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Speaker 1: Welcome to Bombing with Air Condry podcast where I Lose

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Speaker 1: my mind.

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Speaker 2: I'm talking with friends, comedians, musicians, and other creative people

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Speaker 2: about their worst moments on stage and getting.

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Speaker 1: Absolutely ravaged by a live audience. I'm Eric Andre.

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Speaker 2: This week we're graced by the presence of the King

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Speaker 2: of Music Drops, DJ Doug Bound aka Doug Lesson Hop.

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Speaker 2: He's got a podcast himself called Office Hours with Tim

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Speaker 2: Heidecker and Vick Berger tells us about his touring across

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Speaker 2: music festivals around the world, plus an amazing bombing story

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Speaker 2: from New Zealand. As always, please subscribe to the podcast

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Speaker 2: to get new episodes every week, rated five stars and

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Speaker 2: on Apple Podcasts. Subscribed to Big Money Players Diamond to

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Speaker 2: get exclusive clips plus ad free episodes weekly.

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Speaker 3: Let's do it Bombing with Eric Andre.

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Speaker 2: Okay, the theme is podcast is bombing. I'm with my illustrious, sexy, divine, beautiful,

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Speaker 2: vanilla Eurocentric brother, Doug Lusson Hop DJ Doug Pound in

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Speaker 2: the mix.

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Speaker 1: What's up, Doug?

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Speaker 3: What'saw?

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Speaker 1: Eric gras A be here, Grates of Bomb.

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Speaker 2: I'm feasting my eyes on your beautiful lily white vanilla

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Speaker 2: skin and I'm thinking of you like a little creamsickle.

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Speaker 4: That makes me comforted. Should you talk about bombing? Like

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Speaker 4: not just like as a comedian, but like in life,

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Speaker 4: you know, never like bomb hard, Like, yeah, what's your

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Speaker 4: biggest bomb?

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Speaker 1: Growing up? Like, did you ever ask a girl out? Yeah?

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Speaker 2: Remember I was with you when I first moved. I

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Speaker 2: had that a drop.

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Speaker 4: Oh talk about talk about the drop.

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Speaker 1: Never this is anymore. So I wanked these two attractive

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Speaker 1: women at the bar you're.

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Speaker 2: At, and I was like trying to like strike up

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Speaker 2: a conversation, but striking out there's like not interesting. So

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Speaker 2: I just like had my little whiskey in my hand

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Speaker 2: and I just like acid dropped.

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Speaker 4: He just let it go and shattered, and then he

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Speaker 4: just did a full walk out of the bar.

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Speaker 1: I just like looked at themically. It's like psychonic, looked

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Speaker 1: at them catatonically, like.

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Speaker 4: Six whiskeys in You're like, Hi, should I have your

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Speaker 4: never to like, so you just let go of your

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Speaker 4: glass drop full of shatter.

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Speaker 1: I just left. People are like, what, it's such a flower.

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Speaker 4: Those days are funny because you were working on your

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Speaker 4: your pilot.

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Speaker 1: I'd be like, hey, Eric, let's go out to the

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Speaker 1: bar tonight and strike out and you'd be like, yeah,

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Speaker 1: come scoop me up. And then I'm like all right,

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Speaker 1: I'm on front. You're like, no, come in.

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Speaker 4: And then you like show me your laptop with like

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Speaker 4: five thousand things on the desktop and like all this

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Speaker 4: onlinked media and final cut for You're like you're like,

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Speaker 4: help me edit. You're like, help me hit my pilot.

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Speaker 4: I'm like okay, And then I ended up just sitting

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Speaker 4: there for like an hour.

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Speaker 1: It was not true.

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Speaker 4: Yeah, every single time we were gonna go out, you're like,

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Speaker 4: how come I lured you? You're like, what is this?

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Speaker 4: I'm like, oh, well, you got to render that. I'm like, okay,

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Speaker 4: hold on, let me relink this media. Then we finally

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Speaker 4: go out, you're just dropping wis like, okay, that was

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Speaker 4: a fun night.

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Speaker 2: Yeah, I lured you into my trap and we'll get

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Speaker 2: to bombing soon. But for the Eric Andre Show, I

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Speaker 2: knew I had to make it myself, like the first

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Speaker 2: version of it, because I knew I want to like

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Speaker 2: translate on a script.

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Speaker 1: It had to be what you had in your mind,

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Speaker 1: had to be what I had.

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Speaker 3: In my mind.

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Speaker 2: So I didn't know, and I didn't have any money.

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Speaker 2: So I didn't have any money to like hire any editors.

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Speaker 2: So I like, well, you made it, you must have

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Speaker 2: had some Was that all free? That first thing you

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Speaker 2: shot in like Brooklyn? That was like all out of

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Speaker 2: my pocket and I was like working jobs to pay

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Speaker 2: for it. And where did you shoot that? I had

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Speaker 2: an abandoned bodega in Brooklyn for like the three hundred bucks.

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Speaker 1: You saw like an abandoned bodega, and you're like, he

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Speaker 1: knows cow.

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Speaker 2: And Andrew found that bodega and they would have like

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Speaker 2: punk shows there, Oh okay, and there was a few

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Speaker 2: rounds of it. There'd be like ratchet nasty. It was

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Speaker 2: a rats nust and there's always like broken glass there.

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Speaker 2: I was doing stunts where there was like broken glass everywhere.

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Speaker 2: There's a bunch of people like competing. They like we

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Speaker 2: were filming in there, and there'd be like some hipster

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Speaker 2: guy would come in and be.

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Speaker 1: Like what do you what do you guys do? What

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Speaker 1: the fuck are you guys? Get the fuck out of here.

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Speaker 2: Would be like, what we talked to so and so

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Speaker 2: he said he said we could film in here, and.

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Speaker 1: They'd be like, oh, you talked to so and so.

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Speaker 1: We'll tell that motherfucker he owes me three grand and then.

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Speaker 2: That guy would storm out, and then some other dude

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Speaker 2: would walk in, like a Jamaican dude from the neighborhood to.

