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Speaker 1: High, Joey sweet High and Andria Barber. Uh that we

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Speaker 1: used to do that all We would just walk by

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Speaker 1: each other on set from Full House, Fuller House, just

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Speaker 1: the every time I would see you, I just walked

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Speaker 1: be like Andrea Barber.

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Speaker 2: I don't know why last Sunday, Yeah, joe ybody, Sweeten yep.

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Speaker 2: Why didn't we start doing that?

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Speaker 1: Why did we start doing any of this? You know,

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Speaker 1: I have no idea. It just because it's one of

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Speaker 1: those things like you pass each other so often, I

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Speaker 1: think in dressing room hallways. I always feel it was

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Speaker 1: always like awkward to not like acknowledge somebody. So I

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Speaker 1: would just say their name at them in some sort

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Speaker 1: of strange, random fashion. I don't know. It felt appropriate,

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Speaker 1: and it felt appropriate and normal right, which should have

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Speaker 1: been the first morning now yea. But yeah, and Ria Barber,

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Speaker 1: I'm so glad to be here with you today. Me too,

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Speaker 1: Me too. You know what I was thinking about because

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Speaker 1: we were talking last week about going up to the

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Speaker 1: full House house when we were out in front of

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Speaker 1: the house.

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Speaker 2: And the house, the house, the house, the the.

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Speaker 1: House, the house that no longer looks like the house

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Speaker 1: because they don't want people knowing it's the house. But

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Speaker 1: the owner came out when we were out there dancing

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Speaker 1: like fools in front of the house, and we tried

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Speaker 1: to play it off really cool. I don't think I

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Speaker 1: don't think we did. I don't think the.

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Speaker 2: Owner really appreciated that.

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Speaker 1: But that's okay. Look, we were bringing joy and happiness

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Speaker 1: to the sidewalk area in front of the house. Speaking

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Speaker 1: of bringing joy and happiness, it's amazing how many people

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Speaker 1: do stop by that house. And again, really sorry, owners,

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Speaker 1: we didn't do it. We apologize, We apologize, but there.

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Speaker 2: Were people there even like they weren't there for us,

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Speaker 2: but right, but just as a general sorry that you

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Speaker 2: have to live in a in a you know, a

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Speaker 2: tourist attraction.

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Speaker 1: But there were people that came by to like take

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Speaker 1: pictures of the house. Right, So of course you and

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Speaker 1: I are standing in front of the house and are

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Speaker 1: dressed in our dressing kind of nineties grunge outfit which

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Speaker 1: looked fabulous by the way, those outfits, yeah, I love

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Speaker 1: those outfits. Thank you, Taylor are rear stylists for pulling

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Speaker 1: that off. Anyway, there was a family of three girls

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Speaker 1: and an older brother who ran across the street to

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Speaker 1: the point they ran and I was like, oh my god,

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Speaker 1: a car, like I'm this kid just took off running

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Speaker 1: towards us right, and three little blonde girls and their

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Speaker 1: older brother and mom who were losing their minds. Apparently

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Speaker 1: they dressed one of them dressed up as Steph for Halloween.

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Speaker 1: I think they did. The three. I think they were

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Speaker 1: a DJ, Stephan and Michelle. They were the three Tanner sisters.

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Speaker 1: They were so excited. They were there on vacation. They

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Speaker 1: just stopped by to see the full House house and like,

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Speaker 1: oh my god.

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Speaker 2: Saint Louis Missouri or st Yeah, they're from Missouri.

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Speaker 1: And then we were getting ready to leave and another

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Speaker 1: family of three came up and I started to say

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Speaker 1: something to them, and the dad turns and he says,

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Speaker 1: we're from Germany. We don't speak English. That was a

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Speaker 1: terrible German accent. I'm so sorry. I just wanted to

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Speaker 1: let people know that he did not, in fact spake English.

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Speaker 1: And they were from Germany coming to take a picture

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Speaker 1: in front of the full House house and saw us

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Speaker 1: and were like losing their mind.

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Speaker 2: I wonder what they were thinking, Like I can't even

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Speaker 2: put myself in their shoes of how trippy. That must

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Speaker 2: have been to see the actual characters.

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Speaker 1: I actually thought that was when I was up on

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Speaker 1: the road trip with the girls and my friend Brooke,

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Speaker 1: who you know. We were up there touring around and

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Speaker 1: he was like, we have to go buy the full

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Speaker 1: house house. I was like, all right, let's do it.

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Speaker 1: So we drove by because I wanted to get a

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Speaker 1: picture of the kids and I in front of it.

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Speaker 1: And we're standing there getting a picture, and of course

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Speaker 1: people pull over and they're going to get a picture

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Speaker 1: of the house. No idea. So I offer to take

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Speaker 1: these people's pictures. I was like, hey, you want me

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Speaker 1: to take the picture and they were like yeah, yeah, yeah.

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Speaker 1: I was like okay, so I take the picture and

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Speaker 1: I put my glasses up and I hand the phone

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Speaker 1: back to him and they were like, oh, like it

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Speaker 1: was such a great moment, and they were like, will

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Speaker 1: you get a picture with us? I was like yeah, absolutely.

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Speaker 1: It was just it's so much fun to like, I mean,

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Speaker 1: could you imagine showing up to a place for your

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Speaker 1: favorite show and like randomly some of the cast is there.

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Speaker 2: So trippy.

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Speaker 1: So it was like when we drove around in the

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Speaker 1: car when we were shooting some of the promos for

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Speaker 1: Fuller House, and we were all dressed up in our

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Speaker 1: eighties gear. Oh yeah, John, that was about you and

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Speaker 1: years ago.

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Speaker 2: Yeah, we were up there shooting for the thirtieth anniversary

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Speaker 2: of the premiere of Full House. And Jeff Franklin, the

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Speaker 2: creator of an executive producer of a full House. He

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Speaker 2: owned the house at that time. He had actually bought

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Speaker 2: it and was trying to renovate it. Yeah.

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Speaker 1: I think he wanted to turn it into a B

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Speaker 1: and B or an Airbnb.

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Speaker 2: I think so, or just I felt, Okay, here's the

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Speaker 2: story I remember is that he wanted to make it

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Speaker 2: look as much like the Tanner House inside, right, which

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Speaker 2: was which is totally because.

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Speaker 1: Physics and that house couldn't. Let me tell you, we've

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Speaker 1: been inside that house. It's so small, you guys, It's

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Speaker 1: so small you couldn't. You would have trouble just getting

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Speaker 1: Danny and the three girls in there and not being miserable,

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Speaker 1: but like adding the Cassopolies and the Gladstones and the

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Speaker 1: and the babies and this way. Oh my, there it

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Speaker 1: was that house would have been if it actually existed,

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Speaker 1: really really really packed tight.

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Speaker 2: Oh yeah, for sure. It's yeah, small rooms. Real estate

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Speaker 2: is very expensive in San Francisco. It is it rooms

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Speaker 2: reflect that.

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Speaker 1: But not the backyard of full house, because that thing

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Speaker 1: changed every single episode. Well, we'll discuss that for sure.

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Speaker 1: Can we get to that? Speaking of episodes, shall we uh?

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Speaker 1: Shall we dive in? Let's do it, Let's do this.

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Speaker 2: Welcome back to How Rude Tannertos. I am one of

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Speaker 2: your hosts, Andrea Barber.

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Speaker 1: And I am one of your other hosts, the only

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Speaker 1: other host, Jody Sweeten.

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Speaker 2: Today we are discussing the pilot episode, Season one, episode

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Speaker 2: one titled Our Very First Show. It first aired on

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Speaker 2: September twenty first, nineteen eighty seven, and the show goes

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Speaker 2: a little something like this. When Danny Tanner's wife Pamela

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Speaker 2: is killed in an auto accident, he finds himself alone

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Speaker 2: to raise his three daughters, dj who is ten, Stephanie,

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Speaker 2: who is five, and baby Michelle, who is nine months old. Fortunately,

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Speaker 2: Danny's hair obsessed rock star brother in law Jesse Cochran,

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Speaker 2: along with Danny's cartoon loving friend Joey Gladstone, move in

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Speaker 2: as unlikely help for Danny to raise his girls. This

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Speaker 2: episode was directed by Joelswick, who we will talk a

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Speaker 2: lot about later because he is such an iconic nineties

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Speaker 2: sitcom director. Indeed, it was written by Jeff Franklin, who

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Speaker 2: we've also mentioned on the show and will be appearing

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Speaker 2: on the show at some point.

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Speaker 1: He also created the show, so.

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Speaker 2: Yeah, he's the heartbeat of the show. And this episode

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Speaker 2: is starring John Stamos as Jesse Cochrane, Bom Zaggett as

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Speaker 2: Danny Tanner, Dave Cleay as Joey Gladstone, Candice Cameron Burret

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Speaker 2: as DJ Tanner, Jody Sweeten as Stephanie Tanner, Ashley and

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Speaker 2: Mary Kate Olsen as Michelle Tanner.

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Speaker 1: And Kimmy Gibler has yet to enter the building.

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Speaker 2: Kimmy Gibler is mentioned in this episode, yes, but has

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Speaker 2: not yet made an appearance yet entered now. But there

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Speaker 2: are two other guest stars, Alice Hearson as Claire Tanner,

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Speaker 2: Danny's mom, and Christy Clairidge as Vanessa.

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Speaker 1: A very important fact by the way, about Christy Claridge,

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Speaker 1: who also when she appeared at the front door. When

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Speaker 1: I watched this episode, I was like, I remember her.

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Speaker 1: I remember I loved the out whatever, the outfit that

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Speaker 1: she had on some very eighties like BOOSTI a pink moment.

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Speaker 1: I was like as a kid, I was like, I

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Speaker 1: like that outfit. But more importantly, she was Misinternational nineteen

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Speaker 1: eighty two. But she is the sister of Linda Hogan,

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Speaker 1: who is the ex wife of Hull Cogan.

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Speaker 2: So that is such a random fact.

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Speaker 1: I mean, that's it doesn't get more eighties than Whule Cogan. Okay,

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Speaker 1: what is it? What you think about that brother or whatever?

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Speaker 1: Wasn't that the whole Cogan? Sorry, I don't know, I'm

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Speaker 1: not at Yeah, let's go with that and let's never

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Speaker 1: do it again. Okay, So okay, let's do it. Let's

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Speaker 1: do it go.

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Speaker 2: Let's go everywhere we look, everywhere you look. Let's start

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Speaker 2: with the opening credits. We talked about this in our

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Speaker 2: first episode.

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Speaker 1: Yeah, but here the longest opening credits.

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Speaker 2: The longest opening credits ever and so iconic. We love

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Speaker 2: them so much. Do you, Jody, did you remember auditioning

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Speaker 2: for this pilot? Like were you excited about getting your

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Speaker 2: first pilot? Tell me like you were five, Like how

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Speaker 2: much life experience had you had.

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Speaker 1: I actually did an audition for the show. I had

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Speaker 1: done a guest appearance on a show called Valerie, which

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Speaker 1: was Valerie Harper's Show, Oh Yeah, which later became The

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Speaker 1: Hogan Family. But I had done a guest appearance on that,

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Speaker 1: playing the next door neighbor's niece, Pamela Pool. I actually

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Speaker 1: played Pamela and and so I did an episode of

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Speaker 1: that with Jason Bateman and that was my first episode

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Speaker 1: of television ever. And then from that they had sent

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Speaker 1: a tape over to Jeff I guess of my appearance

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Speaker 1: on that, and he was like, yep, that's Stephanie. And

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Speaker 1: that was it. So I never actually auditioned for the show.

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Speaker 1: It just again this weird little magic spell that's been

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Speaker 1: cast over full house, like the people just sort of

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Speaker 1: if you know, it was kids the Oald of Dreams. Yeah,

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Speaker 1: if you yeah, if you create it, they will, they will,

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Speaker 1: they will show up. So anyway, so that was that

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Speaker 1: was how it happened. What about I mean, you've been doing.

