1 00:00:01,000 --> 00:00:03,600 Speaker 1: You can watch the original episode we'll be discussing in 2 00:00:03,720 --> 00:00:07,440 Speaker 1: every other episode of HBO's Curby Your Enthusiasm, including the 3 00:00:07,520 --> 00:00:10,600 Speaker 1: new and final season, on Max. You can also watch 4 00:00:10,640 --> 00:00:14,200 Speaker 1: the video version of the History of Curby Enthusiasm podcast 5 00:00:14,280 --> 00:00:16,000 Speaker 1: on Max and YouTube, as well. 6 00:00:16,320 --> 00:00:18,400 Speaker 2: Links available in the episode description. 7 00:00:26,640 --> 00:00:29,159 Speaker 1: So here we are in season three, episode five, the 8 00:00:29,360 --> 00:00:30,240 Speaker 1: terrorist attack. 9 00:00:30,800 --> 00:00:33,320 Speaker 2: You are, Jeff Garland, That I am? Who am I? 10 00:00:34,479 --> 00:00:34,920 Speaker 2: That's right? 11 00:00:35,240 --> 00:00:37,839 Speaker 1: And we start out and Larry and Cheryl are at 12 00:00:37,840 --> 00:00:42,240 Speaker 1: the Maitre d stand of a restaurant and browdy for four, 13 00:00:42,520 --> 00:00:45,200 Speaker 1: so we know that they're meeting another couple. And as 14 00:00:45,200 --> 00:00:47,800 Speaker 1: they're on their way to the table, they run into 15 00:00:47,880 --> 00:00:52,760 Speaker 1: the risers Mindy and Paul, and Larry starts telling him 16 00:00:52,760 --> 00:00:54,440 Speaker 1: he's investing in a restaurant. 17 00:00:54,240 --> 00:00:56,640 Speaker 3: And that's not really his wife. 18 00:00:56,360 --> 00:00:57,720 Speaker 2: No, that is really Paul. 19 00:00:58,040 --> 00:01:00,440 Speaker 3: Yeah, but you know what his wife's name is, Paula. 20 00:01:00,680 --> 00:01:04,640 Speaker 4: Yes, she is a doll and gorgeous and I love 21 00:01:04,680 --> 00:01:07,240 Speaker 4: her and by the way I met her, I was 22 00:01:07,240 --> 00:01:08,279 Speaker 4: on the last three seasons. 23 00:01:08,319 --> 00:01:09,000 Speaker 3: I'm mad about you. 24 00:01:09,080 --> 00:01:09,880 Speaker 2: Ah, that's true. 25 00:01:09,959 --> 00:01:13,280 Speaker 1: Yeah, And Larry's talking to Paul. He's messing in a restaurant, 26 00:01:13,280 --> 00:01:15,600 Speaker 1: blah blah, blah, and then they leave and Cheryl says, 27 00:01:15,600 --> 00:01:17,560 Speaker 1: you know you're rude. You didn't say one word to Mindy. 28 00:01:17,600 --> 00:01:20,760 Speaker 1: You didn't even look in her direction. I said, hello, No, no, 29 00:01:20,800 --> 00:01:23,600 Speaker 1: you didn't. And Larry's like, I smelled her perfume. Most 30 00:01:23,560 --> 00:01:26,720 Speaker 1: of you old's a perfume shop we establish And Larry says, 31 00:01:26,760 --> 00:01:27,760 Speaker 1: you can't leave your house. 32 00:01:28,000 --> 00:01:29,399 Speaker 4: By the way, I want to say when I was 33 00:01:29,440 --> 00:01:33,160 Speaker 4: I'm mad about you the last season, I said to 34 00:01:33,280 --> 00:01:37,520 Speaker 4: Paul that I just shot something with Larry this hour 35 00:01:38,400 --> 00:01:42,840 Speaker 4: and Paul was not dismissive, but he was curious. But 36 00:01:43,160 --> 00:01:45,800 Speaker 4: he didn't think anything of it. Oh yeah, he goes, 37 00:01:45,840 --> 00:01:47,680 Speaker 4: I'm trying to do I do Larry as Paul. But 38 00:01:47,760 --> 00:01:50,560 Speaker 4: Paul's like, what is it. I go, well, it's this 39 00:01:50,680 --> 00:01:54,160 Speaker 4: improv thing with Larry doing a special Okay, yeah, that 40 00:01:54,240 --> 00:01:57,400 Speaker 4: sounds real. No, but I'm saying, he's one of the 41 00:01:57,400 --> 00:02:01,480 Speaker 4: few people I told about it and somebody that I respected, 42 00:02:01,560 --> 00:02:04,040 Speaker 4: so you know, but Paul's not a guy to dismiss 43 00:02:04,080 --> 00:02:07,000 Speaker 4: you or not take something now because he's a kind man. 44 00:02:07,120 --> 00:02:09,680 Speaker 1: Well, he was just listening to you, like you accuse 45 00:02:09,760 --> 00:02:11,639 Speaker 1: me of all the time, not responding in the way 46 00:02:11,639 --> 00:02:12,160 Speaker 1: that you want. 47 00:02:12,440 --> 00:02:14,560 Speaker 2: Paul didn't respond in the way you want it. 48 00:02:14,639 --> 00:02:16,200 Speaker 3: No, we did. I was okay with it. 49 00:02:16,240 --> 00:02:16,880 Speaker 2: Oh you were okay? 50 00:02:17,080 --> 00:02:20,400 Speaker 4: Yeah, because he had curiosity, but he wasn't effusive. But 51 00:02:20,639 --> 00:02:23,360 Speaker 4: all I would ask is curiosity. If you're a human 52 00:02:23,400 --> 00:02:26,840 Speaker 4: being and you don't have a curiosity about people or things, 53 00:02:27,200 --> 00:02:30,200 Speaker 4: stay the fuck away from me, because that's you know, 54 00:02:30,280 --> 00:02:32,680 Speaker 4: you go on dates and if the other person male 55 00:02:32,840 --> 00:02:33,800 Speaker 4: or female. 56 00:02:33,400 --> 00:02:36,040 Speaker 2: Well that's always right. You don't ask any questions. To 57 00:02:36,040 --> 00:02:36,640 Speaker 2: forget about it. 58 00:02:36,639 --> 00:02:39,639 Speaker 4: But it's easily the thing that shows there's a lack 59 00:02:39,680 --> 00:02:42,320 Speaker 4: of chemistry or a problem with one of the people 60 00:02:42,560 --> 00:02:46,040 Speaker 4: when one of the people does not have inherent curiosity. 61 00:02:46,080 --> 00:02:47,280 Speaker 2: Well it's an attractive trait. 62 00:02:47,440 --> 00:02:50,160 Speaker 3: Well, then I might be very attractive to all the 63 00:02:50,200 --> 00:02:50,720 Speaker 3: young people. 64 00:02:50,919 --> 00:02:51,639 Speaker 2: Are sure you are? 65 00:02:51,800 --> 00:02:52,200 Speaker 3: Okay? 66 00:02:52,480 --> 00:02:54,960 Speaker 1: So then the risers get up to leave, and Paul 67 00:02:55,040 --> 00:02:57,080 Speaker 1: waves and Mindy clearly doesn't. 68 00:02:57,280 --> 00:02:59,840 Speaker 2: Then Cheryl says, it's pointed that she doesn't. I mean 69 00:03:00,240 --> 00:03:02,080 Speaker 2: she doesn't. It's not like she just doesn't. 70 00:03:02,080 --> 00:03:03,040 Speaker 3: By the way, asked me if. 71 00:03:02,880 --> 00:03:06,040 Speaker 4: I've done this because you're oblivious I've done this to something. 72 00:03:06,120 --> 00:03:08,840 Speaker 2: Yes, but she was not. Ah, say hello to one 73 00:03:08,880 --> 00:03:09,440 Speaker 2: and not the other. 74 00:03:09,600 --> 00:03:11,160 Speaker 3: Yeah, yeah, I was oblivious. 75 00:03:11,440 --> 00:03:15,760 Speaker 1: The Browdies have not come yet, and Cheryl says to Larry, 76 00:03:16,160 --> 00:03:18,840 Speaker 1: don't pick up the check. And we find out that 77 00:03:19,040 --> 00:03:23,040 Speaker 1: Stu Browdie runs to the bathroom every time the check 78 00:03:23,040 --> 00:03:25,960 Speaker 1: comes yep. And then the Browdie show up, which is 79 00:03:25,960 --> 00:03:29,200 Speaker 1: Susan and Stue Browdie, which is played by Amy Akeino. 80 00:03:29,720 --> 00:03:32,600 Speaker 2: And he wrote his name, Yes I did. 81 00:03:32,680 --> 00:03:33,480 Speaker 3: Oh he's great. 82 00:03:33,320 --> 00:03:37,160 Speaker 4: Yet don Stark on that seventy show if I'm not 83 00:03:37,520 --> 00:03:42,680 Speaker 4: thinking when we did this episode. By the way, she's 84 00:03:42,720 --> 00:03:45,400 Speaker 4: a dear friend. I love her and I'm not about 85 00:03:45,400 --> 00:03:48,760 Speaker 4: to bad mouth her. I'm about to say that she 86 00:03:48,960 --> 00:03:52,560 Speaker 4: didn't quite understand what we were doing, and she got 87 00:03:52,720 --> 00:03:56,400 Speaker 4: very paranoid when she heard us talking about her or 88 00:03:56,440 --> 00:03:58,480 Speaker 4: the scene, like what are you talking about? 89 00:03:58,720 --> 00:04:01,120 Speaker 2: Oh you mean you mean between takes in. 90 00:04:01,120 --> 00:04:03,960 Speaker 4: Between Texas especially, And then the only other person who 91 00:04:04,040 --> 00:04:07,040 Speaker 4: did that, who you think wouldn't do that is when 92 00:04:07,040 --> 00:04:09,320 Speaker 4: he was on the show for quite a while, Shelley Berman. 93 00:04:09,480 --> 00:04:10,760 Speaker 2: Well, it was a little paranoid. 94 00:04:10,840 --> 00:04:13,480 Speaker 3: No, no, I know, but I remember Larry. 95 00:04:13,400 --> 00:04:15,440 Speaker 2: Kelly Burman who played Larry's father, Larry. 