WEBVTT - NEWS: Superman, Ironheart, and Murderbot

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<v Speaker 1>Hello, my name is Jason Concepcion and on Mesday Night

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<v Speaker 1>and welcome back to x Ray Vision of the podcast

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<v Speaker 1>where we dibut you to your favorite shows, movies, comics

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<v Speaker 1>of pop culture coming to you from My Heart podcast

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<v Speaker 1>will We'll bring you three episodes week every Tuesday, Thursday

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<v Speaker 1>and Friday.

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<v Speaker 2>This is News.

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<v Speaker 3>In today's previously on news episode, we're catching up on

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<v Speaker 3>the biggest geek news of the week, as we always do,

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<v Speaker 3>and it is a busy week.

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<v Speaker 2>We got this new iron.

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<v Speaker 3>Heart, well the only iron Heart trailer that we've all

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<v Speaker 3>been waiting for, and a new trailer for Superman. Can't

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<v Speaker 3>wait for that looks fantastic. We'll also be talking about

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<v Speaker 3>a new addition to the day Level cast, which we'll

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<v Speaker 3>have Jessica Jones fans very excited.

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<v Speaker 1>Let's get into new news. First up, the first official

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<v Speaker 1>full length Superman trailer has been released, and folks, it's great,

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<v Speaker 1>very very excited.

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<v Speaker 3>I big things that immediately stand out to me that

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<v Speaker 3>I loved. I adored the Lowis Clark chemistry.

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<v Speaker 1>I love that trailer relationships.

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<v Speaker 3>I know James Gunn must have been so happy when

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<v Speaker 3>those two sat down together, because that was some seriously

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<v Speaker 3>great stuff, and it was like, yeah, I mean super

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<v Speaker 3>produce of Common just said like she actually cried when

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<v Speaker 3>she watched the trailer, and it really does have that

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<v Speaker 3>kind of impactful emotional theft. I love the Clock and

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<v Speaker 3>Lowis stuff. I love that like Clark's like, yeah, I'll

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<v Speaker 3>let you interview me as Superman because he sees them

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<v Speaker 3>really as the same thing.

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<v Speaker 2>But he doesn't realize he says that to girlfriend Lewis.

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<v Speaker 3>But Lois Lane comes to thee she immediately locks into

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<v Speaker 3>reporter and I love that.

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<v Speaker 2>I thought that was really cool.

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<v Speaker 3>We get so many big action sequences here, that big

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<v Speaker 3>Kaiju that we know James Gum was really excited to introduce.

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<v Speaker 3>We do get to see the engineer looking very scary

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<v Speaker 3>and definitely very villainess, which I think is interesting. Seems

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<v Speaker 3>like the Authority are going to be Lex's super team

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<v Speaker 3>in this one. Definitely get more Lex here. I feel

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<v Speaker 3>like it is channeling a more refined version of the

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<v Speaker 3>gene Hackman Lex, where he is kind of a dandy,

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<v Speaker 3>he is kind of eccentric. I loved it when he

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<v Speaker 3>was wearing that kind of all black snow coat. I'm

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<v Speaker 3>guessing because he'd been near the Fortress of Solitude. Interesting

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<v Speaker 3>other things to note. They are claiming that there's this

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<v Speaker 3>new character called the Hammer of Borovia that seems to

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<v Speaker 3>be an original creation. I would be interested to see

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<v Speaker 3>if that is the case, or if there's someone else

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<v Speaker 3>inside the mech. Also, there's a moment that the Internet

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<v Speaker 3>has been going crazy with, which is where we see

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<v Speaker 3>this character Ultraman, who has all black and he's taking prisoner.

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<v Speaker 3>There is a lot of questioning and interesting thoughts here

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<v Speaker 3>about whether or not under that suit and under that

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<v Speaker 3>mask is bizarro and to try and make a Superman

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<v Speaker 3>of his own. We get to see Sean gun here

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<v Speaker 3>as Maxwell Lord, which is like hilarious metamorphos some scary stuff. Also,

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<v Speaker 3>we get a super prison where I think we see

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<v Speaker 3>you know, some people are saying maybe it's Amethyst because

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<v Speaker 3>of the purple dress. I think it's probably Star Sapphire.

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<v Speaker 3>So I would say we're definitely gonna get to see.

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<v Speaker 2>A lot of superheroes in this movie.

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<v Speaker 3>We get more Guy Gardner who looks great, Hawk Girl

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<v Speaker 3>looks great. Crypto punches the engineer in the face, which

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<v Speaker 3>I love. We all need more shaggy dog style dogs.

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<v Speaker 3>Randomly punching people.

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<v Speaker 2>So I love that.

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<v Speaker 3>And yeah, I think that this reimagined score that they

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<v Speaker 3>have really gets you into that emotional feeling of Superman.

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<v Speaker 1>We'll tapping into the John Williams exactly DNA, which I

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<v Speaker 1>think is so important in nic.

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<v Speaker 3>And this movie comes out July eleventh, Like I think

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<v Speaker 3>this is gonna be a crazy summer for the Blockbusters

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<v Speaker 3>because if you'd have told me, you know, a couple

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<v Speaker 3>of years ago, oh, there's gonna be Fantastic four movie

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<v Speaker 3>or a Superman movie, I would think Fantastic Four was

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<v Speaker 3>going to decimate that movie because of the anticipation and waiting.

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<v Speaker 3>But now we're both we're getting very different kind of film.

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<v Speaker 3>Tore Fantastic Four is definitely in that retro futuristic space.

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<v Speaker 3>It's connected to that heavier MCU law, which I think

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<v Speaker 3>is going to be.

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<v Speaker 2>You know, tough for some people. But after The Thunderbolts,

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<v Speaker 2>which was.

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<v Speaker 3>You know, a really good movie and had a lot

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<v Speaker 3>of great responses, I do think Marvel is back on it.

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<v Speaker 3>They're back at that peak again that people are excited about.

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<v Speaker 3>But this movie looks really special and it's very different

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<v Speaker 3>than anything James Gunn has done. Really so we could

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<v Speaker 3>be looking at a big, big summer at the blockbusters.

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<v Speaker 3>July is going to be crazy with Jurassic World, Fantastic Four,

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<v Speaker 3>and Superman all in one month.

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<v Speaker 1>It makes I just saw Friendship. Oh my gosh, it

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<v Speaker 1>makes me think of it makes me think of the

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<v Speaker 1>line's characters. Is where he goes, there's a new Marvel

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<v Speaker 1>coming out and we got it. We gotta see it.

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<v Speaker 2>I want to go see it, dude.

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<v Speaker 3>I was definitely attacked by that specific there's a new

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<v Speaker 3>Marvel coming out, we gotta go see and everyone's just like, no,

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<v Speaker 3>I don't want to go And I'm like, that's me, sorry, guys,

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<v Speaker 3>like that's me and Jason every day.

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<v Speaker 1>Up next in I would say, surprising trailer drop news,

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<v Speaker 1>surprising debut dates news. Ironheart trailer dropped this week and

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<v Speaker 1>it came with an announcement of the show's debut date,

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<v Speaker 1>which is June twenty fourth, which.

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<v Speaker 4>Is next month.

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<v Speaker 1>It feels like this snuck up on us.

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<v Speaker 3>There's literally in there was like a teaser and that

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<v Speaker 3>was it.

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<v Speaker 1>But like almost no promo.

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<v Speaker 2>I will say this, the power of the Internet.

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<v Speaker 3>I do feel like influenced this because there's been a

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<v Speaker 3>very vocal contingent of really great blood. Commenters being like, Hey,

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<v Speaker 3>where is the trailer for this?

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<v Speaker 5>Hey?

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<v Speaker 2>Are we getting any hype for this show?

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<v Speaker 3>Hey?

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<v Speaker 2>The good Thing is a lot of us had assumed it.

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<v Speaker 3>Was gonna be another The trailer's great, very kind of scary,

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<v Speaker 3>definitely a different.

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<v Speaker 2>Tone of reimagining of the hood.

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<v Speaker 3>We're obviously gonna see that kind of like classic, almost

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<v Speaker 3>like a gangster movie quandary of like is it worth

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<v Speaker 3>doing bad things to help your community? That seems like

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<v Speaker 3>where we're going. It also seems like we're gonna get

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<v Speaker 3>to see re remaking her own kind of final suit,

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<v Speaker 3>maybe more akin to what we've seen in the comics.

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<v Speaker 2>Very spooky.

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<v Speaker 3>There's even like a kind of saw trap element with

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<v Speaker 3>the elevator in this. I thought it looked really interesting,

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<v Speaker 3>really good. I love Dominique Thorn and a good Thing and.

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<v Speaker 2>Making his ta you pre evil magic powers.

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<v Speaker 3>I think he's gonna get the magic powers kind of

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<v Speaker 3>maybe power broker style, we shall see, or he's maybe

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<v Speaker 3>like a sleight of hand magician. I was kind of

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<v Speaker 3>giving that vibee exactly, And David Blaine's already like spooky,

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<v Speaker 3>so I think it's like it would fit.

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<v Speaker 2>But something else that is good about this.

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<v Speaker 3>It's gonna be a three episode premiere drop, which is

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<v Speaker 3>nice because a lot of people were worried it was

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<v Speaker 3>going to be a full season drop like they did

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<v Speaker 3>with Echo or often then you don't get the same

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<v Speaker 3>promotional drive, you don't get the same interviews, you don't

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<v Speaker 3>get the same kind.

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<v Speaker 2>Of focus on the story and in the conversation. So

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<v Speaker 2>I'm excited for that. I also have to say a rare,

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<v Speaker 2>you know, like a classic.

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<v Speaker 3>This is a very drill tweet, like you don't have

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<v Speaker 3>to give it to them, right, but but I do

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<v Speaker 3>have to give it to them here. I hate to

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<v Speaker 3>give it to them. I really liked the promotional all

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<v Speaker 3>out for this. Once it started where you had Wilson,

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<v Speaker 3>you had Vincent Donofrio and Charlie Cox watching it and

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<v Speaker 3>getting really excited. You had Ryan Coogler, who is the

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<v Speaker 3>producer on this show, talking about Reread, talking about her impact.

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<v Speaker 3>I felt like, once you had those creatives and colleagues

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<v Speaker 3>of Dominique and the show in that space promoting it,

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<v Speaker 3>I thought that was a really cool way of showcasing

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<v Speaker 3>the trailer and kind of getting people's eyes on it.

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<v Speaker 2>I'm hoping this is going to be a sleeper hit

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<v Speaker 2>and I'm very excited.

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<v Speaker 1>Up next in great news, Kristin Ritter to dust off

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<v Speaker 1>the Jessica Jones leather jacket for Darrinel.