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Speaker 2: Days of Our Lives right, Oh yeah, well I was ten,

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Speaker 2: so I had I had extensive acting credits that are huge. Yeah, yeah,

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Speaker 2: that point right, So yeah, I do remember bits of

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Speaker 2: my audition. I auditioned twice. I auditioned for DJ first

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Speaker 2: and then I auditioned obviously didn't get that role. Uh.

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Speaker 2: And then I auditioned for Kimmy Gibbler. Is isn't a

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Speaker 2: good time to talk about the script that I found,

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Speaker 2: my original edition script that nobody get into the show.

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Speaker 1: I feel like we should definitely bring up what could

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Speaker 1: have been, what.

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Speaker 2: Could have been?

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Speaker 1: Right, So I would have been, yeah, this.

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Speaker 2: This I don't know, like, look at me saying this.

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Speaker 2: Let me show you on this audio podcast when I'm holding.

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Speaker 1: Up right now it's a why don't you describe it?

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Speaker 1: It's a script.

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Speaker 2: This is an original script, a very very early draft.

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Speaker 1: Not even an original well it's an original pilot script.

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Speaker 1: But it's so original. It's not even the same characters.

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Speaker 2: It's not the same characters. It's dated February eighteenth, nineteen

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Speaker 2: eighty seven. And let me tell you the shocker. What

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Speaker 2: I didn't remember is that the characters have completely different names.

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Speaker 2: So I auditioned not for DJ, but for the role

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Speaker 2: of Jennifer because DJ was originally Jennifer and Uncle Jesse

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Speaker 2: was an uncle Jesse, he was Uncle Adam. Did you like,

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Speaker 2: do you remember this? Do you remember?

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Speaker 1: How weirdly I do you do? When I saw that script,

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Speaker 1: I was like, oh my gosh, that's right. But then

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Speaker 1: I'm also like, wait, maybe am I remembering Jeff telling

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Speaker 1: the story that it was uncle at Like I remember

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Speaker 1: Jeff talking about some of the changes in the names.

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Speaker 1: But one thing I do not think that that we've

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Speaker 1: ever talked about was that the Tanners weren't originally the Tanners.

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Speaker 2: This is mind blowing, This is mind boing.

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Speaker 1: Is huge.

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Speaker 2: We were gonna be the cross words like it just

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Speaker 2: it doesn't hit the same way.

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Speaker 1: It doesn't. It doesn't we know Stephanie craw the.

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Speaker 2: Crawford's growing up. No, it's not the same. No, Like

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Speaker 2: this show never would have been a hit if no,

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Speaker 2: in the Crawfords instead of the Tanners.

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Speaker 1: It was a necessary change. The Tanners made it happen.

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Speaker 2: I agree. Well, the character descriptions are still very correct.

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Speaker 2: Like they describe Stephanie as five years old, dreams of

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Speaker 2: being a ballerina, a sweet, happy little charmer who already

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Speaker 2: knows how to use what she has to get what

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Speaker 2: she wants. Oh that's that's that's pretty accurate.

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Speaker 1: It's it's stakely description of a manipulative little child. No,

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Speaker 1: not at this, not yet, not yet. But you showed

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Speaker 1: me that the other day, and Big big thank you

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Speaker 1: to your mom keeping everything.

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Speaker 2: God bless Sherry Barber. Yeah, she kept every little thing

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Speaker 2: like it's just and it brings up so many feelings

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Speaker 2: for me. Like in pencil written here is like the

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Speaker 2: page number that I have to turn to because that's

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Speaker 2: where the lines were that I had to read during

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Speaker 2: the audition. So page twelve and thirteen, page thirty nine

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Speaker 2: through forty one, those are the scenes I read for

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Speaker 2: my audition for Jennifer who turned into DJ.

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Speaker 1: So anyways, ye fun little fact. Can you imagine there

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Speaker 1: you as no you were now.

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Speaker 2: Show would have failed like it was always meant to

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Speaker 2: be Kimmy Gibler yea, and us was always meant to

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Speaker 2: be DJ this.

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Speaker 1: It couldn't have happened any other way.

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Speaker 2: I agree, I agree.

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Speaker 1: But here's to the Crawfords, the family that almost was.

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Speaker 1: You know, they also weren't allowed to have wire hangers

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Speaker 1: in their house. But that's what I was. Okay, I

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Speaker 1: was there.

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Speaker 2: This is this is but the spirit of Bob Saggatt

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Speaker 2: lives on through you and your inappropriate humor. Jody, let's

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Speaker 2: jump right in. We've gotten past these opening credits. We

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Speaker 2: are now inside the house. We are in the Tanner

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Speaker 2: living room. Danny enters the house with DJ and Stephanie

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Speaker 2: in his trying to help his mother leave. Grandma says

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Speaker 2: the baby is sleeping like a baby, and then says,

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Speaker 2: oh my angels and squats down while the while DJ

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Speaker 2: and Stephanie go running into her arms. Dy, tell me

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Speaker 2: what you remember about this scene or your wardrobe, or

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Speaker 2: your co stars or anything. What do you remember?

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Speaker 1: So what I vividly remember is there's a part in

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Speaker 1: this scene where you know, Danny's trying to get his

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Speaker 1: mom out the door. The girls don't want her to leave,

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Speaker 1: so they keep kind of like doing this rotating hugging thing.

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Speaker 1: They're hugging her. Danny moves them and they go back

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Speaker 1: and up, so she goes out onto the front porch,

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Speaker 1: and there's a moment where I grab Grandma and I

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Speaker 1: won't let her go. I'm like hugging her around her neck,

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Speaker 1: and Danny picks up my legs and I'm like he's,

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Speaker 1: you know, holding like the back of me, and then

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Speaker 1: I'm my arms are wrapped around Grandma. I remember that,

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Speaker 1: so like I remember that moment.

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Speaker 2: It's such a great sight gag, by the way, It's

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Speaker 2: it's such a great it's such a great site gag

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Speaker 2: and was always such a wonderful moment because that was

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Speaker 2: the thing that I remembered most.

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Speaker 1: About that first episode. And then also, you know, at

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Speaker 1: the end of Fuller House, I walked back in the door,

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Speaker 1: and I think I hugged Bob walked in, and so

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Speaker 1: it was just kind of a neat, like full circle

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Speaker 1: moment in that. But yeah, I remember, you know, being

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Speaker 1: like strung, you know, across the double wide doors, you know,

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Speaker 1: hanging just hanging around, And yeah, it was I remember

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Speaker 1: that moment. The little blue overalls, curly hair.

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Speaker 2: So cute, so cute, the curly hair, I was, the

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Speaker 2: pink hair clips.

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Speaker 1: The yep yeap, the sponge rollers, the blue overalls.

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Speaker 2: Did you get to pick out your wardrobe? Like, how

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Speaker 2: do you remember if you had a say in your

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Speaker 2: wardrobe or was it all?

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Speaker 1: I mean, it was kind of picked for me, but

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Speaker 1: I and I was like I didn't really, I was like, yeah, whatever,

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Speaker 1: Like I didn't really I wasn't really too picky about,

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Speaker 1: you know, clothing or anything like that. I mean, I'm

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Speaker 1: sure I know that you that Kimmy Gibler's clothes were

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Speaker 1: that's all. That's a, Oh, that's a little struggle, that's

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Speaker 1: a whole We're not going to get into that yet.

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Speaker 2: There's time. We got one hundred and ninety one more

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Speaker 2: to go, so we'll get to the Kimmy Gibler clothes.

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Speaker 1: Yes, but I remember, I remember that moment, and I

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Speaker 1: remember Grandma, you know, she leaves and Danny saying like, okay,

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Speaker 1: you know we're gonna have fun or what. And it's

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Speaker 1: just like weren't you know? And crossing to the couch.

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Speaker 1: And one thing that I noticed is that there were

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Speaker 1: two couches. Yes, and I couch got there were two couches.

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Speaker 2: Because later on it's like two ottomans eight.

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Speaker 1: Think for a while that later on was two chairs,

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Speaker 1: those two blue chairs. But at first it was the couch.

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Speaker 1: And I think it became like such a pain to

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Speaker 1: move in and out and like for shots and stuff

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Speaker 1: and you know whatever. But I remember that, like now,

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Speaker 1: I was like, that's right, there were two couches.

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Speaker 2: I completely forgot about that.

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Speaker 1: Where's the other couch? What happened? Who has the other couch?

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Speaker 2: I bet John Stamos has both of them.

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Speaker 1: Right there, But yeah, it's got us back up, a

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Speaker 1: backup couch.

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Speaker 2: You gotta have a backup couch because it's so so iconic. Okay,

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Speaker 2: So Danny takes turns pulling the girls off of Grandma

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Speaker 2: and a really funny sight gag, saying, you know, Grandma

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Speaker 2: really needs to go, and then Grandma says Danny, I

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Speaker 2: don't need to go back home. Danny tells her mom,

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Speaker 2: this isn't how we rehearsed it last night. Take a

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Speaker 2: walk with me. Dj and Stephanie follow them, but he

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Speaker 2: shoots them a look as they run back to the door.

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Speaker 2: Danny says she's been taking care of them for three

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Speaker 2: months since Danny's wife, Pamela died, and he doesn't know

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Speaker 2: how they would have made it without her. But she

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Speaker 2: really has to go because his dad needs her to. No,

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Speaker 2: this is a very very emotional scene for the first

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Speaker 2: scene straight out of the gate for a pilot like me.

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Speaker 1: And you've got to set up that the mom's dead.

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Speaker 1: You know, you got it.

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Speaker 2: I mean it's mom just died three months ago. Like

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Speaker 2: this is a family.

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Speaker 1: Well, it's gotta be. Yeah, it's gotta be. It's gotta

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Speaker 1: be fresh enough that it requires the guys to move in,

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Speaker 1: but not so fresh that everyone's just crying and it's

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Speaker 1: uncomfortable to watch. So there's a window I think of

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Speaker 1: time in sitcoms that is, you know everyone's done grieving

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Speaker 1: and uh, and they've moved on relatively quickly.

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Speaker 2: It's there's definitely a balance, and I think that Jeff Franklin,

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Speaker 2: who wrote the episode, struck it perfectly, like for sure,

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Speaker 2: just enough emotion, but not enough that.

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Speaker 1: We're all do you just need to know that? It's

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Speaker 1: like a yeah, that it's a moment, Like it's a

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Speaker 1: sad moment. Why are they so sad that Grandma's leave.

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Speaker 1: It's not like she comes every weekend. This was this

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Speaker 1: is a big thing. Their life has changed life.

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Speaker 2: Yes, your lives have been turned upside down and Grandma

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Speaker 2: was there to help you. Yeah, Danny says, he's got

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Speaker 2: everything under control and help is moving in today. Grandma says,

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Speaker 2: if you need me, I'm on the next plane. He

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Speaker 2: hugs her goodbye, and we think that she's about to leave,

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Speaker 2: but then she squats down again and says my angels,

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Speaker 2: and the girls go running right back into her arms.

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Speaker 2: Grandma eventually leaves, and Danny awkwardly says, Okay, are we

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Speaker 2: gonna have fun or what the girls make adorable poudy

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Speaker 2: faces before Danny asks to see some smiles and says

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Speaker 2: that everything is going to work out super great. He

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00:19:14,960 --> 00:19:17,400
Speaker 2: reveals to the audience that uncle Jesse is moving in

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Speaker 2: and so is his best friend Joey. That means Stephanie

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Speaker 2: and DJ get the news that they are going to

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Speaker 2: be roommates. He asks, isn't that exciting, and Stephanie says

379
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Speaker 2: I can wear all of DJ's clothes, but DJ is

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Speaker 2: less enthused, asking do I have to share a room

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Speaker 2: with her? Danny tries to convince her it'll be like

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Speaker 2: having a slumber party, but she clarifies with only one

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Speaker 2: guest who never leaves, which is perfectly delivered by Candace,

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Speaker 2: who really really nailed this like preteen moodiness.