96 00:04:15,200 --> 00:04:17,719 Speaker 4: Clary's father, but he let it get to him. And 97 00:04:17,720 --> 00:04:21,320 Speaker 4: there's nothing to get, you know. But Amy also did 98 00:04:21,360 --> 00:04:24,080 Speaker 4: this and by the way, she snapped at me and 99 00:04:24,160 --> 00:04:27,120 Speaker 4: we weren't tight like we are now, but she snapped 100 00:04:27,120 --> 00:04:30,520 Speaker 4: at me and it fucking hurt and I was like, 101 00:04:30,560 --> 00:04:32,600 Speaker 4: oh boy, yeah, So there you go. 102 00:04:32,920 --> 00:04:35,279 Speaker 1: So they show up there late, there was the valet 103 00:04:35,400 --> 00:04:37,840 Speaker 1: and he had to park, and we find out that 104 00:04:37,880 --> 00:04:38,920 Speaker 1: there is an NRDC. 105 00:04:39,040 --> 00:04:41,440 Speaker 4: By the way, I make clear that she was wonderful 106 00:04:41,480 --> 00:04:43,599 Speaker 4: in the episode and easy to work with. That that 107 00:04:43,720 --> 00:04:47,600 Speaker 4: was the only thing. All right, look, I love her. 108 00:04:47,800 --> 00:04:49,880 Speaker 4: She's gonna say, why'd you say that about me? And 109 00:04:49,920 --> 00:04:51,640 Speaker 4: you know what I would say, Oh, you're listening to 110 00:04:51,680 --> 00:04:52,080 Speaker 4: the show. 111 00:04:52,320 --> 00:04:53,599 Speaker 2: There you go, Okay, go ahead. 112 00:04:53,640 --> 00:04:56,320 Speaker 1: So we find out that there's an NRDC benefit at 113 00:04:56,360 --> 00:04:59,839 Speaker 1: the Browdie's house and that the Risers are not invited 114 00:05:00,000 --> 00:05:02,880 Speaker 1: because there's some the bad blood between the Risers and 115 00:05:02,920 --> 00:05:07,120 Speaker 1: the Browdies, and that Alanis Morissett is performing in their 116 00:05:07,160 --> 00:05:09,120 Speaker 1: living room. Is going to perform the song You Ought 117 00:05:09,160 --> 00:05:12,080 Speaker 1: to Know, and they start discussing who it's about, because 118 00:05:12,080 --> 00:05:15,760 Speaker 1: nobody knows who is the way huge secret and Lara says, 119 00:05:16,040 --> 00:05:16,719 Speaker 1: she'll tell me. 120 00:05:16,880 --> 00:05:18,200 Speaker 2: Everybody tells me everything. 121 00:05:18,279 --> 00:05:20,239 Speaker 3: Do you know who it was? Written for I don't 122 00:05:20,400 --> 00:05:22,440 Speaker 3: You're So Vain would be a secret song? 123 00:05:22,720 --> 00:05:23,160 Speaker 2: Correct. 124 00:05:23,279 --> 00:05:26,600 Speaker 4: Carly Simon does not like to travel, so she fell 125 00:05:26,640 --> 00:05:27,840 Speaker 4: out a few weeks before. 126 00:05:28,200 --> 00:05:30,640 Speaker 2: I had been Oh Carly Simon was supposed to do? 127 00:05:30,960 --> 00:05:32,159 Speaker 2: Was written? I think? 128 00:05:32,240 --> 00:05:32,840 Speaker 3: So who else? 129 00:05:32,880 --> 00:05:34,440 Speaker 2: I thought you were talking about? You want to Know? 130 00:05:34,560 --> 00:05:34,960 Speaker 2: Was written? 131 00:05:35,000 --> 00:05:38,039 Speaker 3: No? No, no, No, You're so vain is a song 132 00:05:38,080 --> 00:05:39,240 Speaker 3: about who? Is it about? 133 00:05:39,400 --> 00:05:39,719 Speaker 2: Yes? 134 00:05:39,760 --> 00:05:42,360 Speaker 1: And you know there are people who say that a 135 00:05:42,400 --> 00:05:45,480 Speaker 1: portion of that song is about our dear friend and 136 00:05:45,720 --> 00:05:47,640 Speaker 1: one of our directors, David Steinberg. 137 00:05:48,120 --> 00:05:51,320 Speaker 2: Really yes, David Steinberg has told me that. 138 00:05:51,320 --> 00:05:53,359 Speaker 3: Oh interesting, who knows? 139 00:05:53,760 --> 00:05:58,240 Speaker 4: Also Nick Jackers she sings background in the song Warren Beatty, 140 00:05:59,520 --> 00:06:01,800 Speaker 4: they could all and Dave Cooier is the one that 141 00:06:01,839 --> 00:06:03,839 Speaker 4: I heard about. Alanis Moore set I've never heard. 142 00:06:03,680 --> 00:06:05,760 Speaker 2: Of that, really okay, and it's Canada. 143 00:06:05,839 --> 00:06:06,760 Speaker 3: They're both Canadians. 144 00:06:06,920 --> 00:06:10,240 Speaker 4: But I was hanging out a lot with Morana's then, 145 00:06:10,440 --> 00:06:16,320 Speaker 4: I mean Alanis Morris set Rick Morana, not on my own, 146 00:06:16,839 --> 00:06:19,400 Speaker 4: but she was hanging out with a lot of improvisers 147 00:06:19,400 --> 00:06:22,320 Speaker 4: from Chicago. She'd have parties with us at her house 148 00:06:22,839 --> 00:06:25,080 Speaker 4: and it was all like comedic people. So I've been 149 00:06:25,120 --> 00:06:27,520 Speaker 4: spending time with her. She was lovely and I remember 150 00:06:27,839 --> 00:06:30,360 Speaker 4: when Carly fell out. I said, I've got the person. 151 00:06:30,960 --> 00:06:32,680 Speaker 2: And Larry said, who's that? 152 00:06:32,880 --> 00:06:33,000 Speaker 4: No? 153 00:06:33,279 --> 00:06:36,240 Speaker 3: Is she popular? People like her? Like he didn't even know. 154 00:06:37,600 --> 00:06:40,360 Speaker 1: Yeah, yeah, So but Larry says, she'll tell him because 155 00:06:40,400 --> 00:06:41,320 Speaker 1: everybody tells him. 156 00:06:41,880 --> 00:06:44,080 Speaker 2: And then Stu leaves to go to the as he says, 157 00:06:44,120 --> 00:06:44,880 Speaker 2: go to the little. 158 00:06:44,760 --> 00:06:48,200 Speaker 1: Fat Boys room, and he leaves and the check is 159 00:06:48,240 --> 00:06:51,000 Speaker 1: put down, and you see Larry's face like, here we 160 00:06:51,040 --> 00:06:51,520 Speaker 1: go again. 161 00:06:51,640 --> 00:06:53,839 Speaker 2: He went to the And by the way. 162 00:06:53,800 --> 00:06:58,680 Speaker 4: The moment with Amy Cheryl and Larry is so completely 163 00:06:58,920 --> 00:07:02,800 Speaker 4: awkward because she's not saying he'll be here in a minute, 164 00:07:02,960 --> 00:07:04,800 Speaker 4: she's literally, you know, she's in. 165 00:07:04,720 --> 00:07:05,280 Speaker 3: On your skill. 166 00:07:05,320 --> 00:07:08,000 Speaker 1: So, by the way, she's got a credit card she 167 00:07:08,040 --> 00:07:09,960 Speaker 1: could put down and she doesn't. And of course this 168 00:07:10,000 --> 00:07:12,480 Speaker 1: comes up in a later episode with the Browdies Yes 169 00:07:12,640 --> 00:07:15,400 Speaker 1: later on in the season, and Larry takes out his 170 00:07:15,680 --> 00:07:19,160 Speaker 1: credit card and then they are back home and Cheryl's. 171 00:07:18,760 --> 00:07:20,480 Speaker 2: Like, I said, don't pick up the check. 172 00:07:20,480 --> 00:07:23,320 Speaker 1: And Larry's it's the last time, you know, And then 173 00:07:23,480 --> 00:07:25,400 Speaker 1: Larry's like, what am I going to do about Mindy Reiser. 174 00:07:25,400 --> 00:07:29,000 Speaker 1: It's weighing on him that he snubbed Mindy Reiser, and 175 00:07:29,120 --> 00:07:31,480 Speaker 1: she thinks I'm the world's biggest schmuck. And then the 176 00:07:31,520 --> 00:07:35,480 Speaker 1: doorbell rings and it's Wanda, and Wanda's got to talk 177 00:07:35,480 --> 00:07:35,960 Speaker 1: to Cheryl. 178 00:07:36,200 --> 00:07:37,760 Speaker 2: Wanda comes in, I've got news. 179 00:07:38,120 --> 00:07:41,120 Speaker 1: My brother's best friend works for the CIA, and it's 180 00:07:41,160 --> 00:07:44,280 Speaker 1: the highest source possible. There's going to be a terrorist 181 00:07:44,320 --> 00:07:48,960 Speaker 1: attack in Los Angeles this weekend. Ninety percent sure they're 182 00:07:48,960 --> 00:07:51,440 Speaker 1: not telling the general public because they don't want panic. 183 00:07:51,640 --> 00:07:54,840 Speaker 4: But also, the thing about Wanda on our show, which 184 00:07:54,880 --> 00:07:59,400 Speaker 4: is similar to your character, is she has quite the subtlety, 185 00:08:00,120 --> 00:08:03,880 Speaker 4: a wonderful actress, wonderful a minute, but she only says 186 00:08:03,920 --> 00:08:07,760 Speaker 4: her pointed remarks when she's pushed because on other things 187 00:08:07,760 --> 00:08:11,200 Speaker 4: I've seen her, they always want that. I know on 188 00:08:11,320 --> 00:08:14,800 Speaker 4: our show, yes, I would imagine that too. And on 189 00:08:14,840 --> 00:08:18,880 Speaker 4: our show it's such a subtle performance with bing bang boom, right, 190 00:08:19,040 --> 00:08:21,480 Speaker 4: Like when she leaves on this scene, it's like bing 191 00:08:21,520 --> 00:08:25,040 Speaker 4: bang boom, you know. But even all through this episode, 192 00:08:25,200 --> 00:08:28,800 Speaker 4: she is so subtle and wonderful. 