WEBVTT - Episode 320 w/ Scott Storch

0:00:00.080 --> 0:00:02.480
<v Speaker 1>Welcome to Drink Champs, the production of The Black Effect

0:00:02.520 --> 0:00:18.160
<v Speaker 1>and I Heart Radio and his Drink Chess, motherfucking podcast.

0:00:18.600 --> 0:00:21.919
<v Speaker 1>He's a legendary queen's rapper. He's Segre's your boy in

0:00:21.960 --> 0:00:25.279
<v Speaker 1>the r He's a Miami hip hop pioneer. Up is

0:00:25.360 --> 0:00:27.920
<v Speaker 1>d J e f N. Together they drinking up with

0:00:28.000 --> 0:00:32.440
<v Speaker 1>some of the biggest players in the most professional unprofessional

0:00:32.640 --> 0:00:35.760
<v Speaker 1>podcast and your number one sorts for drunk fast drink

0:00:36.840 --> 0:00:40.479
<v Speaker 1>every day is New year'sz. It's time for Drink Champs,

0:00:40.880 --> 0:00:49.600
<v Speaker 1>Drink Up, the What did Cook Me? Hops? The super

0:00:49.760 --> 0:00:52.519
<v Speaker 1>Ship Boy? What up is d J e f n?

0:00:52.600 --> 0:00:55.240
<v Speaker 1>Let's say Crazy Wore Radio? Drink Chaps, motherfucking y'all call

0:01:00.600 --> 0:01:02.600
<v Speaker 1>right now. As we do every episode, we make a

0:01:02.640 --> 0:01:06.520
<v Speaker 1>playlist and we listen to the artists that we're about

0:01:06.560 --> 0:01:09.480
<v Speaker 1>to study. The artists that we're about to you don't interview.

0:01:10.080 --> 0:01:12.920
<v Speaker 1>And when I tell you this man has worked with

0:01:13.040 --> 0:01:18.959
<v Speaker 1>everyone from the poppets of the Poppets to the hardcore.

0:01:19.080 --> 0:01:21.880
<v Speaker 1>This is of the hardcourse you know back in the

0:01:21.959 --> 0:01:26.720
<v Speaker 1>days to say that's that's that's a certain sound. His

0:01:26.959 --> 0:01:35.319
<v Speaker 1>sound is sold complicated soul. He can make anything. If

0:01:35.560 --> 0:01:38.400
<v Speaker 1>you don't say he's in your top five. Your top

0:01:38.520 --> 0:01:44.240
<v Speaker 1>five says that he's in the top five. He's a producer, producer,

0:01:45.280 --> 0:01:50.680
<v Speaker 1>not just pianos. He's a whole flash. He's been out

0:01:50.720 --> 0:01:53.000
<v Speaker 1>here doing what he gotta do, pulled up in the

0:01:53.080 --> 0:01:57.920
<v Speaker 1>Ferrari and the dawn just in the daytime, because that's

0:01:57.960 --> 0:02:02.440
<v Speaker 1>how he wanna do. He's been doing it so long

0:02:02.920 --> 0:02:06.600
<v Speaker 1>and continue to do it. Success apart success. In case

0:02:06.640 --> 0:02:10.239
<v Speaker 1>you don't know who the I'm talking about one, Scott

0:02:10.320 --> 0:02:17.520
<v Speaker 1>mother flash Ire Chance lum Nights had his first time

0:02:17.520 --> 0:02:18.800
<v Speaker 1>on the last time we had you want to hear

0:02:18.840 --> 0:02:21.399
<v Speaker 1>with the homeboy Steve Lavell and I know he's trying

0:02:21.400 --> 0:02:24.000
<v Speaker 1>to be InCom negro, but we're gonna get in or later.

0:02:24.200 --> 0:02:28.800
<v Speaker 1>But Scott, immediately as soon as I noticed this um,

0:02:29.320 --> 0:02:31.679
<v Speaker 1>as soon as you pulled up, I immediately noticed for

0:02:31.800 --> 0:02:36.960
<v Speaker 1>for Hare and the dog. I love that, but also

0:02:37.440 --> 0:02:40.120
<v Speaker 1>also somewhat feels sorry and not. I feel sorry in

0:02:40.160 --> 0:02:43.359
<v Speaker 1>a bad way, but I feel sorry because you can't

0:02:43.520 --> 0:02:46.400
<v Speaker 1>never not do that. I don't want if you come

0:02:46.440 --> 0:02:48.880
<v Speaker 1>into Dogs Chrysler, think it's gonna be like Scott thoughts

0:02:48.960 --> 0:02:53.840
<v Speaker 1>fell Off. I don't really give a funk if my

0:02:53.880 --> 0:02:56.800
<v Speaker 1>boys want to judge me. I'll go out and whatever,

0:02:56.919 --> 0:03:02.280
<v Speaker 1>regular whatever. I've never seen your regular cars because it things.

0:03:02.960 --> 0:03:09.359
<v Speaker 1>Let's make good. We never see you. We got twenty

0:03:09.440 --> 0:03:12.239
<v Speaker 1>years and I've always seen you in the fierness, So

0:03:12.360 --> 0:03:15.639
<v Speaker 1>the your eagerness. M and what does that come from?

0:03:15.800 --> 0:03:19.080
<v Speaker 1>What does that like that you want? I mean, obviously

0:03:19.120 --> 0:03:20.519
<v Speaker 1>I know what. I want to funk the fans to

0:03:20.600 --> 0:03:22.679
<v Speaker 1>know that. I mean, we work hard, and you know

0:03:22.800 --> 0:03:25.359
<v Speaker 1>these are just symbols and medals and from honor that

0:03:25.800 --> 0:03:28.160
<v Speaker 1>you get from putting in your work. Man, you know

0:03:28.160 --> 0:03:30.760
<v Speaker 1>what I'm saying, It's inspiration to others. It's like kal

0:03:30.880 --> 0:03:34.880
<v Speaker 1>it says right, since for inspirational purposes only right right? No?

0:03:35.560 --> 0:03:38.640
<v Speaker 1>I love that love. I love that. So that's that's

0:03:38.680 --> 0:03:41.120
<v Speaker 1>the thing is when I'm going through your disography, like

0:03:41.240 --> 0:03:43.160
<v Speaker 1>you could really work with people. What's that man named

0:03:43.200 --> 0:03:48.600
<v Speaker 1>Adam's name? Adams? You were with Adam Hiss and d

0:03:48.800 --> 0:03:50.640
<v Speaker 1>MX in the same week. How does that work out?

0:03:51.360 --> 0:03:53.400
<v Speaker 1>I mean, you know what it is. I'm a chameleon.

0:03:53.680 --> 0:03:56.960
<v Speaker 1>I just love all music. You know, good music is

0:03:57.000 --> 0:03:59.440
<v Speaker 1>what I like. If music is good, it's good. But

0:03:59.640 --> 0:04:02.600
<v Speaker 1>I don't we're gonna waite ship. But I like all

0:04:02.640 --> 0:04:04.520
<v Speaker 1>different kinds of music, and it's a challenge to go

0:04:04.640 --> 0:04:06.680
<v Speaker 1>where I haven't gone before, you know what I mean? Okay,

0:04:06.800 --> 0:04:09.440
<v Speaker 1>and and and excel at it. Let's know, let's bounce

0:04:09.440 --> 0:04:12.360
<v Speaker 1>around a little bit, right because we see the verses

0:04:13.600 --> 0:04:16.640
<v Speaker 1>when fresh I don't think you ever kind of addressed

0:04:16.640 --> 0:04:21.760
<v Speaker 1>that cold lightly addressed it. Have you addressed it? Not? Really? Okay?

0:04:23.120 --> 0:04:25.679
<v Speaker 1>Well tell us to explained to us exactly what happened,

0:04:25.680 --> 0:04:28.000
<v Speaker 1>because was that the time where you guys weren't in

0:04:28.040 --> 0:04:31.240
<v Speaker 1>the same room. Correct, Yeah, this was the beginning of versus.

0:04:31.360 --> 0:04:35.280
<v Speaker 1>This was like literally like the birth of Versus, you know,

0:04:35.400 --> 0:04:40.200
<v Speaker 1>Timberland and Swiss of Brothers of mine um, And it

0:04:40.400 --> 0:04:42.719
<v Speaker 1>was something great that was going on in the beginning

0:04:42.760 --> 0:04:45.400
<v Speaker 1>of the pandemic. And it was so exciting because my

0:04:45.520 --> 0:04:47.720
<v Speaker 1>fucker's were stuck in their house and it was a

0:04:47.800 --> 0:04:50.800
<v Speaker 1>chancellor for people to shine and we had no idea

0:04:52.160 --> 0:04:54.440
<v Speaker 1>like how big it would have it was gonna get,

0:04:54.560 --> 0:04:57.560
<v Speaker 1>but it was still even at that time, you know,

0:04:57.760 --> 0:05:01.320
<v Speaker 1>like crashing Instagram and like you know, like it was.

0:05:01.800 --> 0:05:04.960
<v Speaker 1>It was. It was an amazing thing. And I think

0:05:06.160 --> 0:05:11.600
<v Speaker 1>I could have had a better suited opponent. I'm not

0:05:11.640 --> 0:05:18.080
<v Speaker 1>sure it's not a shot, but our cataloze I'm saying,

0:05:18.160 --> 0:05:20.520
<v Speaker 1>our catalog is living a different place. Yeah, yeah, yeah,

0:05:20.520 --> 0:05:23.000
<v Speaker 1>you know what I'm saying. No, no disrespect, Mane Crash

0:05:23.240 --> 0:05:26.440
<v Speaker 1>got joints, but you know what I mean. I got

0:05:26.480 --> 0:05:28.200
<v Speaker 1>a lot of joints, but you felt like you want

0:05:28.279 --> 0:05:31.040
<v Speaker 1>that night. Let's be clear for sure. I didn't even

0:05:31.120 --> 0:05:33.719
<v Speaker 1>go into I didn't even go into the whole step.

0:05:34.480 --> 0:05:36.400
<v Speaker 1>You know what I'm saying. I left a lot of

0:05:36.480 --> 0:05:39.040
<v Speaker 1>my poppier stuff out and like, you know, because at

0:05:39.080 --> 0:05:41.040
<v Speaker 1>that time, I mean that this rule was kind of

0:05:41.080 --> 0:05:42.719
<v Speaker 1>fell out the window. But it was like a song

0:05:42.839 --> 0:05:44.800
<v Speaker 1>for song types of stuff like what you got for

0:05:44.920 --> 0:05:46.600
<v Speaker 1>this like that, you know what I mean. Like so

0:05:47.040 --> 0:05:50.360
<v Speaker 1>now people just put whatever like it just goes. Now,

0:05:50.440 --> 0:05:52.960
<v Speaker 1>let's put this, let's put this. He was done with that, right,

0:05:53.240 --> 0:05:56.720
<v Speaker 1>I'm done, Okay, cool, let's put this to room to rest.

0:05:57.240 --> 0:06:01.280
<v Speaker 1>Fat Show always says he made Candy shot. I just

0:06:01.440 --> 0:06:06.920
<v Speaker 1>can't see Joe. He always says he made it that.

0:06:07.279 --> 0:06:12.400
<v Speaker 1>Joe is my brother, one of the most talented motherfuckers,

0:06:12.920 --> 0:06:15.640
<v Speaker 1>and he changed my life in so many ways. When

0:06:15.720 --> 0:06:18.240
<v Speaker 1>he said my name on lean Back and me and

0:06:18.360 --> 0:06:21.040
<v Speaker 1>him would hang out in the studio and do different

0:06:21.040 --> 0:06:26.080
<v Speaker 1>stuff and and you know, the folk of the main

0:06:26.200 --> 0:06:28.520
<v Speaker 1>part of the song, you know what I mean all that, Like, yeah,

0:06:28.560 --> 0:06:31.800
<v Speaker 1>obviously it's my language, it's my keyboards, my drums, all

0:06:31.880 --> 0:06:34.320
<v Speaker 1>that stuff. And but you know, I sat he was

0:06:34.360 --> 0:06:36.720
<v Speaker 1>an inspiration to me during the making that and then

0:06:36.800 --> 0:06:41.159
<v Speaker 1>his suggestion to put the dude dude but he hit.

0:06:41.440 --> 0:06:45.600
<v Speaker 1>But I mean he doesn't record. Is he a writer

0:06:45.800 --> 0:06:50.280
<v Speaker 1>on the record? Like technically yea by saying let's you

0:06:50.400 --> 0:06:55.599
<v Speaker 1>use this, you know, yeah, you know, I'm not taking

0:06:55.600 --> 0:06:58.600
<v Speaker 1>credit with him. Look, I love collaborating with people. But

0:06:59.200 --> 0:07:02.520
<v Speaker 1>you know, this particular instance, we were in the room

0:07:02.560 --> 0:07:05.200
<v Speaker 1>we made it, but I was making that song for him,

0:07:05.640 --> 0:07:07.840
<v Speaker 1>for him, for him. It wasn't making that song for

0:07:07.920 --> 0:07:13.040
<v Speaker 1>fifty second So how Walker wasn't when um actually wants

0:07:13.120 --> 0:07:15.760
<v Speaker 1>this record and there at the time, well no, here's

0:07:15.760 --> 0:07:20.120
<v Speaker 1>the thing. I was like calling after we made that song.

0:07:20.240 --> 0:07:21.960
<v Speaker 1>I was like, Yo, we got one bro. This is

0:07:22.120 --> 0:07:24.960
<v Speaker 1>like to me in my eyes, Yeah, I was telling

0:07:25.040 --> 0:07:27.040
<v Speaker 1>him like, Yo, this is this is fine. He's like,

0:07:27.200 --> 0:07:30.000
<v Speaker 1>I don't know, it's a little soft. H it seems

0:07:30.040 --> 0:07:32.320
<v Speaker 1>like I'm dead poppy for me and this and that

0:07:32.400 --> 0:07:35.800
<v Speaker 1>I'm like, Joe, this is a hot records like now

0:07:35.880 --> 0:07:39.720
<v Speaker 1>I don't want it, Like okay, so I have certain

0:07:40.360 --> 0:07:42.280
<v Speaker 1>you know a little like at that time, I think

0:07:42.320 --> 0:07:44.720
<v Speaker 1>we were using CDs or dad tapes or something and

0:07:44.960 --> 0:07:47.240
<v Speaker 1>collections of beats when artists come in, I'm playing for

0:07:47.360 --> 0:07:51.120
<v Speaker 1>him and this and that Fifty came into Miami and

0:07:51.240 --> 0:07:53.200
<v Speaker 1>he heard he heard that beat. It was on my

0:07:53.320 --> 0:07:57.000
<v Speaker 1>little playlist of stuff I was, you know, selling shopping,

0:07:57.760 --> 0:08:00.520
<v Speaker 1>and he went crazy for it. So and because it

0:08:00.560 --> 0:08:02.160
<v Speaker 1>was a beef and because of all the crazy ship,

0:08:02.240 --> 0:08:04.360
<v Speaker 1>I called Joe and I was like, oh man, if

0:08:04.440 --> 0:08:06.280
<v Speaker 1>this happens. And then he changed his mind and I

0:08:06.360 --> 0:08:11.480
<v Speaker 1>was like, Joe, I have a client that the Scott.

0:08:11.840 --> 0:08:13.960
<v Speaker 1>Enough with this beat already, I don't want to beat.

0:08:13.960 --> 0:08:16.320
<v Speaker 1>I'm like you sure, you're short, you're short, You're short.

0:08:17.120 --> 0:08:19.400
<v Speaker 1>I don't want to beat. And I'm like all right,

0:08:20.120 --> 0:08:27.320
<v Speaker 1>cool that day, that ship that day and just a

0:08:27.440 --> 0:08:33.959
<v Speaker 1>little bit so yeah to two joints. And I remember

0:08:36.120 --> 0:08:38.040
<v Speaker 1>right before that ship came out, I got a call

0:08:38.120 --> 0:08:40.600
<v Speaker 1>from fifty and he was like, bro, for whatever reason,

0:08:40.640 --> 0:08:42.200
<v Speaker 1>I don't know what the politics behind the calls. When

0:08:42.240 --> 0:08:44.520
<v Speaker 1>he's like, yo, you saved me. He's like, you gave me,

0:08:45.600 --> 0:08:48.280
<v Speaker 1>you gave me fire, and I'm like, okay, cool, I

0:08:48.400 --> 0:08:51.120
<v Speaker 1>love it, you know, and then boom they both hit

0:08:51.800 --> 0:08:56.400
<v Speaker 1>amazing videos, amazing songs and went crazy. They oh chart

0:08:56.480 --> 0:09:03.160
<v Speaker 1>topping songs, noise, Joe's both of our brothers. Was he

0:09:03.200 --> 0:09:06.320
<v Speaker 1>a little confusible? Something to kill gladly boor it for you? Sthon?

0:09:06.760 --> 0:09:08.800
<v Speaker 1>What is what else you got? We got? We got?

0:09:08.880 --> 0:09:11.559
<v Speaker 1>We got to kill? You want to you know what?

0:09:11.600 --> 0:09:16.080
<v Speaker 1>I mean? My wanna suggest I suggest bout my water

0:09:16.120 --> 0:09:17.920
<v Speaker 1>at off. I mean, I'm on a drink. Chap just

0:09:18.040 --> 0:09:20.400
<v Speaker 1>got damn it Like god, damn it makes nor Scott

0:09:23.240 --> 0:09:24.880
<v Speaker 1>So who was it? Who was it? Like? When Joe

0:09:24.960 --> 0:09:28.800
<v Speaker 1>actually finally got to hear um, it was cool, he

0:09:28.880 --> 0:09:34.280
<v Speaker 1>was cool. Yeah you know what, Yeah, that's Joe's that's family. Yes.

0:09:34.800 --> 0:09:42.480
<v Speaker 1>So moving on, we had game more here. Gave made

0:09:42.520 --> 0:09:47.920
<v Speaker 1>some serious allegations. I didn't know houses if I don't

0:09:47.920 --> 0:09:51.960
<v Speaker 1>answer these questions, I got a drink, you went too.

0:09:53.880 --> 0:09:56.959
<v Speaker 1>But games said something that shook up the end of that.

0:09:57.040 --> 0:10:00.040
<v Speaker 1>And I'm not even talking about I'm not even to

0:10:01.080 --> 0:10:04.920
<v Speaker 1>a generic part of game interview for this one. He said,

0:10:05.000 --> 0:10:08.559
<v Speaker 1>he said, he said Kanye has done more for him

0:10:09.280 --> 0:10:13.200
<v Speaker 1>in the past two weeks that Dr Dre has done

0:10:14.600 --> 0:10:18.000
<v Speaker 1>his whole career. How much y'all get him to drink

0:10:18.040 --> 0:10:19.880
<v Speaker 1>that day? No, this is before he was drunk, so

0:10:19.920 --> 0:10:23.440
<v Speaker 1>I didn't get it brought it from. He wasn't drinking

0:10:23.480 --> 0:10:25.520
<v Speaker 1>at that point when he said that was the very beginning.

0:10:25.600 --> 0:10:27.680
<v Speaker 1>This was the very beginning. It's like when people say

0:10:27.760 --> 0:10:29.599
<v Speaker 1>things when they're in the mood or they feel in

0:10:29.760 --> 0:10:32.600
<v Speaker 1>certain ways about certain situations. I don't know the politics

0:10:32.679 --> 0:10:36.040
<v Speaker 1>are the dynamics behind it, but I can tell you this,

0:10:36.520 --> 0:10:42.920
<v Speaker 1>but Dr Dre paved the way. That's it. That's all

0:10:43.000 --> 0:10:46.640
<v Speaker 1>I can say. Dr Dre has done so much for

0:10:46.760 --> 0:10:50.160
<v Speaker 1>so many people. But to even I don't know. I

0:10:50.200 --> 0:10:51.880
<v Speaker 1>don't I don't want to have an opinion because I

0:10:52.040 --> 0:10:56.080
<v Speaker 1>love game. It's the only and it's a weird business man,

0:10:56.400 --> 0:10:59.520
<v Speaker 1>and you gotta be real careful about politics. But you

0:10:59.559 --> 0:11:03.360
<v Speaker 1>know what I mean, Like honestly, because I've had so

0:11:03.440 --> 0:11:09.600
<v Speaker 1>many difficult moments. You know, I worked with Takashi six nine. Yeah,

0:11:09.640 --> 0:11:14.400
<v Speaker 1>we just heard that on your playlist and now all

0:11:14.480 --> 0:11:18.320
<v Speaker 1>went bad. Like you know what I'm saying. Like at

0:11:18.360 --> 0:11:20.319
<v Speaker 1>the time we made what I felt was a fucking

0:11:20.360 --> 0:11:22.880
<v Speaker 1>crazy record. You can't take that away from the man. Look,

0:11:23.280 --> 0:11:25.520
<v Speaker 1>you know what I'm saying. And it's difficult, Like when

0:11:25.559 --> 0:11:27.240
<v Speaker 1>you're in person and all of a sudden you see

0:11:27.320 --> 0:11:28.959
<v Speaker 1>somebody and you're like, oh, ship, now I'm gonna have

0:11:29.000 --> 0:11:31.080
<v Speaker 1>to take pictures and and this and that and blah

0:11:31.080 --> 0:11:32.839
<v Speaker 1>blah bad and people are gonna shoot on me and

0:11:33.160 --> 0:11:36.240
<v Speaker 1>all that. Ship. It's it's it's hard, man. But you didn't.

0:11:36.240 --> 0:11:40.000
<v Speaker 1>You didn't work with him after he it was before Okay, Yeah,

0:11:40.080 --> 0:11:44.480
<v Speaker 1>that's that's respectful him. Yeah, I'm just saying, like I've been.

0:11:44.679 --> 0:11:48.199
<v Speaker 1>You know, it is what it is. You gotta know

0:11:50.200 --> 0:11:52.760
<v Speaker 1>where the art meets the business. I will say this,

0:11:54.400 --> 0:12:00.720
<v Speaker 1>Takashi Records be streaming. Boy, those insiduals that you don't

0:12:00.760 --> 0:12:02.679
<v Speaker 1>not saying that I'm I'm saying. I'm just saying that

0:12:02.760 --> 0:12:05.760
<v Speaker 1>was that was bad. Yeah, I know, but no, I'm

0:12:05.800 --> 0:12:10.360
<v Speaker 1>not working with him. You're working on now that? Um yeah,

0:12:10.480 --> 0:12:14.800
<v Speaker 1>yeah I don't. I don't see a reason why. No. Yeah,

0:12:15.559 --> 0:12:18.520
<v Speaker 1>you've worked worked for so many people like, I ain't

0:12:18.520 --> 0:12:21.800
<v Speaker 1>gonna lie. I ain't gonna lie. I really was listening

0:12:21.840 --> 0:12:23.920
<v Speaker 1>to the disiography to say, and I was just like

0:12:24.760 --> 0:12:26.520
<v Speaker 1>a part of me is like, why do you even

0:12:26.640 --> 0:12:30.160
<v Speaker 1>still love this game? Like this, Like after completing everything,

0:12:30.240 --> 0:12:32.839
<v Speaker 1>like work with Dr Dre, working with jay Z, were

0:12:32.960 --> 0:12:40.040
<v Speaker 1>with everyone there, Like I generate money from other businesses,

0:12:40.920 --> 0:12:43.439
<v Speaker 1>from you know, we'll get to that later, from my

0:12:43.600 --> 0:12:46.600
<v Speaker 1>A h C. You know, you know, HiT's my storage products.

0:12:46.600 --> 0:12:49.120
<v Speaker 1>But we'll talk about that later. But there's a part

0:12:49.160 --> 0:12:52.640
<v Speaker 1>of me that cannot let go of music. I love it.

0:12:52.640 --> 0:12:55.679
<v Speaker 1>I don't care ifout make a nickel from music calls you.

0:12:56.080 --> 0:12:59.000
<v Speaker 1>It's my It's what we're want to do. Does Dr

0:12:59.080 --> 0:13:01.800
<v Speaker 1>Dre need to go into a studio for the next

0:13:02.120 --> 0:13:08.640
<v Speaker 1>five hundred lifetimes? He's he got enough funny you know, literally,

0:13:09.160 --> 0:13:10.959
<v Speaker 1>but he won't stay out of the studio. He loves it.

0:13:11.040 --> 0:13:12.800
<v Speaker 1>It's in his heart innocence. So that's what we do.

0:13:13.000 --> 0:13:15.199
<v Speaker 1>You know, that's what you do. You know what the

0:13:15.240 --> 0:13:19.719
<v Speaker 1>craziest shi is You're part of my journey, bro. I

0:13:19.840 --> 0:13:21.880
<v Speaker 1>don't know if people know this, but I was in

0:13:21.960 --> 0:13:32.120
<v Speaker 1>the Roots. That was my first musical experience. Yeah, yeah, yeah,

0:13:32.760 --> 0:13:37.760
<v Speaker 1>we need to get some of that twisted up there

0:13:37.760 --> 0:13:41.120
<v Speaker 1>you go for real. A lot of people don't know.

0:13:41.400 --> 0:13:44.360
<v Speaker 1>Right after the Roots, I was you know, I was

0:13:44.400 --> 0:13:46.480
<v Speaker 1>a keyboard player. I wrote a lot of the songs

0:13:46.559 --> 0:13:49.880
<v Speaker 1>I made, you know, probably the biggest song first albums,

0:13:49.920 --> 0:13:52.640
<v Speaker 1>the first do you want More? And uh, you know

0:13:52.800 --> 0:13:55.200
<v Speaker 1>I did. I did a lot of stuff over there.

0:13:55.240 --> 0:13:56.959
<v Speaker 1>Here's the only one I really didn't work on the

0:13:57.240 --> 0:14:01.400
<v Speaker 1>original albums was ill adelf halfway. But you know I

0:14:01.480 --> 0:14:03.120
<v Speaker 1>did that. You've got any song which you put us,

0:14:04.000 --> 0:14:05.520
<v Speaker 1>I'm sorry, and I know you're trying to change Hay

0:14:05.600 --> 0:14:07.199
<v Speaker 1>this ship, but let me just put it back in

0:14:07.280 --> 0:14:10.440
<v Speaker 1>the perspective, like like if I had a whist list,

0:14:10.600 --> 0:14:13.319
<v Speaker 1>right people artists I wanted to work with, and me

0:14:13.440 --> 0:14:15.480
<v Speaker 1>just looking at your desigraphy, you have you have the

0:14:15.559 --> 0:14:19.800
<v Speaker 1>more like what what makes you besides the money? Okay,

0:14:19.960 --> 0:14:21.840
<v Speaker 1>you know we know you're gonna make great money, but

0:14:22.920 --> 0:14:26.400
<v Speaker 1>like right now, like right now, I wouldn't really wanna

0:14:27.240 --> 0:14:29.240
<v Speaker 1>interview jay Z. Like a lot of people are sitting

0:14:29.560 --> 0:14:32.520
<v Speaker 1>to me and going, why wouldn't you want to? Because

0:14:32.560 --> 0:14:35.640
<v Speaker 1>because I have nowhere to go outter that I really

0:14:35.680 --> 0:14:39.160
<v Speaker 1>have no where to go after that? And have you

0:14:39.200 --> 0:14:41.360
<v Speaker 1>ever felt like that? Because you really worked with the

0:14:41.520 --> 0:14:43.880
<v Speaker 1>top of the top of the top, you know what,

0:14:44.000 --> 0:14:46.680
<v Speaker 1>I think it's to me about being new and staying

0:14:47.080 --> 0:14:50.160
<v Speaker 1>like my whole career, especially when I reunited or when

0:14:50.160 --> 0:14:52.160
<v Speaker 1>I excuse me, when I united with Steve A. Bell.

0:14:52.480 --> 0:14:55.560
<v Speaker 1>He showed me the importance of building new artists and

0:14:55.920 --> 0:14:58.440
<v Speaker 1>forget about it's easy to get a hit with like

0:14:58.600 --> 0:15:00.680
<v Speaker 1>a legend. It's like the story because it's gonna go.

0:15:00.920 --> 0:15:03.200
<v Speaker 1>It's gonna go, like, all right, so Scott Stortz makes

0:15:03.200 --> 0:15:05.680
<v Speaker 1>a song with Drake and it goes big. Yeah, of course,

0:15:05.800 --> 0:15:07.400
<v Speaker 1>you know you know that that we know it's gonna

0:15:07.400 --> 0:15:10.560
<v Speaker 1>be big. But how about when I, you know, came

0:15:10.600 --> 0:15:13.600
<v Speaker 1>back into after my little hiatus from being a drug addict,

0:15:13.600 --> 0:15:15.880
<v Speaker 1>and I came back into the business that Mobell said

0:15:16.120 --> 0:15:18.720
<v Speaker 1>work with new arts and something like really really, and

0:15:18.840 --> 0:15:22.040
<v Speaker 1>then they all blew up, every single one a buggy

0:15:22.720 --> 0:15:25.360
<v Speaker 1>you know this one, Russ, you know, you know so

0:15:25.480 --> 0:15:28.800
<v Speaker 1>many tripper Red, so many of them, they were all new,

0:15:29.000 --> 0:15:33.360
<v Speaker 1>and they all blew up. Ask you, Roddy Richard with

0:15:33.520 --> 0:15:36.200
<v Speaker 1>you they all on my own. But let me ask you,

0:15:37.760 --> 0:15:40.080
<v Speaker 1>how is it working with a new artist as opposed

0:15:40.240 --> 0:15:42.480
<v Speaker 1>to working with the season hardiest who you know, it's

0:15:42.480 --> 0:15:44.040
<v Speaker 1>just gonna come in as soon as you play the beat.

0:15:44.080 --> 0:15:46.360
<v Speaker 1>They're gonna rhyme? Do you have to shape and mold

0:15:46.440 --> 0:15:49.920
<v Speaker 1>these new artists? So, I mean, if I don't think

0:15:49.960 --> 0:15:52.080
<v Speaker 1>they're gonna be legends, if I have to do that,

0:15:52.760 --> 0:15:55.160
<v Speaker 1>like you know, real legends, they know what they're doing.

0:15:55.280 --> 0:15:58.160
<v Speaker 1>It doesn't matter they're sixteen years older, whatever it is.

0:15:58.160 --> 0:16:00.520
<v Speaker 1>They're gonna spit fire, They're gonna write some like her Ship.

0:16:01.080 --> 0:16:04.440
<v Speaker 1>But um, you know there's always a nip and tuck

0:16:04.520 --> 0:16:07.040
<v Speaker 1>with the hooks and stuff and maybe making making the

0:16:07.480 --> 0:16:09.520
<v Speaker 1>hook the best that can be and things like that.

0:16:09.720 --> 0:16:13.840
<v Speaker 1>But but getting back to the point I was just saying,

0:16:13.920 --> 0:16:17.000
<v Speaker 1>I just wanted a completely thought. I started out in

0:16:17.040 --> 0:16:21.520
<v Speaker 1>the roots and I left the roots to become a producer. Um,

0:16:21.640 --> 0:16:26.280
<v Speaker 1>I felt like I mean, I was a band member. Yeah,

0:16:26.320 --> 0:16:29.480
<v Speaker 1>we were all technically producing. You know, certain people I

0:16:29.600 --> 0:16:32.480
<v Speaker 1>wanted to take all the credit for it, but I

0:16:32.560 --> 0:16:37.040
<v Speaker 1>don't really care that when I let up. But but

0:16:37.920 --> 0:16:40.600
<v Speaker 1>I started my road to being a producer. Me and

0:16:40.720 --> 0:16:43.480
<v Speaker 1>Derrick Jackson. We're hitting the streets in New York or

0:16:43.560 --> 0:16:46.200
<v Speaker 1>Derrek Jackson man for Tommy Boy, used to work at

0:16:46.240 --> 0:16:49.480
<v Speaker 1>times by Derrick Jackson. You know Derrek L. A. Jackson.

0:16:49.680 --> 0:16:53.320
<v Speaker 1>Oh yes, right, he Um, he got me connected with

0:16:53.400 --> 0:16:57.680
<v Speaker 1>these guys CNN component Nori yet I know those guys.

0:16:57.920 --> 0:17:02.160
<v Speaker 1>You know that I know. And I was doing the

0:17:02.200 --> 0:17:04.480
<v Speaker 1>set as in New York. I was like, Okay, I

0:17:04.560 --> 0:17:08.320
<v Speaker 1>got somebody to believe in me. Noriega believes. Yes, Capone's

0:17:08.359 --> 0:17:11.560
<v Speaker 1>coming home, Yes, yes, yes, and we're gonna make some ship.

0:17:11.720 --> 0:17:14.040
<v Speaker 1>Yes we did. We did three joints, and those are

0:17:14.080 --> 0:17:15.960
<v Speaker 1>the first three joints that I ever did as a

0:17:16.040 --> 0:17:23.800
<v Speaker 1>real official. My second, my second beliefer on that same

0:17:23.840 --> 0:17:28.080
<v Speaker 1>trip was Buster Rhymes. I went downtown over there and uh,

0:17:29.040 --> 0:17:30.879
<v Speaker 1>we made some fire. We made a song called blood

0:17:30.920 --> 0:17:33.879
<v Speaker 1>al and I was on my way between you and Buster,

0:17:34.840 --> 0:17:36.919
<v Speaker 1>and that's blossom my whole career. Man. And we went

0:17:37.000 --> 0:17:40.359
<v Speaker 1>on too. So so let me ask you right bouncing around,

0:17:41.400 --> 0:17:46.200
<v Speaker 1>going back to another part of game. Um, he says

0:17:46.320 --> 0:17:52.680
<v Speaker 1>that he feels like he wasn't invited because he's dangerous game.

0:17:53.480 --> 0:17:56.400
<v Speaker 1>He said as an artist about the Super Bowl, Super Bowl,

0:17:58.359 --> 0:18:01.240
<v Speaker 1>I apologize. I'm just my mind as I want coffee.

0:18:01.240 --> 0:18:05.960
<v Speaker 1>I'll never checked coff before. It's crazy. I'm like coming around,

0:18:06.000 --> 0:18:08.399
<v Speaker 1>but I'm sitting here called, but don't believe I'm calming

0:18:08.520 --> 0:18:11.680
<v Speaker 1>all like running circle. I was like that a So

0:18:12.200 --> 0:18:17.960
<v Speaker 1>it wasn't coffee. So when we got to hit, we

0:18:18.040 --> 0:18:21.880
<v Speaker 1>see the super Bowl right, and I think, I act

0:18:21.920 --> 0:18:25.880
<v Speaker 1>salute this. Believe I asked, gave this and I said

0:18:26.200 --> 0:18:29.000
<v Speaker 1>me off top. I believe as soon as I see

0:18:29.080 --> 0:18:33.320
<v Speaker 1>the piano, I felt like that part shoot a bit

0:18:33.440 --> 0:18:37.359
<v Speaker 1>Scott starts. I was there in spirit. I think I

0:18:37.680 --> 0:18:39.960
<v Speaker 1>can listened to my music through the whole you know,

0:18:40.080 --> 0:18:42.320
<v Speaker 1>super Bowl arena, and it was beyond that. It was

0:18:42.440 --> 0:18:45.480
<v Speaker 1>like literally like I think either making Rain or lean

0:18:45.560 --> 0:18:47.760
<v Speaker 1>Back was on in the crowd, like just playing through

0:18:47.800 --> 0:18:50.840
<v Speaker 1>the whole and then the halftime show was a lot

0:18:50.920 --> 0:18:53.200
<v Speaker 1>of my ship. But you know what I mean, like

0:18:54.080 --> 0:18:58.159
<v Speaker 1>that's Dre's moment. It's not Scott Storches moment. And the

0:18:58.280 --> 0:19:00.720
<v Speaker 1>world already knows that I'm sponsored mole for that song.

