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Speaker 1: And his drink that's motherfucking podcast Mason. He's a legendary

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Speaker 1: Queen's rapper. He's agree is your boy in o R.

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Speaker 1: He's a Miami hipp hop pioneer. Up his dj e FN.

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Speaker 1: Together they drinking up with some of the biggest players

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Speaker 1: in the most professional unprofessional podcast. And your number one

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Speaker 1: sort for drunk drink has motherfucking every day is New

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Speaker 1: Year's e for drink Champ trink up the three to

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Speaker 1: one year wouldn't could be hoping to the SUPERSI boy

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Speaker 1: or what up? His dj e F and his drinks

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Speaker 1: has motherfucker? Have you our makes up? And right now

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Speaker 1: joining us, we have a person that I've witnessed, you know,

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Speaker 1: come into the game. I witnessed meeting him through Leo

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Speaker 1: cons Leo comes brung him to a video shoot with

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Speaker 1: UH to a big pun video shoot. The first time

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Speaker 1: I ever met ed um Is Leo actually brought him

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Speaker 1: to me and he had a band down on and

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Speaker 1: he was smoking weed in the car service on his

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Speaker 1: first time. I see smoke weed in the car service.

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Speaker 1: This man has right from Batman to the one of

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Speaker 1: the biggest people on the fucking planet. I see I

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Speaker 1: lived in the same block as him. He had countless

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Speaker 1: number one. When your girl was emotional, it is because

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Speaker 1: of him. He's continuously stayed in your face. He smiled,

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Speaker 1: he did what he had to do. He stood tall,

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Speaker 1: and he's motherfucker's still in this motherfucking game. Just ripped

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Speaker 1: down the VMAs. His face was so closely close to

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Speaker 1: Jo's as believe it pointed at that his wife was

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Speaker 1: in the crowd. He was walking for me. Well, I

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Speaker 1: was like, damn, baby, if it's one person you could

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Speaker 1: get a chance with it, gonna let me spell. So

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Speaker 1: if you don't know who I'm talking about, dat night

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Speaker 1: to our second guest, I don't remember if he came late,

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Speaker 1: J J. Kiss came late, but that's how we could

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Speaker 1: buy them together. But in case you don't know who

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Speaker 1: the funk, I'm talking about, my motherfucking friend, my motherfucking legend,

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Speaker 1: the motherfucking longevity gal, motherfucking John rules in the building.

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Speaker 1: Now now listen, John, I've seen this as you long club.

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Speaker 1: I'm not gonna lie. Your bracelet game is very dam

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Speaker 1: I'm gonna be honest. That's explicit breaks the game right there,

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Speaker 1: just telling you your eye for accessories is get the books.

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Speaker 1: I get the books. Every time I purchase an idol,

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Speaker 1: they sent me the books and not just be looking.

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Speaker 1: So now I know because you know, one time I

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Speaker 1: met a dude with a presidential role that ship with

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Speaker 1: one diamond on it, and I thought it was whacking.

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Speaker 1: And I came back home and I was like, that's

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Speaker 1: a masterpiece. I didn't been so now I just know that.

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Speaker 1: But your very special job. You're still out here doing

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Speaker 1: what the funk you gotta do. I'm enjoying life. I

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Speaker 1: work hard, humble, you know, and just enjoying life. You

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Speaker 1: know me, and I know you and I love you

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Speaker 1: too as well. You know I love you too well. Bro.

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Speaker 1: So but let's let's take it from the beginning, because, um,

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Speaker 1: in the beginning, when we first saw Earth Gotti, we

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Speaker 1: saw him with Mike Geronimo. Facts, how did it go

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Speaker 1: from Earth being the guy to put on Mike Geronimo

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Speaker 1: to erv leaning towards cash money? Click? I want to

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Speaker 1: take it from that before we go into jar rules solo. Well,

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Speaker 1: I mean, because you guys, what was the first cash money?

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Speaker 1: I was gonna bring that vinyl to I have the vinyl?

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Speaker 1: You know what you know? Ev Irving. Mike had a

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Speaker 1: special relationship, and we say, Mike and Blood recordings with

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Speaker 1: recording TVT. What's that Steve got? Steve got, no reason, Steve,

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Speaker 1: Steve got you know, you know, you shout out to Steve.

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Speaker 1: You know, he was a big part of my beginning.

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Speaker 1: And w I'm sitting in a lot of people beginning,

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Speaker 1: a lot of a lot of people beginning. What are

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Speaker 1: you also fucked up? He slipped up, But still he

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Speaker 1: could have had Blake, He could have had me. He

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Speaker 1: could have murder DM Mexican at jay Z. No, No,

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Speaker 1: I don't say he could have had you know, he

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Speaker 1: could have got He listens to drink ch he could

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Speaker 1: have had us the chronic and you got you know,

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Speaker 1: Steve called me about the chronic. To Steve first, he

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Speaker 1: passed on it. First, he passed on the first chronic one.

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Speaker 1: He knew what the stars reading so good, so he

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Speaker 1: goes to Mike cam on them all and then they

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Speaker 1: go to cash Money Click, now, cash money click. You

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Speaker 1: guys do an album? Correct, Oh, it's just we we

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Speaker 1: we we we were in the process of making up.

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Speaker 1: We didn't get we didn't get a chance to fully

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Speaker 1: make the album. As you know see this is the

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Speaker 1: funny ship. Who's in cash money clicks me? My brother

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Speaker 1: Chris Black, Chris Black was going on What's Up Black?

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Speaker 1: What Up? One? It was my brother's man, and we

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Speaker 1: go on the show that was dope and the funny

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Speaker 1: ship is when we first got our deal. We know

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Speaker 1: we got the deal was like but thirty thirty wine

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Speaker 1: on thirty undred a piece of ship. Dude, let's do

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Speaker 1: the santh of magree. Let's ship. Okay, let's go, let's

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Speaker 1: go up. But they gave us like thirty five. We

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Speaker 1: split like thirty three hundred dollars a piece of ship. Like,

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Speaker 1: how was all that that was? How did that go down? No? No,

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Speaker 1: that's what we got. We got split thirty three hundred

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Speaker 1: and three ways three hundred. He's got three ny It

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Speaker 1: was like brands ship and we broke out five grands

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Speaker 1: pick up a trash you get the morning Up trash ship.

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Speaker 1: So we got we we did so so you know,

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Speaker 1: us being who we was, we saw you know, we

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Speaker 1: were still using that time. Black had to play I

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Speaker 1: am gonna flip some of his bread and makes you know,

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Speaker 1: makes money in the process started. In the process of that,

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Speaker 1: Black got locked up and did five years, God bless.

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Speaker 1: And then that that kind of tore apart with the

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Speaker 1: group was gonna be, you know what I'm saying. And

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Speaker 1: then so I was in limbo. You know, I ain't

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Speaker 1: know what what I was gonna do because the label

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Speaker 1: wasn't trying to just put out me and oh it

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Speaker 1: wasn't trying to do that. It was trying to, you know,

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Speaker 1: make it a group situation. Black was going So I

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Speaker 1: was kind of trying to wave it out and see

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Speaker 1: what's going on. Mike was doing his thing. God, he

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Speaker 1: was doing this thing with Mike. But Mike and got

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Speaker 1: he started getting into a little riff, you know what

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Speaker 1: I mean, And it was that a flush of Holly ship. No.

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Speaker 1: I wouldn't say s. I just said, you know, Mike, No, Mike.

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Speaker 1: Mike had ambitions to to work with other producers that

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Speaker 1: was from his hood, like large professor, you know, like that,

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Speaker 1: you know what I'm saying. He wanted to He wanted

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Speaker 1: to really like work with those dudes. Got He like

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Speaker 1: keeping in the house, Yeah, God, he got. He felt

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Speaker 1: a little slightly because it was like, Yo, I put

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Speaker 1: you in this position, and as soon as you're getting

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Speaker 1: a position, you want all these other dudes to make

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Speaker 1: it be so they had a little thing with them

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Speaker 1: or whatever, and it didn't have nothing to do with me.

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Speaker 1: I really didn't didn't didn't care what was going on that.

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Speaker 1: I just wanted to make music and do my thing.

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Speaker 1: And so that's that's basically how that was rolling out.

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Speaker 1: Mike and gott He got into a fallout, which was

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Speaker 1: the end of that and which was really the beginning

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Speaker 1: of damn It. So do you guys, do you guys

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Speaker 1: actually do an album or what was it? We didn't

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Speaker 1: do an album on t VT. We did an album

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Speaker 1: after I was signed the Death Champ. Damn I went

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Speaker 1: back Halla Halla after that, you did click after after that?

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Speaker 1: After that, it never came out. Who has that album?

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Speaker 1: I don't know. It was a dope put it out right, yeah,

139
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Speaker 1: but it was. It was a dope album. We we

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Speaker 1: recorded the album because Leo said that I could go

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Speaker 1: back and do the album with my guys. Now, let's

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Speaker 1: be clear. Is that because Steve Gottli threatened Leo because

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Speaker 1: he was still signed No no, no, no no no. I

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Speaker 1: was off the label at that time. I wouldn't sign anymore.

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Speaker 1: I wanted to go back and do a record with

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Speaker 1: with my dudes, you know, so with my nikes, So

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Speaker 1: why not doing that deaf because they were still signing

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Speaker 1: of the group. So that was the catch stunna sign you.

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Speaker 1: So Leo felt like, dog, I'm not not giving you

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Speaker 1: my couch. You know how they're talking about. Let's know

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Speaker 1: what I'm saying, not giving you my couch like this,

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Speaker 1: that's my couch, you know what I'm saying. And I

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Speaker 1: built this couch, you know, with real that he was

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Speaker 1: I wanted to do something with my my niggas a

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Speaker 1: dope project. That would have been dope. It would have

156
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Speaker 1: been dope on death jamb But Steve wasn't having that.

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Speaker 1: So we did. We did the whole project on t

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Speaker 1: v T and produced it, produced it. We didn't he talk,

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Speaker 1: We didn't. We We did the project on t v T.

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Speaker 1: Come time to drop, photo shoot, whole ship, hold on

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Speaker 1: and everything ready to go. Come time for the ship

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Speaker 1: to drop. Leo was like, I would never give you

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Speaker 1: jack for that project. So now we're like, Leo, but

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Speaker 1: you said, I never said that. That sounds just like him,

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Speaker 1: And so Steve suit Leo and that was a whole

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Speaker 1: fucking crazy situation and ship called. So, so actually what

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Speaker 1: you originally a solo artist or I was? I was,

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Speaker 1: I wasn't the girl originally that's how you thought like

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Speaker 1: your career. But then like as a group, that's how

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Speaker 1: I wanted, you know what I mean, how did you

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Speaker 1: get the death Jam deal? So it's kind of it's

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Speaker 1: kind of crazy, I should go. So we get we

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Speaker 1: get a call actually Foxy Browne, that might say, getting

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Speaker 1: big shot Foxes back. So anyway, it was, it was

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Speaker 1: it was a funny time. So I was around eighteen

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Speaker 1: nineteen in that area and they was doing a birthday party.

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Speaker 1: I was having a birthday party at Q Club, que

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Speaker 1: Club and Queens and so everybody was at the ship.

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Speaker 1: You know, I'm about to say something crazy, but let

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Speaker 1: let me let me like I totally relaxed. Yeah, everyone

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Speaker 1: I was at to you know, death que everybody's dear

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Speaker 1: you know, bringing one of them Bam black Us God

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Speaker 1: bless day boys did and so you know, at the time,

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Speaker 1: you know I was up and coming or whatever. You know,

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Speaker 1: they knew Mike drawing all his ship and they knew

186
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Speaker 1: about to click. We're not like that, but they knew

187
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Speaker 1: we had out two of the records. Or whatever. So

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Speaker 1: Ja and Foxy was performing ain't no nigger at night

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Speaker 1: like the one I got no one that thing. So

190
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Speaker 1: there was a former at that night. So I was

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Speaker 1: there and and and Fox was there, and you know,

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Speaker 1: I was a little nigga that all of the gangster

193
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Speaker 1: niggers was showing love to, you know, sending me bottles

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Speaker 1: and ship like that, and you know, just just real

195
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Speaker 1: showing love for my birthday at the time, a lot

196
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Speaker 1: of handy already. So Fox is like, Yo, who's this niggah?

197
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Speaker 1: So Pretty comes and said, Yo, come kicking with Fox?

198
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Speaker 1: And Pretty Pretty comes to yo, you know, Fox with

199
00:11:58,160 --> 00:12:02,240
Speaker 1: meet you whatever whatever. So I downstairs Fox with Fox

200
00:12:02,360 --> 00:12:04,760
Speaker 1: and Ship we kick it, you know how. She tell her,

201
00:12:04,800 --> 00:12:07,480
Speaker 1: you know what, I'm who, I am wrapping and I'm

202
00:12:07,520 --> 00:12:09,160
Speaker 1: trying to wrap do one thing, you know, all that ship.

203
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Speaker 1: So me and Fox, you know, we we got a

204
00:12:12,440 --> 00:12:16,360
Speaker 1: bond of friendship out of that. So long behold. One

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Speaker 1: day she's in the office and Leo is trying to

206
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Speaker 1: find new groups to sign. He's looking at Lord to

207
00:12:23,679 --> 00:12:28,520
Speaker 1: re competer guns and cash when he clicked. So he

208
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Speaker 1: asks Foxes number one star at the time closing office,

209
00:12:32,840 --> 00:12:36,400
Speaker 1: says Yo, I'm looking to signs these new artists. You know,

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Speaker 1: what do you think about these guys? We think about

211
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Speaker 1: Peter Guns, go through these guys cast when you click

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Speaker 1: When when he said Cashine could, she was like, yo,

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Speaker 1: tho's my niggas. The niggas is dope and saying like, yo,

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Speaker 1: you just fun with them. They get busy. So she

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Speaker 1: hits me, she said, yo, they goes from that to yo,

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Speaker 1: we don't want to sign you. Yeah yeah, yeah, no,

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Speaker 1: you got We're talking about Fox Friends. So so anyway,

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Speaker 1: so so um she um called me and told me, Yo,

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Speaker 1: Leo wants to sign y'all. And you knew who Leo

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Speaker 1: was at the time. Okay, so I say, okay, I

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Speaker 1: called got it? Oh my, got it. Leo wants to

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Speaker 1: sign us. He's looking forward to sign the crew. You

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Speaker 1: want to sign you God? He's like, fruit, will you

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Speaker 1: get this from Fox? He told me this is really

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Speaker 1: you know what he calls j Yeah, he calls Jack.

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Speaker 1: They had to record together, so he figured Jay might

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Speaker 1: know a little more inside on it. Ja and Jay

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Speaker 1: and James basically, I don't really know that about it,

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Speaker 1: but let me do some you know, surging around and

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Speaker 1: find out. So he goes, does a little research and

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Speaker 1: come back to guy said, Yo, it's really all wants

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Speaker 1: to set up a meet me. Job means to get

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Speaker 1: the meetings, to get the met and get set up.

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Speaker 1: We go to meet We get to me and Leo

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Speaker 1: comes out, does the whole you know, ship with us,

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Speaker 1: takes us in the back. Long story short. He says,

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Speaker 1: he only wants to sign me, but you had solo records?

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Speaker 1: How did how did he? I had get the Fortune,

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Speaker 1: which was kind of like a solo record, you know

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Speaker 1: what I mean? It was it was me rhyming basically

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Speaker 1: most of the record like black and only had like

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Speaker 1: small small parts of the second verse and the third verse.

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Speaker 1: So I basically it was my record, you know what?

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Speaker 1: We here and uh, I hadn't had any solo records yet,

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Speaker 1: so you didn't even think of that. So it was

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Speaker 1: Leo the first person to make you think that her. Yeah,

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Speaker 1: I'm asking, yeah, you know what, I never really thought

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Speaker 1: of it like that, but yeah, basically leg made me.

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Speaker 1: He made me. He's like, yo, I only want to

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Speaker 1: sign the little guy with a big voice. And so

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Speaker 1: now we're all sitting and that I'm like, Yo, this

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Speaker 1: is you know how that ship. It has been a

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Speaker 1: sweet It's like funk, I finally got my deal that

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Speaker 1: I want, but now it's you know whatever, So I

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Speaker 1: wouldn't you know, we talked about it and owned black

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Speaker 1: you know they they black as in jail. Oh you know,

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Speaker 1: he gave me his blushing like, OK ahead and man,

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Speaker 1: we will will will double back and do this later,

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Speaker 1: which was what I was trying to do when I

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Speaker 1: did the Cash Money Click album and believe or stopped that.

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Speaker 1: So now you signed as a solo artist, signed as

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Speaker 1: a solo artist, you come out with Holla holler, right,

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Speaker 1: Halla Halla has a success, But I don't think it's

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Speaker 1: the success that you want. Am I correct? With Like,

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Speaker 1: outside of looking at it, why do you say that

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Speaker 1: I'll get to it later? I'm just asking, am I correct?

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Speaker 1: Remember my me? I get to it later? Did he

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Speaker 1: was gett a great job yesterday? I wouldn't say. I

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Speaker 1: wouldn't say that, you know, I you know, because at

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Speaker 1: the time, I really, you know not In that error,

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Speaker 1: hip hop niggas was really only doing gold. The only

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Speaker 1: niggas that was selling balk was West Coast Nigga. Yeah.

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Speaker 1: I was a goldennig I was the gold Nick. This

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Speaker 1: goal was it was like the platinum for Man Man

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Speaker 1: that was d So when I came over and over

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Speaker 1: to death Jam that was the standards was doing. Go

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Speaker 1: got it? You know, he was like, funk that. You

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Speaker 1: know what I'm saying. We want to sell both. We

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Speaker 1: want to sell like the niggas on the West Coast.

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Speaker 1: So you know, I had it in the back of

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Speaker 1: my mind, but it wasn't really like something that I

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Speaker 1: thought was really possible. At the top. I just like,

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Speaker 1: you know, if I go go, I know I'm gonna

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Speaker 1: get another record on death. You gotta understand. So when

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Speaker 1: you signed the death Sign of the Death Chairs too,

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Speaker 1: so my motherfuck, it's not even basically because it's like

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Speaker 1: it ain't like the track. It's a whole another fight

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Speaker 1: with de Jim. Now you gotta get from my story.

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Speaker 1: I remember story you came to Let I remember story

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Speaker 1: you came to me, and I had the same as

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Speaker 1: act story. You came to me one day and said

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Speaker 1: that Leo writed you to this uh place on twenty

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Speaker 1: A Park. I forget where it is, and you said,

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Speaker 1: is it nice? And he said, yeah, make sure you

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Speaker 1: had enough to come here next year. And I had

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Speaker 1: that same as act story the day before or the

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Speaker 1: day after. It could have been the day after you

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Speaker 1: and that describes death camp. At that moment. It's like, yo, motherfucker,

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Speaker 1: if you hot, then we're gonna sunk with you. If

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Speaker 1: you're not, we're funking with the motherfucker that's hot. That's it.

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Speaker 1: And that was it. And it was straight up and down,

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Speaker 1: so it's not even disrespect. Definitely was an institution. Man,

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Speaker 1: they grew yourself fast. Damn institution. Damn. I ain't look

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Speaker 1: at it like that, but it was. It was, it was,

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Speaker 1: it was. It was the school of hard knocks for

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Speaker 1: hip hop. Because even that didn't wasn't sign of death

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Speaker 1: would be in the dabels that rush management then, so

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Speaker 1: everybody was there. The whole industry that was like ground

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Speaker 1: was like that. Okay, so Halla Halla comes comes out?

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Speaker 1: Who was six? You know that was any better? Beat

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Speaker 1: you bad? Great? A right comes out? And then after

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Speaker 1: this it's a switch. But you didn't get back to

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Speaker 1: why he didn't like hollo hollo. Oh yeah, I didn't

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Speaker 1: like halo holo. So where did you get that from? Okay,

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Speaker 1: I'm gonna tell you now. Was the time? The time

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Speaker 1: is Okay, you gotta want you. You got me. Just

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Speaker 1: the reason why is because of the switch. The switches

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Speaker 1: holla holla, was like, it's for the holliest base. And

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Speaker 1: I'm gonna tell you. I'm gonna tell you one. I'm

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Speaker 1: gonna tell you. It's a personal story. Me and you.

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Speaker 1: We had lived six months together in the same block

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Speaker 1: and we had in spoke right, and it was just

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Speaker 1: one day you knocked at my door. He was like,

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Speaker 1: you smoked. I was like, yeah, like I'm smoking right now.

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Speaker 1: He was like, you got cigars and I have feelings.

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Speaker 1: That's why you just ranked on me earlier. This is

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Speaker 1: when y'all lived in Jurny, not left ye already you already.

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Speaker 1: And then one day I'm gonna be honest, I don't know,

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Speaker 1: tell me if I'm wrong with the timeline. But one

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Speaker 1: day it was fucking with you and you knocked on

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Speaker 1: my door and this is not to be cool already

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Speaker 1: and nothing on. He said, yo, let me tell you something.

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Speaker 1: He said, let me ask you something, and I said,

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Speaker 1: what's up? He said, you think I sound like X

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Speaker 1: And I was like no, and he was like I know,

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Speaker 1: I don't. It's you know, we both loud and then

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00:19:31,119 --> 00:19:33,440
Speaker 1: and then I don't know if it was from that

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Speaker 1: moment on, but you changed your whole ship from like

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Speaker 1: you you trusted me because I was like, like like

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Speaker 1: a stranger basically, but I mean your same game and

341
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Speaker 1: you knocked them out thor you asked me that you

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Speaker 1: know what it was. It's like you're an artist because

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Speaker 1: you know why me cut you off. You know why

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00:19:53,520 --> 00:19:55,360
Speaker 1: it was going I knew exactly what just going through

345
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Speaker 1: because I had came out to Pola Noriega and everyone

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Speaker 1: compared me to marb d And that's what that's that's

347
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Speaker 1: why you felt me because I was like, yo, listen,

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Speaker 1: everyone could pay me, and this is what I told

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Speaker 1: you everyone, Mike Ron, But I don't know if I

350
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Speaker 1: told you this what I remember, And I don't know

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Speaker 1: because I'm trying to claim credit for something may maybe

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00:20:14,080 --> 00:20:17,600
Speaker 1: I don't can't credit. But I said, that's why I

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Speaker 1: sucked it for rep. I said, for real, made me

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Speaker 1: different direction, and you never answering me. You just you

355
00:20:25,160 --> 00:20:28,360
Speaker 1: listened to me, and then you start coming with these

356
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Speaker 1: other records and your cars started changing down the block.

357
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Speaker 1: I'm gonna be this is the first thing I thought.

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Speaker 1: I didn't even know what that was. At first, I'm

359
00:20:39,400 --> 00:20:45,320
Speaker 1: going to say, what is that? Okay? But whatever before

360
00:20:45,359 --> 00:20:47,399
Speaker 1: he answered this, what other records? Did you notice that

361
00:20:47,560 --> 00:20:51,120
Speaker 1: started sounding different? No, it was it was that after

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Speaker 1: that album I forget. It was the first single from

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Speaker 1: the next album. It was swee you I think between

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Speaker 1: me and you, And it was from that moment that

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Speaker 1: I felt, in my opinion, mind you, I'm still a fan.

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Speaker 1: You're my friend at this time, I'm still a fan

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Speaker 1: in my opinion. That was your way of saying I'm

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Speaker 1: my own motherfucking Differentia. You know what I'm saying. Let

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Speaker 1: me tell you. So. Yeah, when you're artist and you're

370
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Speaker 1: a new artist, people feel in need to compare you

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Speaker 1: to something which is not all the way back what

372
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Speaker 1: I care. It's always gonna be like people and whatever,

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Speaker 1: It's gonna be all this sky's like that's what most

374
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Speaker 1: of the time. Whatever. You know, he's the new Steph Curt.

375
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Speaker 1: It's always gonna be that guy that's you know, compared

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Speaker 1: to so I was getting so much yo. You know,

377
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Speaker 1: he sounds like eggs he he you know, he's want

378
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Speaker 1: to be Tupac And it's like guys, you know, like

379
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Speaker 1: these guys you know what me and Extra foot first

380
00:22:04,200 --> 00:22:08,240
Speaker 1: first of all. But Tupac, He's like, of course I

381
00:22:08,359 --> 00:22:10,639
Speaker 1: love Tupac. Looked up to two PACs. It was sucking

382
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Speaker 1: dope to everybody. So and this is what I see.

383
00:22:13,880 --> 00:22:15,200
Speaker 1: These are the things that try to I'm teaching my

384
00:22:15,280 --> 00:22:17,159
Speaker 1: son because he raps. Now I'm trying to teach him something.

385
00:22:17,480 --> 00:22:25,879
Speaker 1: You know, yeah, just like no kick you out. But

386
00:22:26,000 --> 00:22:29,880
Speaker 1: what I tell him more he is you can't fit

387
00:22:29,960 --> 00:22:34,360
Speaker 1: in when you stand down. Wait what time I'm gonna

388
00:22:34,400 --> 00:22:37,680
Speaker 1: explain that. What I'm saying and and and what I

389
00:22:37,760 --> 00:22:42,639
Speaker 1: mean by that is I was a young kid not

390
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Speaker 1: seeing myself as jar rou and being influenced by hip hop.

391
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Speaker 1: So yeah, I went and got tattoos like everybody else

392
00:22:53,440 --> 00:22:57,920
Speaker 1: is getting tattoos. Motherfucker's was rocking bandanas. I was rocking Bandannis.

393
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Speaker 1: But what I wasn't realizing that is I'm becoming job Rule.

394
00:23:03,560 --> 00:23:06,680
Speaker 1: So now John Rule is gonna be looked at and

395
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Speaker 1: scrutinized different than just a kid that's on the street

396
00:23:10,880 --> 00:23:15,600
Speaker 1: emulating his favorite artist. You understand what I'm saying. So

397
00:23:16,400 --> 00:23:18,960
Speaker 1: that's what I mean by it's hard to fit in

398
00:23:19,760 --> 00:23:23,440
Speaker 1: when you stand out. I was becoming a standout. It

399
00:23:23,600 --> 00:23:27,200
Speaker 1: was impossible for me to fit in and be part

400
00:23:27,280 --> 00:23:30,560
Speaker 1: of the in crowd of what niggas was doing anymore.

401
00:23:31,119 --> 00:23:34,320
Speaker 1: So in my mind, I said, you know what, I'm

402
00:23:34,359 --> 00:23:37,760
Speaker 1: an artist. First, I have to change this whole narrative.

403
00:23:37,840 --> 00:23:42,200
Speaker 1: I have to become job rule was it ecstasy? Stow

404
00:23:42,240 --> 00:24:02,359
Speaker 1: it out there, you guys, LIAMI, because it's over planning,

405
00:24:02,520 --> 00:24:05,960
Speaker 1: hind rolls and make it take and listen every little

406
00:24:06,040 --> 00:24:08,120
Speaker 1: thing that we did not prop up in my hand,

407
00:24:08,200 --> 00:24:19,840
Speaker 1: my nigga studio. You know, I get a lot to you.

408
00:24:20,320 --> 00:24:25,480
Speaker 1: But but um, because because YO listen rule, Um, it

409
00:24:25,640 --> 00:24:28,480
Speaker 1: was beautiful to see that transition though it was beautiful

410
00:24:28,560 --> 00:24:32,080
Speaker 1: for you to that's all. That's all. You should be

411
00:24:32,240 --> 00:24:36,679
Speaker 1: able to transcend and do different things. What's you're awful

412
00:24:37,160 --> 00:24:39,239
Speaker 1: and sometimes you're coming to your own. I think that's

413
00:24:39,280 --> 00:24:42,680
Speaker 1: what you're saying. Yes, eventually you're gonna emulation and you're

414
00:24:42,720 --> 00:24:50,800
Speaker 1: coming to your own and change. But yes, talking bro',

415
00:24:52,400 --> 00:24:57,040
Speaker 1: if you I'm sorry, it's it's my life. It's my life.