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Speaker 1: Walk in and be like, what the fuck are you guys

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Speaker 1: doing in here?

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Speaker 2: It would be like what we talked to so and so,

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Speaker 2: like he said we could film in here. He'd be like,

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Speaker 2: oh really he said that. Huh, Well, I'm gonna have

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Speaker 2: a fucking chat with him. I hope you're giving him

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Speaker 2: good money because the Boddy there was like all these

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Speaker 2: competing people kept interrupting like on cue, like it was insane.

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Speaker 2: One after another that was behind the scenes is crazier

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Speaker 2: than most for the camera. So I was like really struggling,

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Speaker 2: Like I read Final Cut for dummies. I would watch tutorials,

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Speaker 2: but I would bug you and another editor I.

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Speaker 1: Knew to like help me as much as possible because

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Speaker 1: I was struggling. I was like I have to. I

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Speaker 1: hope this works.

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Speaker 4: Because I know I'm very bro I remember looking at

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Speaker 4: it thinking like what the hell is this show? You?

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Speaker 2: This is a mess. I was like, this is a

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Speaker 2: this is a mess. Segments like McDonald you were like

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Speaker 2: in McDonald's.

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Speaker 4: Just as Ronald McDonald, like drinking whiskey and crying. And

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Speaker 4: then there was the when you're like an escape slave man.

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Speaker 1: It was that Williamsburg. Yeah, it wasn't like the.

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Speaker 2: Official colonias, but it was one of those like knockoff

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Speaker 2: civil war, like a fake like the Civil War.

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Speaker 4: Reaactly right. They're all over the country. So what happened

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Speaker 4: when you did that? Did anyone care? Where They're just

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Speaker 4: like okay, no, they were like in are they kicking

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Speaker 4: you out? No, they were in shock.

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Speaker 2: And then they were like pumped really yeah yeah they

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Speaker 2: were like what they were Actually this adds a layer

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Speaker 2: of reality. Yeah yeah, they were like jaw dropped. And

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Speaker 2: then they were like, oh shit, that's tight.

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Speaker 5: Nice with aridre with are okay? What's the worst you

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Speaker 5: ever bopped?

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Speaker 3: All right?

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Speaker 1: They for us. All right.

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Speaker 4: There's this festival in New Zealand. It doesn't exist anymore,

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Speaker 4: but it was called a Low Hum and people would

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Speaker 4: go to it and they don't know who's on the

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Speaker 4: bill until you get there. So I thought that was

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Speaker 4: that's kind of a cool and my friend, oh Vice Cooler,

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Speaker 4: who is who's a musician, was like, oh, that's the

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Speaker 4: coolest festival in the world of all the festivals they've

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Speaker 4: ever done.

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Speaker 1: That's the coolest one.

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Speaker 4: And I think Dan Deacon even said like that's his

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Speaker 4: favorite festival.

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Speaker 2: Oh so your boys are like hyping it up and

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Speaker 2: there's no lineup, it's just a surprise everything.

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Speaker 4: He every guesses he's hyping it up. And he said

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Speaker 4: it was awesome. And you're out in the jungle like somewhere,

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Speaker 4: like it's not in it's not in the city, you're not. Yeah,

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Speaker 4: you're camping and you're out like far I don't know,

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Speaker 4: like an hour from Wellington right right, and you're in

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Speaker 4: the mountains exactly.

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Speaker 1: So somebody contacted me is like, hey, we'll flay you

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Speaker 1: out like for this festival.

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Speaker 4: Oh cool. So I fly like fifteen hours to do

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Speaker 4: this one show. I'm at this everyone is like together

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Speaker 4: at this like it looks like mash or something looks

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Speaker 4: like so they put you know, it's a music festival

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Speaker 4: and they put me on.

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Speaker 1: At one am. Yeah. I think to like kind of

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Speaker 1: punk the crowd.

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Speaker 4: I think the guy who ran it kind of likes

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Speaker 4: to you know, kind of like mess with people's expectations, right,

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Speaker 4: and everyone is like on mally and like right, and

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Speaker 4: it's a music festival out in the woods, right, and

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Speaker 4: they put me on at one am, and you know,

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Speaker 4: my act is like DJ Doug cons, so people think, oh,

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Speaker 4: there's a DJ on right now, my acid is kicking in.

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Speaker 1: This is perfect.

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Speaker 4: And I like hard cut to like some knock knot

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Speaker 4: joke or something, and everyone's just like screaming at me,

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Speaker 4: throwing shit, oh shit, And it was bad.

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Speaker 2: Yeah, it was like they were not having it. It

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Speaker 2: vatile absolutely enraged. I'm on the main stage too. There's

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Speaker 2: like different stages. They could have put me on the

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Speaker 2: weird I'm on the big one in front of like

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Speaker 2: the big crowd of people and there was like twenty

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Speaker 2: people who knew who I was in front, like this

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Speaker 2: is the best thing I've ever seen. And then like

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Speaker 2: there's just hundreds of people just like super pissed.

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Speaker 1: They were chucking something. I would like tell a joke

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Speaker 1: and play a beat for a.

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Speaker 2: Little bit as like you know, part of the remix

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Speaker 2: of it, and they started thinking.

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Speaker 4: That its like hard cut be like so I'm dating

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Speaker 4: again or whatever, you know, like and.

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Speaker 1: They're likeing, hey to me. Some girl got off.

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Speaker 2: On stage and stole my mic oh and she was

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Speaker 2: like freestyle rapping and I'm like, there's no security.

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Speaker 4: This is kind of like a mom and pop festival.

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Speaker 4: And the guy who, the booker, who he's just like

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Speaker 4: this is the greatest. He's like, this is what I wanted.

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Speaker 4: He set it up to be like chaos, you know,

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Speaker 4: it was like funny for him, just him and I

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Speaker 4: just like powered through. And then I like I was

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Speaker 4: just bombing so hard that I tried to like plug

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Speaker 4: in my laptop up, like plugging.

