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Speaker 1: Are you leave in I you wanna way back home?

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Speaker 1: Either way, we want to be there.

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Speaker 2: Doesn't matter how much baggage you claim and give us

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Speaker 2: time and a terminol and gay a.

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Speaker 1: We want to send you off InStyle.

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Speaker 2: We want to welcome you back home.

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Speaker 1: Tell us all about it.

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Speaker 3: We scared her?

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Speaker 1: Was it fine?

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Speaker 3: Now? Porn?

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Speaker 1: Do you need to ride? Do you need to ride?

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Speaker 1: Do you need to ride? Do you need to ride?

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Speaker 1: Do you need to ride?

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Speaker 3: Do you need to ride? Need to ride? Do you

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Speaker 3: need with Karen and Chris welcome to Do you need

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Speaker 3: a ride? This is Chris Fairbanks.

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Speaker 1: And this is Karen Kilgariff.

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Speaker 3: We are not in a car. We're at home still,

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Speaker 3: because we're.

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Speaker 1: Really at home still. There's still a pandemic. Everybody stop

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Speaker 1: pretending that there's not there.

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Speaker 3: Most of the bars in my neighborhood have opened up

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Speaker 3: at some level. They're yeah, and now they're probably going

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Speaker 3: to have to close. It's they're going to have to yeah,

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Speaker 3: it's but will they I saw that in Houston. They

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Speaker 3: they were at one hundred percent capacity with all their

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Speaker 3: ICU and the and the governor told them to just

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Speaker 3: quit reporting that information because it looked bad. Yeah.

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Speaker 1: I feel like that's a new way to do things.

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Speaker 1: Is the Donald Trump approach, which is just lie while

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Speaker 1: everyone dies except for you, who's so rich you live

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Speaker 1: at the top of a skyscraper in New York City

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Speaker 1: and nothing will ever touch you.

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Speaker 3: Yeah, he's really I mean, this is no new news.

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Speaker 3: But he's really setting a bad example for humans.

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Speaker 1: I think he's I feel like he's not as ethical

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Speaker 1: as I would want to.

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Speaker 3: Wait, what, really, I'm sorry you.

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Speaker 1: Look, I realize I'm really I'm churning the soup here,

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Speaker 1: but I might as.

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Speaker 3: Well spit in a veteran's face. Karen.

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Speaker 1: It's so nightmarishly strange. It's all those people too, Like

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Speaker 1: I was talking to somebody about this where I empathize

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Speaker 1: with those twenty five year old who are like, yeah,

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Speaker 1: I'm not I'm gonna go to a bar after three

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Speaker 1: months being by myself and I'm not gonna wear a

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Speaker 1: mask and I stand right next to other people, and

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Speaker 1: I'm going to pretend that the world is not going

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Speaker 1: the way it's going. That's what I would have dotten

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Speaker 1: at age twenty five and in my full blown blackout alcoholism.

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Speaker 3: Yeah, it's not.

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Speaker 1: Like I'm judging those people, but they are killing people

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Speaker 1: because of that denial and a substance abuse issue.

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Speaker 3: Yeah, And I mean my nephew is nineteen and he's like, Nope,

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Speaker 3: I'm staying home playing video games and he should be

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Speaker 3: out kissing girls. But he's responsible. So sometimes people are

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Speaker 3: being great.

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Speaker 1: Yeah, there's there's some but but they still man those

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Speaker 1: pictures of bars where people are just it's such uh

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Speaker 1: you know, isn't there like five It's like five stages

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Speaker 1: of denial. We have to now tack on the twenty

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Speaker 1: twenty version. There's six where it's like anger right where

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Speaker 1: it's like anger, depression was in there, depression's in there,

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Speaker 1: and then acceptance is the last one. And now we

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Speaker 1: have to tack on giving up putting your fingers in

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Speaker 1: your ears and yelling la la la at a bar

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Speaker 1: during a pandemic. Yeah, yeah, that's the new thing.

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Speaker 3: Sammy Hagar is a example was I'm I think I'm

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Speaker 3: willing to die for the economy. He said. Basically, he said,

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Speaker 3: back in the you know, our grandparents died in the

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Speaker 3: war to fight for our freedom. It's time for everyone

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Speaker 3: to risk their lives for the economy, which is American freedom.

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Speaker 3: According to him, like he's just saying this from a

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Speaker 3: barstool in most Lawn or wherever he makes his tequila

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Speaker 3: and falls off a stool every night.

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Speaker 1: Yeah, he's saying that from his from his lawyer's office

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Speaker 1: where he's signing LLC papers because he has probably fifteen

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Speaker 1: companies that are directly impact by people not going to bars.

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Speaker 1: It's like my, but my automatic margarita maker. Yeah, you're

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Speaker 1: being sold, and my salt company isn't. My margarita salt

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Speaker 1: company isn't flourishing. I mean, talk about conflict of interests. Sammy, Sammy,

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Speaker 1: and you.

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Speaker 3: Have to be drunk to enjoy any of his Van

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Speaker 3: Halen songs.

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Speaker 1: It is true. But then if you're junk enough that

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Speaker 1: right now, that can really get it be an anthem

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Speaker 1: that gets you through the night.

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Speaker 3: Oh yeah, there's a reason Coca Cola or PEPSI used

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Speaker 3: it in that car, one.

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Speaker 1: Of those slow mo cans smashing into each other I

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Speaker 1: was in.

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Speaker 3: I was in Mazet Lawn for uh. It was like

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Speaker 3: a furlough during a cruise. You get to be in

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Speaker 3: Mozet Lawn for four hours. And I really was wanting

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Speaker 3: to see Sammy Hagar there somewhere, because that's or no,

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Speaker 3: it was Cabo San Lucas, Cabo Wabo Tequila. I guess

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Speaker 3: he really lives there, and I was looking for him

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Speaker 3: because I just wanted to push him off a stool.

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Speaker 1: I saw a picture of him recently when he did

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Speaker 1: make that announcement that he was willing to die for

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Speaker 1: the economy, which just means he wants you to die

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Speaker 1: for the economy, right that he's going to do anything.

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Speaker 3: But yeah, he's willing to be the middleman to killing

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Speaker 3: your grandma is basically.

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Speaker 1: He wants to open the dye door and have you

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Speaker 1: walk through it. He has different hair now, so he

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Speaker 1: is very much not the keeping.

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Speaker 3: Seventy two that. Yeah, yeah, God, the world just keeps turning.

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Speaker 1: He looks like a woman who would be angry at

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Speaker 1: a Joanne Fabrics. Yeah now what I felt the vibe

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Speaker 1: I was getting from him, as opposed to before when

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Speaker 1: he was kind of like he looked like the bad

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Speaker 1: boy at the tire store.

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Speaker 3: Yeah yeah, Now he's yelling because they don't have the buttons.

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Speaker 1: He wants, see where's my zebra print? I've spent a

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Speaker 1: lot of money at this store, Joanne.

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Speaker 3: You know I sew my own tight pants. How am

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Speaker 3: I supposed to do high kicks? Well, we know that

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Speaker 3: was kind of David Lee Roth's thing.

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Speaker 1: That was his thing. No one looked to you for

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Speaker 1: any kind of gymnastics the way the DLR did it. Also,

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Speaker 1: David Lee Roth isn't out there telling people to die

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Speaker 1: for the economy. Another reason why you should have only

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Speaker 1: liked the first Van Helen and not the second one.

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Speaker 3: Totally.

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Speaker 1: He never would do that.

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Speaker 3: Yeah, we can trust Diamond Dave I do. I saw him.

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Speaker 3: I saw him at the Hollywood Bowl a couple of

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Speaker 3: years ago, and he was he David Lee Roth ripped

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Speaker 3: off his shirt and he was ripped and then he

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Speaker 3: had two racing stripes on his body tattooed filled with

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Speaker 3: coyfish and he had like this this this robe, this

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Speaker 3: this Kimona. Kimona, thank you kimono. I've Kimona. That's a

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Speaker 3: rope for ladies. I'd like to add the.

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Speaker 1: Kimona is a girl that works at the theater who's

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Speaker 1: trying to get backstage and meet David Lee Wrong, right.

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Speaker 3: Right, Oh yeah, he was telling a lot of scandalous

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Speaker 3: stories that he probably shouldn't have told. You know, that

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Speaker 3: little gap between the Rainbow Room and the Key Club.

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Speaker 3: We weren't back there smoking cigarettes, y'all. It was something

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Speaker 3: else going on back there. Yeah, I'm talking about sex stuff.

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Speaker 3: This one's called Panama Keep really and everyone's like, whoa.

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Speaker 3: He was getting a lot of indiscretions.

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Speaker 1: But meanwhile, if you would just go to the other

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Speaker 1: side of the Rainbow Room, there's a beautiful Hilton right there,

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Speaker 1: you would not have to be in the alley to

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Speaker 1: have your sex. Just throw out two hundred and fifty dollars,

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Speaker 1: you fucking rich bitch, and go get that poor woman

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Speaker 1: a room and some privacy.

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Speaker 3: Yeah. Yeah, things have gotten a lot easier for the rockers.

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Speaker 1: Yes, that's why they built up Sunset stripped the way

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Speaker 1: they did.

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Speaker 3: I had a meeting across the street with my commercial agent.

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Speaker 3: I think there's still my commercial agent. Commercials don't happen anymore,

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Speaker 3: but they probably still have that office. And I was early,

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Speaker 3: so I went to the Rainbow Room and sat next

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Speaker 3: to Lemmy from Motorhead because he used to always be there,

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Speaker 3: and I had like three or four drinks. The guy

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Speaker 3: from Puddle of Mud was there, and it got Oh,

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Speaker 3: his wife used to work for Fuel TV when I

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Speaker 3: worked for Fuel TV.

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Speaker 1: Lemmy's wife.

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Speaker 3: No, I'm sorry. Lemmy was there, and then also this guy.

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Speaker 1: From Puddle okay.

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Speaker 3: And then I said, oh, she brought in that heavy

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Speaker 3: metal sword. There was a sword that had in the

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Speaker 3: in the handle it had remember heavy metal that animated. Yeah,

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Speaker 3: it was a commemorative sword from that that was seven

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Speaker 3: feet long, and she brought it in for some promotional

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Speaker 3: photo shoot. They were going to make billboards at the

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Speaker 3: Fox lot, so we just based it around this sword,

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Speaker 3: and I said, and he got really upset and he's like,

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Speaker 3: that's my sword. That's one of the reasons we got

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Speaker 3: a divorce is she never gave me that sword back.

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Speaker 3: Can you help me get that sword back? And I

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Speaker 3: pretended to like text people. He was very upset, and

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Speaker 3: he's someone that's been in and out of jail anyway.

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Speaker 3: So I nervously drank and showed up for my commercial,

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Speaker 3: like to meet possible new agents, and I was intoxicated.

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Speaker 3: I know that I don't liked it. That's where the

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Speaker 3: story went. But I'm just telling the truth.

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Speaker 1: Karen, No I like it. I just want to say, well,

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Speaker 1: there's so much to that story. I love that all

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Speaker 1: of it happened before, like basically before seven o'clock, because

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Speaker 1: you still went to a commercial agent meeting.

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Speaker 3: Yeah it was around noon, but yes, yes.

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Speaker 1: Well that was happening at noon. But when I worked

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Speaker 1: at the movie theater in Sacramento on Saturday night, the

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Speaker 1: midnight show was in one theater it was Rocky Horror,

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Speaker 1: in another theater it was Quadrophenia, and then the third

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Speaker 1: theater it was heavy metal. And then the best part

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Speaker 1: was beforehand, these three very very disparate groups and clicks

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Speaker 1: of people would be standing there trying to order popcorn

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Speaker 1: and be so high and so drunk, and it would

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Speaker 1: be the Mods with their you know, their bangs and

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Speaker 1: their like bomber jackets. And then it would be the

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Speaker 1: fucking stoner metal dudes. Then they all had long hair

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Speaker 1: and they looked exactly like their girlfriends. And then it

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Speaker 1: was the Rocky Horror people who no one wanted to

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Speaker 1: interact with or deal with in any way. Yeah, yeah,

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Speaker 1: it's my favorite.

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Speaker 3: That was. Were they already throwing toast and all those

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Speaker 3: things that interactive things you do while watching Rocky Horror?

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Speaker 3: It was yeah, it was real. It was fully it

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Speaker 3: was because it's yes.

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Speaker 1: No, no, no, it was the nineties yeah, but it was.

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Speaker 1: I would go in and watch, like stand in the

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Speaker 1: back on my brakes and watch each one, and it

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Speaker 1: definitely heavy metal was the group I was more into.

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Speaker 1: Except that movie is very because it's from the eighties, right,

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Speaker 1: It's like the early eighties, and so the animation is

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Speaker 1: you can almost see the individual cells as it cracks,

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Speaker 1: like you know, you're flying on an eagle through but

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Speaker 1: you can kind of see how they made it a

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Speaker 1: little bit. It made me a little uncomfortable and it

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Speaker 1: was super kind of dirty, but there wasn't really a plot.

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Speaker 3: Yeah, there's nudity in it. It's just a long video

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Speaker 3: music video. Yeah, that's all it is.

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Speaker 1: But at one point a sword gets raised up a

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Speaker 1: little bit like he man style or she row. I

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Speaker 1: don't know.

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Speaker 3: Well, I have a photo and we can add it

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Speaker 3: to the I have a photo of me with that sword.

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Speaker 3: It is majestic.

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Speaker 1: Let's add it. Yes, is Lemmy in the photo anywhere?

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Speaker 1: Like even a.

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Speaker 3: Shoulder or No. He was really sweet though, I mean

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Speaker 3: I think he died shortly after that.

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Speaker 1: But wait, so you did you talk to him? Oh?

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Speaker 3: Yeah, he's just there's an outdoor bar there, and I'm

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Speaker 3: just like Motorhead. I like, I like your band, like

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Speaker 3: and he's like, thanks a lot. What's your name? He

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Speaker 3: was just really sweet. He was the kindest.

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Speaker 1: That's the best way to do it, because you're not

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Speaker 1: going Lemmy Monster for his last name was. We're not

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Speaker 1: basically acting like a super fan that's gonna to be

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Speaker 1: high pressure and annoying. You're basically like casual fan that's

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Speaker 1: also down to party. Yeah, Yeah, that's the way to

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Speaker 1: do it.

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Speaker 3: Yeah. And I think he had a pint glass of

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Speaker 3: Jaegermeister or it was Coca Cola. I don't know if

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Speaker 3: he was sober, but he was very straight. Yeah.

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Speaker 1: Could he have Could Lemmy have been sober?

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Speaker 3: I think he was. I think he was on a

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Speaker 3: health kick and then you know, just got some gifts

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Speaker 3: from God, cancer or something. I don't think O sit drinking. Yeah.

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Speaker 1: I wonder if he was playing at the Whiskey or

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Speaker 1: the Roxy that night, and like was just hanging out

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Speaker 1: at the Rainbow filling time.

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Speaker 3: He just I was looking for him because I heard

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Speaker 3: he was just a fixture there and sure enough, I'm like,

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Speaker 3: I'm going in here to see if Lemmy is here,

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Speaker 3: and he was the only one there. It was the

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Speaker 3: middle of the day. He was having a I think

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Speaker 3: he was the bar back. Yeah, he was like washing

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Speaker 3: some glasses. He's like, order up French fries.

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Speaker 1: Now, can I tell I'm going to try to trump

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Speaker 1: your story, because that actually is the best Hollywood bar

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Speaker 1: story I think I've heard so far.

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Speaker 3: Oh, like, that's good.

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Speaker 1: That's the best star sighting in my opinion, in terms

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Speaker 1: of true legitmus and like who's cooler than Lemmy? No,

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Speaker 1: no one?

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Speaker 3: And the fact that I was looking for him and

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Speaker 3: found him. Yes, AD's credit.

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Speaker 1: Because also he's findable, and then once you find him,

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Speaker 1: you have to act correctly around him for him to

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Speaker 1: want to party with you. And you did it like

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Speaker 1: you basically got all the way through that video game Congratula.

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Speaker 3: Yeah, yeah, I got all the way to the end

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Speaker 3: and saved the princess.

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Speaker 1: You did, You got the fucking sword up in the air?

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Speaker 3: Yeah, I did? You did.

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Speaker 1: But well, my story was that we were at the

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Speaker 1: Coach and Horses back when it was just a straight

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Speaker 1: up dive bar. It had it had a pool table.

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Speaker 1: Did you ever go there in the nineties or two

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Speaker 1: thousands where.

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Speaker 3: I remember it existing? But no, I never went there.

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Speaker 1: The pool table was too close to the right hand wall,

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Speaker 1: so you had to use a shortened pool queue if

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Speaker 1: you had to shoot from that side.

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Speaker 3: It was that kind of Oh, that's great.

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Speaker 1: And one time we got drunk there in the afternoon,

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Speaker 1: went during the Malibu mud slides of ninety five or six,

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Speaker 1: and we were super drunk watching just the entire mountain

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Speaker 1: side pour onto the one I and then something came

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Speaker 1: on and it was Sharon Stone. It was the height

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Speaker 1: of Sharon Stone time, and Sharon Stone was on TV

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Speaker 1: and I was like, I'm sick of looking at her.