416
00:24:57,160 --> 00:25:00,720
Speaker 1: Is life? Don't work work or if you if you

417
00:25:01,520 --> 00:25:05,040
Speaker 1: you know, are an artist and and and you want

418
00:25:05,119 --> 00:25:08,119
Speaker 1: to elevate and change. Sometimes the fans I want you

419
00:25:08,119 --> 00:25:11,000
Speaker 1: to do that, but I'm sorry because what was the

420
00:25:11,040 --> 00:25:14,040
Speaker 1: first thing? Okay, we just between me and you, right,

421
00:25:14,400 --> 00:25:17,359
Speaker 1: So what was the moment when you said I'm gonna

422
00:25:17,480 --> 00:25:19,840
Speaker 1: stick with this form of because it worked, or you

423
00:25:19,920 --> 00:25:22,440
Speaker 1: said I'm gonna go back. What was the moment where

424
00:25:22,480 --> 00:25:25,080
Speaker 1: you say, you know what, fuck it, I'm gonna just

425
00:25:25,200 --> 00:25:27,800
Speaker 1: I'm gonna just stick here, because I remember it was

426
00:25:28,000 --> 00:25:31,080
Speaker 1: it was, it was. I don't remember the exact moment

427
00:25:31,520 --> 00:25:33,280
Speaker 1: because it was like we took a lot of drugs

428
00:25:33,320 --> 00:25:35,920
Speaker 1: and no, no, no, it was because because it was

429
00:25:36,160 --> 00:25:39,639
Speaker 1: it was. It was then on slaughter you look, you're

430
00:25:39,680 --> 00:25:41,600
Speaker 1: trying to be like you sound like you you know.

431
00:25:41,720 --> 00:25:45,160
Speaker 1: So it was also so the conscious decision was just made,

432
00:25:45,240 --> 00:25:47,760
Speaker 1: like you know what, I have to come into my

433
00:25:47,840 --> 00:25:51,159
Speaker 1: own my hair and you. Right, we said between me

434
00:25:51,200 --> 00:25:56,160
Speaker 1: and you, Yeah, between that's that's a little more Christian man,

435
00:25:57,840 --> 00:26:16,320
Speaker 1: you put the y'all on you. That's not that's not

436
00:26:16,440 --> 00:26:18,800
Speaker 1: in my little time. I don't know if that was

437
00:26:18,880 --> 00:26:22,359
Speaker 1: one of her first records, so I'm not earlier and

438
00:26:22,440 --> 00:26:25,119
Speaker 1: we loved early and Christie, we loved her, but that

439
00:26:25,240 --> 00:26:27,040
Speaker 1: was her first record that we know it was early

440
00:26:27,080 --> 00:26:29,800
Speaker 1: in her career. Yeah, that's so how did you know?

441
00:26:30,480 --> 00:26:35,760
Speaker 1: How did she christ? What happened? Was she was that jam? Well,

442
00:26:35,880 --> 00:26:38,480
Speaker 1: that's well, yeah, she was on deaf jam and and

443
00:26:39,280 --> 00:26:42,000
Speaker 1: you know she was a new town on Jeff jam

444
00:26:42,119 --> 00:26:44,280
Speaker 1: that they was trying to when they set that up

445
00:26:44,320 --> 00:26:47,520
Speaker 1: to set you know, you know that was your choice

446
00:26:47,600 --> 00:26:53,960
Speaker 1: or death damper because you order and um um it

447
00:26:54,200 --> 00:26:57,000
Speaker 1: was it was a mutual choice. And what was it?

448
00:26:57,080 --> 00:26:59,040
Speaker 1: What was what was in the first albums TC six,

449
00:26:59,119 --> 00:27:03,920
Speaker 1: No One, No Visions and that would go, that would

450
00:27:04,000 --> 00:27:11,440
Speaker 1: go no right like black almost two million? Damn, I

451
00:27:11,480 --> 00:27:17,080
Speaker 1: gotta relax, you gotta relaxed. I'm counting your money. It's

452
00:27:17,200 --> 00:27:19,800
Speaker 1: totally totally out of line, totally out of line, this

453
00:27:20,080 --> 00:27:25,200
Speaker 1: comp altogether alright. So so you come up with this record.

454
00:27:25,440 --> 00:27:34,639
Speaker 1: Now she's even you guys that you gotta relax. So

455
00:27:35,320 --> 00:27:37,160
Speaker 1: you come there. You ain't gotta joint, bro, you gotta

456
00:27:37,560 --> 00:27:41,280
Speaker 1: change change then got I was talking about too earlier

457
00:27:44,440 --> 00:27:48,960
Speaker 1: to you and you said, I know, talking on camera,

458
00:27:49,400 --> 00:27:55,920
Speaker 1: you gotta relax on camera, camera persona camera at all. OK.

459
00:27:56,920 --> 00:27:59,879
Speaker 1: So you come up with this first single, this is

460
00:28:00,040 --> 00:28:04,520
Speaker 1: that's happens. Depth jam is now pushing you towards what

461
00:28:04,800 --> 00:28:08,440
Speaker 1: there is the thing. You know, Leo's saying, they didn't

462
00:28:08,440 --> 00:28:11,240
Speaker 1: like you gotcheck your underbelly. That's what you're telling me

463
00:28:11,560 --> 00:28:16,320
Speaker 1: is that's the exact statements, an exact statement those words.

464
00:28:19,640 --> 00:28:21,359
Speaker 1: By the way, I still know what the underbelly is.

465
00:28:21,359 --> 00:28:25,119
Speaker 1: I think that's your dick. I'm just doing what the

466
00:28:25,240 --> 00:28:27,639
Speaker 1: underbelling is. What he's saying, you have to protect you.

467
00:28:28,200 --> 00:28:31,959
Speaker 1: You know, it's your blindsided, your body, your hardcore fans.

468
00:28:32,040 --> 00:28:34,360
Speaker 1: You know what I'm saying. You don't know that, yeah,

469
00:28:35,080 --> 00:28:39,920
Speaker 1: basically saying so. But but you know, they basically wanted

470
00:28:40,000 --> 00:28:43,360
Speaker 1: me to make another hour. I'm like, I'm not gonna

471
00:28:43,440 --> 00:28:45,040
Speaker 1: do that. You know what I'm saying, Like that's not

472
00:28:45,160 --> 00:28:48,680
Speaker 1: Brazil with Gloria, But that's never happening. I'm never making

473
00:28:48,720 --> 00:29:00,280
Speaker 1: another hour. You just so that's remember you broke as well,

474
00:29:00,440 --> 00:29:03,720
Speaker 1: Like you sounded horrible, I ain't broke her as well.

475
00:29:07,680 --> 00:29:09,560
Speaker 1: A lot of way. This is a foul show. I

476
00:29:09,600 --> 00:29:14,080
Speaker 1: don't even mean it like that. You can come on

477
00:29:14,120 --> 00:29:19,560
Speaker 1: the show. At the show they got shot. Was the

478
00:29:19,560 --> 00:29:22,400
Speaker 1: first time I store was in that video she had

479
00:29:22,480 --> 00:29:25,080
Speaker 1: like the black thing on, wasn't It was very crazy.

480
00:29:25,120 --> 00:29:27,600
Speaker 1: I was like, oh my god, holy moldly like and

481
00:29:27,680 --> 00:29:31,720
Speaker 1: then didn't you Yes, yes, okay. The video fixings were

482
00:29:31,760 --> 00:29:36,000
Speaker 1: a big part of hip hop culture, and I mean

483
00:29:36,400 --> 00:29:39,040
Speaker 1: throughout ever Yerror. You know, they played a big part.

484
00:29:40,760 --> 00:29:47,320
Speaker 1: The video mixesix video vixing they did, they did dot

485
00:29:47,360 --> 00:29:56,120
Speaker 1: com the party, do idea or leave it you want,

486
00:30:02,080 --> 00:30:05,520
Speaker 1: because I don't know. If you've seen, you had to

487
00:30:05,640 --> 00:30:08,680
Speaker 1: have seen. It's so crazy. You can't even avoid it

488
00:30:08,720 --> 00:30:10,680
Speaker 1: if he's not trying to see it. I've seen it.

489
00:30:10,760 --> 00:30:13,400
Speaker 1: I've seen it a hunted time, so I know, Rue,

490
00:30:13,400 --> 00:30:16,680
Speaker 1: because you don't do interviews. That's another thing. I don't

491
00:30:16,760 --> 00:30:18,600
Speaker 1: do anything. And you know how many people are gonna

492
00:30:18,600 --> 00:30:22,320
Speaker 1: be mad at me about you know what? This is

493
00:30:22,360 --> 00:30:25,800
Speaker 1: why I gotta let me. This is my brother relationships,

494
00:30:27,000 --> 00:30:35,280
Speaker 1: my real favorite brother vixen. Is there anything to comment on,

495
00:30:35,400 --> 00:30:38,720
Speaker 1: superhand or we just get man? You know it's like,

496
00:30:40,560 --> 00:30:42,960
Speaker 1: you know, she she she's her and she does what

497
00:30:43,200 --> 00:30:45,480
Speaker 1: she does and that's you know, her thing. You know

498
00:30:45,520 --> 00:30:50,000
Speaker 1: what I'm saying? That was real alright, Fellas Drink, Champs, Army,

499
00:30:50,240 --> 00:30:51,880
Speaker 1: all the guys out there, This one was for you.

500
00:30:52,720 --> 00:30:55,000
Speaker 1: Sixty six percent of men lose their hair by age

501
00:30:55,000 --> 00:30:57,560
Speaker 1: thirty five. The thing is when you start to notice

502
00:30:57,680 --> 00:31:00,400
Speaker 1: hair loss is too late, it's gone. It easier to

503
00:31:00,560 --> 00:31:03,040
Speaker 1: keep the hair you have than to replace the hair

504
00:31:03,160 --> 00:31:06,520
Speaker 1: you've lost. Trust me, I know this is that hairline

505
00:31:06,560 --> 00:31:10,080
Speaker 1: slowly starting to move backwards. Any ball spots yet? How

506
00:31:10,120 --> 00:31:12,080
Speaker 1: do you feel a year from now if it's business

507
00:31:12,080 --> 00:31:14,520
Speaker 1: as usually you ain't doing nothing about it? Do you

508
00:31:14,560 --> 00:31:16,440
Speaker 1: want a boss spot to pop up? Or do you

509
00:31:16,480 --> 00:31:18,360
Speaker 1: want to do something about it first? Do you want

510
00:31:18,400 --> 00:31:19,920
Speaker 1: your hairline to recede or do you want to do

511
00:31:20,000 --> 00:31:22,280
Speaker 1: something about it first? Why do you guys turn all

512
00:31:22,320 --> 00:31:26,200
Speaker 1: these crazy weird solutions, rubbing stuff on their head that

513
00:31:26,320 --> 00:31:28,680
Speaker 1: their cousins, cousin's friend told them to put on there,

514
00:31:29,400 --> 00:31:31,480
Speaker 1: or do nothing at all when they can turn the

515
00:31:31,560 --> 00:31:35,120
Speaker 1: medicine and science. You see, it's for hims dot Com.

516
00:31:35,200 --> 00:31:38,040
Speaker 1: We've been telling you about them. They got it. They

517
00:31:38,080 --> 00:31:41,280
Speaker 1: are one stop shot for hair loss, skincare and all

518
00:31:41,360 --> 00:31:46,040
Speaker 1: men's wellness. Thanks to science, baldness can be optional. We

519
00:31:46,200 --> 00:31:49,600
Speaker 1: believe in science people. HYMNS connects you with the real

520
00:31:49,720 --> 00:31:52,920
Speaker 1: doctors and medical great solutions to treat your hair loss,

521
00:31:53,480 --> 00:31:56,600
Speaker 1: well known generic equivalents to name brand prescriptions to help

522
00:31:56,640 --> 00:31:59,640
Speaker 1: you keep your hair. Yes, It's simple. No snake oil

523
00:31:59,680 --> 00:32:02,440
Speaker 1: pills or gas station counter supplements. Like Eddie Giggs, he

524
00:32:02,600 --> 00:32:06,960
Speaker 1: loves the gas station joint prescription solutions backed by science.

525
00:32:07,880 --> 00:32:11,080
Speaker 1: No waiting room, no awkward doctor visits. Save hours by

526
00:32:11,120 --> 00:32:14,360
Speaker 1: going to for hims dot com. It's easy, answer a

527
00:32:14,440 --> 00:32:17,560
Speaker 1: few quick questions, a doctor will review and prescribe you.

528
00:32:18,120 --> 00:32:21,640
Speaker 1: Products are shipped directly to your door, to your crib,

529
00:32:21,920 --> 00:32:24,480
Speaker 1: wherever you wanted, to, your neighbor, your girlfriend's house, your

530
00:32:24,520 --> 00:32:27,680
Speaker 1: po box, whatever you know. We told you about Eddie

531
00:32:27,680 --> 00:32:31,840
Speaker 1: Giggs straight up, he loved the gas station joins. Those

532
00:32:31,880 --> 00:32:35,120
Speaker 1: packets for anything he had, any issue he had for

533
00:32:35,240 --> 00:32:37,840
Speaker 1: hair loss, for for for for for you know, banging

534
00:32:37,880 --> 00:32:40,520
Speaker 1: out whatever. He was buying those packets, and we was

535
00:32:40,600 --> 00:32:43,320
Speaker 1: always clowning him because they didn't work for him. Nothing

536
00:32:43,400 --> 00:32:45,760
Speaker 1: worked for him. But ever since we got for hims

537
00:32:45,840 --> 00:32:49,560
Speaker 1: dot com, he started using the products and he's starting

538
00:32:49,600 --> 00:32:53,040
Speaker 1: to see real results. So order now and our drink

539
00:32:53,120 --> 00:32:56,120
Speaker 1: Champs Army listeners get a trial month of Hymns for

540
00:32:56,280 --> 00:33:00,280
Speaker 1: just five dollars today, right now, while supplies last. See

541
00:33:00,320 --> 00:33:03,400
Speaker 1: website for full details. This will cost hundreds if you

542
00:33:03,440 --> 00:33:06,440
Speaker 1: went to the doctor or pharmacy, go to four hymns

543
00:33:06,560 --> 00:33:10,840
Speaker 1: dot com forward slash drink. That's f O R H

544
00:33:11,000 --> 00:33:14,760
Speaker 1: I M s dot com forward slash d r I

545
00:33:15,000 --> 00:33:19,360
Speaker 1: n K. That's four hymns dot com forward slash drink.

546
00:33:19,720 --> 00:33:21,720
Speaker 1: I don't know what you say, but it was odd

547
00:33:22,720 --> 00:33:31,240
Speaker 1: a little class right right. You know, you gotta let

548
00:33:31,320 --> 00:33:33,600
Speaker 1: it be when it gotta be. Hey, listen, man, you

549
00:33:33,680 --> 00:33:37,600
Speaker 1: know what I've learned to be on the side of positivity.

550
00:33:39,560 --> 00:33:43,640
Speaker 1: I don't let things get to me anymore. I just

551
00:33:43,880 --> 00:33:45,560
Speaker 1: you know, I let it roll out my back man,

552
00:33:45,680 --> 00:33:48,760
Speaker 1: and and go on about my positive life and and

553
00:33:48,920 --> 00:33:51,720
Speaker 1: and doing things that I like to do. You know

554
00:33:51,720 --> 00:33:53,280
Speaker 1: what I mean. It's a beautiful It keeps me. It

555
00:33:53,360 --> 00:33:56,400
Speaker 1: keeps me saying. And it's a beautiful It keeps me saying, man.

556
00:33:56,640 --> 00:33:58,720
Speaker 1: And I try to preach that to everybody, like, you know,

557
00:33:58,920 --> 00:34:04,720
Speaker 1: just positivity does jay little but smell like cherries because

558
00:34:04,720 --> 00:34:08,279
Speaker 1: I'm not gonna lie like it smells like Cherry's. I

559
00:34:08,360 --> 00:34:13,320
Speaker 1: went to brom just look, I want that close you sniff,

560
00:34:13,400 --> 00:34:16,439
Speaker 1: you sniff listen as a nigga for like a nigga

561
00:34:16,480 --> 00:34:19,200
Speaker 1: from Queez Like I looked at my nigga form Holice,

562
00:34:19,239 --> 00:34:21,839
Speaker 1: I said, he sniff he sniffed you, sla that moment

563
00:34:21,920 --> 00:34:23,279
Speaker 1: you think he's like, all right on the front. You

564
00:34:23,320 --> 00:34:29,480
Speaker 1: gotta sniff crazy that first of all, make shot, sir,

565
00:34:29,680 --> 00:34:31,880
Speaker 1: that's an incredible awards guy, actual, I have to do

566
00:34:31,960 --> 00:34:35,360
Speaker 1: Michael Jackson Van Guard and for latinos yo yo. And

567
00:34:35,520 --> 00:34:37,480
Speaker 1: I think she's the first Latino I think that ever

568
00:34:37,600 --> 00:34:40,280
Speaker 1: got that Latina, but you know the first I wouldn't.

569
00:34:40,280 --> 00:34:42,160
Speaker 1: I just want to say to give her a big shot,

570
00:34:42,200 --> 00:34:47,960
Speaker 1: a big thanks for you know, that was come oment

571
00:34:48,040 --> 00:34:51,719
Speaker 1: for her. You know, ain't gonna don't have any part

572
00:34:51,760 --> 00:34:54,319
Speaker 1: of that is though she look good, thank you look good?

573
00:34:54,440 --> 00:34:57,080
Speaker 1: Not true. It was not so happy. Thank you to

574
00:34:57,160 --> 00:35:00,200
Speaker 1: see people give you your just due. Because a lot

575
00:35:00,200 --> 00:35:03,279
Speaker 1: of people that I'm gonna through it out there, a

576
00:35:03,400 --> 00:35:06,919
Speaker 1: lot of people think like you fell off for people.

577
00:35:07,040 --> 00:35:09,839
Speaker 1: People don't understand you still live your life. You still

578
00:35:09,880 --> 00:35:13,239
Speaker 1: have the eight fifty. Uh no, I ain't excuse me,

579
00:35:13,360 --> 00:35:17,080
Speaker 1: let me let me relax. The white Yeah, the first

580
00:35:17,120 --> 00:35:19,279
Speaker 1: on one I've ever seen, by the way. People don't

581
00:35:19,320 --> 00:35:21,400
Speaker 1: understand that because you don't rag, and you don't you

582
00:35:21,440 --> 00:35:24,520
Speaker 1: don't understand that you hold jail time. Your house is

583
00:35:24,520 --> 00:35:30,400
Speaker 1: still intact. All people think is you had nineteen records

584
00:35:30,840 --> 00:35:32,600
Speaker 1: playing at one time and now you don't have it,

585
00:35:32,680 --> 00:35:36,120
Speaker 1: so they think that they don't understand that you can.

586
00:35:36,560 --> 00:35:39,480
Speaker 1: You can live a great life, you know what I'm saying.

587
00:35:39,600 --> 00:35:43,480
Speaker 1: And you know people, you know people. As you get older, man,

588
00:35:43,719 --> 00:35:48,879
Speaker 1: different things start to excite you. I love music. Music

589
00:35:49,000 --> 00:35:52,920
Speaker 1: is always gonna be you know, like like my baby,

590
00:35:52,960 --> 00:35:56,640
Speaker 1: you know what I mean. I easually live breathe ship music.

591
00:35:57,160 --> 00:35:59,400
Speaker 1: I think of rhymes all the time. I think of

592
00:35:59,680 --> 00:36:02,120
Speaker 1: hope since ship all the time. Do I always want

593
00:36:02,160 --> 00:36:04,759
Speaker 1: to go in the studio and and and lay it down?

594
00:36:04,800 --> 00:36:07,440
Speaker 1: Nor when I was in prison, I didn't write no

595
00:36:07,680 --> 00:36:09,759
Speaker 1: rhymes at all. That's what time where a lot of

596
00:36:09,840 --> 00:36:13,359
Speaker 1: niggas go and like pin it out do. I didn't

597
00:36:13,480 --> 00:36:15,840
Speaker 1: want to do that. That that was the time for

598
00:36:15,960 --> 00:36:20,839
Speaker 1: me to do something else, reflect learn who I am.

599
00:36:21,520 --> 00:36:25,640
Speaker 1: You know what I mean? Because you know, Malcolm X

600
00:36:25,640 --> 00:36:28,920
Speaker 1: said something really interesting and and he said, you know

601
00:36:29,040 --> 00:36:35,400
Speaker 1: the best place for black men besides you know college

602
00:36:35,719 --> 00:36:39,600
Speaker 1: is prison. And you know that just sounds so crazy.

603
00:36:39,760 --> 00:36:43,480
Speaker 1: Sounds crazy now you understand. But when you're in prison

604
00:36:44,800 --> 00:36:50,480
Speaker 1: another institution, you start to understand. You see, in life,

605
00:36:50,520 --> 00:37:02,320
Speaker 1: you're gonna go through three institutions, prison, army, military, or education.

606
00:37:03,360 --> 00:37:06,920
Speaker 1: And when you when you really look at all three

607
00:37:06,960 --> 00:37:10,960
Speaker 1: of them, they're really structures very similar in the way

608
00:37:11,040 --> 00:37:15,040
Speaker 1: that they're made to produce human beings, you know what

609
00:37:15,080 --> 00:37:18,080
Speaker 1: I mean. So so yeah, you know what I mean.

610
00:37:18,200 --> 00:37:21,960
Speaker 1: So so so when I went to prison, I really

611
00:37:22,040 --> 00:37:25,560
Speaker 1: sat with myself and had a chance to look at everything,

612
00:37:26,000 --> 00:37:28,160
Speaker 1: you know, from from the from the outside looking at

613
00:37:28,200 --> 00:37:30,080
Speaker 1: and so to speak, and look at my own life

614
00:37:30,120 --> 00:37:32,719
Speaker 1: and see my own mistakes and you know, not not

615
00:37:33,000 --> 00:37:35,200
Speaker 1: not have anybody to blame a point the thing at

616
00:37:35,600 --> 00:37:37,600
Speaker 1: or anything like that, and just say, yo, you know what,

617
00:37:38,280 --> 00:37:41,640
Speaker 1: You're here because you fucked up. And in a lot

618
00:37:41,680 --> 00:37:43,640
Speaker 1: of ways. You know, you want to blame so many things.

619
00:37:43,680 --> 00:37:46,480
Speaker 1: You want to blame the police for the leading stop,

620
00:37:46,640 --> 00:37:48,560
Speaker 1: or you want to whatever the funding would have, you know,

621
00:37:48,640 --> 00:37:52,360
Speaker 1: whatever you want to blame. But I locked it the

622
00:37:52,440 --> 00:37:56,560
Speaker 1: same night and m bomb cool bum bum boom bom.

623
00:37:56,640 --> 00:37:59,320
Speaker 1: We got a little ways bomboo. And you take you

624
00:37:59,360 --> 00:38:03,160
Speaker 1: don't have a side of that, and you trying to

625
00:38:03,800 --> 00:38:05,279
Speaker 1: And I'm gonna tell you why I'm gonna crack the bath.

626
00:38:05,480 --> 00:38:09,759
Speaker 1: I see qua crooked police in the name I don't

627
00:38:09,800 --> 00:38:14,200
Speaker 1: know if we should be doing that. The rule he's

628
00:38:14,200 --> 00:38:16,359
Speaker 1: gonna have a trip. But I've had shots for way

629
00:38:16,400 --> 00:38:20,520
Speaker 1: worship drink. No, I'm not saying for them. You know,

630
00:38:22,560 --> 00:38:28,319
Speaker 1: I don't even know if I'm trying to. When are

631
00:38:28,320 --> 00:38:30,839
Speaker 1: we drinking? First of all, this is drinking some from

632
00:38:31,239 --> 00:38:34,200
Speaker 1: and its little ways. It's little ways. But see the

633
00:38:34,239 --> 00:38:36,239
Speaker 1: islands in the backgrou oh yeah you got No, this

634
00:38:36,360 --> 00:38:40,480
Speaker 1: is not but this U from with brands from U

635
00:38:41,520 --> 00:38:43,800
Speaker 1: from from bel Yeah, beter have my big shot to

636
00:38:43,840 --> 00:38:48,560
Speaker 1: my people's bigger Mac main Man Mac Man Mac. We're

637
00:38:48,560 --> 00:38:50,239
Speaker 1: gonna have something should look hot as hell. I ain't

638
00:38:50,239 --> 00:38:53,680
Speaker 1: gonna lie that's not going that looks hot as a

639
00:38:53,760 --> 00:38:57,040
Speaker 1: mother like Sonny had it. May. This is just feel

640
00:38:57,080 --> 00:39:00,120
Speaker 1: like you gotta get ready for this that you have

641
00:39:00,320 --> 00:39:05,600
Speaker 1: shot that's looked like that's how like that ship like

642
00:39:05,920 --> 00:39:12,040
Speaker 1: put you on your back of Sunny's truck. That's you

643
00:39:12,120 --> 00:39:14,279
Speaker 1: know it's cold up if I'm not gonna smell it

644
00:39:14,320 --> 00:39:17,520
Speaker 1: because you just said it's yourself half shots were a

645
00:39:17,560 --> 00:39:23,520
Speaker 1: little way Google, Google, like you know, I love you,

646
00:39:23,600 --> 00:39:26,200
Speaker 1: my nigked. I'm not even gonna smell it a little.

647
00:39:26,640 --> 00:39:30,759
Speaker 1: It looked great though to little way off chance Mac

648
00:39:30,840 --> 00:39:37,960
Speaker 1: made it through this body way all go down like

649
00:39:39,040 --> 00:39:46,080
Speaker 1: that's your nice that. I'm not gonna lie that's nice.

650
00:39:46,200 --> 00:39:48,680
Speaker 1: It needs a little lights. It's dangerous. It's dangerous. It's

651
00:39:48,680 --> 00:39:51,719
Speaker 1: gonna yeah, yeah, it's like it's what it's smooth? What

652
00:39:51,880 --> 00:39:54,680
Speaker 1: is it? It's wrong And it takes like Vanilla in

653
00:39:54,719 --> 00:40:00,799
Speaker 1: that movie, like some takes the cinnamenta sent really sitting there,

654
00:40:01,239 --> 00:40:08,600
Speaker 1: but none of the abstract shout tears it down? Does

655
00:40:08,640 --> 00:40:14,960
Speaker 1: her thing? A shanty is kind of affected. That was

656
00:40:14,960 --> 00:40:21,200
Speaker 1: a good way. That was that good. I was not

657
00:40:22,400 --> 00:40:25,279
Speaker 1: We spoke about it, me and Bonnie and okay, I

658
00:40:26,360 --> 00:40:31,960
Speaker 1: think she you know, Um was was mad that Jo

659
00:40:32,040 --> 00:40:35,440
Speaker 1: didn't shot her out. No, you know, I don't you know,

660
00:40:35,560 --> 00:40:37,759
Speaker 1: I don't even want to dig into this because you

661
00:40:37,800 --> 00:40:39,000
Speaker 1: know what you need to have a shot to on

662
00:40:39,040 --> 00:40:44,200
Speaker 1: the show. I definitely can can can speak for herself,

663
00:40:44,760 --> 00:40:46,160
Speaker 1: you know what. I don't want to speak for her,

664
00:40:46,760 --> 00:40:48,840
Speaker 1: but I wouldn't say this. I wouldn't say, you know,

665
00:40:49,400 --> 00:40:51,960
Speaker 1: whatever it looked like she you know, when we spoke,

666
00:40:52,040 --> 00:40:54,840
Speaker 1: she said that was not her intent, and so you know,

667
00:40:54,880 --> 00:40:57,160
Speaker 1: I gotta you know that's that's what that is. You

668
00:40:57,200 --> 00:40:59,880
Speaker 1: know what I'm saying, so I'm not even engaging in

669
00:41:00,560 --> 00:41:03,880
Speaker 1: that and talking about that. You know, it's it's it's crazy,

670
00:41:04,040 --> 00:41:06,239
Speaker 1: you know that. And like I said, I try to

671
00:41:06,280 --> 00:41:09,840
Speaker 1: have a drama free lack step one. You know what

672
00:41:09,880 --> 00:41:11,399
Speaker 1: I'm saying. I don't want. I don't want I don't

673
00:41:11,440 --> 00:41:14,120
Speaker 1: want any drama. So you don't know nothing about this.

