WEBVTT - Comedian Paul Reiser on New Show

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<v Speaker 1>This is Bloomberg Business Week with Carol Masser from Bloomberg Radio.

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<v Speaker 1>You're listening to Bloomberg Business Week. I'm Carol Masser. Excited

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<v Speaker 1>to wrap up our day in our week and to

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<v Speaker 1>have back with us. I kind of say I kind

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<v Speaker 1>of needed this this week. It's been a little crazy

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<v Speaker 1>back with us. Uh. It's comedian, actor, writer and author

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<v Speaker 1>Paul Riser. He joins us once again on the phone

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<v Speaker 1>from Los Angeles. Hey, nice to have you back with us.

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<v Speaker 1>How nice to be back. I have my mug, I

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<v Speaker 1>have my Man About You mug still on my desk.

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<v Speaker 1>I'm just gonna let you know, well, we have a deal.

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<v Speaker 1>You know, I know. I'm really sorry about the emmy.

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<v Speaker 1>Yeah what I That's why I'm calling, okay, because that

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<v Speaker 1>was that was your doing. That was your fault. No

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<v Speaker 1>it wasn't. But we had a deal. Let you win.

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<v Speaker 1>We're gonna do a picture. I'm gonna I'm gonna be

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<v Speaker 1>able to hold your emmy and you're gonna get to

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<v Speaker 1>hold the Man about right. That's right. I'm so sorry.

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<v Speaker 1>It is my fault then for not having one. All right, Well,

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<v Speaker 1>I'll try and find some sort of reasonable substitute. Well,

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<v Speaker 1>I think you might win for this next project. I

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<v Speaker 1>gotta tell you, I looked a little bit at it.

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<v Speaker 1>Um tell us about what you're up to you right now? Well,

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<v Speaker 1>this is an interesting little journey. UH. I created with

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<v Speaker 1>a buddy of mine, my friend David Simon. We created

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<v Speaker 1>a show called There's Johnny, which is UH debuting on

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<v Speaker 1>on Sunday on Peacock and it's a weird thing. Well

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<v Speaker 1>I'll talk about the show, but it's weird because it's

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<v Speaker 1>it's not quite debuting. It was on another platform. We we

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<v Speaker 1>we did it two years ago and it was on

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<v Speaker 1>very quietly so to not disturb anybody. Was not particularly promoted.

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<v Speaker 1>Just a hint, don't do that. You want to disturb people.

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<v Speaker 1>You want to make sure you know. You know. That

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<v Speaker 1>wasn't my decision. They decided they didn't want to bother anybody.

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<v Speaker 1>But um, you know, I had always thought that once

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<v Speaker 1>the show was on streaming, well let's just be there

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<v Speaker 1>and people will get to it whenever it's always there.

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<v Speaker 1>And then I found out a few months ago, I go, hey,

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<v Speaker 1>There's Johnny is no longer up. I want it just

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<v Speaker 1>because they had apparently a two year of contract of

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<v Speaker 1>UH deal. So anyway, So it sort of fell into

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<v Speaker 1>the ether. It was nowhere, and it was this summer

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<v Speaker 1>Peacock was launching, and I said, well, this is a

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<v Speaker 1>show that if any show belongs on Peacock, this is it.

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<v Speaker 1>It takes place, there's Johnny takes place in nineteen seventy

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<v Speaker 1>two behind the scenes of the Tonight Show with Johnny Carson.

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<v Speaker 1>So literally, the Peacock is in our opening credit. It

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<v Speaker 1>takes place, it's it's in NB shot in NBC hall

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<v Speaker 1>NBC hallways and stuff, and uh, extra icing on the

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<v Speaker 1>cake that since we shot this two years ago, uh,

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<v Speaker 1>one of our wonderful, wonderful stars, Jane Levy, has gone

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<v Speaker 1>on to become a big star for an NBC show

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<v Speaker 1>called Zoe's Extraordinary Playlist. So we call the people a peacock.

