1
00:00:10,480 --> 00:00:14,040
Speaker 1: How's it going? Everybody? Welcome to another episode of I

2
00:00:14,080 --> 00:00:14,760
Speaker 1: Saw What You Did.

3
00:00:14,800 --> 00:00:17,720
Speaker 2: My name is Milly, I'm Danielle, and.

4
00:00:17,800 --> 00:00:23,840
Speaker 1: Welcome back to our little roundtable discussion of film and

5
00:00:23,920 --> 00:00:25,880
Speaker 1: everything relating to film.

6
00:00:25,920 --> 00:00:27,800
Speaker 2: How's it going, Danielle.

7
00:00:27,440 --> 00:00:29,920
Speaker 3: Incredibly Well, No, it's not. It's a nightmare.

8
00:00:30,080 --> 00:00:34,880
Speaker 4: It's a nightmare every week, Like every week.

9
00:00:34,920 --> 00:00:37,320
Speaker 3: I just feel like, yep, all right, Like I've been.

10
00:00:37,240 --> 00:00:40,640
Speaker 4: Sleeping on my heating pad, okay, and I had got

11
00:00:40,640 --> 00:00:43,360
Speaker 4: a blister on my back because I just fell asleep

12
00:00:43,400 --> 00:00:44,920
Speaker 4: on it and like probably just you know, like my

13
00:00:45,080 --> 00:00:47,680
Speaker 4: pajama slid up or something. But I'm like that's all right,

14
00:00:47,720 --> 00:00:49,720
Speaker 4: Like that's just what happens now, because my back is

15
00:00:49,760 --> 00:00:51,760
Speaker 4: a not of anxiety.

16
00:00:52,159 --> 00:00:54,040
Speaker 2: Do you not have an auto shut off on your

17
00:00:54,200 --> 00:00:54,680
Speaker 2: hitting pad?

18
00:00:54,760 --> 00:00:57,520
Speaker 4: We turn we turn off the auto shut off. This

19
00:00:57,680 --> 00:01:00,000
Speaker 4: is an anxiety ridden time. I need all the heat

20
00:01:00,040 --> 00:01:01,840
Speaker 4: you can give me. I mean now, I'll use it.

21
00:01:02,120 --> 00:01:05,120
Speaker 2: No two hour jam. We need all night long.

22
00:01:05,640 --> 00:01:10,840
Speaker 4: We need to keep like burn this bed up. If

23
00:01:10,880 --> 00:01:13,360
Speaker 4: I have to light myself on fire to get rid

24
00:01:13,360 --> 00:01:16,280
Speaker 4: of my back, knots, I will do it.

25
00:01:16,319 --> 00:01:19,039
Speaker 2: So wait a minute. You have a legit blister on

26
00:01:19,080 --> 00:01:19,440
Speaker 2: your back?

27
00:01:19,480 --> 00:01:21,160
Speaker 4: I was in the shower and I kind of reached

28
00:01:21,200 --> 00:01:23,600
Speaker 4: on my back and I was like, that feels like feathery,

29
00:01:24,440 --> 00:01:26,319
Speaker 4: you know, like how blisters feel like a little light

30
00:01:26,360 --> 00:01:28,319
Speaker 4: and feathery. So I looked in the mirror and I

31
00:01:28,360 --> 00:01:31,320
Speaker 4: was like, yep, disgusting, right on time, right on time

32
00:01:31,360 --> 00:01:34,240
Speaker 4: with being hideou is it? It's small. It's not like, okay, horrible.

33
00:01:34,440 --> 00:01:36,119
Speaker 4: It's not like the size of the heating pad.

34
00:01:36,480 --> 00:01:39,959
Speaker 1: Oh yeah, that would be disturbing, because you know what,

35
00:01:40,120 --> 00:01:44,959
Speaker 1: I gotta tell you you you were the biggest influence

36
00:01:45,000 --> 00:01:47,920
Speaker 1: for me to upgrade my heating pad because I remember

37
00:01:47,960 --> 00:01:48,600
Speaker 1: I was using one.

38
00:01:48,520 --> 00:01:52,120
Speaker 2: Of those like little rinking, dank CBS ones.

39
00:01:52,440 --> 00:01:54,640
Speaker 1: I truly had a moment where I was like, I

40
00:01:54,720 --> 00:01:57,600
Speaker 1: deserve a better heating pad, and I went out and

41
00:01:57,640 --> 00:01:59,880
Speaker 1: bought the one you told me to buy, and it

42
00:02:00,240 --> 00:02:02,080
Speaker 1: is fantastic.

43
00:02:02,480 --> 00:02:04,040
Speaker 3: That is the jam.

44
00:02:04,160 --> 00:02:06,160
Speaker 4: Well, your birthday's coming up, Well it's coming up in

45
00:02:06,160 --> 00:02:08,120
Speaker 4: a couple of months, and guess what we're gonna upgrade

46
00:02:08,160 --> 00:02:11,200
Speaker 4: you again. I'm just gonna tell you right now your

47
00:02:11,200 --> 00:02:13,680
Speaker 4: birthday present, full body heating pad.

48
00:02:13,880 --> 00:02:16,440
Speaker 2: Wait a minute, you mean like an electric blanket? Is

49
00:02:16,440 --> 00:02:17,600
Speaker 2: that what you mean?

50
00:02:17,000 --> 00:02:24,359
Speaker 4: That's it's legit like a piece of almost like mattress

51
00:02:24,400 --> 00:02:28,320
Speaker 4: style foam that is a heat It's all heated from

52
00:02:28,320 --> 00:02:29,040
Speaker 4: top to bottom.

53
00:02:29,080 --> 00:02:31,480
Speaker 2: You can lay on it back front whenever you want.

54
00:02:32,080 --> 00:02:34,880
Speaker 4: Wait a minute, I know I'm gonna keep upgrading this

55
00:02:35,000 --> 00:02:37,960
Speaker 4: heat mechanisms until we are ninety five years old.

56
00:02:38,040 --> 00:02:42,000
Speaker 1: Wait, so wait, explain it. So it's basically like a

57
00:02:42,040 --> 00:02:43,560
Speaker 1: memory film mattress that's.

58
00:02:43,440 --> 00:02:47,639
Speaker 4: Heated, or it's more like like a weighted blanket almost. Ah,

59
00:02:47,680 --> 00:02:49,840
Speaker 4: but it's like shaped like a body.

60
00:02:50,520 --> 00:02:50,960
Speaker 3: It's coming.

61
00:02:51,000 --> 00:02:53,200
Speaker 4: You're gonna You're gonna figure it out real quick, because

62
00:02:53,240 --> 00:02:55,160
Speaker 4: this is where we are right now, where I'm like,

63
00:02:55,520 --> 00:02:59,160
Speaker 4: I need leaned dunum levels of heat.

64
00:03:00,240 --> 00:03:02,760
Speaker 2: Of course, I've read some article where she's like, I.

65
00:03:02,720 --> 00:03:07,040
Speaker 4: Have a copper full sized heating pad, and I'm like, okay,

66
00:03:07,120 --> 00:03:09,560
Speaker 4: that's a level of richness to aspire to. But in

67
00:03:09,600 --> 00:03:12,800
Speaker 4: the meantime, I guess get a regular full body eating pad.

68
00:03:13,040 --> 00:03:18,040
Speaker 1: Right that actually just got into heating pads in my forties, okay,

69
00:03:18,280 --> 00:03:22,480
Speaker 1: which to some is too long to have lived without

70
00:03:22,480 --> 00:03:25,760
Speaker 1: a heating pad because I just never thought about it.

71
00:03:25,800 --> 00:03:28,760
Speaker 2: I mean, I've had like cramps from.

72
00:03:28,639 --> 00:03:32,400
Speaker 1: My period and stuff, and I just was like I'm fine,

73
00:03:32,440 --> 00:03:34,840
Speaker 1: I'll roll with it. I'll just like take a couple

74
00:03:34,920 --> 00:03:37,600
Speaker 1: advil and be done with it. And then I finally

75
00:03:37,600 --> 00:03:40,240
Speaker 1: got one from CBS, the shitty one, the fourteen dollars one,

76
00:03:40,280 --> 00:03:43,800
Speaker 1: and I was like, it really was like a game changer.

77
00:03:43,880 --> 00:03:45,880
Speaker 4: I mean, look, we get what we can afford, and

78
00:03:45,920 --> 00:03:47,560
Speaker 4: we run with it for as long as we can,

79
00:03:48,040 --> 00:03:49,560
Speaker 4: but then we gotta fly.

80
00:03:50,560 --> 00:03:58,640
Speaker 2: We gotta fly. All that.

81
00:03:58,800 --> 00:04:02,280
Speaker 4: We were both raised by either immigrants or old people.

82
00:04:02,480 --> 00:04:04,360
Speaker 4: No one us run up an electric buble of a

83
00:04:04,400 --> 00:04:12,160
Speaker 4: heating pad. That's not the mood, that's right, the air conditioning.

84
00:04:12,560 --> 00:04:17,080
Speaker 4: So you know, if anyone in our lives is gonna

85
00:04:17,080 --> 00:04:19,080
Speaker 4: be like, you know what you need to be more comfortable,

86
00:04:19,160 --> 00:04:21,680
Speaker 4: they're like, oh, you have cramps. I had cramps when

87
00:04:21,680 --> 00:04:23,599
Speaker 4: I was in labor with you for ninety five days.

88
00:04:23,600 --> 00:04:26,320
Speaker 4: And you're like, God, calm down, I just have a

89
00:04:26,720 --> 00:04:27,520
Speaker 4: sore muscle.

90
00:04:28,800 --> 00:04:31,200
Speaker 1: This you could be comfortable as long as it's of

91
00:04:31,320 --> 00:04:34,840
Speaker 1: zero cost to me completely, if it doesn't get in

92
00:04:34,839 --> 00:04:37,640
Speaker 1: my way, or if it doesn't cost me a goddamn dime,

93
00:04:38,080 --> 00:04:39,159
Speaker 1: by all means.

94
00:04:39,320 --> 00:04:42,080
Speaker 4: Do it completely knock yourself out. Oh yeah, my grandma,

95
00:04:42,120 --> 00:04:43,480
Speaker 4: when I had cramps, when I was a team and

96
00:04:43,520 --> 00:04:45,920
Speaker 4: I had like horrible cramps. Like my grandma would just

97
00:04:46,000 --> 00:04:50,280
Speaker 4: be like, have some toast and a cup of tea

98
00:04:50,880 --> 00:04:53,520
Speaker 4: and go to school. Yeah, And I'm like, I am

99
00:04:53,560 --> 00:04:57,240
Speaker 4: like dropping clots. I'm lying fucking doubled over And she's like,

100
00:04:57,279 --> 00:04:59,599
Speaker 4: I don't give a fuck, put on this belt with

101
00:04:59,600 --> 00:05:01,599
Speaker 4: a Maxi and go to school.

102
00:05:02,000 --> 00:05:04,000
Speaker 2: Yeah, I can't. She wouldn't buy me advils.

103
00:05:04,000 --> 00:05:04,360
Speaker 3: She wouldn't.

104
00:05:04,360 --> 00:05:06,280
Speaker 4: She would even buy me tampons. She's like, I'm only

105
00:05:06,279 --> 00:05:09,320
Speaker 4: buying Maxi pads. If you want tampons, use your job

106
00:05:09,400 --> 00:05:10,560
Speaker 4: money to get tampons.

107
00:05:10,920 --> 00:05:14,360
Speaker 1: Well, I you know, tampons were a huge ordeal when

108
00:05:14,440 --> 00:05:16,560
Speaker 1: we were growing up too, because there was always like

109
00:05:16,600 --> 00:05:19,720
Speaker 1: the after school special that talked about toxic shock syndrome.

110
00:05:20,160 --> 00:05:22,200
Speaker 1: I think that we were told that if you had

111
00:05:22,200 --> 00:05:26,080
Speaker 1: a tampon in for longer than eight hours, was it

112
00:05:26,120 --> 00:05:28,720
Speaker 1: over eight hours, then you maybe going to grow some

113
00:05:28,760 --> 00:05:30,479
Speaker 1: bacteria that was going to.

114
00:05:30,520 --> 00:05:34,320
Speaker 2: Maybe kill you exactly. I was just like terrified of them,

115
00:05:34,400 --> 00:05:34,760
Speaker 2: and I.

116
00:05:34,760 --> 00:05:37,440
Speaker 1: Feel like nobody really talks about that anymore. And I'm like,

117
00:05:37,440 --> 00:05:39,800
Speaker 1: did that just go away or at all?

118
00:05:40,320 --> 00:05:42,520
Speaker 4: Well, here's here's the thing, Like, I did you ever

119
00:05:42,560 --> 00:05:44,240
Speaker 4: call that number on the back of the box that

120
00:05:44,320 --> 00:05:47,359
Speaker 4: was like, if you have toxic shock syndrome, tall grinklink blank,

121
00:05:47,600 --> 00:05:50,120
Speaker 4: Because I did. I had like I was looking through

122
00:05:50,120 --> 00:05:52,680
Speaker 4: the symptoms on the paper. By the way, this is

123
00:05:52,720 --> 00:05:55,680
Speaker 4: pre internet, yeah, and I'm looking at the paper and

124
00:05:55,720 --> 00:05:58,320
Speaker 4: it's like, here's signs of toxic shock syndrome. And I

125
00:05:58,400 --> 00:06:00,279
Speaker 4: had like a little bit of a rash on my

126
00:06:00,320 --> 00:06:03,320
Speaker 4: ankles and I was like fuck, like this is it,

127
00:06:03,720 --> 00:06:04,080
Speaker 4: this is it.

128
00:06:04,120 --> 00:06:07,200
Speaker 3: I'm dying. I'm dead. So I called the number and

129
00:06:07,279 --> 00:06:09,040
Speaker 3: I was like weeping, and I'm.

130
00:06:08,880 --> 00:06:14,000
Speaker 4: Like toxic shocks drum and this really nice lady.

131
00:06:14,040 --> 00:06:15,080
Speaker 3: This is like early twenties.

132
00:06:15,080 --> 00:06:17,360
Speaker 4: And because I didn't start using tampon stalls in my twenties,

133
00:06:17,360 --> 00:06:19,800
Speaker 4: I had to literally move out of my house. Before

134
00:06:19,839 --> 00:06:22,480
Speaker 4: I was allowed to move, I had to pay rent

135
00:06:22,520 --> 00:06:25,560
Speaker 4: before I was allowed to use a tampon. But yeah,

136
00:06:25,560 --> 00:06:28,640
Speaker 4: I called this very nice woman was like, it doesn't

137
00:06:28,680 --> 00:06:31,000
Speaker 4: sound like you have it. If you're really worried, you

138
00:06:31,040 --> 00:06:32,520
Speaker 4: can go to the hospital. And I'm like, I can't

139
00:06:32,520 --> 00:06:34,320
Speaker 4: go to the hospital. I can't afford a hospital. What

140
00:06:34,880 --> 00:06:37,479
Speaker 4: I called the number back three times. She talked me

141
00:06:37,520 --> 00:06:39,599
Speaker 4: down from the ledge like all night I thought I

142
00:06:39,640 --> 00:06:41,880
Speaker 4: had it. What I did have was poison oak.

143
00:06:42,120 --> 00:06:46,120
Speaker 2: Oh, but I got it toxic shocks and draw.

144
00:06:48,080 --> 00:06:50,640
Speaker 4: And this poor woman I had to talk me down

145
00:06:51,279 --> 00:06:52,719
Speaker 4: as if I didn't think I was gonna wake up,

146
00:06:52,760 --> 00:06:54,320
Speaker 4: if I went to bed, and she was like, I

147
00:06:54,320 --> 00:06:55,800
Speaker 4: think you're gonna be all right, and I'm.

148
00:06:55,680 --> 00:06:57,600
Speaker 2: Like, I don't think I'm gonna be all right. I

149
00:06:57,640 --> 00:07:00,159
Speaker 2: was a mess. I was a mess. Oh my god.

150
00:07:00,200 --> 00:07:02,560
Speaker 1: So you're telling me that a rash is part of

151
00:07:02,600 --> 00:07:05,520
Speaker 1: toxic shock, and it can be and that rash can

152
00:07:05,600 --> 00:07:08,280
Speaker 1: appear anywhere on your body, so it could it could

153
00:07:08,279 --> 00:07:09,120
Speaker 1: be on your ankles.

154
00:07:09,240 --> 00:07:12,360
Speaker 3: Technical that's the thing. Probably not, Probably not.

155
00:07:12,880 --> 00:07:17,680
Speaker 4: I'm sure it's all like vagina and reproductive system related.

156
00:07:18,040 --> 00:07:18,880
Speaker 2: Oh gotcha.

157
00:07:18,960 --> 00:07:21,280
Speaker 4: But I thought for sure a rash on my ankle

158
00:07:21,360 --> 00:07:24,480
Speaker 4: means I'm dying because I've been using tampons for two months.

159
00:07:24,600 --> 00:07:26,840
Speaker 1: See now you've entered it in my head, and I'm like,

160
00:07:27,200 --> 00:07:31,520
Speaker 1: here's another thing. Here's another thing to sit up at

161
00:07:31,600 --> 00:07:32,600
Speaker 1: night about.

162
00:07:32,960 --> 00:07:33,760
Speaker 3: Another one.

163
00:07:34,080 --> 00:07:35,600
Speaker 2: Oh my god, just what I.

164
00:07:35,600 --> 00:07:40,880
Speaker 1: Thought this was over, It's actually still around and we just.

165
00:07:40,760 --> 00:07:42,720
Speaker 2: Don't know it. It's like an it's like a silent

166
00:07:42,840 --> 00:07:44,600
Speaker 2: killer again. Oh my god. Good.

167
00:07:44,720 --> 00:07:46,400
Speaker 4: Well, now we can look it up. Now, now we

168
00:07:46,400 --> 00:07:48,880
Speaker 4: can look up the symptoms and be like, what is it?

169
00:07:48,920 --> 00:07:51,680
Speaker 4: Do I have this shit or not? You can take

170
00:07:51,680 --> 00:07:53,600
Speaker 4: it to Twitter. Twitter will tell you a heartbeat whether

171
00:07:53,680 --> 00:07:57,400
Speaker 4: or not you But I do think it's gone like

172
00:07:57,560 --> 00:07:59,280
Speaker 4: the way of the Dodo, Like I don't even think

173
00:07:59,280 --> 00:08:00,560
Speaker 4: people worried about anymore.

174
00:08:00,920 --> 00:08:01,640
Speaker 2: Yeah, I wonder.

175
00:08:01,720 --> 00:08:04,400
Speaker 1: I actually did cross my mind like a while ago,

176
00:08:04,480 --> 00:08:06,320
Speaker 1: like a few years ago. I was like, huh, I

177
00:08:06,360 --> 00:08:11,120
Speaker 1: remember toxic shock syndrome TSS. I remember TSS was a

178
00:08:11,160 --> 00:08:15,280
Speaker 1: pretty big fear of mine when I was growing up,

179
00:08:15,320 --> 00:08:17,080
Speaker 1: And it just seems like it's gone away. I wonder

180
00:08:17,120 --> 00:08:20,160
Speaker 1: what happened to that old TSS.

181
00:08:19,160 --> 00:08:20,880
Speaker 4: Like, oh, TSS they used to have that back in

182
00:08:20,920 --> 00:08:24,280
Speaker 4: the wagon reel days with Laura Engolds and typhoid.

183
00:08:24,960 --> 00:08:28,480
Speaker 2: How does it just disappear from the conversation Listen when

184
00:08:28,520 --> 00:08:29,240
Speaker 2: it comes down to it.

185
00:08:29,320 --> 00:08:31,440
Speaker 1: I mean I talk about being Catholic a lot on

186
00:08:31,480 --> 00:08:34,720
Speaker 1: this podcast, and about just how badly educated I was

187
00:08:34,840 --> 00:08:39,160
Speaker 1: with anything to do with sex, sexual organs stuff like that.

188
00:08:39,200 --> 00:08:41,320
Speaker 1: I mean, my mom gave me the basic information, but

189
00:08:41,360 --> 00:08:43,760
Speaker 1: then there wasn't like I couldn't come back to her

190
00:08:43,760 --> 00:08:46,880
Speaker 1: and be like, I have this irrational fear of something

191
00:08:46,920 --> 00:08:48,560
Speaker 1: I heard about in school.

192
00:08:48,679 --> 00:08:50,199
Speaker 2: What do you think? She's just like, what are you

193
00:08:50,240 --> 00:08:50,720
Speaker 2: talking about?

194
00:08:50,800 --> 00:08:55,240
Speaker 1: Right exactly, So in my mind, the timeline for period

195
00:08:55,280 --> 00:08:59,800
Speaker 1: stuff was like I just missed the belt period, so

196
00:09:00,200 --> 00:09:03,320
Speaker 1: Judy Boom like, are there got to me? Margaret period?

197
00:09:03,559 --> 00:09:06,360
Speaker 1: And then tss. So I've just been like kind of

198
00:09:06,400 --> 00:09:08,959
Speaker 1: scarred by it all completely.

199
00:09:09,120 --> 00:09:11,880
Speaker 4: Oh yeah, I mean the revolutions that have happened around

200
00:09:12,000 --> 00:09:14,839
Speaker 4: mental products is insane. Remember when like it was a

201
00:09:14,840 --> 00:09:17,640
Speaker 4: big deal that the pads went thin. Yes, that was

202
00:09:17,679 --> 00:09:20,920
Speaker 4: a shocker. I use a Diva cup now, but don't

203
00:09:20,920 --> 00:09:22,320
Speaker 4: even think you could have gotten me in a Diva

204
00:09:22,320 --> 00:09:23,280
Speaker 4: cup when I was eighteen.

205
00:09:23,480 --> 00:09:24,280
Speaker 3: There's no way.

206
00:09:24,400 --> 00:09:28,080
Speaker 1: There wasn't even wings when we were first starting out,

207
00:09:28,200 --> 00:09:29,520
Speaker 1: like they we didn't even have walt.

208
00:09:30,080 --> 00:09:32,200
Speaker 2: Yeah, we're pre wing.

209
00:09:33,080 --> 00:09:37,200
Speaker 4: That's basically like the belt to millennials and gen z,

210
00:09:37,760 --> 00:09:39,720
Speaker 4: where like our pads did and half wings and they're like,

211
00:09:39,720 --> 00:09:44,080
Speaker 4: oh my god, you lived in eighteen eighty five, not a.

