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Speaker 1: But I welcome to episode the Bobby Cast. This one

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Speaker 1: brought to us by Blue Apron. Thank you Blue Apron

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Speaker 1: for person all being awesome and secondly sponsoring the Bobby Cast.

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Speaker 1: I saw where you post. It might be that it.

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Speaker 1: I don't watch scary movies. I don't know anything about it.

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Speaker 1: What's it? I don't know what it is? No, I

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Speaker 1: can't hear you for some reason. Now I can't wrong microphone. Okay,

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Speaker 1: So they posted a trailer for the movie called it. Yeah,

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Speaker 1: I don't know it, so explain that to me. It

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Speaker 1: was a book and they turned it into like a

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Speaker 1: TV mini series, came out in the nineties, and now

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Speaker 1: they're remaking it like twenty years later as a big movie.

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Speaker 1: As a big movie. Yeah, if you hear a licking

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Speaker 1: noises because dogs licking chair as we're doing this. Uh.

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Speaker 1: Top five scary movies of all time. Child's Play, Yeah,

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Speaker 1: that's one they could probably remake too. Now they've kind

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Speaker 1: of remade one that was I mean, they got really

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Speaker 1: cheesy there for a minute, so they remade him kind

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Speaker 1: of I guess a little more scarier like the old ones.

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Speaker 1: But they made a new Child's Play with Chucky. Did

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Speaker 1: all they did. Yeah, they never stopped making him. I

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Speaker 1: don't know that. I Number five Child's Play Go ahead.

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Speaker 1: Number four Texas Jane saw Massacre once when I was

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Speaker 1: dating a girlfriend. I think it was Megan, so obviously

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Speaker 1: not Lindsay and not care about the one before her.

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Speaker 1: I've only had a few of my life, so she

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Speaker 1: was huge into horror movies and I didn't. I hated him,

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Speaker 1: but she and when we first started dating, and this

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Speaker 1: when you'll do anything, and I was like, oh, yeah,

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Speaker 1: I gotta watch that with no problem, and I went.

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Speaker 1: I hated it. I saw the new one too. I

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Speaker 1: wasn't even like the I don't I Rememgret, like squeezing

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Speaker 1: her doing the things that girls due to guys, like

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Speaker 1: an old movie to jump up on them, you know,

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Speaker 1: the part of the h the stereotype of how the

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Speaker 1: guy takes a girl to scary movies so they would

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Speaker 1: get all close to them. I remember doing that to Harby,

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Speaker 1: and like, I wasn't like, I don't like they give

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Speaker 1: me nightmares though still, like I tried to read Twilight,

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Speaker 1: got nightmares. I do it. I can't even read Twilight

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Speaker 1: without having nightmares from horror movies. What do you got

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Speaker 1: number three Nightmary in Elm Street freddy Krueger solid Have

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Speaker 1: they remade any of those or they just remade them

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Speaker 1: and it wasn't very good with a new with a

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Speaker 1: new preddy Krueger and it was just do So what

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Speaker 1: was the number one in your Halloween? So none of

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Speaker 1: the new stuff. No saws. I mean, I like like

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Speaker 1: the Conjuring Saw and like the paranormal activity movies, but

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Speaker 1: like my go cues are still like the older ones.

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Speaker 1: People on Facebook Live are saying that they love Texas

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Speaker 1: Chainsaw massacre. Uh, that's a big one. And those are

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Speaker 1: the old school where it was just someone coming with

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Speaker 1: a weapon and just chopping. Yeah. New school now, like

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Speaker 1: it's all about jump scares. Now, I don't know if

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Speaker 1: that's okay. We're getting into your your ranger. What's the

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Speaker 1: jump scared? Jump scares is it's just something creepy that

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Speaker 1: happens and it gets you in the theaters and it's

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Speaker 1: not so much like somebody dying or like murder scene.

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Speaker 1: It just like for the shocking effect of you being

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Speaker 1: freaked out, like in those paranormactivity movies. We like all

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Speaker 1: this stuff flies off the wall and it's crazy that's

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Speaker 1: like a jump scare. See I would have went that

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Speaker 1: horror movies now are more technological because and again I

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Speaker 1: guess that's old school versus new school. When I watch

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Speaker 1: Black Mirror, yeah that's a horror movie to me. Yeah,

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Speaker 1: because that's what's happening terrible, like affecting our lives in

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Speaker 1: a terrible way through technology. But those are considered horror

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Speaker 1: to you because why no blood, no no acts. Yeah,

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Speaker 1: it's more suspense to me. Like even that movie get

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Speaker 1: Out that came out was supposed to be kind of

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Speaker 1: like a horror movie. Oh it's not a scared movie,

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Speaker 1: but it's not really, but people call it a horror movie.

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Speaker 1: What about because again I've probably seen less than five

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Speaker 1: scared movies in my life. What about days Later? Because

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Speaker 1: I think zombies are fascinating, not because they going to

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Speaker 1: eat people, but because it's a disease. That's why I

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Speaker 1: love Walking Dead, Like it's a disease and the earth

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Speaker 1: is being ridd because everyody's getting sick because of something.

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Speaker 1: It's like that Will Smith movie I am legend, right,

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Speaker 1: Like everybody's taking this drug and they realize, oh crap,

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Speaker 1: we shouldn't take this drug because it's polluting our body

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Speaker 1: and everyone turns into whatever it turns, And I think

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Speaker 1: that could really happen, Like that's probably how the world

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Speaker 1: is going to end. Is some chemical that world. It

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Speaker 1: could be sugar like, I mean something like that. So

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Speaker 1: those to me are really scary because this could really happen.

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Speaker 1: Like I don't think Jason Vorhees what's he from? That's

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Speaker 1: not gonna happen. You know, that's not gonna make me

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Speaker 1: think this could really happen. The black mirror stuff, the

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Speaker 1: zombie stuff like the Walking Dead stuf, I feel like

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Speaker 1: that could happen. And yeah, that to me is that

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Speaker 1: but I guess that's not a horror movie. But twenty

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Speaker 1: weeks later, days later, in weeks later, I thought this

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Speaker 1: was a really good, very good the thing I wanted

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Speaker 1: to watch the first one. Twenty days later, I don't

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Speaker 1: know they we're gonna have British accents, and I was like,

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Speaker 1: what I didn't. I'm okay with it now after watching

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Speaker 1: the Office, and I will watch the British stuff on

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Speaker 1: Netflix now, but um, yeah, I'm okay. But then I

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Speaker 1: was like, Okay, I'm not gonna be able to sit

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Speaker 1: through this. I don't know it's gonna be all people

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Speaker 1: talking in English accents. Did you see this? Yeah? You

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Speaker 1: like them or not? I do like them? Those were good.

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Speaker 1: I watched Speaking of Netflix, that watched the Dave Chappelle

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Speaker 1: Have you watched them? I started the person one, Yeah,

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Speaker 1: so you're not done with that, and people were talking

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Speaker 1: bad about it, going, oh, it's not epic, and it's not.

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Speaker 1: I watched. I was entertained. And for me, it's hard

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Speaker 1: to watch a full stand up special online because you're

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Speaker 1: not in a theater or you're not in an arena

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Speaker 1: where you're experiencing other people laughing. You're basically watching someone

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Speaker 1: stand up there and talk and be fun to you,

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Speaker 1: which is different than actually being in the setting. Like

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Speaker 1: it's I thought it was really great. I just I

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Speaker 1: think the expectations were set too high because he was

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Speaker 1: gone for so long and they thought he was gonna

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Speaker 1: come back with some super social agenda. I think a

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Speaker 1: lot of people just wanted him to speak out against

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Speaker 1: things that they wanted him speak out on, and he

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Speaker 1: didn't speak against things that they wanted him speak against.

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Speaker 1: They're like, oh, it's not as good, like I think

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Speaker 1: you were going to see a lot of people that

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Speaker 1: were super liberal want him to come out and just

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Speaker 1: rip Trump, That's what I think. And he didn't because

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Speaker 1: he was it just wasn't his thing, and they were like, oh,

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Speaker 1: he just wasn't his epic he is. Social commentary just

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Speaker 1: wasn't as good. Let's be for real what you think.

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Speaker 1: You're just upset that he didn't go out and rip

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Speaker 1: after Donald Trump. That's why I think it's a balance.

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Speaker 1: I thought it was funny too. And also it's different

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Speaker 1: now with with comedians and these specials. Like back in

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Speaker 1: the day, you would do one every year and a

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Speaker 1: half two years and you'd be a huge comedian. You

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Speaker 1: get hbos special like back in our day, and it'd

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Speaker 1: be a thing. Now you can know every five six

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Speaker 1: months and put them on Netflix. But what happens is

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Speaker 1: you put them wherever. You know a lot of people

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Speaker 1: will put their specials all over the place. But what

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Speaker 1: happens is is that you go around and you do

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Speaker 1: your act and you make it as good as possible,

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Speaker 1: and you carve out things and you're constantly tweaking it.

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Speaker 1: But if you're only fixing it for five or six

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Speaker 1: months and you put it out, that's a different than

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Speaker 1: getting to work in it for a full year in

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Speaker 1: keeping the best stuff and get in putting it out.

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Speaker 1: Like imagine you go a whole year working on something

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Speaker 1: versus four months. And I think one, because of the

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Speaker 1: amount of them that we see that everybody's putting them

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Speaker 1: out waters them down a bit, and two people aren't

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Speaker 1: putting as much time into them as they used to. Know,

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Speaker 1: you also have to do with like they're worried about

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Speaker 1: stuff getting out because people like taking it shows. They're

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Speaker 1: just like eventually stuff for people they have such there's

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Speaker 1: and I think Dave Chappelle is one of the people

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Speaker 1: that started the company. Now maybe it was Luisy k.

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Speaker 1: They you and they put it into a thing and

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Speaker 1: they lock it up and you get the key or

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Speaker 1: whatever the thing is, but they one of those comedians

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Speaker 1: actually started that for that. And I think a lot

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Speaker 1: of comedians hate when phone phones come out because they

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Speaker 1: don't want their material to be recorded and put on

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Speaker 1: the internet. I don't want any of my jokes put

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Speaker 1: on the internet, Like I want to do stand up

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Speaker 1: because we're gonna do a special. But that doesn't make

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Speaker 1: me as crazy because I just know we're in a

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Speaker 1: phone culture and there's a difference to if when musical

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Speaker 1: artists get mad at people recording their stuff, I'm like, man,

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Speaker 1: you guys got to give it up because there's no

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Speaker 1: secrets here. You can go to a concert and watch

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Speaker 1: a song you play ten times in ten nights and

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Speaker 1: love it every single time. You can't hear a joke

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Speaker 1: two to three times and it'd be funny because you

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Speaker 1: already know what's coming. And the power of a joke

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Speaker 1: is the unexpected that the punchline that you don't know

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Speaker 1: is coming. And so when someone records that, puts it

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Speaker 1: on the internet and you're planning to sell it and

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Speaker 1: monetize that in some way through a special through uh,

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Speaker 1: an album, through whatever, it is different. But when I

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Speaker 1: do shows, I don't have no phone policies because you know,

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Speaker 1: I'm doing a full stand up tour right now. For me,

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Speaker 1: phones aren't annoying because they can record me. Phones are

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Speaker 1: annoying because it's a dark theater and it lights up

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Speaker 1: the room. It's annoying in the same way that in

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Speaker 1: a movie theater. It's annoying to me, and I don't

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Speaker 1: ever really say anything about it when I'm on stage

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Speaker 1: because I don't care for me. But I do care

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Speaker 1: for the people that bought tickets and are just trying

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Speaker 1: to watch the show, because listen, I go out. I'm

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Speaker 1: no Chris Rocker, davespel or Luis c K. I go out.

