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Speaker 1: So Club DVA Tiesto is annihilating his residency. I am

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Speaker 1: in the VIP. I'm sort of vibing.

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Speaker 2: I am and I'm trying and I'm trying to get

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Speaker 2: in the VIP like I'm y big, like just outside

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Speaker 2: the VIP. Kint of go like do you see me,

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Speaker 2: Hayes because a lot of times we've gone together. But

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Speaker 2: still loving Tiesto's stuff. But yeah, it was, yes, I'm

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Speaker 2: remembering this night, but go ahead, what were you gonna say?

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Speaker 1: I was slurping out of a big jar that had

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Speaker 1: honey scrawled on it. H U N N Y holding

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Speaker 1: it with both hands, just slurping the honey and it's

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Speaker 1: like off menu and they actually don't even have it

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Speaker 1: all the time. But I'm just like enjoying. I'm like

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Speaker 1: scooping it up and I'm trying to get to the

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Speaker 1: honey that's like stuck on the inside of the jar.

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Speaker 1: Normally I don't get this because it is so much honey.

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Speaker 1: It's like more than I actually need in like within

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Speaker 1: one night.

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Speaker 2: Right, It's a little it's a little heavy. And I,

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Speaker 2: of course I'm also there and I also have a

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Speaker 2: special treat that I actually had to sneak in, which

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Speaker 2: is I have a jar of expired A Coli peanut

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Speaker 2: butter that I got off eBay. That's sort of an

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Speaker 2: artifact of the largest, you know, food spoilage lawsuit in

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Speaker 2: US history, And I'm waiting to crack that baby.

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Speaker 1: Because I'm like, this is you know, this is rare.

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Speaker 1: This is expen We talk about like oh, like table service,

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Speaker 1: like that's expense, Like actually this is an expensive There's

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Speaker 1: a lot.

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Speaker 2: Of bottles of gray Goose out there. There's there's really

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Speaker 2: only a handful of these peanut butter jars left, and

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Speaker 2: I'm about to bust it open and make this place

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Speaker 2: sick as dogs. Which is such a great shared experience.

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Speaker 2: I mean, it's almost like an ayahuasca thing.

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Speaker 1: Right, where like through that.

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Speaker 2: Purging right of you know, your your past, which is

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Speaker 2: all collected in your gut molecules, you sort of find

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Speaker 2: out who you're supposed to be. But go ahead, you're

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Speaker 2: eating a big thing a hoodey.

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Speaker 1: Well, I think what And that makes sense because like

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Speaker 1: once you did open it and it is like ariosol

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Speaker 1: eyes at that point, it turns out like people aren't

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Speaker 1: really opening this. But like that did sort of confirm

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Speaker 1: that it was arisoll eyes. I think the fact that

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Speaker 1: I had gotten the honey jar stuck on my head

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Speaker 1: at that point is why I didn't suffer.

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Speaker 2: You were the only person in the club immune two yes,

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Speaker 2: immune to the effects and so and so. Yeah, I

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Speaker 2: mean you got You ultimately carried everyone out of the

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Speaker 2: club one by one, including Tiesto, which I've always been

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Speaker 2: I've been grateful for. I haven't had a chance to

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Speaker 2: say thank you until today. But we've been so crazy

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Speaker 2: running around and now we're still busy. We have a show,

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Speaker 2: so uzy, we have the guys, we have Austin, we

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Speaker 2: have Sean.

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Speaker 1: They're both here there. You ever do dev y'all?

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Speaker 2: Y'all ever hit did y'all hit DEVI eight during that.

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Speaker 1: During that period of Tisa's residency.

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Speaker 3: I have a divan art page.

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Speaker 1: You're on d V and art. Okay, what are we

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Speaker 1: what are we doing? Right into it?

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Speaker 3: And yeah, cigarette Guy, I have a couple of pieces

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Speaker 3: up there right now.

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Speaker 1: You're you're the name of your user name is cigarette Guy.

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Speaker 3: Cigarette Underscore Guys.

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Speaker 2: Cigarette Underscore. The Underscore couldn't get it without.

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Speaker 3: I think I did it intentionally. Some of the good

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Speaker 3: pieces up there and.

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Speaker 1: That could be an interesting motif on d V and

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Speaker 1: art Sonic smoking a cigarette.

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Speaker 3: Yeah, actually it is Christopher Robin smoking rob You know what,

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Speaker 3: you should just work it's pretty good. Christopher Robin and

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Speaker 3: then Calvin from Calvin Hobbs are both smoking cigarette or

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Speaker 3: I guess Calvin's those smoking. Calvin is pissing on the

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Speaker 3: ashes of I guess both of the smoldering mass must

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Speaker 3: be Pooh and Hobbes and then Christopher Robbin his movie.

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Speaker 2: They've burnt them. They've torched them, They've burned them.

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Speaker 3: It's really like a whole kind of like, you know,

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Speaker 3: it's this like Calvin Hobbes, Christopher Robin, Winnie the Pooh,

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Speaker 3: Like what is this?

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Speaker 2: Put away your childish things? Right, like this is an

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Speaker 2: adulthood Like, let's lay it up. Fucking singing?

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Speaker 1: Is it?

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Speaker 2: I mean, is it clear in the artwork that it's

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Speaker 2: like dipped in fry or anything like that. The cigarette

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Speaker 2: is it just straight up nicotine or they have like

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Speaker 2: Famalda Hyde or something.

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Speaker 3: You know, I believe that the viewer to admit, you know,

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Speaker 3: we should bring it up.

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Speaker 2: All right, I'm gonna look at it. It's Kevin, Kevin,

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Speaker 2: can you pull that up. Sure, I'd like to look

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Speaker 2: at that.

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Speaker 1: The thing that's like making me actually really sad is

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Speaker 1: if like Calvin changed his mind and that's what he's

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Speaker 1: like trying to pee on the ashes to put out.

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Speaker 4: You just look that. Oh okay, look on his face

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Speaker 4: does not say I'm trying to put this out.

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Speaker 2: Okay, he's got that sort of wicked song.

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Speaker 3: Christopher Robbins lighting his cigarette off with the flame of

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Speaker 3: this skeleton. That's good, I did that, But.

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Speaker 4: I would love to draw your attention.

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Speaker 3: You did that, nah, I would like to draw your

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Speaker 3: attention to my first piece of the Olive Garden of

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Speaker 3: Earthly Delights. Obviously, yeah, I know, But what it is

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Speaker 3: is actually, you know what some of the ship that's

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Speaker 3: going on here I don't want to talk about.

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Speaker 1: But talk about well, don't talk you know, talk about

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Speaker 1: all of it.

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Speaker 4: Yeah, it's a biodome.

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Speaker 3: Biodome Okay, uh, follow the leader.

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Speaker 4: It's happening. So I see what you don't. Yeah, I

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Speaker 4: get it now.

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Speaker 3: I want to talk about talk about not a living

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Speaker 3: right now. It's just like that, we started right into it,

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Speaker 3: right into v and art page.

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Speaker 4: Save that content for revisionist history.

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Speaker 2: But that is what you guys do challenge people. Of

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Speaker 2: course you're uh, you know, you're a band. It's parkt

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Speaker 2: Courts there here and and that's.

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Speaker 1: They're not the whole band. They like, No, but we

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Speaker 1: don't have.

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Speaker 2: The whole band, Like we're gonna talk about the guys

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Speaker 2: that aren't here.

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Speaker 1: So you two are the like you two do podcasts

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Speaker 1: within the band. The and the other guys like do

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Speaker 1: most of the like music stuff, but you like do

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Speaker 1: the podcast.

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Speaker 3: Well, we were thinking about picking one of these things up,

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Speaker 3: and so we've been doing a few of them, seeing

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Speaker 3: what you know, kind of kicking the tires and getting

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Speaker 3: some Yeah, we kind of want to do one.

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Speaker 1: Came to the right place.

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Speaker 2: We started one good baseline. Yeah, we started podcasts like

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Speaker 2: four years ago. Yeah, it turns out it takes more

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Speaker 2: than just like drinking hard liquor in a room with microphones.

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Speaker 3: Yeah, what was it that got you all to keep

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Speaker 3: doing it after the first one?

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Speaker 1: No, nothing else, nothing, nothing else happened.

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Speaker 3: But you had to keep you had to. Like, I

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Speaker 3: think where we where we failed was that we did

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Speaker 3: it and then at the end of doing it, we

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Speaker 3: were kind of like nobody really mentioned like doing it again,

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Speaker 3: Like we didn't. Yeah, it wasn't on the it wasn't on.

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Speaker 4: An ID coal or anything. I guess you really have

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Speaker 4: to commit to it.

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Speaker 1: Yeah, I would listen to that, honestly. That I mean,

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Speaker 1: like that means that it's not for you. If at

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Speaker 1: the at the first like taste of it, if it

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Speaker 1: didn't like get in your bloodstream and like you didn't

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Speaker 1: need to like immediately start.

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Speaker 2: You didn't get the bug, yeah, then then yeah, it's

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Speaker 2: not for everyone bitten by the podcast bug. You know,

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Speaker 2: it's gotten more and more of us.

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Speaker 4: I think.

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Speaker 3: Well, also, our schedule is so wild, you know.

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Speaker 1: Maybe yeah, but it's not like it's like it's not

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Speaker 1: about the skit, like, no, you can make time for it.

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Speaker 1: It's very easy to make time.

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Speaker 4: You've made time for it. We're also recording it, like

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Speaker 4: in the room where we recorded it. Also, it was

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Speaker 4: the same room. It was our studio. It's like we're

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Speaker 4: all of our equipment was so it was kind of

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Speaker 4: weird to like like, all right, well instead of jamming

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Speaker 4: on these new tunes.

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Speaker 2: It's like it's like bringing a big a big plate

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Speaker 2: of green beans into the candy shop and going, oh,

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Speaker 2: I'm just gonna eat and it's like you're just looking around,

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Speaker 2: like what am I doing?

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Speaker 4: Man?

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Speaker 2: There's sour balls over there, right.

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Speaker 1: But we can figure out some other ship for you potentially,

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Speaker 1: if like yeah, if you're if you're like looking around,

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Speaker 1: like obviously like podcasting doesn't sound like that's like the

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Speaker 1: right direction, but like, uh, elevating some of what you

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Speaker 1: all are doing to the point of like expand like

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Speaker 1: onto new platforms and things like that, just reaching.

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Speaker 2: A wider audience, I think with some of what you've

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Speaker 2: already uh kind of honed. We So we have an

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Speaker 2: exciting announcement I guess uh today, which is.

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Speaker 1: Hayes and I produce.

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Speaker 2: It's our own original content, but we are finally getting

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Speaker 2: into this streaming game. So we're we're we're launching our

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Speaker 2: own platform, and we have acquired the rights to some

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Speaker 2: very exciting content, specifically film from nineteen ninety eight called

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Speaker 2: The Faculty. I don't know if you guys remember The Faculty,

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Speaker 2: but it was you know, Josh Hart had clear deal,

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Speaker 2: Seane Elijah's in there, Jon Stewart's there, there's.

