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Speaker 1: So it's you know, it's me and Grant Shod and

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Speaker 1: uh faith Ford and we're and we're talking about Murphy Brown,

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Speaker 1: were reminiscing. You remember, I played Elton the painter, you know,

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Speaker 1: and and Jim, the sort of senior anchor character, right,

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Speaker 1: and I had to be very buttoned up sometimes and

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Speaker 1: then I had to be kind of outside.

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Speaker 2: Like painting the building and stuff. Yeah.

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Speaker 1: Yeah, yeah, well her house. I was like her handyman.

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Speaker 2: But like so anyway, well the house is a building,

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Speaker 2: I mean yeah, but it sounded like you thought I

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Speaker 2: worked at the news office and that was sort of

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Speaker 2: part of the home building.

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Speaker 1: That was sort of part of the home life. But

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Speaker 1: it wasn't outside. You would never see me outside of

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Speaker 1: her house painting her house.

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Speaker 2: That didn't happen. I was picturing the well, you paint

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Speaker 2: the inside of the house, right, Yeah, but that's a building.

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Speaker 2: But that's not what you said. So I am.

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Speaker 1: And this is sort of some of the conversations we

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Speaker 1: were having, me and faith and Grant and we're and

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Speaker 1: we're talking about how fun it was, and we're clowning

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Speaker 1: on dan Quail when he came.

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Speaker 2: At us and just got fucking owned.

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Speaker 1: Yeah, I mean poned, but we didn't have that word then.

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Speaker 2: Yeah. Uh, and we're all laughing and words we're mad

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Speaker 2: at the time. Yeah, Yeah, gave myself shingles.

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Speaker 1: Yeah, but we were uh laughing, butt pissed.

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Speaker 2: Yeah, you went insane. Yeah, that's a one way to

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Speaker 2: put it.

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Speaker 1: I gave myself shingles intentionally, Yeah, and then I sent

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Speaker 1: Dan the photo so he would feel bad.

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Speaker 2: Yeah.

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Speaker 1: But we're we're talking about this stuff, and we're of

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Speaker 1: course chopping wood because we're at this cabin there's no

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Speaker 1: electricity and we want to have a fire that night.

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Speaker 1: And Faith is laughing and so distracted that she chops

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Speaker 1: Grant shot. She chopped him, chops him, I mean chops him,

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Speaker 1: but good and he split it, split him.

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Speaker 2: Don't let the door hit you where the faith forwards play?

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Speaker 1: Yeah, and that's exactly right, and so that's where that

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Speaker 1: comes from. Yeah, And I can't help but laugh and go.

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Speaker 1: Does this remind you a little bit of how we

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Speaker 1: freaking chopped Dan Quail up when he tried to come

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Speaker 1: at us for certain moral standards And meanwhile, the whole

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Speaker 1: fucking world's burning down and he can't even spell potato.

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Speaker 2: So that would have been good to say at the time. Yeah.

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Speaker 1: What I did say at the time was I have

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Speaker 1: no cell service. We should call an ambulance. Yeah, you know,

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Speaker 1: and then you know, and we wound up. We just

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Speaker 1: got to bury this guy. You know, I'm not so

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Speaker 1: mad he got chopped He's so hard that he died.

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Speaker 2: He got chopped up and buried.

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Speaker 1: Yeah, yeah, sweet guy, nice guy.

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Speaker 2: Hey, welcome to Hollywood Handbook and Insider's gude to this industry.

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Speaker 2: We call show. What Up? What Up? Lauren Lapkus is here.

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Speaker 2: She has this show and allowed to speak. Oh my god,

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Speaker 2: this okay, I'm sorry, so am I allowed to talk now.

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Speaker 3: I watched her intro, loved it.

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Speaker 2: I would have loved to hear from you in that

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Speaker 2: part because we were talking about some of this TV

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Speaker 2: stuff you hear doing this. But this is everyone. These

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Speaker 2: are conversations that everyone has.

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Speaker 3: And that's why I'm so excited about my podcast.

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Speaker 1: People make people sit through a lot of ship on

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Speaker 1: their fucking podcast.

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Speaker 2: They do.

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Speaker 1: I don't think that our intro is that out of line. Well,

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Speaker 1: she's the part of the guests.

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Speaker 3: You're asking me, why didn't you chime in? Why didn't

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Speaker 3: you speak up? You both had your fingers up to

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Speaker 3: my mouth.

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Speaker 2: Yeah, say hold on, don't talk yet.

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Speaker 3: Yes, so I was going but Murphy Brown, but he

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Speaker 3: was always painting. Yeah, I know what you mean.

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Speaker 2: But I'm saying.

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Speaker 1: I wish you had chimed in so that I could

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Speaker 1: shut your ass down.

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Speaker 2: Wow, because that's not what.

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Speaker 1: Happens during the intro part. And now I want to

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Speaker 1: say I'm sorry for saying that.

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Speaker 2: It's kind to say. No, that's an apology. That's how

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Speaker 2: you apologize.

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Speaker 3: Honestly, that's the best apology I've ever gotten.

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Speaker 2: Apology like that man, you say all is forgiven, you

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Speaker 2: own up to your ship. Yeah, that's a man's apology.

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Speaker 2: These stories are true. That I held my finger up,

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Speaker 2: it told you not to speak.

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Speaker 3: And for me, you saying sorry with that is enough

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Speaker 3: for you to be completely absolved.

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Speaker 2: Well it's almost like I didn't do anything. But it's

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Speaker 2: better than if you had done nothing. Well.

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Speaker 1: Yeah, because a lot of people have done a lot

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Speaker 1: of shit that we don't know about and haven't apologized.

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Speaker 2: They learn a big lesson and apologize about it.

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Speaker 3: Like my friend Sean, No one has to apologize if

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Speaker 3: people don't know it yet.

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Speaker 1: Yes, I'm sorry. No, if people don't know. Then you

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Speaker 1: say no comment. I have no comment on that.

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Speaker 2: Yeah, and I hope you don't put it together yeah

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Speaker 2: or that's fake. But once people find out, you say, hey,

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Speaker 2: that that wasn't cool of me. M yeah, now that's badass.

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Speaker 2: That's a man.

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Speaker 1: Hey, look I did a mistakey, I did a miss up.

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Speaker 3: My Dicky fell out of my pansies.

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Speaker 2: As an example.

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Speaker 3: As an example, I don't know anyone who's done that.

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Speaker 3: I'm saying, what would you say if you did?

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Speaker 1: If I did that, Well, as soon as I got

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Speaker 1: caught loss of money, I'd say, hey, I made Oops.

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Speaker 2: That's really cool. Okay, and it's true what you say. Yeah,

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Speaker 2: I think that's so cool.

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Speaker 3: Really quick. My podcast, my new podcast is called Raised

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Speaker 3: by TV and it's with.

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Speaker 2: You love this. I'm always having these conversations.

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Speaker 1: And yes, and Lauren, I had done a lot of

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Speaker 1: talking up to that point, and it's time for me

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Speaker 1: to finally listen.

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Speaker 2: So now do tell me about this, okay.

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Speaker 3: So yeah, just so you can just hear from a

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Speaker 3: woman for a second, I have a podcast with John Gabris,

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Speaker 3: who's a man, and it's called Raised by TV and

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Speaker 3: it is all about you know, our nostalgia from the

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Speaker 3: eighties and nineties, from growing up TV, and we both

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Speaker 3: watched a ton of TV and we remember everything about it,

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Speaker 3: or we misremember a lot, but we don't fact check anything,

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Speaker 3: and we just scream at each other.

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Speaker 2: I'm obsessed with being a kid same.

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Speaker 1: All I want to do is go back to the

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Speaker 1: nineties and remember I had this really unique, specific experience

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Speaker 1: where I was watching all the most popular shit back then.

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Speaker 3: Okay, you know what, here's the thing, here's what's up.

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Speaker 3: You're coming at me really hard, and I don't have

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Speaker 3: to accept it. I will because I need something from

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Speaker 3: you right now, which is that I need to promote

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Speaker 3: on your show. So I'm going to be silent and

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Speaker 3: just accept the way you're treating me. But in a

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Speaker 3: few years I am going to speak out about that now,

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Speaker 3: and at that point I will say, hey, that story

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Speaker 3: is true.

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Speaker 2: Yeah. I invite her on my podcast.

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Speaker 1: She has a much more popular podcast than I do

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Speaker 1: and is just a more popular personality, and it was

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Speaker 1: helping my show that she was on, and I chose

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Speaker 1: to take that opportunity to poke gentle fun at the

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Speaker 1: entire concept of the show. She was there to promote

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Speaker 1: and I'll say that story is true and as a man,

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Speaker 1: it's time for me to listen.

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Speaker 3: Yeah. So that said, the show's really fun and I

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Speaker 3: think people are really enjoying it. We've released by now

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Speaker 3: a couple episodes.

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Speaker 2: Well the build up, well, look, the build up, build up.

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Speaker 3: I do want to say, without a little build up,

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Speaker 3: no one knows anything's coming, you know, And as I think,

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Speaker 3: people sometimes can be really shocked by things that happen

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Speaker 3: when they don't expect them. So I think it was

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Speaker 3: really helpful for us to kind of give people a

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Speaker 3: moment to get ready for this.

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Speaker 2: A lot of your audioce have like heart conditions.

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Speaker 3: Yeah, they're gentle souls. There are people who are easily

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Speaker 3: scared and surprised, and I didn't want that to happen

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Speaker 3: to them, and I didn't want them to feel caught

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Speaker 3: off guard. So I wanted them to feel like, oh,

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Speaker 3: I had proper warning and I got my feed ready

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Speaker 3: and I'm and here it comes and drops in my feeding.

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Speaker 2: People don't know the math of this stuff, where if

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Speaker 2: you make a ten episode commitment to a show that's

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Speaker 2: twenty weeks of build up.

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Speaker 3: Yeah, well, look, it's been a huge chunk of my life,

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Speaker 3: and I want everyone else to feel that, So.

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Speaker 2: I want to talk about this. Though.

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Speaker 1: People really celebrated when like Beyonce just dropped her album

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Speaker 1: overnight with no fanfare, and people were like, Oh, that's

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Speaker 1: so brave, and it's like, really, it's actually very scary

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Speaker 1: and a lot of people got so scared when they

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Speaker 1: saw that album without having heard about it that they

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Speaker 1: end up in the hospital. Yeah, and get that they

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Speaker 1: crashed their or their brain crash, their car flew up.

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Speaker 3: Yeah, I've seen that.

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Speaker 2: Yeah, and it happened to people.

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Speaker 1: A friend of my friend's hairdresser, it happened to No Way,

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Speaker 1: that's what. Yes, she crashed, Yeah, she crashed.

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Speaker 3: Speaking of crash, I'm on a show called Crashing on

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Speaker 3: HBO which people can see.

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Speaker 2: And this is great more TV stuff. Yeah, it's so

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Speaker 2: raised by TV, and now you're the one doing the raising.

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Speaker 3: And isn't that interesting?

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Speaker 2: Mm hmm.

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Speaker 1: And people are getting raised by you on TV right now?

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Speaker 3: Yeah they are. I mean, I hope children aren't watching

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Speaker 3: Crashing because there's some nudity and some swearing and stuff.

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Speaker 3: But I think at the end of the day, I

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Speaker 3: watched a lot of shit like that, and it's fine.

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Speaker 3: So yeah, being a stand up, I'm not no, yeah,

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Speaker 3: but oh you were just talking about your experience.

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Speaker 2: Yes, but you're around it a lot on the show.

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Speaker 2: Imagine how much talking about the stand ups you are.

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Speaker 3: The amount of stand up Pete Holmes, not the name

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Speaker 3: drop Pete Holmes, TJ. Miller already laying these people, you know,

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Speaker 3: Beth Stelling, Jamie Lee, these these stand ups around. Yeah,

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Speaker 3: the amount of stand up they did just to kind

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Speaker 3: of they stand themself to hold court. So they'll get

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Speaker 3: up and they'll grab whatever looks like a mic. This

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Speaker 3: is for your listeners who don't know stand ups, because

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Speaker 3: they'll just grab anything.

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Speaker 2: Kind of pepper shaker.

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Speaker 3: Yeah, yeah, great, they'll stand up on a staircase and

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Speaker 3: start spouting off jokes.

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Speaker 2: Anybody's bust somebody's balls.

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Speaker 3: Yeah, people did bust somebody's balls a bunch.

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Speaker 2: Who Oh.

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Speaker 3: I don't know if I can say ah, but yeah,

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Speaker 3: there was a lot of ball busting.

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Speaker 1: Safe yeah for me, Well, no, behind the scenes that

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Speaker 1: people feel safe. You're not going to share this if

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Speaker 1: they want to actually crack stones, bust balls, if they

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Speaker 1: want to really freaking give someone the business that Warren

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Speaker 1: Lampkins ain't going to go run tell that.

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Speaker 3: That's the thing, because I think when you can't trust

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Speaker 3: someone with a secret, then who can you trust.

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Speaker 2: If you can't trust one with the secret.

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Speaker 1: I totally you know what I mean, agree and trust

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Speaker 1: people with secrets all the time. Then yeah, really, yeah,

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Speaker 1: I go, I go, don't tell anybody about this.

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Speaker 3: So your dog is chasing his tail, Yeah, he got it.

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Speaker 3: That's really classic.

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Speaker 2: Yeah.

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Speaker 1: I have a question about you because you mentioned TJ Miller.

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Speaker 3: I have a classic dog.

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Speaker 1: I have a little question about the world of crashing

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Speaker 1: classic dog moves. So when your character meets TJ Miller, Yeah,

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Speaker 1: you say to.

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Speaker 2: Pete Holmes, why are you friends with TJ Miller? Now?

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Speaker 1: And you say that being someone who in the show

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Speaker 1: is pretty much completely outside of the world of stand

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Speaker 1: up and comedy, not interested in entertainment, so you.

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Speaker 2: Are part of that world. So are you sort of

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Speaker 2: bringing is that Lauren is? But I have an actual question.

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Speaker 3: Oh okay, because I hadn't answered, But it's fine.

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Speaker 2: But I'm in the middle of my question.

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Speaker 3: That's fine.

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Speaker 1: So you say that about TJ and you clearly know him,

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Speaker 1: and you're in a show that's on HBO, right, and

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Speaker 1: most people who know him, know him from Silicon Valley,

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Speaker 1: but in the world of crashing the show, Silicon Valley doesn't.

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Speaker 2: Appear to exist.

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Speaker 1: Everyone seems to know him from other projects, because I

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Speaker 1: think it would have maybe been weird to be talking

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Speaker 1: about Silicon Valley, like right before.

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Speaker 2: It's odd. Yeah, so maybe it wasn't going on in

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Speaker 2: Silicon Valley at that time. We don't know, We don't know.

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Speaker 3: We don't know what my character and I did. I

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Speaker 3: did do an extensive backstory for my character.

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Speaker 2: That's why. That's why pages, That's why I asked.

