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Speaker 1: I Am all In. That's just your I Am all

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Speaker 1: In with Scott Patterson and I Heart Radio podcast. Scott Patterson,

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Speaker 1: come on up, thank you, Hi guys. Hi, Hi, good huh?

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Speaker 1: All yours they're all mine? Hey everybody? Can you hear me?

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Speaker 1: Pretty deed? Alright? Let me go, let me get a

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Speaker 1: little drink. Um, welcome, Welcome to my panel, and we're

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Speaker 1: doing a podcast. We're recording it right now. You are

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Speaker 1: going to be on a special episode of I Am

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Speaker 1: all In. I Am Scott Patterson. This is I Am

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Speaker 1: all In with my Heart Radio. So basically what we're

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Speaker 1: gonna do. Who wants to ask a question? Hi? Um?

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Speaker 1: So first, thank you so much for here and just

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Speaker 1: for being awesome and we love getting more girls. Um.

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Speaker 1: I would love to know everybody here. Of course, ships

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Speaker 1: Luke and Lorelei. And there are some obstacles that pop up,

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Speaker 1: you know, between April and then Christopher and for you

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Speaker 1: as an actor working with Lauren Graham, um and becoming

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Speaker 1: invested in this relationship. What is your thought process as

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Speaker 1: you're sitting there reading this script and being like, I

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Speaker 1: can't believe we're finally engaged and now everything is messing

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Speaker 1: it up? How late. Do you like that things kind

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Speaker 1: of went in a bit of an obscure manner or

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Speaker 1: are you like angry It wasn't just that perfect proposal

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Speaker 1: marriage thing whereby we had to wait for the wedding

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Speaker 1: in the revival. I didn't I didn't like her proposing

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Speaker 1: to me. I've said that. I've gone on the record

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Speaker 1: saying that. I but that's how the writers usually like

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Speaker 1: to do things. They they go big when you expect

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Speaker 1: them to go small. They go small when you expect

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Speaker 1: them to go big. Uh. It's sort of the soul

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Speaker 1: of good writing. Um. But I really thought that that

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Speaker 1: moment should have been Luke's um. And that's just how

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Speaker 1: I feel about it. Yeah, so, uh, but it was,

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Speaker 1: And I had to do that whole monologue. I'm I'm

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Speaker 1: seeing they're doing this monologue and you really you get

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Speaker 1: these chunks of monologue or this long it's all black ink,

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Speaker 1: and you're like, god, I you know, you really want

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Speaker 1: to nail them. And then and then you realize that

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Speaker 1: you're off camera the entire time. There's you're not going

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Speaker 1: to be seen, You're just gonna be heard. And it's

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Speaker 1: a close up of her face and she's just like

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Speaker 1: sitting there will you're marrying me. It's like, why did

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Speaker 1: I put I could have been off camera just reading

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Speaker 1: it off the sides right now. I'm kidding. UM, but yeah,

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Speaker 1: that was the one moment that that But UM, as

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Speaker 1: far as the rest of your question, it was so

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Speaker 1: long that I kind of no, I didn't get all

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Speaker 1: of it. So just a quick follow up, Yes, uh.

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Speaker 1: As we listen to the podcast and we hear other

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Speaker 1: super fans being able to, um do like the scene

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Speaker 1: re enactments with you, how would one go about being

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Speaker 1: able to do that? You just you just emailed the

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Speaker 1: show and you make a comment, you said, I want

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Speaker 1: to do this scene and this is why, um, you know,

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Speaker 1: and we don't do them every episode, and and you know,

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Speaker 1: maybe we could do something today which would be fun

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Speaker 1: if you guys know a particular scene by heart and

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Speaker 1: you all do because you're crazy, right, and we'll see

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Speaker 1: if I can remember anything, okay, and and that that'll

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Speaker 1: be fun. U. So, do you have a particular scene

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Speaker 1: that you want to that you want to do right

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Speaker 1: now in this moment while recording the podcast the most powerful,

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Speaker 1: most downloaded podcasts in the history of podcasting. No pressure,

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Speaker 1: No not in this very moment in time. But I

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Speaker 1: could pull up the script and dialogue with you, or

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Speaker 1: just I'll email the podcast so I could prepare. There

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Speaker 1: you go. That's a professional response. Wonderful. Thank you. Who's next?

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Speaker 1: Who's next? Come on up? There you go? Hi? What's

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Speaker 1: your name? Hi? I'm Jess, Hi Jess. What's your question? Um?

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Speaker 1: You probably get this a lot, but I'm actually wondering

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Speaker 1: what your favorite scene to do was like in the moment, like,

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Speaker 1: what did you read a scene and you were like, yeah, well,

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Speaker 1: I know. I realized my favorite scene to do was

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Speaker 1: after while I was doing it, uh, And it was

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Speaker 1: when I smashed the hole in the wall with with

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Speaker 1: Jess because it was something to do and I didn't

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Speaker 1: have to really say a lot. It was an action,

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Speaker 1: you know, and you don't get a lot of that

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Speaker 1: on that show. We never did that. Like pushing him

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Speaker 1: in the lake was great because it was action and

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Speaker 1: I didn't have this great need to push Milo in

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Speaker 1: the lake, and you know, but it was just fun.

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Speaker 1: You know. It's like, hey, we're gonna do a right,

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Speaker 1: we're gonna do a stunt, and we're doing a stunt

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Speaker 1: on Gilmore Girls. Are you kidding me. Uh. And then

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Speaker 1: the sledgehammer because that was one take. There was a

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Speaker 1: lot of pressure. I you had to do it in

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Speaker 1: one take because in order to set that all up again,

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Speaker 1: UM was gonna be really complicated for the crew. It

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Speaker 1: was gonna take a long time. So it's like Scott,

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Speaker 1: it's late at night. Just nailed on the first one,

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Speaker 1: so we don't have to do this again. So that

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Speaker 1: was that was And then when I saw um when

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Speaker 1: I did the A d R that you go and

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Speaker 1: you have to loop the lines right because there's noise,

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Speaker 1: and that's I didn't see the episode, but I saw

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Speaker 1: that in the looping stage they had that rock that

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Speaker 1: punk rock music. What was that song? So that was

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Speaker 1: my favorite? All right, thank you? Who's next? Come on?