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Speaker 1: It into like play music. Yeah, yeah, yeah, yeah.

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Speaker 2: So I like played a few songs at the end

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Speaker 2: of it, and people sort of were like, Okay, it

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Speaker 2: was just like and then she was just gone already

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Speaker 2: for the remix and just did a thirty minute remix,

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Speaker 2: like li.

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Speaker 4: I just I just kind of like that was a

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Speaker 4: good lesson or whatever, because I've been in situations like

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Speaker 4: that where I'm booked at the wrong thing and I

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Speaker 4: just power through.

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Speaker 2: I just pretend like it's not how I never do

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Speaker 2: comedy at a outdoor festival anymore. Daytime outdoor festival. You

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Speaker 2: could get away with it at this point. Uh.

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Speaker 1: And I've talked to a lot of people about it.

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Speaker 2: I go, have you ever had a good set a

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Speaker 2: good comedy set at an hour door daytime I've done

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Speaker 2: one of those, people are like, you could see everyone unanimously.

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Speaker 2: Everyone's like it, that's the worst venue for comedy in

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Speaker 2: the fucking world.

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Speaker 1: It's not even that great of a venue for music.

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Speaker 1: Best part of the story is coming up.

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Speaker 2: Sorry sorry, sorry, So the girls the microphone dude, that

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Speaker 2: was okay. Some people like absolutely loved it. They like,

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Speaker 2: can I have your shirt? They like they wanted my

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Speaker 2: Like I wear like a shirt with.

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Speaker 1: My name on it.

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Speaker 4: Yeah, It's like, hey, you just were begging me for

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Speaker 4: the shirt. I gave it to him. I was like, oh,

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Speaker 4: who cares? You know, like that was like a terrifying experience.

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Speaker 4: And then, you know, most of the crowd hated it,

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Speaker 4: but they were just like we want to fucking dance.

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Speaker 4: This is a nightmare or whatever.

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Speaker 6: This sucks.

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Speaker 4: So then I'm stuck at this camp for like there

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Speaker 4: was night one.

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Speaker 2: Of like three nights. So then I'm like I was

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Speaker 2: the paria of Oh no. So I'm walking around just

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Speaker 2: like trudging through this camp like people are you know,

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Speaker 2: I'm like cool, I can't even like have.

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Speaker 1: A friend here. Like I made a couple of I

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Speaker 1: made a couple of.

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Speaker 2: Friends that were like, they were like that was awesome.

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Speaker 2: May I was legendary, you know, like you we're all

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Speaker 2: talking about it. So I go to this My friend

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Speaker 2: was like, there's an open mic tent, right, let's go

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Speaker 2: check it out.

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Speaker 4: The next day at noon, we go there. I'm standing

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Speaker 4: like five feet from this guy. He was doing stand up.

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Speaker 4: He's like, did anyone see DJ Doug Pound? And I

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Speaker 4: was like, oh no, they weren't all they were just silent.

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Speaker 1: This guy.

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Speaker 4: This guy bombed, but his whole act here's my impression

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Speaker 4: of DJ Doug Pound. And then he like tried to

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Speaker 4: mimic like the drops I do and the DJ voice guy.

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Speaker 4: And I'm looking around, like, what the hell is going

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Speaker 4: on that twilight zone? Yeah, I'm like, hello, nobody even

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Speaker 4: knew I was standing there or something, and he's just

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Speaker 4: shitting on my set and he was just making fun

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Speaker 4: of how how hard I bombed, and I was like,

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Speaker 4: brutal the fuck?

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Speaker 1: And this is my friend who invited me, her friend,

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Speaker 1: this guy. Yeah.

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Speaker 4: Yeah, So that was just very surreal. I had to

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Speaker 4: just laugh it off. I almost was like mad. I

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Speaker 4: was gonna say, what the fuck I'm standing right here? Yeah,

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Speaker 4: But then I was like, now I'm gonna let this

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Speaker 4: guy roll because he's bombing.

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Speaker 2: He was actually bombed. People are like, what you're doing

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Speaker 2: an impression? The guy that bomb last night's Cosmic Justice.

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Speaker 2: That's your acting, that's cosmic justice.

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Speaker 1: Yeah.

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Speaker 4: So then I was just sort of like stuck at

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Speaker 4: this camp for a few days. That's brutal. That was

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Speaker 4: pretty brutal. Yeah, but back to what you were saying.

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Speaker 4: Another thing I do do. I still say yes is

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Speaker 4: open for a band. Don't do it unless it's weird.

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Speaker 4: Now yankovicher Tenacious D. I'm less it's a comedy band.

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Speaker 4: I'm opening for Tenacious D. So yes, that that made

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Speaker 4: you might work?

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Speaker 1: That might work.

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Speaker 2: Remember, I know it's still a Hamburger. Got like bottles

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Speaker 2: chucked out him opening up for Todah's Day.

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Speaker 4: Well, yeah, you got to check out his live album

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Speaker 4: Hot Tuesday Night. I think it's called He released a

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Speaker 4: live album of him bombing hardcore and the crowd is

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Speaker 4: just changing like he's the best.

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Speaker 1: He is fearless. He is fearless. That's like gonzo ship.

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Speaker 1: I love that didn't wait? Did uh? Didn't release?

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Speaker 2: Ah the height of his career, which is like so insane,

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Speaker 2: it's so weird and he's purposely bombing right in like

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Speaker 2: a little club. It doesn't make any sense. It's like abstract.

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Speaker 2: He's the greatest artist of us. We've over Van Go.

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Speaker 2: I told you about when I bombed opening up for

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Speaker 2: Chris Rock. He did, so I'll do I'll do the

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Speaker 2: quick just give me the cliff. No, I'll give you

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Speaker 2: the cliff does not that interesting story. I'm just like,

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Speaker 2: my audience is not his audience. Event diagram is slim. Really,

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Speaker 2: I mean, stand up you. It made me questions and

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Speaker 2: you're talking about you. We're talking about three eleven and

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Speaker 2: then yeah, exactly, it's like my references forget it. It's

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Speaker 2: like very I'm very generational. I guess gotcha.

