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Speaker 1: It's nine Ogene Onegen with Jenny Garth and Tory spelling.

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Speaker 2: This is so exciting.

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Speaker 1: What's so exciting?

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Speaker 3: I don't know.

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Speaker 2: I'm just trying to I don't know. I was trying

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Speaker 2: to pretend.

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Speaker 1: Yeah.

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Speaker 2: I was like I wanted to be like, oh, I

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Speaker 2: don't know about this, but then I was like, no,

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Speaker 2: we can start that way. But oh, guys, I don't

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Speaker 2: know about this.

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Speaker 1: I don't know about this hair. I was like, what

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Speaker 1: the hair?

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Speaker 2: I didn't realize it got shorter again. I thought we

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Speaker 2: were on that grow.

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Speaker 1: I really thought we were growing it out.

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Speaker 2: Ye see.

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Speaker 1: And by this point you've already told me that I

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Speaker 1: had so mom soccer mom hair, So why would I

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Speaker 1: then push it further?

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Speaker 2: Well, now you're just being defiant.

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Speaker 1: I don't like being told to do Apparently.

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Speaker 2: We know that. Oh my goodness, it's so short. See.

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Speaker 2: I like this short, though, you do.

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Speaker 3: This is the cool short, Okay, I believe so.

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Speaker 2: I'm not sure about the color.

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Speaker 1: But what about the highlights.

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Speaker 2: I like the highlights, which nowadays the kids call them

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Speaker 2: the money pieces. You were so ahead of your time.

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Speaker 3: Look at this, we.

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Speaker 2: Were and you had money pieces. Why is the backwarm?

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Speaker 1: I don't know, I couldn't see that part.

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Speaker 2: You were just looking at highlights. Yeah, yeah, it's a

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Speaker 2: little warm. It needs a little toner.

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Speaker 1: We got hair to talk about. To talk about. This

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Speaker 1: is episode eleven. It's called Deadline and aired. It aired

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Speaker 1: in November nineteen ninety seven. November nineteenth to be exact.

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Speaker 2: Synopsis. Just when you think David's luck is turning, OMG,

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Speaker 2: the peapad is burning, Eric is pimp gets arrested, Steve's

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Speaker 2: DNA gets tested, Donna kicks David to the curb. Kelly's

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Speaker 2: pixie cut is superb. Battery's being a total witch. Nobody

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Speaker 2: told her Noah was rich.

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Speaker 1: Oh my god. Love the rhymes so good.

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Speaker 2: It's way better than the episode we just ended there.

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Speaker 1: Yep, we'll talk to you next week.

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Speaker 3: Guys imagine.

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Speaker 1: Wow. Yeah, where to begin?

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Speaker 2: Okay, where should we begin? I don't know at the beginning?

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Speaker 2: With your haircut, it's the first line of the episode.

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Speaker 1: You know what I felt like, I felt like she

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Speaker 1: belonged in like New Kids on the Block or a

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Speaker 1: boy bands that haircut? Like, yeah, me, her?

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Speaker 2: Why is she a she? Now? She hurt you?

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Speaker 1: Kelly is not me, she's her, She's you. She's a she.

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Speaker 2: Totally you, part of you, a part of you can

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Speaker 2: never get rid of. Never, it's not.

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Speaker 1: But did you not like, did she not look like Lance?

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Speaker 1: Bast to you? I did again?

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Speaker 2: Sorry, Oh my god, that just heard hers. Oh no,

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Speaker 2: I don't know, Adam. I can't win this one. I

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Speaker 2: love Lance's hair, but not on Kelly. No, stop trying

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Speaker 2: to ruin it. I thought it looked really good.

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Speaker 1: You are great.

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Speaker 2: But you know what, So my dad had this thing

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Speaker 2: I think we've talked about this before where anytime hair

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Speaker 2: was altered on the show usually had to get permission,

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Speaker 2: probably not eight season. I'm sure you didn't have to,

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Speaker 2: but they had to write it in the script. Oh right, right,

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Speaker 2: So it's like the opening of the show. It just

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Speaker 2: feels so like I'm like, oh yeah, my dad was like,

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Speaker 2: make sure they know her hair is different?

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Speaker 1: Can't they tell?

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Speaker 2: I wonder why that bugged him so much? Though? Who's

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Speaker 2: that a thing that bugged him? But not this episode?

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Speaker 1: The first line is Erica saying, does Brandon like your

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Speaker 1: new haircut?

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Speaker 2: Imagine if you like just kept walking but you had

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Speaker 2: that look in your face.

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Speaker 1: Like, who cares? That's so true?

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Speaker 2: Who's Brandon Okay, do you want to.

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Speaker 1: Talk about Donna, David Brandon foul Noah? Which one you

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Speaker 1: get to pick?

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Speaker 2: Oh? Man, I guess. I mean, can I go at

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Speaker 2: the storyline like the best or save that for last?

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Speaker 2: I don't want to. Noah's rich. Let's go with this.

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Speaker 2: No one rich?

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Speaker 3: Okay, no one knew.

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Speaker 1: We knew. Everybody the audience knew, right, audience were He's

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Speaker 1: already talked about it. He's mentioned Hunter Oil, family Oil

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Speaker 1: job be sure. Yeah, yeah, I remember hearing it because

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Speaker 1: I was like, am I supposed to know what Hunter

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Speaker 1: Oil is?

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Speaker 3: But but they didn't know? Right?

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Speaker 1: You know what, I'll be honest with you. Yeah, you know,

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Speaker 1: I'm really stepping out of my comfy zone. Noah kind

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Speaker 1: of lotta in this episode. What can't help it? These

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Speaker 1: guys they saw it? He did?

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Speaker 3: He did?

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Speaker 2: Yeah, I'm sorry, but the writing is just so what

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Speaker 2: Noah says, keep your pan That's.

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Speaker 1: My favorite line of the whole show. How do you know, hey,

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Speaker 1: if someone knocks on the boat, is that what happens?

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Speaker 1: They knock on the boat and he's coming to answer

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Speaker 1: the door, and he says, keep your pants on. It's

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Speaker 1: so good.

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Speaker 2: I can't I mean, It's kind of funny because it's

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Speaker 2: like a young guy in his twenties saying it. But

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Speaker 2: it's so like, are you what?

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Speaker 1: I know? I actually wrote it down as my favorite

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Speaker 1: line in the whole Episodely it's good.

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Speaker 2: Yeah, that'd be a good T shirt.

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Speaker 1: But now he's off a valve and on to Donna. Yes,

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Speaker 1: like zeroed in on it.

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Speaker 2: Yes, And just like that, Donna's over David and onto him.

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Speaker 1: Yeah, that's a that's a long relationship to be like next.

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Speaker 2: Except in her defense, I could see like it being

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Speaker 2: so much that she's distracted and she's not processing the

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Speaker 2: grief of that relationship. She's just jumping into another world.

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Speaker 1: Yeah, that's what happens.

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Speaker 3: That's a rebound, right rebound.

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Speaker 2: You're right, except this rebound will go on to last

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Speaker 2: another two seasons.