193 00:08:29,280 --> 00:08:33,079 Speaker 1: And Cheryl brings up that they have the NRDC benefit 194 00:08:33,120 --> 00:08:35,560 Speaker 1: this weekend. She can't leave, and Larry's like postpone the 195 00:08:35,559 --> 00:08:37,640 Speaker 1: benefit and let's get out of here, and Wanda says, 196 00:08:37,760 --> 00:08:39,480 Speaker 1: Larry's right. I didn't think I was ever going to 197 00:08:39,520 --> 00:08:44,200 Speaker 1: say Larry's right. Yeah, she's gone to Vegas. Now, this 198 00:08:44,240 --> 00:08:46,520 Speaker 1: did happen to me. Somebody told me on a top 199 00:08:46,559 --> 00:08:48,719 Speaker 1: secret the blah blah that there was going to be 200 00:08:48,760 --> 00:08:51,880 Speaker 1: a terrorist attack. It's a thing that actually really happened. 201 00:08:51,920 --> 00:08:54,800 Speaker 1: And I assume it happened before this, because otherwise I 202 00:08:54,800 --> 00:08:57,440 Speaker 1: would have just known the episode, you know, But that 203 00:08:57,600 --> 00:08:59,280 Speaker 1: was a thing that This was two thousand and three. 204 00:08:59,679 --> 00:09:02,200 Speaker 1: It was two years after nine to eleven, and people 205 00:09:02,240 --> 00:09:05,760 Speaker 1: were still very much on edge at that time about terrorism. 206 00:09:05,800 --> 00:09:08,200 Speaker 1: I mean, you know, all of a sudden, it was 207 00:09:08,240 --> 00:09:11,240 Speaker 1: a whole new world security at the airport, all that stuff. 208 00:09:11,280 --> 00:09:13,400 Speaker 1: And I remember somebody telling me and don't tell anybody. 209 00:09:13,480 --> 00:09:14,840 Speaker 1: Of course I told everybody, how A, you're not going 210 00:09:14,920 --> 00:09:17,240 Speaker 1: to tell people. I know you're gonna say stay here 211 00:09:17,280 --> 00:09:19,280 Speaker 1: and I'm gonna save myself, right whatever. 212 00:09:19,679 --> 00:09:21,800 Speaker 4: So by the way she walks out, that's when she 213 00:09:21,840 --> 00:09:24,160 Speaker 4: has pointed remarks towards Cheryl Haling, and. 214 00:09:24,120 --> 00:09:26,839 Speaker 5: What does she say, Look, I did my part, You're 215 00:09:26,880 --> 00:09:29,120 Speaker 5: my friend. I had to tell you, thank you. I'm 216 00:09:29,200 --> 00:09:31,959 Speaker 5: on Vegas Okay, okay, you're all. 217 00:09:31,760 --> 00:09:32,360 Speaker 2: Out your mind. 218 00:09:32,400 --> 00:09:34,679 Speaker 5: I'm sitting here trying to help people talking about a 219 00:09:34,760 --> 00:09:35,600 Speaker 5: Dale benefit. 220 00:09:36,520 --> 00:09:38,199 Speaker 6: Well, coll me when you get back into town. 221 00:09:38,640 --> 00:09:39,480 Speaker 2: Hopefully you'll be. 222 00:09:39,520 --> 00:09:42,839 Speaker 3: Here, because she was mad at them for staying. 223 00:09:42,800 --> 00:09:57,880 Speaker 2: Right right, we'll be right back. Stay tuned, and we're back. 224 00:09:58,559 --> 00:10:00,280 Speaker 1: And then we come to a scene that's been very 225 00:10:00,280 --> 00:10:02,720 Speaker 1: interesting between Larry and Cheryl. 226 00:10:02,559 --> 00:10:04,080 Speaker 4: And I was there, so I want to tell you 227 00:10:04,120 --> 00:10:06,200 Speaker 4: about the background of which is interesting too. 228 00:10:06,800 --> 00:10:09,199 Speaker 1: So we'll just do the scene and then we'll discuss that. 229 00:10:09,240 --> 00:10:11,360 Speaker 1: So Cheryl doesn't want to leave. It's her benefit. She 230 00:10:11,400 --> 00:10:14,320 Speaker 1: can't leave, and then Larry brings up maybe he'll leave. 231 00:10:14,840 --> 00:10:17,400 Speaker 1: Why should both of them be dead? Maybe he'll go 232 00:10:17,440 --> 00:10:21,720 Speaker 1: to Pebble Beach and play golf, and Cheryl's like saying 233 00:10:21,760 --> 00:10:22,640 Speaker 1: it'd be fine. 234 00:10:22,400 --> 00:10:28,720 Speaker 7: Going on without me. Wow, that would be very difficult person. Sure, 235 00:10:29,600 --> 00:10:34,000 Speaker 7: hopefully I could at some point get back some semblance. 236 00:10:33,520 --> 00:10:34,160 Speaker 3: Of a life. 237 00:10:34,880 --> 00:10:40,240 Speaker 6: Okay, if you feel good about one of us dying 238 00:10:40,720 --> 00:10:43,680 Speaker 6: and the other one surviving, and you can live with 239 00:10:43,720 --> 00:10:46,199 Speaker 6: that for the rest of your life, then you should 240 00:10:46,200 --> 00:10:47,199 Speaker 6: go golf this weekend. 241 00:10:48,320 --> 00:10:51,400 Speaker 2: I'll think about it. So now tell about what happened 242 00:10:51,440 --> 00:10:51,840 Speaker 2: in that way. 243 00:10:51,880 --> 00:10:54,800 Speaker 4: Well, first off, that's one of the rare scenes. Why actually, 244 00:10:54,840 --> 00:10:59,120 Speaker 4: every scene understands Larry's See, Larry speaks to a lot 245 00:10:59,160 --> 00:11:03,320 Speaker 4: of people, Okay, in this scene, there is no doubt 246 00:11:03,360 --> 00:11:04,680 Speaker 4: he is completely correct. 247 00:11:05,000 --> 00:11:06,560 Speaker 2: Yeah, why should they both parents say you? 248 00:11:06,559 --> 00:11:09,240 Speaker 4: Well, that's her thing, you know, she says, and everything 249 00:11:09,280 --> 00:11:12,280 Speaker 4: he's suggesting is well within reason. Why don't I just 250 00:11:12,320 --> 00:11:14,920 Speaker 4: go play golf while La blows up or whatever? 251 00:11:15,080 --> 00:11:15,320 Speaker 3: You know. 252 00:11:15,840 --> 00:11:18,760 Speaker 4: And the fact that she wants to stay I don't 253 00:11:18,760 --> 00:11:20,400 Speaker 4: think it is out of character, but it shows her 254 00:11:20,480 --> 00:11:24,240 Speaker 4: passion for the NIDC and it bites her in the ass. 255 00:11:24,440 --> 00:11:26,920 Speaker 4: But there are two scenes I remember taking a long 256 00:11:27,000 --> 00:11:30,000 Speaker 4: time to shoot the Jason Alexander one where I said 257 00:11:30,040 --> 00:11:32,840 Speaker 4: the sun went down because Larry was laughing so hard, 258 00:11:33,160 --> 00:11:35,320 Speaker 4: and that went maybe it was two hours, and it 259 00:11:35,360 --> 00:11:37,720 Speaker 4: went three and a half hours, you know, to film 260 00:11:38,080 --> 00:11:38,720 Speaker 4: this scene. 261 00:11:39,640 --> 00:11:42,560 Speaker 3: They didn't figure it out till six seven takes. 262 00:11:42,920 --> 00:11:45,600 Speaker 1: Now, let me explain to people what happens when we're 263 00:11:45,600 --> 00:11:49,560 Speaker 1: improvising a scene. Sometimes we find the scene right away, 264 00:11:49,880 --> 00:11:52,600 Speaker 1: and sometimes it takes a while until we find the 265 00:11:52,640 --> 00:11:55,880 Speaker 1: scene when we're improvising it because it's not written down, 266 00:11:55,920 --> 00:11:58,760 Speaker 1: and some scenes take way longer than others for some reason, but. 267 00:11:58,960 --> 00:12:02,640 Speaker 4: Hold none in this league. I'm saying that Jason Alexander 268 00:12:03,040 --> 00:12:07,480 Speaker 4: the comedy was there, right, and that was a disruption 269 00:12:07,559 --> 00:12:08,600 Speaker 4: of Larry laughing first. 270 00:12:08,640 --> 00:12:10,280 Speaker 2: But this scene you're saying, it took them a long 271 00:12:10,320 --> 00:12:10,679 Speaker 2: time to. 272 00:12:10,640 --> 00:12:13,840 Speaker 4: Find, bro, we couldn't figure it out. I was very 273 00:12:13,880 --> 00:12:16,600 Speaker 4: frustrated watching it. I go, this is not funny, this 274 00:12:16,720 --> 00:12:21,000 Speaker 4: is not interesting. And I think they did like four 275 00:12:21,080 --> 00:12:23,760 Speaker 4: or five more times. So we're talking about eleven twelve takes, 276 00:12:24,280 --> 00:12:27,320 Speaker 4: and then Larry a lot a lot for us, And 277 00:12:27,360 --> 00:12:30,719 Speaker 4: on the twelfth take, Larry said what he used to 278 00:12:30,720 --> 00:12:32,560 Speaker 4: say all the time. He doesn't say it anymore. One 279 00:12:32,559 --> 00:12:35,840 Speaker 4: for fun, One for fun, and that loosens everybody up 280 00:12:36,000 --> 00:12:38,120 Speaker 4: more because it's just for fun. We've already got it 281 00:12:38,480 --> 00:12:41,440 Speaker 4: that twelfth take, One for fun. Most of what you 282 00:12:41,480 --> 00:12:44,640 Speaker 4: see on the screen that is from that specific take. 283 00:12:44,840 --> 00:12:45,120 Speaker 3: You know. 284 00:12:45,559 --> 00:12:50,080 Speaker 4: But that was such a long and painful way to 285 00:12:50,240 --> 00:12:52,520 Speaker 4: get there, and I got to be frank. I gave 286 00:12:52,640 --> 00:12:55,640 Speaker 4: up that the scene would work. But on One for 287 00:12:55,760 --> 00:12:58,800 Speaker 4: Fun it did. We stuck it and stuck in yep. 288 00:12:58,760 --> 00:13:02,800 Speaker 2: And you know, you never know, I mean that we work. 289 00:13:03,000 --> 00:13:05,520 Speaker 4: I wasn't like let's not do another one. You know, 290 00:13:05,640 --> 00:13:08,079 Speaker 4: I get bored after three takes as an actor, as 291 00:13:08,080 --> 00:13:11,080 Speaker 4: a producer, two three takes, we got it, and there's 292 00:13:11,120 --> 00:13:14,000 Speaker 4: always more. Yeah, by the way, and filmmaking in general, 293 00:13:14,040 --> 00:13:15,160 Speaker 4: television doesn't matter. 