WEBVTT - Episode 260 w/ MC Serch

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<v Speaker 1>Welcome to Drink Champs, the production of The Black Effect

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<v Speaker 1>and I Heart Radio and his Drink chas motherfucking podcast.

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<v Speaker 1>He's a legendary queen's rapper, he said, is your boy

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<v Speaker 1>in O R. He's a Miami hippoper pioneer. Up is

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<v Speaker 1>d j e f N. Together they drink it up

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<v Speaker 1>with some of the biggest players in the most professional

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<v Speaker 1>unprofessional podcast. And you're number one sort for drunk is

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<v Speaker 1>New year Z do drink Champs Trink Up? Would it

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<v Speaker 1>could be hoping? This will should be? This your point

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<v Speaker 1>in O R? What up is d j e f N?

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<v Speaker 1>And this drink has motherfucking crazy, motherfucker hill the hour

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<v Speaker 1>and all that goddam makes up. It's lay right now

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<v Speaker 1>when you're looking at drink Champs and you say that

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<v Speaker 1>when we started this show for we said we wanted

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<v Speaker 1>to have a show that we, you know, salute our

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<v Speaker 1>legends and salute them now, not to salute them when

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<v Speaker 1>they in the coffin and all this. And when you

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<v Speaker 1>look at this brother that's to the left of me,

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<v Speaker 1>not only is he a queen's legend, he's a New

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<v Speaker 1>York City legend. Not only see a New York City legend.

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<v Speaker 1>He's a hip hip legend. He had stood by the

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<v Speaker 1>culture and put the culture on his back in many

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<v Speaker 1>different scenarios. I remember even had a daytime talk show.

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<v Speaker 1>I was watching that too. He was like the Jenny

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<v Speaker 1>Jones and he kept hip hop. He kept hip hop.

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<v Speaker 1>He was having to suit somebody keptin hipop. He's a

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<v Speaker 1>part of a legendary group. One of my favorite songs

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<v Speaker 1>of all times, get the gas Face. He a part

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<v Speaker 1>of that. He later on wanted to have a solo

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<v Speaker 1>career and then had success putting on want of arguably

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<v Speaker 1>the best mcs of old times. After that he went

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<v Speaker 1>on in and started doing radio. I heard he got

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<v Speaker 1>a podcast coming up now, books, all type of crazy shit, hustling,

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<v Speaker 1>even white wrapper shows. HM had to do with everything.

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<v Speaker 1>I can keep going. So in case if people don't

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<v Speaker 1>know what I'm talking about, we're talking about the motherfucking

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<v Speaker 1>hen see mother Side. You are truly all around hustle. Hey,

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<v Speaker 1>when you're from far rockaway Queens. When they guy wanted

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<v Speaker 1>to do it, goddamn makes its out to get it.

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<v Speaker 1>You gotta get it how you get it, you know.

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<v Speaker 1>But I hold you uh flowers because I'm able to

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<v Speaker 1>do my podcast because it's a success that you've had it,

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<v Speaker 1>so we're able to you know, create you know the

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<v Speaker 1>time this podcast company because of the successful peopack What's

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<v Speaker 1>the Beautiful Thing especial that once again you know you

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<v Speaker 1>ain't drinking the search is how we do. Um, I'm

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<v Speaker 1>must bother you prefer I drink. Um. This is Champaigne.

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<v Speaker 1>Go on, and I see that, I think you should

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<v Speaker 1>go with the rose Rose. We're gonna be gold after this.

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<v Speaker 1>So let's let's let's take it from the beginning, right

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<v Speaker 1>the beginning, when hip hop first came on the scene. Um,

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<v Speaker 1>you started out as a third basis that well, no, no, no,

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<v Speaker 1>I was I was a solo battle MC. Yeah. So

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<v Speaker 1>when I um, when I was coming up, um, you

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<v Speaker 1>know it was it was just so you gotta imagine

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<v Speaker 1>taking the A train from far rockaway. So when I

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<v Speaker 1>went to high school, uh, music and art on a

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<v Speaker 1>hundred content that's okay, yeah yea. So my favorite group

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<v Speaker 1>that I heard in the street on those cassette tapes

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<v Speaker 1>was a group called the Kango Crew. For MCS had

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<v Speaker 1>little skits that they would do around like uptown and

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<v Speaker 1>all of that hill billy girl Indian girl like funnition

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<v Speaker 1>and it was, you know, four dudes. And I went

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<v Speaker 1>to my first day at high school and I went

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<v Speaker 1>to the lunch room and I see the cipher in

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<v Speaker 1>the lunch room ain't giving the regular cups, Mrs Mr

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<v Speaker 1>Lee get a regular cup head. And I see these

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<v Speaker 1>dudes running around the lunch table. So I go stand

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<v Speaker 1>on the lunch table and I see these four dudes

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<v Speaker 1>and they're doing the routine. And then they got old

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<v Speaker 1>and matching colored canoes. They got to the teamers shirts.

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<v Speaker 1>And the dude that was next to me was like

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<v Speaker 1>we had a big brother, Big Sister program where a

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<v Speaker 1>freshman and a senior would walking around the school. So

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<v Speaker 1>my man, Steve Bosco, may rest in peace. I turned

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<v Speaker 1>to him and I said, Yo, they're doing the Can't

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<v Speaker 1>Go Crew and he said, mother Funker, that is they

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<v Speaker 1>can't Go cruise and the imps. Because I've never seen

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<v Speaker 1>rappers in person and all heard was the fourth and

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<v Speaker 1>fifth generation cassette tapes. I've never seen him in person.

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<v Speaker 1>I just knew the dude's names. Where you start strugging, please, man,

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<v Speaker 1>I never seen a star in my life like that

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<v Speaker 1>big and it was a guy named Ricky d who

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<v Speaker 1>became Sliquid. It was Dana Dane who became Send a

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<v Speaker 1>Fella Day to Day, and their homeboys Lands Romance and

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<v Speaker 1>Omega and yeah, and then they stopped doing that, and

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<v Speaker 1>then all of a sudden, his dude beat boxes and

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<v Speaker 1>his name is Douggie fresh right, and they started doing

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<v Speaker 1>this record called Lotti Dotty I've never heard before your

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<v Speaker 1>history right now, So I knew all the words to

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<v Speaker 1>Lotti Dotti before Lotti Dottie Eva came out in eighty five.

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<v Speaker 1>And this is a fact though, I'm gonna tell you.

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<v Speaker 1>I was so enamored with it that when I went

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<v Speaker 1>back around my way, I knew nobody heard it. So

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<v Speaker 1>I started saying them rhymes like they were mine. Press girl,

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<v Speaker 1>they don't have. So record comes out and I'm at

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<v Speaker 1>McDonald's and Linbrook coming out of Hot Skates and the

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<v Speaker 1>record comes on regular plays it because you know Kiss

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<v Speaker 1>FM they had then, you know shows Friday Saturday night.

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<v Speaker 1>And the girl that was Dan's Dominican chick who would

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<v Speaker 1>hook me up with free Big Max, was at the

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<v Speaker 1>counter and she goes, oh, oh, there's Ricky de Dominican

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<v Speaker 1>always got the hook up. And the dude behind me

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<v Speaker 1>goes Ricky de blows up my spots. But it was

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<v Speaker 1>that indoctrination and watching the dudes, like right next to

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<v Speaker 1>it was this dude, Jay Cool, and Jay Cool and

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<v Speaker 1>his brother formed the Frustra mcas And before I left

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<v Speaker 1>high school, I'm here in for e s H Fresh

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<v Speaker 1>Fresh Fresh, yoh, that's fresh pumpkin and all stars. You know,

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<v Speaker 1>I was having um o c and Crazy Yetti would

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<v Speaker 1>come into my school dating this girl in the show

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<v Speaker 1>that they had a record called Problems Every World Today.

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<v Speaker 1>Like so I'm like seventeen years old and I'm like, damn,

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<v Speaker 1>like I can do this, and my man mathematics and understanding,

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<v Speaker 1>We're like, no, you can watch it. You can't be

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<v Speaker 1>a part of this. You're a white boy, You're a devil.

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<v Speaker 1>You could, you could, you could, you could come to

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<v Speaker 1>the dinner table. Wasn't the beastie boys out? Like no,

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<v Speaker 1>this is there. Busy boys came in because I graduated

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<v Speaker 1>high school. So I actually graduated high school with Mark

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<v Speaker 1>Pitts changing faces. So so I knew I could do it.

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<v Speaker 1>Like I knew I could do it, but I wasn't

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<v Speaker 1>really allowed to do it. So I was just a

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<v Speaker 1>battling scene. So I'm basically my man math and my

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<v Speaker 1>man Understanding would have the battle all through like the

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<v Speaker 1>five boroughs, and they were moving their little thing things

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<v Speaker 1>right right, so they would go to lie at the

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<v Speaker 1>flat top right right. No, not yet I had a

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<v Speaker 1>jew from but um. So what they would do is

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<v Speaker 1>because one of the as I learned early on was

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<v Speaker 1>like when when people started battle rhyman, they all had

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<v Speaker 1>pre prepared rhymes. Nobody was rubing off top of their head.

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<v Speaker 1>So I'm like, so I'm like, yo, that's gonna be

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<v Speaker 1>my thing. Like I'm I'm a freestyle I'm gonna be

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<v Speaker 1>I'm gonna come off the top of my head and

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<v Speaker 1>be just as good and better, good, better, because i

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<v Speaker 1>had to be ten times better because I'm the only

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<v Speaker 1>fucking white boy out the only other white people you

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<v Speaker 1>saw up the park. Terms as the police, I was

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<v Speaker 1>the only white boy, said the police. So so they

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<v Speaker 1>would set up these battles for me, and I would

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<v Speaker 1>show up at the you know, these little jams or whatever,

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<v Speaker 1>and as soon as I came up the subway steps,

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<v Speaker 1>whatever little money was being beat. As soon as they

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<v Speaker 1>were like, oh that's MC search the money with triple like,

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<v Speaker 1>oh yeah, oh no, we got him, We got him,

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<v Speaker 1>got them guys, Hold on, hold is this what as like,

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<v Speaker 1>white man can't jump like man like you? And I

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<v Speaker 1>was even a white man. It was the devil devil

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<v Speaker 1>can't don't like white hell like Let's this error is

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<v Speaker 1>heavily infused by which was which? So I don't want

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<v Speaker 1>people to think like that. That was just it was

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<v Speaker 1>just at that time. It was at the time this

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<v Speaker 1>and it was a black off form and there was

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<v Speaker 1>no The only white boy ever saw Ron ever was

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<v Speaker 1>this kid, Lord Scotch A. K. Blake who now writes

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<v Speaker 1>KO like he was the first white rapper ever. So

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<v Speaker 1>so I would come up the steps and then the

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<v Speaker 1>numbers were triple and they would be like, ohhoa that

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<v Speaker 1>starts a hundred two hundred three SID to be decipher

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<v Speaker 1>and these dudes would start beating beatboxing and ron and

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<v Speaker 1>for the dude in the project, so whoever Vandam and

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<v Speaker 1>Moss wherever wherever they were from, and they were battedly.

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<v Speaker 1>But there was all pre written rounds so it was

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<v Speaker 1>usually always two rounds. It never went three. It was

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<v Speaker 1>always two rounds. So the first round what ever, the

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<v Speaker 1>dude said to me, I went over my head. I

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<v Speaker 1>would just break them down heads and I would just

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<v Speaker 1>I would just like, look at what they were wearing.

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<v Speaker 1>I would see what they were wearing, and I would

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<v Speaker 1>clown them. That was my first move. Freesty was there

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<v Speaker 1>pre written for you? They so right. And not only that,

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<v Speaker 1>the other thing that was crazy is because I went

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<v Speaker 1>to a music school. When they try to do the beatbox,

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<v Speaker 1>I'll be like, no, no, no no, I'm gonna go acapella

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<v Speaker 1>and they'd be like, yo, what do you mean you're

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<v Speaker 1>going on Acapulca? What you're talking about? I'm like, no,

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<v Speaker 1>I don't need no beat acapella, right, So I would

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<v Speaker 1>robb just off till my head with no beat. So

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<v Speaker 1>now you know, now you got me saying sh about

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<v Speaker 1>what you're wearing. And now all their boys are like,

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<v Speaker 1>it's a problem, right, And mind you, I'm bought at

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<v Speaker 1>the train, like I'm right by the train. So the

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<v Speaker 1>battles happening right by the train. So the second round,

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<v Speaker 1>the dude is now shure, always sure. And now the

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<v Speaker 1>second round comes in. Now you want to lose the

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<v Speaker 1>white kid neither though, that's really don't want that to happen,

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<v Speaker 1>but take it back. But but but then the other thing,

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<v Speaker 1>that temp was just going up because now that all

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<v Speaker 1>the stick up kids are like, whatever he gets, we're

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<v Speaker 1>gonna get it back anyway. Right, So that's that's the heat.

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<v Speaker 1>That's what you gotta imagine. The temperatures like going up.

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<v Speaker 1>So right, um so now the second one, whatever he

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<v Speaker 1>says to me, I'm taking all his words against him.

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<v Speaker 1>I'm like, oh, you said this, but you should have

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<v Speaker 1>said this. So now I'm gonna turn around and make

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<v Speaker 1>it a dis and dismiss everything you just said. Right,

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<v Speaker 1>And now they're like, you know how to go, you know,

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<v Speaker 1>so my man. So they would then pass the money

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<v Speaker 1>to me, and as soon as I got the money,

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<v Speaker 1>I would dip back to the train before the stick

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<v Speaker 1>up happened. So I would top the train and I

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<v Speaker 1>was going but just one pidgeon dead away, right, Yeah,

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<v Speaker 1>we had to get one. And my boys were smart

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<v Speaker 1>like that, like they're going about it at the time.

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<v Speaker 1>We're like, you know, this is gonna be a problem,

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<v Speaker 1>and then we're gonna sun with my two boys. Because

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<v Speaker 1>then they were sucked up the train right, like they

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<v Speaker 1>didn't want the money to stop. So it was, it

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<v Speaker 1>was what it was. So this one time, that's one time.

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<v Speaker 1>I'm laughing, but it's nothing funny, just one time. So

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<v Speaker 1>my but like, so this happened eighty six, eighty seven,

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<v Speaker 1>I'm a beast, Like I'm like, I got my Yeah,

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<v Speaker 1>I got my ten thousand hours plus another ten. Right,

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<v Speaker 1>we do this one battle my man, my man, Reggie

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<v Speaker 1>Reggies DJ and a party in Brooklyn and I'm battling

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<v Speaker 1>this Latin kid, the Spanish kid. Right. I think I

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<v Speaker 1>might have been zooted at the time, Like I might

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<v Speaker 1>have been smoking rulers at the time. Rulers, for those

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<v Speaker 1>who don't know, is weed, and I think it might

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<v Speaker 1>it might have been. I'm not a hundred per cents sure,

0:12:44.040 --> 0:12:46.040
<v Speaker 1>but I'm but all I know is I'm on my

0:12:46.080 --> 0:12:49.000
<v Speaker 1>way to Latin Quarter. So like it's a Friday night,

0:12:49.240 --> 0:12:51.520
<v Speaker 1>I'm gonna get my money, right, I'm gonna go, you know.

0:12:51.559 --> 0:12:53.400
<v Speaker 1>And my man was DJ and in a park gym

0:12:53.480 --> 0:12:56.400
<v Speaker 1>there anyway, So I'm like, all right, cool, So this

0:12:56.520 --> 0:13:00.880
<v Speaker 1>dude is Latin dude. He already has an attitude and

0:13:00.920 --> 0:13:03.200
<v Speaker 1>I'm already kind of it's already known that there's this

0:13:03.280 --> 0:13:05.600
<v Speaker 1>white kid MC search and he's doing this thing whatever.

0:13:06.280 --> 0:13:09.360
<v Speaker 1>So the dude battles me typical style. He got his

0:13:09.760 --> 0:13:12.320
<v Speaker 1>written and I break them, and I mean I broke

0:13:12.400 --> 0:13:15.200
<v Speaker 1>them to the point where his own girl is like

0:13:15.240 --> 0:13:19.040
<v Speaker 1>trying to pass me the math like, so his face

0:13:19.280 --> 0:13:22.120
<v Speaker 1>is now screwed. He got the screw face. Look at it.

0:13:22.200 --> 0:13:24.960
<v Speaker 1>He don't even want to kick a second verse, but

0:13:25.040 --> 0:13:28.480
<v Speaker 1>he kicks his second verse. And when he kicks his

0:13:28.559 --> 0:13:32.240
<v Speaker 1>second verse, I can see where his building was and

0:13:32.240 --> 0:13:36.679
<v Speaker 1>where his mom was, and his mom calls to him

0:13:36.720 --> 0:13:39.360
<v Speaker 1>in the middle of the verse like blah bla blah blah,

0:13:39.400 --> 0:13:42.400
<v Speaker 1>come and he pulls out a pack of Newport to

0:13:42.520 --> 0:13:46.439
<v Speaker 1>smoke a Newport And I said, Joe, it's it's coincidental

0:13:47.320 --> 0:13:49.320
<v Speaker 1>that your mom's calling you and you're picking out that

0:13:49.360 --> 0:13:51.319
<v Speaker 1>new Port because I'm a smoker. And before you say

0:13:51.320 --> 0:13:59.400
<v Speaker 1>anything else, right, And this dude's face got great, like

0:13:59.480 --> 0:14:03.840
<v Speaker 1>I never seeing a dude face get like like right.

0:14:04.240 --> 0:14:07.320
<v Speaker 1>So now so now the dip happens. The dip happens.

0:14:07.320 --> 0:14:09.880
<v Speaker 1>I get the money I did. It was a big collection.

0:14:09.920 --> 0:14:11.720
<v Speaker 1>It was like it was a lot of money. Go

0:14:11.800 --> 0:14:14.320
<v Speaker 1>to land Quota, I hang out Paradise. You know, the

0:14:14.320 --> 0:14:16.760
<v Speaker 1>whole thing. You must have been four at the time,

0:14:17.040 --> 0:14:19.360
<v Speaker 1>four or five. So I go to land Quote. I

0:14:19.440 --> 0:14:21.960
<v Speaker 1>come back. I'm helping the original land Quarte. I've been

0:14:22.000 --> 0:14:28.280
<v Speaker 1>to the one that called down five times times, yeah, yeah, yeah, yeah, six.

0:14:28.520 --> 0:14:33.800
<v Speaker 1>I think the origion was on eight single. So I

0:14:33.920 --> 0:14:35.920
<v Speaker 1>come back. I'm helping my man break down his set.

0:14:36.360 --> 0:14:39.080
<v Speaker 1>And at the time, and you'll remember this, as a DJ,

0:14:39.240 --> 0:14:42.720
<v Speaker 1>you had to create, not even crates. You had them

0:14:42.920 --> 0:14:47.840
<v Speaker 1>in this thing, a crown carry everything had a little

0:14:47.880 --> 0:14:57.000
<v Speaker 1>car sounds. So we're breaking down. It's so it's like

0:14:57.040 --> 0:14:58.800
<v Speaker 1>four or five o'clock, and it might have been four

0:14:58.800 --> 0:15:02.440
<v Speaker 1>o'clock an they more and um, my man said something

0:15:02.440 --> 0:15:04.320
<v Speaker 1>to me. I turned my head a hip hop and

0:15:04.080 --> 0:15:07.040
<v Speaker 1>the and the amp breaks in my hand and he's like, Yo,

0:15:07.080 --> 0:15:09.080
<v Speaker 1>what the funk you did? I'm like, the fucking mean

0:15:09.160 --> 0:15:11.160
<v Speaker 1>I did. And I looked and as soon as I

0:15:11.200 --> 0:15:14.480
<v Speaker 1>looked to dude, crack him back to shoot me a

0:15:14.520 --> 0:15:18.920
<v Speaker 1>second time. So I'm like, oh, spot, right to the

0:15:18.960 --> 0:15:24.520
<v Speaker 1>training and I never balanced the projects again, and I

0:15:24.560 --> 0:15:29.200
<v Speaker 1>realized that I was a beast like that at that moment.

0:15:29.880 --> 0:15:34.800
<v Speaker 1>The fear and the adrenaline it manifested into something else.

0:15:35.320 --> 0:15:37.560
<v Speaker 1>It manifested into the fact that I was a beast,

0:15:38.320 --> 0:15:40.000
<v Speaker 1>like if somebody wanted to kill me, I want to

0:15:40.000 --> 0:15:42.720
<v Speaker 1>get rid of you a little bit. You worked in

0:15:42.800 --> 0:15:47.480
<v Speaker 1>Detroit Radio. Correct later though, I'm just bouncing around, So

0:15:48.240 --> 0:15:51.880
<v Speaker 1>being that Detroit radio and Detroit related to Eminem when

0:15:51.880 --> 0:15:54.040
<v Speaker 1>you watched eight miles, I don't bouncing around all over

0:15:55.120 --> 0:15:59.560
<v Speaker 1>and man, because that's like, you know, you know what

0:15:59.640 --> 0:16:03.000
<v Speaker 1>described in the first eight and you know, and this

0:16:03.160 --> 0:16:05.600
<v Speaker 1>big of you know, his trick tricks your same position.

0:16:05.720 --> 0:16:08.880
<v Speaker 1>That's that's that's my man. But we didn't know hip

0:16:08.880 --> 0:16:11.720
<v Speaker 1>hop was acting like that in Detroit, Like we didn't

0:16:11.720 --> 0:16:13.840
<v Speaker 1>know like that, we knew it like the hip hop

0:16:14.520 --> 0:16:16.840
<v Speaker 1>was really like I'm t home back to like New

0:16:16.920 --> 0:16:19.080
<v Speaker 1>York was really So did you look at eminem story

0:16:19.120 --> 0:16:23.840
<v Speaker 1>and say, at first, is this like a little similarities.

0:16:23.880 --> 0:16:26.640
<v Speaker 1>I hadn't met him. Now. I met him when he

0:16:26.680 --> 0:16:29.760
<v Speaker 1>was signed to John Scheck his label Game Records, So

0:16:29.800 --> 0:16:32.040
<v Speaker 1>I heard that receiver way before I was ever in

0:16:32.080 --> 0:16:38.160
<v Speaker 1>Detroit infinite. So when I heard him, that's why he

0:16:38.240 --> 0:16:41.880
<v Speaker 1>was signed with dre no way before, way before, and

0:16:41.880 --> 0:16:44.080
<v Speaker 1>just before he was down the kids at Jersey Way

0:16:45.000 --> 0:16:48.360
<v Speaker 1>and the first the infant he sounded like nas and

0:16:48.440 --> 0:16:50.640
<v Speaker 1>jay Z, like a combination. I think. I hear people

0:16:50.640 --> 0:16:53.600
<v Speaker 1>say he sounded a zy ish that too. Like he

0:16:53.720 --> 0:16:57.000
<v Speaker 1>had influences. You have to understand his biggest influence. Marshall's

0:16:57.000 --> 0:17:01.160
<v Speaker 1>biggest influence was kam Like that's his favorite m So

0:17:01.600 --> 0:17:05.560
<v Speaker 1>it makes sense, right, Um, But when I heard that verse,

0:17:05.640 --> 0:17:07.439
<v Speaker 1>even like you could call to Marshall, I like that.

0:17:07.480 --> 0:17:18.320
<v Speaker 1>You know what I mean? We don't know search space

0:17:18.359 --> 0:17:21.880
<v Speaker 1>and cream, we don't know we got over here. That's

0:17:21.920 --> 0:17:25.280
<v Speaker 1>not true. But you call the Marshall too. But one

0:17:25.320 --> 0:17:28.440
<v Speaker 1>of the things when I went to Detroit, Um, I

0:17:28.560 --> 0:17:31.359
<v Speaker 1>called Paul and I called, yeah, I see, Paul is

0:17:31.400 --> 0:17:34.440
<v Speaker 1>your man. I was just watching some interviews and read

0:17:34.480 --> 0:17:36.760
<v Speaker 1>searching up on you. When you thought about doing your book,

0:17:36.760 --> 0:17:39.400
<v Speaker 1>one of the first people you call it was Paul. Okay, Well,

0:17:39.400 --> 0:17:42.040
<v Speaker 1>Paul was heavy and as a lawyer, rapping a lot

0:17:42.040 --> 0:17:44.119
<v Speaker 1>of people in New York before he got put on

0:17:44.200 --> 0:17:49.399
<v Speaker 1>correct the underground. Ye people, he was also but he

0:17:49.440 --> 0:17:51.439
<v Speaker 1>was he was an m C and he was and

0:17:51.440 --> 0:17:54.119
<v Speaker 1>he was raucous lawyer, you know, not a rockets, but

0:17:54.200 --> 0:17:56.000
<v Speaker 1>a lawyer for a lot of those mcs. That was

0:17:56.440 --> 0:17:58.440
<v Speaker 1>like a backpack era a lot of Like the guy

0:17:58.440 --> 0:18:01.560
<v Speaker 1>who designed our logo Scam get out of he rapped

0:18:01.640 --> 0:18:03.280
<v Speaker 1>him and that's how Scam has a song with him

0:18:03.280 --> 0:18:06.320
<v Speaker 1>and them. Wow. Okay, well I didn't know that, my bad.

0:18:06.600 --> 0:18:10.040
<v Speaker 1>I will use some more respect a bad so um.

0:18:10.119 --> 0:18:12.600
<v Speaker 1>I called Paul and I said, look, I'm gonna come

0:18:12.600 --> 0:18:15.080
<v Speaker 1>to Detroit. What do you think? And He's like, do it.

0:18:15.359 --> 0:18:17.360
<v Speaker 1>He didn't even hesitate, He's like, do it. The city

0:18:17.359 --> 0:18:23.639
<v Speaker 1>will show you so much love. And M really showed

0:18:23.680 --> 0:18:25.760
<v Speaker 1>me a lot of love. Like because at the time

0:18:26.160 --> 0:18:29.280
<v Speaker 1>him and the station I was working at, JAILB didn't

0:18:29.280 --> 0:18:34.880
<v Speaker 1>see hatty. But when fifty came into Detroit during the unit, ever,

0:18:35.520 --> 0:18:38.120
<v Speaker 1>he did a five day special with fifty. Like when

0:18:38.440 --> 0:18:40.440
<v Speaker 1>M would drop something, he would come to me first,

0:18:40.520 --> 0:18:43.280
<v Speaker 1>Like when M had the Benzino beef, he came to

0:18:43.359 --> 0:18:46.639
<v Speaker 1>me first. Like he really, really really showed me a

0:18:46.720 --> 0:18:48.360
<v Speaker 1>lot of love. And when we did the hip Hop

0:18:48.400 --> 0:18:56.720
<v Speaker 1>Summit with with Russell Ye, people wearing this, I mean,

0:18:56.960 --> 0:19:01.080
<v Speaker 1>thirteen thousand people to come here rappers not rap. To

0:19:01.119 --> 0:19:05.480
<v Speaker 1>talk about economic independent Nori spent twenty five minutes talking

0:19:05.480 --> 0:19:08.639
<v Speaker 1>about investments and property, talking about long term investments and

0:19:08.640 --> 0:19:12.240
<v Speaker 1>stocks and bonds and also protecting his royalties through his

0:19:12.320 --> 0:19:14.320
<v Speaker 1>lawyer and through his management. And that was the two

0:19:14.359 --> 0:19:16.960
<v Speaker 1>most important things for him, to make sure that he

0:19:17.040 --> 0:19:19.719
<v Speaker 1>had proper when he was getting ready to start to

0:19:19.760 --> 0:19:25.040
<v Speaker 1>invest right. So that's two thousand three. Eminem Ever, like

0:19:25.200 --> 0:19:27.200
<v Speaker 1>is that Toime of Detroit hip hop summing the only time?

0:19:27.280 --> 0:19:30.040
<v Speaker 1>And he was so like it was amazing, like to

0:19:30.200 --> 0:19:34.560
<v Speaker 1>see Nasire, to see m to see Nori and you know,

0:19:34.720 --> 0:19:40.960
<v Speaker 1>and the truth that matter, Russell Dougie fresh Um. There

0:19:41.000 --> 0:19:43.119
<v Speaker 1>was a lot of people that around because you just

0:19:43.160 --> 0:19:45.520
<v Speaker 1>gave me the all. No, no, no no, I'm gonna give you.

0:19:45.840 --> 0:19:47.879
<v Speaker 1>There's gonna be plenty of alle problem. I hope you

0:19:47.960 --> 0:19:53.840
<v Speaker 1>got your hops because I read somewhere that you had

0:19:53.840 --> 0:19:57.600
<v Speaker 1>a choice between O C and Naas to sign. Yeah,

0:19:57.640 --> 0:19:59.480
<v Speaker 1>I was at the same time. No no, no, I

0:19:59.520 --> 0:20:03.000
<v Speaker 1>signed both. No choice. Yeah, but it wasn't a choice. Yeah,

0:20:03.400 --> 0:20:05.720
<v Speaker 1>I do you sign the both, but at one point

0:20:05.760 --> 0:20:07.800
<v Speaker 1>then you sign O C first. I did sign the

0:20:08.040 --> 0:20:09.800
<v Speaker 1>first and he was on original black back to the

0:20:09.840 --> 0:20:14.400
<v Speaker 1>Grilla grant. Yeah, there's a remix remixes no no, no no,

0:20:14.760 --> 0:20:19.080
<v Speaker 1>so this is no so. O C was already signed

0:20:19.080 --> 0:20:22.920
<v Speaker 1>the Searchlight. He had fudge pudge out. You know I

0:20:23.000 --> 0:20:25.560
<v Speaker 1>loved that. That verse is one of the greatest verses.

0:20:25.600 --> 0:20:27.680
<v Speaker 1>To me, two of the greatest verses in the early

0:20:27.760 --> 0:20:30.480
<v Speaker 1>nineties is obviously, Live at the Bar became a fudge. Okay,

0:20:30.520 --> 0:20:32.520
<v Speaker 1>let me ask you something. Make sure what we could

0:20:32.640 --> 0:20:34.320
<v Speaker 1>go back to our question Live of the barb who

0:20:34.320 --> 0:20:38.439
<v Speaker 1>came out first? Yes, okay, continue story debating. He's debating,

0:20:38.440 --> 0:20:40.560
<v Speaker 1>and I don't like to google. Sometimes. That got the

0:20:40.560 --> 0:20:43.880
<v Speaker 1>guy right here. I'm gonna ask Google, and I'm sorry.

0:20:44.880 --> 0:20:48.679
<v Speaker 1>So when I met Lunch and I met Po and

0:20:48.720 --> 0:20:51.240
<v Speaker 1>I was like, yo, I gotta sign oh, I gotta

0:20:51.280 --> 0:20:57.120
<v Speaker 1>sign him ums confusion. Alright, I'm sorry organnae confusion. I'm

0:20:57.160 --> 0:21:02.280
<v Speaker 1>talking like we forget. You gotta know we like people

0:21:02.359 --> 0:21:07.399
<v Speaker 1>watch if somebody wants to Google. We got so I signed,

0:21:07.840 --> 0:21:10.480
<v Speaker 1>I signed O C and then um. I was in

0:21:10.520 --> 0:21:14.040
<v Speaker 1>the studio working on my solo album and Percy p

0:21:14.280 --> 0:21:18.040
<v Speaker 1>to Rid Love oh Nas came into his studio with

0:21:18.080 --> 0:21:21.719
<v Speaker 1>my man Rob Too, low Reef, Daddy Free and Stretch

0:21:22.000 --> 0:21:25.639
<v Speaker 1>and they all came in and we were gonna do

0:21:26.440 --> 0:21:28.439
<v Speaker 1>back to the Grill. Regardless. Back then, it really what's

0:21:28.440 --> 0:21:32.520
<v Speaker 1>gonna happening regarded um and everybody did it. Oh not

0:21:32.600 --> 0:21:35.000
<v Speaker 1>Cannelli was there too, sorry part of me, I got

0:21:35.000 --> 0:21:39.880
<v Speaker 1>them left right, We're in the building, got the way

0:21:40.040 --> 0:21:41.960
<v Speaker 1>Live at the Barbecure it already came out right a

0:21:42.040 --> 0:21:44.000
<v Speaker 1>playoff of that, off of that song. No no, no, no no,

0:21:44.000 --> 0:21:46.280
<v Speaker 1>no no. This is now when I'm doing my solo album.

0:21:47.320 --> 0:21:52.520
<v Speaker 1>This is like three years later. But it's not because

0:21:53.440 --> 0:21:55.720
<v Speaker 1>because Live at the Barbecure is back to the Grill again,

0:21:57.359 --> 0:22:02.560
<v Speaker 1>because we know that's what it is. Not no No.

0:22:03.119 --> 0:22:06.040
<v Speaker 1>We had a song on our Cactus album Kicking in

0:22:06.080 --> 0:22:10.840
<v Speaker 1>the Grill, so that's that's what was on right. No, No,

0:22:10.960 --> 0:22:16.080
<v Speaker 1>kick was Chubb Rock. That was my back to the

0:22:16.080 --> 0:22:20.160
<v Speaker 1>girl from kicking in it because when we did shows,

0:22:20.240 --> 0:22:21.680
<v Speaker 1>that was one of the biggest, like when we did

0:22:21.720 --> 0:22:23.800
<v Speaker 1>Kick Him on the Grill on tour, Like everybody loved

0:22:23.840 --> 0:22:25.399
<v Speaker 1>that record. So I was like, fucking I'm gonna do

0:22:25.440 --> 0:22:27.440
<v Speaker 1>back to the Grill again, but I'm gonna have other

0:22:27.480 --> 0:22:29.639
<v Speaker 1>people on it and read hot love tone was already

0:22:29.640 --> 0:22:32.080
<v Speaker 1>my man like so he was in the lab anyway.

0:22:32.560 --> 0:22:34.399
<v Speaker 1>He wanted me to manage him as an artist, not

0:22:34.480 --> 0:22:38.040
<v Speaker 1>as when I was when I was when I was

0:22:38.080 --> 0:22:40.160
<v Speaker 1>in the SUV P when I was a wild pitch

0:22:40.480 --> 0:22:42.840
<v Speaker 1>and I brought oh, one of the records that was

0:22:42.880 --> 0:22:45.800
<v Speaker 1>already there was Third Eye, and there's a record with

0:22:45.920 --> 0:22:49.560
<v Speaker 1>Jess Jess West that we had called put your Boots on.

0:22:50.680 --> 0:22:53.240
<v Speaker 1>Let me tell you something. I was so fucking happy

0:22:53.320 --> 0:22:55.480
<v Speaker 1>to be a wild pitch because I had O C,

0:22:56.320 --> 0:22:59.119
<v Speaker 1>I had Jess West, I had cool Keith, I had

0:22:59.200 --> 0:23:02.560
<v Speaker 1>large professor, and I was just about to put out

0:23:02.600 --> 0:23:06.320
<v Speaker 1>it will matter like I was about to be the hottest.