0:19:01.720 --> 0:19:03.119
<v Speaker 1>Did I want to be there? Did I want to

0:19:03.280 --> 0:19:06.080
<v Speaker 1>have a chance to do that? No? I mean, of

0:19:06.160 --> 0:19:08.240
<v Speaker 1>course I did. Of course, of course I would have

0:19:08.280 --> 0:19:12.000
<v Speaker 1>wanted to be like Stevie wanted to come on. That's

0:19:12.560 --> 0:19:15.720
<v Speaker 1>some lifetime achievement ship. But you know that's Trades moment,

0:19:16.040 --> 0:19:18.920
<v Speaker 1>and I love Dre And they had a plan for

0:19:18.960 --> 0:19:20.280
<v Speaker 1>the way the show was gonna be And that's the

0:19:20.320 --> 0:19:22.720
<v Speaker 1>way it was. You know what I'm saying, maybe the

0:19:22.760 --> 0:19:27.800
<v Speaker 1>next time ask let me ask you, right, because I

0:19:27.880 --> 0:19:31.359
<v Speaker 1>actually sat down with Jay and I was like, yo,

0:19:31.520 --> 0:19:36.760
<v Speaker 1>you know whatever he told me. You know, Eminem called personally,

0:19:37.200 --> 0:19:40.439
<v Speaker 1>he said, Eminem called personally to him and said, yo,

0:19:40.640 --> 0:19:43.639
<v Speaker 1>can can we squeeze fifty on there? Like it was

0:19:43.680 --> 0:19:45.919
<v Speaker 1>like a humble. I knew what was happening before it happened.

0:19:46.080 --> 0:19:49.879
<v Speaker 1>I talked to Dre about it. So why does this

0:19:50.000 --> 0:19:52.440
<v Speaker 1>guy's story So why doesn't me personally like nor I

0:19:52.480 --> 0:19:54.080
<v Speaker 1>have been like I don't. I don't. I don't care

0:19:54.280 --> 0:19:56.399
<v Speaker 1>about being told no, Like I don't care like you

0:19:56.440 --> 0:19:58.920
<v Speaker 1>could tell me no fifty hundred times. I got the

0:19:58.960 --> 0:20:01.960
<v Speaker 1>same pride of him. Man the sky starts ever like

0:20:02.080 --> 0:20:04.880
<v Speaker 1>humble himself and say, Drake, let me be a part

0:20:04.920 --> 0:20:09.280
<v Speaker 1>of this or first I did. Okay, I did not

0:20:09.400 --> 0:20:11.760
<v Speaker 1>know that, but he did tell me that. You know,

0:20:11.880 --> 0:20:13.920
<v Speaker 1>they wanted him to play it. You know, it was

0:20:13.960 --> 0:20:15.879
<v Speaker 1>an epic moment for him. You know, can you playing?

0:20:16.240 --> 0:20:18.119
<v Speaker 1>And he learned to play the song and played it

0:20:18.200 --> 0:20:20.760
<v Speaker 1>and did he at least tell you to teach him

0:20:20.800 --> 0:20:23.000
<v Speaker 1>how to do it? I mean this for you know

0:20:23.080 --> 0:20:29.159
<v Speaker 1>he figured it out like you wouldn't know like a

0:20:29.240 --> 0:20:31.520
<v Speaker 1>certain thing that you do because I mean, you know,

0:20:31.680 --> 0:20:36.200
<v Speaker 1>I played a little differently right smoken when you play,

0:20:36.920 --> 0:20:39.520
<v Speaker 1>Yeah listen, would you could have spoken to super Bowl

0:20:39.920 --> 0:20:42.200
<v Speaker 1>on the piano? Would would have spoke? I don't know.

0:20:42.240 --> 0:20:47.480
<v Speaker 1>I don't think they. I know that stay smooth snooping

0:20:47.600 --> 0:20:57.520
<v Speaker 1>like yeah, yeah yeah right when the smoke Donald Trump's

0:20:57.520 --> 0:21:02.560
<v Speaker 1>house keep he was in to morrow was smoking so

0:21:03.800 --> 0:21:07.639
<v Speaker 1>bool so everything is cool. Um. I think it was

0:21:07.720 --> 0:21:09.800
<v Speaker 1>a great movement, but of course it was phone more

0:21:09.840 --> 0:21:12.720
<v Speaker 1>like a motherfucker right it was. I mean I wanted

0:21:12.760 --> 0:21:15.720
<v Speaker 1>to be there, but you know, it is what it is. Man.

0:21:15.840 --> 0:21:17.400
<v Speaker 1>You know, Dre has done so much for me. I'm

0:21:17.440 --> 0:21:20.240
<v Speaker 1>not gonna be worry about that. Like you know what. Meanwhile,

0:21:20.280 --> 0:21:23.399
<v Speaker 1>they killed it and I think all the artists that

0:21:24.200 --> 0:21:27.040
<v Speaker 1>didn't end up performing, that's what he wanted. That's his moment.

0:21:27.160 --> 0:21:29.560
<v Speaker 1>That's his prerogative. You know. If he didn't call me,

0:21:29.600 --> 0:21:32.960
<v Speaker 1>if he didn't call game, whatever, that's not us. But

0:21:33.640 --> 0:21:36.120
<v Speaker 1>let's let's let us earn a fucking ability to get

0:21:36.200 --> 0:21:38.880
<v Speaker 1>on the super Bowl and have your life's work there.

0:21:39.760 --> 0:21:41.679
<v Speaker 1>Because I ain't gonna lie like me personally, if they

0:21:41.680 --> 0:21:45.119
<v Speaker 1>would there like a Queen's show and all the Queen's

0:21:45.200 --> 0:21:47.080
<v Speaker 1>artists and I wasn't there, I would be salty, but

0:21:47.200 --> 0:21:49.000
<v Speaker 1>I will also be like, yo, you know what, it's

0:21:49.040 --> 0:21:50.399
<v Speaker 1>a good show. It's a good show, you know what

0:21:50.440 --> 0:21:53.280
<v Speaker 1>I mean. But yeah, yeah, but I would have been

0:21:53.320 --> 0:21:57.399
<v Speaker 1>a little something. But thank God that you're not, and

0:21:57.440 --> 0:22:00.159
<v Speaker 1>you're getting money pulling up in for Bari's Goddamn, I'm

0:22:00.200 --> 0:22:06.960
<v Speaker 1>actually all type of crazy faces in Miami. Why is

0:22:07.000 --> 0:22:10.320
<v Speaker 1>everybody from l A moving back to Miami this time?

0:22:10.440 --> 0:22:13.760
<v Speaker 1>Goddam it. No, I don't even know. I'm telling you.

0:22:13.880 --> 0:22:17.000
<v Speaker 1>It's the it's the whole vibe, the energy right now,

0:22:17.080 --> 0:22:19.119
<v Speaker 1>it just feels right. Who makes you leave in the

0:22:19.160 --> 0:22:26.800
<v Speaker 1>first place, I was in his car face. Everybody knows.

0:22:27.400 --> 0:22:29.920
<v Speaker 1>Everybody knows my history with drugs and all that ship,

0:22:30.800 --> 0:22:36.000
<v Speaker 1>and I really was trying to get clean and get

0:22:36.080 --> 0:22:38.159
<v Speaker 1>my life back together for my children's sake, so I

0:22:38.200 --> 0:22:40.760
<v Speaker 1>don't die, so I can make good music, and you know,

0:22:40.960 --> 0:22:43.560
<v Speaker 1>abuse to God give a talent. And I had to

0:22:43.640 --> 0:22:47.600
<v Speaker 1>make a geographical change to anywhere because it was too

0:22:47.680 --> 0:22:51.600
<v Speaker 1>many people, it was too accessible, it was too just

0:22:51.880 --> 0:22:54.879
<v Speaker 1>like you know, at that time, like any time I

0:22:54.960 --> 0:22:58.080
<v Speaker 1>wanted cocaine, it was there. It's out here. It was

0:22:58.119 --> 0:23:02.960
<v Speaker 1>out here. You know, people know there money I was doing.

0:23:03.600 --> 0:23:05.480
<v Speaker 1>I was doing cocaine. I blew a bunch of money.

0:23:05.680 --> 0:23:08.439
<v Speaker 1>It was never from buying it. People giving me bricks

0:23:08.520 --> 0:23:10.640
<v Speaker 1>for free. You know what I'm saying. It was from

0:23:11.800 --> 0:23:15.560
<v Speaker 1>It was from the you know what I'm saying. People

0:23:15.560 --> 0:23:17.520
<v Speaker 1>would give me more cocaine than that I could do.

0:23:17.720 --> 0:23:20.880
<v Speaker 1>They're getting the bricks. Yeah what I'm saying. But brick

0:23:20.960 --> 0:23:27.119
<v Speaker 1>is different. That That was a few weeks. That was

0:23:27.160 --> 0:23:31.080
<v Speaker 1>a few weeks, but it was. It was It was

0:23:31.200 --> 0:23:34.000
<v Speaker 1>the decisions I made, being sucked up and blown through

0:23:34.280 --> 0:23:36.480
<v Speaker 1>so many millions of dollars, spending a million a week,

0:23:36.760 --> 0:23:39.520
<v Speaker 1>because cocaine is not a cheap drap. No, it wasn't.

0:23:39.560 --> 0:23:41.400
<v Speaker 1>The cost of covie was the car. It wasn't cheap.

0:23:41.440 --> 0:23:44.119
<v Speaker 1>Because of the decisions I was making, and it was

0:23:44.240 --> 0:23:49.400
<v Speaker 1>I stopped working. I did nothing but snort and fuck.

0:23:49.640 --> 0:23:57.119
<v Speaker 1>That was what I was right. I had to go

0:23:57.200 --> 0:24:04.000
<v Speaker 1>through it. We've all come along. She came along way.

0:24:04.040 --> 0:24:06.600
<v Speaker 1>We all came along way. It was cocaine, marri wand

0:24:06.720 --> 0:24:09.760
<v Speaker 1>I was cocaine America. From one point cocaine and Molly.

0:24:11.119 --> 0:24:13.080
<v Speaker 1>I ain't gonna came the student with you one time.

0:24:13.520 --> 0:24:18.040
<v Speaker 1>You have Molly, the whole clear thing of Molly. I

0:24:18.160 --> 0:24:19.960
<v Speaker 1>must you must have been like fitty thousand. I don't know,

0:24:20.119 --> 0:24:22.359
<v Speaker 1>that's why Foy, and then you was just running around.

0:24:22.359 --> 0:24:32.679
<v Speaker 1>Everybody's just going like this point. I was like, here, Molly,

0:24:32.760 --> 0:24:34.520
<v Speaker 1>this was not like the pill ship. It was like

0:24:34.600 --> 0:24:45.439
<v Speaker 1>if you remember this was yeah, but when all right,

0:24:45.520 --> 0:24:48.119
<v Speaker 1>so we're gonna get off with this because but you

0:24:48.200 --> 0:24:50.840
<v Speaker 1>don't what because like I sew the guard When I

0:24:50.920 --> 0:24:54.879
<v Speaker 1>google your name, there's so many synonymous females, you know,

0:24:55.359 --> 0:24:58.679
<v Speaker 1>you know, from the car Dash Its Hilton's to Marid

0:24:58.800 --> 0:25:02.280
<v Speaker 1>Carrie why a right carry that was the Homies. Yeah

0:25:02.359 --> 0:25:06.520
<v Speaker 1>we heard dope that one was wrong with her frost

0:25:06.600 --> 0:25:16.159
<v Speaker 1>right now. But what I'm saying is, where is this

0:25:16.480 --> 0:25:22.119
<v Speaker 1>Leonardo DiCaprio playing Scots starts Wall Street movie. Had we

0:25:22.480 --> 0:25:28.800
<v Speaker 1>need this we need on the movie? Okay, um my

0:25:29.000 --> 0:25:33.040
<v Speaker 1>my buddy, um uh you know, hit me up and

0:25:33.200 --> 0:25:36.240
<v Speaker 1>was like, yo, these people want to do a movie

0:25:36.280 --> 0:25:38.639
<v Speaker 1>on your life story. And he's one of the biggest

0:25:38.960 --> 0:25:43.040
<v Speaker 1>producers movie producers literally in the world. And you know

0:25:44.240 --> 0:25:49.960
<v Speaker 1>this guy it's an Atlas Entertainment Charles Robin. He finally,

0:25:50.040 --> 0:25:52.720
<v Speaker 1>I think the script is completely done. It's spent two

0:25:52.800 --> 0:25:55.000
<v Speaker 1>years since I signed the deal, and it takes a

0:25:55.080 --> 0:26:01.600
<v Speaker 1>long time, like a timetable. And uh, you know, um,

0:26:02.560 --> 0:26:05.680
<v Speaker 1>Warner Brothers kind of picked up the the funding it

0:26:06.119 --> 0:26:09.760
<v Speaker 1>and we're attaching and director right now. We're hoping to

0:26:09.840 --> 0:26:19.399
<v Speaker 1>attach Jonah Hill to it. Personally. He can play. We're

0:26:19.440 --> 0:26:25.480
<v Speaker 1>gonna figure out he could definitely. He could definitely play

0:26:25.560 --> 0:26:28.480
<v Speaker 1>them later. He could have somebody. You know, I started

0:26:28.600 --> 0:26:34.159
<v Speaker 1>making music at fifteen, professionally at sixteen, and you know,

0:26:34.320 --> 0:26:37.480
<v Speaker 1>he could definitely do the later partner. It makes me

0:26:37.480 --> 0:26:40.520
<v Speaker 1>a crazy movie. I'm trying to followed him. It's a

0:26:40.560 --> 0:26:43.520
<v Speaker 1>crazy story. But I'm just thinking. I'm just thankful that

0:26:43.600 --> 0:26:46.159
<v Speaker 1>it has a happy ending because it's a deal. Scott.

0:26:48.359 --> 0:26:50.000
<v Speaker 1>I think in that story, you gotta keep it real.

0:26:50.240 --> 0:26:53.280
<v Speaker 1>I'm gets wrong. I wasn't able to decide what was

0:26:53.359 --> 0:26:55.359
<v Speaker 1>going in and was not. I don't look like an

0:26:55.400 --> 0:26:58.800
<v Speaker 1>angel in this movie. I'm definitely fucked up in like

0:26:58.960 --> 0:27:02.200
<v Speaker 1>in my life, and I fuck up sucked up because

0:27:02.280 --> 0:27:05.080
<v Speaker 1>you good, you're sucking in here too, right? Oh yeah, Okay, yeah,

0:27:05.400 --> 0:27:07.840
<v Speaker 1>I definitely made some mistakes. It doesn't make me. It

0:27:07.880 --> 0:27:11.080
<v Speaker 1>makes me look like an idiot, though, an asshole, a douche,

0:27:11.119 --> 0:27:12.560
<v Speaker 1>whatever the funk you want to call me. Put with

0:27:12.640 --> 0:27:15.920
<v Speaker 1>a good heart, hey man, I never didn't have a

0:27:16.000 --> 0:27:20.520
<v Speaker 1>good heart. High as fun, had had too much money

0:27:20.600 --> 0:27:24.360
<v Speaker 1>too fast. Okay, every every one of the like these

0:27:24.440 --> 0:27:27.399
<v Speaker 1>famous stories right where a person say this as a

0:27:27.480 --> 0:27:30.919
<v Speaker 1>drug polemore some cocaine having or whatever. It always starts

0:27:30.960 --> 0:27:37.080
<v Speaker 1>with one female. I don't know your smile. It's different.

0:27:38.359 --> 0:27:41.720
<v Speaker 1>He's giving it look like you knows that. I don't know,

0:27:41.920 --> 0:27:44.680
<v Speaker 1>but I'm fishing. I made the choice to put that

0:27:44.720 --> 0:27:46.639
<v Speaker 1>ship in my nose and that was it. But so

0:27:46.800 --> 0:27:49.760
<v Speaker 1>there were some, definitely some some people co starring in

0:27:49.880 --> 0:27:52.720
<v Speaker 1>that ship with the co staring in that bathroom. So

0:27:53.240 --> 0:27:55.840
<v Speaker 1>people you think it's cool to be a rat. I'm

0:27:55.880 --> 0:28:00.160
<v Speaker 1>not gonna wrap people out. But you say them want

0:28:00.240 --> 0:28:01.479
<v Speaker 1>you can, I'll let you say. If you know who

0:28:01.520 --> 0:28:03.520
<v Speaker 1>I was staying there next to, I want to say

0:28:03.560 --> 0:28:07.280
<v Speaker 1>Paris Hilton. I want to say that Paris was around.

0:28:08.280 --> 0:28:10.199
<v Speaker 1>We had a lot of fun. We had a lot

0:28:10.280 --> 0:28:14.400
<v Speaker 1>of fun. She was so honestly I was I wasn't

0:28:14.720 --> 0:28:19.040
<v Speaker 1>come on of course, I was a nerd in the studio.

0:28:19.280 --> 0:28:20.920
<v Speaker 1>We never didn't jack ship in my whole life. I

0:28:20.960 --> 0:28:22.920
<v Speaker 1>smoked a whole bunch of weed. I had, you know,

0:28:23.040 --> 0:28:25.680
<v Speaker 1>million dollar cards that didn't go nowhere because I was

0:28:25.760 --> 0:28:28.080
<v Speaker 1>in the studio all day. Every night. My friends, my

0:28:28.119 --> 0:28:31.360
<v Speaker 1>boy ter Squad, he would come to the studio, hang out,

0:28:31.560 --> 0:28:34.000
<v Speaker 1>go to the club, come back to the studio after

0:28:34.119 --> 0:28:35.840
<v Speaker 1>the club, and I'm still there, and I'll be like, yo,

0:28:35.880 --> 0:28:38.120
<v Speaker 1>how was that ship? Dope? And you know, I had

0:28:38.120 --> 0:28:40.240
<v Speaker 1>a little social anxiety. I wasn't cool yet, Like I

0:28:40.360 --> 0:28:43.680
<v Speaker 1>was just this mad scientists in the studio. Then Paris

0:28:43.800 --> 0:28:47.880
<v Speaker 1>came in and it was like Paparazzi's we were supposed

0:28:47.880 --> 0:28:50.240
<v Speaker 1>to be working. We hooked up, you know what I'm saying,

0:28:50.320 --> 0:28:53.560
<v Speaker 1>Like we became a thing. And she produced me to

0:28:53.640 --> 0:29:00.280
<v Speaker 1>a nightlife. You're supposed to go rowing out there the funk.

0:29:00.320 --> 0:29:03.880
<v Speaker 1>I'm not only one digging that, I mean room. We

0:29:03.960 --> 0:29:07.000
<v Speaker 1>was booted for you to go. My pullout game is strong,

0:29:07.080 --> 0:29:13.840
<v Speaker 1>so okay, she basically she turned she turned me onto

0:29:13.880 --> 0:29:16.000
<v Speaker 1>the fucking I had so much fun in the beginning. Bro,

0:29:16.720 --> 0:29:18.040
<v Speaker 1>she turned me on too. That night left it was

0:29:18.080 --> 0:29:22.680
<v Speaker 1>Papa Rosy was pretty cotelling, fucking trips to fucking exotic

0:29:22.720 --> 0:29:27.680
<v Speaker 1>places and the whole world everywhere. But we met in Miami.

0:29:28.280 --> 0:29:30.040
<v Speaker 1>We met when she came. When I met her, she

0:29:30.320 --> 0:29:33.000
<v Speaker 1>showed up at my house that I had on Indian

0:29:33.040 --> 0:29:36.240
<v Speaker 1>Creek Island that a Vonka Trump just bought for thirty millions.

0:29:36.720 --> 0:29:40.880
<v Speaker 1>She's ice flows continued at any rate. That's where I

0:29:40.960 --> 0:29:44.760
<v Speaker 1>met her, and there was a connection. And you know,

0:29:44.840 --> 0:29:46.800
<v Speaker 1>we made a cool album for Paris, and I know

0:29:46.880 --> 0:29:49.640
<v Speaker 1>you'll look like Paris. We made a cool ass album.

0:29:49.960 --> 0:29:51.840
<v Speaker 1>It was fun making it. There was some cool songs

0:29:51.880 --> 0:29:53.920
<v Speaker 1>on here. Joe was on there, Jada Kiss was on there.

0:29:54.200 --> 0:29:56.400
<v Speaker 1>We had We had fun making that ship. And then

0:29:56.680 --> 0:30:00.400
<v Speaker 1>you got it was factor Disconsin. We stopped get albums.

0:30:02.200 --> 0:30:05.480
<v Speaker 1>It is what it is. Yeah, I got the bag

0:30:06.480 --> 0:30:10.520
<v Speaker 1>and I got you know, it ended up backfiring that

0:30:10.600 --> 0:30:14.160
<v Speaker 1>whole one, you know, just in general, the publicity of

0:30:15.080 --> 0:30:18.360
<v Speaker 1>working with her and then be the type of ship

0:30:18.480 --> 0:30:20.440
<v Speaker 1>that I was doing because I stopped working and I

0:30:20.600 --> 0:30:23.120
<v Speaker 1>was just partying. You were immersed in that world. She

0:30:23.280 --> 0:30:27.640
<v Speaker 1>opened the door for me to party and and so

0:30:27.800 --> 0:30:29.880
<v Speaker 1>that so that's the way, like, because that was cool.

0:30:29.960 --> 0:30:31.960
<v Speaker 1>All of a sudden, now people knew well as I

0:30:32.080 --> 0:30:35.719
<v Speaker 1>mean a thousand records. Nobody knew who stop so much

0:30:35.760 --> 0:30:39.680
<v Speaker 1>was hanging out with Paris Hill, not normally people magazine

0:30:40.360 --> 0:30:44.800
<v Speaker 1>ship like that. So up in my stocks went up,

0:30:45.000 --> 0:30:46.800
<v Speaker 1>but then they went down real fast because I wasn't

0:30:46.840 --> 0:30:49.840
<v Speaker 1>utilizing it. I wasn't working. I just wanted to hang.

0:30:50.000 --> 0:30:51.520
<v Speaker 1>I had so much money at that time. I was

0:30:51.560 --> 0:30:53.959
<v Speaker 1>just like, fucking, let's let's just party. Let's go here,

0:30:54.000 --> 0:30:57.920
<v Speaker 1>and they're there. It's a great life though, I mean

0:30:59.200 --> 0:31:02.040
<v Speaker 1>of that. Then you and I split up and I

0:31:02.160 --> 0:31:06.000
<v Speaker 1>get ended up hanging out with her assistant. You're hitting

0:31:06.000 --> 0:31:14.520
<v Speaker 1>assistance on assistant. That was kim oh Ye also blew

0:31:14.640 --> 0:31:17.200
<v Speaker 1>the funk up. Okay, you're going to going too fast.

0:31:17.240 --> 0:31:21.280
<v Speaker 1>It's calling get you another shot, sir. Let me get

0:31:21.280 --> 0:31:28.400
<v Speaker 1>your those shots. Okay, okay do what the most was none, Listen,

0:31:28.440 --> 0:31:31.400
<v Speaker 1>I ain't disrespecting nobody dispecting No, it didn't want to

0:31:31.640 --> 0:31:36.040
<v Speaker 1>when we come on. So okay, at the time you're

0:31:36.120 --> 0:31:43.720
<v Speaker 1>knocking down pass, I'll break up. You run into our

0:31:43.720 --> 0:31:45.840
<v Speaker 1>assistant or you had the eye on assistant for a

0:31:45.960 --> 0:31:48.600
<v Speaker 1>long time. I mean, of course I had an eye

0:31:48.640 --> 0:31:52.200
<v Speaker 1>on the assistant, but it ended up no sex tape

0:31:52.240 --> 0:31:56.240
<v Speaker 1>at this time it ended up. No, I'm asking it

0:31:56.320 --> 0:32:03.440
<v Speaker 1>up um Paris and not split up. And she called

0:32:03.480 --> 0:32:07.600
<v Speaker 1>me to meet her in santro Pey Paris, Paris. This

0:32:07.680 --> 0:32:11.640
<v Speaker 1>is how y'all get down breaking up and you'll still stray.

0:32:11.680 --> 0:32:13.720
<v Speaker 1>I want to see whatever. I showed up to Santo

0:32:13.840 --> 0:32:18.720
<v Speaker 1>peg but I think she had already hooked up with

0:32:18.800 --> 0:32:21.600
<v Speaker 1>somebody else before my my private plane was able to

0:32:21.640 --> 0:32:24.960
<v Speaker 1>show up there. And then I ended up seeing Kim

0:32:25.120 --> 0:32:27.280
<v Speaker 1>and we ended up like you know, hanging out in

0:32:27.360 --> 0:32:32.959
<v Speaker 1>the ship and became friends and you know whatever, I'm

0:32:33.000 --> 0:32:36.520
<v Speaker 1>sure what to do at this moment. I know that's great.

0:32:36.600 --> 0:32:40.720
<v Speaker 1>That should happen before all respect man. Yeah, that was

0:32:41.640 --> 0:32:43.680
<v Speaker 1>that was it. He gave it to us. He gave

0:32:43.760 --> 0:32:48.560
<v Speaker 1>it to us. I don't know what it's part of

0:32:48.640 --> 0:33:02.320
<v Speaker 1>it all? Ye yes, yes, yes, I think it's time.

0:33:02.760 --> 0:33:07.360
<v Speaker 1>You know. I don't know if you know. Um No, No,

0:33:07.840 --> 0:33:14.760
<v Speaker 1>I'm Flowers brother an another QuickTime song. Hen build him

0:33:14.800 --> 0:33:18.000
<v Speaker 1>up a creektown signs he's getting he's getting warmed up. Um.

0:33:18.720 --> 0:33:20.480
<v Speaker 1>But we want you to know off show is not

0:33:20.600 --> 0:33:22.800
<v Speaker 1>about bigging you up when you're not around. It's not

0:33:22.840 --> 0:33:26.080
<v Speaker 1>about bigging you up when uh, you know, something happens.

0:33:26.120 --> 0:33:27.400
<v Speaker 1>We want to pick you up to your face. You

0:33:27.400 --> 0:33:31.000
<v Speaker 1>want to give your flowers. Um, you are phenomenal. I've

0:33:31.000 --> 0:33:33.880
<v Speaker 1>worked with you plenty of times. Your phenomenal producer, your

0:33:33.920 --> 0:33:37.560
<v Speaker 1>phenomenal friend. You're phenomenal human being, phenomenal person, and we

0:33:37.640 --> 0:33:47.000
<v Speaker 1>want to give your flowers right now. Motherfucker's let's yeah, yeah, yeah, real, motherfucker.

0:33:47.280 --> 0:33:53.440
<v Speaker 1>I wasn't expecting Dr Roses. Yeah damn. So so we

0:33:53.600 --> 0:33:59.000
<v Speaker 1>hit this story that jay Z sas oh and did

0:33:59.040 --> 0:34:01.680
<v Speaker 1>we see him, you know, seeing them performance record at

0:34:01.680 --> 0:34:04.360
<v Speaker 1>the super Bowl and we see jay Z's quoting word

0:34:04.400 --> 0:34:07.280
<v Speaker 1>for world, world for world when you may still driving?

0:34:09.920 --> 0:34:12.600
<v Speaker 1>Where is my frame? And didn't what is going on?

0:34:12.800 --> 0:34:15.000
<v Speaker 1>You give it to Dre or you you're making it

0:34:15.040 --> 0:34:17.120
<v Speaker 1>in the studio? He's did how told this story a

0:34:17.239 --> 0:34:25.360
<v Speaker 1>hundred times this year? Yeah? Ga me, there was a

0:34:25.440 --> 0:34:29.520
<v Speaker 1>parent with me, Dre, Mike Alisando and Millman was all

0:34:29.680 --> 0:34:33.239
<v Speaker 1>beat mining. We were searching for the best fucking beat

0:34:33.280 --> 0:34:36.760
<v Speaker 1>Andre standards are so high and the chronic two thousand

0:34:36.880 --> 0:34:42.920
<v Speaker 1>albums was it was legendary everything on there. So now

0:34:43.000 --> 0:34:45.759
<v Speaker 1>we're like drest all his fire and he's looking for

0:34:45.840 --> 0:34:48.400
<v Speaker 1>the first single. He's like, I don't have it. We

0:34:48.480 --> 0:34:51.359
<v Speaker 1>all look at him like, all right, you gotta hunt him.

0:34:51.760 --> 0:34:55.640
<v Speaker 1>But cool. So so the rest of the project is

0:34:55.680 --> 0:34:58.680
<v Speaker 1>done already for Yeah, we're like at the end, and

0:34:58.840 --> 0:35:02.759
<v Speaker 1>this was that last minute I make. I'm in there

0:35:02.800 --> 0:35:06.239
<v Speaker 1>in the studio with Dre and he puts like he's

0:35:06.239 --> 0:35:09.480
<v Speaker 1>always programming some fucking fire as drums, and he put

0:35:09.560 --> 0:35:14.840
<v Speaker 1>that beat. It's like this kind of like crazy feeling

0:35:15.360 --> 0:35:19.760
<v Speaker 1>kick snare pattern, and I remember we're in we're working.

0:35:19.800 --> 0:35:23.080
<v Speaker 1>I think it was encore and there's a kitchen literally

0:35:23.200 --> 0:35:28.239
<v Speaker 1>right outside the control in Burbank. Okay, there's a there's

0:35:28.239 --> 0:35:31.680
<v Speaker 1>a kitchen right outside. So I was thinking all night

0:35:31.719 --> 0:35:35.239
<v Speaker 1>about something like kind of like piano piece that's wrong

0:35:35.480 --> 0:35:37.360
<v Speaker 1>but right, you know what I mean, where it's like

0:35:37.680 --> 0:35:39.799
<v Speaker 1>off kind of off beat like that. And I was like, oh, ship,

0:35:39.840 --> 0:35:41.640
<v Speaker 1>it goes kind of with this trump pattern and I

0:35:41.680 --> 0:35:44.120
<v Speaker 1>started playing the blame bling bling bling instead of going

0:35:44.239 --> 0:35:46.560
<v Speaker 1>ding ding ding ding. It was like the notes were

0:35:46.640 --> 0:35:49.920
<v Speaker 1>kind of like I was playing it like sloppy on purpose.

0:35:50.480 --> 0:35:53.719
<v Speaker 1>Andre just ran in the room like that's it, man,

0:35:54.000 --> 0:35:57.120
<v Speaker 1>that's the fucking thing right there, and then we started yeah,

0:35:57.160 --> 0:36:00.120
<v Speaker 1>and then he came back in sucking sandwich in his end.

0:36:00.200 --> 0:36:03.960
<v Speaker 1>Whatever the fun and we went to work. Immediately he

0:36:04.160 --> 0:36:08.800
<v Speaker 1>was immediately like his radar it is like impeccable, Like

0:36:09.400 --> 0:36:11.319
<v Speaker 1>you know what I mean, I probably pay fifty things

0:36:11.360 --> 0:36:13.399
<v Speaker 1>that day, like just trying to come with some ship

0:36:13.520 --> 0:36:16.480
<v Speaker 1>and as dude he came in, he was like, that's

0:36:16.520 --> 0:36:19.960
<v Speaker 1>it right there, and I started doing the boom boom

0:36:21.760 --> 0:36:25.239
<v Speaker 1>m and we was on our way. We was on

0:36:25.320 --> 0:36:29.719
<v Speaker 1>our way. The track was done in thirty minutes, and

0:36:31.360 --> 0:36:33.680
<v Speaker 1>I just remember Dred, I'm gonna send this to jay Z.

0:36:34.400 --> 0:36:39.719
<v Speaker 1>That was ride to late vocals and it didn't work

0:36:40.080 --> 0:36:42.120
<v Speaker 1>or from the beginning he heard it, it was and

0:36:42.200 --> 0:36:43.720
<v Speaker 1>we wanted to put jay Z on it. I remember

0:36:43.760 --> 0:36:46.000
<v Speaker 1>Exhibit was in the studio trying to write some ship

0:36:46.120 --> 0:36:48.120
<v Speaker 1>to it and it was cool, but it wasn't exactly

0:36:48.200 --> 0:36:51.560
<v Speaker 1>what Dre wanted And like this was all happening, but

0:36:51.640 --> 0:36:53.359
<v Speaker 1>I think it already been sent off to New York.

0:36:53.600 --> 0:36:55.799
<v Speaker 1>But what is what is your frame? Because you're making

0:36:55.880 --> 0:36:57.320
<v Speaker 1>this for Dre and you're like, why would you send this?

0:36:57.640 --> 0:37:04.120
<v Speaker 1>Like I think I'm gonna have a big gass record. Yeah,

0:37:04.200 --> 0:37:05.920
<v Speaker 1>I was like, oh ship, this is gonna be crazy.

0:37:06.239 --> 0:37:08.160
<v Speaker 1>It was almost like a media The vocals came back.

0:37:08.520 --> 0:37:12.080
<v Speaker 1>Jay Z's demo version of this ship was insane, and

0:37:12.239 --> 0:37:17.400
<v Speaker 1>then Dre just destroyed it, and I flashed forward to

0:37:18.200 --> 0:37:20.960
<v Speaker 1>the first time I ever heard that ship on the radio.

0:37:21.560 --> 0:37:24.920
<v Speaker 1>I flew back to Philly for a while, and I

0:37:25.040 --> 0:37:28.400
<v Speaker 1>was doing this thing performance thing at the Wetlands and

0:37:28.640 --> 0:37:31.520
<v Speaker 1>um in New York. So I was driving from Philly

0:37:31.600 --> 0:37:33.759
<v Speaker 1>to New York every Sunday. I was back and I

0:37:33.880 --> 0:37:35.400
<v Speaker 1>was getting ready to go back. I was gonna move

0:37:35.440 --> 0:37:37.520
<v Speaker 1>all my ship and go back to l A and

0:37:37.600 --> 0:37:39.800
<v Speaker 1>just live there permanently. But I was there for a

0:37:39.880 --> 0:37:42.440
<v Speaker 1>little bit. So this was right as they were releasing

0:37:42.520 --> 0:37:46.320
<v Speaker 1>it and funk Master Flex I was. The bridge was

0:37:46.400 --> 0:37:51.279
<v Speaker 1>frozen up, the huts leading the Holland Tunnel, and that

0:37:51.400 --> 0:37:55.479
<v Speaker 1>motherfucker dropped bombs on still Dre for forty five minutes.

0:37:55.520 --> 0:38:01.520
<v Speaker 1>But I'm sitting in there, frozen up and stuck on

0:38:01.640 --> 0:38:05.319
<v Speaker 1>the bridge. I was happy and ship because the song

0:38:05.440 --> 0:38:07.640
<v Speaker 1>finally started playing when I made it to the bridge.

