WEBVTT - A little meta, a little Mama

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<v Speaker 1>I'm off my game today. No, you're not. People are

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<v Speaker 1>going to have to start making better content. I think

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<v Speaker 1>we're gonna be talking about this for a long time.

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<v Speaker 1>When you program for everyone, you program for no one.

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<v Speaker 1>I think it's a word purpose driven platform. Like we're

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<v Speaker 1>trying to get to substance? How was that? Are you

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<v Speaker 1>happy with that? This is marketing therapy right now? It

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<v Speaker 1>really is? What's up on? Laura Karunti and I'm Alexa Kristen.

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<v Speaker 1>Welcome back to Atlantia episode of Living one one. We're

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<v Speaker 1>back from fourth of July and we were with some

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<v Speaker 1>folks that we really love, some family, and Laura had

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<v Speaker 1>this hilarious conversation with my grandmother in law. Her name's Mama,

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<v Speaker 1>definitely one of the most advanced eighty seven year old

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<v Speaker 1>women I've ever encountered with social media. Um, my favorite

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<v Speaker 1>things that she does is post incessantly pictures of my

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<v Speaker 1>German shepherd, Jack's on the I Love GSD page and

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<v Speaker 1>if you follow that page, you all notice that she

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<v Speaker 1>posts so many picks years that Jack often gets featured.

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<v Speaker 1>And I'm not sure if it's because they want her

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<v Speaker 1>to stop posting pictures or because they just really think

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<v Speaker 1>my dog is beautiful, but I've just been so enthralled

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<v Speaker 1>by how much Facebook has given her later years in life.

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<v Speaker 1>Just a different meaning, different than the way you use it,

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<v Speaker 1>the way I use it, the way we talk about

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<v Speaker 1>it on the show. It's her connection and connection to

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<v Speaker 1>the world. And she will tell you that. Um, for

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<v Speaker 1>somebody that is a social butterfly, she is. She doesn't

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<v Speaker 1>like to go out that much anymore, and it's her

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<v Speaker 1>way of keeping you know, in touch with friends, but

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<v Speaker 1>also just being aware of everything that's happening. Um. We're

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<v Speaker 1>going to have a little fun with her at the

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<v Speaker 1>end of the show, but before then, we have a

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<v Speaker 1>very good friend and colleague who has been with us

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<v Speaker 1>not only on the ad Landia journey but really with

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<v Speaker 1>us in the last four years, who has worked with

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<v Speaker 1>us on all the major things that we've done and

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<v Speaker 1>has amazing perspective and is really one of the up

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<v Speaker 1>and coming talents in the industry. So all under the

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<v Speaker 1>age of thirty. Oh god, this makes me sad. But

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<v Speaker 1>Corbyn Brown will be with us, who is a strategy

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<v Speaker 1>director over at Giant Spoon, and I think it'll be

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<v Speaker 1>fun to hear both his perspective as to why he

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<v Speaker 1>left big agency to go work at something less conventional.

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<v Speaker 1>He was employee number one, which I think is is

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<v Speaker 1>a ballsy move to make at that age, but also

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<v Speaker 1>nothing to lose at the same time. And he'll tell

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<v Speaker 1>us about that. And then and then we get meta

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<v Speaker 1>and we talked about podcasting, which he's been begging us.

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<v Speaker 1>He's like, can we do podcasting? About podcasting? We said, yes,

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<v Speaker 1>Corborn will do that, but also bigger than that, like

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<v Speaker 1>how audio is the through line in the next gen

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<v Speaker 1>of technology. So we'll be right back to Corbyn Brown.

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<v Speaker 1>So today we brought in someone very special, a little

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<v Speaker 1>young on not little, definitely definitely a young and a

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<v Speaker 1>gun Corbyn Brown, director of strategy at Giant Spoon. Welcome, Corbin,

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<v Speaker 1>Welcome Corbin. Let's just be honest. Corbin and Laura work together.

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<v Speaker 1>We do. And some would say he reports to me.

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<v Speaker 1>Corbin would say he doesn't. And Corbin, Laura used to

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<v Speaker 1>work with me and we both reported to me. So

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<v Speaker 1>Corbin has done some of I think the best thinking

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<v Speaker 1>in the industry about where audio is going and podcasting,

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<v Speaker 1>and he was a huge proponent of us going and

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<v Speaker 1>doing this podcast. So today we're making the show kind

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<v Speaker 1>of meta. As Corbyn likes to say, let's do a

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<v Speaker 1>podcast about podcasting, so we have a sound effect there.

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<v Speaker 1>I don't know what I don't know what it is.

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<v Speaker 1>Drumroll please, No, you're not feeling at cam. You're still

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<v Speaker 1>hanging on that backyard in Brooklyn from the weekend. Can

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<v Speaker 1>you do a mike yeah, microphone drop a podcast about podcasting.

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<v Speaker 1>So Corbin, you're at Giant Spoon right now, which is

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<v Speaker 1>effectively a small boutique agency, right, as Giant Spoon likes

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<v Speaker 1>to say, an ad agency that doesn't like to make ads, right,

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<v Speaker 1>A different agency, a different kind of agency. But you

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<v Speaker 1>started your career at big agencies. Yes I did, and

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<v Speaker 1>you made it and you hated it. Why did you

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<v Speaker 1>hate it? I mean, I so I wanted to Like,

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<v Speaker 1>I was drawn to advertising because it's this fascinating combination

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<v Speaker 1>of psychology and anthropology and sociology, all the ologies. But

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<v Speaker 1>you get to think about how people think and then

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<v Speaker 1>you use persuasion and communication to get them to do something,

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<v Speaker 1>which is really fascinating. So I thought I wanted to

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<v Speaker 1>be a lawyer, which when you look at it that way,

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<v Speaker 1>it's kind of similar. You're way too nice to be

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<v Speaker 1>a lawyer. I was going to be a lawyer. You're

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<v Speaker 1>not going to say that about me. I was just

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<v Speaker 1>looking at never that you would have crushed. You would

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<v Speaker 1>have crushed it. So talk a little bit about the

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<v Speaker 1>tr transition and you hated it? And did you start

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<v Speaker 1>looking around? What were you looking for? Because I actually

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<v Speaker 1>think there are a lot of people who are at

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<v Speaker 1>large you are at a media agency like looking that

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<v Speaker 1>they don't even know that they're looking, but they're looking,

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<v Speaker 1>uh for something different. So I went to a big

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<v Speaker 1>media agency with you know, all these big bread ideas

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<v Speaker 1>and thought it would be so cool. Um. I was

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<v Speaker 1>so excited to learn about technology and you know how

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<v Speaker 1>people communicate and consume media. And then I found that

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<v Speaker 1>my job was really to buy ad space. I was

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<v Speaker 1>a day trader and that's not what I wanted to do.