0:23:08.240 --> 0:23:16.520
<v Speaker 1>So it's like my mom, so we go. So we're

0:23:16.560 --> 0:23:20.560
<v Speaker 1>doing back again. All those dudes come in. Na stays

0:23:20.560 --> 0:23:24.520
<v Speaker 1>behind everybody. Agnostes tells me, he's like, yo, I'm about

0:23:24.520 --> 0:23:26.520
<v Speaker 1>to sign my deal at Warner Brothers. I'm not sure

0:23:26.520 --> 0:23:28.800
<v Speaker 1>I can be on this single. I'm gonna rhyme anyway,

0:23:29.040 --> 0:23:31.159
<v Speaker 1>but I'm not sure I can be on it. Personal

0:23:31.240 --> 0:23:32.959
<v Speaker 1>p and A ridd left. They also said they had

0:23:33.000 --> 0:23:34.639
<v Speaker 1>deals they didn't know if they could be on it.

0:23:34.760 --> 0:23:38.240
<v Speaker 1>Always down with me, so it was gonna happen. So

0:23:38.400 --> 0:23:42.239
<v Speaker 1>Na stays behind, and when everybody leaves, Nas tells me, like,

0:23:42.320 --> 0:23:45.359
<v Speaker 1>he got this deal he don't feel right about and

0:23:45.359 --> 0:23:47.040
<v Speaker 1>he wanted me to take a look at it. And

0:23:47.040 --> 0:23:51.640
<v Speaker 1>I said, I can't. It'll I can't like it's legally legally,

0:23:51.960 --> 0:23:54.320
<v Speaker 1>I can't do it, I said, but if you sign

0:23:54.359 --> 0:23:57.479
<v Speaker 1>the Searchlight, I can help you. He goes, what does

0:23:57.520 --> 0:23:59.320
<v Speaker 1>that mean? I said, it's simple. It's a one page

0:23:59.359 --> 0:24:03.240
<v Speaker 1>agreement signed a Searchlight production deal, production deal. I'll furnish

0:24:03.320 --> 0:24:05.399
<v Speaker 1>the album, I said. I won't take any money, I

0:24:05.400 --> 0:24:07.760
<v Speaker 1>won't take any advance. I'll make sure you get the

0:24:07.760 --> 0:24:10.040
<v Speaker 1>best deal in the world. And then on your publishing,

0:24:10.080 --> 0:24:12.159
<v Speaker 1>I won't take any publishing. Let's take a five percent

0:24:12.480 --> 0:24:16.480
<v Speaker 1>admin fee, which means I'll help to publisher administer your

0:24:16.520 --> 0:24:19.080
<v Speaker 1>publishing to make sure people don't use your ship in

0:24:19.080 --> 0:24:21.400
<v Speaker 1>the wrong way. So you're taken care of and you'll

0:24:21.480 --> 0:24:23.920
<v Speaker 1>keep all your ship. And he's the one page agreement.

0:24:23.960 --> 0:24:25.560
<v Speaker 1>He goes, all right, I gotta think about it because

0:24:25.560 --> 0:24:28.800
<v Speaker 1>he's seventeen years old, you know. So he's like so

0:24:28.840 --> 0:24:31.040
<v Speaker 1>I was like, oh, he's never coming. He's not, like

0:24:31.200 --> 0:24:33.480
<v Speaker 1>even I knew, like in ninety three is gonna be

0:24:33.480 --> 0:24:36.000
<v Speaker 1>the greatest m C of R of all time? And

0:24:36.080 --> 0:24:37.920
<v Speaker 1>you know this of a one verse off of one

0:24:38.000 --> 0:24:41.239
<v Speaker 1>verse and that one verse one on credits at laugh

0:24:41.280 --> 0:24:43.480
<v Speaker 1>at the barbecue. Let me put it this way. When

0:24:43.520 --> 0:24:49.720
<v Speaker 1>I heard see Ann's first album, no not, I need you.

0:24:49.800 --> 0:24:51.280
<v Speaker 1>I need you to hear this. I need you to

0:24:51.359 --> 0:24:57.000
<v Speaker 1>hear it, need to get it. When I heard the

0:24:57.000 --> 0:24:59.680
<v Speaker 1>war report and I got a call from the Levine

0:24:59.720 --> 0:25:02.840
<v Speaker 1>to war, what I did it for free? I worked

0:25:02.840 --> 0:25:07.280
<v Speaker 1>that records free. Give you know what I'm saying. So

0:25:07.320 --> 0:25:10.360
<v Speaker 1>the next so the next day, I'm in the studio

0:25:10.480 --> 0:25:13.000
<v Speaker 1>working on back to the Grill again. Na shows up

0:25:13.000 --> 0:25:16.440
<v Speaker 1>a jungle broblem. They throw four blunts on the table

0:25:17.680 --> 0:25:22.240
<v Speaker 1>and he says, explain this to me. So I said,

0:25:22.359 --> 0:25:24.160
<v Speaker 1>this is how it go this is how it's gonna work.

0:25:24.160 --> 0:25:26.120
<v Speaker 1>This is how it goes down. I'm gonna shop your deal.

0:25:26.160 --> 0:25:29.000
<v Speaker 1>I'm gonna go back to you know those guys. I'm

0:25:29.000 --> 0:25:30.800
<v Speaker 1>gonna make sure that they do the right thing if

0:25:30.800 --> 0:25:33.720
<v Speaker 1>that's what you want to beat. But if they don't faith.

0:25:34.080 --> 0:25:36.960
<v Speaker 1>This is before faith. This is stretched on strong and

0:25:37.200 --> 0:25:40.240
<v Speaker 1>Rob and reef at Big Beat who offered him to

0:25:40.320 --> 0:25:44.159
<v Speaker 1>deal first, that's the deal. He felt funny about that

0:25:44.320 --> 0:25:50.960
<v Speaker 1>Big Beat right to me right now, I'm not moving

0:25:51.359 --> 0:25:57.200
<v Speaker 1>got because but who's that Big Beat At the time,

0:25:57.280 --> 0:26:05.359
<v Speaker 1>just to understand that stretch, you said, stretch Stef Craig

0:26:05.440 --> 0:26:08.520
<v Speaker 1>Cowmen was he had of big it was his labels.

0:26:08.640 --> 0:26:13.000
<v Speaker 1>He's not an Atlantic, it's part of the Atlantic system,

0:26:13.800 --> 0:26:17.000
<v Speaker 1>but he is. He's got his own imprint. He put

0:26:17.040 --> 0:26:19.199
<v Speaker 1>out the double x posse. He was putting out the

0:26:19.320 --> 0:26:22.440
<v Speaker 1>artifacts with Reef who had signed those groups, and they

0:26:22.480 --> 0:26:25.840
<v Speaker 1>were going to sign NAS. So we we we just

0:26:25.840 --> 0:26:28.280
<v Speaker 1>get to smoke in and chilling, and then he says,

0:26:28.320 --> 0:26:32.720
<v Speaker 1>you know what, I'm a funk with you signs the paper.

0:26:33.720 --> 0:26:37.199
<v Speaker 1>The next day I go to a Reef and Stretch

0:26:37.920 --> 0:26:40.840
<v Speaker 1>and I said, guys, the deal you offered him is

0:26:40.880 --> 0:26:44.720
<v Speaker 1>the same deal that I signed in It's not it's

0:26:44.760 --> 0:26:47.359
<v Speaker 1>not a good deal. It's he's the greatest m C

0:26:47.520 --> 0:26:49.320
<v Speaker 1>of all time. You know. You don't even need to

0:26:49.320 --> 0:26:54.960
<v Speaker 1>hear anything else. Right, And Reef and Stretch fell some

0:26:54.960 --> 0:26:57.400
<v Speaker 1>type of way about it, and I understand that they're like, yeah,

0:26:57.400 --> 0:27:00.720
<v Speaker 1>why you getting involved? And I said, look, he asked

0:27:00.720 --> 0:27:02.320
<v Speaker 1>me for my help. When you guys left, he asked

0:27:02.320 --> 0:27:04.440
<v Speaker 1>me for my help. I saw it. The deal. It's

0:27:04.480 --> 0:27:06.920
<v Speaker 1>the same deal that I fucking signed to deaf Cham

0:27:07.200 --> 0:27:10.160
<v Speaker 1>in eight which to this day in I've never seen

0:27:10.160 --> 0:27:12.680
<v Speaker 1>a check, I've never seen a royalty statement, I've never

0:27:12.680 --> 0:27:15.560
<v Speaker 1>seen publishing. I never got shipped from fucking left hand records,

0:27:15.600 --> 0:27:18.359
<v Speaker 1>I mean deaf jam records, right. So I said, I

0:27:18.359 --> 0:27:21.560
<v Speaker 1>can't let him sign this deal. Just tell just make

0:27:21.600 --> 0:27:23.119
<v Speaker 1>the deal right. And they said, well, how do you

0:27:23.119 --> 0:27:25.760
<v Speaker 1>make the deal right? I said, removed the publishing when

0:27:25.760 --> 0:27:28.080
<v Speaker 1>if you want to sign his publishing, that's a separate deal.

0:27:29.080 --> 0:27:31.399
<v Speaker 1>Bumped this up, bumped that up. I stayed there for

0:27:31.400 --> 0:27:34.200
<v Speaker 1>about five hours because they were my man, that's my friends.

0:27:35.480 --> 0:27:38.679
<v Speaker 1>And finally Craig Common through those guys, said we're not

0:27:38.760 --> 0:27:43.000
<v Speaker 1>changing the deal. I went to Russell next move. I

0:27:43.040 --> 0:27:46.800
<v Speaker 1>went to his apartment on four and broke. Russell says

0:27:46.800 --> 0:27:49.240
<v Speaker 1>to me, he sounds like g Rapp and g rapped

0:27:49.280 --> 0:27:53.080
<v Speaker 1>on selling no records. So I'm not interested. Gone. I

0:27:53.119 --> 0:27:56.640
<v Speaker 1>went to Columbia and I went to Faith. Faith didn't

0:27:56.720 --> 0:27:59.920
<v Speaker 1>let me leave. He signed an amazing deal. And then

0:28:00.280 --> 0:28:03.680
<v Speaker 1>once I left that deal, I went to Zamba Publishing

0:28:03.840 --> 0:28:06.080
<v Speaker 1>because I had a great relationship with Richard Blackstone who

0:28:06.160 --> 0:28:08.840
<v Speaker 1>was the head. And Zomba is just correct me from wrong,

0:28:08.960 --> 0:28:12.600
<v Speaker 1>isn't that drive right? So job is the record labels.

0:28:17.040 --> 0:28:19.679
<v Speaker 1>So I went up to them and they said, how

0:28:19.680 --> 0:28:21.880
<v Speaker 1>many songs are you gonna have on the album? I said,

0:28:21.880 --> 0:28:25.160
<v Speaker 1>probably twelve, right, He said, well, you know he's only

0:28:25.200 --> 0:28:30.280
<v Speaker 1>get paid on ten. I said, okay, fine, But they

0:28:30.320 --> 0:28:35.040
<v Speaker 1>gave me a check for Naza. I went to forty

0:28:35.119 --> 0:28:38.920
<v Speaker 1>side because one thing Nah said to me. I said,

0:28:38.960 --> 0:28:40.800
<v Speaker 1>what do you want? He said, all I want is

0:28:40.800 --> 0:28:43.040
<v Speaker 1>to get my mother out the projects. He said, if

0:28:43.080 --> 0:28:44.640
<v Speaker 1>you can help me get my mother out the projects,

0:28:44.640 --> 0:28:47.760
<v Speaker 1>we could. I went to see him with two checks,

0:28:47.760 --> 0:28:50.080
<v Speaker 1>with three hundred thousand. I said, move him about the projects.

0:28:50.960 --> 0:28:56.960
<v Speaker 1>And Amatic was was born from that day. But it

0:28:57.000 --> 0:29:03.880
<v Speaker 1>was like after the end, one more noise made the

0:29:03.920 --> 0:29:11.520
<v Speaker 1>library of converts. I'll tell all right, So now you

0:29:11.600 --> 0:29:15.520
<v Speaker 1>get the chat, right, you guys get the chat all right? Now,

0:29:15.560 --> 0:29:18.640
<v Speaker 1>how does the actual making of ill Matic start? Because

0:29:19.280 --> 0:29:22.440
<v Speaker 1>when we google you, they credit you for a second producer.

0:29:23.320 --> 0:29:25.560
<v Speaker 1>It was written correct, all right, So let's just stay

0:29:25.600 --> 0:29:28.160
<v Speaker 1>on ill mad. So it was really simple. My my

0:29:28.320 --> 0:29:33.760
<v Speaker 1>role was really simple, make everything easy for naz all I.

0:29:34.280 --> 0:29:38.040
<v Speaker 1>Obviously I could not help him make a record, like

0:29:38.120 --> 0:29:41.840
<v Speaker 1>that's ridiculous, right, It's like a blind man helping Picassa.

0:29:41.920 --> 0:29:44.320
<v Speaker 1>It wasn't gonna happen. So all I know, I could

0:29:44.360 --> 0:29:53.320
<v Speaker 1>do really is and I like it. I'm still at

0:29:53.400 --> 0:29:59.000
<v Speaker 1>MC don't get it up. So my job was simple.

0:29:59.560 --> 0:30:01.840
<v Speaker 1>Whatever the producers made, I made sure that the samples

0:30:01.840 --> 0:30:04.120
<v Speaker 1>were cleared period. Okay, search, I just want to stop

0:30:04.120 --> 0:30:07.320
<v Speaker 1>you for one second, because you know, when I say

0:30:07.440 --> 0:30:09.720
<v Speaker 1>you know, I said you know a lot of times

0:30:09.760 --> 0:30:12.040
<v Speaker 1>I say you know. Farrell came to me and I

0:30:12.080 --> 0:30:14.160
<v Speaker 1>just knew this guy was going to be the next

0:30:14.320 --> 0:30:16.480
<v Speaker 1>next guy. I just knew it. And it's easy for

0:30:16.520 --> 0:30:18.160
<v Speaker 1>me to say, but you gotta. I want you to

0:30:18.240 --> 0:30:22.000
<v Speaker 1>really break it down for people that who who will

0:30:22.080 --> 0:30:26.840
<v Speaker 1>never actually vision visualize the actual time era because Russell

0:30:26.960 --> 0:30:30.760
<v Speaker 1>said something to you that's very vital to this conversation. Okay,

0:30:31.440 --> 0:30:35.960
<v Speaker 1>is at that time lyrics or you were the dopest guy,

0:30:36.680 --> 0:30:40.880
<v Speaker 1>but you might not necessarily be the richest guy. So

0:30:41.120 --> 0:30:46.600
<v Speaker 1>how does this process start of this illmatic and and

0:30:46.600 --> 0:30:49.920
<v Speaker 1>and what role was playing that? So one thing I

0:30:50.000 --> 0:30:52.480
<v Speaker 1>told young artists all the time is that the most

0:30:52.480 --> 0:30:55.480
<v Speaker 1>important part of the journey when you sign a contract

0:30:55.800 --> 0:31:00.200
<v Speaker 1>is in the advance, how many points you get from

0:31:00.240 --> 0:31:04.160
<v Speaker 1>your record. NAS's first album, he had the same points

0:31:04.160 --> 0:31:06.680
<v Speaker 1>as Billy Joel, and Billy Joel had been an artist

0:31:06.680 --> 0:31:10.160
<v Speaker 1>for twenty years. Because I wanted to make sure that

0:31:10.240 --> 0:31:13.600
<v Speaker 1>he was protected. I also made sure that the recording

0:31:13.640 --> 0:31:17.880
<v Speaker 1>budget was really low so he wouldn't have any recoupment

0:31:17.920 --> 0:31:20.240
<v Speaker 1>recoup right, But I also for people who don't know

0:31:20.280 --> 0:31:22.280
<v Speaker 1>what that meaning, he wouldn't owe a lot before his

0:31:22.280 --> 0:31:24.840
<v Speaker 1>money off the album, I have to recoup everything spent

0:31:24.880 --> 0:31:27.960
<v Speaker 1>on that. And he said it was important for them

0:31:27.960 --> 0:31:31.800
<v Speaker 1>for you to get all the samples cleared. People still

0:31:32.040 --> 0:31:34.480
<v Speaker 1>caring a lot of samples, which was ruining their careers

0:31:34.480 --> 0:31:37.160
<v Speaker 1>as well. Why I've never seen a check from a

0:31:37.200 --> 0:31:39.440
<v Speaker 1>third base record because back then when they you sample,

0:31:39.440 --> 0:31:41.440
<v Speaker 1>they would take a hundred percent and you're publishing. They

0:31:41.480 --> 0:31:43.080
<v Speaker 1>didn't care if he was even paying them or was

0:31:43.120 --> 0:31:45.040
<v Speaker 1>it like that. Well, if you didn't clear it, they

0:31:45.040 --> 0:31:47.000
<v Speaker 1>could do whatever they want when they come back in court.

0:31:47.160 --> 0:31:49.120
<v Speaker 1>That's what they're doing now. That's what these young motherfucker's

0:31:49.120 --> 0:31:51.320
<v Speaker 1>is doing now, like they just sailing ship, getting court

0:31:51.360 --> 0:31:53.280
<v Speaker 1>and say just take the ship. But back then they

0:31:53.320 --> 0:31:55.920
<v Speaker 1>were at least trying to take Well, we tried, we tried,

0:31:55.960 --> 0:31:58.480
<v Speaker 1>but with with us it was different. With us, it

0:31:58.640 --> 0:32:00.640
<v Speaker 1>was and when I say us was a team, it

0:32:00.720 --> 0:32:03.880
<v Speaker 1>was my man's sake. Ak Mark Pearson, I gotta give

0:32:03.920 --> 0:32:07.480
<v Speaker 1>him his flowers because I don't think he gets enough recognition.

0:32:07.720 --> 0:32:10.880
<v Speaker 1>He was my GM at Searchlight. I mean so like

0:32:11.000 --> 0:32:14.200
<v Speaker 1>Mark ran day to day. So Rights was never signed

0:32:14.240 --> 0:32:16.360
<v Speaker 1>to Wow Pitch. It was search Light he was running.

0:32:16.400 --> 0:32:21.080
<v Speaker 1>He was signed to Searchlight Columbia, but for all intended

0:32:21.160 --> 0:32:24.920
<v Speaker 1>purpose it was Columbia. We were just the production company.

0:32:24.960 --> 0:32:27.440
<v Speaker 1>So if you see the first print, it says executive

0:32:27.440 --> 0:32:32.000
<v Speaker 1>producer Faith Newman MC search There's a little Searchlight production

0:32:32.080 --> 0:32:35.240
<v Speaker 1>logo on the bottom, but it wasn't our label. So

0:32:35.280 --> 0:32:36.840
<v Speaker 1>I want to make sure all the samples were cleared.

0:32:36.840 --> 0:32:39.320
<v Speaker 1>So anytime Primo did a record, anytime any of the

0:32:39.320 --> 0:32:41.600
<v Speaker 1>other producers did a record, I said, give me all

0:32:41.640 --> 0:32:46.200
<v Speaker 1>the sample Clarence Information right, cleared, all the samples, got

0:32:46.200 --> 0:32:50.360
<v Speaker 1>it all done, all under budget. Everything was done. When

0:32:50.360 --> 0:32:53.360
<v Speaker 1>the album came out April, that first week we did

0:32:53.360 --> 0:32:56.160
<v Speaker 1>a hundred and sixty five thousand albums. Week one. Nas

0:32:56.240 --> 0:33:00.120
<v Speaker 1>was a millionaire week one. He's never he's never had

0:33:00.120 --> 0:33:09.840
<v Speaker 1>an unrecouped week in his fucking career ever. Ever. Now,

0:33:09.880 --> 0:33:13.440
<v Speaker 1>the other side of that, the unfortunate side, is O

0:33:13.560 --> 0:33:17.920
<v Speaker 1>C which is a story I've never told That's why

0:33:17.960 --> 0:33:21.080
<v Speaker 1>I actually, that's like it was like O C and NAS.

0:33:21.120 --> 0:33:24.960
<v Speaker 1>It was almost like some would argue that even at

0:33:25.000 --> 0:33:27.360
<v Speaker 1>one point O C was the go to god. That's

0:33:27.360 --> 0:33:29.800
<v Speaker 1>why I actually it felt like you sign O C first,

0:33:29.800 --> 0:33:31.560
<v Speaker 1>but you you had no no, no, I did sign

0:33:31.640 --> 0:33:34.400
<v Speaker 1>O C first. Can I got him his deal when

0:33:34.440 --> 0:33:36.160
<v Speaker 1>I went to Wild Pitch. Okay, so now let's take

0:33:36.200 --> 0:33:39.200
<v Speaker 1>it from so with O SE when we signed those

0:33:39.200 --> 0:33:42.400
<v Speaker 1>see the Wild Pitch we had Wild Pitcher was going

0:33:42.440 --> 0:33:48.240
<v Speaker 1>through e M. I right, I was no longer gonna

0:33:48.240 --> 0:33:51.320
<v Speaker 1>make records with Third Base. I'd already put out my indie,

0:33:51.400 --> 0:33:54.360
<v Speaker 1>my independent record and not solo record, sorry, solo record

0:33:54.360 --> 0:33:57.240
<v Speaker 1>with Death Champ. My wife and I we're gonna have

0:33:57.280 --> 0:33:59.920
<v Speaker 1>our first child. A third Base is on CBS, right,

0:34:00.120 --> 0:34:03.680
<v Speaker 1>it was on Def Champ, Sony, Def Jam, CBS whatever.

0:34:03.880 --> 0:34:07.720
<v Speaker 1>It was, Death Champ. So I did my solo record.

0:34:07.840 --> 0:34:09.920
<v Speaker 1>It did, it did okay. We did about four hundred

0:34:10.000 --> 0:34:12.920
<v Speaker 1>thousand copies. We had two number one records. It was okay,

0:34:12.960 --> 0:34:16.439
<v Speaker 1>It wasn't terrible. It was okay. Um, but I took

0:34:16.480 --> 0:34:18.160
<v Speaker 1>a lot of money off the table on that deal

0:34:18.400 --> 0:34:21.160
<v Speaker 1>because I never got shipped from Russell before, so I

0:34:21.200 --> 0:34:24.759
<v Speaker 1>wanted to make sure I kicked off right. So when

0:34:24.760 --> 0:34:28.600
<v Speaker 1>I made the decision to go to Wild Pitch, I said,

0:34:28.600 --> 0:34:30.880
<v Speaker 1>I gotta bring Old with me. So my deal with

0:34:31.080 --> 0:34:33.400
<v Speaker 1>Wild Pitch was I'm gonna have Oh with me and

0:34:33.440 --> 0:34:39.080
<v Speaker 1>we're gonna make his first album OH with With Nas,

0:34:39.760 --> 0:34:41.480
<v Speaker 1>Nas knew what he wanted, he did what he did,

0:34:41.560 --> 0:34:43.520
<v Speaker 1>and it was done. There was some you know, like

0:34:43.960 --> 0:34:46.719
<v Speaker 1>there was some really cool moments during that time, like

0:34:46.800 --> 0:34:50.080
<v Speaker 1>me driving him to Mount Vernon forty times to go

0:34:50.120 --> 0:34:53.840
<v Speaker 1>get a hundred tracks from Pete and they finally settled

0:34:53.880 --> 0:34:56.440
<v Speaker 1>on that. But for the most part, like with Cute

0:34:56.520 --> 0:34:58.680
<v Speaker 1>Cute Tip, it was one and done. Primo was you know,

0:34:58.719 --> 0:35:01.520
<v Speaker 1>it was really just simple. It was simple Elios. It

0:35:01.600 --> 0:35:03.600
<v Speaker 1>was in his backyard. Like whatever they did, they did,

0:35:03.680 --> 0:35:05.680
<v Speaker 1>you know, it was all of that. And it was

0:35:05.760 --> 0:35:10.000
<v Speaker 1>easy with Old s O. See would bring me track

0:35:10.080 --> 0:35:13.080
<v Speaker 1>after track after track, and I'd be like, nope, nope,

0:35:13.800 --> 0:35:16.799
<v Speaker 1>because for me, as a guy who loves hip hop

0:35:16.880 --> 0:35:20.200
<v Speaker 1>and had the real privilege, like and it's I say

0:35:20.200 --> 0:35:22.600
<v Speaker 1>it as a privilege like I was the Forest Gump

0:35:22.600 --> 0:35:25.080
<v Speaker 1>of hip hop at one point, like anything that ever

0:35:25.160 --> 0:35:30.479
<v Speaker 1>happened from like nineteen five to whatever. I was there.

0:35:30.840 --> 0:35:33.080
<v Speaker 1>I was there when Scotlar Rock died. I was there

0:35:33.120 --> 0:35:35.640
<v Speaker 1>when k R. S And Milly Mel battled in the

0:35:35.719 --> 0:35:37.839
<v Speaker 1>land Quarter. I was. I mean, I was there at

0:35:37.840 --> 0:35:42.400
<v Speaker 1>every juncture of I was there when Public Enemy got

0:35:42.440 --> 0:35:44.359
<v Speaker 1>booed off the stage of land Quarter in a year

0:35:44.440 --> 0:35:46.719
<v Speaker 1>later came back with Rebel out of pause, Like I mean,

0:35:46.719 --> 0:35:50.000
<v Speaker 1>I was. I was there, Like I was, you know

0:35:50.000 --> 0:35:51.640
<v Speaker 1>what I'm saying, Like, yeah, yeah, I was. You know,

0:35:51.680 --> 0:35:56.319
<v Speaker 1>I was there. Um. I was there when g Rap

0:35:56.360 --> 0:35:58.239
<v Speaker 1>told me there was a kid in in in left

0:35:58.320 --> 0:36:00.919
<v Speaker 1>rack a k I Rap him and his man we're

0:36:00.960 --> 0:36:03.840
<v Speaker 1>coming together with a group. I was there because he

0:36:03.880 --> 0:36:10.759
<v Speaker 1>lived around the corner and had an artist named white Boy.

0:36:09.560 --> 0:36:13.439
<v Speaker 1>So I was just the farest gump of hip hop.

0:36:13.440 --> 0:36:17.320
<v Speaker 1>I was everywhere right so with Oh, he'd make a

0:36:17.360 --> 0:36:20.000
<v Speaker 1>song after song after song, and I say, no, we're

0:36:20.040 --> 0:36:22.240
<v Speaker 1>not ready. It's not ready. You're not ready, It's not ready.

0:36:22.400 --> 0:36:24.920
<v Speaker 1>And it got to a point when we almost, like

0:36:25.080 --> 0:36:28.080
<v Speaker 1>on a regular basis, we would almost get two fisticuffs

0:36:28.120 --> 0:36:31.239
<v Speaker 1>on the roof of Wild Pitch, where I thought every time,

0:36:31.360 --> 0:36:33.440
<v Speaker 1>like I might get thrown off the roof or he

0:36:33.520 --> 0:36:36.240
<v Speaker 1>might get thrown off the roof like but I said, please,

0:36:36.280 --> 0:36:39.000
<v Speaker 1>I said, oh, just trust me, trust me. When you

0:36:39.080 --> 0:36:44.320
<v Speaker 1>make the right record, we'll know and everything else will happen.

0:36:44.840 --> 0:36:49.719
<v Speaker 1>Please believe me. I'm in my office. Oh comes in.

0:36:49.800 --> 0:36:53.480
<v Speaker 1>He's dead silent, and he pushes me out of the

0:36:53.560 --> 0:36:56.160
<v Speaker 1>way from and I'm like, oh, here we go, And

0:36:56.200 --> 0:36:58.840
<v Speaker 1>I said oh, and he said and he pressed a

0:36:58.920 --> 0:37:01.800
<v Speaker 1>dat player and he put in at that time, hilarious

0:37:01.960 --> 0:37:11.200
<v Speaker 1>is hard car? And my hands have grown like yo,

0:37:11.560 --> 0:37:16.640
<v Speaker 1>And I went, I lost, and in my office went,

0:37:16.680 --> 0:37:19.400
<v Speaker 1>oh my god, what's going there? I mean? And we

0:37:19.560 --> 0:37:25.040
<v Speaker 1>hugged and he said one, We're done. And two weeks

0:37:25.120 --> 0:37:28.680
<v Speaker 1>later Word Life was done. Two weeks everything came with

0:37:28.960 --> 0:37:32.800
<v Speaker 1>no main topic, everything everything. What year was that record?

0:37:32.800 --> 0:37:35.880
<v Speaker 1>When Yo, let me tell you something. I don't know

0:37:35.920 --> 0:37:38.160
<v Speaker 1>where I'm at in the world, but to have his

0:37:38.239 --> 0:37:41.960
<v Speaker 1>hip hop bro. When that I got a call from

0:37:41.960 --> 0:37:45.480
<v Speaker 1>Flex at the tunnel. I'm in bed with my wife

0:37:45.480 --> 0:37:48.080
<v Speaker 1>and my newborn. If you look at the O C

0:37:48.440 --> 0:37:51.080
<v Speaker 1>album Word Life, on the bottom left corner, there's a

0:37:51.120 --> 0:37:53.040
<v Speaker 1>baby in a in a cat in a bastonet with

0:37:53.200 --> 0:37:56.440
<v Speaker 1>light shining on it. That's my daughter. It's my oldest daughter.

0:37:57.600 --> 0:37:59.719
<v Speaker 1>I get a call at midnight. It's Flex from the

0:37:59.760 --> 0:38:04.160
<v Speaker 1>ton on come now, and my wife's like, you ain't

0:38:04.200 --> 0:38:06.720
<v Speaker 1>going nowhere. I'm like, Flex just called me to the tunnel.

0:38:06.719 --> 0:38:10.239
<v Speaker 1>I'm gone. Like I said, I love you, honey. You

0:38:10.320 --> 0:38:14.000
<v Speaker 1>and I will we will work on our relationship. But

0:38:14.120 --> 0:38:18.480
<v Speaker 1>I and I've boogied. I mean I boogied to the tunnel.

0:38:18.520 --> 0:38:21.719
<v Speaker 1>And from my house to the tunnel it was like

0:38:21.880 --> 0:38:26.000
<v Speaker 1>twenty three minutes. I got them seventeen. By the grace

0:38:26.040 --> 0:38:28.840
<v Speaker 1>of the most high. There was parking right on the block.

0:38:29.560 --> 0:38:31.920
<v Speaker 1>I screwed up. I cut through the line. Jessica lets

0:38:31.960 --> 0:38:35.080
<v Speaker 1>me through. I get to the DJ booth, gives me

0:38:35.120 --> 0:38:38.680
<v Speaker 1>a hug, he goes watch whatever he was playing, took

0:38:38.680 --> 0:38:50.280
<v Speaker 1>off and the whole crowd. There are times and Davey

0:38:50.360 --> 0:38:53.279
<v Speaker 1>Chris May Rest in Peace, grabs me. He goes, I

0:38:53.320 --> 0:39:00.200
<v Speaker 1>need to manage Josie. Right at that time, there was this,

0:39:00.200 --> 0:39:04.200
<v Speaker 1>this was the parallel. There was baby Chris May Rest

0:39:04.239 --> 0:39:07.680
<v Speaker 1>in Peace and he had violator. So yeah, defin it

0:39:07.840 --> 0:39:10.279
<v Speaker 1>was Puff with Big and Craig and it was me

0:39:10.360 --> 0:39:12.719
<v Speaker 1>with Nz and O C. And that was that was

0:39:12.760 --> 0:39:15.040
<v Speaker 1>the That was the trifector in New York. That was

0:39:15.080 --> 0:39:19.280
<v Speaker 1>the trilogy Chris had. Chris had violator, so he had

0:39:19.280 --> 0:39:21.760
<v Speaker 1>he had bust up and he had you know, so scenario,

0:39:21.880 --> 0:39:26.560
<v Speaker 1>he had tribed, he had you know basically basically, but

0:39:26.640 --> 0:39:29.120
<v Speaker 1>he was and he was the go to manager. Puff

0:39:29.239 --> 0:39:31.200
<v Speaker 1>was the go to producer, and I was a go

0:39:31.280 --> 0:39:34.160
<v Speaker 1>to executive production company. And that's what we were, right,

0:39:34.200 --> 0:39:37.160
<v Speaker 1>and that's how we kind of had this thing. The

0:39:37.239 --> 0:39:40.320
<v Speaker 1>problem was I had oh sign to the wrong label.

0:39:40.440 --> 0:39:43.239
<v Speaker 1>And the other problem was I was a twenty four

0:39:43.280 --> 0:39:45.680
<v Speaker 1>year old who didn't know shit about being an executive.

0:39:46.200 --> 0:39:51.680
<v Speaker 1>And while Chris had Leore and Russell and James Cruz

0:39:51.960 --> 0:39:54.920
<v Speaker 1>and Puff had Andre Horrell and this one now one,

0:39:54.960 --> 0:39:58.640
<v Speaker 1>I had nobody, And I was making decisions, making grown

0:39:58.680 --> 0:40:02.880
<v Speaker 1>man decisions as a fucking child, because I'm just happy.

0:40:03.040 --> 0:40:05.480
<v Speaker 1>I'm just happy to be making music. I'm just happy

0:40:05.920 --> 0:40:08.040
<v Speaker 1>being able to feed my family and just being able

0:40:08.080 --> 0:40:09.400
<v Speaker 1>to do what I love. Like I don't know what

0:40:09.440 --> 0:40:13.399
<v Speaker 1>the funk I'm doing right, But I know radio, right,

0:40:13.440 --> 0:40:15.880
<v Speaker 1>so I know that part and I and I and

0:40:15.920 --> 0:40:19.760
<v Speaker 1>I know music, but everything else I didn't know anything.

0:40:19.960 --> 0:40:22.040
<v Speaker 1>I didn't know anything, and that's how I kind of

0:40:22.280 --> 0:40:26.080
<v Speaker 1>that's that's where this fell and NASA's deal was I

0:40:26.120 --> 0:40:29.120
<v Speaker 1>wasn't gonna do a long term deal with NASA. Wasn't

0:40:29.160 --> 0:40:30.799
<v Speaker 1>set like that, and I didn't want me to do

0:40:30.840 --> 0:40:34.200
<v Speaker 1>a long term It was get him right, do it

0:40:34.320 --> 0:40:35.840
<v Speaker 1>was written. I didn't want to have my name on

0:40:35.920 --> 0:40:37.320
<v Speaker 1>it was written, but I took care of all the

0:40:37.400 --> 0:40:41.719
<v Speaker 1>business and that was it right. So that was that,

0:40:41.840 --> 0:40:44.520
<v Speaker 1>and then Wild Pitch folded. And as soon as it folded,

0:40:44.719 --> 0:40:48.160
<v Speaker 1>I met Mark Echo and I started building Echo Unlimited

0:40:48.160 --> 0:40:52.279
<v Speaker 1>with more part of the beginning of the of the

0:40:52.280 --> 0:40:55.279
<v Speaker 1>clothing line as well. I did all the marketing and

0:40:55.320 --> 0:40:58.279
<v Speaker 1>promotion for Echo Unlimited at the beginning. When I met Mark,

0:40:58.360 --> 0:41:01.680
<v Speaker 1>Mark was doing shirts on away and it was ill Bill,

0:41:02.200 --> 0:41:05.120
<v Speaker 1>my man who we later did not fiction together, who

0:41:05.160 --> 0:41:07.000
<v Speaker 1>said to me, you know, there's this dude. He did

0:41:07.120 --> 0:41:09.520
<v Speaker 1>the shirts. You should check them out. He needs help.