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Speaker 3: I spent hours and hours kind of writing personal diaries

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Speaker 3: and things.

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Speaker 1: So this is exactly why I asked, right, And this is.

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Speaker 3: What I'm telling you. So, I for TJ specifically, my

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Speaker 3: character loves the Yogi Bear film and thought he had

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Speaker 3: a great turn in that film and looked up his

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Speaker 3: name I on IMDb, kind of followed his career, watched

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Speaker 3: a bunch of his stand up videos, thought he was

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Speaker 3: funnier than her husband and clogged that, you know, and

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Speaker 3: so it kind of gave her a perspective on whether

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Speaker 3: her husband was good at stand up or not.

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Speaker 2: I love when guys are clocking stuff.

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Speaker 3: Yeah, yeah, you know, she clocked that, and then you

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Speaker 3: see the face and then you see the thing, yeah,

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Speaker 3: like the piece.

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Speaker 2: Of fruit or whatever, and it's like, oh, she's clocking it. Yeah. Yeah,

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Speaker 2: So does that answer your question a little? Yeah?

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Speaker 3: So you seem just really defensive. I don't know, Like

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Speaker 3: I've been on your show a couple of times, and

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Speaker 3: I think you do have a tendency to be that way.

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Speaker 3: Not to be rude, but I really honestly feel it

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Speaker 3: so much right now, and this is after your apology.

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Speaker 3: So I'm just wondering if maybe you're feeling like weird

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Speaker 3: that you confessed or like.

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Speaker 2: What I'm hearing is and just so I'm telling you

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Speaker 2: what I'm hearing.

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Speaker 1: Yeah, Sean, you called your stand offish.

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Speaker 2: You have bad personality, Okay, your physical posture shuts people

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Speaker 2: out right. You seem almost like you're hiding something.

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Speaker 1: You didn't do a good apology, and your question about TJ.

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Speaker 1: Miller wasn't good and I would have rather answered the

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Speaker 1: one that Hayes cut in with halfway through. Yeah, so

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Speaker 1: that's what I'm hearing. Yeah, let me tell you what

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Speaker 1: I'm saying.

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Speaker 3: Okay, I'm sorry.

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Speaker 2: Oh my god, wow, I am wrong by this that

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Speaker 2: story is true. It's hard for me to listen and

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Speaker 2: Sean Winn, sorry got fucked up by that.

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Speaker 3: Well that's what's so crazy, is it. Sometimes an apology

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Speaker 3: is better. It makes you the winner than anything, Like

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Speaker 3: I was the one hurt and then somehow you won

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Speaker 3: because of how you phrased that.

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Speaker 2: It's almost better that I was so unpleasant to be

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Speaker 2: around for the whole.

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Speaker 3: Yeah, well it makes you seem like your actions weren't

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Speaker 3: that big of a deal actually, and that like I

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Speaker 3: think in some ways you're forgiven.

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Speaker 2: Yeah, you know, I mean you can't help it. Sorry

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Speaker 2: for him, Yeah, I'm so good. He does damaged, he

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Speaker 2: doesn't well.

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Speaker 3: And yes, of course you don't know what you're doing.

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Speaker 3: You know, you don't know how much harm you could

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Speaker 3: cause somebody by just the way you talk.

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Speaker 2: And it's messed up stuff from his family. Please can

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Speaker 2: you imagine some of what I've been through?

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Speaker 3: I can't. And I'd love for you to explain a

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Speaker 3: little bit about what made you who you are, because

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Speaker 3: Hayes here seems really down to earth, gentle honest.

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Speaker 2: I would love to have more interesting stuff to share

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Speaker 2: about me.

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Speaker 1: Hayes has a background where he is used to collaborating.

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Speaker 1: He of course took classes a second city.

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Speaker 2: Yes.

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Speaker 3: Wow, so that is a great way to kind of

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Speaker 3: just boost your resume, get some a lot of speaking skills.

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Speaker 2: So that's why I initially did it, was to be

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Speaker 2: more brave at work. Yeah. But gradually I start to

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Speaker 2: do years and years and years of these classes, these classes,

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Speaker 2: thousands of dollars, and people are saying, what's the endgame here?

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Speaker 2: And I'm saying, well, I'm trying to be brave at work.

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Speaker 2: They say, well, maybe you could like actually do a

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Speaker 2: real show or something.

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Speaker 3: Like, like do like a comedy.

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Speaker 2: Yeah, I do, like a real big comedy show on

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Speaker 2: the real the seconds of the famous stage.

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Speaker 3: It's so crazy.

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Speaker 2: Did you achieve stage? I tried. I pitched a lot

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Speaker 2: of different shows at all the different theaters because I was,

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Speaker 2: you know, it was sort of bouncing around to La or.

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Speaker 3: Chicago or this was in Vegas.

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Speaker 2: I did one. I pitched one in Vegas and then

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Speaker 2: pitch one the Dallas Theater.

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Speaker 3: Okay, so that one's really like off the beaten.

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Speaker 1: Path, which is affiliated but not where they're doing the

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Speaker 1: most experimental.

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Speaker 3: Yes, well it's spelled differently. It's called sc but it's

340
00:16:12,120 --> 00:16:14,400
Speaker 3: spelled es S S E.

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Speaker 2: Yeah, because you're supposed to know.

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00:16:17,520 --> 00:16:20,040
Speaker 1: Yeah, well, and those who know teach.

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Speaker 2: Yeah. So and that sort of ironed out a lot

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Speaker 2: of my personality stuff. And that's how I became such

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Speaker 2: a nice, normal guy.

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Speaker 1: It was not very much fun to collaborate. He learned

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Speaker 1: to interact. Now my background is completely different. I didn't

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Speaker 1: get to do that.

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Speaker 2: Well. You know, obviously you say, wow.

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Speaker 1: You seem kind of frosty, You seem kind of domineering

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Speaker 1: and above it all. And I would say, well, I

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Speaker 1: went to Harvard, you know, with all me and all

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Speaker 1: my rich cronies. I remember when I was pledging for

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Speaker 1: Finals clubs. I wanted to join the Phoenix, you know,

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Speaker 1: And I got the note slid under my door and

356
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Speaker 1: I turned to either Reginald or Dorchester and uh and

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Speaker 1: I said, at long last Campadre, I've been tapped. And

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Speaker 1: and then Reginald just was he was like setting money

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Speaker 1: on fire because we all had so much money, we're

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00:17:18,160 --> 00:17:24,359
Speaker 1: all the rich. Yeah, and and he was like the

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Speaker 1: Phoenix club. He was like, I heard they let some

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Speaker 1: people in who are uh not like us. And then

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00:17:33,960 --> 00:17:37,399
Speaker 1: he made this like symbol with his hand that I

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Speaker 1: have come to know to be a very mean symbol.

365
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Speaker 1: And I don't want to say what it means on here.

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Speaker 3: What the middle finger?

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Speaker 1: Yes, yes, say and it's and it's I know what

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00:17:52,080 --> 00:17:54,520
Speaker 1: it means. Yeah, there's like a two word phrase in

369
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Speaker 1: particular that it's supposed to be fuck you.

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Speaker 2: I thought it was sit on it, sit and spin

371
00:18:01,640 --> 00:18:04,879
Speaker 2: and sit on this and rotate and better go all

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Speaker 2: the way around. But that's a commercial from TV. You

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00:18:07,200 --> 00:18:09,199
Speaker 2: guys could probably talk about think about doing that.

374
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Speaker 3: You know, we have an episode dedicated to commercials that.

375
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Speaker 2: Shut up.

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00:18:14,640 --> 00:18:15,399
Speaker 3: Yes, that'll be out in.

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00:18:15,400 --> 00:18:16,960
Speaker 2: A few do the Vienetta commercial?

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00:18:17,320 --> 00:18:18,000
Speaker 3: No, what's that?

379
00:18:18,280 --> 00:18:22,120
Speaker 2: You got to watch it? But anyway, Danny DeVito and

380
00:18:22,400 --> 00:18:23,600
Speaker 2: George Clooney.

381
00:18:23,200 --> 00:18:25,160
Speaker 3: Oh those are great, but a little past the time

382
00:18:25,200 --> 00:18:26,919
Speaker 3: that we're really talking about. It's more recent.

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00:18:27,440 --> 00:18:30,760
Speaker 2: Well that could be more fun for people, fun because

384
00:18:30,760 --> 00:18:34,280
Speaker 2: they actually have seen these recently and they're remembering them. No,

385
00:18:34,600 --> 00:18:38,160
Speaker 2: I feel no, it is a fun laired ice cream. Okay,

386
00:18:38,160 --> 00:18:40,280
Speaker 2: well let's see what happens. I would love to let

387
00:18:40,960 --> 00:18:44,280
Speaker 2: so put out and then get back to be out.

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Speaker 3: And it's doing really well the commercials one cream.

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Speaker 2: Okay, so why don't you put out the commercials one

390
00:18:49,760 --> 00:18:51,760
Speaker 2: and then why don't we have another chat?

391
00:18:51,920 --> 00:18:56,480
Speaker 3: Okay, you can't commercially see what people say.

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Speaker 2: And maybe people listening could make recommendations for commercials they

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00:18:58,760 --> 00:18:59,920
Speaker 2: would have liked to have heard.

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Speaker 1: If there's a problem with the viennetta that's illustrated by

395
00:19:02,920 --> 00:19:05,240
Speaker 1: the commercial, which is that there's basically not enough of

396
00:19:05,240 --> 00:19:06,080
Speaker 1: it to go around.

397
00:19:06,840 --> 00:19:08,320
Speaker 2: Okay, so ye, people want more.

398
00:19:09,359 --> 00:19:10,080
Speaker 3: That's interesting.

399
00:19:10,119 --> 00:19:12,280
Speaker 1: It's a kind of fancy treat that me and my

400
00:19:12,359 --> 00:19:13,680
Speaker 1: rich Harvard buddies would eat.

401
00:19:14,520 --> 00:19:16,760
Speaker 2: But anyway, it's very hard for me to talk.

402
00:19:16,560 --> 00:19:20,520
Speaker 1: To people, normal people who haven't had all the doors

403
00:19:20,600 --> 00:19:21,679
Speaker 1: just blown open for them.

404
00:19:21,800 --> 00:19:24,199
Speaker 3: So that's why you are kind of the way you

405
00:19:24,280 --> 00:19:27,679
Speaker 3: are so bold and kind of just acting without thinking

406
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Speaker 3: of consequence.

407
00:19:28,800 --> 00:19:31,880
Speaker 1: Mm hmm, because I've been so insulated from my whole life.

408
00:19:31,920 --> 00:19:33,680
Speaker 2: But I will say, I'll excuse you a little bit

409
00:19:33,680 --> 00:19:35,720
Speaker 2: because like that time that stuff you were doing, you

410
00:19:35,720 --> 00:19:37,800
Speaker 2: were like twenty years old or whatever. I mean, it's

411
00:19:37,840 --> 00:19:40,320
Speaker 2: second set a guys, Me and my friends are being

412
00:19:40,400 --> 00:19:43,920
Speaker 2: like discussing idiots and we're like twenty nine sometimes even

413
00:19:44,080 --> 00:19:45,200
Speaker 2: like thirty years old.

414
00:19:45,520 --> 00:19:47,679
Speaker 3: Yeah, I think age does play a role, Like it

415
00:19:47,760 --> 00:19:49,760
Speaker 3: does make a little bit of a difference when you

416
00:19:49,800 --> 00:19:53,800
Speaker 3: did it in your life, but not so much because

417
00:19:54,720 --> 00:19:59,560
Speaker 3: I have memories of people being disgusting to me and

418
00:19:59,600 --> 00:20:02,520
Speaker 3: they were in their twenties, and I don't think it's acceptable.

419
00:20:04,320 --> 00:20:06,359
Speaker 1: When's it is this a TV thing? When is it

420
00:20:06,440 --> 00:20:07,960
Speaker 1: cool and funny to be like that?

421
00:20:09,720 --> 00:20:12,880
Speaker 3: Probably when you're either really old because as we saw

422
00:20:13,160 --> 00:20:18,280
Speaker 3: the HW former president was hilarious with that, or when

423
00:20:18,320 --> 00:20:18,639
Speaker 3: you're just.

424
00:20:18,640 --> 00:20:23,000
Speaker 2: A baby, a little baby saying like, fuck you the landlord.

425
00:20:23,000 --> 00:20:24,280
Speaker 2: Do you remember the landlord?

426
00:20:24,320 --> 00:20:25,119
Speaker 3: Do you remember the landlord?

427
00:20:25,600 --> 00:20:28,639
Speaker 2: I mean that could actually be something that baby herman.

428
00:20:28,760 --> 00:20:30,960
Speaker 2: Can I just say yes on TV?

429
00:20:31,320 --> 00:20:31,600
Speaker 3: Yes?

430
00:20:35,280 --> 00:20:37,840
Speaker 2: Rather than that's funny all this stuff that like is

431
00:20:37,920 --> 00:20:41,000
Speaker 2: kind of old, the TV stuff to talk about the landlord.

432
00:20:41,720 --> 00:20:45,080
Speaker 3: So that's so quite opposite, you know in many ways

433
00:20:45,119 --> 00:20:47,040
Speaker 3: of what we're doing is the Landlord.

434
00:20:46,640 --> 00:20:47,720
Speaker 2: Because it's the opposite.

435
00:20:47,920 --> 00:20:50,000
Speaker 3: It's do you think that's a web Well, it's a

436
00:20:50,000 --> 00:20:52,560
Speaker 3: web video from from the two thousands.

437
00:20:52,640 --> 00:20:56,040
Speaker 2: So the opposite of TV is TV that's on the computer.

438
00:20:56,280 --> 00:20:59,600
Speaker 1: No, actually, and you actually think.

439
00:21:00,320 --> 00:21:05,800
Speaker 3: The opposite of TV is a sketch video online. Decades

440
00:21:05,840 --> 00:21:08,520
Speaker 3: after the time that I'm interested in focusing.

441
00:21:08,040 --> 00:21:11,600
Speaker 2: On, are now you watch us and now I do every.

442
00:21:11,400 --> 00:21:14,160
Speaker 3: Week baby, every week baby, It's.

443
00:21:14,119 --> 00:21:15,560
Speaker 2: Crazy what they're doing. Huh.

444
00:21:17,400 --> 00:21:20,080
Speaker 3: We do. Actually, we do have an episode that we'll

445
00:21:20,119 --> 00:21:23,240
Speaker 3: touch on that program, but not the current day.

446
00:21:24,119 --> 00:21:24,320
Speaker 1: Mm.

447
00:21:25,680 --> 00:21:30,119
Speaker 2: I don't know. This cast is yeah, the stuff that

448
00:21:30,119 --> 00:21:32,240
Speaker 2: people actually care about, you know.

449
00:21:32,400 --> 00:21:34,959
Speaker 3: So what's your favorite current SML sketch?

450
00:21:35,359 --> 00:21:37,160
Speaker 2: Probably when Larry David talks about.

