1 00:00:01,840 --> 00:00:02,200 Speaker 1: The toys. 2 00:00:02,279 --> 00:00:04,720 Speaker 2: I'm a homegrow that knows a little bit about everything 3 00:00:04,800 --> 00:00:05,640 Speaker 2: and everybody. 4 00:00:06,559 --> 00:00:07,600 Speaker 3: You know, if you don't lie about that? 5 00:00:07,680 --> 00:00:11,160 Speaker 4: Right? Hey, y'all, what's up. 6 00:00:11,200 --> 00:00:15,040 Speaker 2: It's Laura Rosa and this is the latest with Laura Rosa. 7 00:00:15,120 --> 00:00:18,120 Speaker 2: This is your daily diggering on things pop culture, entertainment, 8 00:00:18,160 --> 00:00:24,640 Speaker 2: news and all of the conversations that shake the room. Baby, 9 00:00:24,680 --> 00:00:27,760 Speaker 2: So let's check in behind the scenes of the grind. 10 00:00:27,920 --> 00:00:32,360 Speaker 2: We went to a Women's History Month event that iHeartMedia 11 00:00:32,440 --> 00:00:36,400 Speaker 2: had yesterday, various panels and various performances. 12 00:00:36,680 --> 00:00:38,960 Speaker 4: UH. Two of the standout because I knew the people 13 00:00:39,000 --> 00:00:39,479 Speaker 4: on the panel. 14 00:00:40,360 --> 00:00:42,440 Speaker 2: Who was a panel with Theo Mitcham, who is our 15 00:00:42,440 --> 00:00:48,120 Speaker 2: program director at par one, just hilarious, and a few 16 00:00:48,159 --> 00:00:49,360 Speaker 2: of the other women. 17 00:00:49,280 --> 00:00:51,160 Speaker 4: Voices at the station. 18 00:00:51,920 --> 00:00:55,000 Speaker 2: They had an amazing conversation just about knowing your voice, 19 00:00:55,120 --> 00:00:58,480 Speaker 2: finding your voice, and understanding that your voice is important. 20 00:00:59,560 --> 00:01:03,400 Speaker 2: And then and that was followed by a conversation with 21 00:01:03,720 --> 00:01:07,920 Speaker 2: the one and only og Angie Martinez. And Angie Martinez 22 00:01:07,959 --> 00:01:10,800 Speaker 2: was in combo with someone that I've talked about many 23 00:01:10,800 --> 00:01:14,120 Speaker 2: of times here on the podcasts, Bosma Saint John of 24 00:01:14,240 --> 00:01:20,679 Speaker 2: Real Housewives of Beverly Hills, marketing genius Marketer Marketer to 25 00:01:20,760 --> 00:01:23,920 Speaker 2: the biggest brands in the world, some of them. And 26 00:01:24,520 --> 00:01:27,240 Speaker 2: you know, Bosma has always been a person that is 27 00:01:27,280 --> 00:01:31,000 Speaker 2: really really great at communication and really really great at 28 00:01:31,080 --> 00:01:34,640 Speaker 2: showing up as herself in various places. So she talked 29 00:01:34,680 --> 00:01:37,440 Speaker 2: a lot about what you know as a woman, what 30 00:01:37,800 --> 00:01:40,240 Speaker 2: she leans in on the most. In order to do that. 31 00:01:40,920 --> 00:01:44,200 Speaker 2: I have just some inspirational words from the panel, from 32 00:01:44,200 --> 00:01:46,520 Speaker 2: the sit down with Bozma, Saint John, and Angie Martinez 33 00:01:46,520 --> 00:01:48,320 Speaker 2: that I wanted to play here to kind of let 34 00:01:48,360 --> 00:01:48,920 Speaker 2: you guys. 35 00:01:48,680 --> 00:01:50,760 Speaker 4: Know what what had space I started my day and 36 00:01:50,800 --> 00:01:51,279 Speaker 4: let's say. 37 00:01:51,120 --> 00:01:56,480 Speaker 5: Alas, but wherever your intuition is talking to you, we 38 00:01:56,560 --> 00:01:59,680 Speaker 5: tend to downplay it, and so we ask people there 39 00:01:59,720 --> 00:02:02,840 Speaker 5: are on whether or not we should take this other job, whether. 40 00:02:02,640 --> 00:02:04,720 Speaker 3: We should date that, or the person, what we should 41 00:02:04,720 --> 00:02:08,600 Speaker 3: wear to the party, Like stop doing that, because when 42 00:02:08,600 --> 00:02:10,280 Speaker 3: you do that, every time you do. 43 00:02:10,240 --> 00:02:13,000 Speaker 6: It, you continue to doubt yourself and your own voice. 44 00:02:13,639 --> 00:02:15,360 Speaker 5: And we often know when we. 45 00:02:15,360 --> 00:02:20,360 Speaker 7: Should pivot out of the relationship, out of the job, 46 00:02:23,280 --> 00:02:27,320 Speaker 7: out of that friendship, like we know it. 47 00:02:27,400 --> 00:02:31,200 Speaker 3: We just don't believe ourselves and so then we don't 48 00:02:31,800 --> 00:02:34,960 Speaker 3: and we do when we don't do that, and so 49 00:02:35,360 --> 00:02:40,359 Speaker 3: it feels very much like an individual concept and idea, 50 00:02:40,720 --> 00:02:43,440 Speaker 3: and a lot of times, I mean, now you're like, yes, you. 51 00:02:43,400 --> 00:02:45,280 Speaker 5: Look at my resume and people be like, oh my god, 52 00:02:45,320 --> 00:02:48,400 Speaker 5: the strategy it took to build it. But the truth 53 00:02:48,480 --> 00:02:50,480 Speaker 5: is that nobody really. 54 00:02:50,200 --> 00:02:52,440 Speaker 6: Was cheering me as I was making those pivots. 55 00:02:52,840 --> 00:02:52,959 Speaker 1: You know. 56 00:02:53,080 --> 00:02:56,200 Speaker 5: The last corporate job I had, I was the global 57 00:02:56,280 --> 00:03:00,160 Speaker 5: Chief Marketing Officer of Netflix, right, and I had that's 58 00:03:00,200 --> 00:03:00,840 Speaker 5: a good title. 