WEBVTT - Brad Ricca: Lincoln’s Ghost

0:00:00.640 --> 0:00:05.279
<v Speaker 1>This story contains adult content and language. Listener discretion is advised.

0:00:13.440 --> 0:00:16.600
<v Speaker 2>They were terrified that he would come to town. They

0:00:16.600 --> 0:00:20.319
<v Speaker 2>were terrified that he was in the room disguise. He

0:00:20.520 --> 0:00:21.840
<v Speaker 2>was their worst nightmare.

0:00:27.840 --> 0:00:31.680
<v Speaker 1>I'm Kate Winkler Dawson, a nonfiction author and journalism professor

0:00:31.760 --> 0:00:34.440
<v Speaker 1>in Austin, Texas. I'm also the co host of the

0:00:34.479 --> 0:00:38.360
<v Speaker 1>podcast Buried Bones on Exactly Right, and throughout my career,

0:00:38.600 --> 0:00:42.360
<v Speaker 1>research for my many audio and book projects has taken

0:00:42.400 --> 0:00:45.640
<v Speaker 1>me around the world. On Wicked Words, I sit down

0:00:45.680 --> 0:00:50.440
<v Speaker 1>with the people I've met along the way, amazing writers, journalists, filmmakers,

0:00:50.440 --> 0:00:54.880
<v Speaker 1>and podcasters who have investigated and reported on notorious true

0:00:54.880 --> 0:00:58.640
<v Speaker 1>crime cases. This is about the choices writers make, both

0:00:58.680 --> 0:01:01.640
<v Speaker 1>good and bad, and it's a deep dive into the

0:01:01.720 --> 0:01:08.800
<v Speaker 1>unpublished details behind their stories. Harry Houdini, the world's greatest magician,

0:01:09.080 --> 0:01:12.520
<v Speaker 1>wild audiences around the world in the nineteen twenties. He

0:01:12.640 --> 0:01:16.560
<v Speaker 1>must have felt invincible, but then an evil spirit cursed

0:01:16.640 --> 0:01:20.679
<v Speaker 1>him during a seance, and soon Houdini would wage war

0:01:20.840 --> 0:01:25.520
<v Speaker 1>against spiritualism. He set out to debunk fraudulent mediums and

0:01:25.640 --> 0:01:30.160
<v Speaker 1>expose Charlatan's for lying to people in mourning. Author Bradricka

0:01:30.280 --> 0:01:34.160
<v Speaker 1>tells us about Houdini's crusade from his book Lincoln's Ghost,

0:01:34.520 --> 0:01:39.080
<v Speaker 1>Houdini's War on Spiritualism, and the dark conspiracy against the

0:01:39.120 --> 0:01:45.840
<v Speaker 1>American Presidency. Let's talk about the last book. Give me

0:01:45.880 --> 0:01:47.520
<v Speaker 1>a quick summary of what that book was.

0:01:47.920 --> 0:01:52.960
<v Speaker 2>Missus Sherlock Holmes was a kind of standard true crime.

0:01:53.120 --> 0:01:57.080
<v Speaker 2>The seventeen year old girl gets tragically murdered, and the

0:01:57.120 --> 0:02:00.800
<v Speaker 2>book is about that mystery and how it's solved, but

0:02:00.840 --> 0:02:04.639
<v Speaker 2>more importantly, how it's solved by a middle aged woman,

0:02:05.000 --> 0:02:08.799
<v Speaker 2>Grace Hummiston, who the press called Missus Sherlock Holmes, who

0:02:08.919 --> 0:02:11.240
<v Speaker 2>just turned out, as I kept going into the book,

0:02:11.480 --> 0:02:15.680
<v Speaker 2>just this amazing person who did all this cool stuff.

0:02:15.880 --> 0:02:17.520
<v Speaker 1>And what year did that take place in?

0:02:17.800 --> 0:02:24.639
<v Speaker 2>That took place around the same time, nineteen sixteen, seventeen eighteen,

0:02:24.720 --> 0:02:25.160
<v Speaker 2>around that.

0:02:25.480 --> 0:02:29.960
<v Speaker 1>So you like me like the older stories, So you've

0:02:29.960 --> 0:02:33.200
<v Speaker 1>got now this book that's in nineteen twenty six. What

0:02:33.360 --> 0:02:36.880
<v Speaker 1>is it about these types of stories from one hundred

0:02:36.960 --> 0:02:40.600
<v Speaker 1>years ago that is intriguing to you when you have

0:02:40.680 --> 0:02:43.000
<v Speaker 1>so many more contemporary stories to pick from here?

0:02:43.360 --> 0:02:44.680
<v Speaker 3>Yeah, I mean, I don't know.

0:02:45.400 --> 0:02:48.200
<v Speaker 2>This wasn't an era that I ever really liked as

0:02:48.320 --> 0:02:52.160
<v Speaker 2>kind of a student. I like the Victorians, and further

0:02:52.280 --> 0:02:54.840
<v Speaker 2>on from there, I think there's something about the past.

0:02:54.919 --> 0:02:58.239
<v Speaker 2>I think the real kind of easy answer is that

0:02:58.600 --> 0:03:01.280
<v Speaker 2>you don't have to interview any one, right, You don't

0:03:01.320 --> 0:03:03.320
<v Speaker 2>have to deal with any living people.

0:03:03.480 --> 0:03:05.560
<v Speaker 1>Don't tell everybody our secret, I know, but.

0:03:06.040 --> 0:03:06.680
<v Speaker 3>A lot of right.

0:03:06.760 --> 0:03:09.200
<v Speaker 2>I'm not saying all writers, but a lot of writers.

0:03:09.280 --> 0:03:13.200
<v Speaker 2>You know, we kind of stick to ourselves. And it's

0:03:13.280 --> 0:03:15.920
<v Speaker 2>just kind of nice to deal with the past in

0:03:15.960 --> 0:03:19.760
<v Speaker 2>your own way and kind of discover these people through

0:03:19.800 --> 0:03:23.280
<v Speaker 2>all these different ways that we try to. You know,

0:03:23.320 --> 0:03:25.600
<v Speaker 2>I don't know if they're always successful. I mean, we

0:03:25.680 --> 0:03:29.320
<v Speaker 2>certainly try, but try to get to the past. And

0:03:29.760 --> 0:03:33.480
<v Speaker 2>I just love the idea of visiting the past. I

0:03:33.560 --> 0:03:37.400
<v Speaker 2>should say this, but I'm obsessed with time travel, and

0:03:37.480 --> 0:03:39.120
<v Speaker 2>I think a lot of us start out that way,

0:03:39.120 --> 0:03:41.280
<v Speaker 2>and I think about it a lot, like maybe way

0:03:41.320 --> 0:03:44.440
<v Speaker 2>too much, But this is how you do it, right.

0:03:44.560 --> 0:03:48.000
<v Speaker 2>You do all the research and you try and recreate

0:03:48.480 --> 0:03:51.400
<v Speaker 2>that spot and time as much as you can.

0:03:51.600 --> 0:03:52.720
<v Speaker 3>And I think.

0:03:52.560 --> 0:03:57.400
<v Speaker 2>Until they invent it, until some scientists does it, this

0:03:57.600 --> 0:03:58.920
<v Speaker 2>is as good as it gets.

0:03:59.280 --> 0:04:01.120
<v Speaker 1>Well, let's talk about your history project.

0:04:01.160 --> 0:04:01.360
<v Speaker 3>Here.

0:04:01.520 --> 0:04:03.680
<v Speaker 1>We have a little bit of a crossover because I

0:04:03.760 --> 0:04:06.080
<v Speaker 1>have an audio book, The Ghost Club, which I think

0:04:06.120 --> 0:04:11.560
<v Speaker 1>you'll mention here, and you focus in on one really

0:04:11.600 --> 0:04:14.640
<v Speaker 1>important character who happened to be a member of the

0:04:14.640 --> 0:04:18.880
<v Speaker 1>Club but just has this sort of otherworldly existence at

0:04:18.920 --> 0:04:22.520
<v Speaker 1>so many different levels. And that's Harry Houdini, who I

0:04:22.640 --> 0:04:25.200
<v Speaker 1>have to think, no matter how young our audiences, people

0:04:25.279 --> 0:04:27.640
<v Speaker 1>have to have all heard about Harry Houdini. But why

0:04:27.680 --> 0:04:29.840
<v Speaker 1>don't you give me a little background on your main

0:04:29.920 --> 0:04:30.520
<v Speaker 1>character here.

0:04:30.839 --> 0:04:35.679
<v Speaker 2>I really hesitate in calling Houdini the kind of Taylor

0:04:35.760 --> 0:04:42.080
<v Speaker 2>Swift of the early nineteen hundreds. But his range was

0:04:42.200 --> 0:04:46.440
<v Speaker 2>he traveled the world, and he was on tour more

0:04:46.520 --> 0:04:49.760
<v Speaker 2>than the Grateful Dead War. He was on tour, you know,

0:04:50.080 --> 0:04:53.719
<v Speaker 2>three hundred and fifty days a year, and he would

0:04:53.760 --> 0:04:58.919
<v Speaker 2>just do his shows and everyone loved him, right, he

0:04:59.040 --> 0:05:02.000
<v Speaker 2>was hugely popular. And you know the end of the

0:05:02.040 --> 0:05:05.440
<v Speaker 2>eighteen hundreds, he starts with just simple magic, and he

0:05:05.480 --> 0:05:07.960
<v Speaker 2>starts with card tricks, and they call him the King

0:05:08.040 --> 0:05:11.000
<v Speaker 2>of Cards because he masters that. And then he moves

0:05:11.040 --> 0:05:15.599
<v Speaker 2>on to escapes, and he masters escapes, and he starts

0:05:15.640 --> 0:05:19.800
<v Speaker 2>doing more elaborate magic, more elaborate escapes, you know, everyone

0:05:19.920 --> 0:05:21.880
<v Speaker 2>kind of even if you don't know who Dini, you've

0:05:21.920 --> 0:05:26.159
<v Speaker 2>heard of the Escape from the Chinese Water Torture Cell,

0:05:26.200 --> 0:05:30.000
<v Speaker 2>which has this ridiculous kind of vaudeville name as like

0:05:30.040 --> 0:05:32.320
<v Speaker 2>the worst place you want to be and it's just

0:05:32.320 --> 0:05:34.360
<v Speaker 2>a box. They throw it in the in some water,

0:05:34.440 --> 0:05:37.760
<v Speaker 2>which is still pretty bad. But what I couldn't wrap

0:05:37.800 --> 0:05:40.840
<v Speaker 2>my head around is that at the kind of end

0:05:40.920 --> 0:05:44.320
<v Speaker 2>of his careers in his fifties, which back then you

0:05:44.360 --> 0:05:48.400
<v Speaker 2>know that was just it's wrapping up now, but he

0:05:48.720 --> 0:05:53.680
<v Speaker 2>changed everything. He's such an adaptable performer, but he focuses

0:05:54.080 --> 0:05:59.880
<v Speaker 2>on this real kind of social cultural phenomenon that's going

0:05:59.920 --> 0:06:03.440
<v Speaker 2>on in the world, which is spiritualism, and he makes

0:06:03.520 --> 0:06:06.760
<v Speaker 2>that his main focus. To me, it just seems like

0:06:06.920 --> 0:06:09.680
<v Speaker 2>I couldn't understand why did he do that? And that

0:06:09.800 --> 0:06:11.919
<v Speaker 2>was like kind of the beginning of the project.

0:06:12.080 --> 0:06:14.520
<v Speaker 1>You know, one of the things from researching Ghosts Club,

0:06:14.560 --> 0:06:16.760
<v Speaker 1>which was, you know about a social club of men

0:06:17.040 --> 0:06:19.800
<v Speaker 1>that started with Charles Dickens and still have gone to meetings,

0:06:19.800 --> 0:06:22.280
<v Speaker 1>still goes through today, where that you know, back then

0:06:22.320 --> 0:06:25.320
<v Speaker 1>you had all these affluent men, including Houdini and Arthur

0:06:25.360 --> 0:06:28.840
<v Speaker 1>Conan Doyle who wrote Cherlock Holmes who were eating French

0:06:28.880 --> 0:06:31.560
<v Speaker 1>food at very expensive restaurants. I mean, these are power

0:06:31.680 --> 0:06:36.200
<v Speaker 1>players in the world, Maharashi. I mean it was just incredible.

0:06:36.560 --> 0:06:39.240
<v Speaker 1>And then talking about ghosts and fairies and you know,

0:06:39.320 --> 0:06:42.880
<v Speaker 1>retelling all of these stories. It's always surprising to me

0:06:43.200 --> 0:06:47.039
<v Speaker 1>when I read the profiles of those people, including Abraham Lincoln,

0:06:47.279 --> 0:06:51.880
<v Speaker 1>who I feel like are rooted in science or you know,

0:06:52.000 --> 0:06:55.039
<v Speaker 1>something that you would think would be very very grounding

0:06:55.600 --> 0:06:57.960
<v Speaker 1>in a present world kind of way, and then they

0:06:58.000 --> 0:07:00.279
<v Speaker 1>believe in all of this other stuff that that could

0:07:00.279 --> 0:07:03.080
<v Speaker 1>have been considered wild back then. And Doyle was one

0:07:03.120 --> 0:07:06.560
<v Speaker 1>of them, because you know, so Sherla Combs is so scientific.

0:07:07.279 --> 0:07:10.720
<v Speaker 1>And I wondered about Whodini and I guess let's keep

0:07:10.720 --> 0:07:14.400
<v Speaker 1>talking about him if there was at one point did

0:07:14.400 --> 0:07:17.640
<v Speaker 1>he ever feel like he had a connection to the

0:07:17.720 --> 0:07:19.840
<v Speaker 1>other world when he was younger, because I know that

0:07:19.880 --> 0:07:22.440
<v Speaker 1>oftentimes happened with these men in the Ghost Club.

