1 00:00:00,680 --> 00:00:03,680 Speaker 1: Welcome to two percent. I'm your host, Michael Easter. Summer 2 00:00:03,720 --> 00:00:06,160 Speaker 1: happens to be peak reading seasons, So today we're going 3 00:00:06,240 --> 00:00:09,399 Speaker 1: to be talking books with Alex Bakowski. Alex runs the 4 00:00:09,480 --> 00:00:13,039 Speaker 1: popular Alex and Books channels. They're on Twitter, they're on Instagram, 5 00:00:13,119 --> 00:00:16,440 Speaker 1: TikTok YouTube, awesome resource for books and a guy happens 6 00:00:16,480 --> 00:00:18,560 Speaker 1: to read two books a week and has done so 7 00:00:18,680 --> 00:00:20,800 Speaker 1: for a decade. So Alex and I are going to 8 00:00:20,880 --> 00:00:23,400 Speaker 1: share our favorite books of all time, the lessons we 9 00:00:23,480 --> 00:00:25,800 Speaker 1: learn from them, and the lessons that you can take 10 00:00:26,160 --> 00:00:28,479 Speaker 1: right now and apply to your life without even having 11 00:00:28,520 --> 00:00:30,560 Speaker 1: to read the book. So with all that said, we'll 12 00:00:30,600 --> 00:00:43,760 Speaker 1: take a quick break and then we'll bring on Alex. Well, Alex, 13 00:00:43,960 --> 00:00:44,960 Speaker 1: thanks for joining us. 14 00:00:44,840 --> 00:00:46,640 Speaker 2: Man, Yeah, happy to be here, Michael. 15 00:00:46,680 --> 00:00:48,839 Speaker 1: All right, first question I have, how do you decide 16 00:00:49,280 --> 00:00:51,800 Speaker 1: what books to read? Because you read seventy five to 17 00:00:51,800 --> 00:00:53,920 Speaker 1: one hundred books a year, there's a lot of books. 18 00:00:54,160 --> 00:00:55,920 Speaker 1: But how do you filter that in a world where 19 00:00:55,960 --> 00:00:58,480 Speaker 1: there's thousands and thousands of books coming out every year? 20 00:01:00,000 --> 00:01:02,200 Speaker 3: Frameworks I like to follow the first I call read 21 00:01:02,200 --> 00:01:04,520 Speaker 3: it when you need it. So like whatever problem I'm 22 00:01:04,560 --> 00:01:06,679 Speaker 3: having in life or whatever skill I want to learn 23 00:01:06,720 --> 00:01:08,920 Speaker 3: right now. So like right now I'm writing a book, 24 00:01:08,959 --> 00:01:10,360 Speaker 3: so I'm reading a lot of books about how to 25 00:01:10,360 --> 00:01:13,440 Speaker 3: write a book. The other framework I call is just 26 00:01:13,440 --> 00:01:15,959 Speaker 3: like read what you like and you'll always like reading. 27 00:01:16,080 --> 00:01:18,840 Speaker 3: So whatever topic I'm just like genuinely interested in or 28 00:01:18,880 --> 00:01:21,360 Speaker 3: curious about, I'll just pick up a book about that 29 00:01:21,400 --> 00:01:22,479 Speaker 3: and just read it for like fun. 30 00:01:23,240 --> 00:01:25,160 Speaker 1: All right, So I want to mainly focus. We'll go 31 00:01:25,480 --> 00:01:27,440 Speaker 1: through all sorts of books. We're going to go back 32 00:01:27,440 --> 00:01:30,080 Speaker 1: and forth. This is going to be fun. We'll focus 33 00:01:30,120 --> 00:01:33,160 Speaker 1: a bit on self improvement books because I'm sort of 34 00:01:33,200 --> 00:01:35,200 Speaker 1: in that lane with my own books, and I know 35 00:01:35,319 --> 00:01:38,039 Speaker 1: you tweet and post and write about a lot of 36 00:01:38,040 --> 00:01:41,240 Speaker 1: books in that space. So first question is what is 37 00:01:41,280 --> 00:01:45,600 Speaker 1: the best off the ratear self improvement book you've read. 38 00:01:46,400 --> 00:01:48,560 Speaker 3: So this might surprise people, but it's a Calendar of 39 00:01:48,560 --> 00:01:51,680 Speaker 3: Wisdom by Leo Tolstoy. So everyone knows Tolstoy as like 40 00:01:51,720 --> 00:01:55,240 Speaker 3: this famous fiction writer, but this was actually his most 41 00:01:55,240 --> 00:01:58,720 Speaker 3: impactful book. And he said himself and basically for fifteen years, 42 00:01:58,920 --> 00:02:01,960 Speaker 3: whenever he came across a like interesting quote or piece 43 00:02:02,000 --> 00:02:04,560 Speaker 3: of wisdom, he just jotted that down in his journal 44 00:02:04,840 --> 00:02:07,520 Speaker 3: and over you know, fifteen years he basically compiled all 45 00:02:07,560 --> 00:02:10,720 Speaker 3: of these lessons, these quotes into this bugs. So you 46 00:02:10,720 --> 00:02:12,919 Speaker 3: could think of this book as like the original Daily Stoic, 47 00:02:12,960 --> 00:02:14,680 Speaker 3: where it's one page a day, so it's like super 48 00:02:14,720 --> 00:02:17,200 Speaker 3: easy to read. Now everyone has a minute to read 49 00:02:17,520 --> 00:02:20,240 Speaker 3: and it's like three to four quotes from like Eastern 50 00:02:20,280 --> 00:02:23,280 Speaker 3: philosophy or this philosopher, and then he just has like 51 00:02:23,320 --> 00:02:25,880 Speaker 3: a paragraph about like the topic for this day that 52 00:02:25,919 --> 00:02:28,480 Speaker 3: he wants to discuss. So this is definitely one of 53 00:02:28,520 --> 00:02:31,160 Speaker 3: those bugs. I think people will be surprised to know 54 00:02:31,240 --> 00:02:33,400 Speaker 3: that tol Sarve wrote non fiction book, but I highly 55 00:02:33,400 --> 00:02:36,360 Speaker 3: recommend it super easy to read and definitely think is 56 00:02:36,919 --> 00:02:39,040 Speaker 3: like a the under the radar type of book. 57 00:02:39,560 --> 00:02:41,960 Speaker 1: I haven't even heard of it, but it sounds absolutely awesome, 58 00:02:42,040 --> 00:02:44,720 Speaker 1: especially the fact that, like you said, you got like 59 00:02:44,720 --> 00:02:46,440 Speaker 1: a minute a day, two minutes a day, and you 60 00:02:46,480 --> 00:02:48,640 Speaker 1: just read it, you'll learn something you walk away, all right. 61 00:02:48,639 --> 00:02:51,040 Speaker 1: So my answer on this I had to think about this. 62 00:02:51,120 --> 00:02:53,519 Speaker 1: I went back and forth in my head. My answer 63 00:02:53,560 --> 00:02:56,960 Speaker 1: is the power of myth. So caveat is that this 64 00:02:57,080 --> 00:03:00,640 Speaker 1: is this is a book, but it started as a 65 00:03:00,680 --> 00:03:03,640 Speaker 1: series of interviews between Joseph Campbell and the journalist Bill Moyers, 66 00:03:03,639 --> 00:03:06,320 Speaker 1: and they basically transcribed it and put it in book form. 67 00:03:07,040 --> 00:03:10,080 Speaker 1: But what I like about this is Campbell, who's this mythologist, 68 00:03:10,480 --> 00:03:12,840 Speaker 1: studied all these myths from around the world and he 69 00:03:12,919 --> 00:03:17,200 Speaker 1: basically walks through how myths work and how they can 70 00:03:17,280 --> 00:03:19,600 Speaker 1: help you in life. So a lot of it hinges on. 71 00:03:19,919 --> 00:03:22,480 Speaker 1: I think the opening section is about the hero's journey, 72 00:03:22,480 --> 00:03:24,960 Speaker 1: which is basically when you look at all these myths, 73 00:03:25,200 --> 00:03:28,000 Speaker 1: everything's good in the main character's life at first, and 74 00:03:28,000 --> 00:03:30,840 Speaker 1: then some problem happens, something comes up where they have 75 00:03:30,880 --> 00:03:33,240 Speaker 1: to solve. They don't want to do it, but then 76 00:03:33,280 --> 00:03:35,160 Speaker 1: they do it and they get pulled into this world 77 00:03:35,160 --> 00:03:39,600 Speaker 1: of hardship, a venture, trials, all this bs. But by 78 00:03:39,600 --> 00:03:41,160 Speaker 1: going through that, they come out the other side a 79 00:03:41,160 --> 00:03:43,760 Speaker 1: better person. And you see that in all these different myths. 80 00:03:43,800 --> 00:03:46,120 Speaker 1: So to me, I think what that book did for 81 00:03:46,160 --> 00:03:50,400 Speaker 1: me is it really helped me understand why problems are 82 00:03:50,440 --> 00:03:53,880 Speaker 1: actually opportunities like that is fundamentally where humans learn, and 83 00:03:53,960 --> 00:03:57,960 Speaker 1: like myths identified this thousands of years ago, and then 84 00:03:58,200 --> 00:04:01,040 Speaker 1: subsequently we have psychology just come in and go, Yeah, 85 00:04:01,120 --> 00:04:04,720 Speaker 1: people who view challenges in their lives as opportunities or 86 00:04:04,760 --> 00:04:06,600 Speaker 1: reflect back on them and go, hey, what did I 87 00:04:06,680 --> 00:04:09,080 Speaker 1: learn from this? Those are the people that tend to 88 00:04:09,120 --> 00:04:11,480 Speaker 1: grow more and just have better outcomes across the board. 89 00:04:12,120 --> 00:04:14,200 Speaker 3: Yeah, and just to add to that, I think Campbell's 90 00:04:14,240 --> 00:04:17,560 Speaker 3: most known for his A Hero with a Thousand Faces. 91 00:04:17,800 --> 00:04:19,800 Speaker 3: That's like his most popular book. And like, I tried 92 00:04:19,839 --> 00:04:23,000 Speaker 3: to read that book, but it's so complex and goes 93 00:04:23,040 --> 00:04:25,159 Speaker 3: really deep into the details. I actually tell people the 94 00:04:25,160 --> 00:04:26,880 Speaker 3: same thing, like, check out the Power Myth because like 95 00:04:26,920 --> 00:04:29,880 Speaker 3: an interview, so it's way easier to read. And basically 96 00:04:29,960 --> 00:04:32,800 Speaker 3: you get ninety percent of that book in like a 97 00:04:32,839 --> 00:04:33,640 Speaker 3: short amount of time. 98 00:04:33,760 --> 00:04:37,279 Speaker 1: Yeah, totally. Here with a Thousand Faces is rather dense. 99 00:04:37,320 --> 00:04:39,800 Speaker 1: It uses a lot of like complex academic I mean 100 00:04:39,800 --> 00:04:42,640 Speaker 1: it's awesome, but Power Myth is way more approachable. Another 101 00:04:42,680 --> 00:04:44,919 Speaker 1: thing is I'm usually more of a I want to 102 00:04:44,960 --> 00:04:48,640 Speaker 1: read paper books or at minimum of Kindle. I'm not 103 00:04:48,680 --> 00:04:51,039 Speaker 1: a huge audiobook person, but I will say that book 104 00:04:51,040 --> 00:04:54,560 Speaker 1: in audio form is actually amazing because it's the actual 105 00:04:54,600 --> 00:04:56,680 Speaker 1: audios of the interviews, so you have the two going 106 00:04:56,760 --> 00:04:59,400 Speaker 1: back and forth. They put some like interesting music behind it. 107 00:04:59,440 --> 00:05:01,640 Speaker 1: I mean, it's it's awesome, So I'll give that one props. 108 00:05:01,600 --> 00:05:04,360 Speaker 1: This is a good audiobook, all right. Next question, best 109 00:05:04,440 --> 00:05:08,760 Speaker 1: book that isn't about self improvement but that actually provides 110 00:05:08,839 --> 00:05:09,919 Speaker 1: good lessons for living. 111 00:05:10,440 --> 00:05:13,880 Speaker 3: So I'll go with A Forgotten Highlander by Ali star 112 00:05:14,400 --> 00:05:15,120 Speaker 3: Oukri Heart. 113 00:05:15,120 --> 00:05:16,120 Speaker 2: I hope I'm saying that right. 114 00:05:16,920 --> 00:05:20,800 Speaker 3: But this guy, basically he turns twenty and he gets 115 00:05:20,880 --> 00:05:23,920 Speaker 3: drafted into World War Two. So he gets sent to Singapore. 