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Speaker 1: Welcome to Drink Champs, the production of The Black Effect

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Speaker 1: and I Heart Radio and his Drink Chess, motherfucking podcast.

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Speaker 1: He's a legendary queen's rapper. He's Segre's your boy in

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Speaker 1: the r He's a Miami hip hop pioneer. Up is

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Speaker 1: d J e f N. Together they drinking up with

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Speaker 1: some of the biggest players in the most professional unprofessional

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Speaker 1: podcast and your number one sorts for drunk fast drink

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Speaker 1: every day is New year'sz. It's time for Drink Champs,

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Speaker 1: Drink Up, the What did Cook Me? Hops? The super

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Speaker 1: Ship Boy? What up is d J e f n?

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Speaker 1: Let's say Crazy Wore Radio? Drink Chaps, motherfucking y'all call

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Speaker 1: right now. As we do every episode, we make a

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Speaker 1: playlist and we listen to the artists that we're about

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Speaker 1: to study. The artists that we're about to you don't interview.

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Speaker 1: And when I tell you this man has worked with

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Speaker 1: everyone from the poppets of the Poppets to the hardcore.

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Speaker 1: This is of the hardcourse you know back in the

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Speaker 1: days to say that's that's that's a certain sound. His

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Speaker 1: sound is sold complicated soul. He can make anything. If

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Speaker 1: you don't say he's in your top five. Your top

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Speaker 1: five says that he's in the top five. He's a producer, producer,

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Speaker 1: not just pianos. He's a whole flash. He's been out

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Speaker 1: here doing what he gotta do, pulled up in the

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Speaker 1: Ferrari and the dawn just in the daytime, because that's

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Speaker 1: how he wanna do. He's been doing it so long

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Speaker 1: and continue to do it. Success apart success. In case

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Speaker 1: you don't know who the I'm talking about one, Scott

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Speaker 1: mother flash Ire Chance lum Nights had his first time

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Speaker 1: on the last time we had you want to hear

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Speaker 1: with the homeboy Steve Lavell and I know he's trying

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Speaker 1: to be InCom negro, but we're gonna get in or later.

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Speaker 1: But Scott, immediately as soon as I noticed this um,

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Speaker 1: as soon as you pulled up, I immediately noticed for

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Speaker 1: for Hare and the dog. I love that, but also

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Speaker 1: also somewhat feels sorry and not. I feel sorry in

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Speaker 1: a bad way, but I feel sorry because you can't

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Speaker 1: never not do that. I don't want if you come

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Speaker 1: into Dogs Chrysler, think it's gonna be like Scott thoughts

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Speaker 1: fell Off. I don't really give a funk if my

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Speaker 1: boys want to judge me. I'll go out and whatever,

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Speaker 1: regular whatever. I've never seen your regular cars because it things.

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Speaker 1: Let's make good. We never see you. We got twenty

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Speaker 1: years and I've always seen you in the fierness, So

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Speaker 1: the your eagerness. M and what does that come from?

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Speaker 1: What does that like that you want? I mean, obviously

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Speaker 1: I know what. I want to funk the fans to

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Speaker 1: know that. I mean, we work hard, and you know

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Speaker 1: these are just symbols and medals and from honor that

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Speaker 1: you get from putting in your work. Man, you know

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Speaker 1: what I'm saying, It's inspiration to others. It's like kal

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Speaker 1: it says right, since for inspirational purposes only right right? No?

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Speaker 1: I love that love. I love that. So that's that's

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Speaker 1: the thing is when I'm going through your disography, like

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Speaker 1: you could really work with people. What's that man named

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Speaker 1: Adam's name? Adams? You were with Adam Hiss and d

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Speaker 1: MX in the same week. How does that work out?

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Speaker 1: I mean, you know what it is. I'm a chameleon.

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Speaker 1: I just love all music. You know, good music is

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Speaker 1: what I like. If music is good, it's good. But

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Speaker 1: I don't we're gonna waite ship. But I like all

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Speaker 1: different kinds of music, and it's a challenge to go

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Speaker 1: where I haven't gone before, you know what I mean? Okay,

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Speaker 1: and and and excel at it. Let's know, let's bounce

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Speaker 1: around a little bit, right because we see the verses

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Speaker 1: when fresh I don't think you ever kind of addressed

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Speaker 1: that cold lightly addressed it. Have you addressed it? Not? Really? Okay?

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Speaker 1: Well tell us to explained to us exactly what happened,

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Speaker 1: because was that the time where you guys weren't in

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Speaker 1: the same room. Correct, Yeah, this was the beginning of versus.

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Speaker 1: This was like literally like the birth of Versus, you know,

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Speaker 1: Timberland and Swiss of Brothers of mine um, And it

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Speaker 1: was something great that was going on in the beginning

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Speaker 1: of the pandemic. And it was so exciting because my

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Speaker 1: fucker's were stuck in their house and it was a

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Speaker 1: chancellor for people to shine and we had no idea

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Speaker 1: like how big it would have it was gonna get,

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Speaker 1: but it was still even at that time, you know,

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Speaker 1: like crashing Instagram and like you know, like it was.

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Speaker 1: It was. It was an amazing thing. And I think

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Speaker 1: I could have had a better suited opponent. I'm not

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Speaker 1: sure it's not a shot, but our cataloze I'm saying,

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Speaker 1: our catalog is living a different place. Yeah, yeah, yeah,

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Speaker 1: you know what I'm saying. No, no disrespect, Mane Crash

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Speaker 1: got joints, but you know what I mean. I got

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Speaker 1: a lot of joints, but you felt like you want

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Speaker 1: that night. Let's be clear for sure. I didn't even

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Speaker 1: go into I didn't even go into the whole step.

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Speaker 1: You know what I'm saying. I left a lot of

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Speaker 1: my poppier stuff out and like, you know, because at

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Speaker 1: that time, I mean that this rule was kind of

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Speaker 1: fell out the window. But it was like a song

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Speaker 1: for song types of stuff like what you got for

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Speaker 1: this like that, you know what I mean. Like so

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Speaker 1: now people just put whatever like it just goes. Now,

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Speaker 1: let's put this, let's put this. He was done with that, right,

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Speaker 1: I'm done, Okay, cool, let's put this to room to rest.

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Speaker 1: Fat Show always says he made Candy shot. I just

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Speaker 1: can't see Joe. He always says he made it that.

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Speaker 1: Joe is my brother, one of the most talented motherfuckers,

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Speaker 1: and he changed my life in so many ways. When

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Speaker 1: he said my name on lean Back and me and

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Speaker 1: him would hang out in the studio and do different

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Speaker 1: stuff and and you know, the folk of the main

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Speaker 1: part of the song, you know what I mean all that, Like, yeah,

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Speaker 1: obviously it's my language, it's my keyboards, my drums, all

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Speaker 1: that stuff. And but you know, I sat he was

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Speaker 1: an inspiration to me during the making that and then

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Speaker 1: his suggestion to put the dude dude but he hit.

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Speaker 1: But I mean he doesn't record. Is he a writer

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Speaker 1: on the record? Like technically yea by saying let's you

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Speaker 1: use this, you know, yeah, you know, I'm not taking

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Speaker 1: credit with him. Look, I love collaborating with people. But

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Speaker 1: you know, this particular instance, we were in the room

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Speaker 1: we made it, but I was making that song for him,

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Speaker 1: for him, for him. It wasn't making that song for

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Speaker 1: fifty second So how Walker wasn't when um actually wants

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Speaker 1: this record and there at the time, well no, here's

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Speaker 1: the thing. I was like calling after we made that song.

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Speaker 1: I was like, Yo, we got one bro. This is

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Speaker 1: like to me in my eyes, Yeah, I was telling

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Speaker 1: him like, Yo, this is this is fine. He's like,

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Speaker 1: I don't know, it's a little soft. H it seems

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Speaker 1: like I'm dead poppy for me and this and that

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Speaker 1: I'm like, Joe, this is a hot records like now

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Speaker 1: I don't want it, Like okay, so I have certain

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Speaker 1: you know a little like at that time, I think

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Speaker 1: we were using CDs or dad tapes or something and

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Speaker 1: collections of beats when artists come in, I'm playing for

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Speaker 1: him and this and that Fifty came into Miami and

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Speaker 1: he heard he heard that beat. It was on my

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Speaker 1: little playlist of stuff I was, you know, selling shopping,

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Speaker 1: and he went crazy for it. So and because it

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Speaker 1: was a beef and because of all the crazy ship,

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Speaker 1: I called Joe and I was like, oh man, if

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Speaker 1: this happens. And then he changed his mind and I

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Speaker 1: was like, Joe, I have a client that the Scott.

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Speaker 1: Enough with this beat already, I don't want to beat.

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Speaker 1: I'm like you sure, you're short, you're short, You're short.

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Speaker 1: I don't want to beat. And I'm like all right,

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Speaker 1: cool that day, that ship that day and just a

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Speaker 1: little bit so yeah to two joints. And I remember

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Speaker 1: right before that ship came out, I got a call

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Speaker 1: from fifty and he was like, bro, for whatever reason,

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Speaker 1: I don't know what the politics behind the calls. When

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Speaker 1: he's like, yo, you saved me. He's like, you gave me,

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Speaker 1: you gave me fire, and I'm like, okay, cool, I

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Speaker 1: love it, you know, and then boom they both hit

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Speaker 1: amazing videos, amazing songs and went crazy. They oh chart

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Speaker 1: topping songs, noise, Joe's both of our brothers. Was he

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Speaker 1: a little confusible? Something to kill gladly boor it for you? Sthon?

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Speaker 1: What is what else you got? We got? We got?

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Speaker 1: We got to kill? You want to you know what?

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Speaker 1: I mean? My wanna suggest I suggest bout my water

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Speaker 1: at off. I mean, I'm on a drink. Chap just

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Speaker 1: got damn it Like god, damn it makes nor Scott

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Speaker 1: So who was it? Who was it? Like? When Joe

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Speaker 1: actually finally got to hear um, it was cool, he

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Speaker 1: was cool. Yeah you know what, Yeah, that's Joe's that's family. Yes.

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Speaker 1: So moving on, we had game more here. Gave made

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Speaker 1: some serious allegations. I didn't know houses if I don't

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Speaker 1: answer these questions, I got a drink, you went too.

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Speaker 1: But games said something that shook up the end of that.

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Speaker 1: And I'm not even talking about I'm not even to

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Speaker 1: a generic part of game interview for this one. He said,

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Speaker 1: he said, he said Kanye has done more for him

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Speaker 1: in the past two weeks that Dr Dre has done

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Speaker 1: his whole career. How much y'all get him to drink

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Speaker 1: that day? No, this is before he was drunk, so

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Speaker 1: I didn't get it brought it from. He wasn't drinking

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Speaker 1: at that point when he said that was the very beginning.

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Speaker 1: This was the very beginning. It's like when people say

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Speaker 1: things when they're in the mood or they feel in

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Speaker 1: certain ways about certain situations. I don't know the politics

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Speaker 1: are the dynamics behind it, but I can tell you this,

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Speaker 1: but Dr Dre paved the way. That's it. That's all

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Speaker 1: I can say. Dr Dre has done so much for

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Speaker 1: so many people. But to even I don't know. I

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Speaker 1: don't I don't want to have an opinion because I

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Speaker 1: love game. It's the only and it's a weird business man,

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Speaker 1: and you gotta be real careful about politics. But you

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Speaker 1: know what I mean, Like honestly, because I've had so

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Speaker 1: many difficult moments. You know, I worked with Takashi six nine. Yeah,

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Speaker 1: we just heard that on your playlist and now all

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Speaker 1: went bad. Like you know what I'm saying. Like at

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Speaker 1: the time we made what I felt was a fucking

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Speaker 1: crazy record. You can't take that away from the man. Look,

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Speaker 1: you know what I'm saying. And it's difficult, Like when

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Speaker 1: you're in person and all of a sudden you see

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Speaker 1: somebody and you're like, oh, ship, now I'm gonna have

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Speaker 1: to take pictures and and this and that and blah

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Speaker 1: blah bad and people are gonna shoot on me and

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Speaker 1: all that. Ship. It's it's it's hard, man. But you didn't.

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Speaker 1: You didn't work with him after he it was before Okay, Yeah,

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Speaker 1: that's that's respectful him. Yeah, I'm just saying, like I've been.

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Speaker 1: You know, it is what it is. You gotta know

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Speaker 1: where the art meets the business. I will say this,

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Speaker 1: Takashi Records be streaming. Boy, those insiduals that you don't

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Speaker 1: not saying that I'm I'm saying. I'm just saying that

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Speaker 1: was that was bad. Yeah, I know, but no, I'm

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Speaker 1: not working with him. You're working on now that? Um yeah,

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Speaker 1: yeah I don't. I don't see a reason why. No. Yeah,

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Speaker 1: you've worked worked for so many people like, I ain't

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Speaker 1: gonna lie. I ain't gonna lie. I really was listening

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Speaker 1: to the disiography to say, and I was just like

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Speaker 1: a part of me is like, why do you even

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Speaker 1: still love this game? Like this, Like after completing everything,

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Speaker 1: like work with Dr Dre, working with jay Z, were

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Speaker 1: with everyone there, Like I generate money from other businesses,

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Speaker 1: from you know, we'll get to that later, from my

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Speaker 1: A h C. You know, you know, HiT's my storage products.

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Speaker 1: But we'll talk about that later. But there's a part

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Speaker 1: of me that cannot let go of music. I love it.

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Speaker 1: I don't care ifout make a nickel from music calls you.

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Speaker 1: It's my It's what we're want to do. Does Dr

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Speaker 1: Dre need to go into a studio for the next

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Speaker 1: five hundred lifetimes? He's he got enough funny you know, literally,

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Speaker 1: but he won't stay out of the studio. He loves it.

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Speaker 1: It's in his heart innocence. So that's what we do.

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Speaker 1: You know, that's what you do. You know what the

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Speaker 1: craziest shi is You're part of my journey, bro. I

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Speaker 1: don't know if people know this, but I was in

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Speaker 1: the Roots. That was my first musical experience. Yeah, yeah, yeah,

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Speaker 1: we need to get some of that twisted up there

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Speaker 1: you go for real. A lot of people don't know.

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Speaker 1: Right after the Roots, I was you know, I was

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Speaker 1: a keyboard player. I wrote a lot of the songs

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Speaker 1: I made, you know, probably the biggest song first albums,

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Speaker 1: the first do you want More? And uh, you know

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Speaker 1: I did. I did a lot of stuff over there.

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Speaker 1: Here's the only one I really didn't work on the

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Speaker 1: original albums was ill adelf halfway. But you know I

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Speaker 1: did that. You've got any song which you put us,

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Speaker 1: I'm sorry, and I know you're trying to change Hay

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Speaker 1: this ship, but let me just put it back in

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Speaker 1: the perspective, like like if I had a whist list,

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Speaker 1: right people artists I wanted to work with, and me

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Speaker 1: just looking at your desigraphy, you have you have the

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Speaker 1: more like what what makes you besides the money? Okay,

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Speaker 1: you know we know you're gonna make great money, but

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Speaker 1: like right now, like right now, I wouldn't really wanna

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Speaker 1: interview jay Z. Like a lot of people are sitting

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Speaker 1: to me and going, why wouldn't you want to? Because

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Speaker 1: because I have nowhere to go outter that I really

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Speaker 1: have no where to go after that? And have you

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Speaker 1: ever felt like that? Because you really worked with the

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Speaker 1: top of the top of the top, you know what,

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Speaker 1: I think it's to me about being new and staying

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Speaker 1: like my whole career, especially when I reunited or when

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Speaker 1: I excuse me, when I united with Steve A. Bell.

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Speaker 1: He showed me the importance of building new artists and

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Speaker 1: forget about it's easy to get a hit with like

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Speaker 1: a legend. It's like the story because it's gonna go.

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Speaker 1: It's gonna go, like, all right, so Scott Stortz makes

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Speaker 1: a song with Drake and it goes big. Yeah, of course,

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Speaker 1: you know you know that that we know it's gonna

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Speaker 1: be big. But how about when I, you know, came

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Speaker 1: back into after my little hiatus from being a drug addict,

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Speaker 1: and I came back into the business that Mobell said

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Speaker 1: work with new arts and something like really really, and

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Speaker 1: then they all blew up, every single one a buggy

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Speaker 1: you know this one, Russ, you know, you know so

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Speaker 1: many tripper Red, so many of them, they were all new,

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Speaker 1: and they all blew up. Ask you, Roddy Richard with

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Speaker 1: you they all on my own. But let me ask you,

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Speaker 1: how is it working with a new artist as opposed

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Speaker 1: to working with the season hardiest who you know, it's

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Speaker 1: just gonna come in as soon as you play the beat.

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Speaker 1: They're gonna rhyme? Do you have to shape and mold

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Speaker 1: these new artists? So, I mean, if I don't think

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Speaker 1: they're gonna be legends, if I have to do that,

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Speaker 1: like you know, real legends, they know what they're doing.

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Speaker 1: It doesn't matter they're sixteen years older, whatever it is.

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Speaker 1: They're gonna spit fire, They're gonna write some like her Ship.

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Speaker 1: But um, you know there's always a nip and tuck

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Speaker 1: with the hooks and stuff and maybe making making the

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Speaker 1: hook the best that can be and things like that.

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Speaker 1: But but getting back to the point I was just saying,

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Speaker 1: I just wanted a completely thought. I started out in

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Speaker 1: the roots and I left the roots to become a producer. Um,

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Speaker 1: I felt like I mean, I was a band member. Yeah,

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Speaker 1: we were all technically producing. You know, certain people I

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Speaker 1: wanted to take all the credit for it, but I

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Speaker 1: don't really care that when I let up. But but

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Speaker 1: I started my road to being a producer. Me and

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Speaker 1: Derrick Jackson. We're hitting the streets in New York or

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Speaker 1: Derrek Jackson man for Tommy Boy, used to work at

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Speaker 1: times by Derrick Jackson. You know Derrek L. A. Jackson.

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Speaker 1: Oh yes, right, he Um, he got me connected with

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Speaker 1: these guys CNN component Nori yet I know those guys.

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Speaker 1: You know that I know. And I was doing the

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Speaker 1: set as in New York. I was like, Okay, I

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Speaker 1: got somebody to believe in me. Noriega believes. Yes, Capone's

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Speaker 1: coming home, Yes, yes, yes, and we're gonna make some ship.

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Speaker 1: Yes we did. We did three joints, and those are

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Speaker 1: the first three joints that I ever did as a

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Speaker 1: real official. My second, my second beliefer on that same

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Speaker 1: trip was Buster Rhymes. I went downtown over there and uh,

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Speaker 1: we made some fire. We made a song called blood

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Speaker 1: al and I was on my way between you and Buster,

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Speaker 1: and that's blossom my whole career. Man. And we went

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Speaker 1: on too. So so let me ask you right bouncing around,

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Speaker 1: going back to another part of game. Um, he says

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Speaker 1: that he feels like he wasn't invited because he's dangerous game.

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Speaker 1: He said as an artist about the Super Bowl, Super Bowl,

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Speaker 1: I apologize. I'm just my mind as I want coffee.

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Speaker 1: I'll never checked coff before. It's crazy. I'm like coming around,

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Speaker 1: but I'm sitting here called, but don't believe I'm calming

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Speaker 1: all like running circle. I was like that a So

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Speaker 1: it wasn't coffee. So when we got to hit, we

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Speaker 1: see the super Bowl right, and I think, I act

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Speaker 1: salute this. Believe I asked, gave this and I said

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Speaker 1: me off top. I believe as soon as I see

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Speaker 1: the piano, I felt like that part shoot a bit

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Speaker 1: Scott starts. I was there in spirit. I think I

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Speaker 1: can listened to my music through the whole you know,

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Speaker 1: super Bowl arena, and it was beyond that. It was

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Speaker 1: like literally like I think either making Rain or lean

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Speaker 1: Back was on in the crowd, like just playing through

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Speaker 1: the whole and then the halftime show was a lot

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Speaker 1: of my ship. But you know what I mean, like

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Speaker 1: that's Dre's moment. It's not Scott Storches moment. And the

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Speaker 1: world already knows that I'm sponsored mole for that song.

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Speaker 1: Did I want to be there? Did I want to

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Speaker 1: have a chance to do that? No? I mean, of

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Speaker 1: course I did. Of course, of course I would have

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Speaker 1: wanted to be like Stevie wanted to come on. That's

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Speaker 1: some lifetime achievement ship. But you know that's Trades moment,

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Speaker 1: and I love Dre And they had a plan for

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Speaker 1: the way the show was gonna be And that's the

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Speaker 1: way it was. You know what I'm saying, maybe the

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Speaker 1: next time ask let me ask you, right, because I

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Speaker 1: actually sat down with Jay and I was like, yo,

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Speaker 1: you know whatever he told me. You know, Eminem called personally,

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Speaker 1: he said, Eminem called personally to him and said, yo,

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Speaker 1: can can we squeeze fifty on there? Like it was

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Speaker 1: like a humble. I knew what was happening before it happened.

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Speaker 1: I talked to Dre about it. So why does this

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Speaker 1: guy's story So why doesn't me personally like nor I

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Speaker 1: have been like I don't. I don't. I don't care

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Speaker 1: about being told no, Like I don't care like you

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Speaker 1: could tell me no fifty hundred times. I got the

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Speaker 1: same pride of him. Man the sky starts ever like

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Speaker 1: humble himself and say, Drake, let me be a part

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Speaker 1: of this or first I did. Okay, I did not

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Speaker 1: know that, but he did tell me that. You know,

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Speaker 1: they wanted him to play it. You know, it was

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Speaker 1: an epic moment for him. You know, can you playing?

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Speaker 1: And he learned to play the song and played it

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Speaker 1: and did he at least tell you to teach him

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Speaker 1: how to do it? I mean this for you know

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Speaker 1: he figured it out like you wouldn't know like a

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Speaker 1: certain thing that you do because I mean, you know,

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Speaker 1: I played a little differently right smoken when you play,

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Speaker 1: Yeah listen, would you could have spoken to super Bowl

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Speaker 1: on the piano? Would would have spoke? I don't know.

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Speaker 1: I don't think they. I know that stay smooth snooping

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Speaker 1: like yeah, yeah yeah right when the smoke Donald Trump's

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Speaker 1: house keep he was in to morrow was smoking so

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00:21:03,800 --> 00:21:07,639
Speaker 1: bool so everything is cool. Um. I think it was

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Speaker 1: a great movement, but of course it was phone more

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Speaker 1: like a motherfucker right it was. I mean I wanted

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Speaker 1: to be there, but you know, it is what it is. Man.

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Speaker 1: You know, Dre has done so much for me. I'm

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Speaker 1: not gonna be worry about that. Like you know what. Meanwhile,

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Speaker 1: they killed it and I think all the artists that

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Speaker 1: didn't end up performing, that's what he wanted. That's his moment.

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Speaker 1: That's his prerogative. You know. If he didn't call me,

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Speaker 1: if he didn't call game, whatever, that's not us. But

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Speaker 1: let's let's let us earn a fucking ability to get

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Speaker 1: on the super Bowl and have your life's work there.

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Speaker 1: Because I ain't gonna lie like me personally, if they

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Speaker 1: would there like a Queen's show and all the Queen's

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Speaker 1: artists and I wasn't there, I would be salty, but

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Speaker 1: I will also be like, yo, you know what, it's

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Speaker 1: a good show. It's a good show, you know what

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Speaker 1: I mean. But yeah, yeah, but I would have been

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Speaker 1: a little something. But thank God that you're not, and

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Speaker 1: you're getting money pulling up in for Bari's Goddamn, I'm

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Speaker 1: actually all type of crazy faces in Miami. Why is

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Speaker 1: everybody from l A moving back to Miami this time?

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Speaker 1: Goddam it. No, I don't even know. I'm telling you.

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Speaker 1: It's the it's the whole vibe, the energy right now,

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Speaker 1: it just feels right. Who makes you leave in the

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Speaker 1: first place, I was in his car face. Everybody knows.

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Speaker 1: Everybody knows my history with drugs and all that ship,

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Speaker 1: and I really was trying to get clean and get

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Speaker 1: my life back together for my children's sake, so I

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Speaker 1: don't die, so I can make good music, and you know,

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Speaker 1: abuse to God give a talent. And I had to

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Speaker 1: make a geographical change to anywhere because it was too

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Speaker 1: many people, it was too accessible, it was too just

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Speaker 1: like you know, at that time, like any time I

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Speaker 1: wanted cocaine, it was there. It's out here. It was

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Speaker 1: out here. You know, people know there money I was doing.

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Speaker 1: I was doing cocaine. I blew a bunch of money.

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Speaker 1: It was never from buying it. People giving me bricks

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Speaker 1: for free. You know what I'm saying. It was from

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Speaker 1: It was from the you know what I'm saying. People

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Speaker 1: would give me more cocaine than that I could do.

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Speaker 1: They're getting the bricks. Yeah what I'm saying. But brick

401
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Speaker 1: is different. That That was a few weeks. That was

402
00:23:27,160 --> 00:23:31,080
Speaker 1: a few weeks, but it was. It was It was

403
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Speaker 1: the decisions I made, being sucked up and blown through

404
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Speaker 1: so many millions of dollars, spending a million a week,

405
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Speaker 1: because cocaine is not a cheap drap. No, it wasn't.

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Speaker 1: The cost of covie was the car. It wasn't cheap.

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Speaker 1: Because of the decisions I was making, and it was

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Speaker 1: I stopped working. I did nothing but snort and fuck.

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Speaker 1: That was what I was right. I had to go

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Speaker 1: through it. We've all come along. She came along way.

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Speaker 1: We all came along way. It was cocaine, marri wand

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Speaker 1: I was cocaine America. From one point cocaine and Molly.

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Speaker 1: I ain't gonna came the student with you one time.

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Speaker 1: You have Molly, the whole clear thing of Molly. I

415
00:24:18,160 --> 00:24:19,960
Speaker 1: must you must have been like fitty thousand. I don't know,

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00:24:20,119 --> 00:24:22,359
Speaker 1: that's why Foy, and then you was just running around.

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00:24:22,359 --> 00:24:32,679
Speaker 1: Everybody's just going like this point. I was like, here, Molly,

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Speaker 1: this was not like the pill ship. It was like

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Speaker 1: if you remember this was yeah, but when all right,

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Speaker 1: so we're gonna get off with this because but you

421
00:24:48,200 --> 00:24:50,840
Speaker 1: don't what because like I sew the guard When I

422
00:24:50,920 --> 00:24:54,879
Speaker 1: google your name, there's so many synonymous females, you know,

423
00:24:55,359 --> 00:24:58,679
Speaker 1: you know, from the car Dash Its Hilton's to Marid

424
00:24:58,800 --> 00:25:02,280
Speaker 1: Carrie why a right carry that was the Homies. Yeah

425
00:25:02,359 --> 00:25:06,520
Speaker 1: we heard dope that one was wrong with her frost

426
00:25:06,600 --> 00:25:16,159
Speaker 1: right now. But what I'm saying is, where is this

427
00:25:16,480 --> 00:25:22,119
Speaker 1: Leonardo DiCaprio playing Scots starts Wall Street movie. Had we

428
00:25:22,480 --> 00:25:28,800
Speaker 1: need this we need on the movie? Okay, um my

429
00:25:29,000 --> 00:25:33,040
Speaker 1: my buddy, um uh you know, hit me up and

430
00:25:33,200 --> 00:25:36,240
Speaker 1: was like, yo, these people want to do a movie

431
00:25:36,280 --> 00:25:38,639
Speaker 1: on your life story. And he's one of the biggest

432
00:25:38,960 --> 00:25:43,040
Speaker 1: producers movie producers literally in the world. And you know

433
00:25:44,240 --> 00:25:49,960
Speaker 1: this guy it's an Atlas Entertainment Charles Robin. He finally,

434
00:25:50,040 --> 00:25:52,720
Speaker 1: I think the script is completely done. It's spent two

435
00:25:52,800 --> 00:25:55,000
Speaker 1: years since I signed the deal, and it takes a

436
00:25:55,080 --> 00:26:01,600
Speaker 1: long time, like a timetable. And uh, you know, um,

437
00:26:02,560 --> 00:26:05,680
Speaker 1: Warner Brothers kind of picked up the the funding it

438
00:26:06,119 --> 00:26:09,760
Speaker 1: and we're attaching and director right now. We're hoping to

439
00:26:09,840 --> 00:26:19,399
Speaker 1: attach Jonah Hill to it. Personally. He can play. We're

440
00:26:19,440 --> 00:26:25,480
Speaker 1: gonna figure out he could definitely. He could definitely play

441
00:26:25,560 --> 00:26:28,480
Speaker 1: them later. He could have somebody. You know, I started

442
00:26:28,600 --> 00:26:34,159
Speaker 1: making music at fifteen, professionally at sixteen, and you know,

443
00:26:34,320 --> 00:26:37,480
Speaker 1: he could definitely do the later partner. It makes me

444
00:26:37,480 --> 00:26:40,520
Speaker 1: a crazy movie. I'm trying to followed him. It's a

445
00:26:40,560 --> 00:26:43,520
Speaker 1: crazy story. But I'm just thinking. I'm just thankful that

446
00:26:43,600 --> 00:26:46,159
Speaker 1: it has a happy ending because it's a deal. Scott.

447
00:26:48,359 --> 00:26:50,000
Speaker 1: I think in that story, you gotta keep it real.

448
00:26:50,240 --> 00:26:53,280
Speaker 1: I'm gets wrong. I wasn't able to decide what was

449
00:26:53,359 --> 00:26:55,359
Speaker 1: going in and was not. I don't look like an

450
00:26:55,400 --> 00:26:58,800
Speaker 1: angel in this movie. I'm definitely fucked up in like

451
00:26:58,960 --> 00:27:02,200
Speaker 1: in my life, and I fuck up sucked up because

452
00:27:02,280 --> 00:27:05,080
Speaker 1: you good, you're sucking in here too, right? Oh yeah, Okay, yeah,

453
00:27:05,400 --> 00:27:07,840
Speaker 1: I definitely made some mistakes. It doesn't make me. It

454
00:27:07,880 --> 00:27:11,080
Speaker 1: makes me look like an idiot, though, an asshole, a douche,

455
00:27:11,119 --> 00:27:12,560
Speaker 1: whatever the funk you want to call me. Put with

456
00:27:12,640 --> 00:27:15,920
Speaker 1: a good heart, hey man, I never didn't have a

457
00:27:16,000 --> 00:27:20,520
Speaker 1: good heart. High as fun, had had too much money

458
00:27:20,600 --> 00:27:24,360
Speaker 1: too fast. Okay, every every one of the like these

459
00:27:24,440 --> 00:27:27,399
Speaker 1: famous stories right where a person say this as a

460
00:27:27,480 --> 00:27:30,919
Speaker 1: drug polemore some cocaine having or whatever. It always starts

461
00:27:30,960 --> 00:27:37,080
Speaker 1: with one female. I don't know your smile. It's different.

462
00:27:38,359 --> 00:27:41,720
Speaker 1: He's giving it look like you knows that. I don't know,

463
00:27:41,920 --> 00:27:44,680
Speaker 1: but I'm fishing. I made the choice to put that

464
00:27:44,720 --> 00:27:46,639
Speaker 1: ship in my nose and that was it. But so

465
00:27:46,800 --> 00:27:49,760
Speaker 1: there were some, definitely some some people co starring in

466
00:27:49,880 --> 00:27:52,720
Speaker 1: that ship with the co staring in that bathroom. So

467
00:27:53,240 --> 00:27:55,840
Speaker 1: people you think it's cool to be a rat. I'm

468
00:27:55,880 --> 00:28:00,160
Speaker 1: not gonna wrap people out. But you say them want

469
00:28:00,240 --> 00:28:01,479
Speaker 1: you can, I'll let you say. If you know who

470
00:28:01,520 --> 00:28:03,520
Speaker 1: I was staying there next to, I want to say

471
00:28:03,560 --> 00:28:07,280
Speaker 1: Paris Hilton. I want to say that Paris was around.

472
00:28:08,280 --> 00:28:10,199
Speaker 1: We had a lot of fun. We had a lot

473
00:28:10,280 --> 00:28:14,400
Speaker 1: of fun. She was so honestly I was I wasn't

474
00:28:14,720 --> 00:28:19,040
Speaker 1: come on of course, I was a nerd in the studio.

475
00:28:19,280 --> 00:28:20,920
Speaker 1: We never didn't jack ship in my whole life. I

476
00:28:20,960 --> 00:28:22,920
Speaker 1: smoked a whole bunch of weed. I had, you know,

477
00:28:23,040 --> 00:28:25,680
Speaker 1: million dollar cards that didn't go nowhere because I was

478
00:28:25,760 --> 00:28:28,080
Speaker 1: in the studio all day. Every night. My friends, my

479
00:28:28,119 --> 00:28:31,360
Speaker 1: boy ter Squad, he would come to the studio, hang out,

480
00:28:31,560 --> 00:28:34,000
Speaker 1: go to the club, come back to the studio after

481
00:28:34,119 --> 00:28:35,840
Speaker 1: the club, and I'm still there, and I'll be like, yo,

482
00:28:35,880 --> 00:28:38,120
Speaker 1: how was that ship? Dope? And you know, I had

483
00:28:38,120 --> 00:28:40,240
Speaker 1: a little social anxiety. I wasn't cool yet, Like I

484
00:28:40,360 --> 00:28:43,680
Speaker 1: was just this mad scientists in the studio. Then Paris

485
00:28:43,800 --> 00:28:47,880
Speaker 1: came in and it was like Paparazzi's we were supposed

486
00:28:47,880 --> 00:28:50,240
Speaker 1: to be working. We hooked up, you know what I'm saying,

487
00:28:50,320 --> 00:28:53,560
Speaker 1: Like we became a thing. And she produced me to

488
00:28:53,640 --> 00:29:00,280
Speaker 1: a nightlife. You're supposed to go rowing out there the funk.