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Speaker 1: And I was just being bitchy about Sharon Stone and

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Speaker 1: talk shit and the bartender told me to shut up.

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Speaker 1: The bartender was this woman named Ginger. She was legendary

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Speaker 1: and she wore sunglasses inside a very dark bar all

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Speaker 1: the time, and she was super drunk along with everybody else,

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Speaker 1: and she was just kind of like this old goal

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Speaker 1: behind the bar. And when I talked shit about Sharon's side,

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Speaker 1: She's like, shut up. She's a friend of mine. And

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Speaker 1: I was like, oh my.

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Speaker 3: God, yeah, she probably know her, she's her neighbor or something.

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Speaker 1: Hell yeah, it was really funny. That was she Ginger

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Speaker 1: taught me that first lesson of like, if you want

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Speaker 1: to talk shit about people in Hollywood, you gotta do

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Speaker 1: it quiet and just to one person because people are listening.

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Speaker 3: Yeah. Also, bartenders here everything. Yeah you think they don't.

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Speaker 1: But usually they they keep it on the QT. They

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Speaker 1: don't tell you to shut up to your face.

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Speaker 3: Yeah yeah, no, I like that it. Yeah, yeah, it's

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Speaker 3: pretty good.

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Speaker 1: Oh, but that wasn't the story. The story was we

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Speaker 1: would go there often to drink after comedy shows and stuff,

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Speaker 1: and one night Ray Davies from the Kinks was there.

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Speaker 3: Oh wow.

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Speaker 1: It was either Ray Davies or Dave Davies, and they

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Speaker 1: were They got so drunk by the end of night

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Speaker 1: they fell off the barstool. All that he was amazing.

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Speaker 1: I wouldn't have recognized him myself, by every everybody that

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Speaker 1: I was with was flipping it like all the There

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Speaker 1: was a my friend, Laura's boyfriend, Mike, Mike King, the

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Speaker 1: greatest guy who was also great guitarist himself. Immediately was like,

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Speaker 1: holy shit, Ray Davies is here, Like this is insane,

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Speaker 1: and everybody got to kind of like quietly and calmly

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Speaker 1: party along with Ray Davies or Dave Davies. I can't remember.

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Speaker 3: Yeah, yeah, well maybe they're on the other side further

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Speaker 3: up the street going west. Isn't that where Mark mothers

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Speaker 3: Bo's famous recording studio. Is that round green building?

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Speaker 1: The Oh yeah, yeah yeah that used that used to

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Speaker 1: be near Bullwinkle and Rocky.

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Speaker 3: Yeah, that's why there's always rock stars around there, because

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Speaker 3: I guess people record there.

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Speaker 1: God, I love Hollywood and stars.

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Speaker 3: Isn't it cool? One day I'm going to get in

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Speaker 3: my car and rediscover it all. Go a little further

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Speaker 3: and there's the car wash that I think Milton Martinez

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Speaker 3: kick flipped off into a band.

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Speaker 1: You love Milton, Milton Martinez, everybody, Let's bring it back.

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Speaker 3: Let's bring it back. Let's talk about the hits.

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Speaker 1: Let's let's talk about great moments on the Diner podcast.

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Speaker 3: Felt normal the other night you and I did that,

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Speaker 3: played Quiplash yep, and uh it was streamable. I guess

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Speaker 3: people could watch it, but it felt afterwards. I was

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Speaker 3: like on a little bit of a high for twenty

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Speaker 3: four hours because I felt like I had been at

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Speaker 3: a party with fun people entire.

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Speaker 1: I loved that group of people. Everyone was so fucking fun.

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Speaker 1: I mean like I started getting very competitive about joke

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Speaker 1: writing because I just not so much that I wanted

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Speaker 1: to win the game. I wanted to show the other

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Speaker 1: people in that group because it was you and me.

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Speaker 1: Gareth Reynolds of The Doll Up, Chase Bernstein, legendary stand

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Speaker 1: up comic, Chase Bernstein, Juela Sharp, who's an amazing New

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Speaker 1: York comic. She might, I don't think she has a podcast.

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Speaker 3: And Jay. I had never met Jay before. What was

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Speaker 3: his last name? He was sweet and funny.

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Speaker 1: I the first thing I want to say is Jay Johnson.

356
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Speaker 3: But that's because right it was Jay.

357
00:18:58,040 --> 00:19:00,760
Speaker 1: And then at Jay it was a Jay that yeah, yeah,

358
00:19:00,960 --> 00:19:02,680
Speaker 1: it might be Jamison.

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00:19:03,960 --> 00:19:06,720
Speaker 3: J Jameson Jason J Jason.

360
00:19:06,920 --> 00:19:11,040
Speaker 1: Now J Jacob's the first name in fashion. Remember that

361
00:19:11,119 --> 00:19:13,840
Speaker 1: store from the eighties, Yes, hold up.

362
00:19:13,800 --> 00:19:16,400
Speaker 3: But we kept I think there's still a j. Jacobs

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00:19:16,400 --> 00:19:20,080
Speaker 3: in the Southgate Mall in Missoula.

364
00:19:19,200 --> 00:19:22,000
Speaker 1: For real. I would kill to go there. I would

365
00:19:22,080 --> 00:19:22,840
Speaker 1: kill to go there.

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00:19:23,760 --> 00:19:26,720
Speaker 3: They warned us to not play the game on our phones,

367
00:19:26,840 --> 00:19:29,480
Speaker 3: and I wasn't sure why because I'm like, I think

368
00:19:29,520 --> 00:19:31,480
Speaker 3: I type better on the phone and it's right in

369
00:19:31,480 --> 00:19:34,280
Speaker 3: front of me. But I learned the reason. I kept

370
00:19:34,320 --> 00:19:37,879
Speaker 3: swiping the game off. I did it twice. It was embarrassing,

371
00:19:39,040 --> 00:19:41,760
Speaker 3: but I got in the habit of it because someone

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Speaker 3: told me that if you get rid of all the

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Speaker 3: open apps on your phone, it'll run more smoothly. And

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00:19:49,720 --> 00:19:54,800
Speaker 3: oh so I'm just in the habit of throwing away pages.

375
00:19:54,840 --> 00:19:57,359
Speaker 3: And I did it twice. I threw the game away.

376
00:19:57,840 --> 00:20:00,240
Speaker 3: But I swear I was doing pretty well. I was

377
00:20:00,280 --> 00:20:01,960
Speaker 3: happy with my joke writing.

378
00:20:01,960 --> 00:20:04,000
Speaker 1: Yeah, yeah, you were killing it, and then I threw

379
00:20:04,040 --> 00:20:04,440
Speaker 1: it away.

380
00:20:04,520 --> 00:20:06,480
Speaker 3: I threw it away just.

381
00:20:06,400 --> 00:20:09,000
Speaker 1: So people know. This is a game. It's called quip League,

382
00:20:09,440 --> 00:20:13,720
Speaker 1: and it's hosted by Louie Kats. And who do you

383
00:20:13,760 --> 00:20:16,240
Speaker 1: know the co host? His name's Greg and Grant.

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00:20:16,520 --> 00:20:17,400
Speaker 3: Yeah, Grant.

385
00:20:17,600 --> 00:20:21,879
Speaker 1: Uh, his first name is Grant. Yeah, sorry, Grant Grant

386
00:20:22,000 --> 00:20:24,960
Speaker 1: with a G right, Geez. Louie Kats and Grant g

387
00:20:26,000 --> 00:20:27,680
Speaker 1: It was great. They were great hosts.

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00:20:27,680 --> 00:20:30,399
Speaker 3: They were great that it felt. Yeah, the production value

389
00:20:30,440 --> 00:20:33,640
Speaker 3: it was great. But I mean, if only we had

390
00:20:33,680 --> 00:20:36,560
Speaker 3: that kind that level of production value on this podcast.

391
00:20:37,640 --> 00:20:41,200
Speaker 1: Don't hurt Stephen's feelings, No, No, I mean they had interstitialed.

392
00:20:41,200 --> 00:20:45,040
Speaker 3: There was great music. I know, it's I was pointing

393
00:20:45,080 --> 00:20:47,679
Speaker 3: the figure at myself I know there's video proof.

394
00:20:47,400 --> 00:20:49,720
Speaker 1: That I was pointing back at you when I point

395
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Speaker 1: at myself.

396
00:20:50,320 --> 00:20:54,520
Speaker 3: Hey you, I know you, I know you like, did.

397
00:20:54,440 --> 00:20:54,960
Speaker 1: You goo me?

398
00:20:57,160 --> 00:20:59,600
Speaker 3: But we know what we're talking about.

399
00:21:00,160 --> 00:21:03,200
Speaker 1: That game, though, I was like, it was really funny

400
00:21:03,240 --> 00:21:05,720
Speaker 1: because we had a great time, great jokes were written,

401
00:21:06,320 --> 00:21:11,199
Speaker 1: hilarious callbacks, wonderful interactions whatever. Chase Bernstein ended up winning it.

402
00:21:11,440 --> 00:21:13,879
Speaker 1: But at the end, when we all said goodnight, thanks

403
00:21:13,920 --> 00:21:17,320
Speaker 1: for being here, we went offline for the audience, but

404
00:21:17,760 --> 00:21:20,440
Speaker 1: all the comics stayed on for like five minutes. We're

405
00:21:20,440 --> 00:21:21,760
Speaker 1: saying goodbye for five minutes.

406
00:21:21,840 --> 00:21:22,040
Speaker 3: Yeah.

407
00:21:22,440 --> 00:21:23,920
Speaker 1: I did not want it to.

408
00:21:23,920 --> 00:21:27,359
Speaker 3: End me too. Yeah, And that's what felt cool is

409
00:21:27,400 --> 00:21:30,640
Speaker 3: everyone was enjoying themselves and it's like, Okay, I'm so

410
00:21:30,800 --> 00:21:34,840
Speaker 3: used to using zoom, which is how we were communicating

411
00:21:34,880 --> 00:21:37,119
Speaker 3: with each other on there, and how we're doing this

412
00:21:37,320 --> 00:21:41,520
Speaker 3: right now where yeah, zoom is making money during this thing,

413
00:21:41,640 --> 00:21:45,280
Speaker 3: but yes they are. But when you do a comedy

414
00:21:45,359 --> 00:21:48,919
Speaker 3: show that way, there isn't usually a hangout afterwards. And

415
00:21:48,960 --> 00:21:52,400
Speaker 3: it felt the same or as close as I confined

416
00:21:52,480 --> 00:21:53,600
Speaker 3: to an actual party.

417
00:21:54,280 --> 00:21:57,919
Speaker 1: Yes, yeah, because there was enough people that like I

418
00:21:58,040 --> 00:22:00,919
Speaker 1: didn't know that well, but still was like this is

419
00:22:00,960 --> 00:22:02,760
Speaker 1: interesting or this is you know, like we can all

420
00:22:02,840 --> 00:22:07,000
Speaker 1: kind of socialize, and everyone was definitely like I just

421
00:22:07,200 --> 00:22:09,920
Speaker 1: it just felt like everyone was trying to write their

422
00:22:09,960 --> 00:22:14,000
Speaker 1: best jokes and so was the most hilarious. But I

423
00:22:14,080 --> 00:22:16,080
Speaker 1: just so you know, I did a thing where a

424
00:22:16,119 --> 00:22:18,920
Speaker 1: couple times where I was just staring at my phone

425
00:22:18,920 --> 00:22:21,680
Speaker 1: and staring at like people's answers, so like I didn't

426
00:22:21,720 --> 00:22:23,000
Speaker 1: vote on who I wanted to.

427
00:22:23,160 --> 00:22:23,840
Speaker 3: Yeah, yeah, I did that.

428
00:22:24,000 --> 00:22:26,600
Speaker 1: I missed cues so many times.

429
00:22:26,320 --> 00:22:29,199
Speaker 3: Because you missed, you lost points when you didn't vote

430
00:22:29,240 --> 00:22:33,640
Speaker 3: even yes, because the more popular answer you would get

431
00:22:33,680 --> 00:22:36,760
Speaker 3: credits if you vote for that. It's really fun. It's

432
00:22:36,760 --> 00:22:39,240
Speaker 3: called Quipblash. This game play it quick.

433
00:22:39,080 --> 00:22:42,439
Speaker 1: Blash, and the game, the hosted version is quip League,

434
00:22:42,680 --> 00:22:46,440
Speaker 1: So its like it's it's cool because everyone's doing versions

435
00:22:46,440 --> 00:22:48,479
Speaker 1: of this kind of like it's an online game night

436
00:22:48,520 --> 00:22:49,560
Speaker 1: and you can come and watch it or.

437
00:22:50,080 --> 00:22:52,000
Speaker 3: And half of them were from New York, like we

438
00:22:52,000 --> 00:22:53,680
Speaker 3: were just yeah, yeah, hanging out.

439
00:22:53,800 --> 00:22:56,000
Speaker 1: It's yeah, that was the best part. It's got to

440
00:22:56,040 --> 00:23:00,960
Speaker 1: be that online comedy shows get to books such a

441
00:23:02,440 --> 00:23:05,600
Speaker 1: such a better mix of people because it's it can

442
00:23:05,600 --> 00:23:06,760
Speaker 1: be anywhere. Yeah, it can be.

443
00:23:07,040 --> 00:23:09,520
Speaker 3: If you're looking for a silver lining about the end

444
00:23:09,520 --> 00:23:11,680
Speaker 3: of comedy.

445
00:23:12,440 --> 00:23:14,639
Speaker 1: It's the end of comedy. Yeah, that's great.

446
00:23:14,840 --> 00:23:19,080
Speaker 3: The geographic diversity of zoom shows. Yes, you could be

447
00:23:19,119 --> 00:23:21,920
Speaker 3: doing a show with someone from Budapest.

448
00:23:23,080 --> 00:23:25,720
Speaker 1: No longer can you use the excuse I can't book

449
00:23:25,920 --> 00:23:30,800
Speaker 1: comics from Budapest because they're on the wrong timeframe. Yeah, yeah, nope,

450
00:23:31,240 --> 00:23:31,800
Speaker 1: not anymore.

451
00:23:31,920 --> 00:23:34,600
Speaker 3: I was, Yeah, I was it, so we all. I

452
00:23:34,760 --> 00:23:37,320
Speaker 3: shut my laptop and I was like, that was fun.

453
00:23:37,400 --> 00:23:39,680
Speaker 3: And I started playing music and I mixed up a

454
00:23:40,280 --> 00:23:43,240
Speaker 3: drink and I kept the party going. And then I

455
00:23:43,440 --> 00:23:46,720
Speaker 3: just you know, I set up silhouettes and I was

456
00:23:46,840 --> 00:23:49,640
Speaker 3: interacting with them. I was I was having a real

457
00:23:49,720 --> 00:23:52,840
Speaker 3: McCauley coke culcan and home alone. God. That was hard

458
00:23:52,880 --> 00:23:54,480
Speaker 3: to say, but you know what I'm saying.

459
00:23:55,000 --> 00:23:56,440
Speaker 1: It felt like you were trying to say you were

460
00:23:56,440 --> 00:23:58,879
Speaker 1: doing coke and pretending you were mcauleay culkin.

461
00:23:58,960 --> 00:24:03,199
Speaker 3: I ah, no, no more cocaine in my life. The

462
00:24:03,280 --> 00:24:06,160
Speaker 3: hangovers are too harsh. Only reason.

463
00:24:07,320 --> 00:24:08,400
Speaker 1: Not after Lemmy died.

464
00:24:08,880 --> 00:24:12,200
Speaker 3: No, No, that was his one word of Wisbon when wed.

465
00:24:12,359 --> 00:24:17,639
Speaker 3: I'm drinking coke but you shouldn't. Yeah, it was done.

466
00:24:18,160 --> 00:24:18,640
Speaker 1: It was good.

467
00:24:18,800 --> 00:24:21,960
Speaker 3: Can I tell you about something I did today please?

468
00:24:22,240 --> 00:24:25,400
Speaker 3: I went skateboarding early in the morning and met with.

469
00:24:25,400 --> 00:24:27,040
Speaker 1: My us Milton there.

470
00:24:27,680 --> 00:24:32,440
Speaker 3: No, no, it's a forty and up crew, right yeah, yeah,

471
00:24:32,480 --> 00:24:35,440
Speaker 3: and uh it's funny. That's this friend of ours, Sarah,

472
00:24:35,440 --> 00:24:40,520
Speaker 3: who skates with us. She made these signs. Yeah, yeah,

473
00:24:40,560 --> 00:24:43,280
Speaker 3: she's the coolest. And she made these signs that say

474
00:24:44,240 --> 00:24:47,359
Speaker 3: drive like your parents are skateboarding here, that look like

475
00:24:47,880 --> 00:24:51,560
Speaker 3: the drive like your kids live here signs. Because cars

476
00:24:51,600 --> 00:24:55,840
Speaker 3: once that Costco opens, cars are just really they're gunning

477
00:24:55,920 --> 00:24:57,560
Speaker 3: to go get toilet paper, I guess.

478
00:24:57,680 --> 00:24:58,280
Speaker 1: Yeah.