294 00:13:15,559 --> 00:13:17,320 Speaker 3: And photography, I'm a photographer. 295 00:13:17,960 --> 00:13:20,520 Speaker 4: The best shot is always the first take, first shot, 296 00:13:20,960 --> 00:13:23,440 Speaker 4: and I think after three takes it's I don't know. 297 00:13:24,280 --> 00:13:25,520 Speaker 3: Hold wait a second. 298 00:13:25,559 --> 00:13:26,800 Speaker 2: I know you're going to say about the doll. 299 00:13:27,080 --> 00:13:29,880 Speaker 4: No, but you said we were all in the scene 300 00:13:29,880 --> 00:13:33,280 Speaker 4: together and we all agreed that we're not going to 301 00:13:33,320 --> 00:13:34,320 Speaker 4: come up with anything new. 302 00:13:34,360 --> 00:13:35,040 Speaker 3: We've got there. 303 00:13:35,160 --> 00:13:38,240 Speaker 1: Sometimes yes, but sometimes the last take is the best 304 00:13:38,400 --> 00:13:40,720 Speaker 1: because we've been fooling finding you. 305 00:13:40,960 --> 00:13:43,240 Speaker 4: Take if everybody's loose and they don't give a shit, 306 00:13:43,600 --> 00:13:45,560 Speaker 4: and the director says, all right, we got it, let's 307 00:13:45,600 --> 00:13:48,920 Speaker 4: do one more gold always yeah, but I'm saying the 308 00:13:48,960 --> 00:13:50,880 Speaker 4: first take, maybe two done. 309 00:13:51,080 --> 00:13:51,880 Speaker 3: Yeah, that's all. 310 00:13:52,040 --> 00:13:54,400 Speaker 2: It's all, you know, every it depends on the scene. 311 00:13:54,720 --> 00:13:57,160 Speaker 4: Well, by the way, just so everybody knows, if there's 312 00:13:57,200 --> 00:14:01,160 Speaker 4: two people in a scene, especially Larry and myself or 313 00:14:01,240 --> 00:14:06,439 Speaker 4: Larry and Susie, we're done so quickly because you add 314 00:14:06,480 --> 00:14:10,120 Speaker 4: another person a little bit longer, and those dinner scenes 315 00:14:10,160 --> 00:14:11,559 Speaker 4: that everyone sees on our show. 316 00:14:12,240 --> 00:14:19,600 Speaker 3: They take forever, Forever, forever and so who's uh and. 317 00:14:19,600 --> 00:14:20,480 Speaker 2: We're eating fruit? 318 00:14:20,720 --> 00:14:21,520 Speaker 3: Yeah, so all right. 319 00:14:21,520 --> 00:14:25,200 Speaker 1: Then Larry's driving and he sees Palmetto, which is Mindy's 320 00:14:25,240 --> 00:14:27,680 Speaker 1: perfume store, and he's got to stop. 321 00:14:27,720 --> 00:14:28,520 Speaker 2: Mind it's the. 322 00:14:28,600 --> 00:14:32,920 Speaker 3: Third street between Losienna guys and is it because Palmetto 323 00:14:33,000 --> 00:14:36,040 Speaker 3: was also filmed it on third okay? 324 00:14:36,120 --> 00:14:39,120 Speaker 1: Yeah, And he goes into the store and Mindy immediately says, 325 00:14:39,120 --> 00:14:43,560 Speaker 1: Paul's not here. Mindy, who is played by Linda Linda Bates. 326 00:14:43,680 --> 00:14:44,720 Speaker 3: Yeah, and she's great. 327 00:14:44,880 --> 00:14:47,840 Speaker 1: Linda is amazing and Linda recently died and we're very 328 00:14:47,920 --> 00:14:49,040 Speaker 1: we miss her tremendously. 329 00:14:49,240 --> 00:14:49,440 Speaker 4: Yeah. 330 00:14:49,720 --> 00:14:51,120 Speaker 3: She's a great person. 331 00:14:50,880 --> 00:14:51,880 Speaker 2: Great, wonderful woman. 332 00:14:51,920 --> 00:14:54,400 Speaker 1: And she was married to Bob Whitey, who has directed 333 00:14:54,400 --> 00:14:55,280 Speaker 1: several episodes. 334 00:14:55,480 --> 00:14:56,880 Speaker 2: I don't know if he directed this one. I think 335 00:14:56,920 --> 00:14:58,600 Speaker 2: he did it, did direct this one. 336 00:14:58,800 --> 00:15:01,480 Speaker 1: And Mindy says, Paul not here, and Larry says, I 337 00:15:01,480 --> 00:15:03,560 Speaker 1: came to see you. There's something I have to tell you, 338 00:15:03,600 --> 00:15:05,440 Speaker 1: And like we know immediately he's going to tell her 339 00:15:05,440 --> 00:15:08,760 Speaker 1: about the terrorist attack to try to ingratiate himself with her. 340 00:15:09,080 --> 00:15:12,160 Speaker 4: By the way, having watched it, again. I didn't think that. 341 00:15:12,680 --> 00:15:15,200 Speaker 4: I thought that he was just going to say I'm sorry. 342 00:15:15,280 --> 00:15:17,480 Speaker 4: But as things progressed a little. 343 00:15:17,320 --> 00:15:20,480 Speaker 3: He switched gears and that he thought it was needed, yeah, 344 00:15:20,560 --> 00:15:22,560 Speaker 3: because she was very cold. She was very cold, so 345 00:15:22,600 --> 00:15:24,840 Speaker 3: he went to a tend. He told her this correct, 346 00:15:25,160 --> 00:15:27,800 Speaker 3: and then at first she didn't believe him, and then 347 00:15:28,080 --> 00:15:29,680 Speaker 3: she really believed. 348 00:15:29,280 --> 00:15:31,720 Speaker 1: Him, right, And he's like, your life is in danger. 349 00:15:31,760 --> 00:15:32,960 Speaker 1: You need to get out of here. She's like, I 350 00:15:33,000 --> 00:15:35,000 Speaker 1: got to call my sister and my mother. And then 351 00:15:35,000 --> 00:15:37,760 Speaker 1: she says, my mother's in Orange County and he tells 352 00:15:37,760 --> 00:15:40,320 Speaker 1: her you can't call, but he's in Orange County. Nothing's 353 00:15:40,320 --> 00:15:42,200 Speaker 1: going to happen. It's okay to tell her mother. And 354 00:15:42,200 --> 00:15:44,040 Speaker 1: they're going to go to the desert. And she says 355 00:15:44,040 --> 00:15:46,280 Speaker 1: where are you and Cheryl going? And Larry says, we 356 00:15:46,360 --> 00:15:48,720 Speaker 1: can't go, and then she brings up oh, because of 357 00:15:48,760 --> 00:15:51,920 Speaker 1: the browdie event that they were not invited to, right, 358 00:15:52,280 --> 00:15:55,080 Speaker 1: And then Larry says, well, Cheryl wanted to leave, but 359 00:15:55,240 --> 00:15:57,720 Speaker 1: I thought it was best that we stay for the ben. 360 00:15:58,120 --> 00:16:01,440 Speaker 4: He throws her under the bus, which was completely unnecessary. Again, 361 00:16:01,680 --> 00:16:05,720 Speaker 4: it's never enough, you know, Although that doesn't come back 362 00:16:05,760 --> 00:16:07,840 Speaker 4: to haunt him, but nonetheless. 363 00:16:07,280 --> 00:16:09,880 Speaker 1: And then Mindy says to him, why did you tell me? 364 00:16:10,400 --> 00:16:13,160 Speaker 1: And then he goes into a hold long and dance 365 00:16:13,240 --> 00:16:14,800 Speaker 1: how close he feels. 366 00:16:14,520 --> 00:16:17,760 Speaker 2: To her, and then she's touched by it all yes, and. 367 00:16:17,720 --> 00:16:21,000 Speaker 8: She says, I have really misjudged you. I can't thank 368 00:16:21,040 --> 00:16:24,400 Speaker 8: you enough. You are an amazing person. You are a 369 00:16:24,560 --> 00:16:27,720 Speaker 8: wonderful human being, and I just can't thank you. 370 00:16:29,240 --> 00:16:30,800 Speaker 2: I understand. I listen. 371 00:16:31,320 --> 00:16:34,520 Speaker 8: I have some samples here. I want you to take these. 372 00:16:35,680 --> 00:16:40,560 Speaker 8: Give them to Cheryl. Okay, with my love. There you go, there, 373 00:16:40,720 --> 00:16:41,280 Speaker 8: you like these? 374 00:16:42,200 --> 00:16:42,840 Speaker 3: Nothing for men. 375 00:16:43,640 --> 00:16:46,200 Speaker 1: Larry says he apologized for the other night, and then 376 00:16:46,240 --> 00:16:47,880 Speaker 1: he says that he apologizes every day. 377 00:16:48,000 --> 00:16:49,560 Speaker 2: Who says I'm sorry more than me. 378 00:16:49,760 --> 00:16:53,440 Speaker 1: And then Paul calls and Larry says he's ninety percent sure, 379 00:16:54,080 --> 00:16:56,880 Speaker 1: and Cheryl says, what was that all about? Ninety percent? 