WEBVTT - Question Everything

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<v Speaker 1>I Am all In. That's just your I Am all

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<v Speaker 1>In with Scott Patterson and I Heart Radio podcast. Scott Patterson,

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<v Speaker 1>come on up, thank you, Hi guys. Hi, Hi, good huh?

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<v Speaker 1>All yours they're all mine? Hey everybody? Can you hear me?

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<v Speaker 1>Pretty deed? Alright? Let me go, let me get a

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<v Speaker 1>little drink. Um, welcome, Welcome to my panel, and we're

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<v Speaker 1>doing a podcast. We're recording it right now. You are

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<v Speaker 1>going to be on a special episode of I Am

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<v Speaker 1>all In. I Am Scott Patterson. This is I Am

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<v Speaker 1>all In with my Heart Radio. So basically what we're

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<v Speaker 1>gonna do. Who wants to ask a question? Hi? Um?

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<v Speaker 1>So first, thank you so much for here and just

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<v Speaker 1>for being awesome and we love getting more girls. Um.

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<v Speaker 1>I would love to know everybody here. Of course, ships

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<v Speaker 1>Luke and Lorelei. And there are some obstacles that pop up,

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<v Speaker 1>you know, between April and then Christopher and for you

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<v Speaker 1>as an actor working with Lauren Graham, um and becoming

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<v Speaker 1>invested in this relationship. What is your thought process as

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<v Speaker 1>you're sitting there reading this script and being like, I

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<v Speaker 1>can't believe we're finally engaged and now everything is messing

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<v Speaker 1>it up? How late. Do you like that things kind

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<v Speaker 1>of went in a bit of an obscure manner or

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<v Speaker 1>are you like angry It wasn't just that perfect proposal

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<v Speaker 1>marriage thing whereby we had to wait for the wedding

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<v Speaker 1>in the revival. I didn't I didn't like her proposing

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<v Speaker 1>to me. I've said that. I've gone on the record

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<v Speaker 1>saying that. I but that's how the writers usually like

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<v Speaker 1>to do things. They they go big when you expect

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<v Speaker 1>them to go small. They go small when you expect

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<v Speaker 1>them to go big. Uh. It's sort of the soul

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<v Speaker 1>of good writing. Um. But I really thought that that

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<v Speaker 1>moment should have been Luke's um. And that's just how

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<v Speaker 1>I feel about it. Yeah, so, uh, but it was,

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<v Speaker 1>And I had to do that whole monologue. I'm I'm

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<v Speaker 1>seeing they're doing this monologue and you really you get

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<v Speaker 1>these chunks of monologue or this long it's all black ink,

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<v Speaker 1>and you're like, god, I you know, you really want

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<v Speaker 1>to nail them. And then and then you realize that

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<v Speaker 1>you're off camera the entire time. There's you're not going

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<v Speaker 1>to be seen, You're just gonna be heard. And it's

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<v Speaker 1>a close up of her face and she's just like

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<v Speaker 1>sitting there will you're marrying me. It's like, why did

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<v Speaker 1>I put I could have been off camera just reading

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<v Speaker 1>it off the sides right now. I'm kidding. UM, but yeah,

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<v Speaker 1>that was the one moment that that But UM, as

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<v Speaker 1>far as the rest of your question, it was so

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<v Speaker 1>long that I kind of no, I didn't get all

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<v Speaker 1>of it. So just a quick follow up, Yes, uh.

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<v Speaker 1>As we listen to the podcast and we hear other

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<v Speaker 1>super fans being able to, um do like the scene

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<v Speaker 1>re enactments with you, how would one go about being

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<v Speaker 1>able to do that? You just you just emailed the

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<v Speaker 1>show and you make a comment, you said, I want

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<v Speaker 1>to do this scene and this is why, um, you know,

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<v Speaker 1>and we don't do them every episode, and and you know,

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<v Speaker 1>maybe we could do something today which would be fun

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<v Speaker 1>if you guys know a particular scene by heart and

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<v Speaker 1>you all do because you're crazy, right, and we'll see

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<v Speaker 1>if I can remember anything, okay, and and that that'll

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<v Speaker 1>be fun. U. So, do you have a particular scene

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<v Speaker 1>that you want to that you want to do right

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<v Speaker 1>now in this moment while recording the podcast the most powerful,

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<v Speaker 1>most downloaded podcasts in the history of podcasting. No pressure,

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<v Speaker 1>No not in this very moment in time. But I

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<v Speaker 1>could pull up the script and dialogue with you, or

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<v Speaker 1>just I'll email the podcast so I could prepare. There

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<v Speaker 1>you go. That's a professional response. Wonderful. Thank you. Who's next?

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<v Speaker 1>Who's next? Come on up? There you go? Hi? What's

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<v Speaker 1>your name? Hi? I'm Jess, Hi Jess. What's your question? Um?

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<v Speaker 1>You probably get this a lot, but I'm actually wondering

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<v Speaker 1>what your favorite scene to do was like in the moment, like,

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<v Speaker 1>what did you read a scene and you were like, yeah, well,

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<v Speaker 1>I know. I realized my favorite scene to do was

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<v Speaker 1>after while I was doing it, uh, And it was

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<v Speaker 1>when I smashed the hole in the wall with with

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<v Speaker 1>Jess because it was something to do and I didn't

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<v Speaker 1>have to really say a lot. It was an action,

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<v Speaker 1>you know, and you don't get a lot of that

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<v Speaker 1>on that show. We never did that. Like pushing him

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<v Speaker 1>in the lake was great because it was action and

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<v Speaker 1>I didn't have this great need to push Milo in

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<v Speaker 1>the lake, and you know, but it was just fun.

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<v Speaker 1>You know. It's like, hey, we're gonna do a right,

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<v Speaker 1>we're gonna do a stunt, and we're doing a stunt

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<v Speaker 1>on Gilmore Girls. Are you kidding me. Uh. And then

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<v Speaker 1>the sledgehammer because that was one take. There was a

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<v Speaker 1>lot of pressure. I you had to do it in

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<v Speaker 1>one take because in order to set that all up again,

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<v Speaker 1>UM was gonna be really complicated for the crew. It

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<v Speaker 1>was gonna take a long time. So it's like Scott,

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<v Speaker 1>it's late at night. Just nailed on the first one,

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<v Speaker 1>so we don't have to do this again. So that

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<v Speaker 1>was that was And then when I saw um when

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<v Speaker 1>I did the A d R that you go and

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<v Speaker 1>you have to loop the lines right because there's noise,

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<v Speaker 1>and that's I didn't see the episode, but I saw

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<v Speaker 1>that in the looping stage they had that rock that

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<v Speaker 1>punk rock music. What was that song? So that was

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<v Speaker 1>my favorite? All right, thank you? Who's next? Come on?

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<v Speaker 1>Run up there? Hi? Besides Gilmore girls, if one project

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<v Speaker 1>came across your table that you would automatically say yes to,

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<v Speaker 1>what would it be? Either film or TV? Yeah? What

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<v Speaker 1>do you mean? What kind of a project? What category

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<v Speaker 1>do you have? Like a movie that you would think

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<v Speaker 1>about doing? Is really a dream movie? Hamlet? Even though

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<v Speaker 1>I'm too old to play it now, Yeah, I'd still

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<v Speaker 1>try to do it. I'd probably pass away doing it.

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<v Speaker 1>But that that's the one project I would do. Yes.