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Speaker 1: So uh.

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Speaker 2: I always did like mediocre opening up for him, but

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Speaker 2: this night, I just like I was phoning it in

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Speaker 2: and I didn't realize it until halfway through. This guy

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Speaker 2: goes next and I go and I snapped, I should have.

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Speaker 1: Played cool or how to joke about it, but I was, now,

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Speaker 1: you come up to the stage and say that to

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Speaker 1: my face like it was a bar show. I was like,

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Speaker 1: come up on stage. I got out. It's like big

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Speaker 1: ass theater of four thousand people. He's like, I'm not

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Speaker 1: going up to the stage. I just fucking roast to you.

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Speaker 1: And then I'm like and I just crumble.

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Speaker 2: But what haunts me is like celebrities come to see

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Speaker 2: Chris Rock and especially in New Orleans and Atlanta where

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Speaker 2: all like the Marvel movies shoot and ship, like celebrities

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Speaker 2: are always the honest.

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Speaker 1: So my agent called me a few weeks later.

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Speaker 2: Anything, Hey, we just had Anti Mackie in the office.

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Speaker 1: He said you were the worst comedian he's ever seen this.

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Speaker 2: So I was just like, this delayed, like haunting, you

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Speaker 2: know what I mean, Like when your bombs so hard

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Speaker 2: to just move on, you can't move on just you.

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Speaker 2: It's like it's like when you try to fart in

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Speaker 2: the other room and then you like walk into the

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Speaker 2: next room and it like comes with you. You're like, God, no,

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Speaker 2: I parted it in that room.

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Speaker 1: I left so that the girl doesn't sell the farm.

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Speaker 1: But you can't with me. Yeah.

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Speaker 4: I did this podcast, like the first podcast ever did

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Speaker 4: like ten years ago or something with Neil Brennan, and.

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Speaker 2: You told me about this, but I love this story.

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Speaker 2: You were doing your podcast.

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Speaker 4: It was the pod first episode, No it was it

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Speaker 4: was my last episode.

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Speaker 1: No, so it ended on a fucking turn.

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Speaker 4: I kind of quit after this, but we did a

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Speaker 4: few more, but the show kept going. I was like

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Speaker 4: the sound effects guy. Now, I would have like a

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Speaker 4: laptop full of like a sample pads. Yeah, just like

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Speaker 4: a thousand drops. And I don't think Neil briefed Chris

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Speaker 4: Rock what I'm doing. He just thought I was some

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Speaker 4: engineer guy or something. So I sat on my laptop

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Speaker 4: and we start going and he mentions Eddie Murphy and

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Speaker 4: then I hit the Eddie Murphy lap.

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Speaker 1: And Chris Rock's like, what are you doing?

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Speaker 4: Man?

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Speaker 2: He's looking at me, l man. I'm like, uh, I

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Speaker 2: just I do. He's like it's not funny, and I'm

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Speaker 2: like what And.

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Speaker 4: I just kind of sat there, humiliated, like silently like what.

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Speaker 4: He was like pissed off that I did a sound effect.

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Speaker 4: He's like, I'm trying to talk and you're doing a

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Speaker 4: sound effect. I'm like, okay, well that's kind of what

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Speaker 4: the show is.

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Speaker 1: But yeah, that's the show.

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Speaker 4: So I just so I bombed in front of Christopher

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Speaker 4: oh No, and then uh yeah he didn't think that

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Speaker 4: was funny, I guess, but.

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Speaker 1: He didn't get it.

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Speaker 2: He should have been debriefed, and Neil and in Motion

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Speaker 2: didn't come to your rescue.

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Speaker 1: They just stayed silent. I think they did a little bit.

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Speaker 4: They were like, oh, he does the sounds, but it's

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Speaker 4: kind of like the damage was done that.

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Speaker 2: I did Anthony Jeselnex show with TJ Miller, you know,

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Speaker 2: years ago, and the second brodusher could be like, be crazy,

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Speaker 2: be crazy, man, I know you're crazy.

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Speaker 1: Be crazy at me, and I was like, what, all right?

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Speaker 1: His Comedy Central show. Yeah, so what's it called. It

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Speaker 1: was called offensive, So I'm like all right, and.

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Speaker 2: I'm like out uh Appso trying to I was like editing,

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Speaker 2: and I had a bunch of firecrackers that we weren't

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Speaker 2: allowed to use on the show because they were illegal

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Speaker 2: or something whatever or you had to get special perma

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Speaker 2: to use them or something.

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Speaker 1: So I was like I'll just like, I'll just light fireworks.

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Speaker 1: I don't light.

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Speaker 2: Fires under the TJ's seat while he's talking Keith Moon.

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Speaker 1: Yeah, I was like yeah. I was like, they want

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Speaker 1: me to be crazy, I'll be crazy. So I threw

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Speaker 1: the fire.

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Speaker 2: So teachers that were like ten minutes into our segment

383
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Speaker 2: whatever and like TJ's talking teachers like I thought you

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Speaker 2: were lighting like a joint or something.

385
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Speaker 1: I just started lighting these black cats.

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Speaker 2: I chuck him under his seat and I just look

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Speaker 2: at Jeszelneck like I'm like, like, I didn't do it.

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00:18:04,200 --> 00:18:09,400
Speaker 2: You know, It's like the crowd goes silent, the crew

389
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Speaker 2: goes silent, everybody's terrified.

390
00:18:12,040 --> 00:18:14,680
Speaker 1: The ad comes out like, oh, what the heck is

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00:18:14,760 --> 00:18:18,359
Speaker 1: going on here? Like some old school dude like pulling

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Speaker 1: his hair out. And then uh, you said she said

393
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Speaker 1: to be crazy.

394
00:18:22,040 --> 00:18:24,800
Speaker 2: And then the fire marshal came and he's like I

395
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Speaker 2: have to arrest someone. And then I had to like apologize,

396
00:18:28,080 --> 00:18:30,639
Speaker 2: and then like my manager didn't.