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Speaker 1: You know, the legal right stuff.

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Speaker 2: You guys will be bored by this, like the aspects

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Speaker 2: of it, but we so We've got the rights and

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Speaker 2: we're this is like our big springboard to launch the

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Speaker 2: new streaming platform, Hollywood Him Book Plus. But we don't

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Speaker 2: have access to the audio. We just have we just

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Speaker 2: have this video footage. Yeah, and which honestly for me

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Speaker 2: is awesome. Like watching it, I was like one an

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Speaker 2: opportunity of another. Everything that's like I'm seeing on screen

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Speaker 2: is working, but like nothing, I close my eyes and

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Speaker 2: I'm like this, like I can we can do better

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Speaker 2: than this.

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Speaker 1: There's one line read I wish we had.

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Speaker 2: There's obviously the best line read in the entire film

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Speaker 2: and maybe all of all of cinema, where John Stewart

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Speaker 2: notices that the coach, who has become some kind of alien,

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Speaker 2: is drinking out of a fish tank and says, man.

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Speaker 1: Coach is thirsty today. That I wish we had that.

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Speaker 2: Everything else can go, Everything else can go, and we

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Speaker 2: may try to sneak that in. Actually, but the the soundtrack,

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Speaker 2: you know, we can start fresh. And we were thinking

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Speaker 2: when we got these music, guys, let's get some music,

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Speaker 2: let's get some some VIDO, some d R stuff and

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Speaker 2: maybe start piecing in what's gonna be there right now?

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Speaker 4: Wow?

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Speaker 3: So well, I mean you could even just have like

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Speaker 3: a like, if you've got anybody on the street, you

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Speaker 3: could like walk up to them and be like, can

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Speaker 3: you just say just really fast or whatever and record

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Speaker 3: them saying like there's got like the is there is

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Speaker 3: some issue with like you can't overdub the exact script

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Speaker 3: or something, or you actually want.

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Speaker 1: It can't it can't.

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Speaker 2: It can't match the lips as part of the Again,

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Speaker 2: the contract is going to be boring to you guys.

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Speaker 2: But if it, if it syncs up with the lip

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Speaker 2: flap at all, even appears to we're gonna be uh,

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Speaker 2: we're gonna be in jail.

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Speaker 1: On the entire platform.

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Speaker 3: What do you You can't be telling people when they

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Speaker 3: ask what you're in for, You're not gonna want to

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Speaker 3: tell them why.

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Speaker 1: No, that's not what they do. Not take kindly to

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Speaker 1: copyright violations in there.

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Speaker 2: Yes, no, So that's the bottom of the of the

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Speaker 2: barrel in there.

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Speaker 1: Yeah. So we need a fully guy. Any of you who.

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Speaker 2: Loves actually do know who wants to be fully I do?

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Speaker 1: Okay, Yeah, that was actually that's what I was thinking

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Speaker 1: as well.

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Speaker 3: I've got to I would love oh my god, what

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Speaker 3: I would be honored to do something like that. I

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Speaker 3: have like a little kiddy like a sandbox with like

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Speaker 3: you know, where you drag my chains around and shit

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Speaker 3: like that.

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Speaker 1: Yeah, we aren't gonna be able to do the sandbox

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Speaker 1: er chains. It's just gonna be whatever is kind of

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Speaker 1: reachable for you.

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Speaker 2: Really, what we have is this, and I will make

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Speaker 2: this sound for you.

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Speaker 4: Now, Oh, that'll work.

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Speaker 3: I can work with that as long as I can

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Speaker 3: get a really high resolution sort of audio file.

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Speaker 2: So that that's going to be the only sound that

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Speaker 2: we can create other than what you can do with

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Speaker 2: your mouth and hands.

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Speaker 4: Oh, that's problem.

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Speaker 1: I I would hope not.

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Speaker 3: Could I use my mouth on the tube and have

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Speaker 3: it in my hands? Couldn't I be using all three

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Speaker 3: instruments at the same time.

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Speaker 1: We don't have the equipment for that.

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Speaker 4: Shit.

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Speaker 2: We just got the one track at a time. But Kevin,

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Speaker 2: do you want to pull up a clip and these

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Speaker 2: guys and.

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Speaker 1: So it's a Washington original clip on this.

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Speaker 2: Austin, I assume you're saving your voice for you know,

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Speaker 2: you want us to you want us to ask, and

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Speaker 2: we're gonna ask, can you do the dialogue for the film?

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Speaker 4: Yeah? Absolutely, I'd be honored.

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Speaker 3: How am I supposed to play that instrument that you have.

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Speaker 4: It didn't mail me one or anything.

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Speaker 2: What you do is when you're ready for it, just

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Speaker 2: snap and point to me.

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Speaker 1: Okay, do you want to practice it once?

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Speaker 4: Yeah? But how many?

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Speaker 3: How often do I get to do as much as

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Speaker 3: I'd like?

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Speaker 1: I could probably do it once every four minutes.

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Speaker 4: And it's gonna be at that speed.

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Speaker 1: It's a early log.

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Speaker 3: Okay, let's scrunch it up.

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Speaker 2: There's what other sound it can make, but I don't

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Speaker 2: think it'll get picked up here?

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Speaker 4: And which one am I supposed to be all dialogue?

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Speaker 1: All dialogue?

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Speaker 2: So you're to be the speaking parts of the characters.

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Speaker 1: Yeah, yeah, yeah, and like you know, if you have

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Speaker 1: instruments just like sitting around, it would be great to

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Speaker 1: like score this as well in addition to fully and

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Speaker 1: so yeah, we need the music for sure. If we

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Speaker 1: could just like watch, like see what see what we're

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Speaker 1: working with, that's gonna drop out. I think we're actually

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Speaker 1: gonna lose the I thought you pointed at me, lose

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Speaker 1: the audio track entirely by the end of the day.

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Speaker 1: And so like we don't have time to play these

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Speaker 1: entire clips. Okay, So just like be selective in terms

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Speaker 1: of like what we can cover.

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Speaker 5: Now all, I'm gonna play this clip while you guys

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Speaker 5: are getting ready.

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Speaker 1: Okay, I don't recognize the surface tissue at all.

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Speaker 4: I don't want to blow smoke at your bicker, but

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Speaker 4: I think you found in your species.

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00:14:41,360 --> 00:14:44,240
Speaker 1: They're looking at it like your species.

303
00:14:43,840 --> 00:14:45,440
Speaker 4: Are discovered every day.

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Speaker 1: So stimula.

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Speaker 4: And that's the escape detection to the twentieth century everything.

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Speaker 3: Oh that's where I'd like to hear that sound when

307
00:14:58,200 --> 00:15:01,680
Speaker 3: that moves his neck, it should yeah, should like match

308
00:15:01,760 --> 00:15:04,720
Speaker 3: his neck moving. Take a look, maybe even get in

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Speaker 3: on some of the.

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Speaker 1: Federal because they he sort of shared a look with

311
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Speaker 1: the gal and like when you're horny like that, your

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00:15:11,360 --> 00:15:16,520
Speaker 1: bones kind of get a little creaky. Okay. They spilled

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Speaker 1: water on the on the nasty thing and it's like

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Speaker 1: moving around and being crazy. Yeah. Yeah, ushering in the forest, Kevin,

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Speaker 1: this clip is like too short. It's it's not what

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Speaker 1: I was going to say. It's like pretty freaky.

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Speaker 4: Pretty good.

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Speaker 2: It's actually scaring the hell out of me. And there's

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Speaker 2: not a lot of I guess it's good that there's

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Speaker 2: not a lot of sound for the podcast audience too.

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Speaker 1: A joy in the clip.

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Speaker 2: Yeah that is good because this is going away because okay,

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Speaker 2: I'd hate for them to think like, oh I want

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Speaker 2: to hear that. Okay, so let's let's get it again.

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Speaker 2: We're doing uh dialogue from Austin. Yes, and this is score, like,

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Speaker 2: this is how it works.

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Speaker 1: This is how you score a film. Austin's doing the

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Speaker 1: dialogue for every character. Sean is doing fully both like

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Speaker 1: on the and the musical score. Is that right, Austin's

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Speaker 1: doing music as well. Austin's doing music as well. Great,

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Speaker 1: and so we'll just like jam it out. We'll get

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Speaker 1: in one take, uh, and just let me know when

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Speaker 1: you guys are ready, and I'll watch boys.

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Speaker 5: I'll count down from three. I won't say one trick

335
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Speaker 5: of the trade, but I'll point to you, okay.

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Speaker 4: Okay, and then when John Stewart's.

337
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Speaker 5: The sure.

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Speaker 1: So I would like for the teacher, I would do

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00:16:47,520 --> 00:16:52,200
Speaker 1: like deep teacher voice, or the boy characters, I would

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Speaker 1: do like still kind of deep but a little higher.

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Speaker 1: And for the girl characters.

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Speaker 2: Child very high voice, really high voice.

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Speaker 4: Yeah. Yeah, I really I have to stress.

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Speaker 3: I really think that the tube things should really only

345
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Speaker 3: happen when Josh Hartnet or whatever.

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Speaker 4: Moves his neck like that.

347
00:17:09,359 --> 00:17:11,680
Speaker 3: Okay, great, I really can't think of any other place

348
00:17:11,720 --> 00:17:12,280
Speaker 3: before it right.

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Speaker 1: Now, Okay, this may not be the spot for it.

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Speaker 5: And three two.

351
00:17:22,640 --> 00:17:25,880
Speaker 4: And this is how you impregnate a snail. Basically, that's

352
00:17:26,000 --> 00:17:28,400
Speaker 4: just it. Yeah, that's all that's all there is to it.

353
00:17:29,400 --> 00:17:33,760
Speaker 4: You just insert the chicken sperm into the snail and

354
00:17:33,800 --> 00:17:36,680
Speaker 4: it's really quite fascinating. This will be on the test.

355
00:17:38,440 --> 00:17:41,440
Speaker 4: Whereas that chicken sperm looks like to you and it's

356
00:17:41,560 --> 00:17:49,080
Speaker 4: light and blue, interesting and purple. Yeah, there's just some

357
00:17:49,119 --> 00:17:50,080
Speaker 4: purple in there.

358
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Speaker 1: And yeah, girls have to be talking more.

359
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Speaker 6: I gotta hear from you, you know, guy, Okay, all right,

360
00:18:03,480 --> 00:18:07,520
Speaker 6: all right, Kevin freeze it so what so so hey,

361
00:18:07,600 --> 00:18:09,040
Speaker 6: we want to support you, Austin.

362
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Speaker 1: So what are you saying?

363
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Speaker 2: You need two runs at it?

364
00:18:14,320 --> 00:18:17,680
Speaker 1: Maybe we do just a girl, just a girl take once.