212
00:09:43,960 --> 00:09:49,360
Speaker 2: Belt, not yet a wing. I don't know how that

213
00:09:49,400 --> 00:09:52,600
Speaker 2: sound was. Oh my god, I love.

214
00:09:52,640 --> 00:09:54,480
Speaker 4: This is the other thing that I wanted to bring

215
00:09:54,559 --> 00:09:57,920
Speaker 4: up this week because I had a snack earlier? Why

216
00:09:57,920 --> 00:10:01,240
Speaker 4: do cracker boxes still put suggestions on there of what

217
00:10:01,320 --> 00:10:03,920
Speaker 4: to do with the cracker, like put a tomato and

218
00:10:04,000 --> 00:10:05,800
Speaker 4: a piece of and it's always got an herb, Like

219
00:10:05,920 --> 00:10:08,880
Speaker 4: put some rosemary and tomato and turkey and a slice

220
00:10:08,880 --> 00:10:11,360
Speaker 4: of Swiss. And I'm like, I want one hundred percent

221
00:10:11,440 --> 00:10:12,679
Speaker 4: know what I'm going to do with this cracker, and

222
00:10:12,720 --> 00:10:14,960
Speaker 4: it's going to be jamming it into my face bare

223
00:10:16,520 --> 00:10:19,040
Speaker 4: Like could you not use this space for something more important?

224
00:10:19,080 --> 00:10:21,040
Speaker 4: Like can you not print the bill of rights on

225
00:10:21,080 --> 00:10:22,760
Speaker 4: the side of the cracker box?

226
00:10:23,080 --> 00:10:28,440
Speaker 1: Like, I mean, shit, they could do so much with

227
00:10:28,480 --> 00:10:30,920
Speaker 1: a box these days. Yeah, but you know, they could

228
00:10:30,960 --> 00:10:34,680
Speaker 1: get some like really really good copywriter in there and

229
00:10:34,720 --> 00:10:37,480
Speaker 1: write like poems, like somebody, you know, somebody to go

230
00:10:37,559 --> 00:10:39,240
Speaker 1: in there and write like cracker poems.

231
00:10:39,720 --> 00:10:44,199
Speaker 2: I mean, cracker poems could take on so many levels.

232
00:10:44,800 --> 00:10:47,480
Speaker 4: But let's Trader Joe's this stuff up, Like you know,

233
00:10:47,920 --> 00:10:51,400
Speaker 4: Trader Joe's there. Their grocery bags are like a tome.

234
00:10:51,440 --> 00:10:53,560
Speaker 4: It's like the first part of warm Piece. Let's just

235
00:10:53,600 --> 00:10:57,440
Speaker 4: get something else going on these these boxes besides serving

236
00:10:57,559 --> 00:11:01,680
Speaker 4: suggestions like rits, calm down, we all know what's happening here.

237
00:11:02,080 --> 00:11:03,360
Speaker 2: Yeah, because that's okay.

238
00:11:03,520 --> 00:11:07,200
Speaker 1: So at this point, now I'm actually kind of sad,

239
00:11:07,480 --> 00:11:10,480
Speaker 1: so do recipes on packaging? Those are just kind of

240
00:11:10,520 --> 00:11:12,800
Speaker 1: like now they just seem like a weird formality because

241
00:11:12,800 --> 00:11:13,520
Speaker 1: they don't really.

242
00:11:13,360 --> 00:11:14,280
Speaker 2: Know what to do with it.

243
00:11:14,320 --> 00:11:17,080
Speaker 1: Is anybody clipping recipes from a Ritz box anymore? I

244
00:11:17,080 --> 00:11:19,440
Speaker 1: mean it's like, if you just go to the Ritz website,

245
00:11:19,480 --> 00:11:22,360
Speaker 1: there's probably a shit ton of things you can download,

246
00:11:22,600 --> 00:11:23,240
Speaker 1: you know, and.

247
00:11:23,200 --> 00:11:25,200
Speaker 2: It just feels like that's such an old school thing

248
00:11:25,920 --> 00:11:28,319
Speaker 2: that doesn't need.

249
00:11:28,160 --> 00:11:32,480
Speaker 1: To happen anymore at all. But also like now I'm

250
00:11:32,559 --> 00:11:34,080
Speaker 1: just sad that you can't do it.

251
00:11:34,120 --> 00:11:36,960
Speaker 2: Do I want that? Take it away now? You don't

252
00:11:37,000 --> 00:11:39,120
Speaker 2: want it though, you don't use it, you don't need it.

253
00:11:39,160 --> 00:11:40,400
Speaker 2: And here's the other thing.

254
00:11:40,840 --> 00:11:43,319
Speaker 4: You don't want it. You could be sad for the moment.

255
00:11:43,400 --> 00:11:46,080
Speaker 4: Let it pass though, because you don't you know what

256
00:11:46,160 --> 00:11:48,760
Speaker 4: to do with a cracker. And here's the other thing.

257
00:11:48,800 --> 00:11:50,880
Speaker 4: So let's say it's our grandparents who used to clip

258
00:11:50,960 --> 00:11:53,680
Speaker 4: the recipes from the back of the box.

259
00:11:54,280 --> 00:11:55,920
Speaker 3: Either if they don't want to use the.

260
00:11:55,840 --> 00:11:59,439
Speaker 4: Website, either they can't take another recipe into their brain,

261
00:11:59,880 --> 00:12:02,160
Speaker 4: or they already know what to do with crackers because

262
00:12:02,160 --> 00:12:05,160
Speaker 4: they're fucking eighty like literally, nobody needs me.

263
00:12:07,080 --> 00:12:09,600
Speaker 1: I mean the most annoying ones who are, quite frankly

264
00:12:10,200 --> 00:12:11,960
Speaker 1: the ones that are on plastic.

265
00:12:12,080 --> 00:12:15,160
Speaker 2: So like if you if you buy like a bag of.

266
00:12:15,760 --> 00:12:18,720
Speaker 1: Egg noodles and there's a recipe on the back, it's like,

267
00:12:18,760 --> 00:12:23,200
Speaker 1: come on, like, who's gonna clip this plastic and put

268
00:12:23,240 --> 00:12:26,040
Speaker 1: it in between the pages of an old like Betty

269
00:12:26,040 --> 00:12:28,960
Speaker 1: Cracker cookbook or who's gonna put it in a recipe box? Like,

270
00:12:29,440 --> 00:12:32,720
Speaker 1: you know, it's impractical, And at this point people would

271
00:12:32,760 --> 00:12:33,200
Speaker 1: just take.

272
00:12:33,040 --> 00:12:35,400
Speaker 2: A picture if they really needed an angular.

273
00:12:35,120 --> 00:12:37,480
Speaker 1: Recipe from the back of the package, they would just

274
00:12:37,520 --> 00:12:39,560
Speaker 1: take a picture of it and be done with it.

275
00:12:39,640 --> 00:12:40,560
Speaker 2: So it's just that thing.

276
00:12:40,679 --> 00:12:42,880
Speaker 4: They act like, we're gonna transcribe it onto a scroll

277
00:12:44,160 --> 00:12:48,520
Speaker 4: like nobody cares, dude, put something else there, talk about

278
00:12:48,559 --> 00:12:51,480
Speaker 4: like the history of soybeans or something like, talk about

279
00:12:51,559 --> 00:12:52,440
Speaker 4: literally anything.

280
00:12:52,679 --> 00:12:53,000
Speaker 2: Okay.

281
00:12:53,080 --> 00:12:55,840
Speaker 1: Now see now it's funny because I was kind of

282
00:12:55,880 --> 00:12:58,360
Speaker 1: with you at first, and now I'm like, do I

283
00:12:58,520 --> 00:13:00,000
Speaker 1: just feel bad for these recipes?

284
00:13:00,400 --> 00:13:00,559
Speaker 4: Now?

285
00:13:00,600 --> 00:13:03,679
Speaker 2: What am I feeling? Because if no one really needs.

286
00:13:03,400 --> 00:13:07,080
Speaker 1: Them either that we've ate, we've already like aged out

287
00:13:07,160 --> 00:13:09,920
Speaker 1: of the error where we would need them, and the

288
00:13:09,960 --> 00:13:12,640
Speaker 1: people who remember that from back in the day are

289
00:13:12,679 --> 00:13:14,280
Speaker 1: old enough to know what to do.

290
00:13:14,679 --> 00:13:16,800
Speaker 2: Then yeah, you're right, we don't really need them.

291
00:13:17,240 --> 00:13:19,440
Speaker 1: But why do I want them? Because I feel bad

292
00:13:19,480 --> 00:13:24,040
Speaker 1: for them? This is fucking crazy Catholic guilt. You got

293
00:13:24,080 --> 00:13:28,320
Speaker 1: Catholic guilt for crackers? Girl, give me out here having

294
00:13:28,400 --> 00:13:31,240
Speaker 1: Catholic guilt for crackers. Can I tell you a real

295
00:13:31,320 --> 00:13:35,200
Speaker 1: quick story about this is a similar concept as well

296
00:13:35,240 --> 00:13:38,080
Speaker 1: as one we just talked about. So you know the

297
00:13:38,200 --> 00:13:43,040
Speaker 1: old Farmer's Almanac that you can see at the grocery store. Okay, Now,

298
00:13:43,320 --> 00:13:45,440
Speaker 1: I've always been fascinated with those things.

299
00:13:45,480 --> 00:13:49,640
Speaker 2: And that thing has been around for three hundred, four

300
00:13:49,720 --> 00:13:52,319
Speaker 2: hundred years or something. It's some crazy shit like that.

301
00:13:52,920 --> 00:13:55,960
Speaker 1: And it's basically this like old publication that they put

302
00:13:56,000 --> 00:13:58,680
Speaker 1: out a certain number of times a year that's supposed

303
00:13:58,720 --> 00:14:01,079
Speaker 1: to give like all the information you need to.

304
00:14:01,000 --> 00:14:04,240
Speaker 2: Like grow crops. And it was for farmers and it

305
00:14:04,280 --> 00:14:05,520
Speaker 2: was and it also just kind.

306
00:14:05,360 --> 00:14:08,520
Speaker 1: Of gives like other kind of like folksy info.

307
00:14:08,960 --> 00:14:11,880
Speaker 2: You know. It tells you a little bit about the stars.

308
00:14:11,400 --> 00:14:15,040
Speaker 1: And the eclipses, and it's just kind of got that stuff.

309
00:14:15,080 --> 00:14:18,400
Speaker 1: But it's very charming, and so I of course was

310
00:14:18,440 --> 00:14:20,280
Speaker 1: at the grocery store and I was like, this shit's

311
00:14:20,320 --> 00:14:20,920
Speaker 1: like seven bucks.

312
00:14:21,000 --> 00:14:21,800
Speaker 2: Let me pick one up.

313
00:14:21,920 --> 00:14:24,640
Speaker 1: What's I can just like thumb through it and it'll

314
00:14:24,640 --> 00:14:25,400
Speaker 1: make me feel good that.

315
00:14:25,400 --> 00:14:26,240
Speaker 2: I finally bought one.

316
00:14:26,560 --> 00:14:28,800
Speaker 1: And I noticed that at the top of the almanac

317
00:14:28,920 --> 00:14:34,440
Speaker 1: they have a hole that's punched into the corner, and

318
00:14:34,440 --> 00:14:36,200
Speaker 1: and so I was like, what's up with this hole?

319
00:14:36,680 --> 00:14:39,840
Speaker 1: So I went online and I googled it, and apparently

320
00:14:39,960 --> 00:14:42,560
Speaker 1: it's it was for people to put on a nail.

321
00:14:43,280 --> 00:14:46,360
Speaker 1: So back in the day, you could hang your almanac

322
00:14:46,480 --> 00:14:48,440
Speaker 1: in like a place where you could you know, it's like,

323
00:14:49,200 --> 00:14:51,200
Speaker 1: I don't know, maybe when you go to like a

324
00:14:51,240 --> 00:14:53,120
Speaker 1: gas station and you see like one of those like

325
00:14:53,240 --> 00:14:56,280
Speaker 1: things that have car information, it's just like hanging so

326
00:14:56,360 --> 00:14:58,520
Speaker 1: people can reference it right or your fridge at home

327
00:14:58,560 --> 00:15:00,280
Speaker 1: and you're just like fuck it and you just pound

328
00:15:00,280 --> 00:15:01,440
Speaker 1: and nail into the freeze.

329
00:15:02,680 --> 00:15:04,320
Speaker 2: Like this almanac spot.

330
00:15:05,160 --> 00:15:09,400
Speaker 1: So after a while in the modern era, they were like,

331
00:15:09,480 --> 00:15:11,440
Speaker 1: you know what, maybe we should stop making this hole

332
00:15:12,000 --> 00:15:13,840
Speaker 1: because we've had it for so long. But well now

333
00:15:13,880 --> 00:15:16,320
Speaker 1: we don't even really need the hole because the internet

334
00:15:16,400 --> 00:15:22,040
Speaker 1: happened too, and apparently it costs them like forty grand

335
00:15:22,480 --> 00:15:27,120
Speaker 1: a year or something to drill holes in these almanacs.

336
00:15:27,440 --> 00:15:29,880
Speaker 4: One of my favorite things about you is that you

337
00:15:29,920 --> 00:15:33,640
Speaker 4: will look that up, you will research that, and you're like,

338
00:15:33,680 --> 00:15:35,840
Speaker 4: what's up with this hole in the Farmer's Farmer's Almanac.

339
00:15:35,880 --> 00:15:37,440
Speaker 4: You'll be like, let me tell you what's up with

340
00:15:37,480 --> 00:15:40,520
Speaker 4: this hole? Because I have looked it up and bringing

341
00:15:40,600 --> 00:15:43,560
Speaker 4: air energy to this So.

342
00:15:43,760 --> 00:15:48,040
Speaker 1: Okay, you're saying, let's get rid of recipes on the

343
00:15:48,040 --> 00:15:49,600
Speaker 1: back of boxes, right.

344
00:15:50,040 --> 00:15:52,200
Speaker 2: The almanac was like, you know what, let's go to

345
00:15:52,240 --> 00:15:56,480
Speaker 2: this stupid hole. It's costing us money to do this hole.

346
00:15:58,120 --> 00:15:59,280
Speaker 2: And what happened.

347
00:15:59,760 --> 00:16:03,560
Speaker 1: They took the hole away and people went fucking ape shit.

348
00:16:03,640 --> 00:16:06,640
Speaker 1: They were like, no, I can't believe this almanac doesn't

349
00:16:06,640 --> 00:16:08,560
Speaker 1: have a hole. I don't even give a shit if

350
00:16:08,600 --> 00:16:10,840
Speaker 1: I use the hole. The fact that there's not the

351
00:16:10,880 --> 00:16:14,080
Speaker 1: hole here is a fucking nightmare. And I am writing

352
00:16:14,200 --> 00:16:17,400
Speaker 1: my congress person. This has to stop. So what do

353
00:16:17,520 --> 00:16:20,840
Speaker 1: they do. They put the whole fucking back in the book.

354
00:16:21,520 --> 00:16:24,240
Speaker 1: And that's what happened. Oh my good, Like, okay, we'll

355
00:16:24,240 --> 00:16:25,040
Speaker 1: give you your hole back.

356
00:16:25,040 --> 00:16:29,360
Speaker 4: But now an almanac costs forty five dollars it's like, well.

357
00:16:29,240 --> 00:16:32,160
Speaker 2: You're gonna pay for that hole. You want it because

358
00:16:32,400 --> 00:16:35,760
Speaker 2: you're you're sad that the hole isn't there anymore.

359
00:16:36,560 --> 00:16:39,240
Speaker 1: You're sad that we've evolved past the hole, but now

360
00:16:39,240 --> 00:16:40,280
Speaker 1: you got to pay for the hole.

361
00:16:40,480 --> 00:16:43,480
Speaker 4: Also, at this point, when you open the Farmer's Almanac,

362
00:16:43,560 --> 00:16:46,280
Speaker 4: it's like each page is a page that says H

363
00:16:46,480 --> 00:16:54,480
Speaker 4: T T P slash slash colin www dot far first Almanac.

364
00:17:00,000 --> 00:17:02,400
Speaker 2: Oh god, yeah, exactly.

365
00:17:02,440 --> 00:17:05,720
Speaker 1: It's like they're just referencing their own website.

366
00:17:06,080 --> 00:17:10,400
Speaker 2: The hard copy exists to reference their much.

367
00:17:10,800 --> 00:17:14,760
Speaker 1: More up to date and user friendly website. But so,

368
00:17:14,840 --> 00:17:19,439
Speaker 1: what then, are you saying get rid of the recipes?

369
00:17:20,040 --> 00:17:20,440
Speaker 4: Mm hmm.

370
00:17:21,000 --> 00:17:23,840
Speaker 2: Do you believe that there will be a backlash?

371
00:17:24,200 --> 00:17:26,320
Speaker 1: First of all, do you think people will notice? That's

372
00:17:26,400 --> 00:17:27,399
Speaker 1: I guess my first question.

373
00:17:27,840 --> 00:17:30,679
Speaker 4: Here's the thing I feel about taking recipes off the

374
00:17:30,720 --> 00:17:33,720
Speaker 4: back of cracker boxes. I feel the same way about

375
00:17:33,720 --> 00:17:36,720
Speaker 4: that that I do about our current government. Let's get

376
00:17:36,840 --> 00:17:39,280
Speaker 4: rid of it and see what fucking happens. But we're

377
00:17:39,320 --> 00:17:42,760
Speaker 4: not going to make progress until we try. We will

378
00:17:42,880 --> 00:17:45,880
Speaker 4: not move forward as a nation until we just try

379
00:17:45,880 --> 00:17:49,679
Speaker 4: to get rid of these recipes and just try to

380
00:17:49,720 --> 00:17:52,159
Speaker 4: move forward. In a way that makes more sense in

381
00:17:52,200 --> 00:17:54,800
Speaker 4: our lives. Let's just give common sense a world and

382
00:17:54,840 --> 00:17:55,880
Speaker 4: see what happens.

383
00:17:56,080 --> 00:17:59,080
Speaker 1: I mean, I'm gonna tell you might be talking to

384
00:17:59,119 --> 00:18:02,639
Speaker 1: the wrong bitch about this because I work in a place,

385
00:18:02,760 --> 00:18:05,360
Speaker 1: as you know, where there's a lot of older people

386
00:18:06,359 --> 00:18:09,080
Speaker 1: and they like things a certain way, and I gotta

387
00:18:09,119 --> 00:18:14,240
Speaker 1: tell you one little move and people start losing their shit. So, yeah,

388
00:18:14,320 --> 00:18:17,720
Speaker 1: are you prepared? This is your platform. You want to

389
00:18:17,720 --> 00:18:21,280
Speaker 1: take the recipes off of boxes. You want it to

390
00:18:21,359 --> 00:18:23,360
Speaker 1: go quietly in the night. You don't want to make

391
00:18:23,359 --> 00:18:26,080
Speaker 1: a big scene about it, right, I'm assuming unless you

392
00:18:26,080 --> 00:18:27,360
Speaker 1: feel like there needs to be a statement.

393
00:18:27,520 --> 00:18:28,360
Speaker 3: Oh, no statement.

394
00:18:28,440 --> 00:18:30,480
Speaker 4: I think you take them off and then in four

395
00:18:30,560 --> 00:18:32,480
Speaker 4: years people will be like, well didn't they use to

396
00:18:32,480 --> 00:18:34,720
Speaker 4: have recipes? And we'll be like, yeah, they were so

397
00:18:34,840 --> 00:18:36,919
Speaker 4: unimportant to you that it took you four years to

398
00:18:37,000 --> 00:18:38,880
Speaker 4: notice we're not bringing them back.

399
00:18:39,440 --> 00:18:39,920
Speaker 2: See.

400
00:18:40,119 --> 00:18:43,000
Speaker 1: I want to believe that is true, but I think

401
00:18:43,040 --> 00:18:45,440
Speaker 1: I just know better at those points. Somebody is the

402
00:18:45,480 --> 00:18:49,040
Speaker 1: minute they buy a rice, a roni or something, yeah,

403
00:18:49,119 --> 00:18:52,280
Speaker 1: they're gonna be like, wait a minute, what happened to

404
00:18:52,320 --> 00:18:57,800
Speaker 1: this peel off surprise recipe that I always read when

405
00:18:57,800 --> 00:19:00,159
Speaker 1: I'm making this shit and now it's not there. Now

406
00:19:00,200 --> 00:19:03,160
Speaker 1: there's a poem back here. I gotta call somebody.

407
00:19:03,920 --> 00:19:04,640
Speaker 3: Here's what we do.

408
00:19:04,680 --> 00:19:08,120
Speaker 4: We replace every recipe with a label from doctor Browner's

409
00:19:08,960 --> 00:19:10,720
Speaker 4: and we're like, look, if you need something to read,

410
00:19:11,520 --> 00:19:16,320
Speaker 4: dig the fuck in cause this homie is on one.

411
00:19:16,480 --> 00:19:20,000
Speaker 1: Get somebody who just wants to cover every square inch,

412
00:19:20,920 --> 00:19:25,880
Speaker 1: like there is no corner untouched on this box. We're

413
00:19:25,920 --> 00:19:31,000
Speaker 1: just gonna put some manifesto back here and maybe people

414
00:19:31,080 --> 00:19:34,840
Speaker 1: won't realize that there's not a recipe.

415
00:19:34,800 --> 00:19:37,440
Speaker 4: Exactly like you open the box, it's on the package.

416
00:19:37,440 --> 00:19:39,360
Speaker 4: You look inside, it's inside the box.

417
00:19:41,400 --> 00:19:43,359
Speaker 1: Yeah, but I gotta get real too. By the way,

418
00:19:43,520 --> 00:19:47,160
Speaker 1: there are recipes on that doctor Bronner's bottle, I know,

419
00:19:47,440 --> 00:19:50,880
Speaker 1: to make like soap and you know shit like that.

420
00:19:51,280 --> 00:19:53,639
Speaker 2: So I guess that's the essential question.

421
00:19:54,320 --> 00:19:59,400
Speaker 1: Is the recipe inherent to a text on a product? Right?