0:38:07.960 --> 0:38:10.040
<v Speaker 1>But I mean to the tun of but to the

0:38:10.120 --> 0:38:13.120
<v Speaker 1>hell of time. But that was an amazing moment, man,

0:38:13.160 --> 0:38:14.719
<v Speaker 1>it was a life changing moment. I was like, I

0:38:14.800 --> 0:38:18.560
<v Speaker 1>think I'm gonna be a big fucking record producer because

0:38:18.560 --> 0:38:21.839
<v Speaker 1>I knew how impactful that record was as I heard

0:38:21.880 --> 0:38:28.799
<v Speaker 1>forty five minutes of poem crazy moment. Now, how how

0:38:29.000 --> 0:38:32.040
<v Speaker 1>is that? Because you know, although a lot of people

0:38:32.080 --> 0:38:35.600
<v Speaker 1>who whose industry friendly and industry uh you know, no

0:38:36.320 --> 0:38:39.560
<v Speaker 1>no about uh knows that you're the creative of that.

0:38:40.040 --> 0:38:43.319
<v Speaker 1>But even even if you like outright, and even if

0:38:43.360 --> 0:38:46.880
<v Speaker 1>the outbright said, you know, Scott Storts produced that, the

0:38:47.000 --> 0:38:49.480
<v Speaker 1>fact that standing next to Dred people think he just

0:38:49.560 --> 0:38:54.600
<v Speaker 1>produces everything, is that that he does his ship. He

0:38:54.719 --> 0:38:57.240
<v Speaker 1>orchestrates the whole room people. He does ship by himself.

0:38:57.280 --> 0:39:00.480
<v Speaker 1>He does He's a music motherfucker. His do your work

0:39:00.680 --> 0:39:04.200
<v Speaker 1>is ridiculous. Even for me to be part of it

0:39:04.400 --> 0:39:10.040
<v Speaker 1>and be part of his, like you know, repertoire is

0:39:10.080 --> 0:39:13.600
<v Speaker 1>an honor. I'm not dick riding, I'm not ask kissing.

0:39:13.640 --> 0:39:17.520
<v Speaker 1>I not know that that man, he's fucking godfather, bro.

0:39:17.960 --> 0:39:21.600
<v Speaker 1>I don't care what you say. You can anybody, you

0:39:21.719 --> 0:39:24.239
<v Speaker 1>put anybody ever you need them, say in the check

0:39:24.280 --> 0:39:31.840
<v Speaker 1>where you have to take a drink. Whenever. I love that,

0:39:32.080 --> 0:39:36.000
<v Speaker 1>I love that, I love I love this. Someone to

0:39:36.080 --> 0:39:39.000
<v Speaker 1>the dr Drean university. I learned so much. At one

0:39:39.040 --> 0:39:40.799
<v Speaker 1>point you and him fell out? What was that over?

0:39:41.000 --> 0:39:43.759
<v Speaker 1>Never fell out? Oh, y'all just didn't work together, bro,

0:39:43.920 --> 0:39:48.279
<v Speaker 1>I was too fucked up. Was hot? I collapsing in

0:39:48.360 --> 0:39:51.239
<v Speaker 1>the live room, hiding behind the ship that they people

0:39:51.360 --> 0:39:53.880
<v Speaker 1>recorded vocals into those walls and those wheels on them,

0:39:54.080 --> 0:39:57.560
<v Speaker 1>and I was hiding between there because I was so dehydrated.

0:39:57.640 --> 0:39:59.879
<v Speaker 1>I collapsed and the ship. He gave me a chance,

0:40:00.040 --> 0:40:01.759
<v Speaker 1>his chances, He would have still gave me chances. Then

0:40:01.760 --> 0:40:05.640
<v Speaker 1>I just stopped coming. He never turned his back on me. Damn.

0:40:05.680 --> 0:40:09.200
<v Speaker 1>Remember those conversations, like when he's trying to remember what

0:40:09.239 --> 0:40:11.880
<v Speaker 1>I'm saying to me. One day it's like, yo, was

0:40:12.000 --> 0:40:16.280
<v Speaker 1>the bike worth the belly ache? And I was just like, oh, Ship,

0:40:17.239 --> 0:40:19.600
<v Speaker 1>I'm sorry. I love analogies. I don't understand that one,

0:40:19.880 --> 0:40:22.480
<v Speaker 1>like basically the food you eat gave me the stomach

0:40:22.560 --> 0:40:28.279
<v Speaker 1>get like the drugs I was getting ship. So damn,

0:40:28.320 --> 0:40:31.759
<v Speaker 1>this is this is this is very interesting because to me,

0:40:31.920 --> 0:40:34.120
<v Speaker 1>Dre comes off like a person. If you got problems,

0:40:34.960 --> 0:40:36.400
<v Speaker 1>I don't want to I don't want to be around

0:40:36.480 --> 0:40:39.479
<v Speaker 1>He don't know he got them wrong. Man cares about people.

0:40:40.080 --> 0:40:42.600
<v Speaker 1>He's a he's a serious dude. Yeah, that's a beautiful

0:40:42.680 --> 0:40:45.760
<v Speaker 1>serious dude. You know, I know a lot of people

0:40:47.880 --> 0:40:52.120
<v Speaker 1>and every year, man, like Christmas or my birthday or whatever,

0:40:52.520 --> 0:40:55.680
<v Speaker 1>I get a text from Dr Dre. He's he remembers

0:40:55.800 --> 0:40:58.360
<v Speaker 1>like holidays and ship. He's like a real true friend. Bro,

0:40:59.080 --> 0:41:02.279
<v Speaker 1>He's really I can't say that about many people, but

0:41:03.160 --> 0:41:05.960
<v Speaker 1>I can't say that. So what's what's what's the world

0:41:06.000 --> 0:41:07.799
<v Speaker 1>on detox? What I'm doing right now? But I can't

0:41:07.840 --> 0:41:11.399
<v Speaker 1>say nothing about that. It were very fat I learned

0:41:14.120 --> 0:41:18.800
<v Speaker 1>talking like is she talking about like? So no, no ship? Okay,

0:41:19.400 --> 0:41:21.239
<v Speaker 1>So we don't know if it's scrapped. We don't know nothing.

0:41:22.080 --> 0:41:28.640
<v Speaker 1>Neither don't know. But we we asked mephy, you know,

0:41:28.760 --> 0:41:31.520
<v Speaker 1>putting up with the stography. You have a single with

0:41:32.600 --> 0:41:36.000
<v Speaker 1>Christy Brown, I don't know, Taika and Osuna. Yeah, so

0:41:36.600 --> 0:41:40.000
<v Speaker 1>what happened is that was a pandemic record. Damn. That

0:41:40.080 --> 0:41:42.400
<v Speaker 1>was a club record during the pandemic where people couldn't

0:41:42.400 --> 0:41:44.480
<v Speaker 1>go to the club, but it still did. I don't

0:41:44.480 --> 0:41:47.160
<v Speaker 1>know undermillion streams or something, but it was a fire

0:41:47.200 --> 0:41:50.480
<v Speaker 1>ass record where I interpretated, uh, just a little bit

0:41:50.520 --> 0:41:55.000
<v Speaker 1>to join I did, but it's fire it's a fire

0:41:55.080 --> 0:41:57.839
<v Speaker 1>as record. It's it's an underground hit though, like I'll

0:41:57.840 --> 0:42:00.160
<v Speaker 1>put it on, I'll be in a club somewhere and

0:42:00.520 --> 0:42:02.160
<v Speaker 1>people will be going crazy, like out to know where

0:42:02.200 --> 0:42:05.560
<v Speaker 1>the DJ pus session on and it's just hit in Atlantic.

0:42:05.719 --> 0:42:09.360
<v Speaker 1>I don't think they they treated that record. Atlantic treated

0:42:09.400 --> 0:42:13.440
<v Speaker 1>that record. They sucked it up. They treated like because

0:42:13.440 --> 0:42:15.640
<v Speaker 1>it's my first single as an artist, like you know

0:42:15.680 --> 0:42:18.120
<v Speaker 1>how cal is an artist where we have artists on

0:42:18.200 --> 0:42:21.600
<v Speaker 1>the songs, but they're still the artist. So they treated

0:42:21.680 --> 0:42:24.320
<v Speaker 1>like that. They didn't treat it like Ozuna and Tiger

0:42:24.440 --> 0:42:26.920
<v Speaker 1>or on a record right and treated like Scott Stots

0:42:27.080 --> 0:42:32.680
<v Speaker 1>still got proves an artist, ABC rollout, no promotion, but

0:42:33.960 --> 0:42:36.359
<v Speaker 1>that record to me, I'm proud of it. I put

0:42:36.400 --> 0:42:38.680
<v Speaker 1>that ship out. I'm proud of that record and Tiger

0:42:38.840 --> 0:42:40.640
<v Speaker 1>and A Zuna did that ship for me on the

0:42:40.760 --> 0:42:44.759
<v Speaker 1>strength fire and showed up to a video shooting like

0:42:44.840 --> 0:42:48.600
<v Speaker 1>Ozuna was in Puerto Rico, Tiger in l A. I'm

0:42:48.640 --> 0:42:50.759
<v Speaker 1>in l A. Three separated shoots for that video during

0:42:50.800 --> 0:42:52.200
<v Speaker 1>the pandemic. No way was a lot of leading the

0:42:52.239 --> 0:42:55.520
<v Speaker 1>house type ship and like Ozuna went to this video

0:42:55.600 --> 0:42:59.080
<v Speaker 1>shoot and like there was a law I guess in

0:42:59.080 --> 0:43:00.759
<v Speaker 1>Puerto Rico at that time, you had to curve for you.

0:43:01.560 --> 0:43:03.239
<v Speaker 1>You have to be back when the police could arrest

0:43:03.280 --> 0:43:04.839
<v Speaker 1>you if you ain't the ship, and he like pushed

0:43:04.960 --> 0:43:07.319
<v Speaker 1>curfuy for me everything. We had curf for like twenty

0:43:07.360 --> 0:43:10.399
<v Speaker 1>minutes in Miami. Yeah. Yeah, they don't give a funk

0:43:10.440 --> 0:43:14.759
<v Speaker 1>out here. Yeah, continued, happy to be here. You know

0:43:14.800 --> 0:43:16.879
<v Speaker 1>what's crazy about what you're saying about this record, though,

0:43:17.160 --> 0:43:19.960
<v Speaker 1>is that you remade your own record and that that

0:43:20.160 --> 0:43:22.400
<v Speaker 1>must be insane. With such a vast catalog that you

0:43:22.480 --> 0:43:27.680
<v Speaker 1>have stuff you've done, hit, make another hit out of it. Hit. Yeah,

0:43:28.160 --> 0:43:32.560
<v Speaker 1>I'm doing the EP right now, um with my my

0:43:32.680 --> 0:43:34.640
<v Speaker 1>partners on I don't know if you know about my

0:43:34.840 --> 0:43:37.479
<v Speaker 1>um my my vape company, but I got this vague

0:43:37.480 --> 0:43:42.040
<v Speaker 1>company and that vague yeah, me and my partner people.

0:43:42.080 --> 0:43:50.919
<v Speaker 1>Let's people picking up the camp with with Yeah. It's incredible, incredible. Yeah,

0:43:51.640 --> 0:43:54.200
<v Speaker 1>it's finally we got like favor whatever my partner's on there.

0:43:54.280 --> 0:43:56.160
<v Speaker 1>We've been doing really well with this. We decided we're

0:43:56.160 --> 0:43:58.400
<v Speaker 1>gonna invest some of our money that we're making on

0:43:58.480 --> 0:44:01.920
<v Speaker 1>a Scott Storch album, so doing an independent and uh

0:44:02.080 --> 0:44:05.080
<v Speaker 1>we more. There's gonna be some legendary ship, right. I

0:44:05.120 --> 0:44:07.400
<v Speaker 1>got some tricks on my sleep with that, but you

0:44:07.480 --> 0:44:10.200
<v Speaker 1>know that's that's that's um. I'm gonna do a couple

0:44:10.280 --> 0:44:12.759
<v Speaker 1>more of those interpretations where I use some of my

0:44:12.840 --> 0:44:16.640
<v Speaker 1>melodies from original records that I've done no project, but

0:44:16.760 --> 0:44:18.640
<v Speaker 1>there's a couple of them. But there's not many producers

0:44:18.640 --> 0:44:21.640
<v Speaker 1>I could do that as well, like as much as

0:44:21.680 --> 0:44:23.600
<v Speaker 1>you have to work with and most producers run away

0:44:23.680 --> 0:44:26.200
<v Speaker 1>from their old his Like if you actually produce to like, yo,

0:44:26.280 --> 0:44:29.160
<v Speaker 1>can I get I leave back? You're probably like piste

0:44:29.200 --> 0:44:32.120
<v Speaker 1>off what. I've been getting a little bit of that

0:44:32.200 --> 0:44:34.280
<v Speaker 1>because I feel like there's a resurgence and people wanting

0:44:34.320 --> 0:44:39.400
<v Speaker 1>to have genuine, cool melodies and stuff. So I've been

0:44:39.480 --> 0:44:41.759
<v Speaker 1>going for that raw ship lately. You know, I still

0:44:42.640 --> 0:44:45.480
<v Speaker 1>I'm proud to say that, like for a guy who

0:44:45.640 --> 0:44:47.359
<v Speaker 1>and people know my age, I'm forty year years old,

0:44:47.640 --> 0:44:50.960
<v Speaker 1>I'm able to make trap music and ship that people

0:44:51.160 --> 0:44:54.160
<v Speaker 1>that that kids funk with like all day. I didn't

0:44:54.200 --> 0:44:56.480
<v Speaker 1>get stuck there, but I'm gonna go back to some

0:44:56.600 --> 0:44:58.840
<v Speaker 1>of that ship too. Who's the worst set that you

0:44:58.960 --> 0:45:01.720
<v Speaker 1>ever had? Like you walked in this guy was horrible.

0:45:01.840 --> 0:45:08.560
<v Speaker 1>He had his vocals fucked up, like he came, who's

0:45:08.600 --> 0:45:11.520
<v Speaker 1>doing that? Oh man, I can't. I'm I mean, I

0:45:11.640 --> 0:45:14.320
<v Speaker 1>just know there was like bad vibes in certain studios,

0:45:14.800 --> 0:45:17.640
<v Speaker 1>certain sessions, but I never really worked with any horrible

0:45:17.760 --> 0:45:20.440
<v Speaker 1>artists people. Maybe some unknowns that were like paper bags

0:45:20.560 --> 0:45:24.400
<v Speaker 1>or whatever. But it was bad vibes, you said. But

0:45:24.480 --> 0:45:26.160
<v Speaker 1>once it was a couple of vibes, like it was

0:45:26.320 --> 0:45:29.120
<v Speaker 1>really like just not right. But you know, we ended

0:45:29.160 --> 0:45:31.480
<v Speaker 1>up working out, working our way through it. But like

0:45:31.840 --> 0:45:35.920
<v Speaker 1>I remember one time I was waiting in the studio

0:45:36.120 --> 0:45:40.680
<v Speaker 1>for like hours for pet Pablo to show up and

0:45:41.680 --> 0:45:47.440
<v Speaker 1>this is this is what he got North Carolina. He

0:45:49.160 --> 0:45:51.640
<v Speaker 1>didn't show up, so I caught the studio and I

0:45:51.800 --> 0:45:53.520
<v Speaker 1>was like, you know, I want the studio, let me

0:45:53.600 --> 0:45:55.520
<v Speaker 1>take over. I want to pay the bill for this tonight.

0:45:55.600 --> 0:45:57.879
<v Speaker 1>This is in New York. Yeah, I feel like it's

0:45:57.880 --> 0:46:00.000
<v Speaker 1>gonna pay the bill for this. I want the studio.

0:46:00.000 --> 0:46:01.960
<v Speaker 1>I'm gonna work on some other ship. I'm in there

0:46:02.080 --> 0:46:06.680
<v Speaker 1>smoking weed, smoking ship out and this and that. And

0:46:07.640 --> 0:46:11.239
<v Speaker 1>he came in latest fuck like two in the morning,

0:46:11.320 --> 0:46:13.600
<v Speaker 1>thinking it was still his session, and I got yelled

0:46:13.640 --> 0:46:15.600
<v Speaker 1>at for smoking weed in there and all kinds of ship.

0:46:15.719 --> 0:46:17.640
<v Speaker 1>It was like really awkward moment, one of the most

0:46:17.680 --> 0:46:20.279
<v Speaker 1>awkward moments of my career. So we worked. Yeah, it

0:46:20.400 --> 0:46:23.200
<v Speaker 1>was like, you know, weed in my session, like my

0:46:23.280 --> 0:46:28.560
<v Speaker 1>STUDI whatever. Yeah, I was kind of like all right,

0:46:28.680 --> 0:46:31.640
<v Speaker 1>and I bounced. I was just like I was kind

0:46:31.640 --> 0:46:33.440
<v Speaker 1>of offended. But we worked our way through it. We worked.

0:46:33.560 --> 0:46:36.520
<v Speaker 1>We worked that. I didn't know that. I didn't that

0:46:36.600 --> 0:46:40.839
<v Speaker 1>was a weird story. Yeah, bro, I didn't know that either.

0:46:40.880 --> 0:46:44.359
<v Speaker 1>I thought that was absolutely that's crazy. That's just a click.

0:46:44.440 --> 0:46:48.359
<v Speaker 1>That was love. Let's go, come on, I might still

0:46:48.400 --> 0:46:49.960
<v Speaker 1>gonna be able to talk about these things that I

0:46:50.000 --> 0:46:54.359
<v Speaker 1>wanted to. Let's talk about one of my favorite things

0:46:54.400 --> 0:46:57.800
<v Speaker 1>I got doing on right now is this company just

0:46:58.000 --> 0:47:02.920
<v Speaker 1>Hits by Scott Storage Hits because you know this, every

0:47:03.040 --> 0:47:06.440
<v Speaker 1>every so often there's a new cann of anoid and

0:47:06.600 --> 0:47:09.880
<v Speaker 1>weed that's introduced. Is T A C and C B

0:47:10.040 --> 0:47:16.160
<v Speaker 1>D and Delta AID, Delta nine CBD don't get you high. Yeah,

0:47:17.239 --> 0:47:20.600
<v Speaker 1>but h C, which happens to be derived through many

0:47:22.080 --> 0:47:24.360
<v Speaker 1>this this he's called HC. This ship gets you fucked

0:47:24.400 --> 0:47:28.400
<v Speaker 1>up the highest illegal. Yeah. It's tastes amazing, like straight

0:47:28.480 --> 0:47:31.640
<v Speaker 1>weed taste. It's like ecstasy, which John, which is the

0:47:31.719 --> 0:47:34.319
<v Speaker 1>one that I really taste the pig run since them

0:47:34.520 --> 0:47:37.880
<v Speaker 1>is actually the one runs trusting me. This stuff had

0:47:37.920 --> 0:47:44.640
<v Speaker 1>you nice. It's legal and I'm I'm saying no, but

0:47:46.680 --> 0:47:51.919
<v Speaker 1>it's legal in fifty states, where as like legal even

0:47:52.000 --> 0:47:55.240
<v Speaker 1>if states said, I can ship this anywhere in the world, okay,

0:47:55.560 --> 0:47:57.719
<v Speaker 1>and it gets you highest ship tastes good and it's

0:47:57.800 --> 0:48:02.279
<v Speaker 1>weed that this is beyond that. This is a new ship,

0:48:02.600 --> 0:48:06.640
<v Speaker 1>h C. So it's weird, but it's Scott story ship.

0:48:08.800 --> 0:48:12.000
<v Speaker 1>I'm looking a little crazy. How do I do this? Okay? Okay?

0:48:12.120 --> 0:48:16.920
<v Speaker 1>And this goes back in there? Right? Boys? Wait, how

0:48:16.960 --> 0:48:19.600
<v Speaker 1>do I get this? One? Man's okay? It so taste

0:48:19.600 --> 0:48:25.919
<v Speaker 1>a pretty good. Oh, there's a little tastes like lemon.

0:48:25.960 --> 0:48:28.960
<v Speaker 1>Nicey kid, But you could be just sitting there, you know,

0:48:30.239 --> 0:48:33.319
<v Speaker 1>smoking and ship you got kids, even if room don't matter.

0:48:34.120 --> 0:48:35.440
<v Speaker 1>They try to keep me on on the plane for

0:48:35.480 --> 0:48:38.040
<v Speaker 1>this ship. One time when the Viggas first came out,

0:48:38.840 --> 0:48:41.640
<v Speaker 1>the NBA, girl in the w me and girl locked

0:48:41.680 --> 0:48:44.239
<v Speaker 1>up Man Russia, Ukraine. She couldn't nebody don't want to

0:48:44.239 --> 0:48:46.520
<v Speaker 1>get them. It's not good. Could have been smoking. She

0:48:46.560 --> 0:48:48.480
<v Speaker 1>could have known it wouldn't been what she had though.

0:48:48.520 --> 0:48:49.759
<v Speaker 1>This yeah, this is because of the war. It's not

0:48:49.800 --> 0:48:54.839
<v Speaker 1>because but yeah hits by Scott's Scott, and they could

0:48:54.840 --> 0:48:57.200
<v Speaker 1>get that anywhere. I'm stoking the hits and then they

0:48:57.239 --> 0:48:59.879
<v Speaker 1>could get any day throughout Yeah hits by Scott storch

0:49:00.040 --> 0:49:06.799
<v Speaker 1>dot com right now, okay makes it. Can't say already yet,

0:49:07.200 --> 0:49:09.279
<v Speaker 1>everybody launching on four Twitter. I think you should just

0:49:09.320 --> 0:49:14.279
<v Speaker 1>drop a four nineteen just to just that for nineteen. Man,

0:49:14.760 --> 0:49:16.919
<v Speaker 1>So you're gonna play quick time with slot, You're gonna

0:49:16.920 --> 0:49:19.320
<v Speaker 1>splain the rules. Let's go. Yeah, Okay, it's gonna be

0:49:19.640 --> 0:49:23.200
<v Speaker 1>two names, two things, one of the other. If it's

0:49:23.200 --> 0:49:25.560
<v Speaker 1>politically correct, we drink it. So if you say both

0:49:25.880 --> 0:49:28.600
<v Speaker 1>or neither, we're taking a shot, and Diego is taking

0:49:28.640 --> 0:49:32.160
<v Speaker 1>shots for you. Correct, Yes, Diegos, we're drinking with you. Yeah,

0:49:32.200 --> 0:49:33.840
<v Speaker 1>I have to choose the song. You choose one or

0:49:33.840 --> 0:49:36.160
<v Speaker 1>the other. But if you choose and then you don't

0:49:36.239 --> 0:49:37.960
<v Speaker 1>drink both or neither, I have to drink. You have

0:49:38.000 --> 0:49:42.319
<v Speaker 1>to drink. That's it. And I'm gonna use the bathroom first.

0:49:43.960 --> 0:49:55.960
<v Speaker 1>I can have a cigarette. We Yeah, perfect time. Okay,

0:49:56.800 --> 0:49:59.920
<v Speaker 1>So I explaining the game. You pick it if you

0:50:00.000 --> 0:50:02.680
<v Speaker 1>you really correct and take a shot. We all take

0:50:02.719 --> 0:50:05.759
<v Speaker 1>a shot. Yeah you goes your ringer. Yeah yeah, but

0:50:06.040 --> 0:50:13.880
<v Speaker 1>go yeah yeah yeah yeah you might as well. Okay,

0:50:15.920 --> 0:50:19.920
<v Speaker 1>not my top. He's gonna ask, you're gonna keep it rap,

0:50:21.960 --> 0:50:25.600
<v Speaker 1>come on, come back time times wisky stort. Let's go

0:50:26.480 --> 0:50:31.880
<v Speaker 1>Rick Ross or Fat Joe, give me a drink. What

0:50:31.920 --> 0:50:35.400
<v Speaker 1>do you want to day there? Parter quarter lights a

0:50:35.440 --> 0:50:39.160
<v Speaker 1>longer to fucking legends? You can't yeah yeah yeah, that's like,

0:50:40.680 --> 0:50:43.040
<v Speaker 1>oh oh I forgot, forgot. You gotta dolly like what

0:50:43.280 --> 0:50:47.839
<v Speaker 1>you gotta take to give me enough? First class shot

0:50:48.239 --> 0:50:53.360
<v Speaker 1>she did off the door. I'm everyone get playing this

0:50:53.480 --> 0:51:00.680
<v Speaker 1>game is easy. Yeah, make a little back on purpose. Boom.

0:51:02.400 --> 0:51:06.239
<v Speaker 1>I think I think I'm gonna go. I'm sure. I'm

0:51:06.239 --> 0:51:09.080
<v Speaker 1>sure you're gonna say again. But just case there's not

0:51:09.200 --> 0:51:12.000
<v Speaker 1>this one another one, another one. We got that daily

0:51:12.000 --> 0:51:16.000
<v Speaker 1>one because they're deadly on on camera. You see that, y'all?

0:51:16.880 --> 0:51:20.920
<v Speaker 1>Is it chills? Yeah? Get a good pictures. I'll just

0:51:20.960 --> 0:51:29.160
<v Speaker 1>put this on. You're ready good. I suppose jay Z

0:51:29.320 --> 0:51:35.040
<v Speaker 1>or NASO one no, no, you know, okay, honestly I

0:51:35.160 --> 0:51:41.680
<v Speaker 1>love nas jay Z to me though, I connected with

0:51:41.800 --> 0:51:45.759
<v Speaker 1>that as like part of my education and the University

0:51:45.760 --> 0:51:49.480
<v Speaker 1>of hip hop. So I say jay z okay even

0:51:49.760 --> 0:51:54.200
<v Speaker 1>and worked together. Yeah with the records, Um we did,

0:51:54.440 --> 0:51:57.680
<v Speaker 1>uh ship what the other name? We did like three

0:51:57.760 --> 0:51:59.520
<v Speaker 1>left to meet records. I forget all the titles. I

0:51:59.600 --> 0:52:04.080
<v Speaker 1>mean like really like two thousand songs back literally not

0:52:04.239 --> 0:52:07.879
<v Speaker 1>you wont for whateveryone it might everyone who is someone

0:52:09.000 --> 0:52:12.080
<v Speaker 1>we actually no And I worked pretty recently as well. Yeah,

0:52:12.160 --> 0:52:14.360
<v Speaker 1>on a song with this kid Army and when we

0:52:14.400 --> 0:52:18.880
<v Speaker 1>did what we did with some stuff. DMX or Snoop

0:52:18.920 --> 0:52:27.720
<v Speaker 1>Dogg Um Snoop Dogg is close friend of mine. Amazing

0:52:27.920 --> 0:52:35.920
<v Speaker 1>mc DMX to me is up with like Tupac as

0:52:35.960 --> 0:52:39.920
<v Speaker 1>a rapper to me, like he is a special rapper. Um,

0:52:40.640 --> 0:52:42.920
<v Speaker 1>what he talked about like moved me, you know what

0:52:43.000 --> 0:52:44.960
<v Speaker 1>I mean. It was like poetry in a way. He

0:52:45.120 --> 0:52:48.520
<v Speaker 1>was a brother. Um. I tried to say this life

0:52:50.160 --> 0:52:52.560
<v Speaker 1>you know he's he so I would have to say

0:52:52.800 --> 0:52:56.400
<v Speaker 1>d m X, But I mean dog is an incredible artist.

0:52:56.760 --> 0:53:00.520
<v Speaker 1>You're talking about rappers that are like really he's a

0:53:00.600 --> 0:53:04.840
<v Speaker 1>nicon with some jewels that are special and you know,

0:53:05.000 --> 0:53:07.239
<v Speaker 1>may change your way of thinking in life, you know

0:53:07.320 --> 0:53:10.120
<v Speaker 1>what I mean? That's fair Chris Brown, Justin timber La.

0:53:13.280 --> 0:53:18.920
<v Speaker 1>Chris Brown, and I'm working with Timberlake right now. I

0:53:19.040 --> 0:53:21.919
<v Speaker 1>love it. But Chris Brown, sure you wanta take a shot?

0:53:22.600 --> 0:53:34.880
<v Speaker 1>I take the shot shot, No lawyer. Chris Brown changed

0:53:35.080 --> 0:53:38.560
<v Speaker 1>R and B music and he could dance too. I

0:53:38.560 --> 0:53:44.480
<v Speaker 1>don't know what you music. He I compare him to

0:53:45.239 --> 0:53:48.960
<v Speaker 1>the Michael Jackson of our generation. So you're saying that

0:53:49.080 --> 0:53:51.920
<v Speaker 1>Chris Brown and Justin Timberlake do it versus right now.

0:53:52.280 --> 0:53:56.640
<v Speaker 1>Chris Brown is smoking fine bo. Chris Brown got a

0:53:56.719 --> 0:54:01.279
<v Speaker 1>lot of records. Think about it. Chris Brown got a

0:54:01.680 --> 0:54:07.279
<v Speaker 1>your motherfucking smackers. Justin Timberlake has records, I mean, one

0:54:07.280 --> 0:54:14.160
<v Speaker 1>of the biggest. I love it. I take the drink anyway,

0:54:16.400 --> 0:54:20.560
<v Speaker 1>but Timberlakes, honestly, that's a con versus too. He's a

0:54:20.560 --> 0:54:22.759
<v Speaker 1>most soft and white boy there who ever was, Yes,

0:54:23.040 --> 0:54:26.280
<v Speaker 1>there is ever ever wasn't it? Yes, he got colored

0:54:26.320 --> 0:54:30.439
<v Speaker 1>me bad ball board. Yeah, he's white boy and boy

0:54:31.120 --> 0:54:35.800
<v Speaker 1>he was he got over the way, Yes, he was

0:54:35.840 --> 0:54:40.399
<v Speaker 1>about to brown his motherfucking Michael Jackson and Carna type. Yeah.

0:54:40.719 --> 0:54:44.440
<v Speaker 1>And I started with him he was fifteen years old.

0:54:44.480 --> 0:54:47.600
<v Speaker 1>I had him in the studio and we made a

0:54:47.840 --> 0:54:50.080
<v Speaker 1>number one song we did run it like yeah, everybody

0:54:50.120 --> 0:54:52.319
<v Speaker 1>said the sixth team week said, you hit that shot.

0:54:52.320 --> 0:54:55.320
<v Speaker 1>I'm gonna tell you something, all right. I don't know.

0:54:58.960 --> 0:55:02.480
<v Speaker 1>I don't remember the session. It was something that it

0:55:02.600 --> 0:55:07.000
<v Speaker 1>was showing me something and let me. I don't know

0:55:07.040 --> 0:55:09.680
<v Speaker 1>if you remember I had the better session. I don't

0:55:09.680 --> 0:55:11.840
<v Speaker 1>know if he was there, and Tina Davis asked me

0:55:11.920 --> 0:55:15.279
<v Speaker 1>to switch studios because I was on Tina was on

0:55:15.440 --> 0:55:17.560
<v Speaker 1>deaf Game at the time. Yes, it was it in factory.

0:55:18.000 --> 0:55:21.920
<v Speaker 1>It was okay. I had Chris. She actually had the

0:55:22.000 --> 0:55:27.800
<v Speaker 1>small studio for him upstairs. And Tina Davis. They do

0:55:27.920 --> 0:55:33.640
<v Speaker 1>that the Scottland now as a favorite when I actually

0:55:33.760 --> 0:55:36.680
<v Speaker 1>switch and I switched and I took you a little

0:55:37.440 --> 0:55:46.640
<v Speaker 1>and that's what I never knew. I knew you didn't

0:55:46.680 --> 0:55:49.200
<v Speaker 1>notice that story, but I knew Tina Davis had told

0:55:49.200 --> 0:55:51.479
<v Speaker 1>me to Chris Brown. And I've never seen Chris Brown

0:55:51.560 --> 0:55:54.319
<v Speaker 1>since then. So I'm in Pop's house. I'm just walking through,

0:55:54.880 --> 0:55:56.879
<v Speaker 1>and Chris Brown stick because I never see it. He's

0:55:56.880 --> 0:55:59.759
<v Speaker 1>looking at he's looking crazy. I mean when I said

0:55:59.800 --> 0:56:02.040
<v Speaker 1>looking rady, he was just incognito with the with the

0:56:02.080 --> 0:56:04.960
<v Speaker 1>hat on. And I'm walking through l a. He stopped

0:56:05.000 --> 0:56:07.680
<v Speaker 1>me going, I remember what you did? O G And

0:56:07.719 --> 0:56:09.000
<v Speaker 1>then I was like four realm because I was like

0:56:09.080 --> 0:56:13.080
<v Speaker 1>I always wanted my Browns, but I'm just didn't know that.

0:56:13.640 --> 0:56:16.520
<v Speaker 1>I'm like he was saying, single he gave me, was

0:56:16.560 --> 0:56:19.759
<v Speaker 1>like you'll come up around from you too. Yeah yeah,

0:56:19.800 --> 0:56:23.880
<v Speaker 1>yeah yeah he did because Brown, Um, I really respect you.

0:56:23.960 --> 0:56:27.319
<v Speaker 1>I really love the love that you showed me. Um,

0:56:27.680 --> 0:56:32.800
<v Speaker 1>I respect you. But so I definitely respected. And it

0:56:32.920 --> 0:56:35.160
<v Speaker 1>was running and big up Petina Diggs too, by the way,

0:56:35.160 --> 0:56:38.640
<v Speaker 1>big up a Tim Mark and my friends. Yes, yes, okay,

0:56:38.680 --> 0:56:40.480
<v Speaker 1>this one. I think you're gonna take a shot, but

0:56:40.520 --> 0:56:43.759
<v Speaker 1>I could be wrong, Timberland or for a round, m

0:56:45.840 --> 0:56:48.680
<v Speaker 1>give me a shot please, Okay, I'm gladly board your shots,

0:56:50.080 --> 0:56:54.200
<v Speaker 1>you know. And you're talking about welcome down. It's like

0:56:54.320 --> 0:56:59.839
<v Speaker 1>it's really kind of like comparing just two different from

0:57:00.080 --> 0:57:02.719
<v Speaker 1>brands of like amazing this, right, you know what I mean,

0:57:02.760 --> 0:57:07.360
<v Speaker 1>the same level. Right, So let's hear this. Take a

0:57:07.400 --> 0:57:10.000
<v Speaker 1>shot to the next meeting is gonna be quite interesting. Yeah,

0:57:10.920 --> 0:57:15.440
<v Speaker 1>blame it on the drink. Cham Yeah okay, now this one, no, no, no, no,

0:57:15.760 --> 0:57:17.120
<v Speaker 1>I don't know where you're gonna go with this. One

0:57:17.920 --> 0:57:22.880
<v Speaker 1>Dreo Pump Daddy as as what you just take a

0:57:22.920 --> 0:57:31.800
<v Speaker 1>shot any any whatever the criteria. Okay, we got that

0:57:31.880 --> 0:57:40.520
<v Speaker 1>thing man, Okay, yeah, you have people, Okay, cool, Yeah,

0:57:42.160 --> 0:57:47.880
<v Speaker 1>I'm getting up. Yeah talking about the mogul you're talking about?