479
00:24:58,320 --> 00:25:02,560
Speaker 3: And yeah, it's a a slow skateboarding zone, like there's

480
00:25:02,600 --> 00:25:06,520
Speaker 3: all these old guys skateboarding that are stuck in the gardening,

481
00:25:06,680 --> 00:25:10,520
Speaker 3: like the planters around there, and people obey them. Yes,

482
00:25:11,400 --> 00:25:14,720
Speaker 3: it's become. And the maintenance guy from Costco comes by

483
00:25:14,760 --> 00:25:16,840
Speaker 3: and says hi to us, and it's great.

484
00:25:17,080 --> 00:25:19,199
Speaker 1: It's how early do you go again? Like seven in

485
00:25:19,240 --> 00:25:19,600
Speaker 1: the morning?

486
00:25:19,720 --> 00:25:21,800
Speaker 3: Yeah? Seven am? Yeah.

487
00:25:21,880 --> 00:25:24,280
Speaker 1: Do you are there any skate betties that sit there

488
00:25:24,280 --> 00:25:25,879
Speaker 1: and watch you skate at seven in the morning?

489
00:25:26,280 --> 00:25:29,480
Speaker 3: No, no, not not yet, but it's catching on where

490
00:25:29,480 --> 00:25:32,080
Speaker 3: it is out there. There's the the whole parking lot

491
00:25:32,200 --> 00:25:33,160
Speaker 3: is a buzz.

492
00:25:34,320 --> 00:25:37,680
Speaker 1: I, skate betties and then also skate billies. I don't

493
00:25:37,680 --> 00:25:38,280
Speaker 1: know what's the pool.

494
00:25:38,640 --> 00:25:41,399
Speaker 3: Yeah, that's the cool thing now. It's just there are

495
00:25:41,640 --> 00:25:46,560
Speaker 3: a lot of women skateboarding there. Uh every day, not

496
00:25:46,680 --> 00:25:48,960
Speaker 3: every day, but I've seen a lot of women skating

497
00:25:48,960 --> 00:25:49,320
Speaker 3: with us.

498
00:25:49,400 --> 00:25:52,960
Speaker 1: And every day of my life I see women skating.

499
00:25:53,240 --> 00:25:56,240
Speaker 3: Yeah, it's a new I if that, oh man, my

500
00:25:56,480 --> 00:25:59,000
Speaker 3: youth would have been differently if women were involved.

501
00:26:00,200 --> 00:26:03,280
Speaker 1: I think that goes that's the case for pretty much

502
00:26:03,359 --> 00:26:05,920
Speaker 1: every aspect of anyone's life. If they just would have

503
00:26:06,040 --> 00:26:09,960
Speaker 1: let some women in, things right, gone much better, much different,

504
00:26:10,040 --> 00:26:13,080
Speaker 1: much better now, Chris, would you be able to know

505
00:26:13,240 --> 00:26:16,000
Speaker 1: if the guy who remember the guy who was skating

506
00:26:16,160 --> 00:26:18,760
Speaker 1: up Western and turned around on his board and gave

507
00:26:18,760 --> 00:26:21,800
Speaker 1: me the old salute. I wonder if he's skating with

508
00:26:21,840 --> 00:26:23,639
Speaker 1: you in the morning, because he wasn't young.

509
00:26:24,280 --> 00:26:27,359
Speaker 3: Oh when I, oh, I wasn't with you. That was

510
00:26:27,400 --> 00:26:30,320
Speaker 3: another skate siding. He just that was I.

511
00:26:30,280 --> 00:26:31,960
Speaker 1: Just told the story on the show. But I was

512
00:26:32,040 --> 00:26:37,000
Speaker 1: driving up Western. It was miraculously empty somehow, and there

513
00:26:37,040 --> 00:26:40,080
Speaker 1: was a guy on a skateboard, a longboard, going up

514
00:26:40,160 --> 00:26:43,280
Speaker 1: the street, and he turned around. He heard my car coming,

515
00:26:43,560 --> 00:26:46,240
Speaker 1: turned around on his board and saluted me as I

516
00:26:46,920 --> 00:26:48,160
Speaker 1: went around to pass him.

517
00:26:48,160 --> 00:26:49,680
Speaker 3: I'm not surprised, gentlemen.

518
00:26:50,000 --> 00:26:52,080
Speaker 1: Yeah, truly chival wist.

519
00:26:54,000 --> 00:26:58,960
Speaker 3: I did a peaceful protest skate from the Vista Theater

520
00:26:59,560 --> 00:27:02,960
Speaker 3: to my nameighborhood with all these kids, and they everyone

521
00:27:03,000 --> 00:27:06,840
Speaker 3: had a mask and they were, uh, you know, they

522
00:27:06,840 --> 00:27:09,159
Speaker 3: weren't being defiant in any way. I thought. I was

523
00:27:09,200 --> 00:27:11,960
Speaker 3: a little worried about hundreds of skateboarders getting together. I

524
00:27:12,000 --> 00:27:15,119
Speaker 3: thought maybe someone had spray paint or kick over a

525
00:27:15,119 --> 00:27:15,920
Speaker 3: trash can.

526
00:27:15,960 --> 00:27:19,480
Speaker 1: No, or do it kind of like dirty rotten imbeciles thing.

527
00:27:20,359 --> 00:27:23,119
Speaker 3: Yeah a d right, Oh that I'm so glad that

528
00:27:23,160 --> 00:27:24,800
Speaker 3: you referenced that logo me.

529
00:27:24,920 --> 00:27:27,080
Speaker 1: Yeah, that was my That was one of my early,

530
00:27:28,720 --> 00:27:32,240
Speaker 1: very early exposure to punk rockers and punk. Was a

531
00:27:32,320 --> 00:27:34,480
Speaker 1: kid that I went to camp with named Chris Johansson,

532
00:27:34,520 --> 00:27:36,879
Speaker 1: who's I'm sure now like a dad or whatever. But

533
00:27:36,960 --> 00:27:39,480
Speaker 1: he was the coolest when we were like twelve years old,

534
00:27:39,480 --> 00:27:42,320
Speaker 1: and he had a dirty he had a dri sticker, yeah,

535
00:27:42,400 --> 00:27:44,199
Speaker 1: and he brought a skateboard to camp, which is like,

536
00:27:44,320 --> 00:27:46,760
Speaker 1: where are you on pine needles or on that dirt?

537
00:27:46,800 --> 00:27:49,439
Speaker 3: Pat? Oh? I thought, I bought the album because it

538
00:27:49,520 --> 00:27:50,960
Speaker 3: was called Thrash Zone.

539
00:27:51,480 --> 00:27:55,200
Speaker 1: Yeah, and were they skate specific DRI.

540
00:27:55,240 --> 00:28:00,040
Speaker 3: I think thrash was there was like a when a

541
00:28:00,080 --> 00:28:03,200
Speaker 3: version of heavy metal and punk rock merging, I think

542
00:28:03,320 --> 00:28:06,919
Speaker 3: is what thrash metal was. Oh okay, but Thrashing was

543
00:28:06,960 --> 00:28:10,560
Speaker 3: skateboarding or that was the magazine, So that's why I

544
00:28:10,560 --> 00:28:13,040
Speaker 3: bought it. So that was the first. It was like

545
00:28:13,720 --> 00:28:18,840
Speaker 3: stand by Me soundtrack, Stevie Wonder, Dire Straits, and then I.

546
00:28:19,000 --> 00:28:20,320
Speaker 1: Fucking I bought.

547
00:28:20,480 --> 00:28:25,280
Speaker 3: I bought DRI and George Michael Faith on the same purchase.

548
00:28:25,440 --> 00:28:28,560
Speaker 1: Was cr this band that sings Take the Skinheads Bowling.

549
00:28:28,800 --> 00:28:31,159
Speaker 1: Take the Skinheads Bowling, Take that Bowling.

550
00:28:31,560 --> 00:28:35,359
Speaker 3: I don't think that sounds more like a Dead Kennedy's

551
00:28:35,400 --> 00:28:36,840
Speaker 3: song or something. I don't know.

552
00:28:37,359 --> 00:28:38,200
Speaker 1: I'm going to look it up.

553
00:28:38,520 --> 00:28:41,400
Speaker 3: It was all it was all like songs about coffins

554
00:28:41,480 --> 00:28:43,760
Speaker 3: and stuff. It was like trying to be really morbid.

555
00:28:45,440 --> 00:28:48,360
Speaker 1: Take the Skinheads Bowling. So it was their big solution.

556
00:28:48,680 --> 00:28:51,200
Speaker 3: I went skating, and then I came home and I

557
00:28:51,840 --> 00:28:55,160
Speaker 3: took a shower, and and then I put on the

558
00:28:55,160 --> 00:28:57,480
Speaker 3: same pants because they weren't that sweaty, but I couldn't

559
00:28:57,480 --> 00:28:59,520
Speaker 3: find my underwear and I'm out of underwear. I have

560
00:28:59,600 --> 00:29:03,360
Speaker 3: three giant bags of laundry. I've gone two months without

561
00:29:03,360 --> 00:29:06,840
Speaker 3: doing the laundry because I'm scared to go the laundromat.

562
00:29:07,000 --> 00:29:08,840
Speaker 3: And the last time I paid to have it done

563
00:29:08,880 --> 00:29:12,680
Speaker 3: it was like one hundred dollars. So it's like I've

564
00:29:13,280 --> 00:29:15,680
Speaker 3: just waited until I was out of underwear. And I

565
00:29:15,760 --> 00:29:18,040
Speaker 3: was on my last pair this morning, so I put

566
00:29:18,080 --> 00:29:19,880
Speaker 3: on the pants. I'm like, where's that underwear? And I

567
00:29:19,920 --> 00:29:22,440
Speaker 3: went down to get a coffee and the underwear was

568
00:29:22,480 --> 00:29:24,840
Speaker 3: still in the pants. They were like in the pant leg.

569
00:29:25,000 --> 00:29:27,520
Speaker 3: And I walked down there, and once I got down

570
00:29:27,600 --> 00:29:30,600
Speaker 3: by families, my underwear was hanging out of the cup

571
00:29:30,640 --> 00:29:33,600
Speaker 3: of my pants. It had fallen down my leg and

572
00:29:33,640 --> 00:29:38,200
Speaker 3: it was so obviously underwear, yes, and no denying it.

573
00:29:38,440 --> 00:29:41,200
Speaker 3: I just snatched it and grabbed it and put it

574
00:29:41,240 --> 00:29:43,320
Speaker 3: in my pocket real quick and looked around. I don't

575
00:29:43,360 --> 00:29:47,480
Speaker 3: think anyone saw, but I just had underwear hanging out

576
00:29:47,480 --> 00:29:48,160
Speaker 3: of my pants.

577
00:29:48,640 --> 00:29:52,600
Speaker 1: Oh wait, the best that is this is the most embarrassing.

578
00:29:52,960 --> 00:29:56,280
Speaker 1: I first of all, I'm two things. When you finally

579
00:29:56,320 --> 00:30:00,000
Speaker 1: do laundry, please wash all those clothes in hot because

580
00:30:00,160 --> 00:30:02,160
Speaker 1: two months worth of being in a bag is going

581
00:30:02,200 --> 00:30:04,280
Speaker 1: to have made dirty clothes even dirtier.

582
00:30:04,360 --> 00:30:08,800
Speaker 3: You are very right. And also just a little up

583
00:30:09,000 --> 00:30:12,040
Speaker 3: update on my my the bites on my penis, I

584
00:30:12,080 --> 00:30:17,560
Speaker 3: think we're we're bed bugs. Oh no, so yeah, I

585
00:30:18,040 --> 00:30:22,440
Speaker 3: put I I gassed my room with a flea bedbug

586
00:30:22,640 --> 00:30:25,320
Speaker 3: bomb thing and I didn't find any on my mattress.

587
00:30:25,440 --> 00:30:28,560
Speaker 3: But yes, I'm washing those sheets and I'm going to

588
00:30:28,640 --> 00:30:31,320
Speaker 3: do a great job, and it's going to be hot water.

589
00:30:31,680 --> 00:30:34,360
Speaker 1: And don't be afraid to hit that sanitized button, because

590
00:30:34,400 --> 00:30:37,080
Speaker 1: that's what that's for a on an industrial wash.

591
00:30:37,160 --> 00:30:40,120
Speaker 3: Seriously, yeah, I never I never hit the button. It's

592
00:30:40,160 --> 00:30:41,120
Speaker 3: really intimidating.

593
00:30:41,640 --> 00:30:44,959
Speaker 1: Don't be afraid. It's there for you for that reason.

594
00:30:45,200 --> 00:30:48,280
Speaker 1: It's just going to use the hottest possible water and

595
00:30:48,360 --> 00:30:51,840
Speaker 1: you throw some bleach in there, whatever you need to do. Wait,

596
00:30:51,880 --> 00:30:52,920
Speaker 1: what was my second point?

597
00:30:53,160 --> 00:30:56,200
Speaker 3: Well, they're bright red sheets, so it would be a

598
00:30:56,240 --> 00:30:59,320
Speaker 3: classic situation where I turn all my whites pink.

599
00:31:01,480 --> 00:31:04,920
Speaker 1: Threatening your manied. No, what if the skateboys saw that

600
00:31:04,960 --> 00:31:07,160
Speaker 1: you had a pink shirt on? Oh that's what I

601
00:31:07,200 --> 00:31:08,680
Speaker 1: was going to say. I was going to tell you

602
00:31:08,680 --> 00:31:11,120
Speaker 1: that this is not my story, it's my friend Bradford story,

603
00:31:11,160 --> 00:31:14,040
Speaker 1: but it made me laugh so hard. He was a

604
00:31:14,160 --> 00:31:19,719
Speaker 1: producer on the Bonnie Hunt Bonnie Hunt Talk Show, and

605
00:31:19,760 --> 00:31:22,320
Speaker 1: Bonnie Hunt used to be a nurse, so she had

606
00:31:22,320 --> 00:31:25,920
Speaker 1: this thing she was very against and I actually was

607
00:31:25,960 --> 00:31:29,120
Speaker 1: told this when in my teens or whatever, very against

608
00:31:29,360 --> 00:31:33,040
Speaker 1: people using fabric softener and dryer sheets because dryer sheets,

609
00:31:33,520 --> 00:31:36,000
Speaker 1: the chemicals that they used to make the static kling

610
00:31:36,040 --> 00:31:41,040
Speaker 1: go away is actually this coating that they have linked.

611
00:31:42,320 --> 00:31:44,640
Speaker 1: I'm not sure what the actual studies are whatever, but

612
00:31:44,680 --> 00:31:47,480
Speaker 1: they've linked to different kinds of cancer that it's.

613
00:31:47,360 --> 00:31:48,680
Speaker 3: Likely teflon or something.

614
00:31:48,960 --> 00:31:53,160
Speaker 1: Yeah, it's not for human skin consumption, so it's really

615
00:31:53,200 --> 00:31:56,680
Speaker 1: bad for you. So at one point they got onto

616
00:31:56,680 --> 00:32:00,600
Speaker 1: this topic and apparently Bonnie Hunt kind of lect everybody

617
00:32:00,640 --> 00:32:04,680
Speaker 1: like you cannot use it, and she's I think she's

618
00:32:04,720 --> 00:32:07,000
Speaker 1: Irish Catholic. I'm pretty sure she is, because she reminds

619
00:32:07,040 --> 00:32:09,200
Speaker 1: me of my family so much, where it's like, if

620
00:32:09,200 --> 00:32:11,800
Speaker 1: we have a belief, we we are going to tell

621
00:32:11,800 --> 00:32:13,320
Speaker 1: you about it now it's going to be your belief

622
00:32:13,400 --> 00:32:15,880
Speaker 1: and if you don't adapt our belief, you're going to

623
00:32:15,920 --> 00:32:20,120
Speaker 1: get in trouble. Is essentially the kind of uh outlook

624
00:32:20,240 --> 00:32:22,880
Speaker 1: that she has, which I love and it comforts me,

625
00:32:22,960 --> 00:32:24,640
Speaker 1: but a lot of people don't like it's any.

626
00:32:24,520 --> 00:32:27,920
Speaker 3: Way she I know she is very funny. But what

627
00:32:28,040 --> 00:32:30,480
Speaker 3: is what is Bonnie Hunt famous for?

628
00:32:31,280 --> 00:32:35,120
Speaker 1: She's been like the mother, the sister. She's blonde, she's

629
00:32:35,160 --> 00:32:37,720
Speaker 1: an actress. She's been in a ton of stuff. She's

630
00:32:37,760 --> 00:32:40,280
Speaker 1: been on tons of TV shows. She originally, I believe,

631
00:32:40,320 --> 00:32:43,760
Speaker 1: was some Second Cities Chicago. She's a famous Chicago actress.

632
00:32:44,560 --> 00:32:48,760
Speaker 1: So she was like in Jerry Maguire, she was renee

633
00:32:48,840 --> 00:32:51,640
Speaker 1: Zelwigger's sure. I think like she think.

634
00:32:51,720 --> 00:32:54,440
Speaker 3: I just know from the Bonnie Hunt show how funny

635
00:32:54,480 --> 00:32:54,840
Speaker 3: she was.

