WEBVTT - “Our Very First Show” Recap (Part 1) Season 1 Episode 1

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<v Speaker 1>High, Joey sweet High and Andria Barber. Uh that we

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<v Speaker 1>used to do that all We would just walk by

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<v Speaker 1>each other on set from Full House, Fuller House, just

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<v Speaker 1>the every time I would see you, I just walked

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<v Speaker 1>be like Andrea Barber.

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<v Speaker 2>I don't know why last Sunday, Yeah, joe ybody, Sweeten yep.

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<v Speaker 2>Why didn't we start doing that?

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<v Speaker 1>Why did we start doing any of this? You know,

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<v Speaker 1>I have no idea. It just because it's one of

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<v Speaker 1>those things like you pass each other so often, I

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<v Speaker 1>think in dressing room hallways. I always feel it was

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<v Speaker 1>always like awkward to not like acknowledge somebody. So I

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<v Speaker 1>would just say their name at them in some sort

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<v Speaker 1>of strange, random fashion. I don't know. It felt appropriate,

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<v Speaker 1>and it felt appropriate and normal right, which should have

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<v Speaker 1>been the first morning now yea. But yeah, and Ria Barber,

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<v Speaker 1>I'm so glad to be here with you today. Me too,

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<v Speaker 1>Me too. You know what I was thinking about because

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<v Speaker 1>we were talking last week about going up to the

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<v Speaker 1>full House house when we were out in front of

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<v Speaker 1>the house.

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<v Speaker 2>And the house, the house, the house, the the.

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<v Speaker 1>House, the house that no longer looks like the house

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<v Speaker 1>because they don't want people knowing it's the house. But

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<v Speaker 1>the owner came out when we were out there dancing

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<v Speaker 1>like fools in front of the house, and we tried

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<v Speaker 1>to play it off really cool. I don't think I

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<v Speaker 1>don't think we did. I don't think the.

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<v Speaker 2>Owner really appreciated that.

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<v Speaker 1>But that's okay. Look, we were bringing joy and happiness

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<v Speaker 1>to the sidewalk area in front of the house. Speaking

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<v Speaker 1>of bringing joy and happiness, it's amazing how many people

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<v Speaker 1>do stop by that house. And again, really sorry, owners,

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<v Speaker 1>we didn't do it. We apologize, We apologize, but there.

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<v Speaker 2>Were people there even like they weren't there for us,

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<v Speaker 2>but right, but just as a general sorry that you

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<v Speaker 2>have to live in a in a you know, a

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<v Speaker 2>tourist attraction.

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<v Speaker 1>But there were people that came by to like take

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<v Speaker 1>pictures of the house. Right, So of course you and

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<v Speaker 1>I are standing in front of the house and are

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<v Speaker 1>dressed in our dressing kind of nineties grunge outfit which

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<v Speaker 1>looked fabulous by the way, those outfits, yeah, I love

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<v Speaker 1>those outfits. Thank you, Taylor are rear stylists for pulling

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<v Speaker 1>that off. Anyway, there was a family of three girls

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<v Speaker 1>and an older brother who ran across the street to

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<v Speaker 1>the point they ran and I was like, oh my god,

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<v Speaker 1>a car, like I'm this kid just took off running

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<v Speaker 1>towards us right, and three little blonde girls and their

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<v Speaker 1>older brother and mom who were losing their minds. Apparently

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<v Speaker 1>they dressed one of them dressed up as Steph for Halloween.

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<v Speaker 1>I think they did. The three. I think they were

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<v Speaker 1>a DJ, Stephan and Michelle. They were the three Tanner sisters.

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<v Speaker 1>They were so excited. They were there on vacation. They

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<v Speaker 1>just stopped by to see the full House house and like,

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<v Speaker 1>oh my god.

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<v Speaker 2>Saint Louis Missouri or st Yeah, they're from Missouri.

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<v Speaker 1>And then we were getting ready to leave and another

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<v Speaker 1>family of three came up and I started to say

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<v Speaker 1>something to them, and the dad turns and he says,

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<v Speaker 1>we're from Germany. We don't speak English. That was a

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<v Speaker 1>terrible German accent. I'm so sorry. I just wanted to

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<v Speaker 1>let people know that he did not, in fact spake English.

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<v Speaker 1>And they were from Germany coming to take a picture

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<v Speaker 1>in front of the full House house and saw us

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<v Speaker 1>and were like losing their mind.

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<v Speaker 2>I wonder what they were thinking, Like I can't even

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<v Speaker 2>put myself in their shoes of how trippy. That must

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<v Speaker 2>have been to see the actual characters.

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<v Speaker 1>I actually thought that was when I was up on

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<v Speaker 1>the road trip with the girls and my friend Brooke,

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<v Speaker 1>who you know. We were up there touring around and

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<v Speaker 1>he was like, we have to go buy the full

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<v Speaker 1>house house. I was like, all right, let's do it.

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<v Speaker 1>So we drove by because I wanted to get a

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<v Speaker 1>picture of the kids and I in front of it.

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<v Speaker 1>And we're standing there getting a picture, and of course

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<v Speaker 1>people pull over and they're going to get a picture

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<v Speaker 1>of the house. No idea. So I offer to take

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<v Speaker 1>these people's pictures. I was like, hey, you want me

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<v Speaker 1>to take the picture and they were like yeah, yeah, yeah.

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<v Speaker 1>I was like okay, so I take the picture and

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<v Speaker 1>I put my glasses up and I hand the phone

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<v Speaker 1>back to him and they were like, oh, like it

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<v Speaker 1>was such a great moment, and they were like, will

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<v Speaker 1>you get a picture with us? I was like yeah, absolutely.

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<v Speaker 1>It was just it's so much fun to like, I mean,

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<v Speaker 1>could you imagine showing up to a place for your

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<v Speaker 1>favorite show and like randomly some of the cast is there.

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<v Speaker 2>So trippy.

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<v Speaker 1>So it was like when we drove around in the

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<v Speaker 1>car when we were shooting some of the promos for

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<v Speaker 1>Fuller House, and we were all dressed up in our

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<v Speaker 1>eighties gear. Oh yeah, John, that was about you and

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<v Speaker 1>years ago.

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<v Speaker 2>Yeah, we were up there shooting for the thirtieth anniversary

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<v Speaker 2>of the premiere of Full House. And Jeff Franklin, the

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<v Speaker 2>creator of an executive producer of a full House. He

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<v Speaker 2>owned the house at that time. He had actually bought

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<v Speaker 2>it and was trying to renovate it. Yeah.

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<v Speaker 1>I think he wanted to turn it into a B

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<v Speaker 1>and B or an Airbnb.

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<v Speaker 2>I think so, or just I felt, Okay, here's the

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<v Speaker 2>story I remember is that he wanted to make it

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<v Speaker 2>look as much like the Tanner House inside, right, which

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<v Speaker 2>was which is totally because.

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<v Speaker 1>Physics and that house couldn't. Let me tell you, we've

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<v Speaker 1>been inside that house. It's so small, you guys, It's

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<v Speaker 1>so small you couldn't. You would have trouble just getting

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<v Speaker 1>Danny and the three girls in there and not being miserable,

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<v Speaker 1>but like adding the Cassopolies and the Gladstones and the

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<v Speaker 1>and the babies and this way. Oh my, there it

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<v Speaker 1>was that house would have been if it actually existed,

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<v Speaker 1>really really really packed tight.

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<v Speaker 2>Oh yeah, for sure. It's yeah, small rooms. Real estate

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<v Speaker 2>is very expensive in San Francisco. It is it rooms

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<v Speaker 2>reflect that.

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<v Speaker 1>But not the backyard of full house, because that thing

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<v Speaker 1>changed every single episode. Well, we'll discuss that for sure.

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<v Speaker 1>Can we get to that? Speaking of episodes, shall we uh?

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<v Speaker 1>Shall we dive in? Let's do it, Let's do this.

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<v Speaker 2>Welcome back to How Rude Tannertos. I am one of

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<v Speaker 2>your hosts, Andrea Barber.

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<v Speaker 1>And I am one of your other hosts, the only

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<v Speaker 1>other host, Jody Sweeten.

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<v Speaker 2>Today we are discussing the pilot episode, Season one, episode

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<v Speaker 2>one titled Our Very First Show. It first aired on

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<v Speaker 2>September twenty first, nineteen eighty seven, and the show goes

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<v Speaker 2>a little something like this. When Danny Tanner's wife Pamela

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<v Speaker 2>is killed in an auto accident, he finds himself alone

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<v Speaker 2>to raise his three daughters, dj who is ten, Stephanie,

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<v Speaker 2>who is five, and baby Michelle, who is nine months old. Fortunately,

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<v Speaker 2>Danny's hair obsessed rock star brother in law Jesse Cochran,

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<v Speaker 2>along with Danny's cartoon loving friend Joey Gladstone, move in

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<v Speaker 2>as unlikely help for Danny to raise his girls. This

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<v Speaker 2>episode was directed by Joelswick, who we will talk a

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<v Speaker 2>lot about later because he is such an iconic nineties

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<v Speaker 2>sitcom director. Indeed, it was written by Jeff Franklin, who

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<v Speaker 2>we've also mentioned on the show and will be appearing

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<v Speaker 2>on the show at some point.

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<v Speaker 1>He also created the show, so.

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<v Speaker 2>Yeah, he's the heartbeat of the show. And this episode

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<v Speaker 2>is starring John Stamos as Jesse Cochrane, Bom Zaggett as

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<v Speaker 2>Danny Tanner, Dave Cleay as Joey Gladstone, Candice Cameron Burret

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<v Speaker 2>as DJ Tanner, Jody Sweeten as Stephanie Tanner, Ashley and

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<v Speaker 2>Mary Kate Olsen as Michelle Tanner.

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<v Speaker 1>And Kimmy Gibler has yet to enter the building.

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<v Speaker 2>Kimmy Gibler is mentioned in this episode, yes, but has

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<v Speaker 2>not yet made an appearance yet entered now. But there

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<v Speaker 2>are two other guest stars, Alice Hearson as Claire Tanner,

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<v Speaker 2>Danny's mom, and Christy Clairidge as Vanessa.

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<v Speaker 1>A very important fact by the way, about Christy Claridge,

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<v Speaker 1>who also when she appeared at the front door. When

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<v Speaker 1>I watched this episode, I was like, I remember her.

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<v Speaker 1>I remember I loved the out whatever, the outfit that

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<v Speaker 1>she had on some very eighties like BOOSTI a pink moment.

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<v Speaker 1>I was like as a kid, I was like, I

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<v Speaker 1>like that outfit. But more importantly, she was Misinternational nineteen

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<v Speaker 1>eighty two. But she is the sister of Linda Hogan,

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<v Speaker 1>who is the ex wife of Hull Cogan.

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<v Speaker 2>So that is such a random fact.

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<v Speaker 1>I mean, that's it doesn't get more eighties than Whule Cogan. Okay,

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<v Speaker 1>what is it? What you think about that brother or whatever?

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<v Speaker 1>Wasn't that the whole Cogan? Sorry, I don't know, I'm

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<v Speaker 1>not at Yeah, let's go with that and let's never

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<v Speaker 1>do it again. Okay, So okay, let's do it. Let's

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<v Speaker 1>do it go.

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<v Speaker 2>Let's go everywhere we look, everywhere you look. Let's start

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<v Speaker 2>with the opening credits. We talked about this in our

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<v Speaker 2>first episode.

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<v Speaker 1>Yeah, but here the longest opening credits.

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<v Speaker 2>The longest opening credits ever and so iconic. We love

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<v Speaker 2>them so much. Do you, Jody, did you remember auditioning

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<v Speaker 2>for this pilot? Like were you excited about getting your

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<v Speaker 2>first pilot? Tell me like you were five, Like how

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<v Speaker 2>much life experience had you had.

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<v Speaker 1>I actually did an audition for the show. I had

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<v Speaker 1>done a guest appearance on a show called Valerie, which

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<v Speaker 1>was Valerie Harper's Show, Oh Yeah, which later became The

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<v Speaker 1>Hogan Family. But I had done a guest appearance on that,

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<v Speaker 1>playing the next door neighbor's niece, Pamela Pool. I actually

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<v Speaker 1>played Pamela and and so I did an episode of

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<v Speaker 1>that with Jason Bateman and that was my first episode

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<v Speaker 1>of television ever. And then from that they had sent

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<v Speaker 1>a tape over to Jeff I guess of my appearance

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<v Speaker 1>on that, and he was like, yep, that's Stephanie. And

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<v Speaker 1>that was it. So I never actually auditioned for the show.

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<v Speaker 1>It just again this weird little magic spell that's been

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<v Speaker 1>cast over full house, like the people just sort of

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<v Speaker 1>if you know, it was kids the Oald of Dreams. Yeah,

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<v Speaker 1>if you yeah, if you create it, they will, they will,

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<v Speaker 1>they will show up. So anyway, so that was that

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<v Speaker 1>was how it happened. What about I mean, you've been doing.

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<v Speaker 2>Days of Our Lives right, Oh yeah, well I was ten,

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<v Speaker 2>so I had I had extensive acting credits that are huge. Yeah, yeah,

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<v Speaker 2>that point right, So yeah, I do remember bits of

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<v Speaker 2>my audition. I auditioned twice. I auditioned for DJ first

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<v Speaker 2>and then I auditioned obviously didn't get that role. Uh.

