1 00:00:07,920 --> 00:00:12,280 Speaker 1: Check check check yup, it's the blutleg Cap podcast officially 2 00:00:12,800 --> 00:00:15,960 Speaker 1: checked in. I believe it's episode number fifteen. Man, I 3 00:00:16,000 --> 00:00:18,239 Speaker 1: hope everyone's enjoying a crazy ass week. You know we 4 00:00:18,320 --> 00:00:23,840 Speaker 1: out here in Cali. Fires are everywhere country going to shit. 5 00:00:25,000 --> 00:00:30,200 Speaker 1: Oh Donald knew about the goddamn COVID way early. It's just, man, 6 00:00:30,480 --> 00:00:35,320 Speaker 1: shit is crazy. We got a really dope episode coming 7 00:00:35,400 --> 00:00:44,120 Speaker 1: next week with MC eight, the legendary La rapper, so 8 00:00:44,240 --> 00:00:47,040 Speaker 1: be on the lookout for that. Also, just want to 9 00:00:47,040 --> 00:00:51,760 Speaker 1: shout out to everybody who's been leaving reviews on Apple podcasts. 10 00:00:52,479 --> 00:00:54,600 Speaker 1: If you haven't done that, man, please go in there 11 00:00:54,960 --> 00:00:57,360 Speaker 1: leave a review. I prefer five stars, but you know, 12 00:00:57,880 --> 00:01:00,960 Speaker 1: any feedback is definitely wanted. And speaking of feedback, if 13 00:01:00,960 --> 00:01:03,400 Speaker 1: you've got any feedback on the podcast, just like hit 14 00:01:03,440 --> 00:01:07,440 Speaker 1: me up, Twitter, Instagram, whatever. I appreciate everyone who tags 15 00:01:07,480 --> 00:01:11,000 Speaker 1: and and shows love, but yeah, just get at me Twitter, 16 00:01:11,080 --> 00:01:13,920 Speaker 1: Instagram at bou leg keV. Do you have any feedback? 17 00:01:15,240 --> 00:01:19,319 Speaker 1: A lot of dope music out I just want to 18 00:01:19,360 --> 00:01:23,000 Speaker 1: give a lot of love and and and acknowledgment to 19 00:01:23,160 --> 00:01:25,960 Speaker 1: Big Shawn's album, one of the best albums of the year. 20 00:01:26,120 --> 00:01:28,280 Speaker 1: I think I already gave this album a lot of love, 21 00:01:29,000 --> 00:01:32,720 Speaker 1: but I want to do it again. Hit Boy is 22 00:01:32,720 --> 00:01:37,759 Speaker 1: on the podcast today now. He executive produced Big Seawan's album. 23 00:01:38,760 --> 00:01:42,760 Speaker 1: He also put out two albums this year, one with 24 00:01:44,040 --> 00:01:48,880 Speaker 1: Dom Kennedy in August, another album with him himself and 25 00:01:49,000 --> 00:01:53,920 Speaker 1: him the Chauncey Hollis Project. Those are both albums that 26 00:01:53,960 --> 00:01:57,520 Speaker 1: he's producing and rapping on. Then, he executive produced NASA's 27 00:01:57,600 --> 00:02:03,600 Speaker 1: King's Disease and executive produced Big Sean's Detroit two. And 28 00:02:03,720 --> 00:02:06,800 Speaker 1: coming next month, there'll be a Benny the Butcher and 29 00:02:06,960 --> 00:02:11,080 Speaker 1: hit Boy album called Burden of Proof. So I just 30 00:02:11,080 --> 00:02:15,040 Speaker 1: want to acknowledge the twenty twenty that today's guest is having. 31 00:02:15,960 --> 00:02:20,800 Speaker 1: Also shout out to Alchemists, just cause if we're shouting 32 00:02:20,840 --> 00:02:23,520 Speaker 1: out producers who have had amazing twenty twenties, I feel 33 00:02:23,520 --> 00:02:25,200 Speaker 1: like hit Boy and Alchemists are the two guys you 34 00:02:25,200 --> 00:02:27,480 Speaker 1: got to talk about. Alchemists put out a whole album 35 00:02:27,480 --> 00:02:32,120 Speaker 1: of Boldie James, whole album, McConway whole album with Freddie Gibbs. Jesus, 36 00:02:32,120 --> 00:02:34,720 Speaker 1: that motherfucker's working. Shout out to ALC, Shout out to 37 00:02:34,800 --> 00:02:38,360 Speaker 1: hit Boy, shout out to our sponsors. All Right, we 38 00:02:38,440 --> 00:02:43,280 Speaker 1: have got two amazing sponsors, possibly adding more soon, but 39 00:02:43,360 --> 00:02:46,119 Speaker 1: shout out to vapin. Make sure you go to vapincbd 40 00:02:46,200 --> 00:02:50,640 Speaker 1: dot com. That's v A P E N CBD dot com. 41 00:02:51,000 --> 00:02:54,640 Speaker 1: Get you some CBD oil. Go on there and use 42 00:02:54,680 --> 00:02:57,040 Speaker 1: the keyword bootleg Kevin. You're gonna get twenty percent off 43 00:02:57,080 --> 00:03:01,120 Speaker 1: at vapincbd dot com. You can also go to vapenmerged 44 00:03:01,160 --> 00:03:04,040 Speaker 1: dot com. They've been clear dot com and hit that 45 00:03:04,880 --> 00:03:07,480 Speaker 1: lovely herbal Wellness center on the west side of Phoenix 46 00:03:07,520 --> 00:03:10,960 Speaker 1: if you're in Arizona. Also shout out to our official sponsor, 47 00:03:11,080 --> 00:03:14,120 Speaker 1: odds Socks. All right, man, they're always showing us love. 48 00:03:14,720 --> 00:03:17,680 Speaker 1: Shout out to odd Socks for having the most comfortable 49 00:03:17,680 --> 00:03:19,079 Speaker 1: socks in the world and some of the fly of 50 00:03:19,200 --> 00:03:21,240 Speaker 1: socks that you could ever put on your feet in 51 00:03:21,600 --> 00:03:23,840 Speaker 1: some awesome masks too. If you need a mask, man, 52 00:03:23,880 --> 00:03:26,440 Speaker 1: I gotta be rocking the street fighter one. Shout out 53 00:03:26,440 --> 00:03:32,639 Speaker 1: to odd Socks. Look, they got Nickelodeon, WWE, Goodfellas, all 54 00:03:32,720 --> 00:03:35,840 Speaker 1: kinds of just amazing socks. So go get you some 55 00:03:36,400 --> 00:03:41,480 Speaker 1: at odd socksofficial dot com. Keyword bootleg cav again. Keyword 56 00:03:41,520 --> 00:03:44,120 Speaker 1: bootleg cav you get twenty percent off at odd socksofficial 57 00:03:44,160 --> 00:03:46,560 Speaker 1: dot com. And if you support our sponsors, that's kind 58 00:03:46,560 --> 00:03:50,920 Speaker 1: of a way you can support what I'm doing. This 59 00:03:50,960 --> 00:03:53,400 Speaker 1: is obviously my own platform. You know, I do the 60 00:03:53,480 --> 00:03:55,920 Speaker 1: radio thing, but this is a platform that I have 61 00:03:55,920 --> 00:04:00,760 Speaker 1: one hundred percent ownership in and I'd appreciate any support 62 00:04:00,800 --> 00:04:03,600 Speaker 1: with our partners. So I appreciate that, And look, we 63 00:04:03,680 --> 00:04:07,640 Speaker 1: got a big episode today. I've known hit Boy going 64 00:04:07,680 --> 00:04:15,680 Speaker 1: on who probably eight or nine years, very close with 65 00:04:16,480 --> 00:04:22,080 Speaker 1: audio push from I E. Shout out to Price and Octane. 66 00:04:22,120 --> 00:04:24,520 Speaker 1: Those are my brothers right there. I've known them for 67 00:04:24,560 --> 00:04:27,160 Speaker 1: about ten years and I met hit Boy through them. 68 00:04:27,720 --> 00:04:32,400 Speaker 1: They were on HS eighty seven and I had a 69 00:04:32,400 --> 00:04:36,440 Speaker 1: bunch of dope days going over to hit Boy's house 70 00:04:36,839 --> 00:04:39,800 Speaker 1: in Tarzana. He had a house called the House of 71 00:04:39,880 --> 00:04:42,240 Speaker 1: hit and it was where him and everyone on his 72 00:04:42,320 --> 00:04:47,479 Speaker 1: label lived, and yeah, man, it was just real dope. 73 00:04:47,480 --> 00:04:49,760 Speaker 1: And Hit Boy's always been one of my favorite producers, 74 00:04:50,320 --> 00:04:52,560 Speaker 1: and I just feel like he hasn't got a lot 75 00:04:52,560 --> 00:04:56,559 Speaker 1: of his just do and I feel like that's starting 76 00:04:56,560 --> 00:04:59,120 Speaker 1: to change. I think that battle was against Boy. Wander 77 00:04:59,160 --> 00:05:02,120 Speaker 1: started to help that a little. But salute a hit 78 00:05:02,160 --> 00:05:04,800 Speaker 1: Boy he is on the podcast today. Again, thank you 79 00:05:04,839 --> 00:05:08,720 Speaker 1: to everybody for tuning in. I'm also curious anybody who's 80 00:05:08,760 --> 00:05:12,279 Speaker 1: listening to this tweet me or Instagram dm me and 81 00:05:12,400 --> 00:05:14,160 Speaker 1: let me know what other type of guests you'd like 82 00:05:14,200 --> 00:05:16,560 Speaker 1: to see on the podcast. We've been going heavy with 83 00:05:16,600 --> 00:05:20,200 Speaker 1: the rappers, producers, you know, all that, but I'm really 84 00:05:20,240 --> 00:05:21,479 Speaker 1: trying to switch it up. You know, we have my 85 00:05:21,480 --> 00:05:23,919 Speaker 1: boys Chappelle Lacy on the show, who's a comedian, so 86 00:05:23,920 --> 00:05:27,600 Speaker 1: we're gonna try to get some more comedians on. But yeah, 87 00:05:27,800 --> 00:05:30,359 Speaker 1: just like what kind of guests would you like to 88 00:05:30,400 --> 00:05:34,680 Speaker 1: see on the show. There's a potential Patreon that we're 89 00:05:34,720 --> 00:05:37,880 Speaker 1: working on where we're gonna do like an extra episode 90 00:05:37,880 --> 00:05:40,880 Speaker 1: every week that you can subscribe to our patreon to 91 00:05:41,080 --> 00:05:43,719 Speaker 1: listen to, and thinking about kind of leaning more in 92 00:05:43,760 --> 00:05:46,120 Speaker 1: the music industry aspect on that to where like we 93 00:05:46,200 --> 00:05:52,239 Speaker 1: talk to a lot of industry insiders, managers, just people 94 00:05:52,279 --> 00:05:55,880 Speaker 1: behind the scenes, record executives, A and rs all that 95 00:05:55,920 --> 00:05:58,960 Speaker 1: to just kind of just give people a lot of game. 96 00:05:59,600 --> 00:06:02,120 Speaker 1: So let me know what kind of content you want 97 00:06:02,160 --> 00:06:03,960 Speaker 1: us to do on the Bootleg Cab podcast. And I 98 00:06:03,960 --> 00:06:06,880 Speaker 1: think everybody who's been listening, we dropped the Dizzy Right 99 00:06:06,960 --> 00:06:10,039 Speaker 1: and Demrick episode that's out, and the week before that 100 00:06:10,080 --> 00:06:12,120 Speaker 1: we dropped the Gashy episode. If you did not listen 101 00:06:12,120 --> 00:06:14,000 Speaker 1: to that Gashy episode, it's one of my favorite interviews 102 00:06:14,000 --> 00:06:16,040 Speaker 1: I've ever done. So even if you're not a Gashy fan, 103 00:06:16,080 --> 00:06:18,320 Speaker 1: it's just a great como. Go check it out today 104 00:06:18,360 --> 00:06:21,080 Speaker 1: though it's about hit Boy. Shout out to hit Boy 105 00:06:21,120 --> 00:06:23,800 Speaker 1: man the legend himself. Let's get into this podcast. It's 106 00:06:23,800 --> 00:06:27,000 Speaker 1: out Bootleg Cab Podcast Episode number fifteen with hit Boy 107 00:06:27,200 --> 00:06:31,840 Speaker 1: Heard it out, Congratulations on it on everything, Thank you bro. 108 00:06:32,120 --> 00:06:35,600 Speaker 1: Just locked inn Man, you already know, man, I've just 109 00:06:35,640 --> 00:06:37,360 Speaker 1: been I've been seeing a lot of love, a lot 110 00:06:37,360 --> 00:06:40,520 Speaker 1: of people add me on ig add me on Twitter, 111 00:06:40,680 --> 00:06:43,160 Speaker 1: just like, Man, You're going crazy, and it's like, I 112 00:06:43,200 --> 00:06:45,120 Speaker 1: feel like I've been in this pocket. But I guess 113 00:06:45,120 --> 00:06:48,080 Speaker 1: it's just taken a minute for everything to catch up. Yeah, 114 00:06:48,160 --> 00:06:51,480 Speaker 1: it's interesting because obviously you and Sean have been working 115 00:06:51,480 --> 00:06:56,440 Speaker 1: on Detroit two for a long time, since twenty eighteen. Yeah, 116 00:06:56,640 --> 00:06:59,880 Speaker 1: I feel like you know this has been highly into 117 00:07:00,120 --> 00:07:04,440 Speaker 1: paid it House. How long ago did you and nas 118 00:07:04,480 --> 00:07:09,680 Speaker 1: decide to fully connect for King's disease. It's crazy because, 119 00:07:10,080 --> 00:07:12,880 Speaker 1: like you said, we was working on Sean album for 120 00:07:12,960 --> 00:07:15,360 Speaker 1: a minute. We was already in a groove with that. 121 00:07:15,520 --> 00:07:18,040 Speaker 1: So I was just you know, from talking to him 122 00:07:18,040 --> 00:07:20,640 Speaker 1: every day working on his records and listening to records 123 00:07:20,680 --> 00:07:22,320 Speaker 1: that wasn't mine, but that he was gonna put on 124 00:07:22,320 --> 00:07:25,440 Speaker 1: the album because I'm executive producing it. I just got 125 00:07:25,480 --> 00:07:27,720 Speaker 1: sold deep in a bag that by the time me 126 00:07:27,800 --> 00:07:30,720 Speaker 1: and nas linked was was it was only February this year. 127 00:07:30,840 --> 00:07:34,360 Speaker 1: That was six months ago. I mean, it's fucking September, 128 00:07:34,480 --> 00:07:37,160 Speaker 1: right before the pandemic, right before the pandemic. That's what's 129 00:07:37,200 --> 00:07:40,480 Speaker 1: crazy about King's disease. People think it's like, oh, they 130 00:07:40,600 --> 00:07:42,520 Speaker 1: took the COVID shit, But we could th all the 131 00:07:42,560 --> 00:07:45,000 Speaker 1: King's disease before this shit cracked up, before he was 132 00:07:45,040 --> 00:07:47,400 Speaker 1: all in the house, before all the corona all that. 133 00:07:48,080 --> 00:07:53,240 Speaker 1: So yeah, we connected in February and just did a record, 134 00:07:53,320 --> 00:07:55,720 Speaker 1: and we just kept doing songs, and before we looked up, 135 00:07:55,760 --> 00:07:57,480 Speaker 1: we had an album. And it didn't even take long 136 00:07:57,520 --> 00:07:59,640 Speaker 1: to get the base of it, like maybe a couple 137 00:07:59,680 --> 00:08:04,320 Speaker 1: of weeks. Wow. I want to dive into everything that's 138 00:08:04,360 --> 00:08:06,680 Speaker 1: going on in the last year, but I kind of 139 00:08:06,680 --> 00:08:09,400 Speaker 1: want to also touch base on. You know a lot 140 00:08:09,400 --> 00:08:11,160 Speaker 1: of people who are watching this might not know your 141 00:08:11,200 --> 00:08:13,160 Speaker 1: come up, might not know where you're from. You from 142 00:08:13,280 --> 00:08:16,920 Speaker 1: You're from Fontana, right, I'm a two ten baby. I'm 143 00:08:16,960 --> 00:08:20,160 Speaker 1: from between Pasadena and Ie. So I stayed all over 144 00:08:20,200 --> 00:08:24,080 Speaker 1: the Ie. But I stayed in Pasadena until I was thirteen. Okay, 145 00:08:24,080 --> 00:08:26,040 Speaker 1: you know what I'm saying. So I just called myself 146 00:08:26,040 --> 00:08:27,840 Speaker 1: a two ten baby. I'm back and forth off to 147 00:08:27,880 --> 00:08:30,680 Speaker 1: two ten. Man. That's I take that. I take that 148 00:08:30,720 --> 00:08:32,800 Speaker 1: freeway every time I go back home to Phoenix, take 149 00:08:32,840 --> 00:08:38,800 Speaker 1: the two ten. But yeah, so you started getting into music. 