WEBVTT - BONE THUGS-N-HARMONY - Thug Spread

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<v Speaker 1>Hey, guys, welcome to another episode of Eating While Broke.

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<v Speaker 1>I'm your host, coleeen Wait, and today we have very

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<v Speaker 1>special iconic group Bone Thugs and Harmony in the building.

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<v Speaker 1>We got Crazy, Lazy and Flesh. I am beyond ecstatic

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<v Speaker 1>to even be sitting next to you guys, having let aload,

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<v Speaker 1>having Lazy do the cooking. And you know what are

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<v Speaker 1>you gonna have us eating today?

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<v Speaker 2>What we're gonna eat is a breakdown. Some call it

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<v Speaker 2>a breakdown, some call it a spread. So you got

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<v Speaker 2>your ramen noodles with a little chicken breast, a little

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<v Speaker 2>pinch of jalapenos, Sprinkle it with a little bit of

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<v Speaker 2>toritos to add a little crunch to it. You know,

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<v Speaker 2>I'm a grill. I'm a grill those I'm gonna put

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<v Speaker 2>some cheese on top, add a little flavor to it,

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<v Speaker 2>and we're gonna have us an old school breakdown with

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<v Speaker 2>not all they agreed. It's just like one of the

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<v Speaker 2>brokens days.

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<v Speaker 1>Problem Now this is is this well before Bowling, Thugs

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<v Speaker 1>and Harmony or is this during after? Feel me in?

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<v Speaker 2>This is Junior High the elementary junior high high school twenties, thirties, forties,

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<v Speaker 2>Eating this all our life.

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<v Speaker 3>And especially jail especially jail House too, because that's all

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<v Speaker 3>you got, that's all.

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<v Speaker 1>Yeh yeah, yeah, that's hilarious.

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<v Speaker 3>Yeah.

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<v Speaker 1>Now, now when you're cooking this dish, I'm really curious

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<v Speaker 1>to when you're cooking this dish on this show, if

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<v Speaker 1>you are thinking about your milestones that you have from

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<v Speaker 1>cooking this dish, because you guys have a lot of

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<v Speaker 1>stuff you've done. You have a Biggie Easy Tupac collaborations

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<v Speaker 1>Mariah Carrey. You know, we got to touch on all

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<v Speaker 1>these topics, but I want to know all the behind

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<v Speaker 1>the scenes. I don't want to hear anything you guys

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<v Speaker 1>said during any other interviews. I want to I want

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<v Speaker 1>to be in the kitchen with you guys. And I'm

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<v Speaker 1>hoping you guys can spell the tea. Lady. You get

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<v Speaker 1>on the cook you start cooking, and take me take

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<v Speaker 1>me back to the probably the og original time he

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<v Speaker 1>started making this dish.

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<v Speaker 2>Well, I started making this dish as early as I

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<v Speaker 2>can cook.

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<v Speaker 4>You know, we started cooking.

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<v Speaker 2>Noodles very very early, you know, so it's from the beginning. Man,

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<v Speaker 2>we want to elaborate.

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<v Speaker 5>I mean, you know, we was wed.

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<v Speaker 3>That's that's all. You had when you was coming up

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<v Speaker 3>even you know, five six years old, coming up out

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<v Speaker 3>that ruder man coming out that ruder and everything. You know,

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<v Speaker 3>we was uh, from the rooter to the tutor, from

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<v Speaker 3>the very very very beginning.

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<v Speaker 5>You say.

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<v Speaker 3>Sometimes you know, you know, because sometimes even as little

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<v Speaker 3>as a little g all you had was something that

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<v Speaker 3>you know, sometimes you didn't have hot water. Sometimes you

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<v Speaker 3>gotta eat that motherfucker. Excuse my French, y'all, sometimes you

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<v Speaker 3>gotta eat it. Just put the water in there or

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<v Speaker 3>whatnot and let it soften up and then go with

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<v Speaker 3>it like that. Sometimes you didn't have a chip. Sometimes

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<v Speaker 3>you definitely had a breast and uh and the ingredients

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<v Speaker 3>to go with it.

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<v Speaker 2>And uh so you will have to put the top

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<v Speaker 2>over the lid over there and just let it just

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<v Speaker 2>simmer down and warm water because the noodles, you know,

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<v Speaker 2>the longer they sit in news the water noodles sit

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<v Speaker 2>in water, they swell, they get soft.

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<v Speaker 4>So you know what I mean.

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<v Speaker 2>So sometimes we didn't have the heat because we ain't

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<v Speaker 2>had gas something at the crib.

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<v Speaker 1>So before all the lifetime achievements and all the accolades,

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<v Speaker 1>can you guys take me back to a time when

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<v Speaker 1>you were making this dish and time wasn't it wasn't

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<v Speaker 1>looking good and maybe you guys were just at a

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<v Speaker 1>crosshoads of despair. Maybe can any of you guys elaborate, do.

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<v Speaker 3>Know about the Vassilia when the Visilia went like like

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<v Speaker 3>we had on one of our stops. Uh, we had

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<v Speaker 3>a stop when we were coming out here. We had

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<v Speaker 3>been out here for like two maybe two and a

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<v Speaker 3>half maybe three months. We uh, we moved up to

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<v Speaker 3>Vossilia and this is before the easy e this is

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<v Speaker 3>before him taking a song and uh and uh, you

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<v Speaker 3>know we was we was rough necking it real tough,

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<v Speaker 3>real real tough up there. You know, we had came

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<v Speaker 3>up on the little apartment. You know that we ended

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<v Speaker 3>up ended up actually spreading graffiti on the walls and

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<v Speaker 3>ship the apartment was really bad. They was bad, you

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<v Speaker 3>know what I'm saying. They sprayed a b boy on

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<v Speaker 3>the wall and you know, yeah, not giving a damn

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<v Speaker 3>about you know, getting kicked out and like that. But yeah,

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<v Speaker 3>it was you know, we was doing a couple of

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<v Speaker 3>things to come up, come up on a meal and

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<v Speaker 3>everything and on again you know.

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<v Speaker 4>We go what you mean, like robbing the piece of man.

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<v Speaker 3>Yeah, yeah, we'll hit up, but we'll hit up you

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<v Speaker 3>know the eighteen nineteen Yeah, so yeah, so.

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<v Speaker 4>It was it was four easy.

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<v Speaker 1>So it was before easy.

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<v Speaker 3>Yeah, it was before easy. You know, we had to

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<v Speaker 3>do the thing, you know, the north Ridge earthquake.

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<v Speaker 1>Had just oh I remember that.

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<v Speaker 3>We got we got caught up in that and then

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<v Speaker 3>so but we was we was we was on some

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<v Speaker 3>real struggle ship for real.

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<v Speaker 1>Yeah, no, no, you guys could so were you guys

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<v Speaker 1>all just living in a one bedroom apartment trying to

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<v Speaker 1>pursue music or.

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<v Speaker 3>One bedroom two bedroom apartment that we shared. You know,

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<v Speaker 3>it was all of us, all of us together, and

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<v Speaker 3>you know, we had a couple of homies that knew

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<v Speaker 3>somebody had to have two friends that was out here

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<v Speaker 3>going to school playing ball. They had was holding down

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<v Speaker 3>a little I forgot what type of job there was,

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<v Speaker 3>but they knew they knew folks that can help us

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<v Speaker 3>out and put us, put us in places as we

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<v Speaker 3>was trying to get get it, get to get to

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<v Speaker 3>our goals.

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<v Speaker 5>You know.

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<v Speaker 3>So you know, ended up getting on a little general assistance.

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<v Speaker 3>You know that the opportunity came to get a little

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<v Speaker 3>bit of money after the earthquake hit, earthquake hit bam.

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<v Speaker 3>It was money available for us to get so you know,

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<v Speaker 3>you know, we was able to kick in a little bit.

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<v Speaker 1>First time we went shopping.

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<v Speaker 3>Yeah, something like that.

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<v Speaker 5>Yeah, it was.

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<v Speaker 3>It was It's nice ship. It was free money, all right.

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<v Speaker 1>But did any of you guys have to hold down

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<v Speaker 1>jobs when you first moved here?

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<v Speaker 3>Almost we was themn we first moved here.

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<v Speaker 2>We thought about it, but that ain't what we was

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<v Speaker 2>here for. We was here to become rappers for real.

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<v Speaker 1>Now, was there any point in this journey where you

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<v Speaker 1>guys had naysayers or someone in the group starting to say, man,

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<v Speaker 1>are we crazy for pursuing this? Was there any any

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<v Speaker 1>room for you know, the doubt whispers?

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<v Speaker 3>I mean, just not like that. It might have been

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<v Speaker 3>like she because when we got on that greyhound just

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<v Speaker 3>coming from Cleveland, first time we came up on the tickets, right,

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<v Speaker 3>we came on the tickets to get on the greyhound,

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<v Speaker 3>say you know, we're gonna go ahead and get up

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<v Speaker 3>out of Cleveland. And it might have been the instance

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<v Speaker 3>when we was on that Greyhound, when we're getting close

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<v Speaker 3>to La where we realized, like, oh yeah, ship, dark,

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<v Speaker 3>what we're gonna do, is the homie's gonna call us

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<v Speaker 3>when we get there, when we get off the bus,

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<v Speaker 3>if we if we call them as they really gonna

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<v Speaker 3>come pick us up. We had doubts with respects to that,

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<v Speaker 3>No doubts in okay, what we're doing as far as

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<v Speaker 3>pursuing every measure to be able to start knocking on doors,

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<v Speaker 3>to be able to start approaching or talking to whoever

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<v Speaker 3>we needed to get to. But yeah, it was a

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<v Speaker 3>it was a couple of instances, like because it was

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<v Speaker 3>real serious, we was on some real you know, you know,

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<v Speaker 3>you know, you know, didn't have food this day to

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<v Speaker 3>the next. You know, there was a long three bus

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<v Speaker 3>three day bus bus ride out here, so you know

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<v Speaker 3>we might have had on the ground.

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<v Speaker 1>So how long till your next huge major milestone between

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<v Speaker 1>that time and your huge major milestone And what was

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<v Speaker 1>that major milestone?

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<v Speaker 4>Meeting?

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<v Speaker 2>Meeting easy was the first milestone because we was out

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<v Speaker 2>here homeless at that time. And then when we got

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<v Speaker 2>in the apartment for a few months, were just really

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<v Speaker 2>just moving around and we finally met easy E and

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<v Speaker 2>that was the really that's the start.

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<v Speaker 1>Of we said you finally as in like you guys

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<v Speaker 1>were like we're gonna We're gonna get to him.

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<v Speaker 2>Yeah, we knew we was looking for Easy. Our mission

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<v Speaker 2>was when we left Cleveland, Ohio. We was our mission was.

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<v Speaker 2>We was telling everybody in the hood, were finish go

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<v Speaker 2>meet Easy E. Were about to come back and do

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<v Speaker 2>a video. Of course we didn't know, so we was

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<v Speaker 2>lying like a motherfucker.

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<v Speaker 1>And this is your your homies in Cleveland.

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<v Speaker 2>Yeah, yes, it's like, y'all ain't gonna come back with

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<v Speaker 2>no Easy equip playing.

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<v Speaker 3>We're telling them we watch you know, little do we know,

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<v Speaker 3>we speak in reality into existence by telling them, Yo,

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<v Speaker 3>we're finna come back with a record deal, We're gonna

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<v Speaker 3>come back with a with a whole situation, We're gonna

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<v Speaker 3>beyond and uh and we're gonna come back with a

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<v Speaker 3>bus and camera crew all of that. So you know,

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<v Speaker 3>you know, so this is you know, we had a

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<v Speaker 3>bunch of homies that was supporting us and always still

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<v Speaker 3>to this day. You know, even before we made it,

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<v Speaker 3>was supporting us to the fullest. Say it was there,

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<v Speaker 3>but you know, you might have had a few, a

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<v Speaker 3>few maybe one or two nay sayers here and there though, like, yeah,

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<v Speaker 3>y'all niggas is crazy thinking y'all finna go do anything

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<v Speaker 3>like that.

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<v Speaker 1>So how did you guys approach them? Tell me the backstory,

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<v Speaker 1>the stuff that nobody knows about. Please?

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<v Speaker 5>Yes, indeed?

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<v Speaker 3>Well, well, Cray you want to you want to chime

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<v Speaker 3>in as far as like how they come about.

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<v Speaker 1>How they come about? How did you guys catch them up?

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<v Speaker 5>Man? You know, we just we just kept putting in

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<v Speaker 5>the phone calls to his own like somebody from Cleveland

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<v Speaker 5>gave us his number, well the numbers of roofless records,

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<v Speaker 5>and we just kept calling every day, every single day

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<v Speaker 5>until the reception is there was like, you know, I'm

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<v Speaker 5>gonna make sure he called y'all back today. Y'all been

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<v Speaker 5>calling every day, you know, y'all, I'm gonna make sure

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<v Speaker 5>he called you back. And he called us backs. So

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<v Speaker 5>he called his back.

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<v Speaker 3>Yeah, and that was that was a major situation for us,

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<v Speaker 3>because you know, we struggled and hustled real hard to

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<v Speaker 3>get to that point to even just get you know,

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<v Speaker 3>to get on the phone with him. We end up

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<v Speaker 3>getting getting him on the phone, auditioning on the phone phone.

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<v Speaker 1>And where did you guys do it on speaker?

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<v Speaker 3>I think it was Joe just put the judge put

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<v Speaker 3>the phone out because I don't think that technology was

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<v Speaker 3>out back then. It was one of them phones back

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<v Speaker 3>in nineteen ninety three, nineteen ninety three, the cord on.

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<v Speaker 3>You pick it up and you know that down and

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<v Speaker 3>you know what I'm saying, So you know, he we

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<v Speaker 3>talking and in order to hear his voice, you gotta

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<v Speaker 3>pass it. But when we was rapping to him and

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<v Speaker 3>Craig sat the phone right there and was uh, and

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<v Speaker 3>then uh, you know, it was spitting into him like that.

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<v Speaker 3>But we we spoke. We spoke to him a couple

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<v Speaker 3>of times though the initial the initial conversation and lay

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<v Speaker 3>Lay and busy had smashed to the store, but he

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<v Speaker 3>had We had talked to him a couple of times

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<v Speaker 3>on the phone before we decided that. He was telling

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<v Speaker 3>us that uh, you know, see he was on tour

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<v Speaker 3>at the time and that's why it took so long

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<v Speaker 3>for him to hit his back, you know. So, but

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<v Speaker 3>he did that. The receptionist lady by the name of Keisha,

0:11:40.520 --> 0:11:44.600
<v Speaker 3>Keisha Anderson, promised us that he was gonna get there,

0:11:44.679 --> 0:11:46.400
<v Speaker 3>you know, make sure, I'm gonna make sure he called

0:11:46.440 --> 0:11:49.000
<v Speaker 3>your back. And she came true. She came through with

0:11:49.040 --> 0:11:52.000
<v Speaker 3>her promise. He called us back and he told us

0:11:52.000 --> 0:11:53.800
<v Speaker 3>we was on tour. Matter of fact, I'm gonna be

0:11:53.800 --> 0:11:55.880
<v Speaker 3>in Cleveland. I gotta show in Cleveland. Why don't you'll

0:11:55.920 --> 0:11:57.920
<v Speaker 3>come rock out? Y'all want to do that show with me?

0:11:58.559 --> 0:12:01.800
<v Speaker 1>So that was that was your next opportunity right there.

0:12:02.000 --> 0:12:02.600
<v Speaker 4>That was and.

0:12:04.440 --> 0:12:08.160
<v Speaker 1>Ground we go ease.

0:12:08.880 --> 0:12:12.960
<v Speaker 5>Yeah, So he didn't actually invite us to be on

0:12:13.000 --> 0:12:14.559
<v Speaker 5>the show with him. He just told us he had

0:12:14.600 --> 0:12:18.400
<v Speaker 5>a show back home, and we decided we're gonna get

0:12:18.440 --> 0:12:20.320
<v Speaker 5>back to Cleveland so we could opened up that show

0:12:20.320 --> 0:12:21.679
<v Speaker 5>because we had hookups in Cleveland.