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<v Speaker 1>Are you on the planning side? I was a digital

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<v Speaker 1>media planner, and I would you know that the brief

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<v Speaker 1>would basically be it wasn't a brief, it was here's

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<v Speaker 1>X number of dollars. Right. You get a big chunk

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<v Speaker 1>of change plopped on your desk, and your job is

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<v Speaker 1>to figure out how to spend that money and what

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<v Speaker 1>frustrated me just about that even was well, like who

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<v Speaker 1>am I talking to? And what's the message and what's

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<v Speaker 1>the business problem? Like we were so far away from

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<v Speaker 1>all that, so the whole communication aspect of it wasn't

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<v Speaker 1>really there. And you know, when we were pitching our

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<v Speaker 1>plans and building our plans, the clients wanted to see, well,

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<v Speaker 1>how much money did you save me? How many impressions

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<v Speaker 1>did I buy? And I just didn't really feel like

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<v Speaker 1>the work that I was doing was meaningful. Was most

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<v Speaker 1>of what you were doing, like banners, banners and video

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<v Speaker 1>was buying banners as buying pre role. It's funny. I

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<v Speaker 1>was talking to a group of clients recently and I

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<v Speaker 1>asked them if they actually got to know their agencies,

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<v Speaker 1>like their people on their teams and what they were

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<v Speaker 1>really good at. And I don't know if we've mentioned

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<v Speaker 1>this in another episode when we were talking about like

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<v Speaker 1>influencers like the innovations at the middle layer, but one

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<v Speaker 1>of the things I said to them was like, have

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<v Speaker 1>you talked to the kid that is planning your media

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<v Speaker 1>and this is working on this work and understand what

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<v Speaker 1>they're doing, and they're like time off because what you

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<v Speaker 1>will find are these amazing stories and amazing people who

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<v Speaker 1>like now nowadays, like everybody's got a side hustle. Right,

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<v Speaker 1>So like one of the kids that we used to

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<v Speaker 1>work with had a whole like art club that he

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<v Speaker 1>was doing and doing this amazing work. You know, Um,

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<v Speaker 1>the clients when you were working with them, did you

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<v Speaker 1>really get to know them? And that doesn't mean like

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<v Speaker 1>you get to know them it's personal. It's actually about like,

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<v Speaker 1>I don't know, leveraging the whole person rights and yeah,

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<v Speaker 1>and and like so many people are always trying to

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<v Speaker 1>talk to the quote millennial, right, and we have all

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<v Speaker 1>these millennials around us working on the business who have

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<v Speaker 1>no voice. I think that clients who asked the questions

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<v Speaker 1>about who they're working with and what, you know, inspires

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<v Speaker 1>their people, what they would do and what they think

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<v Speaker 1>of this. Yeah, I just don't think. I think that

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<v Speaker 1>this is going to sound bad, but I think that

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<v Speaker 1>that's why media agencies are becoming automated, because I think

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<v Speaker 1>that it doesn't require critical thinking, it doesn't require creativity

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<v Speaker 1>or curiosity. In fact, that was one of the reasons

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<v Speaker 1>why I left was and I'll never forget this moment,

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<v Speaker 1>was like four and a half months in and I

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<v Speaker 1>was sending around articles because I was trying to understand

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<v Speaker 1>the media landscape and what was going on. And I

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<v Speaker 1>would send around articles to like my director and the

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<v Speaker 1>rest of my team, like hey, this is really interesting,

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<v Speaker 1>Like what do you guys think about this? Just trying

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<v Speaker 1>to learn, and people be like, oh, stop sending articles.

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<v Speaker 1>I'm like, I'm so confused right now. But you know,

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<v Speaker 1>I just think that, like, there are a lot of

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<v Speaker 1>people who come from a financial background whose brains work

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<v Speaker 1>in that way of I love this game of sort

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<v Speaker 1>of trading on an impression, right, they get the thrill

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<v Speaker 1>and the excitement from the deal. That's not about communicating.

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<v Speaker 1>I don't even know if that's a deal, right, It's

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<v Speaker 1>just like the thrill in the excitement of like beating

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<v Speaker 1>something down, bidding bidding. I mean I think that that's

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<v Speaker 1>like I like poker. I like to bid on stuff.

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<v Speaker 1>But it's a different type of game. It's a different

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<v Speaker 1>type of motive, it's a different type of way of thinking.

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<v Speaker 1>You know how you said it doesn't take critical thinking.

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<v Speaker 1>I actually think programmatic actually does take critical thinking to

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<v Speaker 1>do it. Well, yeah, agree, Right, we've actually shut down

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<v Speaker 1>the ability for people to think critically or want to

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<v Speaker 1>think critically. Well, I think what you just said is

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<v Speaker 1>the delineation, right, because there's two sides of the programmatic game.

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<v Speaker 1>There's the ones that are turning on an automated algorithm

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<v Speaker 1>and they're going out and they're finding the cheapest available

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<v Speaker 1>inventory in front of a specific audience at any given time.

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<v Speaker 1>And then there are few and far between, which I

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<v Speaker 1>wish the industry would lean more into, are the people

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<v Speaker 1>who are trying to think about how they leverage automated

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<v Speaker 1>bidding creatively. And those are two very distinct things. And

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<v Speaker 1>automated I mean, really what it is the automated audience right,

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<v Speaker 1>segmentation right? But how can you tell a narrative in that?