636
00:32:55,240 --> 00:32:59,240
Speaker 1: She's hilarious. I mean, she's truly hilarious. She's also Mini

637
00:32:59,360 --> 00:33:03,320
Speaker 1: Drivers friend or sister or something in a.

638
00:33:03,320 --> 00:33:09,880
Speaker 3: Circle of boys kissing cars and boys kiss.

639
00:33:09,760 --> 00:33:13,040
Speaker 1: Circle of Friend, Circle of Friend, return to me, the

640
00:33:13,080 --> 00:33:14,960
Speaker 1: one where Circle.

641
00:33:14,560 --> 00:33:17,440
Speaker 3: Of Boys is the porno version that they made afterwards.

642
00:33:19,560 --> 00:33:21,760
Speaker 1: Don't go stand in that circle of boys.

643
00:33:21,840 --> 00:33:22,960
Speaker 3: It's still heartwarming.

644
00:33:23,560 --> 00:33:25,640
Speaker 1: Did you ever see the David du Coveney movie where

645
00:33:25,840 --> 00:33:28,440
Speaker 1: Minnie Driver got a heart transplant and it turns out

646
00:33:28,920 --> 00:33:33,480
Speaker 1: it was the donated heart of David Dukevney's uh dead wife,

647
00:33:33,600 --> 00:33:36,440
Speaker 1: And then they fall in love because if you haven't,

648
00:33:37,520 --> 00:33:40,920
Speaker 1: is it untamed heard it's no, No, that's the Christian

649
00:33:40,920 --> 00:33:41,400
Speaker 1: Slater one.

650
00:33:41,640 --> 00:33:44,560
Speaker 3: Yeah, he got a heart transplant from a monkey and

651
00:33:44,600 --> 00:33:46,000
Speaker 3: it made him throw his ship.

652
00:33:46,560 --> 00:33:52,280
Speaker 1: Yeah everyone, No, Oh, this untamed heart of mine. It

653
00:33:52,440 --> 00:33:54,320
Speaker 1: makes me want to shit into my own hand all

654
00:33:54,400 --> 00:33:54,800
Speaker 1: the time.

655
00:33:54,920 --> 00:33:56,240
Speaker 3: I wish they could tame it.

656
00:33:57,000 --> 00:34:00,360
Speaker 1: But the payoff of the of the Bonnie Hunts story

657
00:34:00,480 --> 00:34:02,600
Speaker 1: is that one of the producer my friend was a

658
00:34:02,600 --> 00:34:06,120
Speaker 1: producer on her talk show and she had given this

659
00:34:06,400 --> 00:34:10,040
Speaker 1: speech very passionately and very like aggressively, I do not

660
00:34:10,320 --> 00:34:12,719
Speaker 1: use this whatever. Yeah, And one day they're in her

661
00:34:12,760 --> 00:34:15,439
Speaker 1: office and something had gone wrong. So everybody who's getting

662
00:34:15,480 --> 00:34:18,440
Speaker 1: an earfull, you know, it was like a very tense meeting.

663
00:34:18,800 --> 00:34:21,879
Speaker 1: And then my friend Bradford looked over and their EP

664
00:34:22,800 --> 00:34:24,840
Speaker 1: had a dryer sheet sticking out of the bottom of

665
00:34:24,880 --> 00:34:28,000
Speaker 1: his pants, and so they're like they they had to

666
00:34:28,040 --> 00:34:29,960
Speaker 1: make sure she didn't see it before the end of

667
00:34:29,960 --> 00:34:33,080
Speaker 1: the meeting, like basically making a bad meeting go even worse.

668
00:34:33,239 --> 00:34:35,319
Speaker 1: Oh my, And they had to like sneak the dryer

669
00:34:35,400 --> 00:34:37,280
Speaker 1: sheet out of the meeting. It was hilarious.

670
00:34:37,320 --> 00:34:39,720
Speaker 3: All the things he could have dangling from his pants.

671
00:34:40,239 --> 00:34:41,759
Speaker 3: He wished it was underwear.

672
00:34:42,440 --> 00:34:44,080
Speaker 1: It was just a little paper that said, this is

673
00:34:44,120 --> 00:34:48,719
Speaker 1: your pet peeve. I've not given it any regard. I

674
00:34:48,800 --> 00:34:51,600
Speaker 1: love her, though, I'm truly her that I didn't mean

675
00:34:51,640 --> 00:34:52,520
Speaker 1: that as a shitting on her.

676
00:34:52,719 --> 00:34:56,160
Speaker 3: She cared, Wow, yeah, no, that's what I gathered from it.

677
00:34:56,239 --> 00:34:58,040
Speaker 3: I'm going to see if Bonnie Hunt Show is on

678
00:34:58,360 --> 00:35:01,480
Speaker 3: Hulu or Netflix servant Like a lot of things are

679
00:35:01,520 --> 00:35:05,120
Speaker 3: hidden from the menu, you have to type it in if.

680
00:35:04,719 --> 00:35:08,800
Speaker 1: Anyone from Hulu's listening. I've recently because of the TV

681
00:35:08,880 --> 00:35:10,960
Speaker 1: show The Great, which, if you haven't seen it, the

682
00:35:10,960 --> 00:35:14,439
Speaker 1: one about Catherine the Great that has Dakota Fanning's little

683
00:35:14,440 --> 00:35:16,080
Speaker 1: sister in it, Ohanning.

684
00:35:16,640 --> 00:35:19,720
Speaker 3: Sure, and doesn't that have the grown up boy from

685
00:35:19,920 --> 00:35:20,520
Speaker 3: About a Boy.

686
00:35:21,000 --> 00:35:24,320
Speaker 1: Yeah, Nicholas Halt, I think his name is. It's so good.

687
00:35:24,800 --> 00:35:27,480
Speaker 1: It's such a good show. It's a period piece, so

688
00:35:27,520 --> 00:35:30,799
Speaker 1: it's amazing to look at whatever. But I hadn't really

689
00:35:30,840 --> 00:35:33,480
Speaker 1: ever done a lot with Hulu before that, and the

690
00:35:33,719 --> 00:35:38,640
Speaker 1: interface on Hulu is infuriating. Yeah, it really is, Like

691
00:35:39,000 --> 00:35:40,719
Speaker 1: I don't understand why it's so bad.

692
00:35:40,920 --> 00:35:44,160
Speaker 3: Yeah, it's hard to find anything. It's just like, hey,

693
00:35:44,280 --> 00:35:48,680
Speaker 3: here's our suggestions. You want to look for something, here's it. Yeah,

694
00:35:48,719 --> 00:35:52,720
Speaker 3: and here's our keyboard. It's real fucked up, like it's

695
00:35:52,760 --> 00:35:55,120
Speaker 3: really hard to type things into it. Yeah. Hulu is

696
00:35:55,719 --> 00:35:58,400
Speaker 3: uh and you got to watch commercials even if you're paying.

697
00:35:58,920 --> 00:36:00,919
Speaker 1: Yeah, well no, I'm on a level where I don't

698
00:36:00,920 --> 00:36:01,680
Speaker 1: have any commercials.

699
00:36:01,719 --> 00:36:07,920
Speaker 3: Oh you got Hulu Live, Hulu Rich, Hulu Max.

700
00:36:09,880 --> 00:36:13,440
Speaker 1: But I was watching hunder Bee, which is a hilarious

701
00:36:13,600 --> 00:36:18,400
Speaker 1: British Have you watched that? It's like a fake British

702
00:36:18,600 --> 00:36:22,440
Speaker 1: the old seventies BBC series, but it's like it's Julia Davis,

703
00:36:22,440 --> 00:36:26,359
Speaker 1: who's that woman from God. She's so fucking funny. She's

704
00:36:26,400 --> 00:36:27,120
Speaker 1: had her own show.

705
00:36:28,000 --> 00:36:30,200
Speaker 3: You dropped your Stress Mattress.

706
00:36:30,440 --> 00:36:34,960
Speaker 1: I threw my stress Mattress on the ground. Hunder Bee

707
00:36:35,000 --> 00:36:39,960
Speaker 1: watch it. But they Hunger be like hunder d e

708
00:36:40,080 --> 00:36:44,760
Speaker 1: r ok. And it's like it's like a British period

709
00:36:44,800 --> 00:36:47,439
Speaker 1: piece of like a girl that washes up on shore

710
00:36:47,480 --> 00:36:50,120
Speaker 1: and then joins this rich family and it's so funny.

711
00:36:50,360 --> 00:36:54,360
Speaker 1: Julia Davis plays the crazy maid. It's really good and

712
00:36:54,400 --> 00:36:57,680
Speaker 1: it's crazy, like dirty and inappropriate, and there's really weird

713
00:36:57,719 --> 00:36:59,520
Speaker 1: shit in it and it's so and it's like, but

714
00:36:59,560 --> 00:37:03,880
Speaker 1: it's everyone's talking like it's an old school period piece

715
00:37:04,080 --> 00:37:06,479
Speaker 1: British BBC show. It's so good.

716
00:37:08,560 --> 00:37:13,080
Speaker 3: I've been I put my special on. It's out and

717
00:37:13,120 --> 00:37:16,960
Speaker 3: it's on Vimeo on demand and a lot of do

718
00:37:17,000 --> 00:37:20,400
Speaker 3: you need to ride? People have been watching it and

719
00:37:20,760 --> 00:37:23,120
Speaker 3: sending me messages and it makes I feel great.

720
00:37:23,680 --> 00:37:24,759
Speaker 1: That's amazing, So.

721
00:37:24,920 --> 00:37:28,080
Speaker 3: Thank you to people who've been watching it. The end.

722
00:37:29,000 --> 00:37:33,160
Speaker 1: We gave it a shout out during our last episode,

723
00:37:33,200 --> 00:37:38,120
Speaker 1: but we didn't say what what website it was, yeah, because.

724
00:37:37,880 --> 00:37:40,200
Speaker 3: You wouldn't know. Yeah that we're gnarly thing. It's hard

725
00:37:40,239 --> 00:37:43,279
Speaker 3: to remember. But people if you google, I mean, if

726
00:37:43,320 --> 00:37:46,160
Speaker 3: you just Chris Fairbanks special, it's like the second thing

727
00:37:46,200 --> 00:37:48,200
Speaker 3: that shows up. So if they really want to see.

728
00:37:48,080 --> 00:37:50,239
Speaker 1: It, and I think we put the link in, the

729
00:37:51,160 --> 00:37:52,040
Speaker 1: link was on the website.

730
00:37:52,360 --> 00:37:56,319
Speaker 3: Great, thanks for doing that. Yeah, of course, yeah, we

731
00:37:56,400 --> 00:37:59,560
Speaker 3: believe we have the sweet Thank you. It's just the

732
00:37:59,640 --> 00:38:04,120
Speaker 3: sweet people I've always like when I was opening for

733
00:38:04,200 --> 00:38:08,000
Speaker 3: Daniel Tosh or the times I've opened for Doug Stanhope

734
00:38:08,080 --> 00:38:13,480
Speaker 3: or you know, these are people I admire there that

735
00:38:13,560 --> 00:38:17,320
Speaker 3: they have this audience and they're great comics. But it's

736
00:38:17,480 --> 00:38:20,319
Speaker 3: usually like the people that go to comedy shows are

737
00:38:20,400 --> 00:38:24,759
Speaker 3: usually drunk dudes. Yeah, and the audience that we have

738
00:38:25,400 --> 00:38:28,200
Speaker 3: for this podcast that are going to my shows, I'm

739
00:38:28,239 --> 00:38:31,920
Speaker 3: like so lucky that I haven't acquired them from being

740
00:38:31,960 --> 00:38:34,840
Speaker 3: a comic or you know what I mean. Like from

741
00:38:34,920 --> 00:38:38,359
Speaker 3: my dick jokes that I tell it's the best. I

742
00:38:38,440 --> 00:38:41,120
Speaker 3: love it. I promise I'm going to be the kind

743
00:38:41,160 --> 00:38:42,960
Speaker 3: of comic you want in the future.

744
00:38:43,680 --> 00:38:46,440
Speaker 1: But look, I think everyone loves a dick joke as

745
00:38:46,440 --> 00:38:50,520
Speaker 1: long as it's kind of justified, like you're not. Georgia

746
00:38:50,560 --> 00:38:55,880
Speaker 1: actually mentioned the parents walking in on you masturbating as

747
00:38:55,880 --> 00:38:59,720
Speaker 1: one of her favorites. It's not a standard. You're playing

748
00:38:59,719 --> 00:39:03,480
Speaker 1: with the It's not just playground comedy, right some like

749
00:39:03,560 --> 00:39:06,000
Speaker 1: some people seem to need to do. Yeah, you're doing

750
00:39:06,080 --> 00:39:06,640
Speaker 1: other things.

751
00:39:06,719 --> 00:39:09,839
Speaker 3: It's smart playground comedy. That's what I'm shooting for.

752
00:39:10,400 --> 00:39:12,000
Speaker 1: You're the nerd section of the playground.

753
00:39:12,200 --> 00:39:12,359
Speaker 3: Yeah.

754
00:39:12,360 --> 00:39:15,040
Speaker 1: So the book where the book types are making dirty jokes,

755
00:39:15,080 --> 00:39:15,799
Speaker 1: and that's.

756
00:39:16,280 --> 00:39:20,000
Speaker 3: I'm with those kids, making them laugh, pretending. I also

757
00:39:20,239 --> 00:39:24,600
Speaker 3: read look at my bookshelf. Haven't cracked one of them

758
00:39:24,640 --> 00:39:25,120
Speaker 3: in a year.

759
00:39:25,840 --> 00:39:28,520
Speaker 1: I mean, it's but it's also nice because comedy is

760
00:39:28,560 --> 00:39:32,920
Speaker 1: a very hostile environment. Usually for women. Seventy percent of

761
00:39:32,920 --> 00:39:35,920
Speaker 1: the time you're going to check on, like click into something,

762
00:39:35,960 --> 00:39:38,080
Speaker 1: and whether the comic is a man or woman, you're

763
00:39:38,120 --> 00:39:42,480
Speaker 1: going to get some shitty Hey, ladies, you only care

764
00:39:42,520 --> 00:39:45,120
Speaker 1: about shopping or whatever. And so it is nice to

765
00:39:45,160 --> 00:39:47,560
Speaker 1: be able to point to people toward comics who are like,

766
00:39:47,640 --> 00:39:50,080
Speaker 1: you're going to like this, You're going to be happy

767
00:39:50,120 --> 00:39:51,480
Speaker 1: that you participated.

768
00:39:51,560 --> 00:39:54,000
Speaker 3: It's funny you bring that up, because I felt like

769
00:39:54,680 --> 00:39:57,879
Speaker 3: there's you know, when we were originally going to put

770
00:39:57,880 --> 00:40:02,120
Speaker 3: this thing out, it was during George Floyd's memorial, and

771
00:40:02,160 --> 00:40:05,200
Speaker 3: it just wasn't the right time to be promoting a thing.

772
00:40:05,239 --> 00:40:10,080
Speaker 3: And then right and then all these growing numbers of

773
00:40:10,120 --> 00:40:15,880
Speaker 3: women are talking about terrible male comics that are sexually

774
00:40:15,920 --> 00:40:20,439
Speaker 3: aggressive and rapists. And then it's like, is there ever

775
00:40:20,520 --> 00:40:21,920
Speaker 3: going to be a good time for me to be

776
00:40:22,520 --> 00:40:24,680
Speaker 3: I mean, I want people to watch the special, and

777
00:40:24,719 --> 00:40:26,880
Speaker 3: I don't think there's a bad time to ever watch

778
00:40:26,920 --> 00:40:29,840
Speaker 3: comedy and not think about what's going on in the world.

779
00:40:29,840 --> 00:40:31,880
Speaker 3: But when it comes to like promoting it on my

780
00:40:31,960 --> 00:40:35,400
Speaker 3: social media, where we should be talking about the important

781
00:40:35,480 --> 00:40:38,279
Speaker 3: things going on, and I'm like, hey, everyone, it just

782
00:40:38,320 --> 00:40:41,440
Speaker 3: felt gross and I try to balance it out with

783
00:40:42,960 --> 00:40:46,359
Speaker 3: links to petitions and things that I care about that

784
00:40:46,400 --> 00:40:48,759
Speaker 3: are happening right now. Stagger it a little bit, but

785
00:40:48,880 --> 00:40:52,160
Speaker 3: I have been confronted. If anyone's been disappointed about me

786
00:40:52,440 --> 00:40:56,040
Speaker 3: just promoting my comedy special, know that I've been doing

787
00:40:56,120 --> 00:41:00,480
Speaker 3: it uneasily, but I want people to watch it so badly.

788
00:41:00,880 --> 00:41:03,000
Speaker 1: Yes, you've been waiting a long time to.

789
00:41:03,000 --> 00:41:06,799
Speaker 3: Release it, and yeah, yeah, it's it's it's it's time.

790
00:41:06,880 --> 00:41:09,600
Speaker 1: It's a more nuanced conversation. But but I think that

791
00:41:09,719 --> 00:41:13,880
Speaker 1: everybody what I really like about that, this whole movement

792
00:41:13,920 --> 00:41:17,200
Speaker 1: that is, you know, it's completely just got underway and

793
00:41:17,320 --> 00:41:19,480
Speaker 1: is now going. That's first of all, that's the cool thing.