59 00:03:00,919 --> 00:03:04,080 Speaker 1: It It was a big job, y'all. 60 00:03:04,120 --> 00:03:09,440 Speaker 3: Okay, But when I was leaving, people told me I 61 00:03:09,480 --> 00:03:13,600 Speaker 3: was crazy, right because I wanted to write. 62 00:03:13,360 --> 00:03:16,160 Speaker 5: My book, which a lot of publishers said that I 63 00:03:16,160 --> 00:03:18,840 Speaker 5: should write that, like you know, how to get into 64 00:03:18,880 --> 00:03:22,840 Speaker 5: the corner suite in heels book Climb the corporate latter 65 00:03:22,960 --> 00:03:27,400 Speaker 5: hel and like a girl, I was like, the boy, 66 00:03:27,400 --> 00:03:29,040 Speaker 5: if I do write that book, don't tell people. I 67 00:03:29,040 --> 00:03:33,480 Speaker 5: said that, okay, But I decided not to write that book. 68 00:03:33,520 --> 00:03:37,440 Speaker 5: I wanted to write a book about grief and about 69 00:03:37,520 --> 00:03:39,680 Speaker 5: loss because I've been through so. 70 00:03:39,800 --> 00:03:42,760 Speaker 6: Much of it, and I think what happens is that 71 00:03:43,120 --> 00:03:46,200 Speaker 6: as you become bigger and bigger and bigger in your 72 00:03:46,280 --> 00:03:48,800 Speaker 6: leadership in your career, people sometimes think that like you 73 00:03:48,920 --> 00:03:52,080 Speaker 6: got there with some sort of ease, right, you know, 74 00:03:52,120 --> 00:03:54,680 Speaker 6: And I was just like, yo, I've been knocked down hard. 75 00:03:56,080 --> 00:03:59,920 Speaker 4: One thing Bozma gonna do is just motivate you. Like 76 00:04:00,120 --> 00:04:00,960 Speaker 4: in real life. 77 00:04:01,040 --> 00:04:02,920 Speaker 2: It's not even just about the words that she says, 78 00:04:02,920 --> 00:04:06,000 Speaker 2: because she's obviously really good at putting them things together, 79 00:04:06,120 --> 00:04:08,120 Speaker 2: putting them words together. Baby, she is so good at it, 80 00:04:08,160 --> 00:04:10,640 Speaker 2: But it's a lot about how she actually shows up 81 00:04:10,680 --> 00:04:11,400 Speaker 2: as a person. 82 00:04:12,280 --> 00:04:14,440 Speaker 4: When we were doing. 83 00:04:14,160 --> 00:04:17,440 Speaker 2: The podcast from Ghana, I told you guys that we 84 00:04:17,480 --> 00:04:19,359 Speaker 2: had hung out with Bozmummy and my boyfriend went to 85 00:04:19,440 --> 00:04:23,279 Speaker 2: Ghana for New Year's and we hung out with Boseman, 86 00:04:23,320 --> 00:04:26,520 Speaker 2: Saint John and her family and we experienced just such 87 00:04:26,560 --> 00:04:30,520 Speaker 2: a great time and such an inspirational kickoff to the 88 00:04:30,640 --> 00:04:33,040 Speaker 2: year of understanding how important we are to the world. 89 00:04:33,440 --> 00:04:35,760 Speaker 2: And we shared some of that video and that audio, 90 00:04:36,720 --> 00:04:37,840 Speaker 2: so you can go back and check that out on 91 00:04:37,839 --> 00:04:39,920 Speaker 2: a later podcast episode. But that's how she, I mean, 92 00:04:40,000 --> 00:04:44,279 Speaker 2: anyway she's in, That's how she shows up. So today, 93 00:04:44,800 --> 00:04:47,080 Speaker 2: heading in and into things, if I'm checking in behind 94 00:04:47,080 --> 00:04:48,880 Speaker 2: the scenes of the grind. 95 00:04:49,440 --> 00:04:52,560 Speaker 4: I just feel very secure in what. 96 00:04:52,520 --> 00:04:54,919 Speaker 2: I have happening, and even in the things that I 97 00:04:54,920 --> 00:04:56,560 Speaker 2: don't have right and don't have figured out, I just 98 00:04:56,600 --> 00:04:59,320 Speaker 2: feel secure and I know what I need to do 99 00:05:00,080 --> 00:05:02,760 Speaker 2: or just gotta do it, which is a great place 100 00:05:02,760 --> 00:05:05,880 Speaker 2: to be. Security and feeling secure for me, you know, 101 00:05:06,200 --> 00:05:08,680 Speaker 2: as we continue to celebrate Women's History Month, just speaking 102 00:05:08,680 --> 00:05:11,120 Speaker 2: from the place of being a woman, not being a person, 103 00:05:11,240 --> 00:05:14,280 Speaker 2: not being a media person, but being a woman who 104 00:05:14,400 --> 00:05:15,320 Speaker 2: is day to day. 105 00:05:15,520 --> 00:05:16,280 Speaker 4: Figuring it out. 106 00:05:16,320 --> 00:05:18,479 Speaker 2: Being secure is so important because it just puts you 107 00:05:18,520 --> 00:05:22,400 Speaker 2: in the headspace to try things, but to tackle things, 108 00:05:23,400 --> 00:05:26,120 Speaker 2: to just you know, create the plan and to execute. 109 00:05:26,160 --> 00:05:26,720 Speaker 4: That's what I mean. 110 00:05:26,760 --> 00:05:29,280 Speaker 2: It puts you in a great space of execution. And 111 00:05:29,279 --> 00:05:32,000 Speaker 2: that's what this year is about for me. So loved 112 00:05:32,000 --> 00:05:34,080 Speaker 2: the last night's conversation was a great way to end 113 00:05:34,120 --> 00:05:38,039 Speaker 2: a long work day. Now, speaking of execution, let's get 114 00:05:38,040 --> 00:05:40,839 Speaker 2: on into the latest, because baby, it is some drama 115 00:05:40,880 --> 00:05:44,000 Speaker 2: going on in the Cardinals household. 