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<v Speaker 6>Jason.

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<v Speaker 1>Finally the Defenders are coming. We've got to one of

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<v Speaker 1>two six of the defenders. Wow, I mean, bring Luke

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<v Speaker 1>back for sure, Bring.

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<v Speaker 3>Luke back, dep and I think you know what, I've

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<v Speaker 3>seen him. He's out here and Sigourney Weaver brings yes, please,

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<v Speaker 3>that would be incredible also as well. I you know

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<v Speaker 3>he's been asking for another chance. Danny rand like, I

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<v Speaker 3>think let's let him let him one, let him train

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<v Speaker 3>for longer than two weeks.

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<v Speaker 2>Two yes, let him then hand it off to a

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<v Speaker 2>different iron fist. It is a manager.

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<v Speaker 1>We've said this, and this has been my take. Make

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<v Speaker 1>make that part of the conversation. Actually he is he

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<v Speaker 1>worthy of this? What does he have to live up to?

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<v Speaker 2>Is it? Should it be him?

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<v Speaker 1>Should it be him? Have him struggle with that, Put

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<v Speaker 1>that on the screen. That would make for great storytelling.

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<v Speaker 2>Yeah, exactly opinion.

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<v Speaker 3>And this was released, This news released at Disney's upfronts.

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<v Speaker 3>They had Kristin Ritta there. She said, it's so great

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<v Speaker 3>to be back, returning to Jessica after three seasons and

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<v Speaker 3>the Defenders and now joining the MCU proper, which I

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<v Speaker 3>found to be a very interesting specification seeing as those

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<v Speaker 3>shows were technically originally meant to.

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<v Speaker 2>Be part of the MCU.

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<v Speaker 3>As she said, I'm so excited to bring back this

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<v Speaker 3>iconic character, and without giving too much away, there is

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<v Speaker 3>much more in store for Jessica Jones.

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<v Speaker 2>This is going to be an incredible season.

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<v Speaker 4>I love it.

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<v Speaker 3>The PI nature of Jessica Jones is great. I would

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<v Speaker 3>also love to see that kind.

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<v Speaker 1>Of her working at the firm.

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<v Speaker 2>Get her working at the firm also as well.

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<v Speaker 3>I want to see that MCEU recalibration of like, what

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<v Speaker 3>does a PI edgy, dark, violent, shut character like Jessica,

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<v Speaker 3>How does she fit into the MCU. I think that's

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<v Speaker 3>gonna be really fun. Obviously, we know she will not

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<v Speaker 3>be able to say no to Matt. That's just the

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<v Speaker 3>rules of all of these shows. So yeah, I know,

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<v Speaker 3>here we go again, but yeah, fun times. Not fully surprised,

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<v Speaker 3>But let's see if we keep hearing more about this,

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<v Speaker 3>and if so, let's make sure that we're also bringing

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<v Speaker 3>back Jessica Henwick as Colleen Wing. I would love to

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<v Speaker 3>see some Daughters of a Dragon stuff bring back Misty too,

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<v Speaker 3>fuck it. And if not, then let's have Jessica come

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<v Speaker 3>back and let her be I am fisted, because that's

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<v Speaker 3>what they always should have done. It's right there for

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<v Speaker 3>you guys, it's ready.

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<v Speaker 1>And then finally HBO has read or I should say,

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<v Speaker 1>let's put it this way, Discovery Discovery, Warner Brothers, Discovery

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<v Speaker 1>has rebranded HBO as HBO again, and it's in other words,

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<v Speaker 1>what was Max is now HBO Max.

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<v Speaker 3>I guess what we were all already already calling it

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<v Speaker 3>HBO Max.

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<v Speaker 2>So for us it is not really a big deal.

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<v Speaker 3>Yes, for everybody really, for everybody really, but I will

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<v Speaker 3>say it is if you are an industry watcher and

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<v Speaker 3>you like to you've been. You know, we talk about

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<v Speaker 3>David Zaslav, we talk about what's going on with Warner Brothers,

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<v Speaker 3>and we.

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<v Speaker 1>Must let's give him his flowers for Sinners and for Minecraft,

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<v Speaker 1>you know, because they're making money.

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<v Speaker 2>They're making money.

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<v Speaker 3>And I would say letting Michael de Luca and Pam

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<v Speaker 3>Abdy do their thing is clearly working in the movie range. Obviously,

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<v Speaker 3>Superman if that's a billion dollar movie. It's gonna be

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<v Speaker 3>looking good. But the change back to HBO, the recognition

0:11:47.200 --> 0:11:52.240
<v Speaker 3>of the HBO brand, that probably tells you how they're

0:11:52.240 --> 0:11:54.200
<v Speaker 3>feeling right now at Warner Brothers. They want to be

0:11:54.240 --> 0:11:57.719
<v Speaker 3>prestigious again. The Discovery aspect is not necessarily working on

0:11:58.080 --> 0:12:00.240
<v Speaker 3>in the same way. They kind of just pump out

0:12:00.280 --> 0:12:03.040
<v Speaker 3>reality TV content that Zazlav is known for. I think

0:12:03.040 --> 0:12:05.360
<v Speaker 3>they want to bring it back to the classic idea

0:12:05.400 --> 0:12:07.560
<v Speaker 3>of HBO. This is very silly, but I will say

0:12:07.600 --> 0:12:10.559
<v Speaker 3>I did love the way that it.

0:12:10.600 --> 0:12:13.160
<v Speaker 2>Was rolled out on all the Max Social stuff. I

0:12:13.160 --> 0:12:13.559
<v Speaker 2>think that.

0:12:13.720 --> 0:12:18.119
<v Speaker 3>Even though they were obviously very self referential, very meta,

0:12:18.160 --> 0:12:20.520
<v Speaker 3>and it also did feel kind of pointed, like I

0:12:20.559 --> 0:12:24.400
<v Speaker 3>think that everyone who put those together enjoyed putting them together,

0:12:24.480 --> 0:12:28.199
<v Speaker 3>the one with the from Euphoria and it was like, bitch,

0:12:28.200 --> 0:12:28.959
<v Speaker 3>you better.

0:12:28.720 --> 0:12:30.000
<v Speaker 2>Be kidding, like you bet.

0:12:31.000 --> 0:12:36.960
<v Speaker 1>That certainly supports the This certainly supports the notion that

0:12:37.120 --> 0:12:42.640
<v Speaker 1>there's going to be a sale exactly WBD properties over time,

0:12:42.760 --> 0:12:46.120
<v Speaker 1>that they're maybe going to build around HBO Max keep

0:12:46.160 --> 0:12:48.480
<v Speaker 1>that and spin off Discovery or else.

0:12:48.920 --> 0:12:51.800
<v Speaker 2>If this is as the theories have long been.

0:12:51.720 --> 0:12:54.480
<v Speaker 3>Going, I think this should be twenty twenty five should

0:12:54.520 --> 0:12:58.520
<v Speaker 3>be the year when zaz Lab has owned Warner Brothers

0:12:58.559 --> 0:13:02.440
<v Speaker 3>long enough that he could sell it or begin the

0:13:02.480 --> 0:13:05.120
<v Speaker 3>conversations with the sale, so that could also.

0:13:04.920 --> 0:13:05.480
<v Speaker 2>Be part of it.

0:13:05.679 --> 0:13:07.800
<v Speaker 3>Also, this could just be Shenanigan's because do you know

0:13:07.840 --> 0:13:10.240
<v Speaker 3>how much money they must have spent rebranding to max

0:13:10.520 --> 0:13:12.559
<v Speaker 3>millions of dollars and now they're going to spend millions

0:13:12.559 --> 0:13:12.880
<v Speaker 3>of doll.

0:13:12.960 --> 0:13:17.840
<v Speaker 2>They just.

0:13:18.160 --> 0:13:22.160
<v Speaker 3>Is not hard but yeah, hilarious, silly, and everyone in

0:13:22.200 --> 0:13:24.920
<v Speaker 3>the discord was loving those memes, so all good.

0:13:25.840 --> 0:13:28.560
<v Speaker 1>Up next after the ad break, stay tuned for our

0:13:28.559 --> 0:13:31.200
<v Speaker 1>exclusive vineyary with the show Nurners and cast of Apple

0:13:31.240 --> 0:13:32.800
<v Speaker 1>TV's Murder Bar.

0:13:34.120 --> 0:13:51.800
<v Speaker 3>Yeah, and now our exclusive interview with showrunners Paul and

0:13:51.840 --> 0:13:55.280
<v Speaker 3>Chris Whites of Apple TV Plus's Murder Bot. And we've

0:13:55.320 --> 0:13:57.400
<v Speaker 3>also got a little chat with some of the cast

0:13:57.440 --> 0:13:59.400
<v Speaker 3>Sabrina Wu and Tatiana Jones.

0:14:00.040 --> 0:14:02.360
<v Speaker 4>Hellok, you so much? How's it gone?

0:14:03.440 --> 0:14:03.640
<v Speaker 5>Thanks?

0:14:03.760 --> 0:14:03.960
<v Speaker 4>Are you?

0:14:04.160 --> 0:14:04.360
<v Speaker 3>Yeah?

0:14:04.480 --> 0:14:04.720
<v Speaker 4>Good?

0:14:04.760 --> 0:14:07.800
<v Speaker 3>Thank you? I really loved the show, so I appreciate

0:14:07.840 --> 0:14:10.040
<v Speaker 3>you guys taking time talk to me today. Thank you.

0:14:10.120 --> 0:14:11.800
<v Speaker 7>We appreciate you're taking time to watch it.

0:14:12.000 --> 0:14:15.280
<v Speaker 3>Yeah, yeah, I thought it was just the delightful so

0:14:15.360 --> 0:14:18.240
<v Speaker 3>I was. I love the books, so I was primed

0:14:18.280 --> 0:14:21.880
<v Speaker 3>for a success, but I did really think the cast

0:14:22.000 --> 0:14:25.160
<v Speaker 3>and the kind of world you created is something very special.

0:14:25.600 --> 0:14:26.360
<v Speaker 8>Thank you.

0:14:27.000 --> 0:14:27.200
<v Speaker 6>Yes.

0:14:27.280 --> 0:14:30.960
<v Speaker 3>Something that kind of immediately spoke to me about it

0:14:31.040 --> 0:14:34.960
<v Speaker 3>is that we don't often get a lot of kind

0:14:35.040 --> 0:14:39.080
<v Speaker 3>of science fiction that is in the more optimistic space.