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<v Speaker 1>How can you find ways to make sure that that

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<v Speaker 1>isn't remnant inventory. I was talking to somebody today about

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<v Speaker 1>the issue with addressable TV and how it's the same

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<v Speaker 1>bad behavior of getting just remnant inventory across networks and

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<v Speaker 1>just because it's in front of an audience who is

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<v Speaker 1>let's just say fee mail thirty five to fifty four,

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<v Speaker 1>all of a sudden you went from being on you know,

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<v Speaker 1>prime time positioning within programs like this is us to

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<v Speaker 1>like I love Lucy reruns on the Lifetime network. Well,

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<v Speaker 1>so that's the difference because it's what mindset, psychology, all

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<v Speaker 1>these things. So critical thinking comes in when you when

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<v Speaker 1>you start applying context and you start applying moment. So

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<v Speaker 1>is this moment more valuable? Here's where I think we

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<v Speaker 1>think programmatic. It's really interesting is when you start buying experiences,

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<v Speaker 1>you start trading on you know, a physical product, then

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<v Speaker 1>it gets completely different. The three of us, the three

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<v Speaker 1>of us built something about that, right, I mean it's

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<v Speaker 1>about programmatic. Actually it doesn't execute today, doesn't execute right

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<v Speaker 1>today doesn't. Technology is right, The technology is the right

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<v Speaker 1>directionally correct, right, But how we're using it as advertisers

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<v Speaker 1>and brands is not necessarily serving up experiences that people desire,

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<v Speaker 1>and it considers behavior in the wrong way. So the

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<v Speaker 1>data comes from the wrong places. And it's no fault

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<v Speaker 1>to the way programmatic works because where else you're gonna

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<v Speaker 1>get data? You get data by watching what people do

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<v Speaker 1>on the internet. But when we live in this connected world,

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<v Speaker 1>so I gave a talk about connected disconnect It was

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<v Speaker 1>a great talk. Where do we do that l A?

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<v Speaker 1>We did that in l A. But when you start

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<v Speaker 1>to aggregate data from your physical body and where you

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<v Speaker 1>move and where you drive, and the temperature of your

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<v Speaker 1>house and the things that you order. You start to

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<v Speaker 1>get a fuller picture of who someone is and what

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<v Speaker 1>they do and where they migrate and then imagine what

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<v Speaker 1>do you That's where critical think it comes in because

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<v Speaker 1>what do you? How do you do that? And incomes

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<v Speaker 1>the audio conversation what the three of us? I think

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<v Speaker 1>in three years podcasting about podcasting, but it's more than podcasting, right,

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<v Speaker 1>So like what three years ago? The three of us

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<v Speaker 1>became obsessed with what was happening in the podcasting space

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<v Speaker 1>and thinking about how audio, where audio was going to

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<v Speaker 1>take things, and Cerrial was the impetus. I think for

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<v Speaker 1>a lot of us are like, hold on, wait a minute,

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<v Speaker 1>because podcasting, like our host family here at Slate like

0:12:13.000 --> 0:12:16.600
<v Speaker 1>im panically, they've been doing it for ten years plus plus.

0:12:16.920 --> 0:12:20.360
<v Speaker 1>But it wasn't really until Cereal took hold of main

0:12:20.440 --> 0:12:24.560
<v Speaker 1>Street gen pop in terms of listening to this entertainment

0:12:24.840 --> 0:12:27.000
<v Speaker 1>that we were like, holy shit, like this is not

0:12:27.080 --> 0:12:30.280
<v Speaker 1>about a thirty second host ree, this is about entertainment

0:12:30.400 --> 0:12:32.560
<v Speaker 1>in a brand new way. Can I say one quick thing?

0:12:32.600 --> 0:12:34.520
<v Speaker 1>You guys are giving me way too much credit because

0:12:34.840 --> 0:12:36.360
<v Speaker 1>one of the things I've been making to ask you

0:12:36.360 --> 0:12:38.640
<v Speaker 1>guys in front of your audience and listen to your podcast.

0:12:38.720 --> 0:12:44.120
<v Speaker 1>Obviously you actually fan number one number one, but he

0:12:44.200 --> 0:12:46.720
<v Speaker 1>finally admitted that versus like forcing him to say it.

0:12:48.200 --> 0:12:51.520
<v Speaker 1>I am fan number one. But you are two people

0:12:51.559 --> 0:12:54.720
<v Speaker 1>that are, you know, brilliant media thinkers, and you started

0:12:54.760 --> 0:12:57.840
<v Speaker 1>a podcast and you became obsessed with podcasting before I did.

0:12:58.600 --> 0:13:01.319
<v Speaker 1>Why what was it that got you like you? Guys?

0:13:01.520 --> 0:13:03.720
<v Speaker 1>I've known you for however long, and you have these

0:13:03.760 --> 0:13:06.760
<v Speaker 1>conversations where you get frantic and excited and you're like

0:13:06.840 --> 0:13:13.840
<v Speaker 1>sweating and pacing the margarita. That's the best thing ever.

0:13:13.920 --> 0:13:17.920
<v Speaker 1>But that happened with podcasting and now we believe it's bigger.

0:13:18.080 --> 0:13:20.559
<v Speaker 1>But why did that happen? It turned into podcasting, right?

0:13:20.600 --> 0:13:24.199
<v Speaker 1>I think it was a bigger discussion about where how

0:13:24.280 --> 0:13:26.840
<v Speaker 1>you could tell stories. This is really where it started.

0:13:26.880 --> 0:13:28.840
<v Speaker 1>It was like, how can you tell stories that you

0:13:28.880 --> 0:13:31.440
<v Speaker 1>can bring people along with you and you're not dictating it.

0:13:31.640 --> 0:13:34.120
<v Speaker 1>Video was dictating it right, and everybody was in this

0:13:34.200 --> 0:13:36.960
<v Speaker 1>video space and where were you going to actually put

0:13:37.280 --> 0:13:40.720
<v Speaker 1>video that was really differentiated? How could you take people

0:13:40.720 --> 0:13:43.000
<v Speaker 1>on a journey with you in a totally different way.

0:13:43.200 --> 0:13:47.720
<v Speaker 1>Not virtual reality, not video, not pre role, not television,

0:13:47.840 --> 0:13:51.760
<v Speaker 1>not this, not that right, because all mediums have distractions.

0:13:52.280 --> 0:13:55.400
<v Speaker 1>They have distractions, but it was they also dictated. They

0:13:55.520 --> 0:13:59.040
<v Speaker 1>serve it up. I feel like when we're talking, I

0:13:59.080 --> 0:14:01.080
<v Speaker 1>hope and when I send a podcast, Like the other day,

0:14:01.080 --> 0:14:06.120
<v Speaker 1>I was listening to Malcolm Gladwell's new season of Revisionist History. Um,

0:14:06.200 --> 0:14:08.880
<v Speaker 1>He's telling these brilliant stories, and my mind was just

0:14:08.920 --> 0:14:12.040
<v Speaker 1>like wandering. It's like reading a book, right, so I like,

0:14:12.320 --> 0:14:15.200
<v Speaker 1>what what what book do you remember sitting on the

0:14:15.200 --> 0:14:19.720
<v Speaker 1>beach reading and like imagining, Shoot dog, I just did it? Okay, Shoot,

0:14:19.720 --> 0:14:22.400
<v Speaker 1>don't you do? Yeah? You were texting me about shoot dog. Okay.