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<v Speaker 1>One of my favorite parts of the show are Richard

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<v Speaker 1>and Emily. So what's your favorite Richard and Emily moment

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<v Speaker 1>are seen? I think when they're when they're tender with

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<v Speaker 1>each other, you know, and because Richard is so he's

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<v Speaker 1>such a great husband, and he really gives her her

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<v Speaker 1>stage right because that's her house and that's sort of

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<v Speaker 1>her stuff and he's there supporting it. But and he

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<v Speaker 1>lets her have her way in her run. And he's

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<v Speaker 1>very supportive guy. You know, he's not this you know, lurking,

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<v Speaker 1>powerful dominaran guy when it comes to his business, sure,

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<v Speaker 1>but not in his relationship. Um, I think he's he's

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<v Speaker 1>the perfect husband. Yeah. I like him when he's tender.

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<v Speaker 1>I can't remember specifically, but there was a couple of

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<v Speaker 1>a couple of scenes that I've seen so far that

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<v Speaker 1>where he's really really tender and I like that, and

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<v Speaker 1>he just says, oh, Emily, you know, you know when oh,

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<v Speaker 1>when Rory's going golfing with him, you know, and she's

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<v Speaker 1>you know, and in my opinion, lauralized making her intentionally late. Right,

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<v Speaker 1>It's it's like this passive aggressive thing and and and

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<v Speaker 1>Emily's kind of piode and you know, and you know

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<v Speaker 1>he's a little poded, but it's there's just a lot

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<v Speaker 1>of tenderness between them. They're very careful with one another

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<v Speaker 1>and I like that. Hi. Hi, I'm here with my

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<v Speaker 1>uh teenage daughter. Okay, we just discovered your show last

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<v Speaker 1>year during the pandemic. She was not born when it started. So, um,

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<v Speaker 1>so how was life on Pluto? And it was it

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<v Speaker 1>a long journey? I pandemic? I'm just stayed home and

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<v Speaker 1>did absolutely not right. Well, I'm glad, let's listen. I'm

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<v Speaker 1>just joking, but I'm glad you discovered it. Yeah, so

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<v Speaker 1>we discovered it, you know, had to, you know, binge

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<v Speaker 1>watch it and whatever. It was great. But my question

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<v Speaker 1>is what did we miss not seeing it when it

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<v Speaker 1>originally aired week to week with that anticipation and year

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<v Speaker 1>to year, what did we miss? Well, you've joined um

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<v Speaker 1>uh legions of fans globally who are discovering it as well,

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<v Speaker 1>so you are actually part of a new generation. Uh,

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<v Speaker 1>even even though you have graduated high school. It appears

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<v Speaker 1>um um. You know, there's a lot of young people

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<v Speaker 1>now discovering the show. They're old enough now to watch

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<v Speaker 1>a show and their parents and their friends are turning

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<v Speaker 1>them onto the show. So a whole new layer of

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<v Speaker 1>fandom is developing and it just seems to be growing

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<v Speaker 1>and growing as as as time goes by. So you're

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<v Speaker 1>part of that. Um. So you're all experiencing that for

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<v Speaker 1>the first time now, So there is that anticipation. Um.

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<v Speaker 1>And yeah, it's not the same as you know two

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<v Speaker 1>thousand when it came out and the whole thing, But

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<v Speaker 1>it's a bigger audience now and maybe the size of

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<v Speaker 1>the the newbies, of of which you and your daughter

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<v Speaker 1>are now considered as as sizeable as the original audience

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<v Speaker 1>that that discovered the show on the first back in

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<v Speaker 1>two thousands. So welcome. Hi. What's your name? Alex? Hi?

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<v Speaker 1>Alex So Um. I listened to the podcast religiously and

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<v Speaker 1>I know at the end you do rapid fire, saw

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<v Speaker 1>the guests. I wanted to do it with you, even

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<v Speaker 1>though one of the questions was already asked, Oh my god,

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<v Speaker 1>are you okay with that? Tables are turned? You're very

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<v Speaker 1>How do you take your coffee black? Can you smell snow? Yes?

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<v Speaker 1>I can smell it right now. Team Dean Jess or

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<v Speaker 1>Logan Jess family, Jess family. Who's the daddy you said

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<v Speaker 1>that one already, I don't care. And who's your favorite character?

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<v Speaker 1>Luke Dane's thank you very much. He brought he brought me,

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<v Speaker 1>he brought me goodness. I have another questions about your coffee,

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<v Speaker 1>So me and my husband love your Scottie Peas coffee.

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<v Speaker 1>Are you coming up with any new flavors? Thank you,

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<v Speaker 1>thank you. We have so many right now that I

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<v Speaker 1>think we put a pause on on coming out with

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<v Speaker 1>new flavors. But we are getting into pots and solubles

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<v Speaker 1>and that kind of thing, so it's going to be

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<v Speaker 1>super convenient for people. Thank you, Thank you. Hi. Do

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<v Speaker 1>you think that the introduction of April was Gilmore girls jumping?

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<v Speaker 1>How dare you? You know? I'm a defender of April.

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<v Speaker 1>I love April. That's my daughter. Um and uh, what

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<v Speaker 1>was the girl? What was the actress? Platter? Vanessa Morano? Yes,

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<v Speaker 1>the brilliant girl. First of all, very precocious girl, Uh,

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<v Speaker 1>lovely to work with, came super prepared all the time, right,

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<v Speaker 1>and she was just a delight to have on the set,

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<v Speaker 1>and she unjustly just got she just got whacked by

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<v Speaker 1>the fans and it's just one of those things, you know,

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<v Speaker 1>it's just one of those things. And um, I didn't.

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<v Speaker 1>I think they made her especially obnoxious for the Netflix reboot,

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<v Speaker 1>talking about philosophy and metaphysics and but um, but that's her.

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<v Speaker 1>She's you know, a high i Q kid, very precocious.

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<v Speaker 1>I never understood why they I guess let me ask

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<v Speaker 1>you guys. Uh in Unison, it wasn't because she was

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<v Speaker 1>going to slow down or block the Luke Laurelie relationship

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<v Speaker 1>and something ship for him. So that's so that's why

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<v Speaker 1>I was Okay, I get it now. Um. But so

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<v Speaker 1>there was just no chance, there was no chance in

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<v Speaker 1>your hearts, in your minds to accept April as my

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<v Speaker 1>daughter who I love, you know. And I loved her,

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<v Speaker 1>and I love the character and I love the depth

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<v Speaker 1>that it brought to Luke because not too many other

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<v Speaker 1>characters were really developed in any real way other than uh, Laura,

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<v Speaker 1>Lae and and and Rory and and her parents. Nobody

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<v Speaker 1>else really got any development. Um, And that was like, oh,

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<v Speaker 1>here's some depth, here's another layer. So I loved her.

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<v Speaker 1>I thought it was great. But I get you now,

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<v Speaker 1>I understand it. I get it. Thank you so much. Yeah. UM,

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<v Speaker 1>just one question, I guess, what similarities do you share

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<v Speaker 1>with the character? Um? For did you have other things

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<v Speaker 1>that you picked up along the way that you became

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<v Speaker 1>more similar So when I read the script, I thought,

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<v Speaker 1>when you don't want anybody else to play the role,

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<v Speaker 1>that's that's that's the role, that's that's meant meant for you.

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<v Speaker 1>Okay uh And that's how I felt when I read.