0:57:48.360 --> 0:57:51.000
<v Speaker 1>Come on those those suit How long did you hear

0:57:51.000 --> 0:57:54.560
<v Speaker 1>about Sloop Dogg and um Pump coming together making a

0:57:54.720 --> 0:57:58.200
<v Speaker 1>bad role of death bad boys situation? Like It's like

0:57:58.240 --> 0:57:59.920
<v Speaker 1>would be like an n f T label. We had

0:58:00.000 --> 0:58:03.400
<v Speaker 1>a collaborative in my mom would come a long way. Yeah,

0:58:07.760 --> 0:58:13.840
<v Speaker 1>my mom came a long way. Okay, I don't know

0:58:13.880 --> 0:58:16.400
<v Speaker 1>where're gonna go with this. It sounds like it's gonna

0:58:16.400 --> 0:58:21.600
<v Speaker 1>be about some ladies. That's the ending of the list buster,

0:58:21.960 --> 0:58:28.760
<v Speaker 1>eminem buster or eminem give me a shot. He was

0:58:28.800 --> 0:58:34.080
<v Speaker 1>doing this cool because I always say I always say

0:58:34.160 --> 0:58:36.480
<v Speaker 1>when people are like who's the best mcs? Where I'm like,

0:58:36.800 --> 0:58:39.120
<v Speaker 1>Bust the Runs is one of the greatest mcs to

0:58:39.200 --> 0:58:43.720
<v Speaker 1>ever do it ever, Chris to These are people that

0:58:43.880 --> 0:58:47.920
<v Speaker 1>I feel like are like legendary, fucking you know, changed

0:58:48.040 --> 0:58:50.439
<v Speaker 1>rap type ship. Okay, did you take the shot? Fun

0:58:51.840 --> 0:58:57.720
<v Speaker 1>to play it out down from with you? We got beating.

0:58:57.760 --> 0:59:03.360
<v Speaker 1>So I'm glad. I'm on the y'all. Look, okay, Jamma,

0:59:03.440 --> 0:59:07.320
<v Speaker 1>don for me right now. Black Thought, most deaf, Black

0:59:07.400 --> 0:59:10.920
<v Speaker 1>sought quickly, look at look at that Philly Love. Did

0:59:10.960 --> 0:59:15.560
<v Speaker 1>you see that most Okay? I'm you know. I worked

0:59:15.600 --> 0:59:18.360
<v Speaker 1>with most Devil. I did the Brown Sugar Ship with him,

0:59:18.680 --> 0:59:22.000
<v Speaker 1>that movie I don't remember. Yeah, that's my guy. And

0:59:22.040 --> 0:59:25.040
<v Speaker 1>we did a hurricane soundtrack thing too. Really, you did

0:59:25.080 --> 0:59:27.560
<v Speaker 1>a bunch of ship. It was the soundtrack Kings Together.

0:59:27.720 --> 0:59:31.680
<v Speaker 1>But Black Thought is bro He's one of the illness,

0:59:32.080 --> 0:59:34.360
<v Speaker 1>one of the illness fcs ever in the world. Like

0:59:34.520 --> 0:59:38.120
<v Speaker 1>I wouldn't watch him spit for like three hours straight, literally,

0:59:39.240 --> 0:59:41.240
<v Speaker 1>and when he would go into y'all, let me just

0:59:42.560 --> 0:59:45.040
<v Speaker 1>he went in the bag. Bro, Hey guys, let me

0:59:45.080 --> 0:59:49.400
<v Speaker 1>get one of the new gumbos. Y'all you got that

0:59:49.520 --> 0:59:53.760
<v Speaker 1>broke up already? Come on, I got on and we

0:59:53.800 --> 1:00:00.640
<v Speaker 1>need Black Thought here at three ships, y'all. So okay,

1:00:00.760 --> 1:00:03.360
<v Speaker 1>we we said we went to the Black Dog. You

1:00:03.440 --> 1:00:05.360
<v Speaker 1>know what's funked up? I played this game so long,

1:00:05.680 --> 1:00:07.720
<v Speaker 1>and even though I'm not playing this game drinking, I

1:00:07.880 --> 1:00:13.080
<v Speaker 1>feel drunk. It's just embedded into my sister. You gotta say. So,

1:00:13.120 --> 1:00:15.160
<v Speaker 1>we're gonna have PTSD of this game in the future

1:00:15.920 --> 1:00:17.720
<v Speaker 1>if you go, who made this a board game? But

1:00:17.880 --> 1:00:21.240
<v Speaker 1>I really made this a board game. Jada Kiss a

1:00:21.280 --> 1:00:26.360
<v Speaker 1>fab less Jade kiss. Okay, sorry, okay, love fab Jende

1:00:26.440 --> 1:00:29.280
<v Speaker 1>Kiss one of my favorite favorite mcs as styles like

1:00:29.320 --> 1:00:32.600
<v Speaker 1>a motherfucker? What did you? What did Jenna Kiss say

1:00:32.680 --> 1:00:38.440
<v Speaker 1>to retire him from the times? Sorry? He just faced

1:00:39.520 --> 1:00:42.520
<v Speaker 1>was how are you gonna put the lots of kids

1:00:42.600 --> 1:00:51.160
<v Speaker 1>run to you to see just like it's an I

1:00:51.200 --> 1:00:56.400
<v Speaker 1>don't know this and these are yeah, it's a last

1:00:57.960 --> 1:01:06.400
<v Speaker 1>don't fifty cent or job. They're both great, both queens

1:01:06.440 --> 1:01:12.520
<v Speaker 1>amazing melodies and just in that but has some of

1:01:12.600 --> 1:01:16.120
<v Speaker 1>my favorite joints. So I made a lot of them,

1:01:16.960 --> 1:01:20.640
<v Speaker 1>genuinely joints. All that. That's family, like you're talking about

1:01:21.320 --> 1:01:25.640
<v Speaker 1>you know, Scott still pick you again? Look, of of

1:01:25.760 --> 1:01:37.840
<v Speaker 1>course what the most point times p I didn't get drunk.

1:01:40.080 --> 1:01:43.320
<v Speaker 1>We're gonna put your jersey on a few questions like that, Yeah,

1:01:44.240 --> 1:02:03.400
<v Speaker 1>okay you, but love you continue. Let's get back here

1:02:03.440 --> 1:02:12.640
<v Speaker 1>and cook up more. There's no more life, there's no

1:02:12.760 --> 1:02:24.439
<v Speaker 1>more life. And look to that no more wife, here's

1:02:24.480 --> 1:02:30.480
<v Speaker 1>a no more wife. Now the next one Beyonce. Over yall,

1:02:31.400 --> 1:02:33.160
<v Speaker 1>you work with both, right, I know, No, I never

1:02:33.240 --> 1:02:35.560
<v Speaker 1>worked with we Honestly, That's one of my things I

1:02:35.600 --> 1:02:39.200
<v Speaker 1>always wanted to do is work with Rihanna. Yeah, with Red.

1:02:39.200 --> 1:02:41.240
<v Speaker 1>I'm gonna get to the answer in the second one

1:02:41.280 --> 1:02:46.680
<v Speaker 1>of the most uncomfortable Rihanna story. Let's go. I'm a

1:02:46.760 --> 1:02:49.960
<v Speaker 1>greenhouse in New York. Remember, finally get a chance to

1:02:50.040 --> 1:02:53.440
<v Speaker 1>meet Rihanna and say, I want to work with you.

1:02:53.560 --> 1:02:57.840
<v Speaker 1>Blah blah blah, she's mad cool. I'm gonna go up

1:02:57.880 --> 1:02:59.920
<v Speaker 1>into her low v I P section where she's at,

1:03:00.080 --> 1:03:03.000
<v Speaker 1>say what's up? Cool? Blah blah blah. And I gave

1:03:03.040 --> 1:03:05.960
<v Speaker 1>her a huggle boss, and my shirt got caught on

1:03:06.080 --> 1:03:16.480
<v Speaker 1>her whoop here and that I never ever, ever, ever

1:03:18.200 --> 1:03:28.880
<v Speaker 1>right here. I'm just gonna walk here with Beyonce, man,

1:03:29.080 --> 1:03:32.800
<v Speaker 1>she's the ship. I never worked with her with with Brihanna,

1:03:33.000 --> 1:03:34.920
<v Speaker 1>but I worked with Beyonce, and I can tell you

1:03:35.600 --> 1:03:39.640
<v Speaker 1>that's the best vocalist I ever workless like her voice

1:03:39.680 --> 1:03:43.320
<v Speaker 1>as an instrument like that goes into the arts and

1:03:43.520 --> 1:03:47.920
<v Speaker 1>sciences of music levels and ship like God given talents,

1:03:48.680 --> 1:03:54.120
<v Speaker 1>creative person and just believed in me. And we made

1:03:54.440 --> 1:03:57.240
<v Speaker 1>on one album. We made three, like fucking number ones

1:03:57.320 --> 1:04:01.120
<v Speaker 1>or whatever. And uh, I still work indirectly for her.

1:04:01.760 --> 1:04:04.480
<v Speaker 1>I'm doing stuff for her with Chloe and Haley right now.

1:04:05.200 --> 1:04:08.080
<v Speaker 1>We already we got a Grammy Now'm last year for

1:04:08.360 --> 1:04:10.680
<v Speaker 1>the song do it that her group, Chloe and Haley,

1:04:11.200 --> 1:04:13.880
<v Speaker 1>and they just called and said we got another one,

1:04:14.280 --> 1:04:20.840
<v Speaker 1>so be honest, said all day, be hot, okay evil

1:04:20.880 --> 1:04:30.480
<v Speaker 1>remy mom um, I would have to go with a drink.

1:04:32.240 --> 1:04:37.800
<v Speaker 1>I want to say that family and spit her as off.

1:04:37.880 --> 1:04:42.800
<v Speaker 1>But he's Philly to me. Even don't know this, but

1:04:43.000 --> 1:04:46.840
<v Speaker 1>Eve connecting me with Dr Tre her own brother Rex,

1:04:46.840 --> 1:04:51.040
<v Speaker 1>because I know she's yeah, and she was on an aftermath, Yes,

1:04:51.640 --> 1:04:53.480
<v Speaker 1>and you know she was my friend from Philly. I

1:04:53.600 --> 1:04:55.000
<v Speaker 1>ran into her the first time I ever went to

1:04:55.240 --> 1:04:57.880
<v Speaker 1>l A and she's like, yo, I just got signed

1:04:57.920 --> 1:05:00.680
<v Speaker 1>the Doctor Trey and I was like, please let me

1:05:00.720 --> 1:05:06.160
<v Speaker 1>meet him. She's like, all right, get the studio that shot.

1:05:06.240 --> 1:05:07.960
<v Speaker 1>Let's make sure you finish it too. I'm watching, sir

1:05:12.560 --> 1:05:17.960
<v Speaker 1>so so so he was. There was no wead this.

1:05:18.040 --> 1:05:21.400
<v Speaker 1>Actually we read this before. You might have told us

1:05:21.400 --> 1:05:24.360
<v Speaker 1>this the first time he was. I had no idea.

1:05:24.440 --> 1:05:25.960
<v Speaker 1>I was, what's going to l a for the first

1:05:25.960 --> 1:05:29.200
<v Speaker 1>time in my life at the Martini Lounge doing an

1:05:29.280 --> 1:05:33.760
<v Speaker 1>open mic thing with the roofs, and he was there

1:05:34.000 --> 1:05:36.040
<v Speaker 1>told me she had been signed to Aftermath. And then

1:05:36.120 --> 1:05:38.600
<v Speaker 1>the next day I was in waiting the lobby for

1:05:38.680 --> 1:05:40.760
<v Speaker 1>like five hours for Dr Dre and come out and

1:05:40.920 --> 1:05:44.240
<v Speaker 1>meet me. She convinced him, like, let me whatever. I

1:05:44.320 --> 1:05:47.040
<v Speaker 1>didn't have no dads or CDs or nothing of any

1:05:47.080 --> 1:05:49.439
<v Speaker 1>of my squad, so he's like to play some keys.

1:05:50.040 --> 1:05:53.720
<v Speaker 1>I played some keys. Within an hour, I had like

1:05:54.960 --> 1:05:59.880
<v Speaker 1>fucking keys to the motherfucking La Montrose Hotel. Here we're

1:06:00.320 --> 1:06:02.200
<v Speaker 1>him for me. We're gonna make the chronic ship, this

1:06:02.320 --> 1:06:07.439
<v Speaker 1>and that bread everything I had back in Philly. Even

1:06:07.480 --> 1:06:08.960
<v Speaker 1>though all those other roots and all that show, I

1:06:09.000 --> 1:06:10.720
<v Speaker 1>was still broke. I was still a month that I

1:06:10.760 --> 1:06:12.880
<v Speaker 1>half behind his rent and ship back to getting victim

1:06:12.920 --> 1:06:18.160
<v Speaker 1>type ship, and I started working for Dre. Now I'm

1:06:18.240 --> 1:06:22.080
<v Speaker 1>driving nice wis and sucking, chilling and making the biggest

1:06:22.120 --> 1:06:25.720
<v Speaker 1>album ever in the world because of Eve. That boy

1:06:25.800 --> 1:06:30.200
<v Speaker 1>for Eave. Also go back to what you said about

1:06:30.240 --> 1:06:32.680
<v Speaker 1>Dre that he heard instantly he knew the talent, and

1:06:32.800 --> 1:06:37.240
<v Speaker 1>he's like, oh, he's got the radar. That's the beautiful

1:06:37.280 --> 1:06:42.760
<v Speaker 1>thing that's put things playing piano BEAUTI fucking thing and

1:06:43.240 --> 1:06:55.200
<v Speaker 1>got repeated. Or push your teeth game to me, game,

1:06:55.400 --> 1:06:57.440
<v Speaker 1>I mean I like, I like push your teeth a

1:06:57.520 --> 1:07:02.720
<v Speaker 1>lot work with push your teeth. But game has a

1:07:02.840 --> 1:07:06.080
<v Speaker 1>unique sound in a unique tone. That to me is

1:07:07.120 --> 1:07:09.720
<v Speaker 1>you know, up there with the best of them, you

1:07:09.760 --> 1:07:13.240
<v Speaker 1>know what I mean. We got joints together. I was

1:07:13.320 --> 1:07:18.680
<v Speaker 1>part of West Side story. I listen my nose of

1:07:18.680 --> 1:07:24.280
<v Speaker 1>those let's ride cool cool got Now I'll be really

1:07:24.280 --> 1:07:29.800
<v Speaker 1>sed that serious one. I was like, hey, um, Miami

1:07:29.960 --> 1:07:32.680
<v Speaker 1>or l a Miami like a motherfucker right now. I

1:07:32.800 --> 1:07:36.320
<v Speaker 1>can't believe. I can't really like I can see that.

1:07:36.520 --> 1:07:41.360
<v Speaker 1>I'm just gonna this Dantana's all that chicken for Oh

1:07:41.440 --> 1:07:44.479
<v Speaker 1>I love that damn you got. I'm going this Saturday hard.

1:07:44.800 --> 1:07:49.040
<v Speaker 1>I'm going this side. We got car bon. Let me

1:07:49.040 --> 1:07:55.360
<v Speaker 1>should have put dad on the cars. It's a great carbone. Okay,

1:07:55.440 --> 1:08:02.560
<v Speaker 1>I gotta if you really know what's up, don't that

1:08:02.720 --> 1:08:09.320
<v Speaker 1>that ship beat you ain't even stiff cooks better than

1:08:09.320 --> 1:08:11.840
<v Speaker 1>all the motherfucker's come up. You know what's crazy Because

1:08:11.880 --> 1:08:14.880
<v Speaker 1>he's act tonight, He's actually the one cooking. Yeah, that's

1:08:14.880 --> 1:08:16.720
<v Speaker 1>what makes it so dope. If he ain't cooking, I

1:08:16.720 --> 1:08:19.760
<v Speaker 1>ain't gone because the Steve I go, but he ain't cooking,

1:08:19.760 --> 1:08:21.840
<v Speaker 1>it's still still the same. I mean, he trained these

1:08:21.880 --> 1:08:31.960
<v Speaker 1>people to make sure then he wasn't good. Right, you're right.

1:08:32.400 --> 1:08:41.360
<v Speaker 1>I'm just saying, yeah, you're right, you're right, awful, right, Thanks,

1:08:41.680 --> 1:08:44.880
<v Speaker 1>I was doing Serpent, thank you. You know, I'm you know,

1:08:45.280 --> 1:08:49.560
<v Speaker 1>go together Man's House and hit Factory Boy Trevor the

1:08:49.640 --> 1:08:53.080
<v Speaker 1>Hip Factory. I like toy answer this question. But I

1:08:53.200 --> 1:08:55.679
<v Speaker 1>made so many hits at the Hip Factory and it's great.

1:08:56.680 --> 1:08:59.960
<v Speaker 1>It's expensive to me, right, it's great, but it's expensive.

1:09:00.400 --> 1:09:04.200
<v Speaker 1>And the vibe that I've this new Florida tropical vibe

1:09:04.240 --> 1:09:07.240
<v Speaker 1>that I've been on lately, that should worked for me.

1:09:07.360 --> 1:09:10.880
<v Speaker 1>It was incredible, But right now it's Circle House for

1:09:11.000 --> 1:09:14.120
<v Speaker 1>me because it's so sexy over there, chilling, it's a

1:09:14.240 --> 1:09:18.040
<v Speaker 1>pool and some motherfucking I work in the cabata this. Yeah,

1:09:18.520 --> 1:09:21.360
<v Speaker 1>maybe it's Mary Miami. It's it's it's like it's a

1:09:21.439 --> 1:09:23.960
<v Speaker 1>hard working there lately. Maybe it's part of my new

1:09:24.120 --> 1:09:29.439
<v Speaker 1>like fucking weekended Bernie's type of vibe that but Circle

1:09:30.960 --> 1:09:34.840
<v Speaker 1>you guys, Yeah, there wasn't even another hit factor. The story.

1:09:35.720 --> 1:09:37.800
<v Speaker 1>Never gonna take me over there again. One time he

1:09:37.920 --> 1:09:40.439
<v Speaker 1>was there, we got this and you said to me,

1:09:41.000 --> 1:09:43.800
<v Speaker 1>said to me, you ever have mush from And I

1:09:43.920 --> 1:09:45.960
<v Speaker 1>was like, it was like, but you ever have much

1:09:46.000 --> 1:09:48.040
<v Speaker 1>froom teeth? And you gave me much froom teeth. I

1:09:48.160 --> 1:09:50.639
<v Speaker 1>was there that I felt like I was the bionic man.

1:09:52.640 --> 1:09:55.200
<v Speaker 1>I was moving like this. Must rooms are amazing, I

1:09:55.280 --> 1:09:58.080
<v Speaker 1>think for healing, for so many things, making much froom teeth,

1:09:58.520 --> 1:10:01.519
<v Speaker 1>I do, yes, I think I want to focus someone Mark.

1:10:02.280 --> 1:10:07.200
<v Speaker 1>I think you should, but I don't want you always

1:10:07.240 --> 1:10:13.720
<v Speaker 1>need to cholate. It's too far, it's too much. I'm

1:10:13.720 --> 1:10:17.000
<v Speaker 1>gonna say this. I'm me and Steve mcbell are co

1:10:17.200 --> 1:10:20.200
<v Speaker 1>owners with our partner Frank said on a rehab center

1:10:20.680 --> 1:10:24.400
<v Speaker 1>that is a drug rehab that's called THC, the Heavenly Center,

1:10:24.960 --> 1:10:27.400
<v Speaker 1>and it's an amazing thing where we let you. I

1:10:27.479 --> 1:10:31.400
<v Speaker 1>didn't know this for a step. Yeah, I mean, we

1:10:31.840 --> 1:10:34.200
<v Speaker 1>don't like give you weed, nothing like that, but we

1:10:34.280 --> 1:10:37.800
<v Speaker 1>will tolerate the use of cannabis. When people piss for us,

1:10:38.280 --> 1:10:39.960
<v Speaker 1>you know what I'm saying. In a piss, you can

1:10:40.040 --> 1:10:43.920
<v Speaker 1>piss weed, you can smoke it after nine pm. You

1:10:43.960 --> 1:10:47.200
<v Speaker 1>know not you know, but we've given real conventional recovery

1:10:47.800 --> 1:10:50.800
<v Speaker 1>and you know the groups everything that we do. But

1:10:51.920 --> 1:10:55.760
<v Speaker 1>getting back to your point, I believe the future there's

1:10:55.800 --> 1:11:01.000
<v Speaker 1>gonna be Pillicidon and you know, intertwining shroom, you like,

1:11:01.640 --> 1:11:06.200
<v Speaker 1>you know, rehabilitation for anxiety, for drug abuse, for whatever

1:11:06.280 --> 1:11:09.920
<v Speaker 1>it is. It's definitely I think something that's if done

1:11:09.960 --> 1:11:15.120
<v Speaker 1>responsibly and micro doing Michael dosing and it actually sharpens

1:11:15.160 --> 1:11:17.080
<v Speaker 1>your mind. There's a lot of studies going on. But

1:11:17.120 --> 1:11:18.960
<v Speaker 1>maybe y'all might think I'm crazy, but we've been on.

1:11:19.360 --> 1:11:25.280
<v Speaker 1>We we're talking about we're really ready for it yet,

1:11:25.880 --> 1:11:28.280
<v Speaker 1>but it will be. It will go there, but it's up.

1:11:28.560 --> 1:11:32.040
<v Speaker 1>It's starting again into the mainstream heavy. They're giving people

1:11:32.200 --> 1:11:34.720
<v Speaker 1>I don't know, for heroin can say like in five

1:11:34.760 --> 1:11:40.760
<v Speaker 1>minutes it just do let's see your face the psychdelic

1:11:40.920 --> 1:11:46.559
<v Speaker 1>ship to take it off. Then again, I watched his ship.

1:11:46.640 --> 1:11:49.760
<v Speaker 1>I know, like you die. There's people that like, you

1:11:49.880 --> 1:11:53.080
<v Speaker 1>gotta do it, and I don't know, you can't. It's

1:11:53.080 --> 1:11:55.040
<v Speaker 1>gotta be done. I think that's certain. Going back, they

1:11:55.080 --> 1:11:58.400
<v Speaker 1>ain't bounced back. You do ce doing it with Shaman.

1:11:59.400 --> 1:12:06.640
<v Speaker 1>We got room that someone's craby like, but shrooms. I

1:12:06.720 --> 1:12:10.600
<v Speaker 1>think they're cool. Done right, Okay, I'm in anyway, and

1:12:10.680 --> 1:12:16.040
<v Speaker 1>you did say circle house over yes, Trevor, sorry, bro,

1:12:17.920 --> 1:12:30.080
<v Speaker 1>We're okay, okay, Biggie a big at big two pocket

1:12:30.160 --> 1:12:40.519
<v Speaker 1>lesson piece both on man. I got Steven bell over here.

1:12:41.840 --> 1:12:50.679
<v Speaker 1>I hear the shot shot shot recently. It just came,

1:12:51.920 --> 1:12:56.280
<v Speaker 1>uh this he's dirt. Yeah that he didn't pass. It's crazy.

1:12:56.280 --> 1:12:58.360
<v Speaker 1>It seems like five minutes ago. Let's take a shot

1:12:58.400 --> 1:13:03.000
<v Speaker 1>from him. Look a moment of size from your SI sip. Yeah,

1:13:05.880 --> 1:13:07.639
<v Speaker 1>so everyone, you know, we want to take a moment

1:13:07.720 --> 1:13:22.400
<v Speaker 1>of size one school three. You should have just sixty seconds, right, yeah?

1:13:22.920 --> 1:13:26.519
<v Speaker 1>Do sixty seconds? Come on time and has really yeah,

1:13:59.280 --> 1:14:31.880
<v Speaker 1>m m coolest Le's fort chriecktime and signing. I want

1:14:31.920 --> 1:14:37.160
<v Speaker 1>to bring in Steve a Bello and everything. Okay, MPC

1:14:37.360 --> 1:14:41.799
<v Speaker 1>two thousands or the MPC three thousand, three two thousand

1:14:41.840 --> 1:14:47.000
<v Speaker 1>for flexibility, but overall sounding the three thousand sounds of

1:14:48.720 --> 1:14:52.680
<v Speaker 1>it's just the best. Okay, are you using machine at all? Machine? No?

1:14:52.960 --> 1:14:56.040
<v Speaker 1>But I am using a secret little weapon that No.

1:14:57.360 --> 1:14:59.280
<v Speaker 1>I'm When I leave here, I'm going to work for

1:14:59.360 --> 1:15:07.519
<v Speaker 1>a KI today board. They got a keyboard maybe you

1:15:07.720 --> 1:15:10.040
<v Speaker 1>at least you keep That's me for a motherfucker that

1:15:10.120 --> 1:15:13.080
<v Speaker 1>want to make the best music. It's still the most

1:15:13.120 --> 1:15:16.400
<v Speaker 1>week It's gonna change everything. It's gonna change everything. Trust me,

1:15:16.800 --> 1:15:25.960
<v Speaker 1>I experienced this ship yesterday. Make some definite they're serious.

1:15:26.280 --> 1:15:29.479
<v Speaker 1>They ain't playing right now. The Risk One or Rock Him.

1:15:32.040 --> 1:15:35.479
<v Speaker 1>I love Rock Camber Caress One's a motherfucking man. Chris

1:15:35.640 --> 1:15:41.120
<v Speaker 1>is the man Man, Tory Laters of the Weekend, The Weekend,

1:15:43.680 --> 1:15:48.519
<v Speaker 1>Lambad Ferrari, Ferrari all day. Sorry, John, that was just

1:15:48.600 --> 1:15:57.400
<v Speaker 1>the music. Walk about that, Yeah, baby, okay, all day? Okay.

1:15:57.760 --> 1:16:04.920
<v Speaker 1>Paddock or Richard Mill both shot shot you ready got

1:16:05.000 --> 1:16:08.599
<v Speaker 1>damn you? And then I'm as a watch guy. Shot

1:16:08.960 --> 1:16:14.000
<v Speaker 1>dat watch company. Yeah, um, I want to ask you why,

1:16:14.240 --> 1:16:18.479
<v Speaker 1>why why you got to be even? They my favorite watches,

1:16:18.760 --> 1:16:23.120
<v Speaker 1>both of them. Paddock animals. I got Paddock in my

1:16:23.200 --> 1:16:25.519
<v Speaker 1>bag right now. You just got an extra Paddy. Just

1:16:25.600 --> 1:16:29.439
<v Speaker 1>you know, I gotta do a wardrobe and Yellow ain't

1:16:29.479 --> 1:16:32.040
<v Speaker 1>gonna work with it. So when you get a Richard,

1:16:32.120 --> 1:16:33.920
<v Speaker 1>they don't come with other bands. They don't come with

1:16:33.960 --> 1:16:36.479
<v Speaker 1>another band. Yeah you can't, can't. They're actually a pretty

1:16:36.479 --> 1:16:40.559
<v Speaker 1>easy year change. Okay, let me see that's factory. Yeah, okay,

1:16:40.680 --> 1:16:46.400
<v Speaker 1>my bad, bad as y'all here looking at that. You

1:16:46.400 --> 1:16:49.920
<v Speaker 1>know what I'm saying, God, damn, that's your wardrobe change.

1:16:50.439 --> 1:16:54.520
<v Speaker 1>Pony ship is really let you at the hospice all

1:16:54.560 --> 1:16:56.560
<v Speaker 1>the time. I got drinking and Steve Bell said I

1:16:56.640 --> 1:16:59.160
<v Speaker 1>needed two wardrobe changes, so I just made sure I

1:16:59.320 --> 1:17:03.519
<v Speaker 1>was matching. M So I gotta go blow out rich talk.

1:17:03.600 --> 1:17:06.200
<v Speaker 1>I love it. I can't blow that on drink chains. Okay,

1:17:11.120 --> 1:17:15.000
<v Speaker 1>mind you, I don't write this questions, all right, I'm

1:17:15.040 --> 1:17:23.080
<v Speaker 1>not even one singarette from this is not my question?

1:17:23.160 --> 1:17:28.640
<v Speaker 1>Is went the way Paris Hilton or Kim Kake? I

1:17:28.800 --> 1:17:33.920
<v Speaker 1>mean I would have to go with Kim. You know,

1:17:35.640 --> 1:17:40.160
<v Speaker 1>it is what it is. Who's this shot I come from?

1:17:41.080 --> 1:17:44.880
<v Speaker 1>I'm sorry, I love Paris, but m hm, you know

1:17:45.080 --> 1:17:47.719
<v Speaker 1>Kim is one of the most beautiful women ever. Okay,

1:17:49.160 --> 1:17:53.360
<v Speaker 1>you're ready, I let me go back to the question.

1:17:53.439 --> 1:18:02.120
<v Speaker 1>Sold on ready, Linzie Lohan, A little Kim, little Kim

1:18:03.000 --> 1:18:11.840
<v Speaker 1>whom you know what I mean? He said to do?

1:18:12.320 --> 1:18:16.680
<v Speaker 1>So that's a little hand, yo, Call the records, set

1:18:16.720 --> 1:18:37.719
<v Speaker 1>the records tricks. I never was with Linda to cocaine

1:18:37.720 --> 1:18:48.280
<v Speaker 1>in the azor, but no biking about billy billy. I

1:18:48.360 --> 1:18:50.120
<v Speaker 1>was not on point. I thought that was like a

1:18:50.400 --> 1:18:53.160
<v Speaker 1>cool word. I ain't even okay that the biding. Okay,

1:18:53.240 --> 1:18:58.040
<v Speaker 1>my fault. I gotta paid to podcast or radio. I

1:18:58.120 --> 1:19:05.960
<v Speaker 1>think right now? Podcast pret more Pete rock, pretty Mom.

1:19:11.200 --> 1:19:16.240
<v Speaker 1>I'm a gangstar, motherfucker. First, rest in peace, Guru, Kanye

1:19:17.640 --> 1:19:22.400
<v Speaker 1>or Swiss? Pease give me a drink please, I'm calling

1:19:22.439 --> 1:19:27.519
<v Speaker 1>that for your second. Doesn't need two legends And obviously

1:19:27.520 --> 1:19:32.920
<v Speaker 1>were talking about my job. Well, supposed is an artist too, Ye,

1:19:33.000 --> 1:19:38.000
<v Speaker 1>Swiss is an artist too. Cheers kid, Let's take that shot, Scott,

1:19:38.000 --> 1:19:40.519
<v Speaker 1>you ain't never gonna ryng, right, gonna ryng? You ain't

1:19:40.520 --> 1:19:43.880
<v Speaker 1>gonna You're gonna feel like you've spent a record. I

1:19:43.960 --> 1:19:45.800
<v Speaker 1>know you're spent on the record before. Let's not talk

1:19:45.800 --> 1:19:53.080
<v Speaker 1>about that. Let's I think you shot. I'm sorry, I'm

1:19:53.120 --> 1:19:59.200
<v Speaker 1>a shot. This usually mean take the shots. That's why

1:19:59.800 --> 1:20:03.840
<v Speaker 1>I can. Mr Kim Bucks is gonna get a drunk story? Okay,

1:20:04.000 --> 1:20:07.920
<v Speaker 1>Wrap City or your TV raps. I'm your MTV wraps guys. Okay,

1:20:09.400 --> 1:20:13.880
<v Speaker 1>pro tools are lodging. That's not really a good question.

1:20:14.760 --> 1:20:16.280
<v Speaker 1>I think that makes sense. I used both at the

1:20:16.360 --> 1:20:18.519
<v Speaker 1>same time. At the same time that sound like a

1:20:18.640 --> 1:20:22.320
<v Speaker 1>shot was like, no, it's not a shot. You got

1:20:22.400 --> 1:20:26.280
<v Speaker 1>the people on the same side of it. Beats a

1:20:26.320 --> 1:20:30.439
<v Speaker 1>lot of im said, pro are you might have stilled

1:20:30.479 --> 1:20:32.240
<v Speaker 1>it and you didn't. Got to take a shout down. Yeah,

1:20:33.840 --> 1:20:47.519
<v Speaker 1>you know what people shot like a lot of people recording.

1:20:48.600 --> 1:20:51.640
<v Speaker 1>Actually you feel we don't make you specs that we

1:20:51.680 --> 1:20:59.519
<v Speaker 1>don't make you, he said to your show record it's

1:20:59.520 --> 1:21:06.639
<v Speaker 1>the time of you. Hey man, want you to take

1:21:06.680 --> 1:21:11.160
<v Speaker 1>the shot out? Okay, your shot, take a shot. Hey,

1:21:11.280 --> 1:21:16.160
<v Speaker 1>don't get me talking about vocals, albums not even don't

1:21:16.160 --> 1:21:21.200
<v Speaker 1>get into the last one. All right, loyalties or respect

1:21:22.000 --> 1:21:35.320
<v Speaker 1>post got you like a got your baby yet you

1:21:35.360 --> 1:21:39.680
<v Speaker 1>don't respect me? Loyal to me? Real? So let's take

1:21:39.720 --> 1:21:45.639
<v Speaker 1>those shots. Call us like, don't you got a little

1:21:45.680 --> 1:21:48.880
<v Speaker 1>bit better than Let's go. It's even gonna be out

1:21:48.920 --> 1:21:52.680
<v Speaker 1>of this you. Let's knock it out your drink chat bro,

1:21:52.920 --> 1:22:04.519
<v Speaker 1>come on, Scott and that's look you're typing your texts

1:22:04.560 --> 1:22:11.439
<v Speaker 1>somebody around. Yeah, if my wife saw family first, so Scott,

1:22:11.520 --> 1:22:15.880
<v Speaker 1>k do the Scott looking back at recovering everything, What

1:22:15.960 --> 1:22:18.479
<v Speaker 1>do you think that the biggest lesson that you can

1:22:18.520 --> 1:22:23.599
<v Speaker 1>convey to someone that that's going through that path right now. Um,

1:22:24.479 --> 1:22:28.080
<v Speaker 1>that's the greatest high in life comes from the experiences

1:22:28.160 --> 1:22:31.559
<v Speaker 1>we have in life, not from some drugget drug fun

1:22:31.720 --> 1:22:35.800
<v Speaker 1>drugs And what's the biggest, the biggest struggle of the

1:22:35.880 --> 1:22:42.639
<v Speaker 1>honest struggle you have staying sober. Struggle with drugs. Yeah,

1:22:42.720 --> 1:22:49.280
<v Speaker 1>with drugs. Pussy another drug, another drug, but I mean

1:22:49.360 --> 1:22:57.280
<v Speaker 1>in real life, it's the one thing that could potentially

1:22:57.840 --> 1:23:01.599
<v Speaker 1>destroy your sobriety. Derail it, right, derail it. We love

1:23:01.640 --> 1:23:09.920
<v Speaker 1>pussy in life, and pussy sometimes loves drugs, and you know, yeah,

1:23:11.120 --> 1:23:12.840
<v Speaker 1>so we just have to learn to deal with pussy

1:23:12.960 --> 1:23:18.479
<v Speaker 1>that doesn't love drugs your own, Yeah, and have to

1:23:18.520 --> 1:23:22.800
<v Speaker 1>self control and the strong and strong will power and everything. Right,

1:23:23.000 --> 1:23:27.840
<v Speaker 1>but you know, life is precious and and you know

1:23:27.920 --> 1:23:30.439
<v Speaker 1>it can all go bad in five seconds, especially now

1:23:30.560 --> 1:23:36.559
<v Speaker 1>with drugs. And it's not like all that, not even

1:23:36.600 --> 1:23:38.559
<v Speaker 1>that it's just an excuse. But I'm just saying in general,

1:23:39.880 --> 1:23:43.800
<v Speaker 1>like there's so much incredible ship that we could be

1:23:43.840 --> 1:23:47.880
<v Speaker 1>doing with our lives and decides doing drugs that's just

1:23:47.960 --> 1:23:51.960
<v Speaker 1>a weakness. That means you're weak if you can do drugs,

1:23:54.720 --> 1:23:59.439
<v Speaker 1>be strong, right, Well, I'm almost start. You know, I'm

1:23:59.479 --> 1:24:04.680
<v Speaker 1>just get around. We got uh, Candy shot knocked out

1:24:04.720 --> 1:24:08.680
<v Speaker 1>that room on Scott still made it. Joe contributed, we

1:24:08.840 --> 1:24:12.240
<v Speaker 1>got that. But how did that technically means we made

1:24:12.280 --> 1:24:15.639
<v Speaker 1>the ship right? That's right, the percentages and the ship

1:24:15.840 --> 1:24:25.240
<v Speaker 1>was Yeah, so you could say, yeah, he's lean back.