150 00:08:39,440 --> 00:08:41,679 Speaker 1: Was it first as a producer? Was it first as 151 00:08:41,720 --> 00:08:44,640 Speaker 1: a rapper? Like? How was your introduction into the into 152 00:08:44,960 --> 00:08:49,840 Speaker 1: just just creating? Man? I was always into it. But 153 00:08:50,559 --> 00:08:52,920 Speaker 1: when I was like thirteen, I just like picked up 154 00:08:52,920 --> 00:08:54,800 Speaker 1: a pen and a pad and I was just like, man, 155 00:08:55,000 --> 00:08:56,720 Speaker 1: I don't know what I'm about to say, but I'm 156 00:08:56,720 --> 00:08:58,680 Speaker 1: about to just try to get something out. And I 157 00:08:58,760 --> 00:09:01,160 Speaker 1: just every day I was on it, just writing. I 158 00:09:01,320 --> 00:09:04,240 Speaker 1: used to fill up notebooks just like you know, wrapping 159 00:09:04,280 --> 00:09:06,440 Speaker 1: all type of whatever, just anything I could think of. 160 00:09:06,520 --> 00:09:08,160 Speaker 1: And then I finally got to the point where I 161 00:09:08,160 --> 00:09:11,120 Speaker 1: can record. So that's when I met this kid in 162 00:09:11,440 --> 00:09:17,400 Speaker 1: rialto this nigga was making beats, recording itself acid pro 163 00:09:17,640 --> 00:09:21,760 Speaker 1: fl bro. So we was making albums and he was 164 00:09:21,800 --> 00:09:24,040 Speaker 1: doing all the beats. And then after a while I 165 00:09:24,040 --> 00:09:25,839 Speaker 1: just started messing with it playing. I was just playing 166 00:09:25,880 --> 00:09:27,680 Speaker 1: around like and I was just like this shit is 167 00:09:27,679 --> 00:09:29,960 Speaker 1: pretty fun. So I just kept going in and after 168 00:09:30,000 --> 00:09:32,640 Speaker 1: a while, like I was heavy on you know, video 169 00:09:32,720 --> 00:09:36,439 Speaker 1: games and shit, so I replaced you know, video games 170 00:09:36,440 --> 00:09:38,480 Speaker 1: with beats, and I just kept making beats every day. 171 00:09:38,480 --> 00:09:41,880 Speaker 1: I was playing basketball. I played my whole ninth grade year, 172 00:09:41,960 --> 00:09:45,679 Speaker 1: and I was was practicing for you know, my this 173 00:09:45,840 --> 00:09:49,160 Speaker 1: the next season, and Bro, over a weekend, I like 174 00:09:49,200 --> 00:09:52,000 Speaker 1: got a computer set up the fl and I went 175 00:09:52,040 --> 00:09:54,199 Speaker 1: to school the next week and I was like, yo, 176 00:09:54,240 --> 00:09:56,760 Speaker 1: I'm not I'm not coming back to practice, Bro, I'm 177 00:09:56,760 --> 00:09:58,280 Speaker 1: about to be on these beats. And this is two 178 00:09:58,320 --> 00:10:00,560 Speaker 1: thousand and three. So they looking at me like, get 179 00:10:00,600 --> 00:10:02,600 Speaker 1: the fuck yeah, beats. You know what I'm saying, Like, 180 00:10:02,679 --> 00:10:04,600 Speaker 1: that's a one early you get a one, it's a 181 00:10:04,640 --> 00:10:07,520 Speaker 1: one in a million chance. Well that's like early free loops. 182 00:10:07,679 --> 00:10:10,319 Speaker 1: That that's around the time Ninet had probably made like 183 00:10:10,320 --> 00:10:12,720 Speaker 1: like Little Brothers started a pop man, that shit was 184 00:10:12,720 --> 00:10:15,640 Speaker 1: like FL three point five, Like it was just I 185 00:10:15,679 --> 00:10:18,199 Speaker 1: can't even remember the functionalities, but I don't think you 186 00:10:18,240 --> 00:10:20,120 Speaker 1: could do a whole lot back then, So you pretty 187 00:10:20,200 --> 00:10:25,760 Speaker 1: much replaced all of your extracurricular shit video games, sports, sports. 188 00:10:25,880 --> 00:10:28,720 Speaker 1: I'm going all in on beats, on just music. I 189 00:10:28,760 --> 00:10:31,160 Speaker 1: was making albums, I was recording, I was writing, I 190 00:10:31,200 --> 00:10:33,840 Speaker 1: was making beats just But I'm glad I stuck to 191 00:10:34,000 --> 00:10:36,440 Speaker 1: like the sonics of it early in my career, just 192 00:10:36,480 --> 00:10:38,520 Speaker 1: like because I feel like you get a longer life 193 00:10:38,520 --> 00:10:40,640 Speaker 1: when you locked in on the sonics of it, Like 194 00:10:40,800 --> 00:10:42,840 Speaker 1: being a rapper, you get a certain shelf life, so 195 00:10:42,880 --> 00:10:45,040 Speaker 1: you know what I'm saying, everybody don't last forever with that. 196 00:10:45,120 --> 00:10:48,040 Speaker 1: But making beats, you could catch runs on runs like 197 00:10:48,080 --> 00:10:50,600 Speaker 1: I'm on my fucking damn their third run. I'm thirty 198 00:10:50,600 --> 00:10:54,520 Speaker 1: three years old, So it's like, you know, locking in 199 00:10:54,559 --> 00:10:56,719 Speaker 1: on the sonics also allowed me to be able to 200 00:10:56,800 --> 00:10:59,360 Speaker 1: fucking make still make my music and make the shit 201 00:10:59,440 --> 00:11:01,200 Speaker 1: harder than this ever been. Like I feel like every 202 00:11:01,200 --> 00:11:03,200 Speaker 1: song I do is just getting better and better. So 203 00:11:03,520 --> 00:11:06,000 Speaker 1: and I'm seeing people that I respect reach out like, yo, 204 00:11:06,080 --> 00:11:08,360 Speaker 1: you you're really going on this ship, Like it's not 205 00:11:08,400 --> 00:11:11,000 Speaker 1: just the beat, so it's just music at the end 206 00:11:11,000 --> 00:11:13,480 Speaker 1: of the day. It's crazy because like you said, you've 207 00:11:13,480 --> 00:11:16,560 Speaker 1: had some runs, right, Like I think we all know 208 00:11:16,920 --> 00:11:22,080 Speaker 1: your first kind of run or introduction to everybody, kind 209 00:11:22,080 --> 00:11:26,160 Speaker 1: of knowing that who hit Boy is was Watched the Throne, 210 00:11:26,440 --> 00:11:30,599 Speaker 1: that era of working with Ya and in Paris is 211 00:11:30,640 --> 00:11:34,960 Speaker 1: one of the most iconic songs. Yeah, ever like that 212 00:11:34,960 --> 00:11:38,760 Speaker 1: that way had to be like it, you know from 213 00:11:38,760 --> 00:11:41,000 Speaker 1: there you you you, You was on you know, working 214 00:11:41,040 --> 00:11:46,120 Speaker 1: with re Read and and there was rock just a 215 00:11:46,200 --> 00:11:51,360 Speaker 1: crazy run. I felt like at that time I was 216 00:11:51,400 --> 00:11:53,960 Speaker 1: real close with my dude Lifted, who did Mercy, who 217 00:11:54,040 --> 00:12:01,040 Speaker 1: was working with Kanye what? Yeah? But what because why 218 00:12:01,080 --> 00:12:05,240 Speaker 1: didn't we get more music with you and yay Man? Bro? Look, 219 00:12:05,280 --> 00:12:08,080 Speaker 1: this is the thing and that's that's why it's another 220 00:12:08,280 --> 00:12:10,640 Speaker 1: like it's another part that's you know, my story that's 221 00:12:10,679 --> 00:12:13,720 Speaker 1: disconnected because you got to think about it. Bro. I 222 00:12:13,840 --> 00:12:16,920 Speaker 1: was signed to Good Music for two years right as 223 00:12:16,960 --> 00:12:20,800 Speaker 1: a producer as a producer, and I mean I produced 224 00:12:21,480 --> 00:12:23,480 Speaker 1: you Know Wish You Would with him and Rose. I 225 00:12:23,559 --> 00:12:29,800 Speaker 1: produced Stair, flu I produced Click, I produced Christmas and Harlem. 226 00:12:29,800 --> 00:12:33,120 Speaker 1: I produced Niggas in Paris. Is that my Mortal Kombat on. 227 00:12:34,200 --> 00:12:37,520 Speaker 1: Let's turn that thing on, keep going. But so so 228 00:12:37,640 --> 00:12:39,520 Speaker 1: in Paris click, I mean, you know what I'm saying. 229 00:12:39,520 --> 00:12:41,400 Speaker 1: And it's just like that's just a two year span 230 00:12:41,480 --> 00:12:43,960 Speaker 1: and let alone like, you know, producing stuff like my 231 00:12:44,120 --> 00:12:47,800 Speaker 1: God for pushing, producing multiple songs on John Legend's album, 232 00:12:47,840 --> 00:12:50,520 Speaker 1: producing songs on Big Sean's Detroit One. I had a 233 00:12:50,679 --> 00:12:52,880 Speaker 1: I had a beat on there. So just like I 234 00:12:53,000 --> 00:12:54,600 Speaker 1: was doing it, I did a lot of show you 235 00:12:54,640 --> 00:12:56,280 Speaker 1: did do a lot. I just think that like, once 236 00:12:56,320 --> 00:12:59,240 Speaker 1: that two year span was up, it was it was 237 00:12:59,280 --> 00:13:02,160 Speaker 1: almost like that was like it with y'all working together. 238 00:13:02,200 --> 00:13:04,880 Speaker 1: I mean, you know, we both creatives, you know what 239 00:13:04,920 --> 00:13:08,680 Speaker 1: I'm saying. We both just like it was always something 240 00:13:08,960 --> 00:13:11,880 Speaker 1: but there's nothing but respect on my side, you know 241 00:13:11,960 --> 00:13:14,920 Speaker 1: as far as the creative goes. Like when you were 242 00:13:14,960 --> 00:13:16,800 Speaker 1: signed with Good, was it like do they get first 243 00:13:16,880 --> 00:13:20,079 Speaker 1: right refusal on your beats? Man? I mean they would 244 00:13:20,080 --> 00:13:22,560 Speaker 1: just take the hardest shit. So it was basically like 245 00:13:22,600 --> 00:13:24,480 Speaker 1: that anyway, right, I mean you know it's funny. Bro. 246 00:13:24,559 --> 00:13:27,400 Speaker 1: At a point I was like telling my manager like 247 00:13:27,440 --> 00:13:30,679 Speaker 1: if it's not Yay Jay or Beyonce, like don't book 248 00:13:30,840 --> 00:13:33,079 Speaker 1: no sessions like this was at for I don't know, 249 00:13:33,120 --> 00:13:35,520 Speaker 1: I can't think about how long I was on this way, 250 00:13:35,559 --> 00:13:37,360 Speaker 1: but I was on that way for a while, just 251 00:13:37,400 --> 00:13:39,960 Speaker 1: like you know, that's something that's crazy to be able 252 00:13:39,960 --> 00:13:42,560 Speaker 1: to even say. But you know, I guess this is 253 00:13:42,600 --> 00:13:45,760 Speaker 1: why people want to call it a reseurg is now, 254 00:13:45,880 --> 00:13:47,920 Speaker 1: Like it's just me spreading my sound out more and 255 00:13:47,960 --> 00:13:50,400 Speaker 1: just locking in with more people and just dial in, 256 00:13:50,640 --> 00:13:54,520 Speaker 1: dialing in on just that level. I guess now the 257 00:13:54,600 --> 00:13:57,400 Speaker 1: other waves that I was a really good, big fan 258 00:13:57,440 --> 00:14:00,280 Speaker 1: of and really close to shout out to through my 259 00:14:00,320 --> 00:14:05,800 Speaker 1: dog's audio push when you launched HS eighty seven and 260 00:14:05,960 --> 00:14:10,439 Speaker 1: really just went hard putting on your your area. Nah, 261 00:14:10,440 --> 00:14:13,280 Speaker 1: that was another thing man, Like you gotta understand, uh 262 00:14:13,480 --> 00:14:16,520 Speaker 1: fucking I caught niggas in Paris and I wasn't trying 263 00:14:16,559 --> 00:14:18,160 Speaker 1: to make a niggas in Paris. That was just the 264 00:14:18,200 --> 00:14:20,080 Speaker 1: type of music me and the homies did. Like one 265 00:14:20,080 --> 00:14:22,440 Speaker 1: of my one of my niggas, Chilly Chill, he had 266 00:14:22,440 --> 00:14:24,480 Speaker 1: a he had a song on the Niggas in Paris, 267 00:14:24,480 --> 00:14:26,240 Speaker 1: but we was about to drop that on his mixtape 268 00:14:26,320 --> 00:14:29,280 Speaker 1: right before right before done, hit me like yo, send 269 00:14:29,320 --> 00:14:31,280 Speaker 1: me the files, like that was just a beat that 270 00:14:31,360 --> 00:14:33,240 Speaker 1: I was like, whatever on, you know what I'm saying. 271 00:14:33,280 --> 00:14:39,360 Speaker 1: So it's like, like, you know, balancing that, balancing producing 272 00:14:39,400 --> 00:14:42,240 Speaker 1: for high level artists, trying to do my own shit, 273 00:14:42,720 --> 00:14:45,600 Speaker 1: trying to like, you know, produce for Audio Push, Kate 274 00:14:45,720 --> 00:14:48,000 Speaker 1: Roosevelt all the homies like that was just a lot 275 00:14:48,080 --> 00:14:50,080 Speaker 1: for a fucking twenty five year old to deal with 276 00:14:50,200 --> 00:14:53,200 Speaker 1: and not having like the proper infrastructure. So it just 277 00:14:53,280 --> 00:14:55,240 Speaker 1: was me pushing myself every day and after a while, 278 00:14:55,280 --> 00:14:57,440 Speaker 1: you just get burnt out. So you know, I just 279 00:14:57,480 --> 00:14:59,640 Speaker 1: had to really scale back and just get let me be, like, 280 00:14:59,680 --> 00:15:02,960 Speaker 1: let me go back to being hit boy, like, no expectations, 281 00:15:03,040 --> 00:15:05,520 Speaker 1: no industry as shit, Like I'm about to just make 282 00:15:05,600 --> 00:15:08,160 Speaker 1: heat and I'm feel a lock in. Is there anything 283 00:15:08,200 --> 00:15:12,600 Speaker 1: you regret about that HS eighty seven era? You guys 284 00:15:12,600 --> 00:15:14,640 Speaker 1: made some amazing music. I think a lot of it 285 00:15:14,720 --> 00:15:17,000 Speaker 1: was really slept on. I think you know, come as 286 00:15:17,000 --> 00:15:18,800 Speaker 1: you are about Audio Pushing one of my favorite tapes, 287 00:15:20,280 --> 00:15:22,360 Speaker 1: and I just felt like you guys kind of despite 288 00:15:22,400 --> 00:15:24,800 Speaker 1: even being affiliated with Interscope at the time, I felt 289 00:15:24,840 --> 00:15:27,880 Speaker 1: like they never really gave y'all like did just do 290 00:15:28,840 --> 00:15:30,960 Speaker 1: for the level of music y'all were making Was there anything? 