674
00:41:14,320 --> 00:41:18,440
Speaker 1: Basically the only only only thing I would say, and

675
00:41:18,560 --> 00:41:22,920
Speaker 1: I think it needs to be cleared up, is what happened?

676
00:41:22,960 --> 00:41:25,200
Speaker 1: Like who wrote? Who wrote? What? Like? People like you

677
00:41:25,239 --> 00:41:27,239
Speaker 1: know what I'm saying, like it doesn't even matter at

678
00:41:27,280 --> 00:41:29,319
Speaker 1: this point. The record what we heard, what we heard

679
00:41:29,400 --> 00:41:31,560
Speaker 1: is you wrote everything you are talking about, like publishing.

680
00:41:32,800 --> 00:41:35,160
Speaker 1: I want to clear this up once before. I'm a

681
00:41:35,239 --> 00:41:42,440
Speaker 1: clearing one for I'm Real was written by me. Beautiful record,

682
00:41:42,640 --> 00:41:52,720
Speaker 1: dope record. I wrote the record, you know, Ain't it funny?

683
00:41:55,040 --> 00:41:57,080
Speaker 1: Came about a funny way? What kind of that talk

684
00:41:57,560 --> 00:41:59,520
Speaker 1: I'm gonna tell I want to tell you this because

685
00:41:59,560 --> 00:42:01,560
Speaker 1: it ain't funn This is a good story. Is it

686
00:42:01,640 --> 00:42:06,520
Speaker 1: fun It's kind of funny. Let's go so so we're

687
00:42:06,600 --> 00:42:08,680
Speaker 1: right way the way. Ain't it funny? Was created me

688
00:42:08,800 --> 00:42:12,480
Speaker 1: and me and Jenny was having a conversation and Jennifer

689
00:42:12,480 --> 00:42:22,040
Speaker 1: Me and Jaylo Jennifer j Yah, Yeah, I'm sorry, I'm

690
00:42:22,080 --> 00:42:31,560
Speaker 1: gonna relax. Joke. Yeah, you're why would you he's hanging

691
00:42:31,600 --> 00:42:36,800
Speaker 1: with Jennifer, Mike, guys was jay Loo was having a

692
00:42:36,840 --> 00:42:42,000
Speaker 1: conversation Jennifer Jenlo was have a conversation and we were

693
00:42:42,040 --> 00:42:44,800
Speaker 1: just talking about relationships and ship like that. And she

694
00:42:44,960 --> 00:42:47,719
Speaker 1: was telling me something about a particular relationship that she

695
00:42:47,840 --> 00:42:52,600
Speaker 1: was in and that's how ain't it funny? King? Was it?

696
00:42:52,640 --> 00:42:59,920
Speaker 1: Pop into molation? You don't told me? You was like

697
00:43:00,080 --> 00:43:03,960
Speaker 1: never realized getting the look he getting the look like

698
00:43:05,360 --> 00:43:11,560
Speaker 1: like that was your that was your fun like this

699
00:43:11,719 --> 00:43:13,719
Speaker 1: And I'm like, I'm like that was all that was

700
00:43:13,760 --> 00:43:18,239
Speaker 1: like you like, I'm I'm not sure. You're not sure

701
00:43:18,320 --> 00:43:21,160
Speaker 1: that you broke Ain't that funny? I'm not sure who

702
00:43:22,400 --> 00:43:25,680
Speaker 1: who may or may not be about? It was just

703
00:43:25,760 --> 00:43:30,160
Speaker 1: a relationship she was talking about, right coincides and I

704
00:43:30,400 --> 00:43:33,560
Speaker 1: came up with the hook. It was like spontaneous right there.

705
00:43:33,560 --> 00:43:36,200
Speaker 1: I was the whole ship. I started laughing. I said,

706
00:43:37,280 --> 00:43:47,000
Speaker 1: ain't funny? Me? I was crazy, I'm that the smile

707
00:43:47,280 --> 00:43:52,680
Speaker 1: saying that funny. So she was like, sho, that's fucking

708
00:43:52,800 --> 00:43:57,279
Speaker 1: though she loved it. This was just me singing the hook.

709
00:43:58,040 --> 00:44:03,000
Speaker 1: Don't reference anything, Okay, all right, So I go to

710
00:44:03,120 --> 00:44:09,440
Speaker 1: the studio and I recall we do we do the uh?

711
00:44:10,440 --> 00:44:12,360
Speaker 1: I did the first and I did the bridge the

712
00:44:12,480 --> 00:44:19,759
Speaker 1: bab is that that? Give me that that ship? So

713
00:44:20,400 --> 00:44:24,839
Speaker 1: you know, I did the spot. So Bonnie at the time,

714
00:44:24,920 --> 00:44:27,840
Speaker 1: she's a new artist. Okay, you gotta relax. Bonnie is

715
00:44:28,280 --> 00:44:40,680
Speaker 1: shot here. Please, everybody's like in, so gotta so it

716
00:44:40,960 --> 00:44:47,000
Speaker 1: was stopping. We got we got normal fans, gotta continue.

717
00:44:48,280 --> 00:44:59,880
Speaker 1: I'm exposing. I'm like, you missed them talking to you?

718
00:45:02,920 --> 00:45:12,560
Speaker 1: I didn't. I think I heard that one. Yeah, anyway, anyway,

719
00:45:13,960 --> 00:45:17,760
Speaker 1: so I'm going I'm in the winds today. So Bonnie's

720
00:45:17,760 --> 00:45:19,960
Speaker 1: a new artist, time shot just new artists of the time,

721
00:45:20,080 --> 00:45:23,800
Speaker 1: and you know, she she's proven that she's got a

722
00:45:23,880 --> 00:45:26,200
Speaker 1: good you know, pin game because that she's ready for

723
00:45:26,239 --> 00:45:28,960
Speaker 1: herself and stuff like that. So so so we're in

724
00:45:29,040 --> 00:45:33,840
Speaker 1: the studio and I'm like, Yo, Bonnie, Yo, the record

725
00:45:33,880 --> 00:45:40,400
Speaker 1: is basically not shot. Well, I'm like, yo, you know,

726
00:45:41,239 --> 00:45:44,759
Speaker 1: do you know the verses to the record. I think

727
00:45:44,760 --> 00:45:46,480
Speaker 1: I was tied. So I was like, I'm you know

728
00:45:46,480 --> 00:45:48,399
Speaker 1: what I'm saying, go ahead and lay away or whatever.

729
00:45:49,000 --> 00:45:52,440
Speaker 1: Do the verses and ship. So I went in other room,

730
00:45:52,600 --> 00:45:55,560
Speaker 1: lay down, chill, Bonnie. Did the verses? Killed the ship?

731
00:45:57,000 --> 00:45:58,920
Speaker 1: We kept it? You know what I'm saying, Like it's

732
00:45:59,000 --> 00:46:02,320
Speaker 1: only to change that it was magic and defense. Do

733
00:46:02,400 --> 00:46:05,520
Speaker 1: you feel like that she she felt she was slighted

734
00:46:05,640 --> 00:46:08,120
Speaker 1: because of that, her defense, you know, No, no, no,

735
00:46:09,200 --> 00:46:12,520
Speaker 1: I don't see. I don't know. I don't know if if,

736
00:46:12,680 --> 00:46:16,600
Speaker 1: if you could, she may, I don't. I don't really know,

737
00:46:16,680 --> 00:46:17,759
Speaker 1: you know what I'm saying. I don't. I don't think

738
00:46:17,800 --> 00:46:20,279
Speaker 1: she could you credit as a writer on there? Right?

739
00:46:20,560 --> 00:46:23,840
Speaker 1: Is she as well? Was he? Here's the thing? This

740
00:46:23,920 --> 00:46:25,840
Speaker 1: is where you get deep. Here's the thing. No, it

741
00:46:25,880 --> 00:46:29,000
Speaker 1: doesn't get so deep, but it gets his understanding of it.

742
00:46:29,200 --> 00:46:33,000
Speaker 1: You know what I'm saying. She wasn't supposed to write

743
00:46:33,040 --> 00:46:35,400
Speaker 1: the record. You know what I'm saying. It was my

744
00:46:35,560 --> 00:46:39,840
Speaker 1: record to write for jail. So it basically I was

745
00:46:39,960 --> 00:46:44,000
Speaker 1: hiring to write the record and let Vannie write the verses.

746
00:46:44,160 --> 00:46:46,839
Speaker 1: I wrote the look in the Bridge. Jaylo already loved

747
00:46:47,480 --> 00:46:49,440
Speaker 1: what she knew what the record was gonna be. But

748
00:46:49,520 --> 00:46:51,680
Speaker 1: Hook and everything Benny loved. They all loved that record,

749
00:46:51,840 --> 00:46:53,640
Speaker 1: Every Love the Red one. So it was now it

750
00:46:53,680 --> 00:46:56,080
Speaker 1: was just filling the verses and make it magic, make

751
00:46:56,120 --> 00:46:58,279
Speaker 1: it all come together coming out. Can you say you

752
00:46:58,360 --> 00:47:01,000
Speaker 1: wrote the hook, the beginning, everything. It's just the verses,

753
00:47:02,360 --> 00:47:05,200
Speaker 1: three verses or one verse. I don't even know how many.

754
00:47:05,640 --> 00:47:07,239
Speaker 1: You know. It's like with two verses, three verses of

755
00:47:07,280 --> 00:47:09,719
Speaker 1: the ships. I think it's two verses the bridge because

756
00:47:09,719 --> 00:47:13,480
Speaker 1: you want ties on that correct, Yeah on it too,

757
00:47:13,640 --> 00:47:15,360
Speaker 1: So I think it's mane two verses and and and

758
00:47:15,560 --> 00:47:17,919
Speaker 1: and I said, but whatever, you know what I'm saying.

759
00:47:18,040 --> 00:47:21,240
Speaker 1: Shotny wrote ship, she chilled, she killed, she killed the verses,

760
00:47:21,640 --> 00:47:23,880
Speaker 1: so we kept him, you know what I'm saying. But

761
00:47:24,320 --> 00:47:28,040
Speaker 1: it wasn't like really it was like no one was

762
00:47:28,080 --> 00:47:29,840
Speaker 1: really supposed to know, you know what I'm saying. It

763
00:47:29,920 --> 00:47:32,360
Speaker 1: was like I didn't you know, We didn't want to

764
00:47:32,440 --> 00:47:35,480
Speaker 1: tell them at the time that a shotting growth, right,

765
00:47:35,480 --> 00:47:40,600
Speaker 1: because she was supposed to complicate matters you didn't with women.

766
00:47:42,280 --> 00:47:45,040
Speaker 1: It's funny. I think Jada's gonna be like, no, I don't,

767
00:47:45,040 --> 00:47:46,800
Speaker 1: I don't know. You just never know. I think, you

768
00:47:46,840 --> 00:47:48,600
Speaker 1: know what I'm saying. There was already a little bit

769
00:47:48,680 --> 00:47:53,200
Speaker 1: of a situation with the I'm Real record where a

770
00:47:53,320 --> 00:47:56,520
Speaker 1: Bonnie reference to record you know what I'm saying, and

771
00:47:56,760 --> 00:47:58,680
Speaker 1: I got he left some of the vocals of Bonni's

772
00:47:58,719 --> 00:48:01,239
Speaker 1: vocus under the record were it was I don't know,

773
00:48:01,440 --> 00:48:03,520
Speaker 1: not a big deal at all, but you know how

774
00:48:03,640 --> 00:48:05,360
Speaker 1: media do you know what I'm saying. So there was

775
00:48:05,360 --> 00:48:09,520
Speaker 1: already a little bit of feelings that I guess over

776
00:48:09,640 --> 00:48:12,200
Speaker 1: that you know what I'm saying. But women are difficult,

777
00:48:12,680 --> 00:48:14,640
Speaker 1: you know, to to to deal with when you're when

778
00:48:14,680 --> 00:48:17,279
Speaker 1: you're making music and doing you know, they'd with women.

779
00:48:17,360 --> 00:48:20,080
Speaker 1: You you gotta treat them like women. They're emotional and

780
00:48:20,280 --> 00:48:22,280
Speaker 1: you you deal with women how you deal with women.

781
00:48:22,719 --> 00:48:28,440
Speaker 1: But so so the record was was basically done, BONDI

782
00:48:28,520 --> 00:48:33,839
Speaker 1: did diverses, records done after the fact it came out.

783
00:48:34,280 --> 00:48:37,000
Speaker 1: You know, we you know, the records ahead. It doesn't

784
00:48:37,000 --> 00:48:39,120
Speaker 1: matter now who knows who wrote the record. It's like,

785
00:48:39,560 --> 00:48:42,360
Speaker 1: you know what I'm saying, Like like we stole Mary J.

786
00:48:42,480 --> 00:48:46,800
Speaker 1: Blige's film to make fucking our video Forget the Fortune

787
00:48:46,840 --> 00:48:49,560
Speaker 1: and Ship Hyper William stole the film After Everybody's successful.

788
00:48:49,960 --> 00:48:52,279
Speaker 1: It's all right, it's funny now, just at the time

789
00:48:52,400 --> 00:48:55,160
Speaker 1: it was everybody saying nothing about we're gonna do that,

790
00:48:55,200 --> 00:48:56,320
Speaker 1: you know what I mean. So it was kind of

791
00:48:56,360 --> 00:49:00,160
Speaker 1: like that kind of thing. And and you know, a

792
00:49:00,239 --> 00:49:02,520
Speaker 1: shot te she she did a great job on writing

793
00:49:02,680 --> 00:49:07,640
Speaker 1: verses on the record. And it's a dope record, and

794
00:49:07,840 --> 00:49:11,200
Speaker 1: like that is the story of the record. It's no

795
00:49:12,360 --> 00:49:14,880
Speaker 1: nothing else that that that we need to be talking

796
00:49:14,920 --> 00:49:18,160
Speaker 1: about about the record anymore. That is the basic story

797
00:49:18,200 --> 00:49:22,040
Speaker 1: of the record is. It's not a big deal. Bonnie

798
00:49:22,320 --> 00:49:25,520
Speaker 1: gets her credit for brighton to to whatever to three

799
00:49:25,600 --> 00:49:30,080
Speaker 1: dope verses. I wrote a dope wrote the dope hook. Yeah,

800
00:49:30,280 --> 00:49:32,680
Speaker 1: you know, I wrote a dope hook, and and and

801
00:49:32,960 --> 00:49:36,839
Speaker 1: shipped for the ship and j Lo. If we get

802
00:49:36,880 --> 00:49:38,600
Speaker 1: that record to somebody else, it wouldn't be what it is,

803
00:49:38,640 --> 00:49:40,959
Speaker 1: you know what I'm saying. So everybody played their part

804
00:49:41,040 --> 00:49:43,879
Speaker 1: and making what that is so will be the most

805
00:49:43,880 --> 00:49:51,919
Speaker 1: political that is. That is a real answer. But there's

806
00:49:51,920 --> 00:49:57,160
Speaker 1: a real there's a real question. I see Earth got

807
00:49:57,200 --> 00:50:01,080
Speaker 1: he was there, you were there, the kids. Yeah, did

808
00:50:01,160 --> 00:50:04,560
Speaker 1: Irving j Loo speak Because Irv told me Jlo doesn't

809
00:50:04,560 --> 00:50:06,520
Speaker 1: speak to him on this. I don't know if they

810
00:50:06,600 --> 00:50:08,640
Speaker 1: spoke that. I'm not sure. I don't think they did,

811
00:50:09,160 --> 00:50:11,279
Speaker 1: because they don't think they crossed each other's paths this

812
00:50:11,360 --> 00:50:13,000
Speaker 1: week because I'm gonna be on the Jenneral would not

813
00:50:13,080 --> 00:50:16,080
Speaker 1: speak to him. That's what God, he said to us,

814
00:50:16,719 --> 00:50:21,919
Speaker 1: She said, she intentionally avoids him. Doesn't know. I don't

815
00:50:22,000 --> 00:50:28,640
Speaker 1: think that I'm gonna go to the drink chat. I

816
00:50:28,719 --> 00:50:31,759
Speaker 1: don't think. I don't think that serious. This is a

817
00:50:31,840 --> 00:50:36,439
Speaker 1: positive John rule, man, I love this, yoh rule. Let's listen,

818
00:50:36,480 --> 00:50:42,879
Speaker 1: make noise. I want everybody to be happy, man, Yes,

819
00:50:42,960 --> 00:50:45,239
Speaker 1: that's the pole, want everybody to be Let me say so.

820
00:50:45,719 --> 00:50:49,279
Speaker 1: I've been through all the drama. I'm cool. I just

821
00:50:49,520 --> 00:50:51,880
Speaker 1: I just want everybody to be happy. Man. That's what

822
00:50:52,000 --> 00:50:54,400
Speaker 1: life is about. Man. Do what you do with in

823
00:50:54,520 --> 00:50:59,759
Speaker 1: your space. Be happy, you know, be a provider for

824
00:50:59,840 --> 00:51:03,040
Speaker 1: your family or a great nurturer to your family if

825
00:51:03,040 --> 00:51:05,880
Speaker 1: you're a woman, or whatever. And that is what success is.

826
00:51:05,920 --> 00:51:09,600
Speaker 1: The show success. It's not you know, whatever material things

827
00:51:09,640 --> 00:51:11,120
Speaker 1: and how much money you have and learned that ship.

828
00:51:11,360 --> 00:51:13,160
Speaker 1: Those are just things that people will be able to

829
00:51:13,400 --> 00:51:17,000
Speaker 1: tunulate along their rule to happiness and success. My bad rule,

830
00:51:17,080 --> 00:51:22,320
Speaker 1: we know. But but you know, everybody is successful in

831
00:51:22,360 --> 00:51:25,120
Speaker 1: their own right as long as you're happy. So look

832
00:51:25,160 --> 00:51:28,920
Speaker 1: at my name a little du vile. It is my yo.

833
00:51:33,040 --> 00:51:37,680
Speaker 1: I don't want a little man. Yeah, yeah, that means

834
00:51:37,760 --> 00:51:47,520
Speaker 1: always happy. It makes a note. So uh, I believe.

835
00:51:47,719 --> 00:51:51,879
Speaker 1: Yesterday we have Fat Joe here crack crack, and I said,

836
00:51:52,320 --> 00:51:57,200
Speaker 1: Fat Joe, um, where do you stand? Like? You know?

837
00:51:57,400 --> 00:52:01,040
Speaker 1: Because he takes pictures of fifty. He hangs out with fifty,

838
00:52:01,560 --> 00:52:04,160
Speaker 1: and then we heard a room on that story of

839
00:52:04,320 --> 00:52:07,840
Speaker 1: the story that they was supposed to be a summer

840
00:52:07,920 --> 00:52:13,280
Speaker 1: jam incident. Fat Joe comes out, he brings out fifty,

841
00:52:14,000 --> 00:52:16,400
Speaker 1: and then he brings out you, which would have been

842
00:52:16,480 --> 00:52:20,120
Speaker 1: kind of amazing. Why would that be so amazing to everybody?

843
00:52:20,239 --> 00:52:22,360
Speaker 1: I don't know, because it's everything you're saying to the

844
00:52:22,719 --> 00:52:26,920
Speaker 1: first tacond shot up. I don't know what I's saw

845
00:52:26,960 --> 00:52:33,560
Speaker 1: amazing clear, everything about being happy. Yeah, yeah, you're being happy.

846
00:52:33,600 --> 00:52:44,319
Speaker 1: You look like friends. Right now? Come on, yeah, got

847
00:52:44,360 --> 00:52:52,439
Speaker 1: the curling right now, let's go over there. I'm alright, cool,

848
00:52:52,640 --> 00:52:54,640
Speaker 1: I'm good, hold on, hold on tennis shot first rule.

849
00:52:54,840 --> 00:53:01,319
Speaker 1: I was good. Think about it after the show. What's

850
00:53:01,360 --> 00:53:08,839
Speaker 1: that mean? What does that mean? Yeah? What's down? And goes?

851
00:53:11,400 --> 00:53:15,120
Speaker 1: I'm Leven's ad core, But this is this is good.

852
00:53:15,480 --> 00:53:17,560
Speaker 1: But when I'm mixing. It's not you're mixing is fucked up,

853
00:53:18,120 --> 00:53:22,160
Speaker 1: being rudey and guess like that man in different languages. Ship, No, no, no,

854
00:53:22,880 --> 00:53:24,680
Speaker 1: what's good? We did? We just said to the gang

855
00:53:24,880 --> 00:53:37,759
Speaker 1: whatever that let's just said, get into it. You're talking

856
00:53:37,760 --> 00:53:40,759
Speaker 1: about So now we're talking about the job, all right.

857
00:53:40,880 --> 00:53:43,480
Speaker 1: So he said, why is that good? Okay, let me

858
00:53:43,600 --> 00:53:47,360
Speaker 1: let me let me just act you who what's the

859
00:53:47,400 --> 00:53:52,560
Speaker 1: first time you hear this situation? And oh, freshwoman? Yeah,

860
00:53:52,880 --> 00:53:55,640
Speaker 1: yeah good? Then look at your broaches. Man, you you're

861
00:53:55,719 --> 00:53:58,520
Speaker 1: very rich. What do you mean you stop telling you?

862
00:53:59,000 --> 00:54:04,879
Speaker 1: You don't say I love this thig of my nigger?

863
00:54:05,000 --> 00:54:07,120
Speaker 1: I hold on, all right, So this is how I

864
00:54:07,160 --> 00:54:10,839
Speaker 1: want to Fat Joe calls you. When the first time

865
00:54:10,840 --> 00:54:14,200
Speaker 1: you heard of this idea? Was it? Fat Joe? Yeah?

866
00:54:14,360 --> 00:54:18,200
Speaker 1: My house? Wou want to hear this idea? Okay, I'm sorry,

867
00:54:18,360 --> 00:54:20,799
Speaker 1: it was fat Fat Joe calls you? And how does

868
00:54:20,880 --> 00:54:24,200
Speaker 1: this happen? He thought it would be a good idea

869
00:54:24,520 --> 00:54:27,440
Speaker 1: to bring me him on stage for a big summer

870
00:54:27,520 --> 00:54:33,759
Speaker 1: jam Kombaya, and I just didn't think that made sense. See,

871
00:54:34,360 --> 00:54:38,160
Speaker 1: it's what everybody needs to really mice. I'm sorry, here's

872
00:54:38,200 --> 00:54:46,480
Speaker 1: what right, there. Yeah, here's what everybody needs to realize

873
00:54:46,560 --> 00:54:52,000
Speaker 1: about me and fifty. We were never friends. So it's

874
00:54:52,040 --> 00:54:54,920
Speaker 1: like y'all, like y'all need to get it reunion, You'll

875
00:54:54,960 --> 00:54:57,399
Speaker 1: need to get that we would never friends. So it's

876
00:54:57,480 --> 00:55:00,719
Speaker 1: not like we need to reach to do something that

877
00:55:01,080 --> 00:55:04,040
Speaker 1: was there. It was we would never but not not

878
00:55:04,120 --> 00:55:06,040
Speaker 1: to a job. But Joe and fifty were never friends

879
00:55:06,080 --> 00:55:12,000
Speaker 1: either though. Well that's showing they also have something mutual

880
00:55:12,680 --> 00:55:17,440
Speaker 1: in common. And man, yeah it was for Chris didn't

881
00:55:17,440 --> 00:55:19,840
Speaker 1: manage you too for a little while. Price did not

882
00:55:20,080 --> 00:55:27,480
Speaker 1: manage me, man for two weeks even two weeks yeah

883
00:55:28,719 --> 00:55:34,359
Speaker 1: me you Chris like was his calendar? Chris like, you've

884
00:55:34,400 --> 00:55:39,279
Speaker 1: never managed not even the day, and that it was

885
00:55:39,320 --> 00:55:43,880
Speaker 1: a leaping here. He never managed me. We you know,

886
00:55:43,920 --> 00:55:45,480
Speaker 1: we had a relationship at one time, but you know

887
00:55:45,640 --> 00:55:48,239
Speaker 1: it wasn't it was like boy had a dislike for

888
00:55:48,320 --> 00:55:52,359
Speaker 1: Chris Lidy. We never had a you know, it was listen, man,

889
00:55:52,440 --> 00:55:55,480
Speaker 1: this ship was wrap beef turned into you know or

890
00:55:55,560 --> 00:55:59,840
Speaker 1: street beef. You know what I'm saying. And it's like

891
00:56:00,040 --> 00:56:02,440
Speaker 1: we would never friends, and there's no reason for us

892
00:56:02,520 --> 00:56:06,440
Speaker 1: to come together and do a cool buyer you know

893
00:56:06,440 --> 00:56:09,759
Speaker 1: what I'm saying, but like him and game, that's cool.

894
00:56:09,920 --> 00:56:11,880
Speaker 1: That's great for hip hop. They were cool and then

895
00:56:11,960 --> 00:56:14,200
Speaker 1: they you know, you don't think you guys would be

896
00:56:14,239 --> 00:56:17,359
Speaker 1: great for hip hop? What's so great about it? Tell

897
00:56:17,440 --> 00:56:19,000
Speaker 1: me what would be so great about that? All right?

898
00:56:19,280 --> 00:56:25,279
Speaker 1: I can tell a Joe comes out, letn't put the

899
00:56:25,360 --> 00:56:28,960
Speaker 1: microp Okay, he comes out, y'all do new? Y'all new?

900
00:56:29,080 --> 00:56:35,440
Speaker 1: Y'all yes? And then fifty comes out and then y'all

901
00:56:35,440 --> 00:56:40,640
Speaker 1: don't need you don't gotta smack five? Right, you don't

902
00:56:40,640 --> 00:56:42,760
Speaker 1: gonna do that. But one thing is on one side,

903
00:56:43,280 --> 00:56:45,799
Speaker 1: one thing is on the other side, and then then

904
00:56:45,920 --> 00:56:49,200
Speaker 1: Joe's in the middle. Like for him, he's crazy. He

905
00:56:49,360 --> 00:56:52,440
Speaker 1: looks the smoke. Should I do it? As I'm from Queens?

906
00:56:52,480 --> 00:56:55,520
Speaker 1: It looks better than me. But I cannot pull that off.

907
00:56:55,560 --> 00:56:59,200
Speaker 1: I know that, So who was it? You see the

908
00:56:59,239 --> 00:57:02,360
Speaker 1: necessity that I mean you have to understand why fans

909
00:57:02,440 --> 00:57:05,600
Speaker 1: and like them like like to see I mean you

910
00:57:05,719 --> 00:57:08,000
Speaker 1: have to understand you understand that people, I mean, we

911
00:57:08,239 --> 00:57:10,839
Speaker 1: get we don't know the intricacies of the beast thing.

912
00:57:11,000 --> 00:57:15,360
Speaker 1: You ask me my explanation and how I feel about it?

913
00:57:16,480 --> 00:57:18,040
Speaker 1: If you ever have the more the show asking with

914
00:57:18,120 --> 00:57:22,680
Speaker 1: these things, and when we ask watch him go into

915
00:57:22,840 --> 00:57:27,160
Speaker 1: old avoided, Yeah we did, you know? Next time and

916
00:57:28,080 --> 00:57:30,400
Speaker 1: if him we avoided all fifty questions and yeah we did.

917
00:57:30,440 --> 00:57:32,000
Speaker 1: We know, we had no but it's the first time,

918
00:57:32,200 --> 00:57:34,760
Speaker 1: you know, But we want my husband. We're not doing

919
00:57:34,800 --> 00:57:37,480
Speaker 1: it first like some ship. Let me let me say

920
00:57:37,520 --> 00:57:39,120
Speaker 1: this too, this is this is you want some big

921
00:57:39,240 --> 00:57:42,000
Speaker 1: visipop and any big hip hop. Yes, please. I don't

922
00:57:42,280 --> 00:57:46,000
Speaker 1: have no issues with him either, like currently, I don't know.

923
00:57:46,440 --> 00:57:48,360
Speaker 1: I don't give a funk that he does. I don't

924
00:57:49,040 --> 00:57:50,560
Speaker 1: what do I do? You know what I'm saying, how

925
00:57:50,600 --> 00:57:53,520
Speaker 1: you're both are making money. You guys are good. You

926
00:57:54,320 --> 00:57:56,640
Speaker 1: he's the here's the real thing, and here's with all

927
00:57:56,720 --> 00:58:01,400
Speaker 1: the fans and everybody needs to understand. We're two kids

928
00:58:03,120 --> 00:58:08,400
Speaker 1: from fucking queens from the bottom. We started with nothing.