0:14:22.440 --> 0:14:24.880
<v Speaker 1>I was going on the journey to Japan into the

0:14:24.880 --> 0:14:27.720
<v Speaker 1>shoe factories, meeting these people along the way, and it

0:14:27.760 --> 0:14:29.520
<v Speaker 1>was the first time in a long time in a

0:14:29.640 --> 0:14:33.360
<v Speaker 1>visual medium that I allowed my mind to escape. Why

0:14:33.360 --> 0:14:35.480
<v Speaker 1>because nobody was dictating. He felt close to Phil Night.

0:14:35.520 --> 0:14:37.080
<v Speaker 1>But what I want to get to is like, yeah,

0:14:37.200 --> 0:14:40.480
<v Speaker 1>and and the reason that this is so powerful right

0:14:40.480 --> 0:14:43.440
<v Speaker 1>now and why we leaned into podcasting is where everybody

0:14:43.440 --> 0:14:46.680
<v Speaker 1>else the industry was chasing reach and frequency we were

0:14:46.760 --> 0:14:50.560
<v Speaker 1>running down, Like you know, two roads diverged in the

0:14:50.600 --> 0:14:52.800
<v Speaker 1>yellow Wood, we went the other way, and we were

0:14:52.880 --> 0:14:55.680
<v Speaker 1>hell bent on this idea that attention impact were the

0:14:55.720 --> 0:14:59.120
<v Speaker 1>new reach frequency. So before other people in the industry

0:14:59.160 --> 0:15:01.480
<v Speaker 1>were talking about I day trade attention, we were like,

0:15:02.160 --> 0:15:04.040
<v Speaker 1>you can day trade whatever you want all day long.

0:15:04.320 --> 0:15:07.200
<v Speaker 1>What we were focused on was really about do you

0:15:07.280 --> 0:15:12.040
<v Speaker 1>really build something that not only captivates people but creates impact.

0:15:12.160 --> 0:15:15.400
<v Speaker 1>And I'm not talking about five second you know, six

0:15:15.440 --> 0:15:18.400
<v Speaker 1>second add on you know, any social media insert social

0:15:18.400 --> 0:15:21.840
<v Speaker 1>media platform X. It's truly bringing people along a journey

0:15:21.840 --> 0:15:25.600
<v Speaker 1>that they opt in to listen to in an uninterrupted,

0:15:25.960 --> 0:15:29.160
<v Speaker 1>intimate manner. The conversations we have on this show in

0:15:29.200 --> 0:15:33.000
<v Speaker 1>particular are exactly the guy you know this are exactly

0:15:33.040 --> 0:15:35.720
<v Speaker 1>the conversations we have off the show. Yeah, why wouldn't

0:15:35.720 --> 0:15:43.080
<v Speaker 1>you guys do this as a video series for radio,

0:15:44.320 --> 0:15:46.520
<v Speaker 1>like only like a brother, like the only like a

0:15:46.560 --> 0:15:49.320
<v Speaker 1>brother would I think the biggest thing was like I

0:15:49.320 --> 0:15:52.080
<v Speaker 1>didn't want to dictate the experience so much. I wanted

0:15:52.360 --> 0:15:54.560
<v Speaker 1>I think, you know, and Laura and I agreed with that.

0:15:54.600 --> 0:15:57.600
<v Speaker 1>We're like, there's so much to be said, and like

0:15:57.680 --> 0:16:01.240
<v Speaker 1>you said, you don't have to see us to like

0:16:02.040 --> 0:16:05.240
<v Speaker 1>be with us that And there was something kind of like, Genie,

0:16:05.320 --> 0:16:07.200
<v Speaker 1>that doesn't mean that's not something that we're going to do.

0:16:07.840 --> 0:16:09.960
<v Speaker 1>That doesn't mean that we don't think video is the

0:16:10.040 --> 0:16:13.600
<v Speaker 1>right place but for Atlantia to begin, And you even

0:16:13.600 --> 0:16:15.640
<v Speaker 1>said this to us, like people want to listen to

0:16:15.680 --> 0:16:18.800
<v Speaker 1>these conversations, people want to be a part of these conversations.

0:16:19.440 --> 0:16:21.160
<v Speaker 1>I don't know if this is an original thought or not,

0:16:21.200 --> 0:16:23.800
<v Speaker 1>but I was like, you're transporting me back to this

0:16:23.840 --> 0:16:26.440
<v Speaker 1>era when we were all like huffing and puffing and

0:16:26.440 --> 0:16:29.400
<v Speaker 1>freaking out. You guys first, and I jumped on the bendwagon.

0:16:29.520 --> 0:16:32.840
<v Speaker 1>But that was like the heart of the Golden age

0:16:32.840 --> 0:16:36.760
<v Speaker 1>of TV. And you have all of this storytelling that's

0:16:37.200 --> 0:16:39.920
<v Speaker 1>incredibly long form, hours and hours and hours, not just

0:16:39.960 --> 0:16:42.520
<v Speaker 1>a two hour movie, hours and hours and hours, not

0:16:42.600 --> 0:16:46.760
<v Speaker 1>just you know, forty five minutes primetime on TV. You

0:16:46.800 --> 0:16:49.960
<v Speaker 1>know you're committing to binging something. And that changed how

0:16:50.000 --> 0:16:53.280
<v Speaker 1>people thought about entertainment stories. And I kind of think

0:16:53.320 --> 0:16:55.680
<v Speaker 1>that the reason why Syria was so powerful was because

0:16:55.720 --> 0:16:59.000
<v Speaker 1>people realize that it's not the Golden age of TV,

0:17:00.000 --> 0:17:05.159
<v Speaker 1>to this golden age of storytelling. Audio is audio is

0:17:05.240 --> 0:17:07.760
<v Speaker 1>just as right, if not more right. And here's why

0:17:07.920 --> 0:17:10.919
<v Speaker 1>it gets me so excited now is because and I

0:17:10.920 --> 0:17:13.800
<v Speaker 1>didn't make this up, but it's the most portable medium

0:17:13.840 --> 0:17:17.119
<v Speaker 1>that has ever been created, especially when you can stream it,

0:17:17.240 --> 0:17:18.639
<v Speaker 1>you know, you don't have to download it like a

0:17:19.240 --> 0:17:21.440
<v Speaker 1>on your iPod, which is why it's called the podcast.