365
00:18:18,640 --> 00:18:20,040
Speaker 1: You have to do them at once. We can do

366
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Speaker 1: a girl track right now. Yeah, we can run girl track.

367
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Speaker 4: We wish.

368
00:18:25,440 --> 00:18:28,439
Speaker 1: Oh my dude, that would be so funny if it

369
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Speaker 1: were upright Citizens Brigade. Oh my god, Austin.

370
00:18:33,560 --> 00:18:37,480
Speaker 2: Austin, No, now, I kind of want to do upright

371
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Speaker 2: Citizens Brigade.

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Speaker 1: I'm thinking of doing it.

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Speaker 4: So well, I mean, feel free to help me out

374
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Speaker 4: with one of these six characters.

375
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Speaker 2: Okay, I'll be the gooey Thing. Yeah, I'll be the

376
00:18:52,960 --> 00:18:55,240
Speaker 2: I'll be the gooy thing, the monster creature.

377
00:18:55,760 --> 00:18:58,240
Speaker 1: We got teacher locked in and so now I think

378
00:18:58,400 --> 00:19:02,000
Speaker 1: we can get yeah, the gooey Thing track and just

379
00:19:02,200 --> 00:19:03,880
Speaker 1: girls only track for this one.

380
00:19:03,920 --> 00:19:07,880
Speaker 5: Okay, all right, well we'll pick up where we left off.

381
00:19:08,200 --> 00:19:10,560
Speaker 3: I don't think that you did a very good job

382
00:19:10,640 --> 00:19:12,800
Speaker 3: with the next thing there, so I'm not to you know.

383
00:19:12,800 --> 00:19:14,520
Speaker 3: I know there's a lot going on, but you you

384
00:19:14,560 --> 00:19:16,600
Speaker 3: see what I mean, right? You hear where it should do?

385
00:19:16,640 --> 00:19:17,520
Speaker 3: You see where it should be?

386
00:19:18,000 --> 00:19:20,480
Speaker 2: I thought I did it when it was I thought.

387
00:19:20,280 --> 00:19:22,400
Speaker 3: I think, if you know what, man, maybe you did

388
00:19:22,400 --> 00:19:24,119
Speaker 3: better than I though. I think I'm being a little

389
00:19:24,119 --> 00:19:24,680
Speaker 3: hard on you.

390
00:19:24,760 --> 00:19:29,520
Speaker 7: There can be no Hey, I'm always ready for you know,

391
00:19:29,920 --> 00:19:32,560
Speaker 7: real creak, and I want you to be hard on

392
00:19:32,640 --> 00:19:35,680
Speaker 7: me in this case. I'll be ahead of it this time.

393
00:19:35,520 --> 00:19:38,120
Speaker 2: And so I'll be the voice of the gooey Thing,

394
00:19:38,119 --> 00:19:42,479
Speaker 2: and I will also try to get the neck timing close, sir,

395
00:19:42,720 --> 00:19:45,520
Speaker 2: no promises, and I'd love to hear a little more

396
00:19:45,640 --> 00:19:46,560
Speaker 2: music as well.

397
00:19:46,680 --> 00:19:49,800
Speaker 3: Okay, all right's see here, I can pull.

398
00:19:49,680 --> 00:19:50,040
Speaker 4: Up for you.

399
00:19:50,680 --> 00:19:54,760
Speaker 5: Okay, this is girls only track and three two.

400
00:19:56,080 --> 00:20:03,200
Speaker 8: Hey, watn't it pow at least buy me dinner first? Hey,

401
00:20:03,200 --> 00:20:06,360
Speaker 8: what's everybody looking at over here? Yeah, like you've never

402
00:20:06,400 --> 00:20:09,080
Speaker 8: seen a crazy alien species before?

403
00:20:10,600 --> 00:20:12,919
Speaker 1: Hey? Is your neck? Okay, buddy? Why do it make

404
00:20:13,000 --> 00:20:16,879
Speaker 1: that noise? Okay? Can we stop it really quick? I

405
00:20:17,000 --> 00:20:17,399
Speaker 1: just want to.

406
00:20:17,400 --> 00:20:19,679
Speaker 2: Say, do you think the thing's talking too much? No?

407
00:20:19,960 --> 00:20:22,280
Speaker 1: I think the thing is talking just enough. I don't

408
00:20:22,320 --> 00:20:25,080
Speaker 1: think the girls are talking. I don't think the girls

409
00:20:25,119 --> 00:20:27,679
Speaker 1: are talking enough. I think this sending a message about

410
00:20:27,840 --> 00:20:30,480
Speaker 1: women in stem that like, we don't want to. I

411
00:20:30,480 --> 00:20:32,480
Speaker 1: don't like I don't know if you're a pitiot it

412
00:20:32,600 --> 00:20:34,679
Speaker 1: that is that they would just be quiet throughout this

413
00:20:34,720 --> 00:20:38,920
Speaker 1: whole sequence. We want them to be speaking a lot,

414
00:20:39,200 --> 00:20:39,800
Speaker 1: a lot.

415
00:20:40,040 --> 00:20:42,800
Speaker 4: I think, like, I think only one of them's talking,

416
00:20:43,320 --> 00:20:44,679
Speaker 4: and I missed the queue.

417
00:20:44,760 --> 00:20:47,680
Speaker 1: They're talking to see this movie they're talking like Seanya.

418
00:20:47,720 --> 00:20:51,000
Speaker 1: I've certainly seen this clip. There are so many people

419
00:20:51,040 --> 00:20:53,639
Speaker 1: on screen. The idea that like one of the girls

420
00:20:53,680 --> 00:20:58,359
Speaker 1: isn't talking all the time, even just like background like chatter,

421
00:20:58,520 --> 00:21:02,080
Speaker 1: things like that. We really want want to, Yeah, we

422
00:21:02,160 --> 00:21:09,439
Speaker 1: want to flood the zone with with them making observations.

423
00:21:08,320 --> 00:21:12,840
Speaker 3: Have something to do that if I can you have okay,

424
00:21:13,560 --> 00:21:15,080
Speaker 3: I might be able to do something.

425
00:21:15,760 --> 00:21:22,960
Speaker 1: Okay, okay, okay, Now Sean is now getting into the

426
00:21:23,040 --> 00:21:25,440
Speaker 1: dialogue game. That's me.

427
00:21:26,400 --> 00:21:28,879
Speaker 2: And it's funny when you don't, when you don't fight

428
00:21:28,960 --> 00:21:31,439
Speaker 2: for your spot, you watch what happens is there's so

429
00:21:31,600 --> 00:21:35,760
Speaker 2: many other hungry young upstarts and go hards in this

430
00:21:35,880 --> 00:21:37,960
Speaker 2: industry that that want your seat.

431
00:21:40,840 --> 00:21:44,600
Speaker 1: The streaming game it's cutthroat. You know, there's there's a.

432
00:21:44,560 --> 00:21:47,560
Speaker 2: Lot of spots, it looks like, but your spot is

433
00:21:47,560 --> 00:21:48,440
Speaker 2: always at risk.

434
00:21:49,440 --> 00:21:55,200
Speaker 3: So that's not gonna work, okay.

435
00:21:54,600 --> 00:21:57,320
Speaker 1: And sometimes, you know, sometimes the person coming for your

436
00:21:57,320 --> 00:22:00,560
Speaker 1: spot just it just doesn't work.

437
00:22:00,760 --> 00:22:02,360
Speaker 2: No, a lot of times the reason you got that

438
00:22:02,400 --> 00:22:05,359
Speaker 2: spot is because the people coming for it just don't

439
00:22:05,560 --> 00:22:08,520
Speaker 2: have the take anything to offer.

440
00:22:08,920 --> 00:22:12,480
Speaker 1: And the guy who had the original spot just ends

441
00:22:12,560 --> 00:22:13,600
Speaker 1: up keeping it.

442
00:22:13,760 --> 00:22:16,680
Speaker 2: Yeah, just by hanging out and has the you know,

443
00:22:16,800 --> 00:22:19,960
Speaker 2: it's just it's like, not fucking up can be better

444
00:22:20,000 --> 00:22:21,760
Speaker 2: than trying sometimes.

445
00:22:21,880 --> 00:22:23,920
Speaker 3: Yeah, there's a name. I think they have a whole

446
00:22:23,960 --> 00:22:27,960
Speaker 3: thing for that, right, they sure do, and stuff for

447
00:22:28,000 --> 00:22:29,800
Speaker 3: it is what I mean. I'm gonna go back to

448
00:22:29,840 --> 00:22:30,600
Speaker 3: my original thing.

449
00:22:31,440 --> 00:22:34,800
Speaker 5: Okay, we're gonna pick up where we left off Girls

450
00:22:34,920 --> 00:22:36,720
Speaker 5: Only tracked three two.

451
00:22:38,880 --> 00:22:41,320
Speaker 4: I'm kind of hungry. Anybody want to get out of

452
00:22:41,359 --> 00:22:46,040
Speaker 4: here and go get some lunch? Maybe maybe uh, corn

453
00:22:46,119 --> 00:22:50,920
Speaker 4: dogs or vegetarian burgers. This classic sucks.

454
00:22:51,320 --> 00:22:56,800
Speaker 1: Here's something only nineties kids will understand. Oh whoa hey.

455
00:22:56,680 --> 00:22:59,480
Speaker 2: Yo, Usually somebody buys me dinner first, jeez.

456
00:23:00,280 --> 00:23:01,680
Speaker 1: Splashing me with the.

457
00:23:01,760 --> 00:23:05,000
Speaker 2: Water, Yeah, that'll wake you up in the morning. And

458
00:23:05,040 --> 00:23:06,240
Speaker 2: it has awoken me.

459
00:23:08,680 --> 00:23:21,639
Speaker 9: Okay, I've been thinking a lot about what happens after

460
00:23:21,680 --> 00:23:26,520
Speaker 9: you die lately, where you go from here?

461
00:23:26,600 --> 00:23:29,720
Speaker 1: You know, I mean, because we're made of energy, right, it's.

462
00:23:29,600 --> 00:23:30,639
Speaker 8: Gotta go somewhere.

463
00:23:31,920 --> 00:23:36,400
Speaker 1: Okay, fill another husk or oh okay, I'm gonna stop it.

464
00:23:36,480 --> 00:23:39,640
Speaker 1: I'm gonna stop it. Some really good stuff in there.

465
00:23:40,080 --> 00:23:46,399
Speaker 1: I love the lunch dialogue. The lunch stuff had me rolling. Yes, yes,

466
00:23:48,160 --> 00:23:53,600
Speaker 1: I loved the walking rift over to the to the.

467
00:23:53,560 --> 00:23:56,919
Speaker 2: Aquarium man bottle that and sell it. That music was

468
00:23:57,119 --> 00:23:58,679
Speaker 2: really doing something for me.

469
00:23:59,720 --> 00:24:03,920
Speaker 3: Yeah, I can't shut it off now, is I mean? Yeah?