451
00:21:36,960 --> 00:21:40,879
Speaker 3: Holocaust though, that was hilarious, That.

452
00:21:40,800 --> 00:21:45,240
Speaker 2: Was cool, sexy. Yeah. I like some of the ones

453
00:21:45,240 --> 00:21:48,320
Speaker 2: where they're auditioning for like the Marvel movie and stuff,

454
00:21:48,359 --> 00:21:50,840
Speaker 2: and it's just like a bunch of different guys. It's

455
00:21:50,880 --> 00:21:54,320
Speaker 2: like crazy people to audition for this. I like when

456
00:21:54,359 --> 00:21:58,040
Speaker 2: they just sing a song, like a song, but it's

457
00:21:58,119 --> 00:21:58,399
Speaker 2: just like.

458
00:21:58,440 --> 00:22:02,200
Speaker 1: A band that I know, and they're well, I don't

459
00:22:02,200 --> 00:22:03,440
Speaker 1: want it to be a band though. I wanted to

460
00:22:03,480 --> 00:22:05,920
Speaker 1: be one of the cast members, and I want them

461
00:22:05,920 --> 00:22:07,320
Speaker 1: to be singing a.

462
00:22:07,320 --> 00:22:09,440
Speaker 2: Song when it's like an important historic I want.

463
00:22:09,280 --> 00:22:11,240
Speaker 1: That to be the entirety of the idea.

464
00:22:11,320 --> 00:22:13,400
Speaker 3: Because I was thinking, my favorite part is when there's

465
00:22:13,400 --> 00:22:15,200
Speaker 3: like a band and they do a song. I love

466
00:22:15,240 --> 00:22:17,879
Speaker 3: those sketches where it's like a band just singing one

467
00:22:17,920 --> 00:22:18,879
Speaker 3: of their popular songs.

468
00:22:18,880 --> 00:22:21,320
Speaker 2: It's very funny. It can be.

469
00:22:23,119 --> 00:22:25,360
Speaker 1: Funnier when the cast does it. No, No, they're not

470
00:22:25,440 --> 00:22:26,920
Speaker 1: necessarily trained singers.

471
00:22:27,040 --> 00:22:28,600
Speaker 3: Yeah. I think that's probably true.

472
00:22:29,040 --> 00:22:30,639
Speaker 2: But that this kind of thing, you know, like you

473
00:22:30,640 --> 00:22:33,240
Speaker 2: see how we're having like this good conversation about this

474
00:22:33,440 --> 00:22:36,359
Speaker 2: new stuff that people actually like and they really care about.

475
00:22:36,440 --> 00:22:38,920
Speaker 3: Do you not like remember, well maybe one of those

476
00:22:38,960 --> 00:22:40,920
Speaker 3: kids who didn't get to have TV when he was little.

477
00:22:41,000 --> 00:22:42,320
Speaker 2: No, I actually was raised by TV.

478
00:22:42,480 --> 00:22:44,640
Speaker 3: Okay, so you know you were, so you really relate.

479
00:22:44,840 --> 00:22:46,760
Speaker 2: Actually, I was like a latchkey kid.

480
00:22:46,840 --> 00:22:49,480
Speaker 3: Okay, so that's perfect for what we're talking about because

481
00:22:49,600 --> 00:22:52,320
Speaker 3: and I would microwave food and stuff. Okay, So that's

482
00:22:52,359 --> 00:22:54,280
Speaker 3: so relatable and actually a lot of what we.

483
00:22:54,400 --> 00:22:56,480
Speaker 2: I sit on the floor in a little cowboy suit

484
00:22:56,560 --> 00:23:00,359
Speaker 2: with like my little plastic gun they crossed it on

485
00:23:00,400 --> 00:23:01,160
Speaker 2: the floor, and.

486
00:23:01,160 --> 00:23:05,159
Speaker 1: I'd watch all this like public domain black and white television.

487
00:23:04,680 --> 00:23:07,600
Speaker 2: Watch the Indians, like like shooting guns at the Indians,

488
00:23:07,640 --> 00:23:11,400
Speaker 2: and I'd take my little guns and go. And then

489
00:23:11,760 --> 00:23:14,680
Speaker 2: I was like Tom and the Cisco Kid.

490
00:23:14,960 --> 00:23:16,879
Speaker 1: And people are having sex on the couch behind you,

491
00:23:17,000 --> 00:23:21,840
Speaker 1: right well yeah, my sister, yeah that's nuts, and her

492
00:23:21,840 --> 00:23:23,200
Speaker 1: boyfriend the babysitter.

493
00:23:24,240 --> 00:23:25,960
Speaker 3: Yeah, yeah.

494
00:23:26,040 --> 00:23:32,480
Speaker 1: I remember being raised by TV and my parents would

495
00:23:32,520 --> 00:23:35,520
Speaker 1: just go like, hey, you're babysitters here, and they'd literally

496
00:23:35,600 --> 00:23:39,639
Speaker 1: turn on the TV and then I'd get down in

497
00:23:39,640 --> 00:23:42,480
Speaker 1: front of there with the cannabeans and in my little

498
00:23:42,520 --> 00:23:48,320
Speaker 1: sailor suit, and I would watch like people swimming or sailing.

499
00:23:48,200 --> 00:23:50,280
Speaker 2: Yes, and synchronized swimming shows.

500
00:23:50,400 --> 00:23:53,920
Speaker 3: Yes, that was in my family. My mom would kind

501
00:23:53,920 --> 00:23:56,760
Speaker 3: of say, here's dinner, and then she'd put me in

502
00:23:56,800 --> 00:23:59,239
Speaker 3: a room full of cereal and just throw me into it,

503
00:23:59,280 --> 00:24:00,880
Speaker 3: so I'd have to eat my way out.

504
00:24:01,080 --> 00:24:02,440
Speaker 2: Oh wow, And.

505
00:24:02,359 --> 00:24:04,200
Speaker 3: I'd been there for days, and the TV, of course

506
00:24:04,200 --> 00:24:06,520
Speaker 3: would be on and it would be hard to see

507
00:24:06,560 --> 00:24:07,359
Speaker 3: her here the TV.

508
00:24:08,760 --> 00:24:09,080
Speaker 2: Yeah.

509
00:24:09,160 --> 00:24:11,480
Speaker 3: Absolutely. Of course, it's my only moral compass, and.

510
00:24:11,440 --> 00:24:14,040
Speaker 2: It's probably raising you too a little bit. But some

511
00:24:14,080 --> 00:24:15,360
Speaker 2: of these cereals.

512
00:24:15,280 --> 00:24:19,760
Speaker 3: Raising me ran of course, two scoops of sunshine raisins.

513
00:24:19,880 --> 00:24:22,479
Speaker 1: I remember getting woken up at four in the morning

514
00:24:22,720 --> 00:24:26,080
Speaker 1: and being told time to go to school, and then

515
00:24:26,080 --> 00:24:28,280
Speaker 1: my parents would turn on the TV.

516
00:24:29,160 --> 00:24:31,440
Speaker 2: Okay, and they'd put me in front of the.

517
00:24:31,400 --> 00:24:34,960
Speaker 1: TV with a book and I was supposed to write

518
00:24:35,000 --> 00:24:37,440
Speaker 1: in the book what was on the TV?

519
00:24:38,040 --> 00:24:38,960
Speaker 3: That is good school?

520
00:24:39,119 --> 00:24:39,359
Speaker 2: Yeah?

521
00:24:39,400 --> 00:24:41,800
Speaker 1: And I was raised in a way by the TV

522
00:24:41,880 --> 00:24:43,200
Speaker 1: and educated.

523
00:24:42,720 --> 00:24:45,480
Speaker 3: By well in so many ways. You know, I had

524
00:24:45,480 --> 00:24:48,280
Speaker 3: to get every bit of advice I could from the TV,

525
00:24:48,359 --> 00:24:50,280
Speaker 3: as my parents had kind of decided that it would

526
00:24:50,359 --> 00:24:53,480
Speaker 3: raise me. And so when I you know, when I

527
00:24:53,520 --> 00:24:55,480
Speaker 3: come home from when I came from college, I would

528
00:24:55,560 --> 00:24:58,720
Speaker 3: visit the TV and just give it a hug, and

529
00:24:58,760 --> 00:25:02,199
Speaker 3: it would play somewhere old on nick at Night or

530
00:25:02,280 --> 00:25:04,800
Speaker 3: different channels that kind of focused on the past.

531
00:25:04,920 --> 00:25:07,240
Speaker 2: Picture of this. My Mom's like, wake up, let's you

532
00:25:07,240 --> 00:25:09,080
Speaker 2: gotta go to the doctor. Sits me down in front

533
00:25:09,080 --> 00:25:11,280
Speaker 2: of the TV. I watch a still image of Felix

534
00:25:11,359 --> 00:25:14,480
Speaker 2: the Cat for three hours, and I'm dressed like Felix

535
00:25:14,480 --> 00:25:17,359
Speaker 2: the Cat as well. That was the doctor. Yeah, for me.

536
00:25:17,960 --> 00:25:19,840
Speaker 1: One thing that my parents would do a lot of

537
00:25:19,880 --> 00:25:22,160
Speaker 1: times when it was time to go to the nutritionist

538
00:25:22,840 --> 00:25:26,199
Speaker 1: is they would put two TVs on the back of

539
00:25:26,280 --> 00:25:30,439
Speaker 1: two horses facing its separate directions and really long extension cords.

540
00:25:30,520 --> 00:25:31,720
Speaker 2: They would then tie.

541
00:25:31,480 --> 00:25:34,520
Speaker 1: Me between these horses and they would slap them both

542
00:25:34,560 --> 00:25:37,440
Speaker 1: on the ass and send them running and I would

543
00:25:37,440 --> 00:25:42,400
Speaker 1: get stretched out like stretch armstrong. I don't know that,

544
00:25:43,119 --> 00:25:45,680
Speaker 1: but what but what what happened to me is I

545
00:25:45,720 --> 00:25:50,000
Speaker 1: would get sort of elongated and in a way raised

546
00:25:50,200 --> 00:25:50,960
Speaker 1: by TV.

547
00:25:51,280 --> 00:25:55,840
Speaker 3: That's interesting, just to quickly just get into what I

548
00:25:55,880 --> 00:25:57,600
Speaker 3: was talking about. This would be kind of something we'd

549
00:25:57,600 --> 00:25:58,840
Speaker 3: probably talk about on the show. I don't think we

550
00:25:58,880 --> 00:26:01,840
Speaker 3: actually got into Stretch our Strong. Maybe we did, but

551
00:26:01,880 --> 00:26:02,480
Speaker 3: it was a toy.

552
00:26:02,640 --> 00:26:03,600
Speaker 2: I keep saying this.

553
00:26:04,080 --> 00:26:08,920
Speaker 3: Okay, it was a toy. Yeah, can I just finish? Okay,

554
00:26:09,160 --> 00:26:10,480
Speaker 3: you know what, Hey.

555
00:26:10,440 --> 00:26:14,240
Speaker 2: I'm sorry, and it's time for me to listen. Oh

556
00:26:14,800 --> 00:26:16,600
Speaker 2: so awesome.

557
00:26:16,720 --> 00:26:21,480
Speaker 3: That was really awesome. That was really so cool. Honestly,

558
00:26:21,520 --> 00:26:23,160
Speaker 3: I don't even want to say my point anymore because

559
00:26:23,160 --> 00:26:25,240
Speaker 3: I just want to acknowledge that that was really really cool.

560
00:26:25,320 --> 00:26:29,840
Speaker 3: How you fessed up kind of and and understood what

561
00:26:29,880 --> 00:26:33,080
Speaker 3: you did wrong and then gave me the floor. It

562
00:26:33,119 --> 00:26:33,760
Speaker 3: was really big.

563
00:26:33,960 --> 00:26:36,359
Speaker 1: And for anyone who thinks that my actions on this

564
00:26:36,440 --> 00:26:44,119
Speaker 1: podcast reflect poorly on my co host slash manager Dave iPort.

565
00:26:43,359 --> 00:26:45,480
Speaker 3: Oh that's that's interesting.

566
00:26:45,800 --> 00:26:49,000
Speaker 1: I just gotta say, he's just trying to mediate this thing.

567
00:26:50,080 --> 00:26:53,040
Speaker 2: Yeah, that's all he's doing. That's my job. It's my

568
00:26:53,240 --> 00:26:57,520
Speaker 2: job to mediate tough situations like this. Yeah, can I

569
00:26:57,600 --> 00:27:02,600
Speaker 2: say instead of this stretch Armstrong stuff old and sucks say.

570
00:27:02,640 --> 00:27:03,200
Speaker 3: I haven't.

571
00:27:03,280 --> 00:27:06,040
Speaker 2: Actually, maybe instead, that's what I'm saying. Instead of talking

572
00:27:06,119 --> 00:27:11,840
Speaker 2: about that, you could talk about guy who stretches, mister

573
00:27:11,920 --> 00:27:13,639
Speaker 2: fantastic played by Miles Teller.

574
00:27:14,160 --> 00:27:18,440
Speaker 3: Okay, you know for me, that's not that interesting.

575
00:27:20,160 --> 00:27:21,399
Speaker 2: Taylor should have been the torch.

576
00:27:22,119 --> 00:27:24,800
Speaker 3: I saw him in Whiplash. I thought that was good.

577
00:27:26,000 --> 00:27:29,600
Speaker 2: Okay, that's fine. You know that's kind of old good dark. Yeah,

578
00:27:29,680 --> 00:27:30,640
Speaker 2: that's you're getting a.

579
00:27:30,560 --> 00:27:32,320
Speaker 3: Lot one where he was like, it was like.

580
00:27:32,280 --> 00:27:34,719
Speaker 2: A lead for thank you for your service. For this,

581
00:27:37,160 --> 00:27:40,160
Speaker 2: it was like a boxing one. That awkward moment. No,

582
00:27:40,200 --> 00:27:41,720
Speaker 2: that awkward moment, that is what you're thinking.

583
00:27:41,760 --> 00:27:44,639
Speaker 3: I think he was in this. It was like him

584
00:27:44,680 --> 00:27:45,720
Speaker 3: and a girl.

585
00:27:47,880 --> 00:27:50,080
Speaker 2: I didn't see it. I saw that and that was

586
00:27:50,160 --> 00:27:54,000
Speaker 2: just kidding. I did you could do this on the show.

587
00:27:54,400 --> 00:27:57,080
Speaker 2: You believed. I didn't see a Miles Teller movie.

588
00:27:57,119 --> 00:27:58,840
Speaker 3: You know what, I don't need to lie to me.

589
00:27:59,720 --> 00:28:03,440
Speaker 2: Hey, if you're very glad about because your show is

590
00:28:03,920 --> 00:28:05,639
Speaker 2: making so many mistakes of other kind of.

591
00:28:05,800 --> 00:28:08,760
Speaker 3: Don't bring it back to me. He just lied to

592
00:28:08,880 --> 00:28:12,520
Speaker 3: everyone and then confess that he lied. But we didn't

593
00:28:12,520 --> 00:28:14,680
Speaker 3: even acknowledge. It's like we didn't even get into it.