489
00:29:00,320 --> 00:29:03,880
Speaker 1: I'm not only one digging that, I mean room. We

490
00:29:03,960 --> 00:29:07,000
Speaker 1: was booted for you to go. My pullout game is strong,

491
00:29:07,080 --> 00:29:13,840
Speaker 1: so okay, she basically she turned she turned me onto

492
00:29:13,880 --> 00:29:16,000
Speaker 1: the fucking I had so much fun in the beginning. Bro,

493
00:29:16,720 --> 00:29:18,040
Speaker 1: she turned me on too. That night left it was

494
00:29:18,080 --> 00:29:22,680
Speaker 1: Papa Rosy was pretty cotelling, fucking trips to fucking exotic

495
00:29:22,720 --> 00:29:27,680
Speaker 1: places and the whole world everywhere. But we met in Miami.

496
00:29:28,280 --> 00:29:30,040
Speaker 1: We met when she came. When I met her, she

497
00:29:30,320 --> 00:29:33,000
Speaker 1: showed up at my house that I had on Indian

498
00:29:33,040 --> 00:29:36,240
Speaker 1: Creek Island that a Vonka Trump just bought for thirty millions.

499
00:29:36,720 --> 00:29:40,880
Speaker 1: She's ice flows continued at any rate. That's where I

500
00:29:40,960 --> 00:29:44,760
Speaker 1: met her, and there was a connection. And you know,

501
00:29:44,840 --> 00:29:46,800
Speaker 1: we made a cool album for Paris, and I know

502
00:29:46,880 --> 00:29:49,640
Speaker 1: you'll look like Paris. We made a cool ass album.

503
00:29:49,960 --> 00:29:51,840
Speaker 1: It was fun making it. There was some cool songs

504
00:29:51,880 --> 00:29:53,920
Speaker 1: on here. Joe was on there, Jada Kiss was on there.

505
00:29:54,200 --> 00:29:56,400
Speaker 1: We had We had fun making that ship. And then

506
00:29:56,680 --> 00:30:00,400
Speaker 1: you got it was factor Disconsin. We stopped get albums.

507
00:30:02,200 --> 00:30:05,480
Speaker 1: It is what it is. Yeah, I got the bag

508
00:30:06,480 --> 00:30:10,520
Speaker 1: and I got you know, it ended up backfiring that

509
00:30:10,600 --> 00:30:14,160
Speaker 1: whole one, you know, just in general, the publicity of

510
00:30:15,080 --> 00:30:18,360
Speaker 1: working with her and then be the type of ship

511
00:30:18,480 --> 00:30:20,440
Speaker 1: that I was doing because I stopped working and I

512
00:30:20,600 --> 00:30:23,120
Speaker 1: was just partying. You were immersed in that world. She

513
00:30:23,280 --> 00:30:27,640
Speaker 1: opened the door for me to party and and so

514
00:30:27,800 --> 00:30:29,880
Speaker 1: that so that's the way, like, because that was cool.

515
00:30:29,960 --> 00:30:31,960
Speaker 1: All of a sudden, now people knew well as I

516
00:30:32,080 --> 00:30:35,719
Speaker 1: mean a thousand records. Nobody knew who stop so much

517
00:30:35,760 --> 00:30:39,680
Speaker 1: was hanging out with Paris Hill, not normally people magazine

518
00:30:40,360 --> 00:30:44,800
Speaker 1: ship like that. So up in my stocks went up,

519
00:30:45,000 --> 00:30:46,800
Speaker 1: but then they went down real fast because I wasn't

520
00:30:46,840 --> 00:30:49,840
Speaker 1: utilizing it. I wasn't working. I just wanted to hang.

521
00:30:50,000 --> 00:30:51,520
Speaker 1: I had so much money at that time. I was

522
00:30:51,560 --> 00:30:53,959
Speaker 1: just like, fucking, let's let's just party. Let's go here,

523
00:30:54,000 --> 00:30:57,920
Speaker 1: and they're there. It's a great life though, I mean

524
00:30:59,200 --> 00:31:02,040
Speaker 1: of that. Then you and I split up and I

525
00:31:02,160 --> 00:31:06,000
Speaker 1: get ended up hanging out with her assistant. You're hitting

526
00:31:06,000 --> 00:31:14,520
Speaker 1: assistance on assistant. That was kim oh Ye also blew

527
00:31:14,640 --> 00:31:17,200
Speaker 1: the funk up. Okay, you're going to going too fast.

528
00:31:17,240 --> 00:31:21,280
Speaker 1: It's calling get you another shot, sir. Let me get

529
00:31:21,280 --> 00:31:28,400
Speaker 1: your those shots. Okay, okay do what the most was none, Listen,

530
00:31:28,440 --> 00:31:31,400
Speaker 1: I ain't disrespecting nobody dispecting No, it didn't want to

531
00:31:31,640 --> 00:31:36,040
Speaker 1: when we come on. So okay, at the time you're

532
00:31:36,120 --> 00:31:43,720
Speaker 1: knocking down pass, I'll break up. You run into our

533
00:31:43,720 --> 00:31:45,840
Speaker 1: assistant or you had the eye on assistant for a

534
00:31:45,960 --> 00:31:48,600
Speaker 1: long time. I mean, of course I had an eye

535
00:31:48,640 --> 00:31:52,200
Speaker 1: on the assistant, but it ended up no sex tape

536
00:31:52,240 --> 00:31:56,240
Speaker 1: at this time it ended up. No, I'm asking it

537
00:31:56,320 --> 00:32:03,440
Speaker 1: up um Paris and not split up. And she called

538
00:32:03,480 --> 00:32:07,600
Speaker 1: me to meet her in santro Pey Paris, Paris. This

539
00:32:07,680 --> 00:32:11,640
Speaker 1: is how y'all get down breaking up and you'll still stray.

540
00:32:11,680 --> 00:32:13,720
Speaker 1: I want to see whatever. I showed up to Santo

541
00:32:13,840 --> 00:32:18,720
Speaker 1: peg but I think she had already hooked up with

542
00:32:18,800 --> 00:32:21,600
Speaker 1: somebody else before my my private plane was able to

543
00:32:21,640 --> 00:32:24,960
Speaker 1: show up there. And then I ended up seeing Kim

544
00:32:25,120 --> 00:32:27,280
Speaker 1: and we ended up like you know, hanging out in

545
00:32:27,360 --> 00:32:32,959
Speaker 1: the ship and became friends and you know whatever, I'm

546
00:32:33,000 --> 00:32:36,520
Speaker 1: sure what to do at this moment. I know that's great.

547
00:32:36,600 --> 00:32:40,720
Speaker 1: That should happen before all respect man. Yeah, that was

548
00:32:41,640 --> 00:32:43,680
Speaker 1: that was it. He gave it to us. He gave

549
00:32:43,760 --> 00:32:48,560
Speaker 1: it to us. I don't know what it's part of

550
00:32:48,640 --> 00:33:02,320
Speaker 1: it all? Ye yes, yes, yes, I think it's time.

551
00:33:02,760 --> 00:33:07,360
Speaker 1: You know. I don't know if you know. Um No, No,

552
00:33:07,840 --> 00:33:14,760
Speaker 1: I'm Flowers brother an another QuickTime song. Hen build him

553
00:33:14,800 --> 00:33:18,000
Speaker 1: up a creektown signs he's getting he's getting warmed up. Um.

554
00:33:18,720 --> 00:33:20,480
Speaker 1: But we want you to know off show is not

555
00:33:20,600 --> 00:33:22,800
Speaker 1: about bigging you up when you're not around. It's not

556
00:33:22,840 --> 00:33:26,080
Speaker 1: about bigging you up when uh, you know, something happens.

557
00:33:26,120 --> 00:33:27,400
Speaker 1: We want to pick you up to your face. You

558
00:33:27,400 --> 00:33:31,000
Speaker 1: want to give your flowers. Um, you are phenomenal. I've

559
00:33:31,000 --> 00:33:33,880
Speaker 1: worked with you plenty of times. Your phenomenal producer, your

560
00:33:33,920 --> 00:33:37,560
Speaker 1: phenomenal friend. You're phenomenal human being, phenomenal person, and we

561
00:33:37,640 --> 00:33:47,000
Speaker 1: want to give your flowers right now. Motherfucker's let's yeah, yeah, yeah, real, motherfucker.

562
00:33:47,280 --> 00:33:53,440
Speaker 1: I wasn't expecting Dr Roses. Yeah damn. So so we

563
00:33:53,600 --> 00:33:59,000
Speaker 1: hit this story that jay Z sas oh and did

564
00:33:59,040 --> 00:34:01,680
Speaker 1: we see him, you know, seeing them performance record at

565
00:34:01,680 --> 00:34:04,360
Speaker 1: the super Bowl and we see jay Z's quoting word

566
00:34:04,400 --> 00:34:07,280
Speaker 1: for world, world for world when you may still driving?

567
00:34:09,920 --> 00:34:12,600
Speaker 1: Where is my frame? And didn't what is going on?

568
00:34:12,800 --> 00:34:15,000
Speaker 1: You give it to Dre or you you're making it

569
00:34:15,040 --> 00:34:17,120
Speaker 1: in the studio? He's did how told this story a

570
00:34:17,239 --> 00:34:25,360
Speaker 1: hundred times this year? Yeah? Ga me, there was a

571
00:34:25,440 --> 00:34:29,520
Speaker 1: parent with me, Dre, Mike Alisando and Millman was all

572
00:34:29,680 --> 00:34:33,239
Speaker 1: beat mining. We were searching for the best fucking beat

573
00:34:33,280 --> 00:34:36,760
Speaker 1: Andre standards are so high and the chronic two thousand

574
00:34:36,880 --> 00:34:42,920
Speaker 1: albums was it was legendary everything on there. So now

575
00:34:43,000 --> 00:34:45,759
Speaker 1: we're like drest all his fire and he's looking for

576
00:34:45,840 --> 00:34:48,400
Speaker 1: the first single. He's like, I don't have it. We

577
00:34:48,480 --> 00:34:51,359
Speaker 1: all look at him like, all right, you gotta hunt him.

578
00:34:51,760 --> 00:34:55,640
Speaker 1: But cool. So so the rest of the project is

579
00:34:55,680 --> 00:34:58,680
Speaker 1: done already for Yeah, we're like at the end, and

580
00:34:58,840 --> 00:35:02,759
Speaker 1: this was that last minute I make. I'm in there

581
00:35:02,800 --> 00:35:06,239
Speaker 1: in the studio with Dre and he puts like he's

582
00:35:06,239 --> 00:35:09,480
Speaker 1: always programming some fucking fire as drums, and he put

583
00:35:09,560 --> 00:35:14,840
Speaker 1: that beat. It's like this kind of like crazy feeling

584
00:35:15,360 --> 00:35:19,760
Speaker 1: kick snare pattern, and I remember we're in we're working.

585
00:35:19,800 --> 00:35:23,080
Speaker 1: I think it was encore and there's a kitchen literally

586
00:35:23,200 --> 00:35:28,239
Speaker 1: right outside the control in Burbank. Okay, there's a there's

587
00:35:28,239 --> 00:35:31,680
Speaker 1: a kitchen right outside. So I was thinking all night

588
00:35:31,719 --> 00:35:35,239
Speaker 1: about something like kind of like piano piece that's wrong

589
00:35:35,480 --> 00:35:37,360
Speaker 1: but right, you know what I mean, where it's like

590
00:35:37,680 --> 00:35:39,799
Speaker 1: off kind of off beat like that. And I was like, oh, ship,

591
00:35:39,840 --> 00:35:41,640
Speaker 1: it goes kind of with this trump pattern and I

592
00:35:41,680 --> 00:35:44,120
Speaker 1: started playing the blame bling bling bling instead of going

593
00:35:44,239 --> 00:35:46,560
Speaker 1: ding ding ding ding. It was like the notes were

594
00:35:46,640 --> 00:35:49,920
Speaker 1: kind of like I was playing it like sloppy on purpose.

595
00:35:50,480 --> 00:35:53,719
Speaker 1: Andre just ran in the room like that's it, man,

596
00:35:54,000 --> 00:35:57,120
Speaker 1: that's the fucking thing right there, and then we started yeah,

597
00:35:57,160 --> 00:36:00,120
Speaker 1: and then he came back in sucking sandwich in his end.

598
00:36:00,200 --> 00:36:03,960
Speaker 1: Whatever the fun and we went to work. Immediately he

599
00:36:04,160 --> 00:36:08,800
Speaker 1: was immediately like his radar it is like impeccable, Like

600
00:36:09,400 --> 00:36:11,319
Speaker 1: you know what I mean, I probably pay fifty things

601
00:36:11,360 --> 00:36:13,399
Speaker 1: that day, like just trying to come with some ship

602
00:36:13,520 --> 00:36:16,480
Speaker 1: and as dude he came in, he was like, that's

603
00:36:16,520 --> 00:36:19,960
Speaker 1: it right there, and I started doing the boom boom

604
00:36:21,760 --> 00:36:25,239
Speaker 1: m and we was on our way. We was on

605
00:36:25,320 --> 00:36:29,719
Speaker 1: our way. The track was done in thirty minutes, and

606
00:36:31,360 --> 00:36:33,680
Speaker 1: I just remember Dred, I'm gonna send this to jay Z.

607
00:36:34,400 --> 00:36:39,719
Speaker 1: That was ride to late vocals and it didn't work

608
00:36:40,080 --> 00:36:42,120
Speaker 1: or from the beginning he heard it, it was and

609
00:36:42,200 --> 00:36:43,720
Speaker 1: we wanted to put jay Z on it. I remember

610
00:36:43,760 --> 00:36:46,000
Speaker 1: Exhibit was in the studio trying to write some ship

611
00:36:46,120 --> 00:36:48,120
Speaker 1: to it and it was cool, but it wasn't exactly

612
00:36:48,200 --> 00:36:51,560
Speaker 1: what Dre wanted And like this was all happening, but

613
00:36:51,640 --> 00:36:53,359
Speaker 1: I think it already been sent off to New York.

614
00:36:53,600 --> 00:36:55,799
Speaker 1: But what is what is your frame? Because you're making

615
00:36:55,880 --> 00:36:57,320
Speaker 1: this for Dre and you're like, why would you send this?

616
00:36:57,640 --> 00:37:04,120
Speaker 1: Like I think I'm gonna have a big gass record. Yeah,

617
00:37:04,200 --> 00:37:05,920
Speaker 1: I was like, oh ship, this is gonna be crazy.

618
00:37:06,239 --> 00:37:08,160
Speaker 1: It was almost like a media The vocals came back.

619
00:37:08,520 --> 00:37:12,080
Speaker 1: Jay Z's demo version of this ship was insane, and

620
00:37:12,239 --> 00:37:17,400
Speaker 1: then Dre just destroyed it, and I flashed forward to

621
00:37:18,200 --> 00:37:20,960
Speaker 1: the first time I ever heard that ship on the radio.

622
00:37:21,560 --> 00:37:24,920
Speaker 1: I flew back to Philly for a while, and I

623
00:37:25,040 --> 00:37:28,400
Speaker 1: was doing this thing performance thing at the Wetlands and

624
00:37:28,640 --> 00:37:31,520
Speaker 1: um in New York. So I was driving from Philly

625
00:37:31,600 --> 00:37:33,759
Speaker 1: to New York every Sunday. I was back and I

626
00:37:33,880 --> 00:37:35,400
Speaker 1: was getting ready to go back. I was gonna move

627
00:37:35,440 --> 00:37:37,520
Speaker 1: all my ship and go back to l A and

628
00:37:37,600 --> 00:37:39,800
Speaker 1: just live there permanently. But I was there for a

629
00:37:39,880 --> 00:37:42,440
Speaker 1: little bit. So this was right as they were releasing

630
00:37:42,520 --> 00:37:46,320
Speaker 1: it and funk Master Flex I was. The bridge was

631
00:37:46,400 --> 00:37:51,279
Speaker 1: frozen up, the huts leading the Holland Tunnel, and that

632
00:37:51,400 --> 00:37:55,479
Speaker 1: motherfucker dropped bombs on still Dre for forty five minutes.

633
00:37:55,520 --> 00:38:01,520
Speaker 1: But I'm sitting in there, frozen up and stuck on

634
00:38:01,640 --> 00:38:05,319
Speaker 1: the bridge. I was happy and ship because the song

635
00:38:05,440 --> 00:38:07,640
Speaker 1: finally started playing when I made it to the bridge.

636
00:38:07,960 --> 00:38:10,040
Speaker 1: But I mean to the tun of but to the

637
00:38:10,120 --> 00:38:13,120
Speaker 1: hell of time. But that was an amazing moment, man,

638
00:38:13,160 --> 00:38:14,719
Speaker 1: it was a life changing moment. I was like, I

639
00:38:14,800 --> 00:38:18,560
Speaker 1: think I'm gonna be a big fucking record producer because

640
00:38:18,560 --> 00:38:21,839
Speaker 1: I knew how impactful that record was as I heard

641
00:38:21,880 --> 00:38:28,799
Speaker 1: forty five minutes of poem crazy moment. Now, how how

642
00:38:29,000 --> 00:38:32,040
Speaker 1: is that? Because you know, although a lot of people

643
00:38:32,080 --> 00:38:35,600
Speaker 1: who whose industry friendly and industry uh you know, no

644
00:38:36,320 --> 00:38:39,560
Speaker 1: no about uh knows that you're the creative of that.

645
00:38:40,040 --> 00:38:43,319
Speaker 1: But even even if you like outright, and even if

646
00:38:43,360 --> 00:38:46,880
Speaker 1: the outbright said, you know, Scott Storts produced that, the

647
00:38:47,000 --> 00:38:49,480
Speaker 1: fact that standing next to Dred people think he just

648
00:38:49,560 --> 00:38:54,600
Speaker 1: produces everything, is that that he does his ship. He

649
00:38:54,719 --> 00:38:57,240
Speaker 1: orchestrates the whole room people. He does ship by himself.

650
00:38:57,280 --> 00:39:00,480
Speaker 1: He does He's a music motherfucker. His do your work

651
00:39:00,680 --> 00:39:04,200
Speaker 1: is ridiculous. Even for me to be part of it

652
00:39:04,400 --> 00:39:10,040
Speaker 1: and be part of his, like you know, repertoire is

653
00:39:10,080 --> 00:39:13,600
Speaker 1: an honor. I'm not dick riding, I'm not ask kissing.

654
00:39:13,640 --> 00:39:17,520
Speaker 1: I not know that that man, he's fucking godfather, bro.

655
00:39:17,960 --> 00:39:21,600
Speaker 1: I don't care what you say. You can anybody, you

656
00:39:21,719 --> 00:39:24,239
Speaker 1: put anybody ever you need them, say in the check

657
00:39:24,280 --> 00:39:31,840
Speaker 1: where you have to take a drink. Whenever. I love that,

658
00:39:32,080 --> 00:39:36,000
Speaker 1: I love that, I love I love this. Someone to

659
00:39:36,080 --> 00:39:39,000
Speaker 1: the dr Drean university. I learned so much. At one

660
00:39:39,040 --> 00:39:40,799
Speaker 1: point you and him fell out? What was that over?

661
00:39:41,000 --> 00:39:43,759
Speaker 1: Never fell out? Oh, y'all just didn't work together, bro,

662
00:39:43,920 --> 00:39:48,279
Speaker 1: I was too fucked up. Was hot? I collapsing in

663
00:39:48,360 --> 00:39:51,239
Speaker 1: the live room, hiding behind the ship that they people

664
00:39:51,360 --> 00:39:53,880
Speaker 1: recorded vocals into those walls and those wheels on them,

665
00:39:54,080 --> 00:39:57,560
Speaker 1: and I was hiding between there because I was so dehydrated.

666
00:39:57,640 --> 00:39:59,879
Speaker 1: I collapsed and the ship. He gave me a chance,

667
00:40:00,040 --> 00:40:01,759
Speaker 1: his chances, He would have still gave me chances. Then

668
00:40:01,760 --> 00:40:05,640
Speaker 1: I just stopped coming. He never turned his back on me. Damn.

669
00:40:05,680 --> 00:40:09,200
Speaker 1: Remember those conversations, like when he's trying to remember what

670
00:40:09,239 --> 00:40:11,880
Speaker 1: I'm saying to me. One day it's like, yo, was

671
00:40:12,000 --> 00:40:16,280
Speaker 1: the bike worth the belly ache? And I was just like, oh, Ship,

672
00:40:17,239 --> 00:40:19,600
Speaker 1: I'm sorry. I love analogies. I don't understand that one,

673
00:40:19,880 --> 00:40:22,480
Speaker 1: like basically the food you eat gave me the stomach

674
00:40:22,560 --> 00:40:28,279
Speaker 1: get like the drugs I was getting ship. So damn,

675
00:40:28,320 --> 00:40:31,759
Speaker 1: this is this is this is very interesting because to me,

676
00:40:31,920 --> 00:40:34,120
Speaker 1: Dre comes off like a person. If you got problems,

677
00:40:34,960 --> 00:40:36,400
Speaker 1: I don't want to I don't want to be around

678
00:40:36,480 --> 00:40:39,479
Speaker 1: He don't know he got them wrong. Man cares about people.

679
00:40:40,080 --> 00:40:42,600
Speaker 1: He's a he's a serious dude. Yeah, that's a beautiful

680
00:40:42,680 --> 00:40:45,760
Speaker 1: serious dude. You know, I know a lot of people

681
00:40:47,880 --> 00:40:52,120
Speaker 1: and every year, man, like Christmas or my birthday or whatever,

682
00:40:52,520 --> 00:40:55,680
Speaker 1: I get a text from Dr Dre. He's he remembers

683
00:40:55,800 --> 00:40:58,360
Speaker 1: like holidays and ship. He's like a real true friend. Bro,

684
00:40:59,080 --> 00:41:02,279
Speaker 1: He's really I can't say that about many people, but

685
00:41:03,160 --> 00:41:05,960
Speaker 1: I can't say that. So what's what's what's the world

686
00:41:06,000 --> 00:41:07,799
Speaker 1: on detox? What I'm doing right now? But I can't

687
00:41:07,840 --> 00:41:11,399
Speaker 1: say nothing about that. It were very fat I learned

688
00:41:14,120 --> 00:41:18,800
Speaker 1: talking like is she talking about like? So no, no ship? Okay,

689
00:41:19,400 --> 00:41:21,239
Speaker 1: So we don't know if it's scrapped. We don't know nothing.

690
00:41:22,080 --> 00:41:28,640
Speaker 1: Neither don't know. But we we asked mephy, you know,

691
00:41:28,760 --> 00:41:31,520
Speaker 1: putting up with the stography. You have a single with

692
00:41:32,600 --> 00:41:36,000
Speaker 1: Christy Brown, I don't know, Taika and Osuna. Yeah, so

693
00:41:36,600 --> 00:41:40,000
Speaker 1: what happened is that was a pandemic record. Damn. That

694
00:41:40,080 --> 00:41:42,400
Speaker 1: was a club record during the pandemic where people couldn't

695
00:41:42,400 --> 00:41:44,480
Speaker 1: go to the club, but it still did. I don't

696
00:41:44,480 --> 00:41:47,160
Speaker 1: know undermillion streams or something, but it was a fire

697
00:41:47,200 --> 00:41:50,480
Speaker 1: ass record where I interpretated, uh, just a little bit

698
00:41:50,520 --> 00:41:55,000
Speaker 1: to join I did, but it's fire it's a fire

699
00:41:55,080 --> 00:41:57,839
Speaker 1: as record. It's it's an underground hit though, like I'll

700
00:41:57,840 --> 00:42:00,160
Speaker 1: put it on, I'll be in a club somewhere and

701
00:42:00,520 --> 00:42:02,160
Speaker 1: people will be going crazy, like out to know where

702
00:42:02,200 --> 00:42:05,560
Speaker 1: the DJ pus session on and it's just hit in Atlantic.

703
00:42:05,719 --> 00:42:09,360
Speaker 1: I don't think they they treated that record. Atlantic treated

704
00:42:09,400 --> 00:42:13,440
Speaker 1: that record. They sucked it up. They treated like because

705
00:42:13,440 --> 00:42:15,640
Speaker 1: it's my first single as an artist, like you know

706
00:42:15,680 --> 00:42:18,120
Speaker 1: how cal is an artist where we have artists on

707
00:42:18,200 --> 00:42:21,600
Speaker 1: the songs, but they're still the artist. So they treated

708
00:42:21,680 --> 00:42:24,320
Speaker 1: like that. They didn't treat it like Ozuna and Tiger

709
00:42:24,440 --> 00:42:26,920
Speaker 1: or on a record right and treated like Scott Stots

710
00:42:27,080 --> 00:42:32,680
Speaker 1: still got proves an artist, ABC rollout, no promotion, but

711
00:42:33,960 --> 00:42:36,359
Speaker 1: that record to me, I'm proud of it. I put

712
00:42:36,400 --> 00:42:38,680
Speaker 1: that ship out. I'm proud of that record and Tiger

713
00:42:38,840 --> 00:42:40,640
Speaker 1: and A Zuna did that ship for me on the

714
00:42:40,760 --> 00:42:44,759
Speaker 1: strength fire and showed up to a video shooting like

715
00:42:44,840 --> 00:42:48,600
Speaker 1: Ozuna was in Puerto Rico, Tiger in l A. I'm

716
00:42:48,640 --> 00:42:50,759
Speaker 1: in l A. Three separated shoots for that video during

717
00:42:50,800 --> 00:42:52,200
Speaker 1: the pandemic. No way was a lot of leading the

718
00:42:52,239 --> 00:42:55,520
Speaker 1: house type ship and like Ozuna went to this video

719
00:42:55,600 --> 00:42:59,080
Speaker 1: shoot and like there was a law I guess in

720
00:42:59,080 --> 00:43:00,759
Speaker 1: Puerto Rico at that time, you had to curve for you.

721
00:43:01,560 --> 00:43:03,239
Speaker 1: You have to be back when the police could arrest

722
00:43:03,280 --> 00:43:04,839
Speaker 1: you if you ain't the ship, and he like pushed

723
00:43:04,960 --> 00:43:07,319
Speaker 1: curfuy for me everything. We had curf for like twenty

724
00:43:07,360 --> 00:43:10,399
Speaker 1: minutes in Miami. Yeah. Yeah, they don't give a funk

725
00:43:10,440 --> 00:43:14,759
Speaker 1: out here. Yeah, continued, happy to be here. You know

726
00:43:14,800 --> 00:43:16,879
Speaker 1: what's crazy about what you're saying about this record, though,

727
00:43:17,160 --> 00:43:19,960
Speaker 1: is that you remade your own record and that that

728
00:43:20,160 --> 00:43:22,400
Speaker 1: must be insane. With such a vast catalog that you

729
00:43:22,480 --> 00:43:27,680
Speaker 1: have stuff you've done, hit, make another hit out of it. Hit. Yeah,

730
00:43:28,160 --> 00:43:32,560
Speaker 1: I'm doing the EP right now, um with my my

731
00:43:32,680 --> 00:43:34,640
Speaker 1: partners on I don't know if you know about my

732
00:43:34,840 --> 00:43:37,479
Speaker 1: um my my vape company, but I got this vague

733
00:43:37,480 --> 00:43:42,040
Speaker 1: company and that vague yeah, me and my partner people.

734
00:43:42,080 --> 00:43:50,919
Speaker 1: Let's people picking up the camp with with Yeah. It's incredible, incredible. Yeah,

735
00:43:51,640 --> 00:43:54,200
Speaker 1: it's finally we got like favor whatever my partner's on there.

736
00:43:54,280 --> 00:43:56,160
Speaker 1: We've been doing really well with this. We decided we're

737
00:43:56,160 --> 00:43:58,400
Speaker 1: gonna invest some of our money that we're making on

738
00:43:58,480 --> 00:44:01,920
Speaker 1: a Scott Storch album, so doing an independent and uh

739
00:44:02,080 --> 00:44:05,080
Speaker 1: we more. There's gonna be some legendary ship, right. I

740
00:44:05,120 --> 00:44:07,400
Speaker 1: got some tricks on my sleep with that, but you

741
00:44:07,480 --> 00:44:10,200
Speaker 1: know that's that's that's um. I'm gonna do a couple

742
00:44:10,280 --> 00:44:12,759
Speaker 1: more of those interpretations where I use some of my

743
00:44:12,840 --> 00:44:16,640
Speaker 1: melodies from original records that I've done no project, but

744
00:44:16,760 --> 00:44:18,640
Speaker 1: there's a couple of them. But there's not many producers

745
00:44:18,640 --> 00:44:21,640
Speaker 1: I could do that as well, like as much as

746
00:44:21,680 --> 00:44:23,600
Speaker 1: you have to work with and most producers run away

747
00:44:23,680 --> 00:44:26,200
Speaker 1: from their old his Like if you actually produce to like, yo,

748
00:44:26,280 --> 00:44:29,160
Speaker 1: can I get I leave back? You're probably like piste

749
00:44:29,200 --> 00:44:32,120
Speaker 1: off what. I've been getting a little bit of that

750
00:44:32,200 --> 00:44:34,280
Speaker 1: because I feel like there's a resurgence and people wanting

751
00:44:34,320 --> 00:44:39,400
Speaker 1: to have genuine, cool melodies and stuff. So I've been

752
00:44:39,480 --> 00:44:41,759
Speaker 1: going for that raw ship lately. You know, I still

753
00:44:42,640 --> 00:44:45,480
Speaker 1: I'm proud to say that, like for a guy who

754
00:44:45,640 --> 00:44:47,359
Speaker 1: and people know my age, I'm forty year years old,

755
00:44:47,640 --> 00:44:50,960
Speaker 1: I'm able to make trap music and ship that people

756
00:44:51,160 --> 00:44:54,160
Speaker 1: that that kids funk with like all day. I didn't

757
00:44:54,200 --> 00:44:56,480
Speaker 1: get stuck there, but I'm gonna go back to some

758
00:44:56,600 --> 00:44:58,840
Speaker 1: of that ship too. Who's the worst set that you

759
00:44:58,960 --> 00:45:01,720
Speaker 1: ever had? Like you walked in this guy was horrible.

760
00:45:01,840 --> 00:45:08,560
Speaker 1: He had his vocals fucked up, like he came, who's

761
00:45:08,600 --> 00:45:11,520
Speaker 1: doing that? Oh man, I can't. I'm I mean, I

762
00:45:11,640 --> 00:45:14,320
Speaker 1: just know there was like bad vibes in certain studios,

763
00:45:14,800 --> 00:45:17,640
Speaker 1: certain sessions, but I never really worked with any horrible

764
00:45:17,760 --> 00:45:20,440
Speaker 1: artists people. Maybe some unknowns that were like paper bags

765
00:45:20,560 --> 00:45:24,400
Speaker 1: or whatever. But it was bad vibes, you said. But

766
00:45:24,480 --> 00:45:26,160
Speaker 1: once it was a couple of vibes, like it was

767
00:45:26,320 --> 00:45:29,120
Speaker 1: really like just not right. But you know, we ended

768
00:45:29,160 --> 00:45:31,480
Speaker 1: up working out, working our way through it. But like

769
00:45:31,840 --> 00:45:35,920
Speaker 1: I remember one time I was waiting in the studio

770
00:45:36,120 --> 00:45:40,680
Speaker 1: for like hours for pet Pablo to show up and

771
00:45:41,680 --> 00:45:47,440
Speaker 1: this is this is what he got North Carolina. He

772
00:45:49,160 --> 00:45:51,640
Speaker 1: didn't show up, so I caught the studio and I

773
00:45:51,800 --> 00:45:53,520
Speaker 1: was like, you know, I want the studio, let me

774
00:45:53,600 --> 00:45:55,520
Speaker 1: take over. I want to pay the bill for this tonight.

775
00:45:55,600 --> 00:45:57,879
Speaker 1: This is in New York. Yeah, I feel like it's

776
00:45:57,880 --> 00:46:00,000
Speaker 1: gonna pay the bill for this. I want the studio.

777
00:46:00,000 --> 00:46:01,960
Speaker 1: I'm gonna work on some other ship. I'm in there

778
00:46:02,080 --> 00:46:06,680
Speaker 1: smoking weed, smoking ship out and this and that. And

779
00:46:07,640 --> 00:46:11,239
Speaker 1: he came in latest fuck like two in the morning,

780
00:46:11,320 --> 00:46:13,600
Speaker 1: thinking it was still his session, and I got yelled

781
00:46:13,640 --> 00:46:15,600
Speaker 1: at for smoking weed in there and all kinds of ship.