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Speaker 1: Run up there? Hi? Besides Gilmore girls, if one project

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Speaker 1: came across your table that you would automatically say yes to,

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Speaker 1: what would it be? Either film or TV? Yeah? What

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Speaker 1: do you mean? What kind of a project? What category

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Speaker 1: do you have? Like a movie that you would think

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Speaker 1: about doing? Is really a dream movie? Hamlet? Even though

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Speaker 1: I'm too old to play it now, Yeah, I'd still

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Speaker 1: try to do it. I'd probably pass away doing it.

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Speaker 1: But that that's the one project I would do. Yes.

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Speaker 1: One of my favorite parts of the show are Richard

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Speaker 1: and Emily. So what's your favorite Richard and Emily moment

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Speaker 1: are seen? I think when they're when they're tender with

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Speaker 1: each other, you know, and because Richard is so he's

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Speaker 1: such a great husband, and he really gives her her

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Speaker 1: stage right because that's her house and that's sort of

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Speaker 1: her stuff and he's there supporting it. But and he

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Speaker 1: lets her have her way in her run. And he's

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Speaker 1: very supportive guy. You know, he's not this you know, lurking,

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Speaker 1: powerful dominaran guy when it comes to his business, sure,

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Speaker 1: but not in his relationship. Um, I think he's he's

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Speaker 1: the perfect husband. Yeah. I like him when he's tender.

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Speaker 1: I can't remember specifically, but there was a couple of

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Speaker 1: a couple of scenes that I've seen so far that

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Speaker 1: where he's really really tender and I like that, and

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Speaker 1: he just says, oh, Emily, you know, you know when oh,

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Speaker 1: when Rory's going golfing with him, you know, and she's

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Speaker 1: you know, and in my opinion, lauralized making her intentionally late. Right,

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Speaker 1: It's it's like this passive aggressive thing and and and

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Speaker 1: Emily's kind of piode and you know, and you know

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Speaker 1: he's a little poded, but it's there's just a lot

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Speaker 1: of tenderness between them. They're very careful with one another

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Speaker 1: and I like that. Hi. Hi, I'm here with my

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Speaker 1: uh teenage daughter. Okay, we just discovered your show last

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Speaker 1: year during the pandemic. She was not born when it started. So, um,

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Speaker 1: so how was life on Pluto? And it was it

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Speaker 1: a long journey? I pandemic? I'm just stayed home and

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Speaker 1: did absolutely not right. Well, I'm glad, let's listen. I'm

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Speaker 1: just joking, but I'm glad you discovered it. Yeah, so

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Speaker 1: we discovered it, you know, had to, you know, binge

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Speaker 1: watch it and whatever. It was great. But my question

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Speaker 1: is what did we miss not seeing it when it

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Speaker 1: originally aired week to week with that anticipation and year

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Speaker 1: to year, what did we miss? Well, you've joined um

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Speaker 1: uh legions of fans globally who are discovering it as well,

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Speaker 1: so you are actually part of a new generation. Uh,

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Speaker 1: even even though you have graduated high school. It appears

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Speaker 1: um um. You know, there's a lot of young people

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Speaker 1: now discovering the show. They're old enough now to watch

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Speaker 1: a show and their parents and their friends are turning

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Speaker 1: them onto the show. So a whole new layer of

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Speaker 1: fandom is developing and it just seems to be growing

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Speaker 1: and growing as as as time goes by. So you're

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Speaker 1: part of that. Um. So you're all experiencing that for

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Speaker 1: the first time now, So there is that anticipation. Um.

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Speaker 1: And yeah, it's not the same as you know two

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Speaker 1: thousand when it came out and the whole thing, But

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Speaker 1: it's a bigger audience now and maybe the size of

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Speaker 1: the the newbies, of of which you and your daughter

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Speaker 1: are now considered as as sizeable as the original audience

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Speaker 1: that that discovered the show on the first back in

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Speaker 1: two thousands. So welcome. Hi. What's your name? Alex? Hi?

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Speaker 1: Alex So Um. I listened to the podcast religiously and

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Speaker 1: I know at the end you do rapid fire, saw

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Speaker 1: the guests. I wanted to do it with you, even

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Speaker 1: though one of the questions was already asked, Oh my god,

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Speaker 1: are you okay with that? Tables are turned? You're very

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Speaker 1: How do you take your coffee black? Can you smell snow? Yes?

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Speaker 1: I can smell it right now. Team Dean Jess or

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Speaker 1: Logan Jess family, Jess family. Who's the daddy you said

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Speaker 1: that one already, I don't care. And who's your favorite character?

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Speaker 1: Luke Dane's thank you very much. He brought he brought me,

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Speaker 1: he brought me goodness. I have another questions about your coffee,

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Speaker 1: So me and my husband love your Scottie Peas coffee.

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Speaker 1: Are you coming up with any new flavors? Thank you,

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Speaker 1: thank you. We have so many right now that I

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Speaker 1: think we put a pause on on coming out with

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Speaker 1: new flavors. But we are getting into pots and solubles

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Speaker 1: and that kind of thing, so it's going to be

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Speaker 1: super convenient for people. Thank you, Thank you. Hi. Do

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Speaker 1: you think that the introduction of April was Gilmore girls jumping?

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Speaker 1: How dare you? You know? I'm a defender of April.

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Speaker 1: I love April. That's my daughter. Um and uh, what

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Speaker 1: was the girl? What was the actress? Platter? Vanessa Morano? Yes,

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Speaker 1: the brilliant girl. First of all, very precocious girl, Uh,

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Speaker 1: lovely to work with, came super prepared all the time, right,

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Speaker 1: and she was just a delight to have on the set,

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Speaker 1: and she unjustly just got she just got whacked by

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Speaker 1: the fans and it's just one of those things, you know,

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Speaker 1: it's just one of those things. And um, I didn't.

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Speaker 1: I think they made her especially obnoxious for the Netflix reboot,

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Speaker 1: talking about philosophy and metaphysics and but um, but that's her.

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Speaker 1: She's you know, a high i Q kid, very precocious.