0:17:22.320 --> 0:17:24.560
<v Speaker 1>But I think that's why we're also obsessed with it

0:17:24.600 --> 0:17:27.119
<v Speaker 1>and why we feel like it's not a you know,

0:17:27.160 --> 0:17:28.960
<v Speaker 1>it's you could call it a channel. I would say

0:17:29.000 --> 0:17:32.159
<v Speaker 1>it's a platform. It's as audio is, as horizontal, and

0:17:32.240 --> 0:17:36.760
<v Speaker 1>it's impact and it's importance as artificial intell narration and

0:17:36.840 --> 0:17:38.720
<v Speaker 1>storytelling from the beginning of time, if you want to

0:17:38.720 --> 0:17:40.359
<v Speaker 1>take it all the way back. I wish Malcolm was

0:17:40.400 --> 0:17:42.359
<v Speaker 1>here to talk to us about it would be this

0:17:42.440 --> 0:17:45.520
<v Speaker 1>idea of like theater, right, And this is something that

0:17:45.560 --> 0:17:47.280
<v Speaker 1>the three of us has talked a lot about. Was

0:17:47.440 --> 0:17:50.879
<v Speaker 1>entertainment again about storytelling and a narration. And what was

0:17:50.920 --> 0:17:55.040
<v Speaker 1>one of the first mediums that ever existed was radio.

0:17:55.480 --> 0:17:58.400
<v Speaker 1>When you think even before television, that's how people were

0:17:58.440 --> 0:18:02.000
<v Speaker 1>getting their information. They were huddling around a box and

0:18:02.040 --> 0:18:06.320
<v Speaker 1>turning on the dial and limited channel options, but electing

0:18:06.440 --> 0:18:09.320
<v Speaker 1>to be entertained. And I think, you know, Alexa said

0:18:09.359 --> 0:18:11.560
<v Speaker 1>it like, this is not everything old that new again.

0:18:11.560 --> 0:18:14.960
<v Speaker 1>It's technology coming in and actually taking a medium and

0:18:15.040 --> 0:18:18.800
<v Speaker 1>opening up in my in my perspective, the whole new world.

0:18:19.119 --> 0:18:21.639
<v Speaker 1>It's no longer good enough to say I want to

0:18:21.640 --> 0:18:26.399
<v Speaker 1>have a podcast. Strategy. Podcast is one element in the

0:18:26.480 --> 0:18:30.040
<v Speaker 1>larger audio ecosystem. And we've talked about when the interface

0:18:30.080 --> 0:18:32.639
<v Speaker 1>goes away and all your left is sight, sound and motion,

0:18:33.520 --> 0:18:37.320
<v Speaker 1>the interface being your laptop, your cell phone, what happens.

0:18:37.760 --> 0:18:40.760
<v Speaker 1>So we were I was super lucky this morning to

0:18:40.880 --> 0:18:43.639
<v Speaker 1>talk to a guy named Doug Clinton, who is the

0:18:43.640 --> 0:18:46.800
<v Speaker 1>founder of Loop Ventures UM. It was something that Giant

0:18:46.840 --> 0:18:49.320
<v Speaker 1>Spoon organized and he came in and spoke to one

0:18:49.320 --> 0:18:53.760
<v Speaker 1>of our founders, Trevor, and what was really fascinating Number two,

0:18:53.800 --> 0:18:58.080
<v Speaker 1>by the way, he'll never admit never. So Doug was

0:18:58.080 --> 0:19:01.280
<v Speaker 1>talking about the four sort of themes that his firm

0:19:01.400 --> 0:19:07.760
<v Speaker 1>is founded upon, and it's a r VR, AI, artificial intelligence,

0:19:07.760 --> 0:19:10.720
<v Speaker 1>and robotics. And I was sitting here thinking about audio.

0:19:10.800 --> 0:19:13.119
<v Speaker 1>Audio audio is that if you look at the bleeding

0:19:13.240 --> 0:19:16.760
<v Speaker 1>edge of technology, what is the one thing that crosses

0:19:16.800 --> 0:19:21.200
<v Speaker 1>all the way through audio. We've talked so much about

0:19:21.200 --> 0:19:24.320
<v Speaker 1>what is the brand visual language? It's like, honey, you

0:19:24.359 --> 0:19:27.760
<v Speaker 1>better turn the page. What is the brands audio language?

0:19:27.760 --> 0:19:29.639
<v Speaker 1>What is just the brand's language? Right? I have to

0:19:29.680 --> 0:19:32.480
<v Speaker 1>say audio in that instance. And so we've talked a

0:19:32.480 --> 0:19:35.919
<v Speaker 1>lot about the need for neumonics and calls to action

0:19:35.960 --> 0:19:38.120
<v Speaker 1>and ways in which you're engaging with brands that are

0:19:38.240 --> 0:19:41.800
<v Speaker 1>just as unique as a logo that has presumably equity

0:19:41.880 --> 0:19:44.359
<v Speaker 1>for some brands and the millions and billions of dollars, Well,

0:19:44.359 --> 0:19:46.720
<v Speaker 1>what happens when you don't see that logo anymore? What

0:19:46.840 --> 0:19:49.439
<v Speaker 1>happens when the red and white Coca Cola can is

0:19:49.440 --> 0:19:52.600
<v Speaker 1>no longer visible? How do I order that? Or how

0:19:52.600 --> 0:19:56.439
<v Speaker 1>do I experience it? Like? How do I experience open happiness?

0:19:56.720 --> 0:19:59.880
<v Speaker 1>What does it sound like? How to brand start intersecting

0:20:00.600 --> 0:20:05.639
<v Speaker 1>into our lives in a way where we don't have

0:20:05.800 --> 0:20:09.280
<v Speaker 1>to push play? Interesting? That's an interesting way to think about.

0:20:09.320 --> 0:20:12.080
<v Speaker 1>And I think when brands start getting into this space

0:20:12.560 --> 0:20:15.919
<v Speaker 1>outside of just advertising, the world's going to open up

0:20:16.080 --> 0:20:18.080
<v Speaker 1>really really wide, Right, It's going to be like a

0:20:18.160 --> 0:20:21.760
<v Speaker 1>whole another adventure into like what digital was when the

0:20:21.760 --> 0:20:24.160
<v Speaker 1>Internet started. What's mind blowing? Like if you if you're

0:20:24.160 --> 0:20:27.760
<v Speaker 1>on your commute and you're you know, your automated assistant

0:20:27.800 --> 0:20:29.399
<v Speaker 1>knows you have nine minutes to get to the office.