0:07:22.560 --> 0:07:23.600
<v Speaker 3>Yeah, that's a great question.

0:07:23.680 --> 0:07:26.560
<v Speaker 2>And I loved Ghost Club, by the way, and I

0:07:26.600 --> 0:07:28.640
<v Speaker 2>told you this off air, and I might as well

0:07:28.680 --> 0:07:32.000
<v Speaker 2>share it that this project was kind of built from

0:07:32.440 --> 0:07:34.640
<v Speaker 2>a project I wanted to do on the Ghost Club,

0:07:34.760 --> 0:07:36.800
<v Speaker 2>and then I saw, oh, no, Kate did a book,

0:07:37.520 --> 0:07:40.080
<v Speaker 2>So then I knew I was sunk, but I loved

0:07:40.160 --> 0:07:42.160
<v Speaker 2>what you did with it, and it just kind of

0:07:42.200 --> 0:07:45.760
<v Speaker 2>forced me to look at something a little differently. With Houdini,

0:07:45.840 --> 0:07:51.120
<v Speaker 2>he had this line that says, Whodini was a huge

0:07:51.160 --> 0:07:56.320
<v Speaker 2>fan of Abraham Lincoln. He like idolized him. And I thought,

0:07:56.360 --> 0:07:59.280
<v Speaker 2>of all the people, you know, Whodini was never political,

0:08:00.080 --> 0:08:02.520
<v Speaker 2>nothing like that, but he loved Lincoln.

0:08:02.520 --> 0:08:03.560
<v Speaker 3>So I wanted to explore that.

0:08:03.680 --> 0:08:06.200
<v Speaker 2>And it turned out when he was a kid, Whodini

0:08:06.320 --> 0:08:10.200
<v Speaker 2>went to a seance in Wisconsin where he grew up,

0:08:10.280 --> 0:08:15.600
<v Speaker 2>in Appleton, Wisconsin, in the heart of the Midwest, Midwest,

0:08:15.680 --> 0:08:19.240
<v Speaker 2>the most midwestiest you can be, if that's a word,

0:08:19.840 --> 0:08:23.840
<v Speaker 2>And the medium who was doing the seance brought forth Lincoln,

0:08:24.600 --> 0:08:27.120
<v Speaker 2>because Lincoln was one of the big ones that kind

0:08:27.120 --> 0:08:30.880
<v Speaker 2>of all mediums somehow had access to. And he brought

0:08:30.920 --> 0:08:34.800
<v Speaker 2>forth Lincoln and you know, I'll take questions, and Houdini,

0:08:34.840 --> 0:08:38.480
<v Speaker 2>who was this huge, little young Houdini, was a huge

0:08:39.000 --> 0:08:41.679
<v Speaker 2>deve ote of Lincoln. Knew all these facts and all

0:08:41.720 --> 0:08:45.160
<v Speaker 2>these trivia, and he asked kept asking Lincoln all this stuff.

0:08:45.160 --> 0:08:47.360
<v Speaker 2>You know, what did you do after your mother died

0:08:47.920 --> 0:08:50.760
<v Speaker 2>and so forth, and Lincoln, of course, the spirit Lincoln

0:08:50.960 --> 0:08:54.439
<v Speaker 2>got all the questions wrong, and that's when Houdini knew

0:08:54.480 --> 0:08:58.720
<v Speaker 2>that it was fake. And he was not so concerned

0:08:58.760 --> 0:09:01.920
<v Speaker 2>that it was fake, but he was more concerned that

0:09:02.360 --> 0:09:06.640
<v Speaker 2>it had kind of been presented as truth and it

0:09:06.720 --> 0:09:10.360
<v Speaker 2>had kind of really hurt his feelings. And afterwards he

0:09:10.480 --> 0:09:13.880
<v Speaker 2>kind of hung around and talked to the medium and

0:09:13.960 --> 0:09:16.719
<v Speaker 2>he said, you know, why, why did you do that?

0:09:16.880 --> 0:09:18.440
<v Speaker 3>And he said, that's what we all do.

0:09:19.120 --> 0:09:22.280
<v Speaker 2>And he had this kind of crashing down of all

0:09:22.400 --> 0:09:26.520
<v Speaker 2>his ideas of maybe what magic was and what other

0:09:26.559 --> 0:09:29.920
<v Speaker 2>things were, including the afterlife, and that was I think

0:09:29.960 --> 0:09:33.000
<v Speaker 2>the start of it. And there were other things along

0:09:33.040 --> 0:09:35.880
<v Speaker 2>the way that just made him more resolved to kind

0:09:35.920 --> 0:09:40.360
<v Speaker 2>of really wipe this. They always said they weren't a religion,

0:09:40.600 --> 0:09:44.360
<v Speaker 2>but they really acted like a religion, spiritualism, and he

0:09:44.440 --> 0:09:46.480
<v Speaker 2>wanted to wipe the earth clean of it.

0:09:46.880 --> 0:09:49.959
<v Speaker 1>Yeah. I remember a story of a little girl from

0:09:50.000 --> 0:09:51.920
<v Speaker 1>this is from the Ghost Club. A little girl who

0:09:52.120 --> 0:09:54.800
<v Speaker 1>begged her father, please don't go. He was going on

0:09:54.840 --> 0:09:58.800
<v Speaker 1>a transatlantic flight from the UK to America. Please don't go,

0:09:58.840 --> 0:10:00.600
<v Speaker 1>Please don't go, And he said, she said, I think

0:10:00.640 --> 0:10:02.200
<v Speaker 1>the ship's going to go down, and he says, no,

0:10:02.280 --> 0:10:04.720
<v Speaker 1>don't be ridiculous and kisses her and gets on the Titanic.

0:10:05.520 --> 0:10:07.840
<v Speaker 1>And so this is one of the many stories you

0:10:07.880 --> 0:10:10.040
<v Speaker 1>know that they talked about in the Ghost Club. But

0:10:10.320 --> 0:10:15.280
<v Speaker 1>talk to me about how spiritualism was born, not specifically

0:10:15.320 --> 0:10:17.280
<v Speaker 1>in the United States, as in you know who came

0:10:17.400 --> 0:10:21.079
<v Speaker 1>up with it? But why why did it spread? Because

0:10:21.080 --> 0:10:22.680
<v Speaker 1>it did spread pretty quickly.

0:10:22.880 --> 0:10:25.040
<v Speaker 2>I'm so glad you asked that, because that's I'm like

0:10:25.080 --> 0:10:27.760
<v Speaker 2>giving you, like all these reasons why I wrote the book.

0:10:28.120 --> 0:10:31.360
<v Speaker 2>This is kind of a big reason. Is this is

0:10:31.400 --> 0:10:32.760
<v Speaker 2>a story about death.

0:10:33.880 --> 0:10:34.839
<v Speaker 3>It really is.

0:10:35.000 --> 0:10:37.320
<v Speaker 2>I mean you can say, like, well, it's a story

0:10:37.360 --> 0:10:42.160
<v Speaker 2>about death, but really, how death is life winning? It's death.

0:10:42.920 --> 0:10:45.559
<v Speaker 2>It starts with death. I mean, you have the Spanish

0:10:45.600 --> 0:10:49.320
<v Speaker 2>flu pandemic, and then you have roughly the same time

0:10:49.400 --> 0:10:54.200
<v Speaker 2>as World War One, and you have millions dead, millions dead.

0:10:54.360 --> 0:10:57.559
<v Speaker 2>And I started, you know, doing this right at the

0:10:57.800 --> 0:11:01.959
<v Speaker 2>end of the COVID pandemic, with the idea of you know,

0:11:02.000 --> 0:11:04.840
<v Speaker 2>there's all these people who have died in such a

0:11:04.880 --> 0:11:06.240
<v Speaker 2>short span of time.

0:11:06.320 --> 0:11:08.760
<v Speaker 3>What are we going to do? How do we deal

0:11:08.800 --> 0:11:09.040
<v Speaker 3>with this?

0:11:09.200 --> 0:11:11.520
<v Speaker 2>I still don't think we've dealt with it at all,

0:11:11.800 --> 0:11:15.480
<v Speaker 2>and when something like this happens, there's this sense of

0:11:16.360 --> 0:11:22.600
<v Speaker 2>death as this kind of existential crime in that this

0:11:22.760 --> 0:11:26.319
<v Speaker 2>isn't cool, right, that this is you know, we can

0:11:26.400 --> 0:11:28.959
<v Speaker 2>kind of accept that we have to accept death right

0:11:29.160 --> 0:11:32.120
<v Speaker 2>on a personal level people we know, and even with ourselves,

0:11:32.160 --> 0:11:34.680
<v Speaker 2>but when it happens like that, it seems to me,

0:11:34.720 --> 0:11:37.800
<v Speaker 2>and this isn't like an official analysis, but it seems

0:11:37.840 --> 0:11:40.840
<v Speaker 2>to me that people kind of fight back a little

0:11:41.280 --> 0:11:45.080
<v Speaker 2>bit more. And then you have the kind of resurgence

0:11:45.240 --> 0:11:49.920
<v Speaker 2>of spiritualism in America certainly where Okay, we're not going

0:11:50.000 --> 0:11:53.280
<v Speaker 2>to deal with all this pain and misery of all

0:11:53.280 --> 0:11:57.680
<v Speaker 2>these people gone. We can talk to them. They're still here.

0:11:57.880 --> 0:12:00.720
<v Speaker 2>We can pierce the veil, and you have, all of

0:12:00.720 --> 0:12:06.079
<v Speaker 2>a sudden, all these believers coming out of everywhere. And

0:12:06.320 --> 0:12:08.760
<v Speaker 2>just like you said before, it's kind of that little

0:12:09.200 --> 0:12:12.839
<v Speaker 2>step from the scientific like kind of stepping up or

0:12:12.840 --> 0:12:15.680
<v Speaker 2>stepping down where you look at it, it gets easier

0:12:15.760 --> 0:12:18.400
<v Speaker 2>to do when there's so much death. And Okay, I

0:12:18.440 --> 0:12:20.320
<v Speaker 2>believe in this because I want to talk to my

0:12:20.800 --> 0:12:21.600
<v Speaker 2>brother who.

0:12:21.480 --> 0:12:24.320
<v Speaker 3>Died in the war, or my father or whoever.

0:12:24.600 --> 0:12:27.240
<v Speaker 1>Yeah, and it's that trauma of not just a death,

0:12:27.280 --> 0:12:30.880
<v Speaker 1>but with war it's not unexpected. But who what parent

0:12:31.000 --> 0:12:32.760
<v Speaker 1>is going to go in and think, you know that

0:12:32.800 --> 0:12:34.439
<v Speaker 1>my kid's going to be one of the ones who

0:12:34.480 --> 0:12:36.880
<v Speaker 1>are going to die. They're praying it doesn't happen. It's

0:12:36.880 --> 0:12:40.400
<v Speaker 1>that ripping that Lincoln felt, can you because I think

0:12:40.440 --> 0:12:42.080
<v Speaker 1>what I had seen too is, you know, it was

0:12:42.120 --> 0:12:45.319
<v Speaker 1>the rise after the Civil War where we hadn't experienced

0:12:45.360 --> 0:12:48.599
<v Speaker 1>for one hundred years that sort of you know, devastation,

0:12:49.320 --> 0:12:52.640
<v Speaker 1>and then Lincoln experienced it sort of directly, and that's

0:12:52.679 --> 0:12:55.240
<v Speaker 1>where we get the stories. Can you tell me about

0:12:55.240 --> 0:12:58.200
<v Speaker 1>Lincoln's experiences and his wife and all of that, just

0:12:58.200 --> 0:12:59.440
<v Speaker 1>a quick little summary.

0:12:59.720 --> 0:13:04.240
<v Speaker 2>Yeah, So Lincoln loses his son very famously, and it's

0:13:04.280 --> 0:13:07.160
<v Speaker 2>so tragic, and it's one of those stories that just

0:13:07.280 --> 0:13:11.200
<v Speaker 2>no matter what version you read, it's just it's awful.

0:13:11.360 --> 0:13:15.920
<v Speaker 2>It's true. I think historians agree that his wife, Mary

0:13:15.960 --> 0:13:20.400
<v Speaker 2>Todd Lincoln looked to mediums for help. Again, like you said,

0:13:20.400 --> 0:13:22.880
<v Speaker 2>the trauma, the grief, and she said that she would

0:13:23.040 --> 0:13:27.120
<v Speaker 2>go to bed every night and see Willie at the

0:13:27.120 --> 0:13:29.920
<v Speaker 2>foot of her bed, see his ghost, you know. And

0:13:29.960 --> 0:13:33.040
<v Speaker 2>this is a mother going through trauma and of course

0:13:33.080 --> 0:13:36.760
<v Speaker 2>she has. You know, people have tried to diagnose her

0:13:36.480 --> 0:13:40.480
<v Speaker 2>for decades and decades, but you know, going through going

0:13:40.520 --> 0:13:43.720
<v Speaker 2>through a lot, and so there's definite points that she

0:13:44.080 --> 0:13:48.400
<v Speaker 2>consulted with the medium. There's later on, after her husband dies,

0:13:48.440 --> 0:13:51.880
<v Speaker 2>she takes a famous spirit photograph with the ghost of

0:13:52.080 --> 0:13:55.479
<v Speaker 2>Abe Lincoln. And this is one thing that the spiritualists

0:13:55.679 --> 0:13:59.280
<v Speaker 2>later on in Houdini's time, point to. They say, well,

0:13:59.320 --> 0:14:03.880
<v Speaker 2>you should believe even spiritualism because Abe Lincoln did. As

0:14:03.920 --> 0:14:08.320
<v Speaker 2>for Abe himself, there's no tried and true proof, but

0:14:08.400 --> 0:14:12.480
<v Speaker 2>there are plenty of anecdotes and plenty of stories. You know, mediums.

