1 00:00:00,720 --> 00:00:03,000 Speaker 1: I and this might be an unpopular opinion. I think 2 00:00:03,080 --> 00:00:07,160 Speaker 1: Kenya should move on from the Housewives of Atlanta, but. 3 00:00:07,160 --> 00:00:09,040 Speaker 2: Not for reasons that people that I love. 4 00:00:09,080 --> 00:00:12,080 Speaker 1: I love Kenya. She is one of the most strikingly 5 00:00:12,080 --> 00:00:16,320 Speaker 1: beautiful people I've ever seen. But every season, people it's 6 00:00:16,360 --> 00:00:18,400 Speaker 1: like they get on the show and they want to 7 00:00:18,440 --> 00:00:21,920 Speaker 1: take shots at Kenya. It's like it's become a storyline. 8 00:00:21,960 --> 00:00:22,479 Speaker 2: At this point. 9 00:00:24,360 --> 00:00:28,520 Speaker 3: Stay tuned, We'll get into my conversation right after these 10 00:00:28,600 --> 00:00:40,280 Speaker 3: quick ads. Welcome to Reality with the King. It's me 11 00:00:40,760 --> 00:00:44,760 Speaker 3: Carlos King, the King of Reality TV and one of 12 00:00:44,920 --> 00:00:49,839 Speaker 3: the most sought after executive producers in reality television with 13 00:00:50,040 --> 00:00:52,960 Speaker 3: over ten years of production experience. 14 00:00:53,720 --> 00:00:55,400 Speaker 4: Twice a week on Reality with. 15 00:00:55,400 --> 00:00:58,520 Speaker 3: The King, we'll sit down with my friends across the 16 00:00:58,720 --> 00:01:05,240 Speaker 3: entertainment industry, recap our favorite reality shows, and revisit unforgettable 17 00:01:05,280 --> 00:01:08,440 Speaker 3: moments that we are still talking and tweeting about. 18 00:01:11,560 --> 00:01:13,040 Speaker 4: So rain drops today. 19 00:01:14,000 --> 00:01:17,679 Speaker 3: You know, look, I'm always in this chipper mood. I 20 00:01:17,800 --> 00:01:21,840 Speaker 3: get super thrilled to talk about all things reality television. 21 00:01:22,360 --> 00:01:24,120 Speaker 4: I'm not in the best mood today. 22 00:01:24,480 --> 00:01:26,679 Speaker 1: I'm scared to ask why not? Why you aren't in 23 00:01:26,680 --> 00:01:27,240 Speaker 1: the best mood? 24 00:01:27,640 --> 00:01:29,840 Speaker 4: I got some shocking news for you, Jazz Maine. 25 00:01:29,840 --> 00:01:32,400 Speaker 1: Are you ready for this when it comes to you know, 26 00:01:32,840 --> 00:01:35,840 Speaker 1: I'm never ready for shocking news when it comes from 27 00:01:35,840 --> 00:01:36,560 Speaker 1: Carlos King. 28 00:01:36,640 --> 00:01:39,640 Speaker 2: But as every other thing, I also don't have a choice. 29 00:01:39,800 --> 00:01:43,440 Speaker 3: So we got to get into one of the episodes, 30 00:01:44,360 --> 00:01:47,840 Speaker 3: most recent episodes, I should say, of the Real Housewives 31 00:01:47,880 --> 00:01:53,280 Speaker 3: of Atlanta and how it was by far the worst 32 00:01:53,320 --> 00:01:56,160 Speaker 3: episode I've ever seen in the show's franchise. 33 00:01:56,560 --> 00:02:00,880 Speaker 1: Wait, out of all five hundred million episodes of Atlanta, 34 00:02:01,520 --> 00:02:04,120 Speaker 1: you have identified a worst episode ever. 35 00:02:04,600 --> 00:02:08,680 Speaker 4: Absolutely, and I'm not listening. I'm not happy about. 36 00:02:08,440 --> 00:02:09,840 Speaker 2: It, Oh my gosh. 37 00:02:10,280 --> 00:02:13,560 Speaker 3: But we have to discuss it because it was the 38 00:02:13,600 --> 00:02:17,800 Speaker 3: first time, Jazmine, that I watched an episode and I 39 00:02:18,000 --> 00:02:23,040 Speaker 3: literally had to turn off the TV right I did 40 00:02:23,080 --> 00:02:26,040 Speaker 3: not watch marthon Medicine, which we'll get into later, because 41 00:02:26,080 --> 00:02:29,640 Speaker 3: that show, Honey is having its best season. 42 00:02:29,720 --> 00:02:32,079 Speaker 4: To me, I love it so much. 43 00:02:32,480 --> 00:02:36,360 Speaker 3: So it's not even about just like the state of 44 00:02:36,440 --> 00:02:40,720 Speaker 3: reality TV. I think it's the state of the Real 45 00:02:40,760 --> 00:02:45,880 Speaker 3: Housewives of Atlanta. So it's episode eleven of this season 46 00:02:46,120 --> 00:02:49,760 Speaker 3: and the episode title was Cabin Fever. Carlos King got 47 00:02:49,760 --> 00:02:53,600 Speaker 3: a fever fever watching the show. I was not feeling 48 00:02:53,639 --> 00:02:56,919 Speaker 3: good after watching that episode. I was in a very 49 00:02:56,960 --> 00:03:00,120 Speaker 3: bad mood because it was sort of like, remember that 50 00:03:00,840 --> 00:03:04,359 Speaker 3: dance we used to do or game I should say, 51 00:03:04,480 --> 00:03:06,480 Speaker 3: in middle school and don't try. 52 00:03:06,320 --> 00:03:07,440 Speaker 4: Because I know you're twenty three. 53 00:03:07,720 --> 00:03:10,960 Speaker 2: I was a watched No. Twenty three. We're gonna run 54 00:03:11,000 --> 00:03:12,000 Speaker 2: with that one for real. 55 00:03:12,440 --> 00:03:14,520 Speaker 1: You reference middle school a lot, and it's like it 56 00:03:14,560 --> 00:03:16,519 Speaker 1: was a different time for me, baby, So you have 57 00:03:16,680 --> 00:03:18,920 Speaker 1: to let me know what the dance was that you 58 00:03:19,000 --> 00:03:22,320 Speaker 1: and your people were doing, don't. I don't even know 59 00:03:22,320 --> 00:03:23,639 Speaker 1: if I was able to dance yet. 60 00:03:26,160 --> 00:03:31,000 Speaker 3: The shade is real, guys, So remember that little tongue 61 00:03:31,280 --> 00:03:32,400 Speaker 3: as a tongo whatever? 62 00:03:32,680 --> 00:03:36,160 Speaker 4: How low can't you go? How low can't you go? 63 00:03:36,800 --> 00:03:37,320 Speaker 2: The limbo? 64 00:03:38,200 --> 00:03:39,160 Speaker 4: I think it's the limbo. 65 00:03:39,640 --> 00:03:43,560 Speaker 3: So I did not think this show could get lower 66 00:03:43,560 --> 00:03:45,920 Speaker 3: than what it was in episode twelve, gotcha. 67 00:03:45,960 --> 00:03:47,760 Speaker 2: I was wondering where we were going with that. 68 00:03:48,040 --> 00:03:52,640 Speaker 3: It was the lowest of lows. And before I get 69 00:03:52,640 --> 00:03:53,080 Speaker 3: into my. 70 00:03:53,040 --> 00:03:55,360 Speaker 4: Whole diatrop about it, do. 71 00:03:55,280 --> 00:03:58,400 Speaker 3: You at least agree with me somewhat about this Cabin 72 00:03:58,480 --> 00:04:00,000 Speaker 3: Fever episode being horrendous? 73 00:04:00,480 --> 00:04:02,880 Speaker 1: I will say I don't know that I would consider 74 00:04:02,880 --> 00:04:06,760 Speaker 1: it the worst episode in Real Housewives of Atlanta history. 75 00:04:07,360 --> 00:04:10,880 Speaker 1: What I will say, we are a far cry from 76 00:04:10,920 --> 00:04:13,280 Speaker 1: the golden days of Atlanta, and we have been for 77 00:04:13,360 --> 00:04:17,840 Speaker 1: a while. So I imagine it could feel like this entire 78 00:04:17,920 --> 00:04:21,200 Speaker 1: season is like what is really happening in Atlanta. 79 00:04:21,600 --> 00:04:23,280 Speaker 2: But I don't know if I'm gonna agree with. 80 00:04:23,200 --> 00:04:24,760 Speaker 1: You just here, because you still have the rest of 81 00:04:24,800 --> 00:04:29,360 Speaker 1: the season to get through and we're not looking good. 82 00:04:29,400 --> 00:04:31,520 Speaker 1: I'll say that we ain't looking good right now. 83 00:04:32,560 --> 00:04:33,680 Speaker 4: Instead of Houston, we. 84 00:04:33,720 --> 00:04:38,200 Speaker 3: Have a problem, Atlanta, we have a problem Jasmine. What 85 00:04:38,240 --> 00:04:42,039 Speaker 3: made this episode bad to me is because yes, we've 86 00:04:42,040 --> 00:04:44,480 Speaker 3: already talked about how the glory days of the Real 87 00:04:44,520 --> 00:04:48,080 Speaker 3: house Spots of Atlanta's gone. We talked about that after 88 00:04:48,240 --> 00:04:51,560 Speaker 3: me and Dave Quinn recap the premiere episode. I gave 89 00:04:51,600 --> 00:04:54,839 Speaker 3: the premiere episode a B plus because I saw potential 90 00:04:54,920 --> 00:04:58,440 Speaker 3: in what it could become. Marlow was becoming this force 91 00:04:58,520 --> 00:05:02,680 Speaker 3: to be reckoned with, force multiplier but a force to 92 00:05:02,720 --> 00:05:07,320 Speaker 3: be reckoned with, and two episodes of this season I 93 00:05:07,400 --> 00:05:08,760 Speaker 3: gave a pluses too. 94 00:05:09,160 --> 00:05:11,040 Speaker 4: So I've been very. 95 00:05:11,720 --> 00:05:16,279 Speaker 3: Generous in terms of my honesty about things that are good. 96 00:05:16,320 --> 00:05:18,240 Speaker 3: So I want to make sure that people know that 97 00:05:18,880 --> 00:05:22,480 Speaker 3: the reason why this episode was horrible to me is 98 00:05:22,520 --> 00:05:24,480 Speaker 3: because anytime. 99 00:05:23,960 --> 00:05:25,920 Speaker 4: You have a cast trip. 100 00:05:25,839 --> 00:05:29,720 Speaker 3: And marlow is going around acting like she paid for 101 00:05:29,800 --> 00:05:33,200 Speaker 3: the cabin, she paid for the cars. 102 00:05:33,320 --> 00:05:35,719 Speaker 2: Hold on, she didn't pay for any of that. Me, 103 00:05:35,800 --> 00:05:36,920 Speaker 2: as a viewer, I didn't know. 104 00:05:37,520 --> 00:05:39,640 Speaker 4: So let me explain this to you. 105 00:05:40,040 --> 00:05:43,880 Speaker 3: Anytime there's a cast trip, cast members are not paying 106 00:05:43,880 --> 00:05:44,400 Speaker 3: for it. 107 00:05:44,480 --> 00:05:45,720 Speaker 4: Production pays for it. 108 00:05:46,040 --> 00:05:49,039 Speaker 1: Okay, Okay, I have read that, and I'm sure the 109 00:05:49,080 --> 00:05:52,000 Speaker 1: listeners will agree. But I have also read that when 110 00:05:52,000 --> 00:05:56,279 Speaker 1: they have like these extravagant upgrades to their accommodations, that 111 00:05:56,320 --> 00:05:59,080 Speaker 1: the cast members have to pay the difference. So I 112 00:05:59,160 --> 00:06:02,279 Speaker 1: do think with in the cabin trip, I do feel 113 00:06:02,279 --> 00:06:04,159 Speaker 1: like I was assuming she paid for some of it. 114 00:06:04,279 --> 00:06:05,320 Speaker 4: No, she didn't pay for a thing. 