422
00:20:00,119 --> 00:20:01,560
Speaker 2: Can we live without it?

423
00:20:02,080 --> 00:20:04,680
Speaker 4: Here's what it would make me happy. I think let's

424
00:20:04,760 --> 00:20:07,919
Speaker 4: start with crackers and then we'll move our way up

425
00:20:07,920 --> 00:20:12,080
Speaker 4: to rice RONI Belveda. Let's just start with the thing

426
00:20:12,160 --> 00:20:14,840
Speaker 4: that we won hundred percent do not need input on,

427
00:20:15,359 --> 00:20:17,720
Speaker 4: and just see how it goes, don't tell anybody, just

428
00:20:17,760 --> 00:20:20,240
Speaker 4: pick up the box and be like, huh, it's crack.

429
00:20:20,359 --> 00:20:22,800
Speaker 4: Pictures of ritz crackers on the front, pictures of Ritz

430
00:20:22,840 --> 00:20:23,640
Speaker 4: crackers on the back.

431
00:20:23,800 --> 00:20:25,800
Speaker 3: Solid. I do not need to be told to put

432
00:20:25,800 --> 00:20:28,280
Speaker 3: a tomato on this. I'm just gonna do it or not?

433
00:20:28,800 --> 00:20:31,200
Speaker 2: Do you think we should do it random selection?

434
00:20:31,840 --> 00:20:34,760
Speaker 1: Like we should put all of the companies and all

435
00:20:34,800 --> 00:20:38,600
Speaker 1: of the products in a big giant top hat mm

436
00:20:38,640 --> 00:20:43,280
Speaker 1: hmm and have a sexy lady pull from the hat,

437
00:20:44,080 --> 00:20:47,080
Speaker 1: and then whoever's company comes up is like, you're the

438
00:20:47,080 --> 00:20:48,080
Speaker 1: one that's been chosen.

439
00:20:48,480 --> 00:20:49,720
Speaker 2: No more recipes for you.

440
00:20:50,800 --> 00:20:54,520
Speaker 4: Let's test this theory. Oyster crackers. You've had your day.

441
00:20:54,560 --> 00:20:56,359
Speaker 4: We all know we're just gonna throw you on some soup.

442
00:20:56,640 --> 00:20:57,480
Speaker 4: We don't need all.

443
00:20:57,320 --> 00:21:04,160
Speaker 2: This prega oh buffed a loup bitch. It's your day,

444
00:21:04,359 --> 00:21:04,960
Speaker 2: it's your day.

445
00:21:05,119 --> 00:21:05,760
Speaker 5: Oh good.

446
00:21:06,320 --> 00:21:11,479
Speaker 1: So we actually have a mail bag this week, Lauren,

447
00:21:11,560 --> 00:21:12,400
Speaker 1: Do you care to read?

448
00:21:12,960 --> 00:21:16,639
Speaker 6: Shannon writes, So, my favorite movie in the whole world

449
00:21:16,680 --> 00:21:19,879
Speaker 6: is Jurassic Park, and I regularly subject my fiance to

450
00:21:19,920 --> 00:21:22,200
Speaker 6: watching it with me. He also thinks it's a great movie,

451
00:21:22,200 --> 00:21:24,120
Speaker 6: but is maybe not as into it as I am.

452
00:21:24,560 --> 00:21:27,000
Speaker 6: This has created an argument between us though that I'm

453
00:21:27,040 --> 00:21:29,360
Speaker 6: hoping you ladies can finally put to rest and tell

454
00:21:29,400 --> 00:21:32,960
Speaker 6: him he's crazy. The argument is what genre you would

455
00:21:32,960 --> 00:21:35,280
Speaker 6: put it under. I am under the opinion that it

456
00:21:35,280 --> 00:21:40,080
Speaker 6: could go in horror, science fiction, or thriller. My fiance, however,

457
00:21:40,280 --> 00:21:44,800
Speaker 6: firmly believes it's historical. I just can't even with that answer.

458
00:21:46,640 --> 00:21:47,560
Speaker 6: Do you want me to read the rest?

459
00:21:47,920 --> 00:21:48,080
Speaker 1: Yeah?

460
00:21:48,119 --> 00:21:50,399
Speaker 2: Yeah, yeah, no, I'm sorry. I'm literally just like thinking

461
00:21:50,440 --> 00:21:51,800
Speaker 2: about that and laughing.

462
00:21:51,920 --> 00:21:56,879
Speaker 7: So I've tried explaining to him why that's crazy, but

463
00:21:57,000 --> 00:21:59,560
Speaker 7: he won't listen. So I was hoping you ladies could

464
00:21:59,560 --> 00:22:01,880
Speaker 7: talk some sense into him, or maybe tell me how

465
00:22:01,920 --> 00:22:05,240
Speaker 7: it could possibly make sense and apologize to him. I'm

466
00:22:05,240 --> 00:22:06,120
Speaker 7: happy either way.

467
00:22:06,400 --> 00:22:09,639
Speaker 3: Oh, Shannon, this is the greatest question. Thank you for

468
00:22:09,720 --> 00:22:10,320
Speaker 3: this email.

469
00:22:10,840 --> 00:22:13,680
Speaker 1: I love that this is the kind of topic that

470
00:22:13,920 --> 00:22:17,159
Speaker 1: you guys have with each other. This just is like

471
00:22:17,240 --> 00:22:19,640
Speaker 1: it sounds like you guys have a good foundation. That's

472
00:22:19,680 --> 00:22:23,760
Speaker 1: all I'll say. I I love that this question exists.

473
00:22:23,800 --> 00:22:28,040
Speaker 1: It's like a philosophical question or something. And I also

474
00:22:28,160 --> 00:22:32,160
Speaker 1: just love discussing the taxonomy of films like I love like.

475
00:22:32,600 --> 00:22:35,320
Speaker 2: The thought experiments of that, you know, It's funny.

476
00:22:35,400 --> 00:22:41,160
Speaker 1: We know somebody who could really answer this question, don't we, Daniel.

477
00:22:41,040 --> 00:22:42,320
Speaker 3: Yeah, we had to call him the Big Guns.

478
00:22:42,440 --> 00:22:44,120
Speaker 2: We have a special guest today.

479
00:22:44,359 --> 00:22:50,480
Speaker 4: We do podcast engineer extraordinary host of the per cast

480
00:22:50,800 --> 00:22:54,880
Speaker 4: see Jurassic Right and many many other things. Stephen Ray

481
00:22:54,920 --> 00:22:56,760
Speaker 4: Morris is here to help us with this answer.

482
00:22:56,880 --> 00:22:57,040
Speaker 2: Yeah.

483
00:22:57,080 --> 00:23:04,679
Speaker 8: I'm so honored to join for this historical question. But

484
00:23:04,720 --> 00:23:07,760
Speaker 8: before we yes, I love Jurassic Park and I have

485
00:23:07,840 --> 00:23:10,360
Speaker 8: a lot of thoughts, but I honestly wanted to ask

486
00:23:10,400 --> 00:23:14,480
Speaker 8: you both, what does what does the boyfriend mean by

487
00:23:14,680 --> 00:23:17,760
Speaker 8: historical as a film genre? I was like, is it saving?

488
00:23:17,920 --> 00:23:18,159
Speaker 2: To me?

489
00:23:18,560 --> 00:23:20,480
Speaker 8: Historical is like saving private Ryan?

490
00:23:20,760 --> 00:23:23,119
Speaker 4: So I'm with you, Like I instantly go to like

491
00:23:23,240 --> 00:23:26,560
Speaker 4: war movies and Grandpa stuff, Grandpa stuff.

492
00:23:27,040 --> 00:23:30,080
Speaker 1: Yeah to me, yeah, I would definitely agree. Historical means

493
00:23:30,160 --> 00:23:34,359
Speaker 1: something that happened in our history that's being recreated for

494
00:23:34,440 --> 00:23:34,840
Speaker 1: a movie.

495
00:23:35,040 --> 00:23:37,280
Speaker 8: I mean, there's nothing to say the Drastic Park wasn't

496
00:23:37,320 --> 00:23:40,239
Speaker 8: real in the summer of nineteen maybe three, right? Or

497
00:23:40,280 --> 00:23:42,960
Speaker 8: is that just my childhood or is that just my

498
00:23:43,080 --> 00:23:45,520
Speaker 8: childhood longing and nostalgia kicking in.

499
00:23:46,080 --> 00:23:49,160
Speaker 4: I think that's that's your your childhood dream. But look,

500
00:23:49,200 --> 00:23:50,919
Speaker 4: a lot of people buy islands. We don't know what

501
00:23:50,920 --> 00:23:51,640
Speaker 4: they're doing on them.

502
00:23:52,040 --> 00:23:55,080
Speaker 8: Well, I love the idea that there's maybe this. You know,

503
00:23:55,119 --> 00:23:57,280
Speaker 8: it's like if you've met a person in high school

504
00:23:57,320 --> 00:24:00,399
Speaker 8: that believed in Santa Claus. Still, it's sort of like

505
00:24:00,440 --> 00:24:04,320
Speaker 8: that idea where it's almost like maybe this person just

506
00:24:04,480 --> 00:24:06,720
Speaker 8: was saw Drastic Park as a kid once thought it

507
00:24:06,760 --> 00:24:10,879
Speaker 8: was a documentary, maybe confused it with the there's a

508
00:24:10,920 --> 00:24:14,640
Speaker 8: great James Earl Jones hosted behind the scenes of Jurassic

509
00:24:14,680 --> 00:24:17,120
Speaker 8: Park that he did in the nineties, and I think

510
00:24:17,160 --> 00:24:19,199
Speaker 8: somebody like that, with that kind of gravitas, you're like, well,

511
00:24:19,240 --> 00:24:19,840
Speaker 8: it must be real.

512
00:24:21,760 --> 00:24:25,560
Speaker 1: I was thinking, yeah, like maybe he's basing this off

513
00:24:25,560 --> 00:24:29,280
Speaker 1: the idea that dinosaurs were real and therefore it's a

514
00:24:29,440 --> 00:24:30,359
Speaker 1: historical thing.

515
00:24:30,920 --> 00:24:35,679
Speaker 2: But even that is not great, Like I mean, it

516
00:24:35,880 --> 00:24:36,600
Speaker 2: is a fiction.

517
00:24:37,560 --> 00:24:40,320
Speaker 1: Like you've seen this movie how many times just out

518
00:24:40,359 --> 00:24:41,040
Speaker 1: of curiosity?

519
00:24:41,600 --> 00:24:43,760
Speaker 8: I mean I probably used to watch it every day

520
00:24:43,800 --> 00:24:46,719
Speaker 8: when I was a kid growing up on you know, VHS,

521
00:24:46,760 --> 00:24:48,600
Speaker 8: so probably like a hundred times.

522
00:24:48,720 --> 00:24:51,720
Speaker 1: Yeah, and you host you currently host a podcast about it,

523
00:24:51,760 --> 00:24:55,520
Speaker 1: so I really feel like you're the most qualified person.

524
00:24:56,320 --> 00:24:59,840
Speaker 2: What is your take on it being a historical movie.

525
00:25:00,240 --> 00:25:02,360
Speaker 2: I mean, what do you consider it to be?

526
00:25:02,560 --> 00:25:04,480
Speaker 8: It's funny because I feel like that is the actual

527
00:25:04,560 --> 00:25:07,280
Speaker 8: larger question is like what is I want to know

528
00:25:07,440 --> 00:25:11,520
Speaker 8: what else this boyfriend believes in? But I think the

529
00:25:11,600 --> 00:25:14,600
Speaker 8: point of the actual point of the question, this person

530
00:25:14,640 --> 00:25:18,119
Speaker 8: who took the time an amazing listener listens to the show,

531
00:25:18,400 --> 00:25:21,399
Speaker 8: wanted to you know, has a really interesting you know

532
00:25:21,560 --> 00:25:23,639
Speaker 8: question about you know, because that's the thing we are,

533
00:25:23,720 --> 00:25:25,959
Speaker 8: you know, it's I don't know when this comes out,

534
00:25:26,000 --> 00:25:27,600
Speaker 8: but like tis the season die Hard? Is it a

535
00:25:27,680 --> 00:25:31,439
Speaker 8: Christmas movie? As wedschat Christmas movie? Like there's always that

536
00:25:31,480 --> 00:25:33,720
Speaker 8: thing of like is Jurassic Park a horror movie because

537
00:25:33,760 --> 00:25:38,080
Speaker 8: it like it doesn't have Some would say are like

538
00:25:38,080 --> 00:25:40,000
Speaker 8: to me, it doesn't necessarily have all the things that

539
00:25:40,040 --> 00:25:43,359
Speaker 8: would qualifit as a straight horror movie. But then also

540
00:25:43,480 --> 00:25:46,280
Speaker 8: like some of the most memorable moments of it are horror,

541
00:25:46,359 --> 00:25:49,639
Speaker 8: So wouldn't that wouldn't you put it in there if

542
00:25:49,640 --> 00:25:52,359
Speaker 8: it's like, well, fifty percent of it is horror or

543
00:25:52,440 --> 00:25:53,120
Speaker 8: you know, is.

544
00:25:53,080 --> 00:25:56,879
Speaker 9: It like decidedly not a kid's foot film, but it's

545
00:25:57,320 --> 00:26:00,400
Speaker 9: it definitely has kids in it in it empowered those

546
00:26:00,480 --> 00:26:05,119
Speaker 9: kids in a way that feels like realistic and not

547
00:26:05,200 --> 00:26:07,880
Speaker 9: quite horror in a way, like it's amos.

548
00:26:07,920 --> 00:26:10,200
Speaker 8: It's like an action adventure like I've always considered it

549
00:26:10,200 --> 00:26:13,720
Speaker 8: an action adventure movie or a science fiction movie. It's

550
00:26:13,760 --> 00:26:16,600
Speaker 8: like historical to me, would be like science fiction without

551
00:26:16,640 --> 00:26:19,760
Speaker 8: the science part, or almost or something like, you know,

552
00:26:20,600 --> 00:26:23,640
Speaker 8: like showing real things, but also like.

553
00:26:23,920 --> 00:26:24,240
Speaker 2: I love it.

554
00:26:24,280 --> 00:26:26,280
Speaker 3: You're like it might be a kid's movie because there's

555
00:26:26,359 --> 00:26:26,840
Speaker 3: kids in it.

556
00:26:27,040 --> 00:26:31,080
Speaker 8: Yeah, well, I guess it's I guess because it's like,

557
00:26:31,520 --> 00:26:33,040
Speaker 8: you know, I think growing up, a lot of people

558
00:26:33,160 --> 00:26:35,679
Speaker 8: were like, you know, oh, it's like Steven Spielberg never

559
00:26:35,800 --> 00:26:38,920
Speaker 8: kills the kids or whatever. So I think that's why

560
00:26:39,000 --> 00:26:42,439
Speaker 8: some like why I probably disqualified it as horror, but

561
00:26:42,520 --> 00:26:45,000
Speaker 8: I think, yeah, I'm in the camp now where it's

562
00:26:45,000 --> 00:26:47,360
Speaker 8: like I would say it's horror because the horror elements

563
00:26:47,400 --> 00:26:48,640
Speaker 8: are what stick with you.

564
00:26:49,840 --> 00:26:51,840
Speaker 3: I'm in agreeance.

565
00:26:52,000 --> 00:26:54,159
Speaker 2: But I also I kind of feel like it veers

566
00:26:54,200 --> 00:26:55,720
Speaker 2: towards sci fi. No.

567
00:26:56,000 --> 00:27:00,600
Speaker 4: I have such a like an unbelievable premise that needs

568
00:27:00,720 --> 00:27:04,440
Speaker 4: all of this explanation to like fully get us there.

569
00:27:04,880 --> 00:27:07,520
Speaker 2: Yeah, you're right, Yeah, it's kind of sci fi to

570
00:27:07,600 --> 00:27:08,240
Speaker 2: take the.

571
00:27:08,440 --> 00:27:11,960
Speaker 4: You know, the the lump of amber and the extraction

572
00:27:12,240 --> 00:27:14,800
Speaker 4: and like that is like some something that somebody would

573
00:27:14,800 --> 00:27:16,359
Speaker 4: think of if they're creating a new.

574
00:27:16,280 --> 00:27:19,280
Speaker 8: Planet, you know, yeah, well, and that to me it

575
00:27:19,640 --> 00:27:21,920
Speaker 8: almost that's where like that. To me it comes into

576
00:27:21,960 --> 00:27:24,840
Speaker 8: conflict with calling it an action adventure movie because I

577
00:27:24,880 --> 00:27:26,800
Speaker 8: think if you just jumped it, like, it's not like

578
00:27:26,840 --> 00:27:31,160
Speaker 8: Indiana Jones needed any explaining. Like to me, Jurassic Park

579
00:27:31,200 --> 00:27:34,439
Speaker 8: has had such an impact is because there's an edutainment element.

580
00:27:34,480 --> 00:27:38,840
Speaker 8: There's like literally a cartoon film that explains how DNA works,

581
00:27:38,920 --> 00:27:41,280
Speaker 8: and you know, so I think that's why. To me,

582
00:27:41,400 --> 00:27:43,520
Speaker 8: I've always never wanted to call it a horror movie

583
00:27:43,560 --> 00:27:46,359
Speaker 8: because it has so much of it. It's almost like

584
00:27:46,440 --> 00:27:49,399
Speaker 8: sequences from the movie the Raptors in the kitchen, the

585
00:27:49,480 --> 00:27:52,920
Speaker 8: road sequence, that stuff, to me feels like horror.

586
00:27:53,600 --> 00:27:54,840
Speaker 2: Yeah, this is Oh my god.

587
00:27:54,880 --> 00:27:58,480
Speaker 1: This is so interesting because because the more we keep

588
00:27:58,480 --> 00:28:00,679
Speaker 1: talking about it, the more I keep thinking, Okay, what

589
00:28:01,000 --> 00:28:03,920
Speaker 1: actually is it? Now? Like that was, it's just spanning

590
00:28:04,000 --> 00:28:07,320
Speaker 1: so many genres, not just the from the original question,

591
00:28:07,440 --> 00:28:08,280
Speaker 1: but now it's just.

592
00:28:08,400 --> 00:28:09,600
Speaker 2: My mind is racing.

593
00:28:10,080 --> 00:28:12,240
Speaker 1: The very first couple of years that I worked at TCM,

594
00:28:12,280 --> 00:28:14,439
Speaker 1: I did a lot of meg metadata work, which is

595
00:28:14,480 --> 00:28:19,480
Speaker 1: basically going into movies and setting genres and run times

596
00:28:19,520 --> 00:28:22,840
Speaker 1: and all this stuff. And I was, so, I'm always

597
00:28:22,880 --> 00:28:25,600
Speaker 1: in these databases, even to this dam, in these databases,

598
00:28:25,760 --> 00:28:28,159
Speaker 1: and I'm always looking at the genres of films, and

599
00:28:28,200 --> 00:28:31,919
Speaker 1: I always feel like the biggest difference between an adventure

600
00:28:31,960 --> 00:28:36,080
Speaker 1: movie and a horror movie, based on like what we've

601
00:28:36,200 --> 00:28:39,760
Speaker 1: deemed it, I guess, is that the scares from an

602
00:28:39,800 --> 00:28:41,360
Speaker 1: adventure movie come from like.

603
00:28:42,320 --> 00:28:44,640
Speaker 2: Rocks and water and like you know.

604
00:28:44,600 --> 00:28:48,040
Speaker 1: Like the nature world maybe, or there's like some kind

605
00:28:48,040 --> 00:28:51,200
Speaker 1: of like tiger fight or like something like it's like,

606
00:28:51,800 --> 00:28:54,800
Speaker 1: you know, it's like the old school, like Errol Flynn

607
00:28:55,520 --> 00:28:58,880
Speaker 1: there's swords or something like that. And then a horror

608
00:28:58,960 --> 00:29:04,120
Speaker 1: movie come the scares come from creatures like not necessary.

609
00:29:04,280 --> 00:29:06,280
Speaker 1: Well that's not true because some like Jaws is a

610
00:29:06,320 --> 00:29:09,240
Speaker 1: horror movie. So and but it's a different thing. I

611
00:29:09,280 --> 00:29:13,320
Speaker 1: think it's more about like how rugged are the individuals

612
00:29:13,360 --> 00:29:14,360
Speaker 1: that are fighting.

613
00:29:14,440 --> 00:29:17,520
Speaker 2: I mean there's a lot of in Jurassic Park though, so.

614
00:29:17,520 --> 00:29:21,520
Speaker 8: I don't know, yeah, I mean, yeah, no, that's actually

615
00:29:21,560 --> 00:29:23,600
Speaker 8: that's I mean that's in really and then is there

616
00:29:24,120 --> 00:29:26,560
Speaker 8: and now are we getting into historical here? Whereas it's

617
00:29:26,640 --> 00:29:30,400
Speaker 8: part of a lineage of like universal monsters and that

618
00:29:30,560 --> 00:29:33,320
Speaker 8: sort of thing. And also Steven Spielberg also did Jaws.

619
00:29:33,400 --> 00:29:36,480
Speaker 8: Like you're saying, you know, so it's like, I don't

620
00:29:36,520 --> 00:29:39,480
Speaker 8: know this. I wonder how they're doing this couple.

621
00:29:39,600 --> 00:29:41,520
Speaker 2: Are we just ruling out French New Wave?

622
00:29:44,400 --> 00:29:46,840
Speaker 1: I mean I think I saw like a slightly sad

623
00:29:47,600 --> 00:29:51,000
Speaker 1: pensive velociraptor than well, you know.

624
00:29:51,000 --> 00:29:53,720
Speaker 8: It's you know, they're all tired from running, so they're breathless, so.

625
00:29:53,680 --> 00:29:54,280
Speaker 3: That makes sense.

626
00:29:57,440 --> 00:29:59,000
Speaker 2: Yes, yes you are hired.

627
00:30:00,120 --> 00:30:02,720
Speaker 8: That joke Jean l Jurassic Park jokes.

628
00:30:03,960 --> 00:30:05,600
Speaker 2: I feel like that's your audience would love.

629
00:30:06,080 --> 00:30:07,760
Speaker 8: Is this is the only time I get to make

630
00:30:07,760 --> 00:30:09,440
Speaker 8: that joke is on this podcast.