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<v Speaker 2>And then I auditioned for Kimmy Gibbler. Is isn't a

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<v Speaker 2>good time to talk about the script that I found,

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<v Speaker 2>my original edition script that nobody get into the show.

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<v Speaker 1>I feel like we should definitely bring up what could

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<v Speaker 1>have been, what.

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<v Speaker 2>Could have been?

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<v Speaker 1>Right, So I would have been, yeah, this.

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<v Speaker 2>This I don't know, like, look at me saying this.

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<v Speaker 2>Let me show you on this audio podcast when I'm holding.

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<v Speaker 1>Up right now it's a why don't you describe it?

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<v Speaker 1>It's a script.

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<v Speaker 2>This is an original script, a very very early draft.

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<v Speaker 1>Not even an original well it's an original pilot script.

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<v Speaker 1>But it's so original. It's not even the same characters.

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<v Speaker 2>It's not the same characters. It's dated February eighteenth, nineteen

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<v Speaker 2>eighty seven. And let me tell you the shocker. What

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<v Speaker 2>I didn't remember is that the characters have completely different names.

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<v Speaker 2>So I auditioned not for DJ, but for the role

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<v Speaker 2>of Jennifer because DJ was originally Jennifer and Uncle Jesse

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<v Speaker 2>was an uncle Jesse, he was Uncle Adam. Did you like,

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<v Speaker 2>do you remember this? Do you remember?

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<v Speaker 1>How weirdly I do you do? When I saw that script,

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<v Speaker 1>I was like, oh my gosh, that's right. But then

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<v Speaker 1>I'm also like, wait, maybe am I remembering Jeff telling

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<v Speaker 1>the story that it was uncle at Like I remember

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<v Speaker 1>Jeff talking about some of the changes in the names.

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<v Speaker 1>But one thing I do not think that that we've

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<v Speaker 1>ever talked about was that the Tanners weren't originally the Tanners.

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<v Speaker 2>This is mind blowing, This is mind boing.

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<v Speaker 1>Is huge.

0:11:57.200 --> 0:12:02.080
<v Speaker 2>We were gonna be the cross words like it just

0:12:02.200 --> 0:12:03.400
<v Speaker 2>it doesn't hit the same way.

0:12:03.520 --> 0:12:06.800
<v Speaker 1>It doesn't. It doesn't we know Stephanie craw the.

0:12:06.720 --> 0:12:09.800
<v Speaker 2>Crawford's growing up. No, it's not the same. No, Like

0:12:09.880 --> 0:12:12.559
<v Speaker 2>this show never would have been a hit if no,

0:12:13.000 --> 0:12:14.840
<v Speaker 2>in the Crawfords instead of the Tanners.

0:12:15.400 --> 0:12:18.280
<v Speaker 1>It was a necessary change. The Tanners made it happen.

0:12:19.040 --> 0:12:22.560
<v Speaker 2>I agree. Well, the character descriptions are still very correct.

0:12:22.600 --> 0:12:25.440
<v Speaker 2>Like they describe Stephanie as five years old, dreams of

0:12:25.480 --> 0:12:28.320
<v Speaker 2>being a ballerina, a sweet, happy little charmer who already

0:12:28.320 --> 0:12:30.400
<v Speaker 2>knows how to use what she has to get what

0:12:30.480 --> 0:12:33.400
<v Speaker 2>she wants. Oh that's that's that's pretty accurate.

0:12:33.400 --> 0:12:36.640
<v Speaker 1>It's it's stakely description of a manipulative little child. No,

0:12:39.120 --> 0:12:43.440
<v Speaker 1>not at this, not yet, not yet. But you showed

0:12:43.440 --> 0:12:47.240
<v Speaker 1>me that the other day, and Big big thank you

0:12:47.320 --> 0:12:50.520
<v Speaker 1>to your mom keeping everything.

0:12:50.920 --> 0:12:53.880
<v Speaker 2>God bless Sherry Barber. Yeah, she kept every little thing

0:12:54.000 --> 0:12:56.800
<v Speaker 2>like it's just and it brings up so many feelings

0:12:56.800 --> 0:12:59.320
<v Speaker 2>for me. Like in pencil written here is like the

0:12:59.360 --> 0:13:01.640
<v Speaker 2>page number that I have to turn to because that's

0:13:01.679 --> 0:13:03.960
<v Speaker 2>where the lines were that I had to read during

0:13:03.960 --> 0:13:07.480
<v Speaker 2>the audition. So page twelve and thirteen, page thirty nine

0:13:07.520 --> 0:13:09.520
<v Speaker 2>through forty one, those are the scenes I read for

0:13:09.640 --> 0:13:12.160
<v Speaker 2>my audition for Jennifer who turned into DJ.

0:13:12.360 --> 0:13:16.080
<v Speaker 1>So anyways, ye fun little fact. Can you imagine there

0:13:16.880 --> 0:13:21.360
<v Speaker 1>you as no you were now.

0:13:20.440 --> 0:13:23.079
<v Speaker 2>Show would have failed like it was always meant to

0:13:23.120 --> 0:13:25.280
<v Speaker 2>be Kimmy Gibler yea, and us was always meant to

0:13:25.320 --> 0:13:26.480
<v Speaker 2>be DJ this.

0:13:26.880 --> 0:13:28.760
<v Speaker 1>It couldn't have happened any other way.

0:13:29.080 --> 0:13:30.319
<v Speaker 2>I agree, I agree.

0:13:30.360 --> 0:13:33.080
<v Speaker 1>But here's to the Crawfords, the family that almost was.

0:13:33.800 --> 0:13:36.280
<v Speaker 1>You know, they also weren't allowed to have wire hangers

0:13:36.400 --> 0:13:39.559
<v Speaker 1>in their house. But that's what I was. Okay, I

0:13:39.720 --> 0:13:41.360
<v Speaker 1>was there.

0:13:42.080 --> 0:13:44.319
<v Speaker 2>This is this is but the spirit of Bob Saggatt

0:13:44.360 --> 0:13:49.880
<v Speaker 2>lives on through you and your inappropriate humor. Jody, let's

0:13:50.000 --> 0:13:52.720
<v Speaker 2>jump right in. We've gotten past these opening credits. We

0:13:52.800 --> 0:13:56.000
<v Speaker 2>are now inside the house. We are in the Tanner

0:13:56.160 --> 0:13:59.520
<v Speaker 2>living room. Danny enters the house with DJ and Stephanie

0:13:59.520 --> 0:14:02.679
<v Speaker 2>in his trying to help his mother leave. Grandma says

0:14:02.720 --> 0:14:04.960
<v Speaker 2>the baby is sleeping like a baby, and then says,

0:14:05.040 --> 0:14:08.680
<v Speaker 2>oh my angels and squats down while the while DJ

0:14:08.800 --> 0:14:12.760
<v Speaker 2>and Stephanie go running into her arms. Dy, tell me

0:14:13.240 --> 0:14:16.480
<v Speaker 2>what you remember about this scene or your wardrobe, or

0:14:16.520 --> 0:14:18.480
<v Speaker 2>your co stars or anything. What do you remember?

0:14:18.840 --> 0:14:23.240
<v Speaker 1>So what I vividly remember is there's a part in

0:14:23.280 --> 0:14:27.320
<v Speaker 1>this scene where you know, Danny's trying to get his

0:14:27.400 --> 0:14:29.720
<v Speaker 1>mom out the door. The girls don't want her to leave,

0:14:29.800 --> 0:14:32.320
<v Speaker 1>so they keep kind of like doing this rotating hugging thing.

0:14:32.360 --> 0:14:34.840
<v Speaker 1>They're hugging her. Danny moves them and they go back

0:14:34.840 --> 0:14:37.400
<v Speaker 1>and up, so she goes out onto the front porch,

0:14:37.880 --> 0:14:41.920
<v Speaker 1>and there's a moment where I grab Grandma and I

0:14:41.960 --> 0:14:43.800
<v Speaker 1>won't let her go. I'm like hugging her around her neck,

0:14:44.160 --> 0:14:47.320
<v Speaker 1>and Danny picks up my legs and I'm like he's,

0:14:47.400 --> 0:14:49.720
<v Speaker 1>you know, holding like the back of me, and then

0:14:49.760 --> 0:14:54.640
<v Speaker 1>I'm my arms are wrapped around Grandma. I remember that,

0:14:55.920 --> 0:14:58.040
<v Speaker 1>so like I remember that moment.

0:14:58.080 --> 0:14:59.840
<v Speaker 2>It's such a great sight gag, by the way, It's

0:15:00.000 --> 0:15:02.280
<v Speaker 2>it's such a great it's such a great site gag

0:15:02.720 --> 0:15:05.360
<v Speaker 2>and was always such a wonderful moment because that was

0:15:05.480 --> 0:15:07.160
<v Speaker 2>the thing that I remembered most.

0:15:07.040 --> 0:15:10.760
<v Speaker 1>About that first episode. And then also, you know, at

0:15:10.760 --> 0:15:14.320
<v Speaker 1>the end of Fuller House, I walked back in the door,

0:15:14.400 --> 0:15:17.640
<v Speaker 1>and I think I hugged Bob walked in, and so

0:15:17.680 --> 0:15:19.400
<v Speaker 1>it was just kind of a neat, like full circle

0:15:19.440 --> 0:15:23.480
<v Speaker 1>moment in that. But yeah, I remember, you know, being

0:15:23.720 --> 0:15:29.520
<v Speaker 1>like strung, you know, across the double wide doors, you know,

0:15:29.640 --> 0:15:33.840
<v Speaker 1>hanging just hanging around, And yeah, it was I remember

0:15:33.880 --> 0:15:36.480
<v Speaker 1>that moment. The little blue overalls, curly hair.

0:15:36.520 --> 0:15:39.520
<v Speaker 2>So cute, so cute, the curly hair, I was, the

0:15:39.520 --> 0:15:40.800
<v Speaker 2>pink hair clips.

0:15:40.680 --> 0:15:44.080
<v Speaker 1>The yep yeap, the sponge rollers, the blue overalls.

0:15:44.560 --> 0:15:46.680
<v Speaker 2>Did you get to pick out your wardrobe? Like, how

0:15:46.800 --> 0:15:48.800
<v Speaker 2>do you remember if you had a say in your

0:15:48.800 --> 0:15:50.040
<v Speaker 2>wardrobe or was it all?

0:15:51.280 --> 0:15:54.240
<v Speaker 1>I mean, it was kind of picked for me, but

0:15:54.360 --> 0:15:56.800
<v Speaker 1>I and I was like I didn't really, I was like, yeah, whatever,

0:15:56.920 --> 0:16:00.600
<v Speaker 1>Like I didn't really I wasn't really too picky about,

0:16:00.800 --> 0:16:03.200
<v Speaker 1>you know, clothing or anything like that. I mean, I'm

0:16:03.200 --> 0:16:07.200
<v Speaker 1>sure I know that you that Kimmy Gibler's clothes were

0:16:07.400 --> 0:16:09.760
<v Speaker 1>that's all. That's a, Oh, that's a little struggle, that's

0:16:09.760 --> 0:16:11.480
<v Speaker 1>a whole We're not going to get into that yet.

0:16:12.080 --> 0:16:15.160
<v Speaker 2>There's time. We got one hundred and ninety one more

0:16:15.680 --> 0:16:18.160
<v Speaker 2>to go, so we'll get to the Kimmy Gibler clothes.

0:16:18.240 --> 0:16:20.880
<v Speaker 1>Yes, but I remember, I remember that moment, and I

0:16:20.880 --> 0:16:25.280
<v Speaker 1>remember Grandma, you know, she leaves and Danny saying like, okay,

0:16:25.320 --> 0:16:27.120
<v Speaker 1>you know we're gonna have fun or what. And it's

0:16:27.200 --> 0:16:30.480
<v Speaker 1>just like weren't you know? And crossing to the couch.

0:16:30.560 --> 0:16:35.360
<v Speaker 1>And one thing that I noticed is that there were

0:16:35.360 --> 0:16:41.840
<v Speaker 1>two couches. Yes, and I couch got there were two couches.

0:16:41.440 --> 0:16:43.840
<v Speaker 2>Because later on it's like two ottomans eight.

0:16:43.800 --> 0:16:46.520
<v Speaker 1>Think for a while that later on was two chairs,

0:16:46.840 --> 0:16:49.920
<v Speaker 1>those two blue chairs. But at first it was the couch.

0:16:50.080 --> 0:16:52.240
<v Speaker 1>And I think it became like such a pain to

0:16:52.360 --> 0:16:54.400
<v Speaker 1>move in and out and like for shots and stuff

0:16:54.400 --> 0:16:59.120
<v Speaker 1>and you know whatever. But I remember that, like now,

0:16:59.160 --> 0:17:01.120
<v Speaker 1>I was like, that's right, there were two couches.

0:17:01.160 --> 0:17:02.200
<v Speaker 2>I completely forgot about that.

0:17:02.200 --> 0:17:05.160
<v Speaker 1>Where's the other couch? What happened? Who has the other couch?

0:17:05.480 --> 0:17:07.840
<v Speaker 2>I bet John Stamos has both of them.

0:17:07.920 --> 0:17:10.399
<v Speaker 1>Right there, But yeah, it's got us back up, a

0:17:10.440 --> 0:17:11.119
<v Speaker 1>backup couch.

