WEBVTT - Need A 4th?! Ep. 3 with Michael Murphy - Author of "Golf in the Kingdom"

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<v Speaker 1>Jeff, I called you, Jeff, Yes, absolutely, mm hm golf

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<v Speaker 1>is that they anything in golf that doesn't change? Anything

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<v Speaker 1>that changes the best in playing? Does this man a

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<v Speaker 1>one time winner on the PGA Tour? The point Alan

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<v Speaker 1>is he didn't go Hollywood. You need a fourth before

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<v Speaker 1>we get to the episode, we should tip our caps

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<v Speaker 1>to echo our corporate sponsors here and of course Lydia

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<v Speaker 1>co the New World Number one is a long time

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<v Speaker 1>Echo ambassador. Michael, do do you know my affection for

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<v Speaker 1>Lydia and I share it? Just a charming person and

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<v Speaker 1>an outstanding golfer. You've done her far better than I.

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<v Speaker 1>What can you tell us about her? Well? I still

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<v Speaker 1>have her hat from the Olympics in Rio is his

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<v Speaker 1>gorgeous New Zealand hat, and asked for I could keep it.

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<v Speaker 1>She said yes. But one time I was talking to her,

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<v Speaker 1>I said, where does your power come from? She says,

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<v Speaker 1>it's from the ground. You know. It's like a really

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<v Speaker 1>old school. And she has beautiful footwork. And I always

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<v Speaker 1>watch her swing the club and she's like she's dancing.

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<v Speaker 1>And as I'm as I'm observing this, I always noticed

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<v Speaker 1>her her Echo Biome shoes like they just seem to

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<v Speaker 1>give her superpowers. Have you have observed anything along those lines. Well,

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<v Speaker 1>you know what the great teachers say. There's only one

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<v Speaker 1>thing that connects you to the ground in this game,

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<v Speaker 1>and that's your They don't say your echo shoes, but

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<v Speaker 1>in this case, it is her echo shoes. So that's

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<v Speaker 1>pretty cool. The secret to Lydia COO's success along with

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<v Speaker 1>many other talents. But she's wearing the right footwears all right.

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<v Speaker 1>Back to ned A fourth, Hello and welcome back to

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<v Speaker 1>NITA four, a podcast for Michael Bamberger, Jeff Ogilvie and

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<v Speaker 1>myself invite a surprise guest on two of the people.

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<v Speaker 1>Don't know who's on the line. I happen to do so.

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<v Speaker 1>Um A little hint to you boys. He's a He's

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<v Speaker 1>known as a golf writer, but he's only written one

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<v Speaker 1>golf book, plus it's sequel. Um. He is a astronaut

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<v Speaker 1>of the inner cell. To use a felicitous phrase from

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<v Speaker 1>one of his one of his that he typed. Um.

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<v Speaker 1>He found in a place called the Lyn Institute on

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<v Speaker 1>the cliffs of Big Sir, which was really the first

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<v Speaker 1>gathering spot for searchers and wanderers and seekers who wanted

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<v Speaker 1>to explore the mind body connection. It's still thriving and

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<v Speaker 1>after launching the helping to launch anyway, the the counterculture

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<v Speaker 1>of the nineteen sixties and all these years later, Estlin

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<v Speaker 1>is still a draw from all over the world. So um,

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<v Speaker 1>any guesses who are our guest might be Oh, here's

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<v Speaker 1>another important detail. We come from the same hometown, Salinas, California,

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<v Speaker 1>and it's not John Steinbeg. So there's not too many

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<v Speaker 1>type as we've come out of there. Michael was he

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<v Speaker 1>was he delivered by John Steinbeck's physician father or grandfather.

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<v Speaker 1>You're you're getting warmer. His father delivered John Steinbeg. Let

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<v Speaker 1>me rephrase his father or grandfather? Was his father delivered

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<v Speaker 1>John Seinbeck? I think possibly the grandfather, but you would

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<v Speaker 1>know better than I. Well, well we can clear that up. Okay,

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<v Speaker 1>I think we know. Did John Updyke say of this

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<v Speaker 1>writer to be named he took the lid off the

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<v Speaker 1>game or something to that effect. Yes, I think it's

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<v Speaker 1>now obvious that our guest is one Michael Murphy, author

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<v Speaker 1>of Golf in the Kingdom. Mr Murphy, there you are.

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<v Speaker 1>I remember you very well. And Michael Boberger, Oh my god,

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<v Speaker 1>it's a dangerous group here. Um, what a what a

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<v Speaker 1>pleasure the pledges Ahman, So this is the fiftieth anniversary

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<v Speaker 1>of Golf in the Kingdom in this slender little volume

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<v Speaker 1>that that you typed up your first ever golf book,

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<v Speaker 1>and um, it's in dirt all all this time. Can

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<v Speaker 1>you believe that it's being Michael? Well, you know it's

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<v Speaker 1>a miracle, you know, right having written it when I

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<v Speaker 1>was five years old, you know it's it's lasted so long. Anyway,

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<v Speaker 1>it goes on and on and sending very strange messages.

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<v Speaker 1>My way is Golf in the Kingdom is beloved in

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<v Speaker 1>Australia as it is here in the United States. I

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<v Speaker 1>think so. I mean it's a universal book, right, I

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<v Speaker 1>mean you have to have played a lot of golf,

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<v Speaker 1>I think, to really fall in love with it, because

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<v Speaker 1>I think golf is such a confusing game and it

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<v Speaker 1>challenges everything in your brain, and everything you try to

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<v Speaker 1>do makes it worse. And this sort of helps to

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<v Speaker 1>get you there, you know, it helps to sort of

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<v Speaker 1>show you why you're wrong, but you can't really grasp it,

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<v Speaker 1>Like you can see it, but you can't grasp it.

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<v Speaker 1>In the book. Every time you read it. It's sort

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<v Speaker 1>of takes you where you want to go, but you

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<v Speaker 1>can't get there. It's a magic book. I think you

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<v Speaker 1>have to have played a lot of golf though, and

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<v Speaker 1>I think it really helps to have played in Scotland. Jeff,

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<v Speaker 1>I called you, Jeff, Yes, absolutely, well, it's you know,

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<v Speaker 1>it's had quite a readership outside the golf world, and

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<v Speaker 1>that's what's been a a big surprise for for me

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<v Speaker 1>through the years that um, people accuse me of a

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<v Speaker 1>lot of getting them to play golf, you know, and

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<v Speaker 1>you know, I said, are you are you happy about that?

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<v Speaker 1>Some of them say, oh, very happy and others say

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<v Speaker 1>not so happy. But it's uh, it kind of it's

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<v Speaker 1>struck a nerve, you know, with these kinds of and

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<v Speaker 1>well when it was published, um outside the box experiences

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<v Speaker 1>and that's I think it's that's been the it's lifeline

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<v Speaker 1>UM into this last thing leadership. So uh, it's it was.

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<v Speaker 1>It's a tremendous surprise to me. I mean, the range

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<v Speaker 1>of experiences people have wanted to share with me, and

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<v Speaker 1>certainly on golf courses, you know, people who have had

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<v Speaker 1>these um feel of sympathy with the experiences in it.

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<v Speaker 1>Michael you you're write in the book of the the

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<v Speaker 1>Peak Experience, Hogan at the height of his powers. We've

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<v Speaker 1>talked about Tiger in two thousand. Uh, Jeff Ogilby a

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<v Speaker 1>wing for another Peak Experience. Was the writing of that

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<v Speaker 1>book A peak Experience? Did you write it in a

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<v Speaker 1>sort of fever dream. I've never had a chance to

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<v Speaker 1>ask you that before. Well, it was, you know, it's

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<v Speaker 1>not only the first book I wrote, but the first

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<v Speaker 1>book I tried to write. And uh it uh, it

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<v Speaker 1>just it came and it was actually uh a great

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<v Speaker 1>folks at Viking Press. You know, it was back two,

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<v Speaker 1>so it was not really edited. Um, so it came

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<v Speaker 1>out and it's um. You know, I've written another seven books,

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<v Speaker 1>but none of them came like this one. Um. You know,

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<v Speaker 1>so um um relatively easily. But I've had the idea

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<v Speaker 1>to write it ten years earlier, and then instead I

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<v Speaker 1>started as an institute and you know, survive that, and

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<v Speaker 1>then I sat down to write this thing. So I

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<v Speaker 1>could argue that I was kind of you know, just stating.

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<v Speaker 1>I mean, it was incubating it and it all just

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<v Speaker 1>came out the way it did, and it struck a

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<v Speaker 1>nerve and it's had this unusual publishing history, you know

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<v Speaker 1>where Oh boy, anyway, that's a story into itself. So

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<v Speaker 1>I would say it was in a state um of

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<v Speaker 1>self discovery and um um, you know, since Jeff, you've

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<v Speaker 1>joined this circle here, I will take the liberty to

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<v Speaker 1>you know, be very frank about some of these um

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<v Speaker 1>experiences that the book is attracted to me and triggered

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<v Speaker 1>from the writing of synchronicities and coincidences and memories and

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<v Speaker 1>this could happen. Uh, you know when you're writing, you

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<v Speaker 1>guys know it. Uh um that certain um acts just

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<v Speaker 1>channel stuff. It's just amazing. And so a lot of

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<v Speaker 1>it was remembering my remembering you know. It was kind

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<v Speaker 1>of a uh uh things that I knew, uh playing

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<v Speaker 1>when I was in you know, I didn't start playing

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<v Speaker 1>until I was fourteen, so those experiences in high school

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<v Speaker 1>and stuff came back and um. So, yes, I was

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<v Speaker 1>in a state when I wrote it. I would say,

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<v Speaker 1>I was, Jeff, that sounds a little bit like being

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<v Speaker 1>in the zone as a golfer, you know, like, can

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<v Speaker 1>you relate to some of the things he's saying You're thinking,

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<v Speaker 1>but you're not thinking. It just sort of comes back

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<v Speaker 1>to you. Well, yeah, I mean, it's absolutely I always

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<v Speaker 1>read it as an instruction book. I mean, it's such

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<v Speaker 1>a beautiful story, but I always read it as an

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<v Speaker 1>instruction book, UM, because it doesn't take if you take

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<v Speaker 1>a deep dive into golf, it doesn't take you very

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<v Speaker 1>long that you're the problem. Um. The the golf is

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<v Speaker 1>that the only thing in golf that doesn't change, the

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<v Speaker 1>only thing that changes the person playing. UM. And it

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<v Speaker 1>didn't take me very long to realize that I was

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<v Speaker 1>my problem, not the game. And I always felt that this, Yeah,

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<v Speaker 1>Golfing and Kingdom was an instruction book, is a little bit.

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<v Speaker 1>One of my favorite books, which is an odd book,

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<v Speaker 1>I guess for a young person to read, was gold

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<v Speaker 1>um Zen in the out of Motorcycle Maintenance. Um, with

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<v Speaker 1>this voice in his head that's going on this whole time.

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<v Speaker 1>Just there's such annoying character that he just keeps bringing

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<v Speaker 1>in you just fight through all these pages. And I

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<v Speaker 1>just hated it. And that was like playing golf. I'm

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<v Speaker 1>just annoying myself while I'm playing golf, Like can't I

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<v Speaker 1>just get out of the way and just swing, Like

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<v Speaker 1>I know I can swing it in there, but why

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<v Speaker 1>can't I stop talking to myself and just swing. Um, so,

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<v Speaker 1>I yeah, I loved the story. It's a beautiful it's

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<v Speaker 1>I think it's sort of the best sort of exposure

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<v Speaker 1>of the mystical side of golf, which has never really

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<v Speaker 1>talked about very often, but it clearly exists, Like you say,

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<v Speaker 1>with the synchronicities of stuff. I mean you have examples.

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<v Speaker 1>I mean Tiger showed us a lot of times. I mean,

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<v Speaker 1>how did he hold those parts on the last hole

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<v Speaker 1>so many times? You know, like it's not because his

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<v Speaker 1>strokers any better or he reads the green any better.