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<v Speaker 1>I knew nobody else could play that role better than me. Um.

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<v Speaker 1>I knew exactly how restrained to be. I knew that

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<v Speaker 1>with all of those sort of light, bright, cheery characters

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<v Speaker 1>that needed an anchor, it needed a counterweight. That was

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<v Speaker 1>my job. I let them know that that was my job,

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<v Speaker 1>that I understood what my job was, um. And you

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<v Speaker 1>know it worked out. Hi. What's your name? Hi? Joe?

0:14:26.440 --> 0:14:29.680
<v Speaker 1>How you doing? Who? I know the podcast is still early,

0:14:29.760 --> 0:14:34.240
<v Speaker 1>But who's someone you want to have on the podcast

0:14:34.320 --> 0:14:39.640
<v Speaker 1>that we might not be able to see? Noel Gallagher? Okay,

0:14:39.720 --> 0:14:44.520
<v Speaker 1>then do you know who? Know? Gallagher is correct? That's

0:14:44.560 --> 0:14:48.360
<v Speaker 1>who I went on the show. Do you want to

0:14:48.400 --> 0:14:53.000
<v Speaker 1>know why? Because he's the best songwriter the last thirty years?

0:14:53.040 --> 0:14:59.400
<v Speaker 1>And I love songwriters. I love them, and I particularly

0:14:59.520 --> 0:15:03.080
<v Speaker 1>am far of him, because of what he came from,

0:15:03.200 --> 0:15:08.640
<v Speaker 1>what he survived, and how he turned that experience growing

0:15:08.720 --> 0:15:13.800
<v Speaker 1>up with a father like that into beauty. It it's

0:15:15.880 --> 0:15:20.960
<v Speaker 1>it chokes me up. It chokes me. It's magic, and

0:15:21.040 --> 0:15:24.520
<v Speaker 1>it chokes me up every time. Everything he does is

0:15:24.560 --> 0:15:27.640
<v Speaker 1>a miracle. That band he created, he wrote all those

0:15:27.640 --> 0:15:31.360
<v Speaker 1>songs for, he wrote those lyrics for his brother. Um,

0:15:31.440 --> 0:15:35.840
<v Speaker 1>it was just perfection. And now his new stuff perfect

0:15:36.880 --> 0:15:39.600
<v Speaker 1>and he's doing anything he wants and he doesn't know

0:15:39.720 --> 0:15:42.520
<v Speaker 1>anybody anything, and he doesn't have You know, he didn't

0:15:43.800 --> 0:15:47.440
<v Speaker 1>he suffered the way an artist is supposed to. He

0:15:47.480 --> 0:15:50.280
<v Speaker 1>turned it into beauty. He didn't go to the rage,

0:15:51.280 --> 0:15:53.040
<v Speaker 1>you know what I mean? And I respect that that

0:15:53.160 --> 0:15:56.960
<v Speaker 1>takes real courage. He's an example of artistic courage. And

0:15:57.000 --> 0:16:02.240
<v Speaker 1>that's why I want to have him on the broadcast. UM.

0:16:02.600 --> 0:16:05.320
<v Speaker 1>I was just wondering if so, Laura like goes a

0:16:05.320 --> 0:16:08.040
<v Speaker 1>lot into her past and like, um, we know a

0:16:08.040 --> 0:16:10.800
<v Speaker 1>lot about her relationship with her parents. Luke hints at

0:16:10.840 --> 0:16:13.240
<v Speaker 1>it a little bit. If you were to do like

0:16:13.280 --> 0:16:17.040
<v Speaker 1>a flashback episode of Luke when he was younger, what

0:16:17.200 --> 0:16:19.520
<v Speaker 1>age range would you like do it and what scene

0:16:19.520 --> 0:16:24.480
<v Speaker 1>would you want it to be well, I'm sixty two,

0:16:25.320 --> 0:16:27.320
<v Speaker 1>so I don't know how far back I could go.

0:16:29.200 --> 0:16:30.800
<v Speaker 1>I mean, if you were going to do high school,

0:16:30.920 --> 0:16:33.720
<v Speaker 1>that would be a little you know, I'd definitely be

0:16:33.800 --> 0:16:39.280
<v Speaker 1>a senior, right, you know, I don't know how far

0:16:39.360 --> 0:16:42.440
<v Speaker 1>back you could go. I mean, I mean I'd want

0:16:42.480 --> 0:16:46.360
<v Speaker 1>to go back to high school. I wouldn't um when

0:16:46.360 --> 0:16:50.600
<v Speaker 1>he was Butch Danes track star, you know. Uh, but yeah,

0:16:50.680 --> 0:16:52.400
<v Speaker 1>I don't know. Yeah, it'd be fun. Why not. I

0:16:52.400 --> 0:16:55.120
<v Speaker 1>could pull it off. Get in shape, get on a diet,

0:16:55.480 --> 0:16:58.040
<v Speaker 1>you know, stop hanging out with Michael Rooker, and then

0:16:58.080 --> 0:17:05.080
<v Speaker 1>I maybe I could do it. Thank you? Hi. My

0:17:05.160 --> 0:17:08.959
<v Speaker 1>name is Amy, Hi Amy, UM. My question for you is,

0:17:09.080 --> 0:17:11.720
<v Speaker 1>in the last season of the original broadcast, can you

0:17:11.760 --> 0:17:15.480
<v Speaker 1>step speaking to the thank you? In the original last

0:17:15.520 --> 0:17:18.320
<v Speaker 1>season of the original series of gil More Girls, Luke

0:17:18.400 --> 0:17:20.919
<v Speaker 1>and Christopher got into a fight. Since you were speaking

0:17:20.920 --> 0:17:25.520
<v Speaker 1>about action scenes earlier, and Christopher and Luke just go

0:17:26.359 --> 0:17:29.119
<v Speaker 1>at it and just have a knockdown, direct out fight

0:17:29.800 --> 0:17:33.560
<v Speaker 1>with the Christmas Villager. Than how and I know my

0:17:33.640 --> 0:17:36.600
<v Speaker 1>answer for watching it, but how how did it feel

0:17:36.720 --> 0:17:41.240
<v Speaker 1>to actually act that out? This whole uh, this whole

0:17:41.280 --> 0:17:44.359
<v Speaker 1>fight and and butting heads with between Christopher and Luke

0:17:44.440 --> 0:17:47.399
<v Speaker 1>over over the girls. So one thing I'll tell you

0:17:47.400 --> 0:17:51.400
<v Speaker 1>about the the incredible David Suckcliffe is he's very strong.

0:17:52.320 --> 0:17:58.000
<v Speaker 1>He's physically very strong, um shockingly so um. I can

0:17:58.119 --> 0:18:02.840
<v Speaker 1>usually handle just about anybody, but he was a handful

0:18:03.320 --> 0:18:08.000
<v Speaker 1>um um. And when you do those scenes, you're the

0:18:08.040 --> 0:18:10.359
<v Speaker 1>adrenaline is really going because you want to get it right,

0:18:10.880 --> 0:18:15.280
<v Speaker 1>so you start sweating a lot, even on the first take. Um.