291 00:15:31,760 --> 00:15:33,960 Speaker 1: It's just like I said, Man, I had so much 292 00:15:34,000 --> 00:15:37,280 Speaker 1: going on, trying to you know, remain hot as a producer, 293 00:15:37,840 --> 00:15:39,920 Speaker 1: you know, getting my artists ht all that shit. But 294 00:15:40,960 --> 00:15:43,320 Speaker 1: it ain't nothing I regret at all. Hell No, like 295 00:15:43,360 --> 00:15:44,640 Speaker 1: you know what I'm saying, being able to put on 296 00:15:44,680 --> 00:15:47,360 Speaker 1: for the homies, get him opportunity regardless of you know 297 00:15:47,360 --> 00:15:50,360 Speaker 1: what I'm saying, how everything panned out. Everybody's still doing 298 00:15:50,360 --> 00:15:52,160 Speaker 1: their thing, like you know what I'm saying. So it's 299 00:15:52,240 --> 00:15:54,440 Speaker 1: like we all got to learn. I got to learn 300 00:15:54,480 --> 00:15:56,479 Speaker 1: on a high level, you know what I'm saying. I 301 00:15:56,520 --> 00:15:59,000 Speaker 1: caught that record Jimmy Iveen just gave me a crazy 302 00:15:59,080 --> 00:16:03,000 Speaker 1: bag and then the house hit. But then that was it, 303 00:16:03,080 --> 00:16:04,560 Speaker 1: you know what I'm saying. It wasn't like this is 304 00:16:04,600 --> 00:16:07,440 Speaker 1: how you do it. Woo woo, here's your frunning bag. 305 00:16:07,560 --> 00:16:09,960 Speaker 1: Now you figure it out exactly. So you know that's 306 00:16:10,000 --> 00:16:12,120 Speaker 1: that's that's cool. But you know that's what that was 307 00:16:12,120 --> 00:16:14,960 Speaker 1: like going to like college, like for me, you guys 308 00:16:15,000 --> 00:16:19,560 Speaker 1: had a house and Sino Tar that was cracking. It 309 00:16:19,680 --> 00:16:23,200 Speaker 1: was crazy. Everybody was in rooms working like five studios. 310 00:16:23,720 --> 00:16:26,400 Speaker 1: Everybody was pulling up working. But you know, it also 311 00:16:26,560 --> 00:16:28,080 Speaker 1: got to be too much, you know what I'm saying. 312 00:16:28,200 --> 00:16:31,440 Speaker 1: And yeah, the parties were kind of cool for shore. 313 00:16:31,520 --> 00:16:36,040 Speaker 1: The parties already cracking for show. But just yeah, bro, 314 00:16:36,200 --> 00:16:38,680 Speaker 1: like that's what led me to this point I'm at now. 315 00:16:38,800 --> 00:16:41,440 Speaker 1: You know, just I did that for years, like having 316 00:16:41,440 --> 00:16:44,640 Speaker 1: these home studios and just locking in, having people in 317 00:16:44,720 --> 00:16:47,640 Speaker 1: and out, and I feel like me going crazy now 318 00:16:47,840 --> 00:16:50,040 Speaker 1: was me like, I'm about to go work by myself. 319 00:16:50,080 --> 00:16:52,200 Speaker 1: I'm about to like just really go back to just 320 00:16:52,280 --> 00:16:54,800 Speaker 1: hit boy. And you know, I got I found a 321 00:16:54,800 --> 00:16:57,680 Speaker 1: perfect room to lock in on within the first year. 322 00:16:57,760 --> 00:16:59,480 Speaker 1: I want to gram me out that motherfucker with it. 323 00:16:59,640 --> 00:17:02,840 Speaker 1: Rest of peace in the middle. So you know, it's just, 324 00:17:03,280 --> 00:17:05,199 Speaker 1: oh no, I just went back to being me like 325 00:17:05,320 --> 00:17:08,200 Speaker 1: full blown. We also skipped over surf Club that era, 326 00:17:08,440 --> 00:17:11,040 Speaker 1: right exactly. Surf club Man, say surf club man, Surf 327 00:17:11,080 --> 00:17:14,080 Speaker 1: Club HS eighty seven, nigga, all that that's that's that's 328 00:17:14,119 --> 00:17:17,439 Speaker 1: that's long as I'm alive. That shit is alive, is repping. 329 00:17:17,480 --> 00:17:19,879 Speaker 1: I'm repping like that shit ain't never going nowhere. Like 330 00:17:20,160 --> 00:17:22,520 Speaker 1: it's just you know, it's time and for everything one 331 00:17:22,560 --> 00:17:26,360 Speaker 1: hundred percent, man, all right, So let's let's fast forward now. 332 00:17:26,480 --> 00:17:31,800 Speaker 1: You know, obviously you're having an incredible twenty twenty. I 333 00:17:31,840 --> 00:17:35,040 Speaker 1: think that I've seen a lot of people each ship 334 00:17:35,119 --> 00:17:37,679 Speaker 1: during this quarantine and a lot of people thrive, and 335 00:17:37,720 --> 00:17:41,600 Speaker 1: I feel like you are thriving, my brother, Like, yeah, man, 336 00:17:41,600 --> 00:17:44,040 Speaker 1: I'm blessed for Shure man, and this is all ship 337 00:17:44,119 --> 00:17:45,760 Speaker 1: that's been in the works. Like you said, it's not 338 00:17:45,800 --> 00:17:47,800 Speaker 1: like you know, like you made a conscious effort to like, 339 00:17:47,920 --> 00:17:49,919 Speaker 1: nah that that go for Like you know what I 340 00:17:49,960 --> 00:17:52,879 Speaker 1: said earlier in the conversation, imagine if I was just 341 00:17:52,880 --> 00:17:55,160 Speaker 1: just a rapper, like I couldn't do no shows right now, 342 00:17:55,200 --> 00:17:58,800 Speaker 1: Like I'll be on a different fucking lot of depending 343 00:17:58,800 --> 00:18:01,960 Speaker 1: on those back end club bags for show. So me 344 00:18:02,040 --> 00:18:04,919 Speaker 1: being a producer ship niggas is still getting beats through 345 00:18:05,000 --> 00:18:08,320 Speaker 1: email and they still pulling up doing safe sessions and ship, 346 00:18:08,400 --> 00:18:09,919 Speaker 1: you know what I'm saying, as as safe as we 347 00:18:09,960 --> 00:18:13,680 Speaker 1: can be and just you know, fucking being a producer 348 00:18:14,000 --> 00:18:16,400 Speaker 1: ship right now for Shure. Let me ask you this, 349 00:18:16,720 --> 00:18:19,760 Speaker 1: with King's disease, are you were you conscious of the 350 00:18:19,800 --> 00:18:25,320 Speaker 1: fact that people have critique NAS for having a baddier 351 00:18:25,400 --> 00:18:29,520 Speaker 1: for beats, not for show, But I mean ship that's 352 00:18:29,600 --> 00:18:33,080 Speaker 1: just people always formed narratives that that is listen, my 353 00:18:33,160 --> 00:18:37,240 Speaker 1: favorite rapper, so that my number one. That's just people talking, 354 00:18:37,600 --> 00:18:39,199 Speaker 1: just saying what they're gonna say. But at the end 355 00:18:39,200 --> 00:18:42,600 Speaker 1: of the days wrapped on some hard as still mad 356 00:18:42,800 --> 00:18:44,520 Speaker 1: and I mean no, but I do think that I 357 00:18:44,560 --> 00:18:46,399 Speaker 1: do think that there was like an error in NAS's 358 00:18:46,440 --> 00:18:49,880 Speaker 1: career where he was like definitely like maybe giving Chris 359 00:18:49,880 --> 00:18:53,200 Speaker 1: Weber a couple of beats on his album that's funny. No, 360 00:18:53,440 --> 00:18:55,199 Speaker 1: I mean you know that that's where he was at 361 00:18:55,200 --> 00:18:56,640 Speaker 1: in life. But at the end of the day, man, 362 00:18:56,680 --> 00:18:59,400 Speaker 1: like I just knew it was a job of service 363 00:18:59,520 --> 00:19:01,840 Speaker 1: like that I had to really, you know, I was 364 00:19:01,840 --> 00:19:03,800 Speaker 1: putting on for a lot of people, and I know 365 00:19:03,880 --> 00:19:06,440 Speaker 1: a lot of people wanted to hear him sound good. 366 00:19:06,600 --> 00:19:09,399 Speaker 1: So dog for real, Like I feel like it's almost 367 00:19:09,480 --> 00:19:12,119 Speaker 1: like you had a duty as like a participating in 368 00:19:12,240 --> 00:19:15,200 Speaker 1: hip hop culture to be like, yo, now we're gonna 369 00:19:15,240 --> 00:19:17,840 Speaker 1: make sure this shit is solid. I was on it 370 00:19:17,880 --> 00:19:20,240 Speaker 1: every day, man, like we you know what I'm saying, 371 00:19:20,320 --> 00:19:22,440 Speaker 1: chopping it on the phone every morning, like he giving 372 00:19:22,480 --> 00:19:25,360 Speaker 1: his thoughts on giving my thoughts, Like I'm updating songs 373 00:19:25,359 --> 00:19:28,920 Speaker 1: by the day, adding production, taking away shit, just trying 374 00:19:28,920 --> 00:19:30,360 Speaker 1: to make it sound, you know what I'm saying, as 375 00:19:30,440 --> 00:19:33,200 Speaker 1: enjoyable as possible and for it to end up being, 376 00:19:33,240 --> 00:19:36,600 Speaker 1: you know, received on this level. And I woke up 377 00:19:36,640 --> 00:19:39,919 Speaker 1: to a fucking FaceTime from Timbling the morning the album dropped, 378 00:19:40,000 --> 00:19:42,960 Speaker 1: and just the stuff he was saying. I'm like, Yo, damn, 379 00:19:43,040 --> 00:19:46,040 Speaker 1: this is really like it's touching people on that level. 380 00:19:46,040 --> 00:19:48,000 Speaker 1: You know what I'm saying. You always hope that it will, 381 00:19:48,040 --> 00:19:51,439 Speaker 1: but your people on that level to reach out and 382 00:19:51,560 --> 00:19:53,560 Speaker 1: just be like, Yo, this shit is this shit is 383 00:19:53,640 --> 00:19:57,640 Speaker 1: super hard, bro like man like, that's that's the win. Obviously, 384 00:19:57,640 --> 00:19:59,320 Speaker 1: you and I was working together at what point in 385 00:19:59,359 --> 00:20:02,320 Speaker 1: time and whose decision was it to be like, Yo, 386 00:20:02,400 --> 00:20:05,000 Speaker 1: let's let's do this whole ship together, like let's do 387 00:20:05,040 --> 00:20:08,119 Speaker 1: a whole It was pretty fast, bro like once we 388 00:20:08,200 --> 00:20:10,560 Speaker 1: because he could have been like I just tried that. Yeah, 389 00:20:10,600 --> 00:20:15,240 Speaker 1: yeah for sure with energy. The energy was just right, bro, Like, 390 00:20:15,280 --> 00:20:18,760 Speaker 1: we was making you hear the album like them joints, 391 00:20:18,800 --> 00:20:21,240 Speaker 1: A lot of them joints like the Skeletons at least, 392 00:20:21,320 --> 00:20:24,080 Speaker 1: was being made within the first few sessions Blue Bends, 393 00:20:24,560 --> 00:20:28,399 Speaker 1: you know what I'm saying. Fucking Cardi five saying before 394 00:20:28,480 --> 00:20:31,399 Speaker 1: Charlie was even on it. It's just like, you know, 395 00:20:31,960 --> 00:20:33,919 Speaker 1: we all we was tapping in and we felt like, Yo, 396 00:20:34,040 --> 00:20:35,960 Speaker 1: this is this shiit feels different and he just kept 397 00:20:36,000 --> 00:20:38,560 Speaker 1: saying like, Yo, I'm just keep pulling up, and he 398 00:20:38,840 --> 00:20:43,520 Speaker 1: kept pulling up. Ship. It's crazy because nas has always 399 00:20:43,880 --> 00:20:47,080 Speaker 1: people have always wanted to hear him do full projects 400 00:20:47,080 --> 00:20:50,840 Speaker 1: with producers. Specifically Premo Primo is like the one that 401 00:20:50,880 --> 00:20:53,080 Speaker 1: everyone's like, Yo, what we need That Naza Premo album. 402 00:20:53,080 --> 00:20:55,000 Speaker 1: I remember there on the cover of that Scratch magazine 403 00:20:55,040 --> 00:20:58,960 Speaker 1: back in the day and like you got it, like 404 00:20:59,000 --> 00:21:01,199 Speaker 1: you got the whole no Like project and it came 405 00:21:01,240 --> 00:21:04,800 Speaker 1: out incredible. Man, Like thank you bro. Yeah. Now, you 406 00:21:04,880 --> 00:21:07,320 Speaker 1: and Shawn's relationship obviously, you guys have been working there 407 00:21:07,400 --> 00:21:10,760 Speaker 1: like you said you were on the first Detroit. You've 408 00:21:10,760 --> 00:21:14,760 Speaker 1: been working with good music for so long, and it 409 00:21:14,920 --> 00:21:17,520 Speaker 1: seems almost like like I said, y'all been working like 410 00:21:17,520 --> 00:21:20,120 Speaker 1: you said, you've been working on Detroit too since twenty eighteen. 