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<v Speaker 1>We said, you know, you have this wonderful star and

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<v Speaker 1>Jane Levy, she's also in this show. I'll bet you

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<v Speaker 1>people would like to see it, and luckily they went,

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<v Speaker 1>yes they would, So they're putting on which you know,

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<v Speaker 1>it's one of these sometimes when the shows die, they

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<v Speaker 1>just die. But this was so good that I it

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<v Speaker 1>felt it was worth the extra effort to fight for it.

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<v Speaker 1>I have to say in our planning meeting when we're

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<v Speaker 1>talking about and that you were going to come on

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<v Speaker 1>and talk about it. We all watched the trailer and

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<v Speaker 1>and caught some clips of it, and we all were like,

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<v Speaker 1>this is really good. I mean, first of all, it

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<v Speaker 1>takes us back to the seventies, which was such a

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<v Speaker 1>kind of iconic era. There was so much going on.

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<v Speaker 1>But it's also and you must have loved working on

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<v Speaker 1>it as a comedian. I mean, Johnny Carson is you know,

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<v Speaker 1>kind of the gold standard in terms of, you know,

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<v Speaker 1>what we thought about when it came to comedy or

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<v Speaker 1>really created the world that we live in today. Yeah,

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<v Speaker 1>very very much. And I'm all, you know, my class

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<v Speaker 1>of comedians, my generation, we that was the goal to

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<v Speaker 1>get on Johnny and for all of us getting on

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<v Speaker 1>that first time was like the huge reward and it

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<v Speaker 1>was also the currency that everybody else could understand. So

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<v Speaker 1>you know, your parents went, I guess my son's not

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<v Speaker 1>a total loser, and because we just thought he's staying

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<v Speaker 1>up late and making no money, but he was on

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<v Speaker 1>the Tonight Show and Johnny liked him, so he must

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<v Speaker 1>be okay. But what we did, it's very You're right,

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<v Speaker 1>it's a very interesting time. Seventy two was, first of all,

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<v Speaker 1>just when Johnny Carson moved the show from New York

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<v Speaker 1>out to Burbank and it took on. It's almost like

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<v Speaker 1>it became in color. Then you know, it's suddenly took

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<v Speaker 1>on a new life. And it also coincided with the

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<v Speaker 1>beginning of the comedy scene in the comedy clubs, the

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<v Speaker 1>Comedy Comedy Store and the West Coast and what we did, uh,

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<v Speaker 1>and you know, it's really kind of unique. And we

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<v Speaker 1>have we partnered with Carson Entertainment Company UM for the

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<v Speaker 1>rights to use the clips. We have some way little

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<v Speaker 1>clips of episodes of his, of actual broadcasts that are

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<v Speaker 1>in our show as part of our show, because we're

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<v Speaker 1>behind the scenes and they're putting us some when you see,

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<v Speaker 1>we need to get George Colin, and there's George Colin,

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<v Speaker 1>and there's Johnny and so for me, you're it was

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<v Speaker 1>absolutely a treat to go into the vault. We had

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<v Speaker 1>this wonderful exclusive access to the vaults, and I would say, well,

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<v Speaker 1>let's just pick out my favorite. So let's go get

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<v Speaker 1>George Colin, Boom, Albert Brooks and Steve Martin and it's

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<v Speaker 1>an interesting thing because for people of a certain age

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<v Speaker 1>who remember Johnny fondly, it's a lovely way to revisit

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<v Speaker 1>and see pieces of the show. But it really ultimately

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<v Speaker 1>has nothing to do with the show, because it's really

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<v Speaker 1>about this eighteen year old kid right Lands, you know,

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<v Speaker 1>through some silly accident, ends up working there and he

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<v Speaker 1>meets his twenty five year old wonderful Jane Levy, who

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<v Speaker 1>just makes his head explode. Good. She's unlike anybody he's

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<v Speaker 1>ever met. Paul Riser still with us on the phone

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<v Speaker 1>from Los Angeles, of course, comedian, actor, writer, author, author

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<v Speaker 1>of several books, and he's talking about the show he

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<v Speaker 1>co created. There's Johnny. Uh and it starts streaming on Sunday, November. First,

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<v Speaker 1>forgive me if I called it the Johnny Carson Show.