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Speaker 1: I never understood why they I guess let me ask

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Speaker 1: you guys. Uh in Unison, it wasn't because she was

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Speaker 1: going to slow down or block the Luke Laurelie relationship

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Speaker 1: and something ship for him. So that's so that's why

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Speaker 1: I was Okay, I get it now. Um. But so

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Speaker 1: there was just no chance, there was no chance in

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Speaker 1: your hearts, in your minds to accept April as my

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Speaker 1: daughter who I love, you know. And I loved her,

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Speaker 1: and I love the character and I love the depth

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Speaker 1: that it brought to Luke because not too many other

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Speaker 1: characters were really developed in any real way other than uh, Laura,

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Speaker 1: Lae and and and Rory and and her parents. Nobody

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Speaker 1: else really got any development. Um, And that was like, oh,

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Speaker 1: here's some depth, here's another layer. So I loved her.

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Speaker 1: I thought it was great. But I get you now,

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Speaker 1: I understand it. I get it. Thank you so much. Yeah. UM,

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Speaker 1: just one question, I guess, what similarities do you share

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Speaker 1: with the character? Um? For did you have other things

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Speaker 1: that you picked up along the way that you became

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Speaker 1: more similar So when I read the script, I thought,

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Speaker 1: when you don't want anybody else to play the role,

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Speaker 1: that's that's that's the role, that's that's meant meant for you.

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Speaker 1: Okay uh And that's how I felt when I read.

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Speaker 1: I knew nobody else could play that role better than me. Um.

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Speaker 1: I knew exactly how restrained to be. I knew that

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Speaker 1: with all of those sort of light, bright, cheery characters

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Speaker 1: that needed an anchor, it needed a counterweight. That was

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Speaker 1: my job. I let them know that that was my job,

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Speaker 1: that I understood what my job was, um. And you

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Speaker 1: know it worked out. Hi. What's your name? Hi? Joe?

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Speaker 1: How you doing? Who? I know the podcast is still early,

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Speaker 1: But who's someone you want to have on the podcast

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Speaker 1: that we might not be able to see? Noel Gallagher? Okay,

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Speaker 1: then do you know who? Know? Gallagher is correct? That's

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Speaker 1: who I went on the show. Do you want to

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Speaker 1: know why? Because he's the best songwriter the last thirty years?

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Speaker 1: And I love songwriters. I love them, and I particularly

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Speaker 1: am far of him, because of what he came from,

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Speaker 1: what he survived, and how he turned that experience growing

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Speaker 1: up with a father like that into beauty. It it's

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Speaker 1: it chokes me up. It chokes me. It's magic, and

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Speaker 1: it chokes me up every time. Everything he does is

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Speaker 1: a miracle. That band he created, he wrote all those

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Speaker 1: songs for, he wrote those lyrics for his brother. Um,

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Speaker 1: it was just perfection. And now his new stuff perfect

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Speaker 1: and he's doing anything he wants and he doesn't know

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Speaker 1: anybody anything, and he doesn't have You know, he didn't

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Speaker 1: he suffered the way an artist is supposed to. He

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Speaker 1: turned it into beauty. He didn't go to the rage,

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Speaker 1: you know what I mean? And I respect that that

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Speaker 1: takes real courage. He's an example of artistic courage. And

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Speaker 1: that's why I want to have him on the broadcast. UM.

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Speaker 1: I was just wondering if so, Laura like goes a

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Speaker 1: lot into her past and like, um, we know a

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Speaker 1: lot about her relationship with her parents. Luke hints at

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Speaker 1: it a little bit. If you were to do like

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Speaker 1: a flashback episode of Luke when he was younger, what

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Speaker 1: age range would you like do it and what scene

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Speaker 1: would you want it to be well, I'm sixty two,

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Speaker 1: so I don't know how far back I could go.

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Speaker 1: I mean, if you were going to do high school,

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Speaker 1: that would be a little you know, I'd definitely be

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Speaker 1: a senior, right, you know, I don't know how far

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Speaker 1: back you could go. I mean, I mean I'd want

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Speaker 1: to go back to high school. I wouldn't um when

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Speaker 1: he was Butch Danes track star, you know. Uh, but yeah,

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Speaker 1: I don't know. Yeah, it'd be fun. Why not. I

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Speaker 1: could pull it off. Get in shape, get on a diet,

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Speaker 1: you know, stop hanging out with Michael Rooker, and then

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Speaker 1: I maybe I could do it. Thank you? Hi. My

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Speaker 1: name is Amy, Hi Amy, UM. My question for you is,

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Speaker 1: in the last season of the original broadcast, can you

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Speaker 1: step speaking to the thank you? In the original last

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Speaker 1: season of the original series of gil More Girls, Luke

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Speaker 1: and Christopher got into a fight. Since you were speaking

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Speaker 1: about action scenes earlier, and Christopher and Luke just go

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Speaker 1: at it and just have a knockdown, direct out fight

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Speaker 1: with the Christmas Villager. Than how and I know my

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Speaker 1: answer for watching it, but how how did it feel

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Speaker 1: to actually act that out? This whole uh, this whole

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Speaker 1: fight and and butting heads with between Christopher and Luke

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Speaker 1: over over the girls. So one thing I'll tell you

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Speaker 1: about the the incredible David Suckcliffe is he's very strong.

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Speaker 1: He's physically very strong, um shockingly so um. I can

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Speaker 1: usually handle just about anybody, but he was a handful

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Speaker 1: um um. And when you do those scenes, you're the

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Speaker 1: adrenaline is really going because you want to get it right,

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Speaker 1: so you start sweating a lot, even on the first take. Um.

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Speaker 1: And we just sort of rehearsed it and choreographed it

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Speaker 1: and tried to do it right. But when they say action,

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Speaker 1: you're you're really kind of going at it and you're

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Speaker 1: trying not to hit each other. Because I did a

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Speaker 1: movie once in Canada and I broke the stunt guy's

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Speaker 1: nose because I came too close because you're supposed to

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Speaker 1: miss because the camera angles set up where you don't

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Speaker 1: have to come close to the nose. So I did

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Speaker 1: a hook and I just tipped tipped his nose, just

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Speaker 1: tipped it and it broken. Um. The nose is very

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Speaker 1: easy to break here, I have I discovered and he

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Speaker 1: passed out and it was just like it was such

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Speaker 1: a scene. It was like God, just get him out.

