3: you just kind of know through the internet. 787 00:32:25,080 --> 00:32:25,640 Speaker 14: So thank you. 788 00:32:25,840 --> 00:32:27,600 Speaker 4: Good guy, Dave. Right here, good guy, Dave, good guy. 789 00:32:27,680 --> 00:32:30,040 Speaker 4: Da All right, Dave, here's what I think. I think 790 00:32:30,080 --> 00:32:32,320 Speaker 4: if you ever come to Nashville. I can't promise you 791 00:32:32,360 --> 00:32:34,880 Speaker 4: a date with Morgan because I'm really not her pimp, 792 00:32:35,160 --> 00:32:38,480 Speaker 4: but I would love to meet you. Come by the 793 00:32:38,480 --> 00:32:40,480 Speaker 4: studio say high to us, and Morgan would be a 794 00:32:40,480 --> 00:32:41,560 Speaker 4: part of that group, So let us know if you 795 00:32:41,600 --> 00:32:42,160 Speaker 4: ever come by. 796 00:32:42,720 --> 00:32:43,200 Speaker 6: I can do that. 797 00:32:43,320 --> 00:32:46,520 Speaker 4: Yeah, I really appreciate the gesture toward her and just 798 00:32:46,640 --> 00:32:48,360 Speaker 4: of kindness. I think that goes a long way just 799 00:32:48,440 --> 00:32:50,960 Speaker 4: in life. So thank you, and hopefully we'll talk again 800 00:32:51,040 --> 00:32:52,120 Speaker 4: soon and let us know if you're ever come in 801 00:32:52,160 --> 00:32:52,840 Speaker 4: this way. Hong Kong. 802 00:32:52,960 --> 00:32:53,800 Speaker 14: All right, sounds good. 803 00:32:54,080 --> 00:32:55,760 Speaker 4: Listen, I like Dave, do I think it's a match. No, 804 00:32:56,080 --> 00:32:58,200 Speaker 4: sounds like a nice guy though, Yeah, sounds like a 805 00:32:58,280 --> 00:32:59,959 Speaker 4: nice guy. I'd like the game with him a little bit. 806 00:33:00,040 --> 00:33:01,520 Speaker 4: But I feel like you play shooter games. Don't play 807 00:33:01,520 --> 00:33:02,320 Speaker 4: shooter games, right, right. 808 00:33:02,400 --> 00:33:03,760 Speaker 6: The drawing and the firearms threw me off. 809 00:33:03,800 --> 00:33:09,280 Speaker 4: They're building firearms. I have guns, but I don't build them, right. 810 00:33:09,480 --> 00:33:12,440 Speaker 3: Right, right, right, But yeah, and he seems maybe potentially 811 00:33:12,560 --> 00:33:15,160 Speaker 3: too laid back for me, like when you were like, okay, 812 00:33:15,200 --> 00:33:16,360 Speaker 3: well what would you do for a date? 813 00:33:16,480 --> 00:33:18,320 Speaker 4: There was nothing there, But we also gave him no 814 00:33:18,360 --> 00:33:19,760 Speaker 4: heads up. He could be a little nervous. 815 00:33:20,600 --> 00:33:23,880 Speaker 3: Okay, hey, Lunchbox, if you get a date with like 816 00:33:23,960 --> 00:33:25,800 Speaker 3: a girl you sent flowers to, like you scored it, 817 00:33:25,880 --> 00:33:26,680 Speaker 3: where are you taking her. 818 00:33:26,680 --> 00:33:27,040 Speaker 4: On a date? 819 00:33:27,520 --> 00:33:27,960 Speaker 9: My house? 820 00:33:31,720 --> 00:33:35,560 Speaker 4: All right? Well, Dave, Dave's a nice guy. Not a 821 00:33:35,600 --> 00:33:38,040 Speaker 4: love connection, but a very nice guy. Thanks man, I 822 00:33:38,080 --> 00:33:38,640 Speaker 4: appreciate that. 823 00:33:40,120 --> 00:33:43,280 Speaker 1: It's the best bits of the week With Morgan. 824 00:33:43,400 --> 00:33:47,480 Speaker 3: Number two, Lunchbox almost went to jail, Like he almost 825 00:33:47,520 --> 00:33:50,320 Speaker 3: got arrested when he was at his kids school. This 826 00:33:50,520 --> 00:33:52,680 Speaker 3: whole thing went down because we were doing pick a bit. 827 00:33:52,960 --> 00:33:54,880 Speaker 3: We're like, you just send in like a really catchy 828 00:33:54,920 --> 00:33:56,960 Speaker 3: headline and you get the show to bet on it, 829 00:33:57,000 --> 00:33:58,480 Speaker 3: and most of the time it's kind of clickbaity, right, 830 00:33:58,560 --> 00:34:00,080 Speaker 3: like that's the whole purpose you want the bit to 831 00:34:00,160 --> 00:34:00,560 Speaker 3: be picked. 832 00:34:01,320 --> 00:34:03,120 Speaker 2: But Lunchboxes was. 833 00:34:03,200 --> 00:34:05,800 Speaker 3: Not clickbaby at all, Like he said, Lunchbox almost went 834 00:34:05,840 --> 00:34:09,320 Speaker 3: to jail, and he did. This story is crazy and, 835 00:34:09,440 --> 00:34:12,080 Speaker 3: as Bobby said, like one of the best picka bits 836 00:34:12,160 --> 00:34:14,680 Speaker 3: we've ever had. So I don't know that anything's going 837 00:34:14,719 --> 00:34:16,839 Speaker 3: to be able to measure up to this. I'm sure 838 00:34:16,920 --> 00:34:19,160 Speaker 3: we'll find a way, but this is a great story, 839 00:34:19,280 --> 00:34:22,560 Speaker 3: so be prepared. The tables have turned. Lunchbox be calling 840 00:34:22,600 --> 00:34:24,960 Speaker 3: nine one one on all kinds of people. It happened 841 00:34:25,000 --> 00:34:26,399 Speaker 3: to him number three. 842 00:34:26,520 --> 00:34:28,840 Speaker 4: It's democracy with bits. Here we have four people that 843 00:34:28,920 --> 00:34:33,279 Speaker 4: have submitted a bit pick a bit. Lunchbox scent has 844 00:34:33,320 --> 00:34:35,200 Speaker 4: been in he said. For pick abit, I like to 845 00:34:35,200 --> 00:34:38,200 Speaker 4: suggest this bit Lunchbox almost lost his family and almost 846 00:34:38,200 --> 00:34:39,919 Speaker 4: spent the rest of his life in prison. You don't 847 00:34:39,920 --> 00:34:42,160 Speaker 4: want to miss this. We back after Morgan Wallen Okay 848 00:34:43,200 --> 00:34:47,880 Speaker 4: even wrote the t's points for that. Morgan wrote, I 849 00:34:47,960 --> 00:34:49,799 Speaker 4: had my first experience with the UFO and now I'm 850 00:34:49,840 --> 00:34:55,040 Speaker 4: scared ood that's one of the bits we could pick. 851 00:34:56,040 --> 00:34:58,920 Speaker 4: RAYMONDO wrote, cops on my doorstep. Raymond, who already had 852 00:34:58,920 --> 00:35:01,160 Speaker 4: a cop come to his new house, flash his badge. 853 00:35:02,239 --> 00:35:05,120 Speaker 4: That's interesting, it is, And then Eddie has I have 854 00:35:05,200 --> 00:35:07,279 Speaker 4: a way the Lunchbox keep to Ultima running for a 855 00:35:07,400 --> 00:35:09,520 Speaker 4: long long time. I found a way this could be 856 00:35:09,520 --> 00:35:12,239 Speaker 4: possible if he really wants it. This is legit, man, 857 00:35:12,400 --> 00:35:15,439 Speaker 4: So the voters will be me Amy and Mike d Amy. 858 00:35:15,560 --> 00:35:17,600 Speaker 4: Of those bets you got Lunchbox in the family thing, 859 00:35:17,719 --> 00:35:20,920 Speaker 4: got Eddie and the ultima Morgan in the UFO ray 860 00:35:20,920 --> 00:35:21,960 Speaker 4: at the copp at his doorstep. 861 00:35:22,080 --> 00:35:23,440 Speaker 12: Yeah, I want to hear lunchboxes. 862 00:35:23,680 --> 00:35:25,759 Speaker 9: Thank you, Amy, Yes, let's go. 863 00:35:26,280 --> 00:35:28,440 Speaker 4: Mike. Don't want to know how he lost his family 864 00:35:28,760 --> 00:35:30,880 Speaker 4: going lunch vote? Then my vote doesn't matter. So Lunchbox 865 00:35:31,000 --> 00:35:33,319 Speaker 4: and what were you gonna vote? My vote doesn't matter. 866 00:35:33,400 --> 00:35:34,640 Speaker 9: Now I would like to hear who are you gonna 867 00:35:34,680 --> 00:35:36,320 Speaker 9: vote for me? Is it a unit? Is it a sweet? 868 00:35:36,600 --> 00:35:39,879 Speaker 4: I was gonna vote for Morgan? Ah, but we don't 869 00:35:39,920 --> 00:35:42,080 Speaker 4: get to do it. Pick a bet time, Lunchbox. The 870 00:35:42,120 --> 00:35:42,799 Speaker 4: bet has been picked. 871 00:35:43,200 --> 00:35:44,239 Speaker 9: Are you ready to do it right now? Or you 872 00:35:44,239 --> 00:35:45,480 Speaker 9: want to come back after Morgan Walling? 873 00:35:45,520 --> 00:35:47,160 Speaker 4: We No, we don't have Morganwalla to play. And secondly, 874 00:35:47,200 --> 00:35:49,840 Speaker 4: we just did the tease for it. Here's here is 875 00:35:50,239 --> 00:35:54,040 Speaker 4: the pitch. Lunchbox almost lost his family and almost spent 876 00:35:54,120 --> 00:35:56,640 Speaker 4: the rest of his life in prison. You don't want 877 00:35:56,640 --> 00:35:58,719 Speaker 4: to miss this, right So. 878 00:35:58,840 --> 00:36:01,279 Speaker 10: I got a note from my kid's daycare saying that 879 00:36:01,480 --> 00:36:03,200 Speaker 10: one of my kids when they go out to recess, 880 00:36:03,760 --> 00:36:06,360 Speaker 10: doesn't like they give you a progress support, doesn't interact 881 00:36:06,400 --> 00:36:09,320 Speaker 10: with other kids, kind of plays by himself. And I'm like, 882 00:36:09,640 --> 00:36:12,200 Speaker 10: is my kid a loser? Like does he not have friends? 883 00:36:12,640 --> 00:36:15,080 Speaker 10: I'm gonna see if like this is true. So I 884 00:36:15,200 --> 00:36:17,600 Speaker 10: know what time they go out to the playground. So 885 00:36:17,760 --> 00:36:21,279 Speaker 10: there's a parking garage that you can go and you 886 00:36:21,360 --> 00:36:23,200 Speaker 10: can look over the fence you crept on your kid. 887 00:36:23,480 --> 00:36:26,040 Speaker 10: So it's around two thirty in the afternoon. So I went, 888 00:36:26,239 --> 00:36:28,480 Speaker 10: got some Chick fil A, rolled up there in the 889 00:36:28,560 --> 00:36:31,279 Speaker 10: parking garage in the ultima, sat on the hood and 890 00:36:31,560 --> 00:36:32,560 Speaker 10: peeked over while they. 891 00:36:32,480 --> 00:36:34,160 Speaker 6: Played on the playground with binoculars. 892 00:36:34,800 --> 00:36:35,759 Speaker 9: Not with binoculars. 893 00:36:35,840 --> 00:36:38,320 Speaker 5: I like preschoolers. 894 00:36:38,440 --> 00:36:39,120 Speaker 6: I get older. 895 00:36:40,960 --> 00:36:44,560 Speaker 10: But someone in a nearby office building saw me sitting 896 00:36:44,600 --> 00:36:46,440 Speaker 10: in my hood looking into the playground. 