794
00:41:19,520 --> 00:41:23,200
Speaker 1: It's not a stop a stop start thing. It basically

795
00:41:23,239 --> 00:41:26,120
Speaker 1: everybody had the good sense and and I think listen

796
00:41:26,200 --> 00:41:28,839
Speaker 1: to black people enough to go, okay, it's not about

797
00:41:28,880 --> 00:41:30,799
Speaker 1: us right now, it's not about our reaction to this

798
00:41:30,840 --> 00:41:34,640
Speaker 1: even just everyone pull back and let and like amplify

799
00:41:34,760 --> 00:41:37,600
Speaker 1: voices and let's listen to what people want and what

800
00:41:37,800 --> 00:41:40,840
Speaker 1: is actually happening as opposed to here's how I process it.

801
00:41:41,160 --> 00:41:43,840
Speaker 1: I think my black friends would want me to promote

802
00:41:43,840 --> 00:41:45,920
Speaker 1: my comedytion it's like no, no, no, ye, just go

803
00:41:46,280 --> 00:41:48,680
Speaker 1: just back hit the fuck up. Be like Homer Simpson

804
00:41:48,760 --> 00:41:52,240
Speaker 1: going into the bush and the lift lift other people's

805
00:41:52,320 --> 00:41:56,200
Speaker 1: voices up. And let's prioritize this as it is life

806
00:41:56,239 --> 00:41:59,279
Speaker 1: for death. It is a life or death situation for

807
00:41:59,320 --> 00:42:01,719
Speaker 1: black people, and let them have the floor, get some

808
00:42:01,719 --> 00:42:04,680
Speaker 1: shit out there, let's focus in a meaningful way. And

809
00:42:04,719 --> 00:42:07,879
Speaker 1: I think you know it. That's the reason that there

810
00:42:07,880 --> 00:42:11,080
Speaker 1: has been traction and that things have begun at least

811
00:42:11,160 --> 00:42:12,200
Speaker 1: to change a little bit.

812
00:42:12,280 --> 00:42:15,360
Speaker 3: And I see it tapering off a little bit, but

813
00:42:15,400 --> 00:42:18,239
Speaker 3: I have been impressed with how it's still going and

814
00:42:18,280 --> 00:42:21,200
Speaker 3: people are still talking about it and it's still important

815
00:42:21,200 --> 00:42:24,960
Speaker 3: to everyone, and it's been really really cool, and all

816
00:42:25,000 --> 00:42:27,680
Speaker 3: the more reasons I feel weird. Oh, speaking of my

817
00:42:27,800 --> 00:42:31,520
Speaker 3: special there is a scene. There is a moment where

818
00:42:31,560 --> 00:42:34,279
Speaker 3: we did try and do me backing into a bush

819
00:42:34,880 --> 00:42:38,080
Speaker 3: because I right, yes, yeah, yeah, and it didn't. It

820
00:42:38,120 --> 00:42:40,279
Speaker 3: isn't in the beginning, but it's in the outtakes. At

821
00:42:40,280 --> 00:42:43,120
Speaker 3: the end. We cut out a little shape for me

822
00:42:43,200 --> 00:42:45,799
Speaker 3: to hide in the hedge and then put bushes in

823
00:42:45,840 --> 00:42:48,360
Speaker 3: front of me so I could emerge from this bush

824
00:42:48,920 --> 00:42:52,440
Speaker 3: after I do my karate kick and it's very funny.

825
00:42:52,480 --> 00:42:55,640
Speaker 1: So but anyway, but that's just one of the many

826
00:42:55,719 --> 00:42:58,839
Speaker 1: easter eggs that you'll find when you watch Chris.

827
00:42:58,520 --> 00:43:00,719
Speaker 3: Fairbanks Rescue Cactus.

828
00:43:00,840 --> 00:43:04,560
Speaker 1: Rescue Cactus. Can you just say what the other name.

829
00:43:04,400 --> 00:43:07,200
Speaker 3: Was going to be? It was to be called cat Dix.

830
00:43:08,239 --> 00:43:11,680
Speaker 1: No, the other one. You had a couple that had

831
00:43:11,680 --> 00:43:12,120
Speaker 1: made it to.

832
00:43:12,080 --> 00:43:13,760
Speaker 3: The Oh yeah, yeah, bad timing.

833
00:43:14,520 --> 00:43:17,520
Speaker 1: But I loved bad Timing because it really turned out

834
00:43:17,520 --> 00:43:18,919
Speaker 1: to be bad timing, right.

835
00:43:19,400 --> 00:43:23,160
Speaker 3: Yes, I just got overwhelmed with the idea that people

836
00:43:23,200 --> 00:43:26,320
Speaker 3: would think I was saying I have bad comedic timing.

837
00:43:26,440 --> 00:43:27,760
Speaker 3: You should watch my comedy.

838
00:43:28,680 --> 00:43:31,279
Speaker 1: Yes, but then your lower expectations. Then everyone likes it

839
00:43:31,320 --> 00:43:33,400
Speaker 1: no matter what. Yes, I mean, Look, I tried to

840
00:43:33,520 --> 00:43:34,240
Speaker 1: argue this already.

841
00:43:34,320 --> 00:43:36,839
Speaker 3: I know I like that. I like bad timing too.

842
00:43:37,000 --> 00:43:39,160
Speaker 3: I you know, I don't know if I picked the

843
00:43:39,160 --> 00:43:42,560
Speaker 3: best title. But it's just a title. It's just work.

844
00:43:42,680 --> 00:43:43,600
Speaker 1: It doesn't matter.

845
00:43:43,840 --> 00:43:50,400
Speaker 3: I wanted it to be a standout collection of two words,

846
00:43:50,960 --> 00:43:54,360
Speaker 3: and I thought maybe bad timing would be like self deprecating,

847
00:43:54,400 --> 00:43:56,720
Speaker 3: we get it, or if I called it not funny

848
00:43:57,000 --> 00:44:00,800
Speaker 3: or yes, I'm not very I'm not very bad special

849
00:44:00,840 --> 00:44:04,160
Speaker 3: insight wink, wink. Maybe you won't like it. I didn't

850
00:44:04,160 --> 00:44:05,279
Speaker 3: want to play that game.

851
00:44:05,480 --> 00:44:08,880
Speaker 1: That is kind of lame. I totally agree. And also,

852
00:44:09,080 --> 00:44:11,480
Speaker 1: you know, at the end of the day, it doesn't matter.

853
00:44:11,560 --> 00:44:13,960
Speaker 1: It's like, if it's a restaurant that serves the best

854
00:44:14,000 --> 00:44:16,520
Speaker 1: and most beautiful food, it doesn't matter how this sign

855
00:44:16,600 --> 00:44:19,560
Speaker 1: is painted. And so basically, when you get into the

856
00:44:19,640 --> 00:44:23,279
Speaker 1: Chris Fairbanks Special, if Rescue Cactus gets you there, or

857
00:44:23,520 --> 00:44:28,400
Speaker 1: just the amazing artwork. I haven't seen this, when you

858
00:44:28,440 --> 00:44:30,600
Speaker 1: get in there, you will have a full seven course

859
00:44:30,640 --> 00:44:33,200
Speaker 1: meal of wonderful comedy and experiences.

860
00:44:33,520 --> 00:44:36,520
Speaker 3: Thank you, Cared. Yeah, it's true. I like comparing it

861
00:44:36,560 --> 00:44:38,960
Speaker 3: to food conversations.

862
00:44:39,440 --> 00:44:42,560
Speaker 1: I like, you know, I'm a snob. You know, comedy

863
00:44:42,719 --> 00:44:46,120
Speaker 1: means the world to me. I wouldn't be friends with

864
00:44:46,200 --> 00:44:48,200
Speaker 1: you or do a podcast with you if you weren't

865
00:44:48,239 --> 00:44:49,320
Speaker 1: the funniest person.

866
00:44:49,719 --> 00:44:51,640
Speaker 3: Oh, thank you, you really are.

867
00:44:51,840 --> 00:44:54,680
Speaker 1: So I think people can they know, they know after

868
00:44:54,719 --> 00:44:57,279
Speaker 1: all this time with this podcast, exactly what you can

869
00:44:57,320 --> 00:44:59,200
Speaker 1: do and how you do it, and that's why they

870
00:44:59,200 --> 00:45:00,839
Speaker 1: show up you come to their town.

871
00:45:01,080 --> 00:45:04,359
Speaker 3: It's yeah, and I will say it again, I love it.

872
00:45:04,680 --> 00:45:08,440
Speaker 3: We have the best fans. Really, that's the last I'll say.

873
00:45:08,239 --> 00:45:11,160
Speaker 1: Of it, we have the best fans who support. They're

874
00:45:11,239 --> 00:45:15,880
Speaker 1: like they like to support. It's like whether you're doing

875
00:45:15,920 --> 00:45:18,400
Speaker 1: stand up. It's like we used to have big groups

876
00:45:18,400 --> 00:45:20,799
Speaker 1: of people that would come to that improv show. Me

877
00:45:20,840 --> 00:45:22,799
Speaker 1: and April hosted that show and we would make Chris

878
00:45:22,840 --> 00:45:25,719
Speaker 1: headline every time because it was one less person we

879
00:45:25,760 --> 00:45:28,640
Speaker 1: had to book every show. But yeah, we had a

880
00:45:28,760 --> 00:45:31,760
Speaker 1: great and they were in the beginning. They were clearly

881
00:45:31,760 --> 00:45:34,799
Speaker 1: a podcast audience. They didn't laugh out loud, and they

882
00:45:34,840 --> 00:45:36,839
Speaker 1: had to learn over a couple months of like, oh,

883
00:45:36,840 --> 00:45:38,880
Speaker 1: this is how your live comedy audience.

884
00:45:38,920 --> 00:45:40,799
Speaker 3: I've kind of gotten used to it. I just look

885
00:45:40,840 --> 00:45:42,600
Speaker 3: out and I see it that they're all listening and

886
00:45:42,640 --> 00:45:45,640
Speaker 3: they're happy. But yeah, they're politely. They don't want to

887
00:45:45,640 --> 00:45:49,040
Speaker 3: get reprimanded at work. Still, Yeah, they'll tret a comedy

888
00:45:49,080 --> 00:45:50,319
Speaker 3: blob exactly.

889
00:45:50,480 --> 00:45:54,239
Speaker 1: They've been They've trained themselves to basically while they're doing

890
00:45:54,239 --> 00:45:57,400
Speaker 1: their data processing job, not get in trouble and pretend

891
00:45:57,440 --> 00:46:00,319
Speaker 1: that they're focusing. So totally, but it's great. It's like

892
00:46:00,600 --> 00:46:06,040
Speaker 1: there's nothing more exciting. And I mean we've talked about

893
00:46:06,040 --> 00:46:08,719
Speaker 1: this before, but it's like it us when when my

894
00:46:08,760 --> 00:46:11,279
Speaker 1: fervorit Murder went on the road and we had like

895
00:46:11,480 --> 00:46:15,080
Speaker 1: screaming fans that were going insane. It was the most satisfying,

896
00:46:15,480 --> 00:46:19,399
Speaker 1: beautiful gift of all the gifts that that podcast has

897
00:46:19,440 --> 00:46:24,000
Speaker 1: brought to my life, the live show gift that that

898
00:46:24,120 --> 00:46:26,200
Speaker 1: was a dream come true that I thought I was

899
00:46:26,239 --> 00:46:28,640
Speaker 1: never going to get to do again because to get

900
00:46:28,680 --> 00:46:32,239
Speaker 1: to play theaters that size you have to be like

901
00:46:32,320 --> 00:46:34,839
Speaker 1: a road comic for twenty five years that I couldn't. Yeah,

902
00:46:35,000 --> 00:46:36,759
Speaker 1: when I did the road, I was like, this is

903
00:46:36,760 --> 00:46:39,320
Speaker 1: going to break me mentally. I'm also going to drink

904
00:46:39,360 --> 00:46:42,600
Speaker 1: myself into the hospital, which I did and I was

905
00:46:42,640 --> 00:46:44,920
Speaker 1: like I can't handle it. So it was like it

906
00:46:44,960 --> 00:46:47,719
Speaker 1: was a huge dream and live performance is my very

907
00:46:47,719 --> 00:46:50,000
Speaker 1: favorite that I just had to get rid of. So

908
00:46:50,120 --> 00:46:54,399
Speaker 1: like this pod, that podcast enabled me to go back

909
00:46:54,440 --> 00:46:56,440
Speaker 1: to doing this thing and like the idea that then

910
00:46:56,520 --> 00:46:58,960
Speaker 1: you get to have some too because I know that,

911
00:46:59,040 --> 00:47:01,600
Speaker 1: like that's your best because we're the same that way.

912
00:47:01,680 --> 00:47:01,879
Speaker 3: Yeah.

913
00:47:01,960 --> 00:47:07,280
Speaker 1: Yeah, live shows are the for comics. That's the real drug.

914
00:47:07,400 --> 00:47:08,960
Speaker 1: Like that's the good stuff.

915
00:47:08,680 --> 00:47:11,799
Speaker 3: And I haven't had it for a while and it's hard,

916
00:47:11,960 --> 00:47:17,279
Speaker 3: it's it's not replaceable, but I'm just looking forward to

917
00:47:17,360 --> 00:47:19,959
Speaker 3: when I have it again. But yes, that's the point.

918
00:47:20,000 --> 00:47:23,320
Speaker 3: I didn't mean to talk shit about Doug Stanhope's crowd

919
00:47:23,520 --> 00:47:26,680
Speaker 3: or not, but it is there. If I was well

920
00:47:26,719 --> 00:47:30,200
Speaker 3: known because I used to be unpunked or something, or

921
00:47:31,840 --> 00:47:35,120
Speaker 3: you know, like the time I was all excited to

922
00:47:35,160 --> 00:47:40,320
Speaker 3: open for Davittel in Houston and because of that show Insomniac,

923
00:47:40,800 --> 00:47:43,160
Speaker 3: all these people came over and he was trying not

924
00:47:43,239 --> 00:47:46,520
Speaker 3: to drink at the time, He's trying to not kill himself,

925
00:47:46,560 --> 00:47:50,239
Speaker 3: and they were all handing him Jaegermeister yeah shots, and

926
00:47:50,280 --> 00:47:52,520
Speaker 3: he'd be like, oh, thanks, and then he'd hand it

927
00:47:52,560 --> 00:47:56,000
Speaker 3: to me, and then I'd was sick until four the

928
00:47:56,040 --> 00:47:58,239
Speaker 3: next day. But I was like, God, is this what

929
00:47:59,719 --> 00:48:02,919
Speaker 3: being well known from stand up is? You're like, you're

930
00:48:02,960 --> 00:48:03,799
Speaker 3: the party guy.

931
00:48:04,680 --> 00:48:07,600
Speaker 1: Yeah, you're kind of in your box or whatever. So

932
00:48:07,680 --> 00:48:10,839
Speaker 1: it's like people the idea that people would be your

933
00:48:10,880 --> 00:48:13,600
Speaker 1: fans from this show where you get to highlight your

934
00:48:14,040 --> 00:48:17,600
Speaker 1: like best part of your personality, not even the most

935
00:48:17,920 --> 00:48:21,200
Speaker 1: presentational stage you know, seven minute set personality, but your

936
00:48:21,239 --> 00:48:22,279
Speaker 1: real personality.

937
00:48:22,400 --> 00:48:24,959
Speaker 3: Yeah yeah, yeah. They come to shows and then after

938
00:48:25,000 --> 00:48:27,600
Speaker 3: the show they want to talk about dollhouses. They don't

939
00:48:27,640 --> 00:48:31,759
Speaker 3: want to give me tequila. It's great, it's going to

940
00:48:31,840 --> 00:48:32,880
Speaker 3: save my life.

941
00:48:33,080 --> 00:48:39,280
Speaker 1: It is going to say, should we do take some questions?

942
00:48:39,360 --> 00:48:42,160
Speaker 1: Oh yeah, yeah, yeah, another.

943
00:48:42,280 --> 00:48:44,600
Speaker 3: Do act any ready?

944
00:48:44,640 --> 00:48:47,720
Speaker 4: Oh sorry, no, no, I mean I have that doc

945
00:48:47,800 --> 00:48:49,720
Speaker 4: from last time. There's still plenty of questions.

946
00:48:49,960 --> 00:48:52,360
Speaker 3: Yeah, like you saving it to the end.

947
00:48:52,239 --> 00:48:55,399
Speaker 1: Because that's like our that's our act too. First act

948
00:48:55,520 --> 00:48:59,960
Speaker 1: one is catch up COVID Milton Martine.

949
00:49:00,200 --> 00:49:01,560
Speaker 3: Yeah, we talked about Milton.

950
00:49:01,800 --> 00:49:05,280
Speaker 1: Milton has to get mentioned. And then yes, let's naturally

951
00:49:05,320 --> 00:49:08,000
Speaker 1: transition into act two and then we talk about our

952
00:49:08,080 --> 00:49:12,160
Speaker 1: dreams for a while. Old bars let me boom. Here

953
00:49:12,160 --> 00:49:15,839
Speaker 1: we are act to Q and it season two act too.