0:12:22.559 --> 0:12:26.680
<v Speaker 3>Okay, Yeah, so it wasn't it wasn't definitely wasn't officially

0:12:26.800 --> 0:12:29.000
<v Speaker 3>eshton Stone. Yet we still had a little bit more,

0:12:29.280 --> 0:12:32.319
<v Speaker 3>a few more hurdles to jump through, so we uh

0:12:32.520 --> 0:12:35.160
<v Speaker 3>we spoke to our folks, ended up getting bus tickets

0:12:35.720 --> 0:12:36.240
<v Speaker 3>back home.

0:12:36.360 --> 0:12:37.480
<v Speaker 1>I love it.

0:12:37.679 --> 0:12:39.280
<v Speaker 3>So were back on the three and a half three

0:12:39.320 --> 0:12:41.640
<v Speaker 3>day trip back home. You know, we get there, folks,

0:12:41.640 --> 0:12:43.880
<v Speaker 3>Hoo hooks us up to be able to get a

0:12:43.920 --> 0:12:47.280
<v Speaker 3>slot on the opening opening, one of the opening slots

0:12:47.280 --> 0:12:50.800
<v Speaker 3>on the show. We do our thing, of course, hoping

0:12:50.840 --> 0:12:53.040
<v Speaker 3>that easy get a glimpse of us and uh and

0:12:53.280 --> 0:12:53.800
<v Speaker 3>he didn't.

0:12:54.360 --> 0:12:55.160
<v Speaker 1>He did not know.

0:12:55.240 --> 0:12:58.320
<v Speaker 3>He didn't, you know, because that's the way it go.

0:12:58.440 --> 0:13:00.480
<v Speaker 3>You know, you got whoever your headline are for the

0:13:00.520 --> 0:13:03.560
<v Speaker 3>shows and whatnot, they're not finna be out there, you know,

0:13:03.760 --> 0:13:06.440
<v Speaker 3>checking out no acts or whatnot. So you know, but

0:13:06.480 --> 0:13:08.800
<v Speaker 3>you know, we did what we had to do, and

0:13:08.960 --> 0:13:11.800
<v Speaker 3>uh and stuck around to watch Easy of course, watch

0:13:11.920 --> 0:13:15.880
<v Speaker 3>him do his thing, and uh and uh and they

0:13:16.000 --> 0:13:19.440
<v Speaker 3>rocked the house him Gangster Dras, the BG knockout of course,

0:13:19.520 --> 0:13:21.680
<v Speaker 3>DJ Yeller they always there, did they sang?

0:13:21.720 --> 0:13:24.920
<v Speaker 1>And so what was that next milestone that got you

0:13:24.920 --> 0:13:28.439
<v Speaker 1>got got got Easy to make.

0:13:28.280 --> 0:13:31.240
<v Speaker 3>A move definitely. We was there after this. So after

0:13:31.880 --> 0:13:33.599
<v Speaker 3>they were done doing what they had to do, it

0:13:33.720 --> 0:13:35.680
<v Speaker 3>was like, okay, how we gonna make this happen and

0:13:35.720 --> 0:13:39.000
<v Speaker 3>get this get this in And so we tried to

0:13:39.040 --> 0:13:41.600
<v Speaker 3>follow him backstage. Me and Lay made it backstage to

0:13:41.640 --> 0:13:44.360
<v Speaker 3>holler at him. While we was back there, Lay start

0:13:44.440 --> 0:13:47.520
<v Speaker 3>spinning some rhymes and we had I think, knock he

0:13:47.679 --> 0:13:50.840
<v Speaker 3>was out there. DJ Yeller was out there, you know.

0:13:50.960 --> 0:13:53.360
<v Speaker 3>Easy he stuck his head out the door and immediately

0:13:53.360 --> 0:13:55.400
<v Speaker 3>when he heard that sound, he stuck his head out

0:13:55.440 --> 0:13:58.240
<v Speaker 3>like yo, y all them cast That was wrapping for

0:13:58.320 --> 0:14:01.360
<v Speaker 3>me on the phone. That was that's y'all. Yeah, okay,

0:14:01.400 --> 0:14:04.160
<v Speaker 3>he invited us in. He had already had company, was

0:14:04.200 --> 0:14:07.480
<v Speaker 3>already like ten fifteen people crowd in his dressing room

0:14:07.520 --> 0:14:10.200
<v Speaker 3>and everything trying to you know, you know, trying to

0:14:10.240 --> 0:14:12.439
<v Speaker 3>pitch themselves to him and everything with me and Lay

0:14:12.520 --> 0:14:15.040
<v Speaker 3>kind of like went in there and held it down.

0:14:15.840 --> 0:14:19.360
<v Speaker 3>And while while we was in there with him, I

0:14:19.400 --> 0:14:21.680
<v Speaker 3>was in his ear the whole time, like, you know,

0:14:22.040 --> 0:14:24.240
<v Speaker 3>you know, you know, you know, we got that mojo.

0:14:24.560 --> 0:14:27.320
<v Speaker 3>I mean, we got that mojo right here, this next

0:14:27.320 --> 0:14:29.280
<v Speaker 3>big thing right here. You know, it's it's you know,

0:14:29.360 --> 0:14:32.160
<v Speaker 3>niggas in there, you know, trying to talk. They ship,

0:14:32.320 --> 0:14:34.320
<v Speaker 3>you know, you know, spit their game and all that,

0:14:34.400 --> 0:14:37.280
<v Speaker 3>you know, But we came out. I guess you know,

0:14:37.400 --> 0:14:39.120
<v Speaker 3>he was interested in us.

0:14:39.160 --> 0:14:41.840
<v Speaker 1>He definitely was. So take me to that first session

0:14:42.160 --> 0:14:45.080
<v Speaker 1>behind the scenes. What was going on? What was it

0:14:45.160 --> 0:14:49.680
<v Speaker 1>like working with Easy? Sure you don't want another pack? Lazy?

0:14:50.120 --> 0:14:50.640
<v Speaker 5>Yeah? I need?

0:14:50.800 --> 0:14:53.960
<v Speaker 1>Oh yeah, he's acting like he's cooking for what he's

0:14:53.960 --> 0:14:55.000
<v Speaker 1>cooking for all of us.

0:14:55.200 --> 0:14:57.680
<v Speaker 2>Look, we'll be we'll be fighting over this one pack

0:14:57.760 --> 0:14:58.800
<v Speaker 2>around here.

0:14:59.560 --> 0:15:00.840
<v Speaker 5>Yeah, can use three.

0:15:01.200 --> 0:15:03.600
<v Speaker 1>I'm like literally taking in this moment. This is such

0:15:03.600 --> 0:15:05.680
<v Speaker 1>a cool moment for me right now to see you

0:15:05.840 --> 0:15:10.280
<v Speaker 1>cooking this whole moment. Okay, yes, I smell it. I'm

0:15:10.320 --> 0:15:12.720
<v Speaker 1>just making did I see you put Lowry's in the water,

0:15:14.960 --> 0:15:20.880
<v Speaker 1>but you don't think there's enough salt in the ramin seasoning. Okay,

0:15:21.480 --> 0:15:23.880
<v Speaker 1>So take take me to that first studio session.

0:15:24.640 --> 0:15:28.080
<v Speaker 3>That first studio session was like, you know, it took

0:15:28.160 --> 0:15:31.320
<v Speaker 3>us less than a couple of weeks to get to

0:15:31.400 --> 0:15:34.720
<v Speaker 3>complete the EP. But he let us do our thing.

0:15:34.840 --> 0:15:36.400
<v Speaker 3>You know, he let us do our thing. That first

0:15:36.440 --> 0:15:39.760
<v Speaker 3>studio session. It was just us. He had producers in there,

0:15:44.080 --> 0:15:46.600
<v Speaker 3>give it me. He had the producers in there, mahmieh,

0:15:47.280 --> 0:15:50.960
<v Speaker 3>DJ Unique and Kenny McLeod uh. We had ideas on

0:15:51.000 --> 0:15:54.000
<v Speaker 3>how to uh spit the beats and everything, and not

0:15:54.080 --> 0:15:56.440
<v Speaker 3>spit the beats, but tell them the sounds that we

0:15:56.560 --> 0:15:59.200
<v Speaker 3>need to h on, what to produce, on how to

0:15:59.240 --> 0:16:00.920
<v Speaker 3>make the sound come out on the track. We would

0:16:00.960 --> 0:16:02.880
<v Speaker 3>let him know, yo, do this, play this sound, do

0:16:02.920 --> 0:16:04.720
<v Speaker 3>it like this, and they would come up with the track.

0:16:05.040 --> 0:16:06.960
<v Speaker 3>That's how the first few some of the first few

0:16:07.000 --> 0:16:10.320
<v Speaker 3>tracks was made by just humming it to him, humming

0:16:10.320 --> 0:16:13.760
<v Speaker 3>the sounds, humming the tune to him and DJ Unique

0:16:13.760 --> 0:16:15.960
<v Speaker 3>and Kenny McCloud was the was the man on the

0:16:16.040 --> 0:16:19.320
<v Speaker 3>keys and whatnot and making it happen. And then all

0:16:19.440 --> 0:16:22.520
<v Speaker 3>he came back with tracks as we as we hunted

0:16:22.560 --> 0:16:25.000
<v Speaker 3>to him and I hummed it to him. They came

0:16:25.080 --> 0:16:28.600
<v Speaker 3>back with the full tracks, you know, loaded, so you know,

0:16:28.680 --> 0:16:30.520
<v Speaker 3>but he let us do our things off the rip.

0:16:30.920 --> 0:16:32.760
<v Speaker 3>I don't think he got in the studio with us

0:16:32.760 --> 0:16:34.720
<v Speaker 3>as far as on the foot of love of money.

0:16:35.320 --> 0:16:38.080
<v Speaker 3>You know, Easy was the business man that you know

0:16:38.560 --> 0:16:42.320
<v Speaker 3>that put the whole situation together when he asked us

0:16:42.320 --> 0:16:44.960
<v Speaker 3>what y'all want to do? He let he cut us

0:16:44.960 --> 0:16:48.320
<v Speaker 3>loose in the studio. He let he let us. He

0:16:48.440 --> 0:16:50.320
<v Speaker 3>let us run it and do it and do what

0:16:50.360 --> 0:16:52.400
<v Speaker 3>we had to do and come up with the records

0:16:52.800 --> 0:16:54.840
<v Speaker 3>and the ideas that we needed to come up with

0:16:54.960 --> 0:16:57.240
<v Speaker 3>for the Creeping On to come up and you know,

0:16:57.320 --> 0:17:01.040
<v Speaker 3>to make it the eternal, the Eternal East nineteen ninety

0:17:01.080 --> 0:17:04.680
<v Speaker 3>ninety turnal record happened. You know, because we knew Easy

0:17:04.920 --> 0:17:08.720
<v Speaker 3>for about fifteens, maybe eighteen months, the last eighteen months

0:17:08.720 --> 0:17:10.600
<v Speaker 3>of his life. We was close. We was like brother.

0:17:10.680 --> 0:17:12.200
<v Speaker 3>He was like the sixth ball member.

0:17:13.359 --> 0:17:18.520
<v Speaker 1>So when you look at just because I have to

0:17:18.520 --> 0:17:20.200
<v Speaker 1>cover a lot in a little bit of time. When

0:17:20.240 --> 0:17:25.520
<v Speaker 1>you take you've worked with Biggie Easy, Tupac, Mariah, I

0:17:25.520 --> 0:17:29.600
<v Speaker 1>have to throw Maria in there, man, Biggie Easy. Who

0:17:29.640 --> 0:17:35.760
<v Speaker 1>am I missing? Tupac Easy E Mariah Biggie Yeah, okay,

0:17:36.080 --> 0:17:38.600
<v Speaker 1>So I want you guys to eat. You could choose

0:17:38.640 --> 0:17:42.680
<v Speaker 1>your person and tell me, like, what was the most

0:17:42.720 --> 0:17:46.800
<v Speaker 1>memorable part about working with that artist? You could go

0:17:46.840 --> 0:17:47.960
<v Speaker 1>first crazy.

0:17:48.800 --> 0:17:53.119
<v Speaker 5>I mean to me, my most memorable was none of

0:17:53.200 --> 0:17:55.840
<v Speaker 5>those was none of those collaborations. It was it was

0:17:55.880 --> 0:17:59.040
<v Speaker 5>with Phil Collins. Really, just so we did with Phil

0:17:59.119 --> 0:18:03.840
<v Speaker 5>Collins that was memorable because nobody was expecting it. Phil

0:18:03.880 --> 0:18:07.040
<v Speaker 5>Collins had never done anything with any rappers ever before,

0:18:08.080 --> 0:18:11.840
<v Speaker 5>and we asked him to use the song and he agreed.

0:18:12.800 --> 0:18:15.920
<v Speaker 5>So we pushed the envelope and asked like, let's see

0:18:15.920 --> 0:18:17.480
<v Speaker 5>if he'll be in the video, and he was like,

0:18:18.440 --> 0:18:20.080
<v Speaker 5>the only way I'll be in this video is if

0:18:20.119 --> 0:18:23.240
<v Speaker 5>y'all come to Switzerland, and we was like, we'll be

0:18:23.240 --> 0:18:26.119
<v Speaker 5>there next week. And Phil was there, like you.

0:18:26.160 --> 0:18:32.000
<v Speaker 1>Got on a plane that time though, Oh yeah.

0:18:30.640 --> 0:18:32.320
<v Speaker 5>Phil was there. He was kicking it, man, he was

0:18:32.359 --> 0:18:34.679
<v Speaker 5>He was hanging out with us, just like and he

0:18:34.760 --> 0:18:38.119
<v Speaker 5>told us the reason he cleared the song because it

0:18:38.200 --> 0:18:39.879
<v Speaker 5>was one of his favorite songs. And he was like,

0:18:39.920 --> 0:18:42.399
<v Speaker 5>I think if you guys liked it, you must have

0:18:42.480 --> 0:18:45.360
<v Speaker 5>good taste in music. So I was like, okay, yeah,

0:18:45.359 --> 0:18:50.520
<v Speaker 5>that's what's up. Phil. We called him field Bone phield Bomb. Wow.

0:18:52.800 --> 0:18:55.400
<v Speaker 4>Wow, field Boone had a castle. He ain't had no

0:18:55.440 --> 0:18:57.080
<v Speaker 4>match if field Bone had a castle.

0:18:57.119 --> 0:19:01.320
<v Speaker 5>Oh yeah yeah. They called him Surfield, surf.

0:19:00.960 --> 0:19:02.119
<v Speaker 4>Field, surf Field.

0:19:02.800 --> 0:19:05.240
<v Speaker 1>That's amazing, that's yeah. What about you?

0:19:06.000 --> 0:19:09.119
<v Speaker 3>Well, I'd like to think that it's it's it's a

0:19:09.119 --> 0:19:13.480
<v Speaker 3>few of them. You know. I got had the the

0:19:13.560 --> 0:19:15.960
<v Speaker 3>session that I had with a big pun of course,

0:19:16.040 --> 0:19:19.119
<v Speaker 3>like but when he did did uh And you know,

0:19:19.160 --> 0:19:22.000
<v Speaker 3>I'm gonna say Biggie Smalls because that that session was

0:19:22.080 --> 0:19:25.200
<v Speaker 3>absolutely stone cold rock and roll.

0:19:25.280 --> 0:19:25.680
<v Speaker 5>You had.