897 00:36:46,520 --> 00:36:47,600 Speaker 5: Yeah, just a creepy guy. 898 00:36:47,680 --> 00:36:50,200 Speaker 9: Yeah, And they called lung eating my lunch. 899 00:36:51,280 --> 00:36:52,200 Speaker 4: I do it every day. 900 00:36:53,239 --> 00:36:54,280 Speaker 9: They called police. 901 00:36:56,239 --> 00:36:58,440 Speaker 10: Yeah, And so the police came up in the parking 902 00:36:58,480 --> 00:37:01,160 Speaker 10: garage to figure out what I was doing doing And I. 903 00:37:01,239 --> 00:37:03,560 Speaker 4: Told him all my kids, you told him your kid 904 00:37:03,600 --> 00:37:04,520 Speaker 4: got a progress. 905 00:37:04,239 --> 00:37:06,480 Speaker 10: Report, and so they had to go down to the 906 00:37:06,560 --> 00:37:11,000 Speaker 10: school and verify that my kid was on the playground. 907 00:37:11,040 --> 00:37:14,920 Speaker 10: And I was not just some dude looking at the playground? 908 00:37:15,120 --> 00:37:15,600 Speaker 14: Is this real? 909 00:37:15,920 --> 00:37:16,240 Speaker 9: Also? 910 00:37:17,800 --> 00:37:18,600 Speaker 5: Not that I'm for it. 911 00:37:18,840 --> 00:37:20,560 Speaker 4: Can you not just be a dude looking at the playground? 912 00:37:21,239 --> 00:37:22,400 Speaker 6: That's not a good look, I know. 913 00:37:22,520 --> 00:37:26,120 Speaker 4: But to cops arrest somebody for just looking at a playground. 914 00:37:25,760 --> 00:37:27,520 Speaker 6: No, but they look into it. They're investigating. 915 00:37:27,960 --> 00:37:29,840 Speaker 9: I let's say, I'm taking pictures of the playground, but 916 00:37:29,840 --> 00:37:30,640 Speaker 9: you weren't though where you know? 917 00:37:30,880 --> 00:37:33,319 Speaker 4: Okay, But I'm saying, mediot are you sure? 918 00:37:33,719 --> 00:37:33,759 Speaker 15: So? 919 00:37:33,880 --> 00:37:35,399 Speaker 4: What did you okay? Too? I want to go first? 920 00:37:35,440 --> 00:37:37,640 Speaker 4: What did you see it with your kid? H? 921 00:37:37,800 --> 00:37:40,880 Speaker 10: He does kind of, but he is two, so I 922 00:37:40,920 --> 00:37:43,920 Speaker 10: don't know if two year olds really play together. It's more, 923 00:37:44,000 --> 00:37:46,200 Speaker 10: you know, he's doing his own thing. He's not really 924 00:37:46,400 --> 00:37:50,279 Speaker 10: he doesn't look like he has many friends. So I 925 00:37:50,440 --> 00:37:52,480 Speaker 10: was like, okay, maybe maybe I got to teach him 926 00:37:52,480 --> 00:37:54,120 Speaker 10: how to like go up to people and be like, hey, 927 00:37:54,200 --> 00:37:54,600 Speaker 10: let's play. 928 00:37:54,719 --> 00:37:56,600 Speaker 5: And how long did you sit up there and watch? 929 00:37:57,239 --> 00:37:57,880 Speaker 9: Thirty minutes? 930 00:37:58,560 --> 00:38:01,239 Speaker 5: And how long while you were sitting there did it 931 00:38:01,280 --> 00:38:02,320 Speaker 5: take for the cops to get. 932 00:38:02,160 --> 00:38:04,399 Speaker 9: There, oh thirty minutes. 933 00:38:04,400 --> 00:38:05,960 Speaker 4: Oh so you only stopped because they showed up. 934 00:38:06,040 --> 00:38:08,280 Speaker 9: Yeah, yeah, because they're on the playground for forty five minutes. 935 00:38:08,440 --> 00:38:10,520 Speaker 4: Did it scare you? And they pulled up, I was 936 00:38:10,560 --> 00:38:11,080 Speaker 4: just like, oh. 937 00:38:11,000 --> 00:38:11,520 Speaker 9: What's going on? 938 00:38:12,280 --> 00:38:12,640 Speaker 4: I didn't know. 939 00:38:12,680 --> 00:38:14,280 Speaker 9: I just thought they were driving through the parking garage. 940 00:38:14,320 --> 00:38:15,920 Speaker 5: And how do they initiate that conversation? 941 00:38:16,120 --> 00:38:19,480 Speaker 10: They're like, oh, what do you They said, we got 942 00:38:19,560 --> 00:38:23,000 Speaker 10: a call that you're watching the kids on the playground. 943 00:38:23,480 --> 00:38:23,760 Speaker 9: Creepy. 944 00:38:23,760 --> 00:38:24,880 Speaker 4: They treat you like that, yeah, And. 945 00:38:24,960 --> 00:38:27,000 Speaker 6: I'm like, well, no, no, no, no no, I said, 946 00:38:27,120 --> 00:38:27,719 Speaker 6: oh that helps. 947 00:38:27,800 --> 00:38:29,160 Speaker 14: No no, no, no, no, no, no, no, no no. 948 00:38:30,000 --> 00:38:32,160 Speaker 10: And so they had me get off the car obviously, 949 00:38:32,680 --> 00:38:35,200 Speaker 10: and they sit there and they're like what's and I say, 950 00:38:35,280 --> 00:38:37,239 Speaker 10: my kids out of the playground. And they told me 951 00:38:37,320 --> 00:38:39,600 Speaker 10: that he doesn't have any friends. So I just wanted 952 00:38:39,600 --> 00:38:42,440 Speaker 10: to see how he acts on the playground. They go, so, 953 00:38:42,600 --> 00:38:44,960 Speaker 10: your kid is on the playground. They definitely think he's 954 00:38:44,960 --> 00:38:47,440 Speaker 10: a creeper. Yeah, and they're like, is there. I was like, 955 00:38:47,520 --> 00:38:48,640 Speaker 10: They're like, we're gonna have to go down to the 956 00:38:48,640 --> 00:38:51,560 Speaker 10: school and confirm this. And I was like, okay, that's fine, Like, well, 957 00:38:51,800 --> 00:38:55,000 Speaker 10: you'll wait here, and they sent the his partner or 958 00:38:55,280 --> 00:38:56,640 Speaker 10: someone stayed with you so he didn't run out. 959 00:38:56,680 --> 00:38:58,759 Speaker 9: Yeah, and they go down there and they talk to 960 00:38:58,840 --> 00:39:01,759 Speaker 9: the director and aint you. I know, they showed him 961 00:39:01,760 --> 00:39:07,200 Speaker 9: my picture and that's how I was let go. So 962 00:39:07,320 --> 00:39:09,120 Speaker 9: I always got arrested for being a pedophile. 963 00:39:09,600 --> 00:39:13,880 Speaker 4: Well, I mean, I mean that's what it was. No, no, no, no, 964 00:39:14,160 --> 00:39:17,239 Speaker 4: I weren't almost weren't you arrested because they thought there 965 00:39:17,320 --> 00:39:20,600 Speaker 4: was CreI was, That's what I'm saying, not a pedophile. Yeah, 966 00:39:20,760 --> 00:39:22,320 Speaker 4: I hear you, though, So what did they say to 967 00:39:22,360 --> 00:39:23,279 Speaker 4: you whenever you were freed? 968 00:39:23,480 --> 00:39:25,399 Speaker 9: They just said, you know, we got a call. 969 00:39:25,480 --> 00:39:27,880 Speaker 10: We gotta look it seems weird guy sitting on a 970 00:39:27,920 --> 00:39:32,120 Speaker 10: car looking at so yeah, probably not do that in 971 00:39:32,160 --> 00:39:33,440 Speaker 10: the future and have a nice day. 972 00:39:33,480 --> 00:39:36,040 Speaker 9: And they watched me drive out the parking garage. 973 00:39:37,480 --> 00:39:39,160 Speaker 4: I'll say it if you guys don't want to. This 974 00:39:39,200 --> 00:39:39,920 Speaker 4: is the greatest pick of it. 975 00:39:40,080 --> 00:39:42,600 Speaker 6: No, no, no, good job, Yeah, good job. 976 00:39:43,440 --> 00:39:44,080 Speaker 4: That was awesome. 977 00:39:44,239 --> 00:39:45,440 Speaker 6: Wow, not click bait. 978 00:39:45,680 --> 00:39:47,440 Speaker 4: And you said they thought you were a pedophile and 979 00:39:47,680 --> 00:39:49,759 Speaker 4: they you weren't, but you went hard on what they 980 00:39:49,760 --> 00:39:52,200 Speaker 4: thought you might have been. And I appreciate that. Follow 981 00:39:52,600 --> 00:39:55,960 Speaker 4: the man it was like the police to tell your wife. 982 00:39:56,280 --> 00:39:57,160 Speaker 4: Yeah what she say? 983 00:39:57,440 --> 00:39:58,800 Speaker 9: She was like, you can never talk about it on 984 00:39:58,840 --> 00:40:01,360 Speaker 9: the radio, showed her So I waited a couple of 985 00:40:01,360 --> 00:40:01,719 Speaker 9: months and. 986 00:40:02,280 --> 00:40:02,920 Speaker 4: A couple months ago. 987 00:40:03,000 --> 00:40:05,840 Speaker 10: Yeah, and that kind of like, oh, because it was 988 00:40:05,880 --> 00:40:07,719 Speaker 10: a weird feeling, that's a great I'm sure it was 989 00:40:08,960 --> 00:40:11,160 Speaker 10: being called a you know, they didn't call me a creeper, 990 00:40:11,239 --> 00:40:12,000 Speaker 10: a creeper. 991 00:40:11,800 --> 00:40:15,759 Speaker 4: Creeper being treated like you could have been yeah, yeah, 992 00:40:16,960 --> 00:40:18,080 Speaker 4: have you been back? No? 993 00:40:18,360 --> 00:40:20,279 Speaker 2: No, no no, But he doesn't even like. 994 00:40:22,600 --> 00:40:23,840 Speaker 9: That parking garage off limits. 995 00:40:25,160 --> 00:40:27,000 Speaker 4: Possibly the greatest pick a bit in history of pickings 996 00:40:27,000 --> 00:40:30,399 Speaker 4: are really, good job, buddy, good job. And all you're 997 00:40:30,400 --> 00:40:32,440 Speaker 4: looking out for your kid was love. That's all all 998 00:40:32,480 --> 00:40:33,160 Speaker 4: it was was love. 999 00:40:33,280 --> 00:40:37,239 Speaker 1: Yes, Wow, Wow, it's the best bits of the week 1000 00:40:38,080 --> 00:40:38,680 Speaker 1: with Morgan. 1001 00:40:38,800 --> 00:40:39,200 Speaker 9: Number two. 1002 00:40:44,920 --> 00:40:48,520 Speaker 3: Bobby's been struggling with sleep for years, maybe even a decade, 1003 00:40:48,920 --> 00:40:51,399 Speaker 3: but finally he went and got a sleep study done 1004 00:40:51,440 --> 00:40:53,359 Speaker 3: and he got those results back. So we found out 1005 00:40:53,480 --> 00:40:56,200 Speaker 3: why he's been having all these problems sleeping for so 1006 00:40:56,280 --> 00:41:00,399 Speaker 3: many years, and the results are going to change his life, 1007 00:41:00,640 --> 00:41:03,400 Speaker 3: Like there's a big way that he can do something 1008 00:41:03,480 --> 00:41:05,720 Speaker 3: different and his sleep's going to be better. And life's 1009 00:41:05,760 --> 00:41:07,719 Speaker 3: going to be drastically better for him. So you're about 1010 00:41:07,760 --> 00:41:10,520 Speaker 3: to hear that whole story and now what he's going 1011 00:41:10,600 --> 00:41:11,560 Speaker 3: to be doing moving forward. 