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<v Speaker 1>It's based Well, no, as you said, it's kind of

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<v Speaker 1>the backdrop in the in the background, which is such

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<v Speaker 1>a cool part of it. I have to say, Paul,

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<v Speaker 1>it's also kind of neat as you do dig back

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<v Speaker 1>into the seventies. Uh, the fashion, the sexism, you know,

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<v Speaker 1>women not pay the same as men like you have

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<v Speaker 1>some you really get into it. Yeah, you know, it

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<v Speaker 1>was it's hard. So many things was so different. I

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<v Speaker 1>mean it's forty or fifty years ago, but almost fifty

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<v Speaker 1>years ago. And uh, you know, there's a great scene

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<v Speaker 1>where Jane Levy goes into Our Boss with Tony. Tony

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<v Speaker 1>Dan's as the only guy who plays an actual person.

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<v Speaker 1>He plays Johnny Carson's producer, Freddie Dakordova, and he's brilliant

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<v Speaker 1>at it. But there's a scene where she goes in

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<v Speaker 1>and she complains that she just found out that her

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<v Speaker 1>her colleague, who's a male, gets the has the exact

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<v Speaker 1>same job. It makes twice as much and it doesn't

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<v Speaker 1>seem fair. And you see Tony goes it's not what fair?

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<v Speaker 1>What do you mean? And Paul, I'm just going to

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<v Speaker 1>never changes. But it was at that moment it was

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<v Speaker 1>so foreign. That's like, I don't even understand the question

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<v Speaker 1>why would it be fair? Like let's start their um,

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<v Speaker 1>you know, and uh so yeah, And it was Vietnam

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<v Speaker 1>and our lead character is his young eighteen year old

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<v Speaker 1>whose brother is this all American kid who goes to Vietnam,

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<v Speaker 1>and uh, it doesn't go well so that it impact

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<v Speaker 1>everything and the part of the fun of the show

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<v Speaker 1>was taking this really sweet innocent kid played by Ian Nelson.

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<v Speaker 1>He's his eighteen year old kid fresh off of farm

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<v Speaker 1>and threw a sort of knuckle headed misunderstanding ends up

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<v Speaker 1>working the tonight sho so for him to see suddenly

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<v Speaker 1>Hollywood and sex, drugs, rock and roll, and women who

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<v Speaker 1>women who see therapists, and and women who are just

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<v Speaker 1>you know, you know, chew chew up men for for fun. Um,

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<v Speaker 1>it's a whole new world. So we get to enter

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<v Speaker 1>this beautiful, complex world through his uh, innocent eyes, which

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<v Speaker 1>was a lot of fun to write. Listen, what were

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<v Speaker 1>your memories of your first time on Johnny Carson? I?

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<v Speaker 1>You know, I did it. I did it many times,

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<v Speaker 1>but the first time I did it was it was

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<v Speaker 1>a moment that we had all planned for, you know,

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<v Speaker 1>or dreamed of. We didn't planned for it, but we

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<v Speaker 1>worked towards it. So it was an interesting, weird feeling

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<v Speaker 1>because he got there suddenly. He didn't feel surprising. It

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<v Speaker 1>felt like, oh, okay, I have and I have envisioned

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<v Speaker 1>this so many times, um, but it was it was.

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<v Speaker 1>It was certainly a turning point for every comic. Your

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<v Speaker 1>first time on Johnny is such an accomplishment and and

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<v Speaker 1>for me I don't remember ever thinking of anything beyond that.

