1 00:00:01,000 --> 00:00:05,240 Speaker 1: Look man, oh I see you? Why would look over there? 2 00:00:05,240 --> 00:00:13,760 Speaker 1: How is that cher? Yes? Goodness, let's last culture racist. 3 00:00:15,160 --> 00:00:20,239 Speaker 1: You had another episode for us. I gotta say, I'm 4 00:00:20,280 --> 00:00:23,160 Speaker 1: all out of sorts and I'm gonna blame it on 5 00:00:23,520 --> 00:00:27,240 Speaker 1: Don't say me. When have I ever blamed you for 6 00:00:27,320 --> 00:00:29,920 Speaker 1: something bad? Blame it on the alcohol, Blame it on 7 00:00:29,960 --> 00:00:32,360 Speaker 1: the boogie. Oh so what is the third? Blame it? 8 00:00:32,600 --> 00:00:36,960 Speaker 1: Blame it on Blame it on your love. Oh my god, 9 00:00:37,080 --> 00:00:40,800 Speaker 1: there you go, iconic. Okay, three, we got Charlie Michael Jackson, 10 00:00:40,800 --> 00:00:42,919 Speaker 1: and who who does blame it on? Like alcohol? It's um, 11 00:00:43,200 --> 00:00:45,800 Speaker 1: that's um. Blame it on the alcohol. I want to 12 00:00:45,840 --> 00:00:49,839 Speaker 1: say is Jamie Foxx. I was gonna guess Jamie Foxx, 13 00:00:49,880 --> 00:00:52,560 Speaker 1: but I was like, I think it's a movie actor 14 00:00:52,920 --> 00:00:55,120 Speaker 1: and and wouldn't you know it? Well, actually, this is 15 00:00:55,280 --> 00:00:57,319 Speaker 1: this is huge. Jamie fox is one of the most 16 00:00:57,360 --> 00:01:00,280 Speaker 1: famous movie actors that there is. He's someone who's who's 17 00:01:00,360 --> 00:01:02,640 Speaker 1: really achieved it all. When you say he's kind of 18 00:01:02,680 --> 00:01:05,000 Speaker 1: like I'm a stone, he's like a male I'm a stone. 19 00:01:05,319 --> 00:01:07,720 Speaker 1: I would say that Jamie fox is the male im 20 00:01:07,720 --> 00:01:10,679 Speaker 1: a stone? And what film were they in together? Culturally? 21 00:01:10,720 --> 00:01:14,119 Speaker 1: Stuff as an animated film. No, I don't know very 22 00:01:14,200 --> 00:01:18,160 Speaker 1: much live action. I don't remember was the amazing Spider Man. 23 00:01:18,400 --> 00:01:23,360 Speaker 1: Oh my god, you're right sequel where she spoiler alert 24 00:01:24,520 --> 00:01:30,040 Speaker 1: fucking dies. Sorry, Gwen, I blame it on the eclipse. 25 00:01:30,120 --> 00:01:33,520 Speaker 1: I guess we're in an eclipse and scorpio. You're kidding. 26 00:01:33,760 --> 00:01:38,720 Speaker 1: I only care now because Channy Nicholas is really connecting 27 00:01:38,720 --> 00:01:42,119 Speaker 1: with me. You need to You need to listen to Channing. Everybody, 28 00:01:42,160 --> 00:01:44,720 Speaker 1: everybody in this zoom should listen to Channy Nicholas. The 29 00:01:44,720 --> 00:01:48,960 Speaker 1: app is wonderful. There's a free thirty day trial when 30 00:01:48,960 --> 00:01:54,000 Speaker 1: mercuries and retrograde. What we're in retrograde? I see what 31 00:01:54,120 --> 00:01:56,280 Speaker 1: a crazy journey we've been on a lost culture. Remember 32 00:01:56,280 --> 00:01:59,040 Speaker 1: when I was like vehemently anti astrology on this podcast, 33 00:01:59,240 --> 00:02:01,520 Speaker 1: I really do. And also I've been on my own 34 00:02:01,600 --> 00:02:03,800 Speaker 1: journey with it. I was not always, you know, one 35 00:02:03,840 --> 00:02:07,560 Speaker 1: with the stars, mystic girl. I was not always a 36 00:02:07,640 --> 00:02:11,720 Speaker 1: mystic girl Crystal one. And now I think mystic girl 37 00:02:11,760 --> 00:02:14,040 Speaker 1: would be my aim screen name. What would you okay, 38 00:02:14,080 --> 00:02:18,440 Speaker 1: so your yours mystic Girl? Yeah, mine would be I 39 00:02:18,480 --> 00:02:24,520 Speaker 1: love this already summer hibernating would you do suber hibernating 40 00:02:24,560 --> 00:02:28,320 Speaker 1: with an I, N G or hibernating s U, M, 41 00:02:28,600 --> 00:02:35,800 Speaker 1: M three are iconic. H one, B, three, R and four. 42 00:02:37,160 --> 00:02:38,799 Speaker 1: Oh my god, the four is an A is such 43 00:02:38,840 --> 00:02:47,359 Speaker 1: a power. I and Q fuck in, Sleigh, go off, 44 00:02:47,680 --> 00:02:49,720 Speaker 1: proceed to heaven. God, you want to know what I 45 00:02:49,760 --> 00:02:51,880 Speaker 1: did today? This is how fucked up things. I always 46 00:02:51,880 --> 00:02:54,040 Speaker 1: want to know what you did every day. I was 47 00:02:54,080 --> 00:02:58,799 Speaker 1: supposed to like not eat too much today because I 48 00:02:58,919 --> 00:03:01,440 Speaker 1: because I really went for it. Over the weekend. I 49 00:03:01,520 --> 00:03:05,280 Speaker 1: made a baked ZD out of nowhere. Two o'clock rolls around. 50 00:03:05,280 --> 00:03:07,400 Speaker 1: I go, I'm gonna make a baked ZD for eight. 51 00:03:07,760 --> 00:03:11,480 Speaker 1: You can do that. I have the ingredients. I guess 52 00:03:11,560 --> 00:03:13,639 Speaker 1: that's all you really need. That's all you really need 53 00:03:13,680 --> 00:03:15,000 Speaker 1: if you want to make a baked ZD in the 54 00:03:15,000 --> 00:03:18,440 Speaker 1: middle of the fucking day. And now I'm like weighed 55 00:03:18,440 --> 00:03:21,960 Speaker 1: down by dairy and pomidoro. I mean, but but what 56 00:03:22,040 --> 00:03:25,919 Speaker 1: a beautiful experience it is. During the eating, it's always 57 00:03:25,960 --> 00:03:28,040 Speaker 1: worth it. I would say, it's actually real a culture. 58 00:03:28,520 --> 00:03:31,880 Speaker 1: During the eating, it's always if that's what the culture 59 00:03:31,919 --> 00:03:36,480 Speaker 1: number one never was that again? Seven correct that? But 60 00:03:36,600 --> 00:03:37,960 Speaker 1: during the eating it's always worth it. And I have 61 00:03:38,000 --> 00:03:40,920 Speaker 1: to tell you, I felt like Erica Jayne herself when 62 00:03:41,000 --> 00:03:43,480 Speaker 1: I woke up this morning and had McDonald's rappers all 63 00:03:43,760 --> 00:03:47,880 Speaker 1: rappers and you go hersro Taco Bell rappers. Though. Yeah, 64 00:03:47,920 --> 00:03:50,960 Speaker 1: and I thought she really personally dragged me once. She said, 65 00:03:51,120 --> 00:03:52,760 Speaker 1: when you wake up in the morning and you see 66 00:03:52,760 --> 00:03:54,280 Speaker 1: that a lot of apps and you don't remember why 67 00:03:54,320 --> 00:03:57,760 Speaker 1: they got there, it's a problem. I was just like, Okay, 68 00:03:57,840 --> 00:04:00,800 Speaker 1: dragged me, an absolute me. I guess I'm an alcoholic 69 00:04:01,000 --> 00:04:04,520 Speaker 1: hashtag in my life, my career, my career. We we 70 00:04:04,520 --> 00:04:07,600 Speaker 1: can't get into housewives right now. It's it's it's a lot, 71 00:04:07,960 --> 00:04:10,720 Speaker 1: it's really a lot, and we might need to and well, 72 00:04:10,800 --> 00:04:12,760 Speaker 1: let's just say this, we have someone returning to the 73 00:04:12,800 --> 00:04:15,360 Speaker 1: podcast very soon in the coming weeks who will have 74 00:04:15,400 --> 00:04:17,839 Speaker 1: a lot to say. And also we can't we can't 75 00:04:17,920 --> 00:04:21,599 Speaker 1: yet reveal exactly a platform that will be on together 76 00:04:21,640 --> 00:04:24,359 Speaker 1: to discuss housewives, but I think you can use context clues. 77 00:04:25,040 --> 00:04:30,159 Speaker 1: Go little hint drop, a little hint drop A Matt, 78 00:04:30,520 --> 00:04:35,880 Speaker 1: I am really really excited for this week's guest. I'm 79 00:04:35,920 --> 00:04:40,240 Speaker 1: so platonically rock hard for our guest. It's like out 80 00:04:40,279 --> 00:04:42,560 Speaker 1: of control. There was a moment when we were in 81 00:04:42,600 --> 00:04:45,640 Speaker 1: Mexico City over New Year's where there was a potential 82 00:04:45,720 --> 00:04:47,680 Speaker 1: for this person to meet up with us when we 83 00:04:47,680 --> 00:04:50,760 Speaker 1: were on a night out, and I can I tell you, 84 00:04:50,800 --> 00:04:53,560 Speaker 1: I felt a little flutter in my stomach. I was 85 00:04:53,560 --> 00:04:56,880 Speaker 1: fluttering in my heart. I'm sorry that stomach sounds digestive 86 00:04:57,120 --> 00:04:59,640 Speaker 1: in my heart and hard even sounds like a rhythmic, 87 00:04:59,680 --> 00:05:02,760 Speaker 1: and so I'm sorry. We get want to say. I 88 00:05:02,839 --> 00:05:05,720 Speaker 1: was like, I get to meet I get to meet her. Yeah, 89 00:05:05,760 --> 00:05:10,080 Speaker 1: so basically the person, it did not happen because well, 90 00:05:10,320 --> 00:05:13,680 Speaker 1: there's only one word to say, COVID. There's really only 91 00:05:13,680 --> 00:05:15,880 Speaker 1: one word to say. That's actually a real culture number. 92 00:05:17,120 --> 00:05:24,960 Speaker 1: There's cod so applicable to life how much nowadays, especially 93 00:05:24,960 --> 00:05:28,840 Speaker 1: now that it's she back to quote Joanna Gold from 94 00:05:28,839 --> 00:05:30,440 Speaker 1: I Love That for You, And it's interesting I bring 95 00:05:30,440 --> 00:05:35,839 Speaker 1: that up because Our Guests is an iconic role in 96 00:05:35,880 --> 00:05:37,479 Speaker 1: the show I Love That for You, on which I 97 00:05:37,560 --> 00:05:39,960 Speaker 1: also they throw this word around a lot, but it's 98 00:05:39,960 --> 00:05:45,880 Speaker 1: really applies here quote unquote star Um, I absolutely stand 99 00:05:46,680 --> 00:05:50,120 Speaker 1: Our Guests and her role as Bena on I Love 100 00:05:50,200 --> 00:05:53,720 Speaker 1: That for You, a character that, let's just say, my 101 00:05:53,839 --> 00:05:57,680 Speaker 1: character sort of gets into it with you two really 102 00:05:58,120 --> 00:06:01,760 Speaker 1: have this perfect TV you that makes you good, that 103 00:06:01,800 --> 00:06:03,839 Speaker 1: makes the viewer, I'm good. They must love each other. 104 00:06:03,960 --> 00:06:06,680 Speaker 1: I r l you know, bo. It's that classic thing 105 00:06:07,000 --> 00:06:09,520 Speaker 1: what they always say about, like Rachel mcadow's playing Regina George. 106 00:06:09,600 --> 00:06:13,359 Speaker 1: You need someone kind to play someone so evil. You 107 00:06:13,400 --> 00:06:16,440 Speaker 1: need people that truly love each other to hate each other. 108 00:06:16,520 --> 00:06:18,560 Speaker 1: So vice really and I remember when I read some 109 00:06:18,600 --> 00:06:20,400 Speaker 1: things in the script, and I'm actually thrilled to say 110 00:06:20,400 --> 00:06:22,320 Speaker 1: that later in the season it does get physical between 111 00:06:22,400 --> 00:06:28,479 Speaker 1: us toil. But when I read in the script that 112 00:06:28,520 --> 00:06:29,880 Speaker 1: we would get to scream at each other in the 113 00:06:29,920 --> 00:06:32,560 Speaker 1: hallway in front of our colleagues, I really my heart 114 00:06:32,600 --> 00:06:35,800 Speaker 1: was a fluttering stomach, car all of it. Screaming in 115 00:06:35,839 --> 00:06:39,560 Speaker 1: a comedy is all you need. I love it so much. 116 00:06:39,600 --> 00:06:42,320 Speaker 1: And my character is sort of dry and like speaks 117 00:06:42,320 --> 00:06:44,359 Speaker 1: in like a sort of voice like this, so I 118 00:06:44,400 --> 00:06:46,520 Speaker 1: never really get to scream. And when I got to 119 00:06:46,560 --> 00:06:49,919 Speaker 1: scream the following two words at our guests, fuck you, 120 00:06:51,160 --> 00:06:55,400 Speaker 1: I really, really, really I was happy about that. Me too. 121 00:06:55,480 --> 00:06:57,640 Speaker 1: I think your home was very happy too, I laughed. 122 00:06:57,720 --> 00:07:00,960 Speaker 1: I had to laugh. Go back rewind fifteen seconds on 123 00:07:00,960 --> 00:07:03,720 Speaker 1: the Apple TV remote, Honey hit the fifteen seconds. Why 124 00:07:03,720 --> 00:07:06,120 Speaker 1: don't you I want to see that again. I want 125 00:07:06,120 --> 00:07:09,280 Speaker 1: to see that one again. I am watching that. Get 126 00:07:09,279 --> 00:07:13,040 Speaker 1: the fact back on the screen. I'm watching shout out 127 00:07:13,080 --> 00:07:18,760 Speaker 1: to our iconic guest stars. Thanks. Oh my god, that 128 00:07:18,880 --> 00:07:22,600 Speaker 1: was so fun. She improvised most of what she did. 129 00:07:22,680 --> 00:07:24,560 Speaker 1: That's so fun. I was like, if who wrote this? 130 00:07:24,560 --> 00:07:27,840 Speaker 1: This is so funny talking about going to space, like 131 00:07:27,880 --> 00:07:29,920 Speaker 1: she she knew what general world to play in. By 132 00:07:29,920 --> 00:07:31,960 Speaker 1: the way, speaking of Improriser, this is a true legend 133 00:07:32,040 --> 00:07:34,960 Speaker 1: in the threat and there's an interesting connection between her 134 00:07:35,000 --> 00:07:38,400 Speaker 1: and one of our favorite people in the world. Oh, 135 00:07:38,440 --> 00:07:43,320 Speaker 1: we gotta talk and get this. I'm in this zoom 136 00:07:43,400 --> 00:07:46,960 Speaker 1: right now with two Emmy nominated actors. We have an 137 00:07:47,000 --> 00:07:51,000 Speaker 1: Emmy nominee in the chat in the guest chat to 138 00:07:51,480 --> 00:07:53,960 Speaker 1: I'm not I'm not counting myself, but you have but 139 00:07:54,040 --> 00:07:57,800 Speaker 1: you factually were nominated. Okay, yes, but I'm putting the 140 00:07:57,840 --> 00:08:02,280 Speaker 1: focus on our guests and her nomination for playing him 141 00:08:02,280 --> 00:08:05,800 Speaker 1: in Special. Yes, and Special is of course iconic work. 142 00:08:06,040 --> 00:08:08,960 Speaker 1: And listen, we could continue to dilly dally, but let's 143 00:08:09,320 --> 00:08:12,600 Speaker 1: let's start the dance. I'd say, let's start the dance. 144 00:08:12,760 --> 00:08:21,000 Speaker 1: Please welcome, Oh my god, but like it would be 145 00:08:21,040 --> 00:08:22,800 Speaker 1: cool if you guys just kept talking about me and 146 00:08:22,840 --> 00:08:28,680 Speaker 1: I never said anything. Yeah, past to sit here, listen 147 00:08:28,760 --> 00:08:34,200 Speaker 1: to you give me approbation. If you didn't mind it, No, 148 00:08:34,480 --> 00:08:38,600 Speaker 1: I would love it. We love it, especially actors. Like 149 00:08:38,720 --> 00:08:44,120 Speaker 1: whenever someone's like, M like watching myself so humble, I'm like, 150 00:08:44,480 --> 00:08:47,760 Speaker 1: you're like, literally, we got into this profession because we 151 00:08:47,800 --> 00:08:51,880 Speaker 1: love attention. Stop acting like I can't want meself. Oh 152 00:08:51,880 --> 00:08:54,800 Speaker 1: my god, I can't. I had to just thinking about 153 00:08:54,800 --> 00:08:57,080 Speaker 1: this today, Like before this, I was like downstairs like 154 00:08:57,080 --> 00:08:59,120 Speaker 1: getting water, and for some reason I thought about my mind, 155 00:08:59,120 --> 00:09:00,880 Speaker 1: like we can't part time that we're in this for 156 00:09:00,960 --> 00:09:04,520 Speaker 1: like noble reasons, you know, No, it's all the entity. Yeah, 157 00:09:04,559 --> 00:09:08,040 Speaker 1: Like sometimes I come up with noble reasons to like 158 00:09:08,200 --> 00:09:10,880 Speaker 1: justify because I was in journalism major, so for a 159 00:09:10,880 --> 00:09:12,560 Speaker 1: long time I was like, I'm going to work for vice, 160 00:09:13,120 --> 00:09:14,959 Speaker 1: be a foreign correspondent and make a difference. And then 161 00:09:15,000 --> 00:09:16,959 Speaker 1: you know, I started acting and I was like, well, 162 00:09:18,400 --> 00:09:20,560 Speaker 1: I yuckum, ups aren't helping the world. And then I 163 00:09:20,679 --> 00:09:24,240 Speaker 1: like I was like, no, my presence on TV is 164 00:09:24,320 --> 00:09:28,200 Speaker 1: normalization and that's important and diversity and dada da da da. 165 00:09:28,320 --> 00:09:29,480 Speaker 1: But at the end of the day, it's like, we 166 00:09:29,559 --> 00:09:32,280 Speaker 1: love attention. So when people are like, oh my gosh, 167 00:09:32,280 --> 00:09:34,560 Speaker 1: I like I don't want my picture taking it feels 168 00:09:34,559 --> 00:09:38,800 Speaker 1: so weird. I'm like, no, it doesn't. That's literally do 169 00:09:38,880 --> 00:09:43,160 Speaker 1: because you love it exactly. This is the candor that 170 00:09:43,200 --> 00:09:45,600 Speaker 1: we have you here for. Okay, this is sort of 171 00:09:45,920 --> 00:09:47,840 Speaker 1: this is we wanted to give you this platform so 172 00:09:47,880 --> 00:09:51,120 Speaker 1: you could tell all these other self serious motherfucker's to 173 00:09:51,160 --> 00:09:56,640 Speaker 1: shut the funk up, like being I could, Yes, okay, 174 00:09:56,720 --> 00:09:59,240 Speaker 1: what's the story on Mexico City. So you got COVID 175 00:09:59,360 --> 00:10:02,440 Speaker 1: while you were No, I didn't get COVID while I 176 00:10:02,480 --> 00:10:05,080 Speaker 1: was there. You had to scare you had a scar 177 00:10:06,880 --> 00:10:08,800 Speaker 1: and so. And then I was like with a whole 178 00:10:08,800 --> 00:10:12,040 Speaker 1: group of people and they had plans, and then you 179 00:10:12,080 --> 00:10:13,839 Speaker 1: guys had plans and they just weren't matching up. But 180 00:10:13,880 --> 00:10:15,560 Speaker 1: I wish I would have just common met up with 181 00:10:15,600 --> 00:10:18,240 Speaker 1: you guys at night because it was so fun. It 182 00:10:18,400 --> 00:10:20,400 Speaker 1: was so fun what you guys were doing at that club. 183 00:10:20,440 --> 00:10:21,839 Speaker 1: I like looked it up and everything, and I was 184 00:10:21,840 --> 00:10:24,240 Speaker 1: like looking at the yelped pictures and I was sitting 185 00:10:24,240 --> 00:10:27,120 Speaker 1: outside of a bar. We're the most exciting thing that happened. 186 00:10:27,200 --> 00:10:31,840 Speaker 1: Was they handed us a bag of grapes. Yeah, okay, grapes, 187 00:10:32,520 --> 00:10:35,400 Speaker 1: the grapes. I didn't know about this grape culture. Oh 188 00:10:35,480 --> 00:10:42,000 Speaker 1: my god, grape culture title that. I didn't know that 189 00:10:42,160 --> 00:10:46,040 Speaker 1: grape culture until Mexico City and they can somebody what 190 00:10:46,440 --> 00:10:49,400 Speaker 1: is it exactly? It's you get twelve grapes and you're 191 00:10:49,400 --> 00:10:52,040 Speaker 1: supposed to eat them, and they're supposed to They're supposed 192 00:10:52,080 --> 00:10:54,920 Speaker 1: to represent the you know, the last four months of 193 00:10:54,960 --> 00:10:59,400 Speaker 1: the year Spanish tradition, and so in Spanish speaking countries, okay, 194 00:10:59,520 --> 00:11:01,559 Speaker 1: reading this, it consists of eating a grape with each 195 00:11:01,559 --> 00:11:03,760 Speaker 1: of the oh I'm starry, with each of the twelve 196 00:11:03,800 --> 00:11:07,679 Speaker 1: clock bell stripes at midnight welco the new year. Each 197 00:11:07,720 --> 00:11:10,600 Speaker 1: grape and clock bell stripe represents the coming twelve months. 198 00:11:10,640 --> 00:11:15,040 Speaker 1: So I got that mixed up. So it's the had Yeah, yeah, 199 00:11:14,720 --> 00:11:17,600 Speaker 1: I mean I love the tradition, love it, and it 200 00:11:17,679 --> 00:11:21,600 Speaker 1: was fun and the grapes were very delicious, like hard, firm, 201 00:11:21,880 --> 00:11:29,439 Speaker 1: juicy and weird skin green. My preferred grape is green personally. Yeah, yeah, 202 00:11:29,760 --> 00:11:31,640 Speaker 1: it's not a grape if it's not green, because the 203 00:11:31,640 --> 00:11:35,240 Speaker 1: purple ones leave like a weird film in your mouth. 