1012 00:41:12,080 --> 00:41:14,640 Speaker 4: Number two met with a sleep doctor yesterday after I 1013 00:41:14,719 --> 00:41:17,239 Speaker 4: did my sleep study and we met on zoom and 1014 00:41:17,480 --> 00:41:18,360 Speaker 4: are you ready for the results. 1015 00:41:18,480 --> 00:41:18,719 Speaker 3: Yes. 1016 00:41:20,320 --> 00:41:21,360 Speaker 4: First of all, it was weird. I had to go 1017 00:41:21,440 --> 00:41:27,120 Speaker 4: and put all the cables on ekg's EMTs, DVD's MVPs, 1018 00:41:28,000 --> 00:41:30,080 Speaker 4: all of them, all those things, and I was strapped 1019 00:41:30,160 --> 00:41:32,879 Speaker 4: up all of my sticky things in my chest into 1020 00:41:32,960 --> 00:41:35,520 Speaker 4: my head, and my legs were like tied together as 1021 00:41:35,520 --> 00:41:37,320 Speaker 4: a whole. I don't even know. How did you sleep 1022 00:41:37,400 --> 00:41:39,680 Speaker 4: that night? Not great, but I don't sleep great anyway. 1023 00:41:39,719 --> 00:41:40,839 Speaker 4: But they even go it's going to be a little 1024 00:41:40,880 --> 00:41:42,160 Speaker 4: ncomfortable because you're covered in wires. 1025 00:41:42,200 --> 00:41:44,040 Speaker 12: Okay, I can't tell if you're joking about your legs 1026 00:41:44,080 --> 00:41:44,800 Speaker 12: being tied together. 1027 00:41:45,200 --> 00:41:46,760 Speaker 4: I was strapped with chords. 1028 00:41:47,040 --> 00:41:50,200 Speaker 5: Okay, yeah, so it felt like they were tied together. 1029 00:41:50,800 --> 00:41:54,839 Speaker 4: I get on the conference call yesterday and she goes, well, 1030 00:41:56,200 --> 00:41:57,400 Speaker 4: the good news is I think we can fix it. 1031 00:41:57,480 --> 00:41:59,200 Speaker 4: The bad news is you have right on the border 1032 00:41:59,200 --> 00:42:01,279 Speaker 4: of severe sleep. And I'm like, I don't even know 1033 00:42:01,280 --> 00:42:03,680 Speaker 4: what that is. She goes. Your throat closes up about 1034 00:42:03,680 --> 00:42:05,960 Speaker 4: thirty times an hour, and what happens is when your 1035 00:42:05,960 --> 00:42:09,000 Speaker 4: throat closes up, shoots a drill into your brain because 1036 00:42:09,400 --> 00:42:10,239 Speaker 4: your brain is built too. 1037 00:42:10,239 --> 00:42:13,280 Speaker 5: If you start losing oxygen, wake. 1038 00:42:13,120 --> 00:42:14,960 Speaker 12: You up and that's where you wake up. 1039 00:42:15,120 --> 00:42:17,640 Speaker 4: I'll be like, yes, that's why I wake up. 1040 00:42:17,719 --> 00:42:18,879 Speaker 6: My god, this is great news. 1041 00:42:19,000 --> 00:42:22,680 Speaker 4: Wow. So yeah, I have to wear a sea pat 1042 00:42:22,800 --> 00:42:25,160 Speaker 4: machine when I sleep every night with the sea. 1043 00:42:26,560 --> 00:42:27,359 Speaker 5: Have to get a path ready. 1044 00:42:27,560 --> 00:42:30,359 Speaker 4: No, it's uh yeah, it's what is that? It's got 1045 00:42:30,560 --> 00:42:32,840 Speaker 4: nose things you know I have people do like the 1046 00:42:32,920 --> 00:42:35,840 Speaker 4: oxygen bar or whatever. It's I got nose things that 1047 00:42:35,880 --> 00:42:37,239 Speaker 4: go on your nose and just a little thing around 1048 00:42:37,239 --> 00:42:39,360 Speaker 4: your face. But it cranks up the air. And so 1049 00:42:39,520 --> 00:42:40,719 Speaker 4: what I've got to do is keep my mouth shut. 1050 00:42:40,800 --> 00:42:43,279 Speaker 4: I can take my mouth whatever and you do that 1051 00:42:44,440 --> 00:42:46,440 Speaker 4: and it shoots air up because if you open your 1052 00:42:46,480 --> 00:42:48,960 Speaker 4: mouth comes out of your mouth. So what it's doing 1053 00:42:49,040 --> 00:42:51,440 Speaker 4: is shooting a constant stream of air. What's gonna be annoying, 1054 00:42:51,520 --> 00:42:54,120 Speaker 4: hopefully not? Is that machine? How loud it is? I 1055 00:42:54,160 --> 00:42:57,120 Speaker 4: don't know because my wife is in the same bed. 1056 00:42:57,440 --> 00:43:00,440 Speaker 4: It's gonna be like you're in a coma. Yeah, right, 1057 00:43:00,440 --> 00:43:02,839 Speaker 4: because like that's what I just have to wear a machine. Yeah. 1058 00:43:03,640 --> 00:43:05,239 Speaker 4: I've asked him for some IV bags as well, just 1059 00:43:05,280 --> 00:43:07,799 Speaker 4: put up there to look like I'm the whole vibe yeah, 1060 00:43:08,360 --> 00:43:12,160 Speaker 4: and the beeping. But they they said, yeah, it's it's 1061 00:43:12,400 --> 00:43:15,600 Speaker 4: it is almost the most severe because thirty times is 1062 00:43:15,640 --> 00:43:17,239 Speaker 4: where it's severe. And I think I was like twenty nine, 1063 00:43:17,920 --> 00:43:20,200 Speaker 4: twenty nine and thirty wow, and twenty eight like through 1064 00:43:20,239 --> 00:43:21,239 Speaker 4: the hours that I did. 1065 00:43:21,719 --> 00:43:23,279 Speaker 6: Oh okay, but how long do you have to wear 1066 00:43:23,320 --> 00:43:23,800 Speaker 6: this machine? 1067 00:43:23,840 --> 00:43:23,960 Speaker 4: Oh? 1068 00:43:24,000 --> 00:43:24,239 Speaker 14: Forever? 1069 00:43:24,680 --> 00:43:25,839 Speaker 6: What do you mean for the rest of your life? 1070 00:43:25,920 --> 00:43:29,200 Speaker 4: Yeah, because you can improve. When I sleep, my throat 1071 00:43:29,239 --> 00:43:31,920 Speaker 4: closes up and I stop breathing. Okay, I didn't know this. 1072 00:43:32,800 --> 00:43:34,919 Speaker 4: And again, whenever your body is built to like wake 1073 00:43:34,960 --> 00:43:37,719 Speaker 4: you up if that happens, and that's why that adrenaline 1074 00:43:38,160 --> 00:43:40,360 Speaker 4: and I'm awake. Not I'll wake up thirty times, but 1075 00:43:40,440 --> 00:43:42,279 Speaker 4: I do have small When I would monitor it with 1076 00:43:42,360 --> 00:43:44,960 Speaker 4: like an aura ring, it would just show like wait wait, wait, 1077 00:43:44,960 --> 00:43:46,080 Speaker 4: wait wait wait, And I was like, I don't wake 1078 00:43:46,120 --> 00:43:47,560 Speaker 4: up that many times, but that was what was happening. 1079 00:43:48,200 --> 00:43:49,960 Speaker 6: You're telling me we can put a man on the moon, 1080 00:43:50,080 --> 00:43:51,160 Speaker 6: we can invent the Internet. 1081 00:43:51,200 --> 00:43:53,319 Speaker 7: I'm not sure right right, right, but al gor vent 1082 00:43:53,360 --> 00:43:56,320 Speaker 7: of the internet all that stuff, right, But we can't 1083 00:43:56,560 --> 00:43:58,560 Speaker 7: figure out your sep your sleep apnea, like we. 1084 00:43:58,600 --> 00:44:00,360 Speaker 4: Can't how they figure it out? No, no, no, no, 1085 00:44:01,200 --> 00:44:01,840 Speaker 4: going to improve it. 1086 00:44:01,920 --> 00:44:03,759 Speaker 6: That's a band aid. We got to fix this it. 1087 00:44:04,800 --> 00:44:06,680 Speaker 6: It's like putting oxygen. 1088 00:44:06,320 --> 00:44:08,520 Speaker 5: In your in your brain is fixing it. It's just 1089 00:44:08,680 --> 00:44:10,000 Speaker 5: more oxygen and. 1090 00:44:10,040 --> 00:44:11,839 Speaker 12: It needs to be used every night. So you're going 1091 00:44:11,880 --> 00:44:13,160 Speaker 12: to travel, you can travel with it. 1092 00:44:13,239 --> 00:44:13,880 Speaker 5: I have no idea. 1093 00:44:14,000 --> 00:44:15,279 Speaker 4: It takes two weeks to get here. I might die 1094 00:44:15,320 --> 00:44:17,560 Speaker 4: before then. Oh no, no, you haven't died yet. You're good. 1095 00:44:17,960 --> 00:44:20,040 Speaker 9: No, no, you're not good because they're putting you on 1096 00:44:20,120 --> 00:44:22,360 Speaker 9: the machine. So there's a problem. 1097 00:44:22,560 --> 00:44:24,520 Speaker 4: But there as do not plug me, everybody, I'm saying 1098 00:44:24,600 --> 00:44:26,800 Speaker 4: right now, if anybody unplugs me, I'm gonna haunt you. 1099 00:44:27,160 --> 00:44:31,319 Speaker 10: You're exercises that you can do to open your throat, right, 1100 00:44:31,400 --> 00:44:33,719 Speaker 10: I don't want to do those, okay Ooh. 1101 00:44:34,120 --> 00:44:37,719 Speaker 12: It says here Bobby that the seapops can it can 1102 00:44:37,800 --> 00:44:40,480 Speaker 12: be hard to maintain and hard to sleep with at times. 1103 00:44:40,760 --> 00:44:43,400 Speaker 12: So as a result, people give up on the seapap 1104 00:44:43,520 --> 00:44:46,480 Speaker 12: treatment and doctors and medical care providers describe them as 1105 00:44:46,760 --> 00:44:47,880 Speaker 12: SEAPAP dropouts. 1106 00:44:48,120 --> 00:44:51,200 Speaker 4: I have not in twenty years. 1107 00:44:51,880 --> 00:44:54,480 Speaker 5: So if there's one thing I'm gonna do, i'd be cool. 1108 00:44:54,520 --> 00:44:57,120 Speaker 4: I stay in school. Okay, good man, good So it 1109 00:44:57,239 --> 00:44:58,640 Speaker 4: takes like two weeks to get here. Has to go 1110 00:44:58,719 --> 00:45:01,120 Speaker 4: through insurance. Wow, they have to write a prescription to 1111 00:45:01,160 --> 00:45:03,719 Speaker 4: get the machine. You can't just get the machine. And 1112 00:45:03,880 --> 00:45:05,880 Speaker 4: then I was supposed to slavey. I don't know, but 1113 00:45:06,000 --> 00:45:10,440 Speaker 4: I do have borderline severe sleep apnea, which I really 1114 00:45:10,440 --> 00:45:11,200 Speaker 4: didn't know what that meant. 1115 00:45:12,000 --> 00:45:13,640 Speaker 7: But you know, the good news is that you don't 1116 00:45:13,680 --> 00:45:16,080 Speaker 7: it's not stress related. You don't have anything going on 1117 00:45:16,120 --> 00:45:16,560 Speaker 7: with your brain. 1118 00:45:16,600 --> 00:45:17,120 Speaker 4: You don't know that. 1119 00:45:17,239 --> 00:45:17,959 Speaker 5: That's the truth. 1120 00:45:18,120 --> 00:45:19,960 Speaker 4: I don't know why it happens. Oh, but they can 1121 00:45:20,040 --> 00:45:20,920 Speaker 4: keep it from happening. 