0:17:11.320 --> 0:17:16.720
<v Speaker 2>You gotta have a backup couch because it's so so iconic. Okay,

0:17:16.800 --> 0:17:19.680
<v Speaker 2>So Danny takes turns pulling the girls off of Grandma

0:17:19.720 --> 0:17:22.359
<v Speaker 2>and a really funny sight gag, saying, you know, Grandma

0:17:22.440 --> 0:17:25.000
<v Speaker 2>really needs to go, and then Grandma says Danny, I

0:17:25.119 --> 0:17:27.400
<v Speaker 2>don't need to go back home. Danny tells her mom,

0:17:27.480 --> 0:17:29.720
<v Speaker 2>this isn't how we rehearsed it last night. Take a

0:17:29.720 --> 0:17:32.240
<v Speaker 2>walk with me. Dj and Stephanie follow them, but he

0:17:32.280 --> 0:17:34.280
<v Speaker 2>shoots them a look as they run back to the door.

0:17:34.720 --> 0:17:37.359
<v Speaker 2>Danny says she's been taking care of them for three

0:17:37.440 --> 0:17:41.320
<v Speaker 2>months since Danny's wife, Pamela died, and he doesn't know

0:17:41.359 --> 0:17:43.919
<v Speaker 2>how they would have made it without her. But she

0:17:44.000 --> 0:17:46.320
<v Speaker 2>really has to go because his dad needs her to. No,

0:17:46.440 --> 0:17:49.840
<v Speaker 2>this is a very very emotional scene for the first

0:17:49.920 --> 0:17:52.639
<v Speaker 2>scene straight out of the gate for a pilot like me.

0:17:52.760 --> 0:17:57.680
<v Speaker 1>And you've got to set up that the mom's dead.

0:17:57.880 --> 0:17:58.639
<v Speaker 1>You know, you got it.

0:17:58.640 --> 0:18:01.159
<v Speaker 2>I mean it's mom just died three months ago. Like

0:18:01.200 --> 0:18:02.320
<v Speaker 2>this is a family.

0:18:02.600 --> 0:18:05.400
<v Speaker 1>Well, it's gotta be. Yeah, it's gotta be. It's gotta

0:18:05.480 --> 0:18:09.560
<v Speaker 1>be fresh enough that it requires the guys to move in,

0:18:09.600 --> 0:18:11.920
<v Speaker 1>but not so fresh that everyone's just crying and it's

0:18:11.960 --> 0:18:14.600
<v Speaker 1>uncomfortable to watch. So there's a window I think of

0:18:15.240 --> 0:18:20.280
<v Speaker 1>time in sitcoms that is, you know everyone's done grieving

0:18:20.920 --> 0:18:23.359
<v Speaker 1>and uh, and they've moved on relatively quickly.

0:18:23.920 --> 0:18:27.280
<v Speaker 2>It's there's definitely a balance, and I think that Jeff Franklin,

0:18:27.280 --> 0:18:30.080
<v Speaker 2>who wrote the episode, struck it perfectly, like for sure,

0:18:30.119 --> 0:18:32.280
<v Speaker 2>just enough emotion, but not enough that.

0:18:32.280 --> 0:18:33.880
<v Speaker 1>We're all do you just need to know that? It's

0:18:33.920 --> 0:18:35.720
<v Speaker 1>like a yeah, that it's a moment, Like it's a

0:18:35.760 --> 0:18:37.760
<v Speaker 1>sad moment. Why are they so sad that Grandma's leave.

0:18:37.800 --> 0:18:40.080
<v Speaker 1>It's not like she comes every weekend. This was this

0:18:40.200 --> 0:18:42.800
<v Speaker 1>is a big thing. Their life has changed life.

0:18:43.080 --> 0:18:46.040
<v Speaker 2>Yes, your lives have been turned upside down and Grandma

0:18:46.119 --> 0:18:48.360
<v Speaker 2>was there to help you. Yeah, Danny says, he's got

0:18:48.359 --> 0:18:52.200
<v Speaker 2>everything under control and help is moving in today. Grandma says,

0:18:52.200 --> 0:18:54.080
<v Speaker 2>if you need me, I'm on the next plane. He

0:18:54.119 --> 0:18:56.760
<v Speaker 2>hugs her goodbye, and we think that she's about to leave,

0:18:56.800 --> 0:18:59.440
<v Speaker 2>but then she squats down again and says my angels,

0:18:59.480 --> 0:19:01.960
<v Speaker 2>and the girls go running right back into her arms.

0:19:02.520 --> 0:19:05.919
<v Speaker 2>Grandma eventually leaves, and Danny awkwardly says, Okay, are we

0:19:06.000 --> 0:19:09.600
<v Speaker 2>gonna have fun or what the girls make adorable poudy

0:19:09.600 --> 0:19:12.600
<v Speaker 2>faces before Danny asks to see some smiles and says

0:19:12.640 --> 0:19:14.919
<v Speaker 2>that everything is going to work out super great. He

0:19:14.960 --> 0:19:17.400
<v Speaker 2>reveals to the audience that uncle Jesse is moving in

0:19:17.720 --> 0:19:22.160
<v Speaker 2>and so is his best friend Joey. That means Stephanie

0:19:22.160 --> 0:19:24.119
<v Speaker 2>and DJ get the news that they are going to

0:19:24.200 --> 0:19:27.920
<v Speaker 2>be roommates. He asks, isn't that exciting, and Stephanie says

0:19:28.320 --> 0:19:31.439
<v Speaker 2>I can wear all of DJ's clothes, but DJ is

0:19:31.520 --> 0:19:34.560
<v Speaker 2>less enthused, asking do I have to share a room

0:19:34.600 --> 0:19:36.919
<v Speaker 2>with her? Danny tries to convince her it'll be like

0:19:36.960 --> 0:19:40.200
<v Speaker 2>having a slumber party, but she clarifies with only one

0:19:40.359 --> 0:19:44.800
<v Speaker 2>guest who never leaves, which is perfectly delivered by Candace,

0:19:44.840 --> 0:19:49.680
<v Speaker 2>who really really nailed this like preteen moodiness.

0:19:49.359 --> 0:19:51.560
<v Speaker 1>Right, And now that I have two daughters, like they

0:19:51.640 --> 0:19:54.040
<v Speaker 1>would yeah, like I get that, Like they had their

0:19:54.080 --> 0:19:55.680
<v Speaker 1>own rooms and then you'd be like, now you're together,

0:19:55.720 --> 0:19:58.280
<v Speaker 1>and they would have been like, I'm now this isn't happening.

0:19:58.320 --> 0:20:00.240
<v Speaker 2>Oh yes, I felt this. I felt this mo moment

0:20:00.359 --> 0:20:02.199
<v Speaker 2>where I was like, yeah, my kids, this would not

0:20:02.320 --> 0:20:05.000
<v Speaker 2>fly with my kids. Should suddenly sharing a room at

0:20:05.000 --> 0:20:06.560
<v Speaker 2>age ten right away?

0:20:06.560 --> 0:20:10.320
<v Speaker 1>Would that go over? Yeah? I poor DJ. I mean,

0:20:10.480 --> 0:20:12.959
<v Speaker 1>you know, as a kid like I didn't really you know.

0:20:12.960 --> 0:20:14.400
<v Speaker 1>Now I look back at it, I'm like, oh man,

0:20:14.480 --> 0:20:18.000
<v Speaker 1>DJ's really yeah, you know, got to deal with the

0:20:18.000 --> 0:20:20.320
<v Speaker 1>little sister. Mom's gone, well, and she has that moment

0:20:20.320 --> 0:20:23.199
<v Speaker 1>in the end, Mom does, Mom's gone, Grandma left. I

0:20:23.200 --> 0:20:25.840
<v Speaker 1>don't even have my own room. She moved into the garage.

0:20:25.960 --> 0:20:27.800
<v Speaker 1>We'll get there, we'll get I feel for her.

0:20:27.840 --> 0:20:32.200
<v Speaker 2>I definitely feel for her. In this moment, Uncle Jesse arrives.

0:20:32.320 --> 0:20:33.479
<v Speaker 1>Hey, hey, look alive.

0:20:33.760 --> 0:20:36.639
<v Speaker 2>Uncle Jesse is here, and he moves in carrying a

0:20:36.680 --> 0:20:39.520
<v Speaker 2>small duffel, a bike, helmet, and a guitar not in

0:20:39.560 --> 0:20:42.679
<v Speaker 2>a case. So you instantly know, just from this like

0:20:42.720 --> 0:20:47.200
<v Speaker 2>three second entrance, exactly who Uncle Jesse is, because he's

0:20:47.280 --> 0:20:49.240
<v Speaker 2>just he's a rock star. He looks the part, he

0:20:49.240 --> 0:20:50.280
<v Speaker 2>plays the part.

0:20:50.840 --> 0:20:54.560
<v Speaker 1>I'm gonna I'm gonna say something though, if he's riding

0:20:54.600 --> 0:20:59.400
<v Speaker 1>a motorcycle with a guitar not in a case, it's

0:20:59.400 --> 0:21:02.439
<v Speaker 1>a very that's really if you're a rock star, you

0:21:02.480 --> 0:21:06.119
<v Speaker 1>are really treating your equipment pretty poorly. If you're not,

0:21:06.280 --> 0:21:09.560
<v Speaker 1>there's not even a not even a case, a soft case.

0:21:09.800 --> 0:21:11.840
<v Speaker 2>Well, you know, you know what happened.

0:21:11.880 --> 0:21:14.800
<v Speaker 1>What if the guitar gets a gravel in it or something.

0:21:14.840 --> 0:21:17.440
<v Speaker 1>I don't know. I'm just saying I watched that and

0:21:17.480 --> 0:21:20.080
<v Speaker 1>I was like, did you just keep it on your

0:21:20.119 --> 0:21:22.040
<v Speaker 1>back the whole time? I think it was the eighties?

0:21:22.040 --> 0:21:22.520
<v Speaker 1>What do I know?

0:21:22.920 --> 0:21:25.320
<v Speaker 2>Maybe if he drove the motorcycle with one hand and

0:21:25.520 --> 0:21:28.680
<v Speaker 2>was playing the guitar with the This is just one

0:21:28.720 --> 0:21:32.119
<v Speaker 2>of those sitcom things you just want you just have

0:21:32.200 --> 0:21:33.320
<v Speaker 2>to just weigh your hand.

0:21:33.640 --> 0:21:38.679
<v Speaker 1>I ask far too many logical questions sometimes for my

0:21:38.720 --> 0:21:39.160
<v Speaker 1>own good.

0:21:40.480 --> 0:21:42.479
<v Speaker 2>You can't say on a sitcom if you ask too

0:21:42.520 --> 0:21:44.000
<v Speaker 2>many specific questions.

0:21:43.720 --> 0:21:46.200
<v Speaker 1>That's It's true. It's true. You know what's funny, though,

0:21:46.440 --> 0:21:49.639
<v Speaker 1>is the second you meet Uncle Jesse. I was like,

0:21:50.200 --> 0:21:54.960
<v Speaker 1>I did not remember John's character being so harsh.

0:21:55.240 --> 0:21:57.880
<v Speaker 2>He was very bold, like he has very like yeah,

0:21:57.960 --> 0:21:59.359
<v Speaker 2>and I had energy walking into this.

0:21:59.359 --> 0:22:01.480
<v Speaker 1>Scene, and I, yeah, that's like the setup for the

0:22:01.600 --> 0:22:03.800
<v Speaker 1>and and you know, it's also who he kind of

0:22:03.920 --> 0:22:06.119
<v Speaker 1>becomes in as a member of the family and all

0:22:06.119 --> 0:22:08.800
<v Speaker 1>this stuff. So even really Uncle Jesse goes on quite

0:22:08.800 --> 0:22:11.040
<v Speaker 1>a journey starting where he does. But yeah, I just

0:22:11.080 --> 0:22:15.119
<v Speaker 1>remembered he came in and I remember he Bob and

0:22:15.240 --> 0:22:20.680
<v Speaker 1>John at first did not like John was not here

0:22:21.040 --> 0:22:25.400
<v Speaker 1>for Bob's fooling around, and Bob was like, John's taking

0:22:25.440 --> 0:22:27.480
<v Speaker 1>this way too seriously, and they'd like they did not

0:22:28.080 --> 0:22:28.600
<v Speaker 1>get along.

0:22:28.800 --> 0:22:30.160
<v Speaker 2>Okay, I remember this rumor.

0:22:30.240 --> 0:22:32.200
<v Speaker 1>This is a rumor, so this is true that.

0:22:32.200 --> 0:22:34.520
<v Speaker 2>John's absolutely they've yeah, get along at first.