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<v Speaker 1>I mean, he's obviously good at that. But how does

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<v Speaker 1>that parton Tory Pines go in? How does Jack's partner

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<v Speaker 1>eight six? I'm seventeen that the Master's going it never

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<v Speaker 1>break broke that way ever? Again, I mean, these things exist, um,

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<v Speaker 1>and it's clear and obvious. I think once you open

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<v Speaker 1>your eyes to it, and I think Golf in the

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<v Speaker 1>Kingdom shows you that. I think it's I think anyone

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<v Speaker 1>who really wants to take a deep dive into often

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<v Speaker 1>understand why it's such an enduring guy and everybody loves

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<v Speaker 1>it so much has to read this book a lot.

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<v Speaker 1>I think you have to read it a lot, because

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<v Speaker 1>I think every time you rate it is more that yef.

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<v Speaker 1>I appreciate all those remarks. I am very much. It's um, yeah,

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<v Speaker 1>it's uh. The game has a peculiar genius for opening

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<v Speaker 1>the world up. Of course, you get out on some

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<v Speaker 1>of those golf courses and the world has already been

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<v Speaker 1>opened up by all the love that's gone into say,

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<v Speaker 1>you know, I was as a kid, I was very

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<v Speaker 1>lucky to get to play pebble all the time, Pebble

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<v Speaker 1>Beach and for five dollars back then. And boy, you

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<v Speaker 1>go out there is never the same that golf course

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<v Speaker 1>it and so it's the world. So you go through

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<v Speaker 1>these big gardens and then this something happens to people,

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<v Speaker 1>and people want to tell me about their experiences. And

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<v Speaker 1>it's been a hell of a journey for fifty years

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<v Speaker 1>listening to just as if I'm you know, father Murphy

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<v Speaker 1>taking confession out on there on the golf course, that

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<v Speaker 1>they hear that, you know, if they know about golf

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<v Speaker 1>in the Kingdom, they want to tell me about their experiences,

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<v Speaker 1>both negative and positive. Um. And that has been a

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<v Speaker 1>rare privilege to to hear these stories for fifty years.

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<v Speaker 1>So it's it's an amazing game. I still suspect, I'm

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<v Speaker 1>all right, I believe, at least in my confident moments,

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<v Speaker 1>that I'm still learning things about the game and what

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<v Speaker 1>is it about it? Because you know, athletes have these

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<v Speaker 1>peak experiences that they never talked about. And I learned

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<v Speaker 1>that right away in response, you know, to them, to

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<v Speaker 1>you know, pro athletes who have been reading the book

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<v Speaker 1>and let me in adventures with them about this and that,

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<v Speaker 1>and but golf evokes I think a wider range of

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<v Speaker 1>um rich, deep, often far out experience and any other game,

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<v Speaker 1>I mean certainly some high adventures, you know, um uh

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<v Speaker 1>bring this out. But anyway, it's amazing. Golf is still

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<v Speaker 1>under reported. Yeah, that's that's what That's what I said.

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<v Speaker 1>And you know, Jeff's in Australia and you're north of

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<v Speaker 1>San Francisco, and um, you guys have this deep connection

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<v Speaker 1>separated by oceans. But you could you can talk lyrically

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<v Speaker 1>about it. And uh, I'm wondering, you know, Jefvis, did

0:13:53.559 --> 0:13:55.280
<v Speaker 1>people come up to you in the way that Michael

0:13:55.360 --> 0:13:58.320
<v Speaker 1>is describing where they want to They want you to

0:13:58.360 --> 0:14:00.240
<v Speaker 1>explain the game to them, and they want to share

0:14:00.240 --> 0:14:01.600
<v Speaker 1>their stories with you. I mean, did you have that

0:14:01.640 --> 0:14:07.840
<v Speaker 1>in common? You're both kind of these oracle figures. Oracle

0:14:07.920 --> 0:14:13.640
<v Speaker 1>is a strong word. It's certainly people in airports, and

0:14:13.679 --> 0:14:16.160
<v Speaker 1>it's golf courses and you're in the pub sometimes and

0:14:16.240 --> 0:14:18.520
<v Speaker 1>it's you know, I've been working on my driver and

0:14:18.559 --> 0:14:20.480
<v Speaker 1>I don't know. They keep telling me I'm not an

0:14:20.520 --> 0:14:22.360
<v Speaker 1>inside path. But the ball doesn't do this, and the

0:14:22.360 --> 0:14:24.360
<v Speaker 1>ball doesn't do that, and how do I do this?

0:14:24.440 --> 0:14:26.680
<v Speaker 1>And how do you guys spin the ball from fifty

0:14:26.720 --> 0:14:31.600
<v Speaker 1>yards from the green? And um, most of it you

0:14:31.680 --> 0:14:35.200
<v Speaker 1>can't explain. You just have to do, you know. UM.

0:14:35.680 --> 0:14:38.920
<v Speaker 1>I think the biggest obstacle, which is what the book

0:14:39.040 --> 0:14:44.440
<v Speaker 1>sort of hints at and points out, UM, is you

0:14:44.560 --> 0:14:47.520
<v Speaker 1>just have to be totally and fully invested in what

0:14:47.560 --> 0:14:50.160
<v Speaker 1>you're doing, so much to the point where you don't

0:14:50.240 --> 0:14:54.600
<v Speaker 1>care about what happens next, you know, um it. And

0:14:54.680 --> 0:14:56.880
<v Speaker 1>that's the challenge. It's how do you get into a

0:14:56.880 --> 0:14:59.560
<v Speaker 1>golf shot so fully invested into a golf shot? I'm

0:14:59.600 --> 0:15:01.200
<v Speaker 1>not really here where it goes, because if you care

0:15:01.200 --> 0:15:03.760
<v Speaker 1>where it goes, that's where all the problems come from. Um.

0:15:03.800 --> 0:15:06.080
<v Speaker 1>And if you think of someone like Dustin Johnson, who

0:15:06.800 --> 0:15:09.360
<v Speaker 1>naturally is that way, he is so invested in what

0:15:09.400 --> 0:15:11.040
<v Speaker 1>he's doing, but it just doesn't seem to care where

0:15:11.040 --> 0:15:13.480
<v Speaker 1>it goes. And that's why he's so free and plays

0:15:13.480 --> 0:15:18.080
<v Speaker 1>so nice. You know. Um. That's really what my feeling

0:15:18.120 --> 0:15:21.040
<v Speaker 1>of the zone or the flow state or all this

0:15:21.080 --> 0:15:23.560
<v Speaker 1>stuff that we talk about, is that it's being so

0:15:23.640 --> 0:15:26.000
<v Speaker 1>invested in what you're doing that you forget about sort

0:15:26.040 --> 0:15:29.360
<v Speaker 1>of what you're doing, you know, And that's impossible. It's

0:15:29.360 --> 0:15:32.160
<v Speaker 1>a really difficult state to try to get into. It's

0:15:32.160 --> 0:15:34.320
<v Speaker 1>almost you have to try to not get into it,

0:15:34.360 --> 0:15:36.040
<v Speaker 1>but trying not to get into it's wrong as well,

0:15:36.200 --> 0:15:39.920
<v Speaker 1>you know. Um, So it's such it's this sort of

0:15:39.960 --> 0:15:41.880
<v Speaker 1>thing that you can see but you just can't grab.

0:15:43.240 --> 0:15:44.880
<v Speaker 1>And people want to know how we do it, and

0:15:44.880 --> 0:15:47.080
<v Speaker 1>I don't know how we do it. Um. I just

0:15:47.200 --> 0:15:48.880
<v Speaker 1>do it because I've been doing it for a long

0:15:48.920 --> 0:15:51.560
<v Speaker 1>time and it just I don't know. It just sort

0:15:51.560 --> 0:15:54.360
<v Speaker 1>of happens one day and I think, Michael, you said

0:15:54.400 --> 0:15:56.200
<v Speaker 1>you didn't start to your fourteen, and I think that's

0:15:56.240 --> 0:15:58.120
<v Speaker 1>younger than most, and I think you're sort of blessed

0:15:58.120 --> 0:15:59.960
<v Speaker 1>to start that young. But I mean, I was hit

0:16:00.320 --> 0:16:02.080
<v Speaker 1>ping pong balls around my house when I was three

0:16:02.160 --> 0:16:05.080
<v Speaker 1>or four, and I think the earlier you can get

0:16:05.120 --> 0:16:07.440
<v Speaker 1>to it, you're very you're at a very zend state.

0:16:07.440 --> 0:16:09.560
<v Speaker 1>When you're three or four, you know, you're just taking

0:16:09.600 --> 0:16:11.920
<v Speaker 1>it all in. You don't really care about results. You're

0:16:11.960 --> 0:16:15.840
<v Speaker 1>just having just total immersion and joy and fun about

0:16:15.920 --> 0:16:18.000
<v Speaker 1>hitting a ping pong ball down the hallway in your house.

0:16:18.760 --> 0:16:22.320
<v Speaker 1>And I think you've sort of in you condition yourself

0:16:22.360 --> 0:16:25.040
<v Speaker 1>to that's you get way in front of the curve.

0:16:25.080 --> 0:16:28.120
<v Speaker 1>I think when you start so young, um, and when

0:16:28.120 --> 0:16:29.680
<v Speaker 1>you look at Tiger was on TV when he was

0:16:29.720 --> 0:16:33.520
<v Speaker 1>in nappies right or diapers sorry, um, like he was

0:16:33.560 --> 0:16:35.000
<v Speaker 1>doing it from day one, and I think you sort

0:16:35.000 --> 0:16:37.800
<v Speaker 1>of there's an imprint on your whatever you want to

0:16:37.840 --> 0:16:42.080
<v Speaker 1>call it, if it's physical or psychological or spiritual or something,

0:16:42.160 --> 0:16:44.360
<v Speaker 1>there's an imprint. The earlier you start that you can

0:16:44.400 --> 0:16:49.640
<v Speaker 1>be so fully immersed in what you're doing that, um,

0:16:50.000 --> 0:16:51.920
<v Speaker 1>it's not about the result. The joy is in the

0:16:52.040 --> 0:16:54.240
<v Speaker 1>doing it, not in where the ball goes. And I

0:16:54.280 --> 0:16:56.400
<v Speaker 1>think that's the biggest challenge because the more people want

0:16:56.400 --> 0:16:58.080
<v Speaker 1>to play well, the more they care about where the

0:16:58.080 --> 0:16:59.760
<v Speaker 1>ball goes. But the more you care about where the

0:16:59.760 --> 0:17:02.280
<v Speaker 1>ball goes, the hotter it is to hit it where

0:17:02.320 --> 0:17:04.560
<v Speaker 1>you want to go. So I think that's why it's

0:17:04.600 --> 0:17:06.639
<v Speaker 1>such an enduring game and the book is still so

0:17:06.920 --> 0:17:10.200
<v Speaker 1>relevant fifty years later, because that really is the challenge

0:17:10.200 --> 0:17:13.800
<v Speaker 1>of the game is too to be so involved in

0:17:13.840 --> 0:17:16.520
<v Speaker 1>what you're doing that you forget about forget about where

0:17:16.520 --> 0:17:18.240
<v Speaker 1>the ball is going to go. And that's a really

0:17:18.240 --> 0:17:21.320
<v Speaker 1>hard thing to do. Uh. If I could just offer

0:17:22.720 --> 0:17:25.879
<v Speaker 1>Michael too quick observations and then and then a question.

0:17:25.960 --> 0:17:30.480
<v Speaker 1>One is this at this very much relates to golf

0:17:30.480 --> 0:17:35.120
<v Speaker 1>in the Kingdom, your astounding youthfulness and uh, at your

0:17:35.200 --> 0:17:40.000
<v Speaker 1>age is an inspiration to me, and I'm sure Alan

0:17:40.040 --> 0:17:43.520
<v Speaker 1>and Jeff as well. And the other thing, the other

0:17:43.600 --> 0:17:48.440
<v Speaker 1>quick observation is the astounding quality of the writing, where

0:17:48.440 --> 0:17:50.760
<v Speaker 1>like you feel like you're in front of the fireplace.