1122 00:45:21,160 --> 00:45:21,919 Speaker 9: I figured it out. 1123 00:45:22,040 --> 00:45:25,799 Speaker 10: Go ahead, all right, A seatpap in ooral appliances work well, 1124 00:45:26,600 --> 00:45:29,560 Speaker 10: but there is no cure for sleep apnea. The only 1125 00:45:29,640 --> 00:45:34,760 Speaker 10: way is to lose weight or have surgery to remove 1126 00:45:34,920 --> 00:45:38,280 Speaker 10: excess tissue from the palat or throat. 1127 00:45:38,400 --> 00:45:42,040 Speaker 5: Palette is a palette. 1128 00:45:42,840 --> 00:45:46,319 Speaker 4: That's a palette. That's a palette, which is like. 1129 00:45:46,320 --> 00:45:55,719 Speaker 10: The surgery can have side effects. I didn't laugh at 1130 00:45:55,719 --> 00:45:57,120 Speaker 10: you when you said, you had sleep apnea. 1131 00:45:58,280 --> 00:46:00,719 Speaker 4: Try to tell me I could cure it. You can. 1132 00:46:00,960 --> 00:46:02,359 Speaker 4: I don't know enough about it. I don't know enough 1133 00:46:02,360 --> 00:46:03,160 Speaker 4: about it. I'm not an expert. 1134 00:46:03,360 --> 00:46:05,960 Speaker 10: They said there are side effects, so that is why 1135 00:46:06,000 --> 00:46:08,280 Speaker 10: it's a last resort surgery. 1136 00:46:08,480 --> 00:46:09,319 Speaker 12: Well it's pretty much. 1137 00:46:09,320 --> 00:46:12,160 Speaker 4: I have that surgery and I come in like this 1138 00:46:12,960 --> 00:46:15,840 Speaker 4: mess with my voice. But Stanley, my bulldog, had to 1139 00:46:15,880 --> 00:46:22,000 Speaker 4: have his palette remove some of it removed because bulldogs 1140 00:46:22,120 --> 00:46:25,400 Speaker 4: they can't breathe, which is a bit of like a 1141 00:46:25,440 --> 00:46:28,680 Speaker 4: bulldog apnea, because they can't break they wake up, So 1142 00:46:28,760 --> 00:46:31,399 Speaker 4: we had that removed from him. Maybe I do it too, Yeah, 1143 00:46:31,480 --> 00:46:34,480 Speaker 4: maybe talk with him and see how he how he 1144 00:46:34,560 --> 00:46:38,120 Speaker 4: did it? Yeah, but like how to feel. So anyway, 1145 00:46:38,239 --> 00:46:39,800 Speaker 4: a couple of weeks they get the machine. Apparently. 1146 00:46:40,080 --> 00:46:42,239 Speaker 5: I hope it's not loud. It's not the whole mask. 1147 00:46:42,600 --> 00:46:44,439 Speaker 4: They have the new versions. They have different kinds of masks. 1148 00:46:44,480 --> 00:46:46,480 Speaker 4: But they're gonna send me the straight nose shooters to 1149 00:46:46,560 --> 00:46:48,520 Speaker 4: go open the nose and that's it. I'm gonna be held. 1150 00:46:48,560 --> 00:46:49,839 Speaker 4: I'm gonna come in here, I'm gonna be rocking. 1151 00:46:49,920 --> 00:46:50,879 Speaker 6: Oh no, I can't wait. 1152 00:46:51,000 --> 00:46:53,480 Speaker 4: Oh you think this show has been good over the 1153 00:46:53,600 --> 00:46:56,080 Speaker 4: last few years. What you just brace yourself. 1154 00:46:57,560 --> 00:47:02,120 Speaker 9: What is the life expectancy if someone with sleep apnea severe? 1155 00:47:02,160 --> 00:47:02,960 Speaker 4: Why did you google that? 1156 00:47:03,920 --> 00:47:05,640 Speaker 9: If you are under the age of fifty, you can 1157 00:47:05,719 --> 00:47:07,879 Speaker 9: expect to live eight to eighteen years more? 1158 00:47:08,040 --> 00:47:11,320 Speaker 6: What we'll hurry forteen years. 1159 00:47:11,520 --> 00:47:15,400 Speaker 12: If you don't receive my intervention like care right now? 1160 00:47:15,480 --> 00:47:18,160 Speaker 6: Oh my what amy? He's had this forever, and my god, 1161 00:47:18,239 --> 00:47:18,880 Speaker 6: he barely. 1162 00:47:18,640 --> 00:47:20,600 Speaker 9: Figured out when he's under fifty. Right, he's under fifty 1163 00:47:20,640 --> 00:47:20,960 Speaker 9: years old. 1164 00:47:21,000 --> 00:47:21,919 Speaker 4: Right. I preached on the phone. 1165 00:47:21,960 --> 00:47:24,520 Speaker 12: Okay, is lunchbok saying that's if. 1166 00:47:24,440 --> 00:47:28,040 Speaker 7: You don't He was to say, people with severe amy, 1167 00:47:28,120 --> 00:47:30,600 Speaker 7: it says has only eight to eighteen years left with 1168 00:47:30,719 --> 00:47:32,600 Speaker 7: a though he's. 1169 00:47:32,480 --> 00:47:34,400 Speaker 9: Going to if they receive treatment. 1170 00:47:35,760 --> 00:47:37,840 Speaker 4: If you received He couldn't even read the word palette, 1171 00:47:37,880 --> 00:47:38,800 Speaker 4: So I'm not gonna trust. 1172 00:47:39,120 --> 00:47:41,600 Speaker 6: Nailing hey bones. It's right in front of us. It 1173 00:47:41,640 --> 00:47:42,520 Speaker 6: says eight to eighteen. 1174 00:47:42,680 --> 00:47:42,839 Speaker 14: Kay. 1175 00:47:42,920 --> 00:47:48,520 Speaker 4: Well, then I went sid I went rocking mount Come in, 1176 00:47:49,600 --> 00:47:50,480 Speaker 4: I'll just play that song. 1177 00:47:50,600 --> 00:47:51,800 Speaker 6: He starts riding bulls. 1178 00:47:52,160 --> 00:47:54,280 Speaker 4: I'm just gonna go crazy. It's gonna be the greatest 1179 00:47:54,280 --> 00:47:57,520 Speaker 4: eight years of anybody's life. Eight years. 1180 00:47:59,560 --> 00:48:00,640 Speaker 6: That's not good, lunchbox. 1181 00:48:00,680 --> 00:48:02,719 Speaker 4: You're right, why would you even yell that out though 1182 00:48:03,480 --> 00:48:05,840 Speaker 4: I just looked it up. You're dying tomorrow, okay, you 1183 00:48:06,000 --> 00:48:07,480 Speaker 4: know that. We you know you were dying when you 1184 00:48:07,560 --> 00:48:10,040 Speaker 4: were dying, so no, no, you know so many listen. 1185 00:48:10,160 --> 00:48:11,600 Speaker 9: Well I didn't know that was going to happen. 1186 00:48:11,440 --> 00:48:13,359 Speaker 4: So many eight whole years. So let's get to living. 1187 00:48:13,840 --> 00:48:16,360 Speaker 5: Get busy living, or get busy dying. 1188 00:48:17,239 --> 00:48:19,880 Speaker 12: I think that a lot of our listeners have experienced 1189 00:48:19,920 --> 00:48:21,400 Speaker 12: with SEAPAP. I know a lot of people do, so 1190 00:48:21,480 --> 00:48:22,520 Speaker 12: maybe they could call in and give you. 1191 00:48:22,560 --> 00:48:24,320 Speaker 6: Advice if they're still around. 1192 00:48:31,200 --> 00:48:34,360 Speaker 1: It's the best bits of the week with Morgan. 1193 00:48:34,480 --> 00:48:37,560 Speaker 2: Number two, Keith Urban stopped by the show. 1194 00:48:37,680 --> 00:48:40,120 Speaker 3: He's always been one of my favorite performers, but he 1195 00:48:40,200 --> 00:48:42,040 Speaker 3: also always comes in with just some good stories like 1196 00:48:42,120 --> 00:48:44,600 Speaker 3: little gems that peek out. And one of those that 1197 00:48:44,640 --> 00:48:47,080 Speaker 3: happened was he talked about an old BMX injury that 1198 00:48:47,160 --> 00:48:50,320 Speaker 3: he got, which crazy did not know Keith Urban did BMX. 1199 00:48:50,760 --> 00:48:52,759 Speaker 3: And then he also shared the time that he was 1200 00:48:52,800 --> 00:48:55,600 Speaker 3: playing a gig and he got booed, and then because 1201 00:48:55,600 --> 00:48:58,439 Speaker 3: of the booing situation, he then got fired, Like Keith 1202 00:48:58,520 --> 00:49:01,919 Speaker 3: Urban got fired, so mind blowing. I just love hearing 1203 00:49:02,000 --> 00:49:04,680 Speaker 3: his stories also listening to him talk. He's a beautiful accent, 1204 00:49:04,719 --> 00:49:07,759 Speaker 3: beautiful voice. He's a great man. I mean it's Keith Urban, 1205 00:49:07,960 --> 00:49:10,640 Speaker 3: so here he is. Guys, this is Bobby talking to 1206 00:49:10,719 --> 00:49:12,600 Speaker 3: Keith Urban number one. 1207 00:49:13,080 --> 00:49:16,320 Speaker 1: The Friday Morning Conversation with you. 1208 00:49:16,480 --> 00:49:19,160 Speaker 4: I have all these notes that I have for every guest, 1209 00:49:19,200 --> 00:49:21,239 Speaker 4: but I feel like we know each other and a lot. 1210 00:49:21,360 --> 00:49:23,719 Speaker 4: Have you ever seen the information that your people send 1211 00:49:23,760 --> 00:49:24,120 Speaker 4: about you? 1212 00:49:24,360 --> 00:49:24,400 Speaker 8: No? 1213 00:49:24,560 --> 00:49:26,279 Speaker 4: Because it's a mixture, right, It's a mixture of things 1214 00:49:26,320 --> 00:49:29,400 Speaker 4: that I want to talk about, but it's also information 1215 00:49:29,640 --> 00:49:33,400 Speaker 4: like your your PR people or whomever advances. Do you 1216 00:49:33,440 --> 00:49:34,200 Speaker 4: want to see some of it? 1217 00:49:34,600 --> 00:49:34,880 Speaker 9: Maybe? 1218 00:49:34,960 --> 00:49:35,000 Speaker 14: Not? 1219 00:49:36,280 --> 00:49:40,200 Speaker 4: Well, it's stuff like, Okay, for example, you were inducted 1220 00:49:40,200 --> 00:49:42,680 Speaker 4: into the Nashville Songwriters Hall of Fame, right, And I 1221 00:49:42,719 --> 00:49:45,279 Speaker 4: don't know unless I just know this, and if it 1222 00:49:45,320 --> 00:49:46,600 Speaker 4: were to come up, I'd be like, oh, and by 1223 00:49:46,680 --> 00:49:49,560 Speaker 4: the way, Nashville Songwriters Hall of Fame. Right, it's so 1224 00:49:49,840 --> 00:49:52,759 Speaker 4: got it? So it's that has to be cool for you. 1225 00:49:53,040 --> 00:49:55,600 Speaker 4: It's different than a performance award. It's like a thinking 1226 00:49:55,880 --> 00:49:58,239 Speaker 4: award to be in the songwriter Hall of Fame? What 1227 00:49:58,440 --> 00:49:59,360 Speaker 4: is that ceremony? 1228 00:49:59,560 --> 00:49:59,600 Speaker 14: Like? 1229 00:50:01,280 --> 00:50:01,680 Speaker 8: Surreal? 