116 00:05:24,400 --> 00:05:27,000 Speaker 3: They get attacked by the Japanese, and Japanese end up 117 00:05:27,040 --> 00:05:30,039 Speaker 3: overtaking them, and he becomes a prisoner of war and 118 00:05:30,080 --> 00:05:31,599 Speaker 3: he ends up being in prison of war for seven 119 00:05:31,680 --> 00:05:34,839 Speaker 3: hundred and fifty days correct, And his story is just 120 00:05:35,000 --> 00:05:37,920 Speaker 3: absolutely crazy. So first he gets captured, he gets sent 121 00:05:37,960 --> 00:05:40,159 Speaker 3: to like a late labor camp. He's forced to you know, 122 00:05:40,160 --> 00:05:43,839 Speaker 3: work seven days a week, barely any food. The food 123 00:05:43,839 --> 00:05:46,480 Speaker 3: that they do get, you know, has maggots. They're in 124 00:05:46,520 --> 00:05:50,119 Speaker 3: like the jungles. So like, the conditions are absolutely terrible. 125 00:05:50,120 --> 00:05:53,479 Speaker 3: He gets all these seasons. But the worst part is 126 00:05:53,520 --> 00:05:55,599 Speaker 3: like after like a year and a half, they finally 127 00:05:55,680 --> 00:05:58,000 Speaker 3: start moving some of the prisoners and they put them 128 00:05:58,080 --> 00:06:01,720 Speaker 3: on a Japanese ship and that actually gets torpedoed by 129 00:06:01,760 --> 00:06:05,599 Speaker 3: the US military, and so then he's yeah, so he 130 00:06:05,920 --> 00:06:08,839 Speaker 3: somehow survives that, and he's on a life raft or 131 00:06:08,880 --> 00:06:10,760 Speaker 3: like you know, some piece of metal for five days 132 00:06:10,760 --> 00:06:13,160 Speaker 3: out in the sea and you know, no food, no water, 133 00:06:13,320 --> 00:06:16,279 Speaker 3: just baking in the sun. And after five days, like 134 00:06:16,320 --> 00:06:18,040 Speaker 3: a ship finally founds them and he's like, oh, I'm 135 00:06:18,040 --> 00:06:22,360 Speaker 3: finally getting rescued. Nope, is a Japanese navy again. So 136 00:06:22,400 --> 00:06:25,479 Speaker 3: he becomes a prisoner again, and he gets sent to 137 00:06:25,720 --> 00:06:28,440 Speaker 3: a mine and you know, he's forced to do more labor, 138 00:06:28,560 --> 00:06:31,560 Speaker 3: and that mine was actually near Nagasaki, so when the 139 00:06:31,560 --> 00:06:35,480 Speaker 3: atomic bomb drops, he actually feels that. So he's also 140 00:06:35,520 --> 00:06:36,560 Speaker 3: somehow like survives that. 141 00:06:37,040 --> 00:06:37,240 Speaker 1: Wow. 142 00:06:37,560 --> 00:06:39,800 Speaker 3: And then finally like you know, the war ends, the 143 00:06:40,040 --> 00:06:43,520 Speaker 3: American forces come, he's finally freed, and he actually goes 144 00:06:43,560 --> 00:06:46,360 Speaker 3: back lives like a relatively normal life, you know, marries 145 00:06:46,520 --> 00:06:49,200 Speaker 3: an amazing woman, and he lives to like one hundred 146 00:06:49,200 --> 00:06:49,680 Speaker 3: and one or one. 147 00:06:49,680 --> 00:06:50,960 Speaker 2: Hundred and two. 148 00:06:51,240 --> 00:06:53,680 Speaker 3: And the fact, yeah, and the fact that this guy 149 00:06:53,800 --> 00:06:57,000 Speaker 3: had this like such a crazy life, like horrible conditions 150 00:06:57,000 --> 00:06:58,719 Speaker 3: like came begins to describe and then goes on to 151 00:06:58,720 --> 00:07:00,960 Speaker 3: have like like pretty decent and good life, Like I 152 00:07:01,000 --> 00:07:02,479 Speaker 3: don't know if he's the luckiest man in the world. 153 00:07:02,600 --> 00:07:05,159 Speaker 3: Or the unluckiest. But like, this story just puts like 154 00:07:05,240 --> 00:07:06,520 Speaker 3: your entire life from perspective. 155 00:07:06,680 --> 00:07:09,600 Speaker 1: Yeah, how did that? So after you finish that book, 156 00:07:09,880 --> 00:07:12,960 Speaker 1: what was your reflection period? Like, how did that? How 157 00:07:12,960 --> 00:07:15,280 Speaker 1: did you change immediately after reading it? 158 00:07:15,800 --> 00:07:17,760 Speaker 3: So for the next few months, I just didn't complain 159 00:07:18,160 --> 00:07:20,920 Speaker 3: as I like I would say. I couldn't complain like oh, 160 00:07:20,920 --> 00:07:22,800 Speaker 3: it's just you know, it's really hot today, or I'm 161 00:07:22,840 --> 00:07:24,680 Speaker 3: like kind of hungry, or I have like a bunch 162 00:07:24,720 --> 00:07:27,080 Speaker 3: of work to do. It's like I'm not at a 163 00:07:27,160 --> 00:07:29,600 Speaker 3: labor camp. I'm not being forced to work. There was 164 00:07:29,600 --> 00:07:31,320 Speaker 3: this one punishment where they put him in like a 165 00:07:31,360 --> 00:07:33,679 Speaker 3: cage and the cage was so small, like you couldn't 166 00:07:33,680 --> 00:07:35,840 Speaker 3: even sit, so you're just standing for like hours and 167 00:07:35,920 --> 00:07:39,480 Speaker 3: days at end. So just it's just hard to complain 168 00:07:39,520 --> 00:07:40,960 Speaker 3: about your life after you read a book like this. 169 00:07:41,160 --> 00:07:44,680 Speaker 1: Yeah, totally all right. So my answer on this question 170 00:07:45,000 --> 00:07:47,960 Speaker 1: is a book called Good Reasons for Bad Feelings and 171 00:07:48,000 --> 00:07:52,120 Speaker 1: it's by doctor Randolph Ness. So this guy is basically 172 00:07:52,120 --> 00:07:55,960 Speaker 1: considered the godfather of evolutionary psychology, and so what he 173 00:07:56,000 --> 00:07:58,320 Speaker 1: does is he really pulls back and he takes an 174 00:07:58,320 --> 00:08:04,040 Speaker 1: evolutionary look at mental health problems, and I would say 175 00:08:04,080 --> 00:08:07,679 Speaker 1: that with the rise of modern science, we've really pinned 176 00:08:08,480 --> 00:08:12,520 Speaker 1: any psychological issues on neuroscience and you know, chemicals in 177 00:08:12,560 --> 00:08:15,120 Speaker 1: the brain. But this guy says when you pull back, 178 00:08:15,280 --> 00:08:19,200 Speaker 1: he sort of asks, all right, if mental issues are bad, 179 00:08:19,960 --> 00:08:23,200 Speaker 1: why wouldn't they have been weeded out by evolution? Right? 180 00:08:23,280 --> 00:08:26,120 Speaker 1: It doesn't make sense, So they had to have some purpose. 181 00:08:26,560 --> 00:08:28,240 Speaker 1: And so then he walks through a lot of things 182 00:08:28,280 --> 00:08:32,680 Speaker 1: like anxiety, depression, and he helps you understand why these 183 00:08:32,720 --> 00:08:36,040 Speaker 1: things happen in the first place. A good example is depression. 184 00:08:36,240 --> 00:08:40,400 Speaker 1: He theorizes, yes, some amount of depression is biological, but 185 00:08:40,520 --> 00:08:43,640 Speaker 1: probably a larger part of it is just people living 186 00:08:43,679 --> 00:08:46,439 Speaker 1: a life that's not aligned with what their ultimate goals 187 00:08:46,480 --> 00:08:48,840 Speaker 1: for living are. They're just kind of stuck, and so 188 00:08:48,880 --> 00:08:51,480 Speaker 1: it kind of provides a pathway out for people that 189 00:08:51,559 --> 00:08:54,800 Speaker 1: I think is really practical. And I also like that 190 00:08:54,840 --> 00:08:58,679 Speaker 1: he was really clear on what we can say and 191 00:08:58,760 --> 00:09:01,480 Speaker 1: can't say about this Sien. He's like, yes, there's definitely 192 00:09:01,480 --> 00:09:03,800 Speaker 1: something that's biological, because a lot of times people will 193 00:09:03,800 --> 00:09:05,800 Speaker 1: be like, oh, it's all on your head, right, But 194 00:09:05,920 --> 00:09:08,280 Speaker 1: he's also pointing a lot of it is just how 195 00:09:08,320 --> 00:09:10,920 Speaker 1: you're living and turns out there's a really good reason 196 00:09:10,960 --> 00:09:12,559 Speaker 1: for that. So if you can reframe that in your 197 00:09:12,600 --> 00:09:15,480 Speaker 1: mind as more of a signal than a problem, a 198 00:09:15,480 --> 00:09:18,160 Speaker 1: signal to change course or do something else. I just 199 00:09:18,160 --> 00:09:20,360 Speaker 1: thought I was like, this is great because it just 200 00:09:20,440 --> 00:09:23,760 Speaker 1: it gives you, like, you learn a ton, it's fascinating. 201 00:09:23,800 --> 00:09:25,920 Speaker 1: But along the way you're like, oh, here's what I 202 00:09:25,960 --> 00:09:28,680 Speaker 1: can do if I ever feel down or xyz. So 203 00:09:28,720 --> 00:09:29,840 Speaker 1: I thought that was an awesome one. 204 00:09:30,160 --> 00:09:31,719 Speaker 2: Yeah, that one sounds fascinating. I'm going to add that 205 00:09:31,720 --> 00:09:32,560 Speaker 2: one to my reading list. 206 00:09:32,679 --> 00:09:36,199 Speaker 1: He did another book years before that was called Why 207 00:09:36,280 --> 00:09:39,120 Speaker 1: We Get Sick. He wrote it with a co author 208 00:09:39,400 --> 00:09:43,360 Speaker 1: who was looked at sort of evolutionary reasons around health problems. 209 00:09:43,760 --> 00:09:45,360 Speaker 1: So that's kind of the book that I would say 210 00:09:45,679 --> 00:09:47,960 Speaker 1: made him famous. But then he sort of took that 211 00:09:48,080 --> 00:09:50,599 Speaker 1: same idea and really just focusing on mental health. So 212 00:09:50,640 --> 00:09:54,200 Speaker 1: it's a good one. A fiction book that actually changed 213 00:09:54,200 --> 00:09:57,440 Speaker 1: your behavior. That is to say, you read this fiction book, 214 00:09:57,600 --> 00:10:00,680 Speaker 1: it's all made up, but then you it's something different 215 00:10:00,679 --> 00:10:01,480 Speaker 1: and your life improved. 216 00:10:01,880 --> 00:10:04,079 Speaker 3: I'm gonna go with the Picture of Dorian Gray by 217 00:10:04,200 --> 00:10:07,920 Speaker 3: Oscar Wilde to give those synopsis. It's basically like this rich, 218 00:10:08,000 --> 00:10:10,880 Speaker 3: young dude. He loves his life, and one day he 219 00:10:10,920 --> 00:10:14,240 Speaker 3: gets someone to paint a portrait of him, and he says, like, wow, 220 00:10:14,280 --> 00:10:15,480 Speaker 3: this portrait is so beautiful. 221 00:10:15,520 --> 00:10:16,280 Speaker 2: I look so good. 222 00:10:16,640 --> 00:10:19,040 Speaker 3: I wish that I could look this way forever, and 223 00:10:19,080 --> 00:10:21,480 Speaker 3: he basically kind of yeah, spoiler. He kind of cruises 224 00:10:21,559 --> 00:10:25,679 Speaker 3: himself because he realizes that he can go and do 225 00:10:25,800 --> 00:10:29,320 Speaker 3: things like bad things and he doesn't get affected by it. 226 00:10:29,360 --> 00:10:30,160 Speaker 2: His portrait does. 227 00:10:30,679 --> 00:10:33,720 Speaker 3: So something happens where I think he drops like a 228 00:10:33,760 --> 00:10:35,880 Speaker 3: glass and like cuts it cuts his face or something 229 00:10:35,920 --> 00:10:38,160 Speaker 3: like that. But then it like heals like right away, 230 00:10:38,320 --> 00:10:40,560 Speaker 3: but the portrait has like a scar in his face. 231 00:10:41,200 --> 00:10:44,640 Speaker 3: And over the next you know, ten, fifteen, twenty years, 232 00:10:44,800 --> 00:10:46,960 Speaker 3: he goes gambling, he starts drinking. 