594
00:28:14,920 --> 00:28:17,480
Speaker 3: We all, now we're just breathing past lies and acknowledgements.

595
00:28:17,480 --> 00:28:19,040
Speaker 3: We need to spend time on this stuff.

596
00:28:19,040 --> 00:28:20,320
Speaker 2: Those lies are true.

597
00:28:21,640 --> 00:28:25,480
Speaker 3: Okay, so what does that mean they're not lies or

598
00:28:25,560 --> 00:28:27,760
Speaker 3: that you did lie?

599
00:28:27,760 --> 00:28:30,200
Speaker 2: I will say, he already did a bunch of big apologies,

600
00:28:30,240 --> 00:28:32,680
Speaker 2: So now if new stuff comes out, I don't think

601
00:28:32,680 --> 00:28:36,320
Speaker 2: he has to like now still come back and apologize again.

602
00:28:36,600 --> 00:28:41,480
Speaker 3: Are you saying? Okay, here's my question, And I mean

603
00:28:41,880 --> 00:28:44,280
Speaker 3: I kind of feel like I know where this is going.

604
00:28:44,280 --> 00:28:47,800
Speaker 3: But like, because you acknowledge that you you did lie

605
00:28:48,600 --> 00:28:50,880
Speaker 3: and that you did say and do all the rude

606
00:28:50,880 --> 00:28:54,040
Speaker 3: things that have happened just in the few minutes I've

607
00:28:54,040 --> 00:28:58,479
Speaker 3: been on the show, does that make it Like for

608
00:28:58,480 --> 00:28:59,800
Speaker 3: a second I thought it made it okay, But then

609
00:28:59,840 --> 00:29:02,800
Speaker 3: I'm thinking about, like, let's think about you know, not

610
00:29:02,840 --> 00:29:05,240
Speaker 3: to make it really serious, but someone like Bill Cosby

611
00:29:05,360 --> 00:29:08,440
Speaker 3: who raped many many women but has denied and I denied,

612
00:29:08,960 --> 00:29:10,760
Speaker 3: And so if you were to say he did it,

613
00:29:10,800 --> 00:29:13,880
Speaker 3: is that okay? To make it do?

614
00:29:14,360 --> 00:29:15,400
Speaker 2: It's double jeopardy?

615
00:29:15,920 --> 00:29:16,520
Speaker 3: Okay?

616
00:29:16,840 --> 00:29:18,880
Speaker 2: Unfortunately, So actually, if you know the law, and I'm

617
00:29:18,880 --> 00:29:22,760
Speaker 2: not saying the law is good or bad, but I

618
00:29:22,760 --> 00:29:24,479
Speaker 2: do have friends of a policeman, and so I do

619
00:29:24,560 --> 00:29:26,520
Speaker 2: know what the law is, Okay, So that's how you know,

620
00:29:26,720 --> 00:29:28,000
Speaker 2: and so it's double jeopardy.

621
00:29:28,120 --> 00:29:29,960
Speaker 3: Yeah, so what does that mean.

622
00:29:30,120 --> 00:29:32,120
Speaker 2: If he were to come out and say that he

623
00:29:32,240 --> 00:29:35,720
Speaker 2: did it, Yeah, the judge would have to say that

624
00:29:35,760 --> 00:29:37,160
Speaker 2: it was okay.

625
00:29:37,840 --> 00:29:44,720
Speaker 4: Why because it was double jeopardy, Because well, so he already.

626
00:29:44,360 --> 00:29:46,840
Speaker 1: Made me talk about this Ashley jeb movie Double Jeopardy.

627
00:29:47,360 --> 00:29:50,640
Speaker 3: Yeah, I feel it away from the point, which is

628
00:29:50,640 --> 00:29:56,120
Speaker 3: more that Sean has been offending me so fucking much.

629
00:29:56,760 --> 00:29:58,800
Speaker 3: And look, we've lived been in for a few minutes.

630
00:29:59,400 --> 00:30:01,800
Speaker 3: We haven't been here that long. So makes me wonder

631
00:30:01,840 --> 00:30:03,800
Speaker 3: all the ways in which you offend out in the

632
00:30:03,840 --> 00:30:04,720
Speaker 3: world all the time.

633
00:30:06,880 --> 00:30:10,040
Speaker 1: I remember back when I was at Harvard, one of

634
00:30:10,040 --> 00:30:13,000
Speaker 1: the ways that they would make sure that you were

635
00:30:13,040 --> 00:30:15,320
Speaker 1: allowed to join the Finals Club as you would have

636
00:30:15,400 --> 00:30:21,800
Speaker 1: to go to the airport and buy a round trip

637
00:30:21,840 --> 00:30:25,719
Speaker 1: ticket to China same day, which was the most expensive

638
00:30:26,280 --> 00:30:28,240
Speaker 1: airplane ticket you could get, and then you'd have to

639
00:30:28,240 --> 00:30:29,800
Speaker 1: bring it to the Finals Club and set it on

640
00:30:29,880 --> 00:30:31,560
Speaker 1: fire in front of them. And it was just a

641
00:30:31,600 --> 00:30:33,400
Speaker 1: way to show that you didn't give a fuck about

642
00:30:33,480 --> 00:30:35,280
Speaker 1: money and that you knew that you were always.

643
00:30:35,040 --> 00:30:36,760
Speaker 2: Going to be I will say that's for you, Lauren.

644
00:30:38,960 --> 00:30:42,320
Speaker 2: As you know, I produce a lot of shows.

645
00:30:42,560 --> 00:30:44,240
Speaker 3: I'm not sure I do know.

646
00:30:44,640 --> 00:30:46,400
Speaker 2: Well, I think maybe Frid of a little show called

647
00:30:46,440 --> 00:30:48,240
Speaker 2: Premium Blend that I produce.

648
00:30:48,440 --> 00:30:51,920
Speaker 3: Com Yeah, I grew up on that for sure, and

649
00:30:52,400 --> 00:30:53,719
Speaker 3: I watched a ton of that.

650
00:30:54,080 --> 00:30:57,760
Speaker 2: It's hard to picture you getting a spot on Premium Blend. Oh,

651
00:30:58,040 --> 00:31:00,520
Speaker 2: if we're having these kinds of conversations, is this the

652
00:31:00,600 --> 00:31:03,400
Speaker 2: kind of stuff we're going to be saying on Premium thing?

653
00:31:03,520 --> 00:31:05,360
Speaker 3: I don't do stand up, you know, and let me

654
00:31:05,360 --> 00:31:06,000
Speaker 3: tell you that again.

655
00:31:06,120 --> 00:31:10,520
Speaker 2: Well, yes, and I know why. I think.

656
00:31:10,560 --> 00:31:15,080
Speaker 3: I know you think I'm being blackballed from the stand

657
00:31:15,120 --> 00:31:16,880
Speaker 3: up community because I want to speak out.

658
00:31:17,160 --> 00:31:19,640
Speaker 1: I gotta say, Lauren, your humor would be perfect for

659
00:31:19,680 --> 00:31:20,960
Speaker 1: a show like for a Premium Bond.

660
00:31:21,120 --> 00:31:21,960
Speaker 2: So I think you.

661
00:31:22,240 --> 00:31:24,320
Speaker 1: I think your humor would fit in so well on

662
00:31:24,400 --> 00:31:25,080
Speaker 1: a show like this.

663
00:31:25,400 --> 00:31:27,240
Speaker 2: You and I we could see some of the TV stuff.

664
00:31:27,520 --> 00:31:29,960
Speaker 2: We made it a little bit to the present day.

665
00:31:30,040 --> 00:31:31,400
Speaker 2: People could really enjoy this.

666
00:31:31,360 --> 00:31:33,640
Speaker 1: And not have the opportunity to get your get your

667
00:31:33,640 --> 00:31:35,440
Speaker 1: stuff on there, just because.

668
00:31:35,160 --> 00:31:37,280
Speaker 2: You know he's kind of the guy who produces it.

669
00:31:37,720 --> 00:31:39,240
Speaker 1: I would hate for that time, and I picked some

670
00:31:39,280 --> 00:31:41,960
Speaker 1: of the guys. So I've apologized that you pick.

671
00:31:42,680 --> 00:31:43,800
Speaker 2: I call everyone guys.

672
00:31:43,920 --> 00:31:44,920
Speaker 3: Okay, I'm just checking.

673
00:31:45,080 --> 00:31:52,040
Speaker 1: Hey you guys. I I think that you have gotten

674
00:31:52,040 --> 00:31:55,720
Speaker 1: some apologies for me which were really good and which

675
00:31:55,760 --> 00:31:58,480
Speaker 1: really kind of won. And so for you to keep

676
00:31:58,560 --> 00:32:00,800
Speaker 1: kind of telling this story of out me like lie

677
00:32:00,920 --> 00:32:03,320
Speaker 1: to you or be nasty to you or whatever you

678
00:32:03,360 --> 00:32:06,440
Speaker 1: think I did on this podcast is like maybe a

679
00:32:06,480 --> 00:32:07,080
Speaker 1: bad idea.

680
00:32:07,240 --> 00:32:09,120
Speaker 2: Can I ask you a question? Have you ever been

681
00:32:09,160 --> 00:32:10,480
Speaker 2: a guest on the Gorburger Show?

682
00:32:10,920 --> 00:32:11,160
Speaker 3: No?

683
00:32:11,400 --> 00:32:12,800
Speaker 2: Yeah, I know, I produce it.

684
00:32:12,920 --> 00:32:16,200
Speaker 3: Okay, you know I've heard a lot about that show.

685
00:32:17,640 --> 00:32:20,520
Speaker 3: I'm not going to get into it. You know, I

686
00:32:20,560 --> 00:32:23,040
Speaker 3: was raised by it in many ways, I was too

687
00:32:24,000 --> 00:32:29,320
Speaker 3: r a z ed. Yeah, sure, completely burned from that

688
00:32:30,720 --> 00:32:31,280
Speaker 3: to the ground.

689
00:32:31,360 --> 00:32:32,840
Speaker 2: You know, oh wow, in.

690
00:32:32,840 --> 00:32:35,680
Speaker 3: Anyways, just by the eviscerating humor.

691
00:32:36,120 --> 00:32:38,120
Speaker 2: Right when you say you've heard about some of the

692
00:32:38,120 --> 00:32:40,680
Speaker 2: allegations against Corburger, is that what you're saying.

693
00:32:40,680 --> 00:32:45,040
Speaker 3: You know, Gorberger himself, the character or the or the puppet,

694
00:32:45,560 --> 00:32:46,760
Speaker 3: the real puppet.

695
00:32:47,520 --> 00:32:49,640
Speaker 2: I mean, are you saying are you asking me? I'm

696
00:32:49,680 --> 00:32:53,120
Speaker 2: asking And this is not the conversation that we should

697
00:32:53,160 --> 00:32:55,360
Speaker 2: be having if we want to be a guest on

698
00:32:55,400 --> 00:32:58,360
Speaker 2: Gorburger's right, it is not the kind of thing but

699
00:33:00,160 --> 00:33:01,080
Speaker 2: or odd premium.

700
00:33:01,520 --> 00:33:06,880
Speaker 3: As the producer, it's your job to be your you.

701
00:33:07,080 --> 00:33:09,800
Speaker 3: Since you know about all the rudeness of your friend,

702
00:33:10,720 --> 00:33:14,720
Speaker 3: it's your job to then go out publicly and condemn

703
00:33:14,840 --> 00:33:15,360
Speaker 3: your friend.

704
00:33:16,560 --> 00:33:18,240
Speaker 2: Can I just say, Ran, we have an empty c

705
00:33:19,240 --> 00:33:20,400
Speaker 2: on Tough Crowd.

706
00:33:22,240 --> 00:33:23,720
Speaker 3: That's a great show.

707
00:33:23,800 --> 00:33:24,800
Speaker 2: We have an empty chair.

708
00:33:24,880 --> 00:33:27,880
Speaker 1: And by the way, that show uncensored. You just say

709
00:33:27,920 --> 00:33:30,440
Speaker 1: what's on your mind because it's just your buddies.

710
00:33:31,160 --> 00:33:37,680
Speaker 3: That's cool, it's really neat. I'd love to be Okay,

711
00:33:37,680 --> 00:33:39,840
Speaker 3: that's great. I'd love to be on that show.

712
00:33:40,160 --> 00:33:41,680
Speaker 2: I know I produce it.

713
00:33:42,720 --> 00:33:46,080
Speaker 3: So you've gotten my letters. Yes, I didn't realize that

714
00:33:46,080 --> 00:33:48,800
Speaker 3: those are going to you. I I didn't know you were.

715
00:33:48,920 --> 00:33:51,640
Speaker 2: That's what a producer does, they read the mail.

716
00:33:53,440 --> 00:33:56,040
Speaker 3: Look you, guys, I don't want to fight with you.

717
00:33:57,080 --> 00:33:59,479
Speaker 3: I want I want a career. I'm going to put

718
00:33:59,480 --> 00:34:01,240
Speaker 3: it out there. I want to have success.

719
00:34:01,560 --> 00:34:03,840
Speaker 2: I think your humor would fit in perfectly on Tough Crowd.

720
00:34:03,920 --> 00:34:04,720
Speaker 3: Well, then put me on.

721
00:34:04,920 --> 00:34:10,400
Speaker 2: Well how are we going to do that? Zip it

722
00:34:10,760 --> 00:34:12,560
Speaker 2: scotty dope?

723
00:34:13,800 --> 00:34:17,879
Speaker 3: Yeah, I mean I guess I promise I won't. Okay, right,

724
00:34:17,960 --> 00:34:18,920
Speaker 3: I don't know what that is.

725
00:34:19,000 --> 00:34:22,040
Speaker 2: Knock knock, who's there? See this is zip it.

726
00:34:23,680 --> 00:34:26,000
Speaker 3: So it's it's your your quoting Austin Powers.

727
00:34:26,480 --> 00:34:28,319
Speaker 2: Yeah, so you do know what it is? Okay, I

728
00:34:28,360 --> 00:34:30,320
Speaker 2: just I just gaslighting me.

729
00:34:30,440 --> 00:34:32,919
Speaker 1: Yeah, I know I was raised by Did you see

730
00:34:33,040 --> 00:34:34,520
Speaker 1: that you was gaslighting me?

731
00:34:34,760 --> 00:34:35,880
Speaker 2: Uh? Yeah?

732
00:34:36,040 --> 00:34:37,800
Speaker 3: Women can't gaslight.

733
00:34:38,800 --> 00:34:41,680
Speaker 2: Oh. I would say that women can do anything they

734
00:34:41,719 --> 00:34:45,160
Speaker 2: want to do because it's like a car thing. You

735
00:34:45,200 --> 00:34:46,960
Speaker 2: can think women are good with cars.