115 00:06:05,520 --> 00:06:09,440 Speaker 3: And listen, it's always nice for a reality start, in 116 00:06:09,440 --> 00:06:12,599 Speaker 3: this case, a housewife to have ownership of the trip, 117 00:06:12,760 --> 00:06:14,120 Speaker 3: you know, like, this is my trip. 118 00:06:14,400 --> 00:06:16,680 Speaker 4: We're gonna do these events, all those things. 119 00:06:16,960 --> 00:06:19,919 Speaker 3: I think the problem that the viewers are having with 120 00:06:20,040 --> 00:06:23,680 Speaker 3: marlow is the fact that and listen, I've said Marlow's 121 00:06:23,720 --> 00:06:25,520 Speaker 3: the moment I said Marlowe is. 122 00:06:25,480 --> 00:06:27,719 Speaker 4: Saving the season. I still stand. 123 00:06:27,480 --> 00:06:31,680 Speaker 3: By that, but it's like no one shows up to 124 00:06:31,839 --> 00:06:36,000 Speaker 3: work and wants to work. The fact that they allowed 125 00:06:36,520 --> 00:06:41,159 Speaker 3: three hours of these women standing outside of this rented 126 00:06:41,240 --> 00:06:45,920 Speaker 3: Airbnb cabin and arguing about who's going to be in 127 00:06:45,920 --> 00:06:49,520 Speaker 3: the Hughes car, and that nobody stood up and said 128 00:06:50,320 --> 00:06:53,560 Speaker 3: this is bullshit. Be cause my thing is this, I 129 00:06:53,680 --> 00:06:56,080 Speaker 3: have friends and we take trips in real life. 130 00:06:56,320 --> 00:06:58,000 Speaker 4: No one's sitting around for three hours. 131 00:06:58,720 --> 00:07:00,640 Speaker 3: I don't know how your friends get down make y'all 132 00:07:00,680 --> 00:07:03,280 Speaker 3: are much younger than me, but I'm assuming. 133 00:07:04,080 --> 00:07:06,000 Speaker 1: Now we don't send around for three hours. But that's 134 00:07:06,000 --> 00:07:08,560 Speaker 1: because we also actually like each other when we travel, 135 00:07:08,680 --> 00:07:12,160 Speaker 1: so there's never any friction of that magnitude. But I 136 00:07:12,200 --> 00:07:14,400 Speaker 1: do think here's the thing with that scene. I think 137 00:07:14,400 --> 00:07:17,560 Speaker 1: it's showed just how petty Marlow is willing to be, 138 00:07:18,240 --> 00:07:22,559 Speaker 1: which is kind of like essential to telling the story 139 00:07:22,600 --> 00:07:24,880 Speaker 1: of this beef that she has with Kenya. It feels 140 00:07:25,000 --> 00:07:27,760 Speaker 1: very lopsided at this point because you can clearly tell 141 00:07:27,840 --> 00:07:31,160 Speaker 1: that like, Kenya isn't really into it like that, but 142 00:07:31,280 --> 00:07:35,000 Speaker 1: Marlow has so much vitriof for Kenya that it's coming 143 00:07:35,320 --> 00:07:37,920 Speaker 1: across very dirty. It is coming, like you said, it 144 00:07:37,960 --> 00:07:42,360 Speaker 1: is coming across very low, and it's leaving us as 145 00:07:42,560 --> 00:07:45,160 Speaker 1: viewers to wonder, like why it feels like it's a 146 00:07:45,200 --> 00:07:48,640 Speaker 1: lot deeper, right, Like she's using any instance of Kenya 147 00:07:48,920 --> 00:07:51,400 Speaker 1: pissy hoop just a little bit to really dig deep. 148 00:07:51,480 --> 00:07:54,200 Speaker 1: And I think we're all wondering, like, why exactly are 149 00:07:54,240 --> 00:07:57,240 Speaker 1: you so hell bent on beefing with Kenya? Is it 150 00:07:57,280 --> 00:07:59,760 Speaker 1: for a storyline? Do you really have some deep seated 151 00:07:59,760 --> 00:08:03,160 Speaker 1: hate tred for this woman? Like is it jealousy? 152 00:08:03,280 --> 00:08:03,840 Speaker 2: What is it? 153 00:08:03,880 --> 00:08:03,960 Speaker 4: Like? 154 00:08:04,000 --> 00:08:04,880 Speaker 2: We all want to know. 155 00:08:05,240 --> 00:08:06,520 Speaker 4: I think it's a lot of those things. 156 00:08:06,520 --> 00:08:08,160 Speaker 3: To be honest with you, I think at the end 157 00:08:08,160 --> 00:08:09,880 Speaker 3: of the day, Marlowe really wants. 158 00:08:09,640 --> 00:08:10,640 Speaker 4: To be friends with Kenya. 159 00:08:10,840 --> 00:08:13,880 Speaker 3: I agree, marlow is very sensitive, and when she was 160 00:08:13,960 --> 00:08:17,400 Speaker 3: on Reality with the King, I said that to her, 161 00:08:17,480 --> 00:08:22,520 Speaker 3: like you're very sensitive. Marlowe really wants Kenya to respect 162 00:08:22,560 --> 00:08:25,440 Speaker 3: her as a peach holder. That's what all this is, guys. 163 00:08:25,800 --> 00:08:30,480 Speaker 3: What you guys are watching, is Marlowe really trying to 164 00:08:30,720 --> 00:08:34,280 Speaker 3: tell Kenya, I'm meant to be here and you need 165 00:08:34,320 --> 00:08:38,080 Speaker 3: to respect me. And because we live now in reality TV, 166 00:08:38,600 --> 00:08:40,840 Speaker 3: which is why now we're breaking the fourth wall on 167 00:08:40,880 --> 00:08:43,920 Speaker 3: love and marriage Huntsville, we're breaking the fourth wall on. 168 00:08:43,800 --> 00:08:44,680 Speaker 4: Love and marriage DC. 169 00:08:45,240 --> 00:08:47,480 Speaker 3: The fact that we open up the show saying, we 170 00:08:47,559 --> 00:08:50,800 Speaker 3: open up the show saying Monique Samuels is from Potomac 171 00:08:50,800 --> 00:08:54,280 Speaker 3: Housewives and this is her second chance at reality TV, 172 00:08:54,640 --> 00:08:56,880 Speaker 3: because we weren't going to fool the audience like, oh, 173 00:08:56,920 --> 00:09:00,800 Speaker 3: I'm from DC and I'm married to this former bro bod, 174 00:09:00,840 --> 00:09:04,120 Speaker 3: You're from Potomac, So we lean into that. So I 175 00:09:04,240 --> 00:09:07,440 Speaker 3: wish we could have leaned into marlow telling Kenya like, 176 00:09:07,640 --> 00:09:10,040 Speaker 3: I feel like you don't respect me as a peachholder. 177 00:09:10,720 --> 00:09:13,560 Speaker 3: You've been allegedly hating on me getting a peach. I 178 00:09:13,600 --> 00:09:17,000 Speaker 3: have one, I have a trip. You don't want to 179 00:09:17,440 --> 00:09:20,000 Speaker 3: give me my flowers? And listen, y'all know. I love 180 00:09:20,080 --> 00:09:22,920 Speaker 3: Kenya and the ground she walks on. I do believe 181 00:09:22,960 --> 00:09:24,960 Speaker 3: a part of what was happening on the trip was 182 00:09:25,280 --> 00:09:29,160 Speaker 3: Kenya just doesn't like marlow And I don't think Kenya 183 00:09:29,360 --> 00:09:33,160 Speaker 3: believes that Marlowe deserves to be on the same stage 184 00:09:33,440 --> 00:09:35,800 Speaker 3: as she, and that's what we've been watching for this 185 00:09:35,920 --> 00:09:38,199 Speaker 3: past twelve, thirteen, fourteen episodes. 186 00:09:38,400 --> 00:09:39,560 Speaker 2: I agree, but I don't know. 187 00:09:40,280 --> 00:09:43,960 Speaker 1: I partially agree the way back that Marlowe feels and 188 00:09:44,080 --> 00:09:46,600 Speaker 1: talks to and just always tries to dig at Kenya. 189 00:09:46,640 --> 00:09:48,760 Speaker 1: It feels like it's so much more personal than just 190 00:09:49,040 --> 00:09:51,600 Speaker 1: her not respecting her as a peachholder. I feel like, 191 00:09:51,720 --> 00:09:55,120 Speaker 1: if they weren't on the Real Housewives of Atlanta, I 192 00:09:55,120 --> 00:09:58,719 Speaker 1: think marlow just wants she wants Kenya's approval just as 193 00:09:58,720 --> 00:10:01,040 Speaker 1: a human being. I think think Marlowe feels like her 194 00:10:01,040 --> 00:10:02,840 Speaker 1: and Kenya come from the same type of place. They 195 00:10:02,880 --> 00:10:05,840 Speaker 1: both have really strange relationships with their mother, right, they 196 00:10:05,880 --> 00:10:09,079 Speaker 1: were raised by other people. They're you know, around the 197 00:10:09,120 --> 00:10:13,560 Speaker 1: same age. I think that more than anything, marlow sees 198 00:10:13,600 --> 00:10:16,440 Speaker 1: herself in Kenya, But I think she doesn't believe that 199 00:10:16,520 --> 00:10:19,959 Speaker 1: Kenya's respects her as a person. I think Marlowe feels 200 00:10:20,000 --> 00:10:22,960 Speaker 1: inadequate when it comes to Kenya, and because of that, 201 00:10:23,000 --> 00:10:26,280 Speaker 1: she really wants Kenya to accept her and like her 202 00:10:26,400 --> 00:10:28,720 Speaker 1: as a contemporary, and I think she thinks that Kenya 203 00:10:28,760 --> 00:10:29,440 Speaker 1: looks down on her. 204 00:10:29,720 --> 00:10:33,280 Speaker 3: It begs the question, what does another season look like 205 00:10:33,960 --> 00:10:37,000 Speaker 3: if that's going to be the case, Because Kenya has 206 00:10:37,080 --> 00:10:43,640 Speaker 3: said publicly that Marlowe said things about Kenya's child that 207 00:10:44,040 --> 00:10:45,520 Speaker 3: they did not air because it. 208 00:10:45,440 --> 00:10:46,400 Speaker 4: Was that bad. 209 00:10:46,640 --> 00:10:47,559 Speaker 2: Are you serious? 210 00:10:47,720 --> 00:10:51,160 Speaker 4: Oh? Yeah, So that's the issue. 211 00:10:51,280 --> 00:10:54,760 Speaker 3: And when people want to talk about editing whatever, you know, 212 00:10:55,000 --> 00:10:57,880 Speaker 3: cast members love to bring that up even on my shows. 