0:18:15.320 --> 0:18:17.720
<v Speaker 1>And we just sort of rehearsed it and choreographed it

0:18:17.720 --> 0:18:19.479
<v Speaker 1>and tried to do it right. But when they say action,

0:18:19.560 --> 0:18:22.040
<v Speaker 1>you're you're really kind of going at it and you're

0:18:22.040 --> 0:18:24.119
<v Speaker 1>trying not to hit each other. Because I did a

0:18:24.160 --> 0:18:27.200
<v Speaker 1>movie once in Canada and I broke the stunt guy's

0:18:27.280 --> 0:18:29.840
<v Speaker 1>nose because I came too close because you're supposed to

0:18:29.920 --> 0:18:31.920
<v Speaker 1>miss because the camera angles set up where you don't

0:18:31.960 --> 0:18:33.960
<v Speaker 1>have to come close to the nose. So I did

0:18:33.960 --> 0:18:37.000
<v Speaker 1>a hook and I just tipped tipped his nose, just

0:18:37.080 --> 0:18:41.160
<v Speaker 1>tipped it and it broken. Um. The nose is very

0:18:41.160 --> 0:18:43.359
<v Speaker 1>easy to break here, I have I discovered and he

0:18:43.440 --> 0:18:45.080
<v Speaker 1>passed out and it was just like it was such

0:18:45.119 --> 0:18:48.280
<v Speaker 1>a scene. It was like God, just get him out.

0:18:48.280 --> 0:18:50.800
<v Speaker 1>Of here, w it's bleeding all over the place. What's

0:18:50.920 --> 0:18:53.440
<v Speaker 1>going on? And get him to the hospital. No, Um,

0:18:53.560 --> 0:18:56.879
<v Speaker 1>it was. It was really wrenching. But um, you know,

0:18:56.920 --> 0:19:00.960
<v Speaker 1>there was tiring that fight. Seems we were austed afterwards.

0:19:01.280 --> 0:19:03.000
<v Speaker 1>I mean we were drenched in sweat and we were

0:19:03.040 --> 0:19:05.960
<v Speaker 1>exhausted because we really went at it. Yeah, I mean

0:19:05.960 --> 0:19:09.320
<v Speaker 1>we didn't hit each other obviously, but um, don't look

0:19:09.400 --> 0:19:12.439
<v Speaker 1>like it again. It was great because it's action. We

0:19:12.480 --> 0:19:15.399
<v Speaker 1>don't have to talk. Yeah, we get to do a

0:19:15.400 --> 0:19:18.760
<v Speaker 1>scene moment on to talk grilling. I do have one

0:19:18.800 --> 0:19:23.639
<v Speaker 1>more quick Um. I believe after Gilmore Girls ended, you

0:19:23.680 --> 0:19:27.480
<v Speaker 1>went on to do so it was that a strategic move?

0:19:27.600 --> 0:19:30.400
<v Speaker 1>Did you want to do something so different from Gilmore

0:19:30.480 --> 0:19:34.400
<v Speaker 1>Girls that you were just getting into this franchise and said, sure,

0:19:35.560 --> 0:19:43.000
<v Speaker 1>Spielberg wasn't returning my call. Martin Scorsese, Uh, uh didn't

0:19:43.040 --> 0:19:49.919
<v Speaker 1>return my emails. Um, so the options were limited. Okay

0:19:50.040 --> 0:19:53.480
<v Speaker 1>for TV boy on the w B or c W

0:19:53.760 --> 0:19:57.360
<v Speaker 1>on a small network like nobody cares. You gotta understand

0:19:57.400 --> 0:20:00.160
<v Speaker 1>that if you're on a big NBC show in you're

0:20:00.200 --> 0:20:02.560
<v Speaker 1>George Clooney and you're the heart throb and it's a

0:20:02.640 --> 0:20:05.000
<v Speaker 1>huge hit show with a huge audience. Then you can

0:20:05.000 --> 0:20:07.720
<v Speaker 1>have a movie career and work with the best people.

0:20:08.080 --> 0:20:13.000
<v Speaker 1>If you're on Gilmore Girls and you're Luke Danes, it's

0:20:13.040 --> 0:20:16.280
<v Speaker 1>a different equation. So it was. But it was a

0:20:16.359 --> 0:20:21.720
<v Speaker 1>chance to be take over the franchise of the number

0:20:21.720 --> 0:20:24.600
<v Speaker 1>one horror franchise in the world. So that's not a

0:20:24.760 --> 0:20:30.920
<v Speaker 1>bad thing. Um. And I like the director. I sat

0:20:30.920 --> 0:20:33.159
<v Speaker 1>down with Darren and we we went to lunch and

0:20:33.200 --> 0:20:35.760
<v Speaker 1>we sat down. I liked the guy and I thought

0:20:35.760 --> 0:20:38.000
<v Speaker 1>he was smart, and I thought he had some interesting ideas,

0:20:38.000 --> 0:20:39.639
<v Speaker 1>and it was just, you know, it's just like fun.

0:20:40.480 --> 0:20:43.479
<v Speaker 1>I'm doing Gilmore Girls and talking talking talk. Now now

0:20:43.480 --> 0:20:46.439
<v Speaker 1>I'm gonna be on a set doing a you know,

0:20:46.480 --> 0:20:49.760
<v Speaker 1>a hot film. You know, it's gonna be big premiere,

0:20:49.880 --> 0:20:52.960
<v Speaker 1>the whole thing, and get to do some fun stuff

0:20:53.040 --> 0:20:55.199
<v Speaker 1>on and it's and it's you know, it's a genre,

0:20:55.280 --> 0:20:59.400
<v Speaker 1>it's it's it's another fan base to tap into. So yeah,

0:20:59.400 --> 0:21:02.960
<v Speaker 1>strategical it it can't hurt. And it didn't. I don't

0:21:03.000 --> 0:21:06.640
<v Speaker 1>think it alienated Gilmore fans because a job is a job,

0:21:07.359 --> 0:21:10.840
<v Speaker 1>you know. Um, And if it did, you know, too bad.

0:21:11.600 --> 0:21:13.920
<v Speaker 1>You know, I gotta work. I gotta pay bills, right,

0:21:14.000 --> 0:21:17.000
<v Speaker 1>You've gotta work. Yes or no? If there was going

0:21:17.040 --> 0:21:20.000
<v Speaker 1>to be another revival of the revival, would you still

0:21:20.040 --> 0:21:25.879
<v Speaker 1>be interested in participating in it. I mean, I'd want

0:21:25.880 --> 0:21:29.240
<v Speaker 1>to see a script first. I'd want it to be right,

0:21:29.480 --> 0:21:32.159
<v Speaker 1>you know, because I you know, if I'd seen the

0:21:32.200 --> 0:21:35.560
<v Speaker 1>script for uh these four, I don't know if I

0:21:35.560 --> 0:21:42.040
<v Speaker 1>would have done it. Hi. What's your name? Hi, Jazzy? Hi? So? Um?

0:21:42.160 --> 0:21:45.199
<v Speaker 1>I watched Gilmore Girls and rewatch It and rewatch It

0:21:45.280 --> 0:21:49.720
<v Speaker 1>to kind of get my universe back in alignment. UM.

0:21:49.960 --> 0:21:54.679
<v Speaker 1>Is there any Yes? I know I'm not the only one. Um.

0:21:54.800 --> 0:21:57.760
<v Speaker 1>Is there any series that you do the same thing for?

0:21:59.200 --> 0:22:01.800
<v Speaker 1>You know? I was tessed with There was I I

0:22:01.840 --> 0:22:05.520
<v Speaker 1>don't really watch series television, and I I, you know,

0:22:05.600 --> 0:22:08.520
<v Speaker 1>I'll watch sports, and I watched the financial channels if

0:22:08.560 --> 0:22:11.840
<v Speaker 1>I'm if I'm looking at the TV at all. Um.