116 00:05:44,440 --> 00:05:47,279 Speaker 4: Beyonce's dad then said some things. Let's get into the. 117 00:05:47,320 --> 00:05:51,200 Speaker 2: Late alrighty, So we going to back you guys up 118 00:05:51,240 --> 00:05:55,039 Speaker 2: a bit so from a full interview of Matthew Knows 119 00:05:55,920 --> 00:05:58,800 Speaker 2: having a conversation about Destiny's Child because he is promoting 120 00:05:58,839 --> 00:06:01,640 Speaker 2: a reimagined tribute toward that. 121 00:06:01,600 --> 00:06:03,440 Speaker 4: He is doing for Destiny's Child. 122 00:06:04,160 --> 00:06:08,279 Speaker 2: A clip from an interview he did with uh pix eleven, 123 00:06:08,320 --> 00:06:12,520 Speaker 2: an anchor named Candace Kendyce Gibson from pix eleven is 124 00:06:12,560 --> 00:06:18,200 Speaker 2: going viral. So late Monday night, Page six posted this 125 00:06:18,560 --> 00:06:19,800 Speaker 2: video and. 126 00:06:19,920 --> 00:06:20,640 Speaker 4: It's like short. 127 00:06:20,839 --> 00:06:22,880 Speaker 2: It's I mean, I want to say all of like 128 00:06:22,920 --> 00:06:27,760 Speaker 2: maybe two minutes long with it looped. So there's like 129 00:06:27,839 --> 00:06:30,720 Speaker 2: fifty three seconds of a moment where Matthew Knows has 130 00:06:30,760 --> 00:06:33,159 Speaker 2: asked about Mss Tina Knowles, who is the mother of 131 00:06:33,200 --> 00:06:37,120 Speaker 2: Beyonce math Matthew Knows is the father of Beyonce, the 132 00:06:37,279 --> 00:06:43,080 Speaker 2: Beyonce and Solange and y'all just listen for yourself. So 133 00:06:43,120 --> 00:06:45,560 Speaker 2: take a listen to the clip that was put out 134 00:06:45,560 --> 00:06:46,440 Speaker 2: on March second. 135 00:06:46,720 --> 00:06:48,840 Speaker 5: You heard your flowers and so the same thing to 136 00:06:50,040 --> 00:06:55,239 Speaker 5: Christina Knowles. You guys put in the work and obviously 137 00:06:55,279 --> 00:06:57,560 Speaker 5: the talent was there with your kids. 138 00:06:57,279 --> 00:06:58,160 Speaker 4: And your grandkids. 139 00:06:58,200 --> 00:07:06,320 Speaker 1: What work does she good? A in the hairy right 140 00:07:06,320 --> 00:07:09,640 Speaker 1: at the end of styling the style of imaging, right. 141 00:07:10,480 --> 00:07:16,480 Speaker 4: She claimed to have prayed on the name and different 142 00:07:16,560 --> 00:07:17,200 Speaker 4: aspects of that. 143 00:07:17,400 --> 00:07:22,400 Speaker 7: Sure, sure, yeah, it's enjoyed different. 144 00:07:24,600 --> 00:07:25,320 Speaker 1: We'll stop now. 145 00:07:29,120 --> 00:07:30,600 Speaker 4: Yes, sorry, did I said something wrong? 146 00:07:33,520 --> 00:07:37,400 Speaker 1: Thank you so, thank you really appreciate that. Now. 147 00:07:37,840 --> 00:07:44,040 Speaker 2: This clip began to circulate insanely on March third, so 148 00:07:44,400 --> 00:07:47,360 Speaker 2: twenty four hours later, this clip began to circulate insanely, 149 00:07:48,680 --> 00:07:52,600 Speaker 2: and here we are talking about it today. Of course, 150 00:07:53,160 --> 00:07:56,720 Speaker 2: the conversation around this is why was it an issue 151 00:07:56,800 --> 00:07:59,680 Speaker 2: to be giving miss Tina Knowles Beyonce, It's Lodge's mother, 152 00:08:00,080 --> 00:08:04,360 Speaker 2: her flowers. The way that mister Matthew Nos responds to 153 00:08:04,520 --> 00:08:08,560 Speaker 2: Kendyce Gibson, who is the journalist in this interview, when 154 00:08:08,640 --> 00:08:12,400 Speaker 2: asked the question, makes it feel like he was like 155 00:08:13,200 --> 00:08:16,560 Speaker 2: trying to take away whatever credit should be. 156 00:08:16,520 --> 00:08:18,000 Speaker 4: Given to Miss Tina Knowles. 157 00:08:18,000 --> 00:08:21,080 Speaker 2: And I mean, she's Beyonce's mom, she's Solanja's mom. Like 158 00:08:21,440 --> 00:08:24,600 Speaker 2: the world physically and literally would not have these two 159 00:08:25,200 --> 00:08:29,280 Speaker 2: amazing beings if her body didn't carry them. So of 160 00:08:29,320 --> 00:08:31,280 Speaker 2: course this did not pick up well. It is now 161 00:08:31,360 --> 00:08:33,199 Speaker 2: all over the place and being picked up all over 162 00:08:33,240 --> 00:08:37,120 Speaker 2: the place. And we talked about it on the Breakfast 163 00:08:37,120 --> 00:08:40,360 Speaker 2: Club as well. Right and after we talked about it 164 00:08:40,400 --> 00:08:45,240 Speaker 2: on the Breakfast Club, it was bothering me. I'm like, 165 00:08:45,960 --> 00:08:49,160 Speaker 2: why haven't I seen this interview in full. Kendace does 166 00:08:49,280 --> 00:08:53,240 Speaker 2: full interviews for a show that he has on Picks 167 00:08:53,280 --> 00:08:57,120 Speaker 2: eleven called Candid with Kendis. And what I like about 168 00:08:57,400 --> 00:09:00,960 Speaker 2: Picks eleven and what they're doing with Can is there 169 00:09:00,960 --> 00:09:04,120 Speaker 2: are local news outlet here in New York, but on 170 00:09:04,200 --> 00:09:07,719 Speaker 2: the entertainment front, they're bicking. They're booking big talent, as 171 00:09:07,720 --> 00:09:09,920 Speaker 2: they should because they're local, but they're in a big market. 172 00:09:11,040 --> 00:09:16,480 Speaker 2: But he does these full on, you know, cross subject interviews, 173 00:09:16,559 --> 00:09:18,640 Speaker 2: and they're always really really he books. 