631
00:30:11,200 --> 00:30:12,000
Speaker 2: Oh my god.

632
00:30:12,120 --> 00:30:15,800
Speaker 1: Well, I it's so funny because I went from thinking

633
00:30:15,920 --> 00:30:21,520
Speaker 1: that this husband was ridiculous to now being like is

634
00:30:21,560 --> 00:30:22,479
Speaker 1: he onto something?

635
00:30:22,520 --> 00:30:26,800
Speaker 2: Here? I was judging and now I'm like walking back

636
00:30:27,000 --> 00:30:28,240
Speaker 2: to it. It's crazy.

637
00:30:28,360 --> 00:30:31,040
Speaker 4: I know, I want to know like what their arguments

638
00:30:31,080 --> 00:30:34,000
Speaker 4: are like, because I feel like they're both holding firm

639
00:30:34,080 --> 00:30:35,000
Speaker 4: to their positions.

640
00:30:35,440 --> 00:30:38,680
Speaker 2: But the more you talk about it, the more murky

641
00:30:38,720 --> 00:30:39,200
Speaker 2: it gets.

642
00:30:39,480 --> 00:30:41,920
Speaker 4: Stannon, if you could tell us what resolutions do you

643
00:30:41,960 --> 00:30:46,400
Speaker 4: have in your relationship, like how do other arguments or

644
00:30:46,440 --> 00:30:49,880
Speaker 4: disagreements usually work out, because maybe that'll help us figure

645
00:30:49,920 --> 00:30:50,840
Speaker 4: this one out right.

646
00:30:50,720 --> 00:30:52,920
Speaker 8: Well, And I like how And I wonder if they

647
00:30:53,000 --> 00:30:56,200
Speaker 8: have what their notions of what the genre like it's

648
00:30:56,240 --> 00:30:58,640
Speaker 8: like speaking the same language, like what is what is

649
00:30:58,680 --> 00:31:00,920
Speaker 8: your definition of a horror movie? What is your definition

650
00:31:01,680 --> 00:31:05,320
Speaker 8: of a you know, bi epic or something like that.

651
00:31:05,400 --> 00:31:08,760
Speaker 8: You know, it's I think that's what makes this discussion

652
00:31:08,800 --> 00:31:11,200
Speaker 8: so interesting, because yeah, it's like I feel like I

653
00:31:11,240 --> 00:31:13,960
Speaker 8: can't even agree on like what a horror movie necessarily is.

654
00:31:14,000 --> 00:31:16,200
Speaker 8: And then I love I've never thought of adventure movies

655
00:31:16,280 --> 00:31:19,960
Speaker 8: versus horror as like the level of ruggedness that they

656
00:31:20,280 --> 00:31:22,960
Speaker 8: because you're right, because it's like because also disaster movies,

657
00:31:23,000 --> 00:31:26,360
Speaker 8: it's almost like those are adventure movies but with less

658
00:31:26,440 --> 00:31:29,360
Speaker 8: rugged heroes or something like that or something well other

659
00:31:29,400 --> 00:31:32,120
Speaker 8: than the Rock and that earthquake movie from a couple

660
00:31:32,120 --> 00:31:34,880
Speaker 8: of years ago. But yeah, yeah, it's interesting question.

661
00:31:35,440 --> 00:31:37,600
Speaker 1: Yeah, I honestly think the only way to solve it

662
00:31:37,640 --> 00:31:40,320
Speaker 1: is to have Steven Spielberg come on this podcast and

663
00:31:41,440 --> 00:31:46,040
Speaker 1: answer it, since he's doing he's doing so much, he's

664
00:31:46,080 --> 00:31:50,440
Speaker 1: spanning so many genres, he's making us, you know, really

665
00:31:50,560 --> 00:31:54,239
Speaker 1: kind of question what this movie is and who and

666
00:31:54,280 --> 00:31:56,800
Speaker 1: what it could be to exactly.

667
00:31:57,120 --> 00:31:59,600
Speaker 4: And also like, even if we can't figure out what

668
00:31:59,720 --> 00:32:02,600
Speaker 4: Jean it goes in, I feel like we at least

669
00:32:02,680 --> 00:32:05,520
Speaker 4: owe it to Shannon to figure out is this a

670
00:32:05,680 --> 00:32:06,720
Speaker 4: historical movie or not.

671
00:32:06,960 --> 00:32:10,280
Speaker 8: I'm gonna say no, just because dinosaurs and humans didn't

672
00:32:10,360 --> 00:32:13,120
Speaker 8: exist together at all. And I hope that maybe this

673
00:32:13,160 --> 00:32:17,360
Speaker 8: has prompted her to ask her partner if he thinks this,

674
00:32:18,800 --> 00:32:20,360
Speaker 8: Like if he thinks it's like, oh no, there was

675
00:32:20,360 --> 00:32:22,600
Speaker 8: a time when dinosaurs and humans were together, You're like,

676
00:32:23,120 --> 00:32:25,520
Speaker 8: oh no, and you're just like Homer Simpson out of there.

677
00:32:29,960 --> 00:32:33,120
Speaker 4: So find out what your fiance thinks is real so

678
00:32:33,160 --> 00:32:34,880
Speaker 4: you can nope out before the wedding or not.

679
00:32:35,080 --> 00:32:38,400
Speaker 2: And honestly, if she doesn't mine, I would love to

680
00:32:38,480 --> 00:32:41,600
Speaker 2: like open this up. So if you have an opinion,

681
00:32:41,840 --> 00:32:42,840
Speaker 2: you should email us.

682
00:32:43,400 --> 00:32:45,080
Speaker 1: I saw what he did pot at gmail dot com

683
00:32:45,080 --> 00:32:48,520
Speaker 1: because honestly, like I'm curious, I want to hear arguments.

684
00:32:48,760 --> 00:32:49,240
Speaker 2: Bring it.

685
00:32:49,400 --> 00:32:51,120
Speaker 3: I mean, this could be the question of the year.

686
00:32:52,360 --> 00:32:52,560
Speaker 10: Well.

687
00:32:52,600 --> 00:32:55,080
Speaker 8: Also, it's like to me, I also think of like

688
00:32:55,120 --> 00:32:58,280
Speaker 8: what would this movie because both James Cameron and Tim

689
00:32:58,320 --> 00:33:00,920
Speaker 8: Burton were trying to get the rights to do this movie,

690
00:33:01,800 --> 00:33:06,040
Speaker 8: and like Tim Burton ended up doing Mars attacks instead

691
00:33:06,080 --> 00:33:09,080
Speaker 8: of dinosaur attacks because of how successful Jurassic Park was.

692
00:33:09,120 --> 00:33:11,440
Speaker 8: So it's like there's all those kind of you know

693
00:33:11,520 --> 00:33:13,840
Speaker 8: what if kind of scenarios as well too.

694
00:33:14,880 --> 00:33:18,120
Speaker 4: Oh, James Cameron would have made the woman's story so

695
00:33:18,280 --> 00:33:22,520
Speaker 4: tragic and awful and it would have just been all Actually,

696
00:33:22,720 --> 00:33:24,600
Speaker 4: I won't finish that sensus. I don't want to get sued.

697
00:33:26,240 --> 00:33:28,880
Speaker 4: But just imagining this film in the hands of another

698
00:33:28,920 --> 00:33:31,480
Speaker 4: director and if that would change the genre is an

699
00:33:31,480 --> 00:33:34,000
Speaker 4: interesting thought because I don't think Tim Burton. I don't

700
00:33:34,000 --> 00:33:36,400
Speaker 4: think of him when I think of action adventure or

701
00:33:37,480 --> 00:33:39,240
Speaker 4: I think of him for sci fi for some of

702
00:33:39,280 --> 00:33:42,640
Speaker 4: his movies, but it's mostly like absurdist comedy stuff, just.

703
00:33:42,600 --> 00:33:46,320
Speaker 8: Like an misunderstood velociraptor. He keeps trying to rap presence

704
00:33:46,400 --> 00:33:47,960
Speaker 8: and it's not going very well.

705
00:33:48,160 --> 00:33:49,960
Speaker 1: I would love to see John Waters take a crack

706
00:33:50,040 --> 00:33:53,440
Speaker 1: at Durassic Park, to be honest, She's how my mind works.

707
00:33:53,600 --> 00:33:58,040
Speaker 2: But well, thank you Stephen for weighing in on this.

708
00:33:58,280 --> 00:34:00,640
Speaker 1: I'm so glad that you decide to come on and

709
00:34:01,120 --> 00:34:03,000
Speaker 1: shed some light on this question.

710
00:34:03,600 --> 00:34:06,200
Speaker 8: No, I'm so honored to be on and that was

711
00:34:06,200 --> 00:34:08,680
Speaker 8: a real thinker. So what was the person who asked

712
00:34:08,680 --> 00:34:12,200
Speaker 8: it again? Shannon Shannon? Thank you, Shannon. We've all now

713
00:34:12,200 --> 00:34:13,600
Speaker 8: I'm going to go off on a Friday night and

714
00:34:13,640 --> 00:34:16,759
Speaker 8: just be like, you know, hello darcness, my old Fred, Like,

715
00:34:16,920 --> 00:34:19,279
Speaker 8: I'm just so like, I'm going to rewatch Jurassic Park

716
00:34:19,320 --> 00:34:21,120
Speaker 8: with new eyes, you know, so if you have to.

717
00:34:21,120 --> 00:34:22,560
Speaker 3: Watch it while you're sitting in a room with like

718
00:34:22,600 --> 00:34:23,560
Speaker 3: a bear bulb.

719
00:34:25,760 --> 00:34:28,560
Speaker 1: And I'm actually I'm sure people know where to find you.

720
00:34:28,640 --> 00:34:30,560
Speaker 1: But if you want to tell people where to find

721
00:34:30,560 --> 00:34:32,200
Speaker 1: the podcast and everything.

722
00:34:32,719 --> 00:34:35,120
Speaker 8: Just see Jurassic right, s Ja Pot on Twitter, see

723
00:34:35,160 --> 00:34:37,359
Speaker 8: Drastic right on Instagram, and then yeah, just search see

724
00:34:37,400 --> 00:34:39,920
Speaker 8: Jurassic right and it's right there. And we interviewed the

725
00:34:39,920 --> 00:34:44,120
Speaker 8: little Volunteer kid, this amazing actor, whitt Hertford. I had

726
00:34:44,160 --> 00:34:46,759
Speaker 8: him on the podcast just a few months ago, So

727
00:34:46,800 --> 00:34:49,080
Speaker 8: people should check that out if you want some inside

728
00:34:49,600 --> 00:34:53,400
Speaker 8: you know, directing Spielberg, you know, from from Spielberg and

729
00:34:53,440 --> 00:34:56,040
Speaker 8: all that stuff from the movie itself. So yeah, thank you.

730
00:34:55,960 --> 00:34:59,560
Speaker 4: Awesome, Thank you so much Steven for both being our

731
00:34:59,600 --> 00:35:03,000
Speaker 4: first ever guessed and someone who could help us parse

732
00:35:03,040 --> 00:35:04,480
Speaker 4: through that email.

733
00:35:05,640 --> 00:35:06,359
Speaker 2: Yes, thank you.

734
00:35:06,480 --> 00:35:08,960
Speaker 4: It does not segue into our movies at all, but

735
00:35:09,000 --> 00:35:10,960
Speaker 4: we're going to try to make it work because we

736
00:35:11,080 --> 00:35:12,680
Speaker 4: got some movies for you.

737
00:35:13,239 --> 00:35:15,799
Speaker 2: What is our theme this week, Danielle?

738
00:35:15,960 --> 00:35:20,960
Speaker 4: Our theme this week is from Beneath You It devours.

739
00:35:21,239 --> 00:35:24,040
Speaker 1: Okay, first of all, I gotta say you you named it,

740
00:35:24,320 --> 00:35:25,920
Speaker 1: which I think is brilliant.

741
00:35:26,320 --> 00:35:28,720
Speaker 3: Well, also, that is a Buffy the Vampire Slayer reference.

742
00:35:28,760 --> 00:35:30,400
Speaker 2: Oh is it okay? I didn't.

743
00:35:30,440 --> 00:35:33,839
Speaker 1: I didn't realize because I was like, there's no way

744
00:35:33,840 --> 00:35:35,520
Speaker 1: I would have written some awesome shit like that.

745
00:35:35,640 --> 00:35:38,799
Speaker 2: No I'm not that cool. No, I'm saying that you

746
00:35:38,880 --> 00:35:40,480
Speaker 2: are that cool now.

747
00:35:40,520 --> 00:35:42,520
Speaker 1: I'm just now I'm just finding out that it was

748
00:35:42,560 --> 00:35:46,480
Speaker 1: actually from Buffy. But guess what, I'm actually the stupidest.

749
00:35:46,760 --> 00:35:48,520
Speaker 1: So that's as long as we get that straight.

750
00:35:51,160 --> 00:35:52,320
Speaker 2: Let's explain.

751
00:35:53,960 --> 00:35:56,640
Speaker 1: Let's explain this because I think that we were tickled

752
00:35:56,680 --> 00:35:59,520
Speaker 1: by the concept of this, but also like maybe it

753
00:35:59,560 --> 00:36:01,439
Speaker 1: comes from like a fear or something.

754
00:36:01,800 --> 00:36:02,719
Speaker 2: Are you what's your tea?

755
00:36:03,239 --> 00:36:06,720
Speaker 4: I think it comes from a collective childhood trauma because

756
00:36:07,080 --> 00:36:10,759
Speaker 4: almost every there's so many movies from the eighties where

757
00:36:10,800 --> 00:36:14,560
Speaker 4: there's monsters living either beneath the city in a sewer

758
00:36:15,080 --> 00:36:18,040
Speaker 4: in your toilet, like, there's just it was a fear,

759
00:36:18,400 --> 00:36:20,680
Speaker 4: a legitimate fear that a lot of us had, that

760
00:36:20,719 --> 00:36:23,240
Speaker 4: we were gonna be sucked into underground somewhere.

761
00:36:23,480 --> 00:36:26,520
Speaker 1: Yes, And I have to say I think that we

762
00:36:26,600 --> 00:36:29,440
Speaker 1: need to make a distinction here. This is not about

763
00:36:29,480 --> 00:36:32,239
Speaker 1: stuff in the water. So this is not like Jaws.

764
00:36:32,520 --> 00:36:34,520
Speaker 1: This is not like you know, deep Blue Sea or

765
00:36:34,560 --> 00:36:39,399
Speaker 1: some shit like that. This is subterranean horror. This is

766
00:36:39,640 --> 00:36:42,000
Speaker 1: this is like, Okay, I guess if you want to

767
00:36:42,040 --> 00:36:46,120
Speaker 1: get down to brass tacks. Jaws is technically below the

768
00:36:46,160 --> 00:36:47,960
Speaker 1: earth because it's below sea level.

769
00:36:48,000 --> 00:36:49,880
Speaker 2: But no, this is what we're talking about.

770
00:36:49,920 --> 00:36:53,160
Speaker 4: Is stuff from under the ground, under the race, right

771
00:36:53,239 --> 00:36:54,279
Speaker 4: under a civilization.

772
00:36:55,040 --> 00:36:56,920
Speaker 2: Yeah, exactly, and you don't.

773
00:36:56,719 --> 00:36:59,040
Speaker 3: Know it's there, and it's about to fuck your life up.

774
00:37:01,320 --> 00:37:04,440
Speaker 1: Well, And I have to tell you I had some

775
00:37:04,560 --> 00:37:10,440
Speaker 1: trouble with this theme because the first three movies that

776
00:37:10,560 --> 00:37:14,919
Speaker 1: I selected when we were planning out this theme, we're

777
00:37:15,000 --> 00:37:19,960
Speaker 1: not available to stream. And you know, as we have

778
00:37:20,040 --> 00:37:22,279
Speaker 1: talked about in this podcast, we want to try to

779
00:37:22,320 --> 00:37:24,840
Speaker 1: make things viewable for people.

780
00:37:25,360 --> 00:37:26,480
Speaker 2: It is fun to talk.

781
00:37:26,360 --> 00:37:28,720
Speaker 1: About movies that are like obscure and hard to find.

782
00:37:28,800 --> 00:37:31,000
Speaker 1: But you know, if nobody can watch it, it's a

783
00:37:31,040 --> 00:37:33,160
Speaker 1: pain in the ass. And you know, we don't want

784
00:37:33,200 --> 00:37:36,480
Speaker 1: to necessarily make that problem for you, but I have

785
00:37:36,600 --> 00:37:37,080
Speaker 1: to say.

786
00:37:37,719 --> 00:37:38,680
Speaker 2: The first movie that.

787
00:37:38,640 --> 00:37:42,000
Speaker 1: Came to mind was Alligator, and I mean, probably one

788
00:37:42,000 --> 00:37:44,560
Speaker 1: of the biggest ones, and it's nowhere to be found

789
00:37:44,600 --> 00:37:47,120
Speaker 1: on the internet. Then I was like, huh, what about

790
00:37:47,120 --> 00:37:49,920
Speaker 1: the Bougains. That's a great one. Yeah, let me think

791
00:37:49,920 --> 00:37:53,880
Speaker 1: about that one. That one's not available. And then the

792
00:37:53,920 --> 00:37:57,440
Speaker 1: third one was this movie called The Pit, which at

793
00:37:57,480 --> 00:37:59,680
Speaker 1: the time that I was doing the research, is actually

794
00:37:59,719 --> 00:38:02,680
Speaker 1: not a available but now might be, Like I think

795
00:38:02,719 --> 00:38:06,399
Speaker 1: I just googled it again randomly, like two days ago,

796
00:38:07,120 --> 00:38:09,600
Speaker 1: and it might be on Amazon, but you have to

797
00:38:09,640 --> 00:38:12,359
Speaker 1: have like a subscription to like Shutter or like one

798
00:38:12,360 --> 00:38:15,360
Speaker 1: of those premium channels. But I was like, it was

799
00:38:15,440 --> 00:38:18,160
Speaker 1: to the point where I was like, is this some

800
00:38:18,280 --> 00:38:22,680
Speaker 1: deep state shit about like censoring Creatures under the Ground

801
00:38:22,680 --> 00:38:24,600
Speaker 1: movies or something like. I was like, is this my

802
00:38:24,680 --> 00:38:26,399
Speaker 1: conspiracy theory? What's going on here?

803
00:38:26,560 --> 00:38:29,400
Speaker 4: No, it's a legit conspiracy theory because what probably happened

804
00:38:29,400 --> 00:38:31,680
Speaker 4: is everyone who grew up watching these is now our

805
00:38:31,760 --> 00:38:34,279
Speaker 4: age and it's like, let's shut this shit down. You're

806
00:38:34,320 --> 00:38:42,200
Speaker 4: not going to traumatize our children the way we were traumatized. No, no, alligator, take.

807
00:38:42,080 --> 00:38:44,440
Speaker 2: It off the shelves permanently.

808
00:38:45,160 --> 00:38:48,520
Speaker 1: It's like I had spent too many sleepless nights hovering

809
00:38:48,560 --> 00:38:51,759
Speaker 1: over my toilet wondering if like a king Copra was

810
00:38:51,800 --> 00:38:52,640
Speaker 1: coming out of there.

811
00:38:53,080 --> 00:38:55,320
Speaker 2: Never again, folks, Now tell you how.

812
00:38:55,200 --> 00:38:58,000
Speaker 4: Many showers I've taken waiting for something to crawl up

813
00:38:58,040 --> 00:39:01,480
Speaker 4: out of a drain and just go to town on

814
00:39:01,520 --> 00:39:03,319
Speaker 4: those ankles feet.

815
00:39:06,320 --> 00:39:11,880
Speaker 1: You were gonna have a TESSS style rash that was

816
00:39:12,000 --> 00:39:18,640
Speaker 1: due to a underground monster that traveled through the sower systems.

817
00:39:19,440 --> 00:39:23,640
Speaker 2: It is now chilling in your shower. Excuse me, doctor,

818
00:39:24,880 --> 00:39:27,239
Speaker 2: I have this rash. I think it could be TSS.

819
00:39:27,280 --> 00:39:30,400
Speaker 4: But it was definitely because a sucker from a tentacle

820
00:39:30,520 --> 00:39:32,640
Speaker 4: came out of my shower and just like slapped me

821
00:39:32,680 --> 00:39:36,360
Speaker 4: on the leg. So it might be TSS, it might not,

822
00:39:36,520 --> 00:39:38,080
Speaker 4: but can you just like take a look at it.

823
00:39:39,560 --> 00:39:43,040
Speaker 1: The only way to find out is the jackhammer, just

824
00:39:43,160 --> 00:39:46,040
Speaker 1: to find out it's either this or that.

825
00:39:48,040 --> 00:39:50,560
Speaker 2: I agree. I think that I think, as we've seen with.

826
00:39:50,520 --> 00:39:54,799
Speaker 1: So many other horror movies like stuff like Psycho. I mean,

827
00:39:54,920 --> 00:39:58,359
Speaker 1: just like the bathroom is always it's like the most

828
00:39:58,440 --> 00:40:02,319
Speaker 1: vulnerable place to be. Yep, there's so many of these

829
00:40:02,360 --> 00:40:06,080
Speaker 1: types of movies that deal with bathroom stuff, bathroom traumas,

830
00:40:06,400 --> 00:40:09,080
Speaker 1: so it's like, yeah, of course we'd be terrified of this,

831
00:40:09,200 --> 00:40:11,840
Speaker 1: but also just the idea of there's like a whole

832
00:40:12,040 --> 00:40:16,680
Speaker 1: other civilization or like some other kind of thing that's

833
00:40:16,760 --> 00:40:22,080
Speaker 1: happening beneath what we're doing up here, and that is

834
00:40:22,400 --> 00:40:26,200
Speaker 1: something that we don't know about until some crazy.

835
00:40:25,840 --> 00:40:29,200
Speaker 2: Shit goes down. And that's scary. That's just a scary thing, right.

836
00:40:29,320 --> 00:40:31,040
Speaker 4: Oh and I have a fact from when we get

837
00:40:31,080 --> 00:40:33,239
Speaker 4: to my movie that is going to terrify you. Oh

838
00:40:33,280 --> 00:40:35,440
Speaker 4: my god, a real life act.

839
00:40:37,960 --> 00:40:42,960
Speaker 2: Oh my god. I'm actually very excited we're doing this, as.