1:24:25.479 --> 1:24:29.920
<v Speaker 1>How do we make this lean back? And did you?

1:24:30.920 --> 1:24:36.280
<v Speaker 1>Because is this your first national worldwide hit? Oh no,

1:24:37.400 --> 1:24:42.000
<v Speaker 1>this is my first hit where somebody said my name on.

1:24:42.080 --> 1:24:45.320
<v Speaker 1>It was to the hit fact that we used to

1:24:45.360 --> 1:24:50.360
<v Speaker 1>have a cheese line around a corner d Max Glory, Jesus,

1:24:51.240 --> 1:24:55.200
<v Speaker 1>I have mad hits, but you're like the secret weapon

1:24:55.400 --> 1:24:58.840
<v Speaker 1>now Yeah I wasn't. I didn't know or understand the

1:24:58.960 --> 1:25:03.439
<v Speaker 1>value in the tag on the track, on the showing

1:25:03.479 --> 1:25:06.360
<v Speaker 1>onto the video, creating a brand. I was just like

1:25:06.760 --> 1:25:12.519
<v Speaker 1>happy in the studio making my ship. Um, but it's

1:25:12.560 --> 1:25:16.519
<v Speaker 1>crazy like my boy Raoul turn Squad. It was one

1:25:16.520 --> 1:25:22.240
<v Speaker 1>of my literally lifelong best friends in Diego and motherfucking

1:25:22.360 --> 1:25:27.160
<v Speaker 1>Role and Chris Jones like just like to be my

1:25:27.200 --> 1:25:33.960
<v Speaker 1>hand brother. Yeah yeah, God bless him. Yeah yeah, we're

1:25:33.960 --> 1:25:36.080
<v Speaker 1>gonna get him back on the right track. Yeah yeah,

1:25:36.160 --> 1:25:48.880
<v Speaker 1>but terrible friends. Yeah, I hope that you didn't learn

1:25:48.920 --> 1:25:58.320
<v Speaker 1>how to drink responsible. That's it. But the first time

1:25:58.360 --> 1:26:02.240
<v Speaker 1>I ever had like a no, actually wasn't the second time.

1:26:02.400 --> 1:26:05.320
<v Speaker 1>First time I met Fat Joe was in Rob Too

1:26:05.400 --> 1:26:10.600
<v Speaker 1>Low Office and Atlantic Records Brief and I was with

1:26:10.760 --> 1:26:12.479
<v Speaker 1>Fat Show. I met him. We were in the room

1:26:13.600 --> 1:26:16.559
<v Speaker 1>and the motherfucker's I was smoking weed and drubbed Too

1:26:16.600 --> 1:26:20.679
<v Speaker 1>Little office beside of his table, and we smoked weed.

1:26:21.080 --> 1:26:22.920
<v Speaker 1>We was high a shipped. Joe is in there, he

1:26:23.040 --> 1:26:25.680
<v Speaker 1>wasn't smoking weed, and they told me, they told me

1:26:27.080 --> 1:26:29.280
<v Speaker 1>he got a contact high. He was high shipped because

1:26:29.320 --> 1:26:30.960
<v Speaker 1>he tried to sell me some rooms while I was

1:26:31.040 --> 1:26:34.200
<v Speaker 1>in there. He said, it's only career one, but you

1:26:34.280 --> 1:26:40.639
<v Speaker 1>could just find a part of what a couple of years.

1:26:40.680 --> 1:26:43.840
<v Speaker 1>The really technically the real first time I hung out

1:26:43.880 --> 1:26:47.759
<v Speaker 1>with him on a different level at the Hit Factory.

1:26:48.560 --> 1:26:51.760
<v Speaker 1>I met Raou in front of the Hit Factory and

1:26:52.920 --> 1:26:55.840
<v Speaker 1>and he came listening to some beats and he ran

1:26:55.920 --> 1:26:58.639
<v Speaker 1>over to Joe and was like, Yo, Joe, this white

1:26:58.720 --> 1:27:01.240
<v Speaker 1>boy got this fucking beat. It's over there in the studio.

1:27:01.360 --> 1:27:03.760
<v Speaker 1>He's a A I'm in studio. He whatever the fund was,

1:27:04.200 --> 1:27:06.200
<v Speaker 1>and he's like he got some fireweed. But because that,

1:27:06.320 --> 1:27:08.880
<v Speaker 1>she was like, you just wanted to over whatever. So

1:27:10.920 --> 1:27:13.320
<v Speaker 1>the next time I met him, I met Joe at

1:27:13.360 --> 1:27:15.519
<v Speaker 1>that time whatever it really get his attention. But the

1:27:15.640 --> 1:27:18.880
<v Speaker 1>next time I met him, this guy that passed away,

1:27:19.400 --> 1:27:22.439
<v Speaker 1>Joe Bentley, that used to own car rental company that

1:27:22.560 --> 1:27:25.920
<v Speaker 1>me and Joe were both mutually friends with, convinced Joe

1:27:26.479 --> 1:27:28.840
<v Speaker 1>to come out to my house in Weston at the

1:27:28.920 --> 1:27:32.960
<v Speaker 1>time and drive forty five minutes and Raoul was with him.

1:27:33.720 --> 1:27:36.519
<v Speaker 1>Raoul didn't know where he was gone, but he was

1:27:36.680 --> 1:27:40.920
<v Speaker 1>like cows out there, yeah, yeah, yeah, And I'm on

1:27:41.080 --> 1:27:44.479
<v Speaker 1>the front door and Raoul says, oh my god, it's

1:27:44.520 --> 1:27:46.360
<v Speaker 1>the fucking guy that I tried to tell you to

1:27:46.439 --> 1:27:48.880
<v Speaker 1>go to fucking listen. He heard my beats and he

1:27:48.960 --> 1:27:52.200
<v Speaker 1>was like, listen that. So Joe was like, let me

1:27:52.280 --> 1:27:54.000
<v Speaker 1>hear some ship. I'm like, let's just make some ship.

1:27:54.840 --> 1:27:57.120
<v Speaker 1>Joe decried what he was making. He wanted to make

1:27:57.160 --> 1:28:01.240
<v Speaker 1>what he wanted to make it and I didn't. Literally

1:28:01.280 --> 1:28:04.000
<v Speaker 1>in twelve minutes, I had to leave back and then

1:28:04.120 --> 1:28:06.439
<v Speaker 1>Joe was like, we need and it was just like

1:28:06.600 --> 1:28:08.000
<v Speaker 1>in the candy shop. He was like, oh, we need

1:28:08.080 --> 1:28:16.519
<v Speaker 1>an So I was like dun and the right in

1:28:16.600 --> 1:28:20.799
<v Speaker 1>the club when that part come off, hit the dance flow, Okay, continue.

1:28:21.120 --> 1:28:24.080
<v Speaker 1>So Joe took the beat with him. He didn't cut

1:28:24.200 --> 1:28:26.120
<v Speaker 1>that that day. I made the beat. We made it

1:28:26.200 --> 1:28:29.760
<v Speaker 1>literally twelve minutes, twelve minutes and three minutes for the intro.

1:28:30.720 --> 1:28:34.519
<v Speaker 1>And six months later I get a call from Joe.

1:28:35.960 --> 1:28:39.800
<v Speaker 1>We're gonna have the anthem of the summer. We're going

1:28:39.840 --> 1:28:42.439
<v Speaker 1>to summer jams with this record. The record is not out, Yea,

1:28:42.479 --> 1:28:46.599
<v Speaker 1>he's schooling. Okay, because we got the record, I'm like, really, okay, cool.

1:28:46.800 --> 1:28:49.519
<v Speaker 1>So what we did that day paid off. She gave

1:28:49.680 --> 1:28:51.439
<v Speaker 1>two track that day, or you get him everything. I

1:28:51.479 --> 1:28:54.320
<v Speaker 1>can't even probably everything, Okay, I don't remember, but yeah,

1:28:54.360 --> 1:28:58.000
<v Speaker 1>I definitely got the two tracks. Um and um. They

1:28:58.080 --> 1:29:01.080
<v Speaker 1>made a record. Him and Remy fucking murdered the funk

1:29:01.120 --> 1:29:04.040
<v Speaker 1>out of that record to the point where we were

1:29:04.200 --> 1:29:07.839
<v Speaker 1>on I remember we went to do that the EMPTV

1:29:08.000 --> 1:29:13.360
<v Speaker 1>Awards and performed that ship. At that time. Paris was

1:29:13.479 --> 1:29:17.760
<v Speaker 1>my date to motherfucker. That was that was a good

1:29:22.479 --> 1:29:26.720
<v Speaker 1>Sounds a kay De picture, I remember, yeah, And we

1:29:26.880 --> 1:29:29.760
<v Speaker 1>performed that ship on MTV Awards and Bruce Willis was

1:29:29.840 --> 1:29:35.400
<v Speaker 1>in the motherfucking audience, leaning back, Bruce, really yeah, and

1:29:35.439 --> 1:29:38.000
<v Speaker 1>then lightning struck twice and we made Make It Rain,

1:29:38.160 --> 1:29:42.479
<v Speaker 1>and you know, Joe it on. I think me and

1:29:42.560 --> 1:29:47.000
<v Speaker 1>Joe should go back in the studio next last like

1:29:47.120 --> 1:29:56.240
<v Speaker 1>a motherfucker. All right, A right to that, just leaning back,

1:29:56.479 --> 1:29:58.200
<v Speaker 1>and I'm gonna give you a double because I want

1:29:58.200 --> 1:29:59.720
<v Speaker 1>you and Dread and make another stale dread. You know

1:29:59.720 --> 1:30:05.080
<v Speaker 1>what they come to your double shot. You just can't

1:30:05.080 --> 1:30:07.519
<v Speaker 1>talk about it. Yeah, yeah, yeah, yeah, let have done

1:30:07.560 --> 1:30:15.760
<v Speaker 1>something already, gonna they kicking take goddamn make up, so

1:30:16.080 --> 1:30:18.479
<v Speaker 1>so old ship, hold on, hold on, what does it?

1:30:18.560 --> 1:30:22.439
<v Speaker 1>What do you what do you want? We are filming, sir,

1:30:23.360 --> 1:30:28.559
<v Speaker 1>Stop calling this guy store many of Come on, don't

1:30:28.600 --> 1:30:30.639
<v Speaker 1>never call me on FaceTime with your hand slick back,

1:30:34.040 --> 1:30:35.880
<v Speaker 1>just chuck it like that. I hat I hate you

1:30:35.960 --> 1:30:39.960
<v Speaker 1>back hate you back slip back. Man, Come on, I

1:30:40.000 --> 1:30:45.080
<v Speaker 1>got moved. Yeah, telling Philippino, okay, are we friend to

1:30:45.080 --> 1:30:48.439
<v Speaker 1>finish the great time? I got no man, when you're

1:30:48.479 --> 1:30:53.720
<v Speaker 1>taking yeah, that's break selling. Man'll get into quick QUI

1:30:54.880 --> 1:30:59.519
<v Speaker 1>and here I got home. Yeah, I got home. Take

1:30:59.560 --> 1:31:11.360
<v Speaker 1>it from you. I steep about about to sit down.

1:31:11.400 --> 1:31:16.160
<v Speaker 1>I want to give you a gift. I want to smoke. Yes, yes, yes,

1:31:16.200 --> 1:31:21.120
<v Speaker 1>I want to give you a storage design sunglasses. That's

1:31:21.160 --> 1:31:25.080
<v Speaker 1>just he and my partner Ellen. We designed these joints.

1:31:26.040 --> 1:31:33.080
<v Speaker 1>He's a storage design needed Italy. Yeah. We went over

1:31:33.160 --> 1:31:37.040
<v Speaker 1>dimensions every part of that motherfucking glass. And they feel

1:31:37.120 --> 1:31:45.480
<v Speaker 1>good too. I feel rich rich, I'm regular design Storge Designs.

1:31:48.479 --> 1:31:51.160
<v Speaker 1>You are sunglass of motherfucker. That's why we like even

1:31:51.240 --> 1:31:53.840
<v Speaker 1>at nighttime, you be having sunglasses and you're looking cool

1:31:53.960 --> 1:31:56.439
<v Speaker 1>doing it something that can't wait well at all. Yeah,

1:31:56.560 --> 1:32:00.599
<v Speaker 1>some people wear good and they can't see ye trying

1:32:00.640 --> 1:32:03.240
<v Speaker 1>to pull it off. Take work out like me, y'all,

1:32:03.320 --> 1:32:07.720
<v Speaker 1>Like the girls are like yeah yeah, oh yeah, but

1:32:07.840 --> 1:32:11.240
<v Speaker 1>I like wearing something's like that, like if you got

1:32:11.320 --> 1:32:13.439
<v Speaker 1>blue eyes like that. But that's what like white people

1:32:13.520 --> 1:32:16.200
<v Speaker 1>with the black people to say you got here, Yeah

1:32:16.600 --> 1:32:21.920
<v Speaker 1>you got any of the family say like little great

1:32:22.720 --> 1:32:27.519
<v Speaker 1>and yum on womens to leave you damn think it

1:32:27.600 --> 1:32:31.800
<v Speaker 1>was gonna you know, they ain't no food we got, y'all.

1:32:36.080 --> 1:32:38.519
<v Speaker 1>I didn't even know they make it. Oh yeah, what

1:32:39.120 --> 1:32:42.400
<v Speaker 1>did you do it? Right? Yere? Bro? You got you

1:32:42.439 --> 1:32:45.960
<v Speaker 1>got to y'allas. Yeah, so see we know he was

1:32:46.040 --> 1:32:49.040
<v Speaker 1>on drink chance before we're not you didn't want to you.

1:32:49.200 --> 1:32:52.160
<v Speaker 1>We wanted to let Scott shrine. But we also we

1:32:52.360 --> 1:32:55.120
<v Speaker 1>owe you of give as well. So you know what

1:32:55.120 --> 1:33:00.439
<v Speaker 1>I'm saying, because because we get my flower, you stay

1:33:00.560 --> 1:33:04.360
<v Speaker 1>to the side. But we said, now this man too, Yes, yeah,

1:33:04.439 --> 1:33:07.360
<v Speaker 1>you get my life back together. He don't play the

1:33:07.439 --> 1:33:09.600
<v Speaker 1>big way I got it done. Yeah, yeah, yeah, you

1:33:09.640 --> 1:33:12.000
<v Speaker 1>don't play that. So I mean, let's let's I mean

1:33:12.120 --> 1:33:14.200
<v Speaker 1>that he said that. That's that's that's a lot of

1:33:14.240 --> 1:33:16.360
<v Speaker 1>way that I know we we said this before. I mean,

1:33:16.439 --> 1:33:19.599
<v Speaker 1>we did this before. But I want to elaborate with y'all, guys, relationship,

1:33:19.640 --> 1:33:21.640
<v Speaker 1>like how did it even start out of this? You know,

1:33:22.160 --> 1:33:24.880
<v Speaker 1>I mean to be honest with you. About seven years

1:33:24.920 --> 1:33:28.680
<v Speaker 1>ago I started a podcast myself called and Steve Lottlebells right,

1:33:29.080 --> 1:33:30.360
<v Speaker 1>and you know I was a little ahead of my time.

1:33:30.439 --> 1:33:33.880
<v Speaker 1>Interviewed Jake Cole to afro Jack too. I mean, so

1:33:34.000 --> 1:33:36.519
<v Speaker 1>many people, right, and I would just pull up to them,

1:33:36.720 --> 1:33:38.320
<v Speaker 1>you know, I go to Soldier Boys house and get

1:33:38.360 --> 1:33:40.559
<v Speaker 1>on his balcony, or go to afro Jack on the studio,

1:33:41.160 --> 1:33:42.800
<v Speaker 1>Jay Cole to his house and just pull up with

1:33:42.840 --> 1:33:45.160
<v Speaker 1>a BlackBerry and just interview people. I thought it was

1:33:45.200 --> 1:33:50.800
<v Speaker 1>gonna be Johnny Carson. So, um, I've seen Raoul and

1:33:50.920 --> 1:33:53.680
<v Speaker 1>Scott on Instagram. So I know Raoul back from the

1:33:53.760 --> 1:33:55.479
<v Speaker 1>term squad days when he's drive around the count you

1:33:55.520 --> 1:33:57.880
<v Speaker 1>with him and Fat Joe and Big Pun resting us

1:33:57.920 --> 1:34:02.120
<v Speaker 1>with ball does Yeah, and uh, you know, I got

1:34:02.160 --> 1:34:03.880
<v Speaker 1>a long career. You know, I started with jam mster

1:34:03.960 --> 1:34:07.080
<v Speaker 1>J and r NFC, so I don't forget that. You know,

1:34:07.360 --> 1:34:09.640
<v Speaker 1>Easy introduced me to you know, bone Thugs, and I

1:34:09.760 --> 1:34:12.240
<v Speaker 1>worked with Nip to Big You and you know, a long,

1:34:12.360 --> 1:34:15.080
<v Speaker 1>long career. I've been blessed. But when I did the podcast,

1:34:15.439 --> 1:34:18.920
<v Speaker 1>I interviewed uh Scott you know, and shout out to

1:34:18.960 --> 1:34:21.280
<v Speaker 1>Fat Joe man because you know that's family and uh

1:34:21.560 --> 1:34:23.599
<v Speaker 1>Rahol needs to drive around the country, like I said,

1:34:24.120 --> 1:34:26.360
<v Speaker 1>So he said, come to this house. So I pulled

1:34:26.439 --> 1:34:28.640
<v Speaker 1>up his house in Tarzana. Scott was sitting in the

1:34:28.720 --> 1:34:31.479
<v Speaker 1>backyard bohim self and I said, where's row Whole? He say,

1:34:31.520 --> 1:34:34.840
<v Speaker 1>he's not here. Um, So I interviewed Scott and I

1:34:34.880 --> 1:34:36.800
<v Speaker 1>pulled out my commit in their plaque because I went

1:34:36.840 --> 1:34:38.439
<v Speaker 1>to gramm me with Dad with Crazy going to play

1:34:39.800 --> 1:34:42.360
<v Speaker 1>Yeah and Scott was on that album, but I always

1:34:42.400 --> 1:34:44.120
<v Speaker 1>wanted him to sign a plaque. And we never even

1:34:44.160 --> 1:34:46.920
<v Speaker 1>knew each other. Really, yeah, we never really knew each other.

1:34:47.040 --> 1:34:50.080
<v Speaker 1>So I interviewed him in Ninny ask me to manage him.

1:34:50.800 --> 1:34:52.639
<v Speaker 1>So in twenty four hours, I said, give me twenty

1:34:52.680 --> 1:34:55.840
<v Speaker 1>five hours, and I said, 's rock and roll, not

1:34:56.000 --> 1:34:57.920
<v Speaker 1>knowing what I was getting myself, and vol, why do

1:34:58.000 --> 1:35:00.160
<v Speaker 1>you say, I just needed to think of boy it

1:35:00.200 --> 1:35:03.240
<v Speaker 1>because I never managed the producer, and um, I had

1:35:03.240 --> 1:35:05.479
<v Speaker 1>a lot going on. And I said, just give me

1:35:05.520 --> 1:35:07.599
<v Speaker 1>twenty five hours and twenty hours and so let's rock

1:35:07.640 --> 1:35:11.160
<v Speaker 1>and roll. And uh, it wasn't easy to begin in

1:35:11.600 --> 1:35:13.240
<v Speaker 1>you know, I really didn't know him in his history

1:35:13.320 --> 1:35:15.400
<v Speaker 1>and stuff that he's been through. But one thing I

1:35:15.479 --> 1:35:16.880
<v Speaker 1>did tell him, just trust me, and I was gonna

1:35:16.880 --> 1:35:18.559
<v Speaker 1>put him in with the new artists that no one

1:35:18.600 --> 1:35:22.080
<v Speaker 1>ever heard of. That I just you know, either knew

1:35:22.120 --> 1:35:25.000
<v Speaker 1>them or knew someone to work with them. And uh

1:35:25.560 --> 1:35:27.439
<v Speaker 1>the rest was says to me, like perfect example, Roddy

1:35:27.560 --> 1:35:29.640
<v Speaker 1>rich Man shout out to Kifa, but a lot of

1:35:29.680 --> 1:35:31.919
<v Speaker 1>people don't know his father's key to rock from sixties,

1:35:32.360 --> 1:35:34.720
<v Speaker 1>who was the only crypt down with death Row. He

1:35:34.840 --> 1:35:36.840
<v Speaker 1>got and see on his face and got death row

1:35:36.880 --> 1:35:39.519
<v Speaker 1>and he's doing life. Hopefully he's coming home. But he

1:35:39.920 --> 1:35:41.960
<v Speaker 1>called me like, uncle, got this new kid and Roddy rich.

1:35:42.040 --> 1:35:44.439
<v Speaker 1>I asked Scott bringing his kid over, and Scott, of course,

1:35:44.600 --> 1:35:47.760
<v Speaker 1>was like, is there an advance? He's their money, but

1:35:47.880 --> 1:35:50.479
<v Speaker 1>you know what, let's do it. We made down below.

1:35:51.160 --> 1:35:52.960
<v Speaker 1>Hey Boogie was in l A. I said, he's gonna

1:35:53.000 --> 1:35:56.200
<v Speaker 1>pull up. Scott was like, and he had forty people

1:35:56.280 --> 1:35:59.280
<v Speaker 1>with him. He had forty people he got just going.

1:35:59.320 --> 1:36:04.240
<v Speaker 1>The session was way before, so I said, Scott going

1:36:04.280 --> 1:36:06.600
<v Speaker 1>in and work with that kid. Don que him and

1:36:06.720 --> 1:36:09.720
<v Speaker 1>PNB Rocks and uh. I let them new Scott's car

1:36:09.800 --> 1:36:12.080
<v Speaker 1>to through the video in the house and Scott was

1:36:12.120 --> 1:36:14.479
<v Speaker 1>making records and they wound up blowing up and so

1:36:14.600 --> 1:36:16.439
<v Speaker 1>on and solo. But I'm gonna keep it real with

1:36:16.520 --> 1:36:18.920
<v Speaker 1>you man. You know you guys are talking about game right.

1:36:18.960 --> 1:36:21.599
<v Speaker 1>And I call him Chuck. I was at a restaurant

1:36:21.640 --> 1:36:24.720
<v Speaker 1>with Whack and we had a sushi restaurant and we

1:36:24.800 --> 1:36:27.280
<v Speaker 1>were eating lunch and I said, I'm working with Scott.

1:36:27.720 --> 1:36:30.439
<v Speaker 1>I would love Chuck to come work with Scott. And

1:36:30.520 --> 1:36:32.439
<v Speaker 1>Whack was like, yo, you know we've worked with Scott

1:36:32.439 --> 1:36:34.720
<v Speaker 1>in the past and last time with Mammy. You know,

1:36:34.880 --> 1:36:37.360
<v Speaker 1>things didn't go great. But you know what, man, I'm

1:36:37.360 --> 1:36:39.840
<v Speaker 1>gonna have Chuck pull up. And Chuck pulled up the

1:36:39.920 --> 1:36:42.680
<v Speaker 1>next day and that was the first record we did

1:36:42.720 --> 1:36:45.360
<v Speaker 1>with Scott. All eyes on me, put Jeremiah on the

1:36:45.400 --> 1:36:47.880
<v Speaker 1>hook and I said, Scott, you gotta say Scott starts

1:36:47.920 --> 1:36:50.400
<v Speaker 1>on the record. Have a girl say Scott starts and

1:36:50.479 --> 1:36:51.920
<v Speaker 1>you'll get a little bit. It's like, you know, no

1:36:52.000 --> 1:36:54.040
<v Speaker 1>one's ever did a little tag, but we did the

1:36:54.080 --> 1:36:56.560
<v Speaker 1>tag and it went to Power Little six and the

1:36:56.600 --> 1:37:00.160
<v Speaker 1>record blew up and that was just like, get some

1:37:00.240 --> 1:37:05.400
<v Speaker 1>look the game. And that was the first record that

1:37:05.920 --> 1:37:08.719
<v Speaker 1>I worked with Scott doing, and that record and platinum

1:37:09.240 --> 1:37:11.280
<v Speaker 1>and I was just like wow, that was that was

1:37:11.360 --> 1:37:16.280
<v Speaker 1>the first comeback. Damn. My next question was that a

1:37:16.360 --> 1:37:18.920
<v Speaker 1>little boy rowdy wick? So yes, just yeah, I mean

1:37:18.960 --> 1:37:21.680
<v Speaker 1>I broke it. We thinking like man from Queen. But

1:37:22.040 --> 1:37:26.400
<v Speaker 1>let me love you. How did that come about? That's

1:37:26.400 --> 1:37:28.639
<v Speaker 1>the question for you. I wasn't, I wasn't nowhere around

1:37:29.120 --> 1:37:31.880
<v Speaker 1>was looking right at you overkay with my bad you

1:37:31.880 --> 1:37:35.080
<v Speaker 1>can see my kid something that you do? I know

1:37:35.160 --> 1:37:42.040
<v Speaker 1>who was looking at yesterday? People let's go let other people. Yeah,

1:37:42.280 --> 1:37:48.559
<v Speaker 1>I'm just let it ryver So. I made the record

1:37:50.640 --> 1:37:57.200
<v Speaker 1>with Neo my boy Cam and we cut it here

1:37:57.200 --> 1:38:02.720
<v Speaker 1>in Miami. Not okay, I'm just trying to get my

1:38:02.800 --> 1:38:09.519
<v Speaker 1>breath back, okay, but idcast um. I thought it was

1:38:09.560 --> 1:38:11.799
<v Speaker 1>an amazing immediately. I thought it was a hit record.

1:38:14.520 --> 1:38:18.479
<v Speaker 1>I went with Larry Jackson man right on an Apple

1:38:18.640 --> 1:38:26.680
<v Speaker 1>Music to play it for Clive Davis. Clive didn't like it.

1:38:28.400 --> 1:38:32.200
<v Speaker 1>He said the ship was wacked basically shot on me

1:38:32.320 --> 1:38:34.840
<v Speaker 1>in the meeting. You in the meeting, Yeah, I'm in

1:38:34.880 --> 1:38:39.800
<v Speaker 1>the media that he was falling asleep in his chair.

1:38:41.720 --> 1:38:43.240
<v Speaker 1>I don't want to give a funk. I tell it

1:38:43.320 --> 1:38:45.479
<v Speaker 1>like it is. I got to ladies see behind the hill.

1:38:45.680 --> 1:38:49.280
<v Speaker 1>Yes you have. He said the ship was whack basically.

1:38:50.720 --> 1:38:57.639
<v Speaker 1>Six months later, guy named Peter Edge, the person who

1:38:57.680 --> 1:39:01.880
<v Speaker 1>was it was the labeled just these English guys like

1:39:01.960 --> 1:39:08.840
<v Speaker 1>Scoltant the record is brilliant, like it Bro okay, but

1:39:09.000 --> 1:39:14.360
<v Speaker 1>he wasn't. Bro was earlier. Okay, but he liked the

1:39:14.439 --> 1:39:18.560
<v Speaker 1>record and he got behind it and made it the

1:39:18.640 --> 1:39:22.080
<v Speaker 1>first single. And the man who owned the motherfucker label

1:39:22.080 --> 1:39:26.320
<v Speaker 1>we didn't like it. Clyde David I guess he he

1:39:26.360 --> 1:39:29.200
<v Speaker 1>ain't know any better, but that's became the longest running

1:39:29.280 --> 1:39:32.840
<v Speaker 1>number one song ever in the history of music at

1:39:32.920 --> 1:39:37.080
<v Speaker 1>that point. Wow. Yeah, so he was wrong. The label

1:39:37.160 --> 1:39:42.439
<v Speaker 1>is always wrong, the labels. I spec voice that labels. Yeah,

1:39:42.800 --> 1:39:45.800
<v Speaker 1>I'm serious, bro, I've seen it so much crazy ship

1:39:46.520 --> 1:39:50.479
<v Speaker 1>records that got slept on. You've the next question should

1:39:50.520 --> 1:39:54.040
<v Speaker 1>be But we always talked about the debate in deependent.

1:39:55.280 --> 1:39:58.200
<v Speaker 1>What do you like want? Major? Independent? Independent? Right now?

1:39:58.800 --> 1:40:02.040
<v Speaker 1>What can the label do that you can't do? What

1:40:02.320 --> 1:40:04.479
<v Speaker 1>do you think is st I mean, you know, you

1:40:04.560 --> 1:40:07.200
<v Speaker 1>get to a point you start independent, start, that's what

1:40:08.479 --> 1:40:10.720
<v Speaker 1>and chases you, you know, back in the days and

1:40:10.800 --> 1:40:13.040
<v Speaker 1>a lot of people independent, you know, from Too Short

1:40:13.120 --> 1:40:15.960
<v Speaker 1>to the forty you know, Tony Draper, Suave House out,

1:40:16.520 --> 1:40:18.559
<v Speaker 1>you know, and you know a lot of people independent.

1:40:18.600 --> 1:40:20.760
<v Speaker 1>If she was able to rest in peace and at

1:40:20.800 --> 1:40:22.479
<v Speaker 1>the end of the label comes you know. Look, I

1:40:22.560 --> 1:40:24.080
<v Speaker 1>look at it like, if you want to go to

1:40:24.160 --> 1:40:27.040
<v Speaker 1>another level as an artist, sometimes you need to get

1:40:27.080 --> 1:40:30.360
<v Speaker 1>to the major because they'll take you to certain places

1:40:30.439 --> 1:40:33.280
<v Speaker 1>that you can't do it yourself. But I start, you know,

1:40:33.600 --> 1:40:37.040
<v Speaker 1>starting off. That's That's not what we said, because you've

1:40:37.040 --> 1:40:40.479
<v Speaker 1>you've advocated for you, like just majors without explaining that.

1:40:41.080 --> 1:40:43.519
<v Speaker 1>What I've always said is being dependent so you can

1:40:43.560 --> 1:40:45.760
<v Speaker 1>take advantage of that machine. What you're there, and you

1:40:45.880 --> 1:40:50.960
<v Speaker 1>can leverage that. First what I said to go to

1:40:51.200 --> 1:40:55.160
<v Speaker 1>to a major label and think that that's gonna solidify

1:40:55.240 --> 1:40:57.800
<v Speaker 1>you and make you bigger, greater, or better. It's not

1:40:58.320 --> 1:41:01.920
<v Speaker 1>you want to wait to the major wants you not

1:41:02.040 --> 1:41:05.200
<v Speaker 1>say you wanted. You want the major to be coming

1:41:05.240 --> 1:41:08.400
<v Speaker 1>at you, like with the bag bag the priority. You're

1:41:08.400 --> 1:41:10.960
<v Speaker 1>a priority to them, like you already got some ship

1:41:11.040 --> 1:41:13.680
<v Speaker 1>popping right, They're gonna work for you. But he pull

1:41:13.800 --> 1:41:17.880
<v Speaker 1>up on the label early on too early, they're gonna

1:41:17.880 --> 1:41:20.280
<v Speaker 1>give you whatever. You know what I want to say

1:41:20.360 --> 1:41:23.200
<v Speaker 1>with gods are independent on major every artis out there,

1:41:23.280 --> 1:41:26.040
<v Speaker 1>or anybody trying to get into a business, learn the business,

1:41:26.439 --> 1:41:30.040
<v Speaker 1>understanding the business, because this is a business doing what

1:41:30.120 --> 1:41:33.760
<v Speaker 1>I found out the other day that owning someone's music

1:41:33.880 --> 1:41:38.559
<v Speaker 1>is illegal. What do you mean, like the label intellectual property? Yeah,

1:41:38.600 --> 1:41:41.759
<v Speaker 1>like you ain't supposed to apost like there's so funny.

1:41:41.840 --> 1:41:44.840
<v Speaker 1>We just found out that it's actually illegal to say

1:41:44.880 --> 1:41:47.920
<v Speaker 1>that I owned this music like that, like it's it's

1:41:48.000 --> 1:41:50.080
<v Speaker 1>it's it's Steeves. That was the water of it. There's

1:41:50.120 --> 1:41:53.200
<v Speaker 1>some conversation I was watching and I'll get more of it,

1:41:53.280 --> 1:41:54.960
<v Speaker 1>but that that's like crazy, like to me, it should

1:41:54.960 --> 1:41:57.800
<v Speaker 1>be illegal. But um, I feel like we we spoke

1:41:57.840 --> 1:41:59.640
<v Speaker 1>about making rain right and how it was made or

1:41:59.680 --> 1:42:03.800
<v Speaker 1>it was, we spoke about it making Ready, Yeah, how

1:42:03.960 --> 1:42:06.240
<v Speaker 1>was making read the same way we made Lean Back

1:42:06.400 --> 1:42:08.560
<v Speaker 1>the same we made Get It Popping. So when we

1:42:08.680 --> 1:42:10.920
<v Speaker 1>made a lot of these records, but we didn't men.

1:42:11.760 --> 1:42:16.200
<v Speaker 1>Joe's going to the video and just he explains. I

1:42:16.280 --> 1:42:18.720
<v Speaker 1>just remember him going saying yo. At the time, he

1:42:18.840 --> 1:42:20.920
<v Speaker 1>was like and he was really trap Ship, but it

1:42:21.080 --> 1:42:23.880
<v Speaker 1>was yo, let's let's make some of that down South

1:42:24.000 --> 1:42:27.280
<v Speaker 1>Ship because he was seeing a lot of slack for

1:42:27.360 --> 1:42:30.400
<v Speaker 1>that record in New York, everyone else in the world

1:42:30.479 --> 1:42:33.120
<v Speaker 1>in the town South Ship, and he made because he remember,

1:42:33.280 --> 1:42:35.519
<v Speaker 1>Joe was messing with the South for so he made

1:42:35.640 --> 1:42:40.439
<v Speaker 1>ninety five South Chain that supposed to be being You

1:42:40.560 --> 1:42:45.360
<v Speaker 1>understand I'm saying, yeah, I was standing in his market

1:42:45.800 --> 1:42:51.040
<v Speaker 1>because you know that ship, that that tempo that's all

1:42:51.080 --> 1:42:53.920
<v Speaker 1>about tempo man's music. It ain't about some set ship,

1:42:54.560 --> 1:42:56.920
<v Speaker 1>ain't about wheiting from the Temple. That's how we felt

1:42:56.920 --> 1:43:01.439
<v Speaker 1>about Super Thug tempo. That's it, and the motherfucker is

1:43:01.720 --> 1:43:03.639
<v Speaker 1>joke and he was ready to spit on some ship

1:43:03.760 --> 1:43:06.760
<v Speaker 1>like that. So that's what that was making. All I

1:43:06.800 --> 1:43:09.320
<v Speaker 1>know is I got a call from one of the homies.