0:20:29.840 --> 0:20:32.679
<v Speaker 1>Then there's a whole another set of data points that Okay, well,

0:20:32.760 --> 0:20:35.600
<v Speaker 1>Duncan Donuts and McDonald's and Burger King can all make

0:20:35.600 --> 0:20:38.639
<v Speaker 1>you a sandwich in five minutes, but one is closer

0:20:38.720 --> 0:20:42.600
<v Speaker 1>geographically on the way to your office, so maybe their

0:20:42.680 --> 0:20:45.919
<v Speaker 1>bid is a little bit cheaper, and Duncan Donuts is

0:20:45.920 --> 0:20:47.119
<v Speaker 1>going to have to pay more to get you to

0:20:47.200 --> 0:20:49.520
<v Speaker 1>veer off your route and go pick up their breakfast sandwich.

0:20:49.760 --> 0:20:53.560
<v Speaker 1>But then what if you know your health tracker is saying, well,

0:20:53.600 --> 0:20:55.400
<v Speaker 1>you didn't work out yesterday and you only did four

0:20:55.440 --> 0:20:59.080
<v Speaker 1>thousand steps, so it's crazy. Can I pivot to a

0:20:59.119 --> 0:21:02.119
<v Speaker 1>different rabbit hole for second? I think what's interesting about it, right,

0:21:02.200 --> 0:21:04.360
<v Speaker 1>is this idea of how brands are thinking about partnering

0:21:04.359 --> 0:21:07.400
<v Speaker 1>with one another. So, yes, you have Bezos buying Whole Foods.

0:21:07.440 --> 0:21:11.320
<v Speaker 1>But what happens when Tesla starts to do those partnerships

0:21:11.359 --> 0:21:14.040
<v Speaker 1>with Starbucks and then they start connecting those data points

0:21:14.080 --> 0:21:19.000
<v Speaker 1>and making that built an experience within their data set? Right,

0:21:19.040 --> 0:21:23.360
<v Speaker 1>So then does Tesla become a media company? Bump bump bump. Uh.

0:21:23.480 --> 0:21:28.639
<v Speaker 1>I mean I think that Corvitt Space was like, he

0:21:28.760 --> 0:21:37.160
<v Speaker 1>was like, yeah, they do. I was listening to tr X, Yeah,

0:21:37.280 --> 0:21:40.160
<v Speaker 1>I like the podcast How I made this, and they're

0:21:40.200 --> 0:21:42.399
<v Speaker 1>becoming a content company. So I could not agree with

0:21:42.480 --> 0:21:45.040
<v Speaker 1>you more. But I feel like that's why you have

0:21:45.200 --> 0:21:47.760
<v Speaker 1>every single major tech company. You know, the top five

0:21:47.880 --> 0:21:53.280
<v Speaker 1>companies in the world are freaking Facebook, Amazon, Google, Microsoft,

0:21:53.760 --> 0:21:56.040
<v Speaker 1>And that's why they're all going into this, you know,

0:21:56.320 --> 0:22:00.200
<v Speaker 1>voice assistant AI audio, because they're going to be the

0:22:00.240 --> 0:22:02.160
<v Speaker 1>ones that are going to have a platform that connects

0:22:02.200 --> 0:22:04.720
<v Speaker 1>all of the connected cars, to all of the restaurants,

0:22:04.720 --> 0:22:07.159
<v Speaker 1>to all the platforms where all those things bid to

0:22:07.200 --> 0:22:09.840
<v Speaker 1>serve you products instead of ads. So, bringing this all

0:22:09.880 --> 0:22:13.919
<v Speaker 1>the way full circle, what you just brought our listeners

0:22:13.920 --> 0:22:16.679
<v Speaker 1>through in terms of the way you're thinking about the

0:22:16.720 --> 0:22:20.199
<v Speaker 1>world in front of you, it doesn't exist in a

0:22:20.240 --> 0:22:23.439
<v Speaker 1>traditional media mix. It just doesn't. The reason why I

0:22:23.440 --> 0:22:25.120
<v Speaker 1>was drawn the Giant Spoon and the mission of Giant

0:22:25.200 --> 0:22:28.159
<v Speaker 1>Spoon is that when you strip away the boundaries of

0:22:28.680 --> 0:22:31.200
<v Speaker 1>this over here is media, this over here is creative,

0:22:31.280 --> 0:22:34.200
<v Speaker 1>this over here is pr you don't get to think

0:22:34.240 --> 0:22:36.320
<v Speaker 1>like a marketer, and I actually think you know, now

0:22:36.320 --> 0:22:39.119
<v Speaker 1>that I've started to hire people from my team, I

0:22:39.200 --> 0:22:41.520
<v Speaker 1>think that I love this idea of the slash and

0:22:41.520 --> 0:22:43.960
<v Speaker 1>I think the next Slashy is the media planner, copywriter,

0:22:44.840 --> 0:22:47.280
<v Speaker 1>and I think every single human being has to have

0:22:47.320 --> 0:22:49.879
<v Speaker 1>innovation in their title because of everything that we were

0:22:49.880 --> 0:22:53.159
<v Speaker 1>just talking about. If you don't care deeply about media

0:22:53.480 --> 0:22:55.840
<v Speaker 1>and about technology, about how all these things are changing,

0:22:56.119 --> 0:22:59.800
<v Speaker 1>then what are you doing? So I think that you know,

0:22:59.840 --> 0:23:01.600
<v Speaker 1>the people that I hire, I want them to have

0:23:01.760 --> 0:23:04.879
<v Speaker 1>these weird hybrid backgrounds because I want to think about

0:23:05.280 --> 0:23:07.879
<v Speaker 1>marketing and I certainly want them to be able to

0:23:07.920 --> 0:23:10.040
<v Speaker 1>do one thing really really well and really really deeply.

0:23:10.400 --> 0:23:13.159
<v Speaker 1>But I want everyone to think and behave like a Slashy.