411 00:21:21,160 --> 00:21:25,600 Speaker 1: It just feels like he really trusts you, man, and 412 00:21:25,640 --> 00:21:29,040 Speaker 1: that's you know, It's funny because I've we've we've had 413 00:21:29,080 --> 00:21:31,600 Speaker 1: conversations and bat, I mean, obviously making an album, you're 414 00:21:31,640 --> 00:21:33,720 Speaker 1: gonna go through ups and downs, and I'm like, Nigga, 415 00:21:33,720 --> 00:21:36,080 Speaker 1: you gotta trust me, Nigga, you got every like really 416 00:21:36,119 --> 00:21:39,119 Speaker 1: going in on that fact. Then you know, he like, Nigga, 417 00:21:39,160 --> 00:21:41,120 Speaker 1: you got damn there my whole album, Nigga, I trust 418 00:21:41,160 --> 00:21:44,639 Speaker 1: you know what I'm saying. So it's like, I don't know, 419 00:21:44,680 --> 00:21:47,520 Speaker 1: we just developed like we always was cool. Like I said, 420 00:21:47,560 --> 00:21:50,040 Speaker 1: we did click together back in the day, did a 421 00:21:50,119 --> 00:21:53,439 Speaker 1: joint on Detroit or the first Detroit, And when we 422 00:21:53,480 --> 00:21:55,680 Speaker 1: taped back in it was at the same time when 423 00:21:55,720 --> 00:21:57,879 Speaker 1: I tap back in with Nip, we met. We we 424 00:21:57,960 --> 00:22:00,719 Speaker 1: all linked up like I've seen him walking together, fucking 425 00:22:00,880 --> 00:22:02,719 Speaker 1: chopped it with him, told him like, look, I got 426 00:22:02,760 --> 00:22:06,760 Speaker 1: ship for both of y'all. Sean pulled up. We might 427 00:22:06,800 --> 00:22:09,760 Speaker 1: have did like six seven, just scratch ideas the first 428 00:22:09,840 --> 00:22:11,919 Speaker 1: day he pulled up and I'm like, oh, yeah, this 429 00:22:11,960 --> 00:22:14,359 Speaker 1: shiit feels right. We gotta keep it going, and we 430 00:22:14,560 --> 00:22:17,119 Speaker 1: just kep locking in. Yeah, Because I also feel like 431 00:22:17,119 --> 00:22:19,479 Speaker 1: there's a lot of pressure on Sean man, Like you know, 432 00:22:19,960 --> 00:22:23,000 Speaker 1: he tried putting out some singles that that you know, 433 00:22:23,520 --> 00:22:26,720 Speaker 1: I feel like the right approach was to just drop 434 00:22:26,760 --> 00:22:28,720 Speaker 1: the album and let the people choose, but you know, 435 00:22:28,800 --> 00:22:30,960 Speaker 1: def Jam's gonna try to throw singles out there, like 436 00:22:31,000 --> 00:22:33,000 Speaker 1: he put out the Berserk record, which was fire. That 437 00:22:33,040 --> 00:22:34,680 Speaker 1: shit went gold, you know what I'm saying. That shit 438 00:22:34,760 --> 00:22:36,880 Speaker 1: was fire, But I'm saying, like, you know how these 439 00:22:36,920 --> 00:22:39,399 Speaker 1: labels are like, oh, it's not working on radio. You know, 440 00:22:39,520 --> 00:22:42,520 Speaker 1: like he's single again, was fucking fire, that's gotta be 441 00:22:42,960 --> 00:22:46,600 Speaker 1: that has like fucking that shit is huge, but it 442 00:22:47,080 --> 00:22:50,359 Speaker 1: you know, I feel like with Sean like kind of 443 00:22:50,359 --> 00:22:52,520 Speaker 1: a similar space where it's like, yo, you can't name 444 00:22:52,560 --> 00:22:58,440 Speaker 1: something Detroit too, Yeah, because people fans at least kind 445 00:22:58,440 --> 00:23:01,080 Speaker 1: of look at that as his best project for sure, 446 00:23:01,080 --> 00:23:02,639 Speaker 1: you know what I'm saying, And so for him to 447 00:23:02,760 --> 00:23:05,639 Speaker 1: name that Detroit is conscious of that for sure. And 448 00:23:05,680 --> 00:23:07,320 Speaker 1: it also seemed like it might have got to him 449 00:23:07,320 --> 00:23:12,119 Speaker 1: a little there. We saw you know, artistry is a 450 00:23:12,200 --> 00:23:14,800 Speaker 1: crazy thing, man, Like it really can fuck with your 451 00:23:14,840 --> 00:23:17,280 Speaker 1: head and your emotions. So you know, but I mean 452 00:23:17,800 --> 00:23:20,880 Speaker 1: you could you can hear in the album like talking 453 00:23:20,880 --> 00:23:24,080 Speaker 1: about growth, you talking about you know, the mental things 454 00:23:24,119 --> 00:23:26,239 Speaker 1: that all the shit he's been through, and it's like 455 00:23:27,119 --> 00:23:29,679 Speaker 1: that's something that we should appreciate, man, because a lot 456 00:23:29,720 --> 00:23:31,680 Speaker 1: of people not laying that all out there like that. 457 00:23:31,760 --> 00:23:33,600 Speaker 1: A lot of people are not being transparent in their 458 00:23:33,680 --> 00:23:39,880 Speaker 1: music like that Deep Reverence. That record was obviously Seawn's 459 00:23:39,960 --> 00:23:43,800 Speaker 1: verse was recorded after Nipsey passed. Was that Was that 460 00:23:43,920 --> 00:23:48,080 Speaker 1: Nipsey verse gonna be for Sean originally? Or was it? 461 00:23:48,119 --> 00:23:50,840 Speaker 1: How did that workout? We was just cooking, you know 462 00:23:50,880 --> 00:23:53,760 Speaker 1: what I'm saying, Like the same time we had did 463 00:23:53,920 --> 00:23:57,720 Speaker 1: Rights in the Middle, he pulled up we did the 464 00:23:57,760 --> 00:24:00,000 Speaker 1: first verse, and he was like, man, pull something else up, 465 00:24:00,560 --> 00:24:03,880 Speaker 1: start start going through beats. Pulled up the Deep Reverence beat, 466 00:24:04,480 --> 00:24:06,920 Speaker 1: loaded it up. He sat there, thought it out, did 467 00:24:06,960 --> 00:24:09,920 Speaker 1: the verse, and again he was like, shit, let's go 468 00:24:10,000 --> 00:24:12,040 Speaker 1: to some other ship. So we just was flipping through 469 00:24:12,040 --> 00:24:14,760 Speaker 1: ideas and that was one that just was so happened 470 00:24:14,800 --> 00:24:18,160 Speaker 1: to be sitting there on one day, me and Sean 471 00:24:18,280 --> 00:24:20,600 Speaker 1: was just having a real life conversation about a lot 472 00:24:20,600 --> 00:24:23,000 Speaker 1: of the stuff that he talked about in Deep Reverence. 473 00:24:23,720 --> 00:24:26,480 Speaker 1: And I was like, bro, you gotta put this ship 474 00:24:26,760 --> 00:24:29,119 Speaker 1: in the song. In the song, So I pulled up 475 00:24:29,119 --> 00:24:30,679 Speaker 1: the nip joint. I was like, this could be the 476 00:24:30,720 --> 00:24:33,480 Speaker 1: perfect ship for you to just spas on and he 477 00:24:33,560 --> 00:24:36,679 Speaker 1: went in. Was it hard? Because you know, there's the 478 00:24:36,720 --> 00:24:38,440 Speaker 1: interview clip at the Anery talked about wanted to work 479 00:24:38,440 --> 00:24:41,320 Speaker 1: with Sean. What's it? How hard was it to get 480 00:24:41,680 --> 00:24:44,240 Speaker 1: you know, his fan to clear to clear the verse? 481 00:24:44,359 --> 00:24:47,080 Speaker 1: Was it? I mean they showed love for show Black Sam, 482 00:24:47,200 --> 00:24:50,840 Speaker 1: like Steve, Steve O, like the whole squad. They just 483 00:24:51,000 --> 00:24:52,919 Speaker 1: made sure it was they won. It wasn't you know, 484 00:24:53,040 --> 00:24:55,119 Speaker 1: too tough. I mean, me and Nip got a Grammy together, 485 00:24:55,240 --> 00:24:57,080 Speaker 1: So it's like, that'sh It's crazy shit, no to you 486 00:24:57,119 --> 00:24:59,199 Speaker 1: know what I'm saying that I'm taking care of the 487 00:24:59,280 --> 00:25:02,199 Speaker 1: music for show. Yeah, Racks in the Middle is uh, 488 00:25:03,359 --> 00:25:07,679 Speaker 1: all time amazing record. Getting that Grammy, bro, had to 489 00:25:07,720 --> 00:25:10,000 Speaker 1: be like a bittersweet thing, you know what I'm saying, 490 00:25:10,000 --> 00:25:12,280 Speaker 1: winning that but not having it there to have it 491 00:25:12,359 --> 00:25:15,320 Speaker 1: with you. No, Yeah, that shit was. It was dope 492 00:25:15,400 --> 00:25:19,399 Speaker 1: getting the Grammy. But yeah, I mean a lot of 493 00:25:19,440 --> 00:25:22,000 Speaker 1: people ask me, like which won me more out of 494 00:25:22,040 --> 00:25:24,200 Speaker 1: like Niggas in Paris and Racks in the Middle. It's 495 00:25:24,280 --> 00:25:27,480 Speaker 1: just like, you know, they both meet a lot, but Racks, 496 00:25:27,520 --> 00:25:32,200 Speaker 1: that shit just was like unreal, bro, Like just seeing 497 00:25:32,200 --> 00:25:34,280 Speaker 1: that whole play all the way through and it actually 498 00:25:34,320 --> 00:25:37,600 Speaker 1: play out is No, it was no industry bullshit to 499 00:25:37,680 --> 00:25:41,040 Speaker 1: making a record. It wasn't no an r ass shit. 500 00:25:41,160 --> 00:25:43,919 Speaker 1: Like I put the record together. Nip was fucking with it. 501 00:25:44,080 --> 00:25:46,639 Speaker 1: He you know, it was his whole thing was like 502 00:25:47,400 --> 00:25:49,520 Speaker 1: I don't care who not fucking with the ship. I'm 503 00:25:49,560 --> 00:25:51,800 Speaker 1: making sure it come out. Like his label was like 504 00:25:52,280 --> 00:25:55,000 Speaker 1: fighting him, like yo, it's another record by another artist 505 00:25:55,040 --> 00:25:57,240 Speaker 1: coming out, you need to hold off and whoop the whooping. 506 00:25:57,320 --> 00:25:58,920 Speaker 1: He was like fuck that. He was like I went 507 00:25:59,000 --> 00:26:01,400 Speaker 1: and banged on them niggas and Nat didn't put it out. 508 00:26:01,400 --> 00:26:02,960 Speaker 1: So it's like for us to win a Grammy in 509 00:26:02,960 --> 00:26:06,120 Speaker 1: then the other record not even be mentioned. It's like, okay, 510 00:26:06,520 --> 00:26:08,440 Speaker 1: I guess I do know something. You know. No. It 511 00:26:08,520 --> 00:26:10,720 Speaker 1: was funny because I remember when Nip put the record out, 512 00:26:10,800 --> 00:26:12,719 Speaker 1: Like I was talking to him and he was just 513 00:26:12,760 --> 00:26:15,000 Speaker 1: like I was like, yo, so like it was just 514 00:26:15,160 --> 00:26:17,320 Speaker 1: like on the album and he's like, nah, just it 515 00:26:17,440 --> 00:26:19,560 Speaker 1: just feels like we like it just felt like we 516 00:26:19,600 --> 00:26:21,639 Speaker 1: need to put this out like and just see what 517 00:26:21,680 --> 00:26:24,239 Speaker 1: it does. Because one of them records definitely man, it 518 00:26:24,280 --> 00:26:26,359 Speaker 1: was it was. It was all time and man and 519 00:26:26,520 --> 00:26:28,879 Speaker 1: all god. It just was a line it was supposed 520 00:26:28,920 --> 00:26:31,119 Speaker 1: to happen. Yeah, and also a record that really helped. 521 00:26:31,280 --> 00:26:33,320 Speaker 1: You know, obviously Roddy was was doing his thing, but 522 00:26:33,400 --> 00:26:38,720 Speaker 1: really kind of helped kick off Roddy's you know commercial looks. 523 00:26:39,520 --> 00:26:44,439 Speaker 1: When we talk about your run. Benny the Butcher was 524 00:26:44,480 --> 00:26:49,880 Speaker 1: here Burden of Proof, you and him crazy, uh your 525 00:26:50,359 --> 00:26:56,000 Speaker 1: your uh just love with Griselda has been lit. You're 526 00:26:56,040 --> 00:26:59,199 Speaker 1: on Conway's album, the record he just put out with 527 00:26:59,280 --> 00:27:03,239 Speaker 1: Days Shout. But yeah, you and Benny. I remember I 528 00:27:03,280 --> 00:27:05,239 Speaker 1: was so excited to see y'all in like last year 529 00:27:05,280 --> 00:27:06,439 Speaker 1: I hit you. I was like, bro, I gotta pull 530 00:27:06,480 --> 00:27:08,879 Speaker 1: up here with y'all cooking like because because Griselle is 531 00:27:08,880 --> 00:27:10,639 Speaker 1: some of my favorite shit and you're one of my 532 00:27:10,640 --> 00:27:14,919 Speaker 1: favorite producers. And I think it's like a match that 533 00:27:15,600 --> 00:27:18,760 Speaker 1: I knew was gonna be fired. But it seemed like, 534 00:27:19,680 --> 00:27:22,639 Speaker 1: you know, wait, Griselda and hit Boy. I mean I 535 00:27:22,840 --> 00:27:25,040 Speaker 1: feel like that that was with the Not Shit too. 536 00:27:25,119 --> 00:27:26,720 Speaker 1: You know, people was like, man, I don't know what 537 00:27:26,760 --> 00:27:30,760 Speaker 1: it's about to sound like. So for me to always 538 00:27:30,880 --> 00:27:35,399 Speaker 1: have this versatile like mentality and just versatile sound and 539 00:27:35,440 --> 00:27:37,600 Speaker 1: for people to think only did club records that this 540 00:27:37,720 --> 00:27:40,399 Speaker 1: was a perfect opportunity for me to dial in with 541 00:27:40,560 --> 00:27:42,720 Speaker 1: artists who have that crowd that's going to be able 542 00:27:42,760 --> 00:27:44,879 Speaker 1: to show like damn, like it really is that, you 543 00:27:44,920 --> 00:27:47,120 Speaker 1: know what I'm saying on all levels, like you could 544 00:27:47,119 --> 00:27:50,240 Speaker 1: do an hour. I feel like any you know, anybody 545 00:27:50,320 --> 00:27:51,879 Speaker 1: can chase what's hot in the club right now. But 546 00:27:51,920 --> 00:27:57,240 Speaker 1: to make those timeless album cuts, them times records what like? Again, 547 00:27:57,320 --> 00:28:00,320 Speaker 1: I'm sure it was like you and Benny probably popping 548 00:28:00,359 --> 00:28:02,160 Speaker 1: it up, and then he comes through and then it's like, oh, 549 00:28:02,160 --> 00:28:04,640 Speaker 1: we should just do a whole project after that, y'all 550 00:28:04,640 --> 00:28:07,720 Speaker 1: saw him come to La. We had never even chopped it. 551 00:28:07,760 --> 00:28:09,439 Speaker 1: I just hite him, like, bro, if you if you 552 00:28:09,480 --> 00:28:11,159 Speaker 1: got time while you out here, just pull up. I 553 00:28:11,160 --> 00:28:14,440 Speaker 1: got some shit. He came through first record we did. 554 00:28:14,480 --> 00:28:16,520 Speaker 1: I'm like, this shit a classic, you know what I'm saying. 