782
00:46:15,719 --> 00:46:17,640
Speaker 1: It was like really awkward moment, one of the most

783
00:46:17,680 --> 00:46:20,279
Speaker 1: awkward moments of my career. So we worked. Yeah, it

784
00:46:20,400 --> 00:46:23,200
Speaker 1: was like, you know, weed in my session, like my

785
00:46:23,280 --> 00:46:28,560
Speaker 1: STUDI whatever. Yeah, I was kind of like all right,

786
00:46:28,680 --> 00:46:31,640
Speaker 1: and I bounced. I was just like I was kind

787
00:46:31,640 --> 00:46:33,440
Speaker 1: of offended. But we worked our way through it. We worked.

788
00:46:33,560 --> 00:46:36,520
Speaker 1: We worked that. I didn't know that. I didn't that

789
00:46:36,600 --> 00:46:40,839
Speaker 1: was a weird story. Yeah, bro, I didn't know that either.

790
00:46:40,880 --> 00:46:44,359
Speaker 1: I thought that was absolutely that's crazy. That's just a click.

791
00:46:44,440 --> 00:46:48,359
Speaker 1: That was love. Let's go, come on, I might still

792
00:46:48,400 --> 00:46:49,960
Speaker 1: gonna be able to talk about these things that I

793
00:46:50,000 --> 00:46:54,359
Speaker 1: wanted to. Let's talk about one of my favorite things

794
00:46:54,400 --> 00:46:57,800
Speaker 1: I got doing on right now is this company just

795
00:46:58,000 --> 00:47:02,920
Speaker 1: Hits by Scott Storage Hits because you know this, every

796
00:47:03,040 --> 00:47:06,440
Speaker 1: every so often there's a new cann of anoid and

797
00:47:06,600 --> 00:47:09,880
Speaker 1: weed that's introduced. Is T A C and C B

798
00:47:10,040 --> 00:47:16,160
Speaker 1: D and Delta AID, Delta nine CBD don't get you high. Yeah,

799
00:47:17,239 --> 00:47:20,600
Speaker 1: but h C, which happens to be derived through many

800
00:47:22,080 --> 00:47:24,360
Speaker 1: this this he's called HC. This ship gets you fucked

801
00:47:24,400 --> 00:47:28,400
Speaker 1: up the highest illegal. Yeah. It's tastes amazing, like straight

802
00:47:28,480 --> 00:47:31,640
Speaker 1: weed taste. It's like ecstasy, which John, which is the

803
00:47:31,719 --> 00:47:34,319
Speaker 1: one that I really taste the pig run since them

804
00:47:34,520 --> 00:47:37,880
Speaker 1: is actually the one runs trusting me. This stuff had

805
00:47:37,920 --> 00:47:44,640
Speaker 1: you nice. It's legal and I'm I'm saying no, but

806
00:47:46,680 --> 00:47:51,919
Speaker 1: it's legal in fifty states, where as like legal even

807
00:47:52,000 --> 00:47:55,240
Speaker 1: if states said, I can ship this anywhere in the world, okay,

808
00:47:55,560 --> 00:47:57,719
Speaker 1: and it gets you highest ship tastes good and it's

809
00:47:57,800 --> 00:48:02,279
Speaker 1: weed that this is beyond that. This is a new ship,

810
00:48:02,600 --> 00:48:06,640
Speaker 1: h C. So it's weird, but it's Scott story ship.

811
00:48:08,800 --> 00:48:12,000
Speaker 1: I'm looking a little crazy. How do I do this? Okay? Okay?

812
00:48:12,120 --> 00:48:16,920
Speaker 1: And this goes back in there? Right? Boys? Wait, how

813
00:48:16,960 --> 00:48:19,600
Speaker 1: do I get this? One? Man's okay? It so taste

814
00:48:19,600 --> 00:48:25,919
Speaker 1: a pretty good. Oh, there's a little tastes like lemon.

815
00:48:25,960 --> 00:48:28,960
Speaker 1: Nicey kid, But you could be just sitting there, you know,

816
00:48:30,239 --> 00:48:33,319
Speaker 1: smoking and ship you got kids, even if room don't matter.

817
00:48:34,120 --> 00:48:35,440
Speaker 1: They try to keep me on on the plane for

818
00:48:35,480 --> 00:48:38,040
Speaker 1: this ship. One time when the Viggas first came out,

819
00:48:38,840 --> 00:48:41,640
Speaker 1: the NBA, girl in the w me and girl locked

820
00:48:41,680 --> 00:48:44,239
Speaker 1: up Man Russia, Ukraine. She couldn't nebody don't want to

821
00:48:44,239 --> 00:48:46,520
Speaker 1: get them. It's not good. Could have been smoking. She

822
00:48:46,560 --> 00:48:48,480
Speaker 1: could have known it wouldn't been what she had though.

823
00:48:48,520 --> 00:48:49,759
Speaker 1: This yeah, this is because of the war. It's not

824
00:48:49,800 --> 00:48:54,839
Speaker 1: because but yeah hits by Scott's Scott, and they could

825
00:48:54,840 --> 00:48:57,200
Speaker 1: get that anywhere. I'm stoking the hits and then they

826
00:48:57,239 --> 00:48:59,879
Speaker 1: could get any day throughout Yeah hits by Scott storch

827
00:49:00,040 --> 00:49:06,799
Speaker 1: dot com right now, okay makes it. Can't say already yet,

828
00:49:07,200 --> 00:49:09,279
Speaker 1: everybody launching on four Twitter. I think you should just

829
00:49:09,320 --> 00:49:14,279
Speaker 1: drop a four nineteen just to just that for nineteen. Man,

830
00:49:14,760 --> 00:49:16,919
Speaker 1: So you're gonna play quick time with slot, You're gonna

831
00:49:16,920 --> 00:49:19,320
Speaker 1: splain the rules. Let's go. Yeah, Okay, it's gonna be

832
00:49:19,640 --> 00:49:23,200
Speaker 1: two names, two things, one of the other. If it's

833
00:49:23,200 --> 00:49:25,560
Speaker 1: politically correct, we drink it. So if you say both

834
00:49:25,880 --> 00:49:28,600
Speaker 1: or neither, we're taking a shot, and Diego is taking

835
00:49:28,640 --> 00:49:32,160
Speaker 1: shots for you. Correct, Yes, Diegos, we're drinking with you. Yeah,

836
00:49:32,200 --> 00:49:33,840
Speaker 1: I have to choose the song. You choose one or

837
00:49:33,840 --> 00:49:36,160
Speaker 1: the other. But if you choose and then you don't

838
00:49:36,239 --> 00:49:37,960
Speaker 1: drink both or neither, I have to drink. You have

839
00:49:38,000 --> 00:49:42,319
Speaker 1: to drink. That's it. And I'm gonna use the bathroom first.

840
00:49:43,960 --> 00:49:55,960
Speaker 1: I can have a cigarette. We Yeah, perfect time. Okay,

841
00:49:56,800 --> 00:49:59,920
Speaker 1: So I explaining the game. You pick it if you

842
00:50:00,000 --> 00:50:02,680
Speaker 1: you really correct and take a shot. We all take

843
00:50:02,719 --> 00:50:05,759
Speaker 1: a shot. Yeah you goes your ringer. Yeah yeah, but

844
00:50:06,040 --> 00:50:13,880
Speaker 1: go yeah yeah yeah yeah you might as well. Okay,

845
00:50:15,920 --> 00:50:19,920
Speaker 1: not my top. He's gonna ask, you're gonna keep it rap,

846
00:50:21,960 --> 00:50:25,600
Speaker 1: come on, come back time times wisky stort. Let's go

847
00:50:26,480 --> 00:50:31,880
Speaker 1: Rick Ross or Fat Joe, give me a drink. What

848
00:50:31,920 --> 00:50:35,400
Speaker 1: do you want to day there? Parter quarter lights a

849
00:50:35,440 --> 00:50:39,160
Speaker 1: longer to fucking legends? You can't yeah yeah yeah, that's like,

850
00:50:40,680 --> 00:50:43,040
Speaker 1: oh oh I forgot, forgot. You gotta dolly like what

851
00:50:43,280 --> 00:50:47,839
Speaker 1: you gotta take to give me enough? First class shot

852
00:50:48,239 --> 00:50:53,360
Speaker 1: she did off the door. I'm everyone get playing this

853
00:50:53,480 --> 00:51:00,680
Speaker 1: game is easy. Yeah, make a little back on purpose. Boom.

854
00:51:02,400 --> 00:51:06,239
Speaker 1: I think I think I'm gonna go. I'm sure. I'm

855
00:51:06,239 --> 00:51:09,080
Speaker 1: sure you're gonna say again. But just case there's not

856
00:51:09,200 --> 00:51:12,000
Speaker 1: this one another one, another one. We got that daily

857
00:51:12,000 --> 00:51:16,000
Speaker 1: one because they're deadly on on camera. You see that, y'all?

858
00:51:16,880 --> 00:51:20,920
Speaker 1: Is it chills? Yeah? Get a good pictures. I'll just

859
00:51:20,960 --> 00:51:29,160
Speaker 1: put this on. You're ready good. I suppose jay Z

860
00:51:29,320 --> 00:51:35,040
Speaker 1: or NASO one no, no, you know, okay, honestly I

861
00:51:35,160 --> 00:51:41,680
Speaker 1: love nas jay Z to me though, I connected with

862
00:51:41,800 --> 00:51:45,759
Speaker 1: that as like part of my education and the University

863
00:51:45,760 --> 00:51:49,480
Speaker 1: of hip hop. So I say jay z okay even

864
00:51:49,760 --> 00:51:54,200
Speaker 1: and worked together. Yeah with the records, Um we did,

865
00:51:54,440 --> 00:51:57,680
Speaker 1: uh ship what the other name? We did like three

866
00:51:57,760 --> 00:51:59,520
Speaker 1: left to meet records. I forget all the titles. I

867
00:51:59,600 --> 00:52:04,080
Speaker 1: mean like really like two thousand songs back literally not

868
00:52:04,239 --> 00:52:07,879
Speaker 1: you wont for whateveryone it might everyone who is someone

869
00:52:09,000 --> 00:52:12,080
Speaker 1: we actually no And I worked pretty recently as well. Yeah,

870
00:52:12,160 --> 00:52:14,360
Speaker 1: on a song with this kid Army and when we

871
00:52:14,400 --> 00:52:18,880
Speaker 1: did what we did with some stuff. DMX or Snoop

872
00:52:18,920 --> 00:52:27,720
Speaker 1: Dogg Um Snoop Dogg is close friend of mine. Amazing

873
00:52:27,920 --> 00:52:35,920
Speaker 1: mc DMX to me is up with like Tupac as

874
00:52:35,960 --> 00:52:39,920
Speaker 1: a rapper to me, like he is a special rapper. Um,

875
00:52:40,640 --> 00:52:42,920
Speaker 1: what he talked about like moved me, you know what

876
00:52:43,000 --> 00:52:44,960
Speaker 1: I mean. It was like poetry in a way. He

877
00:52:45,120 --> 00:52:48,520
Speaker 1: was a brother. Um. I tried to say this life

878
00:52:50,160 --> 00:52:52,560
Speaker 1: you know he's he so I would have to say

879
00:52:52,800 --> 00:52:56,400
Speaker 1: d m X, But I mean dog is an incredible artist.

880
00:52:56,760 --> 00:53:00,520
Speaker 1: You're talking about rappers that are like really he's a

881
00:53:00,600 --> 00:53:04,840
Speaker 1: nicon with some jewels that are special and you know,

882
00:53:05,000 --> 00:53:07,239
Speaker 1: may change your way of thinking in life, you know

883
00:53:07,320 --> 00:53:10,120
Speaker 1: what I mean? That's fair Chris Brown, Justin timber La.

884
00:53:13,280 --> 00:53:18,920
Speaker 1: Chris Brown, and I'm working with Timberlake right now. I

885
00:53:19,040 --> 00:53:21,919
Speaker 1: love it. But Chris Brown, sure you wanta take a shot?

886
00:53:22,600 --> 00:53:34,880
Speaker 1: I take the shot shot, No lawyer. Chris Brown changed

887
00:53:35,080 --> 00:53:38,560
Speaker 1: R and B music and he could dance too. I

888
00:53:38,560 --> 00:53:44,480
Speaker 1: don't know what you music. He I compare him to

889
00:53:45,239 --> 00:53:48,960
Speaker 1: the Michael Jackson of our generation. So you're saying that

890
00:53:49,080 --> 00:53:51,920
Speaker 1: Chris Brown and Justin Timberlake do it versus right now.

891
00:53:52,280 --> 00:53:56,640
Speaker 1: Chris Brown is smoking fine bo. Chris Brown got a

892
00:53:56,719 --> 00:54:01,279
Speaker 1: lot of records. Think about it. Chris Brown got a

893
00:54:01,680 --> 00:54:07,279
Speaker 1: your motherfucking smackers. Justin Timberlake has records, I mean, one

894
00:54:07,280 --> 00:54:14,160
Speaker 1: of the biggest. I love it. I take the drink anyway,

895
00:54:16,400 --> 00:54:20,560
Speaker 1: but Timberlakes, honestly, that's a con versus too. He's a

896
00:54:20,560 --> 00:54:22,759
Speaker 1: most soft and white boy there who ever was, Yes,

897
00:54:23,040 --> 00:54:26,280
Speaker 1: there is ever ever wasn't it? Yes, he got colored

898
00:54:26,320 --> 00:54:30,439
Speaker 1: me bad ball board. Yeah, he's white boy and boy

899
00:54:31,120 --> 00:54:35,800
Speaker 1: he was he got over the way, Yes, he was

900
00:54:35,840 --> 00:54:40,399
Speaker 1: about to brown his motherfucking Michael Jackson and Carna type. Yeah.

901
00:54:40,719 --> 00:54:44,440
Speaker 1: And I started with him he was fifteen years old.

902
00:54:44,480 --> 00:54:47,600
Speaker 1: I had him in the studio and we made a

903
00:54:47,840 --> 00:54:50,080
Speaker 1: number one song we did run it like yeah, everybody

904
00:54:50,120 --> 00:54:52,319
Speaker 1: said the sixth team week said, you hit that shot.

905
00:54:52,320 --> 00:54:55,320
Speaker 1: I'm gonna tell you something, all right. I don't know.

906
00:54:58,960 --> 00:55:02,480
Speaker 1: I don't remember the session. It was something that it

907
00:55:02,600 --> 00:55:07,000
Speaker 1: was showing me something and let me. I don't know

908
00:55:07,040 --> 00:55:09,680
Speaker 1: if you remember I had the better session. I don't

909
00:55:09,680 --> 00:55:11,840
Speaker 1: know if he was there, and Tina Davis asked me

910
00:55:11,920 --> 00:55:15,279
Speaker 1: to switch studios because I was on Tina was on

911
00:55:15,440 --> 00:55:17,560
Speaker 1: deaf Game at the time. Yes, it was it in factory.

912
00:55:18,000 --> 00:55:21,920
Speaker 1: It was okay. I had Chris. She actually had the

913
00:55:22,000 --> 00:55:27,800
Speaker 1: small studio for him upstairs. And Tina Davis. They do

914
00:55:27,920 --> 00:55:33,640
Speaker 1: that the Scottland now as a favorite when I actually

915
00:55:33,760 --> 00:55:36,680
Speaker 1: switch and I switched and I took you a little

916
00:55:37,440 --> 00:55:46,640
Speaker 1: and that's what I never knew. I knew you didn't

917
00:55:46,680 --> 00:55:49,200
Speaker 1: notice that story, but I knew Tina Davis had told

918
00:55:49,200 --> 00:55:51,479
Speaker 1: me to Chris Brown. And I've never seen Chris Brown

919
00:55:51,560 --> 00:55:54,319
Speaker 1: since then. So I'm in Pop's house. I'm just walking through,

920
00:55:54,880 --> 00:55:56,879
Speaker 1: and Chris Brown stick because I never see it. He's

921
00:55:56,880 --> 00:55:59,759
Speaker 1: looking at he's looking crazy. I mean when I said

922
00:55:59,800 --> 00:56:02,040
Speaker 1: looking rady, he was just incognito with the with the

923
00:56:02,080 --> 00:56:04,960
Speaker 1: hat on. And I'm walking through l a. He stopped

924
00:56:05,000 --> 00:56:07,680
Speaker 1: me going, I remember what you did? O G And

925
00:56:07,719 --> 00:56:09,000
Speaker 1: then I was like four realm because I was like

926
00:56:09,080 --> 00:56:13,080
Speaker 1: I always wanted my Browns, but I'm just didn't know that.

927
00:56:13,640 --> 00:56:16,520
Speaker 1: I'm like he was saying, single he gave me, was

928
00:56:16,560 --> 00:56:19,759
Speaker 1: like you'll come up around from you too. Yeah yeah,

929
00:56:19,800 --> 00:56:23,880
Speaker 1: yeah yeah he did because Brown, Um, I really respect you.

930
00:56:23,960 --> 00:56:27,319
Speaker 1: I really love the love that you showed me. Um,

931
00:56:27,680 --> 00:56:32,800
Speaker 1: I respect you. But so I definitely respected. And it

932
00:56:32,920 --> 00:56:35,160
Speaker 1: was running and big up Petina Diggs too, by the way,

933
00:56:35,160 --> 00:56:38,640
Speaker 1: big up a Tim Mark and my friends. Yes, yes, okay,

934
00:56:38,680 --> 00:56:40,480
Speaker 1: this one. I think you're gonna take a shot, but

935
00:56:40,520 --> 00:56:43,759
Speaker 1: I could be wrong, Timberland or for a round, m

936
00:56:45,840 --> 00:56:48,680
Speaker 1: give me a shot please, Okay, I'm gladly board your shots,

937
00:56:50,080 --> 00:56:54,200
Speaker 1: you know. And you're talking about welcome down. It's like

938
00:56:54,320 --> 00:56:59,839
Speaker 1: it's really kind of like comparing just two different from

939
00:57:00,080 --> 00:57:02,719
Speaker 1: brands of like amazing this, right, you know what I mean,

940
00:57:02,760 --> 00:57:07,360
Speaker 1: the same level. Right, So let's hear this. Take a

941
00:57:07,400 --> 00:57:10,000
Speaker 1: shot to the next meeting is gonna be quite interesting. Yeah,

942
00:57:10,920 --> 00:57:15,440
Speaker 1: blame it on the drink. Cham Yeah okay, now this one, no, no, no, no,

943
00:57:15,760 --> 00:57:17,120
Speaker 1: I don't know where you're gonna go with this. One

944
00:57:17,920 --> 00:57:22,880
Speaker 1: Dreo Pump Daddy as as what you just take a

945
00:57:22,920 --> 00:57:31,800
Speaker 1: shot any any whatever the criteria. Okay, we got that

946
00:57:31,880 --> 00:57:40,520
Speaker 1: thing man, Okay, yeah, you have people, Okay, cool, Yeah,

947
00:57:42,160 --> 00:57:47,880
Speaker 1: I'm getting up. Yeah talking about the mogul you're talking about?

948
00:57:48,360 --> 00:57:51,000
Speaker 1: Come on those those suit How long did you hear

949
00:57:51,000 --> 00:57:54,560
Speaker 1: about Sloop Dogg and um Pump coming together making a

950
00:57:54,720 --> 00:57:58,200
Speaker 1: bad role of death bad boys situation? Like It's like

951
00:57:58,240 --> 00:57:59,920
Speaker 1: would be like an n f T label. We had

952
00:58:00,000 --> 00:58:03,400
Speaker 1: a collaborative in my mom would come a long way. Yeah,

953
00:58:07,760 --> 00:58:13,840
Speaker 1: my mom came a long way. Okay, I don't know

954
00:58:13,880 --> 00:58:16,400
Speaker 1: where're gonna go with this. It sounds like it's gonna

955
00:58:16,400 --> 00:58:21,600
Speaker 1: be about some ladies. That's the ending of the list buster,

956
00:58:21,960 --> 00:58:28,760
Speaker 1: eminem buster or eminem give me a shot. He was

957
00:58:28,800 --> 00:58:34,080
Speaker 1: doing this cool because I always say I always say

958
00:58:34,160 --> 00:58:36,480
Speaker 1: when people are like who's the best mcs? Where I'm like,

959
00:58:36,800 --> 00:58:39,120
Speaker 1: Bust the Runs is one of the greatest mcs to

960
00:58:39,200 --> 00:58:43,720
Speaker 1: ever do it ever, Chris to These are people that

961
00:58:43,880 --> 00:58:47,920
Speaker 1: I feel like are like legendary, fucking you know, changed

962
00:58:48,040 --> 00:58:50,439
Speaker 1: rap type ship. Okay, did you take the shot? Fun

963
00:58:51,840 --> 00:58:57,720
Speaker 1: to play it out down from with you? We got beating.

964
00:58:57,760 --> 00:59:03,360
Speaker 1: So I'm glad. I'm on the y'all. Look, okay, Jamma,

965
00:59:03,440 --> 00:59:07,320
Speaker 1: don for me right now. Black Thought, most deaf, Black

966
00:59:07,400 --> 00:59:10,920
Speaker 1: sought quickly, look at look at that Philly Love. Did

967
00:59:10,960 --> 00:59:15,560
Speaker 1: you see that most Okay? I'm you know. I worked

968
00:59:15,600 --> 00:59:18,360
Speaker 1: with most Devil. I did the Brown Sugar Ship with him,

969
00:59:18,680 --> 00:59:22,000
Speaker 1: that movie I don't remember. Yeah, that's my guy. And

970
00:59:22,040 --> 00:59:25,040
Speaker 1: we did a hurricane soundtrack thing too. Really, you did

971
00:59:25,080 --> 00:59:27,560
Speaker 1: a bunch of ship. It was the soundtrack Kings Together.

972
00:59:27,720 --> 00:59:31,680
Speaker 1: But Black Thought is bro He's one of the illness,

973
00:59:32,080 --> 00:59:34,360
Speaker 1: one of the illness fcs ever in the world. Like

974
00:59:34,520 --> 00:59:38,120
Speaker 1: I wouldn't watch him spit for like three hours straight, literally,

975
00:59:39,240 --> 00:59:41,240
Speaker 1: and when he would go into y'all, let me just

976
00:59:42,560 --> 00:59:45,040
Speaker 1: he went in the bag. Bro, Hey guys, let me

977
00:59:45,080 --> 00:59:49,400
Speaker 1: get one of the new gumbos. Y'all you got that

978
00:59:49,520 --> 00:59:53,760
Speaker 1: broke up already? Come on, I got on and we

979
00:59:53,800 --> 01:00:00,640
Speaker 1: need Black Thought here at three ships, y'all. So okay,

980
01:00:00,760 --> 01:00:03,360
Speaker 1: we we said we went to the Black Dog. You

981
01:00:03,440 --> 01:00:05,360
Speaker 1: know what's funked up? I played this game so long,

982
01:00:05,680 --> 01:00:07,720
Speaker 1: and even though I'm not playing this game drinking, I

983
01:00:07,880 --> 01:00:13,080
Speaker 1: feel drunk. It's just embedded into my sister. You gotta say. So,

984
01:00:13,120 --> 01:00:15,160
Speaker 1: we're gonna have PTSD of this game in the future

985
01:00:15,920 --> 01:00:17,720
Speaker 1: if you go, who made this a board game? But

986
01:00:17,880 --> 01:00:21,240
Speaker 1: I really made this a board game. Jada Kiss a

987
01:00:21,280 --> 01:00:26,360
Speaker 1: fab less Jade kiss. Okay, sorry, okay, love fab Jende

988
01:00:26,440 --> 01:00:29,280
Speaker 1: Kiss one of my favorite favorite mcs as styles like

989
01:00:29,320 --> 01:00:32,600
Speaker 1: a motherfucker? What did you? What did Jenna Kiss say

990
01:00:32,680 --> 01:00:38,440
Speaker 1: to retire him from the times? Sorry? He just faced

991
01:00:39,520 --> 01:00:42,520
Speaker 1: was how are you gonna put the lots of kids

992
01:00:42,600 --> 01:00:51,160
Speaker 1: run to you to see just like it's an I

993
01:00:51,200 --> 01:00:56,400
Speaker 1: don't know this and these are yeah, it's a last

994
01:00:57,960 --> 01:01:06,400
Speaker 1: don't fifty cent or job. They're both great, both queens

995
01:01:06,440 --> 01:01:12,520
Speaker 1: amazing melodies and just in that but has some of

996
01:01:12,600 --> 01:01:16,120
Speaker 1: my favorite joints. So I made a lot of them,

997
01:01:16,960 --> 01:01:20,640
Speaker 1: genuinely joints. All that. That's family, like you're talking about

998
01:01:21,320 --> 01:01:25,640
Speaker 1: you know, Scott still pick you again? Look, of of

999
01:01:25,760 --> 01:01:37,840
Speaker 1: course what the most point times p I didn't get drunk.

1000
01:01:40,080 --> 01:01:43,320
Speaker 1: We're gonna put your jersey on a few questions like that, Yeah,

1001
01:01:44,240 --> 01:02:03,400
Speaker 1: okay you, but love you continue. Let's get back here

1002
01:02:03,440 --> 01:02:12,640
Speaker 1: and cook up more. There's no more life, there's no

1003
01:02:12,760 --> 01:02:24,439
Speaker 1: more life. And look to that no more wife, here's

1004
01:02:24,480 --> 01:02:30,480
Speaker 1: a no more wife. Now the next one Beyonce. Over yall,

1005
01:02:31,400 --> 01:02:33,160
Speaker 1: you work with both, right, I know, No, I never

1006
01:02:33,240 --> 01:02:35,560
Speaker 1: worked with we Honestly, That's one of my things I

1007
01:02:35,600 --> 01:02:39,200
Speaker 1: always wanted to do is work with Rihanna. Yeah, with Red.

1008
01:02:39,200 --> 01:02:41,240
Speaker 1: I'm gonna get to the answer in the second one

1009
01:02:41,280 --> 01:02:46,680
Speaker 1: of the most uncomfortable Rihanna story. Let's go. I'm a

1010
01:02:46,760 --> 01:02:49,960
Speaker 1: greenhouse in New York. Remember, finally get a chance to

1011
01:02:50,040 --> 01:02:53,440
Speaker 1: meet Rihanna and say, I want to work with you.

1012
01:02:53,560 --> 01:02:57,840
Speaker 1: Blah blah blah, she's mad cool. I'm gonna go up

1013
01:02:57,880 --> 01:02:59,920
Speaker 1: into her low v I P section where she's at,

1014
01:03:00,080 --> 01:03:03,000
Speaker 1: say what's up? Cool? Blah blah blah. And I gave

1015
01:03:03,040 --> 01:03:05,960
Speaker 1: her a huggle boss, and my shirt got caught on

1016
01:03:06,080 --> 01:03:16,480
Speaker 1: her whoop here and that I never ever, ever, ever

1017
01:03:18,200 --> 01:03:28,880
Speaker 1: right here. I'm just gonna walk here with Beyonce, man,

1018
01:03:29,080 --> 01:03:32,800
Speaker 1: she's the ship. I never worked with her with with Brihanna,

1019
01:03:33,000 --> 01:03:34,920
Speaker 1: but I worked with Beyonce, and I can tell you

1020
01:03:35,600 --> 01:03:39,640
Speaker 1: that's the best vocalist I ever workless like her voice

1021
01:03:39,680 --> 01:03:43,320
Speaker 1: as an instrument like that goes into the arts and

1022
01:03:43,520 --> 01:03:47,920
Speaker 1: sciences of music levels and ship like God given talents,

1023
01:03:48,680 --> 01:03:54,120
Speaker 1: creative person and just believed in me. And we made

1024
01:03:54,440 --> 01:03:57,240
Speaker 1: on one album. We made three, like fucking number ones

1025
01:03:57,320 --> 01:04:01,120
Speaker 1: or whatever. And uh, I still work indirectly for her.

1026
01:04:01,760 --> 01:04:04,480
Speaker 1: I'm doing stuff for her with Chloe and Haley right now.

1027
01:04:05,200 --> 01:04:08,080
Speaker 1: We already we got a Grammy Now'm last year for

1028
01:04:08,360 --> 01:04:10,680
Speaker 1: the song do it that her group, Chloe and Haley,

1029
01:04:11,200 --> 01:04:13,880
Speaker 1: and they just called and said we got another one,

1030
01:04:14,280 --> 01:04:20,840
Speaker 1: so be honest, said all day, be hot, okay evil

1031
01:04:20,880 --> 01:04:30,480
Speaker 1: remy mom um, I would have to go with a drink.

1032
01:04:32,240 --> 01:04:37,800
Speaker 1: I want to say that family and spit her as off.

1033
01:04:37,880 --> 01:04:42,800
Speaker 1: But he's Philly to me. Even don't know this, but

1034
01:04:43,000 --> 01:04:46,840
Speaker 1: Eve connecting me with Dr Tre her own brother Rex,

1035
01:04:46,840 --> 01:04:51,040
Speaker 1: because I know she's yeah, and she was on an aftermath, Yes,

1036
01:04:51,640 --> 01:04:53,480
Speaker 1: and you know she was my friend from Philly. I

1037
01:04:53,600 --> 01:04:55,000
Speaker 1: ran into her the first time I ever went to

1038
01:04:55,240 --> 01:04:57,880
Speaker 1: l A and she's like, yo, I just got signed

1039
01:04:57,920 --> 01:05:00,680
Speaker 1: the Doctor Trey and I was like, please let me

1040
01:05:00,720 --> 01:05:06,160
Speaker 1: meet him. She's like, all right, get the studio that shot.

1041
01:05:06,240 --> 01:05:07,960
Speaker 1: Let's make sure you finish it too. I'm watching, sir

1042
01:05:12,560 --> 01:05:17,960
Speaker 1: so so so he was. There was no wead this.

1043
01:05:18,040 --> 01:05:21,400
Speaker 1: Actually we read this before. You might have told us

1044
01:05:21,400 --> 01:05:24,360
Speaker 1: this the first time he was. I had no idea.

1045
01:05:24,440 --> 01:05:25,960
Speaker 1: I was, what's going to l a for the first

1046
01:05:25,960 --> 01:05:29,200
Speaker 1: time in my life at the Martini Lounge doing an

1047
01:05:29,280 --> 01:05:33,760
Speaker 1: open mic thing with the roofs, and he was there

1048
01:05:34,000 --> 01:05:36,040
Speaker 1: told me she had been signed to Aftermath. And then

1049
01:05:36,120 --> 01:05:38,600
Speaker 1: the next day I was in waiting the lobby for

1050
01:05:38,680 --> 01:05:40,760
Speaker 1: like five hours for Dr Dre and come out and

1051
01:05:40,920 --> 01:05:44,240
Speaker 1: meet me. She convinced him, like, let me whatever. I

1052
01:05:44,320 --> 01:05:47,040
Speaker 1: didn't have no dads or CDs or nothing of any

1053
01:05:47,080 --> 01:05:49,439
Speaker 1: of my squad, so he's like to play some keys.

1054
01:05:50,040 --> 01:05:53,720
Speaker 1: I played some keys. Within an hour, I had like

1055
01:05:54,960 --> 01:05:59,880
Speaker 1: fucking keys to the motherfucking La Montrose Hotel. Here we're

1056
01:06:00,320 --> 01:06:02,200
Speaker 1: him for me. We're gonna make the chronic ship, this

1057
01:06:02,320 --> 01:06:07,439
Speaker 1: and that bread everything I had back in Philly. Even

1058
01:06:07,480 --> 01:06:08,960
Speaker 1: though all those other roots and all that show, I

1059
01:06:09,000 --> 01:06:10,720
Speaker 1: was still broke. I was still a month that I

1060
01:06:10,760 --> 01:06:12,880
Speaker 1: half behind his rent and ship back to getting victim

1061
01:06:12,920 --> 01:06:18,160
Speaker 1: type ship, and I started working for Dre. Now I'm

1062
01:06:18,240 --> 01:06:22,080
Speaker 1: driving nice wis and sucking, chilling and making the biggest

1063
01:06:22,120 --> 01:06:25,720
Speaker 1: album ever in the world because of Eve. That boy

1064
01:06:25,800 --> 01:06:30,200
Speaker 1: for Eave. Also go back to what you said about

1065
01:06:30,240 --> 01:06:32,680
Speaker 1: Dre that he heard instantly he knew the talent, and

1066
01:06:32,800 --> 01:06:37,240
Speaker 1: he's like, oh, he's got the radar. That's the beautiful

1067
01:06:37,280 --> 01:06:42,760
Speaker 1: thing that's put things playing piano BEAUTI fucking thing and

1068
01:06:43,240 --> 01:06:55,200
Speaker 1: got repeated. Or push your teeth game to me, game,

1069
01:06:55,400 --> 01:06:57,440
Speaker 1: I mean I like, I like push your teeth a

1070
01:06:57,520 --> 01:07:02,720
Speaker 1: lot work with push your teeth. But game has a

1071
01:07:02,840 --> 01:07:06,080
Speaker 1: unique sound in a unique tone. That to me is

1072
01:07:07,120 --> 01:07:09,720
Speaker 1: you know, up there with the best of them, you

1073
01:07:09,760 --> 01:07:13,240
Speaker 1: know what I mean. We got joints together. I was

1074
01:07:13,320 --> 01:07:18,680
Speaker 1: part of West Side story. I listen my nose of

1075
01:07:18,680 --> 01:07:24,280
Speaker 1: those let's ride cool cool got Now I'll be really

1076
01:07:24,280 --> 01:07:29,800
Speaker 1: sed that serious one. I was like, hey, um, Miami

1077
01:07:29,960 --> 01:07:32,680
Speaker 1: or l a Miami like a motherfucker right now. I

1078
01:07:32,800 --> 01:07:36,320
Speaker 1: can't believe. I can't really like I can see that.