1:43:09.360 --> 1:43:11.920
<v Speaker 1>You're like, motherfucker, did you ever make a song like that? Again?

1:43:12.439 --> 1:43:14.479
<v Speaker 1>I'm going broke from that damn song and the strip

1:43:14.560 --> 1:43:19.080
<v Speaker 1>of bro every time I play that ship. Yeah, yeah,

1:43:19.120 --> 1:43:21.000
<v Speaker 1>I could stand that ship when I was in the

1:43:21.040 --> 1:43:23.560
<v Speaker 1>clubs and the saying Northea's in the house. But the

1:43:23.640 --> 1:43:26.720
<v Speaker 1>fun I can't just come in here. You can make

1:43:26.800 --> 1:43:32.720
<v Speaker 1>you doing money? Yeah, you can stand the records actually amazing. Yeah, yeah,

1:43:32.760 --> 1:43:35.439
<v Speaker 1>that that was crazy. You didn't make the the East

1:43:35.520 --> 1:43:39.599
<v Speaker 1>Coast no world Wide troop club a. Yeah, you ain't

1:43:39.640 --> 1:43:44.240
<v Speaker 1>no burband A Little women? What about? How was it

1:43:44.360 --> 1:43:48.920
<v Speaker 1>making that record? Oh you ain't no fire? I did

1:43:49.000 --> 1:43:51.759
<v Speaker 1>the video one of a few videos. I did the video.

1:43:51.920 --> 1:43:54.680
<v Speaker 1>I'm in the video playing keys. They gave you so

1:43:54.800 --> 1:43:57.720
<v Speaker 1>much love with that record. But I have a confession.

1:43:58.640 --> 1:44:01.960
<v Speaker 1>I literally went round the whole video and got almost

1:44:02.040 --> 1:44:07.120
<v Speaker 1>every one of the girl's numbers. I probably knocked out

1:44:07.200 --> 1:44:11.840
<v Speaker 1>every girl and I can make it read you ain't

1:44:12.360 --> 1:44:14.600
<v Speaker 1>you ain't no videos. You ain't no video at some

1:44:15.040 --> 1:44:19.520
<v Speaker 1>bad ones. This video video it's in like a restaurant

1:44:19.600 --> 1:44:22.600
<v Speaker 1>or something like clubs. I forget what first, like some

1:44:23.040 --> 1:44:26.320
<v Speaker 1>worring twenties looking ship I brought my eye had at

1:44:26.360 --> 1:44:30.040
<v Speaker 1>that time. I had like one of them classic classic

1:44:30.200 --> 1:44:33.000
<v Speaker 1>Bentley's like from like back in like the you know

1:44:33.160 --> 1:44:36.080
<v Speaker 1>gangs todays when the big joints, and I brought it

1:44:36.120 --> 1:44:40.000
<v Speaker 1>to the video shooting everything just for no reason, stoping gangster. Yeah,

1:44:40.960 --> 1:44:45.280
<v Speaker 1>just because fucking I literally got I think I got

1:44:45.360 --> 1:44:50.160
<v Speaker 1>every girl's number of the video, almost everything that video.

1:44:50.720 --> 1:45:00.680
<v Speaker 1>You definitely so so. Another thing, You're first person I

1:45:00.800 --> 1:45:03.080
<v Speaker 1>ever see with the Bugatti? Is this true? Are you

1:45:03.160 --> 1:45:05.120
<v Speaker 1>the first person in the hip hop with the Buggatti?

1:45:05.280 --> 1:45:07.920
<v Speaker 1>Let's just throw it off there in hip hop. Yeah, look,

1:45:08.040 --> 1:45:12.160
<v Speaker 1>Bugatti was a car for hundreds of years. Just can't

1:45:12.280 --> 1:45:17.200
<v Speaker 1>skip over that. The first curson in the hip hop

1:45:17.280 --> 1:45:21.200
<v Speaker 1>with the Bugatti. Absolutely, because when when they when the

1:45:21.320 --> 1:45:25.120
<v Speaker 1>Ruggatti came back, I came back with a car called

1:45:25.120 --> 1:45:28.920
<v Speaker 1>the very roun Bugatti vey Ron. They got the ship

1:45:29.160 --> 1:45:32.720
<v Speaker 1>on now they got the all different ones, but the

1:45:32.920 --> 1:45:37.559
<v Speaker 1>Veyron yeah, they kept like two cars. Who gotta kept

1:45:37.640 --> 1:45:40.960
<v Speaker 1>like the car number one, number two. Ralph Laren got

1:45:41.080 --> 1:45:44.840
<v Speaker 1>col car number three. Do their own Polo. I got

1:45:44.920 --> 1:45:48.400
<v Speaker 1>car Num. Four And if you look at my MTV criers,

1:45:48.760 --> 1:45:51.880
<v Speaker 1>you see I opened the hood. I got car number four,

1:45:52.880 --> 1:45:56.080
<v Speaker 1>very run. I was the one of the first people.

1:45:56.160 --> 1:45:59.120
<v Speaker 1>I plucked down a little two million on that. And

1:45:59.320 --> 1:46:04.240
<v Speaker 1>but the ship when everybody that was buying like European

1:46:04.360 --> 1:46:07.080
<v Speaker 1>cars and high end cars, he was maxed out of,

1:46:07.200 --> 1:46:12.000
<v Speaker 1>like that was all you were spending. I came in

1:46:12.080 --> 1:46:18.719
<v Speaker 1>with two million and before everybody, oh six and before everybody.

1:46:18.720 --> 1:46:29.120
<v Speaker 1>I like that. Yea, let's just say the first. You

1:46:29.160 --> 1:46:32.439
<v Speaker 1>should have a whole section the show called first. I

1:46:32.439 --> 1:46:34.880
<v Speaker 1>don't first to everything. And I remember when the car

1:46:35.000 --> 1:46:41.280
<v Speaker 1>got delivered Terrorist Squad and we got the car and

1:46:41.400 --> 1:46:44.200
<v Speaker 1>came off the truck and it's sitting in my parking

1:46:44.280 --> 1:46:50.360
<v Speaker 1>lot on Palm Island and we I said, you're asking,

1:46:51.040 --> 1:46:53.960
<v Speaker 1>let's be the first people to ever smoke a blunt

1:46:54.160 --> 1:46:57.560
<v Speaker 1>in a Bugatti. They run and we sat in my

1:46:57.760 --> 1:47:02.479
<v Speaker 1>parking line because in the square foot not joint bun

1:47:02.600 --> 1:47:05.320
<v Speaker 1>blunt it was on my Yeah, we're smoking a blunt.

1:47:05.600 --> 1:47:08.280
<v Speaker 1>We smoked. We christened the car and didn't even moving yet.

1:47:08.800 --> 1:47:11.160
<v Speaker 1>We smoked a blunt in that motherfucker in the driveway

1:47:11.600 --> 1:47:13.840
<v Speaker 1>and we were the first people to smoke a blunt

1:47:13.960 --> 1:47:20.880
<v Speaker 1>ever in a BUGTI. Goddamn that was ill to me

1:47:21.040 --> 1:47:24.280
<v Speaker 1>because this ain't folklord, these are true stories, bro, because

1:47:24.400 --> 1:47:27.040
<v Speaker 1>who how did we even hear about bud? He said,

1:47:27.080 --> 1:47:31.400
<v Speaker 1>was it James's mind? No, I didn't even know. It

1:47:31.560 --> 1:47:34.320
<v Speaker 1>was just we Mothercker's knew. It was some millions and

1:47:34.439 --> 1:47:36.200
<v Speaker 1>the like, that's what I wanted to be. I wanted

1:47:36.240 --> 1:47:39.320
<v Speaker 1>to represent the guy who had the multimillion dollars ship,

1:47:39.439 --> 1:47:43.000
<v Speaker 1>the thirty carrot diamonds on every fucking finger and all

1:47:43.080 --> 1:47:45.280
<v Speaker 1>that ship. Like I painted myself in the corner with

1:47:45.360 --> 1:47:47.400
<v Speaker 1>that ship a little bit because you have to. Like

1:47:48.280 --> 1:47:50.400
<v Speaker 1>I'm like, damn, we're gonna show up in a spaceship

1:47:50.560 --> 1:47:53.679
<v Speaker 1>to the club and they lowered me or something like something.

1:47:53.840 --> 1:48:00.200
<v Speaker 1>But like there was a guy his name was Mike Ward,

1:48:00.240 --> 1:48:04.840
<v Speaker 1>and the owned Fort Laundelle Collections car car company, and

1:48:06.080 --> 1:48:08.920
<v Speaker 1>I would go there and the dude would send me

1:48:09.040 --> 1:48:13.240
<v Speaker 1>home and say, Scott, you have every car already. They

1:48:13.320 --> 1:48:15.840
<v Speaker 1>don't make anything that you don't have, and then he

1:48:15.920 --> 1:48:18.000
<v Speaker 1>finally called me the one day and he say there's

1:48:18.040 --> 1:48:20.840
<v Speaker 1>some new ship. It's some a million dollars who got

1:48:20.920 --> 1:48:23.880
<v Speaker 1>the very ron ship? And I was like, I'll take it.

1:48:24.360 --> 1:48:26.560
<v Speaker 1>I didn't even know what it was to take me,

1:48:26.600 --> 1:48:29.599
<v Speaker 1>I'll take it. Probably I got that motherfucker. I'm smoked

1:48:29.600 --> 1:48:31.720
<v Speaker 1>a blunt. And then when we rolled, you know, have

1:48:31.800 --> 1:48:33.519
<v Speaker 1>you ever got pulled over in that? Because I feel

1:48:33.520 --> 1:48:35.960
<v Speaker 1>like to pull each your ship. I feel like they

1:48:36.200 --> 1:48:38.240
<v Speaker 1>just look at your car, but like let the nigga live.

1:48:38.720 --> 1:48:41.519
<v Speaker 1>But they didn't know what it was. They didn't know

1:48:41.560 --> 1:48:43.479
<v Speaker 1>what it was when I first had it, and then

1:48:43.520 --> 1:48:45.600
<v Speaker 1>they found out and it was like, oh ship, So

1:48:45.720 --> 1:48:47.720
<v Speaker 1>did they pull you over? They never pulled you out.

1:48:48.200 --> 1:48:50.360
<v Speaker 1>I had a cap pulled me over one time and

1:48:50.880 --> 1:48:55.120
<v Speaker 1>I go to the South Beach and I thought I

1:48:55.320 --> 1:49:01.439
<v Speaker 1>was I was definitely rotten dirty, Oh clunty mother, and

1:49:01.600 --> 1:49:05.920
<v Speaker 1>the cop got out and flashing lights behind me. Really

1:49:06.000 --> 1:49:11.120
<v Speaker 1>copf top and saying James Ingram one in a million

1:49:11.600 --> 1:49:14.360
<v Speaker 1>for me. When next in my car and walked literally

1:49:14.439 --> 1:49:16.679
<v Speaker 1>was singing R and B Classic R and B shipped

1:49:16.680 --> 1:49:19.000
<v Speaker 1>for me to show me helping. Because singing, I thought

1:49:19.040 --> 1:49:22.280
<v Speaker 1>I was going to jail. He was doing the pucker,

1:49:22.400 --> 1:49:25.840
<v Speaker 1>was singing a demo for me. He was a writer

1:49:26.240 --> 1:49:31.080
<v Speaker 1>and everything you leave at the same time. Of course,

1:49:32.040 --> 1:49:37.040
<v Speaker 1>he actually became friends. He was always at the head

1:49:37.040 --> 1:49:44.280
<v Speaker 1>of all the Gary Dode No no, no, no day, Rainball,

1:49:44.439 --> 1:49:47.320
<v Speaker 1>no different guys. Okay, just stick a shot, just get up.

1:49:48.960 --> 1:49:58.120
<v Speaker 1>I got a problem that was brothers or foot. I'm

1:49:58.160 --> 1:50:03.880
<v Speaker 1>gonna get you over this, Okay, how some of my hits? Okay, yeah, okay,

1:50:03.960 --> 1:50:08.439
<v Speaker 1>now this is a good one. Baking boy, Sean Paul Bey,

1:50:09.920 --> 1:50:12.479
<v Speaker 1>how how did this make up? Did rule a manicore?

1:50:12.520 --> 1:50:17.639
<v Speaker 1>You saying? Man? You know? I met Sean Paul when

1:50:17.680 --> 1:50:21.879
<v Speaker 1>I was working with Comedy. I was wing with common

1:50:22.320 --> 1:50:25.000
<v Speaker 1>common sense, yeah me common in quest level went to

1:50:25.120 --> 1:50:35.160
<v Speaker 1>Jamaica to work on Commons album Done Anyways, I met Fihrenheit.

1:50:35.280 --> 1:50:38.120
<v Speaker 1>I met Sean Paul and we were working at g

1:50:38.320 --> 1:50:41.280
<v Speaker 1>JAM Studios and I just do with Doo And then

1:50:41.320 --> 1:50:43.880
<v Speaker 1>I've seen that he did the ship in Belly, the

1:50:44.240 --> 1:50:48.000
<v Speaker 1>poor damn Ship, and I'm flash forward to working with

1:50:48.320 --> 1:50:52.000
<v Speaker 1>Beyonce at the Marlin Hotel. We did all that ship

1:50:52.120 --> 1:50:57.200
<v Speaker 1>there at South Beach Studios, which was owned by the

1:50:57.280 --> 1:51:00.960
<v Speaker 1>dude that own Island Records. Yeah, and that's Coconut Shrimp

1:51:01.439 --> 1:51:05.120
<v Speaker 1>to be confused with Island Boy. You know, no, no,

1:51:05.280 --> 1:51:08.360
<v Speaker 1>I would record that the label that signed Bob Marley,

1:51:09.360 --> 1:51:13.439
<v Speaker 1>so the legendary spot, you know. Yes. Anyways, and so

1:51:14.080 --> 1:51:17.120
<v Speaker 1>you give Sean Paul to beat. No, I'm working with Beyonce.

1:51:17.320 --> 1:51:19.880
<v Speaker 1>We made Baby Boy, and I told be honest, I

1:51:19.920 --> 1:51:23.280
<v Speaker 1>was like, yo, what does Beyonce record? I throw it

1:51:23.320 --> 1:51:26.800
<v Speaker 1>with Sean Paul's right now. It's Beyonce that's dangerously in love.

1:51:27.280 --> 1:51:29.640
<v Speaker 1>And I told Beyonce. I was like, we need to

1:51:29.720 --> 1:51:32.200
<v Speaker 1>get this dude on the record. This dude, Sean Paul

1:51:32.439 --> 1:51:35.840
<v Speaker 1>is nasty blah blah blah. And we made that record

1:51:35.960 --> 1:51:37.679
<v Speaker 1>and that she hadn't heard of him at that point.

1:51:38.240 --> 1:51:42.280
<v Speaker 1>She might have, but I mean, let's let's Sean Paul

1:51:42.320 --> 1:51:45.760
<v Speaker 1>and the ship, not just but Sean Paul particular up. Yeah,

1:51:45.800 --> 1:51:49.479
<v Speaker 1>he was, you know, he was on fire, Sean Paul Man. Yes,

1:51:50.320 --> 1:51:52.360
<v Speaker 1>we're supposed to be coming on drink chance. We've been

1:51:52.360 --> 1:51:57.280
<v Speaker 1>talking about it. Yeah, yeah, Sean Paul, I don't know,

1:51:58.640 --> 1:52:02.360
<v Speaker 1>that's what I said. At least I'm drying. At least Okay,

1:52:02.360 --> 1:52:04.320
<v Speaker 1>I got more press. Let's drink to your pants. Wif

1:52:04.680 --> 1:52:07.479
<v Speaker 1>you want to drink to that, ain't gonna you gotta

1:52:07.479 --> 1:52:11.760
<v Speaker 1>finish that. I'm not even another path. You can't even

1:52:11.840 --> 1:52:17.080
<v Speaker 1>only when yeah, okay, okay, um boom, this is this

1:52:17.160 --> 1:52:19.880
<v Speaker 1>is a good one. I did not know he produced

1:52:19.960 --> 1:52:24.280
<v Speaker 1>this Girls in the Lood, Megan of Style, I didn't

1:52:24.280 --> 1:52:27.719
<v Speaker 1>know he produced this. So I mean you are around

1:52:27.800 --> 1:52:31.200
<v Speaker 1>when that record, the original record, what's made? I mean

1:52:31.240 --> 1:52:34.280
<v Speaker 1>I was in middle school. I mean, MEGANI wasn't. So

1:52:34.400 --> 1:52:38.160
<v Speaker 1>how's this? You played? How this beaten? And he's okay?

1:52:38.360 --> 1:52:45.400
<v Speaker 1>They requested it? Yeah, shout out Sleep from three was like, yeah,

1:52:45.520 --> 1:52:48.200
<v Speaker 1>he got for you. He reached out, he said, flipping

1:52:48.240 --> 1:52:50.000
<v Speaker 1>and you know, shout out to Timika, right, you know

1:52:50.120 --> 1:52:53.280
<v Speaker 1>he's he's white. You know. She cleared it. Um and

1:52:53.680 --> 1:52:57.439
<v Speaker 1>the record blew up. Right, So that was the record.

1:52:57.600 --> 1:53:00.000
<v Speaker 1>The rector was the Flip Boys, and that was the objective.

1:53:00.040 --> 1:53:05.840
<v Speaker 1>He was like, wow, and that that that that drop

1:53:05.920 --> 1:53:10.280
<v Speaker 1>of how much you worked with easy easy? You know

1:53:11.120 --> 1:53:14.439
<v Speaker 1>the rest in PCTs. I've told the story. I think

1:53:14.880 --> 1:53:17.160
<v Speaker 1>I don't know if I told it here, but straight

1:53:17.200 --> 1:53:20.120
<v Speaker 1>out of Compton movie. I wasn't easier to tunnel, you know,

1:53:20.240 --> 1:53:22.640
<v Speaker 1>legendary tunnel in New York City. I had a few

1:53:22.680 --> 1:53:24.360
<v Speaker 1>members of Bone does as the first day I met

1:53:24.439 --> 1:53:26.680
<v Speaker 1>them and brought them to New York and we ran

1:53:26.760 --> 1:53:29.120
<v Speaker 1>into ice Cube at the tunnel. That's when they were

1:53:29.160 --> 1:53:32.800
<v Speaker 1>beefing and stuff. And you know, they had a conversation.

1:53:33.640 --> 1:53:36.120
<v Speaker 1>Um and two of the Bone members with us, uh.

1:53:36.200 --> 1:53:38.760
<v Speaker 1>The other two at the hotel and he's he had

1:53:38.760 --> 1:53:40.680
<v Speaker 1>a flanne along the pendleton and all he said, they're

1:53:40.680 --> 1:53:43.280
<v Speaker 1>gonna walk back to the hotel. It was freezing, but

1:53:43.439 --> 1:53:46.439
<v Speaker 1>he had the two simone bodyguards and twins and he

1:53:46.520 --> 1:53:49.120
<v Speaker 1>walked back to the hotel. But I said, getting the limit.

1:53:49.720 --> 1:53:51.639
<v Speaker 1>But you know, like him and Park and a certain

1:53:51.680 --> 1:53:53.400
<v Speaker 1>other guys, they would like to walk into the city,

1:53:53.439 --> 1:53:55.720
<v Speaker 1>you know, and never so easy again he went back

1:53:55.760 --> 1:53:57.800
<v Speaker 1>to La he passed away. So you know the rest

1:53:57.840 --> 1:54:00.800
<v Speaker 1>of PC easy. How easy is a lot lot of things? Man?

1:54:01.479 --> 1:54:04.360
<v Speaker 1>Actually how occulate? You know, for you being around at

1:54:04.439 --> 1:54:07.120
<v Speaker 1>least for you know some of the parts. Um, I

1:54:07.200 --> 1:54:08.920
<v Speaker 1>could when you thought the straight out of Carton who

1:54:08.960 --> 1:54:13.960
<v Speaker 1>he was, I thought it was like pretty it's pretty close. Yeah,

1:54:14.160 --> 1:54:17.360
<v Speaker 1>somebody was who's on here? This said that they fought

1:54:17.439 --> 1:54:20.160
<v Speaker 1>wasn't too accurate. There was somebody. I don't think they

1:54:20.160 --> 1:54:22.160
<v Speaker 1>said it wasn't too accurate. I think they said that

1:54:22.560 --> 1:54:25.160
<v Speaker 1>they couldn't fit pop fole life in the three albums.

1:54:25.439 --> 1:54:31.439
<v Speaker 1>You know what you're about, that kind of shout out

1:54:31.439 --> 1:54:33.320
<v Speaker 1>in the Rest in Peace Pockets movie, you know, Yeah,

1:54:34.000 --> 1:54:36.680
<v Speaker 1>you can't put a pop story into two and fours.

1:54:37.160 --> 1:54:39.200
<v Speaker 1>I managed two pops, Croup the Outlaws for years. You know,

1:54:41.120 --> 1:54:43.640
<v Speaker 1>the rest of Tea, you know Rest in Peace, Kadafi,

1:54:43.720 --> 1:54:46.280
<v Speaker 1>you know, shout out Napoleon, and you know Cash Strow

1:54:46.320 --> 1:54:53.400
<v Speaker 1>and Novo. You know, real talk, real talk, shout out

1:54:53.520 --> 1:54:57.320
<v Speaker 1>role man. He's been doing a lot with me, Scott Joe.

1:54:57.400 --> 1:54:59.880
<v Speaker 1>You listen to Scott's interview, Role comes up a lot.

1:55:00.320 --> 1:55:03.360
<v Speaker 1>Yeah that was beautiful. That's beautiful. So now I have

1:55:03.480 --> 1:55:09.280
<v Speaker 1>to watch you this was jay z record and you

1:55:09.320 --> 1:55:11.440
<v Speaker 1>can see it to jay Z or this was and

1:55:11.600 --> 1:55:14.680
<v Speaker 1>Drake give it to Jay. I mean we did to

1:55:14.760 --> 1:55:19.240
<v Speaker 1>watch her on the chronic Aunt to watch him took

1:55:19.560 --> 1:55:23.680
<v Speaker 1>it was a blueprint too. I can't forgive it out.

1:55:23.720 --> 1:55:25.360
<v Speaker 1>What is that? I guess he liked the record so

1:55:25.560 --> 1:55:30.320
<v Speaker 1>much you wanted to we redid it? Watch to fire

1:55:31.080 --> 1:55:36.160
<v Speaker 1>goddamn everything. You know, unconventional cool shit. Okay, so earlier

1:55:36.200 --> 1:55:38.320
<v Speaker 1>you're trying to get this story out, but I wanted

1:55:38.480 --> 1:55:41.040
<v Speaker 1>because one of the one of the things that I

1:55:41.120 --> 1:55:43.480
<v Speaker 1>feel like in hip hop that we lost when these

1:55:43.520 --> 1:55:46.560
<v Speaker 1>brothers fell out was it was the first time we

1:55:46.600 --> 1:55:48.440
<v Speaker 1>got to see the West coast, that his coast coming

1:55:48.440 --> 1:55:52.280
<v Speaker 1>together and strongly like I'm just I'm bigging up. Let's

1:55:52.320 --> 1:55:55.320
<v Speaker 1>look up to cooking, cooking letters at geral Tees right now,

1:55:55.840 --> 1:55:59.400
<v Speaker 1>cooking the outside and all tease right now. But when

1:55:59.480 --> 1:56:02.880
<v Speaker 1>I have Game and fifty cent together, and I know

1:56:03.240 --> 1:56:04.720
<v Speaker 1>I'm not even I know that I could. I can

1:56:04.760 --> 1:56:07.600
<v Speaker 1>never hear a real album of them together in this day,

1:56:07.720 --> 1:56:10.160
<v Speaker 1>but I'll be wushing for that. And one of those

1:56:10.400 --> 1:56:13.480
<v Speaker 1>records was you know, west Side Stories, Game and fifty

1:56:13.600 --> 1:56:17.360
<v Speaker 1>How was that session? Was you you're making that? I mean,

1:56:17.480 --> 1:56:20.160
<v Speaker 1>that was just me and Dre doing We had to

1:56:20.240 --> 1:56:23.760
<v Speaker 1>run me and Dray. We was doing one after another

1:56:24.480 --> 1:56:26.760
<v Speaker 1>and that was just a day at the office. Man.

1:56:28.760 --> 1:56:31.800
<v Speaker 1>What were they at the session or okay, okay, okay,

1:56:32.120 --> 1:56:34.000
<v Speaker 1>because that's how we made music back there, right the

1:56:34.240 --> 1:56:38.680
<v Speaker 1>artist all together there weren't sending a pup beats. We

1:56:38.880 --> 1:56:42.640
<v Speaker 1>made that ship that day and mother cut fresh office contender.

1:56:46.800 --> 1:56:49.400
<v Speaker 1>I'm not a path of beats, motherfucker. Yeah you want

1:56:49.440 --> 1:56:53.760
<v Speaker 1>to make it and yeah, yeah, that's that's fine. Do

1:56:53.840 --> 1:56:55.840
<v Speaker 1>you ever throwaway beats when you as you're making it

1:56:56.360 --> 1:56:58.840
<v Speaker 1>and then artists get mad at you? I mean, I'll

1:56:58.880 --> 1:57:01.440
<v Speaker 1>skip past some ship if that old thing, you know

1:57:01.440 --> 1:57:03.720
<v Speaker 1>what I'm saying. But I just I know when the

1:57:03.800 --> 1:57:07.600
<v Speaker 1>room is loving, I'm not gonna stick the room with

1:57:07.720 --> 1:57:09.360
<v Speaker 1>a beat that in my voice are like, I feel

1:57:09.360 --> 1:57:11.720
<v Speaker 1>the energy is cool, and that's more artists just like

1:57:12.520 --> 1:57:15.440
<v Speaker 1>that's just the ship. Then I'm like, okay, let's just

1:57:15.600 --> 1:57:19.000
<v Speaker 1>the ship. Let's should be to me. Um. I love

1:57:19.080 --> 1:57:21.880
<v Speaker 1>those producers when they're sitting there and they're just looking

1:57:21.920 --> 1:57:24.400
<v Speaker 1>at you and to you until they actually feel you.

1:57:24.600 --> 1:57:29.600
<v Speaker 1>But yeah, yeah yeah, but can't that energy But can't

1:57:29.600 --> 1:57:32.040
<v Speaker 1>that be misleading as well? Like this is I've always

1:57:32.040 --> 1:57:34.320
<v Speaker 1>thought that when you're in the studio session and everybody's

1:57:34.360 --> 1:57:36.120
<v Speaker 1>like vibing because they're looking at each other and they're

1:57:36.240 --> 1:57:39.120
<v Speaker 1>looking for that approval the music. You know, the studio

1:57:39.320 --> 1:57:42.400
<v Speaker 1>the speakers give you that that sound, it might not

1:57:42.520 --> 1:57:44.520
<v Speaker 1>resonate the same way when it goes out to the world.

1:57:44.920 --> 1:57:48.640
<v Speaker 1>I feel like sometimes everybody's like hynotize in each other's presence.

1:57:48.960 --> 1:57:51.560
<v Speaker 1>There's been plenty of times I've gotta beat in the producer,

1:57:51.600 --> 1:57:58.600
<v Speaker 1>but like this, I don't want to. I'm some artists

1:57:58.640 --> 1:58:01.160
<v Speaker 1>be brutally honest and like are you really feeling something

1:58:01.680 --> 1:58:04.880
<v Speaker 1>like don't don't jump the gun? Like the first thing

1:58:04.960 --> 1:58:09.480
<v Speaker 1>I play might be cool, but like just like let

1:58:09.560 --> 1:58:11.800
<v Speaker 1>it happened, Like let me know when you really fucking

1:58:11.920 --> 1:58:14.280
<v Speaker 1>something moves you. When you're like I got an idea

1:58:14.400 --> 1:58:16.800
<v Speaker 1>for this, right, that's when you know. It's like the

1:58:16.840 --> 1:58:22.040
<v Speaker 1>baseball you don't you know what labor? Right. I don't

1:58:22.040 --> 1:58:23.920
<v Speaker 1>know if it's ever been done before to make a chance,

1:58:24.000 --> 1:58:33.960
<v Speaker 1>but I gotta take the best. Yeah, all the that's

1:58:33.960 --> 1:58:39.840
<v Speaker 1>a bat, that's I see Amazon. So okay, anyways, back,

1:58:40.720 --> 1:58:46.600
<v Speaker 1>I don't know. We're good shoe about Adams. Good guys. Yeah,

1:58:46.680 --> 1:58:49.160
<v Speaker 1>yeah we did that. We spoke about Alms. That's right. Okay,

1:58:49.280 --> 1:58:52.120
<v Speaker 1>my man Ross right you up? Oh man, that's my

1:58:52.240 --> 1:58:55.680
<v Speaker 1>man Russe. He's he's just nope, kids, how did y'all

1:58:55.680 --> 1:58:57.840
<v Speaker 1>link up? I'll just up about a Rust is such

1:58:57.880 --> 1:59:01.040
<v Speaker 1>a great guy. Man, He's such an artist and hate

1:59:01.040 --> 1:59:05.000
<v Speaker 1>such a unique character. But I never meant a lot

1:59:05.040 --> 1:59:07.600
<v Speaker 1>of artists in my life, but he said producing people.

1:59:07.960 --> 1:59:12.720
<v Speaker 1>He showed so much love and opened the door for

1:59:12.840 --> 1:59:16.440
<v Speaker 1>me to and believed in me to like carry the

1:59:16.520 --> 1:59:19.600
<v Speaker 1>torch and fucking like create whatever, whatever the funk I

1:59:19.720 --> 1:59:23.080
<v Speaker 1>felt was feeling. You know, we would get into the

1:59:23.200 --> 1:59:26.680
<v Speaker 1>vibe and and make make We made classics. Man. Together,

1:59:27.120 --> 1:59:30.320
<v Speaker 1>we made like in one run the first time we

1:59:30.360 --> 1:59:32.880
<v Speaker 1>started working together, like five records and every day we

1:59:32.920 --> 1:59:34.680
<v Speaker 1>would make the record. He's like, at the end of

1:59:34.720 --> 1:59:38.920
<v Speaker 1>the day, I'm gonna drop the record every day, five

1:59:39.040 --> 1:59:43.480
<v Speaker 1>days straight. Like we dropped the record every day and

1:59:43.560 --> 1:59:45.440
<v Speaker 1>it was crazy, man. It was like it was so

1:59:47.240 --> 1:59:50.600
<v Speaker 1>that we got plaques off the flute song and wipe

1:59:50.600 --> 1:59:53.080
<v Speaker 1>you up. But you know, look, it's all about giving roses, right.

1:59:53.280 --> 1:59:56.200
<v Speaker 1>Um My little nephew Ryan reached out to me and said, Yo,

1:59:56.280 --> 1:59:59.400
<v Speaker 1>you need to get with this kid named Russ and Milan,

1:59:59.560 --> 2:00:01.240
<v Speaker 1>who was his manager I used to deal with back

2:00:01.280 --> 2:00:05.360
<v Speaker 1>in Toronto years ago, and uh, Russ came in Scott's

2:00:05.400 --> 2:00:08.640
<v Speaker 1>house and you don't work with nobody but Russa's everything himself.

2:00:09.480 --> 2:00:13.520
<v Speaker 1>He looked up to Scott and he idolized them. And

2:00:13.600 --> 2:00:15.839
<v Speaker 1>I remember FaceTime and Nip Nip was in the barber's

2:00:15.920 --> 2:00:18.480
<v Speaker 1>chair and I FaceTime. He picked up and Russ got

2:00:18.640 --> 2:00:21.800
<v Speaker 1>to meet him, and Russ was like wow, like Steve,

2:00:21.880 --> 2:00:24.000
<v Speaker 1>you have no idea what's different me? And he was

2:00:24.040 --> 2:00:27.400
<v Speaker 1>a fan of my podcast. To russa's really uh hip hop?

2:00:28.880 --> 2:00:32.280
<v Speaker 1>And then he set the record to Nip. They were

2:00:32.280 --> 2:00:34.720
<v Speaker 1>supposed to get on but he passed. But Russ is

2:00:34.760 --> 2:00:37.360
<v Speaker 1>a different type of kid man. I have a platinum

2:00:37.400 --> 2:00:40.040
<v Speaker 1>plaque in my house for a record I did with

2:00:40.200 --> 2:00:47.400
<v Speaker 1>Russ and I Wipe Up. We had two song he

2:00:47.600 --> 2:00:52.200
<v Speaker 1>wrote to Scott's Storie the reason why I started making music,

2:00:53.400 --> 2:00:56.400
<v Speaker 1>and that ship just as well in his book. He

2:00:56.440 --> 2:00:58.800
<v Speaker 1>wrote it on the platform and he wrote it in

2:00:58.960 --> 2:01:01.360
<v Speaker 1>his book because he said he never worked with no

2:01:01.440 --> 2:01:04.440
<v Speaker 1>one in his life. He mixes, he masters, he engineers.

2:01:11.120 --> 2:01:13.520
<v Speaker 1>He's gonna come back to himself. He's like, I never

2:01:13.600 --> 2:01:15.360
<v Speaker 1>worked with nobody, and he came and banged out so

2:01:15.440 --> 2:01:18.560
<v Speaker 1>many records with Sky. But he's a great kid. What

2:01:19.240 --> 2:01:21.800
<v Speaker 1>not to cut you up? He knows about hard ticket sales.

2:01:21.920 --> 2:01:25.320
<v Speaker 1>You know, it's a business man like business thrown to

2:01:25.400 --> 2:01:29.360
<v Speaker 1>a rush show. But I've actually never experienced the rust show.