0:22:34.600 --> 0:22:37.960
<v Speaker 1>They've talked about it that they did not, that they

0:22:38.040 --> 0:22:40.600
<v Speaker 1>did not get along like at first, and they couldn't

0:22:40.600 --> 0:22:42.240
<v Speaker 1>stand each other and they annoyed each other and blah

0:22:42.280 --> 0:22:44.159
<v Speaker 1>blah blah blah blah. And I remember sort of the

0:22:44.359 --> 0:22:46.800
<v Speaker 1>like the tension. It was like you know, oh, because

0:22:46.840 --> 0:22:50.439
<v Speaker 1>it was I just remember like John coming also from

0:22:50.600 --> 0:22:53.359
<v Speaker 1>like soap opera world too, so it was shooting twenty

0:22:53.400 --> 0:22:54.840
<v Speaker 1>some odd pages a day, like you you know what

0:22:54.880 --> 0:22:56.680
<v Speaker 1>I mean, like you've got to get the work done,

0:22:56.720 --> 0:22:59.480
<v Speaker 1>and boss, you know, stand up, and and he was like,

0:22:59.560 --> 0:23:02.119
<v Speaker 1>let's just fun and goof around, and you know. So

0:23:02.200 --> 0:23:04.960
<v Speaker 1>I think those two working styles really came into conflict

0:23:05.000 --> 0:23:08.760
<v Speaker 1>in the beginning, but then you know, by by the

0:23:08.840 --> 0:23:12.080
<v Speaker 1>end they were literal brothers and absolutely loved each other.

0:23:12.080 --> 0:23:15.120
<v Speaker 1>But it was, yeah, did not did not start off

0:23:15.119 --> 0:23:19.160
<v Speaker 1>that way, and it it's a testament to to Bob

0:23:19.200 --> 0:23:23.440
<v Speaker 1>and John. Really that they created such a dynamic close

0:23:23.480 --> 0:23:24.639
<v Speaker 1>relationship over the years.

0:23:25.600 --> 0:23:27.359
<v Speaker 2>I love that. I'm glad. I'm glad they worked it

0:23:27.400 --> 0:23:28.440
<v Speaker 2>out because.

0:23:28.200 --> 0:23:30.560
<v Speaker 1>Yeah, because again, it could have it. I mean, it

0:23:30.600 --> 0:23:32.800
<v Speaker 1>could have gone side of the Crawfords. Bob and John

0:23:32.800 --> 0:23:35.439
<v Speaker 1>could have hated each other. It could it all so

0:23:35.520 --> 0:23:36.160
<v Speaker 1>many moments.

0:23:36.240 --> 0:23:39.400
<v Speaker 2>This could have gone really sideways. So I'm glad they

0:23:39.440 --> 0:23:43.879
<v Speaker 2>they found some common ground. Yes, Danny asked Jesse where

0:23:43.880 --> 0:23:46.359
<v Speaker 2>he was because he missed breakfast, and he tells Danny

0:23:46.359 --> 0:23:49.240
<v Speaker 2>that after his gig at the Smash Club, our first

0:23:49.240 --> 0:23:50.720
<v Speaker 2>mention of the Smash Club, the.

0:23:50.720 --> 0:23:53.560
<v Speaker 1>Smash Club before Jesse owned it, though, yes, when he

0:23:53.640 --> 0:23:54.640
<v Speaker 1>was just playing there.

0:23:54.640 --> 0:23:57.399
<v Speaker 2>Prior to Jesse owning it. Jesse took a ride on

0:23:57.440 --> 0:24:00.000
<v Speaker 2>his Harley and ended up in Reno. He happened to

0:24:00.160 --> 0:24:03.720
<v Speaker 2>wander into this show called Razzle Dazzle eighty seven, which

0:24:03.760 --> 0:24:06.160
<v Speaker 2>was much better than Razzle Dazzle eighty six, by the way,

0:24:06.560 --> 0:24:10.159
<v Speaker 2>where he locked eyes with an incredible show girl named Vanessa.

0:24:10.760 --> 0:24:13.159
<v Speaker 2>Danny starts to get nervous about where this story is

0:24:13.200 --> 0:24:15.840
<v Speaker 2>going as he notices the girls are taking in every

0:24:15.880 --> 0:24:19.040
<v Speaker 2>word Uncle Jesse says and stops him in front of

0:24:19.040 --> 0:24:21.240
<v Speaker 2>the girls, right before he gets a little too descriptive

0:24:21.280 --> 0:24:24.840
<v Speaker 2>about what Vanessa was starving for. Now, this was a

0:24:24.840 --> 0:24:28.040
<v Speaker 2>little racy, right, like this is like, yeah, full House

0:24:28.080 --> 0:24:31.520
<v Speaker 2>the family comedy, Like, oh well, that's the windows.

0:24:31.520 --> 0:24:35.280
<v Speaker 1>R House the family Comedy was almost not Full House.

0:24:35.440 --> 0:24:38.400
<v Speaker 1>Originally was a story about three comics.

0:24:39.040 --> 0:24:41.720
<v Speaker 2>That's right, House of Comics.

0:24:41.320 --> 0:24:45.479
<v Speaker 1>Originally House House of Comics. And really the show that

0:24:45.600 --> 0:24:48.680
<v Speaker 1>Jeff wrote was about these three guys, and I think

0:24:48.720 --> 0:24:52.159
<v Speaker 1>the kids may have been in it, but not as

0:24:52.480 --> 0:24:55.280
<v Speaker 1>significantly as you know, wand up being a family sitcom,

0:24:55.560 --> 0:24:58.760
<v Speaker 1>but that the the sort of general direction I think

0:24:59.040 --> 0:25:02.880
<v Speaker 1>of what Jeff had originally envisioned before it became Full

0:25:02.920 --> 0:25:06.879
<v Speaker 1>House was more of a like a buddy comedy between

0:25:06.920 --> 0:25:09.080
<v Speaker 1>these three guys and sort of their dating life and

0:25:09.119 --> 0:25:11.800
<v Speaker 1>single dads and you know, dealing with kids and whatever.

0:25:11.920 --> 0:25:13.800
<v Speaker 1>But that was I think kind of more of the

0:25:14.720 --> 0:25:18.080
<v Speaker 1>more of the the vibe of it. And so I

0:25:18.119 --> 0:25:19.800
<v Speaker 1>think we see still see like a little bit of

0:25:19.840 --> 0:25:24.120
<v Speaker 1>some of those holdovers in some of the characters, especially

0:25:24.160 --> 0:25:26.800
<v Speaker 1>in the first episode and the first couple episodes.

0:25:26.840 --> 0:25:29.399
<v Speaker 2>I think I'm so eager to get Jeff on the

0:25:29.400 --> 0:25:32.960
<v Speaker 2>show and ask him these questions about the origin story

0:25:33.000 --> 0:25:36.480
<v Speaker 2>of the show, and yeah, because I remember I remember

0:25:36.560 --> 0:25:39.399
<v Speaker 2>him talking about how he changed the entire idea of

0:25:39.400 --> 0:25:41.840
<v Speaker 2>the show from House of Comics during the pitch meeting,

0:25:42.040 --> 0:25:43.160
<v Speaker 2>I believe because they were.

0:25:43.040 --> 0:25:45.480
<v Speaker 1>Like, what do you have more of that's family, and

0:25:45.520 --> 0:25:48.480
<v Speaker 1>he was like, I've got this, and he just made

0:25:48.520 --> 0:25:50.040
<v Speaker 1>it into Yeah, he.

0:25:50.119 --> 0:25:52.240
<v Speaker 2>Just created it on the spot, which is funny because

0:25:52.680 --> 0:25:55.320
<v Speaker 2>Jeff is like, he's never been married, he doesn't have

0:25:55.320 --> 0:25:57.919
<v Speaker 2>any kids, like he's not really a family.

0:25:57.960 --> 0:26:00.760
<v Speaker 1>Guess why he wrote a show about three comedians and

0:26:00.880 --> 0:26:03.520
<v Speaker 1>not family. Right, It's like, okay, I'll try it, but

0:26:04.480 --> 0:26:06.600
<v Speaker 1>he had to pivot very quickly.

0:26:06.480 --> 0:26:09.840
<v Speaker 2>And created one of the most iconic family shows of

0:26:09.880 --> 0:26:10.480
<v Speaker 2>all time.

0:26:11.280 --> 0:26:16.280
<v Speaker 1>Speaking of pivoting, my ballet skills really come to the

0:26:16.280 --> 0:26:20.320
<v Speaker 1>forefront of this scene because I apparently all Steph wants

0:26:20.359 --> 0:26:23.359
<v Speaker 1>to do is just play Ballerina, very persistent.

0:26:23.520 --> 0:26:27.000
<v Speaker 2>It's very persistent. Stephanie wants to play ballerina with Uncle Jesse,

0:26:27.119 --> 0:26:28.720
<v Speaker 2>but he says he doesn't want to play, but she

0:26:28.800 --> 0:26:31.520
<v Speaker 2>nags him and eventually guilts him into it with her

0:26:31.600 --> 0:26:34.879
<v Speaker 2>sad face, which was an excellent sad face of rubbing

0:26:34.920 --> 0:26:36.360
<v Speaker 2>your eyes like you were talking.

0:26:36.400 --> 0:26:39.639
<v Speaker 1>I couldn't write. I was either just really tired, I

0:26:39.760 --> 0:26:44.119
<v Speaker 1>had an allergy attack, something metal shard in my eye,

0:26:44.520 --> 0:26:48.320
<v Speaker 1>or I was fading crying.

0:26:49.520 --> 0:26:51.480
<v Speaker 2>Well, the couch was very dusty. I mean, at least

0:26:51.520 --> 0:26:53.480
<v Speaker 2>in Fuller House got it. But it was a dust

0:26:53.560 --> 0:26:55.440
<v Speaker 2>from one of the two platforms.

0:26:55.480 --> 0:26:57.880
<v Speaker 1>It was. I had severe allergies as a child, That's

0:26:57.880 --> 0:27:00.640
<v Speaker 1>what it was. But I also that's what I do

0:27:00.840 --> 0:27:03.359
<v Speaker 1>when I throw a fit. You've seen it before Andry,

0:27:03.400 --> 0:27:04.960
<v Speaker 1>I do it all the time. No, I don't want

0:27:05.000 --> 0:27:07.080
<v Speaker 1>to record the bag right, And that's what works.

0:27:07.119 --> 0:27:08.760
<v Speaker 2>Well. It works. It's very effective.

0:27:08.760 --> 0:27:11.080
<v Speaker 1>It's never failed up until now.

0:27:14.080 --> 0:27:18.560
<v Speaker 2>So Jesse and Stephanie play ballerina. He asks how they

0:27:18.560 --> 0:27:20.720
<v Speaker 2>play ballerina and she says they dance, and then she

0:27:20.760 --> 0:27:22.920
<v Speaker 2>instructs him on how to twirl on his tiptoes before

0:27:22.920 --> 0:27:25.080
<v Speaker 2>telling him he needs to practice because they're going to

0:27:25.160 --> 0:27:27.560
<v Speaker 2>do this every single day. Jesse is not impressed.

0:27:28.160 --> 0:27:30.439
<v Speaker 1>Obviously, he doesn't want to be a professional dancer because

0:27:30.440 --> 0:27:33.240
<v Speaker 1>that's what it takes. It takes every day.

0:27:33.560 --> 0:27:35.840
<v Speaker 2>Were you into ballet as a child.

0:27:35.680 --> 0:27:37.560
<v Speaker 1>Yeah, I was. Yes, I was a big dancer. That

0:27:37.680 --> 0:27:40.800
<v Speaker 1>was part of the reason why they've written for you. Yeah,

0:27:40.880 --> 0:27:43.000
<v Speaker 1>I loved dancing. That was like how I kind of

0:27:43.040 --> 0:27:47.639
<v Speaker 1>got into performing really was dance recitals and I loved

0:27:47.920 --> 0:27:50.160
<v Speaker 1>being up on stage and doing all that. So yeah,

0:27:50.160 --> 0:27:56.080
<v Speaker 1>they really wrote some of the parts of Steph around

0:27:56.160 --> 0:27:58.760
<v Speaker 1>things that were actually true of me. So it was

0:27:58.960 --> 0:28:01.440
<v Speaker 1>it was great because I got to you know, I mean,

0:28:01.520 --> 0:28:03.320
<v Speaker 1>obviously my ballet skills.

0:28:02.960 --> 0:28:06.040
<v Speaker 2>Were top match, so they were so cute.

0:28:06.040 --> 0:28:07.960
<v Speaker 1>They were I was. I was. I was a member

0:28:08.000 --> 0:28:11.920
<v Speaker 1>of the Young Geoffrey Ballet at that point, evidenced by

0:28:11.960 --> 0:28:14.000
<v Speaker 1>my tiptoeing around the living room.

0:28:14.359 --> 0:28:16.520
<v Speaker 2>It was so cute, you had it was really for

0:28:16.560 --> 0:28:17.240
<v Speaker 2>a five year old.

0:28:17.520 --> 0:28:20.560
<v Speaker 1>I mean, it was fantastic. I was, I was cute.

0:28:20.600 --> 0:28:22.400
<v Speaker 1>I wouldn't have said no to me playing ballerina.

0:28:23.800 --> 0:28:25.720
<v Speaker 2>Well, but we had to establish that Jesse was not

0:28:25.920 --> 0:28:28.800
<v Speaker 2>exactly you know, super fond of kids was a learning

0:28:28.880 --> 0:28:34.119
<v Speaker 2>experience for him. Next we have Joey who arrives completely

0:28:34.119 --> 0:28:37.119
<v Speaker 2>covered by a huge pile of clothes and doing a

0:28:37.160 --> 0:28:41.880
<v Speaker 2>signature Dave trumpet horned sound. Oh that was good. I

0:28:41.920 --> 0:28:44.040
<v Speaker 2>was debating if I should try to recreate it, and

0:28:44.080 --> 0:28:44.960
<v Speaker 2>I was like, no, that.