1079
01:07:36,520 --> 01:07:41,360
Speaker 1: I'm just gonna this Dantana's all that chicken for Oh

1080
01:07:41,440 --> 01:07:44,479
Speaker 1: I love that damn you got. I'm going this Saturday hard.

1081
01:07:44,800 --> 01:07:49,040
Speaker 1: I'm going this side. We got car bon. Let me

1082
01:07:49,040 --> 01:07:55,360
Speaker 1: should have put dad on the cars. It's a great carbone. Okay,

1083
01:07:55,440 --> 01:08:02,560
Speaker 1: I gotta if you really know what's up, don't that

1084
01:08:02,720 --> 01:08:09,320
Speaker 1: that ship beat you ain't even stiff cooks better than

1085
01:08:09,320 --> 01:08:11,840
Speaker 1: all the motherfucker's come up. You know what's crazy Because

1086
01:08:11,880 --> 01:08:14,880
Speaker 1: he's act tonight, He's actually the one cooking. Yeah, that's

1087
01:08:14,880 --> 01:08:16,720
Speaker 1: what makes it so dope. If he ain't cooking, I

1088
01:08:16,720 --> 01:08:19,760
Speaker 1: ain't gone because the Steve I go, but he ain't cooking,

1089
01:08:19,760 --> 01:08:21,840
Speaker 1: it's still still the same. I mean, he trained these

1090
01:08:21,880 --> 01:08:31,960
Speaker 1: people to make sure then he wasn't good. Right, you're right.

1091
01:08:32,400 --> 01:08:41,360
Speaker 1: I'm just saying, yeah, you're right, you're right, awful, right, Thanks,

1092
01:08:41,680 --> 01:08:44,880
Speaker 1: I was doing Serpent, thank you. You know, I'm you know,

1093
01:08:45,280 --> 01:08:49,560
Speaker 1: go together Man's House and hit Factory Boy Trevor the

1094
01:08:49,640 --> 01:08:53,080
Speaker 1: Hip Factory. I like toy answer this question. But I

1095
01:08:53,200 --> 01:08:55,679
Speaker 1: made so many hits at the Hip Factory and it's great.

1096
01:08:56,680 --> 01:08:59,960
Speaker 1: It's expensive to me, right, it's great, but it's expensive.

1097
01:09:00,400 --> 01:09:04,200
Speaker 1: And the vibe that I've this new Florida tropical vibe

1098
01:09:04,240 --> 01:09:07,240
Speaker 1: that I've been on lately, that should worked for me.

1099
01:09:07,360 --> 01:09:10,880
Speaker 1: It was incredible, But right now it's Circle House for

1100
01:09:11,000 --> 01:09:14,120
Speaker 1: me because it's so sexy over there, chilling, it's a

1101
01:09:14,240 --> 01:09:18,040
Speaker 1: pool and some motherfucking I work in the cabata this. Yeah,

1102
01:09:18,520 --> 01:09:21,360
Speaker 1: maybe it's Mary Miami. It's it's it's like it's a

1103
01:09:21,439 --> 01:09:23,960
Speaker 1: hard working there lately. Maybe it's part of my new

1104
01:09:24,120 --> 01:09:29,439
Speaker 1: like fucking weekended Bernie's type of vibe that but Circle

1105
01:09:30,960 --> 01:09:34,840
Speaker 1: you guys, Yeah, there wasn't even another hit factor. The story.

1106
01:09:35,720 --> 01:09:37,800
Speaker 1: Never gonna take me over there again. One time he

1107
01:09:37,920 --> 01:09:40,439
Speaker 1: was there, we got this and you said to me,

1108
01:09:41,000 --> 01:09:43,800
Speaker 1: said to me, you ever have mush from And I

1109
01:09:43,920 --> 01:09:45,960
Speaker 1: was like, it was like, but you ever have much

1110
01:09:46,000 --> 01:09:48,040
Speaker 1: froom teeth? And you gave me much froom teeth. I

1111
01:09:48,160 --> 01:09:50,639
Speaker 1: was there that I felt like I was the bionic man.

1112
01:09:52,640 --> 01:09:55,200
Speaker 1: I was moving like this. Must rooms are amazing, I

1113
01:09:55,280 --> 01:09:58,080
Speaker 1: think for healing, for so many things, making much froom teeth,

1114
01:09:58,520 --> 01:10:01,519
Speaker 1: I do, yes, I think I want to focus someone Mark.

1115
01:10:02,280 --> 01:10:07,200
Speaker 1: I think you should, but I don't want you always

1116
01:10:07,240 --> 01:10:13,720
Speaker 1: need to cholate. It's too far, it's too much. I'm

1117
01:10:13,720 --> 01:10:17,000
Speaker 1: gonna say this. I'm me and Steve mcbell are co

1118
01:10:17,200 --> 01:10:20,200
Speaker 1: owners with our partner Frank said on a rehab center

1119
01:10:20,680 --> 01:10:24,400
Speaker 1: that is a drug rehab that's called THC, the Heavenly Center,

1120
01:10:24,960 --> 01:10:27,400
Speaker 1: and it's an amazing thing where we let you. I

1121
01:10:27,479 --> 01:10:31,400
Speaker 1: didn't know this for a step. Yeah, I mean, we

1122
01:10:31,840 --> 01:10:34,200
Speaker 1: don't like give you weed, nothing like that, but we

1123
01:10:34,280 --> 01:10:37,800
Speaker 1: will tolerate the use of cannabis. When people piss for us,

1124
01:10:38,280 --> 01:10:39,960
Speaker 1: you know what I'm saying. In a piss, you can

1125
01:10:40,040 --> 01:10:43,920
Speaker 1: piss weed, you can smoke it after nine pm. You

1126
01:10:43,960 --> 01:10:47,200
Speaker 1: know not you know, but we've given real conventional recovery

1127
01:10:47,800 --> 01:10:50,800
Speaker 1: and you know the groups everything that we do. But

1128
01:10:51,920 --> 01:10:55,760
Speaker 1: getting back to your point, I believe the future there's

1129
01:10:55,800 --> 01:11:01,000
Speaker 1: gonna be Pillicidon and you know, intertwining shroom, you like,

1130
01:11:01,640 --> 01:11:06,200
Speaker 1: you know, rehabilitation for anxiety, for drug abuse, for whatever

1131
01:11:06,280 --> 01:11:09,920
Speaker 1: it is. It's definitely I think something that's if done

1132
01:11:09,960 --> 01:11:15,120
Speaker 1: responsibly and micro doing Michael dosing and it actually sharpens

1133
01:11:15,160 --> 01:11:17,080
Speaker 1: your mind. There's a lot of studies going on. But

1134
01:11:17,120 --> 01:11:18,960
Speaker 1: maybe y'all might think I'm crazy, but we've been on.

1135
01:11:19,360 --> 01:11:25,280
Speaker 1: We we're talking about we're really ready for it yet,

1136
01:11:25,880 --> 01:11:28,280
Speaker 1: but it will be. It will go there, but it's up.

1137
01:11:28,560 --> 01:11:32,040
Speaker 1: It's starting again into the mainstream heavy. They're giving people

1138
01:11:32,200 --> 01:11:34,720
Speaker 1: I don't know, for heroin can say like in five

1139
01:11:34,760 --> 01:11:40,760
Speaker 1: minutes it just do let's see your face the psychdelic

1140
01:11:40,920 --> 01:11:46,559
Speaker 1: ship to take it off. Then again, I watched his ship.

1141
01:11:46,640 --> 01:11:49,760
Speaker 1: I know, like you die. There's people that like, you

1142
01:11:49,880 --> 01:11:53,080
Speaker 1: gotta do it, and I don't know, you can't. It's

1143
01:11:53,080 --> 01:11:55,040
Speaker 1: gotta be done. I think that's certain. Going back, they

1144
01:11:55,080 --> 01:11:58,400
Speaker 1: ain't bounced back. You do ce doing it with Shaman.

1145
01:11:59,400 --> 01:12:06,640
Speaker 1: We got room that someone's craby like, but shrooms. I

1146
01:12:06,720 --> 01:12:10,600
Speaker 1: think they're cool. Done right, Okay, I'm in anyway, and

1147
01:12:10,680 --> 01:12:16,040
Speaker 1: you did say circle house over yes, Trevor, sorry, bro,

1148
01:12:17,920 --> 01:12:30,080
Speaker 1: We're okay, okay, Biggie a big at big two pocket

1149
01:12:30,160 --> 01:12:40,519
Speaker 1: lesson piece both on man. I got Steven bell over here.

1150
01:12:41,840 --> 01:12:50,679
Speaker 1: I hear the shot shot shot recently. It just came,

1151
01:12:51,920 --> 01:12:56,280
Speaker 1: uh this he's dirt. Yeah that he didn't pass. It's crazy.

1152
01:12:56,280 --> 01:12:58,360
Speaker 1: It seems like five minutes ago. Let's take a shot

1153
01:12:58,400 --> 01:13:03,000
Speaker 1: from him. Look a moment of size from your SI sip. Yeah,

1154
01:13:05,880 --> 01:13:07,639
Speaker 1: so everyone, you know, we want to take a moment

1155
01:13:07,720 --> 01:13:22,400
Speaker 1: of size one school three. You should have just sixty seconds, right, yeah?

1156
01:13:22,920 --> 01:13:26,519
Speaker 1: Do sixty seconds? Come on time and has really yeah,

1157
01:13:59,280 --> 01:14:31,880
Speaker 1: m m coolest Le's fort chriecktime and signing. I want

1158
01:14:31,920 --> 01:14:37,160
Speaker 1: to bring in Steve a Bello and everything. Okay, MPC

1159
01:14:37,360 --> 01:14:41,799
Speaker 1: two thousands or the MPC three thousand, three two thousand

1160
01:14:41,840 --> 01:14:47,000
Speaker 1: for flexibility, but overall sounding the three thousand sounds of

1161
01:14:48,720 --> 01:14:52,680
Speaker 1: it's just the best. Okay, are you using machine at all? Machine? No?

1162
01:14:52,960 --> 01:14:56,040
Speaker 1: But I am using a secret little weapon that No.

1163
01:14:57,360 --> 01:14:59,280
Speaker 1: I'm When I leave here, I'm going to work for

1164
01:14:59,360 --> 01:15:07,519
Speaker 1: a KI today board. They got a keyboard maybe you

1165
01:15:07,720 --> 01:15:10,040
Speaker 1: at least you keep That's me for a motherfucker that

1166
01:15:10,120 --> 01:15:13,080
Speaker 1: want to make the best music. It's still the most

1167
01:15:13,120 --> 01:15:16,400
Speaker 1: week It's gonna change everything. It's gonna change everything. Trust me,

1168
01:15:16,800 --> 01:15:25,960
Speaker 1: I experienced this ship yesterday. Make some definite they're serious.

1169
01:15:26,280 --> 01:15:29,479
Speaker 1: They ain't playing right now. The Risk One or Rock Him.

1170
01:15:32,040 --> 01:15:35,479
Speaker 1: I love Rock Camber Caress One's a motherfucking man. Chris

1171
01:15:35,640 --> 01:15:41,120
Speaker 1: is the man Man, Tory Laters of the Weekend, The Weekend,

1172
01:15:43,680 --> 01:15:48,519
Speaker 1: Lambad Ferrari, Ferrari all day. Sorry, John, that was just

1173
01:15:48,600 --> 01:15:57,400
Speaker 1: the music. Walk about that, Yeah, baby, okay, all day? Okay.

1174
01:15:57,760 --> 01:16:04,920
Speaker 1: Paddock or Richard Mill both shot shot you ready got

1175
01:16:05,000 --> 01:16:08,599
Speaker 1: damn you? And then I'm as a watch guy. Shot

1176
01:16:08,960 --> 01:16:14,000
Speaker 1: dat watch company. Yeah, um, I want to ask you why,

1177
01:16:14,240 --> 01:16:18,479
Speaker 1: why why you got to be even? They my favorite watches,

1178
01:16:18,760 --> 01:16:23,120
Speaker 1: both of them. Paddock animals. I got Paddock in my

1179
01:16:23,200 --> 01:16:25,519
Speaker 1: bag right now. You just got an extra Paddy. Just

1180
01:16:25,600 --> 01:16:29,439
Speaker 1: you know, I gotta do a wardrobe and Yellow ain't

1181
01:16:29,479 --> 01:16:32,040
Speaker 1: gonna work with it. So when you get a Richard,

1182
01:16:32,120 --> 01:16:33,920
Speaker 1: they don't come with other bands. They don't come with

1183
01:16:33,960 --> 01:16:36,479
Speaker 1: another band. Yeah you can't, can't. They're actually a pretty

1184
01:16:36,479 --> 01:16:40,559
Speaker 1: easy year change. Okay, let me see that's factory. Yeah, okay,

1185
01:16:40,680 --> 01:16:46,400
Speaker 1: my bad, bad as y'all here looking at that. You

1186
01:16:46,400 --> 01:16:49,920
Speaker 1: know what I'm saying, God, damn, that's your wardrobe change.

1187
01:16:50,439 --> 01:16:54,520
Speaker 1: Pony ship is really let you at the hospice all

1188
01:16:54,560 --> 01:16:56,560
Speaker 1: the time. I got drinking and Steve Bell said I

1189
01:16:56,640 --> 01:16:59,160
Speaker 1: needed two wardrobe changes, so I just made sure I

1190
01:16:59,320 --> 01:17:03,519
Speaker 1: was matching. M So I gotta go blow out rich talk.

1191
01:17:03,600 --> 01:17:06,200
Speaker 1: I love it. I can't blow that on drink chains. Okay,

1192
01:17:11,120 --> 01:17:15,000
Speaker 1: mind you, I don't write this questions, all right, I'm

1193
01:17:15,040 --> 01:17:23,080
Speaker 1: not even one singarette from this is not my question?

1194
01:17:23,160 --> 01:17:28,640
Speaker 1: Is went the way Paris Hilton or Kim Kake? I

1195
01:17:28,800 --> 01:17:33,920
Speaker 1: mean I would have to go with Kim. You know,

1196
01:17:35,640 --> 01:17:40,160
Speaker 1: it is what it is. Who's this shot I come from?

1197
01:17:41,080 --> 01:17:44,880
Speaker 1: I'm sorry, I love Paris, but m hm, you know

1198
01:17:45,080 --> 01:17:47,719
Speaker 1: Kim is one of the most beautiful women ever. Okay,

1199
01:17:49,160 --> 01:17:53,360
Speaker 1: you're ready, I let me go back to the question.

1200
01:17:53,439 --> 01:18:02,120
Speaker 1: Sold on ready, Linzie Lohan, A little Kim, little Kim

1201
01:18:03,000 --> 01:18:11,840
Speaker 1: whom you know what I mean? He said to do?

1202
01:18:12,320 --> 01:18:16,680
Speaker 1: So that's a little hand, yo, Call the records, set

1203
01:18:16,720 --> 01:18:37,719
Speaker 1: the records tricks. I never was with Linda to cocaine

1204
01:18:37,720 --> 01:18:48,280
Speaker 1: in the azor, but no biking about billy billy. I

1205
01:18:48,360 --> 01:18:50,120
Speaker 1: was not on point. I thought that was like a

1206
01:18:50,400 --> 01:18:53,160
Speaker 1: cool word. I ain't even okay that the biding. Okay,

1207
01:18:53,240 --> 01:18:58,040
Speaker 1: my fault. I gotta paid to podcast or radio. I

1208
01:18:58,120 --> 01:19:05,960
Speaker 1: think right now? Podcast pret more Pete rock, pretty Mom.

1209
01:19:11,200 --> 01:19:16,240
Speaker 1: I'm a gangstar, motherfucker. First, rest in peace, Guru, Kanye

1210
01:19:17,640 --> 01:19:22,400
Speaker 1: or Swiss? Pease give me a drink please, I'm calling

1211
01:19:22,439 --> 01:19:27,519
Speaker 1: that for your second. Doesn't need two legends And obviously

1212
01:19:27,520 --> 01:19:32,920
Speaker 1: were talking about my job. Well, supposed is an artist too, Ye,

1213
01:19:33,000 --> 01:19:38,000
Speaker 1: Swiss is an artist too. Cheers kid, Let's take that shot, Scott,

1214
01:19:38,000 --> 01:19:40,519
Speaker 1: you ain't never gonna ryng, right, gonna ryng? You ain't

1215
01:19:40,520 --> 01:19:43,880
Speaker 1: gonna You're gonna feel like you've spent a record. I

1216
01:19:43,960 --> 01:19:45,800
Speaker 1: know you're spent on the record before. Let's not talk

1217
01:19:45,800 --> 01:19:53,080
Speaker 1: about that. Let's I think you shot. I'm sorry, I'm

1218
01:19:53,120 --> 01:19:59,200
Speaker 1: a shot. This usually mean take the shots. That's why

1219
01:19:59,800 --> 01:20:03,840
Speaker 1: I can. Mr Kim Bucks is gonna get a drunk story? Okay,

1220
01:20:04,000 --> 01:20:07,920
Speaker 1: Wrap City or your TV raps. I'm your MTV wraps guys. Okay,

1221
01:20:09,400 --> 01:20:13,880
Speaker 1: pro tools are lodging. That's not really a good question.

1222
01:20:14,760 --> 01:20:16,280
Speaker 1: I think that makes sense. I used both at the

1223
01:20:16,360 --> 01:20:18,519
Speaker 1: same time. At the same time that sound like a

1224
01:20:18,640 --> 01:20:22,320
Speaker 1: shot was like, no, it's not a shot. You got

1225
01:20:22,400 --> 01:20:26,280
Speaker 1: the people on the same side of it. Beats a

1226
01:20:26,320 --> 01:20:30,439
Speaker 1: lot of im said, pro are you might have stilled

1227
01:20:30,479 --> 01:20:32,240
Speaker 1: it and you didn't. Got to take a shout down. Yeah,

1228
01:20:33,840 --> 01:20:47,519
Speaker 1: you know what people shot like a lot of people recording.

1229
01:20:48,600 --> 01:20:51,640
Speaker 1: Actually you feel we don't make you specs that we

1230
01:20:51,680 --> 01:20:59,519
Speaker 1: don't make you, he said to your show record it's

1231
01:20:59,520 --> 01:21:06,639
Speaker 1: the time of you. Hey man, want you to take

1232
01:21:06,680 --> 01:21:11,160
Speaker 1: the shot out? Okay, your shot, take a shot. Hey,

1233
01:21:11,280 --> 01:21:16,160
Speaker 1: don't get me talking about vocals, albums not even don't

1234
01:21:16,160 --> 01:21:21,200
Speaker 1: get into the last one. All right, loyalties or respect

1235
01:21:22,000 --> 01:21:35,320
Speaker 1: post got you like a got your baby yet you

1236
01:21:35,360 --> 01:21:39,680
Speaker 1: don't respect me? Loyal to me? Real? So let's take

1237
01:21:39,720 --> 01:21:45,639
Speaker 1: those shots. Call us like, don't you got a little

1238
01:21:45,680 --> 01:21:48,880
Speaker 1: bit better than Let's go. It's even gonna be out

1239
01:21:48,920 --> 01:21:52,680
Speaker 1: of this you. Let's knock it out your drink chat bro,

1240
01:21:52,920 --> 01:22:04,519
Speaker 1: come on, Scott and that's look you're typing your texts

1241
01:22:04,560 --> 01:22:11,439
Speaker 1: somebody around. Yeah, if my wife saw family first, so Scott,

1242
01:22:11,520 --> 01:22:15,880
Speaker 1: k do the Scott looking back at recovering everything, What

1243
01:22:15,960 --> 01:22:18,479
Speaker 1: do you think that the biggest lesson that you can

1244
01:22:18,520 --> 01:22:23,599
Speaker 1: convey to someone that that's going through that path right now. Um,

1245
01:22:24,479 --> 01:22:28,080
Speaker 1: that's the greatest high in life comes from the experiences

1246
01:22:28,160 --> 01:22:31,559
Speaker 1: we have in life, not from some drugget drug fun

1247
01:22:31,720 --> 01:22:35,800
Speaker 1: drugs And what's the biggest, the biggest struggle of the

1248
01:22:35,880 --> 01:22:42,639
Speaker 1: honest struggle you have staying sober. Struggle with drugs. Yeah,

1249
01:22:42,720 --> 01:22:49,280
Speaker 1: with drugs. Pussy another drug, another drug, but I mean

1250
01:22:49,360 --> 01:22:57,280
Speaker 1: in real life, it's the one thing that could potentially

1251
01:22:57,840 --> 01:23:01,599
Speaker 1: destroy your sobriety. Derail it, right, derail it. We love

1252
01:23:01,640 --> 01:23:09,920
Speaker 1: pussy in life, and pussy sometimes loves drugs, and you know, yeah,

1253
01:23:11,120 --> 01:23:12,840
Speaker 1: so we just have to learn to deal with pussy

1254
01:23:12,960 --> 01:23:18,479
Speaker 1: that doesn't love drugs your own, Yeah, and have to

1255
01:23:18,520 --> 01:23:22,800
Speaker 1: self control and the strong and strong will power and everything. Right,

1256
01:23:23,000 --> 01:23:27,840
Speaker 1: but you know, life is precious and and you know

1257
01:23:27,920 --> 01:23:30,439
Speaker 1: it can all go bad in five seconds, especially now

1258
01:23:30,560 --> 01:23:36,559
Speaker 1: with drugs. And it's not like all that, not even

1259
01:23:36,600 --> 01:23:38,559
Speaker 1: that it's just an excuse. But I'm just saying in general,

1260
01:23:39,880 --> 01:23:43,800
Speaker 1: like there's so much incredible ship that we could be

1261
01:23:43,840 --> 01:23:47,880
Speaker 1: doing with our lives and decides doing drugs that's just

1262
01:23:47,960 --> 01:23:51,960
Speaker 1: a weakness. That means you're weak if you can do drugs,

1263
01:23:54,720 --> 01:23:59,439
Speaker 1: be strong, right, Well, I'm almost start. You know, I'm

1264
01:23:59,479 --> 01:24:04,680
Speaker 1: just get around. We got uh, Candy shot knocked out

1265
01:24:04,720 --> 01:24:08,680
Speaker 1: that room on Scott still made it. Joe contributed, we

1266
01:24:08,840 --> 01:24:12,240
Speaker 1: got that. But how did that technically means we made

1267
01:24:12,280 --> 01:24:15,639
Speaker 1: the ship right? That's right, the percentages and the ship

1268
01:24:15,840 --> 01:24:25,240
Speaker 1: was Yeah, so you could say, yeah, he's lean back.

1269
01:24:25,479 --> 01:24:29,920
Speaker 1: How do we make this lean back? And did you?

1270
01:24:30,920 --> 01:24:36,280
Speaker 1: Because is this your first national worldwide hit? Oh no,

1271
01:24:37,400 --> 01:24:42,000
Speaker 1: this is my first hit where somebody said my name on.

1272
01:24:42,080 --> 01:24:45,320
Speaker 1: It was to the hit fact that we used to

1273
01:24:45,360 --> 01:24:50,360
Speaker 1: have a cheese line around a corner d Max Glory, Jesus,

1274
01:24:51,240 --> 01:24:55,200
Speaker 1: I have mad hits, but you're like the secret weapon

1275
01:24:55,400 --> 01:24:58,840
Speaker 1: now Yeah I wasn't. I didn't know or understand the

1276
01:24:58,960 --> 01:25:03,439
Speaker 1: value in the tag on the track, on the showing

1277
01:25:03,479 --> 01:25:06,360
Speaker 1: onto the video, creating a brand. I was just like

1278
01:25:06,760 --> 01:25:12,519
Speaker 1: happy in the studio making my ship. Um, but it's

1279
01:25:12,560 --> 01:25:16,519
Speaker 1: crazy like my boy Raoul turn Squad. It was one

1280
01:25:16,520 --> 01:25:22,240
Speaker 1: of my literally lifelong best friends in Diego and motherfucking

1281
01:25:22,360 --> 01:25:27,160
Speaker 1: Role and Chris Jones like just like to be my

1282
01:25:27,200 --> 01:25:33,960
Speaker 1: hand brother. Yeah yeah, God bless him. Yeah yeah, we're

1283
01:25:33,960 --> 01:25:36,080
Speaker 1: gonna get him back on the right track. Yeah yeah,

1284
01:25:36,160 --> 01:25:48,880
Speaker 1: but terrible friends. Yeah, I hope that you didn't learn

1285
01:25:48,920 --> 01:25:58,320
Speaker 1: how to drink responsible. That's it. But the first time

1286
01:25:58,360 --> 01:26:02,240
Speaker 1: I ever had like a no, actually wasn't the second time.

1287
01:26:02,400 --> 01:26:05,320
Speaker 1: First time I met Fat Joe was in Rob Too

1288
01:26:05,400 --> 01:26:10,600
Speaker 1: Low Office and Atlantic Records Brief and I was with

1289
01:26:10,760 --> 01:26:12,479
Speaker 1: Fat Show. I met him. We were in the room

1290
01:26:13,600 --> 01:26:16,559
Speaker 1: and the motherfucker's I was smoking weed and drubbed Too

1291
01:26:16,600 --> 01:26:20,679
Speaker 1: Little office beside of his table, and we smoked weed.

1292
01:26:21,080 --> 01:26:22,920
Speaker 1: We was high a shipped. Joe is in there, he

1293
01:26:23,040 --> 01:26:25,680
Speaker 1: wasn't smoking weed, and they told me, they told me

1294
01:26:27,080 --> 01:26:29,280
Speaker 1: he got a contact high. He was high shipped because

1295
01:26:29,320 --> 01:26:30,960
Speaker 1: he tried to sell me some rooms while I was

1296
01:26:31,040 --> 01:26:34,200
Speaker 1: in there. He said, it's only career one, but you

1297
01:26:34,280 --> 01:26:40,639
Speaker 1: could just find a part of what a couple of years.

1298
01:26:40,680 --> 01:26:43,840
Speaker 1: The really technically the real first time I hung out

1299
01:26:43,880 --> 01:26:47,759
Speaker 1: with him on a different level at the Hit Factory.

1300
01:26:48,560 --> 01:26:51,760
Speaker 1: I met Raou in front of the Hit Factory and

1301
01:26:52,920 --> 01:26:55,840
Speaker 1: and he came listening to some beats and he ran

1302
01:26:55,920 --> 01:26:58,639
Speaker 1: over to Joe and was like, Yo, Joe, this white

1303
01:26:58,720 --> 01:27:01,240
Speaker 1: boy got this fucking beat. It's over there in the studio.

1304
01:27:01,360 --> 01:27:03,760
Speaker 1: He's a A I'm in studio. He whatever the fund was,

1305
01:27:04,200 --> 01:27:06,200
Speaker 1: and he's like he got some fireweed. But because that,

1306
01:27:06,320 --> 01:27:08,880
Speaker 1: she was like, you just wanted to over whatever. So

1307
01:27:10,920 --> 01:27:13,320
Speaker 1: the next time I met him, I met Joe at

1308
01:27:13,360 --> 01:27:15,519
Speaker 1: that time whatever it really get his attention. But the

1309
01:27:15,640 --> 01:27:18,880
Speaker 1: next time I met him, this guy that passed away,

1310
01:27:19,400 --> 01:27:22,439
Speaker 1: Joe Bentley, that used to own car rental company that

1311
01:27:22,560 --> 01:27:25,920
Speaker 1: me and Joe were both mutually friends with, convinced Joe

1312
01:27:26,479 --> 01:27:28,840
Speaker 1: to come out to my house in Weston at the

1313
01:27:28,920 --> 01:27:32,960
Speaker 1: time and drive forty five minutes and Raoul was with him.

1314
01:27:33,720 --> 01:27:36,519
Speaker 1: Raoul didn't know where he was gone, but he was

1315
01:27:36,680 --> 01:27:40,920
Speaker 1: like cows out there, yeah, yeah, yeah, And I'm on

1316
01:27:41,080 --> 01:27:44,479
Speaker 1: the front door and Raoul says, oh my god, it's

1317
01:27:44,520 --> 01:27:46,360
Speaker 1: the fucking guy that I tried to tell you to

1318
01:27:46,439 --> 01:27:48,880
Speaker 1: go to fucking listen. He heard my beats and he

1319
01:27:48,960 --> 01:27:52,200
Speaker 1: was like, listen that. So Joe was like, let me

1320
01:27:52,280 --> 01:27:54,000
Speaker 1: hear some ship. I'm like, let's just make some ship.

1321
01:27:54,840 --> 01:27:57,120
Speaker 1: Joe decried what he was making. He wanted to make

1322
01:27:57,160 --> 01:28:01,240
Speaker 1: what he wanted to make it and I didn't. Literally

1323
01:28:01,280 --> 01:28:04,000
Speaker 1: in twelve minutes, I had to leave back and then

1324
01:28:04,120 --> 01:28:06,439
Speaker 1: Joe was like, we need and it was just like

1325
01:28:06,600 --> 01:28:08,000
Speaker 1: in the candy shop. He was like, oh, we need

1326
01:28:08,080 --> 01:28:16,519
Speaker 1: an So I was like dun and the right in

1327
01:28:16,600 --> 01:28:20,799
Speaker 1: the club when that part come off, hit the dance flow, Okay, continue.

1328
01:28:21,120 --> 01:28:24,080
Speaker 1: So Joe took the beat with him. He didn't cut

1329
01:28:24,200 --> 01:28:26,120
Speaker 1: that that day. I made the beat. We made it

1330
01:28:26,200 --> 01:28:29,760
Speaker 1: literally twelve minutes, twelve minutes and three minutes for the intro.

1331
01:28:30,720 --> 01:28:34,519
Speaker 1: And six months later I get a call from Joe.

1332
01:28:35,960 --> 01:28:39,800
Speaker 1: We're gonna have the anthem of the summer. We're going

1333
01:28:39,840 --> 01:28:42,439
Speaker 1: to summer jams with this record. The record is not out, Yea,

1334
01:28:42,479 --> 01:28:46,599
Speaker 1: he's schooling. Okay, because we got the record, I'm like, really, okay, cool.

1335
01:28:46,800 --> 01:28:49,519
Speaker 1: So what we did that day paid off. She gave

1336
01:28:49,680 --> 01:28:51,439
Speaker 1: two track that day, or you get him everything. I

1337
01:28:51,479 --> 01:28:54,320
Speaker 1: can't even probably everything, Okay, I don't remember, but yeah,

1338
01:28:54,360 --> 01:28:58,000
Speaker 1: I definitely got the two tracks. Um and um. They

1339
01:28:58,080 --> 01:29:01,080
Speaker 1: made a record. Him and Remy fucking murdered the funk

1340
01:29:01,120 --> 01:29:04,040
Speaker 1: out of that record to the point where we were

1341
01:29:04,200 --> 01:29:07,839
Speaker 1: on I remember we went to do that the EMPTV

1342
01:29:08,000 --> 01:29:13,360
Speaker 1: Awards and performed that ship. At that time. Paris was

1343
01:29:13,479 --> 01:29:17,760
Speaker 1: my date to motherfucker. That was that was a good

1344
01:29:22,479 --> 01:29:26,720
Speaker 1: Sounds a kay De picture, I remember, yeah, And we

1345
01:29:26,880 --> 01:29:29,760
Speaker 1: performed that ship on MTV Awards and Bruce Willis was

1346
01:29:29,840 --> 01:29:35,400
Speaker 1: in the motherfucking audience, leaning back, Bruce, really yeah, and

1347
01:29:35,439 --> 01:29:38,000
Speaker 1: then lightning struck twice and we made Make It Rain,

1348
01:29:38,160 --> 01:29:42,479
Speaker 1: and you know, Joe it on. I think me and

1349
01:29:42,560 --> 01:29:47,000
Speaker 1: Joe should go back in the studio next last like

1350
01:29:47,120 --> 01:29:56,240
Speaker 1: a motherfucker. All right, A right to that, just leaning back,

1351
01:29:56,479 --> 01:29:58,200
Speaker 1: and I'm gonna give you a double because I want

1352
01:29:58,200 --> 01:29:59,720
Speaker 1: you and Dread and make another stale dread. You know

1353
01:29:59,720 --> 01:30:05,080
Speaker 1: what they come to your double shot. You just can't

1354
01:30:05,080 --> 01:30:07,519
Speaker 1: talk about it. Yeah, yeah, yeah, yeah, let have done

1355
01:30:07,560 --> 01:30:15,760
Speaker 1: something already, gonna they kicking take goddamn make up, so

1356
01:30:16,080 --> 01:30:18,479
Speaker 1: so old ship, hold on, hold on, what does it?