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Speaker 3: But huh so what huh?

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Speaker 2: I think? So?

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Speaker 1: No?

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Speaker 3: Yeah, two seasons.

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Speaker 1: Of Donna and Noah.

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Speaker 2: What you just said that? I know? I feel like

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Speaker 2: they break up early in season ten, and David and

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Speaker 2: Donna get back together and then they Wow.

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Speaker 1: Okay, you just blew my mind. But okay, I'm warming up, scoch.

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Speaker 2: How about can we talk about Valerie slapping Noah?

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Speaker 1: Yeah, I like the slap Okay Valley Valley, Old Valley.

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Speaker 1: She slapped Noah not once but twice.

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Speaker 2: Right, So, if you haven't watched, we found out Noah's

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Speaker 2: rich and everyone feels a little bamboozled by it that

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Speaker 2: he like lied to everybody.

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Speaker 1: Well did he lie or did he just not? Did

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Speaker 1: he withhold the truth?

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Speaker 2: Well, because Donna says, later, you said you were broke,

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Speaker 2: but did he say? Maybe he just insinuated, And you're right,

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Speaker 2: maybe he just but yeah, so the loan shark, card shark,

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Speaker 2: what does he he's a shark shark?

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Speaker 1: Nato, No, what do you mean? The loan the guy

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Speaker 1: with the money?

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Speaker 2: Right that disclosed that it was Noah right to vow

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Speaker 2: right because she goes there all haughty toddy to get

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Speaker 2: some info out of this guy.

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Speaker 1: She went to the bartender Dan right and asked him,

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Speaker 1: what's the guy? Who's the guy the loan shark? That's

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Speaker 1: what you're thinking of, loan shark? And then she finds

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Speaker 1: him somehow so easily and goes to show shows up

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Speaker 1: with him, and she's all flirting it up, trying to

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Speaker 1: get info out of him, and.

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Speaker 2: She gets it, which always works for her.

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Speaker 1: Yeah, she didn't get expect to get that info. I

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Speaker 1: don't think that was a shocker.

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Speaker 2: I love how David's like, well house, would you find

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Speaker 2: a loan shark? Not in the Yellow Pages? Because it

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Speaker 2: was nineteen ninety seven?

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Speaker 3: The Yellow Pages?

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Speaker 1: Wait, do they even still?

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Speaker 2: Do they make phone like a hard copy?

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Speaker 1: No, like the remember the big like a hard copy?

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Speaker 3: Like is there is not a hard copy soft pape like?

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Speaker 2: But I mean like a hard copy, not like I

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Speaker 2: mean in person.

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Speaker 1: Yes, please tell us if you live in a town

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Speaker 1: out there that still publishes phone books.

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Speaker 2: I need to know publishes a good one. Remember as kids,

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Speaker 2: you'd sit on it. It's like to get higher in

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Speaker 2: a booth.

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Speaker 1: Yeah, they'd your mom sit you on top of a

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Speaker 1: stack of phone books.

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Speaker 2: Yeah.

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Speaker 1: I loved phone books, you guys. They were alphabetized so

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Speaker 1: beautifully and like it, just like the symmetry of the columns. Loved.

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Speaker 2: Yeah, that Encyclopedia Britannicas. Do they publish those anymore? I

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Speaker 2: used to love the Yellow Pages. When I was bored

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Speaker 2: as a kid and learning to read, I would go

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Speaker 2: through the Yellow Pages.

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Speaker 1: You ever heard that expression when somebody is it good

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Speaker 1: speaker or a or something? They say she or he

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Speaker 1: could read the Yellow Pages and I'd still watch or

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Speaker 1: something like that.

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Speaker 2: Yeah, no, you're right, I could listen. Do you read

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Speaker 2: the phone book? Yeah, that's a good one. Just like

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Speaker 2: keep your pants on.

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Speaker 1: It's right up there, your pants on.

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Speaker 2: Okay. Can I go back to the slap? Yes?

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Speaker 1: Please? What's the problem with the slap?

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Speaker 2: Oh? No problem, but quite I enjoyed it. I loved it.

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Speaker 2: So in acting, it's usually a choice, right if you

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Speaker 2: do it or not, and the two actors kind of

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Speaker 2: work it out because we've seen scenes where they pretend

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Speaker 2: like back in the old days, and they're like, I

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Speaker 2: pretend to be hit, but they're not really hit. Yeah,

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Speaker 2: but this was so obviously Valerie and Noah Vincent and

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Speaker 2: Tiffany disgusted it. And she was like, Okay, I'm going

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Speaker 2: to really slap you, and he's like, yeah, go for it,

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Speaker 2: and she really went for it, and you could see

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Speaker 2: the red hand mark on his face through the rest

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Speaker 2: of the scene.

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Speaker 1: She liked to give real slap.

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Speaker 2: I remember that she did. I remember, well, this is

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Speaker 2: coming up to a different point where I have to

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Speaker 2: slap her, and she was like, slap me, and I

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Speaker 2: was like.

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Speaker 1: Right, I remember I always up for the like nothing,

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Speaker 1: I'm not gonna slap you. Let's just do a fake

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Speaker 1: slap and make it look good.

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Speaker 2: Really, yeah, I don't.

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Speaker 1: I don't want to slap someone I know, but it's.

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Speaker 2: Kind of fun. That's true if they if someone asked

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Speaker 2: you for it, please slap me. I mean. So she

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Speaker 2: went in hard, but you could tell by the print

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Speaker 2: on his face that she didn't quite get his cheek.

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Speaker 2: She got like his jaw and his neck, which means

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Speaker 2: probably his ears a little bit.

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Speaker 3: So it's probably earbringing.

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Speaker 1: Probably has ear damage from it to this day, so

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Speaker 1: earing damage.

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Speaker 2: I thought some of the best acting I've ever seen

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Speaker 2: of him and will see of him is where he says,

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Speaker 2: if you do that one more time, I'm gonna slap

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Speaker 2: you back. Because I could see his eyes that he

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Speaker 2: was really like, not that he would slap her back,

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Speaker 2: but that he like was like that hurt do that

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Speaker 2: one more time? It seemed real that he was like pissed, Like.

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Speaker 1: Can we talk about Donna and Noah? First of all,

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Speaker 1: what day is it? Because Donna's girls are out to

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Speaker 1: play all day?

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Speaker 2: That was the.

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Speaker 1: Lowest cut shirt I think I've ever seen you wear,

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Speaker 1: Like for a daily outfit, not like a Baba booie

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Speaker 1: I'm dressing up for a peapad, but like I'm gonna

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Speaker 1: wear this outfit today tonight.

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Speaker 3: I wasn't happy with it.

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Speaker 2: So yeah, so those v neckx were very in nineteen

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Speaker 2: ninety seven, but probably not with that extreme like you know,

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Speaker 2: I was wanting to push up bra there, like, well,

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Speaker 2: I don't like boos don't wash together that tightly without

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Speaker 2: an extreme push up bra.

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Speaker 1: Okay, yeah, I guess you're right.

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Speaker 2: Like I was so tan, my hair was so red.