0:41:09.520 --> 0:41:12.560
<v Speaker 1>It's that Go Unlimited. So we went from ninety five

0:41:12.640 --> 0:41:15.520
<v Speaker 1>doing I don't know, a couple of hundred thousand a

0:41:15.600 --> 0:41:19.319
<v Speaker 1>year to when I left, we were at nine fifty

0:41:19.360 --> 0:41:22.279
<v Speaker 1>seven million a year. You know how it turned into

0:41:22.320 --> 0:41:24.839
<v Speaker 1>complex media and yeah, and and and I was so

0:41:24.920 --> 0:41:28.040
<v Speaker 1>thankful that Mark allowed me to see that, like to

0:41:28.040 --> 0:41:31.040
<v Speaker 1>watch that he let me watch Complex grow. I'm I'm

0:41:31.160 --> 0:41:35.279
<v Speaker 1>dear friends with Richard Sinello and all the guys up there. Um.

0:41:35.320 --> 0:41:37.080
<v Speaker 1>I even got a little clock made out of me

0:41:37.160 --> 0:41:39.799
<v Speaker 1>and we when we did the Madden two thousand on

0:41:39.840 --> 0:41:42.040
<v Speaker 1>the on the mat, the Echo team on on that team,

0:41:42.040 --> 0:41:43.759
<v Speaker 1>so on the team. So yeah, I know, I know.

0:41:44.600 --> 0:41:47.080
<v Speaker 1>Um so it's like you know, so I was one

0:41:47.120 --> 0:41:49.160
<v Speaker 1>of these guys that I was fortunate enough that I

0:41:49.200 --> 0:41:54.040
<v Speaker 1>was everywhere and I had the history of radio because

0:41:54.040 --> 0:41:57.919
<v Speaker 1>when we were coming up, we were basically told, look,

0:41:58.080 --> 0:42:00.239
<v Speaker 1>if you some fucking white boys that are getting on

0:42:00.280 --> 0:42:02.879
<v Speaker 1>black radio, you better know every black program director forward

0:42:02.920 --> 0:42:06.480
<v Speaker 1>and backwards right because they weren't playing hip hop during

0:42:06.480 --> 0:42:10.040
<v Speaker 1>the day, not even on on Kiss nothing. So I

0:42:10.040 --> 0:42:12.040
<v Speaker 1>had to learn all of that. I had to learn

0:42:12.280 --> 0:42:14.839
<v Speaker 1>who these people were, and I learned them, and now

0:42:14.920 --> 0:42:17.600
<v Speaker 1>he did I learned them, but I appreciated them. So

0:42:17.640 --> 0:42:20.600
<v Speaker 1>the first radio station even't went to to pitch my

0:42:20.719 --> 0:42:24.160
<v Speaker 1>record step into the AM was Helen Little at d

0:42:24.280 --> 0:42:27.160
<v Speaker 1>A S. And Wes Johnson at the time was the head.

0:42:27.320 --> 0:42:29.759
<v Speaker 1>So you had to work your own records. Yeah, yeah,

0:42:30.200 --> 0:42:32.719
<v Speaker 1>how to work I mean work them. So I'm about

0:42:32.760 --> 0:42:35.239
<v Speaker 1>to break it down. So when we went to see

0:42:35.239 --> 0:42:38.160
<v Speaker 1>Helen Little at d A S and Philly Shout out

0:42:38.200 --> 0:42:43.799
<v Speaker 1>to Philly Um. She was the first woman in urban

0:42:43.920 --> 0:42:47.160
<v Speaker 1>radio to run a group. D A S was like

0:42:47.560 --> 0:42:50.320
<v Speaker 1>a group. And when I went in there, I started

0:42:50.320 --> 0:42:53.279
<v Speaker 1>telling her about her history, started telling her how I

0:42:53.360 --> 0:42:55.080
<v Speaker 1>knew how she came up. I knew what she did

0:42:55.080 --> 0:42:57.760
<v Speaker 1>because I went to the New York Public Library and studied.

0:42:58.239 --> 0:43:02.320
<v Speaker 1>There's no fucking Google. Fucking Google. You know, Google was

0:43:02.360 --> 0:43:04.319
<v Speaker 1>something of baby man. That was a noise of baby man.

0:43:04.560 --> 0:43:06.240
<v Speaker 1>You know what I mean. There was no fucking Internet.

0:43:06.800 --> 0:43:09.360
<v Speaker 1>I mean it was me going to the but I

0:43:09.400 --> 0:43:12.880
<v Speaker 1>knew them about it. And my favorite story is, so

0:43:12.920 --> 0:43:14.640
<v Speaker 1>we I went in there for forty five minutes. When

0:43:14.640 --> 0:43:17.799
<v Speaker 1>I left, West Wind in there five minutes, comes out

0:43:18.239 --> 0:43:22.320
<v Speaker 1>and this is like a corporate urban station, and West

0:43:22.800 --> 0:43:25.160
<v Speaker 1>West Johnson a rest in peace was He was like

0:43:25.200 --> 0:43:28.680
<v Speaker 1>a mixture between Jim Brown and Don King. He like,

0:43:28.800 --> 0:43:33.319
<v Speaker 1>there's six seven and he goes, let me, I don't

0:43:33.320 --> 0:43:34.880
<v Speaker 1>want to see you in the fucking back of the

0:43:34.880 --> 0:43:41.200
<v Speaker 1>station right now. And I'm sure I'm fucking six one

0:43:41.600 --> 0:43:45.200
<v Speaker 1>two fifteen. He's fucking six six three something, And he

0:43:45.280 --> 0:43:50.239
<v Speaker 1>says to me, meet me by the dumpsters. You know

0:43:50.280 --> 0:43:55.320
<v Speaker 1>what that means? And I just said, and he pulls

0:43:55.360 --> 0:43:56.360
<v Speaker 1>me in there and he goes, I want to know

0:43:56.400 --> 0:43:58.080
<v Speaker 1>everything you just said to Helen Little. I want to

0:43:58.080 --> 0:44:01.080
<v Speaker 1>know every fucking thing you just said. So my voice

0:44:01.080 --> 0:44:05.720
<v Speaker 1>goes up about ten octaves and I run down everything.

0:44:05.880 --> 0:44:08.880
<v Speaker 1>He goes. He goes, let me tell you something, and

0:44:09.000 --> 0:44:10.600
<v Speaker 1>tell you something, a little fucking white boy, let me

0:44:10.600 --> 0:44:13.600
<v Speaker 1>tell you something. I got public Enemy, I got LLL

0:44:13.680 --> 0:44:15.840
<v Speaker 1>cool J, I got Slick Rick. You know what the

0:44:15.840 --> 0:44:18.640
<v Speaker 1>funk you just did to me? He was, I gotta

0:44:18.680 --> 0:44:21.160
<v Speaker 1>go back there. Tell them black artists, you're the first

0:44:21.160 --> 0:44:23.320
<v Speaker 1>fucking rapper on def jam and have full time rotation

0:44:23.360 --> 0:44:25.960
<v Speaker 1>on fucking d as. Whatever the funk you just did

0:44:25.960 --> 0:44:27.800
<v Speaker 1>in there, you're gonna do it at every other station

0:44:27.840 --> 0:44:30.280
<v Speaker 1>we go. We're going to Philly, We're going to Baltimore

0:44:30.320 --> 0:44:33.640
<v Speaker 1>next uh. And I had to learn all those dudes,

0:44:33.719 --> 0:44:40.840
<v Speaker 1>and he benefited. But I mean, man, I didn't know

0:44:40.920 --> 0:44:46.120
<v Speaker 1>there's a rumor or not. But you wrote on Baby Kids,

0:44:46.760 --> 0:44:50.040
<v Speaker 1>I wrote. I wrote five four songs on Baby Kids.

0:44:50.280 --> 0:44:55.120
<v Speaker 1>The soundtrack I wrote, I wrote, I wrote the Jefferson song.

0:44:55.200 --> 0:44:58.640
<v Speaker 1>I wrote the Money song. Yeah, I wrote all of that. Yeah,

0:44:58.680 --> 0:45:01.040
<v Speaker 1>I wrote all of that. So you got to meet

0:45:01.120 --> 0:45:04.840
<v Speaker 1>um the late grade. No No, I actually was connected

0:45:04.840 --> 0:45:07.800
<v Speaker 1>to a friend of mine, Bill Stephanie. He was executive

0:45:07.800 --> 0:45:09.400
<v Speaker 1>producer of the music soundtrack, and he's like, yeah, I

0:45:09.440 --> 0:45:13.360
<v Speaker 1>need you to write How was that cool? You know

0:45:13.520 --> 0:45:20.919
<v Speaker 1>baby Kids one of my favorite car No. But but

0:45:21.160 --> 0:45:24.040
<v Speaker 1>that was also the funny thing was when I was

0:45:24.080 --> 0:45:26.640
<v Speaker 1>in the middle of my kind of transition out of

0:45:26.800 --> 0:45:30.000
<v Speaker 1>out of hip hop, people like Barry Weiss, you know,

0:45:30.040 --> 0:45:33.279
<v Speaker 1>they would say, Hey, if you're ever done rapping, come

0:45:33.320 --> 0:45:37.759
<v Speaker 1>work for my promotion department. Do promo. So when I

0:45:37.760 --> 0:45:39.520
<v Speaker 1>went back to Deaf Jam, I wasn't Deaf Jam as

0:45:39.520 --> 0:45:42.000
<v Speaker 1>an artist. I went there as running the HR department,

0:45:42.520 --> 0:45:44.759
<v Speaker 1>and when I left there, I started working records and

0:45:44.800 --> 0:45:47.239
<v Speaker 1>when the first records I worked was Nori's Records, but

0:45:47.360 --> 0:45:52.160
<v Speaker 1>also search like promotion. I think of every hip hop

0:45:52.160 --> 0:45:54.000
<v Speaker 1>record that it came out of a label we worked.

0:45:55.200 --> 0:46:00.160
<v Speaker 1>So now let me fast forward. You work with as

0:46:00.160 --> 0:46:06.640
<v Speaker 1>you do this as a j actually have this moment

0:46:06.680 --> 0:46:13.839
<v Speaker 1>against each other, and Jay uses you as a punchline.

0:46:15.040 --> 0:46:20.479
<v Speaker 1>He says, I know who I pay God like publishing. Yeah,

0:46:20.520 --> 0:46:22.239
<v Speaker 1>he said, but you weren't getting paid dog, you were

0:46:22.239 --> 0:46:25.080
<v Speaker 1>getting fucked. Then I know who I paid dogs Search Publishing.

0:46:25.640 --> 0:46:29.680
<v Speaker 1>So the story, the true story about that, it's really crazy.

0:46:29.760 --> 0:46:31.959
<v Speaker 1>I don't know, I don't know. It's a great story. Yeah.

0:46:32.239 --> 0:46:36.760
<v Speaker 1>So I'm the head of hr at Deaf Jam and uh,

0:46:37.040 --> 0:46:41.120
<v Speaker 1>they're about to put out that reasonable is doubt and

0:46:42.280 --> 0:46:45.160
<v Speaker 1>Kareem I think it was Kareem. It was either Kareem

0:46:45.239 --> 0:46:48.520
<v Speaker 1>Dame and Jay or Dame and j come to my

0:46:48.600 --> 0:46:50.880
<v Speaker 1>office and said, hey, you gotta clear this sample, this

0:46:51.000 --> 0:46:54.880
<v Speaker 1>dead president sample take care of us. I said, okay,

0:46:54.960 --> 0:46:59.040
<v Speaker 1>no problem, give me, but just know we're gonna have

0:47:00.000 --> 0:47:02.520
<v Speaker 1>the sending a record on the publishing. He was like,

0:47:02.520 --> 0:47:05.080
<v Speaker 1>all right, cool, that was it. He gave me a

0:47:05.160 --> 0:47:08.400
<v Speaker 1>check for I delivered it to Zombo. But if you

0:47:08.440 --> 0:47:12.799
<v Speaker 1>look at the loner notes on dead Presidents, nas is

0:47:12.800 --> 0:47:15.239
<v Speaker 1>one of the publishers. So I said, yeah, that line

0:47:15.239 --> 0:47:17.840
<v Speaker 1>can live as much as it lives. But Jay don't

0:47:17.840 --> 0:47:20.359
<v Speaker 1>own a piece of Naz's catalog. But Nazzos and piece

0:47:20.400 --> 0:47:24.959
<v Speaker 1>of Jay's catalog. And that's a fact. Though we didn't

0:47:25.000 --> 0:47:27.400
<v Speaker 1>know that. We didn't because we thought like when he

0:47:27.440 --> 0:47:31.759
<v Speaker 1>said that stas like publishing, that um that he was

0:47:31.880 --> 0:47:36.360
<v Speaker 1>meaning that that nasn't have none of his public no no, no, no,

0:47:35.760 --> 0:47:39.200
<v Speaker 1>no no no. I have a yeah, I have a

0:47:39.239 --> 0:47:42.359
<v Speaker 1>five percent admin fee, which I'm like to this day

0:47:42.600 --> 0:47:45.440
<v Speaker 1>on those two albums. I just make sure like things

0:47:45.719 --> 0:47:47.959
<v Speaker 1>like if NAS wants to do it, I just signed off.

0:47:48.400 --> 0:47:51.319
<v Speaker 1>I said, like for me, like, when I think about

0:47:51.360 --> 0:47:55.200
<v Speaker 1>being a production company, right, I think there's two trains.

0:47:55.200 --> 0:47:58.800
<v Speaker 1>I thought. Train one is the artists ain't ship and

0:47:58.800 --> 0:48:01.520
<v Speaker 1>the production company makes all the money. Right. What a

0:48:01.560 --> 0:48:04.399
<v Speaker 1>second train is the artist saint ship and I'm gonna

0:48:04.440 --> 0:48:07.120
<v Speaker 1>figure out how to jerk the artist. That's most of

0:48:07.200 --> 0:48:10.120
<v Speaker 1>how hip hop is running their production companies. I had

0:48:10.120 --> 0:48:12.799
<v Speaker 1>a third training train of thought, which was I wasn't

0:48:12.800 --> 0:48:15.000
<v Speaker 1>gonna be the jew to take take advantage of a

0:48:15.040 --> 0:48:18.320
<v Speaker 1>black man, so I don't need to get wealthy off No,

0:48:18.680 --> 0:48:21.520
<v Speaker 1>and I don't. My checks are very humble, and I'm

0:48:21.560 --> 0:48:23.600
<v Speaker 1>okay with that because they're gonna go for the rest

0:48:23.640 --> 0:48:27.240
<v Speaker 1>of my life. You know, when you think about streaming today, right,

0:48:27.280 --> 0:48:31.360
<v Speaker 1>and you think about all Mattic, Allmatic stremes four hundred

0:48:31.440 --> 0:48:37.880
<v Speaker 1>million a year to this day, I get my fair share.

0:48:37.960 --> 0:48:39.880
<v Speaker 1>I don't get more than I deserve. I don't get

0:48:39.960 --> 0:48:42.680
<v Speaker 1>less than I deserve. I get exactly what the contract says,

0:48:43.200 --> 0:48:45.520
<v Speaker 1>in fact, and I'll keep it a buck with all

0:48:45.560 --> 0:48:49.240
<v Speaker 1>of y'all. Two thousand seven, I get a letter from Sony.

0:48:49.280 --> 0:48:52.279
<v Speaker 1>They say, oh, we we overpaid you, so you're not

0:48:52.320 --> 0:48:55.800
<v Speaker 1>gonna be getting a check. And my lawyer goes, O,

0:48:55.840 --> 0:48:58.960
<v Speaker 1>we're gonna sue and us. We're not gonna let it rock.

0:48:59.200 --> 0:49:03.239
<v Speaker 1>We'll work eventually. We're really cool. And we did took

0:49:03.280 --> 0:49:07.160
<v Speaker 1>like ten years because I don't give a fuck. What

0:49:07.520 --> 0:49:09.880
<v Speaker 1>was the basis of them saying they overpaid. They said

0:49:09.960 --> 0:49:16.440
<v Speaker 1>that the Artists royalty that I got paid was congruent

0:49:16.719 --> 0:49:19.640
<v Speaker 1>with what NAS was supposed to get paid. So I

0:49:20.000 --> 0:49:23.920
<v Speaker 1>essentially got NAS royalties, but NAS didn't. It wasn't minus

0:49:23.960 --> 0:49:26.320
<v Speaker 1>roll off nazis ship. They basically paid like it was

0:49:26.360 --> 0:49:28.879
<v Speaker 1>like double dipping. So they paid me exactly what they're

0:49:28.880 --> 0:49:32.239
<v Speaker 1>paying NAZ. But it wasn't accurate either, because the fact

0:49:32.239 --> 0:49:34.840
<v Speaker 1>of the matter is NAS was that like X amount

0:49:34.840 --> 0:49:37.000
<v Speaker 1>of points and I was at three. So that was

0:49:37.040 --> 0:49:39.480
<v Speaker 1>the only correction we told them, And after they made

0:49:39.480 --> 0:49:42.360
<v Speaker 1>that correction, they fixed it. We kept it moving. It

0:49:42.440 --> 0:49:46.080
<v Speaker 1>was done when and done, but it took like ten years.

0:49:46.719 --> 0:49:49.319
<v Speaker 1>For me to ever see another check and again, I'm

0:49:49.320 --> 0:49:53.640
<v Speaker 1>okay with that because to me, the ability to earn

0:49:54.280 --> 0:49:57.480
<v Speaker 1>isn't about one thing, right I learned a long time ago.

0:49:57.560 --> 0:50:00.440
<v Speaker 1>It's not the strong who survives. It's a flexible right.

0:50:00.800 --> 0:50:04.560
<v Speaker 1>So I would much rather fight Mike Tyson and a

0:50:04.640 --> 0:50:08.040
<v Speaker 1>yogi because Yogi's gonna bend me up in fucking ways

0:50:08.080 --> 0:50:10.239
<v Speaker 1>that I'm never gonna get fixed again. At least with Mike.

0:50:10.280 --> 0:50:12.720
<v Speaker 1>I know when it's coming, I see the punch coming.

0:50:12.920 --> 0:50:16.000
<v Speaker 1>I know I'm gonna get Yogi yoga like a yoga person,

0:50:16.840 --> 0:50:19.560
<v Speaker 1>the guy who's like con bending, because if he like

0:50:21.400 --> 0:50:24.520
<v Speaker 1>he fucking grabs you like Yogi grabbs you, bro, and

0:50:24.560 --> 0:50:27.239
<v Speaker 1>he starts he knows how to bend up yo, you

0:50:27.320 --> 0:50:29.799
<v Speaker 1>might get fucked up for life. At least if Mike

0:50:29.880 --> 0:50:32.879
<v Speaker 1>hits you, you won't be in pain. Let's be real clear.

0:50:32.920 --> 0:50:35.319
<v Speaker 1>You want to be in pain, but you're going to

0:50:35.440 --> 0:50:38.760
<v Speaker 1>be able to recover. But if if a Yogi bend

0:50:38.800 --> 0:50:41.839
<v Speaker 1>you in a way, your body might never recover. So

0:50:41.920 --> 0:50:44.279
<v Speaker 1>I say, I would much rather be flexible. I much

0:50:44.320 --> 0:50:46.880
<v Speaker 1>I much rather be like water than be like a

0:50:46.920 --> 0:50:50.479
<v Speaker 1>fucking wall. But did you receive like like slack because

0:50:50.520 --> 0:50:52.279
<v Speaker 1>of that, because a lot of people, like I said,

0:50:52.280 --> 0:50:55.960
<v Speaker 1>a lot of people took it as search as publishing. No,

0:50:56.080 --> 0:50:58.760
<v Speaker 1>in fact, it was the exact opposite. Whenever that fucking

0:50:58.840 --> 0:51:00.960
<v Speaker 1>verse came on in the club. But I would get loved,

0:51:00.960 --> 0:51:03.720
<v Speaker 1>like because my name got mentioned. People didn't even realize

0:51:03.719 --> 0:51:06.279
<v Speaker 1>what it meant. They were like, oh ship, not Jay

0:51:06.400 --> 0:51:11.040
<v Speaker 1>mentioned Search. That's crazy. So you're sure he never got

0:51:11.080 --> 0:51:15.600
<v Speaker 1>nothing bad, like even from like naas campus. It's all

0:51:15.680 --> 0:51:18.360
<v Speaker 1>love all the time, you know, even like if you

0:51:18.440 --> 0:51:20.719
<v Speaker 1>think about all the times NASA has mentioned me on

0:51:20.800 --> 0:51:23.680
<v Speaker 1>his records, there's like seven records where he mentioned like

0:51:23.800 --> 0:51:26.520
<v Speaker 1>our friendship or how I did him right, you know

0:51:26.520 --> 0:51:28.799
<v Speaker 1>what I mean, Like he's never once said anything bad

0:51:28.800 --> 0:51:31.280
<v Speaker 1>about me because he has no reason because I treated

0:51:31.360 --> 0:51:33.560
<v Speaker 1>him like a grown ass man. I treated him like

0:51:33.560 --> 0:51:38.560
<v Speaker 1>a professional, and I treated his music like a business,

0:51:38.600 --> 0:51:40.719
<v Speaker 1>so that he would never have to worry, and his

0:51:40.960 --> 0:51:42.960
<v Speaker 1>daughter would never have to worry. His daughter and my

0:51:43.040 --> 0:51:46.279
<v Speaker 1>daughter same age, they were born a month apart. His

0:51:46.360 --> 0:51:49.719
<v Speaker 1>daughter and my daughter never have to worry. God dare

0:51:49.719 --> 0:51:55.439
<v Speaker 1>to make some noise for that. So did you ever

0:51:55.520 --> 0:51:58.920
<v Speaker 1>repair the beef with mc hammer? He gave him the

0:51:58.960 --> 0:52:02.959
<v Speaker 1>gas face. Yeah, no, no, we never I've never listened

0:52:03.000 --> 0:52:05.319
<v Speaker 1>to the gas face again. And he's his might have

0:52:05.320 --> 0:52:09.160
<v Speaker 1>been the harshest gas face. He gave out something, he

0:52:09.200 --> 0:52:11.080
<v Speaker 1>put out a hit on you or something. Yeah, but

0:52:11.120 --> 0:52:13.399
<v Speaker 1>I worry And who the hell is l worry? Calling

0:52:13.960 --> 0:52:18.360
<v Speaker 1>that was legal? Why does everywhere? Oh not? Because we

0:52:18.440 --> 0:52:20.160
<v Speaker 1>just wanted to make We wanted to make fun of.

0:52:23.400 --> 0:52:26.000
<v Speaker 1>But here's the thing. So I've been in recovery now

0:52:26.160 --> 0:52:28.759
<v Speaker 1>to be ten yars, right, So one of the things

0:52:28.800 --> 0:52:31.680
<v Speaker 1>that I'm coming up to in nine years of recovery

0:52:31.760 --> 0:52:35.760
<v Speaker 1>is making amends. And you know, you gotta make amends

0:52:35.800 --> 0:52:39.680
<v Speaker 1>of him. Yeah, can I see from the outside looking in?

0:52:40.200 --> 0:52:43.200
<v Speaker 1>But then I want you to continue to make your amends.

0:52:43.320 --> 0:52:46.279
<v Speaker 1>But I looked at it again today and I no,

0:52:46.320 --> 0:52:48.000
<v Speaker 1>one just said this earlier, but I want to just

0:52:48.040 --> 0:52:50.080
<v Speaker 1>be ere that ry. I think his might have been

0:52:50.080 --> 0:52:52.440
<v Speaker 1>the most harsh gas space because you pay his glasses

0:52:53.160 --> 0:52:57.160
<v Speaker 1>and the AMMA yeah thing. Then you had a guy

0:52:57.239 --> 0:53:00.200
<v Speaker 1>walked through that that was the two big ms. See

0:53:00.239 --> 0:53:04.000
<v Speaker 1>that was his COVID. But no, but the point is, okay,

0:53:04.000 --> 0:53:06.680
<v Speaker 1>what happened, Well, the point was that he disc roun

0:53:06.800 --> 0:53:11.000
<v Speaker 1>DMC and and for me, being a queen's kid and

0:53:11.080 --> 0:53:13.360
<v Speaker 1>having jam Master Jay May Rest in Peace put me

0:53:13.400 --> 0:53:17.279
<v Speaker 1>in the game. It was unforgivable, Like it was unforgivable,

0:53:17.320 --> 0:53:20.000
<v Speaker 1>but it was an MC thing. It wasn't a person

0:53:20.520 --> 0:53:24.640
<v Speaker 1>a clue. What do we think about? How but that's

0:53:24.680 --> 0:53:30.200
<v Speaker 1>not like but that's not that's not put the hit

0:53:30.280 --> 0:53:35.000
<v Speaker 1>out on us. He put Yeah, he put the head

0:53:35.040 --> 0:53:38.320
<v Speaker 1>out on it. Put the hit out on us. Because

0:53:38.520 --> 0:53:42.520
<v Speaker 1>my old partner on the Cactus record, which was a

0:53:42.600 --> 0:53:46.759
<v Speaker 1>song on the album Hamma's Record, was plea turned his

0:53:46.840 --> 0:54:00.239
<v Speaker 1>mother outright. My my old rom and partner said that

0:54:00.320 --> 0:54:04.879
<v Speaker 1>the Cactus our album, the Cactus turned Hammer's mother out right.

0:54:05.920 --> 0:54:09.360
<v Speaker 1>But that and let's be real clear about two things.

0:54:10.200 --> 0:54:15.880
<v Speaker 1>Where will lyricists first and always, that was a dope

0:54:16.239 --> 0:54:22.440
<v Speaker 1>fucking line. Period. If I thought for one second, because

0:54:22.440 --> 0:54:25.240
<v Speaker 1>I love my mother, if I thought for one second

0:54:25.760 --> 0:54:29.800
<v Speaker 1>that someone would have misinterpreted that, I would have told

0:54:30.320 --> 0:54:33.000
<v Speaker 1>that dude to take the line off the record. Look,

0:54:34.120 --> 0:54:37.920
<v Speaker 1>you know what I'm saying. I'm not the Cactus turned

0:54:38.160 --> 0:54:40.680
<v Speaker 1>his mother out, but I didn't say it. And I

0:54:40.880 --> 0:54:43.879
<v Speaker 1>but again, I'm because I'm the one who's in the front,

0:54:44.320 --> 0:54:47.960
<v Speaker 1>because I'm the one I took the heat. And because

0:54:48.000 --> 0:54:50.360
<v Speaker 1>it was it was in response to the run DMC.

0:54:50.480 --> 0:54:53.000
<v Speaker 1>This you're saying he it was not. And also because

0:54:53.000 --> 0:54:56.440
<v Speaker 1>his album was trash, right, like we didn't like his album.

0:54:56.480 --> 0:55:00.839
<v Speaker 1>We were from New York trash you guys a lot

0:55:00.880 --> 0:55:05.239
<v Speaker 1>of the country everywhere. And again for retrospect, looking at

0:55:05.280 --> 0:55:07.640
<v Speaker 1>him for now, his career is is a pretty incredible career.

0:55:08.320 --> 0:55:14.799
<v Speaker 1>The where we were was that there was New York

0:55:14.840 --> 0:55:17.560
<v Speaker 1>and there was nothing else that once you left the

0:55:17.600 --> 0:55:21.480
<v Speaker 1>try state talking about this all the time, trying to

0:55:21.480 --> 0:55:31.359
<v Speaker 1>tell you and when you're a kid from Queens from

0:55:31.360 --> 0:55:33.640
<v Speaker 1>Far Rock who has never been on a plane before,

0:55:34.440 --> 0:55:38.040
<v Speaker 1>who's never been outside the state before, to have somebody

0:55:38.120 --> 0:55:40.600
<v Speaker 1>come from someplace else that you don't even know about,

0:55:41.360 --> 0:55:46.959
<v Speaker 1>and this run DMC. And for me personally, Jay heard

0:55:47.040 --> 0:55:49.520
<v Speaker 1>me Ron, so we had a reason this front them.

0:55:49.800 --> 0:55:57.719
<v Speaker 1>I think it's just ahead go aheads on helping this

0:55:57.760 --> 0:56:01.759
<v Speaker 1>guy out so much in our argument. But let me

0:56:01.760 --> 0:56:05.759
<v Speaker 1>finished and mind you him, that's the Bay Area. It's

0:56:05.840 --> 0:56:09.759
<v Speaker 1>no joke. Yeah, but you're saying at that time, like

0:56:10.120 --> 0:56:12.719
<v Speaker 1>New York, for lack of a better term, looked at

0:56:12.760 --> 0:56:16.000
<v Speaker 1>everybody else. Look, if you're not from New York. It's whack.

0:56:16.280 --> 0:56:18.759
<v Speaker 1>That's the way the sentiment was put out there from

0:56:18.800 --> 0:56:23.560
<v Speaker 1>New York at that time. N w A was different

0:56:24.120 --> 0:56:29.439
<v Speaker 1>because n w A respected you know, the beats that

0:56:29.600 --> 0:56:34.479
<v Speaker 1>Dre had on that album were heavily influenced by Third Base.

0:56:35.000 --> 0:56:37.800
<v Speaker 1>In fact, when ice Cube said it on this show,

0:56:38.239 --> 0:56:41.680
<v Speaker 1>when Ice Cube came to New York, he came to

0:56:41.719 --> 0:56:44.960
<v Speaker 1>work with our old producer from the Cactus, because that

0:56:45.040 --> 0:56:50.759
<v Speaker 1>ship slapped right. Even m C eight from Compton's Most

0:56:50.760 --> 0:56:53.759
<v Speaker 1>Wanted on their biggest record one Time gaffled him up

0:56:54.440 --> 0:56:56.600
<v Speaker 1>on the second verse. He said, they got pulled over

0:56:56.680 --> 0:57:00.520
<v Speaker 1>bumping the Cactus. You know what I'm saying. So it

0:57:00.560 --> 0:57:04.400
<v Speaker 1>was different. And also the message that first time finished.

0:57:06.040 --> 0:57:09.400
<v Speaker 1>Their message was different because we were about the police,

0:57:09.719 --> 0:57:12.520
<v Speaker 1>we were about the dope man, We were about that.

0:57:12.600 --> 0:57:16.080
<v Speaker 1>We weren't about Drake saying some dropped science, we dropped English,

0:57:16.240 --> 0:57:19.560
<v Speaker 1>we weren't about that. But we were about everything else,

0:57:19.720 --> 0:57:24.200
<v Speaker 1>and they respected the production and Cube respected what we

0:57:24.240 --> 0:57:28.400
<v Speaker 1>did right. So l it was different, and it's again

0:57:28.440 --> 0:57:31.720
<v Speaker 1>it's Iced Tea. It's different. It was just cut different.

0:57:33.400 --> 0:57:36.240
<v Speaker 1>The hip hop that Hammer was doing at the time

0:57:36.720 --> 0:57:39.640
<v Speaker 1>was not indicative of what we thought was real hip hop,

0:57:39.880 --> 0:57:45.040
<v Speaker 1>native tongues, n W A Queen Latifa, Eric being rock Kim.

0:57:45.080 --> 0:57:49.080
<v Speaker 1>You know it was. It wasn't right. So if I

0:57:49.080 --> 0:57:51.320
<v Speaker 1>would have thought it was reflection of like Vanilla Ice

0:57:51.360 --> 0:57:58.600
<v Speaker 1>type of type of thing, well it was. It was him.

0:57:59.000 --> 0:58:02.080
<v Speaker 1>I mean, Vanillized was worse than Hammer because at least

0:58:02.480 --> 0:58:10.120
<v Speaker 1>at least Hammers black. But he came from an authentic place. Hammer, brother,

0:58:10.240 --> 0:58:15.960
<v Speaker 1>you like it or not that subjective? No, no no, no, no,

0:58:16.120 --> 0:58:18.920
<v Speaker 1>it's not no, no, He's absolutely right. But the point

0:58:19.080 --> 0:58:23.280
<v Speaker 1>was the music wasn't where we were in our hearts

0:58:23.280 --> 0:58:25.600
<v Speaker 1>and in our minds. It wasn't where we were. And

0:58:25.680 --> 0:58:28.520
<v Speaker 1>it pissed me off that I would listen to New

0:58:28.600 --> 0:58:32.520
<v Speaker 1>York Radio and not Here Day Law and not here Tribe,

0:58:33.120 --> 0:58:37.280
<v Speaker 1>but I'd hear mc hammer and Vanillias. It's fucking crazy.

0:58:37.520 --> 0:58:41.560
<v Speaker 1>That's why we made Popko's Weasel because it's fucking crazy.

0:58:42.080 --> 0:58:44.520
<v Speaker 1>Over that I have a clash and we're like, I mean, no,

0:58:44.560 --> 0:58:48.080
<v Speaker 1>I'm never meant to do. But the point is does

0:58:48.120 --> 0:58:52.760
<v Speaker 1>not happen. It happens all the time, every every every

0:58:52.920 --> 0:58:55.360
<v Speaker 1>fucking mass shooting in this country's white on white crime.

0:58:57.520 --> 0:58:59.919
<v Speaker 1>But yeah, no, why don't white Wrap. No, the Beast

0:59:00.040 --> 0:59:03.840
<v Speaker 1>Boys never clashed. No, we did. We did we have.

0:59:06.640 --> 0:59:10.120
<v Speaker 1>I'm so surprised. You don't know. It's not not me. No,

0:59:10.480 --> 0:59:12.200
<v Speaker 1>you know what I mean. Come on, baby, you know

0:59:12.200 --> 0:59:14.960
<v Speaker 1>what I mean. No. So me and Mike d clashed,

0:59:15.920 --> 0:59:20.479
<v Speaker 1>um early, early on before the Cactus album came out. Um.

0:59:20.520 --> 0:59:24.720
<v Speaker 1>I actually talked about this in the BC Boy book. Um.