204 00:11:36,000 --> 00:11:39,000 Speaker 1: But some of the people I was with had more 205 00:11:39,040 --> 00:11:41,360 Speaker 1: grapes than alcohol that night. And I'm not shaming people 206 00:11:41,400 --> 00:11:44,760 Speaker 1: that don't drink. I am an ally to all. But 207 00:11:46,480 --> 00:11:48,920 Speaker 1: I know you wanted to turn up. I know you 208 00:11:48,920 --> 00:11:50,400 Speaker 1: you wanted to turn up, turn up. And it was 209 00:11:50,440 --> 00:11:53,000 Speaker 1: New Year's Eat. And then once the grape arrived, everyone 210 00:11:53,040 --> 00:11:55,000 Speaker 1: was like stopping their faces with grapes, and I was like, 211 00:11:55,000 --> 00:11:56,760 Speaker 1: should we take a shot? And they're like, I'm good 212 00:11:56,800 --> 00:11:58,800 Speaker 1: with my grapes, and I was like, I'm good with 213 00:11:58,840 --> 00:12:03,240 Speaker 1: my grapes. I'm good with my grapes, and but I'm 214 00:12:03,280 --> 00:12:05,600 Speaker 1: you kind of what we're around, what it seemed to be, 215 00:12:05,640 --> 00:12:07,200 Speaker 1: and I don't want to make any sort of like 216 00:12:08,120 --> 00:12:11,120 Speaker 1: you were around a lot of straight It was all couples, 217 00:12:11,480 --> 00:12:13,360 Speaker 1: and they were very nice and two and two of 218 00:12:13,360 --> 00:12:14,920 Speaker 1: them I really really love the other one. I just 219 00:12:14,960 --> 00:12:18,600 Speaker 1: didn't know them. So sometimes this thing happens when you 220 00:12:18,640 --> 00:12:21,120 Speaker 1: don't know people and you're in a foreign country on 221 00:12:21,160 --> 00:12:23,120 Speaker 1: a vacation, on like one of the most fun nights 222 00:12:23,120 --> 00:12:25,360 Speaker 1: of the year, and they can kind of come off 223 00:12:25,400 --> 00:12:30,199 Speaker 1: as like energy vampire, yeah, And I'm like, I don't 224 00:12:30,240 --> 00:12:32,520 Speaker 1: know what the opposite of a vampire is. Like, I'm 225 00:12:32,559 --> 00:12:39,080 Speaker 1: like energy, energy, NonStop vomit. Yeah yeah, I think. Yeah, Well, 226 00:12:39,200 --> 00:12:42,280 Speaker 1: the opposite of a vampire is six Flags guy. I'm 227 00:12:42,320 --> 00:12:47,480 Speaker 1: the six Flags guy energy. Yeah yeah, party motivator. I 228 00:12:47,520 --> 00:12:48,920 Speaker 1: think if you're in a couple, I think a lot 229 00:12:48,920 --> 00:12:51,640 Speaker 1: of couples when they come together, they become energy vampire. 230 00:12:52,120 --> 00:12:55,320 Speaker 1: That's what That's what happened my couple. Yeah, but my 231 00:12:55,400 --> 00:12:58,520 Speaker 1: couple is like literally two versions of me, just in 232 00:12:58,520 --> 00:13:01,920 Speaker 1: two different genders. So it's like double six twelve flags 233 00:13:02,280 --> 00:13:05,600 Speaker 1: yeah yeah. And then it was two energy vampires. And 234 00:13:05,600 --> 00:13:08,160 Speaker 1: I was like, what was the name of the bar 235 00:13:08,280 --> 00:13:11,840 Speaker 1: we were at Bow for New Year's it was? It 236 00:13:11,920 --> 00:13:14,720 Speaker 1: was not It was not a great bar. I will 237 00:13:14,760 --> 00:13:19,000 Speaker 1: say I think it was great, But I will say this, 238 00:13:19,240 --> 00:13:23,480 Speaker 1: the the like dancers they had at that bar that 239 00:13:23,640 --> 00:13:25,839 Speaker 1: night on New Year's Eve were the most beautiful men 240 00:13:25,920 --> 00:13:30,640 Speaker 1: I had ever seen. Yes, they were shocking. Blowbar That's 241 00:13:30,640 --> 00:13:34,400 Speaker 1: what it was, Bob. Yes, I looked up a blowbar 242 00:13:34,640 --> 00:13:38,080 Speaker 1: you to bear that night at three point three on 243 00:13:38,080 --> 00:13:40,640 Speaker 1: on Google Maps, and not the pictures. Like one of 244 00:13:40,679 --> 00:13:43,120 Speaker 1: the first pictures I think was like two people with 245 00:13:43,160 --> 00:13:44,960 Speaker 1: like devil masks on, and I was like, I want 246 00:13:45,000 --> 00:13:47,960 Speaker 1: to be there. Yeah, that was really the vibe. To 247 00:13:47,960 --> 00:13:50,679 Speaker 1: be honest with you, it was devilish. Yeah, but it 248 00:13:50,760 --> 00:13:53,040 Speaker 1: was not good. I just I want I want you 249 00:13:53,080 --> 00:13:56,080 Speaker 1: to know that you were not missing anything. And I 250 00:13:56,120 --> 00:13:58,360 Speaker 1: want to say the people I were all very nice 251 00:13:58,360 --> 00:14:01,160 Speaker 1: and we still had fun. It was just a different 252 00:14:01,200 --> 00:14:05,839 Speaker 1: type of grape based fun. Yes, that I wasn't expecting. Well, 253 00:14:05,880 --> 00:14:08,640 Speaker 1: we're at this, We're about to hit the you know, 254 00:14:09,040 --> 00:14:13,160 Speaker 1: the five month mark. Ye, we're four and a half 255 00:14:13,240 --> 00:14:17,199 Speaker 1: months into this year. How do we do? We want 256 00:14:17,200 --> 00:14:19,360 Speaker 1: to reflect already on what the year is. I feel 257 00:14:19,400 --> 00:14:22,320 Speaker 1: like starting the year in Mexico, I was hoping that 258 00:14:22,360 --> 00:14:25,960 Speaker 1: it would be like a new a new frontier, and 259 00:14:26,000 --> 00:14:28,040 Speaker 1: it hasn't been. It's all it's all been the same. 260 00:14:28,520 --> 00:14:31,200 Speaker 1: Oh do you feel like it's not been the same 261 00:14:31,240 --> 00:14:34,680 Speaker 1: because it's been bad or it's just been like monotonous monotonous. 262 00:14:34,800 --> 00:14:36,880 Speaker 1: It's been very monotonous. It's been like not much has 263 00:14:36,920 --> 00:14:40,000 Speaker 1: changed since January. I have to say, I think for 264 00:14:40,080 --> 00:14:45,760 Speaker 1: us it's been different, different because we got Q one 265 00:14:45,840 --> 00:14:49,160 Speaker 1: was pretty packed, you know. You know, I actually famously 266 00:14:49,160 --> 00:14:54,080 Speaker 1: got COVID in Mexico City, which maybe you didn't hang out, 267 00:14:54,840 --> 00:14:57,320 Speaker 1: and I was very concerned because we were going to 268 00:14:57,400 --> 00:15:00,320 Speaker 1: start shooting like kind of right away, and they end 269 00:15:00,400 --> 00:15:03,440 Speaker 1: up pushing because of the only really one word to say, COVID. 270 00:15:04,120 --> 00:15:08,080 Speaker 1: So then we shot. We shot for eight weeks, and 271 00:15:08,920 --> 00:15:13,320 Speaker 1: you know, I genuinely felt there were times when I 272 00:15:13,360 --> 00:15:16,080 Speaker 1: would see put Um Patel and I was sort of 273 00:15:16,080 --> 00:15:18,520 Speaker 1: my heart relieve out of my chest. And I knew 274 00:15:18,560 --> 00:15:21,360 Speaker 1: I loved you from the pilot, but then I felt 275 00:15:21,400 --> 00:15:26,000 Speaker 1: like every single time you had any like interaction with when, 276 00:15:26,080 --> 00:15:28,640 Speaker 1: I'm like, it was like always a better, brighter day. 277 00:15:28,840 --> 00:15:31,240 Speaker 1: And I also have to say, you're so fucking funny 278 00:15:31,240 --> 00:15:34,600 Speaker 1: in the show. So funny. I mean not to boomerang 279 00:15:34,720 --> 00:15:37,520 Speaker 1: it back, but I don't do it. I got a boomerang, 280 00:15:37,560 --> 00:15:40,560 Speaker 1: and I know it's annoying, but I have to. Also 281 00:15:40,920 --> 00:15:43,040 Speaker 1: when I'm showed up for the press the virtual press 282 00:15:43,120 --> 00:15:48,240 Speaker 1: day looking supermodel, of course, well because my character is 283 00:15:48,280 --> 00:15:50,760 Speaker 1: so frumpy, so I was like, I have to fucking 284 00:15:50,800 --> 00:15:52,760 Speaker 1: step it up. And then for premiere, I was like 285 00:15:52,840 --> 00:15:59,440 Speaker 1: I have to go full because I mean like a 286 00:15:59,640 --> 00:16:01,960 Speaker 1: break eat and like a flannel and I was like, 287 00:16:03,520 --> 00:16:07,040 Speaker 1: I have to commemorate this body because it's not gonna 288 00:16:07,080 --> 00:16:09,560 Speaker 1: look like this forever and I like working hard on it, 289 00:16:09,720 --> 00:16:12,840 Speaker 1: so I'm like, we gotta show it off. Yeah, you 290 00:16:12,880 --> 00:16:18,200 Speaker 1: were giving legs. We had to, we had no choice. 291 00:16:19,000 --> 00:16:21,240 Speaker 1: And now now I don't ever want to say you're 292 00:16:21,240 --> 00:16:24,360 Speaker 1: not showing them wish. Granted, we live in California, so 293 00:16:24,400 --> 00:16:27,120 Speaker 1: I can always be like kind of naked. That's true. 294 00:16:27,320 --> 00:16:29,520 Speaker 1: So in this news in this news project you're doing, 295 00:16:29,520 --> 00:16:31,440 Speaker 1: where you play, we were speaking with you. You're in 296 00:16:31,440 --> 00:16:35,160 Speaker 1: Toronto right now and you're filming. Are we allowed to 297 00:16:35,240 --> 00:16:37,000 Speaker 1: say or we can't say what it is, but we 298 00:16:37,040 --> 00:16:39,560 Speaker 1: can we stay with what you're who you're playing. I 299 00:16:39,600 --> 00:16:44,920 Speaker 1: think so, So you're going to sue us actually do that. 300 00:16:45,560 --> 00:16:48,680 Speaker 1: Maybe I don't know. It's it's a major company, but 301 00:16:48,720 --> 00:16:50,520 Speaker 1: you're playing a mom for the very first time ever. 302 00:16:50,600 --> 00:16:52,640 Speaker 1: Is it a mom's legs? Is it like a hot 303 00:16:52,680 --> 00:16:59,760 Speaker 1: home mom um? There is one portion where yes, okay, 304 00:17:00,080 --> 00:17:01,960 Speaker 1: and I just had a wardrobe fitting for that portion 305 00:17:02,040 --> 00:17:06,280 Speaker 1: and I was like, let's go for it. Yeah, there 306 00:17:06,400 --> 00:17:08,359 Speaker 1: is one portion and I was like, let's go for 307 00:17:08,400 --> 00:17:10,840 Speaker 1: the extreme because the rest I am. But here's the thing. 308 00:17:11,560 --> 00:17:14,239 Speaker 1: The nice thing I like about the wardrobe department was like, 309 00:17:14,320 --> 00:17:16,040 Speaker 1: just because she's a mom, doesn't mean she has to 310 00:17:16,080 --> 00:17:19,480 Speaker 1: be frumpy, you know what I mean. So it's still 311 00:17:19,520 --> 00:17:23,000 Speaker 1: like like very flattering clothes and things like that. But 312 00:17:23,080 --> 00:17:26,720 Speaker 1: it's just funny because you know, I'm thirty seven, and 313 00:17:26,760 --> 00:17:30,439 Speaker 1: when I got this part, I was like, Wow, what 314 00:17:30,560 --> 00:17:33,440 Speaker 1: a stretch. How is anyone going to believe that I'm 315 00:17:33,480 --> 00:17:35,960 Speaker 1: a mom? And I had to be like, bitch, it 316 00:17:36,119 --> 00:17:38,920 Speaker 1: is very like reasonable that I would have a ten 317 00:17:39,000 --> 00:17:43,119 Speaker 1: year old son, right, but in my mind, it's like 318 00:17:43,600 --> 00:17:46,520 Speaker 1: unfathomable that anyone would ever believe that I have a kid, 319 00:17:47,000 --> 00:17:51,000 Speaker 1: because I don't. But it's not. It's normal for a 320 00:17:51,040 --> 00:17:53,040 Speaker 1: lot of people my age to have children. I guess 321 00:17:53,800 --> 00:17:57,280 Speaker 1: it happens every day. It happens all the time. And 322 00:17:57,400 --> 00:17:59,720 Speaker 1: isn't it weird that we think it doesn't just because 323 00:17:59,720 --> 00:18:04,200 Speaker 1: we're around that many people who have them. Yeah, it's 324 00:18:04,240 --> 00:18:06,639 Speaker 1: like we live in this different world, which is a 325 00:18:06,680 --> 00:18:09,080 Speaker 1: good thing, but I have like it's when you like 326 00:18:09,160 --> 00:18:14,359 Speaker 1: talk to your high school or college friends, but you're like, oh, right, yeah, 327 00:18:14,520 --> 00:18:17,480 Speaker 1: where did you grow up? Florida? Florida, and so that's 328 00:18:17,520 --> 00:18:20,800 Speaker 1: but that but then that's its own thing, that's its 329 00:18:20,840 --> 00:18:24,440 Speaker 1: own environment where people are like on different timelines. Oh, yeah, 330 00:18:24,480 --> 00:18:28,840 Speaker 1: and then also like being Indian. You know, it's like, honestly, 331 00:18:29,480 --> 00:18:31,520 Speaker 1: how am I even alive that I'm not married and 332 00:18:31,560 --> 00:18:36,400 Speaker 1: have children right now? Like? Am I even Indian? You know? Yeah, 333 00:18:36,440 --> 00:18:38,760 Speaker 1: I'm starting to feel I'm starting to feel that now 334 00:18:38,760 --> 00:18:41,959 Speaker 1: all of a sudden, I feel like my parents are 335 00:18:41,960 --> 00:18:43,600 Speaker 1: telling me about these kids I grew up with who 336 00:18:43,640 --> 00:18:46,080 Speaker 1: are like starting families now, And I'm like, are you 337 00:18:46,119 --> 00:18:49,600 Speaker 1: disappointed that I'm not doing that? Yeah? I'm about lucky. 338 00:18:49,720 --> 00:18:52,919 Speaker 1: I have an older sister that married another Patel and 339 00:18:53,000 --> 00:18:57,679 Speaker 1: had to like purebred Indian children, So I'm like, so 340 00:18:57,760 --> 00:19:00,840 Speaker 1: much feel sacrificed. So they about that, So I'm like, 341 00:19:00,920 --> 00:19:04,120 Speaker 1: you're good looking the other way at the moment, yes, 342 00:19:04,320 --> 00:19:07,960 Speaker 1: they're distracted. You know what, I've realized, Bowen, I have 343 00:19:08,119 --> 00:19:13,119 Speaker 1: never asked you do you want children? I think, um 344 00:19:13,440 --> 00:19:17,480 Speaker 1: at this time now same at this time, it feels like, 345 00:19:18,280 --> 00:19:22,359 Speaker 1: especially after we talked to Jesse on the Spodrom and 346 00:19:22,440 --> 00:19:26,119 Speaker 1: like reading her book, I was like, parenting sounds like 347 00:19:26,760 --> 00:19:29,920 Speaker 1: the hardest thing you could possibly do. I don't think 348 00:19:29,920 --> 00:19:31,800 Speaker 1: I could. I don't think I have it the gumption 349 00:19:32,160 --> 00:19:35,040 Speaker 1: or whatever, not that it takes gumption to be a 350 00:19:35,040 --> 00:19:38,639 Speaker 1: good parent. Or whatever. I just don't have like that capacity, 351 00:19:38,800 --> 00:19:43,080 Speaker 1: do you. You know, For a long long time, especially 352 00:19:43,119 --> 00:19:47,000 Speaker 1: in my twenties, I was like, hell, no, I am 353 00:19:47,080 --> 00:19:49,680 Speaker 1: not having kids. I'm going to travel for the rest 354 00:19:49,720 --> 00:19:51,600 Speaker 1: of my life and eat good food and this and that. 355 00:19:52,560 --> 00:19:56,000 Speaker 1: And I think something happens, especially for women as we're 356 00:19:56,000 --> 00:19:58,919 Speaker 1: getting older and we're constantly reminded that our bodies are 357 00:19:58,960 --> 00:20:01,280 Speaker 1: withering away and our eggs are like running out of 358 00:20:01,280 --> 00:20:05,800 Speaker 1: our body every day, that I'm like, oh, I kind 359 00:20:05,800 --> 00:20:09,560 Speaker 1: of have to decide. But I feel like really really open. 360 00:20:09,680 --> 00:20:12,760 Speaker 1: I think also because I'm with someone for the first 361 00:20:12,760 --> 00:20:15,040 Speaker 1: time that I could imagine that kind of life with 362 00:20:15,440 --> 00:20:17,360 Speaker 1: and a family with. I just think I hadn't really 363 00:20:17,440 --> 00:20:19,879 Speaker 1: dated anyone that I could imagine having a family with, 364 00:20:19,960 --> 00:20:23,040 Speaker 1: let alone like even being with the next week. But 365 00:20:23,240 --> 00:20:26,600 Speaker 1: like I think now that I have to like kind 366 00:20:26,680 --> 00:20:30,159 Speaker 1: of know a little bit, um, I feel really open 367 00:20:30,240 --> 00:20:34,080 Speaker 1: to it. But with the big caveat that I've realized, 368 00:20:35,200 --> 00:20:38,080 Speaker 1: is it caveat or caveat, I think it's I think 369 00:20:38,080 --> 00:20:41,680 Speaker 1: it's sort of tomato tomato. I think it really is yourself. 370 00:20:42,720 --> 00:20:46,800 Speaker 1: But I realized I'm not going to do it unless 371 00:20:46,840 --> 00:20:51,320 Speaker 1: I'm really rich to enough to afford every single type 372 00:20:51,320 --> 00:20:57,119 Speaker 1: of help available. Yes, yes, yes, I'm talking night nurse, nanny, babysitter, 373 00:20:58,200 --> 00:21:03,639 Speaker 1: home with separate wing. I honestly think working in childcare 374 00:21:03,840 --> 00:21:05,879 Speaker 1: you should, you should, you should be paid at least 375 00:21:06,000 --> 00:21:11,040 Speaker 1: seven figures. Oh. It's such a grueling job, and I 376 00:21:11,080 --> 00:21:15,240 Speaker 1: think there's like shame, especially towards women, where it's like, well, 377 00:21:15,440 --> 00:21:16,960 Speaker 1: you don't even work, you just stay home and you 378 00:21:16,960 --> 00:21:19,120 Speaker 1: still have help to raise your kids. And I'm like, yeah, 379 00:21:19,160 --> 00:21:20,679 Speaker 1: it's like the hardest thing in the world. It's like 380 00:21:20,680 --> 00:21:23,640 Speaker 1: a little gremlin, fucking little you push out a little 381 00:21:23,640 --> 00:21:26,439 Speaker 1: goober and then it's like latching onto you, sucking with 382 00:21:26,520 --> 00:21:28,760 Speaker 1: life out of you, ruining your body, ruining your mood. 383 00:21:28,800 --> 00:21:31,320 Speaker 1: You go into depression. Yeah, I'm gonna need some hols. 384 00:21:32,200 --> 00:21:34,320 Speaker 1: I also think there is a time in a young, 385 00:21:34,440 --> 00:21:37,159 Speaker 1: young child's life where it's like there's like a period 386 00:21:37,200 --> 00:21:41,080 Speaker 1: of time where they are dead set on trying to 387 00:21:41,480 --> 00:21:45,760 Speaker 1: accidentally kill themselves, like they're trying to They're absolutely trying 388 00:21:45,840 --> 00:21:49,400 Speaker 1: to run into a sharp corner. They're really they're they're 389 00:21:49,600 --> 00:21:52,640 Speaker 1: dead set on falling off a ledge, like they will. 390 00:21:52,840 --> 00:21:56,640 Speaker 1: They'll sort of like crawl towards death. And it's your 391 00:21:56,760 --> 00:22:00,520 Speaker 1: job to keep the kid alive and wants to do. 392 00:22:00,840 --> 00:22:03,600 Speaker 1: That's something I don't think I could personally deal with. 393 00:22:03,680 --> 00:22:06,439 Speaker 1: I was talking about this today, um I was co 394 00:22:06,560 --> 00:22:11,160 Speaker 1: hosting the podcast Attitudes, and Aaron Gibson asked if I 395 00:22:11,200 --> 00:22:14,200 Speaker 1: would ever want a child, and I was like, of me, 396 00:22:14,280 --> 00:22:18,159 Speaker 1: says no, But I think there's five percent possibility that 397 00:22:18,200 --> 00:22:20,920 Speaker 1: I could meet someone fall absolutely head over heels in 398 00:22:21,000 --> 00:22:23,160 Speaker 1: love with them in their my entire world, and if 399 00:22:23,200 --> 00:22:26,240 Speaker 1: they were like, I must have children, then I could 400 00:22:26,240 --> 00:22:29,040 Speaker 1: see myself doing it and it wouldn't be, you know, 401 00:22:29,080 --> 00:22:30,639 Speaker 1: the craziest worst thing in the world, because I do 402 00:22:30,720 --> 00:22:32,320 Speaker 1: think I would be a good parent if I ever 403 00:22:32,320 --> 00:22:36,000 Speaker 1: got over myself. Um. But but that's like a really 404 00:22:36,000 --> 00:22:48,120 Speaker 1: really narrow margin. Really, is it weird to act as 405 00:22:48,160 --> 00:22:50,320 Speaker 1: a parent, Like what is? What is? Is there a 406 00:22:50,359 --> 00:22:54,000 Speaker 1: different philosophy to acting? They're not philosophy, like a thing 407 00:22:54,040 --> 00:22:56,159 Speaker 1: about acting that you're learning as like where you have 408 00:22:56,200 --> 00:23:00,439 Speaker 1: to like pretend that you are this person's caretaker, especially 409 00:23:00,440 --> 00:23:05,040 Speaker 1: because I've met his mom and like she's just really sweet, 410 00:23:05,160 --> 00:23:08,000 Speaker 1: tiny Indian woman who like wears Indian clothes and she's 411 00:23:08,040 --> 00:23:12,880 Speaker 1: like so sweet and like