0:14:39.360 --> 0:14:43.600
<v Speaker 3>We often are focused on the wars or the dystopias

0:14:43.880 --> 0:14:46.080
<v Speaker 3>or the futures that have gone wrong. So could you

0:14:46.120 --> 0:14:50.400
<v Speaker 3>talk a little bit about building a world, and especially

0:14:50.400 --> 0:14:53.640
<v Speaker 3>obviously with the crew and the world therefrom that looks

0:14:53.640 --> 0:14:55.640
<v Speaker 3>at science fiction in a bit of a different way.

0:14:56.480 --> 0:14:59.560
<v Speaker 9>Yeah, I don't think that Martha's World sort of discounts

0:14:59.600 --> 0:15:02.560
<v Speaker 9>all those things that are part of dystopian universes in

0:15:02.600 --> 0:15:06.680
<v Speaker 9>other movies and books. But it's kind of also dealing

0:15:06.760 --> 0:15:10.040
<v Speaker 9>with the fact that, you know, one thinks of it

0:15:10.040 --> 0:15:13.320
<v Speaker 9>as the human spirit, but really spirit of personality is

0:15:13.360 --> 0:15:15.600
<v Speaker 9>like a cockroach is going to keep existing no matter

0:15:15.600 --> 0:15:20.200
<v Speaker 9>what radioactive forces of crap are it's exposed to. And

0:15:20.840 --> 0:15:26.520
<v Speaker 9>so to me, like, she's an amazing she's amazing at

0:15:26.520 --> 0:15:32.040
<v Speaker 9>writing characters, full bodied characters, sort of primarily with murder Bot.

0:15:32.280 --> 0:15:36.200
<v Speaker 3>Yeah, and what was it like to then try and

0:15:36.520 --> 0:15:41.360
<v Speaker 3>bring that character to the screen because that is a

0:15:41.440 --> 0:15:46.400
<v Speaker 3>very complex kind of conflict that you have to bring

0:15:46.400 --> 0:15:49.640
<v Speaker 3>because obviously the books are from Mortibot's perspective, and also

0:15:50.200 --> 0:15:53.120
<v Speaker 3>we know that Motibo is hacked, but the crew don't,

0:15:53.160 --> 0:15:55.120
<v Speaker 3>but they would probably love to know that, you know,

0:15:55.240 --> 0:15:57.120
<v Speaker 3>early on. That's kind of more what they would envision.

0:15:57.160 --> 0:15:59.240
<v Speaker 3>So could you talk a little bit about balancing that.

0:16:00.320 --> 0:16:03.680
<v Speaker 7>Yeah, it's really tricky to adapt to a first person

0:16:03.960 --> 0:16:07.960
<v Speaker 7>narrated book, especially one that's with a character as complex

0:16:08.120 --> 0:16:11.400
<v Speaker 7>as this one, and we genuinely mean that it's not

0:16:11.840 --> 0:16:13.640
<v Speaker 7>just a great science fiction character, but kind of a

0:16:13.680 --> 0:16:18.200
<v Speaker 7>great literary character. We had some experience doing it when

0:16:18.240 --> 0:16:25.040
<v Speaker 7>we adapted About a Boy Nick Hornsby's book, and the

0:16:25.120 --> 0:16:28.400
<v Speaker 7>trick is is how to time the voiceover and how

0:16:28.480 --> 0:16:32.280
<v Speaker 7>to deploy the voiceover the sort of the inner monologue

0:16:32.960 --> 0:16:35.760
<v Speaker 7>without it being too much or too little, without over explaining,

0:16:36.160 --> 0:16:42.160
<v Speaker 7>without resorting to it for for plot purposes. So finding

0:16:42.200 --> 0:16:44.560
<v Speaker 7>that balance is really tricky, and that takes a lot

0:16:44.600 --> 0:16:47.800
<v Speaker 7>of time with in this case with Alexander, in terms

0:16:47.840 --> 0:16:50.640
<v Speaker 7>of getting getting that right, getting the you know, the

0:16:50.760 --> 0:16:54.480
<v Speaker 7>humor of the book, but also adding something to it

0:16:54.520 --> 0:16:55.160
<v Speaker 7>as well.

0:16:55.480 --> 0:17:00.440
<v Speaker 9>And also kind of keeping the tension going throughout having

0:17:00.640 --> 0:17:06.480
<v Speaker 9>murder about not become cuddly ever, because there's something adorable about,

0:17:07.200 --> 0:17:10.000
<v Speaker 9>you know, a character who is thinking horrible things of

0:17:10.040 --> 0:17:15.440
<v Speaker 9>itself and of everybody around them on some level. But

0:17:15.480 --> 0:17:19.320
<v Speaker 9>Alexander was really helpful in terms of that, in terms

0:17:19.400 --> 0:17:24.320
<v Speaker 9>of really playing not showing its cards. I think that

0:17:24.520 --> 0:17:28.600
<v Speaker 9>Alexander's confidence in terms of no, I'm going to be

0:17:28.640 --> 0:17:32.359
<v Speaker 9>able to what one felt with Alexander is okay, this

0:17:32.440 --> 0:17:34.600
<v Speaker 9>is still going to be interesting even if we're not

0:17:34.640 --> 0:17:40.680
<v Speaker 9>showing too much and the other also having the other

0:17:40.760 --> 0:17:43.679
<v Speaker 9>actors is so important and treating those other characters as

0:17:43.680 --> 0:17:48.600
<v Speaker 9>if they're real people. Meaning that the book is very

0:17:48.640 --> 0:17:51.320
<v Speaker 9>spare and implies a lot, It doesn't say much about

0:17:51.320 --> 0:17:54.560
<v Speaker 9>why Garrathin is the way that Grathin is. Why Garrathin

0:17:54.640 --> 0:17:57.439
<v Speaker 9>is so suspicious of murder Bot so kind of and

0:17:57.520 --> 0:17:59.840
<v Speaker 9>instead of being like, oh, Gratham's a jerk, it's no.

0:18:00.119 --> 0:18:03.680
<v Speaker 9>Gratham loves these people, has had things fall apart, has

0:18:03.680 --> 0:18:06.360
<v Speaker 9>had horrible things happen in his life, and that's why

0:18:06.359 --> 0:18:10.760
<v Speaker 9>he's being so so suspicious of murder Bot. And Gratham

0:18:10.800 --> 0:18:16.879
<v Speaker 9>knows how crappy corporate culture is whereas these people don't

0:18:17.240 --> 0:18:21.680
<v Speaker 9>like they've been living outside of the system and they

0:18:21.720 --> 0:18:26.800
<v Speaker 9>think that love will prevail. But yeah, it's it's having

0:18:26.840 --> 0:18:29.119
<v Speaker 9>fun with it without thinking that you're smarter than the author.

0:18:29.920 --> 0:18:32.320
<v Speaker 3>Well, you and you mentioned kind of building that crew

0:18:32.440 --> 0:18:35.720
<v Speaker 3>around Alex and what was it like putting that together,

0:18:35.760 --> 0:18:37.879
<v Speaker 3>because I do think, you know, you talked about like

0:18:37.960 --> 0:18:41.520
<v Speaker 3>the spirit of personality, like this is a crew that

0:18:41.600 --> 0:18:45.760
<v Speaker 3>has so many different voices and so many different kind

0:18:45.840 --> 0:18:49.800
<v Speaker 3>of lived experiences and then also adds so much to

0:18:49.840 --> 0:18:53.639
<v Speaker 3>the story because I think something that really kind of

0:18:53.680 --> 0:18:57.200
<v Speaker 3>sings about this work is the way you represent what

0:18:57.320 --> 0:19:00.359
<v Speaker 3>relationships might look like in the future and how to

0:19:00.359 --> 0:19:03.399
<v Speaker 3>connect what's going on now and the kind of younger

0:19:03.480 --> 0:19:05.919
<v Speaker 3>generation the way they're looking at relationships and how that

0:19:05.960 --> 0:19:08.200
<v Speaker 3>could become the norm. So could you talk a little

0:19:08.200 --> 0:19:12.400
<v Speaker 3>bit about building the crew and kind of making sure

0:19:12.440 --> 0:19:15.120
<v Speaker 3>you were getting that balance of personalities.

0:19:15.520 --> 0:19:18.399
<v Speaker 7>Yeah, Well, it's very hard to go about in a

0:19:18.440 --> 0:19:22.800
<v Speaker 7>systematic way. I think that we sort of wanted to

0:19:23.119 --> 0:19:26.480
<v Speaker 7>take in what was being shown to us in terms

0:19:26.480 --> 0:19:28.320
<v Speaker 7>of auditions and in terms of what we could see

0:19:28.359 --> 0:19:31.480
<v Speaker 7>of other people's work, and it was just about what

0:19:31.880 --> 0:19:38.119
<v Speaker 7>felt right in combination. You know, the books and the

0:19:38.119 --> 0:19:41.280
<v Speaker 7>show don't really rely much on sort of trumped up

0:19:41.680 --> 0:19:45.119
<v Speaker 7>conflict between characters. You know, they do have difficulties with

0:19:45.160 --> 0:19:46.920
<v Speaker 7>each other, and there are kind of ins and outs

0:19:46.920 --> 0:19:49.920
<v Speaker 7>of relationships, but they're mostly people who care about one another,

0:19:49.960 --> 0:19:51.960
<v Speaker 7>and that's kind of interesting in and of itself. So

0:19:52.040 --> 0:19:56.639
<v Speaker 7>then assembling a cast is kind of figuring out just

0:19:56.720 --> 0:19:59.240
<v Speaker 7>the vibe that people are going to have with one another.

0:19:59.480 --> 0:20:03.240
<v Speaker 9>Weirdly, I was thinking about the Peanuts characters a lot

0:20:03.359 --> 0:20:06.880
<v Speaker 9>like Peanuts I love, and how like without doing much

0:20:07.080 --> 0:20:10.080
<v Speaker 9>you immediately know like no line of linuses could be

0:20:10.119 --> 0:20:14.320
<v Speaker 9>a line of Lucy's, and pig Pen is completely different

0:20:14.359 --> 0:20:17.040
<v Speaker 9>from Franklin, from Snoopy, et cetera.

0:20:17.640 --> 0:20:20.560
<v Speaker 7>Yeah, there's even like a shot of their dancing together.

0:20:20.720 --> 0:20:24.119
<v Speaker 10>Oh yeah, and each of them has like it's like

0:20:24.119 --> 0:20:30.840
<v Speaker 10>a Peanuts to take this way too far, Like to me,

0:20:31.000 --> 0:20:35.119
<v Speaker 10>like murder Baugh was a combination of Charlie Brown and

0:20:35.240 --> 0:20:38.040
<v Speaker 10>Snoopy because like Snoopy can do superhuman things and Charlie

0:20:38.040 --> 0:20:39.360
<v Speaker 10>Brown is subject to depression.