0:17:51.160 --> 0:17:54.240
<v Speaker 1>You can smell the heather, you can smell the whiskey,

0:17:54.480 --> 0:18:00.520
<v Speaker 1>you can smell Michael's desperation. Um, and how if you

0:18:00.640 --> 0:18:04.600
<v Speaker 1>just consider just the first half of the book, it

0:18:04.680 --> 0:18:08.959
<v Speaker 1>is absolutely a classic example of quality writing in the

0:18:09.000 --> 0:18:12.560
<v Speaker 1>sense that the character starts in one place, goes through

0:18:12.560 --> 0:18:17.240
<v Speaker 1>a series of adventures, finishes someplace else. So I read

0:18:17.280 --> 0:18:20.399
<v Speaker 1>it as a probably just a little out of college

0:18:20.480 --> 0:18:23.520
<v Speaker 1>or early twenties, and it has been, as Cheff and

0:18:23.560 --> 0:18:26.240
<v Speaker 1>Allen have said, something you read again and again as

0:18:26.240 --> 0:18:30.000
<v Speaker 1>I read The Great ASPI and some other seminal works

0:18:30.040 --> 0:18:33.760
<v Speaker 1>in my life, because every time you get more out

0:18:33.760 --> 0:18:35.840
<v Speaker 1>of it. Anyway, that was just two quick observations I

0:18:35.880 --> 0:18:38.480
<v Speaker 1>wander to share, and Jeff part of me if I'm

0:18:38.520 --> 0:18:41.800
<v Speaker 1>not getting this correct. But I'm gonna say something Michael

0:18:41.800 --> 0:18:45.399
<v Speaker 1>that I believe I heard Jeff say this, And I'm wondering,

0:18:45.440 --> 0:18:51.600
<v Speaker 1>with all your study of peak experience and knowing Murphy

0:18:51.640 --> 0:18:55.200
<v Speaker 1>in the book, but particularly knowing Shiva's irons as you do,

0:18:55.640 --> 0:18:57.720
<v Speaker 1>what what your sense of this would be. I believe

0:18:57.800 --> 0:19:01.920
<v Speaker 1>Jeff once said, you know, he played an outstanding golf

0:19:01.960 --> 0:19:04.159
<v Speaker 1>and he won an he won of US Open, and

0:19:04.200 --> 0:19:09.359
<v Speaker 1>then he tried to get better and and Jeff correct

0:19:09.359 --> 0:19:13.880
<v Speaker 1>me if I have this wrong. Some years later, sometime later,

0:19:13.920 --> 0:19:19.280
<v Speaker 1>he discovered a better goal is just get better, but

0:19:19.359 --> 0:19:23.160
<v Speaker 1>don't try to get better, because he in the trying

0:19:23.200 --> 0:19:29.800
<v Speaker 1>to get better, confusion emerges. You get better, like we're

0:19:29.960 --> 0:19:33.399
<v Speaker 1>you know, I think we would all say by doing

0:19:34.440 --> 0:19:36.879
<v Speaker 1>Jeff correct me if I've got any part of that wrong,

0:19:37.000 --> 0:19:39.280
<v Speaker 1>which I may very well have. And Michael, I wonder

0:19:39.440 --> 0:19:42.000
<v Speaker 1>if that question even made any sense. Do you have

0:19:42.040 --> 0:19:47.120
<v Speaker 1>an insight into that conflict between trying to get better

0:19:47.160 --> 0:19:50.240
<v Speaker 1>at something and just getting better at something. I've got

0:19:50.320 --> 0:19:54.280
<v Speaker 1>an answer I would love to hear, Jeff, But you know,

0:19:54.840 --> 0:19:58.720
<v Speaker 1>either the first huge influence on me when I flipped,

0:19:58.840 --> 0:20:01.080
<v Speaker 1>you know, when I was at stand for as a student.

0:20:01.160 --> 0:20:04.280
<v Speaker 1>You guys know the story, and it was a blow

0:20:04.359 --> 0:20:07.840
<v Speaker 1>to the family. And you know, I went from you know,

0:20:07.960 --> 0:20:13.000
<v Speaker 1>semi respectable to completely disreputable and to become they thought

0:20:13.119 --> 0:20:15.960
<v Speaker 1>was a yogi or they called me a yogi. Where

0:20:16.000 --> 0:20:19.760
<v Speaker 1>I grew up, Selina's a tough town. Yogi is about

0:20:20.800 --> 0:20:23.159
<v Speaker 1>It's the worst thing you possibly could have been in

0:20:23.280 --> 0:20:31.840
<v Speaker 1>ninety or fifty so um anyway, um the influence triarra Bindo,

0:20:31.960 --> 0:20:37.640
<v Speaker 1>the great Indian philosopher and thinker, and uh so he um.

0:20:37.720 --> 0:20:41.480
<v Speaker 1>One of his many maxims was don't try to have

0:20:41.560 --> 0:20:48.040
<v Speaker 1>the same experience twice. Okay, practice faithfully whenever you're the

0:20:48.240 --> 0:20:53.520
<v Speaker 1>art the pleasures of practice, but um, never try to

0:20:53.560 --> 0:20:59.200
<v Speaker 1>have the same experience twice. And this is a dictum

0:20:59.480 --> 0:21:03.120
<v Speaker 1>in the ratist mystical traditions, because you say, well, if

0:21:03.160 --> 0:21:07.280
<v Speaker 1>you're a Buddhist practice you're trying to give up attachments

0:21:07.280 --> 0:21:10.960
<v Speaker 1>there or whatever the ethical system is you're using or whatever.

0:21:11.000 --> 0:21:15.680
<v Speaker 1>The method and practice is important. But it's what Jeff's

0:21:15.760 --> 0:21:19.840
<v Speaker 1>hitting right in in the core of the problem, that

0:21:20.080 --> 0:21:25.960
<v Speaker 1>are we're wired in such a way we're built for

0:21:26.080 --> 0:21:31.160
<v Speaker 1>the new, for novelty. So you could make the argument

0:21:32.240 --> 0:21:35.639
<v Speaker 1>that once you try to imitate yourself as a writer,

0:21:35.760 --> 0:21:39.560
<v Speaker 1>I can say this, if you already try to imitate yourself,

0:21:39.600 --> 0:21:42.680
<v Speaker 1>you're going to become a hack writer. I mean, you

0:21:42.800 --> 0:21:47.040
<v Speaker 1>gotta let new stuff in and you have to, as

0:21:47.080 --> 0:21:52.600
<v Speaker 1>it were, risk becoming disreputable again, you know, because God

0:21:52.680 --> 0:21:59.160
<v Speaker 1>knows what this thing is gonna uh happen. Uh. This

0:21:59.160 --> 0:22:03.040
<v Speaker 1>this letting go experience, but it's letting go within what

0:22:03.160 --> 0:22:06.640
<v Speaker 1>you've been practicing. Um so this is this is one

0:22:06.640 --> 0:22:09.120
<v Speaker 1>of the tenderest, most delicate problems. I mean, and Jeff

0:22:09.200 --> 0:22:16.960
<v Speaker 1>nailed it right there. And you know, um uh, you

0:22:17.040 --> 0:22:20.240
<v Speaker 1>know Hogan was actually good on this point, you know,

0:22:20.400 --> 0:22:23.200
<v Speaker 1>and I do think it was. It was a subliminal

0:22:23.240 --> 0:22:26.119
<v Speaker 1>influence on me. You know, I wasn't thinking of him

0:22:26.160 --> 0:22:28.960
<v Speaker 1>when I wrote the book, but having watched him practice

0:22:29.000 --> 0:22:32.200
<v Speaker 1>so much over there Double Beach growing up, and people

0:22:32.400 --> 0:22:35.919
<v Speaker 1>gather on to watch him, and there was an enchantment.

0:22:36.480 --> 0:22:39.560
<v Speaker 1>And you'd see six or eight of the pros, the

0:22:39.560 --> 0:22:45.320
<v Speaker 1>touring pros, they're watching him practice. So um so when

0:22:45.320 --> 0:22:47.919
<v Speaker 1>they asked him about some of these shots, you know,

0:22:47.960 --> 0:22:51.160
<v Speaker 1>he had a tremendous repertoire of shots he could make.

0:22:51.880 --> 0:22:54.360
<v Speaker 1>And some of those Texas players, my god, they hit

0:22:54.440 --> 0:22:57.000
<v Speaker 1>They played this low game, all these low shots, and

0:22:57.040 --> 0:23:00.720
<v Speaker 1>then they could aeroplane it and it would rise and okay,

0:23:00.720 --> 0:23:04.639
<v Speaker 1>here you have a rising one. That's a draw or

0:23:04.760 --> 0:23:08.960
<v Speaker 1>or a fade and whatever. So he pulled his shots off,

0:23:09.000 --> 0:23:14.040
<v Speaker 1>and you know, he was sometimes asked, um, how how

0:23:14.200 --> 0:23:16.359
<v Speaker 1>is it that under a pressure you can hit so

0:23:16.440 --> 0:23:21.720
<v Speaker 1>many of these extraordinary shots and and he said, well,

0:23:21.760 --> 0:23:26.120
<v Speaker 1>I'm a looking guy. And they said lucky. You practice

0:23:26.160 --> 0:23:29.120
<v Speaker 1>more than anybody else. And he said, well, the more

0:23:29.160 --> 0:23:32.680
<v Speaker 1>you practice, the luckier you get. But he was he

0:23:32.760 --> 0:23:36.720
<v Speaker 1>was getting at this thing that I think Jeff's getting

0:23:36.720 --> 0:23:44.320
<v Speaker 1>at same thing. Um uh, the new see. And of course,

0:23:44.400 --> 0:23:46.879
<v Speaker 1>if you want to get metaphysical, you know, you know

0:23:46.960 --> 0:23:51.440
<v Speaker 1>that the whole section singing the praises of golf, that's

0:23:51.520 --> 0:23:56.399
<v Speaker 1>a It was a parody of a Plato symposium. Yeah,

0:23:56.040 --> 0:23:59.399
<v Speaker 1>I think we've talked about this, and I think so

0:23:59.480 --> 0:24:02.800
<v Speaker 1>if you walk through Plato symposium, all the characters are

0:24:02.880 --> 0:24:05.400
<v Speaker 1>kind of a you know, I was having fun with

0:24:05.480 --> 0:24:11.679
<v Speaker 1>that idea. And and as you know, the great philosopher

0:24:11.720 --> 0:24:15.800
<v Speaker 1>Whitehead said, Western philosophy is nothing but a series of

0:24:15.800 --> 0:24:20.080
<v Speaker 1>footnotes to Plato. So it's kind of embedded this ancient

0:24:20.560 --> 0:24:23.360
<v Speaker 1>it's embedded in there. I mean, we could be fun

0:24:23.440 --> 0:24:26.520
<v Speaker 1>talking about that. So a lot of these and one

0:24:26.520 --> 0:24:32.800
<v Speaker 1>of the great truths is that we're born to eternal novelty.

0:24:33.920 --> 0:24:37.840
<v Speaker 1>And that's a hard truth for a lot of religious teachers.