0:23:13.200 --> 0:23:15.600
<v Speaker 1>And if you know media, then go and learn how

0:23:15.600 --> 0:23:21.320
<v Speaker 1>to copyright. A slashy is. So this idea is I

0:23:21.359 --> 0:23:24.159
<v Speaker 1>think came out of creative agencies that were there was

0:23:24.200 --> 0:23:26.200
<v Speaker 1>a book written like I don't know, ten years ago,

0:23:26.320 --> 0:23:31.560
<v Speaker 1>like oh is that? But like creative agencies have the predator,

0:23:32.000 --> 0:23:35.080
<v Speaker 1>the producer editor, they have you know, people who are

0:23:35.320 --> 0:23:39.320
<v Speaker 1>direct predator the predator. So you're starting to find these

0:23:39.400 --> 0:23:42.359
<v Speaker 1>hybrid roles of people collapsing and doing multiple things and

0:23:42.400 --> 0:23:45.399
<v Speaker 1>I think that every single agency is gonna start to

0:23:45.440 --> 0:23:47.880
<v Speaker 1>have that. And so I want people that are just

0:23:48.000 --> 0:23:51.280
<v Speaker 1>as you know, pithy and able to write incredible copy

0:23:51.320 --> 0:23:53.960
<v Speaker 1>and come up with taglines. I want to have those

0:23:54.000 --> 0:23:56.159
<v Speaker 1>people do media. I want to have those people be

0:23:56.200 --> 0:23:59.399
<v Speaker 1>the ones that are building content partnerships with publishers. I

0:23:59.400 --> 0:24:02.119
<v Speaker 1>want those to be the people that are um that

0:24:02.200 --> 0:24:04.280
<v Speaker 1>are coming up with marketing plans for you know, the

0:24:04.359 --> 0:24:07.440
<v Speaker 1>launch of like taglines, We're going to kill the tagline.

0:24:07.640 --> 0:24:10.399
<v Speaker 1>I agree slash, he's for the wind slashes, for the

0:24:11.240 --> 0:24:14.960
<v Speaker 1>love that with that. With that, we went through a

0:24:15.040 --> 0:24:18.639
<v Speaker 1>lot of stuff. It wasn't just podcasting about podcasting. We

0:24:18.720 --> 0:24:21.280
<v Speaker 1>got metaphor a second and hit audio. But we're definitely

0:24:21.280 --> 0:24:23.240
<v Speaker 1>going to have you back, Corbin, because you were one

0:24:23.280 --> 0:24:28.800
<v Speaker 1>of one of our best and brightest friends, but also

0:24:28.840 --> 0:24:31.520
<v Speaker 1>in the industry. So yes, and we know that nobody

0:24:31.520 --> 0:24:35.520
<v Speaker 1>can find you on social media. You've shunned it, shunned it,

0:24:35.640 --> 0:24:40.160
<v Speaker 1>but people can find you at Corbin dot Brown, at

0:24:40.320 --> 0:24:43.439
<v Speaker 1>Giant Spoon dot com exactly. Well, thanks for coming. So

0:24:43.560 --> 0:24:45.760
<v Speaker 1>since we can't find you on social media, we talked

0:24:45.760 --> 0:24:49.159
<v Speaker 1>to someone else who you can find on social media.

0:24:49.480 --> 0:24:52.800
<v Speaker 1>That's right, So we had a little fun with a

0:24:52.840 --> 0:24:56.560
<v Speaker 1>candid audio because I can't say camera. It's candid audio

0:24:56.640 --> 0:25:02.000
<v Speaker 1>slash America's Funniest home audio, something like that. UM with

0:25:02.080 --> 0:25:06.480
<v Speaker 1>my grandmother in law, UM who is the most active

0:25:06.640 --> 0:25:10.320
<v Speaker 1>eighties seven year old I know on Facebook who has

0:25:10.400 --> 0:25:15.480
<v Speaker 1>recently converted and self taught UM her way onto Instagram.

0:25:15.600 --> 0:25:26.919
<v Speaker 1>So have fun with this one at Landia. Oh I

0:25:26.960 --> 0:25:30.720
<v Speaker 1>did it on Instagram. Yeah, you posted on Instagram. Oh

0:25:30.880 --> 0:25:34.560
<v Speaker 1>I had. I had Roseanne here. We were fooling around,

0:25:35.080 --> 0:25:38.160
<v Speaker 1>so Rosanne put it up just you know, I said,

0:25:38.160 --> 0:25:41.560
<v Speaker 1>put this. This is nice. So then I said, let's practice.

0:25:42.320 --> 0:25:44.480
<v Speaker 1>So I was. I had a bowl of cherries on

0:25:44.560 --> 0:25:48.080
<v Speaker 1>the table and I was taking the pitches. When I

0:25:48.160 --> 0:25:54.240
<v Speaker 1>went on my phone, I had about ten twelve pitches

0:25:54.359 --> 0:25:58.679
<v Speaker 1>of cherries that I added the lead lead. Don't asked

0:25:58.680 --> 0:26:02.080
<v Speaker 1>me happened? Now this is another thing. What is your

0:26:02.160 --> 0:26:06.560
<v Speaker 1>name on Instagram? What is it? Yeah, mama to Taro. Okay,

0:26:06.880 --> 0:26:10.520
<v Speaker 1>next we'll have to get you on snapchat. Oh snapchat.

0:26:10.720 --> 0:26:13.760
<v Speaker 1>Oh that's where you put the ears the no, yeah,

0:26:13.800 --> 0:26:17.480
<v Speaker 1>all the filters. Oh. I'd never put my face like that,

0:26:17.680 --> 0:26:23.480
<v Speaker 1>never put this face. But you have more photo profile

0:26:23.520 --> 0:26:26.400
<v Speaker 1>swaps than anybody I know with the seasons on Facebook,

0:26:26.440 --> 0:26:28.680
<v Speaker 1>you change your photo with like it's like a it's

0:26:28.680 --> 0:26:31.720
<v Speaker 1>like a calendar pin up to change my cover. But

0:26:31.800 --> 0:26:34.560
<v Speaker 1>are all your friends on Facebook? I'm curious, Like do

0:26:34.680 --> 0:26:37.920
<v Speaker 1>they chat with you? None of them? They know what

0:26:37.960 --> 0:26:42.480
<v Speaker 1>the hell is all about? My young friends? But the

0:26:42.600 --> 0:26:46.960
<v Speaker 1>friends like my age, not a one not so how

0:26:46.960 --> 0:26:51.560
<v Speaker 1>do they know? Like what's going on? Well? Sometimes send

0:26:52.200 --> 0:26:55.720
<v Speaker 1>happily it is a picture. Or how about what I

0:26:55.760 --> 0:27:01.440
<v Speaker 1>do with those uht bit muljis it mo jeez? Yes?

0:27:02.240 --> 0:27:05.119
<v Speaker 1>Oh what I do with those big moj is the

0:27:05.200 --> 0:27:11.119
<v Speaker 1>girl who does my vendor placement I don't talk to anymore.