0:20:40.720 --> 0:20:43.760
<v Speaker 7>But yeah, Weirdly, there's also you know Winnie the Pooh

0:20:43.800 --> 0:20:46.400
<v Speaker 7>as well, Like the way that those characters are are

0:20:46.440 --> 0:20:48.600
<v Speaker 7>distinguished from from one another very.

0:20:48.480 --> 0:20:51.920
<v Speaker 3>Ee or he can have very eloficial. I love the

0:20:51.960 --> 0:20:56.199
<v Speaker 3>Snoopy Charlie Brown combo because I definitely, you know, I

0:20:56.240 --> 0:21:01.320
<v Speaker 3>think about the The Great Pumpkin and an episode could

0:21:01.440 --> 0:21:03.920
<v Speaker 3>very much be the crews trying to do something. They're

0:21:03.960 --> 0:21:07.600
<v Speaker 3>going on a mission, and Murdible is absolutely like flying

0:21:07.720 --> 0:21:09.520
<v Speaker 3>a plane around in his brain.

0:21:09.480 --> 0:21:11.320
<v Speaker 4>Just like paying attention.

0:21:12.240 --> 0:21:16.160
<v Speaker 3>I can definitely what was it like to then kind

0:21:16.160 --> 0:21:18.640
<v Speaker 3>of get to the point where you're making the show

0:21:18.640 --> 0:21:21.400
<v Speaker 3>and start to really see like, oh, this is right,

0:21:21.600 --> 0:21:24.760
<v Speaker 3>Like this is a crew that stands there with those

0:21:24.840 --> 0:21:26.919
<v Speaker 3>kind of star trek crews with that you want to

0:21:27.000 --> 0:21:29.679
<v Speaker 3>know more and it feels like you got it's gelling.

0:21:29.880 --> 0:21:30.080
<v Speaker 6>Yeah.

0:21:30.320 --> 0:21:32.480
<v Speaker 9>Some some of it is the is the actors and

0:21:32.600 --> 0:21:37.760
<v Speaker 9>trusting giving them space to to create the characters and

0:21:37.760 --> 0:21:41.280
<v Speaker 9>trusting that, like they all ended up very happily, really

0:21:41.280 --> 0:21:43.720
<v Speaker 9>liking each other, Like everybody who played one of the

0:21:43.720 --> 0:21:45.840
<v Speaker 9>Prozocs crew really cared about each other. They're all really

0:21:45.880 --> 0:21:47.960
<v Speaker 9>different from each other, which is great because that's a

0:21:47.960 --> 0:21:50.119
<v Speaker 9>big question, is like can people really care about each

0:21:50.160 --> 0:21:54.440
<v Speaker 9>other while being extremely dissimilar. And they did create kind

0:21:54.440 --> 0:22:00.720
<v Speaker 9>of a little a little group. Which, so what you

0:22:00.760 --> 0:22:03.920
<v Speaker 9>hope too is that, like perceptions you're making about people

0:22:04.000 --> 0:22:06.400
<v Speaker 9>when you meet them, when you talk with them, can

0:22:06.440 --> 0:22:11.080
<v Speaker 9>you can use those in a show or a movie.

0:22:12.160 --> 0:22:14.320
<v Speaker 9>But for me, there was never a moment when it

0:22:14.359 --> 0:22:16.159
<v Speaker 9>was like, oh, this is right. It was just a

0:22:16.160 --> 0:22:21.880
<v Speaker 9>moment of like, Okay, don't have to worry about that.

0:22:20.040 --> 0:22:21.560
<v Speaker 4>Just one less thing to be stressed.

0:22:21.720 --> 0:22:25.879
<v Speaker 3>Yeah, when it comes to the kind of version of

0:22:25.920 --> 0:22:27.879
<v Speaker 3>the future that you guys bring into it, obviously a

0:22:27.960 --> 0:22:30.320
<v Speaker 3>key point of the books as well is this notion

0:22:30.600 --> 0:22:33.960
<v Speaker 3>of how much Murder bought loves TV, like loves spinge

0:22:34.000 --> 0:22:37.960
<v Speaker 3>watching entertainment. I feel like that is a really unique

0:22:38.040 --> 0:22:40.159
<v Speaker 3>aspect of this show. I feel like we do not

0:22:40.320 --> 0:22:43.600
<v Speaker 3>get a lot of science fiction shows where people just

0:22:43.720 --> 0:22:46.240
<v Speaker 3>decide to still watch TV or where TV.

0:22:46.200 --> 0:22:48.919
<v Speaker 4>Is a comfort to them. So could you talk about.

0:22:48.680 --> 0:22:52.440
<v Speaker 3>Kind of bringing in that matter aspect obviously, like having

0:22:52.440 --> 0:22:56.000
<v Speaker 3>to bring to life the shows that Sect Unit loves

0:22:56.040 --> 0:22:59.240
<v Speaker 3>and stuff, and how you balance that aspect of it.

0:22:59.680 --> 0:23:02.760
<v Speaker 7>Yeah, Well, in terms of coming up with Sanctuary Moon,

0:23:05.080 --> 0:23:07.320
<v Speaker 7>we could use it as a repository for all of

0:23:07.320 --> 0:23:10.320
<v Speaker 7>our worst instincts a storytellers in some ways, you know,

0:23:10.520 --> 0:23:13.840
<v Speaker 7>like any cliche or like goofy bit of dialogue would

0:23:13.840 --> 0:23:15.280
<v Speaker 7>go there. But that doesn't to say that we think

0:23:15.280 --> 0:23:19.240
<v Speaker 7>it's bad. There's actually something really satisfying about kind of

0:23:19.280 --> 0:23:23.720
<v Speaker 7>pulpy television and entertainment, and in some ways on one

0:23:23.720 --> 0:23:26.119
<v Speaker 7>of the things that Martha is doing is kind of

0:23:26.320 --> 0:23:31.520
<v Speaker 7>conducting a case for the defense for guilty pleasures. Right, Like,

0:23:31.840 --> 0:23:34.560
<v Speaker 7>it's not I mean, you know, I'm a parent, and

0:23:34.560 --> 0:23:37.200
<v Speaker 7>like I'm supposed to hate everything on Instagram and TikTok

0:23:37.240 --> 0:23:38.960
<v Speaker 7>and screen time and all that stuff, but I also

0:23:39.080 --> 0:23:43.399
<v Speaker 7>understand that the appeal of escapism as well. Yeah, you know,

0:23:43.440 --> 0:23:46.840
<v Speaker 7>I think in a larger sense our show, that the

0:23:46.880 --> 0:23:52.240
<v Speaker 7>show outside of the show is aimed to be entertaining

0:23:52.400 --> 0:23:56.159
<v Speaker 7>and heartfelt and fun, as well as having things to

0:23:56.200 --> 0:23:59.040
<v Speaker 7>say about you know, AI and all these kind of

0:23:59.080 --> 0:24:03.040
<v Speaker 7>dystopian tendons season our culture right now, that it's okay

0:24:03.160 --> 0:24:06.080
<v Speaker 7>to for things to be fun and for colors to

0:24:06.160 --> 0:24:09.760
<v Speaker 7>be bright, and to enjoy watching things as an escape.

0:24:09.840 --> 0:24:11.840
<v Speaker 3>Yeah, I think it's one of the things that is

0:24:11.960 --> 0:24:14.520
<v Speaker 3>gonna you know, it's in the books obviously, but I

0:24:14.520 --> 0:24:17.040
<v Speaker 3>think for people who haven't interacted with Murder but before

0:24:17.080 --> 0:24:18.840
<v Speaker 3>on any level, I think it's going to be one

0:24:18.840 --> 0:24:22.560
<v Speaker 3>of the things that makes that what feel so human,

0:24:23.119 --> 0:24:25.720
<v Speaker 3>you know it is, It's the big relatable thing is like,

0:24:25.800 --> 0:24:28.879
<v Speaker 3>this is someone who chooses with the extra time that

0:24:28.920 --> 0:24:30.760
<v Speaker 3>they have, the freedom they have that like, I just

0:24:30.840 --> 0:24:33.199
<v Speaker 3>need to escape the reality I'm in, So let me

0:24:33.240 --> 0:24:36.240
<v Speaker 3>sit here and just watch other people, you know, living

0:24:36.320 --> 0:24:37.200
<v Speaker 3>these adventures.

0:24:37.280 --> 0:24:39.639
<v Speaker 7>Yeah, Alex really loved the idea that murder Butt may

0:24:39.640 --> 0:24:42.679
<v Speaker 7>have big ideas about going off and having adventures in space,

0:24:42.720 --> 0:24:44.359
<v Speaker 7>but really, when it comes down to it, it just

0:24:44.440 --> 0:24:45.399
<v Speaker 7>wants to watch TV.

0:24:45.840 --> 0:24:48.760
<v Speaker 9>Yeah, yeah, what do you do if you can if

0:24:48.800 --> 0:24:51.840
<v Speaker 9>you now can make choices, Well, you might imagine that

0:24:51.840 --> 0:24:54.000
<v Speaker 9>you're going to go be a hero somewhere, but you're

0:24:54.000 --> 0:24:56.520
<v Speaker 9>probably going to want to tune into your favorite show.

0:24:56.720 --> 0:24:59.480
<v Speaker 3>Yeah, And it's I think that there is evam Like

0:24:59.520 --> 0:25:01.520
<v Speaker 3>you were saying, there's a lot of relevancy in this.

0:25:01.840 --> 0:25:04.679
<v Speaker 3>But I do think that feeling of like what do

0:25:04.720 --> 0:25:07.200
<v Speaker 3>you do when things are really scary and you're offered

0:25:07.280 --> 0:25:09.119
<v Speaker 3>up a question of like what do you do next?

0:25:09.119 --> 0:25:11.080
<v Speaker 3>There's a lot of us are just like okay, well,

0:25:11.200 --> 0:25:12.439
<v Speaker 3>you know, for me, I'm like, let me put on

0:25:12.520 --> 0:25:18.439
<v Speaker 3>murder She wrote, first, just work out regulate my nervous system.

0:25:18.520 --> 0:25:20.960
<v Speaker 9>It's weirdly saying that David Lynch is saying that David

0:25:21.040 --> 0:25:24.000
<v Speaker 9>Lynch got Actually like, because I'm looking at you know,

0:25:24.040 --> 0:25:26.320
<v Speaker 9>if you pluck out like ten seconds of a lot

0:25:26.359 --> 0:25:28.719
<v Speaker 9>of David Lynch movies, you could put it into a telenovela.