1230 00:50:02,120 --> 00:50:02,320 Speaker 4: For me? 1231 00:50:02,520 --> 00:50:05,200 Speaker 15: I mean, it's just you know it's a songwriting town. Uh, 1232 00:50:05,560 --> 00:50:08,879 Speaker 15: And man, that was an amazing not I mean, that's 1233 00:50:08,880 --> 00:50:10,719 Speaker 15: a that's a cool club to be in. 1234 00:50:10,960 --> 00:50:12,960 Speaker 4: I would think it would feel like an elevated like 1235 00:50:13,080 --> 00:50:15,520 Speaker 4: a really special place to be because not everybody gets 1236 00:50:15,560 --> 00:50:17,800 Speaker 4: to see the work that goes into songwriting. Yeah, and 1237 00:50:17,920 --> 00:50:20,800 Speaker 4: the people that are in the crowd actually understand the 1238 00:50:21,000 --> 00:50:24,200 Speaker 4: undertaking of it. Yeah. So it's a very relatable award 1239 00:50:24,280 --> 00:50:25,120 Speaker 4: with everybody in the room. 1240 00:50:25,760 --> 00:50:27,879 Speaker 15: It is. And there's a like a reminder of I've 1241 00:50:27,920 --> 00:50:30,560 Speaker 15: written a lot of songs. Yeah, I forget how many 1242 00:50:30,640 --> 00:50:32,560 Speaker 15: songs I've written. And then and then they start playing 1243 00:50:32,640 --> 00:50:34,239 Speaker 15: them and you're like, oh my. 1244 00:50:34,280 --> 00:50:38,080 Speaker 4: Gosh, that's really a thing where tons of songs where 1245 00:50:38,200 --> 00:50:41,000 Speaker 4: Joan Rivers used to keep every joke in a file 1246 00:50:41,080 --> 00:50:43,359 Speaker 4: cabinet that she's ever written. Is that true? Yes? 1247 00:50:44,120 --> 00:50:45,600 Speaker 8: Like why why did she do that? 1248 00:50:46,000 --> 00:50:48,680 Speaker 4: She just wanted to have an organization and a collection 1249 00:50:48,760 --> 00:50:49,719 Speaker 4: of all of her jokes and you know, and she 1250 00:50:50,000 --> 00:50:52,040 Speaker 4: ended up dying and she was older when she died, 1251 00:50:52,080 --> 00:50:56,040 Speaker 4: like maybe almost ninety. Is there a database of everything 1252 00:50:56,080 --> 00:50:57,880 Speaker 4: you've ever written that you have that you could get 1253 00:50:57,920 --> 00:50:59,520 Speaker 4: into or would you have to go and scurry around 1254 00:50:59,520 --> 00:51:00,640 Speaker 4: and find it different places. 1255 00:51:00,760 --> 00:51:04,360 Speaker 8: Probably that. Yeah, Yeah, I think it's kind of scattered everywhere. 1256 00:51:05,200 --> 00:51:06,719 Speaker 8: Cassettes en. 1257 00:51:06,760 --> 00:51:09,560 Speaker 15: I'm still like cassettes. I've got stuff on cassette I opened. Yeah, 1258 00:51:09,600 --> 00:51:11,400 Speaker 15: I found this little box of the night up in 1259 00:51:11,440 --> 00:51:13,080 Speaker 15: the attic and I opened it up and it's full 1260 00:51:13,120 --> 00:51:13,760 Speaker 15: of cassettes. 1261 00:51:14,440 --> 00:51:16,680 Speaker 8: Days go by being written, really stuff like that. 1262 00:51:16,800 --> 00:51:19,600 Speaker 4: Yeah, you always record the room when you're writing, or 1263 00:51:19,680 --> 00:51:21,480 Speaker 4: do you just record like a work tape when you're done? 1264 00:51:22,040 --> 00:51:23,440 Speaker 9: I I like to. 1265 00:51:23,640 --> 00:51:23,680 Speaker 10: So. 1266 00:51:23,800 --> 00:51:25,320 Speaker 15: I have my own record company, which I've had for 1267 00:51:25,360 --> 00:51:27,359 Speaker 15: a long time, and it's called hit Red. The reason 1268 00:51:27,400 --> 00:51:29,439 Speaker 15: it's cool that is because I always think a great 1269 00:51:29,480 --> 00:51:34,640 Speaker 15: engineer hits record the second anybody walks in the studio. 1270 00:51:34,680 --> 00:51:36,200 Speaker 8: Don't worry for us to sit down and start playing. 1271 00:51:36,280 --> 00:51:38,800 Speaker 15: Just hit Red right away, because you walk in, you 1272 00:51:38,880 --> 00:51:41,520 Speaker 15: start whistling something, humming something, you peak a guitar out, 1273 00:51:41,560 --> 00:51:43,279 Speaker 15: you tune it up, your play a riff, and you're like, oh, 1274 00:51:43,400 --> 00:51:44,320 Speaker 15: did anybody get that? 1275 00:51:44,600 --> 00:51:47,920 Speaker 8: Because I'll forget it. So, yeah, I think record all 1276 00:51:48,000 --> 00:51:48,319 Speaker 8: the time. 1277 00:51:48,520 --> 00:51:50,880 Speaker 4: Did you watch the Greatest Night and Pop that we 1278 00:51:50,960 --> 00:51:51,560 Speaker 4: are the world? Did? 1279 00:51:51,960 --> 00:51:52,160 Speaker 14: Yeah? 1280 00:51:52,360 --> 00:51:56,120 Speaker 4: Whenever? Lionel Ritchie, who I've been fortunate enough to know, 1281 00:51:56,640 --> 00:51:59,080 Speaker 4: for a while he's awesome, like in every way on 1282 00:51:59,160 --> 00:52:00,920 Speaker 4: that show, he's like that and he's the greatest dude. 1283 00:52:01,280 --> 00:52:03,040 Speaker 4: But when he's talking about working on Michael Jackson and 1284 00:52:03,080 --> 00:52:05,000 Speaker 4: that Michael Jackson didn't play an instrument, so he laid 1285 00:52:05,000 --> 00:52:08,160 Speaker 4: down layers and layers of then he would come on 1286 00:52:08,200 --> 00:52:11,960 Speaker 4: top of a table and go. So have you worked 1287 00:52:11,960 --> 00:52:15,719 Speaker 4: with anyone who didn't have the traditional music skills? But 1288 00:52:15,840 --> 00:52:19,719 Speaker 4: we're so good at something like that, where just going 1289 00:52:19,760 --> 00:52:22,520 Speaker 4: in and humming a line. But being a great artist 1290 00:52:22,600 --> 00:52:24,839 Speaker 4: that mostly if you're a great artist because you learn 1291 00:52:24,880 --> 00:52:25,439 Speaker 4: how to do music. 1292 00:52:25,560 --> 00:52:29,840 Speaker 15: Yeah, I've had to do it myself with string arrangements 1293 00:52:30,440 --> 00:52:32,360 Speaker 15: on records that I've done because I can't. For you, 1294 00:52:32,560 --> 00:52:35,040 Speaker 15: I can't write music. I can't I can't read music. 1295 00:52:35,120 --> 00:52:38,000 Speaker 15: I can't write it or read it. But I can 1296 00:52:38,239 --> 00:52:41,160 Speaker 15: hum it to the to the conductor or the arranger 1297 00:52:41,360 --> 00:52:43,360 Speaker 15: and go so the I think the violins might do 1298 00:52:43,480 --> 00:52:46,799 Speaker 15: this line, you know, oh with strings not guitar. Yes, 1299 00:52:47,160 --> 00:52:49,759 Speaker 15: like violin when you got a big string section. 1300 00:52:50,120 --> 00:52:53,520 Speaker 4: I saw Justin Bieber doing with an orchestra in a 1301 00:52:53,560 --> 00:52:55,799 Speaker 4: recording studio and he did the same like he didn't 1302 00:52:55,840 --> 00:52:58,319 Speaker 4: know how to play but he would go la la 1303 00:52:58,400 --> 00:53:00,680 Speaker 4: lu lulu, give him the melody, and then he would 1304 00:53:00,680 --> 00:53:04,799 Speaker 4: go strings, and eventually they created this really cool sound. 1305 00:53:05,080 --> 00:53:07,200 Speaker 4: And I guess I didn't put those two together kind 1306 00:53:07,200 --> 00:53:10,080 Speaker 4: of what Michael was doing and what justin Bieber and 1307 00:53:10,120 --> 00:53:12,560 Speaker 4: what you're talking about there, because again you don't play 1308 00:53:12,600 --> 00:53:13,719 Speaker 4: I mean, do you play the fiddle at all? 1309 00:53:14,200 --> 00:53:14,239 Speaker 15: No? 1310 00:53:15,000 --> 00:53:17,279 Speaker 5: No, but to be able to tell hey, I need this, 1311 00:53:17,680 --> 00:53:19,640 Speaker 5: you would just hum a melody. 1312 00:53:19,680 --> 00:53:22,200 Speaker 15: The other coolest thing that's happened is like that you 1313 00:53:22,280 --> 00:53:24,759 Speaker 15: sing a melody in the studio. Sometimes I sing it 1314 00:53:24,800 --> 00:53:26,920 Speaker 15: as a placeholder, like when I want to keep a 1315 00:53:27,000 --> 00:53:30,120 Speaker 15: player to come in and do um kind of thing, 1316 00:53:30,440 --> 00:53:32,400 Speaker 15: and then maybe and then the harmony would be dead 1317 00:53:32,680 --> 00:53:33,480 Speaker 15: and you do the hominy. 1318 00:53:34,160 --> 00:53:35,440 Speaker 8: Sometimes we've just left. 1319 00:53:35,320 --> 00:53:39,479 Speaker 15: That in the actual Yeah, the vocal of the vocal 1320 00:53:39,719 --> 00:53:43,400 Speaker 15: attempted trying to sound like something ends up being textually 1321 00:53:43,520 --> 00:53:45,640 Speaker 15: so much more interesting and cooler than the actual thing. 1322 00:53:45,800 --> 00:53:47,799 Speaker 4: Do you ever have part of a chorus or even 1323 00:53:47,840 --> 00:53:49,719 Speaker 4: a bridge that you acted in the leave end that 1324 00:53:49,800 --> 00:53:51,520 Speaker 4: ends up becoming like what the song is most known for, 1325 00:53:51,880 --> 00:53:55,759 Speaker 4: like an accidental discovery or like an ad lib that 1326 00:53:55,840 --> 00:53:57,319 Speaker 4: you're like, you know what, why don't we just put 1327 00:53:57,400 --> 00:54:00,560 Speaker 4: that in or a guitar lick for example, all Vamp? 1328 00:54:00,600 --> 00:54:02,520 Speaker 4: Why you think about it? Because's a hard question. Uh, 1329 00:54:02,680 --> 00:54:06,960 Speaker 4: Radiohead and within Creep, Oh yeah, that really wasn't what 1330 00:54:07,080 --> 00:54:10,080 Speaker 4: it was supposed to be. Hook, but now it's you know, 1331 00:54:11,160 --> 00:54:12,800 Speaker 4: and they were like, yeah, really in the recording of it, 1332 00:54:12,920 --> 00:54:14,920 Speaker 4: that guitar part wasn't supposed to be like that. It 1333 00:54:14,960 --> 00:54:17,000 Speaker 4: was kind of an accident and they left it. Anything 1334 00:54:17,120 --> 00:54:19,120 Speaker 4: like that strike you when I tell that story, No. 1335 00:54:19,320 --> 00:54:21,759 Speaker 8: I it probably is. I can't think of anything off 1336 00:54:21,760 --> 00:54:22,239 Speaker 8: the top of my head. 1337 00:54:22,280 --> 00:54:25,279 Speaker 15: But I was thinking about that beautiful as James what's 1338 00:54:25,320 --> 00:54:29,080 Speaker 15: his name, No James, and he started too early, I love, yeah, 1339 00:54:29,719 --> 00:54:33,359 Speaker 15: my love brilliant Yeah, and then he came in too early, 1340 00:54:33,440 --> 00:54:34,200 Speaker 15: and then they left it in. 1341 00:54:34,400 --> 00:54:36,200 Speaker 8: It's one of my favorite moments in that song. 1342 00:54:36,160 --> 00:54:39,239 Speaker 4: Which is what that song was known for until it 1343 00:54:39,280 --> 00:54:40,840 Speaker 4: became a massive hit, the song where he sings it 1344 00:54:40,880 --> 00:54:42,480 Speaker 4: twice at the beginning, or even like. 1345 00:54:44,480 --> 00:54:44,960 Speaker 14: We come in. 1346 00:54:46,160 --> 00:54:49,600 Speaker 4: We all know that, And you wonder if that even 1347 00:54:49,680 --> 00:54:52,840 Speaker 4: really because she probably wasn't saying that. She was probably 1348 00:54:52,840 --> 00:54:55,239 Speaker 4: talking to the sound engineer, will you count me in? 1349 00:54:55,800 --> 00:54:56,279 Speaker 8: Turn it up? 1350 00:54:56,600 --> 00:54:58,880 Speaker 4: And we still remember that, I said, Colby Cala and Keith, 1351 00:54:58,920 --> 00:55:00,640 Speaker 4: and at the same time went will you count me in? 1352 00:55:01,520 --> 00:55:02,839 Speaker 4: Isn't that crazy? Guys? 1353 00:55:02,920 --> 00:55:03,680 Speaker 8: Yeah, it's so hooky. 