174 00:09:18,280 --> 00:09:21,319 Speaker 4: Talent that I mean, it's hard to get. 175 00:09:21,800 --> 00:09:25,000 Speaker 2: He's had almost He's interviewed almost every member of Destiny's 176 00:09:25,040 --> 00:09:27,640 Speaker 2: Child at this point. He also interviewed Miss Tina Knowles 177 00:09:27,640 --> 00:09:30,640 Speaker 2: when her book dropped. He's interviewed Beyonce like back in 178 00:09:30,640 --> 00:09:33,080 Speaker 2: the day. So he's almost become what I began to 179 00:09:33,120 --> 00:09:35,760 Speaker 2: realize even before this moment when I saw his interview 180 00:09:35,800 --> 00:09:40,199 Speaker 2: with Kelly, and then when I saw his interview with 181 00:09:40,280 --> 00:09:42,560 Speaker 2: Kelly Rowland, and then prior to that, I remember he 182 00:09:42,600 --> 00:09:44,920 Speaker 2: just interviewed with Miss Tina, and then I knew that 183 00:09:44,920 --> 00:09:45,720 Speaker 2: he talked to Michelle. 184 00:09:45,760 --> 00:09:47,840 Speaker 4: I'm like, oh, he's their safe space, because. 185 00:09:47,600 --> 00:09:52,080 Speaker 2: You know the way that the you know, protection is 186 00:09:52,080 --> 00:09:56,320 Speaker 2: set up around the amazing iconic women of Destiny's Child, 187 00:09:56,360 --> 00:09:57,120 Speaker 2: and as it should be. 188 00:09:57,559 --> 00:09:59,800 Speaker 4: They not just sitting down with in your body, right, 189 00:10:00,360 --> 00:10:03,760 Speaker 4: So there were some questions here For me. 190 00:10:03,840 --> 00:10:05,400 Speaker 2: I'm like, if they sat down, I know there was 191 00:10:05,400 --> 00:10:08,520 Speaker 2: more to the interview, and I realized that Pixe eleven 192 00:10:08,920 --> 00:10:10,360 Speaker 2: didn't post this clip himself. 193 00:10:11,640 --> 00:10:13,960 Speaker 4: So I'm digging and I see a full interview on YouTube. 194 00:10:14,120 --> 00:10:17,720 Speaker 2: Honestly, I wish I had seen the full interview prior 195 00:10:18,360 --> 00:10:21,880 Speaker 2: to us going on air. But for some reason, because 196 00:10:21,920 --> 00:10:24,040 Speaker 2: I only saw this clip and I didn't even see 197 00:10:24,120 --> 00:10:27,200 Speaker 2: Kendace himself post this interview or post more from it, 198 00:10:27,600 --> 00:10:29,320 Speaker 2: I just thought that there wasn't anything. I thought that 199 00:10:29,400 --> 00:10:33,080 Speaker 2: this was like a teaser to something or whatever. But anyway, 200 00:10:33,080 --> 00:10:35,880 Speaker 2: we're here now, so I've watched a full interview. And 201 00:10:36,600 --> 00:10:39,000 Speaker 2: so when I talked about this previously on The Breakfast Club, 202 00:10:39,800 --> 00:10:44,679 Speaker 2: I exclusively told you guys that mister Matthew knows you know, 203 00:10:44,800 --> 00:10:46,000 Speaker 2: in him ending this interview. 204 00:10:46,000 --> 00:10:46,680 Speaker 4: From what I was told. 205 00:10:46,679 --> 00:10:49,200 Speaker 2: I spoke to Kendis Gibson and I was told that 206 00:10:49,320 --> 00:10:52,520 Speaker 2: this moment that has been amplified from this interview, which 207 00:10:52,559 --> 00:10:56,200 Speaker 2: actually happened on January thirtieth, So this interview happened weeks ago. 208 00:10:56,840 --> 00:10:59,400 Speaker 2: There was this one moment in the interview which Paytick's 209 00:10:59,400 --> 00:11:01,880 Speaker 2: posted where he yes, mister Matthews did get up and 210 00:11:01,960 --> 00:11:05,760 Speaker 2: leave abruptly, and Kenda says he was completely thrown off. 211 00:11:06,120 --> 00:11:09,800 Speaker 2: He says he was completely thrown off because there was 212 00:11:09,880 --> 00:11:11,400 Speaker 2: never like any. 213 00:11:11,280 --> 00:11:12,800 Speaker 4: Here's what you're not allowed to ask. 214 00:11:13,800 --> 00:11:17,760 Speaker 2: The conversation was about Destiny's Child, because mister Matthew Knows 215 00:11:17,760 --> 00:11:21,760 Speaker 2: is doing a Destiny's Child tribute, and talking about Destiny's Child, 216 00:11:21,760 --> 00:11:22,960 Speaker 2: you of course talk about Beyonce. 217 00:11:23,080 --> 00:11:25,319 Speaker 4: It was around Grammy time when they recorded. 218 00:11:24,920 --> 00:11:28,560 Speaker 2: This, and she was up to break crazy records at 219 00:11:28,559 --> 00:11:31,800 Speaker 2: the Grammys, right, so of course you talk about Beyonce, 220 00:11:32,320 --> 00:11:34,240 Speaker 2: and then talking about Beyonce, you eventually have to get 221 00:11:34,280 --> 00:11:36,840 Speaker 2: to the part where you talk about the creators of Beyonce, 222 00:11:37,520 --> 00:11:39,880 Speaker 2: literally her parents, who we famously know. 223 00:11:41,840 --> 00:11:42,080 Speaker 4: Now. 224 00:11:42,160 --> 00:11:45,000 Speaker 2: In the Patick's article, you know, when this was originally published, 225 00:11:45,040 --> 00:11:49,920 Speaker 2: mister Matthew manos he told page six that Kendyce Gibson, 226 00:11:50,559 --> 00:11:55,040 Speaker 2: the journalist in question here, had arrived fifteen minutes later 227 00:11:55,200 --> 00:11:59,240 Speaker 2: the sit down. Mister Matthew Knows says that he asked 228 00:11:59,640 --> 00:12:03,160 Speaker 2: Kendy asks multiple questions about Tina. Miss matthew Nos says 229 00:12:03,160 --> 00:12:05,400 