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Speaker 1: Love loved the red. Too red, too red, you like

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Speaker 1: like a siren.

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Speaker 2: Oh okay, I'll take that.

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Speaker 1: Then, firn red. I thought that, Yeah it was. I'm

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Speaker 1: gonna be honest, it was distracting for me to watch

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Speaker 1: the scenes and not just stare at your cleavage.

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Speaker 3: Thank you?

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Speaker 1: Was that what you were going for? And no, it

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Speaker 1: was distracting.

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Speaker 2: I respectfully agree. I just I don't know, it was

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Speaker 2: all distracting. I wasn't. I don't know. I feel like

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Speaker 2: I could totally tell that we have full rein of

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Speaker 2: the castle here, and it's just like, I don't know,

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Speaker 2: I felt like the makeup was too much. It all

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Speaker 2: looked good, but it was like iron Now I missed

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Speaker 2: the days when made me. We weren't as like tuned

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Speaker 2: in and we kind of were more freeballing it and

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Speaker 2: it felt more real. This is very like late nineties,

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Speaker 2: like very stylized, like I felt like melrose Place a

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Speaker 2: little bit.

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Speaker 1: Yeah. But okay, so you have your storyline with Noah,

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Speaker 1: which you go on the date, right, okay, so you

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Speaker 1: had Noah and the kiss, and then you also had

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Speaker 1: David inside watching.

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Speaker 2: I felt bad for David.

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Speaker 3: I don't know.

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Speaker 2: It was hard for me because I'm like, I don't

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Speaker 2: know David and Donna. Even though do you like Noah

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Speaker 2: and Donna?

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Speaker 1: I don't know. I don't answer to that is, I

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Speaker 1: don't know. I only like it because I know you

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Speaker 1: liked it, so it makes me try to like it,

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Speaker 1: but I don't know. I know, honestly, I'm not even

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Speaker 1: that big of a fan of Donna and David right now,

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Speaker 1: right now, I mean, yeah, like old school, like you're

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Speaker 1: invested from like kids. Yeah, and that's why I don't

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Speaker 1: understand how she can just move on so quickly. But

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Speaker 1: you're right, it's a distraction, it's that rebound. Hopefully it'll

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Speaker 1: end up making you appreciate David. I don't know.

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Speaker 2: It's interesting to me because when she's like flirty with David,

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Speaker 2: it's hard. They were together in and out for so

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Speaker 2: many years that when they first started being together, I

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Speaker 2: don't think Donna knew how to use like sex appeal

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Speaker 2: or that feminine charm. It was just honest, I think,

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Speaker 2: which made the relationship so pure and beautiful. And I

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Speaker 2: could see her flirting with Noah, but it's like a

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Speaker 2: different tone that I haven't heard from Donna.

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Speaker 1: Before because it's from toy.

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Speaker 2: Yes, And I'm like, oh my gosh, it's so weird

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Speaker 2: to watch it because I don't get to watch myself

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Speaker 2: back in real life, and it's like, oh, that's when

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Speaker 2: I'm trying to be sexy and be like look at

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Speaker 2: me like and it's like, oh god, it's all happen

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Speaker 2: in real time.

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Speaker 1: People loved it. I'm sure. What about Okay, I'm still

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00:15:13,000 --> 00:15:17,720
Speaker 1: with the vow storyline. Well, she's just so conniving. I mean,

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Speaker 1: we're doing every week. I feel like we talk about this.

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Speaker 1: There is no there's no end to her conniving.

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Speaker 2: I think she might be redeemable when she leaves. I'm

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00:15:30,080 --> 00:15:33,440
Speaker 2: not sure. I've seen clips on the gram.

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Speaker 1: What do you think about the word conniving in general?

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00:15:36,480 --> 00:15:39,400
Speaker 1: What conniving? Is that a word? Am I saying it right?

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00:15:39,840 --> 00:15:41,320
Speaker 2: Yes? One thousand percent?

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00:15:42,640 --> 00:15:44,080
Speaker 1: How would you spell conniving?

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Speaker 3: Co O N COO coniving co O n iv I

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Speaker 3: n G conniving.

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Speaker 1: Oh you did it right, Good job, But that doesn't

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Speaker 1: sound like how you would spell it.

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Speaker 2: I mean spelling, I have to at least have one quality.

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Speaker 1: But here's the here's my question. Well, it was kind

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Speaker 1: of like towards the end of the show when Valerie

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Speaker 1: comes down the stairs in her satin matching negliges.

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Speaker 3: Which are very in now.

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Speaker 1: Is that what girls wore in the in the nineties

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Speaker 1: to bed?

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Speaker 3: Maybe?

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Speaker 1: I really I didn't.

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Speaker 2: We didn't. We had our like flannely pajamas with like

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Speaker 2: poodles on them, sushi and.

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Speaker 1: Lady, you know what I mean, poodles.

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Speaker 2: I had a full line of those by longstlee button

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00:16:36,480 --> 00:16:42,600
Speaker 2: of like kind of like Grandpa pajamas Granny jammies, but flannel.

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Speaker 3: But with like poppy things on them. Yeah.

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00:16:45,480 --> 00:16:47,920
Speaker 1: Yeah. Every time I see somebody, like a young person

330
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Speaker 1: on the show wearing like a matching set of satin,

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Speaker 1: I can't really think that's real.

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Speaker 2: No, no, but it's kind of very old school like Dynasty,

333
00:17:01,400 --> 00:17:02,640
Speaker 2: like spelling esque.

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00:17:04,040 --> 00:17:06,520
Speaker 1: I did like her her look through the episode though,

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Speaker 1: she looked great. Val you think, yeah.

336
00:17:11,800 --> 00:17:13,960
Speaker 2: Do you feel like she looked more natural this episode?

337
00:17:14,119 --> 00:17:15,560
Speaker 2: Likes not as much makeup.

338
00:17:16,680 --> 00:17:18,159
Speaker 1: Yeah, I didn't really notice.

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00:17:18,200 --> 00:17:23,840
Speaker 2: Honestly, maybe Waterman was on vacation someone else, Dave Waterman

340
00:17:24,040 --> 00:17:32,400
Speaker 2: was her makeup artist.

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Speaker 1: Let's talk about David for a second, okay, because you

342
00:17:41,840 --> 00:17:45,040
Speaker 1: know what he in this episode. I just felt like,

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Speaker 1: you're such a young little son. You're like a little boy,

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Speaker 1: like doing all the wrong things.

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Speaker 2: You know.

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Speaker 3: I was not into his hair, so why what was

347
00:17:54,600 --> 00:17:55,080
Speaker 3: about it?

348
00:17:55,760 --> 00:17:56,520
Speaker 2: The buzz cut?

349
00:17:57,480 --> 00:18:00,240
Speaker 1: Was it overall buzz or did he have length on top?

350
00:18:00,520 --> 00:18:01,280
Speaker 2: Pretty buzzed?

351
00:18:01,600 --> 00:18:02,280
Speaker 1: I liked it.

352
00:18:03,640 --> 00:18:07,159
Speaker 2: I did not like when he's his hair was very short.