213 00:10:58,280 --> 00:11:02,120 Speaker 3: I will say, at least for that particular episode, Well, 214 00:11:02,120 --> 00:11:04,920 Speaker 3: what have helped is if Kenya could have sent her 215 00:11:04,920 --> 00:11:09,240 Speaker 3: confessionals Marlowe just said something super discussing about my child 216 00:11:09,840 --> 00:11:12,920 Speaker 3: and I'm done, So that way we could understand why 217 00:11:13,000 --> 00:11:16,079 Speaker 3: she was so held bent on not being around her 218 00:11:16,280 --> 00:11:19,920 Speaker 3: or messing with her. But because a, we are being 219 00:11:20,040 --> 00:11:23,640 Speaker 3: fool that you pay for this trip Marlowe. B there's 220 00:11:24,000 --> 00:11:27,080 Speaker 3: like Jasmin said, there's something deeper to this relationship that 221 00:11:27,160 --> 00:11:30,920 Speaker 3: you guys aren't talking about. And three we now know 222 00:11:31,600 --> 00:11:36,559 Speaker 3: that Marlowe allegedly says something super horrible about Brooklyn, where 223 00:11:36,640 --> 00:11:40,640 Speaker 3: Kenya said publicly, there's nothing for me and Marlowe to 224 00:11:40,720 --> 00:11:42,360 Speaker 3: ever talk about ever again. 225 00:11:42,480 --> 00:11:43,480 Speaker 4: That's how bad it was. 226 00:11:43,800 --> 00:11:47,000 Speaker 3: Is there a future of this show with Marlowe and 227 00:11:47,080 --> 00:11:50,800 Speaker 3: Kenya if Kenya refuses to ever give marlow the time 228 00:11:50,840 --> 00:11:51,240 Speaker 3: of day. 229 00:11:51,400 --> 00:11:53,520 Speaker 1: I don't think so. I and this might be an 230 00:11:53,559 --> 00:11:56,360 Speaker 1: unpopular opinion. I think Kenya should move on from the 231 00:11:56,480 --> 00:11:59,920 Speaker 1: Housewives of Atlanta, but not for reasons. 232 00:12:00,840 --> 00:12:01,720 Speaker 2: I love Kenya. 233 00:12:01,920 --> 00:12:04,600 Speaker 1: She is one of the most strikingly beautiful people I've 234 00:12:04,640 --> 00:12:08,600 Speaker 1: ever seen. But every season people it's like they get 235 00:12:08,600 --> 00:12:11,439 Speaker 1: on the show and they want to take shots at Kenya. 236 00:12:11,600 --> 00:12:14,560 Speaker 1: It's like it's become a storyline at this point. Who 237 00:12:14,640 --> 00:12:17,440 Speaker 1: can be with Kenya? Like you all come for the 238 00:12:17,440 --> 00:12:19,680 Speaker 1: same things with her, Like she doesn't have a man 239 00:12:19,880 --> 00:12:22,439 Speaker 1: her butt like all of this, and it's like still 240 00:12:22,920 --> 00:12:25,200 Speaker 1: it feels stale to me at this point, and it 241 00:12:25,240 --> 00:12:28,920 Speaker 1: feels like they're just doing it because it's low hanging fruit. 242 00:12:28,960 --> 00:12:31,360 Speaker 1: Not that Kenya is low hanging fruit, but there are 243 00:12:31,520 --> 00:12:32,920 Speaker 1: a lot of these things that they feel like they 244 00:12:32,920 --> 00:12:35,240 Speaker 1: can say about her because she plays the villain role, right, 245 00:12:35,520 --> 00:12:38,200 Speaker 1: So I think Kenya should move on from the show 246 00:12:38,480 --> 00:12:41,280 Speaker 1: and let them find somebody else to play with because 247 00:12:41,280 --> 00:12:42,160 Speaker 1: they're playing. 248 00:12:41,880 --> 00:12:42,559 Speaker 2: With my girl. 249 00:12:42,600 --> 00:12:45,800 Speaker 1: And I really don't like it, because while Kenya presents 250 00:12:46,160 --> 00:12:48,400 Speaker 1: as a strong woman, I know that all of these 251 00:12:48,400 --> 00:12:50,720 Speaker 1: things can be good on her mental health. Like she's 252 00:12:50,760 --> 00:12:54,240 Speaker 1: going through a really tumultuous divorce with her husband who 253 00:12:54,280 --> 00:12:56,520 Speaker 1: is the father of her child. And then you are 254 00:12:56,559 --> 00:12:59,600 Speaker 1: telling me that Marlo says something about her child. How 255 00:12:59,679 --> 00:13:01,680 Speaker 1: much or can you get? And how much more can 256 00:13:01,720 --> 00:13:04,319 Speaker 1: this woman take? I don't like seeing people just getting 257 00:13:04,360 --> 00:13:06,320 Speaker 1: beat up on like that. And she she holds her 258 00:13:06,360 --> 00:13:08,640 Speaker 1: own don't get me wrong, she holds her on and 259 00:13:08,679 --> 00:13:11,560 Speaker 1: I think throughout the seasons we've seen her really play 260 00:13:11,640 --> 00:13:13,960 Speaker 1: up this villain role, and like there have been times 261 00:13:13,960 --> 00:13:16,000 Speaker 1: with Kenya Wro, I'm like, no, you totally deserve that 262 00:13:16,040 --> 00:13:19,280 Speaker 1: read or that argument was justified. But at this point, 263 00:13:19,440 --> 00:13:21,960 Speaker 1: it feels like people come on here and their direct 264 00:13:22,120 --> 00:13:25,080 Speaker 1: line is to try to fuck with Kenya, and I don't. 265 00:13:25,120 --> 00:13:26,320 Speaker 2: I'm not a fan of that part. 266 00:13:26,400 --> 00:13:29,560 Speaker 1: So if Marlowe stays, I think Kenya should move on 267 00:13:29,559 --> 00:13:31,960 Speaker 1: because it's going to be another season of Marlowe trying 268 00:13:32,000 --> 00:13:32,880 Speaker 1: to get under kenya skin. 269 00:13:32,960 --> 00:13:34,120 Speaker 2: And I don't want to keep seeing that. 270 00:13:35,040 --> 00:13:39,000 Speaker 3: God you just I mean, I think your comment is 271 00:13:39,080 --> 00:13:39,640 Speaker 3: way more. 272 00:13:41,040 --> 00:13:41,480 Speaker 4: They're my. 273 00:13:43,559 --> 00:13:44,600 Speaker 2: But I love Kenya. 274 00:13:44,760 --> 00:13:46,920 Speaker 1: I would love to see her on something else where 275 00:13:46,920 --> 00:13:50,520 Speaker 1: people aren't constantly trying to like tear her down every scene. 276 00:13:51,280 --> 00:13:52,920 Speaker 2: I would love to keep seeing her. 277 00:13:52,760 --> 00:13:55,320 Speaker 1: But I don't like what's happening with Atlanta and how 278 00:13:55,320 --> 00:13:56,360 Speaker 1: they're they're doing her. 279 00:13:56,480 --> 00:13:57,080 Speaker 2: It's not fair. 280 00:13:57,240 --> 00:13:59,360 Speaker 3: And like you said, one thing about Kenya and the 281 00:13:59,400 --> 00:14:02,240 Speaker 3: reason why she was number four on the Greatest Houseflies 282 00:14:02,240 --> 00:14:05,520 Speaker 3: of All Time list of mine is because, like you said, 283 00:14:05,559 --> 00:14:06,480 Speaker 3: she's a fun villain. 284 00:14:06,960 --> 00:14:09,520 Speaker 4: She makes mistakes. There's been times I'm. 285 00:14:09,440 --> 00:14:12,559 Speaker 3: Like, Kenya, you tried it, but she owns it and 286 00:14:12,640 --> 00:14:15,560 Speaker 3: she apologizes and she keeps it moving because she wants 287 00:14:15,559 --> 00:14:16,360 Speaker 3: to make a great show. 288 00:14:16,920 --> 00:14:20,680 Speaker 4: Wow. Oh I didn't guys, I didn't know she was 289 00:14:20,720 --> 00:14:21,240 Speaker 4: going to say that. 290 00:14:21,280 --> 00:14:23,640 Speaker 3: I'm actually gagging, but I'm trying to collect my thoughts, 291 00:14:24,160 --> 00:14:25,440 Speaker 3: like how collect my coins? 292 00:14:25,600 --> 00:14:29,680 Speaker 2: So, look, do you think Marlow should get another seasons? Pog? 293 00:14:31,680 --> 00:14:32,120 Speaker 4: I want to. 294 00:14:32,680 --> 00:14:34,280 Speaker 3: This is why I love talking to Jazz because she 295 00:14:34,320 --> 00:14:36,080 Speaker 3: and I like Yin and Yang. I was going to 296 00:14:36,160 --> 00:14:39,600 Speaker 3: ask you that are you saying, because girl, are you 297 00:14:39,760 --> 00:14:44,000 Speaker 3: saying that you would prefer have the show continue without 298 00:14:44,080 --> 00:14:46,960 Speaker 3: Kenya or would you like it to continue without Marlow? 299 00:14:48,040 --> 00:14:50,040 Speaker 2: Oh? That's that's tough. 300 00:14:50,480 --> 00:14:54,560 Speaker 1: That's tough because had I not known that Marlo said 301 00:14:54,600 --> 00:14:58,160 Speaker 1: something about Brooklyn Kingya's daughter, I don't know if I 302 00:14:58,200 --> 00:15:01,400 Speaker 1: would feel that strongly about maybe us not seeing her 303 00:15:01,440 --> 00:15:05,000 Speaker 1: full time next season. But like when you talk about 304 00:15:05,000 --> 00:15:08,400 Speaker 1: people's children, a baby, like kids are off limits and 305 00:15:08,440 --> 00:15:10,320 Speaker 1: if you said something that was so vile that it 306 00:15:10,360 --> 00:15:13,840 Speaker 1: could not be aired, that is not shade to me. 307 00:15:13,960 --> 00:15:15,560 Speaker 2: That's that is evil. 308 00:15:15,800 --> 00:15:18,800 Speaker 1: That is just low for even reality TV like you 309 00:15:18,840 --> 00:15:21,960 Speaker 1: need to go over to I don't know Zeus or something, 310 00:15:22,120 --> 00:15:24,800 Speaker 1: and this is all like I going into this season, 311 00:15:24,840 --> 00:15:26,600 Speaker 1: I was really happy to see Marlowe right, and I 312 00:15:26,640 --> 00:15:28,800 Speaker 1: think marlow can provide a really good TV. But I 313 00:15:28,840 --> 00:15:30,160 Speaker 1: think she said it when she was on your show. 314 00:15:30,200 --> 00:15:32,640 Speaker 1: She's like, I can't read, so I go low and 315 00:15:32,680 --> 00:15:35,680 Speaker 1: I go for the jugular. But there was a time 316 00:15:35,720 --> 00:15:39,880 Speaker 1: when Atlanta as much shade as they as shady as 317 00:15:39,880 --> 00:15:41,960 Speaker 1: they have been, there was a time when like this 318 00:15:42,000 --> 00:15:46,160 Speaker 1: would be considered too low brow. I think to talk 319 00:15:46,160 --> 00:15:48,800 Speaker 1: about somebody's children and child in that way, and I 320 00:15:48,840 --> 00:15:51,280 Speaker 1: know there's been comments, Like Nini talked about Kim's kids 321 00:15:51,360 --> 00:15:54,320 Speaker 1: like they have there have been comments, but those kids 322 00:15:54,320 --> 00:15:56,800 Speaker 1: were grown. If I'm not mistaken her, no me. 323 00:15:56,960 --> 00:15:59,560 Speaker 3: When Nini spoke about Brille, Brielle was over the age 324 00:15:59,600 --> 00:16:03,160 Speaker 3: of eighteen, and Nini Mimi brought her up because Brielle 325 00:16:03,160 --> 00:16:06,200 Speaker 3: alleged that