0:19:26.200 --> 0:19:29.160
<v Speaker 3>You had, you had the Junior Mafia up in there,

0:19:29.400 --> 0:19:32.359
<v Speaker 3>Little Season them up in there, Puffy up in there,

0:19:33.080 --> 0:19:36.880
<v Speaker 3>big uh uh uh uh, Biggie Smalls up in there,

0:19:36.920 --> 0:19:39.480
<v Speaker 3>and it was a cold man. We had the Hennes Seed,

0:19:39.640 --> 0:19:42.639
<v Speaker 3>we had the we had the end though it was

0:19:42.840 --> 0:19:44.960
<v Speaker 3>it was one of those sessions and everything. It was

0:19:45.000 --> 0:19:47.360
<v Speaker 3>real crazy, you know, twenty thirty deep and you had

0:19:47.400 --> 0:19:49.920
<v Speaker 3>Mo Thug. We got the mol Thug records up in there,

0:19:50.880 --> 0:19:54.080
<v Speaker 3>and uh and it was just one of those uh uh,

0:19:54.359 --> 0:19:57.639
<v Speaker 3>super super duper nice. You know, we got super blowed

0:19:57.760 --> 0:20:00.720
<v Speaker 3>up in there, and you know so but dealing with

0:20:00.800 --> 0:20:03.840
<v Speaker 3>and I got I got others though, you know, Big

0:20:03.920 --> 0:20:06.119
<v Speaker 3>Pun too, you know when he came through, went to

0:20:06.119 --> 0:20:10.080
<v Speaker 3>go do a record with Fat Joe. Fat Joe brought

0:20:10.119 --> 0:20:12.879
<v Speaker 3>Big Pun in there and and uh he ended up

0:20:12.880 --> 0:20:15.040
<v Speaker 3>getting on the record, writing the hook for the song

0:20:15.440 --> 0:20:18.520
<v Speaker 3>No Mercy on my solo album and everything.

0:20:18.280 --> 0:20:21.440
<v Speaker 1>What in particular about those sessions stood out that made

0:20:21.480 --> 0:20:22.399
<v Speaker 1>him more iconic.

0:20:22.760 --> 0:20:25.919
<v Speaker 3>The genius. The genius first of all, the genius in

0:20:26.040 --> 0:20:28.560
<v Speaker 3>uh in a big pun because he he came up

0:20:28.600 --> 0:20:31.360
<v Speaker 3>with the idea for the record, you feel what I'm saying.

0:20:31.400 --> 0:20:33.159
<v Speaker 3>He wrote the hook to it on the spot, and

0:20:33.280 --> 0:20:35.639
<v Speaker 3>not even though he was writing at the time, he panted,

0:20:35.800 --> 0:20:39.040
<v Speaker 3>He panted, just in a matter of minutes, said I

0:20:39.080 --> 0:20:41.920
<v Speaker 3>got something for the hook. And the dude was a genius,

0:20:42.000 --> 0:20:44.240
<v Speaker 3>you feel what I'm saying, you know, and and helping

0:20:44.320 --> 0:20:47.359
<v Speaker 3>us come up with with the topic. And uh, he

0:20:47.400 --> 0:20:50.359
<v Speaker 3>did that and it was his debut. It was as

0:20:50.440 --> 0:20:55.520
<v Speaker 3>a professional world debut on the Flesher Mone solo album.

0:20:55.640 --> 0:20:58.080
<v Speaker 3>So you know that that broke, that broke, big pun

0:20:59.160 --> 0:21:02.159
<v Speaker 3>and you you know it was the rest was history.

0:21:02.240 --> 0:21:23.640
<v Speaker 6>Yeah, okay, and then lazy I would say, we had

0:21:23.720 --> 0:21:26.600
<v Speaker 6>so many I would say probably Mariah Carey.

0:21:26.400 --> 0:21:29.680
<v Speaker 1>Thank you. I was, I was, I was manifested. I said,

0:21:29.720 --> 0:21:31.600
<v Speaker 1>please say Mariah please.

0:21:31.840 --> 0:21:32.479
<v Speaker 4>It was crazy.

0:21:32.520 --> 0:21:35.520
<v Speaker 2>And Wish had already had like did most of the

0:21:35.640 --> 0:21:36.520
<v Speaker 2>song already.

0:21:36.520 --> 0:21:37.240
<v Speaker 4>You know what I'm saying.

0:21:37.359 --> 0:21:41.480
<v Speaker 2>So when we came in, it was like everything was

0:21:41.520 --> 0:21:46.760
<v Speaker 2>basically laid out. But I remember Mariah Carey. This might

0:21:46.840 --> 0:21:49.840
<v Speaker 2>sound ad, but she had the greatest gifts in the world.

0:21:49.960 --> 0:21:53.720
<v Speaker 2>You know, she showereders would love like she really spoiled

0:21:53.800 --> 0:21:57.280
<v Speaker 2>us on that session on the Silverad, I only use

0:21:57.320 --> 0:21:58.040
<v Speaker 2>a half.

0:21:57.760 --> 0:21:59.960
<v Speaker 1>Of yeah because you had it all that long.

0:22:01.240 --> 0:22:05.760
<v Speaker 4>It was all that did you see that sprinkle game ahead?

0:22:05.800 --> 0:22:11.000
<v Speaker 1>I said, So you're saying, because Mariah, what you guys

0:22:11.000 --> 0:22:14.360
<v Speaker 1>made the session comfortable was her personality. It was like,

0:22:14.880 --> 0:22:15.920
<v Speaker 1>was she like the homie.

0:22:16.240 --> 0:22:17.680
<v Speaker 3>She was the homie the great home.

0:22:18.680 --> 0:22:21.080
<v Speaker 2>She was the host with the most you know what

0:22:21.119 --> 0:22:25.959
<v Speaker 2>I mean, her kindness, her generosity and then the skill

0:22:26.160 --> 0:22:29.440
<v Speaker 2>and Wish how she did doing her thing, you know

0:22:29.480 --> 0:22:31.800
<v Speaker 2>what I mean, and then she started flipping the flow

0:22:31.960 --> 0:22:36.080
<v Speaker 2>so that the impression that was left on me was like,

0:22:36.800 --> 0:22:40.520
<v Speaker 2>this girl can sing that how I know, rap kind

0:22:40.520 --> 0:22:42.760
<v Speaker 2>of and sing it, you know what I'm saying. So

0:22:42.840 --> 0:22:45.720
<v Speaker 2>it was like it was incredible to see what she

0:22:45.960 --> 0:22:48.359
<v Speaker 2>was doing, because you know, that was one of the

0:22:48.400 --> 0:22:51.159
<v Speaker 2>first super duper stars that told me. She was like,

0:22:52.200 --> 0:22:54.760
<v Speaker 2>I'm gonna do this like crazy, you know what I'm saying.

0:22:54.840 --> 0:22:57.080
<v Speaker 2>So that was one of them, that was one of

0:22:57.119 --> 0:23:02.119
<v Speaker 2>them sessions that was unforgettable because she was Mariah Carey.

0:23:02.640 --> 0:23:08.400
<v Speaker 1>Yeah, yeah, let me tell you, Maria. I'm always gonna

0:23:08.400 --> 0:23:10.520
<v Speaker 1>be a fan of like New Yorkers, of course, but

0:23:10.600 --> 0:23:13.080
<v Speaker 1>Mariah is not only talented, but the fact that she

0:23:13.160 --> 0:23:17.040
<v Speaker 1>could write so well preaking well, you gotta give I

0:23:17.080 --> 0:23:20.640
<v Speaker 1>love a good writer in this age of non writers,

0:23:21.080 --> 0:23:22.600
<v Speaker 1>do you guys know who the writers and the non

0:23:22.600 --> 0:23:30.320
<v Speaker 1>writers are? Okay, I'm gonna throw some names. This is

0:23:30.320 --> 0:23:36.560
<v Speaker 1>gonna get crazy, Okay, Drake, come on, break my heart writer, writer.

0:23:37.359 --> 0:23:38.679
<v Speaker 5>Some people are some people.

0:23:38.440 --> 0:23:41.920
<v Speaker 1>Have been debating whether he is writing his lyrics to some.

0:23:41.840 --> 0:23:43.600
<v Speaker 3>Of these cats, some of these some of them you know,

0:23:43.760 --> 0:23:46.320
<v Speaker 3>got sometimes they sometimes they got writers both.

0:23:46.880 --> 0:23:47.879
<v Speaker 1>Yeah, you've heard both.

0:23:48.000 --> 0:23:50.760
<v Speaker 2>But I kind of see it like like this, Like

0:23:51.240 --> 0:23:53.960
<v Speaker 2>if he got a group of people that he hanged with,

0:23:54.000 --> 0:23:57.120
<v Speaker 2>a producer he deal with every day, he probably writing

0:23:57.160 --> 0:23:59.159
<v Speaker 2>his raps and being dope with it, you know what

0:23:59.160 --> 0:24:01.960
<v Speaker 2>I mean. But if it's homeby that's like us, we

0:24:02.080 --> 0:24:04.440
<v Speaker 2>in the group, Craig can come in be like that

0:24:04.600 --> 0:24:06.480
<v Speaker 2>line could be stronger, you know what I'm saying.

0:24:06.520 --> 0:24:07.680
<v Speaker 4>So you do.

0:24:07.560 --> 0:24:11.439
<v Speaker 2>Have help besides yourself sometimes along the way. So but

0:24:11.520 --> 0:24:15.720
<v Speaker 2>I think for the majority of the part, all them songs,

0:24:16.240 --> 0:24:18.480
<v Speaker 2>he ain't write none of them or write mostly.

0:24:18.600 --> 0:24:20.879
<v Speaker 1>I mean, I definitely think he rollmost. I mean, I

0:24:20.880 --> 0:24:22.840
<v Speaker 1>think he's a great rapper. I hate his singing, but

0:24:23.000 --> 0:24:23.280
<v Speaker 1>you know.

0:24:23.880 --> 0:24:25.640
<v Speaker 3>I think I think had a lot of help.

0:24:25.640 --> 0:24:25.800
<v Speaker 5>Though.

0:24:25.880 --> 0:24:28.359
<v Speaker 3>You can't be in a situation like that and not.

0:24:28.560 --> 0:24:31.640
<v Speaker 1>Have still, I mean, yeah, especially the longer you get

0:24:31.640 --> 0:24:34.159
<v Speaker 1>in your career, does it get harder and harder to

0:24:34.280 --> 0:24:34.560
<v Speaker 1>keep it?

0:24:34.960 --> 0:24:35.080
<v Speaker 4>No?

0:24:35.200 --> 0:24:37.200
<v Speaker 3>No, it don't, you know, because if you love the craft,

0:24:37.200 --> 0:24:39.159
<v Speaker 3>you're gonna be able to come up with ideas and

0:24:39.560 --> 0:24:42.240
<v Speaker 3>keep the pedal to the middle. But that's not the knock,

0:24:42.920 --> 0:24:45.280
<v Speaker 3>like catching like you know, you're gonna have people that

0:24:45.359 --> 0:24:48.160
<v Speaker 3>present ideas. You know, you know you're gonna and even

0:24:48.200 --> 0:24:51.159
<v Speaker 3>as an artist, you're gonna want to welcome sometimes you know,

0:24:51.359 --> 0:24:53.959
<v Speaker 3>you know, different motherfuckers that if they got an idea

0:24:54.200 --> 0:24:57.280
<v Speaker 3>something for a record, let him, let him, let him shine.

0:24:57.480 --> 0:24:59.439
<v Speaker 1>Yeah. I just want to point out that a lady

0:24:59.560 --> 0:25:03.600
<v Speaker 1>just added, is that mayonnaise or miracle with he added

0:25:03.640 --> 0:25:08.520
<v Speaker 1>mayonnaise to the ramen with the jalapenos, the chicken, and

0:25:09.560 --> 0:25:12.960
<v Speaker 1>he's adding mustard. I am highly getting nervous about his

0:25:13.160 --> 0:25:16.640
<v Speaker 1>ramen right now. Okay, okay, what do we call this ramen? Again?

0:25:16.680 --> 0:25:17.320
<v Speaker 1>What do we call this?

0:25:17.400 --> 0:25:19.600
<v Speaker 4>The way you love me in the morning?

0:25:19.800 --> 0:25:24.959
<v Speaker 1>That's hilarious? Okay, So okay, let's see who else can

0:25:25.000 --> 0:25:27.920
<v Speaker 1>I throw out that it's controversial? Well, you know, I've

0:25:27.960 --> 0:25:31.200
<v Speaker 1>already asked this question before, but I've gotten answer is Carti.

0:25:32.080 --> 0:25:32.760
<v Speaker 1>I love Cardi.

0:25:32.960 --> 0:25:34.680
<v Speaker 3>I think she writes a little bit of her stuff,

0:25:34.720 --> 0:25:35.880
<v Speaker 3>but I definitely think.

0:25:35.680 --> 0:25:37.720
<v Speaker 1>She Yes, she got a good writer.

0:25:37.880 --> 0:25:40.800
<v Speaker 3>Yeah, she got she got you know you know.

0:25:41.520 --> 0:25:43.639
<v Speaker 1>Yeah. So there was this big thing on the internet

0:25:43.640 --> 0:25:47.199
<v Speaker 1>recently where I think most Steph said that Drake is

0:25:47.280 --> 0:25:50.960
<v Speaker 1>considered pop What do you what do you guys think

0:25:51.160 --> 0:25:54.199
<v Speaker 1>I'm gonna tell you right now, I completely disagree. I

0:25:54.200 --> 0:25:56.520
<v Speaker 1>think the first rapper that ever went pop was fifty

0:25:56.560 --> 0:25:58.359
<v Speaker 1>cent And I stand here and I stand by it,

0:25:58.359 --> 0:26:00.280
<v Speaker 1>and I stamp it, and I hate it that he

0:26:00.359 --> 0:26:03.359
<v Speaker 1>hated on John Rule while being pop. He was like

0:26:03.400 --> 0:26:06.439
<v Speaker 1>a super hypocrite during that time. I'm not trying to.

0:26:06.640 --> 0:26:10.159
<v Speaker 5>I mean, like, you mean he has some he have

0:26:10.280 --> 0:26:11.359
<v Speaker 5>some pop records.

0:26:11.640 --> 0:26:12.679
<v Speaker 1>Yeah, so do we.

0:26:13.840 --> 0:26:16.800
<v Speaker 5>It ain't to me. It's really not the artist's fault

0:26:16.840 --> 0:26:19.680
<v Speaker 5>when you cross over. We wasn't trying to cross over

0:26:19.680 --> 0:26:22.000
<v Speaker 5>when we made cross roads, but we crossed over. So

0:26:22.119 --> 0:26:24.840
<v Speaker 5>like sometimes the artists just get good music and it

0:26:24.880 --> 0:26:27.880
<v Speaker 5>takes them there, you know, and some people get mad

0:26:27.920 --> 0:26:29.040
<v Speaker 5>about it.

0:26:28.680 --> 0:26:31.000
<v Speaker 1>And I do. I like that answer too, because it's like,

0:26:31.040 --> 0:26:33.160
<v Speaker 1>at the end of the day, it's art, it's expression, right,

0:26:33.640 --> 0:26:36.439
<v Speaker 1>and you know, however it comes out is how it

0:26:36.520 --> 0:26:38.320
<v Speaker 1>comes out, you know.

0:26:38.520 --> 0:26:40.640
<v Speaker 3>And that's the thing about hip hop. See, hip hop

0:26:40.680 --> 0:26:45.040
<v Speaker 3>takes on all types of different fashions and everything. Just

0:26:45.040 --> 0:26:47.760
<v Speaker 3>just like I said, you know, you're gonna go at

0:26:47.800 --> 0:26:51.400
<v Speaker 3>some point some of us do crossover, but it's still

0:26:51.480 --> 0:26:54.040
<v Speaker 3>hip hop. But you got to recognize the fact that,

0:26:54.160 --> 0:26:56.320
<v Speaker 3>you know, show that love, Give them them flowers. The

0:26:56.400 --> 0:26:58.919
<v Speaker 3>ones that did make it that they they they they

0:26:59.480 --> 0:27:03.600
<v Speaker 3>they pre hell into that that that that pop arena.

0:27:04.280 --> 0:27:06.240
<v Speaker 3>You feel what I'm saying, the call they took, the culture,

0:27:06.280 --> 0:27:09.000
<v Speaker 3>the culture took in there. You feel what I'm saying. So,

0:27:09.160 --> 0:27:10.960
<v Speaker 3>but it's still it's still hip hop.

0:27:10.800 --> 0:27:14.080
<v Speaker 1>And that's what I think people want. People want to

0:27:14.119 --> 0:27:18.280
<v Speaker 1>hold hip hop hostage as this like gangster tough thing,

0:27:18.520 --> 0:27:21.679
<v Speaker 1>and you know, it never really I mean, if you

0:27:21.680 --> 0:27:23.959
<v Speaker 1>think about the origination of like Ello cool J, it

0:27:24.000 --> 0:27:28.520
<v Speaker 1>was never originally meant to be just this angry, you know,

0:27:28.640 --> 0:27:29.640
<v Speaker 1>stereotypical thing.