929
00:58:08,520 --> 00:58:11,040
Speaker 1: You know, we have not a dollar, not nothing, not

930
00:58:11,120 --> 00:58:15,720
Speaker 1: too nickels. Rub together, we made something of ourselves and

931
00:58:15,840 --> 00:58:20,600
Speaker 1: we're both in good positions in our life. People could

932
00:58:20,600 --> 00:58:23,120
Speaker 1: say he's in a better position for me for whatever reason.

933
00:58:23,280 --> 00:58:25,560
Speaker 1: People could say I'm in a better position for than

934
00:58:25,640 --> 00:58:29,480
Speaker 1: him for whatever reason. None of that matters, and it

935
00:58:29,480 --> 00:58:33,680
Speaker 1: shouldn't matter to nobody else because we don't give a

936
00:58:33,800 --> 00:58:37,040
Speaker 1: funk and we're fine. You know what I'm saying. The

937
00:58:37,160 --> 00:58:39,520
Speaker 1: people that are worried about that ship or thinking about

938
00:58:39,560 --> 00:58:42,960
Speaker 1: that ship, it's like, yo, dog, what are you doing? Man?

939
00:58:43,200 --> 00:58:48,520
Speaker 1: This is two thousand eighteen with forty were my forty

940
00:58:48,600 --> 00:58:52,560
Speaker 1: two years old. I got three, I got grown kids.

941
00:58:52,720 --> 00:58:55,640
Speaker 1: I had a daughter that just graduated from college. My

942
00:58:55,760 --> 00:58:59,080
Speaker 1: son's about to go to college. Like like you know,

943
00:58:59,200 --> 00:59:02,360
Speaker 1: I'm like this, that ship is irrelevant to me and

944
00:59:02,480 --> 00:59:04,480
Speaker 1: for us to have this big cool by y'all, I

945
00:59:04,560 --> 00:59:07,560
Speaker 1: think it's really way past the time for that. Does

946
00:59:07,680 --> 00:59:11,920
Speaker 1: jobro watch Power? I do not. I do not, but

947
00:59:12,080 --> 00:59:15,680
Speaker 1: I got here. Courtney Kemp has an amazing show. Yes,

948
00:59:16,320 --> 00:59:19,440
Speaker 1: that was about my head. I have no idea what

949
00:59:19,520 --> 00:59:24,320
Speaker 1: you just said. It's way about my ass about my

950
00:59:24,440 --> 00:59:27,520
Speaker 1: fagor said I hear. Courtney Kemp has an amazing show.

951
00:59:27,680 --> 00:59:30,360
Speaker 1: That was hard. I don't know why, but I know

952
00:59:30,480 --> 00:59:32,920
Speaker 1: it's hard. But hey. But for the record, though I

953
00:59:33,000 --> 00:59:35,280
Speaker 1: did ask Joe about him and Cuban Lake as well,

954
00:59:35,800 --> 00:59:41,960
Speaker 1: and that that didn't head out that I didn't. I didn't.

955
00:59:43,120 --> 00:59:48,240
Speaker 1: It was a station. Why y'all went to due shot?

956
00:59:48,760 --> 00:59:59,880
Speaker 1: Why not how you see right now? Little what is

957
01:00:00,040 --> 01:00:06,680
Speaker 1: talk about? It a little fun but you know what,

958
01:00:07,080 --> 01:00:11,840
Speaker 1: you know what um um Fat Joe called me one

959
01:00:11,920 --> 01:00:16,200
Speaker 1: day and he wanted to put his beef aside. Well,

960
01:00:18,360 --> 01:00:20,800
Speaker 1: Jack and I hit bleeking me and Bleak put that

961
01:00:20,920 --> 01:00:24,320
Speaker 1: together and now they coom by y'all. Um. Probably the

962
01:00:24,400 --> 01:00:28,040
Speaker 1: only beef that I ever wouldn't step into was that,

963
01:00:28,280 --> 01:00:29,880
Speaker 1: you know what I'm saying, because I know that y'all

964
01:00:29,880 --> 01:00:34,720
Speaker 1: ship is personal at the end of the day, as

965
01:00:34,760 --> 01:00:37,800
Speaker 1: a personal queens, as a businessman, as a a rapper.

966
01:00:38,120 --> 01:00:42,640
Speaker 1: All wish we all got along also, but I wish

967
01:00:42,880 --> 01:00:46,080
Speaker 1: nobody knew. You know, I want everybody to do what

968
01:00:46,120 --> 01:00:48,680
Speaker 1: I don't. I don't care if he does well. But

969
01:00:48,960 --> 01:00:51,360
Speaker 1: you know what I'm saying, I don't sit around and

970
01:00:51,960 --> 01:00:55,440
Speaker 1: when he does something you know, you know, fucked up,

971
01:00:55,560 --> 01:00:58,400
Speaker 1: or he goes through his problems or whatever, I don't

972
01:00:58,520 --> 01:01:01,840
Speaker 1: get on the brand and be like, listen, I don't care.

973
01:01:02,520 --> 01:01:04,760
Speaker 1: I don't give a funk. I'm grown man, I'm beyond

974
01:01:04,840 --> 01:01:07,880
Speaker 1: that ship. So I really don't you know, I really

975
01:01:07,960 --> 01:01:11,480
Speaker 1: don't let those things affect me. You understand, what I'm

976
01:01:11,520 --> 01:01:14,440
Speaker 1: doing right now is so above and beyond that, you know,

977
01:01:14,640 --> 01:01:17,160
Speaker 1: like I'm I'm in the tech space right now, and

978
01:01:17,320 --> 01:01:20,120
Speaker 1: then I have an amazing tech company, and that's what

979
01:01:20,200 --> 01:01:22,600
Speaker 1: I want to do. I want to create, you know,

980
01:01:22,840 --> 01:01:25,919
Speaker 1: and innovate and and entertain. I want to do things

981
01:01:26,000 --> 01:01:28,080
Speaker 1: that people are not doing, you know what I'm saying.

982
01:01:28,240 --> 01:01:32,280
Speaker 1: And if that and and in the meanwhile pushing hip

983
01:01:32,280 --> 01:01:34,600
Speaker 1: hop forward. You know, I'm so doing things to to

984
01:01:34,840 --> 01:01:37,960
Speaker 1: to help the culture. That's what I'm about. That's what

985
01:01:38,000 --> 01:01:39,720
Speaker 1: I want to do. You know what i mean, philanthropy,

986
01:01:39,880 --> 01:01:42,760
Speaker 1: you know, things like that. I'm not sticking to that philanthropy.

987
01:01:43,160 --> 01:01:46,640
Speaker 1: I'm not a philaspist. That was hard, I'm you know

988
01:01:46,800 --> 01:01:52,960
Speaker 1: those are yeah, keep going, keep going, yeah, yeah, we go.

989
01:01:53,240 --> 01:01:59,840
Speaker 1: You know it sounds yeah, So I I gotta take

990
01:02:00,200 --> 01:02:07,200
Speaker 1: you got t talk tech mee? So no, I gotta

991
01:02:07,280 --> 01:02:10,640
Speaker 1: I got a tech company. You know, is it? Is

992
01:02:10,680 --> 01:02:13,640
Speaker 1: it investing in tech or you're developing to take yourself?

993
01:02:13,800 --> 01:02:17,520
Speaker 1: You know, I'm developing tech myself, but I'm also into

994
01:02:17,680 --> 01:02:21,040
Speaker 1: investing in tech like I I also you know, will

995
01:02:21,160 --> 01:02:23,680
Speaker 1: invest and have investors. What's the main stuff you're trying

996
01:02:23,720 --> 01:02:28,600
Speaker 1: to develop? So right now I'm developing right now? Yes,

997
01:02:28,920 --> 01:02:31,640
Speaker 1: it's it's kind of it's kind of cool what I'm

998
01:02:31,680 --> 01:02:38,040
Speaker 1: doing because I'm really trying to educate artists, so you're

999
01:02:38,040 --> 01:02:40,640
Speaker 1: putting other people onto it. Yeah, you know, my my

1000
01:02:40,760 --> 01:02:45,920
Speaker 1: platform is I'm really what you would call, you know,

1001
01:02:46,120 --> 01:02:49,520
Speaker 1: the application agent basically, you know what I mean. I

1002
01:02:50,360 --> 01:02:53,120
Speaker 1: created a booking app, so you know, I could put

1003
01:02:53,200 --> 01:02:56,880
Speaker 1: Nori on the app or who Yeah, and it's an

1004
01:02:56,960 --> 01:03:00,840
Speaker 1: app and and and bias can go directly to the artist,

1005
01:03:01,320 --> 01:03:05,240
Speaker 1: to the management team. So you know, if if guy

1006
01:03:05,320 --> 01:03:08,680
Speaker 1: in Dubai wants to do a fucking you know, a

1007
01:03:08,800 --> 01:03:11,800
Speaker 1: birthday party for is his daughter and he wants to

1008
01:03:11,840 --> 01:03:15,720
Speaker 1: pay nor read million dollars to come, he can hit

1009
01:03:15,800 --> 01:03:21,320
Speaker 1: the no redirect all the you know so and and

1010
01:03:21,360 --> 01:03:23,680
Speaker 1: it's it's wonder one's direct. I don't take anything from

1011
01:03:23,720 --> 01:03:26,120
Speaker 1: the artist, you know, I get my money on the

1012
01:03:26,200 --> 01:03:29,000
Speaker 1: black end. And it's and it's really, it's it's really

1013
01:03:29,080 --> 01:03:35,000
Speaker 1: you know, you're very disruptive. Also, sorry dollars in a

1014
01:03:35,080 --> 01:03:38,600
Speaker 1: positive way. What we're talking about? What were we talking about?

1015
01:03:38,600 --> 01:03:40,160
Speaker 1: What were we talking about? Right now? We're talking about you.

1016
01:03:41,040 --> 01:03:43,960
Speaker 1: I'm always trying to just tell them about my new

1017
01:03:44,080 --> 01:03:47,600
Speaker 1: chech venture, not fire Festival, because we gotta do we're

1018
01:03:47,600 --> 01:03:49,680
Speaker 1: gonna talk about that. Yeah, I talk about we can

1019
01:03:49,720 --> 01:03:51,640
Speaker 1: talk about that. We gotta talk about that. We talk

1020
01:03:51,640 --> 01:03:55,760
Speaker 1: about that. We're talking about that. Amazing, can you. I'm

1021
01:03:55,800 --> 01:03:58,360
Speaker 1: on the bottle because you let let me let me

1022
01:03:58,400 --> 01:04:00,920
Speaker 1: see if you're like rule is. You know nickas die

1023
01:04:01,000 --> 01:04:03,880
Speaker 1: from hot Champagne. So I want to make sure that

1024
01:04:04,400 --> 01:04:07,720
Speaker 1: I'm not gonna lie. Your bracelett is very Thank you,

1025
01:04:07,800 --> 01:04:10,400
Speaker 1: my brother. I appreciate that. Want to even come out.

1026
01:04:10,680 --> 01:04:13,840
Speaker 1: You know this, this is cause this is the Cardia Now,

1027
01:04:14,640 --> 01:04:16,760
Speaker 1: this is my favorite's coming out. This is my favorite.

1028
01:04:17,240 --> 01:04:23,040
Speaker 1: What does that? I'm hungry? Everyone hungry, you know, let's

1029
01:04:23,040 --> 01:04:31,200
Speaker 1: make some noise bracelets gut there and yeah you know

1030
01:04:31,840 --> 01:04:41,760
Speaker 1: ye know that. Yeah, we're gonna put this shopping. I

1031
01:04:41,840 --> 01:04:48,720
Speaker 1: gotta look at okay man, we got we got champagne glasses.

1032
01:04:48,840 --> 01:04:51,960
Speaker 1: Come on the real fancy head drink champ to see

1033
01:04:52,040 --> 01:04:55,720
Speaker 1: that he's had red cups. I think it's got things.

1034
01:04:55,760 --> 01:04:58,720
Speaker 1: The flutes got there got Do you want to make

1035
01:04:58,800 --> 01:05:06,000
Speaker 1: some noise for us? I don't want to. I ain't

1036
01:05:06,000 --> 01:05:13,960
Speaker 1: gonna lie. Mom Daddy cut the check there making bake you.

1037
01:05:14,320 --> 01:05:18,440
Speaker 1: I didn't cut that. No, we got a blood roller,

1038
01:05:18,920 --> 01:05:22,080
Speaker 1: ye know. I got a blood. I got a blunt friend.

1039
01:05:22,520 --> 01:05:26,520
Speaker 1: That's my friend. That he was blunt. You don't get

1040
01:05:26,520 --> 01:05:31,760
Speaker 1: paid then that's what you say abroad. Listen see that

1041
01:05:31,800 --> 01:05:38,919
Speaker 1: I didn't come on. He got you. And we also

1042
01:05:39,040 --> 01:05:41,960
Speaker 1: have we also have to find the cigars from Nika Wagwa.

1043
01:05:42,520 --> 01:05:48,880
Speaker 1: Oh I er did I say say all? I mean,

1044
01:05:49,000 --> 01:05:50,400
Speaker 1: you know because a lot of these movie want to

1045
01:05:50,400 --> 01:05:54,240
Speaker 1: people Cuba. A lot of these want people Cuba. I'm

1046
01:05:54,280 --> 01:05:56,920
Speaker 1: just telling you Nick. You know I gotta show to

1047
01:05:57,040 --> 01:05:59,320
Speaker 1: night now. Yeah, I came here, Nue. I know you

1048
01:05:59,360 --> 01:06:03,000
Speaker 1: were turning to show away. It's like it's real. It's

1049
01:06:03,040 --> 01:06:06,000
Speaker 1: all good. Then come on us. I want first. I

1050
01:06:06,000 --> 01:06:08,360
Speaker 1: would like that you expect from man. It's all my

1051
01:06:08,600 --> 01:06:13,040
Speaker 1: first time go to the champaigne. I love my brother,

1052
01:06:13,120 --> 01:06:15,040
Speaker 1: you know, man, this is a this I just want

1053
01:06:15,040 --> 01:06:18,480
Speaker 1: to say, man, yes please, this is a fucking amazing

1054
01:06:18,640 --> 01:06:21,400
Speaker 1: thing that you got going on drink chairs. Man, thank you,

1055
01:06:21,760 --> 01:06:23,760
Speaker 1: I love you. My brother just done you too. Man.

1056
01:06:23,960 --> 01:06:25,520
Speaker 1: I let us see this is you're doing this ship

1057
01:06:25,600 --> 01:06:29,440
Speaker 1: that's really dope. Taking up this is what you are

1058
01:06:29,440 --> 01:06:35,720
Speaker 1: supposed to be doing. I exactly and own media owned everything.

1059
01:06:35,880 --> 01:06:38,120
Speaker 1: And that's why you know I was something about the

1060
01:06:38,560 --> 01:06:41,200
Speaker 1: I created this for us. Just you're not just for me.

1061
01:06:41,280 --> 01:06:43,720
Speaker 1: It's for everybody. It's for it's for you to you everybody.

1062
01:06:43,800 --> 01:06:45,720
Speaker 1: We you know what I'm saying. You you you fucking

1063
01:06:45,760 --> 01:06:49,520
Speaker 1: have people direct you, contact you one the one. It's

1064
01:06:49,520 --> 01:06:52,280
Speaker 1: an amazing fucking platform. Then thank you. Man. So we

1065
01:06:52,320 --> 01:06:54,400
Speaker 1: gotta get fired out the way. We're gonna get out

1066
01:06:54,440 --> 01:06:57,800
Speaker 1: the way. Well I can't. I don't real i't really

1067
01:06:58,840 --> 01:07:04,760
Speaker 1: about the sandwiches. It's still there's no sand just let's

1068
01:07:05,840 --> 01:07:08,720
Speaker 1: called pay I say you you get niggas, but don't

1069
01:07:08,920 --> 01:07:13,480
Speaker 1: hold up, hold up about the festival friends like this.

1070
01:07:14,000 --> 01:07:19,480
Speaker 1: Let's you know, I call you tea. I said the

1071
01:07:19,560 --> 01:07:23,760
Speaker 1: way your friends and listen, like the little bit of

1072
01:07:23,880 --> 01:07:26,160
Speaker 1: racist in me was like you gave white people below

1073
01:07:30,840 --> 01:07:34,200
Speaker 1: first a little bit. I'm sorry, little bit. The first

1074
01:07:34,240 --> 01:07:37,840
Speaker 1: of all, I want to say, you're doing again. No, no, no,

1075
01:07:38,040 --> 01:07:42,479
Speaker 1: I'm not ashamed of and I'm not ashamed the fire

1076
01:07:42,640 --> 01:07:45,560
Speaker 1: fire fest of all what you guys trying to do. No,

1077
01:07:45,800 --> 01:07:54,560
Speaker 1: because man, the idea of what it was really it

1078
01:07:54,840 --> 01:07:58,760
Speaker 1: was fucking beyond brother, because it's in brahamas right. Yeah,

1079
01:07:59,080 --> 01:08:06,480
Speaker 1: the questival, idea, everything it was orchestraateed. God, it was.

1080
01:08:06,840 --> 01:08:10,400
Speaker 1: It was amazing, you know, but but that's the but

1081
01:08:10,960 --> 01:08:15,000
Speaker 1: it did it didn't. It wasn't what I dreamed of

1082
01:08:15,080 --> 01:08:17,160
Speaker 1: it was being and what I envisioned it of being

1083
01:08:17,240 --> 01:08:21,120
Speaker 1: and what I wanted it to be. It wasn't done properly.

1084
01:08:21,160 --> 01:08:24,160
Speaker 1: It wasn't you know, you understand. And so as a friend,

1085
01:08:24,479 --> 01:08:26,080
Speaker 1: you think if you would have been on the ground,

1086
01:08:26,320 --> 01:08:28,320
Speaker 1: it would have been a little better because that was

1087
01:08:29,360 --> 01:08:32,200
Speaker 1: We're not realized, you know, because I'm like a media guy,

1088
01:08:32,280 --> 01:08:34,519
Speaker 1: so I have to like read everything. No, no, finish

1089
01:08:34,560 --> 01:08:37,160
Speaker 1: the wine first, come on, I have to read everything.

1090
01:08:37,680 --> 01:08:42,040
Speaker 1: Great took you ask him some difficult questions. One of

1091
01:08:42,120 --> 01:08:45,599
Speaker 1: the difficult one of the work um that the most

1092
01:08:45,640 --> 01:08:48,040
Speaker 1: complaints was, I felt like people wanted to see you

1093
01:08:49,600 --> 01:08:52,960
Speaker 1: involved when it went wrong. When it I just felt

1094
01:08:52,960 --> 01:08:55,720
Speaker 1: like that. I just felt like period, whenever wrong, whenever right.

1095
01:08:55,760 --> 01:08:57,120
Speaker 1: I just felt like if they would have sold you

1096
01:08:57,520 --> 01:09:00,439
Speaker 1: do think it was a logistics This is a real

1097
01:09:00,520 --> 01:09:03,479
Speaker 1: nigger conversation. You didn't see me as far as war.

1098
01:09:04,760 --> 01:09:06,200
Speaker 1: I mean, like you know, when you see you know

1099
01:09:06,920 --> 01:09:09,960
Speaker 1: David Gruppman and live it just makes you feel good,

1100
01:09:10,120 --> 01:09:13,240
Speaker 1: you know what I'm saying, so, I feel like when

1101
01:09:13,280 --> 01:09:15,439
Speaker 1: I'm reading the stories, that's most of the thing. It

1102
01:09:15,560 --> 01:09:20,320
Speaker 1: fits the situation. I think. I think because there was

1103
01:09:20,400 --> 01:09:26,080
Speaker 1: people bought into it was a logistics I'm outside of. Look,

1104
01:09:26,479 --> 01:09:28,840
Speaker 1: people are outside of didn't buy into the fest People

1105
01:09:28,880 --> 01:09:30,840
Speaker 1: didn't really know I had anything to do with the

1106
01:09:30,960 --> 01:09:34,439
Speaker 1: festivality until they went wrong. That's the crazy part. That's

1107
01:09:34,479 --> 01:09:40,160
Speaker 1: the true said yeah, it was like the sea. Then

1108
01:09:40,280 --> 01:09:49,920
Speaker 1: trying to blame somebody. Lets you're just a partner, saying

1109
01:09:50,080 --> 01:09:55,000
Speaker 1: So that's where I'm like, wait a minute. You know,

1110
01:09:55,760 --> 01:10:01,320
Speaker 1: it was my idea, my vision to do this, and

1111
01:10:01,400 --> 01:10:03,680
Speaker 1: I'm no way to shape a form ashamed of my

1112
01:10:03,920 --> 01:10:06,679
Speaker 1: vision and what it was to do this. I wanted

1113
01:10:06,720 --> 01:10:10,280
Speaker 1: to create some people amazing bad. I wanted to create

1114
01:10:10,400 --> 01:10:17,240
Speaker 1: some amazing And you know, I'm not a negger that

1115
01:10:17,360 --> 01:10:21,000
Speaker 1: likes to, you know, put blame and throw people in

1116
01:10:21,080 --> 01:10:24,960
Speaker 1: the bush on others. You know, I like to, you know,

1117
01:10:25,080 --> 01:10:27,800
Speaker 1: put the owners on myself. Is to say I should

1118
01:10:27,800 --> 01:10:29,519
Speaker 1: have been more on top of things. I should have

1119
01:10:30,120 --> 01:10:35,280
Speaker 1: you know, you know, not trusted, you know people certain

1120
01:10:35,320 --> 01:10:38,800
Speaker 1: things and maybe you know, I'm positive things would have

1121
01:10:38,920 --> 01:10:41,559
Speaker 1: been like that. So you know, I'm that that part

1122
01:10:41,640 --> 01:10:45,439
Speaker 1: of it. You know, I take all responsibility and I'm like,

1123
01:10:45,880 --> 01:10:48,760
Speaker 1: you know that that you know, I wish you know,

1124
01:10:48,800 --> 01:10:51,640
Speaker 1: I wasn't running around tour and moving around and you know,

1125
01:10:52,200 --> 01:10:54,400
Speaker 1: doing things and not norfls and not being on top

1126
01:10:54,479 --> 01:10:56,280
Speaker 1: of the whole situation the way I should have been,

1127
01:10:56,520 --> 01:11:00,320
Speaker 1: because you know, one thing, as artists, some times you

1128
01:11:00,439 --> 01:11:07,559
Speaker 1: lend your vision, and when you lend your vision to others,

1129
01:11:07,680 --> 01:11:11,320
Speaker 1: you entrust in others to carry that vision. It's like

1130
01:11:12,160 --> 01:11:15,280
Speaker 1: me making an album for Deaf Jam and giving them

1131
01:11:15,360 --> 01:11:19,439
Speaker 1: the finished product and said, okay, you guys, do what

1132
01:11:19,560 --> 01:11:21,000
Speaker 1: you do with it. You know what I'm saying. I

1133
01:11:21,120 --> 01:11:24,840
Speaker 1: just gave them my vision, my creation. But they didn't

1134
01:11:24,840 --> 01:11:28,040
Speaker 1: suck it up. It's plenty of artists that can plain

1135
01:11:28,240 --> 01:11:32,760
Speaker 1: about giving their visits or whatever, and they fuck it up.

1136
01:11:32,840 --> 01:11:36,240
Speaker 1: They don't they don't carry that vision. They don't grasp

1137
01:11:36,400 --> 01:11:40,000
Speaker 1: what that you understand, it's not carried out orchestrated. Probably,

1138
01:11:40,040 --> 01:11:45,640
Speaker 1: so these things in business happen. But you know the

1139
01:11:46,120 --> 01:11:51,320
Speaker 1: one thing that I really you know, I'm really proud

1140
01:11:51,360 --> 01:11:55,880
Speaker 1: of myself as I didn't let that. I didn't let that,

1141
01:11:56,479 --> 01:11:59,760
Speaker 1: you know, set me back the way people thought it were.

1142
01:12:00,240 --> 01:12:02,280
Speaker 1: You know I lost You know, people don't I lost

1143
01:12:02,320 --> 01:12:03,880
Speaker 1: money and that ship. You know what I'm saying, Like,

1144
01:12:04,000 --> 01:12:06,640
Speaker 1: it's not like I didn't make a dial lide. I

1145
01:12:06,680 --> 01:12:08,479
Speaker 1: didn't get that. What did you learn out of that

1146
01:12:08,560 --> 01:12:10,760
Speaker 1: situation though, because I mean you have to learn my

1147
01:12:10,880 --> 01:12:13,600
Speaker 1: main my main lesson that I learned that that is

1148
01:12:16,560 --> 01:12:19,040
Speaker 1: never give nobody the keys to your more plain car.

1149
01:12:20,000 --> 01:12:23,200
Speaker 1: You understand, you get in it, nigger, but you can't drive,

1150
01:12:24,360 --> 01:12:28,400
Speaker 1: you understand. And and I think I think that was

1151
01:12:28,520 --> 01:12:34,960
Speaker 1: my main take my rose sometimes that's what I got

1152
01:12:36,240 --> 01:12:41,559
Speaker 1: better old mode not because if it's your vision, it's

1153
01:12:41,640 --> 01:12:44,000
Speaker 1: like the old saying, you want something dumb, right, you

1154
01:12:44,080 --> 01:12:46,960
Speaker 1: gotta do it yourself. If it's your vision, you gotta

1155
01:12:46,960 --> 01:12:49,320
Speaker 1: see it through, you gotta carry it out. You can't

1156
01:12:49,360 --> 01:12:53,400
Speaker 1: expect somebody else to to to carry out your vision.

1157
01:12:54,560 --> 01:12:57,160
Speaker 1: And and that's my dad was the one of the

1158
01:12:57,280 --> 01:12:59,120
Speaker 1: things that I learned out of that, you know, is

1159
01:12:59,200 --> 01:13:01,800
Speaker 1: to be really really you know when it comes to business.

1160
01:13:02,160 --> 01:13:06,240
Speaker 1: And so you know, you know, I like like like

1161
01:13:06,360 --> 01:13:11,240
Speaker 1: think any other businessmen would do or or or person

1162
01:13:11,360 --> 01:13:17,360
Speaker 1: that believes in themselves, you know, would do. I tested

1163
01:13:17,439 --> 01:13:22,879
Speaker 1: myself forf you know, recreated my my my situation, my company,

1164
01:13:24,120 --> 01:13:27,360
Speaker 1: and and and it's it's it's an amazing it's an

1165
01:13:27,400 --> 01:13:31,080
Speaker 1: amazing company. And you know, I'm sitting forward, so you're

1166
01:13:31,080 --> 01:13:33,799
Speaker 1: trying to do something like that. Again, it's very different,

1167
01:13:34,040 --> 01:13:35,680
Speaker 1: you know what I mean, It's very different than what

1168
01:13:35,760 --> 01:13:39,320
Speaker 1: I'm doing. But it's similar, you know what I'm saying.

1169
01:13:39,360 --> 01:13:41,519
Speaker 1: It's similar, but it's very it's it's different than album,

1170
01:13:42,200 --> 01:13:47,880
Speaker 1: creating the atmosphere, but definitely not the same people at all. No, no, no, no,

1171
01:13:48,000 --> 01:13:50,120
Speaker 1: I actually you know me and my guy where we're

1172
01:13:50,200 --> 01:13:53,639
Speaker 1: we're doing it. The the guy that built my previous

1173
01:13:54,120 --> 01:13:56,559
Speaker 1: The other guy's going to jail. Is that true? He's

1174
01:13:56,640 --> 01:13:59,960
Speaker 1: he's in trouble. He's in some trouble. And I'm not trouble,

1175
01:14:00,360 --> 01:14:03,599
Speaker 1: but not for the festival, for some other ships, trouble

1176
01:14:03,640 --> 01:14:08,960
Speaker 1: for festivals, in trouble for some other things. But yeah,

1177
01:14:09,840 --> 01:14:13,120
Speaker 1: it's it's it's crazy. It's a tough it's a tough situation. Man,

1178
01:14:13,560 --> 01:14:16,680
Speaker 1: it's a tough situation to be involved in, have your

1179
01:14:16,800 --> 01:14:21,120
Speaker 1: name involved in, and and you know, to have people

1180
01:14:21,160 --> 01:14:23,720
Speaker 1: look at me in a certain way, and and you

1181
01:14:23,840 --> 01:14:26,960
Speaker 1: know my character and it's like I'm not come on, man,

1182
01:14:27,240 --> 01:14:30,599
Speaker 1: like you know, I get people, you know, saying scam scamming.