Nini had cockroaches in her house, and then 326 00:16:06,360 --> 00:16:07,120 Speaker 3: Nini went in. 327 00:16:08,240 --> 00:16:12,640 Speaker 5: I'm not gonna repeat, she said, but nieddie and she 328 00:16:12,720 --> 00:16:15,040 Speaker 5: felt like, you're over the age of eighteen, so I 329 00:16:15,040 --> 00:16:15,440 Speaker 5: could go. 330 00:16:15,440 --> 00:16:19,480 Speaker 1: In, right, So when you're over eighteen, you are an adult. Okay, 331 00:16:19,520 --> 00:16:22,280 Speaker 1: so you might catch a stray or two, but baby, 332 00:16:22,360 --> 00:16:24,360 Speaker 1: come on now, Marlowe. And like I said, I was 333 00:16:24,360 --> 00:16:26,920 Speaker 1: really excited for Marlowe. I think she had some really 334 00:16:26,920 --> 00:16:29,320 Speaker 1: good moments even this season, Like you had a whole 335 00:16:29,360 --> 00:16:32,480 Speaker 1: episode about how she is a moment. But hearing that, 336 00:16:32,600 --> 00:16:34,800 Speaker 1: I'm just like, I don't know that. I want somebody 337 00:16:35,000 --> 00:16:37,240 Speaker 1: want to watch someone who's willing to go that low. 338 00:16:37,480 --> 00:16:40,280 Speaker 3: Yeah, and I think it's an opportunity for marlow to 339 00:16:40,400 --> 00:16:43,680 Speaker 3: grow and listen, I don't know what she said exactly, 340 00:16:43,800 --> 00:16:47,280 Speaker 3: so everything is speculation, but I do think at the 341 00:16:47,400 --> 00:16:49,840 Speaker 3: end of the day, one thing I've always known about 342 00:16:49,840 --> 00:16:53,120 Speaker 3: those women working with them since season one. They had 343 00:16:53,280 --> 00:16:57,200 Speaker 3: one cardinal rule that kids are off limits, and marlow 344 00:16:57,240 --> 00:16:59,720 Speaker 3: if you're listening, I think at the end of the day, 345 00:17:00,240 --> 00:17:03,720 Speaker 3: you should apologize to Kenya if you said something about 346 00:17:03,760 --> 00:17:04,280 Speaker 3: her child. 347 00:17:04,320 --> 00:17:06,000 Speaker 4: Again, it's all speculation. 348 00:17:06,200 --> 00:17:09,200 Speaker 3: I'm basically this off of what Kenya said in other interviews, 349 00:17:09,880 --> 00:17:12,040 Speaker 3: But I do agree with you jas when in terms 350 00:17:12,080 --> 00:17:14,439 Speaker 3: of I just don't know what the future of the 351 00:17:14,440 --> 00:17:17,440 Speaker 3: show can be with those two coexisting. Unless there's a 352 00:17:18,040 --> 00:17:21,800 Speaker 3: heartfelt apology at the reunion, that's what's going to be 353 00:17:22,000 --> 00:17:23,640 Speaker 3: needed in order for them to move on. 354 00:17:24,000 --> 00:17:26,280 Speaker 4: But I want to ask my brain drops. 355 00:17:25,960 --> 00:17:29,000 Speaker 3: And I want you guys to tweet me hashtag Reality 356 00:17:29,040 --> 00:17:29,520 Speaker 3: with the King. 357 00:17:29,680 --> 00:17:32,400 Speaker 4: I have a question, who would you choose. 358 00:17:32,440 --> 00:17:36,639 Speaker 3: To move on with the show? Kenya or Marlowe? Do 359 00:17:36,720 --> 00:17:39,840 Speaker 3: you guys think both can coexist? And if not, who 360 00:17:39,880 --> 00:17:44,080 Speaker 3: should stay? Who should leave? Between Kenya and Marlowe? Let 361 00:17:44,160 --> 00:17:47,680 Speaker 3: us know and make sure you hashtag Reality. 362 00:17:47,520 --> 00:17:48,080 Speaker 4: With the King. 363 00:17:49,880 --> 00:18:01,760 Speaker 3: We'll be right back after some quick ads. This is 364 00:18:01,880 --> 00:18:07,120 Speaker 3: Reality with the King. We got to talk about a 365 00:18:07,240 --> 00:18:08,240 Speaker 3: dog with a bone. 366 00:18:08,840 --> 00:18:13,240 Speaker 4: Drew, you know what, Drew is? 367 00:18:13,480 --> 00:18:20,600 Speaker 1: Eleven forty five PM. Okay, late, honey, very late, very 368 00:18:21,359 --> 00:18:25,960 Speaker 1: very late. It feels so forced to me at this point. Girl, 369 00:18:26,000 --> 00:18:29,080 Speaker 1: you brought props, Like you know, we're in we're reality 370 00:18:29,119 --> 00:18:31,720 Speaker 1: TV fanatics. We're not opposed to a good prop, but 371 00:18:31,760 --> 00:18:34,600 Speaker 1: it just felt so extra and so force, like you 372 00:18:34,600 --> 00:18:36,840 Speaker 1: were really trying to have a moment and she did it, 373 00:18:36,880 --> 00:18:38,240 Speaker 1: and I was looking at my TV like, you know, 374 00:18:38,560 --> 00:18:40,840 Speaker 1: I should turn this shit off right now because at 375 00:18:40,880 --> 00:18:44,920 Speaker 1: this point, what I'm watching a I'm watching a musical. 376 00:18:45,000 --> 00:18:47,040 Speaker 1: I'm watching some type of like urban. 377 00:18:48,920 --> 00:18:50,680 Speaker 2: Music. I'm watching that Mother's Love. 378 00:18:50,760 --> 00:18:55,400 Speaker 1: Okay, that's it was giving very like I'm I'm acting, 379 00:18:55,840 --> 00:18:57,920 Speaker 1: I'm giving you stage flight, like I just I wasn't 380 00:18:57,920 --> 00:19:00,400 Speaker 1: feeling that moment at all. It was it was way 381 00:19:00,440 --> 00:19:03,320 Speaker 1: too much like And here's the thing about Drew. I 382 00:19:03,359 --> 00:19:06,840 Speaker 1: think Drew has a lot of potential, but she just 383 00:19:06,920 --> 00:19:11,359 Speaker 1: does the most. She does the most, and it makes 384 00:19:11,400 --> 00:19:14,920 Speaker 1: it really hard to root for a character when I 385 00:19:14,960 --> 00:19:17,560 Speaker 1: feel like, every time the camera is on you, you're like, 386 00:19:17,640 --> 00:19:18,680 Speaker 1: how can I get a moment? 387 00:19:18,960 --> 00:19:20,320 Speaker 2: How can I become iconic? 388 00:19:20,440 --> 00:19:23,600 Speaker 1: You become an icon by just really being yourself, not 389 00:19:23,760 --> 00:19:26,639 Speaker 1: being over the top the way that Drew has been like, 390 00:19:27,400 --> 00:19:31,600 Speaker 1: and she's so pretty. I think she has a beautiful voice, 391 00:19:31,720 --> 00:19:34,320 Speaker 1: she has a nice family, Like there are so many 392 00:19:34,359 --> 00:19:37,320 Speaker 1: other things about Drew that you can stand for, but 393 00:19:37,359 --> 00:19:39,520 Speaker 1: she's trying to make us stand her as it's like 394 00:19:40,280 --> 00:19:43,360 Speaker 1: super shady. I know how to read down and it's 395 00:19:43,400 --> 00:19:45,840 Speaker 1: always feeling forced. But I will say this, that moment 396 00:19:45,840 --> 00:19:51,719 Speaker 1: in the season when Sonya or Sanya go ahead, right 397 00:19:52,200 --> 00:19:54,639 Speaker 1: when she was just doing the most about Drew, she 398 00:19:54,760 --> 00:19:56,840 Speaker 1: made me go over to drew side because I was like, Mama, 399 00:19:56,920 --> 00:20:00,159 Speaker 1: you are being so unlikable right now that I'm I 400 00:20:00,200 --> 00:20:01,800 Speaker 1: have to root for Drew in this moment because she 401 00:20:01,960 --> 00:20:04,000 Speaker 1: really wasn't doing anything to you and you were trying 402 00:20:04,000 --> 00:20:06,159 Speaker 1: to get a moment. But yeah, that dog with the 403 00:20:06,200 --> 00:20:10,080 Speaker 1: bone shit, girl, don't ever, do not ever do that 404 00:20:10,080 --> 00:20:10,639 Speaker 1: shit again. 405 00:20:11,040 --> 00:20:15,119 Speaker 4: I'm still stuck on E Love and fifty nine. Late, Honey, 406 00:20:17,800 --> 00:20:19,120 Speaker 4: that may have been the. 407 00:20:19,080 --> 00:20:21,680 Speaker 3: Best read I've ever heard of reality with the keys 408 00:20:21,880 --> 00:20:25,159 Speaker 3: stop that I am standing for it. 409 00:20:25,640 --> 00:20:27,280 Speaker 4: I could not agree with you more. 410 00:20:27,800 --> 00:20:31,320 Speaker 3: I too, am hard on Drew because I see so 411 00:20:31,400 --> 00:20:35,400 Speaker 3: much potential in her and I feel like that's when 412 00:20:35,480 --> 00:20:38,919 Speaker 3: you need a producer to say to you, girl, that 413 00:20:39,080 --> 00:20:42,000 Speaker 3: was late, and you are late, and that's not okay. 414 00:20:42,600 --> 00:20:45,400 Speaker 3: And let me tell y'all what I used to do 415 00:20:45,520 --> 00:20:48,680 Speaker 3: when I was working on that particular show. Because producing 416 00:20:48,720 --> 00:20:51,000 Speaker 3: the real house Spots of Atlanta is the hardest job 417 00:20:51,040 --> 00:20:53,520 Speaker 3: in reality television. There's a lot of pressure to make 418 00:20:53,520 --> 00:20:56,520 Speaker 3: the show great. The fans put so much pressure to 419 00:20:56,560 --> 00:20:58,760 Speaker 3: make sure that the show has a great season. But 420 00:21:00,040 --> 00:21:05,200 Speaker 3: no one should have told Drew, this isn't a movie set. 421 00:21:05,440 --> 00:21:08,359 Speaker 3: This isn't, like you said, a mother's love or in 422 00:21:08,400 --> 00:21:12,159 Speaker 3: this case, a dog bounty hunter. Like you are so 423 00:21:13,200 --> 00:21:16,879 Speaker 3: unlikable because you're not being yourself and you feel like 424 00:21:17,000 --> 00:21:20,399 Speaker 3: in order for you to be relevant and a peach holder, 425 00:21:20,880 --> 00:21:23,960 Speaker 3: you have to do these extremities. And that, to me 426 00:21:24,400 --> 00:21:28,080 Speaker 3: is just a larger conversation about this season. No one's 427 00:21:28,119 --> 00:21:33,440 Speaker 3: having real conversations anymore. No one's having real life moments 428 00:21:33,640 --> 00:21:38,800 Speaker 3: of vulnerability. My favorite scene so far is when Marlow 429 00:21:38,840 --> 00:21:42,320 Speaker 3: and Charae had that sisterhood moment where she told Scharay, 430 00:21:42,480 --> 00:21:44,679 Speaker 3: you're better than dating a guy who was standing you 431 00:21:44,760 --> 00:21:45,560 Speaker 3: up in Philly. 