555 00:28:16,600 --> 00:28:19,840 Speaker 1: First song, so I'm like, we gotta keep going. Once again, 556 00:28:20,320 --> 00:28:22,320 Speaker 1: he kept pulling up. Before you know it, we had 557 00:28:22,359 --> 00:28:24,959 Speaker 1: an album do Like it's really been simple math, like 558 00:28:25,480 --> 00:28:28,240 Speaker 1: just having that shit on deck, having some soul. What's 559 00:28:28,280 --> 00:28:31,639 Speaker 1: having something hard? Like just having different sounds and people 560 00:28:31,760 --> 00:28:34,480 Speaker 1: they gravitating tours, you know what I'm saying. Without without 561 00:28:34,480 --> 00:28:36,360 Speaker 1: it being some water down shit, what do you think 562 00:28:36,600 --> 00:28:42,200 Speaker 1: it is about the Griselda shit, Benny Conway that the 563 00:28:42,280 --> 00:28:46,320 Speaker 1: chemistry between you guys is so natural being somebody who's 564 00:28:46,360 --> 00:28:49,680 Speaker 1: traditionally looked at us, somebody who's out at you know, Cali. 565 00:28:49,720 --> 00:28:51,200 Speaker 1: You know what I'm saying. And those guys are so 566 00:28:52,520 --> 00:28:57,480 Speaker 1: extremely underground East Coast boom back shit. I mean, I 567 00:28:57,560 --> 00:28:59,800 Speaker 1: just fucked with music period, bro, you know what I'm 568 00:28:59,840 --> 00:29:02,560 Speaker 1: saying then, Like whether it's something on the radio, whether 569 00:29:02,600 --> 00:29:05,520 Speaker 1: it's something I'm hearing out on the random, Like I 570 00:29:05,640 --> 00:29:07,680 Speaker 1: just fuck with anything that feel like something and feel 571 00:29:07,840 --> 00:29:09,840 Speaker 1: you know, feel like they're doing it with intention, Like 572 00:29:09,880 --> 00:29:11,840 Speaker 1: you know what I'm saying. Every bar the boys is 573 00:29:12,600 --> 00:29:14,320 Speaker 1: serious about this ship. You know what I'm saying. And 574 00:29:14,360 --> 00:29:16,760 Speaker 1: you could tell and people who take the craft serious 575 00:29:17,040 --> 00:29:18,920 Speaker 1: when you when they link up, you know you're gonna 576 00:29:18,920 --> 00:29:21,600 Speaker 1: get some beautiful nine times out of ten. So I'm 577 00:29:21,640 --> 00:29:24,520 Speaker 1: taking my ship serious the whole. Grizelda day on their wave, 578 00:29:24,680 --> 00:29:28,880 Speaker 1: so you know we locked in. I know you just 579 00:29:28,920 --> 00:29:33,000 Speaker 1: put out you put out two of your projects. You 580 00:29:33,040 --> 00:29:37,000 Speaker 1: put out Something with with Dom in August also known 581 00:29:37,080 --> 00:29:40,000 Speaker 1: as and then you put out the Chauncy House Projects 582 00:29:40,360 --> 00:29:46,120 Speaker 1: project before that. You are you? Obviously I just told 583 00:29:46,160 --> 00:29:48,760 Speaker 1: you I'm like, yo, man, these projects are fucking fired. 584 00:29:48,880 --> 00:29:53,440 Speaker 1: You're looking are you? By the way, that record you 585 00:29:53,480 --> 00:29:55,200 Speaker 1: got with thirst y'all going back and forth, it was 586 00:29:55,240 --> 00:29:59,280 Speaker 1: crazy mood, chain shot. That's just crazy man and chance Port. 587 00:30:00,680 --> 00:30:04,960 Speaker 1: Are you thinking about doing a hit boy album that 588 00:30:05,080 --> 00:30:09,240 Speaker 1: is essentially maybe you participating in rapping somewhat but kind 589 00:30:09,280 --> 00:30:13,280 Speaker 1: of like a almost like some compilation ship where chronic ship, 590 00:30:13,360 --> 00:30:16,720 Speaker 1: I mean chronic ship. Yeah, I'm just I'm just working, bro. 591 00:30:17,240 --> 00:30:19,800 Speaker 1: I don't really be That's the thing. Even with these 592 00:30:19,800 --> 00:30:22,600 Speaker 1: projects I'm putting together like they so organic, and it's 593 00:30:22,640 --> 00:30:24,360 Speaker 1: just like once I get in the room and and 594 00:30:24,720 --> 00:30:27,520 Speaker 1: it's moving, like we start to form it naturally. So 595 00:30:27,640 --> 00:30:29,760 Speaker 1: I can't call what's next. But I just know like 596 00:30:30,000 --> 00:30:32,840 Speaker 1: I'm cooking up records every day, I'm making beats, I'm recording, 597 00:30:33,120 --> 00:30:36,560 Speaker 1: I'm doing all the above. So it's gonna line up eventually. 598 00:30:36,840 --> 00:30:41,240 Speaker 1: Who is there? How about this? What's the other rapper 599 00:30:41,280 --> 00:30:43,600 Speaker 1: that you have the most records in the cut with 600 00:30:43,880 --> 00:30:47,040 Speaker 1: right now? Man? I got a gang of ship with Sean, 601 00:30:47,080 --> 00:30:49,480 Speaker 1: I got a gang of ship with my nigga, te 602 00:30:49,640 --> 00:30:55,600 Speaker 1: Grizzly's Serious Man B his last his last album. You 603 00:30:55,600 --> 00:30:57,640 Speaker 1: had some ship on that. That's his best that's his 604 00:30:57,640 --> 00:30:59,840 Speaker 1: best body of work. You have five joints on there. 605 00:31:00,040 --> 00:31:01,520 Speaker 1: You know what I'm saying. We got an album worth 606 00:31:01,520 --> 00:31:03,680 Speaker 1: the shit though, probably like two albums worth the music. 607 00:31:03,720 --> 00:31:05,880 Speaker 1: So you know, I just be taking it one day 608 00:31:05,880 --> 00:31:07,200 Speaker 1: at a time and trying to run it up with 609 00:31:07,280 --> 00:31:12,160 Speaker 1: niggas as much as I can. But t Sean Benny, 610 00:31:12,320 --> 00:31:16,960 Speaker 1: you know, like I said, I'm just locked in. Obviously, 611 00:31:17,000 --> 00:31:20,040 Speaker 1: me and Don got a hunting records. You and Dom, Yeah, 612 00:31:20,080 --> 00:31:22,920 Speaker 1: that's that's family. That was what I'm saying. Talk about 613 00:31:22,960 --> 00:31:25,440 Speaker 1: you and Don's relationship. I feel like Dom has been 614 00:31:26,320 --> 00:31:28,480 Speaker 1: I feel like he's almost made the decision to like 615 00:31:30,640 --> 00:31:32,480 Speaker 1: I don't know, man, I feel like Dom just be 616 00:31:32,480 --> 00:31:35,000 Speaker 1: staying out the way. That's Dom though, you know what 617 00:31:35,000 --> 00:31:38,200 Speaker 1: I'm saying. He one of the most cali niggas on earth, 618 00:31:38,200 --> 00:31:41,160 Speaker 1: you know what I'm saying. So he just he'd be 619 00:31:41,760 --> 00:31:43,840 Speaker 1: vibing just like on his own wave like and he 620 00:31:43,840 --> 00:31:46,280 Speaker 1: don't care about no extras, Like he don't care about 621 00:31:46,320 --> 00:31:48,400 Speaker 1: no industry shit. I don't care about none of that. 622 00:31:48,560 --> 00:31:53,920 Speaker 1: So you know when we linked, I mean we did 623 00:31:54,040 --> 00:31:56,400 Speaker 1: music way back, like from the West Side. Would love 624 00:31:56,520 --> 00:32:02,600 Speaker 1: the first one and all that, so for us to link, 625 00:32:02,680 --> 00:32:04,840 Speaker 1: like we linked like twenty sixteen before we put out 626 00:32:04,840 --> 00:32:07,400 Speaker 1: the first half a mill and we just like was 627 00:32:07,440 --> 00:32:10,120 Speaker 1: on a similar wave like as far as how we thought, 628 00:32:10,200 --> 00:32:12,600 Speaker 1: you know what I'm saying, like, and that bled into 629 00:32:12,600 --> 00:32:14,480 Speaker 1: the music. That's why people hear our shitn't be like 630 00:32:14,520 --> 00:32:16,440 Speaker 1: damn y'all meshed well, I wouldn't think, but like we 631 00:32:16,600 --> 00:32:19,240 Speaker 1: think similar to like as far as like just being 632 00:32:19,320 --> 00:32:21,480 Speaker 1: laid back, not really giving the fuck about the extra 633 00:32:22,320 --> 00:32:25,040 Speaker 1: and so you know, once we start locking in this 634 00:32:25,160 --> 00:32:27,920 Speaker 1: half a meal shit, that put me in perspective like, okay, 635 00:32:28,520 --> 00:32:30,760 Speaker 1: like this is how you make a project that you 636 00:32:30,760 --> 00:32:34,240 Speaker 1: know feel like uh, just like a moment, like something 637 00:32:34,280 --> 00:32:36,160 Speaker 1: that people could fuck with. And that's something that always 638 00:32:36,200 --> 00:32:38,280 Speaker 1: admired about his own shit, Like when he put out 639 00:32:38,280 --> 00:32:40,240 Speaker 1: an album, it feel like from the art work to 640 00:32:40,640 --> 00:32:43,880 Speaker 1: the merch he doing, like the music, it just feel real, 641 00:32:44,040 --> 00:32:46,600 Speaker 1: Dom Kennedy, you know what I'm saying, So from me 642 00:32:46,680 --> 00:32:48,600 Speaker 1: to lock in with all these other artists now, like 643 00:32:48,680 --> 00:32:52,000 Speaker 1: I'm just taking a lot of the stuff from you know, 644 00:32:52,200 --> 00:32:54,200 Speaker 1: doing the half meal albums and applying it to what 645 00:32:54,240 --> 00:32:58,920 Speaker 1: I'm doing. Now, give me what's like your top two 646 00:32:59,000 --> 00:33:03,760 Speaker 1: or three studios sessions ever, just just obviously, you know, 647 00:33:04,160 --> 00:33:05,920 Speaker 1: I'm sure Racks in the Middle has gotta be up there, 648 00:33:05,920 --> 00:33:10,959 Speaker 1: but like in general, like you've had some insane situation. 649 00:33:11,000 --> 00:33:12,680 Speaker 1: I mean, you just said I told my manager if 650 00:33:12,680 --> 00:33:16,320 Speaker 1: it ain't Jay, Kanye or ye, Like, I mean, obviously 651 00:33:16,840 --> 00:33:19,440 Speaker 1: making Racks in Middle, that whole process was just fired 652 00:33:19,480 --> 00:33:21,480 Speaker 1: from the time we started it till we got it 653 00:33:21,520 --> 00:33:24,200 Speaker 1: mixed and put it out like that. Shit was just 654 00:33:24,240 --> 00:33:28,120 Speaker 1: a moment. But going back, like when I first met Hole, 655 00:33:28,280 --> 00:33:30,960 Speaker 1: that shit was crazy. What what session was that for? 656 00:33:31,520 --> 00:33:34,080 Speaker 1: That was a wash the Throne session. And I had 657 00:33:34,120 --> 00:33:36,880 Speaker 1: been you know, we was working out of the hotel 658 00:33:36,960 --> 00:33:40,320 Speaker 1: in New York, the Mercery Hotel. Yeah, so I had 659 00:33:40,320 --> 00:33:42,320 Speaker 1: been up there a few days and I'm like, damn, 660 00:33:42,320 --> 00:33:44,680 Speaker 1: it's whole gonna come through. I'm just fucking with Kanye 661 00:33:44,720 --> 00:33:47,160 Speaker 1: every day. We making beasts together, he recording all my ship. 662 00:33:47,240 --> 00:33:50,120 Speaker 1: We just cooking. We was working on John Legend stuff. 663 00:33:50,600 --> 00:33:53,400 Speaker 1: We were just literally just cooking. A few days into 664 00:33:53,440 --> 00:33:57,160 Speaker 1: me being there, mind you, was like a snowstorm and 665 00:33:57,200 --> 00:33:59,920 Speaker 1: shit cold as hill. So I walked out to like 666 00:34:00,160 --> 00:34:02,480 Speaker 1: walk down the block, mind you on freezing to get 667 00:34:02,560 --> 00:34:04,400 Speaker 1: down there. As soon as I get there, I get 668 00:34:04,400 --> 00:34:06,240 Speaker 1: an email from Yah like Yo, you gotta come back 669 00:34:06,240 --> 00:34:09,120 Speaker 1: to the studio. So like fucking walk back to the 670 00:34:09,760 --> 00:34:11,960 Speaker 1: to the spot and I walk in and Hope is 671 00:34:12,040 --> 00:34:14,520 Speaker 1: just you know what I'm saying, sitting right there, and 672 00:34:14,680 --> 00:34:16,239 Speaker 1: he was just cool as hell, like you know what 673 00:34:16,239 --> 00:34:18,280 Speaker 1: I'm saying. I thought. I thought like I had heard 674 00:34:18,320 --> 00:34:20,520 Speaker 1: like you know what I'm saying, Like, bro, it was like, oh, 675 00:34:20,560 --> 00:34:23,080 Speaker 1: some like mean type shit, you know what I'm saying. 676 00:34:23,200 --> 00:34:25,960 Speaker 1: So for him to be so cool, that shit was 677 00:34:26,000 --> 00:34:29,400 Speaker 1: just flying man, like damn, like you know. And then 678 00:34:29,440 --> 00:34:31,879 Speaker 1: we made Niggas in Paris. It's just like you can't 679 00:34:31,920 --> 00:34:38,319 Speaker 1: even fucking write that. That's crazy. Hey, how many records? Uh? 680 00:34:38,719 --> 00:34:42,000 Speaker 1: Never that we never heard because there was this rumored 681 00:34:42,880 --> 00:34:46,880 Speaker 1: sequel to the Good Music album that was supposed to 682 00:34:46,880 --> 00:34:49,520 Speaker 1: come out. I heard one song called trash Bags that 683 00:34:49,560 --> 00:34:53,000 Speaker 1: Lifted played me. Uh that was like almost like a 684 00:34:53,040 --> 00:34:54,759 Speaker 1: Mercy part too. But I'm sure there was so much. 685 00:34:54,760 --> 00:34:57,319 Speaker 1: I feel like I do remember that trash Bags. Yeah, 686 00:34:57,560 --> 00:34:59,719 Speaker 1: they had the whole lineup, they put everybody on it. 687 00:35:00,560 --> 00:35:02,560 Speaker 1: I remember Pushing Push a T had a line it 688 00:35:02,600 --> 00:35:04,399 Speaker 1: was like body bags. I need my Money and Body 689 00:35:04,440 --> 00:35:08,200 Speaker 1: bab was crazy. But nonetheless, how many records did did 690 00:35:08,239 --> 00:35:10,640 Speaker 1: you guys, Like did you have that were supposed to 691 00:35:10,719 --> 00:35:12,960 Speaker 1: come out that ended up not ever? No, that's the thing, bro, 692 00:35:13,080 --> 00:35:19,120 Speaker 1: Even with the whole Watch the Thrown Ship, we had 693 00:35:19,160 --> 00:35:21,800 Speaker 1: made other records in person, like you know what I'm saying, 694 00:35:21,960 --> 00:35:24,080 Speaker 1: Like Niggas in Paris was a beat I just emailed. 695 00:35:24,520 --> 00:35:26,680 Speaker 1: The records we was making while we was in the 696 00:35:26,719 --> 00:35:30,080 Speaker 1: studio was totally different. They didn't even see the light 697 00:35:30,080 --> 00:35:31,960 Speaker 1: of to day. They never I thought them songs was 698 00:35:32,000 --> 00:35:34,319 Speaker 1: going on wash the throne like Niggas, was hype on 699 00:35:34,400 --> 00:35:37,880 Speaker 1: them then making and this beat I just randomly email 700 00:35:38,000 --> 00:35:40,400 Speaker 1: ended up being like Damnar the biggest song on the album. 