quiet and I'm like, so, 412 00:23:13,800 --> 00:23:15,920 Speaker 1: I'm just like she must be looking at me being 413 00:23:15,960 --> 00:23:19,480 Speaker 1: like this bit is gonna mother my son. But you know, 414 00:23:19,560 --> 00:23:24,200 Speaker 1: the thing with like acting is I feel like I'm 415 00:23:24,280 --> 00:23:29,520 Speaker 1: like scam the system just like well, because I feel 416 00:23:29,560 --> 00:23:33,480 Speaker 1: like I started in comedy and I know we like act, 417 00:23:34,280 --> 00:23:37,399 Speaker 1: but I haven't. We were said we we scammed. We 418 00:23:37,440 --> 00:23:39,680 Speaker 1: scammed our way in a little bit. It's a little bit. 419 00:23:40,400 --> 00:23:43,120 Speaker 1: And so now I feel like people are like, oh, 420 00:23:43,200 --> 00:23:47,200 Speaker 1: you can act, but I'm like, no, I'm just really 421 00:23:47,720 --> 00:23:52,720 Speaker 1: sensitive and so I feel all my emotions like really 422 00:23:52,800 --> 00:23:57,480 Speaker 1: deeply all the time. And then I'm just really good 423 00:23:57,520 --> 00:24:01,399 Speaker 1: at triggering myself. So do you do that? Do you 424 00:24:01,480 --> 00:24:03,760 Speaker 1: do you trigger yourself with with with your own pain 425 00:24:03,800 --> 00:24:07,359 Speaker 1: in order to go there? Yes, and that's probably not 426 00:24:07,840 --> 00:24:11,400 Speaker 1: how you act like you're supposed to act. But I'm 427 00:24:11,440 --> 00:24:13,359 Speaker 1: just like, oh, I'm supposed to feel this. Let me 428 00:24:13,400 --> 00:24:16,520 Speaker 1: think of something really sad that happened to me and 429 00:24:16,560 --> 00:24:19,959 Speaker 1: put myself back in that place. And then I'm just like, 430 00:24:20,600 --> 00:24:25,159 Speaker 1: it's just like fe therapy, but you probably learned like 431 00:24:25,240 --> 00:24:29,560 Speaker 1: actual acting technique. But then also I'm like, well, funk it, 432 00:24:29,600 --> 00:24:31,120 Speaker 1: Let's just see how long we could do us until 433 00:24:31,119 --> 00:24:34,399 Speaker 1: someone's like, bitch, take a class, right, And like most 434 00:24:34,760 --> 00:24:36,560 Speaker 1: I don't know. I was like on like a like 435 00:24:36,600 --> 00:24:39,840 Speaker 1: an actor interview kick of like watching people talk about 436 00:24:39,880 --> 00:24:42,240 Speaker 1: their process, and most of these like these actors who 437 00:24:42,280 --> 00:24:44,879 Speaker 1: we love are like I don't really have one, right, 438 00:24:45,800 --> 00:24:47,960 Speaker 1: that's a process, you know, Like they're like I kind 439 00:24:47,960 --> 00:24:50,920 Speaker 1: of just like it depends project to project. And if 440 00:24:50,920 --> 00:24:56,240 Speaker 1: you're triggering yourself to elicit the appropriate emotion, like that's 441 00:24:56,320 --> 00:24:59,040 Speaker 1: that's that's your that's technique, Like I think you're good. 442 00:24:59,359 --> 00:25:03,760 Speaker 1: It's also the interest sometimes sometimes when I'm playing a 443 00:25:03,880 --> 00:25:09,040 Speaker 1: character and I can understand the emotional situation, and it's like, 444 00:25:09,080 --> 00:25:11,480 Speaker 1: for example, and Fire Island, I have like end bone 445 00:25:11,520 --> 00:25:17,840 Speaker 1: can absolutely wait to watch that, by the way, but 446 00:25:17,960 --> 00:25:21,119 Speaker 1: there's there's emotional scenes for all the characters. But and 447 00:25:21,160 --> 00:25:23,320 Speaker 1: I think that because that was such a meta experience 448 00:25:23,320 --> 00:25:25,480 Speaker 1: of doing that movie, it was not difficult to put 449 00:25:25,480 --> 00:25:28,520 Speaker 1: ourselves in those characters shoes and therefore get to that 450 00:25:28,600 --> 00:25:32,240 Speaker 1: emotional place. So that's one thing. But like Darcy has 451 00:25:32,280 --> 00:25:34,560 Speaker 1: some emotional stuff later in the season and the ship 452 00:25:34,720 --> 00:25:37,800 Speaker 1: he gets upset about. I could never get upset about, 453 00:25:37,960 --> 00:25:43,680 Speaker 1: so trying to conjure up like really really real seeming 454 00:25:43,720 --> 00:25:46,719 Speaker 1: emotion over something that you have no connection to is 455 00:25:46,840 --> 00:25:49,080 Speaker 1: really hard. And so like on days when I had 456 00:25:49,119 --> 00:25:51,159 Speaker 1: to be crying, like I would just be trying to 457 00:25:51,240 --> 00:25:53,400 Speaker 1: maintain that all day and the crew was like tiptoeing 458 00:25:53,400 --> 00:25:55,560 Speaker 1: around me, and I was like, guys, I'm not actually upset. 459 00:25:55,600 --> 00:25:58,359 Speaker 1: This is not real emotion. That's what that's That's what's 460 00:25:58,359 --> 00:26:00,920 Speaker 1: so like annoying about it is like trying and like 461 00:26:00,920 --> 00:26:02,919 Speaker 1: like really trying to get yourself there. And I was 462 00:26:03,040 --> 00:26:05,800 Speaker 1: trying to trigger myself and I couldn't do it. And 463 00:26:05,840 --> 00:26:09,080 Speaker 1: then I ended up crying because I was so frustrated 464 00:26:09,119 --> 00:26:11,159 Speaker 1: that I couldn't do it. I was like, well, I 465 00:26:11,200 --> 00:26:15,200 Speaker 1: guess I got there, like you got there? Who cares? How? Yeah? 466 00:26:15,240 --> 00:26:17,399 Speaker 1: I was just just so disappointed that I cried, and 467 00:26:17,440 --> 00:26:18,600 Speaker 1: I was like, oh, well, I guess this is what 468 00:26:18,760 --> 00:26:24,280 Speaker 1: doesn't work too roll the tape. That's meta, that's meta. Wait, 469 00:26:24,440 --> 00:26:27,080 Speaker 1: was there stuff with beinga this season that you felt 470 00:26:27,080 --> 00:26:32,239 Speaker 1: similiarly about Beina doesn't do you do? You don't really say, 471 00:26:32,560 --> 00:26:34,399 Speaker 1: I'm not not in terms of being emotional, but in 472 00:26:34,520 --> 00:26:37,320 Speaker 1: terms of like she's caring about something that I have 473 00:26:37,440 --> 00:26:41,359 Speaker 1: no I don't care about whatsoever or the other way around. 474 00:26:42,240 --> 00:26:46,000 Speaker 1: Um No, she's like very different from me. But that's 475 00:26:46,040 --> 00:26:48,399 Speaker 1: why it's fun, because it's like it's a kind of 476 00:26:48,480 --> 00:26:52,280 Speaker 1: character where it's like those like deep inappropriate thoughts that 477 00:26:52,560 --> 00:26:54,960 Speaker 1: we all have, but like, you know, we're adults and 478 00:26:54,960 --> 00:26:58,320 Speaker 1: we're good people, say she says, um, so in the way, 479 00:26:58,440 --> 00:27:00,800 Speaker 1: it's kind of like scratching and it because we all, 480 00:27:00,880 --> 00:27:04,800 Speaker 1: like I think secretly, we all want to be awful sometimes. Yeah, 481 00:27:05,040 --> 00:27:07,600 Speaker 1: Like you know, like when I first got to college 482 00:27:07,600 --> 00:27:08,960 Speaker 1: and I was like in a lecture hall for the 483 00:27:09,000 --> 00:27:12,359 Speaker 1: first time, like in a history class or something like, 484 00:27:13,080 --> 00:27:14,920 Speaker 1: do you don't have those urges where you just want 485 00:27:14,920 --> 00:27:18,119 Speaker 1: to stand up and yell something like really bad, like 486 00:27:18,359 --> 00:27:23,480 Speaker 1: really bad. Yeah, we canceled bad And then I would 487 00:27:23,640 --> 00:27:26,760 Speaker 1: I would be like scared that I was going to 488 00:27:26,880 --> 00:27:28,639 Speaker 1: do it, and then I'd be like, don't don't say that, 489 00:27:28,680 --> 00:27:29,680 Speaker 1: and then I'd be like I'm not gonna say that. 490 00:27:29,720 --> 00:27:31,520 Speaker 1: Oh my god, I'm to say it. I'm gonna do it. 491 00:27:31,520 --> 00:27:33,240 Speaker 1: It's like I think we have is it just me? 492 00:27:33,359 --> 00:27:35,439 Speaker 1: Like I think we have those urges, but we're like 493 00:27:35,480 --> 00:27:40,080 Speaker 1: good people, so we don't do it. Yeah, instinct. Yes, 494 00:27:40,160 --> 00:27:43,239 Speaker 1: it's a violent urge, Yeah, we do have it. And 495 00:27:43,320 --> 00:27:45,280 Speaker 1: like so I think, like when you get to play 496 00:27:45,359 --> 00:27:48,880 Speaker 1: like someone like bea who's just fully unhinged, I get 497 00:27:48,880 --> 00:27:50,359 Speaker 1: to just do it and I have an excuse to 498 00:27:50,359 --> 00:27:53,879 Speaker 1: do it, and hello, I get paid and rewarded to dream. 499 00:27:54,160 --> 00:27:59,439 Speaker 1: Dream what's the connection? A Bryant so eighty, as you know, 500 00:28:00,080 --> 00:28:02,960 Speaker 1: is a second city. So I like, I was, you know, 501 00:28:03,000 --> 00:28:05,399 Speaker 1: taking costs that second city and always watched her and 502 00:28:05,440 --> 00:28:07,520 Speaker 1: like admired her. And then I got to audition when 503 00:28:07,520 --> 00:28:09,879 Speaker 1: she got hired for SNL. I got to audition to 504 00:28:09,960 --> 00:28:16,520 Speaker 1: be her understudy. Cool. And when even when I was auditioning, um, 505 00:28:16,560 --> 00:28:18,400 Speaker 1: it was either when I was auditioning or then when 506 00:28:18,400 --> 00:28:21,600 Speaker 1: I eventually got it, she sent me like the nicest email. 507 00:28:21,720 --> 00:28:23,000 Speaker 1: It was when I was auditioning, because she was like, 508 00:28:23,000 --> 00:28:25,440 Speaker 1: if you have any questions, and I was like, well, 509 00:28:25,480 --> 00:28:27,040 Speaker 1: you just got hired to us, and I don't really 510 00:28:27,080 --> 00:28:28,840 Speaker 1: want to bother you, and she's like no, seriously, like 511 00:28:29,240 --> 00:28:31,280 Speaker 1: you know, I want you to feel comfortable because it's 512 00:28:31,320 --> 00:28:33,439 Speaker 1: like all the parts that she wrote for herself and 513 00:28:33,520 --> 00:28:36,040 Speaker 1: I have to do it and I can't, like no 514 00:28:36,080 --> 00:28:37,560 Speaker 1: one can be her, So you have to find a 515 00:28:37,560 --> 00:28:39,680 Speaker 1: way to like make it your own while still honoring 516 00:28:39,880 --> 00:28:42,520 Speaker 1: the work, and she like, I had a couple of 517 00:28:42,600 --> 00:28:46,360 Speaker 1: questions and she sent me back like the nicest, most 518 00:28:46,480 --> 00:28:51,120 Speaker 1: thorough email walking me through every scene was like so sweet. 519 00:28:51,160 --> 00:28:52,800 Speaker 1: And I was like, this woman, I don't know, just 520 00:28:52,840 --> 00:28:55,760 Speaker 1: got hired to this iconic show, dream job, and she's 521 00:28:55,760 --> 00:28:58,240 Speaker 1: sitting here writing me an email so like an audition 522 00:28:58,280 --> 00:29:02,960 Speaker 1: to be her understudy. She's she's so sweet and her 523 00:29:03,000 --> 00:29:05,959 Speaker 1: parts were like so fun to do because she's like 524 00:29:06,280 --> 00:29:12,840 Speaker 1: brilliant and study. And I replaced her and then I 525 00:29:12,880 --> 00:29:16,920 Speaker 1: got to do the like the next two shows where 526 00:29:16,920 --> 00:29:20,560 Speaker 1: I got to like write my own stuff. Then yeah, amazing, No, 527 00:29:20,720 --> 00:29:22,800 Speaker 1: but it was like awesome because that was the first job. 528 00:29:22,880 --> 00:29:24,640 Speaker 1: Also that like took me away from a nine to 529 00:29:24,760 --> 00:29:27,160 Speaker 1: five because up until then I was like working as 530 00:29:27,200 --> 00:29:29,200 Speaker 1: an editor. So I was like, Okay, I'll just like 531 00:29:29,800 --> 00:29:34,080 Speaker 1: do comedy for fun, but I have to make money. 532 00:29:34,960 --> 00:29:37,040 Speaker 1: And the second city offered me a full time job, 533 00:29:37,080 --> 00:29:39,040 Speaker 1: and my dad was like, you're living the life of 534 00:29:39,040 --> 00:29:41,240 Speaker 1: a gypsy. You can't do this was like I gotta go. 535 00:29:43,320 --> 00:29:45,760 Speaker 1: I forget that. It's like that like it's that's so 536 00:29:45,880 --> 00:29:48,440 Speaker 1: different than U. C. B. Which is well there was 537 00:29:48,480 --> 00:29:52,400 Speaker 1: an absolutely no money. There was only paying them. But 538 00:29:52,920 --> 00:29:54,920 Speaker 1: it's it's sort of like more of reviews, though, what's 539 00:29:54,920 --> 00:29:58,040 Speaker 1: the experience of being in the company. They're like, you know, 540 00:29:58,080 --> 00:30:00,400 Speaker 1: Second City is an interesting place for me. I can 541 00:30:00,400 --> 00:30:04,200 Speaker 1: only speak to me personally because yeah, because it's like 542 00:30:04,280 --> 00:30:07,680 Speaker 1: obviously as everyone's heard of, like a lot of comedy institutions, 543 00:30:07,680 --> 00:30:11,080 Speaker 1: extremely problematic. But I still really value my time there 544 00:30:11,120 --> 00:30:14,400 Speaker 1: because it actually gave me the confidence and affirmation that 545 00:30:14,440 --> 00:30:17,360 Speaker 1: I could like perform for a living, whereas I didn't 546 00:30:17,440 --> 00:30:21,040 Speaker 1: know I could before that. But like being pardon of 547 00:30:21,160 --> 00:30:24,560 Speaker 1: ensemble there there's only six of you and then you're 548 00:30:24,600 --> 00:30:26,600 Speaker 1: like writing your show together, and I think the best 549 00:30:26,600 --> 00:30:28,520 Speaker 1: thing that came out of it was like made me 550 00:30:28,680 --> 00:30:30,920 Speaker 1: not precious with any of my work because it's like 551 00:30:31,640 --> 00:30:34,240 Speaker 1: I would write a sketch and sometimes you just write 552 00:30:34,240 --> 00:30:35,760 Speaker 1: an idea and you improvise it, and I was like, 553 00:30:36,200 --> 00:30:38,960 Speaker 1: this is brilliant. It was really funny. Thing. We're gonna 554 00:30:38,960 --> 00:30:41,240 Speaker 1: have to replace the chairs, Everyone's going to pee their pants. 555 00:30:41,320 --> 00:30:43,320 Speaker 1: This is still good. It's gonna give me the hall 556 00:30:43,360 --> 00:30:46,080 Speaker 1: of fame a Second City that doesn't exist. And then 557 00:30:46,080 --> 00:30:48,200 Speaker 1: I would go on to like on stage and it 558 00:30:48,240 --> 00:30:51,840 Speaker 1: would be fucking crickets groans, and then that sketch would 559 00:30:51,840 --> 00:30:52,960 Speaker 1: never see the light of day, so you had to 560 00:30:53,000 --> 00:30:56,880 Speaker 1: just like move on really quickly. So like I feel 561 00:30:56,920 --> 00:30:58,840 Speaker 1: like it makes me now when I like write or 562 00:30:58,920 --> 00:31:01,280 Speaker 1: like improvise something and so doesn't like it or I auditioned, 563 00:31:01,280 --> 00:31:06,200 Speaker 1: I don't get it. I'm like, yeah, but I was 564 00:31:06,240 --> 00:31:10,160 Speaker 1: thinking about you talking about working the stage job, like 565 00:31:10,240 --> 00:31:12,400 Speaker 1: being an editor, Like that's another part of the scam 566 00:31:12,440 --> 00:31:15,480 Speaker 1: though for us, Like for I think for all three 567 00:31:15,520 --> 00:31:17,880 Speaker 1: of us, I know, like everyone has to do it, 568 00:31:17,880 --> 00:31:20,520 Speaker 1: like you have to eat somehow, but like I think 569 00:31:20,560 --> 00:31:23,840 Speaker 1: for us to like do what we do now and 570 00:31:23,920 --> 00:31:29,640 Speaker 1: like while like nurturing this like side hustle while also 571 00:31:29,720 --> 00:31:32,800 Speaker 1: having to like balance like this thing that like paid 572 00:31:32,800 --> 00:31:35,320 Speaker 1: your bills. Like I don't know, Like I feel like 573 00:31:35,320 --> 00:31:36,840 Speaker 1: it's a scam, but it's also like it's it takes 574 00:31:36,840 --> 00:31:41,200 Speaker 1: a lot of like mental work to do. I mean 575 00:31:41,360 --> 00:31:43,880 Speaker 1: that in a long time, you know, because because you 576 00:31:43,880 --> 00:31:46,000 Speaker 1: haven't had to. But that was that was that was 577 00:31:46,040 --> 00:31:49,640 Speaker 1: where I think I can speak for myself, like of 578 00:31:49,680 --> 00:31:56,640 Speaker 1: my energy went to trying to maintain like anything having 579 00:31:56,680 --> 00:31:59,480 Speaker 1: to do on a day to day basis, with my 580 00:31:59,480 --> 00:32:03,520 Speaker 1: my aspirations and my like dream career while also needing 581 00:32:03,560 --> 00:32:06,560 Speaker 1: to work in a restaurant all the time. And I 582 00:32:06,600 --> 00:32:09,320 Speaker 1: honestly think what keeps me going and what keeps me 583 00:32:09,760 --> 00:32:12,920 Speaker 1: like honestly like really always wanting the next job is 584 00:32:12,960 --> 00:32:15,120 Speaker 1: because I refuse to go back to working and a 585 00:32:15,200 --> 00:32:18,040 Speaker 1: high volume see food restaurant, right, And I do, I 586 00:32:18,080 --> 00:32:20,840 Speaker 1: do have fears that I will like I will, I 587 00:32:20,880 --> 00:32:24,880 Speaker 1: will still have like stress dreams. Will call them nightmares. 588 00:32:24,880 --> 00:32:26,880 Speaker 1: Actually I'm gonna call it a nightmare that like I 589 00:32:26,960 --> 00:32:29,840 Speaker 1: forgot table twose diet coke, you know what I mean? 590 00:32:29,880 --> 00:32:33,360 Speaker 1: Like it's really it's like and and the refusal to 591 00:32:33,400 --> 00:32:37,080 Speaker 1: go back to that life is something that I don't know. 592 00:32:37,160 --> 00:32:38,920 Speaker 1: I think when when you are a person that's like 593 00:32:39,200 --> 00:32:41,360 Speaker 1: needs to work and doesn't have the privilege of having 594 00:32:41,400 --> 00:32:44,080 Speaker 1: like the money that's always there so you can of 595 00:32:44,120 --> 00:32:48,240 Speaker 1: the time be pursuing, you know, be pursuing your career 596 00:32:48,280 --> 00:32:51,880 Speaker 1: and what you want, like that separates people and Suti 597 00:32:52,000 --> 00:32:54,800 Speaker 1: is the same way, like and you actually put him 598 00:32:54,920 --> 00:32:59,920 Speaker 1: like was part of sudis jfl new Faces. Oh my god, 599 00:33:00,640 --> 00:33:08,360 Speaker 1: that's another connection years ago. Wow, she's she's the best. Yeah, 600 00:33:08,400 --> 00:33:10,640 Speaker 1: And so basically like I think that's something we all share, 601 00:33:10,720 --> 00:33:15,640 Speaker 1: is like the the need to hustle and also like 602 00:33:15,680 --> 00:33:20,480 Speaker 1: have the survival job was yeah, yeah, I mean I 603 00:33:20,520 --> 00:33:25,320 Speaker 1: don't know, like there's something it's it's it's it's weird. 604 00:33:25,360 --> 00:33:27,080 Speaker 1: I don't know. I I promise this is not like 605 00:33:27,160 --> 00:33:29,760 Speaker 1: a stoner thought. I'm not stone I'm totally sober, but 606 00:33:29,800 --> 00:33:31,560 Speaker 1: I'm like, it is weird. How this is like a 607 00:33:31,680 --> 00:33:36,600 Speaker 1: universal like journey into comedy acting, which is you like, 608 00:33:37,200 --> 00:33:40,480 Speaker 1: go through this whole pipeline. I don't know, yeah, yeah, 609 00:33:40,520 --> 00:33:44,000 Speaker 1: And it's kind of just like a it's a risk 610 00:33:44,240 --> 00:33:48,040 Speaker 1: you take, like a huge risk to go act like 611 00:33:48,080 --> 00:33:50,600 Speaker 1: a fucking idiot for free, like to go play pretend 612 00:33:50,640 --> 00:33:53,640 Speaker 1: with other adults. And then like, yeah, I found a picture. 613 00:33:54,200 --> 00:33:56,920 Speaker 1: So I moved to l A to do the the 614 00:33:57,000 --> 00:34:01,680 Speaker 1: CBS Diversity Showcase. Yes, no big deal. Um were you're 615 00:34:01,720 --> 00:34:07,760 Speaker 1: making a basement? Honey? Remember what year you did it? Okay, great? 