0:28:44.960 --> 0:28:48.160
<v Speaker 1>Would not I have you never really even tried to

0:28:48.160 --> 0:28:50.840
<v Speaker 1>do that before, and I just went for it in

0:28:50.880 --> 0:28:52.680
<v Speaker 1>the moment. I was like, try it, what's the worst

0:28:52.720 --> 0:28:56.600
<v Speaker 1>that could happen? And nailed it. Now I'm not gonna no,

0:28:57.560 --> 0:28:58.600
<v Speaker 1>it's diminishing return.

0:28:58.720 --> 0:29:01.000
<v Speaker 2>Now it's getting weird. Okay, No, Day would be very

0:29:01.000 --> 0:29:05.800
<v Speaker 2>proud of you. Danny takes the clothes from Joey, revealing

0:29:06.080 --> 0:29:09.320
<v Speaker 2>that Joey is wearing a very loud, cartoon buttoned down

0:29:09.480 --> 0:29:14.360
<v Speaker 2>shirt and this is like, this is so Joey Gladstone,

0:29:14.480 --> 0:29:17.200
<v Speaker 2>Like you just instantly know he's just like one big kid.

0:29:17.880 --> 0:29:21.320
<v Speaker 1>It was. It was like they weren't they weren't Hawaiian

0:29:21.400 --> 0:29:26.360
<v Speaker 1>shirts necessarily. They were just loud.

0:29:26.680 --> 0:29:30.960
<v Speaker 2>They were very loud and kid like. Yeah, and you're

0:29:31.000 --> 0:29:33.160
<v Speaker 2>just like, okay, I can't take this guy seriously because

0:29:33.160 --> 0:29:36.920
<v Speaker 2>he's wearing this loud not Hawaiian, but Hawaiian.

0:29:38.800 --> 0:29:42.280
<v Speaker 1>Were those Was that a thing? I don't was? I mean,

0:29:42.360 --> 0:29:45.800
<v Speaker 1>obviously they were readily available at stores. Were people walking

0:29:45.840 --> 0:29:48.600
<v Speaker 1>around wearing these sorts of shirts?

0:29:49.840 --> 0:29:50.800
<v Speaker 2>Maybe not in public?

0:29:50.960 --> 0:29:54.080
<v Speaker 1>No, okay, okay, I just I wasn't sure. I don't

0:29:54.160 --> 0:29:57.160
<v Speaker 1>remember even what was on the shirts particularly. I tried

0:29:57.200 --> 0:29:59.040
<v Speaker 1>to look on like when as I was watching the show,

0:29:59.120 --> 0:30:01.640
<v Speaker 1>what was on there, but I didn't tell. Was it Popeye?

0:30:01.800 --> 0:30:03.760
<v Speaker 2>It's hard to tell. No, I think might make it

0:30:03.760 --> 0:30:08.120
<v Speaker 2>out either. I just could instantly not thought shirt I

0:30:08.240 --> 0:30:10.440
<v Speaker 2>got it, Sure he did. I'm sure it was in

0:30:10.520 --> 0:30:13.760
<v Speaker 2>his his pile of dirty clothes that he was carrying.

0:30:14.800 --> 0:30:17.960
<v Speaker 1>Right, and Nothing says, I've chosen the right person to

0:30:17.960 --> 0:30:21.120
<v Speaker 1>help me look after my children. Then someone who can't

0:30:21.200 --> 0:30:23.320
<v Speaker 1>do laundry and is living in an alcove us, you

0:30:23.360 --> 0:30:26.080
<v Speaker 1>know it's right.

0:30:26.200 --> 0:30:27.840
<v Speaker 2>And and Joey says, he's say.

0:30:27.800 --> 0:30:29.920
<v Speaker 1>And someone who doesn't even keep their guitar in a case,

0:30:29.960 --> 0:30:31.760
<v Speaker 1>you know what I mean? And those are not the people.

0:30:31.800 --> 0:30:34.840
<v Speaker 2>These aren't the most reliable people that Danny has chosen.

0:30:35.040 --> 0:30:37.680
<v Speaker 2>But that's that's that's the gag. That's part of the joke.

0:30:38.000 --> 0:30:38.880
<v Speaker 2>The joke has to work.

0:30:39.120 --> 0:30:40.040
<v Speaker 1>The joke has to work.

0:30:40.560 --> 0:30:42.959
<v Speaker 2>So Joey comments, Wow, you know, I'm so lucky. I'm

0:30:42.960 --> 0:30:44.680
<v Speaker 2>moving into a new place on the exact day that

0:30:44.720 --> 0:30:46.680
<v Speaker 2>I run out of clean clothes, and that's wonderful. And

0:30:46.680 --> 0:30:49.000
<v Speaker 2>then you get this great shot of Bob who quickly

0:30:49.080 --> 0:30:50.880
<v Speaker 2>drops all of the clothes on the floor and everyone

0:30:51.160 --> 0:30:54.640
<v Speaker 2>slowly backs away from the clothes. Fantastic I'm not totally

0:30:54.640 --> 0:30:57.680
<v Speaker 2>clear at this point if Jesse and Joey have moved

0:30:57.720 --> 0:31:00.440
<v Speaker 2>in as a favor to Danny or if they're there

0:31:00.480 --> 0:31:01.320
<v Speaker 2>for the free rent.

0:31:02.080 --> 0:31:06.760
<v Speaker 1>I mean, isn't sort of one shaking the hand with

0:31:06.880 --> 0:31:09.480
<v Speaker 1>the other, you know what I mean, Like, I mean, sure,

0:31:09.520 --> 0:31:12.479
<v Speaker 1>I'll do this favor for you, but I'm also like

0:31:12.640 --> 0:31:15.400
<v Speaker 1>getting free rent. So it's kind of working out for

0:31:15.480 --> 0:31:15.920
<v Speaker 1>both of us.

0:31:16.080 --> 0:31:18.160
<v Speaker 2>You got to match my back all scratch yours. Is

0:31:18.160 --> 0:31:19.320
<v Speaker 2>it one of those situations?

0:31:19.360 --> 0:31:21.160
<v Speaker 1>Yeah, I think that's I mean, it sounds you know,

0:31:21.280 --> 0:31:23.200
<v Speaker 1>and then and then then they got trapped and they

0:31:23.240 --> 0:31:28.120
<v Speaker 1>never left and they for eight years, for eight years, right, yes, right?

0:31:28.400 --> 0:31:30.000
<v Speaker 1>I mean, who'd want to move out of an alcove?

0:31:30.320 --> 0:31:34.240
<v Speaker 2>You know? The alcove? The alcove was a very attractive

0:31:34.240 --> 0:31:35.000
<v Speaker 2>option for Joey.

0:31:35.240 --> 0:31:39.640
<v Speaker 1>I had never heard, I think until I was the

0:31:39.760 --> 0:31:45.880
<v Speaker 1>word alcove until that show, until full out like as

0:31:45.880 --> 0:31:47.800
<v Speaker 1>a kid, and then I like, I just had this

0:31:48.280 --> 0:31:53.600
<v Speaker 1>idea in my head that all San Francisco homes had

0:31:54.280 --> 0:31:57.240
<v Speaker 1>what was apparently a standard feature of an alcove.

0:31:57.840 --> 0:32:01.000
<v Speaker 2>I wonder if this is a San Francisco thing. Remember

0:32:01.160 --> 0:32:03.000
<v Speaker 2>Holmes having alcoves in the eighties.

0:32:03.040 --> 0:32:05.240
<v Speaker 1>Do you remember the full House house when we actually

0:32:05.280 --> 0:32:07.400
<v Speaker 1>went in, it fit an alcove in there where you're

0:32:07.400 --> 0:32:11.800
<v Speaker 1>gonna fit an alcove the whole first four There's no

0:32:12.040 --> 0:32:18.240
<v Speaker 1>one's having alcoves in most of these San Francisco skinny houses. Yeah, anyway,

0:32:18.400 --> 0:32:20.640
<v Speaker 1>I'd never heard of an alcove. The alcove is is

0:32:20.720 --> 0:32:25.000
<v Speaker 1>Apparently it's like a little half cave in under the stairs.

0:32:25.240 --> 0:32:25.920
<v Speaker 2>Yeah, sort of.

0:32:25.960 --> 0:32:29.560
<v Speaker 1>I have an alcove in my house now, you do, Yeah,

0:32:29.680 --> 0:32:33.440
<v Speaker 1>that little under you know, the little understair like.

0:32:32.960 --> 0:32:36.440
<v Speaker 2>The yeah, yeah, yeah, but it's nice.

0:32:36.480 --> 0:32:37.720
<v Speaker 1>I don't think Joey could live there.

0:32:37.880 --> 0:32:40.920
<v Speaker 2>So Full House made alcoves popular, it did, maybe it

0:32:40.960 --> 0:32:41.240
<v Speaker 2>did it?

0:32:41.280 --> 0:32:44.080
<v Speaker 1>Really, it revitalized the alcove industry, it's all I'm saying.

0:32:44.680 --> 0:32:47.200
<v Speaker 2>So Joey moves into the large alcove in the back

0:32:47.200 --> 0:32:49.080
<v Speaker 2>of the living room and says that there is no

0:32:49.160 --> 0:32:50.720
<v Speaker 2>way all of his stuff is going to fit in

0:32:50.760 --> 0:32:53.480
<v Speaker 2>this room. Danny corrects him and says this isn't a

0:32:53.520 --> 0:32:56.400
<v Speaker 2>tiny room, it's a large alcove, and that he will

0:32:56.400 --> 0:32:58.920
<v Speaker 2>be he will be living in it for free. Suddenly

0:32:58.960 --> 0:33:02.240
<v Speaker 2>Joey says this room is enormous. Then Joey tells the

0:33:02.240 --> 0:33:03.800
<v Speaker 2>girls that they are going to have so much fun

0:33:03.840 --> 0:33:07.440
<v Speaker 2>together before doing a lot of signature Dave Coolier sound effects,

0:33:07.640 --> 0:33:09.719
<v Speaker 2>including Popeye and a laser.

0:33:10.840 --> 0:33:15.720
<v Speaker 1>DJ Haser, that's right, he was, Yeah, yeah, yeah yeah.

0:33:15.880 --> 0:33:18.560
<v Speaker 2>DJ asks Danny if he thinks is there any chance

0:33:18.720 --> 0:33:21.120
<v Speaker 2>they could still catch Grandma at the airport, which is

0:33:21.160 --> 0:33:25.000
<v Speaker 2>a great button to this entire scene, which is a

0:33:25.160 --> 0:33:29.240
<v Speaker 2>very very long scene for the cold open of the pilot,

0:33:29.320 --> 0:33:31.520
<v Speaker 2>Like this scene just goes on, well.

0:33:31.360 --> 0:33:34.320
<v Speaker 1>There was a lot. It goes on only half the

0:33:34.400 --> 0:33:38.080
<v Speaker 1>length of the opening credits though, No, it is a

0:33:38.120 --> 0:33:39.400
<v Speaker 1>it's a very long scene.

0:33:40.640 --> 0:33:42.240
<v Speaker 2>But you got a lot of things to establish.

0:33:42.400 --> 0:33:44.720
<v Speaker 1>There's a lot of exposition that needs to happen. I mean,

0:33:44.760 --> 0:33:48.240
<v Speaker 1>there's you know, you can't the nuance in a in

0:33:48.280 --> 0:33:52.560
<v Speaker 1>a thirty minute sitcom is minimal. So you've got to

0:33:52.640 --> 0:33:59.680
<v Speaker 1>explain Mom's gone, Dad needs help, Grandma leaving, kids are

0:33:59.760 --> 0:34:06.760
<v Speaker 1>unh happy, Jesse's a rock star, and Joey's an idiot,

0:34:06.800 --> 0:34:08.680
<v Speaker 1>well not an idiot, but like a just a mess,

0:34:08.719 --> 0:34:09.360
<v Speaker 1>you know what I mean.

0:34:09.280 --> 0:34:09.640
<v Speaker 2>Same thing.

0:34:09.719 --> 0:34:13.240
<v Speaker 1>So it takes it takes a fair amount of pages

0:34:13.280 --> 0:34:17.120
<v Speaker 1>to cover all of those six or seven very important topics.

0:34:17.000 --> 0:34:18.800
<v Speaker 2>And can we talk for a minute, because I'm betting

0:34:18.920 --> 0:34:20.719
<v Speaker 2>that there are hundreds of people out there that have

0:34:20.760 --> 0:34:23.120
<v Speaker 2>seen this episode or all a full house and still

0:34:23.160 --> 0:34:26.160
<v Speaker 2>don't kind of understand the relations like who these people are,

0:34:26.440 --> 0:34:27.520
<v Speaker 2>like the relationships.

0:34:27.600 --> 0:34:30.520
<v Speaker 1>So I Jesse, I don't think very often that the

0:34:30.520 --> 0:34:33.719
<v Speaker 1>writers sometimes did or you know what I mean, because

0:34:33.719 --> 0:34:36.480
<v Speaker 1>we kind of went, oh, that's right, we're actually all related.

0:34:36.719 --> 0:34:40.879
<v Speaker 2>So Jesse, uncle Jesse is your uncle. He but he's

0:34:40.920 --> 0:34:42.800
<v Speaker 2>not related to Danny Tanner.