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Speaker 1: I'm pretty funny. I got some pretty good stories, and

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Speaker 1: it's gonna be entertaining because I do a lot of

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Speaker 1: stuff to do stand up, but there's also other stuff.

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Speaker 1: I don't want to run what I do on stage, uh,

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Speaker 1: but I want people to enjoy that. And I know

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Speaker 1: that when someone pulls out a phone and lights up

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Speaker 1: the room, it's the same thing as if you're watching

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Speaker 1: a movie and someone four people down pull out of

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Speaker 1: pulls out a phone and lights it. They're not trying

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Speaker 1: to record the movie, they're texting their front but it's

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Speaker 1: still annoying. And so I remember saything about it. But

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Speaker 1: I always feel bad, and I always feel bad too

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Speaker 1: when people yell it like me if I'm doing And

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Speaker 1: I don't care because for me, I don't people never

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Speaker 1: get mad, and y'all they get drunk, and y'all, I

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Speaker 1: don't get heckled by angry. I actually get heckled by

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Speaker 1: the people that love the show them. It's not even heckled.

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Speaker 1: It's like people are participating and if it were just that,

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Speaker 1: it would be awesome. I just felt bad for people

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Speaker 1: to buy tickets to come and somebody's really drunk next

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Speaker 1: to them and they're yelling at me because I actually

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Speaker 1: like talking to the person because that for me is fun.

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Speaker 1: But then once the part, once you talk to someone,

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Speaker 1: they feel like they can talk to you all show.

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Speaker 1: And that's why at my shows, I won't even to

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Speaker 1: the very end, like I'll completely if the audience, if

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Speaker 1: somebody yells out something, I don't even acknowledge it until

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Speaker 1: at the end. Sometimes Dan, I'll talk the lights on

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Speaker 1: and just talk to the crowd and like, who wants

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Speaker 1: to talk, Let's talk about stuff because I know you

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Speaker 1: have questions. Let's get it off her chest. Um. But

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Speaker 1: that's when the lights come on. And then my stand

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Speaker 1: up shows, I'll do the outill the lights on and

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Speaker 1: we'll see what happens. And there's been some awkward exchanges,

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Speaker 1: but you know with those comedians, and to your point,

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Speaker 1: it's you know about recording. For me, it's not about

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Speaker 1: the phones and the recording of it. It's more of

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Speaker 1: I mean, I don't want it out there, but you

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Speaker 1: can't control that. I just want someone to have a

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Speaker 1: her experience because there's a light in that theater. And

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Speaker 1: there's also a difference in a theater and uh a club,

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Speaker 1: you know, like, uh, if you're playing music, Let's say

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Speaker 1: you're at Norah Jones, okay, or you're at pick up

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Speaker 1: Sarah McLaughlin and she's playing piano and you're all seated

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Speaker 1: in the dark in the theater, you probably don't pull

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Speaker 1: your phone out there because it's dark. It's a very

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Speaker 1: that that setting is supposed to be. That if they're

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Speaker 1: playing the same thing and it's an amphitheater in their

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Speaker 1: lights everywhere and it's outside, point phone out. I just

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Speaker 1: I think it's all about the environment. But I don't

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Speaker 1: care put your phone out, like you could take pictures

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Speaker 1: all you want. I just feel bad for people that

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Speaker 1: are next to people taking pictures. And then I don't

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Speaker 1: talk to people in the crowd to the very end

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Speaker 1: because once you start that whole like you've seen it before,

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Speaker 1: and once you like because I just like the people

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Speaker 1: and I want to talk to them. But once I start,

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Speaker 1: then everybody wants to jump in some always like hold

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Speaker 1: up at the end of the show, everybody wants to

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Speaker 1: talk and talk. And then if you ever come on

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Speaker 1: my stand up shows most nights, if I'm not over

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Speaker 1: because there are times have to be off stage by

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Speaker 1: X amount of time, and if I'm not off stage yet,

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Speaker 1: they get charged. I'll get charged because they're mostly theaters

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Speaker 1: around by unions and so like are you gonna go

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Speaker 1: into overtime? So I gotta get off stage. Sometimes I

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Speaker 1: gotta get out of the building by a certain time

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Speaker 1: because if I'm in the building, people have to be

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Speaker 1: there to watch. And so I actually get you know,

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Speaker 1: we'll stay as long as I can, and child try

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Speaker 1: to put ten minutes or so at the end of

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Speaker 1: a set and just go. Like in North North Dakota, Um,

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Speaker 1: I just flipped all the lights on and that was

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Speaker 1: a big theater and I was like, all right, we's

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Speaker 1: got questions and then hands come up and you know,

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Speaker 1: then we talk. So if you come to a show,

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Speaker 1: and that's the thing, and I don't care if you

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Speaker 1: record it, I wish you could record it in the

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Speaker 1: complete dark. Like I'm still surprised they haven't invented something

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Speaker 1: that doesn't cover the front of your phone and you

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Speaker 1: can like look into it, like one of those submarine eyeballs.

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Speaker 1: But you know how those things back and old movie.

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Speaker 1: Maybe they still do, I don't know, but submarine you

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Speaker 1: would look through that thing and it would like go

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Speaker 1: out on top and you would see the above the water. Yeah,

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Speaker 1: I'm surprised with the phone, they haven't invented something. I

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Speaker 1: mean even like a privacy screen, that's what I'm talking like,

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Speaker 1: or it's like the whole Remember the projectors you would

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Speaker 1: take and you would take your finger and you push

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Speaker 1: it and go to a little white, round circle thing

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Speaker 1: we go to a new picture. You remember those I

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Speaker 1: don't know what they were called, but they had a

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Speaker 1: little I'm surprised they haven't been to something with a

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Speaker 1: little eye on it that you can look at your

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Speaker 1: whole screen through that without lighting up the room, because

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Speaker 1: that's something that would be useful because you could go

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Speaker 1: into a movie and want to check your phone. What's

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Speaker 1: it called a view master? Really? Am I crazy to

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Speaker 1: think that that's not something that we would use. Don't

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Speaker 1: we want to go into movies and in the place

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Speaker 1: where we're not supposed to have our phones out or

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Speaker 1: or light up a room and look because I want to,

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Speaker 1: like my phone any Time movie. But I don't under

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Speaker 1: respect for people around. I don't touch my phone and

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Speaker 1: so man, I'm surprised that hasn't invented yet and I'm

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Speaker 1: not gonna do that lunch. I would be like, oh,

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Speaker 1: I mean the only alternative I found is like on

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Speaker 1: the ie watch, you get like not a vacations. How

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Speaker 1: how much is that? Yeah? But that's they get to buy.

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Speaker 1: How much is your I watch? I get? I don't

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Speaker 1: know you do you know how much what I gave

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Speaker 1: it to you? Right? I don't want to watch this.

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Speaker 1: Who gave me that watch? I know? Um? ABC gave

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Speaker 1: it to me whenever they picked up the show I

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Speaker 1: was doing with Dion Sanders and so I was doing

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Speaker 1: that talk show This is a year I wrote about

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Speaker 1: in my book, and so they picked up the show.

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Speaker 1: We shout the pilot and they sent it to me

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Speaker 1: because the pilot was fantastic. Weend up not being number

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Speaker 1: to the show, and they sent me that I watched

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Speaker 1: before they decided weren't doing the show. Because after you

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Speaker 1: end up not doing a show, nobody ever calls you anymore.

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Speaker 1: That's the crazy thing. Um, there's that. Um, where what

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Speaker 1: are we talking about? Stand up by the way we're

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Speaker 1: gonna add more dates too are my stand up tour,

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Speaker 1: and that every show is has been sold out. The

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Speaker 1: only one that isn't sold out right now is in Northampton,

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Speaker 1: which is slightly north of Boston, and that's in like

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Speaker 1: a week and a half and they are like thirty

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Speaker 1: or forty seats. But everyone is surprised at how well

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Speaker 1: myself too, and how well it's selling. And I'm saying

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Speaker 1: I'm not trying to say this in a brag you

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Speaker 1: away because we didn't know I fifty people would come

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Speaker 1: or a hundred people or a thousand people. I quite

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Speaker 1: no idea, and so and I'm actually getting pretty good now.

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Speaker 1: It was I would only it's definitely you just have

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Speaker 1: to practice. I'm definitely not gonna be one of the

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Speaker 1: best comedians ever because that's just not my skill. I

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Speaker 1: don't I don't get to go practice it enough. But

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Speaker 1: it's actually I'm proud of it, which is weird for

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Speaker 1: me to say. And so we're gonna extend the stand

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Speaker 1: up tour and we're gonna do a bunch of more cities.

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Speaker 1: Um and Walker Hayes, who's been on before, he's but

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Speaker 1: these here's how the tours work too, like artists line

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Speaker 1: up and opening act months aad of time, like with Walker,

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Speaker 1: I had him lined up four months before we ever

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Speaker 1: even announced the tour, because you start to plan out

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Speaker 1: your year. And so Walker is actually going to open

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Speaker 1: for Thomas Rhett. Did you know that? So now we're

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Speaker 1: looking for someone and that said, we already kind of

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Speaker 1: have somebody. So but Walker is off of it after

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Speaker 1: which at all, I think those were his last two

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Speaker 1: shows and then but I think I really think Walker's

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Speaker 1: gonna blow up, which is gonna be crazy. I mean,

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Speaker 1: listen to the Bobby Caster walker is. It's really good

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Speaker 1: and like the guy has been dropped and he's it's

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Speaker 1: a crazy story of just like he's got six kids.

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Speaker 1: It's like I've been riding in town and he's been

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Speaker 1: kind of bitter because not at the failure, but at

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Speaker 1: the people who once he went from cool to not cool,

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Speaker 1: we're like and not your friend anymore. Then he kind

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Speaker 1: of went to cool again because kind of the deal

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Speaker 1: like oh I'm your friend again, and then we just

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Speaker 1: lost the does like, oh, don'm your friend anymore? And

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Speaker 1: he's like, man, this sucks, Like you really see who

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Speaker 1: your friends are because they only you know all the

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Speaker 1: but now he's kind of getting cool again and he's

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Speaker 1: getting a lot more friends again I say friends with

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Speaker 1: with parentheses, and so it's it's really interesting. That is

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Speaker 1: really good. It is really good. Um, I gotta do it.

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Speaker 1: Let me do a commercial here. Let me talk for

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Speaker 1: a second about uh blue Apron, which, by the way,

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Speaker 1: I will say, do you have blue Apron at the

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Speaker 1: house and it comes in a box right to your

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Speaker 1: front door. You can actually pick your delivery options and

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Speaker 1: think about blue Apron is it's I don't even need

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Speaker 1: to look at this page anymore because they use it.