0:14:12.640 --> 0:14:15.960
<v Speaker 2>There are a couple that would write books that say,

0:14:16.000 --> 0:14:19.800
<v Speaker 2>you know, I sat with the president. I blacked out

0:14:19.960 --> 0:14:24.000
<v Speaker 2>and came to and he said, well, thank you. You've

0:14:24.080 --> 0:14:27.840
<v Speaker 2>just solved the problem of slavery. So that the mediums

0:14:27.920 --> 0:14:30.880
<v Speaker 2>are acting as the president. And this is what causes

0:14:30.920 --> 0:14:35.040
<v Speaker 2>this dangerous kind of thing that that Whodini is worried.

0:14:34.800 --> 0:14:35.800
<v Speaker 3>Is going to happen again.

0:14:36.560 --> 0:14:38.720
<v Speaker 2>But yeah, so there's plenty of this, and a lot

0:14:38.720 --> 0:14:42.560
<v Speaker 2>of people even back then would claim Lincoln talk to

0:14:42.640 --> 0:14:46.040
<v Speaker 2>them or came to them for comfort at the time

0:14:46.120 --> 0:14:47.800
<v Speaker 2>of his greatest grief.

0:14:51.120 --> 0:14:54.280
<v Speaker 1>So tell me Houdini's story. He grows up, he becomes

0:14:54.280 --> 0:14:58.600
<v Speaker 1>this incredible, you know, magician and entertainer. Tell me, you

0:14:58.640 --> 0:15:00.440
<v Speaker 1>know where you want to start with the and what

0:15:00.600 --> 0:15:03.600
<v Speaker 1>his adventure is like. It starts with a curse, is

0:15:03.600 --> 0:15:04.440
<v Speaker 1>what it sounds like.

0:15:04.800 --> 0:15:09.520
<v Speaker 2>Yeah, I knew I couldn't do the big comprehensive biography

0:15:09.560 --> 0:15:13.240
<v Speaker 2>of Harry Houdini because that sounded like a lot of

0:15:13.280 --> 0:15:16.440
<v Speaker 2>work now, But I wanted to look at just this

0:15:16.760 --> 0:15:20.120
<v Speaker 2>part of his life where he fights spiritualism. It's kind

0:15:20.160 --> 0:15:22.760
<v Speaker 2>of the last two years of his life more or less.

0:15:22.880 --> 0:15:26.360
<v Speaker 2>Is he gets cursed by this famous there's a famous

0:15:26.400 --> 0:15:30.640
<v Speaker 2>medium in Boston, and he gets cursed and the spirit

0:15:30.680 --> 0:15:31.240
<v Speaker 2>says you're.

0:15:31.080 --> 0:15:31.560
<v Speaker 3>Going to die.

0:15:31.640 --> 0:15:35.480
<v Speaker 2>Houdini, enough is enough, and he doesn't take it seriously

0:15:35.600 --> 0:15:39.840
<v Speaker 2>at all, though there are some points later on he'll write, well,

0:15:39.920 --> 0:15:41.600
<v Speaker 2>if I get hit by a car, you're going to

0:15:41.680 --> 0:15:44.280
<v Speaker 2>say the curse worked. But sure enough, two years later

0:15:44.320 --> 0:15:47.920
<v Speaker 2>he's dead. So it's not that the curse worked, but

0:15:48.440 --> 0:15:50.280
<v Speaker 2>those are the facts. So I wanted to look at

0:15:50.320 --> 0:15:53.400
<v Speaker 2>those two years and see what he did and how

0:15:53.440 --> 0:15:56.480
<v Speaker 2>he did it to, like I said, fight against this

0:15:57.520 --> 0:16:01.120
<v Speaker 2>really powerful and you know, when you said, these are

0:16:01.160 --> 0:16:05.840
<v Speaker 2>powerful people. Spiritualism was a really powerful movement, and he

0:16:05.920 --> 0:16:10.040
<v Speaker 2>had found that they had infiltrated, you know, into kind

0:16:10.040 --> 0:16:14.040
<v Speaker 2>of all aspects, you know, not just the everyday American

0:16:14.120 --> 0:16:16.800
<v Speaker 2>who would go to a seants now and again as

0:16:16.840 --> 0:16:22.360
<v Speaker 2>a kind of this weird kind of spiritual entertainment, but

0:16:22.640 --> 0:16:28.320
<v Speaker 2>also into things like churches and businesses and even government.

0:16:28.880 --> 0:16:31.040
<v Speaker 2>So that's the part I wanted to focus on.

0:16:31.480 --> 0:16:34.760
<v Speaker 1>I'm wondering, you know, Houdini, just from my research with

0:16:34.840 --> 0:16:38.280
<v Speaker 1>Ghost Club, had clashed with quite a few people. You

0:16:38.320 --> 0:16:41.160
<v Speaker 1>had people who really believed deeply in spiritualism, and then

0:16:41.400 --> 0:16:43.960
<v Speaker 1>there were quite a lot of skeptics, and then there

0:16:43.960 --> 0:16:46.400
<v Speaker 1>were some in the middle. So do you get very

0:16:46.480 --> 0:16:53.040
<v Speaker 1>much into Houdini's very famous sort of a dissolving relationship

0:16:53.080 --> 0:16:56.400
<v Speaker 1>with Arthur Conan Doyle of Sherlock Holmes, who was an

0:16:56.440 --> 0:17:01.240
<v Speaker 1>incredible devoted spiritualist and you know, believed his wife was

0:17:01.320 --> 0:17:04.239
<v Speaker 1>automatic writing, I think is what his wife did. So

0:17:04.320 --> 0:17:07.199
<v Speaker 1>tell me, you know what about that relationship is before

0:17:07.400 --> 0:17:10.399
<v Speaker 1>the curse happens after that relationship or before it starts

0:17:10.400 --> 0:17:11.320
<v Speaker 1>to crumble.

0:17:11.800 --> 0:17:13.320
<v Speaker 2>Kind of around the same time, and I have a

0:17:13.359 --> 0:17:17.400
<v Speaker 2>great story for that. So Doyle and Houdini are at

0:17:17.440 --> 0:17:21.440
<v Speaker 2>one point great friends because Houdini wants to be the

0:17:21.680 --> 0:17:26.600
<v Speaker 2>perfect American, like really likes being friends with celebrities. He

0:17:26.640 --> 0:17:30.840
<v Speaker 2>thinks it's really cool, and he really respects Sir Arthur

0:17:30.880 --> 0:17:34.280
<v Speaker 2>and so forth. And then, as you alluded to, Sir

0:17:34.400 --> 0:17:37.600
<v Speaker 2>Arthur after World War One has a lot of loss

0:17:37.640 --> 0:17:41.920
<v Speaker 2>in his life and turns completely to spiritualism and becomes

0:17:42.080 --> 0:17:46.960
<v Speaker 2>really the most famous figurehead of the movement and speaks

0:17:47.359 --> 0:17:52.320
<v Speaker 2>really eloquently and goes on lecture tours and has slides

0:17:52.440 --> 0:17:57.040
<v Speaker 2>of just ghosts everywhere and converts people on the.

0:17:56.960 --> 0:17:59.879
<v Speaker 1>Spot and believes everybody. I think, I don't know if

0:17:59.920 --> 0:18:03.200
<v Speaker 1>I remember him criticizing any medium that he ran across.

0:18:03.200 --> 0:18:04.600
<v Speaker 1>He believed everything they said.

0:18:05.000 --> 0:18:09.600
<v Speaker 2>What drives Houdini nuts is that Sir Arthur, who is

0:18:09.880 --> 0:18:13.960
<v Speaker 2>very smart and like you said, it creates homes right,

0:18:14.359 --> 0:18:19.320
<v Speaker 2>the ultimate detective. What drives Houdini nuts is that Doyle

0:18:19.920 --> 0:18:23.680
<v Speaker 2>will find a way to explain every little thing. So

0:18:23.760 --> 0:18:27.960
<v Speaker 2>if a medium makes a mistake, Doyle has a reason why.

0:18:28.280 --> 0:18:31.760
<v Speaker 2>So a great example of this is Doyle invites Houdini

0:18:31.840 --> 0:18:35.640
<v Speaker 2>and his wife Bess to Atlantic City for a small

0:18:35.760 --> 0:18:40.240
<v Speaker 2>vacation with the family, et cetera. And while they're there, Doyle,

0:18:40.280 --> 0:18:44.320
<v Speaker 2>who's constantly trying to convert Houdini, says, you know, sit

0:18:44.359 --> 0:18:48.840
<v Speaker 2>with my wife and she will do a seance for

0:18:48.920 --> 0:18:52.760
<v Speaker 2>your mother. Houdini's mother had died in nineteen thirteen. They're

0:18:52.920 --> 0:18:58.960
<v Speaker 2>famously extremely close, and this really affects Sudini in a

0:18:59.080 --> 0:19:02.000
<v Speaker 2>great way. So they sit for the seance and she does,

0:19:02.119 --> 0:19:05.720
<v Speaker 2>like he says, automatic writing. She becomes possessed, her eyes

0:19:05.800 --> 0:19:08.200
<v Speaker 2>roll back in her head and she just starts writing.

0:19:08.760 --> 0:19:12.440
<v Speaker 2>And she presents these pages to Houdini and they're from

0:19:12.520 --> 0:19:14.840
<v Speaker 2>his mother, and she says, I miss you so much.

0:19:14.880 --> 0:19:17.239
<v Speaker 2>I can't wait till you come join me. It's so

0:19:17.400 --> 0:19:22.000
<v Speaker 2>wonderful here and so on and so forth. And Houdini

0:19:22.280 --> 0:19:24.880
<v Speaker 2>stares at her and he says, this is I'm paraphrasing.

0:19:24.960 --> 0:19:28.320
<v Speaker 2>He says, this is fine, but he says, my mother

0:19:28.440 --> 0:19:32.320
<v Speaker 2>never spoke a word of English. She was Hungarian, and

0:19:32.359 --> 0:19:35.080
<v Speaker 2>so of course the automatic writing was all in English.

0:19:35.400 --> 0:19:40.920
<v Speaker 2>And Sir Arthur says, well, in the afterlife they have

0:19:41.080 --> 0:19:45.200
<v Speaker 2>spiritual colleges, and she would have learned English by that,

0:19:45.400 --> 0:19:49.520
<v Speaker 2>Oh God. And Houdini's furious. And that's when the fight

0:19:49.680 --> 0:19:51.560
<v Speaker 2>is well and truly on.

0:19:52.040 --> 0:19:55.720
<v Speaker 1>Well because he's insulting Doyle's wife. Not just a medium.

0:19:56.280 --> 0:19:58.840
<v Speaker 1>I mean, this is Doyle's wife who he just absolutely

0:19:58.960 --> 0:20:02.359
<v Speaker 1>adored and believe and oh yeah, said she was brilliant,

0:20:02.560 --> 0:20:05.040
<v Speaker 1>and so yeah, that's pretty incredible. That must have been

0:20:05.160 --> 0:20:10.120
<v Speaker 1>very uncomfortable after that happened. So the curse comes up,

0:20:10.359 --> 0:20:13.480
<v Speaker 1>and let's say the medium was fake. What would be

0:20:13.480 --> 0:20:16.840
<v Speaker 1>the motivation do you think for a medium to declare

0:20:17.240 --> 0:20:19.920
<v Speaker 1>that one of the most famous people in the world

0:20:20.680 --> 0:20:23.439
<v Speaker 1>is going to die in the next however many years,

0:20:23.440 --> 0:20:24.360
<v Speaker 1>what's that motivation?

0:20:25.240 --> 0:20:26.639
<v Speaker 3>Yeah, I mean that's the question.

0:20:26.800 --> 0:20:31.280
<v Speaker 2>Because the Spiritualists, like I said, were very powerful, and

0:20:31.560 --> 0:20:36.400
<v Speaker 2>they had a governing body called the National Spiritualists Association,

0:20:37.080 --> 0:20:41.920
<v Speaker 2>who's still around today. And they were really awesome. And

0:20:42.119 --> 0:20:46.480
<v Speaker 2>when I dealt with them, they gave me their secret

0:20:46.480 --> 0:20:50.240
<v Speaker 2>file they had on Houdini, which was really cool and

0:20:50.280 --> 0:20:53.480
<v Speaker 2>a lot of other really great stuff. They're super nice,

0:20:54.119 --> 0:20:57.119
<v Speaker 2>they were very powerful, they were making a lot of money.

0:20:57.520 --> 0:21:02.080
<v Speaker 2>Most of them, to a person, hated Houdini because if

0:21:02.160 --> 0:21:04.760
<v Speaker 2>he had his way, they would be out of a job.

0:21:04.920 --> 0:21:08.000
<v Speaker 2>They would be out of a very lucrative job. Mediums

0:21:08.040 --> 0:21:11.840
<v Speaker 2>were like making a lot of money and Houdini ultimately,

0:21:12.359 --> 0:21:14.600
<v Speaker 2>you know, one of the big narratives in the book

0:21:14.720 --> 0:21:18.880
<v Speaker 2>is he testifies before Congress and in support of a

0:21:19.000 --> 0:21:21.320
<v Speaker 2>bill that it's kind of a small bill, it's an

0:21:21.359 --> 0:21:24.720
<v Speaker 2>anti fortune telling bill, but it's one of those bills

0:21:24.760 --> 0:21:28.119
<v Speaker 2>that can be interpreted as you know, kind of putting

0:21:28.160 --> 0:21:33.960
<v Speaker 2>restrictions on spiritualism and spiritualist readings. There would be a

0:21:34.040 --> 0:21:37.880
<v Speaker 2>license fee, there would be all this other sorts of stuff.