840
00:40:42,760 --> 00:40:45,440
Speaker 1: You couldn't tell at the end of last week, Like

841
00:40:45,520 --> 00:40:47,719
Speaker 1: I was like, yeah, yeah, I can't wait to do this,

842
00:40:48,120 --> 00:40:50,440
Speaker 1: and we weren't gonna tell anybody what it was obviously,

843
00:40:50,960 --> 00:40:52,680
Speaker 1: but we could not contain ourselves.

844
00:40:52,760 --> 00:40:55,120
Speaker 4: We've been talking about it all week, so we really can't.

845
00:40:55,200 --> 00:40:57,240
Speaker 4: Well you're your first, let's let's start it off.

846
00:40:57,719 --> 00:41:01,520
Speaker 1: Okay, So for my movie this week, for the theme

847
00:41:01,800 --> 00:41:02,600
Speaker 1: from beneath you.

848
00:41:02,680 --> 00:41:05,440
Speaker 2: It of ours. It's a movie from nineteen ninety.

849
00:41:05,560 --> 00:41:09,239
Speaker 1: It's called Graveyard Shift, directed by Ralph S.

850
00:41:09,239 --> 00:41:09,799
Speaker 2: Singleton.

851
00:41:10,400 --> 00:41:15,000
Speaker 11: Stephen King invites you to venture deep inside the caverns

852
00:41:15,000 --> 00:41:19,919
Speaker 11: below the old Bachman Mill. You're not thinking about going

853
00:41:19,960 --> 00:41:25,439
Speaker 11: down in there. We're a secret, lies long forgotten by

854
00:41:25,520 --> 00:41:26,600
Speaker 11: any living soul.

855
00:41:27,400 --> 00:41:30,600
Speaker 1: First off, right off the bat, Danielle, I got a

856
00:41:30,640 --> 00:41:31,279
Speaker 1: question for you.

857
00:41:32,400 --> 00:41:35,000
Speaker 2: Are you a Stephen King fan? You know I am?

858
00:41:35,680 --> 00:41:39,520
Speaker 4: I am because he was like our horror dude, you know,

859
00:41:39,560 --> 00:41:41,920
Speaker 4: Like I know, he crosses generations and he had Carrie

860
00:41:41,960 --> 00:41:43,840
Speaker 4: and Christine and a whole bunch of stuff in the seventies,

861
00:41:43,880 --> 00:41:47,800
Speaker 4: but no one freaked us out like Stephen King freaked

862
00:41:47,840 --> 00:41:49,560
Speaker 4: us out when we were kids. And I just really

863
00:41:49,560 --> 00:41:51,560
Speaker 4: have an appreciation for that. And I read his book

864
00:41:51,560 --> 00:41:55,600
Speaker 4: on writing and I just really like his whole steeze. Again,

865
00:41:55,719 --> 00:41:58,000
Speaker 4: I'm not on Twitter very often, so I don't know

866
00:41:58,000 --> 00:41:59,400
Speaker 4: if he's been popping off on there. I don't know

867
00:41:59,400 --> 00:42:01,240
Speaker 4: if he's like, you know, he's in QAnon.

868
00:42:01,320 --> 00:42:02,040
Speaker 3: I have no idea.

869
00:42:02,400 --> 00:42:05,680
Speaker 2: I don't think so, but I do like his writing.

870
00:42:06,239 --> 00:42:08,320
Speaker 4: But I'm prepared to throw those books at the fireplace

871
00:42:08,360 --> 00:42:11,000
Speaker 4: if he's popping off right now. I really do like

872
00:42:11,040 --> 00:42:15,000
Speaker 4: his books, and I remember vividly, like just in the summertime,

873
00:42:15,040 --> 00:42:17,959
Speaker 4: there was nothing better than like getting Stephen King book

874
00:42:18,160 --> 00:42:20,759
Speaker 4: and like a bag of ice pops or something and

875
00:42:20,880 --> 00:42:23,960
Speaker 4: just spending a whole day freaking yourself out. He found

876
00:42:24,040 --> 00:42:26,200
Speaker 4: so many different ways to freak us out. I appreciate it.

877
00:42:26,320 --> 00:42:26,719
Speaker 2: Well good.

878
00:42:26,719 --> 00:42:29,160
Speaker 1: That's good to know, because I got to say, first

879
00:42:29,160 --> 00:42:30,879
Speaker 1: of all, he was a big part of my childhood too.

880
00:42:31,560 --> 00:42:34,400
Speaker 1: I think if you're a certain age, he probably was.

881
00:42:35,480 --> 00:42:37,480
Speaker 2: But I was kind of more of a fan of

882
00:42:37,600 --> 00:42:39,359
Speaker 2: like the film adaptations than I.

883
00:42:39,360 --> 00:42:42,960
Speaker 1: Was the books, and that's sad. The only one that

884
00:42:43,040 --> 00:42:47,320
Speaker 1: I actually read was The Shining Oof and that's only

885
00:42:47,400 --> 00:42:52,200
Speaker 1: because I actually took this entire class in grad school

886
00:42:52,280 --> 00:42:55,719
Speaker 1: about The Shining and because of that, I read the

887
00:42:55,719 --> 00:42:58,120
Speaker 1: book like eight thousand times. But it was like the

888
00:42:58,160 --> 00:43:00,120
Speaker 1: only time that I ever read one of his book.

889
00:43:00,520 --> 00:43:04,600
Speaker 1: And I just have to say that class was the best.

890
00:43:05,239 --> 00:43:08,080
Speaker 1: It was so great. I have to shout out the

891
00:43:08,120 --> 00:43:11,600
Speaker 1: professor that taught it. It's uh, doctor Jennifer Barker. She's

892
00:43:11,600 --> 00:43:14,239
Speaker 1: like one of my favorite professors in grad school. That

893
00:43:14,360 --> 00:43:17,879
Speaker 1: Shining class at GSU was great. But anyway, so yeah,

894
00:43:17,960 --> 00:43:22,880
Speaker 1: I think that I have not been the best Stephen

895
00:43:22,920 --> 00:43:26,360
Speaker 1: King fan. I've only really enjoyed the film adaptations. Like

896
00:43:26,400 --> 00:43:30,080
Speaker 1: I've probably seen the first pet Cemetery movie like probably

897
00:43:30,120 --> 00:43:31,000
Speaker 1: one hundred times.

898
00:43:30,960 --> 00:43:32,400
Speaker 2: Oh that's not an exaction.

899
00:43:32,480 --> 00:43:36,560
Speaker 4: I mean, talk about generational trauma. Zelda totally can fuck

900
00:43:36,600 --> 00:43:37,120
Speaker 4: off forever.

901
00:43:38,320 --> 00:43:41,600
Speaker 1: Okay, my sister and I we go from zero to

902
00:43:41,680 --> 00:43:46,279
Speaker 1: one hundred real quick. Anytime Zelda gets mentioned. I think

903
00:43:46,320 --> 00:43:49,080
Speaker 1: that like, if you interview like ten people or age,

904
00:43:49,200 --> 00:43:52,600
Speaker 1: like at least nine of them are going Zelda. Zelda,

905
00:43:52,680 --> 00:43:53,840
Speaker 1: Zelda is the worst.

906
00:43:53,920 --> 00:43:56,600
Speaker 2: Scariest shit gauge Zelda. Round them all up.

907
00:43:56,640 --> 00:43:59,800
Speaker 4: That movie was terrifying, And I think it's okay to

908
00:44:00,080 --> 00:44:01,920
Speaker 4: have come to Stephen King or only have watched his

909
00:44:02,000 --> 00:44:04,920
Speaker 4: movies because they did such great adaptations of his books.

910
00:44:05,160 --> 00:44:07,080
Speaker 1: Yeah, and there were just a lot of them, and

911
00:44:07,160 --> 00:44:10,000
Speaker 1: they spanned a lot of years, like you said, with

912
00:44:10,160 --> 00:44:13,440
Speaker 1: Carrie and the Shining and that kind of stuff. But

913
00:44:13,480 --> 00:44:15,480
Speaker 1: then like you know, there was all these like little ones,

914
00:44:15,640 --> 00:44:18,880
Speaker 1: including like the one I'm going to talk about today,

915
00:44:19,120 --> 00:44:22,560
Speaker 1: but you know, and then of course now there's stuff

916
00:44:22,640 --> 00:44:25,720
Speaker 1: like Stranger Things, and there's like the New it movies

917
00:44:25,760 --> 00:44:28,640
Speaker 1: that are just kind of playing up for that nostalgia,

918
00:44:28,680 --> 00:44:30,800
Speaker 1: and I just feel like, if you're a certain age,

919
00:44:30,800 --> 00:44:33,520
Speaker 1: you really kind of grew up with this kind of stuff.

920
00:44:33,560 --> 00:44:37,080
Speaker 1: And I have to tell you, oh my god. Speaking

921
00:44:37,080 --> 00:44:40,719
Speaker 1: of terrifying, there was this television commercial that used to

922
00:44:40,800 --> 00:44:43,040
Speaker 1: come on in the early nineties that was about the

923
00:44:43,080 --> 00:44:44,800
Speaker 1: Stephen King book collection.

924
00:44:45,160 --> 00:44:48,799
Speaker 2: Yeah, terrified the living fuck out of me.

925
00:44:49,200 --> 00:44:51,799
Speaker 1: I will find it because I googled it like a

926
00:44:51,840 --> 00:44:52,640
Speaker 1: couple months ago.

927
00:44:52,760 --> 00:44:56,040
Speaker 4: Let's get on your Instagram because it is the music alone.

928
00:44:56,080 --> 00:44:57,719
Speaker 3: I'm like, what are you trying to do that?

929
00:44:58,960 --> 00:45:02,560
Speaker 2: And it's got that like narrator guy that's like Witness

930
00:45:02,640 --> 00:45:04,320
Speaker 2: the Horror Stephen King.

931
00:45:05,920 --> 00:45:09,560
Speaker 1: Get the Stand for seven ninety five, and then it

932
00:45:09,600 --> 00:45:12,960
Speaker 1: gives you that really like scary, like male order address

933
00:45:13,040 --> 00:45:15,160
Speaker 1: at the end. I mean, I'm just like yo, And

934
00:45:15,200 --> 00:45:18,280
Speaker 1: they play that shit like literally every day after school,

935
00:45:18,560 --> 00:45:21,799
Speaker 1: right like during like fucking cartoons and shit, and I'm

936
00:45:21,880 --> 00:45:24,640
Speaker 1: just like, dude, I'm gonna have a hard attack.

937
00:45:25,440 --> 00:45:27,400
Speaker 2: Okay, I'm twelve years old and I'm gonna have a

938
00:45:27,440 --> 00:45:27,880
Speaker 2: hard attack.

939
00:45:28,000 --> 00:45:29,320
Speaker 3: I just watched animas.

940
00:45:29,560 --> 00:45:34,440
Speaker 1: Please yeah, stop this scary ass commercial for these books.

941
00:45:34,960 --> 00:45:38,680
Speaker 1: Having said any of that, so Graveyard Shift was one

942
00:45:38,719 --> 00:45:42,000
Speaker 1: of the ones that I actually I barely remember seeing

943
00:45:42,000 --> 00:45:43,920
Speaker 1: it as a kid, like I saw it, but I

944
00:45:43,960 --> 00:45:45,719
Speaker 1: gotta tell you, I didn't remember a lot of it

945
00:45:45,840 --> 00:45:46,839
Speaker 1: when I rewatched it.

946
00:45:47,160 --> 00:45:49,759
Speaker 2: I actually think it holds up pretty well.

947
00:45:50,040 --> 00:45:55,120
Speaker 1: Like it's it's scary and it's gory as fuck, which

948
00:45:55,280 --> 00:45:57,840
Speaker 1: I I guess must have forgotten.

949
00:45:58,040 --> 00:46:01,520
Speaker 2: But I gotta say too, I was kind of pleased.

950
00:46:02,000 --> 00:46:05,920
Speaker 2: And maybe I'm just kind of making my own connections here.

951
00:46:05,760 --> 00:46:08,160
Speaker 1: But it kind of has this like because it came

952
00:46:08,160 --> 00:46:10,319
Speaker 1: out in nineteen ninety and it kind of has this

953
00:46:10,480 --> 00:46:14,040
Speaker 1: like slight Twin Peaks vibe. I don't know if you

954
00:46:14,120 --> 00:46:16,399
Speaker 1: ever watched the original Twin Peaks, if you're a fan

955
00:46:16,440 --> 00:46:16,799
Speaker 1: of that.

956
00:46:16,920 --> 00:46:18,640
Speaker 3: It's got that like Milltown vibe.

957
00:46:18,880 --> 00:46:22,200
Speaker 4: Yes, exactly, and the mill from this I think is

958
00:46:22,200 --> 00:46:24,719
Speaker 4: one hundred percent like an Ace Hotel. Now, they didn't

959
00:46:24,760 --> 00:46:26,920
Speaker 4: change a single thing about the interior. They just like

960
00:46:26,960 --> 00:46:28,120
Speaker 4: put Ace Hotel on the top.

961
00:46:28,280 --> 00:46:31,440
Speaker 2: Oh my god, that tracks. That tracks completely.

962
00:46:31,840 --> 00:46:34,240
Speaker 1: Yeah, I know that that Twin Peaks in this movie.

963
00:46:34,640 --> 00:46:36,920
Speaker 1: It's around the same time, so maybe that has something

964
00:46:36,920 --> 00:46:39,040
Speaker 1: to do with it. But yeah, you're right, exactly, They're

965
00:46:39,440 --> 00:46:42,360
Speaker 1: they're both basically about like a small town in the

966
00:46:42,400 --> 00:46:45,759
Speaker 1: corners of our country. You know, they has plenty of

967
00:46:45,760 --> 00:46:49,400
Speaker 1: small town weirdos. There's the mill, you know, tons of

968
00:46:49,440 --> 00:46:53,080
Speaker 1: like psychotic dudes running around. And even I even noticed this,

969
00:46:53,280 --> 00:46:57,480
Speaker 1: like the female lead of Graveyard Shift, who is not

970
00:46:57,719 --> 00:46:58,799
Speaker 1: Marisa TomEE.

971
00:47:00,160 --> 00:47:00,840
Speaker 2: Do you think it was?

972
00:47:02,640 --> 00:47:07,000
Speaker 1: I totally thought it was for about ten seconds, and

973
00:47:07,040 --> 00:47:09,080
Speaker 1: then I was like, Nope, that's not Marissa.

974
00:47:08,760 --> 00:47:13,480
Speaker 2: Tome Oh no. But even the woman who isn't Marissa

975
00:47:13,520 --> 00:47:15,080
Speaker 2: tome she.

976
00:47:15,200 --> 00:47:18,920
Speaker 1: Kind of even has like the Donna Audrey haircut. I

977
00:47:19,000 --> 00:47:21,279
Speaker 1: was just like, man, this is very twin peaksy. I'm

978
00:47:21,280 --> 00:47:24,640
Speaker 1: sure there's no connection whatsoever. But except for time, that's

979
00:47:24,680 --> 00:47:25,320
Speaker 1: all time.

980
00:47:25,160 --> 00:47:27,360
Speaker 3: And the fact that Miltown's are kind of inherently.

981
00:47:26,920 --> 00:47:30,200
Speaker 1: Creepy, Yeah, they kind of all are twin peaks.

982
00:47:30,560 --> 00:47:33,160
Speaker 2: I say that having lived in one. It's a little creepy.

983
00:47:33,440 --> 00:47:37,479
Speaker 1: I'm sure you have firsthand knowledge. But when it comes

984
00:47:37,480 --> 00:47:40,239
Speaker 1: down to it, you know a lot of people didn't

985
00:47:40,280 --> 00:47:42,520
Speaker 1: really like this movie when it came out, and Stephen

986
00:47:42,600 --> 00:47:45,480
Speaker 1: King himself hated it and thought it was one of

987
00:47:45,520 --> 00:47:49,120
Speaker 1: his worst film adaptations. And you know that's interesting. The

988
00:47:49,200 --> 00:47:53,239
Speaker 1: director Ralph Singleton this was his only movie, and I

989
00:47:53,239 --> 00:47:56,239
Speaker 1: think he was like primarily a TV director, so you know,

990
00:47:56,400 --> 00:47:57,760
Speaker 1: he had only made this one movie.

991
00:47:57,760 --> 00:47:59,480
Speaker 2: And then there was a lot of the cast. It's

992
00:47:59,520 --> 00:48:00,239
Speaker 2: so interesting.

993
00:48:00,239 --> 00:48:03,000
Speaker 1: The cast was kind of like who I would consider

994
00:48:03,080 --> 00:48:05,600
Speaker 1: kind of these more obscure actors. Like one of the

995
00:48:05,680 --> 00:48:08,560
Speaker 1: lead actors in the movie, the main lead actor. I

996
00:48:08,640 --> 00:48:11,480
Speaker 1: knew him from like Nightmare on Elm Street and like

997
00:48:11,520 --> 00:48:14,600
Speaker 1: this other like obscure movie called Cherry two thousand and

998
00:48:14,640 --> 00:48:15,040
Speaker 1: then the.

999
00:48:15,000 --> 00:48:16,759
Speaker 2: Guy who plays Warwick.

1000
00:48:17,680 --> 00:48:20,040
Speaker 1: I didn't recognize him at all, and then I googled

1001
00:48:20,120 --> 00:48:21,920
Speaker 1: him and I was like, apparently he's the dad of

1002
00:48:21,960 --> 00:48:26,040
Speaker 1: the guy from that show Suits, and I was like,

1003
00:48:26,560 --> 00:48:30,200
Speaker 1: oh okay, and I was just like, you know, falling

1004
00:48:30,239 --> 00:48:33,359
Speaker 1: down this rabbit hole of information. But I will say

1005
00:48:33,360 --> 00:48:36,200
Speaker 1: that I am a I'm a huge fan of the

1006
00:48:36,200 --> 00:48:37,919
Speaker 1: guy who plays the Exterminator.

1007
00:48:38,040 --> 00:48:41,759
Speaker 2: Yeah, Brad Doriff. I mean he's a king.

1008
00:48:41,800 --> 00:48:44,200
Speaker 1: I mean he was the voice of Chucky, and he

1009
00:48:44,280 --> 00:48:48,200
Speaker 1: was on Deadwood and he was in.

1010
00:48:47,680 --> 00:48:50,600
Speaker 2: The film adaptation of Wise Blood. So it's like he

1011
00:48:50,719 --> 00:48:53,360
Speaker 2: is awesome Lord of the Rings. He wasn't Lord of

1012
00:48:53,360 --> 00:48:53,800
Speaker 2: the Rings.

1013
00:48:54,320 --> 00:48:57,080
Speaker 1: And anytime that I have seen him in a movie,

1014
00:48:57,800 --> 00:49:03,200
Speaker 1: he was generally playing some kind of real scumbag, and

1015
00:49:03,239 --> 00:49:05,600
Speaker 1: he plays us kind of a scumbag in this one,

1016
00:49:06,040 --> 00:49:08,160
Speaker 1: just like I mean, we might have to do one

1017
00:49:08,160 --> 00:49:08,920
Speaker 1: all the way up.

1018
00:49:08,920 --> 00:49:10,600
Speaker 3: I was, he's gonna.

1019
00:49:10,280 --> 00:49:18,239
Speaker 12: Say, just gonna say that all the way and he's

1020
00:49:18,239 --> 00:49:21,439
Speaker 12: playing this exterminator because it's like this mill is run

1021
00:49:21,440 --> 00:49:24,239
Speaker 12: down with rats, but he treats it like he's going

1022
00:49:24,280 --> 00:49:24,680
Speaker 12: to war.

1023
00:49:25,080 --> 00:49:27,400
Speaker 2: It's very over the time, it's very old. All the

1024
00:49:27,400 --> 00:49:30,080
Speaker 2: way up. He's he's all the way up and a

1025
00:49:30,080 --> 00:49:31,399
Speaker 2: lot of a lot of shit.

1026
00:49:31,560 --> 00:49:34,200
Speaker 1: So that's I mean, we must do an episode on

1027
00:49:34,280 --> 00:49:37,000
Speaker 1: him one day, so to give a little synopsis of

1028
00:49:37,160 --> 00:49:40,759
Speaker 1: this movie. So it's obviously centered around this like milltown

1029
00:49:40,840 --> 00:49:46,080
Speaker 1: in Maine, and this cotton or textile mill is run

1030
00:49:46,120 --> 00:49:52,200
Speaker 1: by this absolute maniac, I mean psycho rockabilly guy look

1031
00:49:52,760 --> 00:49:54,960
Speaker 1: named Warwick, which reminded me of you.

1032
00:49:55,200 --> 00:49:56,719
Speaker 3: I mean, of course, thank you.

1033
00:49:57,239 --> 00:50:03,640
Speaker 4: And also also what's the name if your boss has

1034
00:50:03,680 --> 00:50:06,120
Speaker 4: a heavy bag in the corner of his office and

1035
00:50:06,160 --> 00:50:09,480
Speaker 4: you don't work at a gym, get out of there,

1036
00:50:09,680 --> 00:50:12,160
Speaker 4: just run, just run.

1037
00:50:12,320 --> 00:50:14,400
Speaker 2: He is so fucking intense.

1038
00:50:14,960 --> 00:50:18,440
Speaker 1: And also I am truly the last person to really

1039
00:50:18,520 --> 00:50:19,640
Speaker 1: know about this because this is.

1040
00:50:19,520 --> 00:50:22,360
Speaker 2: Not my corner of the world, as we've talked about.

1041
00:50:23,239 --> 00:50:24,480
Speaker 2: But this accent that he.

1042
00:50:24,520 --> 00:50:27,719
Speaker 4: Had, Okay, I was so confused around. I'm like, are

1043
00:50:27,760 --> 00:50:31,880
Speaker 4: you from England? Are you from Arkansas? And how do

1044
00:50:31,960 --> 00:50:33,799
Speaker 4: you get an accent that mixes those two?

1045
00:50:34,520 --> 00:50:35,720
Speaker 2: Well, It'd be honest.

1046
00:50:35,760 --> 00:50:38,280
Speaker 1: I was like, I figured it was like some weird

1047
00:50:38,400 --> 00:50:42,680
Speaker 1: kind of like Annie Prue Shipping news kind of thing

1048
00:50:42,760 --> 00:50:46,239
Speaker 1: where I was like, is it Scottish and Canadian?