470
00:24:04,080 --> 00:24:06,000
Speaker 3: It feels this is feeling really good and natural.

471
00:24:11,000 --> 00:24:14,480
Speaker 2: The music was really powerful and and I think brought

472
00:24:14,520 --> 00:24:17,240
Speaker 2: a new dimension to this footage that we've been trying

473
00:24:17,280 --> 00:24:19,560
Speaker 2: to look for and kind of find, like what's our

474
00:24:19,640 --> 00:24:23,280
Speaker 2: take on the visual elements of the faculty, And that

475
00:24:23,320 --> 00:24:24,679
Speaker 2: really opened it up for me.

476
00:24:25,240 --> 00:24:26,520
Speaker 3: And I mean, that's what you're gonna get from us

477
00:24:26,600 --> 00:24:28,919
Speaker 3: right now. But you know, that's just how good we

478
00:24:29,000 --> 00:24:32,919
Speaker 3: are off the you know, with improvising and ship It's jazz.

479
00:24:33,000 --> 00:24:37,119
Speaker 1: Yeah, like upright Citizens Brigade. That's like basically upright Citizens

480
00:24:37,160 --> 00:24:38,080
Speaker 1: Brigade style shit.

481
00:24:38,640 --> 00:24:44,639
Speaker 4: Yeah, asscat right. Some think that, Yeah, No, I haven't thing.

482
00:24:44,680 --> 00:24:46,120
Speaker 4: It's actually sorry, go on.

483
00:24:47,720 --> 00:24:49,399
Speaker 1: What's we can just take a little break before we

484
00:24:49,440 --> 00:24:51,040
Speaker 1: are going to do the next clip. We can just

485
00:24:51,160 --> 00:24:53,920
Speaker 1: take a break, get to know each other a little bit.

486
00:24:54,840 --> 00:24:59,560
Speaker 1: What's the most dangerous sound?

487
00:25:00,560 --> 00:25:01,040
Speaker 4: Yeah?

488
00:25:01,200 --> 00:25:03,480
Speaker 2: Is there a particular sound that you fear even putting

489
00:25:03,520 --> 00:25:07,400
Speaker 2: into one of your songs? Yeah, because of how powerfully dangerous.

490
00:25:06,920 --> 00:25:11,280
Speaker 1: It could be gunshots maybe, Okay, okay, that was gonna

491
00:25:11,280 --> 00:25:12,240
Speaker 1: be my guess as well.

492
00:25:12,560 --> 00:25:13,679
Speaker 3: Dangerous sound.

493
00:25:15,080 --> 00:25:18,800
Speaker 4: The Devil's cord. Yeah, okay, that's more.

494
00:25:19,119 --> 00:25:21,040
Speaker 1: That's more what we were hoping to get from you.

495
00:25:21,920 --> 00:25:26,600
Speaker 3: I don't know, you know, like elephants, they like emit

496
00:25:26,720 --> 00:25:30,200
Speaker 3: like a low frequency to him that kills like elephant trainers.

497
00:25:30,200 --> 00:25:33,360
Speaker 3: I'd be afraid attempted to put that into some of ourselves.

498
00:25:34,840 --> 00:25:38,200
Speaker 1: You're talking about the the low frequency sound that elephants

499
00:25:38,200 --> 00:25:41,280
Speaker 1: can make it any time to kill their their train.

500
00:25:41,280 --> 00:25:46,600
Speaker 2: Trainer specifically calibrated to annihil it stop the.

501
00:25:46,440 --> 00:25:48,040
Speaker 1: Heart of an elephant trainer.

502
00:25:48,800 --> 00:25:52,720
Speaker 2: Yeah, it's and it so many elephant trainers the day

503
00:25:52,760 --> 00:25:55,600
Speaker 2: they retire say that, like as much as they're going

504
00:25:55,680 --> 00:25:57,679
Speaker 2: to miss the job, the big relief to them as

505
00:25:57,720 --> 00:26:01,320
Speaker 2: they are no longer vulnerable to the frequency elephant sound

506
00:26:01,359 --> 00:26:02,200
Speaker 2: that could kill them.

507
00:26:02,680 --> 00:26:05,960
Speaker 4: And you know what they gave me a watch? I

508
00:26:06,000 --> 00:26:07,680
Speaker 4: got was a watch.

509
00:26:09,200 --> 00:26:14,159
Speaker 1: Forty yearslosure.

510
00:26:14,119 --> 00:26:18,399
Speaker 3: Pop quiz hotshot. An elephant is standing on I guess

511
00:26:18,440 --> 00:26:23,159
Speaker 3: near you, and you're going to train it for a

512
00:26:22,680 --> 00:26:24,119
Speaker 3: very long time.

513
00:26:24,680 --> 00:26:28,680
Speaker 1: These are all good answers. The correct answer was actually

514
00:26:29,320 --> 00:26:33,919
Speaker 1: freedom of speech. Freedom of speeches. Oh okay, that's the

515
00:26:33,960 --> 00:26:36,040
Speaker 1: most dangerous and yet the one that we must most

516
00:26:36,080 --> 00:26:37,800
Speaker 1: violently protect.

517
00:26:38,359 --> 00:26:44,240
Speaker 4: Freedom of speech is the most dangerous thing. Sound, dangerous sound.

518
00:26:45,200 --> 00:26:48,200
Speaker 2: The most dangerous sound is a free populace speaking its mind.

519
00:26:48,720 --> 00:26:52,960
Speaker 4: H oh yeah, that's right. How loud is that? I

520
00:26:53,000 --> 00:26:55,240
Speaker 4: got a free plug in doesn't recently.

521
00:26:56,000 --> 00:27:01,119
Speaker 1: You have you you got a freedom of speech plug in? Yeah, okay,

522
00:27:01,920 --> 00:27:04,359
Speaker 1: that well that's interesting to us, but.

523
00:27:04,359 --> 00:27:07,399
Speaker 4: It'll get you a parental advisory sticker on on the

524
00:27:07,440 --> 00:27:08,160
Speaker 4: cover of your eye.

525
00:27:08,200 --> 00:27:11,520
Speaker 2: We court that sort of controversy. I think that's just

526
00:27:11,560 --> 00:27:14,320
Speaker 2: the sort of thing that get more eyes on Hollywood handbook. Plus,

527
00:27:14,320 --> 00:27:19,280
Speaker 2: if we get embroiled in some kind of uh controversy,

528
00:27:19,280 --> 00:27:21,879
Speaker 2: civil rights leads to like think pieces.

529
00:27:22,000 --> 00:27:24,760
Speaker 4: Yeah, well some of the greats you know have been

530
00:27:24,800 --> 00:27:26,680
Speaker 4: embroiled in civil rights cases.

531
00:27:27,800 --> 00:27:33,199
Speaker 3: Who designed the Yeah Ginsburg was there, but who designed

532
00:27:33,200 --> 00:27:36,040
Speaker 3: that frontal advisory logo? Like that logos kind of kick

533
00:27:36,080 --> 00:27:40,040
Speaker 3: ass because they.

534
00:27:39,320 --> 00:27:43,520
Speaker 1: Had to hire a deviant to to stop a deviant.

535
00:27:43,680 --> 00:27:44,720
Speaker 4: You know, they've had to.

536
00:27:44,720 --> 00:27:46,280
Speaker 3: Have been a meeting where they're like, well, I mean,

537
00:27:46,320 --> 00:27:48,600
Speaker 3: we don't want the logo to look like stupid though,

538
00:27:49,440 --> 00:27:51,159
Speaker 3: because really what they should have done is made the

539
00:27:51,160 --> 00:27:53,359
Speaker 3: logo really really stupid.

540
00:27:53,560 --> 00:27:54,280
Speaker 4: Okay, should be.

541
00:27:54,720 --> 00:27:56,920
Speaker 2: The logo was very appealing, that's true.

542
00:27:57,240 --> 00:28:00,639
Speaker 3: Yeah, the logo is like it has become almost like

543
00:28:01,080 --> 00:28:04,240
Speaker 3: I mean, not that it wouldn't no matter what it was,

544
00:28:04,280 --> 00:28:06,880
Speaker 3: but like let's say, for example, they use like the

545
00:28:07,520 --> 00:28:10,879
Speaker 3: lucky charms Leprechaun instead of like the rather you know,

546
00:28:11,080 --> 00:28:13,520
Speaker 3: just advisement if it was a little leprechn.

547
00:28:13,440 --> 00:28:15,960
Speaker 2: Well, just if there was any sort of like color scheme,

548
00:28:16,119 --> 00:28:19,160
Speaker 2: just like a soft pastel color scheme or something for it.

549
00:28:19,320 --> 00:28:21,199
Speaker 3: Yeah, it looks like it was like the same like

550
00:28:21,359 --> 00:28:24,000
Speaker 3: font and like kind of design as like a pharmaceutical

551
00:28:24,040 --> 00:28:25,600
Speaker 3: company logo or something like that.

552
00:28:26,200 --> 00:28:26,600
Speaker 4: Yeah.

553
00:28:26,680 --> 00:28:30,320
Speaker 2: Yeah, if it was like yellow like comic sands on

554
00:28:30,440 --> 00:28:34,360
Speaker 2: like a baby blue background, I feel like it wouldn't

555
00:28:34,400 --> 00:28:34,840
Speaker 2: have been.

556
00:28:35,040 --> 00:28:36,560
Speaker 4: Like if you put it on a T shirt, they

557
00:28:36,560 --> 00:28:38,800
Speaker 4: would sell it an old navy not hot topic.

558
00:28:39,400 --> 00:28:43,880
Speaker 3: Yes, yes, life like those life is good guys.

559
00:28:43,880 --> 00:28:45,720
Speaker 4: Those they should be the.

560
00:28:47,440 --> 00:28:49,680
Speaker 1: Do you think it's a different guy every time doing

561
00:28:49,720 --> 00:28:50,880
Speaker 1: that stuff? Every time?

562
00:28:51,080 --> 00:28:54,080
Speaker 2: There's sometimes the same guy his life is good. That's

563
00:28:54,160 --> 00:28:57,320
Speaker 2: just that's that's just one guy doing different things. It's

564
00:28:57,360 --> 00:29:00,160
Speaker 2: not like I sometimes there are no I know, the

565
00:29:00,240 --> 00:29:02,800
Speaker 2: shirts are different, but it's the same guy.

566
00:29:03,120 --> 00:29:04,840
Speaker 3: That one guy's doing all that.

567
00:29:04,920 --> 00:29:06,440
Speaker 1: Yeah he did all that stuff.

568
00:29:06,960 --> 00:29:10,000
Speaker 3: Wow, Well god damn. Sometimes there's other ones in there too.

569
00:29:10,040 --> 00:29:10,200
Speaker 2: Though.

570
00:29:10,360 --> 00:29:14,240
Speaker 3: Reminder, I'm thinking of the stick figure family are salt life?

571
00:29:14,280 --> 00:29:17,520
Speaker 4: Maybe salt life is good.