Speaker 2: that he politely ended the interview. He shook his hand, 230 00:12:05,559 --> 00:12:07,679 Speaker 2: took a photograph, and then he did. There's another article 231 00:12:07,720 --> 00:12:10,520 Speaker 2: that says mister Matthew Knows says that he had another 232 00:12:10,520 --> 00:12:13,679 Speaker 2: interview to get to kends says that that. 233 00:12:13,920 --> 00:12:14,400 Speaker 4: Was not true. 234 00:12:14,440 --> 00:12:16,640 Speaker 2: They later found out he just had he went and 235 00:12:16,640 --> 00:12:20,679 Speaker 2: had lunch. He just ended this abruptly, right, So I'm 236 00:12:20,720 --> 00:12:23,200 Speaker 2: asking kend this. I'm like, well, can you explain to me, 237 00:12:23,320 --> 00:12:27,120 Speaker 2: like what was the issue? He and I watched the 238 00:12:27,160 --> 00:12:29,400 Speaker 2: interview in full and from what was here unless it 239 00:12:29,440 --> 00:12:32,680 Speaker 2: was edited because again this moment that sparks all this 240 00:12:32,760 --> 00:12:35,960 Speaker 2: controversy was edited out right. So unless it was edited out, 241 00:12:36,040 --> 00:12:39,760 Speaker 2: there's a forty almost forty minute interview on Picks eleven 242 00:12:39,840 --> 00:12:44,400 Speaker 2: YouTube channel. Miss Tina Knowles is not mentioned one time directly, 243 00:12:44,640 --> 00:12:48,240 Speaker 2: like at all. But again I don't know what was 244 00:12:48,360 --> 00:12:51,200 Speaker 2: edited what was not because this has been out since 245 00:12:51,280 --> 00:12:55,520 Speaker 2: the thirtieth. And then I asked Kendace, I'm like, hey, 246 00:12:55,840 --> 00:12:57,800 Speaker 2: where you or anybody that Picks eleven told that you 247 00:12:57,840 --> 00:13:00,599 Speaker 2: were not allowed to ask about Messina. He also said no, 248 00:13:00,720 --> 00:13:03,120 Speaker 2: he Ken This, you know, who conducted this interview, said 249 00:13:03,120 --> 00:13:04,680 Speaker 2: that he was very shocked, and you can hear it 250 00:13:04,679 --> 00:13:07,800 Speaker 2: in the interview at the end of that that clip 251 00:13:07,800 --> 00:13:10,360 Speaker 2: where mister Matthew knows is obviously agitated. 252 00:13:10,720 --> 00:13:11,800 Speaker 4: Let's tay a listen to how An. 253 00:13:11,679 --> 00:13:14,280 Speaker 2: Interview because you can hear Ken this kind of caught 254 00:13:14,280 --> 00:13:15,800 Speaker 2: off guard but trying to make sure he didn't do anything. 255 00:13:18,000 --> 00:13:18,800 Speaker 1: We'll stop man. 256 00:13:23,760 --> 00:13:30,559 Speaker 5: Wrong than you, thank you. 257 00:13:30,920 --> 00:13:32,160 Speaker 1: Thank you, thank you. 258 00:13:32,640 --> 00:13:36,319 Speaker 2: So Kendy says he was completely caught off guard, and 259 00:13:36,720 --> 00:13:39,200 Speaker 2: in watching the full interview, I understand why he was 260 00:13:39,200 --> 00:13:42,960 Speaker 2: called off guard because if what mister Matthew knows is saying, 261 00:13:43,160 --> 00:13:45,480 Speaker 2: like basically he's saying, it started off BASTI ended bad. 262 00:13:46,679 --> 00:13:48,360 Speaker 4: Mister Matthew knows that. I mean listening, I know he's 263 00:13:48,400 --> 00:13:48,679 Speaker 4: a pro. 264 00:13:48,800 --> 00:13:52,160 Speaker 2: He didne created some of the best most talented and 265 00:13:52,200 --> 00:13:55,120 Speaker 2: professional beings on the world in the world. But you 266 00:13:55,160 --> 00:13:59,120 Speaker 2: couldn't tell that there was any anything that was agitated 267 00:13:59,200 --> 00:14:01,840 Speaker 2: in the beginning of this interview. Throughout the interview, because 268 00:14:01,880 --> 00:14:04,520 Speaker 2: they talk about so many things that are not just 269 00:14:04,720 --> 00:14:07,600 Speaker 2: the messy stuff, right, which is what I think is 270 00:14:07,679 --> 00:14:10,680 Speaker 2: kind of being implied here by he kept asking questions 271 00:14:10,760 --> 00:14:13,599 Speaker 2: about Miss Tina Knowles who you know, mister Bath you 272 00:14:13,679 --> 00:14:15,520 Speaker 2: knows and Miss Tina Knowles have not been together in 273 00:14:15,720 --> 00:14:18,840 Speaker 2: some years now, like they divorced in twenty eleven. They 274 00:14:18,880 --> 00:14:21,520 Speaker 2: were they were married for thirty one years, and Miss 275 00:14:21,520 --> 00:14:23,480 Speaker 2: Tina Knows has talked about, you know, kind of some 276 00:14:23,560 --> 00:14:27,400 Speaker 2: of their like upsets and the alleged infidelity and her 277 00:14:27,520 --> 00:14:29,880 Speaker 2: decision to leave him and all that stuff. But and 278 00:14:30,000 --> 00:14:32,520 Speaker 2: Kendis did that interview, he didn't even bring that into it. 279 00:14:32,480 --> 00:14:33,560 Speaker 4: From what we can see. 280 00:14:33,600 --> 00:14:38,000 Speaker 2: And yet, but there's a part of the interview where 281 00:14:38,360 --> 00:14:42,920 Speaker 2: they talk about Beyonce's Act three basically like the next 282 00:14:43,040 --> 00:14:45,800 Speaker 2: round of music that Beyonce will be dropping because a 283 00:14:45,840 --> 00:14:49,040 Speaker 2: lot of people think that it's going to be rock music. 