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Speaker 1: But think about blue Apron is is that it's a

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Speaker 1: bunch of ingredients and you pick your meal and it

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Speaker 1: comes right to you, and you can make these home

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Speaker 1: cooked meals and like minutes, and you can pick all

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Speaker 1: these different kinds of meals. And I mean it can

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Speaker 1: be a thing where you and the husband, or you

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Speaker 1: and the wife her boyfriend gonna make meals together. Or

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Speaker 1: if you're not that good at cook, you can actually

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Speaker 1: surprise your girl and make meals or um, just go

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Speaker 1: to blue Apron dot com slash bobby cast and you'll

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Speaker 1: get your first three meals for free and free shipping.

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Speaker 1: I think it's still the deal right now, but really

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Speaker 1: is a fantastic So Blue Apron dot Com slash Bobby

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Speaker 1: Cast and a lot of things that you don't think

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Speaker 1: you can cook, and a lot of things that I

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Speaker 1: see on their website when I go to Blue April

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Speaker 1: dot Com and I'm like, I'll never be able to

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Speaker 1: cook that. But then what happens is it comes and

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Speaker 1: there's a car that actually tells you how to do everything,

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Speaker 1: and it teaches you step by step, and all the

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Speaker 1: ingredients are preportioned, so it's not like you have to measure.

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Speaker 1: I don't even own a measuring cup. I do, I do?

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Speaker 1: I want a measuring anything? Maybe a spoon? Uh yeah.

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Speaker 1: If it wasn't a Blue Apron, I don't know what

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Speaker 1: I would do. But so Blue Apron dot Com slash

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Speaker 1: Bobby Cast and then the first three there scary movies. Um,

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Speaker 1: I don't have any except for the zombie ones we

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Speaker 1: talk about. I like the Dave Chappelle special. He's got

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Speaker 1: two of them. I thought they're giving him a hard

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Speaker 1: time on it because I think Dave Chappelle built up

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Speaker 1: his epic nous over a lot of time and they

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Speaker 1: expect him to come back and punch it and just

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Speaker 1: be super epican and one special. You gotta realize he

400
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Speaker 1: did a lot of things that made him Dave Chappelle.

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Speaker 1: It was he didn't just come on and do an hour,

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Speaker 1: and it's like, whoa is the greatest? Really think about

403
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Speaker 1: it like that, like all of a sudden because of

404
00:19:06,240 --> 00:19:09,320
Speaker 1: your body of work, You're sixty minutes is supposed to

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Speaker 1: be as good as the body of work that you

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Speaker 1: created over the twenty years prior. Does that make sense?

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Speaker 1: Is that fair? He went out and what I'm gonna

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Speaker 1: go watch one of Christmas. I'm such a stand up

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Speaker 1: comedy fan, and oddly so are you. It's weird because

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Speaker 1: you never spoke to anybody about any It's it's weird

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Speaker 1: to watch you actually like have opinions and talk to

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Speaker 1: people now, because well, how long we know on each

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Speaker 1: other eight years, so we'll say eight years. And so

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Speaker 1: you were the quietest, shyest person probably that was that

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Speaker 1: was around, because you were just an intern for the

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Speaker 1: show and you said nothing ever to anybody, but you

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Speaker 1: always showed up and he always worked hard, and so

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Speaker 1: I felt like, I like, I like that about you.

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Speaker 1: But there was never really a personal friendship because you

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Speaker 1: didn't allow you just didn't. You didn't let me. I

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Speaker 1: didn't talk to anybody, and I always felt like we

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Speaker 1: were very similar, but I didn't know anything about you

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Speaker 1: really except for how kind of how you grew up.

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Speaker 1: We grew up pretty similar, you know, not the one

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Speaker 1: of it's had very much, and so it was like

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Speaker 1: we kind of look out for each other and so

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Speaker 1: but then all of a sudden you started getting all hunky,

428
00:20:20,520 --> 00:20:24,399
Speaker 1: losing all his weight, and now you missed a funny

429
00:20:24,440 --> 00:20:26,240
Speaker 1: man over there. I was telling Lindsay. I was like,

430
00:20:27,040 --> 00:20:30,960
Speaker 1: I was like, Mike is had like things to say,

431
00:20:31,400 --> 00:20:35,520
Speaker 1: like his opinions, he's funny, Like who knew like he

432
00:20:36,040 --> 00:20:37,320
Speaker 1: For the first five years I know, I he never

433
00:20:37,320 --> 00:20:39,280
Speaker 1: said a word to me. I just kept from around.

434
00:20:39,320 --> 00:20:40,440
Speaker 1: I thought he was a nice guy and all of

435
00:20:40,480 --> 00:20:42,200
Speaker 1: a sudden, lose the weight, got a couple of abs,

436
00:20:42,240 --> 00:20:43,920
Speaker 1: and now he's like, look at me, I got funny.

437
00:20:44,000 --> 00:20:49,840
Speaker 1: I am those a strong too, though, But do you

438
00:20:49,960 --> 00:20:51,800
Speaker 1: feel like you're coming out of your shell more? Like?

439
00:20:51,920 --> 00:20:53,480
Speaker 1: Do you do you feel like you're becoming more of

440
00:20:53,560 --> 00:20:56,520
Speaker 1: a full person. I definitely felt it over like the

441
00:20:56,600 --> 00:21:00,000
Speaker 1: past month really the past month, what do you think

442
00:21:00,000 --> 00:21:04,040
Speaker 1: think about life and now brings out your ability to

443
00:21:05,359 --> 00:21:08,800
Speaker 1: share yourself. I think it's really like having confidence in

444
00:21:08,880 --> 00:21:12,320
Speaker 1: my body now, like I feel like I'm where I'm

445
00:21:12,359 --> 00:21:14,640
Speaker 1: supposed to be there. Like do you feel like people

446
00:21:14,680 --> 00:21:17,399
Speaker 1: aren't looking at you and making assumptions and so you're

447
00:21:17,400 --> 00:21:19,680
Speaker 1: already passed that barrier. Yeah, I feel like I've taken

448
00:21:19,720 --> 00:21:22,360
Speaker 1: that barrier down, so now I can kind of put

449
00:21:22,440 --> 00:21:24,119
Speaker 1: myself out there in a way to like, hey, this

450
00:21:24,280 --> 00:21:26,840
Speaker 1: is me now, and it all just kind of fits

451
00:21:26,920 --> 00:21:31,680
Speaker 1: together and I'm just more confident. It's again about I

452
00:21:31,720 --> 00:21:33,080
Speaker 1: guess three four months ago was the first time I

453
00:21:33,080 --> 00:21:34,360
Speaker 1: ever went too and said, hey, why don't you start

454
00:21:34,720 --> 00:21:37,240
Speaker 1: like thinking of segments for the show? Like you're actually funny?

455
00:21:37,359 --> 00:21:38,840
Speaker 1: Like who knew? I know? I thought you're a nice guy.

456
00:21:39,280 --> 00:21:40,800
Speaker 1: I knew you showed up one time and you worked hard,

457
00:21:40,800 --> 00:21:43,760
Speaker 1: but I never know you're funny. And then I think

458
00:21:43,760 --> 00:21:47,080
Speaker 1: we have a lot of the same tastes in comedy,

459
00:21:47,160 --> 00:21:50,040
Speaker 1: not music. Your music taste, so it might be the

460
00:21:50,040 --> 00:21:52,159
Speaker 1: worst music cause of anybody. I know, it's do you

461
00:21:52,240 --> 00:21:54,960
Speaker 1: really have awful music? Guys? I mean it's the worst,

462
00:21:55,920 --> 00:21:59,760
Speaker 1: So um, whenever we put out that picture out of

463
00:21:59,760 --> 00:22:03,240
Speaker 1: the whole show, there are five dudes in Granger Smith's

464
00:22:03,240 --> 00:22:05,600
Speaker 1: band and they're all ripped, Like, how do you five

465
00:22:05,680 --> 00:22:08,200
Speaker 1: dudes that look like that period? Regardless put him in

466
00:22:08,200 --> 00:22:11,280
Speaker 1: the same band, like those guys were chiseled and this

467
00:22:11,359 --> 00:22:13,359
Speaker 1: picture it's and Granger, by the way, who knew that

468
00:22:13,520 --> 00:22:15,639
Speaker 1: dude was ripped like that? It was like a kindle

469
00:22:16,119 --> 00:22:19,080
Speaker 1: all of those dudes, right, And so are guys mke

470
00:22:19,160 --> 00:22:23,400
Speaker 1: d Lunchbox, Ray, Matt Overton who plays for the Colts,

471
00:22:23,400 --> 00:22:26,679
Speaker 1: who's been hanging out and turning and Eddie or all

472
00:22:26,680 --> 00:22:28,359
Speaker 1: standing there shirtless. And obviously you guys don't look the

473
00:22:28,359 --> 00:22:33,600
Speaker 1: same that they do. But of them physically, you looked best.

474
00:22:34,760 --> 00:22:38,240
Speaker 1: That's weird. I mean a hundred and twenty five pounds

475
00:22:38,320 --> 00:22:40,399
Speaker 1: later that you lost, and I know for you it

476
00:22:40,480 --> 00:22:42,399
Speaker 1: was tough because you have stretch marks in your stomach

477
00:22:42,400 --> 00:22:43,879
Speaker 1: which I don't even notice. Tell you to something about it,

478
00:22:44,119 --> 00:22:45,359
Speaker 1: and you were like, you know, it's kind of a

479
00:22:45,640 --> 00:22:48,520
Speaker 1: but dude, I mean, that's it's all embraced that man,

480
00:22:48,880 --> 00:22:53,200
Speaker 1: Are you going to do anything about that or is

481
00:22:53,240 --> 00:22:55,760
Speaker 1: it just like I'm just I'm leaving them? I mean

482
00:22:55,840 --> 00:22:58,680
Speaker 1: I'm I haven't looked into it, really, I mean, it'll

483
00:22:58,680 --> 00:23:01,560
Speaker 1: bother me that much, and I've no, I've just noticed

484
00:23:01,600 --> 00:23:03,879
Speaker 1: it more. Is kind of like my stomach has tightened

485
00:23:03,960 --> 00:23:06,440
Speaker 1: up and I'm kind of gotten abs now that those

486
00:23:06,480 --> 00:23:08,920
Speaker 1: have kind of just stayed there. Well, so they won't

487
00:23:08,960 --> 00:23:10,879
Speaker 1: go away. I don't think so, because it's kind of

488
00:23:11,040 --> 00:23:14,280
Speaker 1: like a like loose skin on my stomach a little

489
00:23:14,320 --> 00:23:18,120
Speaker 1: bit and it's just kind of still stay there stretch marks. Well, dude,

490
00:23:18,119 --> 00:23:21,640
Speaker 1: whatever you do, who cares? Like I? I juct people

491
00:23:21,640 --> 00:23:23,680
Speaker 1: all the way. I got my teeth fixed. These teeth

492
00:23:23,720 --> 00:23:26,879
Speaker 1: aren't real, so you can do whatever you want to yourself.

493
00:23:27,359 --> 00:23:30,840
Speaker 1: Like once I was like, because I was really self

494
00:23:30,880 --> 00:23:32,879
Speaker 1: conscious on my teeth, Like I never went to the dentist.

