WEBVTT - Ep. 247: Sterlin Harjo - Seminole Filmmaker

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<v Speaker 1>I didn't know we were sneaking. I just thought we're hanging,

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<v Speaker 1>and so we would go over there and we would hunt.

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<v Speaker 1>I didn't know right at first, but at some point

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<v Speaker 1>I realized it wasn't our land. Whose land is he

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<v Speaker 1>my dad? Like some Texas ranchers, but they're never here early.

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<v Speaker 1>We're gonna hunt it, you know. So we would go

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<v Speaker 1>over there and we'd hunt it.

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<v Speaker 2>On this episode, we're traveling to the big city of Tulsa, Oklahoma,

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<v Speaker 2>to meet its most famous filmmaker, a member of the

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<v Speaker 2>Muskogee Creek and Seminole Nation, Sterling Harjoe. He's forty four

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<v Speaker 2>years old, a lifelong resident of Oklahoma, and has risen

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<v Speaker 2>to the top tier of his craft, taking an unconventional path.

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<v Speaker 2>After taking a big swing at the Hollywood filmmaking scene,

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<v Speaker 2>he ditched it and went home to Oklahoma to make

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<v Speaker 2>honest movies about his people, and it ended up being

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<v Speaker 2>the best thing he could have ever done. His work

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<v Speaker 2>has recently risen to national prominence, receiving multiple awards, even

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<v Speaker 2>nominated for an Emmy, and it seems there's only more

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<v Speaker 2>to come. I'd say he's a unique guest for Bear

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<v Speaker 2>Grease and say you might, how does this fancy filmmaker

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<v Speaker 2>have anything to do with gritty, rural Americano livin. Well,

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<v Speaker 2>you're about to find out. Sterling and his people fit

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<v Speaker 2>right in here. And this story is replete with deer hunting,

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<v Speaker 2>beauty salons, taekwondo, trespassing, leasing from rich dudes, and Sterling's

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<v Speaker 2>very serious problem with owls and cracking into the film industry.

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<v Speaker 2>I really doubt that you're gonna want to miss this one.

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<v Speaker 2>And hey, deer season's coming up, and if you're looking

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<v Speaker 2>for the best all around deer call, check out the

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<v Speaker 2>Acorn Pro that's spelled a ker n spelled the right way.

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<v Speaker 2>Acorn Pro from Phelps. It's the industry's only inhale, exhale,

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<v Speaker 2>grunt and bleak call. Me and Jason Phelps and the

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<v Speaker 2>team work together built this call. It's my favorite call

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<v Speaker 2>and it's just in time for hunting season on the

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<v Speaker 2>Phelps website.

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<v Speaker 1>I didn't know making films would be possible. I didn't

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<v Speaker 1>know it was a job, but I was always interested

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<v Speaker 1>in I remember when Michael Jackson's Thriller came out of

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<v Speaker 1>the making of Thriller, I was fascinated. I was just like,

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<v Speaker 1>what like there's makeup artists that turned them into a

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<v Speaker 1>werewolf and all of that. You know, I was really

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<v Speaker 1>fascinated with behind the scenes, but I never thought I

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<v Speaker 1>could do it. It was like, I'm from Oklahoma. I'm

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<v Speaker 1>an Indian from Oklahoma. You know how am I going

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<v Speaker 1>to make movies like you gotta be? You gotta be

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<v Speaker 1>in Hollywood or something.

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<v Speaker 2>My name is Clay Nukem and this is the Bear

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<v Speaker 2>Grease Podcast, where we'll explore things forgotten but relevant, search

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<v Speaker 2>for insight and unlikely places, and where we'll tell the

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<v Speaker 2>story of Americans who lived their lives close to the

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<v Speaker 2>land by FHF gear, American Maid, purpose built hunting and

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<v Speaker 2>fishing gear that's designed to be as rugged as the

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<v Speaker 2>places we explore. I've found myself on the fourth floor

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<v Speaker 2>of an office building in downtown Tulsa, Oklahoma, and on

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<v Speaker 2>the door it says, screaming Eagle Media, this is Sterling

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<v Speaker 2>Harjo's office. It's on the top floor with access to

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<v Speaker 2>the roof, with lots of big windows overlooking the city,

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<v Speaker 2>couches a kitchen, sterling things that used to belong to

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<v Speaker 2>an oil company in the seventies, and they entertained.

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<v Speaker 1>People up here.

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<v Speaker 2>There's a guitar propped up in the corner, and on

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<v Speaker 2>the walls are posters of the show reservation dogs with

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<v Speaker 2>varying images of four sharply dressed teenagers. I'd say they're native.

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<v Speaker 2>Sterling's a stout fella. I'd say he's a touch taller

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<v Speaker 2>than me, and he's wearing a cool felt hat with

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<v Speaker 2>a band of Indian beadwork. His shirt looks like Hawaiian print,

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<v Speaker 2>but when you look closely, it's got tepees and drums,

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<v Speaker 2>Indians riding horses and tomahawks in the pattern. Kind of

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<v Speaker 2>jealous of it. His arms are covered in tattoos, and

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<v Speaker 2>upon closer inspection, one is of a black panther. I

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<v Speaker 2>told you he'd fit in here, and wait till you

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<v Speaker 2>hear about the owls. But what stands out to me

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<v Speaker 2>most about Sterling is what a nice and inviting guy

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<v Speaker 2>he is. He's ordered the best barbecue in Tulsa that'll

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<v Speaker 2>be here in just a little bit. I'm learning that

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<v Speaker 2>when you go to Oklahoma and want to break bread

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<v Speaker 2>with you. But for now, I'm pretty much gonna let

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<v Speaker 2>Sterling tell us his life story.

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<v Speaker 1>Uh yeah, my name's Sterling. Harjoe, I am Muskogee Creek

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<v Speaker 1>and Seminole, and also Italian and Scottish and German and

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<v Speaker 1>other things. But well, I was born in Holding the

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<v Speaker 1>Oklahoma and I grew up Holdenvills in Hughes County. It's

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<v Speaker 1>on the Muscogy Creek and Seminole nation line, and so

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<v Speaker 1>a lot of us that are native down there are

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<v Speaker 1>both Seminole and Creek, which is like, you know, it's

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<v Speaker 1>a pretty good deal because the two tribes are very

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<v Speaker 1>intertwined and to the point where we speak the same language.

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<v Speaker 1>The Moscogy Creeks were a confederacy. I always heard that

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<v Speaker 1>the Muscogee language was a trade language, and so all

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<v Speaker 1>of the all the different bands and groups that made

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<v Speaker 1>up the Muscogee Creek Nation, they all had like a

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<v Speaker 1>shared trade language. The customs in the way of life

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<v Speaker 1>is very similar, and so that's where I grew up.

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<v Speaker 1>I now live in Tulsa, Oklahoma. I'm the filmmaker. I

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<v Speaker 1>created the show Reservation Dogs as an independent filmmaker before that,

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<v Speaker 1>sort of just grinding making no budget movies with an

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<v Speaker 1>insatiable sort of need to tell the truth and stories

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<v Speaker 1>about who we are as Native people and what I

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<v Speaker 1>saw growing up which led me to making the show

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<v Speaker 1>Reservation Dogs, and it's been a very successful show and

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<v Speaker 1>we were just nominated for our first Emmy's. Yeah, it's

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<v Speaker 1>been a crazy couple of years. My life sort of

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<v Speaker 1>turned upside down. Very happy that I still live here

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<v Speaker 1>in Tulsa and I'm able to sort of be close

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<v Speaker 1>to my family and friends and that's who I am. Yeah,

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<v Speaker 1>I grew up in Holdenville. Holdenville was you know, it

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<v Speaker 1>was a cool place. I have nothing but like the

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<v Speaker 1>best memories from growing up in Holdenville. I mean rural Oklahoma,

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<v Speaker 1>but yeah, it was just sort of an idyllic place

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<v Speaker 1>to grow up. I mean it was so diverse. I

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<v Speaker 1>had white friends, black friends, native friends. We all got along.

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<v Speaker 1>Everybody knew each other's grandma. It was just like I

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<v Speaker 1>would never pick another place to grow up. You sort

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<v Speaker 1>of get those values of being from a rural area.

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<v Speaker 1>I think, you know, if the zombie apocalypse happened today,

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<v Speaker 1>I wouldn't hang out Tulsa. I would go to my hometown,

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<v Speaker 1>you know, where somebody could like grow their food and

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<v Speaker 1>ring a chicken's neck, you know, like that's where I'd go.

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<v Speaker 1>I had it the best of both worlds where I

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<v Speaker 1>had just giant Native family and then I had my

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<v Speaker 1>white grandma, who was a smaller family, but like both

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<v Speaker 1>sides were the best storytellers ever, you know, and we

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<v Speaker 1>come from like people that were poor. And from a

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<v Speaker 1>young age though, I always wanted to be an artist,

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<v Speaker 1>and my dad and my uncle taught me how to draw.

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<v Speaker 1>And I remember I won a competition for drawing at

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<v Speaker 1>the first National Bank and I won ten dollars and

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<v Speaker 1>I thought I was rich. And it was about pollution.

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<v Speaker 1>And I drew this like lake with all these fish

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<v Speaker 1>and animals, you know, dying, and I would I got

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<v Speaker 1>a picture of the you know, my picture is like

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<v Speaker 1>cover of the whole Middle newspaper. And from the very

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<v Speaker 1>beginning of my memories, that's what I knew I wanted

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<v Speaker 1>to do. What I didn't know is I was also

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<v Speaker 1>really getting into movies. The whole time. I just didn't

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<v Speaker 1>know it was possible to make movies. And so one

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<v Speaker 1>thing that's interesting. My grandma on my mom's side, who's

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<v Speaker 1>my Native grandma, and then my grandpa on mother's side,

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<v Speaker 1>was Native and both full blood Native, which made my

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<v Speaker 1>parents half which two haves together make me which I'm

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<v Speaker 1>half and so my native grandma, Johnny May was her name,

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<v Speaker 1>Johnny May Kalinach. There was a thing called the Relocation Act,

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<v Speaker 1>and back in the day, and it was sort of

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<v Speaker 1>this way of hey, Indians, come work in the city.

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<v Speaker 1>You'll get a good job, you know, and be able

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<v Speaker 1>to pay your family. I kind of think it was

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<v Speaker 1>more to hey, Indians, get away from your community, assimilate

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<v Speaker 1>into America, because there was such a threat to America

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<v Speaker 1>the community community aspect of our lives, you know there

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<v Speaker 1>and there was like so many government policies that were

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<v Speaker 1>in direct assault of that community. The DAWs Act, you know,

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<v Speaker 1>we'll give you one hundred and eighty acres of individual land.