2:01:30.320 --> 2:01:36.040
<v Speaker 1>He was restaurant fucking cold ass following the Red Rocks

2:01:36.680 --> 2:01:40.000
<v Speaker 1>for him. But like, I've never seen anybody react toble

2:01:40.680 --> 2:01:42.560
<v Speaker 1>artist like that. They've seen every word. I did coach

2:01:42.600 --> 2:01:46.320
<v Speaker 1>Olla with him once and he just the fans of

2:01:46.600 --> 2:01:50.920
<v Speaker 1>every cold fans like sold out the stadium ship like

2:01:51.760 --> 2:01:54.040
<v Speaker 1>a different breed man. And he don't need radio. And

2:01:54.120 --> 2:01:57.440
<v Speaker 1>he's a good special kids, specialty dozen things. That's why

2:01:57.440 --> 2:02:01.920
<v Speaker 1>I might all independently, right, he supposed the award shows

2:02:01.960 --> 2:02:04.600
<v Speaker 1>don't recognize him. Yeah, you don't get the recognition he's

2:02:04.600 --> 2:02:07.720
<v Speaker 1>supposed to me, he's like he's like, he's like and

2:02:08.120 --> 2:02:10.480
<v Speaker 1>I know this gonna sound a little crazy, but he's

2:02:10.520 --> 2:02:12.720
<v Speaker 1>like the white Tyler Creator to me, you know what

2:02:12.720 --> 2:02:16.120
<v Speaker 1>I'm saying, Like how Tyler creator Kyd does his own things,

2:02:16.200 --> 2:02:20.800
<v Speaker 1>his own does not need radio. And so it's it's

2:02:20.800 --> 2:02:23.000
<v Speaker 1>amazing to me that the Rossa doesn't get like the

2:02:23.080 --> 2:02:26.040
<v Speaker 1>same after he's gonna comes to award show. You know

2:02:26.120 --> 2:02:27.880
<v Speaker 1>what's so funny. He did go to Sony for a

2:02:27.960 --> 2:02:31.760
<v Speaker 1>deal and he wanted them to get him radio, and

2:02:31.800 --> 2:02:33.360
<v Speaker 1>they didn't get him the radio he wanted. He went

2:02:33.400 --> 2:02:37.600
<v Speaker 1>back independent, all right, and he knows the businessman and

2:02:38.120 --> 2:02:40.440
<v Speaker 1>got a great family and he's a good kid man,

2:02:42.400 --> 2:02:47.800
<v Speaker 1>rich kid, he's rich. Yeah, but people you can tell

2:02:47.840 --> 2:02:49.800
<v Speaker 1>how much he loves the culture, you know, like yeah,

2:02:49.840 --> 2:02:51.800
<v Speaker 1>on the recent album I Think Am. I was listening

2:02:51.840 --> 2:02:53.520
<v Speaker 1>to a record with him at Viney the Butcher. You know,

2:02:54.080 --> 2:02:55.960
<v Speaker 1>he was a child like this kid loves You can

2:02:56.040 --> 2:02:58.680
<v Speaker 1>have both of them love writing and ship like I

2:02:58.760 --> 2:03:01.160
<v Speaker 1>just I love that, don't. I don't get to see that,

2:03:01.400 --> 2:03:05.520
<v Speaker 1>you know, just part of me hates the business part

2:03:05.720 --> 2:03:08.520
<v Speaker 1>was like fun. I had to find my inspiration and

2:03:08.600 --> 2:03:12.120
<v Speaker 1>my love for it again and I did you know

2:03:13.720 --> 2:03:15.640
<v Speaker 1>the business is funny man. Okay, let me ask you

2:03:15.760 --> 2:03:19.440
<v Speaker 1>for this. Absolutely sorry, Chris Brown, Feach, Rick Ross, how

2:03:19.520 --> 2:03:24.480
<v Speaker 1>did this record come about? Man? That was robbery right there, robberty. Now,

2:03:24.640 --> 2:03:26.920
<v Speaker 1>I'm just kidding. That was supposed to be my record.

2:03:28.160 --> 2:03:30.600
<v Speaker 1>That was sinking. Yeah, I was gonna yeah. I was

2:03:30.680 --> 2:03:32.560
<v Speaker 1>my first attempt at making an album. And then it

2:03:32.600 --> 2:03:35.200
<v Speaker 1>went out yatu for a while because that was supposed

2:03:35.200 --> 2:03:38.960
<v Speaker 1>to be my record and they U and uh yeah

2:03:39.680 --> 2:03:43.560
<v Speaker 1>it went it went to uh to Ross you got

2:03:43.600 --> 2:03:46.360
<v Speaker 1>the back? Yeah, I mean we made a classic. I

2:03:46.400 --> 2:03:48.600
<v Speaker 1>don't know, but I wanted that originally how are you

2:03:48.640 --> 2:03:51.200
<v Speaker 1>gonna say no to the boss, but you wish you

2:03:51.240 --> 2:03:53.200
<v Speaker 1>would have said you wish would have care for yourself

2:03:53.360 --> 2:03:55.480
<v Speaker 1>or no. Yeah, I mean I may not have went

2:03:55.560 --> 2:03:58.600
<v Speaker 1>down like that. I tell Scott save a lot of

2:03:58.640 --> 2:04:02.120
<v Speaker 1>records from so I don't know. I wanted to down

2:04:02.200 --> 2:04:11.080
<v Speaker 1>below to be my record. But wow, now one of

2:04:11.200 --> 2:04:16.040
<v Speaker 1>my close friends. We spoke about them earlier, but I

2:04:16.120 --> 2:04:19.400
<v Speaker 1>want to know how this record was worked about. Lord,

2:04:19.440 --> 2:04:23.880
<v Speaker 1>give me a side, DMX, Well, y'are living together this time?

2:04:23.960 --> 2:04:26.480
<v Speaker 1>I think he lived with you. He was staying with

2:04:26.560 --> 2:04:28.480
<v Speaker 1>me for like a week or something. I mean, yeah,

2:04:28.520 --> 2:04:30.920
<v Speaker 1>it's kind of crazy. Story is like the blind leading

2:04:30.960 --> 2:04:36.400
<v Speaker 1>the blind story before liken't even back then. I always

2:04:36.440 --> 2:04:38.680
<v Speaker 1>wanted to help him. And I remember I was like

2:04:39.360 --> 2:04:42.400
<v Speaker 1>snorting my brains out and I'm telling him who was

2:04:42.440 --> 2:04:45.960
<v Speaker 1>smoking the ship Likens, it ain't cool, man, you gotta

2:04:45.960 --> 2:04:49.960
<v Speaker 1>stop doing the current man, And I say, come stay

2:04:50.040 --> 2:04:53.760
<v Speaker 1>with me. And I remember I put him in the

2:04:53.840 --> 2:04:57.080
<v Speaker 1>rehab and everything, and back then not my rehab that

2:04:57.480 --> 2:05:01.080
<v Speaker 1>you know, but in Hollywood, Florida's recovery first to place

2:05:02.240 --> 2:05:07.160
<v Speaker 1>I went to and failed miserably, but um I told

2:05:07.240 --> 2:05:09.520
<v Speaker 1>him to go there. We made we we were making

2:05:09.600 --> 2:05:12.640
<v Speaker 1>that record and then simultaneously what all that, And then

2:05:13.560 --> 2:05:18.680
<v Speaker 1>some crazy shit happened. And I remember X called me

2:05:20.240 --> 2:05:25.280
<v Speaker 1>from the hard Rock Casino, which was across the street

2:05:25.480 --> 2:05:29.440
<v Speaker 1>from the rehab center, and telling me that he was

2:05:29.680 --> 2:05:33.480
<v Speaker 1>with one of the nurses from the rehab center at

2:05:33.520 --> 2:05:37.600
<v Speaker 1>the hard Rock and I mean, I don't think they

2:05:37.640 --> 2:05:43.600
<v Speaker 1>were gambling, but at anyway, I remember like I was

2:05:43.680 --> 2:05:46.160
<v Speaker 1>just like, man, put on a hoodie something and just

2:05:46.320 --> 2:05:48.200
<v Speaker 1>come to the crib and we're gonna try and get

2:05:48.240 --> 2:05:50.480
<v Speaker 1>you back in there. And they wouldn't accept them back

2:05:51.640 --> 2:05:54.200
<v Speaker 1>in the thing because he left the nurse. Yeah, and

2:05:54.400 --> 2:06:00.920
<v Speaker 1>it was the order situation, the situation and her fault.

2:06:01.040 --> 2:06:03.280
<v Speaker 1>I remember I was at the Montrean Hotel. I said

2:06:03.360 --> 2:06:06.360
<v Speaker 1>the mostly like four days later and I got a

2:06:06.400 --> 2:06:08.200
<v Speaker 1>call from my home security and they were like, there's

2:06:08.240 --> 2:06:12.320
<v Speaker 1>fifty federal agents at your house right now and they're

2:06:12.320 --> 2:06:16.080
<v Speaker 1>here for X. And it was sad, man, But I tried.

2:06:16.200 --> 2:06:18.760
<v Speaker 1>I've always tried, like even in the horrible state I

2:06:18.880 --> 2:06:21.040
<v Speaker 1>was in to help him because I got so much

2:06:21.080 --> 2:06:24.560
<v Speaker 1>respect and love for the man. And then, um, you know,

2:06:24.680 --> 2:06:26.800
<v Speaker 1>flash forward to me and Steve. We tried to help,

2:06:27.520 --> 2:06:29.920
<v Speaker 1>you know, and it was already too far gone and

2:06:29.960 --> 2:06:34.120
<v Speaker 1>then we lost him. Man, But yeah, he was actually

2:06:34.520 --> 2:06:36.320
<v Speaker 1>hanging out with me for the last like six weeks.

2:06:36.520 --> 2:06:39.960
<v Speaker 1>I was like almost every day, right he he he

2:06:40.400 --> 2:06:42.520
<v Speaker 1>rented a hotel, rent the block with me. I woul

2:06:42.520 --> 2:06:50.040
<v Speaker 1>see him as every day crazy. Yeah he definitely. Did

2:06:50.080 --> 2:06:53.160
<v Speaker 1>you ever get to work with fun? No? You ever met?

2:06:53.440 --> 2:06:57.760
<v Speaker 1>I don't know. Oh wow. I've had so many moments

2:06:57.840 --> 2:07:02.400
<v Speaker 1>where like either or Joe would say yo, he would

2:07:02.400 --> 2:07:04.920
<v Speaker 1>have really liked to work with two. He wouldn't like

2:07:05.040 --> 2:07:07.800
<v Speaker 1>really good, you don't out of you? Yeah, y'all never

2:07:07.960 --> 2:07:10.400
<v Speaker 1>enough to stupid. So who's who's your favorite first to

2:07:10.440 --> 2:07:14.720
<v Speaker 1>collaborate with? Because we heard about the Timberland cried me with, Yeah,

2:07:14.840 --> 2:07:17.400
<v Speaker 1>you guys to collaborate you know you and Dr Dre

2:07:17.960 --> 2:07:21.000
<v Speaker 1>What is your ultimate favorite collabinate? The two part question,

2:07:21.720 --> 2:07:24.040
<v Speaker 1>who is your favorite person to collab with? And who

2:07:24.120 --> 2:07:28.880
<v Speaker 1>haven't you collab What that you would like to in

2:07:29.040 --> 2:07:34.880
<v Speaker 1>terms of producers, producers, whatever producers are, artists, whatever, whatever

2:07:34.880 --> 2:07:37.000
<v Speaker 1>we want for us. I want to work with Drake

2:07:38.040 --> 2:07:44.040
<v Speaker 1>Drake Canada here. I want to work with the I

2:07:44.120 --> 2:07:46.560
<v Speaker 1>want to work It's an awful catalysts crazy I want

2:07:46.560 --> 2:07:51.560
<v Speaker 1>to work with the Weekend. I want to work with Rihannahanna.

2:07:51.840 --> 2:07:53.960
<v Speaker 1>And now some of these artists would just don't know

2:07:53.960 --> 2:07:58.000
<v Speaker 1>what to ask. My friend, don't get me in the studio.

2:07:59.040 --> 2:08:01.840
<v Speaker 1>Did we pleasantly? Some prides that from today. So, but

2:08:02.040 --> 2:08:03.760
<v Speaker 1>the three people that you haven't worked with do you

2:08:03.840 --> 2:08:08.200
<v Speaker 1>want to work with? Is Drake Brihanna, the Weekend Rihanna?

2:08:08.360 --> 2:08:10.040
<v Speaker 1>You know you're trying to change his name to Abel

2:08:10.960 --> 2:08:15.520
<v Speaker 1>not with no last name, not able Weekend Just yeah,

2:08:15.560 --> 2:08:18.560
<v Speaker 1>he's gonna be like, yeah, yeah, just yeah. I think

2:08:18.600 --> 2:08:20.440
<v Speaker 1>it's gonna happen. I think I think it's going to

2:08:20.840 --> 2:08:26.160
<v Speaker 1>change again really with sal x so a lot of

2:08:26.200 --> 2:08:29.280
<v Speaker 1>money doing a lot of ship cash and cash sound

2:08:29.360 --> 2:08:30.960
<v Speaker 1>cash and they get a lot of money over them

2:08:31.120 --> 2:08:34.000
<v Speaker 1>and they're great people. Yes, so I think that's gonna

2:08:34.040 --> 2:08:39.480
<v Speaker 1>happen on the weekend side. Sure at any rate? Um,

2:08:40.880 --> 2:08:45.200
<v Speaker 1>your original question, favorite my favorite collab you have to

2:08:45.280 --> 2:08:52.280
<v Speaker 1>collab with as a producer, my favorite collab as I

2:08:52.400 --> 2:08:57.480
<v Speaker 1>think in order like this, Like I mean, I don't

2:08:57.480 --> 2:09:00.880
<v Speaker 1>know if I would say definitely or Tree and Timberly,

2:09:01.720 --> 2:09:03.440
<v Speaker 1>That's what I want to say. I was gonna work

2:09:03.480 --> 2:09:08.960
<v Speaker 1>that with those guys. As producers. My favorite working experience

2:09:09.080 --> 2:09:15.760
<v Speaker 1>I think with artists with the artists, UM would have

2:09:15.880 --> 2:09:18.720
<v Speaker 1>to be the making of Dr Drey's album as an

2:09:18.800 --> 2:09:21.400
<v Speaker 1>artist two one. Making that album was one of the

2:09:21.480 --> 2:09:24.000
<v Speaker 1>most incredible experiences of my life. I got a chance

2:09:24.080 --> 2:09:29.000
<v Speaker 1>to hang out with like everybody like when we're making

2:09:29.040 --> 2:09:31.760
<v Speaker 1>that album, Like you know what I'm saying, Like I

2:09:31.880 --> 2:09:36.560
<v Speaker 1>found myself and young kid in the studio smoking joints

2:09:36.600 --> 2:09:40.920
<v Speaker 1>with Snoop Dogg all the ship bro, going to the

2:09:41.000 --> 2:09:45.560
<v Speaker 1>place to like you're just saying that collaborative effort of

2:09:45.680 --> 2:09:58.320
<v Speaker 1>that album there, but invited the most important hundred DJs,

2:09:59.560 --> 2:10:01.880
<v Speaker 1>you know, the core DJs this one now where all

2:10:01.920 --> 2:10:05.200
<v Speaker 1>these different like DJs, we're in that motherfucker to do

2:10:05.320 --> 2:10:08.480
<v Speaker 1>a listening party and he sent for everybody to be

2:10:08.560 --> 2:10:13.960
<v Speaker 1>there at the Playboy Mansion and it was lit. But

2:10:14.400 --> 2:10:16.040
<v Speaker 1>that was one of the most fun experiences of my

2:10:16.160 --> 2:10:19.360
<v Speaker 1>life to be part of that. UM. Have you working

2:10:19.360 --> 2:10:23.560
<v Speaker 1>with Kendrick Huh? You know, No, I haven't working with Kendrick.

2:10:24.040 --> 2:10:27.240
<v Speaker 1>That surprised should happen to be. I would love to

2:10:27.280 --> 2:10:30.560
<v Speaker 1>work Okay, I love to work with Tyler the Creator.

2:10:31.240 --> 2:10:32.600
<v Speaker 1>There are a lot of artists I don't want to

2:10:32.640 --> 2:10:42.280
<v Speaker 1>work it and who I feel like me coming back

2:10:42.320 --> 2:10:45.000
<v Speaker 1>to Miami. Right now, I'm creating a recording studio and

2:10:45.040 --> 2:10:47.320
<v Speaker 1>I'm putting this thing together like right off on the

2:10:47.400 --> 2:10:50.280
<v Speaker 1>beach and everything, like literally like gonna be the sexiest

2:10:50.320 --> 2:10:55.120
<v Speaker 1>studio possible. I'm gonna be going so hard for the

2:10:55.200 --> 2:10:58.160
<v Speaker 1>next twelve months. You're gonna see some ship that you

2:10:58.200 --> 2:11:04.240
<v Speaker 1>would expect to see from me. Okay, um like NASA

2:11:04.320 --> 2:11:08.600
<v Speaker 1>hit boards, capable three albums? Again, is this somebody you

2:11:08.800 --> 2:11:10.880
<v Speaker 1>you gotta do that? You want to do a whole

2:11:10.920 --> 2:11:15.360
<v Speaker 1>album with? Who a lot of people want. I would

2:11:15.400 --> 2:11:17.920
<v Speaker 1>do a whole album with. But I think right now

2:11:18.160 --> 2:11:21.200
<v Speaker 1>the most important thing for me is to lace artists

2:11:21.240 --> 2:11:24.840
<v Speaker 1>with big records and make my own album. Like I

2:11:24.920 --> 2:11:28.240
<v Speaker 1>want to make my album and follow in the blueprint

2:11:28.400 --> 2:11:31.600
<v Speaker 1>of what Kalad is doing. But Kala is a monster

2:11:31.720 --> 2:11:34.120
<v Speaker 1>and it's so inspiring to me, like when I'm like

2:11:34.280 --> 2:11:36.840
<v Speaker 1>looking at him and like, man, that's a lot of

2:11:36.960 --> 2:11:39.720
<v Speaker 1>work that goes into that. People think it's just cool,

2:11:39.800 --> 2:11:42.839
<v Speaker 1>but like the dude puts in a lot of hours

2:11:44.080 --> 2:11:47.840
<v Speaker 1>of fucking labor. The vocals are in, The vocals are

2:11:47.920 --> 2:11:50.520
<v Speaker 1>in all that ship. Bro and all the time, doing

2:11:50.600 --> 2:11:53.320
<v Speaker 1>social media, all the time, doing this being the personality

2:11:53.400 --> 2:11:56.040
<v Speaker 1>and then the creative aspect of it also exhausting. That's

2:11:56.080 --> 2:11:59.480
<v Speaker 1>my inspiration, Like I need to not be lazy and

2:11:59.600 --> 2:12:01.080
<v Speaker 1>I need to get in there because I have the

2:12:01.200 --> 2:12:05.960
<v Speaker 1>talent to make unlimited amounts of hits. So now it's time.

2:12:06.640 --> 2:12:09.960
<v Speaker 1>I think I'm finally acclimated in the right place at

2:12:10.000 --> 2:12:12.760
<v Speaker 1>the right time. Then Miami is gonna be where it happens.

2:12:14.200 --> 2:12:17.600
<v Speaker 1>It's turning the camera on yourself now like a callet.

2:12:17.680 --> 2:12:20.320
<v Speaker 1>Like you're saying, like taking advantage of social media for

2:12:20.440 --> 2:12:23.280
<v Speaker 1>you to mean one facet of it. It's really about

2:12:23.320 --> 2:12:27.000
<v Speaker 1>putting in the time and energy and being creative and

2:12:27.120 --> 2:12:30.640
<v Speaker 1>working smarter not harder. I can't explain it. It's what

2:12:30.760 --> 2:12:33.720
<v Speaker 1>he always says, and like doing the right thing man,

2:12:33.800 --> 2:12:36.800
<v Speaker 1>and making a ship for myself. You know, I've been

2:12:37.200 --> 2:12:42.400
<v Speaker 1>a producer for Higher for long and it made so many,

2:12:42.760 --> 2:12:46.120
<v Speaker 1>so many It's it's time to make some ship from me.

2:12:46.600 --> 2:12:49.560
<v Speaker 1>It's real talk. Hopefully you got you on the man

2:12:50.040 --> 2:13:00.200
<v Speaker 1>chop time, not the wrapping man. I think you went

2:13:00.240 --> 2:13:04.000
<v Speaker 1>through the Dream Chance album. Have me who have other

2:13:04.200 --> 2:13:05.800
<v Speaker 1>I've been to put you the other day but I

2:13:05.880 --> 2:13:08.160
<v Speaker 1>did right. I did right, so I said, I said,

2:13:08.160 --> 2:13:15.160
<v Speaker 1>I said, I got an ape. I said, I gotta

2:13:15.200 --> 2:13:20.240
<v Speaker 1>watch work on it and the stainless there He's like,

2:13:20.480 --> 2:13:29.520
<v Speaker 1>I ain't paid crazy for it. I gotta retails. So

2:13:32.040 --> 2:13:35.240
<v Speaker 1>if you had to blame, like you know when when

2:13:35.280 --> 2:13:37.320
<v Speaker 1>you when you did go down for a second, if

2:13:37.320 --> 2:13:39.040
<v Speaker 1>you had to blame, what would you blame more than

2:13:39.120 --> 2:13:43.400
<v Speaker 1>drugs or the females? For me, they go hand in hand,

2:13:44.320 --> 2:13:46.760
<v Speaker 1>see the one the other. It's a sea saw for you.

2:13:47.600 --> 2:13:50.840
<v Speaker 1>I mean like they're both additions. Cocaine and push me together.

2:13:52.240 --> 2:13:54.800
<v Speaker 1>That was the that was the name of the album, Cocaine.

2:14:00.040 --> 2:14:04.240
<v Speaker 1>But cocaine and pussy together. That should be a cocaine.

2:14:05.120 --> 2:14:08.840
<v Speaker 1>I love that he's gonna ruficiously. I don't want to

2:14:08.880 --> 2:14:19.760
<v Speaker 1>cocaine probably, yeah, cychologically whatever was whenever immediately I would

2:14:19.760 --> 2:14:22.800
<v Speaker 1>do cocaine. I need to pussy. So they was just

2:14:22.920 --> 2:14:25.680
<v Speaker 1>like a thick and that that commendation together just was

2:14:26.040 --> 2:14:30.080
<v Speaker 1>recipe for disaster for me. How about doing pussy, pussy

2:14:32.360 --> 2:14:37.200
<v Speaker 1>straight pussy Tracy Cocaine Boys to the album is called

2:14:37.240 --> 2:14:47.480
<v Speaker 1>just pussy, So damn the cinema to man, listen, man,

2:14:47.520 --> 2:14:49.400
<v Speaker 1>we're not gonna let Steve leave here unless we ask

2:14:49.600 --> 2:14:54.600
<v Speaker 1>about this versus man versus Bone Dogs six Mafia never

2:14:54.680 --> 2:14:58.080
<v Speaker 1>knew they had beat by the way, all thought didn't

2:14:58.080 --> 2:15:01.160
<v Speaker 1>have beat. But before that's a fan. Hasn't fair of

2:15:01.280 --> 2:15:03.960
<v Speaker 1>both of them. When they're selling the fight, I'm thinking

2:15:04.000 --> 2:15:07.040
<v Speaker 1>it's all seafood y'alla. I'm thinking they're all like playing around.

2:15:07.080 --> 2:15:09.600
<v Speaker 1>I'm thally just doing this. And then when they think

2:15:09.680 --> 2:15:14.040
<v Speaker 1>they threw the mic and then they crossed paths, I

2:15:14.200 --> 2:15:17.160
<v Speaker 1>get to see Steve with them. It's probably the only

2:15:17.320 --> 2:15:21.200
<v Speaker 1>white person on stage, and you got it. And you

2:15:21.360 --> 2:15:24.360
<v Speaker 1>just because everyone knows things about you, you you you are,

2:15:25.360 --> 2:15:30.280
<v Speaker 1>but describe the situation and you definitely white boy's gonna

2:15:30.280 --> 2:15:35.480
<v Speaker 1>stand up. Um, you know, Look, I work with Bom

2:15:35.520 --> 2:15:38.400
<v Speaker 1>does and still do over twenty five years. I worked

2:15:38.440 --> 2:15:41.240
<v Speaker 1>with three six Mafia for a long tail no this

2:15:41.360 --> 2:15:44.400
<v Speaker 1>way before wall see I heard and Steve Ripens my

2:15:44.440 --> 2:15:48.320
<v Speaker 1>brother already said, Um, it's basically Bone was discovered by

2:15:48.440 --> 2:15:52.760
<v Speaker 1>z and they went through ruthless relativity at the time

2:15:52.880 --> 2:15:56.240
<v Speaker 1>though loud and both relativity, So that's how it got

2:15:56.280 --> 2:15:59.840
<v Speaker 1>acquired that. But I worked with three six Mafia Boom

2:16:00.120 --> 2:16:03.480
<v Speaker 1>for a long time, and they always had beef back

2:16:03.560 --> 2:16:06.320
<v Speaker 1>in the day. Yeah, back in the days, dad beef,

2:16:06.560 --> 2:16:10.720
<v Speaker 1>not real beef, you know, this beef of like just

2:16:10.800 --> 2:16:13.960
<v Speaker 1>like crustal conflict, do a die and stuff like that.

2:16:14.080 --> 2:16:16.800
<v Speaker 1>Who who created what style first? And soon zumpo. But

2:16:17.400 --> 2:16:21.840
<v Speaker 1>you know, uh so when Swiss reached out, um and

2:16:22.000 --> 2:16:24.120
<v Speaker 1>Timberland reached out, I was like, we're gonna put it together.

2:16:24.320 --> 2:16:28.000
<v Speaker 1>But I wasn't gonna do without Busy Bone because Busy

2:16:28.080 --> 2:16:30.800
<v Speaker 1>Bone doesn't really come and do a lot of stuff

2:16:30.800 --> 2:16:33.000
<v Speaker 1>with the group, even when we try to do drink Champs.

2:16:33.000 --> 2:16:36.120
<v Speaker 1>You know, Crazy Gonna came by himself and salute Crazy Bone.

2:16:36.160 --> 2:16:38.200
<v Speaker 1>He showed me mad love on this and I appreciate that.

2:16:38.360 --> 2:16:40.880
<v Speaker 1>But those guys all my brothers, and we made a

2:16:40.920 --> 2:16:42.600
<v Speaker 1>lot of history and working on a movie together and

2:16:42.640 --> 2:16:46.080
<v Speaker 1>a lot of stuff. But I also told DJ Paul,

2:16:46.400 --> 2:16:48.760
<v Speaker 1>you gotta bring gangs to boot and Country Blackout as well.

2:16:49.320 --> 2:16:52.000
<v Speaker 1>The tree STIs Monfia is just not juicy J and

2:16:52.120 --> 2:16:56.040
<v Speaker 1>d J Paul so Versus realized that and said, you

2:16:56.080 --> 2:16:57.800
<v Speaker 1>know what, yeah, we need to go hard to do this.

2:16:58.760 --> 2:17:00.960
<v Speaker 1>So we kept trying to find dates, and we found

2:17:01.000 --> 2:17:05.880
<v Speaker 1>the date and everybody agreed to it, and we were like,

2:17:05.959 --> 2:17:08.440
<v Speaker 1>should we bring out features. You know a lot of

2:17:08.480 --> 2:17:10.280
<v Speaker 1>people people bring our features, and like Bone got so

2:17:10.360 --> 2:17:12.280
<v Speaker 1>many hits, tweets got some hits. You know what, you

2:17:12.320 --> 2:17:15.520
<v Speaker 1>gotta bring our features. But organically we brought out some features,

2:17:15.520 --> 2:17:18.880
<v Speaker 1>and they brought out some features. But you know, they

2:17:18.959 --> 2:17:21.720
<v Speaker 1>were mocking Busybone and look from where I come from,

2:17:21.840 --> 2:17:25.640
<v Speaker 1>Queen's and the music business man sticks and stones whatever

2:17:25.720 --> 2:17:27.640
<v Speaker 1>that saying is like, as long as you ain't telling

2:17:27.680 --> 2:17:29.720
<v Speaker 1>someone to suck you, you know, whether fuck your mother,

2:17:30.440 --> 2:17:33.800
<v Speaker 1>you know, it's hip hop. He supposed this violating chopped

2:17:33.879 --> 2:17:37.320
<v Speaker 1>you know, disrespect, that's hip hop. So they were mocking

2:17:37.400 --> 2:17:41.800
<v Speaker 1>Busy Bone and then uh, you know he Juicy said

2:17:41.840 --> 2:17:45.240
<v Speaker 1>sucking you know where I'm from, Like that's fighting words.

2:17:46.000 --> 2:17:48.680
<v Speaker 1>I called Juicy Jordan's and he said sucking out you

2:17:48.760 --> 2:17:51.720
<v Speaker 1>know what, and um, Busy through the mic and ran,

2:17:52.680 --> 2:17:54.480
<v Speaker 1>which he should have raved. He should have stayed there.

2:17:55.080 --> 2:17:58.840
<v Speaker 1>And he left and it got up. It got really

2:17:58.959 --> 2:18:02.840
<v Speaker 1>ugly and the cameras went off. We had about three

2:18:03.200 --> 2:18:04.959
<v Speaker 1>people have with Bone. They were in the balcony. They

2:18:05.000 --> 2:18:08.400
<v Speaker 1>came running down. The front was like full of Latinos

2:18:08.520 --> 2:18:10.680
<v Speaker 1>Mexican thro love easy and love end up. We ain't

2:18:10.720 --> 2:18:12.640
<v Speaker 1>love Bone, and they were ready to rush the stage,

2:18:13.680 --> 2:18:15.920
<v Speaker 1>you know, and Juicy was like, oh, we can get

2:18:15.959 --> 2:18:18.120
<v Speaker 1>this on right now, and I said, Jordan's like, why

2:18:18.120 --> 2:18:20.119
<v Speaker 1>are you gonna keep instigating this right? And I love

2:18:20.160 --> 2:18:25.240
<v Speaker 1>all those guys, And we didn't have more security, and

2:18:25.440 --> 2:18:28.920
<v Speaker 1>you know, they had some security, and you know three

2:18:29.040 --> 2:18:32.320
<v Speaker 1>six had some security, but you know, some paid security

2:18:32.360 --> 2:18:34.400
<v Speaker 1>that knew me and some of the homies that knew me,

2:18:34.440 --> 2:18:36.360
<v Speaker 1>and no one wanted to even have a problem and

2:18:36.440 --> 2:18:39.000
<v Speaker 1>do that. But it could have got lovely because both

2:18:39.080 --> 2:18:43.840
<v Speaker 1>sides are not pussy. And I took the initiative as

2:18:43.920 --> 2:18:49.440
<v Speaker 1>a diffuser two stop it because it could have got out.

2:18:50.600 --> 2:18:53.039
<v Speaker 1>And if I didn't diffuse it, fans could have jumped

2:18:53.080 --> 2:18:55.560
<v Speaker 1>on the stage. Fans could have started throwing stuff because

2:18:55.600 --> 2:18:57.400
<v Speaker 1>Busy Bone left and I begged him to come back.

2:18:58.160 --> 2:19:00.280
<v Speaker 1>Those guys could have beat each other up, and someone

2:19:00.320 --> 2:19:04.320
<v Speaker 1>could have got hurt, stabbed, shot, physically beat up. Then

2:19:04.400 --> 2:19:07.240
<v Speaker 1>what happens, lawsuits colore, what happens if I got beat

2:19:07.320 --> 2:19:10.040
<v Speaker 1>up or stabbed or shot. It's a whole another problem.

2:19:10.480 --> 2:19:12.280
<v Speaker 1>So I diffused it, and a lot of people in

2:19:12.280 --> 2:19:13.800
<v Speaker 1>the industry called me said, you know, that's where the

2:19:13.840 --> 2:19:17.240
<v Speaker 1>real person does diffuse it. Most people instigating and they

2:19:17.280 --> 2:19:21.400
<v Speaker 1>want to see violence, especially amongst Afro Americans. So at

2:19:21.440 --> 2:19:23.280
<v Speaker 1>the end of the day, I diffused it, and I

2:19:23.480 --> 2:19:26.120
<v Speaker 1>told Swiss and Timberland, I didn't get the puff with

2:19:26.160 --> 2:19:29.640
<v Speaker 1>Sorock because he sponsored it, and Triller and versus in

2:19:29.720 --> 2:19:32.800
<v Speaker 1>the plateium, what was your security, y'all, don't even do nothing.

2:19:33.840 --> 2:19:37.360
<v Speaker 1>I diffused it myself because both sides respected and I

2:19:37.400 --> 2:19:39.280
<v Speaker 1>could have termed it up real quick, but why would

2:19:39.280 --> 2:19:42.240
<v Speaker 1>I do that. They funk up people's lives, family business

2:19:42.800 --> 2:19:45.000
<v Speaker 1>and again you know, and and that's what happens. So

2:19:45.000 --> 2:19:46.280
<v Speaker 1>I let my manage it. Big you can make a

2:19:46.360 --> 2:19:48.600
<v Speaker 1>call the next day and told him that you know,

2:19:48.640 --> 2:19:56.760
<v Speaker 1>everybody was something. You know, Yeah, definitely that you wou Scott,

2:19:56.840 --> 2:19:59.960
<v Speaker 1>you will got like a weird relationship. You are should man,

2:20:00.680 --> 2:20:03.080
<v Speaker 1>It's like, yeah, messing with each other, but you you're

2:20:03.120 --> 2:20:05.600
<v Speaker 1>messing though. How do you still keep in contact with

2:20:05.680 --> 2:20:09.160
<v Speaker 1>him to this day? Is that true? Yeah? Really, I

2:20:09.280 --> 2:20:14.880
<v Speaker 1>talked to him from jail. Listen. I'm not part of

2:20:15.160 --> 2:20:17.800
<v Speaker 1>what went down, you know, in a lot of the

2:20:17.840 --> 2:20:20.200
<v Speaker 1>ship that was you know, in his life. But I

2:20:20.320 --> 2:20:23.040
<v Speaker 1>know that I moved into a community in Beverly Hills.

2:20:23.560 --> 2:20:27.200
<v Speaker 1>He was my neighbor, and you know he came at

2:20:27.240 --> 2:20:29.360
<v Speaker 1>me the right way as as as a person, and

2:20:29.959 --> 2:20:33.160
<v Speaker 1>he never, you know, tried any funny ship with me.

2:20:33.680 --> 2:20:37.800
<v Speaker 1>He's always kept real. And I know he got caught

2:20:37.879 --> 2:20:40.200
<v Speaker 1>up in whatever he got caught up in. And I

2:20:40.320 --> 2:20:45.120
<v Speaker 1>know I met his his children, and and you know,

2:20:45.840 --> 2:20:48.800
<v Speaker 1>as you know from one father or another, you know

2:20:48.879 --> 2:20:51.880
<v Speaker 1>he's inside. I'm outside any way. I can help that

2:20:52.040 --> 2:20:55.080
<v Speaker 1>man and do whatever funk I can for him. I helped,

2:20:55.280 --> 2:20:56.640
<v Speaker 1>you know what I mean, I do what I can.

2:20:56.800 --> 2:20:59.720
<v Speaker 1>I talked to him and yeah, that's really that's a

2:20:59.760 --> 2:21:01.800
<v Speaker 1>really same guy that went in and got two pot

2:21:01.840 --> 2:21:06.280
<v Speaker 1>out of jail. Wow what I'm saying, and real, Yeah,

2:21:06.360 --> 2:21:09.039
<v Speaker 1>free Simon man. I called him Simon. I know something

2:21:09.080 --> 2:21:11.160
<v Speaker 1>a long time and the cool sign because of Simon

2:21:11.200 --> 2:21:15.320
<v Speaker 1>says his name, Yeah, because it was did a lot

2:21:15.400 --> 2:21:17.200
<v Speaker 1>of He did a lot of hip hop man. And

2:21:17.360 --> 2:21:19.600
<v Speaker 1>you can't just throw him away into a cage and

2:21:19.640 --> 2:21:23.000
<v Speaker 1>tell him, you know, he's not part of history. Absolutely. Ye.