495
00:23:32,920 --> 00:23:34,399
Speaker 1: Couldn't aford to go to the dentist. Card up, just

496
00:23:35,560 --> 00:23:36,920
Speaker 1: you know, you have to worry about eating before you

497
00:23:36,960 --> 00:23:39,240
Speaker 1: worry about going to the dentist. That's a luxury item

498
00:23:39,320 --> 00:23:42,159
Speaker 1: whenever you grow up poor. And so I never went

499
00:23:42,200 --> 00:23:43,840
Speaker 1: to the dentist. And when I finally was able to

500
00:23:43,840 --> 00:23:45,479
Speaker 1: make enough money to get my teeth fixed, I got him.

501
00:23:45,480 --> 00:23:46,840
Speaker 1: I didn't just get the cavities, but like I got

502
00:23:47,440 --> 00:23:49,480
Speaker 1: I have like four on top and like a few

503
00:23:49,520 --> 00:23:52,000
Speaker 1: on the bottom that they're just not real teeth, they're

504
00:23:52,000 --> 00:23:55,280
Speaker 1: fake teeth. And so for me, it was it made

505
00:23:55,320 --> 00:24:00,520
Speaker 1: me a lot more confident and it helped me get

506
00:24:00,760 --> 00:24:03,120
Speaker 1: over some physical things that I didn't have to worry about.

507
00:24:03,119 --> 00:24:04,560
Speaker 1: And I can focus on the other I can focus

508
00:24:04,600 --> 00:24:06,600
Speaker 1: on part B instead of worrying about smiling the right

509
00:24:06,640 --> 00:24:10,280
Speaker 1: way all the time. And so if you wanted to

510
00:24:10,320 --> 00:24:12,280
Speaker 1: have something done, do it. If you don't, who cares, Like,

511
00:24:13,240 --> 00:24:16,280
Speaker 1: just love yourself. Man, Justin Bieber is my hero. That's

512
00:24:16,320 --> 00:24:18,760
Speaker 1: what he said, except not really in the same the

513
00:24:18,840 --> 00:24:21,679
Speaker 1: same way. Um, so there's that we're watching. We got

514
00:24:21,680 --> 00:24:25,200
Speaker 1: a lot of people watching them on Facebook Live too,

515
00:24:25,320 --> 00:24:26,600
Speaker 1: if you want to watch this. I mean, it's just

516
00:24:26,960 --> 00:24:30,440
Speaker 1: I've been showing people what it looks like here. So

517
00:24:31,320 --> 00:24:33,320
Speaker 1: there's my do it's cross from me. If you're watching

518
00:24:33,359 --> 00:24:36,159
Speaker 1: it here here, I am lots of people watching it,

519
00:24:36,720 --> 00:24:40,560
Speaker 1: um I have. There was an article and I'll talk

520
00:24:40,560 --> 00:24:42,040
Speaker 1: about this for a second because I think it's pretty

521
00:24:42,040 --> 00:24:43,399
Speaker 1: cool and people aren't gonna build to hear that's on

522
00:24:43,560 --> 00:24:50,080
Speaker 1: Facebook Live. But my girlfriend she did this album that

523
00:24:50,200 --> 00:24:53,160
Speaker 1: no one's heard yet. She did it and the whole

524
00:24:53,200 --> 00:24:57,120
Speaker 1: story was her and Christian Bush. He was like, Hey,

525
00:24:57,359 --> 00:24:59,080
Speaker 1: I think I'm pretty sure album until you gonna make

526
00:24:59,119 --> 00:25:01,639
Speaker 1: an album of your favorite album of all time and

527
00:25:01,760 --> 00:25:03,560
Speaker 1: you do all the instruments to it and then you

528
00:25:03,560 --> 00:25:04,879
Speaker 1: just come back a couple weeks and let me hear it.

529
00:25:05,000 --> 00:25:07,560
Speaker 1: So she when she did John Mayer Continuum, which is

530
00:25:08,000 --> 00:25:10,320
Speaker 1: oddly my favorite album to like full album in front

531
00:25:10,320 --> 00:25:12,479
Speaker 1: of back, and so she did all the instruments from

532
00:25:12,520 --> 00:25:15,359
Speaker 1: the pianos to the drums to the all the guitars

533
00:25:15,480 --> 00:25:17,280
Speaker 1: to the bass, all this and she makes the whole

534
00:25:17,280 --> 00:25:19,200
Speaker 1: thing and she put one of them on her EP

535
00:25:19,359 --> 00:25:21,280
Speaker 1: that she just released. And again I don't think I

536
00:25:21,320 --> 00:25:23,280
Speaker 1: like people know the difference in EP and LP, because

537
00:25:23,400 --> 00:25:24,840
Speaker 1: I don't. I sometimes I have to check with me,

538
00:25:24,880 --> 00:25:27,479
Speaker 1: like which one's EP, And I work in the freaking business,

539
00:25:27,880 --> 00:25:29,720
Speaker 1: and so I would and I would tell Lindsay was like,

540
00:25:29,760 --> 00:25:33,440
Speaker 1: don't call the EP because I work in the music business.

541
00:25:33,480 --> 00:25:35,399
Speaker 1: And even I'm like, which one's EP? Again, so just

542
00:25:35,440 --> 00:25:37,720
Speaker 1: call it new music. So she puts out new music

543
00:25:37,760 --> 00:25:39,200
Speaker 1: and it's not a full record. It's only digital. You

544
00:25:39,240 --> 00:25:41,920
Speaker 1: can't buy a Walmart or anything. And so it's uh

545
00:25:42,480 --> 00:25:45,440
Speaker 1: six songs, and one of them was from that John

546
00:25:45,520 --> 00:25:48,440
Speaker 1: Mayer record that she never intended to go to be

547
00:25:48,560 --> 00:25:51,560
Speaker 1: put out, and it was stop this Train, and it

548
00:25:51,600 --> 00:25:53,560
Speaker 1: wasn't a John Mayer's single, and so so if you

549
00:25:53,640 --> 00:25:55,320
Speaker 1: hear it, you don't even know it's really a song

550
00:25:56,040 --> 00:25:59,240
Speaker 1: because it wasn't a big song or anything. But this

551
00:25:59,400 --> 00:26:03,280
Speaker 1: is top this Train. She did the whole record. But

552
00:26:03,400 --> 00:26:04,800
Speaker 1: this you can if you want to download, you can't.

553
00:26:04,800 --> 00:26:06,119
Speaker 1: The thing is when you put a cup up just

554
00:26:06,160 --> 00:26:08,119
Speaker 1: so you know, you don't make your money off of it,

555
00:26:08,280 --> 00:26:13,919
Speaker 1: did you know that, Like you're just putting up somebody

556
00:26:13,960 --> 00:26:17,160
Speaker 1: else's material. Some people will listen to you and then

557
00:26:18,119 --> 00:26:21,240
Speaker 1: hopefully buy your other stuff, so she doesn't make you

558
00:26:21,320 --> 00:26:24,879
Speaker 1: money from you. So that's a John Major song. But

559
00:26:24,920 --> 00:26:26,399
Speaker 1: I want to play for you and she can kill me.

560
00:26:26,440 --> 00:26:27,879
Speaker 1: I know she's gonna kill me. Better have it all.

561
00:26:28,240 --> 00:26:30,280
Speaker 1: But she did the whole record. So here's gravity, and

562
00:26:30,359 --> 00:26:33,360
Speaker 1: she did this with all of the same hold play

563
00:26:33,440 --> 00:26:40,080
Speaker 1: from the beginning. That's oregon. I'll tell her, like, you

564
00:26:40,080 --> 00:26:42,040
Speaker 1: should just put the put the whole record out digitally.

565
00:26:42,359 --> 00:26:44,760
Speaker 1: You made no money, But it's not even about money

566
00:26:44,800 --> 00:26:59,000
Speaker 1: to her because she didn't make any pretty cool. It's good.

567
00:27:01,680 --> 00:27:03,719
Speaker 1: So hopefully one day she'll put this this whole thing

568
00:27:03,800 --> 00:27:05,800
Speaker 1: out and just everybody could consume it for free. And

569
00:27:07,000 --> 00:27:09,520
Speaker 1: because she's like, again, why charge for you? Don't I'm

570
00:27:09,520 --> 00:27:18,320
Speaker 1: anything off of it. Grabbing this world, kid, it gives me.

571
00:27:21,560 --> 00:27:33,040
Speaker 1: That's cool, grabbing What's a friend? Do you know that

572
00:27:33,119 --> 00:27:37,840
Speaker 1: song might do? Because you don't know many songs I know.

573
00:27:38,160 --> 00:27:41,320
Speaker 1: I couldn't believe you didn't know tonic dude. People gave

574
00:27:41,359 --> 00:27:43,600
Speaker 1: me a lot about not doing this song? Oh did they?

575
00:27:43,960 --> 00:27:46,120
Speaker 1: That was on this Does I forget we talked about

576
00:27:46,720 --> 00:27:48,720
Speaker 1: that wasn't just me making fun of you in personal life.

577
00:27:51,359 --> 00:27:53,399
Speaker 1: The good thing about this week being over is that

578
00:27:53,800 --> 00:27:57,320
Speaker 1: because my girlfriend put a record out and she said

579
00:27:57,520 --> 00:27:59,879
Speaker 1: that the two of the songs, I don't know what

580
00:28:00,040 --> 00:28:05,119
Speaker 1: she's saying or we're inspired by me? Right? So I

581
00:28:05,280 --> 00:28:08,280
Speaker 1: told the show, okay, you have two days and you

582
00:28:08,359 --> 00:28:10,159
Speaker 1: won't bring it up. It's fine. Two days. Then these

583
00:28:10,240 --> 00:28:13,080
Speaker 1: DJs and Canada started emailing clips to Amy, and Amy

584
00:28:13,080 --> 00:28:15,360
Speaker 1: starts putting them on and I've only ever I've only

585
00:28:15,359 --> 00:28:17,560
Speaker 1: played one song one time, which was I think worth

586
00:28:17,600 --> 00:28:19,639
Speaker 1: the way I've played it. But I haven't been playing

587
00:28:19,680 --> 00:28:22,000
Speaker 1: her music or anything, because she's gotta like have her

588
00:28:22,040 --> 00:28:23,800
Speaker 1: own thing, she's gotta make her own career, and I

589
00:28:23,840 --> 00:28:26,320
Speaker 1: don't want people penalizing her, which already worried about. I

590
00:28:26,359 --> 00:28:28,040
Speaker 1: think I've said this on the air too. One of

591
00:28:28,080 --> 00:28:29,840
Speaker 1: the reasons that we didn't date was because I was like,

592
00:28:29,880 --> 00:28:34,879
Speaker 1: I can't have satellite radio or Spotify or iTunes or

593
00:28:35,400 --> 00:28:38,000
Speaker 1: Cumulus or these other companies like punish you because that's

594
00:28:38,040 --> 00:28:40,080
Speaker 1: what you do. You're an artist, and you shouldn't punish

595
00:28:40,120 --> 00:28:42,680
Speaker 1: because of me. That's all we did in date. That's

596
00:28:42,680 --> 00:28:44,480
Speaker 1: why she had all these waiting songs, because she's waiting

597
00:28:44,520 --> 00:28:46,960
Speaker 1: on me to like, because I just don't want to

598
00:28:47,000 --> 00:28:50,560
Speaker 1: penalize her career in any way, and so I have

599
00:28:50,720 --> 00:28:52,200
Speaker 1: no idea what the radio song is gonna be. And

600
00:28:52,200 --> 00:28:53,920
Speaker 1: people always like, hey, what what's she gonna do? We

601
00:28:53,960 --> 00:28:58,680
Speaker 1: don't talk about that. I am completely checked out of

602
00:28:58,760 --> 00:29:04,200
Speaker 1: her ray yo like career because if it fails, I

603
00:29:04,280 --> 00:29:06,160
Speaker 1: want nothing to do with it. If it succeeds, I

604
00:29:06,200 --> 00:29:08,560
Speaker 1: want nothing to do with it, like it's just her.