0:27:29.760 --> 0:27:32.280
<v Speaker 5>So, you know, I talk about hip hop is like

0:27:33.440 --> 0:27:35.720
<v Speaker 5>I understand that hip hop is just turning fifty years

0:27:35.720 --> 0:27:38.080
<v Speaker 5>old and human years that's old. But then like when

0:27:38.119 --> 0:27:40.480
<v Speaker 5>you were dealing with a genre that's not old at all,

0:27:41.240 --> 0:27:44.639
<v Speaker 5>hip hop is still very young and then mature. We

0:27:44.720 --> 0:27:47.760
<v Speaker 5>still don't even understand how to treat the legends yet,

0:27:48.359 --> 0:27:50.520
<v Speaker 5>you know what I'm saying, Like, so we need to

0:27:50.640 --> 0:27:57.719
<v Speaker 5>understand that different genres can coexist within one genre. People say,

0:27:57.800 --> 0:28:00.560
<v Speaker 5>you could have hip hop, you could have rap, you

0:28:00.560 --> 0:28:04.800
<v Speaker 5>can have conscious music, you can have gangster music. You

0:28:04.840 --> 0:28:08.320
<v Speaker 5>know what I'm saying, like whatever you do, it's all

0:28:08.359 --> 0:28:11.160
<v Speaker 5>going under the umbrella. Like hip hop birthed a lot

0:28:11.200 --> 0:28:14.199
<v Speaker 5>of things, Like it just didn't stay the same. It

0:28:14.240 --> 0:28:17.080
<v Speaker 5>shouldn't have no exactly, it birthed a lot of things.

0:28:17.119 --> 0:28:19.160
<v Speaker 1>I am just going back to what you said though

0:28:19.200 --> 0:28:23.960
<v Speaker 1>you said they don't know how to treat the legends.

0:28:24.480 --> 0:28:27.520
<v Speaker 6>Can you talk more on it.

0:28:27.520 --> 0:28:32.320
<v Speaker 5>It's just you know, takes spurts for instance. You know,

0:28:32.520 --> 0:28:41.160
<v Speaker 5>like or other genres, you never hear country artists disrespecting

0:28:41.200 --> 0:28:43.640
<v Speaker 5>the ones that paved the way for them. You never

0:28:43.680 --> 0:28:46.640
<v Speaker 5>hear rock and roll artists disrespecting the walls that paved

0:28:46.680 --> 0:28:50.360
<v Speaker 5>the way. R and B today you made because it's

0:28:50.400 --> 0:28:52.160
<v Speaker 5>a different kind of R and B going down. But

0:28:52.320 --> 0:28:55.760
<v Speaker 5>like you know, like you never hear that, Like so why,

0:28:55.960 --> 0:28:59.440
<v Speaker 5>like that's something that needs to stop because it's really immature.

0:29:00.120 --> 0:29:02.080
<v Speaker 5>It's really i mature if you think about it, Like,

0:29:02.160 --> 0:29:05.840
<v Speaker 5>because this world is big enough, this industry has grown,

0:29:05.880 --> 0:29:08.960
<v Speaker 5>it's big enough for everybody. Yep, it's a new artist.

0:29:09.160 --> 0:29:11.440
<v Speaker 5>I've never known they got a million followers every day,

0:29:11.480 --> 0:29:13.880
<v Speaker 5>But where does Nigga come from? But you know it's

0:29:13.920 --> 0:29:14.640
<v Speaker 5>big enough for that.

0:29:14.840 --> 0:29:18.440
<v Speaker 1>You feel that's an interesting that's an interesting take if

0:29:18.480 --> 0:29:20.760
<v Speaker 1>you think about it, because you don't hear other genres

0:29:20.800 --> 0:29:25.000
<v Speaker 1>attack each other never, never, never, Now do you think

0:29:25.040 --> 0:29:27.720
<v Speaker 1>in hip hop has started as a publicity stunt or

0:29:28.040 --> 0:29:30.520
<v Speaker 1>because I know you guys did all the guys that

0:29:30.560 --> 0:29:33.200
<v Speaker 1>were like beefing at some point? You had all of them?

0:29:34.680 --> 0:29:39.080
<v Speaker 5>Well, battling. Battling is fun, that's part of hip hop.

0:29:39.200 --> 0:29:40.520
<v Speaker 3>Yeah, that's part of.

0:29:40.480 --> 0:29:42.120
<v Speaker 5>Hip hop, you know what I'm saying. But like like

0:29:42.960 --> 0:29:47.840
<v Speaker 5>when it goes outside of my lyrics versus your lyrics.

0:29:48.120 --> 0:29:52.000
<v Speaker 3>You know, disrespectful life in the streets and just and

0:29:52.480 --> 0:29:55.600
<v Speaker 3>just like the respect some point like period, Like I've

0:29:55.640 --> 0:29:58.120
<v Speaker 3>heard some artists say things about Tupac that they didn't

0:29:58.120 --> 0:30:00.959
<v Speaker 3>even have to say, Like, Okay, if you don't if

0:30:01.000 --> 0:30:02.680
<v Speaker 3>you don't listen to Tupac, that's cool.

0:30:03.080 --> 0:30:06.520
<v Speaker 5>Why disrespect this man and he's dead? Yeah, you know

0:30:06.520 --> 0:30:07.800
<v Speaker 5>what I'm saying. Like, you know what I'm saying. So

0:30:08.000 --> 0:30:10.200
<v Speaker 5>if if you don't like him, if you don't like him,

0:30:10.240 --> 0:30:11.840
<v Speaker 5>that's cool. Like I don't like a lot of these

0:30:11.920 --> 0:30:14.720
<v Speaker 5>artists out right now, but I don't you don't hear

0:30:14.760 --> 0:30:21.680
<v Speaker 5>me on, but but you respect him because these like

0:30:21.720 --> 0:30:24.160
<v Speaker 5>these people is out here, you know, they feeding their families.

0:30:24.200 --> 0:30:27.200
<v Speaker 5>You know, they they they they could be doing way

0:30:27.520 --> 0:30:30.520
<v Speaker 5>way worse things than like doing what they doing, you know.

0:30:30.600 --> 0:30:33.960
<v Speaker 5>So so I don't never hate nobody. If you make it,

0:30:34.360 --> 0:30:35.479
<v Speaker 5>you made it for a reason.

0:30:36.720 --> 0:30:39.720
<v Speaker 1>What keeps you guys strong together for so long?

0:30:39.960 --> 0:30:44.800
<v Speaker 3>But the brotherhood, the relationships that we carried all these years,

0:30:44.880 --> 0:30:47.760
<v Speaker 3>you know, being uh, you know best friends were best

0:30:47.800 --> 0:30:50.120
<v Speaker 3>for you know, lazy and I wish the lazy my

0:30:50.160 --> 0:30:53.320
<v Speaker 3>little brother, wish my cousin Craig. You know, we've been

0:30:53.360 --> 0:30:57.720
<v Speaker 3>doing him since like seventh grade. And of course Busy

0:30:57.800 --> 0:31:00.080
<v Speaker 3>came into the fold. He was about maybe ten and

0:31:00.160 --> 0:31:02.840
<v Speaker 3>eleven years old, maybe twelve years old when we first

0:31:02.920 --> 0:31:06.720
<v Speaker 3>met Busy. So the brotherhood has been there for a

0:31:06.800 --> 0:31:08.680
<v Speaker 3>long time, more than half our lives.

0:31:08.920 --> 0:31:11.280
<v Speaker 1>And do you think that there's like I have a

0:31:11.400 --> 0:31:13.800
<v Speaker 1>girlfriends that i'm my best friends are all based in

0:31:13.800 --> 0:31:15.880
<v Speaker 1>New York. I'm from New York. Then there's like, I

0:31:15.920 --> 0:31:19.000
<v Speaker 1>feel like, what keeps our relationship so strong is that

0:31:19.040 --> 0:31:22.760
<v Speaker 1>there's an unspoken moral and ethics to the relationship where

0:31:22.800 --> 0:31:25.840
<v Speaker 1>it's like certain boundaries it's not spoken, but we just

0:31:25.880 --> 0:31:28.680
<v Speaker 1>don't cross them. Do you think that that level of

0:31:28.720 --> 0:31:32.080
<v Speaker 1>respect and integrity is what keeps your guys relationship strong.

0:31:32.640 --> 0:31:33.680
<v Speaker 5>Yeah, absolutely, But.

0:31:33.840 --> 0:31:36.880
<v Speaker 2>It's the respect for one another, the respect for what

0:31:36.960 --> 0:31:40.320
<v Speaker 2>we bring to the table, the love we have for God,

0:31:40.960 --> 0:31:44.560
<v Speaker 2>you know what I mean. Because we understand these these songs,

0:31:44.640 --> 0:31:49.080
<v Speaker 2>these these milestones, as you said, we understand these to

0:31:49.080 --> 0:31:53.320
<v Speaker 2>be blessings, you know, because we come from romy noodles,

0:31:53.720 --> 0:31:56.000
<v Speaker 2>you know what I'm saying. We come from a place

0:31:56.040 --> 0:32:00.920
<v Speaker 2>where having things and being fortunate to have what you

0:32:01.480 --> 0:32:04.320
<v Speaker 2>not what you want, but what you need. Being fortunate

0:32:04.360 --> 0:32:07.040
<v Speaker 2>to have what you need. And we wasn't privted at

0:32:07.080 --> 0:32:11.080
<v Speaker 2>all the time. So if he can contribute anything to me,

0:32:11.400 --> 0:32:14.640
<v Speaker 2>it make me stronger, you know. And or he can

0:32:14.720 --> 0:32:19.040
<v Speaker 2>contribute anything to me, it's like the iron sharpened iron,

0:32:19.600 --> 0:32:21.320
<v Speaker 2>you know what I mean. And we understood that. We

0:32:21.360 --> 0:32:24.920
<v Speaker 2>always understood that we were stronger together. We knew we

0:32:24.960 --> 0:32:28.760
<v Speaker 2>was dope apart, but when we came together, the crowds

0:32:28.800 --> 0:32:31.959
<v Speaker 2>got bigger. We saw that when we came together, like

0:32:32.440 --> 0:32:35.600
<v Speaker 2>when we helped each other in the studio with the

0:32:35.640 --> 0:32:38.440
<v Speaker 2>method of writing, and you know what I'm saying, All that,

0:32:38.600 --> 0:32:44.520
<v Speaker 2>like those experiences is what is really what.

0:32:44.480 --> 0:32:45.920
<v Speaker 4>Kept our group together.

0:32:46.040 --> 0:32:49.200
<v Speaker 2>The struggle was real from the first from the jump,

0:32:49.280 --> 0:32:51.800
<v Speaker 2>I mean, and then we were family. On top of that,

0:32:52.200 --> 0:32:54.200
<v Speaker 2>we were the only ones we had to lean on.

0:32:54.280 --> 0:32:56.880
<v Speaker 2>So when it was time to go steal some Romen noodles,

0:32:57.320 --> 0:33:00.080
<v Speaker 2>I go get the cheese. He go get through roben noodles.

0:33:00.440 --> 0:33:02.560
<v Speaker 2>You know what I'm saying. You get the jalapenos, and

0:33:02.600 --> 0:33:05.240
<v Speaker 2>we just distrack the people in the store and we

0:33:05.320 --> 0:33:06.800
<v Speaker 2>get and we work as a team.

0:33:07.240 --> 0:33:10.760
<v Speaker 1>So sometimes you have great and I've learned this now

0:33:10.760 --> 0:33:12.960
<v Speaker 1>that I'm approaching almost forty guys. You know, I'm not

0:33:13.040 --> 0:33:16.200
<v Speaker 1>I'm at the biggest mouse on yet, but I've learned

0:33:16.240 --> 0:33:18.920
<v Speaker 1>that sometimes you have people that are great when you're down,

0:33:19.040 --> 0:33:21.080
<v Speaker 1>and then you have people that are great when you're up.

0:33:21.160 --> 0:33:23.200
<v Speaker 1>So when you guys were up, what were some of

0:33:23.240 --> 0:33:25.040
<v Speaker 1>the challenges you guys faced as a group.

0:33:27.000 --> 0:33:33.160
<v Speaker 5>I mean just just just being you know, people just

0:33:33.200 --> 0:33:36.760
<v Speaker 5>trying to pull us in different directions basically, you know,

0:33:36.880 --> 0:33:38.960
<v Speaker 5>like and you know, we had a lot of stuff

0:33:39.040 --> 0:33:41.880
<v Speaker 5>going on, Like once a solo album started and we

0:33:41.920 --> 0:33:44.760
<v Speaker 5>started having solo careerge it was it was hard to

0:33:44.760 --> 0:33:46.880
<v Speaker 5>pull us back together because you know, everybody was doing

0:33:46.960 --> 0:33:50.000
<v Speaker 5>something at the same time. But we always realized, you

0:33:50.000 --> 0:33:52.560
<v Speaker 5>know that we had to come back and make sure

0:33:52.640 --> 0:33:56.960
<v Speaker 5>the home base was cool, which was bold, and we

0:33:57.160 --> 0:33:59.160
<v Speaker 5>just always came back together like that always.

0:34:00.560 --> 0:34:03.440
<v Speaker 3>But it blew up on us so so big and

0:34:03.480 --> 0:34:06.360
<v Speaker 3>everything and whether we was ready for that type of

0:34:06.400 --> 0:34:12.080
<v Speaker 3>stardom of fame or not, it was something that took

0:34:12.160 --> 0:34:14.400
<v Speaker 3>us into a hole. We knew it was gonna happen

0:34:14.440 --> 0:34:16.560
<v Speaker 3>one way or the other, but it just took us

0:34:16.600 --> 0:34:20.279
<v Speaker 3>to a whole another stratosphere and everything that came with

0:34:20.320 --> 0:34:23.320
<v Speaker 3>the territory, and you know, had its ups and downs

0:34:23.360 --> 0:34:26.240
<v Speaker 3>and everything I even did, but went through my spell,

0:34:26.400 --> 0:34:28.839
<v Speaker 3>ended up going to the pen, came home, was able

0:34:28.840 --> 0:34:31.880
<v Speaker 3>to pick up the pieces to the puzzle all over again.

0:34:33.080 --> 0:34:36.560
<v Speaker 3>But the experience and all that it was that, you know,

0:34:36.600 --> 0:34:39.279
<v Speaker 3>and this is our thirtieth year, you know, we're celebrating

0:34:39.360 --> 0:34:43.040
<v Speaker 3>right now, thirty years of bone Thugs and harmony right now,

0:34:43.160 --> 0:34:47.520
<v Speaker 3>twenty twenty four. So we learned how to deal with

0:34:47.560 --> 0:34:50.640
<v Speaker 3>the snakes in the grass, the motherfuckers trying to divide

0:34:50.680 --> 0:34:54.440
<v Speaker 3>this and divide that, while still respecting and having support

0:34:54.520 --> 0:34:57.320
<v Speaker 3>for one another for what we're trying to do individually

0:34:58.160 --> 0:35:02.840
<v Speaker 3>and having and having right now, you know, we respect

0:35:02.840 --> 0:35:05.359
<v Speaker 3>and love each other enough, you know, to let each

0:35:05.440 --> 0:35:08.160
<v Speaker 3>one of us be the individuals we are and bring

0:35:08.200 --> 0:35:12.360
<v Speaker 3>in certain handle certain situations, and delegate certain situations, and

0:35:12.400 --> 0:35:15.120
<v Speaker 3>trust each other enough to do and you know, help

0:35:15.200 --> 0:35:18.000
<v Speaker 3>continue to build the brand no matter what it is.

0:35:18.440 --> 0:35:21.200
<v Speaker 1>And you guys are all individuals. So have you guys

0:35:21.280 --> 0:35:24.040
<v Speaker 1>learned to recognize how one person moves and go, oh,

0:35:24.080 --> 0:35:26.080
<v Speaker 1>that's how crazy moves, that's how lazy moves, that's how

0:35:26.080 --> 0:35:28.799
<v Speaker 1>flesh moves. Well, you know he gonna do this, you know,

0:35:29.160 --> 0:35:34.120
<v Speaker 1>And it's more of a love and acceptance versus aggravation.