1357
01:30:18,560 --> 01:30:22,439
Speaker 1: What do you what do you want? We are filming, sir,

1358
01:30:23,360 --> 01:30:28,559
Speaker 1: Stop calling this guy store many of Come on, don't

1359
01:30:28,600 --> 01:30:30,639
Speaker 1: never call me on FaceTime with your hand slick back,

1360
01:30:34,040 --> 01:30:35,880
Speaker 1: just chuck it like that. I hat I hate you

1361
01:30:35,960 --> 01:30:39,960
Speaker 1: back hate you back slip back. Man, Come on, I

1362
01:30:40,000 --> 01:30:45,080
Speaker 1: got moved. Yeah, telling Philippino, okay, are we friend to

1363
01:30:45,080 --> 01:30:48,439
Speaker 1: finish the great time? I got no man, when you're

1364
01:30:48,479 --> 01:30:53,720
Speaker 1: taking yeah, that's break selling. Man'll get into quick QUI

1365
01:30:54,880 --> 01:30:59,519
Speaker 1: and here I got home. Yeah, I got home. Take

1366
01:30:59,560 --> 01:31:11,360
Speaker 1: it from you. I steep about about to sit down.

1367
01:31:11,400 --> 01:31:16,160
Speaker 1: I want to give you a gift. I want to smoke. Yes, yes, yes,

1368
01:31:16,200 --> 01:31:21,120
Speaker 1: I want to give you a storage design sunglasses. That's

1369
01:31:21,160 --> 01:31:25,080
Speaker 1: just he and my partner Ellen. We designed these joints.

1370
01:31:26,040 --> 01:31:33,080
Speaker 1: He's a storage design needed Italy. Yeah. We went over

1371
01:31:33,160 --> 01:31:37,040
Speaker 1: dimensions every part of that motherfucking glass. And they feel

1372
01:31:37,120 --> 01:31:45,480
Speaker 1: good too. I feel rich rich, I'm regular design Storge Designs.

1373
01:31:48,479 --> 01:31:51,160
Speaker 1: You are sunglass of motherfucker. That's why we like even

1374
01:31:51,240 --> 01:31:53,840
Speaker 1: at nighttime, you be having sunglasses and you're looking cool

1375
01:31:53,960 --> 01:31:56,439
Speaker 1: doing it something that can't wait well at all. Yeah,

1376
01:31:56,560 --> 01:32:00,599
Speaker 1: some people wear good and they can't see ye trying

1377
01:32:00,640 --> 01:32:03,240
Speaker 1: to pull it off. Take work out like me, y'all,

1378
01:32:03,320 --> 01:32:07,720
Speaker 1: Like the girls are like yeah yeah, oh yeah, but

1379
01:32:07,840 --> 01:32:11,240
Speaker 1: I like wearing something's like that, like if you got

1380
01:32:11,320 --> 01:32:13,439
Speaker 1: blue eyes like that. But that's what like white people

1381
01:32:13,520 --> 01:32:16,200
Speaker 1: with the black people to say you got here, Yeah

1382
01:32:16,600 --> 01:32:21,920
Speaker 1: you got any of the family say like little great

1383
01:32:22,720 --> 01:32:27,519
Speaker 1: and yum on womens to leave you damn think it

1384
01:32:27,600 --> 01:32:31,800
Speaker 1: was gonna you know, they ain't no food we got, y'all.

1385
01:32:36,080 --> 01:32:38,519
Speaker 1: I didn't even know they make it. Oh yeah, what

1386
01:32:39,120 --> 01:32:42,400
Speaker 1: did you do it? Right? Yere? Bro? You got you

1387
01:32:42,439 --> 01:32:45,960
Speaker 1: got to y'allas. Yeah, so see we know he was

1388
01:32:46,040 --> 01:32:49,040
Speaker 1: on drink chance before we're not you didn't want to you.

1389
01:32:49,200 --> 01:32:52,160
Speaker 1: We wanted to let Scott shrine. But we also we

1390
01:32:52,360 --> 01:32:55,120
Speaker 1: owe you of give as well. So you know what

1391
01:32:55,120 --> 01:33:00,439
Speaker 1: I'm saying, because because we get my flower, you stay

1392
01:33:00,560 --> 01:33:04,360
Speaker 1: to the side. But we said, now this man too, Yes, yeah,

1393
01:33:04,439 --> 01:33:07,360
Speaker 1: you get my life back together. He don't play the

1394
01:33:07,439 --> 01:33:09,600
Speaker 1: big way I got it done. Yeah, yeah, yeah, you

1395
01:33:09,640 --> 01:33:12,000
Speaker 1: don't play that. So I mean, let's let's I mean

1396
01:33:12,120 --> 01:33:14,200
Speaker 1: that he said that. That's that's that's a lot of

1397
01:33:14,240 --> 01:33:16,360
Speaker 1: way that I know we we said this before. I mean,

1398
01:33:16,439 --> 01:33:19,599
Speaker 1: we did this before. But I want to elaborate with y'all, guys, relationship,

1399
01:33:19,640 --> 01:33:21,640
Speaker 1: like how did it even start out of this? You know,

1400
01:33:22,160 --> 01:33:24,880
Speaker 1: I mean to be honest with you. About seven years

1401
01:33:24,920 --> 01:33:28,680
Speaker 1: ago I started a podcast myself called and Steve Lottlebells right,

1402
01:33:29,080 --> 01:33:30,360
Speaker 1: and you know I was a little ahead of my time.

1403
01:33:30,439 --> 01:33:33,880
Speaker 1: Interviewed Jake Cole to afro Jack too. I mean, so

1404
01:33:34,000 --> 01:33:36,519
Speaker 1: many people, right, and I would just pull up to them,

1405
01:33:36,720 --> 01:33:38,320
Speaker 1: you know, I go to Soldier Boys house and get

1406
01:33:38,360 --> 01:33:40,559
Speaker 1: on his balcony, or go to afro Jack on the studio,

1407
01:33:41,160 --> 01:33:42,800
Speaker 1: Jay Cole to his house and just pull up with

1408
01:33:42,840 --> 01:33:45,160
Speaker 1: a BlackBerry and just interview people. I thought it was

1409
01:33:45,200 --> 01:33:50,800
Speaker 1: gonna be Johnny Carson. So, um, I've seen Raoul and

1410
01:33:50,920 --> 01:33:53,680
Speaker 1: Scott on Instagram. So I know Raoul back from the

1411
01:33:53,760 --> 01:33:55,479
Speaker 1: term squad days when he's drive around the count you

1412
01:33:55,520 --> 01:33:57,880
Speaker 1: with him and Fat Joe and Big Pun resting us

1413
01:33:57,920 --> 01:34:02,120
Speaker 1: with ball does Yeah, and uh, you know, I got

1414
01:34:02,160 --> 01:34:03,880
Speaker 1: a long career. You know, I started with jam mster

1415
01:34:03,960 --> 01:34:07,080
Speaker 1: J and r NFC, so I don't forget that. You know,

1416
01:34:07,360 --> 01:34:09,640
Speaker 1: Easy introduced me to you know, bone Thugs, and I

1417
01:34:09,760 --> 01:34:12,240
Speaker 1: worked with Nip to Big You and you know, a long,

1418
01:34:12,360 --> 01:34:15,080
Speaker 1: long career. I've been blessed. But when I did the podcast,

1419
01:34:15,439 --> 01:34:18,920
Speaker 1: I interviewed uh Scott you know, and shout out to

1420
01:34:18,960 --> 01:34:21,280
Speaker 1: Fat Joe man because you know that's family and uh

1421
01:34:21,560 --> 01:34:23,599
Speaker 1: Rahol needs to drive around the country, like I said,

1422
01:34:24,120 --> 01:34:26,360
Speaker 1: So he said, come to this house. So I pulled

1423
01:34:26,439 --> 01:34:28,640
Speaker 1: up his house in Tarzana. Scott was sitting in the

1424
01:34:28,720 --> 01:34:31,479
Speaker 1: backyard bohim self and I said, where's row Whole? He say,

1425
01:34:31,520 --> 01:34:34,840
Speaker 1: he's not here. Um, So I interviewed Scott and I

1426
01:34:34,880 --> 01:34:36,800
Speaker 1: pulled out my commit in their plaque because I went

1427
01:34:36,840 --> 01:34:38,439
Speaker 1: to gramm me with Dad with Crazy going to play

1428
01:34:39,800 --> 01:34:42,360
Speaker 1: Yeah and Scott was on that album, but I always

1429
01:34:42,400 --> 01:34:44,120
Speaker 1: wanted him to sign a plaque. And we never even

1430
01:34:44,160 --> 01:34:46,920
Speaker 1: knew each other. Really, yeah, we never really knew each other.

1431
01:34:47,040 --> 01:34:50,080
Speaker 1: So I interviewed him in Ninny ask me to manage him.

1432
01:34:50,800 --> 01:34:52,639
Speaker 1: So in twenty four hours, I said, give me twenty

1433
01:34:52,680 --> 01:34:55,840
Speaker 1: five hours, and I said, 's rock and roll, not

1434
01:34:56,000 --> 01:34:57,920
Speaker 1: knowing what I was getting myself, and vol, why do

1435
01:34:58,000 --> 01:35:00,160
Speaker 1: you say, I just needed to think of boy it

1436
01:35:00,200 --> 01:35:03,240
Speaker 1: because I never managed the producer, and um, I had

1437
01:35:03,240 --> 01:35:05,479
Speaker 1: a lot going on. And I said, just give me

1438
01:35:05,520 --> 01:35:07,599
Speaker 1: twenty five hours and twenty hours and so let's rock

1439
01:35:07,640 --> 01:35:11,160
Speaker 1: and roll. And uh, it wasn't easy to begin in

1440
01:35:11,600 --> 01:35:13,240
Speaker 1: you know, I really didn't know him in his history

1441
01:35:13,320 --> 01:35:15,400
Speaker 1: and stuff that he's been through. But one thing I

1442
01:35:15,479 --> 01:35:16,880
Speaker 1: did tell him, just trust me, and I was gonna

1443
01:35:16,880 --> 01:35:18,559
Speaker 1: put him in with the new artists that no one

1444
01:35:18,600 --> 01:35:22,080
Speaker 1: ever heard of. That I just you know, either knew

1445
01:35:22,120 --> 01:35:25,000
Speaker 1: them or knew someone to work with them. And uh

1446
01:35:25,560 --> 01:35:27,439
Speaker 1: the rest was says to me, like perfect example, Roddy

1447
01:35:27,560 --> 01:35:29,640
Speaker 1: rich Man shout out to Kifa, but a lot of

1448
01:35:29,680 --> 01:35:31,919
Speaker 1: people don't know his father's key to rock from sixties,

1449
01:35:32,360 --> 01:35:34,720
Speaker 1: who was the only crypt down with death Row. He

1450
01:35:34,840 --> 01:35:36,840
Speaker 1: got and see on his face and got death row

1451
01:35:36,880 --> 01:35:39,519
Speaker 1: and he's doing life. Hopefully he's coming home. But he

1452
01:35:39,920 --> 01:35:41,960
Speaker 1: called me like, uncle, got this new kid and Roddy rich.

1453
01:35:42,040 --> 01:35:44,439
Speaker 1: I asked Scott bringing his kid over, and Scott, of course,

1454
01:35:44,600 --> 01:35:47,760
Speaker 1: was like, is there an advance? He's their money, but

1455
01:35:47,880 --> 01:35:50,479
Speaker 1: you know what, let's do it. We made down below.

1456
01:35:51,160 --> 01:35:52,960
Speaker 1: Hey Boogie was in l A. I said, he's gonna

1457
01:35:53,000 --> 01:35:56,200
Speaker 1: pull up. Scott was like, and he had forty people

1458
01:35:56,280 --> 01:35:59,280
Speaker 1: with him. He had forty people he got just going.

1459
01:35:59,320 --> 01:36:04,240
Speaker 1: The session was way before, so I said, Scott going

1460
01:36:04,280 --> 01:36:06,600
Speaker 1: in and work with that kid. Don que him and

1461
01:36:06,720 --> 01:36:09,720
Speaker 1: PNB Rocks and uh. I let them new Scott's car

1462
01:36:09,800 --> 01:36:12,080
Speaker 1: to through the video in the house and Scott was

1463
01:36:12,120 --> 01:36:14,479
Speaker 1: making records and they wound up blowing up and so

1464
01:36:14,600 --> 01:36:16,439
Speaker 1: on and solo. But I'm gonna keep it real with

1465
01:36:16,520 --> 01:36:18,920
Speaker 1: you man. You know you guys are talking about game right.

1466
01:36:18,960 --> 01:36:21,599
Speaker 1: And I call him Chuck. I was at a restaurant

1467
01:36:21,640 --> 01:36:24,720
Speaker 1: with Whack and we had a sushi restaurant and we

1468
01:36:24,800 --> 01:36:27,280
Speaker 1: were eating lunch and I said, I'm working with Scott.

1469
01:36:27,720 --> 01:36:30,439
Speaker 1: I would love Chuck to come work with Scott. And

1470
01:36:30,520 --> 01:36:32,439
Speaker 1: Whack was like, yo, you know we've worked with Scott

1471
01:36:32,439 --> 01:36:34,720
Speaker 1: in the past and last time with Mammy. You know,

1472
01:36:34,880 --> 01:36:37,360
Speaker 1: things didn't go great. But you know what, man, I'm

1473
01:36:37,360 --> 01:36:39,840
Speaker 1: gonna have Chuck pull up. And Chuck pulled up the

1474
01:36:39,920 --> 01:36:42,680
Speaker 1: next day and that was the first record we did

1475
01:36:42,720 --> 01:36:45,360
Speaker 1: with Scott. All eyes on me, put Jeremiah on the

1476
01:36:45,400 --> 01:36:47,880
Speaker 1: hook and I said, Scott, you gotta say Scott starts

1477
01:36:47,920 --> 01:36:50,400
Speaker 1: on the record. Have a girl say Scott starts and

1478
01:36:50,479 --> 01:36:51,920
Speaker 1: you'll get a little bit. It's like, you know, no

1479
01:36:52,000 --> 01:36:54,040
Speaker 1: one's ever did a little tag, but we did the

1480
01:36:54,080 --> 01:36:56,560
Speaker 1: tag and it went to Power Little six and the

1481
01:36:56,600 --> 01:37:00,160
Speaker 1: record blew up and that was just like, get some

1482
01:37:00,240 --> 01:37:05,400
Speaker 1: look the game. And that was the first record that

1483
01:37:05,920 --> 01:37:08,719
Speaker 1: I worked with Scott doing, and that record and platinum

1484
01:37:09,240 --> 01:37:11,280
Speaker 1: and I was just like wow, that was that was

1485
01:37:11,360 --> 01:37:16,280
Speaker 1: the first comeback. Damn. My next question was that a

1486
01:37:16,360 --> 01:37:18,920
Speaker 1: little boy rowdy wick? So yes, just yeah, I mean

1487
01:37:18,960 --> 01:37:21,680
Speaker 1: I broke it. We thinking like man from Queen. But

1488
01:37:22,040 --> 01:37:26,400
Speaker 1: let me love you. How did that come about? That's

1489
01:37:26,400 --> 01:37:28,639
Speaker 1: the question for you. I wasn't, I wasn't nowhere around

1490
01:37:29,120 --> 01:37:31,880
Speaker 1: was looking right at you overkay with my bad you

1491
01:37:31,880 --> 01:37:35,080
Speaker 1: can see my kid something that you do? I know

1492
01:37:35,160 --> 01:37:42,040
Speaker 1: who was looking at yesterday? People let's go let other people. Yeah,

1493
01:37:42,280 --> 01:37:48,559
Speaker 1: I'm just let it ryver So. I made the record

1494
01:37:50,640 --> 01:37:57,200
Speaker 1: with Neo my boy Cam and we cut it here

1495
01:37:57,200 --> 01:38:02,720
Speaker 1: in Miami. Not okay, I'm just trying to get my

1496
01:38:02,800 --> 01:38:09,519
Speaker 1: breath back, okay, but idcast um. I thought it was

1497
01:38:09,560 --> 01:38:11,799
Speaker 1: an amazing immediately. I thought it was a hit record.

1498
01:38:14,520 --> 01:38:18,479
Speaker 1: I went with Larry Jackson man right on an Apple

1499
01:38:18,640 --> 01:38:26,680
Speaker 1: Music to play it for Clive Davis. Clive didn't like it.

1500
01:38:28,400 --> 01:38:32,200
Speaker 1: He said the ship was wacked basically shot on me

1501
01:38:32,320 --> 01:38:34,840
Speaker 1: in the meeting. You in the meeting, Yeah, I'm in

1502
01:38:34,880 --> 01:38:39,800
Speaker 1: the media that he was falling asleep in his chair.

1503
01:38:41,720 --> 01:38:43,240
Speaker 1: I don't want to give a funk. I tell it

1504
01:38:43,320 --> 01:38:45,479
Speaker 1: like it is. I got to ladies see behind the hill.

1505
01:38:45,680 --> 01:38:49,280
Speaker 1: Yes you have. He said the ship was whack basically.

1506
01:38:50,720 --> 01:38:57,639
Speaker 1: Six months later, guy named Peter Edge, the person who

1507
01:38:57,680 --> 01:39:01,880
Speaker 1: was it was the labeled just these English guys like

1508
01:39:01,960 --> 01:39:08,840
Speaker 1: Scoltant the record is brilliant, like it Bro okay, but

1509
01:39:09,000 --> 01:39:14,360
Speaker 1: he wasn't. Bro was earlier. Okay, but he liked the

1510
01:39:14,439 --> 01:39:18,560
Speaker 1: record and he got behind it and made it the

1511
01:39:18,640 --> 01:39:22,080
Speaker 1: first single. And the man who owned the motherfucker label

1512
01:39:22,080 --> 01:39:26,320
Speaker 1: we didn't like it. Clyde David I guess he he

1513
01:39:26,360 --> 01:39:29,200
Speaker 1: ain't know any better, but that's became the longest running

1514
01:39:29,280 --> 01:39:32,840
Speaker 1: number one song ever in the history of music at

1515
01:39:32,920 --> 01:39:37,080
Speaker 1: that point. Wow. Yeah, so he was wrong. The label

1516
01:39:37,160 --> 01:39:42,439
Speaker 1: is always wrong, the labels. I spec voice that labels. Yeah,

1517
01:39:42,800 --> 01:39:45,800
Speaker 1: I'm serious, bro, I've seen it so much crazy ship

1518
01:39:46,520 --> 01:39:50,479
Speaker 1: records that got slept on. You've the next question should

1519
01:39:50,520 --> 01:39:54,040
Speaker 1: be But we always talked about the debate in deependent.

1520
01:39:55,280 --> 01:39:58,200
Speaker 1: What do you like want? Major? Independent? Independent? Right now?

1521
01:39:58,800 --> 01:40:02,040
Speaker 1: What can the label do that you can't do? What

1522
01:40:02,320 --> 01:40:04,479
Speaker 1: do you think is st I mean, you know, you

1523
01:40:04,560 --> 01:40:07,200
Speaker 1: get to a point you start independent, start, that's what

1524
01:40:08,479 --> 01:40:10,720
Speaker 1: and chases you, you know, back in the days and

1525
01:40:10,800 --> 01:40:13,040
Speaker 1: a lot of people independent, you know, from Too Short

1526
01:40:13,120 --> 01:40:15,960
Speaker 1: to the forty you know, Tony Draper, Suave House out,

1527
01:40:16,520 --> 01:40:18,559
Speaker 1: you know, and you know a lot of people independent.

1528
01:40:18,600 --> 01:40:20,760
Speaker 1: If she was able to rest in peace and at

1529
01:40:20,800 --> 01:40:22,479
Speaker 1: the end of the label comes you know. Look, I

1530
01:40:22,560 --> 01:40:24,080
Speaker 1: look at it like, if you want to go to

1531
01:40:24,160 --> 01:40:27,040
Speaker 1: another level as an artist, sometimes you need to get

1532
01:40:27,080 --> 01:40:30,360
Speaker 1: to the major because they'll take you to certain places

1533
01:40:30,439 --> 01:40:33,280
Speaker 1: that you can't do it yourself. But I start, you know,

1534
01:40:33,600 --> 01:40:37,040
Speaker 1: starting off. That's That's not what we said, because you've

1535
01:40:37,040 --> 01:40:40,479
Speaker 1: you've advocated for you, like just majors without explaining that.

1536
01:40:41,080 --> 01:40:43,519
Speaker 1: What I've always said is being dependent so you can

1537
01:40:43,560 --> 01:40:45,760
Speaker 1: take advantage of that machine. What you're there, and you

1538
01:40:45,880 --> 01:40:50,960
Speaker 1: can leverage that. First what I said to go to

1539
01:40:51,200 --> 01:40:55,160
Speaker 1: to a major label and think that that's gonna solidify

1540
01:40:55,240 --> 01:40:57,800
Speaker 1: you and make you bigger, greater, or better. It's not

1541
01:40:58,320 --> 01:41:01,920
Speaker 1: you want to wait to the major wants you not

1542
01:41:02,040 --> 01:41:05,200
Speaker 1: say you wanted. You want the major to be coming

1543
01:41:05,240 --> 01:41:08,400
Speaker 1: at you, like with the bag bag the priority. You're

1544
01:41:08,400 --> 01:41:10,960
Speaker 1: a priority to them, like you already got some ship

1545
01:41:11,040 --> 01:41:13,680
Speaker 1: popping right, They're gonna work for you. But he pull

1546
01:41:13,800 --> 01:41:17,880
Speaker 1: up on the label early on too early, they're gonna

1547
01:41:17,880 --> 01:41:20,280
Speaker 1: give you whatever. You know what I want to say

1548
01:41:20,360 --> 01:41:23,200
Speaker 1: with gods are independent on major every artis out there,

1549
01:41:23,280 --> 01:41:26,040
Speaker 1: or anybody trying to get into a business, learn the business,

1550
01:41:26,439 --> 01:41:30,040
Speaker 1: understanding the business, because this is a business doing what

1551
01:41:30,120 --> 01:41:33,760
Speaker 1: I found out the other day that owning someone's music

1552
01:41:33,880 --> 01:41:38,559
Speaker 1: is illegal. What do you mean, like the label intellectual property? Yeah,

1553
01:41:38,600 --> 01:41:41,759
Speaker 1: like you ain't supposed to apost like there's so funny.

1554
01:41:41,840 --> 01:41:44,840
Speaker 1: We just found out that it's actually illegal to say

1555
01:41:44,880 --> 01:41:47,920
Speaker 1: that I owned this music like that, like it's it's

1556
01:41:48,000 --> 01:41:50,080
Speaker 1: it's it's Steeves. That was the water of it. There's

1557
01:41:50,120 --> 01:41:53,200
Speaker 1: some conversation I was watching and I'll get more of it,

1558
01:41:53,280 --> 01:41:54,960
Speaker 1: but that that's like crazy, like to me, it should

1559
01:41:54,960 --> 01:41:57,800
Speaker 1: be illegal. But um, I feel like we we spoke

1560
01:41:57,840 --> 01:41:59,640
Speaker 1: about making rain right and how it was made or

1561
01:41:59,680 --> 01:42:03,800
Speaker 1: it was, we spoke about it making Ready, Yeah, how

1562
01:42:03,960 --> 01:42:06,240
Speaker 1: was making read the same way we made Lean Back

1563
01:42:06,400 --> 01:42:08,560
Speaker 1: the same we made Get It Popping. So when we

1564
01:42:08,680 --> 01:42:10,920
Speaker 1: made a lot of these records, but we didn't men.

1565
01:42:11,760 --> 01:42:16,200
Speaker 1: Joe's going to the video and just he explains. I

1566
01:42:16,280 --> 01:42:18,720
Speaker 1: just remember him going saying yo. At the time, he

1567
01:42:18,840 --> 01:42:20,920
Speaker 1: was like and he was really trap Ship, but it

1568
01:42:21,080 --> 01:42:23,880
Speaker 1: was yo, let's let's make some of that down South

1569
01:42:24,000 --> 01:42:27,280
Speaker 1: Ship because he was seeing a lot of slack for

1570
01:42:27,360 --> 01:42:30,400
Speaker 1: that record in New York, everyone else in the world

1571
01:42:30,479 --> 01:42:33,120
Speaker 1: in the town South Ship, and he made because he remember,

1572
01:42:33,280 --> 01:42:35,519
Speaker 1: Joe was messing with the South for so he made

1573
01:42:35,640 --> 01:42:40,439
Speaker 1: ninety five South Chain that supposed to be being You

1574
01:42:40,560 --> 01:42:45,360
Speaker 1: understand I'm saying, yeah, I was standing in his market

1575
01:42:45,800 --> 01:42:51,040
Speaker 1: because you know that ship, that that tempo that's all

1576
01:42:51,080 --> 01:42:53,920
Speaker 1: about tempo man's music. It ain't about some set ship,

1577
01:42:54,560 --> 01:42:56,920
Speaker 1: ain't about wheiting from the Temple. That's how we felt

1578
01:42:56,920 --> 01:43:01,439
Speaker 1: about Super Thug tempo. That's it, and the motherfucker is

1579
01:43:01,720 --> 01:43:03,639
Speaker 1: joke and he was ready to spit on some ship

1580
01:43:03,760 --> 01:43:06,760
Speaker 1: like that. So that's what that was making. All I

1581
01:43:06,800 --> 01:43:09,320
Speaker 1: know is I got a call from one of the homies.

1582
01:43:09,360 --> 01:43:11,920
Speaker 1: You're like, motherfucker, did you ever make a song like that? Again?

1583
01:43:12,439 --> 01:43:14,479
Speaker 1: I'm going broke from that damn song and the strip

1584
01:43:14,560 --> 01:43:19,080
Speaker 1: of bro every time I play that ship. Yeah, yeah,

1585
01:43:19,120 --> 01:43:21,000
Speaker 1: I could stand that ship when I was in the

1586
01:43:21,040 --> 01:43:23,560
Speaker 1: clubs and the saying Northea's in the house. But the

1587
01:43:23,640 --> 01:43:26,720
Speaker 1: fun I can't just come in here. You can make

1588
01:43:26,800 --> 01:43:32,720
Speaker 1: you doing money? Yeah, you can stand the records actually amazing. Yeah, yeah,

1589
01:43:32,760 --> 01:43:35,439
Speaker 1: that that was crazy. You didn't make the the East

1590
01:43:35,520 --> 01:43:39,599
Speaker 1: Coast no world Wide troop club a. Yeah, you ain't

1591
01:43:39,640 --> 01:43:44,240
Speaker 1: no burband A Little women? What about? How was it

1592
01:43:44,360 --> 01:43:48,920
Speaker 1: making that record? Oh you ain't no fire? I did

1593
01:43:49,000 --> 01:43:51,759
Speaker 1: the video one of a few videos. I did the video.

1594
01:43:51,920 --> 01:43:54,680
Speaker 1: I'm in the video playing keys. They gave you so

1595
01:43:54,800 --> 01:43:57,720
Speaker 1: much love with that record. But I have a confession.

1596
01:43:58,640 --> 01:44:01,960
Speaker 1: I literally went round the whole video and got almost

1597
01:44:02,040 --> 01:44:07,120
Speaker 1: every one of the girl's numbers. I probably knocked out

1598
01:44:07,200 --> 01:44:11,840
Speaker 1: every girl and I can make it read you ain't

1599
01:44:12,360 --> 01:44:14,600
Speaker 1: you ain't no videos. You ain't no video at some

1600
01:44:15,040 --> 01:44:19,520
Speaker 1: bad ones. This video video it's in like a restaurant

1601
01:44:19,600 --> 01:44:22,600
Speaker 1: or something like clubs. I forget what first, like some

1602
01:44:23,040 --> 01:44:26,320
Speaker 1: worring twenties looking ship I brought my eye had at

1603
01:44:26,360 --> 01:44:30,040
Speaker 1: that time. I had like one of them classic classic

1604
01:44:30,200 --> 01:44:33,000
Speaker 1: Bentley's like from like back in like the you know

1605
01:44:33,160 --> 01:44:36,080
Speaker 1: gangs todays when the big joints, and I brought it

1606
01:44:36,120 --> 01:44:40,000
Speaker 1: to the video shooting everything just for no reason, stoping gangster. Yeah,

1607
01:44:40,960 --> 01:44:45,280
Speaker 1: just because fucking I literally got I think I got

1608
01:44:45,360 --> 01:44:50,160
Speaker 1: every girl's number of the video, almost everything that video.

1609
01:44:50,720 --> 01:45:00,680
Speaker 1: You definitely so so. Another thing, You're first person I

1610
01:45:00,800 --> 01:45:03,080
Speaker 1: ever see with the Bugatti? Is this true? Are you

1611
01:45:03,160 --> 01:45:05,120
Speaker 1: the first person in the hip hop with the Buggatti?

1612
01:45:05,280 --> 01:45:07,920
Speaker 1: Let's just throw it off there in hip hop. Yeah, look,

1613
01:45:08,040 --> 01:45:12,160
Speaker 1: Bugatti was a car for hundreds of years. Just can't

1614
01:45:12,280 --> 01:45:17,200
Speaker 1: skip over that. The first curson in the hip hop

1615
01:45:17,280 --> 01:45:21,200
Speaker 1: with the Bugatti. Absolutely, because when when they when the

1616
01:45:21,320 --> 01:45:25,120
Speaker 1: Ruggatti came back, I came back with a car called

1617
01:45:25,120 --> 01:45:28,920
Speaker 1: the very roun Bugatti vey Ron. They got the ship

1618
01:45:29,160 --> 01:45:32,720
Speaker 1: on now they got the all different ones, but the

1619
01:45:32,920 --> 01:45:37,559
Speaker 1: Veyron yeah, they kept like two cars. Who gotta kept

1620
01:45:37,640 --> 01:45:40,960
Speaker 1: like the car number one, number two. Ralph Laren got

1621
01:45:41,080 --> 01:45:44,840
Speaker 1: col car number three. Do their own Polo. I got

1622
01:45:44,920 --> 01:45:48,400
Speaker 1: car Num. Four And if you look at my MTV criers,

1623
01:45:48,760 --> 01:45:51,880
Speaker 1: you see I opened the hood. I got car number four,

1624
01:45:52,880 --> 01:45:56,080
Speaker 1: very run. I was the one of the first people.

1625
01:45:56,160 --> 01:45:59,120
Speaker 1: I plucked down a little two million on that. And

1626
01:45:59,320 --> 01:46:04,240
Speaker 1: but the ship when everybody that was buying like European

1627
01:46:04,360 --> 01:46:07,080
Speaker 1: cars and high end cars, he was maxed out of,

1628
01:46:07,200 --> 01:46:12,000
Speaker 1: like that was all you were spending. I came in

1629
01:46:12,080 --> 01:46:18,719
Speaker 1: with two million and before everybody, oh six and before everybody.

1630
01:46:18,720 --> 01:46:29,120
Speaker 1: I like that. Yea, let's just say the first. You

1631
01:46:29,160 --> 01:46:32,439
Speaker 1: should have a whole section the show called first. I

1632
01:46:32,439 --> 01:46:34,880
Speaker 1: don't first to everything. And I remember when the car

1633
01:46:35,000 --> 01:46:41,280
Speaker 1: got delivered Terrorist Squad and we got the car and

1634
01:46:41,400 --> 01:46:44,200
Speaker 1: came off the truck and it's sitting in my parking

1635
01:46:44,280 --> 01:46:50,360
Speaker 1: lot on Palm Island and we I said, you're asking,

1636
01:46:51,040 --> 01:46:53,960
Speaker 1: let's be the first people to ever smoke a blunt

1637
01:46:54,160 --> 01:46:57,560
Speaker 1: in a Bugatti. They run and we sat in my

1638
01:46:57,760 --> 01:47:02,479
Speaker 1: parking line because in the square foot not joint bun

1639
01:47:02,600 --> 01:47:05,320
Speaker 1: blunt it was on my Yeah, we're smoking a blunt.

1640
01:47:05,600 --> 01:47:08,280
Speaker 1: We smoked. We christened the car and didn't even moving yet.

1641
01:47:08,800 --> 01:47:11,160
Speaker 1: We smoked a blunt in that motherfucker in the driveway

1642
01:47:11,600 --> 01:47:13,840
Speaker 1: and we were the first people to smoke a blunt

1643
01:47:13,960 --> 01:47:20,880
Speaker 1: ever in a BUGTI. Goddamn that was ill to me

1644
01:47:21,040 --> 01:47:24,280
Speaker 1: because this ain't folklord, these are true stories, bro, because

1645
01:47:24,400 --> 01:47:27,040
Speaker 1: who how did we even hear about bud? He said,

1646
01:47:27,080 --> 01:47:31,400
Speaker 1: was it James's mind? No, I didn't even know. It

1647
01:47:31,560 --> 01:47:34,320
Speaker 1: was just we Mothercker's knew. It was some millions and

1648
01:47:34,439 --> 01:47:36,200
Speaker 1: the like, that's what I wanted to be. I wanted

1649
01:47:36,240 --> 01:47:39,320
Speaker 1: to represent the guy who had the multimillion dollars ship,

1650
01:47:39,439 --> 01:47:43,000
Speaker 1: the thirty carrot diamonds on every fucking finger and all

1651
01:47:43,080 --> 01:47:45,280
Speaker 1: that ship. Like I painted myself in the corner with

1652
01:47:45,360 --> 01:47:47,400
Speaker 1: that ship a little bit because you have to. Like

1653
01:47:48,280 --> 01:47:50,400
Speaker 1: I'm like, damn, we're gonna show up in a spaceship

1654
01:47:50,560 --> 01:47:53,679
Speaker 1: to the club and they lowered me or something like something.