0:22:11.920 --> 0:22:16.119
<v Speaker 1>But there was one show that was on UH called Billions,

0:22:17.000 --> 0:22:20.760
<v Speaker 1>UH with Damien Lewis and uh. I think Maylan Ackerman

0:22:20.880 --> 0:22:22.159
<v Speaker 1>was in it before they got rid of her, and

0:22:22.200 --> 0:22:26.240
<v Speaker 1>the show really suffered when she left. I I thought, um,

0:22:26.280 --> 0:22:31.040
<v Speaker 1>and Paul Giamatti right, and just I it was Shakespearean

0:22:31.600 --> 0:22:35.960
<v Speaker 1>I mean they were they were doing Shakespearean themes on television,

0:22:36.240 --> 0:22:38.439
<v Speaker 1>and I thought, you know, some people didn't like it,

0:22:38.480 --> 0:22:41.280
<v Speaker 1>but I loved it. I loved I loved Damian Lewis.

0:22:41.600 --> 0:22:44.159
<v Speaker 1>I thought that character, which you know was that was

0:22:44.200 --> 0:22:47.199
<v Speaker 1>one of the best characters I've seen on TV. Perfect

0:22:47.240 --> 0:22:53.320
<v Speaker 1>than you. Thank you, Hi? How you doing? What's your name? Hi?

0:22:53.520 --> 0:22:56.080
<v Speaker 1>And my question is kind of a follow up besides yourself,

0:22:56.720 --> 0:22:59.240
<v Speaker 1>come closer to the who is your favorite character on

0:22:59.240 --> 0:23:04.800
<v Speaker 1>the show besides yourself? And why? Because you know at all,

0:23:05.040 --> 0:23:11.040
<v Speaker 1>just uh favorite character on the show. Laurel. I favorite

0:23:12.240 --> 0:23:14.360
<v Speaker 1>because of all the heavy liftings she had to do

0:23:14.720 --> 0:23:19.800
<v Speaker 1>and all of the emotional uh jiu jitsu that she

0:23:19.880 --> 0:23:23.080
<v Speaker 1>had to engage in on an episode. Episode basis is

0:23:23.200 --> 0:23:28.480
<v Speaker 1>just a wonderful performances. Uh. Secondary characters and I hate

0:23:28.480 --> 0:23:31.480
<v Speaker 1>to sort of categorize them that way, but makes sense

0:23:31.480 --> 0:23:36.840
<v Speaker 1>to you guys. Um, gosh, it's either it's either it's

0:23:36.960 --> 0:23:44.600
<v Speaker 1>Sally Struthers Kirk, it's Bet Bet Kirk and Taylor. For me, yeah,

0:23:44.720 --> 0:23:50.120
<v Speaker 1>I mean just brilliant actors, just brilliant, brilliant stuff they did. Um.

0:23:50.960 --> 0:23:52.440
<v Speaker 1>And then for all of us who watched the podcast,

0:23:52.440 --> 0:23:53.960
<v Speaker 1>we might know the answer, But who is your least

0:23:53.960 --> 0:24:02.560
<v Speaker 1>favorite character? Boy, you're putting me on the hot seat here, uh,

0:24:03.160 --> 0:24:15.679
<v Speaker 1>logan so many reasons, I won't bore you with them all. Because,

0:24:16.000 --> 0:24:19.240
<v Speaker 1>first and foremost, because he referred to Rory as Ace.

0:24:21.240 --> 0:24:23.680
<v Speaker 1>And when he said that the first time, my hand

0:24:23.720 --> 0:24:26.840
<v Speaker 1>went back and I just wanted to go, Wait, her

0:24:26.880 --> 0:24:32.600
<v Speaker 1>name is Rory? Thank you very much? Hi? What's your name? Hi? Ali?

0:24:33.000 --> 0:24:36.080
<v Speaker 1>I'm glad you mentioned Taylor because my question is about him. Um,

0:24:36.080 --> 0:24:38.520
<v Speaker 1>the interactions on the show between Luke and Taylor or

0:24:38.560 --> 0:24:39.840
<v Speaker 1>some of my favorite and I just wanted to know

0:24:39.880 --> 0:24:42.720
<v Speaker 1>if you had a favorite fight between the two characters.

0:24:43.400 --> 0:24:47.159
<v Speaker 1>Oh god, there were so many. He was just epic

0:24:47.280 --> 0:24:51.680
<v Speaker 1>to work with. By the way, Michael Winters is a lovely,

0:24:52.000 --> 0:24:56.520
<v Speaker 1>lovely guy. He's nothing like his character and he's just fun,

0:24:57.200 --> 0:24:59.360
<v Speaker 1>you know, he's really fun to work with. And he's

0:24:59.400 --> 0:25:03.320
<v Speaker 1>such a because he's super prepared and he had tons

0:25:03.320 --> 0:25:09.320
<v Speaker 1>of dialogue, and especially those town hall meetings. My god, Um,

0:25:09.320 --> 0:25:14.480
<v Speaker 1>maybe the candy shop when um not, when he made

0:25:14.480 --> 0:25:17.359
<v Speaker 1>it so that you know, a car went through your dinner.

0:25:19.160 --> 0:25:22.320
<v Speaker 1>The candy shop was worse than that. That was good too.

0:25:23.280 --> 0:25:26.800
<v Speaker 1>I I like that I like. I thought, you're you're good,

0:25:27.080 --> 0:25:30.560
<v Speaker 1>You're good. Yeah, good. I don't I don't remember any

0:25:30.640 --> 0:25:32.840
<v Speaker 1>of that. But now that you mentioned a car, and

0:25:32.840 --> 0:25:35.520
<v Speaker 1>then and then Michael Day Louise had to come in

0:25:35.560 --> 0:25:38.880
<v Speaker 1>and help me rebuild a diner. Right, thank you. See

0:25:38.960 --> 0:25:47.160
<v Speaker 1>I'm an expert at this show. Thank you. You're very welcome. Yeah.

0:25:51.040 --> 0:25:55.320
<v Speaker 1>What's your name? I'm Jacqueline fuck. So my question is, Um,

0:25:55.760 --> 0:26:00.840
<v Speaker 1>if you were to give um Rory said, or dating

0:26:00.840 --> 0:26:04.400
<v Speaker 1>advice in today's world, what would it be? Stay home,

0:26:06.119 --> 0:26:14.240
<v Speaker 1>read books, don't go out of your house. Um, certainly

0:26:14.240 --> 0:26:17.879
<v Speaker 1>don't date anybody that says, hey, have you seen a

0:26:18.040 --> 0:26:23.560
<v Speaker 1>boogie nights? You know what I mean? Or says to

0:26:23.800 --> 0:26:29.040
<v Speaker 1>her mother who is giving reading him the Riot Act, says, uh,

0:26:29.240 --> 0:26:32.000
<v Speaker 1>is it my turn yet? You know? Not? Kind of hay. So,

0:26:32.080 --> 0:26:35.480
<v Speaker 1>now I like Dean because of what he did the Tristan,

0:26:35.760 --> 0:26:39.359
<v Speaker 1>you know, defended Royce. So now he's I'm good with him.