1049
00:50:46,680 --> 00:50:46,759
Speaker 4: Like?

1050
00:50:47,600 --> 00:50:48,080
Speaker 2: Is am I?

1051
00:50:48,440 --> 00:50:49,640
Speaker 4: No? I think he was trying to do like a

1052
00:50:49,680 --> 00:50:51,799
Speaker 4: main accent, but it does not sound like that.

1053
00:50:54,640 --> 00:50:58,040
Speaker 2: I've been to make it. It doesn't sound anything like that. Yeah,

1054
00:50:58,880 --> 00:50:59,880
Speaker 2: it's so funny. I much not.

1055
00:51:00,040 --> 00:51:02,520
Speaker 1: I That is like one of the only places in

1056
00:51:02,560 --> 00:51:06,400
Speaker 1: America that I haven't been, and I've always been super

1057
00:51:06,920 --> 00:51:09,879
Speaker 1: fascinated with it. I've always wanted to go. I now

1058
00:51:09,960 --> 00:51:13,240
Speaker 1: have like a couple of friends that moved there because

1059
00:51:13,239 --> 00:51:16,120
Speaker 1: of the pandemic, and I'm like, all right, it's my shot.

1060
00:51:16,200 --> 00:51:18,880
Speaker 1: I'm going to make. It's just this part of the world.

1061
00:51:18,960 --> 00:51:22,480
Speaker 1: I've never you would love it. It's Portland especially, I

1062
00:51:22,520 --> 00:51:25,040
Speaker 1: think you love well. I wasn't sure if people up

1063
00:51:25,080 --> 00:51:28,440
Speaker 1: there talked like this. I was like, what, Okay, now

1064
00:51:28,719 --> 00:51:29,279
Speaker 1: I know that.

1065
00:51:29,400 --> 00:51:30,759
Speaker 2: I'm like, oh in Maine.

1066
00:51:31,040 --> 00:51:36,759
Speaker 4: Sounds like they were born in Scotland and raised in fucking.

1067
00:51:37,880 --> 00:51:42,040
Speaker 2: Like El Paso by way of like Boston. I was.

1068
00:51:42,080 --> 00:51:45,160
Speaker 2: I was yassed, but uh, that's good to know.

1069
00:51:45,760 --> 00:51:52,319
Speaker 1: So this mill that he runs is fucking completely dangerous, right,

1070
00:51:52,640 --> 00:51:57,239
Speaker 1: and it's basically been condemned because it's like top to

1071
00:51:57,360 --> 00:52:03,759
Speaker 1: bottom infested with rats. Okay, And when I tell you,

1072
00:52:04,560 --> 00:52:07,320
Speaker 1: this isn't some just like we have a rat problem.

1073
00:52:07,760 --> 00:52:10,600
Speaker 1: This is the kind of thing where like people can't

1074
00:52:10,840 --> 00:52:15,760
Speaker 1: get anything be done without stepping on rats.

1075
00:52:16,520 --> 00:52:17,120
Speaker 2: And it's to the.

1076
00:52:17,080 --> 00:52:21,439
Speaker 4: Point where you come into your job expecting to see

1077
00:52:21,480 --> 00:52:24,759
Speaker 4: a line of rats on whatever machinery and it does

1078
00:52:24,800 --> 00:52:27,720
Speaker 4: not even phase you to have a line of rats

1079
00:52:27,760 --> 00:52:28,560
Speaker 4: just checking.

1080
00:52:28,320 --> 00:52:29,560
Speaker 3: You out and be like, what's up, bro?

1081
00:52:29,920 --> 00:52:30,480
Speaker 2: Exactly?

1082
00:52:30,719 --> 00:52:35,040
Speaker 1: They are fucking everywhere and listen, I don't know where

1083
00:52:35,080 --> 00:52:38,279
Speaker 1: they found all these rat actors to be in this

1084
00:52:38,360 --> 00:52:43,640
Speaker 1: movie because they look like they're acting in a menacing way.

1085
00:52:43,880 --> 00:52:46,360
Speaker 4: Completely. There's that one. I was like, I want to

1086
00:52:46,360 --> 00:52:48,120
Speaker 4: ask you, like, which which rat are you? Are you

1087
00:52:48,200 --> 00:52:51,719
Speaker 4: the rat that like casually is into the bloodied up

1088
00:52:51,719 --> 00:52:53,880
Speaker 4: cotton ball just eating that, or are you like the

1089
00:52:54,000 --> 00:52:56,840
Speaker 4: chomping on a cigarette rat Like, these rats are trained

1090
00:52:56,840 --> 00:52:59,080
Speaker 4: to do some stuff I've never seen.

1091
00:53:00,120 --> 00:53:02,080
Speaker 1: Word of God, they should have all been nominated for

1092
00:53:02,200 --> 00:53:04,920
Speaker 1: like some kind of Screen Actors Guild reward. Because they

1093
00:53:04,920 --> 00:53:07,239
Speaker 1: were like the part at the beginning where they're like

1094
00:53:07,360 --> 00:53:10,640
Speaker 1: lined up on the top of that wall.

1095
00:53:10,760 --> 00:53:14,719
Speaker 2: I was like, damn, these are good acting ass rats. Man.

1096
00:53:14,840 --> 00:53:16,480
Speaker 3: They had like facial expressions.

1097
00:53:16,600 --> 00:53:20,520
Speaker 4: It was looked me like one of them.

1098
00:53:20,760 --> 00:53:23,280
Speaker 1: But the weirdest thing is that one of them looked okay,

1099
00:53:23,440 --> 00:53:25,759
Speaker 1: like he was chill, but then the next one would

1100
00:53:25,760 --> 00:53:27,960
Speaker 1: look super fucking mean, And I'm like, how does that

1101
00:53:28,080 --> 00:53:28,560
Speaker 1: work out?

1102
00:53:28,719 --> 00:53:28,759
Speaker 4: Like?

1103
00:53:29,920 --> 00:53:30,240
Speaker 2: Who?

1104
00:53:30,360 --> 00:53:30,400
Speaker 4: No?

1105
00:53:30,680 --> 00:53:32,760
Speaker 2: And they are fucking professionals.

1106
00:53:32,960 --> 00:53:34,160
Speaker 3: I feel it. I feel it.

1107
00:53:34,280 --> 00:53:37,400
Speaker 2: I want to know who train you? Who train you?

1108
00:53:37,480 --> 00:53:39,839
Speaker 2: Who wasn't Pizza rdet? Is it like a lineage? What's

1109
00:53:39,840 --> 00:53:40,600
Speaker 2: going on here?

1110
00:53:41,920 --> 00:53:45,120
Speaker 4: Like the guy ins like his dad was in Graveyard

1111
00:53:45,160 --> 00:53:47,560
Speaker 4: Shift and your dad was in Graveyard Shift, but your

1112
00:53:47,640 --> 00:53:49,320
Speaker 4: pizza at.

1113
00:53:49,320 --> 00:53:52,600
Speaker 1: They're like the great like the Barrymores, the Houston's.

1114
00:53:52,880 --> 00:53:54,520
Speaker 2: You know, it's like this lineage of.

1115
00:53:54,960 --> 00:54:02,759
Speaker 1: Actors right, Oh my god, I couldn't get over that shit.

1116
00:54:03,280 --> 00:54:06,480
Speaker 1: But let me just tell you though, in this mill, okay,

1117
00:54:06,920 --> 00:54:10,320
Speaker 1: everyone working in this mill that's a human, not a rat,

1118
00:54:10,400 --> 00:54:15,440
Speaker 1: and a human is fucking miserable. They're sweating covered in filth.

1119
00:54:16,200 --> 00:54:19,400
Speaker 1: They're always sweating away a rat. That's like a normal

1120
00:54:19,440 --> 00:54:21,920
Speaker 1: thing for them, that's just like part of the job.

1121
00:54:22,560 --> 00:54:26,880
Speaker 1: And there is not one regulator or a union person

1122
00:54:26,920 --> 00:54:31,120
Speaker 1: in sight. This is all happening, and somehow this Warwick

1123
00:54:31,680 --> 00:54:35,240
Speaker 1: character is like he keeps it open and he uses

1124
00:54:35,280 --> 00:54:38,440
Speaker 1: this cut. He's like this maniac drill sergeant type and

1125
00:54:38,480 --> 00:54:40,120
Speaker 1: he's keeping all these people working there.

1126
00:54:40,200 --> 00:54:42,560
Speaker 4: And he might be a ghost because he just pops

1127
00:54:42,600 --> 00:54:47,319
Speaker 4: up behind people like that. He's like somebody'd be like, hmm,

1128
00:54:47,360 --> 00:54:49,120
Speaker 4: I wonder why this is red, And then you turn

1129
00:54:49,160 --> 00:54:49,960
Speaker 4: and there's Warwick.

1130
00:54:50,080 --> 00:54:52,680
Speaker 2: It's red because blood is the color of the future.

1131
00:54:54,560 --> 00:54:57,279
Speaker 2: Damn dud. It's like, don't you have an office to

1132
00:54:57,400 --> 00:55:00,120
Speaker 2: fucking jerk off in right now? Why do you behind me?

1133
00:55:00,360 --> 00:55:02,720
Speaker 2: Like this is fucking crazy, Like take.

1134
00:55:02,520 --> 00:55:04,680
Speaker 4: It on your heavy bag, man, don't come down here,

1135
00:55:04,719 --> 00:55:06,880
Speaker 4: and like we're already on the edge because of the rats.

1136
00:55:07,560 --> 00:55:09,440
Speaker 1: Yeah, you gotta make it worse by just being a

1137
00:55:09,480 --> 00:55:14,040
Speaker 1: fucking silent creep. It's just madness, right, And so like

1138
00:55:14,280 --> 00:55:16,720
Speaker 1: eventually a guy comes to town.

1139
00:55:17,880 --> 00:55:19,000
Speaker 2: His name is John Hall.

1140
00:55:19,080 --> 00:55:22,080
Speaker 1: He's like a mysterious drifter, uh, and he takes a

1141
00:55:22,160 --> 00:55:25,040
Speaker 1: job at the mill and Warwick makes it work the

1142
00:55:25,120 --> 00:55:27,520
Speaker 1: dreaded graveyard shift, where he has to literally sit in

1143
00:55:27,520 --> 00:55:32,239
Speaker 1: front of a terrifying cotton picker. Okay, And maybe it's

1144
00:55:32,280 --> 00:55:34,600
Speaker 1: because I grew up. If you grew up like in

1145
00:55:34,640 --> 00:55:36,839
Speaker 1: the South or maybe some rural you might have seen

1146
00:55:36,840 --> 00:55:38,640
Speaker 1: one of these in a museum or some shit. But like,

1147
00:55:38,680 --> 00:55:42,680
Speaker 1: holy shit, these things look fucking crazy. They look like

1148
00:55:42,920 --> 00:55:44,359
Speaker 1: people eating machines.

1149
00:55:44,080 --> 00:55:46,840
Speaker 4: Completely, and they're always run by like one lever or

1150
00:55:46,840 --> 00:55:49,960
Speaker 4: one button, and you're like, how can one lever do

1151
00:55:50,120 --> 00:55:50,560
Speaker 4: this much?

1152
00:55:50,640 --> 00:55:51,000
Speaker 3: Damnit?

1153
00:55:52,280 --> 00:55:56,400
Speaker 1: Yeah, so terrifying, And like basically, this guy has to

1154
00:55:56,400 --> 00:55:58,120
Speaker 1: work the graveyard shift we have. He has to sit

1155
00:55:58,120 --> 00:56:00,239
Speaker 1: in front of this thing and by the way, where

1156
00:56:00,239 --> 00:56:03,439
Speaker 1: a guy has already mysteriously died by it. Yep, I'll

1157
00:56:03,480 --> 00:56:05,480
Speaker 1: have you know. That happens in the first like five

1158
00:56:05,600 --> 00:56:10,200
Speaker 1: ten minutes of the movie. So John Hall fends off

1159
00:56:10,239 --> 00:56:15,240
Speaker 1: the rats with like a sling shot and cans of DIEPEPSI. Okay,

1160
00:56:16,760 --> 00:56:19,200
Speaker 1: And I have to tell you, I don't know if

1161
00:56:19,200 --> 00:56:21,600
Speaker 1: this is actual fact, but this movie was.

1162
00:56:21,520 --> 00:56:24,960
Speaker 2: Definitely sponsored by a Diet Pepsy am I right? Oh? Completely.

1163
00:56:25,000 --> 00:56:27,360
Speaker 4: I mean they made sure the label was facing out

1164
00:56:27,400 --> 00:56:30,440
Speaker 4: with every shot, like there was no random disagress, like

1165
00:56:30,480 --> 00:56:32,760
Speaker 4: you know it's Dietpepsy because you can see the label

1166
00:56:32,800 --> 00:56:33,560
Speaker 4: in every shot.

1167
00:56:33,960 --> 00:56:37,920
Speaker 1: Yeah, some Diet Pepsi executive came down and said this

1168
00:56:38,040 --> 00:56:42,520
Speaker 1: Dietpepsi must be the mcguffin of this film or else.

1169
00:56:42,920 --> 00:56:46,760
Speaker 1: I mean it was crazy how many fucking clearly play.

1170
00:56:46,600 --> 00:56:49,080
Speaker 2: Shots of diet Pepsy. And it was the old can too.

1171
00:56:49,000 --> 00:56:53,279
Speaker 4: Right, the old It was like one step before Crystal Pepsi. Yeah,

1172
00:56:53,600 --> 00:56:56,080
Speaker 4: it was like one step between Crystal Pepsi and with

1173
00:56:56,160 --> 00:56:57,240
Speaker 4: a can we have now.

1174
00:56:58,760 --> 00:57:00,239
Speaker 2: It was the Troy. It was still the Troy of

1175
00:57:00,280 --> 00:57:01,000
Speaker 2: a new generation.

1176
00:57:01,960 --> 00:57:04,760
Speaker 1: But so basically what ends up happening is that Warwick

1177
00:57:04,840 --> 00:57:08,520
Speaker 1: assembles this crew of workers, including this guy, to go

1178
00:57:08,680 --> 00:57:12,279
Speaker 1: to okay this is madness, to go clean out the

1179
00:57:12,320 --> 00:57:17,040
Speaker 1: basement of the mill, which is somehow even worse than

1180
00:57:17,200 --> 00:57:19,560
Speaker 1: what they're doing on the ground floor.

1181
00:57:19,840 --> 00:57:20,080
Speaker 2: Right.

1182
00:57:20,800 --> 00:57:23,200
Speaker 4: Oh, you thought it was bad up here, how about

1183
00:57:23,240 --> 00:57:26,640
Speaker 4: if we make everything soaking wet, because that's the basement,

1184
00:57:27,480 --> 00:57:27,840
Speaker 4: and we.

1185
00:57:27,840 --> 00:57:30,280
Speaker 1: Will literally put the like rats will be in literally

1186
00:57:30,320 --> 00:57:33,040
Speaker 1: every orifice that you'll come across. If it's a rolling

1187
00:57:33,080 --> 00:57:35,400
Speaker 1: top desk, fuck it, we're gonna put like twenty five

1188
00:57:36,040 --> 00:57:37,480
Speaker 1: rats in there, like they're just.

1189
00:57:37,800 --> 00:57:39,760
Speaker 2: Your life is hell on Earth.

1190
00:57:40,200 --> 00:57:44,080
Speaker 1: And so basically, once they go down, the movie becomes

1191
00:57:44,160 --> 00:57:47,160
Speaker 1: kind of a mix of like the Thing and alien

1192
00:57:47,280 --> 00:57:49,560
Speaker 1: because they figure out that there's some kind of creature

1193
00:57:49,720 --> 00:57:51,040
Speaker 1: down there that's killing.

1194
00:57:50,800 --> 00:57:52,160
Speaker 2: People who have worked in the mill.

1195
00:57:52,760 --> 00:57:55,720
Speaker 1: And I don't think this is a spoiler or anything,

1196
00:57:55,800 --> 00:57:59,520
Speaker 1: but I gotta be honest, I'm not certain what the

1197
00:57:59,560 --> 00:58:00,439
Speaker 1: creature what I.

1198
00:58:00,360 --> 00:58:02,400
Speaker 2: Mean, even after they revealed it.

1199
00:58:02,600 --> 00:58:04,120
Speaker 3: I mean, looking that thing dead in the eye, I

1200
00:58:04,120 --> 00:58:05,240
Speaker 3: couldn't tell you what it was.

1201
00:58:06,440 --> 00:58:10,280
Speaker 1: I mean, yeah, exactly, it looked like a rat but

1202
00:58:10,440 --> 00:58:12,240
Speaker 1: also a giant bat.

1203
00:58:12,560 --> 00:58:16,040
Speaker 2: So it was like a rat bat, a giant rat bat.

1204
00:58:17,320 --> 00:58:21,000
Speaker 4: I guarantee, I guarantee that was the process.

1205
00:58:21,320 --> 00:58:24,600
Speaker 2: What's this monster going to be a bat? A rat?

1206
00:58:24,640 --> 00:58:27,080
Speaker 2: Let's make it a rat bat. Let's think of the

1207
00:58:27,120 --> 00:58:31,200
Speaker 2: rat bat like that was my rat bat. Folks could

1208
00:58:31,320 --> 00:58:34,000
Speaker 2: not agree more. Yes, it was.

1209
00:58:34,120 --> 00:58:35,600
Speaker 1: And it was like the thing where it was like

1210
00:58:35,960 --> 00:58:37,320
Speaker 1: because at first I thought it was like, you know,

1211
00:58:38,040 --> 00:58:39,840
Speaker 1: the king rat, but then it was like, no, it's

1212
00:58:39,840 --> 00:58:42,600
Speaker 1: got these wings. Yeah, and then and then the other rats.

1213
00:58:42,800 --> 00:58:46,320
Speaker 1: I feel like it feeds the other normal rats human

1214
00:58:46,440 --> 00:58:47,760
Speaker 1: blood or some shit like.

1215
00:58:47,880 --> 00:58:50,800
Speaker 4: Well, here's my question, because you've got this monster living

1216
00:58:50,880 --> 00:58:55,440
Speaker 4: underneath this mill that is infested with rats, would you

1217
00:58:55,520 --> 00:58:57,000
Speaker 4: not eat the rats?

1218
00:58:57,400 --> 00:58:58,920
Speaker 2: Someone helped me with that logic.

1219
00:58:58,920 --> 00:59:01,000
Speaker 4: Why would you turn the rat into your little blood

1220
00:59:01,040 --> 00:59:02,000
Speaker 4: minions and not.

1221
00:59:02,040 --> 00:59:04,040
Speaker 2: Just eat them? Yeah?

1222
00:59:04,200 --> 00:59:08,320
Speaker 1: I just you would think that they would explain this

1223
00:59:08,360 --> 00:59:09,680
Speaker 1: a little bit better in this movie.

1224
00:59:10,160 --> 00:59:11,280
Speaker 2: It didn't really come.

1225
00:59:11,120 --> 00:59:13,680
Speaker 1: Together for me. I'm still very unclear of what this

1226
00:59:14,120 --> 00:59:18,120
Speaker 1: monster did, what it is. So but as you can imagine,

1227
00:59:18,160 --> 00:59:21,400
Speaker 1: all hell breaks loose when the giant rat bat starts

1228
00:59:21,480 --> 00:59:23,280
Speaker 1: chasing everybody and starts killing them.

1229
00:59:23,480 --> 00:59:25,760
Speaker 2: And you know, to me, I gotta say.

1230
00:59:25,640 --> 00:59:28,800
Speaker 1: It's fine, like it's fine when the rat bat kills

1231
00:59:28,840 --> 00:59:32,680
Speaker 1: like the shitty redneck guys. But of course I was like,

1232
00:59:32,920 --> 00:59:35,680
Speaker 1: here I am again. I'm pissed off on behalf of

1233
00:59:35,720 --> 00:59:41,480
Speaker 1: the only black character who was bullied at his job

1234
00:59:42,440 --> 00:59:46,560
Speaker 1: for the entirety of his screen time. He was sprayed

1235
00:59:46,600 --> 00:59:50,959
Speaker 1: by a fucking fire hose by a scary like psychotic

1236
00:59:51,680 --> 00:59:55,320
Speaker 1: maga guy, and then he got eaten by the rat bat,

1237
00:59:56,960 --> 00:59:58,760
Speaker 1: like come on, people, and he got.

1238
00:59:58,680 --> 01:00:01,520
Speaker 2: Eaten off screen, get the dignity of seeing.

1239
01:00:01,280 --> 01:00:04,400
Speaker 4: Can get eaten. It's just like your little legs getting

1240
01:00:04,480 --> 01:00:05,400
Speaker 4: sucked into a hole.

1241
01:00:05,720 --> 01:00:08,080
Speaker 1: You put your hand through the hole and the next

1242
01:00:08,080 --> 01:00:12,480
Speaker 1: thing you know, rat bat. It's crazy, but that's it.

1243
01:00:13,160 --> 01:00:15,760
Speaker 1: Like I'm like, all right, no love for this guy.

1244
01:00:16,040 --> 01:00:18,600
Speaker 4: The physics of this rat bet continued to astound me,

1245
01:00:18,640 --> 01:00:20,800
Speaker 4: because how is it hanging out in like holes?

1246
01:00:21,080 --> 01:00:24,680
Speaker 2: But also it's hanging out and like lakes, Like I

1247
01:00:24,720 --> 01:00:27,560
Speaker 2: don't I need to know so much more about the

1248
01:00:27,640 --> 01:00:28,080
Speaker 2: rat bet.

1249
01:00:28,480 --> 01:00:31,880
Speaker 1: And the thing was too when they all went down

1250
01:00:31,920 --> 01:00:32,920
Speaker 1: into the basement.

1251
01:00:33,680 --> 01:00:36,240
Speaker 2: Of course, it turns it it's like the like the part.

1252
01:00:36,080 --> 01:00:38,400
Speaker 1: Of Goodies where you're like, oh, there's like an entire

1253
01:00:38,680 --> 01:00:42,960
Speaker 1: world down here where like mountains and like waterfalls can exist,

1254
01:00:43,160 --> 01:00:44,560
Speaker 1: like where the fuck are we?