353
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Speaker 1: It's very doesn't that how Justin Bieber has his hair now?

354
00:18:11,520 --> 00:18:14,600
Speaker 2: Though? Yeah, yeah, I like it. I guess Brian David

355
00:18:15,680 --> 00:18:17,800
Speaker 2: he's never been a long haired type of guy. No,

356
00:18:17,880 --> 00:18:19,600
Speaker 2: in any sense, right, Okay, I.

357
00:18:19,600 --> 00:18:21,720
Speaker 1: Don't think I've ever seen him with long hair ever,

358
00:18:22,480 --> 00:18:24,840
Speaker 1: but I'd like to maybe we can do like an

359
00:18:25,119 --> 00:18:28,960
Speaker 1: AI version, just to see what he would look like, okay,

360
00:18:29,480 --> 00:18:30,680
Speaker 1: that sounds good, accurate.

361
00:18:32,880 --> 00:18:35,960
Speaker 2: Yes, he seems so lost and what's going to happen.

362
00:18:36,080 --> 00:18:38,800
Speaker 2: This can't be good for his mental health. Everything that's happened.

363
00:18:38,800 --> 00:18:40,760
Speaker 1: He's off the rails again.

364
00:18:41,320 --> 00:18:43,439
Speaker 2: But not really, he's not. He's holding it together.

365
00:18:43,880 --> 00:18:45,720
Speaker 1: He's just having bad luck.

366
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Speaker 3: I guess.

367
00:18:46,280 --> 00:18:46,840
Speaker 2: Yeah.

368
00:18:47,280 --> 00:18:49,399
Speaker 1: Okay, So the heat or the fire, Okay.

369
00:18:49,200 --> 00:18:52,400
Speaker 2: You knew it was coming right the second.

370
00:18:52,119 --> 00:18:56,840
Speaker 1: He like plugged and turned on the ancient I'm like, okay,

371
00:18:57,080 --> 00:19:00,600
Speaker 1: come on. So he sets it down and there the

372
00:19:00,720 --> 00:19:02,520
Speaker 1: close up of it at the end of the scene

373
00:19:02,600 --> 00:19:05,880
Speaker 1: was like, there were wads of crumpled paper down there. Okay.

374
00:19:06,440 --> 00:19:09,280
Speaker 1: The next shot of it in the later scene, the

375
00:19:09,280 --> 00:19:14,720
Speaker 1: heater hasn't moved. The next shot has no wadded paper

376
00:19:14,760 --> 00:19:16,720
Speaker 1: in front of it. And it really bothered me when

377
00:19:16,720 --> 00:19:18,280
Speaker 1: he threw the shirt on top of the heater.

378
00:19:18,840 --> 00:19:21,639
Speaker 3: These are the things she loves, you guys, the deeps,

379
00:19:21,680 --> 00:19:22,520
Speaker 3: the deeps people.

380
00:19:22,640 --> 00:19:22,840
Speaker 1: Yeah.

381
00:19:24,119 --> 00:19:27,320
Speaker 3: I was too invested in the storyline to notice that.

382
00:19:26,760 --> 00:19:27,840
Speaker 2: That couldn't get through that one.

383
00:19:27,960 --> 00:19:40,440
Speaker 1: That's I noticed the little things. But I mean, hi, dummy, Well,

384
00:19:40,600 --> 00:19:43,120
Speaker 1: first of all, is it that cold in the office

385
00:19:43,800 --> 00:19:47,600
Speaker 1: that he needs a space heater? Was it ever addressed. Hey,

386
00:19:47,640 --> 00:19:49,880
Speaker 1: it's kind of chilly in here, and that's why I'm

387
00:19:49,880 --> 00:19:51,040
Speaker 1: putting this space heater in.

388
00:19:52,359 --> 00:19:55,560
Speaker 2: No, he doesn't. I mean, if we're going to say

389
00:19:55,560 --> 00:19:58,080
Speaker 2: things like does Brandon like your hair cut? Just because

390
00:19:58,119 --> 00:20:01,920
Speaker 2: you cut your hair one episode we say it's.

391
00:20:01,760 --> 00:20:05,760
Speaker 1: Golden here to just it's really cool, this like major Let.

392
00:20:05,760 --> 00:20:08,040
Speaker 2: Me put a heater up and plug it in.

393
00:20:08,720 --> 00:20:11,280
Speaker 1: The complain about these things about the show that they

394
00:20:11,440 --> 00:20:13,479
Speaker 1: just like explain too much, but now I want it.

395
00:20:14,520 --> 00:20:17,879
Speaker 2: They explain things that we that shouldn't be explained, but

396
00:20:17,960 --> 00:20:19,719
Speaker 2: things that should be explained they don't explain.

397
00:20:21,119 --> 00:20:24,480
Speaker 1: There was no setup for it. It was like, oh okay,

398
00:20:24,640 --> 00:20:27,720
Speaker 1: there's and the second you see it, you're like danger, danger,

399
00:20:27,840 --> 00:20:28,840
Speaker 1: something bad's gonna happen.

400
00:20:29,080 --> 00:20:34,159
Speaker 2: Yeah, wow was it danger? Will Robinson I don't know

401
00:20:35,240 --> 00:20:35,920
Speaker 2: lost his face?

402
00:20:36,480 --> 00:20:41,680
Speaker 1: Oh yeah, I never really want a fan. Did you

403
00:20:41,720 --> 00:20:44,160
Speaker 1: think the fire damage should have been more?

404
00:20:45,680 --> 00:20:48,600
Speaker 2: I just don't see the reasoning for it, except like,

405
00:20:48,800 --> 00:20:54,560
Speaker 2: oh no, luck, everything is going wrong. What does it

406
00:20:54,640 --> 00:20:56,920
Speaker 2: matter the fire? What does it matter? Is something else

407
00:20:56,920 --> 00:20:57,440
Speaker 2: canna happen?

408
00:20:57,720 --> 00:20:59,760
Speaker 1: What? I thought? It was a much bigger fire in

409
00:20:59,760 --> 00:21:00,359
Speaker 1: my memory?

410
00:21:00,800 --> 00:21:01,719
Speaker 2: You remembered it?

411
00:21:02,440 --> 00:21:02,640
Speaker 3: Well?

412
00:21:02,720 --> 00:21:08,320
Speaker 1: No, okay, no, but I go thinking about having a

413
00:21:08,440 --> 00:21:10,919
Speaker 1: fire in the paapad makes me think it should have

414
00:21:10,960 --> 00:21:12,640
Speaker 1: been more substantial, Like.

415
00:21:12,560 --> 00:21:15,679
Speaker 2: You thought maybe someone was going to be caught in

416
00:21:15,720 --> 00:21:18,960
Speaker 2: the fire or like, no, not that far, not like.

417
00:21:18,960 --> 00:21:22,720
Speaker 3: Injured, but like trapped for a second, just for a second.