0:24:39.000 --> 0:24:42.720
<v Speaker 1>And we know, I don't know where you guys want

0:24:42.760 --> 0:24:49.000
<v Speaker 1>to go with this esoteric meeting we're having here. Well,

0:24:49.440 --> 0:24:52.119
<v Speaker 1>we'll follow you anywhere. We'll follow you anywhere. Well know,

0:24:52.200 --> 0:24:54.080
<v Speaker 1>you said something, you said something an interesting minute ago

0:24:54.359 --> 0:24:56.480
<v Speaker 1>that I want to explore. You know, this idea being

0:24:56.480 --> 0:24:59.880
<v Speaker 1>disreputable because you know, you came from a family of doctor,

0:25:00.520 --> 0:25:04.560
<v Speaker 1>you were expected to be a doctor. You went to Stanford, uh,

0:25:04.600 --> 0:25:06.600
<v Speaker 1>you know, on a premed track, and then then you

0:25:06.600 --> 0:25:10.080
<v Speaker 1>took a philosophy class that blew your mind and sent

0:25:10.160 --> 0:25:13.159
<v Speaker 1>you down this this whole other path. But um, you know,

0:25:13.200 --> 0:25:16.280
<v Speaker 1>I read like like when I just reread Portnoy's Complaint

0:25:16.320 --> 0:25:18.960
<v Speaker 1>by Philip Roth, and I'm like, which is one of

0:25:19.040 --> 0:25:20.880
<v Speaker 1>my favorite books, Like, I can't believe this guy type

0:25:20.960 --> 0:25:23.199
<v Speaker 1>this out and his whole family could read it. You know,

0:25:23.240 --> 0:25:26.040
<v Speaker 1>it's like so raunchy and the amount of courage it

0:25:26.320 --> 0:25:28.840
<v Speaker 1>takes to put something out there to the whole world.

0:25:29.160 --> 0:25:31.399
<v Speaker 1>And of course he's not it's it's an act of fiction.

0:25:31.480 --> 0:25:35.600
<v Speaker 1>He's not the narrator, but people naturally wonder about the

0:25:35.600 --> 0:25:39.000
<v Speaker 1>writer behind the words and the bravery of that and

0:25:39.000 --> 0:25:42.640
<v Speaker 1>many other books, you know, Tropica Cancer, Tropica Cancer. Henry

0:25:42.680 --> 0:25:44.960
<v Speaker 1>Miller reading that book is like, oh my god, I

0:25:44.960 --> 0:25:47.920
<v Speaker 1>can't leave. You just wrote that it's wild. Um, and

0:25:48.240 --> 0:25:50.720
<v Speaker 1>of course you don't, you're not working blue like that,

0:25:50.840 --> 0:25:54.919
<v Speaker 1>But um, how hard was it for you to to

0:25:55.000 --> 0:25:57.920
<v Speaker 1>put this book out into the world and or even

0:25:58.000 --> 0:26:00.840
<v Speaker 1>just to go down this path knowing, uh, the way

0:26:01.000 --> 0:26:02.720
<v Speaker 1>selling us the way I do it is this dusty

0:26:02.760 --> 0:26:06.440
<v Speaker 1>farming town. It's it's not a hotbed of open mindedness.

0:26:06.480 --> 0:26:09.320
<v Speaker 1>And so for um, what was the struggle like for

0:26:09.359 --> 0:26:11.520
<v Speaker 1>you to take on this new world, this new identity

0:26:11.640 --> 0:26:15.280
<v Speaker 1>and leave behind what was expected of you. Yeah, that

0:26:15.359 --> 0:26:17.480
<v Speaker 1>was not a struggle. I mean they were thrilled that

0:26:17.560 --> 0:26:20.680
<v Speaker 1>I wrote a book. My brother was the designated writer

0:26:20.760 --> 0:26:23.959
<v Speaker 1>in the family and he had this nationwide bestseller, you know,

0:26:24.000 --> 0:26:27.640
<v Speaker 1>The Sergeant, and so I came along and so it's

0:26:27.680 --> 0:26:30.800
<v Speaker 1>actually me becoming reputable. Oh my god, I published a book.

0:26:31.320 --> 0:26:35.119
<v Speaker 1>And of course had you know, escalately been going for

0:26:35.200 --> 0:26:38.800
<v Speaker 1>ten years at that point. But um, but there are

0:26:38.800 --> 0:26:44.200
<v Speaker 1>different kinds of being reputable, reputable with whom you can

0:26:44.960 --> 0:26:48.280
<v Speaker 1>be so anchored in being reputable in a small circle

0:26:48.359 --> 0:26:53.760
<v Speaker 1>of your um pals or your family or your associate,

0:26:53.800 --> 0:26:59.240
<v Speaker 1>you know, your colleagues, and it's hard when you're really

0:26:59.280 --> 0:27:04.119
<v Speaker 1>good at something to break set. You know. This is

0:27:04.200 --> 0:27:11.080
<v Speaker 1>stupendous problem in the arts, really, and uh, you know,

0:27:11.320 --> 0:27:13.480
<v Speaker 1>we do. You know, I do have friends in the

0:27:13.560 --> 0:27:15.560
<v Speaker 1>movie business, and you know a lot of folks in

0:27:15.640 --> 0:27:19.280
<v Speaker 1>Hollywood come up to us and this is a standing

0:27:19.640 --> 0:27:24.959
<v Speaker 1>um issue and it's uh like going and on about this.

0:27:25.520 --> 0:27:31.440
<v Speaker 1>So reputable doesn't mean just about sex. It's about whatever,

0:27:32.520 --> 0:27:36.639
<v Speaker 1>you know, whatever you're supposed to do that's engraved in you.

0:27:36.760 --> 0:27:41.120
<v Speaker 1>And it's the reliabilities we need, we need, we need reliabilities,

0:27:41.960 --> 0:27:45.520
<v Speaker 1>But how do you live a life that's balanced and

0:27:45.600 --> 0:27:49.520
<v Speaker 1>reputable and still full of the new? And boy, when

0:27:49.520 --> 0:27:51.080
<v Speaker 1>you get as old as I am, you know, and

0:27:52.520 --> 0:27:54.880
<v Speaker 1>your watch your friends going down one you know, it's

0:27:54.880 --> 0:27:58.520
<v Speaker 1>like in an ancient forest, one tree after another falling

0:27:58.520 --> 0:28:01.560
<v Speaker 1>down around you and my wife and I you know,

0:28:01.600 --> 0:28:04.760
<v Speaker 1>I'm ninety two now, so you can imagine. I mean,

0:28:04.800 --> 0:28:11.359
<v Speaker 1>they they've been falling faster. And how stuck people get

0:28:12.400 --> 0:28:19.199
<v Speaker 1>as they get older, you know, how stuck and the

0:28:19.320 --> 0:28:24.840
<v Speaker 1>limitation of options. So, um, I think what Jeff says

0:28:24.960 --> 0:28:31.280
<v Speaker 1>about shot making itself is a microcosm of our larger

0:28:33.520 --> 0:28:37.560
<v Speaker 1>station in life, what you think, and it's and I

0:28:37.560 --> 0:28:41.440
<v Speaker 1>think the ultimate thing is that um the game of

0:28:41.480 --> 0:28:45.120
<v Speaker 1>all games. The reason the cosmos is here is the

0:28:45.200 --> 0:28:49.040
<v Speaker 1>unfoldment of this greater life that awaits us. You know,

0:28:49.080 --> 0:28:52.880
<v Speaker 1>if we're going to get really serious there, you know,

0:28:53.000 --> 0:28:55.480
<v Speaker 1>a greater life is pressing to be born in us,

0:28:56.320 --> 0:29:01.440
<v Speaker 1>really and um, you know it's one of the attractions

0:29:01.440 --> 0:29:04.920
<v Speaker 1>of sport, I must say. I you know, I've always

0:29:04.920 --> 0:29:08.320
<v Speaker 1>been a a nut about sports and loving it. But

0:29:09.000 --> 0:29:12.560
<v Speaker 1>it's an enactment of the new. I mean, what a

0:29:12.600 --> 0:29:18.160
<v Speaker 1>new great um athlete appears, or a great new team

0:29:18.280 --> 0:29:21.200
<v Speaker 1>or somebody does a great thing that's never been done.

0:29:21.760 --> 0:29:24.080
<v Speaker 1>The world lights up to some degree. It really does,

0:29:25.000 --> 0:29:27.720
<v Speaker 1>don't you think. I mean, I mean, you guys are

0:29:27.720 --> 0:29:31.640
<v Speaker 1>out there reporting on this all the time. It's um

0:29:31.880 --> 0:29:37.360
<v Speaker 1>uh you know, the suspense, the trauma, that the newness.

0:29:38.520 --> 0:29:41.880
<v Speaker 1>But Jeff, you you know, and I mean you've done

0:29:41.880 --> 0:29:44.960
<v Speaker 1>it many times in your life. What do you you want?

0:29:45.040 --> 0:29:49.160
<v Speaker 1>What well US Open, Ryder Cup with three World championships

0:29:49.280 --> 0:29:52.479
<v Speaker 1>or what do you call those big ones? Yeah, they

0:29:52.560 --> 0:29:57.680
<v Speaker 1>used to be called w tcs. Um. Yeah, I mean

0:29:57.720 --> 0:29:59.600
<v Speaker 1>I think you hit on a couple of things that

0:29:59.640 --> 0:30:03.160
<v Speaker 1>I've had along the way and felt, um, the new

0:30:03.240 --> 0:30:06.280
<v Speaker 1>thing is fascinating. Jack told us he Actually I wasn't

0:30:06.320 --> 0:30:08.280
<v Speaker 1>sitting there at the time, but Jack used to love

0:30:08.480 --> 0:30:12.280
<v Speaker 1>walking around the locker room a memorial sort of holding

0:30:12.320 --> 0:30:16.360
<v Speaker 1>court like waiting for golfers to ask him questions. Um.

0:30:16.400 --> 0:30:18.800
<v Speaker 1>And he was fantastic to talk to. But there was

0:30:18.840 --> 0:30:20.920
<v Speaker 1>one day I wasn't there, but he told a story

0:30:20.920 --> 0:30:22.600
<v Speaker 1>and the boys and some of the someone told me.

0:30:22.600 --> 0:30:25.320
<v Speaker 1>I can't remember who told me, but they asked him

0:30:25.360 --> 0:30:27.920
<v Speaker 1>sort of what swing thoughts and what did you think

0:30:27.920 --> 0:30:29.440
<v Speaker 1>about when you play golf, and did you ever have

0:30:29.440 --> 0:30:31.320
<v Speaker 1>any favorite swing thoughts or sort of ways you went

0:30:31.360 --> 0:30:32.960
<v Speaker 1>about it? And he says, you know, when I was

0:30:32.960 --> 0:30:34.880
<v Speaker 1>playing my best I tried to I got to the

0:30:35.000 --> 0:30:36.880
<v Speaker 1>range every morning and tried to have a new thought

0:30:37.400 --> 0:30:39.600
<v Speaker 1>from yesterday, no matter how well I played yesterday, I

0:30:39.600 --> 0:30:42.760
<v Speaker 1>tried to think something new today. Um. Because he thought

0:30:42.760 --> 0:30:45.520
<v Speaker 1>they'd get stale very quick. And he tried to do

0:30:45.600 --> 0:30:48.600
<v Speaker 1>something new every single day because he realized that exactly

0:30:48.600 --> 0:30:51.440
<v Speaker 1>what you're saying, Michael, that it's all about new, um

0:30:51.480 --> 0:30:53.600
<v Speaker 1>and fresh and a new experience, and it's got to

0:30:53.680 --> 0:30:56.640
<v Speaker 1>keep you engaged. And if you sort of get stuck

0:30:56.640 --> 0:30:58.680
<v Speaker 1>in the tram tracks, you keep going the same direction,

0:30:58.720 --> 0:31:00.080
<v Speaker 1>you've got to get out of the tram tracks and

0:31:00.120 --> 0:31:02.720
<v Speaker 1>sort of get something news. I thought that was fascinating

0:31:02.760 --> 0:31:06.520
<v Speaker 1>that Um he always tried. I mean, it doesn't matter,

0:31:06.560 --> 0:31:09.240
<v Speaker 1>it's it's almost the discipline it takes to have a

0:31:09.320 --> 0:31:12.240
<v Speaker 1>great swing thought on Thursday and shoot sixty five and

0:31:12.360 --> 0:31:14.000
<v Speaker 1>hit the ball perfectly and come out on Friday and

0:31:14.080 --> 0:31:17.640
<v Speaker 1>do something differently. That's almost impossible to do. And it's

0:31:17.840 --> 0:31:20.000
<v Speaker 1>the greatest golfer of all time, well, one of the

0:31:20.000 --> 0:31:23.120
<v Speaker 1>two greatest golfers of all time actively tried to do that.