954
00:49:16,520 --> 00:49:21,239
Speaker 4: This person mad for sharks asked, would you rather have

955
00:49:21,360 --> 00:49:23,960
Speaker 4: finger sized legs or leg sized fingers?

956
00:49:24,560 --> 00:49:31,400
Speaker 3: Discuss? Oh god, those are those are in a dead

957
00:49:31,680 --> 00:49:38,840
Speaker 3: heat for horrifying. Oh my god. I think finger sized

958
00:49:38,920 --> 00:49:41,840
Speaker 3: legs and I would just cover them up with a

959
00:49:41,880 --> 00:49:45,760
Speaker 3: blanket because leg sized fingers.

960
00:49:46,200 --> 00:49:48,759
Speaker 1: Yes, I think legs size unless.

961
00:49:48,480 --> 00:49:51,320
Speaker 3: You're playing that game where it's a folded up piece

962
00:49:51,320 --> 00:49:54,319
Speaker 3: of paper and it's a football that I mean, you

963
00:49:54,360 --> 00:49:55,839
Speaker 3: would be amazing at that.

964
00:49:56,960 --> 00:49:59,960
Speaker 1: I feel like in these times of COVID nineteen. Leg

965
00:50:00,080 --> 00:50:03,799
Speaker 1: sized fingers enable you to keep social distancing while at

966
00:50:03,800 --> 00:50:07,600
Speaker 1: the same time poking, prodding, tickling.

967
00:50:08,520 --> 00:50:12,920
Speaker 3: So gross, wait, so gross, But I think you're doing

968
00:50:13,120 --> 00:50:15,000
Speaker 3: the more I've thought about it, you and I both

969
00:50:15,000 --> 00:50:18,120
Speaker 3: were just thinking of two fingers, because there's two legs

970
00:50:18,160 --> 00:50:21,440
Speaker 3: on a human. It's all your fingers. So you're suddenly

971
00:50:21,480 --> 00:50:27,640
Speaker 3: a spider. Well, imagine running with ten legs. Now your

972
00:50:27,760 --> 00:50:30,359
Speaker 3: arms are just down and you're sprinting down the road

973
00:50:30,480 --> 00:50:31,799
Speaker 3: like a like a millipede.

974
00:50:32,000 --> 00:50:34,400
Speaker 1: You know, I don't like any of this, And I

975
00:50:34,840 --> 00:50:36,560
Speaker 1: what's the name of the person that asked that question?

976
00:50:36,840 --> 00:50:40,600
Speaker 3: They were mad for sharks? Yeah, mad for sharks.

977
00:50:41,440 --> 00:50:46,160
Speaker 1: It sounds like you're fucking mad for sharks. Yeah you lunatic? Yeah,

978
00:50:47,560 --> 00:50:49,360
Speaker 1: that wasn't really that wasn't a good slamp.

979
00:50:51,280 --> 00:50:55,400
Speaker 3: You know what lunatic is? There is Elaine Bennis or

980
00:50:55,640 --> 00:50:58,319
Speaker 3: Julia Luis Dreyfus, whether or not you want to live

981
00:50:58,320 --> 00:51:02,080
Speaker 3: in reality went on that episode where someone bumped into

982
00:51:02,120 --> 00:51:06,399
Speaker 3: her and she's like, yeah, lunatic. It made me laugh

983
00:51:06,480 --> 00:51:11,160
Speaker 3: so hard. I hadn't heard that word lunatic until that

984
00:51:11,239 --> 00:51:13,680
Speaker 3: episode of Seinfeld. She is the best.

985
00:51:13,880 --> 00:51:17,720
Speaker 1: She is one of the most unsung like she should

986
00:51:17,800 --> 00:51:20,760
Speaker 1: be up there with Seinfeld when people think about comedy.

987
00:51:20,800 --> 00:51:23,359
Speaker 1: I guess she would be now because of Veep. But yeah, yeah,

988
00:51:23,520 --> 00:51:26,760
Speaker 1: she has been bringing it since the worst season of SNL.

989
00:51:27,320 --> 00:51:28,520
Speaker 3: Yes that she was on.

990
00:51:28,760 --> 00:51:31,719
Speaker 1: She has been bringing it so hardcore. And did you

991
00:51:31,760 --> 00:51:34,440
Speaker 1: ever see when she was on mean tweets on Kimmel

992
00:51:34,960 --> 00:51:37,640
Speaker 1: and someone said, oh my god, it's so fucking funny

993
00:51:37,760 --> 00:51:41,000
Speaker 1: no or talking shit about her, and she's reading it

994
00:51:41,080 --> 00:51:42,920
Speaker 1: and kind of laughing, and then it gets to this

995
00:51:43,080 --> 00:51:46,719
Speaker 1: point and she does this laugh that like it made

996
00:51:46,760 --> 00:51:48,759
Speaker 1: me love her so much. You just know she's a

997
00:51:48,760 --> 00:51:51,640
Speaker 1: cool person to hang out with. Like the way she

998
00:51:51,760 --> 00:51:56,480
Speaker 1: laughed at this slam on her her and Seinfeld and

999
00:51:56,560 --> 00:51:59,560
Speaker 1: like it was some random slam and she thought it

1000
00:51:59,600 --> 00:52:02,120
Speaker 1: was the fun thing of all time. It made me

1001
00:52:02,440 --> 00:52:02,839
Speaker 1: love her.

1002
00:52:03,440 --> 00:52:07,880
Speaker 3: Oh that's great. Yeah, I she also just reminds me

1003
00:52:07,920 --> 00:52:13,400
Speaker 3: and my sister Lisa, and so yeah, I feel like

1004
00:52:13,440 --> 00:52:16,080
Speaker 3: I sort of know her, but I don't. I don't know.

1005
00:52:16,600 --> 00:52:19,520
Speaker 3: I don't know. I call her Elaine Bennets for God's sake.

1006
00:52:19,680 --> 00:52:24,360
Speaker 1: I know she's the shit. Okay. Also, I actually cancel

1007
00:52:24,480 --> 00:52:26,759
Speaker 1: my answer to that first question because I don't want

1008
00:52:26,960 --> 00:52:30,240
Speaker 1: ten leg sized fingers on both hands.

1009
00:52:30,320 --> 00:52:32,840
Speaker 3: I think I do. It's you're horrifying and you wouldn't

1010
00:52:32,880 --> 00:52:36,000
Speaker 3: have a normal interaction with a person or a sex

1011
00:52:36,080 --> 00:52:38,440
Speaker 3: life or anything. But I'd like the idea of just

1012
00:52:39,000 --> 00:52:41,279
Speaker 3: sprinting down the road on my hands.

1013
00:52:41,680 --> 00:52:45,919
Speaker 1: It would like your shoulders and upper arm muscles would

1014
00:52:45,960 --> 00:52:49,520
Speaker 1: become gigantic, yeah, having to deal with them.

1015
00:52:49,800 --> 00:52:52,240
Speaker 3: Sure it would be bad for your joints and things

1016
00:52:52,320 --> 00:52:53,560
Speaker 3: like that, But I just.

1017
00:52:55,040 --> 00:52:57,880
Speaker 1: I don't like this reality that Mad for Sharks has

1018
00:52:57,880 --> 00:53:01,560
Speaker 1: put us into. I'm really mad at mad person.

1019
00:53:02,280 --> 00:53:05,120
Speaker 3: That's what he wanted. He just wanted to spark a dialogue.

1020
00:53:05,120 --> 00:53:08,719
Speaker 3: And look, we're talking about it, so that makes it art.

1021
00:53:09,120 --> 00:53:12,200
Speaker 1: You must be okay?

1022
00:53:12,400 --> 00:53:17,880
Speaker 4: Moving on at sam du thirteen. Any reoccurring dreams?

1023
00:53:18,200 --> 00:53:21,719
Speaker 3: I yes, do you mind if I go first? This

1024
00:53:21,800 --> 00:53:23,400
Speaker 3: isn't but I this.

1025
00:53:23,520 --> 00:53:24,760
Speaker 1: Do you mind if I go first?

1026
00:53:24,800 --> 00:53:27,160
Speaker 3: Do you mind? Because something sprang to mind and I

1027
00:53:27,320 --> 00:53:31,719
Speaker 3: like to talk first. I used to have a reoccurring

1028
00:53:31,800 --> 00:53:37,400
Speaker 3: dream that has to be based I think it's based

1029
00:53:37,440 --> 00:53:41,720
Speaker 3: on me having convulsions as a baby. But I had

1030
00:53:41,760 --> 00:53:45,799
Speaker 3: this reoccurring dream where I am in a crib and

1031
00:53:45,880 --> 00:53:49,440
Speaker 3: the walls are closing in on me and I'm getting smaller,

1032
00:53:49,480 --> 00:53:52,680
Speaker 3: but the room is getting bigger and bigger. And it

1033
00:53:52,760 --> 00:53:57,879
Speaker 3: was affecting audio. I could hear background noises and this

1034
00:53:57,920 --> 00:53:59,960
Speaker 3: is going to sound crazy, but it started to happen

1035
00:54:00,239 --> 00:54:04,520
Speaker 3: in real in while I was awake. Background noise. I

1036
00:54:04,560 --> 00:54:07,560
Speaker 3: think there are little anxiety attacks that I was having,

1037
00:54:07,600 --> 00:54:13,600
Speaker 3: but background ambient. Otherwise, background noise would be amplified, like

1038
00:54:13,640 --> 00:54:16,040
Speaker 3: when I was taken to test in school and you'd

1039
00:54:16,080 --> 00:54:18,719
Speaker 3: hear the scratching of pencils. All of a sudden, it

1040
00:54:18,760 --> 00:54:23,800
Speaker 3: would sound like like voices. Oh yeah, and I would

1041
00:54:24,080 --> 00:54:26,160
Speaker 3: have to leave the room and I would have to

1042
00:54:26,239 --> 00:54:29,440
Speaker 3: out loud say go away. I thought I was being possessed.

1043
00:54:29,600 --> 00:54:33,200
Speaker 3: I think that I was having little panic attacks as

1044
00:54:33,239 --> 00:54:36,840
Speaker 3: a kid, maybe, but it was connected to that crib dream.

1045
00:54:36,960 --> 00:54:38,920
Speaker 3: It was the same feeling that I would have in

1046
00:54:38,960 --> 00:54:41,840
Speaker 3: that dream, and I thought I was going crazy. I'm like,

1047
00:54:41,880 --> 00:54:44,160
Speaker 3: this is going to be mental illness when I'm a

1048
00:54:44,200 --> 00:54:47,000
Speaker 3: grown up looking forward to that. And it just kind

1049
00:54:47,040 --> 00:54:49,920
Speaker 3: of went away as I learned to control it. But

1050
00:54:50,680 --> 00:54:52,560
Speaker 3: I went to child psychologists.

1051
00:54:53,719 --> 00:54:56,520
Speaker 1: I wonder if you had something in your ear like that,

1052
00:54:57,120 --> 00:54:59,919
Speaker 1: there was basically something affecting your inner ear.

1053
00:55:00,640 --> 00:55:04,120
Speaker 3: I remember a lot of talk of ear infections. I

1054
00:55:04,160 --> 00:55:06,520
Speaker 3: would they would put drops in there all the way

1055
00:55:06,600 --> 00:55:13,880
Speaker 3: up to having a childhood counselor talk about my feelings.

1056
00:55:13,920 --> 00:55:16,640
Speaker 3: His name, we've talked about that this. His name was

1057
00:55:16,719 --> 00:55:21,719
Speaker 3: Richard come Kumm. His name was Dick Com. But he

1058
00:55:21,840 --> 00:55:25,040
Speaker 3: would yes, yes, very much, yes.

1059
00:55:25,000 --> 00:55:28,680
Speaker 1: Nice, I promised everyone that kind of comic and here

1060
00:55:28,760 --> 00:55:29,120
Speaker 1: you are.

1061
00:55:29,640 --> 00:55:32,439
Speaker 3: It is when it's hidden in a true story. It's

1062
00:55:32,440 --> 00:55:35,600
Speaker 3: okay to say someone's name is Dick Com. It just is.

1063
00:55:36,680 --> 00:55:38,240
Speaker 1: And miild psychologists too.

1064
00:55:38,480 --> 00:55:42,480
Speaker 3: Yeah, yeah, yes, exactly. So everyone that he was seeing

1065
00:55:42,640 --> 00:55:47,560
Speaker 3: was snickering. Uh anyway, Uh. It gradually went away, but

1066
00:55:47,719 --> 00:55:50,759
Speaker 3: it was a reoccurring crib dream. I's so bizarre and

1067
00:55:50,800 --> 00:55:53,279
Speaker 3: I still sometimes have it. And I think it's just

1068
00:55:53,360 --> 00:55:54,239
Speaker 3: about anxiety.

1069
00:55:54,640 --> 00:55:58,120
Speaker 1: That makes sense because the walls closing in would definitely indicate.

1070
00:55:57,800 --> 00:56:00,440
Speaker 3: It, and me being in a crib obviously was an

1071
00:56:00,480 --> 00:56:02,040
Speaker 3: early memory based thing.

1072
00:56:03,360 --> 00:56:06,359
Speaker 1: I would hope. So, yes, yes, please assure me that

1073
00:56:06,360 --> 00:56:07,799
Speaker 1: that the crib stuff.

1074
00:56:07,520 --> 00:56:09,680
Speaker 3: Is when I say I got a new bed, or

1075
00:56:09,880 --> 00:56:13,880
Speaker 3: that I got myself an adult crib. It's the sole world.

1076
00:56:13,960 --> 00:56:16,759
Speaker 3: And I also wear diapers. We're a small group, but

1077
00:56:16,800 --> 00:56:17,920
Speaker 3: we're a strong group.

1078
00:56:18,560 --> 00:56:21,520
Speaker 1: I swear to God. My friend Laura, who was from

1079
00:56:21,600 --> 00:56:23,480
Speaker 1: the story where I talked about drinking and watching the

1080
00:56:23,480 --> 00:56:26,520
Speaker 1: malbu whatdsides, Laura Milligan got bless her soul. I miss her.

1081
00:56:27,360 --> 00:56:30,000
Speaker 1: She used to be she moved back to the Bay Area,

1082
00:56:30,080 --> 00:56:33,400
Speaker 1: but h okay. She when we would go drinking in

1083
00:56:33,440 --> 00:56:36,560
Speaker 1: the nineties and come home at two in the morning,

1084
00:56:36,960 --> 00:56:39,680
Speaker 1: blackout drunk. She would There was one of like five

1085
00:56:40,880 --> 00:56:43,120
Speaker 1: movies she would put on, and one of them was

1086
00:56:43,239 --> 00:56:47,160
Speaker 1: a documentary about people who are adult baby yeah there

1087
00:56:47,239 --> 00:56:51,160
Speaker 1: are men, yeah yeah, And but it looked this movie

1088
00:56:51,200 --> 00:56:53,879
Speaker 1: looked like kind of homemade, and I would it would

1089
00:56:53,880 --> 00:56:55,160
Speaker 1: be that kind of thing where we'd be home and

1090
00:56:55,200 --> 00:56:56,759
Speaker 1: be like, and it's I guess I get right whatever

1091
00:56:56,880 --> 00:56:58,680
Speaker 1: you And once I would like come to I'd be like,

1092
00:56:58,880 --> 00:57:00,960
Speaker 1: we're watching the adult Bay Everything again. And I would

1093
00:57:01,000 --> 00:57:03,680
Speaker 1: get really mad every time, I'm like, turn this off.

1094
00:57:03,719 --> 00:57:07,040
Speaker 1: It's so disgusting. It was so it was so disturbing

1095
00:57:07,120 --> 00:57:11,600
Speaker 1: to learn, like about that level of fetishism. Yeah, yeah,

1096
00:57:11,920 --> 00:57:13,040
Speaker 1: kind of against my will.

1097
00:57:14,120 --> 00:57:17,880
Speaker 3: Yeah, because the diaper, I mean, not to get gross,

1098
00:57:17,960 --> 00:57:22,640
Speaker 3: but they actually act like babies and utilize said diaper.

1099
00:57:22,760 --> 00:57:25,560
Speaker 1: Correct, Yes, someone puts a diaper on them.

1100
00:57:25,440 --> 00:57:28,520
Speaker 3: And and they get changed. They get changed by a

1101
00:57:28,560 --> 00:57:30,520
Speaker 3: dominatrix or something.

1102
00:57:30,640 --> 00:57:32,960
Speaker 1: Or nanny someone.

1103
00:57:33,600 --> 00:57:39,000
Speaker 3: It's some cross someone in a leather nanny outfit like

1104
00:57:39,080 --> 00:57:43,760
Speaker 3: imagine fran dresser, but instead of mosquito plaid.

1105
00:57:45,120 --> 00:57:47,520
Speaker 1: Imagine missus doubtfire in leather.

1106
00:57:49,240 --> 00:57:53,160
Speaker 3: And now let us apologize for your imagining.

1107
00:57:52,640 --> 00:57:54,920
Speaker 1: That there's no one's ever going to come see us

1108
00:57:54,920 --> 00:57:55,440
Speaker 1: live again.