1255
01:00:45,320 --> 01:00:45,520
Speaker 5: Right?

1256
01:00:45,760 --> 01:00:48,800
Speaker 1: And then it's like the rat bat is he the

1257
01:00:49,000 --> 01:00:52,480
Speaker 1: king of this space? It looks like Indiana Jones down here.

1258
01:00:52,520 --> 01:00:56,080
Speaker 1: There's tons of skulls, there's tons of fucking weird things.

1259
01:00:56,840 --> 01:00:58,880
Speaker 1: Is anybody gonna pop up? You know how they do

1260
01:00:58,920 --> 01:01:01,200
Speaker 1: it movies, where like somebody put up and goes. It's

1261
01:01:01,280 --> 01:01:04,200
Speaker 1: usually an old guy and he's like, actually, this land

1262
01:01:04,880 --> 01:01:09,280
Speaker 1: was condemned from ten thousand years ago by a group

1263
01:01:09,320 --> 01:01:12,840
Speaker 1: of something that none there's no fucking old wise guy

1264
01:01:12,920 --> 01:01:17,520
Speaker 1: from the local university that explains what the fuck this.

1265
01:01:17,600 --> 01:01:20,720
Speaker 2: Is who's down there? That was when I.

1266
01:01:20,920 --> 01:01:23,680
Speaker 1: Thought, Okay, this movie could have been made better, right,

1267
01:01:23,920 --> 01:01:27,400
Speaker 1: But you know, it's still terrifying to go down into

1268
01:01:27,440 --> 01:01:30,160
Speaker 1: the basement of your workplace and find out that there's

1269
01:01:30,240 --> 01:01:34,160
Speaker 1: a ginormous rat bat with skulls like just.

1270
01:01:34,280 --> 01:01:37,400
Speaker 4: So everywhere, a kingdom of bones down there, like bones

1271
01:01:37,520 --> 01:01:40,000
Speaker 4: so deep you can use them as weapons, you can

1272
01:01:40,080 --> 01:01:42,960
Speaker 4: use them as like blanket like it was just so

1273
01:01:43,200 --> 01:01:46,360
Speaker 4: many missing persons that you think the town would take note.

1274
01:01:47,520 --> 01:01:50,680
Speaker 2: Yeah, there was. It was like.

1275
01:01:52,280 --> 01:01:58,840
Speaker 1: Literally like it was a Pompeii esque type of historical

1276
01:02:00,320 --> 01:02:02,800
Speaker 1: down there where I was like, no one.

1277
01:02:02,760 --> 01:02:03,880
Speaker 2: Knew this existed.

1278
01:02:04,480 --> 01:02:06,560
Speaker 1: I mean, I know that there's a creature down here

1279
01:02:06,640 --> 01:02:12,120
Speaker 1: that's killing people, like killing people, but certainly somebody had

1280
01:02:12,840 --> 01:02:16,440
Speaker 1: something and we never know and we never know what

1281
01:02:16,520 --> 01:02:22,040
Speaker 1: happens after unfortunately, And that's that's the brilliance of horror

1282
01:02:22,040 --> 01:02:24,160
Speaker 1: movies sometimes that you're just sort of like, we're just

1283
01:02:24,160 --> 01:02:26,680
Speaker 1: gonna leave it dangling, and then you're just gonna have

1284
01:02:26,720 --> 01:02:29,400
Speaker 1: to be fucking terrified for the rest of your childhood.

1285
01:02:30,040 --> 01:02:33,280
Speaker 2: And that'll be it. It's a rat no resolution, good luck.

1286
01:02:33,480 --> 01:02:37,000
Speaker 2: But anyway, I gotta tell you I love this movie.

1287
01:02:37,080 --> 01:02:42,040
Speaker 1: Even though this movie is disgusting and confusing and terrifying,

1288
01:02:42,440 --> 01:02:45,080
Speaker 1: I still weirdly want to visit Maine.

1289
01:02:45,920 --> 01:02:47,440
Speaker 2: I was like, Oh, this is beautiful.

1290
01:02:47,640 --> 01:02:51,080
Speaker 1: Beyond this, like beyond the rat bat and beyond the skulls,

1291
01:02:51,600 --> 01:02:54,640
Speaker 1: I still think Maine is a lovely place to go.

1292
01:02:54,720 --> 01:02:57,880
Speaker 3: Sometimes I say go and just genuinely never go into

1293
01:02:57,920 --> 01:03:00,440
Speaker 3: a basement. You'll be fine. It is a beautiful Please.

1294
01:03:01,960 --> 01:03:03,760
Speaker 4: So when you pick this movie, because this is the

1295
01:03:03,760 --> 01:03:06,880
Speaker 4: weirdest thing that could have come from underground to eat anybody,

1296
01:03:07,080 --> 01:03:09,760
Speaker 4: like the fact that there's no backstory adds to the

1297
01:03:09,800 --> 01:03:13,240
Speaker 4: mystery of what and how and huh, Like it just

1298
01:03:13,320 --> 01:03:16,160
Speaker 4: makes it very easy to just get into the gore.

1299
01:03:16,520 --> 01:03:16,800
Speaker 2: Yeah.

1300
01:03:16,880 --> 01:03:18,640
Speaker 1: I mean, there's a part of me that kind of

1301
01:03:18,680 --> 01:03:22,760
Speaker 1: like respects the game of not describing this at all,

1302
01:03:23,480 --> 01:03:26,040
Speaker 1: because that is like a trope of horror movies when

1303
01:03:26,080 --> 01:03:28,080
Speaker 1: it comes to like supernatural or when it comes to

1304
01:03:28,160 --> 01:03:31,200
Speaker 1: like things like creatures, you know, they always have to

1305
01:03:31,240 --> 01:03:34,080
Speaker 1: have their like, let's educate the viewers about what this

1306
01:03:34,160 --> 01:03:36,920
Speaker 1: could be with like said old person you know, or

1307
01:03:36,960 --> 01:03:41,480
Speaker 1: like whoever that is like somebody knows the science behind it.

1308
01:03:41,520 --> 01:03:43,720
Speaker 1: But this movie is like, fuck it, We're just gonna

1309
01:03:43,760 --> 01:03:47,720
Speaker 1: like put you in the basement with these maniac redneck

1310
01:03:48,440 --> 01:03:50,520
Speaker 1: people and you're just gonna have to come along for

1311
01:03:50,560 --> 01:03:50,840
Speaker 1: the ride.

1312
01:03:52,160 --> 01:03:52,640
Speaker 3: I love it.

1313
01:03:52,880 --> 01:03:57,400
Speaker 2: Yeah.

1314
01:03:57,880 --> 01:04:02,480
Speaker 4: My movie for from if You It Devours is Chud,

1315
01:04:02,720 --> 01:04:06,320
Speaker 4: which was released in nineteen eighty four and directed by

1316
01:04:06,400 --> 01:04:08,720
Speaker 4: Douglas Cheek duncan.

1317
01:04:08,440 --> 01:04:16,560
Speaker 5: She Beneath the city of New York are living catacombs,

1318
01:04:17,320 --> 01:04:22,640
Speaker 5: an endless maze of subterranean tunnels, unfit for anything chewan,

1319
01:04:25,720 --> 01:04:28,400
Speaker 5: unauthorized for anything experimental.

1320
01:04:29,520 --> 01:04:31,360
Speaker 2: It's not bumming up ahead at the top.

1321
01:04:31,800 --> 01:04:41,400
Speaker 5: And unlikely to bring anyone down there. So they're coming

1322
01:04:41,720 --> 01:04:42,880
Speaker 5: up chun.

1323
01:04:46,600 --> 01:04:49,800
Speaker 4: Oh, this movie, this movie, this movie. Okay, let me

1324
01:04:49,920 --> 01:04:53,000
Speaker 4: just look before we get into it. I gotta say

1325
01:04:54,760 --> 01:04:56,680
Speaker 4: there's a thing that happens when you're a child and

1326
01:04:56,760 --> 01:04:59,240
Speaker 4: you love a movie, which is that you don't always

1327
01:04:59,280 --> 01:05:03,520
Speaker 4: pay attention to the plot of the movie. You just

1328
01:05:03,560 --> 01:05:07,560
Speaker 4: remember like the fun or gory or scary stuff. That

1329
01:05:07,720 --> 01:05:10,440
Speaker 4: is one hundred percent what happen to me with this movie.

1330
01:05:11,000 --> 01:05:18,520
Speaker 4: So CHUD stands for cannibalistic humanoid underground dweller. And the

1331
01:05:18,600 --> 01:05:21,400
Speaker 4: synopsis is basically that the government is just like storing

1332
01:05:21,520 --> 01:05:24,160
Speaker 4: radiation under the West Village of New York City, and

1333
01:05:24,280 --> 01:05:27,440
Speaker 4: a bunch of unhoused people go who live down there

1334
01:05:27,480 --> 01:05:31,440
Speaker 4: get turned into these cannibalistic humanoid underground dwellers, and then

1335
01:05:31,480 --> 01:05:34,280
Speaker 4: they use the sewer to like terrorize the city, and

1336
01:05:34,320 --> 01:05:36,840
Speaker 4: you know what, good for them. But I forgot the

1337
01:05:36,960 --> 01:05:42,760
Speaker 4: humanoid part was about unhoused people. So I just have

1338
01:05:42,880 --> 01:05:45,880
Speaker 4: to preface this by saying, I know that this movie

1339
01:05:45,920 --> 01:05:49,360
Speaker 4: from nineteen eighty four is not sensitive towards the unhoused population.

1340
01:05:49,600 --> 01:05:52,800
Speaker 4: I almost switched it with something else. But the way

1341
01:05:52,840 --> 01:05:56,200
Speaker 4: to have an experience with this movie is that you

1342
01:05:56,480 --> 01:06:00,280
Speaker 4: have to root for the Chuds. You have to for

1343
01:06:00,320 --> 01:06:02,959
Speaker 4: the Chuds, which is very easy to do because there's

1344
01:06:03,000 --> 01:06:07,000
Speaker 4: not a single redeemable quality in any of the other

1345
01:06:07,120 --> 01:06:11,160
Speaker 4: characters in this movie combined. So if you root for

1346
01:06:11,200 --> 01:06:14,760
Speaker 4: the Chuds, which I do and did as a kid,

1347
01:06:14,800 --> 01:06:16,760
Speaker 4: I was like, why I gotta mess with the Chuds?

1348
01:06:17,240 --> 01:06:18,720
Speaker 4: And I'm not gonna, like, you know, give us some

1349
01:06:18,760 --> 01:06:22,720
Speaker 4: revisionist history. I wasn't like a woke toddler, but I

1350
01:06:23,000 --> 01:06:23,880
Speaker 4: liked saying Chud.

1351
01:06:25,120 --> 01:06:29,160
Speaker 2: I wanted to see it really is.

1352
01:06:29,560 --> 01:06:32,479
Speaker 1: I mean, it really rolls off the tongue chud Hud

1353
01:06:32,600 --> 01:06:33,480
Speaker 1: chud shu shud.

1354
01:06:33,760 --> 01:06:36,680
Speaker 3: So I'm just saying, like, you gotta root for the Chuds.

1355
01:06:37,160 --> 01:06:41,000
Speaker 4: Keep that in mind while you're watching, and I think

1356
01:06:41,040 --> 01:06:44,160
Speaker 4: you're gonna have a great experience with this movie. And

1357
01:06:44,200 --> 01:06:46,040
Speaker 4: then let's look at some of the characters that we

1358
01:06:46,080 --> 01:06:49,440
Speaker 4: have in this movie. So John Hurd is playing George Cooper,

1359
01:06:49,760 --> 01:06:51,080
Speaker 4: Daniel Stern is playing a J.

1360
01:06:51,200 --> 01:06:51,680
Speaker 3: Sheppard.

1361
01:06:52,400 --> 01:06:55,320
Speaker 4: George Cooper is a real prick of a photographer, and

1362
01:06:55,440 --> 01:06:59,600
Speaker 4: Daniel Stern is a very try hard soup kitchen cook.

1363
01:07:00,200 --> 01:07:02,560
Speaker 4: And you will recognize both of them as not just

1364
01:07:02,640 --> 01:07:05,320
Speaker 4: great eighties dads, but they were both in the movie

1365
01:07:05,360 --> 01:07:08,880
Speaker 4: Home Alone. John Hurd was the dad, Daniel Stern was

1366
01:07:08,880 --> 01:07:13,040
Speaker 4: one of the burglars. Kim Grist is Laura Daniels. She

1367
01:07:13,200 --> 01:07:15,160
Speaker 4: was in you know, Manhunter with Ramama from the Train.

1368
01:07:15,280 --> 01:07:18,640
Speaker 4: A bunch of great eighties stuff. And Christopher Curry as

1369
01:07:18,720 --> 01:07:21,520
Speaker 4: Captain Bosh. He's a police captain. And then you have.

1370
01:07:23,240 --> 01:07:26,000
Speaker 2: Bosh and should yeah, Bosh Bosh. I mean it was

1371
01:07:26,040 --> 01:07:27,800
Speaker 2: like they said Bosh about a hundred.

1372
01:07:27,560 --> 01:07:30,880
Speaker 1: Times, and then tis never gonna forget Bush.

1373
01:07:31,640 --> 01:07:33,960
Speaker 4: And then you have a very young John Goodman in

1374
01:07:34,000 --> 01:07:38,520
Speaker 4: one of his first movies. So again this movie full

1375
01:07:38,560 --> 01:07:42,000
Speaker 4: of pricks. You got the photographer were basically opening on

1376
01:07:42,080 --> 01:07:45,280
Speaker 4: his ass pimple popping girlfriend. You've got this over the

1377
01:07:45,320 --> 01:07:48,360
Speaker 4: top police captain. And then you have Daniel Stern who's

1378
01:07:48,360 --> 01:07:51,040
Speaker 4: just trying really hard to be a good guy.

1379
01:07:53,200 --> 01:07:55,840
Speaker 3: So we opened this story at the top.

1380
01:07:56,040 --> 01:07:58,160
Speaker 4: It's a kind of a too long scene in the

1381
01:07:58,200 --> 01:08:00,439
Speaker 4: beginning of this woman walking her dog and she gets

1382
01:08:00,440 --> 01:08:03,280
Speaker 4: sucked in underground. I just have to say off the top,

1383
01:08:03,320 --> 01:08:05,320
Speaker 4: there are just some really stunning chud moments before you

1384
01:08:05,320 --> 01:08:08,360
Speaker 4: ever get to see the full monster. My favorite being

1385
01:08:08,480 --> 01:08:11,160
Speaker 4: a little girl watching from a phone booth as her

1386
01:08:11,200 --> 01:08:15,200
Speaker 4: grandfather gets dragged by a chud and the camera stays

1387
01:08:15,200 --> 01:08:17,160
Speaker 4: with her just long enough that you could see the

1388
01:08:17,280 --> 01:08:20,280
Speaker 4: full effect of the trauma spreading out before her for

1389
01:08:20,320 --> 01:08:22,200
Speaker 4: the rest of her life, like it just kind of

1390
01:08:22,280 --> 01:08:26,360
Speaker 4: lingers on her drama for a moment. So aj Daniel

1391
01:08:26,400 --> 01:08:29,479
Speaker 4: Stern is kind of the only one who's worried about

1392
01:08:29,520 --> 01:08:33,400
Speaker 4: what he refers to as undergrounders, and everyone in this

1393
01:08:33,479 --> 01:08:36,720
Speaker 4: movie refers to this part of the unhoused population as

1394
01:08:36,800 --> 01:08:41,760
Speaker 4: undergrounders with such nonchalance that I actually have to this

1395
01:08:41,840 --> 01:08:45,200
Speaker 4: is the fact that might scare you. It made me

1396
01:08:45,360 --> 01:08:49,439
Speaker 4: want to make sure people know that there are people

1397
01:08:49,479 --> 01:08:50,880
Speaker 4: that live underneath New York City.

1398
01:08:51,600 --> 01:08:52,759
Speaker 3: They're called the mole People.

1399
01:08:53,040 --> 01:08:59,240
Speaker 4: Yeah, it's estimated that about sixty thousand people live in

1400
01:08:59,280 --> 01:09:02,400
Speaker 4: the abandoned sub way tunnels and sewer systems meet the city.

1401
01:09:03,120 --> 01:09:06,360
Speaker 4: There was a book by Jennifer Toth and from nineteen

1402
01:09:06,400 --> 01:09:09,240
Speaker 4: ninety three that's called The Mole People, Life in the

1403
01:09:09,240 --> 01:09:11,559
Speaker 4: Tunnels Beneath New York City. But it's kind of an

1404
01:09:11,640 --> 01:09:14,200
Speaker 4: unverified account and there are a lot of factual errors.

1405
01:09:14,479 --> 01:09:16,960
Speaker 4: And there's also a documentary that came out in near

1406
01:09:17,000 --> 01:09:20,599
Speaker 4: two thousand called Dark Days. So this is I mean,

1407
01:09:21,560 --> 01:09:24,400
Speaker 4: it's like a chicken in an egg, Like what came first?

1408
01:09:24,400 --> 01:09:28,120
Speaker 4: The mole people or did they see chud? Yeah, so

1409
01:09:28,920 --> 01:09:31,960
Speaker 4: people living underground and you know what, again, doing their

1410
01:09:32,040 --> 01:09:34,160
Speaker 4: fucking best with what's been handed to them, which is

1411
01:09:34,200 --> 01:09:37,040
Speaker 4: a pile of radiation. So we eventually find out that

1412
01:09:37,080 --> 01:09:39,880
Speaker 4: the woman in the beginning who went missing is the

1413
01:09:39,920 --> 01:09:43,680
Speaker 4: captain's wife. But don't worry, he's the police captain. So

1414
01:09:43,760 --> 01:09:46,960
Speaker 4: he works not only through her disappearance, but he continues

1415
01:09:47,000 --> 01:09:50,120
Speaker 4: to work after he discovers her severed head on the

1416
01:09:50,160 --> 01:09:51,200
Speaker 4: banks of the Hudson.

1417
01:09:51,840 --> 01:09:53,000
Speaker 3: Right, Like, this guy is just.

1418
01:09:52,920 --> 01:09:55,360
Speaker 4: Like I'm pushing through him and a power through with

1419
01:09:55,400 --> 01:09:56,599
Speaker 4: a cigarette and a scotch.

1420
01:09:56,920 --> 01:09:59,479
Speaker 1: He turned it on and off somehow, like he's able

1421
01:09:59,520 --> 01:10:01,600
Speaker 1: to flip it like a switch, because I would have

1422
01:10:01,640 --> 01:10:03,520
Speaker 1: been like, you know what, I'm taking some leads.

1423
01:10:03,200 --> 01:10:05,880
Speaker 3: I need to bounce immediately.

1424
01:10:06,680 --> 01:10:09,240
Speaker 4: Yeah, this is the thing, Like, this is the thing

1425
01:10:09,240 --> 01:10:11,799
Speaker 4: that's set up, is that they're the kind of government

1426
01:10:12,400 --> 01:10:16,720
Speaker 4: entity that dropped this radiation is trying to cover it up.

1427
01:10:17,160 --> 01:10:18,479
Speaker 3: And then the Chuds are.

1428
01:10:18,360 --> 01:10:21,840
Speaker 4: Having an uprising at the same time, and it all

1429
01:10:21,880 --> 01:10:23,400
Speaker 4: comes to a head where it's like they want to

1430
01:10:23,439 --> 01:10:25,760
Speaker 4: kill the Chuz they want to gas them out. Right,

1431
01:10:26,680 --> 01:10:28,879
Speaker 4: here's some beats of this movie that I want to discuss.

1432
01:10:29,720 --> 01:10:32,479
Speaker 4: First of all, I now realize that everything makes me

1433
01:10:33,280 --> 01:10:39,000
Speaker 4: miss New York City, even Chuds. Everything makes me miss

1434
01:10:39,000 --> 01:10:41,639
Speaker 4: New York City. It's just the fact of this one.

1435
01:10:42,040 --> 01:10:49,559
Speaker 4: I saw a shut on laugh Ayette and I was like, oh, I.

1436
01:10:49,439 --> 01:10:52,599
Speaker 1: Mean you know what, some of the stuff comes back,

1437
01:10:52,760 --> 01:10:55,760
Speaker 1: like the stuff that scared you about New York will

1438
01:10:55,840 --> 01:10:59,599
Speaker 1: eventually be the thing that makes it come crawling home baby.

1439
01:10:59,800 --> 01:11:04,080
Speaker 4: Very heartwarming, very heartwarming, And we might have to dig

1440
01:11:04,120 --> 01:11:06,040
Speaker 4: into this a little bit deeper because I'm gonna say this,

1441
01:11:06,040 --> 01:11:08,639
Speaker 4: then I'm gonna say something else. But what was up

1442
01:11:08,640 --> 01:11:11,320
Speaker 4: with that yuppie guy who ate the quarter out of

1443
01:11:11,360 --> 01:11:11,919
Speaker 4: the payphone?

1444
01:11:12,000 --> 01:11:13,559
Speaker 3: What movie was I watching at that point?

1445
01:11:13,640 --> 01:11:17,559
Speaker 2: That was so bizarre? So I was like, what what

1446
01:11:17,680 --> 01:11:20,080
Speaker 2: is this? Does this mean something that I don't know about?

1447
01:11:20,160 --> 01:11:22,639
Speaker 4: Yeah, he's like some yuppie villain who just like eats coin.

1448
01:11:22,760 --> 01:11:25,040
Speaker 4: I don't understand. I did not understand that beat. And

1449
01:11:25,040 --> 01:11:26,840
Speaker 4: I'm like, you know what, There's enough going on with

1450
01:11:27,240 --> 01:11:30,200
Speaker 4: the can Cannibals, so like, why don't we just focus

1451
01:11:30,240 --> 01:11:31,360
Speaker 4: on that instead of this dude?

1452
01:11:31,800 --> 01:11:32,720
Speaker 3: But this is the other thing.