233 00:10:47,120 --> 00:10:48,720 Speaker 2: He's just hooking. 234 00:10:48,480 --> 00:10:50,439 Speaker 3: Up with everyone left and right, going to all these 235 00:10:50,480 --> 00:10:53,200 Speaker 3: parties and just living this life with sin basically, but 236 00:10:53,559 --> 00:10:55,079 Speaker 3: he stays the same forever. 237 00:10:55,160 --> 00:10:55,880 Speaker 2: He looks the same. 238 00:10:56,480 --> 00:11:00,240 Speaker 3: But he realizes the portrait gets uglier and uglier and uglier, 239 00:11:00,640 --> 00:11:04,360 Speaker 3: and he basically starts to realize he could almost get 240 00:11:04,360 --> 00:11:06,360 Speaker 3: away with anything. But that kind of takes him like 241 00:11:06,480 --> 00:11:09,280 Speaker 3: he has downward spiral where he keeps doing worse and 242 00:11:09,280 --> 00:11:13,520 Speaker 3: worse things, and eventually it commits murder and to give 243 00:11:13,520 --> 00:11:16,960 Speaker 3: the ending away, he tries to destroy the portrait, but 244 00:11:17,360 --> 00:11:19,720 Speaker 3: in the end he ends up just killing himself because 245 00:11:19,760 --> 00:11:22,160 Speaker 3: he the portrait is him. Well, I basically took away 246 00:11:22,280 --> 00:11:24,840 Speaker 3: with that is like, you could do bad stuff in 247 00:11:24,880 --> 00:11:28,080 Speaker 3: life and it might not reflect on you immediately, but 248 00:11:28,320 --> 00:11:31,320 Speaker 3: internally it is kind of like destroying you. It's hurting you, 249 00:11:31,640 --> 00:11:34,360 Speaker 3: and in the long run, the actions you take will 250 00:11:34,360 --> 00:11:36,560 Speaker 3: have impact on you in your life. And I kind 251 00:11:36,559 --> 00:11:39,080 Speaker 3: of have a theory that the more aligned you are 252 00:11:39,120 --> 00:11:41,760 Speaker 3: with your purpose, like you were saying, the less vices 253 00:11:41,800 --> 00:11:44,840 Speaker 3: you have. And that book basically like impacted me to 254 00:11:45,520 --> 00:11:47,760 Speaker 3: try to stay on the right path, do the right thing, 255 00:11:48,000 --> 00:11:51,200 Speaker 3: you'll have a good life and like you basically don't 256 00:11:51,200 --> 00:11:52,800 Speaker 3: want to fall to temptations in life. 257 00:11:52,880 --> 00:11:54,760 Speaker 1: Yeah, that makes sense. And the fact that probably the 258 00:11:54,760 --> 00:11:56,800 Speaker 1: fact that it's all you're seeing this all unfold in 259 00:11:56,880 --> 00:11:59,640 Speaker 1: this main character's life and you know you of course 260 00:11:59,679 --> 00:12:02,360 Speaker 1: aren't going out going Oh I gamble a ton, I 261 00:12:02,440 --> 00:12:04,959 Speaker 1: do all these crazy things, but you're like, oh, you 262 00:12:05,360 --> 00:12:08,240 Speaker 1: see one step lead to another. It's a it's an unfolding. 263 00:12:08,240 --> 00:12:09,760 Speaker 1: He doesn't go out and murder someone on day one. 264 00:12:09,800 --> 00:12:12,240 Speaker 1: It's just this sort of downward spiral of acceptance and 265 00:12:12,280 --> 00:12:14,720 Speaker 1: then you just see him slowly devolve because of these 266 00:12:15,080 --> 00:12:17,079 Speaker 1: small choices he makes every day. 267 00:12:17,200 --> 00:12:17,440 Speaker 2: Yeah. 268 00:12:17,600 --> 00:12:20,040 Speaker 3: Now, like I'm in my thirties and I see like 269 00:12:20,160 --> 00:12:23,000 Speaker 3: all the kind of friends I was with in my twenties, 270 00:12:23,040 --> 00:12:25,679 Speaker 3: like the small actions daytok. Like maybe the friend that 271 00:12:25,840 --> 00:12:28,880 Speaker 3: kind of went out drinking multiple times a week. Now 272 00:12:28,880 --> 00:12:31,120 Speaker 3: I see them and they're like overweight or on Hyppi 273 00:12:31,160 --> 00:12:33,440 Speaker 3: in life. Or this kid that you know really got 274 00:12:33,480 --> 00:12:35,959 Speaker 3: into like sports gambling, you know, spends way too much 275 00:12:36,000 --> 00:12:37,800 Speaker 3: money and now it affects him like a negative way, 276 00:12:38,080 --> 00:12:40,679 Speaker 3: and you like you don't see the actions over a 277 00:12:40,760 --> 00:12:42,680 Speaker 3: day to day, but over the years, over the decades, 278 00:12:42,679 --> 00:12:45,120 Speaker 3: they're really build up. And so like everyone has like 279 00:12:45,160 --> 00:12:47,920 Speaker 3: this portrait of themselves, but you won't see it until, like, 280 00:12:48,280 --> 00:12:49,480 Speaker 3: you know, decades down the road. 281 00:12:49,800 --> 00:12:52,199 Speaker 1: Yeah that makes sense, all right. I think my answer 282 00:12:52,600 --> 00:12:54,600 Speaker 1: I had to think on this because I will admit 283 00:12:54,640 --> 00:12:57,640 Speaker 1: I don't read a ton of fiction, always in the 284 00:12:57,640 --> 00:13:00,120 Speaker 1: trenches reading nonfiction stuff because it kind of inflo it 285 00:13:00,120 --> 00:13:02,720 Speaker 1: says my own work. But I would say East of 286 00:13:02,880 --> 00:13:07,400 Speaker 1: Eden had a big impact on me. One just extremely 287 00:13:07,400 --> 00:13:10,520 Speaker 1: well written, you just feel like you're in the place 288 00:13:10,720 --> 00:13:14,520 Speaker 1: it's set, which is kind of the farming area of California, 289 00:13:14,600 --> 00:13:17,080 Speaker 1: and it has this like big arc of time following 290 00:13:17,120 --> 00:13:21,120 Speaker 1: this family across time, and as the book unfolds, you 291 00:13:21,200 --> 00:13:25,280 Speaker 1: start to see how the past and sort of your 292 00:13:25,440 --> 00:13:29,080 Speaker 1: roots don't necessarily have to impact the choices that you 293 00:13:29,160 --> 00:13:31,160 Speaker 1: make in day to day life. So it's like, I 294 00:13:31,160 --> 00:13:33,880 Speaker 1: think the lesson of the book is that you do 295 00:13:34,000 --> 00:13:37,120 Speaker 1: have agency and just because something happened in the past, 296 00:13:37,160 --> 00:13:39,080 Speaker 1: that doesn't have to steer your future, almost like with 297 00:13:39,240 --> 00:13:42,000 Speaker 1: what you said with the last book, and so for 298 00:13:42,080 --> 00:13:44,440 Speaker 1: me when I walked away, it was like to what 299 00:13:44,480 --> 00:13:47,000 Speaker 1: you just said, it's like you can reset any time 300 00:13:47,160 --> 00:13:49,680 Speaker 1: and you have agency of how you're going to steer 301 00:13:50,080 --> 00:13:52,280 Speaker 1: your life. And not to mention, it's just a really 302 00:13:52,280 --> 00:13:57,319 Speaker 1: great read. Yeah yeah, okay, next one a fiction book 303 00:13:57,320 --> 00:14:01,880 Speaker 1: that delivers zero utility other than pure entertainment. 304 00:14:01,920 --> 00:14:03,480 Speaker 3: I'm gonna cheat a little bit on this one because 305 00:14:03,480 --> 00:14:05,720 Speaker 3: it's like you, I don't read that much nonfiction, so 306 00:14:06,000 --> 00:14:09,640 Speaker 3: technically it's a nonfiction book. It's called Disappointing Affirmations by 307 00:14:09,720 --> 00:14:12,760 Speaker 3: Dave Tarnowski, So we all know there's like all these 308 00:14:12,800 --> 00:14:15,920 Speaker 3: positive affirmations and like books like that, this guy took 309 00:14:15,920 --> 00:14:18,079 Speaker 3: the exact opposite approach where he's going to give you 310 00:14:18,160 --> 00:14:21,640 Speaker 3: like a disappointing affirmation. So like one is, don't be sad, 311 00:14:21,680 --> 00:14:25,800 Speaker 3: you're making everyone uncomfortable, or things didn't work out for 312 00:14:25,800 --> 00:14:28,480 Speaker 3: a reason. The reason is you make terrible decisions. And 313 00:14:29,160 --> 00:14:32,320 Speaker 3: this guy, just like he was I'm getting the story correctly, 314 00:14:32,320 --> 00:14:35,080 Speaker 3: he was also like depressed, like in bad position in life, 315 00:14:35,080 --> 00:14:36,720 Speaker 3: and he was tired of all these positive affirmations that 316 00:14:36,720 --> 00:14:40,040 Speaker 3: weren't helping. So he wrote all all these disappointing affirmations 317 00:14:40,040 --> 00:14:41,760 Speaker 3: where he's like you laugh, you cry a little bit, 318 00:14:41,840 --> 00:14:44,200 Speaker 3: they have true to them. So although it is a 319 00:14:44,240 --> 00:14:46,920 Speaker 3: nonfiction book, it is highly entertaining and it'll make you 320 00:14:47,000 --> 00:14:48,400 Speaker 3: laugh and maybe like cry. 321 00:14:48,720 --> 00:14:49,520 Speaker 2: So that's a good one. 322 00:14:49,600 --> 00:14:53,200 Speaker 1: Awesome, I'm already laughing after two sentences you've read. So 323 00:14:53,240 --> 00:14:55,400 Speaker 1: that's that's going to go high on the list. So 324 00:14:55,480 --> 00:14:59,480 Speaker 1: mine is Confederacy at Dunces. So it was written in 325 00:14:59,640 --> 00:15:03,160 Speaker 1: I think of fifties or sixties. It's about this character 326 00:15:04,120 --> 00:15:08,000 Speaker 1: named Ignacious Riley who lives in New Orleans and he 327 00:15:08,040 --> 00:15:12,360 Speaker 1: lives with his mom. He's way over educated and he 328 00:15:12,480 --> 00:15:14,800 Speaker 1: has just this view of himself, like he is the 329 00:15:14,840 --> 00:15:17,200 Speaker 1: smartest person in the world, he's the most important person 330 00:15:17,200 --> 00:15:19,480 Speaker 1: in the world, and he's just the most absurd character 331 00:15:19,520 --> 00:15:22,400 Speaker 1: of all time. And it follows him and various other 332 00:15:22,480 --> 00:15:26,280 Speaker 1: characters as they're sort of navigating New Orleans. But literally, 333 00:15:27,240 --> 00:15:31,480 Speaker 1: nothing has ever made me laugh harder, not a stand 334 00:15:31,560 --> 00:15:36,640 Speaker 1: up routine, not a movie. This book is just so funny. 335 00:15:36,680 --> 00:15:38,360 Speaker 1: Like if you are you have to have a little 336 00:15:38,360 --> 00:15:41,360 Speaker 1: bit weird sense of humor for it to hit. But 337 00:15:41,400 --> 00:15:43,760 Speaker 1: if you like Seinfeld, I would say, like, this is 338 00:15:43,840 --> 00:15:48,240 Speaker 1: the book that would most tightly align with Seinfeld, but 339 00:15:48,440 --> 00:15:51,520 Speaker 1: even funnier because it's far more absortive. So a few 340 00:15:51,600 --> 00:15:54,360 Speaker 1: quotes that I love from the book that I'm going 341 00:15:54,440 --> 00:15:57,800 Speaker 1: to read, and these are quotes from the main character. 