0:59:24.840 --> 0:59:28.560
<v Speaker 1>We clashed because I went to Mike Dee's house and

0:59:28.600 --> 0:59:32.520
<v Speaker 1>I asked him about the side. Yeah. This was like, yeah,

0:59:32.520 --> 0:59:37.280
<v Speaker 1>this is on Barrow Street when h Russell moved on

0:59:37.320 --> 0:59:41.320
<v Speaker 1>Barrow Street. So we went over to I went over

0:59:41.360 --> 0:59:42.960
<v Speaker 1>to Mike's house and I said, you know, I need

0:59:43.000 --> 0:59:46.919
<v Speaker 1>some help. Russell's you know, Sheldon our record. It's damn

0:59:47.000 --> 0:59:48.919
<v Speaker 1>you have finished, you know. And they had already left

0:59:48.920 --> 0:59:52.240
<v Speaker 1>to go to Capitol, and he was giving me great advice,

0:59:52.400 --> 0:59:53.960
<v Speaker 1>like he was like, Yo, you gotta do this, you

0:59:53.960 --> 0:59:56.320
<v Speaker 1>gotta make sure this, this and this. I was like, cool,

0:59:56.520 --> 0:59:58.760
<v Speaker 1>he already starts this after no sleep to Brooklyness is

0:59:58.760 --> 1:00:04.840
<v Speaker 1>already okay five yea solidified. And as I'm leaving the crib,

1:00:05.120 --> 1:00:07.400
<v Speaker 1>he saw storming ship at me, like laughing, like sponge

1:00:07.520 --> 1:00:11.400
<v Speaker 1>things and things. He's laughing. So I'm like, he's physically

1:00:11.440 --> 1:00:14.440
<v Speaker 1>throwing ship. He's like he's like, he's like, he's like going,

1:00:16.000 --> 1:00:22.640
<v Speaker 1>He's like later up, later, up, and I'm like whatever.

1:00:23.800 --> 1:00:27.440
<v Speaker 1>But then later, like six months later, Spin Magazine did

1:00:27.600 --> 1:00:30.840
<v Speaker 1>a piece on Poles Boutique and we had already dropped

1:00:30.840 --> 1:00:33.040
<v Speaker 1>stepping today and the gas face was already a hip bubble,

1:00:33.360 --> 1:00:35.560
<v Speaker 1>and they asked him, what do you think about third base?

1:00:36.200 --> 1:00:38.560
<v Speaker 1>And Mike D said in this article, he said, yeah,

1:00:38.880 --> 1:00:40.919
<v Speaker 1>search came to my house and he said some ship

1:00:41.000 --> 1:00:43.120
<v Speaker 1>not threw ship at him. And I'm like, oh, this

1:00:43.240 --> 1:00:45.720
<v Speaker 1>motherfucker is about to fucking get it. So then we

1:00:45.760 --> 1:00:47.840
<v Speaker 1>went back in. We did sons a third Base on

1:00:47.880 --> 1:00:50.160
<v Speaker 1>the first that's the first cut on the Cactus album,

1:00:50.320 --> 1:00:52.160
<v Speaker 1>because we wanted to let it know him, like, Yo,

1:00:52.600 --> 1:00:55.800
<v Speaker 1>where the motherfucker's like if you're gonna like white people

1:00:55.800 --> 1:00:58.120
<v Speaker 1>in hip hop, like some motherfuckers that are from the block,

1:00:58.720 --> 1:01:01.280
<v Speaker 1>like really like some d's out for you for real,

1:01:01.480 --> 1:01:04.080
<v Speaker 1>like with Alcatraz for real. You know what I mean?

1:01:04.160 --> 1:01:06.520
<v Speaker 1>Because that's what that's what we called. That's what we

1:01:06.560 --> 1:01:08.320
<v Speaker 1>called for Rockaway because it was only one way on

1:01:08.360 --> 1:01:14.920
<v Speaker 1>and one way all right. So the impetus of that battle.

1:01:15.080 --> 1:01:18.200
<v Speaker 1>That beef was that and since then we've we got

1:01:18.200 --> 1:01:20.440
<v Speaker 1>cool like I'm a piece. But yeah, before he died,

1:01:20.520 --> 1:01:22.760
<v Speaker 1>like I had him on my syndicated radio show, like

1:01:23.040 --> 1:01:26.120
<v Speaker 1>me and Michael Cool and and you know, I did

1:01:26.200 --> 1:01:29.080
<v Speaker 1>their book and you know it's all love. But at

1:01:29.080 --> 1:01:32.960
<v Speaker 1>the time, we felt like we had to be like

1:01:34.880 --> 1:01:37.120
<v Speaker 1>the Knights, like we had to be the white Knight

1:01:37.160 --> 1:01:39.400
<v Speaker 1>of hip hop. We had to save the culture right

1:01:39.440 --> 1:01:47.680
<v Speaker 1>because we felt like nobody's helping. You know what, I'm black,

1:01:48.120 --> 1:01:52.840
<v Speaker 1>had to be a white guy. Black must have been

1:01:52.840 --> 1:01:55.080
<v Speaker 1>a white guy that started all that. Make the gas

1:01:55.080 --> 1:01:58.520
<v Speaker 1>face for it was a little white lies. So when

1:01:58.520 --> 1:02:01.200
<v Speaker 1>we did Pop Goos the Weasel, it was simple philosophy

1:02:01.280 --> 1:02:04.160
<v Speaker 1>for us. We're gonna take a huge fucking pop record,

1:02:04.560 --> 1:02:09.080
<v Speaker 1>fucking sledge hammer, and we're gonna fucking dis pop radio

1:02:09.200 --> 1:02:12.120
<v Speaker 1>and we're gonna diss everything they do. So if the

1:02:12.160 --> 1:02:14.680
<v Speaker 1>record blows up and we go to pop radio, we

1:02:14.720 --> 1:02:16.160
<v Speaker 1>can go in there and be like, yeah, why aren't

1:02:16.200 --> 1:02:18.360
<v Speaker 1>you playing this? Why aren't you playing that? Why while

1:02:18.400 --> 1:02:20.360
<v Speaker 1>we're here, you're gonna play this, this, this and this

1:02:20.440 --> 1:02:22.959
<v Speaker 1>and this and this and this and this. It didn't work.

1:02:23.920 --> 1:02:26.560
<v Speaker 1>We just became what we didn't want to be. And

1:02:26.840 --> 1:02:30.800
<v Speaker 1>for me, my whole career was performing in front of

1:02:31.120 --> 1:02:34.560
<v Speaker 1>black people, And within six months I got white guys

1:02:34.560 --> 1:02:36.720
<v Speaker 1>stage driving off my fucking stage. Like I was, like,

1:02:37.120 --> 1:02:39.640
<v Speaker 1>the fun is this? Like I don't even understand none

1:02:39.640 --> 1:02:41.680
<v Speaker 1>of this, Like I don't want to stand what's going on?

1:02:41.800 --> 1:02:45.800
<v Speaker 1>Like what what kind of fucking bizarro world did I

1:02:45.840 --> 1:02:50.360
<v Speaker 1>just walk into? Right? Um? But for me, it's always

1:02:50.360 --> 1:02:54.400
<v Speaker 1>been preserving black culture, and it's also been about representing

1:02:54.440 --> 1:02:57.720
<v Speaker 1>protecting artists. You know, it's always been there, you know,

1:02:57.760 --> 1:03:00.400
<v Speaker 1>even you know, and I'm gonna pivot up, but even

1:03:00.400 --> 1:03:03.400
<v Speaker 1>with like Timeless, with our podcast company, like we just

1:03:03.440 --> 1:03:06.000
<v Speaker 1>did a whole series on Big Daddy kne that's coming out.

1:03:06.560 --> 1:03:09.800
<v Speaker 1>Kane owns all that content. I don't own it. I

1:03:10.000 --> 1:03:13.280
<v Speaker 1>licensed it to him for fifteen years. I paid him

1:03:13.320 --> 1:03:16.520
<v Speaker 1>to do it, and we did it. In immersive sound design,

1:03:17.000 --> 1:03:21.120
<v Speaker 1>I spent almost a year negotiating with w Atmost to

1:03:21.240 --> 1:03:25.160
<v Speaker 1>understand the schematics of how the EarPods work, how headphones work,

1:03:25.360 --> 1:03:27.560
<v Speaker 1>so we could do five point once around sound. So

1:03:27.600 --> 1:03:30.320
<v Speaker 1>when you funk with our our podcast, you hear that ship,

1:03:30.400 --> 1:03:33.880
<v Speaker 1>You hear fucking Kane in l G. You hear Kane

1:03:33.880 --> 1:03:35.960
<v Speaker 1>on the block in Brooklyn, you hear when they're doing

1:03:36.000 --> 1:03:38.560
<v Speaker 1>the karate kicks, watching the fucking Kung Fu movies on

1:03:38.640 --> 1:03:42.960
<v Speaker 1>forty two, like I wanted his story, kane story to

1:03:43.080 --> 1:03:45.720
<v Speaker 1>be more than the oratory, like I wanted you to

1:03:45.760 --> 1:03:50.280
<v Speaker 1>be and understand the environment that he came from. Oh,

1:03:50.600 --> 1:03:53.760
<v Speaker 1>it's a new artist. I say new, I mean new, new, new,

1:03:54.200 --> 1:03:56.880
<v Speaker 1>new artists that to fun well, maybe were not signed,

1:03:57.440 --> 1:03:59.960
<v Speaker 1>but that you you listen to it and appreciate, enjoy.

1:04:00.400 --> 1:04:03.960
<v Speaker 1>Right now, probably the biggest artist I funk with is

1:04:04.000 --> 1:04:05.680
<v Speaker 1>this kid out of Feeling name O T the Real.

1:04:06.280 --> 1:04:10.080
<v Speaker 1>I fucking loved this dude. He's a fucking monster. There's

1:04:10.120 --> 1:04:14.400
<v Speaker 1>another kid out of Atlanta that I funk with, heavy

1:04:14.560 --> 1:04:18.360
<v Speaker 1>year old kid named Surf put out three mixtapes called

1:04:18.360 --> 1:04:21.680
<v Speaker 1>Bad Human, Badder Human, and Baddist Human. They put out

1:04:21.680 --> 1:04:24.320
<v Speaker 1>a new EP calls the Standing Injury. That kid is

1:04:24.360 --> 1:04:28.920
<v Speaker 1>fucking hard body. I love that lyrics, but also his

1:04:29.600 --> 1:04:32.320
<v Speaker 1>understanding of who he is that one years old and

1:04:32.360 --> 1:04:37.160
<v Speaker 1>his storytelling. Um I funk with him heavy. Um lyricism

1:04:37.200 --> 1:04:39.600
<v Speaker 1>is dead. No, definitely not a funk with you know what?

1:04:39.680 --> 1:04:42.440
<v Speaker 1>Who I just listened to and I love is Rob Markman.

1:04:42.800 --> 1:04:44.440
<v Speaker 1>I listen, I listened to Boring the Right, and I

1:04:44.520 --> 1:04:47.840
<v Speaker 1>just listened to his new album. You know what I'm saying,

1:04:47.880 --> 1:04:50.240
<v Speaker 1>And like, you know what I'm saying. So there's like

1:04:50.280 --> 1:04:52.840
<v Speaker 1>a lot of new artists that I funk with. I'm

1:04:52.880 --> 1:04:58.320
<v Speaker 1>not you know what I'm saying, Like about raving journalists.

1:04:58.360 --> 1:05:00.920
<v Speaker 1>Here a journalists turn rapper, and like, I'm not one

1:05:00.920 --> 1:05:04.440
<v Speaker 1>of these dudes. I'll never be one of these dudes

1:05:04.480 --> 1:05:07.520
<v Speaker 1>that get stuck in an arrow. You know, Nielsen just

1:05:07.560 --> 1:05:10.720
<v Speaker 1>did a report that said of men and women over

1:05:10.760 --> 1:05:15.040
<v Speaker 1>thirty stopped listening to new music only two and after thirty,

1:05:15.080 --> 1:05:17.800
<v Speaker 1>you only go back to the artist that you love. Right,

1:05:18.240 --> 1:05:21.160
<v Speaker 1>I'm not that dude. I'm just not that dude. You know.

1:05:21.520 --> 1:05:26.400
<v Speaker 1>I love well no, because you're still immersed. But when

1:05:26.440 --> 1:05:29.760
<v Speaker 1>you think about becoming thirty thirty two and you're not

1:05:29.840 --> 1:05:32.480
<v Speaker 1>in the music business, what does that become? Right? It

1:05:32.520 --> 1:05:36.520
<v Speaker 1>becomes responsibilities, it becomes jobs, it becomes family, becomes children,

1:05:36.520 --> 1:05:39.080
<v Speaker 1>it becomes debt, it becomes you know, so you're not

1:05:39.360 --> 1:05:41.080
<v Speaker 1>digging in the crates like you want to. You're not

1:05:41.120 --> 1:05:43.640
<v Speaker 1>going to debt piff anymore. You're not going to SoundCloud.

1:05:43.720 --> 1:05:46.160
<v Speaker 1>You're not going to band camp. You're taking your kids

1:05:46.200 --> 1:05:48.040
<v Speaker 1>to fucking date camp. You know you're not You're not,

1:05:48.080 --> 1:05:51.680
<v Speaker 1>You're not here. You talking about Clubhouse earlier. Yeah, you're

1:05:51.720 --> 1:05:53.960
<v Speaker 1>on Clubhouse. Yeah, I got the largest club in the

1:05:54.000 --> 1:06:00.920
<v Speaker 1>fucking Clubhouse. We have UM it's called the New Money Moguls,

1:06:01.560 --> 1:06:05.400
<v Speaker 1>and we have a meeting every Tuesday called Problem Solvers.

1:06:05.920 --> 1:06:08.520
<v Speaker 1>It's with some of the greatest minds you've ever met.

1:06:09.000 --> 1:06:12.000
<v Speaker 1>Leontine who is the only woman ever run Jordan Brand,

1:06:12.440 --> 1:06:16.320
<v Speaker 1>Dante Simpson, who did East bat TV, who did um

1:06:16.440 --> 1:06:20.440
<v Speaker 1>the Little Nasax for Roadblocks, and did Travis Scott. He

1:06:20.520 --> 1:06:23.720
<v Speaker 1>did those two deals for Fortnite. He's on them. Mark

1:06:23.800 --> 1:06:28.240
<v Speaker 1>Buyer's former GM of Motown, who handles the Marvin Gaya State,

1:06:28.240 --> 1:06:31.040
<v Speaker 1>who handles all the consulting for Burner Boy. He's in

1:06:31.080 --> 1:06:35.200
<v Speaker 1>there Aria right, twenty year veteran at Diagio, knows distribution

1:06:35.280 --> 1:06:37.960
<v Speaker 1>backwards and forwards. So we have about five to six

1:06:38.040 --> 1:06:42.280
<v Speaker 1>hundred people every week and we solve them. We problem

1:06:42.320 --> 1:06:45.720
<v Speaker 1>solved what I'm tired of in Clubhouse. And I see

1:06:45.760 --> 1:06:48.720
<v Speaker 1>this all the time. People want to talk but didn't

1:06:48.720 --> 1:06:51.800
<v Speaker 1>want an expert but it's okay to be an expert,

1:06:53.000 --> 1:06:56.680
<v Speaker 1>but be an expert at help, Like I break down

1:06:56.680 --> 1:07:00.440
<v Speaker 1>my life to this point like this. In my twenties, thirties,

1:07:00.480 --> 1:07:02.520
<v Speaker 1>my forties, and my fifties, all I do is learned.

1:07:02.800 --> 1:07:05.760
<v Speaker 1>I continue to learn. My twenties, all I did was learned.

1:07:05.760 --> 1:07:08.240
<v Speaker 1>I didn't earn. I didn't do anything else. I learned.

1:07:08.280 --> 1:07:12.080
<v Speaker 1>I just studied, learned, study learned. Thirties, I learned, I earned,

1:07:12.160 --> 1:07:15.240
<v Speaker 1>but I churned. If you was fucking whack, if you

1:07:15.240 --> 1:07:18.080
<v Speaker 1>were not benefiting my life, you're fucking out of here.

1:07:18.680 --> 1:07:21.320
<v Speaker 1>You'd get the Christmas card, and you get the Hanaker card,

1:07:21.360 --> 1:07:24.040
<v Speaker 1>and you get the New Year's but you're done. Forties,

1:07:24.280 --> 1:07:26.919
<v Speaker 1>I was learned, churn and earn. I made more money

1:07:26.960 --> 1:07:29.160
<v Speaker 1>in my forties and I did my whole life. But

1:07:29.200 --> 1:07:32.640
<v Speaker 1>now in my fifties, I churn. I learn I earn

1:07:32.720 --> 1:07:36.720
<v Speaker 1>in our return. So problem solving is about you got

1:07:36.720 --> 1:07:39.760
<v Speaker 1>a business, what's your business situation? Or this is your

1:07:39.760 --> 1:07:41.960
<v Speaker 1>business situation. Oh well that person is right here, he's

1:07:41.960 --> 1:07:44.480
<v Speaker 1>in this room, bring him up, bring him up, boom.

1:07:44.600 --> 1:07:47.560
<v Speaker 1>So we do three things and problem solvers one is

1:07:47.600 --> 1:07:50.640
<v Speaker 1>we connect you with people. Period. Oh you got a

1:07:50.640 --> 1:07:53.360
<v Speaker 1>clothing company. You need distribution, here's my man. He got

1:07:53.360 --> 1:07:56.600
<v Speaker 1>six fucking plants in China. Done. Oh you need Amazon,

1:07:56.840 --> 1:07:59.000
<v Speaker 1>my man is an expert at Amazon. Done. Oh you

1:07:59.080 --> 1:08:01.840
<v Speaker 1>need radio from motion, my man does this. Done. So

1:08:01.880 --> 1:08:05.040
<v Speaker 1>that's one. Two. We check you out, We evaluate, and

1:08:05.080 --> 1:08:07.280
<v Speaker 1>then we point out what you're doing wrong. Oh you

1:08:07.360 --> 1:08:10.200
<v Speaker 1>got a problem with social media. Fix that. You've got

1:08:10.240 --> 1:08:13.080
<v Speaker 1>a problem with this. Fix that for three. Damn. I

1:08:13.160 --> 1:08:15.600
<v Speaker 1>like what you do. I like your move I like

1:08:15.680 --> 1:08:17.960
<v Speaker 1>the way you're moving. We're gonna invest in you. Come

1:08:18.240 --> 1:08:20.200
<v Speaker 1>with us after the meeting, and then we have a

1:08:20.200 --> 1:08:22.920
<v Speaker 1>meeting and our advisory board comes together and we give

1:08:22.920 --> 1:08:26.479
<v Speaker 1>you paper and we either become a partner with you

1:08:26.680 --> 1:08:29.160
<v Speaker 1>short term, the term, or long term. And that's what

1:08:29.240 --> 1:08:33.719
<v Speaker 1>we do on Clubhouse. Let me ask yourself serious something

1:08:34.160 --> 1:08:38.360
<v Speaker 1>If and started this podcast once one, we said we

1:08:38.360 --> 1:08:41.479
<v Speaker 1>wanted to interview legends. We wanted to interview people such

1:08:41.479 --> 1:08:44.200
<v Speaker 1>as yourself have been in the game that you know

1:08:44.320 --> 1:08:46.679
<v Speaker 1>sometimes you know when this is a young mad's game,

1:08:46.800 --> 1:08:50.640
<v Speaker 1>so sometimes we get overlooked. That's one thing, but not

1:08:50.720 --> 1:08:55.240
<v Speaker 1>only that. We wanted to uh show love and a

1:08:55.320 --> 1:08:58.640
<v Speaker 1>maya to the people that came before us with this

1:08:58.720 --> 1:09:02.800
<v Speaker 1>hip hop union. We really want to form a real

1:09:02.920 --> 1:09:07.320
<v Speaker 1>hip hop union where a person has ten years of

1:09:07.400 --> 1:09:11.280
<v Speaker 1>more put this game in. And maybe he didn't, you know,

1:09:13.680 --> 1:09:16.800
<v Speaker 1>making jay Z status. He didn't make it to a

1:09:17.400 --> 1:09:21.680
<v Speaker 1>like a sag like sag, But I feel that's the

1:09:24.280 --> 1:09:25.720
<v Speaker 1>can I ask you a couple of questions if you

1:09:25.720 --> 1:09:30.080
<v Speaker 1>don't mind problem, what's the purpose? In one sentence, what's

1:09:30.080 --> 1:09:32.720
<v Speaker 1>the purpose we should take care of all? Because I

1:09:32.720 --> 1:09:34.680
<v Speaker 1>feel like I feel like a hip hop like you know,

1:09:34.760 --> 1:09:38.559
<v Speaker 1>one thing about you, um, when I look at you

1:09:38.720 --> 1:09:42.840
<v Speaker 1>and all honesty and respect, I see you before I

1:09:42.880 --> 1:09:45.519
<v Speaker 1>see you as a as as a white person, I

1:09:45.520 --> 1:09:49.680
<v Speaker 1>look at you as a hip hop person. And to me,

1:09:49.840 --> 1:09:53.519
<v Speaker 1>hip hop is a race in itself. Fact, if I

1:09:53.560 --> 1:09:55.360
<v Speaker 1>would have to pick first, I would say I'm hip

1:09:55.400 --> 1:09:59.360
<v Speaker 1>hop first, and then I'm Black and Porto Rican, but

1:09:59.520 --> 1:10:01.519
<v Speaker 1>hip hop because it's just and I feel like there's

1:10:01.520 --> 1:10:04.439
<v Speaker 1>a lot of people that's like me that identify that. Now,

1:10:04.479 --> 1:10:07.680
<v Speaker 1>if you came in this game and it's just like

1:10:07.720 --> 1:10:10.040
<v Speaker 1>if you look at these old documentaries, you look at this.

1:10:10.400 --> 1:10:13.360
<v Speaker 1>That's why I was so glad you cleared up the publisher,

1:10:13.600 --> 1:10:16.080
<v Speaker 1>but you look at it was this this this image

1:10:16.080 --> 1:10:18.920
<v Speaker 1>of these people taking advantage of these kids, just eating

1:10:18.960 --> 1:10:21.120
<v Speaker 1>off of them for the rest of their life and

1:10:21.160 --> 1:10:24.080
<v Speaker 1>them never being able Like I just seen um. I

1:10:24.080 --> 1:10:26.800
<v Speaker 1>think O J the Juice Man say that he has

1:10:26.840 --> 1:10:32.679
<v Speaker 1>to die ten years before he could even his kids

1:10:32.680 --> 1:10:36.280
<v Speaker 1>could even he has to be dead ten years before

1:10:36.320 --> 1:10:41.080
<v Speaker 1>his kids could even think about owning the rights to

1:10:41.160 --> 1:10:44.799
<v Speaker 1>his first. Short term is creating an opportunity for artists

1:10:44.880 --> 1:10:48.519
<v Speaker 1>both young and new, to establish some sort of funding

1:10:49.040 --> 1:10:52.640
<v Speaker 1>where they are protected short and mid term and long term.

1:10:52.720 --> 1:10:55.639
<v Speaker 1>So the process, if I'm hearing you correctly, for the second,

1:10:56.160 --> 1:10:57.559
<v Speaker 1>I think you need to let me finish because the

1:10:57.560 --> 1:10:59.800
<v Speaker 1>thing so we might have two different visions. I want

1:10:59.800 --> 1:11:04.840
<v Speaker 1>to tell your thinking about it. This is you've being

1:11:04.920 --> 1:11:08.840
<v Speaker 1>from for Rock Rock for people that know it's probably

1:11:08.960 --> 1:11:12.040
<v Speaker 1>one of the hardest and shout out to another kid,

1:11:12.080 --> 1:11:14.479
<v Speaker 1>Bobby J from Rockaway. That kid is a fucking monster,

1:11:16.200 --> 1:11:18.960
<v Speaker 1>one of the hardest places in Queens. But the thing

1:11:19.000 --> 1:11:21.640
<v Speaker 1>about that is most people that will make it for

1:11:21.760 --> 1:11:26.599
<v Speaker 1>for Rock, most people that will get this opportunity, they're

1:11:26.640 --> 1:11:30.679
<v Speaker 1>seeing a number in their face and they're not thinking

1:11:30.680 --> 1:11:32.960
<v Speaker 1>about ConA on the lawyer, They're not thinking about corner

1:11:32.960 --> 1:11:36.000
<v Speaker 1>on the manager. They're thinking about what you said, get

1:11:36.040 --> 1:11:40.400
<v Speaker 1>them out of the projects like you like, But I

1:11:40.479 --> 1:11:43.639
<v Speaker 1>lovingly refer to agement, right, and you know you got

1:11:43.680 --> 1:11:46.280
<v Speaker 1>from you know, Queen's Bridge, the forty projects to all

1:11:46.320 --> 1:11:49.360
<v Speaker 1>these different places that these people have, these these these

1:11:49.400 --> 1:11:53.479
<v Speaker 1>talented and when they make it to a certain level, Uh,

1:11:53.600 --> 1:11:57.360
<v Speaker 1>there's people who who who who who does take advantage?

1:11:57.560 --> 1:12:00.120
<v Speaker 1>But look, let's remember why we started the conversation. As

1:12:00.320 --> 1:12:04.040
<v Speaker 1>we started, because there was pioneers getting sick without having

1:12:04.040 --> 1:12:06.440
<v Speaker 1>health insurance. Is That's not what it started the conversation.

1:12:06.720 --> 1:12:08.639
<v Speaker 1>So what I was saying, like a SAG that gives

1:12:08.720 --> 1:12:12.920
<v Speaker 1>access to insurance, to health insurance, maybe starts to create

1:12:13.000 --> 1:12:15.719
<v Speaker 1>some kind of retirement fund. But but I say sad

1:12:15.760 --> 1:12:17.960
<v Speaker 1>because SAG is as much as you put into it

1:12:18.000 --> 1:12:19.840
<v Speaker 1>is what you kind of get out of it, you know,

1:12:19.840 --> 1:12:24.360
<v Speaker 1>because everybody's gonna be You know what Rocky Buconos is

1:12:24.400 --> 1:12:27.280
<v Speaker 1>doing at Hip Hop Museum with putting the top floor

1:12:28.560 --> 1:12:33.280
<v Speaker 1>museum Cocoa rock giving them permanent they don't in the Bronx.

1:12:35.880 --> 1:12:40.200
<v Speaker 1>So what Rocky is doing is similar. He's creating lower

1:12:40.200 --> 1:12:43.679
<v Speaker 1>income housing for people there permanently, right, So it's that

1:12:44.000 --> 1:12:47.720
<v Speaker 1>he's also creating housing for Theodore for Cocola rock so

1:12:47.760 --> 1:12:49.880
<v Speaker 1>they never have to pay rent ever again for him

1:12:49.880 --> 1:12:53.680
<v Speaker 1>and his families. Right, hit more about but then we

1:12:53.720 --> 1:12:55.960
<v Speaker 1>need to have Rocky on him. But the point is,

1:12:56.040 --> 1:12:59.000
<v Speaker 1>but the point is, didn't Wendy Day do that with

1:12:59.120 --> 1:13:01.800
<v Speaker 1>rap coalition? Didn't you do that? And trying to take

1:13:01.840 --> 1:13:04.920
<v Speaker 1>care of you know, cash money, trying to take care

1:13:04.920 --> 1:13:11.600
<v Speaker 1>of right. But what happened, what happened to Wendy Day?

1:13:11.920 --> 1:13:15.360
<v Speaker 1>What happened? She definitely got sidelined, right, not only get sigelined,

1:13:15.400 --> 1:13:18.320
<v Speaker 1>she got silenced, and then the people that were supposed

1:13:18.320 --> 1:13:20.160
<v Speaker 1>to take care of her didn't take care of her. Right.

1:13:20.479 --> 1:13:24.400
<v Speaker 1>So a union only works if the people that are

1:13:24.400 --> 1:13:27.599
<v Speaker 1>buying into the union continue to support the union. Right.

1:13:27.640 --> 1:13:31.519
<v Speaker 1>So the reason why sag after works is, yeah, you

1:13:31.520 --> 1:13:34.840
<v Speaker 1>can be in the union because your gat right, So

1:13:35.280 --> 1:13:39.639
<v Speaker 1>it's counting for the masses. The other thing in the days,

1:13:39.680 --> 1:13:44.120
<v Speaker 1>the unions and the a couple of my people that

1:13:44.200 --> 1:13:52.559
<v Speaker 1>I know that's from you know a certain and here's

1:13:52.560 --> 1:13:56.760
<v Speaker 1>the other part of it. But but the other part

1:13:56.760 --> 1:13:59.080
<v Speaker 1>of it, that is the vital part of it, right,

1:13:59.640 --> 1:14:02.760
<v Speaker 1>is that if you take an artist like jay Z

1:14:03.080 --> 1:14:05.240
<v Speaker 1>and he said I'm charging motherfucker's for what they did

1:14:05.240 --> 1:14:09.519
<v Speaker 1>to the Cold Crush. Right. That line is only as

1:14:09.560 --> 1:14:12.559
<v Speaker 1>powerful as what he actually gives back to the Cold Crush, Right,

1:14:12.680 --> 1:14:15.120
<v Speaker 1>So we're talking about Cold Crush. We're talking about right.

1:14:15.400 --> 1:14:18.400
<v Speaker 1>So on my podcast, the end of episode one with Kane,

1:14:19.000 --> 1:14:22.760
<v Speaker 1>Kane talks about the most influential m C in his life.

1:14:22.840 --> 1:14:24.800
<v Speaker 1>You're gonna bug out because we've we've been talking about

1:14:24.800 --> 1:14:27.600
<v Speaker 1>his Grandmaster Cast. Right. So in the end of the

1:14:27.600 --> 1:14:30.240
<v Speaker 1>episode one of the podcasts, he starts to recite cas

1:14:30.320 --> 1:14:32.640
<v Speaker 1>lyrics from a Park Champ that he heard on a

1:14:32.720 --> 1:14:36.160
<v Speaker 1>fourth generation cassette tape, like it was written yesterday. So

1:14:36.200 --> 1:14:38.320
<v Speaker 1>we interviewed Cast and I said, Cast, do you remember

1:14:38.360 --> 1:14:40.880
<v Speaker 1>these lyrics? And he's like, ship, those are That's what

1:14:40.920 --> 1:14:44.400
<v Speaker 1>I call classics. And he starts roming them and I

1:14:44.560 --> 1:14:47.679
<v Speaker 1>leaned back and I said, Fuck, what if something happens

1:14:47.680 --> 1:14:52.240
<v Speaker 1>to Cast the lyrics disappear. We gotta make a record.

1:14:52.880 --> 1:14:54.479
<v Speaker 1>We gotta make a record now, and it's got to

1:14:54.600 --> 1:14:57.720
<v Speaker 1>end the first episode. So we did, right, and we

1:14:57.840 --> 1:15:02.000
<v Speaker 1>gave it to him, publishing royalties, everything, gave it to him.

1:15:06.040 --> 1:15:09.960
<v Speaker 1>What the funk? He just said? So May nine n

1:15:10.000 --> 1:15:14.920
<v Speaker 1>F t auction for that record. That's the union. That's

1:15:14.960 --> 1:15:18.519
<v Speaker 1>the union. It doesn't have to be organized, it has

1:15:18.560 --> 1:15:22.040
<v Speaker 1>to be curated and executed, and it doesn't need to

1:15:22.080 --> 1:15:24.680
<v Speaker 1>be tend people in a room to argue about what

1:15:24.760 --> 1:15:28.480
<v Speaker 1>you want and you want. It's just fucking do it.

1:15:28.680 --> 1:15:31.360
<v Speaker 1>Fucking do it, problem solver. That's why I did problem solver.

1:15:31.960 --> 1:15:34.559
<v Speaker 1>You and I can sit here. He can smoke weed

1:15:34.600 --> 1:15:36.400
<v Speaker 1>all day, you could drink all day. We could fucking

1:15:36.400 --> 1:15:42.360
<v Speaker 1>philosophize all day. Do it right. So here's my here's

1:15:42.400 --> 1:15:46.840
<v Speaker 1>my small contribution to that. Right. It's one thing, but

1:15:46.880 --> 1:15:52.519
<v Speaker 1>it's the first record has have owned for life. I

1:15:52.520 --> 1:15:54.960
<v Speaker 1>don't own it. I gave it to him. And the

1:15:55.040 --> 1:15:58.639
<v Speaker 1>record fucking is a bot that should ain't some corny

1:15:58.680 --> 1:16:04.880
<v Speaker 1>fucking no. That ship is fucking a fucking smash play it.

1:16:07.640 --> 1:16:14.200
<v Speaker 1>You turn that shut up. I'm talking to cat to

1:16:14.280 --> 1:16:21.120
<v Speaker 1>come so to me. That's the answer. You know, I

1:16:21.160 --> 1:16:23.680
<v Speaker 1>think we do a lot of philosophers and in hip hop, right,

1:16:23.760 --> 1:16:26.439
<v Speaker 1>we grew up with the idea of how do we

1:16:26.720 --> 1:16:31.640
<v Speaker 1>create something that is ideas into curation. Right, got a

1:16:31.640 --> 1:16:38.400
<v Speaker 1>great director, Gil Green here already takes ideas. You know,

1:16:39.040 --> 1:16:42.960
<v Speaker 1>Gil will take words and create amazing images on screens, right,

1:16:43.000 --> 1:16:46.880
<v Speaker 1>and I love you brother, but it he can't do

1:16:46.920 --> 1:16:48.640
<v Speaker 1>what he does if he sits for six months on

1:16:48.640 --> 1:16:53.360
<v Speaker 1>a fucking idea, because then they're gonna move forward. It's curation, execution, direction, done,

1:16:53.479 --> 1:16:58.719
<v Speaker 1>bang bang bang bang bang, Right, So do it, don't worry,

1:16:58.720 --> 1:17:02.040
<v Speaker 1>don't think about it. Do it. How do you execute,

1:17:02.040 --> 1:17:03.600
<v Speaker 1>how do you curate? How do you do it? Just

1:17:03.680 --> 1:17:06.200
<v Speaker 1>do it? You just do it. So you're saying for

1:17:06.280 --> 1:17:09.680
<v Speaker 1>each individual to do their part as best as they can,

1:17:10.479 --> 1:17:13.840
<v Speaker 1>because obviously what we're talking about, why can't we have

1:17:13.880 --> 1:17:16.040
<v Speaker 1>a SAG. Why can't we have a union? Why? Because

1:17:16.400 --> 1:17:18.559
<v Speaker 1>hip hop can't have something that big, can't have something

1:17:18.600 --> 1:17:22.639
<v Speaker 1>that organized. No, they can that. We don't have the

1:17:22.680 --> 1:17:29.280
<v Speaker 1>resources or boxes. That's you know. Do you know when

1:17:29.360 --> 1:17:33.320
<v Speaker 1>SAX started nine five? You know the first person in

1:17:33.360 --> 1:17:38.080
<v Speaker 1>SAG was Charlie Chaplin. One of one. Yo. It starts

1:17:38.120 --> 1:17:41.080
<v Speaker 1>with one. You don't need ten, you need one, right,

1:17:41.120 --> 1:17:48.680
<v Speaker 1>so you're one, let's go and then that's three. That's good.