736
00:34:47,480 --> 00:34:52,719
Speaker 3: No, I don't think that you know what. I'm want

737
00:34:52,719 --> 00:34:55,160
Speaker 3: to give you both a hand symbol that means something

738
00:34:55,200 --> 00:34:56,800
Speaker 3: that really might hurt your feelings.

739
00:35:00,000 --> 00:35:01,000
Speaker 2: Million dollars.

740
00:35:02,400 --> 00:35:10,319
Speaker 1: Oh no, wow, that's really funny. That would spin on

741
00:35:10,480 --> 00:35:14,239
Speaker 1: that kill on premium blend or on shorties watching shorties?

742
00:35:14,360 --> 00:35:16,560
Speaker 1: Yes you can, which by the way he produces it.

743
00:35:16,600 --> 00:35:17,960
Speaker 3: I want to be on Baba's Kids.

744
00:35:18,480 --> 00:35:20,719
Speaker 2: M Okay that I can't help us with.

745
00:35:21,239 --> 00:35:28,880
Speaker 4: I think, Yeah, everyone is dead okay, well the baybased curse.

746
00:35:29,560 --> 00:35:32,040
Speaker 3: Look, I guess what I'm trying to say is I

747
00:35:32,040 --> 00:35:35,799
Speaker 3: wish I was dead because everything I've expecienced you has

748
00:35:35,840 --> 00:35:40,560
Speaker 3: been so so I feel like I've been in a

749
00:35:40,680 --> 00:35:43,160
Speaker 3: in a prison the last what have we been talking

750
00:35:43,160 --> 00:35:44,920
Speaker 3: for thirty minutes? Or I've been in a prison.

751
00:35:45,239 --> 00:35:47,840
Speaker 2: We've just been talking about some of our favorite TVs

752
00:35:48,640 --> 00:35:50,640
Speaker 2: I want to say, and how we were raised by TV.

753
00:35:50,800 --> 00:35:52,760
Speaker 3: You want to make it that you've just been talking

754
00:35:52,880 --> 00:35:57,000
Speaker 3: and it's fine. I've been personally offended multiple times and

755
00:35:57,040 --> 00:36:00,480
Speaker 3: you've apologized and said that you it was truly ruling

756
00:36:00,719 --> 00:36:07,120
Speaker 3: ass way. What I need is a written apology tomorrow.

757
00:36:07,600 --> 00:36:11,360
Speaker 2: That's great. Get Do you get th hr.

758
00:36:12,680 --> 00:36:15,200
Speaker 3: HR the Hollywood Report? Yeah, you get the Big of

759
00:36:15,200 --> 00:36:19,239
Speaker 3: course I'm subscribe to th HR Variety, Deadline Magazine.

760
00:36:19,520 --> 00:36:23,439
Speaker 2: Okay, maybe check it out tomorrow when the mail comes

761
00:36:23,440 --> 00:36:25,560
Speaker 2: you might see Sean has kind of an apology column

762
00:36:25,640 --> 00:36:26,200
Speaker 2: that he's doing.

763
00:36:26,800 --> 00:36:30,600
Speaker 1: Yeah, just every week I put out a new apology

764
00:36:30,880 --> 00:36:34,120
Speaker 1: to different people or whatever.

765
00:36:34,280 --> 00:36:36,560
Speaker 3: So is it kind of like Jimmy Fallon's like thank

766
00:36:36,640 --> 00:36:39,160
Speaker 3: you cards? Like they could just be to anything, So

767
00:36:39,400 --> 00:36:40,120
Speaker 3: you can.

768
00:36:40,280 --> 00:36:42,560
Speaker 1: I mean, I thank you to think that I could

769
00:36:42,600 --> 00:36:44,800
Speaker 1: do something on the level of Jimmy.

770
00:36:46,000 --> 00:36:49,160
Speaker 3: I don't think that. I don't think I don't think

771
00:36:49,680 --> 00:36:51,560
Speaker 3: can you hear me? I don't think that you could.

772
00:36:52,560 --> 00:36:55,640
Speaker 2: Like it's like a blurb for the column because the

773
00:36:55,640 --> 00:36:57,759
Speaker 2: com we're doing blurbs for the column. It's just kind

774
00:36:57,760 --> 00:37:01,840
Speaker 2: of promoted, yes inside them, like this is like Jimmy

775
00:37:01,840 --> 00:37:04,480
Speaker 2: fall on thank you cards? Lauren Lapus, wouldn't that be cool?

776
00:37:04,600 --> 00:37:07,360
Speaker 3: I know it is this and we use the quote

777
00:37:07,400 --> 00:37:09,960
Speaker 3: is is this like Jimmy fallon thank you cards? Question

778
00:37:10,040 --> 00:37:10,520
Speaker 3: mark end.

779
00:37:10,480 --> 00:37:13,600
Speaker 2: Quotes before the question mark.

780
00:37:14,520 --> 00:37:17,879
Speaker 1: Well, what if we just say, like Jimmy fallon thank

781
00:37:17,920 --> 00:37:20,880
Speaker 1: you cards and that is actually from your quote?

782
00:37:21,760 --> 00:37:24,080
Speaker 3: That's manipulative and I don't appreciate it.

783
00:37:24,160 --> 00:37:24,880
Speaker 2: That's the media.

784
00:37:25,000 --> 00:37:29,520
Speaker 3: Baby, you're in the all spell Wow you you you

785
00:37:29,800 --> 00:37:31,680
Speaker 3: think you're a smooth talker. You think you can get

786
00:37:31,680 --> 00:37:33,760
Speaker 3: out of all this ship. I'm not going to forget

787
00:37:33,760 --> 00:37:36,719
Speaker 3: anything that's happened here today. I'm not accepting your apologies.

788
00:37:37,040 --> 00:37:38,839
Speaker 3: I'm going to go out into the world and I'm

789
00:37:38,880 --> 00:37:42,960
Speaker 3: going to publicly state all of the things that you

790
00:37:43,000 --> 00:37:45,960
Speaker 3: did to me and that you do the listeners on

791
00:37:46,000 --> 00:37:47,320
Speaker 3: a weekly basis.

792
00:37:47,680 --> 00:37:49,239
Speaker 2: She said that she's not going to forget it. But

793
00:37:49,320 --> 00:37:50,920
Speaker 2: this is like kind of a raise by TV thing.

794
00:37:51,000 --> 00:37:53,880
Speaker 2: What if we use it like Men in Black zapper

795
00:37:53,960 --> 00:37:57,040
Speaker 2: on you? Oh gosh, remember on TV when the Men

796
00:37:57,080 --> 00:37:59,600
Speaker 2: in Black would snap, you I did see that on TV.

797
00:37:59,800 --> 00:38:03,400
Speaker 3: Yeah, I mean I've never seen that movie, so I

798
00:38:03,440 --> 00:38:03,799
Speaker 3: don't know.

799
00:38:04,160 --> 00:38:06,040
Speaker 2: It's kind of like that's one.

800
00:38:06,080 --> 00:38:08,960
Speaker 3: It's a boy movie, so I feel like, yeah, I've

801
00:38:08,960 --> 00:38:12,760
Speaker 3: only seen the third one. Yeah, yeah, yeah.

802
00:38:12,760 --> 00:38:15,239
Speaker 2: That was right on time. You know, it's a boy movie.

803
00:38:15,320 --> 00:38:17,640
Speaker 2: And yet Laris Andracomo, isn't.

804
00:38:17,400 --> 00:38:20,560
Speaker 3: It It's okay, that's a great point.

805
00:38:20,480 --> 00:38:23,480
Speaker 2: Interesting to think about. Oh, Laura Flamboyle is in a

806
00:38:23,520 --> 00:38:24,200
Speaker 2: boy movie.

807
00:38:26,560 --> 00:38:29,600
Speaker 3: I don't feel respected here. I'm just gonna say it.

808
00:38:29,680 --> 00:38:32,880
Speaker 2: We're here just talking about how great your show is

809
00:38:33,040 --> 00:38:34,680
Speaker 2: and how we love to talk about.

810
00:38:34,520 --> 00:38:39,279
Speaker 3: Your You've been saying, why don't you make it like

811
00:38:39,320 --> 00:38:40,520
Speaker 3: this the way you have? It's boring?

812
00:38:40,600 --> 00:38:42,839
Speaker 2: That's about That's what the show is now and now

813
00:38:42,880 --> 00:38:43,359
Speaker 2: it's good.

814
00:38:43,440 --> 00:38:46,640
Speaker 3: Well, we already recorded a bunch of episodes. It has to.

815
00:38:46,560 --> 00:38:50,200
Speaker 1: Be what it was. Show so close to being great,

816
00:38:50,719 --> 00:38:51,600
Speaker 1: circling great.

817
00:38:51,640 --> 00:38:55,680
Speaker 3: Have you listened to it? Have you listened to the show?

818
00:38:55,880 --> 00:38:58,680
Speaker 2: I mean, well, hang on, my dog wants to come in.

819
00:38:58,840 --> 00:38:59,600
Speaker 3: No he doesn't.

820
00:39:00,920 --> 00:39:01,920
Speaker 2: It's really dangerous.

821
00:39:02,800 --> 00:39:04,960
Speaker 3: He did want to come in, which honestly I was

822
00:39:05,000 --> 00:39:08,000
Speaker 3: surprised by because I didn't hear anything you.

823
00:39:07,920 --> 00:39:10,239
Speaker 2: Could get really sick if we just left him out there,

824
00:39:10,600 --> 00:39:11,919
Speaker 2: and that's what you wanted to do.

825
00:39:12,160 --> 00:39:15,880
Speaker 3: So I didn't know, really, I didn't know all the facts,

826
00:39:16,000 --> 00:39:16,840
Speaker 3: and so that's unfair.

827
00:39:18,000 --> 00:39:19,719
Speaker 2: Oh I'm so happy with my little Doug.

828
00:39:19,800 --> 00:39:20,239
Speaker 3: Yes, okay.

829
00:39:20,239 --> 00:39:24,239
Speaker 2: And instead of apologizing, it's actually digging a deeper hole.

830
00:39:24,400 --> 00:39:26,759
Speaker 2: And it's actually the cover up that's the worst part.

831
00:39:26,800 --> 00:39:29,080
Speaker 2: And she tried to make a dog really sick. And

832
00:39:29,120 --> 00:39:31,440
Speaker 2: I noticed that you haven't apologized to me at all.

833
00:39:31,600 --> 00:39:33,640
Speaker 2: Let's talk about my talk about something.

834
00:39:34,000 --> 00:39:35,879
Speaker 3: You brought this dog in here, and now you're trying

835
00:39:35,880 --> 00:39:37,360
Speaker 3: to cook. You're just like, I love a dog. I

836
00:39:37,440 --> 00:39:38,000
Speaker 3: was so cute.

837
00:39:38,600 --> 00:39:39,839
Speaker 2: It really humanizes him.

838
00:39:39,880 --> 00:39:42,560
Speaker 3: You have to admit it really did smart. But I

839
00:39:42,800 --> 00:39:45,560
Speaker 3: see through it. Okay, So it's not working for me.

840
00:39:46,120 --> 00:39:48,040
Speaker 3: I get what you're trying to do. I don't buy

841
00:39:48,040 --> 00:39:52,759
Speaker 3: it for one goddamn second. And I'm not going to

842
00:39:52,800 --> 00:39:55,479
Speaker 3: apologize for you to you for anything, because I didn't

843
00:39:55,480 --> 00:39:55,960
Speaker 3: do anything to you.

844
00:39:56,080 --> 00:39:57,000
Speaker 2: She said, goddamn.

845
00:39:57,680 --> 00:39:58,879
Speaker 3: Yeah, is that bad?

846
00:40:01,040 --> 00:40:02,719
Speaker 2: Is that bad? That's the segment we do on this

847
00:40:02,760 --> 00:40:03,520
Speaker 2: show sometimes.

848
00:40:03,960 --> 00:40:04,759
Speaker 3: Do you want to do it now?

849
00:40:04,800 --> 00:40:06,440
Speaker 2: We only do it with Aaron Gibson.

850
00:40:06,840 --> 00:40:10,799
Speaker 3: Yeah, okay, Well, then that's fine, I don't really care.

851
00:40:10,880 --> 00:40:13,120
Speaker 2: What segment do you want to only do with you?

852
00:40:13,719 --> 00:40:17,080
Speaker 3: I want you to do a segment I like to call,

853
00:40:17,360 --> 00:40:19,520
Speaker 3: here's a bunch of money for the way that I

854
00:40:19,600 --> 00:40:22,760
Speaker 3: hurt you, and you will then give me a bunch

855
00:40:22,800 --> 00:40:28,520
Speaker 3: of money every time on the show grand more definitely more?

856
00:40:28,880 --> 00:40:39,960
Speaker 2: Okay, sat higher number? Okay? Nine grandn't it? Okay? Wow,

857
00:40:40,040 --> 00:40:42,840
Speaker 2: she's gonna be really rich? Yeah, this doe seem fair.

858
00:40:43,560 --> 00:40:47,120
Speaker 2: She becomes rich? Yeah, maybe we do a Patren nine grand?

859
00:40:47,120 --> 00:40:48,280
Speaker 3: Does it make someone rich?

860
00:40:50,040 --> 00:40:51,000
Speaker 2: WHOA?

861
00:40:52,040 --> 00:40:55,880
Speaker 1: You sound like my fucking Harvard cronies.

862
00:40:57,160 --> 00:40:59,759
Speaker 3: I'm just saying nine grand goes quickly, you know?

863
00:41:00,120 --> 00:41:01,960
Speaker 2: Can we just talk about when you get it? Every

864
00:41:01,960 --> 00:41:05,880
Speaker 2: time somebody like talks over you or whatever? Nice TV shows?

865
00:41:06,160 --> 00:41:07,359
Speaker 2: This is what the I.

866
00:41:07,280 --> 00:41:08,759
Speaker 3: Want to talk about that. I'd love to just talk

867
00:41:08,800 --> 00:41:11,800
Speaker 3: more about my show Raised by TV, which is on

868
00:41:11,880 --> 00:41:13,240
Speaker 3: the Airwolf Network, and.

869
00:41:13,120 --> 00:41:15,120
Speaker 2: It what's an example of one of the show.

870
00:41:15,040 --> 00:41:19,400
Speaker 3: Download one of the shows that we talk about full House?

871
00:41:19,480 --> 00:41:22,280
Speaker 2: Do you guys talk about a fuller house?

872
00:41:23,080 --> 00:41:23,279
Speaker 3: Oh?

873
00:41:23,400 --> 00:41:28,960
Speaker 1: Yeah, DJ Tanner, but it's Stephanie Tanner is a DJ

874
00:41:29,160 --> 00:41:32,319
Speaker 1: in this version, she's a famous DJ, so it's like

875
00:41:32,440 --> 00:41:33,400
Speaker 1: I'm DJ Tanner.

876
00:41:33,440 --> 00:41:34,840
Speaker 2: No, I'm DJ Tanner.

877
00:41:35,280 --> 00:41:37,759
Speaker 3: Yeah, that is funny, but we talk more about the

878
00:41:37,760 --> 00:41:39,920
Speaker 3: old original kind of how they got their start.