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<v Speaker 1>You can do whatever you want with it. Well, in

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<v Speaker 1>a couple of years somebody's going to come and try

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<v Speaker 1>to swindle you out of it as well, if you

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<v Speaker 1>look at like Killers of the Flower Moon and all

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<v Speaker 1>of that stuff's connected. But really it was to break

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<v Speaker 1>up the fact that these all of the tribes had

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<v Speaker 1>communal living. There was no homelessness, there was no there

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<v Speaker 1>was no body gone hungry, you know, we worked together

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<v Speaker 1>to feed each other. Something about that offended I think

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<v Speaker 1>the US government. There was a lot of policy towards

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<v Speaker 1>Native Americans to disrupt that. My grandma and then went

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<v Speaker 1>to Chicago to work in factories. Luckily they all came

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<v Speaker 1>back home, but not before my grandma fell in love

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<v Speaker 1>with an Italian man named Rock clinicch Nor. George was

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<v Speaker 1>his name, but he went by Rock and they fell

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<v Speaker 1>in love. Had my uncle em my mom in Chicago,

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<v Speaker 1>and then they all aunts and uncles, everybody moved back

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<v Speaker 1>home to rural Oklahoma. There's a giant Native community in

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<v Speaker 1>Chicago still, but down in rural Oklahoma now there is

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<v Speaker 1>a gang and ens with the last name Kalinich, so

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<v Speaker 1>you know. And then my dad's Harjo. Harjo is a

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<v Speaker 1>from a Moscoi word. The original word is hajo, which

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<v Speaker 1>means crazy in battle, crazy for short. So that's what

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<v Speaker 1>my last name means. And so I grew up in

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<v Speaker 1>this pretty fascinating place. My mom was a hairdresser. She

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<v Speaker 1>permed ever's eighties. She permed every cheerleader's hair. She gave

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<v Speaker 1>every football player a haircut before the Friday night game.

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<v Speaker 1>And she ended up having to quit because she was

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<v Speaker 1>allergic to perm chemicals and it messed her hands up.

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<v Speaker 1>But I grew up kind of in this salon, this

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<v Speaker 1>barber shop, and I just kind of grew up with

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<v Speaker 1>the community coming through this place. My dad was a

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<v Speaker 1>construction worker but also martial arts in my town, and

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<v Speaker 1>so he became a Taekwondo instructor when I was four

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<v Speaker 1>years old. I remember the first lessons were taught in

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<v Speaker 1>a basement of church, and I fought competitively with my dad,

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<v Speaker 1>who just retired the school hard dressed martial arts last year.

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<v Speaker 1>And my dad's kind of like he if my dad

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<v Speaker 1>could choose his way of life, he'd be in the

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<v Speaker 1>middle of the woods without a road as long as

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<v Speaker 1>he had cable, you know, like come outside and hunt

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<v Speaker 1>whatever and then come back and watch football or whatever.

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<v Speaker 1>And and my dad was kind of a hippie, you know,

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<v Speaker 1>Natives were like the best hippie, like a Southern hippie, though,

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<v Speaker 1>like like we're very I think Southern hippies are very

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<v Speaker 1>different California hippies, you know, like Southern hippies will still

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<v Speaker 1>like eat a squirrel, you know, but like wore bell bottoms,

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<v Speaker 1>you know. And you know, my dad had long hair

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<v Speaker 1>because he was a hippie and he was Native, and

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<v Speaker 1>he would go to school and you couldn't have long hair,

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<v Speaker 1>so my dad would wear a wig. That it would

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<v Speaker 1>be our late sixties in holding the and my dad

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<v Speaker 1>wear a wig to school. And one of the principles

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<v Speaker 1>was like on the hunt for my dad for growing

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<v Speaker 1>his hair out too long. And one day he yanked

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<v Speaker 1>the yanked the wig off my dad, and my dad's

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<v Speaker 1>hair comes out, and my dad quit school. You know,

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<v Speaker 1>he was a sophomore and he quit school, and he

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<v Speaker 1>was kind of a football star and he quit, and

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<v Speaker 1>he's always I think he always regretted that. You know,

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<v Speaker 1>my mom is a very outgoing person who is like

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<v Speaker 1>she taught me what it's what it means to be

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<v Speaker 1>a part of a community. She is a person that

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<v Speaker 1>no matter what, if somebody died, even if they weren't

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<v Speaker 1>our family, she was taking food to them. My mom,

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<v Speaker 1>I for me, really represents that communal aspect of Native

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<v Speaker 1>life where she's always like taking me with her to

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<v Speaker 1>events and gatherings and feasts and wild onion dinners is

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<v Speaker 1>a big thing that we have in the spring. She

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<v Speaker 1>was always taking to me these things and every time

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<v Speaker 1>we walked in, she'd say, go shake everybody's hand, and

0:12:51.320 --> 0:12:53.520
<v Speaker 1>I have to go shake everyone's hand in that room,

0:12:53.600 --> 0:12:55.240
<v Speaker 1>and she'd be like, that's because and that's because, and

0:12:55.240 --> 0:12:57.480
<v Speaker 1>that's because, that's because, that's because that's causin that's just

0:12:57.480 --> 0:12:59.520
<v Speaker 1>a cous you know. It's like how many cousins do

0:12:59.559 --> 0:13:01.280
<v Speaker 1>I have? And how am I going to get married?

0:13:01.360 --> 0:13:04.240
<v Speaker 1>You know, And so I'd have to go through it

0:13:04.480 --> 0:13:07.480
<v Speaker 1>to shake everybody's hand, and I hated it then, but

0:13:07.600 --> 0:13:11.720
<v Speaker 1>now it's like it's I'm so happy because everybody knows me.

0:13:12.440 --> 0:13:16.120
<v Speaker 1>And it translated into me getting a lot of respect

0:13:16.720 --> 0:13:20.480
<v Speaker 1>and trust with making movies and stuff. And that's a

0:13:20.640 --> 0:13:23.800
<v Speaker 1>big reason why I also didn't leave, is because when

0:13:23.840 --> 0:13:26.920
<v Speaker 1>I make these films, I'm telling stories about my people,

0:13:27.000 --> 0:13:29.800
<v Speaker 1>and I'm going to incorporate them into what I'm telling

0:13:30.240 --> 0:13:33.120
<v Speaker 1>because I want it to be real. And I don't

0:13:33.120 --> 0:13:38.040
<v Speaker 1>think enough people in Hollywood and modern sort of entertainment

0:13:38.120 --> 0:13:41.000
<v Speaker 1>to care about that enough, because it's about money, it's

0:13:41.000 --> 0:13:44.880
<v Speaker 1>not about trying to tell the truth. So, like, I

0:13:44.880 --> 0:13:49.040
<v Speaker 1>grew up with pretty fascinating people and community driven people,

0:13:49.679 --> 0:13:52.520
<v Speaker 1>but they were very supportive. My parents are still together,

0:13:52.760 --> 0:13:56.600
<v Speaker 1>I've got two brothers, two sisters, and yeah, it was

0:13:56.640 --> 0:13:58.480
<v Speaker 1>just it was a cool existence. I mean, I felt

0:13:58.559 --> 0:14:00.640
<v Speaker 1>very much like stand by Me. You know, like growing

0:14:00.679 --> 0:14:03.679
<v Speaker 1>up it was like we walked all over town looking

0:14:03.720 --> 0:14:06.080
<v Speaker 1>for a dead body. You know, It's like anything interesting

0:14:06.120 --> 0:14:21.280
<v Speaker 1>that could happen, you know. I think growing up in Oklahoma,

0:14:22.000 --> 0:14:23.600
<v Speaker 1>I don't know. I mean like I grew up with

0:14:24.880 --> 0:14:26.800
<v Speaker 1>my dad was always hunting. I mean, here's the thing.

0:14:27.440 --> 0:14:33.280
<v Speaker 1>The sort of more conscious conservation came to me later.

0:14:34.000 --> 0:14:36.880
<v Speaker 1>When we were young. It was like, it's our land, well,

0:14:37.040 --> 0:14:40.600
<v Speaker 1>wherever we want, and what are you talking about? You know,

0:14:40.720 --> 0:14:42.400
<v Speaker 1>like we got to report in with you, like who

0:14:42.400 --> 0:14:44.440
<v Speaker 1>are you? You know, like I think that when I

0:14:44.520 --> 0:14:46.840
<v Speaker 1>was young, it was like what fish and holl are

0:14:46.880 --> 0:14:49.040
<v Speaker 1>we going to sneak into? And me and my cousin

0:14:49.120 --> 0:14:52.560
<v Speaker 1>were fourteen, driving my dad's car and like dirt roads

0:14:52.560 --> 0:14:55.360
<v Speaker 1>and like we'd go fishing and somebody's land like whatever.

0:14:55.600 --> 0:14:58.600
<v Speaker 1>And then you know, there's an episode, episode six or

0:14:58.640 --> 0:15:01.200
<v Speaker 1>the first season where it's just the father and daughter hunting.

0:15:02.240 --> 0:15:04.920
<v Speaker 1>That's all it is. And that's kind of the north

0:15:05.000 --> 0:15:07.720
<v Speaker 1>star of my first season was I want to be

0:15:07.720 --> 0:15:09.520
<v Speaker 1>able to get the audience to where I can just

0:15:09.720 --> 0:15:12.120
<v Speaker 1>film a father and daughter in the woods.

0:15:14.080 --> 0:15:17.960
<v Speaker 2>Here's a short clip from Reservation Dogs. A father and

0:15:18.000 --> 0:15:21.280
<v Speaker 2>his teenage daughter are dressed in camo and hunter's orange.

0:15:21.520 --> 0:15:24.280
<v Speaker 2>Their faces are painted and both have a rifle in

0:15:24.320 --> 0:15:28.200
<v Speaker 2>their hand. In this scene, the daughter realizes that they

0:15:28.240 --> 0:15:30.640
<v Speaker 2>don't own the land that they're hunting on.

0:15:32.280 --> 0:15:35.560
<v Speaker 1>Where'd you get the picture of a trail camp? I

0:15:35.560 --> 0:15:38.760
<v Speaker 1>don't own a trail camp? What what do you mean?

0:15:39.760 --> 0:15:45.120
<v Speaker 1>Whose is it? Then it's probably the owners? Eh, owners, Yep,

0:15:46.280 --> 0:15:50.520
<v Speaker 1>don't we own this line? No, we're Indian. We don't

0:15:50.520 --> 0:15:52.120
<v Speaker 1>own a land.

0:15:53.440 --> 0:15:56.360
<v Speaker 2>The father then explains to the girl that this land

0:15:56.520 --> 0:16:00.000
<v Speaker 2>used to be theirs, but her great grandfather had sold it.