1655
01:47:53,840 --> 01:48:00,200
Speaker 1: But like there was a guy his name was Mike Ward,

1656
01:48:00,240 --> 01:48:04,840
Speaker 1: and the owned Fort Laundelle Collections car car company, and

1657
01:48:06,080 --> 01:48:08,920
Speaker 1: I would go there and the dude would send me

1658
01:48:09,040 --> 01:48:13,240
Speaker 1: home and say, Scott, you have every car already. They

1659
01:48:13,320 --> 01:48:15,840
Speaker 1: don't make anything that you don't have, and then he

1660
01:48:15,920 --> 01:48:18,000
Speaker 1: finally called me the one day and he say there's

1661
01:48:18,040 --> 01:48:20,840
Speaker 1: some new ship. It's some a million dollars who got

1662
01:48:20,920 --> 01:48:23,880
Speaker 1: the very ron ship? And I was like, I'll take it.

1663
01:48:24,360 --> 01:48:26,560
Speaker 1: I didn't even know what it was to take me,

1664
01:48:26,600 --> 01:48:29,599
Speaker 1: I'll take it. Probably I got that motherfucker. I'm smoked

1665
01:48:29,600 --> 01:48:31,720
Speaker 1: a blunt. And then when we rolled, you know, have

1666
01:48:31,800 --> 01:48:33,519
Speaker 1: you ever got pulled over in that? Because I feel

1667
01:48:33,520 --> 01:48:35,960
Speaker 1: like to pull each your ship. I feel like they

1668
01:48:36,200 --> 01:48:38,240
Speaker 1: just look at your car, but like let the nigga live.

1669
01:48:38,720 --> 01:48:41,519
Speaker 1: But they didn't know what it was. They didn't know

1670
01:48:41,560 --> 01:48:43,479
Speaker 1: what it was when I first had it, and then

1671
01:48:43,520 --> 01:48:45,600
Speaker 1: they found out and it was like, oh ship, So

1672
01:48:45,720 --> 01:48:47,720
Speaker 1: did they pull you over? They never pulled you out.

1673
01:48:48,200 --> 01:48:50,360
Speaker 1: I had a cap pulled me over one time and

1674
01:48:50,880 --> 01:48:55,120
Speaker 1: I go to the South Beach and I thought I

1675
01:48:55,320 --> 01:49:01,439
Speaker 1: was I was definitely rotten dirty, Oh clunty mother, and

1676
01:49:01,600 --> 01:49:05,920
Speaker 1: the cop got out and flashing lights behind me. Really

1677
01:49:06,000 --> 01:49:11,120
Speaker 1: copf top and saying James Ingram one in a million

1678
01:49:11,600 --> 01:49:14,360
Speaker 1: for me. When next in my car and walked literally

1679
01:49:14,439 --> 01:49:16,679
Speaker 1: was singing R and B Classic R and B shipped

1680
01:49:16,680 --> 01:49:19,000
Speaker 1: for me to show me helping. Because singing, I thought

1681
01:49:19,040 --> 01:49:22,280
Speaker 1: I was going to jail. He was doing the pucker,

1682
01:49:22,400 --> 01:49:25,840
Speaker 1: was singing a demo for me. He was a writer

1683
01:49:26,240 --> 01:49:31,080
Speaker 1: and everything you leave at the same time. Of course,

1684
01:49:32,040 --> 01:49:37,040
Speaker 1: he actually became friends. He was always at the head

1685
01:49:37,040 --> 01:49:44,280
Speaker 1: of all the Gary Dode No no, no, no day, Rainball,

1686
01:49:44,439 --> 01:49:47,320
Speaker 1: no different guys. Okay, just stick a shot, just get up.

1687
01:49:48,960 --> 01:49:58,120
Speaker 1: I got a problem that was brothers or foot. I'm

1688
01:49:58,160 --> 01:50:03,880
Speaker 1: gonna get you over this, Okay, how some of my hits? Okay, yeah, okay,

1689
01:50:03,960 --> 01:50:08,439
Speaker 1: now this is a good one. Baking boy, Sean Paul Bey,

1690
01:50:09,920 --> 01:50:12,479
Speaker 1: how how did this make up? Did rule a manicore?

1691
01:50:12,520 --> 01:50:17,639
Speaker 1: You saying? Man? You know? I met Sean Paul when

1692
01:50:17,680 --> 01:50:21,879
Speaker 1: I was working with Comedy. I was wing with common

1693
01:50:22,320 --> 01:50:25,000
Speaker 1: common sense, yeah me common in quest level went to

1694
01:50:25,120 --> 01:50:35,160
Speaker 1: Jamaica to work on Commons album Done Anyways, I met Fihrenheit.

1695
01:50:35,280 --> 01:50:38,120
Speaker 1: I met Sean Paul and we were working at g

1696
01:50:38,320 --> 01:50:41,280
Speaker 1: JAM Studios and I just do with Doo And then

1697
01:50:41,320 --> 01:50:43,880
Speaker 1: I've seen that he did the ship in Belly, the

1698
01:50:44,240 --> 01:50:48,000
Speaker 1: poor damn Ship, and I'm flash forward to working with

1699
01:50:48,320 --> 01:50:52,000
Speaker 1: Beyonce at the Marlin Hotel. We did all that ship

1700
01:50:52,120 --> 01:50:57,200
Speaker 1: there at South Beach Studios, which was owned by the

1701
01:50:57,280 --> 01:51:00,960
Speaker 1: dude that own Island Records. Yeah, and that's Coconut Shrimp

1702
01:51:01,439 --> 01:51:05,120
Speaker 1: to be confused with Island Boy. You know, no, no,

1703
01:51:05,280 --> 01:51:08,360
Speaker 1: I would record that the label that signed Bob Marley,

1704
01:51:09,360 --> 01:51:13,439
Speaker 1: so the legendary spot, you know. Yes. Anyways, and so

1705
01:51:14,080 --> 01:51:17,120
Speaker 1: you give Sean Paul to beat. No, I'm working with Beyonce.

1706
01:51:17,320 --> 01:51:19,880
Speaker 1: We made Baby Boy, and I told be honest, I

1707
01:51:19,920 --> 01:51:23,280
Speaker 1: was like, yo, what does Beyonce record? I throw it

1708
01:51:23,320 --> 01:51:26,800
Speaker 1: with Sean Paul's right now. It's Beyonce that's dangerously in love.

1709
01:51:27,280 --> 01:51:29,640
Speaker 1: And I told Beyonce. I was like, we need to

1710
01:51:29,720 --> 01:51:32,200
Speaker 1: get this dude on the record. This dude, Sean Paul

1711
01:51:32,439 --> 01:51:35,840
Speaker 1: is nasty blah blah blah. And we made that record

1712
01:51:35,960 --> 01:51:37,679
Speaker 1: and that she hadn't heard of him at that point.

1713
01:51:38,240 --> 01:51:42,280
Speaker 1: She might have, but I mean, let's let's Sean Paul

1714
01:51:42,320 --> 01:51:45,760
Speaker 1: and the ship, not just but Sean Paul particular up. Yeah,

1715
01:51:45,800 --> 01:51:49,479
Speaker 1: he was, you know, he was on fire, Sean Paul Man. Yes,

1716
01:51:50,320 --> 01:51:52,360
Speaker 1: we're supposed to be coming on drink chance. We've been

1717
01:51:52,360 --> 01:51:57,280
Speaker 1: talking about it. Yeah, yeah, Sean Paul, I don't know,

1718
01:51:58,640 --> 01:52:02,360
Speaker 1: that's what I said. At least I'm drying. At least Okay,

1719
01:52:02,360 --> 01:52:04,320
Speaker 1: I got more press. Let's drink to your pants. Wif

1720
01:52:04,680 --> 01:52:07,479
Speaker 1: you want to drink to that, ain't gonna you gotta

1721
01:52:07,479 --> 01:52:11,760
Speaker 1: finish that. I'm not even another path. You can't even

1722
01:52:11,840 --> 01:52:17,080
Speaker 1: only when yeah, okay, okay, um boom, this is this

1723
01:52:17,160 --> 01:52:19,880
Speaker 1: is a good one. I did not know he produced

1724
01:52:19,960 --> 01:52:24,280
Speaker 1: this Girls in the Lood, Megan of Style, I didn't

1725
01:52:24,280 --> 01:52:27,719
Speaker 1: know he produced this. So I mean you are around

1726
01:52:27,800 --> 01:52:31,200
Speaker 1: when that record, the original record, what's made? I mean

1727
01:52:31,240 --> 01:52:34,280
Speaker 1: I was in middle school. I mean, MEGANI wasn't. So

1728
01:52:34,400 --> 01:52:38,160
Speaker 1: how's this? You played? How this beaten? And he's okay?

1729
01:52:38,360 --> 01:52:45,400
Speaker 1: They requested it? Yeah, shout out Sleep from three was like, yeah,

1730
01:52:45,520 --> 01:52:48,200
Speaker 1: he got for you. He reached out, he said, flipping

1731
01:52:48,240 --> 01:52:50,000
Speaker 1: and you know, shout out to Timika, right, you know

1732
01:52:50,120 --> 01:52:53,280
Speaker 1: he's he's white. You know. She cleared it. Um and

1733
01:52:53,680 --> 01:52:57,439
Speaker 1: the record blew up. Right, So that was the record.

1734
01:52:57,600 --> 01:53:00,000
Speaker 1: The rector was the Flip Boys, and that was the objective.

1735
01:53:00,040 --> 01:53:05,840
Speaker 1: He was like, wow, and that that that that drop

1736
01:53:05,920 --> 01:53:10,280
Speaker 1: of how much you worked with easy easy? You know

1737
01:53:11,120 --> 01:53:14,439
Speaker 1: the rest in PCTs. I've told the story. I think

1738
01:53:14,880 --> 01:53:17,160
Speaker 1: I don't know if I told it here, but straight

1739
01:53:17,200 --> 01:53:20,120
Speaker 1: out of Compton movie. I wasn't easier to tunnel, you know,

1740
01:53:20,240 --> 01:53:22,640
Speaker 1: legendary tunnel in New York City. I had a few

1741
01:53:22,680 --> 01:53:24,360
Speaker 1: members of Bone does as the first day I met

1742
01:53:24,439 --> 01:53:26,680
Speaker 1: them and brought them to New York and we ran

1743
01:53:26,760 --> 01:53:29,120
Speaker 1: into ice Cube at the tunnel. That's when they were

1744
01:53:29,160 --> 01:53:32,800
Speaker 1: beefing and stuff. And you know, they had a conversation.

1745
01:53:33,640 --> 01:53:36,120
Speaker 1: Um and two of the Bone members with us, uh.

1746
01:53:36,200 --> 01:53:38,760
Speaker 1: The other two at the hotel and he's he had

1747
01:53:38,760 --> 01:53:40,680
Speaker 1: a flanne along the pendleton and all he said, they're

1748
01:53:40,680 --> 01:53:43,280
Speaker 1: gonna walk back to the hotel. It was freezing, but

1749
01:53:43,439 --> 01:53:46,439
Speaker 1: he had the two simone bodyguards and twins and he

1750
01:53:46,520 --> 01:53:49,120
Speaker 1: walked back to the hotel. But I said, getting the limit.

1751
01:53:49,720 --> 01:53:51,639
Speaker 1: But you know, like him and Park and a certain

1752
01:53:51,680 --> 01:53:53,400
Speaker 1: other guys, they would like to walk into the city,

1753
01:53:53,439 --> 01:53:55,720
Speaker 1: you know, and never so easy again he went back

1754
01:53:55,760 --> 01:53:57,800
Speaker 1: to La he passed away. So you know the rest

1755
01:53:57,840 --> 01:54:00,800
Speaker 1: of PC easy. How easy is a lot lot of things? Man?

1756
01:54:01,479 --> 01:54:04,360
Speaker 1: Actually how occulate? You know, for you being around at

1757
01:54:04,439 --> 01:54:07,120
Speaker 1: least for you know some of the parts. Um, I

1758
01:54:07,200 --> 01:54:08,920
Speaker 1: could when you thought the straight out of Carton who

1759
01:54:08,960 --> 01:54:13,960
Speaker 1: he was, I thought it was like pretty it's pretty close. Yeah,

1760
01:54:14,160 --> 01:54:17,360
Speaker 1: somebody was who's on here? This said that they fought

1761
01:54:17,439 --> 01:54:20,160
Speaker 1: wasn't too accurate. There was somebody. I don't think they

1762
01:54:20,160 --> 01:54:22,160
Speaker 1: said it wasn't too accurate. I think they said that

1763
01:54:22,560 --> 01:54:25,160
Speaker 1: they couldn't fit pop fole life in the three albums.

1764
01:54:25,439 --> 01:54:31,439
Speaker 1: You know what you're about, that kind of shout out

1765
01:54:31,439 --> 01:54:33,320
Speaker 1: in the Rest in Peace Pockets movie, you know, Yeah,

1766
01:54:34,000 --> 01:54:36,680
Speaker 1: you can't put a pop story into two and fours.

1767
01:54:37,160 --> 01:54:39,200
Speaker 1: I managed two pops, Croup the Outlaws for years. You know,

1768
01:54:41,120 --> 01:54:43,640
Speaker 1: the rest of Tea, you know Rest in Peace, Kadafi,

1769
01:54:43,720 --> 01:54:46,280
Speaker 1: you know, shout out Napoleon, and you know Cash Strow

1770
01:54:46,320 --> 01:54:53,400
Speaker 1: and Novo. You know, real talk, real talk, shout out

1771
01:54:53,520 --> 01:54:57,320
Speaker 1: role man. He's been doing a lot with me, Scott Joe.

1772
01:54:57,400 --> 01:54:59,880
Speaker 1: You listen to Scott's interview, Role comes up a lot.

1773
01:55:00,320 --> 01:55:03,360
Speaker 1: Yeah that was beautiful. That's beautiful. So now I have

1774
01:55:03,480 --> 01:55:09,280
Speaker 1: to watch you this was jay z record and you

1775
01:55:09,320 --> 01:55:11,440
Speaker 1: can see it to jay Z or this was and

1776
01:55:11,600 --> 01:55:14,680
Speaker 1: Drake give it to Jay. I mean we did to

1777
01:55:14,760 --> 01:55:19,240
Speaker 1: watch her on the chronic Aunt to watch him took

1778
01:55:19,560 --> 01:55:23,680
Speaker 1: it was a blueprint too. I can't forgive it out.

1779
01:55:23,720 --> 01:55:25,360
Speaker 1: What is that? I guess he liked the record so

1780
01:55:25,560 --> 01:55:30,320
Speaker 1: much you wanted to we redid it? Watch to fire

1781
01:55:31,080 --> 01:55:36,160
Speaker 1: goddamn everything. You know, unconventional cool shit. Okay, so earlier

1782
01:55:36,200 --> 01:55:38,320
Speaker 1: you're trying to get this story out, but I wanted

1783
01:55:38,480 --> 01:55:41,040
Speaker 1: because one of the one of the things that I

1784
01:55:41,120 --> 01:55:43,480
Speaker 1: feel like in hip hop that we lost when these

1785
01:55:43,520 --> 01:55:46,560
Speaker 1: brothers fell out was it was the first time we

1786
01:55:46,600 --> 01:55:48,440
Speaker 1: got to see the West coast, that his coast coming

1787
01:55:48,440 --> 01:55:52,280
Speaker 1: together and strongly like I'm just I'm bigging up. Let's

1788
01:55:52,320 --> 01:55:55,320
Speaker 1: look up to cooking, cooking letters at geral Tees right now,

1789
01:55:55,840 --> 01:55:59,400
Speaker 1: cooking the outside and all tease right now. But when

1790
01:55:59,480 --> 01:56:02,880
Speaker 1: I have Game and fifty cent together, and I know

1791
01:56:03,240 --> 01:56:04,720
Speaker 1: I'm not even I know that I could. I can

1792
01:56:04,760 --> 01:56:07,600
Speaker 1: never hear a real album of them together in this day,

1793
01:56:07,720 --> 01:56:10,160
Speaker 1: but I'll be wushing for that. And one of those

1794
01:56:10,400 --> 01:56:13,480
Speaker 1: records was you know, west Side Stories, Game and fifty

1795
01:56:13,600 --> 01:56:17,360
Speaker 1: How was that session? Was you you're making that? I mean,

1796
01:56:17,480 --> 01:56:20,160
Speaker 1: that was just me and Dre doing We had to

1797
01:56:20,240 --> 01:56:23,760
Speaker 1: run me and Dray. We was doing one after another

1798
01:56:24,480 --> 01:56:26,760
Speaker 1: and that was just a day at the office. Man.

1799
01:56:28,760 --> 01:56:31,800
Speaker 1: What were they at the session or okay, okay, okay,

1800
01:56:32,120 --> 01:56:34,000
Speaker 1: because that's how we made music back there, right the

1801
01:56:34,240 --> 01:56:38,680
Speaker 1: artist all together there weren't sending a pup beats. We

1802
01:56:38,880 --> 01:56:42,640
Speaker 1: made that ship that day and mother cut fresh office contender.

1803
01:56:46,800 --> 01:56:49,400
Speaker 1: I'm not a path of beats, motherfucker. Yeah you want

1804
01:56:49,440 --> 01:56:53,760
Speaker 1: to make it and yeah, yeah, that's that's fine. Do

1805
01:56:53,840 --> 01:56:55,840
Speaker 1: you ever throwaway beats when you as you're making it

1806
01:56:56,360 --> 01:56:58,840
Speaker 1: and then artists get mad at you? I mean, I'll

1807
01:56:58,880 --> 01:57:01,440
Speaker 1: skip past some ship if that old thing, you know

1808
01:57:01,440 --> 01:57:03,720
Speaker 1: what I'm saying. But I just I know when the

1809
01:57:03,800 --> 01:57:07,600
Speaker 1: room is loving, I'm not gonna stick the room with

1810
01:57:07,720 --> 01:57:09,360
Speaker 1: a beat that in my voice are like, I feel

1811
01:57:09,360 --> 01:57:11,720
Speaker 1: the energy is cool, and that's more artists just like

1812
01:57:12,520 --> 01:57:15,440
Speaker 1: that's just the ship. Then I'm like, okay, let's just

1813
01:57:15,600 --> 01:57:19,000
Speaker 1: the ship. Let's should be to me. Um. I love

1814
01:57:19,080 --> 01:57:21,880
Speaker 1: those producers when they're sitting there and they're just looking

1815
01:57:21,920 --> 01:57:24,400
Speaker 1: at you and to you until they actually feel you.

1816
01:57:24,600 --> 01:57:29,600
Speaker 1: But yeah, yeah yeah, but can't that energy But can't

1817
01:57:29,600 --> 01:57:32,040
Speaker 1: that be misleading as well? Like this is I've always

1818
01:57:32,040 --> 01:57:34,320
Speaker 1: thought that when you're in the studio session and everybody's

1819
01:57:34,360 --> 01:57:36,120
Speaker 1: like vibing because they're looking at each other and they're

1820
01:57:36,240 --> 01:57:39,120
Speaker 1: looking for that approval the music. You know, the studio

1821
01:57:39,320 --> 01:57:42,400
Speaker 1: the speakers give you that that sound, it might not

1822
01:57:42,520 --> 01:57:44,520
Speaker 1: resonate the same way when it goes out to the world.

1823
01:57:44,920 --> 01:57:48,640
Speaker 1: I feel like sometimes everybody's like hynotize in each other's presence.

1824
01:57:48,960 --> 01:57:51,560
Speaker 1: There's been plenty of times I've gotta beat in the producer,

1825
01:57:51,600 --> 01:57:58,600
Speaker 1: but like this, I don't want to. I'm some artists

1826
01:57:58,640 --> 01:58:01,160
Speaker 1: be brutally honest and like are you really feeling something

1827
01:58:01,680 --> 01:58:04,880
Speaker 1: like don't don't jump the gun? Like the first thing

1828
01:58:04,960 --> 01:58:09,480
Speaker 1: I play might be cool, but like just like let

1829
01:58:09,560 --> 01:58:11,800
Speaker 1: it happened, Like let me know when you really fucking

1830
01:58:11,920 --> 01:58:14,280
Speaker 1: something moves you. When you're like I got an idea

1831
01:58:14,400 --> 01:58:16,800
Speaker 1: for this, right, that's when you know. It's like the

1832
01:58:16,840 --> 01:58:22,040
Speaker 1: baseball you don't you know what labor? Right. I don't

1833
01:58:22,040 --> 01:58:23,920
Speaker 1: know if it's ever been done before to make a chance,

1834
01:58:24,000 --> 01:58:33,960
Speaker 1: but I gotta take the best. Yeah, all the that's

1835
01:58:33,960 --> 01:58:39,840
Speaker 1: a bat, that's I see Amazon. So okay, anyways, back,

1836
01:58:40,720 --> 01:58:46,600
Speaker 1: I don't know. We're good shoe about Adams. Good guys. Yeah,

1837
01:58:46,680 --> 01:58:49,160
Speaker 1: yeah we did that. We spoke about Alms. That's right. Okay,

1838
01:58:49,280 --> 01:58:52,120
Speaker 1: my man Ross right you up? Oh man, that's my

1839
01:58:52,240 --> 01:58:55,680
Speaker 1: man Russe. He's he's just nope, kids, how did y'all

1840
01:58:55,680 --> 01:58:57,840
Speaker 1: link up? I'll just up about a Rust is such

1841
01:58:57,880 --> 01:59:01,040
Speaker 1: a great guy. Man, He's such an artist and hate

1842
01:59:01,040 --> 01:59:05,000
Speaker 1: such a unique character. But I never meant a lot

1843
01:59:05,040 --> 01:59:07,600
Speaker 1: of artists in my life, but he said producing people.

1844
01:59:07,960 --> 01:59:12,720
Speaker 1: He showed so much love and opened the door for

1845
01:59:12,840 --> 01:59:16,440
Speaker 1: me to and believed in me to like carry the

1846
01:59:16,520 --> 01:59:19,600
Speaker 1: torch and fucking like create whatever, whatever the funk I

1847
01:59:19,720 --> 01:59:23,080
Speaker 1: felt was feeling. You know, we would get into the

1848
01:59:23,200 --> 01:59:26,680
Speaker 1: vibe and and make make We made classics. Man. Together,

1849
01:59:27,120 --> 01:59:30,320
Speaker 1: we made like in one run the first time we

1850
01:59:30,360 --> 01:59:32,880
Speaker 1: started working together, like five records and every day we

1851
01:59:32,920 --> 01:59:34,680
Speaker 1: would make the record. He's like, at the end of

1852
01:59:34,720 --> 01:59:38,920
Speaker 1: the day, I'm gonna drop the record every day, five

1853
01:59:39,040 --> 01:59:43,480
Speaker 1: days straight. Like we dropped the record every day and

1854
01:59:43,560 --> 01:59:45,440
Speaker 1: it was crazy, man. It was like it was so

1855
01:59:47,240 --> 01:59:50,600
Speaker 1: that we got plaques off the flute song and wipe

1856
01:59:50,600 --> 01:59:53,080
Speaker 1: you up. But you know, look, it's all about giving roses, right.

1857
01:59:53,280 --> 01:59:56,200
Speaker 1: Um My little nephew Ryan reached out to me and said, Yo,

1858
01:59:56,280 --> 01:59:59,400
Speaker 1: you need to get with this kid named Russ and Milan,

1859
01:59:59,560 --> 02:00:01,240
Speaker 1: who was his manager I used to deal with back

1860
02:00:01,280 --> 02:00:05,360
Speaker 1: in Toronto years ago, and uh, Russ came in Scott's

1861
02:00:05,400 --> 02:00:08,640
Speaker 1: house and you don't work with nobody but Russa's everything himself.

1862
02:00:09,480 --> 02:00:13,520
Speaker 1: He looked up to Scott and he idolized them. And

1863
02:00:13,600 --> 02:00:15,839
Speaker 1: I remember FaceTime and Nip Nip was in the barber's

1864
02:00:15,920 --> 02:00:18,480
Speaker 1: chair and I FaceTime. He picked up and Russ got

1865
02:00:18,640 --> 02:00:21,800
Speaker 1: to meet him, and Russ was like wow, like Steve,

1866
02:00:21,880 --> 02:00:24,000
Speaker 1: you have no idea what's different me? And he was

1867
02:00:24,040 --> 02:00:27,400
Speaker 1: a fan of my podcast. To russa's really uh hip hop?

1868
02:00:28,880 --> 02:00:32,280
Speaker 1: And then he set the record to Nip. They were

1869
02:00:32,280 --> 02:00:34,720
Speaker 1: supposed to get on but he passed. But Russ is

1870
02:00:34,760 --> 02:00:37,360
Speaker 1: a different type of kid man. I have a platinum

1871
02:00:37,400 --> 02:00:40,040
Speaker 1: plaque in my house for a record I did with

1872
02:00:40,200 --> 02:00:47,400
Speaker 1: Russ and I Wipe Up. We had two song he

1873
02:00:47,600 --> 02:00:52,200
Speaker 1: wrote to Scott's Storie the reason why I started making music,

1874
02:00:53,400 --> 02:00:56,400
Speaker 1: and that ship just as well in his book. He

1875
02:00:56,440 --> 02:00:58,800
Speaker 1: wrote it on the platform and he wrote it in

1876
02:00:58,960 --> 02:01:01,360
Speaker 1: his book because he said he never worked with no

1877
02:01:01,440 --> 02:01:04,440
Speaker 1: one in his life. He mixes, he masters, he engineers.

1878
02:01:11,120 --> 02:01:13,520
Speaker 1: He's gonna come back to himself. He's like, I never

1879
02:01:13,600 --> 02:01:15,360
Speaker 1: worked with nobody, and he came and banged out so

1880
02:01:15,440 --> 02:01:18,560
Speaker 1: many records with Sky. But he's a great kid. What

1881
02:01:19,240 --> 02:01:21,800
Speaker 1: not to cut you up? He knows about hard ticket sales.

1882
02:01:21,920 --> 02:01:25,320
Speaker 1: You know, it's a business man like business thrown to

1883
02:01:25,400 --> 02:01:29,360
Speaker 1: a rush show. But I've actually never experienced the rust show.

1884
02:01:30,320 --> 02:01:36,040
Speaker 1: He was restaurant fucking cold ass following the Red Rocks

1885
02:01:36,680 --> 02:01:40,000
Speaker 1: for him. But like, I've never seen anybody react toble

1886
02:01:40,680 --> 02:01:42,560
Speaker 1: artist like that. They've seen every word. I did coach

1887
02:01:42,600 --> 02:01:46,320
Speaker 1: Olla with him once and he just the fans of

1888
02:01:46,600 --> 02:01:50,920
Speaker 1: every cold fans like sold out the stadium ship like

1889
02:01:51,760 --> 02:01:54,040
Speaker 1: a different breed man. And he don't need radio. And

1890
02:01:54,120 --> 02:01:57,440
Speaker 1: he's a good special kids, specialty dozen things. That's why

1891
02:01:57,440 --> 02:02:01,920
Speaker 1: I might all independently, right, he supposed the award shows

1892
02:02:01,960 --> 02:02:04,600
Speaker 1: don't recognize him. Yeah, you don't get the recognition he's

1893
02:02:04,600 --> 02:02:07,720
Speaker 1: supposed to me, he's like he's like, he's like and

1894
02:02:08,120 --> 02:02:10,480
Speaker 1: I know this gonna sound a little crazy, but he's

1895
02:02:10,520 --> 02:02:12,720
Speaker 1: like the white Tyler Creator to me, you know what

1896
02:02:12,720 --> 02:02:16,120
Speaker 1: I'm saying, Like how Tyler creator Kyd does his own things,

1897
02:02:16,200 --> 02:02:20,800
Speaker 1: his own does not need radio. And so it's it's

1898
02:02:20,800 --> 02:02:23,000
Speaker 1: amazing to me that the Rossa doesn't get like the

1899
02:02:23,080 --> 02:02:26,040
Speaker 1: same after he's gonna comes to award show. You know

1900
02:02:26,120 --> 02:02:27,880
Speaker 1: what's so funny. He did go to Sony for a

1901
02:02:27,960 --> 02:02:31,760
Speaker 1: deal and he wanted them to get him radio, and

1902
02:02:31,800 --> 02:02:33,360
Speaker 1: they didn't get him the radio he wanted. He went

1903
02:02:33,400 --> 02:02:37,600
Speaker 1: back independent, all right, and he knows the businessman and

1904
02:02:38,120 --> 02:02:40,440
Speaker 1: got a great family and he's a good kid man,

1905
02:02:42,400 --> 02:02:47,800
Speaker 1: rich kid, he's rich. Yeah, but people you can tell

1906
02:02:47,840 --> 02:02:49,800
Speaker 1: how much he loves the culture, you know, like yeah,

1907
02:02:49,840 --> 02:02:51,800
Speaker 1: on the recent album I Think Am. I was listening

1908
02:02:51,840 --> 02:02:53,520
Speaker 1: to a record with him at Viney the Butcher. You know,

1909
02:02:54,080 --> 02:02:55,960
Speaker 1: he was a child like this kid loves You can

1910
02:02:56,040 --> 02:02:58,680
Speaker 1: have both of them love writing and ship like I

1911
02:02:58,760 --> 02:03:01,160
Speaker 1: just I love that, don't. I don't get to see that,

1912
02:03:01,400 --> 02:03:05,520
Speaker 1: you know, just part of me hates the business part

1913
02:03:05,720 --> 02:03:08,520
Speaker 1: was like fun. I had to find my inspiration and

1914
02:03:08,600 --> 02:03:12,120
Speaker 1: my love for it again and I did you know

1915
02:03:13,720 --> 02:03:15,640
Speaker 1: the business is funny man. Okay, let me ask you

1916
02:03:15,760 --> 02:03:19,440
Speaker 1: for this. Absolutely sorry, Chris Brown, Feach, Rick Ross, how

1917
02:03:19,520 --> 02:03:24,480
Speaker 1: did this record come about? Man? That was robbery right there, robberty. Now,

1918
02:03:24,640 --> 02:03:26,920
Speaker 1: I'm just kidding. That was supposed to be my record.

1919
02:03:28,160 --> 02:03:30,600
Speaker 1: That was sinking. Yeah, I was gonna yeah. I was

1920
02:03:30,680 --> 02:03:32,560
Speaker 1: my first attempt at making an album. And then it

1921
02:03:32,600 --> 02:03:35,200
Speaker 1: went out yatu for a while because that was supposed

1922
02:03:35,200 --> 02:03:38,960
Speaker 1: to be my record and they U and uh yeah

1923
02:03:39,680 --> 02:03:43,560
Speaker 1: it went it went to uh to Ross you got

1924
02:03:43,600 --> 02:03:46,360
Speaker 1: the back? Yeah, I mean we made a classic. I

1925
02:03:46,400 --> 02:03:48,600
Speaker 1: don't know, but I wanted that originally how are you

1926
02:03:48,640 --> 02:03:51,200
Speaker 1: gonna say no to the boss, but you wish you

1927
02:03:51,240 --> 02:03:53,200
Speaker 1: would have said you wish would have care for yourself

1928
02:03:53,360 --> 02:03:55,480
Speaker 1: or no. Yeah, I mean I may not have went

1929
02:03:55,560 --> 02:03:58,600
Speaker 1: down like that. I tell Scott save a lot of

1930
02:03:58,640 --> 02:04:02,120
Speaker 1: records from so I don't know. I wanted to down

1931
02:04:02,200 --> 02:04:11,080
Speaker 1: below to be my record. But wow, now one of

1932
02:04:11,200 --> 02:04:16,040
Speaker 1: my close friends. We spoke about them earlier, but I

1933
02:04:16,120 --> 02:04:19,400
Speaker 1: want to know how this record was worked about. Lord,

1934
02:04:19,440 --> 02:04:23,880
Speaker 1: give me a side, DMX, Well, y'are living together this time?