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<v Speaker 1>Like that was a far as I could picture down

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<v Speaker 1>the road of whatever success might look like, get on

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<v Speaker 1>the Carson Show and then I don't know. Um, but

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<v Speaker 1>you know, Johnny was such a big part of our

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<v Speaker 1>lives as comics, but as America, just for America. He

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<v Speaker 1>was in our living rooms, you know, and and in

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<v Speaker 1>our bedrooms at eleven thirty at night for thirty years

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<v Speaker 1>in a way that as great as Jimmy and Jimmy

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<v Speaker 1>and and and Steve and and Conan are um, it

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<v Speaker 1>wasn't the same. He Johnny was singular. He sat on

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<v Speaker 1>that throne by himself and uh and we also it

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<v Speaker 1>was when in the very beginning, when you couldn't record it,

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<v Speaker 1>you had to stay up right, so it became it

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<v Speaker 1>became part of your life and and like and you

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<v Speaker 1>remembered it. So when we were doing this show, there's Johnny,

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<v Speaker 1>and I was pulling up clips of George Carlin and

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<v Speaker 1>Albert Brooks. I remembered them even though I hadn't seen

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<v Speaker 1>them in forty fifty years. Whatever I was gonna I

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<v Speaker 1>remember this because I stayed up late and it was

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<v Speaker 1>important to me. So it was really a different time

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<v Speaker 1>in culture just and how people watched uh television and

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<v Speaker 1>how we related to people in the stars. And there

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<v Speaker 1>was a reason Johnny was on top for thirty years.

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<v Speaker 1>He was singularly talented. Well, it's interesting that you say

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<v Speaker 1>that to like, I mean, it's an era where there

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<v Speaker 1>were three networks essentially, right, three major networks, and you

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<v Speaker 1>were you know, you watched one or the other. I

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<v Speaker 1>was just quick googling. And I think they said at

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<v Speaker 1>that at the Peaky it's something like fifty million viewers.

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<v Speaker 1>Like to get your head around that, and everybody the

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<v Speaker 1>next morning would talk about what Johnny talked about. Yeah,

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<v Speaker 1>and he also, you know, he had so many skills

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<v Speaker 1>and attributes, and he was a host, a really a

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<v Speaker 1>genuine host in a way that it seems almost antiquated now.

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<v Speaker 1>And he also he avoided politics. You know, he was

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<v Speaker 1>very comfortable. He straddled straddled the world in a great way.

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<v Speaker 1>I mean he was hip, you know, hip people liked him,

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<v Speaker 1>and very conventional rural you know he was he was

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<v Speaker 1>Nebraska and he was also New York. He was um

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<v Speaker 1>and you never knew his politics. We would have an

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<v Speaker 1>episode where somebody does you know, slips in an anti

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<v Speaker 1>Nixon Joe and the producer gets incensed and said, how

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<v Speaker 1>dare you you know you don't know Johnny, Johnny, do

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<v Speaker 1>you have any idea what Johnny Carson actually thinks. No,

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<v Speaker 1>that's right because he doesn't tell you, and it's not.

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<v Speaker 1>But nobody's a business and he that was part of

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<v Speaker 1>his appeal that everybody came to the tent um. He

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<v Speaker 1>would poke fund and you know, a Democratic and Republicans,

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<v Speaker 1>but gently it was never really um pointed and that

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<v Speaker 1>level of um diplomacy that kind of is really does

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<v Speaker 1>feel like a bygone era and it's it's refreshing to

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<v Speaker 1>see when you watched Johnny go, oh, do you remember

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<v Speaker 1>when things seemed simpler and and he kind of did

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<v Speaker 1>you know, he kind of did put you to bed

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<v Speaker 1>every night you took, you know, whether you were watching

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<v Speaker 1>or just had it on the background. Johnny was how

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<v Speaker 1>you round it off your day and the world seemed

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<v Speaker 1>a little better and you had a couple of jokes