0:16:00.480 --> 0:16:02.440
<v Speaker 2>She asked if they'll ever get it back, and the

0:16:02.520 --> 0:16:07.160
<v Speaker 2>dad basically says Texas ranchers don't give anything back. She

0:16:07.200 --> 0:16:09.960
<v Speaker 2>then says that she saw some images of people on

0:16:10.000 --> 0:16:12.560
<v Speaker 2>the trail camera, and the father tells her that they

0:16:12.600 --> 0:16:15.720
<v Speaker 2>were probably poachers, and then he pauses for a minute

0:16:15.840 --> 0:16:20.240
<v Speaker 2>and he goes, well, different poachers than us. And it's

0:16:20.280 --> 0:16:25.000
<v Speaker 2>a brilliant scene and one that Sterling lived. I appreciate

0:16:25.040 --> 0:16:28.240
<v Speaker 2>his honesty.

0:16:29.760 --> 0:16:31.880
<v Speaker 1>And it's very much based on me and my dad

0:16:32.320 --> 0:16:35.280
<v Speaker 1>because we would sneak over I thought it was our land.

0:16:35.480 --> 0:16:39.680
<v Speaker 1>We'd sneak over across the road this giant acreage of

0:16:39.760 --> 0:16:41.760
<v Speaker 1>land across our dirt road where we lived on a

0:16:41.840 --> 0:16:44.440
<v Speaker 1>hill outside of Holtonville. I didn't know what we were sneaking.

0:16:44.560 --> 0:16:46.800
<v Speaker 1>I just thought we're hanging. And so we would go

0:16:46.800 --> 0:16:50.400
<v Speaker 1>over there and we would hunt. And I didn't know

0:16:50.480 --> 0:16:52.400
<v Speaker 1>right at first, but at some point I realized it

0:16:52.440 --> 0:16:55.320
<v Speaker 1>wasn't our land. Whose land is? He my dad like

0:16:55.440 --> 0:16:58.520
<v Speaker 1>some Texas ranchers. But we're never hearing. Really we're gonna

0:16:58.560 --> 0:16:59.680
<v Speaker 1>hunt it, you know. So we would go over there

0:16:59.680 --> 0:17:01.880
<v Speaker 1>and we'd and you know, my dad even told a

0:17:01.880 --> 0:17:05.440
<v Speaker 1>story one time he was he was in a tree

0:17:06.200 --> 0:17:09.280
<v Speaker 1>and he heard these two guys walking by, and this

0:17:09.359 --> 0:17:12.160
<v Speaker 1>is in that episode. He heard these two guys walking by,

0:17:12.240 --> 0:17:14.840
<v Speaker 1>and it was the Texas ranchers walking underneath him. My

0:17:14.920 --> 0:17:17.520
<v Speaker 1>dad's in came. I just watch it and walk by

0:17:17.960 --> 0:17:21.080
<v Speaker 1>and they're talking about their wives. But they would never

0:17:21.119 --> 0:17:24.120
<v Speaker 1>show up. And then they sold it to someone and

0:17:24.160 --> 0:17:27.440
<v Speaker 1>this person leveled it. But those woods to me were

0:17:27.480 --> 0:17:30.359
<v Speaker 1>like magical, like that's where I hunted, that's where I camped.

0:17:31.280 --> 0:17:34.239
<v Speaker 1>I was always with my dad killing deer. I kill

0:17:34.359 --> 0:17:36.639
<v Speaker 1>rabbits and stuff, I remember, but I never killed a

0:17:36.680 --> 0:17:40.040
<v Speaker 1>deer until I was later in high school, and I

0:17:40.040 --> 0:17:42.560
<v Speaker 1>remember the first time I was skinned a deer myself

0:17:42.600 --> 0:17:45.960
<v Speaker 1>and feel dressed and everything just feeling. I always tell

0:17:45.960 --> 0:17:48.719
<v Speaker 1>people that I felt the warm the warmth of the blood,

0:17:49.760 --> 0:17:52.159
<v Speaker 1>and you know, you have this feeling of like sadness

0:17:52.200 --> 0:17:56.600
<v Speaker 1>a little bit, but also the over riding feeling. I

0:17:56.600 --> 0:17:58.800
<v Speaker 1>remember in my head saying, I'll do this the rest

0:17:58.840 --> 0:18:01.160
<v Speaker 1>of my life. This is what I'm supposed to be doing,

0:18:01.400 --> 0:18:03.520
<v Speaker 1>like of anything, this is what I'm supposed to do,

0:18:03.880 --> 0:18:05.840
<v Speaker 1>and I'll do this the rest of my life. And

0:18:05.880 --> 0:18:07.760
<v Speaker 1>I remember when I went off, I was moving away

0:18:07.960 --> 0:18:10.920
<v Speaker 1>to Oregon. I was dropping my dad off to hunt,

0:18:11.080 --> 0:18:13.800
<v Speaker 1>and I drove around kind of a section line and

0:18:13.840 --> 0:18:15.639
<v Speaker 1>came down to this creek where my dad was going

0:18:15.720 --> 0:18:17.480
<v Speaker 1>to walk in, and I just remember him getting out

0:18:17.480 --> 0:18:19.680
<v Speaker 1>of us, saying bye, and me driving down the dirt

0:18:19.720 --> 0:18:22.400
<v Speaker 1>road in the rearview, watching my dad sort of disappear

0:18:22.400 --> 0:18:24.080
<v Speaker 1>into the woods. And it was just like this place

0:18:24.119 --> 0:18:27.480
<v Speaker 1>that I grew up, you know. But it was kind

0:18:27.480 --> 0:18:31.320
<v Speaker 1>of weird being native and having to because then after

0:18:31.320 --> 0:18:34.000
<v Speaker 1>that we started leasing land and it's like where is

0:18:34.040 --> 0:18:36.560
<v Speaker 1>our land? And how do I hunt? It was always

0:18:36.600 --> 0:18:39.880
<v Speaker 1>like I'm leasing it from you. Know, some white guy

0:18:39.880 --> 0:18:43.399
<v Speaker 1>with money and you know they're nice, but like it

0:18:43.480 --> 0:18:46.040
<v Speaker 1>was just always like what does this all mean? You know?

0:18:46.400 --> 0:18:48.679
<v Speaker 1>But I remember just quick this story. I remember we

0:18:48.680 --> 0:18:51.080
<v Speaker 1>were releasing land outside of Holding Bill. It was kind

0:18:51.080 --> 0:18:53.240
<v Speaker 1>of sectioned out. This land was kind of sectioned out,

0:18:53.240 --> 0:18:55.520
<v Speaker 1>and we were me and my dad were walking. This

0:18:55.600 --> 0:18:58.520
<v Speaker 1>pickup truck pulls up. It was this guy who was

0:18:58.560 --> 0:19:01.159
<v Speaker 1>also leasing the land, a white uh, and I remember

0:19:01.240 --> 0:19:05.760
<v Speaker 1>him just really being suspicious of us, and and my

0:19:05.840 --> 0:19:08.600
<v Speaker 1>dad's the type of guy he'll talk, you know, you know, hey, yeah, boy,

0:19:09.200 --> 0:19:10.560
<v Speaker 1>may we ain't seen nothing down there?

0:19:10.600 --> 0:19:10.760
<v Speaker 3>You know.

0:19:11.080 --> 0:19:12.919
<v Speaker 1>It's like just chatting the guy up, and I'm I

0:19:12.920 --> 0:19:16.600
<v Speaker 1>can feel that he's like things that were not supposed

0:19:16.640 --> 0:19:19.199
<v Speaker 1>to be there, even though I've paid the lease, and

0:19:19.240 --> 0:19:21.040
<v Speaker 1>I can feel it, and I mean the rage and

0:19:21.160 --> 0:19:23.919
<v Speaker 1>me is going like you say it, just please say something,

0:19:23.960 --> 0:19:25.880
<v Speaker 1>you know, and I'm just like, but I could tell

0:19:25.920 --> 0:19:27.760
<v Speaker 1>the way he was talking to us, like he didn't

0:19:27.760 --> 0:19:30.080
<v Speaker 1>believe that we were releasing it. And he's calling the

0:19:30.119 --> 0:19:32.399
<v Speaker 1>owner and my Dad's like, yeah, I get me call.

0:19:32.480 --> 0:19:32.600
<v Speaker 3>You know.

0:19:32.640 --> 0:19:34.440
<v Speaker 1>My Dad's just chatting them up, and I'm just over

0:19:34.440 --> 0:19:38.840
<v Speaker 1>there like, oh, you know, like you know. And then

0:19:39.600 --> 0:19:43.520
<v Speaker 1>when I whenever I bought my land outside of town

0:19:44.119 --> 0:19:47.280
<v Speaker 1>that I hunt on, it was pretty big. I remember

0:19:47.320 --> 0:19:49.800
<v Speaker 1>we were driving it was It was right when I

0:19:49.840 --> 0:19:51.480
<v Speaker 1>was about to buy it hadn't all went through, and

0:19:51.520 --> 0:19:54.000
<v Speaker 1>I took my dad there and we were we were

0:19:54.040 --> 0:19:55.679
<v Speaker 1>driving out there, and I think he thought it was

0:19:55.720 --> 0:19:58.080
<v Speaker 1>just some land outside of the city. It wasn't gonna

0:19:58.119 --> 0:19:59.520
<v Speaker 1>be good, you know, And like he said, he's like,

0:19:59.520 --> 0:20:01.879
<v Speaker 1>are you sure is that there's woods there? Like you

0:20:02.160 --> 0:20:03.840
<v Speaker 1>think we can hunt on it? Like I'm like, dude,

0:20:03.880 --> 0:20:05.919
<v Speaker 1>we can't. So we get out there. We got on

0:20:05.920 --> 0:20:07.680
<v Speaker 1>the side by side he's just blown away. Were driving.

0:20:07.680 --> 0:20:10.240
<v Speaker 1>He said, oh my god, he's just like we're driving

0:20:10.280 --> 0:20:13.280
<v Speaker 1>away and he just starts yelling, like at the top

0:20:13.320 --> 0:20:15.800
<v Speaker 1>of his lungs, got a cuss on this. Can you

0:20:15.840 --> 0:20:19.240
<v Speaker 1>bleep it out? Can I bleep? Can? I I'll blieve it? Okay,

0:20:19.760 --> 0:20:23.359
<v Speaker 1>And he's yelling, we don't need your fing land. We

0:20:23.480 --> 0:20:26.040
<v Speaker 1>got our own land now. And he was talking about

0:20:26.119 --> 0:20:28.720
<v Speaker 1>hunt on the land and it was a big deal.

0:20:28.760 --> 0:20:30.439
<v Speaker 1>And I just remember like he was pumped and he

0:20:30.480 --> 0:20:33.120
<v Speaker 1>was yelling, and you know, our whole life we'd never

0:20:33.200 --> 0:20:34.879
<v Speaker 1>had our own but we'd always say that, you know,

0:20:34.960 --> 0:20:38.600
<v Speaker 1>we'd be on somebody else's land. We'd be like, man,

0:20:38.680 --> 0:20:40.600
<v Speaker 1>I should be cool if we had our own. You know.