0:21:37.920 --> 0:21:40.359
<v Speaker 2>So they were looking, they were making a lot of money,

0:21:40.400 --> 0:21:43.440
<v Speaker 2>and they saw Houdini as a threat. And you could

0:21:43.440 --> 0:21:46.000
<v Speaker 2>see this, and they would have all these conferences like

0:21:46.080 --> 0:21:49.040
<v Speaker 2>all over the world, and they would just shout out

0:21:49.359 --> 0:21:52.800
<v Speaker 2>how terrible Houdini was and he was just the worst

0:21:52.880 --> 0:21:56.960
<v Speaker 2>thing to happen to the movement, and that people must

0:21:57.000 --> 0:21:59.640
<v Speaker 2>shut their eyes to what he was saying and believe

0:21:59.680 --> 0:22:04.080
<v Speaker 2>in the afterlife, believe in what their relatives were telling them.

0:22:04.400 --> 0:22:06.640
<v Speaker 2>So when I started to see that in all these

0:22:06.680 --> 0:22:10.640
<v Speaker 2>speeches that were just too spiritualist, it made me realize

0:22:10.720 --> 0:22:14.760
<v Speaker 2>that they were taking this much more seriously than a

0:22:14.880 --> 0:22:18.679
<v Speaker 2>kind of parlor trick of let's spook Udini and curse them.

0:22:18.880 --> 0:22:22.680
<v Speaker 1>You would think that must dim from complaints or something

0:22:23.280 --> 0:22:25.560
<v Speaker 1>of the way I framed it in Ghost Club is

0:22:25.760 --> 0:22:28.479
<v Speaker 1>picturing a woman who was scraping together all of her

0:22:28.520 --> 0:22:31.440
<v Speaker 1>money because she lost her son in World War One.

0:22:32.040 --> 0:22:34.480
<v Speaker 1>And you know, I'm not talking about these influential men

0:22:34.520 --> 0:22:36.880
<v Speaker 1>who had you know, millions, hundreds of thousands and would

0:22:36.920 --> 0:22:40.200
<v Speaker 1>meet in London like the woman who is saving all

0:22:40.240 --> 0:22:42.959
<v Speaker 1>of her money and maybe not even feeding her kids

0:22:43.000 --> 0:22:45.720
<v Speaker 1>because she wants to connect with her dead soldier son

0:22:45.880 --> 0:22:48.400
<v Speaker 1>one more time. Do you think that was the motivation

0:22:48.520 --> 0:22:50.200
<v Speaker 1>or do you think there was some sort of weird

0:22:50.600 --> 0:22:55.679
<v Speaker 1>competition between the standard religions you know as we know

0:22:55.800 --> 0:22:57.480
<v Speaker 1>it and spiritualism.

0:22:57.680 --> 0:22:59.000
<v Speaker 3>I think yes to all that.

0:22:59.160 --> 0:23:03.240
<v Speaker 2>I think there was definitely this kind of lower middle

0:23:03.280 --> 0:23:08.520
<v Speaker 2>class appeal to spiritualism. Those are the folks that lost

0:23:08.560 --> 0:23:13.639
<v Speaker 2>the most people in both tragedies, and also kind of

0:23:14.000 --> 0:23:15.760
<v Speaker 2>I don't want to say, but more like kind of

0:23:16.000 --> 0:23:20.159
<v Speaker 2>open to this kind of alternative religion. Even though they

0:23:20.200 --> 0:23:23.320
<v Speaker 2>said it was never a religion, it totally was. But

0:23:23.720 --> 0:23:28.680
<v Speaker 2>it was also a competition with Houdini for entertainment dollars,

0:23:29.240 --> 0:23:32.000
<v Speaker 2>you know, because people pointed out and it's hard not

0:23:32.119 --> 0:23:34.919
<v Speaker 2>to see it that way. That is he kind of

0:23:35.240 --> 0:23:37.760
<v Speaker 2>is that the apex of his career and this other

0:23:38.240 --> 0:23:43.280
<v Speaker 2>like movement is in every city in America, you have people,

0:23:43.320 --> 0:23:45.120
<v Speaker 2>you know, what should I pay for? Should I go

0:23:45.400 --> 0:23:50.240
<v Speaker 2>punt down money for the magician or for another kind

0:23:50.240 --> 0:23:52.960
<v Speaker 2>of magician that would let me talk to like you said,

0:23:53.000 --> 0:23:54.040
<v Speaker 2>my dead son.

0:23:57.240 --> 0:24:00.560
<v Speaker 1>So his relationship with Doyle is sort of this integrated.

0:24:00.960 --> 0:24:04.879
<v Speaker 1>He gets this curse and he's also testing mediums. I

0:24:04.920 --> 0:24:07.359
<v Speaker 1>think is from what I remember. Can you tell me

0:24:07.400 --> 0:24:09.520
<v Speaker 1>some of the good stories that you came up with,

0:24:09.640 --> 0:24:13.080
<v Speaker 1>because I remember a pair of brothers who would drag

0:24:13.160 --> 0:24:16.399
<v Speaker 1>a a closet I think, are a cupboard all over

0:24:16.480 --> 0:24:20.240
<v Speaker 1>America and the Davenport brothers, I think, yeah, right, and

0:24:20.280 --> 0:24:22.119
<v Speaker 1>then you would hear Knox, and you would hear a

0:24:22.119 --> 0:24:23.880
<v Speaker 1>piano playing and all kinds of stuff, and the two

0:24:23.880 --> 0:24:26.719
<v Speaker 1>guys were standing there. So there were a lot of

0:24:26.760 --> 0:24:31.840
<v Speaker 1>opportunities to disprove table spinning and the automatic writing, and

0:24:32.000 --> 0:24:35.320
<v Speaker 1>there were physical tools that medium used. So was he

0:24:35.800 --> 0:24:38.080
<v Speaker 1>able to dispel some stuff in a creative way?

0:24:38.440 --> 0:24:38.800
<v Speaker 3>Yeah?

0:24:38.920 --> 0:24:41.720
<v Speaker 2>I describe parts of this to somebody. They said, well

0:24:41.760 --> 0:24:44.760
<v Speaker 2>is this scary? Is this book scary? And I'm like, well, yeah,

0:24:44.840 --> 0:24:47.200
<v Speaker 2>some parts are terrifying, but some parts are like really

0:24:47.280 --> 0:24:51.400
<v Speaker 2>hilarious because some of the stuff that both sides would do,

0:24:51.920 --> 0:24:54.920
<v Speaker 2>that the spiritualists would do to try and convince their

0:24:55.840 --> 0:24:58.200
<v Speaker 2>people who had paid good money, but then the people

0:24:58.200 --> 0:25:00.240
<v Speaker 2>are trying to catch them. It's just really this cat

0:25:00.280 --> 0:25:04.679
<v Speaker 2>and mouse. So Houdini had this group that he called

0:25:04.760 --> 0:25:08.640
<v Speaker 2>the Secret Service because he kind of saw himself as

0:25:08.680 --> 0:25:12.040
<v Speaker 2>this kind of president of magic, which he really was,

0:25:13.000 --> 0:25:14.720
<v Speaker 2>but he had this group called the Secret Service, and

0:25:14.760 --> 0:25:17.919
<v Speaker 2>they would go around the entire country. They would usually

0:25:18.400 --> 0:25:20.520
<v Speaker 2>go ahead of him where he would go on tour

0:25:20.600 --> 0:25:23.600
<v Speaker 2>and kind of stake the place out. And some of

0:25:23.600 --> 0:25:26.919
<v Speaker 2>the best parts of this is that they were mostly women.

0:25:27.680 --> 0:25:29.639
<v Speaker 2>His best agents were women.

0:25:29.880 --> 0:25:32.880
<v Speaker 1>Do you think mediums that's their number one client when

0:25:32.920 --> 0:25:36.280
<v Speaker 1>they think it's women mostly? Yeah, interesting, Yeah, that was

0:25:36.320 --> 0:25:36.880
<v Speaker 1>the reason.

0:25:37.160 --> 0:25:41.480
<v Speaker 2>And it was because people, you know, thought the secret

0:25:41.520 --> 0:25:45.560
<v Speaker 2>agent would be the guy, and also that they said

0:25:45.720 --> 0:25:50.639
<v Speaker 2>that the woman agent could disguise herself in a number

0:25:50.680 --> 0:25:54.080
<v Speaker 2>of different ways. So his number one agent, and my

0:25:54.280 --> 0:25:57.600
<v Speaker 2>favorite person in the whole book was this woman named

0:25:58.040 --> 0:26:02.639
<v Speaker 2>Rose Mackenberg and she was from Brooklyn and she just

0:26:02.720 --> 0:26:06.200
<v Speaker 2>got hooked up with Houdini in kind of a really

0:26:06.240 --> 0:26:09.399
<v Speaker 2>weird way. She goes to a seance and she just

0:26:09.560 --> 0:26:13.719
<v Speaker 2>totally debunks it because she's just this no nonsense, you know,

0:26:13.880 --> 0:26:17.119
<v Speaker 2>don't tell me this is a ghost when it's really this.

0:26:17.400 --> 0:26:22.600
<v Speaker 2>And he hires her and she goes on this solo crusade,

0:26:23.080 --> 0:26:25.800
<v Speaker 2>even away from Houdini but working for him, of just

0:26:25.840 --> 0:26:28.840
<v Speaker 2>shutting down all these mediums. And she has a million stories,

0:26:28.880 --> 0:26:32.600
<v Speaker 2>like there's one like you said, where instruments would play

0:26:33.200 --> 0:26:36.240
<v Speaker 2>and there was a drum playing and a trumpet was

0:26:36.280 --> 0:26:39.760
<v Speaker 2>playing and this is all and everyone can see this,

0:26:39.920 --> 0:26:41.919
<v Speaker 2>and the idea is that, oh, it must be the

0:26:42.000 --> 0:26:45.399
<v Speaker 2>spirits who are doing right, and Rose just refused to

0:26:45.440 --> 0:26:48.199
<v Speaker 2>believe it. So she comes back the next night. She

0:26:48.680 --> 0:26:53.919
<v Speaker 2>disguises herself as this old lady, and once the lights

0:26:53.960 --> 0:26:57.440
<v Speaker 2>go out and they start doing it again, she gets

0:26:57.480 --> 0:27:00.240
<v Speaker 2>off her seat and crawls around the room and she

0:27:00.359 --> 0:27:04.240
<v Speaker 2>goes behind the drum, the bass drum, and looks inside

0:27:04.280 --> 0:27:07.879
<v Speaker 2>and she's like, will I touch ectoplayism? And she writes

0:27:07.920 --> 0:27:10.280
<v Speaker 2>all these great like diaries and stuff, so we have

0:27:10.440 --> 0:27:14.600
<v Speaker 2>this awesome first person view of it all, and she

0:27:14.720 --> 0:27:18.800
<v Speaker 2>finds there's a guy in there, a little person who's

0:27:18.840 --> 0:27:21.560
<v Speaker 2>just banging the drum, and there's this great moment where

0:27:21.880 --> 0:27:24.720
<v Speaker 2>they both just stare at each other because they're terrified

0:27:25.160 --> 0:27:27.240
<v Speaker 2>that one's gonna tell on the other, and they just

0:27:27.359 --> 0:27:30.920
<v Speaker 2>back off and she later, you know, busts the medium

0:27:30.920 --> 0:27:33.600
<v Speaker 2>and it's all over. But there's there's just so many

0:27:33.680 --> 0:27:37.880
<v Speaker 2>stories like this of these people who weren't Houdini but

0:27:38.040 --> 0:27:42.160
<v Speaker 2>believed in his crusade that would go and break down

0:27:42.240 --> 0:27:45.760
<v Speaker 2>even you know, from the simplest local spirit medium too.

0:27:45.880 --> 0:27:50.560
<v Speaker 2>There's another there's a journalist named Virginia Swain who gets

0:27:50.560 --> 0:27:55.520
<v Speaker 2>sent to He sends to a spiritualist camp in Illinois

0:27:55.520 --> 0:27:59.480
<v Speaker 2>called Chesterfield. It's still there today, and she's there for

0:27:59.520 --> 0:28:02.560
<v Speaker 2>a couple weeks and the stuff that happens is just

0:28:02.840 --> 0:28:07.399
<v Speaker 2>completely bananas. But at the end they discover who she

0:28:07.600 --> 0:28:10.760
<v Speaker 2>is and they try to lyncher, but she gets out

0:28:10.760 --> 0:28:14.080
<v Speaker 2>in time and reports it to the newspapers and it

0:28:14.119 --> 0:28:15.159
<v Speaker 2>runs in syndication.

0:28:15.880 --> 0:28:21.720
<v Speaker 1>It's amazing. And you know the stories of debunking these mediums,

0:28:21.880 --> 0:28:24.280
<v Speaker 1>I mean, they've range from what I found, They ranged

0:28:24.320 --> 0:28:27.959
<v Speaker 1>to really simple spotting. So you know, we can talk

0:28:28.000 --> 0:28:32.040
<v Speaker 1>about One of my favorite things is the spiritual photography.

0:28:32.040 --> 0:28:33.760
<v Speaker 1>I can't remember if there's a is there a phrase

0:28:33.800 --> 0:28:35.280
<v Speaker 1>for that or is that what it is?

0:28:35.560 --> 0:28:36.520
<v Speaker 3>Yeah? Spirit photos?