0:26:38.680 --> 0:26:42.480
<v Speaker 1>I'm taking it on an episode by episode basis, So

0:26:43.200 --> 0:26:46.159
<v Speaker 1>I'm taking that journey that that you all took in

0:26:46.200 --> 0:26:48.880
<v Speaker 1>the beginning. I'm just it's the first time. That's why

0:26:48.880 --> 0:26:52.199
<v Speaker 1>I'm doing the podcast. Um, but I'm good with him.

0:26:52.280 --> 0:26:57.879
<v Speaker 1>Now we'll see how long that lasts. And and dating

0:26:57.920 --> 0:27:01.639
<v Speaker 1>advice is just get somebody that's lie occur. You know,

0:27:02.000 --> 0:27:04.920
<v Speaker 1>precocious kid reads a lot, wants to go to Harvard,

0:27:05.080 --> 0:27:11.160
<v Speaker 1>just just keep it there. Hi, what's your name? Hi Cassie. Okay,

0:27:11.160 --> 0:27:13.760
<v Speaker 1>So first I want to say, um, you have incredible style.

0:27:13.920 --> 0:27:18.040
<v Speaker 1>We matched today and just saying thank you for noticing.

0:27:19.480 --> 0:27:21.719
<v Speaker 1>And then my question is, so it starts all being

0:27:21.760 --> 0:27:25.199
<v Speaker 1>such like a stereotypical small town. Is that something that

0:27:25.240 --> 0:27:27.760
<v Speaker 1>you would like in real life? Are you more of

0:27:27.880 --> 0:27:31.320
<v Speaker 1>city or country? I grew up in a place like that.

0:27:31.480 --> 0:27:35.120
<v Speaker 1>I don't know that it's stereotypical, um, but I think

0:27:35.119 --> 0:27:37.080
<v Speaker 1>there are a lot of places like that, especially in

0:27:37.119 --> 0:27:39.240
<v Speaker 1>the northeastern part of the United States. But there there

0:27:39.520 --> 0:27:43.399
<v Speaker 1>are are places, you know, historical places, Revolutionary War, you know,

0:27:43.800 --> 0:27:46.760
<v Speaker 1>Washington slept here as soldiers slept over there, that kind

0:27:46.760 --> 0:27:49.159
<v Speaker 1>of thing. Um. But I grew up in a small

0:27:49.200 --> 0:27:55.800
<v Speaker 1>town um and it was a lot like stars Hollow Um.

0:27:55.840 --> 0:28:00.639
<v Speaker 1>Actually yeah, I mean we had a lot of eccentric characters.

0:28:00.720 --> 0:28:04.400
<v Speaker 1>It was um, but but it was a small town

0:28:04.440 --> 0:28:10.040
<v Speaker 1>mentality where everybody was knew everybody's business, where you had

0:28:10.080 --> 0:28:14.639
<v Speaker 1>to be accountable. And that's what I like about small towns. Uh.

0:28:14.680 --> 0:28:16.840
<v Speaker 1>You know, the more you get into cities, and you know,

0:28:17.160 --> 0:28:19.400
<v Speaker 1>people become more and more corrupted. And I don't really

0:28:19.440 --> 0:28:22.440
<v Speaker 1>believe in cities. I believe in cities for a lot

0:28:22.520 --> 0:28:25.840
<v Speaker 1>of reasons. Um, but you know you're going to have

0:28:25.880 --> 0:28:29.080
<v Speaker 1>your issues there. In small towns is where I certainly

0:28:29.080 --> 0:28:36.680
<v Speaker 1>want to raise my child. So, yeah, you're welcome. Hi.

0:28:36.920 --> 0:28:41.880
<v Speaker 1>What's your name? Hi, Nina. So you said before that

0:28:42.600 --> 0:28:44.920
<v Speaker 1>if you had seen the script for the revival, you

0:28:45.000 --> 0:28:47.280
<v Speaker 1>don't know if you would have done it. So my

0:28:47.440 --> 0:28:50.040
<v Speaker 1>question is if you would have had any say in

0:28:50.080 --> 0:28:52.400
<v Speaker 1>the script, would something you would have liked to see

0:28:52.480 --> 0:28:57.400
<v Speaker 1>Luke's character experience? Well, I wouldn't have made him an idiot,

0:28:58.600 --> 0:29:02.960
<v Speaker 1>you know. I mean he didn't understand uh you know

0:29:03.040 --> 0:29:06.400
<v Speaker 1>in vitro fertilization. Are you kidding me? Sura gets he

0:29:06.480 --> 0:29:11.680
<v Speaker 1>didn't understand that. Um. Sorry, I just didn't buy it.

0:29:11.760 --> 0:29:13.960
<v Speaker 1>I wouldn't have done that to Rory. I wouldn't have

0:29:13.960 --> 0:29:17.440
<v Speaker 1>turned her into a total loser who was confused. I mean,

0:29:17.440 --> 0:29:21.640
<v Speaker 1>this is a girl with so much promise. I'm sorry,

0:29:21.720 --> 0:29:24.520
<v Speaker 1>you know I have to I've been very supportive of

0:29:24.560 --> 0:29:27.280
<v Speaker 1>this show. I love this show, but I you know,

0:29:27.360 --> 0:29:32.440
<v Speaker 1>you could call spade to spade and uh, among other things.

0:29:32.520 --> 0:29:37.360
<v Speaker 1>But U and I think you know, I'm kind of

0:29:38.320 --> 0:29:40.880
<v Speaker 1>on the fence about the wedding. I used to be

0:29:40.960 --> 0:29:46.480
<v Speaker 1>really adamantly and passionately opposed to how they portrayed the

0:29:46.520 --> 0:29:48.680
<v Speaker 1>wedding because I thought it should be a big wedding

0:29:49.560 --> 0:29:55.080
<v Speaker 1>and that's what it should have been about, honor ed Herman. Sure,

0:29:55.840 --> 0:29:58.440
<v Speaker 1>but you're doing it for four episodes and then turning

0:29:58.480 --> 0:30:02.520
<v Speaker 1>it into a mother daughter drama. I don't know. So

0:30:02.560 --> 0:30:06.880
<v Speaker 1>you didn't agree with the ending of the season, the

0:30:06.920 --> 0:30:10.800
<v Speaker 1>cliffhanger with the who's the daddy? Yeah, it's just I

0:30:10.800 --> 0:30:15.480
<v Speaker 1>don't know. I'm sorry, it's contrived. It's contrived. It's it's

0:30:15.600 --> 0:30:20.600
<v Speaker 1>shockingly contrived in my opinion. I mean, they're better than that,

0:30:20.680 --> 0:30:24.760
<v Speaker 1>and they know they're better than that, and uh, and

0:30:24.840 --> 0:30:27.480
<v Speaker 1>I think they need to deliver something that is of

0:30:27.640 --> 0:30:32.160
<v Speaker 1>far higher quality. UM. And I think I have the

0:30:32.240 --> 0:30:34.160
<v Speaker 1>right to demand that, and you all have the right

0:30:34.200 --> 0:30:40.720
<v Speaker 1>to demand that, UM, because you've been loyal twenty one year.