342 00:15:59,040 --> 00:16:03,640 Speaker 1: Apparently I lack some particular perversion which today's employer is seeking, 343 00:16:03,800 --> 00:16:07,560 Speaker 1: and that's when he gets fired from his like fiftieth job. Next, 344 00:16:08,240 --> 00:16:10,160 Speaker 1: you can tell by the way he talked though, that 345 00:16:10,240 --> 00:16:13,200 Speaker 1: he had probably gone to school a long time. That 346 00:16:13,360 --> 00:16:14,840 Speaker 1: was what was wrong with him. 347 00:16:14,880 --> 00:16:16,640 Speaker 2: Like, that's so true. 348 00:16:16,960 --> 00:16:19,720 Speaker 1: And then finally, you can always tell employees of the 349 00:16:19,760 --> 00:16:22,880 Speaker 1: government by the total vacancy, which occupies the space where 350 00:16:22,920 --> 00:16:28,480 Speaker 1: most other people have faces unbelievable. So that is one 351 00:16:28,520 --> 00:16:31,160 Speaker 1: if you just want, like purely I want to laugh, 352 00:16:31,360 --> 00:16:35,040 Speaker 1: I want to be entertained. The story really goes kind 353 00:16:35,040 --> 00:16:39,000 Speaker 1: of nowhere, but it's amazing nonetheless. And I also say 354 00:16:39,000 --> 00:16:44,440 Speaker 1: the guy who wrote it, John Kennedy Toole, really fascinating character, 355 00:16:44,520 --> 00:16:46,680 Speaker 1: but totally tragic. So he writes I think he was 356 00:16:46,680 --> 00:16:50,520 Speaker 1: a professor at Tulane or something in literature. He writes 357 00:16:50,600 --> 00:16:53,160 Speaker 1: the book, he takes it out to all these publishers. 358 00:16:53,320 --> 00:16:56,200 Speaker 1: He gets rejected by every single publisher sends him into 359 00:16:56,200 --> 00:17:00,000 Speaker 1: this crazy depressive spiral. He ends up committing suicide unfortunately, 360 00:17:00,120 --> 00:17:03,200 Speaker 1: and then his mom years later finds the manuscript like 361 00:17:03,240 --> 00:17:07,080 Speaker 1: in their attic, she reads it, she starts handing publishers. 362 00:17:07,400 --> 00:17:09,959 Speaker 1: One says yes, they publish it, and it ends up 363 00:17:09,960 --> 00:17:12,520 Speaker 1: winning the Pulitzer in like nineteen eighty two or something 364 00:17:12,600 --> 00:17:14,119 Speaker 1: like that. Just crazy story. 365 00:17:14,359 --> 00:17:15,800 Speaker 3: Yeah, I think there was some of a story with 366 00:17:15,880 --> 00:17:17,760 Speaker 3: like Moby Dick, the guy that wrote it. It was 367 00:17:17,800 --> 00:17:20,000 Speaker 3: like a failure. And the amount of like authors who've 368 00:17:20,000 --> 00:17:22,400 Speaker 3: written books where they didn't publish it or it didn't 369 00:17:22,400 --> 00:17:24,680 Speaker 3: become like a hit during their time until after they died. 370 00:17:25,080 --> 00:17:27,280 Speaker 3: It's so crazy because you think you think you're a 371 00:17:27,320 --> 00:17:29,560 Speaker 3: failure and then your book is like the classic or beloved, 372 00:17:30,240 --> 00:17:31,800 Speaker 3: so that that's just wild. 373 00:17:31,960 --> 00:17:35,560 Speaker 1: Yeah. There's a there's a book by Chuck Klosterman called 374 00:17:35,640 --> 00:17:37,760 Speaker 1: but What If We're Wrong? And it just looks at 375 00:17:37,760 --> 00:17:40,560 Speaker 1: how wrong we often are in retrospect, and he actually 376 00:17:40,640 --> 00:17:43,760 Speaker 1: uses Moby Dick as an example of you know, book 377 00:17:43,800 --> 00:17:47,040 Speaker 1: is amazing, get to published, totally fails, But then World 378 00:17:47,040 --> 00:17:49,640 Speaker 1: War One happens, and there's something about the cultural conditions 379 00:17:49,640 --> 00:17:51,399 Speaker 1: of World War One where that book just all of 380 00:17:51,400 --> 00:17:53,639 Speaker 1: a sudden starts to resonate and that like pushes it 381 00:17:53,680 --> 00:17:57,439 Speaker 1: into the classic that it is. Now. Wow, all right, 382 00:17:57,480 --> 00:18:01,840 Speaker 1: now we're doing overrated or under in terms of self 383 00:18:01,880 --> 00:18:05,600 Speaker 1: improvement books. So tell us if they're overrated or underrated, 384 00:18:05,960 --> 00:18:08,240 Speaker 1: And if you want to throw on a sentence or 385 00:18:08,280 --> 00:18:11,800 Speaker 1: two of why, feel free to atomic catics. 386 00:18:12,160 --> 00:18:16,360 Speaker 3: James Claire underrated, still underrated? I have I have three 387 00:18:16,400 --> 00:18:18,840 Speaker 3: copies of the book. I've read it at least five times. 388 00:18:18,880 --> 00:18:23,439 Speaker 3: I'm reading it now. And the fact that he's able 389 00:18:23,720 --> 00:18:25,760 Speaker 3: to structure the book in such a way where it's 390 00:18:25,800 --> 00:18:28,760 Speaker 3: so simple to follow. It's always like an interesting story. 391 00:18:28,760 --> 00:18:31,040 Speaker 3: It starts with and the way he makes like even 392 00:18:31,080 --> 00:18:33,919 Speaker 3: scientific studies interesting. That's why I've been like trying to 393 00:18:33,960 --> 00:18:37,400 Speaker 3: borrow from him, Like I'm reading the study and I'm 394 00:18:37,400 --> 00:18:39,280 Speaker 3: reading the actual study, I'm like, this is so boring, 395 00:18:39,320 --> 00:18:42,040 Speaker 3: but he just makes it sound so cool and just 396 00:18:42,080 --> 00:18:44,879 Speaker 3: so actionable, Like every other sentence you want to highlight 397 00:18:44,960 --> 00:18:46,359 Speaker 3: is like, oh, this is such a good line. Like 398 00:18:46,640 --> 00:18:48,800 Speaker 3: he was kind of like the original, like tweeter or 399 00:18:48,840 --> 00:18:52,640 Speaker 3: like the original like not in the ball, like capturing 400 00:18:52,680 --> 00:18:55,560 Speaker 3: like a whole chapter in a sentence. And I have 401 00:18:56,400 --> 00:18:57,800 Speaker 3: had the chance to meet him in person a couple 402 00:18:57,760 --> 00:18:59,200 Speaker 3: of times, and he just like super smart. 403 00:18:59,280 --> 00:19:02,520 Speaker 1: Yeah, he did a nice job like tightening that, not 404 00:19:02,640 --> 00:19:05,280 Speaker 1: over explaining that, and make it making it very readable. 405 00:19:05,520 --> 00:19:08,160 Speaker 1: To that note, I would say, if you love that book. 406 00:19:08,200 --> 00:19:11,680 Speaker 1: There's a book called Don't Shoot the Dog, and it's 407 00:19:11,720 --> 00:19:15,880 Speaker 1: by this lady whose name is Karen Pryor. I think 408 00:19:15,920 --> 00:19:18,640 Speaker 1: she might have passed away recently at like ninety five 409 00:19:18,760 --> 00:19:22,000 Speaker 1: or something, but she was a behavioral psychologist, kind of 410 00:19:22,000 --> 00:19:23,800 Speaker 1: one of the ogs in the field. She did a 411 00:19:23,840 --> 00:19:26,800 Speaker 1: lot of training with animals, and so it really looks 412 00:19:26,840 --> 00:19:32,919 Speaker 1: at behavioral psychology how to instill habits in animals or 413 00:19:33,040 --> 00:19:35,800 Speaker 1: humans and also how to break habits. And it's just 414 00:19:36,320 --> 00:19:38,480 Speaker 1: it's great because she's been in the trenches. She's got 415 00:19:38,520 --> 00:19:41,159 Speaker 1: all the academic background, but she's actually like on the 416 00:19:41,160 --> 00:19:42,760 Speaker 1: ground doing the work. So you get a lot of 417 00:19:42,800 --> 00:19:44,800 Speaker 1: cool anecdotes. So I would check that one out if 418 00:19:44,800 --> 00:19:45,199 Speaker 1: I of you. 419 00:19:45,840 --> 00:19:46,119 Speaker 2: We'll do. 420 00:19:47,600 --> 00:19:50,440 Speaker 1: Next book, seven Habits of Highly Effective People. 421 00:19:50,960 --> 00:19:52,920 Speaker 2: So this might surprise you. But I actually haven't read 422 00:19:52,920 --> 00:19:53,320 Speaker 2: that book. 423 00:19:53,400 --> 00:19:55,920 Speaker 1: Okay, I read it a long time ago. I can't 424 00:19:55,920 --> 00:19:58,160 Speaker 1: even remember much about it. So we'll call it neutral, 425 00:19:58,200 --> 00:20:03,960 Speaker 1: I guess man search for meaning, underrated, way underwriting. 426 00:20:04,600 --> 00:20:06,800 Speaker 3: Yeah, even though it's also so like millions of copies, 427 00:20:06,840 --> 00:20:09,840 Speaker 3: Like again, incredible story gets then so like you know, 428 00:20:09,960 --> 00:20:15,200 Speaker 3: concentration Camp survives. It is able to motivate himself to survive, 429 00:20:15,640 --> 00:20:18,160 Speaker 3: and he basically because he was a psychoanalyst. He starts 430 00:20:18,160 --> 00:20:20,680 Speaker 3: looking at why do some people give up while others don't? 431 00:20:21,080 --> 00:20:22,119 Speaker 2: Was the reason for doing so? 432 00:20:22,240 --> 00:20:24,520 Speaker 3: And then yeah, he also goes on to become a professor, 433 00:20:24,720 --> 00:20:27,520 Speaker 3: you know, and write multiple books and able to live 434 00:20:27,560 --> 00:20:29,560 Speaker 3: like a really normal life compared to other people that 435 00:20:29,760 --> 00:20:32,400 Speaker 3: also survived and then weren't able to so the way 436 00:20:32,560 --> 00:20:35,480 Speaker 3: he kind of has a lens on life and just 437 00:20:35,520 --> 00:20:38,280 Speaker 3: such a crazy experience. That's the book that I think 438 00:20:38,320 --> 00:20:39,240 Speaker 3: literally everyone should read. 439 00:20:39,440 --> 00:20:41,720 Speaker 1: Yeah, I agree, And I think what makes that book 440 00:20:41,760 --> 00:20:44,080 Speaker 1: so strong is he did he had the experience, but 441 00:20:44,119 --> 00:20:48,400 Speaker 1: then he also had the academic background and like the 442 00:20:48,400 --> 00:20:51,520 Speaker 1: therapy background, so he could really take this extreme experience 443 00:20:51,560 --> 00:20:53,600 Speaker 1: which thank god most people are not going to go through, 444 00:20:53,640 --> 00:20:55,919 Speaker 1: but apply it to help you understand. Oh, here's how 445 00:20:55,960 --> 00:20:58,840 Speaker 1: this applies to my life, which was which was awesome. 446 00:21:00,160 --> 00:21:02,920 Speaker 1: Did you read Twelve Rules for Life Jordan Peterson? 447 00:21:03,400 --> 00:21:03,720 Speaker 2: Yeah? 448 00:21:03,880 --> 00:21:08,000 Speaker 3: Also, I would say his best book underrated. What I 449 00:21:08,000 --> 00:21:10,720 Speaker 3: love most about him is that he took a psychology 450 00:21:10,800 --> 00:21:15,920 Speaker 3: lens on religion and even like Disney movies, like analyzing 451 00:21:15,960 --> 00:21:18,520 Speaker 3: in a unique way, and like you said, the Hero's Journey, 452 00:21:18,840 --> 00:21:22,360 Speaker 3: Like he has this great lecture on the Lion King, 453 00:21:22,400 --> 00:21:24,680 Speaker 3: and how that's like the Hero's Journey, it is a 454 00:21:24,720 --> 00:21:27,960 Speaker 3: little bit harder to read. I kind of think of 455 00:21:28,000 --> 00:21:30,600 Speaker 3: his book as like a more advanced version of the 456 00:21:30,640 --> 00:21:34,080 Speaker 3: Subtle Art, where the lessons are super similar. It's just 457 00:21:34,200 --> 00:21:36,840 Speaker 3: he has a lot more psychology and the academic background, 458 00:21:37,000 --> 00:21:38,919 Speaker 3: and he just has like more religion and philosophy in 459 00:21:38,920 --> 00:21:41,480 Speaker 3: his book compared to Mark Manson's book. But those two 460 00:21:41,480 --> 00:21:43,199 Speaker 3: books I feel find like super similar. 