605
00:29:09,320 --> 00:29:10,920
Speaker 1: And I was even like, you shouldn't tell people the

606
00:29:10,960 --> 00:29:13,200
Speaker 1: songs are about me at least like this one here

607
00:29:13,280 --> 00:29:16,400
Speaker 1: waiting on you. You shouldn't tell people this is about me,

608
00:29:16,920 --> 00:29:23,040
Speaker 1: because they may punish you for it. That this new thing,

609
00:29:24,760 --> 00:29:26,880
Speaker 1: whatever one thing about her, You don't tell her what

610
00:29:26,960 --> 00:29:30,760
Speaker 1: to do. I want to yoga. I kicked it on

611
00:29:30,800 --> 00:29:32,280
Speaker 1: the head of yoga, by the way, but I want

612
00:29:32,320 --> 00:29:34,280
Speaker 1: to happy to go. First time I ever kicked anybody

613
00:29:34,400 --> 00:29:36,080
Speaker 1: in the head, the first time I ever hit anybody.

614
00:29:36,280 --> 00:29:37,400
Speaker 1: They pack you in this room. I go to this

615
00:29:37,440 --> 00:29:41,800
Speaker 1: place in Nashville, the one right on Music Row, which

616
00:29:41,840 --> 00:29:45,000
Speaker 1: is where all of the it's called Chalk to Yoga,

617
00:29:45,640 --> 00:29:50,280
Speaker 1: and it's where all the recording studios and hippies. It's

618
00:29:50,280 --> 00:29:54,760
Speaker 1: like a weird mix of industry people, hippies and college kids.

619
00:29:55,440 --> 00:29:56,960
Speaker 1: So you get in this room and they pack you

620
00:29:57,080 --> 00:29:59,320
Speaker 1: in and like if you reach out, you hit somebody.

621
00:29:59,520 --> 00:30:01,120
Speaker 1: So you do lot of things where you're touching the

622
00:30:01,160 --> 00:30:03,600
Speaker 1: other person, like you're like put your hand on their back.

623
00:30:03,680 --> 00:30:05,960
Speaker 1: And I'm like, this so disgusting. Like we did this

624
00:30:05,960 --> 00:30:07,200
Speaker 1: thing today where you had to reach out of both

625
00:30:07,320 --> 00:30:08,920
Speaker 1: arms and put your hand on the back of both

626
00:30:08,920 --> 00:30:11,480
Speaker 1: the people and push up and it's so disgusting because

627
00:30:11,480 --> 00:30:18,040
Speaker 1: you're putting your hand on somebody. This guy, I don't

628
00:30:18,400 --> 00:30:21,960
Speaker 1: there are no guys in these classes. Out of thirty

629
00:30:22,000 --> 00:30:24,360
Speaker 1: people there, maybe you're three guys, right, So I don't

630
00:30:24,880 --> 00:30:27,680
Speaker 1: It's not like I'm grabbing, you know, Harry's molly back

631
00:30:27,880 --> 00:30:31,480
Speaker 1: and pushing down. But we were in this class and

632
00:30:31,520 --> 00:30:33,640
Speaker 1: I reached and your packs. I keep to go right

633
00:30:33,640 --> 00:30:35,400
Speaker 1: in the head in front of me. I turned over.

634
00:30:35,520 --> 00:30:38,560
Speaker 1: My foot went boom, and I'm like, and everybody's like quiet,

635
00:30:38,680 --> 00:30:40,520
Speaker 1: and you're like in your I don't ever get in

636
00:30:40,600 --> 00:30:42,560
Speaker 1: that zone of like, I'm just trying to find peace.

637
00:30:43,400 --> 00:30:45,520
Speaker 1: I'm just trying to work out and I'm sweating, and

638
00:30:45,840 --> 00:30:49,200
Speaker 1: you do you do, dude, you love it because this

639
00:30:49,360 --> 00:30:51,960
Speaker 1: is so different. I'm not flexible at all, but it's tough.

640
00:30:52,000 --> 00:30:54,600
Speaker 1: It's just funny. Yoga's tough. And so I kept right

641
00:30:54,600 --> 00:30:55,960
Speaker 1: in the head and I was like, I'm sorry, I'm sorry,

642
00:30:55,960 --> 00:30:59,080
Speaker 1: I'm sorry, and like the whole room heard it. And

643
00:30:59,160 --> 00:31:00,440
Speaker 1: Linda was right next to me. I don't know if

644
00:31:00,440 --> 00:31:02,640
Speaker 1: she was going I guess my point where she showed

645
00:31:02,720 --> 00:31:05,200
Speaker 1: up because she was like, I was gonna do you again.

646
00:31:05,200 --> 00:31:07,040
Speaker 1: She did know what was coming either, and we ended

647
00:31:07,120 --> 00:31:09,520
Speaker 1: up at the same place that um, what we're doing.

648
00:31:09,600 --> 00:31:12,680
Speaker 1: But she's been working out twice a day for three months.

649
00:31:13,640 --> 00:31:15,800
Speaker 1: She goes at five in the morning or six in

650
00:31:15,840 --> 00:31:17,880
Speaker 1: the morning, whatever it is, and then she goes back

651
00:31:17,920 --> 00:31:21,680
Speaker 1: in the afternoon because she can't go back to sleep,

652
00:31:21,800 --> 00:31:23,400
Speaker 1: and I, if she stays over here, I wake her

653
00:31:23,520 --> 00:31:26,640
Speaker 1: up because I don't know. I tell me if I'm

654
00:31:26,640 --> 00:31:28,160
Speaker 1: wrong in that, and we gotta take a little debate.

655
00:31:28,240 --> 00:31:34,160
Speaker 1: Last night, I feel like it's my house, and I

656
00:31:34,280 --> 00:31:36,880
Speaker 1: got a job, so I can pay the bills at

657
00:31:36,960 --> 00:31:40,920
Speaker 1: my house, and I gotta feed the dog. So I

658
00:31:41,040 --> 00:31:42,800
Speaker 1: need to do in the morning what makes me the

659
00:31:42,880 --> 00:31:45,960
Speaker 1: most comfortable getting ready for the show, and that's wake up,

660
00:31:46,040 --> 00:31:48,680
Speaker 1: turn the lights on, turn the news on. Whoa wake up?

661
00:31:48,760 --> 00:31:52,240
Speaker 1: Here we go. Well, that's not the best environment for her, obviously,

662
00:31:52,280 --> 00:31:55,680
Speaker 1: if she stays over because she's still asleep and she

663
00:31:55,800 --> 00:31:58,000
Speaker 1: can't go back to sleep. Now I could do option B,

664
00:31:58,160 --> 00:32:02,360
Speaker 1: which is wake up, crawl out of bad keep the

665
00:32:02,440 --> 00:32:06,360
Speaker 1: TV off, go downstairs, darn the TV, completely out of

666
00:32:06,360 --> 00:32:12,000
Speaker 1: my comfort zone. But option I'm very selfish, and so

667
00:32:13,040 --> 00:32:15,440
Speaker 1: she's cool with that. You know, we know the rules.

668
00:32:16,160 --> 00:32:18,640
Speaker 1: She has rules for me, avils for her, and she's

669
00:32:18,640 --> 00:32:20,040
Speaker 1: cool with that. And she she can't go back sleep,

670
00:32:20,080 --> 00:32:21,520
Speaker 1: so she just goes and works out. She's like, I'm

671
00:32:21,520 --> 00:32:23,240
Speaker 1: just gonna get the day started if I'm gonna get up.

672
00:32:24,080 --> 00:32:26,760
Speaker 1: And last night she stayed over and she goes to

673
00:32:26,800 --> 00:32:30,000
Speaker 1: sleep in like ten seconds. Her lunchbox are remarkably similar

674
00:32:30,160 --> 00:32:32,400
Speaker 1: because those two have the ability to just go, you

675
00:32:32,520 --> 00:32:34,920
Speaker 1: know what I think I'm gonna go to They just

676
00:32:35,040 --> 00:32:36,280
Speaker 1: decide they want to go to sleep, and they go

677
00:32:36,320 --> 00:32:39,880
Speaker 1: to sleep. It takes me at least an hour, and

678
00:32:39,920 --> 00:32:44,120
Speaker 1: I gotta be super focused at removing myself from any

679
00:32:44,440 --> 00:32:47,560
Speaker 1: sort of consciousness, Like it's almost like I have to

680
00:32:47,680 --> 00:32:51,160
Speaker 1: meditate with the TV on and it's focus on taking.

681
00:32:51,440 --> 00:32:53,120
Speaker 1: And I told her, was like, I just don't know.

682
00:32:53,360 --> 00:32:55,560
Speaker 1: I just shouldn't say stuff like this, but I always

683
00:32:55,560 --> 00:32:57,120
Speaker 1: felt like being honest is the best policy. And I

684
00:32:57,240 --> 00:32:59,880
Speaker 1: was like, that's all. Sleep as good when you're here.

685
00:33:00,960 --> 00:33:03,560
Speaker 1: I know, I'm a I'm a dick. That's a dick

686
00:33:03,600 --> 00:33:06,080
Speaker 1: thing to say, but it was It's true. Here's the

687
00:33:06,080 --> 00:33:07,480
Speaker 1: thing about tell them truth. That you tell the truth,

688
00:33:07,480 --> 00:33:10,880
Speaker 1: you never have to remember. And she sleeps beat and

689
00:33:10,880 --> 00:33:12,560
Speaker 1: I told her, I said, you sleep better with me,

690
00:33:12,840 --> 00:33:17,320
Speaker 1: a step worse with you. But there are like I said,

691
00:33:17,360 --> 00:33:20,080
Speaker 1: I'm no treat to date, I'm I'm no treat to

692
00:33:20,120 --> 00:33:23,800
Speaker 1: be around, but there are positives to being my girlfriend.

693
00:33:24,560 --> 00:33:37,040
Speaker 1: One is, well, what I'm supportive? I can't. I wouldn't

694
00:33:37,120 --> 00:33:39,320
Speaker 1: date me. I think about it. If I were a girl,

695
00:33:39,320 --> 00:33:40,760
Speaker 1: I would not I'd have nothing to do with me.

696
00:33:43,600 --> 00:33:45,480
Speaker 1: Why would Why would someone want to date me? I

697
00:33:45,560 --> 00:33:50,800
Speaker 1: mean you are extremely supportive. I feel like I'm supportive, Like, yeah,

698
00:33:51,480 --> 00:33:55,400
Speaker 1: I'm supportive in the way of like, she's a creative

699
00:33:55,440 --> 00:33:58,920
Speaker 1: person and my constant thing to her is And this

700
00:33:58,920 --> 00:34:02,080
Speaker 1: is for anybody does anything create? If is that there's

701
00:34:02,160 --> 00:34:06,920
Speaker 1: no such thing as right and wrong because anything that

702
00:34:07,040 --> 00:34:09,239
Speaker 1: you're creating and that you're putting out could go a

703
00:34:09,400 --> 00:34:13,680
Speaker 1: hundred different directions. So there's nothing there's no right decision

704
00:34:13,719 --> 00:34:15,840
Speaker 1: or wrong decision in any part of the creative process.