0:28:36.600 --> 0:28:40.080
<v Speaker 1>Yeah, yeah, and you know the idea of the double exposure,

0:28:40.200 --> 0:28:44.480
<v Speaker 1>and people didn't really understand that, So did Whodini. Do

0:28:44.560 --> 0:28:46.960
<v Speaker 1>you think, like, how would he know or how were

0:28:47.000 --> 0:28:50.680
<v Speaker 1>these people know what to look for? And how would

0:28:50.720 --> 0:28:55.040
<v Speaker 1>they not get exposed to the medium world? You know,

0:28:55.160 --> 0:28:58.240
<v Speaker 1>as well, somebody's out there looking at you. Be careful

0:28:58.240 --> 0:29:00.480
<v Speaker 1>and this is how you might change yourself so that

0:29:00.520 --> 0:29:02.000
<v Speaker 1>you don't get caught or something like that.

0:29:02.640 --> 0:29:04.320
<v Speaker 3>Oh, that's such a great question. Yeah.

0:29:04.400 --> 0:29:08.040
<v Speaker 2>They were terrified of that. They were terrified that he

0:29:08.080 --> 0:29:11.120
<v Speaker 2>would come to town. They were terrified that he was

0:29:11.320 --> 0:29:16.040
<v Speaker 2>in the room disguised. He was their worst nightmare. And

0:29:16.240 --> 0:29:19.200
<v Speaker 2>the cool thing I found about Whodini is that he

0:29:19.240 --> 0:29:21.480
<v Speaker 2>would kind of he just assumed it was all fake.

0:29:22.160 --> 0:29:25.320
<v Speaker 2>And the way he would know for sure is if

0:29:25.360 --> 0:29:27.960
<v Speaker 2>he could replicate it, because that's how he did his

0:29:28.000 --> 0:29:30.080
<v Speaker 2>magic tricks. He would see a magic trick and say,

0:29:30.080 --> 0:29:31.840
<v Speaker 2>well I can do that, and they'd figure it out.

0:29:32.280 --> 0:29:35.960
<v Speaker 2>So with the Spirit photos, he just got a camera

0:29:36.240 --> 0:29:39.720
<v Speaker 2>and just messed around with it at his house in Harlem,

0:29:40.160 --> 0:29:43.400
<v Speaker 2>and they just there's stories of him and his brother,

0:29:43.680 --> 0:29:46.240
<v Speaker 2>just like you know, messing around with this camera for hours,

0:29:47.000 --> 0:29:50.640
<v Speaker 2>and he eventually produces a series of photos and he

0:29:50.720 --> 0:29:55.040
<v Speaker 2>produces one a very famous one where he's talking to Lincoln,

0:29:55.360 --> 0:29:58.640
<v Speaker 2>and he releases this one and some of the New

0:29:58.720 --> 0:30:02.120
<v Speaker 2>York papers pick it up, like Whodini sees the light,

0:30:02.240 --> 0:30:06.520
<v Speaker 2>Whodini speaks to Lincoln. And then he comes around, you know,

0:30:06.600 --> 0:30:09.120
<v Speaker 2>after all this and says, you know, you're all morons.

0:30:09.200 --> 0:30:11.000
<v Speaker 3>I did this in my basement.

0:30:11.520 --> 0:30:13.840
<v Speaker 2>And then he shows how he does it like he

0:30:13.880 --> 0:30:17.360
<v Speaker 2>does like a newspaper or magazine article where he goes

0:30:17.360 --> 0:30:20.360
<v Speaker 2>step by step how he made the spirit photo. So

0:30:20.400 --> 0:30:23.680
<v Speaker 2>he tries to debunk it and make it as practical

0:30:23.720 --> 0:30:24.520
<v Speaker 2>as possible.

0:30:24.840 --> 0:30:27.640
<v Speaker 1>Do you think that convinced people? And the press is

0:30:27.720 --> 0:30:31.560
<v Speaker 1>covering it right? Does this get through to the people?

0:30:31.720 --> 0:30:33.840
<v Speaker 1>And it was an extraordinary number. I can't remember how

0:30:33.880 --> 0:30:36.800
<v Speaker 1>many Americans it was, one hundred thousand or something associated

0:30:36.800 --> 0:30:39.920
<v Speaker 1>themselves with spiritualism in the twenties a lot. Did you

0:30:39.960 --> 0:30:41.040
<v Speaker 1>have a better number than that?

0:30:41.320 --> 0:30:43.800
<v Speaker 2>I did not have a number, and I think it

0:30:44.080 --> 0:30:48.160
<v Speaker 2>was a ton more. Yeah, because just looking at like

0:30:48.400 --> 0:30:53.520
<v Speaker 2>every city in the newspaper they would advertise, so even

0:30:53.560 --> 0:30:55.840
<v Speaker 2>if they didn't have a church like New York and

0:30:56.000 --> 0:30:58.760
<v Speaker 2>DC and all the big cities would have a church

0:30:59.040 --> 0:31:03.560
<v Speaker 2>or many church, but there were always people coming around

0:31:04.240 --> 0:31:07.040
<v Speaker 2>or that were just camped out there as like your

0:31:07.080 --> 0:31:10.800
<v Speaker 2>local media, right, I've heard one hundred the same for

0:31:10.920 --> 0:31:14.000
<v Speaker 2>people that were kind of card carrying members. But there

0:31:14.000 --> 0:31:17.360
<v Speaker 2>were so many that were just doing it, going to

0:31:17.440 --> 0:31:20.800
<v Speaker 2>the seances, talking these people, paying to these people. So

0:31:20.960 --> 0:31:24.360
<v Speaker 2>it's hard to think. But your first question is the

0:31:24.400 --> 0:31:27.840
<v Speaker 2>best one, is like did this work? Did he convince anybody?

0:31:28.240 --> 0:31:31.560
<v Speaker 2>Because that's the one I really wanted to know, because

0:31:31.600 --> 0:31:35.440
<v Speaker 2>I think that resonates today a little bit. You know,

0:31:35.520 --> 0:31:40.800
<v Speaker 2>here's all this overwhelming evidence. Can I convince you? No? Okay,

0:31:41.480 --> 0:31:44.600
<v Speaker 2>So I don't know if it convinced as many people.

0:31:44.960 --> 0:31:47.640
<v Speaker 2>I know it didn't convince as many people as he

0:31:47.760 --> 0:31:48.360
<v Speaker 2>wanted it to.

0:31:49.640 --> 0:31:53.000
<v Speaker 1>And he never expressed doubts in any way. I mean

0:31:53.040 --> 0:31:56.760
<v Speaker 1>with the loss of his mother. So William Yates, the poet,

0:31:56.760 --> 0:31:58.680
<v Speaker 1>the famous poet, was also in the ghost Club. He

0:31:58.760 --> 0:32:01.600
<v Speaker 1>had lost his mother also, and that is what tipped

0:32:01.640 --> 0:32:06.320
<v Speaker 1>him into spiritualism. Was this just awful loss. So it's

0:32:06.320 --> 0:32:09.040
<v Speaker 1>interesting when one one way goes, you know, one person

0:32:09.080 --> 0:32:11.240
<v Speaker 1>goes one way and one goes the other. And it

0:32:11.240 --> 0:32:14.560
<v Speaker 1>seems like Houdini was angry about being lied to about

0:32:14.560 --> 0:32:17.160
<v Speaker 1>his mother, and that's kind of what at least the

0:32:17.160 --> 0:32:19.880
<v Speaker 1>emotional part of it. What about his wife, What did

0:32:19.880 --> 0:32:20.720
<v Speaker 1>his wife believe?

0:32:20.880 --> 0:32:21.960
<v Speaker 3>Was it best best?

0:32:22.120 --> 0:32:27.520
<v Speaker 2>Yeah, Houdini did try to reach his mother through mediums,

0:32:28.000 --> 0:32:30.720
<v Speaker 2>and it was almost I think it was doomed to

0:32:30.760 --> 0:32:34.920
<v Speaker 2>fail because he kind of knew it wasn't going to work.

0:32:34.960 --> 0:32:37.320
<v Speaker 2>But there's lots of stories and lots of anecdotes that

0:32:37.360 --> 0:32:39.560
<v Speaker 2>he did try and he was kept trying, and that

0:32:39.960 --> 0:32:42.960
<v Speaker 2>one of the main reasons he went after this, just

0:32:43.000 --> 0:32:45.640
<v Speaker 2>like you said went after the spiritualist, is because they

0:32:45.720 --> 0:32:49.600
<v Speaker 2>let him down. It was also because there he had

0:32:49.680 --> 0:32:52.280
<v Speaker 2>all these scrap books that he collected of all these

0:32:52.440 --> 0:32:56.920
<v Speaker 2>evil things that spiritualism had done to people who like

0:32:57.040 --> 0:33:01.240
<v Speaker 2>driving them to suicide or kill their parents. But Bess

0:33:01.360 --> 0:33:05.680
<v Speaker 2>is the real enigma because no one knows what she was.

0:33:05.760 --> 0:33:09.720
<v Speaker 2>His constant companion. She was more than you know, just

0:33:09.800 --> 0:33:13.280
<v Speaker 2>the kind of magician's wife. She was his assistant on

0:33:13.360 --> 0:33:16.480
<v Speaker 2>stage forever in the beginning, and then kind of you know,

0:33:16.560 --> 0:33:20.160
<v Speaker 2>did some more behind the scenes stuff as to what

0:33:20.200 --> 0:33:25.680
<v Speaker 2>she believed nobody knows. There's very little left behind. After

0:33:25.800 --> 0:33:30.080
<v Speaker 2>Houdini died, she started doing a seance for him to

0:33:30.240 --> 0:33:33.040
<v Speaker 2>contact him. But it's hard to tell, like how much

0:33:33.040 --> 0:33:36.280
<v Speaker 2>of that was heartfelt and how much of that was

0:33:36.360 --> 0:33:40.560
<v Speaker 2>a kind of promotional stunt, right, yeahmative, But during the

0:33:40.960 --> 0:33:44.480
<v Speaker 2>mix of it, when it's when Houdini's cursed and you know,

0:33:44.560 --> 0:33:49.520
<v Speaker 2>in his crusade, it's really hard to see what she thought.

0:33:49.680 --> 0:33:53.040
<v Speaker 2>She was a real enigma to me, and I found

0:33:53.080 --> 0:33:56.240
<v Speaker 2>something about her. I think about her in the book

0:33:56.280 --> 0:33:58.680
<v Speaker 2>that I put in an epilogue that might be kind

0:33:58.680 --> 0:34:01.000
<v Speaker 2>of like the missing key to all of it.

0:34:01.400 --> 0:34:05.800
<v Speaker 1>Does Houdini throughout all of this, is he ever stumped?

0:34:06.120 --> 0:34:09.920
<v Speaker 1>Do you think by a medium or you know, somebody

0:34:10.080 --> 0:34:12.719
<v Speaker 1>who is you know, claiming to be I mean they

0:34:12.760 --> 0:34:14.160
<v Speaker 1>called him a lot of different things. It was like

0:34:14.239 --> 0:34:18.279
<v Speaker 1>mystic mediums. Yeah, the people who were kind of the conductors.

0:34:18.680 --> 0:34:21.239
<v Speaker 1>Did he find anybody who stumped him or that you

0:34:21.320 --> 0:34:23.879
<v Speaker 1>know of, or where he came close to saying.

0:34:23.880 --> 0:34:27.279
<v Speaker 3>Maybe, I don't know, Yeah, there was one, and there's

0:34:27.320 --> 0:34:27.680
<v Speaker 3>only one.

0:34:27.800 --> 0:34:30.759
<v Speaker 2>Because you get this feeling that he Whodini was kind

0:34:30.760 --> 0:34:34.239
<v Speaker 2>of I mean, he fascinates me. I don't claim to

0:34:34.320 --> 0:34:37.520
<v Speaker 2>know him at all. He's one of those subjects where

0:34:37.560 --> 0:34:39.480
<v Speaker 2>you just kind of have to write all the way

0:34:39.480 --> 0:34:42.200
<v Speaker 2>around him and then you get kind of kind of

0:34:42.239 --> 0:34:43.800
<v Speaker 2>get a sense of it. But a lot of times

0:34:43.840 --> 0:34:46.080
<v Speaker 2>I think he was kind of a jerk. Like people

0:34:46.080 --> 0:34:49.000
<v Speaker 2>would say, here's my medium act you mean, he would

0:34:49.040 --> 0:34:51.960
<v Speaker 2>just say, no, that's bunk, that's you know, that's ridiculous.

0:34:52.080 --> 0:34:54.400
<v Speaker 2>There was one that stumped him that he didn't know

0:34:54.440 --> 0:34:57.080
<v Speaker 2>how they did it. There was some woman who had

0:34:57.120 --> 0:35:01.080
<v Speaker 2>died in Los Angeles. They took a picture of her

0:35:01.160 --> 0:35:04.839
<v Speaker 2>casket because it's you know, that's what people did, and

0:35:05.080 --> 0:35:08.840
<v Speaker 2>there was this weird light around it, like by her head.

0:35:09.520 --> 0:35:12.520
<v Speaker 2>And for some reason he always would come back and say,

0:35:12.600 --> 0:35:15.520
<v Speaker 2>this is the one I couldn't explain. And I don't

0:35:15.520 --> 0:35:17.600
<v Speaker 2>know why, because it seems like that would be like

0:35:17.760 --> 0:35:22.680
<v Speaker 2>the most easiest thing to do. But for whatever reason,

0:35:22.760 --> 0:35:25.600
<v Speaker 2>he said, and he would said this a bunch of times,

0:35:25.680 --> 0:35:27.680
<v Speaker 2>this is the one I cannot explain.