461 00:21:43,520 --> 00:21:49,199 Speaker 1: Yeah, that makes sense. We actually inspired by Peterson's lecture 462 00:21:49,320 --> 00:21:52,200 Speaker 1: using the Lion King on the Hero's Journey. I would 463 00:21:52,240 --> 00:21:54,639 Speaker 1: actually make my when I was a professor at UNLV 464 00:21:54,760 --> 00:21:57,000 Speaker 1: and I taught like this four hundred level writing class 465 00:21:57,320 --> 00:21:59,960 Speaker 1: on how to structure narratives, I would make them wat 466 00:22:00,000 --> 00:22:04,560 Speaker 1: watch The Sandlot because the Sandlot is if you watch 467 00:22:04,640 --> 00:22:06,840 Speaker 1: the first like twenty minutes of that, it is perfectly 468 00:22:06,920 --> 00:22:09,439 Speaker 1: structured for how to build a story. It's like, you 469 00:22:09,480 --> 00:22:12,000 Speaker 1: take this character, things are fine, Oh, but now we 470 00:22:12,080 --> 00:22:14,880 Speaker 1: have to move and stuff sucks, and then like, oh, 471 00:22:14,960 --> 00:22:17,640 Speaker 1: now this guide comes in in the form of, oh, 472 00:22:17,680 --> 00:22:20,320 Speaker 1: I forget his name, is it Vinnie or something? The 473 00:22:20,760 --> 00:22:24,000 Speaker 1: kid who's really good at baseball, and then he sort 474 00:22:24,000 --> 00:22:25,480 Speaker 1: of sets off on this new course. But then we 475 00:22:25,560 --> 00:22:28,240 Speaker 1: have a problem with like the ball that his was 476 00:22:28,280 --> 00:22:30,800 Speaker 1: signed by Babe Ruth gets hit into the dog's yard. 477 00:22:30,800 --> 00:22:34,680 Speaker 1: It's just like amazing four hour work week. 478 00:22:35,720 --> 00:22:39,720 Speaker 3: I have to say maybe slightly overrated just because it's 479 00:22:39,880 --> 00:22:41,679 Speaker 3: a bit outdated. I think it was published in two 480 00:22:41,720 --> 00:22:44,760 Speaker 3: thousand and four, so like a lot of the lessons 481 00:22:45,040 --> 00:22:48,080 Speaker 3: or the principles are still applicable, but a lot of 482 00:22:48,119 --> 00:22:50,359 Speaker 3: the he has like a lot of links to things 483 00:22:50,600 --> 00:22:51,879 Speaker 3: and he tells you, like, you know, you could do 484 00:22:51,920 --> 00:22:54,439 Speaker 3: this instead of that. So now that has been like 485 00:22:54,480 --> 00:22:56,760 Speaker 3: twenty years ago, I feel like and he's like an update. 486 00:22:56,960 --> 00:22:57,400 Speaker 1: Yeah. 487 00:22:57,520 --> 00:22:59,600 Speaker 3: So actually my friend NOA. Kagan wrote but the Million 488 00:22:59,640 --> 00:23:02,160 Speaker 3: Dollar a Week, which I feel like is an updated version 489 00:23:02,200 --> 00:23:04,440 Speaker 3: of that book. But I have huge respect for Tim 490 00:23:04,440 --> 00:23:06,000 Speaker 3: Ferrier's love his books in his podcast. 491 00:23:06,160 --> 00:23:09,000 Speaker 1: Yeah, it's just it's just the point in time. It 492 00:23:09,080 --> 00:23:11,399 Speaker 1: was like it was probably underrated at that time, and 493 00:23:11,440 --> 00:23:13,880 Speaker 1: then twenty years later, I'm like, Okay, maybe doesn't apply 494 00:23:13,920 --> 00:23:15,680 Speaker 1: as much today. So you got no okag in there? 495 00:23:15,720 --> 00:23:18,800 Speaker 1: Do you have Do you have any strong thoughts on 496 00:23:19,400 --> 00:23:22,520 Speaker 1: self help books that are very overrated? Is there one 497 00:23:22,560 --> 00:23:24,320 Speaker 1: you're like that one's a way overrated right now? 498 00:23:24,600 --> 00:23:26,840 Speaker 3: I think some of the just the mindset books, so 499 00:23:26,920 --> 00:23:28,920 Speaker 3: like the uh, I might get a lot of hate 500 00:23:28,920 --> 00:23:30,280 Speaker 3: for this, but the power of now I try to 501 00:23:30,280 --> 00:23:33,440 Speaker 3: get into I just wasn't able to. I know a 502 00:23:33,480 --> 00:23:37,040 Speaker 3: lot of people like The Secret some of those like 503 00:23:37,200 --> 00:23:40,360 Speaker 3: spiritual books or where it's just like you just need 504 00:23:40,400 --> 00:23:43,119 Speaker 3: to change your mindset. It's like, that's change your mindset 505 00:23:43,200 --> 00:23:45,200 Speaker 3: just step one. Step two is actually like taking action. 506 00:23:45,320 --> 00:23:47,800 Speaker 3: You can't just all right, I'm gonna think positively in 507 00:23:47,800 --> 00:23:49,800 Speaker 3: my life's gonna get better. It's like, no, that that's 508 00:23:49,800 --> 00:23:51,680 Speaker 3: the first step, but then you actually have to make 509 00:23:51,680 --> 00:23:52,040 Speaker 3: it better. 510 00:23:52,240 --> 00:23:55,879 Speaker 1: Yeah. And I would argue that the mindset comes after 511 00:23:56,600 --> 00:23:59,520 Speaker 1: the doing something like you have to do something because 512 00:23:59,600 --> 00:24:02,119 Speaker 1: you learn earn by the doing, and then the lesson 513 00:24:02,160 --> 00:24:05,680 Speaker 1: becomes like, oh, can I now think differently about myself? 514 00:24:06,000 --> 00:24:07,080 Speaker 2: Yeah? Yeah, I agree. 515 00:24:07,280 --> 00:24:09,480 Speaker 1: All right, let's say you're going to start a cult, 516 00:24:10,000 --> 00:24:12,760 Speaker 1: as we all do every now and then think about, yeah, 517 00:24:12,800 --> 00:24:14,399 Speaker 1: I can you know what I could do lead a cult? 518 00:24:14,560 --> 00:24:16,360 Speaker 1: What book would you assign if you're going to start 519 00:24:16,359 --> 00:24:16,720 Speaker 1: a cult? 520 00:24:17,359 --> 00:24:19,480 Speaker 3: I have this book, The Elephant in the Brain, so 521 00:24:19,560 --> 00:24:22,240 Speaker 3: basically is written by one of the people or the psychologists, 522 00:24:22,280 --> 00:24:25,080 Speaker 3: other ones like a blogger. And what's fascinating, like the 523 00:24:25,720 --> 00:24:27,719 Speaker 3: two sent of the summary is that everything we do 524 00:24:27,760 --> 00:24:31,119 Speaker 3: in life, you have the reason you tell people and 525 00:24:31,880 --> 00:24:35,639 Speaker 3: kind of like a deeper, maybe sometimes darker reason. So 526 00:24:35,640 --> 00:24:37,359 Speaker 3: one of the favorite, one of my favorite examples in 527 00:24:37,400 --> 00:24:39,760 Speaker 3: the book is that only one percent of the charitable 528 00:24:39,800 --> 00:24:42,280 Speaker 3: genations are anonymous, so you would think that people that 529 00:24:42,359 --> 00:24:44,199 Speaker 3: donates charity they're just doing it because they want to 530 00:24:44,200 --> 00:24:47,080 Speaker 3: do good, but actually they want to be seen doing good. 531 00:24:47,440 --> 00:24:50,639 Speaker 3: So if you look at universities, hospitals, libraries, they always 532 00:24:50,680 --> 00:24:52,760 Speaker 3: have like some billionaire's name or something because they want 533 00:24:52,840 --> 00:24:54,880 Speaker 3: to not just give them money, but they want other 534 00:24:54,880 --> 00:24:57,359 Speaker 3: people to know like, hey, I'm a good person. And 535 00:24:57,440 --> 00:25:00,119 Speaker 3: so you know, people always have this double motivation. And 536 00:25:00,119 --> 00:25:02,520 Speaker 3: even the authors say, like, we wrote this book because 537 00:25:02,520 --> 00:25:05,080 Speaker 3: we want to educate people about this topic. But if 538 00:25:05,119 --> 00:25:07,000 Speaker 3: we actually wanted to reach the most amountain people, we 539 00:25:07,040 --> 00:25:08,959 Speaker 3: would have made an ebook and made a free so 540 00:25:09,000 --> 00:25:11,360 Speaker 3: anyone could read it. But because we wanted to get 541 00:25:11,359 --> 00:25:14,000 Speaker 3: paid and we wanted like some prestige and status, we 542 00:25:14,080 --> 00:25:16,400 Speaker 3: went with like a big five publisher. Yeah, and they 543 00:25:16,400 --> 00:25:19,600 Speaker 3: give so many examples of like there's always two reasons 544 00:25:19,600 --> 00:25:21,919 Speaker 3: for people doing things, and they're super transparent with their 545 00:25:22,000 --> 00:25:25,440 Speaker 3: own book. So yeah, if I want to start a CULL, 546 00:25:25,520 --> 00:25:27,560 Speaker 3: I would have like, hey, I want to accomplish this 547 00:25:27,640 --> 00:25:30,120 Speaker 3: good thing, but actually I want to accomplish this good 548 00:25:30,119 --> 00:25:32,120 Speaker 3: thing because I want to have power where I want 549 00:25:32,119 --> 00:25:34,080 Speaker 3: to like lead people in this way or something like that. 550 00:25:34,640 --> 00:25:36,160 Speaker 3: So this was a super fascinating read. 551 00:25:36,440 --> 00:25:38,760 Speaker 1: Awesome. I love it. This sounds like when my tax 552 00:25:38,800 --> 00:25:41,040 Speaker 1: guy calls me and says, hey, you should donate to charity. 553 00:25:41,080 --> 00:25:42,560 Speaker 1: I'm like, yeah, that sounds like a good idea, and 554 00:25:42,600 --> 00:25:44,520 Speaker 1: he goes, it's a giant tax right off too. I go, 555 00:25:44,840 --> 00:25:48,359 Speaker 1: it's definitely a good idea. Now, yeah, all right, So 556 00:25:48,440 --> 00:25:51,880 Speaker 1: I think my response would be The True Believer by 557 00:25:52,040 --> 00:25:55,920 Speaker 1: Eric Hoffer. So Eric Hoffer was this guy, and I 558 00:25:55,960 --> 00:25:57,960 Speaker 1: think he wrote it in the forties fifties. He was 559 00:25:58,000 --> 00:26:01,560 Speaker 1: a longshoreman, I think in sam Francisco, but like super 560 00:26:01,600 --> 00:26:04,120 Speaker 1: bright guy, like no academic training, but he would go 561 00:26:04,240 --> 00:26:06,560 Speaker 1: do his long shoreman duties in the day'd write this 562 00:26:06,560 --> 00:26:10,880 Speaker 1: book at night. And basically his core argument is that 563 00:26:11,359 --> 00:26:14,959 Speaker 1: mass movements, whether they be religious, whether it be a cult, 564 00:26:15,080 --> 00:26:18,520 Speaker 1: a revolution, they all draw from the same pool of people. 565 00:26:19,520 --> 00:26:22,480 Speaker 1: It's not the super poor people, it's not the people 566 00:26:22,480 --> 00:26:24,919 Speaker 1: whose lives are going super great. It's this sort of 567 00:26:25,040 --> 00:26:28,400 Speaker 1: middle group of people who are frustrated and they're dissatisfied 568 00:26:28,440 --> 00:26:30,640 Speaker 1: with life and they can't figure out how to get 569 00:26:30,640 --> 00:26:33,440 Speaker 1: out of it. So when a mass movement comes in, 570 00:26:33,800 --> 00:26:36,600 Speaker 1: they get attracted to this because it allows them to 571 00:26:36,640 --> 00:26:39,840 Speaker 1: sort of offload their thinking and their pain and whatever 572 00:26:39,920 --> 00:26:43,520 Speaker 1: to this one goal of the movement. So he argues, 573 00:26:44,040 --> 00:26:46,320 Speaker 1: when you look at where these sort of extreme movements 574 00:26:46,400 --> 00:26:49,640 Speaker 1: pop up, they're always among groups that have a lot 575 00:26:49,680 --> 00:26:52,520 Speaker 1: of dissatisfied people. And so the sort of the leader 576 00:26:52,600 --> 00:26:55,360 Speaker 1: comes in and goes, hey, here's the solution to all 577 00:26:55,359 --> 00:26:58,520 Speaker 1: your problems, join me doesn't a lot of times, he argues, 578 00:26:58,560 --> 00:27:00,440 Speaker 1: it doesn't even matter what the message is, just needs 579 00:27:00,440 --> 00:27:03,080 Speaker 1: to be like this collective, we're going to get out 580 00:27:03,119 --> 00:27:06,320 Speaker 1: of this together, and you can just offload that. So 581 00:27:06,359 --> 00:27:08,640 Speaker 1: the reason I would have signed that where I'd start 582 00:27:08,680 --> 00:27:11,880 Speaker 1: a cult is that joining a cult is a terrible idea, 583 00:27:12,480 --> 00:27:14,719 Speaker 1: And so I would have signed that book because it 584 00:27:14,800 --> 00:27:17,760 Speaker 1: is the anti cult book. And so people would see me, 585 00:27:17,800 --> 00:27:19,280 Speaker 1: they would read that book and they go, you know what, 586 00:27:19,359 --> 00:27:21,479 Speaker 1: I don't want to join join your cult. I'm going 587 00:27:21,520 --> 00:27:23,520 Speaker 1: to go do something with my life. So that is 588 00:27:23,560 --> 00:27:24,119 Speaker 1: my answer. 