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Speaker 1: Of here, w it's bleeding all over the place. What's

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Speaker 1: going on? And get him to the hospital. No, Um,

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Speaker 1: it was. It was really wrenching. But um, you know,

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Speaker 1: there was tiring that fight. Seems we were austed afterwards.

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Speaker 1: I mean we were drenched in sweat and we were

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Speaker 1: exhausted because we really went at it. Yeah, I mean

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Speaker 1: we didn't hit each other obviously, but um, don't look

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Speaker 1: like it again. It was great because it's action. We

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Speaker 1: don't have to talk. Yeah, we get to do a

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Speaker 1: scene moment on to talk grilling. I do have one

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Speaker 1: more quick Um. I believe after Gilmore Girls ended, you

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Speaker 1: went on to do so it was that a strategic move?

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Speaker 1: Did you want to do something so different from Gilmore

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Speaker 1: Girls that you were just getting into this franchise and said, sure,

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Speaker 1: Spielberg wasn't returning my call. Martin Scorsese, Uh, uh didn't

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Speaker 1: return my emails. Um, so the options were limited. Okay

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Speaker 1: for TV boy on the w B or c W

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Speaker 1: on a small network like nobody cares. You gotta understand

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Speaker 1: that if you're on a big NBC show in you're

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Speaker 1: George Clooney and you're the heart throb and it's a

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Speaker 1: huge hit show with a huge audience. Then you can

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Speaker 1: have a movie career and work with the best people.

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Speaker 1: If you're on Gilmore Girls and you're Luke Danes, it's

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Speaker 1: a different equation. So it was. But it was a

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Speaker 1: chance to be take over the franchise of the number

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Speaker 1: one horror franchise in the world. So that's not a

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Speaker 1: bad thing. Um. And I like the director. I sat

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Speaker 1: down with Darren and we we went to lunch and

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Speaker 1: we sat down. I liked the guy and I thought

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Speaker 1: he was smart, and I thought he had some interesting ideas,

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Speaker 1: and it was just, you know, it's just like fun.

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Speaker 1: I'm doing Gilmore Girls and talking talking talk. Now now

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Speaker 1: I'm gonna be on a set doing a you know,

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Speaker 1: a hot film. You know, it's gonna be big premiere,

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Speaker 1: the whole thing, and get to do some fun stuff

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Speaker 1: on and it's and it's you know, it's a genre,

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Speaker 1: it's it's it's another fan base to tap into. So yeah,

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Speaker 1: strategical it it can't hurt. And it didn't. I don't

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Speaker 1: think it alienated Gilmore fans because a job is a job,

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Speaker 1: you know. Um, And if it did, you know, too bad.

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Speaker 1: You know, I gotta work. I gotta pay bills, right,

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Speaker 1: You've gotta work. Yes or no? If there was going

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Speaker 1: to be another revival of the revival, would you still

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Speaker 1: be interested in participating in it. I mean, I'd want

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Speaker 1: to see a script first. I'd want it to be right,

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Speaker 1: you know, because I you know, if I'd seen the

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Speaker 1: script for uh these four, I don't know if I

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Speaker 1: would have done it. Hi. What's your name? Hi, Jazzy? Hi? So? Um?

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Speaker 1: I watched Gilmore Girls and rewatch It and rewatch It

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Speaker 1: to kind of get my universe back in alignment. UM.

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Speaker 1: Is there any Yes? I know I'm not the only one. Um.

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Speaker 1: Is there any series that you do the same thing for?

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Speaker 1: You know? I was tessed with There was I I

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Speaker 1: don't really watch series television, and I I, you know,

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Speaker 1: I'll watch sports, and I watched the financial channels if

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Speaker 1: I'm if I'm looking at the TV at all. Um.

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Speaker 1: But there was one show that was on UH called Billions,

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Speaker 1: UH with Damien Lewis and uh. I think Maylan Ackerman

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Speaker 1: was in it before they got rid of her, and

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Speaker 1: the show really suffered when she left. I I thought, um,

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Speaker 1: and Paul Giamatti right, and just I it was Shakespearean

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Speaker 1: I mean they were they were doing Shakespearean themes on television,

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Speaker 1: and I thought, you know, some people didn't like it,

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Speaker 1: but I loved it. I loved I loved Damian Lewis.

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Speaker 1: I thought that character, which you know was that was

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Speaker 1: one of the best characters I've seen on TV. Perfect

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Speaker 1: than you. Thank you, Hi? How you doing? What's your name? Hi?

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Speaker 1: And my question is kind of a follow up besides yourself,

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Speaker 1: come closer to the who is your favorite character on

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Speaker 1: the show besides yourself? And why? Because you know at all,

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Speaker 1: just uh favorite character on the show. Laurel. I favorite

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Speaker 1: because of all the heavy liftings she had to do

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Speaker 1: and all of the emotional uh jiu jitsu that she

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Speaker 1: had to engage in on an episode. Episode basis is

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Speaker 1: just a wonderful performances. Uh. Secondary characters and I hate

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Speaker 1: to sort of categorize them that way, but makes sense

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Speaker 1: to you guys. Um, gosh, it's either it's either it's

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Speaker 1: Sally Struthers Kirk, it's Bet Bet Kirk and Taylor. For me, yeah,

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Speaker 1: I mean just brilliant actors, just brilliant, brilliant stuff they did. Um.

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Speaker 1: And then for all of us who watched the podcast,

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Speaker 1: we might know the answer, But who is your least

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Speaker 1: favorite character? Boy, you're putting me on the hot seat here, uh,

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Speaker 1: logan so many reasons, I won't bore you with them all. Because,

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Speaker 1: first and foremost, because he referred to Rory as Ace.

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Speaker 1: And when he said that the first time, my hand

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Speaker 1: went back and I just wanted to go, Wait, her

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Speaker 1: name is Rory? Thank you very much? Hi? What's your name? Hi? Ali?