0:35:27.960 --> 0:35:31.960
<v Speaker 1>It's interesting. I wonder what people think with spirit photography.

0:35:32.120 --> 0:35:34.080
<v Speaker 1>I think it was William Hope was the big one,

0:35:34.200 --> 0:35:37.160
<v Speaker 1>the big spirit. He was the one who had Doyle

0:35:37.239 --> 0:35:41.280
<v Speaker 1>with Lincoln and you know, some really famous photos. Yeah,

0:35:41.320 --> 0:35:44.880
<v Speaker 1>I wonder what the explanation was for why still film

0:35:45.000 --> 0:35:48.640
<v Speaker 1>would be able to pick up on a spirit or

0:35:48.800 --> 0:35:50.919
<v Speaker 1>a light associated with the spirit with that the human

0:35:50.960 --> 0:35:53.280
<v Speaker 1>eye wouldn't come up with. And I always just thought

0:35:53.640 --> 0:35:56.600
<v Speaker 1>I wish somebody could explain what they were thinking with that.

0:35:56.600 --> 0:35:59.560
<v Speaker 2>That's a great question, because I think we take that

0:35:59.719 --> 0:36:04.440
<v Speaker 2>for ranted. And it's not like photography was new, but

0:36:04.560 --> 0:36:08.480
<v Speaker 2>it was still I think photography was mysterious, yeah right,

0:36:09.400 --> 0:36:13.200
<v Speaker 2>not like not the average person knew how to do it.

0:36:13.960 --> 0:36:17.560
<v Speaker 2>And it seemed like if there was something with anything

0:36:17.719 --> 0:36:20.560
<v Speaker 2>visual that if you saw it, it was like that

0:36:20.680 --> 0:36:22.920
<v Speaker 2>kind of took the place of I don't want to

0:36:22.920 --> 0:36:24.960
<v Speaker 2>say it took the place of science because science is

0:36:25.800 --> 0:36:29.880
<v Speaker 2>seen two. But it was so easy to believe what

0:36:29.920 --> 0:36:33.520
<v Speaker 2>you would see. And this like Doyle's famous He makes

0:36:33.200 --> 0:36:38.319
<v Speaker 2>his film The Lost World with the dinosaurs, and he

0:36:38.480 --> 0:36:40.719
<v Speaker 2>shows it in New York and people are like, oh

0:36:40.800 --> 0:36:43.200
<v Speaker 2>my god, these are real, and if you've seen them,

0:36:43.520 --> 0:36:47.640
<v Speaker 2>they look like gumby, right, But it's if you see it,

0:36:47.760 --> 0:36:50.080
<v Speaker 2>you believe it. And I don't want to say that, well,

0:36:50.120 --> 0:36:53.319
<v Speaker 2>you know, people were just naive in the twenties, but

0:36:53.840 --> 0:36:58.080
<v Speaker 2>I think it's just the scope of experience, of historical

0:36:58.160 --> 0:36:59.880
<v Speaker 2>experience of what you see.

0:37:00.040 --> 0:37:04.280
<v Speaker 1>Well, of course Doyle hints at his beliefs in Christmas Carol,

0:37:04.320 --> 0:37:07.359
<v Speaker 1>one of my favorite stories, but that Beneezer Scrooge and

0:37:07.400 --> 0:37:11.279
<v Speaker 1>all of that. So the opposite just having faith, the

0:37:11.360 --> 0:37:15.719
<v Speaker 1>opposite of the very clinical and scientific Sherlock Holmes. So

0:37:16.280 --> 0:37:19.680
<v Speaker 1>there's this two year period right where Houdini's going on

0:37:19.680 --> 0:37:22.560
<v Speaker 1>this crusade. What is he thinking the endgame is going

0:37:22.600 --> 0:37:26.239
<v Speaker 1>to be? Because he cannot debunk everybody in America, and

0:37:26.280 --> 0:37:28.920
<v Speaker 1>of course there were just plenty in the UK, and

0:37:29.000 --> 0:37:31.319
<v Speaker 1>he would come to the UK often. Did you get

0:37:31.320 --> 0:37:33.319
<v Speaker 1>a sense for was it going to Congress and getting

0:37:33.360 --> 0:37:36.040
<v Speaker 1>some kind of legislation all the books to stop these people?

0:37:36.280 --> 0:37:39.920
<v Speaker 2>He really wanted that bill to pass. It's this just

0:37:40.120 --> 0:37:44.200
<v Speaker 2>really outrageous. All these scenes of him in front of

0:37:44.440 --> 0:37:48.799
<v Speaker 2>the Congressional committee, like doing magic tricks to try and

0:37:48.840 --> 0:37:49.520
<v Speaker 2>convince him.

0:37:50.200 --> 0:37:51.440
<v Speaker 3>It's just it's priceless.

0:37:51.480 --> 0:37:53.799
<v Speaker 2>But I think the answer is he really wanted that

0:37:53.880 --> 0:37:56.960
<v Speaker 2>to pass, but he really thought he could wipe it out.

0:37:57.080 --> 0:38:00.960
<v Speaker 2>I mean, he had that kind of ego. He was Houdini.

0:38:01.320 --> 0:38:04.120
<v Speaker 2>He thought everything was possible. And of course you can't

0:38:04.160 --> 0:38:06.879
<v Speaker 2>wipe out, you know that kind of phenomenon. It kind

0:38:06.880 --> 0:38:11.000
<v Speaker 2>of ends eventually, kind of naturally on its own, and

0:38:11.040 --> 0:38:12.800
<v Speaker 2>plenty of people believe in it today.

0:38:13.040 --> 0:38:13.239
<v Speaker 1>Yeah.

0:38:13.320 --> 0:38:15.239
<v Speaker 2>Yeah, I think he thought he could, he could really

0:38:15.280 --> 0:38:17.440
<v Speaker 2>do it. He was that kind of manic.

0:38:17.960 --> 0:38:19.920
<v Speaker 1>So one of the things I think about, and what

0:38:20.000 --> 0:38:21.480
<v Speaker 1>I was thinking about in the book, and I knew

0:38:21.480 --> 0:38:23.719
<v Speaker 1>you would too, is is that idea of having that

0:38:23.840 --> 0:38:28.080
<v Speaker 1>faith versus the scientific whatever the evidence is, and having

0:38:28.239 --> 0:38:31.839
<v Speaker 1>somebody go through and debunking, and how upsetting that must

0:38:31.880 --> 0:38:34.360
<v Speaker 1>have been to the true believers. And then sometimes I

0:38:34.400 --> 0:38:37.600
<v Speaker 1>think does it do any harm? Like? What is the harm?

0:38:37.719 --> 0:38:39.920
<v Speaker 1>So you've got the woman that I made up. She's

0:38:40.239 --> 0:38:42.799
<v Speaker 1>saved up her money, she's lost a son, she's in

0:38:42.880 --> 0:38:46.160
<v Speaker 1>a lot of pain, and she has a medium. The

0:38:46.200 --> 0:38:49.480
<v Speaker 1>medium says, your son is standing over your right shoulder,

0:38:50.040 --> 0:38:53.320
<v Speaker 1>and he is telling me I love you, mom, Everything

0:38:53.400 --> 0:38:55.840
<v Speaker 1>is fine. I will see you when I'm meant to

0:38:55.880 --> 0:38:58.160
<v Speaker 1>see you, and you know, God be with you or

0:38:58.200 --> 0:39:01.279
<v Speaker 1>whatever he says. So I was thinking about that, and

0:39:01.280 --> 0:39:03.319
<v Speaker 1>I had wondered if Hodini had thought about that two way.

0:39:03.520 --> 0:39:05.120
<v Speaker 1>Is there harm actually harm in that?

0:39:05.600 --> 0:39:08.799
<v Speaker 2>I don't think there is. I think it's kind of wonderful.

0:39:09.160 --> 0:39:13.440
<v Speaker 2>I think Houdini though there was no either or, and

0:39:13.520 --> 0:39:16.280
<v Speaker 2>he would say I know exactly what he would say.

0:39:17.080 --> 0:39:21.040
<v Speaker 2>He would tell the story of the Robbins family. Husband

0:39:21.080 --> 0:39:24.040
<v Speaker 2>and wife in Iowa live on a farm trying to

0:39:24.080 --> 0:39:27.320
<v Speaker 2>have a child. They finally succeed. They have this beautiful

0:39:27.400 --> 0:39:32.840
<v Speaker 2>daughter named Constance Vivian. She dies five hours later, you know.

0:39:33.080 --> 0:39:36.640
<v Speaker 2>Wrecked with grief, the mother goes on a trip a

0:39:36.680 --> 0:39:40.239
<v Speaker 2>few months later to Chicago, meets with her sister, so

0:39:40.320 --> 0:39:44.200
<v Speaker 2>and so forth, meets a medium and the medium says,

0:39:44.560 --> 0:39:47.520
<v Speaker 2>I can bring her back to you. And she says,

0:39:47.680 --> 0:39:50.560
<v Speaker 2>talk like, you know, so I can see her. She's like, no,

0:39:50.680 --> 0:39:53.680
<v Speaker 2>I can bring her back to you. She gives her

0:39:53.719 --> 0:39:58.279
<v Speaker 2>an elaborate series of instructions. They have to go back

0:39:58.320 --> 0:40:02.200
<v Speaker 2>to their house and wait to be given the sign,

0:40:02.280 --> 0:40:05.279
<v Speaker 2>and they have to wear all white. And on the

0:40:05.400 --> 0:40:08.960
<v Speaker 2>night in the night she gives her put flowers all

0:40:09.000 --> 0:40:12.880
<v Speaker 2>through the child's room and they're wearing all white and

0:40:12.920 --> 0:40:15.680
<v Speaker 2>they sit there in the dark and wait and there's

0:40:15.800 --> 0:40:20.719
<v Speaker 2>no sound. It's just pure silence and nothing happens. And

0:40:20.760 --> 0:40:22.560
<v Speaker 2>this is kind of I think this is the best

0:40:22.560 --> 0:40:24.560
<v Speaker 2>part of the story. The husband goes, well, I'm going

0:40:24.600 --> 0:40:27.200
<v Speaker 2>to bed, So he gets up and he doesn't want

0:40:27.200 --> 0:40:30.920
<v Speaker 2>to wait anymore. He goes to bed, and the wife

0:40:31.120 --> 0:40:35.400
<v Speaker 2>is still sitting there and she hears steps on the

0:40:35.480 --> 0:40:40.360
<v Speaker 2>staircase and the door opens and there's a shape. She says,

0:40:40.400 --> 0:40:42.720
<v Speaker 2>it's not a person, it's a shape, and it's holding

0:40:42.840 --> 0:40:45.680
<v Speaker 2>a baby, and she gives the baby to her and

0:40:45.719 --> 0:40:50.520
<v Speaker 2>it's her daughter, she says, down to the two birthmarks,

0:40:50.600 --> 0:40:53.440
<v Speaker 2>it's her. She goes to the press. She says it's

0:40:53.480 --> 0:40:58.880
<v Speaker 2>a miracle. The husband comes around eventually and says believes

0:40:58.920 --> 0:41:01.920
<v Speaker 2>in it too, how do you explain it? Soon after,

0:41:01.960 --> 0:41:07.359
<v Speaker 2>the woman says, I'm moving to California to be with

0:41:07.400 --> 0:41:11.279
<v Speaker 2>this medium who did all this to work in her

0:41:11.320 --> 0:41:15.200
<v Speaker 2>spiritual center and spread the good word and the hood days.

0:41:15.239 --> 0:41:18.719
<v Speaker 2>Separate with the husband and that's that. A couple of

0:41:18.800 --> 0:41:23.160
<v Speaker 2>years later, the spiritual center kind of breaks down for

0:41:23.520 --> 0:41:27.400
<v Speaker 2>fraud and all this other stuff, and the woman is

0:41:27.440 --> 0:41:31.040
<v Speaker 2>interviewed by the press missus Robinson. She says, I know

0:41:31.160 --> 0:41:35.440
<v Speaker 2>this isn't my daughter anymore, but I really want to

0:41:35.520 --> 0:41:39.640
<v Speaker 2>keep her. My only fear is that she will disappear

0:41:40.080 --> 0:41:44.880
<v Speaker 2>through a window someday, like she's a ghost. So Houdini

0:41:45.080 --> 0:41:48.239
<v Speaker 2>loved that story because that story is the worst, right,

0:41:48.920 --> 0:41:52.640
<v Speaker 2>instead of the comforting aspect, you have the medium who

0:41:52.719 --> 0:41:56.000
<v Speaker 2>prays on and this really happened. This wasn't just some

0:41:56.320 --> 0:41:58.319
<v Speaker 2>like plenty of these things are just stories, but this

0:41:58.400 --> 0:42:02.320
<v Speaker 2>happened and gives her a child, and then it extracts

0:42:02.400 --> 0:42:05.400
<v Speaker 2>money from her, you know, over a period of five years.

0:42:06.080 --> 0:42:08.600
<v Speaker 2>And where the child came from. You know, all these

0:42:08.760 --> 0:42:11.839
<v Speaker 2>reporters try to find and no one's figured it out.

0:42:12.320 --> 0:42:14.480
<v Speaker 2>So that would be his answer that for all the

0:42:15.280 --> 0:42:19.480
<v Speaker 2>small comforts it can give someone, there were people who

0:42:19.520 --> 0:42:22.640
<v Speaker 2>were really preying on people who were grieving.

0:42:23.120 --> 0:42:26.279
<v Speaker 1>I think that the stories have been so interesting for me.