1935
02:04:23,960 --> 02:04:26,480
Speaker 1: I think he lived with you. He was staying with

1936
02:04:26,560 --> 02:04:28,480
Speaker 1: me for like a week or something. I mean, yeah,

1937
02:04:28,520 --> 02:04:30,920
Speaker 1: it's kind of crazy. Story is like the blind leading

1938
02:04:30,960 --> 02:04:36,400
Speaker 1: the blind story before liken't even back then. I always

1939
02:04:36,440 --> 02:04:38,680
Speaker 1: wanted to help him. And I remember I was like

1940
02:04:39,360 --> 02:04:42,400
Speaker 1: snorting my brains out and I'm telling him who was

1941
02:04:42,440 --> 02:04:45,960
Speaker 1: smoking the ship Likens, it ain't cool, man, you gotta

1942
02:04:45,960 --> 02:04:49,960
Speaker 1: stop doing the current man, And I say, come stay

1943
02:04:50,040 --> 02:04:53,760
Speaker 1: with me. And I remember I put him in the

1944
02:04:53,840 --> 02:04:57,080
Speaker 1: rehab and everything, and back then not my rehab that

1945
02:04:57,480 --> 02:05:01,080
Speaker 1: you know, but in Hollywood, Florida's recovery first to place

1946
02:05:02,240 --> 02:05:07,160
Speaker 1: I went to and failed miserably, but um I told

1947
02:05:07,240 --> 02:05:09,520
Speaker 1: him to go there. We made we we were making

1948
02:05:09,600 --> 02:05:12,640
Speaker 1: that record and then simultaneously what all that, And then

1949
02:05:13,560 --> 02:05:18,680
Speaker 1: some crazy shit happened. And I remember X called me

1950
02:05:20,240 --> 02:05:25,280
Speaker 1: from the hard Rock Casino, which was across the street

1951
02:05:25,480 --> 02:05:29,440
Speaker 1: from the rehab center, and telling me that he was

1952
02:05:29,680 --> 02:05:33,480
Speaker 1: with one of the nurses from the rehab center at

1953
02:05:33,520 --> 02:05:37,600
Speaker 1: the hard Rock and I mean, I don't think they

1954
02:05:37,640 --> 02:05:43,600
Speaker 1: were gambling, but at anyway, I remember like I was

1955
02:05:43,680 --> 02:05:46,160
Speaker 1: just like, man, put on a hoodie something and just

1956
02:05:46,320 --> 02:05:48,200
Speaker 1: come to the crib and we're gonna try and get

1957
02:05:48,240 --> 02:05:50,480
Speaker 1: you back in there. And they wouldn't accept them back

1958
02:05:51,640 --> 02:05:54,200
Speaker 1: in the thing because he left the nurse. Yeah, and

1959
02:05:54,400 --> 02:06:00,920
Speaker 1: it was the order situation, the situation and her fault.

1960
02:06:01,040 --> 02:06:03,280
Speaker 1: I remember I was at the Montrean Hotel. I said

1961
02:06:03,360 --> 02:06:06,360
Speaker 1: the mostly like four days later and I got a

1962
02:06:06,400 --> 02:06:08,200
Speaker 1: call from my home security and they were like, there's

1963
02:06:08,240 --> 02:06:12,320
Speaker 1: fifty federal agents at your house right now and they're

1964
02:06:12,320 --> 02:06:16,080
Speaker 1: here for X. And it was sad, man, But I tried.

1965
02:06:16,200 --> 02:06:18,760
Speaker 1: I've always tried, like even in the horrible state I

1966
02:06:18,880 --> 02:06:21,040
Speaker 1: was in to help him because I got so much

1967
02:06:21,080 --> 02:06:24,560
Speaker 1: respect and love for the man. And then, um, you know,

1968
02:06:24,680 --> 02:06:26,800
Speaker 1: flash forward to me and Steve. We tried to help,

1969
02:06:27,520 --> 02:06:29,920
Speaker 1: you know, and it was already too far gone and

1970
02:06:29,960 --> 02:06:34,120
Speaker 1: then we lost him. Man, But yeah, he was actually

1971
02:06:34,520 --> 02:06:36,320
Speaker 1: hanging out with me for the last like six weeks.

1972
02:06:36,520 --> 02:06:39,960
Speaker 1: I was like almost every day, right he he he

1973
02:06:40,400 --> 02:06:42,520
Speaker 1: rented a hotel, rent the block with me. I woul

1974
02:06:42,520 --> 02:06:50,040
Speaker 1: see him as every day crazy. Yeah he definitely. Did

1975
02:06:50,080 --> 02:06:53,160
Speaker 1: you ever get to work with fun? No? You ever met?

1976
02:06:53,440 --> 02:06:57,760
Speaker 1: I don't know. Oh wow. I've had so many moments

1977
02:06:57,840 --> 02:07:02,400
Speaker 1: where like either or Joe would say yo, he would

1978
02:07:02,400 --> 02:07:04,920
Speaker 1: have really liked to work with two. He wouldn't like

1979
02:07:05,040 --> 02:07:07,800
Speaker 1: really good, you don't out of you? Yeah, y'all never

1980
02:07:07,960 --> 02:07:10,400
Speaker 1: enough to stupid. So who's who's your favorite first to

1981
02:07:10,440 --> 02:07:14,720
Speaker 1: collaborate with? Because we heard about the Timberland cried me with, Yeah,

1982
02:07:14,840 --> 02:07:17,400
Speaker 1: you guys to collaborate you know you and Dr Dre

1983
02:07:17,960 --> 02:07:21,000
Speaker 1: What is your ultimate favorite collabinate? The two part question,

1984
02:07:21,720 --> 02:07:24,040
Speaker 1: who is your favorite person to collab with? And who

1985
02:07:24,120 --> 02:07:28,880
Speaker 1: haven't you collab What that you would like to in

1986
02:07:29,040 --> 02:07:34,880
Speaker 1: terms of producers, producers, whatever producers are, artists, whatever, whatever

1987
02:07:34,880 --> 02:07:37,000
Speaker 1: we want for us. I want to work with Drake

1988
02:07:38,040 --> 02:07:44,040
Speaker 1: Drake Canada here. I want to work with the I

1989
02:07:44,120 --> 02:07:46,560
Speaker 1: want to work It's an awful catalysts crazy I want

1990
02:07:46,560 --> 02:07:51,560
Speaker 1: to work with the Weekend. I want to work with Rihannahanna.

1991
02:07:51,840 --> 02:07:53,960
Speaker 1: And now some of these artists would just don't know

1992
02:07:53,960 --> 02:07:58,000
Speaker 1: what to ask. My friend, don't get me in the studio.

1993
02:07:59,040 --> 02:08:01,840
Speaker 1: Did we pleasantly? Some prides that from today. So, but

1994
02:08:02,040 --> 02:08:03,760
Speaker 1: the three people that you haven't worked with do you

1995
02:08:03,840 --> 02:08:08,200
Speaker 1: want to work with? Is Drake Brihanna, the Weekend Rihanna?

1996
02:08:08,360 --> 02:08:10,040
Speaker 1: You know you're trying to change his name to Abel

1997
02:08:10,960 --> 02:08:15,520
Speaker 1: not with no last name, not able Weekend Just yeah,

1998
02:08:15,560 --> 02:08:18,560
Speaker 1: he's gonna be like, yeah, yeah, just yeah. I think

1999
02:08:18,600 --> 02:08:20,440
Speaker 1: it's gonna happen. I think I think it's going to

2000
02:08:20,840 --> 02:08:26,160
Speaker 1: change again really with sal x so a lot of

2001
02:08:26,200 --> 02:08:29,280
Speaker 1: money doing a lot of ship cash and cash sound

2002
02:08:29,360 --> 02:08:30,960
Speaker 1: cash and they get a lot of money over them

2003
02:08:31,120 --> 02:08:34,000
Speaker 1: and they're great people. Yes, so I think that's gonna

2004
02:08:34,040 --> 02:08:39,480
Speaker 1: happen on the weekend side. Sure at any rate? Um,

2005
02:08:40,880 --> 02:08:45,200
Speaker 1: your original question, favorite my favorite collab you have to

2006
02:08:45,280 --> 02:08:52,280
Speaker 1: collab with as a producer, my favorite collab as I

2007
02:08:52,400 --> 02:08:57,480
Speaker 1: think in order like this, Like I mean, I don't

2008
02:08:57,480 --> 02:09:00,880
Speaker 1: know if I would say definitely or Tree and Timberly,

2009
02:09:01,720 --> 02:09:03,440
Speaker 1: That's what I want to say. I was gonna work

2010
02:09:03,480 --> 02:09:08,960
Speaker 1: that with those guys. As producers. My favorite working experience

2011
02:09:09,080 --> 02:09:15,760
Speaker 1: I think with artists with the artists, UM would have

2012
02:09:15,880 --> 02:09:18,720
Speaker 1: to be the making of Dr Drey's album as an

2013
02:09:18,800 --> 02:09:21,400
Speaker 1: artist two one. Making that album was one of the

2014
02:09:21,480 --> 02:09:24,000
Speaker 1: most incredible experiences of my life. I got a chance

2015
02:09:24,080 --> 02:09:29,000
Speaker 1: to hang out with like everybody like when we're making

2016
02:09:29,040 --> 02:09:31,760
Speaker 1: that album, Like you know what I'm saying, Like I

2017
02:09:31,880 --> 02:09:36,560
Speaker 1: found myself and young kid in the studio smoking joints

2018
02:09:36,600 --> 02:09:40,920
Speaker 1: with Snoop Dogg all the ship bro, going to the

2019
02:09:41,000 --> 02:09:45,560
Speaker 1: place to like you're just saying that collaborative effort of

2020
02:09:45,680 --> 02:09:58,320
Speaker 1: that album there, but invited the most important hundred DJs,

2021
02:09:59,560 --> 02:10:01,880
Speaker 1: you know, the core DJs this one now where all

2022
02:10:01,920 --> 02:10:05,200
Speaker 1: these different like DJs, we're in that motherfucker to do

2023
02:10:05,320 --> 02:10:08,480
Speaker 1: a listening party and he sent for everybody to be

2024
02:10:08,560 --> 02:10:13,960
Speaker 1: there at the Playboy Mansion and it was lit. But

2025
02:10:14,400 --> 02:10:16,040
Speaker 1: that was one of the most fun experiences of my

2026
02:10:16,160 --> 02:10:19,360
Speaker 1: life to be part of that. UM. Have you working

2027
02:10:19,360 --> 02:10:23,560
Speaker 1: with Kendrick Huh? You know, No, I haven't working with Kendrick.

2028
02:10:24,040 --> 02:10:27,240
Speaker 1: That surprised should happen to be. I would love to

2029
02:10:27,280 --> 02:10:30,560
Speaker 1: work Okay, I love to work with Tyler the Creator.

2030
02:10:31,240 --> 02:10:32,600
Speaker 1: There are a lot of artists I don't want to

2031
02:10:32,640 --> 02:10:42,280
Speaker 1: work it and who I feel like me coming back

2032
02:10:42,320 --> 02:10:45,000
Speaker 1: to Miami. Right now, I'm creating a recording studio and

2033
02:10:45,040 --> 02:10:47,320
Speaker 1: I'm putting this thing together like right off on the

2034
02:10:47,400 --> 02:10:50,280
Speaker 1: beach and everything, like literally like gonna be the sexiest

2035
02:10:50,320 --> 02:10:55,120
Speaker 1: studio possible. I'm gonna be going so hard for the

2036
02:10:55,200 --> 02:10:58,160
Speaker 1: next twelve months. You're gonna see some ship that you

2037
02:10:58,200 --> 02:11:04,240
Speaker 1: would expect to see from me. Okay, um like NASA

2038
02:11:04,320 --> 02:11:08,600
Speaker 1: hit boards, capable three albums? Again, is this somebody you

2039
02:11:08,800 --> 02:11:10,880
Speaker 1: you gotta do that? You want to do a whole

2040
02:11:10,920 --> 02:11:15,360
Speaker 1: album with? Who a lot of people want. I would

2041
02:11:15,400 --> 02:11:17,920
Speaker 1: do a whole album with. But I think right now

2042
02:11:18,160 --> 02:11:21,200
Speaker 1: the most important thing for me is to lace artists

2043
02:11:21,240 --> 02:11:24,840
Speaker 1: with big records and make my own album. Like I

2044
02:11:24,920 --> 02:11:28,240
Speaker 1: want to make my album and follow in the blueprint

2045
02:11:28,400 --> 02:11:31,600
Speaker 1: of what Kalad is doing. But Kala is a monster

2046
02:11:31,720 --> 02:11:34,120
Speaker 1: and it's so inspiring to me, like when I'm like

2047
02:11:34,280 --> 02:11:36,840
Speaker 1: looking at him and like, man, that's a lot of

2048
02:11:36,960 --> 02:11:39,720
Speaker 1: work that goes into that. People think it's just cool,

2049
02:11:39,800 --> 02:11:42,839
Speaker 1: but like the dude puts in a lot of hours

2050
02:11:44,080 --> 02:11:47,840
Speaker 1: of fucking labor. The vocals are in, The vocals are

2051
02:11:47,920 --> 02:11:50,520
Speaker 1: in all that ship. Bro and all the time, doing

2052
02:11:50,600 --> 02:11:53,320
Speaker 1: social media, all the time, doing this being the personality

2053
02:11:53,400 --> 02:11:56,040
Speaker 1: and then the creative aspect of it also exhausting. That's

2054
02:11:56,080 --> 02:11:59,480
Speaker 1: my inspiration, Like I need to not be lazy and

2055
02:11:59,600 --> 02:12:01,080
Speaker 1: I need to get in there because I have the

2056
02:12:01,200 --> 02:12:05,960
Speaker 1: talent to make unlimited amounts of hits. So now it's time.

2057
02:12:06,640 --> 02:12:09,960
Speaker 1: I think I'm finally acclimated in the right place at

2058
02:12:10,000 --> 02:12:12,760
Speaker 1: the right time. Then Miami is gonna be where it happens.

2059
02:12:14,200 --> 02:12:17,600
Speaker 1: It's turning the camera on yourself now like a callet.

2060
02:12:17,680 --> 02:12:20,320
Speaker 1: Like you're saying, like taking advantage of social media for

2061
02:12:20,440 --> 02:12:23,280
Speaker 1: you to mean one facet of it. It's really about

2062
02:12:23,320 --> 02:12:27,000
Speaker 1: putting in the time and energy and being creative and

2063
02:12:27,120 --> 02:12:30,640
Speaker 1: working smarter not harder. I can't explain it. It's what

2064
02:12:30,760 --> 02:12:33,720
Speaker 1: he always says, and like doing the right thing man,

2065
02:12:33,800 --> 02:12:36,800
Speaker 1: and making a ship for myself. You know, I've been

2066
02:12:37,200 --> 02:12:42,400
Speaker 1: a producer for Higher for long and it made so many,

2067
02:12:42,760 --> 02:12:46,120
Speaker 1: so many It's it's time to make some ship from me.

2068
02:12:46,600 --> 02:12:49,560
Speaker 1: It's real talk. Hopefully you got you on the man

2069
02:12:50,040 --> 02:13:00,200
Speaker 1: chop time, not the wrapping man. I think you went

2070
02:13:00,240 --> 02:13:04,000
Speaker 1: through the Dream Chance album. Have me who have other

2071
02:13:04,200 --> 02:13:05,800
Speaker 1: I've been to put you the other day but I

2072
02:13:05,880 --> 02:13:08,160
Speaker 1: did right. I did right, so I said, I said,

2073
02:13:08,160 --> 02:13:15,160
Speaker 1: I said, I got an ape. I said, I gotta

2074
02:13:15,200 --> 02:13:20,240
Speaker 1: watch work on it and the stainless there He's like,

2075
02:13:20,480 --> 02:13:29,520
Speaker 1: I ain't paid crazy for it. I gotta retails. So

2076
02:13:32,040 --> 02:13:35,240
Speaker 1: if you had to blame, like you know when when

2077
02:13:35,280 --> 02:13:37,320
Speaker 1: you when you did go down for a second, if

2078
02:13:37,320 --> 02:13:39,040
Speaker 1: you had to blame, what would you blame more than

2079
02:13:39,120 --> 02:13:43,400
Speaker 1: drugs or the females? For me, they go hand in hand,

2080
02:13:44,320 --> 02:13:46,760
Speaker 1: see the one the other. It's a sea saw for you.

2081
02:13:47,600 --> 02:13:50,840
Speaker 1: I mean like they're both additions. Cocaine and push me together.

2082
02:13:52,240 --> 02:13:54,800
Speaker 1: That was the that was the name of the album, Cocaine.

2083
02:14:00,040 --> 02:14:04,240
Speaker 1: But cocaine and pussy together. That should be a cocaine.

2084
02:14:05,120 --> 02:14:08,840
Speaker 1: I love that he's gonna ruficiously. I don't want to

2085
02:14:08,880 --> 02:14:19,760
Speaker 1: cocaine probably, yeah, cychologically whatever was whenever immediately I would

2086
02:14:19,760 --> 02:14:22,800
Speaker 1: do cocaine. I need to pussy. So they was just

2087
02:14:22,920 --> 02:14:25,680
Speaker 1: like a thick and that that commendation together just was

2088
02:14:26,040 --> 02:14:30,080
Speaker 1: recipe for disaster for me. How about doing pussy, pussy

2089
02:14:32,360 --> 02:14:37,200
Speaker 1: straight pussy Tracy Cocaine Boys to the album is called

2090
02:14:37,240 --> 02:14:47,480
Speaker 1: just pussy, So damn the cinema to man, listen, man,

2091
02:14:47,520 --> 02:14:49,400
Speaker 1: we're not gonna let Steve leave here unless we ask

2092
02:14:49,600 --> 02:14:54,600
Speaker 1: about this versus man versus Bone Dogs six Mafia never

2093
02:14:54,680 --> 02:14:58,080
Speaker 1: knew they had beat by the way, all thought didn't

2094
02:14:58,080 --> 02:15:01,160
Speaker 1: have beat. But before that's a fan. Hasn't fair of

2095
02:15:01,280 --> 02:15:03,960
Speaker 1: both of them. When they're selling the fight, I'm thinking

2096
02:15:04,000 --> 02:15:07,040
Speaker 1: it's all seafood y'alla. I'm thinking they're all like playing around.

2097
02:15:07,080 --> 02:15:09,600
Speaker 1: I'm thally just doing this. And then when they think

2098
02:15:09,680 --> 02:15:14,040
Speaker 1: they threw the mic and then they crossed paths, I

2099
02:15:14,200 --> 02:15:17,160
Speaker 1: get to see Steve with them. It's probably the only

2100
02:15:17,320 --> 02:15:21,200
Speaker 1: white person on stage, and you got it. And you

2101
02:15:21,360 --> 02:15:24,360
Speaker 1: just because everyone knows things about you, you you you are,

2102
02:15:25,360 --> 02:15:30,280
Speaker 1: but describe the situation and you definitely white boy's gonna

2103
02:15:30,280 --> 02:15:35,480
Speaker 1: stand up. Um, you know, Look, I work with Bom

2104
02:15:35,520 --> 02:15:38,400
Speaker 1: does and still do over twenty five years. I worked

2105
02:15:38,440 --> 02:15:41,240
Speaker 1: with three six Mafia for a long tail no this

2106
02:15:41,360 --> 02:15:44,400
Speaker 1: way before wall see I heard and Steve Ripens my

2107
02:15:44,440 --> 02:15:48,320
Speaker 1: brother already said, Um, it's basically Bone was discovered by

2108
02:15:48,440 --> 02:15:52,760
Speaker 1: z and they went through ruthless relativity at the time

2109
02:15:52,880 --> 02:15:56,240
Speaker 1: though loud and both relativity, So that's how it got

2110
02:15:56,280 --> 02:15:59,840
Speaker 1: acquired that. But I worked with three six Mafia Boom

2111
02:16:00,120 --> 02:16:03,480
Speaker 1: for a long time, and they always had beef back

2112
02:16:03,560 --> 02:16:06,320
Speaker 1: in the day. Yeah, back in the days, dad beef,

2113
02:16:06,560 --> 02:16:10,720
Speaker 1: not real beef, you know, this beef of like just

2114
02:16:10,800 --> 02:16:13,960
Speaker 1: like crustal conflict, do a die and stuff like that.

2115
02:16:14,080 --> 02:16:16,800
Speaker 1: Who who created what style first? And soon zumpo. But

2116
02:16:17,400 --> 02:16:21,840
Speaker 1: you know, uh so when Swiss reached out, um and

2117
02:16:22,000 --> 02:16:24,120
Speaker 1: Timberland reached out, I was like, we're gonna put it together.

2118
02:16:24,320 --> 02:16:28,000
Speaker 1: But I wasn't gonna do without Busy Bone because Busy

2119
02:16:28,080 --> 02:16:30,800
Speaker 1: Bone doesn't really come and do a lot of stuff

2120
02:16:30,800 --> 02:16:33,000
Speaker 1: with the group, even when we try to do drink Champs.

2121
02:16:33,000 --> 02:16:36,120
Speaker 1: You know, Crazy Gonna came by himself and salute Crazy Bone.

2122
02:16:36,160 --> 02:16:38,200
Speaker 1: He showed me mad love on this and I appreciate that.

2123
02:16:38,360 --> 02:16:40,880
Speaker 1: But those guys all my brothers, and we made a

2124
02:16:40,920 --> 02:16:42,600
Speaker 1: lot of history and working on a movie together and

2125
02:16:42,640 --> 02:16:46,080
Speaker 1: a lot of stuff. But I also told DJ Paul,

2126
02:16:46,400 --> 02:16:48,760
Speaker 1: you gotta bring gangs to boot and Country Blackout as well.

2127
02:16:49,320 --> 02:16:52,000
Speaker 1: The tree STIs Monfia is just not juicy J and

2128
02:16:52,120 --> 02:16:56,040
Speaker 1: d J Paul so Versus realized that and said, you

2129
02:16:56,080 --> 02:16:57,800
Speaker 1: know what, yeah, we need to go hard to do this.

2130
02:16:58,760 --> 02:17:00,960
Speaker 1: So we kept trying to find dates, and we found

2131
02:17:01,000 --> 02:17:05,880
Speaker 1: the date and everybody agreed to it, and we were like,

2132
02:17:05,959 --> 02:17:08,440
Speaker 1: should we bring out features. You know a lot of

2133
02:17:08,480 --> 02:17:10,280
Speaker 1: people people bring our features, and like Bone got so

2134
02:17:10,360 --> 02:17:12,280
Speaker 1: many hits, tweets got some hits. You know what, you

2135
02:17:12,320 --> 02:17:15,520
Speaker 1: gotta bring our features. But organically we brought out some features,

2136
02:17:15,520 --> 02:17:18,880
Speaker 1: and they brought out some features. But you know, they

2137
02:17:18,959 --> 02:17:21,720
Speaker 1: were mocking Busybone and look from where I come from,

2138
02:17:21,840 --> 02:17:25,640
Speaker 1: Queen's and the music business man sticks and stones whatever

2139
02:17:25,720 --> 02:17:27,640
Speaker 1: that saying is like, as long as you ain't telling

2140
02:17:27,680 --> 02:17:29,720
Speaker 1: someone to suck you, you know, whether fuck your mother,

2141
02:17:30,440 --> 02:17:33,800
Speaker 1: you know, it's hip hop. He supposed this violating chopped

2142
02:17:33,879 --> 02:17:37,320
Speaker 1: you know, disrespect, that's hip hop. So they were mocking

2143
02:17:37,400 --> 02:17:41,800
Speaker 1: Busy Bone and then uh, you know he Juicy said

2144
02:17:41,840 --> 02:17:45,240
Speaker 1: sucking you know where I'm from, Like that's fighting words.

2145
02:17:46,000 --> 02:17:48,680
Speaker 1: I called Juicy Jordan's and he said sucking out you

2146
02:17:48,760 --> 02:17:51,720
Speaker 1: know what, and um, Busy through the mic and ran,

2147
02:17:52,680 --> 02:17:54,480
Speaker 1: which he should have raved. He should have stayed there.

2148
02:17:55,080 --> 02:17:58,840
Speaker 1: And he left and it got up. It got really

2149
02:17:58,959 --> 02:18:02,840
Speaker 1: ugly and the cameras went off. We had about three

2150
02:18:03,200 --> 02:18:04,959
Speaker 1: people have with Bone. They were in the balcony. They

2151
02:18:05,000 --> 02:18:08,400
Speaker 1: came running down. The front was like full of Latinos

2152
02:18:08,520 --> 02:18:10,680
Speaker 1: Mexican thro love easy and love end up. We ain't

2153
02:18:10,720 --> 02:18:12,640
Speaker 1: love Bone, and they were ready to rush the stage,

2154
02:18:13,680 --> 02:18:15,920
Speaker 1: you know, and Juicy was like, oh, we can get

2155
02:18:15,959 --> 02:18:18,120
Speaker 1: this on right now, and I said, Jordan's like, why

2156
02:18:18,120 --> 02:18:20,119
Speaker 1: are you gonna keep instigating this right? And I love

2157
02:18:20,160 --> 02:18:25,240
Speaker 1: all those guys, And we didn't have more security, and

2158
02:18:25,440 --> 02:18:28,920
Speaker 1: you know, they had some security, and you know three

2159
02:18:29,040 --> 02:18:32,320
Speaker 1: six had some security, but you know, some paid security

2160
02:18:32,360 --> 02:18:34,400
Speaker 1: that knew me and some of the homies that knew me,

2161
02:18:34,440 --> 02:18:36,360
Speaker 1: and no one wanted to even have a problem and

2162
02:18:36,440 --> 02:18:39,000
Speaker 1: do that. But it could have got lovely because both

2163
02:18:39,080 --> 02:18:43,840
Speaker 1: sides are not pussy. And I took the initiative as

2164
02:18:43,920 --> 02:18:49,440
Speaker 1: a diffuser two stop it because it could have got out.

2165
02:18:50,600 --> 02:18:53,039
Speaker 1: And if I didn't diffuse it, fans could have jumped

2166
02:18:53,080 --> 02:18:55,560
Speaker 1: on the stage. Fans could have started throwing stuff because

2167
02:18:55,600 --> 02:18:57,400
Speaker 1: Busy Bone left and I begged him to come back.

2168
02:18:58,160 --> 02:19:00,280
Speaker 1: Those guys could have beat each other up, and someone

2169
02:19:00,320 --> 02:19:04,320
Speaker 1: could have got hurt, stabbed, shot, physically beat up. Then

2170
02:19:04,400 --> 02:19:07,240
Speaker 1: what happens, lawsuits colore, what happens if I got beat

2171
02:19:07,320 --> 02:19:10,040
Speaker 1: up or stabbed or shot. It's a whole another problem.

2172
02:19:10,480 --> 02:19:12,280
Speaker 1: So I diffused it, and a lot of people in

2173
02:19:12,280 --> 02:19:13,800
Speaker 1: the industry called me said, you know, that's where the

2174
02:19:13,840 --> 02:19:17,240
Speaker 1: real person does diffuse it. Most people instigating and they

2175
02:19:17,280 --> 02:19:21,400
Speaker 1: want to see violence, especially amongst Afro Americans. So at

2176
02:19:21,440 --> 02:19:23,280
Speaker 1: the end of the day, I diffused it, and I

2177
02:19:23,480 --> 02:19:26,120
Speaker 1: told Swiss and Timberland, I didn't get the puff with

2178
02:19:26,160 --> 02:19:29,640
Speaker 1: Sorock because he sponsored it, and Triller and versus in

2179
02:19:29,720 --> 02:19:32,800
Speaker 1: the plateium, what was your security, y'all, don't even do nothing.

2180
02:19:33,840 --> 02:19:37,360
Speaker 1: I diffused it myself because both sides respected and I

2181
02:19:37,400 --> 02:19:39,280
Speaker 1: could have termed it up real quick, but why would

2182
02:19:39,280 --> 02:19:42,240
Speaker 1: I do that. They funk up people's lives, family business

2183
02:19:42,800 --> 02:19:45,000
Speaker 1: and again you know, and and that's what happens. So

2184
02:19:45,000 --> 02:19:46,280
Speaker 1: I let my manage it. Big you can make a

2185
02:19:46,360 --> 02:19:48,600
Speaker 1: call the next day and told him that you know,

2186
02:19:48,640 --> 02:19:56,760
Speaker 1: everybody was something. You know, Yeah, definitely that you wou Scott,

2187
02:19:56,840 --> 02:19:59,960
Speaker 1: you will got like a weird relationship. You are should man,

2188
02:20:00,680 --> 02:20:03,080
Speaker 1: It's like, yeah, messing with each other, but you you're

2189
02:20:03,120 --> 02:20:05,600
Speaker 1: messing though. How do you still keep in contact with

2190
02:20:05,680 --> 02:20:09,160
Speaker 1: him to this day? Is that true? Yeah? Really, I

2191
02:20:09,280 --> 02:20:14,880
Speaker 1: talked to him from jail. Listen. I'm not part of

2192
02:20:15,160 --> 02:20:17,800
Speaker 1: what went down, you know, in a lot of the

2193
02:20:17,840 --> 02:20:20,200
Speaker 1: ship that was you know, in his life. But I

2194
02:20:20,320 --> 02:20:23,040
Speaker 1: know that I moved into a community in Beverly Hills.

2195
02:20:23,560 --> 02:20:27,200
Speaker 1: He was my neighbor, and you know he came at

2196
02:20:27,240 --> 02:20:29,360
Speaker 1: me the right way as as as a person, and

2197
02:20:29,959 --> 02:20:33,160
Speaker 1: he never, you know, tried any funny ship with me.

2198
02:20:33,680 --> 02:20:37,800
Speaker 1: He's always kept real. And I know he got caught

2199
02:20:37,879 --> 02:20:40,200
Speaker 1: up in whatever he got caught up in. And I

2200
02:20:40,320 --> 02:20:45,120
Speaker 1: know I met his his children, and and you know,

2201
02:20:45,840 --> 02:20:48,800
Speaker 1: as you know from one father or another, you know

2202
02:20:48,879 --> 02:20:51,880
Speaker 1: he's inside. I'm outside any way. I can help that

2203
02:20:52,040 --> 02:20:55,080
Speaker 1: man and do whatever funk I can for him. I helped,

2204
02:20:55,280 --> 02:20:56,640
Speaker 1: you know what I mean, I do what I can.

2205
02:20:56,800 --> 02:20:59,720
Speaker 1: I talked to him and yeah, that's really that's a

2206
02:20:59,760 --> 02:21:01,800
Speaker 1: really same guy that went in and got two pot

2207
02:21:01,840 --> 02:21:06,280
Speaker 1: out of jail. Wow what I'm saying, and real, Yeah,

2208
02:21:06,360 --> 02:21:09,039
Speaker 1: free Simon man. I called him Simon. I know something

2209
02:21:09,080 --> 02:21:11,160
Speaker 1: a long time and the cool sign because of Simon

2210
02:21:11,200 --> 02:21:15,320
Speaker 1: says his name, Yeah, because it was did a lot

2211
02:21:15,400 --> 02:21:17,200
Speaker 1: of He did a lot of hip hop man. And

2212
02:21:17,360 --> 02:21:19,600
Speaker 1: you can't just throw him away into a cage and

2213
02:21:19,640 --> 02:21:23,000
Speaker 1: tell him, you know, he's not part of history. Absolutely. Ye.

2214
02:21:24,160 --> 02:21:27,320
Speaker 1: People stereotype stereotype people and judge people and label them

2215
02:21:27,879 --> 02:21:29,920
Speaker 1: and assume and they should just get to know certain people,

2216
02:21:29,959 --> 02:21:32,560
Speaker 1: you know, not taking away anything that anybody ever did,

2217
02:21:32,640 --> 02:21:34,760
Speaker 1: but you know, he's a big part of this community

2218
02:21:34,760 --> 02:21:36,640
Speaker 1: that we're in and that we live for and we

2219
02:21:36,760 --> 02:21:39,720
Speaker 1: dedicate our lives for. Right, how many times you see

2220
02:21:39,800 --> 02:21:42,640
Speaker 1: that when people go away, like because people just change,

2221
02:21:42,959 --> 02:21:46,360
Speaker 1: change and disregardless, just to go. But it should his

2222
02:21:46,400 --> 02:21:50,160
Speaker 1: cases a little different because like you know, going to jail.

2223
02:21:50,520 --> 02:21:52,200
Speaker 1: I mean, you're not going to jail. That's what I'm saying.

2224
02:21:52,200 --> 02:21:54,200
Speaker 1: People going to jail, and people for all and all

2225
02:21:54,320 --> 02:21:56,560
Speaker 1: for people just you know, not doing that. But there's

2226
02:21:56,600 --> 02:21:59,480
Speaker 1: so many adversations of sure you know what I mean

2227
02:22:00,080 --> 02:22:01,920
Speaker 1: us and maybe sometimes it's a little different when it

2228
02:22:01,959 --> 02:22:06,400
Speaker 1: comes in. Oh, I mean, you know, this industry is

2229
02:22:06,440 --> 02:22:10,440
Speaker 1: funny man. You know when you high, you high, right.

2230
02:22:10,640 --> 02:22:12,600
Speaker 1: When you're warm, you're warm, When you cold, your cold.