397
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Speaker 1: My old manager didn't even take my side.

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Speaker 6: She was like, you got apologize.

399
00:18:33,960 --> 00:18:36,240
Speaker 2: I'm like I didn't. It was a federal offense. There

400
00:18:36,240 --> 00:18:38,280
Speaker 2: were a little like little kid firecrackers or whatever, the

401
00:18:38,320 --> 00:18:43,480
Speaker 2: little black cats. No, nobody's heard. Nothing's her like, gets fine.

402
00:18:43,680 --> 00:18:45,760
Speaker 2: You wanted me to be crazy? I was crazy, and

403
00:18:45,760 --> 00:18:48,439
Speaker 2: now I'm in trouble for it. Highest rated episode of

404
00:18:48,440 --> 00:18:51,640
Speaker 2: the series. There you go, highest rated episode series. Look

405
00:18:51,640 --> 00:18:54,080
Speaker 2: at that. See that kind of stuff is good radio.

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Speaker 6: That's what I'm saying with aericdre with are all right,

407
00:19:09,000 --> 00:19:11,560
Speaker 6: so you got three bombs? He only told us one.

408
00:19:11,800 --> 00:19:13,239
Speaker 6: Oh yeah, oh you told us too if you got

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Speaker 6: the podcast.

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Speaker 4: Uh. The first, the first ever major bomb was you

411
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Speaker 4: remember the upfronts for Adult Swims.

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Speaker 1: Yeah, they flew.

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Speaker 4: Us out, Tim and Eric and me and Tim and

414
00:19:25,000 --> 00:19:27,680
Speaker 4: Eric were gonna it's like this party, right.

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00:19:27,520 --> 00:19:30,960
Speaker 2: Yeah, And so for people that don't know, people still

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00:19:30,960 --> 00:19:33,399
Speaker 2: have yet they don't do it. Adult Swim doesn't do

417
00:19:33,400 --> 00:19:34,879
Speaker 2: it anymore, but COVID kind of shut it down for

418
00:19:34,920 --> 00:19:38,760
Speaker 2: a little bit. So you know, television is brought to

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00:19:38,800 --> 00:19:42,280
Speaker 2: you by sponsors. Everything's paid for with advertising, so like

420
00:19:42,359 --> 00:19:47,280
Speaker 2: to to butter up the like corporations literally like the

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Speaker 2: guys from like Dorito's and Colgate and stuff like that.

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Speaker 1: Networks every network used to have.

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Speaker 2: I don't know if they're still having this party called

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00:19:54,000 --> 00:19:58,640
Speaker 2: upfronts around like May where they would fly not only

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Speaker 2: the they would like Kanye performing. Yeah, they would drop

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Speaker 2: a lot of money. This was like the special it's

427
00:20:05,000 --> 00:20:07,560
Speaker 2: just for their ever just like a tiny party. These

428
00:20:07,560 --> 00:20:10,280
Speaker 2: are big. This is when they would splurge the majority

429
00:20:10,280 --> 00:20:12,080
Speaker 2: of their money because this is how they make their money.

430
00:20:12,119 --> 00:20:14,280
Speaker 2: They would like bring all the artists out from all

431
00:20:14,320 --> 00:20:17,000
Speaker 2: the TV shows to do like Q and A panels

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Speaker 2: and live events, and then they would like they would

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Speaker 2: pay like Kanye or jay Z somebody like a million

434
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Speaker 2: bucks to perform.

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Speaker 1: They were fun.

436
00:20:23,960 --> 00:20:28,520
Speaker 2: They were super like wild and crazy open bar performing.

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Speaker 1: It's great. Yeah.

438
00:20:29,720 --> 00:20:31,760
Speaker 2: I was never performing. It was just like a weekend

439
00:20:31,760 --> 00:20:32,480
Speaker 2: of debauchery.

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00:20:32,600 --> 00:20:35,960
Speaker 1: They flew me out. People just want to drink and raide.

441
00:20:36,119 --> 00:20:38,520
Speaker 2: Yeah, it's like they want to throw like a Coachella

442
00:20:38,680 --> 00:20:39,640
Speaker 2: for like the suits.

443
00:20:39,880 --> 00:20:42,760
Speaker 1: Yeah, so that the suits go. Man, that was so fun.

444
00:20:43,000 --> 00:20:47,080
Speaker 1: I had such a blast. Yes, Colgate wants to sponsor

445
00:20:47,240 --> 00:20:49,639
Speaker 1: the Brack Show or whatever, Harvey Birdman or.

446
00:20:49,800 --> 00:20:55,359
Speaker 4: You know exactly, so somebody had Colgate executives at an

447
00:20:55,359 --> 00:20:55,840
Speaker 4: open bar.

448
00:20:56,200 --> 00:20:58,120
Speaker 1: Yeah yeah, yeah.

449
00:20:58,720 --> 00:21:00,920
Speaker 4: Anyway, this this was a long time, I want to say,

450
00:21:00,960 --> 00:21:03,440
Speaker 4: like two thousand and seven or eight or something, and

451
00:21:04,000 --> 00:21:07,560
Speaker 4: Tim and Eric were going to perform and I was

452
00:21:07,920 --> 00:21:11,320
Speaker 4: the first act and it was like six pm or whatever.

453
00:21:12,119 --> 00:21:14,520
Speaker 1: And as soon as I started, that's when like the

454
00:21:14,560 --> 00:21:15,240
Speaker 1: bar opened.

455
00:21:15,400 --> 00:21:19,679
Speaker 2: It was just like raging, like herds of people just

456
00:21:19,760 --> 00:21:22,560
Speaker 2: drinking and going to the bar and I'm trying to

457
00:21:22,640 --> 00:21:25,840
Speaker 2: like tell jokes and it's just like, you know, that

458
00:21:25,840 --> 00:21:28,000
Speaker 2: that sound of like I.