418
00:21:23,440 --> 00:21:25,639
Speaker 1: No, I thought there would be more damage to the

419
00:21:25,760 --> 00:21:30,399
Speaker 1: actual building because then the landlord comes out and comes

420
00:21:30,400 --> 00:21:33,159
Speaker 1: and kicks him out. So I wanted it to be worse.

421
00:21:34,240 --> 00:21:37,919
Speaker 2: Okay, you know, I guess, but then they'd have to

422
00:21:37,960 --> 00:21:39,800
Speaker 2: like change sets and stuff, and they didn't want to

423
00:21:39,840 --> 00:21:40,040
Speaker 2: do that.

424
00:21:40,400 --> 00:21:44,639
Speaker 1: Yeah, costly, this is true. What do you think about

425
00:21:44,640 --> 00:21:50,200
Speaker 1: when Valerie told David that it was Noah who paid

426
00:21:50,200 --> 00:21:50,760
Speaker 1: his debt?

427
00:21:50,880 --> 00:21:53,360
Speaker 2: What do I think about it? Why? What do you mean?

428
00:21:53,960 --> 00:21:57,919
Speaker 1: Well, obviously that's something she would do, right, of course

429
00:21:58,760 --> 00:22:01,040
Speaker 1: she's like push her a little bit and push right.

430
00:22:00,840 --> 00:22:03,720
Speaker 2: And she's stirring in Donna, and yeah, do you mean,

431
00:22:03,800 --> 00:22:05,560
Speaker 2: like what does she want from this? Like what is

432
00:22:05,600 --> 00:22:08,240
Speaker 2: her what is the outcome? She doesn't want anything. She

433
00:22:08,520 --> 00:22:12,639
Speaker 2: just lives to cause trouble, to push buttons. Yep, because

434
00:22:12,680 --> 00:22:15,679
Speaker 2: she's not happy, so she wants nobody happy.

435
00:22:15,800 --> 00:22:16,840
Speaker 1: I hope she gets happy.

436
00:22:18,119 --> 00:22:19,359
Speaker 2: She leaves the show she's happy.

437
00:22:23,040 --> 00:22:31,919
Speaker 1: Interesting concept. But let's talk about Brandon getting arrested show. Okay, okay,

438
00:22:32,000 --> 00:22:34,680
Speaker 1: So Eric is on her way out. She's going to

439
00:22:34,720 --> 00:22:36,600
Speaker 1: go live with Dylan, right right?

440
00:22:37,480 --> 00:22:39,439
Speaker 2: Which is that? Why did they set that up just

441
00:22:39,480 --> 00:22:41,280
Speaker 2: to mention Dylan?

442
00:22:41,320 --> 00:22:46,680
Speaker 1: Why is there ay in the relationship alive? Like it makes.

443
00:22:46,600 --> 00:22:51,200
Speaker 2: Peoples can be back soon? He's gonna be back soon?

444
00:22:51,400 --> 00:22:53,320
Speaker 1: Yes, okay, I don't know why.

445
00:22:53,400 --> 00:22:54,840
Speaker 2: This is the point in the program. We'd be like,

446
00:22:54,880 --> 00:22:56,080
Speaker 2: Amy is Amy back soon?

447
00:22:56,160 --> 00:22:57,240
Speaker 3: Amy? Amy?

448
00:22:57,680 --> 00:22:59,880
Speaker 1: Amy's not here. By the way, we forgot to address that.

449
00:23:00,160 --> 00:23:03,560
Speaker 2: Amy's working because she has a million jobs. Yes, this

450
00:23:03,680 --> 00:23:04,960
Speaker 2: is just her side hustle you.

451
00:23:04,960 --> 00:23:11,000
Speaker 1: Guys, my uncle. Huh. Okay, So back to Brandon. Yeah,

452
00:23:12,920 --> 00:23:17,200
Speaker 1: when he goes into the assistant DA's office, he's so cocky.

453
00:23:17,400 --> 00:23:19,400
Speaker 2: He's pretty cocky in this well, it gives.

454
00:23:19,240 --> 00:23:23,600
Speaker 1: Him the right to sit there and be mister I

455
00:23:23,680 --> 00:23:29,520
Speaker 1: know everything pants to the assistant DA, who begins to

456
00:23:29,520 --> 00:23:32,960
Speaker 1: be a woman. Loved that, but also hated that the

457
00:23:33,040 --> 00:23:34,480
Speaker 1: way she was he was speaking to her.

458
00:23:35,080 --> 00:23:39,679
Speaker 2: I'm trying to think if I've ever truly seen Brandon vulnerable.

459
00:23:39,840 --> 00:23:43,320
Speaker 2: I don't know. I know we have moments, but that's

460
00:23:43,440 --> 00:23:46,720
Speaker 2: kind of the way he speaks for the most part,

461
00:23:46,800 --> 00:23:47,560
Speaker 2: and I don't.

462
00:23:48,040 --> 00:23:52,040
Speaker 1: What about okay, so when she failed for like five minutes, yeah,

463
00:23:52,400 --> 00:23:55,480
Speaker 1: and who rush gets him out somehow?

464
00:23:56,200 --> 00:23:58,679
Speaker 2: Wait, I like when you come and he says, we

465
00:23:58,720 --> 00:24:04,760
Speaker 2: can't touch weird or something, and you guys sit all

466
00:24:04,760 --> 00:24:07,400
Speaker 2: the way across the table from each other, and they

467
00:24:07,400 --> 00:24:09,600
Speaker 2: took his belt in his right.

468
00:24:09,880 --> 00:24:12,600
Speaker 1: Something he was watching in that scene was the security

469
00:24:12,640 --> 00:24:16,000
Speaker 1: of the policeman's eyes in the in the background of

470
00:24:16,080 --> 00:24:19,919
Speaker 1: Brandon shot, the policeman was like guarding them and his

471
00:24:20,000 --> 00:24:21,320
Speaker 1: eyes kept going back and forth.

472
00:24:22,520 --> 00:24:25,800
Speaker 2: All I was looking at into your hair and a

473
00:24:25,840 --> 00:24:28,840
Speaker 2: good way. It really like it really allowed me it

474
00:24:28,920 --> 00:24:33,080
Speaker 2: being the short to focus on your beautiful eyes. No,

475
00:24:33,119 --> 00:24:34,800
Speaker 2: it was good, but I was happy.

476
00:24:35,640 --> 00:24:38,320
Speaker 1: Well when he just gets out, when he when the

477
00:24:38,400 --> 00:24:43,720
Speaker 1: veil is bailed, paid whatever, he comes out of the

478
00:24:43,840 --> 00:24:48,040
Speaker 1: jail and he says, free at last, Free at last,

479
00:24:48,240 --> 00:24:50,520
Speaker 1: And it made me angry.

480
00:24:50,920 --> 00:24:51,840
Speaker 2: I can understand that.

481
00:24:52,480 --> 00:24:58,640
Speaker 1: It really like made me shiver because my automatic thought

482
00:24:58,640 --> 00:25:03,359
Speaker 1: in that moment was like white privilege. Honestly, like he

483
00:25:03,440 --> 00:25:06,760
Speaker 1: was in jail for five minutes and then he quotes

484
00:25:06,920 --> 00:25:07,720
Speaker 1: Martin Luther King.