572
00:29:18,880 --> 00:29:21,080
Speaker 1: I don't have the freedom of speech codec I did

573
00:29:21,120 --> 00:29:23,000
Speaker 1: I got a freedom of speech printer driver?

574
00:29:23,880 --> 00:29:24,440
Speaker 4: Oh good.

575
00:29:26,320 --> 00:29:28,800
Speaker 1: That Yeah?

576
00:29:29,000 --> 00:29:30,920
Speaker 4: For credible documents.

577
00:29:30,760 --> 00:29:36,840
Speaker 1: Yeah, for for the like, for very sensitive documents.

578
00:29:36,920 --> 00:29:39,680
Speaker 4: What was your favorite usage of freedom of speech?

579
00:29:41,960 --> 00:29:43,840
Speaker 1: Favorite usage all time?

580
00:29:44,600 --> 00:29:47,000
Speaker 4: We could do a top five, you.

581
00:29:46,960 --> 00:29:48,280
Speaker 1: Know that would be better for me.

582
00:29:49,840 --> 00:29:53,040
Speaker 2: It's hard, Yeah, I hate to pick.

583
00:29:55,520 --> 00:29:59,920
Speaker 1: I guess one would be when Francis McDormand was giving

584
00:30:00,040 --> 00:30:06,000
Speaker 1: her Academy Award speech and said representation and then listed

585
00:30:06,360 --> 00:30:12,320
Speaker 1: the agents and managers who represented her. That was That

586
00:30:12,520 --> 00:30:13,560
Speaker 1: was a huge one for me.

587
00:30:14,200 --> 00:30:19,800
Speaker 4: Mm. That was formative because she could have said representation matters,

588
00:30:20,200 --> 00:30:23,800
Speaker 4: but instead she just named the people that her representation.

589
00:30:24,800 --> 00:30:27,720
Speaker 2: She was just talking about, yes, and it was a

590
00:30:27,920 --> 00:30:31,520
Speaker 2: It was a good reminder to not assume what the

591
00:30:31,560 --> 00:30:34,040
Speaker 2: second half of like a sentence or idea is going

592
00:30:34,120 --> 00:30:36,920
Speaker 2: to be. Yeah, And she used her freedom of speech

593
00:30:37,000 --> 00:30:38,960
Speaker 2: to kind of like ring that bell for all.

594
00:30:38,880 --> 00:30:43,480
Speaker 4: Of us, really hammer home the status quo. What about

595
00:30:43,560 --> 00:30:44,960
Speaker 4: keep christ and Christmas?

596
00:30:45,880 --> 00:30:48,600
Speaker 1: When was that? Who said that? Who was saying that?

597
00:30:48,720 --> 00:30:49,320
Speaker 1: Just everybody?

598
00:30:49,480 --> 00:30:50,320
Speaker 4: Huh?

599
00:30:51,000 --> 00:30:52,040
Speaker 1: I probably said it at the.

600
00:30:52,160 --> 00:30:56,600
Speaker 4: Point somebody was freedom took it, We took it out.

601
00:30:57,200 --> 00:30:59,360
Speaker 2: I guess when Tom Green put his bum bump on

602
00:30:59,400 --> 00:31:03,400
Speaker 2: the Sweden that for me, it was like, yeah, no,

603
00:31:03,520 --> 00:31:08,600
Speaker 2: it's the sweetish Yeah, sorry, I'm really well. They didn't

604
00:31:08,640 --> 00:31:13,000
Speaker 2: really let you see it that much, and so like no, no, no,

605
00:31:13,120 --> 00:31:15,720
Speaker 2: I mean they they pulled it right away. But but

606
00:31:15,880 --> 00:31:17,760
Speaker 2: that he got out in front of it and kind

607
00:31:17,800 --> 00:31:20,600
Speaker 2: of said that that was that was special for me.

608
00:31:21,280 --> 00:31:27,920
Speaker 4: What about like Hustler magazine, I mean revolutionary freedom of speech?

609
00:31:29,600 --> 00:31:32,480
Speaker 1: Yeah, that was some of the craziest porno I've ever seen,

610
00:31:32,840 --> 00:31:37,800
Speaker 1: So I guess, uh, yeah, that doesn't get much more

611
00:31:37,840 --> 00:31:38,760
Speaker 1: free than that speech.

612
00:31:38,880 --> 00:31:43,400
Speaker 2: Yeah, and some of the porno in that was so

613
00:31:43,800 --> 00:31:47,960
Speaker 2: crazy for me that I have to put it on

614
00:31:48,040 --> 00:31:56,600
Speaker 2: the Rushmore of speech freedom, so that I agree with

615
00:31:56,880 --> 00:31:58,280
Speaker 2: good pull Austin.

616
00:32:00,280 --> 00:32:04,200
Speaker 1: So far, are we okay? We have Tom Green putting

617
00:32:04,240 --> 00:32:08,240
Speaker 1: his bumbum on the Swedish Hustler magazine. Kevin, do you

618
00:32:08,280 --> 00:32:14,240
Speaker 1: have any like anything for it? Something it's less of.

619
00:32:14,160 --> 00:32:16,320
Speaker 5: A pop culture one and more of a personal one.

620
00:32:16,760 --> 00:32:19,200
Speaker 5: My doctor recently asked me if I heard about the

621
00:32:19,240 --> 00:32:22,600
Speaker 5: Alec Baldwin controversy, and I said yes, and he's so

622
00:32:23,480 --> 00:32:29,040
Speaker 5: he responded that is that was so bad? And so

623
00:32:29,200 --> 00:32:31,720
Speaker 5: my doctor, my doctor's like opinion on it.

624
00:32:31,800 --> 00:32:35,320
Speaker 2: I feel like, yeah, that in a medical office that

625
00:32:35,480 --> 00:32:37,960
Speaker 2: you would have a right to tell a patient who

626
00:32:38,000 --> 00:32:41,640
Speaker 2: had not yet weighed in on where they stood, just

627
00:32:41,760 --> 00:32:45,040
Speaker 2: like to label it as bad and not fear, you know,

628
00:32:45,160 --> 00:32:50,040
Speaker 2: losing your job over that. That's pretty cool. That's to me,

629
00:32:50,840 --> 00:32:52,200
Speaker 2: that's pretty fucking cool.

630
00:32:52,960 --> 00:32:54,320
Speaker 4: Bold. It was awesome.

631
00:32:54,400 --> 00:32:57,880
Speaker 3: Yeah, I mean, look, I don't think that they should

632
00:32:57,880 --> 00:32:59,080
Speaker 3: have gotten so mad at him.

633
00:32:58,920 --> 00:33:00,600
Speaker 4: For using his iPad on the airplane.

634
00:33:00,760 --> 00:33:05,920
Speaker 1: Yeah, Okay, that's not what that was about. You like, yeah,

635
00:33:06,080 --> 00:33:08,920
Speaker 1: that was about he like he shot someone with a

636
00:33:09,040 --> 00:33:11,320
Speaker 1: gun that just had nothing to do with using his

637
00:33:11,400 --> 00:33:14,040
Speaker 1: iPad on the airplane. You think that's what they were

638
00:33:14,400 --> 00:33:16,080
Speaker 1: that's what they were so mad at him for.

639
00:33:17,080 --> 00:33:19,520
Speaker 2: But I think they were at it, but that well,

640
00:33:19,560 --> 00:33:22,080
Speaker 2: this isn't really fair. They were at at that and

641
00:33:22,120 --> 00:33:24,680
Speaker 2: it was it was words with friends, so it's definitely

642
00:33:24,760 --> 00:33:25,800
Speaker 2: under freedom of speech.

643
00:33:26,560 --> 00:33:28,720
Speaker 4: And then it turned out okay, yeah.

644
00:33:28,360 --> 00:33:30,640
Speaker 2: That's what freedom of speech is, right, it's just words

645
00:33:30,640 --> 00:33:31,240
Speaker 2: with friends.

646
00:33:32,080 --> 00:33:34,880
Speaker 1: Yeah, yeah, but that was also I mean that was

647
00:33:34,920 --> 00:33:38,240
Speaker 1: like in two thousand and ten. I know.

648
00:33:39,040 --> 00:33:42,239
Speaker 2: That's why it's like, we're allowed to go back as

649
00:33:42,280 --> 00:33:43,000
Speaker 2: far as we want.

650
00:33:43,120 --> 00:33:45,160
Speaker 4: Crazy the doctor is still hung up on it.

651
00:33:45,280 --> 00:33:47,720
Speaker 1: Kevin, you think your doctor was actually talking about what

652
00:33:48,320 --> 00:33:51,640
Speaker 1: Alec Baldwood got kicked off of an American Airlines flight

653
00:33:51,760 --> 00:33:53,360
Speaker 1: for using his iPad.

654
00:33:53,600 --> 00:33:56,320
Speaker 2: I should go back to the doctor and find out. Yeah,

655
00:33:56,360 --> 00:34:00,080
Speaker 2: because that's what he wasn't that specific. I guess he

656
00:34:00,200 --> 00:34:02,680
Speaker 2: was like, did you hear about that Alec Baldwood controversy?

657
00:34:02,760 --> 00:34:04,000
Speaker 1: That was so bad?

658
00:34:04,320 --> 00:34:06,000
Speaker 4: It's pretty tough stuff, you have to admit.

659
00:34:08,320 --> 00:34:10,319
Speaker 5: This week on the pro Version, the boys work on

660
00:34:10,480 --> 00:34:12,799
Speaker 5: page three for the script bar Bra.

661
00:34:12,840 --> 00:34:15,600
Speaker 1: Bush and then Kevin go ahead.

662
00:34:15,960 --> 00:34:20,279
Speaker 5: Mike says, what the fuck is this? Greg says your

663
00:34:20,400 --> 00:34:22,719
Speaker 5: pay okay for me?

664
00:34:23,560 --> 00:34:26,319
Speaker 1: I love that we're letting everybody know. It's a little ledgy.

665
00:34:26,440 --> 00:34:29,160
Speaker 2: We can first, Yeah, I don't need all the other

666
00:34:29,280 --> 00:34:30,080
Speaker 2: noise around it.

667
00:34:30,160 --> 00:34:36,080
Speaker 1: Why doesn't Mike just go fuck we can? Well? I

668
00:34:36,200 --> 00:34:40,480
Speaker 1: like that. I think we can pluck it like plus

669
00:34:40,520 --> 00:34:44,520
Speaker 1: just that a little bit. What if it's just like Mike,

670
00:34:45,800 --> 00:34:47,080
Speaker 1: fuck a suck.

671
00:34:48,280 --> 00:34:50,880
Speaker 5: Check out the pro version The Flagrant Ones, Carl calls

672
00:34:50,920 --> 00:34:54,160
Speaker 5: his cousin and the video for today's episode with Seawan

673
00:34:54,239 --> 00:34:57,160
Speaker 5: and Austen of Parque Courts at patreon dot com.