701 00:35:40,440 --> 00:35:43,360 Speaker 1: So oh no, no, no, not damn nearly the biggest 702 00:35:43,360 --> 00:35:47,399 Speaker 1: song of world. Yo. Do you remember like the first 703 00:35:47,400 --> 00:35:52,000 Speaker 1: time you saw the reaction in the club did that song? Hell? Yeah, 704 00:35:52,080 --> 00:35:54,279 Speaker 1: for sure, because the reaction in the club to that 705 00:35:54,360 --> 00:35:57,080 Speaker 1: record was like really on that. I was just hype. 706 00:35:57,160 --> 00:35:59,080 Speaker 1: I would be hyped to make a song and then 707 00:35:59,120 --> 00:36:02,319 Speaker 1: go to fucking Hog or wherever it was cracking at 708 00:36:02,320 --> 00:36:04,680 Speaker 1: the time and just watching that b That was one 709 00:36:04,680 --> 00:36:07,719 Speaker 1: of the few records we had them Graystone Nights. You 710 00:36:07,760 --> 00:36:10,480 Speaker 1: could bring that record back like eight times, back to 711 00:36:10,560 --> 00:36:13,520 Speaker 1: back to back, like now, those happened like once every 712 00:36:13,600 --> 00:36:17,040 Speaker 1: like ten years. Bro, like that record. I remember you 713 00:36:17,040 --> 00:36:19,360 Speaker 1: could play that bitch seven times in a row in 714 00:36:19,360 --> 00:36:22,560 Speaker 1: the club and at the concert. Oh they did do 715 00:36:22,600 --> 00:36:25,480 Speaker 1: it at the concert actually that like thirteen times. I know. 716 00:36:25,520 --> 00:36:27,480 Speaker 1: I saw him in Vegas and they I think they did. Yeah, 717 00:36:27,680 --> 00:36:29,600 Speaker 1: I think you were there in Vegas too. Were were 718 00:36:29,600 --> 00:36:32,640 Speaker 1: you the uh not for the Throne show? I was 719 00:36:32,640 --> 00:36:36,640 Speaker 1: there for You're in La though, I was in La Yeah, Paris, 720 00:36:36,719 --> 00:36:40,960 Speaker 1: New York. Yeah. That shit's crazy, man. I want to 721 00:36:41,000 --> 00:36:45,960 Speaker 1: get back to Detroit too. I feel like this album 722 00:36:46,640 --> 00:36:49,520 Speaker 1: is uh is in the running for Album of the 723 00:36:49,600 --> 00:36:57,560 Speaker 1: Year or it's uh cohesively just incredible. You just mentioned 724 00:36:57,560 --> 00:36:59,160 Speaker 1: that you and Sean have a lot of other ship. 725 00:36:59,719 --> 00:37:02,680 Speaker 1: What like, how hard was it picking the records and 726 00:37:02,880 --> 00:37:06,239 Speaker 1: forming the cohesiveness of what the project ended up being. 727 00:37:06,800 --> 00:37:09,400 Speaker 1: I mean that's the thing about being an executive producer 728 00:37:09,440 --> 00:37:12,440 Speaker 1: and then making records yourself. It's like, you know, you 729 00:37:12,440 --> 00:37:14,600 Speaker 1: don't want to feel like you just bigging your shit up, 730 00:37:14,840 --> 00:37:16,640 Speaker 1: you know what I'm saying all the time, Like, so 731 00:37:16,680 --> 00:37:19,160 Speaker 1: it's like I just try to try to just teeter 732 00:37:19,200 --> 00:37:20,800 Speaker 1: on the line. I'm gonna let you know, like, Nigga, 733 00:37:20,800 --> 00:37:23,560 Speaker 1: this shit hard. The motherfucker. Like the respective record like 734 00:37:23,600 --> 00:37:26,320 Speaker 1: that was earlier in the process. That was a record 735 00:37:26,320 --> 00:37:28,640 Speaker 1: that wasn't even really thought about being on the album, 736 00:37:28,760 --> 00:37:30,640 Speaker 1: you know what I'm saying, and then we just started 737 00:37:30,680 --> 00:37:33,360 Speaker 1: locking in on it more so it's like it's certain. 738 00:37:33,520 --> 00:37:36,560 Speaker 1: It's just certain moments where you gotta know how to 739 00:37:37,480 --> 00:37:39,640 Speaker 1: you know, put put the bed in for your ship. 740 00:37:39,719 --> 00:37:42,200 Speaker 1: But also you know, like, Okay, this record by this 741 00:37:42,239 --> 00:37:45,279 Speaker 1: person also makes sense. So I'll just try to help 742 00:37:45,320 --> 00:37:47,120 Speaker 1: as much as I can. But Sean knew what he wanted, 743 00:37:47,120 --> 00:37:49,040 Speaker 1: he knew what he wanted it to sound like, so 744 00:37:49,360 --> 00:37:51,600 Speaker 1: he really placed everything where he needed to be. I 745 00:37:51,680 --> 00:37:55,240 Speaker 1: just was kind of like, you know, his extra ear Hey, 746 00:37:55,480 --> 00:37:58,520 Speaker 1: it came out, it came out amazing. It was it dope. 747 00:37:59,680 --> 00:38:01,279 Speaker 1: I feel like you kind of have a bucket list 748 00:38:01,280 --> 00:38:04,560 Speaker 1: of guys who wrapped over your beats. You just did 749 00:38:04,600 --> 00:38:06,680 Speaker 1: a whole fucking album with nas M and M's on 750 00:38:06,680 --> 00:38:09,960 Speaker 1: the Friday night Sidher and we did drop the world 751 00:38:10,040 --> 00:38:12,839 Speaker 1: I didn't even know, Yeah, yeah, dropped the shot out 752 00:38:12,840 --> 00:38:15,120 Speaker 1: a little Wayne ship that which album that was the 753 00:38:15,239 --> 00:38:19,640 Speaker 1: rock album? Right? Rebirth? Rebirth? That was the best song 754 00:38:19,680 --> 00:38:24,880 Speaker 1: on that album. But yeah, it's crazy because like the 755 00:38:24,920 --> 00:38:27,360 Speaker 1: bucket list the artists that you've been working with is like, 756 00:38:27,360 --> 00:38:30,440 Speaker 1: like who's left? You know what I'm saying, Like as 757 00:38:30,480 --> 00:38:35,200 Speaker 1: far as the all time greats? Whoever? Trying to lock in? Bro? 758 00:38:35,560 --> 00:38:39,440 Speaker 1: You know what I'm saying, Like, I ain't really you know, 759 00:38:39,840 --> 00:38:41,680 Speaker 1: I can't call it man, I'll just be letting this 760 00:38:41,719 --> 00:38:44,640 Speaker 1: ship flow and just let it happen. Yeah, I mean, 761 00:38:44,719 --> 00:38:47,359 Speaker 1: you know, I wish our cast was making music again 762 00:38:47,360 --> 00:38:49,239 Speaker 1: because that would be no. You know what I do 763 00:38:49,320 --> 00:38:51,520 Speaker 1: think about that often. I'm like, Yo, if I got 764 00:38:51,920 --> 00:38:55,759 Speaker 1: you and Andre, if I got Andre to my studio, Like, well, 765 00:38:55,800 --> 00:38:59,960 Speaker 1: what could what are the possibilities that could happen? Honest 766 00:39:00,280 --> 00:39:03,840 Speaker 1: him saying no clue, But if he came, bro, it'll 767 00:39:03,880 --> 00:39:07,120 Speaker 1: be over with Yeah, that would be that'd be special. 768 00:39:07,840 --> 00:39:11,480 Speaker 1: You just tweeted something the other day, was it yesterday 769 00:39:11,480 --> 00:39:15,200 Speaker 1: about all the records that you and Travis have together? Yeah, 770 00:39:15,440 --> 00:39:19,319 Speaker 1: and like which was which? Which was everyone's favorite? You 771 00:39:19,440 --> 00:39:23,399 Speaker 1: and Travis? Uh, I'm assuming there's gonna be more music 772 00:39:23,440 --> 00:39:26,400 Speaker 1: in the future, did you guys? Originally link up in 773 00:39:26,480 --> 00:39:28,759 Speaker 1: the good music days, like back back then, because I 774 00:39:28,800 --> 00:39:32,800 Speaker 1: know he was around in that era. We linked before 775 00:39:32,840 --> 00:39:35,880 Speaker 1: he even got with or met Kanye, Like he was 776 00:39:35,920 --> 00:39:40,000 Speaker 1: fucking with kill Hoffer. Killoffer was mixing my first song 777 00:39:40,080 --> 00:39:43,000 Speaker 1: that ever dropped, which was jay z Interview, my first 778 00:39:43,080 --> 00:39:48,000 Speaker 1: rap joint, official rap joint. He came to my session 779 00:39:48,520 --> 00:39:51,000 Speaker 1: and I was just like we just chopped it. It 780 00:39:51,080 --> 00:39:54,520 Speaker 1: wasn't too much, but like when we finally linked, I 781 00:39:54,640 --> 00:39:57,799 Speaker 1: just was like, man, this kid is fucking he got it. 782 00:39:57,840 --> 00:39:59,960 Speaker 1: Like I just saw the visuals, I saw the sound 783 00:40:00,239 --> 00:40:03,960 Speaker 1: he was using, Like just the way he was approaching it. 784 00:40:04,000 --> 00:40:05,600 Speaker 1: I was like he a real artist, Like he's gonna 785 00:40:05,600 --> 00:40:08,080 Speaker 1: be straight and this ship for sure, and you know, 786 00:40:09,040 --> 00:40:11,000 Speaker 1: for him to take it to this level man, and 787 00:40:11,040 --> 00:40:15,680 Speaker 1: it's like you know we I mean, bro, you see 788 00:40:15,719 --> 00:40:18,399 Speaker 1: that lineup. You know what I'm saying. Come on, bro, 789 00:40:18,760 --> 00:40:23,160 Speaker 1: he has classics? Bro, classics? Which part of Sycamore did 790 00:40:23,160 --> 00:40:26,560 Speaker 1: you do? I did the first part before like before 791 00:40:26,560 --> 00:40:30,319 Speaker 1: it cuts into Travis's part. Okay, I was did you 792 00:40:30,360 --> 00:40:32,560 Speaker 1: ever when you when you I'm assuming you never heard 793 00:40:32,800 --> 00:40:36,200 Speaker 1: Hi's version of Sycamore until everyone else heard it. Yeah, 794 00:40:36,239 --> 00:40:39,400 Speaker 1: I don't think I still even heard it? Oh yeah, 795 00:40:39,520 --> 00:40:41,759 Speaker 1: did the Travis part man hire as a fucking go 796 00:40:41,920 --> 00:40:43,759 Speaker 1: by the way, shout out for sure? Man, you know 797 00:40:43,920 --> 00:40:46,919 Speaker 1: that's more good music. You and Travis got any others? 798 00:40:47,000 --> 00:40:50,680 Speaker 1: Any I know he's working any are you? Are you? 799 00:40:50,680 --> 00:40:55,319 Speaker 1: You know? Hey man, I'm just working. Bro't. I can't 800 00:40:55,320 --> 00:40:58,719 Speaker 1: put nothing out there, but you know, fun with Bro. 801 00:41:00,239 --> 00:41:01,960 Speaker 1: I saw how big of a deal it was for 802 00:41:02,000 --> 00:41:07,360 Speaker 1: you to have Doctor Dre shout out I on, I 803 00:41:07,560 --> 00:41:11,160 Speaker 1: shouted out the ie Doctor Dre. He shouted you out 804 00:41:11,760 --> 00:41:14,399 Speaker 1: that record? You know, like that shit just took me back, Bro. 805 00:41:14,520 --> 00:41:17,400 Speaker 1: Like I'm listening, like to listening to fucking the Chronic 806 00:41:17,400 --> 00:41:20,719 Speaker 1: when I'm twelve years old, like still living in Pasadena, 807 00:41:20,880 --> 00:41:23,880 Speaker 1: my family in the crib literally with this ship on 808 00:41:23,960 --> 00:41:27,400 Speaker 1: repeat all day. You know what I'm saying, And for 809 00:41:27,520 --> 00:41:29,600 Speaker 1: him to you know what I'm saying, lock in on 810 00:41:29,719 --> 00:41:32,080 Speaker 1: my ship and shout me out and throw some bars 811 00:41:32,120 --> 00:41:33,600 Speaker 1: on it, you know what I'm saying. On the Firm 812 00:41:33,640 --> 00:41:37,719 Speaker 1: Reunion by the way, come on dog that recorducer from 813 00:41:37,800 --> 00:41:41,759 Speaker 1: Cali young producer looking up to Dre hoppull shit. You 814 00:41:41,760 --> 00:41:46,280 Speaker 1: know that's just like movie shit? How because did nas 815 00:41:46,320 --> 00:41:48,319 Speaker 1: know he wanted to do a firm reunion record, Like, 816 00:41:48,360 --> 00:41:50,200 Speaker 1: did he come to you and say, hey, dude, I 817 00:41:50,280 --> 00:41:52,479 Speaker 1: want to get everybody back together, or did the beat 818 00:41:52,560 --> 00:41:54,239 Speaker 1: kind of speak to him in that way? Now he 819 00:41:54,320 --> 00:41:57,080 Speaker 1: had he we had the joint, he had did his part, 820 00:41:57,480 --> 00:42:00,000 Speaker 1: and I just was like, man, we should get A's 821 00:42:00,239 --> 00:42:05,359 Speaker 1: on this ship and as I told him once and 822 00:42:05,400 --> 00:42:07,720 Speaker 1: he was like, okay for show, and then we played 823 00:42:07,719 --> 00:42:10,040 Speaker 1: the song again. I was like, Yo, let's get asy 824 00:42:10,120 --> 00:42:13,400 Speaker 1: on this ship and he was like, you're serious. I'm like, 825 00:42:13,520 --> 00:42:16,719 Speaker 1: for Shure, send it to him, dude, body that ship. 826 00:42:17,160 --> 00:42:18,480 Speaker 1: And he was like, Yo, I'm about to just throw 827 00:42:18,520 --> 00:42:20,920 Speaker 1: the rest of the homies on there. And then after 828 00:42:20,960 --> 00:42:24,000 Speaker 1: that he he just I guess he linked with Dre 829 00:42:24,239 --> 00:42:26,200 Speaker 1: just like on some regular ship for them to chop it, 830 00:42:26,719 --> 00:42:28,560 Speaker 1: and he ended up playing the joint and Dre hopped 831 00:42:28,600 --> 00:42:31,840 Speaker 1: on that motherfucker right there. Yeah. Even to hear Cormega 832 00:42:31,920 --> 00:42:33,879 Speaker 1: on the song with Nas again, it's so crazy because 833 00:42:33,880 --> 00:42:36,560 Speaker 1: they had like that big falling out and Cormega is 834 00:42:36,560 --> 00:42:41,120 Speaker 1: so fire. Yeah, for sure, they all bodied man Foxy Foxy. 835 00:42:41,280 --> 00:42:44,759 Speaker 1: Of course, was there ever any attempt to try to 836 00:42:44,760 --> 00:42:47,840 Speaker 1: get Nature on the record, Not that I know of okay, 837 00:42:47,840 --> 00:42:49,879 Speaker 1: because I mean Nature's the only guy from the firm 838 00:42:49,920 --> 00:42:53,880 Speaker 1: that was missing or shout out to Nature. And then 839 00:42:54,000 --> 00:42:56,319 Speaker 1: Dre was probably the last piece I'm assuming No, yeah 840 00:42:56,360 --> 00:42:59,640 Speaker 1: he was. He was the last piece. Added that's just crazy, 841 00:43:00,160 --> 00:43:05,560 Speaker 1: like na' hit you like, Yo, Dre? What movie? Fire? 842 00:43:06,200 --> 00:43:11,200 Speaker 1: That shit? Crazy? Bro King's Disease Detroit two Kings Chauncey 843 00:43:11,239 --> 00:43:15,880 Speaker 1: Hollis Project is aka Don Kennedy also known as Fire 844 00:43:16,280 --> 00:43:21,080 Speaker 1: courtesy mil squad Man Detroit two King's Disease. Right now, 845 00:43:21,239 --> 00:43:25,600 Speaker 1: are you still technically Rock Nation? They helped me on 846 00:43:25,640 --> 00:43:28,640 Speaker 1: the management side. Okay, yeah, so on the management side. 847 00:43:28,640 --> 00:43:30,799 Speaker 1: But like when you're dropping, Like