284 00:14:50,160 --> 00:14:52,600 Speaker 2: So they asked about the kind just asks about that, 285 00:14:52,640 --> 00:14:54,960 Speaker 2: and they I feel like this was like such a 286 00:14:55,360 --> 00:14:58,120 Speaker 2: like they're laughing, they're joking, Like you can see the 287 00:14:58,280 --> 00:14:59,360 Speaker 2: chemistry in the interview here. 288 00:14:59,400 --> 00:15:02,320 Speaker 3: Let's take a litt do you want Act three to 289 00:15:02,360 --> 00:15:02,760 Speaker 3: be rock? 290 00:15:03,600 --> 00:15:05,480 Speaker 4: What the Act three to be rock? 291 00:15:05,920 --> 00:15:08,160 Speaker 1: I want it to be whatever being wants it to be. 292 00:15:09,160 --> 00:15:09,840 Speaker 3: Will it be rock? 293 00:15:10,400 --> 00:15:14,680 Speaker 1: I don't know. We've gotten some whints. Will it be rock? 294 00:15:15,240 --> 00:15:17,280 Speaker 7: I don't know was that. 295 00:15:17,400 --> 00:15:18,600 Speaker 4: A was she rock? 296 00:15:20,000 --> 00:15:22,360 Speaker 5: What was her original mindset? 297 00:15:22,480 --> 00:15:24,480 Speaker 1: Like when I gave your hit it went right over 298 00:15:24,560 --> 00:15:30,240 Speaker 1: your head? What was it I gave him a hit, 299 00:15:30,320 --> 00:15:41,320 Speaker 1: it went right over here? Because it's not burn this 300 00:15:41,440 --> 00:15:43,000 Speaker 1: young man out of the interview. 301 00:15:46,320 --> 00:15:47,320 Speaker 4: So rock it is. 302 00:15:48,280 --> 00:15:54,480 Speaker 1: I don't know if you have any other hints. I'm 303 00:15:54,960 --> 00:15:56,920 Speaker 1: I'm open, stay open, stay awake. 304 00:15:57,360 --> 00:15:58,600 Speaker 3: I'm just gonna city here. 305 00:15:59,200 --> 00:16:04,000 Speaker 1: That's where I think. That's where music comes in because 306 00:16:04,040 --> 00:16:08,920 Speaker 1: it brings collectives of people together. And I've seen Destiny's 307 00:16:09,000 --> 00:16:11,400 Speaker 1: Child do that. I've seen Beyonce do that. I've seen 308 00:16:11,520 --> 00:16:16,960 Speaker 1: Solange bring all shapes and colors together one coming goal, 309 00:16:17,080 --> 00:16:23,000 Speaker 1: which is what this Destiny's Child icond of Reimagined tribute 310 00:16:23,000 --> 00:16:24,080 Speaker 1: it's all about. 311 00:16:24,280 --> 00:16:26,640 Speaker 2: And then they even get deep, like they talk about 312 00:16:26,680 --> 00:16:31,480 Speaker 2: how Destiny's Child, like their music and what they did 313 00:16:31,520 --> 00:16:35,720 Speaker 2: in their movement literally saved people's lives. And mister Matthew 314 00:16:35,720 --> 00:16:37,520 Speaker 2: Knows shares a story about how there was a girl 315 00:16:37,560 --> 00:16:40,400 Speaker 2: who wrote femil to them back when people would actually 316 00:16:40,400 --> 00:16:43,280 Speaker 2: write letters about how she almost killed herself and survivor 317 00:16:43,360 --> 00:16:44,120 Speaker 2: the song saved her. 318 00:16:44,200 --> 00:16:45,040 Speaker 4: Let's take a listen to that. 319 00:16:45,640 --> 00:16:50,080 Speaker 1: I remember years ago when we had Fanclub Male and 320 00:16:50,120 --> 00:16:53,440 Speaker 1: I would read some of it. And I remember reading 321 00:16:53,440 --> 00:16:58,160 Speaker 1: a letter from a woman in Pennsylvania. She had gotten 322 00:16:58,240 --> 00:17:04,440 Speaker 1: in her bathtub, had a razor about to slit her wrist, 323 00:17:05,440 --> 00:17:09,680 Speaker 1: and in the kitchen on her radio, Survivor came on. Wow, 324 00:17:10,480 --> 00:17:14,119 Speaker 1: and it saved the life. We got a lot of 325 00:17:14,480 --> 00:17:22,760 Speaker 1: letters on Survivor that actually saved people's lives. And and myself, Uh, 326 00:17:22,800 --> 00:17:25,359 Speaker 1: six years ago when I was diagnosed with cancer m 327 00:17:26,240 --> 00:17:30,760 Speaker 1: and I was being rolled into the operating room, that 328 00:17:30,920 --> 00:17:34,199 Speaker 1: was the song that was in my head. Wow, I'm 329 00:17:34,240 --> 00:17:37,560 Speaker 1: a survivor. I'm gonna make it, not gonna stop, but 330 00:17:37,560 --> 00:17:38,880 Speaker 1: i'm'a keep on surviving. 331 00:17:40,480 --> 00:17:40,720 Speaker 6: Wow. 332 00:17:42,760 --> 00:17:43,600 Speaker 4: Who penned that song? 333 00:17:43,640 --> 00:17:44,119 Speaker 3: Do you remember? 334 00:17:44,760 --> 00:17:49,640 Speaker 1: Somebody named Beyonce Knowles, Matthew Knowles and Anthony Dent. 335 00:17:50,440 --> 00:17:51,720 Speaker 4: And was it born out of. 336 00:17:53,720 --> 00:17:55,000 Speaker 3: Something that had happened? 337 00:17:55,800 --> 00:17:56,040 Speaker 2: Yeah? 338 00:17:56,160 --> 00:17:59,800 Speaker 1: It was a DJ S Smart DJ in Houston on 339 00:17:59,840 --> 00:18:03,560 Speaker 1: the radio talking about that being on Destiny's Child is 340 00:18:03,600 --> 00:18:07,560 Speaker 1: like being on the TV show Survivors of Who's going 341 00:18:07,600 --> 00:18:11,000 Speaker 1: to get kicked off this week? And me and Beyonce 342 00:18:11,160 --> 00:18:16,240 Speaker 1: looked at each other and we said, that's a great idea. 343 00:18:18,280 --> 00:18:19,680 Speaker 4: Literally, you guys looked at each other. 