1:17:48.479 --> 1:17:51.160
<v Speaker 1>But but you but everybody has to be in SAG

1:17:51.240 --> 1:17:55.559
<v Speaker 1>here and the drink that to me is that, to

1:17:55.640 --> 1:17:57.760
<v Speaker 1>me is the essence of what hip hop truly is right.

1:17:58.120 --> 1:18:00.479
<v Speaker 1>When you think of the tenants of hip up right,

1:18:00.920 --> 1:18:04.400
<v Speaker 1>it's not about drip, it's not about jewelry. It's not

1:18:04.479 --> 1:18:07.280
<v Speaker 1>about that. It's peace, unity, love and having fun. When

1:18:07.280 --> 1:18:09.960
<v Speaker 1>the culture of the when the culture started right and

1:18:09.960 --> 1:18:13.760
<v Speaker 1>when when we have right now you got YouTube, But

1:18:13.840 --> 1:18:17.200
<v Speaker 1>it's not about that. But the thing but that's not hip.

1:18:17.560 --> 1:18:19.400
<v Speaker 1>But that's because it's not about that right now. Doesn't

1:18:19.400 --> 1:18:28.120
<v Speaker 1>mean it's not you miss No, it's okay, it's this.

1:18:28.840 --> 1:18:33.080
<v Speaker 1>It's yes, the park jams were violent. Yes, there was

1:18:33.120 --> 1:18:35.559
<v Speaker 1>a lot of challenges, Yes there was all of that. However,

1:18:36.040 --> 1:18:39.720
<v Speaker 1>what we're seeing today is rap music and artists and

1:18:39.800 --> 1:18:44.720
<v Speaker 1>social media that is separate. And if you just automatically

1:18:44.800 --> 1:18:46.960
<v Speaker 1>lob it in and say, oh, that's hip hop, then

1:18:47.000 --> 1:18:49.600
<v Speaker 1>you're not really focusing on the true tenants of what

1:18:49.680 --> 1:18:53.559
<v Speaker 1>brought us ultimate table table right. And that's the that's

1:18:53.600 --> 1:18:57.360
<v Speaker 1>the key of it. It's culture that it's not culture

1:18:57.680 --> 1:19:00.200
<v Speaker 1>that is a reaction and and and a part of

1:19:00.280 --> 1:19:02.320
<v Speaker 1>who they are and where they live and what they

1:19:02.360 --> 1:19:06.280
<v Speaker 1>experience and who they one man ship agree with you,

1:19:06.720 --> 1:19:09.479
<v Speaker 1>But the thing about it is the same way somebody

1:19:09.520 --> 1:19:12.800
<v Speaker 1>in far Rockaway, Queens and what's the edge man, what

1:19:12.880 --> 1:19:20.639
<v Speaker 1>is the projects project firm can film. There's the same

1:19:20.680 --> 1:19:23.000
<v Speaker 1>person a kid and for a green your film, but

1:19:23.520 --> 1:19:27.599
<v Speaker 1>it's the same place a person to Tacoma, Washington, Seattle,

1:19:27.680 --> 1:19:30.200
<v Speaker 1>Washington can do film the same thing. Have a couple

1:19:30.240 --> 1:19:34.280
<v Speaker 1>of people around them could actually blow up from their

1:19:34.320 --> 1:19:39.519
<v Speaker 1>own house. There's no old there's no there's nobody helping

1:19:39.520 --> 1:19:41.880
<v Speaker 1>this kid out, and this kid continue to make it.

1:19:42.400 --> 1:19:45.160
<v Speaker 1>He's no way shaped for more fashion listening to us,

1:19:45.439 --> 1:19:56.040
<v Speaker 1>and that's and that's eventually to wait, what part did

1:19:56.040 --> 1:19:58.040
<v Speaker 1>you don't agree? Like I just fear I feel the

1:19:58.080 --> 1:20:02.520
<v Speaker 1>disconnect happened. There was a disconnec that was that O G.

1:20:02.720 --> 1:20:04.360
<v Speaker 1>I said this a long time. I said this plenty

1:20:04.400 --> 1:20:06.559
<v Speaker 1>of times. Of course they're not gonna look up to

1:20:06.840 --> 1:20:09.960
<v Speaker 1>ge anymore because what's their look up to? Right? But

1:20:10.000 --> 1:20:11.320
<v Speaker 1>if a kid that's you do I'm trying to say,

1:20:11.360 --> 1:20:13.120
<v Speaker 1>I think you miss understood my point, Like how you

1:20:13.160 --> 1:20:15.080
<v Speaker 1>just said to me. What I'm saying is right now,

1:20:15.160 --> 1:20:17.000
<v Speaker 1>we used to have to go to a wild pitch.

1:20:17.120 --> 1:20:21.160
<v Speaker 1>We have to go to uh that's industry. Yeah, that's

1:20:21.160 --> 1:20:23.160
<v Speaker 1>a gamekeepers, that's different stuff. And they still have to

1:20:23.200 --> 1:20:26.240
<v Speaker 1>do that if they want to get that they want to.

1:20:26.400 --> 1:20:30.120
<v Speaker 1>They want to do that. Here's as much on SoundCloud.

1:20:30.920 --> 1:20:32.960
<v Speaker 1>They don't got no A and all. And this is

1:20:32.960 --> 1:20:35.120
<v Speaker 1>a record label that's out there. It's wanted to pay

1:20:35.200 --> 1:20:39.280
<v Speaker 1>him and say, fuck it, we'll give you everything. Just

1:20:39.360 --> 1:20:41.760
<v Speaker 1>keep doing. Then you doing because record was what the

1:20:42.000 --> 1:20:47.560
<v Speaker 1>they're doing that. Then it was artist curation, there was

1:20:47.720 --> 1:20:51.840
<v Speaker 1>artist development. You actually try to at least right now,

1:20:51.880 --> 1:20:54.599
<v Speaker 1>they're like, these guys are just out there doing whatever

1:20:55.040 --> 1:20:57.479
<v Speaker 1>and whatever's working. Let's just do it because their numbers,

1:20:57.479 --> 1:21:00.880
<v Speaker 1>it's all they keep calling it. I'm a rhythmss right,

1:21:00.880 --> 1:21:03.519
<v Speaker 1>But that's industry ship in versus we're talking either culture

1:21:03.560 --> 1:21:07.320
<v Speaker 1>or industry or Because we talked about the White Rapper

1:21:07.320 --> 1:21:10.200
<v Speaker 1>Show before you were on the White Rapper But when

1:21:10.240 --> 1:21:12.519
<v Speaker 1>you did the White Rapper Show and the White Rappers came,

1:21:12.960 --> 1:21:16.280
<v Speaker 1>you sat down, you had one drinking, he bounced, why doctor,

1:21:16.360 --> 1:21:20.439
<v Speaker 1>this is a pump exactly right. So you didn't. So

1:21:20.560 --> 1:21:23.200
<v Speaker 1>you didn't because we just did a White Rapper reunion

1:21:23.280 --> 1:21:26.320
<v Speaker 1>on my podcast and they all asked me the same thing.

1:21:26.400 --> 1:21:29.720
<v Speaker 1>They said, damn, did y'all hate us? And we're like, no,

1:21:29.920 --> 1:21:33.120
<v Speaker 1>we didn't hate you. We we we appreciated where you

1:21:33.160 --> 1:21:34.880
<v Speaker 1>were from But when Norriy was on the top of

1:21:34.880 --> 1:21:37.240
<v Speaker 1>this building, he thought he was being fucking pompt He

1:21:37.280 --> 1:21:39.479
<v Speaker 1>sat down and bounced out like he didn't have He

1:21:39.520 --> 1:21:42.639
<v Speaker 1>didn't have an opinion about who you are, what you were.

1:21:42.680 --> 1:21:44.720
<v Speaker 1>He could give two ships. He walked and he thought

1:21:44.760 --> 1:21:47.400
<v Speaker 1>there was some candid cameras ship going on in that

1:21:47.520 --> 1:21:50.400
<v Speaker 1>he's not him personally. He don't personally feel bad, right,

1:21:52.040 --> 1:21:56.880
<v Speaker 1>And then he looked back at the show. I love

1:21:56.960 --> 1:22:01.400
<v Speaker 1>the show because you see you see this thing. At

1:22:01.439 --> 1:22:04.760
<v Speaker 1>first I was I was, I think of Sasha. I

1:22:04.800 --> 1:22:06.680
<v Speaker 1>think it was you. There's a couple of y'alls, so

1:22:06.920 --> 1:22:09.160
<v Speaker 1>you come hang out, you know, we had this white

1:22:09.200 --> 1:22:11.400
<v Speaker 1>Rabbit show whatever. When I came in and it was

1:22:11.479 --> 1:22:13.680
<v Speaker 1>just a couple of corny moments where I looked, I

1:22:13.720 --> 1:22:17.439
<v Speaker 1>was like, this might be this might be how Ashton

1:22:17.520 --> 1:22:21.280
<v Speaker 1>cut just set people up. They got searching them core you.

1:22:21.360 --> 1:22:23.360
<v Speaker 1>So I'm thinking like this, and I'm like, you know what,

1:22:23.439 --> 1:22:26.599
<v Speaker 1>I would just bounce when when I look back at

1:22:26.640 --> 1:22:29.200
<v Speaker 1>the whole episode, in the whole season, in this tire ty,

1:22:29.320 --> 1:22:31.200
<v Speaker 1>I wish you would have told me like you no, no.

1:22:31.400 --> 1:22:36.120
<v Speaker 1>So I wasn't love I loved about Norri's episode was

1:22:36.520 --> 1:22:39.120
<v Speaker 1>so I wasn't allowed to be do you know why

1:22:39.320 --> 1:22:40.800
<v Speaker 1>because it would have been just about me and him

1:22:40.800 --> 1:22:43.439
<v Speaker 1>for about three hours, but they wanted the engagement. It

1:22:43.520 --> 1:22:45.280
<v Speaker 1>was the same thing with Joel Santana when they went

1:22:45.320 --> 1:22:48.080
<v Speaker 1>to meet Joel's up and John Brown gave him the

1:22:48.120 --> 1:22:50.320
<v Speaker 1>fucking bird card like he made a fake card and

1:22:50.760 --> 1:22:54.240
<v Speaker 1>hand him this fucking cardboard card. Joel's did the same thing,

1:22:54.320 --> 1:22:57.880
<v Speaker 1>sat down, hate his food, looked at his watch. There

1:22:57.960 --> 1:23:00.559
<v Speaker 1>was no you know, because we wanted, you know, we

1:23:00.640 --> 1:23:03.280
<v Speaker 1>wanted we wanted to see what was gonna happen. And

1:23:03.280 --> 1:23:06.600
<v Speaker 1>he's organic. And now that you look back right and

1:23:06.640 --> 1:23:10.559
<v Speaker 1>you see Nor's reaction because nor literally went all right,

1:23:14.360 --> 1:23:16.280
<v Speaker 1>I mean he slept the table, was like I'm going

1:23:17.520 --> 1:23:20.960
<v Speaker 1>straight to set out of here, right yo. And the

1:23:21.000 --> 1:23:23.760
<v Speaker 1>best part about that was it was Nori be a

1:23:23.840 --> 1:23:27.720
<v Speaker 1>Nori and I want to and I'm so glad I'm

1:23:27.760 --> 1:23:29.960
<v Speaker 1>here with you because I really have to share this

1:23:30.080 --> 1:23:33.880
<v Speaker 1>with you. When I took you on the road on promo,

1:23:35.120 --> 1:23:38.760
<v Speaker 1>every single radio station said the same thing after you

1:23:38.840 --> 1:23:42.320
<v Speaker 1>left the studio, is he interested in doing radio? Does

1:23:42.360 --> 1:23:46.599
<v Speaker 1>he want to host a radio show? Every every single

1:23:46.720 --> 1:23:53.880
<v Speaker 1>one because amazing on radio. I have never I don't

1:23:53.880 --> 1:23:56.400
<v Speaker 1>like to use finite words. You'll you'll see that. I'm

1:23:56.400 --> 1:23:58.840
<v Speaker 1>working on my wordplay. I don't like to use filing

1:23:58.880 --> 1:24:00.559
<v Speaker 1>nite words, but I can use it in front of him.

1:24:00.760 --> 1:24:04.559
<v Speaker 1>I'd never had an artist go on the road where

1:24:04.680 --> 1:24:08.439
<v Speaker 1>program directors o ms gms were listening and then came

1:24:08.479 --> 1:24:16.280
<v Speaker 1>back and said, is he interested in care? He liked

1:24:17.880 --> 1:24:21.960
<v Speaker 1>because and it's why this transition to this and why

1:24:22.080 --> 1:24:25.120
<v Speaker 1>you and I know you saw the vision. I remember

1:24:25.120 --> 1:24:28.439
<v Speaker 1>when you called me and told me yo, and I

1:24:28.479 --> 1:24:30.800
<v Speaker 1>didn't yo. I'll be I'll keep it a up. I

1:24:30.840 --> 1:24:33.400
<v Speaker 1>didn't know what the funk you were talking about. I

1:24:33.400 --> 1:24:36.719
<v Speaker 1>didn't know what you were talking about, but you said,

1:24:36.880 --> 1:24:39.320
<v Speaker 1>and I'm like, what the funk is a podcast? Who

1:24:39.360 --> 1:24:42.240
<v Speaker 1>the funk has about this ship? You're a fucking genius.

1:24:42.240 --> 1:24:46.479
<v Speaker 1>You're a fucking and And I have my company and

1:24:46.560 --> 1:24:48.519
<v Speaker 1>my wife and I because it's not me, there's no

1:24:48.560 --> 1:24:51.400
<v Speaker 1>more searchlight. The name of the company's for MC. It's

1:24:51.400 --> 1:24:54.120
<v Speaker 1>the name of my wife and my children because it's

1:24:54.200 --> 1:24:58.280
<v Speaker 1>about this, right, and it's about what you guys built

1:24:58.360 --> 1:25:01.080
<v Speaker 1>for me. So what I did in the streets of

1:25:01.120 --> 1:25:08.000
<v Speaker 1>Far Rockaway, you did here for me, you returned your energy. Yea.

1:25:10.240 --> 1:25:13.000
<v Speaker 1>Let me let me say we're doing right because I

1:25:13.040 --> 1:25:15.280
<v Speaker 1>do use Google. Now, at first when you started this,

1:25:15.760 --> 1:25:19.040
<v Speaker 1>I didn't use Google. But when I googled you, it

1:25:19.160 --> 1:25:22.719
<v Speaker 1>was so enlightened. And it's so fun because the shirts

1:25:23.800 --> 1:25:28.040
<v Speaker 1>two words of your name is MC. Always I'll never

1:25:28.120 --> 1:25:30.639
<v Speaker 1>drop that. So when you hit Google and then you're

1:25:30.640 --> 1:25:34.559
<v Speaker 1>typing m C, there's only a couple of other people

1:25:34.600 --> 1:25:36.800
<v Speaker 1>who pop up. Do you know who those people are?

1:25:37.760 --> 1:25:42.639
<v Speaker 1>Probably MC Hamma, No, yes, okay, I'm see Hamma. Who's

1:25:42.680 --> 1:25:47.439
<v Speaker 1>the other person who? Probably no, probably not like didn't

1:25:47.439 --> 1:25:49.920
<v Speaker 1>come up with me. No, m C. I would probably see.

1:25:50.520 --> 1:25:53.000
<v Speaker 1>I would probably say, you know what the name that

1:25:53.000 --> 1:25:54.519
<v Speaker 1>pops in my head is probably and it's not that

1:25:54.520 --> 1:26:00.679
<v Speaker 1>it's probably MC wren, but it's probably not wren. H Yeah,

1:26:00.800 --> 1:26:03.760
<v Speaker 1>I don't know, because you know Google is um yeah,

1:26:05.680 --> 1:26:11.160
<v Speaker 1>but you know one of the But let me tell

1:26:11.200 --> 1:26:13.280
<v Speaker 1>you something and and and I want to talk about

1:26:13.280 --> 1:26:17.559
<v Speaker 1>this for a second because Queen's Bridge deserves all its flowers. Flowers.

1:26:18.360 --> 1:26:21.439
<v Speaker 1>But in the podcast we did, we came, we started

1:26:21.479 --> 1:26:23.479
<v Speaker 1>to talk because we interviewed all the people that he

1:26:23.520 --> 1:26:26.400
<v Speaker 1>came up with that we're you know, obviously still with us,

1:26:27.280 --> 1:26:29.479
<v Speaker 1>and we started to talking about Lafayette Gardens in Brooklyn,

1:26:29.760 --> 1:26:34.400
<v Speaker 1>l Yeah, here's the list of producers and artists that

1:26:34.439 --> 1:26:38.880
<v Speaker 1>came out of LG. Easy Mobi, which doctor who did

1:26:39.040 --> 1:26:43.040
<v Speaker 1>Roman is fundamental? Who did Biggie? All right? Mr c

1:26:44.280 --> 1:26:48.840
<v Speaker 1>A b Money from wrapping its fundamental? It can be

1:26:49.080 --> 1:26:51.320
<v Speaker 1>argument and obviously Kine spent a lot of time there,

1:26:51.800 --> 1:26:55.439
<v Speaker 1>but it can be argued it's not right a wrong,

1:26:55.520 --> 1:26:59.400
<v Speaker 1>but it can be argued that LG is probably just

1:26:59.479 --> 1:27:02.479
<v Speaker 1>as dope as Queensbridge. We looked at it like that.

1:27:03.000 --> 1:27:05.240
<v Speaker 1>Now I'm not saying it's factual, because there's also a

1:27:05.280 --> 1:27:10.040
<v Speaker 1>point of it where after you had the surgeons of

1:27:10.120 --> 1:27:14.160
<v Speaker 1>Queensbridge with Nasation, with with hot Day, with Hot Day

1:27:14.240 --> 1:27:16.519
<v Speaker 1>with Bob Deep and and so on and so forth.

1:27:17.200 --> 1:27:21.479
<v Speaker 1>But you look at el But but the thing about

1:27:21.479 --> 1:27:25.240
<v Speaker 1>Morley is Molly technically didn't live in Queensbridge, which I

1:27:25.280 --> 1:27:27.800
<v Speaker 1>found out he had a house near Queensbridge. He moved

1:27:27.800 --> 1:27:31.479
<v Speaker 1>to Queensbridge to produce or pay the fall he did

1:27:31.479 --> 1:27:35.960
<v Speaker 1>admit on yes, he paid he did absolutely absolutely Bridge right.

1:27:37.400 --> 1:27:40.360
<v Speaker 1>So it's interesting to me because even with me being

1:27:40.360 --> 1:27:44.040
<v Speaker 1>the forest Company hip hop I didn't connect that cool

1:27:44.120 --> 1:27:46.479
<v Speaker 1>V is from LG. You know what I'm saying, Like,

1:27:46.520 --> 1:27:50.640
<v Speaker 1>so you tell me, yeah, d J cool V that

1:27:50.760 --> 1:27:53.560
<v Speaker 1>are known to yalls come as with Lollley or you

1:27:53.560 --> 1:27:57.160
<v Speaker 1>know what I'm saying, like so you know, so it

1:27:57.200 --> 1:28:00.559
<v Speaker 1>could be argued. And that's the fun that I'm having

1:28:00.560 --> 1:28:04.280
<v Speaker 1>with my podcast is that I'm now looking at it.

1:28:04.320 --> 1:28:06.640
<v Speaker 1>Oh shoot, I should do a whole problem. You all

1:28:06.640 --> 1:28:09.439
<v Speaker 1>want a guy who's affiliated to Queen's. You're not gonna

1:28:09.439 --> 1:28:17.800
<v Speaker 1>win this argument on this pocket brother, I'm from far rockaing'

1:28:17.880 --> 1:28:22.559
<v Speaker 1>never gonna proud with you to see that. Um Now,

1:28:22.640 --> 1:28:27.000
<v Speaker 1>I just want to grab me recently like, uh, I'm

1:28:27.040 --> 1:28:29.320
<v Speaker 1>out chilling. You know, I don't. I've never watched the Grammars.

1:28:29.360 --> 1:28:31.120
<v Speaker 1>They never invited me. I want to do that, Like

1:28:31.120 --> 1:28:32.880
<v Speaker 1>I'm gonna hate it. I'm gonna hate it when it

1:28:32.920 --> 1:28:35.880
<v Speaker 1>comes to that, you don't invite me. I think your

1:28:35.880 --> 1:28:37.840
<v Speaker 1>ship is wack. You don't wake me. I would give

1:28:37.840 --> 1:28:41.160
<v Speaker 1>it up. That's just where I am. But um so

1:28:41.240 --> 1:28:43.760
<v Speaker 1>I don't. Never I've never got invited to Grammar, even

1:28:43.880 --> 1:28:45.800
<v Speaker 1>my hottest Like I think they invited me and took

1:28:45.800 --> 1:28:50.280
<v Speaker 1>it back. It was like I'm not sure. So I

1:28:50.640 --> 1:28:54.160
<v Speaker 1>never had that dream, right, but I've never made I've

1:28:54.200 --> 1:28:57.760
<v Speaker 1>made that level, but not I felt like and then

1:28:57.960 --> 1:29:01.479
<v Speaker 1>recently but just sitting out there looking we're gonna watch

1:29:01.479 --> 1:29:03.160
<v Speaker 1>the Grammars like no, But I wake up the next

1:29:03.200 --> 1:29:06.439
<v Speaker 1>day and they're like, yo, he won. I'm at a

1:29:06.880 --> 1:29:11.280
<v Speaker 1>restaurant there and Billy's. We order all the crab legs,

1:29:11.760 --> 1:29:14.800
<v Speaker 1>I drink all the champagne, give me out champagne I got,

1:29:15.240 --> 1:29:19.080
<v Speaker 1>and I do a blog and everybody and it was like,

1:29:19.160 --> 1:29:21.040
<v Speaker 1>because you know, I'm not from Queen's Bridge, I'm from

1:29:21.120 --> 1:29:23.120
<v Speaker 1>Left Frack City, but I got a lot of love,

1:29:24.920 --> 1:29:27.479
<v Speaker 1>you know, the same thing. But but oh, I got

1:29:27.479 --> 1:29:29.160
<v Speaker 1>a lot of love, and I just wanted to show

1:29:29.200 --> 1:29:31.599
<v Speaker 1>them stat love. I didn't want to I didn't want

1:29:31.600 --> 1:29:34.000
<v Speaker 1>to interpret your saying we're bringing this Grammy back then

1:29:34.080 --> 1:29:36.719
<v Speaker 1>left Frack in Queensbridge, because that's not with nos nos

1:29:36.720 --> 1:29:39.200
<v Speaker 1>as Queen's Bridge. So I did it a big ups

1:29:39.200 --> 1:29:41.519
<v Speaker 1>those places, a big of my my boy left place.

1:29:42.080 --> 1:29:43.920
<v Speaker 1>And I mean I could see all of them we

1:29:44.040 --> 1:29:46.479
<v Speaker 1>post it and just being happy and rejoicing, and it

1:29:46.600 --> 1:29:50.040
<v Speaker 1>just made me feel so proud because that's where we is,

1:29:50.080 --> 1:29:53.679
<v Speaker 1>like in Queens like sometimes we're so territorial that we'll

1:29:53.680 --> 1:29:56.559
<v Speaker 1>be like, you know, up from Left Frack, but I'm

1:29:56.600 --> 1:29:59.280
<v Speaker 1>just from Section one. I'm from Queen's Bridge, but I'm

1:29:59.320 --> 1:30:01.599
<v Speaker 1>just from Vernon love O. I'm f far a Rock,

1:30:01.680 --> 1:30:07.880
<v Speaker 1>but I'm just from Yeah, you know, I'm from South Jamaica,

1:30:07.960 --> 1:30:12.160
<v Speaker 1>but I'm just from basically, like, um, I feel like

1:30:12.160 --> 1:30:14.920
<v Speaker 1>this was this moment where just all of us queens.

1:30:14.960 --> 1:30:18.120
<v Speaker 1>So how good did you feel from being the trifector?

1:30:18.200 --> 1:30:22.559
<v Speaker 1>For me, it's it's three folds for me coming here.

1:30:23.720 --> 1:30:28.640
<v Speaker 1>One is to be here with you. Two is understanding

1:30:28.680 --> 1:30:31.320
<v Speaker 1>that NAS not only want to Grammy but got into

1:30:31.400 --> 1:30:36.680
<v Speaker 1>the Library of Congress right. But three is making the

1:30:36.800 --> 1:30:38.400
<v Speaker 1>left on this block and see an M F. Doom

1:30:38.439 --> 1:30:42.160
<v Speaker 1>on the corner. Wow, Um, because you know I know

1:30:42.280 --> 1:30:46.880
<v Speaker 1>Zev love x Y. Yeah, yeah, what I'm googling whatever

1:30:46.920 --> 1:30:49.360
<v Speaker 1>I'm doing right up there. Well, I mean I don't

1:30:49.400 --> 1:30:52.880
<v Speaker 1>know MF. Doom. I know Zev love X, I know

1:30:53.000 --> 1:30:55.800
<v Speaker 1>Daniel do Malay, I know sub Rocky rest in Peace.

1:30:56.120 --> 1:30:57.559
<v Speaker 1>I know the family, you know what I mean? Like

1:30:57.920 --> 1:31:02.320
<v Speaker 1>that those are my people, you know, that's just it's

1:31:02.320 --> 1:31:04.560
<v Speaker 1>not just some artists, you know, Like when I was

1:31:04.720 --> 1:31:08.160
<v Speaker 1>changing the subject, staying on the subject. But when M F.

1:31:08.280 --> 1:31:12.080
<v Speaker 1>Doom they pronounced him dead and it was on Halloween,

1:31:13.360 --> 1:31:15.680
<v Speaker 1>Like wasn't Like a lot of people in the hip

1:31:15.720 --> 1:31:18.599
<v Speaker 1>hop at first was like is this a because listen,

1:31:18.640 --> 1:31:22.160
<v Speaker 1>I remember one time people were saying M F. Doom

1:31:22.240 --> 1:31:25.360
<v Speaker 1>was in six places at one time, as if there

1:31:25.439 --> 1:31:28.040
<v Speaker 1>was other people that was other people were performing with

1:31:29.040 --> 1:31:32.240
<v Speaker 1>I mean, I mean again, I don't know too. I

1:31:32.320 --> 1:31:36.040
<v Speaker 1>know love X because you know, when I was putting

1:31:36.040 --> 1:31:40.479
<v Speaker 1>out my little independent records before Third Base, I was

1:31:40.520 --> 1:31:43.160
<v Speaker 1>hanging out on Long Beach, Long Island, which was you know,

1:31:43.160 --> 1:31:46.120
<v Speaker 1>hop skipping a jump from Far rockaway. I met my homeboy,

1:31:46.120 --> 1:31:49.559
<v Speaker 1>I met I met Otis and then I met Doom

1:31:49.600 --> 1:31:51.640
<v Speaker 1>and him and I told him, I said, yo, when

1:31:51.640 --> 1:31:55.520
<v Speaker 1>I get on, you get on period in a conversation. Um,

1:31:55.640 --> 1:31:59.640
<v Speaker 1>he always wanted to wear a mask. He put on

1:31:59.680 --> 1:32:02.679
<v Speaker 1>the man after his brother died. After his brother died,

1:32:02.720 --> 1:32:04.920
<v Speaker 1>it was Um. It was one of those moments where

1:32:05.680 --> 1:32:07.640
<v Speaker 1>make sure we go back to the Grammy and that.

1:32:07.680 --> 1:32:10.280
<v Speaker 1>But yeah, but but but no, no, but but I'm

1:32:10.280 --> 1:32:12.200
<v Speaker 1>gonna I'm gonna, I'm gonna come back to the Grammy's

1:32:12.200 --> 1:32:16.080
<v Speaker 1>and I'll explain why so um, you know, so seeing

1:32:16.160 --> 1:32:20.120
<v Speaker 1>do him at at the at the funeral and him

1:32:20.120 --> 1:32:24.439
<v Speaker 1>mashing out, and then this year Nasmin and the Grammy

1:32:28.040 --> 1:32:33.280
<v Speaker 1>watching watching the Grammys for the first time seeing Doom

1:32:33.320 --> 1:32:37.080
<v Speaker 1>on the on the screen, but then the credits roll

1:32:38.160 --> 1:32:41.720
<v Speaker 1>and executive producer for Team of Robinson and for Team

1:32:41.760 --> 1:32:43.559
<v Speaker 1>and I used to dance together with Stretch and shake

1:32:43.600 --> 1:32:47.640
<v Speaker 1>his IOU dances and in in LQ. So I'm and

1:32:47.720 --> 1:32:51.479
<v Speaker 1>my man, Jeff Robinson wins for her and that's my dude, Like,

1:32:51.520 --> 1:32:54.799
<v Speaker 1>that's my Like I go back to when Alicia performed

1:32:55.240 --> 1:32:57.600
<v Speaker 1>for my my non for profit Rock Can Wrap it

1:32:57.680 --> 1:33:01.000
<v Speaker 1>Up at the World Trades How a year before I

1:33:01.040 --> 1:33:03.080
<v Speaker 1>went down. Yeah, I mean, so I'm seeing all this

1:33:04.040 --> 1:33:07.880
<v Speaker 1>and I'm crying my eyes out, happy, sad, you know,

1:33:09.000 --> 1:33:13.000
<v Speaker 1>a million emotions going through me because it's that, It's

1:33:13.080 --> 1:33:18.080
<v Speaker 1>that moment. It's nas it's Doom, it's Fatima, it's Jeff,

1:33:18.400 --> 1:33:24.000
<v Speaker 1>it's all of all people finally being where they're supposed

1:33:24.000 --> 1:33:27.160
<v Speaker 1>to be, getting what they're supposed to get. You know, like,

1:33:28.040 --> 1:33:30.720
<v Speaker 1>I don't know, you know, if they were gonna show

1:33:30.760 --> 1:33:35.479
<v Speaker 1>Doom and they did, you know, when when Doom died

1:33:36.920 --> 1:33:39.040
<v Speaker 1>not only on but when they made the announcement New

1:33:39.080 --> 1:33:41.920
<v Speaker 1>Years Either. The one thing that amazed me was not

1:33:41.960 --> 1:33:44.559
<v Speaker 1>only the amount of rappers that showed love, but it

1:33:44.640 --> 1:33:51.160
<v Speaker 1>was no, no, no, but kept secret. They kept a secret,

1:33:51.280 --> 1:33:53.120
<v Speaker 1>and I think they did. They think they did the

1:33:53.200 --> 1:33:56.080
<v Speaker 1>right thing because they put his affairs in order. Doom knew.

1:33:56.200 --> 1:33:58.960
<v Speaker 1>The one thing I know is that Doom knew he

1:33:58.960 --> 1:34:01.360
<v Speaker 1>was gonna die six months before. Like they knew he

1:34:01.400 --> 1:34:04.160
<v Speaker 1>was gonna die. Um, so they put as a peas

1:34:04.160 --> 1:34:11.200
<v Speaker 1>in order and to see Like Tom York from Radiohead

1:34:11.240 --> 1:34:15.080
<v Speaker 1>give him his flowers, Beth Gibbons from Porter's Head gives flowers,

1:34:15.120 --> 1:34:18.519
<v Speaker 1>Johnny Marr from the Smiths give him his flowers. Darius

1:34:18.640 --> 1:34:21.440
<v Speaker 1>Rutger from Jodie and the Blowfish give him his flowers.

1:34:21.439 --> 1:34:25.680
<v Speaker 1>Like yo, it was fucking crazy. Along with all the

1:34:25.720 --> 1:34:30.120
<v Speaker 1>other MC's laurels around the world being made, murals around

1:34:30.200 --> 1:34:34.760
<v Speaker 1>the world. I gotta pictures in from France, London trains.

1:34:35.720 --> 1:34:41.439
<v Speaker 1>The fucking government of France, Japan that doesn't allow murals

1:34:41.439 --> 1:34:47.080
<v Speaker 1>to run on trains. Let the Doom murals run Amsterdam.

1:34:47.160 --> 1:34:48.559
<v Speaker 1>You know what I'm saying. Like the impact that he

1:34:48.640 --> 1:34:51.840
<v Speaker 1>made man was fucking crazy. And you don't expect that,

1:34:52.160 --> 1:34:54.479
<v Speaker 1>and you know, talking about a men's and talking about

1:34:54.600 --> 1:34:57.040
<v Speaker 1>being in recovery, because that's one of the things that

1:34:57.080 --> 1:34:59.600
<v Speaker 1>we're also doing in our podcast company is Me and

1:34:59.720 --> 1:35:02.280
<v Speaker 1>um My Homegirl Kyle Eustace from Hip Hop t X.

1:35:02.560 --> 1:35:05.240
<v Speaker 1>We have a podcast called Breaking Me on Unimity, which

1:35:05.280 --> 1:35:08.840
<v Speaker 1>is about the road to redemption and recovery, right, because

1:35:09.040 --> 1:35:11.439
<v Speaker 1>I think there's a stigma people think like, oh, you

1:35:11.479 --> 1:35:13.920
<v Speaker 1>can't have fun, you can't be around people smoking weed

1:35:13.960 --> 1:35:16.519
<v Speaker 1>when you're you're an addict, you can't be around this. No,

1:35:16.640 --> 1:35:19.400
<v Speaker 1>it's about breaking that down and understanding like you can

1:35:19.439 --> 1:35:22.439
<v Speaker 1>go to a program and get help, because there's people

1:35:22.479 --> 1:35:24.559
<v Speaker 1>that can help you, you know what I mean. And

1:35:24.560 --> 1:35:28.559
<v Speaker 1>and so we have like amazing artist Danny Boy from

1:35:28.720 --> 1:35:31.680
<v Speaker 1>House of Pain, Frank Gallagher from The Talking Heads, Like

1:35:31.880 --> 1:35:35.120
<v Speaker 1>we have these amazing slain talking about their their road

1:35:35.160 --> 1:35:38.280
<v Speaker 1>to recovery. And one of the things that I talked

1:35:38.320 --> 1:35:42.839
<v Speaker 1>about and my my amends is there's called direct amends

1:35:42.840 --> 1:35:45.639
<v Speaker 1>and indirect amends. Right, there's a homeboy in mind here

1:35:45.960 --> 1:35:49.040
<v Speaker 1>I gotta make amends with before I leave, right, So

1:35:49.040 --> 1:35:51.840
<v Speaker 1>so there's direct amends, but then there's indirect And I

1:35:51.920 --> 1:35:56.040
<v Speaker 1>always thought, man, I can make amends with with subprop

1:35:56.360 --> 1:36:00.360
<v Speaker 1>I can make amends with them. So now I gotta

1:36:00.400 --> 1:36:04.280
<v Speaker 1>make indirect amends. So the things that I take responsibility

1:36:04.320 --> 1:36:06.599
<v Speaker 1>for for the distance in our relationship, now I gotta

1:36:06.640 --> 1:36:10.080
<v Speaker 1>fix with the next man or the next woman somebody else, right,

1:36:10.120 --> 1:36:14.120
<v Speaker 1>because that's my responsibility. That's my responsibility before they put

1:36:14.120 --> 1:36:19.439
<v Speaker 1>me in the dirt. Yes, yeah, So the Grammys and

1:36:19.439 --> 1:36:21.519
<v Speaker 1>and the beautiful part about the Grammys, you know again

1:36:21.880 --> 1:36:25.120
<v Speaker 1>and going back to it, is that it seemed to

1:36:25.160 --> 1:36:30.200
<v Speaker 1>me for the first time in hip hop history that

1:36:30.280 --> 1:36:32.960
<v Speaker 1>the Album of the Year was balanced Alchemists and Freddie Gibbs,

1:36:33.000 --> 1:36:36.559
<v Speaker 1>like the Fun album is crazy. Alchemist is a monster.