0:30:40.880 --> 0:30:42.320
<v Speaker 1>Some of you are near the show, but a lot

0:30:42.320 --> 0:30:44.440
<v Speaker 1>of people have been you know, poured their heart and

0:30:44.480 --> 0:30:47.480
<v Speaker 1>soul into this show and then they wait nine years

0:30:47.520 --> 0:30:57.720
<v Speaker 1>for that. Yeah, you're very welcome him. So I'm just

0:30:57.720 --> 0:31:01.600
<v Speaker 1>gonna ask, um, what was the funniest moment, The funniest

0:31:01.640 --> 0:31:07.400
<v Speaker 1>moment on set? The funniest moment on set, My god,

0:31:10.040 --> 0:31:15.040
<v Speaker 1>it's probably Sean Gun in a hotdog suit. There's just

0:31:15.160 --> 0:31:19.000
<v Speaker 1>no question about that. When I walked under the set,

0:31:19.080 --> 0:31:21.959
<v Speaker 1>I I was laughing so hard. I went to my knees.

0:31:23.000 --> 0:31:25.560
<v Speaker 1>That was just brilliant there. And it was a hot

0:31:25.640 --> 0:31:28.680
<v Speaker 1>day too, and he's sweating and he's so good natured

0:31:28.680 --> 0:31:32.000
<v Speaker 1>that he's just kind of dealing with it, you know. Yeah,

0:31:32.080 --> 0:31:34.240
<v Speaker 1>it was it was I mean, to be there live

0:31:34.480 --> 0:31:36.880
<v Speaker 1>and to see how colorful the hot dog was and

0:31:36.920 --> 0:31:38.840
<v Speaker 1>just to see is the expression on his face was

0:31:38.920 --> 0:31:43.960
<v Speaker 1>just it was poetry. It was poetry. Do you mind?

0:31:44.000 --> 0:31:48.840
<v Speaker 1>I don't mind? Um. Was there a scene you couldn't

0:31:48.880 --> 0:31:51.120
<v Speaker 1>get through? Like you kept laughing? Like in the script?

0:31:51.240 --> 0:31:56.000
<v Speaker 1>So many? Oh? That was Yeah. You see, if it's

0:31:56.080 --> 0:31:59.240
<v Speaker 1>late at night, you've been there fourteen hours and you

0:31:59.360 --> 0:32:02.600
<v Speaker 1>just get the church laughter, there's something that happens between

0:32:02.680 --> 0:32:05.760
<v Speaker 1>takes and you're just like, you can't you just lose it.

0:32:05.880 --> 0:32:10.600
<v Speaker 1>But once you lose it, you're done. So you know,

0:32:10.680 --> 0:32:14.400
<v Speaker 1>some directors would try to fight that and say, you know,

0:32:14.960 --> 0:32:17.479
<v Speaker 1>come on, guys, you come on, and we were just like,

0:32:18.680 --> 0:32:22.280
<v Speaker 1>shut up, let us laugh, and we deserve a laugh. Um.

0:32:22.320 --> 0:32:24.280
<v Speaker 1>But the ones that would sort of let it laugh out,

0:32:24.440 --> 0:32:27.240
<v Speaker 1>you know, we'd lose the day. We'd have to wrap

0:32:27.240 --> 0:32:29.520
<v Speaker 1>and well we'll get it tomorrow, or we'll just have

0:32:29.600 --> 0:32:31.880
<v Speaker 1>to stay there longer and longer and longer. But man,

0:32:31.960 --> 0:32:34.760
<v Speaker 1>when when we would fall out and laugh, it would

0:32:34.800 --> 0:32:38.280
<v Speaker 1>be like half an hour. We couldn't stop. Because if

0:32:38.320 --> 0:32:40.880
<v Speaker 1>you're so tired, you've fall been in that situation before,

0:32:41.000 --> 0:32:45.280
<v Speaker 1>you're so tired you just cannot It's like you begin

0:32:45.320 --> 0:32:48.160
<v Speaker 1>to realize the absurdity of what you're doing and you

0:32:48.280 --> 0:32:56.840
<v Speaker 1>just stop believing it. Hi, what's your name? Hi? Jess?

0:32:58.000 --> 0:33:02.160
<v Speaker 1>So was there ever you have a favorite interaction between

0:33:02.240 --> 0:33:08.000
<v Speaker 1>Luke and Jes, like any interaction just all of them.

0:33:08.080 --> 0:33:11.440
<v Speaker 1>He's just such a great kid, you know, I like,

0:33:11.520 --> 0:33:14.120
<v Speaker 1>I know he's forty four years old now or but

0:33:14.400 --> 0:33:16.680
<v Speaker 1>to me, he's always this, you know, this twenty two

0:33:16.760 --> 0:33:18.880
<v Speaker 1>or twenty three year old kid who was just so

0:33:19.280 --> 0:33:23.120
<v Speaker 1>nice and just a sweet guy. And you know that,

0:33:25.040 --> 0:33:31.400
<v Speaker 1>so everything, you know everything, every interaction. Yeah, I have

0:33:31.440 --> 0:33:37.080
<v Speaker 1>another question, So, were you ever like appalled by how

0:33:37.240 --> 0:33:43.240
<v Speaker 1>fast the script moves? Appalled how like fast lor Line

0:33:43.320 --> 0:33:46.040
<v Speaker 1>Rory would talk, or did you ever just like whoa

0:33:46.640 --> 0:33:50.960
<v Speaker 1>do you ever just like take a second to no? No,

0:33:51.200 --> 0:33:53.640
<v Speaker 1>I I mean it was just that's what was required,

0:33:54.040 --> 0:34:00.000
<v Speaker 1>and every direction we got was always the same one faster, funnier, okay,

0:34:00.120 --> 0:34:01.640
<v Speaker 1>And at three o'clock in the morning, You're like, I

0:34:01.680 --> 0:34:05.680
<v Speaker 1>can't possibly do this faster, but they'd say, well, you gotta,

0:34:05.760 --> 0:34:13.640
<v Speaker 1>you have to do it faster. Yeah, you're welcome. Hi,

0:34:13.800 --> 0:34:17.520
<v Speaker 1>Hi Katie. I don't have a questions closer to the mic.

0:34:17.600 --> 0:34:20.120
<v Speaker 1>Please don't really have a question. Okay. So I've been

0:34:20.120 --> 0:34:22.560
<v Speaker 1>watching Gilmore Grell's probably since season five came out. I've

0:34:22.600 --> 0:34:24.960
<v Speaker 1>binge watched them before I knew what binge watching was,

0:34:25.280 --> 0:34:27.399
<v Speaker 1>and then I've just watched them at least like once

0:34:27.400 --> 0:34:30.120
<v Speaker 1>a year, and it didn't really occur to me until

0:34:30.160 --> 0:34:32.319
<v Speaker 1>I've started listening to your podcasts about how you feel

0:34:32.320 --> 0:34:36.960
<v Speaker 1>about maxim Medina, and I completely agree with you, and

0:34:37.040 --> 0:34:39.880
<v Speaker 1>I think it's inappropriate and it was a little cringe e.

0:34:40.480 --> 0:34:42.760
<v Speaker 1>But I just want to tell you, but TV takes

0:34:42.800 --> 0:34:46.400
<v Speaker 1>the license, right. I think it could have been handled

0:34:46.400 --> 0:34:50.759
<v Speaker 1>with way more finesse. That's storyline, but it was just

0:34:50.880 --> 0:34:58.480
<v Speaker 1>so unusually bold and inappropriate that I found it very awkward.