2:21:24.160 --> 2:21:27.320
<v Speaker 1>People stereotype stereotype people and judge people and label them

2:21:27.879 --> 2:21:29.920
<v Speaker 1>and assume and they should just get to know certain people,

2:21:29.959 --> 2:21:32.560
<v Speaker 1>you know, not taking away anything that anybody ever did,

2:21:32.640 --> 2:21:34.760
<v Speaker 1>but you know, he's a big part of this community

2:21:34.760 --> 2:21:36.640
<v Speaker 1>that we're in and that we live for and we

2:21:36.760 --> 2:21:39.720
<v Speaker 1>dedicate our lives for. Right, how many times you see

2:21:39.800 --> 2:21:42.640
<v Speaker 1>that when people go away, like because people just change,

2:21:42.959 --> 2:21:46.360
<v Speaker 1>change and disregardless, just to go. But it should his

2:21:46.400 --> 2:21:50.160
<v Speaker 1>cases a little different because like you know, going to jail.

2:21:50.520 --> 2:21:52.200
<v Speaker 1>I mean, you're not going to jail. That's what I'm saying.

2:21:52.200 --> 2:21:54.200
<v Speaker 1>People going to jail, and people for all and all

2:21:54.320 --> 2:21:56.560
<v Speaker 1>for people just you know, not doing that. But there's

2:21:56.600 --> 2:21:59.480
<v Speaker 1>so many adversations of sure you know what I mean

2:22:00.080 --> 2:22:01.920
<v Speaker 1>us and maybe sometimes it's a little different when it

2:22:01.959 --> 2:22:06.400
<v Speaker 1>comes in. Oh, I mean, you know, this industry is

2:22:06.440 --> 2:22:10.440
<v Speaker 1>funny man. You know when you high, you high, right.

2:22:10.640 --> 2:22:12.600
<v Speaker 1>When you're warm, you're warm, When you cold, your cold.

2:22:12.959 --> 2:22:16.280
<v Speaker 1>We've been blessed to stay cruise control. And I hate

2:22:16.320 --> 2:22:18.880
<v Speaker 1>the fact that when the industry just turned your back

2:22:18.959 --> 2:22:20.640
<v Speaker 1>on you, like if you make a mistake or you

2:22:20.720 --> 2:22:23.720
<v Speaker 1>become cold because an he goes up, go down, but

2:22:23.840 --> 2:22:27.360
<v Speaker 1>the girls go back up again. So we're inventing yourself

2:22:27.440 --> 2:22:29.280
<v Speaker 1>as a big thing in it's in this business. But

2:22:30.080 --> 2:22:31.920
<v Speaker 1>there's a lot of you know, culture voters in this

2:22:32.240 --> 2:22:34.480
<v Speaker 1>in this in this community, a lot of Uncle Tom's

2:22:34.480 --> 2:22:37.880
<v Speaker 1>in this community, people who just taking advantage of the artist.

2:22:38.360 --> 2:22:40.119
<v Speaker 1>You know, one thing that we're doing that our treatment centering,

2:22:40.120 --> 2:22:42.640
<v Speaker 1>the Heavily Center, is we're gonna make health insurance cool.

2:22:43.400 --> 2:22:45.120
<v Speaker 1>You know, a lot of artists that are Latin and

2:22:45.160 --> 2:22:47.760
<v Speaker 1>af American, they don't think treatment is cool. And treatment

2:22:47.879 --> 2:22:50.760
<v Speaker 1>is cool? Um, And why don't labels give artists, you know,

2:22:51.160 --> 2:22:54.880
<v Speaker 1>besides music cares, you know, health insurance. Why is most

2:22:54.959 --> 2:22:57.320
<v Speaker 1>artist when they passed away the bigger dead than alive,

2:22:57.520 --> 2:23:01.120
<v Speaker 1>like King Vaughan and Pops Smoke Connips and stuff. So

2:23:03.040 --> 2:23:05.520
<v Speaker 1>get the artists to health insurance for that. They're dealing

2:23:05.520 --> 2:23:07.360
<v Speaker 1>with a lot of mental health and addiction right now.

2:23:07.440 --> 2:23:10.560
<v Speaker 1>But why the executives got steady checks and health insurance

2:23:11.080 --> 2:23:13.880
<v Speaker 1>and you know for one case and expense accounts to

2:23:13.920 --> 2:23:15.680
<v Speaker 1>go to Mr Childs and the strip clubs to build

2:23:15.680 --> 2:23:17.920
<v Speaker 1>back to the artist. You know. So at the end

2:23:17.959 --> 2:23:20.480
<v Speaker 1>of the day, like a lot of people just push

2:23:20.520 --> 2:23:22.120
<v Speaker 1>you to the side, man, they don't. They just want

2:23:22.160 --> 2:23:23.880
<v Speaker 1>to stand next to you when you're hot and up

2:23:23.920 --> 2:23:27.280
<v Speaker 1>to me. And I'm speaking for myself as corn that Scott,

2:23:27.320 --> 2:23:28.840
<v Speaker 1>what kind of weed is that? Just got weed on

2:23:28.879 --> 2:23:31.960
<v Speaker 1>the table? Want what is that one? This is the

2:23:32.160 --> 2:23:35.840
<v Speaker 1>new uh Snoop dog weed right that what we had

2:23:35.879 --> 2:23:42.680
<v Speaker 1>already and went to Snoops combound. This is a fresh pack. Okay, yeah,

2:23:42.760 --> 2:23:47.240
<v Speaker 1>this ain't the package in the back I never see.

2:23:47.280 --> 2:23:50.200
<v Speaker 1>I've never seen boards so happy after that. That's the

2:23:50.240 --> 2:23:56.880
<v Speaker 1>happiest boards I've ever seen. Uh yeah, that was fire. Yeah,

2:23:56.959 --> 2:23:59.720
<v Speaker 1>we got some fire just to try this. Uh gun both.

2:24:00.840 --> 2:24:03.400
<v Speaker 1>I think some of those um joints you guys come

2:24:06.520 --> 2:24:09.480
<v Speaker 1>out there, right. We also got smoke chances right now. Yeah,

2:24:09.480 --> 2:24:11.920
<v Speaker 1>we also got smoke chances where you right take that

2:24:12.080 --> 2:24:15.000
<v Speaker 1>with you. That's all ship right, and it's the spits

2:24:15.040 --> 2:24:17.600
<v Speaker 1>the recent storm. But Scott, where did you get the

2:24:17.760 --> 2:24:20.960
<v Speaker 1>Hits by Scott short shirts? Where do you get that?

2:24:21.240 --> 2:24:23.080
<v Speaker 1>I mean my partner John and I where you know

2:24:23.160 --> 2:24:26.440
<v Speaker 1>we're doing the merging from and uh you can go

2:24:26.560 --> 2:24:30.280
<v Speaker 1>to Scott Storch Hits by Scott Storch dot com order

2:24:30.360 --> 2:24:32.959
<v Speaker 1>the product and the merge everything and you will get

2:24:33.000 --> 2:24:34.640
<v Speaker 1>you will get the yallow on there or just the

2:24:34.720 --> 2:24:38.720
<v Speaker 1>shirts on on the Hits by Scott. The shirts are

2:24:38.720 --> 2:24:42.360
<v Speaker 1>gonna be on there very soon. The whole merch line. Yeah, okay,

2:24:42.400 --> 2:24:46.920
<v Speaker 1>but not that yallow. Yeah, because it's the hits. It hits,

2:24:48.840 --> 2:24:58.600
<v Speaker 1>it's leg storg dot com, order something, it's fire smokey,

2:24:58.879 --> 2:25:02.680
<v Speaker 1>y'all be anywhere from the movie. I got a big

2:25:02.760 --> 2:25:09.000
<v Speaker 1>hit of that one. Um, I asked got this earlier,

2:25:09.320 --> 2:25:13.000
<v Speaker 1>We asked you, Steve. He's still really love the game. Um.

2:25:14.520 --> 2:25:18.680
<v Speaker 1>I've diversified into so many businesses. Um, but I never

2:25:18.720 --> 2:25:22.119
<v Speaker 1>forget where I come from. So I love I love

2:25:22.200 --> 2:25:26.039
<v Speaker 1>the artist, the deal, and I love doing business. UM.

2:25:26.560 --> 2:25:29.840
<v Speaker 1>I like reinventing things. I like changing the game. I

2:25:29.959 --> 2:25:34.920
<v Speaker 1>like being innovative, creative, just that. My thing the industry

2:25:35.040 --> 2:25:37.160
<v Speaker 1>is that there's not a lot of integrity, no more

2:25:37.200 --> 2:25:40.240
<v Speaker 1>on loyalty. People are selling their souls for a check

2:25:40.400 --> 2:25:42.800
<v Speaker 1>or just to look cool. So it's just hard man.

2:25:42.800 --> 2:25:44.199
<v Speaker 1>When you give it an artists, you try to build

2:25:44.200 --> 2:25:45.960
<v Speaker 1>out all the stuff. They might get that nature. So

2:25:46.800 --> 2:25:48.560
<v Speaker 1>we don't step going because you know, you got too

2:25:48.560 --> 2:25:50.800
<v Speaker 1>many people in having that. You know, we gotta keep

2:25:50.840 --> 2:25:53.200
<v Speaker 1>their names alive, and they wish they were here trying

2:25:53.240 --> 2:25:56.400
<v Speaker 1>to still do it again. So I'll never forget where

2:25:56.400 --> 2:25:58.600
<v Speaker 1>I come from. So I always do music and love music.

2:25:59.520 --> 2:26:02.800
<v Speaker 1>So but we googled you a lot of records with

2:26:02.879 --> 2:26:05.480
<v Speaker 1>are Kelly popped up? You still speak to him, you know,

2:26:13.040 --> 2:26:15.840
<v Speaker 1>I have a daughter like like, I don't work around

2:26:15.959 --> 2:26:20.440
<v Speaker 1>like that. But it is a sad thing because musically

2:26:20.600 --> 2:26:22.360
<v Speaker 1>I'm just I'm like who he is as a person.

2:26:22.480 --> 2:26:25.200
<v Speaker 1>When he's done, there's no excuse for anything like that.

2:26:25.720 --> 2:26:28.720
<v Speaker 1>But ever, right, that's not that's not the bated one,

2:26:28.800 --> 2:26:33.880
<v Speaker 1>but it's music. It's so sad to me he is

2:26:34.040 --> 2:26:37.200
<v Speaker 1>one of the greatest to ever do it. Bron Right.

2:26:37.680 --> 2:26:43.280
<v Speaker 1>It's so sad, but you know it's part of life,

2:26:43.800 --> 2:26:47.800
<v Speaker 1>you know you So let me ask you, right, because

2:26:47.879 --> 2:26:51.720
<v Speaker 1>only verses right. We spoke about it earlier. We established that,

2:26:52.200 --> 2:26:55.560
<v Speaker 1>um he felt like you want right and you weren't. Man,

2:26:55.640 --> 2:26:57.360
<v Speaker 1>he didn't have a kind of relationship, but he did

2:26:57.480 --> 2:27:00.120
<v Speaker 1>kind of take a little shots at you. Right, was

2:27:00.200 --> 2:27:02.640
<v Speaker 1>you was you? Was you expecting? That was That's a call?

2:27:02.760 --> 2:27:04.560
<v Speaker 1>That was me. It's like it was Scott, I'm gonna

2:27:04.640 --> 2:27:07.600
<v Speaker 1>make a little fun or that that was all at

2:27:07.600 --> 2:27:11.240
<v Speaker 1>an element of surprise, you know what, unless it was

2:27:11.360 --> 2:27:14.680
<v Speaker 1>mad corny, you know what I mean, like to to

2:27:16.920 --> 2:27:19.560
<v Speaker 1>for someone that had drug addiction or whatever, and you

2:27:19.680 --> 2:27:21.480
<v Speaker 1>know what they went through and they got through it.

2:27:21.520 --> 2:27:24.280
<v Speaker 1>And to to take that shot, that's belottle the belt.

2:27:25.120 --> 2:27:28.400
<v Speaker 1>It's not cool. But I talked to Manny about it.

2:27:28.959 --> 2:27:31.640
<v Speaker 1>He apologized for it, as a manager is a man

2:27:32.200 --> 2:27:35.600
<v Speaker 1>and that's you know whatever. I don't but that ship

2:27:35.640 --> 2:27:37.720
<v Speaker 1>was corny, Okay. I didn't. I didn't want Scott to

2:27:37.760 --> 2:27:39.640
<v Speaker 1>go against many. We don't do respect to him. But

2:27:40.200 --> 2:27:41.760
<v Speaker 1>when he got on it, he was taking shots and

2:27:41.840 --> 2:27:43.440
<v Speaker 1>we brought up the drug addict ship and all that.

2:27:44.120 --> 2:27:46.320
<v Speaker 1>The next day I called him, Are you called? I

2:27:46.400 --> 2:27:47.840
<v Speaker 1>called him and got on the phone with Scott. You

2:27:47.879 --> 2:27:51.320
<v Speaker 1>apologize because, like I said, it's limits. You know, I

2:27:51.400 --> 2:27:54.120
<v Speaker 1>can't tell this man your drug addict even though it's past,

2:27:54.240 --> 2:27:57.520
<v Speaker 1>So don't bring it on that platform, just like someone

2:27:57.600 --> 2:28:00.840
<v Speaker 1>saying fucking your motherfucker and something my dad. Right. So yeah,

2:28:00.879 --> 2:28:04.280
<v Speaker 1>we spoke like man and call them and that was

2:28:04.400 --> 2:28:07.720
<v Speaker 1>a separate So now that we're all outside, mask man

2:28:07.879 --> 2:28:10.920
<v Speaker 1>dates he was to get a second chance at Versts.

2:28:11.400 --> 2:28:16.600
<v Speaker 1>Who would it be? The Scott stories coming outside? There's

2:28:16.680 --> 2:28:21.680
<v Speaker 1>rumors that I might be doing another one. I don't

2:28:21.760 --> 2:28:23.760
<v Speaker 1>know who it would be against, but I would go

2:28:23.840 --> 2:28:26.040
<v Speaker 1>against quite a few people. Jermaine the previoul be one

2:28:26.080 --> 2:28:28.160
<v Speaker 1>of me. There's a bunch of people that I was

2:28:28.200 --> 2:28:31.480
<v Speaker 1>thinking about for Murder on the Beats. This is different,

2:28:31.680 --> 2:28:36.640
<v Speaker 1>different catalog different time. Different makes a lot of sense.

2:28:36.720 --> 2:28:39.400
<v Speaker 1>Like somebody who is my peer and he's a height

2:28:39.520 --> 2:28:43.160
<v Speaker 1>of my career, you know what I'm saying, Like somebody's

2:28:43.240 --> 2:28:45.720
<v Speaker 1>catalogs kind of coincide with each other even though I'm

2:28:45.720 --> 2:28:49.120
<v Speaker 1>doing music now we know I'm forty year years old.

2:28:49.240 --> 2:28:52.480
<v Speaker 1>I'm just honest with myself trying to figure out not

2:28:52.640 --> 2:28:58.320
<v Speaker 1>for could be ago I was the same that's going

2:28:58.600 --> 2:29:04.920
<v Speaker 1>that one. I kind of had to go. Yeah, speaking all,

2:29:07.560 --> 2:29:10.160
<v Speaker 1>that's a good one. That's a good one because ended

2:29:10.160 --> 2:29:13.360
<v Speaker 1>to be very respectful too. I think that was one

2:29:13.400 --> 2:29:15.280
<v Speaker 1>of the things to do with the all versus when

2:29:15.720 --> 2:29:19.360
<v Speaker 1>we had dreams cold and dawn pulling on the dawn.

2:29:19.440 --> 2:29:22.240
<v Speaker 1>That's an a one anyonere doing because he was doing

2:29:22.520 --> 2:29:24.800
<v Speaker 1>hip hop ship and he was doing pop ship and

2:29:24.959 --> 2:29:29.160
<v Speaker 1>doing whatever ship. So I feel like that could be cool, right, Yeah,

2:29:29.200 --> 2:29:32.959
<v Speaker 1>you know there's a few people, Okay, there's a few people.

2:29:33.240 --> 2:29:38.120
<v Speaker 1>I'm having forep no different catalogs. I don't think I

2:29:38.160 --> 2:29:42.160
<v Speaker 1>don't think that matches up yet. I worked with him,

2:29:42.760 --> 2:29:47.600
<v Speaker 1>work with mom deep goddamn. Oh so what's that? We

2:29:47.959 --> 2:29:53.000
<v Speaker 1>we spoke about the products, the with the hits dot Com,

2:29:53.280 --> 2:29:56.360
<v Speaker 1>the glasses company, which I'm definitely ain't go. I'm gonna

2:29:56.360 --> 2:30:00.920
<v Speaker 1>give you these back right, Uh no, go win list,

2:30:01.120 --> 2:30:05.760
<v Speaker 1>like you want to know what I think I said

2:30:05.800 --> 2:30:09.560
<v Speaker 1>it before. I'm about to take Miami back. Scott classes

2:30:09.680 --> 2:30:14.000
<v Speaker 1>going on, these aren't He's a Forest Designs calling your Scot.

2:30:17.200 --> 2:30:20.520
<v Speaker 1>I love my glasses, your glasses guy. I'm a glass

2:30:20.520 --> 2:30:22.960
<v Speaker 1>of guy. But you know, I gotta, I gotta, I

2:30:23.040 --> 2:30:25.200
<v Speaker 1>gotta make some blue DRAMs to him, you know. But

2:30:25.440 --> 2:30:27.840
<v Speaker 1>I don't have the blue ship yet. I'm gonna it's

2:30:27.879 --> 2:30:32.520
<v Speaker 1>next coming next. So yeah, I'm back in Miami. I'm

2:30:32.560 --> 2:30:35.760
<v Speaker 1>taking my city back in Miami. I'm about to see

2:30:35.800 --> 2:30:38.680
<v Speaker 1>the news with something happening yet old crib or something

2:30:38.760 --> 2:30:41.440
<v Speaker 1>like that in my old crib. Yeah in l A,

2:30:42.240 --> 2:30:46.080
<v Speaker 1>l A. That Yeah, not my house. But yeah, there

2:30:46.160 --> 2:30:50.000
<v Speaker 1>was a there was a oh you know, a home invasion,

2:30:50.440 --> 2:30:52.920
<v Speaker 1>so many home invasions, invasion. I mean it was not

2:30:53.120 --> 2:30:55.480
<v Speaker 1>like anything, you know, It's just happened to be the

2:30:55.959 --> 2:30:58.879
<v Speaker 1>lottery ticket that came up for own invasion. It wasn't

2:30:58.920 --> 2:31:01.600
<v Speaker 1>my house, it was my ex house. Okay, yeah, is

2:31:01.640 --> 2:31:05.160
<v Speaker 1>that part of my anything that happens that somebody that's

2:31:05.160 --> 2:31:08.520
<v Speaker 1>related to me my name comes into it. I went

2:31:08.680 --> 2:31:10.119
<v Speaker 1>in that house for a year and a half. Then

2:31:10.160 --> 2:31:12.400
<v Speaker 1>it happened. And because they're like got the boys house,

2:31:12.520 --> 2:31:17.200
<v Speaker 1>Yeah that's got I'm my house, my old house. Yeah,

2:31:17.240 --> 2:31:19.520
<v Speaker 1>there was holy molds completely. I was in Miami when

2:31:19.520 --> 2:31:22.480
<v Speaker 1>that should happened. Is that happen on the steel and

2:31:22.520 --> 2:31:27.720
<v Speaker 1>the made this home evasions everywhere? My year one but

2:31:27.840 --> 2:31:31.040
<v Speaker 1>twenty happened that day. Yeah, it's sucked up. I see

2:31:31.120 --> 2:31:32.480
<v Speaker 1>the judge that I know. It was like, man, I'm

2:31:32.480 --> 2:31:33.920
<v Speaker 1>getting funk out of l A. I was like, you're

2:31:33.920 --> 2:31:36.760
<v Speaker 1>a judge, How the funk are you saying that? Like

2:31:36.959 --> 2:31:40.680
<v Speaker 1>like the even robbing judges out if you if you

2:31:40.840 --> 2:31:44.400
<v Speaker 1>go out, you get wronged. Wow, if you stay home,

2:31:45.360 --> 2:31:52.000
<v Speaker 1>you get fuck that right. I'll see all Miami is

2:31:52.160 --> 2:32:00.160
<v Speaker 1>too comfortable here. It's just happening every supersonally. You know

2:32:00.200 --> 2:32:02.800
<v Speaker 1>what's fucked up? The while they get South Beach is

2:32:02.840 --> 2:32:04.800
<v Speaker 1>like the hood and the hood just want to say

2:32:04.800 --> 2:32:12.080
<v Speaker 1>for the South Beach, right, like the seventh questions coming

2:32:12.120 --> 2:32:14.199
<v Speaker 1>out of the middle of the South, which I needed

2:32:14.240 --> 2:32:16.560
<v Speaker 1>my seven questions so I could have drank my shots. Man,

2:32:18.080 --> 2:32:21.160
<v Speaker 1>I'm coming back to that beach. The questions those are

2:32:21.240 --> 2:32:23.120
<v Speaker 1>those are great? You did with Scott. What do you

2:32:23.200 --> 2:32:25.560
<v Speaker 1>guys call it again? Quick times live? If we were

2:32:25.720 --> 2:32:28.320
<v Speaker 1>making a board game, let's do it. People don't put

2:32:28.360 --> 2:32:30.680
<v Speaker 1>to the side. So but who were we saying? I forgot?

2:32:31.480 --> 2:32:34.640
<v Speaker 1>I don't know again? Alright, cool jobs. If you were

2:32:34.680 --> 2:32:37.200
<v Speaker 1>to remember, then my job is not done. But um

2:32:37.520 --> 2:32:40.920
<v Speaker 1>so anything you want to say. Getting up out the ship. Man,

2:32:40.959 --> 2:32:43.000
<v Speaker 1>I just appreciate you having me back on the show.

2:32:43.320 --> 2:32:45.280
<v Speaker 1>This is your so much love for you. Yes, yes,

2:32:45.360 --> 2:32:47.480
<v Speaker 1>this is just one of my first believers. Yes, I

2:32:47.560 --> 2:32:49.760
<v Speaker 1>love for you. First. I'm still head baby, I'm still

2:32:49.840 --> 2:32:58.400
<v Speaker 1>here testing have not, have not. Okay, we gotta play

2:32:58.520 --> 2:33:01.920
<v Speaker 1>one that this ill and I would definitely work with him. Okay, Yeah,

2:33:02.520 --> 2:33:05.000
<v Speaker 1>I like him. I'm like who he's grown to be.

2:33:05.240 --> 2:33:09.440
<v Speaker 1>Is one of the dopest footages I've ever seen footages

2:33:10.840 --> 2:33:13.600
<v Speaker 1>is him going to his New York City apartment and

2:33:13.640 --> 2:33:16.320
<v Speaker 1>the paparazzi is outside, and the whole bunch of these

2:33:16.360 --> 2:33:19.119
<v Speaker 1>fans is outside and he politness us to them. Listen, guys,

2:33:19.160 --> 2:33:20.960
<v Speaker 1>this is my girl life. Don't you guys want to

2:33:21.000 --> 2:33:23.680
<v Speaker 1>go home? And you know, have peace? And I was like,

2:33:23.800 --> 2:33:26.080
<v Speaker 1>cool ship because I want to say ship like that,

2:33:26.160 --> 2:33:28.600
<v Speaker 1>but I can't be articulate like that. And the people

2:33:28.640 --> 2:33:31.000
<v Speaker 1>were actually alive. They were like, oh, ship, we're in

2:33:31.080 --> 2:33:34.240
<v Speaker 1>faithless man's prophecy. And you saw that. That was so

2:33:34.600 --> 2:33:37.600
<v Speaker 1>to me. That was like the ultimate superstar coming to

2:33:38.360 --> 2:33:40.440
<v Speaker 1>being an ultimate human. Who wrapping up to your smoke

2:33:40.440 --> 2:33:42.360
<v Speaker 1>a cigaret? I don't know, wait, wait, hold on, hold on,

2:33:42.400 --> 2:33:44.360
<v Speaker 1>Scotts God, let's by the way, let's just be clear.

2:33:44.800 --> 2:33:46.560
<v Speaker 1>I'm not trying to get you to stop smoke a cigarettes.

2:33:46.680 --> 2:33:49.800
<v Speaker 1>Was I My cigarette hapening was so bad I couldn't

2:33:49.800 --> 2:33:51.880
<v Speaker 1>fly straight to LA I would have to connect to

2:33:51.959 --> 2:33:54.720
<v Speaker 1>Houston to sit down and smoke a cigarette. But what

2:33:54.879 --> 2:33:59.680
<v Speaker 1>I can't say it is Jesus the cowboys to the

2:33:59.760 --> 2:34:08.680
<v Speaker 1>cow boys, Brad, we gotta keep you Lady Morrow on gold.

2:34:09.160 --> 2:34:13.360
<v Speaker 1>Then smoke my heads. This is this you you got,

2:34:13.480 --> 2:34:19.320
<v Speaker 1>you gotta got cowboy boots all with this. But you know,

2:34:19.600 --> 2:34:21.560
<v Speaker 1>you know, like I want to say this because tomorrow's

2:34:21.600 --> 2:34:25.040
<v Speaker 1>never promised, right, And you guys this is a big platform, right,

2:34:25.520 --> 2:34:28.200
<v Speaker 1>and we watch your growth and life is about growth

2:34:28.440 --> 2:34:32.200
<v Speaker 1>and change. And uh, you guys can't tell Ay sat

2:34:32.280 --> 2:34:35.440
<v Speaker 1>down on Fairfax and the interview. But you know a

2:34:35.520 --> 2:34:37.039
<v Speaker 1>lot of people reach out to me and do interviews

2:34:37.080 --> 2:34:38.840
<v Speaker 1>and I don't really like to do interviews and stuff

2:34:38.840 --> 2:34:43.039
<v Speaker 1>and talk. But ad justin Bieber situation, right, that little

2:34:43.160 --> 2:34:46.240
<v Speaker 1>kid was that so many epic records, I'm having a

2:34:46.360 --> 2:34:49.760
<v Speaker 1>nipsey and big youth. And they passed on him. And

2:34:49.879 --> 2:34:52.160
<v Speaker 1>so I was sitting there and they said, to all

2:34:52.200 --> 2:34:55.720
<v Speaker 1>these labels and everybody passed him, passed on them. And

2:34:55.840 --> 2:34:58.440
<v Speaker 1>then you know, a year later, I was blessed the

2:34:58.520 --> 2:35:00.680
<v Speaker 1>kid blew up and went on talking with him Shaun Kingston,

2:35:01.360 --> 2:35:02.720
<v Speaker 1>and I was on tour with him a year and

2:35:02.840 --> 2:35:05.400
<v Speaker 1>his footage floating around YouTube. I'm telling, like, you just

2:35:05.480 --> 2:35:09.160
<v Speaker 1>sold that mass quick up in five minutes. That's runs

2:35:09.240 --> 2:35:11.920
<v Speaker 1>house from run DMC. So to watch just to be

2:35:12.080 --> 2:35:13.920
<v Speaker 1>was growth and deep and he see his maturity to

2:35:13.959 --> 2:35:17.119
<v Speaker 1>say that to the paparazzi was amazing. And I want

2:35:17.160 --> 2:35:18.520
<v Speaker 1>to say this and I'm gonna take control of the

2:35:18.560 --> 2:35:22.800
<v Speaker 1>show like you guys gave me this gift. Man means

2:35:22.879 --> 2:35:25.520
<v Speaker 1>so much to me, and I opened up the first

2:35:25.600 --> 2:35:30.160
<v Speaker 1>ever hip hop museum, recording studio dispensary growth and I

2:35:30.240 --> 2:35:35.440
<v Speaker 1>have so much nostalgic ship and then nostalgic ship and

2:35:35.480 --> 2:35:40.560
<v Speaker 1>I'm gonna I'm gonna tak the SMI Museum. He me,

2:35:40.560 --> 2:35:42.080
<v Speaker 1>I'm gonna put this in the museum because I do

2:35:42.200 --> 2:35:45.160
<v Speaker 1>have a drink Champis cup from you guys five years ago.

2:35:45.200 --> 2:35:47.760
<v Speaker 1>It's in the museum and where it comes out to

2:35:47.840 --> 2:35:50.240
<v Speaker 1>California and Van as in the private that point you'll

2:35:50.240 --> 2:35:52.959
<v Speaker 1>see something that's never been done before. Hip hop museum,

2:35:53.040 --> 2:35:57.800
<v Speaker 1>recording studio, dispensary to grow in one and if we

2:35:58.040 --> 2:36:00.760
<v Speaker 1>work at Van and the airport. So a yeah, I

2:36:00.800 --> 2:36:03.440
<v Speaker 1>appreciate you all just jumped up. I want to Scott

2:36:03.480 --> 2:36:05.840
<v Speaker 1>to shine Man because he's an icon, he's a legend

2:36:05.879 --> 2:36:08.440
<v Speaker 1>and it's my brother. His life changed around, he grew,

2:36:08.920 --> 2:36:11.120
<v Speaker 1>he's got so much going on. But more party is incredible.

2:36:11.160 --> 2:36:13.040
<v Speaker 1>Father now, but Scott, and let me let me just

2:36:13.160 --> 2:36:20.280
<v Speaker 1>I'm saying this like this good. You're one of the

2:36:20.800 --> 2:36:26.000
<v Speaker 1>greatest producers of all time. I didn't say greatest white

2:36:26.040 --> 2:36:30.600
<v Speaker 1>producer or greatest rap producer or greatest pop producer. I said,

2:36:30.760 --> 2:36:35.200
<v Speaker 1>greatest producer of all times with the history you be,

2:36:35.280 --> 2:36:41.800
<v Speaker 1>You says herself, History says itself. They're gonna put you

2:36:41.879 --> 2:36:44.320
<v Speaker 1>to the life next to Quiscy Jones. They're gonna put

2:36:44.320 --> 2:36:46.760
<v Speaker 1>you to the next to Dr Dre with you already

2:36:46.840 --> 2:36:50.160
<v Speaker 1>off and you are really one of the greatest producers.

2:36:50.160 --> 2:36:52.120
<v Speaker 1>I've seen you work. I've seen you work on the spot,

2:36:52.440 --> 2:36:54.959
<v Speaker 1>I've seen you do anything. I've seen a person to say.

2:36:55.280 --> 2:36:56.760
<v Speaker 1>You know, I want to I want to beat that

2:36:56.840 --> 2:36:59.440
<v Speaker 1>sound like deli yon. I don't even know how delion sound,

2:36:59.760 --> 2:37:01.800
<v Speaker 1>but you would just make a beat and you just

2:37:01.920 --> 2:37:03.800
<v Speaker 1>do that. And I just want to tell you, like

2:37:03.879 --> 2:37:06.840
<v Speaker 1>I've got to witness it for twenty years, and like

2:37:06.920 --> 2:37:08.560
<v Speaker 1>I said, it was one of the greatest producers of

2:37:08.680 --> 2:37:11.520
<v Speaker 1>four times. We love you over here. If we want

2:37:11.560 --> 2:37:14.240
<v Speaker 1>to give you your flowers, give your respect, Um Steve

2:37:14.320 --> 2:37:17.520
<v Speaker 1>la Belle if one of the hardest working you know

2:37:18.000 --> 2:37:21.360
<v Speaker 1>people that you're always hustling. I always respect you. I

2:37:21.480 --> 2:37:23.520
<v Speaker 1>always come to you for advice. I always come to

2:37:23.560 --> 2:37:25.120
<v Speaker 1>you and just kick it. And I just want to

2:37:25.160 --> 2:37:27.360
<v Speaker 1>say both of you brothers, man, God, put y'all together.

2:37:28.040 --> 2:37:30.040
<v Speaker 1>You know what I'm saying. For a reason y'all know

2:37:30.120 --> 2:37:32.920
<v Speaker 1>the reason even more than me. But I'm telling y'all's working.

2:37:33.360 --> 2:37:34.800
<v Speaker 1>You know what I'm saying. I don't never, I never.

2:37:34.879 --> 2:37:38.240
<v Speaker 1>I always see y'all complimenting each other. It's never like

2:37:38.400 --> 2:37:41.240
<v Speaker 1>you know, one of another's crutch and bringing each other down.

2:37:41.360 --> 2:37:43.040
<v Speaker 1>All I see is y'all pringing each other up. So

2:37:43.080 --> 2:37:45.120
<v Speaker 1>I want to recognize that. I want to Sulu that

2:37:45.240 --> 2:37:47.160
<v Speaker 1>I wanna tell y'all, both of y'all, thank y'all for coming.

2:37:47.200 --> 2:37:54.040
<v Speaker 1>And I give it. I give it last time. This

2:37:54.200 --> 2:37:56.520
<v Speaker 1>this is the last episode we did before we got

2:37:56.600 --> 2:37:59.400
<v Speaker 1>it over both. So this is the episode that will

2:37:59.520 --> 2:38:03.520
<v Speaker 1>be all damn and people are gonna television. So I

2:38:03.600 --> 2:38:05.080
<v Speaker 1>just want to say thank you all, man, thank you

2:38:05.160 --> 2:38:07.320
<v Speaker 1>for so much of you doing. And you're gonna take

2:38:07.320 --> 2:38:13.240
<v Speaker 1>a flick and do some pro And that's thanks for

2:38:13.360 --> 2:38:15.840
<v Speaker 1>joining us for another episode of Drink Champs hosted by

2:38:15.920 --> 2:38:18.400
<v Speaker 1>yours truly, d J E F and n O R E.

2:38:18.920 --> 2:38:20.960
<v Speaker 1>Please make sure to follow us on all our socials.

2:38:21.200 --> 2:38:24.360
<v Speaker 1>Let's at Drink Champs across all platforms. At the Real

2:38:24.440 --> 2:38:28.080
<v Speaker 1>Noriega and I g at Noriega on Twitter, Mine is

2:38:28.160 --> 2:38:31.120
<v Speaker 1>at Who's Crazy on I g at d j e

2:38:31.280 --> 2:38:33.680
<v Speaker 1>f N on Twitter, and most importantly, stay up to

2:38:33.760 --> 2:38:37.000
<v Speaker 1>date with the latest releases, news, and merged by going

2:38:37.080 --> 2:38:46.560
<v Speaker 1>to drink champs dot com. For more podcasts from my

2:38:46.720 --> 2:38:50.880
<v Speaker 1>Heart Radio, visit the iHeart Radio app, Apple podcast, or

2:38:50.920 --> 2:39:27.240
<v Speaker 1>wherever you listen to your favorite shows. Us assssssssssssssssssssssssssssssssssssss