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Speaker 1: Right, And now that I have two daughters, like they

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Speaker 1: would yeah, like I get that, Like they had their

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Speaker 1: own rooms and then you'd be like, now you're together,

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Speaker 1: and they would have been like, I'm now this isn't happening.

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Speaker 2: Oh yes, I felt this. I felt this mo moment

390
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Speaker 2: where I was like, yeah, my kids, this would not

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Speaker 2: fly with my kids. Should suddenly sharing a room at

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Speaker 2: age ten right away?

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Speaker 1: Would that go over? Yeah? I poor DJ. I mean,

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Speaker 1: you know, as a kid like I didn't really you know.

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Speaker 1: Now I look back at it, I'm like, oh man,

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Speaker 1: DJ's really yeah, you know, got to deal with the

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Speaker 1: little sister. Mom's gone, well, and she has that moment

398
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Speaker 1: in the end, Mom does, Mom's gone, Grandma left. I

399
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Speaker 1: don't even have my own room. She moved into the garage.

400
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Speaker 1: We'll get there, we'll get I feel for her.

401
00:20:27,840 --> 00:20:32,200
Speaker 2: I definitely feel for her. In this moment, Uncle Jesse arrives.

402
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Speaker 1: Hey, hey, look alive.

403
00:20:33,760 --> 00:20:36,639
Speaker 2: Uncle Jesse is here, and he moves in carrying a

404
00:20:36,680 --> 00:20:39,520
Speaker 2: small duffel, a bike, helmet, and a guitar not in

405
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Speaker 2: a case. So you instantly know, just from this like

406
00:20:42,720 --> 00:20:47,200
Speaker 2: three second entrance, exactly who Uncle Jesse is, because he's

407
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Speaker 2: just he's a rock star. He looks the part, he

408
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Speaker 2: plays the part.

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Speaker 1: I'm gonna I'm gonna say something though, if he's riding

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Speaker 1: a motorcycle with a guitar not in a case, it's

411
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Speaker 1: a very that's really if you're a rock star, you

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00:21:02,480 --> 00:21:06,119
Speaker 1: are really treating your equipment pretty poorly. If you're not,

413
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Speaker 1: there's not even a not even a case, a soft case.

414
00:21:09,800 --> 00:21:11,840
Speaker 2: Well, you know, you know what happened.

415
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Speaker 1: What if the guitar gets a gravel in it or something.

416
00:21:14,840 --> 00:21:17,440
Speaker 1: I don't know. I'm just saying I watched that and

417
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Speaker 1: I was like, did you just keep it on your

418
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Speaker 1: back the whole time? I think it was the eighties?

419
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Speaker 1: What do I know?

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Speaker 2: Maybe if he drove the motorcycle with one hand and

421
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Speaker 2: was playing the guitar with the This is just one

422
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Speaker 2: of those sitcom things you just want you just have

423
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Speaker 2: to just weigh your hand.

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Speaker 1: I ask far too many logical questions sometimes for my

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Speaker 1: own good.

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Speaker 2: You can't say on a sitcom if you ask too

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Speaker 2: many specific questions.

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Speaker 1: That's It's true. It's true. You know what's funny, though,

429
00:21:46,440 --> 00:21:49,639
Speaker 1: is the second you meet Uncle Jesse. I was like,

430
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Speaker 1: I did not remember John's character being so harsh.

431
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Speaker 2: He was very bold, like he has very like yeah,

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Speaker 2: and I had energy walking into this.

433
00:21:59,359 --> 00:22:01,480
Speaker 1: Scene, and I, yeah, that's like the setup for the

434
00:22:01,600 --> 00:22:03,800
Speaker 1: and and you know, it's also who he kind of

435
00:22:03,920 --> 00:22:06,119
Speaker 1: becomes in as a member of the family and all

436
00:22:06,119 --> 00:22:08,800
Speaker 1: this stuff. So even really Uncle Jesse goes on quite

437
00:22:08,800 --> 00:22:11,040
Speaker 1: a journey starting where he does. But yeah, I just

438
00:22:11,080 --> 00:22:15,119
Speaker 1: remembered he came in and I remember he Bob and

439
00:22:15,240 --> 00:22:20,680
Speaker 1: John at first did not like John was not here

440
00:22:21,040 --> 00:22:25,400
Speaker 1: for Bob's fooling around, and Bob was like, John's taking

441
00:22:25,440 --> 00:22:27,480
Speaker 1: this way too seriously, and they'd like they did not

442
00:22:28,080 --> 00:22:28,600
Speaker 1: get along.

443
00:22:28,800 --> 00:22:30,160
Speaker 2: Okay, I remember this rumor.

444
00:22:30,240 --> 00:22:32,200
Speaker 1: This is a rumor, so this is true that.

445
00:22:32,200 --> 00:22:34,520
Speaker 2: John's absolutely they've yeah, get along at first.

446
00:22:34,600 --> 00:22:37,960
Speaker 1: They've talked about it that they did not, that they

447
00:22:38,040 --> 00:22:40,600
Speaker 1: did not get along like at first, and they couldn't

448
00:22:40,600 --> 00:22:42,240
Speaker 1: stand each other and they annoyed each other and blah

449
00:22:42,280 --> 00:22:44,159
Speaker 1: blah blah blah blah. And I remember sort of the

450
00:22:44,359 --> 00:22:46,800
Speaker 1: like the tension. It was like you know, oh, because

451
00:22:46,840 --> 00:22:50,439
Speaker 1: it was I just remember like John coming also from

452
00:22:50,600 --> 00:22:53,359
Speaker 1: like soap opera world too, so it was shooting twenty

453
00:22:53,400 --> 00:22:54,840
Speaker 1: some odd pages a day, like you you know what

454
00:22:54,880 --> 00:22:56,680
Speaker 1: I mean, like you've got to get the work done,

455
00:22:56,720 --> 00:22:59,480
Speaker 1: and boss, you know, stand up, and and he was like,

456
00:22:59,560 --> 00:23:02,119
Speaker 1: let's just fun and goof around, and you know. So

457
00:23:02,200 --> 00:23:04,960
Speaker 1: I think those two working styles really came into conflict

458
00:23:05,000 --> 00:23:08,760
Speaker 1: in the beginning, but then you know, by by the

459
00:23:08,840 --> 00:23:12,080
Speaker 1: end they were literal brothers and absolutely loved each other.

460
00:23:12,080 --> 00:23:15,120
Speaker 1: But it was, yeah, did not did not start off

461
00:23:15,119 --> 00:23:19,160
Speaker 1: that way, and it it's a testament to to Bob

462
00:23:19,200 --> 00:23:23,440
Speaker 1: and John. Really that they created such a dynamic close

463
00:23:23,480 --> 00:23:24,639
Speaker 1: relationship over the years.

464
00:23:25,600 --> 00:23:27,359
Speaker 2: I love that. I'm glad. I'm glad they worked it

465
00:23:27,400 --> 00:23:28,440
Speaker 2: out because.

466
00:23:28,200 --> 00:23:30,560
Speaker 1: Yeah, because again, it could have it. I mean, it

467
00:23:30,600 --> 00:23:32,800
Speaker 1: could have gone side of the Crawfords. Bob and John

468
00:23:32,800 --> 00:23:35,439
Speaker 1: could have hated each other. It could it all so

469
00:23:35,520 --> 00:23:36,160
Speaker 1: many moments.

470
00:23:36,240 --> 00:23:39,400
Speaker 2: This could have gone really sideways. So I'm glad they

471
00:23:39,440 --> 00:23:43,879
Speaker 2: they found some common ground. Yes, Danny asked Jesse where

472
00:23:43,880 --> 00:23:46,359
Speaker 2: he was because he missed breakfast, and he tells Danny

473
00:23:46,359 --> 00:23:49,240
Speaker 2: that after his gig at the Smash Club, our first

474
00:23:49,240 --> 00:23:50,720
Speaker 2: mention of the Smash Club, the.

475
00:23:50,720 --> 00:23:53,560
Speaker 1: Smash Club before Jesse owned it, though, yes, when he

476
00:23:53,640 --> 00:23:54,640
Speaker 1: was just playing there.

477
00:23:54,640 --> 00:23:57,399
Speaker 2: Prior to Jesse owning it. Jesse took a ride on

478
00:23:57,440 --> 00:24:00,000
Speaker 2: his Harley and ended up in Reno. He happened to

479
00:24:00,160 --> 00:24:03,720
Speaker 2: wander into this show called Razzle Dazzle eighty seven, which

480
00:24:03,760 --> 00:24:06,160
Speaker 2: was much better than Razzle Dazzle eighty six, by the way,

481
00:24:06,560 --> 00:24:10,159
Speaker 2: where he locked eyes with an incredible show girl named Vanessa.

482
00:24:10,760 --> 00:24:13,159
Speaker 2: Danny starts to get nervous about where this story is

483
00:24:13,200 --> 00:24:15,840
Speaker 2: going as he notices the girls are taking in every

484
00:24:15,880 --> 00:24:19,040
Speaker 2: word Uncle Jesse says and stops him in front of

485
00:24:19,040 --> 00:24:21,240
Speaker 2: the girls, right before he gets a little too descriptive

486
00:24:21,280 --> 00:24:24,840
Speaker 2: about what Vanessa was starving for. Now, this was a

487
00:24:24,840 --> 00:24:28,040
Speaker 2: little racy, right, like this is like, yeah, full House

488
00:24:28,080 --> 00:24:31,520
Speaker 2: the family comedy, Like, oh well, that's the windows.

489
00:24:31,520 --> 00:24:35,280
Speaker 1: R House the family Comedy was almost not Full House.

490
00:24:35,440 --> 00:24:38,400
Speaker 1: Originally was a story about three comics.

491
00:24:39,040 --> 00:24:41,720
Speaker 2: That's right, House of Comics.

492
00:24:41,320 --> 00:24:45,479
Speaker 1: Originally House House of Comics. And really the show that

493
00:24:45,600 --> 00:24:48,680
Speaker 1: Jeff wrote was about these three guys, and I think

494
00:24:48,720 --> 00:24:52,159
Speaker 1: the kids may have been in it, but not as

495
00:24:52,480 --> 00:24:55,280
Speaker 1: significantly as you know, wand up being a family sitcom,

496
00:24:55,560 --> 00:24:58,760
Speaker 1: but that the the sort of general direction I think

497
00:24:59,040 --> 00:25:02,880
Speaker 1: of what Jeff had originally envisioned before it became Full

498
00:25:02,920 --> 00:25:06,879
Speaker 1: House was more of a like a buddy comedy between

499
00:25:06,920 --> 00:25:09,080
Speaker 1: these three guys and sort of their dating life and

500
00:25:09,119 --> 00:25:11,800
Speaker 1: single dads and you know, dealing with kids and whatever.

501
00:25:11,920 --> 00:25:13,800
Speaker 1: But that was I think kind of more of the

502
00:25:14,720 --> 00:25:18,080
Speaker 1: more of the the vibe of it. And so I

503
00:25:18,119 --> 00:25:19,800
Speaker 1: think we see still see like a little bit of

504
00:25:19,840 --> 00:25:24,120
Speaker 1: some of those holdovers in some of the characters, especially

505
00:25:24,160 --> 00:25:26,800
Speaker 1: in the first episode and the first couple episodes.

506
00:25:26,840 --> 00:25:29,399
Speaker 2: I think I'm so eager to get Jeff on the

507
00:25:29,400 --> 00:25:32,960
Speaker 2: show and ask him these questions about the origin story

508
00:25:33,000 --> 00:25:36,480
Speaker 2: of the show, and yeah, because I remember I remember

509
00:25:36,560 --> 00:25:39,399
Speaker 2: him talking about how he changed the entire idea of

510
00:25:39,400 --> 00:25:41,840
Speaker 2: the show from House of Comics during the pitch meeting,

511
00:25:42,040 --> 00:25:43,160
Speaker 2: I believe because they were.

512
00:25:43,040 --> 00:25:45,480
Speaker 1: Like, what do you have more of that's family, and

513
00:25:45,520 --> 00:25:48,480
Speaker 1: he was like, I've got this, and he just made

514
00:25:48,520 --> 00:25:50,040
Speaker 1: it into Yeah, he.