380 00:16:57,440 --> 00:16:59,480 Speaker 1: He doesn't want Cheryl to know that he told Mindy 381 00:17:00,040 --> 00:17:02,640 Speaker 1: because Wanda asked them not to tell anybody, so there 382 00:17:02,680 --> 00:17:04,960 Speaker 1: was ninety percent that the chances of idever do that 383 00:17:04,960 --> 00:17:08,880 Speaker 1: to Mindy again, which is such a bullshit cover. And 384 00:17:08,920 --> 00:17:11,200 Speaker 1: then Larry's like, let's get out of here, and Cheryl's 385 00:17:11,240 --> 00:17:12,359 Speaker 1: we're staying right here. 386 00:17:12,560 --> 00:17:15,440 Speaker 4: Well, what did Larry say about I invented it? Because 387 00:17:15,440 --> 00:17:18,040 Speaker 4: he loves saying stuff like that. What was that about 388 00:17:18,200 --> 00:17:21,879 Speaker 4: how I invented blankety blank? Yeah, because he's always taking 389 00:17:22,160 --> 00:17:24,520 Speaker 4: No one says it more than me I invented. 390 00:17:24,800 --> 00:17:27,840 Speaker 3: He actually brings a little of Richard Lewis to himself. 391 00:17:27,920 --> 00:17:30,760 Speaker 2: Yes, I forgot what that was. Maybe it was the apology. 392 00:17:30,840 --> 00:17:32,040 Speaker 3: I don't know anyhing about it. 393 00:17:32,080 --> 00:17:34,920 Speaker 1: And then we cut to the Browdies house and they 394 00:17:35,000 --> 00:17:37,320 Speaker 1: drive up and there's no cars in the driveway and 395 00:17:37,320 --> 00:17:41,520 Speaker 1: they're like, what's going on? And Stu answers the door 396 00:17:41,600 --> 00:17:45,360 Speaker 1: and there's no one there. Where is everybody? And Stu 397 00:17:45,520 --> 00:17:47,960 Speaker 1: tells them that no one's there because of the attack 398 00:17:48,359 --> 00:17:51,680 Speaker 1: and that Alanas Marrist canceled and that the word spread 399 00:17:51,720 --> 00:17:55,560 Speaker 1: and apparently it started with Mindy Riiser, right, and. 400 00:17:55,359 --> 00:17:57,720 Speaker 3: Then he's kind of off the hook. 401 00:17:58,400 --> 00:17:59,760 Speaker 2: And guess who told Mindy? 402 00:18:00,119 --> 00:18:04,160 Speaker 4: Yeah, that was Amy A Kino's character. She said, we thought, oh, 403 00:18:04,200 --> 00:18:04,920 Speaker 4: he's off the hook. 404 00:18:05,119 --> 00:18:07,000 Speaker 3: No he is not, No, he is not. 405 00:18:07,400 --> 00:18:10,639 Speaker 1: Yeah, And so they think that Mindy Riiser was doing 406 00:18:10,680 --> 00:18:13,399 Speaker 1: it to betray them, and Stew and Amy say Mindy's 407 00:18:13,400 --> 00:18:15,920 Speaker 1: betrayed us over and over again, and thanks for telling us. 408 00:18:16,200 --> 00:18:18,960 Speaker 2: Now they're all upset that he told Mindy and not them. 409 00:18:19,200 --> 00:18:21,080 Speaker 4: By the way, Larry's has a great line. By the 410 00:18:21,080 --> 00:18:23,639 Speaker 4: way in this, I'm sorry there wasn't an. 411 00:18:23,480 --> 00:18:26,040 Speaker 1: Attack, yes, And he says, at least they pick up 412 00:18:26,040 --> 00:18:28,160 Speaker 1: a check every now and then. 413 00:18:28,280 --> 00:18:31,600 Speaker 2: What the hell do I know what you do every 414 00:18:31,640 --> 00:18:32,280 Speaker 2: time the check? 415 00:18:32,720 --> 00:18:34,000 Speaker 3: How you went off to the bathroom. 416 00:18:34,080 --> 00:18:38,359 Speaker 2: The only thing I see that, honey, you know about 417 00:18:38,359 --> 00:18:39,320 Speaker 2: that bathroom trick. 418 00:18:39,520 --> 00:18:47,200 Speaker 3: Side, that bathroom trick, bedroom trick. I got a problem. 419 00:18:45,840 --> 00:18:48,920 Speaker 7: Problem, you got a problem paying money. 420 00:18:51,240 --> 00:18:54,000 Speaker 1: And then Cheryl is mad that he told Mindy Riiser, 421 00:18:54,040 --> 00:18:55,719 Speaker 1: and Larry says he was trying to get on her 422 00:18:55,760 --> 00:18:58,399 Speaker 1: good side. And Cheryl says, look, we're just gonna have 423 00:18:58,440 --> 00:19:00,720 Speaker 1: to have the reschedule the benefit fit and have it 424 00:19:00,760 --> 00:19:03,600 Speaker 1: at our house at home, and they have to invite 425 00:19:03,600 --> 00:19:06,600 Speaker 1: the Brownies and no, no, invite the risers. 426 00:19:06,680 --> 00:19:09,520 Speaker 2: Freaking he can't be stew says, freaking for everything. 427 00:19:09,560 --> 00:19:12,679 Speaker 1: He won't say fuck, which is always interesting thing to me, 428 00:19:12,720 --> 00:19:16,200 Speaker 1: how people like they'll say freakin' or freaking as though 429 00:19:16,240 --> 00:19:19,040 Speaker 1: the intent is not the same. What's the difference if 430 00:19:19,080 --> 00:19:21,920 Speaker 1: you actually say the word fuck as opposed to freak. 431 00:19:22,080 --> 00:19:23,760 Speaker 3: Well, freaking's more palatable. 432 00:19:24,359 --> 00:19:27,080 Speaker 1: Yeah, but why the intent is the same if you 433 00:19:27,119 --> 00:19:32,040 Speaker 1: say I freaking hate you. 434 00:19:30,240 --> 00:19:32,320 Speaker 3: Yeah, I guess all right, I'm gonna be you. 435 00:19:32,520 --> 00:19:36,040 Speaker 1: Okay, okay, good. And then Larry's brushing his teeth and 436 00:19:36,080 --> 00:19:39,159 Speaker 1: gargling as usual. There's so many scenes of Larry brushing 437 00:19:39,200 --> 00:19:39,719 Speaker 1: his teeth. 438 00:19:39,840 --> 00:19:43,760 Speaker 3: You don't goggle much to you. It's fun. Just think 439 00:19:43,760 --> 00:19:44,200 Speaker 3: about it. 440 00:19:45,640 --> 00:19:47,680 Speaker 2: Well, you should think about how much money you just lost. 441 00:19:47,800 --> 00:19:51,119 Speaker 2: The NRGC n A S t l E. 442 00:19:51,240 --> 00:19:56,960 Speaker 7: S Niceley's makes Love Very bass s. 443 00:20:00,119 --> 00:20:03,760 Speaker 4: Which came out of Left and I can say video village, 444 00:20:03,760 --> 00:20:06,240 Speaker 4: and of course I explode and I said to him, 445 00:20:06,240 --> 00:20:07,719 Speaker 4: you got to use that. You got to use that 446 00:20:07,800 --> 00:20:09,920 Speaker 4: because sorry, the. 447 00:20:09,840 --> 00:20:12,239 Speaker 1: Way you did it was just And that's something that 448 00:20:12,320 --> 00:20:14,119 Speaker 1: a lot of our younger listeners don't know. 449 00:20:14,160 --> 00:20:15,679 Speaker 2: That's something we can commercial. 450 00:20:16,040 --> 00:20:17,000 Speaker 6: N E. S T l E. 451 00:20:17,119 --> 00:20:21,200 Speaker 1: S Nesley's makes the very Best Chalk Left. 452 00:20:21,800 --> 00:20:22,880 Speaker 2: And those things. 453 00:20:22,560 --> 00:20:26,240 Speaker 1: From our childhood are so embedded in our heads, those jingles. 454 00:20:26,520 --> 00:20:28,000 Speaker 4: By the way, here, I'm going to sound like an 455 00:20:28,040 --> 00:20:32,320 Speaker 4: old person. We lived through an era where commercials were good, 456 00:20:32,520 --> 00:20:36,840 Speaker 4: not flashy, not all about computers, and beer was popular 457 00:20:36,880 --> 00:20:39,840 Speaker 4: back then. For sure, but cell phones. You watch a 458 00:20:39,840 --> 00:20:43,560 Speaker 4: football game, every other commercials a cell phone, call, insurance, insurance, 459 00:20:44,080 --> 00:20:46,960 Speaker 4: none of them are memorable. So you and I could 460 00:20:47,000 --> 00:20:49,280 Speaker 4: do it. I can't believe. I ate the whole thing, 461 00:20:49,640 --> 00:20:52,199 Speaker 4: like where's the beef? Like there were so many of 462 00:20:52,240 --> 00:20:56,879 Speaker 4: these that you were so mesmerized by and thought we were musing. 463 00:20:56,960 --> 00:20:59,639 Speaker 1: And also another thing is all we had was network 464 00:20:59,680 --> 00:21:01,120 Speaker 1: tele vision with commercials. 465 00:21:01,160 --> 00:21:02,960 Speaker 2: Now there's all these options without. 466 00:21:02,720 --> 00:21:05,199 Speaker 3: Commercials started same commercials. 467 00:21:05,280 --> 00:21:08,000 Speaker 2: Yeah, I know, but I'm just saying now today. 468 00:21:08,440 --> 00:21:10,320 Speaker 4: Yes, for sure, but it's been a number of years 469 00:21:10,600 --> 00:21:15,960 Speaker 4: where commercials the halftime commercials. This year there was one 470 00:21:16,040 --> 00:21:19,280 Speaker 4: I really liked. I cannot remember one. Last year it 471 00:21:19,400 --> 00:21:22,680 Speaker 4: was Larry David's commercial, which was hilarious. And I heard 472 00:21:22,680 --> 00:21:23,840 Speaker 4: there's a longer version. 