459
00:21:28,119 --> 00:21:29,520
Speaker 1: Like that just to crazy.

460
00:21:29,560 --> 00:21:33,000
Speaker 2: It was like just people talking full blast everywhere. Yeah,

461
00:21:33,040 --> 00:21:36,120
Speaker 2: and I'm just basically performing to nobody.

462
00:21:36,760 --> 00:21:37,720
Speaker 1: It was crazy.

463
00:21:37,760 --> 00:21:39,199
Speaker 4: I thought I was nuts, but you know what, I

464
00:21:39,280 --> 00:21:43,600
Speaker 4: wasn't performing to nobody because Seth Green actually was kind

465
00:21:43,640 --> 00:21:46,560
Speaker 4: of paying attention. He was standing there watching me like

466
00:21:46,680 --> 00:21:49,480
Speaker 4: trying to laugh along, and Chelsea Pretti because they both

467
00:21:49,640 --> 00:21:53,480
Speaker 4: get it, like they were like, I'm going to check

468
00:21:53,520 --> 00:21:55,720
Speaker 4: out this act. So it was cool of them to

469
00:21:55,880 --> 00:21:59,320
Speaker 4: at least have the yeah, you know, what do you

470
00:21:59,400 --> 00:22:01,879
Speaker 4: call it? Know, they were just being respectful of like

471
00:22:01,920 --> 00:22:04,720
Speaker 4: a performer. Yeah, but after a while, I was just

472
00:22:04,760 --> 00:22:08,600
Speaker 4: pressing a button of like a fart, just like like.

473
00:22:09,320 --> 00:22:10,560
Speaker 1: You know what I mean. It's like I felt like

474
00:22:10,560 --> 00:22:12,119
Speaker 1: a ghost, you know.

475
00:22:12,800 --> 00:22:13,040
Speaker 5: Yeah.

476
00:22:13,160 --> 00:22:13,880
Speaker 1: I was just like.

477
00:22:15,760 --> 00:22:18,679
Speaker 2: Yeah, like nobody sees me. I had like you know,

478
00:22:19,119 --> 00:22:22,120
Speaker 2: I was like going through the PIA system. Nobody gave

479
00:22:22,160 --> 00:22:24,280
Speaker 2: a ship. It was crazy.

480
00:22:24,800 --> 00:22:28,399
Speaker 4: You were like background, You're like Tim and Eric, you know,

481
00:22:28,440 --> 00:22:30,719
Speaker 4: they did this crazy thing where they were like singing

482
00:22:30,760 --> 00:22:34,280
Speaker 4: a song and you know, just disrupting the crowd and

483
00:22:34,320 --> 00:22:36,920
Speaker 4: like dancing through the crowd and stuff. So like my act,

484
00:22:37,040 --> 00:22:38,960
Speaker 4: which you had to kind of like listen to set

485
00:22:39,080 --> 00:22:41,880
Speaker 4: up joke set ups and stuff like.

486
00:22:43,359 --> 00:22:43,439
Speaker 2: That.

487
00:22:43,600 --> 00:22:46,160
Speaker 4: Was that was like quite a bomb, but it kind

488
00:22:46,160 --> 00:22:49,080
Speaker 4: of didn't really matter. But I still just you know

489
00:22:49,160 --> 00:22:51,520
Speaker 4: that feeling you get you're yeah no, it's just that

490
00:22:51,840 --> 00:22:54,840
Speaker 4: feeling of like also like it's not you. It's like

491
00:22:54,920 --> 00:22:55,840
Speaker 4: the situation.

492
00:22:55,920 --> 00:22:56,359
Speaker 1: It wasn't me.

493
00:22:56,400 --> 00:22:58,760
Speaker 2: It was just a situation. The situation like live comedy,

494
00:22:58,760 --> 00:23:02,560
Speaker 2: it's sensitive. You need like the atmosphere to be right.

495
00:23:02,920 --> 00:23:07,480
Speaker 2: What's the best you've ever done. Let's say, let's palette cleanse.

496
00:23:08,920 --> 00:23:12,119
Speaker 2: I told all my jokes, every duke worked the crowd.

497
00:23:13,040 --> 00:23:17,800
Speaker 2: The crowd erupted into a basket. Ope, all the pets

498
00:23:17,840 --> 00:23:19,520
Speaker 2: are good.

499
00:23:20,320 --> 00:23:22,520
Speaker 1: I fucked every single person in the audience.

500
00:23:24,520 --> 00:23:25,560
Speaker 4: Three years.

501
00:23:26,840 --> 00:23:30,280
Speaker 1: They're still hit me up. You're still remember your set

502
00:23:30,320 --> 00:23:35,960
Speaker 1: three years ago. Get a clue, girl, girl, I still

503
00:23:36,000 --> 00:23:40,240
Speaker 1: got to get your drawers. I'm still being paid. Laura

504
00:23:40,720 --> 00:23:42,919
Speaker 1: residualsiitials from.

505
00:23:42,800 --> 00:23:48,159
Speaker 4: One one like backyard set in like Echo Park, that

506
00:23:48,400 --> 00:23:49,600
Speaker 4: story set you did.

507
00:23:49,960 --> 00:23:54,880
Speaker 2: I did this show in Orange County Beach Goth Festival.

508
00:23:54,960 --> 00:23:56,679
Speaker 2: It was like a bunch of cool bands that like

509
00:23:57,119 --> 00:23:58,720
Speaker 2: you don't normally see on a festival lineup, and they

510
00:23:58,720 --> 00:24:00,639
Speaker 2: were like we just want you to host, And I

511
00:24:00,680 --> 00:24:03,639
Speaker 2: was like, great, whatever, and it was like it was

512
00:24:03,680 --> 00:24:07,960
Speaker 2: a good payday at the time. And I was by

513
00:24:08,000 --> 00:24:10,399
Speaker 2: where the artist trailers are, and I was trying to

514
00:24:10,440 --> 00:24:14,280
Speaker 2: go backstage, not like backstage area, but like physically behind

515
00:24:14,320 --> 00:24:17,040
Speaker 2: the stage to walk up on stage and start hosting.