616 00:34:08,000 --> 00:34:09,279 Speaker 1: Was that the year we were supposed to do it? 617 00:34:09,280 --> 00:34:14,000 Speaker 1: But you're supposed we were going to do it a 618 00:34:14,040 --> 00:34:17,960 Speaker 1: couple of years later. Oh my gosh. Well I found 619 00:34:17,960 --> 00:34:21,360 Speaker 1: a picture of me the other day and it was 620 00:34:21,440 --> 00:34:24,840 Speaker 1: like a sketch someone had written about what we do, 621 00:34:25,560 --> 00:34:27,880 Speaker 1: and I was dressed like Velma, but it was like 622 00:34:28,000 --> 00:34:33,560 Speaker 1: makeshift costume, so it was like brown tablecloth tied around 623 00:34:33,560 --> 00:34:36,520 Speaker 1: me as a skirt, an orange ill fitting sweater and 624 00:34:36,600 --> 00:34:42,200 Speaker 1: like literally like like a like a wig that looks 625 00:34:42,239 --> 00:34:45,080 Speaker 1: like a tupe and then flashes and I'm just standing 626 00:34:45,120 --> 00:34:49,520 Speaker 1: there and I'm standing next to do you know Cola Scolay, brilliant, 627 00:34:49,920 --> 00:34:53,160 Speaker 1: one of the greatest for meeting brilliant minds of our time. 628 00:34:54,080 --> 00:34:57,839 Speaker 1: He's standing next to me dressed like Scooby And I 629 00:34:57,880 --> 00:35:00,160 Speaker 1: was just like looking at that picture and I had 630 00:35:00,200 --> 00:35:04,200 Speaker 1: made a gift at the time that said that moment 631 00:35:04,200 --> 00:35:06,360 Speaker 1: where you ask yourself what the hell are you doing? 632 00:35:08,239 --> 00:35:11,960 Speaker 1: It happened in that moment on stage, and I was like, 633 00:35:12,000 --> 00:35:14,920 Speaker 1: I feel like, especially as comedians, we have that all 634 00:35:14,960 --> 00:35:17,520 Speaker 1: the time because we're like when we're starting, we're like 635 00:35:17,800 --> 00:35:24,160 Speaker 1: in a basement with filled with asbestos. They're serving blue pictures, 636 00:35:24,160 --> 00:35:26,799 Speaker 1: a blue drink, there's a pizza on the stage, there's 637 00:35:26,840 --> 00:35:30,800 Speaker 1: a dog roaming around. You're like you're doing a problematic accent, 638 00:35:31,080 --> 00:35:34,799 Speaker 1: and you're just like, what are we doing? Yeah? And 639 00:35:35,120 --> 00:35:37,680 Speaker 1: like also the funny thing is like speaking of the 640 00:35:37,760 --> 00:35:40,279 Speaker 1: smells of those places. I will never forget. Bone, do 641 00:35:40,320 --> 00:35:44,160 Speaker 1: you remember finding out remember that smell in the pit underground? 642 00:35:45,480 --> 00:35:49,360 Speaker 1: That pit underground, by the way. One time, Bone and 643 00:35:49,400 --> 00:35:53,000 Speaker 1: I did a show for one person. It was Matt 644 00:35:53,040 --> 00:35:55,640 Speaker 1: and Bowen. We were doing Sluck Luck. We had a 645 00:35:55,680 --> 00:35:59,040 Speaker 1: slutty lip sync dance duo named Sluck And one person 646 00:35:59,080 --> 00:36:02,080 Speaker 1: came and I was my friend of me and I 647 00:36:02,120 --> 00:36:07,920 Speaker 1: remember finding out that that smell was dead rat. What, Yes, 648 00:36:08,760 --> 00:36:13,360 Speaker 1: that smell was dead decomposing rat. And I think it 649 00:36:13,440 --> 00:36:15,440 Speaker 1: was a bartender at the time that was that. I 650 00:36:15,480 --> 00:36:17,600 Speaker 1: was like sort of flirting with there that told me that, 651 00:36:18,160 --> 00:36:19,960 Speaker 1: and he was like, you know what that smell is 652 00:36:20,440 --> 00:36:24,560 Speaker 1: des And I always just thought it was like it 653 00:36:24,640 --> 00:36:26,719 Speaker 1: must be like a cleaner they used or something. But 654 00:36:27,040 --> 00:36:30,640 Speaker 1: do you remember that smell? I remember that smell. You'll 655 00:36:30,680 --> 00:36:34,280 Speaker 1: never forget the smells of these places. Wait, but how 656 00:36:34,960 --> 00:36:38,840 Speaker 1: did the rat pass? No? No, no, not rat rats? 657 00:36:39,640 --> 00:36:41,799 Speaker 1: So what was there? Like rat poison? And they would 658 00:36:41,840 --> 00:36:43,919 Speaker 1: eat in they were just the carcasses were just left there. 659 00:36:44,239 --> 00:36:46,160 Speaker 1: They were like behind this they were like somewhere in 660 00:36:46,160 --> 00:36:48,279 Speaker 1: the walls or something or like because you know, there's 661 00:36:48,280 --> 00:36:50,200 Speaker 1: like thousands of rats everywhere you go in New York City, 662 00:36:50,239 --> 00:36:53,000 Speaker 1: you just don't see them. There's like millions of rats everywhere. 663 00:36:53,760 --> 00:36:55,600 Speaker 1: How do you get them out? You got to break 664 00:36:55,600 --> 00:36:59,439 Speaker 1: into the wall. You have to break into the wall. Absolutely, 665 00:36:59,560 --> 00:37:02,520 Speaker 1: But this is well anyway, this is all to say that, like, 666 00:37:02,640 --> 00:37:05,200 Speaker 1: what a beautiful journey to have you all of us 667 00:37:05,239 --> 00:37:07,239 Speaker 1: do this, but then for you guys specifically to end 668 00:37:07,320 --> 00:37:09,880 Speaker 1: up on the show with Suity and then with Vanessa 669 00:37:09,920 --> 00:37:12,839 Speaker 1: and Molly and Jeremy and like all the people who 670 00:37:12,880 --> 00:37:14,200 Speaker 1: work on the show. I'm watching the show and I go, 671 00:37:14,320 --> 00:37:16,279 Speaker 1: this is a perfect show. It feels like it's it's 672 00:37:16,360 --> 00:37:19,960 Speaker 1: made for me in a way where I'm like, it's 673 00:37:20,000 --> 00:37:22,000 Speaker 1: all these people who I love, all like working on 674 00:37:22,040 --> 00:37:24,600 Speaker 1: the same project and oh, it's so it's just so good. 675 00:37:24,840 --> 00:37:26,920 Speaker 1: I did get to watch the first episode with Bowen 676 00:37:27,200 --> 00:37:29,520 Speaker 1: when they when they put it on Showtime, and Bowen said, 677 00:37:29,520 --> 00:37:31,360 Speaker 1: this is exactly the kind of show I want to watch, 678 00:37:31,400 --> 00:37:33,879 Speaker 1: and I was like, Oh, I hope, I hope more 679 00:37:34,080 --> 00:37:36,520 Speaker 1: people that are like, you know, have great taste say that. 680 00:37:36,760 --> 00:37:40,640 Speaker 1: I genuinely, I don't know I would imagine that you've well, 681 00:37:40,880 --> 00:37:43,200 Speaker 1: I know you have like you've you've you've booked and 682 00:37:43,280 --> 00:37:46,440 Speaker 1: been around like so you know it feels like a 683 00:37:46,480 --> 00:37:48,600 Speaker 1: special show. No it is, there's not a done in 684 00:37:48,640 --> 00:37:51,719 Speaker 1: the group. The writing is like insanely good. We were 685 00:37:51,800 --> 00:37:54,439 Speaker 1: cackling out loud. I couldn't even memorize my lines because 686 00:37:54,480 --> 00:37:55,840 Speaker 1: I was like saying them out lout to myself and 687 00:37:55,880 --> 00:37:58,440 Speaker 1: I couldn't get through that. But it's so good. It's 688 00:37:58,440 --> 00:38:02,160 Speaker 1: such an all like literally it's stars on stars. Yeah, 689 00:38:02,880 --> 00:38:06,000 Speaker 1: and even my mom likes it and she doesn't like anything. 690 00:38:06,840 --> 00:38:10,560 Speaker 1: It's literally the only criticism she had was like I 691 00:38:10,560 --> 00:38:15,480 Speaker 1: didn't like that sweater you wore or whatever, has like 692 00:38:15,680 --> 00:38:18,920 Speaker 1: opinions about the wardrobe, and like literally once she hated 693 00:38:18,920 --> 00:38:20,799 Speaker 1: my wardrobe on a show so much. But she was like, 694 00:38:20,920 --> 00:38:25,319 Speaker 1: so do they force you to wear those clothes? And 695 00:38:25,360 --> 00:38:27,680 Speaker 1: I was like, like against my will? And she's like yeah, 696 00:38:27,920 --> 00:38:29,560 Speaker 1: like in her mind, like there's no way I would 697 00:38:29,560 --> 00:38:31,600 Speaker 1: have chosen to wear that outfit. It was still bad. 698 00:38:32,400 --> 00:38:34,320 Speaker 1: It's one of those things where you can't really explain 699 00:38:34,320 --> 00:38:36,520 Speaker 1: to a parent, like what goes into like this is 700 00:38:36,560 --> 00:38:38,799 Speaker 1: not it's not up to you. So in a way 701 00:38:38,840 --> 00:38:42,239 Speaker 1: she's right, like you are being forced, but also it's 702 00:38:42,280 --> 00:38:51,040 Speaker 1: like day, yeah, it's funny yams are just critical. Yeah, 703 00:38:51,320 --> 00:38:53,920 Speaker 1: you know it's it's there's Darcy wears a suit in 704 00:38:53,960 --> 00:38:56,799 Speaker 1: the first episode, which is so tight that my I mean, 705 00:38:56,840 --> 00:39:02,320 Speaker 1: we can just say my dick is out, thank you, sweetheart. 706 00:39:03,080 --> 00:39:06,600 Speaker 1: But but like my penis was fully out and I 707 00:39:06,600 --> 00:39:09,520 Speaker 1: could feel my mom like sort of floating around and 708 00:39:09,640 --> 00:39:14,640 Speaker 1: she was like, yeah, that's suit. I thought you wore it. Well, um, 709 00:39:14,680 --> 00:39:16,120 Speaker 1: it's like, what do you do when you're a mom 710 00:39:16,160 --> 00:39:18,680 Speaker 1: and your son's penis is out? You know what I mean, 711 00:39:18,800 --> 00:39:20,319 Speaker 1: that's a big question I have. What do you do 712 00:39:20,360 --> 00:39:24,080 Speaker 1: when you're a mom? Like I we I did these 713 00:39:24,080 --> 00:39:26,840 Speaker 1: photos for Gay Letter and Thongs that Cole and Joel 714 00:39:26,880 --> 00:39:29,319 Speaker 1: also did, and it was like the one picture that 715 00:39:29,360 --> 00:39:31,080 Speaker 1: my mom and dad did not like, and I know 716 00:39:31,120 --> 00:39:33,840 Speaker 1: they saw. What do you do when your son's asses 717 00:39:33,840 --> 00:39:37,080 Speaker 1: out and dick is on tv? You know you can't? 718 00:39:37,080 --> 00:39:38,759 Speaker 1: And this is what we have to ask ourselves when 719 00:39:38,760 --> 00:39:42,200 Speaker 1: we end up wanting kids. Yes, you you have to 720 00:39:42,280 --> 00:39:44,640 Speaker 1: think ahead and think how am I going to be 721 00:39:44,800 --> 00:39:48,840 Speaker 1: when I see their dick out? Because at a certain 722 00:39:49,719 --> 00:39:54,680 Speaker 1: age it transitions from that's my child's dick to know 723 00:39:54,880 --> 00:39:58,800 Speaker 1: that's there, that's there, that's not my butt I'm responsible for. 724 00:39:59,000 --> 00:40:02,160 Speaker 1: That's their book. Now I can't. You can only touch 725 00:40:02,200 --> 00:40:04,400 Speaker 1: there button dick for so long to tuck it back in, 726 00:40:04,480 --> 00:40:06,920 Speaker 1: and then at a certain age, I can't touch them anyway. 727 00:40:07,160 --> 00:40:09,239 Speaker 1: They have to deal with that on their own. I'll 728 00:40:09,400 --> 00:40:12,440 Speaker 1: never forget that one time my dad came in. I 729 00:40:12,520 --> 00:40:14,359 Speaker 1: was like fourteen or fifteen years old, and I was like, 730 00:40:14,440 --> 00:40:16,319 Speaker 1: for some reason, I was taking a shower in his 731 00:40:16,360 --> 00:40:19,960 Speaker 1: bathroom and I know for a fact he came in 732 00:40:20,239 --> 00:40:23,840 Speaker 1: on purpose to see what if I had pubes. And 733 00:40:23,880 --> 00:40:25,359 Speaker 1: I think that was the first time he ever saw 734 00:40:25,400 --> 00:40:27,719 Speaker 1: me with pubes. And I saw him like smirk, like 735 00:40:28,000 --> 00:40:29,719 Speaker 1: my kid has pubs, now, you know what I mean. Like, 736 00:40:29,760 --> 00:40:31,200 Speaker 1: but of course, when I was a little kid, they 737 00:40:31,200 --> 00:40:33,279 Speaker 1: saw me naked all the time, running around and then 738 00:40:33,280 --> 00:40:36,080 Speaker 1: I guess around like five six, you know, that starts 739 00:40:36,120 --> 00:40:38,520 Speaker 1: to be like, you know, I don't want my parents 740 00:40:38,520 --> 00:40:41,000 Speaker 1: seeing me naked, but this was a thing all the time, 741 00:40:41,320 --> 00:40:43,120 Speaker 1: and then I sort of went away to the wilderness 742 00:40:43,160 --> 00:40:46,000 Speaker 1: to go, you know, the wilderness, like being my bedroom 743 00:40:46,000 --> 00:40:48,440 Speaker 1: and shutting the door and like having a puberty moment. 744 00:40:48,640 --> 00:40:50,080 Speaker 1: And then they see you and all of a sudden, 745 00:40:50,080 --> 00:40:52,279 Speaker 1: your kids like a little man. Also, I like how 746 00:40:52,320 --> 00:40:54,840 Speaker 1: your dad thought it would be less awkward to walk 747 00:40:55,000 --> 00:40:59,120 Speaker 1: in on your naked and just like, hey, it's been 748 00:40:59,120 --> 00:41:00,680 Speaker 1: a while since I seen yourn it. I'm wondering what 749 00:41:00,719 --> 00:41:02,920 Speaker 1: the pube situation is now. I know you probably got it. 750 00:41:03,360 --> 00:41:07,920 Speaker 1: Uh show me. He's like, nof, like, I wonder what 751 00:41:07,960 --> 00:41:10,160 Speaker 1: that was. Yeah, you should have just asked you, But 752 00:41:10,160 --> 00:41:11,680 Speaker 1: I guess it's also weird to ask you. Are you 753 00:41:11,719 --> 00:41:16,640 Speaker 1: growing here down there yet? I think I think if 754 00:41:16,680 --> 00:41:18,839 Speaker 1: they have any questions about my penis now, they can 755 00:41:18,880 --> 00:41:20,560 Speaker 1: just watch episode one and I love that for you, 756 00:41:20,600 --> 00:41:23,320 Speaker 1: and it's like pretty, It's like pretty, it's been pretty 757 00:41:23,320 --> 00:41:34,160 Speaker 1: craftically out there speaking of penises, you know, beginning of life. 758 00:41:34,239 --> 00:41:37,719 Speaker 1: Going back to the beginning and the drawing board, What 759 00:41:37,800 --> 00:41:40,120 Speaker 1: was the culture that made you say culture was for you? 760 00:41:40,520 --> 00:41:44,120 Speaker 1: I think it was, if I'm understanding the question correctly, 761 00:41:44,560 --> 00:41:48,560 Speaker 1: you are you stirl? I think it was like the culture. 762 00:41:48,880 --> 00:41:54,520 Speaker 1: It was like Indian haggling culture. Huh, we can talk 763 00:41:54,560 --> 00:41:58,920 Speaker 1: about this. Yes, it is like haggling and deals and 764 00:41:58,960 --> 00:42:01,239 Speaker 1: stuff like that. It's like a fare a big part 765 00:42:01,280 --> 00:42:04,600 Speaker 1: of being Indian. And I think it used to kind 766 00:42:04,600 --> 00:42:09,200 Speaker 1: of embarrass me, um because it's not just about being cheap. 767 00:42:09,600 --> 00:42:13,680 Speaker 1: Because Indians are going to like Bindy Jeweler's jewelry store 768 00:42:13,760 --> 00:42:17,080 Speaker 1: and buying like thousands of dollars of gold, and they 769 00:42:17,120 --> 00:42:19,800 Speaker 1: have a little shitty calculator held together by tape, and 770 00:42:19,840 --> 00:42:22,560 Speaker 1: they're like calculating the price, poking, And then my mom's 771 00:42:22,600 --> 00:42:24,800 Speaker 1: grabbing the calculator, She's like, what about this per ounce 772 00:42:24,880 --> 00:42:27,359 Speaker 1: of gold? So they're like buying expensive things, but they're 773 00:42:27,360 --> 00:42:30,640 Speaker 1: still haggling. And then they're also haggling, you know, with 774 00:42:30,680 --> 00:42:34,440 Speaker 1: the guys selling a cucumber at the market. Um. But 775 00:42:34,560 --> 00:42:42,200 Speaker 1: I think it like really enforced this idea of like 776 00:42:43,840 --> 00:42:50,960 Speaker 1: you're not going to get the best interesting. Yeah, and 777 00:42:51,040 --> 00:42:53,120 Speaker 1: not in a paranoid way, but in a way that 778 00:42:53,239 --> 00:42:56,600 Speaker 1: is empowering because even now, like especially as you know, 779 00:42:56,680 --> 00:43:00,000 Speaker 1: like in this industry, like when we first start as 780 00:43:00,000 --> 00:43:03,640 Speaker 1: any marginalized group, we're just like so fucking excited someone 781 00:43:03,760 --> 00:43:06,399 Speaker 1: let us in, whether we have to crawl in through 782 00:43:06,400 --> 00:43:08,600 Speaker 1: the window or up in the toilet, we got here 783 00:43:08,600 --> 00:43:10,239 Speaker 1: and we're just like so happy we're here, and we're 784 00:43:10,239 --> 00:43:12,880 Speaker 1: like kick us out if we say anything. And I 785 00:43:12,920 --> 00:43:16,560 Speaker 1: feel like the Indian haggling culture that has been ingrained 786 00:43:16,600 --> 00:43:20,480 Speaker 1: into my DNA didn't allow me though, even from beginning, 787 00:43:21,320 --> 00:43:24,920 Speaker 1: to just accept everything and be in this place of 788 00:43:24,960 --> 00:43:27,959 Speaker 1: like toxic gratitude, because I'm very grateful, but I feel 789 00:43:27,960 --> 00:43:30,560 Speaker 1: like it's now allowed me to be like, no, I 790 00:43:30,640 --> 00:43:34,160 Speaker 1: know we can do better. Yeah, you're right that it 791 00:43:34,280 --> 00:43:36,919 Speaker 1: is when you struggle to get your foot in the door, 792 00:43:37,000 --> 00:43:40,359 Speaker 1: because not only is it hard period, but also when 793 00:43:40,360 --> 00:43:43,560 Speaker 1: you are the type of person that only gets offered 794 00:43:43,560 --> 00:43:46,359 Speaker 1: a certain thing and you feel like you're in competition 795 00:43:46,760 --> 00:43:51,359 Speaker 1: with people like you, um, it's it is like when 796 00:43:51,719 --> 00:43:55,520 Speaker 1: when they decide to hand you an opportunity. I remember, 797 00:43:55,640 --> 00:43:58,000 Speaker 1: like when they first told I got offered a job 798 00:43:58,080 --> 00:44:00,600 Speaker 1: one time and the pay was insanely low, and I 799 00:44:00,640 --> 00:44:03,319 Speaker 1: was so excited about it. I was like, they want 800 00:44:03,320 --> 00:44:08,279 Speaker 1: to bring me five thousand dollars an episode. Oh my gosh, 801 00:44:08,520 --> 00:44:12,839 Speaker 1: that's like that's like dollars for four episode. And then 802 00:44:12,960 --> 00:44:16,040 Speaker 1: you hear like, no, that's a joke, Like you could 803 00:44:16,160 --> 00:44:18,560 Speaker 1: you you can't say yes to that, but it was 804 00:44:18,680 --> 00:44:22,600 Speaker 1: more money than I had ever thought. And and also 805 00:44:22,719 --> 00:44:24,799 Speaker 1: you're just like, well, don't piss them off. Don't go 806 00:44:24,840 --> 00:44:27,480 Speaker 1: back and say that's not acceptable, because then you know 807 00:44:27,520 --> 00:44:30,080 Speaker 1: I don't want them to be mad at me. Yeah, 808 00:44:30,239 --> 00:44:32,120 Speaker 1: well they'll take it away. They'll take it away and 809 00:44:32,120 --> 00:44:33,880 Speaker 1: give it to someone else. So you feel like you 810 00:44:33,960 --> 00:44:37,359 Speaker 1: bypassed that, like that moment of like, oh, I don't know, 811 00:44:37,840 --> 00:44:40,080 Speaker 1: like this is I don't want to rock the boat 812 00:44:40,120 --> 00:44:44,560 Speaker 1: too much, you think, like with haggling, like you got 813 00:44:44,560 --> 00:44:47,279 Speaker 1: to skip that. Maybe yes, I mean I feel like 814 00:44:47,320 --> 00:44:49,759 Speaker 1: I'll still if I care about something, I'll still do 815 00:44:49,840 --> 00:44:52,080 Speaker 1: it even for free, because I want to do it 816 00:44:52,120 --> 00:44:53,960 Speaker 1: and I feel privileged enough that I could be in 817 00:44:54,000 --> 00:45:00,399 Speaker 1: that position. But yeah, and also it's like I'm ry 818 00:45:00,920 --> 00:45:04,160 Speaker 1: aware that when you have an agent or a manager, 819 00:45:04,920 --> 00:45:07,920 Speaker 1: you have to give them ten percent. So I'm like, 820 00:45:09,160 --> 00:45:12,200 Speaker 1: if I don't need you, I'm not paying ten percent. 