473 00:21:24,200 --> 00:21:26,800 Speaker 2: On the longer version, I guess gotta be funny. 474 00:21:27,000 --> 00:21:30,720 Speaker 3: But the point is that years ago the halftime. 475 00:21:30,480 --> 00:21:33,480 Speaker 2: Those commercials commercial. 476 00:21:33,680 --> 00:21:37,560 Speaker 4: Right now, they're going on fumes from their past, and really, 477 00:21:37,600 --> 00:21:39,480 Speaker 4: I'm an old man, I don't buy it. 478 00:21:39,560 --> 00:21:41,120 Speaker 3: So halftime, I go to Sweden. 479 00:21:41,400 --> 00:21:42,240 Speaker 2: That's a quick trip. 480 00:21:42,400 --> 00:21:43,240 Speaker 3: Yeah, all right. 481 00:21:43,200 --> 00:21:46,760 Speaker 1: Ahead, Okay, So next we cut to Larry in his office. 482 00:21:46,800 --> 00:21:48,919 Speaker 1: He's going into his office is in the hallway and 483 00:21:49,040 --> 00:21:49,960 Speaker 1: Chuck the Janitor. 484 00:21:50,040 --> 00:21:54,080 Speaker 4: By the way, Chuck the Janitor is a character that 485 00:21:54,119 --> 00:21:55,520 Speaker 4: we did not do enough with. 486 00:21:56,600 --> 00:21:58,760 Speaker 9: You never told me there was supposed to be a 487 00:21:58,880 --> 00:22:01,120 Speaker 9: terrorist attack, and you knew about it. 488 00:22:01,280 --> 00:22:02,359 Speaker 3: How come you never told me. 489 00:22:03,560 --> 00:22:05,480 Speaker 7: I wasn't allowed to tell anyon. 490 00:22:06,040 --> 00:22:10,159 Speaker 9: You told somebody. I mean, I found out, so you 491 00:22:10,400 --> 00:22:12,840 Speaker 9: could have told me something I could There was. 492 00:22:12,880 --> 00:22:13,600 Speaker 3: Too many people. 493 00:22:13,640 --> 00:22:15,080 Speaker 2: I just I wasn't supposed to. 494 00:22:15,320 --> 00:22:16,920 Speaker 9: My kids could have been wiped out. You know, they 495 00:22:16,920 --> 00:22:17,520 Speaker 9: go to school. 496 00:22:17,560 --> 00:22:20,400 Speaker 3: You know, I'm sorry, but it's okay. Nothing happened. 497 00:22:20,480 --> 00:22:22,439 Speaker 9: I know, but I mean something could have happened. I know, 498 00:22:22,480 --> 00:22:24,480 Speaker 9: we could have been killed. You know, you could have 499 00:22:24,600 --> 00:22:26,439 Speaker 9: just just give me a little hint, you know, like 500 00:22:26,520 --> 00:22:28,240 Speaker 9: saying you don't take your kids out of the school 501 00:22:28,320 --> 00:22:29,040 Speaker 9: or something like that. 502 00:22:29,359 --> 00:22:32,360 Speaker 2: I'll tell you next. 503 00:22:30,080 --> 00:22:33,119 Speaker 9: Thing that I could have said something. 504 00:22:33,400 --> 00:22:37,480 Speaker 4: But the way he talked and what he said he said. 505 00:22:37,800 --> 00:22:39,879 Speaker 4: By the way, this guy, the way he plays, I 506 00:22:39,880 --> 00:22:41,160 Speaker 4: don't know if that's who he is in real life. 507 00:22:41,200 --> 00:22:44,919 Speaker 4: I don't recall that. But everything he says, even if 508 00:22:44,960 --> 00:22:48,600 Speaker 4: he's not pleading, he sounds like he's pleading. Everything that 509 00:22:48,640 --> 00:22:49,320 Speaker 4: he says. 510 00:22:49,080 --> 00:22:52,080 Speaker 2: Is why didn't you tell me, Larry, could. 511 00:22:52,040 --> 00:22:56,639 Speaker 3: Happen you know my children? I could have gotten my 512 00:22:56,760 --> 00:22:57,840 Speaker 3: children out of school. 513 00:22:58,119 --> 00:23:00,479 Speaker 1: Yes, they could have got me to And he's very upset. 514 00:23:00,640 --> 00:23:03,960 Speaker 1: And then Antoinette, his assistant, very upset. He didn't tell her. 515 00:23:04,640 --> 00:23:07,000 Speaker 1: You know, now I have to have everyone mad at me, 516 00:23:07,520 --> 00:23:09,439 Speaker 1: and Wanda confronts him. 517 00:23:09,359 --> 00:23:13,200 Speaker 4: Well, says, excuse me for yawning. Wnda came here to 518 00:23:13,200 --> 00:23:16,399 Speaker 4: see you. She's in the bathroom, and Larry starts running 519 00:23:16,760 --> 00:23:17,160 Speaker 4: right away. 520 00:23:17,200 --> 00:23:17,720 Speaker 3: He's leaving. 521 00:23:17,840 --> 00:23:20,520 Speaker 2: We never see Wanda, do we? 522 00:23:20,720 --> 00:23:23,040 Speaker 3: Yeah? I think we do. I recall, Yes, she's in 523 00:23:23,080 --> 00:23:23,480 Speaker 3: the frame. 524 00:23:23,760 --> 00:23:26,560 Speaker 2: Wanda is here, she's in the restroom. She'll be in 525 00:23:26,640 --> 00:23:27,879 Speaker 2: a minute, and she'd like to speak with you. 526 00:23:27,960 --> 00:23:28,320 Speaker 4: Larry. 527 00:23:28,520 --> 00:23:35,200 Speaker 2: Hey, big mouth, What did I tell you? Larry? 528 00:23:35,640 --> 00:23:38,040 Speaker 3: Larry has to stop, and we know it's not. 529 00:23:37,960 --> 00:23:40,040 Speaker 4: Going to be good, so we cut away because I 530 00:23:40,040 --> 00:23:43,240 Speaker 4: think we filmed something, and just for the sake of time, 531 00:23:43,480 --> 00:23:46,280 Speaker 4: because everything dies if it's not necessary. 532 00:23:45,880 --> 00:23:47,960 Speaker 2: Right, okay, and not everything is necessary? 533 00:23:48,200 --> 00:23:51,560 Speaker 4: Yes, wouldn't that be implied on basically what I just said. Yeah, 534 00:23:51,600 --> 00:23:52,399 Speaker 4: so let's move on. 535 00:23:52,640 --> 00:23:54,960 Speaker 2: Okay, we'll be right back. 536 00:23:55,680 --> 00:24:10,359 Speaker 1: Stay tuned, and we're back, okay, And then we cut 537 00:24:10,440 --> 00:24:13,640 Speaker 1: to Larry is at Mindy's store buying perfume. 538 00:24:13,200 --> 00:24:15,720 Speaker 3: For ryl an expensive bottle and a. 539 00:24:15,640 --> 00:24:18,719 Speaker 1: Very expensive bottle, and it's the perfume that Wanda wears 540 00:24:18,760 --> 00:24:22,360 Speaker 1: that she had wanted, and Mindy starts complaining about how 541 00:24:22,440 --> 00:24:25,760 Speaker 1: inconvenience they were. They had to stay at the Super 542 00:24:25,800 --> 00:24:28,720 Speaker 1: eight motel. The four seasons wasn't available. 543 00:24:29,080 --> 00:24:31,359 Speaker 4: Let's stop right there for a second. This is what 544 00:24:31,440 --> 00:24:35,440 Speaker 4: I'm talking about in terms of a liberal rich mindset. 545 00:24:35,600 --> 00:24:38,199 Speaker 4: Oh yes, they should have been grateful there was a 546 00:24:38,280 --> 00:24:39,080 Speaker 4: room at the Super ri. 547 00:24:39,359 --> 00:24:40,280 Speaker 2: That's what Larry says. 548 00:24:40,480 --> 00:24:42,920 Speaker 3: Yeah, later on though, but initially. 549 00:24:42,640 --> 00:24:44,160 Speaker 2: He says, I tried to save your life. 550 00:24:44,280 --> 00:24:48,160 Speaker 3: Yeah, don't you. But by the way, this attitude, it's bratty. 551 00:24:48,320 --> 00:24:49,480 Speaker 3: It's West side attitude. 552 00:24:49,520 --> 00:24:53,320 Speaker 4: Yeah, west side of LA I'd say west of Los Sienaga. 553 00:24:53,720 --> 00:24:56,520 Speaker 4: But the point being is I hear people say shit 554 00:24:56,680 --> 00:24:57,680 Speaker 4: like this all the time. 555 00:24:57,800 --> 00:24:58,720 Speaker 2: How inconvenient. 556 00:24:58,840 --> 00:25:02,200 Speaker 4: Also those people, well I avoid. And by the way, 557 00:25:02,440 --> 00:25:04,560 Speaker 4: if Larry had a party on the west side, who's 558 00:25:04,560 --> 00:25:08,439 Speaker 4: not attending me? I don't like hanging over there because 559 00:25:08,480 --> 00:25:12,080 Speaker 4: this attitude pervades over there. Now in terms of their 560 00:25:12,119 --> 00:25:16,879 Speaker 4: social things. I agree with him, but I don't like 561 00:25:16,920 --> 00:25:18,719 Speaker 4: the way they do it. I just hate all of 562 00:25:18,760 --> 00:25:21,639 Speaker 4: that shit. I'm a man of the people. I'm a 563 00:25:21,680 --> 00:25:24,960 Speaker 4: blue collar man of the people. I fucking hate that 564 00:25:25,240 --> 00:25:26,760 Speaker 4: and that entitlement. 