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Speaker 1: I'm glad you mentioned Taylor because my question is about him. Um,

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Speaker 1: the interactions on the show between Luke and Taylor or

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Speaker 1: some of my favorite and I just wanted to know

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Speaker 1: if you had a favorite fight between the two characters.

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Speaker 1: Oh god, there were so many. He was just epic

385
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Speaker 1: to work with. By the way, Michael Winters is a lovely,

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Speaker 1: lovely guy. He's nothing like his character and he's just fun,

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Speaker 1: you know, he's really fun to work with. And he's

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Speaker 1: such a because he's super prepared and he had tons

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Speaker 1: of dialogue, and especially those town hall meetings. My god, Um,

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Speaker 1: maybe the candy shop when um not, when he made

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Speaker 1: it so that you know, a car went through your dinner.

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Speaker 1: The candy shop was worse than that. That was good too.

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Speaker 1: I I like that I like. I thought, you're you're good,

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Speaker 1: You're good. Yeah, good. I don't I don't remember any

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Speaker 1: of that. But now that you mentioned a car, and

396
00:25:32,840 --> 00:25:35,520
Speaker 1: then and then Michael Day Louise had to come in

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Speaker 1: and help me rebuild a diner. Right, thank you. See

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Speaker 1: I'm an expert at this show. Thank you. You're very welcome. Yeah.

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Speaker 1: What's your name? I'm Jacqueline fuck. So my question is, Um,

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Speaker 1: if you were to give um Rory said, or dating

401
00:26:00,840 --> 00:26:04,400
Speaker 1: advice in today's world, what would it be? Stay home,

402
00:26:06,119 --> 00:26:14,240
Speaker 1: read books, don't go out of your house. Um, certainly

403
00:26:14,240 --> 00:26:17,879
Speaker 1: don't date anybody that says, hey, have you seen a

404
00:26:18,040 --> 00:26:23,560
Speaker 1: boogie nights? You know what I mean? Or says to

405
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Speaker 1: her mother who is giving reading him the Riot Act, says, uh,

406
00:26:29,240 --> 00:26:32,000
Speaker 1: is it my turn yet? You know? Not? Kind of hay. So,

407
00:26:32,080 --> 00:26:35,480
Speaker 1: now I like Dean because of what he did the Tristan,

408
00:26:35,760 --> 00:26:39,359
Speaker 1: you know, defended Royce. So now he's I'm good with him.

409
00:26:38,680 --> 00:26:42,480
Speaker 1: I'm taking it on an episode by episode basis, So

410
00:26:43,200 --> 00:26:46,159
Speaker 1: I'm taking that journey that that you all took in

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Speaker 1: the beginning. I'm just it's the first time. That's why

412
00:26:48,880 --> 00:26:52,199
Speaker 1: I'm doing the podcast. Um, but I'm good with him.

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Speaker 1: Now we'll see how long that lasts. And and dating

414
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Speaker 1: advice is just get somebody that's lie occur. You know,

415
00:27:02,000 --> 00:27:04,920
Speaker 1: precocious kid reads a lot, wants to go to Harvard,

416
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Speaker 1: just just keep it there. Hi, what's your name? Hi Cassie. Okay,

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00:27:11,160 --> 00:27:13,760
Speaker 1: So first I want to say, um, you have incredible style.

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Speaker 1: We matched today and just saying thank you for noticing.

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Speaker 1: And then my question is, so it starts all being

420
00:27:21,760 --> 00:27:25,199
Speaker 1: such like a stereotypical small town. Is that something that

421
00:27:25,240 --> 00:27:27,760
Speaker 1: you would like in real life? Are you more of

422
00:27:27,880 --> 00:27:31,320
Speaker 1: city or country? I grew up in a place like that.

423
00:27:31,480 --> 00:27:35,120
Speaker 1: I don't know that it's stereotypical, um, but I think

424
00:27:35,119 --> 00:27:37,080
Speaker 1: there are a lot of places like that, especially in

425
00:27:37,119 --> 00:27:39,240
Speaker 1: the northeastern part of the United States. But there there

426
00:27:39,520 --> 00:27:43,399
Speaker 1: are are places, you know, historical places, Revolutionary War, you know,

427
00:27:43,800 --> 00:27:46,760
Speaker 1: Washington slept here as soldiers slept over there, that kind

428
00:27:46,760 --> 00:27:49,159
Speaker 1: of thing. Um. But I grew up in a small

429
00:27:49,200 --> 00:27:55,800
Speaker 1: town um and it was a lot like stars Hollow Um.

430
00:27:55,840 --> 00:28:00,639
Speaker 1: Actually yeah, I mean we had a lot of eccentric characters.

431
00:28:00,720 --> 00:28:04,400
Speaker 1: It was um, but but it was a small town

432
00:28:04,440 --> 00:28:10,040
Speaker 1: mentality where everybody was knew everybody's business, where you had

433
00:28:10,080 --> 00:28:14,639
Speaker 1: to be accountable. And that's what I like about small towns. Uh.

434
00:28:14,680 --> 00:28:16,840
Speaker 1: You know, the more you get into cities, and you know,

435
00:28:17,160 --> 00:28:19,400
Speaker 1: people become more and more corrupted. And I don't really

436
00:28:19,440 --> 00:28:22,440
Speaker 1: believe in cities. I believe in cities for a lot

437
00:28:22,520 --> 00:28:25,840
Speaker 1: of reasons. Um, but you know you're going to have

438
00:28:25,880 --> 00:28:29,080
Speaker 1: your issues there. In small towns is where I certainly

439
00:28:29,080 --> 00:28:36,680
Speaker 1: want to raise my child. So, yeah, you're welcome. Hi.