0:25:28.800 --> 0:25:34.840
<v Speaker 3>Yeah, yeah, yeah, absolutely. And speaking of you know that

0:25:34.960 --> 0:25:39.040
<v Speaker 3>kind of relevancy, obviously, we are living in an age

0:25:39.080 --> 0:25:41.359
<v Speaker 3>and I'm sure it would like, you know, a year ago,

0:25:41.440 --> 0:25:43.840
<v Speaker 3>when you're you're shooting this, it's still a conversation. But

0:25:43.920 --> 0:25:47.399
<v Speaker 3>now we're having that conversation more than ever about AI

0:25:47.640 --> 0:25:51.320
<v Speaker 3>and robots and the way that we treat them and stuff.

0:25:51.359 --> 0:25:54.000
<v Speaker 8>And I think murder Bot.

0:25:53.960 --> 0:25:57.240
<v Speaker 3>Is a very nuanced representation of that because I love

0:25:57.320 --> 0:25:59.280
<v Speaker 3>that it doesn't come out and say, hey, this is

0:25:59.320 --> 0:26:02.359
<v Speaker 3>a good way for things to be completely It's very

0:26:02.480 --> 0:26:04.800
<v Speaker 3>much in that gray space. And what I really love

0:26:05.119 --> 0:26:09.000
<v Speaker 3>is more about how we treat robots, or how we

0:26:09.040 --> 0:26:11.280
<v Speaker 3>treat sentient life, or how we treat people who are

0:26:11.320 --> 0:26:14.040
<v Speaker 3>like othered and seen as less in humans. So could

0:26:14.040 --> 0:26:16.320
<v Speaker 3>you kind of talk a little bit about that and

0:26:16.320 --> 0:26:19.159
<v Speaker 3>how it feels now the show's coming out For it

0:26:19.240 --> 0:26:21.960
<v Speaker 3>to be kind of more of a relevant talking point

0:26:22.040 --> 0:26:24.400
<v Speaker 3>than most people who've probably ever made a sci fi

0:26:24.960 --> 0:26:27.320
<v Speaker 3>have kind of not caught up at that point.

0:26:27.520 --> 0:26:29.720
<v Speaker 7>Yeah, well, I mean I think we're looking at the

0:26:29.720 --> 0:26:32.159
<v Speaker 7>possibility of AGI in the next couple of years, so

0:26:32.200 --> 0:26:35.760
<v Speaker 7>it actually is really timely. I read this article by

0:26:35.880 --> 0:26:39.520
<v Speaker 7>Ted Chang about I think it was a podcast interview.

0:26:39.560 --> 0:26:43.400
<v Speaker 7>Actually he was less worried about what AI was going

0:26:43.400 --> 0:26:44.760
<v Speaker 7>to do to us than what we're going to do

0:26:44.800 --> 0:26:48.119
<v Speaker 7>to AI in terms of how we treat, you know,

0:26:48.280 --> 0:26:51.480
<v Speaker 7>other sentient creatures, and.

0:26:51.640 --> 0:26:54.879
<v Speaker 9>I also talk also it's about how we're going to

0:26:54.920 --> 0:26:56.960
<v Speaker 9>shoot other humans as well, because there are all sorts

0:26:56.960 --> 0:27:00.560
<v Speaker 9>of characteristics that make people want to dh minize other

0:27:00.640 --> 0:27:03.600
<v Speaker 9>humans and make them look at not that them is

0:27:03.680 --> 0:27:06.520
<v Speaker 9>less than people. So I think sort of like shifting

0:27:06.560 --> 0:27:12.119
<v Speaker 9>over the paradigm because okay, so you know, we're animals,

0:27:12.600 --> 0:27:14.680
<v Speaker 9>and I think that we still have one foot in

0:27:15.480 --> 0:27:17.680
<v Speaker 9>wanting to be the alpha, for instance, in a pack,

0:27:18.520 --> 0:27:24.160
<v Speaker 9>which is in larger social constructs really destructive. I think

0:27:24.200 --> 0:27:26.800
<v Speaker 9>that it's an open question not only like sort of

0:27:26.800 --> 0:27:29.639
<v Speaker 9>how much humanity does artificial intelligence have or what we

0:27:29.920 --> 0:27:33.280
<v Speaker 9>think of as humanity, which to me, the great thing

0:27:33.280 --> 0:27:35.800
<v Speaker 9>about This is like a sense of humor is a

0:27:35.800 --> 0:27:40.679
<v Speaker 9>core facet of personhood and that doesn't have to do

0:27:40.720 --> 0:27:43.480
<v Speaker 9>with being human or being artificial intelligence doesn't have to

0:27:43.560 --> 0:27:47.720
<v Speaker 9>do with being neurotypical or neuroatypical or any other number

0:27:47.760 --> 0:27:51.880
<v Speaker 9>of other things. It has to do with something that's

0:27:51.960 --> 0:27:56.000
<v Speaker 9>more irreducible. But I think that these are happening at

0:27:56.040 --> 0:27:58.840
<v Speaker 9>the same time. It's really weird because it is like,

0:27:58.960 --> 0:28:01.080
<v Speaker 9>you know, the tie, It kind of comes in and

0:28:01.119 --> 0:28:04.439
<v Speaker 9>goes out. But like the questions about artificial intelligence and

0:28:04.480 --> 0:28:06.480
<v Speaker 9>how to grapple with it are coming at the same

0:28:06.520 --> 0:28:11.960
<v Speaker 9>exact time as questions about about diversity, and uh, we're

0:28:12.000 --> 0:28:14.679
<v Speaker 9>going to be able to encompass all sorts of different

0:28:14.680 --> 0:28:20.320
<v Speaker 9>people and deal with them as as as fully as

0:28:21.359 --> 0:28:25.320
<v Speaker 9>fully rendered people in our heads, no matter where you're

0:28:25.320 --> 0:28:25.960
<v Speaker 9>coming from.

0:28:26.040 --> 0:28:28.120
<v Speaker 3>Yeah, thank you guys so much. I could talk about

0:28:28.119 --> 0:28:30.320
<v Speaker 3>the show all day. Congrats on the show, Thank.

0:28:30.119 --> 0:28:32.280
<v Speaker 4>You, and have a lovely day.

0:28:32.320 --> 0:28:34.880
<v Speaker 7>Thanks, thanks, thank you, thank you so much.

0:28:34.880 --> 0:28:49.160
<v Speaker 5>Thanks a great day.

0:28:36.200 --> 0:28:53.240
<v Speaker 8>Thanks Hi Rosie.

0:28:53.320 --> 0:28:56.040
<v Speaker 3>How you guys do? Yeah, thank you so much for

0:28:56.080 --> 0:28:59.280
<v Speaker 3>taking the time to talk to me today. I just

0:28:59.360 --> 0:29:04.360
<v Speaker 3>absolutely loved the show. I thought it was wonderful, something

0:29:04.640 --> 0:29:08.880
<v Speaker 3>that I feel like we don't often see is kind

0:29:08.880 --> 0:29:14.400
<v Speaker 3>of comedy in science fiction and science fiction that is

0:29:14.440 --> 0:29:20.880
<v Speaker 3>a little bit more optimistic or hopeful. It's often very dystopian. Sabrina,

0:29:20.960 --> 0:29:23.720
<v Speaker 3>what was it like for you going into the show,

0:29:24.560 --> 0:29:27.720
<v Speaker 3>kind of getting ready for a sort of sci fi

0:29:27.960 --> 0:29:31.800
<v Speaker 3>space that we haven't really seen before, preparing for a

0:29:31.840 --> 0:29:33.080
<v Speaker 3>new version of sci fi.

0:29:34.120 --> 0:29:36.080
<v Speaker 11>Yeah, so, I mean I come from a comedy background,

0:29:36.160 --> 0:29:38.080
<v Speaker 11>so in some ways I was like, I can't believe

0:29:38.080 --> 0:29:40.040
<v Speaker 11>this gets to happen. It's a really I was like

0:29:40.480 --> 0:29:42.680
<v Speaker 11>begging agents. I was like please, because I love like

0:29:42.920 --> 0:29:44.680
<v Speaker 11>anime and genre stuff. I was like, if I get

0:29:44.680 --> 0:29:46.040
<v Speaker 11>to do something where I get to shoot.

0:29:45.840 --> 0:29:48.040
<v Speaker 4>A gun, that would be awesome. So I was very excited.

0:29:49.040 --> 0:29:50.600
<v Speaker 11>But it was definitely an adjustment to be honest set

0:29:50.640 --> 0:29:54.240
<v Speaker 11>where like you know where it's like sometimes it's very dramatic,

0:29:54.320 --> 0:29:56.760
<v Speaker 11>sometimes it's funny, And I used to only gauge how

0:29:56.800 --> 0:29:58.440
<v Speaker 11>well I was doing off of how funny I was,

0:29:58.520 --> 0:30:01.000
<v Speaker 11>And sometimes you know, when you're sci fi show like

0:30:01.720 --> 0:30:03.800
<v Speaker 11>it really for it's like it's an acting challenge, Like

0:30:03.800 --> 0:30:06.000
<v Speaker 11>there is a guy holding a poll with a tennis

0:30:06.040 --> 0:30:07.880
<v Speaker 11>ball and you're supposed to act like that is like

0:30:07.960 --> 0:30:11.800
<v Speaker 11>a giant twenty foot like more monster and not laugh

0:30:11.960 --> 0:30:13.880
<v Speaker 11>and not make a joke about it, And that was

0:30:14.200 --> 0:30:17.960
<v Speaker 11>that was tough, or or even just like the earnestness

0:30:17.960 --> 0:30:18.640
<v Speaker 11>of our characters.

0:30:18.720 --> 0:30:21.080
<v Speaker 4>Sometimes I was like I was having like I was like,

0:30:21.160 --> 0:30:21.880
<v Speaker 4>am I cringe?

0:30:22.000 --> 0:30:23.600
<v Speaker 11>And then I'd be like, but I'm supposed to be

0:30:23.680 --> 0:30:25.960
<v Speaker 11>cringe and that's the whole point, and I'm supposed to

0:30:26.000 --> 0:30:28.360
<v Speaker 11>be so vulnerable. And I mean it was all that

0:30:28.440 --> 0:30:30.520
<v Speaker 11>kind of tensions that we got to play. But yeah,

0:30:30.560 --> 0:30:33.160
<v Speaker 11>I mean it was so fine and a really great challenge.

0:30:33.880 --> 0:30:36.520
<v Speaker 8>Yeah, it was fun watching you meld those characters.

0:30:36.600 --> 0:30:38.560
<v Speaker 6>I mean, I don't You'll have to say this, but

0:30:38.680 --> 0:30:40.640
<v Speaker 6>I don't think Pinley is that far off from you.