432 00:21:45,520 --> 00:21:45,760 Speaker 4: Yeah. 433 00:21:46,080 --> 00:21:50,520 Speaker 3: I enjoyed the moment when Candy gave Charae business advice 434 00:21:51,000 --> 00:21:52,399 Speaker 3: about she by Charae. 435 00:21:52,800 --> 00:21:54,880 Speaker 4: We're missing those natural moments. 436 00:21:55,160 --> 00:21:58,240 Speaker 3: I feel like this season was do or die for 437 00:21:58,280 --> 00:22:00,240 Speaker 3: a lot of these women, and and. 438 00:22:00,320 --> 00:22:02,600 Speaker 4: I feel like they. 439 00:22:02,440 --> 00:22:05,439 Speaker 3: Are behaving in a way where they think having an 440 00:22:05,600 --> 00:22:08,440 Speaker 3: argument it means a scene is good. 441 00:22:08,960 --> 00:22:11,560 Speaker 4: And I have to tell you, guys, newsflash. 442 00:22:11,720 --> 00:22:15,960 Speaker 3: The reason why people love white refrigerator moment from Nini 443 00:22:16,040 --> 00:22:21,040 Speaker 3: Leaks is because it was a natural moment. When Cynthia 444 00:22:21,119 --> 00:22:24,120 Speaker 3: and Nini had that moment in Savannah where Nini made 445 00:22:24,160 --> 00:22:28,440 Speaker 3: a comment about Cynthia's parenting that made Cynthia cry. 446 00:22:28,720 --> 00:22:30,760 Speaker 4: It was a natural moment. 447 00:22:31,320 --> 00:22:34,320 Speaker 3: Gone are the days of these women just sitting down 448 00:22:34,480 --> 00:22:38,040 Speaker 3: and joining each other's company. And I feel like everybody 449 00:22:38,200 --> 00:22:41,640 Speaker 3: is looking for a moment, everybody's looking for a read. 450 00:22:41,760 --> 00:22:45,760 Speaker 3: I am so fucking pissed off at every single housewife 451 00:22:45,840 --> 00:22:49,800 Speaker 3: on that franchise who had the audacity to say. 452 00:22:49,640 --> 00:22:52,600 Speaker 4: An interview this was a great season, because it's not. 453 00:22:52,920 --> 00:22:54,440 Speaker 2: You're saying. They were relying to us. 454 00:22:54,800 --> 00:22:58,439 Speaker 3: In my Mariy povid choice, the lie detector states that 455 00:22:58,600 --> 00:23:02,560 Speaker 3: was a lie. And the reason why I'm pissed is 456 00:23:02,600 --> 00:23:07,199 Speaker 3: because y'all know the difference between good desperate in a moment. 457 00:23:08,000 --> 00:23:10,880 Speaker 3: And the reason why I'm so passionate about that is 458 00:23:10,920 --> 00:23:15,399 Speaker 3: because you're letting future reality starts think like, Okay, well, 459 00:23:15,400 --> 00:23:17,600 Speaker 3: if I argue with a bitch, that's a good scene, 460 00:23:18,119 --> 00:23:20,359 Speaker 3: or if I bring up prop of a dog bone, 461 00:23:20,400 --> 00:23:23,040 Speaker 3: that's a good scene, or if I hit below the belt, 462 00:23:23,080 --> 00:23:25,720 Speaker 3: that's a good scene. No, that's not what it is. 463 00:23:26,000 --> 00:23:29,040 Speaker 3: The reason why the Love and Marriage franchise is doing well, 464 00:23:29,080 --> 00:23:30,520 Speaker 3: thank you God, is. 465 00:23:30,520 --> 00:23:32,840 Speaker 4: Because those are real life moments. 466 00:23:33,080 --> 00:23:39,240 Speaker 3: Melody Martel in fidelity situation, Titia Marceau's marriage, you know, 467 00:23:39,520 --> 00:23:44,960 Speaker 3: Kimmy and Tsha's relationship as sister in laws, Like it's 468 00:23:45,160 --> 00:23:48,920 Speaker 3: stuff that you are investing in because it's real life moments, 469 00:23:49,359 --> 00:23:54,080 Speaker 3: and the fact that this season only had one moment 470 00:23:54,520 --> 00:23:58,840 Speaker 3: of vulnerability pisses me off. And it's to the point 471 00:23:58,920 --> 00:24:02,280 Speaker 3: now where I no longer know if I'm able to 472 00:24:02,280 --> 00:24:03,879 Speaker 3: get recaps on this season anymore. 473 00:24:03,920 --> 00:24:05,040 Speaker 4: After that bullshit that. 474 00:24:05,080 --> 00:24:09,320 Speaker 1: I watched, Well, that was a mouthful from you. Very 475 00:24:09,359 --> 00:24:14,280 Speaker 1: strong feelings, very strong opinions. I have rebuttals, if you will. 476 00:24:14,680 --> 00:24:18,320 Speaker 1: Candy and Kenya are doing exactly what they have been doing. 477 00:24:18,400 --> 00:24:19,639 Speaker 2: They know what to do. 478 00:24:19,680 --> 00:24:22,199 Speaker 1: I think, you know, people, we can say whatever we 479 00:24:22,240 --> 00:24:25,679 Speaker 1: want about Candy. I think Candy always has something going on, 480 00:24:25,760 --> 00:24:28,879 Speaker 1: and that's always gonna make her a great contender for 481 00:24:29,200 --> 00:24:31,720 Speaker 1: a reality TV show because there's always something that you 482 00:24:31,720 --> 00:24:34,119 Speaker 1: can film with Candy. You know Kenya, she's gonna play 483 00:24:34,280 --> 00:24:36,600 Speaker 1: your a villain, but she's also someone you just love 484 00:24:36,640 --> 00:24:38,800 Speaker 1: looking at her on TV. She's going to interact, She's 485 00:24:38,840 --> 00:24:41,320 Speaker 1: going to do that. So they are kind of doing 486 00:24:41,359 --> 00:24:43,400 Speaker 1: exactly what we know them to do. With the newer 487 00:24:43,440 --> 00:24:46,760 Speaker 1: girls that I think are not really they don't really 488 00:24:46,840 --> 00:24:49,720 Speaker 1: hit the bill right now. And I think what Atlanta needs, 489 00:24:49,760 --> 00:24:53,560 Speaker 1: honestly for me, a complete overhaul of the cast. I 490 00:24:53,600 --> 00:24:56,800 Speaker 1: will not be opposed to them coming back next season 491 00:24:57,040 --> 00:24:59,240 Speaker 1: with a completely new cast now and they're going to 492 00:24:59,359 --> 00:25:01,480 Speaker 1: keep one or two people but just to like make 493 00:25:01,520 --> 00:25:03,159 Speaker 1: it feel like the same show. But I would not 494 00:25:03,240 --> 00:25:05,119 Speaker 1: be opposed to that. I will watch that. 495 00:25:05,800 --> 00:25:07,840 Speaker 2: The other correction for you there. 496 00:25:08,000 --> 00:25:10,360 Speaker 1: There have been some moments I love in Marriage runs Field, though, 497 00:25:10,359 --> 00:25:12,480 Speaker 1: where I'm like that was a little theatrical. 498 00:25:12,800 --> 00:25:15,280 Speaker 4: Tell me and i'll and i'll, let's talk about it. 499 00:25:15,400 --> 00:25:16,240 Speaker 4: Give me an example. 500 00:25:16,480 --> 00:25:18,720 Speaker 2: I got coins to make, not friends to fake. 501 00:25:19,920 --> 00:25:23,400 Speaker 1: I was like, girl, I know you knew the cameras 502 00:25:23,480 --> 00:25:25,280 Speaker 1: is gonna be there, and you wanted to get that 503 00:25:25,359 --> 00:25:26,000 Speaker 1: line off. 504 00:25:26,320 --> 00:25:29,399 Speaker 2: I know you were waiting on that on that moment. 505 00:25:29,480 --> 00:25:32,040 Speaker 3: But let me stop you there. I'm fine with you 506 00:25:32,200 --> 00:25:33,920 Speaker 3: having a rehearse read. 507 00:25:34,040 --> 00:25:37,080 Speaker 4: That's a quote. I'm cool with that. But again, that's 508 00:25:37,119 --> 00:25:40,520 Speaker 4: what Atlanta was known for, like very true half a fay. 509 00:25:40,400 --> 00:25:43,240 Speaker 3: Dress reads were rehearsed, no shade fact. So I don't 510 00:25:43,240 --> 00:25:46,120 Speaker 3: mind to rehearse read. Don't give me a rehearse prop. 511 00:25:46,080 --> 00:25:48,439 Speaker 1: Okay, As you all like to really correlate everything with 512 00:25:48,480 --> 00:25:50,440 Speaker 1: Zoodi X science, I'm a Libra, so I'm balance, so 513 00:25:50,520 --> 00:25:52,920 Speaker 1: we're gonna give it to one one cast, We're gonna 514 00:25:52,920 --> 00:25:55,119 Speaker 1: give it to the other. All the girls on reality 515 00:25:55,160 --> 00:25:57,359 Speaker 1: TV right now are searching for moments they want to 516 00:25:57,359 --> 00:26:00,919 Speaker 1: be these iconic reality TV stars. Are we done with 517 00:26:00,960 --> 00:26:05,280 Speaker 1: the day of the organic reality TV icon? Is that 518 00:26:05,600 --> 00:26:08,200 Speaker 1: a thing of the past? Can we have that again? 519 00:26:08,400 --> 00:26:12,959 Speaker 1: Are we gonna get our Ninni leaks? Are Tiffany Pollards like? 520 00:26:13,480 --> 00:26:15,720 Speaker 1: Are we gonna get those girls ever? 521 00:26:15,840 --> 00:26:16,119 Speaker 2: Again? 522 00:26:16,800 --> 00:26:19,719 Speaker 3: That's a very good question. And I will say this 523 00:26:19,800 --> 00:26:23,679 Speaker 3: to you yes and again not to to my own horn. 524 00:26:24,240 --> 00:26:27,560 Speaker 3: When you look at Ashley Silva from Love and Marriage DC, 525 00:26:28,040 --> 00:26:31,760 Speaker 3: who is a natural and she speaks her mind and 526 00:26:31,880 --> 00:26:35,040 Speaker 3: is off the cuff. When you look at Winter Williams 527 00:26:35,240 --> 00:26:38,720 Speaker 3: I haven't seen since Danielle Style and Kenya Moore a 528 00:26:38,920 --> 00:26:43,160 Speaker 3: woman who walks barefoot on a line of hot holes 529 00:26:43,440 --> 00:26:48,560 Speaker 3: and continues to enter the scene knowing that there may 530 00:26:48,600 --> 00:26:51,840 Speaker 3: be all of this visceral that's coming her way. 531 00:26:52,200 --> 00:26:54,720 Speaker 4: So I do think there can be. 532 00:26:55,000 --> 00:26:57,879 Speaker 3: I'm gonna say this, and this may be controversial, but 533 00:26:57,920 --> 00:27:01,000 Speaker 3: it's my truth. I think it's much more challenging from 534 00:27:01,040 --> 00:27:06,080 Speaker 3: the Housewives franchise because everybody is afraid of losing their 535 00:27:06,160 --> 00:27:08,800 Speaker 3: job and they feel like if I need to hold 536 00:27:08,800 --> 00:27:13,080 Speaker 3: this peach, hold this diamond, hold this apple, this champagne 537 00:27:13,080 --> 00:27:18,479 Speaker 3: flute or whatever. I have to be great immediately or 538 00:27:18,520 --> 00:27:22,920 Speaker 3: I'm going to get fired like Noela, doctor Jen Shamari, 539 00:27:23,240 --> 00:27:24,240 Speaker 3: Claudia Jordan. 