0:35:34.440 --> 0:35:37.720
<v Speaker 2>I think we in the beginning it was aggravation because

0:35:37.760 --> 0:35:41.120
<v Speaker 2>we was together twenty four seven for about ten years straight,

0:35:41.840 --> 0:35:45.160
<v Speaker 2>you know what I'm saying. And then it became, you know,

0:35:46.040 --> 0:35:50.279
<v Speaker 2>we start understanding each other individually and how we move,

0:35:50.480 --> 0:35:54.480
<v Speaker 2>like why his characteristic complement mind well, while you know

0:35:54.520 --> 0:35:57.080
<v Speaker 2>what I'm saying, So yeah, it was. It became a

0:35:57.120 --> 0:36:03.120
<v Speaker 2>respect thing because we went from teenagers moving a thousand

0:36:03.120 --> 0:36:06.760
<v Speaker 2>miles per hour with all these different changes, people whispering

0:36:06.800 --> 0:36:09.279
<v Speaker 2>in your ears telling you this and telling you that,

0:36:09.680 --> 0:36:12.080
<v Speaker 2>you know, we went through these things, but at the

0:36:12.120 --> 0:36:16.600
<v Speaker 2>same time, the respect was there, you know. So once

0:36:16.640 --> 0:36:20.000
<v Speaker 2>we got grown, start having kids and started seeing how

0:36:20.040 --> 0:36:22.759
<v Speaker 2>we moved differently from each other, and then we knew

0:36:22.800 --> 0:36:25.960
<v Speaker 2>how to respect you know, each other's moves.

0:36:26.600 --> 0:36:29.880
<v Speaker 1>Now, I know some of you guys are dropping solo albums.

0:36:31.880 --> 0:36:34.400
<v Speaker 1>When you guys dropped solo albums in the past, was

0:36:34.400 --> 0:36:37.359
<v Speaker 1>there any I feel like I'm really reaching. I don't

0:36:37.360 --> 0:36:39.279
<v Speaker 1>want to sound like I'm tearing you guys apart, but

0:36:39.719 --> 0:36:42.840
<v Speaker 1>I really when I think of relationships, they're so complex,

0:36:42.880 --> 0:36:45.080
<v Speaker 1>so I have to touch on these things. But is

0:36:45.120 --> 0:36:48.480
<v Speaker 1>there ever any rivalry going on when there's solo projects?

0:36:49.080 --> 0:36:49.120
<v Speaker 5>No?

0:36:49.360 --> 0:36:52.480
<v Speaker 3>I think we support each other. We've always supported each

0:36:52.520 --> 0:36:55.440
<v Speaker 3>other one in all of our endeavors. When it comes

0:36:55.480 --> 0:36:58.640
<v Speaker 3>to that, you know, you know, even though I was

0:36:58.680 --> 0:37:00.600
<v Speaker 3>the first one to kick it off with the solo

0:37:01.000 --> 0:37:03.920
<v Speaker 3>ventures and I had the support of my brothers, they featured,

0:37:04.280 --> 0:37:06.560
<v Speaker 3>We feature on each other. Yeah, you know, you know,

0:37:06.600 --> 0:37:09.120
<v Speaker 3>whenever the case may be, we present. You know, we

0:37:09.239 --> 0:37:11.560
<v Speaker 3>produce each other. We produce records for each other, We

0:37:11.920 --> 0:37:14.359
<v Speaker 3>produce it. You know, we give each other's concepts. So

0:37:14.400 --> 0:37:19.040
<v Speaker 3>when it comes to our individual tracks, hey, we're there.

0:37:19.520 --> 0:37:20.640
<v Speaker 3>We in each other's corner.

0:37:21.320 --> 0:37:28.840
<v Speaker 1>I'm just looking over it, lazy and he's fully, man,

0:37:28.880 --> 0:37:31.920
<v Speaker 1>I put too many. I saw you dicing them and

0:37:32.000 --> 0:37:33.120
<v Speaker 1>dicing them and dicing them.

0:37:33.160 --> 0:37:34.200
<v Speaker 3>You can't never put too many.

0:37:34.640 --> 0:37:40.439
<v Speaker 1>I'm just I don't like it how either, Craig. Craig,

0:37:40.480 --> 0:37:42.120
<v Speaker 1>why do you keep moving so far away from me

0:37:43.239 --> 0:37:44.360
<v Speaker 1>even in the shot?

0:37:44.719 --> 0:37:46.360
<v Speaker 5>You know what? This meal is?

0:37:46.520 --> 0:37:46.880
<v Speaker 3>Ready?

0:37:47.040 --> 0:37:50.200
<v Speaker 1>All right, let's certainly yeah, yeah, we're gonna judge it,

0:37:50.239 --> 0:37:56.480
<v Speaker 1>all right. His noodles look soft. Everybody he was, he

0:37:56.680 --> 0:37:59.040
<v Speaker 1>was literally like, I wish the camera. I hope the

0:37:59.080 --> 0:38:03.560
<v Speaker 1>camera call. How into your cooking you were? You look

0:38:03.640 --> 0:38:06.040
<v Speaker 1>like you in another life you wanted to be a chef.

0:38:07.040 --> 0:38:09.120
<v Speaker 4>In this life, I still want to be a chef.

0:38:10.760 --> 0:38:15.160
<v Speaker 4>You might just want to get searched around boat. Yeah,

0:38:15.360 --> 0:38:17.000
<v Speaker 4>take your eat the whole ball.

0:38:17.440 --> 0:38:18.239
<v Speaker 3>There's another boat.

0:38:18.520 --> 0:38:22.960
<v Speaker 5>Hilarious. Yes, you'll be eating. Nose be running.

0:38:24.400 --> 0:38:30.040
<v Speaker 3>Either, the nose be running. Yeah, Like I just taste tester,

0:38:31.400 --> 0:38:33.080
<v Speaker 3>because I'm usually you know.

0:38:33.000 --> 0:38:35.280
<v Speaker 1>What I think? Right here, let me get your spoon.

0:38:36.760 --> 0:38:42.160
<v Speaker 1>Let's see, all right, let's try it taste. I'm gonna

0:38:42.160 --> 0:38:44.160
<v Speaker 1>try and avoid the hollow penos because I'm like crazy,

0:38:44.280 --> 0:38:48.080
<v Speaker 1>I'm not trying to eat something hot.

0:38:48.120 --> 0:38:53.759
<v Speaker 3>Avoid its damn good bus down like good, all right.

0:38:56.160 --> 0:38:56.640
<v Speaker 5>You know what.

0:38:58.800 --> 0:39:03.560
<v Speaker 1>Good good spikes you though, my goodness, my goodness, you

0:39:03.560 --> 0:39:08.680
<v Speaker 1>can't even You're right, you're gonna even avoid the But

0:39:08.719 --> 0:39:12.080
<v Speaker 1>you know what, it's good the last person that made

0:39:12.120 --> 0:39:14.160
<v Speaker 1>Ramen on the show. I really enjoyed it and I'm

0:39:14.200 --> 0:39:16.719
<v Speaker 1>not gonna lie. The bust down makes it into the

0:39:16.719 --> 0:39:21.640
<v Speaker 1>Olympics of Roman. Yo, lazy, I'm thoroughly impressed.

0:39:22.239 --> 0:39:23.320
<v Speaker 5>We could have used.

0:39:25.880 --> 0:39:29.200
<v Speaker 2>With the sorry jeans, with the put a little little

0:39:29.239 --> 0:39:31.560
<v Speaker 2>olives on there, you know, but like I said, we.

0:39:31.560 --> 0:39:32.040
<v Speaker 4>Ain't have a.

0:39:33.920 --> 0:39:34.440
<v Speaker 5>You know what I mean?

0:39:36.719 --> 0:39:38.560
<v Speaker 1>You know what I think really makes it unique is

0:39:38.560 --> 0:39:43.200
<v Speaker 1>the cheese. Okay, but my goodness, if you would not

0:39:43.280 --> 0:39:46.200
<v Speaker 1>have put so many peppers. Me and Crazy but really

0:39:46.360 --> 0:39:49.759
<v Speaker 1>enjoyed this, right, like, don't you want to eat it?

0:39:49.800 --> 0:39:51.319
<v Speaker 1>But you're like, man, I know it's gonna hurt.

0:39:51.680 --> 0:39:54.320
<v Speaker 4>Well, y'all know for me, right.

0:39:54.520 --> 0:39:58.120
<v Speaker 1>You guys are hilarious. So let's talk upcoming projects.

0:40:00.320 --> 0:40:04.480
<v Speaker 3>Yes, right now, I have a solo EP out it's

0:40:04.520 --> 0:40:08.160
<v Speaker 3>called Living Legend out on all streaming platforms. Make sure

0:40:08.239 --> 0:40:13.839
<v Speaker 3>y'all go rock that. And they has an album out

0:40:13.880 --> 0:40:18.000
<v Speaker 3>called Hypnotic Rhythms that's on all streaming platforms. We just

0:40:19.280 --> 0:40:22.160
<v Speaker 3>we just leaked a brand new Bonn Thugs and Harmony

0:40:22.640 --> 0:40:27.600
<v Speaker 3>Harmony single to the radio today called all Shit. You know,

0:40:27.800 --> 0:40:29.719
<v Speaker 3>we're getting ready to go to the studio with Craig

0:40:30.440 --> 0:40:31.080
<v Speaker 3>to jump on.

0:40:31.600 --> 0:40:35.000
<v Speaker 5>You have a project that you have a project coming

0:40:35.040 --> 0:40:37.799
<v Speaker 5>out in April called Chasing the.

0:40:37.800 --> 0:40:40.120
<v Speaker 1>Devil, Chasing the Devil.

0:40:39.960 --> 0:40:42.560
<v Speaker 5>Chasing the Devil. Yeah, it's exactly a follow up to

0:40:42.600 --> 0:40:45.479
<v Speaker 5>what you did get a volume one. This is volume two.

0:40:46.160 --> 0:40:49.640
<v Speaker 5>Chasing the Devil is basically talking about how people literally

0:40:49.719 --> 0:40:52.000
<v Speaker 5>chasing the devil, but they but they don't even know it,

0:40:52.000 --> 0:40:53.960
<v Speaker 5>you know what I'm saying. So, yeah, that's what's up.

0:40:54.280 --> 0:40:57.080
<v Speaker 1>I feel like the world we live in now, people

0:40:57.280 --> 0:40:59.480
<v Speaker 1>are chasing the devil, but they're almost proud of.

0:40:59.440 --> 0:41:00.880
<v Speaker 5>It, exactly talking.

0:41:00.680 --> 0:41:03.400
<v Speaker 1>About that, like they are literally like, yeah, I'm doing it,

0:41:03.440 --> 0:41:04.200
<v Speaker 1>and yes I know.

0:41:06.920 --> 0:41:07.440
<v Speaker 3>No shame.

0:41:07.560 --> 0:41:09.400
<v Speaker 5>So he may stream now these days.

0:41:09.520 --> 0:41:12.920
<v Speaker 1>So you guys, you guys hear about the Illuminati and

0:41:12.960 --> 0:41:13.279
<v Speaker 1>all that.

0:41:13.719 --> 0:41:16.560
<v Speaker 5>Yeah, but I don't. I don't really get caught up

0:41:16.560 --> 0:41:19.319
<v Speaker 5>in Illuminati because this is how I look at that real.

0:41:19.400 --> 0:41:20.960
<v Speaker 5>That's all I want to know is how to look

0:41:21.000 --> 0:41:23.239
<v Speaker 5>at it. I mean, if it was they invite no

0:41:23.320 --> 0:41:27.200
<v Speaker 5>niggas to it. Yeah, period. They ain't invite no black

0:41:27.200 --> 0:41:30.160
<v Speaker 5>folks to it. So all these people talking about this Illuminati,

0:41:30.320 --> 0:41:35.200
<v Speaker 5>and how come whenever black people get money they just

0:41:35.280 --> 0:41:37.239
<v Speaker 5>can't earn it? Why why does it have to be

0:41:37.280 --> 0:41:39.360
<v Speaker 5>tied to the Illuminati. We don't say all the you

0:41:39.360 --> 0:41:41.319
<v Speaker 5>know what I'm saying, all the other people that did

0:41:41.400 --> 0:41:43.960
<v Speaker 5>get rich, all the other colors, we don't throw them

0:41:44.000 --> 0:41:46.960
<v Speaker 5>to the Illuminati. We say, they are hard workers and

0:41:47.120 --> 0:41:49.920
<v Speaker 5>they work for their money. So why is it different

0:41:49.920 --> 0:41:53.759
<v Speaker 5>when we blow up and be real successful in what

0:41:53.800 --> 0:41:56.360
<v Speaker 5>we do, all of a sudden we worship the devil

0:41:56.440 --> 0:42:00.879
<v Speaker 5>and we joined the Illuminati. It's probably yeah.

0:42:01.680 --> 0:42:03.560
<v Speaker 3>And you know, you gotta understand that the most of

0:42:03.600 --> 0:42:06.960
<v Speaker 3>what you're seeing out there, cut the damn TV off man,

0:42:07.040 --> 0:42:09.279
<v Speaker 3>cut the damn news off, cut that ship off, cut

0:42:09.360 --> 0:42:12.920
<v Speaker 3>that ship off, and learn how to dial in, you know,

0:42:13.080 --> 0:42:16.239
<v Speaker 3>challenge yourself to put your goddamn phone down, you know,

0:42:16.320 --> 0:42:18.279
<v Speaker 3>for a while, and just sit there in silence for

0:42:18.360 --> 0:42:21.840
<v Speaker 3>maybe five minutes. But it's the propaganda out there, and

0:42:21.880 --> 0:42:26.120
<v Speaker 3>then come with one boogie man after the other, and

0:42:26.160 --> 0:42:28.759
<v Speaker 3>it's all and it's you know, and it's and it's

0:42:28.760 --> 0:42:31.200
<v Speaker 3>a mind war. It's an information war. It's like it's

0:42:31.280 --> 0:42:34.600
<v Speaker 3>it's it's it's information on it. It's a battle for

0:42:34.680 --> 0:42:36.680
<v Speaker 3>the mind, it's a battle for the heart. And yeah,

0:42:37.360 --> 0:42:39.600
<v Speaker 3>we know God is real. The devil is real too.

0:42:40.280 --> 0:42:42.600
<v Speaker 3>You gotta know how to balance yourself with respect to

0:42:42.719 --> 0:42:46.160
<v Speaker 3>what you gotta do. You're gonna succeed, but you're gonna

0:42:46.160 --> 0:42:49.359
<v Speaker 3>you're gonna put together a podcast. Well, are you gonna

0:42:49.360 --> 0:42:51.560
<v Speaker 3>put together that podcast or not? Are you gonna put

0:42:51.600 --> 0:42:53.640
<v Speaker 3>together do what you need to do for your family

0:42:53.719 --> 0:42:56.239
<v Speaker 3>or not? And you know, just because you make it

0:42:56.280 --> 0:42:58.160
<v Speaker 3>over the top like crazy, say that, don't got no

0:42:58.360 --> 0:43:02.239
<v Speaker 3>you know that whatever this illuminatih F to them, Man,

0:43:02.280 --> 0:43:04.960
<v Speaker 3>you got you make your own illuminati. We are own

0:43:05.040 --> 0:43:08.200
<v Speaker 3>illuminati because they trying to stop you from doing what

0:43:08.239 --> 0:43:08.920
<v Speaker 3>you gotta do.

0:43:09.680 --> 0:43:14.800
<v Speaker 1>What is something that someone wouldn't know about you guys

0:43:14.840 --> 0:43:17.240
<v Speaker 1>based on your music? Like what's a fun like something

0:43:17.320 --> 0:43:20.319
<v Speaker 1>like if like, what is something I don't would never

0:43:20.480 --> 0:43:26.400
<v Speaker 1>know about lazy h I mean besides that he's a

0:43:26.400 --> 0:43:30.200
<v Speaker 1>good cook. I want more, but you can put more

0:43:30.239 --> 0:43:36.960
<v Speaker 1>in my plate. It's so good. But yeah, what is

0:43:37.000 --> 0:43:38.719
<v Speaker 1>something that we don't know? We wouldn't know?