565 00:25:26,359 --> 00:25:29,600 Speaker 2: The elitist elitism lead shut the fuck up. 566 00:25:29,960 --> 00:25:33,320 Speaker 1: So then Mindy asks how was the NRDC thing, and 567 00:25:33,440 --> 00:25:36,479 Speaker 1: Larry says, no one showed up. Someone told everyone, and 568 00:25:36,760 --> 00:25:40,480 Speaker 1: Mindy denies it was her, And then Larry sees Marty 569 00:25:40,520 --> 00:25:43,280 Speaker 1: short out the window and just stops in the middle 570 00:25:43,520 --> 00:25:47,920 Speaker 1: of his interaction with Mindy buying the perfume and goes 571 00:25:48,200 --> 00:25:51,359 Speaker 1: to run out to see Marty and Mindy's calling after him. 572 00:25:51,680 --> 00:25:54,480 Speaker 1: Mindy's calling after him, and they start to talk about 573 00:25:54,480 --> 00:25:57,480 Speaker 1: Primetime Click, which is one of my favorites, by the way, 574 00:25:57,520 --> 00:25:59,200 Speaker 1: based on Skippy Low. 575 00:25:59,280 --> 00:26:02,200 Speaker 2: If you ever watch nobody on public accents on public 576 00:26:02,240 --> 00:26:05,240 Speaker 2: access to watch all the time. By the way, let's 577 00:26:05,240 --> 00:26:07,000 Speaker 2: tell the people about was. 578 00:26:07,000 --> 00:26:11,400 Speaker 4: This little guy who both an elfin looking guy, which 579 00:26:11,400 --> 00:26:15,679 Speaker 4: actually Jimminy Glick. He really took basically what that is 580 00:26:15,680 --> 00:26:20,000 Speaker 4: His performance is just what's his name Low, Skippy Low 581 00:26:20,119 --> 00:26:23,959 Speaker 4: with Skip E. But it's almost like someone put an 582 00:26:24,000 --> 00:26:27,560 Speaker 4: air plug into Skippy Low and he blew up because 583 00:26:27,760 --> 00:26:30,359 Speaker 4: he's Skippy Low at four hundred pound. 584 00:26:30,680 --> 00:26:32,600 Speaker 2: And what Skippy Low used to do. He would have 585 00:26:32,680 --> 00:26:35,520 Speaker 2: all these old B stars had. 586 00:26:35,520 --> 00:26:38,440 Speaker 4: Legit stars too, but a lot of them were huge 587 00:26:38,440 --> 00:26:39,520 Speaker 4: stars in their days. 588 00:26:39,280 --> 00:26:42,320 Speaker 1: In their day, you know, but old Hollywood stars, and 589 00:26:42,359 --> 00:26:45,400 Speaker 1: he would just be fascinated by all of them. Tell 590 00:26:45,440 --> 00:26:48,960 Speaker 1: me when you made Sahara, tell me about that. 591 00:26:49,440 --> 00:26:52,080 Speaker 2: You know, he was just fascinating and I loved that. 592 00:26:52,480 --> 00:26:55,639 Speaker 4: It was what we call good eating. Here's the thing 593 00:26:55,680 --> 00:26:59,040 Speaker 4: I want to say Larry and Martin. I don't know 594 00:26:59,080 --> 00:27:00,520 Speaker 4: why Marty was on the show. 595 00:27:00,920 --> 00:27:03,240 Speaker 1: Well, I think he needed to have a distraction to 596 00:27:03,320 --> 00:27:04,520 Speaker 1: run to piss off mine. 597 00:27:04,840 --> 00:27:07,120 Speaker 4: That might have been you know, the part was originally 598 00:27:07,200 --> 00:27:10,720 Speaker 4: written for Marty. Okay, yeah, and it didn't work out. 599 00:27:10,920 --> 00:27:11,320 Speaker 2: What do you mean? 600 00:27:13,280 --> 00:27:16,560 Speaker 4: But Paul Reiser was immediately thought of an ass. It 601 00:27:16,680 --> 00:27:19,439 Speaker 4: wasn't like, all right, we'll settle for Paul Reiser. So 602 00:27:19,560 --> 00:27:21,840 Speaker 4: I thought that's why was it? But now I'm saying 603 00:27:21,920 --> 00:27:25,040 Speaker 4: that the distraction works for Mindy to get mad at him. Correct, 604 00:27:25,480 --> 00:27:30,000 Speaker 4: But what the context was of their scene? There was nothing. 605 00:27:29,720 --> 00:27:32,320 Speaker 3: Written, nothing written, and so they did a bunch. 606 00:27:32,040 --> 00:27:36,159 Speaker 4: Of different stuff that was too funny because Larry was 607 00:27:36,200 --> 00:27:40,440 Speaker 4: making a serious attempt, not a bullshit attempt at doing 608 00:27:40,520 --> 00:27:41,200 Speaker 4: Jimminy glick. 609 00:27:41,560 --> 00:27:44,080 Speaker 2: Well, yeah, and what he was doing was you could. 610 00:27:48,320 --> 00:27:51,240 Speaker 1: Mary says, now you've had a stroke, and then Marty says, 611 00:27:51,280 --> 00:27:52,960 Speaker 1: you're doing that flat New York thing. 612 00:27:53,160 --> 00:27:55,679 Speaker 3: By the way, he's doing Larry. 613 00:27:55,359 --> 00:27:56,880 Speaker 2: Perfectly, perfectly. Yeah. 614 00:27:57,200 --> 00:27:59,480 Speaker 1: So they have this whole going back and forth at 615 00:27:59,480 --> 00:28:01,280 Speaker 1: the very hard, very low. 616 00:28:03,800 --> 00:28:04,160 Speaker 2: To watch. 617 00:28:04,640 --> 00:28:08,320 Speaker 4: As I've talked about before on the show, I get 618 00:28:08,359 --> 00:28:11,120 Speaker 4: to sometimes act with, but spend a lot of time 619 00:28:11,160 --> 00:28:14,320 Speaker 4: with people who are heroes to me. Marty Short, I 620 00:28:14,400 --> 00:28:19,080 Speaker 4: grew up loving Second City Television SCTV, and I thought 621 00:28:19,080 --> 00:28:21,920 Speaker 4: he was brilliant the one year of Sarahnette Live. 622 00:28:22,400 --> 00:28:24,880 Speaker 3: Brilliant. Yeah, that dude is just. 623 00:28:24,840 --> 00:28:28,479 Speaker 4: A big bowl of brilliant. And there having conversations with 624 00:28:28,560 --> 00:28:30,919 Speaker 4: him and he's saying, well, Jeff, I think, I go 625 00:28:31,080 --> 00:28:34,679 Speaker 4: you're calling me Jeff Martin Short is acknowledged, like, it 626 00:28:34,720 --> 00:28:37,480 Speaker 4: doesn't mean I didn't have confidence in myself. But I'm 627 00:28:37,520 --> 00:28:41,360 Speaker 4: in awe to this day if I'm around anybody that 628 00:28:41,720 --> 00:28:43,560 Speaker 4: was a hero to me or who I respect, and 629 00:28:43,880 --> 00:28:46,920 Speaker 4: I'm in awe and I never forget that. You know, 630 00:28:46,960 --> 00:28:49,440 Speaker 4: I haven't gone through the things where all right, whatever, No, 631 00:28:49,560 --> 00:28:53,800 Speaker 4: there are certain people with all right, well, yes, you 632 00:28:53,880 --> 00:28:54,479 Speaker 4: know who those are. 633 00:28:55,400 --> 00:28:59,080 Speaker 1: So Larry goes back and there's a closed sign, goes 634 00:28:59,160 --> 00:29:02,320 Speaker 1: back into mind. He's store Palmetto and there's a closed 635 00:29:02,320 --> 00:29:05,080 Speaker 1: sign on the door. Then he's back at their house 636 00:29:05,080 --> 00:29:08,760 Speaker 1: and there's a rehearsal. Alana's is there and a guitar player, 637 00:29:09,240 --> 00:29:12,200 Speaker 1: and we see Stu on the phone, driving like a maniac. 638 00:29:12,440 --> 00:29:15,080 Speaker 1: They invited the Risers and not us. He's clearly talking 639 00:29:15,120 --> 00:29:16,120 Speaker 1: to his wife. 640 00:29:16,400 --> 00:29:19,240 Speaker 3: Before this around in a caddy. Okay, he has new caddy. 641 00:29:19,400 --> 00:29:21,560 Speaker 4: Well, then he mentioned at dinner, is it before or 642 00:29:21,560 --> 00:29:23,520 Speaker 4: after this where Larry's telling her that the house has 643 00:29:23,560 --> 00:29:24,400 Speaker 4: great acous. 644 00:29:24,360 --> 00:29:26,360 Speaker 2: It's then it's then he's telling here and. 645 00:29:26,400 --> 00:29:30,320 Speaker 4: Larry has, like I said, the guy for not being 646 00:29:30,360 --> 00:29:34,920 Speaker 4: religious loves throwing out the Jewish references Wherery he says, the. 647 00:29:34,920 --> 00:29:37,360 Speaker 7: Acoustics are great in this house and you would know 648 00:29:37,520 --> 00:29:41,480 Speaker 7: because well, we often have Friday night services here, which 649 00:29:41,720 --> 00:29:43,040 Speaker 7: is just awesome. 650 00:29:43,280 --> 00:29:46,480 Speaker 1: Yeah, and then we see Stu and his caddy intercut 651 00:29:46,520 --> 00:29:48,320 Speaker 1: with Larry saying you're going to do your ought to 652 00:29:48,360 --> 00:29:51,200 Speaker 1: know and they're talking about there's a lot of discussion 653 00:29:51,240 --> 00:29:54,200 Speaker 1: about that song and Larry says to her, if you 654 00:29:54,280 --> 00:29:58,040 Speaker 1: ever want to unburden yourself, you should tell me, and 655 00:29:58,160 --> 00:29:59,160 Speaker 1: Alana says. 656 00:29:58,880 --> 00:30:01,640 Speaker 2: You know what be good to unburden myself? 