1183
01:14:30,720 --> 01:14:33,639
Speaker 1: You're just trying to strong people scamp you. And I'm like, well,

1184
01:14:33,760 --> 01:14:35,680
Speaker 1: what you what I get out of that? I'm not

1185
01:14:35,760 --> 01:14:40,479
Speaker 1: a lonely sandwiches. It was funny. It was funny, but

1186
01:14:40,760 --> 01:14:44,000
Speaker 1: but you know that that that's media ship, you know

1187
01:14:44,000 --> 01:14:46,080
Speaker 1: what I'm saying, Like, I just really think about it,

1188
01:14:46,160 --> 01:14:50,839
Speaker 1: if if there was only blowny sandwiches and Geese sandichs,

1189
01:14:51,600 --> 01:14:54,880
Speaker 1: you think there was only one picture blowing sandwich that's

1190
01:14:54,880 --> 01:14:58,200
Speaker 1: floating around, just one picture with the thousand people on

1191
01:14:58,280 --> 01:15:01,360
Speaker 1: that iland, they've been holding them ship stuff like what

1192
01:15:01,680 --> 01:15:06,479
Speaker 1: they're doing that alone? You know, it's true, it's like

1193
01:15:07,320 --> 01:15:12,559
Speaker 1: you gotta it's just it's just, you know, I wish

1194
01:15:12,680 --> 01:15:14,880
Speaker 1: things didn't go the way they did. You know, it

1195
01:15:14,960 --> 01:15:18,760
Speaker 1: was unfortunately, it's very unfortunate. It's very unfortunate. And to

1196
01:15:18,880 --> 01:15:21,360
Speaker 1: be a part of something like that, and you know,

1197
01:15:21,439 --> 01:15:23,639
Speaker 1: to have my name drug down through through the mud,

1198
01:15:24,320 --> 01:15:26,600
Speaker 1: it's crazy. But like I said, I'm not I'm not

1199
01:15:26,680 --> 01:15:29,800
Speaker 1: ashamed of of what the creation and the vision was.

1200
01:15:29,880 --> 01:15:39,640
Speaker 1: It was amazing. Goddamn makes stuff got damn okay, So

1201
01:15:39,880 --> 01:15:46,599
Speaker 1: what would murder? It ain't be right? Now if Nas,

1202
01:15:47,160 --> 01:15:53,599
Speaker 1: what sign man? You know, because what was the moment

1203
01:15:54,520 --> 01:15:57,760
Speaker 1: when you felt like, what's this idea? Even birth? Like

1204
01:15:57,960 --> 01:15:59,840
Speaker 1: like RB came to you and said, now it's down

1205
01:16:00,280 --> 01:16:06,920
Speaker 1: like house right. Yeah, I saw something that I really

1206
01:16:07,000 --> 01:16:09,439
Speaker 1: know what I came about. To be honest, you know

1207
01:16:09,479 --> 01:16:11,400
Speaker 1: what I'm saying, but I know it just came about

1208
01:16:11,640 --> 01:16:15,960
Speaker 1: and and I just heard it. Like I was like, yo, Nas,

1209
01:16:16,160 --> 01:16:18,559
Speaker 1: we even gonna get Nas and side Nas is gonna

1210
01:16:18,600 --> 01:16:20,519
Speaker 1: come and be a part of Murdaque. And I was like, go,

1211
01:16:21,800 --> 01:16:26,120
Speaker 1: you know, I mean Stoke said when you're coming. You

1212
01:16:26,200 --> 01:16:30,519
Speaker 1: know what I'm saying, Like he's like the found the room.

1213
01:16:31,400 --> 01:16:34,120
Speaker 1: What I say people say, he's like you for people

1214
01:16:34,160 --> 01:16:37,160
Speaker 1: to be a little more excited than that, I'll give

1215
01:16:37,160 --> 01:16:40,240
Speaker 1: you an honest I was. He's being honest. He's like

1216
01:16:41,120 --> 01:16:47,080
Speaker 1: I was like coming and not saying this geta let's

1217
01:16:47,080 --> 01:16:49,400
Speaker 1: say something. Nas is a legend in the game. So

1218
01:16:49,600 --> 01:16:52,360
Speaker 1: you know, I was thinking to trust me. Nas came

1219
01:16:52,400 --> 01:16:54,880
Speaker 1: to my career and we beat. I had all kind

1220
01:16:54,920 --> 01:16:58,280
Speaker 1: of plans listen to inside. Yeah, I was like you

1221
01:16:58,439 --> 01:17:01,599
Speaker 1: get match Lambos, You're here a little kind of plans,

1222
01:17:01,920 --> 01:17:05,160
Speaker 1: but it pay out. You trust me, man, I was like,

1223
01:17:05,400 --> 01:17:07,760
Speaker 1: you're gonna city at one time, We're gonna come through,

1224
01:17:08,400 --> 01:17:11,360
Speaker 1: you know, saying that back food one time from New York.

1225
01:17:11,920 --> 01:17:14,519
Speaker 1: But they didn't paying out. So you want to think

1226
01:17:15,720 --> 01:17:19,559
Speaker 1: because no one, you know, nas decided to do something different,

1227
01:17:19,920 --> 01:17:21,759
Speaker 1: you know what I mean, Like it was gonna happen,

1228
01:17:21,880 --> 01:17:25,280
Speaker 1: and then it didn't happen, you know what I mean.

1229
01:17:25,360 --> 01:17:28,040
Speaker 1: So I don't really know why it didn't happen or

1230
01:17:28,400 --> 01:17:31,120
Speaker 1: what what happened, but what happened if it didn't happen,

1231
01:17:31,960 --> 01:17:36,760
Speaker 1: let's just play futuristic. You want you won't have Yeah

1232
01:17:39,200 --> 01:17:41,240
Speaker 1: that ship, Well, if we're gonna go have a teal ship,

1233
01:17:41,280 --> 01:17:43,400
Speaker 1: and now then we do a type of the world

1234
01:17:43,560 --> 01:17:52,000
Speaker 1: got to have a billionaire by now I'm on Monting

1235
01:17:52,160 --> 01:18:00,479
Speaker 1: over neck got together ship. I'm like, we're like on that,

1236
01:18:01,400 --> 01:18:04,000
Speaker 1: like I don't know what a little bit really dope

1237
01:18:04,360 --> 01:18:11,760
Speaker 1: is in the building as well, smoking that good dog.

1238
01:18:12,439 --> 01:18:15,519
Speaker 1: Look we don't get a graph? We good god? Right?

1239
01:18:16,320 --> 01:18:23,280
Speaker 1: How you been about that? What? What? What's call? Do

1240
01:18:23,439 --> 01:18:25,000
Speaker 1: we have a chair that? It's not the way that

1241
01:18:25,080 --> 01:18:26,760
Speaker 1: we're gonna fight right there, get a chair of Mike

1242
01:18:28,000 --> 01:18:32,200
Speaker 1: typo graph. We're graphing the house. These most really blue

1243
01:18:32,240 --> 01:18:37,280
Speaker 1: Sea queens out. I don't like that, you know, it's

1244
01:18:37,320 --> 01:18:42,200
Speaker 1: all we had to talk. I look now now, look now,

1245
01:18:42,320 --> 01:18:44,720
Speaker 1: look I'm not side. It's gonna be all that side

1246
01:18:44,760 --> 01:18:49,120
Speaker 1: brow should do see you too. This is what is

1247
01:18:49,160 --> 01:18:54,800
Speaker 1: this called diego? That wasn't This is the step up.

1248
01:18:55,200 --> 01:18:57,360
Speaker 1: This is yesterday and already told me how to pick

1249
01:18:57,439 --> 01:19:00,640
Speaker 1: the gods. Yeah, I was just off. Now I'm like,

1250
01:19:01,600 --> 01:19:13,120
Speaker 1: no expert around. I stepped it up. I stepped it up. Lara,

1251
01:19:16,280 --> 01:19:19,639
Speaker 1: Yeah you get I got you grab listen when you're ready.

1252
01:19:19,680 --> 01:19:30,040
Speaker 1: I got you so rude? Then where you an ex

1253
01:19:31,280 --> 01:19:36,439
Speaker 1: great friends? Yeah? Where did you feel? Like that moment

1254
01:19:36,680 --> 01:19:41,000
Speaker 1: with Rent? Wrong? But what you what? You the dog? Yeah?

1255
01:19:42,120 --> 01:19:43,639
Speaker 1: I don't know even mean he hung up that close

1256
01:19:43,720 --> 01:19:45,519
Speaker 1: to the dog. I mean has to has to be

1257
01:19:47,320 --> 01:19:51,800
Speaker 1: the dog, you know me, it's funny to me the dog.

1258
01:19:52,880 --> 01:19:56,639
Speaker 1: It's like brothers having, you know, saying arguments and fights.

1259
01:19:57,240 --> 01:19:59,800
Speaker 1: We see each other. We cool, but young brothers and

1260
01:20:00,400 --> 01:20:03,880
Speaker 1: Spice was worldwide, but we always see each other. It

1261
01:20:04,000 --> 01:20:06,000
Speaker 1: was cool. That's the same that people want to stay,

1262
01:20:06,040 --> 01:20:10,360
Speaker 1: you know. Yeah, extra go off and say it's crazy ship.

1263
01:20:12,560 --> 01:20:15,200
Speaker 1: You know, I'm I'm you know, i'd say my ship

1264
01:20:16,400 --> 01:20:18,880
Speaker 1: and then we see each other. It would be cool.

1265
01:20:19,240 --> 01:20:23,880
Speaker 1: We laughing, smoke some bleed and sweed and all right.

1266
01:20:24,920 --> 01:20:27,519
Speaker 1: We have a different relationship. We have a we have

1267
01:20:27,640 --> 01:20:33,040
Speaker 1: a weird relationship. Every time we see each other. It's love.

1268
01:20:36,479 --> 01:20:42,439
Speaker 1: Please say oh the cut I was like the sound

1269
01:20:42,479 --> 01:20:49,840
Speaker 1: guys talking right now? All right, Well that was good,

1270
01:20:50,200 --> 01:20:55,560
Speaker 1: you think, yeah, that's for something the same ship. So

1271
01:20:55,640 --> 01:20:59,120
Speaker 1: what's the shot told them about? That's that boomboa. It's

1272
01:20:59,120 --> 01:21:03,760
Speaker 1: two and a half shots that just to get right now,

1273
01:21:03,840 --> 01:21:07,080
Speaker 1: you got two and a half. I wat let me

1274
01:21:07,120 --> 01:21:09,519
Speaker 1: get up. You got right there right you can take

1275
01:21:09,600 --> 01:21:12,639
Speaker 1: the little cup to you can. This is drink champs

1276
01:21:12,960 --> 01:21:16,840
Speaker 1: uft from me. You see they got the champagne and wine.

1277
01:21:16,880 --> 01:21:22,920
Speaker 1: We ain't never gonna soft. Come on, take four. Damn

1278
01:21:23,040 --> 01:21:33,160
Speaker 1: we did four tax I got you're ready. Let me

1279
01:21:33,200 --> 01:21:37,280
Speaker 1: ask some real I want to know how serious was

1280
01:21:37,400 --> 01:21:44,280
Speaker 1: the murder in group ship man? You know question because

1281
01:21:44,360 --> 01:21:46,240
Speaker 1: as a mix, look, I'm gonna tell you, I want

1282
01:21:46,280 --> 01:21:47,880
Speaker 1: to give you some backstory real quick, not real quick.

1283
01:21:48,400 --> 01:21:51,679
Speaker 1: As a mixtape, dj I was getting into death tapes

1284
01:21:52,240 --> 01:21:55,920
Speaker 1: from the Death Jam guys, and it said murder inc.

1285
01:21:56,320 --> 01:21:59,600
Speaker 1: And it was BMX jay Z and job I have

1286
01:21:59,760 --> 01:22:04,840
Speaker 1: all join I'll bring him in his court. Don't bring him.

1287
01:22:05,800 --> 01:22:09,280
Speaker 1: I got the dad taste from cares one guys, but

1288
01:22:09,320 --> 01:22:12,400
Speaker 1: I got him. He's got so how serious listening? I

1289
01:22:12,520 --> 01:22:15,880
Speaker 1: love that was it gonna happen? Album? Was because I

1290
01:22:15,960 --> 01:22:19,120
Speaker 1: got tracked. I don't think it was Craford gonna fully

1291
01:22:19,200 --> 01:22:21,720
Speaker 1: happen four shots. It was never really gonna happen. I

1292
01:22:21,760 --> 01:22:23,639
Speaker 1: don't think it was ever gonna happen on number two.

1293
01:22:23,880 --> 01:22:26,040
Speaker 1: And I don't think it was ever gonna happen because

1294
01:22:26,760 --> 01:22:29,240
Speaker 1: you gotta from you take that one and you know

1295
01:22:29,439 --> 01:22:32,200
Speaker 1: you gotta relax. But what's talk about hip hop history?

1296
01:22:32,439 --> 01:22:34,680
Speaker 1: And you were talking about shots. It didn't relaxed, but

1297
01:22:35,000 --> 01:22:38,960
Speaker 1: I was trying to. I was trying to construct the shots.

1298
01:22:39,240 --> 01:22:41,759
Speaker 1: Fans are not gonna like you right now. They definitely

1299
01:22:41,800 --> 01:22:45,080
Speaker 1: don't like. No, please tell me about this this hip

1300
01:22:45,120 --> 01:22:48,360
Speaker 1: hop history job. I don't think it was ever gonna

1301
01:22:48,400 --> 01:22:53,680
Speaker 1: happen to getting somebody wait wait he did? We listened, man,

1302
01:22:53,880 --> 01:22:57,280
Speaker 1: It was to get those records that that that you

1303
01:22:57,360 --> 01:23:00,080
Speaker 1: got out of us had like five. It was like,

1304
01:23:00,920 --> 01:23:03,840
Speaker 1: I don't think I'm seeing five. It was like crazy, No,

1305
01:23:03,920 --> 01:23:07,200
Speaker 1: I mean, if you put the collective together between the

1306
01:23:07,720 --> 01:23:11,559
Speaker 1: X J J X J B B, but all three

1307
01:23:11,600 --> 01:23:15,040
Speaker 1: out together. There was probably like three maybe three, three

1308
01:23:15,160 --> 01:23:18,639
Speaker 1: or four because I put him on. But everybody wasn't.

1309
01:23:19,080 --> 01:23:21,800
Speaker 1: That was all like, I mean, maybe a little bit

1310
01:23:22,120 --> 01:23:27,240
Speaker 1: above each other. We were all fucking egomaniacs. Wait, what

1311
01:23:27,400 --> 01:23:33,080
Speaker 1: was the order? And when I was saying meo meniac list,

1312
01:23:33,200 --> 01:23:36,760
Speaker 1: you know, saying them two was already egomaniacs at the time.

1313
01:23:38,880 --> 01:23:42,960
Speaker 1: Oh my god, he got the trophy cup. You know

1314
01:23:43,120 --> 01:23:49,800
Speaker 1: that the smallest shot. This is my second one. You

1315
01:23:49,880 --> 01:24:03,280
Speaker 1: catch up. That's awesome things. Get my outfit. You'll blame me.

1316
01:24:04,160 --> 01:24:09,000
Speaker 1: I don't know what he needs. That's great, man, that's

1317
01:24:09,040 --> 01:24:11,320
Speaker 1: just smooth. We see how far off come. It's very soon,

1318
01:24:12,160 --> 01:24:17,000
Speaker 1: Napkins about to smooth my head first. We're making Jim

1319
01:24:17,160 --> 01:24:21,560
Speaker 1: Chimp Jim's bid. It's coming soon history. Don't tell me.

1320
01:24:21,600 --> 01:24:24,439
Speaker 1: You gotta got your kid. We gotta that. You have

1321
01:24:24,600 --> 01:24:27,599
Speaker 1: to go to the back. That's okay. I don't even

1322
01:24:27,640 --> 01:24:30,840
Speaker 1: think it's nap bad. Let's let's just about your bloody

1323
01:24:31,479 --> 01:24:34,960
Speaker 1: they i't me strapped up. Yeah, we're doing well. Get

1324
01:24:35,000 --> 01:24:36,760
Speaker 1: you some that's go on websites to go to the

1325
01:24:36,800 --> 01:24:41,320
Speaker 1: bathroom for you he said he wants to make movies.

1326
01:24:43,120 --> 01:24:46,360
Speaker 1: I don't know what to do that we go to

1327
01:24:46,840 --> 01:24:51,799
Speaker 1: graph This is alright, right, it's smoking because they're no smoke.

1328
01:24:51,840 --> 01:24:57,640
Speaker 1: And now it was a big shot reactionable. Oh we

1329
01:24:57,720 --> 01:25:00,679
Speaker 1: haven't touch t We gotta go that round o, last shot.

1330
01:25:01,160 --> 01:25:02,679
Speaker 1: That's the last shot all to night. I'm gonna be honest.

1331
01:25:02,680 --> 01:25:05,280
Speaker 1: I don't think I miss my flight. Oh you gotta go, yo,

1332
01:25:05,400 --> 01:25:07,840
Speaker 1: you you cannot miss your flight. Bro Let go, do

1333
01:25:07,960 --> 01:25:11,120
Speaker 1: not do that. The fat draft to yesterday just drunk?

1334
01:25:11,400 --> 01:25:14,240
Speaker 1: Are you throwing that out there? It was thrown out

1335
01:25:14,320 --> 01:25:19,519
Speaker 1: the incidents in chronological order. And my friend, now I'm going,

1336
01:25:19,600 --> 01:25:22,720
Speaker 1: I'm going, I don't wait to go drunk. Grab what

1337
01:25:23,320 --> 01:25:27,160
Speaker 1: I've done as a man? Graph State friending down to Yo?

1338
01:25:27,360 --> 01:25:29,680
Speaker 1: Grab came to a funeral happy. I don't understand how

1339
01:25:29,720 --> 01:25:32,559
Speaker 1: that happen. Oh no, I got smoke. You don't want

1340
01:25:32,600 --> 01:25:34,840
Speaker 1: to be mad at the funeral. I can't do the

1341
01:25:34,920 --> 01:25:37,559
Speaker 1: sad ship. I gotta drink smoke and leave the funeral

1342
01:25:37,680 --> 01:25:40,720
Speaker 1: with a different mindstick. I mean, he went to, hey,

1343
01:25:40,760 --> 01:25:45,000
Speaker 1: my uncle passed away. Man condolences. So when I come

1344
01:25:45,040 --> 01:25:48,840
Speaker 1: to see y'all, it's uplifted man, listen like a weed.

1345
01:25:49,040 --> 01:25:51,200
Speaker 1: What is this? What is it called? He trying to

1346
01:25:51,240 --> 01:25:54,760
Speaker 1: put graph onto the school to juid that. Look for

1347
01:25:55,200 --> 01:25:56,960
Speaker 1: what I smoke insterday? What was that? That was? That

1348
01:25:57,200 --> 01:25:59,360
Speaker 1: was an acid? That was a long I like that

1349
01:25:59,760 --> 01:26:02,200
Speaker 1: you asked yesterday. I don't know what you're doing with

1350
01:26:02,320 --> 01:26:06,639
Speaker 1: no blete. You did ask it with Nori. I said,

1351
01:26:06,800 --> 01:26:09,120
Speaker 1: I was not so secred a long way. I'm gonna

1352
01:26:09,240 --> 01:26:11,479
Speaker 1: god thinking that. What's going on? You let me know

1353
01:26:11,560 --> 01:26:15,000
Speaker 1: when you're ready for litt stocks't be sigarettes. He did, Yeah,

1354
01:26:15,080 --> 01:26:24,200
Speaker 1: superst one time. Yeah, this is like top times how

1355
01:26:24,200 --> 01:26:29,720
Speaker 1: many times? Now? Now he's a just not he legit quit.

1356
01:26:29,800 --> 01:26:33,200
Speaker 1: I could I could call it's been on. It's one

1357
01:26:33,360 --> 01:26:35,880
Speaker 1: right here over here, over here. That's a really quick.

1358
01:26:35,960 --> 01:26:38,479
Speaker 1: That's a really quick. It's a big boy. I'm gonna last.

1359
01:26:39,600 --> 01:26:45,479
Speaker 1: I've been round to stop lying. Now you're not saying.

1360
01:26:47,360 --> 01:26:49,200
Speaker 1: If you won't look, I gotta cut you know you

1361
01:26:49,320 --> 01:26:54,800
Speaker 1: know what you're I gotta I gotta motherfucker. Over the years, John,

1362
01:26:56,680 --> 01:27:06,120
Speaker 1: he's dedicated, bring like you gotta like job. Yeah, so

1363
01:27:06,360 --> 01:27:11,320
Speaker 1: I'll hit you and you qushy, you got you gotta

1364
01:27:13,400 --> 01:27:18,479
Speaker 1: you might let me tell your light that I light them. Damn,

1365
01:27:18,520 --> 01:27:21,120
Speaker 1: I ain't had a good lighter. Who was good light?

1366
01:27:21,640 --> 01:27:24,519
Speaker 1: One of your names? Take my good luck right here,

1367
01:27:24,640 --> 01:27:34,280
Speaker 1: right right right? We got me. You got right. I'm

1368
01:27:34,320 --> 01:27:37,840
Speaker 1: not gonna yeah, I like that. I'm not gonna. I'm

1369
01:27:39,720 --> 01:27:42,320
Speaker 1: I gotta, I gotta si si flight. Yo, he's not

1370
01:27:42,439 --> 01:27:44,679
Speaker 1: gonna light to you. Brother. Let me just tell you something.

1371
01:27:46,360 --> 01:27:49,600
Speaker 1: You say you're not gonna make the flight. No, no,

1372
01:27:50,200 --> 01:27:53,439
Speaker 1: listen to all queens things. No, be honest, No, you

1373
01:27:53,520 --> 01:27:59,599
Speaker 1: gotta queen can do it. Queens anyway, my hand. Queens

1374
01:27:59,760 --> 01:28:04,599
Speaker 1: used to on that. We cut out of that color.

1375
01:28:05,560 --> 01:28:08,040
Speaker 1: I got to brother, this is a drink chance, baby,

1376
01:28:08,040 --> 01:28:10,120
Speaker 1: We got to whatever you want, whatever we want, brother,

1377
01:28:11,200 --> 01:28:18,760
Speaker 1: you want damn please, but listen. We went to New York.

1378
01:28:20,320 --> 01:28:24,479
Speaker 1: We were supposed to have Nicki Mina. Are you out

1379
01:28:24,520 --> 01:28:26,759
Speaker 1: there right now? They were supposed to have Nicki Minaj

1380
01:28:27,600 --> 01:28:32,720
Speaker 1: and didn't we love her, our sister, our people's but

1381
01:28:32,840 --> 01:28:35,640
Speaker 1: didn't happen. It didn't happen, right, So we had to

1382
01:28:35,720 --> 01:28:39,240
Speaker 1: come out head. We had to rhyme, are you talking

1383
01:28:39,240 --> 01:28:41,720
Speaker 1: about now? Right now? Right now? So I called you

1384
01:28:41,800 --> 01:28:45,759
Speaker 1: all rule. Josh said, yo, no, we're gonna get interviews.

1385
01:28:45,840 --> 01:28:49,160
Speaker 1: I'm gonna get Niki. But he said, you know, I

1386
01:28:49,160 --> 01:28:51,479
Speaker 1: don't do interviews, and I said, yeah, I want to

1387
01:28:51,479 --> 01:28:53,680
Speaker 1: get Nick for this one. I said, I need this.

1388
01:28:55,560 --> 01:28:59,519
Speaker 1: You told I told you. You know. I had to

1389
01:28:59,520 --> 01:29:02,240
Speaker 1: twitch you a little bit. It wasn't that easy. Just

1390
01:29:02,400 --> 01:29:05,720
Speaker 1: be clear, to be clear, I just you didn't have

1391
01:29:05,760 --> 01:29:07,680
Speaker 1: a good experience the first time with us. He had

1392
01:29:07,720 --> 01:29:10,800
Speaker 1: a fantastic I remember hanging out with you afterwards. Man,

1393
01:29:10,880 --> 01:29:14,240
Speaker 1: I was crazy, you will out I don't. I don't

1394
01:29:14,240 --> 01:29:16,680
Speaker 1: do peep that to you said that where the mother?

1395
01:29:17,479 --> 01:29:21,559
Speaker 1: But it was cool the first time. Absolutely, interview eat

1396
01:29:21,920 --> 01:29:24,479
Speaker 1: is the thing within if you track, because this is

1397
01:29:24,520 --> 01:29:27,120
Speaker 1: not an interview, by the way, this is we're talking shot.

1398
01:29:27,520 --> 01:29:33,320
Speaker 1: We're talking the shot. It's different. But the thing with interviews,

1399
01:29:33,360 --> 01:29:38,920
Speaker 1: just like never mind, isn't even matter, say your mind speaking.

1400
01:29:40,880 --> 01:29:44,519
Speaker 1: This is your platform. That's just the case. You never

1401
01:29:44,640 --> 01:29:46,960
Speaker 1: talk again and you never do an interview again. We

1402
01:29:47,080 --> 01:29:49,960
Speaker 1: need to document why you you're saying what you're saying,

1403
01:29:50,680 --> 01:29:52,479
Speaker 1: is it I would love to have, not something you

1404
01:29:52,600 --> 01:29:55,400
Speaker 1: go to your grave with. No, I ain't mad at that.

1405
01:29:56,840 --> 01:30:02,840
Speaker 1: I am mad at that. He's the media guy. Now

1406
01:30:06,280 --> 01:30:09,560
Speaker 1: let's just say something. Man, you know you know. You know,

1407
01:30:09,680 --> 01:30:12,400
Speaker 1: one of the craziest things I noticed as an artist,

1408
01:30:14,240 --> 01:30:19,240
Speaker 1: it's sometimes will jump to the biggest thing that's happening, right,

1409
01:30:20,600 --> 01:30:24,040
Speaker 1: and then you won't go to the actual thing, like

1410
01:30:24,200 --> 01:30:26,640
Speaker 1: that's that's all. That's a fault as black people, like

1411
01:30:27,400 --> 01:30:31,040
Speaker 1: if this is the black mall, well this is the

1412
01:30:31,120 --> 01:30:35,479
Speaker 1: white mall. We'll actually say, you know what her mas

1413
01:30:35,720 --> 01:30:40,080
Speaker 1: is the white mall. Someone goes there when it's just like,

1414
01:30:40,240 --> 01:30:44,680
Speaker 1: you know, you should be at the black mall. They

1415
01:30:44,760 --> 01:30:49,600
Speaker 1: got her mas in blooming Downs. But none of us

1416
01:30:49,680 --> 01:30:53,439
Speaker 1: really think like and that's what I want to do.