821 00:45:12,920 --> 00:45:17,560 Speaker 1: It's like, and keep it too small until people like 822 00:45:17,640 --> 00:45:19,279 Speaker 1: you have to have a lawyer. You have to do this. 823 00:45:19,280 --> 00:45:21,640 Speaker 1: So I'm like, okay, fine. But also I'm like, well 824 00:45:21,640 --> 00:45:24,160 Speaker 1: they canna ask what some har I'm been asking we're 825 00:45:24,200 --> 00:45:27,560 Speaker 1: supposed to where someone says no, but like I always 826 00:45:27,560 --> 00:45:29,640 Speaker 1: have to at least try. It's like this weird thing 827 00:45:29,640 --> 00:45:32,839 Speaker 1: to me. Like today, so I'm in Toronto right now, 828 00:45:32,840 --> 00:45:35,160 Speaker 1: and we're in this little corporate apartment but it has 829 00:45:35,200 --> 00:45:37,080 Speaker 1: like a little bit of corporate apartment smell, and so 830 00:45:37,120 --> 00:45:38,200 Speaker 1: I was like, you know what I need like a 831 00:45:38,239 --> 00:45:41,239 Speaker 1: diffuser or something nice. So I was like, you know what, 832 00:45:41,560 --> 00:45:44,200 Speaker 1: I'm gonna treat myself. And I went to like West 833 00:45:44,200 --> 00:45:47,840 Speaker 1: Elm today, like a little rich white lady, and the 834 00:45:47,920 --> 00:45:53,719 Speaker 1: diffusers were like seventy nine dollars for one diffuser, and 835 00:45:53,760 --> 00:45:56,560 Speaker 1: I was like, like the immigrant in me and like 836 00:45:56,600 --> 00:45:59,000 Speaker 1: the cheap Indian to me was like that's ridiculous, and me, 837 00:45:59,080 --> 00:46:00,640 Speaker 1: I was like, I really like a smell, and I 838 00:46:00,680 --> 00:46:02,239 Speaker 1: want to live in a place of smells good and 839 00:46:02,239 --> 00:46:05,759 Speaker 1: I want to want and also I can afford it. 840 00:46:05,760 --> 00:46:09,160 Speaker 1: I'm doing I'm feeling a movie like but like even 841 00:46:09,320 --> 00:46:11,480 Speaker 1: when I was up there, I was like kind of 842 00:46:11,640 --> 00:46:15,080 Speaker 1: part time, I'm a student, go online and sign up 843 00:46:15,080 --> 00:46:18,680 Speaker 1: for an email, and then I bought it and it 844 00:46:18,760 --> 00:46:20,920 Speaker 1: ended up being like eighty one dollar Canadian and I 845 00:46:20,920 --> 00:46:24,120 Speaker 1: was like really, And then I came home and then 846 00:46:24,160 --> 00:46:26,360 Speaker 1: I transferred it to like USD and it's like sixty 847 00:46:26,400 --> 00:46:33,560 Speaker 1: three and I was like god him like translating the currency, 848 00:46:33,840 --> 00:46:36,200 Speaker 1: but like that was like but I still got a 849 00:46:36,200 --> 00:46:38,040 Speaker 1: deal because I bought a Canadian but it was only 850 00:46:38,080 --> 00:46:42,359 Speaker 1: sixty three, and I thought it was one. Wow, that's 851 00:46:42,360 --> 00:46:46,360 Speaker 1: the journey. I'm that's no. I honestly really admire that 852 00:46:46,440 --> 00:46:49,840 Speaker 1: because I feel like I went the other way. Like, Okay, 853 00:46:49,840 --> 00:46:52,480 Speaker 1: so like my parents growing up, like did that thing 854 00:46:52,480 --> 00:46:56,560 Speaker 1: we're at Like let's say we were at Macy's or something, 855 00:46:57,040 --> 00:46:59,440 Speaker 1: and like I wanted to buy like a pair of shoes, 856 00:47:00,480 --> 00:47:05,120 Speaker 1: they would like borrower with the salesperson. Did they do that? 857 00:47:05,320 --> 00:47:07,640 Speaker 1: Did your parents do this? Yes? And I've done it 858 00:47:07,680 --> 00:47:13,880 Speaker 1: for friends. There's always't that has little coupons in it. 859 00:47:14,480 --> 00:47:16,760 Speaker 1: I don't do it as much anymore because I'm trying 860 00:47:16,800 --> 00:47:20,640 Speaker 1: to value my energy and and also I'm like it's 861 00:47:20,640 --> 00:47:22,640 Speaker 1: a show of self worth if I can treat myself 862 00:47:22,680 --> 00:47:25,799 Speaker 1: to nice things. Um so that's something I've learned, like 863 00:47:25,920 --> 00:47:28,480 Speaker 1: by lest stuff but not nice stuff, but nice stuff. 864 00:47:28,560 --> 00:47:31,000 Speaker 1: But no, growing up, we were always like, I think 865 00:47:31,040 --> 00:47:33,319 Speaker 1: there's a little thread coming out here. Can we get 866 00:47:33,320 --> 00:47:35,800 Speaker 1: ten percent? Yes? And guess what, Maze is going to 867 00:47:35,840 --> 00:47:38,040 Speaker 1: be just fine. I'm not doing it when I traveled 868 00:47:38,040 --> 00:47:40,759 Speaker 1: to Columbia with a street vendor who's like selling well 869 00:47:40,800 --> 00:47:44,359 Speaker 1: wooden whistle or something. But Maze is gonna be just fine. 870 00:47:44,400 --> 00:47:48,680 Speaker 1: West gonna be just fine, Okay, totally. I was still mortified. 871 00:47:48,719 --> 00:47:52,400 Speaker 1: I was still like so like just so like not 872 00:47:52,560 --> 00:47:54,600 Speaker 1: like there was some shame with that. I was like, well, 873 00:47:54,640 --> 00:47:56,759 Speaker 1: I don't like like, I don't like this, and like 874 00:47:56,760 --> 00:47:58,360 Speaker 1: when I grew up, I'm gonna make enough money to 875 00:47:58,400 --> 00:48:00,080 Speaker 1: not have to do this. Ever, so I think I 876 00:48:00,120 --> 00:48:03,759 Speaker 1: internalized that, and now I like, spend too much money 877 00:48:03,800 --> 00:48:05,640 Speaker 1: on ship that I have no business mind. But one 878 00:48:05,640 --> 00:48:08,160 Speaker 1: has always been like that. I've always been shocked by 879 00:48:08,200 --> 00:48:11,000 Speaker 1: the amount of money he's willing to pay, Like I'll 880 00:48:11,040 --> 00:48:15,000 Speaker 1: never forget I'll never forget the sweatshirt. And there was 881 00:48:15,040 --> 00:48:17,800 Speaker 1: there was an iconic famous sweatshirt that I can't believe 882 00:48:17,880 --> 00:48:20,600 Speaker 1: he didn't keep and put in a museum because we were, 883 00:48:20,640 --> 00:48:23,560 Speaker 1: like when I tell you we were broke. We were 884 00:48:23,760 --> 00:48:27,359 Speaker 1: truly broke after college, to the point where like like 885 00:48:27,640 --> 00:48:31,279 Speaker 1: whenever we'd go like on the on trips together for 886 00:48:31,280 --> 00:48:34,399 Speaker 1: for sketch comedy, like some of us wouldn't even go 887 00:48:34,640 --> 00:48:37,719 Speaker 1: to lunch because we couldn't afford it because the trip 888 00:48:37,760 --> 00:48:40,920 Speaker 1: had cost a couple hundred bucks or whatever. But I 889 00:48:41,000 --> 00:48:46,560 Speaker 1: remember one time Bowen got a Mason Kitsune sweatshirt that 890 00:48:46,680 --> 00:48:50,319 Speaker 1: was just a gray crew next sweatshirt and it said 891 00:48:52,080 --> 00:48:57,560 Speaker 1: the reason it costs more than uh seventy truly, and 892 00:48:57,640 --> 00:48:59,120 Speaker 1: I was at the point where I was like, well 893 00:48:59,120 --> 00:49:01,720 Speaker 1: an expensive sweat sure it is, of course forty five bucks. 894 00:49:02,239 --> 00:49:04,120 Speaker 1: I mean that was me at the time. And I 895 00:49:04,120 --> 00:49:05,680 Speaker 1: was like how much was that? And he's like, I 896 00:49:05,719 --> 00:49:09,040 Speaker 1: don't want to tell you. I was like, okay, thinking well, 897 00:49:09,080 --> 00:49:11,360 Speaker 1: that must mean it must have been eighty dollars or something, 898 00:49:11,840 --> 00:49:14,680 Speaker 1: and he goes, he goes, I'll let you guess, and 899 00:49:14,680 --> 00:49:16,560 Speaker 1: I was like, was it eighty dollars? And he was 900 00:49:16,600 --> 00:49:18,840 Speaker 1: like it's more and I was like, oh my god. 901 00:49:19,080 --> 00:49:20,239 Speaker 1: And then I went up. I was like, was it 902 00:49:20,320 --> 00:49:23,400 Speaker 1: two hundred fifty dollars? Like thinking that was the wildest 903 00:49:23,440 --> 00:49:25,879 Speaker 1: drilling I should ever say, and he was like, it's 904 00:49:25,880 --> 00:49:32,120 Speaker 1: worth than that, and it was three thirty dollars, three cotton, 905 00:49:32,800 --> 00:49:36,040 Speaker 1: nothing special about it, and I it's very stupid, but 906 00:49:36,120 --> 00:49:41,879 Speaker 1: that's like, no, I'm not really. At the time, we 907 00:49:41,880 --> 00:49:44,160 Speaker 1: were not worth that. And then I couldn't wrap my 908 00:49:44,200 --> 00:49:45,799 Speaker 1: head out it and I couldn't let it go. At 909 00:49:45,800 --> 00:49:47,920 Speaker 1: the time, I was like, because we were making we 910 00:49:47,920 --> 00:49:51,160 Speaker 1: were fully self producing sketch comedy videos for like three dollars. 911 00:49:51,520 --> 00:49:53,319 Speaker 1: I was like, we could have done a popularlette video 912 00:49:53,320 --> 00:49:55,200 Speaker 1: with that. You know, I really couldn't put that money 913 00:49:55,200 --> 00:49:58,799 Speaker 1: towards the video. I like, I've never been a good 914 00:49:58,800 --> 00:50:01,160 Speaker 1: spender of money. I really have it, and I still 915 00:50:01,160 --> 00:50:04,000 Speaker 1: don't think I am um. I love it about you 916 00:50:04,040 --> 00:50:07,280 Speaker 1: now because I love it. I love it. I feel 917 00:50:07,280 --> 00:50:10,640 Speaker 1: like we both could like meet each other more towards 918 00:50:10,640 --> 00:50:14,160 Speaker 1: each other, maybe because I'm trying to be more like you, 919 00:50:14,200 --> 00:50:18,400 Speaker 1: and I feel like in this past year I've really 920 00:50:18,440 --> 00:50:21,719 Speaker 1: been good about it, as you can tell by my diffuser, 921 00:50:23,480 --> 00:50:26,919 Speaker 1: your American dollars diffuser. Yeah, but you know it's only 922 00:50:26,960 --> 00:50:31,440 Speaker 1: with products. With food, it's like money doesn't exist. It 923 00:50:31,480 --> 00:50:34,520 Speaker 1: doesn't matter. I'm paying for everyone bottle, for the table 924 00:50:34,840 --> 00:50:40,120 Speaker 1: tasting menu. It was in experience, yeah, travel and food. 925 00:50:40,160 --> 00:50:44,719 Speaker 1: I'm like, I will believe myself dry for it. But 926 00:50:45,040 --> 00:50:47,040 Speaker 1: you know, now, I really wish you had joined us 927 00:50:47,400 --> 00:50:52,040 Speaker 1: for that one. But in that one place we went, 928 00:50:52,160 --> 00:50:54,200 Speaker 1: what was that was It was like the courses. It 929 00:50:54,320 --> 00:50:58,359 Speaker 1: was called like ola or something, and it was yeah, 930 00:50:58,640 --> 00:51:02,080 Speaker 1: ten course meal was loved. And that was the night 931 00:51:02,080 --> 00:51:03,520 Speaker 1: we were supposed to meet up with you. I think 932 00:51:03,600 --> 00:51:06,560 Speaker 1: it was we were like having the time of our life, 933 00:51:06,560 --> 00:51:10,920 Speaker 1: like drinking miscal being like we're gonna meet up. Yeah, 934 00:51:11,080 --> 00:51:12,839 Speaker 1: I'll tell you what. No, it's just I think it's 935 00:51:12,840 --> 00:51:15,520 Speaker 1: because I had lost my voice at that point. So 936 00:51:15,560 --> 00:51:17,200 Speaker 1: I was like, oh my gosh, I might have COVID, 937 00:51:18,200 --> 00:51:19,879 Speaker 1: Like even more than getting it. I have a fear 938 00:51:19,920 --> 00:51:21,839 Speaker 1: of like giving it to someone and ruining their life. 939 00:51:22,239 --> 00:51:23,799 Speaker 1: And we were filming, and so I was like, and 940 00:51:23,840 --> 00:51:25,920 Speaker 1: that's not to be quite honest, Matt, I was concerned 941 00:51:25,920 --> 00:51:29,319 Speaker 1: about you, the Bowen. I was like, I can't have 942 00:51:29,440 --> 00:51:34,560 Speaker 1: that be Bowen's first impression that I just I had 943 00:51:34,640 --> 00:51:37,480 Speaker 1: just gotten it. So I was like, com I know, 944 00:51:37,600 --> 00:51:38,839 Speaker 1: but you don't. We just have to go back now 945 00:51:38,840 --> 00:51:42,080 Speaker 1: because I want to go to Pejole. Wait, what's Pejole. 946 00:51:43,200 --> 00:51:46,319 Speaker 1: It's like the most famous restaurant in Mexico City. So 947 00:51:46,360 --> 00:51:49,280 Speaker 1: I went to like the more casual place, which was amazing, 948 00:51:49,360 --> 00:51:53,680 Speaker 1: but it's like the stunning it's um Olvera hol don't 949 00:51:53,760 --> 00:51:57,799 Speaker 1: let me look it up. And this is so good 950 00:51:58,719 --> 00:52:01,879 Speaker 1: place that like everybody goes to and it's so lovely. Yes, 951 00:52:02,200 --> 00:52:07,400 Speaker 1: Enrique Olvera. Enrique Olvera, he's like an amazing chef and 952 00:52:07,440 --> 00:52:13,719 Speaker 1: he owned, or maybe did you go to did you 953 00:52:13,760 --> 00:52:19,920 Speaker 1: go to that like Somente slash Cave restaurant by This 954 00:52:20,040 --> 00:52:22,160 Speaker 1: was my second time in Mexico City. The first time 955 00:52:22,320 --> 00:52:24,440 Speaker 1: we did do the Pyramids as well, and I almost 956 00:52:24,480 --> 00:52:29,360 Speaker 1: went to that place, but then it started breaking. The 957 00:52:29,400 --> 00:52:32,239 Speaker 1: food was bad. Honestly so did our driver. He was like, 958 00:52:32,280 --> 00:52:35,000 Speaker 1: you love the experience. But we went down there and 959 00:52:35,080 --> 00:52:37,239 Speaker 1: going this this was have we done this on the pod? 960 00:52:37,560 --> 00:52:39,920 Speaker 1: This guy literally this waiter walks over and he's like 961 00:52:40,040 --> 00:52:42,839 Speaker 1: so confident. He was like, all right, it's so good 962 00:52:42,840 --> 00:52:44,880 Speaker 1: that you guys are here. You have to get the 963 00:52:44,920 --> 00:52:46,719 Speaker 1: drink and this is the finest drink on the menu. 964 00:52:47,160 --> 00:52:49,800 Speaker 1: This will be the drink you remember from this trip. 965 00:52:50,160 --> 00:52:54,560 Speaker 1: You're like, absolutely, let's get that. We're so excited. We're 966 00:52:54,560 --> 00:52:57,759 Speaker 1: like whoa. And then he brings over what was essentially 967 00:52:57,840 --> 00:53:01,440 Speaker 1: mud in a cup. It was like what was It 968 00:53:01,560 --> 00:53:03,759 Speaker 1: was like a weird like not even her chod at 969 00:53:03,840 --> 00:53:06,960 Speaker 1: trying to be no alcohol in it. And then I 970 00:53:07,000 --> 00:53:10,480 Speaker 1: literally wanted to order like this is so funny, this 971 00:53:10,520 --> 00:53:15,080 Speaker 1: is so good a chicken or something, and then this 972 00:53:15,120 --> 00:53:18,399 Speaker 1: wayer goes this Wayer goes to me, No, no, you're 973 00:53:18,440 --> 00:53:21,520 Speaker 1: not getting that, get get this instead. I was like, 974 00:53:21,880 --> 00:53:29,880 Speaker 1: oh about telling me no, it was he was like 975 00:53:29,920 --> 00:53:35,280 Speaker 1: I would like this, No that I respect that, especially 976 00:53:35,280 --> 00:53:37,560 Speaker 1: when in another country and they kind of like put 977 00:53:37,600 --> 00:53:39,839 Speaker 1: you in there in your place, or when I could 978 00:53:39,840 --> 00:53:41,880 Speaker 1: tell being like hustled in another country, I'm like you, 979 00:53:42,719 --> 00:53:44,520 Speaker 1: I'll let it pass because this is your place and 980 00:53:44,560 --> 00:53:47,040 Speaker 1: I'm on your turf. Yes, I mean I think it 981 00:53:47,239 --> 00:53:49,240 Speaker 1: was a little bit of that, because we fully laid 982 00:53:49,239 --> 00:53:53,160 Speaker 1: down on the tracks and let them run over us 983 00:53:52,080 --> 00:53:57,319 Speaker 1: bad and it was everything was so bad. But there 984 00:53:57,480 --> 00:54:01,120 Speaker 1: the experience was cute. It was a gorgeous cave, beauty cave, 985 00:54:01,560 --> 00:54:05,880 Speaker 1: beautiful cave, and the the food and drink was beautiful. Gowns, 986 00:54:06,760 --> 00:54:10,920 Speaker 1: gorgeous gowns, gorgeous gowns. But like haggling, like what was like, 987 00:54:11,880 --> 00:54:14,640 Speaker 1: is there like a moment besides the golden the calculator 988 00:54:14,680 --> 00:54:17,440 Speaker 1: that you remember? There are moments where I remember my parents, 989 00:54:17,480 --> 00:54:20,640 Speaker 1: like like with shoes being like no, we're gonna scream 990 00:54:20,680 --> 00:54:23,640 Speaker 1: at this lady at Macy's too like to pay like 991 00:54:24,960 --> 00:54:27,680 Speaker 1: lass and like this woman like we we can't, we 992 00:54:27,719 --> 00:54:31,160 Speaker 1: can't do that. I'm so sorry, and me being so embarrassed, mortified, 993 00:54:31,560 --> 00:54:34,719 Speaker 1: oh for sure. I mean it was always peak in India. 994 00:54:35,280 --> 00:54:38,640 Speaker 1: But now when you go shop in India, they literally 995 00:54:38,640 --> 00:54:42,200 Speaker 1: have signs in the clothing stores that are like set prices, 996 00:54:42,320 --> 00:54:46,000 Speaker 1: fixed prices, and it's all bar code, but like back 997 00:54:46,040 --> 00:54:48,080 Speaker 1: then they were writing it by paper and it's like 998 00:54:49,040 --> 00:54:51,120 Speaker 1: full screaming matches a lot of the clothing stores. Also, 999 00:54:51,160 --> 00:54:52,680 Speaker 1: you take your shoes off and you're like sitting on 1000 00:54:52,719 --> 00:54:55,760 Speaker 1: this big padded thing and they're like just throwing around 1001 00:54:55,800 --> 00:54:59,239 Speaker 1: sorrys and stuff, and it's like you make a big 1002 00:54:59,280 --> 00:55:02,080 Speaker 1: pile of off that you're gonna buy and then you're 1003 00:55:02,080 --> 00:55:04,360 Speaker 1: like the right numbers and we're like no this. And 1004 00:55:04,360 --> 00:55:06,480 Speaker 1: then literally I guess to the point where my mom 1005 00:55:06,480 --> 00:55:09,879 Speaker 1: will just like, for example, if they're like no pay us, 1006 00:55:11,080 --> 00:55:13,600 Speaker 1: and my mom, I'm only doing twelve for matter of 1007 00:55:13,640 --> 00:55:17,200 Speaker 1: three hundred groupies, which is like, you know, like dollars, 1008 00:55:18,320 --> 00:55:20,480 Speaker 1: that's not the right commotion, but you know what I mean, 1009 00:55:20,600 --> 00:55:22,600 Speaker 1: like at the end, that's like what am I arguing about? 1010 00:55:23,800 --> 00:55:26,480 Speaker 1: But like she'll just take out twelve hundred and then 1011 00:55:26,480 --> 00:55:28,440 Speaker 1: she'll just like put it out and start walking out 1012 00:55:28,600 --> 00:55:30,560 Speaker 1: and start gathering her stuff, and they'd be like no, no, no, 1013 00:55:30,600 --> 00:55:32,840 Speaker 1: I really can't, and she's like, they can put it 1014 00:55:32,880 --> 00:55:35,640 Speaker 1: in their hand. And I was like, I love it. 1015 00:55:37,000 --> 00:55:39,719 Speaker 1: It's a boss. That's so cool. It really is. And 1016 00:55:39,760 --> 00:55:42,680 Speaker 1: also it's it's about the principle it is, and it's 1017 00:55:42,680 --> 00:55:47,680 Speaker 1: also about yourself interactions. Yes, it's a yeah no, But 1018 00:55:47,800 --> 00:55:50,600 Speaker 1: now I feel like in her older age, she's very 1019 00:55:50,680 --> 00:55:54,320 Speaker 1: much about like living a more like stress free life. 1020 00:55:54,360 --> 00:55:56,960 Speaker 1: And so she's like doing that because she's put in 1021 00:55:56,960 --> 00:55:59,359 Speaker 1: the work. She's put in the hour, the work. There 1022 00:55:59,400 --> 00:56:02,319 Speaker 1: you go. Now she has to enjoy. Yeah, you gotta enjoy. 