515
00:25:50,119 --> 00:25:52,240
Speaker 2: Just created it on the spot, which is funny because

516
00:25:52,680 --> 00:25:55,320
Speaker 2: Jeff is like, he's never been married, he doesn't have

517
00:25:55,320 --> 00:25:57,919
Speaker 2: any kids, like he's not really a family.

518
00:25:57,960 --> 00:26:00,760
Speaker 1: Guess why he wrote a show about three comedians and

519
00:26:00,880 --> 00:26:03,520
Speaker 1: not family. Right, It's like, okay, I'll try it, but

520
00:26:04,480 --> 00:26:06,600
Speaker 1: he had to pivot very quickly.

521
00:26:06,480 --> 00:26:09,840
Speaker 2: And created one of the most iconic family shows of

522
00:26:09,880 --> 00:26:10,480
Speaker 2: all time.

523
00:26:11,280 --> 00:26:16,280
Speaker 1: Speaking of pivoting, my ballet skills really come to the

524
00:26:16,280 --> 00:26:20,320
Speaker 1: forefront of this scene because I apparently all Steph wants

525
00:26:20,359 --> 00:26:23,359
Speaker 1: to do is just play Ballerina, very persistent.

526
00:26:23,520 --> 00:26:27,000
Speaker 2: It's very persistent. Stephanie wants to play ballerina with Uncle Jesse,

527
00:26:27,119 --> 00:26:28,720
Speaker 2: but he says he doesn't want to play, but she

528
00:26:28,800 --> 00:26:31,520
Speaker 2: nags him and eventually guilts him into it with her

529
00:26:31,600 --> 00:26:34,879
Speaker 2: sad face, which was an excellent sad face of rubbing

530
00:26:34,920 --> 00:26:36,360
Speaker 2: your eyes like you were talking.

531
00:26:36,400 --> 00:26:39,639
Speaker 1: I couldn't write. I was either just really tired, I

532
00:26:39,760 --> 00:26:44,119
Speaker 1: had an allergy attack, something metal shard in my eye,

533
00:26:44,520 --> 00:26:48,320
Speaker 1: or I was fading crying.

534
00:26:49,520 --> 00:26:51,480
Speaker 2: Well, the couch was very dusty. I mean, at least

535
00:26:51,520 --> 00:26:53,480
Speaker 2: in Fuller House got it. But it was a dust

536
00:26:53,560 --> 00:26:55,440
Speaker 2: from one of the two platforms.

537
00:26:55,480 --> 00:26:57,880
Speaker 1: It was. I had severe allergies as a child, That's

538
00:26:57,880 --> 00:27:00,640
Speaker 1: what it was. But I also that's what I do

539
00:27:00,840 --> 00:27:03,359
Speaker 1: when I throw a fit. You've seen it before Andry,

540
00:27:03,400 --> 00:27:04,960
Speaker 1: I do it all the time. No, I don't want

541
00:27:05,000 --> 00:27:07,080
Speaker 1: to record the bag right, And that's what works.

542
00:27:07,119 --> 00:27:08,760
Speaker 2: Well. It works. It's very effective.

543
00:27:08,760 --> 00:27:11,080
Speaker 1: It's never failed up until now.

544
00:27:14,080 --> 00:27:18,560
Speaker 2: So Jesse and Stephanie play ballerina. He asks how they

545
00:27:18,560 --> 00:27:20,720
Speaker 2: play ballerina and she says they dance, and then she

546
00:27:20,760 --> 00:27:22,920
Speaker 2: instructs him on how to twirl on his tiptoes before

547
00:27:22,920 --> 00:27:25,080
Speaker 2: telling him he needs to practice because they're going to

548
00:27:25,160 --> 00:27:27,560
Speaker 2: do this every single day. Jesse is not impressed.

549
00:27:28,160 --> 00:27:30,439
Speaker 1: Obviously, he doesn't want to be a professional dancer because

550
00:27:30,440 --> 00:27:33,240
Speaker 1: that's what it takes. It takes every day.

551
00:27:33,560 --> 00:27:35,840
Speaker 2: Were you into ballet as a child.

552
00:27:35,680 --> 00:27:37,560
Speaker 1: Yeah, I was. Yes, I was a big dancer. That

553
00:27:37,680 --> 00:27:40,800
Speaker 1: was part of the reason why they've written for you. Yeah,

554
00:27:40,880 --> 00:27:43,000
Speaker 1: I loved dancing. That was like how I kind of

555
00:27:43,040 --> 00:27:47,639
Speaker 1: got into performing really was dance recitals and I loved

556
00:27:47,920 --> 00:27:50,160
Speaker 1: being up on stage and doing all that. So yeah,

557
00:27:50,160 --> 00:27:56,080
Speaker 1: they really wrote some of the parts of Steph around

558
00:27:56,160 --> 00:27:58,760
Speaker 1: things that were actually true of me. So it was

559
00:27:58,960 --> 00:28:01,440
Speaker 1: it was great because I got to you know, I mean,

560
00:28:01,520 --> 00:28:03,320
Speaker 1: obviously my ballet skills.

561
00:28:02,960 --> 00:28:06,040
Speaker 2: Were top match, so they were so cute.

562
00:28:06,040 --> 00:28:07,960
Speaker 1: They were I was. I was. I was a member

563
00:28:08,000 --> 00:28:11,920
Speaker 1: of the Young Geoffrey Ballet at that point, evidenced by

564
00:28:11,960 --> 00:28:14,000
Speaker 1: my tiptoeing around the living room.

565
00:28:14,359 --> 00:28:16,520
Speaker 2: It was so cute, you had it was really for

566
00:28:16,560 --> 00:28:17,240
Speaker 2: a five year old.

567
00:28:17,520 --> 00:28:20,560
Speaker 1: I mean, it was fantastic. I was, I was cute.

568
00:28:20,600 --> 00:28:22,400
Speaker 1: I wouldn't have said no to me playing ballerina.

569
00:28:23,800 --> 00:28:25,720
Speaker 2: Well, but we had to establish that Jesse was not

570
00:28:25,920 --> 00:28:28,800
Speaker 2: exactly you know, super fond of kids was a learning

571
00:28:28,880 --> 00:28:34,119
Speaker 2: experience for him. Next we have Joey who arrives completely

572
00:28:34,119 --> 00:28:37,119
Speaker 2: covered by a huge pile of clothes and doing a

573
00:28:37,160 --> 00:28:41,880
Speaker 2: signature Dave trumpet horned sound. Oh that was good. I

574
00:28:41,920 --> 00:28:44,040
Speaker 2: was debating if I should try to recreate it, and

575
00:28:44,080 --> 00:28:44,960
Speaker 2: I was like, no, that.

576
00:28:44,960 --> 00:28:48,160
Speaker 1: Would not I have you never really even tried to

577
00:28:48,160 --> 00:28:50,840
Speaker 1: do that before, and I just went for it in

578
00:28:50,880 --> 00:28:52,680
Speaker 1: the moment. I was like, try it, what's the worst

579
00:28:52,720 --> 00:28:56,600
Speaker 1: that could happen? And nailed it. Now I'm not gonna no,

580
00:28:57,560 --> 00:28:58,600
Speaker 1: it's diminishing return.

581
00:28:58,720 --> 00:29:01,000
Speaker 2: Now it's getting weird. Okay, No, Day would be very

582
00:29:01,000 --> 00:29:05,800
Speaker 2: proud of you. Danny takes the clothes from Joey, revealing

583
00:29:06,080 --> 00:29:09,320
Speaker 2: that Joey is wearing a very loud, cartoon buttoned down

584
00:29:09,480 --> 00:29:14,360
Speaker 2: shirt and this is like, this is so Joey Gladstone,

585
00:29:14,480 --> 00:29:17,200
Speaker 2: Like you just instantly know he's just like one big kid.

586
00:29:17,880 --> 00:29:21,320
Speaker 1: It was. It was like they weren't they weren't Hawaiian

587
00:29:21,400 --> 00:29:26,360
Speaker 1: shirts necessarily. They were just loud.

588
00:29:26,680 --> 00:29:30,960
Speaker 2: They were very loud and kid like. Yeah, and you're

589
00:29:31,000 --> 00:29:33,160
Speaker 2: just like, okay, I can't take this guy seriously because

590
00:29:33,160 --> 00:29:36,920
Speaker 2: he's wearing this loud not Hawaiian, but Hawaiian.

591
00:29:38,800 --> 00:29:42,280
Speaker 1: Were those Was that a thing? I don't was? I mean,

592
00:29:42,360 --> 00:29:45,800
Speaker 1: obviously they were readily available at stores. Were people walking

593
00:29:45,840 --> 00:29:48,600
Speaker 1: around wearing these sorts of shirts?

594
00:29:49,840 --> 00:29:50,800
Speaker 2: Maybe not in public?

595
00:29:50,960 --> 00:29:54,080
Speaker 1: No, okay, okay, I just I wasn't sure. I don't

596
00:29:54,160 --> 00:29:57,160
Speaker 1: remember even what was on the shirts particularly. I tried

597
00:29:57,200 --> 00:29:59,040
Speaker 1: to look on like when as I was watching the show,

598
00:29:59,120 --> 00:30:01,640
Speaker 1: what was on there, but I didn't tell. Was it Popeye?

599
00:30:01,800 --> 00:30:03,760
Speaker 2: It's hard to tell. No, I think might make it

600
00:30:03,760 --> 00:30:08,120
Speaker 2: out either. I just could instantly not thought shirt I

601
00:30:08,240 --> 00:30:10,440
Speaker 2: got it, Sure he did. I'm sure it was in

602
00:30:10,520 --> 00:30:13,760
Speaker 2: his his pile of dirty clothes that he was carrying.

603
00:30:14,800 --> 00:30:17,960
Speaker 1: Right, and Nothing says, I've chosen the right person to

604
00:30:17,960 --> 00:30:21,120
Speaker 1: help me look after my children. Then someone who can't

605
00:30:21,200 --> 00:30:23,320
Speaker 1: do laundry and is living in an alcove us, you

606
00:30:23,360 --> 00:30:26,080
Speaker 1: know it's right.

607
00:30:26,200 --> 00:30:27,840
Speaker 2: And and Joey says, he's say.

608
00:30:27,800 --> 00:30:29,920
Speaker 1: And someone who doesn't even keep their guitar in a case,

609
00:30:29,960 --> 00:30:31,760
Speaker 1: you know what I mean? And those are not the people.

610
00:30:31,800 --> 00:30:34,840
Speaker 2: These aren't the most reliable people that Danny has chosen.

611
00:30:35,040 --> 00:30:37,680
Speaker 2: But that's that's that's the gag. That's part of the joke.

612
00:30:38,000 --> 00:30:38,880
Speaker 2: The joke has to work.

613
00:30:39,120 --> 00:30:40,040
Speaker 1: The joke has to work.

614
00:30:40,560 --> 00:30:42,959
Speaker 2: So Joey comments, Wow, you know, I'm so lucky. I'm

615
00:30:42,960 --> 00:30:44,680
Speaker 2: moving into a new place on the exact day that

616
00:30:44,720 --> 00:30:46,680
Speaker 2: I run out of clean clothes, and that's wonderful. And

617
00:30:46,680 --> 00:30:49,000
Speaker 2: then you get this great shot of Bob who quickly

618
00:30:49,080 --> 00:30:50,880
Speaker 2: drops all of the clothes on the floor and everyone

619
00:30:51,160 --> 00:30:54,640
Speaker 2: slowly backs away from the clothes. Fantastic I'm not totally

620
00:30:54,640 --> 00:30:57,680
Speaker 2: clear at this point if Jesse and Joey have moved

621
00:30:57,720 --> 00:31:00,440
Speaker 2: in as a favor to Danny or if they're there

622
00:31:00,480 --> 00:31:01,320
Speaker 2: for the free rent.