0:34:43.000 --> 0:34:45.000
<v Speaker 1>No, he's pamel Imla's brother.

0:34:44.920 --> 0:34:47.879
<v Speaker 2>Brother, that's right, right, So he's the he's Danny's.

0:34:47.760 --> 0:34:51.319
<v Speaker 1>Brother, Danny's he's Danny's brother in law who starts off

0:34:51.360 --> 0:34:55.399
<v Speaker 1>the show not Greek with the last name of Cochrane,

0:34:56.280 --> 0:34:59.319
<v Speaker 1>which gets changed very quick, gets changed pretty quickly, and

0:34:59.320 --> 0:35:03.000
<v Speaker 1>we'll cover that. But but yeah, he starts off as

0:35:03.120 --> 0:35:10.320
<v Speaker 1>as Cochrane, then becomes Greeker, even though Steph and dj

0:35:10.560 --> 0:35:15.319
<v Speaker 1>and Michelle are look nothing like that side of the

0:35:15.360 --> 0:35:17.600
<v Speaker 1>family because we've also met, like we at some point

0:35:17.600 --> 0:35:20.240
<v Speaker 1>we meet the other Greek family and uh, yeah, apparently

0:35:20.280 --> 0:35:23.600
<v Speaker 1>Pam maybe Pam was adopted, maybe Pam was you know,

0:35:23.960 --> 0:35:26.959
<v Speaker 1>let's go with that. Let's go with that because it's yeah,

0:35:27.040 --> 0:35:28.640
<v Speaker 1>I've seen some of the parents and it's just it's

0:35:28.640 --> 0:35:32.840
<v Speaker 1>a strange. So it's an interesting match up there, you

0:35:32.920 --> 0:35:35.120
<v Speaker 1>know what I mean. Well, but anyway, but that's how

0:35:35.239 --> 0:35:37.040
<v Speaker 1>technically the family tree is drawn.

0:35:37.080 --> 0:35:40.120
<v Speaker 2>Okay, So Jesse is Danny's brother in law and Joey,

0:35:40.239 --> 0:35:43.080
<v Speaker 2>even though people commonly call him Uncle Joey, he's not,

0:35:43.239 --> 0:35:44.360
<v Speaker 2>in fact an uncle.

0:35:44.400 --> 0:35:47.240
<v Speaker 1>He is not an uncle, nor has I'm gonna debate

0:35:47.320 --> 0:35:51.799
<v Speaker 1>this fact because people always say, oh, what about Uncle Joey.

0:35:51.880 --> 0:35:54.640
<v Speaker 1>I'm like, and I'm the first to I'm like, actually,

0:35:55.640 --> 0:35:58.400
<v Speaker 1>you know made him minute, Actually he was. He's not

0:35:58.440 --> 0:36:00.720
<v Speaker 1>an uncle, and we never called him Uncle Joey.

0:36:00.920 --> 0:36:03.040
<v Speaker 2>Right, even more importantly, yes, but.

0:36:03.160 --> 0:36:08.920
<v Speaker 1>They did on fuller The younger kids, I think started

0:36:08.960 --> 0:36:12.880
<v Speaker 1>calling him uncle Joey because I remember having this, this

0:36:12.880 --> 0:36:14.600
<v Speaker 1>this discussion I think it notes and being like, but

0:36:14.640 --> 0:36:16.759
<v Speaker 1>he's not an uncle. He's not. We never called him

0:36:16.800 --> 0:36:20.000
<v Speaker 1>Uncle Joey. Maybe it's one of those, you know, sort

0:36:20.000 --> 0:36:22.480
<v Speaker 1>of by association. He's become an uncle over time. I'm

0:36:22.480 --> 0:36:25.279
<v Speaker 1>not saying he can't be. I'm not saying I am

0:36:25.360 --> 0:36:29.440
<v Speaker 1>opposed to his membership as an honorary uncle. I'm just

0:36:29.440 --> 0:36:31.680
<v Speaker 1>saying I don't think we ever called him Uncle Joey.

0:36:32.320 --> 0:36:34.600
<v Speaker 2>I agree, I agree. This is a sticky scene for

0:36:34.680 --> 0:36:35.080
<v Speaker 2>me as well.

0:36:35.080 --> 0:36:37.560
<v Speaker 1>In our rewatch if we see it happen and there's

0:36:37.560 --> 0:36:40.200
<v Speaker 1>some mention of uncle Joey. But if we get to

0:36:40.480 --> 0:36:43.520
<v Speaker 1>all one hundred and ninety two episodes and he has

0:36:43.600 --> 0:36:48.000
<v Speaker 1>not been called Uncle Joey, I'm gonna feel vindicated.

0:36:48.480 --> 0:36:51.439
<v Speaker 2>Absolutely Well. We've got a long ways to go until

0:36:51.480 --> 0:36:52.680
<v Speaker 2>we get to that moment, but I.

0:36:52.680 --> 0:36:54.520
<v Speaker 1>Look it's gonna be I'm gonna have to wait at

0:36:54.520 --> 0:36:55.080
<v Speaker 1>that moment.

0:36:56.760 --> 0:36:59.719
<v Speaker 2>Okay. So the next scene, we have finally finished the

0:36:59.719 --> 0:37:04.120
<v Speaker 2>cold open, and we are now upstairs in Uncle Jesse

0:37:04.200 --> 0:37:07.000
<v Speaker 2>What is now Uncle Jesse's room. Danny and Jesse walk

0:37:07.080 --> 0:37:12.640
<v Speaker 2>into the room. This is formerly Stephanie's room, so it is.

0:37:13.000 --> 0:37:15.760
<v Speaker 2>The room is baby blue. It is covered in pink bunnies.

0:37:15.920 --> 0:37:18.840
<v Speaker 2>There is tiny furniture and ballet slippers on the wall.

0:37:19.480 --> 0:37:22.160
<v Speaker 2>Jesse says, oh, Barbie's dream house would look great near

0:37:22.200 --> 0:37:23.080
<v Speaker 2>the window.

0:37:23.080 --> 0:37:25.040
<v Speaker 1>Right, which is in that original script. By the way,

0:37:25.080 --> 0:37:26.839
<v Speaker 1>remember we were looking at it the other day and

0:37:26.920 --> 0:37:29.200
<v Speaker 1>I said that line is in the original show.

0:37:29.400 --> 0:37:32.399
<v Speaker 2>That joke stat right through all the name changes that joke,

0:37:32.480 --> 0:37:33.680
<v Speaker 2>state that joke, state.

0:37:33.600 --> 0:37:38.719
<v Speaker 1>That joke worked. But the pig bunnies are actually a

0:37:38.840 --> 0:37:43.239
<v Speaker 1>very important story. Oh, they don't think are necessarily discussed

0:37:43.280 --> 0:37:46.320
<v Speaker 1>in this episode. I think it comes a little bit later, baby.

0:37:47.800 --> 0:37:55.640
<v Speaker 1>But the pink bunnies were apparently handcut out by Steph's mom,

0:37:55.760 --> 0:37:58.040
<v Speaker 1>by Pamela and put in her room.

0:37:58.600 --> 0:38:00.960
<v Speaker 2>Oh watch, that.

0:38:02.880 --> 0:38:04.280
<v Speaker 1>Was the story of the pink bunnies.

0:38:04.480 --> 0:38:06.200
<v Speaker 2>So that's why they left the pink bunnies.

0:38:06.239 --> 0:38:08.000
<v Speaker 1>That was why they left the pink bunnies up.

0:38:09.120 --> 0:38:12.560
<v Speaker 2>Well, Jesse's not a fan, unfortunately, he's not sentimental.

0:38:12.960 --> 0:38:15.440
<v Speaker 1>And then eventually he gives a framed one to Michelle.

0:38:15.520 --> 0:38:18.960
<v Speaker 1>They weren't even her pink bunnies. That wasn't even her room. Anyway,

0:38:19.000 --> 0:38:21.440
<v Speaker 1>we'll get there, we'll get there. I've got there, pages.

0:38:21.560 --> 0:38:24.000
<v Speaker 1>There are we resentful of that, Jodie Sweeten, are we? Okay?

0:38:24.000 --> 0:38:25.920
<v Speaker 2>You got you got notes up pages.

0:38:26.760 --> 0:38:29.359
<v Speaker 1>But that was the story of the pink bunnies, so

0:38:29.400 --> 0:38:31.319
<v Speaker 1>that was why they were there. But no, Jesse was

0:38:31.320 --> 0:38:33.960
<v Speaker 1>not exactly feeling the vibe of pink bunnies in Ballet.

0:38:34.280 --> 0:38:37.799
<v Speaker 2>He's very anti kid in this whole episode, which we'll

0:38:37.800 --> 0:38:40.319
<v Speaker 2>get to that, Okay, Jesse starts to unpack his two

0:38:40.320 --> 0:38:43.600
<v Speaker 2>things on hangers while Danny gets emotional, saying how much

0:38:43.640 --> 0:38:46.640
<v Speaker 2>he appreciates him being there. Danny tells him the girls

0:38:46.640 --> 0:38:49.520
<v Speaker 2>are so happy to have him here. Danny hugs Jesse

0:38:49.640 --> 0:38:52.600
<v Speaker 2>tightly and says God bless you, and Jesse says, you

0:38:52.640 --> 0:38:55.480
<v Speaker 2>are hugging me in a room with pink bunnies.

0:38:56.680 --> 0:39:00.520
<v Speaker 1>Which here's one of those jokes that you yeah, there's

0:39:00.560 --> 0:39:05.719
<v Speaker 1>the not so thinly veiled sort of omophobic jokes of

0:39:05.719 --> 0:39:08.080
<v Speaker 1>the eighties, But you know it's I think it's I

0:39:08.080 --> 0:39:10.960
<v Speaker 1>think it was also more that, like Jesse was just

0:39:10.960 --> 0:39:14.919
<v Speaker 1>not emotional and Danny was emotional, and that was I think,

0:39:15.040 --> 0:39:16.640
<v Speaker 1>you know, the hugging thing, right.

0:39:16.719 --> 0:39:18.759
<v Speaker 2>This joke bumped me too. I'm like, oh, yeah, that's

0:39:18.760 --> 0:39:21.879
<v Speaker 2>not like men being uncomfortable with hugging other men. That's

0:39:21.920 --> 0:39:24.759
<v Speaker 2>not funny anymore. So this this joke didn't hold up.

0:39:25.160 --> 0:39:27.480
<v Speaker 1>I mean it was, yeah, it was. I really I

0:39:27.560 --> 0:39:29.960
<v Speaker 1>feel like Jesse, he's got a lot, he's got some

0:39:30.120 --> 0:39:33.160
<v Speaker 1>emotional growing to do, some work, you know, like to

0:39:33.160 --> 0:39:35.799
<v Speaker 1>see him really discuss some of these feelings about why

0:39:35.840 --> 0:39:39.160
<v Speaker 1>he's so you know, averse to being hugged in a

0:39:39.200 --> 0:39:40.120
<v Speaker 1>room with big bunnies.

0:39:40.239 --> 0:39:43.439
<v Speaker 2>He's a tough guy. He's very much into proving how

0:39:43.520 --> 0:39:44.920
<v Speaker 2>tough of a guy.

0:39:45.120 --> 0:39:48.040
<v Speaker 1>That he is, right with his three shirts. Right.

0:39:49.160 --> 0:39:51.800
<v Speaker 2>So Danny breaks away from the hug and says, you know, sorry,

0:39:51.840 --> 0:39:55.840
<v Speaker 2>I am just a lean, mean hugging machine. Now I

0:39:55.840 --> 0:39:58.000
<v Speaker 2>want to talk about this hugging bit for a bit

0:39:58.080 --> 0:40:04.040
<v Speaker 2>because it wasn't this originally written because there, okay, Bob said,

0:40:04.120 --> 0:40:06.440
<v Speaker 2>it wasn't the original Danny Tanner either.

0:40:07.000 --> 0:40:09.680
<v Speaker 1>No, no, he was not the original Danny Tanner. John

0:40:09.760 --> 0:40:12.480
<v Speaker 1>Posey was the original Danny Tanner, and we shot a

0:40:12.520 --> 0:40:16.759
<v Speaker 1>pilot episode with John Posey, which I think people can

0:40:17.080 --> 0:40:20.040
<v Speaker 1>it's out there somewhere on you know, YouTube or whatever,

0:40:20.960 --> 0:40:22.200
<v Speaker 1>and it's I think it's in like some of the

0:40:22.239 --> 0:40:25.720
<v Speaker 1>extended DVD cuts. But yeah, Bob was not the original

0:40:25.760 --> 0:40:29.560
<v Speaker 1>Danny Tanner. It was John Posey. Bob was doing another show,

0:40:30.080 --> 0:40:33.200
<v Speaker 1>and then through again a series of things that happened

0:40:33.239 --> 0:40:37.319
<v Speaker 1>and unfolded, and Bob got fired or not fired, but

0:40:37.960 --> 0:40:40.080
<v Speaker 1>was no longer on the morning show that he was doing,

0:40:40.120 --> 0:40:42.960
<v Speaker 1>so his schedule opened up. But the only reason that

0:40:43.239 --> 0:40:45.919
<v Speaker 1>they knew about it was because Dave and Bob had

0:40:45.960 --> 0:40:48.439
<v Speaker 1>like lived together when they were young and they had

0:40:48.520 --> 0:40:52.479
<v Speaker 1>were still friends, and so when Dave heard that Bob

0:40:52.560 --> 0:40:54.319
<v Speaker 1>was available, he told Jeff or something like it was

0:40:54.360 --> 0:40:58.239
<v Speaker 1>some sort of like random again happening of how we

0:40:58.280 --> 0:40:59.759
<v Speaker 1>all wound up in the right place at the right

0:40:59.760 --> 0:41:02.480
<v Speaker 1>time and we actually went and reshot the pilot with Bob.