1023 00:56:02,360 --> 00:56:04,239 Speaker 1: It is interesting when you see your parents turn a 1024 00:56:04,239 --> 00:56:06,120 Speaker 1: corner on their personality, you know what I mean. It's 1025 00:56:06,120 --> 00:56:08,480 Speaker 1: like my dad was always very impatient and like he 1026 00:56:08,880 --> 00:56:12,000 Speaker 1: sort of I think he had a temper and now 1027 00:56:12,520 --> 00:56:15,600 Speaker 1: not in a bad way, but he was just very 1028 00:56:15,640 --> 00:56:17,759 Speaker 1: quick to be like, what are you talking about? Like 1029 00:56:17,760 --> 00:56:21,200 Speaker 1: like now I see him more chilled out. Um. But 1030 00:56:21,239 --> 00:56:23,440 Speaker 1: it was such a thing about his personality, his whole life. 1031 00:56:23,480 --> 00:56:25,560 Speaker 1: And it was so funny because his favorite singer is 1032 00:56:25,640 --> 00:56:28,120 Speaker 1: Jimmy Buffett, who's like, you can tell it's just my dad. 1033 00:56:28,400 --> 00:56:29,960 Speaker 1: I don't know if he's conscious of it, but like, 1034 00:56:30,120 --> 00:56:33,320 Speaker 1: of course his favorite singer would be like the personification 1035 00:56:33,400 --> 00:56:37,840 Speaker 1: of vacation. But you know what I mean, like literally 1036 00:56:37,880 --> 00:56:42,239 Speaker 1: because he needed that to like chill um. But nowadays 1037 00:56:42,320 --> 00:56:44,799 Speaker 1: it's it is funny because like so you're saying, your 1038 00:56:44,840 --> 00:56:49,080 Speaker 1: mom is now no longer like this. I think for them, 1039 00:56:49,280 --> 00:56:52,759 Speaker 1: it's not like they had some like spiritual awakening. I 1040 00:56:52,760 --> 00:56:58,719 Speaker 1: think they just got tired and they fired and they're 1041 00:56:58,760 --> 00:57:03,240 Speaker 1: like and they like starts and they're like they're just tired. 1042 00:57:03,920 --> 00:57:05,839 Speaker 1: I was gonna ask you where abouts in Florida? Are 1043 00:57:05,880 --> 00:57:10,320 Speaker 1: you from Vero Beach. It's like this little town about 1044 00:57:10,360 --> 00:57:12,440 Speaker 1: like two and a half three hours north of Miami 1045 00:57:12,480 --> 00:57:16,040 Speaker 1: on the East coast. It's like half trash whites, half 1046 00:57:16,720 --> 00:57:20,920 Speaker 1: rich trash whites and the like. Now there's more Indian families. 1047 00:57:20,920 --> 00:57:23,160 Speaker 1: When my parents moved there, there was like five Indian families. 1048 00:57:23,400 --> 00:57:27,160 Speaker 1: And then it's a large cittrus producing county suffers like 1049 00:57:27,200 --> 00:57:30,160 Speaker 1: a large migrant worker population as well. It's an interesting place. 1050 00:57:31,080 --> 00:57:35,920 Speaker 1: It's like kind of feels like one of those places 1051 00:57:36,000 --> 00:57:38,320 Speaker 1: that's been forgotten about when you go there, because it's 1052 00:57:38,320 --> 00:57:41,120 Speaker 1: like I think, like over pandemic. My mom's like big 1053 00:57:41,160 --> 00:57:43,880 Speaker 1: news was like the pizza hut close like they don't 1054 00:57:43,920 --> 00:57:47,080 Speaker 1: even have Pizza Hut anymore, so they have the word 1055 00:57:47,200 --> 00:57:53,080 Speaker 1: from Dominoes. Let's have that conversation. Dominos is better. Actually, 1056 00:57:53,080 --> 00:57:55,520 Speaker 1: I'm gonna say Pizza Hut is better? Are you kidding me? 1057 00:57:55,800 --> 00:58:00,800 Speaker 1: That feels like a betrayal you guys personal pan and 1058 00:58:00,880 --> 00:58:03,280 Speaker 1: also like growing up, did you did you? Did you 1059 00:58:03,320 --> 00:58:05,880 Speaker 1: not hit up the buffet at lunch time? The best 1060 00:58:05,920 --> 00:58:07,760 Speaker 1: ranch I've ever had in my life to this day, 1061 00:58:07,840 --> 00:58:11,000 Speaker 1: Pizza Hupafe, Pizzapa fe was like a savior, was a 1062 00:58:11,080 --> 00:58:14,800 Speaker 1: lifeline to immigrant diaspora populations. And the orange soda their 1063 00:58:15,080 --> 00:58:19,800 Speaker 1: best orange. I don't know what the extra fizz bring 1064 00:58:19,800 --> 00:58:22,960 Speaker 1: back orange soda, to be honest, yeah, I would love that. 1065 00:58:23,240 --> 00:58:25,840 Speaker 1: Why why did that? Why did that? Like, honestly go away? 1066 00:58:26,040 --> 00:58:28,200 Speaker 1: You are so right by the way Hansa saying, um 1067 00:58:28,320 --> 00:58:31,840 Speaker 1: can confirmed pizza. Okay, I really thought I was in 1068 00:58:31,880 --> 00:58:34,720 Speaker 1: a Domino's house. I'm not shipped tucking Pizza Hut, and 1069 00:58:34,840 --> 00:58:37,080 Speaker 1: I'm not gonna put Pizza Hut down because I'm a 1070 00:58:37,120 --> 00:58:39,520 Speaker 1: Domino's girl, you know what I mean? That that's not 1071 00:58:39,600 --> 00:58:41,840 Speaker 1: the type of person I am or whatever want to be, 1072 00:58:42,440 --> 00:58:46,560 Speaker 1: but I will that there are things about Dominoes that 1073 00:58:46,960 --> 00:58:50,120 Speaker 1: people don't even talk about, which are superior, the cheesy bread, 1074 00:58:50,960 --> 00:58:54,840 Speaker 1: the wings. Honey, they have some of the best wings. 1075 00:58:55,040 --> 00:58:58,160 Speaker 1: And it's happening at Dominoes, and it's happening tonight. Actually 1076 00:59:00,120 --> 00:59:03,600 Speaker 1: it is around the country, Matt. I have to remind Matt, 1077 00:59:03,680 --> 00:59:06,680 Speaker 1: and I'm like, one time we were shooting a popuar 1078 00:59:06,720 --> 00:59:09,240 Speaker 1: Lett sketch. We were shooting a sketch in my apartment 1079 00:59:10,040 --> 00:59:11,440 Speaker 1: and there was like, you know, a crew of like 1080 00:59:11,480 --> 00:59:15,320 Speaker 1: four people, and I wanted to order like four Domino's 1081 00:59:15,360 --> 00:59:21,760 Speaker 1: pizzas to feed everybody. This was Matt. This was facebook crazy. Yes, 1082 00:59:22,040 --> 00:59:24,280 Speaker 1: I remember this night, but I don't remember this. I 1083 00:59:24,320 --> 00:59:26,400 Speaker 1: want to. I want to say I ordered the Domino's pizzas. 1084 00:59:26,480 --> 00:59:28,920 Speaker 1: It was like five pm. I don't know, it was 1085 00:59:28,960 --> 00:59:32,920 Speaker 1: like seven pm. I was like, okay, Max's amount of 1086 00:59:32,920 --> 00:59:34,680 Speaker 1: time and a lot is like an hour for those 1087 00:59:34,760 --> 00:59:38,320 Speaker 1: pizzas together. I was like, now I remember this. This 1088 00:59:38,480 --> 00:59:41,760 Speaker 1: was iconic. It was like four blocks away. And then 1089 00:59:41,800 --> 00:59:43,960 Speaker 1: basically it's not that interesting a story, but basically it 1090 00:59:44,080 --> 00:59:50,320 Speaker 1: was delayed for three and a half hour. Was shocking. 1091 00:59:52,400 --> 00:59:59,480 Speaker 1: They didn't they did not competed always get I just 1092 00:59:59,600 --> 01:00:02,360 Speaker 1: just at a charge, but I just didn't recognize. And 1093 01:00:02,400 --> 01:00:04,520 Speaker 1: then after they comped it, I was like, oh my god, 1094 01:00:04,600 --> 01:00:06,800 Speaker 1: it's because I bought my cousin's book and it was 1095 01:00:06,800 --> 01:00:16,560 Speaker 1: the press that sold her book. How do you do it? 1096 01:00:16,560 --> 01:00:19,760 Speaker 1: Because I'm I'm too I'm not brave enough to ever dispute. 1097 01:00:20,760 --> 01:00:23,040 Speaker 1: Always dispute. I will dispute for you. If you ever 1098 01:00:23,120 --> 01:00:24,680 Speaker 1: have a dispute, I will take the time and do 1099 01:00:24,720 --> 01:00:26,960 Speaker 1: it for you. Just can we just like role play 1100 01:00:27,040 --> 01:00:30,360 Speaker 1: right now? Like I'm so nice about it? Oh? Really, 1101 01:00:30,400 --> 01:00:32,040 Speaker 1: that's how you do it. I always feel like I 1102 01:00:32,080 --> 01:00:34,280 Speaker 1: always kind of tipped the aggression too much and then 1103 01:00:34,280 --> 01:00:37,920 Speaker 1: they go, no, no, that, So you have to just 1104 01:00:37,960 --> 01:00:40,960 Speaker 1: be confident but nice. So I'll be like, hey, so 1105 01:00:41,000 --> 01:00:43,880 Speaker 1: I was looking through my statement and I noticed this 1106 01:00:44,000 --> 01:00:48,720 Speaker 1: charge from Austin p S. State University. And you know, 1107 01:00:48,800 --> 01:00:50,320 Speaker 1: I live in l A. I haven't been to Austin 1108 01:00:50,320 --> 01:00:52,400 Speaker 1: in years, and I didn't even know that was a university. 1109 01:00:52,440 --> 01:00:56,520 Speaker 1: So I all my statements, I've gone through all my 1110 01:00:56,560 --> 01:00:59,920 Speaker 1: purchases I keep on our sipts live and I live. 1111 01:01:00,120 --> 01:01:03,960 Speaker 1: We cannot find this transaction. And so I'm just concerned 1112 01:01:04,000 --> 01:01:06,680 Speaker 1: that maybe my information was leaked somehow and I shouldn't 1113 01:01:06,680 --> 01:01:09,560 Speaker 1: prevent further charges, so could you, you know, put an 1114 01:01:09,560 --> 01:01:11,880 Speaker 1: alert on that and maybe comp that and just send 1115 01:01:11,880 --> 01:01:15,400 Speaker 1: it hard And they're like, oh yeah, sure, sure. And 1116 01:01:15,440 --> 01:01:17,960 Speaker 1: then after and then my cousin's book came in the 1117 01:01:18,000 --> 01:01:23,240 Speaker 1: mail and I opened it up. And when the press said, wow, 1118 01:01:23,880 --> 01:01:29,320 Speaker 1: small independent pressars, I scammed them out of I feel 1119 01:01:29,440 --> 01:01:31,280 Speaker 1: very bad. That's the one thing I do feel bad about. 1120 01:01:31,280 --> 01:01:35,800 Speaker 1: That public apology is yes, okay, but see but you 1121 01:01:35,840 --> 01:01:37,240 Speaker 1: do have to go through the trouble of getting a 1122 01:01:37,280 --> 01:01:41,240 Speaker 1: new card then right, well for that, but other times, 1123 01:01:41,720 --> 01:01:44,240 Speaker 1: well yeah, because then they'll put a fraud alert. But 1124 01:01:45,200 --> 01:01:50,280 Speaker 1: I ain't going nowhere. I have multiple credit cards. Well no, 1125 01:01:50,400 --> 01:01:52,760 Speaker 1: of course, saying but like you know, but what I 1126 01:01:53,040 --> 01:01:58,280 Speaker 1: what I love is auto phil my my browser knowing 1127 01:01:58,280 --> 01:02:01,120 Speaker 1: my cards. And it's like one of them greatest inventions, 1128 01:02:01,280 --> 01:02:04,000 Speaker 1: the greatest inventions, one of the most dangerous inventions as well. 1129 01:02:05,320 --> 01:02:07,560 Speaker 1: It's a double edged sword essentially, why they came up 1130 01:02:07,560 --> 01:02:09,560 Speaker 1: with that expression double edged word. That's why they say 1131 01:02:09,560 --> 01:02:16,000 Speaker 1: it's double dangerous. But yeah, I'm not doing it now. 1132 01:02:16,080 --> 01:02:17,840 Speaker 1: I don't want to give the impression that I'm doing 1133 01:02:17,840 --> 01:02:21,040 Speaker 1: it on charges that I outright no that I but 1134 01:02:21,120 --> 01:02:23,400 Speaker 1: I will get a complex if I order something delivery, 1135 01:02:23,600 --> 01:02:27,760 Speaker 1: but I will also always be sure to make it 1136 01:02:28,120 --> 01:02:30,920 Speaker 1: blame it on the company and not the driver, because 1137 01:02:30,920 --> 01:02:33,040 Speaker 1: I'm also not trying to get anyone fired. So I said, 1138 01:02:33,040 --> 01:02:36,400 Speaker 1: the driver was great, he was really communicative. Dada, the 1139 01:02:36,480 --> 01:02:41,640 Speaker 1: app told me this, and that a misquoted so and 1140 01:02:42,000 --> 01:02:43,640 Speaker 1: I pulled this a lot and be like, and I 1141 01:02:43,800 --> 01:02:47,680 Speaker 1: ordered food for a party, and my guests were hungry, 1142 01:02:47,600 --> 01:02:50,800 Speaker 1: as I always ordered, and that is a huge, huge, 1143 01:02:51,000 --> 01:02:55,520 Speaker 1: huge sort of like that language is, yes, and my 1144 01:02:55,560 --> 01:02:58,000 Speaker 1: guests were left hungry and it was so embarrassing and 1145 01:02:58,440 --> 01:03:00,560 Speaker 1: I had to spend extra money to then go out 1146 01:03:00,600 --> 01:03:04,560 Speaker 1: and get more food because your app misquoted me and 1147 01:03:04,600 --> 01:03:06,960 Speaker 1: it is an error on Uber's. And then I explicitly 1148 01:03:07,000 --> 01:03:10,120 Speaker 1: say I want to reiterate that the driver was amazing. 1149 01:03:10,200 --> 01:03:13,400 Speaker 1: He was great. He had no part in this error, right, 1150 01:03:14,200 --> 01:03:16,560 Speaker 1: And I wonder if you ever tell them, you know, 1151 01:03:16,600 --> 01:03:18,880 Speaker 1: if if I'm just you know, going back in time, 1152 01:03:20,040 --> 01:03:24,520 Speaker 1: the sketch comedy crew that was at my apartment was hungry. 1153 01:03:24,640 --> 01:03:28,880 Speaker 1: And yes, I was there shooting producing sketch comedy with 1154 01:03:28,920 --> 01:03:32,800 Speaker 1: my best friend Matt. Yeah, we when we were tell him, 1155 01:03:32,840 --> 01:03:36,640 Speaker 1: we were tired while we acted. Yes, the camera picks 1156 01:03:36,720 --> 01:03:40,560 Speaker 1: up on everything, especially are very subtle gorgeous acting in 1157 01:03:40,600 --> 01:03:44,040 Speaker 1: the sketch Facebook Crazy, which I believe is still it's 1158 01:03:44,080 --> 01:03:47,440 Speaker 1: still up online. I think it's I got a Google 1159 01:03:47,920 --> 01:03:49,680 Speaker 1: someone someone. Okay, now this might be my I don't 1160 01:03:49,720 --> 01:03:52,640 Speaker 1: think so, honey, Like, if you have to, if you 1161 01:03:52,720 --> 01:03:54,520 Speaker 1: watch your old acting when you were like, no one's 1162 01:03:54,520 --> 01:03:56,760 Speaker 1: going to see this, but when someone stumbles upon, I'm like, 1163 01:03:56,800 --> 01:04:01,200 Speaker 1: oh god, especially when you become Bow and Yang noted 1164 01:04:01,320 --> 01:04:03,720 Speaker 1: legend of sketch comedy. And then they go back and 1165 01:04:03,760 --> 01:04:06,080 Speaker 1: find your old sketches and you're like, oh yeah, back 1166 01:04:06,080 --> 01:04:14,080 Speaker 1: here when I wasn't good. But as they leave it up, No, 1167 01:04:14,480 --> 01:04:16,920 Speaker 1: Matty wrote Matt and Duty two people involved, and I 1168 01:04:16,960 --> 01:04:20,880 Speaker 1: loved that for you wrote this sketch Facebook Crazy, and 1169 01:04:20,960 --> 01:04:25,000 Speaker 1: it started myself and it was about get this. This 1170 01:04:25,080 --> 01:04:27,680 Speaker 1: was cutting edge at the time people on Facebook who 1171 01:04:27,840 --> 01:04:30,960 Speaker 1: acted crazy. But at the time it was like it 1172 01:04:31,680 --> 01:04:35,240 Speaker 1: used to cry it used to crazy viral again because 1173 01:04:35,280 --> 01:04:37,919 Speaker 1: of this episode. I mean, the readers will definitely want 1174 01:04:37,920 --> 01:04:40,120 Speaker 1: the readers will watch it, but but you have to 1175 01:04:40,200 --> 01:04:44,920 Speaker 1: understand this is a different time. This yeah, when like 1176 01:04:45,440 --> 01:04:48,120 Speaker 1: being being like unhinged on Facebook or on social media 1177 01:04:48,160 --> 01:04:51,240 Speaker 1: was a very specific thing, like in your community, and 1178 01:04:51,240 --> 01:04:53,760 Speaker 1: it was not this like societal problem and which is 1179 01:04:53,960 --> 01:04:56,280 Speaker 1: which it is obviously not become anyway, did you ever 1180 01:04:56,320 --> 01:05:02,040 Speaker 1: get buck wild on Facebook? You know, not as much 1181 01:05:02,120 --> 01:05:05,840 Speaker 1: on Facebook, because I think by the time I hit 1182 01:05:05,920 --> 01:05:07,880 Speaker 1: social media, I was like, oh, the internet is not 1183 01:05:07,920 --> 01:05:10,520 Speaker 1: a safe space. But where I was a hinge where 1184 01:05:10,560 --> 01:05:15,160 Speaker 1: I think it's stem from aim away messages, talk about 1185 01:05:15,240 --> 01:05:18,320 Speaker 1: talking about what a typical put away message was, Like 1186 01:05:19,320 --> 01:05:23,680 Speaker 1: I'm talking dashboard confessional lyrics, ghost of a good thing, 1187 01:05:24,560 --> 01:05:28,840 Speaker 1: emotional lyrics, ghost have a good thing. I'm chasing the 1188 01:05:28,880 --> 01:05:31,360 Speaker 1: ghost of a good thing. I was single, I was 1189 01:05:31,640 --> 01:05:34,440 Speaker 1: seeing anybody. No one had broken up with me or 1190 01:05:34,480 --> 01:05:36,400 Speaker 1: broken my heart because no one had dated me. Oh 1191 01:05:36,440 --> 01:05:41,200 Speaker 1: my god, very emotional, very long aim away messages just 1192 01:05:41,240 --> 01:05:43,440 Speaker 1: so people could be like, hey, what's wrong. I'm okay, 1193 01:05:43,720 --> 01:05:47,480 Speaker 1: I don't want to talk about it. I used to 1194 01:05:47,520 --> 01:05:50,880 Speaker 1: put I used to put dashboard confessional lyrics in my 1195 01:05:51,480 --> 01:05:53,760 Speaker 1: in my profile and all my messages too, And it 1196 01:05:53,800 --> 01:05:58,160 Speaker 1: would literally be like and you kissed me like you 1197 01:05:58,520 --> 01:06:05,520 Speaker 1: meant it, but like vertical like you meant it, and 1198 01:06:05,560 --> 01:06:08,280 Speaker 1: then but and Also it was such a thing of 1199 01:06:08,800 --> 01:06:11,560 Speaker 1: trying to seem like you were in her own Manton 1200 01:06:11,560 --> 01:06:16,240 Speaker 1: conflict for like a stressful group, dynamic situation with your 1201 01:06:16,280 --> 01:06:20,920 Speaker 1: friends when everything was fine and like nothing was happening. 1202 01:06:21,520 --> 01:06:23,800 Speaker 1: I am so dramatically. You know about song Brandy, have 1203 01:06:23,880 --> 01:06:30,400 Speaker 1: you ever? Have you ever loved somebody? So? I used 1204 01:06:30,440 --> 01:06:32,840 Speaker 1: to listen to that song and cry because my answer 1205 01:06:32,920 --> 01:06:36,560 Speaker 1: was no, because I have never loved someone. It was 1206 01:06:36,560 --> 01:06:37,800 Speaker 1: like in high school and I'd be like, no, I 1207 01:06:37,840 --> 01:06:45,320 Speaker 1: haven't loved someone. That song is epic and Diane Warren 1208 01:06:45,320 --> 01:06:51,040 Speaker 1: wrote it really yes, someone does someone someoney to sample 1209 01:06:51,080 --> 01:06:52,800 Speaker 1: on it recently, like like like one of these new 1210 01:06:52,880 --> 01:06:56,280 Speaker 1: R and B girls did a sample. We just talked 1211 01:06:56,280 --> 01:06:59,080 Speaker 1: about Brandy Um. Actually Boonen was on my HBO Max 1212 01:06:59,120 --> 01:07:01,760 Speaker 1: Movie podcast and we talked about how Brandy played Roxy 1213 01:07:01,840 --> 01:07:06,520 Speaker 1: Heart on Broadway in Chicago, and she was like like 1214 01:07:06,800 --> 01:07:09,680 Speaker 1: like a few years, three or four years ago, yeah, 1215 01:07:09,920 --> 01:07:15,000 Speaker 1: within the last decade, Um, but she she was iconic 1216 01:07:15,040 --> 01:07:18,120 Speaker 1: for adding riffs to the score to that candor at score, 1217 01:07:18,240 --> 01:07:26,600 Speaker 1: like the name on Everybody Live, like giving her like 1218 01:07:27,120 --> 01:07:34,919 Speaker 1: iconic Brandy vocals and ever rats soundtrack. Have you ever 1219 01:07:35,040 --> 01:07:38,440 Speaker 1: one of the hardest songs to sing. It's so hard 1220 01:07:41,680 --> 01:07:44,320 Speaker 1: because there's like there's an epic key changeup when she 1221 01:07:44,320 --> 01:07:52,800 Speaker 1: goes have you ever a new and she just makes 1222 01:07:52,840 --> 01:07:58,240 Speaker 1: it sound so effortless because she's so crying. Yeah, the cry, 1223 01:07:58,400 --> 01:08:02,200 Speaker 1: the wailing and pain and her voice. And I had 1224 01:08:02,200 --> 01:08:05,000 Speaker 1: one of those boom boxes that had a little remote 1225 01:08:05,000 --> 01:08:07,280 Speaker 1: control with it. But my boom box was right next 1226 01:08:07,280 --> 01:08:08,640 Speaker 1: to my bed, but i'd like lay in bed with 1227 01:08:08,720 --> 01:08:14,960 Speaker 1: the remote control just so I could be like repeat, yeah, yeah, 1228 01:08:15,000 --> 01:08:17,280 Speaker 1: remember back in the day to when you there was 1229 01:08:17,360 --> 01:08:19,479 Speaker 1: no Spotify there and you had to either buy the 1230 01:08:19,520 --> 01:08:22,040 Speaker 1: album or what I would do, and maybe you guys 1231 01:08:22,080 --> 01:08:24,760 Speaker 1: identified with this was whenever my parents and I would 1232 01:08:24,840 --> 01:08:27,479 Speaker 1: like go out for dinner or whatever, I would put 1233 01:08:27,520 --> 01:08:30,840 Speaker 1: a cassette in my radio and put on from radio 1234 01:08:30,920 --> 01:08:35,040 Speaker 1: and just hit record, and then when I got home, 1235 01:08:35,160 --> 01:08:38,040 Speaker 1: I would listen to the whole thing to see if 1236 01:08:38,160 --> 01:08:41,360 Speaker 1: I had happened to catch speaking of Brandy the Boy 1237 01:08:41,439 --> 01:08:44,960 Speaker 1: is Mine, you know what I mean? I remember The 1238 01:08:44,960 --> 01:08:48,320 Speaker 1: Boy is Mine. I wish it was just was very 1239 01:08:48,400 --> 01:08:51,040 Speaker 1: high placed on the Great Global Song Book, Thank you 1240 01:08:51,160 --> 01:08:54,439 Speaker 1: very much. Um it was I I was chasing that 1241 01:08:54,520 --> 01:08:58,840 Speaker 1: song as a little fag all over town, Honey. I 1242 01:08:58,920 --> 01:09:02,360 Speaker 1: needed it, and I eventually did get it on a cassette, 1243 01:09:02,520 --> 01:09:06,880 Speaker 1: and I would just rewind that ship cassette culture cassette. Well, 1244 01:09:06,920 --> 01:09:11,439 Speaker 1: I mean the music video, very historic moment for feminism 1245 01:09:11,680 --> 01:09:17,200 Speaker 1: and video where it opens and then she's there. Then 1246 01:09:17,240 --> 01:09:20,040 Speaker 1: they combined forces because they're like, it's not going to 1247 01:09:20,160 --> 01:09:22,360 Speaker 1: turn us against each other. We need to talk about 1248 01:09:22,400 --> 01:09:24,200 Speaker 1: this more. We haven't talked about the music video enough. 