0:43:39.560 --> 0:43:44.000
<v Speaker 2>Well that I pray all day every day all through

0:43:44.000 --> 0:43:46.480
<v Speaker 2>the day, while I'm driving, while I'm in the shower.

0:43:48.800 --> 0:43:51.880
<v Speaker 4>People don't People don't understand about me.

0:43:52.600 --> 0:43:55.920
<v Speaker 2>You know that my main thing and my main purpose

0:43:56.000 --> 0:43:59.600
<v Speaker 2>in life is family, you know, because I'm I'm a

0:43:59.719 --> 0:44:04.080
<v Speaker 2>whole most of the time. So you might see me partying, greeting, holling,

0:44:04.200 --> 0:44:07.239
<v Speaker 2>clapping hands and all that, But really I take so

0:44:07.400 --> 0:44:10.080
<v Speaker 2>much time to myself to calculate them thoughts.

0:44:10.120 --> 0:44:12.560
<v Speaker 4>After I do all that, I.

0:44:12.600 --> 0:44:16.759
<v Speaker 2>Take my time sit back, analyze, and I spend a

0:44:16.760 --> 0:44:17.880
<v Speaker 2>lot of time in thought.

0:44:19.480 --> 0:44:22.840
<v Speaker 1>So I heard that they're different. What an introvert is

0:44:22.840 --> 0:44:24.799
<v Speaker 1>someone that can still go out and shake hands, but

0:44:24.920 --> 0:44:27.120
<v Speaker 1>after they shake hands with people, they kind of get draining.

0:44:27.160 --> 0:44:29.200
<v Speaker 1>They need that time alone. Would you say you're more

0:44:29.320 --> 0:44:33.080
<v Speaker 1>like that or is just maybe not? It's not an introvert.

0:44:33.200 --> 0:44:36.920
<v Speaker 2>Now, I'm not an introvert. I'm outgoing than a motherfucker.

0:44:37.600 --> 0:44:42.839
<v Speaker 2>But after that, I understand that I need to recollect

0:44:43.000 --> 0:44:45.319
<v Speaker 2>what I'm doing and where I'm going, you know. So

0:44:45.400 --> 0:44:48.920
<v Speaker 2>I take a lot of time. I plan, I plan everything,

0:44:49.000 --> 0:44:51.319
<v Speaker 2>you know what I mean. I think five six seven

0:44:51.400 --> 0:44:54.759
<v Speaker 2>years down. I've been thinking seven six years down the

0:44:54.840 --> 0:44:57.439
<v Speaker 2>road since I was seven to six six or seven years,

0:44:58.120 --> 0:44:58.279
<v Speaker 2>you know.

0:44:58.280 --> 0:44:58.640
<v Speaker 4>What I mean.

0:44:58.680 --> 0:45:00.919
<v Speaker 2>And I just and that's one thing I don't think

0:45:00.960 --> 0:45:03.680
<v Speaker 2>people would know about me because I'm in the mix.

0:45:04.320 --> 0:45:08.080
<v Speaker 2>M They probably don't know I'm a mastermind because I

0:45:08.200 --> 0:45:08.759
<v Speaker 2>think a lot.

0:45:09.640 --> 0:45:11.520
<v Speaker 1>I like that. What about you flesh?

0:45:11.680 --> 0:45:13.839
<v Speaker 3>I mean, it's it's it's a couple of things out there,

0:45:13.920 --> 0:45:16.319
<v Speaker 3>you know. I like to fish a little bit. I

0:45:16.400 --> 0:45:18.399
<v Speaker 3>like to you know, I like to gut and chop

0:45:18.440 --> 0:45:21.239
<v Speaker 3>the heads off the fish and gut them up and

0:45:21.280 --> 0:45:24.280
<v Speaker 3>everything and skin them and all that good stuff and everything.

0:45:24.320 --> 0:45:27.759
<v Speaker 3>And I've played lately, you know, probably taking up more

0:45:29.320 --> 0:45:34.000
<v Speaker 3>learning how to really really uh do the seed germination

0:45:34.920 --> 0:45:39.640
<v Speaker 3>with or without soil and german A seeds and you know,

0:45:39.800 --> 0:45:43.640
<v Speaker 3>growing uh growing pots and growing the raised beds of

0:45:43.840 --> 0:45:47.239
<v Speaker 3>uh veggies and stuff like that and everything. It's a

0:45:47.280 --> 0:45:51.480
<v Speaker 3>few things that flesh and ball that you know. And

0:45:51.520 --> 0:45:54.439
<v Speaker 3>that's that's the main thing. That that the the main

0:45:54.480 --> 0:45:57.160
<v Speaker 3>hobby that I done picked up that I done found myself,

0:45:57.680 --> 0:46:05.680
<v Speaker 3>you know, spending a lot of time with those plants,

0:46:11.880 --> 0:46:14.560
<v Speaker 3>you know, sitting around those plants, you know, just spitting

0:46:14.560 --> 0:46:17.040
<v Speaker 3>off all that good oxygen on me and everything. I

0:46:17.120 --> 0:46:19.840
<v Speaker 3>like the smell of the plants that I that that

0:46:19.920 --> 0:46:22.560
<v Speaker 3>I sat there in garden and be surrounded in my loove.

0:46:22.960 --> 0:46:24.839
<v Speaker 3>You know, you know, I can walk through like a

0:46:24.840 --> 0:46:28.080
<v Speaker 3>maze of just you know, you know, different types of plants.

0:46:28.160 --> 0:46:30.440
<v Speaker 3>Got the tomatoes over here, the cucumbers over here, you

0:46:30.520 --> 0:46:33.719
<v Speaker 3>got the cilantro right here, you got right here, you

0:46:33.800 --> 0:46:36.160
<v Speaker 3>got the you know, you know, and it's and and

0:46:36.280 --> 0:46:37.920
<v Speaker 3>you know, and I got a little you know, just

0:46:38.000 --> 0:46:40.880
<v Speaker 3>it's just it's just an amazing situation where it's asided

0:46:40.960 --> 0:46:43.600
<v Speaker 3>me that that most folks don't know about I.

0:46:43.640 --> 0:46:45.040
<v Speaker 1>Like, Dan, what about you? Crazy?

0:46:46.280 --> 0:46:51.759
<v Speaker 5>Uh man? Some if people don't know that I don't know.

0:46:51.920 --> 0:46:53.759
<v Speaker 1>You know, I'm gonna tell you right now. I'm a

0:46:53.760 --> 0:46:57.840
<v Speaker 1>point on one man. Your hair accessories are beyond divine,

0:46:58.000 --> 0:47:01.080
<v Speaker 1>like they are. Your hair game is crazy all thank you.

0:47:01.520 --> 0:47:05.400
<v Speaker 5>I mean, you know, I probably say I'm more of

0:47:05.440 --> 0:47:10.799
<v Speaker 5>the antrovercuse I don't want to be fucking people like that.

0:47:12.560 --> 0:47:15.279
<v Speaker 5>I got, you know, you know, I got like if

0:47:15.560 --> 0:47:18.360
<v Speaker 5>you know what I'm saying that if it ain't my family,

0:47:18.440 --> 0:47:19.880
<v Speaker 5>you know what I'm saying my brothers is like you

0:47:19.880 --> 0:47:21.759
<v Speaker 5>know what I'm saying, I got to really know a

0:47:21.760 --> 0:47:23.759
<v Speaker 5>person like you know what I'm saying, but you know what,

0:47:23.840 --> 0:47:25.480
<v Speaker 5>I'm in public. I do what I gotta do. But

0:47:25.520 --> 0:47:29.000
<v Speaker 5>I'm always being cool with the with the vack scene,

0:47:29.040 --> 0:47:31.799
<v Speaker 5>with planning it being in the back scene. I'm cool

0:47:31.800 --> 0:47:32.399
<v Speaker 5>with that for real.

0:47:33.120 --> 0:47:36.840
<v Speaker 1>Now, are you guys currently reading any books that you

0:47:37.000 --> 0:47:40.000
<v Speaker 1>think you would be willing to share with you know,

0:47:40.360 --> 0:47:41.279
<v Speaker 1>our audience to.

0:47:42.200 --> 0:47:44.520
<v Speaker 3>It all depends on it all depends on if you're

0:47:44.520 --> 0:47:47.160
<v Speaker 3>gonna get judgment or not learn how to you know?

0:47:47.320 --> 0:47:49.160
<v Speaker 3>You know, think you know, I will share a lot

0:47:49.160 --> 0:47:51.399
<v Speaker 3>of you know, a lot of stuff, but I think

0:47:51.440 --> 0:47:54.239
<v Speaker 3>I might, you know, just for the sake of holding on,

0:47:54.320 --> 0:47:56.000
<v Speaker 3>I'm gonna let them share some of the stuff. I

0:47:56.320 --> 0:47:58.000
<v Speaker 3>will share, but you know, you got to be a

0:47:58.000 --> 0:48:00.560
<v Speaker 3>little bit open minded, you know what I'm saying.

0:48:00.560 --> 0:48:01.600
<v Speaker 5>But I don't know.

0:48:02.160 --> 0:48:03.680
<v Speaker 3>I'll share some stuff that i'm reading.

0:48:05.160 --> 0:48:06.080
<v Speaker 4>What do you want to go first?

0:48:06.200 --> 0:48:06.799
<v Speaker 3>You go first.

0:48:07.800 --> 0:48:11.719
<v Speaker 2>So I like to introduce to like younger people to

0:48:12.120 --> 0:48:14.840
<v Speaker 2>I read a lot of inspirational books. You know what

0:48:14.880 --> 0:48:18.680
<v Speaker 2>I'm saying. It's a book by James Allen called So

0:48:18.800 --> 0:48:21.960
<v Speaker 2>as a Man, think of you know, book about this

0:48:22.160 --> 0:48:25.000
<v Speaker 2>thick not too big. I pass it off to my

0:48:25.160 --> 0:48:28.439
<v Speaker 2>children and people when I see that they need, they

0:48:28.480 --> 0:48:31.640
<v Speaker 2>need guidance. I give them this book and it's by

0:48:31.719 --> 0:48:36.359
<v Speaker 2>James Allen, and it's really about the things you put

0:48:36.440 --> 0:48:38.920
<v Speaker 2>forth in life is the things you get back. Basic,

0:48:39.200 --> 0:48:44.600
<v Speaker 2>basic stuff, but put in a way that any man

0:48:44.680 --> 0:48:48.520
<v Speaker 2>can understand, any woman can understand. And it's inspiring, you

0:48:48.600 --> 0:48:51.000
<v Speaker 2>know what I mean. I read a lot of autobiographies,

0:48:51.680 --> 0:48:54.279
<v Speaker 2>you know what I'm saying. Like, I read books like

0:48:55.000 --> 0:48:57.239
<v Speaker 2>Nike to just do It that book, you know what

0:48:57.239 --> 0:49:00.120
<v Speaker 2>I mean. I like the stories of a man.

0:49:00.800 --> 0:49:03.080
<v Speaker 4>That reached greatness.

0:49:03.400 --> 0:49:06.080
<v Speaker 2>So I you know, so I can try to follow

0:49:06.080 --> 0:49:08.520
<v Speaker 2>in some of the footsteps, you know. So I'm more

0:49:08.520 --> 0:49:12.040
<v Speaker 2>of an inspirational book reader a Bible reader.

0:49:12.120 --> 0:49:14.680
<v Speaker 4>You know what I'm saying. And that's what I do.

0:49:14.760 --> 0:49:15.160
<v Speaker 4>I stay.

0:49:15.320 --> 0:49:18.160
<v Speaker 2>I stay on the inspirational side. When it comes to books. No,

0:49:18.200 --> 0:49:20.719
<v Speaker 2>not no fiction or none of that.

0:49:21.680 --> 0:49:24.799
<v Speaker 1>I'm the same. I've always avoided fiction since I was

0:49:25.120 --> 0:49:28.960
<v Speaker 1>a little little kid. I just never got into space.

0:49:29.120 --> 0:49:33.400
<v Speaker 5>Yeah, always for the movies. No, but yeah. Really, like

0:49:33.480 --> 0:49:35.680
<v Speaker 5>one book I'm reading now is most of the books

0:49:35.719 --> 0:49:38.960
<v Speaker 5>I read is like uh, spiritual books. I'm reading the

0:49:38.960 --> 0:49:43.799
<v Speaker 5>book now it's called a revelation. Is it's grand climax

0:49:43.840 --> 0:49:46.960
<v Speaker 5>at head basically a book that that breaks down the

0:49:46.960 --> 0:49:47.840
<v Speaker 5>Book of Revelation.

0:49:48.480 --> 0:49:49.839
<v Speaker 1>That's a hard book to break down.

0:49:50.160 --> 0:49:52.040
<v Speaker 5>Oh no, but when you read this book, you totally

0:49:52.120 --> 0:49:54.960
<v Speaker 5>have the understanding of it. Likely.

0:49:55.000 --> 0:49:56.320
<v Speaker 1>What's the name of the book again.

0:49:56.320 --> 0:49:59.400
<v Speaker 5>It's called Revelation. It's Grand Climax at Head.

0:50:00.040 --> 0:50:02.319
<v Speaker 1>Okay, Now when you read that book, do you think

0:50:02.320 --> 0:50:03.280
<v Speaker 1>we're at the end of times?

0:50:04.600 --> 0:50:05.440
<v Speaker 5>Okay? I was.

0:50:06.040 --> 0:50:09.120
<v Speaker 1>I was gonna say, because the first time I read Revelation,

0:50:10.680 --> 0:50:12.480
<v Speaker 1>I mean I took the Bible on, I read the

0:50:12.480 --> 0:50:15.800
<v Speaker 1>whole Bible. Revelation is the one book that I definitely

0:50:15.880 --> 0:50:18.799
<v Speaker 1>one hundred percent was like, you know what, I don't

0:50:18.800 --> 0:50:21.000
<v Speaker 1>think it was almost like listening to jay Z, Like

0:50:21.120 --> 0:50:22.920
<v Speaker 1>I feel like there were certain j Z records that

0:50:22.960 --> 0:50:26.239
<v Speaker 1>I couldn't comprehend at the time, and Revelation was one

0:50:26.239 --> 0:50:28.040
<v Speaker 1>of those books. Like at the time, it just was

0:50:28.080 --> 0:50:29.440
<v Speaker 1>so much that I was like, you know what, I

0:50:29.480 --> 0:50:33.000
<v Speaker 1>don't think I can understand. Maybe if I go back now.

0:50:33.160 --> 0:50:34.719
<v Speaker 5>Oh yeah, definitely. Yeah.

0:50:34.719 --> 0:50:38.640
<v Speaker 2>Well, you know it's some of the similarities things things

0:50:38.680 --> 0:50:40.920
<v Speaker 2>that go on, Like if you look at the news

0:50:40.960 --> 0:50:44.080
<v Speaker 2>and read Revelations, you'd be like, this is is really happening?

0:50:44.320 --> 0:50:45.200
<v Speaker 1>Yeah, you know.

0:50:45.400 --> 0:50:48.680
<v Speaker 5>So, you know, they say the revolution was being televibed,

0:50:49.440 --> 0:50:52.960
<v Speaker 5>the Revelation is being tele straight up.

0:50:53.040 --> 0:50:56.880
<v Speaker 1>Wow, real, what about you flush? You're gonna give it up?