0:31:23.640 --> 0:31:25.800
<v Speaker 1>He tapped into something that most of us haven't. I

0:31:25.840 --> 0:31:30.680
<v Speaker 1>think is pretty interesting. Um And I think, like you say,

0:31:30.760 --> 0:31:33.560
<v Speaker 1>it's the new thing it golf is a bit like music, right,

0:31:33.680 --> 0:31:38.680
<v Speaker 1>It's there's no destination for music, it's just music for

0:31:38.800 --> 0:31:41.080
<v Speaker 1>music's sake. And I think we all played golf with

0:31:41.120 --> 0:31:43.080
<v Speaker 1>a destination in mind. And I don't think that's what

0:31:43.120 --> 0:31:44.760
<v Speaker 1>it's about. I think we want to play golf for

0:31:44.800 --> 0:31:49.720
<v Speaker 1>golf's sake. Um And I think, well, that's the enduring

0:31:49.720 --> 0:31:52.720
<v Speaker 1>part of this book, is it. It's trying to point

0:31:52.760 --> 0:31:56.080
<v Speaker 1>you to that direction, Like it's there's no destination here, Like,

0:31:56.160 --> 0:31:59.240
<v Speaker 1>just get immersed and get fascinated with the game, and

0:31:59.240 --> 0:32:00.760
<v Speaker 1>the more you get fast and added with the game,

0:32:01.200 --> 0:32:04.280
<v Speaker 1>the more you're going to get out of it. Um.

0:32:04.320 --> 0:32:07.760
<v Speaker 1>So yeah, I think it's this metaphysical philosophy stuff. I

0:32:07.760 --> 0:32:10.840
<v Speaker 1>think golf is a very good If it doesn't send

0:32:10.840 --> 0:32:13.040
<v Speaker 1>you that way, you're not really paying attention. I think

0:32:13.040 --> 0:32:15.520
<v Speaker 1>this golf is a is a window to this world

0:32:15.760 --> 0:32:18.400
<v Speaker 1>that or a doorway that if you start playing golf

0:32:18.400 --> 0:32:20.080
<v Speaker 1>and you get in, you get involved, it's going to

0:32:20.200 --> 0:32:22.280
<v Speaker 1>take you the direction that Michael's talking about. I just

0:32:22.320 --> 0:32:24.880
<v Speaker 1>think it has to unless you're not paying attention as

0:32:24.960 --> 0:32:29.240
<v Speaker 1>you read too many Golf Digest instruction articles and um

0:32:30.920 --> 0:32:33.560
<v Speaker 1>um not picking on any publications, but you just you

0:32:33.600 --> 0:32:36.720
<v Speaker 1>get down this rabbit hole of cutting golf into little pieces,

0:32:36.760 --> 0:32:39.520
<v Speaker 1>and the nature of cutting is you can always cut

0:32:39.520 --> 0:32:43.600
<v Speaker 1>it to a smaller piece. Um. I think golf has

0:32:43.640 --> 0:32:46.200
<v Speaker 1>got this disease, or maybe humans have got a disease,

0:32:46.280 --> 0:32:50.920
<v Speaker 1>probably of taking something beautiful and cutting it in half

0:32:50.960 --> 0:32:52.480
<v Speaker 1>and wondering how it works. And then you cut it

0:32:52.480 --> 0:32:54.080
<v Speaker 1>in half, you realize you can cut it a half again,

0:32:54.120 --> 0:32:55.480
<v Speaker 1>and then you cut in half again. You can cut

0:32:55.520 --> 0:32:57.560
<v Speaker 1>it a half again, and that never ends with golf,

0:32:57.560 --> 0:33:00.400
<v Speaker 1>with anything, and golf were very susceptible to do this.

0:33:00.480 --> 0:33:04.680
<v Speaker 1>And I think the secret, not the secret, the secrets

0:33:04.720 --> 0:33:06.920
<v Speaker 1>that a right word. That's been a really ruined word.

0:33:06.960 --> 0:33:09.719
<v Speaker 1>But um, the idea is that you're trying to put

0:33:09.760 --> 0:33:11.640
<v Speaker 1>all the pieces back together, You're not trying to cut

0:33:11.680 --> 0:33:13.520
<v Speaker 1>it up. You know most people are going the other

0:33:13.520 --> 0:33:16.920
<v Speaker 1>way with it. Um. I think it's fascinating. And back

0:33:16.920 --> 0:33:19.120
<v Speaker 1>to Hogan just a little quickly under start the Hogan thing.

0:33:19.560 --> 0:33:25.520
<v Speaker 1>Um we ask everybody asks Hogan or great golfers, Well,

0:33:25.600 --> 0:33:28.560
<v Speaker 1>how do you do that? And then afterwards they start

0:33:28.640 --> 0:33:32.320
<v Speaker 1>thinking about it and chop it up after they've done it.

0:33:32.360 --> 0:33:34.040
<v Speaker 1>But they didn't learn how to do it by chopping

0:33:34.080 --> 0:33:36.720
<v Speaker 1>it up and doing that. They just loved Hogan just

0:33:36.800 --> 0:33:41.120
<v Speaker 1>loved practice. He wasn't practicing to get better. He woke

0:33:41.200 --> 0:33:42.800
<v Speaker 1>up in the morning and couldn't think of anything better

0:33:42.840 --> 0:33:44.600
<v Speaker 1>than just to try to hit great golf shots. He

0:33:44.640 --> 0:33:47.360
<v Speaker 1>was just immersed and fascinated with hitting great golf shots.

0:33:47.960 --> 0:33:50.680
<v Speaker 1>And that the byproduct of that was the one golf tournaments.

0:33:50.680 --> 0:33:53.160
<v Speaker 1>I don't think he tried to win golf tournaments. He

0:33:53.200 --> 0:33:54.560
<v Speaker 1>woke up in the morning and all he wanted to

0:33:54.600 --> 0:33:57.120
<v Speaker 1>do was hit great golf shots. And I think, um,

0:33:57.520 --> 0:34:00.120
<v Speaker 1>when if you try to copy that, it doesn't work.

0:34:01.000 --> 0:34:02.760
<v Speaker 1>You know, you've got to light the fire in yourself

0:34:03.720 --> 0:34:06.320
<v Speaker 1>to be fascinated yourself, and you've got all you want

0:34:06.320 --> 0:34:07.920
<v Speaker 1>to do in the morning is to get up and

0:34:07.920 --> 0:34:11.840
<v Speaker 1>at great golf shots or right great? Right? Well, I

0:34:11.840 --> 0:34:15.360
<v Speaker 1>mean I assume writing the I feel like if you

0:34:15.480 --> 0:34:18.040
<v Speaker 1>just love writing and just start writing and keep writing,

0:34:18.360 --> 0:34:19.680
<v Speaker 1>something good is going to come out of it. The

0:34:19.680 --> 0:34:22.960
<v Speaker 1>more you just get into writing, well, that's the good result.

0:34:23.000 --> 0:34:24.799
<v Speaker 1>If you set out with a destination in mind, you're

0:34:24.800 --> 0:34:27.319
<v Speaker 1>probably gonna not right right as well, because you're gonna

0:34:27.320 --> 0:34:29.520
<v Speaker 1>you're putting yourself in tram tracks and you're you're giving

0:34:29.520 --> 0:34:34.239
<v Speaker 1>yourself a destination. Um. And the great things in life

0:34:34.239 --> 0:34:37.280
<v Speaker 1>don't have a destination. They just they exist for themselves.

0:34:37.320 --> 0:34:39.320
<v Speaker 1>You just you play golf because it's fun to play.

0:34:39.760 --> 0:34:44.959
<v Speaker 1>You don't play golf to get anywhere. Um. And human

0:34:45.040 --> 0:34:46.959
<v Speaker 1>nature as we're always trying to get somewhere with something.

0:34:47.000 --> 0:34:48.480
<v Speaker 1>But how do you know where you're trying to get.

0:34:48.520 --> 0:34:50.080
<v Speaker 1>You don't know where you're trying to get, you know,

0:34:50.760 --> 0:34:53.399
<v Speaker 1>so how do you get somewhere? You can't decide where

0:34:53.440 --> 0:34:55.480
<v Speaker 1>to go with your golf because alway they think is

0:34:56.800 --> 0:34:58.759
<v Speaker 1>you don't know where it's going to go. So just

0:34:58.920 --> 0:35:03.480
<v Speaker 1>have fun doing it, okay. T Jeff's wint it's a

0:35:03.600 --> 0:35:07.600
<v Speaker 1>really odd game, as almost all games are, because there

0:35:07.760 --> 0:35:11.600
<v Speaker 1>is no product in the end. There's a trophy, maybe

0:35:11.600 --> 0:35:14.160
<v Speaker 1>your name's on it, maybe it's not, but there's no

0:35:14.239 --> 0:35:18.000
<v Speaker 1>product in the end except for some kind of vague

0:35:18.000 --> 0:35:21.600
<v Speaker 1>internal feeling, which, of course, Michael, you captured you know

0:35:21.880 --> 0:35:25.799
<v Speaker 1>so extremely well, and in your book. Yeah, it's even

0:35:25.800 --> 0:35:28.520
<v Speaker 1>more than the feeling itself. It's trying. It's the quest

0:35:28.560 --> 0:35:31.319
<v Speaker 1>to find that feeling, right like, because the feeling can

0:35:31.360 --> 0:35:34.799
<v Speaker 1>be fleeting, but to me, like when I when I'm

0:35:34.800 --> 0:35:39.920
<v Speaker 1>playing my best, uh, I'm just like there's a sensation

0:35:39.960 --> 0:35:42.719
<v Speaker 1>of trying to get it. It's just like total effortlessness

0:35:42.719 --> 0:35:45.920
<v Speaker 1>when I swing the club and uh, and then you have,

0:35:46.080 --> 0:35:48.000
<v Speaker 1>you know, five minute walk you get to try it again,

0:35:48.120 --> 0:35:50.560
<v Speaker 1>and there's those five minutes like the hardest. You're just like, Okay,

0:35:50.560 --> 0:35:53.080
<v Speaker 1>don't get too excited, don't think about well, okay, if

0:35:53.080 --> 0:35:54.680
<v Speaker 1>I if I birdied this hole and I finished with

0:35:54.680 --> 0:35:56.719
<v Speaker 1>two pars, I can you shoot my best score ever? Like,

0:35:57.239 --> 0:35:59.759
<v Speaker 1>you know, it's like the walk to me is one

0:35:59.800 --> 0:36:02.319
<v Speaker 1>of the hardest parts of golf, with to not not

0:36:02.360 --> 0:36:05.160
<v Speaker 1>getting your own way and not get not start chasing

0:36:05.160 --> 0:36:07.759
<v Speaker 1>a different feeling. Like it's uh, I think I think

0:36:07.760 --> 0:36:10.480
<v Speaker 1>Sis might have had something to say about this. You know,

0:36:10.560 --> 0:36:13.480
<v Speaker 1>let the nothingness into your shots, right, Like that's that's

0:36:13.560 --> 0:36:16.200
<v Speaker 1>one of the most oft repeated lines from Golf in

0:36:16.280 --> 0:36:19.920
<v Speaker 1>the Kingdom. But the nothingness is the key. It's uh,

0:36:19.960 --> 0:36:22.600
<v Speaker 1>that's that's like kind of where that's what I'm always

0:36:22.640 --> 0:36:27.440
<v Speaker 1>chasing the different words in different languages around what you know,

0:36:27.760 --> 0:36:31.239
<v Speaker 1>nothing is about. I mean, there's you know, Buddhism is

0:36:31.760 --> 0:36:34.480
<v Speaker 1>based in that no notion. There are a lot of

0:36:34.520 --> 0:36:41.080
<v Speaker 1>beautiful Sanskrit words for this, but you know words, you know,

0:36:41.400 --> 0:36:46.160
<v Speaker 1>you could get approximations to experience with words and words

0:36:46.200 --> 0:36:53.360
<v Speaker 1>themselves then can produce great experiences. But um uh. Finally,