623
00:31:02,080 --> 00:31:06,760
Speaker 1: I mean, isn't sort of one shaking the hand with

624
00:31:06,880 --> 00:31:09,480
Speaker 1: the other, you know what I mean, Like, I mean, sure,

625
00:31:09,520 --> 00:31:12,479
Speaker 1: I'll do this favor for you, but I'm also like

626
00:31:12,640 --> 00:31:15,400
Speaker 1: getting free rent. So it's kind of working out for

627
00:31:15,480 --> 00:31:15,920
Speaker 1: both of us.

628
00:31:16,080 --> 00:31:18,160
Speaker 2: You got to match my back all scratch yours. Is

629
00:31:18,160 --> 00:31:19,320
Speaker 2: it one of those situations?

630
00:31:19,360 --> 00:31:21,160
Speaker 1: Yeah, I think that's I mean, it sounds you know,

631
00:31:21,280 --> 00:31:23,200
Speaker 1: and then and then then they got trapped and they

632
00:31:23,240 --> 00:31:28,120
Speaker 1: never left and they for eight years, for eight years, right, yes, right?

633
00:31:28,400 --> 00:31:30,000
Speaker 1: I mean, who'd want to move out of an alcove?

634
00:31:30,320 --> 00:31:34,240
Speaker 2: You know? The alcove? The alcove was a very attractive

635
00:31:34,240 --> 00:31:35,000
Speaker 2: option for Joey.

636
00:31:35,240 --> 00:31:39,640
Speaker 1: I had never heard, I think until I was the

637
00:31:39,760 --> 00:31:45,880
Speaker 1: word alcove until that show, until full out like as

638
00:31:45,880 --> 00:31:47,800
Speaker 1: a kid, and then I like, I just had this

639
00:31:48,280 --> 00:31:53,600
Speaker 1: idea in my head that all San Francisco homes had

640
00:31:54,280 --> 00:31:57,240
Speaker 1: what was apparently a standard feature of an alcove.

641
00:31:57,840 --> 00:32:01,000
Speaker 2: I wonder if this is a San Francisco thing. Remember

642
00:32:01,160 --> 00:32:03,000
Speaker 2: Holmes having alcoves in the eighties.

643
00:32:03,040 --> 00:32:05,240
Speaker 1: Do you remember the full House house when we actually

644
00:32:05,280 --> 00:32:07,400
Speaker 1: went in, it fit an alcove in there where you're

645
00:32:07,400 --> 00:32:11,800
Speaker 1: gonna fit an alcove the whole first four There's no

646
00:32:12,040 --> 00:32:18,240
Speaker 1: one's having alcoves in most of these San Francisco skinny houses. Yeah, anyway,

647
00:32:18,400 --> 00:32:20,640
Speaker 1: I'd never heard of an alcove. The alcove is is

648
00:32:20,720 --> 00:32:25,000
Speaker 1: Apparently it's like a little half cave in under the stairs.

649
00:32:25,240 --> 00:32:25,920
Speaker 2: Yeah, sort of.

650
00:32:25,960 --> 00:32:29,560
Speaker 1: I have an alcove in my house now, you do, Yeah,

651
00:32:29,680 --> 00:32:33,440
Speaker 1: that little under you know, the little understair like.

652
00:32:32,960 --> 00:32:36,440
Speaker 2: The yeah, yeah, yeah, but it's nice.

653
00:32:36,480 --> 00:32:37,720
Speaker 1: I don't think Joey could live there.

654
00:32:37,880 --> 00:32:40,920
Speaker 2: So Full House made alcoves popular, it did, maybe it

655
00:32:40,960 --> 00:32:41,240
Speaker 2: did it?

656
00:32:41,280 --> 00:32:44,080
Speaker 1: Really, it revitalized the alcove industry, it's all I'm saying.

657
00:32:44,680 --> 00:32:47,200
Speaker 2: So Joey moves into the large alcove in the back

658
00:32:47,200 --> 00:32:49,080
Speaker 2: of the living room and says that there is no

659
00:32:49,160 --> 00:32:50,720
Speaker 2: way all of his stuff is going to fit in

660
00:32:50,760 --> 00:32:53,480
Speaker 2: this room. Danny corrects him and says this isn't a

661
00:32:53,520 --> 00:32:56,400
Speaker 2: tiny room, it's a large alcove, and that he will

662
00:32:56,400 --> 00:32:58,920
Speaker 2: be he will be living in it for free. Suddenly

663
00:32:58,960 --> 00:33:02,240
Speaker 2: Joey says this room is enormous. Then Joey tells the

664
00:33:02,240 --> 00:33:03,800
Speaker 2: girls that they are going to have so much fun

665
00:33:03,840 --> 00:33:07,440
Speaker 2: together before doing a lot of signature Dave Coolier sound effects,

666
00:33:07,640 --> 00:33:09,719
Speaker 2: including Popeye and a laser.

667
00:33:10,840 --> 00:33:15,720
Speaker 1: DJ Haser, that's right, he was, Yeah, yeah, yeah yeah.

668
00:33:15,880 --> 00:33:18,560
Speaker 2: DJ asks Danny if he thinks is there any chance

669
00:33:18,720 --> 00:33:21,120
Speaker 2: they could still catch Grandma at the airport, which is

670
00:33:21,160 --> 00:33:25,000
Speaker 2: a great button to this entire scene, which is a

671
00:33:25,160 --> 00:33:29,240
Speaker 2: very very long scene for the cold open of the pilot,

672
00:33:29,320 --> 00:33:31,520
Speaker 2: Like this scene just goes on, well.

673
00:33:31,360 --> 00:33:34,320
Speaker 1: There was a lot. It goes on only half the

674
00:33:34,400 --> 00:33:38,080
Speaker 1: length of the opening credits though, No, it is a

675
00:33:38,120 --> 00:33:39,400
Speaker 1: it's a very long scene.

676
00:33:40,640 --> 00:33:42,240
Speaker 2: But you got a lot of things to establish.

677
00:33:42,400 --> 00:33:44,720
Speaker 1: There's a lot of exposition that needs to happen. I mean,

678
00:33:44,760 --> 00:33:48,240
Speaker 1: there's you know, you can't the nuance in a in

679
00:33:48,280 --> 00:33:52,560
Speaker 1: a thirty minute sitcom is minimal. So you've got to

680
00:33:52,640 --> 00:33:59,680
Speaker 1: explain Mom's gone, Dad needs help, Grandma leaving, kids are

681
00:33:59,760 --> 00:34:06,760
Speaker 1: unh happy, Jesse's a rock star, and Joey's an idiot,

682
00:34:06,800 --> 00:34:08,680
Speaker 1: well not an idiot, but like a just a mess,

683
00:34:08,719 --> 00:34:09,360
Speaker 1: you know what I mean.

684
00:34:09,280 --> 00:34:09,640
Speaker 2: Same thing.

685
00:34:09,719 --> 00:34:13,240
Speaker 1: So it takes it takes a fair amount of pages

686
00:34:13,280 --> 00:34:17,120
Speaker 1: to cover all of those six or seven very important topics.

687
00:34:17,000 --> 00:34:18,800
Speaker 2: And can we talk for a minute, because I'm betting

688
00:34:18,920 --> 00:34:20,719
Speaker 2: that there are hundreds of people out there that have

689
00:34:20,760 --> 00:34:23,120
Speaker 2: seen this episode or all a full house and still

690
00:34:23,160 --> 00:34:26,160
Speaker 2: don't kind of understand the relations like who these people are,

691
00:34:26,440 --> 00:34:27,520
Speaker 2: like the relationships.

692
00:34:27,600 --> 00:34:30,520
Speaker 1: So I Jesse, I don't think very often that the

693
00:34:30,520 --> 00:34:33,719
Speaker 1: writers sometimes did or you know what I mean, because

694
00:34:33,719 --> 00:34:36,480
Speaker 1: we kind of went, oh, that's right, we're actually all related.

695
00:34:36,719 --> 00:34:40,879
Speaker 2: So Jesse, uncle Jesse is your uncle. He but he's

696
00:34:40,920 --> 00:34:42,800
Speaker 2: not related to Danny Tanner.

697
00:34:43,000 --> 00:34:45,000
Speaker 1: No, he's pamel Imla's brother.

698
00:34:44,920 --> 00:34:47,879
Speaker 2: Brother, that's right, right, So he's the he's Danny's.

699
00:34:47,760 --> 00:34:51,319
Speaker 1: Brother, Danny's he's Danny's brother in law who starts off

700
00:34:51,360 --> 00:34:55,399
Speaker 1: the show not Greek with the last name of Cochrane,

701
00:34:56,280 --> 00:34:59,319
Speaker 1: which gets changed very quick, gets changed pretty quickly, and

702
00:34:59,320 --> 00:35:03,000
Speaker 1: we'll cover that. But but yeah, he starts off as

703
00:35:03,120 --> 00:35:10,320
Speaker 1: as Cochrane, then becomes Greeker, even though Steph and dj

704
00:35:10,560 --> 00:35:15,319
Speaker 1: and Michelle are look nothing like that side of the

705
00:35:15,360 --> 00:35:17,600
Speaker 1: family because we've also met, like we at some point

706
00:35:17,600 --> 00:35:20,240
Speaker 1: we meet the other Greek family and uh, yeah, apparently

707
00:35:20,280 --> 00:35:23,600
Speaker 1: Pam maybe Pam was adopted, maybe Pam was you know,

708
00:35:23,960 --> 00:35:26,959
Speaker 1: let's go with that. Let's go with that because it's yeah,

709
00:35:27,040 --> 00:35:28,640
Speaker 1: I've seen some of the parents and it's just it's

710
00:35:28,640 --> 00:35:32,840
Speaker 1: a strange. So it's an interesting match up there, you

711
00:35:32,920 --> 00:35:35,120
Speaker 1: know what I mean. Well, but anyway, but that's how

712
00:35:35,239 --> 00:35:37,040
Speaker 1: technically the family tree is drawn.

713
00:35:37,080 --> 00:35:40,120
Speaker 2: Okay, So Jesse is Danny's brother in law and Joey,

714
00:35:40,239 --> 00:35:43,080
Speaker 2: even though people commonly call him Uncle Joey, he's not,

715
00:35:43,239 --> 00:35:44,360
Speaker 2: in fact an uncle.

716
00:35:44,400 --> 00:35:47,240
Speaker 1: He is not an uncle, nor has I'm gonna debate

717
00:35:47,320 --> 00:35:51,799
Speaker 1: this fact because people always say, oh, what about Uncle Joey.

718
00:35:51,880 --> 00:35:54,640
Speaker 1: I'm like, and I'm the first to I'm like, actually,

719
00:35:55,640 --> 00:35:58,400
Speaker 1: you know made him minute, Actually he was. He's not

720
00:35:58,440 --> 00:36:00,720
Speaker 1: an uncle, and we never called him Uncle Joey.

721
00:36:00,920 --> 00:36:03,040
Speaker 2: Right, even more importantly, yes, but.

722
00:36:03,160 --> 00:36:08,920
Speaker 1: They did on fuller The younger kids, I think started

723
00:36:08,960 --> 00:36:12,880
Speaker 1: calling him uncle Joey because I remember having this, this

724
00:36:12,880 --> 00:36:14,600
Speaker 1: this discussion I think it notes and being like, but

725
00:36:14,640 --> 00:36:16,759
Speaker 1: he's not an uncle. He's not. We never called him

726
00:36:16,800 --> 00:36:20,000
Speaker 1: Uncle Joey. Maybe it's one of those, you know, sort

727
00:36:20,000 --> 00:36:22,480
Speaker 1: of by association. He's become an uncle over time. I'm

728
00:36:22,480 --> 00:36:25,279
Speaker 1: not saying he can't be. I'm not saying I am

729
00:36:25,360 --> 00:36:29,440
Speaker 1: opposed to his membership as an honorary uncle. I'm just

730
00:36:29,440 --> 00:36:31,680
Speaker 1: saying I don't think we ever called him Uncle Joey.

731
00:36:32,320 --> 00:36:34,600
Speaker 2: I agree, I agree. This is a sticky scene for

732
00:36:34,680 --> 00:36:35,080
Speaker 2: me as well.