0:50:57.000 --> 0:50:59.719
<v Speaker 3>Well, you know, you know, I've been you know. I

0:50:59.760 --> 0:51:02.040
<v Speaker 3>don't know if y'all ever heard of Alex Jones though,

0:51:02.080 --> 0:51:04.839
<v Speaker 3>but he's like one of the from Dave David Ike

0:51:04.920 --> 0:51:08.040
<v Speaker 3>to Alex Jones. He has a couple of books out there,

0:51:08.040 --> 0:51:10.160
<v Speaker 3>and one of them is called one of them is

0:51:10.160 --> 0:51:13.600
<v Speaker 3>called the you know, the Greater, the Great Reset, you know,

0:51:13.680 --> 0:51:17.319
<v Speaker 3>the Great Awakening, you know, and you know, it's it's

0:51:17.360 --> 0:51:20.160
<v Speaker 3>a real eye opener, you know when it comes to

0:51:20.520 --> 0:51:23.080
<v Speaker 3>certain things that's going on in the world today, in

0:51:23.080 --> 0:51:25.680
<v Speaker 3>the country today, the Great Reset, as far as what's

0:51:25.719 --> 0:51:27.640
<v Speaker 3>been going on in the world, what they're trying to do,

0:51:27.680 --> 0:51:30.719
<v Speaker 3>as far as setting up a new system, you know,

0:51:30.880 --> 0:51:33.680
<v Speaker 3>and uh that which Revelation talks about. I've been real

0:51:33.800 --> 0:51:36.880
<v Speaker 3>heavy into the Bible and the Revelation portion of the

0:51:36.920 --> 0:51:44.120
<v Speaker 3>Bible to be exact, and and uh and there's another author. Uh,

0:51:44.200 --> 0:51:48.200
<v Speaker 3>there's another author by the name of Mark Levin, and

0:51:48.320 --> 0:51:51.080
<v Speaker 3>he wrote a book called and uh it's a real contrary.

0:51:51.120 --> 0:51:53.640
<v Speaker 3>It's not that controversial, but I'm just spit it out there.

0:51:53.680 --> 0:51:57.440
<v Speaker 3>It's called the Democrat Party Hates America, and uh he

0:51:57.520 --> 0:52:00.839
<v Speaker 3>wrote other books that, uh, you know, I'm pretty much

0:52:01.200 --> 0:52:03.759
<v Speaker 3>a big fan of this man because he's a he's

0:52:04.320 --> 0:52:09.759
<v Speaker 3>a constitutional attorney that breaks down the constitution and the

0:52:09.880 --> 0:52:12.880
<v Speaker 3>real real he'll put it in a very education on

0:52:12.920 --> 0:52:15.359
<v Speaker 3>why you get a lot of education. If you never

0:52:15.440 --> 0:52:17.200
<v Speaker 3>heard of him, go look him up. His name is

0:52:17.239 --> 0:52:20.120
<v Speaker 3>Mark Levin. He's and I believe he's one of the

0:52:20.160 --> 0:52:24.880
<v Speaker 3>scholars of big scholars of our time. He wrote books

0:52:24.920 --> 0:52:31.279
<v Speaker 3>like called The Men in Black and it's quite a

0:52:31.320 --> 0:52:33.560
<v Speaker 3>few I got. I got all of his books. But uh,

0:52:34.120 --> 0:52:37.920
<v Speaker 3>he's just breaking it down how you know how pretty

0:52:38.000 --> 0:52:41.040
<v Speaker 3>much is this a lot of influence going on as

0:52:41.040 --> 0:52:45.200
<v Speaker 3>far as with respects to you know how a lot

0:52:45.239 --> 0:52:48.640
<v Speaker 3>of these parties is even no matter if some of

0:52:48.640 --> 0:52:55.480
<v Speaker 3>these party h officials or are communists, actual Marxist communists

0:52:55.719 --> 0:52:58.799
<v Speaker 3>dressed up under the banner of a Democrat or Republican

0:52:58.880 --> 0:53:02.279
<v Speaker 3>but in reality are communists. So I wanted to, you know,

0:53:02.320 --> 0:53:05.239
<v Speaker 3>and it's it's a whole information that's why it's like,

0:53:05.320 --> 0:53:08.600
<v Speaker 3>you know, it's uh, it's a famous website out there

0:53:08.640 --> 0:53:11.640
<v Speaker 3>called info wars and you know, and that's one of

0:53:11.640 --> 0:53:14.279
<v Speaker 3>the things that I've been real heavy into because it's

0:53:14.320 --> 0:53:18.880
<v Speaker 3>real eye openers. They go all across the spectrum and

0:53:19.000 --> 0:53:21.200
<v Speaker 3>uh and uh and uh, and it kind of like

0:53:21.280 --> 0:53:23.600
<v Speaker 3>gives you what you need, you know, how to protect

0:53:23.640 --> 0:53:28.880
<v Speaker 3>yourself against you know, being shut down by a hateful

0:53:29.120 --> 0:53:32.040
<v Speaker 3>Marxist communists. If you look into history and look at

0:53:32.400 --> 0:53:36.600
<v Speaker 3>look at the history of communism, and this is explaining

0:53:36.680 --> 0:53:39.880
<v Speaker 3>how you know pretty much how you know the government

0:53:40.000 --> 0:53:42.440
<v Speaker 3>is corrupt and hijacked by these communists.

0:53:42.520 --> 0:53:46.080
<v Speaker 1>Yeah. So not trying to segue, but I do want

0:53:46.080 --> 0:53:48.040
<v Speaker 1>to know what you guys are doing in Cleveland.

0:53:49.400 --> 0:53:51.400
<v Speaker 5>Oh yeah, man, we're trying to do a lot, like

0:53:51.440 --> 0:53:53.799
<v Speaker 5>a lot of things, you know, for our community, like

0:53:53.800 --> 0:53:57.640
<v Speaker 5>where we grew up at, you know, trying to work

0:53:57.760 --> 0:54:00.879
<v Speaker 5>on this project to help revitalize like where we come from.

0:54:00.960 --> 0:54:04.120
<v Speaker 5>We want to put a bone throws, a harmony museum there.

0:54:04.640 --> 0:54:07.280
<v Speaker 5>You know, we want to like just like help the community,

0:54:07.400 --> 0:54:09.040
<v Speaker 5>y'all like it anyway, we can't go to call it

0:54:09.040 --> 0:54:12.520
<v Speaker 5>the Harmony district, oh know. So when people come to Cleveland,

0:54:12.560 --> 0:54:14.680
<v Speaker 5>it's gonna be a entertainment district. So when people come

0:54:14.719 --> 0:54:17.440
<v Speaker 5>to Cleveland. They're not just saying they want to go downtown.

0:54:17.480 --> 0:54:19.840
<v Speaker 5>They're talking about I want to go to the Harmony district.

0:54:19.880 --> 0:54:24.000
<v Speaker 5>See what they got going. You know it's gonna be establishments.

0:54:24.000 --> 0:54:27.239
<v Speaker 5>This featured their features both to us a homony like

0:54:27.280 --> 0:54:30.600
<v Speaker 5>we gonna have a restaurant at Harmony Cafe. I like that.

0:54:31.280 --> 0:54:33.400
<v Speaker 5>In the museum like a yeah, museum, you know what

0:54:33.400 --> 0:54:35.440
<v Speaker 5>I'm saying. Get a museum right on the corner of

0:54:35.640 --> 0:54:37.560
<v Speaker 5>Army nine, your Knife and Saint Clair. You know, if

0:54:37.600 --> 0:54:40.800
<v Speaker 5>everything works out. So that's something we're working very closely

0:54:40.880 --> 0:54:41.440
<v Speaker 5>with the city.

0:54:42.120 --> 0:54:43.839
<v Speaker 1>And then what else can we expect from you guys

0:54:43.840 --> 0:54:46.919
<v Speaker 1>in twenty twenty four and beyond books.

0:54:46.719 --> 0:54:49.760
<v Speaker 3>We definitely working on the memoirs. They got a poetry

0:54:49.760 --> 0:54:52.360
<v Speaker 3>book that he's working on. I've been I'm working on

0:54:52.440 --> 0:54:54.480
<v Speaker 3>a memoir that I'm in the middle of. It is real,

0:54:54.680 --> 0:54:57.759
<v Speaker 3>just getting real good. And so we're getting that. We

0:54:58.360 --> 0:55:01.319
<v Speaker 3>got got talks with a couple of big time producers

0:55:01.360 --> 0:55:03.960
<v Speaker 3>that's showing interest in the Bone Dug film. We don't

0:55:04.000 --> 0:55:06.440
<v Speaker 3>know if it's gonna be a biopic I love that

0:55:06.760 --> 0:55:09.319
<v Speaker 3>or some type of docu series sort of like How

0:55:09.360 --> 0:55:12.000
<v Speaker 3>Wu Tang Did. This is when you got season one, two, three,

0:55:12.040 --> 0:55:14.360
<v Speaker 3>four five or whatnot, because the Bone Duck story is

0:55:14.400 --> 0:55:18.120
<v Speaker 3>so extensive, it's gonna be hard to impossible to squeeze

0:55:18.160 --> 0:55:20.800
<v Speaker 3>the Bone Duck story in a two to three hour movie.

0:55:21.080 --> 0:55:24.040
<v Speaker 3>Maybe two, three seasons, four five seasons.

0:55:24.320 --> 0:55:29.319
<v Speaker 2>And we also, you know, we got a podcast as

0:55:29.320 --> 0:55:30.480
<v Speaker 2>a group that we're doing.

0:55:30.760 --> 0:55:33.040
<v Speaker 4>You know, Crazy Boone came up with the idea.

0:55:33.360 --> 0:55:36.719
<v Speaker 2>It's called Thug Stories, you know, So we're working on

0:55:36.800 --> 0:55:40.719
<v Speaker 2>that individual music harmony, house entertainment.

0:55:41.200 --> 0:55:43.480
<v Speaker 4>You know, I work with all of our kids.

0:55:43.560 --> 0:55:45.240
<v Speaker 2>You know what I'm saying. I work with my kids.

0:55:45.239 --> 0:55:48.359
<v Speaker 2>I work with all of our kids because they came

0:55:48.440 --> 0:55:51.279
<v Speaker 2>together as they grew up and they do things together. So,

0:55:51.760 --> 0:55:58.200
<v Speaker 2>you know, just really capitalizing on everything entertainment, you know, entertainment, educational,

0:55:58.680 --> 0:56:01.880
<v Speaker 2>you know, just just just giving back to where we

0:56:01.960 --> 0:56:06.919
<v Speaker 2>came from and just making an impact on what we're

0:56:06.960 --> 0:56:10.919
<v Speaker 2>doing it besides just selling millions of records. So now

0:56:10.960 --> 0:56:14.440
<v Speaker 2>we're moving into the realm of our give back, you

0:56:14.480 --> 0:56:15.160
<v Speaker 2>know what I mean.

0:56:15.280 --> 0:56:20.000
<v Speaker 1>Yeah, your legacy impact and giving back. Yes, my final

0:56:20.080 --> 0:56:24.640
<v Speaker 1>final question lazy. When it comes to this music industry,

0:56:24.719 --> 0:56:29.680
<v Speaker 1>is there some seeding that the world is not privy too,

0:56:29.760 --> 0:56:32.040
<v Speaker 1>that's behind the scenes that you could share with us.

0:56:33.280 --> 0:56:37.480
<v Speaker 1>That was a hard nugget for you to swallow. Per se.

0:56:38.040 --> 0:56:42.480
<v Speaker 2>I mean just the music, the music industry period, you know,

0:56:42.600 --> 0:56:51.759
<v Speaker 2>the way, the way that they misappropriated our contracts, you

0:56:51.800 --> 0:56:54.120
<v Speaker 2>know what I mean, the robbery and the thievery that

0:56:54.200 --> 0:56:57.880
<v Speaker 2>went on, you know, always me myself Like today, I

0:56:57.920 --> 0:57:00.759
<v Speaker 2>think the Internet is so important because we got we

0:57:00.800 --> 0:57:04.280
<v Speaker 2>with our fan base, we can be independent without giving

0:57:04.960 --> 0:57:09.120
<v Speaker 2>eighty percent or ninety or seventy eight percent, you know,

0:57:09.200 --> 0:57:13.120
<v Speaker 2>the bulk of our earnings for our creations to somebody

0:57:13.160 --> 0:57:17.120
<v Speaker 2>else to handle, you know. So the industry was built

0:57:17.240 --> 0:57:20.840
<v Speaker 2>to keep the artists blind, you know what I mean. Especially,

0:57:21.280 --> 0:57:24.560
<v Speaker 2>that's why they play on the young to the age,

0:57:24.640 --> 0:57:28.240
<v Speaker 2>the age variable because you know, if you're a young artist,

0:57:28.520 --> 0:57:30.840
<v Speaker 2>they can dangle to carrot in front of your face,

0:57:31.160 --> 0:57:33.840
<v Speaker 2>and when you have nothing, it's easy to go for

0:57:33.920 --> 0:57:37.080
<v Speaker 2>that care. But as an adult, you know what I mean,

0:57:37.240 --> 0:57:40.840
<v Speaker 2>the more knowledge you have, you don't fall for those tricks.

0:57:40.880 --> 0:57:43.000
<v Speaker 2>So they put an age stipulation on you. All you

0:57:43.080 --> 0:57:45.760
<v Speaker 2>got to be this age. But killer might just prove

0:57:46.360 --> 0:57:49.040
<v Speaker 2>you don't have to be a certain age, you know.

0:57:49.160 --> 0:57:52.040
<v Speaker 2>Adele she proved you know what I mean. So it's

0:57:52.080 --> 0:57:56.400
<v Speaker 2>these different tricks that they played to rob us, blind us,

0:57:56.760 --> 0:58:00.439
<v Speaker 2>keep us ignorant to the fact on the contracts. And

0:58:00.680 --> 0:58:03.880
<v Speaker 2>that's what I that's what I disliked about the industry.

0:58:04.840 --> 0:58:07.640
<v Speaker 4>So we had it, We really had it rough.

0:58:07.840 --> 0:58:10.720
<v Speaker 2>Coming up because we learned through. We learned through our

0:58:10.760 --> 0:58:14.000
<v Speaker 2>own mistakes signing wrong contracts. So we had to get

0:58:14.120 --> 0:58:20.360
<v Speaker 2>educated ourselves. And now you know, now these days you

0:58:20.440 --> 0:58:23.960
<v Speaker 2>got the it's more you have more leeway to handle that,

0:58:24.040 --> 0:58:26.760
<v Speaker 2>you have more control over your career. So the industry

0:58:27.160 --> 0:58:33.040
<v Speaker 2>for me, the recording industry is now podcasts and you

0:58:33.200 --> 0:58:34.400
<v Speaker 2>on these different.

0:58:34.080 --> 0:58:36.640
<v Speaker 3>Social media like it's at the press of a button

0:58:36.680 --> 0:58:41.600
<v Speaker 3>you can reach your fan base versus now crazy.

0:58:42.720 --> 0:58:45.720
<v Speaker 1>My question to you would be, now, coming off of

0:58:45.760 --> 0:58:50.640
<v Speaker 1>what Lazy was saying, would you say you feel at

0:58:50.720 --> 0:58:53.680
<v Speaker 1>times it could be harder to market because now you've

0:58:53.680 --> 0:58:56.280
<v Speaker 1>you've gone through all the genres of how music is

0:58:56.320 --> 0:58:59.200
<v Speaker 1>marketed and distributed and bought and sold, and you've seen

0:58:59.640 --> 0:59:01.800
<v Speaker 1>the rector label side, but now you're entering the new

0:59:01.840 --> 0:59:04.840
<v Speaker 1>world of the digital side with social media and and

0:59:04.880 --> 0:59:09.280
<v Speaker 1>what contracts to like numbers that are impressive or what

0:59:09.400 --> 0:59:12.320
<v Speaker 1>have you, what would you say is the pro and

0:59:12.360 --> 0:59:14.920
<v Speaker 1>the con of dealing with music in this new age?

0:59:15.640 --> 0:59:16.440
<v Speaker 1>Going independent?

0:59:17.880 --> 0:59:21.920
<v Speaker 5>I mean, you know, I mean kind of like what

0:59:22.040 --> 0:59:25.240
<v Speaker 5>he said, you know, like it's they're trying to paint

0:59:25.280 --> 0:59:28.600
<v Speaker 5>this picture that you know, like we're washed up, We

0:59:28.800 --> 0:59:33.080
<v Speaker 5>just all of a sudden forgot how to make good music,

0:59:33.200 --> 0:59:34.640
<v Speaker 5>you know what I'm saying. And that's how they treat us.

0:59:34.640 --> 0:59:36.280
<v Speaker 5>You know I'm saying just because he said, because we older,

0:59:36.760 --> 0:59:39.240
<v Speaker 5>and they don't want to have those conversations with us

0:59:40.080 --> 0:59:42.480
<v Speaker 5>about business because they know we know what we're talking

0:59:42.520 --> 0:59:43.120
<v Speaker 5>about now.