485
00:25:08,160 --> 00:25:11,280
Speaker 2: I mean, it's also nineteen ninety seven, so it's also

486
00:25:11,320 --> 00:25:13,840
Speaker 2: watching it today with the climate going on now, it

487
00:25:13,920 --> 00:25:15,119
Speaker 2: really probably angered you.

488
00:25:15,960 --> 00:25:16,879
Speaker 1: It like triggered me.

489
00:25:17,080 --> 00:25:21,240
Speaker 2: Yeah, I understand it made not like Brandon that sucked?

490
00:25:21,280 --> 00:25:26,000
Speaker 2: Could you end up okay?

491
00:25:25,600 --> 00:25:29,280
Speaker 1: But but there there's a plan in a big takedown

492
00:25:29,480 --> 00:25:31,520
Speaker 1: of Rigs the pimp guy.

493
00:25:31,960 --> 00:25:33,240
Speaker 2: But I don't even care.

494
00:25:34,040 --> 00:25:35,760
Speaker 1: I know why what show is this? I felt like

495
00:25:35,800 --> 00:25:38,040
Speaker 1: I was watching what was that shoe, Hill Street Blues

496
00:25:38,160 --> 00:25:38,560
Speaker 1: or something?

497
00:25:39,520 --> 00:25:39,760
Speaker 2: Right?

498
00:25:40,760 --> 00:25:42,400
Speaker 3: But what yes show?

499
00:25:42,520 --> 00:25:44,520
Speaker 2: I think last week and he said, t J Hooker.

500
00:25:44,520 --> 00:25:46,199
Speaker 2: But this week I was like, is it lawn or

501
00:25:46,320 --> 00:25:49,159
Speaker 2: what is it? It's Hill Street, Hill Briggan Blues.

502
00:25:50,359 --> 00:25:52,399
Speaker 1: It's an amazing thing that came to my brain when

503
00:25:52,400 --> 00:25:53,240
Speaker 1: I was watching.

504
00:25:52,960 --> 00:25:57,000
Speaker 2: It, mixed with a daytime soap opera.

505
00:25:57,080 --> 00:25:58,880
Speaker 1: Yeah, a nighttime soap opera.

506
00:25:58,760 --> 00:26:03,399
Speaker 2: No DATAI it is that, and then the like dramatic

507
00:26:03,480 --> 00:26:07,840
Speaker 2: scenes with like the couples. It felt like the writing

508
00:26:08,200 --> 00:26:10,440
Speaker 2: like a daytime soap opera in my opinion.

509
00:26:10,760 --> 00:26:13,000
Speaker 1: Yeah, and Brandon and Kelly's sitting in the back of

510
00:26:13,000 --> 00:26:13,680
Speaker 1: the cop car.

511
00:26:14,280 --> 00:26:16,600
Speaker 2: I just don't know. I wish somebody had said, hey,

512
00:26:16,960 --> 00:26:19,479
Speaker 2: I feel like the show is changing and it's not

513
00:26:19,840 --> 00:26:21,160
Speaker 2: doesn't represent.

514
00:26:20,800 --> 00:26:24,439
Speaker 3: What it's the core about it.

515
00:26:24,560 --> 00:26:28,439
Speaker 2: Yeah, everyone loves about the show. Let's bring it on

516
00:26:28,600 --> 00:26:31,040
Speaker 2: back here, I jump. I don't understand.

517
00:26:31,760 --> 00:26:36,360
Speaker 1: I don't either. I don't know why it went on

518
00:26:36,440 --> 00:26:37,480
Speaker 1: a different train track.

519
00:26:37,840 --> 00:26:39,840
Speaker 2: We felt this way because in real life I remember

520
00:26:40,720 --> 00:26:43,520
Speaker 2: because here's the thing. I mean, Jen and I stayed

521
00:26:43,640 --> 00:26:46,400
Speaker 2: to that and we were in all ten seasons and

522
00:26:46,480 --> 00:26:50,399
Speaker 2: we never gave up feeling like I remember having conversations you,

523
00:26:50,480 --> 00:26:53,960
Speaker 2: me and Brian like, oh, the scene doesn't it's not flowing,

524
00:26:54,040 --> 00:26:56,760
Speaker 2: it's not it isn't right. We knew it wasn't right,

525
00:26:56,840 --> 00:27:00,320
Speaker 2: but we didn't. We know, we didn't. What could we do?

526
00:27:01,000 --> 00:27:03,560
Speaker 1: How do we how do we switch the tracks back?

527
00:27:04,119 --> 00:27:07,360
Speaker 2: I don't know. But we cared, like we really cared

528
00:27:07,520 --> 00:27:12,280
Speaker 2: till the end. That makes me sad. That makes me

529
00:27:12,320 --> 00:27:12,840
Speaker 2: really sad.

530
00:27:12,880 --> 00:27:15,240
Speaker 1: Actually, yeah, we tried, We tried.

531
00:27:15,880 --> 00:27:16,160
Speaker 2: Yeah.

532
00:27:16,640 --> 00:27:18,560
Speaker 1: I think at a certain point we got we got

533
00:27:18,560 --> 00:27:20,920
Speaker 1: our back just in time for the ending.

534
00:27:21,280 --> 00:27:25,600
Speaker 2: I felt like season ten, we were yeah, we'll get

535
00:27:25,680 --> 00:27:28,359
Speaker 2: to that. Yep, we're right, we took it back.

536
00:27:29,480 --> 00:27:32,520
Speaker 1: Okay, So yeah, the only thing we have not discussed

537
00:27:33,720 --> 00:27:38,760
Speaker 1: is Steve. Yeah, you go first.

538
00:27:38,720 --> 00:27:40,520
Speaker 2: What was the scene where he.

539
00:27:42,640 --> 00:27:43,600
Speaker 3: Zero Gill?

540
00:27:46,119 --> 00:27:48,320
Speaker 1: Was it in the in the now no rights.

541
00:27:48,840 --> 00:27:49,920
Speaker 2: Men have no rights.

542
00:27:50,640 --> 00:27:54,359
Speaker 1: They were and he was his vein was popping like

543
00:27:54,400 --> 00:27:55,840
Speaker 1: he was mad.

544
00:27:57,040 --> 00:27:59,879
Speaker 2: This is the first time I would say this to us.

545
00:28:00,600 --> 00:28:04,000
Speaker 2: I watched and I was like, I didn't like that performance.

546
00:28:06,040 --> 00:28:10,240
Speaker 2: I was like, what I wish the director had said, you.

547
00:28:10,240 --> 00:28:13,640
Speaker 1: Have a little more, just a scoche of empathy, think

548
00:28:13,680 --> 00:28:16,040
Speaker 1: outside yourself for a second. But I guess that's the

549
00:28:16,080 --> 00:28:19,919
Speaker 1: whole point is that he couldn't see outside himself in

550
00:28:19,960 --> 00:28:21,000
Speaker 1: the in this right.