1:36:36.640 --> 1:36:40.000
<v Speaker 1>He deserved that. Like you talk about you know, grise Elda,

1:36:40.240 --> 1:36:42.479
<v Speaker 1>like you talk about Benny, you talk about West Out Gun,

1:36:42.479 --> 1:36:44.880
<v Speaker 1>you talk about Bodie James, Like, oh, Funk is a

1:36:44.960 --> 1:36:50.519
<v Speaker 1>Monster's to get fun Grammy nominations, Like it's balanced. You know,

1:36:50.560 --> 1:36:52.720
<v Speaker 1>we got this balance, We got this finally, We've got

1:36:52.760 --> 1:36:55.479
<v Speaker 1>a little bit of equilibrium. You know. It makes me

1:36:55.520 --> 1:36:58.920
<v Speaker 1>want to vote. I'm a voter. I don't vote. I'm

1:36:58.960 --> 1:37:00.880
<v Speaker 1>I'm like Nori, I'm fuck you ain't gonna do shift

1:37:00.920 --> 1:37:07.760
<v Speaker 1>for voter for anybody, you know. But but you know,

1:37:07.880 --> 1:37:10.719
<v Speaker 1>but that's you know, it's it's what it is. And

1:37:10.720 --> 1:37:13.719
<v Speaker 1>and I feel like this balance finally because there's people

1:37:13.760 --> 1:37:17.560
<v Speaker 1>like us who are in this range, who have the experience,

1:37:17.720 --> 1:37:21.320
<v Speaker 1>who now can say to the Grammys and and Narrow's like,

1:37:21.320 --> 1:37:25.719
<v Speaker 1>who hold on, hold on, hold on blank, don't let's

1:37:25.800 --> 1:37:27.920
<v Speaker 1>let's look at this and how we look at it

1:37:28.000 --> 1:37:33.800
<v Speaker 1>is we vote on it. Right, that's beautiful, that's beautiful. Um, wait,

1:37:33.840 --> 1:37:36.200
<v Speaker 1>we didn't. You still didn't finish telling us about mc

1:37:36.280 --> 1:37:40.080
<v Speaker 1>hammer's hit on you. Yeah, that's for the book. I'm

1:37:40.120 --> 1:37:43.519
<v Speaker 1>not going to talk about I'm gonna talking about that. No,

1:37:43.720 --> 1:37:46.400
<v Speaker 1>And they say, but it didn't work. No, it definitely

1:37:46.439 --> 1:37:48.600
<v Speaker 1>didn't work. But it goes back also to men's like,

1:37:48.640 --> 1:37:51.280
<v Speaker 1>you know, so I didn't even say the line, but yeah,

1:37:51.360 --> 1:37:54.200
<v Speaker 1>I mean, I'm I'm gonna eventually have to make amends

1:37:54.240 --> 1:37:56.040
<v Speaker 1>with the men, right, even though he put a hit

1:37:56.080 --> 1:37:58.759
<v Speaker 1>out on me, right, Like I have to make amends.

1:37:58.800 --> 1:38:02.560
<v Speaker 1>And where I come from And I'm not being braggadocious

1:38:02.560 --> 1:38:04.479
<v Speaker 1>when I say this, because even though I grew up

1:38:04.479 --> 1:38:07.280
<v Speaker 1>in a very traditional Jewish household, I didn't grow up

1:38:07.439 --> 1:38:09.640
<v Speaker 1>in that household. I grew up in Redferend Projects. I

1:38:09.640 --> 1:38:11.439
<v Speaker 1>grew up in Hammels. I grew up. I grew up

1:38:11.439 --> 1:38:14.960
<v Speaker 1>on the street like where we come from. Somebody puts

1:38:14.960 --> 1:38:16.639
<v Speaker 1>a hit out on you. You You wipe out their family.

1:38:16.920 --> 1:38:18.559
<v Speaker 1>You don't wipe out the dude. You wipe out his

1:38:18.600 --> 1:38:21.120
<v Speaker 1>mom and sisters, brother, his cousin, his uncle. You leave

1:38:21.160 --> 1:38:23.720
<v Speaker 1>no bloodline, you know, because the other dudes that I

1:38:23.760 --> 1:38:25.840
<v Speaker 1>grew up with on the other side of the street,

1:38:25.880 --> 1:38:29.719
<v Speaker 1>in in Wood and in Rosdale, Colombo Crown family, Gambino

1:38:29.760 --> 1:38:33.880
<v Speaker 1>Crown family, like and that's how they moved right, But

1:38:33.960 --> 1:38:37.840
<v Speaker 1>that's not who I am today. And I felt that

1:38:37.880 --> 1:38:39.840
<v Speaker 1>way for a long time. It ate up at you know,

1:38:40.160 --> 1:38:42.040
<v Speaker 1>it ate me a long time, Like I gotta see

1:38:42.040 --> 1:38:45.680
<v Speaker 1>this dude. Eventually, I'm a see this dude. I was

1:38:45.720 --> 1:38:47.920
<v Speaker 1>in a room with him recently on clubhouse and somebody

1:38:47.960 --> 1:38:51.080
<v Speaker 1>said to me, Yo, this is the perfect time. I'm like, no,

1:38:51.160 --> 1:38:56.720
<v Speaker 1>it's I'm sorry. But I was like, I'm not. It's

1:38:56.760 --> 1:38:58.559
<v Speaker 1>not the right time, Like this is not the right time.

1:38:58.600 --> 1:39:01.200
<v Speaker 1>The time to do it is when we can sit

1:39:01.240 --> 1:39:02.800
<v Speaker 1>down here and I and I can tell him what

1:39:02.920 --> 1:39:06.439
<v Speaker 1>my responsibility is, what my role is right. Even though

1:39:06.560 --> 1:39:09.320
<v Speaker 1>I didn't say the long even though the other dude

1:39:09.320 --> 1:39:12.760
<v Speaker 1>in my group never never ever talked about it, he

1:39:12.880 --> 1:39:15.600
<v Speaker 1>just kind of kept it moving. Right. So I'm the

1:39:15.640 --> 1:39:19.439
<v Speaker 1>one because you know, I'm the guy that in hip

1:39:19.439 --> 1:39:22.880
<v Speaker 1>hop people see as the front man. Even though it

1:39:22.960 --> 1:39:25.120
<v Speaker 1>was a group, it was all three of us, right,

1:39:25.240 --> 1:39:27.519
<v Speaker 1>you know what I mean. So that's my responsibility. So

1:39:27.560 --> 1:39:30.160
<v Speaker 1>I'll make that amend when I'm ready, because the part

1:39:30.200 --> 1:39:33.000
<v Speaker 1>of it that that seventh and eighth step is when

1:39:33.000 --> 1:39:38.320
<v Speaker 1>you're willing. I'm not. I'm almost there. I'm not completely

1:39:38.360 --> 1:39:43.280
<v Speaker 1>willing to forget that because it was It's crazy. It

1:39:43.360 --> 1:39:46.120
<v Speaker 1>was real serious. You know, it wasn't any fucking game.

1:39:46.200 --> 1:39:51.160
<v Speaker 1>It was fucking serious. Um. But I know that that's

1:39:51.200 --> 1:39:53.640
<v Speaker 1>my my responsibility. You know. When we talked about it

1:39:53.680 --> 1:39:56.920
<v Speaker 1>on the Breaking Anonymity podcast, we talked about like the

1:39:56.920 --> 1:40:02.280
<v Speaker 1>responsibility of they don't save the you know it. But

1:40:02.320 --> 1:40:05.320
<v Speaker 1>it's also what it is, because that's what we talked about.

1:40:05.400 --> 1:40:08.679
<v Speaker 1>It's not a plug just for the second's not that's weird.

1:40:08.960 --> 1:40:10.599
<v Speaker 1>So now as we're talking about because you know this

1:40:10.640 --> 1:40:13.160
<v Speaker 1>is you know, drink chance. We love cocaine stories here, right,

1:40:13.160 --> 1:40:15.720
<v Speaker 1>we just love it right. It's just it's just like

1:40:15.760 --> 1:40:21.719
<v Speaker 1>when you did cocaine, but when you did Cocaine's office

1:40:21.760 --> 1:40:23.640
<v Speaker 1>one day. Leo is one of my favorite executives. I

1:40:23.680 --> 1:40:26.280
<v Speaker 1>don't I don't know what they did anybody else from

1:40:26.360 --> 1:40:31.400
<v Speaker 1>but we just we just called them Elroy Cohen. I mean,

1:40:31.439 --> 1:40:36.439
<v Speaker 1>we were just working with him. Listen, I love I

1:40:36.520 --> 1:40:39.400
<v Speaker 1>walk in the All Calls office one day and he's

1:40:39.400 --> 1:40:42.880
<v Speaker 1>sitting there and he has, uh, it's a picture on

1:40:42.960 --> 1:40:47.160
<v Speaker 1>his wall he has on his nose on his nose

1:40:47.240 --> 1:40:50.680
<v Speaker 1>like a tissue the picture or him the picture has

1:40:50.680 --> 1:40:53.200
<v Speaker 1>a tissue on his nose. So I'm looking and I'm like,

1:40:53.320 --> 1:40:56.080
<v Speaker 1>it was a great nut. I'm like, yo, because this

1:40:56.160 --> 1:40:58.880
<v Speaker 1>is the time you want to vote with and like

1:40:58.960 --> 1:41:02.639
<v Speaker 1>he's like, no one was sniffing cocaine and what's my ship?

1:41:02.680 --> 1:41:05.160
<v Speaker 1>Just bluffs And I was like, oh my god, I

1:41:05.240 --> 1:41:13.200
<v Speaker 1>love this stuff. No I was not. I was not cocaine. Okay, my, my, my, my, my.

1:41:13.400 --> 1:41:16.040
<v Speaker 1>DC was just slang term for drugger. Choice in the

1:41:16.120 --> 1:41:19.719
<v Speaker 1>room is what you're smoking right there. But we can't

1:41:19.760 --> 1:41:24.559
<v Speaker 1>be in the cover real but honest, So here's the thing.

1:41:24.920 --> 1:41:28.280
<v Speaker 1>It wasn't the fact that I smoked it. It was

1:41:28.600 --> 1:41:31.559
<v Speaker 1>how I behaved after I smoked it, And it was

1:41:31.600 --> 1:41:34.920
<v Speaker 1>the fact that what I did as a man, it

1:41:35.000 --> 1:41:36.519
<v Speaker 1>was definitely smoke of dust and just throw it out.

1:41:39.360 --> 1:41:46.840
<v Speaker 1>It's a whole different was a dirty in a different times.

1:41:47.160 --> 1:41:51.439
<v Speaker 1>It was was gont no no. And the thing was

1:41:51.760 --> 1:41:55.040
<v Speaker 1>he believed it on the but I didn't play on

1:41:55.800 --> 1:41:57.920
<v Speaker 1>and I damned you didn't blame it on the dust.

1:41:57.960 --> 1:42:02.240
<v Speaker 1>I was happy as fun happening. I fucking served him

1:42:02.280 --> 1:42:07.160
<v Speaker 1>doing so bad and trying to kill me with man, okay,

1:42:07.560 --> 1:42:12.880
<v Speaker 1>so hold up. Continue. So it wasn't It wasn't that.

1:42:14.640 --> 1:42:16.479
<v Speaker 1>It was a combination of a lot of things that

1:42:16.560 --> 1:42:22.600
<v Speaker 1>made me realize that my addiction. You yeah, no, I

1:42:22.880 --> 1:42:27.920
<v Speaker 1>once no, you don't want to it's a terrible story.

1:42:28.320 --> 1:42:32.960
<v Speaker 1>I didn't say because it's boring, it's gonna be gonna

1:42:33.240 --> 1:42:36.320
<v Speaker 1>it's gonna make the editing flaw. Yo. I fucking snorted

1:42:36.320 --> 1:42:38.280
<v Speaker 1>a line. It tasted terrible. In the back of my thought,

1:42:38.280 --> 1:42:41.400
<v Speaker 1>I was done. It was said, Wow, I didn't think

1:42:41.439 --> 1:42:46.000
<v Speaker 1>that that was the story. That's what I'm saying. But

1:42:47.280 --> 1:42:51.519
<v Speaker 1>but right with my choice, when I got to a

1:42:51.560 --> 1:42:55.360
<v Speaker 1>place where I realized it was a problem, it wasn't

1:42:55.439 --> 1:42:59.320
<v Speaker 1>that it was the weed itself. It was the behavior

1:43:00.040 --> 1:43:02.760
<v Speaker 1>that I was masking. Right, So what I learned in

1:43:02.800 --> 1:43:06.080
<v Speaker 1>recovery it was that after I got rid of my

1:43:06.200 --> 1:43:09.120
<v Speaker 1>dc is, I had to start looking at who I

1:43:09.160 --> 1:43:12.240
<v Speaker 1>was and started to peel back the under of my

1:43:12.320 --> 1:43:15.040
<v Speaker 1>authentic self. So I started to like look at my

1:43:15.120 --> 1:43:17.720
<v Speaker 1>character defense. I started looking at the things that made

1:43:17.760 --> 1:43:19.920
<v Speaker 1>me a funk up individual. I started to have to

1:43:19.920 --> 1:43:22.960
<v Speaker 1>look at the things like because yo, I would smoke

1:43:23.400 --> 1:43:25.880
<v Speaker 1>and then I was sucking a zombie. Like I was

1:43:25.880 --> 1:43:27.720
<v Speaker 1>a zombie to my children. I was a zombie to

1:43:27.760 --> 1:43:30.160
<v Speaker 1>my wife. I was a zombie in life. I was

1:43:30.200 --> 1:43:33.080
<v Speaker 1>a bad businessman, I was a bad partner. I was

1:43:33.360 --> 1:43:36.599
<v Speaker 1>from weed or from weed, because what it did was

1:43:36.760 --> 1:43:39.800
<v Speaker 1>it didn't allow me. The weed didn't allow me to

1:43:39.880 --> 1:43:44.439
<v Speaker 1>deal with my my personal issues. It didn't allow It

1:43:44.520 --> 1:43:47.240
<v Speaker 1>was totally a crutch, but it was. But it was

1:43:47.320 --> 1:43:49.840
<v Speaker 1>gonna be honest. What years we talked about they had

1:43:49.880 --> 1:43:51.880
<v Speaker 1>cocaine your ship. I'm just throwing it out there. You

1:43:51.920 --> 1:43:59.879
<v Speaker 1>body didn't know, you brobably didn't know. I stopped using,

1:44:00.080 --> 1:44:05.000
<v Speaker 1>stopped using, stop all using my clean, my clean from

1:44:05.040 --> 1:44:12.439
<v Speaker 1>a doctor, my doctor. Dude, alcohol you don't think so, Yeah,

1:44:12.920 --> 1:44:15.360
<v Speaker 1>let's be really clear, and I want to explain something

1:44:15.760 --> 1:44:19.519
<v Speaker 1>for for the sake of this. Absolutely, I'm not saying

1:44:20.400 --> 1:44:24.519
<v Speaker 1>that maljuana is bad. If you just smoking casually, that's great.

1:44:24.760 --> 1:44:27.479
<v Speaker 1>I just think you should smoke and stay smoking. I

1:44:27.520 --> 1:44:30.720
<v Speaker 1>think it says in the scriptures the Most High gave

1:44:30.800 --> 1:44:32.920
<v Speaker 1>us all of these plants on the planet Earth for

1:44:32.960 --> 1:44:37.840
<v Speaker 1>you to use. I'm saying that the work is not

1:44:37.960 --> 1:44:40.320
<v Speaker 1>in there is. He didn't give us all these plans

1:44:40.320 --> 1:44:44.320
<v Speaker 1>for you to abuse, and I abuse them because I

1:44:45.760 --> 1:44:49.320
<v Speaker 1>to the best. Tax come on that. No, no, and

1:44:49.360 --> 1:44:55.639
<v Speaker 1>I'm not trying to bring down It was never bake

1:44:59.200 --> 1:45:04.840
<v Speaker 1>for me. For me, brother, he had were in the

1:45:05.160 --> 1:45:12.200
<v Speaker 1>part where it is. But you know what in those

1:45:12.240 --> 1:45:19.280
<v Speaker 1>times you're going back to five I'm talking about, I

1:45:19.320 --> 1:45:24.360
<v Speaker 1>was smoking in I'm talking about, no, dude, I was.

1:45:24.600 --> 1:45:27.240
<v Speaker 1>I had that good good everywhere I went. I had

1:45:27.280 --> 1:45:30.320
<v Speaker 1>good goods. You're talking about, like I think he said

1:45:30.360 --> 1:45:33.320
<v Speaker 1>something about somebody never bought weed. I never bought weed

1:45:33.360 --> 1:45:36.240
<v Speaker 1>in my life. I never bought weed. I never bought

1:45:36.280 --> 1:45:38.920
<v Speaker 1>weed in my life. I had homeboys bring me weed

1:45:39.200 --> 1:45:43.680
<v Speaker 1>all the time. But what I was dealing with in

1:45:43.760 --> 1:45:47.400
<v Speaker 1>my personal life, my professional life, I had to get

1:45:47.479 --> 1:45:50.160
<v Speaker 1>high because I couldn't deal with the pain that I

1:45:50.200 --> 1:45:51.760
<v Speaker 1>was dealing with. I didn't want to look at it.

1:45:52.040 --> 1:45:53.680
<v Speaker 1>I didn't want to examine it. I didn't want to

1:45:53.720 --> 1:45:56.760
<v Speaker 1>funk with it. Right, So when I got into the program,

1:45:57.000 --> 1:46:00.679
<v Speaker 1>I started to break ship down. And the first four

1:46:00.760 --> 1:46:04.600
<v Speaker 1>years like I was still the piece. Yeah, in the

1:46:04.600 --> 1:46:08.559
<v Speaker 1>first four years. Steve LeBell has a program where they

1:46:08.640 --> 1:46:11.040
<v Speaker 1>got the same ship to get you off of cocaine.

1:46:11.560 --> 1:46:14.520
<v Speaker 1>What's it like that? But put you all the marijuana?

1:46:15.960 --> 1:46:24.720
<v Speaker 1>Hut you not wet? That's serious? Fellas missing him the

1:46:24.880 --> 1:46:30.400
<v Speaker 1>point for him, Yes, man, I'm going to get hooked

1:46:30.400 --> 1:46:34.960
<v Speaker 1>on and that he was. He was not. He was

1:46:35.040 --> 1:46:37.840
<v Speaker 1>not doing no crazy on Man one. I wouldn't hear

1:46:37.880 --> 1:46:40.720
<v Speaker 1>the craziest thing you did on mat one. It's not

1:46:40.840 --> 1:46:43.040
<v Speaker 1>about the craziest ship I did on maljuana. You're not

1:46:43.080 --> 1:46:45.400
<v Speaker 1>hearing what I'm saying. Definitely not. I'm so sorry. It's

1:46:45.400 --> 1:46:50.000
<v Speaker 1>okay marijuan. And that's okay because look I'm not and

1:46:50.080 --> 1:46:52.360
<v Speaker 1>I think the thing is what you're hearing is I'm

1:46:52.400 --> 1:46:56.160
<v Speaker 1>not telling you that marijuana is bad. Maljuana is great,

1:46:56.200 --> 1:46:59.120
<v Speaker 1>because what I'm picturing is Robber Downey junior, and this

1:46:59.280 --> 1:47:09.120
<v Speaker 1>is reference is actually a well you know, Robert Downe,

1:47:09.280 --> 1:47:12.920
<v Speaker 1>I've never heard searching fuck up ship. I just never

1:47:12.920 --> 1:47:15.640
<v Speaker 1>heard of it. I've never heard of it. Bro. We

1:47:15.720 --> 1:47:20.559
<v Speaker 1>searched the people section. No, but it's not because it

1:47:20.720 --> 1:47:24.760
<v Speaker 1>wasn't about what I did in the streets. It's what

1:47:24.880 --> 1:47:29.280
<v Speaker 1>it did to me. And I was faced. I was

1:47:29.280 --> 1:47:33.240
<v Speaker 1>faced with a choice. And when I first looked at it,

1:47:33.720 --> 1:47:36.880
<v Speaker 1>I thought like you like, I'm like, oh, motherfucker's are crazy.

1:47:37.880 --> 1:47:40.040
<v Speaker 1>You know this is all bullshit. I remember the first

1:47:40.040 --> 1:47:43.559
<v Speaker 1>time I ever went to a meeting, the first meeting

1:47:43.520 --> 1:47:46.040
<v Speaker 1>I ever went to, there was a dude sitting across

1:47:46.040 --> 1:47:51.360
<v Speaker 1>from me, looks like a fucking racist. I'm from Queens.

1:47:51.880 --> 1:47:54.840
<v Speaker 1>He's fucking big white dude. He's in a cut, got

1:47:54.920 --> 1:47:58.400
<v Speaker 1>a big gass bid named Rich, big Rich. Definitely a

1:47:58.400 --> 1:48:01.240
<v Speaker 1>truck drop dude. And the first thing, and the first

1:48:01.240 --> 1:48:04.200
<v Speaker 1>thing I'm in my fucking in this meeting saying, is like, Yo,

1:48:04.280 --> 1:48:05.960
<v Speaker 1>this dude's gonna open up his mouth and I'm gonna

1:48:06.000 --> 1:48:08.439
<v Speaker 1>punch him in his fucking mouth. I got my little

1:48:08.479 --> 1:48:11.719
<v Speaker 1>jig on me. I'm a funk. I'm I'm just waiting.

1:48:11.920 --> 1:48:15.280
<v Speaker 1>But he's the nicest guy in the world, worst, worse.

1:48:15.800 --> 1:48:19.080
<v Speaker 1>He opened up his mouth and told my story. He

1:48:19.360 --> 1:48:21.880
<v Speaker 1>shared his experience, strength and hope, and it was my

1:48:22.000 --> 1:48:25.160
<v Speaker 1>fucking story in a dude and a human being that

1:48:25.200 --> 1:48:29.160
<v Speaker 1>I would have no connection within the street. He don't

1:48:29.200 --> 1:48:30.960
<v Speaker 1>listen to what I listened to. He don't move how

1:48:31.000 --> 1:48:33.600
<v Speaker 1>I move, he don't like what I like. But his

1:48:33.720 --> 1:48:37.200
<v Speaker 1>experience was my experience, and it broke me. I fucking

1:48:37.400 --> 1:48:40.160
<v Speaker 1>cried like a baby for forty five minutes in that meeting.

1:48:40.160 --> 1:48:44.559
<v Speaker 1>I couldn't even speak, and I realized, Yo, I got

1:48:44.680 --> 1:48:49.480
<v Speaker 1>a fucking problem. But the problem ain't that I'm the problem.

1:48:49.520 --> 1:48:52.240
<v Speaker 1>But it took me four years of not doing that

1:48:52.600 --> 1:48:54.720
<v Speaker 1>to get to the point where, Okay, I gotta look

1:48:54.760 --> 1:48:57.640
<v Speaker 1>at myself real quick, I gotta look at myself, and

1:48:57.680 --> 1:49:00.799
<v Speaker 1>I gotta really really look at what like my wife sees,

1:49:00.840 --> 1:49:03.639
<v Speaker 1>my children see. Now harder this to make the MENSI

1:49:03.720 --> 1:49:06.280
<v Speaker 1>a kid just sit in front of him and saying,

1:49:06.280 --> 1:49:09.080
<v Speaker 1>this is why I was a horrible father, And have

1:49:09.200 --> 1:49:12.679
<v Speaker 1>your children tell you, yeah, you're you're fucked up person.

1:49:13.240 --> 1:49:15.880
<v Speaker 1>And it's not about forgiveness. And that's the other thing

1:49:15.960 --> 1:49:19.760
<v Speaker 1>people don't realize. It's not about you saying I forgive you.

1:49:19.960 --> 1:49:22.760
<v Speaker 1>I've made immens to people that people said, okay, you're

1:49:22.760 --> 1:49:24.720
<v Speaker 1>still a piece of ship. Fuck you, And I said,

1:49:24.760 --> 1:49:28.040
<v Speaker 1>thank you, thank you for hearing me, thank you for understanding,

1:49:28.520 --> 1:49:31.599
<v Speaker 1>thank you for allowing me to tell you my role.

1:49:32.840 --> 1:49:35.760
<v Speaker 1>And that's it, and I keep it moving. So it's

1:49:35.800 --> 1:49:38.760
<v Speaker 1>not about that. It's not about that. It's not about

1:49:38.760 --> 1:49:40.880
<v Speaker 1>he's bounding down. When the dude came to him and

1:49:40.880 --> 1:49:44.040
<v Speaker 1>he said, you know, I want to apologize to you,

1:49:44.320 --> 1:49:58.599
<v Speaker 1>fucking your sister. No, ye, your wife do. The guy

1:49:58.640 --> 1:50:03.960
<v Speaker 1>didn't even trust me my man, I mean with the guy,

1:50:04.040 --> 1:50:08.479
<v Speaker 1>but I mean, I'm only board. You wouldn't get a candle.

1:50:09.439 --> 1:50:12.679
<v Speaker 1>So for me again, so for me, and and again

1:50:13.120 --> 1:50:17.280
<v Speaker 1>for me, it was really a very simple process as

1:50:17.320 --> 1:50:25.120
<v Speaker 1>a cannabis agricultural advocate. Depends where you finish. I figured, yes, certain,

1:50:26.160 --> 1:50:28.599
<v Speaker 1>you need to get back into cannabis. No, not gonna

1:50:28.600 --> 1:50:30.080
<v Speaker 1>have to get back into it. You need to get

1:50:30.080 --> 1:50:33.080
<v Speaker 1>back in the canaps some way. It was very safe. No,

1:50:33.360 --> 1:50:34.960
<v Speaker 1>I'll tell you the only way I'll get back into

1:50:35.000 --> 1:50:39.400
<v Speaker 1>cannabis is me and my partner's own a spot. Exactly.

1:50:39.439 --> 1:50:41.559
<v Speaker 1>You don't see what that's what I'm saying you don't

1:50:41.560 --> 1:50:45.559
<v Speaker 1>never get you don't don't get us on your own supplot. Brother,

1:50:46.240 --> 1:50:50.320
<v Speaker 1>you don't CBD, you never had a c because again

1:50:50.520 --> 1:50:54.760
<v Speaker 1>another it's all it's all about, it's all about understanding

1:50:55.479 --> 1:50:57.840
<v Speaker 1>that one is too many in a thousand's never Okay,

1:50:57.960 --> 1:51:01.960
<v Speaker 1>CBD doesn't get you high. But I've had this argument.

1:51:02.000 --> 1:51:04.200
<v Speaker 1>So the argument I've had this argument don't get you high.

1:51:04.280 --> 1:51:09.479
<v Speaker 1>But the argument the argument is is it's like, I'll

1:51:09.479 --> 1:51:12.880
<v Speaker 1>give you a perfect example, Mascotta. I've heard this argument

1:51:12.920 --> 1:51:14.920
<v Speaker 1>all the time. Mascott was only like less than one

1:51:14.920 --> 1:51:20.479
<v Speaker 1>percent alcohol. It's a sparkling drink, right, right, So is

1:51:20.560 --> 1:51:23.920
<v Speaker 1>that for an alcoholic a gateway to this to that,

1:51:24.200 --> 1:51:27.840
<v Speaker 1>to that to that? Right? So for me, I don't

1:51:27.880 --> 1:51:30.960
<v Speaker 1>I can't talk for anybody else. For me, I don't

1:51:30.960 --> 1:51:33.759
<v Speaker 1>funk with none of it because for me, I'm happy

1:51:33.840 --> 1:51:37.840
<v Speaker 1>with where I am today. I fucking feel so fucking good,

1:51:38.040 --> 1:51:43.960
<v Speaker 1>fucking feel good. The only thing I don't feel good

1:51:43.960 --> 1:51:45.800
<v Speaker 1>about is I'm a fat fuck So I gotta lose

1:51:45.800 --> 1:51:49.080
<v Speaker 1>this weight. But that's also a part of my process,

1:51:49.200 --> 1:51:53.160
<v Speaker 1>right because now I've you know, do I like doughnuts? Yeah,

1:51:53.200 --> 1:51:56.639
<v Speaker 1>but I gotta get rid of them. I gotta get no,

1:51:56.640 --> 1:51:59.600
<v Speaker 1>no, no no, I'm not that friends over there, so that

1:51:59.760 --> 1:52:04.040
<v Speaker 1>if you don't know that might be, but like, but people,

1:52:04.120 --> 1:52:12.719
<v Speaker 1>but people, you know you know what, people but people,

1:52:13.080 --> 1:52:20.120
<v Speaker 1>I think make this invalid, inaccurate assumption. Dude, I'm around

1:52:20.200 --> 1:52:22.800
<v Speaker 1>all of y'all. Y'alla are smoking. I'm not triggering. You

1:52:22.800 --> 1:52:25.720
<v Speaker 1>know why, because it ain't for me. It's like when

1:52:25.800 --> 1:52:28.160
<v Speaker 1>dudes go to a bar and they don't drink, why

1:52:28.280 --> 1:52:31.240
<v Speaker 1>it ain't for them? Dude, I agree with you, and

1:52:31.240 --> 1:52:34.280
<v Speaker 1>I want to be really clear baka rock Crystal Clear

1:52:34.320 --> 1:52:38.200
<v Speaker 1>on this. All right. I'm glad you can smoke and

1:52:38.240 --> 1:52:41.080
<v Speaker 1>feel good about it. I'm glad everybody in here that

1:52:41.200 --> 1:52:43.920
<v Speaker 1>smokes and puffs trees feel good about it. It don't

1:52:43.920 --> 1:52:53.759
<v Speaker 1>work for me, said, I'm want the noise for that,

1:52:53.520 --> 1:52:56.679
<v Speaker 1>and that's real, that's really it's good. But I'm gonna

1:52:56.760 --> 1:52:58.600
<v Speaker 1>I'm gonna pop. I think you gotta go with the

1:52:58.640 --> 1:53:04.800
<v Speaker 1>gold to golden and after that after platinum. Yeah, you

1:53:04.840 --> 1:53:08.000
<v Speaker 1>know what I mean? Can I can I ask you

1:53:08.040 --> 1:53:11.040
<v Speaker 1>a question? All right? So this is what I want

1:53:11.040 --> 1:53:16.040
<v Speaker 1>to ask you about um about CNN, Right, so after

1:53:16.080 --> 1:53:23.000
<v Speaker 1>the war report drops, you do four hundred nobody expected

1:53:23.040 --> 1:53:25.880
<v Speaker 1>you to do none of that right, nobody did right

1:53:26.360 --> 1:53:31.679
<v Speaker 1>war report. Did you ever feel like there was gonna

1:53:31.680 --> 1:53:34.479
<v Speaker 1>be a part of you that was missing if you

1:53:34.520 --> 1:53:36.400
<v Speaker 1>went solo? Was there ever a part of you that

1:53:36.520 --> 1:53:40.200
<v Speaker 1>was like, damn when my man went away and all

1:53:40.200 --> 1:53:43.839
<v Speaker 1>of that, I shouldn't do an R album, I shouldn't

1:53:43.840 --> 1:53:46.519
<v Speaker 1>continue making music. I should hold off and wait, like

1:53:46.600 --> 1:53:49.200
<v Speaker 1>the way like MLP might have done, or way other

1:53:49.240 --> 1:53:51.800
<v Speaker 1>people might have done. Was ever part of that you

1:53:52.040 --> 1:53:54.040
<v Speaker 1>that said, you know what I gotta I gotta fall

1:53:54.040 --> 1:53:58.880
<v Speaker 1>back and hold off. No. That was a decisive answer,

1:53:59.560 --> 1:54:04.240
<v Speaker 1>um because it was like, oh, ship Peter Roseburg, that's Peter.

1:54:04.280 --> 1:54:08.920
<v Speaker 1>You cool, Peter, love Peter. That's my dude. Another great

1:54:09.000 --> 1:54:10.680
<v Speaker 1>jewe and hip hop by the way, all right, let's

1:54:10.720 --> 1:54:12.280
<v Speaker 1>let's Seev picks up. I don't know what he just

1:54:12.360 --> 1:54:15.400
<v Speaker 1>hit me. I don't know. Let ce he picks up.

1:54:17.280 --> 1:54:19.200
<v Speaker 1>Did somebody called Peter and tell him I was here?

1:54:19.320 --> 1:54:33.080
<v Speaker 1>Is that good? Look? Look he's sleeping off? Yeah? Let yo,

1:54:34.400 --> 1:54:36.560
<v Speaker 1>you know yo. You know what Sean Peck says, Right,

1:54:37.080 --> 1:54:42.080
<v Speaker 1>men shouldn't face time each other. That's the violation. How you, Pete?

1:54:44.200 --> 1:54:48.200
<v Speaker 1>What's going on with you? We doing? Hold on you

1:54:48.280 --> 1:54:53.400
<v Speaker 1>got a hold come on a third day? Yeah it no, no,

1:54:53.960 --> 1:54:56.000
<v Speaker 1>talk to him, talk to me? Yeah, yeah, yeah, you

1:54:56.080 --> 1:54:58.880
<v Speaker 1>don't even know what the fuck. It's just some weird shape.