0:20:50.560 --> 0:20:52.840
<v Speaker 1>That wasn't until you know, honestly, like watching meat Eater

0:20:53.119 --> 0:20:55.960
<v Speaker 1>and the stuff that you do, Like my dad really

0:20:55.960 --> 0:20:57.840
<v Speaker 1>got into that because it was more like how we

0:20:57.920 --> 0:21:00.560
<v Speaker 1>hunted as far as like the respect that we gave

0:21:01.200 --> 0:21:04.080
<v Speaker 1>towards the hunt, the animal and all of that. Like

0:21:04.119 --> 0:21:06.040
<v Speaker 1>I felt, I don't know, all the emotions that go

0:21:06.119 --> 0:21:08.119
<v Speaker 1>with it and the importance of it felt. It just

0:21:08.160 --> 0:21:10.200
<v Speaker 1>felt real to me. It just felt like the way

0:21:10.280 --> 0:21:12.879
<v Speaker 1>reservation dogs feels to me about native life. You know,

0:21:12.920 --> 0:21:15.800
<v Speaker 1>it was real, and you know, I knew the time

0:21:15.840 --> 0:21:18.399
<v Speaker 1>that I first got one that I was going to

0:21:18.480 --> 0:21:24.280
<v Speaker 1>do it. You know. Yeah, but you know, like obviously,

0:21:24.320 --> 0:21:27.160
<v Speaker 1>like watching the shows and stuff, it's like, man, y'all

0:21:27.200 --> 0:21:31.320
<v Speaker 1>walk a lot, you know, Like we don't walk that much,

0:21:33.160 --> 0:21:33.919
<v Speaker 1>but I'd like to.

0:21:34.119 --> 0:21:45.760
<v Speaker 3>Yeah, Oklahoma was sort of a reservation.

0:21:45.880 --> 0:21:47.720
<v Speaker 1>I was in a territory at one time, so it

0:21:47.800 --> 0:21:51.320
<v Speaker 1>was all Indian land and eastern Okahama, which would have

0:21:51.720 --> 0:21:55.000
<v Speaker 1>been holding Bill in Tulsa and Talaqua and everything was

0:21:55.040 --> 0:21:57.240
<v Speaker 1>at one point going to be a Native state. It

0:21:57.320 --> 0:22:00.720
<v Speaker 1>was lost by one vote, which is obviously crooked. You know,

0:22:00.840 --> 0:22:03.440
<v Speaker 1>they somebody rigged that, but it was going to be

0:22:03.440 --> 0:22:06.840
<v Speaker 1>called the state of Sequoia. And very interesting thing that

0:22:06.880 --> 0:22:12.399
<v Speaker 1>happened a few years back is Oklahoma versus McGirt, which

0:22:12.920 --> 0:22:16.720
<v Speaker 1>basically my tribe, the Muscoge Creek, in a court case,

0:22:16.920 --> 0:22:20.000
<v Speaker 1>in a criminal court case, they found that it's still

0:22:20.040 --> 0:22:23.880
<v Speaker 1>reservation land and so it reinstated the reservation. So you're

0:22:23.920 --> 0:22:27.119
<v Speaker 1>on the Muscogee Creek Reservation right now, literally as we speak,

0:22:27.160 --> 0:22:29.800
<v Speaker 1>your feet are. And then that opened the door for

0:22:30.200 --> 0:22:35.119
<v Speaker 1>a lot of other eastern Oklahoma tribes. So if you

0:22:35.160 --> 0:22:38.040
<v Speaker 1>go that way about two miles, you'll be on Cherokee

0:22:38.119 --> 0:22:41.600
<v Speaker 1>Nation Reservation land and then Seminole Nation Land is about

0:22:41.760 --> 0:22:44.040
<v Speaker 1>an hour and a half south.

0:22:44.520 --> 0:22:46.560
<v Speaker 2>Did you grow up on the Seminole Reservation or no?

0:22:47.040 --> 0:22:50.399
<v Speaker 1>I mean technically yeah, but it's not a reservation like that.

0:22:50.480 --> 0:22:52.400
<v Speaker 1>I think that you would be thinking.

0:22:52.200 --> 0:22:55.280
<v Speaker 2>Which is like a closed just be like a town.

0:22:55.280 --> 0:22:57.560
<v Speaker 1>I'm in a town and I'm town in the south,

0:22:57.760 --> 0:22:59.119
<v Speaker 1>but there's a lot of brown people here, you know

0:22:59.160 --> 0:23:01.800
<v Speaker 1>what I mean? Like yeah, and I think that we

0:23:02.600 --> 0:23:05.280
<v Speaker 1>technically at reservation. But because Oklahoma was I mean, it's

0:23:05.320 --> 0:23:07.760
<v Speaker 1>just a crazy history of Oklahoma's like the most unique of

0:23:07.760 --> 0:23:09.920
<v Speaker 1>all the states. It used to be in in territory

0:23:10.400 --> 0:23:12.280
<v Speaker 1>and then you know, you look at all of the

0:23:12.440 --> 0:23:15.440
<v Speaker 1>you know, you watch True Grit, We're going into the territory.

0:23:15.760 --> 0:23:19.040
<v Speaker 1>You know, Hanging Judge Parker, that was all into terrors. Oklahoma.

0:23:19.520 --> 0:23:21.440
<v Speaker 1>It was placed where criminals went because they get away

0:23:21.480 --> 0:23:24.080
<v Speaker 1>with stuff, and there was it was lawless because it

0:23:24.119 --> 0:23:26.480
<v Speaker 1>was it wasn't the nation of the United States. It

0:23:26.520 --> 0:23:42.960
<v Speaker 1>was a no man's land. I didn't know making films

0:23:42.960 --> 0:23:44.800
<v Speaker 1>would be possible. I didn't know it was a job,

0:23:45.280 --> 0:23:47.200
<v Speaker 1>but I was always interested in I remember when Michael

0:23:47.280 --> 0:23:49.919
<v Speaker 1>Jackson's Thriller came out and the making of Thriller, I

0:23:50.000 --> 0:23:53.439
<v Speaker 1>was fascinated. I was just like, what, like there's makeup

0:23:53.520 --> 0:23:56.560
<v Speaker 1>artists that turned them into a werewolf and all of that.

0:23:56.600 --> 0:23:58.560
<v Speaker 1>You know. I was really fascinated with behind the scenes.

0:23:58.840 --> 0:24:01.280
<v Speaker 1>And I never thought I could do it. It was like,

0:24:01.359 --> 0:24:04.400
<v Speaker 1>I'm from Oklahoma. I'm an Indian from Oklahoma. You know,

0:24:04.600 --> 0:24:06.560
<v Speaker 1>how am I going to make movies? Like you gotta

0:24:06.600 --> 0:24:09.000
<v Speaker 1>be you got to be in Hollywood or something. And

0:24:09.040 --> 0:24:11.359
<v Speaker 1>I'd been interested in movies. I started watching independent films,

0:24:11.359 --> 0:24:12.840
<v Speaker 1>and I was like, oh, that's cool, like maybe I

0:24:12.880 --> 0:24:15.919
<v Speaker 1>could tell the story back home. And I remember I

0:24:16.000 --> 0:24:21.040
<v Speaker 1>went to Oregon and I got a letter from my grandma.

0:24:21.359 --> 0:24:22.800
<v Speaker 1>They didn't know how long I was gonna be gone.

0:24:22.800 --> 0:24:25.399
<v Speaker 1>They thought I was moved away forever. I'd written a

0:24:25.440 --> 0:24:28.119
<v Speaker 1>story and it was about her and a man that

0:24:28.200 --> 0:24:32.000
<v Speaker 1>she married that burned himself alive and crazy story. But

0:24:32.119 --> 0:24:34.400
<v Speaker 1>I gave it to her. I wrote this story about it,

0:24:35.200 --> 0:24:37.399
<v Speaker 1>and she read it and kind of realized I was

0:24:37.440 --> 0:24:39.439
<v Speaker 1>a writer. And then when I moved to Oregon, she

0:24:39.440 --> 0:24:41.320
<v Speaker 1>wrote me a letter and said, someday you ought to

0:24:41.359 --> 0:24:44.080
<v Speaker 1>come back home and tell some stories about these Indian

0:24:44.160 --> 0:24:48.399
<v Speaker 1>churches around here. And that stuck with me and I

0:24:48.400 --> 0:24:51.639
<v Speaker 1>started writing a script because of it, and I wrote

0:24:51.680 --> 0:24:53.800
<v Speaker 1>my first script and it's awful, but it was just

0:24:53.840 --> 0:24:56.240
<v Speaker 1>like it kind of gave me the confidence to do this.

0:24:57.240 --> 0:24:59.439
<v Speaker 1>I started asking friends. I was like, I want to

0:24:59.440 --> 0:25:03.800
<v Speaker 1>make movies. And my friend lived next door to the

0:25:03.840 --> 0:25:05.800
<v Speaker 1>head of the film and video studies at the University

0:25:05.800 --> 0:25:09.040
<v Speaker 1>of Oklahoma. I got a meeting with him, gave him

0:25:09.040 --> 0:25:11.479
<v Speaker 1>a script, told him I wanted to make movies, and

0:25:11.560 --> 0:25:13.040
<v Speaker 1>he gave it back to me. And he said it's

0:25:13.080 --> 0:25:15.320
<v Speaker 1>not for minute ride. I won't read it, and he's like,

0:25:15.359 --> 0:25:18.760
<v Speaker 1>you should take this class. So I took this class.

0:25:18.840 --> 0:25:20.719
<v Speaker 1>It was intro to Film and Video Studies by this

0:25:20.840 --> 0:25:26.439
<v Speaker 1>Hungarian teacher filmmaker named Misha Nadelkovich, and yeah, I was sold.

0:25:26.440 --> 0:25:29.360
<v Speaker 1>After that. It was just like he had this infectious

0:25:29.359 --> 0:25:33.239
<v Speaker 1>way of talking about movies where it was like, all

0:25:33.280 --> 0:25:36.040
<v Speaker 1>of a sudden, it wasn't just pointing a camera randomly

0:25:36.080 --> 0:25:38.240
<v Speaker 1>at something, it was the camera could tell a story.