674
00:34:57,160 --> 00:34:58,320
Speaker 1: Slash the flavorant Ones.

675
00:35:04,200 --> 00:35:06,759
Speaker 5: Well, I have four more clips. Maybe we can watch

676
00:35:06,800 --> 00:35:09,440
Speaker 5: one more. Okay, we're gonna do one more clip. Kevin,

677
00:35:09,520 --> 00:35:11,839
Speaker 5: please pick up like a really good one this time.

678
00:35:11,960 --> 00:35:15,200
Speaker 5: That time, Honestly, there were way too many characters. Austin

679
00:35:15,239 --> 00:35:17,680
Speaker 5: got like really overwhelmed.

680
00:35:18,239 --> 00:35:21,839
Speaker 2: Okay, I feel like that wasn't entirely my fault, because

681
00:35:21,840 --> 00:35:25,560
Speaker 2: you're asking me to like to make voices for people

682
00:35:25,600 --> 00:35:27,280
Speaker 2: that weren't moving their mouth or Austin.

683
00:35:27,320 --> 00:35:32,320
Speaker 1: We're blaming Kevin right now. So yeah, we're arguing. Okay,

684
00:35:32,800 --> 00:35:36,520
Speaker 1: and it is an ensemble cast obviously, but like maybe

685
00:35:36,640 --> 00:35:39,560
Speaker 1: we can bring him into this a little more gently.

686
00:35:39,680 --> 00:35:41,759
Speaker 5: So for this next one, would you like when that's

687
00:35:41,760 --> 00:35:45,760
Speaker 5: a little more fully and less dialogue or a lot.

688
00:35:45,600 --> 00:35:49,839
Speaker 1: Of one that's like hard fully would be great? Okay, great?

689
00:35:49,920 --> 00:35:53,680
Speaker 1: Could maybe has space for has capacity to be very

690
00:35:53,719 --> 00:35:54,680
Speaker 1: fully intensive.

691
00:35:55,080 --> 00:35:55,279
Speaker 4: Great.

692
00:35:55,280 --> 00:35:57,719
Speaker 3: I guess I should be like the thing, Maybe I

693
00:35:57,760 --> 00:35:59,280
Speaker 3: should crinkle some paper.

694
00:36:00,320 --> 00:36:02,839
Speaker 1: Okay, Well, let's see what the clip is first, and

695
00:36:02,880 --> 00:36:05,759
Speaker 1: like see if there's opportunity to like crinkle paper in there. Yeah,

696
00:36:05,760 --> 00:36:07,000
Speaker 1: if that even makes any.

697
00:36:07,320 --> 00:36:09,359
Speaker 3: You'd be I mean, you get to see how good

698
00:36:09,400 --> 00:36:11,399
Speaker 3: I can make this paper really sing.

699
00:36:12,200 --> 00:36:16,640
Speaker 5: Okay, here's the clip. It's the very beginning of the movie.

700
00:36:19,840 --> 00:36:22,000
Speaker 1: Hmm, would this have made a good first clip.

701
00:36:23,600 --> 00:36:24,560
Speaker 4: The beginning of the movie.

702
00:36:24,719 --> 00:36:29,960
Speaker 1: Okay, we are we're gonna want music that's much more

703
00:36:29,960 --> 00:36:32,720
Speaker 1: intense in this. We are gonna need the car sounds

704
00:36:32,760 --> 00:36:35,680
Speaker 1: the car driving up. We're gonna need this the vocals

705
00:36:35,680 --> 00:36:39,160
Speaker 1: of the guy driving the car. The car can sound

706
00:36:39,200 --> 00:36:39,720
Speaker 1: like paper.

707
00:36:40,719 --> 00:36:44,200
Speaker 2: The guy driving should be talking a lot about how

708
00:36:44,200 --> 00:36:46,200
Speaker 2: fast he's going and looking out of my.

709
00:36:46,200 --> 00:36:50,440
Speaker 1: Way and stuff, maybe what he's late for. So let's

710
00:36:50,680 --> 00:36:52,840
Speaker 1: just let's just get this. I love this. This is

711
00:36:52,920 --> 00:36:58,080
Speaker 1: Josh Hartnett driving up to school. We need car sound,

712
00:36:58,200 --> 00:37:04,600
Speaker 1: folly fires engine, like the whole deal. Use your mouth

713
00:37:04,680 --> 00:37:06,560
Speaker 1: or I guess like the paper. If you're that good

714
00:37:06,600 --> 00:37:07,800
Speaker 1: with the paper, that maybe.

715
00:37:10,320 --> 00:37:16,160
Speaker 4: I'm gonna do. Okay, I'll do some music. Sean, you

716
00:37:16,200 --> 00:37:18,520
Speaker 4: can do the paper, and then maybe we can have

717
00:37:18,600 --> 00:37:20,239
Speaker 4: like a little dialogue.

718
00:37:19,760 --> 00:37:23,560
Speaker 2: Between we do we should want to use the voice

719
00:37:23,560 --> 00:37:25,240
Speaker 2: of the car, and want to use the voice.

720
00:37:25,120 --> 00:37:26,560
Speaker 1: One of you has to be the car.

721
00:37:26,640 --> 00:37:32,400
Speaker 2: So let's decide who's who I'll go you go first.

722
00:37:33,800 --> 00:37:36,680
Speaker 2: That's not that's not what we're deciding who goes first

723
00:37:36,680 --> 00:37:41,440
Speaker 2: and who goes second. We're deciding who who is playing character.

724
00:37:42,360 --> 00:37:44,279
Speaker 3: Well, I'll be that. I can be the voice of

725
00:37:44,320 --> 00:37:44,720
Speaker 3: the car.

726
00:37:44,960 --> 00:37:46,359
Speaker 1: That was my instinct as well.

727
00:37:46,880 --> 00:37:49,080
Speaker 3: But I want is there are there any other people

728
00:37:49,160 --> 00:37:50,720
Speaker 3: of human people?

729
00:37:51,600 --> 00:37:54,000
Speaker 1: We will do a girl's only. We'll do a girl's

730
00:37:54,000 --> 00:37:57,520
Speaker 1: only track after this for like them watching him drive up,

731
00:37:58,440 --> 00:38:00,440
Speaker 1: but like for right now there that should be a

732
00:38:00,440 --> 00:38:03,040
Speaker 1: pretty great car. And then there's a car.

733
00:38:04,120 --> 00:38:11,040
Speaker 3: All right, so I'll be the hoop and duping car.

734
00:38:13,440 --> 00:38:16,160
Speaker 1: Okay, all right, okay, just the car. I think just

735
00:38:16,239 --> 00:38:20,200
Speaker 1: the car is fine. Just being the car, just honestly

736
00:38:20,280 --> 00:38:22,959
Speaker 1: for me, just being the car would be great. Yeah.

737
00:38:22,960 --> 00:38:25,160
Speaker 2: I'm happy you said that before we started, because I

738
00:38:25,160 --> 00:38:27,400
Speaker 2: didn't want to just to run at it. Let's have

739
00:38:27,480 --> 00:38:29,359
Speaker 2: you just be the car and then yeah, and then

740
00:38:29,360 --> 00:38:33,080
Speaker 2: if we have we get one maybe where you're yeah yeah,

741
00:38:33,200 --> 00:38:34,560
Speaker 2: maybe time.

742
00:38:35,000 --> 00:38:37,160
Speaker 3: And you don't need any drums or anything, just to

743
00:38:37,239 --> 00:38:39,120
Speaker 3: the car. Yeah, I got you get it.

744
00:38:39,200 --> 00:38:42,160
Speaker 1: Do you have drums? He was just playing like a

745
00:38:42,160 --> 00:38:44,799
Speaker 1: little drum track. Okay, you know what I have right

746
00:38:44,840 --> 00:38:45,239
Speaker 1: next to me.

747
00:38:45,280 --> 00:38:51,000
Speaker 4: I think that would be really good.

748
00:38:48,239 --> 00:38:55,759
Speaker 1: Oh yeah, yeah, yes, that'd be great. That that's that's

749
00:38:55,800 --> 00:38:57,640
Speaker 1: the instrument for a really fast car.

750
00:38:58,560 --> 00:38:59,359
Speaker 4: Yeah, that's very good.

751
00:39:00,760 --> 00:39:01,120
Speaker 1: All right?

752
00:39:02,000 --> 00:39:04,120
Speaker 5: And three two.

753
00:39:09,200 --> 00:39:14,200
Speaker 1: Cars would be coughing a lot. Sorry, you're right, let's

754
00:39:14,200 --> 00:39:14,719
Speaker 1: get it again.

755
00:39:14,840 --> 00:39:18,160
Speaker 2: Car talking so much the car.

756
00:39:18,920 --> 00:39:21,440
Speaker 1: This is the time, and even the driver is probably

757
00:39:21,520 --> 00:39:23,120
Speaker 1: gonna be about.

758
00:39:23,640 --> 00:39:25,960
Speaker 3: So I can be making the car sounds and the

759
00:39:26,200 --> 00:39:26,960
Speaker 3: driver sounds right.

760
00:39:27,200 --> 00:39:29,440
Speaker 1: I may be wrong. I think the car is talking

761
00:39:29,480 --> 00:39:31,719
Speaker 1: to the drive. You're right, Yeah, you're right, you're right

762
00:39:31,760 --> 00:39:33,320
Speaker 1: here Austin is the driver.

763
00:39:34,719 --> 00:39:37,359
Speaker 3: I get it, absolutely all right.

764
00:39:37,440 --> 00:39:40,600
Speaker 5: This is take two and three two.

765
00:39:42,480 --> 00:39:43,279
Speaker 3: I don't have to take that.

766
00:39:43,400 --> 00:39:44,480
Speaker 4: I'm just much wronger.

767
00:39:45,920 --> 00:39:50,719
Speaker 1: Hey, your heads bleeding first aid there start.

768
00:39:51,080 --> 00:39:57,360
Speaker 4: Again, Hooper taking turns. I'm outing stop playing with this.

769
00:39:58,120 --> 00:40:01,960
Speaker 4: Fo ahead you I heard him? Slow ahead, slow ahead,

770
00:40:02,040 --> 00:40:04,959
Speaker 4: I can go slow ahead. Come on, come on, show

771
00:40:05,080 --> 00:40:13,640
Speaker 4: somebody this ship. Okay and cut Okay, that was pretty good.

772
00:40:14,960 --> 00:40:16,359
Speaker 1: We're definitely good.

773
00:40:16,480 --> 00:40:21,320
Speaker 2: Yeah, that's whether it's good.

774
00:40:21,800 --> 00:40:24,640
Speaker 1: It sounded like you were maybe like both being the car.

775
00:40:26,200 --> 00:40:27,879
Speaker 1: And this is why I did want to figure out,

776
00:40:27,920 --> 00:40:29,560
Speaker 1: Like what I was confused by is like one of

777
00:40:29,600 --> 00:40:32,120
Speaker 1: you saying something and the other saying you heard.