733
00:36:35,080 --> 00:36:37,560
Speaker 1: In our rewatch if we see it happen and there's

734
00:36:37,560 --> 00:36:40,200
Speaker 1: some mention of uncle Joey. But if we get to

735
00:36:40,480 --> 00:36:43,520
Speaker 1: all one hundred and ninety two episodes and he has

736
00:36:43,600 --> 00:36:48,000
Speaker 1: not been called Uncle Joey, I'm gonna feel vindicated.

737
00:36:48,480 --> 00:36:51,439
Speaker 2: Absolutely Well. We've got a long ways to go until

738
00:36:51,480 --> 00:36:52,680
Speaker 2: we get to that moment, but I.

739
00:36:52,680 --> 00:36:54,520
Speaker 1: Look it's gonna be I'm gonna have to wait at

740
00:36:54,520 --> 00:36:55,080
Speaker 1: that moment.

741
00:36:56,760 --> 00:36:59,719
Speaker 2: Okay. So the next scene, we have finally finished the

742
00:36:59,719 --> 00:37:04,120
Speaker 2: cold open, and we are now upstairs in Uncle Jesse

743
00:37:04,200 --> 00:37:07,000
Speaker 2: What is now Uncle Jesse's room. Danny and Jesse walk

744
00:37:07,080 --> 00:37:12,640
Speaker 2: into the room. This is formerly Stephanie's room, so it is.

745
00:37:13,000 --> 00:37:15,760
Speaker 2: The room is baby blue. It is covered in pink bunnies.

746
00:37:15,920 --> 00:37:18,840
Speaker 2: There is tiny furniture and ballet slippers on the wall.

747
00:37:19,480 --> 00:37:22,160
Speaker 2: Jesse says, oh, Barbie's dream house would look great near

748
00:37:22,200 --> 00:37:23,080
Speaker 2: the window.

749
00:37:23,080 --> 00:37:25,040
Speaker 1: Right, which is in that original script. By the way,

750
00:37:25,080 --> 00:37:26,839
Speaker 1: remember we were looking at it the other day and

751
00:37:26,920 --> 00:37:29,200
Speaker 1: I said that line is in the original show.

752
00:37:29,400 --> 00:37:32,399
Speaker 2: That joke stat right through all the name changes that joke,

753
00:37:32,480 --> 00:37:33,680
Speaker 2: state that joke, state.

754
00:37:33,600 --> 00:37:38,719
Speaker 1: That joke worked. But the pig bunnies are actually a

755
00:37:38,840 --> 00:37:43,239
Speaker 1: very important story. Oh, they don't think are necessarily discussed

756
00:37:43,280 --> 00:37:46,320
Speaker 1: in this episode. I think it comes a little bit later, baby.

757
00:37:47,800 --> 00:37:55,640
Speaker 1: But the pink bunnies were apparently handcut out by Steph's mom,

758
00:37:55,760 --> 00:37:58,040
Speaker 1: by Pamela and put in her room.

759
00:37:58,600 --> 00:38:00,960
Speaker 2: Oh watch, that.

760
00:38:02,880 --> 00:38:04,280
Speaker 1: Was the story of the pink bunnies.

761
00:38:04,480 --> 00:38:06,200
Speaker 2: So that's why they left the pink bunnies.

762
00:38:06,239 --> 00:38:08,000
Speaker 1: That was why they left the pink bunnies up.

763
00:38:09,120 --> 00:38:12,560
Speaker 2: Well, Jesse's not a fan, unfortunately, he's not sentimental.

764
00:38:12,960 --> 00:38:15,440
Speaker 1: And then eventually he gives a framed one to Michelle.

765
00:38:15,520 --> 00:38:18,960
Speaker 1: They weren't even her pink bunnies. That wasn't even her room. Anyway,

766
00:38:19,000 --> 00:38:21,440
Speaker 1: we'll get there, we'll get there. I've got there, pages.

767
00:38:21,560 --> 00:38:24,000
Speaker 1: There are we resentful of that, Jodie Sweeten, are we? Okay?

768
00:38:24,000 --> 00:38:25,920
Speaker 2: You got you got notes up pages.

769
00:38:26,760 --> 00:38:29,359
Speaker 1: But that was the story of the pink bunnies, so

770
00:38:29,400 --> 00:38:31,319
Speaker 1: that was why they were there. But no, Jesse was

771
00:38:31,320 --> 00:38:33,960
Speaker 1: not exactly feeling the vibe of pink bunnies in Ballet.

772
00:38:34,280 --> 00:38:37,799
Speaker 2: He's very anti kid in this whole episode, which we'll

773
00:38:37,800 --> 00:38:40,319
Speaker 2: get to that, Okay, Jesse starts to unpack his two

774
00:38:40,320 --> 00:38:43,600
Speaker 2: things on hangers while Danny gets emotional, saying how much

775
00:38:43,640 --> 00:38:46,640
Speaker 2: he appreciates him being there. Danny tells him the girls

776
00:38:46,640 --> 00:38:49,520
Speaker 2: are so happy to have him here. Danny hugs Jesse

777
00:38:49,640 --> 00:38:52,600
Speaker 2: tightly and says God bless you, and Jesse says, you

778
00:38:52,640 --> 00:38:55,480
Speaker 2: are hugging me in a room with pink bunnies.

779
00:38:56,680 --> 00:39:00,520
Speaker 1: Which here's one of those jokes that you yeah, there's

780
00:39:00,560 --> 00:39:05,719
Speaker 1: the not so thinly veiled sort of omophobic jokes of

781
00:39:05,719 --> 00:39:08,080
Speaker 1: the eighties, But you know it's I think it's I

782
00:39:08,080 --> 00:39:10,960
Speaker 1: think it was also more that, like Jesse was just

783
00:39:10,960 --> 00:39:14,919
Speaker 1: not emotional and Danny was emotional, and that was I think,

784
00:39:15,040 --> 00:39:16,640
Speaker 1: you know, the hugging thing, right.

785
00:39:16,719 --> 00:39:18,759
Speaker 2: This joke bumped me too. I'm like, oh, yeah, that's

786
00:39:18,760 --> 00:39:21,879
Speaker 2: not like men being uncomfortable with hugging other men. That's

787
00:39:21,920 --> 00:39:24,759
Speaker 2: not funny anymore. So this this joke didn't hold up.

788
00:39:25,160 --> 00:39:27,480
Speaker 1: I mean it was, yeah, it was. I really I

789
00:39:27,560 --> 00:39:29,960
Speaker 1: feel like Jesse, he's got a lot, he's got some

790
00:39:30,120 --> 00:39:33,160
Speaker 1: emotional growing to do, some work, you know, like to

791
00:39:33,160 --> 00:39:35,799
Speaker 1: see him really discuss some of these feelings about why

792
00:39:35,840 --> 00:39:39,160
Speaker 1: he's so you know, averse to being hugged in a

793
00:39:39,200 --> 00:39:40,120
Speaker 1: room with big bunnies.

794
00:39:40,239 --> 00:39:43,439
Speaker 2: He's a tough guy. He's very much into proving how

795
00:39:43,520 --> 00:39:44,920
Speaker 2: tough of a guy.

796
00:39:45,120 --> 00:39:48,040
Speaker 1: That he is, right with his three shirts. Right.

797
00:39:49,160 --> 00:39:51,800
Speaker 2: So Danny breaks away from the hug and says, you know, sorry,

798
00:39:51,840 --> 00:39:55,840
Speaker 2: I am just a lean, mean hugging machine. Now I

799
00:39:55,840 --> 00:39:58,000
Speaker 2: want to talk about this hugging bit for a bit

800
00:39:58,080 --> 00:40:04,040
Speaker 2: because it wasn't this originally written because there, okay, Bob said,

801
00:40:04,120 --> 00:40:06,440
Speaker 2: it wasn't the original Danny Tanner either.

802
00:40:07,000 --> 00:40:09,680
Speaker 1: No, no, he was not the original Danny Tanner. John

803
00:40:09,760 --> 00:40:12,480
Speaker 1: Posey was the original Danny Tanner, and we shot a

804
00:40:12,520 --> 00:40:16,759
Speaker 1: pilot episode with John Posey, which I think people can

805
00:40:17,080 --> 00:40:20,040
Speaker 1: it's out there somewhere on you know, YouTube or whatever,

806
00:40:20,960 --> 00:40:22,200
Speaker 1: and it's I think it's in like some of the

807
00:40:22,239 --> 00:40:25,720
Speaker 1: extended DVD cuts. But yeah, Bob was not the original

808
00:40:25,760 --> 00:40:29,560
Speaker 1: Danny Tanner. It was John Posey. Bob was doing another show,

809
00:40:30,080 --> 00:40:33,200
Speaker 1: and then through again a series of things that happened

810
00:40:33,239 --> 00:40:37,319
Speaker 1: and unfolded, and Bob got fired or not fired, but

811
00:40:37,960 --> 00:40:40,080
Speaker 1: was no longer on the morning show that he was doing,

812
00:40:40,120 --> 00:40:42,960
Speaker 1: so his schedule opened up. But the only reason that

813
00:40:43,239 --> 00:40:45,919
Speaker 1: they knew about it was because Dave and Bob had

814
00:40:45,960 --> 00:40:48,439
Speaker 1: like lived together when they were young and they had

815
00:40:48,520 --> 00:40:52,479
Speaker 1: were still friends, and so when Dave heard that Bob

816
00:40:52,560 --> 00:40:54,319
Speaker 1: was available, he told Jeff or something like it was

817
00:40:54,360 --> 00:40:58,239
Speaker 1: some sort of like random again happening of how we

818
00:40:58,280 --> 00:40:59,759
Speaker 1: all wound up in the right place at the right

819
00:40:59,760 --> 00:41:02,480
Speaker 1: time and we actually went and reshot the pilot with Bob.

820
00:41:02,480 --> 00:41:03,880
Speaker 2: Oh wow, wow.

821
00:41:04,000 --> 00:41:04,320
Speaker 1: Yeah.

822
00:41:04,360 --> 00:41:07,120
Speaker 2: Do you remember shooting scenes with John Posey?

823
00:41:08,360 --> 00:41:11,360
Speaker 1: I remember, like the first scene, I think, just because

824
00:41:11,360 --> 00:41:15,000
Speaker 1: that first scene was so memorable and iconic for me

825
00:41:15,239 --> 00:41:17,960
Speaker 1: as like a kid and an actor, and you know,

826
00:41:18,760 --> 00:41:24,000
Speaker 1: I remember shooting it with John Posey, But yeah, I don't.

827
00:41:24,080 --> 00:41:26,320
Speaker 1: I mean, I he was just there for one episode.

828
00:41:26,400 --> 00:41:29,080
Speaker 1: Lovely man, very sweet, very It wasn't ever like a

829
00:41:29,200 --> 00:41:32,399
Speaker 1: you know, personality thing. It just right. He Bob, I think,

830
00:41:32,520 --> 00:41:34,480
Speaker 1: was who Jeff had always wanted, and it just was

831
00:41:34,520 --> 00:41:37,080
Speaker 1: a scheduling thing. And then when it kind of resolved itself,

832
00:41:37,160 --> 00:41:41,320
Speaker 1: it Bob Bob came in and he was Danny Tanner

833
00:41:41,680 --> 00:41:43,200
Speaker 1: with his wonderful hugs.

834
00:41:43,400 --> 00:41:44,880
Speaker 2: So I feel like this joke is kind of a

835
00:41:44,920 --> 00:41:48,200
Speaker 2: holdover from when Posey was in the pilot, because Posey

836
00:41:48,320 --> 00:41:51,000
Speaker 2: was more of like a Teddy Bear build, like he

837
00:41:51,120 --> 00:41:55,759
Speaker 2: was like a huggable, shorter huggable guy, and you know

838
00:41:55,800 --> 00:41:57,680
Speaker 2: he wasn't this tall long.