0:25:38.440 --> 0:25:41.399
<v Speaker 1>You use shots to tell a story. And once I

0:25:41.480 --> 0:25:45.720
<v Speaker 1>realized that, I was sort of hooked and I got

0:25:45.720 --> 0:25:48.160
<v Speaker 1>into all of these he started showing me movies by

0:25:48.920 --> 0:25:52.600
<v Speaker 1>John Cassavetti's or you know, the French New Way of

0:25:52.720 --> 0:25:55.320
<v Speaker 1>Movies or whatever. I was just like blown away that

0:25:55.600 --> 0:25:58.520
<v Speaker 1>all of these voices were out there, and I was like,

0:25:58.560 --> 0:26:01.000
<v Speaker 1>no one's ever told stories about where I'm from and

0:26:01.080 --> 0:26:03.600
<v Speaker 1>the people that I come from. No one has. And

0:26:04.480 --> 0:26:06.840
<v Speaker 1>I saw that as a plus not a minus, that

0:26:06.920 --> 0:26:09.200
<v Speaker 1>I have a leg up and that I can tell

0:26:09.240 --> 0:26:11.880
<v Speaker 1>a story that no one's told before, which is rare.

0:26:12.440 --> 0:26:14.760
<v Speaker 1>That's I had my heart set on it. After that,

0:26:14.840 --> 0:26:16.960
<v Speaker 1>I just began writing, and I remember telling my friends.

0:26:17.160 --> 0:26:18.680
<v Speaker 1>You know, I'm wanna make a movie in two years,

0:26:18.720 --> 0:26:21.640
<v Speaker 1>and they all right, and I made it. At four

0:26:21.800 --> 0:26:23.600
<v Speaker 1>or four years, I made a movie, you know, and like,

0:26:24.200 --> 0:26:26.640
<v Speaker 1>so what happened is I started writing them. This guy

0:26:26.720 --> 0:26:30.560
<v Speaker 1>named Bird running Water who's a Cheyenne, Rapaho and Mescalero

0:26:30.560 --> 0:26:33.240
<v Speaker 1>Apache guy that grew up in Oklahoma, New Mexico and

0:26:33.280 --> 0:26:36.000
<v Speaker 1>he graduated from the University of Oklahoma. He was working

0:26:36.040 --> 0:26:39.280
<v Speaker 1>for the Sundance Institute. And the Sundance Institute is kind

0:26:39.320 --> 0:26:42.760
<v Speaker 1>of they're connected to the festival. But Robert Redford started

0:26:42.760 --> 0:26:45.640
<v Speaker 1>it as a way to like basically support independent film

0:26:45.880 --> 0:26:48.400
<v Speaker 1>because you can't just look for independent filmmakers in Hollywood.

0:26:48.480 --> 0:26:50.840
<v Speaker 1>You have to have scouts, and so they have basically

0:26:50.880 --> 0:26:55.440
<v Speaker 1>people that scout in Europe, in South America, in Indian country,

0:26:55.600 --> 0:26:59.080
<v Speaker 1>you know. And this Skybird running Water was basically scouting

0:26:59.280 --> 0:27:03.399
<v Speaker 1>Native America storytellers. He came and spoke about Sundance. I

0:27:03.440 --> 0:27:06.000
<v Speaker 1>went and heard the talk, and afterwards I said, I

0:27:06.080 --> 0:27:07.959
<v Speaker 1>really want to make movies, and he was like, well,

0:27:08.040 --> 0:27:09.800
<v Speaker 1>let's figure it out. I wrote a script, tried to

0:27:09.800 --> 0:27:13.160
<v Speaker 1>get into the Sundance Writer's Lab, got rejected. I mean,

0:27:13.359 --> 0:27:16.000
<v Speaker 1>but it was good enough. That two years later, he

0:27:16.119 --> 0:27:18.640
<v Speaker 1>was asking me if I had anything new. I sent

0:27:18.680 --> 0:27:20.520
<v Speaker 1>in a script called Four Sheets to the Wind. I

0:27:20.520 --> 0:27:22.720
<v Speaker 1>got accepted, and I went to the writer's lab and

0:27:23.000 --> 0:27:25.840
<v Speaker 1>I left school, went to the writer's lab and director's lab,

0:27:26.080 --> 0:27:30.240
<v Speaker 1>and they started making my films, you know, and taught

0:27:30.240 --> 0:27:34.160
<v Speaker 1>myself how to edit, got student loans, bought a camera computer.

0:27:34.400 --> 0:27:37.040
<v Speaker 1>My friend had a band. I would make music videos

0:27:37.040 --> 0:27:39.399
<v Speaker 1>for his band, and I learned how to edit that

0:27:39.440 --> 0:27:41.840
<v Speaker 1>way and shoot. And then the Sundance Lab. I had

0:27:41.880 --> 0:27:43.760
<v Speaker 1>no idea what I was doing, but I just had

0:27:43.760 --> 0:27:47.119
<v Speaker 1>to pretend and go along with it. You know, I'm

0:27:47.160 --> 0:27:53.360
<v Speaker 1>meeting some fascinating people. Robert Redford, Ed Harris, Philip Seymour Hoffman.

0:27:53.560 --> 0:27:55.679
<v Speaker 1>You know, I'm hanging out with him, all these people

0:27:55.720 --> 0:27:58.960
<v Speaker 1>that I admired, and you know, we're heroes of mine,

0:27:58.960 --> 0:28:02.439
<v Speaker 1>all of a sudden giving me advice. After that, I

0:28:02.480 --> 0:28:05.560
<v Speaker 1>went to LA to do some meetings. So I was like,

0:28:05.880 --> 0:28:08.679
<v Speaker 1>you know, cause Tarantino and Paul Thomas Anderson, all these

0:28:08.680 --> 0:28:11.560
<v Speaker 1>filmmakers came out of the labs. So I thought, oh man,

0:28:11.760 --> 0:28:14.800
<v Speaker 1>I'm next, Like I'm next on line. What I didn't

0:28:14.800 --> 0:28:18.439
<v Speaker 1>know is independent film and basically crashed at that point.

0:28:18.680 --> 0:28:22.000
<v Speaker 1>This is post reservoir dogs, pulp fiction all that. It

0:28:22.040 --> 0:28:24.800
<v Speaker 1>was like there was no money for independent film and

0:28:25.200 --> 0:28:26.840
<v Speaker 1>I didn't know that. And I go to LA and

0:28:26.880 --> 0:28:28.399
<v Speaker 1>I'm just like, I think I'm in the toast of

0:28:28.440 --> 0:28:30.560
<v Speaker 1>the town where I'm just like, oh, man, doors are

0:28:30.560 --> 0:28:32.360
<v Speaker 1>going to be open. I'm gonna be making movies now.

0:28:32.800 --> 0:28:36.320
<v Speaker 1>And I remember going in and just like getting the

0:28:36.359 --> 0:28:40.320
<v Speaker 1>worst feedback, whereas your script's great. If there was any

0:28:40.360 --> 0:28:44.200
<v Speaker 1>way that we could get someone like Philip Seymour Hoffman

0:28:44.280 --> 0:28:46.800
<v Speaker 1>on the poster, you know, it was like an all

0:28:46.800 --> 0:28:49.560
<v Speaker 1>Indian movie, you know, and like I don't know how

0:28:49.560 --> 0:28:51.000
<v Speaker 1>to do that, you know. And then or like people

0:28:51.000 --> 0:28:54.560
<v Speaker 1>would say, like Indian movies don't sell, or they'd say

0:28:54.600 --> 0:28:57.360
<v Speaker 1>like this is Indian enough, or it's two Indian. And

0:28:57.400 --> 0:28:58.840
<v Speaker 1>so I was like, I'm gonna go back home and

0:28:58.880 --> 0:29:01.959
<v Speaker 1>make movies in Oklahoma. I came home. I got my

0:29:02.000 --> 0:29:06.360
<v Speaker 1>first film funded here in Tulsa, and I did two movies,

0:29:06.360 --> 0:29:08.920
<v Speaker 1>a short film called good Night Irene and then a

0:29:09.000 --> 0:29:10.600
<v Speaker 1>movie called four. She's the one that I went to

0:29:10.640 --> 0:29:13.600
<v Speaker 1>the labs for and I made them so low budget.

0:29:13.640 --> 0:29:15.560
<v Speaker 1>I didn't you know, one got paid. I didn't get paid,

0:29:16.320 --> 0:29:18.360
<v Speaker 1>but they did well enough that they went into the

0:29:18.400 --> 0:29:22.320
<v Speaker 1>Sindance Film Vestval in other places around the world, won

0:29:22.400 --> 0:29:25.920
<v Speaker 1>some awards, got critical acclaim and I was like, Okay,

0:29:25.960 --> 0:29:29.000
<v Speaker 1>now's the time I'm gonna be making movies now, you know,

0:29:29.280 --> 0:29:50.680
<v Speaker 1>and instilled nothing two thousand and five around there, and

0:29:51.360 --> 0:29:53.880
<v Speaker 1>then you know, nothing would happen a couple of years

0:29:53.920 --> 0:29:56.680
<v Speaker 1>ago by I got a new idea. I want to

0:29:56.680 --> 0:29:59.160
<v Speaker 1>make a new movie. I wrote a movie called Barking

0:29:59.240 --> 0:30:02.200
<v Speaker 1>Water I think that was two thousand and nine and

0:30:02.600 --> 0:30:04.640
<v Speaker 1>got that funded. I mean, these are like one hundred

0:30:04.640 --> 0:30:08.120
<v Speaker 1>thousand dollar movies, you know, no one's getting paid, and

0:30:08.160 --> 0:30:12.000
<v Speaker 1>a small crew, and you know, I get some actors together,

0:30:12.640 --> 0:30:15.200
<v Speaker 1>and then the actors are so appreciative because, like you know,

0:30:15.800 --> 0:30:18.280
<v Speaker 1>Richard Ray Whitman and Casey cam Hornet were both the

0:30:18.280 --> 0:30:21.840
<v Speaker 1>elites and Barking Water, you know, Richard's like, you know,

0:30:21.880 --> 0:30:23.719
<v Speaker 1>he's been a lot of movies, but he's always a

0:30:23.760 --> 0:30:28.560
<v Speaker 1>silhouette with a gun on a horse, you know. And Casey,

0:30:28.840 --> 0:30:31.800
<v Speaker 1>you know, she's an older woman now, but whenever we

0:30:31.880 --> 0:30:33.440
<v Speaker 1>made Barking Water, she was like, you know, I've been

0:30:33.480 --> 0:30:36.760
<v Speaker 1>a dead Indian and almost all the tribes, but my

0:30:36.880 --> 0:30:41.800
<v Speaker 1>own she's I'm really good looking dead outside of a tepee,

0:30:42.200 --> 0:30:46.160
<v Speaker 1>you know. And so they had these two roles where

0:30:46.800 --> 0:30:50.280
<v Speaker 1>they were able to express emotion and be truthful and

0:30:50.720 --> 0:30:54.560
<v Speaker 1>be human. And that premiered at sun Dance and played

0:30:54.560 --> 0:30:57.640
<v Speaker 1>at the Venice Film Festival in Italy and all these things,

0:30:57.640 --> 0:31:00.000
<v Speaker 1>and it was a you know, very low budget. Again,

0:31:00.040 --> 0:31:04.560
<v Speaker 1>I didn't make money. But at one point I worked

0:31:04.560 --> 0:31:07.880
<v Speaker 1>for an organization here called This Land Press and it

0:31:07.920 --> 0:31:12.120
<v Speaker 1>was a long form magazine and I did documentaries for him,

0:31:12.240 --> 0:31:15.080
<v Speaker 1>short documentaries, So I just kind of constantly was shooting.