1109
00:57:57,000 --> 00:57:59,560
Speaker 3: That is like a background party video. My friends and

1110
00:57:59,600 --> 00:58:02,480
Speaker 3: I would that if you're hanging out just in the

1111
00:58:02,520 --> 00:58:04,600
Speaker 3: background men and diapers.

1112
00:58:04,880 --> 00:58:07,760
Speaker 1: Yeah, it's it's funny to some people. For me, I

1113
00:58:07,840 --> 00:58:12,160
Speaker 1: was like, I didn't realize. I was like, oh, I

1114
00:58:12,200 --> 00:58:14,360
Speaker 1: know about S and M because of like some dumb

1115
00:58:14,440 --> 00:58:17,680
Speaker 1: random movie I've seen, But I didn't realize that all

1116
00:58:17,720 --> 00:58:21,720
Speaker 1: the side rooms of in that, you know, in the

1117
00:58:21,760 --> 00:58:26,600
Speaker 1: fetishism world that I it was a difficult way to learn. Yeah,

1118
00:58:26,640 --> 00:58:31,480
Speaker 1: and a very explicit, uh specific I'll never forget those

1119
00:58:31,520 --> 00:58:36,560
Speaker 1: men's faces anyway. My my recurring dream, I would say,

1120
00:58:36,760 --> 00:58:39,320
Speaker 1: and I think I've talked about this before, probably on

1121
00:58:39,320 --> 00:58:42,440
Speaker 1: this podcast, but I have I remember my dreams. They

1122
00:58:42,440 --> 00:58:45,920
Speaker 1: don't have to do anything specific. I remember them often.

1123
00:58:46,640 --> 00:58:49,680
Speaker 1: And my sister and I just had this conversation because

1124
00:58:49,720 --> 00:58:52,840
Speaker 1: she told me we both have it where there are

1125
00:58:52,920 --> 00:58:56,480
Speaker 1: dreams we remember and they seem very mediocre, were very

1126
00:58:56,800 --> 00:58:59,840
Speaker 1: like kind of standard dream. Oh I'm in high school

1127
00:58:59,840 --> 00:59:02,600
Speaker 1: and my friend keeps talking about you. Why did you

1128
00:59:02,680 --> 00:59:04,480
Speaker 1: ride a horse to school? And I go, I didn't.

1129
00:59:04,520 --> 00:59:06,440
Speaker 1: I look out and there's a horse and you, and

1130
00:59:06,480 --> 00:59:08,440
Speaker 1: it keeps coming up and you remember it, and then

1131
00:59:08,520 --> 00:59:11,400
Speaker 1: later on it happens in real life. And then my

1132
00:59:11,440 --> 00:59:12,960
Speaker 1: sister goes, has that ever happened to you? And she

1133
00:59:13,040 --> 00:59:14,640
Speaker 1: was really kind of like keyed up about it.

1134
00:59:14,760 --> 00:59:16,280
Speaker 3: And that's what deja vu is.

1135
00:59:17,040 --> 00:59:20,280
Speaker 1: No, it's different than deja vu because you know it's

1136
00:59:20,280 --> 00:59:22,560
Speaker 1: from a dream. It's not oh that I just thought

1137
00:59:22,640 --> 00:59:26,960
Speaker 1: this happened one second ago. It's literally the very benign,

1138
00:59:27,240 --> 00:59:31,400
Speaker 1: plain old, regular life. But in a dream dream, it

1139
00:59:31,520 --> 00:59:33,520
Speaker 1: sticks in your mind for some reason, and then all

1140
00:59:33,520 --> 00:59:36,040
Speaker 1: of a sudden you're like, oh, that's weird. I went

1141
00:59:36,120 --> 00:59:38,160
Speaker 1: back to my high school because Nora now goes here

1142
00:59:38,240 --> 00:59:39,880
Speaker 1: and we're standing in this thing and then I turn

1143
00:59:39,960 --> 00:59:41,160
Speaker 1: and there's a horse standing there. Oh.

1144
00:59:41,440 --> 00:59:46,680
Speaker 3: Literally, literally the thing happens, yes, because I think I

1145
00:59:46,760 --> 00:59:53,160
Speaker 3: don't know that my background noise amplified thing necessarily was

1146
00:59:53,160 --> 00:59:55,560
Speaker 3: happening in the crib thing. I think both were just

1147
00:59:55,640 --> 00:59:58,960
Speaker 3: examples of me being stressed out. Yeah, and so I

1148
00:59:59,040 --> 01:00:01,760
Speaker 3: made them about each But you're literally saying you had

1149
01:00:01,760 --> 01:00:03,840
Speaker 3: a dream about a horse and then later in life

1150
01:00:04,320 --> 01:00:06,160
Speaker 3: it's like, wait a minute, I've been here, there's going

1151
01:00:06,240 --> 01:00:07,920
Speaker 3: to be a horse, and then there was a horse.

1152
01:00:08,200 --> 01:00:11,840
Speaker 1: Yes, I've had not just that one dream. I've had that.

1153
01:00:11,840 --> 01:00:15,600
Speaker 1: That's how I've marked stages of my life where i

1154
01:00:15,640 --> 01:00:18,000
Speaker 1: know I'm on the right track. So I will have

1155
01:00:18,040 --> 01:00:20,600
Speaker 1: a dream that sticks in my head, it's very plain.

1156
01:00:21,040 --> 01:00:23,920
Speaker 1: I'll be like, that's weird, I'll think about it, it'll

1157
01:00:24,040 --> 01:00:28,080
Speaker 1: keep coming up. I'll keep like somehow being reminded of it,

1158
01:00:28,360 --> 01:00:31,720
Speaker 1: and then say, like, six months in the future, I'm

1159
01:00:31,880 --> 01:00:34,520
Speaker 1: at this. I'm now I'm sitting in this Italian restaurant

1160
01:00:34,600 --> 01:00:37,200
Speaker 1: from the dream that I'd never seen before, and suddenly

1161
01:00:37,560 --> 01:00:40,280
Speaker 1: up here's this very tall waiter that was in the dream,

1162
01:00:40,400 --> 01:00:41,320
Speaker 1: and it all happens.

1163
01:00:41,480 --> 01:00:43,439
Speaker 3: Is it ever? Has it ever been a dream where

1164
01:00:43,440 --> 01:00:47,920
Speaker 3: it's like about achieving something or something positive happening, and

1165
01:00:47,960 --> 01:00:49,800
Speaker 3: then you, oh, wow.

1166
01:00:49,960 --> 01:00:52,600
Speaker 1: That's honestly how I came up with the theory that

1167
01:00:52,640 --> 01:00:55,920
Speaker 1: it was Basically I started thinking of it as like

1168
01:00:56,560 --> 01:01:01,320
Speaker 1: road markers in the way, like the life I wanted

1169
01:01:01,320 --> 01:01:04,600
Speaker 1: to achieve that if this, like when the dream happens,

1170
01:01:04,760 --> 01:01:06,680
Speaker 1: then I'm like, okay, so this is what I should

1171
01:01:06,680 --> 01:01:08,680
Speaker 1: be doing. This is I mean, I'm on the right track.

1172
01:01:08,920 --> 01:01:14,120
Speaker 3: Wow. Yeah, that's amazing. There was a many years where

1173
01:01:14,120 --> 01:01:16,800
Speaker 3: I felt like I didn't dream, or I know dreams

1174
01:01:16,840 --> 01:01:19,200
Speaker 3: are happening, but the minute I wake up, I try

1175
01:01:19,240 --> 01:01:22,680
Speaker 3: and remember them and it's gone. So I wasn't remembering dreams.

1176
01:01:23,160 --> 01:01:26,959
Speaker 3: But I have been lately remembering them and trying to write,

1177
01:01:27,040 --> 01:01:30,040
Speaker 3: and that feels better. It feels like a wasted life.

1178
01:01:30,040 --> 01:01:33,120
Speaker 3: If you don't remember your dreams, that's like half your

1179
01:01:33,160 --> 01:01:37,200
Speaker 3: life not being recorded. Where is it? So?

1180
01:01:37,320 --> 01:01:39,840
Speaker 1: Much like there was a recurring dream I had where

1181
01:01:41,440 --> 01:01:44,800
Speaker 1: it was one long, really long highway. There was just

1182
01:01:44,840 --> 01:01:48,360
Speaker 1: two lanes, and the dream starts from the top of

1183
01:01:48,440 --> 01:01:52,920
Speaker 1: one hill going down toward a mountain or mountain range,

1184
01:01:53,200 --> 01:01:54,920
Speaker 1: and I can see the highway the whole way to

1185
01:01:55,040 --> 01:01:58,000
Speaker 1: the mountain range, and then up ahead there's a place

1186
01:01:58,040 --> 01:02:00,440
Speaker 1: you can pull off that's like a strip mall. And

1187
01:02:00,560 --> 01:02:04,360
Speaker 1: I've been to that strip mall probably ten times, and

1188
01:02:04,480 --> 01:02:07,680
Speaker 1: every time I go with, something different happens where I'm

1189
01:02:07,720 --> 01:02:09,640
Speaker 1: like up here we go, Now we go. Now it's

1190
01:02:09,640 --> 01:02:11,760
Speaker 1: the strip mall. One time, it's really upsetting and it's

1191
01:02:11,760 --> 01:02:13,600
Speaker 1: a we all have to grab as much stuff as

1192
01:02:13,600 --> 01:02:15,000
Speaker 1: we can and get back into the car and go.

1193
01:02:15,320 --> 01:02:17,640
Speaker 1: Sometimes it's like, ooh, I've never been in this clothing

1194
01:02:17,680 --> 01:02:21,040
Speaker 1: store before, and it's like a different experience every time.

1195
01:02:21,040 --> 01:02:24,160
Speaker 1: But I in the dream and it doesn't always happen.

1196
01:02:24,200 --> 01:02:27,680
Speaker 1: This is like special occasion. But I become lucid enough

1197
01:02:27,720 --> 01:02:30,520
Speaker 1: to go, We're here again. Let's see what happens this time.

1198
01:02:30,600 --> 01:02:32,360
Speaker 3: Let's go into jj CPS here.

1199
01:02:32,920 --> 01:02:34,600
Speaker 1: The first name in fashion.

1200
01:02:36,080 --> 01:02:39,360
Speaker 3: Yes, wow, that's a yeah. Dreams are important. A lot

1201
01:02:39,360 --> 01:02:43,680
Speaker 3: of people put emphasis or importance on dreams my whole life,

1202
01:02:43,720 --> 01:02:47,120
Speaker 3: and I've always blown it off because I felt a

1203
01:02:47,160 --> 01:02:50,200
Speaker 3: little confronted by the fact I didn't remember my dreams.

1204
01:02:50,240 --> 01:02:54,880
Speaker 3: But I have been lately, and it's a good thing.

1205
01:02:54,920 --> 01:02:56,320
Speaker 3: I don't have nightmares anymore.

1206
01:02:56,440 --> 01:02:57,720
Speaker 1: I yeah, that's good.

1207
01:02:57,760 --> 01:03:00,760
Speaker 3: Those are a thing of the past. It seems I.

1208
01:03:00,680 --> 01:03:02,560
Speaker 1: Had the last time I had a nightmare. It wasn't

1209
01:03:02,760 --> 01:03:05,200
Speaker 1: because I almost have never had nightmares except for a

1210
01:03:05,240 --> 01:03:08,520
Speaker 1: couple really specific and they were like this one night

1211
01:03:08,560 --> 01:03:10,040
Speaker 1: where I had one time, and I know it's so

1212
01:03:10,200 --> 01:03:13,240
Speaker 1: boring to actually talk about dreams, but I had a

1213
01:03:13,360 --> 01:03:16,120
Speaker 1: dream that some there was a killer being chased right

1214
01:03:16,120 --> 01:03:19,320
Speaker 1: behind my parents' house, because my parents behind their house

1215
01:03:19,400 --> 01:03:21,480
Speaker 1: is just kind of like kind of big rolling hills,

1216
01:03:21,960 --> 01:03:27,120
Speaker 1: and it was like searchlights, police dogs, ah blah blah blah,

1217
01:03:27,120 --> 01:03:29,160
Speaker 1: all these things. And it was me and my grandpa

1218
01:03:29,320 --> 01:03:33,680
Speaker 1: walking behind the police chasing down this killer. And so

1219
01:03:33,720 --> 01:03:37,600
Speaker 1: we came up upon this guy getting wrestled to the

1220
01:03:37,600 --> 01:03:41,840
Speaker 1: ground and his handcuffed, and when he came up and

1221
01:03:41,920 --> 01:03:45,160
Speaker 1: turned around, he had filed all his teeth down to

1222
01:03:45,960 --> 01:03:48,480
Speaker 1: just like little things, but every single tooth.

1223
01:03:48,680 --> 01:03:53,000
Speaker 3: Okay, now, is that not about your the Terror Tales

1224
01:03:53,000 --> 01:03:56,000
Speaker 3: of Terror or whatever? The knife Lady with the voodoo doll.

1225
01:03:56,120 --> 01:03:59,120
Speaker 1: Oh yeah, yeah, the Trilogy of Terror. Yeah, yeah, probably

1226
01:03:59,120 --> 01:04:00,840
Speaker 1: that's probably where the visuals from.

1227
01:04:00,720 --> 01:04:05,360
Speaker 3: The teeth the uhil the little nubs of teeth. Jacob's

1228
01:04:05,440 --> 01:04:08,320
Speaker 3: Ladder too, there's a there's a flash of some teeth

1229
01:04:08,360 --> 01:04:13,160
Speaker 3: in that. There's nothing scarier than little tiny teeth nibblets.

1230
01:04:13,160 --> 01:04:16,520
Speaker 3: That's why I was apprehensive to watch the movie Coneheads,

1231
01:04:17,840 --> 01:04:19,360
Speaker 3: because that's their little teeth.

1232
01:04:19,520 --> 01:04:23,560
Speaker 1: It's tour scary but yes, very scary, but also just

1233
01:04:23,640 --> 01:04:25,200
Speaker 1: that kind of thing where when I woke up, I

1234
01:04:25,240 --> 01:04:27,640
Speaker 1: was like, because it was then I realized, oh, I'm

1235
01:04:27,680 --> 01:04:30,560
Speaker 1: with an eighty five year old man, Like, no one's

1236
01:04:30,600 --> 01:04:33,400
Speaker 1: going to be able to fight this guy off somehow,

1237
01:04:33,600 --> 01:04:35,720
Speaker 1: and he clearly looked like a demon. It was like

1238
01:04:35,880 --> 01:04:40,680
Speaker 1: not normal crime. Yeah, it was amazing because yeah, so.

1239
01:04:40,920 --> 01:04:42,880
Speaker 3: One thing my dad and I have in common is

1240
01:04:42,880 --> 01:04:45,240
Speaker 3: we will both have dreams where we are not in it,

1241
01:04:46,280 --> 01:04:50,040
Speaker 3: no one recognized. Occasionally, someone's face for a second will

1242
01:04:50,080 --> 01:04:52,360
Speaker 3: become someone you know, and then they turn to someone else.

1243
01:04:52,440 --> 01:04:56,439
Speaker 3: But usually it's dreams like a boring movie and you're

1244
01:04:56,520 --> 01:04:59,760
Speaker 3: just watching these actors that you've made up in your head.

1245
01:05:00,080 --> 01:05:03,520
Speaker 3: M hmm. They're just new faces and they're they're just

1246
01:05:03,600 --> 01:05:07,160
Speaker 3: talking about business in a restroom and where they got

1247
01:05:07,160 --> 01:05:09,440
Speaker 3: a sweater, and it's like and then I wake up

1248
01:05:09,440 --> 01:05:11,480
Speaker 3: and I'm like, did I really just have a dream

1249
01:05:12,000 --> 01:05:14,800
Speaker 3: about two guys talking about a sweater and a bathroom.

1250
01:05:15,240 --> 01:05:17,240
Speaker 1: But I think it's good right that there's nothing in

1251
01:05:17,280 --> 01:05:20,160
Speaker 1: your subconscious that's being worked out that's really a because

1252
01:05:20,200 --> 01:05:22,640
Speaker 1: I used to have a recurring dream of driving in

1253
01:05:22,720 --> 01:05:25,800
Speaker 1: a big Bronco with big huge wheels, like a high

1254
01:05:25,920 --> 01:05:29,760
Speaker 1: up kind of like jacked up car and driving downhill

1255
01:05:29,840 --> 01:05:31,760
Speaker 1: and like laughing and then turning and looking and no

1256
01:05:31,800 --> 01:05:34,760
Speaker 1: one was driving, no one was in the driver's seats, and.

1257
01:05:34,960 --> 01:05:36,120
Speaker 3: That's awesome dream.

1258
01:05:36,840 --> 01:05:42,680
Speaker 1: That's like, that's what every rushing downhill. So then I

1259
01:05:42,760 --> 01:05:46,120
Speaker 1: was like, yeah, things, I'm sure that's before I stopped driving.

1260
01:05:46,600 --> 01:05:50,560
Speaker 3: Was that a reoccurring dream of unmanned monster truck?