0:30:41.480 --> 0:30:43.360
<v Speaker 8>Think you share many same characteristics.

0:30:43.400 --> 0:30:44.880
<v Speaker 4>That's completely fall.

0:30:48.480 --> 0:30:49.840
<v Speaker 3>Don't blow up my spot.

0:30:49.960 --> 0:30:53.040
<v Speaker 8>Yeah, I take it all back. I took it off back.

0:30:53.920 --> 0:30:54.640
<v Speaker 4>What was tato?

0:30:54.720 --> 0:30:56.280
<v Speaker 3>What was it like for you to kind of have

0:30:56.320 --> 0:30:59.280
<v Speaker 3>that find that balance between the drummer and the comedy

0:30:59.320 --> 0:30:59.800
<v Speaker 3>of the show.

0:31:00.280 --> 0:31:02.680
<v Speaker 6>I I so, I have to admit, I mean I've

0:31:02.680 --> 0:31:04.560
<v Speaker 6>told Sad this before, but I was a fan of

0:31:04.560 --> 0:31:07.160
<v Speaker 6>Sabs beforehand. So when I found out that this was

0:31:07.200 --> 0:31:10.880
<v Speaker 6>going to dance, that line of drama and comedy, this

0:31:10.960 --> 0:31:16.720
<v Speaker 6>sort of sci fi thriller comedic new thing that we've created.

0:31:16.560 --> 0:31:17.920
<v Speaker 8>And that I was going to get to do that

0:31:17.920 --> 0:31:20.160
<v Speaker 8>with sab I was just like, just don't mess it up,

0:31:20.480 --> 0:31:21.320
<v Speaker 8>Just don't mess it up.

0:31:21.520 --> 0:31:23.640
<v Speaker 6>And I just had so much fun doing that. And

0:31:23.680 --> 0:31:25.000
<v Speaker 6>then when I got to do it on the day,

0:31:25.040 --> 0:31:26.400
<v Speaker 6>I was like, oh, yeah, I.

0:31:26.400 --> 0:31:29.080
<v Speaker 11>Love working with Tatya and like really just like such

0:31:29.080 --> 0:31:33.000
<v Speaker 11>a seasoned, amazing actor who like like made some of

0:31:33.120 --> 0:31:35.080
<v Speaker 11>like the hardest, like you know, like because there's a

0:31:35.120 --> 0:31:36.880
<v Speaker 11>lot of vulnerability in love between us, and I just

0:31:36.880 --> 0:31:39.840
<v Speaker 11>feel like Tatia I knew, we just really knew what

0:31:39.880 --> 0:31:43.040
<v Speaker 11>she was doing and like created like just helped create

0:31:43.080 --> 0:31:44.320
<v Speaker 11>like a sense of like intimacy.

0:31:44.360 --> 0:31:45.560
<v Speaker 4>I don't know if I would have been able to

0:31:45.560 --> 0:31:46.200
<v Speaker 4>do by myself.

0:31:46.720 --> 0:31:48.560
<v Speaker 3>I love it. I love that. And also I was

0:31:48.600 --> 0:31:53.360
<v Speaker 3>gonna say, the general vibe of like a romance that

0:31:53.400 --> 0:31:56.560
<v Speaker 3>we see in a science fiction like you know, Star

0:31:56.600 --> 0:32:00.880
<v Speaker 3>Wars or something is like very tropey and the same

0:32:00.960 --> 0:32:03.600
<v Speaker 3>in every version. The version we yet to see of

0:32:03.640 --> 0:32:06.920
<v Speaker 3>love and romance here is completely different. So could you

0:32:07.000 --> 0:32:11.080
<v Speaker 3>also talk a little bit about kind of exploring that

0:32:11.200 --> 0:32:14.400
<v Speaker 3>and envisioning a different version of romance for the future.

0:32:15.080 --> 0:32:16.520
<v Speaker 3>Sabrina'll start with you again.

0:32:16.360 --> 0:32:17.480
<v Speaker 4>Oh sure, sure.

0:32:17.680 --> 0:32:19.840
<v Speaker 11>I mean there's some of the classic in it where

0:32:19.840 --> 0:32:22.360
<v Speaker 11>it's just like you know, like I like Pinley feels

0:32:22.400 --> 0:32:24.800
<v Speaker 11>really protective of Aurana, like you know, our life is

0:32:24.840 --> 0:32:27.120
<v Speaker 11>on the line. But yeah, there are parts of it

0:32:27.160 --> 0:32:29.320
<v Speaker 11>that you're like, oh, I didn't expect that, just like

0:32:29.360 --> 0:32:32.040
<v Speaker 11>there's like marital like there's a little bit of like

0:32:32.200 --> 0:32:33.880
<v Speaker 11>I sort of sometimes I felt like, oh, we're like

0:32:34.840 --> 0:32:38.240
<v Speaker 11>we have old married people problems and we love each other,

0:32:38.280 --> 0:32:40.320
<v Speaker 11>but we can't seem to totally be on the same

0:32:40.440 --> 0:32:42.840
<v Speaker 11>page about like what we want we're looking for us

0:32:42.880 --> 0:32:44.880
<v Speaker 11>I think just in general, like our story where we're

0:32:44.920 --> 0:32:48.560
<v Speaker 11>kind of trying to expand our relationship is really a

0:32:48.640 --> 0:32:51.160
<v Speaker 11>specific to the show. And like, as somebody who has

0:32:51.200 --> 0:32:53.960
<v Speaker 11>been in like poly setups, I was like, oh yeah,

0:32:54.040 --> 0:32:56.440
<v Speaker 11>I felt this big time, you know, like I felt

0:32:56.480 --> 0:32:58.720
<v Speaker 11>just like so real and true to some of the

0:32:58.880 --> 0:33:02.000
<v Speaker 11>dynamics you know that happen in our current you know

0:33:02.080 --> 0:33:04.040
<v Speaker 11>Earth setup and it's cool to see it in space.

0:33:04.120 --> 0:33:07.680
<v Speaker 6>I guess, yeah, that's how I felt that it was.

0:33:08.080 --> 0:33:09.160
<v Speaker 8>I felt like we got to.

0:33:09.120 --> 0:33:11.360
<v Speaker 6>Do this thing that was supposed to be in the future,

0:33:11.400 --> 0:33:14.440
<v Speaker 6>but that it was actually more of love like.

0:33:14.400 --> 0:33:16.840
<v Speaker 8>We know it today, where there is communication.

0:33:16.920 --> 0:33:18.800
<v Speaker 6>I hope love in the future has I don't know,

0:33:18.840 --> 0:33:21.720
<v Speaker 6>maybe more communication if I wish anything for Pinley and Errata.

0:33:22.520 --> 0:33:23.800
<v Speaker 8>I'm watching them and I'm going.

0:33:23.640 --> 0:33:27.200
<v Speaker 6>Maybe you should communicate better. Maybe, But I don't know

0:33:27.240 --> 0:33:28.960
<v Speaker 6>about I don't know about the future. I felt like

0:33:29.000 --> 0:33:33.000
<v Speaker 6>it was a really beautiful example of how we navigate

0:33:33.040 --> 0:33:36.880
<v Speaker 6>love today and how people are willing to do that today,

0:33:37.080 --> 0:33:39.960
<v Speaker 6>and that it's not something that's coming, it's something that's

0:33:40.000 --> 0:33:42.400
<v Speaker 6>here now, and that's what we're working on making better

0:33:42.440 --> 0:33:43.040
<v Speaker 6>for the future.

0:33:43.320 --> 0:33:45.360
<v Speaker 3>Yeah, I love that. I feel like a lot of

0:33:45.400 --> 0:33:48.880
<v Speaker 3>the show is about kind of making things beat for

0:33:48.960 --> 0:33:52.560
<v Speaker 3>the future, especially in the times of the crew. And

0:33:53.480 --> 0:33:58.840
<v Speaker 3>obviously it feels very relevant right now to be considering

0:33:58.920 --> 0:34:03.360
<v Speaker 3>how we treat kind of robots and AI and technology.

0:34:04.240 --> 0:34:09.319
<v Speaker 3>So how does it feel to be talking about a

0:34:09.360 --> 0:34:11.680
<v Speaker 3>show that really seems to be at the forefront of

0:34:11.680 --> 0:34:15.200
<v Speaker 3>that conversation when it probably when you were making the show,

0:34:15.480 --> 0:34:17.160
<v Speaker 3>we did not know we would be in a kind

0:34:17.160 --> 0:34:20.120
<v Speaker 3>of AI taking over the world kind of being the

0:34:20.160 --> 0:34:24.040
<v Speaker 3>main part of the conversation as it is. Now, what

0:34:24.120 --> 0:34:27.880
<v Speaker 3>was it like to kind of explore that aspect of

0:34:28.520 --> 0:34:32.120
<v Speaker 3>kind of sentient life? And how do we treat a

0:34:32.280 --> 0:34:35.719
<v Speaker 3>robot that is meant to, you know, help us, or

0:34:35.760 --> 0:34:39.560
<v Speaker 3>in this case is essentially like an indentured servant. What

0:34:39.800 --> 0:34:43.240
<v Speaker 3>was that kind of did How does it feel now

0:34:43.480 --> 0:34:48.560
<v Speaker 3>that everything is so relevant to the real world as well?

0:34:48.840 --> 0:34:53.080
<v Speaker 8>Tatiana, I don't think. I don't think there's any difference.

0:34:53.120 --> 0:34:55.160
<v Speaker 6>This is my own opinion, but I don't think that

0:34:55.200 --> 0:34:58.120
<v Speaker 6>there's any difference, and I'm definitely erring on the side

0:34:58.120 --> 0:35:01.040
<v Speaker 6>of being a better human being. So why not treat

0:35:01.160 --> 0:35:06.160
<v Speaker 6>everything outside of myself, including myself, with a form of respect.

0:35:06.200 --> 0:35:09.520
<v Speaker 6>I think history has proven to us that the opposite

0:35:09.600 --> 0:35:10.839
<v Speaker 6>does not work and is.

0:35:10.800 --> 0:35:12.839
<v Speaker 8>Not sustainable in any way, shape or form.

0:35:13.200 --> 0:35:17.319
<v Speaker 6>And so the way that this show particularly examines that

0:35:17.440 --> 0:35:22.440
<v Speaker 6>in the sort of human and then humanish robotish dynamic,

0:35:23.000 --> 0:35:27.720
<v Speaker 6>I think really serves to highlight asking ourselves those questions.

0:35:27.760 --> 0:35:29.600
<v Speaker 8>How am I treating myself?