0:31:15.400 --> 0:31:17.479
<v Speaker 1>What I really loved about that is to make money.

0:31:17.840 --> 0:31:20.120
<v Speaker 1>To do with doing these short documentaries is I learned

0:31:20.120 --> 0:31:23.240
<v Speaker 1>how to be a better filmmaker because doing the documentaries,

0:31:23.240 --> 0:31:25.480
<v Speaker 1>you got to walk in a room it's like I'm

0:31:25.480 --> 0:31:27.400
<v Speaker 1>shooting this scene. I got to know where the camera

0:31:27.480 --> 0:31:30.000
<v Speaker 1>goes like that, you know, I got to be able

0:31:30.040 --> 0:31:32.000
<v Speaker 1>to pull the performance out of you and I don't

0:31:32.000 --> 0:31:33.719
<v Speaker 1>know you, you know, it's like so it all helped

0:31:33.800 --> 0:31:37.600
<v Speaker 1>in training me kind of become the filmmaker that I am.

0:31:38.000 --> 0:31:39.800
<v Speaker 1>And I just kept doing it. Man, And then like

0:31:40.440 --> 0:31:42.400
<v Speaker 1>I did This Land, I did all these documentaries for

0:31:42.480 --> 0:31:45.720
<v Speaker 1>this Land. They're all online, they're short documentaries. I'm very

0:31:45.720 --> 0:31:47.360
<v Speaker 1>proud of all that work that I did. It was

0:31:47.480 --> 0:31:50.280
<v Speaker 1>taking telling stories and changing a community that was right

0:31:50.280 --> 0:31:53.720
<v Speaker 1>here where I'm at locally. This Land also produced the

0:31:53.760 --> 0:31:56.840
<v Speaker 1>documentary This Maybe the Last Time, which is about songs

0:31:56.840 --> 0:32:00.360
<v Speaker 1>and it's about my family and things like that. You know,

0:32:00.520 --> 0:32:02.000
<v Speaker 1>there's a point where I was going to quit. There

0:32:02.000 --> 0:32:04.400
<v Speaker 1>was a point where I wanted to start a nonprofit

0:32:04.840 --> 0:32:08.520
<v Speaker 1>that was gonna kind of teach Native youth how to

0:32:08.840 --> 0:32:13.200
<v Speaker 1>hunt wild game again, and also a food exchange where

0:32:13.880 --> 0:32:16.840
<v Speaker 1>we get elders like a processing plant and then you

0:32:16.880 --> 0:32:20.360
<v Speaker 1>give the meat to elders and also kind of reintroduce

0:32:20.920 --> 0:32:22.840
<v Speaker 1>wild game into their diet and teach them how to

0:32:22.920 --> 0:32:24.800
<v Speaker 1>cook it again. It was this idea that I had

0:32:24.840 --> 0:32:27.200
<v Speaker 1>that I was like, filmmaking is not paying the bills.

0:32:27.240 --> 0:32:28.640
<v Speaker 1>I got to do something else, and this would be

0:32:28.800 --> 0:32:31.920
<v Speaker 1>the second thing I'd wanted to do so and I

0:32:31.960 --> 0:32:34.680
<v Speaker 1>was really inspired. I was doing research for a documentary

0:32:34.720 --> 0:32:36.680
<v Speaker 1>and my friends up in the Northeast. There's a lot

0:32:36.720 --> 0:32:40.800
<v Speaker 1>of organizations like that with the Northeastern tribes where you know,

0:32:40.920 --> 0:32:44.520
<v Speaker 1>kind of a salmon exchange where they would reintegrate salmon

0:32:44.600 --> 0:32:48.440
<v Speaker 1>fishing back into their communities. You know, through colonization and whatever,

0:32:48.520 --> 0:32:52.800
<v Speaker 1>you get stripped away from traditional practice and modernization and whatever.

0:32:53.280 --> 0:32:56.440
<v Speaker 1>You know, your natural way of providing for your family

0:32:56.440 --> 0:32:59.320
<v Speaker 1>gets disrupted obviously, and so it's like, you know, they

0:32:59.320 --> 0:33:04.760
<v Speaker 1>were doing things reintroducing salmon fishing and cooking back into

0:33:04.760 --> 0:33:07.240
<v Speaker 1>the community. So I was like very inspired by that.

0:33:07.280 --> 0:33:09.760
<v Speaker 1>I was like, I'm gonna do that back home. And

0:33:09.800 --> 0:33:13.640
<v Speaker 1>then things changed, and I'd always gambled that they would change.

0:33:14.120 --> 0:33:17.360
<v Speaker 1>I just like, I'm gonna make movies in Oklahoma, and

0:33:17.400 --> 0:33:19.800
<v Speaker 1>I think at some point they'll want to make native

0:33:20.000 --> 0:33:23.840
<v Speaker 1>stuff at some point. And then what changed was streaming,

0:33:24.240 --> 0:33:26.360
<v Speaker 1>And all of a sudden, you didn't have to have

0:33:26.560 --> 0:33:31.040
<v Speaker 1>Tom Cruise on your poster to fund your stuff. Like

0:33:31.120 --> 0:33:34.080
<v Speaker 1>TV became this thing where you don't have to have

0:33:34.200 --> 0:33:36.880
<v Speaker 1>name actors. No one knows who they are, and it's okay,

0:33:37.000 --> 0:33:39.160
<v Speaker 1>Like it's kind of like benefits the show a little bit.

0:33:39.840 --> 0:33:42.520
<v Speaker 1>And all of a sudden, I started getting work and TV.

0:33:43.360 --> 0:33:45.520
<v Speaker 1>And I never thought I'd make TV, but like, I

0:33:45.720 --> 0:33:48.000
<v Speaker 1>started getting work in TV, and I was like, oh man.

0:33:48.320 --> 0:33:49.960
<v Speaker 1>And then like I would go to a meeting and

0:33:50.000 --> 0:33:52.560
<v Speaker 1>they'd be like Wow, you've done all of these films,

0:33:52.600 --> 0:33:54.680
<v Speaker 1>like you're so experienced. Where have you been? I'd been

0:33:54.720 --> 0:33:56.520
<v Speaker 1>like I've been here, man, like where have you been?

0:33:57.360 --> 0:33:59.840
<v Speaker 1>And so I don't know, like I saw it changing,

0:34:00.040 --> 0:34:02.920
<v Speaker 1>felt it changing. And then my friend who is Mallory

0:34:03.200 --> 0:34:06.120
<v Speaker 1>from the Indigenous people of New Zealand, Tackle y t

0:34:06.320 --> 0:34:09.279
<v Speaker 1>t who basically become you know, we're good friends. We

0:34:09.360 --> 0:34:11.760
<v Speaker 1>met in festivals with our films. We would show films

0:34:11.800 --> 0:34:14.640
<v Speaker 1>together at indigenous festivals throughout the because there's also the

0:34:14.680 --> 0:34:16.880
<v Speaker 1>indigenous circuit where we kind of hang out. And then

0:34:16.920 --> 0:34:19.560
<v Speaker 1>we'd find ourselves at a big festival and you automatically

0:34:19.640 --> 0:34:22.279
<v Speaker 1>find the indigenous crowd and you're like, I'm hanging out

0:34:22.280 --> 0:34:24.319
<v Speaker 1>with y'all, you know. And so me and Tackle became

0:34:24.360 --> 0:34:26.799
<v Speaker 1>really good friends. And then he became kind of a

0:34:26.840 --> 0:34:29.680
<v Speaker 1>superstar in front of me, like you know what we

0:34:29.760 --> 0:34:33.200
<v Speaker 1>do in the Shadows and thor Ragnarock, and you know,

0:34:33.239 --> 0:34:35.520
<v Speaker 1>people recognizing me. You can't walk down the street all

0:34:35.520 --> 0:34:37.000
<v Speaker 1>of a sudden with them. You know. I saw a

0:34:37.040 --> 0:34:39.960
<v Speaker 1>lot of people want things from him with that. Fame

0:34:40.080 --> 0:34:42.279
<v Speaker 1>comes to that, and so I never wanted him to

0:34:42.320 --> 0:34:44.359
<v Speaker 1>feel that way with me. So I was very much,

0:34:44.360 --> 0:34:48.120
<v Speaker 1>always like we're just friends. I'll talk to you about life,

0:34:48.560 --> 0:34:52.200
<v Speaker 1>you know. And one day he said, you know, I

0:34:52.280 --> 0:34:56.239
<v Speaker 1>have an overall deal at FX if you have any ideas,

0:34:56.680 --> 0:34:58.560
<v Speaker 1>like I need to pitch them shows. So if you

0:34:58.600 --> 0:35:01.359
<v Speaker 1>have any ideas, let me know. And he and I

0:35:01.360 --> 0:35:03.520
<v Speaker 1>had been reading each other's work for a long time,

0:35:04.440 --> 0:35:07.040
<v Speaker 1>so in very similar humor and all of that, and

0:35:07.040 --> 0:35:08.880
<v Speaker 1>so I was like, what if we took your script?