540 00:27:24,600 --> 00:27:27,200 Speaker 4: You know these one season housewives. 541 00:27:27,359 --> 00:27:30,000 Speaker 3: I think everybody does not want to be a one 542 00:27:30,080 --> 00:27:34,760 Speaker 3: season housewife, so their desperation comes across so clear. And 543 00:27:34,840 --> 00:27:38,640 Speaker 3: my other example for you, Jasmine is Lisa Renna had 544 00:27:38,640 --> 00:27:43,080 Speaker 3: this stupid ass argument with Sutton in her backyard where 545 00:27:43,359 --> 00:27:46,400 Speaker 3: I thought I was watching Days of Our Lives, Young 546 00:27:46,480 --> 00:27:50,760 Speaker 3: and the Restless, all my children passions and maybe a 547 00:27:50,800 --> 00:27:51,560 Speaker 3: little bit of. 548 00:27:51,600 --> 00:27:54,760 Speaker 4: Pretty little lies. I was like, she. 549 00:27:54,920 --> 00:28:01,680 Speaker 3: Gave such a weird performance where she said take you down. 550 00:28:01,600 --> 00:28:04,680 Speaker 4: And then at two seconds laughed and said, oh, I'm drunk. 551 00:28:04,920 --> 00:28:07,080 Speaker 3: No one did anything because they all knew, Lisa, you're 552 00:28:07,119 --> 00:28:10,440 Speaker 3: acting going on the days where you are naturally yourself. 553 00:28:10,520 --> 00:28:13,479 Speaker 3: And I think the fear for these housewives is I 554 00:28:13,560 --> 00:28:16,000 Speaker 3: don't want to lose my job because I don't want 555 00:28:16,000 --> 00:28:18,359 Speaker 3: to be unemployed, so I gotta be desperate and just 556 00:28:18,400 --> 00:28:19,000 Speaker 3: have a moment. 557 00:28:19,200 --> 00:28:21,080 Speaker 2: You mentioned like Ashley in Winter. 558 00:28:21,680 --> 00:28:24,520 Speaker 1: I mean, think of your top five greatest reality TV 559 00:28:24,600 --> 00:28:25,760 Speaker 1: stars of all time. 560 00:28:26,280 --> 00:28:27,960 Speaker 2: That bar is high as hell. 561 00:28:28,600 --> 00:28:31,360 Speaker 1: Nobody in one season is ever gonna be up there 562 00:28:31,400 --> 00:28:33,760 Speaker 1: for me, nobody. I need to see a lot more 563 00:28:33,800 --> 00:28:37,040 Speaker 1: from you before I can ever kind of like bestow 564 00:28:37,119 --> 00:28:39,959 Speaker 1: that title on somebody in their rookie season. 565 00:28:40,400 --> 00:28:40,760 Speaker 4: Agreed. 566 00:28:40,880 --> 00:28:42,800 Speaker 3: Just so I'm clear, I wasn't saying they are that now. 567 00:28:42,880 --> 00:28:45,400 Speaker 3: I was saying they have potential to be that. And like, 568 00:28:45,480 --> 00:28:48,080 Speaker 3: I also think Melody Hope is somebody that has potential 569 00:28:48,440 --> 00:28:49,600 Speaker 3: to be somebody. 570 00:28:49,960 --> 00:28:52,280 Speaker 4: Oh you disagree. 571 00:28:51,960 --> 00:28:57,280 Speaker 1: I think that Melody comes across on TV. I can 572 00:28:57,320 --> 00:29:00,880 Speaker 1: tell that Melody is very aware of how she is 573 00:29:00,920 --> 00:29:04,880 Speaker 1: being perceived when she's on camera, and there's nothing wrong 574 00:29:04,920 --> 00:29:08,880 Speaker 1: with that as a person, right, because I'm perception is everything. 575 00:29:09,000 --> 00:29:13,920 Speaker 1: Right In my opinion, that's gonna really stifle mel from 576 00:29:13,960 --> 00:29:16,440 Speaker 1: ever becoming like iconic on reality TV. In my I 577 00:29:16,480 --> 00:29:20,320 Speaker 1: think what happened, like the situation around her is something 578 00:29:20,360 --> 00:29:24,000 Speaker 1: that is like historic, It's like reality TV history, right. 579 00:29:24,040 --> 00:29:25,680 Speaker 1: But I think her as a person, I think once 580 00:29:25,720 --> 00:29:28,760 Speaker 1: she became aware that like everything about her was being 581 00:29:28,840 --> 00:29:31,920 Speaker 1: kind of picked apart and being talked about, She's a 582 00:29:31,920 --> 00:29:34,400 Speaker 1: different person in this season that I'm seeing with Love 583 00:29:34,440 --> 00:29:36,480 Speaker 1: and Mayor Chunsville, and I don't know if that she 584 00:29:36,560 --> 00:29:38,480 Speaker 1: loosens up a bit in the second half that is 585 00:29:38,520 --> 00:29:42,400 Speaker 1: coming September tenth, But I think I have been watching her, 586 00:29:42,400 --> 00:29:44,400 Speaker 1: maybe like last season, in the first half of this 587 00:29:44,440 --> 00:29:46,320 Speaker 1: season saying like she's different. 588 00:29:46,600 --> 00:29:47,520 Speaker 2: But I agree with you. 589 00:29:47,560 --> 00:29:50,240 Speaker 1: When she first came on the scene, she did have 590 00:29:50,320 --> 00:29:53,640 Speaker 1: the makings of everything that I think we all want. Beautiful, 591 00:29:54,080 --> 00:29:57,880 Speaker 1: amazing family, not afraid to like jump right into conflict 592 00:29:57,880 --> 00:30:01,240 Speaker 1: with people. And then the big skin like that right 593 00:30:01,280 --> 00:30:03,280 Speaker 1: there already puts you a step above the rest, cause 594 00:30:03,320 --> 00:30:06,560 Speaker 1: now you're giving us story and it's not fake. That's 595 00:30:06,600 --> 00:30:09,000 Speaker 1: your real life, and it's unfortunate that your real life 596 00:30:09,000 --> 00:30:11,680 Speaker 1: has become our entertainment. But she had all the makings 597 00:30:11,720 --> 00:30:13,320 Speaker 1: and it was like, I don't know if the divorce 598 00:30:13,400 --> 00:30:16,320 Speaker 1: took a toll on her the opinions of everybody watching, 599 00:30:16,520 --> 00:30:19,800 Speaker 1: But she's a different person now than she was before. 600 00:30:19,840 --> 00:30:22,480 Speaker 1: So I don't know that I can feel like she's 601 00:30:22,520 --> 00:30:25,400 Speaker 1: still on her way to the iconic label. 602 00:30:25,720 --> 00:30:28,520 Speaker 3: Okay, what I will say is you're going to see 603 00:30:28,520 --> 00:30:31,280 Speaker 3: a new side of her in this upcoming season, Like 604 00:30:31,320 --> 00:30:34,200 Speaker 3: you said that air September tenth, and I think you're 605 00:30:34,200 --> 00:30:37,360 Speaker 3: going to see the old melody hope, and I'll just 606 00:30:37,400 --> 00:30:37,920 Speaker 3: leave it at that. 607 00:30:38,280 --> 00:30:38,600 Speaker 2: Welcome. 608 00:30:38,640 --> 00:30:41,760 Speaker 3: But I agree with you in the sense of we 609 00:30:41,840 --> 00:30:45,920 Speaker 3: just need to get back to reality stars just being real. 610 00:30:46,520 --> 00:30:50,280 Speaker 3: And that's the reason why you and I love this 611 00:30:50,320 --> 00:30:54,360 Speaker 3: new College He'll reboot on BT that has any Leagues 612 00:30:54,400 --> 00:30:54,880 Speaker 3: back on. 613 00:30:54,800 --> 00:30:55,280 Speaker 4: Top of it. 614 00:30:56,600 --> 00:30:59,960 Speaker 3: Yes, greatest Housewife of all time, But tell me why 615 00:31:00,680 --> 00:31:05,240 Speaker 3: you love College Hells Celebrity Edition so much. 616 00:31:05,520 --> 00:31:08,040 Speaker 1: It just feels fresh to me, and I think that 617 00:31:08,280 --> 00:31:12,520 Speaker 1: is also what's missing. I think the other thing is 618 00:31:12,560 --> 00:31:15,440 Speaker 1: I've really had to manage my expectation. And this is 619 00:31:15,520 --> 00:31:18,000 Speaker 1: kind of even going back into that conversation about who 620 00:31:18,040 --> 00:31:21,320 Speaker 1: was iconic, I think we got iconic reality TV stars 621 00:31:21,360 --> 00:31:23,560 Speaker 1: because they were just kind of the first of their kind. 622 00:31:23,640 --> 00:31:23,760 Speaker 3: Right. 623 00:31:23,800 --> 00:31:25,920 Speaker 1: We had never seen in New York on TV before, 624 00:31:26,440 --> 00:31:28,680 Speaker 1: never seen any NYE leaks on TV before, So I 625 00:31:28,680 --> 00:31:32,680 Speaker 1: think they were able to become staples because we just 626 00:31:32,720 --> 00:31:35,560 Speaker 1: hadn't seen them. And like, when I was watching the 627 00:31:35,560 --> 00:31:37,800 Speaker 1: first couple episodes of College Hill, I was like, Okay, 628 00:31:37,840 --> 00:31:39,800 Speaker 1: I know it's a reboot of the show College Hill, 629 00:31:40,040 --> 00:31:42,120 Speaker 1: but the concept just felt fresh. It's like, we're taking 630 00:31:42,120 --> 00:31:44,400 Speaker 1: these celebrities and we're sending them back to college and 631 00:31:44,440 --> 00:31:48,400 Speaker 1: like they actually have to attend classes. 632 00:31:48,200 --> 00:31:49,720 Speaker 2: For credit and grades. 