589 00:27:24,480 --> 00:27:25,439 Speaker 2: Yeah, that's good answer. 590 00:27:25,640 --> 00:27:28,560 Speaker 1: Okay, let's say that you are a coach of a 591 00:27:28,560 --> 00:27:30,879 Speaker 1: pro sports team. What book are you signing. 592 00:27:31,359 --> 00:27:34,560 Speaker 3: I'm going with a Mindset by kel Jwack. Awesome, I've 593 00:27:34,600 --> 00:27:37,680 Speaker 3: read that this book. Yeah, completely life chaining too minute. 594 00:27:37,680 --> 00:27:40,040 Speaker 3: Summary is that people you have two mindsets. One's a 595 00:27:40,080 --> 00:27:42,639 Speaker 3: limited belief where you think like, oh, I'm just not 596 00:27:42,720 --> 00:27:44,320 Speaker 3: good at this thing and I'll never be good at 597 00:27:44,440 --> 00:27:46,240 Speaker 3: this thing. Or you can have a growth mindset where 598 00:27:46,240 --> 00:27:47,879 Speaker 3: it's like, I'm not good at this thing because I 599 00:27:47,920 --> 00:27:51,040 Speaker 3: haven't had enough practice or enough reps. And I've noticed 600 00:27:51,080 --> 00:27:53,960 Speaker 3: this in myself. So like, growing up, I'm pretty tall 601 00:27:53,960 --> 00:27:56,119 Speaker 3: guy and I played basketball, so I was always like 602 00:27:56,320 --> 00:27:58,280 Speaker 3: what they would call the censor, the guy that's closest 603 00:27:58,280 --> 00:28:00,840 Speaker 3: to the basket who does like a or a dunk 604 00:28:00,920 --> 00:28:03,080 Speaker 3: or like a short jump shot. And I would never 605 00:28:03,119 --> 00:28:05,679 Speaker 3: be considered like a shooter until I started taking this 606 00:28:05,720 --> 00:28:08,200 Speaker 3: basketball class where you literally spend like an hour just 607 00:28:08,280 --> 00:28:11,560 Speaker 3: doing shooting drills, and that really helped improve my jump shot. 608 00:28:11,680 --> 00:28:13,679 Speaker 3: And now, like, you know, I'm not an amazing shooter, 609 00:28:13,800 --> 00:28:16,240 Speaker 3: but I'm like decent. And if you look at the NBA, 610 00:28:16,480 --> 00:28:18,439 Speaker 3: like now, like Wemby, one of the tallest guys in 611 00:28:18,440 --> 00:28:20,480 Speaker 3: the league, he's taking three pointers. All these big guys 612 00:28:20,520 --> 00:28:23,240 Speaker 3: are taking three pointers. So it's been like this huge 613 00:28:23,280 --> 00:28:25,840 Speaker 3: mindset belief like oh, just because I'm tall, it doesn't 614 00:28:25,880 --> 00:28:26,639 Speaker 3: mean I can't shoot. 615 00:28:26,680 --> 00:28:28,240 Speaker 2: I just haven't had enough practice. 616 00:28:29,040 --> 00:28:31,080 Speaker 3: So yeah, I would sign that out to whatever team 617 00:28:31,160 --> 00:28:32,639 Speaker 3: is like, Hey, if you're bad at this, you just 618 00:28:32,640 --> 00:28:34,119 Speaker 3: got to put more reps and you'll. 619 00:28:33,960 --> 00:28:34,600 Speaker 2: Get better at it. 620 00:28:34,680 --> 00:28:35,879 Speaker 1: Yeah that makes sense. How tall are you? 621 00:28:36,119 --> 00:28:37,600 Speaker 2: Six six six seven you? 622 00:28:37,840 --> 00:28:39,959 Speaker 1: Yeah, I could see how you end up playing center, 623 00:28:40,320 --> 00:28:43,760 Speaker 1: center and high school, college, whatever it might be. I 624 00:28:43,760 --> 00:28:47,800 Speaker 1: think the book that I would assign where coaching a team, 625 00:28:48,040 --> 00:28:50,000 Speaker 1: and this is kind of a totally out there I 626 00:28:50,000 --> 00:28:53,040 Speaker 1: would guess that probably no one has read this. It's 627 00:28:53,080 --> 00:28:57,520 Speaker 1: called Practical Shooting Beyond Fundamentals. It's by a guy named 628 00:28:57,520 --> 00:29:01,160 Speaker 1: Brian Enos. So this guy it's not Brian Eno. The 629 00:29:01,240 --> 00:29:05,400 Speaker 1: musician is Brian Enos. This guy was a He did 630 00:29:05,440 --> 00:29:09,200 Speaker 1: competitive shooting in the eighties. So competitive shooting where you 631 00:29:09,280 --> 00:29:11,400 Speaker 1: kind of go through these courses you get scored based 632 00:29:11,440 --> 00:29:14,880 Speaker 1: on your time and where in the target you hit. 633 00:29:15,360 --> 00:29:17,880 Speaker 1: It was really popular in the eighties. This guy was 634 00:29:17,920 --> 00:29:20,280 Speaker 1: one of the best in the game. But what makes 635 00:29:20,360 --> 00:29:24,040 Speaker 1: him interesting is that he's super deep into zen and 636 00:29:24,120 --> 00:29:26,480 Speaker 1: he'd always like he'd picked up zen I think when 637 00:29:26,480 --> 00:29:29,720 Speaker 1: he was maybe in his teens and had always practiced it, 638 00:29:29,760 --> 00:29:32,320 Speaker 1: I mean like deep, and so a lot of his 639 00:29:32,520 --> 00:29:37,160 Speaker 1: argument is that good shooting and perfect performance comes from 640 00:29:37,200 --> 00:29:41,520 Speaker 1: like basically the self dissolving and you just have these 641 00:29:41,640 --> 00:29:44,920 Speaker 1: complete flow states. And he really walks through how do 642 00:29:44,920 --> 00:29:47,200 Speaker 1: you find that? And he writes about matches where he's like, 643 00:29:47,800 --> 00:29:51,800 Speaker 1: you know, the buzzer started, and he's like everything slowed 644 00:29:51,840 --> 00:29:54,120 Speaker 1: down and it was like it felt like this ten 645 00:29:54,240 --> 00:29:56,840 Speaker 1: second twenty second thing just felt like an hour, and 646 00:29:56,880 --> 00:29:59,320 Speaker 1: I remember every moment and I would just be far 647 00:29:59,400 --> 00:30:01,600 Speaker 1: ahead of the competition, and he kind of walks in like, 648 00:30:01,640 --> 00:30:03,400 Speaker 1: how do you find that perfect state? So I think 649 00:30:03,520 --> 00:30:07,000 Speaker 1: that's what I would assigned. I hung out with him 650 00:30:07,040 --> 00:30:08,520 Speaker 1: for a little bit and he's just like the most 651 00:30:08,560 --> 00:30:11,920 Speaker 1: fascinating dude ever, Just just amazing, and especially I also 652 00:30:12,000 --> 00:30:14,320 Speaker 1: love the combination of like, on one hand, we have zen, 653 00:30:15,560 --> 00:30:17,600 Speaker 1: but we're applying it to shooting, and of course the 654 00:30:17,600 --> 00:30:19,920 Speaker 1: book is guns. Yeah, shooting guns, like you know, you 655 00:30:20,000 --> 00:30:23,160 Speaker 1: have to be like totally mindfully zen, like focused as 656 00:30:23,200 --> 00:30:26,840 Speaker 1: there's an explosion going on at the end of your hand. Yeah, 657 00:30:26,880 --> 00:30:28,640 Speaker 1: but he argues in the book, you can really apply 658 00:30:28,680 --> 00:30:31,200 Speaker 1: it to anything. Yeah, do you have kids? 659 00:30:31,240 --> 00:30:32,080 Speaker 2: That sounds a good one. 660 00:30:32,600 --> 00:30:35,400 Speaker 1: Yeah, No, I don't either, So this question might be 661 00:30:35,480 --> 00:30:37,239 Speaker 1: we may cut this, but we'll go with it. If 662 00:30:37,240 --> 00:30:39,320 Speaker 1: you if you had kids, what would you sign your 663 00:30:39,360 --> 00:30:39,880 Speaker 1: kids to read? 664 00:30:40,440 --> 00:30:42,800 Speaker 3: So we have learned like a Pro by Barbara Hoakley. 665 00:30:43,200 --> 00:30:47,479 Speaker 3: So Barbara's known for she has this viral online course 666 00:30:47,640 --> 00:30:50,040 Speaker 3: like learning how to learn. She's written several books on 667 00:30:50,080 --> 00:30:52,520 Speaker 3: the topic. This one's actually one of my phrase just 668 00:30:52,520 --> 00:30:54,000 Speaker 3: because of how short it is. It's like on their 669 00:30:54,000 --> 00:30:56,680 Speaker 3: one hundred and fifty pages, and it's a skill. Like 670 00:30:56,720 --> 00:30:58,400 Speaker 3: you know, we're sends a school to learn, but we're 671 00:30:58,440 --> 00:31:02,560 Speaker 3: never taught how to learn. So, like one biggest lesson 672 00:31:02,600 --> 00:31:04,920 Speaker 3: is I took away from this book and it took 673 00:31:04,960 --> 00:31:07,120 Speaker 3: me so long to realize this is that reading a 674 00:31:07,120 --> 00:31:10,640 Speaker 3: book or text or whatever the difference between understanding it 675 00:31:10,720 --> 00:31:13,080 Speaker 3: and remembering it. So when you read it, it goes 676 00:31:13,080 --> 00:31:15,200 Speaker 3: into your working memory, which you could kind of think 677 00:31:15,240 --> 00:31:17,400 Speaker 3: of like your short term memory, and you think you 678 00:31:17,520 --> 00:31:19,720 Speaker 3: know it because you just read it and you understand it. 679 00:31:20,160 --> 00:31:24,960 Speaker 3: But memory is actually a result of recall. So it's 680 00:31:24,960 --> 00:31:28,080 Speaker 3: not about putting information in your mind. It's about recalling 681 00:31:28,120 --> 00:31:30,760 Speaker 3: information like retrieving it. So if you actually want to 682 00:31:30,800 --> 00:31:34,320 Speaker 3: remember something, you know, put the book down and think about, like, 683 00:31:34,400 --> 00:31:36,280 Speaker 3: what's one lesson I learned from this, and you want 684 00:31:36,320 --> 00:31:38,440 Speaker 3: to repeat that the next day, the next week, and 685 00:31:38,520 --> 00:31:40,520 Speaker 3: you constantly want to pull that information to the front 686 00:31:40,520 --> 00:31:42,440 Speaker 3: of your mind. And if you do that enough times, 687 00:31:42,440 --> 00:31:45,000 Speaker 3: it goes from your short term memory or your working memory. 688 00:31:44,720 --> 00:31:45,720 Speaker 2: To your long term memory. 