440
00:28:36,920 --> 00:28:41,880
Speaker 1: What's your name? Hi, Nina. So you said before that

441
00:28:42,600 --> 00:28:44,920
Speaker 1: if you had seen the script for the revival, you

442
00:28:45,000 --> 00:28:47,280
Speaker 1: don't know if you would have done it. So my

443
00:28:47,440 --> 00:28:50,040
Speaker 1: question is if you would have had any say in

444
00:28:50,080 --> 00:28:52,400
Speaker 1: the script, would something you would have liked to see

445
00:28:52,480 --> 00:28:57,400
Speaker 1: Luke's character experience? Well, I wouldn't have made him an idiot,

446
00:28:58,600 --> 00:29:02,960
Speaker 1: you know. I mean he didn't understand uh you know

447
00:29:03,040 --> 00:29:06,400
Speaker 1: in vitro fertilization. Are you kidding me? Sura gets he

448
00:29:06,480 --> 00:29:11,680
Speaker 1: didn't understand that. Um. Sorry, I just didn't buy it.

449
00:29:11,760 --> 00:29:13,960
Speaker 1: I wouldn't have done that to Rory. I wouldn't have

450
00:29:13,960 --> 00:29:17,440
Speaker 1: turned her into a total loser who was confused. I mean,

451
00:29:17,440 --> 00:29:21,640
Speaker 1: this is a girl with so much promise. I'm sorry,

452
00:29:21,720 --> 00:29:24,520
Speaker 1: you know I have to I've been very supportive of

453
00:29:24,560 --> 00:29:27,280
Speaker 1: this show. I love this show, but I you know,

454
00:29:27,360 --> 00:29:32,440
Speaker 1: you could call spade to spade and uh, among other things.

455
00:29:32,520 --> 00:29:37,360
Speaker 1: But U and I think you know, I'm kind of

456
00:29:38,320 --> 00:29:40,880
Speaker 1: on the fence about the wedding. I used to be

457
00:29:40,960 --> 00:29:46,480
Speaker 1: really adamantly and passionately opposed to how they portrayed the

458
00:29:46,520 --> 00:29:48,680
Speaker 1: wedding because I thought it should be a big wedding

459
00:29:49,560 --> 00:29:55,080
Speaker 1: and that's what it should have been about, honor ed Herman. Sure,

460
00:29:55,840 --> 00:29:58,440
Speaker 1: but you're doing it for four episodes and then turning

461
00:29:58,480 --> 00:30:02,520
Speaker 1: it into a mother daughter drama. I don't know. So

462
00:30:02,560 --> 00:30:06,880
Speaker 1: you didn't agree with the ending of the season, the

463
00:30:06,920 --> 00:30:10,800
Speaker 1: cliffhanger with the who's the daddy? Yeah, it's just I

464
00:30:10,800 --> 00:30:15,480
Speaker 1: don't know. I'm sorry, it's contrived. It's contrived. It's it's

465
00:30:15,600 --> 00:30:20,600
Speaker 1: shockingly contrived in my opinion. I mean, they're better than that,

466
00:30:20,680 --> 00:30:24,760
Speaker 1: and they know they're better than that, and uh, and

467
00:30:24,840 --> 00:30:27,480
Speaker 1: I think they need to deliver something that is of

468
00:30:27,640 --> 00:30:32,160
Speaker 1: far higher quality. UM. And I think I have the

469
00:30:32,240 --> 00:30:34,160
Speaker 1: right to demand that, and you all have the right

470
00:30:34,200 --> 00:30:40,720
Speaker 1: to demand that, UM, because you've been loyal twenty one year.

471
00:30:40,880 --> 00:30:42,320
Speaker 1: Some of you are near the show, but a lot

472
00:30:42,320 --> 00:30:44,440
Speaker 1: of people have been you know, poured their heart and

473
00:30:44,480 --> 00:30:47,480
Speaker 1: soul into this show and then they wait nine years

474
00:30:47,520 --> 00:30:57,720
Speaker 1: for that. Yeah, you're very welcome him. So I'm just

475
00:30:57,720 --> 00:31:01,600
Speaker 1: gonna ask, um, what was the funniest moment, The funniest

476
00:31:01,640 --> 00:31:07,400
Speaker 1: moment on set? The funniest moment on set, My god,

477
00:31:10,040 --> 00:31:15,040
Speaker 1: it's probably Sean Gun in a hotdog suit. There's just

478
00:31:15,160 --> 00:31:19,000
Speaker 1: no question about that. When I walked under the set,

479
00:31:19,080 --> 00:31:21,959
Speaker 1: I I was laughing so hard. I went to my knees.

480
00:31:23,000 --> 00:31:25,560
Speaker 1: That was just brilliant there. And it was a hot

481
00:31:25,640 --> 00:31:28,680
Speaker 1: day too, and he's sweating and he's so good natured

482
00:31:28,680 --> 00:31:32,000
Speaker 1: that he's just kind of dealing with it, you know. Yeah,

483
00:31:32,080 --> 00:31:34,240
Speaker 1: it was it was I mean, to be there live

484
00:31:34,480 --> 00:31:36,880
Speaker 1: and to see how colorful the hot dog was and

485
00:31:36,920 --> 00:31:38,840
Speaker 1: just to see is the expression on his face was

486
00:31:38,920 --> 00:31:43,960
Speaker 1: just it was poetry. It was poetry. Do you mind?

487
00:31:44,000 --> 00:31:48,840
Speaker 1: I don't mind? Um. Was there a scene you couldn't

488
00:31:48,880 --> 00:31:51,120
Speaker 1: get through? Like you kept laughing? Like in the script?

489
00:31:51,240 --> 00:31:56,000
Speaker 1: So many? Oh? That was Yeah. You see, if it's

490
00:31:56,080 --> 00:31:59,240
Speaker 1: late at night, you've been there fourteen hours and you

491
00:31:59,360 --> 00:32:02,600
Speaker 1: just get the church laughter, there's something that happens between

492
00:32:02,680 --> 00:32:05,760
Speaker 1: takes and you're just like, you can't you just lose it.

493
00:32:05,880 --> 00:32:10,600
Speaker 1: But once you lose it, you're done. So you know,

494
00:32:10,680 --> 00:32:14,400
Speaker 1: some directors would try to fight that and say, you know,

495
00:32:14,960 --> 00:32:17,479
Speaker 1: come on, guys, you come on, and we were just like,

496
00:32:18,680 --> 00:32:22,280
Speaker 1: shut up, let us laugh, and we deserve a laugh. Um.