705
00:34:16,760 --> 00:34:20,600
Speaker 1: What happens to it after you're done with it? Uh?

706
00:34:20,760 --> 00:34:22,680
Speaker 1: For example, like you said you're talking about Sam, Like

707
00:34:23,400 --> 00:34:24,799
Speaker 1: if Sam haw would have put out this song because

708
00:34:24,800 --> 00:34:26,680
Speaker 1: Shane MCALLI a sudden you should listen to that bobbycast

709
00:34:26,719 --> 00:34:28,400
Speaker 1: if you have it, and they talked about writing and

710
00:34:28,440 --> 00:34:31,480
Speaker 1: take your time before leave the night on and so

711
00:34:31,600 --> 00:34:33,680
Speaker 1: what if they released that song first? I don't think

712
00:34:33,719 --> 00:34:35,680
Speaker 1: Sam becomes as big a star because it was so

713
00:34:35,920 --> 00:34:40,000
Speaker 1: out of left field and they didn't you know, they

714
00:34:40,080 --> 00:34:44,200
Speaker 1: made the decision to put that other song. But what

715
00:34:44,280 --> 00:34:45,600
Speaker 1: if I would have put the other song out first,

716
00:34:45,600 --> 00:34:49,960
Speaker 1: and what if it he would have been nothing? But

717
00:34:50,040 --> 00:34:51,759
Speaker 1: they made that decision and that wasn't a right or

718
00:34:51,800 --> 00:34:57,120
Speaker 1: wrong decision about I don't know, man, That's all I

719
00:34:57,160 --> 00:34:58,680
Speaker 1: tell her. There's no It also gets me out of

720
00:34:58,719 --> 00:35:01,000
Speaker 1: answer questions too, im like, there's no right or wrong.

721
00:35:02,239 --> 00:35:04,479
Speaker 1: Pick your pick your choice. You know Netflix is gonna

722
00:35:04,480 --> 00:35:06,120
Speaker 1: do that with those some shows that can pick your

723
00:35:06,160 --> 00:35:09,520
Speaker 1: own ending books where like move like shows where you

724
00:35:09,560 --> 00:35:11,120
Speaker 1: can pick what the person does and then you go

725
00:35:11,280 --> 00:35:12,560
Speaker 1: so you have to shoot like a hundred scenes and

726
00:35:13,040 --> 00:35:15,239
Speaker 1: you get to pick what happens at the end of it. Yeah,

727
00:35:15,280 --> 00:35:17,800
Speaker 1: I'm supportive, man, I'm really not good. I'm trying to

728
00:35:17,840 --> 00:35:21,640
Speaker 1: think it like and I have food like she gets

729
00:35:21,960 --> 00:35:27,200
Speaker 1: I gotta provide meals healthy emails too. I'm really struggling

730
00:35:27,239 --> 00:35:30,840
Speaker 1: here to find out why I'm like a person that's

731
00:35:30,840 --> 00:35:33,480
Speaker 1: fine to be with them because I'm only not that fine. Um,

732
00:35:34,360 --> 00:35:36,040
Speaker 1: I think that's it. Are we go? Oh? I should

733
00:35:36,080 --> 00:35:38,120
Speaker 1: talk about the a c MS because I'm gonna be

734
00:35:38,160 --> 00:35:40,840
Speaker 1: on the a c MS on Sunday night, depending on

735
00:35:40,880 --> 00:35:42,839
Speaker 1: when you hear this. And it's one of those things

736
00:35:42,920 --> 00:35:45,560
Speaker 1: where I really shouldn't be on the A c M S.

737
00:35:46,040 --> 00:35:48,040
Speaker 1: I got the only radio person, probably in years, to

738
00:35:48,040 --> 00:35:49,080
Speaker 1: ever be on the A c M S. And and

739
00:35:49,880 --> 00:35:51,799
Speaker 1: I'm not one of the cool kids. And I say

740
00:35:52,040 --> 00:35:53,600
Speaker 1: our show is not one of the cool kids shows.

741
00:35:54,600 --> 00:35:59,840
Speaker 1: We're not cool. And that's a very prestigious cool person

742
00:36:00,040 --> 00:36:02,239
Speaker 1: hype things like they have Miss America on there, they

743
00:36:02,280 --> 00:36:05,680
Speaker 1: have Jaco and they have these like it's just crazy

744
00:36:05,760 --> 00:36:08,800
Speaker 1: that I get to go on and present and the

745
00:36:08,840 --> 00:36:10,319
Speaker 1: only reason I can do it is because of our

746
00:36:10,360 --> 00:36:12,080
Speaker 1: audience and the people listen to the show. People listen

747
00:36:12,120 --> 00:36:14,440
Speaker 1: to this like that's it, Like our audi intimates such

748
00:36:14,440 --> 00:36:19,960
Speaker 1: an impact on the format and on who watches what

749
00:36:20,320 --> 00:36:24,480
Speaker 1: that They were like, man, I guess, I guess we'll

750
00:36:24,480 --> 00:36:28,719
Speaker 1: put them on. I'm very thankful because someone made the decision. Yes,

751
00:36:29,760 --> 00:36:31,959
Speaker 1: And I don't know who that was, and I really

752
00:36:32,120 --> 00:36:34,640
Speaker 1: wasn't expecting it, because again, they don't put radio people

753
00:36:34,680 --> 00:36:39,520
Speaker 1: on stuff like that. I mean they don't. I'm trying

754
00:36:39,520 --> 00:36:42,520
Speaker 1: to think of the I can't think of anybody. And

755
00:36:42,640 --> 00:36:44,360
Speaker 1: so for me to get to go on there like

756
00:36:44,480 --> 00:36:46,719
Speaker 1: it's it's cool. I get to do a lot of

757
00:36:46,760 --> 00:36:52,560
Speaker 1: TV stuff, but not the prestigious network award shows, and

758
00:36:52,760 --> 00:36:55,440
Speaker 1: so that is just that's all. That's all because the

759
00:36:55,480 --> 00:36:57,279
Speaker 1: people that listen to the radio show and listen to

760
00:36:57,360 --> 00:37:00,440
Speaker 1: this and that just take part in our little culture

761
00:37:00,480 --> 00:37:02,800
Speaker 1: of not being the cool kids because we're not the

762
00:37:02,840 --> 00:37:04,600
Speaker 1: cool kids. We've never been the cool kids. And somebody

763
00:37:04,640 --> 00:37:06,040
Speaker 1: who's not a cool kid gets to go be a

764
00:37:06,120 --> 00:37:08,400
Speaker 1: cool kid. And that's what I feel like getting to

765
00:37:08,520 --> 00:37:17,279
Speaker 1: do this. It's like the kid who gets grows from

766
00:37:17,320 --> 00:37:18,759
Speaker 1: eleven twelfth grade and he gets to be the prom

767
00:37:18,880 --> 00:37:20,400
Speaker 1: king and twelfth grade, all of a sudden, you know,

768
00:37:20,480 --> 00:37:24,120
Speaker 1: he matures and but but the word thing for me

769
00:37:24,200 --> 00:37:25,680
Speaker 1: is I'll be not be the cool kid since it's

770
00:37:25,680 --> 00:37:30,160
Speaker 1: over again. But I'm just really um, thankful and surprised.

771
00:37:30,160 --> 00:37:33,000
Speaker 1: I was surprised really that they asked me to do it,

772
00:37:33,800 --> 00:37:35,600
Speaker 1: and I don't know who it wasn't made the final decision,

773
00:37:36,080 --> 00:37:40,600
Speaker 1: but um, I I should find out and thank them.

774
00:37:41,239 --> 00:37:43,120
Speaker 1: So I thought that was pretty cool. I'm excited about that.

775
00:37:43,480 --> 00:37:46,880
Speaker 1: The last time I did a I wore an awards

776
00:37:46,920 --> 00:37:49,640
Speaker 1: show because I've done probably I probably like ten awards

777
00:37:49,760 --> 00:37:52,720
Speaker 1: all they've all been cable. I wish I had audio

778
00:37:52,719 --> 00:37:54,080
Speaker 1: of the Jason Now doing thing where I was a

779
00:37:54,160 --> 00:37:57,680
Speaker 1: complete idiot. I started screaming at him because I'm probably

780
00:37:58,480 --> 00:38:00,880
Speaker 1: on either doing an excellent job or just being a

781
00:38:01,000 --> 00:38:05,160
Speaker 1: total dweb And so I'm aimn for not dweeb. And

782
00:38:05,200 --> 00:38:06,759
Speaker 1: they're asking what clothes I wanted to wear, and I

783
00:38:06,800 --> 00:38:09,400
Speaker 1: don't want to be obnoxious, like I'm just kind of

784
00:38:09,440 --> 00:38:12,360
Speaker 1: thankful to be on there, so I just want to

785
00:38:12,400 --> 00:38:15,360
Speaker 1: look nice and not stupid. I had to make that

786
00:38:15,440 --> 00:38:17,400
Speaker 1: decision today, like do I go out there and be

787
00:38:17,440 --> 00:38:21,600
Speaker 1: attention seeking and like to do something stupid? Yeah, like

788
00:38:21,719 --> 00:38:24,560
Speaker 1: the or the Sea Through or the is he you know,

789
00:38:24,760 --> 00:38:28,040
Speaker 1: the Zeke Elliott, the Middridth. Yeah. And I was like,

790
00:38:28,200 --> 00:38:30,200
Speaker 1: you know what, Nope, because I owe it to our

791
00:38:30,280 --> 00:38:34,120
Speaker 1: listeners to just represent them and let's just be cool

792
00:38:34,239 --> 00:38:37,160
Speaker 1: together and actually sit at the cool kids table for

793
00:38:37,360 --> 00:38:40,319
Speaker 1: a night and then you know the next day we'll

794
00:38:40,360 --> 00:38:43,920
Speaker 1: get kicking the balls again by somebody or some artists hatus.

795
00:38:44,000 --> 00:38:45,920
Speaker 1: But uh, yeah, that'd be cool. So I hope be

796
00:38:45,920 --> 00:38:49,359
Speaker 1: good to check that out. Um, all right, I think

797
00:38:49,400 --> 00:38:51,520
Speaker 1: that's it. How long we've been on this thing almost

798
00:38:51,560 --> 00:38:55,399
Speaker 1: forty minutes. Yeah, anything you want to say. I'm good man,

799
00:39:00,000 --> 00:39:08,239
Speaker 1: still thinking of good reasons to date you. I mean,

800
00:39:08,520 --> 00:39:12,280
Speaker 1: I'm just not fun to be around. I'm not a drag.