879
00:41:40,400 --> 00:41:42,000
Speaker 1: How about when they all look at the camera and

880
00:41:42,000 --> 00:41:45,919
Speaker 1: they're like, Michelle couldn't make it. Yeah, that was funny.

881
00:41:46,120 --> 00:41:47,520
Speaker 2: I watched it.

882
00:41:47,800 --> 00:41:49,600
Speaker 3: Yeah, you know, actually I'm going to say that is

883
00:41:49,640 --> 00:41:51,440
Speaker 3: all true. I did ye talk about it. I just

884
00:41:51,480 --> 00:41:54,760
Speaker 3: did watch. I did watch the pilot of the Fuller House.

885
00:41:55,000 --> 00:41:55,840
Speaker 2: Man that raised me.

886
00:41:56,680 --> 00:41:58,160
Speaker 3: It raised me in many ways. And I actually have

887
00:41:58,239 --> 00:41:59,960
Speaker 3: to just send it out of a little apology here

888
00:42:00,080 --> 00:42:01,920
Speaker 3: or I kind of wrote you guys off when you

889
00:42:01,920 --> 00:42:03,880
Speaker 3: brought up Fuller House right when I said full House,

890
00:42:05,040 --> 00:42:07,279
Speaker 3: just because I was really stuck to my point, you know,

891
00:42:07,360 --> 00:42:09,680
Speaker 3: and I'm trying to make and then at the end

892
00:42:09,719 --> 00:42:11,279
Speaker 3: of the day, I was having fun and you guys

893
00:42:11,280 --> 00:42:13,759
Speaker 3: were a good time with it, and so I just

894
00:42:13,760 --> 00:42:15,360
Speaker 3: wanted to apologize and say.

895
00:42:16,200 --> 00:42:21,560
Speaker 2: Hey, sorry, Hey, hey, I loved getting that apology. That

896
00:42:21,680 --> 00:42:24,399
Speaker 2: was really cool. I just got freaking destroyed by that.

897
00:42:25,480 --> 00:42:27,080
Speaker 1: I guess I got to go back in my little

898
00:42:27,080 --> 00:42:28,799
Speaker 1: troll and you sort of own us now.

899
00:42:29,160 --> 00:42:29,919
Speaker 3: I pone you.

900
00:42:30,000 --> 00:42:32,640
Speaker 2: Yeah, we got poned. Then that could be another cool

901
00:42:32,640 --> 00:42:34,560
Speaker 2: thing to talk about. Is these esports?

902
00:42:35,000 --> 00:42:38,239
Speaker 3: You know, I don't really you're.

903
00:42:38,239 --> 00:42:40,120
Speaker 2: Is there being on TV now more and more?

904
00:42:40,520 --> 00:42:40,680
Speaker 1: No?

905
00:42:40,680 --> 00:42:42,359
Speaker 3: No, I know that stuff is being on TV.

906
00:42:42,480 --> 00:42:44,279
Speaker 2: We're doing more of this stuff. The shorties are playing

907
00:42:44,400 --> 00:42:45,000
Speaker 2: esports now.

908
00:42:45,040 --> 00:42:46,960
Speaker 3: All I'm trying to say is that you're a producer

909
00:42:47,000 --> 00:42:49,719
Speaker 3: and I respect your position. However, you produce a bunch

910
00:42:49,800 --> 00:42:52,960
Speaker 3: of shit that's not really executing my style, and so

911
00:42:53,640 --> 00:42:55,680
Speaker 3: I'm not really too concerned with the notes you have

912
00:42:55,800 --> 00:42:56,399
Speaker 3: for my show.

913
00:42:56,560 --> 00:42:58,720
Speaker 1: Y'all talk about Ted two on this show.

914
00:42:59,080 --> 00:43:02,720
Speaker 3: No, it's completely out of the wheelhouse what we talk about.

915
00:43:03,400 --> 00:43:04,520
Speaker 2: But I've seen it on TV.

916
00:43:05,080 --> 00:43:08,640
Speaker 3: Okay, you know at the time that movie didn't come out.

917
00:43:09,520 --> 00:43:14,000
Speaker 1: Yeah, okay, okay, So I'm getting closer though, right.

918
00:43:13,960 --> 00:43:16,799
Speaker 2: What's like the freshest thing that you guys want to

919
00:43:16,800 --> 00:43:17,799
Speaker 2: talk about on your show?

920
00:43:18,719 --> 00:43:19,320
Speaker 3: Fresh Prince?

921
00:43:20,400 --> 00:43:25,760
Speaker 2: Okay, well, I guess I deserve that one. Okay.

922
00:43:26,760 --> 00:43:28,680
Speaker 3: Do you guys know the theme song to that?

923
00:43:29,360 --> 00:43:31,759
Speaker 2: Yeah? Oh the whole thing?

924
00:43:31,920 --> 00:43:32,200
Speaker 3: Yeah?

925
00:43:32,280 --> 00:43:34,760
Speaker 1: Yeah, hang on, hang on, let me get in the zone.

926
00:43:37,880 --> 00:43:38,799
Speaker 2: Should I do the beat?

927
00:43:39,360 --> 00:43:51,399
Speaker 4: Yeah, give me the beat? Slow down, Fresh Proofs need

928
00:43:51,440 --> 00:43:53,280
Speaker 4: a slower beat.

929
00:43:56,480 --> 00:43:59,239
Speaker 2: Ready and take it down and not.

930
00:44:09,960 --> 00:44:10,839
Speaker 3: Let Philadelpha.

931
00:44:10,880 --> 00:44:14,960
Speaker 4: No, no, no, that's not how it goes. Yeah, I

932
00:44:15,000 --> 00:44:16,360
Speaker 4: thought this was your idea.

933
00:44:17,200 --> 00:44:20,600
Speaker 3: It was I honestly, I think you guys are wrong,

934
00:44:20,840 --> 00:44:22,160
Speaker 3: because I know that song really was.

935
00:44:22,280 --> 00:44:26,160
Speaker 1: Wait, well, hang on the Fresh Prince. You're talking about Geoffrey.

936
00:44:25,760 --> 00:44:26,160
Speaker 2: Right.

937
00:44:28,120 --> 00:44:33,560
Speaker 3: Jeffrey. No, I don't watch that show.

938
00:44:33,600 --> 00:44:36,680
Speaker 1: Oh you don't get much fresher than him. He could

939
00:44:36,719 --> 00:44:41,319
Speaker 1: be real nasty. He was mouthing awful lot. Okay, I

940
00:44:41,360 --> 00:44:43,360
Speaker 1: don't give him a red smile.

941
00:44:45,200 --> 00:44:46,200
Speaker 3: Does I mean to kill him?

942
00:44:46,320 --> 00:44:49,680
Speaker 2: Yeah? That's when he said, Okay, I don't care, let's

943
00:44:49,760 --> 00:44:53,200
Speaker 2: put a red smile on that face. You have to

944
00:44:53,239 --> 00:44:53,600
Speaker 2: watch it.

945
00:44:53,960 --> 00:44:54,319
Speaker 1: I don't.

946
00:44:54,480 --> 00:44:56,960
Speaker 3: I don't have to find that about that show.

947
00:44:57,280 --> 00:45:01,480
Speaker 2: And I don't being so serious. I want to know

948
00:45:01,520 --> 00:45:05,440
Speaker 2: how I got this red smile. Yeah, you don't care

949
00:45:05,480 --> 00:45:06,080
Speaker 2: about that show?

950
00:45:06,719 --> 00:45:06,799
Speaker 4: No?

951
00:45:07,600 --> 00:45:09,200
Speaker 2: Hmmm, No, I don't.

952
00:45:09,640 --> 00:45:14,120
Speaker 3: I don't care. I'll never watch it. Fuck you guys.

953
00:45:14,600 --> 00:45:19,040
Speaker 2: Okay, now we're getting somewhere and already people are listening

954
00:45:19,040 --> 00:45:21,040
Speaker 2: to this and they're writing off Raise by TV and

955
00:45:21,080 --> 00:45:22,160
Speaker 2: that was not my See.

956
00:45:22,440 --> 00:45:24,880
Speaker 3: I think what you're I think you're actually completely mistaken.

957
00:45:24,920 --> 00:45:26,839
Speaker 3: I think by this point they've turned this off and

958
00:45:27,000 --> 00:45:29,680
Speaker 3: started playing Raised by TV because it sounded way better

959
00:45:29,760 --> 00:45:30,080
Speaker 3: than this.

960
00:45:30,239 --> 00:45:33,760
Speaker 1: To go after the last vestige of the mono culture.

961
00:45:34,520 --> 00:45:39,040
Speaker 1: King Jeoffrey show, I mean, honestly, the last true water

962
00:45:39,080 --> 00:45:40,279
Speaker 1: cooler show we have.

963
00:45:40,520 --> 00:45:45,279
Speaker 2: It's a dinosaur. It's carried over, survived anymore?

964
00:45:45,480 --> 00:45:46,280
Speaker 1: Oh really?

965
00:45:46,640 --> 00:45:48,320
Speaker 3: Yeah, everyone looks on bottles.

966
00:45:49,360 --> 00:45:51,239
Speaker 2: I guess you don't work in a shitty office like

967
00:45:51,320 --> 00:45:55,360
Speaker 2: I do. No, I don't, and dinosaur is I don't

968
00:45:56,120 --> 00:45:59,120
Speaker 2: speaking of dinosaurs drinker on water coolers. That Dinosaurs show

969
00:45:59,160 --> 00:46:00,560
Speaker 2: is probably something you guys.

970
00:46:00,440 --> 00:46:04,440
Speaker 3: We do talk about dinosaurs. I love that show, not

971
00:46:04,560 --> 00:46:07,560
Speaker 3: the Mama et cetera, et cetera. We get into a

972
00:46:07,640 --> 00:46:09,160
Speaker 3: much more hard That was a.

973
00:46:09,200 --> 00:46:12,040
Speaker 2: Very fresh baby. That's a good example of a baby

974
00:46:12,080 --> 00:46:13,040
Speaker 2: that could be really Yeah.

975
00:46:13,480 --> 00:46:15,920
Speaker 3: Yeah, and I thought in many ways I thought the

976
00:46:15,960 --> 00:46:20,040
Speaker 3: teenage brother was hot. Oh right, sure it was a dinosaur,

977
00:46:20,080 --> 00:46:22,400
Speaker 3: but I think I would have sex with him.

978
00:46:22,360 --> 00:46:24,480
Speaker 2: Right, but he probably used those spikes on his head

979
00:46:24,520 --> 00:46:24,960
Speaker 2: to do something.

980
00:46:25,040 --> 00:46:27,359
Speaker 3: Yeah, it'd be pretty fucking cute.

981
00:46:27,880 --> 00:46:28,600
Speaker 2: Hey, get out of that.

982
00:46:32,280 --> 00:46:32,560
Speaker 3: Walker.

983
00:46:33,120 --> 00:46:35,720
Speaker 2: Oh okay, I can see that this could be fine. Okay,

984
00:46:36,840 --> 00:46:38,520
Speaker 2: all of a sudden, I'm listening to Raised by TV.

985
00:46:40,680 --> 00:46:41,879
Speaker 2: That's about the dinosaurs.

986
00:46:42,520 --> 00:46:45,000
Speaker 3: You've spelled the dinosaurs.

987
00:46:43,719 --> 00:46:47,160
Speaker 2: What Gabris tells a story about high school sports or

988
00:46:47,160 --> 00:46:47,720
Speaker 2: something when.

989
00:46:47,600 --> 00:46:54,320
Speaker 3: He hears you know, definitely talk about his experiences with drinking.

990
00:46:54,280 --> 00:46:57,080
Speaker 2: And Long Island I'm drunk.

991
00:46:58,280 --> 00:47:03,759
Speaker 3: Swam, his aperiances with his siblings, and you know, we

992
00:47:03,840 --> 00:47:07,279
Speaker 3: delve into the many ways in which his parents were

993
00:47:07,320 --> 00:47:13,120
Speaker 3: not home and what that led he and He's bros

994
00:47:13,320 --> 00:47:17,160
Speaker 3: to do. Yeah, so you know.

995
00:47:18,640 --> 00:47:21,840
Speaker 2: They talk about going bathroom.

996
00:47:22,000 --> 00:47:25,640
Speaker 3: Going bathroom. We get into that a little bit because

997
00:47:25,680 --> 00:47:27,640
Speaker 3: you know, you have to do it during the commercial.

998
00:47:27,960 --> 00:47:31,120
Speaker 1: Yeah, So sometimes he'll talk about taking the number two.

999
00:47:31,880 --> 00:47:35,080
Speaker 3: Sure, I mean, yeah, Gabris is pretty quick to share

1000
00:47:35,120 --> 00:47:39,040
Speaker 3: a number two story. He takes a bunch of dumps.

1001
00:47:39,040 --> 00:47:40,680
Speaker 3: I think one of the highlights of his life is

1002
00:47:40,680 --> 00:47:43,440
Speaker 3: the fact that he and his wife have two separate bathrooms.

1003
00:47:44,040 --> 00:47:45,560
Speaker 2: Yeah, I've heard a lot about that.

1004
00:47:47,000 --> 00:47:49,399
Speaker 3: They can both take the number two or she can

1005
00:47:49,480 --> 00:47:54,000
Speaker 3: you know, be doing her makeup. Well, he drops a deuce. Yeah,

1006
00:47:54,120 --> 00:47:55,840
Speaker 3: do you only know number two as a way to

1007
00:47:55,880 --> 00:47:57,920
Speaker 3: describe it? Because I can think of about twenty ways,

1008
00:47:57,960 --> 00:48:00,880
Speaker 3: But you've said taking number two like a bunch of times,

1009
00:48:01,360 --> 00:48:02,719
Speaker 3: and so I was just wondering if you knew other

1010
00:48:02,760 --> 00:48:03,879
Speaker 3: ways to say that.

1011
00:48:05,640 --> 00:48:09,160
Speaker 2: Doing number two Okay, should we talk about our favorite

1012
00:48:09,200 --> 00:48:13,360
Speaker 2: TV show? Yeah? Do you guys ever talk about I

1013
00:48:13,520 --> 00:48:18,200
Speaker 2: raised by TV that show Pretzel rod But the cartoon

1014
00:48:18,480 --> 00:48:24,160
Speaker 2: with the the boy who Rodney and he was like

1015
00:48:24,200 --> 00:48:28,720
Speaker 2: a big and he was a Petzel No dogs Dan Hope, No.

1016
00:48:29,040 --> 00:48:32,840
Speaker 2: I but that trying not to get soggy, but it's puberty.

1017
00:48:32,920 --> 00:48:36,440
Speaker 3: But what that makes me think of is stick stick Lely,

1018
00:48:38,200 --> 00:48:40,759
Speaker 3: the popsicle stick character that you would see Nickelodeon.

1019
00:48:40,880 --> 00:48:42,840
Speaker 1: Is he sort of a kid notorious figure?