633 00:31:50,000 --> 00:31:53,080 Speaker 1: And it was like, Hey, this is something that I 634 00:31:53,120 --> 00:31:56,480 Speaker 1: want to watch, Like is it the most entertaining thing 635 00:31:56,520 --> 00:32:01,040 Speaker 1: I've ever seen on television? No, but the concept feels fresh, 636 00:32:01,120 --> 00:32:03,120 Speaker 1: and I think that's just what I'm looking for. Like 637 00:32:03,320 --> 00:32:05,760 Speaker 1: we talked about like watching women go to lunch and 638 00:32:05,800 --> 00:32:07,960 Speaker 1: then get mad and throw drinks on each other, or 639 00:32:08,400 --> 00:32:11,120 Speaker 1: you know, go to each other's birthday parties. Like for me, 640 00:32:11,240 --> 00:32:14,000 Speaker 1: College Hill, it's putting us in a completely different arena 641 00:32:14,240 --> 00:32:17,400 Speaker 1: and with people that I really didn't think I cared 642 00:32:17,520 --> 00:32:20,200 Speaker 1: to know more about outside of Nini leaks. I mean, 643 00:32:20,320 --> 00:32:22,000 Speaker 1: I love watching ray J. I feel like ray J 644 00:32:22,200 --> 00:32:24,960 Speaker 1: is forever entertaining. But you know, I never really thought 645 00:32:25,000 --> 00:32:28,000 Speaker 1: twice about like seeing lamar Odom on TV again after 646 00:32:28,120 --> 00:32:30,240 Speaker 1: we saw him, Like with Chloe all those years ago. 647 00:32:30,960 --> 00:32:33,960 Speaker 1: India Westbrook is on there. She's just a beautiful girl 648 00:32:33,960 --> 00:32:37,040 Speaker 1: that I've seen on Instagram. I never had the urge 649 00:32:37,040 --> 00:32:38,960 Speaker 1: to want to know more about her outside of the 650 00:32:38,960 --> 00:32:41,880 Speaker 1: fact that that's a beautiful woman, like dreamed off she 651 00:32:41,960 --> 00:32:44,120 Speaker 1: was on Backgirls Club, but she was on there after 652 00:32:44,160 --> 00:32:46,480 Speaker 1: I had already started watching, so I just kind of 653 00:32:46,480 --> 00:32:49,240 Speaker 1: wrote her off too. It's like I wasn't interested when 654 00:32:49,240 --> 00:32:51,760 Speaker 1: she was on TV, but what the show has done 655 00:32:51,840 --> 00:32:54,280 Speaker 1: is like, especially with India, you have to watch like 656 00:32:54,320 --> 00:32:56,480 Speaker 1: her storyline and like kind of some of the things 657 00:32:56,480 --> 00:32:58,880 Speaker 1: that she shares on there feel really personal. And so 658 00:32:58,920 --> 00:33:01,600 Speaker 1: I think it's just a fresh take on a concept 659 00:33:01,600 --> 00:33:03,720 Speaker 1: and then also like a cast that it's made me 660 00:33:03,800 --> 00:33:05,360 Speaker 1: interested in people that I don't think I would have 661 00:33:05,400 --> 00:33:06,360 Speaker 1: normally been interested in. 662 00:33:06,520 --> 00:33:09,040 Speaker 3: I agree with everything you're saying about that, in addition 663 00:33:09,080 --> 00:33:11,840 Speaker 3: to the fact that gone are the days where women 664 00:33:11,920 --> 00:33:15,880 Speaker 3: have lunch and argueing and throw drinks, right, which is 665 00:33:15,920 --> 00:33:20,280 Speaker 3: also why Merriton Medicine is having to me it's best 666 00:33:20,280 --> 00:33:24,120 Speaker 3: season and that's nine seasons in. And I think the 667 00:33:24,160 --> 00:33:28,600 Speaker 3: reason why Mariton Medicine is one of the top two 668 00:33:29,040 --> 00:33:32,280 Speaker 3: I'm going to say it best shows on Bravo is 669 00:33:32,360 --> 00:33:37,320 Speaker 3: because those women are still real although they've been on 670 00:33:37,400 --> 00:33:41,400 Speaker 3: reality TV for so long. Toya still gives me. Toya 671 00:33:41,440 --> 00:33:46,800 Speaker 3: from season one. Heavenly is a ham Quad is somebody 672 00:33:46,800 --> 00:33:49,600 Speaker 3: who I felt was conscious of the cameras at one 673 00:33:49,600 --> 00:33:55,440 Speaker 3: point in time, right, Doctor Jackie and Simone. That's a 674 00:33:55,560 --> 00:33:58,320 Speaker 3: Steller cast Contessa. 675 00:33:58,440 --> 00:34:00,840 Speaker 4: This season is so good. 676 00:34:01,000 --> 00:34:05,800 Speaker 3: And I really want people to know how good it is. 677 00:34:06,200 --> 00:34:07,360 Speaker 4: You gotta watch it. 678 00:34:07,360 --> 00:34:10,840 Speaker 3: It's it goes to show you that an ensemble cast 679 00:34:10,920 --> 00:34:14,200 Speaker 3: of women can be on TV for almost ten years 680 00:34:14,239 --> 00:34:17,600 Speaker 3: and still have relatability qualities in them. 681 00:34:17,640 --> 00:34:20,359 Speaker 1: Married to medicine worked and has always worked, because I 682 00:34:20,440 --> 00:34:24,000 Speaker 1: feel like they are friends in the off season, Like 683 00:34:24,120 --> 00:34:27,040 Speaker 1: I feel like they actually interact with each other. When 684 00:34:27,320 --> 00:34:30,759 Speaker 1: Simone and doctor Jackie were beefing, I was like, y'all 685 00:34:30,760 --> 00:34:33,319 Speaker 1: better make the fuck up. Like I'm not living in 686 00:34:33,320 --> 00:34:35,640 Speaker 1: a world where doctor Jackie and Simone are not friends. 687 00:34:35,680 --> 00:34:38,760 Speaker 1: Like when Ciso and someone were like having their marital issues, 688 00:34:38,800 --> 00:34:41,239 Speaker 1: I'm like, y'all better make the fuck up, because I'm 689 00:34:41,280 --> 00:34:41,840 Speaker 1: not living in the. 690 00:34:41,840 --> 00:34:44,160 Speaker 2: World where Ciso and some are not married, you know 691 00:34:44,200 --> 00:34:44,600 Speaker 2: what I mean. 692 00:34:44,680 --> 00:34:48,480 Speaker 1: Like they feel like such a community, and that I 693 00:34:48,520 --> 00:34:51,400 Speaker 1: think is what works. I was very turned off. I 694 00:34:51,400 --> 00:34:55,879 Speaker 1: feel like Contessa was severely overreacting to Heavenly and her 695 00:34:55,920 --> 00:34:57,319 Speaker 1: home like it was. 696 00:34:57,480 --> 00:34:58,680 Speaker 2: It was a lot for me. 697 00:34:59,680 --> 00:35:02,840 Speaker 1: It was so much for me because yes, the general 698 00:35:02,880 --> 00:35:07,880 Speaker 1: consensus is that yes, Contessa, she exposed her marriage last season, 699 00:35:08,360 --> 00:35:10,759 Speaker 1: and that was for all of us to watch, but 700 00:35:10,800 --> 00:35:13,359 Speaker 1: it wasn't for Heavenly as her friend to go on 701 00:35:13,400 --> 00:35:16,799 Speaker 1: YouTube and start talking about like you just don't do that. 702 00:35:16,840 --> 00:35:19,600 Speaker 1: And I kind of understand what Heavenly saying. Heavenly's like, look, 703 00:35:19,600 --> 00:35:22,320 Speaker 1: you let the cameras capture it, but like you're her friend, 704 00:35:22,960 --> 00:35:25,239 Speaker 1: some things are just off limits girl. But I do 705 00:35:25,320 --> 00:35:29,080 Speaker 1: think that Contessa was just doing the most when she 706 00:35:29,160 --> 00:35:33,239 Speaker 1: was confronting Heavenly. But outside of that, though, they are 707 00:35:33,280 --> 00:35:35,200 Speaker 1: having a really a really good season. 708 00:35:36,120 --> 00:35:38,920 Speaker 3: Yes agreat because I was like, I didn't know Contesta 709 00:35:38,960 --> 00:35:41,880 Speaker 3: and Heavenly were that close, So it was very weird 710 00:35:41,920 --> 00:35:44,799 Speaker 3: to me to see Contesta react that way and the 711 00:35:44,880 --> 00:35:47,840 Speaker 3: Barney wig no shade to Heavenly's wigs. 712 00:35:47,920 --> 00:35:49,399 Speaker 4: I think all the other ways look good. 713 00:35:49,400 --> 00:35:52,920 Speaker 3: That purpose one Heavenly I would discontinue with the sticker 714 00:35:53,000 --> 00:35:56,239 Speaker 3: number and the QR code. I was also lost, like 715 00:35:56,320 --> 00:35:59,680 Speaker 3: she's running to her bedroom, she shut the door. I'm like, 716 00:35:59,760 --> 00:36:03,200 Speaker 3: all because of Heavenly, Like I didn't know y'all two 717 00:36:03,239 --> 00:36:08,640 Speaker 3: were that tight. But I really want Contessa and Heavily 718 00:36:08,960 --> 00:36:13,360 Speaker 3: to work on their friendship because Heavenly is one of 719 00:36:13,360 --> 00:36:17,480 Speaker 3: the greatest maritime medicine stars in the world and not 720 00:36:17,520 --> 00:36:21,120 Speaker 3: saying that the show can't survive without her. I really 721 00:36:21,200 --> 00:36:23,879 Speaker 3: think Marition Medicine is a show where they all need 722 00:36:23,920 --> 00:36:27,200 Speaker 3: each other, like it's a true ensemble cast where they 723 00:36:27,320 --> 00:36:28,680 Speaker 3: all support each other. 724 00:36:29,120 --> 00:36:31,240 Speaker 4: There's no Queen Bee to me, which is great. 725 00:36:31,400 --> 00:36:33,720 Speaker 3: He would think it's Doctor Jackie because she's just somebody 726 00:36:33,719 --> 00:36:35,279 Speaker 3: that they all sort of like defer to. 727 00:36:35,520 --> 00:36:39,080 Speaker 4: But I feel like they are a great team of players. 728 00:36:39,400 --> 00:36:41,640 Speaker 2: They are, but I could do without Anila. 729 00:36:41,800 --> 00:36:43,839 Speaker 1: Like if they come back next season and she's not there, 730 00:36:43,880 --> 00:36:45,839 Speaker 1: I would not think twice about that. 731 00:36:46,000 --> 00:36:48,719 Speaker 3: We never mentioned her until you did, because I forgot 732 00:36:48,840 --> 00:36:49,760 Speaker 3: she was a part. 733 00:36:49,560 --> 00:36:50,160 Speaker 4: Of the cast. 734 00:36:50,200 --> 00:36:53,239 Speaker 3: And I think when I see her scenes, I'm like, 735 00:36:53,520 --> 00:36:54,479 Speaker 3: you're on the wrong show. 736 00:36:54,560 --> 00:36:55,560 Speaker 4: Sys Like it. 737 00:36:55,480 --> 00:36:58,399 Speaker 1: Doesn't feel natural, Like she doesn't feel like a natural fit. 738 00:36:58,719 --> 00:37:01,160 Speaker 1: And we have a lot of cast members and you know, 739 00:37:01,239 --> 00:37:03,680 Speaker 1: come on later in seasons and they just end up 740 00:37:03,760 --> 00:37:06,480 Speaker 1: jelling or meshing really well with the rest of the cast. 741 00:37:06,640 --> 00:37:10,719 Speaker 1: Anita just is not sticking for me, and I don't 742 00:37:10,719 --> 00:37:13,400 Speaker 1: know something about her feels like that that whole stunt 743 00:37:13,440 --> 00:37:16,879 Speaker 1: that they pulled at the Halloween party. There's so much 744 00:37:16,880 --> 00:37:19,680 Speaker 1: that could be said about Toya and Eugene's response to 745 00:37:19,719 --> 00:37:22,080 Speaker 1: that and what's really going on with their finances. But 746 00:37:22,160 --> 00:37:24,040 Speaker 1: the biggest thing that I walked away from that with 747 00:37:24,160 --> 00:37:26,359 Speaker 1: is that it felt very mean spirited. Like it did 748 00:37:26,400 --> 00:37:29,120 Speaker 1: not feel like I'm just poking shade at you. It 749 00:37:29,160 --> 00:37:32,120 Speaker 1: felt like I really want to like dig in. Like 750 00:37:32,320 --> 00:37:34,640 Speaker 1: I know y'all moved out of the neighborhood, Like we 751 00:37:34,719 --> 00:37:37,520 Speaker 1: have this big ass house, y'all don't have yours anymore. 