0:41:02.480 --> 0:41:03.880
<v Speaker 2>Oh wow, wow.

0:41:04.000 --> 0:41:04.320
<v Speaker 1>Yeah.

0:41:04.360 --> 0:41:07.120
<v Speaker 2>Do you remember shooting scenes with John Posey?

0:41:08.360 --> 0:41:11.360
<v Speaker 1>I remember, like the first scene, I think, just because

0:41:11.360 --> 0:41:15.000
<v Speaker 1>that first scene was so memorable and iconic for me

0:41:15.239 --> 0:41:17.960
<v Speaker 1>as like a kid and an actor, and you know,

0:41:18.760 --> 0:41:24.000
<v Speaker 1>I remember shooting it with John Posey, But yeah, I don't.

0:41:24.080 --> 0:41:26.320
<v Speaker 1>I mean, I he was just there for one episode.

0:41:26.400 --> 0:41:29.080
<v Speaker 1>Lovely man, very sweet, very It wasn't ever like a

0:41:29.200 --> 0:41:32.399
<v Speaker 1>you know, personality thing. It just right. He Bob, I think,

0:41:32.520 --> 0:41:34.480
<v Speaker 1>was who Jeff had always wanted, and it just was

0:41:34.520 --> 0:41:37.080
<v Speaker 1>a scheduling thing. And then when it kind of resolved itself,

0:41:37.160 --> 0:41:41.320
<v Speaker 1>it Bob Bob came in and he was Danny Tanner

0:41:41.680 --> 0:41:43.200
<v Speaker 1>with his wonderful hugs.

0:41:43.400 --> 0:41:44.880
<v Speaker 2>So I feel like this joke is kind of a

0:41:44.920 --> 0:41:48.200
<v Speaker 2>holdover from when Posey was in the pilot, because Posey

0:41:48.320 --> 0:41:51.000
<v Speaker 2>was more of like a Teddy Bear build, like he

0:41:51.120 --> 0:41:55.759
<v Speaker 2>was like a huggable, shorter huggable guy, and you know

0:41:55.800 --> 0:41:57.680
<v Speaker 2>he wasn't this tall long.

0:41:57.520 --> 0:42:00.800
<v Speaker 1>Green saying only short people are huggble in? Are you

0:42:01.360 --> 0:42:03.120
<v Speaker 1>just saying I have a lot of emails about that.

0:42:03.520 --> 0:42:06.320
<v Speaker 2>I feel like this it's a person If hugging is

0:42:06.360 --> 0:42:08.600
<v Speaker 2>going to be a personality trait, you know, you have

0:42:08.640 --> 0:42:11.320
<v Speaker 2>to look huggable. And I feel like maybe John Posey

0:42:11.360 --> 0:42:13.200
<v Speaker 2>looked more huggable and that's why that was written in

0:42:13.239 --> 0:42:16.240
<v Speaker 2>and it just carried over when Bob became.

0:42:17.360 --> 0:42:20.080
<v Speaker 1>I don't don't. I think that's just your own. I mean,

0:42:20.120 --> 0:42:22.479
<v Speaker 1>you can, you can build that story out if you'd

0:42:22.560 --> 0:42:25.680
<v Speaker 1>like the story that John looked more huggled. So basically

0:42:25.680 --> 0:42:27.680
<v Speaker 1>the story is John was more huggable. That's what you've

0:42:27.719 --> 0:42:29.839
<v Speaker 1>told yourself. That's what I told was more.

0:42:29.760 --> 0:42:33.719
<v Speaker 2>Hug origin of the hugging, hugging personality, you know what.

0:42:33.760 --> 0:42:37.120
<v Speaker 1>I I don't know the actual origin because I am

0:42:37.160 --> 0:42:39.880
<v Speaker 1>not Jeff Franklin, so he he would know that. But

0:42:39.920 --> 0:42:42.320
<v Speaker 1>I think it was. I mean, I remember John Posey

0:42:42.320 --> 0:42:45.080
<v Speaker 1>being that. I seem to remember it being just that

0:42:45.080 --> 0:42:49.920
<v Speaker 1>that was kind of the juxtaposition between like Jesse and

0:42:50.520 --> 0:42:53.640
<v Speaker 1>Joey and Danny, was that Danny was the emotional hugger

0:42:53.880 --> 0:42:57.440
<v Speaker 1>family guy. Jesse was the like rock and roll bro,

0:42:57.800 --> 0:42:59.440
<v Speaker 1>and then you know, Joey was just kind of this

0:42:59.520 --> 0:43:02.200
<v Speaker 1>looney on most childlike person himself. So I think it

0:43:02.280 --> 0:43:05.080
<v Speaker 1>was that was part of who Danny Tanner was. But

0:43:05.120 --> 0:43:07.520
<v Speaker 1>if you want to make it that, you know, uh,

0:43:07.600 --> 0:43:09.560
<v Speaker 1>John Posey was more huggable. I mean, we can tell

0:43:09.560 --> 0:43:10.480
<v Speaker 1>that story too if you'd like.

0:43:10.680 --> 0:43:14.360
<v Speaker 2>Well, everybody, so everyone email us and give us your opinions, Like,

0:43:14.440 --> 0:43:17.360
<v Speaker 2>tell us what you think was Bob Sagga he was

0:43:17.400 --> 0:43:19.880
<v Speaker 2>a very huggable guy. But I'm you know, he was

0:43:19.960 --> 0:43:20.319
<v Speaker 2>very told.

0:43:21.160 --> 0:43:23.040
<v Speaker 1>I think it was just part of the character. But

0:43:23.160 --> 0:43:25.560
<v Speaker 1>we can you know, again, we could choose your own adventure.

0:43:25.560 --> 0:43:26.879
<v Speaker 1>We can create whatever we want.

0:43:27.160 --> 0:43:29.399
<v Speaker 2>And when Jeff Franklin is on the show, we will

0:43:29.440 --> 0:43:31.640
<v Speaker 2>actually ask him this question. And that was all of

0:43:31.640 --> 0:43:32.160
<v Speaker 2>these rumors.

0:43:32.200 --> 0:43:36.160
<v Speaker 1>John Posey more huggable than Bob. Is that on the record.

0:43:36.239 --> 0:43:38.040
<v Speaker 1>That's the debate, right, that's the question.

0:43:40.000 --> 0:43:43.200
<v Speaker 2>So finally we see Jesse get more emotional. He says,

0:43:43.320 --> 0:43:45.960
<v Speaker 2>you know, Pam was my big sister. He loved her

0:43:46.080 --> 0:43:48.800
<v Speaker 2>very much, and he loved he loves the kids. He

0:43:48.920 --> 0:43:51.879
<v Speaker 2>is happy to do whatever Danny needs him to do,

0:43:52.000 --> 0:43:53.160
<v Speaker 2>which is a great moment.

0:43:53.640 --> 0:43:56.279
<v Speaker 1>Was this I thought I wrote it down. No, it

0:43:56.400 --> 0:43:59.560
<v Speaker 1>was at the end where we hear the first strings

0:43:59.560 --> 0:43:59.799
<v Speaker 1>of the.

0:43:59.760 --> 0:44:03.040
<v Speaker 2>Viol Oh that comes later. I don't think they were.

0:44:03.000 --> 0:44:05.359
<v Speaker 1>Vital they were, no, but it was definitely a more

0:44:05.440 --> 0:44:08.720
<v Speaker 1>quiet moment. But I but this this the first strings

0:44:08.719 --> 0:44:11.800
<v Speaker 1>of the violin are played at the end of this episode.

0:44:11.880 --> 0:44:13.080
<v Speaker 2>Oh, yes, I can't wait for that.

0:44:13.200 --> 0:44:13.680
<v Speaker 1>I can't wait.

0:44:15.160 --> 0:44:18.120
<v Speaker 2>So Danny once again gets emotional and hugs him again,

0:44:18.520 --> 0:44:22.160
<v Speaker 2>and Jesse says he's gonna need to regulate this hugging.

0:44:22.200 --> 0:44:26.000
<v Speaker 2>So again this joke, Yeah, this, These jokes were supposed

0:44:26.040 --> 0:44:26.919
<v Speaker 2>to be funny at the time.

0:44:26.960 --> 0:44:29.160
<v Speaker 1>You're supposed to be funny at the time. Now it's

0:44:29.239 --> 0:44:32.240
<v Speaker 1>not funny. But I'm also I'll try and give benefit

0:44:32.239 --> 0:44:34.640
<v Speaker 1>of the doubt here. Celia, my best friend does not

0:44:34.760 --> 0:44:37.200
<v Speaker 1>like to be hugged. Oh okay, and a room of

0:44:37.239 --> 0:44:39.680
<v Speaker 1>pink bunnies or otherwise she's just not a big hugger.

0:44:39.719 --> 0:44:40.640
<v Speaker 2>So I respect that.

0:44:40.760 --> 0:44:44.799
<v Speaker 1>Maybe maybe Jesse, it's not so much the it's you

0:44:44.800 --> 0:44:49.000
<v Speaker 1>know that, not that he's problematic in that regard, but that,

0:44:49.200 --> 0:44:52.279
<v Speaker 1>you know, maybe he just is not. Maybe he's just

0:44:52.320 --> 0:44:54.880
<v Speaker 1>a little he's a little overstimulated, doesn't really want to

0:44:54.880 --> 0:44:55.920
<v Speaker 1>be hugged at that moment.

0:44:56.239 --> 0:44:58.799
<v Speaker 2>I fully respect that's probably it was probably.

0:44:58.520 --> 0:45:00.000
<v Speaker 1>I'm gonna I'm gonna go with that, but that's probab

0:45:00.000 --> 0:45:03.759
<v Speaker 1>probably not true. It was definitely veiled inappropriate sort of

0:45:04.520 --> 0:45:05.400
<v Speaker 1>jokes in the eighties.

0:45:05.400 --> 0:45:09.160
<v Speaker 2>But we're coming to respect each other's boundaries and wishes,

0:45:09.320 --> 0:45:12.680
<v Speaker 2>you know. Yeah, yeah, yeah, awesome. Okay, next scene, we

0:45:12.840 --> 0:45:16.680
<v Speaker 2>are finally in DJ and Stephanie's room, which is such

0:45:16.760 --> 0:45:21.480
<v Speaker 2>a cool room. There is like bangles posters on the wall.

0:45:22.040 --> 0:45:24.839
<v Speaker 2>There is a giants pendant, so you know exactly where

0:45:24.840 --> 0:45:27.279
<v Speaker 2>you are. We're in San Francisco. I just thought this

0:45:27.400 --> 0:45:28.600
<v Speaker 2>was the coolest room.

0:45:29.480 --> 0:45:35.560
<v Speaker 1>The red DJ's red metal bed bed, like the geometric

0:45:36.480 --> 0:45:38.080
<v Speaker 1>wallpaper and.

0:45:38.000 --> 0:45:40.120
<v Speaker 2>The matching bed spread and pillows.

0:45:40.239 --> 0:45:44.440
<v Speaker 1>They were fantastic with her pillow. Person. Oh yeah, first

0:45:44.440 --> 0:45:46.759
<v Speaker 1>time we see the person, we see the pier and

0:45:46.880 --> 0:45:51.240
<v Speaker 1>I have to say, I'm holding like a stuffed dog,

0:45:52.800 --> 0:45:55.560
<v Speaker 1>a stuffed Golden Retriever by the way, but a stuffed dog.

0:45:55.600 --> 0:45:59.880
<v Speaker 1>In the scene, mister Bear is nowhere to be found.

0:46:00.120 --> 0:46:03.480
<v Speaker 2>No, this this is pre mister Bear.

0:46:03.120 --> 0:46:05.560
<v Speaker 1>Speaking of this is that's the original mister bear sitting

0:46:05.600 --> 0:46:09.640
<v Speaker 1>right here behind me. That is in the background of

0:46:09.640 --> 0:46:12.879
<v Speaker 1>my shot. But that's the original mister bear. But yeah,

0:46:12.880 --> 0:46:15.040
<v Speaker 1>he was not in the pilot. I was a little

0:46:16.080 --> 0:46:16.920
<v Speaker 1>I was shocked.

0:46:17.000 --> 0:46:19.480
<v Speaker 2>Actually, So do you think the little the little dog

0:46:19.520 --> 0:46:21.440
<v Speaker 2>you were carrying was supposed to be like a little

0:46:21.600 --> 0:46:24.480
<v Speaker 2>a little I think a comet.

0:46:24.520 --> 0:46:26.680
<v Speaker 1>We didn't have comment yet. Oh, you didn't have comment yet.

0:46:26.719 --> 0:46:29.799
<v Speaker 1>Have we have comment yet? This is foreshadowing. Its foreshadowing

0:46:29.920 --> 0:46:31.719
<v Speaker 1>for sure. Yeah.