0:59:43.640 --> 0:59:46.840
<v Speaker 1>But now going independent, do you feel more liberated or

0:59:46.880 --> 0:59:49.080
<v Speaker 1>do you feel more pressure going independent?

0:59:49.320 --> 0:59:52.520
<v Speaker 5>No? Definitely feel more liberated because you know, like it's

0:59:52.640 --> 0:59:56.560
<v Speaker 5>like again, we understand the business, we understand what we

0:59:56.640 --> 0:59:59.080
<v Speaker 5>need to do to go around and you know what

0:59:59.080 --> 1:00:01.160
<v Speaker 5>I'm saying, I just got to offer from a record label,

1:00:02.000 --> 1:00:04.160
<v Speaker 5>you know what I'm saying, actually put my album out,

1:00:04.240 --> 1:00:06.840
<v Speaker 5>and what they're offering I'm already doing.

1:00:08.080 --> 1:00:10.080
<v Speaker 1>So like why do you need them? Yeah?

1:00:10.720 --> 1:00:12.640
<v Speaker 5>Why would I give you my album when I'm already

1:00:12.680 --> 1:00:14.960
<v Speaker 5>doing that, you know what I'm saying. So, oh yeah, No,

1:00:15.000 --> 1:00:18.439
<v Speaker 5>it's definitely liberating, especially when you have the fan base

1:00:18.480 --> 1:00:21.120
<v Speaker 5>that we have from all the work we put in.

1:00:21.800 --> 1:00:24.400
<v Speaker 5>It's very easy for us to maneuver around this system

1:00:24.480 --> 1:00:27.520
<v Speaker 5>now because you know, like once we bring our fans

1:00:27.560 --> 1:00:31.680
<v Speaker 5>to the internet, we have them at our grass now.

1:00:32.680 --> 1:00:36.000
<v Speaker 1>So now when you guys collectively as a group are together,

1:00:36.080 --> 1:00:39.440
<v Speaker 1>would you say you you make more I had to

1:00:39.480 --> 1:00:42.320
<v Speaker 1>talk financials, more money on the on the publishing side,

1:00:42.480 --> 1:00:46.760
<v Speaker 1>or the tours and the shows or the actual record sales.

1:00:47.000 --> 1:00:50.480
<v Speaker 4>I will say we make more money period.

1:00:50.880 --> 1:00:55.480
<v Speaker 2>Yeah, because now we own all the back Yeah.

1:00:55.320 --> 1:00:57.480
<v Speaker 3>The money comes straight to you when you're doing the shows,

1:00:57.560 --> 1:00:59.520
<v Speaker 3>versus how it did first it has to go through

1:00:59.640 --> 1:01:02.320
<v Speaker 3>the record company. All the money goes to the record

1:01:02.360 --> 1:01:05.160
<v Speaker 3>company first. Today we are the record company.

1:01:05.320 --> 1:01:07.400
<v Speaker 1>But do you guys own all your publishing and everything.

1:01:11.240 --> 1:01:14.520
<v Speaker 2>Publish it and we're soon to own our masters, you know.

1:01:15.000 --> 1:01:18.680
<v Speaker 2>And that's another thing about the record company. We gave something,

1:01:18.720 --> 1:01:21.720
<v Speaker 2>we created, we got to fight thirty years later to

1:01:21.760 --> 1:01:24.360
<v Speaker 2>get control of you know what I mean. But once

1:01:24.440 --> 1:01:27.600
<v Speaker 2>those things revert back to us. Now we're independent. We

1:01:27.760 --> 1:01:32.600
<v Speaker 2>re release our music, we license our music, our publishing

1:01:32.720 --> 1:01:35.480
<v Speaker 2>belongs to us, you know what I'm saying. So, but

1:01:35.760 --> 1:01:37.919
<v Speaker 2>that not in the beginning. In the beginning, it wasn't

1:01:37.960 --> 1:01:38.280
<v Speaker 2>like that.

1:01:38.560 --> 1:01:41.520
<v Speaker 1>Now, what does it take to own your masters apart

1:01:41.600 --> 1:01:44.960
<v Speaker 1>from owning your publishing? Well, I know we're going over

1:01:46.040 --> 1:01:47.840
<v Speaker 1>Oh we really only got a couple of minutes.

1:01:47.920 --> 1:01:50.360
<v Speaker 3>When you know, you either, depending on what type of

1:01:50.400 --> 1:01:52.680
<v Speaker 3>deal you got, either own a portion of the masters

1:01:52.720 --> 1:01:55.720
<v Speaker 3>because the record company always going to own other portions

1:01:55.760 --> 1:01:58.640
<v Speaker 3>of it. But you do what it's called reversion letters

1:01:58.640 --> 1:02:01.360
<v Speaker 3>to where you let the copyright office know and the

1:02:01.400 --> 1:02:04.440
<v Speaker 3>company know that, Hey, this letter is to let y'all

1:02:04.480 --> 1:02:07.240
<v Speaker 3>know that we understand that time is up on those

1:02:07.320 --> 1:02:09.880
<v Speaker 3>masters over here. We wan't full control of it, bast

1:02:09.920 --> 1:02:12.280
<v Speaker 3>So you write your reversion letter to put it in

1:02:12.320 --> 1:02:15.320
<v Speaker 3>there to get those and it takes about it. Unfortunately,

1:02:15.360 --> 1:02:19.000
<v Speaker 3>it takes thirty years. And then and then there's another

1:02:19.160 --> 1:02:21.760
<v Speaker 3>downside of the industry that you gotta wait so damn

1:02:21.800 --> 1:02:24.880
<v Speaker 3>long to get those rights back. But some of us

1:02:24.960 --> 1:02:28.320
<v Speaker 3>are you know, able to you know, have the access

1:02:28.360 --> 1:02:31.200
<v Speaker 3>to get that done. And now you know it's just

1:02:31.200 --> 1:02:33.040
<v Speaker 3>a ticking time clock right now.

1:02:33.120 --> 1:02:35.680
<v Speaker 4>But uh, you let me sum it up.

1:02:35.720 --> 1:02:39.240
<v Speaker 2>Your publishing is the producers and the writers, the actual

1:02:39.320 --> 1:02:45.040
<v Speaker 2>creators of the content. Yeah, the other side your royalties

1:02:45.040 --> 1:02:47.720
<v Speaker 2>and things like that is off your sales, you know

1:02:47.720 --> 1:02:48.280
<v Speaker 2>what I'm saying.

1:02:48.280 --> 1:02:50.760
<v Speaker 1>So then what's the masters then yep, and that's the.

1:02:50.760 --> 1:02:55.920
<v Speaker 2>Musical masters, the music in general, your masters is everything together,

1:02:56.680 --> 1:02:58.880
<v Speaker 2>you know what I'm saying. So when you own that,

1:02:59.360 --> 1:03:02.400
<v Speaker 2>you have ConTroll of your publishing, You have control of

1:03:02.680 --> 1:03:05.120
<v Speaker 2>what you price your stuff for record sales, and.

1:03:06.640 --> 1:03:08.640
<v Speaker 3>The overall not to cut you off though, but just

1:03:08.640 --> 1:03:11.080
<v Speaker 3>the overall rights of the song. When you have the

1:03:11.120 --> 1:03:13.280
<v Speaker 3>song that who owns the rights to the song? The

1:03:13.440 --> 1:03:17.000
<v Speaker 3>light that it's to have the ability to license into

1:03:17.040 --> 1:03:21.000
<v Speaker 3>this movie, this other page. Just keep over there sample education.

1:03:21.120 --> 1:03:22.680
<v Speaker 3>Who do you have to who do you have to

1:03:22.720 --> 1:03:24.600
<v Speaker 3>answer to? If somebody wants to use that?

1:03:25.480 --> 1:03:26.760
<v Speaker 1>And you guys are almost there.

1:03:27.160 --> 1:03:29.600
<v Speaker 3>I got a few couple more years yet. But the letter,

1:03:29.880 --> 1:03:33.040
<v Speaker 3>the letters, But the letters have been sent and it's

1:03:33.080 --> 1:03:35.640
<v Speaker 3>it's yeah. So so we just got this just the

1:03:35.760 --> 1:03:37.360
<v Speaker 3>waiting waiting phase right now.

1:03:37.680 --> 1:03:39.800
<v Speaker 1>Awesome. Well, I just want to thank you guys for

1:03:39.920 --> 1:03:43.200
<v Speaker 1>taking time out of your hectic schedule dealing with Mike

1:03:43.240 --> 1:03:45.800
<v Speaker 1>Toddler being super nice. So I want to I like

1:03:45.840 --> 1:03:47.840
<v Speaker 1>talking about behind the scenes because you never know how

1:03:47.880 --> 1:03:51.680
<v Speaker 1>people are, you know, when the camera's not rolling, So

1:03:51.720 --> 1:03:53.560
<v Speaker 1>I just want to tell you guys what they're like

1:03:53.720 --> 1:03:56.120
<v Speaker 1>when the camera's not rolling. They're really cool. They're really

1:03:56.240 --> 1:04:02.280
<v Speaker 1>nice then and uh and very humble and lazy is

1:04:02.320 --> 1:04:06.080
<v Speaker 1>a good cook. So thank you guys so much for

1:04:06.080 --> 1:04:09.560
<v Speaker 1>giving me this iconic moment. I will never forget this.

1:04:09.920 --> 1:04:13.200
<v Speaker 3>Thank you for having us got it on camera. Absolutely.

1:04:14.760 --> 1:04:17.480
<v Speaker 1>And then there is there any way that fans can

1:04:17.560 --> 1:04:19.760
<v Speaker 1>keep up with you guys and find out what your

1:04:19.840 --> 1:04:20.440
<v Speaker 1>latest is.

1:04:21.400 --> 1:04:25.320
<v Speaker 2>You know, Facebook, Official Lazy Bone, the bon Thugs and

1:04:25.360 --> 1:04:30.280
<v Speaker 2>Harmony page of course Official bon Thugs and Harmony. My

1:04:30.320 --> 1:04:34.280
<v Speaker 2>website is harmonyhousingt dot com and on i G.

1:04:34.480 --> 1:04:38.560
<v Speaker 4>I'm the real Lazybone. I'm the real Lazybone.

1:04:38.400 --> 1:04:41.320
<v Speaker 3>Definitely, y'all. Y'all can check me out and catch me

1:04:41.400 --> 1:04:46.400
<v Speaker 3>at Instagram, Facebook, and Twitter's fleshing Bone bt n H

1:04:47.040 --> 1:04:50.360
<v Speaker 3>on Twitter fleshing Bone btn H. I got a Facebook

1:04:50.400 --> 1:04:53.120
<v Speaker 3>Stanley House on Facebook, but I also have the fleshing

1:04:53.160 --> 1:04:57.440
<v Speaker 3>Bone page fleshing Bone btn H on Instagram and Twitter.

1:04:57.480 --> 1:04:59.240
<v Speaker 3>Make sure y'all give me a shout out, you know.

1:05:00.320 --> 1:05:04.640
<v Speaker 5>Yeah, but ig is a crazy underscore bone. That's all

1:05:04.680 --> 1:05:07.560
<v Speaker 5>I rock about. I'll mess with Twitter, Facebook.

1:05:07.120 --> 1:05:09.080
<v Speaker 1>But and in people DM you guys, do you guys

1:05:09.080 --> 1:05:10.520
<v Speaker 1>actually respond sometimes? Or no?

1:05:13.000 --> 1:05:16.000
<v Speaker 5>Yeah? That bone Thuder and Harmony ig is btn H

1:05:16.320 --> 1:05:18.680
<v Speaker 5>b tn H Live the bone Thudger and Harmony the

1:05:18.720 --> 1:05:20.400
<v Speaker 5>group I G B t n H Live.

1:05:20.480 --> 1:05:26.200
<v Speaker 3>So y'all official bond Official bonduds in Harmony on on

1:05:26.200 --> 1:05:29.120
<v Speaker 3>on a Facebook. So y'all make sure y'all chime in

1:05:29.160 --> 1:05:35.000
<v Speaker 3>with us.

1:05:35.040 --> 1:05:39.440
<v Speaker 7>Secret ingredient all right, listen up, y'all. The secret ingredient

1:05:39.480 --> 1:05:43.000
<v Speaker 7>that kept this legendary group bone Thugs in Harmony pushing

1:05:43.000 --> 1:05:46.960
<v Speaker 7>forward over three decades is tenacity. This iconic group of

1:05:47.000 --> 1:05:50.360
<v Speaker 7>young men face some serious obstacles on their paths to success,

1:05:50.600 --> 1:05:54.160
<v Speaker 7>their mental and moral strength to resist opposition never faltered.

1:05:54.720 --> 1:05:58.040
<v Speaker 7>Five young teens got on a bus from Cleveland, Ohio,

1:05:58.120 --> 1:06:01.760
<v Speaker 7>to Los Angeles with one mission in getting easy to

1:06:01.800 --> 1:06:04.760
<v Speaker 7>see their rap skills. When they first arrived in LA,

1:06:05.040 --> 1:06:08.000
<v Speaker 7>they were dead broke, sleeping on floors and scraping by

1:06:08.040 --> 1:06:10.440
<v Speaker 7>on Ramen noodles, But they refused to give up on

1:06:10.480 --> 1:06:14.160
<v Speaker 7>their dreams. Instead, they kept calling easy EA's office every

1:06:14.200 --> 1:06:17.080
<v Speaker 7>single day until they finally got them on the line. Well,

1:06:17.480 --> 1:06:20.840
<v Speaker 7>the tenacity paid off when EASYE signed them to his

1:06:21.000 --> 1:06:25.600
<v Speaker 7>Rootless Records label. From there, these young men secured iconic

1:06:25.640 --> 1:06:30.520
<v Speaker 7>collaborations with Mariah Carey, Phil Collins, Big Pond, and Biggie Small's,

1:06:31.320 --> 1:06:33.720
<v Speaker 7>going on to being one of the biggest hip hop

1:06:33.760 --> 1:06:37.959
<v Speaker 7>groups of all time, selling over fifty million records. Through

1:06:38.000 --> 1:06:41.880
<v Speaker 7>it all, their tenacious spirit kept them pushing forward, perfecting

1:06:41.920 --> 1:06:44.320
<v Speaker 7>their craft and refusing to take no for an answer.

1:06:45.360 --> 1:06:48.520
<v Speaker 7>That tenacity is what opened so many doors for Bone

1:06:48.560 --> 1:06:51.720
<v Speaker 7>Thugs over the years. While other artists are cool, resting

1:06:51.760 --> 1:06:55.640
<v Speaker 7>on their laurels, this group is constantly reinventing, reaching out

1:06:55.680 --> 1:06:58.960
<v Speaker 7>for that next level, whether it's breaking down bears in

1:06:59.000 --> 1:07:01.680
<v Speaker 7>the studio, killing shit on the road, or using their

1:07:01.720 --> 1:07:05.560
<v Speaker 7>platform to uplift their community. Their drive and determination is

1:07:05.560 --> 1:07:08.880
<v Speaker 7>the fire that keeps them going. So take note, fam

1:07:09.040 --> 1:07:13.040
<v Speaker 7>When tenacity is your secret ingredient, you slide on every

1:07:13.120 --> 1:07:17.960
<v Speaker 7>opportunity and out maneuver any adversary, and when it's showtime,

1:07:18.080 --> 1:07:21.120
<v Speaker 7>you rock the house. That's the Bone Thugs blueprint and

1:07:21.120 --> 1:07:24.080
<v Speaker 7>it's the ingredient we all need in our life. Kitchen,

1:07:24.480 --> 1:07:26.480
<v Speaker 7>I'm calling wit and you just had a taste of

1:07:26.560 --> 1:07:59.960
<v Speaker 7>eating while broke, Stay hungry.

1:07:48.600 --> 1:07:51.800
<v Speaker 1>For more eating while broke from iHeartRadio and the Black Effect.

1:07:52.000 --> 1:07:55.560
<v Speaker 1>Visit the iHeartRadio app, Apple podcasts, or wherever you listen

1:07:55.600 --> 1:07:56.720
<v Speaker 1>to your favorite shows.