1354 00:55:03,800 --> 00:55:05,919 Speaker 4: You have a new song that we've been playing all morning. 1355 00:55:05,960 --> 00:55:08,839 Speaker 4: It's called Messed Up as Me? What about this song? 1356 00:55:08,920 --> 00:55:10,000 Speaker 4: Did you love? And why do you think you need 1357 00:55:10,080 --> 00:55:10,480 Speaker 4: to record it? 1358 00:55:10,800 --> 00:55:13,879 Speaker 15: It's a super relatable song for me. I mean, it's 1359 00:55:13,920 --> 00:55:17,960 Speaker 15: about a relationship that has one good thing going. All 1360 00:55:18,000 --> 00:55:22,040 Speaker 15: the rest is dysfunctional, toxic, makes no sense. But one 1361 00:55:22,120 --> 00:55:26,520 Speaker 15: part of this relationship is phenomenal us me and you. 1362 00:55:26,840 --> 00:55:28,239 Speaker 4: Yeah that one. 1363 00:55:28,320 --> 00:55:30,560 Speaker 8: Bits were sitting so close, thank. 1364 00:55:30,360 --> 00:55:34,359 Speaker 1: You, thank you the Friday morning conversation. 1365 00:55:34,120 --> 00:55:38,040 Speaker 4: With So I'm sitting right next to Keith because we're 1366 00:55:38,120 --> 00:55:40,120 Speaker 4: very close, and he's actually seeing my notes. I never 1367 00:55:40,160 --> 00:55:42,520 Speaker 4: let anyone see my notes. Well, and I felt bad. 1368 00:55:42,600 --> 00:55:44,400 Speaker 4: I felt bad for you and jealous of you. This 1369 00:55:44,520 --> 00:55:47,440 Speaker 4: picture of the paparazzi took of you, Oh god, you 1370 00:55:47,560 --> 00:55:51,520 Speaker 4: look great? Are you kidding? Right? Thank you? Are you well? 1371 00:55:51,560 --> 00:55:51,640 Speaker 10: Then? 1372 00:55:51,640 --> 00:55:52,360 Speaker 12: Why do you feel bad for. 1373 00:55:52,400 --> 00:55:54,080 Speaker 4: Him because paparazzi taking pictures of them? 1374 00:55:54,120 --> 00:55:54,200 Speaker 15: Oh? 1375 00:55:54,280 --> 00:55:56,040 Speaker 5: Yeah, like the guy can't live. 1376 00:55:56,280 --> 00:56:00,239 Speaker 8: That's a good question. It was confusing there for a second. 1377 00:56:00,080 --> 00:56:04,240 Speaker 4: I was gonna get there. But if I you look awesome, 1378 00:56:04,800 --> 00:56:06,560 Speaker 4: and I know who cares, right, it's body with all. 1379 00:56:06,800 --> 00:56:09,080 Speaker 4: But it's like I was irritated that the paparazzi was 1380 00:56:09,160 --> 00:56:10,640 Speaker 4: not letting you live your life, but then I was 1381 00:56:10,640 --> 00:56:12,520 Speaker 4: irritated at you for being in great shape. 1382 00:56:13,640 --> 00:56:15,279 Speaker 8: You can talk, yeah, but I have to. 1383 00:56:15,440 --> 00:56:19,360 Speaker 4: I struggle. I struggle with why. I don't know, you 1384 00:56:19,480 --> 00:56:20,000 Speaker 4: smell good? 1385 00:56:20,080 --> 00:56:20,640 Speaker 6: You look good? 1386 00:56:20,880 --> 00:56:23,120 Speaker 4: Please? How often do you have to? Is it worse 1387 00:56:23,200 --> 00:56:25,880 Speaker 4: for you out of America with paparazzi than it is 1388 00:56:25,920 --> 00:56:26,360 Speaker 4: in America. 1389 00:56:26,920 --> 00:56:28,560 Speaker 8: It's more so when I'm with Nick. 1390 00:56:28,719 --> 00:56:30,680 Speaker 4: Yeah, yeah, never by yourself. 1391 00:56:31,000 --> 00:56:33,920 Speaker 8: Uh yeah, obviously, but yeah, occasionally do. 1392 00:56:33,960 --> 00:56:35,640 Speaker 4: You worry because I would say you're even one of 1393 00:56:35,680 --> 00:56:37,960 Speaker 4: the more fashion forward dudes in music, not even just 1394 00:56:38,000 --> 00:56:39,880 Speaker 4: country music, Like for a long time, I mean, you 1395 00:56:39,960 --> 00:56:42,799 Speaker 4: were wearing off White before like off White was like, yeah, 1396 00:56:42,840 --> 00:56:44,279 Speaker 4: me too, but it was like I would notice that 1397 00:56:44,360 --> 00:56:46,520 Speaker 4: you were wearing off White like way way early before 1398 00:56:46,560 --> 00:56:48,160 Speaker 4: it kind of became a bigger cultural. 1399 00:56:48,200 --> 00:56:50,880 Speaker 15: I rode skateboards and rode BMX bikes when I was 1400 00:56:51,000 --> 00:56:52,840 Speaker 15: a kid, and I think that whole street thing is 1401 00:56:52,920 --> 00:56:53,360 Speaker 15: just part. 1402 00:56:53,239 --> 00:56:54,640 Speaker 4: Of what I love that makes a lot of sense 1403 00:56:54,719 --> 00:56:56,560 Speaker 4: didn't know. Did you ever injure yourself real bad doing that? 1404 00:56:56,719 --> 00:56:56,839 Speaker 15: Oh? 1405 00:56:56,920 --> 00:56:57,759 Speaker 8: Yeah, yeah. 1406 00:56:57,800 --> 00:57:01,120 Speaker 15: I was in a BMX race and uh, first jump 1407 00:57:01,440 --> 00:57:03,960 Speaker 15: went over and landed on the front, flipped the bike over, 1408 00:57:05,280 --> 00:57:08,960 Speaker 15: broke this left arm, and I remember a guy, you know, 1409 00:57:09,040 --> 00:57:12,200 Speaker 15: one of the you know, people in charge of officials, 1410 00:57:12,280 --> 00:57:14,360 Speaker 15: running out and going you got to keep going, you 1411 00:57:14,440 --> 00:57:16,600 Speaker 15: got to keep going. I'm like thirteen, I'm like what, 1412 00:57:16,800 --> 00:57:19,120 Speaker 15: I'm hanging out my arms like here. I picked up 1413 00:57:19,160 --> 00:57:22,000 Speaker 15: my bike which was just trashed and carried it around 1414 00:57:22,040 --> 00:57:22,640 Speaker 15: the track. 1415 00:57:22,640 --> 00:57:26,320 Speaker 4: To finish, to finish the race. Yeah, did you continue 1416 00:57:26,400 --> 00:57:27,000 Speaker 4: racing after that? 1417 00:57:28,480 --> 00:57:30,720 Speaker 8: I did for a long time, and then my mom 1418 00:57:30,840 --> 00:57:33,440 Speaker 8: was like she wouldn't have with those doing it. 1419 00:57:33,800 --> 00:57:36,640 Speaker 4: Have you ever in the last five years, again, you're 1420 00:57:36,840 --> 00:57:40,160 Speaker 4: such a great guitar player, have you discovered anything new 1421 00:57:40,360 --> 00:57:42,680 Speaker 4: about the guitar? And I talked to coaches at a 1422 00:57:42,720 --> 00:57:45,320 Speaker 4: high levels like have you have you figured anything out 1423 00:57:45,320 --> 00:57:47,160 Speaker 4: about an offense or a defense even though you've been 1424 00:57:47,160 --> 00:57:48,440 Speaker 4: doing it for thirty years, And I'd be like, you know, 1425 00:57:48,600 --> 00:57:50,520 Speaker 4: I did, have have you done that with a guitar 1426 00:57:50,560 --> 00:57:52,640 Speaker 4: at all? Where you're like, you know what I found 1427 00:57:52,680 --> 00:57:53,920 Speaker 4: that I can go from here to hear or do 1428 00:57:54,080 --> 00:57:55,920 Speaker 4: something new that you had never discovered. 1429 00:57:56,560 --> 00:57:59,280 Speaker 15: I think I'm working on not playing so much so 1430 00:57:59,360 --> 00:58:01,840 Speaker 15: the opposite. Yeah, it's like you have a It's like 1431 00:58:02,120 --> 00:58:04,200 Speaker 15: it's like saying a sentence. I'm going to say this 1432 00:58:04,320 --> 00:58:07,640 Speaker 15: whole thing, but learning to stop halfway through and leave 1433 00:58:07,680 --> 00:58:10,400 Speaker 15: it there. That's kind of the version of playing a 1434 00:58:10,480 --> 00:58:11,160 Speaker 15: lick on the guitar. 1435 00:58:11,200 --> 00:58:11,960 Speaker 4: Is that hard for you to do? 1436 00:58:12,240 --> 00:58:15,160 Speaker 15: Yes, because I want to complete the thought, But the 1437 00:58:15,240 --> 00:58:17,240 Speaker 15: newest thing is to not complete the thought and end 1438 00:58:17,280 --> 00:58:18,680 Speaker 15: it in the middle and see what happened. 1439 00:58:18,720 --> 00:58:22,120 Speaker 4: To leave the space, let art happen then a different 1440 00:58:22,200 --> 00:58:24,760 Speaker 4: kind of art. Or you're just like I'm tired. 1441 00:58:25,440 --> 00:58:28,800 Speaker 8: Just to stop getting into the predictability. 1442 00:58:28,200 --> 00:58:31,560 Speaker 4: Place like muscle memory. Almost it's exactly what it is 1443 00:58:31,680 --> 00:58:34,640 Speaker 4: with like brain muscle memory, because your brain is going 1444 00:58:34,680 --> 00:58:37,320 Speaker 4: to a place playing what you feel is not to us, 1445 00:58:38,080 --> 00:58:40,320 Speaker 4: but where you feel like it's predictable. Obviously, I'm on 1446 00:58:40,440 --> 00:58:40,840 Speaker 4: this scale. 1447 00:58:40,880 --> 00:58:41,840 Speaker 8: I do this right. 