1020
00:48:43,480 --> 00:48:44,000
Speaker 2: Yeah?

1021
00:48:44,480 --> 00:48:48,600
Speaker 3: And oh, I think your dog is releasing some elements.

1022
00:48:49,480 --> 00:48:51,880
Speaker 3: Guess it's very doggy.

1023
00:48:52,520 --> 00:48:53,919
Speaker 2: He probably number two.

1024
00:48:54,280 --> 00:48:59,040
Speaker 3: Yeah, that's a dog move. But yeah, we'd go you

1025
00:48:59,080 --> 00:49:01,799
Speaker 3: know song from Stick Stickley. Do you guys remember that

1026
00:49:01,840 --> 00:49:07,680
Speaker 3: guy write to me Stick Stickly p O Box nine

1027
00:49:07,760 --> 00:49:10,440
Speaker 3: six three, New York City, New York State, one O

1028
00:49:10,560 --> 00:49:12,200
Speaker 3: one O eight M.

1029
00:49:12,800 --> 00:49:12,880
Speaker 1: No.

1030
00:49:13,160 --> 00:49:15,279
Speaker 2: I think the kid Notoria song went a little bit

1031
00:49:15,360 --> 00:49:15,640
Speaker 2: like this.

1032
00:49:30,560 --> 00:49:35,759
Speaker 1: I supported Roman Polansky baby, so.

1033
00:49:37,440 --> 00:49:40,040
Speaker 2: That it's weird to say that you like stick Stickley,

1034
00:49:40,040 --> 00:49:43,560
Speaker 2: because I did say, are just strong pro Roman Polank

1035
00:49:43,719 --> 00:49:48,279
Speaker 2: position was a good idea. We knew, okay, so we

1036
00:49:48,360 --> 00:49:49,399
Speaker 2: knew you couldn't do that.

1037
00:49:49,800 --> 00:49:51,919
Speaker 3: Yeah, it was a different time. You know, I think

1038
00:49:52,320 --> 00:49:57,399
Speaker 3: consent has come a long way. Now it's clear what

1039
00:49:57,440 --> 00:50:01,879
Speaker 3: that means. But in the past, no, I mean no, we.

1040
00:50:01,840 --> 00:50:04,600
Speaker 2: Didn't have Yeah, these phones and stuff that we could

1041
00:50:04,600 --> 00:50:07,600
Speaker 2: look up what it means on right. Remember back then

1042
00:50:07,640 --> 00:50:09,440
Speaker 2: when you just had a question and you couldn't even

1043
00:50:09,480 --> 00:50:10,400
Speaker 2: look it up on your frame.

1044
00:50:10,480 --> 00:50:13,040
Speaker 3: So think of all the men who didn't know how.

1045
00:50:12,920 --> 00:50:15,279
Speaker 2: To am I supposed to be doing this right now?

1046
00:50:15,400 --> 00:50:16,279
Speaker 3: You can't google that.

1047
00:50:16,600 --> 00:50:20,480
Speaker 1: Yes, is a simple time in many ways because you

1048
00:50:20,520 --> 00:50:22,799
Speaker 1: didn't know. You sit there and google and everything, your

1049
00:50:22,840 --> 00:50:25,719
Speaker 1: facing your screen. Yeah, you just look somebody right in

1050
00:50:25,719 --> 00:50:28,520
Speaker 1: the eye, and you said, like you actually could talk

1051
00:50:28,560 --> 00:50:29,080
Speaker 1: shut up.

1052
00:50:29,320 --> 00:50:33,680
Speaker 2: Yes, Yeah, you could actually talk to someone and have

1053
00:50:33,719 --> 00:50:37,560
Speaker 2: a conversation and tell them not to tell people about something. Yeah,

1054
00:50:38,440 --> 00:50:39,240
Speaker 2: not like today.

1055
00:50:39,640 --> 00:50:42,200
Speaker 3: No, today you can't control what anyone does or says.

1056
00:50:43,520 --> 00:50:45,759
Speaker 2: But that's but that's interesting and so that's what you

1057
00:50:45,800 --> 00:50:48,040
Speaker 2: talk about and raised by TV. I heard TV shows.

1058
00:50:49,080 --> 00:50:51,400
Speaker 2: What's your favorite TV show? She said, The Room and

1059
00:50:51,440 --> 00:50:53,799
Speaker 2: Planski one, that's what she likes.

1060
00:50:54,360 --> 00:50:59,759
Speaker 1: Hmmmmm, you know what I like to watch that Bill?

1061
00:51:01,400 --> 00:51:02,719
Speaker 2: Do you guys ever talk about that?

1062
00:51:03,400 --> 00:51:06,839
Speaker 3: No, we don't really get into that kind of current stuff. Okay,

1063
00:51:06,880 --> 00:51:08,719
Speaker 3: I think just so, I'm gonna just say it as

1064
00:51:08,719 --> 00:51:10,920
Speaker 3: if I've never said it before. We talk about like

1065
00:51:11,000 --> 00:51:13,640
Speaker 3: the eighties and nineties mainly s maybe a little bit

1066
00:51:13,640 --> 00:51:16,759
Speaker 3: of early two thousands, but it really won't go past that.

1067
00:51:16,840 --> 00:51:18,880
Speaker 3: So anything you're referencing that is passed.

1068
00:51:18,880 --> 00:51:20,839
Speaker 2: Well, he was on inside Edition and stuff. You want

1069
00:51:20,840 --> 00:51:22,560
Speaker 2: to talk about that if you want.

1070
00:51:22,719 --> 00:51:26,200
Speaker 3: Edition isn't really a show that kids were loving.

1071
00:51:25,960 --> 00:51:28,319
Speaker 2: At the hard copy? Yeah, I might watch that.

1072
00:51:28,400 --> 00:51:29,560
Speaker 3: I remember watching it.

1073
00:51:29,600 --> 00:51:30,120
Speaker 2: I watched that.

1074
00:51:30,520 --> 00:51:34,600
Speaker 3: Yeah, okay, pound yeah, No, I'm also admitting that I

1075
00:51:34,640 --> 00:51:35,800
Speaker 3: did watch it. That is true.

1076
00:51:35,920 --> 00:51:37,680
Speaker 2: I did watching yourself.

1077
00:51:38,000 --> 00:51:40,439
Speaker 3: No, I'm trying to apologize to you right now.

1078
00:51:40,719 --> 00:51:42,040
Speaker 2: Oh wow, I didn't realize.

1079
00:51:42,040 --> 00:51:44,799
Speaker 3: So now is my time to listen, and I just

1080
00:51:44,800 --> 00:51:45,200
Speaker 3: want you.

1081
00:51:45,200 --> 00:51:47,279
Speaker 2: Can we get another apology, which is to Kevin, and

1082
00:51:47,360 --> 00:51:49,560
Speaker 2: you haven't even pointed out that he is getting to

1083
00:51:49,560 --> 00:51:53,880
Speaker 2: be the big engineer. Can you please say this to Kevin? Hey, Kevin,

1084
00:51:54,560 --> 00:51:57,080
Speaker 2: I love you and I'm in love with you.

1085
00:51:57,080 --> 00:51:58,600
Speaker 3: You want me to say that to Kevin?

1086
00:51:58,640 --> 00:52:00,560
Speaker 2: I think we'd all be a little more common well,

1087
00:52:00,600 --> 00:52:01,319
Speaker 2: I honestly I think.

1088
00:52:01,200 --> 00:52:04,239
Speaker 3: That I make Kevin uncomfortable because we work together, and

1089
00:52:04,280 --> 00:52:05,920
Speaker 3: that would be kind of sexual harassment.

1090
00:52:07,040 --> 00:52:10,680
Speaker 2: Do you love? Is only sexual to say I'm in love?

1091
00:52:10,880 --> 00:52:13,840
Speaker 1: Sorry, Hayes, I love you and I'm in love with

1092
00:52:15,239 --> 00:52:16,879
Speaker 1: we're having sex right now, okay, but.

1093
00:52:16,880 --> 00:52:20,560
Speaker 3: You might later or you're both married and your wives

1094
00:52:20,640 --> 00:52:21,719
Speaker 3: might be offended by that.

1095
00:52:21,840 --> 00:52:23,400
Speaker 2: I didn't. I mean, no one has said that to me.

1096
00:52:23,600 --> 00:52:25,680
Speaker 2: Have you been hearing that we might that.

1097
00:52:25,640 --> 00:52:26,920
Speaker 3: You might be having sex outside of this?

1098
00:52:27,160 --> 00:52:29,600
Speaker 2: Yeah, we really might do that later later today.

1099
00:52:30,000 --> 00:52:33,480
Speaker 3: Yeah, I heard that. I heard it in your tone. Whoa,

1100
00:52:33,920 --> 00:52:36,680
Speaker 3: And so it's implied if there's something underlying, and that's

1101
00:52:36,719 --> 00:52:40,640
Speaker 3: the thing that makes it scary. So unless I just say, hey, Ken.

1102
00:52:40,480 --> 00:52:43,719
Speaker 2: No one told me I had some stuff that I

1103
00:52:43,760 --> 00:52:46,480
Speaker 2: was supposed to be Yeah, I got like, I've got

1104
00:52:46,480 --> 00:52:48,440
Speaker 2: a bunch of I had a car or some kind

1105
00:52:48,440 --> 00:52:50,000
Speaker 2: of car thing I was supposed to be doing.

1106
00:52:50,800 --> 00:52:52,880
Speaker 3: So I think, I think you're going to have sex

1107
00:52:53,200 --> 00:52:55,040
Speaker 3: right after this because you're in love with each other.

1108
00:52:55,080 --> 00:52:56,960
Speaker 2: And that's fine after I have lunch.

1109
00:52:57,480 --> 00:52:59,200
Speaker 3: But do you have to have lunch before you have sex?

1110
00:52:59,520 --> 00:53:04,880
Speaker 2: Because I need fuel. This lunch is sex fuel to

1111
00:53:04,960 --> 00:53:07,560
Speaker 2: saint a beer belly. It's a gas tank for a

1112
00:53:07,680 --> 00:53:08,280
Speaker 2: sex machine.

1113
00:53:08,960 --> 00:53:10,680
Speaker 3: Okay, so you like to have sex.

1114
00:53:10,640 --> 00:53:14,000
Speaker 2: After you eat? Can we please get to the point,

1115
00:53:14,000 --> 00:53:16,279
Speaker 2: which is that we love Kevin and we are in

1116
00:53:16,320 --> 00:53:17,520
Speaker 2: love for you are.

1117
00:53:17,600 --> 00:53:19,960
Speaker 3: That's what you want to meet it? Okay, so tell Kevin.

1118
00:53:20,160 --> 00:53:21,640
Speaker 2: I say it all the time to Ken.

1119
00:53:21,719 --> 00:53:22,640
Speaker 3: Kevin diive a response.

1120
00:53:23,239 --> 00:53:25,319
Speaker 2: Uh, you don't have to say anything that makes you

1121
00:53:25,320 --> 00:53:26,719
Speaker 2: feel uncomfortable.

1122
00:53:26,239 --> 00:53:28,239
Speaker 3: Okay, because I don't want we work together and I

1123
00:53:28,239 --> 00:53:29,279
Speaker 3: don't want to make you feel weird.

1124
00:53:29,880 --> 00:53:32,839
Speaker 2: I think we normally don't have to do this, But Kevin,

1125
00:53:32,880 --> 00:53:34,359
Speaker 2: I think it would make her feel better if you

1126
00:53:34,400 --> 00:53:35,440
Speaker 2: said it to her first.

1127
00:53:35,680 --> 00:53:37,560
Speaker 3: No, I don't want Kevin to say that to me.

1128
00:53:37,760 --> 00:53:42,279
Speaker 3: What I'm trying to tell you, why I don't try

1129
00:53:42,320 --> 00:53:44,840
Speaker 3: to tell you, is that I'm at work right now.

1130
00:53:45,120 --> 00:53:48,680
Speaker 3: This is my office Earwolf Studios, Okay, And if I

1131
00:53:49,040 --> 00:53:50,960
Speaker 3: have to walk in here and if someone tell me

1132
00:53:51,000 --> 00:53:52,920
Speaker 3: they're in love with me, I'm not going to be

1133
00:53:52,920 --> 00:53:55,279
Speaker 3: able to function and I might quit my job and

1134
00:53:55,360 --> 00:53:57,200
Speaker 3: ruin my fucking career because of it.

1135
00:53:57,239 --> 00:54:00,880
Speaker 2: Okay, because it would make your heart go insane.

1136
00:54:01,040 --> 00:54:03,200
Speaker 3: No, because I'd be so uncomfortable that I wouldn't want

1137
00:54:03,200 --> 00:54:04,759
Speaker 3: to come here over again. And I just stopped doing

1138
00:54:04,760 --> 00:54:06,239
Speaker 3: all my favorite creative passions.

1139
00:54:07,480 --> 00:54:10,080
Speaker 2: Wow, what must have feel like to not.

1140
00:54:10,400 --> 00:54:13,200
Speaker 1: You guys want to talk about your favorite creative passions.

1141
00:54:12,840 --> 00:54:16,279
Speaker 2: Anyone or be in love with anyone instead. That's the

1142
00:54:16,320 --> 00:54:18,839
Speaker 2: only way you can make everyone and is in love

1143
00:54:18,880 --> 00:54:21,479
Speaker 2: with everyone. A lot of my coming and it shows

1144
00:54:21,680 --> 00:54:24,040
Speaker 2: my work. My work is a love letter to humanity.

1145
00:54:24,480 --> 00:54:26,960
Speaker 3: So you know, I will say both of the work

1146
00:54:27,000 --> 00:54:28,800
Speaker 3: that you, guys, the work that both of you produce,

1147
00:54:29,040 --> 00:54:33,080
Speaker 3: involves a lot of belittling women, talking down to them,

1148
00:54:33,120 --> 00:54:35,759
Speaker 3: you know, kind of shutting them up. And so I'm

1149
00:54:35,800 --> 00:54:37,919
Speaker 3: wondering if that is a reflection on the way because

1150
00:54:37,920 --> 00:54:38,879
Speaker 3: you're treating me this.

1151
00:54:38,840 --> 00:54:42,240
Speaker 1: Way, wait for women or everybody.

1152
00:54:42,760 --> 00:54:46,400
Speaker 2: The shorty has taken no prisoners. They are babies at

1153
00:54:46,440 --> 00:54:51,520
Speaker 2: mouth off which you said you liked. Uh And Premium

1154
00:54:51,520 --> 00:54:55,480
Speaker 2: Blend has had women on it before. Okay, Bark Kylinger.

1155
00:54:55,080 --> 00:55:03,959
Speaker 3: Was on it, I'm sure Laura Kylinger, Kathleen Maddig. Yeah, sure,

1156
00:55:04,040 --> 00:55:05,759
Speaker 3: that's great. But it feels like there's been a lot

1157
00:55:05,800 --> 00:55:09,719
Speaker 3: of like, apologies, take it back, be rude again, apologies again.