657 00:30:01,680 --> 00:30:07,560 Speaker 4: Hold on, though he pretends to be someone she can trust. Yes, nice, 658 00:30:08,000 --> 00:30:11,360 Speaker 4: the real Larry David. If you tell him something, it's 659 00:30:11,440 --> 00:30:15,800 Speaker 4: an a vault. He would never repeat anything personal that 660 00:30:15,840 --> 00:30:17,880 Speaker 4: you tell him. He's one of my most You are 661 00:30:17,920 --> 00:30:21,040 Speaker 4: too trusted confidants. You know what I mean. I can 662 00:30:21,080 --> 00:30:23,959 Speaker 4: say things to Larry and he it is gone. I 663 00:30:24,040 --> 00:30:27,640 Speaker 4: know it'll never But on the show, the character, the 664 00:30:27,800 --> 00:30:29,320 Speaker 4: character is when. 665 00:30:29,200 --> 00:30:30,560 Speaker 2: Will he repeat exactly? 666 00:30:30,640 --> 00:30:34,440 Speaker 1: Okay, So she decides to unburden herself and she whispers 667 00:30:34,440 --> 00:30:34,840 Speaker 1: it to him. 668 00:30:34,880 --> 00:30:36,960 Speaker 2: We don't hear, and then she leaves and we hear 669 00:30:37,120 --> 00:30:38,160 Speaker 2: Car screeching. 670 00:30:37,960 --> 00:30:40,840 Speaker 4: Hold on, hold on, hold on. When she tells him, 671 00:30:41,080 --> 00:30:44,520 Speaker 4: he gives a oh, that's who it is. Look like 672 00:30:44,560 --> 00:30:48,120 Speaker 4: it's really interesting, Like I hadn't thought of that. 673 00:30:48,160 --> 00:30:50,240 Speaker 1: I just thought that was important, And then we hear 674 00:30:50,280 --> 00:30:51,040 Speaker 1: car screeching. 675 00:30:55,680 --> 00:30:59,080 Speaker 7: Jesus Caesus, she didn't even freaking look, you come flying 676 00:30:59,200 --> 00:31:01,200 Speaker 7: down there one thousand miles an hour on the. 677 00:31:01,240 --> 00:31:05,680 Speaker 2: Left side hour. Okay, yes, I'm okay, my neck hurts. 678 00:31:05,840 --> 00:31:10,320 Speaker 2: This is a Cadillac sabotage the event. 679 00:31:10,760 --> 00:31:12,640 Speaker 3: By the way, thanks for inviting. 680 00:31:12,280 --> 00:31:16,400 Speaker 2: Us, right you, right you? And then we cut to 681 00:31:16,440 --> 00:31:18,680 Speaker 2: the event and no, but. 682 00:31:18,640 --> 00:31:21,720 Speaker 4: Hold on, hold on, hold on, we're only seeing the audience. 683 00:31:21,800 --> 00:31:26,120 Speaker 4: We've not seen Alana. Now I forgot what the reveal 684 00:31:26,240 --> 00:31:28,720 Speaker 4: is correct, and so I'm saying, why are there. 685 00:31:28,560 --> 00:31:31,760 Speaker 2: So but they're quiet, and she's also her voice is off. 686 00:31:31,920 --> 00:31:34,720 Speaker 3: Oh yeah, she did great with that. 687 00:31:34,920 --> 00:31:36,760 Speaker 2: And then we cut to we see that she's in 688 00:31:36,800 --> 00:31:37,400 Speaker 2: a neck brace. 689 00:31:37,520 --> 00:31:42,040 Speaker 4: Yes, which is hysterical when you see the neck brace, 690 00:31:42,280 --> 00:31:44,840 Speaker 4: because I was really confused as I'm watching it. I go, 691 00:31:45,160 --> 00:31:48,800 Speaker 4: that's not Elanas's voice that I know. She sounds terrible. 692 00:31:49,440 --> 00:31:52,280 Speaker 4: She's got the thing, but everyone's face. 693 00:31:52,200 --> 00:31:54,600 Speaker 3: So and I go, why is everyone staring at her life? 694 00:31:54,600 --> 00:31:55,360 Speaker 3: This is horrible? 695 00:31:55,640 --> 00:31:57,920 Speaker 4: And then the reveal, which I even forget because I 696 00:31:57,960 --> 00:31:59,640 Speaker 4: haven't seen this show. 697 00:32:01,640 --> 00:32:03,440 Speaker 2: Some of them I've seen and some not. This one 698 00:32:03,440 --> 00:32:04,160 Speaker 2: I had not seen. 699 00:32:04,560 --> 00:32:08,400 Speaker 1: And then we see Larry nod to Mindy and Mindy 700 00:32:08,440 --> 00:32:10,200 Speaker 1: makes a face like she's mad at him. 701 00:32:10,200 --> 00:32:10,400 Speaker 2: Again. 702 00:32:10,520 --> 00:32:12,560 Speaker 1: He says, I fix it, and then I fuck it up, 703 00:32:12,880 --> 00:32:14,840 Speaker 1: you know, which is what he does over and over 704 00:32:14,880 --> 00:32:15,400 Speaker 1: and over again. 705 00:32:15,400 --> 00:32:18,040 Speaker 2: And he never learns a lesson, because that's what comedy is. 706 00:32:18,120 --> 00:32:23,280 Speaker 4: And then she starts singing, you ought to know my request, Larry's. 707 00:32:23,000 --> 00:32:25,600 Speaker 1: Request yet, And then you see Larry look at Mindy 708 00:32:25,880 --> 00:32:27,240 Speaker 1: and you know what he's thinking, right. 709 00:32:27,280 --> 00:32:31,080 Speaker 4: See, I don't know till the moment he thinks it. 710 00:32:31,360 --> 00:32:33,800 Speaker 4: You can see the moment on Larry's Yes, this is 711 00:32:33,840 --> 00:32:34,960 Speaker 4: great acting, but. 712 00:32:34,960 --> 00:32:36,560 Speaker 3: It doesn't start that way now. 713 00:32:36,640 --> 00:32:38,160 Speaker 2: But but like I said, when he. 714 00:32:38,200 --> 00:32:40,680 Speaker 4: First came in the shop, he was going to say 715 00:32:40,720 --> 00:32:43,040 Speaker 4: I'm sorry, but he knows this because he's written it. 716 00:32:43,360 --> 00:32:47,600 Speaker 4: But he plays it perfectly the transition. Did the transition 717 00:32:47,800 --> 00:32:51,720 Speaker 4: so perfectly? And then we know and he ambles across 718 00:32:51,760 --> 00:32:52,520 Speaker 4: the room and. 719 00:32:52,480 --> 00:32:54,760 Speaker 1: Then he whispers to Mindy and we hear him say 720 00:32:55,000 --> 00:32:57,120 Speaker 1: I know this song is about. 721 00:32:56,920 --> 00:32:59,960 Speaker 4: Right, and you see her going oh, and he tells, 722 00:33:00,560 --> 00:33:02,120 Speaker 4: and then the music because you know it's not. 723 00:33:02,080 --> 00:33:03,760 Speaker 2: Going to end well, it's not going to end well. 724 00:33:03,800 --> 00:33:05,600 Speaker 3: Yeah, but the episode ended well. 725 00:33:05,520 --> 00:33:07,520 Speaker 2: Not for Allanis, but for everybody else. 726 00:33:07,600 --> 00:33:11,000 Speaker 4: No, but I'm saying so much of television and movies 727 00:33:11,320 --> 00:33:14,360 Speaker 4: I can watch for ten minutes and know that the 728 00:33:14,440 --> 00:33:17,160 Speaker 4: people who made this or the studio who made this 729 00:33:17,480 --> 00:33:20,680 Speaker 4: is not respecting my intelligence because they always play it 730 00:33:20,680 --> 00:33:24,320 Speaker 4: out our show, which I'm very proud of. We respect 731 00:33:24,400 --> 00:33:26,680 Speaker 4: the audience. I think we didn't need to see Alanis 732 00:33:26,680 --> 00:33:29,680 Speaker 4: getting We never shot it, no getting mad, nothing. This 733 00:33:29,880 --> 00:33:32,720 Speaker 4: was enough that the audience. I knew what was happening 734 00:33:32,760 --> 00:33:35,800 Speaker 4: and going to happen. But it's about respecting your audience, 735 00:33:35,840 --> 00:33:36,960 Speaker 4: which I'm proud that we do. 736 00:33:37,040 --> 00:33:39,360 Speaker 1: I agree, And I want to say that Linda Bates 737 00:33:39,360 --> 00:33:42,160 Speaker 1: played Mindy and Shelley to say, is the actor who 738 00:33:42,200 --> 00:33:43,800 Speaker 1: plays Chuck the janitor? 739 00:33:43,960 --> 00:33:45,720 Speaker 3: Oh, Shelley just say yeah he. 740 00:33:46,080 --> 00:33:49,920 Speaker 4: I mean, I really think the most underused person in 741 00:33:49,960 --> 00:33:52,720 Speaker 4: the history of our show in terms of having a scene, 742 00:33:52,760 --> 00:33:53,880 Speaker 4: because everything. 743 00:33:53,600 --> 00:33:55,200 Speaker 2: He's used past this season is he. 744 00:33:55,280 --> 00:33:58,560 Speaker 4: I don't think so, maybe maybe not. I don't recall, 745 00:33:58,920 --> 00:34:01,040 Speaker 4: but I know he filmed about four of. 746 00:34:00,960 --> 00:34:03,200 Speaker 2: Those yeah, and they were always going great. 747 00:34:03,280 --> 00:34:03,480 Speaker 3: Yeah. 748 00:34:03,560 --> 00:34:04,280 Speaker 2: Yeah. 749 00:34:04,320 --> 00:34:06,680 Speaker 1: So thank you, Shelly to say, and thank you Jeff, 750 00:34:06,680 --> 00:34:09,080 Speaker 1: and thank you audience, and we'll be back next time. 751 00:34:09,280 --> 00:34:13,640 Speaker 3: Thanks Susie for really putting up with me. All right, bye, everybody, 752 00:34:13,680 --> 00:34:14,000 Speaker 3: Thank you. 753 00:34:21,920 --> 00:34:25,240 Speaker 1: The History of Current Enthusiasm is a production of iHeart Radio. 754 00:34:25,360 --> 00:34:27,479 Speaker 2: For more podcasts from my art Radio 755 00:34:27,800 --> 00:34:31,479 Speaker 1: Visit the iHeart Radio app, podcasts, or wherever you listen 756 00:34:31,520 --> 00:34:32,560 Speaker 1: to your favorite shows.