497
00:32:22,320 --> 00:32:24,280
Speaker 1: But the ones that would sort of let it laugh out,

498
00:32:24,440 --> 00:32:27,240
Speaker 1: you know, we'd lose the day. We'd have to wrap

499
00:32:27,240 --> 00:32:29,520
Speaker 1: and well we'll get it tomorrow, or we'll just have

500
00:32:29,600 --> 00:32:31,880
Speaker 1: to stay there longer and longer and longer. But man,

501
00:32:31,960 --> 00:32:34,760
Speaker 1: when when we would fall out and laugh, it would

502
00:32:34,800 --> 00:32:38,280
Speaker 1: be like half an hour. We couldn't stop. Because if

503
00:32:38,320 --> 00:32:40,880
Speaker 1: you're so tired, you've fall been in that situation before,

504
00:32:41,000 --> 00:32:45,280
Speaker 1: you're so tired you just cannot It's like you begin

505
00:32:45,320 --> 00:32:48,160
Speaker 1: to realize the absurdity of what you're doing and you

506
00:32:48,280 --> 00:32:56,840
Speaker 1: just stop believing it. Hi, what's your name? Hi? Jess?

507
00:32:58,000 --> 00:33:02,160
Speaker 1: So was there ever you have a favorite interaction between

508
00:33:02,240 --> 00:33:08,000
Speaker 1: Luke and Jes, like any interaction just all of them.

509
00:33:08,080 --> 00:33:11,440
Speaker 1: He's just such a great kid, you know, I like,

510
00:33:11,520 --> 00:33:14,120
Speaker 1: I know he's forty four years old now or but

511
00:33:14,400 --> 00:33:16,680
Speaker 1: to me, he's always this, you know, this twenty two

512
00:33:16,760 --> 00:33:18,880
Speaker 1: or twenty three year old kid who was just so

513
00:33:19,280 --> 00:33:23,120
Speaker 1: nice and just a sweet guy. And you know that,

514
00:33:25,040 --> 00:33:31,400
Speaker 1: so everything, you know everything, every interaction. Yeah, I have

515
00:33:31,440 --> 00:33:37,080
Speaker 1: another question, So, were you ever like appalled by how

516
00:33:37,240 --> 00:33:43,240
Speaker 1: fast the script moves? Appalled how like fast lor Line

517
00:33:43,320 --> 00:33:46,040
Speaker 1: Rory would talk, or did you ever just like whoa

518
00:33:46,640 --> 00:33:50,960
Speaker 1: do you ever just like take a second to no? No,

519
00:33:51,200 --> 00:33:53,640
Speaker 1: I I mean it was just that's what was required,

520
00:33:54,040 --> 00:34:00,000
Speaker 1: and every direction we got was always the same one faster, funnier, okay,

521
00:34:00,120 --> 00:34:01,640
Speaker 1: And at three o'clock in the morning, You're like, I

522
00:34:01,680 --> 00:34:05,680
Speaker 1: can't possibly do this faster, but they'd say, well, you gotta,

523
00:34:05,760 --> 00:34:13,640
Speaker 1: you have to do it faster. Yeah, you're welcome. Hi,

524
00:34:13,800 --> 00:34:17,520
Speaker 1: Hi Katie. I don't have a questions closer to the mic.

525
00:34:17,600 --> 00:34:20,120
Speaker 1: Please don't really have a question. Okay. So I've been

526
00:34:20,120 --> 00:34:22,560
Speaker 1: watching Gilmore Grell's probably since season five came out. I've

527
00:34:22,600 --> 00:34:24,960
Speaker 1: binge watched them before I knew what binge watching was,

528
00:34:25,280 --> 00:34:27,399
Speaker 1: and then I've just watched them at least like once

529
00:34:27,400 --> 00:34:30,120
Speaker 1: a year, and it didn't really occur to me until

530
00:34:30,160 --> 00:34:32,319
Speaker 1: I've started listening to your podcasts about how you feel

531
00:34:32,320 --> 00:34:36,960
Speaker 1: about maxim Medina, and I completely agree with you, and

532
00:34:37,040 --> 00:34:39,880
Speaker 1: I think it's inappropriate and it was a little cringe e.

533
00:34:40,480 --> 00:34:42,760
Speaker 1: But I just want to tell you, but TV takes

534
00:34:42,800 --> 00:34:46,400
Speaker 1: the license, right. I think it could have been handled

535
00:34:46,400 --> 00:34:50,759
Speaker 1: with way more finesse. That's storyline, but it was just

536
00:34:50,880 --> 00:34:58,480
Speaker 1: so unusually bold and inappropriate that I found it very awkward.

537
00:34:59,160 --> 00:35:04,120
Speaker 1: Thank you, Hey man, Hey, So my name is Logan. Hi,

538
00:35:04,200 --> 00:35:14,799
Speaker 1: Logan Logan. So sorry. Oh so there are a lot

539
00:35:14,840 --> 00:35:17,319
Speaker 1: of emotions on the show. Was it really easy for you,

540
00:35:17,400 --> 00:35:19,560
Speaker 1: after like a really emotional scene to just say, okay,

541
00:35:19,560 --> 00:35:21,400
Speaker 1: now I'm back to Scott or did you kind of

542
00:35:21,400 --> 00:35:24,600
Speaker 1: have to like decompress and let it flush out a

543
00:35:24,640 --> 00:35:28,200
Speaker 1: little bit after like a big lordline leap. It really

544
00:35:28,239 --> 00:35:31,000
Speaker 1: depends on the scene, and it depends on if you

545
00:35:31,080 --> 00:35:33,239
Speaker 1: have to keep doing this scene, because if you do

546
00:35:33,360 --> 00:35:37,919
Speaker 1: the master shot, which is the wide shot of everybody right,

547
00:35:37,960 --> 00:35:39,880
Speaker 1: and then you move in closure of her coverage, that

548
00:35:39,920 --> 00:35:43,880
Speaker 1: could be after lunch, so you really need to I

549
00:35:43,960 --> 00:35:48,279
Speaker 1: needed to stay in character a lot. Um. That's kind

550
00:35:48,320 --> 00:35:51,239
Speaker 1: of how my process works. Uh. And then when I

551
00:35:51,280 --> 00:35:52,839
Speaker 1: go home, I just let it go, which is why

552
00:35:52,880 --> 00:35:56,359
Speaker 1: I never wanted to watch it, because like last thing,

553
00:35:56,400 --> 00:35:59,840
Speaker 1: I want to do um. But people some people are different.