0:36:53.480 --> 0:36:59.840
<v Speaker 1>that word um you can get you close, but by itself,

0:36:59.840 --> 0:37:02.120
<v Speaker 1>it can't get you there. I mean you have to

0:37:02.160 --> 0:37:06.560
<v Speaker 1>experience it. Ah, that's what he meant. You know, he

0:37:06.640 --> 0:37:10.960
<v Speaker 1>might have called it something else. You know some Sanskrit

0:37:10.960 --> 0:37:17.600
<v Speaker 1>word shunyums that's the word sunyumnata, and it's trying, you know,

0:37:17.640 --> 0:37:25.880
<v Speaker 1>your emptiness, um, nothingness, the fertile void. You know, different

0:37:26.000 --> 0:37:32.799
<v Speaker 1>translators will translate that word. But people have been testifying

0:37:32.880 --> 0:37:37.640
<v Speaker 1>to this and to this, these further dimensions of human experience,

0:37:37.680 --> 0:37:41.520
<v Speaker 1>you know, for thousands of years um, and as it

0:37:41.600 --> 0:37:43.880
<v Speaker 1>comes into the culture. It's just amazing to me that

0:37:45.040 --> 0:37:50.760
<v Speaker 1>writing this book, I UM the golf is a doorway

0:37:50.920 --> 0:37:54.080
<v Speaker 1>for lots of people into this the first time they've

0:37:54.120 --> 0:37:58.160
<v Speaker 1>ever had a deep Buddhist I mean, people will sit

0:37:58.239 --> 0:38:02.440
<v Speaker 1>in um retreats for years and not have some of

0:38:02.480 --> 0:38:06.680
<v Speaker 1>the experiences they have on golf courses. It's it's a

0:38:06.719 --> 0:38:11.640
<v Speaker 1>great irony, um. But there it is, this, these possibilities

0:38:11.640 --> 0:38:16.200
<v Speaker 1>waiting for us, and golf has a peculiar genius for

0:38:16.400 --> 0:38:19.680
<v Speaker 1>bringing people towards it. It's it's just a fact. You know.

0:38:20.280 --> 0:38:25.080
<v Speaker 1>It's like, uh, you know, fifty years I've been you

0:38:25.160 --> 0:38:28.120
<v Speaker 1>know this. Uh, the gift of writing the book has

0:38:28.120 --> 0:38:30.920
<v Speaker 1>given me just to watch this window oh keep opening

0:38:32.560 --> 0:38:39.120
<v Speaker 1>from that game. It's uh uh, it's it's a fact. Um.

0:38:40.280 --> 0:38:43.160
<v Speaker 1>There it sits and we argue about it from so

0:38:43.200 --> 0:38:46.840
<v Speaker 1>many different angles, you know, and you know, are the

0:38:46.880 --> 0:38:51.360
<v Speaker 1>Southeast nice people are not nice people? You know are whatever.

0:38:51.680 --> 0:38:54.319
<v Speaker 1>There's always something brand new to argue about or on

0:38:54.360 --> 0:39:00.080
<v Speaker 1>the game, the politics that um, oh god, everything, the

0:39:00.120 --> 0:39:03.520
<v Speaker 1>ecology of it, and uh, and yet people come back

0:39:03.600 --> 0:39:12.319
<v Speaker 1>to this um incredible uh something that UM delivers. These

0:39:12.360 --> 0:39:17.120
<v Speaker 1>experiences are people experience, you know, having started this and

0:39:17.440 --> 0:39:20.600
<v Speaker 1>it's been going for sixty years now, and people come

0:39:20.640 --> 0:39:24.000
<v Speaker 1>from all over the world in search of these uh,

0:39:24.400 --> 0:39:32.960
<v Speaker 1>larger possibilities in human life. And it's uh, you know,

0:39:33.040 --> 0:39:39.319
<v Speaker 1>and some of my um somewhat disreputable moments, I've proclaimed

0:39:39.320 --> 0:39:44.840
<v Speaker 1>that golf's delivering more experience, more stories than Buddhist practice

0:39:44.920 --> 0:39:48.840
<v Speaker 1>in America, And of course it's upset some of my friends.

0:39:48.840 --> 0:39:56.600
<v Speaker 1>But uh, then they start thinking about it, you know. Um,

0:39:56.600 --> 0:40:00.799
<v Speaker 1>but that anyway, Michael, you've told me that, Um, there

0:40:00.880 --> 0:40:02.560
<v Speaker 1>was a lot of that. You made such a study

0:40:02.600 --> 0:40:05.600
<v Speaker 1>of Hogan, and you sat near Mrs Hogan. I think

0:40:05.640 --> 0:40:09.080
<v Speaker 1>at Olympic and the influence Hogan had on you, and

0:40:09.120 --> 0:40:12.400
<v Speaker 1>that there was a lot of Hogan and Siva's. I

0:40:12.520 --> 0:40:14.280
<v Speaker 1>never got a chance, of course, to be around Hogan,

0:40:14.719 --> 0:40:18.239
<v Speaker 1>but I think of Sheba's your character, Sheva's irons is

0:40:18.280 --> 0:40:23.399
<v Speaker 1>having so much warmth and humanity in connection with other

0:40:23.400 --> 0:40:26.160
<v Speaker 1>people that I don't necessarily so associate with Hogan. I

0:40:26.200 --> 0:40:28.680
<v Speaker 1>don't know if that's correct or not, but I'm wondering

0:40:30.320 --> 0:40:33.200
<v Speaker 1>what else came to you that let you fill in

0:40:33.360 --> 0:40:41.719
<v Speaker 1>Sheba's in such a rich way. You're my psychoanalyst. Yes,

0:40:42.040 --> 0:40:47.320
<v Speaker 1>a matter of speaking, I mean, oh boy, Um, well,

0:40:47.360 --> 0:40:52.160
<v Speaker 1>I mean there's that, Michael, which of which I'm conscious,

0:40:52.840 --> 0:40:57.000
<v Speaker 1>and that which is of which I'm unconscious. Uh. You know,

0:40:57.320 --> 0:41:01.680
<v Speaker 1>anybody who writes um a book that is in the

0:41:01.920 --> 0:41:06.000
<v Speaker 1>is imaginative and and you know, I say, people say, well,

0:41:06.080 --> 0:41:08.799
<v Speaker 1>is it fiction or or nonfiction? I say, well, it's

0:41:09.239 --> 0:41:15.160
<v Speaker 1>semi it's it's semi fiction because the experiences my kind

0:41:15.200 --> 0:41:20.279
<v Speaker 1>of discipline was, and I do differentiate it from I

0:41:20.360 --> 0:41:25.319
<v Speaker 1>call it mystical realism because people want explanations as as

0:41:25.360 --> 0:41:30.200
<v Speaker 1>distinguished from magical realism. You know, in the great Latin

0:41:30.239 --> 0:41:33.760
<v Speaker 1>novelists with gold fish from the sky and redwood trees

0:41:33.800 --> 0:41:35.760
<v Speaker 1>that put their arms around you and all. There's nothing

0:41:35.840 --> 0:41:38.839
<v Speaker 1>like that, exactly in golf in the Kingdom. These are

0:41:38.840 --> 0:41:42.360
<v Speaker 1>experiences that people have. And you know, I wrote a sequel,

0:41:42.360 --> 0:41:44.720
<v Speaker 1>it's the sequel, you know, the Kingdom of suba Science.

0:41:45.040 --> 0:41:50.600
<v Speaker 1>All those experiences actually happen to people and so um

0:41:52.160 --> 0:41:57.399
<v Speaker 1>uh so too, um so, all of that came into

0:41:57.480 --> 0:42:03.720
<v Speaker 1>play writing the book. So um so, I channeled the character,

0:42:04.120 --> 0:42:10.440
<v Speaker 1>you know, but it did. He did. He materialized in

0:42:10.560 --> 0:42:13.880
<v Speaker 1>front of me and pretty soon this could happen. You

0:42:13.920 --> 0:42:16.600
<v Speaker 1>asked me about the state I was in. Pretty soon,

0:42:16.840 --> 0:42:22.200
<v Speaker 1>um I was hearing the stuff I wrote down, you know,

0:42:23.200 --> 0:42:25.920
<v Speaker 1>I was hearing it. And people think, well, yeah, you

0:42:25.960 --> 0:42:29.239
<v Speaker 1>know this is on the edge of schizophrenia. Uh well,

0:42:29.320 --> 0:42:32.200
<v Speaker 1>accept writers are flirting with the same sorts of things

0:42:32.200 --> 0:42:36.600
<v Speaker 1>as certain psychotics. Uh do you know the you know,

0:42:36.640 --> 0:42:40.600
<v Speaker 1>the m m PI in the Minnesota Multiphasing Inventory. I

0:42:40.600 --> 0:42:42.960
<v Speaker 1>don't want to get too fancy here, but it's it's

0:42:43.520 --> 0:42:47.400
<v Speaker 1>been given to more people than any other single test, millions.

0:42:48.160 --> 0:42:54.279
<v Speaker 1>And there's something called the schizophrenia scale. And when you know,

0:42:54.320 --> 0:42:57.400
<v Speaker 1>when it's given to a lot of writers, they scored

0:42:57.600 --> 0:43:03.520
<v Speaker 1>very high on the schizophrenia scale. Um, because it's um,

0:43:03.719 --> 0:43:06.480
<v Speaker 1>but it's also has to be accompanied by some of

0:43:06.520 --> 0:43:10.560
<v Speaker 1>the stability scales. But it's opening that the doors of

0:43:10.600 --> 0:43:15.360
<v Speaker 1>the mind and this stuff comes. Uh. So that was

0:43:16.320 --> 0:43:18.120
<v Speaker 1>you know, it was the first book I tried to

0:43:18.160 --> 0:43:22.120
<v Speaker 1>write let alone, right, Um, so the you know, it's

0:43:22.160 --> 0:43:26.040
<v Speaker 1>kind of quasi channeling. And you could say that in

0:43:26.360 --> 0:43:29.560
<v Speaker 1>great art and in great sports performance, and I think

0:43:29.600 --> 0:43:33.440
<v Speaker 1>it's again I would argue with Jeff, this will getting

0:43:33.480 --> 0:43:36.960
<v Speaker 1>that this thing if you can open the not only

0:43:37.000 --> 0:43:40.720
<v Speaker 1>the doors of perception, but open up all the hidden

0:43:40.760 --> 0:43:45.759
<v Speaker 1>windows of your mind body complex. I mean, would you

0:43:45.840 --> 0:43:51.040
<v Speaker 1>think about what goes into hitting a let's say a shot.

0:43:51.600 --> 0:43:54.759
<v Speaker 1>Let's I'm thinking I was right next to Hogan when

0:43:54.760 --> 0:43:57.120
<v Speaker 1>he hit a shot at that opening loss to fleck.

0:43:58.120 --> 0:44:00.719
<v Speaker 1>And it was in grass pretty I mean it was

0:44:01.200 --> 0:44:04.359
<v Speaker 1>in the rough, and but it was one of these

0:44:04.400 --> 0:44:07.120
<v Speaker 1>low shots of these some of these Texas players you know,

0:44:07.239 --> 0:44:09.120
<v Speaker 1>tell me Bold and Jimmy to marry. They did these

0:44:09.160 --> 0:44:12.919
<v Speaker 1>little shots. It would rise, but this one, honest to God,

0:44:13.360 --> 0:44:17.799
<v Speaker 1>to the left of the pin, rising and fading out

0:44:17.840 --> 0:44:22.880
<v Speaker 1>of high grass. All right. How many muscle fibers in

0:44:23.040 --> 0:44:26.400
<v Speaker 1>his body and how many nerves and his brain and

0:44:26.440 --> 0:44:29.919
<v Speaker 1>cerebellum and everywhere else were involved in that? Nobody could

0:44:29.960 --> 0:44:33.799
<v Speaker 1>cut pozzib We count them and he couldn't. I would

0:44:33.840 --> 0:44:38.479
<v Speaker 1>argualy channel that shot. He channeled it. Now. I think

0:44:38.680 --> 0:44:42.320
<v Speaker 1>he probably had an image of that's what he wanted

0:44:42.360 --> 0:44:45.080
<v Speaker 1>to do. He wanted to play a low rising and

0:44:45.200 --> 0:44:51.480
<v Speaker 1>fade into that um. And uh. It was interesting because

0:44:52.400 --> 0:44:56.240
<v Speaker 1>before he hit the shot, I was standing near him

0:44:56.320 --> 0:45:00.799
<v Speaker 1>and he yelled at someone, how Sam. He kind of

0:45:00.840 --> 0:45:05.560
<v Speaker 1>measured himself against Sam. Sneed a lot, and and the

0:45:05.560 --> 0:45:08.520
<v Speaker 1>guy yelled back, oh, he's under so many under or whatever,

0:45:08.560 --> 0:45:11.440
<v Speaker 1>and he shook his head. He took that into consideration.