0:42:26.800 --> 0:42:30.560
<v Speaker 1>The interesting also part is the mechanics of the mediums

0:42:30.840 --> 0:42:32.840
<v Speaker 1>in this time period. I looked it up because you

0:42:32.840 --> 0:42:35.120
<v Speaker 1>and I didn't know the definite numbers, and I looked

0:42:35.120 --> 0:42:38.400
<v Speaker 1>it up and it was at its heyday around the

0:42:38.560 --> 0:42:40.960
<v Speaker 1>you know, late eighteen hundreds and the early nineteen hundreds

0:42:41.000 --> 0:42:43.560
<v Speaker 1>before it kind of turned into fringe religion more than

0:42:43.560 --> 0:42:47.960
<v Speaker 1>anything else. Eight million people in the United States and

0:42:48.080 --> 0:42:54.480
<v Speaker 1>Europe combined identified as spiritualists. Well million, that's incredible. It

0:42:54.520 --> 0:42:55.920
<v Speaker 1>was such a big deal and then it sort of

0:42:55.960 --> 0:42:59.440
<v Speaker 1>faded and faded into oblivion. And then what a lot

0:42:59.440 --> 0:43:01.680
<v Speaker 1>of people now associate that with is like miss Cleo.

0:43:01.800 --> 0:43:02.719
<v Speaker 1>Do you remember Miss Cleo?

0:43:02.840 --> 0:43:03.240
<v Speaker 3>Oh?

0:43:03.000 --> 0:43:07.120
<v Speaker 1>Yeah, from the TV commercials. So I had wrestled with

0:43:07.200 --> 0:43:10.279
<v Speaker 1>it in my book. But what do you think do

0:43:10.360 --> 0:43:13.600
<v Speaker 1>you think we can talk to you know, the people

0:43:13.640 --> 0:43:16.200
<v Speaker 1>in a different realm? Is there a different realm?

0:43:16.719 --> 0:43:21.600
<v Speaker 2>So I wrote this book from Whodini's, you know, kind

0:43:21.640 --> 0:43:24.200
<v Speaker 2>of like his point of view that it's all not real,

0:43:24.760 --> 0:43:28.319
<v Speaker 2>because I knew if I separated that it would be

0:43:28.400 --> 0:43:31.560
<v Speaker 2>too difficult to navigate, and I don't think it would work.

0:43:31.960 --> 0:43:34.520
<v Speaker 2>So I knew I had to do it through Houdini's way.

0:43:34.680 --> 0:43:37.360
<v Speaker 2>And then you can, you know, see how he dismantles

0:43:37.400 --> 0:43:40.719
<v Speaker 2>all of it and gets to what I think he

0:43:40.960 --> 0:43:44.600
<v Speaker 2>thought was more than that. I think what his version

0:43:44.640 --> 0:43:49.120
<v Speaker 2>of magic was that being set. I have a ghost story.

0:43:49.520 --> 0:43:52.319
<v Speaker 2>So I do believe it, and I had it in

0:43:52.440 --> 0:43:54.799
<v Speaker 2>the book as like the last chapter, and they said

0:43:54.800 --> 0:43:57.919
<v Speaker 2>cut that what I kind of at first I was mad,

0:43:58.000 --> 0:44:03.480
<v Speaker 2>but I agree because you have to stay on Houdini's

0:44:03.560 --> 0:44:06.160
<v Speaker 2>you know that this was was to him, it was

0:44:06.280 --> 0:44:09.520
<v Speaker 2>all fake, and nobody would talk him out of it,

0:44:09.640 --> 0:44:12.600
<v Speaker 2>just like Doyle. Doyle's the counterpoint, Like you said, he

0:44:12.760 --> 0:44:15.320
<v Speaker 2>could not be talked out of it. And I really

0:44:15.360 --> 0:44:18.600
<v Speaker 2>wanted to get that because of you know, things going

0:44:18.600 --> 0:44:22.279
<v Speaker 2>on today, of being so focused that you kind of

0:44:22.400 --> 0:44:25.280
<v Speaker 2>you can can miss things, you can miss the truth.

0:44:25.680 --> 0:44:28.600
<v Speaker 2>But yeah, no, I do think and my version of

0:44:28.640 --> 0:44:32.680
<v Speaker 2>it is kind of Whodini's version. Hohodini thought the greatest

0:44:32.719 --> 0:44:36.600
<v Speaker 2>thing that can happen to you in life is coincidence.

0:44:37.120 --> 0:44:42.279
<v Speaker 2>He thought coincidence was just pure magic, more so than

0:44:42.680 --> 0:44:46.480
<v Speaker 2>any kind of sign or card trick. He said, when

0:44:46.960 --> 0:44:49.839
<v Speaker 2>there's good coincidence, he's like, that is the best thing there.

0:44:50.040 --> 0:44:53.240
<v Speaker 2>I totally agree with that. I think that can be

0:44:53.239 --> 0:44:55.840
<v Speaker 2>better than a ghost story, if that makes sense. But yeah, no,

0:44:55.960 --> 0:44:59.560
<v Speaker 2>I do think there's something right. I mean, you made

0:44:59.600 --> 0:45:00.440
<v Speaker 2>me answer it.

0:45:00.480 --> 0:45:01.040
<v Speaker 3>What do you think.

0:45:01.440 --> 0:45:04.799
<v Speaker 1>I grew up myself in what was always told was

0:45:04.840 --> 0:45:08.319
<v Speaker 1>a haunted farmhouse. I say it in the book. You

0:45:08.360 --> 0:45:12.520
<v Speaker 1>know that it was owned by the county's first undertaker,

0:45:12.680 --> 0:45:17.399
<v Speaker 1>and have we had original floors And I looked under

0:45:17.440 --> 0:45:20.880
<v Speaker 1>the trapdoor in the closet one time and there was

0:45:21.120 --> 0:45:24.040
<v Speaker 1>no insulation. I mean it was woodplanks. These were legit

0:45:24.200 --> 0:45:27.600
<v Speaker 1>floors from eighteen ninety, I think is when it was built.

0:45:28.120 --> 0:45:30.319
<v Speaker 1>And I've always just thought, what is it in those

0:45:30.360 --> 0:45:34.600
<v Speaker 1>floors because it was before and then during embalming when

0:45:34.600 --> 0:45:37.200
<v Speaker 1>he worked. So if you just think about all of that,

0:45:37.280 --> 0:45:41.239
<v Speaker 1>I just I'm not convinced that having that many bodies

0:45:41.480 --> 0:45:44.120
<v Speaker 1>in a house, many of them were murder victims or

0:45:44.160 --> 0:45:49.040
<v Speaker 1>domestic violence or whatever, that there isn't some residue literal,

0:45:49.239 --> 0:45:53.640
<v Speaker 1>literal and figurative residue that's there. But you know, I mean,

0:45:53.680 --> 0:45:56.200
<v Speaker 1>living in a house from eighteen hundreds, there's creeks and

0:45:56.320 --> 0:45:59.040
<v Speaker 1>it scared me to death growing up. But what's your

0:45:59.080 --> 0:45:59.800
<v Speaker 1>ghost story?

0:46:00.480 --> 0:46:04.279
<v Speaker 2>My mom broke her wrist many many years ago, and

0:46:04.320 --> 0:46:07.400
<v Speaker 2>she fell down the stairs and she had to go

0:46:07.440 --> 0:46:10.480
<v Speaker 2>to the hospital get it like set in eight places.

0:46:10.520 --> 0:46:12.960
<v Speaker 2>You know, it's really bad. And she kept saying, I

0:46:13.000 --> 0:46:16.719
<v Speaker 2>was pushed, I was pushed, and she you know, ended

0:46:16.800 --> 0:46:20.480
<v Speaker 2>up like in the adjacent room. So something happened. So whatever,

0:46:21.600 --> 0:46:24.319
<v Speaker 2>you know, she's recovering. I don't want to say it's funny,

0:46:24.400 --> 0:46:27.960
<v Speaker 2>but she had to like elevate her her arm. So

0:46:28.000 --> 0:46:30.400
<v Speaker 2>my dad, like you know, goes up and screws this

0:46:30.440 --> 0:46:34.239
<v Speaker 2>giant metal hook in the ceiling and then you know,

0:46:34.800 --> 0:46:37.560
<v Speaker 2>wheels her arm up. So the whole time she's like,

0:46:37.760 --> 0:46:41.600
<v Speaker 2>looks like she's answering a question in a classroom. She's

0:46:41.640 --> 0:46:44.839
<v Speaker 2>a teacher, so anyway, she keeps saying, you know, I

0:46:44.880 --> 0:46:47.040
<v Speaker 2>was pushed, and then she said, someone's poking me.

0:46:47.200 --> 0:46:49.439
<v Speaker 3>Someone's poking me. Like, what are you talking about? Mom?

0:46:50.040 --> 0:46:53.600
<v Speaker 2>Then she sees someone on TV, a kind of local

0:46:53.680 --> 0:46:56.640
<v Speaker 2>medium called the Ghost Lady. I live in Cleveland. She's

0:46:56.640 --> 0:46:58.879
<v Speaker 2>still around, and she was saying for Halloween, you could

0:46:58.920 --> 0:47:00.480
<v Speaker 2>like go to some bar and she would tell you

0:47:00.520 --> 0:47:01.120
<v Speaker 2>about ghosts.

0:47:01.120 --> 0:47:01.560
<v Speaker 3>I don't know.

0:47:02.200 --> 0:47:04.840
<v Speaker 2>So my mom wants to bring her to the house,

0:47:05.280 --> 0:47:07.120
<v Speaker 2>and you know, she's in a lot of pain. She's

0:47:07.160 --> 0:47:09.719
<v Speaker 2>not that kind of person, but we're like, okay, we'll

0:47:09.719 --> 0:47:12.600
<v Speaker 2>do it. And somebody came and she said, you have

0:47:12.760 --> 0:47:16.800
<v Speaker 2>a ghost. You have a child, a girl. She followed

0:47:16.840 --> 0:47:19.720
<v Speaker 2>you home from school. And we're sitting in the room

0:47:19.920 --> 0:47:23.479
<v Speaker 2>and I'm not really buying this, and my dad's next

0:47:23.480 --> 0:47:25.799
<v Speaker 2>to me, he's not really buying it. And she's like, oh,

0:47:25.800 --> 0:47:28.040
<v Speaker 2>but she has a dog with her, And all of

0:47:28.080 --> 0:47:30.480
<v Speaker 2>a sudden, I'm like, okay, let's go. Let's tell me

0:47:30.520 --> 0:47:33.160
<v Speaker 2>more about the ghost stop because that's the coolest part, right.

0:47:33.480 --> 0:47:38.040
<v Speaker 2>She's like, well, she's a golden labrador, so apparently she

0:47:38.080 --> 0:47:40.800
<v Speaker 2>didn't mean to knock my mom down the stairs or

0:47:40.880 --> 0:47:44.120
<v Speaker 2>so forth, but she did, and she doesn't want to leave.

0:47:44.440 --> 0:47:46.560
<v Speaker 2>I have a younger brother and sister. And she's like,

0:47:46.640 --> 0:47:51.120
<v Speaker 2>she likes her sister's room. It's very pink, creepy. Yeah,

0:47:51.160 --> 0:47:54.160
<v Speaker 2>and well it gets worse. She goes she likes the pony,

0:47:54.640 --> 0:47:57.239
<v Speaker 2>and I'm like, okay, this is all you know, you

0:47:57.239 --> 0:48:01.160
<v Speaker 2>can come up with this. The pony's name is Princess,

0:48:01.800 --> 0:48:05.480
<v Speaker 2>and my sister turns white and she's like, it is princess.

0:48:06.080 --> 0:48:09.759
<v Speaker 2>Now at this point, I'm like, that's a gamble to

0:48:09.880 --> 0:48:15.520
<v Speaker 2>say princess. It's not like the worst gamble, right, but

0:48:15.719 --> 0:48:16.840
<v Speaker 2>it's still a gamble.

0:48:17.400 --> 0:48:20.360
<v Speaker 3>It was it was a little impressive, right, Yeah.

0:48:20.400 --> 0:48:23.080
<v Speaker 2>And so she's like, okay, now I'm going to like

0:48:23.200 --> 0:48:26.120
<v Speaker 2>tell them to go home. This is like the Poltergeist moment.

0:48:26.160 --> 0:48:28.920
<v Speaker 2>This is the part that I never understand. But you know,

0:48:29.000 --> 0:48:31.400
<v Speaker 2>people claim they can do it, so that's great.

0:48:32.280 --> 0:48:34.880
<v Speaker 1>So is this an exorcism? Is this like is that

0:48:34.920 --> 0:48:36.719
<v Speaker 1>what she's saying? She's going to do an exorcism?

0:48:36.960 --> 0:48:38.680
<v Speaker 3>It's Poultergeys go to the light.

0:48:38.880 --> 0:48:42.160
<v Speaker 1>Oh and I think exorcism is taking the devil out

0:48:42.239 --> 0:48:42.400
<v Speaker 1>of you.

0:48:42.600 --> 0:48:45.320
<v Speaker 2>Yeah, no, they're not evil. But so here I step

0:48:45.360 --> 0:48:47.440
<v Speaker 2>in because I'm kind of a freak. I said, hold on,

0:48:47.480 --> 0:48:50.080
<v Speaker 2>I want to take a picture. So I have like

0:48:50.280 --> 0:48:53.800
<v Speaker 2>four cameras, I have like digital camera, a little camera,

0:48:54.280 --> 0:48:56.840
<v Speaker 2>and I take pictures of the staircase where they're on

0:48:57.760 --> 0:48:59.600
<v Speaker 2>and okay, okay, now you can do your thing.

0:48:59.640 --> 0:49:02.680
<v Speaker 3>And she's like, she does not like me the medium.