344 00:18:19,680 --> 00:18:23,800 Speaker 1: You're in the car listening to this and you're like, Okay, 345 00:18:23,880 --> 00:18:24,639 Speaker 1: you know what, We're. 346 00:18:24,520 --> 00:18:25,879 Speaker 4: Going to take that and we're going to write a 347 00:18:25,960 --> 00:18:26,560 Speaker 4: song about it. 348 00:18:26,800 --> 00:18:29,720 Speaker 1: As I am a survivor, we all are hopefully. 349 00:18:30,560 --> 00:18:35,960 Speaker 2: Yeah, And of course, you know, is there more Beyonce 350 00:18:36,240 --> 00:18:36,800 Speaker 2: music coming? 351 00:18:36,920 --> 00:18:39,359 Speaker 4: Is there more Destiny's Child with Beyonce music coming? 352 00:18:39,480 --> 00:18:41,600 Speaker 2: Like all of those things were talked about as well 353 00:18:42,080 --> 00:18:45,159 Speaker 2: his grandkids. And one of the things I learned in 354 00:18:45,200 --> 00:18:48,480 Speaker 2: this interview was the fact that Destiny's Child they've never 355 00:18:48,600 --> 00:18:51,960 Speaker 2: missed a show, no matter how sick or anything, which 356 00:18:52,000 --> 00:18:55,560 Speaker 2: you know, goes to show that we'rek ethic and and 357 00:18:56,000 --> 00:18:59,440 Speaker 2: mister matthewls like the direct question was what is one 358 00:18:59,440 --> 00:19:01,240 Speaker 2: thing we didn't know? Which was interesting because I feel 359 00:19:01,240 --> 00:19:03,360 Speaker 2: like people ask all the same questions about Destiny Choud, 360 00:19:04,280 --> 00:19:07,720 Speaker 2: so that was interested in here. But also remember when 361 00:19:07,920 --> 00:19:10,119 Speaker 2: Blue Ivy was coming out on stage all of that 362 00:19:10,240 --> 00:19:14,240 Speaker 2: time during the Renaissance tour. Mister Matthew knows of course, 363 00:19:14,280 --> 00:19:17,520 Speaker 2: was there on some shows on some occasions, and Kendis 364 00:19:17,560 --> 00:19:19,840 Speaker 2: asked him about, you know, how did he feel, like 365 00:19:19,880 --> 00:19:22,480 Speaker 2: what was his emotion when Blue Iby came out on 366 00:19:22,600 --> 00:19:25,080 Speaker 2: stage and it was that whole handoff moment from Destiny's 367 00:19:25,119 --> 00:19:26,280 Speaker 2: Child to Blue Ivy. 368 00:19:26,359 --> 00:19:26,760 Speaker 4: Let's take it. 369 00:19:27,720 --> 00:19:31,920 Speaker 3: And did it come across to you when they walked 370 00:19:32,000 --> 00:19:34,119 Speaker 3: off stage and Blue walked on. 371 00:19:34,400 --> 00:19:39,960 Speaker 4: Did you see the transition that the handoff that we 372 00:19:40,000 --> 00:19:40,400 Speaker 4: all did. 373 00:19:42,280 --> 00:19:46,240 Speaker 1: You haven't met Roomy, I can tell. I can tell 374 00:19:46,280 --> 00:19:48,880 Speaker 1: this young man has not met room. 375 00:19:50,240 --> 00:19:52,880 Speaker 7: So wait, so we think Blue is a manager? 376 00:19:52,960 --> 00:19:53,560 Speaker 4: What's Roomy? 377 00:19:53,640 --> 00:19:59,679 Speaker 1: Then you'll see two more years really Roomy a Salange 378 00:20:00,160 --> 00:20:00,359 Speaker 1: for you. 379 00:20:02,920 --> 00:20:05,560 Speaker 2: Not Roomy is the next Solange baby? Because Solange is 380 00:20:05,560 --> 00:20:08,240 Speaker 2: a force. I love her. I love her whole being, 381 00:20:08,280 --> 00:20:12,000 Speaker 2: her whole existence, like she is just I don't know, 382 00:20:12,080 --> 00:20:14,840 Speaker 2: she's so unbothered, but like it's like everything she does 383 00:20:14,960 --> 00:20:18,560 Speaker 2: is so. She takes her time, she's in her own space, 384 00:20:18,600 --> 00:20:20,520 Speaker 2: she's moving in her own pace, her own motion. 385 00:20:21,640 --> 00:20:22,360 Speaker 4: She's one of one. 386 00:20:22,440 --> 00:20:26,440 Speaker 2: So to find out that Roomy is very much baby Solange. 387 00:20:26,440 --> 00:20:29,119 Speaker 2: And then you have Blue Ivy, who was obviously baby 388 00:20:29,160 --> 00:20:35,280 Speaker 2: Beyonce right, who knew my point in even talking about 389 00:20:35,280 --> 00:20:37,600 Speaker 2: these other moments in an interview and showing you, guys, 390 00:20:37,600 --> 00:20:42,879 Speaker 2: this is that I don't know for sure if I 391 00:20:42,920 --> 00:20:46,080 Speaker 2: believe you know, mister Knowles, when it comes to this, 392 00:20:46,160 --> 00:20:49,680 Speaker 2: and that's in no disrespect, completely respective and everything he's 393 00:20:49,680 --> 00:20:52,040 Speaker 2: done with the group. But if I'm reading a statement 394 00:20:52,119 --> 00:20:54,280 Speaker 2: and you're talking about how the interview started off on 395 00:20:54,320 --> 00:20:57,040 Speaker 2: a bad foot ended, so it ended on a badfoot, 396 00:20:57,200 --> 00:21:00,120 Speaker 2: as if there was a you know, some sort of 397 00:21:00,200 --> 00:21:02,959 Speaker 2: like disconnect that just made the energy bad. And then 398 00:21:02,960 --> 00:21:05,800 Speaker 2: I'm seeing you guys laughing, joking, getting deep, like as 399 00:21:05,840 --> 00:21:09,359 Speaker 2: a person that does interviews, I'm like, are you sure, 400 00:21:09,640 --> 00:21:11,960 Speaker 2: Like were we all in the same are you watching 401 00:21:12,000 --> 00:21:14,679 Speaker 2: the same interview you were in? And hopefully there was 402 00:21:14,680 --> 00:21:17,159 Speaker 2: nothing else edited out, because Kendis has gone on record 403 00:21:17,160 --> 00:21:20,280 Speaker 2: with me about this, and if. 404 00:21:20,160 --> 00:21:23,680 Speaker 4: One thing has been edited out and that made it to. 405 00:21:23,640 --> 00:21:27,040 Speaker 2: The surfaces, because Kennis is also to let me know that, like, 406 00:21:27,119 --> 00:21:29,080 Speaker 2: you know, this is not something that he's losing sleepover. 