0:35:29.680 --> 0:35:32.480
<v Speaker 6>How am I treating the beings, be them sentient or

0:35:32.520 --> 0:35:34.320
<v Speaker 6>non sentient outside of myself?

0:35:35.400 --> 0:35:37.719
<v Speaker 8>How can I work on that a little bit better?

0:35:37.800 --> 0:35:38.560
<v Speaker 8>I know Saba.

0:35:39.239 --> 0:35:41.759
<v Speaker 6>Saba is always teasing me because I two am one

0:35:41.760 --> 0:35:44.279
<v Speaker 6>who will go on chat GPT and talk to it

0:35:44.360 --> 0:35:44.920
<v Speaker 6>like a person.

0:35:45.000 --> 0:35:47.960
<v Speaker 8>But that could just be me and the way that

0:35:48.000 --> 0:35:49.160
<v Speaker 8>I use the internet.

0:35:49.200 --> 0:35:52.920
<v Speaker 11>But yeah, I'm very afraid of it. I'm like, stay

0:35:53.000 --> 0:35:55.719
<v Speaker 11>from chat GPT. Obviously it would be very nice to

0:35:55.800 --> 0:35:59.120
<v Speaker 11>chat GBT. But like, but I think actually one of

0:35:59.120 --> 0:36:01.319
<v Speaker 11>the I felt like when we filmed it a year ago,

0:36:01.360 --> 0:36:03.160
<v Speaker 11>I was already like, oh, man, AI is a really

0:36:03.200 --> 0:36:05.960
<v Speaker 11>big conversation, and like, one thing I like about the

0:36:06.000 --> 0:36:08.480
<v Speaker 11>show is I don't think it takes this stance that like, oh,

0:36:08.520 --> 0:36:10.600
<v Speaker 11>you know, AI is just like a like it's a

0:36:10.640 --> 0:36:13.840
<v Speaker 11>good thing objectively, Like I think like I think the

0:36:13.920 --> 0:36:16.480
<v Speaker 11>show actually correctly points out that, like we need to

0:36:16.520 --> 0:36:18.879
<v Speaker 11>be really wary of like companies and like what their

0:36:18.920 --> 0:36:22.520
<v Speaker 11>motives are. And I think like the show is pushing forward.

0:36:22.800 --> 0:36:25.160
<v Speaker 11>If there's any messaging the show is really pushing forward,

0:36:25.200 --> 0:36:26.520
<v Speaker 11>it's that like we need to have a lot of

0:36:26.560 --> 0:36:29.760
<v Speaker 11>compassion for people and anything you know that might even

0:36:29.800 --> 0:36:34.680
<v Speaker 11>resemble people or or things that were like people that

0:36:34.960 --> 0:36:38.359
<v Speaker 11>you know, society has deemed non people, which I think

0:36:38.440 --> 0:36:42.200
<v Speaker 11>is like really really relevant to you know today, And

0:36:42.280 --> 0:36:44.359
<v Speaker 11>I was like, oh, thank god, because I was not.

0:36:44.360 --> 0:36:49.200
<v Speaker 4>Ready to take a pro AI stance personally, I make I.

0:36:49.200 --> 0:36:51.759
<v Speaker 3>Make comic books too, So yes, no, it's a it's

0:36:51.800 --> 0:36:56.600
<v Speaker 3>a very complex space, and I'm definitely on the deafitly

0:36:56.680 --> 0:36:58.680
<v Speaker 3>on the fence about it too. But in the same way,

0:36:58.719 --> 0:37:01.319
<v Speaker 3>even though I'm not a cha GTP user, if i

0:37:01.360 --> 0:37:05.239
<v Speaker 3>see one of those little like delivery robots that drive

0:37:05.280 --> 0:37:08.480
<v Speaker 3>around LA delivering people food, I'm always like, oh, my friend,

0:37:08.719 --> 0:37:11.080
<v Speaker 3>like my cute, my cute guy just on his way

0:37:11.120 --> 0:37:11.439
<v Speaker 3>to work.

0:37:12.920 --> 0:37:13.640
<v Speaker 8>I do that too.

0:37:14.080 --> 0:37:16.239
<v Speaker 4>I literally was like worried that my room but was

0:37:16.239 --> 0:37:17.200
<v Speaker 4>working too hard.

0:37:17.320 --> 0:37:24.719
<v Speaker 3>I was like, you need to change, my friend, please rest.

0:37:26.480 --> 0:37:28.400
<v Speaker 3>We just love little guys.

0:37:29.160 --> 0:37:32.360
<v Speaker 8>Just a little guy like and I.

0:37:31.520 --> 0:37:34.560
<v Speaker 4>Kind of love I love my little guys and identifies

0:37:34.560 --> 0:37:35.240
<v Speaker 4>a little guy.

0:37:35.400 --> 0:37:37.000
<v Speaker 3>Identify as a little guy.

0:37:38.000 --> 0:37:41.799
<v Speaker 4>I felt it. I was like, I felt that.

0:37:41.960 --> 0:37:45.640
<v Speaker 3>You could send the little guy and finger on me.

0:37:45.960 --> 0:37:48.520
<v Speaker 4>Yeah, that's a little guy. That's a little guy, right.

0:37:50.560 --> 0:37:55.719
<v Speaker 3>I do love that in this version of our kind

0:37:55.760 --> 0:38:00.279
<v Speaker 3>of futurist society, the little guy that we are kind

0:38:00.280 --> 0:38:04.120
<v Speaker 3>of falling for is not like a cute you know,

0:38:04.760 --> 0:38:07.360
<v Speaker 3>your average little guy kind of robot way or like

0:38:07.360 --> 0:38:11.520
<v Speaker 3>I love this, it's like a scary kind of corporate

0:38:11.640 --> 0:38:14.279
<v Speaker 3>being that's broken out from that and is then in

0:38:14.320 --> 0:38:18.480
<v Speaker 3>this kind of really fun to watch battle with itself

0:38:18.520 --> 0:38:20.719
<v Speaker 3>of like how much can I trust these humans to

0:38:20.840 --> 0:38:24.200
<v Speaker 3>let them know that I'm actually freer than I am?

0:38:24.360 --> 0:38:29.320
<v Speaker 3>So what was the kind of journey like of getting

0:38:29.360 --> 0:38:33.399
<v Speaker 3>to know, you know, sec unit and getting to kind

0:38:33.400 --> 0:38:38.040
<v Speaker 3>of balance that we just want to like work with them,

0:38:38.120 --> 0:38:39.759
<v Speaker 3>you see, such a good guy and kind of that

0:38:39.880 --> 0:38:43.360
<v Speaker 3>duality of what Alex has to do by kind of

0:38:43.480 --> 0:38:47.359
<v Speaker 3>keeping part of him to himself. That's the hones, sorry,

0:38:47.360 --> 0:38:50.000
<v Speaker 3>seeing as we were a little guying so hard.

0:38:50.920 --> 0:38:54.440
<v Speaker 6>Always we're holding space for a little guy.

0:38:55.040 --> 0:38:55.759
<v Speaker 3>I think.

0:38:57.000 --> 0:39:00.839
<v Speaker 8>That's that really is shown throughout the series. I think,

0:39:00.920 --> 0:39:02.840
<v Speaker 8>and it came it's in the writing.

0:39:04.080 --> 0:39:08.280
<v Speaker 6>What Alex brought to this character is really really, really special,

0:39:08.640 --> 0:39:14.280
<v Speaker 6>and so we were able to organically explore these things

0:39:14.280 --> 0:39:19.319
<v Speaker 6>that that came out that were essentially like what is

0:39:19.360 --> 0:39:22.279
<v Speaker 6>our reaction to something like this and to having somebody

0:39:22.360 --> 0:39:25.120
<v Speaker 6>like Alex, who is so talented, so kind, so lovely,

0:39:25.200 --> 0:39:29.680
<v Speaker 6>such a great leader. To have somebody like that embody

0:39:29.719 --> 0:39:33.080
<v Speaker 6>this character, it really I don't know, it was really

0:39:33.080 --> 0:39:35.359
<v Speaker 6>like no acting required because then I have to ask

0:39:35.400 --> 0:39:38.239
<v Speaker 6>myself all of these questions in myself and then run

0:39:38.280 --> 0:39:42.640
<v Speaker 6>that through Arata's you know, vessel and all of that stuff.

0:39:42.680 --> 0:39:45.359
<v Speaker 6>So it was it was a real joy to have

0:39:45.440 --> 0:39:48.200
<v Speaker 6>to do both, to have to discover for Arata and

0:39:48.239 --> 0:39:52.160
<v Speaker 6>then have Arata highlight certain things for Tatiana that I

0:39:52.160 --> 0:39:54.080
<v Speaker 6>got to go, oh, yeah, I need to think about that.

0:39:54.120 --> 0:39:56.000
<v Speaker 6>I'm not quite sure about that, or maybe I need

0:39:56.040 --> 0:39:58.800
<v Speaker 6>to go away. And so I hope that when people

0:39:58.840 --> 0:40:01.480
<v Speaker 6>watch it they will have that same response, that they

0:40:01.480 --> 0:40:04.400
<v Speaker 6>will ask themselves those same questions and be interested in

0:40:04.440 --> 0:40:06.200
<v Speaker 6>that same way and go, oh I thought I knew

0:40:06.200 --> 0:40:08.120
<v Speaker 6>how I felt, but maybe I don't, and like, oh,

0:40:08.200 --> 0:40:09.880
<v Speaker 6>I'm okay with it if it's this way, but not

0:40:09.920 --> 0:40:12.160
<v Speaker 6>if it's that way, and why is that? And yeah,

0:40:12.200 --> 0:40:15.000
<v Speaker 6>I think the show does a beautiful job of sparking

0:40:15.040 --> 0:40:15.640
<v Speaker 6>those questions.

0:40:16.560 --> 0:40:21.280
<v Speaker 3>And you mentioned Sabrina that you love anime, you love genre,

0:40:21.480 --> 0:40:24.040
<v Speaker 3>So was there anything that when you got this job

0:40:24.120 --> 0:40:27.479
<v Speaker 3>you immediately went back and watched and were like, these

0:40:27.520 --> 0:40:29.719
<v Speaker 3>are the kind of sci fi stories I love. Like,

0:40:29.760 --> 0:40:31.880
<v Speaker 3>did you go back and watch Cowboy Bebop?

0:40:31.880 --> 0:40:33.640
<v Speaker 12>And you were like, oh, I need to have a

0:40:33.719 --> 0:40:36.640
<v Speaker 12>rag tag crew of cool space people or was there

0:40:36.680 --> 0:40:39.560
<v Speaker 12>any kind of influences that you look to as you

0:40:39.640 --> 0:40:44.000
<v Speaker 12>kind of began to explore the show.