0:46:31.800 --> 0:46:34.480
<v Speaker 2>So DJ starts to lay down some roommate ground rules

0:46:34.480 --> 0:46:37.160
<v Speaker 2>while pulling a streamer down the middle of the room

0:46:37.239 --> 0:46:39.879
<v Speaker 2>to divide it in half. Rule number one, don't touch

0:46:39.920 --> 0:46:42.799
<v Speaker 2>my stuff. Rule number two, don't set foot on my

0:46:42.920 --> 0:46:44.799
<v Speaker 2>side of the room. And since the door of the

0:46:44.840 --> 0:46:47.439
<v Speaker 2>room is on DJ side, Stephanie wants to know how

0:46:47.480 --> 0:46:50.960
<v Speaker 2>she'll ever get out, and DJ says it's easy, jump

0:46:51.000 --> 0:46:53.919
<v Speaker 2>out the window and climb down the tree. Stephanie doesn't

0:46:53.920 --> 0:46:55.680
<v Speaker 2>want to do that, so she says she will find

0:46:55.760 --> 0:46:59.200
<v Speaker 2>another way out, and then starts to climb on the curtains.

0:46:59.760 --> 0:47:03.239
<v Speaker 1>Oh and here where we run into one of the

0:47:03.239 --> 0:47:06.320
<v Speaker 1>first things that you can no longer do with television

0:47:06.400 --> 0:47:10.120
<v Speaker 1>or with children on television, which is suspend them more

0:47:10.120 --> 0:47:13.240
<v Speaker 1>than six inches off the ground in a stunt harness.

0:47:13.680 --> 0:47:15.600
<v Speaker 2>But this is one of the most iconic moments in

0:47:15.640 --> 0:47:18.600
<v Speaker 2>the entire episode. And I am so excited to hear, Okay,

0:47:18.600 --> 0:47:20.879
<v Speaker 2>exactly how you did this stunt? Like it doesn't look

0:47:20.920 --> 0:47:23.960
<v Speaker 2>exactly natural, I would say, but tell me how they

0:47:23.960 --> 0:47:24.359
<v Speaker 2>did this.

0:47:24.880 --> 0:47:30.200
<v Speaker 1>So it was there basically was like a it was

0:47:30.239 --> 0:47:33.520
<v Speaker 1>sort of like a rock climbing harness, right, okay, with

0:47:33.680 --> 0:47:37.680
<v Speaker 1>wires attached to either side. So it was almost like

0:47:37.719 --> 0:47:42.920
<v Speaker 1>a really uncomfortable looking bathing suit bottom that was like

0:47:43.560 --> 0:47:47.279
<v Speaker 1>you know those those swings at the park for babes. Yes,

0:47:47.520 --> 0:47:50.160
<v Speaker 1>that are like the plastic hard things, and you stick

0:47:50.200 --> 0:47:57.880
<v Speaker 1>their legs in wearing that under your clothes. It's so comfortable,

0:47:58.360 --> 0:48:03.920
<v Speaker 1>doesn't pinch, you know, not at all restricting anyway. So

0:48:04.080 --> 0:48:07.840
<v Speaker 1>and of course they don't exactly make these like for

0:48:08.040 --> 0:48:10.919
<v Speaker 1>kid sizes, you know what I mean, They're not there's

0:48:10.920 --> 0:48:12.680
<v Speaker 1>so they have to kind of adjust it and do

0:48:12.719 --> 0:48:15.600
<v Speaker 1>it as a whole like fittings with meetings with the

0:48:15.640 --> 0:48:18.640
<v Speaker 1>stunt people and all this stuff. And you know, this

0:48:18.719 --> 0:48:21.759
<v Speaker 1>was my first like big I mean, I'd done one

0:48:21.800 --> 0:48:23.719
<v Speaker 1>episode of television before, so I was like, I didn't

0:48:23.760 --> 0:48:25.360
<v Speaker 1>know I need this worked, So I was like okay,

0:48:25.960 --> 0:48:29.320
<v Speaker 1>and I loved it. I was always up for. Yeah,

0:48:29.400 --> 0:48:31.080
<v Speaker 1>I was a kid that was always up for like

0:48:31.120 --> 0:48:34.759
<v Speaker 1>some silly, crazy adventure. I will say though, it was

0:48:34.800 --> 0:48:38.360
<v Speaker 1>a little uncomfortable, definitely pinched certain places when you're hanging

0:48:38.440 --> 0:48:42.880
<v Speaker 1>in the thing and being supported. And one thing that

0:48:42.920 --> 0:48:50.360
<v Speaker 1>you see as I'm so believably crawling across the curtains

0:48:50.400 --> 0:48:55.480
<v Speaker 1>hand overhand is that the curtains are just slapping me

0:48:55.520 --> 0:48:58.600
<v Speaker 1>in the face right like they're just I can't see.

0:48:58.640 --> 0:49:01.520
<v Speaker 1>I'm like, if you look at my face in the thing,

0:49:02.120 --> 0:49:06.880
<v Speaker 1>it's hilarious because obviously I'm like, I'm my eyes are closed,

0:49:06.920 --> 0:49:09.040
<v Speaker 1>you know what I mean. I'm like, how this child

0:49:09.120 --> 0:49:11.680
<v Speaker 1>is climbing across the curtains with her eyes closed and

0:49:11.719 --> 0:49:14.440
<v Speaker 1>curtains smacking her in the face. And it was dusty

0:49:14.520 --> 0:49:16.239
<v Speaker 1>because everything's dusty on a set.

0:49:16.320 --> 0:49:17.240
<v Speaker 2>Everything is dusty.

0:49:17.480 --> 0:49:20.680
<v Speaker 1>Yeah, and then yeah, and then so I got to

0:49:20.800 --> 0:49:23.760
<v Speaker 1>ride it all the way over and then DJ pulls

0:49:23.840 --> 0:49:25.719
<v Speaker 1>the curtains and I got to like ride it all

0:49:25.719 --> 0:49:28.439
<v Speaker 1>the way back, thus also getting slapped in the face

0:49:28.480 --> 0:49:34.560
<v Speaker 1>the reverse direction with said curtains, but making for really

0:49:34.760 --> 0:49:38.600
<v Speaker 1>really funny and iconic joke, and I mean the best

0:49:38.719 --> 0:49:40.759
<v Speaker 1>joke of the whole thing was they walk in. You know,

0:49:40.840 --> 0:49:44.959
<v Speaker 1>Danny says, Steph, what are you doing? Oh? Just hanging around?

0:49:45.280 --> 0:49:49.359
<v Speaker 2>Yes, that's one of my favorite lines in those whole episode.

0:49:49.640 --> 0:49:53.399
<v Speaker 2>So that your delivery was so perfect on that line

0:49:53.440 --> 0:49:56.120
<v Speaker 2>and so cute and just one of my favorite moments

0:49:56.160 --> 0:49:56.399
<v Speaker 2>in the.

0:49:56.360 --> 0:50:00.600
<v Speaker 1>Whole Well, we start soon seeing that that Steph is

0:50:00.600 --> 0:50:02.920
<v Speaker 1>a little bit of a kind of a snarky smartass,

0:50:03.719 --> 0:50:06.919
<v Speaker 1>which I love. But yeah, the curtains scene is it

0:50:06.960 --> 0:50:12.880
<v Speaker 1>is I vividly, I vividly remember that, you know, I mean,

0:50:12.960 --> 0:50:16.320
<v Speaker 1>how often do you get hung from curtains as a child.

0:50:17.520 --> 0:50:20.319
<v Speaker 2>Okay, so Danny gets Stephanie down and Joey comes in,

0:50:20.360 --> 0:50:22.240
<v Speaker 2>singing and acting like he's going to do the limbo

0:50:22.360 --> 0:50:23.720
<v Speaker 2>dance under the room divider.

0:50:23.880 --> 0:50:26.360
<v Speaker 1>It's too low and he can't do it. Do you

0:50:26.360 --> 0:50:29.960
<v Speaker 1>remember Dave used to like just make that noise and

0:50:30.000 --> 0:50:31.120
<v Speaker 1>sing that weird song all the time.

0:50:31.640 --> 0:50:33.960
<v Speaker 2>That jogged a memory for me. Yes, it means you

0:50:34.000 --> 0:50:36.279
<v Speaker 2>it was a Dave creation. I'm sure it was.

0:50:36.280 --> 0:50:37.839
<v Speaker 1>Just like a weird It was again one of those

0:50:37.880 --> 0:50:40.640
<v Speaker 1>Andrea Barber It was just like you he'd walk in

0:50:40.680 --> 0:50:44.719
<v Speaker 1>the room just like shimmying his shoulders just like that,

0:50:45.760 --> 0:50:47.120
<v Speaker 1>and then you were like, Okay, now we're done.

0:50:47.280 --> 0:50:49.239
<v Speaker 2>Yeah, that was not just a weird Gladstone. That was

0:50:49.320 --> 0:50:49.839
<v Speaker 2>Dave being.

0:50:51.000 --> 0:50:51.959
<v Speaker 1>That was Dave. Yep.

0:50:53.000 --> 0:50:55.880
<v Speaker 2>DJ says sharing a room with Stephanie is already a nightmare,

0:50:55.920 --> 0:50:58.640
<v Speaker 2>and Danny tells her that everything is going to work

0:50:58.640 --> 0:51:01.400
<v Speaker 2>out super great. Danny has to leave to go to

0:51:01.440 --> 0:51:03.520
<v Speaker 2>work at the station where he's doing a two part

0:51:03.640 --> 0:51:08.520
<v Speaker 2>sports report on boxers, highly skilled athletes or bullies in Shorts.

0:51:08.600 --> 0:51:10.759
<v Speaker 2>This is the first time we learned that Danny is

0:51:10.800 --> 0:51:15.120
<v Speaker 2>a sports TV reporter, which in the original early pilot

0:51:15.160 --> 0:51:18.400
<v Speaker 2>script I have he was a weatherman, so that changed.

0:51:19.560 --> 0:51:22.600
<v Speaker 2>Stephanie asked for a piggyback ride and Danny picks her up,

0:51:23.120 --> 0:51:25.080
<v Speaker 2>and he tells Jesse and Joey that the baby's schedule

0:51:25.120 --> 0:51:27.040
<v Speaker 2>is on the fridge and he wants to make sure

0:51:27.080 --> 0:51:29.279
<v Speaker 2>can the guys handle this. The guy's answer that they

0:51:29.440 --> 0:51:32.239
<v Speaker 2>definitely got this, and Danny starts to leave. Stephanie looks

0:51:32.239 --> 0:51:33.759
<v Speaker 2>back at DJ and says.

0:51:34.480 --> 0:51:37.000
<v Speaker 1>I told you I'd find a way out, and DJ

0:51:37.200 --> 0:51:41.799
<v Speaker 1>looks miserable. Yep. Speaking of DJ's suggestion of climbing out

0:51:41.800 --> 0:51:45.520
<v Speaker 1>the window. There's an extra window in that set, or

0:51:45.560 --> 0:51:47.400
<v Speaker 1>maybe I'm just remembering the Fuller one, but there is

0:51:47.440 --> 0:51:51.080
<v Speaker 1>a window next to Steph's bed, and I think at

0:51:51.120 --> 0:51:55.239
<v Speaker 1>some point that went away. Oh and it was just

0:51:55.360 --> 0:52:01.480
<v Speaker 1>the window seat, but fuller house. I thought I could

0:52:01.520 --> 0:52:03.520
<v Speaker 1>be again, I could be wrong. I'm gonna keep watching

0:52:03.960 --> 0:52:06.040
<v Speaker 1>the set because I think we did at some we

0:52:06.120 --> 0:52:08.240
<v Speaker 1>moved sets, and I think changed a couple little things.

0:52:08.280 --> 0:52:11.120
<v Speaker 2>But well, we already know the backyard is a shape

0:52:11.120 --> 0:52:14.399
<v Speaker 2>shifting set, so maybe the bedroom was also somewhat shape

0:52:14.400 --> 0:52:15.080
<v Speaker 2>shifting as well.

0:52:15.200 --> 0:52:17.200
<v Speaker 1>It was all they were. All the entire house was

0:52:17.239 --> 0:52:19.640
<v Speaker 1>shape shifting. It was a Harry Potter spell for sure,

0:52:19.920 --> 0:52:21.240
<v Speaker 1>to fit everyone in that house.

0:52:21.719 --> 0:52:24.360
<v Speaker 2>It was an optical illusion. Yes, yes, Well, you know

0:52:24.400 --> 0:52:27.200
<v Speaker 2>that the pilot is such a major iconic episode that

0:52:27.200 --> 0:52:30.400
<v Speaker 2>we're gonna have to split this into two different recaps.

0:52:30.480 --> 0:52:33.720
<v Speaker 2>So let's wrap up this part one of the pilot

0:52:34.120 --> 0:52:35.879
<v Speaker 2>and make sure that you tune in next time, where

0:52:35.920 --> 0:52:38.560
<v Speaker 2>we will discuss the second half of the pilot on

0:52:38.840 --> 0:52:41.200
<v Speaker 2>how Rude Tanner Ritos and don't forget to follow us

0:52:41.200 --> 0:52:44.240
<v Speaker 2>and dm us on Instagram at how Rude Podcast.