551
00:28:22,840 --> 00:28:26,840
Speaker 2: I didn't mind the anger, but it didn't line up

552
00:28:26,880 --> 00:28:29,600
Speaker 2: with the way it was zip zero zilch is not

553
00:28:29,760 --> 00:28:35,320
Speaker 2: I'm sorry, dramatic line. It's it's making fun of maybe

554
00:28:35,359 --> 00:28:37,400
Speaker 2: if he had said, like, can I say something else?

555
00:28:37,480 --> 00:28:39,680
Speaker 2: But I want to be angry, Like I get the anger,

556
00:28:39,720 --> 00:28:40,600
Speaker 2: of course.

557
00:28:40,760 --> 00:28:43,440
Speaker 1: Yeah, well I didn't. I felt like it kind of

558
00:28:43,560 --> 00:28:49,760
Speaker 1: was really making him a dick honestly, because yeah, because

559
00:28:50,360 --> 00:28:54,360
Speaker 1: he offers to pay the baby Mama Jodie, right, Yeah,

560
00:28:55,000 --> 00:28:59,480
Speaker 1: one thousand dollars a month for if the baby is his,

561
00:28:59,720 --> 00:29:01,880
Speaker 1: so the he can just pay for it and not

562
00:29:02,280 --> 00:29:03,080
Speaker 1: have to be a dad.

563
00:29:03,760 --> 00:29:06,880
Speaker 2: And she's like, well, legally if it is your child.

564
00:29:06,960 --> 00:29:09,040
Speaker 2: Oh and this is where I'm sure this bothered you

565
00:29:09,120 --> 00:29:12,320
Speaker 2: as well. He kept saying the kid, the kid, and

566
00:29:12,320 --> 00:29:16,800
Speaker 2: she's like, if it's your child, you're legally responsible to

567
00:29:16,920 --> 00:29:20,720
Speaker 2: pay monthly. So thanks for the opera, But.

568
00:29:20,800 --> 00:29:23,320
Speaker 1: That's a that's a guy girl thing.

569
00:29:23,360 --> 00:29:26,200
Speaker 2: I don't Yeah, my kid kid, Yeah, you're right. It

570
00:29:26,360 --> 00:29:28,520
Speaker 2: bothered me though, just because I love him so much.

571
00:29:29,360 --> 00:29:32,960
Speaker 1: I know we want to protect him. Yeah, but it's

572
00:29:32,960 --> 00:29:36,560
Speaker 1: hard to in this this storyline because he's a real dick.

573
00:29:36,880 --> 00:29:38,600
Speaker 2: He's a scared little boy, that's all.

574
00:29:38,840 --> 00:29:40,760
Speaker 1: Yeah, But then you find out when he goes to

575
00:29:40,840 --> 00:29:43,520
Speaker 1: talk to his dad about yea good advice about maybe

576
00:29:43,520 --> 00:29:46,920
Speaker 1: you find out that his dad did the same thing.

577
00:29:47,280 --> 00:29:50,080
Speaker 3: He's like, well then I came around like a few

578
00:29:50,120 --> 00:29:50,880
Speaker 3: weeks later.

579
00:29:54,040 --> 00:29:58,160
Speaker 1: But it's weird, how you know, history repeats itself in

580
00:29:58,240 --> 00:29:59,560
Speaker 1: the family, whether you.

581
00:29:59,520 --> 00:30:00,000
Speaker 3: Know it or not.

582
00:30:01,360 --> 00:30:03,240
Speaker 1: Let me acknowledge it, see it.

583
00:30:03,760 --> 00:30:07,600
Speaker 2: Yeah, it's lenian to just keep ingreened in our DNA.

584
00:30:07,760 --> 00:30:11,760
Speaker 1: How do you feel about Carly saying I'm here for

585
00:30:11,800 --> 00:30:18,120
Speaker 1: you the whole time? Always like supporting him being someone

586
00:30:18,160 --> 00:30:21,960
Speaker 1: else's baby daddy? Realistic? Not realistic?

587
00:30:22,960 --> 00:30:25,640
Speaker 2: I mean realistic would be you and I wing in

588
00:30:26,000 --> 00:30:28,080
Speaker 2: if we were in that situation, what would we.

589
00:30:28,080 --> 00:30:30,720
Speaker 1: Feel I guess it kind of made me like her

590
00:30:30,800 --> 00:30:34,360
Speaker 1: more because being that she is a mom and a

591
00:30:34,400 --> 00:30:38,400
Speaker 1: good mom, she would want that for her child, right,

592
00:30:39,040 --> 00:30:40,520
Speaker 1: so it kind of made me like her more.

593
00:30:41,720 --> 00:30:45,160
Speaker 2: Yes, all I could think of when I was watching though,

594
00:30:46,480 --> 00:30:50,400
Speaker 2: I thought she looked great, and I was like, gosh,

595
00:30:50,760 --> 00:30:52,240
Speaker 2: I just they have no chemistry.

596
00:30:52,840 --> 00:30:54,560
Speaker 3: Yeah, And I feel like it's from his.

597
00:30:54,720 --> 00:31:00,239
Speaker 2: Side, so I think he didn't feel like he had

598
00:31:00,320 --> 00:31:01,920
Speaker 2: chemistry with the character.

599
00:31:02,560 --> 00:31:04,400
Speaker 1: Yeah, I don't feel it at all, And.

600
00:31:04,360 --> 00:31:07,440
Speaker 2: I think I wonder if that had any like, do

601
00:31:07,480 --> 00:31:09,720
Speaker 2: you think he expressed himself to the producers do you

602
00:31:09,760 --> 00:31:12,000
Speaker 2: think that had any play in them being like, yeah,

603
00:31:12,040 --> 00:31:12,880
Speaker 2: we don't feel it either.

604
00:31:13,920 --> 00:31:17,000
Speaker 1: I mean that happens. We saw that happen with Kelly.

605
00:31:17,200 --> 00:31:19,720
Speaker 2: Right with Dalton James. You didn't have chemistry. It's very

606
00:31:19,720 --> 00:31:23,520
Speaker 2: important that their key characters have chemistry with the people

607
00:31:23,520 --> 00:31:28,280
Speaker 2: they're bringing on. So if Ian felt like he and

608
00:31:28,360 --> 00:31:29,880
Speaker 2: Hillary didn't have chemistry, that's a.

609
00:31:29,800 --> 00:31:31,960
Speaker 1: Big problem, big problem.

610
00:31:32,040 --> 00:31:33,000
Speaker 2: Should we ask him?

611
00:31:33,200 --> 00:31:37,880
Speaker 1: We should? We can't because he's in France right now. Yes,

612
00:31:38,000 --> 00:31:43,400
Speaker 1: Stars France from Dancing with the Stars.

613
00:31:43,480 --> 00:31:46,080
Speaker 2: Ro I saw on Instagram where he was. He had

614
00:31:46,120 --> 00:31:50,840
Speaker 2: like because they have different teams compete different weeks, so

615
00:31:50,880 --> 00:31:52,520
Speaker 2: he must have had a little time off or something,

616
00:31:52,520 --> 00:31:55,560
Speaker 2: because he was popping home to see his girls and

617
00:31:55,640 --> 00:31:59,200
Speaker 2: his girlfriend and I was like, oh my gosh, it's

618
00:31:59,240 --> 00:31:59,880
Speaker 2: so tiring.