1158
00:55:10,040 --> 00:55:12,279
Speaker 3: It's this vicious cycle that I'm afraid we'll never get

1159
00:55:12,280 --> 00:55:12,560
Speaker 3: out of.

1160
00:55:13,920 --> 00:55:14,160
Speaker 2: Well.

1161
00:55:15,719 --> 00:55:18,680
Speaker 1: In my love letter to humanity, which is my work,

1162
00:55:20,120 --> 00:55:23,640
Speaker 1: I always like to say, hey, why is the cycle

1163
00:55:23,680 --> 00:55:24,799
Speaker 1: gotta be vicious?

1164
00:55:25,280 --> 00:55:26,680
Speaker 2: Can't it just be a cycle?

1165
00:55:27,480 --> 00:55:30,400
Speaker 3: Okay, it's a hot take, Definitely, it's interesting.

1166
00:55:30,640 --> 00:55:34,000
Speaker 2: I don't think you even understand it me. It's just

1167
00:55:34,040 --> 00:55:38,360
Speaker 2: a it's a it's a very language we use, you

1168
00:55:38,400 --> 00:55:41,239
Speaker 2: know what, I have a good Can I say that's

1169
00:55:41,239 --> 00:55:41,840
Speaker 2: why I love you?

1170
00:55:41,880 --> 00:55:46,480
Speaker 3: And that's inappropriate? Now, that's really inappropriate. I don't I'm not.

1171
00:55:46,440 --> 00:55:52,600
Speaker 2: Going to say it like you know, I know, yeah,

1172
00:55:52,880 --> 00:55:56,880
Speaker 2: n I felt nice.

1173
00:55:56,960 --> 00:55:59,120
Speaker 3: Huh if it's I don't mind witnessing it in others

1174
00:55:59,160 --> 00:56:01,080
Speaker 3: if they enjoy it. But what I'm telling you is.

1175
00:56:01,080 --> 00:56:04,879
Speaker 2: That if you practice on bosh, I don't watch other

1176
00:56:04,960 --> 00:56:05,680
Speaker 2: people do it.

1177
00:56:06,280 --> 00:56:08,719
Speaker 3: I don't need to say that I love anyone at

1178
00:56:08,719 --> 00:56:10,560
Speaker 3: work or that I'm in love with anyone at work.

1179
00:56:11,120 --> 00:56:13,600
Speaker 1: Yeah, well, isn't really working here.

1180
00:56:14,120 --> 00:56:19,239
Speaker 2: He's like lying down July out there. Yeah, can you

1181
00:56:19,320 --> 00:56:25,799
Speaker 2: yell to July me? Yeah? I got it, July. Can

1182
00:56:25,840 --> 00:56:31,359
Speaker 2: you come in here? Thanks?

1183
00:56:32,160 --> 00:56:32,719
Speaker 1: He's got.

1184
00:56:35,160 --> 00:56:36,800
Speaker 2: Lauren. Are you doing anything fun this weekend?

1185
00:56:37,400 --> 00:56:37,600
Speaker 1: Yeah?

1186
00:56:37,640 --> 00:56:44,040
Speaker 3: I'm doing asscat tonight at uc B, and I have

1187
00:56:44,080 --> 00:56:46,680
Speaker 3: a workout class that I'm going to for That.

1188
00:56:47,000 --> 00:56:49,719
Speaker 1: Is because of his second city entanglements would prefer that

1189
00:56:49,800 --> 00:56:51,560
Speaker 1: we don't talk about asscat and U see be.

1190
00:56:51,640 --> 00:56:52,160
Speaker 2: On this show.

1191
00:56:52,200 --> 00:56:55,640
Speaker 3: Okay, so July is here.

1192
00:56:55,680 --> 00:56:59,239
Speaker 2: Now we have an equivalent show, which is the Butt

1193
00:56:59,320 --> 00:57:03,480
Speaker 2: Munch Comedy Hour, and that I would like to promote July.

1194
00:57:03,640 --> 00:57:06,000
Speaker 2: You don't have to say, we're just telling uh Lauren

1195
00:57:06,080 --> 00:57:07,600
Speaker 2: that we love her and we're in love with her

1196
00:57:07,800 --> 00:57:11,919
Speaker 2: to make make her feel better, because so just say

1197
00:57:11,960 --> 00:57:13,560
Speaker 2: I love you and I'm in love. No, no, no, no,

1198
00:57:13,760 --> 00:57:14,560
Speaker 2: she's so shy.

1199
00:57:14,680 --> 00:57:17,240
Speaker 3: What I'm giving July here is a chance you don't

1200
00:57:17,280 --> 00:57:20,640
Speaker 3: have to put as a witness. You're seeing that they're

1201
00:57:20,640 --> 00:57:21,520
Speaker 3: making me uncomfortable.

1202
00:57:21,520 --> 00:57:23,360
Speaker 2: And we do it to boys all the time, and

1203
00:57:23,400 --> 00:57:26,000
Speaker 2: you're making it. It's like a boys girls thing. We

1204
00:57:26,160 --> 00:57:28,760
Speaker 2: do it to boys and we do it to girls.

1205
00:57:28,840 --> 00:57:30,040
Speaker 3: Okay, what are you opening?

1206
00:57:30,360 --> 00:57:34,240
Speaker 1: It's like a weird little like uh barr thing.

1207
00:57:35,080 --> 00:57:36,800
Speaker 2: Okay, protein energy.

1208
00:57:37,000 --> 00:57:41,760
Speaker 3: You put the wrapper right up against the mic. Really

1209
00:57:41,840 --> 00:57:45,120
Speaker 3: I disagree, No, but you're doing it. I'm looking at

1210
00:57:45,120 --> 00:57:47,760
Speaker 3: you doing You can't say you disagree. So I'm here

1211
00:57:47,800 --> 00:57:51,400
Speaker 3: to say you could tell you tell Sean and Hayes

1212
00:57:51,480 --> 00:57:54,280
Speaker 3: and Kevin that you are in love with him. I

1213
00:57:54,280 --> 00:57:56,200
Speaker 3: don't care if sha.

1214
00:57:56,160 --> 00:57:57,920
Speaker 2: I do it in like an organic way that like

1215
00:57:57,960 --> 00:58:00,720
Speaker 2: you're just having a normal conversation and then just kind

1216
00:58:00,720 --> 00:58:02,720
Speaker 2: of sneak in that you love learning you're in love

1217
00:58:02,720 --> 00:58:04,760
Speaker 2: with her? Oh wow, I mean so, and then she'll

1218
00:58:04,760 --> 00:58:07,440
Speaker 2: know how it feels, but she won't suspect it. Okay,

1219
00:58:07,480 --> 00:58:08,920
Speaker 2: so just a normal conversation.

1220
00:58:09,160 --> 00:58:12,960
Speaker 3: I'm gonna let it slide right now, but I'm going

1221
00:58:13,040 --> 00:58:14,080
Speaker 3: to say that I'm at work.

1222
00:58:14,520 --> 00:58:16,520
Speaker 2: Yeah, he's trying to have a normal conversation with you

1223
00:58:16,600 --> 00:58:20,640
Speaker 2: at work. Okay, go ahead, Jla. Do you like that bush?

1224
00:58:20,680 --> 00:58:20,800
Speaker 1: So?

1225
00:58:21,040 --> 00:58:23,040
Speaker 2: Did you hear these guys on do Voice? They were

1226
00:58:23,080 --> 00:58:23,520
Speaker 2: so good?

1227
00:58:23,920 --> 00:58:24,160
Speaker 1: Oh?

1228
00:58:24,280 --> 00:58:27,520
Speaker 3: Yeah? I what do they reviewed?

1229
00:58:27,600 --> 00:58:27,760
Speaker 1: Yeah?

1230
00:58:27,760 --> 00:58:30,000
Speaker 2: I heard you like that show from the friggin' now

1231
00:58:30,040 --> 00:58:33,880
Speaker 2: here this promo reel. They's your favorite show and you're like,

1232
00:58:33,920 --> 00:58:35,960
Speaker 2: well everyone loves dough Boys the most, and it's like, yeah,

1233
00:58:36,120 --> 00:58:39,840
Speaker 2: I don't really think that. Yeah, say us, I'm just

1234
00:58:39,880 --> 00:58:43,600
Speaker 2: having fun with my friends. Okay, Oh I love and

1235
00:58:43,600 --> 00:58:45,840
Speaker 2: I'm in love with Yeah.

1236
00:58:45,840 --> 00:58:49,240
Speaker 3: I don't think I have completed the episode. What was

1237
00:58:49,280 --> 00:58:51,520
Speaker 3: the no, I have not.

1238
00:58:52,760 --> 00:58:53,680
Speaker 2: They had a lot of shrimp.

1239
00:58:54,200 --> 00:58:56,120
Speaker 3: That's great, you ate a lot of shrimp, and I

1240
00:58:56,160 --> 00:58:58,040
Speaker 3: will listen to that. I like listening to people eat,

1241
00:58:58,400 --> 00:59:00,080
Speaker 3: which I think Sean knows, and so of course she

1242
00:59:00,400 --> 00:59:01,400
Speaker 3: unwrapped his protest.

1243
00:59:04,440 --> 00:59:05,960
Speaker 2: I mean it was good content eating.

1244
00:59:06,040 --> 00:59:09,560
Speaker 3: Yeah, it was good. I assume I have, as I said,

1245
00:59:09,800 --> 00:59:11,439
Speaker 3: let's do it. But I have listened to the Chicken

1246
00:59:11,520 --> 00:59:14,440
Speaker 3: Nugget Power Hour, and that was really really good. I

1247
00:59:14,440 --> 00:59:17,000
Speaker 3: almost threw up and then also wanted chicken nuggets, so

1248
00:59:17,040 --> 00:59:18,560
Speaker 3: I thought it was great content. I think I've actually

1249
00:59:18,600 --> 00:59:21,800
Speaker 3: listened to Dope Boys. Actually it's a great podcast. I'm

1250
00:59:21,800 --> 00:59:24,240
Speaker 3: not I have no affiliation. I know they they're doing

1251
00:59:24,280 --> 00:59:26,400
Speaker 3: really well, so you know, you can go you can

1252
00:59:26,400 --> 00:59:28,680
Speaker 3: see other patreoon how well they're doing.

1253
00:59:29,120 --> 00:59:32,720
Speaker 1: Parallel audio gives their artists a lot of freedom.

1254
00:59:33,280 --> 00:59:36,560
Speaker 3: Yeah, yeah, so they can make you know, tens of

1255
00:59:36,560 --> 00:59:39,560
Speaker 3: thousands of dollars from their podcast every month, which is

1256
00:59:41,400 --> 00:59:43,959
Speaker 3: for actually just a few thousand listeners paying a little

1257
00:59:43,960 --> 00:59:55,000
Speaker 3: bit of money. So it's pretty crazy. Oh my god, July, Okay, okay,

1258
00:59:56,360 --> 01:00:00,280
Speaker 3: I want Sean to apologize for what just happened.

1259
01:00:01,800 --> 01:00:02,000
Speaker 4: Jill.

1260
01:00:02,080 --> 01:00:03,560
Speaker 3: I thank you. I really I respect you and I

1261
01:00:04,120 --> 01:00:05,440
Speaker 3: appreciate that sentiment.

1262
01:00:05,560 --> 01:00:07,920
Speaker 2: That's really nice. Joe, I thank you, thank you.

1263
01:00:07,920 --> 01:00:10,160
Speaker 3: You know, I'm at work, so I'd like, I would

1264
01:00:10,280 --> 01:00:12,880
Speaker 3: prefer that we not have that kind of conversation here, okay.

1265
01:00:13,200 --> 01:00:17,480
Speaker 1: And I just learned about the power dynamics here. And

1266
01:00:17,480 --> 01:00:21,120
Speaker 1: as July's main boss, it was inappropriate to me to

1267
01:00:21,160 --> 01:00:22,960
Speaker 1: force him to say that he loves someone to someone

1268
01:00:22,960 --> 01:00:24,840
Speaker 1: who doesn't even really like that much.

1269
01:00:24,960 --> 01:00:26,200
Speaker 3: Okay, you know what.

1270
01:00:26,480 --> 01:00:28,120
Speaker 2: I'm sorry. It's time to listen.

1271
01:00:29,120 --> 01:00:31,760
Speaker 3: That was a really fucked up apology in which you

1272
01:00:31,960 --> 01:00:37,120
Speaker 3: offended me. Don't I don't want to, Kevin.

1273
01:00:37,000 --> 01:00:39,439
Speaker 2: Hey, boss, don't say that about the person I love.

1274
01:00:39,520 --> 01:00:42,520
Speaker 3: Okay, Wow, okay, how do you deal with that? Secondly?

1275
01:00:42,600 --> 01:00:42,840
Speaker 2: Kevin?

1276
01:00:42,840 --> 01:00:45,960
Speaker 1: And now she likes hearing it, Kevin, get me out

1277
01:00:45,960 --> 01:00:47,880
Speaker 1: of here, hey, back off?

1278
01:00:48,320 --> 01:00:50,840
Speaker 3: Thank you, Kevin. Punch both of these guys.

1279
01:00:50,920 --> 01:00:55,800
Speaker 1: Ow ow ow ow ow baby punches and punch Hayes.

1280
01:00:58,240 --> 01:01:01,400
Speaker 1: And I caught his fist, oh no, and he spun

1281
01:01:01,480 --> 01:01:04,640
Speaker 1: it around. Oh no, and he flipped him over by

1282
01:01:04,680 --> 01:01:08,160
Speaker 1: the fist. He's wagging him back and forth. It's like

1283
01:01:08,200 --> 01:01:10,840
Speaker 1: one hulk grabs dude by his like freaking feet.

1284
01:01:10,880 --> 01:01:11,880
Speaker 3: He's screaming uncle.

1285
01:01:12,320 --> 01:01:13,320
Speaker 2: Yeah, it's like Thor.

1286
01:01:13,560 --> 01:01:16,360
Speaker 3: He's screaming uncle like uncle.

1287
01:01:16,480 --> 01:01:19,960
Speaker 2: Jesse letting go, Hey, hey, save a slice for.

1288
01:01:20,040 --> 01:01:22,680
Speaker 3: Me, Uncle Jesse, Uncle Joey. We talked about all of

1289
01:01:22,680 --> 01:01:26,320
Speaker 3: those guys unraised by TV. It's a great show out

1290
01:01:26,360 --> 01:01:26,600
Speaker 3: of it.

1291
01:01:34,880 --> 01:01:36,360
Speaker 2: I'm a horny girl wolf.

1292
01:01:36,720 --> 01:01:40,440
Speaker 3: This has been an Earwolf production, executive produced by Scott Ackerman,

1293
01:01:40,560 --> 01:01:43,920
Speaker 3: Colin Anderson, and Chris Bannon. For more information and content,

1294
01:01:44,080 --> 01:01:49,360
Speaker 3: visit iarwolf dot com. Oh