now, when I drop 848 00:43:30,840 --> 00:43:33,040 Speaker 1: my solo, shit, I just drop it independent. It's just 849 00:43:33,080 --> 00:43:35,440 Speaker 1: like you know, going through the whole label ship, Like 850 00:43:35,760 --> 00:43:37,680 Speaker 1: I'm not trying to get involved in too much of that. 851 00:43:37,719 --> 00:43:39,640 Speaker 1: I'm trying to really be able to control as much 852 00:43:39,680 --> 00:43:42,239 Speaker 1: of my ship as I can. So whenever I feel 853 00:43:42,280 --> 00:43:45,040 Speaker 1: like dropping, I could just drop. That's what I've been on. 854 00:43:45,960 --> 00:43:48,200 Speaker 1: How important has it been you talked about being a 855 00:43:48,280 --> 00:43:52,640 Speaker 1: childist where your studio is. How important has that location 856 00:43:52,800 --> 00:43:56,000 Speaker 1: been to everything that's going on right now? Because you said, 857 00:43:56,080 --> 00:43:58,680 Speaker 1: like people just pop in and it's been beautiful. Man, 858 00:43:58,719 --> 00:44:01,480 Speaker 1: shout out to the whole you know, staff, everybody, they 859 00:44:01,520 --> 00:44:04,920 Speaker 1: show love being there. I've been there two years now, bro, 860 00:44:05,160 --> 00:44:08,319 Speaker 1: and just like the amount of placements and not even 861 00:44:08,360 --> 00:44:11,560 Speaker 1: just placements, like helping people, you know, put the album together, 862 00:44:11,640 --> 00:44:15,080 Speaker 1: and just all the energy Nip coming through doing racks 863 00:44:15,120 --> 00:44:17,520 Speaker 1: and doing deep reverence and leaving that energy in there 864 00:44:17,600 --> 00:44:20,040 Speaker 1: like that shit is just it's been love. And then 865 00:44:20,040 --> 00:44:22,799 Speaker 1: people also, you know, rent the other rooms out there, 866 00:44:22,840 --> 00:44:24,560 Speaker 1: so you know, I run into people, I lock in 867 00:44:24,600 --> 00:44:26,879 Speaker 1: with people. That's just so happened to be there that day. 868 00:44:27,640 --> 00:44:30,520 Speaker 1: I saw you say that you would you said, would 869 00:44:30,520 --> 00:44:33,000 Speaker 1: you believe it if I told you I sold a 870 00:44:33,000 --> 00:44:36,920 Speaker 1: million dollars worth of beats this year, a million dollars 871 00:44:37,120 --> 00:44:39,520 Speaker 1: with the beats in twenty twenty? Come on, man, and 872 00:44:39,560 --> 00:44:41,880 Speaker 1: this is I think you might have said this prior 873 00:44:41,920 --> 00:44:45,799 Speaker 1: to King's disease and being out. I think I did, yeah, 874 00:44:45,840 --> 00:44:50,560 Speaker 1: because I feel like people aren't aren't like really hip 875 00:44:50,600 --> 00:44:52,759 Speaker 1: to how much work like you got out there, right, 876 00:44:52,800 --> 00:44:55,439 Speaker 1: That's not that's not what's going on. I mean since 877 00:44:55,480 --> 00:44:58,040 Speaker 1: I said that, damn there, maybe twenty songs didn't drop 878 00:44:58,080 --> 00:45:00,760 Speaker 1: that I'll produced so how like, okay, so how many 879 00:45:01,440 --> 00:45:03,560 Speaker 1: when you say you made a million dollars with the beats? Like, 880 00:45:03,600 --> 00:45:05,480 Speaker 1: because because we think of the old school days right 881 00:45:05,520 --> 00:45:07,919 Speaker 1: where you would hear like, we had Scott Storching here 882 00:45:08,480 --> 00:45:10,080 Speaker 1: and he said that the most he ever got for 883 00:45:10,120 --> 00:45:13,120 Speaker 1: a beat was like a quarter million dollars. Yeah, he 884 00:45:13,280 --> 00:45:16,000 Speaker 1: was like, but that was like the peak for sure. 885 00:45:16,040 --> 00:45:18,000 Speaker 1: I mean the most I ever got for one bat 886 00:45:18,080 --> 00:45:21,040 Speaker 1: was like seventy five K seven. I ain't on two 887 00:45:21,080 --> 00:45:25,360 Speaker 1: fifty shit, But what do you remember what beat it was? Yeah? 888 00:45:26,320 --> 00:45:28,319 Speaker 1: It was It wasn't even like it was like for 889 00:45:28,360 --> 00:45:31,040 Speaker 1: a fucking commercial. No. Storch said the same thing. He 890 00:45:31,080 --> 00:45:33,239 Speaker 1: said that the beat was a commercial. He was like, 891 00:45:33,280 --> 00:45:35,920 Speaker 1: it was some commercial and they paid me two fifty 892 00:45:35,920 --> 00:45:38,560 Speaker 1: and paid Tibulin two fifty. We produced the song for commercial. 893 00:45:38,640 --> 00:45:41,560 Speaker 1: I said, what, yeah, so it's for what what? What? 894 00:45:43,280 --> 00:45:47,440 Speaker 1: Damn a Gatorade commercial? That shit is crazy. Have you 895 00:45:47,520 --> 00:45:52,440 Speaker 1: ever sold somebody your beat and regretted it later? Oh? 896 00:45:52,760 --> 00:45:56,000 Speaker 1: I used to when I you know, because earlier like 897 00:45:56,080 --> 00:45:58,960 Speaker 1: that's why my value is so crazy now, because I 898 00:45:59,000 --> 00:46:01,200 Speaker 1: was trying to tap into to making like hard beats 899 00:46:01,280 --> 00:46:03,200 Speaker 1: them there every time I sit down and you know 900 00:46:03,239 --> 00:46:07,600 Speaker 1: now that I'm I'm just in that zone. Like back 901 00:46:07,640 --> 00:46:09,520 Speaker 1: in the day, it was just harder for me to 902 00:46:09,560 --> 00:46:13,600 Speaker 1: get shipped off. So Damn asked me the question, you're 903 00:46:13,560 --> 00:46:17,360 Speaker 1: cutting this up right? Okay? For no, but I was. 904 00:46:17,400 --> 00:46:20,400 Speaker 1: I was saying, have you ever sold somebody or no? 905 00:46:20,520 --> 00:46:22,160 Speaker 1: That's what I'm saying, Like, that's what made me say that, 906 00:46:22,239 --> 00:46:24,600 Speaker 1: Like when I when I just you know, when I 907 00:46:24,640 --> 00:46:27,120 Speaker 1: held onto every beating that it meant everything to me 908 00:46:27,200 --> 00:46:29,000 Speaker 1: back in the day because I didn't make as many 909 00:46:29,040 --> 00:46:32,560 Speaker 1: dope ones. Yeahs. So but now it's like, man, okay, 910 00:46:32,600 --> 00:46:34,839 Speaker 1: I'll make another one, like you know, that's just how 911 00:46:34,880 --> 00:46:38,160 Speaker 1: I feel about it. Yeah, because uh, I know. I 912 00:46:38,239 --> 00:46:40,239 Speaker 1: asked Scott, I was like, did you regret giving Haul 913 00:46:40,280 --> 00:46:45,080 Speaker 1: Coogan's daughter a beat? That's hilarious? That shit is hilarious. 914 00:46:46,040 --> 00:46:48,200 Speaker 1: One of the songs that I remember when you first 915 00:46:48,200 --> 00:46:50,760 Speaker 1: played me Granted my whole life was at your house. 916 00:46:51,360 --> 00:46:53,920 Speaker 1: It was probably six months before it came out, and 917 00:46:53,960 --> 00:46:55,799 Speaker 1: I remember thinking to myself, this is the only song 918 00:46:55,840 --> 00:46:59,319 Speaker 1: I've ever heard that gave me the same chills and 919 00:46:59,440 --> 00:47:02,840 Speaker 1: vibes of of grinding from the clips, like it just 920 00:47:02,960 --> 00:47:06,600 Speaker 1: was so hard and like the whole fucking crew was 921 00:47:06,640 --> 00:47:08,960 Speaker 1: on it, My pops was on it, for your dad 922 00:47:09,160 --> 00:47:15,840 Speaker 1: was on it. That song though the G Unit version 923 00:47:16,800 --> 00:47:20,200 Speaker 1: blew up. You don't see this's the thing, right, and 924 00:47:20,239 --> 00:47:23,640 Speaker 1: I'll be thinking about this. I'm like, so instead of 925 00:47:23,800 --> 00:47:26,960 Speaker 1: just like taking a nigga style like fifty shit has 926 00:47:27,000 --> 00:47:29,080 Speaker 1: just been like hit boy, fucking make an album for 927 00:47:29,200 --> 00:47:31,279 Speaker 1: us or come work with us. But it's like, I think, 928 00:47:31,360 --> 00:47:33,040 Speaker 1: I feel like people think too small, you know what 929 00:47:33,040 --> 00:47:35,160 Speaker 1: I'm saying, Like niggas like, oh, I see they having 930 00:47:35,200 --> 00:47:36,759 Speaker 1: a wave. They got a heart beat, they got a 931 00:47:36,800 --> 00:47:39,520 Speaker 1: hard melody, idea, vocal idea. Let me just take that 932 00:47:39,600 --> 00:47:42,000 Speaker 1: and try to wave up on niggas versus being a 933 00:47:42,040 --> 00:47:43,800 Speaker 1: real one and being like I'm gonna hit this nigga 934 00:47:43,840 --> 00:47:45,640 Speaker 1: and go make some hard show. This was gonna ask 935 00:47:45,680 --> 00:47:48,360 Speaker 1: you like, did you have any sort of cause that 936 00:47:48,480 --> 00:47:51,000 Speaker 1: song was so I know that was a very important 937 00:47:51,040 --> 00:47:53,760 Speaker 1: song for your label and for your crew, for my life, 938 00:47:53,800 --> 00:47:57,640 Speaker 1: for your life. All of that video was crazy, like 939 00:47:57,760 --> 00:48:00,640 Speaker 1: did you have any sort of animosity Towards the G 940 00:48:00,760 --> 00:48:04,600 Speaker 1: UNIT version? I felt like people heard that beat and 941 00:48:04,600 --> 00:48:07,200 Speaker 1: thought it was a G UNIT song that weren't outside 942 00:48:07,200 --> 00:48:09,680 Speaker 1: of I mean being fans of what you were doing. 943 00:48:09,680 --> 00:48:12,320 Speaker 1: Like obviously you know what I'm saying, Like at the 944 00:48:12,400 --> 00:48:14,879 Speaker 1: end of the day, bro, you know, like I said, man, 945 00:48:15,120 --> 00:48:17,080 Speaker 1: I feel like they was thinking small by doing that, 946 00:48:17,120 --> 00:48:18,799 Speaker 1: you know what I'm saying, because it didn't really even 947 00:48:18,960 --> 00:48:20,880 Speaker 1: lead to nothing. Like he just said the other day, 948 00:48:20,920 --> 00:48:22,480 Speaker 1: you want to forget about gun it, you know what 949 00:48:22,480 --> 00:48:24,120 Speaker 1: I'm saying, And like I put my life on the 950 00:48:24,160 --> 00:48:26,840 Speaker 1: line to make that record. Put my whole family, you 951 00:48:26,880 --> 00:48:28,279 Speaker 1: know what I'm saying, Not my whole family, but all 952 00:48:28,280 --> 00:48:29,960 Speaker 1: my homies, and put my pops on it. Like that 953 00:48:30,040 --> 00:48:32,279 Speaker 1: was that was that was that was real for us, 954 00:48:32,360 --> 00:48:34,080 Speaker 1: you know what I'm saying. Like it wasn't just like, 955 00:48:34,080 --> 00:48:35,680 Speaker 1: oh it's a heart beat, We're just gonna rap on 956 00:48:35,719 --> 00:48:37,080 Speaker 1: this ship. You know what I'm saying. I feel like 957 00:48:37,080 --> 00:48:39,839 Speaker 1: that's what niggas be thinking. So it is what it is. 958 00:48:42,200 --> 00:48:43,879 Speaker 1: You know, for people who don't know you, you said, 959 00:48:43,880 --> 00:48:47,400 Speaker 1: your dad's locked up again? How's he doing everything? I 960 00:48:47,400 --> 00:48:48,759 Speaker 1: mean because you know, I always thought that was such 961 00:48:48,760 --> 00:48:50,680 Speaker 1: a beautiful thing that you had him on the whole album. 962 00:48:50,719 --> 00:48:53,080 Speaker 1: We communicate, We lock in, you know what I'm saying. 963 00:48:53,120 --> 00:48:57,799 Speaker 1: We talked every other day, and you know It's just 964 00:48:57,840 --> 00:49:02,040 Speaker 1: an unfortunate situation. But know once he back on the streets, 965 00:49:02,080 --> 00:49:04,360 Speaker 1: were right back on this ship and then with the 966 00:49:04,560 --> 00:49:06,560 Speaker 1: with the other everybody else who was a part of 967 00:49:06,560 --> 00:49:09,319 Speaker 1: the crew. Kate Roosevelt, by the way, Kate Roosevelt is 968 00:49:09,320 --> 00:49:17,719 Speaker 1: so fire my niggas fire firefire, h audio push, it's 969 00:49:17,800 --> 00:49:20,040 Speaker 1: time and dog is timing. Man. I'm just saying, like, 970 00:49:20,080 --> 00:49:22,000 Speaker 1: how's how's how is that? I mean, I I you know, 971 00:49:22,040 --> 00:49:24,680 Speaker 1: I talked to Price and and Octane a lot, But 972 00:49:25,239 --> 00:49:28,759 Speaker 1: how is everybody is everybody still you know, Kosher everything still. 973 00:49:29,320 --> 00:49:32,839 Speaker 1: Everybody's still putting their music out. Kros He's putting merch out, 974 00:49:32,880 --> 00:49:35,879 Speaker 1: putting music out. He's doing this thing audio push. They 975 00:49:35,920 --> 00:49:40,279 Speaker 1: locked in. Yeah, all the homies can't money. You know. 976 00:49:40,360 --> 00:49:43,799 Speaker 1: That's my dog. So he was on your project. Yeah, 977 00:49:43,960 --> 00:49:48,120 Speaker 1: on Chauncey all this project. So you know for sure, 978 00:49:49,080 --> 00:49:51,400 Speaker 1: any chance, let me ask you this. When you see like, 979 00:49:52,880 --> 00:49:59,239 Speaker 1: as a producer, there's very like you'll see people come 980 00:49:59,280 --> 00:50:02,600 Speaker 1: and go a lot, right, I feel like more even 981 00:50:02,640 --> 00:50:06,000 Speaker 1: maybe even more so than rappers. I don't know, There's 982 00:50:06,000 --> 00:50:07,600 Speaker 1: been a lot of rappers have coming gone in the 983 00:50:07,680 --> 00:50:11,719 Speaker 1: last five years, but producers, I feel like it's like 984 00:50:11,760 --> 00:50:16,759 Speaker 1: a year to two years, right, and then usually they're 985 00:50:16,840 --> 00:50:20,480 Speaker 1: sad because they have such a sound that they're out 986 00:50:20,480 --> 00:50:24,719 Speaker 1: of here, right, it's like that, you know, they got 987 00:50:24,719 --> 00:50:27,400 Speaker 1: a cool eighteen month run and then it's like, well, 988 00:50:27,440 --> 00:50:29,880 Speaker 1: what happened to those guys? Well, now there's the new producer. 