1261
01:05:50,920 --> 01:05:55,720
Speaker 1: Yes, going down hill and then having to like realize it,

1262
01:05:56,040 --> 01:05:58,200
Speaker 1: almost have a heart attack, then try to get into

1263
01:05:58,240 --> 01:06:00,440
Speaker 1: the driver's seat and put the brakes on. And of

1264
01:06:00,480 --> 01:06:03,400
Speaker 1: course many many times where I had dreams where you're

1265
01:06:03,680 --> 01:06:05,320
Speaker 1: you're pushing on the brakes and pulling the store.

1266
01:06:05,360 --> 01:06:08,560
Speaker 3: Oh sure, sure, yeah, yeah, yeah, that's maybe what that

1267
01:06:08,680 --> 01:06:11,520
Speaker 3: dream is based in. That's a reoccurring dream for other people.

1268
01:06:11,560 --> 01:06:13,760
Speaker 3: Might be might be a little bit the breaks become

1269
01:06:13,840 --> 01:06:21,560
Speaker 3: the gas classic dream. Maybe should we do one more question?

1270
01:06:21,760 --> 01:06:24,720
Speaker 4: Or yeah, yeah, that's perfect for the record, I only

1271
01:06:24,760 --> 01:06:26,520
Speaker 4: have nightmares, so I don't know what that says.

1272
01:06:26,640 --> 01:06:27,000
Speaker 3: Really.

1273
01:06:27,920 --> 01:06:29,960
Speaker 4: Yeah, I mostly have, like I have a lot of

1274
01:06:29,960 --> 01:06:31,439
Speaker 4: sleep paralysis sometimes too.

1275
01:06:31,760 --> 01:06:32,320
Speaker 1: That's tough.

1276
01:06:32,600 --> 01:06:35,120
Speaker 3: Well, thank god I never was a walker. I had friends.

1277
01:06:35,200 --> 01:06:37,800
Speaker 3: I had a friend. I was sharing an attic with

1278
01:06:37,840 --> 01:06:40,120
Speaker 3: a friend. I don't know. The rent was cheap. But

1279
01:06:40,240 --> 01:06:43,400
Speaker 3: one night I looked up and he he thought he

1280
01:06:43,480 --> 01:06:45,720
Speaker 3: was going to the bathroom. I think a lot of

1281
01:06:45,840 --> 01:06:47,920
Speaker 3: drunk people do this. He thought he was going to

1282
01:06:47,960 --> 01:06:49,960
Speaker 3: the bathroom, and I was watching him. I'm like, what

1283
01:06:50,000 --> 01:06:52,240
Speaker 3: are you doing. He's like going to the bathroom, And

1284
01:06:52,280 --> 01:06:54,680
Speaker 3: then he stopped in front of a pile of clothes

1285
01:06:54,680 --> 01:06:57,080
Speaker 3: that he just washed his own clothes, and he peed

1286
01:06:57,120 --> 01:07:00,840
Speaker 3: on his clothes. Yeah. Yeah, Kevin, Mark, say if your ops,

1287
01:07:00,880 --> 01:07:04,760
Speaker 3: I said, isn't. I'm sorry, buddy, that's Kevin. Ha ha, Kevin,

1288
01:07:04,800 --> 01:07:08,120
Speaker 3: you pissed on your clothes. I was there. Now everyone

1289
01:07:08,240 --> 01:07:08,800
Speaker 3: knows it.

1290
01:07:09,840 --> 01:07:13,000
Speaker 1: Uh, Kevin, You're not alone. I had a boyfriend that

1291
01:07:13,040 --> 01:07:15,880
Speaker 1: one time we went to a wedding. Everyone got insanely

1292
01:07:15,920 --> 01:07:18,760
Speaker 1: shit faced, but me because it was after I stopped drinking,

1293
01:07:19,280 --> 01:07:22,160
Speaker 1: and this guy that I was dating at the time,

1294
01:07:23,160 --> 01:07:26,000
Speaker 1: my friends got him really drunk on Jamison whiskey. So

1295
01:07:26,080 --> 01:07:28,000
Speaker 1: he was like out of his mind drunk, and he

1296
01:07:28,120 --> 01:07:30,200
Speaker 1: woke up in the middle of the night, opened one

1297
01:07:30,240 --> 01:07:32,960
Speaker 1: of my drawers and peed into my drawer, and I

1298
01:07:33,000 --> 01:07:35,880
Speaker 1: woke up and there was like slapping him on the back,

1299
01:07:36,000 --> 01:07:38,720
Speaker 1: like you're peeing and that that you're not in the bathroom.

1300
01:07:38,960 --> 01:07:40,080
Speaker 1: He was out of his mind.

1301
01:07:40,240 --> 01:07:43,919
Speaker 3: My favorite thing about people that these pea walkers will

1302
01:07:43,920 --> 01:07:47,200
Speaker 3: call him is that is that when you call them out,

1303
01:07:47,320 --> 01:07:50,640
Speaker 3: they're still sort of awake. Yeah, and they they're in

1304
01:07:50,680 --> 01:07:53,760
Speaker 3: their dream world, so they're in their mind. You're just

1305
01:07:53,840 --> 01:07:57,000
Speaker 3: going stop it, you're going in a drawer, but they're like, no,

1306
01:07:57,120 --> 01:08:00,680
Speaker 3: I'm not, I'm I'm in front of him. Imagine toilet.

1307
01:08:00,800 --> 01:08:01,720
Speaker 3: Quit slapping me.

1308
01:08:02,680 --> 01:08:05,480
Speaker 1: Yeah, they're totally in a bathroom. That suddenly then another

1309
01:08:05,520 --> 01:08:07,880
Speaker 1: person is in the bathroom with them slapping them.

1310
01:08:08,000 --> 01:08:10,280
Speaker 3: Oh god, this just makes me want to get drunk.

1311
01:08:10,320 --> 01:08:10,920
Speaker 3: That's great.

1312
01:08:11,360 --> 01:08:14,760
Speaker 1: I miss whiskey so much. I miss whiskey, like the

1313
01:08:14,800 --> 01:08:18,439
Speaker 1: best boyfriend that broke up with me. It was the

1314
01:08:18,479 --> 01:08:21,160
Speaker 1: best boyfriend and it did break up with me. Whiskey.

1315
01:08:21,680 --> 01:08:22,120
Speaker 1: Damn it.

1316
01:08:23,400 --> 01:08:28,559
Speaker 4: All right, So this question is from ken Zalila. She said,

1317
01:08:29,280 --> 01:08:31,960
Speaker 4: are you Kenzala?

1318
01:08:32,080 --> 01:08:32,320
Speaker 3: Yeah?

1319
01:08:32,760 --> 01:08:34,880
Speaker 4: Are you a corner to corner or a straight down

1320
01:08:34,920 --> 01:08:36,080
Speaker 4: the middle sandwich person?

1321
01:08:38,200 --> 01:08:41,479
Speaker 3: Oh? I wow, Karen, you want to take this?

1322
01:08:42,000 --> 01:08:46,200
Speaker 1: I will thank you. Chris. I I made a bunch

1323
01:08:46,240 --> 01:08:48,200
Speaker 1: of when I was staying with my sister just this

1324
01:08:48,280 --> 01:08:48,800
Speaker 1: last month.

1325
01:08:50,040 --> 01:08:53,240
Speaker 3: She's like, you know, a lot of people, by the way,

1326
01:08:53,280 --> 01:08:55,240
Speaker 3: not to interrupt, but a lot of people thought it

1327
01:08:55,320 --> 01:08:58,280
Speaker 3: was really funny when she was slamming cupboards in the

1328
01:08:58,960 --> 01:09:02,280
Speaker 3: like your color and like maybe didn't even know you

1329
01:09:02,320 --> 01:09:05,519
Speaker 3: were recording. She's just looking for something that was a

1330
01:09:05,520 --> 01:09:08,200
Speaker 3: big hit. Everyone was walking around the kitchen. Yeah that was.

1331
01:09:09,920 --> 01:09:11,880
Speaker 1: And she also was like, do not put me on

1332
01:09:11,920 --> 01:09:12,360
Speaker 1: that bunch.

1333
01:09:12,439 --> 01:09:14,720
Speaker 3: Oh I know, yeah, we know better memory. She came

1334
01:09:14,720 --> 01:09:17,720
Speaker 3: in on speakerphone. Yes, that one that did not end

1335
01:09:18,000 --> 01:09:19,720
Speaker 3: with a conversation. She is.

1336
01:09:19,800 --> 01:09:22,719
Speaker 1: It's the strangest thing in the world. How not interested

1337
01:09:22,760 --> 01:09:25,720
Speaker 1: in performing in any way she is when it's all

1338
01:09:25,800 --> 01:09:28,960
Speaker 1: I want to do twenty Yeah, yeah, it's very strange.

1339
01:09:29,000 --> 01:09:33,320
Speaker 1: We're complete opposites. But at her house, like she's their

1340
01:09:33,439 --> 01:09:36,719
Speaker 1: big sandwich family, so like making sandwiches is like basically

1341
01:09:36,720 --> 01:09:38,360
Speaker 1: what you did every day for lunch. So I got

1342
01:09:38,520 --> 01:09:41,880
Speaker 1: very into this question. It's funny, Kenzalila that this would

1343
01:09:41,880 --> 01:09:46,439
Speaker 1: come up like this because I discovered for myself straight

1344
01:09:46,439 --> 01:09:49,120
Speaker 1: down the middle is the most delicious sandwich when I'm

1345
01:09:49,160 --> 01:09:53,840
Speaker 1: making my very favorite sandwich because it's it's the most

1346
01:09:54,120 --> 01:09:57,800
Speaker 1: user friendly. It gets you right to the goods right,

1347
01:09:57,840 --> 01:10:00,479
Speaker 1: and you don't have to worry about like I think

1348
01:10:00,520 --> 01:10:02,560
Speaker 1: that the corner to corner.

1349
01:10:02,840 --> 01:10:05,880
Speaker 3: That's for grilled cheese. Yes, good corner to corner is

1350
01:10:05,920 --> 01:10:10,519
Speaker 3: grilled cheese. You know, it's consistent, it's the same shit throughout.

1351
01:10:10,640 --> 01:10:15,479
Speaker 3: It's kind of fun to start with that acute angle,

1352
01:10:15,720 --> 01:10:18,879
Speaker 3: the sharp and just stick it in like a food knife.

1353
01:10:19,200 --> 01:10:22,160
Speaker 3: But if you're if it's a sandwich that has oh

1354
01:10:22,240 --> 01:10:23,360
Speaker 3: my mouth is watering.

1355
01:10:23,560 --> 01:10:24,360
Speaker 1: I know mine too.

1356
01:10:24,520 --> 01:10:27,960
Speaker 3: If it has like you know, cucumbers and then cheese

1357
01:10:28,000 --> 01:10:31,360
Speaker 3: and then meat and it's all stacked, yeah, you want

1358
01:10:31,360 --> 01:10:35,080
Speaker 3: to hit that as a surface, a not and get

1359
01:10:35,120 --> 01:10:37,320
Speaker 3: everything all at once. So it's it's hard to get

1360
01:10:37,320 --> 01:10:38,280
Speaker 3: that in a corner.

1361
01:10:38,880 --> 01:10:41,240
Speaker 1: Yeah, you can't. And also the corner gives you too

1362
01:10:41,360 --> 01:10:45,400
Speaker 1: much crust at once. Sure it's whereas when you do

1363
01:10:45,640 --> 01:10:48,040
Speaker 1: straight down the middle, you're going right into the interior

1364
01:10:48,080 --> 01:10:51,320
Speaker 1: guts and the crust is much more parenthetical.

1365
01:10:51,840 --> 01:10:52,040
Speaker 3: Then.

1366
01:10:53,080 --> 01:10:56,519
Speaker 1: Yeah, if you the corners, you have to I guess

1367
01:10:56,520 --> 01:10:58,479
Speaker 1: that's not true. You still have the middle part.

1368
01:10:58,800 --> 01:11:03,360
Speaker 3: But well, yeah, but you know a tunameld or you

1369
01:11:03,400 --> 01:11:06,720
Speaker 3: know something where it's a substance on it, or like

1370
01:11:06,760 --> 01:11:10,160
Speaker 3: when my mom made me cat food sandwiches, you know

1371
01:11:10,240 --> 01:11:12,320
Speaker 3: what's going to be there, and you might as well

1372
01:11:12,400 --> 01:11:16,120
Speaker 3: just eat the cord. If it's a bunch of ingredients,

1373
01:11:16,520 --> 01:11:17,679
Speaker 3: it has to be down the middle.

1374
01:11:17,760 --> 01:11:19,200
Speaker 1: Yeah, it has to be down the middle. And also

1375
01:11:19,240 --> 01:11:23,519
Speaker 1: I think what I like is either ideally for me,

1376
01:11:23,880 --> 01:11:25,760
Speaker 1: it's a turkey sandwich that's on some kind of a

1377
01:11:25,800 --> 01:11:29,840
Speaker 1: bag get. So that's a different thing altogether kind of

1378
01:11:29,880 --> 01:11:32,160
Speaker 1: because what it doesn't matter how you slice it, you're

1379
01:11:32,160 --> 01:11:34,559
Speaker 1: still there's so much crust and bread is such a

1380
01:11:34,560 --> 01:11:35,480
Speaker 1: big element.

1381
01:11:35,200 --> 01:11:37,960
Speaker 3: Right and you're still pulling it from a basket on

1382
01:11:38,000 --> 01:11:39,240
Speaker 3: a bicycle.

1383
01:11:39,040 --> 01:11:44,280
Speaker 1: And my beret is still everything's working. But when I

1384
01:11:44,320 --> 01:11:48,120
Speaker 1: have to use soft bread for a turkey sandwich, it's

1385
01:11:48,160 --> 01:11:50,519
Speaker 1: too flappy. If you go diague, you have to go

1386
01:11:50,600 --> 01:11:52,559
Speaker 1: down the middle and hold everything together.

1387
01:11:52,840 --> 01:11:54,400
Speaker 3: I hate flappy bread.

1388
01:11:56,560 --> 01:11:57,360
Speaker 1: That your nickname?

1389
01:11:57,760 --> 01:12:00,800
Speaker 3: It's cool? Yeah, yeah, yeah, god, thank yeah they called

1390
01:12:00,800 --> 01:12:07,840
Speaker 3: me flappy white bread. Thank god that didn't catch on. Also,

1391
01:12:08,000 --> 01:12:10,560
Speaker 3: I'd like to thank everyone for calling me CJ and

1392
01:12:10,640 --> 01:12:14,920
Speaker 3: goosnack lately. That's really it's It means a lot to me,

1393
01:12:14,960 --> 01:12:17,680
Speaker 3: and let's keep it going. Have you met these adults

1394
01:12:17,720 --> 01:12:20,200
Speaker 3: that can't have they have to have their crust cut

1395
01:12:20,200 --> 01:12:23,800
Speaker 3: off and they're forty years old. No, those people are

1396
01:12:23,840 --> 01:12:27,240
Speaker 3: walking around wearing suits and going to work and paying bills.

1397
01:12:27,680 --> 01:12:30,599
Speaker 3: He thanks, This is the same thing. I have it.

1398
01:12:31,240 --> 01:12:33,439
Speaker 3: We're having fun and so we're going long, but we

1399
01:12:33,479 --> 01:12:34,280
Speaker 3: should wrap it up.

1400
01:12:34,600 --> 01:12:35,679
Speaker 1: Yes, let's wrap it down.

1401
01:12:36,080 --> 01:12:38,320
Speaker 3: Let's wrap it down. Let's wrap it up. Let's ship

1402
01:12:38,360 --> 01:12:41,200
Speaker 3: it off and make sure it's not late and keep

1403
01:12:41,200 --> 01:12:45,800
Speaker 3: it loose like the goose you've been listening to. Do

1404
01:12:45,880 --> 01:12:53,559
Speaker 3: you need a ride? D y n A? Are I leave?

1405
01:12:53,680 --> 01:12:53,800
Speaker 1: Then?

1406
01:12:54,400 --> 01:12:57,240
Speaker 3: You want to way back? You? Do?

1407
01:12:57,800 --> 01:12:58,920
Speaker 1: You want to be there?

1408
01:13:01,040 --> 01:13:04,960
Speaker 2: Doesn't matter how much baggage you claim. Give us time

1409
01:13:05,160 --> 01:13:07,719
Speaker 2: and a terminol and gay.

1410
01:13:09,200 --> 01:13:11,879
Speaker 1: We want to send you off in style.

1411
01:13:13,200 --> 01:13:15,519
Speaker 2: We want to welcome you back home.

1412
01:13:17,320 --> 01:13:23,240
Speaker 1: Tell us all about every scared he was it fine, Melbourne.

1413
01:13:39,120 --> 01:13:42,519
Speaker 1: Do you need to ride? Do you need to ride?

1414
01:13:43,120 --> 01:13:46,400
Speaker 1: Do you need to ride? Do you need to ride?

1415
01:13:47,080 --> 01:13:48,439
Speaker 1: Do you need to ride?

1416
01:13:49,000 --> 01:13:52,400
Speaker 3: Do you need to ride? Do you need to ride?

1417
01:13:52,960 --> 01:13:54,200
Speaker 1: Do you need.

1418
01:14:00,240 --> 01:14:05,360
Speaker 3: With Karen and Kress mhmm