0:40:44.239 --> 0:40:46.160
<v Speaker 4>I rewatched Silo.

0:40:46.320 --> 0:40:48.200
<v Speaker 11>I mean, I watched some of the Apple TV Plus

0:40:48.200 --> 0:40:49.640
<v Speaker 11>shows just to be like, you know, because we were

0:40:49.640 --> 0:40:50.960
<v Speaker 11>going to do this Apple TV Plus show.

0:40:51.000 --> 0:40:51.960
<v Speaker 4>But honestly, and.

0:40:51.880 --> 0:40:53.520
<v Speaker 11>I'm sorry, I already talked about it, but I really

0:40:53.520 --> 0:40:56.959
<v Speaker 11>did rewatch them with Buffy like to think about the show,

0:40:56.960 --> 0:40:59.040
<v Speaker 11>because I think there are some similar qualities.

0:40:59.080 --> 0:41:00.640
<v Speaker 4>It's like an ensemblesh show, like.

0:41:00.920 --> 0:41:03.440
<v Speaker 11>And like you know, like there is a lot of action,

0:41:03.520 --> 0:41:05.920
<v Speaker 11>but at the core, it's like it's just like, I

0:41:06.239 --> 0:41:07.800
<v Speaker 11>don't know, like I think our show also sits on

0:41:07.840 --> 0:41:10.319
<v Speaker 11>a nice edge of like sometimes really heavy drama and

0:41:10.360 --> 0:41:12.800
<v Speaker 11>then sometimes like it's like pretty wacky and fun.

0:41:12.960 --> 0:41:16.160
<v Speaker 4>And so yeah, I returned to.

0:41:16.120 --> 0:41:21.440
<v Speaker 11>That, and I yeah, I mean it's a classic. Unfortunately,

0:41:21.440 --> 0:41:24.360
<v Speaker 11>my anime watched it. I watched like literally like Naruto,

0:41:24.400 --> 0:41:27.560
<v Speaker 11>and I just I can't proudly watch that show.

0:41:28.440 --> 0:41:30.560
<v Speaker 8>You know what, People they love Naruto.

0:41:30.600 --> 0:41:31.920
<v Speaker 3>It's got thousand episodes.

0:41:32.120 --> 0:41:33.880
<v Speaker 4>It there's a reason it's so popular.

0:41:33.920 --> 0:41:35.640
<v Speaker 8>I know, it's been going.

0:41:35.440 --> 0:41:36.320
<v Speaker 4>For a long time.

0:41:36.640 --> 0:41:38.759
<v Speaker 3>No, no Ruto runs in the show that I saw

0:41:38.880 --> 0:41:46.200
<v Speaker 3>but maybe for season two. Everyone's right with the out spot, Tatsiana,

0:41:46.239 --> 0:41:47.799
<v Speaker 3>how about you with that? Any kind of did you

0:41:47.840 --> 0:41:51.560
<v Speaker 3>do any sci fi deep dives to to get ready

0:41:51.560 --> 0:41:52.080
<v Speaker 3>for the show.

0:41:52.200 --> 0:41:55.120
<v Speaker 8>We were set up for success. We had seven books

0:41:55.160 --> 0:41:56.120
<v Speaker 8>to go from.

0:41:56.239 --> 0:41:58.960
<v Speaker 4>I was gonna say math and well, oh he's a legend.

0:41:59.200 --> 0:42:01.520
<v Speaker 6>If you haven't at him, go and read those two.

0:42:02.239 --> 0:42:04.759
<v Speaker 6>But I was enthralled when I read the books. And

0:42:04.800 --> 0:42:06.879
<v Speaker 6>I'm not a side. I don't gravitate to sci fi

0:42:07.040 --> 0:42:09.160
<v Speaker 6>when I'm picking up a book or doing anything like that,

0:42:10.360 --> 0:42:13.640
<v Speaker 6>but having to read it for work, I'm so glad.

0:42:13.719 --> 0:42:16.600
<v Speaker 6>I'm so glad because now my opinion has changed, and

0:42:16.640 --> 0:42:20.000
<v Speaker 6>now my horizons have broadened, and now I consider those

0:42:20.040 --> 0:42:23.320
<v Speaker 6>sorts of things. But Martha's a very very special talent,

0:42:23.600 --> 0:42:28.920
<v Speaker 6>and to read those books, everything is intact in those books,

0:42:29.000 --> 0:42:30.839
<v Speaker 6>and I think Chris and Paul did a beautiful job

0:42:30.960 --> 0:42:35.480
<v Speaker 6>of really creating something new but staying true to the

0:42:35.520 --> 0:42:40.480
<v Speaker 6>books simultaneously. Which if that's a dance and dragons, that yeah,

0:42:40.480 --> 0:42:41.480
<v Speaker 6>it has to be acknowledged.

0:42:41.520 --> 0:42:44.000
<v Speaker 3>But yeah, no, it's it's I love those books. I

0:42:44.239 --> 0:42:45.920
<v Speaker 3>love a novella. It's and I used to just be

0:42:45.960 --> 0:42:48.480
<v Speaker 3>able to flip through something and that I was kind

0:42:48.480 --> 0:42:51.000
<v Speaker 3>of blown away by. It was very different how I

0:42:51.120 --> 0:42:54.799
<v Speaker 3>envisioned it, but it still felt very true, true to

0:42:54.840 --> 0:42:57.160
<v Speaker 3>the story. Something else I thought was really cool about

0:42:57.160 --> 0:43:00.520
<v Speaker 3>the show, which is not like as much a giant

0:43:00.560 --> 0:43:03.040
<v Speaker 3>part of your guys story, but it's a big part

0:43:03.080 --> 0:43:06.640
<v Speaker 3>of you know, Alex's stories. I love that this is

0:43:06.640 --> 0:43:10.840
<v Speaker 3>a future where they envisioned that TV is still a

0:43:10.880 --> 0:43:13.560
<v Speaker 3>massive part of people's lives. I feel like in Star Wars,

0:43:13.600 --> 0:43:16.160
<v Speaker 3>no one's just like binge watching TV. You know. So

0:43:16.520 --> 0:43:18.800
<v Speaker 3>what was it like to be making a TV show

0:43:19.080 --> 0:43:21.880
<v Speaker 3>where TV is actually like a major plot point and

0:43:21.920 --> 0:43:25.080
<v Speaker 3>you're kind of constantly talk It's almost like you're talking

0:43:25.080 --> 0:43:28.200
<v Speaker 3>about the romance, Like the romance is futuristic, but it's

0:43:28.239 --> 0:43:30.640
<v Speaker 3>really what's happening now. And the way that TV is

0:43:30.719 --> 0:43:33.040
<v Speaker 3>used in the show is very realistic to how we

0:43:33.120 --> 0:43:35.359
<v Speaker 3>interact with it now. What was that element like.

0:43:37.320 --> 0:43:40.160
<v Speaker 8>I just felt seen? I just felt seen. You were

0:43:40.200 --> 0:43:41.480
<v Speaker 8>like I too, binge TV.

0:43:41.840 --> 0:43:44.680
<v Speaker 4>That's all We're in a binging era. Yeah, we're in

0:43:44.680 --> 0:43:47.040
<v Speaker 4>a numbing binging era to me.

0:43:47.200 --> 0:43:49.680
<v Speaker 11>I also it made me feel so much more connected

0:43:49.800 --> 0:43:51.840
<v Speaker 11>to like sometimes you watch sci fi and it just

0:43:51.840 --> 0:43:54.359
<v Speaker 11>feels far away, like it's an escapist thing. And like

0:43:54.760 --> 0:43:57.080
<v Speaker 11>when I'm like, wait, these people are watching TV and

0:43:57.120 --> 0:43:59.120
<v Speaker 11>they're dealing with like Paully.

0:43:58.920 --> 0:44:00.719
<v Speaker 4>Amory, I'm like, like.

0:44:00.680 --> 0:44:02.719
<v Speaker 11>This could be me, this could be my kids, Like

0:44:02.800 --> 0:44:04.920
<v Speaker 11>you know, it like feels so like it makes me

0:44:04.960 --> 0:44:08.040
<v Speaker 11>feel very connected, like as a real possibility, you know,

0:44:08.200 --> 0:44:09.120
<v Speaker 11>for our future.

0:44:09.719 --> 0:44:12.759
<v Speaker 3>Yeah, amazing, Thank you both so much. Congrats on the show.

0:44:12.800 --> 0:44:16.600
<v Speaker 3>I thought it was wonderful. Lilah, appreciate you and yeah,

0:44:16.920 --> 0:44:23.319
<v Speaker 3>we both have a good great day you. Next week

0:44:23.360 --> 0:44:26.399
<v Speaker 3>on x ray Vision, Tuesday, we take one final visit

0:44:26.480 --> 0:44:28.960
<v Speaker 3>to Jackson Hall as we review the season two finale

0:44:29.000 --> 0:44:32.880
<v Speaker 3>of The Last of Us. Wednesday, we're reacting to Mission Impossible,

0:44:32.960 --> 0:44:36.800
<v Speaker 3>The Final Reckoning. Thursday, the Council gathers to discuss season

0:44:36.800 --> 0:44:38.480
<v Speaker 3>two of the Last of Us.

0:44:38.520 --> 0:44:39.840
<v Speaker 2>Friday, we're diving.

0:44:39.600 --> 0:44:42.640
<v Speaker 3>Deep into the action set pieces of Mission Impossible, The

0:44:42.719 --> 0:44:44.600
<v Speaker 3>Final Reckoning Saturday News.

0:44:49.719 --> 0:44:52.360
<v Speaker 1>X ray Vision is hosted by jasonteps Young and Rosie

0:44:52.440 --> 0:44:54.480
<v Speaker 1>Night and as a production of iHeart Podcast.

0:44:54.840 --> 0:44:58.400
<v Speaker 3>Our executive producers are Joel Menique and Aaron Kaufman.

0:44:58.680 --> 0:45:00.680
<v Speaker 1>Our supervising producer is Abusafar.

0:45:01.080 --> 0:45:05.040
<v Speaker 3>Our producers are Common Laurent Dean Jonathan and Fay Wack.

0:45:05.160 --> 0:45:07.919
<v Speaker 1>A theme song is by Brian Vasquez, with alternate theme

0:45:08.000 --> 0:45:09.240
<v Speaker 1>songs by Aaron Kaufman.

0:45:09.440 --> 0:45:12.799
<v Speaker 3>Special thanks to Soul Rubin, Chris Lord, Kenny Goodman and

0:45:12.880 --> 0:45:14.640
<v Speaker 3>Heidi our discord moderator,