801
00:39:14,239 --> 00:39:16,680
Speaker 1: I think why can I'm really thinking about this. I

802
00:39:16,760 --> 00:39:18,080
Speaker 1: think why. I think we hit it off a lot,

803
00:39:18,160 --> 00:39:21,560
Speaker 1: as we both work a lot, and so we can

804
00:39:21,600 --> 00:39:23,960
Speaker 1: actually sit beside each other and be on our computer

805
00:39:24,040 --> 00:39:29,160
Speaker 1: for two hours and just work, and that we're both

806
00:39:29,200 --> 00:39:31,160
Speaker 1: cool with that. And I think it's a weird. And

807
00:39:31,800 --> 00:39:36,799
Speaker 1: she's also not a gossipy type person in a town

808
00:39:36,880 --> 00:39:42,560
Speaker 1: where it's all it's clicky and gossipy and people are

809
00:39:42,600 --> 00:39:44,520
Speaker 1: your friends. It's like high school, like nationals, like high

810
00:39:44,520 --> 00:39:49,560
Speaker 1: school with artists and labels. And it's because it's not

811
00:39:49,719 --> 00:39:53,439
Speaker 1: a huge city. It's a middle size city. But even

812
00:39:53,480 --> 00:39:55,840
Speaker 1: in that city, it all happens on like ten streets,

813
00:39:56,920 --> 00:40:01,120
Speaker 1: like all the record labels, and and so everybody knows everybody,

814
00:40:01,239 --> 00:40:04,040
Speaker 1: and everybody's talking crap about people. And if I talk

815
00:40:04,080 --> 00:40:07,160
Speaker 1: crap about you, it's out loud on a microphone, and

816
00:40:07,200 --> 00:40:08,960
Speaker 1: then I don't even mean it most of time, I'm

817
00:40:09,000 --> 00:40:13,080
Speaker 1: just playing um. But yeah, she's just not a gossipy person,

818
00:40:13,400 --> 00:40:15,879
Speaker 1: and so many, so many people are just like, I'm

819
00:40:15,920 --> 00:40:18,680
Speaker 1: the best friend, and then they're like, oh, he's his

820
00:40:18,800 --> 00:40:20,840
Speaker 1: album sucks. I'm like, what do you say that to

821
00:40:20,960 --> 00:40:22,759
Speaker 1: his face? Like, don't tell me, I don't What do

822
00:40:22,760 --> 00:40:24,000
Speaker 1: you mean to do about it? Because some of the

823
00:40:24,080 --> 00:40:26,279
Speaker 1: artists that you think like each other, they trash to

824
00:40:26,320 --> 00:40:28,520
Speaker 1: crap aout each other behind and it's so weird. It's

825
00:40:28,520 --> 00:40:30,200
Speaker 1: an awkward place for me because someone's I like both

826
00:40:30,239 --> 00:40:32,600
Speaker 1: of them and they're ripping on each other like behind

827
00:40:32,680 --> 00:40:35,319
Speaker 1: each other back, and I'm like, man, if you guys

828
00:40:35,400 --> 00:40:37,400
Speaker 1: to do this public on Twitter, so many people would care,

829
00:40:38,360 --> 00:40:39,960
Speaker 1: we would all watch that. I would love to see

830
00:40:39,960 --> 00:40:42,279
Speaker 1: a Twitter five between artists an artists because some of

831
00:40:42,320 --> 00:40:44,160
Speaker 1: the artists like that, you think her friends they aren't

832
00:40:44,400 --> 00:40:46,040
Speaker 1: like you to get Twitter fight in a while, but

833
00:40:46,200 --> 00:40:48,640
Speaker 1: me either. Those used to be awesome right when it

834
00:40:48,719 --> 00:40:53,640
Speaker 1: was on Twitter. On Snapchat today, I saw Nicki now

835
00:40:54,480 --> 00:40:56,759
Speaker 1: Black China, who I just had to get the whole

836
00:40:56,800 --> 00:40:59,759
Speaker 1: lesson Lunchbox that was go after Tiger for not paying

837
00:40:59,800 --> 00:41:04,719
Speaker 1: child support right, and Nicki Minaj was in a video

838
00:41:04,800 --> 00:41:07,160
Speaker 1: today I'm trying to get my hip hop news straight.

839
00:41:07,719 --> 00:41:09,799
Speaker 1: Nicki Minaj was in Who's the guy one to jail?

840
00:41:10,239 --> 00:41:14,800
Speaker 1: Had tattoos on Space? Yeah? Nick on the Unicorn? Okay

841
00:41:15,440 --> 00:41:19,360
Speaker 1: does Okay? So it was a Snapchat when she was

842
00:41:19,360 --> 00:41:21,880
Speaker 1: calling out on Snapchat for not playing child support. Uh

843
00:41:22,080 --> 00:41:25,360
Speaker 1: Black China was Tiger and she kept posing all these

844
00:41:25,400 --> 00:41:28,000
Speaker 1: snaps like you pay child's port and you got side

845
00:41:28,080 --> 00:41:31,440
Speaker 1: chicks and I don't know. Yeah, I used to get

846
00:41:31,480 --> 00:41:34,160
Speaker 1: in Twitter fight. Those used to be fun. Man. Now

847
00:41:34,280 --> 00:41:40,120
Speaker 1: people like me, people get disappointed in me. I remember

848
00:41:40,160 --> 00:41:43,680
Speaker 1: when I was ripping on the rest of the North

849
00:41:43,719 --> 00:41:46,320
Speaker 1: Carolina Arkansas game, people like, I'm just so disappointed in you.

850
00:41:46,360 --> 00:41:48,640
Speaker 1: I'll tought you a lot more class than this. I don't.

851
00:41:49,320 --> 00:41:53,040
Speaker 1: I don't claim to. I don't. I'm no better than

852
00:41:53,080 --> 00:41:55,520
Speaker 1: anybody else. But then it sucks when people start to

853
00:41:55,560 --> 00:41:57,000
Speaker 1: hold you to a high standard. You like, I don't

854
00:41:57,000 --> 00:42:00,359
Speaker 1: want to let anybody down ever, So it's like, oh, man,

855
00:42:00,440 --> 00:42:02,919
Speaker 1: I guess I gotta be a better person, trying myself

856
00:42:02,960 --> 00:42:04,840
Speaker 1: into how to be a good person. I'm not nothing.

857
00:42:04,880 --> 00:42:12,319
Speaker 1: I'm just a dude. All right, done? No what we're

858
00:42:12,320 --> 00:42:22,400
Speaker 1: almost the episode? Yeah, all you do, it's called space.

859
00:42:24,680 --> 00:42:34,240
Speaker 1: I don't know you send. The song was not about

860
00:42:34,280 --> 00:42:38,160
Speaker 1: me by the way, in case you're wondering that one

861
00:42:38,239 --> 00:42:41,360
Speaker 1: was not about me. Thank you, I thank you, thank you.

862
00:42:42,280 --> 00:42:46,160
Speaker 1: UM I would encourage you to UM check out some

863
00:42:46,239 --> 00:42:48,440
Speaker 1: other Bobby casting the first one, like what we did.

864
00:42:48,520 --> 00:42:49,920
Speaker 1: We sit here with a lot of writers and artists

865
00:42:49,960 --> 00:42:53,480
Speaker 1: and just talk about music. And I love music, and

866
00:42:53,520 --> 00:42:55,960
Speaker 1: I love the people that sing it and perform it,

867
00:42:56,040 --> 00:42:57,640
Speaker 1: and I love people that write it that you don't

868
00:42:57,680 --> 00:42:59,239
Speaker 1: even know their names. And so the Shane mc and

869
00:42:59,280 --> 00:43:01,759
Speaker 1: Ali came to agree one because he wrote a lot

870
00:43:01,840 --> 00:43:04,000
Speaker 1: of the Chesney stuff and order a lot of the

871
00:43:05,600 --> 00:43:08,200
Speaker 1: Sam stuff and not a lot of the U. Natalie

872
00:43:08,239 --> 00:43:12,200
Speaker 1: Hamby was a great one, like she wrote the Miranda's stuff.

873
00:43:12,480 --> 00:43:14,360
Speaker 1: You know, with Miranda's some really good stories if you

874
00:43:14,440 --> 00:43:16,680
Speaker 1: love the country music and you love the behind the

875
00:43:16,680 --> 00:43:18,800
Speaker 1: scenes of the music. So we're gonna go. Thanks for

876
00:43:18,800 --> 00:43:20,680
Speaker 1: hanging out with us tonight again. Thank you guys for listening.

877
00:43:20,760 --> 00:43:22,439
Speaker 1: And I just know that I know that I would

878
00:43:22,480 --> 00:43:24,200
Speaker 1: never be on anything like the A C M S

879
00:43:24,200 --> 00:43:27,279
Speaker 1: if it was for you guys, and like, I know that,

880
00:43:28,160 --> 00:43:29,960
Speaker 1: and I'm not crazy enough to think that that that's

881
00:43:30,000 --> 00:43:31,880
Speaker 1: not the case. So I appreciate you guys, and that's it.

882
00:43:31,960 --> 00:43:34,120
Speaker 1: Hopefully I'll come out to your town soon and you

883
00:43:34,200 --> 00:43:35,680
Speaker 1: come to a stand up shore or something we can

884
00:43:35,719 --> 00:43:38,319
Speaker 1: hang out and meet. We went to North Dakota. Holy Cown,

885
00:43:38,360 --> 00:43:40,680
Speaker 1: it's cold. They were the nicest people ever. It was

886
00:43:40,719 --> 00:43:43,719
Speaker 1: so cold, and it was like they were so nice.

887
00:43:43,800 --> 00:43:45,200
Speaker 1: I wasn't even mad when they were like trying to

888
00:43:45,200 --> 00:43:48,320
Speaker 1: get in my hotel room, because I would be. It

889
00:43:48,440 --> 00:43:49,640
Speaker 1: was one in the morning and they were trying to

890
00:43:49,640 --> 00:43:53,439
Speaker 1: get in my room. I was also, I think people

891
00:43:53,480 --> 00:43:57,320
Speaker 1: have this un realistic expectation of like the lifestyle that

892
00:43:57,400 --> 00:44:00,200
Speaker 1: I live, because you can see my full hotel it

893
00:44:00,320 --> 00:44:03,400
Speaker 1: was it don't I'm trying to save money. I have to.

894
00:44:03,760 --> 00:44:07,160
Speaker 1: I'm not saying that the four seasons. Yeah, we couldn't

895
00:44:07,160 --> 00:44:10,759
Speaker 1: find a thermostat. That's right. That's how terrible this room was.

896
00:44:10,880 --> 00:44:12,680
Speaker 1: I called Mike because Mike d of the road, and

897
00:44:12,719 --> 00:44:15,560
Speaker 1: I was like, Mike, d come out to my room

898
00:44:15,719 --> 00:44:18,840
Speaker 1: because I'm cold and I can't find a thermostat. And

899
00:44:19,640 --> 00:44:22,319
Speaker 1: I've went, I've taken my hand and rend every wall

900
00:44:22,400 --> 00:44:24,520
Speaker 1: in this room and it cannot find a thermostat. And

901
00:44:24,600 --> 00:44:26,040
Speaker 1: we went down to the heat or too and we

902
00:44:26,120 --> 00:44:28,759
Speaker 1: pulled the let the cover off and it said thermostat

903
00:44:28,800 --> 00:44:32,239
Speaker 1: on the wall, not down here, and so we're like what.