0:34:59.160 --> 0:35:04.120
<v Speaker 1>Thank you, Hey man, Hey, So my name is Logan. Hi,

0:35:04.200 --> 0:35:14.799
<v Speaker 1>Logan Logan. So sorry. Oh so there are a lot

0:35:14.840 --> 0:35:17.319
<v Speaker 1>of emotions on the show. Was it really easy for you,

0:35:17.400 --> 0:35:19.560
<v Speaker 1>after like a really emotional scene to just say, okay,

0:35:19.560 --> 0:35:21.400
<v Speaker 1>now I'm back to Scott or did you kind of

0:35:21.400 --> 0:35:24.600
<v Speaker 1>have to like decompress and let it flush out a

0:35:24.640 --> 0:35:28.200
<v Speaker 1>little bit after like a big lordline leap. It really

0:35:28.239 --> 0:35:31.000
<v Speaker 1>depends on the scene, and it depends on if you

0:35:31.080 --> 0:35:33.239
<v Speaker 1>have to keep doing this scene, because if you do

0:35:33.360 --> 0:35:37.919
<v Speaker 1>the master shot, which is the wide shot of everybody right,

0:35:37.960 --> 0:35:39.880
<v Speaker 1>and then you move in closure of her coverage, that

0:35:39.920 --> 0:35:43.880
<v Speaker 1>could be after lunch, so you really need to I

0:35:43.960 --> 0:35:48.279
<v Speaker 1>needed to stay in character a lot. Um. That's kind

0:35:48.320 --> 0:35:51.239
<v Speaker 1>of how my process works. Uh. And then when I

0:35:51.280 --> 0:35:52.839
<v Speaker 1>go home, I just let it go, which is why

0:35:52.880 --> 0:35:56.359
<v Speaker 1>I never wanted to watch it, because like last thing,

0:35:56.400 --> 0:35:59.840
<v Speaker 1>I want to do um. But people some people are different.

0:35:59.880 --> 0:36:01.880
<v Speaker 1>You know, they flushed it out right away, They do

0:36:01.920 --> 0:36:04.200
<v Speaker 1>it in between takes and then they get it back.

0:36:04.280 --> 0:36:06.560
<v Speaker 1>But I always found out to be very exhausting and

0:36:06.680 --> 0:36:10.680
<v Speaker 1>not exacting. So if you get into that zone, you

0:36:10.760 --> 0:36:13.200
<v Speaker 1>gotta stay there with Lauren like that. It was Lauren.

0:36:13.560 --> 0:36:16.680
<v Speaker 1>Do you know how Lauren did that at all? She

0:36:16.880 --> 0:36:19.960
<v Speaker 1>was pretty much she was similar. I mean, we're all

0:36:20.000 --> 0:36:23.880
<v Speaker 1>theater trained, and that's kind of the discipline, you know,

0:36:24.080 --> 0:36:29.560
<v Speaker 1>getting characters stay there and don't don't break it. Yeah,

0:36:30.520 --> 0:36:38.560
<v Speaker 1>you're welcome. Hi, Hi, Sherry. I'm part of John Cabrera's

0:36:38.680 --> 0:36:42.560
<v Speaker 1>watch group remarks and we watched pretty much every day

0:36:42.600 --> 0:36:44.080
<v Speaker 1>and want to know if there was ever going to

0:36:44.160 --> 0:36:46.120
<v Speaker 1>be a chance to get you to hang out with us.

0:36:52.000 --> 0:36:55.600
<v Speaker 1>I think there's a chance that would be awesome. Yea.

0:36:56.080 --> 0:36:58.520
<v Speaker 1>And can you tell my husband nine flavors of your

0:36:58.560 --> 0:37:01.960
<v Speaker 1>coffee in the house is not sef I have nine

0:37:01.960 --> 0:37:05.080
<v Speaker 1>of your flavorite coffee, you only have nine? Tell them

0:37:06.800 --> 0:37:13.800
<v Speaker 1>you deprived person? You are you the husband? Get that

0:37:13.800 --> 0:37:19.399
<v Speaker 1>out here, Hi Hi. I have two quick questions, once

0:37:19.400 --> 0:37:22.920
<v Speaker 1>a gilmore girl to question once more personal. Um, So

0:37:23.000 --> 0:37:26.719
<v Speaker 1>my Gilmour's Girl's question is you talked about the revival

0:37:27.560 --> 0:37:30.319
<v Speaker 1>and you said you weren't really happy where it went. Um,

0:37:30.360 --> 0:37:34.480
<v Speaker 1>if you were able to dictate a little bit about

0:37:34.520 --> 0:37:36.920
<v Speaker 1>the script and how Luke kind of grew between the

0:37:37.040 --> 0:37:39.560
<v Speaker 1>end of the original series and the revival. What would

0:37:39.560 --> 0:37:47.240
<v Speaker 1>you have liked to have seen happen to the character? Children? Yes, children,

0:37:47.680 --> 0:37:53.960
<v Speaker 1>and planning for a big, fat wedding, was your, um,

0:37:53.080 --> 0:37:55.640
<v Speaker 1>A big wedding like with a beyond or a d

0:37:55.800 --> 0:38:01.160
<v Speaker 1>J or I'm sorry, with what beyonder? D J band

0:38:01.360 --> 0:38:04.720
<v Speaker 1>or d J. Oh yeah, that would be a band

0:38:05.480 --> 0:38:09.960
<v Speaker 1>for Luke. Okay, guys, it's been a pleasure. Thank you

0:38:10.080 --> 0:38:14.680
<v Speaker 1>all so much for being a part of this and

0:38:14.840 --> 0:38:19.040
<v Speaker 1>for being great fans. And you know me, I'm always

0:38:19.040 --> 0:38:24.080
<v Speaker 1>gonna advocate for you guys. Um, I'm gonna demand greatness,

0:38:25.400 --> 0:38:28.319
<v Speaker 1>uh from the show and who's responsible for putting the

0:38:28.320 --> 0:38:30.279
<v Speaker 1>show together? And if I don't like what I see,

0:38:30.280 --> 0:38:33.040
<v Speaker 1>you know, I'm gonna be honest about it might ruffle

0:38:33.160 --> 0:38:36.760
<v Speaker 1>some feathers, but man, we got to demand the best

0:38:37.320 --> 0:38:40.239
<v Speaker 1>because this is a show that is going to live

0:38:40.280 --> 0:38:44.640
<v Speaker 1>on long after we're gone, and uh, we have to

0:38:44.680 --> 0:38:49.440
<v Speaker 1>preserve it. Okay, So thank you all, Love to you all,

0:38:50.400 --> 0:38:55.360
<v Speaker 1>and I am Scott Patterson. Then this is the I

0:38:55.480 --> 0:38:59.239
<v Speaker 1>Am All In podcast with my Heart Radio. We'll see

0:38:59.239 --> 0:39:33.600
<v Speaker 1>you next time. Ja Hey everybody, and don't forget Follow

0:39:33.680 --> 0:39:37.560
<v Speaker 1>us on Instagram at I Am all In podcast and

0:39:37.680 --> 0:39:42.560
<v Speaker 1>emailis at Gilmore at I heart radio dot com. Oh

0:39:42.600 --> 0:39:44.200
<v Speaker 1>you gil More fans. If you're looking for the best

0:39:44.239 --> 0:39:47.080
<v Speaker 1>cup of coffee in the world, go to my website

0:39:47.120 --> 0:39:49.840
<v Speaker 1>for my company, scott EP dot com, s C O

0:39:49.960 --> 0:39:52.880
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0:39:52.920 --> 0:40:00.200
<v Speaker 1>Grade one Specialty Coffee. Oh