689 00:31:46,000 --> 00:31:49,040 Speaker 3: And that's like, that was like a big unlock because like, oh, 690 00:31:49,080 --> 00:31:52,200 Speaker 3: like I've been reading books wrong for years and it's like, 691 00:31:52,280 --> 00:31:53,960 Speaker 3: now I know how to do it. And she covers 692 00:31:54,000 --> 00:31:56,800 Speaker 3: all these other topics. So any anyone who's a student 693 00:31:56,880 --> 00:31:57,840 Speaker 3: should check out this book. 694 00:31:57,880 --> 00:32:00,720 Speaker 1: I love it. I think my answer would be I'm 695 00:32:00,760 --> 00:32:02,600 Speaker 1: not going to say the Comfort Crisis because I wrote 696 00:32:02,640 --> 00:32:04,600 Speaker 1: that book and it would be And also, if I 697 00:32:04,600 --> 00:32:06,520 Speaker 1: had children, they'd be living with me and I'd probably 698 00:32:06,560 --> 00:32:10,160 Speaker 1: be telling them about that. Well I have, yeah, they'd 699 00:32:10,200 --> 00:32:11,600 Speaker 1: be living it. I have had a lot of parents 700 00:32:11,600 --> 00:32:13,440 Speaker 1: assign that to their kids. I think I would say 701 00:32:13,800 --> 00:32:16,440 Speaker 1: a book called The Score by t Win. We recently 702 00:32:16,480 --> 00:32:19,360 Speaker 1: actually had him on the podcast, and he's a philosopher 703 00:32:19,360 --> 00:32:22,720 Speaker 1: at the University of Utah, and he basically argues that 704 00:32:22,960 --> 00:32:26,280 Speaker 1: in daily life, when we quantify things and put a 705 00:32:26,360 --> 00:32:29,760 Speaker 1: number on it, it tends to capture why we're doing 706 00:32:29,800 --> 00:32:32,360 Speaker 1: the thing in the first place. So I think the 707 00:32:32,440 --> 00:32:36,959 Speaker 1: example for kids is great. So why do you go 708 00:32:37,000 --> 00:32:40,160 Speaker 1: to school? There's like a million reasons, right, It's why 709 00:32:40,160 --> 00:32:41,960 Speaker 1: I want to learn some stuff. I want to learn 710 00:32:42,000 --> 00:32:43,760 Speaker 1: how to think, I want to make friends, I need 711 00:32:43,760 --> 00:32:45,480 Speaker 1: to learn social skills, I need to do all these 712 00:32:45,480 --> 00:32:49,240 Speaker 1: complicated things. But what do students really care about. They 713 00:32:49,280 --> 00:32:52,000 Speaker 1: only care about their A and their GPA, and so 714 00:32:52,120 --> 00:32:55,080 Speaker 1: they get overly focused on this thing while missing the 715 00:32:55,120 --> 00:32:59,240 Speaker 1: overall plot. But you can apply that to salary, how 716 00:32:59,280 --> 00:33:01,800 Speaker 1: people will just obsessed about making more money at the 717 00:33:01,840 --> 00:33:03,920 Speaker 1: expense of their happiness. You can apply it to all 718 00:33:03,960 --> 00:33:06,000 Speaker 1: these government metrics. I mean, it's just everywhere. And so 719 00:33:06,080 --> 00:33:07,720 Speaker 1: I think I would assign them that because I think 720 00:33:07,720 --> 00:33:13,280 Speaker 1: it helps people keep their eye on the larger ball 721 00:33:13,480 --> 00:33:15,760 Speaker 1: of why am I doing this thing in the first place, 722 00:33:15,800 --> 00:33:18,720 Speaker 1: and just generally make better decisions and not get captured 723 00:33:18,720 --> 00:33:20,520 Speaker 1: by like, oh, I just need this number to change 724 00:33:20,520 --> 00:33:21,480 Speaker 1: and my life will be better. 725 00:33:21,800 --> 00:33:24,320 Speaker 3: Yeah, there's I'm baking out on the mental model of it. 726 00:33:24,400 --> 00:33:27,200 Speaker 3: But it's like, once a measure becomes a measure, it 727 00:33:27,200 --> 00:33:29,760 Speaker 3: becomes a bad measure because you only measure that one thing. Yeah, 728 00:33:29,840 --> 00:33:31,080 Speaker 3: all the other factors around it. 729 00:33:31,240 --> 00:33:36,000 Speaker 1: Yeah, that's called Goodheart's law. Yeah, yeah, so it aligns 730 00:33:36,000 --> 00:33:37,640 Speaker 1: a lot with that. We'll take a break and then 731 00:33:37,680 --> 00:33:39,680 Speaker 1: Alex and I will talk about if we could choose 732 00:33:39,720 --> 00:33:49,600 Speaker 1: any author to spend a day with. Who that would be? Okay, 733 00:33:49,720 --> 00:33:53,160 Speaker 1: author can be living or dead, can be anyone author 734 00:33:53,280 --> 00:33:54,800 Speaker 1: that you would want to spend a day with. 735 00:33:55,920 --> 00:33:58,080 Speaker 3: This might be under the radar, but I'm gonna go 736 00:33:58,120 --> 00:33:58,960 Speaker 3: with Alex Hermosi. 737 00:34:00,600 --> 00:34:01,040 Speaker 1: Awesome. 738 00:34:01,280 --> 00:34:04,920 Speaker 3: Yeah, I would say, like he's so I'm really fascinated 739 00:34:04,960 --> 00:34:07,959 Speaker 3: by people like super articulate, and he would put him 740 00:34:08,040 --> 00:34:09,600 Speaker 3: up there with like Jordan Peterson and a couple of 741 00:34:09,600 --> 00:34:13,120 Speaker 3: the authors where they choose their words so carefully. And 742 00:34:13,600 --> 00:34:15,799 Speaker 3: one thing Hermosi does, he like he actually defines the 743 00:34:15,800 --> 00:34:18,480 Speaker 3: words he talking about so that way people are on 744 00:34:18,520 --> 00:34:21,520 Speaker 3: the same page and understand it. So that's like one 745 00:34:21,520 --> 00:34:24,120 Speaker 3: of the skills I really want to develop, just being able, 746 00:34:24,239 --> 00:34:28,359 Speaker 3: like being able to communicate effectively, you know, being able 747 00:34:28,400 --> 00:34:33,399 Speaker 3: to describe situations, feelings, events, like just in a way 748 00:34:33,440 --> 00:34:35,879 Speaker 3: that everyone can understand it and communicate that. I think 749 00:34:35,920 --> 00:34:38,520 Speaker 3: that's such a powerful skill and also be cool to 750 00:34:38,640 --> 00:34:40,000 Speaker 3: work out with him. 751 00:34:39,719 --> 00:34:41,839 Speaker 1: So I'm like minor friends with him. We've hung out 752 00:34:41,840 --> 00:34:44,560 Speaker 1: a few times because we have we share a best 753 00:34:44,560 --> 00:34:48,880 Speaker 1: friend in common, and so he's a really nice guy. One. 754 00:34:48,960 --> 00:34:52,359 Speaker 1: He's nice, he's like that in person. I did lift 755 00:34:52,400 --> 00:34:54,440 Speaker 1: with him. I'm going to tell you you may want 756 00:34:54,480 --> 00:34:56,080 Speaker 1: to regret, you may not want to do that. 757 00:34:56,400 --> 00:34:57,040 Speaker 2: You going to feel it. 758 00:34:57,400 --> 00:34:59,879 Speaker 1: You're going to feel it. He you know, he's lifting whatever, 759 00:35:00,200 --> 00:35:02,879 Speaker 1: and we're doing like it's the me, my friend Trever 760 00:35:03,000 --> 00:35:05,200 Speaker 1: Cashy Alex, and we're doing like a you know, cycle 761 00:35:05,360 --> 00:35:07,560 Speaker 1: through weights. And so then I was behind Alex, so 762 00:35:07,560 --> 00:35:09,160 Speaker 1: I would have to go try and lift what he 763 00:35:09,200 --> 00:35:10,879 Speaker 1: was lifting. And I remember those a few times where 764 00:35:10,920 --> 00:35:12,480 Speaker 1: he just looked over at me and just was like, oh, 765 00:35:12,680 --> 00:35:16,640 Speaker 1: you're so weak, but he was right, Yeah, he's a 766 00:35:16,640 --> 00:35:19,920 Speaker 1: good guy. I think my answer would be Edward Abbey, 767 00:35:20,080 --> 00:35:24,560 Speaker 1: who wrote Desert Solitaire and The Monkey Wrench Gang. So 768 00:35:24,840 --> 00:35:28,080 Speaker 1: Edward abby was this like desert rat and sort of 769 00:35:29,000 --> 00:35:33,040 Speaker 1: anarchist who was really just obsessed with like protecting nature, 770 00:35:33,160 --> 00:35:37,040 Speaker 1: the value of nature, why the government is screwing up nature, 771 00:35:37,400 --> 00:35:40,879 Speaker 1: and his most famous book, Desert Solitaire. He lived in 772 00:35:41,360 --> 00:35:43,879 Speaker 1: Arches National Park before it was a national park, I believe, 773 00:35:43,920 --> 00:35:45,600 Speaker 1: but they were starting to pave it and it's just 774 00:35:45,640 --> 00:35:49,759 Speaker 1: this like meditation on the value of nature. But it's 775 00:35:49,760 --> 00:35:53,440 Speaker 1: also he's got so much attitude and humor, and he 776 00:35:53,520 --> 00:35:58,760 Speaker 1: was just this like big rough redneck who drank beer 777 00:35:59,120 --> 00:36:02,279 Speaker 1: all day and really like fought for the wilderness. And 778 00:36:02,320 --> 00:36:04,239 Speaker 1: I would just love to hang out with him. 779 00:36:04,680 --> 00:36:06,439 Speaker 3: I'm actually a big fan of like books about nature, 780 00:36:06,440 --> 00:36:07,520 Speaker 3: so I'm gonna check that one out too. 781 00:36:07,640 --> 00:36:09,520 Speaker 1: Yeah, you'd like that. I would say, start with Desert 782 00:36:09,600 --> 00:36:12,760 Speaker 1: Solitaire and then The Monkey Ranch Gang is actually fiction, 783 00:36:13,160 --> 00:36:15,759 Speaker 1: but it's awesome. It's awesome, you'll like. 784 00:36:15,719 --> 00:36:16,520 Speaker 2: It all right, Cool? 785 00:36:16,640 --> 00:36:20,000 Speaker 1: Okay? Is there anything you think that the self improvement 786 00:36:20,080 --> 00:36:21,200 Speaker 1: genre gets wrong? 787 00:36:21,719 --> 00:36:23,640 Speaker 3: Tim Ferra has had to post about this a few 788 00:36:23,640 --> 00:36:27,279 Speaker 3: months ago, talking about like the toxic productivity. Yeah, and 789 00:36:27,320 --> 00:36:31,600 Speaker 3: I think that's actually. 790 00:36:29,920 --> 00:36:31,520 Speaker 2: Like I never viewed it that way. 791 00:36:31,960 --> 00:36:33,719 Speaker 3: I think so many people think, like, oh, I need 792 00:36:33,719 --> 00:36:36,600 Speaker 3: to become productive or better and then my life starts. 793 00:36:36,960 --> 00:36:39,279 Speaker 3: I think it's your life starts. There will always be 794 00:36:39,400 --> 00:36:42,960 Speaker 3: room for improvement, but you will never achieve like that perfection. 795 00:36:43,120 --> 00:36:45,120 Speaker 3: Like I know I'm never going to play in the NBA, 796 00:36:45,360 --> 00:36:47,680 Speaker 3: just like not good enough, too old. But I still 797 00:36:47,960 --> 00:36:50,439 Speaker 3: like to work out to get better in fitness, get 798 00:36:50,440 --> 00:36:53,200 Speaker 3: better in CARDIOSI that way I can play better at basketball. 799 00:36:54,400 --> 00:36:56,799 Speaker 3: And I think like people might say, like, oh, I'm 800 00:36:56,840 --> 00:36:58,640 Speaker 3: not going to start dating until, like I love myself 801 00:36:58,680 --> 00:37:00,560 Speaker 3: where I fix all these problems, Like, well, you're never 802 00:37:00,600 --> 00:37:02,719 Speaker 3: going to fix all the problems. So the point is 803 00:37:02,760 --> 00:37:04,879 Speaker 3: like to start dating and you know you might find 804 00:37:04,880 --> 00:37:06,719 Speaker 3: a partner that helps you, which is what happened to me. 805 00:37:07,600 --> 00:37:10,800 Speaker 3: So I think you should be able to read, probably 806 00:37:10,840 --> 00:37:13,040 Speaker 3: to be in all these self improvement books and know 807 00:37:13,120 --> 00:37:15,040 Speaker 3: that you're not. You're never going to achieve perfection and 808 00:37:15,080 --> 00:37:18,600 Speaker 3: you shouldn't try to, but you can constantly improve yourself 809 00:37:18,680 --> 00:37:21,400 Speaker 3: just to time you a bit better and be happy 810 00:37:21,440 --> 00:37:24,719 Speaker 3: with where you are, but also be motivated to become 811 00:37:24,800 --> 00:37:27,560 Speaker 3: better version of yourself. But you've got to be able 812 00:37:27,560 --> 00:37:28,840 Speaker 3: to hold those two thoughts together. 