1:54:58.880 --> 1:55:01.560
<v Speaker 1>What up? How you sure you don't face time with

1:55:01.640 --> 1:55:04.840
<v Speaker 1>men like this? Yeah, it's definitely a bad little I'm

1:55:04.840 --> 1:55:08.760
<v Speaker 1>gonna taco. Hey, man, did you guys start yet? Yeah,

1:55:08.840 --> 1:55:11.560
<v Speaker 1>we've been we're a little bit. We're like our three

1:55:11.560 --> 1:55:15.800
<v Speaker 1>already coming up on the third hour, so you know,

1:55:16.000 --> 1:55:18.040
<v Speaker 1>you know, and Kane has come to see you on

1:55:18.080 --> 1:55:20.520
<v Speaker 1>the twenty seven. I know you're happy about that we

1:55:20.560 --> 1:55:22.920
<v Speaker 1>got you, and I'm looking forward to it. Man, So

1:55:22.960 --> 1:55:25.520
<v Speaker 1>what's uping? Man chilling? I just want you to feel

1:55:25.560 --> 1:55:26.960
<v Speaker 1>awkward now and I have to sit in the sun

1:55:27.120 --> 1:55:34.720
<v Speaker 1>nahu that Yeah, yeah, when you get I just wanted

1:55:34.760 --> 1:55:36.040
<v Speaker 1>to make sure you thought it was funny. And then

1:55:36.040 --> 1:55:38.240
<v Speaker 1>I wasn't talking ship all right, cool because you know

1:55:38.280 --> 1:55:42.200
<v Speaker 1>I got jokes back, so it was okay, okay, hey

1:55:42.560 --> 1:55:46.800
<v Speaker 1>hang a wait wait, wait, hold on, hold on, ye hey, um,

1:55:47.320 --> 1:55:53.800
<v Speaker 1>sorry brother, talking about I'm about to be down to

1:55:53.880 --> 1:55:57.440
<v Speaker 1>do it a luminati too. That's a funny story. That's

1:55:57.440 --> 1:56:01.280
<v Speaker 1>a funny start. When I was, when I was, when

1:56:01.320 --> 1:56:04.720
<v Speaker 1>I was when I was doing radio in Detroit. I

1:56:04.800 --> 1:56:08.560
<v Speaker 1>get a call to the newsroom. Your sir Shine is

1:56:08.600 --> 1:56:13.120
<v Speaker 1>on the phone. Oh shot, And I'm like, oh shan, pope.

1:56:13.280 --> 1:56:17.760
<v Speaker 1>I'm like the orchidage right, So he just got he

1:56:17.880 --> 1:56:20.080
<v Speaker 1>was just maybe it was about a year and a half.

1:56:20.640 --> 1:56:22.440
<v Speaker 1>So I'm like, oh, we gotta record. There's gotta be lives.

1:56:22.440 --> 1:56:25.080
<v Speaker 1>There's kind of shot me for one second. Actually, one thing.

1:56:25.240 --> 1:56:26.960
<v Speaker 1>You can ask me whatever you want because you say

1:56:27.000 --> 1:56:29.520
<v Speaker 1>you olibriliate it. You are out of this world. And

1:56:30.640 --> 1:56:33.880
<v Speaker 1>that's how I made up, made up and I'm using it.

1:56:33.960 --> 1:56:37.600
<v Speaker 1>It does not affect you. Smelling this drinking that can

1:56:37.680 --> 1:56:40.320
<v Speaker 1>you open up a bottle of page you can open

1:56:40.400 --> 1:56:43.680
<v Speaker 1>it up of the films like Wings, But listen, don't

1:56:43.720 --> 1:56:47.080
<v Speaker 1>sunk this up. He's can I just tell you kind

1:56:47.120 --> 1:56:53.880
<v Speaker 1>of open I'm a fucking jew. I know what the man.

1:56:54.480 --> 1:56:57.640
<v Speaker 1>Let's let's see if we've still got it, still got

1:56:57.720 --> 1:56:59.880
<v Speaker 1>the last? Have you over the more? That's a fine

1:57:00.000 --> 1:57:05.720
<v Speaker 1>ittle hampagne. That's that's that's twee hunt it. Let's see

1:57:05.800 --> 1:57:11.280
<v Speaker 1>that and it is hip my own too. Let's see

1:57:11.280 --> 1:57:13.680
<v Speaker 1>if you can do it. But I see the tab

1:57:13.760 --> 1:57:16.040
<v Speaker 1>hold on, Okay, you gotta, I gotta the last time

1:57:16.080 --> 1:57:19.440
<v Speaker 1>you open a bottle of champagne. Oh boy, um, probably

1:57:19.600 --> 1:57:24.640
<v Speaker 1>my kids, my kids bartzh Okay, So two thousand and

1:57:25.080 --> 1:57:29.000
<v Speaker 1>four teen, okay, two fourteen, okay, thousand fourteen. Okay, you

1:57:29.080 --> 1:57:33.640
<v Speaker 1>still think you got the skills? Oh yeah, okay, we're

1:57:33.640 --> 1:57:36.000
<v Speaker 1>gonna test you out right now, because as you know,

1:57:36.560 --> 1:57:40.600
<v Speaker 1>the skills all that when you open up a bottle

1:57:40.600 --> 1:57:45.440
<v Speaker 1>of champagne, the kids, it's the Jewish secret. No, just

1:57:45.600 --> 1:57:48.120
<v Speaker 1>the Champagne secret. Unless you want to get me a saber.

1:57:48.160 --> 1:57:49.720
<v Speaker 1>And I can do a saber. Stuff. I don't know

1:57:49.800 --> 1:57:51.960
<v Speaker 1>what you're gonna cut. You're gonna cut the joints. If

1:57:52.000 --> 1:57:53.360
<v Speaker 1>you have a saber, I can do it that way.

1:57:53.800 --> 1:57:56.560
<v Speaker 1>So the key is right, I want to hold it

1:57:56.680 --> 1:58:00.480
<v Speaker 1>to the thumb, okay, right, because don't know if the

1:58:00.600 --> 1:58:04.520
<v Speaker 1>arra is coming this way, right, So let's get that off.

1:58:05.080 --> 1:58:10.760
<v Speaker 1>That's what she said, she said. Okay, huh, little type,

1:58:11.040 --> 1:58:16.240
<v Speaker 1>that's what she said. Okay, now track is want to

1:58:16.320 --> 1:58:32.160
<v Speaker 1>twist let the error, guys, I'm not going he with

1:58:32.200 --> 1:58:36.640
<v Speaker 1>a lot of people. Listen, hold on, did you hear

1:58:36.720 --> 1:58:39.720
<v Speaker 1>that the air It wasn't even what he popped. It

1:58:39.880 --> 1:58:52.160
<v Speaker 1>was the ear. That's perfect ear buzz. I'm not gonna sorrow.

1:58:54.000 --> 1:59:00.400
<v Speaker 1>Did you borrow by year? That's what the guys who

1:59:00.480 --> 1:59:15.000
<v Speaker 1>coming there, you know, you know he only that that

1:59:15.240 --> 1:59:18.240
<v Speaker 1>was all that, That was no search. Let me just

1:59:18.320 --> 1:59:22.600
<v Speaker 1>say something, man, you're relegion. When we started the show

1:59:22.760 --> 1:59:26.800
<v Speaker 1>like this, this is where our purpose was was. You know,

1:59:27.200 --> 1:59:30.520
<v Speaker 1>you figured that these new guys, they have their other platforms.

1:59:30.600 --> 1:59:32.440
<v Speaker 1>You make these new records, and it's great and we

1:59:32.480 --> 1:59:34.240
<v Speaker 1>want to support them too. I don't want to feel

1:59:34.280 --> 1:59:36.680
<v Speaker 1>like a drink. Champs will support the new generation. We

1:59:36.760 --> 1:59:40.160
<v Speaker 1>do support the new generation. It's our focuses on the

1:59:40.280 --> 1:59:43.520
<v Speaker 1>generation that came before us, the generation that laid it

1:59:43.600 --> 1:59:47.040
<v Speaker 1>down for prior to us, and we want to continue

1:59:47.080 --> 1:59:50.320
<v Speaker 1>to do that. When we have artists like you, it's

1:59:50.360 --> 1:59:52.320
<v Speaker 1>such an honor, it's such a pleasure and it's such

1:59:52.360 --> 1:59:54.720
<v Speaker 1>a just a moment for us. Feel like like this

1:59:54.920 --> 1:59:56.520
<v Speaker 1>what you were saying just now, I was just falling

1:59:56.560 --> 1:59:59.040
<v Speaker 1>back into the fan mold like and I'm sitting back

1:59:59.280 --> 2:00:01.280
<v Speaker 1>because some of the ships I knew, and that some

2:00:01.360 --> 2:00:03.120
<v Speaker 1>of about Google and something that I was just like,

2:00:03.240 --> 2:00:05.200
<v Speaker 1>I don't even I just want to figure it out

2:00:05.320 --> 2:00:11.840
<v Speaker 1>right now, and such a beautiful moment for me. I

2:00:11.920 --> 2:00:15.440
<v Speaker 1>know it's such a beautiful moment for him. Um, And

2:00:15.520 --> 2:00:17.360
<v Speaker 1>we want to thank you in your face. We want to,

2:00:17.520 --> 2:00:19.840
<v Speaker 1>you know, tell you how much we appreciate for what

2:00:20.000 --> 2:00:22.960
<v Speaker 1>you're doing, because there's a lot of people who had

2:00:23.000 --> 2:00:25.680
<v Speaker 1>your positions, had your moments, had your time. I could

2:00:25.720 --> 2:00:28.280
<v Speaker 1>have said, you know why I did it. I did

2:00:28.360 --> 2:00:29.840
<v Speaker 1>my part. Let me get out of here, let me

2:00:29.880 --> 2:00:33.640
<v Speaker 1>take my money and let me get the away, let

2:00:33.680 --> 2:00:36.680
<v Speaker 1>me get out of here. But one of the things,

2:00:36.800 --> 2:00:38.840
<v Speaker 1>and I will say this, you know, one of the things,

2:00:39.760 --> 2:00:43.240
<v Speaker 1>And I feel the same way. This is a fan

2:00:43.480 --> 2:00:45.440
<v Speaker 1>boy moment for me too, because I'm such a fan

2:00:45.480 --> 2:00:49.480
<v Speaker 1>of yours. Not only because not only because I love

2:00:49.600 --> 2:00:52.680
<v Speaker 1>being on the road with you, being a small part

2:00:52.840 --> 2:00:56.600
<v Speaker 1>of a great record, getting on the radio and doing that.

2:00:56.840 --> 2:01:01.680
<v Speaker 1>But what you guys have built is what I strive for.

2:01:02.120 --> 2:01:04.360
<v Speaker 1>You know, even with my Search Says podcast, even with

2:01:04.440 --> 2:01:07.360
<v Speaker 1>my individual podcast, Like I study what you do in

2:01:07.400 --> 2:01:10.360
<v Speaker 1>your interviews so that when I do my interviews, I

2:01:10.480 --> 2:01:12.400
<v Speaker 1>know I'm I'm ready for it. Like I'm trying to

2:01:12.440 --> 2:01:13.800
<v Speaker 1>be the how it's turning to hip hop, Like I

2:01:13.880 --> 2:01:16.080
<v Speaker 1>want to fucking hit people over the head with ship,

2:01:16.160 --> 2:01:19.040
<v Speaker 1>but they go, oh ship, Like when I hit Chris

2:01:19.160 --> 2:01:21.080
<v Speaker 1>Rock over the head with knowing that he had he

2:01:21.200 --> 2:01:24.120
<v Speaker 1>was on the spectrum of aspergers, he didn't even you know,

2:01:24.760 --> 2:01:26.320
<v Speaker 1>like you know what I mean, Like I mean, like

2:01:26.400 --> 2:01:29.200
<v Speaker 1>you know, or talking to like Kamal Bell about growing

2:01:29.280 --> 2:01:31.680
<v Speaker 1>up in Oakland and knowing about him that you know,

2:01:31.880 --> 2:01:35.000
<v Speaker 1>talking to fucking Roger Clemens about the blood blister on

2:01:35.080 --> 2:01:37.800
<v Speaker 1>it in eight six and how it was bullshit and

2:01:37.840 --> 2:01:39.400
<v Speaker 1>that you know what I'm saying, like so like I

2:01:39.720 --> 2:01:45.440
<v Speaker 1>like to get it, but that is you returning what

2:01:45.600 --> 2:01:47.600
<v Speaker 1>I gave to y'all. You know what I mean. And

2:01:47.680 --> 2:01:49.920
<v Speaker 1>that's why I'm here, That's why I sat down. That's

2:01:49.920 --> 2:01:51.200
<v Speaker 1>why I wanted to be a part of this. But

2:01:51.280 --> 2:01:53.480
<v Speaker 1>you so much of a legend man, like when you

2:01:53.600 --> 2:01:55.600
<v Speaker 1>look at you know. But I didn't want to say

2:01:55.640 --> 2:02:04.280
<v Speaker 1>this real quickly. I'm sorry because because when I when

2:02:04.280 --> 2:02:07.520
<v Speaker 1>we build, when we build the vote, when we when

2:02:07.560 --> 2:02:11.720
<v Speaker 1>we build new vote, right one of the things, right,

2:02:11.760 --> 2:02:15.520
<v Speaker 1>when we build a new vote. My philosophy was real simple.

2:02:15.560 --> 2:02:18.440
<v Speaker 1>When I went to the company, I said, I want

2:02:18.480 --> 2:02:23.520
<v Speaker 1>to create my department to help artists and do integrations

2:02:24.760 --> 2:02:29.400
<v Speaker 1>so that they don't have recoupment on their videos. So

2:02:29.520 --> 2:02:32.160
<v Speaker 1>we're gonna pay for a hundred percent of their videos

2:02:32.200 --> 2:02:36.400
<v Speaker 1>and only take ten percent of the time. Right. In

2:02:36.680 --> 2:02:39.080
<v Speaker 1>three years two thousand and eight to two thousand eleven,

2:02:42.320 --> 2:02:45.400
<v Speaker 1>we gave Atlantic Records two point six million dollars. We

2:02:45.480 --> 2:02:48.680
<v Speaker 1>gave Deaf Jam three million dollars. We gave Capital, we

2:02:48.760 --> 2:02:51.920
<v Speaker 1>gave Sony, we gave our c A millions of dollars.

2:02:51.960 --> 2:02:53.640
<v Speaker 1>And I'm not saying we didn't make it, because we did.

2:02:54.280 --> 2:02:57.920
<v Speaker 1>We sold New Vote to eleven Giago for three hundred

2:02:58.000 --> 2:03:02.600
<v Speaker 1>seventy six million in four years. I'm about accelerating opportunity.

2:03:03.160 --> 2:03:07.640
<v Speaker 1>But my philosophy was simple, give to the artists. Make

2:03:07.720 --> 2:03:11.760
<v Speaker 1>sure that this company benefits artists first and foremost, and

2:03:11.800 --> 2:03:13.960
<v Speaker 1>then everything else will come back. You know. It's just

2:03:14.120 --> 2:03:16.920
<v Speaker 1>like what the God says, born to born, right, that

2:03:17.160 --> 2:03:20.120
<v Speaker 1>that tent to agree, that that that knowledge has to

2:03:20.200 --> 2:03:23.720
<v Speaker 1>come back. So what you guys are doing for people

2:03:23.760 --> 2:03:25.960
<v Speaker 1>like me, and the reason I was able to make

2:03:26.040 --> 2:03:29.000
<v Speaker 1>my joint venture with Sony is this is an example. Well,

2:03:29.040 --> 2:03:31.280
<v Speaker 1>we're all building off each other's back. That's the point

2:03:31.360 --> 2:03:35.200
<v Speaker 1>that we've kind of been talking over. And it's also

2:03:35.280 --> 2:03:37.160
<v Speaker 1>you know, goes back to your union and goes back

2:03:37.200 --> 2:03:38.720
<v Speaker 1>to all the people that are here that make this

2:03:38.800 --> 2:03:42.200
<v Speaker 1>show possible. Your engineer, the sound guys, the guys that

2:03:43.120 --> 2:03:46.240
<v Speaker 1>you know, compromise their time. You know, the one most

2:03:46.280 --> 2:03:50.160
<v Speaker 1>valuable commodity we have beyond money is time. We don't

2:03:50.200 --> 2:03:52.600
<v Speaker 1>ever get it back this, you know, whatever time it

2:03:52.680 --> 2:03:54.160
<v Speaker 1>is now, because I don't want to date it because

2:03:54.160 --> 2:03:57.080
<v Speaker 1>it might be ever greeness content. The time we have now,

2:03:57.560 --> 2:04:01.840
<v Speaker 1>we never get it back. So let's manufacture our time

2:04:02.680 --> 2:04:05.600
<v Speaker 1>to equate the greatness you know what I mean, because

2:04:05.600 --> 2:04:09.280
<v Speaker 1>everything else is bullshit. Everything else don't mean ship. Yeah,

2:04:09.280 --> 2:04:11.640
<v Speaker 1>I mean. We can drink all the wine and we want.

2:04:11.720 --> 2:04:13.160
<v Speaker 1>We can drink all we can smoke all the we

2:04:13.320 --> 2:04:15.920
<v Speaker 1>we want, But if we don't maximize our time and

2:04:16.040 --> 2:04:18.360
<v Speaker 1>doing what you're doing and doing what you know, what

2:04:18.480 --> 2:04:22.880
<v Speaker 1>the fund is it for. That's true, that's true. That's true.

2:04:23.600 --> 2:04:25.960
<v Speaker 1>Let me ask you something real quick about Searchlight, because

2:04:26.080 --> 2:04:29.280
<v Speaker 1>I swear to God that I've seen Searchlight forever. Did

2:04:29.320 --> 2:04:33.840
<v Speaker 1>you sell the company? I closed it? The only thing

2:04:33.920 --> 2:04:37.280
<v Speaker 1>that exists now is Searchlight Publishing because there's just too much.

2:04:37.880 --> 2:04:40.600
<v Speaker 1>I mean, we got obviously, we got nas you know

2:04:40.840 --> 2:04:43.600
<v Speaker 1>that we administered but we also work with Ashley Rose

2:04:43.720 --> 2:04:46.080
<v Speaker 1>is a amazing writer. She wrote for a Seventh Street

2:04:46.120 --> 2:04:49.280
<v Speaker 1>Or Chris Brown, Body James, who's down with Griselda did

2:04:49.320 --> 2:04:52.520
<v Speaker 1>the VERSACEI tape. You know he's down with that. Kevil

2:04:52.600 --> 2:04:55.400
<v Speaker 1>de Grade, who wrote for like a gang of artists

2:04:55.400 --> 2:04:58.680
<v Speaker 1>in Atlanta, A man big said, who's down here working

2:04:58.720 --> 2:05:01.080
<v Speaker 1>with arn and working city girls and all that ship.

2:05:01.280 --> 2:05:04.440
<v Speaker 1>So the only thing that existed Searchlight, Searchlight publishing. Everything

2:05:04.480 --> 2:05:08.720
<v Speaker 1>else I closed. And when I had my own personal awakening,

2:05:09.240 --> 2:05:11.440
<v Speaker 1>I said to my wife, I said, you know, it

2:05:11.520 --> 2:05:15.400
<v Speaker 1>can't be about me anymore. I got amazing kids, You're amazing.

2:05:15.920 --> 2:05:18.760
<v Speaker 1>And if I would have spent a tenth of my

2:05:18.920 --> 2:05:21.040
<v Speaker 1>time listening to my wife, I would have been a

2:05:21.200 --> 2:05:23.920
<v Speaker 1>hundred times more successful. So I said to my wife,

2:05:24.360 --> 2:05:29.080
<v Speaker 1>take everything she My wife owns, the royalties, owns, the

2:05:29.160 --> 2:05:31.920
<v Speaker 1>publishing owns them, that everything. And if I want to

2:05:32.000 --> 2:05:35.480
<v Speaker 1>do something in business, I talked to Chantel. First, I

2:05:35.560 --> 2:05:40.160
<v Speaker 1>can't make any decisions. Yep, Black and Puerto Rican Right, Cool, Cool,

2:05:44.080 --> 2:05:58.720
<v Speaker 1>She's through. You see what's going to Gary Old is

2:05:58.760 --> 2:06:02.160
<v Speaker 1>still a right to the barbecue after us. So I'm

2:06:02.240 --> 2:06:04.320
<v Speaker 1>with him. I'm with my with my bride thirty three

2:06:04.400 --> 2:06:08.480
<v Speaker 1>years so. Um so when I created four Him seeing

2:06:08.880 --> 2:06:10.960
<v Speaker 1>and I made it about the kids, and I made

2:06:11.000 --> 2:06:14.120
<v Speaker 1>it about my wife. It's because that is that is,

2:06:14.400 --> 2:06:16.600
<v Speaker 1>that is my son, my my birth and my moon.

2:06:17.120 --> 2:06:20.200
<v Speaker 1>And if I would have because and I know he

2:06:20.320 --> 2:06:22.560
<v Speaker 1>got it in him, it's just something about blacks and

2:06:22.600 --> 2:06:24.640
<v Speaker 1>Puerto Ricans that got it in him. My wife was

2:06:25.120 --> 2:06:26.840
<v Speaker 1>she could sit me down with you for five minutes.

2:06:27.240 --> 2:06:29.600
<v Speaker 1>Five minutes, she'll walk away from table and say, don't

2:06:29.600 --> 2:06:32.640
<v Speaker 1>funk with him, or the opposite, fun with him. And

2:06:32.720 --> 2:06:35.840
<v Speaker 1>I used to say this, come on, you don't know, no,

2:06:37.120 --> 2:06:42.000
<v Speaker 1>not good beyond that, beyond that. And if I would

2:06:42.000 --> 2:06:44.880
<v Speaker 1>have just spent a tenth of my time with her

2:06:45.400 --> 2:06:49.280
<v Speaker 1>saying you're right, I would have been a hundred times

2:06:49.360 --> 2:06:53.520
<v Speaker 1>more successful a hundred times. So now the last five

2:06:53.640 --> 2:06:57.640
<v Speaker 1>years of my company with four him C has been

2:06:57.760 --> 2:07:00.240
<v Speaker 1>fifty times more successful than it's ever been in the

2:07:00.880 --> 2:07:03.760
<v Speaker 1>years pride, because I look at her and I say,

2:07:03.800 --> 2:07:06.440
<v Speaker 1>what do you think, m And she says, give me

2:07:06.480 --> 2:07:08.840
<v Speaker 1>all the information. She says to me, and I'll start

2:07:08.920 --> 2:07:12.960
<v Speaker 1>talking and she does, Michael land the plane, land the plane,

2:07:13.280 --> 2:07:15.720
<v Speaker 1>and then she says, I want to meet him yeah,

2:07:16.240 --> 2:07:19.680
<v Speaker 1>And if those two things don't happen, deals just just

2:07:19.920 --> 2:07:23.560
<v Speaker 1>doesn't happen. Beautiful. And I know you got it too.

2:07:29.000 --> 2:07:32.240
<v Speaker 1>So what's next, What's next? What's next? You know? What's next?

2:07:32.320 --> 2:07:36.560
<v Speaker 1>Honestly is Thomas Podcast Company. You know, I believe it's

2:07:36.560 --> 2:07:39.480
<v Speaker 1>a complete network. It's a joint venture that we did

2:07:39.560 --> 2:07:45.920
<v Speaker 1>with Sony and The Orchard. It is a entire organization. Um.

2:07:47.040 --> 2:07:52.520
<v Speaker 1>I believe that that the titles and the colloquialisms that

2:07:52.600 --> 2:07:55.560
<v Speaker 1>we put on our culture is fucked up because we

2:07:55.640 --> 2:07:57.480
<v Speaker 1>are not classic, we are not old school, and our

2:07:57.560 --> 2:08:02.080
<v Speaker 1>legend we are timeless. So I call everything I do timeless.

2:08:02.440 --> 2:08:06.840
<v Speaker 1>Thomless Podcast Coming Me, Thomless Um Distribution and and the

2:08:06.880 --> 2:08:10.000
<v Speaker 1>Thomless Podcast Companies about telling our stories, but telling it

2:08:10.080 --> 2:08:12.560
<v Speaker 1>in a way that will live forever. And one of

2:08:12.640 --> 2:08:15.080
<v Speaker 1>my favorite things to listen to in the archives radio

2:08:15.200 --> 2:08:20.160
<v Speaker 1>archives is Orson Welles when he did the broadcast in

2:08:20.240 --> 2:08:23.640
<v Speaker 1>nineteen World or the World Theater of the Mind, and

2:08:23.760 --> 2:08:26.720
<v Speaker 1>I wanted to do that times a hundred. And when

2:08:26.720 --> 2:08:29.960
<v Speaker 1>I heard Kane's story and he started blessing me, because

2:08:30.000 --> 2:08:32.240
<v Speaker 1>that's really what Kane did. I mean, he blessed me

2:08:32.520 --> 2:08:35.800
<v Speaker 1>with nine episodes of just should he never talked about.

2:08:36.640 --> 2:08:39.840
<v Speaker 1>I said, it can't be just this I got. I

2:08:39.920 --> 2:08:43.680
<v Speaker 1>want to hear the fucking leaves rustling on fucking on

2:08:43.840 --> 2:08:46.440
<v Speaker 1>his block. I want to hear yo. He grew up

2:08:46.440 --> 2:08:49.000
<v Speaker 1>across the street from Divine Sounds. I talked to Disco

2:08:49.160 --> 2:08:52.080
<v Speaker 1>Ritchie about what people do for money, and we built

2:08:52.120 --> 2:08:54.640
<v Speaker 1>the sound design all around that, you know what I'm saying,

2:08:54.640 --> 2:08:57.840
<v Speaker 1>so when you hear it, and even created at the show.

2:08:57.880 --> 2:08:59.680
<v Speaker 1>At the beginning of our show, a mercer of sound design,

2:09:00.080 --> 2:09:04.440
<v Speaker 1>we have a trademarked registered sound effect that was built

2:09:04.760 --> 2:09:08.480
<v Speaker 1>in a studio my Man Epic and Sugar Studios that

2:09:08.680 --> 2:09:13.400
<v Speaker 1>was built to encapsulate everything you're going to here, everything

2:09:13.440 --> 2:09:16.120
<v Speaker 1>that you hear. So everything that we do in Times

2:09:16.240 --> 2:09:18.800
<v Speaker 1>podcast is based on immersive sound design and we have

2:09:18.880 --> 2:09:22.240
<v Speaker 1>amazing partners and and you know obviously so there's there's

2:09:22.280 --> 2:09:23.760
<v Speaker 1>that It's called did I have tell you to one

2:09:23.800 --> 2:09:26.800
<v Speaker 1>about podcast? To have tell you about Big Daddy Kane

2:09:27.600 --> 2:09:31.760
<v Speaker 1>Um premiers a We got Search Says podcast, which is

2:09:31.840 --> 2:09:35.040
<v Speaker 1>just an interview, you know, kicking it with people. We

2:09:35.160 --> 2:09:38.160
<v Speaker 1>have the Breaking Animity podcast which is coming in the summer.

2:09:38.480 --> 2:09:40.920
<v Speaker 1>We have Line for Line which you're gonna love. It's

2:09:40.960 --> 2:09:44.280
<v Speaker 1>two m c s talking about how much they influenced

2:09:44.320 --> 2:09:47.000
<v Speaker 1>each other. So the first season is DMC and Chuck

2:09:47.120 --> 2:09:49.400
<v Speaker 1>d Here's here's a little and here's a little treat

2:09:49.440 --> 2:09:51.120
<v Speaker 1>for you. I'm I'm gonna I'm gonna bang your head

2:09:51.160 --> 2:09:53.560
<v Speaker 1>with this one. Get a little more sauced. I'm gonna

2:09:53.560 --> 2:09:56.919
<v Speaker 1>bang your head. The original name of DMC, the original

2:09:57.080 --> 2:10:02.600
<v Speaker 1>name that wasn't supposed to be in a group. DMC

2:10:02.840 --> 2:10:04.280
<v Speaker 1>was not supposed to be in the group. It was

2:10:04.320 --> 2:10:08.600
<v Speaker 1>just Joey, Joey and j smps. Right, Joey said, Hey,

2:10:08.800 --> 2:10:10.480
<v Speaker 1>I know you've got some ROMs come to the studio.

2:10:10.880 --> 2:10:13.360
<v Speaker 1>Just comes to the studio and kicked the rooms. And

2:10:13.440 --> 2:10:16.160
<v Speaker 1>they did. They did. Suck MC's right, he said at

2:10:16.160 --> 2:10:21.240
<v Speaker 1>the d m C. Right right. Russell says to Joey,

2:10:22.320 --> 2:10:24.880
<v Speaker 1>if this doesn't work out, we're gonna call the group

2:10:25.120 --> 2:10:28.400
<v Speaker 1>run the m C because it will be run. But

2:10:28.560 --> 2:10:31.000
<v Speaker 1>after Daryl kicked his verse, Russell was so happy. They

2:10:31.040 --> 2:10:35.280
<v Speaker 1>called it run DMC for Daryl McDaniels, and he blessed

2:10:35.480 --> 2:10:38.400
<v Speaker 1>us on our podcast. Were the first people that he

2:10:38.720 --> 2:10:41.880
<v Speaker 1>that he tells the whole story. That's what Timeless is

2:10:41.920 --> 2:10:44.720
<v Speaker 1>about man, It's making this ship evergreen so that when

2:10:44.760 --> 2:10:47.840
<v Speaker 1>people look back and we're gonna talk to the new artists,

2:10:47.840 --> 2:10:49.440
<v Speaker 1>we're gonna talk to them, and you know, we have

2:10:49.680 --> 2:10:51.600
<v Speaker 1>another great show that we're lining up and all of that.

2:10:51.720 --> 2:10:54.480
<v Speaker 1>But the time this podcast company is about this. It's

2:10:54.480 --> 2:10:57.440
<v Speaker 1>about making our stories evergreen, making them last for ever.

2:10:57.560 --> 2:11:00.560
<v Speaker 1>And Kana is the first iteration of them that makes

2:11:00.560 --> 2:11:08.040
<v Speaker 1>a noise of that. I ain't gonna love search. He

2:11:08.200 --> 2:11:11.600
<v Speaker 1>was my man. You actually one of the people that

2:11:13.280 --> 2:11:15.120
<v Speaker 1>I sit down and you tell your story and I

2:11:15.160 --> 2:11:19.080
<v Speaker 1>can co sign it all the way through. You are

2:11:19.120 --> 2:11:23.280
<v Speaker 1>absolutely right. Um. I met you to a Canelli. I

2:11:23.360 --> 2:11:26.680
<v Speaker 1>had my tr I record and a couple of records,

2:11:26.920 --> 2:11:29.360
<v Speaker 1>and you bruught me on tour. We went on tour.

2:11:29.480 --> 2:11:32.520
<v Speaker 1>We had a beautiful time, and I want to thank

2:11:32.600 --> 2:11:36.560
<v Speaker 1>you to your face as a man, because, um, there's

2:11:36.560 --> 2:11:37.920
<v Speaker 1>a lot of things that you did in the hip

2:11:37.960 --> 2:11:40.960
<v Speaker 1>hop that you didn't have to do, and you did it.

2:11:41.760 --> 2:11:43.800
<v Speaker 1>And just in case you ever not felt like you

2:11:43.920 --> 2:11:46.960
<v Speaker 1>got your flowers, So you get your flowers. We invented.

2:11:47.360 --> 2:11:50.160
<v Speaker 1>We ain't invent the actual statement of giving the flowers.

2:11:50.680 --> 2:11:55.800
<v Speaker 1>We we we made it famous. In the hip hop sorry,

2:11:56.080 --> 2:11:58.800
<v Speaker 1>because because I could just remember and it was so

2:11:58.920 --> 2:12:03.680
<v Speaker 1>beautiful like today and yesterday. I just spent these two

2:12:03.760 --> 2:12:06.440
<v Speaker 1>days just watching all your videos and I like, you know,

2:12:06.520 --> 2:12:08.120
<v Speaker 1>my man with them, you got you got more with

2:12:08.240 --> 2:12:11.280
<v Speaker 1>them to me on the like when I looked, I said,

2:12:11.280 --> 2:12:15.640
<v Speaker 1>I don't know if he was doing a little like

2:12:16.160 --> 2:12:18.600
<v Speaker 1>like you know, like he was really dicing like back

2:12:18.680 --> 2:12:24.920
<v Speaker 1>then you had the day he just ship was my

2:12:25.040 --> 2:12:27.520
<v Speaker 1>first tour that we haven't went on was too short, right,

2:12:28.120 --> 2:12:29.800
<v Speaker 1>because you know, we had the West coast and its

2:12:29.840 --> 2:12:31.440
<v Speaker 1>coast locked up, but we had to do the Midwest.

2:12:31.920 --> 2:12:34.040
<v Speaker 1>So Russell was telling me, oh, this is due too short,

2:12:34.200 --> 2:12:37.160
<v Speaker 1>and I'm like, oh, Bona macke I know about I

2:12:37.240 --> 2:12:39.960
<v Speaker 1>know about short talk. So we go and our first

2:12:40.000 --> 2:12:43.320
<v Speaker 1>show is, I don't know, somewhere blank, middle, middle of

2:12:43.400 --> 2:12:48.280
<v Speaker 1>the country, somewhere. We get on stage and typical New Yorker.

2:12:48.480 --> 2:12:52.240
<v Speaker 1>Everybody knows me, everybody knows third Days, right, You're thinking this,

2:12:52.400 --> 2:12:57.200
<v Speaker 1>of course, because I'm from New York. Everybody else, right, Yeah,

2:12:57.320 --> 2:13:03.280
<v Speaker 1>that's a factor. I don't go. There was New York

2:13:03.440 --> 2:13:10.640
<v Speaker 1>and then the rest of the world. So we're in

2:13:10.680 --> 2:13:14.760
<v Speaker 1>the middle of nowhere, right, it's just it's just mountains

2:13:15.080 --> 2:13:19.960
<v Speaker 1>and we're doing the show and Too Short loves all up. Yo,

2:13:20.080 --> 2:13:22.480
<v Speaker 1>hey player, blah blah blah blah blah, player player, Yo,

2:13:22.560 --> 2:13:24.600
<v Speaker 1>what up? Man? I go do your thing? Man, be

2:13:24.680 --> 2:13:27.680
<v Speaker 1>on stage and watch you do your thing. Yo, I'm

2:13:27.720 --> 2:13:30.040
<v Speaker 1>talking about the crowd was there. They were like, you know,

2:13:30.160 --> 2:13:33.080
<v Speaker 1>they were polite. You know, they were polite, and they

2:13:33.160 --> 2:13:34.760
<v Speaker 1>kind of knew our records for you, you know, from

2:13:34.800 --> 2:13:37.200
<v Speaker 1>BT and Young TV rep. Yo. I went out there,

2:13:37.280 --> 2:13:39.920
<v Speaker 1>dance in my asshole, I'm grabbing girls, I'm dancing me

2:13:40.000 --> 2:13:44.520
<v Speaker 1>and crowdstous game with us. So everybody, all the home

2:13:44.520 --> 2:13:50.400
<v Speaker 1>boysn't out right right we leave, We're like, too short,

2:13:51.200 --> 2:13:54.200
<v Speaker 1>crowd is going crazy. Even before he touches the stage,

2:13:54.600 --> 2:14:01.400
<v Speaker 1>Too Short walked across the stage and went and that's

2:14:01.400 --> 2:14:08.640
<v Speaker 1>all he did for forty five and annihilated us. Annihilated us.