989 00:50:29,920 --> 00:50:32,960 Speaker 1: You know what I'm saying, Like, for sure, is that 990 00:50:33,160 --> 00:50:37,040 Speaker 1: something that you're self conscious of and aware of because 991 00:50:37,040 --> 00:50:40,400 Speaker 1: you've never had a sound per se that was like, 992 00:50:40,400 --> 00:50:42,200 Speaker 1: like you said, people would say to you like, ah, 993 00:50:42,320 --> 00:50:43,960 Speaker 1: hit boy. You know, I don't know if I want 994 00:50:43,960 --> 00:50:45,839 Speaker 1: to hear him with knas because he's just making club shit. 995 00:50:46,280 --> 00:50:48,840 Speaker 1: But like that's not the case if people really have 996 00:50:48,840 --> 00:50:52,080 Speaker 1: been paying attention to what you do. But like, are 997 00:50:52,320 --> 00:50:56,279 Speaker 1: are you an observer of the landscape of other producers 998 00:50:56,320 --> 00:50:59,279 Speaker 1: and kind of like where people fuck up? You know? 999 00:50:59,400 --> 00:51:02,839 Speaker 1: I always is, you know, and I peaped the game. 1000 00:51:02,880 --> 00:51:04,760 Speaker 1: I'm a real student of this ship. I'll be watching 1001 00:51:04,800 --> 00:51:07,879 Speaker 1: as much of it as I can. And I never 1002 00:51:07,960 --> 00:51:10,600 Speaker 1: looked at it like it would give me longevity if 1003 00:51:10,640 --> 00:51:12,680 Speaker 1: I stay versatile. I just looked at it as from 1004 00:51:12,680 --> 00:51:15,279 Speaker 1: a creative pros you know, perspective, like I just want 1005 00:51:15,280 --> 00:51:18,120 Speaker 1: to be you know, different every time, Like I don't 1006 00:51:18,120 --> 00:51:19,839 Speaker 1: want to have a sound, but I never looked at 1007 00:51:19,880 --> 00:51:22,160 Speaker 1: it like the sound burns out anyway, you know what 1008 00:51:22,200 --> 00:51:24,800 Speaker 1: I'm saying. So I had moments of like I would 1009 00:51:24,920 --> 00:51:27,640 Speaker 1: envy certain like you know, producers when it's like, damn, 1010 00:51:27,640 --> 00:51:29,800 Speaker 1: they should connected so hard. But then I might have 1011 00:51:29,880 --> 00:51:32,439 Speaker 1: had bigger records than them. But it's like it didn't 1012 00:51:32,480 --> 00:51:35,000 Speaker 1: connect as much because it was no tag. You didn't 1013 00:51:35,040 --> 00:51:38,160 Speaker 1: hear shit, You didn't hear certain people shouting me out 1014 00:51:38,239 --> 00:51:40,320 Speaker 1: in interviews and bigging me up like that. So it 1015 00:51:40,440 --> 00:51:43,279 Speaker 1: just was a more of a just real grind with 1016 00:51:43,320 --> 00:51:46,319 Speaker 1: my ship. It wasn't like an autopilot type thing, you 1017 00:51:46,320 --> 00:51:48,880 Speaker 1: know what I'm saying, Like I feel like certain like 1018 00:51:48,920 --> 00:51:50,560 Speaker 1: you know, like a mustard like that shit is like 1019 00:51:50,680 --> 00:51:53,360 Speaker 1: fucking autopilot, like you know what you finna get, you 1020 00:51:53,400 --> 00:51:54,719 Speaker 1: know what I'm saying. As far as like when he 1021 00:51:54,840 --> 00:51:56,360 Speaker 1: was on his initial run, when he was on his 1022 00:51:56,360 --> 00:52:01,440 Speaker 1: West coast, you must have had to evolve, you know, 1023 00:52:01,560 --> 00:52:05,120 Speaker 1: she had to and most people don't for sure. Yeah, 1024 00:52:05,160 --> 00:52:07,200 Speaker 1: when Muster first came out, it was like like you said, 1025 00:52:07,200 --> 00:52:10,120 Speaker 1: it was the one hundred beats per minuted, it was 1026 00:52:10,239 --> 00:52:13,320 Speaker 1: you know, you knew his sound, and I got to 1027 00:52:13,360 --> 00:52:16,600 Speaker 1: give it up to Muster because he he definitely modernized 1028 00:52:16,640 --> 00:52:20,000 Speaker 1: it because he could have burnt out so he could 1029 00:52:20,040 --> 00:52:22,960 Speaker 1: have Man and he switched up and like ship the 1030 00:52:23,000 --> 00:52:26,239 Speaker 1: fact he's got Lama and you know ten Summers is 1031 00:52:26,280 --> 00:52:29,759 Speaker 1: doing it man. For sure, the tech producer tag thing. 1032 00:52:29,800 --> 00:52:31,600 Speaker 1: I always wondered this right because I'm like, yo, I 1033 00:52:31,640 --> 00:52:34,400 Speaker 1: almost feel like because you initially didn't have a tag. 1034 00:52:35,160 --> 00:52:37,239 Speaker 1: Crazy thing is on my first place being on the 1035 00:52:37,360 --> 00:52:39,600 Speaker 1: j Lo album. I had a tag. I whispered hit 1036 00:52:39,680 --> 00:52:41,839 Speaker 1: boy in the beginning, and then I stopped using that ship. 1037 00:52:42,080 --> 00:52:45,439 Speaker 1: So yeah, but your bigger records. Initially, for sure, there 1038 00:52:45,520 --> 00:52:48,080 Speaker 1: was no tag on my first beat I sold in 1039 00:52:48,160 --> 00:52:52,280 Speaker 1: oh seven, Yes, but then after that no tags until 1040 00:52:52,360 --> 00:52:56,040 Speaker 1: fucking damn there twenty eighteen. Hey, so your first beat 1041 00:52:56,040 --> 00:52:58,600 Speaker 1: you ever saw was a Jalo record? Yeah? Did you 1042 00:52:58,640 --> 00:53:00,759 Speaker 1: meet Jalo? I still never Metter to this day and 1043 00:53:00,800 --> 00:53:04,360 Speaker 1: this was seven damn that's my first beat Outso that 1044 00:53:04,400 --> 00:53:07,080 Speaker 1: shit is crazy. So if you see this, hogh at me, man, 1045 00:53:07,400 --> 00:53:09,120 Speaker 1: say what up? Now? That I was gonna ask you 1046 00:53:09,120 --> 00:53:12,359 Speaker 1: because there's other producers that don't have tags, like Louis Bell, 1047 00:53:12,440 --> 00:53:14,319 Speaker 1: who does a lot of the post malone stuff, Like 1048 00:53:14,600 --> 00:53:17,520 Speaker 1: what is like, do you feel like you kind of 1049 00:53:17,560 --> 00:53:20,200 Speaker 1: have to have a tag nowadays? Because no, you don't 1050 00:53:20,200 --> 00:53:22,640 Speaker 1: gotta have no tag. But it's just good for branding, 1051 00:53:22,680 --> 00:53:24,000 Speaker 1: you know what I'm saying. I was trying to get 1052 00:53:24,000 --> 00:53:26,239 Speaker 1: my brand up because I felt I felt like my 1053 00:53:26,320 --> 00:53:28,920 Speaker 1: brand fell so far behind because of shit like that 1054 00:53:28,960 --> 00:53:30,799 Speaker 1: and not connecting it all the way. So I'm like, 1055 00:53:30,880 --> 00:53:33,600 Speaker 1: let me just find an easy way to just connect 1056 00:53:33,600 --> 00:53:36,719 Speaker 1: my shit now. And it's working out. It is working out? 1057 00:53:37,200 --> 00:53:39,400 Speaker 1: Or is it hip boy? Underbeat you Gotta Go Dessert? 1058 00:53:39,480 --> 00:53:41,560 Speaker 1: That's one of them? Is it the hit boy? Both 1059 00:53:41,600 --> 00:53:45,239 Speaker 1: of them? Yo? I'm looking all right, So I'm looking 1060 00:53:45,239 --> 00:53:49,040 Speaker 1: at the track listing with all the producers right cooling, 1061 00:53:49,120 --> 00:53:54,399 Speaker 1: Dre's on here, which is crazy. No, Id Mustard's got 1062 00:53:54,400 --> 00:54:02,719 Speaker 1: something on here. These records that that are you're co 1063 00:54:02,840 --> 00:54:07,480 Speaker 1: producing with, right, Let's say like a record like, by 1064 00:54:07,480 --> 00:54:09,000 Speaker 1: the way, the Wolve song is crazy. I don't think 1065 00:54:09,040 --> 00:54:11,759 Speaker 1: you produced that shit, shut Out day Trip. That shit 1066 00:54:11,840 --> 00:54:16,440 Speaker 1: is crazy. But like what is the being an executive producer? 1067 00:54:16,440 --> 00:54:19,319 Speaker 1: I don't think people understand what that means anymore. Yeah, 1068 00:54:19,520 --> 00:54:20,960 Speaker 1: you know what I say, Like I said earlier, in 1069 00:54:20,960 --> 00:54:25,040 Speaker 1: the conversation, man, just having them, you know, difficult conversations 1070 00:54:25,080 --> 00:54:27,279 Speaker 1: and trying to, you know, just give my opinion on 1071 00:54:27,360 --> 00:54:30,240 Speaker 1: as much as I can without being biased or without 1072 00:54:30,239 --> 00:54:33,600 Speaker 1: being emotional about it, without being selfish about you know, 1073 00:54:33,640 --> 00:54:35,400 Speaker 1: how many songs I got on it. I'm just like, 1074 00:54:36,280 --> 00:54:37,840 Speaker 1: I just want to give my opinion to where this 1075 00:54:37,880 --> 00:54:40,799 Speaker 1: could be the best possible, you know project. Because Sean 1076 00:54:40,920 --> 00:54:43,080 Speaker 1: he was he was zoned in, he was focused, you 1077 00:54:43,120 --> 00:54:45,000 Speaker 1: know what he wanted. So I just was like, they're 1078 00:54:45,040 --> 00:54:46,960 Speaker 1: trying to be a second ear and add as much, 1079 00:54:47,400 --> 00:54:51,960 Speaker 1: you know, as information as I could for sure. What 1080 00:54:52,040 --> 00:54:54,160 Speaker 1: do you see the rest of the year looking like? 1081 00:54:54,200 --> 00:54:57,960 Speaker 1: After after Benning the Butcher? Shit? Man, ain't no telling, bro, 1082 00:54:58,600 --> 00:55:00,759 Speaker 1: you know telling, I got more sessions is lined up, 1083 00:55:00,960 --> 00:55:03,040 Speaker 1: you know, some R and B stuff, some pop stuff. 1084 00:55:03,160 --> 00:55:06,000 Speaker 1: Who do you want to work with? Bro? Whoever want 1085 00:55:06,000 --> 00:55:08,160 Speaker 1: to work with me? Shit? And who are really serious 1086 00:55:08,200 --> 00:55:10,560 Speaker 1: about making music? But I'm saying, like, who do you 1087 00:55:10,719 --> 00:55:12,439 Speaker 1: want to work with? Like? Who are you a fan 1088 00:55:12,520 --> 00:55:16,280 Speaker 1: of that you haven't worked with yet? Man, I can't 1089 00:55:16,320 --> 00:55:18,600 Speaker 1: call it, I mean shit, bro, Like fucking I want 1090 00:55:18,600 --> 00:55:20,239 Speaker 1: to do an album for Kendrick Lamar. You know what 1091 00:55:20,239 --> 00:55:22,040 Speaker 1: I'm saying, I want to do an album for fucking 1092 00:55:22,120 --> 00:55:24,320 Speaker 1: jay Z. I want to do an album for plenty 1093 00:55:24,320 --> 00:55:26,160 Speaker 1: of people. But it's like, you know, I already work 1094 00:55:26,239 --> 00:55:28,000 Speaker 1: with these people too, But if I can get an 1095 00:55:28,000 --> 00:55:30,160 Speaker 1: album with Kendrick, I get an album with jay Z, 1096 00:55:30,360 --> 00:55:32,920 Speaker 1: like you know, that'd be lovely or even evendo. I 1097 00:55:32,960 --> 00:55:35,680 Speaker 1: know Kendrick, when you're shooting music video, I've seen that. 1098 00:55:35,840 --> 00:55:38,120 Speaker 1: I know about. You know, he about to melt the 1099 00:55:38,160 --> 00:55:41,040 Speaker 1: whole games. He about to go on one of them 1100 00:55:41,160 --> 00:55:43,799 Speaker 1: them twelve month runs and then just disappear for three more. 1101 00:55:45,000 --> 00:55:47,520 Speaker 1: What about some pop shit like I think, like I 1102 00:55:47,520 --> 00:55:49,520 Speaker 1: feel like you in post would make some fire ship 1103 00:55:49,719 --> 00:55:52,320 Speaker 1: like for sure, Like I said, man, whoever opened and 1104 00:55:52,400 --> 00:55:56,759 Speaker 1: work really serious about music? Man, it's lit hit boy 1105 00:55:58,080 --> 00:56:00,560 Speaker 1: like keV you already know, go get a everything. This 1106 00:56:00,560 --> 00:56:05,080 Speaker 1: guy's working on really Detroit to aka Chauncey Hollis Project. 1107 00:56:06,200 --> 00:56:11,880 Speaker 1: Chauncey Hollis Project is fucking fire. I appreciate the fact 1108 00:56:11,880 --> 00:56:15,759 Speaker 1: that you are still on your wrapping ship man, Yeah, 1109 00:56:15,800 --> 00:56:18,000 Speaker 1: because you can wrap your ass off, and I feel 1110 00:56:18,040 --> 00:56:21,040 Speaker 1: like you're improving. Man, I am bro. Every beat I 1111 00:56:21,120 --> 00:56:23,239 Speaker 1: do get better, every wrap I do get better. That's 1112 00:56:23,280 --> 00:56:25,720 Speaker 1: my whole You're the only I always tell this to everybody, 1113 00:56:25,719 --> 00:56:28,440 Speaker 1: because you mean, you could go into any studio session 1114 00:56:28,480 --> 00:56:30,319 Speaker 1: with a producer, no matter who the fuck it is, 1115 00:56:30,520 --> 00:56:32,719 Speaker 1: and p be playing beats and there's gonna be a 1116 00:56:32,719 --> 00:56:36,600 Speaker 1: few that you're just like I feeling, bro I've never 1117 00:56:36,640 --> 00:56:38,919 Speaker 1: been in the session with you, dog. You ain't never 1118 00:56:38,960 --> 00:56:44,640 Speaker 1: played no whack shit. Ever, it's all like this, Look like, 1119 00:56:45,239 --> 00:56:48,799 Speaker 1: appreciate it. This ship is crazy. Boom. Well, look shout 1120 00:56:48,800 --> 00:56:51,440 Speaker 1: out to my guy hit Boy. Go support everything he's 1121 00:56:51,480 --> 00:56:54,080 Speaker 1: got going on. They you got any sort of merch 1122 00:56:54,160 --> 00:56:56,520 Speaker 1: or anything. I ain't got no merch, but I'm locking 1123 00:56:56,560 --> 00:56:58,359 Speaker 1: in on it though. I have something, So you gotta 1124 00:56:58,400 --> 00:57:00,759 Speaker 1: get the hit Boy merch. Sure, y'all because y'all have 1125 00:57:00,800 --> 00:57:03,799 Speaker 1: the HS eight seven ship going up. Yeah, I was 1126 00:57:03,800 --> 00:57:07,440 Speaker 1: still mad. I ain't never got none of that, But 1127 00:57:07,960 --> 00:57:10,080 Speaker 1: that's all good. We're gonna get it back going boom. 1128 00:57:10,120 --> 00:57:12,080 Speaker 1: There you go, man, hit Boy. Blue let Cabin slip 1129 00:57:12,239 --> 00:57:13,240 Speaker 1: one hundred perfect