0:49:02.840 --> 0:49:05.520
<v Speaker 2>And she does her thing, and I go check the

0:49:05.600 --> 0:49:08.640
<v Speaker 2>you know, later on, I checked the cameras, all the

0:49:08.719 --> 0:49:10.200
<v Speaker 2>digital cameras and so forth.

0:49:10.280 --> 0:49:11.200
<v Speaker 3>Absolutely nothing.

0:49:11.880 --> 0:49:15.360
<v Speaker 2>I take one photo with one of those like plastic

0:49:15.440 --> 0:49:19.240
<v Speaker 2>cameras with the real film, and I took a bunch

0:49:19.360 --> 0:49:22.799
<v Speaker 2>like around the house. Those all developed great. The one

0:49:22.840 --> 0:49:27.319
<v Speaker 2>of the staircase pure white, and I don't have a flash.

0:49:27.520 --> 0:49:30.239
<v Speaker 2>So this happens, and I'm like, so I don't know.

0:49:30.800 --> 0:49:33.920
<v Speaker 2>But then my sister she had said the girl had

0:49:33.960 --> 0:49:37.759
<v Speaker 2>died in a sledding accident. And my sister, who's like

0:49:38.120 --> 0:49:41.040
<v Speaker 2>kind of annoying about this, like looked it up, like

0:49:41.160 --> 0:49:44.120
<v Speaker 2>researched it, and she says, I found out who the

0:49:44.160 --> 0:49:47.759
<v Speaker 2>girl was, and I said, I never want to know

0:49:48.560 --> 0:49:52.960
<v Speaker 2>that because if she used some real I'm like that.

0:49:53.040 --> 0:49:55.440
<v Speaker 2>And I felt like Kudini, like this is where the

0:49:56.120 --> 0:49:57.160
<v Speaker 2>rage comes from.

0:49:57.280 --> 0:49:58.120
<v Speaker 3>You know, why would you?

0:49:58.760 --> 0:50:01.319
<v Speaker 2>Yeah, it's the deposite of what you're talking about, like

0:50:01.360 --> 0:50:05.319
<v Speaker 2>for comfort, like use this this girl's tragedy to just

0:50:05.440 --> 0:50:08.600
<v Speaker 2>get like a couple hundred bucks. So I didn't really

0:50:08.600 --> 0:50:11.680
<v Speaker 2>buy the ghost story, but it could have been a

0:50:11.680 --> 0:50:12.400
<v Speaker 2>ghost story.

0:50:12.600 --> 0:50:14.200
<v Speaker 1>I want your sister to email me.

0:50:14.440 --> 0:50:17.600
<v Speaker 3>My sister's a huge fan of you, so yeah, and.

0:50:17.560 --> 0:50:19.200
<v Speaker 1>Then we'll confront the medium together.

0:50:19.440 --> 0:50:23.520
<v Speaker 2>Yeah, but it's a good it's a good story. Now.

0:50:23.560 --> 0:50:27.360
<v Speaker 1>I mean, it's pretty public knowledge how Houdini dies. I

0:50:27.400 --> 0:50:29.319
<v Speaker 1>did not realize it until I looked it up. But

0:50:29.960 --> 0:50:32.440
<v Speaker 1>can we put a conclusion on this, because you know,

0:50:32.520 --> 0:50:34.840
<v Speaker 1>my hope was that he just sort of went to

0:50:34.880 --> 0:50:38.080
<v Speaker 1>sleep and just didn't wake up and then you know,

0:50:38.160 --> 0:50:41.160
<v Speaker 1>a curse whatever. And Bess's like, well, I don't know,

0:50:41.600 --> 0:50:43.799
<v Speaker 1>but he had a pretty painful death, right.

0:50:44.320 --> 0:50:44.600
<v Speaker 3>Yeah.

0:50:44.680 --> 0:50:50.120
<v Speaker 2>It was Halloween ninety nine years ago this year. He

0:50:50.320 --> 0:50:57.240
<v Speaker 2>had ruptured appendix infection. The story is that right before

0:50:57.280 --> 0:51:00.799
<v Speaker 2>he was going to give a lecture at McGill university,

0:51:00.960 --> 0:51:04.239
<v Speaker 2>a student kind of walked into his dressing room, and

0:51:05.239 --> 0:51:08.440
<v Speaker 2>there's different versions of what happened, but basically just started

0:51:08.480 --> 0:51:12.520
<v Speaker 2>punching him in the stomach. The general anecdote of the

0:51:13.239 --> 0:51:17.080
<v Speaker 2>stories that Houdini dared him to do so because he

0:51:17.200 --> 0:51:21.520
<v Speaker 2>had he could like make his stomach like super ripped

0:51:21.600 --> 0:51:25.719
<v Speaker 2>and nobody could touch him, which sounds a lot like Houdini, right.

0:51:26.560 --> 0:51:29.440
<v Speaker 2>The problem with the story is that there's no evidence

0:51:29.600 --> 0:51:33.120
<v Speaker 2>of Houdini ever doing this before, because when he would

0:51:33.120 --> 0:51:35.840
<v Speaker 2>do something, he would do it a billion times, like

0:51:35.920 --> 0:51:39.279
<v Speaker 2>his famous taking his thumb off trick or all this

0:51:39.400 --> 0:51:42.960
<v Speaker 2>kind of stuff. So what I found in the book

0:51:43.239 --> 0:51:45.200
<v Speaker 2>is I knew I couldn't and a lot of people

0:51:45.200 --> 0:51:47.759
<v Speaker 2>have looked at like, you know, what happened when he

0:51:47.840 --> 0:51:51.920
<v Speaker 2>was in the hospital and what happened in the punching.

0:51:53.239 --> 0:51:57.839
<v Speaker 2>I looked more at the background of his assailant, who

0:51:57.920 --> 0:52:01.080
<v Speaker 2>was a guy named Gordon Whitehead who grew up in

0:52:01.120 --> 0:52:06.760
<v Speaker 2>this really small town in British Columbia. All these Houdini

0:52:06.880 --> 0:52:10.160
<v Speaker 2>characters just go through history and they don't say anything.

0:52:10.800 --> 0:52:14.719
<v Speaker 2>He says very little in the historical record. But I

0:52:14.800 --> 0:52:20.279
<v Speaker 2>found that he had a very radicalizing childhood, a possibly

0:52:20.680 --> 0:52:29.200
<v Speaker 2>radicalizing childhood with spiritualism, very anti immigrant, very right wing.

0:52:29.600 --> 0:52:33.279
<v Speaker 2>Houdini was an immigrant but tried to disguise it his

0:52:33.520 --> 0:52:37.400
<v Speaker 2>entire life. You always said, I'm from Appleton, Wisconsin, And

0:52:37.480 --> 0:52:39.840
<v Speaker 2>only after he died was it revealed that he was

0:52:39.880 --> 0:52:44.280
<v Speaker 2>born in Hungary. So I kind of put this portrait

0:52:44.360 --> 0:52:49.080
<v Speaker 2>of him together where there could be reasons of him

0:52:49.600 --> 0:52:52.760
<v Speaker 2>going And I want people to think if there reasons

0:52:52.800 --> 0:52:57.360
<v Speaker 2>for him going after Houdini and not just hey buddy,

0:52:57.400 --> 0:52:59.200
<v Speaker 2>let me punch you in the stomach and see if

0:52:59.239 --> 0:52:59.680
<v Speaker 2>it hurts.

0:53:00.239 --> 0:53:01.800
<v Speaker 3>It was a vicious attack.

0:53:01.920 --> 0:53:08.560
<v Speaker 2>There were two eyewitnesses, and there's some weird connections where

0:53:08.560 --> 0:53:14.120
<v Speaker 2>he says some strange things. But maybe there doesn't need

0:53:14.160 --> 0:53:18.920
<v Speaker 2>to be an exact connection to think of that. Maybe

0:53:18.960 --> 0:53:21.720
<v Speaker 2>he was one of these people, like you said earlier,

0:53:21.840 --> 0:53:25.960
<v Speaker 2>a believer who once they're seeing Houdini kind of wreck

0:53:26.080 --> 0:53:29.040
<v Speaker 2>their belief system, just got angry. I mean, I don't

0:53:29.080 --> 0:53:30.560
<v Speaker 2>know that for sure at all.

0:53:30.920 --> 0:53:34.879
<v Speaker 1>Yeah, Well, do you think that Whodini would have been

0:53:35.239 --> 0:53:40.279
<v Speaker 1>pleased with the demise of Spiritualism, which I think I

0:53:40.280 --> 0:53:44.640
<v Speaker 1>don't even know. Spiritualism as a major movement made it

0:53:44.680 --> 0:53:47.560
<v Speaker 1>out of the nineteen twenties, but I'm not sure. It

0:53:47.560 --> 0:53:51.080
<v Speaker 1>seems like it would be ripe for a resurgence around

0:53:51.120 --> 0:53:54.640
<v Speaker 1>the Great Depression, but I'm just not sure it lasted

0:53:54.719 --> 0:53:55.880
<v Speaker 1>much longer than Hudini.

0:53:56.480 --> 0:53:59.440
<v Speaker 2>Yeah, I mean there's still If you go to Lilydale

0:54:00.239 --> 0:54:02.480
<v Speaker 2>in New York once a year, they have a huge

0:54:02.560 --> 0:54:07.000
<v Speaker 2>festival and they're really nice and really cool, and lily

0:54:07.080 --> 0:54:10.640
<v Speaker 2>Dale is a spiritualist community. You can go there and

0:54:10.800 --> 0:54:13.719
<v Speaker 2>get your you know, get a reading or whatever, and

0:54:13.719 --> 0:54:16.640
<v Speaker 2>they have a lot of really important artifacts there. You know,

0:54:16.680 --> 0:54:20.200
<v Speaker 2>I wondered if it would after COVID. I think it has.

0:54:20.360 --> 0:54:23.960
<v Speaker 2>I have this kind of weird theory that spiritualism, the

0:54:24.040 --> 0:54:30.279
<v Speaker 2>new spiritualism is Facebook. That Facebook has become this kind

0:54:30.280 --> 0:54:34.360
<v Speaker 2>of afterlife that you know, once a year, I'll get

0:54:34.520 --> 0:54:39.080
<v Speaker 2>a happy birthday for someone that I, you know, was

0:54:39.160 --> 0:54:44.239
<v Speaker 2>friends with who's died, and people will just shower with

0:54:44.360 --> 0:54:47.640
<v Speaker 2>happy Birthday, Happy heavenly bird, which is, like you said,

0:54:47.640 --> 0:54:49.879
<v Speaker 2>I think that's comforting, and that's I mean, who am

0:54:49.880 --> 0:54:54.319
<v Speaker 2>I to to judge that, But I think Facebook has

0:54:54.400 --> 0:54:58.719
<v Speaker 2>become that kind of space, and now with AI, like

0:54:58.840 --> 0:55:02.760
<v Speaker 2>everyone's kind of hosting pictures of themselves, like doing something

0:55:02.800 --> 0:55:09.239
<v Speaker 2>in Ai. It's like this idealized heavenly image. Yeah, that

0:55:09.360 --> 0:55:14.920
<v Speaker 2>facebooks where everything's perfect, everything, everybody's happy, everybody's I mean

0:55:14.960 --> 0:55:19.800
<v Speaker 2>I'm not happy at all at Facebook, but just people

0:55:19.920 --> 0:55:22.160
<v Speaker 2>like they live on I mean, some part of that

0:55:22.280 --> 0:55:24.759
<v Speaker 2>is cool, but to me, some part of that is

0:55:25.280 --> 0:55:38.080
<v Speaker 2>really it feels like spiritualism in a way.

0:55:40.360 --> 0:55:43.239
<v Speaker 1>If you love historical true crime stories, check out the

0:55:43.280 --> 0:55:46.359
<v Speaker 1>audio versions of my books The Sinner's All About the

0:55:46.360 --> 0:55:49.560
<v Speaker 1>Ghost Club, All That Is Wicked, and American Sherlock and

0:55:49.640 --> 0:55:52.879
<v Speaker 1>Don't Forget. There are twelve seasons of my historical true

0:55:52.880 --> 0:55:57.400
<v Speaker 1>crime podcast, tenfold More Wicked right here in this podcast feed,

0:55:57.680 --> 0:55:59.799
<v Speaker 1>scroll back and give them a listen if you haven't.

0:55:59.800 --> 0:56:03.840
<v Speaker 1>All this has been an exactly right production. Our senior

0:56:03.840 --> 0:56:08.800
<v Speaker 1>producer is Alexis Amrosi. Our associate producer is Christina Chamberlain.

0:56:09.160 --> 0:56:12.759
<v Speaker 1>This episode was mixed by John Bradley. Curtis Heath is

0:56:12.800 --> 0:56:17.759
<v Speaker 1>our composer. Artwork by Nick Toga. Executive produced by Georgia Hardstark,

0:56:17.960 --> 0:56:22.000
<v Speaker 1>Karen Kilgarriff and Danielle Kramer. Follow Wicked Words on Instagram

0:56:22.040 --> 0:56:25.600
<v Speaker 1>and Facebook at tenfold More Wicked and on Twitter at

0:56:25.640 --> 0:56:28.280
<v Speaker 1>tenfold More and If you know of a historical crime

0:56:28.280 --> 0:56:30.840
<v Speaker 1>that could use some attention from the crew at tenfold

0:56:30.880 --> 0:56:35.520
<v Speaker 1>more Wicked, email us at info at tenfoldmorewicked dot com.

0:56:35.600 --> 0:56:38.640
<v Speaker 1>We'll also take your suggestions for true crime authors for

0:56:38.760 --> 0:56:45.960
<v Speaker 1>Wicked Words