0:35:09.080 --> 0:35:11.480
<v Speaker 1>I talked about a specific script his and a script

0:35:11.520 --> 0:35:12.920
<v Speaker 1>that I had. I was like, what if we took

0:35:12.960 --> 0:35:14.680
<v Speaker 1>those two and combined him and made a show. And

0:35:14.760 --> 0:35:17.359
<v Speaker 1>we came up with the idea for reservation dogs that night,

0:35:18.200 --> 0:35:20.880
<v Speaker 1>and then basically he opened the door for me to

0:35:20.960 --> 0:35:24.320
<v Speaker 1>affects got a show, and he was like, I see it, buddy,

0:35:24.320 --> 0:35:26.360
<v Speaker 1>you go hope you do, hope you make it. You

0:35:26.440 --> 0:35:29.480
<v Speaker 1>hope you make it good, and you know, and obviously

0:35:29.560 --> 0:35:31.719
<v Speaker 1>I owed a lot to him and felt like I

0:35:31.719 --> 0:35:33.920
<v Speaker 1>didn't want to disappoint my friend who had put his

0:35:34.520 --> 0:35:36.600
<v Speaker 1>you know, walked me in and kind of helped open

0:35:36.600 --> 0:35:38.880
<v Speaker 1>a door for me. And so so I went and

0:35:38.880 --> 0:35:42.000
<v Speaker 1>made the show and it did well. And yeah, I

0:35:42.000 --> 0:35:43.719
<v Speaker 1>mean it was a long story of how I became

0:35:43.719 --> 0:35:51.920
<v Speaker 1>a filmmaker. I don't tell stories in a way that

0:35:52.040 --> 0:35:57.480
<v Speaker 1>excludes people. I grew up from a bunch of different

0:35:57.640 --> 0:36:00.920
<v Speaker 1>people that ended up in this continent, a bunch of

0:36:00.960 --> 0:36:04.640
<v Speaker 1>different ways, from many different cultures. I happened to be

0:36:04.680 --> 0:36:07.319
<v Speaker 1>a part of a very vibrant culture that sort of

0:36:08.239 --> 0:36:10.440
<v Speaker 1>took over the essence of my life because I was

0:36:10.440 --> 0:36:15.799
<v Speaker 1>born into it, and being native, it's big and I

0:36:15.800 --> 0:36:19.319
<v Speaker 1>would not choose to be anything else. But I grew

0:36:19.400 --> 0:36:21.920
<v Speaker 1>up in rural Oklahoma where there were a lot of

0:36:22.000 --> 0:36:24.600
<v Speaker 1>people from a lot of different backgrounds, and my family

0:36:24.640 --> 0:36:27.040
<v Speaker 1>from a lot of different backgrounds, and I found a

0:36:27.080 --> 0:36:32.080
<v Speaker 1>way to talk to everybody. And I really enjoy people

0:36:32.120 --> 0:36:35.480
<v Speaker 1>that don't come from where I come from, or know

0:36:35.600 --> 0:36:39.359
<v Speaker 1>everything about me, or have the same feelings and politics

0:36:39.400 --> 0:36:42.120
<v Speaker 1>and whatever is me. I think that I'm a more healthy,

0:36:42.160 --> 0:36:44.280
<v Speaker 1>well rounded person when I have a bunch of people

0:36:45.040 --> 0:36:48.239
<v Speaker 1>from different places coming in at once. And for me,

0:36:48.480 --> 0:36:51.799
<v Speaker 1>telling stories is my way of kind of pulling that

0:36:51.840 --> 0:36:56.040
<v Speaker 1>together and creating community that I grew up in. And

0:36:57.000 --> 0:36:59.799
<v Speaker 1>I feel like I miss the community that I grew

0:36:59.880 --> 0:37:02.360
<v Speaker 1>up in the town that I grew up in, and

0:37:02.440 --> 0:37:08.520
<v Speaker 1>I'm constantly creating that and you can't be divisive and

0:37:08.640 --> 0:37:10.960
<v Speaker 1>create that. For me, it was not a divisive place.

0:37:11.600 --> 0:37:13.920
<v Speaker 1>It was a very welcoming place. So when I tell stories,

0:37:13.960 --> 0:37:17.560
<v Speaker 1>I want to invite people in, and that means also

0:37:18.560 --> 0:37:21.439
<v Speaker 1>educating and teaching about where I'm from and who I am.

0:37:21.719 --> 0:37:24.239
<v Speaker 1>There's some things that I wouldn't teach about, you know,

0:37:24.480 --> 0:37:28.040
<v Speaker 1>like some of our ceremonial stuff I wouldn't talk about

0:37:28.080 --> 0:37:30.719
<v Speaker 1>and show because it's not meant to be shown. But

0:37:31.200 --> 0:37:34.799
<v Speaker 1>people trust me, and Native people trust me here, and

0:37:35.600 --> 0:37:38.200
<v Speaker 1>I like the cultural exchange of teaching other people and

0:37:38.239 --> 0:37:40.640
<v Speaker 1>telling stories from where I'm If I was telling stories

0:37:40.640 --> 0:37:42.320
<v Speaker 1>just for the people that I grew up with, that'd

0:37:42.320 --> 0:37:44.879
<v Speaker 1>be pretty boring to me. Like I'm trying to tell

0:37:44.960 --> 0:37:47.000
<v Speaker 1>stories about who we are to people that might have

0:37:47.040 --> 0:37:49.799
<v Speaker 1>a different idea of who we are and trying to

0:37:49.840 --> 0:37:51.640
<v Speaker 1>tell the truth about who we are a little bit more.

0:37:52.360 --> 0:37:54.719
<v Speaker 1>And with that, for me, I find the best way

0:37:54.800 --> 0:37:59.839
<v Speaker 1>is to be open and to be inviting and have

0:38:00.080 --> 0:38:03.839
<v Speaker 1>some sort of cultural exchange with people, and through that

0:38:03.960 --> 0:38:06.640
<v Speaker 1>I think that, uh, I think the world would be

0:38:06.640 --> 0:38:09.640
<v Speaker 1>better if we all did operated more like that, you know.

0:38:09.680 --> 0:38:12.080
<v Speaker 1>And that's why I also was a fan of this podcast.

0:38:12.160 --> 0:38:18.080
<v Speaker 1>And that's why I recognize you telling the story of Tokumsea,

0:38:18.520 --> 0:38:20.480
<v Speaker 1>and I don't have to agree with everything you say

0:38:20.560 --> 0:38:23.640
<v Speaker 1>or whatever, like the fact that you put it on

0:38:24.160 --> 0:38:29.239
<v Speaker 1>a podcast that caters towards usually I'm sure most of

0:38:29.280 --> 0:38:32.520
<v Speaker 1>your fans are white and outdoors people, and I think

0:38:32.520 --> 0:38:35.759
<v Speaker 1>there's been a lot of division between the outdoor world

0:38:35.880 --> 0:38:37.920
<v Speaker 1>and Native people, and I think that there's a lot

0:38:37.960 --> 0:38:41.080
<v Speaker 1>more similarities than we think, and so I think putting

0:38:41.120 --> 0:38:45.239
<v Speaker 1>those stories, these stories on your podcast is exactly what

0:38:45.320 --> 0:38:47.920
<v Speaker 1>I do by showing an how with blurred out eyes,

0:38:48.120 --> 0:38:50.400
<v Speaker 1>showing and telling you about my culture and trying to

0:38:50.440 --> 0:38:53.279
<v Speaker 1>share that just so there's more understanding between all of this.

0:38:53.440 --> 0:38:53.759
<v Speaker 1>I think.

0:38:53.880 --> 0:38:58.960
<v Speaker 2>So in Reservation Dogs, there's a viral scene where Stirling

0:38:59.160 --> 0:39:02.279
<v Speaker 2>blurred out the eyes of an owl that was in

0:39:02.320 --> 0:39:05.480
<v Speaker 2>a tree. There's really no explanation given in the show

0:39:05.520 --> 0:39:08.439
<v Speaker 2>of why he did this, but it's very much an

0:39:08.480 --> 0:39:12.760
<v Speaker 2>inside cultural joke. In all the Native people knew exactly

0:39:12.800 --> 0:39:16.759
<v Speaker 2>what it meant. Owls are bad news to almost all

0:39:16.840 --> 0:39:20.319
<v Speaker 2>North American Indian tribes, and Stirling was making light of it.

0:39:20.800 --> 0:39:21.120
<v Speaker 1>Again.

0:39:21.600 --> 0:39:25.359
<v Speaker 2>It was brilliant. I asked him to expound on his

0:39:25.520 --> 0:39:29.239
<v Speaker 2>doctrine on owls, which, as you all know, is a

0:39:29.280 --> 0:39:32.160
<v Speaker 2>beast that's close to my heart. I really hope this

0:39:32.280 --> 0:39:34.480
<v Speaker 2>doesn't mean that we can't be friends.

0:39:35.880 --> 0:39:39.000
<v Speaker 1>You grew up with a especially in my tribes, we

0:39:39.040 --> 0:39:44.160
<v Speaker 1>grew up with a healthy fear of owls. I mean really.

0:39:44.280 --> 0:39:47.120
<v Speaker 1>I was my buddy Jacob Tovar, who's a musician here

0:39:47.120 --> 0:39:49.040
<v Speaker 1>in town. He was at my house the other day.

0:39:49.280 --> 0:39:52.520
<v Speaker 1>We were outside, sitting on the deck, and all of

0:39:52.560 --> 0:39:55.640
<v Speaker 1>a sudden, I heard an owl, and you know, one's fine,

0:39:56.160 --> 0:39:58.839
<v Speaker 1>but then I heard two. They were talking to each

0:39:58.840 --> 0:40:02.040
<v Speaker 1>other in my backyard verse three or four, and I'm

0:40:02.040 --> 0:40:05.080
<v Speaker 1>freaking out. At this point, I'm like, and Jacob's cracking up.

0:40:05.280 --> 0:40:07.879
<v Speaker 1>Jacob's cracking out. He's like, are you like, no, it's

0:40:07.920 --> 0:40:09.960
<v Speaker 1>not an owl. For you know, it was like, dude,

0:40:10.000 --> 0:40:12.319
<v Speaker 1>I'm going in, Like I'm going inside, and like he

0:40:12.360 --> 0:40:16.160
<v Speaker 1>thought it was the funniest thing, just because he knows

0:40:16.320 --> 0:40:19.480
<v Speaker 1>he's grew over enough indiens that he knows how we feel.

0:40:20.560 --> 0:40:22.239
<v Speaker 1>But he's also like, it's just an owl. And I'm

0:40:22.280 --> 0:40:24.799
<v Speaker 1>just like, I'm going in, you know. And but we

0:40:24.840 --> 0:40:27.759
<v Speaker 1>grew up like, especially in my tribe, there's a couple

0:40:27.800 --> 0:40:31.279
<v Speaker 1>of things. It was a messenger of death and it

0:40:31.440 --> 0:40:35.759
<v Speaker 1>was telling you somebody's going to die. Also, we have

0:40:36.360 --> 0:40:41.839
<v Speaker 1>a sort of our biggest boogeyman. It's a stickinny and

0:40:43.040 --> 0:40:46.839
<v Speaker 1>that is a shape shifter, a person that could turn

0:40:46.880 --> 0:40:50.439
<v Speaker 1>themselves into an owl and get up to no good.

0:40:50.800 --> 0:40:56.319
<v Speaker 1>You know, there's sounds. So so that is like our

0:40:56.480 --> 0:40:59.360
<v Speaker 1>one of our biggest sort of that is the boogeyman.

0:40:59.480 --> 0:41:01.920
<v Speaker 1>For us, it's like watch out for stiguineas you know,

0:41:02.719 --> 0:41:06.040
<v Speaker 1>and so nothing good is happening when you hear it owl.

0:41:06.280 --> 0:41:09.799
<v Speaker 1>It's either you know someone's gonna die or someone has

0:41:09.840 --> 0:41:13.080
<v Speaker 1>shape shifted into one and they're coming for you.

0:41:13.080 --> 0:41:13.239
<v Speaker 2>You know.