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<v Speaker 1>to start your morning. And remember Johnny joke last night,

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<v Speaker 1>and uh, it was a big deal. It was a

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<v Speaker 1>big deal. So I'm thrilled the show is getting in

0:10:54.200 --> 0:10:56.559
<v Speaker 1>a second life. Well, like I said, we've been talking

0:10:56.559 --> 0:10:59.400
<v Speaker 1>about it, uh here at Bloomberg because it really just

0:10:59.600 --> 0:11:02.400
<v Speaker 1>seems like such a nice, what a great piece of

0:11:02.440 --> 0:11:04.360
<v Speaker 1>content to like kind of come out of this time,

0:11:04.559 --> 0:11:07.040
<v Speaker 1>Like you said, it's a different, different era, but it's

0:11:07.120 --> 0:11:09.520
<v Speaker 1>just it's really fun and to see somebody come from

0:11:09.559 --> 0:11:11.640
<v Speaker 1>like you said, somebody who wasn't used to the big

0:11:11.679 --> 0:11:14.040
<v Speaker 1>cities and then be on a show that he would watch,

0:11:14.120 --> 0:11:16.080
<v Speaker 1>it's just a really cool thing. How much did you

0:11:16.080 --> 0:11:19.079
<v Speaker 1>do did you need to do research into the show

0:11:19.200 --> 0:11:21.160
<v Speaker 1>to kind of put it together, kind of understand the

0:11:21.160 --> 0:11:23.719
<v Speaker 1>behind the scenes, and we just have about a minute left. Yeah,

0:11:23.880 --> 0:11:26.920
<v Speaker 1>we well, we partnered with Carson's Company and which is

0:11:27.000 --> 0:11:30.040
<v Speaker 1>run by uh fellow named Jeff Sting who was a

0:11:30.080 --> 0:11:33.120
<v Speaker 1>producer on the original Tonight Show and was Johnny's nephew.

0:11:33.480 --> 0:11:36.120
<v Speaker 1>So he got us access to you know, the blueprints

0:11:36.120 --> 0:11:38.680
<v Speaker 1>to the set and so and you know what cameras

0:11:38.720 --> 0:11:41.240
<v Speaker 1>were used, and we would check everything, did they where

0:11:41.240 --> 0:11:43.480
<v Speaker 1>would a guy stand? Where would Johnny saying? Where would

0:11:43.520 --> 0:11:46.200
<v Speaker 1>the producers stand? So we we kept it as authentic

0:11:46.240 --> 0:11:49.520
<v Speaker 1>as we possibly could, and and uh, we we wanted

0:11:49.520 --> 0:11:51.800
<v Speaker 1>to be vigilant and we were all sort of reverential

0:11:51.840 --> 0:11:54.680
<v Speaker 1>about keeping it real. Well, I have to say we

0:11:54.720 --> 0:11:57.840
<v Speaker 1>wish you good luck with it, and um, I hope

0:11:57.880 --> 0:11:59.640
<v Speaker 1>you come back and let us know how it's all going,

0:11:59.720 --> 0:12:02.120
<v Speaker 1>and you're working at you come by and I will

0:12:02.160 --> 0:12:04.440
<v Speaker 1>hold up your coffee log, give it up any list,

0:12:04.920 --> 0:12:06.679
<v Speaker 1>Okay deal, I'm going to hold it to it. You'll

0:12:06.679 --> 0:12:09.839
<v Speaker 1>get that and you deserve it, all right, Be well.

0:12:09.880 --> 0:12:13.360
<v Speaker 1>Paul Riser, comedian, actor, writer and author. Check out coming

0:12:13.400 --> 0:12:17.400
<v Speaker 1>to Peacock on Sunday, November one. It's called Theer's Johnny,

0:12:17.480 --> 0:12:19.480
<v Speaker 1>and check out the trailer because it really looks like

0:12:19.679 --> 0:12:20.600
<v Speaker 1>a fun show to watch.