752 00:37:37,719 --> 00:37:40,520 Speaker 1: Their speculation that there's some issues with your finances. I 753 00:37:40,600 --> 00:37:43,400 Speaker 1: want to take the knife, not only just sticking in 754 00:37:43,440 --> 00:37:45,360 Speaker 1: your back, but I want to turn that bitch. 755 00:37:46,640 --> 00:37:50,040 Speaker 2: I want to turn. Yeah. 756 00:37:50,239 --> 00:37:52,400 Speaker 1: Yes, So that's what that felt like to me. It 757 00:37:52,440 --> 00:37:54,799 Speaker 1: was like, and that's that's like my overall problem. It 758 00:37:54,840 --> 00:37:57,719 Speaker 1: goes back to like the Atlanta conversation. Shit is starting 759 00:37:57,760 --> 00:38:00,600 Speaker 1: to feel really low and like mean, and it's like 760 00:38:00,640 --> 00:38:02,840 Speaker 1: it doesn't feel like fun shade anymore. It feels like 761 00:38:02,840 --> 00:38:05,440 Speaker 1: you're really trying to like make Toya and eug and 762 00:38:05,560 --> 00:38:09,080 Speaker 1: go home and like cry in their rental home. And 763 00:38:09,120 --> 00:38:09,960 Speaker 1: that's not cool to me. 764 00:38:10,120 --> 00:38:13,359 Speaker 3: Yes, stop toddling her home as a rental home. 765 00:38:13,400 --> 00:38:16,000 Speaker 4: It's so disrespectful, y'all. Don't do it. Tod Reach on 766 00:38:16,080 --> 00:38:19,400 Speaker 4: Beverly Hills. Don't do that to Toya. 767 00:38:19,600 --> 00:38:23,040 Speaker 3: She's honest about her home being rented, Like, like, stop it. 768 00:38:23,239 --> 00:38:26,040 Speaker 3: I think that's so low blow and it's low brow 769 00:38:26,600 --> 00:38:28,560 Speaker 3: all the rest of these girls renting their homes and 770 00:38:28,600 --> 00:38:32,480 Speaker 3: their husbands and the storylines. Jas Man, we talked a 771 00:38:32,520 --> 00:38:36,759 Speaker 3: lot about these reality shows. But before I let you go, 772 00:38:37,400 --> 00:38:42,279 Speaker 3: the new season of Bell Collective is currently airing Fridays 773 00:38:42,320 --> 00:38:45,200 Speaker 3: at nine o'clock a Central on the Oprah Winpen Network. 774 00:38:45,640 --> 00:38:49,560 Speaker 3: You caught the first episode, so give me your very 775 00:38:49,840 --> 00:38:53,040 Speaker 3: quick recap of what you think about this season. 776 00:38:53,520 --> 00:38:57,360 Speaker 1: I am excited, you know. I congrat see you for 777 00:38:57,400 --> 00:39:00,520 Speaker 1: getting a second season. I think the first season a 778 00:39:00,560 --> 00:39:04,120 Speaker 1: Bell Collective I didn't finish. And I'll tell you why. 779 00:39:04,560 --> 00:39:07,960 Speaker 1: They are kind of unlikable to me. When we talk 780 00:39:08,000 --> 00:39:11,360 Speaker 1: about people who are very aware of cameras being around them, 781 00:39:11,680 --> 00:39:14,560 Speaker 1: very aware of what their perception will be, very much 782 00:39:14,640 --> 00:39:18,240 Speaker 1: are trying to make sure they cement themselves as suitable 783 00:39:18,360 --> 00:39:23,520 Speaker 1: reality TV figures most of those ladies on their feel 784 00:39:23,560 --> 00:39:25,000 Speaker 1: like that. For me, I think the only one that 785 00:39:25,080 --> 00:39:27,640 Speaker 1: didn't was camera just off the rip. It was like 786 00:39:27,719 --> 00:39:31,160 Speaker 1: it's just they felt mean when we talk about Southern 787 00:39:31,200 --> 00:39:33,799 Speaker 1: bells and Southern women like it's like warm, they want 788 00:39:33,800 --> 00:39:35,799 Speaker 1: to make you biscuits, they want to feed you. Like 789 00:39:36,160 --> 00:39:38,480 Speaker 1: a lot of the Bell Collective ladies in the first 790 00:39:38,520 --> 00:39:40,480 Speaker 1: season just came off like they were all really like 791 00:39:40,560 --> 00:39:43,640 Speaker 1: kind of competing with each other. They wanted to be 792 00:39:43,719 --> 00:39:48,120 Speaker 1: like super just Caddy, and it wasn't endearing. And that's 793 00:39:48,160 --> 00:39:50,840 Speaker 1: the thing when I watch reality TV, the things that 794 00:39:50,880 --> 00:39:53,800 Speaker 1: I love most about people, even when they are shady 795 00:39:54,320 --> 00:39:57,480 Speaker 1: and kind of mean, sometimes that they have like redeemable qualities. 796 00:39:57,560 --> 00:39:59,640 Speaker 1: I didn't feel like I was able to get that 797 00:39:59,640 --> 00:40:01,759 Speaker 1: from those ladies. But what I will tell you is 798 00:40:01,920 --> 00:40:06,319 Speaker 1: watching the first episode of season two, Marie season one, 799 00:40:06,400 --> 00:40:08,680 Speaker 1: she was the one I was like, she is so mean, 800 00:40:09,000 --> 00:40:11,000 Speaker 1: Like she was just so mean, Like it was hard 801 00:40:11,000 --> 00:40:13,719 Speaker 1: to watch for me. But now knowing what I know 802 00:40:14,000 --> 00:40:15,920 Speaker 1: about her, even just you know her mom, like the 803 00:40:15,920 --> 00:40:19,919 Speaker 1: situation with her mom, her son losing his child's mother. 804 00:40:20,360 --> 00:40:22,319 Speaker 1: She has a lot on her plates, and I think 805 00:40:22,400 --> 00:40:24,879 Speaker 1: that can weigh anybody down. And so I think I'm 806 00:40:24,920 --> 00:40:27,920 Speaker 1: coming into the second season just with like a different 807 00:40:28,000 --> 00:40:32,960 Speaker 1: perspective and wanting to really give them a chance. Latisha, right, 808 00:40:33,160 --> 00:40:36,279 Speaker 1: like the whole I'm a boss, like I have, you know, 809 00:40:36,400 --> 00:40:40,640 Speaker 1: feelings about that that we don't have time for. But 810 00:40:40,640 --> 00:40:43,200 Speaker 1: it just, you know, it didn't come off like super 811 00:40:43,239 --> 00:40:45,320 Speaker 1: authentic to me. But I want to give them a chance. 812 00:40:45,600 --> 00:40:48,799 Speaker 1: They're beautiful, you know, beautiful black women, like really trying 813 00:40:48,840 --> 00:40:51,200 Speaker 1: to do stuff in Jackson, Mississippi. So I really want 814 00:40:51,239 --> 00:40:52,480 Speaker 1: to give them a chance. So I'm locked in for 815 00:40:52,520 --> 00:40:55,000 Speaker 1: season two. But season one, I was like, I can't 816 00:40:55,000 --> 00:40:55,880 Speaker 1: get with these ladies. 817 00:40:56,320 --> 00:40:59,239 Speaker 3: Yeah and listen, thank you for your honesty. And a 818 00:40:59,280 --> 00:41:01,799 Speaker 3: lot of people off that season one to belt collective 819 00:41:02,320 --> 00:41:05,400 Speaker 3: that they weren't mean and it was the pettiness of 820 00:41:05,480 --> 00:41:08,920 Speaker 3: the wig drama and the hair. So I will say 821 00:41:09,080 --> 00:41:14,200 Speaker 3: this season is a much different season. The concentration is 822 00:41:14,239 --> 00:41:17,799 Speaker 3: definitely more on the couples, and you really get to 823 00:41:17,840 --> 00:41:22,200 Speaker 3: see these friendships form and it's much more organic. It's 824 00:41:22,280 --> 00:41:25,600 Speaker 3: much more interesting to see how they all navigate their 825 00:41:25,680 --> 00:41:29,279 Speaker 3: relationships their career. So I'm happy you like the first 826 00:41:29,320 --> 00:41:32,640 Speaker 3: episode of this new season, because girl, it is going 827 00:41:32,680 --> 00:41:34,520 Speaker 3: to be a rollercoaster ride. 828 00:41:35,360 --> 00:41:36,400 Speaker 4: So stay tuned. 829 00:41:36,840 --> 00:41:41,239 Speaker 1: I'm locked in for the Bells, Jasmine. We have a lot, 830 00:41:41,520 --> 00:41:46,120 Speaker 1: we did, we always are getting into it. 831 00:41:46,239 --> 00:41:48,080 Speaker 4: Are you ready? For the shade that's gonna come your way. 832 00:41:48,239 --> 00:41:50,759 Speaker 2: I'm never ready. Matter of fact, let me go to. 833 00:41:50,760 --> 00:41:55,760 Speaker 1: Deactivate all my share right now because just like Marlowe, okay, 834 00:41:55,880 --> 00:41:57,640 Speaker 1: I am sensitive as well. 835 00:41:58,239 --> 00:42:01,400 Speaker 2: So don't come. Don't come for me because of my opinion. 836 00:42:03,200 --> 00:42:05,560 Speaker 5: Yes, yeah, at last, but not leads. 837 00:42:05,719 --> 00:42:10,719 Speaker 3: Congratulations Tamar Judge for getting your orange back as well deserved. 838 00:42:11,040 --> 00:42:13,759 Speaker 3: As you know, me and Jasmine are huge fans of yours. 839 00:42:13,960 --> 00:42:23,480 Speaker 3: We love you and super duper congrats. Thoughts opinions Email 840 00:42:23,560 --> 00:42:26,680 Speaker 3: me at Reality with the King at stitchra dot com 841 00:42:26,800 --> 00:42:29,560 Speaker 3: or leave me a voicemail at three one oh five 842 00:42:29,680 --> 00:42:33,760 Speaker 3: ninety three eight one eight eight. Thank you for listening 843 00:42:33,760 --> 00:42:37,600 Speaker 3: to Reality with the King. New episodes drop every Wednesday 844 00:42:37,719 --> 00:42:43,320 Speaker 3: and Friday. Share, comment, follow, and subscribe to Reality. 845 00:42:42,880 --> 00:42:43,359 Speaker 4: With the King. 846 00:42:43,680 --> 00:42:48,360 Speaker 3: Wherever you get your podcast, visit Realitywitheking dot com and 847 00:42:48,440 --> 00:42:51,680 Speaker 3: be sure to follow me at d Carlos King Underscore 848 00:42:52,120 --> 00:42:56,799 Speaker 3: on Instagram and Twitter. Reality with the King is a 849 00:42:56,840 --> 00:43:00,239 Speaker 3: production of More Sauce by Stitcher It is Exact. They're 850 00:43:00,239 --> 00:43:04,239 Speaker 3: produced by Me, Carlos King and Jasmine Henley Brown. We 851 00:43:04,320 --> 00:43:08,400 Speaker 3: are also produced by Sierra Spradley, Rix, Engineering and music 852 00:43:08,719 --> 00:43:14,880 Speaker 3: by Marcus cam More sauce