516
00:24:17,400 --> 00:24:19,520
Speaker 2: And there's no stage manager anywhere, and nobody tells me

517
00:24:19,600 --> 00:24:23,080
Speaker 2: when to go on. There's no contact person. So I'm

518
00:24:23,119 --> 00:24:25,359
Speaker 2: like looking around and I'm texting my agent. I'm like,

519
00:24:25,600 --> 00:24:27,480
Speaker 2: do I go? Do you know when I start? Do

520
00:24:27,520 --> 00:24:30,080
Speaker 2: you know when my set should start? And he's like

521
00:24:30,119 --> 00:24:31,720
Speaker 2: and it was like a Saturday. He's like taking this

522
00:24:31,800 --> 00:24:33,159
Speaker 2: time to getting back to me. He's like, I don't know,

523
00:24:33,280 --> 00:24:34,600
Speaker 2: Like what does the stage manager say. I was like,

524
00:24:34,600 --> 00:24:37,840
Speaker 2: there's no stage manager, there's no person like corraling any

525
00:24:37,880 --> 00:24:38,399
Speaker 2: of the artists.

526
00:24:38,400 --> 00:24:39,640
Speaker 1: I know, I have no information.

527
00:24:40,480 --> 00:24:42,359
Speaker 2: So and then I'm trying to get backstage and the

528
00:24:42,359 --> 00:24:45,280
Speaker 2: security goes can't come back here, and I'm like, I'm hosting.

529
00:24:45,480 --> 00:24:48,679
Speaker 2: I'm I'm on the poster. I'm like I have all access.

530
00:24:48,760 --> 00:24:49,879
Speaker 2: I'm talking to my wristband.

531
00:24:50,200 --> 00:24:52,360
Speaker 1: I'm like, are you're not allowed back? Then?

532
00:24:52,440 --> 00:24:54,560
Speaker 2: He's not allowed back here. I don't care bro. I'm like,

533
00:24:54,640 --> 00:24:57,400
Speaker 2: what are you talking about. I'm one of the fucking festival,

534
00:24:57,760 --> 00:25:00,600
Speaker 2: Like I need to get up there to I did

535
00:25:00,720 --> 00:25:02,800
Speaker 2: get paid, He's like, tell somebody who cares.

536
00:25:03,000 --> 00:25:03,440
Speaker 6: I kind of.

537
00:25:04,119 --> 00:25:06,760
Speaker 1: I was like what, So, like, I.

538
00:25:06,720 --> 00:25:08,879
Speaker 2: Don't know what I'm supposed to go up, but the

539
00:25:08,920 --> 00:25:11,199
Speaker 2: money was so good I wanted like proof that I

540
00:25:11,359 --> 00:25:14,000
Speaker 2: was on stage so that I would get paid. So

541
00:25:14,080 --> 00:25:16,760
Speaker 2: I like, then I got another security guard who vouched

542
00:25:16,800 --> 00:25:19,359
Speaker 2: for me. Then I finally got on stage. Nobody brought

543
00:25:19,359 --> 00:25:21,600
Speaker 2: me up. It wasn't like ladies and gentlemen Eric andre.

544
00:25:21,760 --> 00:25:25,560
Speaker 2: I just walked up like like creeped up on.

545
00:25:25,680 --> 00:25:28,159
Speaker 1: Stage with no announcement.

546
00:25:28,600 --> 00:25:31,399
Speaker 2: So I go on stage and I start trying to

547
00:25:31,400 --> 00:25:33,120
Speaker 2: do my regular stand up and it's miserable.

548
00:25:33,200 --> 00:25:34,840
Speaker 1: I'm like, not, it's not going great.

549
00:25:34,880 --> 00:25:36,680
Speaker 2: Like the crowd is on my side, they're not torn

550
00:25:36,760 --> 00:25:38,919
Speaker 2: against me, but like they're not paying attention. It's like

551
00:25:39,000 --> 00:25:42,760
Speaker 2: hod as fuck, they're stone, they're drunk, like, so I

552
00:25:42,920 --> 00:25:45,840
Speaker 2: just start like doing crowd work and bringing people up

553
00:25:45,880 --> 00:25:46,359
Speaker 2: on stage.

554
00:25:46,400 --> 00:25:47,720
Speaker 1: It starts goofing.

555
00:25:47,359 --> 00:25:50,560
Speaker 2: Off and I did like ten minutes maybe I was

556
00:25:50,640 --> 00:25:53,560
Speaker 2: like you know, at fifteen minutes, I was like this

557
00:25:53,720 --> 00:25:57,160
Speaker 2: as much and like no one's giving me the light.

558
00:25:57,280 --> 00:26:00,680
Speaker 2: There's no structure, and I don't even know what band

559
00:26:00,720 --> 00:26:03,200
Speaker 2: to bring on next. They're not like the bands already

560
00:26:03,200 --> 00:26:05,520
Speaker 2: even there. So I was like all right later, and

561
00:26:05,560 --> 00:26:07,000
Speaker 2: I just like I think I took a picture of

562
00:26:07,040 --> 00:26:09,000
Speaker 2: myself on stage and send it to my agent, like

563
00:26:09,240 --> 00:26:09,720
Speaker 2: proof I.

564
00:26:09,720 --> 00:26:12,560
Speaker 1: Was on stage if anybody else, because this is a

565
00:26:12,600 --> 00:26:13,080
Speaker 1: shit show.

566
00:26:13,760 --> 00:26:18,520
Speaker 2: Then there was some like crazy issue. I think people

567
00:26:18,560 --> 00:26:21,520
Speaker 2: that bought tickets couldn't get in. And then the porta

568
00:26:21,560 --> 00:26:25,040
Speaker 2: potty started overflowing, and like there was like rain and

569
00:26:25,080 --> 00:26:27,600
Speaker 2: like mud slides. There was some like people are like

570
00:26:27,640 --> 00:26:29,679
Speaker 2: vendors were running out of food. It was like a

571
00:26:29,760 --> 00:26:32,639
Speaker 2: miniature Woodstock ninety nine like where like it's like Firefest.