1417
01:30:53,600 --> 01:30:56,080
Speaker 1: That's what I want to do with me. In my opinion,

1418
01:30:56,800 --> 01:30:59,320
Speaker 1: when you look at the hip hop media, or you

1419
01:30:59,400 --> 01:31:02,360
Speaker 1: look at any media, when you look at a sports show,

1420
01:31:03,000 --> 01:31:07,000
Speaker 1: it should be Jim Jones hosting that sports show. Oh

1421
01:31:07,080 --> 01:31:10,160
Speaker 1: excuse me, a weather show. When I said weather, when

1422
01:31:10,160 --> 01:31:13,080
Speaker 1: you've seen Jim Jones doing the weather ship, like Jim

1423
01:31:13,200 --> 01:31:21,240
Speaker 1: Jones to control hip hop weather forever, weather forever. This

1424
01:31:21,320 --> 01:31:33,720
Speaker 1: is a dream. This is like, you know, I'm the

1425
01:31:33,800 --> 01:31:40,960
Speaker 1: only thing that laugh, I'm dead serious, Like Jade Kiss,

1426
01:31:41,439 --> 01:31:44,400
Speaker 1: like Jada Kiss just and he talks about basketball so

1427
01:31:44,600 --> 01:31:50,360
Speaker 1: much like you think God bless Mask, Kellor Ben God

1428
01:31:50,439 --> 01:31:54,360
Speaker 1: Bless stephen A. Smith. But if Jada Kiss was sitting

1429
01:31:54,400 --> 01:31:58,400
Speaker 1: there with styles P and she and the white girl

1430
01:31:59,040 --> 01:32:02,599
Speaker 1: whatever white girl of it is, and they're they're doing

1431
01:32:02,720 --> 01:32:06,320
Speaker 1: the fucking first take what you really watch? First take that? Yeah,

1432
01:32:06,400 --> 01:32:08,599
Speaker 1: LETA tell you something. I'm gonna tell you some fucking

1433
01:32:08,680 --> 01:32:11,560
Speaker 1: real ship and I love first. I'm gonna tell you

1434
01:32:11,680 --> 01:32:16,120
Speaker 1: some fucking real ship. Hit don't know. Can you tell

1435
01:32:16,160 --> 01:32:18,320
Speaker 1: me that? I thought about it started off with that,

1436
01:32:18,600 --> 01:32:22,280
Speaker 1: and I thought about doing it with me and you No, No,

1437
01:32:22,439 --> 01:32:25,760
Speaker 1: Mia and Zeno at the worst commence, we don't want

1438
01:32:26,960 --> 01:32:28,760
Speaker 1: I'm talking about that. I'm talking about that idea of

1439
01:32:28,800 --> 01:32:35,040
Speaker 1: a sports show. Yo. I watched fucking undisputed person every

1440
01:32:35,120 --> 01:32:41,400
Speaker 1: fucking day and is m what's gonna skip? If VI

1441
01:32:41,720 --> 01:32:45,400
Speaker 1: Pop Niggas did that same my name, it would be

1442
01:32:45,680 --> 01:32:48,400
Speaker 1: off the fight. I would kill it. You gotta bring

1443
01:32:48,520 --> 01:32:52,040
Speaker 1: dream Chat sports. I'm sorry. He's the Big three right

1444
01:32:52,040 --> 01:32:56,519
Speaker 1: now and he right now, Kenny said, right now the

1445
01:32:57,479 --> 01:33:00,840
Speaker 1: sports I wouldn't watch. No dis fact of what I'm

1446
01:33:00,840 --> 01:33:04,600
Speaker 1: saying is what I'm saying is every other culture controls

1447
01:33:04,680 --> 01:33:08,919
Speaker 1: their media. This is how you control the actual aspect

1448
01:33:08,960 --> 01:33:11,880
Speaker 1: of everything. That's controlling the media. So now, all right, cool,

1449
01:33:11,920 --> 01:33:15,600
Speaker 1: we got drink chats. Now, drink chats your legend, you

1450
01:33:15,680 --> 01:33:18,439
Speaker 1: got ten years in the game, you would come over here, right,

1451
01:33:18,520 --> 01:33:22,880
Speaker 1: that's great. We got that part. But what about what

1452
01:33:23,000 --> 01:33:27,240
Speaker 1: about the sports? What about the fucking um ship? What

1453
01:33:27,400 --> 01:33:30,639
Speaker 1: about all that? I think we should never get media

1454
01:33:30,800 --> 01:33:34,000
Speaker 1: from outside of our culture. That's that's real. You know

1455
01:33:34,000 --> 01:33:35,880
Speaker 1: what I'm saying. And you go about to do that,

1456
01:33:36,080 --> 01:33:38,800
Speaker 1: We're not going to disclose. Let God bless, you're not

1457
01:33:38,840 --> 01:33:44,080
Speaker 1: gonna disclose. We're about to Apple is gonna you know, Apple,

1458
01:33:44,240 --> 01:33:47,160
Speaker 1: because like when I see Zane Low and I see

1459
01:33:47,320 --> 01:33:49,439
Speaker 1: and I see, like, you know, Kenji Lamar go to

1460
01:33:49,640 --> 01:33:52,240
Speaker 1: Zane Low first, and I said he was supposed to

1461
01:33:52,280 --> 01:33:55,880
Speaker 1: be here, go to Zane Low, And I'm like, all right, cool,

1462
01:33:56,200 --> 01:33:58,519
Speaker 1: I get it. Maybe they're paying a hundred and fifty yards.

1463
01:33:58,680 --> 01:34:01,800
Speaker 1: Maybe they're saying pay that's saying, you know what you're

1464
01:34:01,880 --> 01:34:04,439
Speaker 1: gonna pay for culture, bro, you can't pay it for

1465
01:34:05,200 --> 01:34:11,640
Speaker 1: I came in, Come on, really, well, no, you know what,

1466
01:34:11,800 --> 01:34:15,960
Speaker 1: that actually makes sense? That makes sense exactly. It's it's

1467
01:34:17,000 --> 01:34:19,000
Speaker 1: that makes sense. I'm being completed. I don't know, and

1468
01:34:19,200 --> 01:34:22,599
Speaker 1: that makes sense. Even his point, his point is being

1469
01:34:22,680 --> 01:34:28,000
Speaker 1: made by that exactly. I'm serious, the thing can't happen.

1470
01:34:28,479 --> 01:34:34,040
Speaker 1: He's not but doesn't podcast zat Low is saint Low

1471
01:34:34,160 --> 01:34:37,800
Speaker 1: is the guy. When Drake does an interview saying Low

1472
01:34:37,840 --> 01:34:40,320
Speaker 1: as the guy because it's connected to Apple music, and

1473
01:34:40,400 --> 01:34:45,240
Speaker 1: it's like a part of that kind doesn't good something

1474
01:34:45,240 --> 01:34:48,519
Speaker 1: I'm doing. I don't hate nobody at all. Nothing against

1475
01:34:49,560 --> 01:34:52,559
Speaker 1: gets him at Apple is none of that. But when

1476
01:34:52,600 --> 01:34:54,439
Speaker 1: I sit back and I say that, I said, damn,

1477
01:34:54,720 --> 01:34:58,000
Speaker 1: it's not the culture controlling the culture. This is Paola.

1478
01:34:58,520 --> 01:35:02,080
Speaker 1: And what I mean by that it's faces. It's real ship.

1479
01:35:02,479 --> 01:35:05,200
Speaker 1: It's real ship. If you signed the Apple, you gotta

1480
01:35:05,240 --> 01:35:08,400
Speaker 1: go see the y'all. The key word you said, it's

1481
01:35:08,400 --> 01:35:11,560
Speaker 1: control the law controst, I said, I get it. I

1482
01:35:11,640 --> 01:35:17,120
Speaker 1: hondestand I never even thought about saying, like what the funks.

1483
01:35:19,280 --> 01:35:22,240
Speaker 1: It's a tough thing. It's a something. This is one

1484
01:35:22,280 --> 01:35:24,639
Speaker 1: of my back door conversations with me and you're talking

1485
01:35:24,720 --> 01:35:35,280
Speaker 1: the phone. Is this ain't Yeah? You got It's real though,

1486
01:35:35,640 --> 01:35:38,240
Speaker 1: But it's real because you know why, I'm gonna be honest.

1487
01:35:40,320 --> 01:35:44,200
Speaker 1: I'm really successful, Like I really did my thing, and

1488
01:35:44,280 --> 01:35:49,559
Speaker 1: then I chose to take this other side. So any

1489
01:35:49,800 --> 01:35:53,479
Speaker 1: artists where it's Kanye, they should kind of come see

1490
01:35:53,560 --> 01:35:57,599
Speaker 1: me first. I think I don't need you, but I'm

1491
01:35:57,680 --> 01:36:00,799
Speaker 1: here for you and I understand you more than anybody

1492
01:36:00,880 --> 01:36:04,759
Speaker 1: else in the world, from Callanye the j to whoever

1493
01:36:05,400 --> 01:36:09,479
Speaker 1: to NICKI, that should come see me. You see my

1494
01:36:09,640 --> 01:36:12,400
Speaker 1: intros when I interviewing Nigga, I can get the best

1495
01:36:12,479 --> 01:36:16,880
Speaker 1: intro in the world, nigga. And sometimes if you call

1496
01:36:16,960 --> 01:36:20,760
Speaker 1: he coaches and then sometimes it's a nigga not get

1497
01:36:20,840 --> 01:36:22,880
Speaker 1: you an intro because I don't know I did better

1498
01:36:23,040 --> 01:36:26,240
Speaker 1: Union of Life, but I'm gonna get the intro that

1499
01:36:26,400 --> 01:36:29,840
Speaker 1: you did better than real life. But all right, hold on,

1500
01:36:30,000 --> 01:36:34,720
Speaker 1: hold only hold on. I mean, I mean, you know

1501
01:36:34,960 --> 01:36:39,360
Speaker 1: it's just velvet. Is it about them coming to you first.

1502
01:36:39,640 --> 01:36:42,280
Speaker 1: I don't care about coming at all. I don't care

1503
01:36:42,320 --> 01:36:45,240
Speaker 1: about first. I don't care about not coming. I care

1504
01:36:45,240 --> 01:36:48,680
Speaker 1: about supporting the culture. This is the only coaches you

1505
01:36:48,760 --> 01:36:51,519
Speaker 1: feel like, Yo, they don't gain't coming to support drink,

1506
01:36:51,760 --> 01:36:56,200
Speaker 1: ain't coming to drink. Champs as the barbershop and barbershop

1507
01:36:56,680 --> 01:36:58,639
Speaker 1: is the opinion of the culture. I don't be honest.

1508
01:36:58,680 --> 01:37:01,479
Speaker 1: You know, the first version, the first you know the

1509
01:37:01,520 --> 01:37:07,880
Speaker 1: first you know, the first first shot I saluted crazy

1510
01:37:08,120 --> 01:37:11,000
Speaker 1: was when Squiss Beats came to see me the next

1511
01:37:11,120 --> 01:37:13,800
Speaker 1: day because you came to my album at least party. Um.

1512
01:37:14,439 --> 01:37:17,120
Speaker 1: Swiss Beasts came to see me the next day and

1513
01:37:17,320 --> 01:37:19,320
Speaker 1: was like, y'all, you know, we came and hang out.

1514
01:37:19,640 --> 01:37:23,720
Speaker 1: And then the next day he went called Epic and

1515
01:37:23,840 --> 01:37:26,240
Speaker 1: told him one of my first interviewers I want to

1516
01:37:26,280 --> 01:37:29,400
Speaker 1: do is Drink Chaps. That to me was like, that

1517
01:37:29,600 --> 01:37:33,439
Speaker 1: was the final That's what I what I deserved. Like nigga,

1518
01:37:33,479 --> 01:37:36,719
Speaker 1: I'm not know corny nigga, but I'm out here interview

1519
01:37:36,800 --> 01:37:39,880
Speaker 1: on niggas because I want to put other niggas you

1520
01:37:40,160 --> 01:37:42,160
Speaker 1: But but I don't think I think you're looking at it.

1521
01:37:42,640 --> 01:37:44,760
Speaker 1: You know what I'm saying. Not you had all the

1522
01:37:44,840 --> 01:37:49,479
Speaker 1: way which aspect and the aspect is. I don't think

1523
01:37:49,560 --> 01:37:54,639
Speaker 1: they have anything against drink Champs. I think the culture

1524
01:37:54,720 --> 01:37:59,880
Speaker 1: loved motherfucking drink Champs. I think so too every artist, everybody,

1525
01:38:00,040 --> 01:38:05,200
Speaker 1: they love Drink Champs. It's just that treat. It's too

1526
01:38:05,360 --> 01:38:08,920
Speaker 1: right not be suited forever you all scared of. You

1527
01:38:09,040 --> 01:38:13,719
Speaker 1: got to understand that if if you wasn't my brother,

1528
01:38:14,760 --> 01:38:21,080
Speaker 1: I don't do correct. That's right. This show is let

1529
01:38:21,160 --> 01:38:22,880
Speaker 1: it's what I'm saying, and they got any rail on

1530
01:38:22,960 --> 01:38:25,799
Speaker 1: this show. You can't like people are afraid to bet.

1531
01:38:26,080 --> 01:38:27,840
Speaker 1: I've been telling that. I go to the bottom shop

1532
01:38:27,880 --> 01:38:33,000
Speaker 1: and then like, but you got what you gotta understand

1533
01:38:33,080 --> 01:38:38,320
Speaker 1: that your platform is your platform and it's becoming a

1534
01:38:38,880 --> 01:38:43,120
Speaker 1: huge platform. But it's like it's like it's like it's

1535
01:38:43,160 --> 01:38:46,000
Speaker 1: like going on stern like nigger about to say that,

1536
01:38:46,680 --> 01:38:49,640
Speaker 1: like right now, everybody don't want to gone there or

1537
01:38:49,800 --> 01:38:52,880
Speaker 1: trying to hit me out, hit me up as an artist,

1538
01:38:53,439 --> 01:38:56,360
Speaker 1: you fuck with me? Yeah, I might know some daring

1539
01:38:56,400 --> 01:38:58,720
Speaker 1: on you. I'm not gonna bring it up. It's not

1540
01:38:58,880 --> 01:39:03,160
Speaker 1: about that at about us feel like he's about the dirt.

1541
01:39:03,320 --> 01:39:11,439
Speaker 1: It's not about the dirt. It's it's requestions. No aer

1542
01:39:11,640 --> 01:39:16,200
Speaker 1: can you ask I'm sucking honest because he's a fucking honest.

1543
01:39:25,560 --> 01:39:30,880
Speaker 1: I don't thinking telling this guy guy he's not a

1544
01:39:31,000 --> 01:39:37,519
Speaker 1: media guy. He's fucking no, he is. And that's a problem.

1545
01:39:38,240 --> 01:39:43,680
Speaker 1: He's noriagor man. I don't know when I think you

1546
01:39:43,800 --> 01:39:46,880
Speaker 1: put on this thing is no riego man, I don't

1547
01:39:46,920 --> 01:39:50,360
Speaker 1: know the snicker now he's you know, he's gonna ask

1548
01:39:50,479 --> 01:39:54,680
Speaker 1: these type of questions because he knows the art, he

1549
01:39:54,840 --> 01:39:57,920
Speaker 1: knows us. He Fox for us, He's our nigger. After

1550
01:39:58,040 --> 01:40:01,519
Speaker 1: this with your smokes, bloodsucking, it's call on some stupid

1551
01:40:01,520 --> 01:40:03,680
Speaker 1: ship home phone, and we got to take that out.

1552
01:40:04,520 --> 01:40:15,680
Speaker 1: Figured you say you don't. I'm not gonna let go

1553
01:40:15,920 --> 01:40:18,479
Speaker 1: through that with thee of nicking. He called me on

1554
01:40:18,600 --> 01:40:22,240
Speaker 1: my most just kill it. Killed you train over that head,

1555
01:40:23,000 --> 01:40:26,679
Speaker 1: killed that and you handed to come in. You gotta

1556
01:40:26,720 --> 01:40:29,360
Speaker 1: be honest and open, and every artist is not done. No,

1557
01:40:29,560 --> 01:40:31,320
Speaker 1: I'm not gonna lie graph. I'm letting it a lot

1558
01:40:31,400 --> 01:40:33,760
Speaker 1: to me though a couple of times, like a shot

1559
01:40:33,880 --> 01:40:38,240
Speaker 1: at the time, I lived in a word he said

1560
01:40:38,280 --> 01:40:42,640
Speaker 1: that who shot about that? Now? You know why? You

1561
01:40:42,720 --> 01:40:47,439
Speaker 1: know why because myster Flex called me Flex on the show. Bro. No,

1562
01:40:47,640 --> 01:40:51,200
Speaker 1: i'mna be honest. I have the most honest, craziest conversation

1563
01:40:51,200 --> 01:40:55,200
Speaker 1: with Master Flex because you know, usually you call a person,

1564
01:40:55,520 --> 01:40:58,800
Speaker 1: you're just three times you right, So for for some

1565
01:40:59,120 --> 01:41:01,720
Speaker 1: strange reason and I called him, He's like what I

1566
01:41:01,800 --> 01:41:05,439
Speaker 1: was like, oh ship, I wasn't even ready. I was

1567
01:41:05,560 --> 01:41:08,680
Speaker 1: ready for him to like skip the call. This thing

1568
01:41:08,800 --> 01:41:11,320
Speaker 1: was like, what's up? How you doing? I was like, oh, Ship,

1569
01:41:11,600 --> 01:41:15,639
Speaker 1: I have nothing to say, like, you know, what's a flex?

1570
01:41:16,200 --> 01:41:18,800
Speaker 1: And then he just been into me and it made

1571
01:41:18,880 --> 01:41:23,120
Speaker 1: me understand where New York City is at, why New

1572
01:41:23,240 --> 01:41:27,439
Speaker 1: York City is at a certain level. The Flex is

1573
01:41:27,520 --> 01:41:31,760
Speaker 1: one of the most honest people, and he's reminds me

1574
01:41:31,840 --> 01:41:36,680
Speaker 1: of you for me, because you're the most stuffing this thing.

1575
01:41:36,760 --> 01:41:42,120
Speaker 1: I know. Relax, it's a great thing. If we're gonna

1576
01:41:42,120 --> 01:41:44,719
Speaker 1: go there, I'm gonna tell you something right now because

1577
01:41:44,840 --> 01:41:47,439
Speaker 1: everything you guys did. I come here and I'm on

1578
01:41:47,520 --> 01:41:51,400
Speaker 1: the sideline and it's everything New York. But mind you, guys,

1579
01:41:52,120 --> 01:41:55,800
Speaker 1: hip hop is bigger than motherfucker New York. Definitely not

1580
01:41:55,960 --> 01:41:58,760
Speaker 1: the case I was trying to make. I don't know,

1581
01:41:58,920 --> 01:42:01,840
Speaker 1: I'm just the tip of my shoulder. It's the tip

1582
01:42:01,920 --> 01:42:04,800
Speaker 1: of my shoulders. I'm trying to let you guys know.

1583
01:42:05,080 --> 01:42:08,840
Speaker 1: Let's yeah, God damn, but my chip is not that

1584
01:42:09,000 --> 01:42:16,160
Speaker 1: far less hard ship, you know what. Actually, I wanted

1585
01:42:16,160 --> 01:42:20,160
Speaker 1: to ask job Yea, what demographics of the United States?

1586
01:42:20,320 --> 01:42:23,400
Speaker 1: Did you realize what's fun with you other than New York?

1587
01:42:24,080 --> 01:42:26,760
Speaker 1: I didn't because I feel like it's like I didn't

1588
01:42:26,760 --> 01:42:32,000
Speaker 1: break in New York. Where did you break really and

1589
01:42:32,120 --> 01:42:34,840
Speaker 1: did you think it? And let me tell you not

1590
01:42:34,960 --> 01:42:37,479
Speaker 1: see you you know, because you know this ship. You

1591
01:42:37,479 --> 01:42:42,519
Speaker 1: know what I'm saying, I'm a DJs. So we were

1592
01:42:42,640 --> 01:42:48,880
Speaker 1: so when I first came out with how Holland ship it,

1593
01:42:49,120 --> 01:42:53,400
Speaker 1: we wasn't really getting that that that kind of love,

1594
01:42:54,160 --> 01:42:56,400
Speaker 1: you know what I'm saying. On on the East Coast.

1595
01:42:57,400 --> 01:43:03,519
Speaker 1: So we went out to l a power Power on five.

1596
01:43:05,400 --> 01:43:09,880
Speaker 1: My brother was uh Demea was the program director at

1597
01:43:09,880 --> 01:43:14,719
Speaker 1: the time. Even Demesa was the program director. Demesa champion

1598
01:43:14,840 --> 01:43:20,520
Speaker 1: that record. Demesic took Holla holla and fucking just destroyed

1599
01:43:20,560 --> 01:43:23,280
Speaker 1: it on the West Coast. Hence you see I'm in

1600
01:43:23,600 --> 01:43:25,960
Speaker 1: the video. I'm on the West Coast in the Six

1601
01:43:26,080 --> 01:43:28,320
Speaker 1: Boys Valley and I'm like, yo, these nis showing me

1602
01:43:28,400 --> 01:43:31,280
Speaker 1: the last I'm going up video. You know what I'm saying.

1603
01:43:32,400 --> 01:43:40,200
Speaker 1: So Leo gets on the phone. Know this Wist Coast

1604
01:43:40,280 --> 01:43:45,360
Speaker 1: wasn't for you. This was this was us shaking whatever

1605
01:43:45,479 --> 01:43:50,000
Speaker 1: we can pen guy in the world go real quick.

1606
01:43:50,080 --> 01:43:52,040
Speaker 1: Oh no, but yeah, we was trying to get it

1607
01:43:52,120 --> 01:43:54,559
Speaker 1: popping weeb we could get it popping. East Coast wasn't

1608
01:43:54,600 --> 01:43:57,840
Speaker 1: playing my ship. We went out West Power on five

1609
01:43:57,960 --> 01:44:01,720
Speaker 1: demesic big shots dimension. He showed us to love and

1610
01:44:01,760 --> 01:44:05,000
Speaker 1: started banging the wrecord. So now the mrs banging the record,

1611
01:44:05,760 --> 01:44:10,719
Speaker 1: let's start spreading. You know how, I go West Coast

1612
01:44:10,760 --> 01:44:14,040
Speaker 1: and started playing Oakland down the sad frand now you

1613
01:44:14,080 --> 01:44:16,320
Speaker 1: know how that goes, just like East Coast, you know,

1614
01:44:16,439 --> 01:44:21,800
Speaker 1: Baltimore jr DC, same type of ship. So Leo basic

1615
01:44:21,920 --> 01:44:29,759
Speaker 1: Corter to Tracy at the time, Tracy clad, and he's like, yeah, Tracy,

1616
01:44:30,120 --> 01:44:34,920
Speaker 1: how the fuck are you not playing job route? He's

1617
01:44:35,040 --> 01:44:38,719
Speaker 1: breaking on the West and he's an East Coast artist.

1618
01:44:40,040 --> 01:44:46,200
Speaker 1: Dagn Next thing you know, we start getting them spins

1619
01:44:46,840 --> 01:44:50,360
Speaker 1: on night Oven because it's it's true. It's like, yo,

1620
01:44:50,439 --> 01:44:54,439
Speaker 1: how are you letting the West Coast breaking East Coast?

1621
01:44:54,520 --> 01:44:57,800
Speaker 1: At this fact? We gave y' all these breads. We're

1622
01:44:57,880 --> 01:45:02,360
Speaker 1: right here in yr backyard and eatat the about the game.

1623
01:45:02,600 --> 01:45:05,960
Speaker 1: I say it's too because me, like, I watched y'all

1624
01:45:06,000 --> 01:45:08,639
Speaker 1: coming up and didn't even know that type of fact.

1625
01:45:08,720 --> 01:45:11,320
Speaker 1: But in my when I started grinding, dude, trying to

1626
01:45:11,400 --> 01:45:13,800
Speaker 1: push records, you had to leave New York. That the

1627
01:45:13,800 --> 01:45:16,200
Speaker 1: ship popping too, because New York wasn't supporting New York.

1628
01:45:16,400 --> 01:45:21,680
Speaker 1: That was later that's that's actually a thing. Now to

1629
01:45:22,240 --> 01:45:25,400
Speaker 1: hear that, then I might have been auction to the ship.

1630
01:45:26,240 --> 01:45:32,280
Speaker 1: I didn't know that that friendship that im how much

1631
01:45:32,320 --> 01:45:36,240
Speaker 1: they did not support the friend for my time broken

1632
01:45:36,320 --> 01:45:39,280
Speaker 1: up the states. They didn't break here. Niggers didn't break here.

1633
01:45:39,479 --> 01:45:46,040
Speaker 1: I mean here. I didn't come here. That's why I

1634
01:45:46,560 --> 01:45:49,200
Speaker 1: had such a big love. And you know, I was like, Yo,

1635
01:45:49,280 --> 01:45:53,280
Speaker 1: you know what, I'm gonna go out West make my album. Ship.

1636
01:45:53,439 --> 01:45:55,720
Speaker 1: It's the fibers out there, they banging my records. I

1637
01:45:55,800 --> 01:45:58,960
Speaker 1: did's a death Row connection as well, let's be real. No, no, no,

1638
01:45:59,000 --> 01:46:00,519
Speaker 1: I didn't. I mean there was I'm just saying that

1639
01:46:00,640 --> 01:46:04,360
Speaker 1: was election. Oh no, at that time at all. No,

1640
01:46:05,479 --> 01:46:09,000
Speaker 1: we didn't know sugar or nothing about that time was wait,

1641
01:46:09,200 --> 01:46:12,400
Speaker 1: this is my second album, went out west and we

1642
01:46:12,479 --> 01:46:19,519
Speaker 1: got a clear At some point Shot tried to sign you.

1643
01:46:20,200 --> 01:46:24,920
Speaker 1: Yeah he did, he did. He did that. He tried to.

1644
01:46:27,120 --> 01:46:30,040
Speaker 1: He's shugaring gud. He was cool, and it was a

1645
01:46:30,080 --> 01:46:33,360
Speaker 1: whole lot going on, and should tried to. Fucking did

1646
01:46:33,400 --> 01:46:39,080
Speaker 1: you buy your assets ful? Jesus heard heard that was

1647
01:46:39,640 --> 01:46:42,800
Speaker 1: about with my six seven six seven Continental suicide do it?

1648
01:46:42,880 --> 01:46:46,000
Speaker 1: That was my ship. But now see shouldn't never No,

1649
01:46:46,560 --> 01:46:53,639
Speaker 1: that was the rule, man, This is why drink. It's

1650
01:46:53,680 --> 01:47:06,920
Speaker 1: just like old that was do everywhere everybody. I was

1651
01:47:07,000 --> 01:47:08,680
Speaker 1: nervous in the times I lived in that story to

1652
01:47:08,760 --> 01:47:11,479
Speaker 1: you and then he was hanging out with Shook every weekend,

1653
01:47:11,800 --> 01:47:15,320
Speaker 1: and I would see you on Saturdays and be like, Yo,

1654
01:47:15,680 --> 01:47:22,599
Speaker 1: what's going on. I've seen him at the career. I mean,

1655
01:47:22,680 --> 01:47:26,320
Speaker 1: I don't know what happened. Like everything when we lived down,

1656
01:47:26,360 --> 01:47:28,519
Speaker 1: I'm blocking each other the slope niggas like we was

1657
01:47:28,560 --> 01:47:31,800
Speaker 1: on the same team. Yeah, yeah, basketball, do you remember

1658
01:47:31,840 --> 01:47:35,479
Speaker 1: that bust niggas that everybody came over like the rapper

1659
01:47:35,520 --> 01:47:39,960
Speaker 1: niggas can't play? We fixed them. We had we had

1660
01:47:40,040 --> 01:47:47,200
Speaker 1: game players, so let we had game player like fixing flipping.

1661
01:47:49,680 --> 01:47:51,719
Speaker 1: We used to lower the rims were done on these knicks.

1662
01:47:54,240 --> 01:48:00,360
Speaker 1: What's gonna say that part? What the FOTA were joking

1663
01:48:00,439 --> 01:48:09,040
Speaker 1: on niggers? They nigger. We weren't Larry Larry. Yeah, listen,

1664
01:48:09,439 --> 01:48:14,680
Speaker 1: I'm not lower the river and we want to do

1665
01:48:14,960 --> 01:48:25,640
Speaker 1: Now that's a class class classic broh Man. Yeah, we

1666
01:48:25,680 --> 01:48:28,680
Speaker 1: gotta you gotta come by the crib you're doing on

1667
01:48:30,040 --> 01:48:36,479
Speaker 1: you got so many cribs burning man, don't do that, bro,

1668
01:48:36,640 --> 01:48:39,519
Speaker 1: you're dot. What't you going around? A lot of burk

1669
01:48:39,720 --> 01:48:42,400
Speaker 1: going around. They just burned around his house. I don't

1670
01:48:42,439 --> 01:48:44,760
Speaker 1: got nothing. I live in a small don't get the ring.