2:14:08.680 --> 2:14:10.440
<v Speaker 1>We got back to the bus, it was like three

2:14:10.600 --> 2:14:13.400
<v Speaker 1>people there at his bus. It couldn't even leave. So

2:14:13.440 --> 2:14:15.360
<v Speaker 1>I'm like, oh, he must have this city on lock.

2:14:15.480 --> 2:14:18.960
<v Speaker 1>We'll go to the next one. It was Oklahoma, same ship.

2:14:19.760 --> 2:14:22.000
<v Speaker 1>I'm dancing. I mean, I'm now I'm doing the worm.

2:14:22.360 --> 2:14:26.320
<v Speaker 1>I'm trying to get yo. I'm I'm like, yo, I'm

2:14:26.360 --> 2:14:32.200
<v Speaker 1>just just all this stuff hop through my leg? Can

2:14:32.280 --> 2:14:40.240
<v Speaker 1>it play style? Like I'm fucking amped? Right, And that's

2:14:40.280 --> 2:14:42.160
<v Speaker 1>when I knew. So there's two times when I knew

2:14:42.160 --> 2:14:49.040
<v Speaker 1>that New York wasn't ship. That was a fact, but

2:14:49.160 --> 2:14:51.480
<v Speaker 1>it is what it is. But the second one was

2:14:51.600 --> 2:14:53.520
<v Speaker 1>when we went on the on the road public Enemy.

2:14:53.680 --> 2:14:57.160
<v Speaker 1>So it's publicly Enemy, digital underground quin laity for native tongues. Right,

2:14:57.280 --> 2:14:59.480
<v Speaker 1>we get down south and I used to love. What

2:14:59.520 --> 2:15:00.880
<v Speaker 1>I used to of is I usaid, love to go

2:15:00.920 --> 2:15:03.000
<v Speaker 1>to side of stage and see the lineup because it

2:15:03.040 --> 2:15:05.640
<v Speaker 1>would usually be bah blah blah blah blah or Cane

2:15:05.680 --> 2:15:07.960
<v Speaker 1>and then Cane and Public Enemy or third Base Public Enemy.

2:15:08.520 --> 2:15:12.520
<v Speaker 1>We get down South Vanmouge blah blah blah blah blah,

2:15:13.080 --> 2:15:15.560
<v Speaker 1>Third Base, Public Enemy, two Love Crew, and I'm like, oh,

2:15:15.640 --> 2:15:18.480
<v Speaker 1>this's gotta be a problem here. And I go to Chuck.

2:15:19.000 --> 2:15:22.440
<v Speaker 1>I said, Chuck the honest, they funked up the lineup.

2:15:23.480 --> 2:15:25.640
<v Speaker 1>He's like, no, one, No, they didn't. I said, yeah

2:15:25.640 --> 2:15:28.440
<v Speaker 1>they did, man, you're fucking public Enemy. He's like watch

2:15:29.240 --> 2:15:31.480
<v Speaker 1>and I said, watch what fucking two Love Crew? They

2:15:31.560 --> 2:15:34.840
<v Speaker 1>got one record? He says, search shut up and watch,

2:15:35.680 --> 2:15:37.960
<v Speaker 1>and we got to the southe of the stage. We performed,

2:15:38.000 --> 2:15:42.680
<v Speaker 1>crowd goes crazy. Public Enemy performs, crowd goes crazy, and

2:15:42.760 --> 2:15:46.520
<v Speaker 1>then all of a sudden the cops come in. And

2:15:46.600 --> 2:15:48.920
<v Speaker 1>then all of a sudden, two Love Crew hits the

2:15:49.000 --> 2:15:51.480
<v Speaker 1>stage and Luke says, hey, they ain't going out to

2:15:51.480 --> 2:15:54.320
<v Speaker 1>say that works? Are you're gonna say him? Hey, we

2:15:54.480 --> 2:15:59.320
<v Speaker 1>want to pose? And they didn't have to say one word.

2:15:59.840 --> 2:16:01.640
<v Speaker 1>I never seen a dance like this in my life.

2:16:01.680 --> 2:16:05.080
<v Speaker 1>The upper row they were doing like fucking musical chairs

2:16:05.160 --> 2:16:13.720
<v Speaker 1>around chairs, fucking talle no. So they didn't even do

2:16:14.000 --> 2:16:16.600
<v Speaker 1>they didn't even do the record. They didn't even do

2:16:16.680 --> 2:16:19.640
<v Speaker 1>me so Hawny, they didn't even do that. Then he goes,

2:16:20.040 --> 2:16:24.320
<v Speaker 1>they don't say word, so d dud, dude. I'm like,

2:16:24.440 --> 2:16:28.040
<v Speaker 1>what the fund are working with these motherfucker's? Did I

2:16:28.360 --> 2:16:31.040
<v Speaker 1>recognized never gonna hurt before they got to me, so

2:16:31.200 --> 2:16:34.720
<v Speaker 1>harny and I just and I feel the tap on

2:16:34.800 --> 2:16:37.720
<v Speaker 1>my shoulder and he turned around it's and it's chucked

2:16:37.760 --> 2:16:39.880
<v Speaker 1>and he says, you always let the hottest group close.

2:16:41.520 --> 2:16:46.080
<v Speaker 1>So fast forward. We're in Europe. We're doing Public Enemy

2:16:46.160 --> 2:16:49.560
<v Speaker 1>Third Base World Tour. We have the number one record

2:16:49.720 --> 2:16:52.560
<v Speaker 1>in the country of gas face. At the time, the

2:16:52.680 --> 2:16:55.360
<v Speaker 1>Queen of England was trying to pass a law called

2:16:55.400 --> 2:16:58.560
<v Speaker 1>the poll Tax p O L L Tax, and basically

2:16:58.640 --> 2:17:00.560
<v Speaker 1>what it said was Pauliaman was trying and say, okay,

2:17:01.080 --> 2:17:03.280
<v Speaker 1>every person in every household has to pay a flat

2:17:03.320 --> 2:17:07.640
<v Speaker 1>tax pounds. Now, if you're a blue collar worker and

2:17:07.760 --> 2:17:10.880
<v Speaker 1>you got mom, dad, two kids, ten thousand pounds forty

2:17:10.920 --> 2:17:13.160
<v Speaker 1>thousand a year pounds, it's fine, it's not a big deal.

2:17:13.760 --> 2:17:16.720
<v Speaker 1>But in the Trinity neighborhoods in Brixton and South London,

2:17:17.360 --> 2:17:19.640
<v Speaker 1>you know, they had twelve people living under a roof

2:17:20.200 --> 2:17:23.720
<v Speaker 1>Caribbean families. They couldn't afford that. Fucking yo. That's that's

2:17:23.800 --> 2:17:26.320
<v Speaker 1>they don't They're not even bringing that home. It was

2:17:26.480 --> 2:17:30.520
<v Speaker 1>civil unrest. I mean it was like black lives matter

2:17:30.959 --> 2:17:35.440
<v Speaker 1>before black lives matter, I mean ash fucking barrels burning

2:17:35.480 --> 2:17:38.120
<v Speaker 1>in the streets, no poll tax, all of that. We

2:17:38.200 --> 2:17:40.440
<v Speaker 1>go to Brixton Academy, which is like the old one

2:17:40.480 --> 2:17:44.000
<v Speaker 1>of the oldest theaters in London. In Brixton, I look

2:17:44.040 --> 2:17:53.240
<v Speaker 1>at the public enemy third base right, So I'm like, okay, okay, okay, Flavor.

2:17:53.280 --> 2:17:55.560
<v Speaker 1>I'll never forget this. So this is this old rickety

2:17:55.600 --> 2:18:00.680
<v Speaker 1>building with the base the building shaking. Flavor gets on

2:18:00.879 --> 2:18:06.720
<v Speaker 1>top of a six stacked set of speakers and doing

2:18:06.800 --> 2:18:09.160
<v Speaker 1>his Flavor dance. And this thing is rocking like this

2:18:09.640 --> 2:18:11.760
<v Speaker 1>like I thought he was gonna kill himself. Crowd is

2:18:11.879 --> 2:18:16.120
<v Speaker 1>going crazy. Trainees Pepper had Caribbean heads. Everybody. It's in

2:18:16.200 --> 2:18:19.440
<v Speaker 1>the middle of Brixton. I come on stage. We come

2:18:19.480 --> 2:18:22.360
<v Speaker 1>on stage. Crowd goes crazy. Right, We're gonna end with

2:18:22.440 --> 2:18:25.920
<v Speaker 1>gas face. Everybody m c search. I cut off the music.

2:18:26.760 --> 2:18:29.680
<v Speaker 1>I said, yo, black Cat is bad and I'm screaming

2:18:29.720 --> 2:18:32.440
<v Speaker 1>it as loud as I can. Black Cat is bad luck.

2:18:32.840 --> 2:18:35.720
<v Speaker 1>Bad guys wear black. Must have been the same queen

2:18:35.800 --> 2:18:40.680
<v Speaker 1>that set up the poll tax get the We couldn't

2:18:40.720 --> 2:18:44.119
<v Speaker 1>even finish the song. They ran into the streets they

2:18:44.280 --> 2:18:48.640
<v Speaker 1>I mean it was crazy. Next day London Times Third

2:18:48.720 --> 2:18:52.680
<v Speaker 1>Base gives the queen the gas face crazy right, crazy.

2:18:53.160 --> 2:18:55.800
<v Speaker 1>We tore the country. We come back. We do Wembley,

2:18:56.200 --> 2:18:59.520
<v Speaker 1>hundred and sixty thousand people. Biggest show I ever seen

2:18:59.560 --> 2:19:03.560
<v Speaker 1>in my life. Well the tennis shit Wimbley, No, that's

2:19:03.600 --> 2:19:08.200
<v Speaker 1>when that's Wembley. The thing this is Wibley Arena. All right,

2:19:09.400 --> 2:19:12.480
<v Speaker 1>it's like a hundred sixty thousand people and it's now

2:19:12.560 --> 2:19:15.200
<v Speaker 1>a third base and p that I go out there

2:19:15.200 --> 2:19:18.240
<v Speaker 1>and we do gas and before my even verse comes on,

2:19:18.640 --> 2:19:21.600
<v Speaker 1>the whole crowd black cat is bad luck. Bad guys

2:19:21.680 --> 2:19:23.400
<v Speaker 1>were black must have been the same queen and set

2:19:23.440 --> 2:19:27.080
<v Speaker 1>up the poll tech. Crowd went crazy. Crowd went crazy.

2:19:28.760 --> 2:19:32.840
<v Speaker 1>I learned from from those guys that you always let

2:19:33.400 --> 2:19:35.600
<v Speaker 1>the hottest group close. And when we went on tour

2:19:36.400 --> 2:19:38.960
<v Speaker 1>on third days and we found out about Noughty and

2:19:39.000 --> 2:19:41.280
<v Speaker 1>we found about Cyprus. When we were on the west coast,

2:19:41.400 --> 2:19:45.560
<v Speaker 1>we let them close. Nordy, North Norton, Nordy on the

2:19:45.600 --> 2:19:48.200
<v Speaker 1>east coast. Yeah, but they were the hottest on the west.

2:19:48.440 --> 2:19:51.640
<v Speaker 1>It was hottest on the west. Okay, all right now,

2:19:51.720 --> 2:19:56.440
<v Speaker 1>I also saw one thing too that you said you

2:19:56.560 --> 2:19:59.640
<v Speaker 1>knew bush with Bill from bush Oh, yeah, from Brooklyn

2:20:00.040 --> 2:20:02.280
<v Speaker 1>Busher Bills from Bushwick. Yeah, that's why they called him

2:20:02.280 --> 2:20:08.199
<v Speaker 1>Bushwick Bill. I mean it makes sense. They were from Texas.

2:20:08.760 --> 2:20:11.200
<v Speaker 1>Come on, man, DJ permitted from Texas to him. But

2:20:11.280 --> 2:20:17.320
<v Speaker 1>he's from Brooklyn, now, yo. That fucked me up. As

2:20:17.360 --> 2:20:22.879
<v Speaker 1>we see him with Jake friends, he's freaking move man,

2:20:22.920 --> 2:20:30.240
<v Speaker 1>I'm from I didn't know it's different like I thought

2:20:30.320 --> 2:20:33.640
<v Speaker 1>there was. It did make sense when you said it, right,

2:20:34.120 --> 2:20:36.960
<v Speaker 1>but I was like, wait a minute, he's I thought

2:20:37.040 --> 2:20:39.720
<v Speaker 1>they were all from Texas. Well they well they eventually

2:20:39.760 --> 2:20:42.720
<v Speaker 1>worked from Texas. So you knew him from Brooklyn? How

2:20:42.800 --> 2:20:45.120
<v Speaker 1>the fund did you meet Bushwick? Building? Just from being

2:20:45.160 --> 2:20:46.800
<v Speaker 1>around the scene and broken, Like I told you, I'm

2:20:46.840 --> 2:20:50.320
<v Speaker 1>the Forest Gump. I was everywhere, like I was working everywhere,

2:20:50.400 --> 2:20:53.000
<v Speaker 1>So I met I met Bill Um when I was

2:20:53.080 --> 2:20:55.720
<v Speaker 1>with the Bad Boys inspect the guy. You remember that record,

2:20:56.320 --> 2:20:58.960
<v Speaker 1>So that they have to do is we're from bed Stide.

2:20:58.959 --> 2:21:01.920
<v Speaker 1>The other dudes were from brown Will and we just

2:21:02.000 --> 2:21:05.240
<v Speaker 1>bumped in the Bill and yeah, we just became cool.

2:21:06.040 --> 2:21:08.360
<v Speaker 1>And then like maybe maybe six months a year, lady

2:21:08.440 --> 2:21:13.480
<v Speaker 1>moved to Houston. Okay, bush your bills originally from Bushwick.

2:21:14.200 --> 2:21:18.600
<v Speaker 1>That's why they call him bush Maybe that's why they traded.

2:21:19.000 --> 2:21:22.080
<v Speaker 1>They traded Premier for Busher Bill. I don't know, hell

2:21:22.160 --> 2:21:25.600
<v Speaker 1>of a trade. That's a hell of a trader's fucking

2:21:25.640 --> 2:21:28.280
<v Speaker 1>great trades of me. Man it man, you let me

2:21:28.360 --> 2:21:32.760
<v Speaker 1>tell you some legends, both legends. Man. I can't thank

2:21:32.760 --> 2:21:39.520
<v Speaker 1>you so much. My brother like, um, wow, So do

2:21:39.560 --> 2:21:41.000
<v Speaker 1>you know I was gonna ask you not to smoke

2:21:41.080 --> 2:21:43.520
<v Speaker 1>weed here? Right? Yeah, it was gonna happen. No, I

2:21:43.600 --> 2:21:47.360
<v Speaker 1>know that's but I just want to let you go

2:21:47.520 --> 2:21:49.160
<v Speaker 1>to your face and I love you. Yeah, I let

2:21:49.200 --> 2:21:51.720
<v Speaker 1>you to b and I hope we exchanged numbers and

2:21:51.760 --> 2:21:54.840
<v Speaker 1>I hope we get to break. Yes. Listen, listen to me, bro.

2:21:55.680 --> 2:21:59.280
<v Speaker 1>You are what we call a legend. You are what

2:21:59.480 --> 2:22:03.119
<v Speaker 1>we call hip hop official or a person that stood

2:22:03.240 --> 2:22:05.920
<v Speaker 1>with the test of time and it's still standing there.

2:22:06.120 --> 2:22:08.280
<v Speaker 1>We want to tell you that to your face. We said,

2:22:08.320 --> 2:22:10.440
<v Speaker 1>we talked about you like that when you're not around.

2:22:10.560 --> 2:22:12.040
<v Speaker 1>We want to talk about you like that when you

2:22:12.120 --> 2:22:15.920
<v Speaker 1>are around. The stories that like interviews. It was crazy

2:22:15.959 --> 2:22:17.840
<v Speaker 1>because I just came from New York and I missed

2:22:17.879 --> 2:22:19.520
<v Speaker 1>my flash supposed to go to l A and then

2:22:19.680 --> 2:22:22.480
<v Speaker 1>come here. But it was great because I had I

2:22:22.560 --> 2:22:25.080
<v Speaker 1>did two days study on you. So I'm just keep

2:22:25.240 --> 2:22:27.320
<v Speaker 1>rolling up. I'm just keep rolling up, and I'm like,

2:22:28.000 --> 2:22:30.760
<v Speaker 1>I'm trying to figure out win and this will be

2:22:30.879 --> 2:22:36.520
<v Speaker 1>my last question. That all right, Because when I couldn't

2:22:36.600 --> 2:22:40.920
<v Speaker 1>look at people time capsule of this game, I canna

2:22:40.920 --> 2:22:46.440
<v Speaker 1>say this, motherfucker hated hip hop here m hm. When

2:22:46.480 --> 2:22:48.440
<v Speaker 1>I look at my own ship, oh, I know when

2:22:48.480 --> 2:22:53.720
<v Speaker 1>I hated it. I look at other people ship, I

2:22:53.879 --> 2:23:00.240
<v Speaker 1>know when they definitively I could not if you could

2:23:00.240 --> 2:23:02.760
<v Speaker 1>correct me if I'm wrong, if there was ever a

2:23:02.920 --> 2:23:06.800
<v Speaker 1>moment that you did just say, this is not what

2:23:07.000 --> 2:23:09.080
<v Speaker 1>I signed up for. This is not what I wanted

2:23:09.080 --> 2:23:11.680
<v Speaker 1>to be a part of. When I looked at the

2:23:11.879 --> 2:23:15.760
<v Speaker 1>footage that is available and the Googles that is available,

2:23:16.160 --> 2:23:18.040
<v Speaker 1>was there ever moment where he was just like, man,

2:23:18.240 --> 2:23:21.480
<v Speaker 1>this is this is not it. This is not what

2:23:21.600 --> 2:23:23.360
<v Speaker 1>I want to be a part of. All this is?

2:23:24.680 --> 2:23:30.960
<v Speaker 1>Was there? Everyone? No? Never? No? This culture gave me everything. Okay,

2:23:31.080 --> 2:23:35.600
<v Speaker 1>So was there any point you was disappointed? Yes? Tell

2:23:35.640 --> 2:23:40.000
<v Speaker 1>me no one. Yes, When when Vnilis and Hammer were

2:23:40.440 --> 2:23:43.200
<v Speaker 1>on the radio and all people respect that we're not

2:23:43.360 --> 2:23:48.120
<v Speaker 1>on the radio. Um, that's that's that for me? Was

2:23:48.360 --> 2:23:52.800
<v Speaker 1>harper um. You know. I always tried, and again I

2:23:52.800 --> 2:23:54.879
<v Speaker 1>don't like to use finite words, but I'll use it here.

2:23:55.520 --> 2:24:01.160
<v Speaker 1>I always tried my best two figure out how I

2:24:01.240 --> 2:24:03.840
<v Speaker 1>can contribute the best way I could, even in building

2:24:03.920 --> 2:24:06.240
<v Speaker 1>nonfiction and being a part of that and having a

2:24:06.840 --> 2:24:08.960
<v Speaker 1>plan and going to Geffen and just saying, Hey, these

2:24:08.959 --> 2:24:10.680
<v Speaker 1>guys are gonna be the Ramons of hip hop. Like

2:24:11.000 --> 2:24:13.120
<v Speaker 1>I just knew it, Like I just knew that they

2:24:13.160 --> 2:24:15.960
<v Speaker 1>didn't need radio to be millionaires and you know, sell

2:24:16.040 --> 2:24:18.800
<v Speaker 1>millions of records and just building a studio with Necro

2:24:18.879 --> 2:24:23.120
<v Speaker 1>and Ill Bill in the middle of Brooklyn and making music. Um. No,

2:24:23.400 --> 2:24:27.520
<v Speaker 1>there's never been a term io hip hop everything. Um.

2:24:28.040 --> 2:24:30.400
<v Speaker 1>If it wasn't for this culture accepting me and allowing

2:24:30.480 --> 2:24:33.720
<v Speaker 1>me to do what I do, Um, your girl would

2:24:33.760 --> 2:24:35.960
<v Speaker 1>be telling me to go get a side seven shoot

2:24:36.240 --> 2:24:42.360
<v Speaker 1>at North Room. Um. I everything that I've done in

2:24:42.480 --> 2:24:46.640
<v Speaker 1>my in my career has been around the philosophy that

2:24:46.720 --> 2:24:50.160
<v Speaker 1>I was taught in the culture peace, unity, love and

2:24:50.200 --> 2:24:56.080
<v Speaker 1>having fun and the tenants of this culture. Um. Because

2:24:56.160 --> 2:24:57.760
<v Speaker 1>you know, I come from a place where there was

2:24:57.840 --> 2:25:00.959
<v Speaker 1>no term it's hip hop. I heard Graham Mix said

2:25:01.040 --> 2:25:03.520
<v Speaker 1>dst say, just like you know, the term hip hop

2:25:03.600 --> 2:25:05.720
<v Speaker 1>was a derogatory term. We didn't want it to be

2:25:05.800 --> 2:25:07.959
<v Speaker 1>called that. When I was coming up, it was kids

2:25:08.200 --> 2:25:10.400
<v Speaker 1>dancing in the street, writing their names on the walls,

2:25:11.000 --> 2:25:13.600
<v Speaker 1>DJ and and parties and and rapping in in the

2:25:13.640 --> 2:25:17.280
<v Speaker 1>street like there was no thing. I think the new

2:25:17.360 --> 2:25:19.840
<v Speaker 1>York Times called it that, or The New Yorker. We

2:25:19.879 --> 2:25:21.760
<v Speaker 1>don't want to call it that, but we adapted, right.

2:25:22.840 --> 2:25:26.000
<v Speaker 1>I owe this culture everything. Then I don't know what

2:25:26.160 --> 2:25:28.440
<v Speaker 1>I would I would be a shoe salesman. I'm sure

2:25:28.480 --> 2:25:30.520
<v Speaker 1>I would be selling something, but I would not be

2:25:30.760 --> 2:25:32.680
<v Speaker 1>where I am, and I would not be able to

2:25:32.760 --> 2:25:36.040
<v Speaker 1>afford the life that I have, and I would not

2:25:36.160 --> 2:25:39.760
<v Speaker 1>be able to afford the family that I have. UM

2:25:42.120 --> 2:25:44.120
<v Speaker 1>but no, and I still look for new music, and

2:25:44.160 --> 2:25:47.200
<v Speaker 1>I still love new talent, and I still try to

2:25:47.280 --> 2:25:49.199
<v Speaker 1>find I still try to get up on ship before

2:25:49.200 --> 2:25:51.840
<v Speaker 1>anybody else. I got a cool homeboys that we called

2:25:51.879 --> 2:25:54.160
<v Speaker 1>and I'm like, hell, you up on Marcus Kraft, you

2:25:54.320 --> 2:25:56.760
<v Speaker 1>up on blah blah blah. You know, I'm still that dude.

2:25:56.879 --> 2:25:59.200
<v Speaker 1>I'm still that, you know, seventeen year old kids that

2:25:59.240 --> 2:26:01.800
<v Speaker 1>instead of going an sol, instead of going to J

2:26:01.920 --> 2:26:04.320
<v Speaker 1>and R Music World, instead of going to like, you know,

2:26:04.480 --> 2:26:07.440
<v Speaker 1>whether the record spot was in every place in this country.

2:26:08.080 --> 2:26:11.480
<v Speaker 1>I'm on the internet trying to find who's next, you know.

2:26:11.600 --> 2:26:15.240
<v Speaker 1>Like when I heard J Cole's warm up, when I

2:26:15.320 --> 2:26:18.520
<v Speaker 1>heard Lights Please, I said to my homeboy, I said, Yo,

2:26:18.600 --> 2:26:20.000
<v Speaker 1>this kid is about to be the greatest one of

2:26:20.040 --> 2:26:23.080
<v Speaker 1>the greatest lights. Please, if you haven't heard that record,

2:26:23.080 --> 2:26:24.360
<v Speaker 1>I don't know if you have or not. I would

2:26:24.360 --> 2:26:26.560
<v Speaker 1>strongly suggest we spent some time with that record. But

2:26:26.680 --> 2:26:28.720
<v Speaker 1>that what's what's your what's your favorite moment of hip

2:26:28.720 --> 2:26:32.520
<v Speaker 1>hop without you? Without you participate in? Oh, I mean,

2:26:32.560 --> 2:26:35.680
<v Speaker 1>there's so many bro um. The one that comes up

2:26:35.720 --> 2:26:39.160
<v Speaker 1>to up to the one one of my favorites is

2:26:39.280 --> 2:26:42.880
<v Speaker 1>krs at the Latin Quarter about to perform you know,

2:26:42.959 --> 2:26:50.440
<v Speaker 1>the South Bronx And while he's on stage. Oh so,

2:26:50.600 --> 2:26:53.480
<v Speaker 1>just so we're clear, I was the first person with

2:26:53.640 --> 2:26:56.520
<v Speaker 1>scholar Rockney recent Peace. I was there when the first

2:26:56.600 --> 2:27:00.080
<v Speaker 1>time that record ever got played in the club. So

2:27:00.160 --> 2:27:03.920
<v Speaker 1>I'm watching Cares and Scott get on stage and Mellie

2:27:03.959 --> 2:27:10.400
<v Speaker 1>mell comes behind him and wants to battle him, and

2:27:11.000 --> 2:27:14.400
<v Speaker 1>mel pulls out a Hunted and from the stage it

2:27:14.440 --> 2:27:18.160
<v Speaker 1>looked like it was a pretty crumpled hunted. And Chris

2:27:18.200 --> 2:27:21.360
<v Speaker 1>said hunted and he turned to Scott and Scott handed

2:27:21.440 --> 2:27:23.000
<v Speaker 1>him a band a thousand. He said, how about a

2:27:23.080 --> 2:27:28.200
<v Speaker 1>thousand South Brons came on? It was a southron crowd

2:27:28.320 --> 2:27:31.840
<v Speaker 1>went fucking ape ship and that was that was the record.

2:27:31.879 --> 2:27:34.360
<v Speaker 1>The Queen's was not no, not not at all. It

2:27:34.440 --> 2:27:37.080
<v Speaker 1>was just stating the fact it was not an mc

2:27:37.200 --> 2:27:40.080
<v Speaker 1>shann I have pictures of and it's in Paradise's Book

2:27:40.120 --> 2:27:43.080
<v Speaker 1>of Shannon and Cares hanging out together in the in

2:27:43.160 --> 2:27:45.840
<v Speaker 1>the LQ. You know what I'm saying. And that's one

2:27:45.840 --> 2:27:47.520
<v Speaker 1>of the things, like you when you talk about East

2:27:47.560 --> 2:27:49.480
<v Speaker 1>West and you talk about this and that, like that's

2:27:49.520 --> 2:27:52.640
<v Speaker 1>the streets that magnified that the hottest, even even Magic

2:27:52.720 --> 2:27:55.160
<v Speaker 1>and read alber cool like they weren't. They didn't have

2:27:55.200 --> 2:27:57.320
<v Speaker 1>beef with each other. We magnified that in the street.

2:27:59.240 --> 2:28:00.800
<v Speaker 1>But that's one of my favorite that's one of my

2:28:00.879 --> 2:28:04.280
<v Speaker 1>favorite memories of hip hop that I always that sticks

2:28:04.360 --> 2:28:06.200
<v Speaker 1>with me. You know, Scottler Rock was like my big

2:28:06.240 --> 2:28:10.040
<v Speaker 1>brother and uh and I was. I was at the

2:28:10.280 --> 2:28:14.200
<v Speaker 1>I was there when Kay arrests and Ms Melody and

2:28:14.280 --> 2:28:18.880
<v Speaker 1>Scotty Morris walked out of the Bronx hospital when they

2:28:18.920 --> 2:28:21.480
<v Speaker 1>found out that he was brained it and they were

2:28:21.520 --> 2:28:23.520
<v Speaker 1>just he just walked past me, he didn't even acknowledge

2:28:23.520 --> 2:28:25.520
<v Speaker 1>me and kept numbling the same thing. We just got

2:28:25.640 --> 2:28:28.279
<v Speaker 1>to move on. We just gotta move on. And Friday

2:28:28.360 --> 2:28:33.720
<v Speaker 1>was the show with Malison Square Garden. Wow, I'm the

2:28:33.800 --> 2:28:37.720
<v Speaker 1>forest gump. Damn it, God, damn man, make him motherfucker

2:28:37.840 --> 2:28:43.959
<v Speaker 1>mc Motherfucker's So he went to a house without giving

2:28:44.000 --> 2:28:47.640
<v Speaker 1>me some gifts. So I got some gifts for y'all. Yep,

2:28:48.040 --> 2:28:51.720
<v Speaker 1>I brought some gifts. So before I leave, you got

2:28:51.760 --> 2:28:54.520
<v Speaker 1>this stingy pat. That's for you, and that's for you.

2:28:55.760 --> 2:28:59.320
<v Speaker 1>And that's for you, and that's for you. And I

2:28:59.400 --> 2:29:03.520
<v Speaker 1>got two more in my pocket. So this is the

2:29:03.560 --> 2:29:07.560
<v Speaker 1>thirtieth anniversary at Derrels and the thirtieth anniversary of Pop

2:29:07.640 --> 2:29:11.440
<v Speaker 1>Goes the Weasel, and the anniversity of camd mr Hood.

2:29:11.560 --> 2:29:14.640
<v Speaker 1>So those are our challenge coins that would drop in

2:29:16.400 --> 2:29:19.640
<v Speaker 1>dot com. Not challenge coins, challenge your coins. And I

2:29:19.680 --> 2:29:21.840
<v Speaker 1>got stands for y'all, so I wanted you all to

2:29:21.879 --> 2:29:23.680
<v Speaker 1>have them there. The first off the mint, so your

2:29:23.680 --> 2:29:27.040
<v Speaker 1>guys are the first ones to get. There's a camera

2:29:27.120 --> 2:29:33.520
<v Speaker 1>as we could uh zoom. We had him in the velvet.

2:29:33.560 --> 2:29:34.760
<v Speaker 1>In the velvet. You know, we have to do a

2:29:34.800 --> 2:29:36.920
<v Speaker 1>proper We have to do it properly, definitely, So you're

2:29:36.920 --> 2:29:39.200
<v Speaker 1>ready to do the two, when you're ready to do

2:29:39.320 --> 2:29:41.920
<v Speaker 1>the when you're ready to do the CNN one, do

2:29:42.000 --> 2:29:44.440
<v Speaker 1>you let me know, let's go. I have no idea

2:29:44.520 --> 2:29:47.480
<v Speaker 1>what we were doing come out, but I'm it's just

2:29:47.600 --> 2:29:50.200
<v Speaker 1>a coin. It's just a coin, bro, it's that big coin. No,

2:29:50.360 --> 2:29:52.960
<v Speaker 1>it's a collective coin. N not an n f T,

2:29:53.160 --> 2:29:57.400
<v Speaker 1>but I will share this is it and April fift

2:29:59.080 --> 2:30:03.000
<v Speaker 1>n f T Ernie Panicoli, we're creating an n f

2:30:03.120 --> 2:30:11.800
<v Speaker 1>T of his infamous Biggie in the image quick. NFC

2:30:11.959 --> 2:30:16.280
<v Speaker 1>stands for non fungible token. It's a digital basically a

2:30:16.400 --> 2:30:20.200
<v Speaker 1>digital imprint or digital code thank you, and that digital

2:30:20.280 --> 2:30:22.560
<v Speaker 1>code is encrypted with a watermark. It's a one of one,

2:30:22.680 --> 2:30:26.040
<v Speaker 1>authenticated by the blockchain, right, and you can either buy

2:30:26.120 --> 2:30:28.480
<v Speaker 1>it on an auction, either cash or crypto or both.

2:30:29.160 --> 2:30:31.640
<v Speaker 1>The one that we're doing on April five will be ethereum.

2:30:32.160 --> 2:30:35.920
<v Speaker 1>We partnered with Ethereum to do that um. If you're unfamiliar,

2:30:36.240 --> 2:30:39.880
<v Speaker 1>go to open c dot com and we will help

2:30:40.320 --> 2:30:43.240
<v Speaker 1>those who want to get involved open up a crypto wallet,

2:30:43.680 --> 2:30:46.040
<v Speaker 1>because that's the other part of the education is if

2:30:46.080 --> 2:30:48.680
<v Speaker 1>you want to get wealth, real wealth, then you have

2:30:48.760 --> 2:30:52.720
<v Speaker 1>to understand cryptocurrency. So we would one of the apps

2:30:53.720 --> 2:30:56.360
<v Speaker 1>open Sea. So we are helping those who want to

2:30:56.440 --> 2:31:00.800
<v Speaker 1>be involved in this n f t auction create their

2:31:00.879 --> 2:31:04.480
<v Speaker 1>cryptocurrency wallet, so you can do that, and then we'll

2:31:04.480 --> 2:31:09.560
<v Speaker 1>be doing others towards We're actually working on something that's great.

2:31:09.959 --> 2:31:11.560
<v Speaker 1>That's great. Well, if you really want to get some money,

2:31:11.560 --> 2:31:18.640
<v Speaker 1>you holler at me. Let's take some pictures to take

2:31:18.680 --> 2:31:22.520
<v Speaker 1>a drop and this is it. Thanks for joining us

2:31:22.560 --> 2:31:25.160
<v Speaker 1>for another episode of Drink Champs hosted by yours truly,

2:31:25.280 --> 2:31:27.880
<v Speaker 1>d J E F and n O r E. Please

2:31:27.920 --> 2:31:30.120
<v Speaker 1>make sure to follow us on all our socials. Let's

2:31:30.120 --> 2:31:33.720
<v Speaker 1>add drink Champs across all platforms at the Real Noriegan

2:31:33.800 --> 2:31:37.360
<v Speaker 1>I g at Noriega on Twitter, mine is at Who's

2:31:37.360 --> 2:31:40.240
<v Speaker 1>Crazy on I g at d J e f N

2:31:40.320 --> 2:31:42.720
<v Speaker 1>on Twitter, and most importantly, stay up to date with

2:31:42.800 --> 2:31:46.160
<v Speaker 1>the latest releases, news and merge by going to drink

2:31:46.280 --> 2:31:53.000
<v Speaker 1>champs dot com. For more podcasts from my heart Radio,

2:31:53.400 --> 2:31:57.080
<v Speaker 1>visit the iHeart Radio app, Apple Podcast, or wherever you

2:31:57.200 --> 2:31:58.400
<v Speaker 1>listen to your favorite shows.