1249 01:09:24,240 --> 01:09:28,680 Speaker 1: We always talk about the music itself on the boys video, right, 1250 01:09:29,160 --> 01:09:33,160 Speaker 1: Can I just quickly talk about though, this teenage thing 1251 01:09:33,920 --> 01:09:37,560 Speaker 1: that for our generation was aim away messages being very dramatic, 1252 01:09:38,000 --> 01:09:41,280 Speaker 1: pretending you were in love or pretending you were you 1253 01:09:41,360 --> 01:09:45,320 Speaker 1: knew anything about a relationship. Like this makes me think 1254 01:09:45,320 --> 01:09:47,280 Speaker 1: now about have you guys watched The Girl The Girl 1255 01:09:47,320 --> 01:09:51,719 Speaker 1: from Plain Villiet? No, but I watched the original documentary Okay, okay, 1256 01:09:51,720 --> 01:09:53,880 Speaker 1: but great, But first episode like at the end where 1257 01:09:53,920 --> 01:09:57,160 Speaker 1: she's like spoiler alert where she like acts alongside Lea, 1258 01:09:57,240 --> 01:10:01,600 Speaker 1: Michelle and Glee like contend thing to cry like or 1259 01:10:01,640 --> 01:10:05,280 Speaker 1: not pretending to but crying saying the same lines as her, Like, 1260 01:10:05,560 --> 01:10:08,880 Speaker 1: that's a different that for like that generation. It's like, 1261 01:10:09,200 --> 01:10:10,920 Speaker 1: let me like I need to, like, I don't have 1262 01:10:10,920 --> 01:10:14,880 Speaker 1: the vocabulary yet to really express this, this this kind 1263 01:10:14,880 --> 01:10:17,920 Speaker 1: of feeling I have and I can attach it to 1264 01:10:17,960 --> 01:10:20,479 Speaker 1: my own reality yet, And so let me like I 1265 01:10:20,479 --> 01:10:22,639 Speaker 1: would do that with Graze Anatomy all the time. Yeah, 1266 01:10:22,680 --> 01:10:24,760 Speaker 1: I don't know that you would. Well, I I used 1267 01:10:24,800 --> 01:10:27,080 Speaker 1: to it to Lost. I would quote I would quote 1268 01:10:27,080 --> 01:10:30,040 Speaker 1: it to myself. Yeah, I would do it too, Lost, 1269 01:10:30,080 --> 01:10:33,600 Speaker 1: And honestly, oftentimes it was silent the stuff that I 1270 01:10:33,640 --> 01:10:36,320 Speaker 1: was doing. So I remember, I'll never forget when Sun 1271 01:10:36,479 --> 01:10:40,479 Speaker 1: was leaving Jim uh and season one, episode six of 1272 01:10:40,640 --> 01:10:44,439 Speaker 1: Lost and she is in the airport and that iconic 1273 01:10:44,520 --> 01:10:52,720 Speaker 1: scores playing that no No No, and I love the 1274 01:10:52,760 --> 01:10:54,599 Speaker 1: score of Scoose for me, this was literally the moment 1275 01:10:54,600 --> 01:10:56,640 Speaker 1: where I decided I wanted to be in television. I 1276 01:10:56,640 --> 01:10:59,479 Speaker 1: wanted to write television act on television. Was watching Young 1277 01:10:59,560 --> 01:11:03,680 Speaker 1: Jin can him walk away from Daniel Day Kim And 1278 01:11:03,720 --> 01:11:06,120 Speaker 1: then she turned over her shoulder and the score was playing, 1279 01:11:06,200 --> 01:11:09,200 Speaker 1: and he lifted up the orchid and like it was 1280 01:11:09,240 --> 01:11:11,000 Speaker 1: the first nice thing he had done for her in 1281 01:11:11,040 --> 01:11:14,400 Speaker 1: like years of them being married, and she decides to 1282 01:11:14,400 --> 01:11:16,240 Speaker 1: turn back around and get on the plane, and then 1283 01:11:16,240 --> 01:11:18,839 Speaker 1: the plane crashes and they they're they're marooned on the island. 1284 01:11:19,160 --> 01:11:22,679 Speaker 1: But I was like, this wordless thing. And I used 1285 01:11:22,680 --> 01:11:24,320 Speaker 1: to watch it again and again and I would be 1286 01:11:24,360 --> 01:11:26,720 Speaker 1: crying and crying and crying, and it was it was 1287 01:11:26,760 --> 01:11:33,000 Speaker 1: a way to access emotion for me. Yeah, yeah, now 1288 01:11:33,040 --> 01:11:35,600 Speaker 1: you know what to watch. You know. Sometimes still to 1289 01:11:35,640 --> 01:11:37,000 Speaker 1: this day. And one of the things I tried when 1290 01:11:37,000 --> 01:11:38,439 Speaker 1: I had to get emotional and I love that for 1291 01:11:38,439 --> 01:11:40,480 Speaker 1: you was I was listening to the Big Fish soundtrack 1292 01:11:40,880 --> 01:11:44,720 Speaker 1: because that movie. That's great. John August listens to this 1293 01:11:44,760 --> 01:11:49,680 Speaker 1: podcast sometimes and he wrote the movie. And one of 1294 01:11:49,760 --> 01:11:53,439 Speaker 1: the most one of the most prized things in my 1295 01:11:53,479 --> 01:11:55,200 Speaker 1: life is knowing that he likes this podcast and he 1296 01:11:55,240 --> 01:11:58,040 Speaker 1: wrote that movie. I love that movie. And at the 1297 01:11:58,200 --> 01:12:02,360 Speaker 1: end when um, when he's telling the story to his 1298 01:12:02,439 --> 01:12:05,679 Speaker 1: father about um, how they get him to the river 1299 01:12:06,800 --> 01:12:09,320 Speaker 1: and the music is planning. I sometimes will still trigger 1300 01:12:09,360 --> 01:12:11,519 Speaker 1: myself with that and it works most of the time. 1301 01:12:12,160 --> 01:12:14,280 Speaker 1: Oh my god. And in the end where we're like, 1302 01:12:14,600 --> 01:12:20,519 Speaker 1: he wasn't lying, right, he was just exaggerating. That was 1303 01:12:20,560 --> 01:12:22,880 Speaker 1: my first exposure to Helen A. Bottom Carter. I was like, 1304 01:12:22,920 --> 01:12:26,400 Speaker 1: who the hell is this woman? She was amazing in 1305 01:12:26,479 --> 01:12:28,200 Speaker 1: that and then Tim Burton, you know, used her a 1306 01:12:28,240 --> 01:12:32,439 Speaker 1: million times and I don't know, well, we love her, 1307 01:12:32,479 --> 01:12:38,040 Speaker 1: I don't know why. I mean, look, she can just 1308 01:12:38,160 --> 01:12:39,600 Speaker 1: she can come on my screen. You know what I 1309 01:12:39,640 --> 01:12:42,479 Speaker 1: really liked about HBC when I watched the Harry Potter 1310 01:12:43,240 --> 01:12:46,439 Speaker 1: documentary that just came out on HBO, she was so 1311 01:12:46,640 --> 01:12:49,240 Speaker 1: like flirty with Daniel Radcliffe and she was literally she 1312 01:12:49,280 --> 01:12:51,479 Speaker 1: basically was making jokes like She's like yeah, and I 1313 01:12:51,560 --> 01:12:54,040 Speaker 1: remember when I remember on this dumb this day on set, 1314 01:12:54,640 --> 01:12:57,840 Speaker 1: like she was like basically was like making crass like 1315 01:12:57,880 --> 01:13:00,040 Speaker 1: sex jokes with Daniel Radcliffe and you can tell you 1316 01:13:00,080 --> 01:13:02,439 Speaker 1: have such like a little cheeky little relationship and like 1317 01:13:03,160 --> 01:13:05,080 Speaker 1: she's so much older than him, but like you can 1318 01:13:05,080 --> 01:13:07,000 Speaker 1: tell they really get along like a house on fire. 1319 01:13:07,080 --> 01:13:08,800 Speaker 1: And I was like, wow, she's a she seems like 1320 01:13:08,800 --> 01:13:13,320 Speaker 1: a blast. Oh yeah, she's like a fun witch. Yeah, 1321 01:13:13,560 --> 01:13:19,280 Speaker 1: it's like it's rule culture number eleven is a fun 1322 01:13:20,479 --> 01:13:24,240 Speaker 1: She's like a fun which speaking of fun witches, I 1323 01:13:24,240 --> 01:13:34,519 Speaker 1: think the three of us should be fun little bitches. Yeah, 1324 01:13:34,640 --> 01:13:39,560 Speaker 1: ready for this absolute segment. It's a lost culture is 1325 01:13:39,640 --> 01:13:43,200 Speaker 1: a staple really happens every time. It's just like her 1326 01:13:43,240 --> 01:13:47,320 Speaker 1: Domino's What's happening every night and every across the country 1327 01:13:47,479 --> 01:13:49,400 Speaker 1: every week on last Coltureason as we do. I don't 1328 01:13:49,400 --> 01:13:52,479 Speaker 1: think so, honey. And this is a sex sixty second segment. 1329 01:13:52,479 --> 01:13:56,400 Speaker 1: It's a sexty sixty second segment um where we really 1330 01:13:56,439 --> 01:13:59,560 Speaker 1: got something in culture that we don't like very much. Yeah. Absolutely, 1331 01:14:00,200 --> 01:14:03,680 Speaker 1: matthe you have something, sure do Okay, So Matt and 1332 01:14:03,720 --> 01:14:05,280 Speaker 1: I will go first and then and then we'll be 1333 01:14:05,320 --> 01:14:07,639 Speaker 1: put on stern. This is Matt Rodgers. I don't think so, honey, 1334 01:14:07,680 --> 01:14:10,000 Speaker 1: and your time starts now. I don't think so, honey. 1335 01:14:10,040 --> 01:14:12,160 Speaker 1: Stamps and the need for them in the year of 1336 01:14:12,200 --> 01:14:17,479 Speaker 1: our Lord too, I have to say, I have been 1337 01:14:17,640 --> 01:14:20,479 Speaker 1: so late r s v ping to my dear friend 1338 01:14:20,560 --> 01:14:23,640 Speaker 1: Sam's wedding from high school because I don't have a 1339 01:14:23,720 --> 01:14:27,280 Speaker 1: stamp and I need to go get a stamp to 1340 01:14:27,560 --> 01:14:29,200 Speaker 1: mail the r s v P back And where do 1341 01:14:29,240 --> 01:14:32,080 Speaker 1: you even get them? Where do you get them? And 1342 01:14:32,120 --> 01:14:35,240 Speaker 1: I literally went to I literally went out of my 1343 01:14:35,320 --> 01:14:38,000 Speaker 1: house and had to walk the streets and say excuse me. 1344 01:14:38,520 --> 01:14:40,680 Speaker 1: I went. I went to girlsons and I said, do 1345 01:14:40,680 --> 01:14:42,920 Speaker 1: you guys have stamps? And they were like yeah, And 1346 01:14:43,000 --> 01:14:45,000 Speaker 1: she had to think about it because they don't even 1347 01:14:45,000 --> 01:14:47,040 Speaker 1: know they have them. They had them, But then I 1348 01:14:47,120 --> 01:14:49,000 Speaker 1: thought I had to go to the quote unquote post 1349 01:14:49,120 --> 01:14:51,200 Speaker 1: office for a step. I never even heard of this 1350 01:14:51,240 --> 01:14:54,439 Speaker 1: place before. Then to come to find my good friend 1351 01:14:54,520 --> 01:14:57,559 Speaker 1: sam my dearest had put a stamp on the envelope 1352 01:14:57,600 --> 01:14:59,720 Speaker 1: the whole time. So I try to just use my 1353 01:14:59,760 --> 01:15:02,479 Speaker 1: fun your eyes how about that the next time? But 1354 01:15:02,560 --> 01:15:05,519 Speaker 1: it was a wild goose chase for stamps. And I 1355 01:15:05,640 --> 01:15:08,400 Speaker 1: just feel like, how come we can do email, we 1356 01:15:08,479 --> 01:15:11,680 Speaker 1: can have space satellites, and we still need stamps. I 1357 01:15:11,680 --> 01:15:15,360 Speaker 1: don't think that's one minute. Wow. It feels like we 1358 01:15:15,479 --> 01:15:19,640 Speaker 1: can do incredible things in this world. Medicine has come 1359 01:15:19,680 --> 01:15:22,679 Speaker 1: such a long way. I really think it has. There 1360 01:15:22,720 --> 01:15:27,680 Speaker 1: has been so many advancements in technology. The one thing 1361 01:15:27,760 --> 01:15:29,599 Speaker 1: we still need to do which doesn't make any sense, 1362 01:15:29,640 --> 01:15:33,639 Speaker 1: it's giving Pony Express, it's giving cassette tape, it's getting 1363 01:15:33,880 --> 01:15:39,320 Speaker 1: FM radio. Thank you King very much, agree, and its stamps. 1364 01:15:39,960 --> 01:15:43,799 Speaker 1: I would donate a million dollars to the US Postal 1365 01:15:43,840 --> 01:15:46,760 Speaker 1: Service so that they could stay aflow and so that 1366 01:15:46,880 --> 01:15:48,880 Speaker 1: they can go no more stamps for you for the 1367 01:15:48,880 --> 01:15:51,000 Speaker 1: rest of the year. I just feel like, why can't 1368 01:15:51,000 --> 01:15:54,120 Speaker 1: we just I'm really at a loss words, as you 1369 01:15:54,120 --> 01:15:56,439 Speaker 1: can tell. But if you could have those stamps off 1370 01:15:56,479 --> 01:16:01,519 Speaker 1: of your your mail, would you? Absolutely? And I missed 1371 01:16:01,520 --> 01:16:04,120 Speaker 1: stamped something before and cut it off and taped it 1372 01:16:04,160 --> 01:16:07,719 Speaker 1: onto another envelope because it's not even just that stamps 1373 01:16:07,760 --> 01:16:11,240 Speaker 1: are expensive, it's the journey you have to go through 1374 01:16:11,280 --> 01:16:16,200 Speaker 1: to get them. Yes, and in July a stamp will 1375 01:16:16,240 --> 01:16:20,640 Speaker 1: be sixty cents. I can't be right. What are you 1376 01:16:20,680 --> 01:16:24,080 Speaker 1: talking about? Get in here? Is this inflation in America? 1377 01:16:24,400 --> 01:16:28,320 Speaker 1: In America? No way, dog dog, I'll be sending a 1378 01:16:28,400 --> 01:16:31,920 Speaker 1: Marco Polo? Thank you? Where did you hear that? It's true? 1379 01:16:31,960 --> 01:16:34,160 Speaker 1: I read the article two days ago and I just 1380 01:16:34,240 --> 01:16:38,240 Speaker 1: looked it up again. Sixty cents starting July? What do 1381 01:16:38,280 --> 01:16:42,360 Speaker 1: they used to be? I think it was right? Oh 1382 01:16:42,439 --> 01:16:44,679 Speaker 1: my god? What does the article say about the reasoning 1383 01:16:44,720 --> 01:16:47,920 Speaker 1: for this? The bad economy? And first stamp covers the 1384 01:16:47,960 --> 01:16:51,640 Speaker 1: price of a one ounce letter doesn't say, oh, I 1385 01:16:51,640 --> 01:16:56,639 Speaker 1: guess I'm not buying a house this here? Well? Maybe 1386 01:16:57,080 --> 01:17:00,240 Speaker 1: how about how about this? Don't buy any stamps? Didn't 1387 01:17:03,760 --> 01:17:08,920 Speaker 1: budget is all up? My stamp budget? All right, thanks Doug, 1388 01:17:09,120 --> 01:17:12,120 Speaker 1: Thanks Doug. Um. Well that was that talking and I 1389 01:17:12,720 --> 01:17:14,880 Speaker 1: will say things. Things really are getting more expensive. I 1390 01:17:15,280 --> 01:17:17,200 Speaker 1: went down the street the other day and gas was seven. 1391 01:17:18,120 --> 01:17:20,080 Speaker 1: Oh my god, I don't know. You guys do it 1392 01:17:20,200 --> 01:17:25,400 Speaker 1: over there and drive you. I do drive, and I 1393 01:17:25,439 --> 01:17:28,160 Speaker 1: hate it. And then after I'm done driving in l A, 1394 01:17:28,439 --> 01:17:32,120 Speaker 1: I like think about my drive and I get like 1395 01:17:32,200 --> 01:17:35,120 Speaker 1: anxiety of like, oh my gosh, that was dangerous. I 1396 01:17:35,160 --> 01:17:36,880 Speaker 1: did that or answered that text and I could have 1397 01:17:37,120 --> 01:17:41,439 Speaker 1: run myself off the road. Yeah. Yeah, yeah, that's that's 1398 01:17:41,439 --> 01:17:43,559 Speaker 1: why I have to. Like the other day, I was like, 1399 01:17:44,120 --> 01:17:45,800 Speaker 1: I had my phone in my hand and I was like, oh, 1400 01:17:45,840 --> 01:17:48,280 Speaker 1: I have to fucking put this down. And it's not 1401 01:17:48,360 --> 01:17:52,120 Speaker 1: like nothing needs my attention as much as the road. Also, 1402 01:17:52,520 --> 01:17:54,920 Speaker 1: our commute to work was long as ship. It was 1403 01:17:55,160 --> 01:17:58,599 Speaker 1: very bad. Yeah you guys were where Studio City, Culver 1404 01:17:59,160 --> 01:18:03,840 Speaker 1: Culver City. Oh yeah, alright, well stamps not a fan? Now, 1405 01:18:03,920 --> 01:18:05,679 Speaker 1: bon Yang? Do you have And I don't think so, honey, 1406 01:18:05,680 --> 01:18:08,280 Speaker 1: that you'd like to do um? I think so I 1407 01:18:08,400 --> 01:18:10,559 Speaker 1: just got and I just got. I keep getting these 1408 01:18:10,600 --> 01:18:17,080 Speaker 1: notifications of like, hey, COVID was around you, okay, was 1409 01:18:17,439 --> 01:18:21,040 Speaker 1: already so by it was in me to me, all right, 1410 01:18:21,400 --> 01:18:23,400 Speaker 1: bon Yang, this is your I don't think so, honey, 1411 01:18:23,439 --> 01:18:26,160 Speaker 1: And your time starts now, I don't think so, honey, 1412 01:18:26,400 --> 01:18:29,920 Speaker 1: reminding me of a web series I was a part of. 1413 01:18:30,080 --> 01:18:32,559 Speaker 1: I didn't remember what the web series was. That was 1414 01:18:32,600 --> 01:18:35,640 Speaker 1: just a dark time in all of our lives in 1415 01:18:35,640 --> 01:18:38,040 Speaker 1: the culture. It was a dark time in sort of 1416 01:18:38,160 --> 01:18:41,400 Speaker 1: content production. This was when we were all being lied 1417 01:18:41,439 --> 01:18:45,799 Speaker 1: to and told that um engagement on Facebook was really 1418 01:18:45,880 --> 01:18:48,600 Speaker 1: really amazing when no one was watching them, and so 1419 01:18:48,800 --> 01:18:51,720 Speaker 1: what was it all for? Anyway? Maybe I learned a 1420 01:18:51,760 --> 01:18:53,920 Speaker 1: thing or two about being on camera. I don't think 1421 01:18:53,920 --> 01:18:57,160 Speaker 1: I learned that much. And now there's this permanent sort of, 1422 01:18:57,760 --> 01:19:01,479 Speaker 1: you know, immortalization of my bad acting, and I don't 1423 01:19:01,479 --> 01:19:06,960 Speaker 1: want people to necessarily make any judgments on that. And gosh, 1424 01:19:07,200 --> 01:19:12,080 Speaker 1: I really hope that we all fifteen stop posting them 1425 01:19:12,120 --> 01:19:15,439 Speaker 1: at least or tagging me in in stories so that 1426 01:19:15,479 --> 01:19:17,639 Speaker 1: I had to remember that I did a bad job 1427 01:19:17,760 --> 01:19:22,640 Speaker 1: or did a terrible line read in summer. Um, I 1428 01:19:22,640 --> 01:19:26,120 Speaker 1: don't think so, honey. Um me not coming in as 1429 01:19:26,120 --> 01:19:29,360 Speaker 1: a fully formed actor from day one, And that's a minute. 1430 01:19:30,000 --> 01:19:33,120 Speaker 1: I'm going to um say, I hear you, my sister, 1431 01:19:33,680 --> 01:19:35,720 Speaker 1: and I'm going to do exactly what you said not 1432 01:19:35,840 --> 01:19:38,439 Speaker 1: to do and tell you that, you know what was 1433 01:19:38,439 --> 01:19:41,000 Speaker 1: actually funny. But the web series that we did that 1434 01:19:41,040 --> 01:19:44,240 Speaker 1: Mike Spence did, which was the Couple's Therapy, Couples Therapy, 1435 01:19:44,680 --> 01:19:47,960 Speaker 1: that was actually really fun I don't know, Spencer, my 1436 01:19:47,960 --> 01:19:50,560 Speaker 1: my my partner and that with Spencer Novak, and he 1437 01:19:50,760 --> 01:19:53,000 Speaker 1: was funny, but I was not. And my partner was 1438 01:19:53,040 --> 01:19:55,160 Speaker 1: one STUDI Green. First of all, that's a lie. You 1439 01:19:55,160 --> 01:19:59,280 Speaker 1: were so good now you and Studio were played a couple. 