1671
01:48:44,840 --> 01:48:47,800
Speaker 1: You don't get the ring. They yo, you know what.

1672
01:48:48,640 --> 01:48:51,920
Speaker 1: They jacked my They ran up in my car, and

1673
01:48:52,000 --> 01:48:55,960
Speaker 1: the ring caught the whole Join the ring, the Ring,

1674
01:48:56,240 --> 01:49:00,320
Speaker 1: The Ring joined, naza Is invested in the ring. Oh yo,

1675
01:49:00,800 --> 01:49:04,479
Speaker 1: love been a big bag for We're okay. So they

1676
01:49:04,600 --> 01:49:07,479
Speaker 1: caught the homie jumping in my car, jacking my ship

1677
01:49:08,439 --> 01:49:11,760
Speaker 1: a nice into the yard and then you know, the

1678
01:49:11,800 --> 01:49:13,840
Speaker 1: front of my crib. And then the ring people call

1679
01:49:13,920 --> 01:49:16,719
Speaker 1: me like, you know, we're gonna blast this, even a blast.

1680
01:49:18,120 --> 01:49:20,840
Speaker 1: We'll catch his motherfucker. And they did a whole video.

1681
01:49:21,160 --> 01:49:24,599
Speaker 1: They put them they zoomed on his face. Brings good money, yo,

1682
01:49:26,200 --> 01:49:29,960
Speaker 1: shout out the ring man ring. You can pay himself.

1683
01:49:31,320 --> 01:49:36,920
Speaker 1: You can mother nothing. Killing wasna hit and fun. That

1684
01:49:37,000 --> 01:49:40,920
Speaker 1: motherfucker that checked my car, Fuck you bitch. When it

1685
01:49:41,000 --> 01:49:44,400
Speaker 1: came out, I'll kill you can't kill nobody if you

1686
01:49:44,640 --> 01:49:46,800
Speaker 1: don't know. It's like, no, we're in a state where

1687
01:49:46,840 --> 01:49:50,400
Speaker 1: I kill him. It's gonna stop. We're you gonna say it.

1688
01:49:50,439 --> 01:49:56,320
Speaker 1: We're gonna say it. Shall your ground saying, no real talk.

1689
01:49:56,640 --> 01:49:58,120
Speaker 1: It's lucky for him and lucky for me that I

1690
01:49:58,160 --> 01:50:00,519
Speaker 1: didn't see that video. What happened. I want to kill

1691
01:50:00,560 --> 01:50:05,800
Speaker 1: this ass. Goddamn that motherfucker. Yeah, but it wasn't wasn't

1692
01:50:05,800 --> 01:50:08,720
Speaker 1: for you to die. Listen, my wife, now we can

1693
01:50:08,800 --> 01:50:12,960
Speaker 1: see everything. I want to killed his ass. Ya got ready.

1694
01:50:13,560 --> 01:50:16,280
Speaker 1: I gotta see what the fun is up. Yeah, I

1695
01:50:16,360 --> 01:50:18,920
Speaker 1: got some other ship, but it's like I don't learn

1696
01:50:18,920 --> 01:50:22,160
Speaker 1: about the guard. Was the first thing that took a

1697
01:50:22,200 --> 01:50:24,160
Speaker 1: picture with you when you came home from jail. She

1698
01:50:24,360 --> 01:50:30,080
Speaker 1: was like, no many notes to me? What you say?

1699
01:50:34,800 --> 01:50:36,639
Speaker 1: Said what you said? Right now. I was the first

1700
01:50:36,720 --> 01:50:38,360
Speaker 1: thing that took a picture with him when he came

1701
01:50:38,400 --> 01:50:41,280
Speaker 1: from jail. Let me just tell you something. Here's a

1702
01:50:41,320 --> 01:50:45,800
Speaker 1: crazy ship job. Rude came from jail, so he tried

1703
01:50:45,840 --> 01:50:49,080
Speaker 1: to post the picture before me. He had to relax.

1704
01:50:49,920 --> 01:50:54,479
Speaker 1: I said, Rude, stop. I got the weight and I

1705
01:50:54,640 --> 01:50:56,920
Speaker 1: posted it and TMC took my ship. But then they

1706
01:50:57,040 --> 01:51:09,559
Speaker 1: credited you say, that's that's beautiful. You know what, that's

1707
01:51:09,600 --> 01:51:12,840
Speaker 1: a beautiful man, because you know you're one of the

1708
01:51:13,000 --> 01:51:15,360
Speaker 1: niggas that I was. I was scared, like when you

1709
01:51:15,600 --> 01:51:18,439
Speaker 1: was in jail and you called me like I was scared.

1710
01:51:18,560 --> 01:51:22,439
Speaker 1: Not scared, not not saying you are like like you

1711
01:51:22,479 --> 01:51:24,439
Speaker 1: know I suck on or nothing like that. I was

1712
01:51:24,520 --> 01:51:27,720
Speaker 1: just scared because I knew you didn't be long man. Yeah,

1713
01:51:27,880 --> 01:51:30,000
Speaker 1: you know what I'm saying. I knew. And when you

1714
01:51:30,120 --> 01:51:32,759
Speaker 1: called me, I would offer you money and you like, nigga,

1715
01:51:32,960 --> 01:51:39,680
Speaker 1: I'm good. I'm like yo yo, you You're like a

1716
01:51:39,920 --> 01:51:44,360
Speaker 1: good nigga. Everything good. Every time I was, everything good,

1717
01:51:44,439 --> 01:51:47,360
Speaker 1: stand up nigga. Like you know when I went to

1718
01:51:47,560 --> 01:51:49,240
Speaker 1: when I went, I was in state. When I was

1719
01:51:49,280 --> 01:51:51,439
Speaker 1: in the state, I was in PC, you know, because

1720
01:51:51,680 --> 01:51:54,200
Speaker 1: that's how I stay. Do you if they put you

1721
01:51:54,280 --> 01:51:59,439
Speaker 1: in what they call it involuntary famous, Yeah, involuntary protective

1722
01:51:59,479 --> 01:52:01,920
Speaker 1: custom because the state fields they have to protect you.

1723
01:52:02,479 --> 01:52:04,080
Speaker 1: They don't want that to happen to you because you're

1724
01:52:04,160 --> 01:52:10,840
Speaker 1: high profile. Case you go to fas two fussy your

1725
01:52:10,880 --> 01:52:18,120
Speaker 1: options and your motherfucker stay in uh solitary confinement, you know,

1726
01:52:18,280 --> 01:52:23,479
Speaker 1: basically in a fucking box. One you could come out,

1727
01:52:24,640 --> 01:52:26,760
Speaker 1: and that's what the FEDS do. I chose to come

1728
01:52:26,800 --> 01:52:29,439
Speaker 1: out and be with anybody, and and and and and

1729
01:52:29,680 --> 01:52:33,200
Speaker 1: live I think it still all time. No, no, no, no, no,

1730
01:52:33,280 --> 01:52:40,599
Speaker 1: it's once a time. No no, no, jail, it's not something.

1731
01:52:40,680 --> 01:52:42,760
Speaker 1: Let me say something from my young bloods coming up man,

1732
01:52:42,920 --> 01:52:46,680
Speaker 1: my brother jail, there's not nothing just wax ship man

1733
01:52:47,120 --> 01:52:48,680
Speaker 1: that said something you don't want to go through, but

1734
01:52:48,800 --> 01:52:52,320
Speaker 1: if you do have to be there, just no, it's

1735
01:52:52,400 --> 01:52:55,519
Speaker 1: not the indoor. Yeah, you know what I'm saying. You

1736
01:52:55,600 --> 01:52:59,760
Speaker 1: can go there and and and and elevate yourself. Learn

1737
01:52:59,800 --> 01:53:01,600
Speaker 1: a lot of things. Read a lot of books. I

1738
01:53:01,680 --> 01:53:03,800
Speaker 1: read more books in jail than I've ever read my life.

1739
01:53:04,320 --> 01:53:08,080
Speaker 1: You know what I'm saying. It's like, you know, so

1740
01:53:10,280 --> 01:53:13,200
Speaker 1: usually if you are there, use your time, wises be

1741
01:53:13,360 --> 01:53:16,519
Speaker 1: there and and be making You know, it's an old

1742
01:53:16,680 --> 01:53:18,960
Speaker 1: wax saying and cliche ship and you know, do the

1743
01:53:19,000 --> 01:53:21,000
Speaker 1: time and little time do you ship? You know what

1744
01:53:21,040 --> 01:53:22,880
Speaker 1: I'm saying. But it's real ship. You know what I'm saying,

1745
01:53:22,960 --> 01:53:27,040
Speaker 1: Like you know what you threw there? Just hope to

1746
01:53:27,120 --> 01:53:37,479
Speaker 1: be there. The person that I know, um fantastic. I've

1747
01:53:37,520 --> 01:53:42,880
Speaker 1: never seen you down. People received see that, but I've

1748
01:53:42,920 --> 01:53:46,679
Speaker 1: never seen you down. But in your honest personal opinion,

1749
01:53:47,760 --> 01:53:50,479
Speaker 1: if you could have did anything better in your life,

1750
01:53:51,680 --> 01:53:56,200
Speaker 1: what whatever. Then you know, I don't. I don't regret anything.

1751
01:53:56,280 --> 01:53:58,120
Speaker 1: I don't. I don't think I could have done anything better.

1752
01:53:59,040 --> 01:54:03,760
Speaker 1: And that's honest. So, you know, because people like to

1753
01:54:03,840 --> 01:54:07,960
Speaker 1: look at things that I could have did better, because

1754
01:54:08,040 --> 01:54:11,720
Speaker 1: they want to dissect my life. I looked at I

1755
01:54:11,800 --> 01:54:15,599
Speaker 1: look at beginnings and ended. Right. Everything in the middle

1756
01:54:15,760 --> 01:54:26,240
Speaker 1: is you know, beginning, support kids from alage queens, you know,

1757
01:54:26,720 --> 01:54:30,640
Speaker 1: with with this is a gram saur and ship. What

1758
01:54:30,920 --> 01:54:38,840
Speaker 1: grand ended, I don't know. But in between that, I've

1759
01:54:38,880 --> 01:54:43,960
Speaker 1: been able to amass so decent lifestyle for myself and

1760
01:54:44,120 --> 01:54:48,720
Speaker 1: my family, put my you know, kids through school and

1761
01:54:49,200 --> 01:54:53,440
Speaker 1: you know, my daughter through college, and provide for for everybody.

1762
01:54:53,520 --> 01:54:59,360
Speaker 1: You know. Sure, those are some of the things to me.

1763
01:54:59,480 --> 01:55:01,280
Speaker 1: Those those a big wins, you know what I'm saying

1764
01:55:01,680 --> 01:55:04,080
Speaker 1: in life. You know, people look at the financial ship

1765
01:55:04,280 --> 01:55:07,600
Speaker 1: or whatever, but the biggest win is I'm in the

1766
01:55:07,680 --> 01:55:11,680
Speaker 1: household with my kids and with my family. Those are

1767
01:55:11,720 --> 01:55:18,960
Speaker 1: the big wins out there. Yeah. I just I just

1768
01:55:19,160 --> 01:55:22,800
Speaker 1: I'm just had. I'm just I'm just happy to be

1769
01:55:22,880 --> 01:55:25,120
Speaker 1: able to be able to be in my kids lives

1770
01:55:25,160 --> 01:55:26,960
Speaker 1: in the way that I am to being allowed and

1771
01:55:27,440 --> 01:55:31,480
Speaker 1: to mentor them and teach them. You know that that

1772
01:55:31,520 --> 01:55:34,280
Speaker 1: ship to me is like what I want to project

1773
01:55:34,400 --> 01:55:36,760
Speaker 1: out to the to the to the public, you know,

1774
01:55:36,960 --> 01:55:42,120
Speaker 1: being being a good father, good you know whatever. I've

1775
01:55:42,160 --> 01:55:45,040
Speaker 1: been a fucked up nigga a lot of years, you

1776
01:55:45,080 --> 01:55:46,480
Speaker 1: know what I mean. So don't get me wrong, I

1777
01:55:46,560 --> 01:55:49,000
Speaker 1: ain't being pretty appreci I'm just telling you what I

1778
01:55:49,120 --> 01:55:52,000
Speaker 1: was saying. And elevated too. You know what I'm saying.

1779
01:55:52,040 --> 01:55:54,040
Speaker 1: I've been in that other nigga, and that other nigga

1780
01:55:54,160 --> 01:55:56,920
Speaker 1: is dead dead to me. You know what I'm saying.

1781
01:55:57,240 --> 01:55:59,640
Speaker 1: I'm a different guy. I just wanna I just want

1782
01:55:59,640 --> 01:56:04,360
Speaker 1: to you know, elevating and and and and make money

1783
01:56:04,480 --> 01:56:09,160
Speaker 1: and you know, just let me say that you're a

1784
01:56:09,200 --> 01:56:11,280
Speaker 1: good person. Ship. All this ship is like I love.

1785
01:56:11,680 --> 01:56:14,520
Speaker 1: I love to hear him home. First day he came home,

1786
01:56:17,040 --> 01:56:20,280
Speaker 1: I hate you. You hit me, I'll forget right. I

1787
01:56:20,400 --> 01:56:24,080
Speaker 1: pull up and I look at your house like damn,

1788
01:56:24,120 --> 01:56:31,040
Speaker 1: It's like, I'm not bad room, not bad. Yeah, you

1789
01:56:35,600 --> 01:56:38,880
Speaker 1: know what he says to me, like this is first

1790
01:56:39,000 --> 01:56:44,560
Speaker 1: day home. He's a get my movie roommate, right, Damn.

1791
01:56:45,680 --> 01:56:47,680
Speaker 1: I looked at this thing. I don't want to say that.

1792
01:56:47,880 --> 01:56:54,280
Speaker 1: I was like yo, I'm like yo, I'm looking at

1793
01:56:54,320 --> 01:56:56,600
Speaker 1: this thing, but I can't say that this is this

1794
01:56:56,680 --> 01:57:01,640
Speaker 1: is my nigg I'm like, enjoy me and Home said,

1795
01:57:01,680 --> 01:57:04,760
Speaker 1: you know you just keep it real me I'm little roommate.

1796
01:57:05,880 --> 01:57:09,120
Speaker 1: And I looked and I was like, I didn't know that.

1797
01:57:10,320 --> 01:57:12,120
Speaker 1: I was just like we was in the moving room.

1798
01:57:12,240 --> 01:57:17,880
Speaker 1: So you know it's tray. Let me say some more

1799
01:57:18,240 --> 01:57:24,760
Speaker 1: right then, I think about when I think about, you

1800
01:57:24,840 --> 01:57:27,200
Speaker 1: know what I see. You know, how I lived the

1801
01:57:27,280 --> 01:57:30,840
Speaker 1: life style I've been wherever and my kids and I

1802
01:57:31,000 --> 01:57:33,440
Speaker 1: look at that ship. Is that's the fucking way life

1803
01:57:33,520 --> 01:57:37,400
Speaker 1: is supposed to be for everybody. My man was just

1804
01:57:37,480 --> 01:57:41,240
Speaker 1: telling me some about it's supposed to be. It is

1805
01:57:41,400 --> 01:57:44,560
Speaker 1: it's supposed to post. We're supposed to have free education,

1806
01:57:45,080 --> 01:57:50,480
Speaker 1: free healthcare. Everybody's supposed to be, you know, afforded the

1807
01:57:50,520 --> 01:57:55,560
Speaker 1: opportunity to be successful. And when I look at the

1808
01:57:55,760 --> 01:57:58,920
Speaker 1: life that we all live, not just me, because you

1809
01:57:59,040 --> 01:58:00,680
Speaker 1: live a good life to know, you know what I'm

1810
01:58:00,680 --> 01:58:05,080
Speaker 1: saying now, a lot of bit mom, I see it,

1811
01:58:05,160 --> 01:58:07,320
Speaker 1: but it's good. I love this at you, you know

1812
01:58:07,360 --> 01:58:10,920
Speaker 1: what I'm saying, But it's good. But what I'm saying

1813
01:58:11,080 --> 01:58:19,880
Speaker 1: is that is the difference between without far parents went

1814
01:58:19,960 --> 01:58:22,560
Speaker 1: through and what we're going through, what we're teaching our kids.

1815
01:58:22,760 --> 01:58:26,840
Speaker 1: We're teaching our kids like nigga, this is this is

1816
01:58:26,880 --> 01:58:32,120
Speaker 1: all for you. You you should have this. You understand

1817
01:58:33,560 --> 01:58:38,600
Speaker 1: black privilege. This is a new ship we started. Do

1818
01:58:38,680 --> 01:58:41,600
Speaker 1: you ever looked black motherfucking privilege? Do you ever looked

1819
01:58:41,600 --> 01:58:43,760
Speaker 1: at your kids and it was like, damn, nigga, do

1820
01:58:43,840 --> 01:58:45,960
Speaker 1: you understand what I had to do? I look at

1821
01:58:46,000 --> 01:58:47,440
Speaker 1: them all the time and I try to explain it

1822
01:58:47,440 --> 01:58:49,160
Speaker 1: to but they don't understand it because they didn't have

1823
01:58:49,280 --> 01:58:52,280
Speaker 1: to go can understand it and can't understand it. And

1824
01:58:52,800 --> 01:58:54,600
Speaker 1: you know what, how many how many kids you don't

1825
01:58:54,640 --> 01:58:58,200
Speaker 1: want to understand it? Cony kids? You know where everybody's

1826
01:58:58,200 --> 01:59:00,920
Speaker 1: supposed to. You got twins, twins and the girl I

1827
01:59:01,000 --> 01:59:07,080
Speaker 1: love what he is just started turn thing. So you're

1828
01:59:07,080 --> 01:59:10,520
Speaker 1: starting to start lives. Now. Let me ask you a

1829
01:59:10,640 --> 01:59:18,960
Speaker 1: question to the mic that didn't help, but anything, I'm

1830
01:59:19,440 --> 01:59:25,080
Speaker 1: I'm sorry. You also have to better like that and better?

1831
01:59:25,560 --> 01:59:28,560
Speaker 1: Who are you more scared for? I'm most scared for

1832
01:59:28,640 --> 01:59:33,320
Speaker 1: my daughter, to be honest, because I mean, I'm close

1833
01:59:33,400 --> 01:59:35,800
Speaker 1: to both of them, and I get them both all information.

1834
01:59:36,080 --> 01:59:38,040
Speaker 1: I quiet and try to teach you the best I can,

1835
01:59:38,120 --> 01:59:40,520
Speaker 1: but I just want to move as smart as you

1836
01:59:40,600 --> 01:59:44,040
Speaker 1: can and not get tricked by none of the dumb ship.

1837
01:59:44,840 --> 01:59:47,040
Speaker 1: My son, I feel he can handle himself, even tho

1838
01:59:47,080 --> 01:59:52,360
Speaker 1: I'm scared him too, but only on like the small

1839
01:59:52,560 --> 01:59:56,160
Speaker 1: he's so small. Scared for the boys because the society

1840
01:59:56,200 --> 02:00:00,040
Speaker 1: and the police or what what you almost I'm you

1841
02:00:00,160 --> 02:00:03,880
Speaker 1: have a smart daughter, That's why. No, No, my boys are.

1842
02:00:04,120 --> 02:00:08,760
Speaker 1: It's smart too. I'm just scared for them because you

1843
02:00:08,840 --> 02:00:15,160
Speaker 1: see women things are being laid out and and you

1844
02:00:15,240 --> 02:00:18,560
Speaker 1: know things are being looked upon as these We're gonna

1845
02:00:18,600 --> 02:00:22,760
Speaker 1: help women do better things. These black men, it's like

1846
02:00:23,480 --> 02:00:28,560
Speaker 1: we're like niggers on like nobody was like like it's

1847
02:00:28,640 --> 02:00:35,760
Speaker 1: it's like white men, white women, black women. I don't

1848
02:00:35,800 --> 02:00:37,840
Speaker 1: know how it goes and far as race, but I'm

1849
02:00:37,880 --> 02:00:41,560
Speaker 1: gonna throw black the black man and man, I mean black,

1850
02:00:41,600 --> 02:00:44,120
Speaker 1: the blacks that they don't fear in Black women people

1851
02:00:44,760 --> 02:00:48,240
Speaker 1: women and black we're not either. Man. We're like the

1852
02:00:48,400 --> 02:00:52,280
Speaker 1: loader talk like like talk. Nobody gives a not doing

1853
02:00:52,360 --> 02:00:55,480
Speaker 1: good right now on the Trump industry, right y'all like

1854
02:00:55,640 --> 02:01:08,360
Speaker 1: y'all come after the better with were loves. The fucking

1855
02:01:08,520 --> 02:01:15,520
Speaker 1: braverybody talk. I'm putting the ship through us under the bus, somebody, man.

1856
02:01:16,000 --> 02:01:18,400
Speaker 1: But what I'm just saying, I just feel like if

1857
02:01:18,440 --> 02:01:21,720
Speaker 1: we don't help out black men too, a lot of

1858
02:01:21,840 --> 02:01:24,120
Speaker 1: a lot of things, we'll mind you, mind you. I

1859
02:01:24,160 --> 02:01:28,720
Speaker 1: got the little last something something something to be said

1860
02:01:28,800 --> 02:01:31,000
Speaker 1: real quick. Because we talk all the time, we're talking

1861
02:01:31,000 --> 02:01:33,600
Speaker 1: about racing and in the city. I don't think it's

1862
02:01:33,600 --> 02:01:35,840
Speaker 1: gonna have been a trick chance, like we gott this

1863
02:01:35,960 --> 02:01:38,720
Speaker 1: thing now we're talking about all the time we claimed

1864
02:01:38,760 --> 02:01:40,720
Speaker 1: to talk about all those we don't get deep. We

1865
02:01:40,800 --> 02:01:42,720
Speaker 1: don't get deep. We'll talk about Donald Truck. But I

1866
02:01:42,840 --> 02:01:44,560
Speaker 1: have to always say something like that, which I think

1867
02:01:44,720 --> 02:01:51,160
Speaker 1: when we talk about Latinos period, we are multi ethnic Latinos.

1868
02:01:51,240 --> 02:01:55,960
Speaker 1: We have black, brown, absolutely everything. I was just all

1869
02:01:56,120 --> 02:02:00,440
Speaker 1: mixed in mixed cup. We're all mixed world Cup. I

1870
02:02:00,480 --> 02:02:03,520
Speaker 1: need one World Cup. I haven't heard it. I love

1871
02:02:03,600 --> 02:02:10,040
Speaker 1: more around. Ain't cutting embarrassing from embarrassing. I love, I love.

1872
02:02:11,160 --> 02:02:19,760
Speaker 1: I'm taking up shampatney questions, ruling you out of here.

1873
02:02:23,000 --> 02:02:28,440
Speaker 1: Come on, come on, you know what can I add

1874
02:02:28,520 --> 02:02:32,360
Speaker 1: this to? Like we still recalled that fact. I think

1875
02:02:32,480 --> 02:02:36,760
Speaker 1: like as a um like um from the kids and

1876
02:02:36,920 --> 02:02:39,880
Speaker 1: even meet us into y'all. It's inspirational ship to a

1877
02:02:39,960 --> 02:02:43,280
Speaker 1: big degree because I'm feel like me growing up. I

1878
02:02:43,520 --> 02:02:45,680
Speaker 1: was really for the underdog or the street nigger because

1879
02:02:45,680 --> 02:02:48,320
Speaker 1: we never really had a chance going to school. Nobody

1880
02:02:48,360 --> 02:02:50,680
Speaker 1: told you to be a fucking boss. He told you

1881
02:02:50,720 --> 02:02:52,320
Speaker 1: how to feel out of application to get a job.

1882
02:02:53,360 --> 02:02:56,600
Speaker 1: Why I listen to independent niggas that made themselves self made.

1883
02:02:56,960 --> 02:02:59,800
Speaker 1: The ship always motivates me because nobody taught you how

1884
02:02:59,840 --> 02:03:01,680
Speaker 1: to herself made. You don't learn that anyway. You got

1885
02:03:01,760 --> 02:03:03,840
Speaker 1: to teach yourself how to be self made. But I

1886
02:03:04,040 --> 02:03:06,040
Speaker 1: learned how to time my tie on YouTube. My nigga,

1887
02:03:06,320 --> 02:03:08,640
Speaker 1: my father was there. How do I tie this time?

1888
02:03:09,120 --> 02:03:12,920
Speaker 1: I've learned on YouTube YouTube how to fight. I how

1889
02:03:12,960 --> 02:03:15,640
Speaker 1: to fight by getting funck up. Nobody was just lose

1890
02:03:15,680 --> 02:03:17,320
Speaker 1: a couple of times and big this sh out. You

1891
02:03:17,360 --> 02:03:19,520
Speaker 1: know what I'm saying, like real tall. So when I

1892
02:03:19,600 --> 02:03:22,120
Speaker 1: heard certain ships, I get into standing still, Rolex, I

1893
02:03:22,200 --> 02:03:26,320
Speaker 1: can't justice gave it to my man sick. You remember sick,

1894
02:03:26,840 --> 02:03:30,400
Speaker 1: So I'll give it a sick and sick his rischst pause.

1895
02:03:32,560 --> 02:03:35,600
Speaker 1: So when they get it back to me, I didn't

1896
02:03:35,600 --> 02:03:38,240
Speaker 1: know how to do justice. So I google it on YouTube.

1897
02:03:38,920 --> 02:03:40,960
Speaker 1: I got another story kind of embarrassing like that, like,

1898
02:03:41,120 --> 02:03:43,320
Speaker 1: let's listen to ship my first rolex. I don't know

1899
02:03:43,320 --> 02:03:45,440
Speaker 1: how to set it that ship that had the wrong

1900
02:03:45,520 --> 02:03:47,840
Speaker 1: time for the dumb long because I didn't want to

1901
02:03:47,840 --> 02:03:50,640
Speaker 1: tell anybody out to sells set this motherfucker. Man, it's

1902
02:03:50,640 --> 02:03:53,560
Speaker 1: just what DI wasn't I said, Damn, I I didn't

1903
02:03:53,560 --> 02:03:55,040
Speaker 1: feel confident to go say I don't how to set

1904
02:03:55,080 --> 02:03:57,040
Speaker 1: this rolex much. I had the wrong time for the

1905
02:03:57,120 --> 02:03:59,480
Speaker 1: dumb long, like I said, funk, I got the wrong time.

1906
02:03:59,520 --> 02:04:01,720
Speaker 1: Maybe that's what time to check our phone. I shouldn't

1907
02:04:01,720 --> 02:04:05,080
Speaker 1: aways have the run. I don't don't worry about it better,

1908
02:04:05,440 --> 02:04:08,440
Speaker 1: I shouldn't the dingy put it in. Tell me I

1909
02:04:08,440 --> 02:04:10,920
Speaker 1: ain't you gotta put on the wine. I have to learn,

1910
02:04:12,360 --> 02:04:14,560
Speaker 1: you know, I'm trying to sit next myself in the

1911
02:04:14,640 --> 02:04:18,080
Speaker 1: wine winter and the wine dirt. I not the one

1912
02:04:18,160 --> 02:04:23,080
Speaker 1: I never put relaxed job another one. You don't me

1913
02:04:23,160 --> 02:04:29,320
Speaker 1: to pay something one job roll? Man? You know man,

1914
02:04:29,360 --> 02:04:31,320
Speaker 1: I love you, my brother, I love you. You come

1915
02:04:31,360 --> 02:04:33,560
Speaker 1: to my club to night with me to that I'm

1916
02:04:33,560 --> 02:04:36,000
Speaker 1: gonna be honest. I'm not the club for for hours.

1917
02:04:38,080 --> 02:04:40,680
Speaker 1: I got to telling to the club, you gotta, I'm

1918
02:04:40,720 --> 02:04:44,360
Speaker 1: going to have a fight, you gotta, let's get it.

1919
02:04:45,240 --> 02:04:48,120
Speaker 1: Let's I don't want to do that. I don't know

1920
02:04:48,520 --> 02:04:51,600
Speaker 1: forty years old. Well, they don't fight nobody. You don't

1921
02:04:51,600 --> 02:04:58,840
Speaker 1: know brown cocaine. I don't know if I like that.