813 00:37:29,239 --> 00:37:32,560 Speaker 1: Yeah, And I think sometimes too people can read too 814 00:37:32,560 --> 00:37:34,880 Speaker 1: many books before they actually act on them. Like the 815 00:37:34,960 --> 00:37:37,560 Speaker 1: key is like obviously read books that are going to 816 00:37:37,600 --> 00:37:39,360 Speaker 1: help you, but then afterwards you kind of have to go, 817 00:37:39,400 --> 00:37:40,520 Speaker 1: all right, how am I going to use this in 818 00:37:40,520 --> 00:37:41,919 Speaker 1: the world and actually go out and do it, because 819 00:37:41,920 --> 00:37:43,880 Speaker 1: that's where it actually the magic happens. 820 00:37:44,239 --> 00:37:46,720 Speaker 3: Yeah, that's the other thing I call like next book syndrome. 821 00:37:46,719 --> 00:37:48,719 Speaker 3: It's like, oh, this next book that I read will 822 00:37:48,960 --> 00:37:50,640 Speaker 3: solve my life and all my problems. 823 00:37:50,760 --> 00:37:51,520 Speaker 2: But if you've. 824 00:37:51,400 --> 00:37:53,400 Speaker 3: Already read, you know, dozens or hundreds of bucks, and 825 00:37:53,400 --> 00:37:55,920 Speaker 3: you haven't taken action, the reading is and the problem 826 00:37:56,000 --> 00:37:58,560 Speaker 3: is the taking action part, you know. And I think 827 00:37:58,680 --> 00:38:01,040 Speaker 3: for fiction books, if you just the book, that's totally fine. 828 00:38:01,040 --> 00:38:03,719 Speaker 3: That's the goal of reading non of fiction. But the 829 00:38:03,760 --> 00:38:07,080 Speaker 3: goal of reading nonfiction is action, not just finishing the book. 830 00:38:07,400 --> 00:38:09,239 Speaker 3: So you know, if you finish a book, just try 831 00:38:09,239 --> 00:38:11,480 Speaker 3: to take one idea or one lesson from it and 832 00:38:11,520 --> 00:38:14,080 Speaker 3: go imply that one lesson. And even if you can 833 00:38:14,160 --> 00:38:16,080 Speaker 3: just do one thing when chained in your life, I 834 00:38:16,120 --> 00:38:18,200 Speaker 3: think that makes the time spend reading the book worthday. 835 00:38:18,360 --> 00:38:21,520 Speaker 1: Yeah, I'm with you. I think for me in the 836 00:38:21,560 --> 00:38:27,440 Speaker 1: nonfiction and self improvement space, sometimes there's too much certainty, right. 837 00:38:27,480 --> 00:38:30,120 Speaker 1: It's like, here's the one big idea that's going to 838 00:38:30,239 --> 00:38:34,040 Speaker 1: just completely overhaul everything. But there's you know, competing books 839 00:38:34,040 --> 00:38:36,960 Speaker 1: with that are all saying same big idea. So when 840 00:38:36,960 --> 00:38:39,200 Speaker 1: I'm writing books, I try and like hedge, you know, 841 00:38:39,280 --> 00:38:44,240 Speaker 1: there's other reasons for things. I also think that especially 842 00:38:44,239 --> 00:38:47,160 Speaker 1: books that try to use narrative. I think that authors 843 00:38:47,280 --> 00:38:50,960 Speaker 1: would maybe be better served if they did more on 844 00:38:51,000 --> 00:38:54,440 Speaker 1: the ground reporting and talk to people instead of solely 845 00:38:54,520 --> 00:38:57,360 Speaker 1: reading studies, because I've found in my own work, like 846 00:38:57,360 --> 00:39:00,280 Speaker 1: I could read a study about, you know, some group 847 00:39:00,520 --> 00:39:03,000 Speaker 1: somewhere in the world, but when I go and travel 848 00:39:03,000 --> 00:39:04,919 Speaker 1: and actually meet that group, you find that, like there's 849 00:39:04,960 --> 00:39:06,640 Speaker 1: a lot of stuff in the study that's like completely 850 00:39:06,680 --> 00:39:09,600 Speaker 1: wrong because things have changed over time, or like the 851 00:39:10,520 --> 00:39:12,640 Speaker 1: scientists were there for like twenty four hours, so they 852 00:39:12,640 --> 00:39:14,239 Speaker 1: didn't really get to the bond of things. So I 853 00:39:14,280 --> 00:39:16,960 Speaker 1: think that more authors would be better served to just 854 00:39:17,000 --> 00:39:18,960 Speaker 1: kind of get out in the world and learn things. 855 00:39:19,400 --> 00:39:21,600 Speaker 3: Yeah, and just to give an example for your book, 856 00:39:21,600 --> 00:39:23,880 Speaker 3: at the Comfort Crisis, I remember or the two biggest 857 00:39:23,920 --> 00:39:26,520 Speaker 3: takeaways were one, take the stairs as much as possible. 858 00:39:26,680 --> 00:39:28,160 Speaker 3: So like whenever I'm going through like the New York 859 00:39:28,160 --> 00:39:30,319 Speaker 3: City subway, I'm like, all right, let me just take 860 00:39:30,320 --> 00:39:32,680 Speaker 3: the stairs instead of the escalator or the elevator. And 861 00:39:32,800 --> 00:39:34,759 Speaker 3: one is faster too. You get your steps in your 862 00:39:34,760 --> 00:39:37,160 Speaker 3: cardio and it's like, like I think you said it 863 00:39:37,239 --> 00:39:38,640 Speaker 3: was only two percent of people to take the stairs, 864 00:39:38,680 --> 00:39:41,200 Speaker 3: and you actually see in real time, so that's like 865 00:39:41,280 --> 00:39:42,920 Speaker 3: kind of cool to see. And the second one was 866 00:39:42,920 --> 00:39:45,239 Speaker 3: like the mesogi like picked something really hard to do 867 00:39:45,320 --> 00:39:49,200 Speaker 3: for that year. So like when I got knee surgery 868 00:39:49,200 --> 00:39:51,080 Speaker 3: like two years ago and I'm set a goal to 869 00:39:51,200 --> 00:39:53,239 Speaker 3: be able to dunk again and that was like really hard, 870 00:39:53,239 --> 00:39:55,120 Speaker 3: but now I could do it. Now my goal for 871 00:39:55,160 --> 00:39:58,879 Speaker 3: this year is like to be to finish my book manuscript. Yeah, 872 00:39:58,920 --> 00:40:00,799 Speaker 3: so like just those two less from your book. If 873 00:40:00,800 --> 00:40:02,560 Speaker 3: that's the only two lessons I took away from it, 874 00:40:02,600 --> 00:40:03,719 Speaker 3: I'm like super happy with that. 875 00:40:03,760 --> 00:40:05,799 Speaker 1: Awesome. I love it. I love to hear you apply 876 00:40:05,840 --> 00:40:08,359 Speaker 1: to it. That's that's a secret sauce. All right. Final question, 877 00:40:08,400 --> 00:40:11,680 Speaker 1: This one's semi off topic, going in a different direction. 878 00:40:12,280 --> 00:40:14,439 Speaker 1: So the New York Times recently did a thing where 879 00:40:14,440 --> 00:40:18,840 Speaker 1: they showed people AI writing versus human writing, and a 880 00:40:18,880 --> 00:40:22,719 Speaker 1: lot of the readers actually preferred AI. What do you 881 00:40:22,719 --> 00:40:24,879 Speaker 1: think the implications of that are for books and where 882 00:40:24,920 --> 00:40:25,560 Speaker 1: books are going? 883 00:40:26,080 --> 00:40:28,360 Speaker 3: I think if I find out someone didn't take the 884 00:40:28,400 --> 00:40:30,839 Speaker 3: time to write something, why would I take the time 885 00:40:30,840 --> 00:40:34,719 Speaker 3: to read it? And yeah, I think experienced readers are 886 00:40:34,760 --> 00:40:36,960 Speaker 3: able to tell like what sounds like AI. I'm worried 887 00:40:37,000 --> 00:40:38,840 Speaker 3: in like five ten years from now, when it's like 888 00:40:38,920 --> 00:40:42,279 Speaker 3: as good as a person. But I think AI is 889 00:40:42,320 --> 00:40:45,960 Speaker 3: really a tool maybe for enhancing writing. But anyone that 890 00:40:46,080 --> 00:40:49,520 Speaker 3: uses it just to like replace writing, you're also replacing 891 00:40:49,600 --> 00:40:54,000 Speaker 3: the experience of writing. Where So, to give an example, 892 00:40:54,040 --> 00:40:56,280 Speaker 3: if you use AI to summarize the book, you understand 893 00:40:56,280 --> 00:40:58,720 Speaker 3: the book, but you don't have that change in experience 894 00:40:58,760 --> 00:40:59,920 Speaker 3: because you don't have that story. 895 00:41:00,280 --> 00:41:01,480 Speaker 2: So you might use it to. 896 00:41:01,440 --> 00:41:04,480 Speaker 3: Summarize atomic habits, but because you didn't read a story 897 00:41:04,480 --> 00:41:07,480 Speaker 3: about the British cycling team getting one percent better like that, 898 00:41:07,920 --> 00:41:10,800 Speaker 3: just having the lesson isn't enough to like change your life. 899 00:41:11,080 --> 00:41:13,719 Speaker 3: So I do kind of worry about like AI writing 900 00:41:13,760 --> 00:41:16,399 Speaker 3: getting too good, But right now I think people can 901 00:41:16,400 --> 00:41:17,759 Speaker 3: still realize when it's AI. 902 00:41:18,120 --> 00:41:21,640 Speaker 1: Yeah, definitely. When do you have to turn in your book? 903 00:41:21,640 --> 00:41:23,160 Speaker 2: When you can be finished the manuscript? 904 00:41:23,200 --> 00:41:24,719 Speaker 3: I have to submit by the end of this month 905 00:41:24,760 --> 00:41:26,600 Speaker 3: and hopefully it will be out sometime next year. 906 00:41:26,880 --> 00:41:28,640 Speaker 1: And tell people your handle. 907 00:41:28,719 --> 00:41:31,799 Speaker 3: So just Alex and books you can search on any platform. Yeah, 908 00:41:31,800 --> 00:41:33,279 Speaker 3: I'm the guy that I just reads books and posts 909 00:41:33,239 --> 00:41:34,600 Speaker 3: about it on social media. I've been doing it for 910 00:41:34,680 --> 00:41:37,680 Speaker 3: almost ten years now, so yeah, I've been been doing 911 00:41:37,680 --> 00:41:38,200 Speaker 3: it for a while. 912 00:41:38,360 --> 00:41:40,359 Speaker 1: Yeah, you got you have an awesome feed. I learned 913 00:41:40,400 --> 00:41:42,319 Speaker 1: a time from it and I appreciate you coming on 914 00:41:42,320 --> 00:41:43,520 Speaker 1: the show Man. This is a lot of fun. 915 00:41:43,760 --> 00:41:45,640 Speaker 3: Yeah, I love I love reading books. I love talking 916 00:41:45,640 --> 00:41:48,359 Speaker 3: about books though, got to do the second part today. 917 00:41:48,400 --> 00:41:50,200 Speaker 1: So thank you for having me on, Michael, thanks for 918 00:41:50,280 --> 00:41:52,240 Speaker 1: checking out the show, and thanks to Alex and Books 919 00:41:52,239 --> 00:41:54,440 Speaker 1: for coming on. Don't forget to check out his channels, 920 00:41:54,440 --> 00:41:57,239 Speaker 1: and don't forget to subscribe to two percent. We're coming 921 00:41:57,280 --> 00:42:00,200 Speaker 1: at you twice a week, so if you subscribe, you'll 922 00:42:00,200 --> 00:42:02,560 Speaker 1: get those updates and get episodes right as they hit 923 00:42:02,719 --> 00:42:06,400 Speaker 1: your feed. Check out the iHeart app which has videos 924 00:42:06,480 --> 00:42:08,920 Speaker 1: of every single one of our episodes, and as always, 925 00:42:09,320 --> 00:42:19,640 Speaker 1: have fun, don't die. Read more books.