1448 00:58:42,040 --> 00:58:45,480 Speaker 15: Wow. Yeah, So making myself stop because then whenever I 1449 00:58:45,600 --> 00:58:48,600 Speaker 15: start the next phrase, that'll be probably different because of 1450 00:58:49,360 --> 00:58:50,720 Speaker 15: being so aware of. 1451 00:58:50,960 --> 00:58:51,440 Speaker 14: What's going on. 1452 00:58:51,560 --> 00:58:54,560 Speaker 4: Why did this awareness happen? No, I just hear things 1453 00:58:54,600 --> 00:58:58,200 Speaker 4: back and I'm like, stop, do you hear stuff back? 1454 00:58:58,280 --> 00:59:01,640 Speaker 4: And yeah, yeah, of course yeah, I hear stuff back. 1455 00:59:01,680 --> 00:59:04,040 Speaker 4: And I'm like, dude, just you had it in the middle. 1456 00:59:04,080 --> 00:59:05,520 Speaker 4: Stop there, shush. 1457 00:59:06,440 --> 00:59:07,800 Speaker 5: That gives everybody else hope. 1458 00:59:07,960 --> 00:59:10,280 Speaker 4: That's not amazing. It's something if he can hear stuff back. 1459 00:59:10,600 --> 00:59:13,400 Speaker 12: I know, I'm very curious. How long do you pause 1460 00:59:13,600 --> 00:59:13,919 Speaker 12: or wait? 1461 00:59:14,240 --> 00:59:15,840 Speaker 4: Like an hour? It'd be awesome. He does like an 1462 00:59:15,880 --> 00:59:18,640 Speaker 4: Andy Kaufman and just stops and watches the crowd its yeah. 1463 00:59:18,880 --> 00:59:21,240 Speaker 8: So yeah, so Michael, I think of him so often. 1464 00:59:21,640 --> 00:59:23,720 Speaker 5: It's my He's my favorite performer of all time. 1465 00:59:23,800 --> 00:59:26,040 Speaker 8: We would be like playing a lick like didn't Do, 1466 00:59:26,520 --> 00:59:26,880 Speaker 8: Didn't Do? 1467 00:59:27,280 --> 00:59:28,560 Speaker 15: And I said to guys, how long do you think 1468 00:59:28,560 --> 00:59:31,360 Speaker 15: we could play that lick for until the audience started to. 1469 00:59:31,680 --> 00:59:33,960 Speaker 4: It's him reading the book and then there. 1470 00:59:34,200 --> 00:59:37,120 Speaker 8: But I'd like to know what happens, who leaves, who stays? 1471 00:59:37,200 --> 00:59:38,360 Speaker 8: How did they leave? To people? 1472 00:59:38,440 --> 00:59:38,640 Speaker 9: Boo? 1473 00:59:38,720 --> 00:59:40,880 Speaker 8: Do they quietly leave? What happens? 1474 00:59:41,240 --> 00:59:43,480 Speaker 4: There are things like that too that I like, I 1475 00:59:43,640 --> 00:59:46,560 Speaker 4: wanted to be a part of let's say, let's say 1476 00:59:46,560 --> 00:59:48,720 Speaker 4: would be your band, Like but you gave me like 1477 00:59:48,840 --> 00:59:53,240 Speaker 4: a saxophone and it's like I'm Okay, let's go to 1478 00:59:53,280 --> 00:59:55,200 Speaker 4: the solo. I don't want to play saxophone. And I 1479 00:59:55,280 --> 00:59:56,920 Speaker 4: go out front and I'm just trying as hard as 1480 00:59:56,960 --> 00:59:59,080 Speaker 4: I can, but I'm terrible. Yeah, and you just and 1481 00:59:59,160 --> 01:00:01,280 Speaker 4: everybody kind of walks off stage and lets me play. 1482 01:00:01,880 --> 01:00:03,720 Speaker 4: Like you know, Motley Crue, they would do the whole solo, 1483 01:00:03,760 --> 01:00:05,040 Speaker 4: they could hook a couple of girls, but instead, you 1484 01:00:05,080 --> 01:00:06,400 Speaker 4: guys were just letting me play to see how long 1485 01:00:06,480 --> 01:00:08,959 Speaker 4: til people booed, Like when will they booed the random 1486 01:00:09,000 --> 01:00:10,160 Speaker 4: saxophone player that sucks? 1487 01:00:10,480 --> 01:00:12,760 Speaker 8: Wouldn't that be a hilarious when you're doing it dead serious? 1488 01:00:12,760 --> 01:00:16,720 Speaker 8: You know, I never break You look dead serious, really meaning. 1489 01:00:16,640 --> 01:00:18,240 Speaker 4: And then I get real sad when they boom me off. 1490 01:00:18,360 --> 01:00:22,920 Speaker 4: Yeah you been You ever been booed bad? That affected 1491 01:00:23,000 --> 01:00:25,880 Speaker 4: your confidence? Yeah? I had? 1492 01:00:25,920 --> 01:00:28,560 Speaker 15: Well, I had a guy walk up and and and 1493 01:00:28,680 --> 01:00:31,240 Speaker 15: put his fingers in his ears, like stand right in 1494 01:00:31,320 --> 01:00:33,080 Speaker 15: front of me, in front of everybody, when I was 1495 01:00:33,080 --> 01:00:35,160 Speaker 15: playing at a club and I was sort of on 1496 01:00:35,280 --> 01:00:35,800 Speaker 15: ground level. 1497 01:00:36,280 --> 01:00:37,680 Speaker 4: Do you think that was a you thing or him thing? 1498 01:00:38,760 --> 01:00:43,120 Speaker 15: A bit of both, probably, But yeah, I got fired 1499 01:00:43,320 --> 01:00:46,800 Speaker 15: from that gig because of that specifically, or. 1500 01:00:47,280 --> 01:00:49,080 Speaker 8: Because I was trying to be nice to this guy 1501 01:00:49,160 --> 01:00:51,320 Speaker 8: and your long story short. He came up at the 1502 01:00:51,400 --> 01:00:52,840 Speaker 8: end of the night. I'm packing up my gear. 1503 01:00:53,360 --> 01:00:54,800 Speaker 15: I was filling in for a guy who was a 1504 01:00:54,840 --> 01:00:58,240 Speaker 15: solo act there Friday night at this club, playing solo 1505 01:00:58,440 --> 01:01:00,960 Speaker 15: backing tracks live guitar, and I finished with Devil and 1506 01:01:01,000 --> 01:01:03,320 Speaker 15: Anda Georgia did a little and on the guitar. It's 1507 01:01:03,360 --> 01:01:05,760 Speaker 15: my big moment, you know, and I'm shredding away and 1508 01:01:05,840 --> 01:01:08,439 Speaker 15: this guy walks up in front of me and I'm 1509 01:01:08,480 --> 01:01:10,280 Speaker 15: on the floor with you know, he's all the crowd 1510 01:01:10,360 --> 01:01:11,120 Speaker 15: of me, and. 1511 01:01:11,200 --> 01:01:16,520 Speaker 8: He's like, no, it's just terrible. You sound terrible. He's hammered, 1512 01:01:16,600 --> 01:01:18,680 Speaker 8: he is terrible. You sound terrible. 1513 01:01:19,160 --> 01:01:21,120 Speaker 15: And I'm trying to get rid of him while I'm 1514 01:01:21,200 --> 01:01:23,440 Speaker 15: playing and not make a scene in front of everybody. 1515 01:01:23,480 --> 01:01:29,800 Speaker 8: And anyway, I finished, like thank you, good night, and I'm. 1516 01:01:29,840 --> 01:01:32,919 Speaker 15: Furious, and I'm packing up my gear and this guy 1517 01:01:33,080 --> 01:01:35,400 Speaker 15: comes over and I'm like, I just don't say anything. 1518 01:01:35,440 --> 01:01:37,400 Speaker 15: He don't say anything, this guy, You're almost. 1519 01:01:37,200 --> 01:01:37,600 Speaker 4: Out of here. 1520 01:01:38,120 --> 01:01:44,560 Speaker 15: Anyway, I called him some incredibly offensive things, like horrendously 1521 01:01:44,640 --> 01:01:45,479 Speaker 15: offensive things. 1522 01:01:46,120 --> 01:01:50,520 Speaker 8: Uh yeah, and then he just he. 1523 01:01:50,640 --> 01:01:54,360 Speaker 15: Goes, ah, you're you're a young guy. But with an 1524 01:01:54,400 --> 01:01:57,480 Speaker 15: attitude like that your career is over before it's begun. 1525 01:01:58,080 --> 01:02:00,960 Speaker 15: And then he just waddled off into the distance. And 1526 01:02:01,040 --> 01:02:02,960 Speaker 15: then he comes back with the manager of the hotel. 1527 01:02:03,000 --> 01:02:06,320 Speaker 15: Oh we go, and he goes he Karen died him. 1528 01:02:08,040 --> 01:02:09,720 Speaker 15: He hit him with the Karen before the Karen was 1529 01:02:09,800 --> 01:02:12,200 Speaker 15: a thing because I got fired for filling in for 1530 01:02:12,240 --> 01:02:12,520 Speaker 15: a guy. 1531 01:02:12,920 --> 01:02:14,800 Speaker 4: We played the new song earlier. We've been playing it 1532 01:02:14,800 --> 01:02:16,760 Speaker 4: all morning long. So what when you put out a 1533 01:02:16,800 --> 01:02:19,080 Speaker 4: new song. It's kind of with you. You're a bit 1534 01:02:19,160 --> 01:02:21,600 Speaker 4: unpredictable in that sometimes you'll put out like eight singles 1535 01:02:21,920 --> 01:02:23,600 Speaker 4: before you put out a record, and sometimes you put 1536 01:02:23,640 --> 01:02:25,520 Speaker 4: out a bit like what's happening now with you? Musically, 1537 01:02:26,160 --> 01:02:26,720 Speaker 4: we put out. 1538 01:02:26,640 --> 01:02:29,040 Speaker 15: Straight Line, which is technically the first single off the 1539 01:02:29,120 --> 01:02:31,920 Speaker 15: new album and the first song on the album, and 1540 01:02:32,000 --> 01:02:35,200 Speaker 15: then Messed Up as Me is the first radio single 1541 01:02:35,280 --> 01:02:38,400 Speaker 15: and second single off the record. Hopefully another song in 1542 01:02:38,440 --> 01:02:41,680 Speaker 15: the next few months and then album coming. I've got 1543 01:02:41,720 --> 01:02:44,920 Speaker 15: a jewet on the record which I recorded last summer. 1544 01:02:45,080 --> 01:02:45,760 Speaker 4: Have you said with Who? 1545 01:02:46,280 --> 01:02:48,360 Speaker 15: No, I haven't, and I've been sitting on it since 1546 01:02:48,440 --> 01:02:50,360 Speaker 15: last summer and it's killing me. So I can't wait 1547 01:02:50,400 --> 01:02:50,640 Speaker 15: to get that. 1548 01:02:50,800 --> 01:02:52,480 Speaker 4: Don't say it. I'm not even ask you to say 1549 01:02:52,520 --> 01:02:53,600 Speaker 4: it now, But what if you whispered it in my 1550 01:02:53,600 --> 01:02:54,520 Speaker 4: ear and I don't tell anybody. 1551 01:02:55,720 --> 01:02:57,400 Speaker 5: Oh, I think he would tell trustworthy. 1552 01:02:57,760 --> 01:02:59,280 Speaker 4: I think he would tell him. I know where he lives. 1553 01:02:59,280 --> 01:02:59,960 Speaker 5: I think he would tell me. 1554 01:03:01,240 --> 01:03:02,360 Speaker 14: You do you do? 1555 01:03:02,800 --> 01:03:06,640 Speaker 5: Let me do a live reaction, and I'm never gonna 1556 01:03:06,640 --> 01:03:07,600 Speaker 5: tell you trust me? 1557 01:03:07,720 --> 01:03:08,280 Speaker 4: Really? Yeah, I do? 1558 01:03:08,360 --> 01:03:10,960 Speaker 5: Okay, Ray play a little hold music? 