572
00:26:32,720 --> 00:26:35,440
Speaker 2: The infrastructure, Yeah, the infrastructure of the festival started breaking

573
00:26:35,520 --> 00:26:38,080
Speaker 2: down as the festival continued, and I didn't realize.

574
00:26:38,080 --> 00:26:40,040
Speaker 1: I just started partying backstage. Somebody gave me molly.

575
00:26:40,160 --> 00:26:43,000
Speaker 2: I was like rolling backstage and like listen, like just

576
00:26:43,040 --> 00:26:45,119
Speaker 2: like hanging with friends and stuff like that. And then

577
00:26:45,160 --> 00:26:48,880
Speaker 2: the sunset and then I'm like, I'm like I'll pop

578
00:26:48,880 --> 00:26:50,600
Speaker 2: around the festival. So I popped around the festival and

579
00:26:50,600 --> 00:26:53,919
Speaker 2: then I try to go backstage again, I have an

580
00:26:53,960 --> 00:26:58,080
Speaker 2: all access wristband and I'm like out with the crowd,

581
00:26:58,560 --> 00:27:00,840
Speaker 2: rolling on ecstasy and I I didn't go backstage and

582
00:27:01,119 --> 00:27:04,240
Speaker 2: another security different security guards like, ain't coming back here, bro,

583
00:27:04,440 --> 00:27:04,800
Speaker 2: I'm like.

584
00:27:05,000 --> 00:27:06,960
Speaker 1: What what does the all access mean?

585
00:27:07,200 --> 00:27:07,320
Speaker 3: Like?

586
00:27:07,480 --> 00:27:09,600
Speaker 1: Who is it for? I performed? I was on that

587
00:27:09,800 --> 00:27:12,840
Speaker 1: seed It's fine. Alle I was like, I.

588
00:27:12,800 --> 00:27:15,760
Speaker 2: Was on that stage, I'm on the festival poster, I'm

589
00:27:15,760 --> 00:27:17,320
Speaker 2: on the fire that's my name.

590
00:27:17,640 --> 00:27:19,840
Speaker 1: And I was like, don ok. And I was like,

591
00:27:19,840 --> 00:27:21,600
Speaker 1: what the fuck is wrong? And I'm like snapping and

592
00:27:21,640 --> 00:27:23,440
Speaker 1: I'm rolling, which is crazy. I'm like, what the.

593
00:27:23,400 --> 00:27:25,280
Speaker 2: Fuck is wrong with this festival? What the fuck is

594
00:27:25,320 --> 00:27:28,200
Speaker 2: wrong with security? And then the security is like, oh,

595
00:27:28,280 --> 00:27:30,480
Speaker 2: you think you're funny? Huh you think you're funny? And

596
00:27:30,520 --> 00:27:34,200
Speaker 2: I go, yes, I do, and he goes, well, well

597
00:27:34,240 --> 00:27:36,480
Speaker 2: guess what you're not. And I go, well, guess what

598
00:27:36,840 --> 00:27:39,679
Speaker 2: comedy subjective? And I can tell you to know what

599
00:27:39,720 --> 00:27:42,000
Speaker 2: subjection meant. So he was just like, all right, you

600
00:27:42,040 --> 00:27:49,440
Speaker 2: can go in, Doug, thank you so much for coming

601
00:27:49,480 --> 00:27:52,359
Speaker 2: on my pleasure experiment.

602
00:27:53,200 --> 00:27:56,639
Speaker 1: And see it the stress Factory. I'll see it this stuff.

603
00:27:56,680 --> 00:27:59,040
Speaker 1: See it's fucking end of time.

604
00:27:59,080 --> 00:28:05,080
Speaker 2: I see it all right, Thanks buddy, Peace Peace, I'll

605
00:28:05,200 --> 00:28:08,800
Speaker 2: be with Ericdre. Bombing with Ergondre is brought to you

606
00:28:08,840 --> 00:28:11,680
Speaker 2: by Will Ferrell's Big Money Players Network and iHeart Podcast.

607
00:28:11,880 --> 00:28:13,320
Speaker 1: It is executive produced by.

608
00:28:13,200 --> 00:28:18,760
Speaker 2: The handsome Hans Sani, the wickedly talented Olivia Aguilar, edited

609
00:28:18,840 --> 00:28:22,840
Speaker 2: and sound designed by the stupendous Andy Harris, and are

610
00:28:22,960 --> 00:28:25,840
Speaker 2: arts by the genius still in Vanderberg. I want to

611
00:28:25,880 --> 00:28:28,280
Speaker 2: thank the four of them very much for helping me

612
00:28:28,359 --> 00:28:30,960
Speaker 2: put this thing on its feet. They are a kick

613
00:28:31,000 --> 00:28:33,880
Speaker 2: ass team of liquid terminators and I appreciate y'all very much,

614
00:28:33,880 --> 00:28:35,919
Speaker 2: so truly. If you want to confess to your own

615
00:28:35,960 --> 00:28:37,760
Speaker 2: bombing moments or give us a shout out, go rate

616
00:28:37,840 --> 00:28:40,040
Speaker 2: us five stars and drop a review on your podcast

617
00:28:40,080 --> 00:28:42,320
Speaker 2: app of choice, write about your own stories of bombing

618
00:28:42,360 --> 00:28:42,960
Speaker 2: at life.

619
00:28:43,040 --> 00:28:44,320
Speaker 1: If you're on Apple Podcasts, you.

620
00:28:44,240 --> 00:28:46,680
Speaker 2: Can also subscribe to The Big Money Player's Diamond to

621
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Speaker 2: get exclusive bonus content with every episode, and listen to

622
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Speaker 2: all my episodes ad free. The guest I'm Bombing with

623
00:28:51,360 --> 00:28:54,840
Speaker 2: Eric Andre were recorded before the SAG After strike Bye