778
00:40:31,960 --> 00:40:39,839
Speaker 2: Him yeah, Because so I don't know who you was,

779
00:40:41,640 --> 00:40:43,279
Speaker 2: and I guess I was coming to it with my

780
00:40:43,360 --> 00:40:44,279
Speaker 2: own baggage.

781
00:40:44,640 --> 00:40:46,759
Speaker 3: Sometimes you just have to, like I don't know. I

782
00:40:46,800 --> 00:40:50,320
Speaker 3: guess if you really want to do it this right now, Hayes,

783
00:40:50,360 --> 00:40:53,560
Speaker 3: we could kind of like break down like the background

784
00:40:53,560 --> 00:40:55,279
Speaker 3: of like the characters and how they got to where

785
00:40:55,320 --> 00:40:55,759
Speaker 3: they're at.

786
00:40:56,200 --> 00:40:59,080
Speaker 1: To me, i'd love to hear. Actually, yes, I'd love

787
00:40:59,120 --> 00:41:01,719
Speaker 1: to do that. I love you what you were thinking. Yeah,

788
00:41:01,760 --> 00:41:02,319
Speaker 1: I mean that car.

789
00:41:02,400 --> 00:41:04,279
Speaker 3: I mean the car is clearly running on a full

790
00:41:04,280 --> 00:41:06,040
Speaker 3: tank of gas right now. I mean it's just like

791
00:41:06,200 --> 00:41:08,960
Speaker 3: I'm sort of thinking of it as like it's not

792
00:41:09,040 --> 00:41:12,920
Speaker 3: such like so important to get into like yeah, who exactly,

793
00:41:12,960 --> 00:41:16,040
Speaker 3: like who are we talking about? Like you like you

794
00:41:16,160 --> 00:41:18,920
Speaker 3: heard him. It's like, I don't know, there's something almost

795
00:41:19,000 --> 00:41:21,880
Speaker 3: like yeah you ever just say it kind of that

796
00:41:21,960 --> 00:41:23,960
Speaker 3: kind of ship to your car when you're driving around.

797
00:41:24,080 --> 00:41:27,800
Speaker 1: Yeah, well I noticed they were talking about Hooper a lot. Yeah,

798
00:41:27,920 --> 00:41:28,920
Speaker 1: that was something that.

799
00:41:28,960 --> 00:41:31,279
Speaker 3: Also that's what they call Oh no, I thought that

800
00:41:31,360 --> 00:41:32,720
Speaker 3: was the name of the school.

801
00:41:34,080 --> 00:41:39,200
Speaker 1: The school is not called Hooper. I don't think or

802
00:41:39,280 --> 00:41:41,040
Speaker 1: is that oh wait, that they did show I mean

803
00:41:41,080 --> 00:41:44,480
Speaker 1: we we we're locked in. We're locked at yes, and

804
00:41:44,520 --> 00:41:46,759
Speaker 1: we're locked into the visuals that. Yeah, Kevin, go back

805
00:41:46,760 --> 00:41:48,360
Speaker 1: a little bit, because they do show the name of

806
00:41:48,360 --> 00:41:50,160
Speaker 1: the school. And I think it's gonna bump on people

807
00:41:50,160 --> 00:41:56,800
Speaker 1: if if people are calling Theolringtons are calling the school

808
00:41:56,920 --> 00:42:01,520
Speaker 1: Hooper when we just saw I would be okay with

809
00:42:01,680 --> 00:42:03,040
Speaker 1: a three.

810
00:42:02,920 --> 00:42:06,400
Speaker 2: Or four minute dialogue scene where the kids established that

811
00:42:06,440 --> 00:42:08,640
Speaker 2: they all have a nickname for their own high school,

812
00:42:08,680 --> 00:42:09,360
Speaker 2: which is Hooper.

813
00:42:09,640 --> 00:42:10,000
Speaker 4: Hooper.

814
00:42:10,080 --> 00:42:13,560
Speaker 2: Yeah, that maybe, and maybe that could be the classroom

815
00:42:13,560 --> 00:42:16,000
Speaker 2: scene where I still feel like we didn't really need

816
00:42:16,080 --> 00:42:20,239
Speaker 2: the dialogue that they could be talking about how like,

817
00:42:20,360 --> 00:42:22,120
Speaker 2: isn't it you know what where did why did we

818
00:42:22,160 --> 00:42:25,040
Speaker 2: all start calling the school Hooper? And then like, you know,

819
00:42:25,040 --> 00:42:29,399
Speaker 2: there's some backstory that that, but even that that would

820
00:42:29,440 --> 00:42:31,280
Speaker 2: come after this, So I think.

821
00:42:31,160 --> 00:42:34,600
Speaker 1: Still in this and I don't think really works. The

822
00:42:34,640 --> 00:42:36,680
Speaker 1: way it was being used, it didn't sound like they

823
00:42:36,680 --> 00:42:37,680
Speaker 1: were talking.

824
00:42:38,160 --> 00:42:40,799
Speaker 2: To the school school, No, it sounded like they were

825
00:42:40,800 --> 00:42:43,319
Speaker 2: talking about a guy or yeah.

826
00:42:43,360 --> 00:42:46,120
Speaker 3: School, me is so clear the school is like so

827
00:42:46,239 --> 00:42:48,640
Speaker 3: clearly eating these people right now.

828
00:42:50,040 --> 00:42:52,800
Speaker 1: Yeah, the school is well, the school is an alien

829
00:42:52,840 --> 00:42:55,920
Speaker 1: as well, and so like that. But that's for the end.

830
00:42:56,280 --> 00:42:59,480
Speaker 1: That's when you realize that the school is like eating everyone, the.

831
00:42:59,480 --> 00:43:02,800
Speaker 3: Whole school the hornet's nest, does it become a relevant

832
00:43:02,840 --> 00:43:05,680
Speaker 3: that is the hornet thing kind of like symbolism.

833
00:43:06,640 --> 00:43:10,320
Speaker 1: I don't think so. I mean, I guess we want

834
00:43:10,600 --> 00:43:11,880
Speaker 1: we can do that too, Like.

835
00:43:12,000 --> 00:43:14,360
Speaker 2: We can do we can lay that in later we

836
00:43:14,440 --> 00:43:15,759
Speaker 2: have a bunch of ship to fill in.

837
00:43:15,840 --> 00:43:20,200
Speaker 1: We've got nothing right now or net orn or net

838
00:43:21,040 --> 00:43:23,440
Speaker 1: you want to break it up? Do the other guys

839
00:43:23,520 --> 00:43:26,880
Speaker 1: in the band do you think like they like, do

840
00:43:26,960 --> 00:43:28,280
Speaker 1: we swap out?

841
00:43:29,040 --> 00:43:32,560
Speaker 2: Would they be more helpful on any side of it,

842
00:43:32,680 --> 00:43:36,200
Speaker 2: like either doing some of the music or fully that

843
00:43:36,239 --> 00:43:40,720
Speaker 2: matches up, or doing dialogue where they're not saying hooper

844
00:43:40,760 --> 00:43:42,480
Speaker 2: as much as you guys seem to want to.

845
00:43:42,400 --> 00:43:47,520
Speaker 4: Do but answer pretty into hooper.

846
00:43:48,520 --> 00:43:50,520
Speaker 1: They're also going to be doing that. They're going to

847
00:43:50,600 --> 00:43:51,360
Speaker 1: be locked on that.

848
00:43:52,200 --> 00:43:55,640
Speaker 4: Wow. Should we just try to get I mean I

849
00:43:55,640 --> 00:43:56,120
Speaker 4: feel like.

850
00:43:56,400 --> 00:43:59,719
Speaker 2: Yeah, well, first, like this was such a lucky like

851
00:44:00,080 --> 00:44:01,680
Speaker 2: we had secured the rights of this on the same

852
00:44:01,760 --> 00:44:04,200
Speaker 2: day that we had this like pretty cool band on

853
00:44:05,480 --> 00:44:08,719
Speaker 2: that the stars had aligned and fighting that we're set

854
00:44:08,920 --> 00:44:11,000
Speaker 2: so far back from where we started.

855
00:44:11,000 --> 00:44:13,120
Speaker 1: We're like, I don't think I even know if I

856
00:44:13,160 --> 00:44:14,640
Speaker 1: want to do this anymore.

857
00:44:15,520 --> 00:44:17,759
Speaker 3: Yeah, well, I have to say, I mean it's a

858
00:44:17,800 --> 00:44:19,320
Speaker 3: little unfair. I mean, that's a lot of pressure to

859
00:44:19,320 --> 00:44:21,239
Speaker 3: put on because you know, it's like you invited us

860
00:44:21,280 --> 00:44:23,160
Speaker 3: over and we're happy.

861
00:44:22,880 --> 00:44:25,680
Speaker 4: To come over. We love hangout, but like.

862
00:44:25,640 --> 00:44:26,800
Speaker 3: We didn't know that nice.

863
00:44:26,880 --> 00:44:29,720
Speaker 1: We love you, yeah, but like I don't.

864
00:44:29,520 --> 00:44:32,160
Speaker 4: Want you to think I love you. How are we

865
00:44:32,239 --> 00:44:34,640
Speaker 4: to know that we were gonna.

866
00:44:34,800 --> 00:44:38,080
Speaker 1: Let's talk about let's do the car. We're not going.

867
00:44:38,800 --> 00:44:41,600
Speaker 2: Yeah, you don't have to do upright, citizens brigade, you

868
00:44:41,680 --> 00:44:47,360
Speaker 2: know what I mean? Just maybe the car is the car.

869
00:44:47,719 --> 00:44:52,400
Speaker 2: Let's give you a little guidance. Maybe the car is

870
00:44:52,480 --> 00:44:58,640
Speaker 2: like a a polite British computer who's saying, like, you know.

871
00:45:00,600 --> 00:45:02,320
Speaker 4: I've got it, Ken, got it? I forget I know

872
00:45:02,360 --> 00:45:03,000
Speaker 4: who's got it.

873
00:45:03,480 --> 00:45:06,319
Speaker 1: Yes, he's got it. Let's go Kevin, Kevin, Kevin, He's

874
00:45:06,320 --> 00:45:07,640
Speaker 1: got three two.

875
00:45:08,040 --> 00:45:11,640
Speaker 4: And if I could get back in my human body,

876
00:45:11,680 --> 00:45:13,360
Speaker 4: I'd give yourself a stinking right now. I tell you

877
00:45:13,480 --> 00:45:15,480
Speaker 4: what unbelievable.

878
00:45:15,719 --> 00:45:17,480
Speaker 3: I used to be your real life human father, and

879
00:45:17,480 --> 00:45:20,479
Speaker 3: now I'm just stuck it in your car? Up God,

880
00:45:20,719 --> 00:45:21,120
Speaker 3: got it?