0:45:11.800 --> 0:45:15.319
<v Speaker 1>He may have been computing how much he was going

0:45:15.360 --> 0:45:18.200
<v Speaker 1>to go for, you know, a lower or higher score.

0:45:18.440 --> 0:45:22.360
<v Speaker 1>I don't know, but anyway, there was the settled sense

0:45:23.160 --> 0:45:28.640
<v Speaker 1>centered down computing that and then pulling the shot off. Well,

0:45:28.880 --> 0:45:32.960
<v Speaker 1>you have to believe me, and that is like me

0:45:33.040 --> 0:45:39.480
<v Speaker 1>writing a paragraph, uh and not anticipating it. I didn't

0:45:39.480 --> 0:45:42.240
<v Speaker 1>see it coming. You see what I mean? You guys,

0:45:42.280 --> 0:45:45.560
<v Speaker 1>well you know you're writing right as writers. I mean,

0:45:45.960 --> 0:45:49.200
<v Speaker 1>you don't know this sentence exactly is coming and don't

0:45:49.239 --> 0:45:54.520
<v Speaker 1>you but it appears. And that is this marriage that

0:45:54.600 --> 0:46:00.600
<v Speaker 1>we all have with our unconscious, our subliminal mind. People say, well,

0:46:00.600 --> 0:46:02.680
<v Speaker 1>what do you how do you see the unconscious? Well,

0:46:02.680 --> 0:46:07.239
<v Speaker 1>I say, well, think one image in Star Wars the

0:46:07.280 --> 0:46:11.000
<v Speaker 1>movie are two D two. You know, the little the

0:46:11.120 --> 0:46:13.759
<v Speaker 1>robot goes wrong. Okay, we each have our R two

0:46:13.880 --> 0:46:17.680
<v Speaker 1>D two. It's our unconscious. It's always working. So you

0:46:17.680 --> 0:46:19.839
<v Speaker 1>have to know how to listen are too D two

0:46:20.480 --> 0:46:25.000
<v Speaker 1>But so one. For for a writer, it comes as

0:46:25.040 --> 0:46:29.919
<v Speaker 1>a sentence or an image or even a paragraph. When

0:46:29.920 --> 0:46:33.200
<v Speaker 1>you get one of these long runs, it's um, I

0:46:33.280 --> 0:46:36.680
<v Speaker 1>actually do think um. I owe some of it to

0:46:36.760 --> 0:46:41.040
<v Speaker 1>my Irish ancestry, because you know, the father's side of

0:46:41.080 --> 0:46:43.399
<v Speaker 1>the family. All this, I mean, there was a lot

0:46:43.440 --> 0:46:46.640
<v Speaker 1>of competition for who is going to blow the longest

0:46:46.719 --> 0:46:49.239
<v Speaker 1>riff at dinner. I mean there was, I mean, it

0:46:49.360 --> 0:46:54.400
<v Speaker 1>was it was you know. Uh. You know, these cultural

0:46:54.440 --> 0:46:58.400
<v Speaker 1>steriotypes often have some truth in them, but you rejoice,

0:46:58.600 --> 0:47:01.000
<v Speaker 1>you know, ulysses or something. I mean some of those

0:47:01.040 --> 0:47:06.239
<v Speaker 1>are paragraphs that he channeled. Okay, and the same with

0:47:06.960 --> 0:47:10.920
<v Speaker 1>certain rounds of golf. I'll tell you. The only person

0:47:11.280 --> 0:47:13.560
<v Speaker 1>who ever played a great game in his life that

0:47:13.600 --> 0:47:18.360
<v Speaker 1>I played against once was Kenney Ventury and he was fifteen.

0:47:18.440 --> 0:47:24.560
<v Speaker 1>I was sixteen. And um he uh became famous in

0:47:24.560 --> 0:47:27.040
<v Speaker 1>our part of the world up here, you know, um

0:47:27.239 --> 0:47:30.839
<v Speaker 1>in northern California when he was UM. I would say,

0:47:31.120 --> 0:47:34.919
<v Speaker 1>from the time he was about seventeen to twenty that

0:47:35.719 --> 0:47:40.439
<v Speaker 1>he would uh maybe get five or six holes where

0:47:40.440 --> 0:47:43.719
<v Speaker 1>the ball was stiff to the pin, I mean within feet,

0:47:43.760 --> 0:47:49.080
<v Speaker 1>you know. And it was um. And then he went

0:47:49.080 --> 0:47:52.200
<v Speaker 1>out on the tour there and he did well. But

0:47:53.520 --> 0:47:57.080
<v Speaker 1>he I remember that as a kid having known him,

0:47:57.120 --> 0:48:00.480
<v Speaker 1>and UM, I can't say I played again stim. I

0:48:00.480 --> 0:48:03.040
<v Speaker 1>mean we were matched with each other. It was a

0:48:03.120 --> 0:48:08.520
<v Speaker 1>pathetic mismatch. But anyway, um uh. So the point I

0:48:08.600 --> 0:48:10.759
<v Speaker 1>want to make is this are too deep to that

0:48:10.800 --> 0:48:16.880
<v Speaker 1>we that is in us uh is the subliminal mind,

0:48:17.760 --> 0:48:22.040
<v Speaker 1>our secret magic. Uh. It can be there for a

0:48:22.040 --> 0:48:25.080
<v Speaker 1>few seconds, or a few minutes, or a few hours

0:48:25.800 --> 0:48:29.040
<v Speaker 1>or over a period of time. It's uh, you know

0:48:29.120 --> 0:48:32.160
<v Speaker 1>this comes up a lot, don int es um people

0:48:32.200 --> 0:48:34.360
<v Speaker 1>coming from the you know, from all over the world

0:48:34.400 --> 0:48:40.280
<v Speaker 1>to talk about this stuff. It's um. Uh, it's hugely

0:48:40.280 --> 0:48:44.840
<v Speaker 1>and once again, golf is an incredible venue for people

0:48:44.920 --> 0:48:49.760
<v Speaker 1>to experience this stuff. It's amazing. I mean, well, Jeff,

0:48:49.800 --> 0:48:52.960
<v Speaker 1>obviously in your life, I mean you've done it. I mean,

0:48:53.000 --> 0:48:57.000
<v Speaker 1>to win those big tournaments, Jesus. And the competition you

0:48:57.040 --> 0:49:00.600
<v Speaker 1>guys are against. You know, in Hogan's day, do ten

0:49:00.680 --> 0:49:03.799
<v Speaker 1>or fifteen guys out there who could really play? But

0:49:03.920 --> 0:49:06.600
<v Speaker 1>now you guys watched about a couple of d well,

0:49:06.640 --> 0:49:10.439
<v Speaker 1>I mean everybody out there now everyone hits the ball

0:49:10.880 --> 0:49:13.640
<v Speaker 1>much further than any anybody thought of hitting it when

0:49:13.640 --> 0:49:17.319
<v Speaker 1>I was younger, when Hogan was playing. I mean, you

0:49:17.400 --> 0:49:25.080
<v Speaker 1>hear it further. Um. But all that competition, and it's

0:49:25.160 --> 0:49:34.400
<v Speaker 1>a a cohort of magic has emerged. And say, although

0:49:34.480 --> 0:49:37.759
<v Speaker 1>you know, it's interesting that certain players, I mean a

0:49:37.840 --> 0:49:40.239
<v Speaker 1>lot of people turn on you know, we don't need

0:49:40.280 --> 0:49:45.719
<v Speaker 1>to repeat this to just watch Tiger you know and

0:49:45.719 --> 0:49:52.880
<v Speaker 1>and so and um, you could argue that in the

0:49:52.920 --> 0:49:55.160
<v Speaker 1>old days, I mean when Hogan was playing, and some

0:49:55.239 --> 0:49:58.400
<v Speaker 1>of those guys were such characters, you know, so people

0:49:58.480 --> 0:50:01.000
<v Speaker 1>was kind of like watching the Harlem Globe Trotters. You

0:50:01.040 --> 0:50:03.360
<v Speaker 1>go to the Crosby clam Bay can see some of

0:50:03.400 --> 0:50:08.719
<v Speaker 1>these guys play. It was colorful characters. Some I don't

0:50:08.719 --> 0:50:10.400
<v Speaker 1>know how you feel about this job, but there's a

0:50:10.400 --> 0:50:16.799
<v Speaker 1>lot of um, more conformity on the tour. I do

0:50:16.880 --> 0:50:19.440
<v Speaker 1>have a question for you, Michael. I mean that you're

0:50:19.480 --> 0:50:22.960
<v Speaker 1>not playing a ton of golf anymore, presumably, Um, do

0:50:23.000 --> 0:50:25.759
<v Speaker 1>you still do you dream about golf? Do you can

0:50:25.800 --> 0:50:28.799
<v Speaker 1>you still summon in your body the sensation of hitting

0:50:28.840 --> 0:50:31.480
<v Speaker 1>golf shots? Like how much does the game live within

0:50:31.560 --> 0:50:37.560
<v Speaker 1>you still? You know, great athletes do leave legacies in

0:50:37.640 --> 0:50:40.640
<v Speaker 1>the minds of people who were near them when they

0:50:40.680 --> 0:50:44.239
<v Speaker 1>were playing or even on television. I mean, we all

0:50:44.280 --> 0:50:48.920
<v Speaker 1>know there are certain shots that are are get me

0:50:50.040 --> 0:50:52.600
<v Speaker 1>take that shot. When Hogan hit that shot, that's in me,

0:50:52.680 --> 0:50:57.800
<v Speaker 1>I can feel it. It was so thrilling. It's like, um,

0:50:57.840 --> 0:51:03.640
<v Speaker 1>you know, remembering the most delicious experiences in your life.

0:51:05.160 --> 0:51:08.120
<v Speaker 1>You know, it's it's not to be too crass, but

0:51:08.200 --> 0:51:15.480
<v Speaker 1>you can remember some erotic highlights. There are certain things

0:51:15.560 --> 0:51:18.759
<v Speaker 1>you will never forget. And it's not just that you

0:51:18.840 --> 0:51:22.440
<v Speaker 1>have a mental image. You feel it, particularly if you

0:51:22.520 --> 0:51:26.360
<v Speaker 1>ever played the game. You know, um, you know what

0:51:26.400 --> 0:51:29.359
<v Speaker 1>I mean. And it's almost as good as the real thing.

0:51:30.239 --> 0:51:33.080
<v Speaker 1>The remembering might be better. I was watching Tiger and

0:51:33.080 --> 0:51:36.200
<v Speaker 1>I actually was experiencing on some of those drives you

0:51:36.239 --> 0:51:44.080
<v Speaker 1>and I was experiencing lust. I'm sure that's true. So

0:51:45.520 --> 0:51:48.719
<v Speaker 1>there's a lineage, I mean, I'm sorry, a legacy that

0:51:49.640 --> 0:51:54.360
<v Speaker 1>great athletes leave out there in the memories of others

0:51:54.680 --> 0:51:58.799
<v Speaker 1>really well. And and also great writers and great storytellers.