839
00:41:57,520 --> 00:42:00,800
Speaker 1: Green saying only short people are huggble in? Are you

840
00:42:01,360 --> 00:42:03,120
Speaker 1: just saying I have a lot of emails about that.

841
00:42:03,520 --> 00:42:06,320
Speaker 2: I feel like this it's a person If hugging is

842
00:42:06,360 --> 00:42:08,600
Speaker 2: going to be a personality trait, you know, you have

843
00:42:08,640 --> 00:42:11,320
Speaker 2: to look huggable. And I feel like maybe John Posey

844
00:42:11,360 --> 00:42:13,200
Speaker 2: looked more huggable and that's why that was written in

845
00:42:13,239 --> 00:42:16,240
Speaker 2: and it just carried over when Bob became.

846
00:42:17,360 --> 00:42:20,080
Speaker 1: I don't don't. I think that's just your own. I mean,

847
00:42:20,120 --> 00:42:22,479
Speaker 1: you can, you can build that story out if you'd

848
00:42:22,560 --> 00:42:25,680
Speaker 1: like the story that John looked more huggled. So basically

849
00:42:25,680 --> 00:42:27,680
Speaker 1: the story is John was more huggable. That's what you've

850
00:42:27,719 --> 00:42:29,839
Speaker 1: told yourself. That's what I told was more.

851
00:42:29,760 --> 00:42:33,719
Speaker 2: Hug origin of the hugging, hugging personality, you know what.

852
00:42:33,760 --> 00:42:37,120
Speaker 1: I I don't know the actual origin because I am

853
00:42:37,160 --> 00:42:39,880
Speaker 1: not Jeff Franklin, so he he would know that. But

854
00:42:39,920 --> 00:42:42,320
Speaker 1: I think it was. I mean, I remember John Posey

855
00:42:42,320 --> 00:42:45,080
Speaker 1: being that. I seem to remember it being just that

856
00:42:45,080 --> 00:42:49,920
Speaker 1: that was kind of the juxtaposition between like Jesse and

857
00:42:50,520 --> 00:42:53,640
Speaker 1: Joey and Danny, was that Danny was the emotional hugger

858
00:42:53,880 --> 00:42:57,440
Speaker 1: family guy. Jesse was the like rock and roll bro,

859
00:42:57,800 --> 00:42:59,440
Speaker 1: and then you know, Joey was just kind of this

860
00:42:59,520 --> 00:43:02,200
Speaker 1: looney on most childlike person himself. So I think it

861
00:43:02,280 --> 00:43:05,080
Speaker 1: was that was part of who Danny Tanner was. But

862
00:43:05,120 --> 00:43:07,520
Speaker 1: if you want to make it that, you know, uh,

863
00:43:07,600 --> 00:43:09,560
Speaker 1: John Posey was more huggable. I mean, we can tell

864
00:43:09,560 --> 00:43:10,480
Speaker 1: that story too if you'd like.

865
00:43:10,680 --> 00:43:14,360
Speaker 2: Well, everybody, so everyone email us and give us your opinions, Like,

866
00:43:14,440 --> 00:43:17,360
Speaker 2: tell us what you think was Bob Sagga he was

867
00:43:17,400 --> 00:43:19,880
Speaker 2: a very huggable guy. But I'm you know, he was

868
00:43:19,960 --> 00:43:20,319
Speaker 2: very told.

869
00:43:21,160 --> 00:43:23,040
Speaker 1: I think it was just part of the character. But

870
00:43:23,160 --> 00:43:25,560
Speaker 1: we can you know, again, we could choose your own adventure.

871
00:43:25,560 --> 00:43:26,879
Speaker 1: We can create whatever we want.

872
00:43:27,160 --> 00:43:29,399
Speaker 2: And when Jeff Franklin is on the show, we will

873
00:43:29,440 --> 00:43:31,640
Speaker 2: actually ask him this question. And that was all of

874
00:43:31,640 --> 00:43:32,160
Speaker 2: these rumors.

875
00:43:32,200 --> 00:43:36,160
Speaker 1: John Posey more huggable than Bob. Is that on the record.

876
00:43:36,239 --> 00:43:38,040
Speaker 1: That's the debate, right, that's the question.

877
00:43:40,000 --> 00:43:43,200
Speaker 2: So finally we see Jesse get more emotional. He says,

878
00:43:43,320 --> 00:43:45,960
Speaker 2: you know, Pam was my big sister. He loved her

879
00:43:46,080 --> 00:43:48,800
Speaker 2: very much, and he loved he loves the kids. He

880
00:43:48,920 --> 00:43:51,879
Speaker 2: is happy to do whatever Danny needs him to do,

881
00:43:52,000 --> 00:43:53,160
Speaker 2: which is a great moment.

882
00:43:53,640 --> 00:43:56,279
Speaker 1: Was this I thought I wrote it down. No, it

883
00:43:56,400 --> 00:43:59,560
Speaker 1: was at the end where we hear the first strings

884
00:43:59,560 --> 00:43:59,799
Speaker 1: of the.

885
00:43:59,760 --> 00:44:03,040
Speaker 2: Viol Oh that comes later. I don't think they were.

886
00:44:03,000 --> 00:44:05,359
Speaker 1: Vital they were, no, but it was definitely a more

887
00:44:05,440 --> 00:44:08,720
Speaker 1: quiet moment. But I but this this the first strings

888
00:44:08,719 --> 00:44:11,800
Speaker 1: of the violin are played at the end of this episode.

889
00:44:11,880 --> 00:44:13,080
Speaker 2: Oh, yes, I can't wait for that.

890
00:44:13,200 --> 00:44:13,680
Speaker 1: I can't wait.

891
00:44:15,160 --> 00:44:18,120
Speaker 2: So Danny once again gets emotional and hugs him again,

892
00:44:18,520 --> 00:44:22,160
Speaker 2: and Jesse says he's gonna need to regulate this hugging.

893
00:44:22,200 --> 00:44:26,000
Speaker 2: So again this joke, Yeah, this, These jokes were supposed

894
00:44:26,040 --> 00:44:26,919
Speaker 2: to be funny at the time.

895
00:44:26,960 --> 00:44:29,160
Speaker 1: You're supposed to be funny at the time. Now it's

896
00:44:29,239 --> 00:44:32,240
Speaker 1: not funny. But I'm also I'll try and give benefit

897
00:44:32,239 --> 00:44:34,640
Speaker 1: of the doubt here. Celia, my best friend does not

898
00:44:34,760 --> 00:44:37,200
Speaker 1: like to be hugged. Oh okay, and a room of

899
00:44:37,239 --> 00:44:39,680
Speaker 1: pink bunnies or otherwise she's just not a big hugger.

900
00:44:39,719 --> 00:44:40,640
Speaker 2: So I respect that.

901
00:44:40,760 --> 00:44:44,799
Speaker 1: Maybe maybe Jesse, it's not so much the it's you

902
00:44:44,800 --> 00:44:49,000
Speaker 1: know that, not that he's problematic in that regard, but that,

903
00:44:49,200 --> 00:44:52,279
Speaker 1: you know, maybe he just is not. Maybe he's just

904
00:44:52,320 --> 00:44:54,880
Speaker 1: a little he's a little overstimulated, doesn't really want to

905
00:44:54,880 --> 00:44:55,920
Speaker 1: be hugged at that moment.

906
00:44:56,239 --> 00:44:58,799
Speaker 2: I fully respect that's probably it was probably.

907
00:44:58,520 --> 00:45:00,000
Speaker 1: I'm gonna I'm gonna go with that, but that's probab

908
00:45:00,000 --> 00:45:03,759
Speaker 1: probably not true. It was definitely veiled inappropriate sort of

909
00:45:04,520 --> 00:45:05,400
Speaker 1: jokes in the eighties.

910
00:45:05,400 --> 00:45:09,160
Speaker 2: But we're coming to respect each other's boundaries and wishes,

911
00:45:09,320 --> 00:45:12,680
Speaker 2: you know. Yeah, yeah, yeah, awesome. Okay, next scene, we

912
00:45:12,840 --> 00:45:16,680
Speaker 2: are finally in DJ and Stephanie's room, which is such

913
00:45:16,760 --> 00:45:21,480
Speaker 2: a cool room. There is like bangles posters on the wall.

914
00:45:22,040 --> 00:45:24,839
Speaker 2: There is a giants pendant, so you know exactly where

915
00:45:24,840 --> 00:45:27,279
Speaker 2: you are. We're in San Francisco. I just thought this

916
00:45:27,400 --> 00:45:28,600
Speaker 2: was the coolest room.

917
00:45:29,480 --> 00:45:35,560
Speaker 1: The red DJ's red metal bed bed, like the geometric

918
00:45:36,480 --> 00:45:38,080
Speaker 1: wallpaper and.

919
00:45:38,000 --> 00:45:40,120
Speaker 2: The matching bed spread and pillows.

920
00:45:40,239 --> 00:45:44,440
Speaker 1: They were fantastic with her pillow. Person. Oh yeah, first

921
00:45:44,440 --> 00:45:46,759
Speaker 1: time we see the person, we see the pier and

922
00:45:46,880 --> 00:45:51,240
Speaker 1: I have to say, I'm holding like a stuffed dog,

923
00:45:52,800 --> 00:45:55,560
Speaker 1: a stuffed Golden Retriever by the way, but a stuffed dog.

924
00:45:55,600 --> 00:45:59,880
Speaker 1: In the scene, mister Bear is nowhere to be found.

925
00:46:00,120 --> 00:46:03,480
Speaker 2: No, this this is pre mister Bear.

926
00:46:03,120 --> 00:46:05,560
Speaker 1: Speaking of this is that's the original mister bear sitting

927
00:46:05,600 --> 00:46:09,640
Speaker 1: right here behind me. That is in the background of

928
00:46:09,640 --> 00:46:12,879
Speaker 1: my shot. But that's the original mister bear. But yeah,

929
00:46:12,880 --> 00:46:15,040
Speaker 1: he was not in the pilot. I was a little

930
00:46:16,080 --> 00:46:16,920
Speaker 1: I was shocked.

931
00:46:17,000 --> 00:46:19,480
Speaker 2: Actually, So do you think the little the little dog

932
00:46:19,520 --> 00:46:21,440
Speaker 2: you were carrying was supposed to be like a little

933
00:46:21,600 --> 00:46:24,480
Speaker 2: a little I think a comet.

934
00:46:24,520 --> 00:46:26,680
Speaker 1: We didn't have comment yet. Oh, you didn't have comment yet.

935
00:46:26,719 --> 00:46:29,799
Speaker 1: Have we have comment yet? This is foreshadowing. Its foreshadowing

936
00:46:29,920 --> 00:46:31,719
Speaker 1: for sure. Yeah.

937
00:46:31,800 --> 00:46:34,480
Speaker 2: So DJ starts to lay down some roommate ground rules

938
00:46:34,480 --> 00:46:37,160
Speaker 2: while pulling a streamer down the middle of the room

939
00:46:37,239 --> 00:46:39,879
Speaker 2: to divide it in half. Rule number one, don't touch

940
00:46:39,920 --> 00:46:42,799
Speaker 2: my stuff. Rule number two, don't set foot on my

941
00:46:42,920 --> 00:46:44,799
Speaker 2: side of the room. And since the door of the

942
00:46:44,840 --> 00:46:47,439
Speaker 2: room is on DJ side, Stephanie wants to know how

943
00:46:47,480 --> 00:46:50,960
Speaker 2: she'll ever get out, and DJ says it's easy, jump

944
00:46:51,000 --> 00:46:53,919
Speaker 2: out the window and climb down the tree. Stephanie doesn't

945
00:46:53,920 --> 00:46:55,680
Speaker 2: want to do that, so she says she will find

946
00:46:55,760 --> 00:46:59,200
Speaker 2: another way out, and then starts to climb on the curtains.

947
00:46:59,760 --> 00:47:03,239
Speaker 1: Oh and here where we run into one of the

948
00:47:03,239 --> 00:47:06,320
Speaker 1: first things that you can no longer do with television

949
00:47:06,400 --> 00:47:10,120
Speaker 1: or with children on television, which is suspend them more

950
00:47:10,120 --> 00:47:13,240
Speaker 1: than six inches off the ground in a stunt harness.