619
00:32:00,640 --> 00:32:03,440
Speaker 3: Yeah, that's a long trip for like two days down.

620
00:32:03,560 --> 00:32:04,120
Speaker 2: Good for him.

621
00:32:04,560 --> 00:32:08,080
Speaker 1: Yeah, takes a lot of effort. Yeah, keep the family

622
00:32:08,120 --> 00:32:10,680
Speaker 1: together in the Yeah. Well that's all I have to

623
00:32:10,680 --> 00:32:12,400
Speaker 1: say about this episode. What do you give it?

624
00:32:14,600 --> 00:32:18,800
Speaker 2: If there had been something ABCD, even an e storyline

625
00:32:18,800 --> 00:32:21,200
Speaker 2: that felt reminiscent of nine or two and zer, I

626
00:32:21,240 --> 00:32:24,440
Speaker 2: would be okay. But it was really tough getting through

627
00:32:24,480 --> 00:32:30,760
Speaker 2: this episode. I feel like it's I don't know, I

628
00:32:31,080 --> 00:32:33,920
Speaker 2: give it. I'm gonna go We're gonna give it last

629
00:32:33,920 --> 00:32:36,680
Speaker 2: week at four or that's what I was thinking for

630
00:32:36,760 --> 00:32:40,760
Speaker 2: I'm sorry. Yeah, it's getting worse for me. And just

631
00:32:40,840 --> 00:32:43,560
Speaker 2: because now every episode's this way and it's like.

632
00:32:43,560 --> 00:32:50,920
Speaker 1: No, yeah, I don't feel emotionally connected to the characters

633
00:32:50,960 --> 00:32:51,640
Speaker 1: the way I did.

634
00:32:52,280 --> 00:32:57,840
Speaker 2: No, because they're not really them anymore. That's important like

635
00:32:57,960 --> 00:32:59,120
Speaker 2: somebody else's device.

636
00:33:01,080 --> 00:33:02,720
Speaker 1: Oh my gosh, I hope it gets better. Does it

637
00:33:02,720 --> 00:33:05,520
Speaker 1: get better? You guys? Is it going to get better?

638
00:33:05,600 --> 00:33:12,200
Speaker 1: Like back to the show, we loved. Yes, yes, right, we.

639
00:33:12,160 --> 00:33:14,360
Speaker 2: Have two and a half more seasons.

640
00:33:15,200 --> 00:33:17,480
Speaker 1: It'll get better, you guys, it will get better. There

641
00:33:17,520 --> 00:33:18,000
Speaker 1: is hope.

642
00:33:18,360 --> 00:33:20,479
Speaker 2: Is Jason leaving right after this is the sin?

643
00:33:21,800 --> 00:33:24,440
Speaker 1: I think he's there for a couple in the beginning

644
00:33:24,480 --> 00:33:24,880
Speaker 1: of nine?

645
00:33:26,120 --> 00:33:28,840
Speaker 2: Oh oh oh, well maybe nine?

646
00:33:28,920 --> 00:33:29,640
Speaker 3: Is that true?

647
00:33:29,840 --> 00:33:32,680
Speaker 1: We're only in episode eleven. How many episodes were in

648
00:33:32,760 --> 00:33:35,920
Speaker 1: season eight? I wonder was it like thirty.

649
00:33:35,640 --> 00:33:38,520
Speaker 2: Three thirty four because thirty two.

650
00:33:38,880 --> 00:33:41,840
Speaker 1: Thirty two close? But yes, he does come back for

651
00:33:41,880 --> 00:33:43,880
Speaker 1: a couple of episodes in the beginning of nine, so

652
00:33:43,920 --> 00:33:47,000
Speaker 1: we have him for the rest of the season, Thank goodness.

653
00:33:47,480 --> 00:33:50,560
Speaker 2: So he leaves the beginning of nine and Dylan comes back.

654
00:33:51,280 --> 00:33:54,720
Speaker 2: Greene says episode eight, I like that idea. Oh no,

655
00:33:55,160 --> 00:33:56,880
Speaker 2: so they're not even on at the same time.

656
00:33:57,760 --> 00:34:01,120
Speaker 1: Rough, rough, but at least have one or the other.

657
00:34:01,680 --> 00:34:02,160
Speaker 2: I'll take that.

658
00:34:03,240 --> 00:34:03,640
Speaker 3: I'll pay.

659
00:34:04,480 --> 00:34:07,240
Speaker 1: We gave it low scores, but hopefully next week.

660
00:34:07,160 --> 00:34:08,759
Speaker 3: What do you think Amy would have given it?

661
00:34:08,960 --> 00:34:11,320
Speaker 1: Amy would have given it higher? No, she would have

662
00:34:11,400 --> 00:34:12,080
Speaker 1: given it a five.

663
00:34:12,640 --> 00:34:15,160
Speaker 3: No chance, I want to ask you next week.

664
00:34:15,560 --> 00:34:19,279
Speaker 2: No, because she's such a hardcore fan that she'll be

665
00:34:19,360 --> 00:34:21,560
Speaker 2: like I hated it, but I loved it. Anyway, I

666
00:34:21,560 --> 00:34:22,040
Speaker 2: still love it.

667
00:34:21,960 --> 00:34:27,120
Speaker 1: It sure. Next week, y'all, we have episode twelve of

668
00:34:27,239 --> 00:34:32,480
Speaker 1: season eight. It's called Friends in Deed d e E

669
00:34:32,800 --> 00:34:37,480
Speaker 1: d Indeed like the Deed of the peach Pit perhaps.

670
00:34:37,200 --> 00:34:39,319
Speaker 2: Which I don't like because we know it's now it's

671
00:34:39,360 --> 00:34:41,520
Speaker 2: gonna be Hill Street Blues and Law and Order order

672
00:34:41,560 --> 00:34:43,120
Speaker 2: again because they're talking about a deed.

673
00:34:43,239 --> 00:34:45,959
Speaker 1: But Noah's taking over the peach Pit after dark?

674
00:34:46,160 --> 00:34:49,799
Speaker 2: Right, oh right, right? Right?

675
00:34:51,040 --> 00:34:53,240
Speaker 1: Shall we find out? I say we shall.

676
00:34:54,600 --> 00:34:57,279
Speaker 2: We have no choice. We're going to find out. Well,

677
00:34:57,280 --> 00:34:59,640
Speaker 2: we're in this for the long run, like a like

678
00:34:59,680 --> 00:35:00,080
Speaker 2: a life.

679
00:35:00,000 --> 00:35:03,200
Speaker 1: Fels possible way. So yeah, it's gonna get better.

680
00:35:03,239 --> 00:35:05,240
Speaker 2: You guys, we promise.

681
00:35:05,280 --> 00:35:05,719
Speaker 1: We love you.

682
00:35:06,400 --> 00:35:06,760
Speaker 3: Thanks,