0:51:58.840 --> 0:52:02.240
<v Speaker 1>I mean, Jeff's up and down on the seven second

0:52:02.239 --> 0:52:05.600
<v Speaker 1>hole at Wingfoot will live on forever. I mean, just

0:52:05.760 --> 0:52:08.040
<v Speaker 1>as golf in the Kingdom will, just as to the

0:52:08.120 --> 0:52:11.160
<v Speaker 1>links Land will. I mean, it's uh, it's kind of

0:52:11.160 --> 0:52:13.600
<v Speaker 1>neat to bring together people on this, on this this

0:52:13.640 --> 0:52:16.200
<v Speaker 1>one conversation who have touched a lot of folks in

0:52:16.239 --> 0:52:20.239
<v Speaker 1>different ways, and uh, you know, it's it's fun for me.

0:52:20.320 --> 0:52:23.160
<v Speaker 1>I I feel like I'm just having an out of

0:52:23.160 --> 0:52:26.799
<v Speaker 1>body experience watching you guys talk about these things. But

0:52:27.560 --> 0:52:30.359
<v Speaker 1>it's it's one of the great things about the nineteenth Hole.

0:52:31.000 --> 0:52:33.680
<v Speaker 1>You know, you play over in Scotland and my god,

0:52:33.719 --> 0:52:37.239
<v Speaker 1>you're rubbed raw in the wind and it's okay. But

0:52:37.280 --> 0:52:39.200
<v Speaker 1>if you go into the clubhouse and you have a

0:52:39.280 --> 0:52:43.000
<v Speaker 1>single maldis a single and you don't get halfway up

0:52:43.040 --> 0:52:45.040
<v Speaker 1>to heaven, You're not going to get there when you die.

0:52:45.640 --> 0:52:47.879
<v Speaker 1>It's uh, you know what I mean. I mean it's

0:52:47.920 --> 0:52:53.759
<v Speaker 1>because it opens up um uh, well, it just inhibits

0:52:53.760 --> 0:52:57.920
<v Speaker 1>you to some extent and in that just an ambition,

0:52:58.920 --> 0:53:03.680
<v Speaker 1>amazing things are rise and um so that in that

0:53:03.800 --> 0:53:09.120
<v Speaker 1>sense we're so vulnerable and contagious to one another. And

0:53:09.160 --> 0:53:14.000
<v Speaker 1>when you have a sports arena with millions of people watching,

0:53:15.160 --> 0:53:19.760
<v Speaker 1>you know, it's it's at times I just think underrated

0:53:20.480 --> 0:53:25.600
<v Speaker 1>how an athlete can do something. It's a thrilled at

0:53:25.680 --> 0:53:29.680
<v Speaker 1>last and reverberates forever as long as that anybody who

0:53:29.719 --> 0:53:37.000
<v Speaker 1>experienced it, there's alive the legacy of our greatness to

0:53:37.160 --> 0:53:42.240
<v Speaker 1>one another. And um, let's say somebody who's been down

0:53:42.280 --> 0:53:46.880
<v Speaker 1>and out and has uh not done a lot of

0:53:46.920 --> 0:53:52.879
<v Speaker 1>good in life and does one incredible, great and good

0:53:52.920 --> 0:53:57.279
<v Speaker 1>thing and it reverberates where it reverberates, so we can

0:53:57.360 --> 0:54:03.680
<v Speaker 1>all add to this in incredibly cruel but grace laden

0:54:03.800 --> 0:54:08.319
<v Speaker 1>world we live in. I mean, you know, um and

0:54:08.520 --> 0:54:14.520
<v Speaker 1>uh so anyway, it's um. People say to me, Um,

0:54:14.560 --> 0:54:17.880
<v Speaker 1>I love a challenge like this. M Well, of course,

0:54:19.000 --> 0:54:20.960
<v Speaker 1>at the end of the day, Mike, it's a silly game.

0:54:22.280 --> 0:54:25.560
<v Speaker 1>I said, well, what I mean, a little ball into

0:54:25.600 --> 0:54:28.720
<v Speaker 1>this hole and you walk around like this and everything else.

0:54:29.320 --> 0:54:32.880
<v Speaker 1>So I know when they're setting me up like that,

0:54:32.880 --> 0:54:37.680
<v Speaker 1>that I'm gonna win, and because I could come back

0:54:38.080 --> 0:54:41.759
<v Speaker 1>with all of the good things that happened, you know

0:54:41.960 --> 0:54:49.799
<v Speaker 1>in this game. I'm serious and it's um. It's a

0:54:49.920 --> 0:54:59.479
<v Speaker 1>largely enchanted game that uh well, it does what it does,

0:54:59.600 --> 0:55:08.279
<v Speaker 1>and it's these um and sport generally. Um uh it's

0:55:09.440 --> 0:55:13.200
<v Speaker 1>oh boy, I'm inhibiting myself right now because you know,

0:55:13.280 --> 0:55:17.040
<v Speaker 1>my wife and I are very involved in Russian American

0:55:17.080 --> 0:55:20.520
<v Speaker 1>relations and we're living in this now as hell that's

0:55:20.600 --> 0:55:25.480
<v Speaker 1>perpetrated by Putin. I don't I don't want to go

0:55:25.560 --> 0:55:30.880
<v Speaker 1>down that road with you guys, but uh so, I

0:55:30.960 --> 0:55:35.880
<v Speaker 1>often say it's too bad in Russia. They forgive me

0:55:35.960 --> 0:55:38.600
<v Speaker 1>for this, but that they don't play golf. You know.

0:55:39.040 --> 0:55:41.959
<v Speaker 1>It's uh, I get some of these guys out there

0:55:42.040 --> 0:55:45.680
<v Speaker 1>and out of these warhols that they live in. I mean,

0:55:45.719 --> 0:55:49.960
<v Speaker 1>it's been a a nation that has suffered enormously and

0:55:50.000 --> 0:55:56.200
<v Speaker 1>it's so huge, and it's produced this readiness to fight

0:55:56.360 --> 0:56:04.680
<v Speaker 1>and this monsters. I'm sorry to intervene with, but that, Um,

0:56:04.840 --> 0:56:08.960
<v Speaker 1>we've got to be thankful for these activities that we

0:56:09.040 --> 0:56:13.480
<v Speaker 1>do have that are life giving and healthy and God

0:56:13.520 --> 0:56:19.360
<v Speaker 1>bless golf give rise to this transcendence, these transcendent moments,

0:56:20.160 --> 0:56:26.040
<v Speaker 1>but we go beyond ourselves, thank God. Michael and Jeff

0:56:26.080 --> 0:56:29.239
<v Speaker 1>give me final thoughts for our guest on Uti for

0:56:29.360 --> 0:56:35.759
<v Speaker 1>with Michael Murphy here. Wow, this has just been a pleasure. Um,

0:56:35.800 --> 0:56:38.239
<v Speaker 1>I've enjoyed listening the whole time. This is fascinating. We

0:56:38.239 --> 0:56:40.040
<v Speaker 1>could do this all day. I think it's important. I

0:56:40.040 --> 0:56:44.560
<v Speaker 1>think of more. I mean, you wrote this book fifty

0:56:44.640 --> 0:56:47.320
<v Speaker 1>years ago. It should have been paid. I mean, everybody

0:56:47.320 --> 0:56:48.960
<v Speaker 1>loves it. But everybody loves it and then they go

0:56:49.000 --> 0:56:52.160
<v Speaker 1>off and don't really live it, you know, they get

0:56:52.239 --> 0:56:56.360
<v Speaker 1>distracted by everything else. And I think it's more relevant

0:56:56.440 --> 0:56:58.120
<v Speaker 1>now because, as I said, we're cutting it up into

0:56:58.160 --> 0:57:01.400
<v Speaker 1>so many small pieces and we'd of thing the point, Um,

0:57:02.040 --> 0:57:04.040
<v Speaker 1>all the holiday golf is just there. If a golf

0:57:04.080 --> 0:57:05.880
<v Speaker 1>psych and that's how we don't have to fought wols,

0:57:05.920 --> 0:57:07.759
<v Speaker 1>because we fought the wool with ourself every time we

0:57:07.840 --> 0:57:10.600
<v Speaker 1>play golf, and we learned about ourselves every time. And

0:57:10.640 --> 0:57:13.200
<v Speaker 1>I think, uh, it's just been fascinating. I've enjoyed the

0:57:13.239 --> 0:57:16.120
<v Speaker 1>whole thing. We can do this trial. Well, thank you

0:57:16.160 --> 0:57:20.600
<v Speaker 1>Allen for arranging this, and uh, Michael, I hope I

0:57:20.640 --> 0:57:22.760
<v Speaker 1>have many more opportunities to say this to you, but

0:57:22.840 --> 0:57:25.040
<v Speaker 1>I just want to say you're a hero to me,

0:57:25.120 --> 0:57:29.320
<v Speaker 1>and I'm incredibly grateful that you are the person you

0:57:29.360 --> 0:57:31.320
<v Speaker 1>are and that you've written down the words that you have.

0:57:31.920 --> 0:57:34.920
<v Speaker 1>You probably know I believe I have this right that

0:57:35.080 --> 0:57:41.240
<v Speaker 1>Gorbachov gave Reagan a driver made out of a nuclear missile,

0:57:41.360 --> 0:57:43.800
<v Speaker 1>but maybe someone gave it to Clinton. That the point

0:57:44.000 --> 0:57:48.320
<v Speaker 1>really is they should have just kept it. Uh. Uh.

0:57:48.360 --> 0:57:51.680
<v Speaker 1>If you ever cared to write a sort of sequel

0:57:51.720 --> 0:57:56.479
<v Speaker 1>about a mystical conversation between Hogan and Tiger, I think

0:57:56.600 --> 0:58:01.160
<v Speaker 1>people would eat it up. Uh. But thank you for

0:58:01.280 --> 0:58:04.720
<v Speaker 1>the example of of your life and and everything that

0:58:04.760 --> 0:58:10.240
<v Speaker 1>you've given us. Michael. Thank you God, that's generous words,

0:58:10.960 --> 0:58:15.280
<v Speaker 1>and thank you for all your great stuff about life

0:58:15.280 --> 0:58:21.240
<v Speaker 1>in this good green world. And anyway, and and Jeff,

0:58:21.280 --> 0:58:25.919
<v Speaker 1>thanks for those generous remarks. I I very very much

0:58:25.960 --> 0:58:31.680
<v Speaker 1>appreciate them a lot. Really well, I'm just gonna build

0:58:31.680 --> 0:58:34.520
<v Speaker 1>on what these other guys said. It's absolute pleasure talking

0:58:34.560 --> 0:58:38.320
<v Speaker 1>to you as always. Michael, Uh, congratulations fifty the anniversary

0:58:38.360 --> 0:58:42.200
<v Speaker 1>of golf in the Kingdom. What a run uh years old.

0:58:42.200 --> 0:58:44.720
<v Speaker 1>I think anyone who listens this podcast will know that

0:58:45.480 --> 0:58:50.160
<v Speaker 1>you haven't lost anything off your fastball. It's it's heroic

0:58:51.520 --> 0:58:54.840
<v Speaker 1>the life you continues to lead. So um, this has

0:58:54.880 --> 0:58:57.680
<v Speaker 1>been this has been a tremendous pleasure and honor. Thank

0:58:57.720 --> 0:59:00.439
<v Speaker 1>you for for rounding out our foursome here. We're gonna

0:59:00.440 --> 0:59:02.560
<v Speaker 1>we're gonna sign off on from this podcast, but I

0:59:02.640 --> 0:59:05.400
<v Speaker 1>know the conversation will continue for quite a long time

0:59:05.440 --> 0:59:08.400
<v Speaker 1>amongst all of us in different ways. So thanks everybody

0:59:08.400 --> 0:59:11.520
<v Speaker 1>for listening, and uh, we'll do this again soon. That's

0:59:11.600 --> 0:59:22.080
<v Speaker 1>the end. Mm hmmm, Oh my god. It's a dangerous

0:59:22.080 --> 0:59:22.640
<v Speaker 1>group here.