1559 01:03:14,280 --> 01:03:23,520 Speaker 4: Thank you. Yeah, It's it's gonna be big, guys. It's 1560 01:03:23,560 --> 01:03:26,400 Speaker 4: gonna be big, and I'm trying to hold back. It's 1561 01:03:26,400 --> 01:03:29,320 Speaker 4: gonna be big. And that's all I'm gonna say because 1562 01:03:29,400 --> 01:03:31,600 Speaker 4: this face here is that of a trustworthy person. But 1563 01:03:31,760 --> 01:03:34,680 Speaker 4: it is going to be big for multiple people. Some 1564 01:03:34,720 --> 01:03:36,480 Speaker 4: people are calling the new We Are the World oh my, 1565 01:03:38,400 --> 01:03:39,920 Speaker 4: But me, I'm that person who. 1566 01:03:39,800 --> 01:03:41,720 Speaker 15: Calls it, like, how great is that moment with Ray 1567 01:03:41,840 --> 01:03:44,080 Speaker 15: Childs singing his solo moment in that way of the 1568 01:03:44,120 --> 01:03:44,920 Speaker 15: World things. 1569 01:03:45,280 --> 01:03:47,800 Speaker 4: There were so many great moments to me, even seeing 1570 01:03:47,840 --> 01:03:54,320 Speaker 4: the humanity in Bob Dylan, where yeah, Bob Dylan struggling, 1571 01:03:54,360 --> 01:03:56,040 Speaker 4: he doesn't know how to because he's not a he's 1572 01:03:56,080 --> 01:03:59,280 Speaker 4: not a sing on a traditional vocalist. And then when 1573 01:03:59,360 --> 01:04:01,720 Speaker 4: Stevie Won under goes Hey, come to the piano, makes 1574 01:04:01,720 --> 01:04:03,600 Speaker 4: everybody leave the room. Bob deyla one of the greatest 1575 01:04:03,720 --> 01:04:08,000 Speaker 4: of all time, like songwriters like and he's mimicking Bob Dylan, 1576 01:04:08,080 --> 01:04:09,760 Speaker 4: So Bob Dylan can here how I'm supposed to sing it? 1577 01:04:09,880 --> 01:04:11,440 Speaker 8: Yeah, we are the world. 1578 01:04:13,880 --> 01:04:20,080 Speaker 15: Making leves and you can tell Bob's like that was terrible, 1579 01:04:20,120 --> 01:04:21,240 Speaker 15: and they're like it was amazing. 1580 01:04:22,040 --> 01:04:24,600 Speaker 4: Yeah. The humanity in that show of people that we 1581 01:04:24,640 --> 01:04:27,520 Speaker 4: don't feel are human because they're so famous was super cool. 1582 01:04:27,680 --> 01:04:27,880 Speaker 14: Yeah. 1583 01:04:27,920 --> 01:04:29,200 Speaker 4: I felt bad for Sheila. 1584 01:04:30,240 --> 01:04:31,720 Speaker 8: I don't remember Prince. 1585 01:04:32,000 --> 01:04:34,040 Speaker 4: They just gave her a verse because they wanted Prince 1586 01:04:34,080 --> 01:04:36,560 Speaker 4: to car I didn't know that, and then he didn't 1587 01:04:36,560 --> 01:04:38,160 Speaker 4: show up, and so she was just like, I'm out. 1588 01:04:39,160 --> 01:04:41,760 Speaker 12: Oh, sometimes do you multitask when you watch shows? 1589 01:04:42,080 --> 01:04:42,600 Speaker 4: Because I do. 1590 01:04:43,800 --> 01:04:45,960 Speaker 12: I do, and I miss things like here and there. 1591 01:04:46,200 --> 01:04:48,000 Speaker 8: Yeah, but it's actually is a quick part, you know 1592 01:04:48,080 --> 01:04:48,360 Speaker 8: what it is. 1593 01:04:48,520 --> 01:04:52,000 Speaker 15: I didn't see that there was another, uh one that's 1594 01:04:52,080 --> 01:04:54,840 Speaker 15: like three hours long. On the making of that song, 1595 01:04:55,360 --> 01:04:58,520 Speaker 15: they use all the same footage but then additional footage. 1596 01:04:58,560 --> 01:04:59,600 Speaker 8: It goes for three hours. 1597 01:04:59,640 --> 01:05:02,640 Speaker 15: This thing that sounds better I downloaded that, you know, 1598 01:05:02,720 --> 01:05:05,440 Speaker 15: had those multiple cameras in the studio, sometimes it's just 1599 01:05:05,640 --> 01:05:08,360 Speaker 15: the other camera's point of view, Like it's kind of crazy. 1600 01:05:08,400 --> 01:05:09,840 Speaker 15: Do you ever watch like the eight hour Tom Petty 1601 01:05:09,880 --> 01:05:12,480 Speaker 15: documentary Run is it Running Down and Draw? 1602 01:05:13,280 --> 01:05:15,680 Speaker 4: That's it? Yeah, and it's so long, but it's so good. 1603 01:05:15,720 --> 01:05:17,200 Speaker 4: It's so yeah, it's so good. 1604 01:05:17,280 --> 01:05:17,480 Speaker 8: Yeah. 1605 01:05:17,560 --> 01:05:20,439 Speaker 4: That and the Eagles whenever they have their documentary that's 1606 01:05:20,640 --> 01:05:22,480 Speaker 4: like hours and hours. You ever watched that one where 1607 01:05:22,520 --> 01:05:25,120 Speaker 4: they announced their health freeze is over? Like? Yes, that 1608 01:05:25,200 --> 01:05:26,000 Speaker 4: one's really cool too. 1609 01:05:26,120 --> 01:05:27,680 Speaker 8: Yes, documentaries. 1610 01:05:28,280 --> 01:05:29,240 Speaker 4: Is the Keith Urban documentary? 1611 01:05:29,280 --> 01:05:29,880 Speaker 8: I'm working on it? 1612 01:05:29,960 --> 01:05:32,560 Speaker 4: Are you really? Yeah? That's awesome. How far back does 1613 01:05:32,600 --> 01:05:32,760 Speaker 4: it go? 1614 01:05:33,480 --> 01:05:36,160 Speaker 8: I don't know yet, which literally just preliminary. 1615 01:05:36,440 --> 01:05:37,840 Speaker 4: Do you have a lot of footage of you as 1616 01:05:37,840 --> 01:05:38,680 Speaker 4: a child playing? 1617 01:05:38,760 --> 01:05:41,440 Speaker 8: Not as much as I wish I did. Yeah, it's Obama. 1618 01:05:41,600 --> 01:05:42,240 Speaker 8: That's really cool. 1619 01:05:42,400 --> 01:05:45,560 Speaker 4: Well, I'm not gonna mention anything about it about his 1620 01:05:46,200 --> 01:05:50,680 Speaker 4: duet and I'm not mentioning anything. There we go. That's 1621 01:05:50,720 --> 01:05:53,560 Speaker 4: it's gonna be awesome. Have you ever asked Keith about 1622 01:05:53,560 --> 01:05:57,520 Speaker 4: the kangaroo? Okay, that seems eating a kangaroo? There you go. Okay, 1623 01:05:57,520 --> 01:05:58,200 Speaker 4: here's the question. 1624 01:05:58,480 --> 01:06:01,400 Speaker 8: I wouldn't recommend it if the if they just. 1625 01:06:01,440 --> 01:06:04,000 Speaker 4: Picked a generic kangaroo from any any kangaroo in the wild, 1626 01:06:04,040 --> 01:06:05,840 Speaker 4: it could be a baby or an old or small 1627 01:06:06,120 --> 01:06:08,560 Speaker 4: generic kangaroo. I think if you put me up against 1628 01:06:08,560 --> 01:06:11,520 Speaker 4: a generic kangaroo, I could whoop. I could whoop its 1629 01:06:11,600 --> 01:06:13,840 Speaker 4: button a fight, not the big muscle ones they put 1630 01:06:13,880 --> 01:06:16,240 Speaker 4: on the It could, but it also could be one 1631 01:06:16,280 --> 01:06:19,120 Speaker 4: that's had been in an accident. So I think a 1632 01:06:19,240 --> 01:06:23,120 Speaker 4: generic kangaroo, one on one kangaroo, I would beat it up. 1633 01:06:24,120 --> 01:06:28,600 Speaker 4: You want film muscle though, it doesn't it dang, dude, 1634 01:06:28,920 --> 01:06:29,600 Speaker 4: Now tell me again. 1635 01:06:29,680 --> 01:06:30,880 Speaker 8: You've been hanging out with caratop. 1636 01:06:31,440 --> 01:06:34,240 Speaker 4: Oh he's massive, insane, he's massive. 1637 01:06:34,440 --> 01:06:36,120 Speaker 8: Okay, he could kick a kangaroos ass. 1638 01:06:36,000 --> 01:06:38,400 Speaker 4: No, no, no, I could see. I knew he'd make 1639 01:06:38,400 --> 01:06:40,360 Speaker 4: it a joke. He doesn't respect my art. 1640 01:06:41,240 --> 01:06:43,400 Speaker 8: It's more respecting the kangaroo's art. 1641 01:06:43,840 --> 01:06:46,040 Speaker 4: Okay. Anyway, they're pretty bad as His name's Keith Thurban. 1642 01:06:46,120 --> 01:06:48,600 Speaker 5: He's got some fine his hey, hey, his duet coming out. 1643 01:06:48,600 --> 01:06:49,000 Speaker 4: It's fine. 1644 01:06:50,800 --> 01:06:53,680 Speaker 8: Wait a minute, Oh, you're super buff. You would kick 1645 01:06:53,720 --> 01:06:54,680 Speaker 8: that can. You would kick. 1646 01:06:56,960 --> 01:06:58,760 Speaker 4: It's already won a Grammy. It's even how it works. 1647 01:06:58,960 --> 01:07:02,080 Speaker 8: It works now a right, yeah, keep slowly, a bit slow. 1648 01:07:02,160 --> 01:07:04,080 Speaker 4: You're my friend. Thank you, love you all right, bye bye. 1649 01:07:05,400 --> 01:07:09,080 Speaker 1: It's the Best Bits of the Week with Morgan number two. 1650 01:07:10,120 --> 01:07:12,120 Speaker 3: All right, y'all, that's it for me this weekend. I'm 1651 01:07:12,120 --> 01:07:15,040 Speaker 3: wrapping everything up. Be sure check out part one, Part 1652 01:07:15,080 --> 01:07:17,640 Speaker 3: three this weekend with Amy. I promise you'll like it. 1653 01:07:18,320 --> 01:07:20,040 Speaker 3: You've never given it a chance before. I hope you 1654 01:07:20,120 --> 01:07:22,360 Speaker 3: do this weekend. Or maybe you're annoyed of me saying 1655 01:07:22,360 --> 01:07:24,000 Speaker 3: that enough that you'll just go do it. I don't 1656 01:07:24,040 --> 01:07:26,280 Speaker 3: know either one works. But if you don't want to 1657 01:07:26,320 --> 01:07:28,320 Speaker 3: do that, I suppose that's okay. You can come hang 1658 01:07:28,360 --> 01:07:30,520 Speaker 3: out with me on social media at web Girl Morgan. 1659 01:07:30,600 --> 01:07:33,360 Speaker 3: You can follow the show at Bobby Bone Show. Whatever 1660 01:07:33,440 --> 01:07:35,800 Speaker 3: you do next, I still hope you have a fabulous, 1661 01:07:36,200 --> 01:07:37,680 Speaker 3: amazing and safe weekend. 1662 01:07:37,800 --> 01:07:38,400 Speaker 2: Bye everybody. 1663 01:07:39,120 --> 01:07:40,040 Speaker 9: That's the Best. 1664 01:07:39,840 --> 01:07:42,640 Speaker 1: Bits of the Week with Morgan. Thanks for listening. Be 1665 01:07:42,760 --> 01:07:44,960 Speaker 1: sure to check out the other two parts this weekend. 1666 01:07:45,080 --> 01:07:47,919 Speaker 1: Go follow the show on all social platforms. 1667 01:07:48,360 --> 01:07:50,040 Speaker 4: And followed web Girl Morgan 1668 01:07:50,280 --> 01:07:52,680 Speaker 1: To submit your listener questions for next week's episode.