904
00:44:33,280 --> 00:44:35,680
Speaker 1: We went through the whole room and there wasn't a

905
00:44:35,760 --> 00:44:39,440
Speaker 1: thermostad unless it was like under the bed. So what

906
00:44:39,600 --> 00:44:41,440
Speaker 1: happened was everyone was making fun of because my room

907
00:44:41,480 --> 00:44:43,640
Speaker 1: was so crappy that guess people just don't stay at

908
00:44:43,640 --> 00:44:46,239
Speaker 1: the fourth Seasons. You out of your mind. I'm not

909
00:44:46,360 --> 00:44:49,160
Speaker 1: wasting if I go, like on a vacation or something else,

910
00:44:49,160 --> 00:44:51,640
Speaker 1: say it in the nicer place. And I'm also not

911
00:44:51,680 --> 00:44:53,200
Speaker 1: stupid enough to know that. People know I'll make good

912
00:44:53,239 --> 00:44:56,640
Speaker 1: living now. But when you grow up in mountain behind

913
00:44:56,680 --> 00:44:58,759
Speaker 1: the mountain, pind never really leaves you. And I know

914
00:44:58,840 --> 00:45:00,440
Speaker 1: that eventually I could be out of a off like that.

915
00:45:01,000 --> 00:45:03,840
Speaker 1: And again, I need money saved up. So I was

916
00:45:03,880 --> 00:45:06,640
Speaker 1: just staying in a crappy hotel room because you know,

917
00:45:06,880 --> 00:45:11,280
Speaker 1: keep it real. And so you see this really crappy

918
00:45:11,360 --> 00:45:13,040
Speaker 1: room because I just took my snapchat out and started

919
00:45:13,080 --> 00:45:16,080
Speaker 1: filming it and it's like old like clanky chains only

920
00:45:16,120 --> 00:45:19,400
Speaker 1: thing hold the door together, and you hear yelling outside

921
00:45:19,440 --> 00:45:21,799
Speaker 1: my door, and I wasn't even mad. I was just like, man,

922
00:45:22,360 --> 00:45:24,520
Speaker 1: there'sn't really passionate people over here. Those are what the

923
00:45:24,600 --> 00:45:26,480
Speaker 1: kind of people were so funny, it's so nice. They

924
00:45:26,600 --> 00:45:29,080
Speaker 1: kept thanking me over and over again for coming, and

925
00:45:29,160 --> 00:45:31,560
Speaker 1: I was like, why are you thanking me so much?

926
00:45:32,080 --> 00:45:33,680
Speaker 1: Are you going to do something with me at the

927
00:45:33,760 --> 00:45:35,160
Speaker 1: end of the night that I don't know about? Like

928
00:45:35,239 --> 00:45:37,919
Speaker 1: what just what's the trap? But yeah, I guess people

929
00:45:37,960 --> 00:45:40,200
Speaker 1: just don't go up there a lot. It was hard

930
00:45:40,239 --> 00:45:43,560
Speaker 1: to get to. I mean it was. It was. It

931
00:45:43,760 --> 00:45:45,759
Speaker 1: wasn't just like we just got a Southwest flight and

932
00:45:45,800 --> 00:45:47,560
Speaker 1: flew in first of all, Southwest didn't go there, And

933
00:45:47,680 --> 00:45:51,400
Speaker 1: I'll fly Southwest percent at the time, partially because I

934
00:45:52,320 --> 00:45:54,400
Speaker 1: I like getting to choose your seat. I don't fly

935
00:45:54,520 --> 00:45:57,200
Speaker 1: first class unless work is having to make me go

936
00:45:57,280 --> 00:45:59,440
Speaker 1: somewhere super quickly. And if they're like you gotta get

937
00:45:59,560 --> 00:46:01,719
Speaker 1: l A to new your work, I'm like, okay, I'll

938
00:46:01,760 --> 00:46:03,640
Speaker 1: do that, but you're gonna have to fly in first class.

939
00:46:04,239 --> 00:46:06,719
Speaker 1: So that's why I fly South to US because I'm

940
00:46:06,719 --> 00:46:08,400
Speaker 1: not paying extra. I'm not I'm not paying for a

941
00:46:08,400 --> 00:46:10,520
Speaker 1: first class ticket. You're out of your mind. I'll sit

942
00:46:10,719 --> 00:46:15,000
Speaker 1: and just save the three bucks and so but in Southwest,

943
00:46:15,040 --> 00:46:17,759
Speaker 1: I fly so much, I get a companion pass, so

944
00:46:17,880 --> 00:46:19,400
Speaker 1: I get someone that flies with me for free that

945
00:46:19,400 --> 00:46:21,560
Speaker 1: I would normally have to pay for and so I

946
00:46:21,640 --> 00:46:24,600
Speaker 1: can save the money. Boom, we fly up there. They

947
00:46:24,640 --> 00:46:27,480
Speaker 1: don't have Southwest. We had to fly Delta, and Delta

948
00:46:27,600 --> 00:46:33,600
Speaker 1: is fine, it's fine. I don't want to bash any

949
00:46:33,840 --> 00:46:35,960
Speaker 1: company that it was a fine air you know what.

950
00:46:36,080 --> 00:46:38,560
Speaker 1: It was a pretty decent airline. And so but we

951
00:46:38,600 --> 00:46:42,040
Speaker 1: had to fly Delta into Minneapolis and Minneapolis to Fargo

952
00:46:42,120 --> 00:46:46,759
Speaker 1: and then drive from Fargo three hours three and a

953
00:46:46,760 --> 00:46:49,080
Speaker 1: half hours, and so by the time we got to

954
00:46:49,120 --> 00:46:52,000
Speaker 1: the venue, we spent all day traveling. And I was

955
00:46:52,000 --> 00:46:54,799
Speaker 1: like hopping a car before change your clothes, don't get

956
00:46:54,840 --> 00:46:57,799
Speaker 1: on stage, you go, and then people trying to break

957
00:46:57,840 --> 00:46:59,600
Speaker 1: in the door afterwards got to get in the hotel room.

958
00:47:00,000 --> 00:47:03,320
Speaker 1: I knew they weren't trying to hurt me. It's just

959
00:47:03,400 --> 00:47:05,160
Speaker 1: weird because if that's so many of the people trying

960
00:47:05,200 --> 00:47:08,960
Speaker 1: to hurt me that it triggers like this, Like I'm like,

961
00:47:12,400 --> 00:47:15,640
Speaker 1: it's almost like adrenaline starts to pump inside of you

962
00:47:16,160 --> 00:47:19,600
Speaker 1: and you can't relax whenever. If someone walks up behind

963
00:47:19,680 --> 00:47:22,759
Speaker 1: me and just like hey, it freaks me out because

964
00:47:22,760 --> 00:47:26,320
Speaker 1: I've been attacked from the bag before I take it,

965
00:47:26,400 --> 00:47:29,840
Speaker 1: you know, taking him back a few times, saying, I

966
00:47:29,960 --> 00:47:32,120
Speaker 1: know those people in order to go to awesome? Are

967
00:47:32,160 --> 00:47:35,239
Speaker 1: people are listeners? Are are awesome. The only time that

968
00:47:35,280 --> 00:47:37,799
Speaker 1: I ever get irritated at like a meeting, greter meetings,

969
00:47:38,000 --> 00:47:40,600
Speaker 1: when someone wants to kiss me, and it's just because

970
00:47:40,640 --> 00:47:45,239
Speaker 1: I don't like germs, Like who can That's the only

971
00:47:45,280 --> 00:47:48,040
Speaker 1: time I remember, like, oh, I don't like that, Like

972
00:47:48,120 --> 00:47:51,840
Speaker 1: you can't do that. No kissing, no no, no, no no,

973
00:47:51,880 --> 00:47:55,400
Speaker 1: no your face liquids because I don't know if you

974
00:47:55,440 --> 00:47:59,759
Speaker 1: have the flu. I'm already a germaphobia if I wasn't. Oh,

975
00:48:00,760 --> 00:48:03,000
Speaker 1: I hug the crap out of you. I don't want

976
00:48:03,040 --> 00:48:06,320
Speaker 1: any kids. Don't grab me and kiss me? Do you

977
00:48:06,360 --> 00:48:10,879
Speaker 1: every somebody do that? And I'm gonna listen. I'm glad

978
00:48:10,920 --> 00:48:15,439
Speaker 1: that people think that they have that I'm nice enough

979
00:48:15,560 --> 00:48:18,560
Speaker 1: to kiss. But that's the only thing I don't like

980
00:48:19,040 --> 00:48:22,840
Speaker 1: is the kissing. I don't know you, and I appreciate you.

981
00:48:22,880 --> 00:48:24,279
Speaker 1: Listen to the show, but I don't want your spit

982
00:48:24,400 --> 00:48:26,000
Speaker 1: all over in my mouth because they don't they're like

983
00:48:26,320 --> 00:48:27,840
Speaker 1: kiss the tide of mouth, you know, hit like the

984
00:48:27,960 --> 00:48:33,239
Speaker 1: corner of my mouth and like disgusting. We have to go.

985
00:48:34,280 --> 00:48:38,680
Speaker 1: Um all right, I think the music died. All right?

986
00:48:40,960 --> 00:48:42,440
Speaker 1: Thank you've been listening up to forty seven? Who do

987
00:48:42,560 --> 00:48:45,040
Speaker 1: you have? Anybody banked up? We're talking about Sam. I

988
00:48:45,080 --> 00:48:47,400
Speaker 1: don't know if it's gonna exist now. We because they

989
00:48:47,400 --> 00:48:50,080
Speaker 1: were like samha wants to come to do it? Sam

990
00:48:50,320 --> 00:48:52,319
Speaker 1: disappearod and so we're not holding our breath for that one.

991
00:48:52,440 --> 00:48:54,200
Speaker 1: What we have we have any we lined up? Are

992
00:48:54,200 --> 00:48:57,480
Speaker 1: we still unlock? And we have Luke Layard coming in?

993
00:48:57,880 --> 00:49:01,320
Speaker 1: We do as first I've heard Luke lair is like

994
00:49:01,480 --> 00:49:04,719
Speaker 1: Shane mcnilly, like the top A list writer. I had

995
00:49:04,760 --> 00:49:08,239
Speaker 1: no idea. That's a good one. Everybody else we want

996
00:49:08,239 --> 00:49:11,760
Speaker 1: to mention? Are we still rock Copper? Ross Copperman? Really?

997
00:49:12,120 --> 00:49:14,200
Speaker 1: How about Ross Copper and writes it. There's two really

998
00:49:14,320 --> 00:49:18,680
Speaker 1: really prominent songwriters, a lot of songs millionaires. Oh these guys,

999
00:49:18,719 --> 00:49:21,799
Speaker 1: are they right? All the songs you're on the radio,

1000
00:49:22,600 --> 00:49:24,520
Speaker 1: And sometimes I write them with the artists, touch without them.

1001
00:49:24,719 --> 00:49:26,279
Speaker 1: But they write all the songs you're here on the radio.

1002
00:49:26,480 --> 00:49:28,200
Speaker 1: That's crazy. All right, We're gonna go have a great

1003
00:49:28,200 --> 00:49:30,440
Speaker 1: to everybody. Thanks listening to the Bodycast. I hope you

1004
00:49:30,560 --> 00:49:34,200
Speaker 1: learn a little bit. Hope you um find this entertaining

1005
00:49:34,239 --> 00:49:36,680
Speaker 1: and share it with your friends. Goodbye,