407 00:21:29,160 --> 00:21:32,359 Speaker 4: But the network is definitely confused. 408 00:21:31,920 --> 00:21:36,000 Speaker 2: How that clip made it out, because now it's overshadowing 409 00:21:36,040 --> 00:21:40,320 Speaker 2: the actual interview itself. So hopefully nothing else is sleep right, 410 00:21:40,359 --> 00:21:42,320 Speaker 2: Like if there were more Tina questions, if there were 411 00:21:42,440 --> 00:21:45,399 Speaker 2: questions that were pointed in the wrong way about Miss Tina, 412 00:21:46,320 --> 00:21:48,400 Speaker 2: that would have made him say, Okay, we're done, I'm 413 00:21:48,400 --> 00:21:52,040 Speaker 2: over this. You know something if one thing has already slipped, 414 00:21:52,040 --> 00:21:55,080 Speaker 2: something else might as well too, So hopefully not because 415 00:21:55,080 --> 00:21:58,760 Speaker 2: he's gone on record, but I don't know. Mister Matthew 416 00:21:58,800 --> 00:22:00,760 Speaker 2: knows the statement, and when I'm watching it just it 417 00:22:00,840 --> 00:22:02,200 Speaker 2: doesn't aligned. 418 00:22:02,320 --> 00:22:03,880 Speaker 4: So I'm still trying to figure out, you. 419 00:22:03,840 --> 00:22:07,879 Speaker 2: Know, what was that like, because I don't believe that 420 00:22:07,960 --> 00:22:10,120 Speaker 2: he just wouldn't want her to also receive flowers as 421 00:22:10,119 --> 00:22:12,959 Speaker 2: well too. I don't want to believe that, only because 422 00:22:13,000 --> 00:22:15,560 Speaker 2: I think, you know, for him to have been as 423 00:22:15,560 --> 00:22:19,439 Speaker 2: successful as he's always talked about he was and investing in, 424 00:22:19,840 --> 00:22:23,080 Speaker 2: you know, the corporate arena, somebody had to be with 425 00:22:23,119 --> 00:22:25,080 Speaker 2: the babies and making sure the babies were in their 426 00:22:25,119 --> 00:22:27,679 Speaker 2: best head space and physical space so that they could. 427 00:22:27,560 --> 00:22:29,879 Speaker 4: Then go on to become Beyonce and Solange. 428 00:22:30,080 --> 00:22:32,440 Speaker 2: And I know he understands that and appreciates it, and 429 00:22:32,480 --> 00:22:36,560 Speaker 2: I've seen him speak super positively and very well of 430 00:22:36,640 --> 00:22:38,320 Speaker 2: Miss Tina Knowles and vice versa. 431 00:22:39,400 --> 00:22:40,880 Speaker 4: So I don't know what's going on here. I don't 432 00:22:40,880 --> 00:22:43,080 Speaker 4: know what them this moment is about. But I mean, 433 00:22:43,240 --> 00:22:44,200 Speaker 4: all I can tell you is. 434 00:22:44,119 --> 00:22:48,920 Speaker 2: What I was told and that is what I've done. Yeah, 435 00:22:49,040 --> 00:22:51,400 Speaker 2: if there's any more, of course, you guys know I'm 436 00:22:51,440 --> 00:22:53,440 Speaker 2: always keeping you posted and. 437 00:22:53,440 --> 00:22:54,000 Speaker 4: We'll do so. 438 00:22:56,000 --> 00:22:59,560 Speaker 2: Shout out to Kendyce though, and you know everything Gibson 439 00:23:00,000 --> 00:23:01,719 Speaker 2: and Candid with Kendess over epix to eleven. Make sure 440 00:23:01,760 --> 00:23:03,840 Speaker 2: y'all check out that platform because he does a really 441 00:23:03,880 --> 00:23:07,600 Speaker 2: good job with his interviews. I was so surprised, actually 442 00:23:07,600 --> 00:23:10,080 Speaker 2: like to see a moment like this from one of 443 00:23:10,119 --> 00:23:12,560 Speaker 2: his interviews. They always seem and it's not that he 444 00:23:12,600 --> 00:23:15,160 Speaker 2: doesn't ask the harder questions or the things that people 445 00:23:15,200 --> 00:23:18,399 Speaker 2: want to know. You can just tell that the people 446 00:23:18,400 --> 00:23:20,840 Speaker 2: that come on his show, he's built up some time 447 00:23:20,920 --> 00:23:23,800 Speaker 2: and rapport with them so they're comfortable about talking about 448 00:23:23,800 --> 00:23:25,240 Speaker 2: the uncomfortable things. 449 00:23:26,760 --> 00:23:28,480 Speaker 4: I don't know, didn't go well, it's time no here. 450 00:23:29,160 --> 00:23:30,000 Speaker 4: I'm one of the Rosa. 451 00:23:30,040 --> 00:23:32,360 Speaker 2: This has been another episode of the Latest with Lon 452 00:23:32,400 --> 00:23:36,240 Speaker 2: La Rosa, your Delhi did on all things pop culture, entertainment, 453 00:23:36,280 --> 00:23:38,920 Speaker 2: news and all of the conversations that shape the room. 454 00:23:39,440 --> 00:23:41,480 Speaker 2: And I tell you, guys, every episode, y'all could be 455 00:23:41,520 --> 00:23:44,600 Speaker 2: anywhere with any old body talking about all of these things, 456 00:23:44,880 --> 00:23:47,480 Speaker 2: which y'all choose to be right here with me, my lowriders. 457 00:23:47,960 --> 00:23:50,320 Speaker 4: I'll see you guys in my next episode.