0:41:13.320 --> 0:41:16.280
<v Speaker 1>Any way, you're screwed. I guess it didn't.

0:41:16.800 --> 0:41:19.040
<v Speaker 2>It didn't make it into the Native American tribes that

0:41:19.200 --> 0:41:21.360
<v Speaker 2>the barred owl is one of the greatest turkey shop

0:41:21.800 --> 0:41:22.759
<v Speaker 2>gobbles of all time.

0:41:22.840 --> 0:41:26.239
<v Speaker 1>That's true, it is. But yeah, exactly see that even

0:41:26.239 --> 0:41:32.719
<v Speaker 1>freaks me out. But you know, it's like there's a

0:41:32.800 --> 0:41:35.200
<v Speaker 1>reverence and a respect for the animal, you know, where

0:41:35.239 --> 0:41:37.160
<v Speaker 1>it's like, you know, a lot of people will say

0:41:37.200 --> 0:41:41.400
<v Speaker 1>that it's a messenger of change, not just death. But

0:41:41.960 --> 0:41:44.880
<v Speaker 1>my dad's only memory of my grandpa died when he

0:41:45.000 --> 0:41:47.640
<v Speaker 1>was five. It's him shooting an owl out of a tree.

0:41:47.920 --> 0:41:52.520
<v Speaker 1>You know. I've been hiking with a friend and an

0:41:52.600 --> 0:41:55.879
<v Speaker 1>owl starts calling at us, and it feels like it's

0:41:55.960 --> 0:41:58.680
<v Speaker 1>kind of following us. We're both like, God, he's a

0:41:58.760 --> 0:42:01.719
<v Speaker 1>lask native, you know, and I'm but same they. I mean,

0:42:01.800 --> 0:42:03.920
<v Speaker 1>they're up there, we're down here. They had the same views.

0:42:04.560 --> 0:42:06.640
<v Speaker 1>And so we're hiking out of there, going We're gonna

0:42:06.640 --> 0:42:08.640
<v Speaker 1>get out of here and all this could be coincidence,

0:42:08.680 --> 0:42:10.560
<v Speaker 1>but you know, it's like how you grow up. You

0:42:10.640 --> 0:42:14.000
<v Speaker 1>choose to believe what you know. We're we're a quarter

0:42:14.040 --> 0:42:15.800
<v Speaker 1>mile down the road. Once we got to the car

0:42:15.960 --> 0:42:19.120
<v Speaker 1>and he got a phone call, and it's like your

0:42:19.160 --> 0:42:22.000
<v Speaker 1>cousin that grew up like his brothers killed and so

0:42:22.080 --> 0:42:25.480
<v Speaker 1>it's like you see, you see stuff enough. Or maybe

0:42:25.560 --> 0:42:28.880
<v Speaker 1>if we had the same feeling about a robin, it

0:42:28.920 --> 0:42:32.160
<v Speaker 1>also would connect in ways that I'm saying the owl does.

0:42:32.239 --> 0:42:34.839
<v Speaker 1>But I'm saying the owl connects in ways that in

0:42:34.840 --> 0:42:37.440
<v Speaker 1>my life that that has happened, you know. So so

0:42:37.520 --> 0:42:39.600
<v Speaker 1>if I hear four talking to each other in my backyard,

0:42:39.600 --> 0:42:43.040
<v Speaker 1>I'm gonna go inside. Yeah, so we put an owl

0:42:43.120 --> 0:42:48.120
<v Speaker 1>there was an owl outside of a Uncle Brownie's house

0:42:48.160 --> 0:42:51.960
<v Speaker 1>hanging there, and we as a joke as a for

0:42:52.080 --> 0:42:55.239
<v Speaker 1>the natives that blurred the eyes out, you know, which

0:42:55.239 --> 0:42:57.800
<v Speaker 1>I just thought was hilarious and like a good visual joke,

0:42:57.880 --> 0:42:59.960
<v Speaker 1>you know, but also like what I didn't realize is

0:43:00.080 --> 0:43:03.040
<v Speaker 1>how many non natives would be really curious about what

0:43:03.080 --> 0:43:06.319
<v Speaker 1>that meant. It's one of the biggest questions that I get.

0:43:06.360 --> 0:43:08.960
<v Speaker 1>It's like, what was it with the blurred out eyes

0:43:09.000 --> 0:43:11.040
<v Speaker 1>on the owl? You know? And then like I've seen

0:43:11.080 --> 0:43:13.719
<v Speaker 1>it on Facebook and different chat things where someone will

0:43:13.800 --> 0:43:16.799
<v Speaker 1>ask and the native people on there will be very

0:43:16.840 --> 0:43:19.640
<v Speaker 1>patient sort of describe why, you know. Like it's kind

0:43:19.640 --> 0:43:22.480
<v Speaker 1>of a beautiful exchange of like culture, and it's kind

0:43:22.480 --> 0:43:25.399
<v Speaker 1>of the best thing about the show is like it's

0:43:25.440 --> 0:43:28.120
<v Speaker 1>a welcoming show and people are curious about things, you know.

0:43:28.200 --> 0:43:31.640
<v Speaker 1>It doesn't feel like it's talking down to anyone or

0:43:32.239 --> 0:43:35.040
<v Speaker 1>I had originally written in there that it was a

0:43:35.080 --> 0:43:39.400
<v Speaker 1>taxidermy now, but my friend that directed it is Navajo.

0:43:39.800 --> 0:43:43.359
<v Speaker 1>Well Navajos could even be more superstitious, you know, and

0:43:43.360 --> 0:43:46.480
<v Speaker 1>he's like, there's no tax derval, Like we're gonna get

0:43:46.600 --> 0:43:49.600
<v Speaker 1>We're gonna get a porcelain now, and so you know,

0:43:49.719 --> 0:43:52.080
<v Speaker 1>it's not a taxi every now, it's just like a

0:43:52.120 --> 0:43:55.000
<v Speaker 1>it's a porcelain or something. You know, it's a plastic.

0:43:55.040 --> 0:44:03.480
<v Speaker 2>I think, Yeah, what's the future going to be like

0:44:03.520 --> 0:44:03.799
<v Speaker 2>for you?

0:44:04.840 --> 0:44:07.560
<v Speaker 1>There's some stuff that I want to meg. I'm working

0:44:07.600 --> 0:44:10.000
<v Speaker 1>on this Jim Thorpe project. I have this new show

0:44:10.040 --> 0:44:13.480
<v Speaker 1>with Ethan Hawk that I'm doing. It takes place in Tulsa.

0:44:13.680 --> 0:44:17.239
<v Speaker 1>I'm trying to build more of an industry here. That's

0:44:17.400 --> 0:44:18.799
<v Speaker 1>part of what I want to do. I want to

0:44:18.800 --> 0:44:21.239
<v Speaker 1>bring education in for film as well. I have a

0:44:21.320 --> 0:44:23.799
<v Speaker 1>thing called the Tulsa Artist Tulsa Film Collective that we

0:44:23.840 --> 0:44:26.759
<v Speaker 1>show films and bring artists in the filmmakers. If I'm

0:44:26.760 --> 0:44:30.200
<v Speaker 1>doing an animated movie that's actually down in Florida Seminole,

0:44:30.800 --> 0:44:32.920
<v Speaker 1>I just you know, kind of want to I'm raising

0:44:32.960 --> 0:44:35.879
<v Speaker 1>my kids here, you know, and it's like I want

0:44:35.880 --> 0:44:39.680
<v Speaker 1>to make the place better and I want to make

0:44:39.800 --> 0:44:41.839
<v Speaker 1>Native people more visible in the city. I mean, when

0:44:41.880 --> 0:44:43.600
<v Speaker 1>I first came to Tulsa, I have a film called

0:44:43.680 --> 0:44:47.640
<v Speaker 1>Miko and it's about a homeless community and Natives and

0:44:48.719 --> 0:44:51.160
<v Speaker 1>Tulsa because when I first got here, that's the only

0:44:51.239 --> 0:44:53.279
<v Speaker 1>place I remember, like I was missing home. The only

0:44:53.280 --> 0:44:56.280
<v Speaker 1>place I could find Native people faces was in the streets,

0:44:56.960 --> 0:45:02.640
<v Speaker 1>and I made this movie about that fictional but it's

0:45:02.719 --> 0:45:05.319
<v Speaker 1>changed a lot since then. I think that Tuls has

0:45:05.360 --> 0:45:08.880
<v Speaker 1>taken more pride in that side of things, and I

0:45:08.920 --> 0:45:10.960
<v Speaker 1>hope to kind of be a part of more of that.

0:45:11.120 --> 0:45:15.960
<v Speaker 2>You know, I hope you've enjoyed hearing from Sterling as

0:45:16.040 --> 0:45:19.560
<v Speaker 2>much as I did. He has an unassuming and honest

0:45:19.600 --> 0:45:23.640
<v Speaker 2>way of communicating that's unique and draws you into the circle.

0:45:24.360 --> 0:45:26.799
<v Speaker 2>I think what he's doing for his community and for

0:45:26.880 --> 0:45:31.040
<v Speaker 2>people outside of his community is important. This is actually

0:45:31.239 --> 0:45:33.560
<v Speaker 2>just the beginning of a focus we're going to have

0:45:33.600 --> 0:45:39.080
<v Speaker 2>on the Seminole people, and specifically a leader in Sterling's background,

0:45:39.719 --> 0:45:44.600
<v Speaker 2>the famed Floridian Seminole Osceola. It's a story of how

0:45:44.640 --> 0:45:47.480
<v Speaker 2>he and his people put up the most difficult military

0:45:47.600 --> 0:45:52.160
<v Speaker 2>resistance to America in history, and how they never lost

0:45:52.840 --> 0:45:57.800
<v Speaker 2>and remain what they call unconquered. It's a wild story

0:45:58.320 --> 0:46:01.560
<v Speaker 2>that I know you'll enjoy. I can't thank you enough

0:46:01.600 --> 0:46:05.080
<v Speaker 2>for listening to Bear Grease. I look forward to talking

0:46:05.120 --> 0:46:08.120
<v Speaker 2>to everyone on the Render next week, and don't forget

0:46:08.120 --> 0:46:12.720
<v Speaker 2>about that akron ak er n pro inhale exhale grunt

0:46:12.800 --> 0:46:16.120
<v Speaker 2>Call by Phelps. Thank you so much for listening to

0:46:16.200 --> 0:46:21.920
<v Speaker 2>Bear Grease and my commercial fishing on assignment undercover agent

0:46:22.040 --> 0:46:25.799
<v Speaker 2>Brent Reeves, this country life podcast. We really put our

0:46:25.800 --> 0:46:28.319
<v Speaker 2>heart and soul into all this, and we thank you

0:46:28.400 --> 0:46:32.400
<v Speaker 2>guys for listening. Keep the Wild Places Wild