1440 01:19:59,360 --> 01:20:03,200 Speaker 1: There was so Sudie and I played a couple that 1441 01:20:03,240 --> 01:20:06,679 Speaker 1: you that met because they were Abcrombie models and then 1442 01:20:07,160 --> 01:20:09,360 Speaker 1: and Sudie had Sudie had decided to not be a 1443 01:20:09,360 --> 01:20:13,080 Speaker 1: model anymore and like pivot to like washing her body 1444 01:20:13,120 --> 01:20:15,479 Speaker 1: with like charcoal and stuff, like she became like a 1445 01:20:15,560 --> 01:20:18,800 Speaker 1: vegan like or something like that. And she was so 1446 01:20:18,840 --> 01:20:21,800 Speaker 1: funny and it but we were so dumb. But that 1447 01:20:21,840 --> 01:20:24,439 Speaker 1: was actually funny. And sorry, but I I hear you, 1448 01:20:24,560 --> 01:20:27,080 Speaker 1: my sister, I repeat, but I had to. I had 1449 01:20:27,080 --> 01:20:30,639 Speaker 1: to bring that one up. I cringe. I cringe. It's humbling. 1450 01:20:32,000 --> 01:20:36,240 Speaker 1: Were you a part of web series culture? Yeah? Yeah 1451 01:20:36,720 --> 01:20:39,000 Speaker 1: for sure. And you know what really always annoyed me 1452 01:20:39,120 --> 01:20:42,000 Speaker 1: is when people that were my peers were like starting 1453 01:20:42,080 --> 01:20:44,800 Speaker 1: kickstarters for their web series and I'm like, so you 1454 01:20:44,880 --> 01:20:47,880 Speaker 1: think you five dollars when I'm also trying to make one, 1455 01:20:48,080 --> 01:20:51,600 Speaker 1: and like this is like really cringe ick thing that 1456 01:20:51,640 --> 01:20:54,599 Speaker 1: people would do. There was this these three white, straight, 1457 01:20:54,600 --> 01:20:58,000 Speaker 1: white guys that tried to do this web series and 1458 01:20:58,040 --> 01:21:00,320 Speaker 1: I remember, like, you know, because it was like, if 1459 01:21:00,320 --> 01:21:02,080 Speaker 1: you donate this much, you'll get this. If you don't, 1460 01:21:02,560 --> 01:21:05,000 Speaker 1: it was like, if you donate this much, we'll come 1461 01:21:05,000 --> 01:21:07,000 Speaker 1: watch your improv show and give you notes. And I 1462 01:21:07,040 --> 01:21:11,559 Speaker 1: was like, oh my god, God, it's like every bad 1463 01:21:11,640 --> 01:21:15,040 Speaker 1: thing from that time wrapped up like what it was like, 1464 01:21:15,320 --> 01:21:17,160 Speaker 1: if you do this, you can be a featured extra. 1465 01:21:17,240 --> 01:21:21,599 Speaker 1: I was like, in your web series featured extra? What 1466 01:21:21,680 --> 01:21:24,920 Speaker 1: does that even me? I still don't know. The one 1467 01:21:24,960 --> 01:21:26,640 Speaker 1: that gets me the most is one its It was 1468 01:21:26,720 --> 01:21:28,679 Speaker 1: it would be like and if you donate this much, 1469 01:21:28,840 --> 01:21:31,920 Speaker 1: you can be an executive producer. And it's like, what 1470 01:21:31,960 --> 01:21:34,320 Speaker 1: the fund does that even mean? It's like it means 1471 01:21:34,360 --> 01:21:36,519 Speaker 1: I get like a title card in your web series 1472 01:21:36,600 --> 01:21:39,439 Speaker 1: viewed by sixty people. Well, I guess we were all 1473 01:21:39,479 --> 01:21:41,519 Speaker 1: trying our best. We were all trying our best. Yeah, 1474 01:21:41,560 --> 01:21:43,960 Speaker 1: we were all trying our best. And also the part 1475 01:21:44,000 --> 01:21:45,960 Speaker 1: that scares me about my old work because like we 1476 01:21:46,040 --> 01:21:50,479 Speaker 1: used to like record our improv shows and sometimes is 1477 01:21:50,520 --> 01:21:53,320 Speaker 1: that like when I first started comedy, I thought like 1478 01:21:53,800 --> 01:21:58,000 Speaker 1: accent equals comedy. I think we all, we all would 1479 01:21:58,000 --> 01:22:01,360 Speaker 1: be really shocked and jarred if we were to go 1480 01:22:01,400 --> 01:22:03,120 Speaker 1: back in time and listen to the accidents that we like. 1481 01:22:04,080 --> 01:22:05,360 Speaker 1: And also I think I was on a team with 1482 01:22:05,400 --> 01:22:07,479 Speaker 1: a bunch of like against raight white men who just 1483 01:22:07,600 --> 01:22:09,080 Speaker 1: came out there and talked, so I felt like I 1484 01:22:09,120 --> 01:22:11,599 Speaker 1: needed to do so much. It would literally come out 1485 01:22:11,600 --> 01:22:14,880 Speaker 1: there's like a hunched over Jamaican man. Yeah, and it's 1486 01:22:14,880 --> 01:22:21,759 Speaker 1: like not not a great look, right, and oh God, 1487 01:22:22,040 --> 01:22:26,360 Speaker 1: like it's all contextualized by the circumstances whatever that means. 1488 01:22:26,400 --> 01:22:31,240 Speaker 1: I'm speaking so generally and broadly anyway. I also think 1489 01:22:31,240 --> 01:22:32,840 Speaker 1: there was that there was that time in the beginning 1490 01:22:32,840 --> 01:22:34,760 Speaker 1: when we were all doing comedy where it's like we're 1491 01:22:34,800 --> 01:22:37,920 Speaker 1: talking about accent work for gay men that exclusively meant 1492 01:22:37,920 --> 01:22:41,400 Speaker 1: talking like a black woman, which which which I don't 1493 01:22:41,479 --> 01:22:45,360 Speaker 1: even think we realized was something that was insane to 1494 01:22:45,439 --> 01:22:50,720 Speaker 1: do until like two were until two recently, And I 1495 01:22:50,760 --> 01:22:52,479 Speaker 1: think about how many times I went out there and 1496 01:22:52,520 --> 01:22:55,360 Speaker 1: did quote unquote gay voice. But if I really were 1497 01:22:55,400 --> 01:22:58,559 Speaker 1: to think about it, it it was actually like, you know, 1498 01:22:59,560 --> 01:23:02,439 Speaker 1: talking a black woman in a way that chills me 1499 01:23:02,520 --> 01:23:04,559 Speaker 1: to my core, of course, and there was no one 1500 01:23:04,560 --> 01:23:07,519 Speaker 1: there to say anything, and I didn't know any better. No, 1501 01:23:07,800 --> 01:23:11,120 Speaker 1: we really didn't know any better. Also, my accents were bad. 1502 01:23:11,240 --> 01:23:14,360 Speaker 1: They weren't even good accents. They like melded five different 1503 01:23:14,360 --> 01:23:18,280 Speaker 1: cultures into one. We couldn't afford an accident coach. No, 1504 01:23:18,320 --> 01:23:20,040 Speaker 1: I did not have a dialect coach when I was 1505 01:23:20,080 --> 01:23:23,960 Speaker 1: at Io. No, we couldn't afford lunch. They should hire 1506 01:23:24,360 --> 01:23:28,000 Speaker 1: every comedy theater if they return and choose to hire 1507 01:23:28,640 --> 01:23:33,000 Speaker 1: dialect coach. Isn't it funny that they're gone most of them? 1508 01:23:33,000 --> 01:23:37,320 Speaker 1: It's sad, It's crazy. All right, this is but do 1509 01:23:37,360 --> 01:23:39,799 Speaker 1: you have a nine things? So, honey? I do? Okay, 1510 01:23:39,840 --> 01:23:41,720 Speaker 1: this is I don't think so honey, in her time 1511 01:23:41,760 --> 01:23:47,120 Speaker 1: starts now, I don't think so, honey. High fives, high 1512 01:23:47,240 --> 01:23:52,240 Speaker 1: fiving the jarre end even. Do not high five me. 1513 01:23:52,840 --> 01:23:54,680 Speaker 1: If you try to high five me, I'm going to 1514 01:23:54,760 --> 01:23:57,600 Speaker 1: like hold both my hands together in a fist and 1515 01:23:57,680 --> 01:23:59,840 Speaker 1: one may land on your person. I hate high five. 1516 01:24:00,479 --> 01:24:03,800 Speaker 1: I've always hated high fives, even before we stopped like 1517 01:24:03,840 --> 01:24:07,040 Speaker 1: touching hands during COVID, Like, I don't understand why. Like 1518 01:24:07,200 --> 01:24:12,680 Speaker 1: palm to palm impact is like positive. We're like celebrating, 1519 01:24:12,760 --> 01:24:16,879 Speaker 1: but hitting each other. It's violence. Also, palms are gross 1520 01:24:17,240 --> 01:24:20,080 Speaker 1: and they're like the bottom of your feet. For hands, 1521 01:24:20,080 --> 01:24:23,559 Speaker 1: they're sweaty, they're sticky, they're like so too soft. I'll 1522 01:24:23,600 --> 01:24:26,839 Speaker 1: say it hurts. And now I've touched everything you touched. 1523 01:24:27,120 --> 01:24:29,599 Speaker 1: They're just like met for fingerprints, And like, what are 1524 01:24:29,600 --> 01:24:32,040 Speaker 1: we Why are we teaching kids and dogs to high five? 1525 01:24:32,120 --> 01:24:35,000 Speaker 1: Like what do you get out of it? Almost certainly 1526 01:24:35,280 --> 01:24:37,439 Speaker 1: if you're a significant other ever tries to high five, 1527 01:24:37,520 --> 01:24:42,200 Speaker 1: you report them to the police. And that's one minute. Wow, 1528 01:24:42,280 --> 01:24:44,360 Speaker 1: you're so right. I don't know what what? How did 1529 01:24:44,439 --> 01:24:47,760 Speaker 1: it happen? Yeah, we got to look into this. It's 1530 01:24:47,920 --> 01:24:55,200 Speaker 1: bad dogs. Dogs. Dogs don't know what it means children dogs. 1531 01:24:55,280 --> 01:24:59,360 Speaker 1: Why I think it's cute when a dog puts pop 1532 01:24:59,479 --> 01:25:04,120 Speaker 1: to me. The dog doesn't know what okay, because he's 1533 01:25:04,160 --> 01:25:10,200 Speaker 1: a gentleman. It's formal. This dog don't wear shoes. Do 1534 01:25:10,240 --> 01:25:15,800 Speaker 1: you like that's so true? Do you like handshakes? Don't 1535 01:25:15,880 --> 01:25:18,720 Speaker 1: love a handshake. Really don't love a fist bump, and 1536 01:25:18,760 --> 01:25:21,280 Speaker 1: I don't like this elbow thing we're doing that has 1537 01:25:21,400 --> 01:25:26,720 Speaker 1: really risen in prominence and oh god no, and it's 1538 01:25:26,760 --> 01:25:29,519 Speaker 1: odd because like my number one love language is physical touch, 1539 01:25:30,479 --> 01:25:33,920 Speaker 1: but not that physical touch. No, it's like give it 1540 01:25:33,960 --> 01:25:36,880 Speaker 1: to me full or don't give it to me at all, 1541 01:25:39,000 --> 01:25:41,640 Speaker 1: or not give me a full hug from behind, like 1542 01:25:41,760 --> 01:25:45,559 Speaker 1: hip to hip, something grabbed my shoulders something, but don't 1543 01:25:45,600 --> 01:25:50,800 Speaker 1: just like, oh no, no, jerk at me. And it's 1544 01:25:50,840 --> 01:25:55,719 Speaker 1: too bro. This is too like bro. And also people 1545 01:25:55,760 --> 01:26:02,240 Speaker 1: don't like they especially when they're excited. It hurts you, 1546 01:26:02,439 --> 01:26:05,920 Speaker 1: honestly that you're so right about that, and I think 1547 01:26:05,960 --> 01:26:10,400 Speaker 1: that it's it's really become. I don't know what it 1548 01:26:10,439 --> 01:26:12,760 Speaker 1: is when someone gives a really hard high five, because 1549 01:26:12,800 --> 01:26:14,680 Speaker 1: if I'm gonna high five, I at least want to 1550 01:26:14,680 --> 01:26:17,080 Speaker 1: feel like I did it successfully, and that means you 1551 01:26:17,160 --> 01:26:21,080 Speaker 1: gotta clean crisp, you know what I mean. And that's 1552 01:26:21,080 --> 01:26:23,360 Speaker 1: another thing about high five culture is if you miss 1553 01:26:23,360 --> 01:26:26,000 Speaker 1: it or the high five is bad, it goes you 1554 01:26:26,040 --> 01:26:32,640 Speaker 1: know what I mean, It's terrible. It's really terrible. It 1555 01:26:32,640 --> 01:26:34,320 Speaker 1: can only be I've only done high fives as a 1556 01:26:34,360 --> 01:26:37,840 Speaker 1: bit in the last year. I gotta say, I it's 1557 01:26:37,920 --> 01:26:41,599 Speaker 1: just a bit like yeah, like yeah, brother, like that 1558 01:26:41,680 --> 01:26:43,519 Speaker 1: kind of thing. Yeah, I love to high five a 1559 01:26:43,520 --> 01:26:47,679 Speaker 1: straight guy and go all right, brother, here you go yo, 1560 01:26:47,720 --> 01:26:50,840 Speaker 1: brother's sick day to day. Brother, Yeah, it's really good 1561 01:26:50,840 --> 01:26:55,760 Speaker 1: to see you today, brother. Gross. Well, well listen, I 1562 01:26:55,760 --> 01:26:59,519 Speaker 1: think this wasn't a fabulous episode. I think I'm so 1563 01:26:59,560 --> 01:27:04,679 Speaker 1: happy we talked about hagline. I hope you don't still 1564 01:27:04,760 --> 01:27:07,720 Speaker 1: feel shamed. Oh no, not at all. Now. I'm like, yes, 1565 01:27:07,800 --> 01:27:10,800 Speaker 1: whatever my parents want to do, Like my mom will 1566 01:27:10,840 --> 01:27:12,600 Speaker 1: still have a lot at a garage still, which is 1567 01:27:12,680 --> 01:27:15,280 Speaker 1: the place to do it, like exct place to do it. 1568 01:27:15,880 --> 01:27:18,320 Speaker 1: She'll do that still. And I'm like, please, God, bless 1569 01:27:18,400 --> 01:27:20,920 Speaker 1: Now I'm like whatever they want, like let them be 1570 01:27:21,160 --> 01:27:24,200 Speaker 1: live your life. They've been through too much also, truly, 1571 01:27:24,240 --> 01:27:25,720 Speaker 1: And I'm not just saying this as a bit, like 1572 01:27:26,280 --> 01:27:28,880 Speaker 1: I know the anxiety that can come from like talking 1573 01:27:28,920 --> 01:27:31,599 Speaker 1: to customer service and like all that stuff. So I 1574 01:27:31,640 --> 01:27:33,760 Speaker 1: really will do it for you, oh my god, Like 1575 01:27:33,800 --> 01:27:35,960 Speaker 1: I've done it for friends before because they have such 1576 01:27:36,000 --> 01:27:39,080 Speaker 1: anxiety around it, Like I really will do it, or 1577 01:27:39,080 --> 01:27:41,880 Speaker 1: like if we're at a restaurant, you might need to 1578 01:27:41,920 --> 01:27:44,519 Speaker 1: coach me through it. Yeah, because I here's the thing. 1579 01:27:44,600 --> 01:27:46,559 Speaker 1: I know. I'm nice about it, and I don't make 1580 01:27:46,560 --> 01:27:48,439 Speaker 1: people feel bad when I do it, So that's why 1581 01:27:48,479 --> 01:27:51,479 Speaker 1: I don't mind doing it. Great, great, as long as 1582 01:27:51,520 --> 01:27:53,880 Speaker 1: and you have a very kind voice too, very kind, 1583 01:27:53,920 --> 01:27:57,960 Speaker 1: thank you, but kind, but like clear and like it's it. 1584 01:27:58,640 --> 01:28:01,479 Speaker 1: People people understand what you're trying to say. They feel safe. 1585 01:28:01,920 --> 01:28:04,000 Speaker 1: I think I kind of like talk around stuff too 1586 01:28:04,080 --> 01:28:06,160 Speaker 1: much and people are like, what is he doing? But 1587 01:28:06,200 --> 01:28:08,080 Speaker 1: I feel like with you there's a safety and I 1588 01:28:08,160 --> 01:28:10,680 Speaker 1: really really love that. I feel like every time you 1589 01:28:10,680 --> 01:28:13,040 Speaker 1: talk to you sound really intelligent, even if you're talking 1590 01:28:13,040 --> 01:28:16,240 Speaker 1: about something like dumb. I don't think so. He has 1591 01:28:16,280 --> 01:28:19,479 Speaker 1: a vast vocabulary. We're not doing that. It's one of 1592 01:28:19,520 --> 01:28:24,400 Speaker 1: his It's one of his gorgeous traits. I will also say, 1593 01:28:24,760 --> 01:28:26,760 Speaker 1: I will also say, you know what's fun about and 1594 01:28:26,800 --> 01:28:29,040 Speaker 1: we'll circle it back. But and I love that for you. 1595 01:28:29,120 --> 01:28:33,720 Speaker 1: We often do hear your voice sort of disemblydic voice, 1596 01:28:33,760 --> 01:28:37,839 Speaker 1: because because you're often speaking as the producer into the 1597 01:28:37,880 --> 01:28:41,439 Speaker 1: ears of Joanna Gold played by Vanessa Bayer, and so often. 1598 01:28:41,760 --> 01:28:43,760 Speaker 1: In fact, I just saw one of the new episodes, 1599 01:28:44,400 --> 01:28:49,439 Speaker 1: and it's just a bit about like Joanna is selling 1600 01:28:49,520 --> 01:28:51,880 Speaker 1: leatherette pants and you're like, and you don't say leather, 1601 01:28:51,960 --> 01:28:55,320 Speaker 1: say leatherette, and she and Vanessa's on and she's like 1602 01:28:55,520 --> 01:28:57,559 Speaker 1: and the thing about leather pants, and you just go. 1603 01:28:57,680 --> 01:29:04,920 Speaker 1: You just hear put on his voice go leatherette perfect. 1604 01:29:05,000 --> 01:29:07,920 Speaker 1: And product names are like, what are the best parts 1605 01:29:07,960 --> 01:29:14,000 Speaker 1: of so funny? What was what was the place? Mats 1606 01:29:18,479 --> 01:29:20,920 Speaker 1: by the by the by the time I was saying that, 1607 01:29:21,000 --> 01:29:23,519 Speaker 1: like on camera, it had totally faded away from me 1608 01:29:23,560 --> 01:29:26,200 Speaker 1: as something funny. And then when I watched the premiere, 1609 01:29:26,320 --> 01:29:28,320 Speaker 1: like and I said, and we're gonna start your Monday 1610 01:29:28,320 --> 01:29:30,640 Speaker 1: five am with the Genine by Genine placements and tablescapes, 1611 01:29:30,640 --> 01:29:33,519 Speaker 1: and I was like that sentence is insane, and people 1612 01:29:33,520 --> 01:29:35,559 Speaker 1: were laughing at it, and I was like, oh, that's 1613 01:29:36,040 --> 01:29:39,639 Speaker 1: it sounds completely forgotten. Yeah, you're like backyard grill things 1614 01:29:39,680 --> 01:29:46,679 Speaker 1: into blasters, Tandy fit Woody blasters, Like what is that? Even? 1615 01:29:47,360 --> 01:29:49,120 Speaker 1: I want to buy it? I want to buy it. 1616 01:29:51,320 --> 01:29:55,080 Speaker 1: They are price cutting the plai adelfon margarita makers and 1617 01:29:55,120 --> 01:29:59,360 Speaker 1: also the bar in episode three is called stock Canteen. 1618 01:30:00,040 --> 01:30:03,400 Speaker 1: Laughed at that at that establishing shot, don't it's talking 1619 01:30:03,439 --> 01:30:06,599 Speaker 1: and then they cut to like like you guys walking 1620 01:30:06,640 --> 01:30:08,599 Speaker 1: in and it's just a neontime that has surveys down. 1621 01:30:08,640 --> 01:30:12,400 Speaker 1: I'm like, so fun fact about that. That is the 1622 01:30:12,439 --> 01:30:16,479 Speaker 1: bar from the L word. We want to and they 1623 01:30:16,479 --> 01:30:19,160 Speaker 1: are decorated it or are directed it to be to 1624 01:30:19,280 --> 01:30:23,200 Speaker 1: be like a like a Mexican themed bars, the bar 1625 01:30:23,280 --> 01:30:26,600 Speaker 1: from the L word. Okay, And that's movie magic. And 1626 01:30:26,600 --> 01:30:28,280 Speaker 1: if you want to see more of that and the 1627 01:30:28,479 --> 01:30:32,000 Speaker 1: magic that has put up his performance, you can stream 1628 01:30:32,200 --> 01:30:34,320 Speaker 1: I Love That for you on Fridays on the Showtime 1629 01:30:34,360 --> 01:30:40,880 Speaker 1: app or watch live Sundays at on Showtime. Oh my god, 1630 01:30:41,000 --> 01:30:43,360 Speaker 1: thank you for knowing the info. I know all the 1631 01:30:43,400 --> 01:30:46,160 Speaker 1: info in what a joy it is to have you 1632 01:30:46,240 --> 01:30:49,599 Speaker 1: and what a glorious light you are. Ah, this has 1633 01:30:49,640 --> 01:30:52,320 Speaker 1: been so so fun. I've been looking forward to this 1634 01:30:52,400 --> 01:30:55,840 Speaker 1: for weeks and we had every episode with the song, 1635 01:30:56,840 --> 01:31:01,439 Speaker 1: and the song is have you had so lie? So 1636 01:31:03,479 --> 01:31:18,720 Speaker 1: you need my baby leave me? He would come all right, 1637 01:31:19,560 --> 01:31:28,680 Speaker 1: hennywhere Hi Wow? So listen to that. Listen dude, never 1638 01:31:28,720 --> 01:31:31,759 Speaker 1: Seen Never the album Fine Bye