0:27:11.720 --> 0:27:15.040
<v Speaker 1>I just send her a bit motion and she knows

0:27:15.160 --> 0:27:22.439
<v Speaker 1>exactly what I want. She looks forward motions. What do

0:27:22.520 --> 0:27:26.480
<v Speaker 1>you say to her? Like give you an example? Um,

0:27:26.720 --> 0:27:31.760
<v Speaker 1>like if she didn't? And some my text and then

0:27:31.800 --> 0:27:36.200
<v Speaker 1>there's a girl on me on me it's supposed to

0:27:36.240 --> 0:27:43.800
<v Speaker 1>be me hand on the hit. Did you get my text? Then? Oh?

0:27:43.840 --> 0:27:49.239
<v Speaker 1>I got so so Danny's I can't How could I

0:27:49.280 --> 0:27:54.240
<v Speaker 1>get it on my iPad? I'll show you, I'll show you.

0:27:54.200 --> 0:27:58.320
<v Speaker 1>You make me laugh so hard, I'm crying. I'm trying

0:27:58.359 --> 0:28:02.040
<v Speaker 1>to think of that. What hope? So I can't. So

0:28:02.280 --> 0:28:05.280
<v Speaker 1>you're eighty seven, right, you're just her eight seven? Well

0:28:05.320 --> 0:28:10.200
<v Speaker 1>you gotta advertise that, but you're communicating through bit Moji's.

0:28:10.240 --> 0:28:14.280
<v Speaker 1>Did you ever think you'd see the day No? Never,

0:28:15.400 --> 0:28:18.280
<v Speaker 1>who do not see the day of going on Facebook?

0:28:18.640 --> 0:28:21.800
<v Speaker 1>When it first come out, I said, not me, not me.

0:28:21.960 --> 0:28:24.600
<v Speaker 1>I'll never go on there, and now I'll never off.

0:28:25.800 --> 0:28:30.800
<v Speaker 1>I know you're an it's it's good for me, Laura.

0:28:31.359 --> 0:28:33.359
<v Speaker 1>I know it keeps you young me. I mean, you know,

0:28:33.480 --> 0:28:37.760
<v Speaker 1>I don't go out so uh doing this, I know

0:28:37.800 --> 0:28:42.720
<v Speaker 1>what's going on and uh, and people enjoy my my

0:28:43.160 --> 0:28:46.720
<v Speaker 1>pictures that I put up. Your great grand dog is famous.

0:28:47.720 --> 0:28:51.680
<v Speaker 1>I gotta go get more pictures in my album, the

0:28:51.680 --> 0:28:54.400
<v Speaker 1>old Ones, because then I could put a I could

0:28:54.440 --> 0:28:58.800
<v Speaker 1>put up a t v T a tv T. What's

0:28:58.800 --> 0:29:06.240
<v Speaker 1>a tv T? Throw halla? I don't even know what

0:29:06.360 --> 0:29:10.160
<v Speaker 1>hashtag is. That's the pound sign when you do pound

0:29:10.240 --> 0:29:15.840
<v Speaker 1>sign TBT. Yep, that's right. Well it's also a hashtag

0:29:15.960 --> 0:29:19.960
<v Speaker 1>for the young kids. I gotta go. My producer's quality me.

0:29:20.720 --> 0:29:22.400
<v Speaker 1>I'll talk to you later. I love you. I'll talk

0:29:22.440 --> 0:29:33.640
<v Speaker 1>to you soon. Bye bye. So that's it. Episode eleven.

0:29:33.760 --> 0:29:37.040
<v Speaker 1>We got Meta, we got Grandma. It's better be lucky

0:29:37.400 --> 0:29:42.520
<v Speaker 1>number eleven. So many people think as always our family

0:29:42.680 --> 0:29:46.400
<v Speaker 1>at Slate and Panoply, Cameron Drews, our producer What Up

0:29:46.440 --> 0:29:51.360
<v Speaker 1>Camera Drews, Matt Turk, Andy Bowers. Thanks everybody, and if

0:29:51.720 --> 0:29:54.320
<v Speaker 1>you would be so kind, head on over to wherever

0:29:54.320 --> 0:29:56.720
<v Speaker 1>you're listening to podcasts and please leave us a review.

0:29:56.800 --> 0:29:59.560
<v Speaker 1>It helps other listeners who are interested in marketing advertising.

0:29:59.640 --> 0:30:04.440
<v Speaker 1>Disc over this show and follow us at at Landia

0:30:04.520 --> 0:30:08.600
<v Speaker 1>Podcast on Instagram, Facebook, Twitter. You can also email us

0:30:08.680 --> 0:30:11.920
<v Speaker 1>at Atlantia Podcast at umail dot com. Please let us

0:30:11.920 --> 0:30:14.880
<v Speaker 1>know what you think. And also, we're building community, a

0:30:14.920 --> 0:30:18.080
<v Speaker 1>community of people in this industry who exist, who are

0:30:18.080 --> 0:30:20.680
<v Speaker 1>out there. We're talking about things in a different way.

0:30:20.840 --> 0:30:22.960
<v Speaker 1>We're doing things in a different way. We want to

0:30:22.960 --> 0:30:25.600
<v Speaker 1>hear from you, to talk to us at Landia. We'll

0:30:25.640 --> 0:30:27.440
<v Speaker 1>be back in two weeks with an all new episode.

0:30:32.080 --> 0:30:36.720
<v Speaker 1>Full disclosure, Our opinions are our own. Eleven is my number.

0:30:36.960 --> 0:30:39.800
<v Speaker 1>I am fanatical about it. I word in every sport

0:30:40.080 --> 0:30:42.400
<v Speaker 1>my whole entire life. I sit in the eleventh row.

0:30:42.680 --> 0:30:44.840
<v Speaker 1>So we're gonna say that you need to say in

0:30:44.880 --> 0:30:48.480
<v Speaker 1>the gym in the locker number elevening, oh, keep going.

0:30:48.560 --> 0:30:51.840
<v Speaker 1>It's like, keep fucking weird that this is episode eleven.

0:30:52.880 --> 0:30:55.080
<v Speaker 1>It's got to be. It's gonna be a good sign, right,

0:30:55.280 --> 0:30:57.400
<v Speaker 1>or a terrible sign. It's a great it's a great sign,

0:30:58.200 --> 0:30:59.480
<v Speaker 1>and we're in our magic studio.