951
00:47:13,680 --> 00:47:15,600
Speaker 2: But this is one of the most iconic moments in

952
00:47:15,640 --> 00:47:18,600
Speaker 2: the entire episode. And I am so excited to hear, Okay,

953
00:47:18,600 --> 00:47:20,879
Speaker 2: exactly how you did this stunt? Like it doesn't look

954
00:47:20,920 --> 00:47:23,960
Speaker 2: exactly natural, I would say, but tell me how they

955
00:47:23,960 --> 00:47:24,359
Speaker 2: did this.

956
00:47:24,880 --> 00:47:30,200
Speaker 1: So it was there basically was like a it was

957
00:47:30,239 --> 00:47:33,520
Speaker 1: sort of like a rock climbing harness, right, okay, with

958
00:47:33,680 --> 00:47:37,680
Speaker 1: wires attached to either side. So it was almost like

959
00:47:37,719 --> 00:47:42,920
Speaker 1: a really uncomfortable looking bathing suit bottom that was like

960
00:47:43,560 --> 00:47:47,279
Speaker 1: you know those those swings at the park for babes. Yes,

961
00:47:47,520 --> 00:47:50,160
Speaker 1: that are like the plastic hard things, and you stick

962
00:47:50,200 --> 00:47:57,880
Speaker 1: their legs in wearing that under your clothes. It's so comfortable,

963
00:47:58,360 --> 00:48:03,920
Speaker 1: doesn't pinch, you know, not at all restricting anyway. So

964
00:48:04,080 --> 00:48:07,840
Speaker 1: and of course they don't exactly make these like for

965
00:48:08,040 --> 00:48:10,919
Speaker 1: kid sizes, you know what I mean, They're not there's

966
00:48:10,920 --> 00:48:12,680
Speaker 1: so they have to kind of adjust it and do

967
00:48:12,719 --> 00:48:15,600
Speaker 1: it as a whole like fittings with meetings with the

968
00:48:15,640 --> 00:48:18,640
Speaker 1: stunt people and all this stuff. And you know, this

969
00:48:18,719 --> 00:48:21,759
Speaker 1: was my first like big I mean, I'd done one

970
00:48:21,800 --> 00:48:23,719
Speaker 1: episode of television before, so I was like, I didn't

971
00:48:23,760 --> 00:48:25,360
Speaker 1: know I need this worked, So I was like okay,

972
00:48:25,960 --> 00:48:29,320
Speaker 1: and I loved it. I was always up for. Yeah,

973
00:48:29,400 --> 00:48:31,080
Speaker 1: I was a kid that was always up for like

974
00:48:31,120 --> 00:48:34,759
Speaker 1: some silly, crazy adventure. I will say though, it was

975
00:48:34,800 --> 00:48:38,360
Speaker 1: a little uncomfortable, definitely pinched certain places when you're hanging

976
00:48:38,440 --> 00:48:42,880
Speaker 1: in the thing and being supported. And one thing that

977
00:48:42,920 --> 00:48:50,360
Speaker 1: you see as I'm so believably crawling across the curtains

978
00:48:50,400 --> 00:48:55,480
Speaker 1: hand overhand is that the curtains are just slapping me

979
00:48:55,520 --> 00:48:58,600
Speaker 1: in the face right like they're just I can't see.

980
00:48:58,640 --> 00:49:01,520
Speaker 1: I'm like, if you look at my face in the thing,

981
00:49:02,120 --> 00:49:06,880
Speaker 1: it's hilarious because obviously I'm like, I'm my eyes are closed,

982
00:49:06,920 --> 00:49:09,040
Speaker 1: you know what I mean. I'm like, how this child

983
00:49:09,120 --> 00:49:11,680
Speaker 1: is climbing across the curtains with her eyes closed and

984
00:49:11,719 --> 00:49:14,440
Speaker 1: curtains smacking her in the face. And it was dusty

985
00:49:14,520 --> 00:49:16,239
Speaker 1: because everything's dusty on a set.

986
00:49:16,320 --> 00:49:17,240
Speaker 2: Everything is dusty.

987
00:49:17,480 --> 00:49:20,680
Speaker 1: Yeah, and then yeah, and then so I got to

988
00:49:20,800 --> 00:49:23,760
Speaker 1: ride it all the way over and then DJ pulls

989
00:49:23,840 --> 00:49:25,719
Speaker 1: the curtains and I got to like ride it all

990
00:49:25,719 --> 00:49:28,439
Speaker 1: the way back, thus also getting slapped in the face

991
00:49:28,480 --> 00:49:34,560
Speaker 1: the reverse direction with said curtains, but making for really

992
00:49:34,760 --> 00:49:38,600
Speaker 1: really funny and iconic joke, and I mean the best

993
00:49:38,719 --> 00:49:40,759
Speaker 1: joke of the whole thing was they walk in. You know,

994
00:49:40,840 --> 00:49:44,959
Speaker 1: Danny says, Steph, what are you doing? Oh? Just hanging around?

995
00:49:45,280 --> 00:49:49,359
Speaker 2: Yes, that's one of my favorite lines in those whole episode.

996
00:49:49,640 --> 00:49:53,399
Speaker 2: So that your delivery was so perfect on that line

997
00:49:53,440 --> 00:49:56,120
Speaker 2: and so cute and just one of my favorite moments

998
00:49:56,160 --> 00:49:56,399
Speaker 2: in the.

999
00:49:56,360 --> 00:50:00,600
Speaker 1: Whole Well, we start soon seeing that that Steph is

1000
00:50:00,600 --> 00:50:02,920
Speaker 1: a little bit of a kind of a snarky smartass,

1001
00:50:03,719 --> 00:50:06,919
Speaker 1: which I love. But yeah, the curtains scene is it

1002
00:50:06,960 --> 00:50:12,880
Speaker 1: is I vividly, I vividly remember that, you know, I mean,

1003
00:50:12,960 --> 00:50:16,320
Speaker 1: how often do you get hung from curtains as a child.

1004
00:50:17,520 --> 00:50:20,319
Speaker 2: Okay, so Danny gets Stephanie down and Joey comes in,

1005
00:50:20,360 --> 00:50:22,240
Speaker 2: singing and acting like he's going to do the limbo

1006
00:50:22,360 --> 00:50:23,720
Speaker 2: dance under the room divider.

1007
00:50:23,880 --> 00:50:26,360
Speaker 1: It's too low and he can't do it. Do you

1008
00:50:26,360 --> 00:50:29,960
Speaker 1: remember Dave used to like just make that noise and

1009
00:50:30,000 --> 00:50:31,120
Speaker 1: sing that weird song all the time.

1010
00:50:31,640 --> 00:50:33,960
Speaker 2: That jogged a memory for me. Yes, it means you

1011
00:50:34,000 --> 00:50:36,279
Speaker 2: it was a Dave creation. I'm sure it was.

1012
00:50:36,280 --> 00:50:37,839
Speaker 1: Just like a weird It was again one of those

1013
00:50:37,880 --> 00:50:40,640
Speaker 1: Andrea Barber It was just like you he'd walk in

1014
00:50:40,680 --> 00:50:44,719
Speaker 1: the room just like shimmying his shoulders just like that,

1015
00:50:45,760 --> 00:50:47,120
Speaker 1: and then you were like, Okay, now we're done.

1016
00:50:47,280 --> 00:50:49,239
Speaker 2: Yeah, that was not just a weird Gladstone. That was

1017
00:50:49,320 --> 00:50:49,839
Speaker 2: Dave being.

1018
00:50:51,000 --> 00:50:51,959
Speaker 1: That was Dave. Yep.

1019
00:50:53,000 --> 00:50:55,880
Speaker 2: DJ says sharing a room with Stephanie is already a nightmare,

1020
00:50:55,920 --> 00:50:58,640
Speaker 2: and Danny tells her that everything is going to work

1021
00:50:58,640 --> 00:51:01,400
Speaker 2: out super great. Danny has to leave to go to

1022
00:51:01,440 --> 00:51:03,520
Speaker 2: work at the station where he's doing a two part

1023
00:51:03,640 --> 00:51:08,520
Speaker 2: sports report on boxers, highly skilled athletes or bullies in Shorts.

1024
00:51:08,600 --> 00:51:10,759
Speaker 2: This is the first time we learned that Danny is

1025
00:51:10,800 --> 00:51:15,120
Speaker 2: a sports TV reporter, which in the original early pilot

1026
00:51:15,160 --> 00:51:18,400
Speaker 2: script I have he was a weatherman, so that changed.

1027
00:51:19,560 --> 00:51:22,600
Speaker 2: Stephanie asked for a piggyback ride and Danny picks her up,

1028
00:51:23,120 --> 00:51:25,080
Speaker 2: and he tells Jesse and Joey that the baby's schedule

1029
00:51:25,120 --> 00:51:27,040
Speaker 2: is on the fridge and he wants to make sure

1030
00:51:27,080 --> 00:51:29,279
Speaker 2: can the guys handle this. The guy's answer that they

1031
00:51:29,440 --> 00:51:32,239
Speaker 2: definitely got this, and Danny starts to leave. Stephanie looks

1032
00:51:32,239 --> 00:51:33,759
Speaker 2: back at DJ and says.

1033
00:51:34,480 --> 00:51:37,000
Speaker 1: I told you I'd find a way out, and DJ

1034
00:51:37,200 --> 00:51:41,799
Speaker 1: looks miserable. Yep. Speaking of DJ's suggestion of climbing out

1035
00:51:41,800 --> 00:51:45,520
Speaker 1: the window. There's an extra window in that set, or

1036
00:51:45,560 --> 00:51:47,400
Speaker 1: maybe I'm just remembering the Fuller one, but there is

1037
00:51:47,440 --> 00:51:51,080
Speaker 1: a window next to Steph's bed, and I think at

1038
00:51:51,120 --> 00:51:55,239
Speaker 1: some point that went away. Oh and it was just

1039
00:51:55,360 --> 00:52:01,480
Speaker 1: the window seat, but fuller house. I thought I could

1040
00:52:01,520 --> 00:52:03,520
Speaker 1: be again, I could be wrong. I'm gonna keep watching

1041
00:52:03,960 --> 00:52:06,040
Speaker 1: the set because I think we did at some we

1042
00:52:06,120 --> 00:52:08,240
Speaker 1: moved sets, and I think changed a couple little things.

1043
00:52:08,280 --> 00:52:11,120
Speaker 2: But well, we already know the backyard is a shape

1044
00:52:11,120 --> 00:52:14,399
Speaker 2: shifting set, so maybe the bedroom was also somewhat shape

1045
00:52:14,400 --> 00:52:15,080
Speaker 2: shifting as well.

1046
00:52:15,200 --> 00:52:17,200
Speaker 1: It was all they were. All the entire house was

1047
00:52:17,239 --> 00:52:19,640
Speaker 1: shape shifting. It was a Harry Potter spell for sure,

1048
00:52:19,920 --> 00:52:21,240
Speaker 1: to fit everyone in that house.

1049
00:52:21,719 --> 00:52:24,360
Speaker 2: It was an optical illusion. Yes, yes, Well, you know

1050
00:52:24,400 --> 00:52:27,200
Speaker 2: that the pilot is such a major iconic episode that

1051
00:52:27,200 --> 00:52:30,400
Speaker 2: we're gonna have to split this into two different recaps.

1052
00:52:30,480 --> 00:52:33,720
Speaker 2: So let's wrap up this part one of the pilot

1053
00:52:34,120 --> 00:52:35,879
Speaker 2: and make sure that you tune in next time, where

1054
00:52:35,920 --> 00:52:38,560
Speaker 2: we will discuss the second half of the pilot on

1055
00:52:38,840 --> 00:52:41,200
Speaker 2: how Rude Tanner Ritos and don't forget to follow us

1056
00:52:41,200 --> 00:52:44,240
Speaker 2: and dm us on Instagram at how Rude Podcast.