554
00:35:59,880 --> 00:36:01,880
Speaker 1: You know, they flushed it out right away, They do

555
00:36:01,920 --> 00:36:04,200
Speaker 1: it in between takes and then they get it back.

556
00:36:04,280 --> 00:36:06,560
Speaker 1: But I always found out to be very exhausting and

557
00:36:06,680 --> 00:36:10,680
Speaker 1: not exacting. So if you get into that zone, you

558
00:36:10,760 --> 00:36:13,200
Speaker 1: gotta stay there with Lauren like that. It was Lauren.

559
00:36:13,560 --> 00:36:16,680
Speaker 1: Do you know how Lauren did that at all? She

560
00:36:16,880 --> 00:36:19,960
Speaker 1: was pretty much she was similar. I mean, we're all

561
00:36:20,000 --> 00:36:23,880
Speaker 1: theater trained, and that's kind of the discipline, you know,

562
00:36:24,080 --> 00:36:29,560
Speaker 1: getting characters stay there and don't don't break it. Yeah,

563
00:36:30,520 --> 00:36:38,560
Speaker 1: you're welcome. Hi, Hi, Sherry. I'm part of John Cabrera's

564
00:36:38,680 --> 00:36:42,560
Speaker 1: watch group remarks and we watched pretty much every day

565
00:36:42,600 --> 00:36:44,080
Speaker 1: and want to know if there was ever going to

566
00:36:44,160 --> 00:36:46,120
Speaker 1: be a chance to get you to hang out with us.

567
00:36:52,000 --> 00:36:55,600
Speaker 1: I think there's a chance that would be awesome. Yea.

568
00:36:56,080 --> 00:36:58,520
Speaker 1: And can you tell my husband nine flavors of your

569
00:36:58,560 --> 00:37:01,960
Speaker 1: coffee in the house is not sef I have nine

570
00:37:01,960 --> 00:37:05,080
Speaker 1: of your flavorite coffee, you only have nine? Tell them

571
00:37:06,800 --> 00:37:13,800
Speaker 1: you deprived person? You are you the husband? Get that

572
00:37:13,800 --> 00:37:19,399
Speaker 1: out here, Hi Hi. I have two quick questions, once

573
00:37:19,400 --> 00:37:22,920
Speaker 1: a gilmore girl to question once more personal. Um, So

574
00:37:23,000 --> 00:37:26,719
Speaker 1: my Gilmour's Girl's question is you talked about the revival

575
00:37:27,560 --> 00:37:30,319
Speaker 1: and you said you weren't really happy where it went. Um,

576
00:37:30,360 --> 00:37:34,480
Speaker 1: if you were able to dictate a little bit about

577
00:37:34,520 --> 00:37:36,920
Speaker 1: the script and how Luke kind of grew between the

578
00:37:37,040 --> 00:37:39,560
Speaker 1: end of the original series and the revival. What would

579
00:37:39,560 --> 00:37:47,240
Speaker 1: you have liked to have seen happen to the character? Children? Yes, children,

580
00:37:47,680 --> 00:37:53,960
Speaker 1: and planning for a big, fat wedding, was your, um,

581
00:37:53,080 --> 00:37:55,640
Speaker 1: A big wedding like with a beyond or a d

582
00:37:55,800 --> 00:38:01,160
Speaker 1: J or I'm sorry, with what beyonder? D J band

583
00:38:01,360 --> 00:38:04,720
Speaker 1: or d J. Oh yeah, that would be a band

584
00:38:05,480 --> 00:38:09,960
Speaker 1: for Luke. Okay, guys, it's been a pleasure. Thank you

585
00:38:10,080 --> 00:38:14,680
Speaker 1: all so much for being a part of this and

586
00:38:14,840 --> 00:38:19,040
Speaker 1: for being great fans. And you know me, I'm always

587
00:38:19,040 --> 00:38:24,080
Speaker 1: gonna advocate for you guys. Um, I'm gonna demand greatness,

588
00:38:25,400 --> 00:38:28,319
Speaker 1: uh from the show and who's responsible for putting the

589
00:38:28,320 --> 00:38:30,279
Speaker 1: show together? And if I don't like what I see,

590
00:38:30,280 --> 00:38:33,040
Speaker 1: you know, I'm gonna be honest about it might ruffle

591
00:38:33,160 --> 00:38:36,760
Speaker 1: some feathers, but man, we got to demand the best

592
00:38:37,320 --> 00:38:40,239
Speaker 1: because this is a show that is going to live

593
00:38:40,280 --> 00:38:44,640
Speaker 1: on long after we're gone, and uh, we have to

594
00:38:44,680 --> 00:38:49,440
Speaker 1: preserve it. Okay, So thank you all, Love to you all,

595
00:38:50,400 --> 00:38:55,360
Speaker 1: and I am Scott Patterson. Then this is the I

596
00:38:55,480 --> 00:38:59,239
Speaker 1: Am All In podcast with my Heart Radio. We'll see

597
00:38:59,239 --> 00:39:33,600
Speaker 1: you next time. Ja Hey everybody, and don't forget Follow

598
00:39:33,680 --> 00:39:37,560
Speaker 1: us on Instagram at I Am all In podcast and

599
00:39:37,680 --> 00:39:42,560
Speaker 1: emailis at Gilmore at I heart radio dot com. Oh

600
00:39:42,600 --> 00:39:44,200
Speaker 1: you gil More fans. If you're looking for the best

601
00:39:44,239 --> 00:39:47,080
Speaker 1: cup of coffee in the world, go to my website

602
00:39:47,120 --> 00:39:49,840
Speaker 1: for my company, scott EP dot com, s C O

603
00:39:49,960 --> 00:39:52,880
Speaker 1: T T y P dot com, scott ep dot com

604
00:39:52,920 --> 00:40:00,200
Speaker 1: Grade one Specialty Coffee. Oh