1922
02:04:59,040 --> 02:05:02,800
Speaker 1: The gotta tell out story about ball ball praise, I'm

1923
02:05:02,840 --> 02:05:09,360
Speaker 1: saying the same, and then hated my story. Yeah, yeah,

1924
02:05:10,440 --> 02:05:12,320
Speaker 1: did that come out yet? Yeah, Bobby Roscher came out

1925
02:05:14,120 --> 02:05:16,160
Speaker 1: light up. Let me get him wet. I'm not gonna

1926
02:05:16,360 --> 02:05:18,200
Speaker 1: think it was one wet. Let me be wet now,

1927
02:05:18,720 --> 02:05:28,640
Speaker 1: said I pick up tomorrow birthday, every birthday, MoMA some

1928
02:05:28,720 --> 02:05:35,800
Speaker 1: first moto Mo. That's mad, don't know. I was like, listen,

1929
02:05:35,880 --> 02:05:41,080
Speaker 1: so John, what's up baby? When you think about yeah,

1930
02:05:42,440 --> 02:05:45,640
Speaker 1: you saw jay Z in the beginning, Yeah, would you

1931
02:05:45,760 --> 02:05:51,080
Speaker 1: think that jay Z? We have dreads. Bob Marley, He's like,

1932
02:05:51,160 --> 02:05:56,720
Speaker 1: he'll even the Yeah, you ain't teacher oil. Jason full

1933
02:05:57,120 --> 02:06:02,280
Speaker 1: True a small, sticky stupid to honest more. You know

1934
02:06:02,280 --> 02:06:05,720
Speaker 1: what I'm saying. And Jake got so much money right now,

1935
02:06:06,280 --> 02:06:10,120
Speaker 1: they don't give a fun like do what of course

1936
02:06:10,160 --> 02:06:13,880
Speaker 1: you're here order it, you know. J j j J.

1937
02:06:14,520 --> 02:06:20,040
Speaker 1: Jay's like, he's like, fucking man, I think, let me,

1938
02:06:20,160 --> 02:06:22,160
Speaker 1: let me give you, let me give you my real thought.

1939
02:06:22,880 --> 02:06:25,240
Speaker 1: I need to and I'm gonna get my head in

1940
02:06:25,240 --> 02:06:28,160
Speaker 1: my real thought. He's serious right now, I'm taking glass

1941
02:06:28,160 --> 02:06:29,880
Speaker 1: from my head because that's you know that that takes

1942
02:06:29,880 --> 02:06:36,600
Speaker 1: away from seriousness, my thoughts. My real thought is sorry, buddy.

1943
02:06:36,920 --> 02:06:42,600
Speaker 1: I think that Jay and Beyonce uh doing something really

1944
02:06:42,720 --> 02:06:52,680
Speaker 1: amazing and impactful for our culture generation on you. And

1945
02:06:52,760 --> 02:07:00,919
Speaker 1: I think Jake growing his head is a subliminal message.

1946
02:07:01,720 --> 02:07:07,720
Speaker 1: I get it. They're gonna no, They're gonna black ship

1947
02:07:08,560 --> 02:07:14,760
Speaker 1: mm hmm. I love, I love. I love what I'm

1948
02:07:14,800 --> 02:07:20,800
Speaker 1: seeing from them because you gotta understand something, Nord and

1949
02:07:21,040 --> 02:07:27,440
Speaker 1: I love Lebron James not because you gotta understand something.

1950
02:07:27,520 --> 02:07:32,840
Speaker 1: See throughout history, you've had those that stand up, and

1951
02:07:32,920 --> 02:07:38,360
Speaker 1: you've got those to stand down, and and and and

1952
02:07:38,840 --> 02:07:46,360
Speaker 1: motherfucking what I'm seeing from Jay and Beyonce and and

1953
02:07:46,920 --> 02:07:54,280
Speaker 1: and Lebron James in each type of big I kind

1954
02:07:54,360 --> 02:08:04,840
Speaker 1: of motherfucking figures applauding that. I guess black annoyed for that.

1955
02:08:05,640 --> 02:08:07,680
Speaker 1: I think we should. I think we should make annoyed

1956
02:08:09,920 --> 02:08:17,560
Speaker 1: because because I think athletes and artists before them have

1957
02:08:17,760 --> 02:08:23,040
Speaker 1: been scared to do so and selling ten millions sold

1958
02:08:24,040 --> 02:08:32,880
Speaker 1: fifteen thirty thirty millions, that's a million. That's crazy, dirty

1959
02:08:32,960 --> 02:08:40,400
Speaker 1: fucking Would you have when you have what you have there?

1960
02:08:41,360 --> 02:08:45,960
Speaker 1: Huh ten million? Death James biggest artists in the world,

1961
02:08:47,480 --> 02:08:51,200
Speaker 1: Kaepernick lils when you have nailed at that at that moment,

1962
02:08:53,040 --> 02:08:55,720
Speaker 1: you know, that's that's tough, man, And that's why I employed.

1963
02:08:57,240 --> 02:09:03,320
Speaker 1: That's that's something I employed a plug color capper because

1964
02:09:03,480 --> 02:09:06,680
Speaker 1: you know, but but you no, no, let me get

1965
02:09:06,720 --> 02:09:10,120
Speaker 1: that third. You know, I'm no, I'm not I would

1966
02:09:10,800 --> 02:09:13,320
Speaker 1: you know it's a tough thing to way. It's a

1967
02:09:13,360 --> 02:09:16,480
Speaker 1: tough thing to way because some people fight straight. Some

1968
02:09:16,680 --> 02:09:20,360
Speaker 1: people fight from the inside, some people fight from the outside.

1969
02:09:20,880 --> 02:09:24,400
Speaker 1: You I didn't get the question each plus it would

1970
02:09:24,480 --> 02:09:27,760
Speaker 1: you have nails? And what you have nailed? What you

1971
02:09:27,840 --> 02:09:30,960
Speaker 1: have nailed? You got Timber, it's time for you, like

1972
02:09:31,160 --> 02:09:35,120
Speaker 1: calor Kaber, what do you need? Like capern Would you

1973
02:09:35,280 --> 02:09:41,320
Speaker 1: have said you know what what ca? Yeah? Yeah, you

1974
02:09:41,360 --> 02:09:45,360
Speaker 1: got your ti yeah technl No, I would not have

1975
02:09:55,280 --> 02:10:02,400
Speaker 1: enough running. There is a number of I'm not listen

1976
02:10:02,440 --> 02:10:06,080
Speaker 1: to me, take care of my family and everybody. Y'all

1977
02:10:06,880 --> 02:10:10,000
Speaker 1: actually that I'm gonna tell you they can funk. Y'all

1978
02:10:10,560 --> 02:10:19,440
Speaker 1: know not no, but I don't know. But oh, I'm

1979
02:10:19,520 --> 02:10:22,000
Speaker 1: just saying, what what what they're doing in this time

1980
02:10:22,360 --> 02:10:28,040
Speaker 1: and this ever, what we're going through it it's like unprecedented.

1981
02:10:28,440 --> 02:10:32,360
Speaker 1: We we we haven't seen artists of this magnitude. You've

1982
02:10:32,400 --> 02:10:36,520
Speaker 1: never seen Michael Jackson stand up before. I'm gonna say,

1983
02:10:36,720 --> 02:10:41,720
Speaker 1: you can't say. I'm gonna say because Mike, Mike's kind

1984
02:10:41,760 --> 02:10:46,440
Speaker 1: of stands but not like this, not like Lebron, not

1985
02:10:46,720 --> 02:10:49,360
Speaker 1: like Jay, not like be not like the way they're

1986
02:10:49,440 --> 02:10:57,000
Speaker 1: doing it. They're very about blacks. Also, they did a

1987
02:10:57,040 --> 02:11:00,520
Speaker 1: trade mr. Yes, that document is amazing. This is what

1988
02:11:00,600 --> 02:11:05,840
Speaker 1: I'm saying. It hasn't been doing this yea too. And

1989
02:11:06,000 --> 02:11:10,960
Speaker 1: that is important. That's very important because I think for

1990
02:11:11,040 --> 02:11:16,000
Speaker 1: the next generation coming up, it brings it brings about bravery. Yeah,

1991
02:11:16,240 --> 02:11:19,360
Speaker 1: the motherfucker's ain't scared to say, Yo, you know what,

1992
02:11:21,960 --> 02:11:26,560
Speaker 1: it's okay for me to be unapologetically black. And if

1993
02:11:26,560 --> 02:11:29,160
Speaker 1: you see the way they're recording these cops violating blacks,

1994
02:11:29,280 --> 02:11:31,520
Speaker 1: the people that are recording the Talking Ship, they feel

1995
02:11:31,720 --> 02:11:35,920
Speaker 1: more stand up because it's going on right now, you

1996
02:11:35,960 --> 02:11:38,920
Speaker 1: see it that you see me. Look, I'm halfway done.

1997
02:11:39,000 --> 02:11:40,720
Speaker 1: I'm not I'm getting here. I'm like an prob. What's

1998
02:11:40,760 --> 02:11:44,480
Speaker 1: it called grand You're coming to the should to night,

1999
02:11:44,520 --> 02:11:54,440
Speaker 1: But be honest, John, Yeah, oh my god, I feel

2000
02:11:54,560 --> 02:12:03,800
Speaker 1: I'm so I'm rink drink let ship, bro, this thing

2001
02:12:03,920 --> 02:12:09,280
Speaker 1: ain't coming. He's going down. He's going with the graph. Listen,

2002
02:12:09,600 --> 02:12:17,560
Speaker 1: let's listen, not drinking penalty keep you you put that?

2003
02:12:17,640 --> 02:12:25,160
Speaker 1: Who was your segway from the political ship? Yo? Yeah?

2004
02:12:25,200 --> 02:12:31,480
Speaker 1: We went from like gotta stop this bend. So this

2005
02:12:31,640 --> 02:12:35,560
Speaker 1: is why this is why I don't do interviews, you know,

2006
02:12:35,680 --> 02:12:37,800
Speaker 1: this is why you do dream chams. Though I never

2007
02:12:37,880 --> 02:12:40,600
Speaker 1: noticed that's what he's said. Yo, Job, We appreciate you

2008
02:12:40,720 --> 02:12:44,400
Speaker 1: had drink champs. But let me just tell you something, man, John,

2009
02:12:45,000 --> 02:12:46,720
Speaker 1: you are the part of the beginning of dream chance

2010
02:12:46,800 --> 02:12:52,200
Speaker 1: and we thank you. Thank you. What the fun is

2011
02:12:52,960 --> 02:13:00,400
Speaker 1: Joe here? You know we don't want to want My

2012
02:13:00,560 --> 02:13:06,080
Speaker 1: life was weird? Yeah, there's about I got that's like,

2013
02:13:06,280 --> 02:13:14,560
Speaker 1: that's cool. Came on, I got fives of chilling that

2014
02:13:16,520 --> 02:13:19,200
Speaker 1: I'm trying to be this fat though this job rule,

2015
02:13:19,320 --> 02:13:22,520
Speaker 1: the Jada kiss and this kid that's amazing. That's the

2016
02:13:22,720 --> 02:13:25,520
Speaker 1: first you know that that episode, so it's one of

2017
02:13:25,600 --> 02:13:29,200
Speaker 1: the Pimol dream episodes. For Drink, I think I look

2018
02:13:29,240 --> 02:13:33,520
Speaker 1: like ridiculously high at this moment. Don't you know you

2019
02:13:33,640 --> 02:13:36,320
Speaker 1: look high when the glasses on. By the way, who God,

2020
02:13:37,000 --> 02:13:39,600
Speaker 1: I love you, my brother, I love you too. Let

2021
02:13:39,640 --> 02:13:44,040
Speaker 1: me let's tell you something, but you to Yeah, you

2022
02:13:44,360 --> 02:13:49,200
Speaker 1: like my life like seventeen times? Did whatever said? Eighteen

2023
02:13:49,520 --> 02:13:52,760
Speaker 1: you got it. I'm gonna take your road, think of us.

2024
02:13:52,840 --> 02:13:55,080
Speaker 1: I'm gonna be honest, your road jas was the old blood.

2025
02:13:56,920 --> 02:14:03,160
Speaker 1: But Job you still there and the test of times,

2026
02:14:04,280 --> 02:14:08,360
Speaker 1: still in the w hotel with us, right Yo? That

2027
02:14:10,840 --> 02:14:14,400
Speaker 1: episode Drink chance, man, I still can't remember if John

2028
02:14:14,520 --> 02:14:18,600
Speaker 1: came on time was on? Time? Can't be on this

2029
02:14:18,840 --> 02:14:22,920
Speaker 1: Canot episode. Let's be honest about the episode. It was

2030
02:14:22,920 --> 02:14:25,600
Speaker 1: supposed to be two episodes. I don't know. No, No,

2031
02:14:25,720 --> 02:14:27,960
Speaker 1: I'm no, I'm telling you, I'm talking. It's supposed to

2032
02:14:27,960 --> 02:14:31,120
Speaker 1: be a Job episode and Jakis episode. But it was

2033
02:14:31,160 --> 02:14:33,920
Speaker 1: good together. But y'all ended up coming at the same time.

2034
02:14:34,040 --> 02:14:37,320
Speaker 1: It was better together. No, it was amazing because the

2035
02:14:37,400 --> 02:14:39,880
Speaker 1: thing from me I'm a mixtape DJ, so to me,

2036
02:14:40,000 --> 02:14:43,040
Speaker 1: that's a mixtape. Let me tell you that was class.

2037
02:14:43,120 --> 02:14:46,520
Speaker 1: That was like a collapse. No, it was amazing. For interview,

2038
02:14:47,520 --> 02:14:49,760
Speaker 1: that was like some new we don't do interviews, the

2039
02:14:49,880 --> 02:14:57,920
Speaker 1: drink chance before the conversationation, collaboration, that was like a

2040
02:14:58,120 --> 02:15:01,520
Speaker 1: new like kind of segue, like okay, no, that's amazing.

2041
02:15:01,640 --> 02:15:05,480
Speaker 1: They got jobs and that's what it was. No, Yeah,

2042
02:15:05,560 --> 02:15:08,840
Speaker 1: that was our first double up, first up. And but

2043
02:15:09,000 --> 02:15:12,080
Speaker 1: that's nice because Yo, you realize because that's like a collaboration.

2044
02:15:12,120 --> 02:15:14,760
Speaker 1: It's like Yo, Ris brings and then the stories collide

2045
02:15:14,840 --> 02:15:17,560
Speaker 1: and the stories but we holding him and the Ferrari

2046
02:15:17,640 --> 02:15:21,640
Speaker 1: reason and he's kind of weird, bro got weird, got weird,

2047
02:15:21,680 --> 02:15:23,800
Speaker 1: and he got weird with you, be honest, yo, but

2048
02:15:23,880 --> 02:15:26,400
Speaker 1: you got three different He got artists on the panel

2049
02:15:26,480 --> 02:15:29,640
Speaker 1: that all got history. Honest. That night he took advantage

2050
02:15:29,640 --> 02:15:33,120
Speaker 1: of me because right, yeah, you went, you got weird

2051
02:15:33,200 --> 02:15:36,600
Speaker 1: on this man. He was like, you got super Ferrari,

2052
02:15:38,040 --> 02:15:42,080
Speaker 1: but I was there Ferra little sent kind of weird,

2053
02:15:42,200 --> 02:15:46,480
Speaker 1: brot the weird. And then just thinking when les you

2054
02:15:46,680 --> 02:15:50,440
Speaker 1: was right street to thirty cents, Yes, baby Fried, like

2055
02:15:51,960 --> 02:15:54,520
Speaker 1: I don't know what do you think I am? That's right,

2056
02:15:54,840 --> 02:15:57,800
Speaker 1: but I'm not been with this and juice. You have

2057
02:15:57,880 --> 02:16:00,480
Speaker 1: another level. You had the other level. Man, alright, so

2058
02:16:00,560 --> 02:16:04,880
Speaker 1: let's do one more shot by ba cool and the

2059
02:16:04,960 --> 02:16:08,600
Speaker 1: whole boo. I did a real man, though I can't

2060
02:16:08,680 --> 02:16:10,880
Speaker 1: did a real black room. Let's do one more boom

2061
02:16:10,920 --> 02:16:19,160
Speaker 1: move I can't bother. Oh my god, you're y. You

2062
02:16:19,240 --> 02:16:28,640
Speaker 1: gotta really do this, my good, let's get it. That's

2063
02:16:28,640 --> 02:16:32,680
Speaker 1: your fun job. It's your phone. I'm at your mad maid.

2064
02:16:34,480 --> 02:16:36,640
Speaker 1: Pass me up to your mac maid. You this is

2065
02:16:36,680 --> 02:16:40,080
Speaker 1: you're front of the boom boom boom movement. Man time baby,

2066
02:16:40,120 --> 02:16:43,080
Speaker 1: but I'm mad. Oh full mag man? What up? Though?

2067
02:16:43,160 --> 02:16:47,280
Speaker 1: This ship working? Yeah? No, it's a good drink, all right,

2068
02:16:47,320 --> 02:16:50,840
Speaker 1: that's you can't go all the way, baby, my amazing,

2069
02:16:50,959 --> 02:16:54,400
Speaker 1: my maid. That's that's good. But yo, goddamn, I got

2070
02:16:54,600 --> 02:17:00,480
Speaker 1: you listen drugs right now. I'm gonna be slurry. That's okay, okay,

2071
02:17:00,560 --> 02:17:06,920
Speaker 1: I think that a bitch. That's okay, y y'all. I'm

2072
02:17:06,920 --> 02:17:15,080
Speaker 1: moderate with ship man. Legend job said the last night

2073
02:17:15,400 --> 02:17:24,760
Speaker 1: I sttle little brother a little Christmas. It's my last one.

2074
02:17:24,840 --> 02:17:30,920
Speaker 1: Let's go all right of here. After this, I should

2075
02:17:30,959 --> 02:17:33,400
Speaker 1: have smooth. I should have sucked you up because it's

2076
02:17:33,400 --> 02:17:35,400
Speaker 1: so smooth, like cool. Yeah, what a great story. But

2077
02:17:36,080 --> 02:17:40,600
Speaker 1: a cold with a kid? Was you good? Lady? Amazed?

2078
02:17:40,840 --> 02:17:43,600
Speaker 1: Like after you performed with Jen that's by the way,

2079
02:17:43,720 --> 02:17:48,360
Speaker 1: you killed that I shouldn't perform with Jay And it

2080
02:17:48,480 --> 02:17:51,560
Speaker 1: was just like it was like a job time. Everybody

2081
02:17:51,680 --> 02:17:56,400
Speaker 1: was just like I see every every leg and I

2082
02:17:57,280 --> 02:18:00,760
Speaker 1: also it was a part of me that was U.

2083
02:18:02,360 --> 02:18:08,280
Speaker 1: My niggas deserved. Thank you, my nigga. And because she had,

2084
02:18:09,080 --> 02:18:13,480
Speaker 1: he could have been like complained, Vin you could You're

2085
02:18:13,480 --> 02:18:18,720
Speaker 1: gonna either this I complain about. I'm just saying. I'm

2086
02:18:18,760 --> 02:18:24,840
Speaker 1: just saying, we'll hit me out, y'all. So you're still there.

2087
02:18:25,120 --> 02:18:30,440
Speaker 1: You still test of time and you relaxed. I love

2088
02:18:30,520 --> 02:18:35,560
Speaker 1: my nigga. And it's no that spill ship. Niggas would

2089
02:18:35,560 --> 02:18:39,360
Speaker 1: have lost their month. It's good. It's good. I have fun, man,

2090
02:18:39,879 --> 02:18:44,800
Speaker 1: I have fun. Right, I'm gonna tell you, tell me

2091
02:18:45,680 --> 02:18:49,720
Speaker 1: it's my last the list of last story. I don't

2092
02:18:49,760 --> 02:18:55,760
Speaker 1: want because because we do, I'm gonna say no, no, no,

2093
02:18:58,879 --> 02:19:05,920
Speaker 1: now becoming infant. This s shot? What what the last shot?

2094
02:19:06,080 --> 02:19:09,960
Speaker 1: He said? The ash shot? That shot a shot I

2095
02:19:10,080 --> 02:19:14,960
Speaker 1: mean j Lomaz. It was fantastic. That was amazing. I

2096
02:19:15,000 --> 02:19:21,280
Speaker 1: got your problem. What happened? Okay, so that was amazing? No, no, no,

2097
02:19:21,440 --> 02:19:27,160
Speaker 1: I want to tell y'all how amazing as was. The

2098
02:19:27,240 --> 02:19:30,960
Speaker 1: ass was amazing that you too, I'm sorry from drunk

2099
02:19:31,000 --> 02:19:36,039
Speaker 1: to rock ahead stop me. You know what I want

2100
02:19:36,040 --> 02:19:38,200
Speaker 1: to say about the shot. This is the funniest ship

2101
02:19:38,240 --> 02:19:44,120
Speaker 1: that the most. That's how it came about. So during rehearsals,

2102
02:19:45,680 --> 02:19:49,400
Speaker 1: I'm noticing, God, this is gonna be like this big

2103
02:19:49,680 --> 02:19:57,280
Speaker 1: as shoot. Amazing. Now he's not you know, she's she's

2104
02:19:57,320 --> 02:19:59,400
Speaker 1: doing like you know, she she comes in front and

2105
02:19:59,520 --> 02:20:03,200
Speaker 1: she does asked. So I'm noticed, nervous. Look, I don't

2106
02:20:03,200 --> 02:20:08,800
Speaker 1: know an nobody's there, a bro noticed. It's just as

2107
02:20:09,360 --> 02:20:13,800
Speaker 1: I'm noticing that they're gonna do a nice as shot,

2108
02:20:13,879 --> 02:20:17,440
Speaker 1: a close up as shot. But then what I realized this,

2109
02:20:19,280 --> 02:20:23,360
Speaker 1: I'm like over here performing why the ass shot is

2110
02:20:23,440 --> 02:20:26,360
Speaker 1: going on? And it's a long as shot. It's like

2111
02:20:26,520 --> 02:20:30,640
Speaker 1: long it's you insert your something that I'm certain myself,

2112
02:20:43,840 --> 02:20:53,560
Speaker 1: I don't think I be afraid. Listen, man, I haven't

2113
02:20:53,560 --> 02:21:00,680
Speaker 1: get my characters like but but no, that's amazing, amazing,

2114
02:21:00,800 --> 02:21:02,640
Speaker 1: I said, yo, I said, this is gonna be an

2115
02:21:02,680 --> 02:21:06,960
Speaker 1: amazing shot because they're focusing on this as shot. But

2116
02:21:07,160 --> 02:21:10,760
Speaker 1: I'm like doing rehearsal. I'm like over year. So I'm like, fuck,

2117
02:21:11,040 --> 02:21:13,040
Speaker 1: they're not gonna see me. So I said, you know,

2118
02:21:13,200 --> 02:21:15,520
Speaker 1: we do the live thing. I'm saying to my mom.

2119
02:21:15,800 --> 02:21:20,480
Speaker 1: When we do the live thing, I notice isna, I

2120
02:21:20,560 --> 02:21:24,920
Speaker 1: know this is gonna be the one shot. I gotta

2121
02:21:25,400 --> 02:21:28,840
Speaker 1: one shot. And so I got into one shot and

2122
02:21:29,080 --> 02:21:35,680
Speaker 1: there's the there you go. There you have. That's good genius.

2123
02:21:38,280 --> 02:21:46,000
Speaker 1: That's alchemy right there. My wife is she's cool. Man.

2124
02:21:46,120 --> 02:21:48,040
Speaker 1: She loves she, she loves me. I love her the

2125
02:21:48,120 --> 02:21:51,160
Speaker 1: death man. Yeah, that's my dog man. You know so

2126
02:21:51,520 --> 02:21:54,520
Speaker 1: you man, it's good shot. I love your wife too. Man,

2127
02:21:54,879 --> 02:21:59,040
Speaker 1: we gotta get the wife together. Yeah, where's your wedding ring?

2128
02:21:59,120 --> 02:22:09,520
Speaker 1: Any bring Prince bred on right now? Hey listen, I

2129
02:22:09,600 --> 02:22:19,200
Speaker 1: got the nak jolder, okayn't want to get too fancy

2130
02:22:20,640 --> 02:22:24,080
Speaker 1: the next time. Next time, you don't switch where ring on? Man?

2131
02:22:24,879 --> 02:22:30,000
Speaker 1: I always right away? I see it tonight tonight because

2132
02:22:30,160 --> 02:22:32,040
Speaker 1: you know, put that on it. Though I don't know

2133
02:22:32,120 --> 02:22:36,879
Speaker 1: what teping general will mean anything? Right? Always on because

2134
02:22:36,920 --> 02:22:45,920
Speaker 1: you like to Yeah, I don't know who is mean? Yeah? Same,

2135
02:22:46,320 --> 02:22:51,520
Speaker 1: they have a shot there I'm proud to know you.

2136
02:22:52,120 --> 02:22:54,960
Speaker 1: I'm proud same here, my brother, same here, and my brother.

2137
02:22:55,360 --> 02:22:59,000
Speaker 1: I love you man, same probably my brother. Then being

2138
02:22:59,240 --> 02:23:02,000
Speaker 1: accorded the ship with you. I don't even know what

2139
02:23:02,120 --> 02:23:12,760
Speaker 1: that means, but I say here we still test of time. Yeah,

2140
02:23:13,440 --> 02:23:17,480
Speaker 1: we stood here and there's no person a while to

2141
02:23:18,040 --> 02:23:22,200
Speaker 1: be problem to represent. Yo. Let me take you something.

2142
02:23:23,120 --> 02:23:36,680
Speaker 1: I gotta keeping you work. Literally, you won't want that.

2143
02:23:36,720 --> 02:23:39,280
Speaker 1: I'm talkable and we were leaving it on. Oh my god,

2144
02:23:39,400 --> 02:23:43,119
Speaker 1: I don't think I could ever have funked up at

2145
02:23:43,120 --> 02:23:54,320
Speaker 1: this shows. I'm here for it though. Yeah, I'm do

2146
02:23:54,800 --> 02:23:58,280
Speaker 1: Come general, men, all right, I'm after this. So we're

2147
02:23:58,280 --> 02:24:02,879
Speaker 1: talking about that shot and that's a rat, it's a rock,

2148
02:24:02,959 --> 02:24:05,520
Speaker 1: it's a right. No, no, no, he gotta say, come

2149
02:24:05,560 --> 02:24:14,879
Speaker 1: to dinner with Comodo. Comodo. It's a union. You got me, Commodo.

2150
02:24:16,320 --> 02:24:22,720
Speaker 1: It's a little shook. Don't do that. Yeah, be honestly,

2151
02:24:22,879 --> 02:24:24,800
Speaker 1: I don't think it's fot. I ain't really want to

2152
02:24:24,920 --> 02:24:38,160
Speaker 1: end without media. Shot, No ship, many, no cool, Nope,

2153
02:24:38,200 --> 02:24:43,720
Speaker 1: I have no one shots. You gotta from him. My

2154
02:24:43,840 --> 02:24:46,240
Speaker 1: last shot right here, it's tiger. You. Let me tell

2155
02:24:46,280 --> 02:24:49,959
Speaker 1: you something though. This is the genius of drinks. Dad

2156
02:24:50,440 --> 02:24:53,000
Speaker 1: just niggers drunk. I'm drunk, I'm out of it. I'm

2157
02:24:53,240 --> 02:24:58,000
Speaker 1: a little on shot. What shot shot, John? What shot shot?

2158
02:25:00,000 --> 02:25:17,080
Speaker 1: I shot? Shot? What shot? You can't go back back?

2159
02:25:17,400 --> 02:25:25,119
Speaker 1: Get shot? Get you shit? You guy drinking up this out.

2160
02:25:26,040 --> 02:25:51,680
Speaker 1: He's like smoke, Yeah, we live. Wants you gotta relax,

2161
02:25:57,200 --> 02:26:02,320
Speaker 1: my awesome you you lie, Lie is over. You have

2162
02:26:02,760 --> 02:26:06,760
Speaker 1: trying to say that's it, that's it, that's