881
00:45:23,400 --> 00:45:27,520
Speaker 4: Oh yeah, we're gonna need a bigger boat. Don't just

882
00:45:27,680 --> 00:45:30,840
Speaker 4: be blowing around with my trunk. Put that back just

883
00:45:30,880 --> 00:45:34,440
Speaker 4: because I'm your dad in down a car now, don't

884
00:45:34,480 --> 00:45:37,920
Speaker 4: walk away from me, man, my hair feels weird, all

885
00:45:38,000 --> 00:45:39,160
Speaker 4: tasted to my head.

886
00:45:39,840 --> 00:45:43,960
Speaker 1: Okay, that's okay, okay, cut. So much of that was

887
00:45:43,960 --> 00:45:46,000
Speaker 1: really working. I really got.

888
00:45:45,960 --> 00:45:52,440
Speaker 2: Sean buddy, hello when wait? When did the car show

889
00:45:52,600 --> 00:45:56,399
Speaker 2: up and Sean left? That was incredible, the story that you.

890
00:45:56,640 --> 00:45:59,400
Speaker 3: Think it was like, it took me a minute, but

891
00:45:59,480 --> 00:46:01,480
Speaker 3: I get now. I think it just took me a

892
00:46:01,520 --> 00:46:03,799
Speaker 3: little while to feel like I could really stretch out

893
00:46:03,800 --> 00:46:05,319
Speaker 3: in the space. But I feel welcome now.

894
00:46:05,680 --> 00:46:09,480
Speaker 2: So funny because I had said polite British, that car

895
00:46:09,600 --> 00:46:12,440
Speaker 2: was not polite, was not British, and yet he found

896
00:46:12,440 --> 00:46:14,239
Speaker 2: the note behind the note.

897
00:46:14,440 --> 00:46:18,320
Speaker 1: Which was it should be the kid's dad. Who's his

898
00:46:18,680 --> 00:46:21,279
Speaker 1: dad now a car and he's kind of stern and

899
00:46:21,320 --> 00:46:24,920
Speaker 1: he wants to give his son a spanking.

900
00:46:25,719 --> 00:46:30,319
Speaker 3: Yeah right, and then his son grabbed something out of his.

901
00:46:30,320 --> 00:46:33,280
Speaker 2: Ass, and right now I know so much about both

902
00:46:33,360 --> 00:46:37,440
Speaker 2: of them, yeah right, like knowing, Okay, your dad was

903
00:46:37,480 --> 00:46:40,120
Speaker 2: turned into a car traumatic, he wants to give you

904
00:46:40,280 --> 00:46:44,200
Speaker 2: a spanking. History of abuse, and so that's going to

905
00:46:44,360 --> 00:46:48,080
Speaker 2: justify some of the behavior we see for Josh moving forward,

906
00:46:48,080 --> 00:46:51,040
Speaker 2: which is he's a really bright kid, but he's going

907
00:46:51,080 --> 00:46:52,160
Speaker 2: down a dark path.

908
00:46:53,200 --> 00:46:57,920
Speaker 1: Also, I mean like stressful for the car that his

909
00:46:58,200 --> 00:47:01,839
Speaker 1: son keeps now multiple scenes keeps referring to it as

910
00:47:01,880 --> 00:47:06,759
Speaker 1: a boat. That there's like this disconnect of like he

911
00:47:06,800 --> 00:47:09,359
Speaker 1: doesn't even seem to know what a car is.

912
00:47:09,520 --> 00:47:12,400
Speaker 2: That would be really discouraging. If you were a car

913
00:47:12,440 --> 00:47:16,799
Speaker 2: and your son was calling you a boat, It's like

914
00:47:16,920 --> 00:47:18,920
Speaker 2: where do you even start.

915
00:47:19,800 --> 00:47:22,239
Speaker 4: Yeah, well, you know, I'm not convinced he's calling the

916
00:47:22,320 --> 00:47:25,000
Speaker 4: car a boat. It feels more of like a metaphor.

917
00:47:25,280 --> 00:47:25,480
Speaker 4: You know.

918
00:47:25,800 --> 00:47:28,320
Speaker 2: Well, let's talk about what you are doing then, because

919
00:47:28,360 --> 00:47:30,879
Speaker 2: we have addressed some of Sean's stuff and I think

920
00:47:31,520 --> 00:47:36,960
Speaker 2: in fairness, so I'm also not convinced he's calling the

921
00:47:37,000 --> 00:47:40,520
Speaker 2: car a boat. I'm not convinced that what you're saying

922
00:47:40,640 --> 00:47:43,479
Speaker 2: has anything to do with what we're watching at all.

923
00:47:44,680 --> 00:47:48,280
Speaker 1: The only thing that was working, honestly, your your sweet

924
00:47:48,280 --> 00:47:50,400
Speaker 1: spot is the Girl's Only track, and that's what we

925
00:47:50,440 --> 00:47:55,440
Speaker 1: figured out. The stuff about lunch transport out me.

926
00:47:56,920 --> 00:47:57,399
Speaker 4: Really good.

927
00:47:57,840 --> 00:48:02,759
Speaker 1: Yes, on the Girl's Only Track, I feel like we

928
00:48:02,840 --> 00:48:03,239
Speaker 1: found it.

929
00:48:03,640 --> 00:48:06,520
Speaker 2: But to know that this early is like, that's gonna

930
00:48:06,520 --> 00:48:07,800
Speaker 2: save us so much time.

931
00:48:09,040 --> 00:48:12,240
Speaker 4: Yeah, well, I'm just glad to know I have a place.

932
00:48:13,360 --> 00:48:16,000
Speaker 3: There's a lot of really interesting like sort of like

933
00:48:16,320 --> 00:48:19,680
Speaker 3: opportunities I go puns that you can imagine going. Like

934
00:48:19,800 --> 00:48:23,120
Speaker 3: Josh Hartner could say something like give me.

935
00:48:23,040 --> 00:48:25,680
Speaker 4: A break, dad, or whatever. You break a car, but.

936
00:48:25,760 --> 00:48:28,200
Speaker 2: Dad, and break the car.

937
00:48:28,360 --> 00:48:30,600
Speaker 4: Yeah, give me a break and then.

938
00:48:30,560 --> 00:48:35,440
Speaker 1: Whatever you say, the old airbag, whatever you say, you puts.

939
00:48:36,800 --> 00:48:41,640
Speaker 3: Yeah, shut up, I'm gonna put like, you know, regular

940
00:48:41,760 --> 00:48:42,879
Speaker 3: gasoline in your tank.

941
00:48:43,600 --> 00:48:47,359
Speaker 1: Right, okay, and that's that or I guess he they

942
00:48:47,440 --> 00:48:48,600
Speaker 1: kind of sound alike, but.

943
00:48:48,520 --> 00:48:51,080
Speaker 2: He's okay, So yeah, Josh Harten, it's now sounding like

944
00:48:51,160 --> 00:48:53,040
Speaker 2: that makes it. He says, give me a break Dad. Yeah,

945
00:48:53,080 --> 00:48:55,360
Speaker 2: well yeah, it's like genetic that voice.

946
00:48:56,040 --> 00:48:59,000
Speaker 3: I know I've given you a hard time, kid, but

947
00:48:59,040 --> 00:49:01,200
Speaker 3: I've been burning ribbon for a lot longer than you.

948
00:49:01,800 --> 00:49:03,640
Speaker 4: Mm hmm. You're going to be a car like me

949
00:49:03,760 --> 00:49:04,359
Speaker 4: something too.

950
00:49:04,800 --> 00:49:06,560
Speaker 1: Oh so he is going to be a car as well.

951
00:49:06,560 --> 00:49:08,960
Speaker 2: It will be held become a car. That's like it's

952
00:49:09,000 --> 00:49:11,160
Speaker 2: like teen wolf. It's like a family curse that at

953
00:49:11,160 --> 00:49:12,799
Speaker 2: a certain age you turn into a car.

954
00:49:13,239 --> 00:49:18,600
Speaker 3: Yeah, probably like yeah, around fifty fifty, I think it

955
00:49:18,680 --> 00:49:21,560
Speaker 3: feels a right fifty you're going to be a car

956
00:49:21,680 --> 00:49:22,359
Speaker 3: that feels right.

957
00:49:22,960 --> 00:49:25,480
Speaker 1: So you guys are going to Marty Gras, is that

958
00:49:25,640 --> 00:49:29,000
Speaker 1: what's up? What's that? What are we sipping on?

959
00:49:29,600 --> 00:49:29,759
Speaker 4: Oh?

960
00:49:29,800 --> 00:49:33,839
Speaker 3: This is just water here too big? Well, I think

961
00:49:33,840 --> 00:49:36,120
Speaker 3: it's the angle. It's a lot of.

962
00:49:37,000 --> 00:49:38,239
Speaker 1: It's not the angle, dude.

963
00:49:38,320 --> 00:49:42,480
Speaker 2: That's usually numbers on the side indicating it's just exact

964
00:49:42,560 --> 00:49:44,400
Speaker 2: angle the number.

965
00:49:45,239 --> 00:49:46,520
Speaker 4: I put those numbers on there.

966
00:49:46,520 --> 00:49:49,959
Speaker 2: They're different, different, something else you but fake duverage from

967
00:49:50,080 --> 00:49:53,440
Speaker 2: something else on there a small water container to make

968
00:49:53,480 --> 00:49:54,400
Speaker 2: it seem big.

969
00:49:55,239 --> 00:49:58,359
Speaker 3: Yeah, actually I did, And I'll tell you why can

970
00:49:58,400 --> 00:49:58,719
Speaker 3: I guess?

971
00:49:59,680 --> 00:50:01,719
Speaker 4: Yeah? Actually, this is.

972
00:50:01,719 --> 00:50:04,000
Speaker 3: The honest to god. Just reminded me of a crazy

973
00:50:04,040 --> 00:50:07,319
Speaker 3: idea I had last night for every reality like a

974
00:50:07,360 --> 00:50:13,720
Speaker 3: reality show kind of thing called leisure leisure demand now dog,

975
00:50:13,880 --> 00:50:20,359
Speaker 3: maybe it's what it's called house full of magicians who

976
00:50:20,440 --> 00:50:23,759
Speaker 3: are competing to be, I guess, the best magician. But

977
00:50:23,800 --> 00:50:25,480
Speaker 3: they're the whole thing is they're kind of like working

978
00:50:25,520 --> 00:50:27,439
Speaker 3: with each other with magic tricks the whole time.

979
00:50:29,560 --> 00:50:39,160
Speaker 4: They're always called man now yeah. Yeah, like these magicians,

980
00:50:39,160 --> 00:50:40,600
Speaker 4: it's like a lot. You know, you get like a

981
00:50:40,680 --> 00:50:41,320
Speaker 4: Chris Angel

982
00:50:41,360 --> 00:50:45,360
Speaker 3: Type, you have like a uh like a like a

983
00:50:45,840 --> 00:50:48,719
Speaker 3: David Blaine type, you know, like yeah,