2231
02:22:12,959 --> 02:22:16,280
Speaker 1: We've been blessed to stay cruise control. And I hate

2232
02:22:16,320 --> 02:22:18,880
Speaker 1: the fact that when the industry just turned your back

2233
02:22:18,959 --> 02:22:20,640
Speaker 1: on you, like if you make a mistake or you

2234
02:22:20,720 --> 02:22:23,720
Speaker 1: become cold because an he goes up, go down, but

2235
02:22:23,840 --> 02:22:27,360
Speaker 1: the girls go back up again. So we're inventing yourself

2236
02:22:27,440 --> 02:22:29,280
Speaker 1: as a big thing in it's in this business. But

2237
02:22:30,080 --> 02:22:31,920
Speaker 1: there's a lot of you know, culture voters in this

2238
02:22:32,240 --> 02:22:34,480
Speaker 1: in this in this community, a lot of Uncle Tom's

2239
02:22:34,480 --> 02:22:37,880
Speaker 1: in this community, people who just taking advantage of the artist.

2240
02:22:38,360 --> 02:22:40,119
Speaker 1: You know, one thing that we're doing that our treatment centering,

2241
02:22:40,120 --> 02:22:42,640
Speaker 1: the Heavily Center, is we're gonna make health insurance cool.

2242
02:22:43,400 --> 02:22:45,120
Speaker 1: You know, a lot of artists that are Latin and

2243
02:22:45,160 --> 02:22:47,760
Speaker 1: af American, they don't think treatment is cool. And treatment

2244
02:22:47,879 --> 02:22:50,760
Speaker 1: is cool? Um, And why don't labels give artists, you know,

2245
02:22:51,160 --> 02:22:54,880
Speaker 1: besides music cares, you know, health insurance. Why is most

2246
02:22:54,959 --> 02:22:57,320
Speaker 1: artist when they passed away the bigger dead than alive,

2247
02:22:57,520 --> 02:23:01,120
Speaker 1: like King Vaughan and Pops Smoke Connips and stuff. So

2248
02:23:03,040 --> 02:23:05,520
Speaker 1: get the artists to health insurance for that. They're dealing

2249
02:23:05,520 --> 02:23:07,360
Speaker 1: with a lot of mental health and addiction right now.

2250
02:23:07,440 --> 02:23:10,560
Speaker 1: But why the executives got steady checks and health insurance

2251
02:23:11,080 --> 02:23:13,880
Speaker 1: and you know for one case and expense accounts to

2252
02:23:13,920 --> 02:23:15,680
Speaker 1: go to Mr Childs and the strip clubs to build

2253
02:23:15,680 --> 02:23:17,920
Speaker 1: back to the artist. You know. So at the end

2254
02:23:17,959 --> 02:23:20,480
Speaker 1: of the day, like a lot of people just push

2255
02:23:20,520 --> 02:23:22,120
Speaker 1: you to the side, man, they don't. They just want

2256
02:23:22,160 --> 02:23:23,880
Speaker 1: to stand next to you when you're hot and up

2257
02:23:23,920 --> 02:23:27,280
Speaker 1: to me. And I'm speaking for myself as corn that Scott,

2258
02:23:27,320 --> 02:23:28,840
Speaker 1: what kind of weed is that? Just got weed on

2259
02:23:28,879 --> 02:23:31,960
Speaker 1: the table? Want what is that one? This is the

2260
02:23:32,160 --> 02:23:35,840
Speaker 1: new uh Snoop dog weed right that what we had

2261
02:23:35,879 --> 02:23:42,680
Speaker 1: already and went to Snoops combound. This is a fresh pack. Okay, yeah,

2262
02:23:42,760 --> 02:23:47,240
Speaker 1: this ain't the package in the back I never see.

2263
02:23:47,280 --> 02:23:50,200
Speaker 1: I've never seen boards so happy after that. That's the

2264
02:23:50,240 --> 02:23:56,880
Speaker 1: happiest boards I've ever seen. Uh yeah, that was fire. Yeah,

2265
02:23:56,959 --> 02:23:59,720
Speaker 1: we got some fire just to try this. Uh gun both.

2266
02:24:00,840 --> 02:24:03,400
Speaker 1: I think some of those um joints you guys come

2267
02:24:06,520 --> 02:24:09,480
Speaker 1: out there, right. We also got smoke chances right now. Yeah,

2268
02:24:09,480 --> 02:24:11,920
Speaker 1: we also got smoke chances where you right take that

2269
02:24:12,080 --> 02:24:15,000
Speaker 1: with you. That's all ship right, and it's the spits

2270
02:24:15,040 --> 02:24:17,600
Speaker 1: the recent storm. But Scott, where did you get the

2271
02:24:17,760 --> 02:24:20,960
Speaker 1: Hits by Scott short shirts? Where do you get that?

2272
02:24:21,240 --> 02:24:23,080
Speaker 1: I mean my partner John and I where you know

2273
02:24:23,160 --> 02:24:26,440
Speaker 1: we're doing the merging from and uh you can go

2274
02:24:26,560 --> 02:24:30,280
Speaker 1: to Scott Storch Hits by Scott Storch dot com order

2275
02:24:30,360 --> 02:24:32,959
Speaker 1: the product and the merge everything and you will get

2276
02:24:33,000 --> 02:24:34,640
Speaker 1: you will get the yallow on there or just the

2277
02:24:34,720 --> 02:24:38,720
Speaker 1: shirts on on the Hits by Scott. The shirts are

2278
02:24:38,720 --> 02:24:42,360
Speaker 1: gonna be on there very soon. The whole merch line. Yeah, okay,

2279
02:24:42,400 --> 02:24:46,920
Speaker 1: but not that yallow. Yeah, because it's the hits. It hits,

2280
02:24:48,840 --> 02:24:58,600
Speaker 1: it's leg storg dot com, order something, it's fire smokey,

2281
02:24:58,879 --> 02:25:02,680
Speaker 1: y'all be anywhere from the movie. I got a big

2282
02:25:02,760 --> 02:25:09,000
Speaker 1: hit of that one. Um, I asked got this earlier,

2283
02:25:09,320 --> 02:25:13,000
Speaker 1: We asked you, Steve. He's still really love the game. Um.

2284
02:25:14,520 --> 02:25:18,680
Speaker 1: I've diversified into so many businesses. Um, but I never

2285
02:25:18,720 --> 02:25:22,119
Speaker 1: forget where I come from. So I love I love

2286
02:25:22,200 --> 02:25:26,039
Speaker 1: the artist, the deal, and I love doing business. UM.

2287
02:25:26,560 --> 02:25:29,840
Speaker 1: I like reinventing things. I like changing the game. I

2288
02:25:29,959 --> 02:25:34,920
Speaker 1: like being innovative, creative, just that. My thing the industry

2289
02:25:35,040 --> 02:25:37,160
Speaker 1: is that there's not a lot of integrity, no more

2290
02:25:37,200 --> 02:25:40,240
Speaker 1: on loyalty. People are selling their souls for a check

2291
02:25:40,400 --> 02:25:42,800
Speaker 1: or just to look cool. So it's just hard man.

2292
02:25:42,800 --> 02:25:44,199
Speaker 1: When you give it an artists, you try to build

2293
02:25:44,200 --> 02:25:45,960
Speaker 1: out all the stuff. They might get that nature. So

2294
02:25:46,800 --> 02:25:48,560
Speaker 1: we don't step going because you know, you got too

2295
02:25:48,560 --> 02:25:50,800
Speaker 1: many people in having that. You know, we gotta keep

2296
02:25:50,840 --> 02:25:53,200
Speaker 1: their names alive, and they wish they were here trying

2297
02:25:53,240 --> 02:25:56,400
Speaker 1: to still do it again. So I'll never forget where

2298
02:25:56,400 --> 02:25:58,600
Speaker 1: I come from. So I always do music and love music.

2299
02:25:59,520 --> 02:26:02,800
Speaker 1: So but we googled you a lot of records with

2300
02:26:02,879 --> 02:26:05,480
Speaker 1: are Kelly popped up? You still speak to him, you know,

2301
02:26:13,040 --> 02:26:15,840
Speaker 1: I have a daughter like like, I don't work around

2302
02:26:15,959 --> 02:26:20,440
Speaker 1: like that. But it is a sad thing because musically

2303
02:26:20,600 --> 02:26:22,360
Speaker 1: I'm just I'm like who he is as a person.

2304
02:26:22,480 --> 02:26:25,200
Speaker 1: When he's done, there's no excuse for anything like that.

2305
02:26:25,720 --> 02:26:28,720
Speaker 1: But ever, right, that's not that's not the bated one,

2306
02:26:28,800 --> 02:26:33,880
Speaker 1: but it's music. It's so sad to me he is

2307
02:26:34,040 --> 02:26:37,200
Speaker 1: one of the greatest to ever do it. Bron Right.

2308
02:26:37,680 --> 02:26:43,280
Speaker 1: It's so sad, but you know it's part of life,

2309
02:26:43,800 --> 02:26:47,800
Speaker 1: you know you So let me ask you, right, because

2310
02:26:47,879 --> 02:26:51,720
Speaker 1: only verses right. We spoke about it earlier. We established that,

2311
02:26:52,200 --> 02:26:55,560
Speaker 1: um he felt like you want right and you weren't. Man,

2312
02:26:55,640 --> 02:26:57,360
Speaker 1: he didn't have a kind of relationship, but he did

2313
02:26:57,480 --> 02:27:00,120
Speaker 1: kind of take a little shots at you. Right, was

2314
02:27:00,200 --> 02:27:02,640
Speaker 1: you was you? Was you expecting? That was That's a call?

2315
02:27:02,760 --> 02:27:04,560
Speaker 1: That was me. It's like it was Scott, I'm gonna

2316
02:27:04,640 --> 02:27:07,600
Speaker 1: make a little fun or that that was all at

2317
02:27:07,600 --> 02:27:11,240
Speaker 1: an element of surprise, you know what, unless it was

2318
02:27:11,360 --> 02:27:14,680
Speaker 1: mad corny, you know what I mean, like to to

2319
02:27:16,920 --> 02:27:19,560
Speaker 1: for someone that had drug addiction or whatever, and you

2320
02:27:19,680 --> 02:27:21,480
Speaker 1: know what they went through and they got through it.

2321
02:27:21,520 --> 02:27:24,280
Speaker 1: And to to take that shot, that's belottle the belt.

2322
02:27:25,120 --> 02:27:28,400
Speaker 1: It's not cool. But I talked to Manny about it.

2323
02:27:28,959 --> 02:27:31,640
Speaker 1: He apologized for it, as a manager is a man

2324
02:27:32,200 --> 02:27:35,600
Speaker 1: and that's you know whatever. I don't but that ship

2325
02:27:35,640 --> 02:27:37,720
Speaker 1: was corny, Okay. I didn't. I didn't want Scott to

2326
02:27:37,760 --> 02:27:39,640
Speaker 1: go against many. We don't do respect to him. But

2327
02:27:40,200 --> 02:27:41,760
Speaker 1: when he got on it, he was taking shots and

2328
02:27:41,840 --> 02:27:43,440
Speaker 1: we brought up the drug addict ship and all that.

2329
02:27:44,120 --> 02:27:46,320
Speaker 1: The next day I called him, Are you called? I

2330
02:27:46,400 --> 02:27:47,840
Speaker 1: called him and got on the phone with Scott. You

2331
02:27:47,879 --> 02:27:51,320
Speaker 1: apologize because, like I said, it's limits. You know, I

2332
02:27:51,400 --> 02:27:54,120
Speaker 1: can't tell this man your drug addict even though it's past,

2333
02:27:54,240 --> 02:27:57,520
Speaker 1: So don't bring it on that platform, just like someone

2334
02:27:57,600 --> 02:28:00,840
Speaker 1: saying fucking your motherfucker and something my dad. Right. So yeah,

2335
02:28:00,879 --> 02:28:04,280
Speaker 1: we spoke like man and call them and that was

2336
02:28:04,400 --> 02:28:07,720
Speaker 1: a separate So now that we're all outside, mask man

2337
02:28:07,879 --> 02:28:10,920
Speaker 1: dates he was to get a second chance at Versts.

2338
02:28:11,400 --> 02:28:16,600
Speaker 1: Who would it be? The Scott stories coming outside? There's

2339
02:28:16,680 --> 02:28:21,680
Speaker 1: rumors that I might be doing another one. I don't

2340
02:28:21,760 --> 02:28:23,760
Speaker 1: know who it would be against, but I would go

2341
02:28:23,840 --> 02:28:26,040
Speaker 1: against quite a few people. Jermaine the previoul be one

2342
02:28:26,080 --> 02:28:28,160
Speaker 1: of me. There's a bunch of people that I was

2343
02:28:28,200 --> 02:28:31,480
Speaker 1: thinking about for Murder on the Beats. This is different,

2344
02:28:31,680 --> 02:28:36,640
Speaker 1: different catalog different time. Different makes a lot of sense.

2345
02:28:36,720 --> 02:28:39,400
Speaker 1: Like somebody who is my peer and he's a height

2346
02:28:39,520 --> 02:28:43,160
Speaker 1: of my career, you know what I'm saying, Like somebody's

2347
02:28:43,240 --> 02:28:45,720
Speaker 1: catalogs kind of coincide with each other even though I'm

2348
02:28:45,720 --> 02:28:49,120
Speaker 1: doing music now we know I'm forty year years old.

2349
02:28:49,240 --> 02:28:52,480
Speaker 1: I'm just honest with myself trying to figure out not

2350
02:28:52,640 --> 02:28:58,320
Speaker 1: for could be ago I was the same that's going

2351
02:28:58,600 --> 02:29:04,920
Speaker 1: that one. I kind of had to go. Yeah, speaking all,

2352
02:29:07,560 --> 02:29:10,160
Speaker 1: that's a good one. That's a good one because ended

2353
02:29:10,160 --> 02:29:13,360
Speaker 1: to be very respectful too. I think that was one

2354
02:29:13,400 --> 02:29:15,280
Speaker 1: of the things to do with the all versus when

2355
02:29:15,720 --> 02:29:19,360
Speaker 1: we had dreams cold and dawn pulling on the dawn.

2356
02:29:19,440 --> 02:29:22,240
Speaker 1: That's an a one anyonere doing because he was doing

2357
02:29:22,520 --> 02:29:24,800
Speaker 1: hip hop ship and he was doing pop ship and

2358
02:29:24,959 --> 02:29:29,160
Speaker 1: doing whatever ship. So I feel like that could be cool, right, Yeah,

2359
02:29:29,200 --> 02:29:32,959
Speaker 1: you know there's a few people, Okay, there's a few people.

2360
02:29:33,240 --> 02:29:38,120
Speaker 1: I'm having forep no different catalogs. I don't think I

2361
02:29:38,160 --> 02:29:42,160
Speaker 1: don't think that matches up yet. I worked with him,

2362
02:29:42,760 --> 02:29:47,600
Speaker 1: work with mom deep goddamn. Oh so what's that? We

2363
02:29:47,959 --> 02:29:53,000
Speaker 1: we spoke about the products, the with the hits dot Com,

2364
02:29:53,280 --> 02:29:56,360
Speaker 1: the glasses company, which I'm definitely ain't go. I'm gonna

2365
02:29:56,360 --> 02:30:00,920
Speaker 1: give you these back right, Uh no, go win list,

2366
02:30:01,120 --> 02:30:05,760
Speaker 1: like you want to know what I think I said

2367
02:30:05,800 --> 02:30:09,560
Speaker 1: it before. I'm about to take Miami back. Scott classes

2368
02:30:09,680 --> 02:30:14,000
Speaker 1: going on, these aren't He's a Forest Designs calling your Scot.

2369
02:30:17,200 --> 02:30:20,520
Speaker 1: I love my glasses, your glasses guy. I'm a glass

2370
02:30:20,520 --> 02:30:22,960
Speaker 1: of guy. But you know, I gotta, I gotta, I

2371
02:30:23,040 --> 02:30:25,200
Speaker 1: gotta make some blue DRAMs to him, you know. But

2372
02:30:25,440 --> 02:30:27,840
Speaker 1: I don't have the blue ship yet. I'm gonna it's

2373
02:30:27,879 --> 02:30:32,520
Speaker 1: next coming next. So yeah, I'm back in Miami. I'm

2374
02:30:32,560 --> 02:30:35,760
Speaker 1: taking my city back in Miami. I'm about to see

2375
02:30:35,800 --> 02:30:38,680
Speaker 1: the news with something happening yet old crib or something

2376
02:30:38,760 --> 02:30:41,440
Speaker 1: like that in my old crib. Yeah in l A,

2377
02:30:42,240 --> 02:30:46,080
Speaker 1: l A. That Yeah, not my house. But yeah, there

2378
02:30:46,160 --> 02:30:50,000
Speaker 1: was a there was a oh you know, a home invasion,

2379
02:30:50,440 --> 02:30:52,920
Speaker 1: so many home invasions, invasion. I mean it was not

2380
02:30:53,120 --> 02:30:55,480
Speaker 1: like anything, you know, It's just happened to be the

2381
02:30:55,959 --> 02:30:58,879
Speaker 1: lottery ticket that came up for own invasion. It wasn't

2382
02:30:58,920 --> 02:31:01,600
Speaker 1: my house, it was my ex house. Okay, yeah, is

2383
02:31:01,640 --> 02:31:05,160
Speaker 1: that part of my anything that happens that somebody that's

2384
02:31:05,160 --> 02:31:08,520
Speaker 1: related to me my name comes into it. I went

2385
02:31:08,680 --> 02:31:10,119
Speaker 1: in that house for a year and a half. Then

2386
02:31:10,160 --> 02:31:12,400
Speaker 1: it happened. And because they're like got the boys house,

2387
02:31:12,520 --> 02:31:17,200
Speaker 1: Yeah that's got I'm my house, my old house. Yeah,

2388
02:31:17,240 --> 02:31:19,520
Speaker 1: there was holy molds completely. I was in Miami when

2389
02:31:19,520 --> 02:31:22,480
Speaker 1: that should happened. Is that happen on the steel and

2390
02:31:22,520 --> 02:31:27,720
Speaker 1: the made this home evasions everywhere? My year one but

2391
02:31:27,840 --> 02:31:31,040
Speaker 1: twenty happened that day. Yeah, it's sucked up. I see

2392
02:31:31,120 --> 02:31:32,480
Speaker 1: the judge that I know. It was like, man, I'm

2393
02:31:32,480 --> 02:31:33,920
Speaker 1: getting funk out of l A. I was like, you're

2394
02:31:33,920 --> 02:31:36,760
Speaker 1: a judge, How the funk are you saying that? Like

2395
02:31:36,959 --> 02:31:40,680
Speaker 1: like the even robbing judges out if you if you

2396
02:31:40,840 --> 02:31:44,400
Speaker 1: go out, you get wronged. Wow, if you stay home,

2397
02:31:45,360 --> 02:31:52,000
Speaker 1: you get fuck that right. I'll see all Miami is

2398
02:31:52,160 --> 02:32:00,160
Speaker 1: too comfortable here. It's just happening every supersonally. You know

2399
02:32:00,200 --> 02:32:02,800
Speaker 1: what's fucked up? The while they get South Beach is

2400
02:32:02,840 --> 02:32:04,800
Speaker 1: like the hood and the hood just want to say

2401
02:32:04,800 --> 02:32:12,080
Speaker 1: for the South Beach, right, like the seventh questions coming

2402
02:32:12,120 --> 02:32:14,199
Speaker 1: out of the middle of the South, which I needed

2403
02:32:14,240 --> 02:32:16,560
Speaker 1: my seven questions so I could have drank my shots. Man,

2404
02:32:18,080 --> 02:32:21,160
Speaker 1: I'm coming back to that beach. The questions those are

2405
02:32:21,240 --> 02:32:23,120
Speaker 1: those are great? You did with Scott. What do you

2406
02:32:23,200 --> 02:32:25,560
Speaker 1: guys call it again? Quick times live? If we were

2407
02:32:25,720 --> 02:32:28,320
Speaker 1: making a board game, let's do it. People don't put

2408
02:32:28,360 --> 02:32:30,680
Speaker 1: to the side. So but who were we saying? I forgot?

2409
02:32:31,480 --> 02:32:34,640
Speaker 1: I don't know again? Alright, cool jobs. If you were

2410
02:32:34,680 --> 02:32:37,200
Speaker 1: to remember, then my job is not done. But um

2411
02:32:37,520 --> 02:32:40,920
Speaker 1: so anything you want to say. Getting up out the ship. Man,

2412
02:32:40,959 --> 02:32:43,000
Speaker 1: I just appreciate you having me back on the show.

2413
02:32:43,320 --> 02:32:45,280
Speaker 1: This is your so much love for you. Yes, yes,

2414
02:32:45,360 --> 02:32:47,480
Speaker 1: this is just one of my first believers. Yes, I

2415
02:32:47,560 --> 02:32:49,760
Speaker 1: love for you. First. I'm still head baby, I'm still

2416
02:32:49,840 --> 02:32:58,400
Speaker 1: here testing have not, have not. Okay, we gotta play

2417
02:32:58,520 --> 02:33:01,920
Speaker 1: one that this ill and I would definitely work with him. Okay, Yeah,

2418
02:33:02,520 --> 02:33:05,000
Speaker 1: I like him. I'm like who he's grown to be.

2419
02:33:05,240 --> 02:33:09,440
Speaker 1: Is one of the dopest footages I've ever seen footages

2420
02:33:10,840 --> 02:33:13,600
Speaker 1: is him going to his New York City apartment and

2421
02:33:13,640 --> 02:33:16,320
Speaker 1: the paparazzi is outside, and the whole bunch of these

2422
02:33:16,360 --> 02:33:19,119
Speaker 1: fans is outside and he politness us to them. Listen, guys,

2423
02:33:19,160 --> 02:33:20,960
Speaker 1: this is my girl life. Don't you guys want to

2424
02:33:21,000 --> 02:33:23,680
Speaker 1: go home? And you know, have peace? And I was like,

2425
02:33:23,800 --> 02:33:26,080
Speaker 1: cool ship because I want to say ship like that,

2426
02:33:26,160 --> 02:33:28,600
Speaker 1: but I can't be articulate like that. And the people

2427
02:33:28,640 --> 02:33:31,000
Speaker 1: were actually alive. They were like, oh, ship, we're in

2428
02:33:31,080 --> 02:33:34,240
Speaker 1: faithless man's prophecy. And you saw that. That was so

2429
02:33:34,600 --> 02:33:37,600
Speaker 1: to me. That was like the ultimate superstar coming to

2430
02:33:38,360 --> 02:33:40,440
Speaker 1: being an ultimate human. Who wrapping up to your smoke

2431
02:33:40,440 --> 02:33:42,360
Speaker 1: a cigaret? I don't know, wait, wait, hold on, hold on,

2432
02:33:42,400 --> 02:33:44,360
Speaker 1: Scotts God, let's by the way, let's just be clear.

2433
02:33:44,800 --> 02:33:46,560
Speaker 1: I'm not trying to get you to stop smoke a cigarettes.

2434
02:33:46,680 --> 02:33:49,800
Speaker 1: Was I My cigarette hapening was so bad I couldn't

2435
02:33:49,800 --> 02:33:51,880
Speaker 1: fly straight to LA I would have to connect to

2436
02:33:51,959 --> 02:33:54,720
Speaker 1: Houston to sit down and smoke a cigarette. But what

2437
02:33:54,879 --> 02:33:59,680
Speaker 1: I can't say it is Jesus the cowboys to the

2438
02:33:59,760 --> 02:34:08,680
Speaker 1: cow boys, Brad, we gotta keep you Lady Morrow on gold.

2439
02:34:09,160 --> 02:34:13,360
Speaker 1: Then smoke my heads. This is this you you got,

2440
02:34:13,480 --> 02:34:19,320
Speaker 1: you gotta got cowboy boots all with this. But you know,

2441
02:34:19,600 --> 02:34:21,560
Speaker 1: you know, like I want to say this because tomorrow's

2442
02:34:21,600 --> 02:34:25,040
Speaker 1: never promised, right, And you guys this is a big platform, right,

2443
02:34:25,520 --> 02:34:28,200
Speaker 1: and we watch your growth and life is about growth

2444
02:34:28,440 --> 02:34:32,200
Speaker 1: and change. And uh, you guys can't tell Ay sat

2445
02:34:32,280 --> 02:34:35,440
Speaker 1: down on Fairfax and the interview. But you know a

2446
02:34:35,520 --> 02:34:37,039
Speaker 1: lot of people reach out to me and do interviews

2447
02:34:37,080 --> 02:34:38,840
Speaker 1: and I don't really like to do interviews and stuff

2448
02:34:38,840 --> 02:34:43,039
Speaker 1: and talk. But ad justin Bieber situation, right, that little

2449
02:34:43,160 --> 02:34:46,240
Speaker 1: kid was that so many epic records, I'm having a

2450
02:34:46,360 --> 02:34:49,760
Speaker 1: nipsey and big youth. And they passed on him. And

2451
02:34:49,879 --> 02:34:52,160
Speaker 1: so I was sitting there and they said, to all

2452
02:34:52,200 --> 02:34:55,720
Speaker 1: these labels and everybody passed him, passed on them. And

2453
02:34:55,840 --> 02:34:58,440
Speaker 1: then you know, a year later, I was blessed the

2454
02:34:58,520 --> 02:35:00,680
Speaker 1: kid blew up and went on talking with him Shaun Kingston,

2455
02:35:01,360 --> 02:35:02,720
Speaker 1: and I was on tour with him a year and

2456
02:35:02,840 --> 02:35:05,400
Speaker 1: his footage floating around YouTube. I'm telling, like, you just

2457
02:35:05,480 --> 02:35:09,160
Speaker 1: sold that mass quick up in five minutes. That's runs

2458
02:35:09,240 --> 02:35:11,920
Speaker 1: house from run DMC. So to watch just to be

2459
02:35:12,080 --> 02:35:13,920
Speaker 1: was growth and deep and he see his maturity to

2460
02:35:13,959 --> 02:35:17,119
Speaker 1: say that to the paparazzi was amazing. And I want

2461
02:35:17,160 --> 02:35:18,520
Speaker 1: to say this and I'm gonna take control of the

2462
02:35:18,560 --> 02:35:22,800
Speaker 1: show like you guys gave me this gift. Man means

2463
02:35:22,879 --> 02:35:25,520
Speaker 1: so much to me, and I opened up the first

2464
02:35:25,600 --> 02:35:30,160
Speaker 1: ever hip hop museum, recording studio dispensary growth and I

2465
02:35:30,240 --> 02:35:35,440
Speaker 1: have so much nostalgic ship and then nostalgic ship and

2466
02:35:35,480 --> 02:35:40,560
Speaker 1: I'm gonna I'm gonna tak the SMI Museum. He me,

2467
02:35:40,560 --> 02:35:42,080
Speaker 1: I'm gonna put this in the museum because I do

2468
02:35:42,200 --> 02:35:45,160
Speaker 1: have a drink Champis cup from you guys five years ago.

2469
02:35:45,200 --> 02:35:47,760
Speaker 1: It's in the museum and where it comes out to

2470
02:35:47,840 --> 02:35:50,240
Speaker 1: California and Van as in the private that point you'll

2471
02:35:50,240 --> 02:35:52,959
Speaker 1: see something that's never been done before. Hip hop museum,

2472
02:35:53,040 --> 02:35:57,800
Speaker 1: recording studio, dispensary to grow in one and if we

2473
02:35:58,040 --> 02:36:00,760
Speaker 1: work at Van and the airport. So a yeah, I

2474
02:36:00,800 --> 02:36:03,440
Speaker 1: appreciate you all just jumped up. I want to Scott

2475
02:36:03,480 --> 02:36:05,840
Speaker 1: to shine Man because he's an icon, he's a legend

2476
02:36:05,879 --> 02:36:08,440
Speaker 1: and it's my brother. His life changed around, he grew,

2477
02:36:08,920 --> 02:36:11,120
Speaker 1: he's got so much going on. But more party is incredible.

2478
02:36:11,160 --> 02:36:13,040
Speaker 1: Father now, but Scott, and let me let me just

2479
02:36:13,160 --> 02:36:20,280
Speaker 1: I'm saying this like this good. You're one of the

2480
02:36:20,800 --> 02:36:26,000
Speaker 1: greatest producers of all time. I didn't say greatest white

2481
02:36:26,040 --> 02:36:30,600
Speaker 1: producer or greatest rap producer or greatest pop producer. I said,

2482
02:36:30,760 --> 02:36:35,200
Speaker 1: greatest producer of all times with the history you be,

2483
02:36:35,280 --> 02:36:41,800
Speaker 1: You says herself, History says itself. They're gonna put you

2484
02:36:41,879 --> 02:36:44,320
Speaker 1: to the life next to Quiscy Jones. They're gonna put

2485
02:36:44,320 --> 02:36:46,760
Speaker 1: you to the next to Dr Dre with you already

2486
02:36:46,840 --> 02:36:50,160
Speaker 1: off and you are really one of the greatest producers.

2487
02:36:50,160 --> 02:36:52,120
Speaker 1: I've seen you work. I've seen you work on the spot,

2488
02:36:52,440 --> 02:36:54,959
Speaker 1: I've seen you do anything. I've seen a person to say.

2489
02:36:55,280 --> 02:36:56,760
Speaker 1: You know, I want to I want to beat that

2490
02:36:56,840 --> 02:36:59,440
Speaker 1: sound like deli yon. I don't even know how delion sound,

2491
02:36:59,760 --> 02:37:01,800
Speaker 1: but you would just make a beat and you just

2492
02:37:01,920 --> 02:37:03,800
Speaker 1: do that. And I just want to tell you, like

2493
02:37:03,879 --> 02:37:06,840
Speaker 1: I've got to witness it for twenty years, and like

2494
02:37:06,920 --> 02:37:08,560
Speaker 1: I said, it was one of the greatest producers of

2495
02:37:08,680 --> 02:37:11,520
Speaker 1: four times. We love you over here. If we want

2496
02:37:11,560 --> 02:37:14,240
Speaker 1: to give you your flowers, give your respect, Um Steve

2497
02:37:14,320 --> 02:37:17,520
Speaker 1: la Belle if one of the hardest working you know

2498
02:37:18,000 --> 02:37:21,360
Speaker 1: people that you're always hustling. I always respect you. I

2499
02:37:21,480 --> 02:37:23,520
Speaker 1: always come to you for advice. I always come to

2500
02:37:23,560 --> 02:37:25,120
Speaker 1: you and just kick it. And I just want to

2501
02:37:25,160 --> 02:37:27,360
Speaker 1: say both of you brothers, man, God, put y'all together.

2502
02:37:28,040 --> 02:37:30,040
Speaker 1: You know what I'm saying. For a reason y'all know

2503
02:37:30,120 --> 02:37:32,920
Speaker 1: the reason even more than me. But I'm telling y'all's working.

2504
02:37:33,360 --> 02:37:34,800
Speaker 1: You know what I'm saying. I don't never, I never.

2505
02:37:34,879 --> 02:37:38,240
Speaker 1: I always see y'all complimenting each other. It's never like

2506
02:37:38,400 --> 02:37:41,240
Speaker 1: you know, one of another's crutch and bringing each other down.

2507
02:37:41,360 --> 02:37:43,040
Speaker 1: All I see is y'all pringing each other up. So

2508
02:37:43,080 --> 02:37:45,120
Speaker 1: I want to recognize that. I want to Sulu that

2509
02:37:45,240 --> 02:37:47,160
Speaker 1: I wanna tell y'all, both of y'all, thank y'all for coming.

2510
02:37:47,200 --> 02:37:54,040
Speaker 1: And I give it. I give it last time. This

2511
02:37:54,200 --> 02:37:56,520
Speaker 1: this is the last episode we did before we got

2512
02:37:56,600 --> 02:37:59,400
Speaker 1: it over both. So this is the episode that will

2513
02:37:59,520 --> 02:38:03,520
Speaker 1: be all damn and people are gonna television. So I

2514
02:38:03,600 --> 02:38:05,080
Speaker 1: just want to say thank you all, man, thank you

2515
02:38:05,160 --> 02:38:07,320
Speaker 1: for so much of you doing. And you're gonna take

2516
02:38:07,320 --> 02:38:13,240
Speaker 1: a flick and do some pro And that's thanks for

2517
02:38:13,360 --> 02:38:15,840
Speaker 1: joining us for another episode of Drink Champs hosted by

2518
02:38:15,920 --> 02:38:18,400
Speaker 1: yours truly, d J E F and n O R E.

2519
02:38:18,920 --> 02:38:20,960
Speaker 1: Please make sure to follow us on all our socials.

2520
02:38:21,200 --> 02:38:24,360
Speaker 1: Let's at Drink Champs across all platforms. At the Real

2521
02:38:24,440 --> 02:38:28,080
Speaker 1: Noriega and I g at Noriega on Twitter, Mine is

2522
02:38:28,160 --> 02:38:31,120
Speaker 1: at Who's Crazy on I g at d j e

2523
02:38:31,280 --> 02:38:33,680
Speaker 1: f N on Twitter, and most importantly, stay up to

2524
02:38:33,760 --> 02:38:37,000
Speaker 1: date with the latest releases, news, and merged by going

2525
02:38:37,080 --> 02:38:46,560
Speaker 1: to drink champs dot com. For more podcasts from my

2526
02:38:46,720 --> 02:38:50,880
Speaker 1: Heart Radio, visit the iHeart Radio app, Apple podcast, or

2527
02:38:50,920 --> 02:39:27,240
Speaker 1: wherever you listen to your favorite shows. Us assssssssssssssssssssssssssssssssssssss