1453
01:11:32,760 --> 01:11:34,800
Speaker 4: When we do finally get to see the Chuds or

1454
01:11:34,880 --> 01:11:39,160
Speaker 4: Underground Dan, you know, AJ's locked down there, George's lockdown there,

1455
01:11:39,160 --> 01:11:41,840
Speaker 4: Everyone's locked in the sewers at this point except for

1456
01:11:41,920 --> 01:11:46,920
Speaker 4: the ass pimple girlfriend. The chud Hive looks cool as

1457
01:11:46,920 --> 01:11:50,040
Speaker 4: hell like when we finally see them in full. Yes,

1458
01:11:50,080 --> 01:11:53,160
Speaker 4: they definitely have like glowing eyes and razor sharp teeth,

1459
01:11:53,360 --> 01:11:56,040
Speaker 4: but they're like stretching their arms towards the sky like

1460
01:11:56,040 --> 01:11:58,720
Speaker 4: they're in a sound bath, or like they're just doing

1461
01:11:58,840 --> 01:12:02,280
Speaker 4: yoga and chilling and they are making the best of

1462
01:12:02,320 --> 01:12:03,240
Speaker 4: a bad situation.

1463
01:12:03,439 --> 01:12:04,760
Speaker 2: They do not need this shit.

1464
01:12:05,320 --> 01:12:08,720
Speaker 4: They got their little jumpsuits on, like I don't know

1465
01:12:08,720 --> 01:12:12,040
Speaker 4: where they got their uniforms, where they got them, And

1466
01:12:12,080 --> 01:12:14,519
Speaker 4: it's like that classic story of like, we were fine

1467
01:12:14,560 --> 01:12:16,439
Speaker 4: down here. We just need to eat people every once

1468
01:12:16,479 --> 01:12:19,160
Speaker 4: in a while, and you have plenty of horrible people

1469
01:12:19,160 --> 01:12:19,599
Speaker 4: to offer.

1470
01:12:19,720 --> 01:12:20,120
Speaker 2: Trust.

1471
01:12:20,400 --> 01:12:22,639
Speaker 4: We're sorry that we had to start with our own,

1472
01:12:22,800 --> 01:12:25,880
Speaker 4: you know, population, but maybe we can work something out.

1473
01:12:25,920 --> 01:12:27,840
Speaker 4: We'll come up every once in a while, grab some

1474
01:12:27,920 --> 01:12:31,360
Speaker 4: grandpas and keep chutting down here. And now you guys

1475
01:12:31,360 --> 01:12:33,599
Speaker 4: are just trying to gas us out. They looked fucking

1476
01:12:33,600 --> 01:12:35,680
Speaker 4: cool as hell. I wanted them to make it.

1477
01:12:35,800 --> 01:12:37,920
Speaker 1: I mean, well, I'll say this, if we could just

1478
01:12:37,920 --> 01:12:42,960
Speaker 1: simply sacrifice all of the shitty photographers who are ambivalent

1479
01:12:43,000 --> 01:12:47,160
Speaker 1: about having children with their girlfriends, that's fine. In order

1480
01:12:47,200 --> 01:12:51,160
Speaker 1: for them to live, we can give them these arrogant photographers.

1481
01:12:51,280 --> 01:12:53,280
Speaker 3: I am so down with that. It would be like

1482
01:12:53,320 --> 01:12:53,879
Speaker 3: the lottery.

1483
01:12:54,040 --> 01:12:59,240
Speaker 2: But like chut style, we're gonna jok to I have

1484
01:12:59,360 --> 01:13:01,080
Speaker 2: to say too. The John Hurd character.

1485
01:13:01,439 --> 01:13:03,040
Speaker 1: So the one thing that I could not stop looking

1486
01:13:03,080 --> 01:13:07,160
Speaker 1: at were his teeth, And I was like, they would

1487
01:13:07,240 --> 01:13:12,639
Speaker 1: never let a lead actor of a fucking famous movie,

1488
01:13:12,840 --> 01:13:15,599
Speaker 1: like not even famous, I would say, even if it

1489
01:13:15,680 --> 01:13:20,280
Speaker 1: was like some television movie that was on a really small,

1490
01:13:20,320 --> 01:13:24,080
Speaker 1: tight budget. They never let famous people have normal teeth

1491
01:13:24,400 --> 01:13:26,559
Speaker 1: these days. So when you watch old.

1492
01:13:26,360 --> 01:13:29,040
Speaker 2: Movies and you're like, yo, that guy's teeth are pretty mossy.

1493
01:13:29,640 --> 01:13:30,200
Speaker 2: How the fuck?

1494
01:13:30,320 --> 01:13:33,320
Speaker 1: And he's the lead, He's the most famous guy in

1495
01:13:33,360 --> 01:13:33,920
Speaker 1: this movie.

1496
01:13:35,200 --> 01:13:38,639
Speaker 4: That shit is crazy, and he's acted the wildest. He's

1497
01:13:38,680 --> 01:13:42,280
Speaker 4: wilded out more than anyone. He's trying more attention to

1498
01:13:42,320 --> 01:13:45,400
Speaker 4: himself than even the Judds. I could talk about that

1499
01:13:45,479 --> 01:13:48,120
Speaker 4: character all day long. He was the worst. There was

1500
01:13:48,160 --> 01:13:51,800
Speaker 4: not an iota an ounce of myself that wanted him

1501
01:13:51,840 --> 01:13:52,639
Speaker 4: to win anything.

1502
01:13:52,880 --> 01:13:54,120
Speaker 3: I didn't want him to have a family.

1503
01:13:54,320 --> 01:13:55,920
Speaker 4: I didn't want him to have a good job because

1504
01:13:55,920 --> 01:13:57,760
Speaker 4: he kind of like he switches from being this like

1505
01:13:57,840 --> 01:14:01,360
Speaker 4: fashion photographer to being like an investigator photographer. So he's

1506
01:14:01,360 --> 01:14:03,879
Speaker 4: friends with some of the unhoused people who are underground

1507
01:14:03,920 --> 01:14:06,920
Speaker 4: because he's like done a photo documentary series with them.

1508
01:14:07,600 --> 01:14:10,720
Speaker 4: But then he treats everyone like the fucking pricks that

1509
01:14:10,840 --> 01:14:12,639
Speaker 4: I'm like, why what is this?

1510
01:14:13,160 --> 01:14:14,479
Speaker 3: Yeah, I didn't like him at all.

1511
01:14:14,680 --> 01:14:15,679
Speaker 2: Yeah, it was hard to say.

1512
01:14:15,760 --> 01:14:18,680
Speaker 1: And like the other thing too, is that this is

1513
01:14:19,200 --> 01:14:21,519
Speaker 1: truly because of the times that we're living in.

1514
01:14:21,720 --> 01:14:22,519
Speaker 2: I have a feeling.

1515
01:14:22,920 --> 01:14:27,719
Speaker 1: But like Chud made me realize the whole plot line

1516
01:14:27,720 --> 01:14:30,080
Speaker 1: that happens in a lot of these like disaster movies

1517
01:14:30,120 --> 01:14:36,280
Speaker 1: and horror movies that involves failures of governments.

1518
01:14:35,400 --> 01:14:40,240
Speaker 2: And also just sort of like corrupt business people.

1519
01:14:40,120 --> 01:14:43,080
Speaker 1: In tandem with the government of a town or a

1520
01:14:43,120 --> 01:14:44,840
Speaker 1: city or country.

1521
01:14:44,920 --> 01:14:46,200
Speaker 2: Is too triggering for me.

1522
01:14:46,600 --> 01:14:49,920
Speaker 1: Like I'm sitting here going like the Daniel Starn character

1523
01:14:50,120 --> 01:14:54,880
Speaker 1: goes into the meeting with his like his bag of evidence,

1524
01:14:54,960 --> 01:14:58,320
Speaker 1: Geiger meter and his Actually I thought it was a cast.

1525
01:14:58,439 --> 01:15:01,479
Speaker 1: I was like, why a cast? I didn't realize that

1526
01:15:01,520 --> 01:15:03,479
Speaker 1: it was supposed to have been part of some uniform.

1527
01:15:04,120 --> 01:15:06,559
Speaker 1: And they're just like they're shutting the shit down. They're

1528
01:15:06,600 --> 01:15:09,719
Speaker 1: like it's a cover up. Motherfucker's like there's no way

1529
01:15:09,920 --> 01:15:14,439
Speaker 1: we can not pour radiation underneath the city and create Chuds.

1530
01:15:14,479 --> 01:15:17,800
Speaker 1: We even have a file that says, Shud, we know

1531
01:15:17,920 --> 01:15:18,800
Speaker 1: what's happening, Like.

1532
01:15:18,920 --> 01:15:20,719
Speaker 4: We've been to court and they've told us we can't

1533
01:15:20,720 --> 01:15:23,519
Speaker 4: put this radiation here, but we already did, so.

1534
01:15:25,760 --> 01:15:27,759
Speaker 2: I'm like, oh, this is where it begins.

1535
01:15:27,960 --> 01:15:32,000
Speaker 4: This is where the indoctrination into being a conspiracy theorist begins.

1536
01:15:32,000 --> 01:15:33,680
Speaker 4: When you watch movies like this and you're like, I

1537
01:15:33,720 --> 01:15:36,080
Speaker 4: fucking knew they're radiating people down there.

1538
01:15:36,360 --> 01:15:39,160
Speaker 2: I knew it. Nobody can do anything about it. God

1539
01:15:39,200 --> 01:15:39,599
Speaker 2: damn it.

1540
01:15:39,720 --> 01:15:42,960
Speaker 1: They're gonna literally just put all the cars over all

1541
01:15:43,000 --> 01:15:45,880
Speaker 1: the manholes and gas out this shit and no one's

1542
01:15:45,920 --> 01:15:47,200
Speaker 1: gonna be any other wiser.

1543
01:15:47,479 --> 01:15:50,439
Speaker 2: And I was just sitting here going like, man, this

1544
01:15:50,520 --> 01:15:51,160
Speaker 2: is too much.

1545
01:15:51,240 --> 01:15:53,600
Speaker 1: Like I'm like, it's the same thing that happens, you know,

1546
01:15:53,600 --> 01:15:55,720
Speaker 1: you want to talk about Jaws or something. It's like

1547
01:15:55,920 --> 01:16:00,280
Speaker 1: that failure of a mayor or a government and to

1548
01:16:00,400 --> 01:16:01,320
Speaker 1: do the right thing.

1549
01:16:01,479 --> 01:16:05,040
Speaker 2: I'm like, I can't. This is too much, Like can

1550
01:16:05,120 --> 01:16:06,840
Speaker 2: I ever watch these movies again?

1551
01:16:07,160 --> 01:16:09,439
Speaker 4: And they're so cavalier because it's like, well, you can't

1552
01:16:09,479 --> 01:16:11,759
Speaker 4: guess you can't put gas down there, like there's people

1553
01:16:11,760 --> 01:16:13,760
Speaker 4: down there, And he's like, eh, so we lose a

1554
01:16:13,800 --> 01:16:16,439
Speaker 4: few and it's like what they're like, No, that drives

1555
01:16:16,479 --> 01:16:18,479
Speaker 4: me up a wall.

1556
01:16:18,960 --> 01:16:20,920
Speaker 3: When it's like, yeah, we can lose a few, like.

1557
01:16:21,000 --> 01:16:24,640
Speaker 1: It's fine, and then it's like bosh, bosh bosh and

1558
01:16:24,720 --> 01:16:27,200
Speaker 1: Daniel Sturter is running around trying to make shit right

1559
01:16:27,280 --> 01:16:30,280
Speaker 1: and it's not happening for them, and I just it's

1560
01:16:30,280 --> 01:16:32,720
Speaker 1: so it stresses me the fuck out now, and I

1561
01:16:32,760 --> 01:16:34,880
Speaker 1: hate that it stresses me out now, but it does.

1562
01:16:34,960 --> 01:16:37,080
Speaker 4: But that's the world we live in. And look, I

1563
01:16:37,120 --> 01:16:40,680
Speaker 4: wanted the Chuds to win. If you're worried about the

1564
01:16:40,720 --> 01:16:44,000
Speaker 4: story of the Chuds continuing, there is a movie called

1565
01:16:44,439 --> 01:16:49,400
Speaker 4: Chud two. Bud the Chud. Oh, there's a sequel came

1566
01:16:49,400 --> 01:16:50,439
Speaker 4: out in nineteen eighty nine.

1567
01:16:51,120 --> 01:16:55,040
Speaker 2: I haven't sadly not seen Hud too, but the Chode either.

1568
01:16:55,400 --> 01:16:56,519
Speaker 2: I think we should make a night at it.

1569
01:16:56,600 --> 01:16:58,960
Speaker 3: Let's do a watch party. I have got into a

1570
01:16:58,960 --> 01:17:01,479
Speaker 3: watch party. Got to know because they clearly didn't get

1571
01:17:01,479 --> 01:17:01,920
Speaker 3: the Chuds.

1572
01:17:02,240 --> 01:17:05,040
Speaker 2: Who's coming back for Bud the Hut? I'm curious, and

1573
01:17:05,080 --> 01:17:07,639
Speaker 2: who is Bud the Chud? Who's Budd? How's that tell

1574
01:17:07,680 --> 01:17:08,519
Speaker 2: me more about him?

1575
01:17:08,640 --> 01:17:11,000
Speaker 1: Maybe it's one of those, uh, you know, the thing

1576
01:17:11,040 --> 01:17:12,680
Speaker 1: that happens with gremlins like that.

1577
01:17:12,800 --> 01:17:16,520
Speaker 2: Now, there's just like some charismatic Chud that's like real sarcastic.

1578
01:17:17,200 --> 01:17:20,040
Speaker 2: You know, one's dressed up like a lady, one's dressed

1579
01:17:20,080 --> 01:17:22,160
Speaker 2: up like a carnival barker.

1580
01:17:24,400 --> 01:17:28,240
Speaker 1: It's like when it's like when Freddy the Krueger, Freddy.

1581
01:17:28,040 --> 01:17:32,479
Speaker 2: The Krueger, I'm sorry, oh fuck you.

1582
01:17:33,240 --> 01:17:36,800
Speaker 1: It's like when Freddy Krueger went from being like a

1583
01:17:36,920 --> 01:17:40,320
Speaker 1: legit terrified to them just being like a stand up,

1584
01:17:40,400 --> 01:17:43,240
Speaker 1: Like he just started telling like all these like jokes,

1585
01:17:43,280 --> 01:17:46,519
Speaker 1: like he he has fucking bars, And I'm just sort

1586
01:17:46,560 --> 01:17:48,800
Speaker 1: of like, this is what budda shut is.

1587
01:17:49,320 --> 01:17:54,160
Speaker 2: When Bud the Chut is Chucky, Freddy the Krueger and

1588
01:17:54,320 --> 01:17:56,400
Speaker 2: Spike all wrapped up into one.

1589
01:17:56,920 --> 01:17:59,840
Speaker 4: When Freddy Krueger got a tight five together, I was

1590
01:17:59,880 --> 01:18:02,639
Speaker 4: like about he's got a tight five.

1591
01:18:02,520 --> 01:18:06,200
Speaker 2: And dance moves and like, what is this? This is

1592
01:18:06,240 --> 01:18:09,840
Speaker 2: not the Freddy Krueger. I know, this is not.

1593
01:18:09,880 --> 01:18:12,840
Speaker 4: The terrifying child Molestor who was burned by all the

1594
01:18:12,840 --> 01:18:14,280
Speaker 4: parents in the neighborhood.

1595
01:18:16,760 --> 01:18:21,120
Speaker 2: He's on Letterman, you know, he's like fucking Chilly the Chud.

1596
01:18:21,320 --> 01:18:23,400
Speaker 4: I just I really love this movie and it's got

1597
01:18:23,439 --> 01:18:27,439
Speaker 4: like again like these these quintessential like New York moments.

1598
01:18:27,439 --> 01:18:29,439
Speaker 4: To me, you kind of worry at one point that

1599
01:18:29,760 --> 01:18:31,400
Speaker 4: a kid's gonna get eaten.

1600
01:18:31,520 --> 01:18:32,320
Speaker 2: But then I don't know.

1601
01:18:32,360 --> 01:18:34,439
Speaker 3: I think chuds have morals, like they kind of stayed

1602
01:18:34,439 --> 01:18:35,200
Speaker 3: away from the kid and.

1603
01:18:35,160 --> 01:18:40,000
Speaker 2: The pregnant lady a little bit. But what I love there's.

1604
01:18:39,800 --> 01:18:44,040
Speaker 4: This one scene after George and Laura move in, the

1605
01:18:44,320 --> 01:18:46,160
Speaker 4: lady who lives downstairs is like, oh, are you the

1606
01:18:46,200 --> 01:18:49,680
Speaker 4: new tenants And she's like yeah, She's like you.

1607
01:18:49,640 --> 01:18:50,439
Speaker 3: Live in the studio.

1608
01:18:50,920 --> 01:18:52,720
Speaker 2: They're like yeah, just for a little while figuring it out,

1609
01:18:53,000 --> 01:18:53,919
Speaker 2: and she's like, oh okay.

1610
01:18:54,240 --> 01:18:59,000
Speaker 4: That lady one hundred percent went back into her house

1611
01:18:59,360 --> 01:19:02,240
Speaker 4: and called the landlord. She's a total nark. And you

1612
01:19:02,280 --> 01:19:05,240
Speaker 4: know how I know because I'm a narky because I

1613
01:19:05,320 --> 01:19:08,840
Speaker 4: want thing like I know who these young people are

1614
01:19:08,880 --> 01:19:10,400
Speaker 4: moving up in the studio.

1615
01:19:10,280 --> 01:19:13,200
Speaker 2: And sub letting this shit illegally, but they got to go.

1616
01:19:13,479 --> 01:19:15,679
Speaker 2: I love it. I love seeing those little.

1617
01:19:15,479 --> 01:19:17,800
Speaker 4: Like nark like those little New York moments or city

1618
01:19:17,840 --> 01:19:20,479
Speaker 4: moments even just like, look, a nark's gonna recognize a nark.

1619
01:19:20,800 --> 01:19:22,160
Speaker 4: I am not that when it comes to the place

1620
01:19:22,200 --> 01:19:25,760
Speaker 4: I live, we're not having like the Airbnb apartment and

1621
01:19:25,880 --> 01:19:26,960
Speaker 4: the party apartment.

1622
01:19:27,080 --> 01:19:28,280
Speaker 3: Like nah, I ain't doing that.

1623
01:19:28,400 --> 01:19:31,320
Speaker 1: I was like, I don't need these young modern people

1624
01:19:31,320 --> 01:19:33,640
Speaker 1: to come up with their swords and put their swords

1625
01:19:33,880 --> 01:19:37,960
Speaker 1: as decorative elements in their apartment. They got a hot

1626
01:19:37,960 --> 01:19:42,040
Speaker 1: plate up there, like is that ship up to code? Like,

1627
01:19:42,320 --> 01:19:44,160
Speaker 1: what's up with this? I need to know what's going

1628
01:19:44,200 --> 01:19:44,479
Speaker 1: on here?

1629
01:19:44,479 --> 01:19:48,639
Speaker 2: Are they burning candles up there? What is happening? He's

1630
01:19:48,640 --> 01:19:51,559
Speaker 2: got like a dark room, tons of chemicals. He's got

1631
01:19:51,560 --> 01:19:52,120
Speaker 2: a dark room.

1632
01:19:52,200 --> 01:19:54,240
Speaker 4: They're filled with chemicals over the bedroom where this little

1633
01:19:54,280 --> 01:20:00,960
Speaker 4: kid sleeps. Like, I'm calling the landlord immediately again. I

1634
01:20:01,000 --> 01:20:03,080
Speaker 4: had a lot of fun watching this and rooting for

1635
01:20:03,160 --> 01:20:05,840
Speaker 4: the chuds from the top like that made me feel

1636
01:20:05,840 --> 01:20:08,280
Speaker 4: really good and it brought back a lot of childhood glee.

1637
01:20:09,720 --> 01:20:11,679
Speaker 4: And I think, you know, these movies have a tendency

1638
01:20:11,720 --> 01:20:14,680
Speaker 4: to like help with the moral compass a little bit

1639
01:20:14,840 --> 01:20:17,400
Speaker 4: when you're a kid. I think this, I feel like

1640
01:20:17,439 --> 01:20:19,000
Speaker 4: this is I sound like my grandma now, but I

1641
01:20:19,040 --> 01:20:21,160
Speaker 4: think this was a good movie to watch its a kid.

1642
01:20:22,040 --> 01:20:24,200
Speaker 2: Well, no, it's like, I'm.

1643
01:20:24,080 --> 01:20:27,360
Speaker 1: So glad that you started off with kind of reorienting

1644
01:20:27,479 --> 01:20:31,040
Speaker 1: us with the like, you know, the idea that it

1645
01:20:31,120 --> 01:20:34,599
Speaker 1: was made in a certain time and treats people in

1646
01:20:34,640 --> 01:20:37,280
Speaker 1: a different way because you did such a good job

1647
01:20:37,320 --> 01:20:41,200
Speaker 1: with that, and also was balancing the fact that this

1648
01:20:41,240 --> 01:20:44,840
Speaker 1: movie has truly stupid moments, Like there's just stupid bad

1649
01:20:44,920 --> 01:20:48,639
Speaker 1: movie moments, which is so fucking funny.

1650
01:20:49,040 --> 01:20:49,920
Speaker 2: I love this.

1651
01:20:49,920 --> 01:20:52,320
Speaker 1: This has happened since so many action movies where a

1652
01:20:52,439 --> 01:20:58,479
Speaker 1: character gets blown the fuck away, like shot five hundred

1653
01:20:58,520 --> 01:21:00,080
Speaker 1: times through the chest and.

1654
01:21:00,120 --> 01:21:04,519
Speaker 2: Rain no fucking you know, gets hit by a car like.

1655
01:21:04,479 --> 01:21:11,120
Speaker 1: Whatever is annihilated, and somebody assumes that they've died, and

1656
01:21:11,160 --> 01:21:13,360
Speaker 1: then five minutes later they pop up with like both

1657
01:21:13,360 --> 01:21:18,320
Speaker 1: thumbs in the air like hey, nice shot man, Like

1658
01:21:18,400 --> 01:21:21,240
Speaker 1: I'm just like what, like.

1659
01:21:21,160 --> 01:21:23,920
Speaker 4: You got shot in thee I saw it happen.

1660
01:21:25,400 --> 01:21:27,080
Speaker 2: The bullet went in and like.

1661
01:21:27,120 --> 01:21:30,200
Speaker 4: Directed itself around your body like a pinball machine.

1662
01:21:30,479 --> 01:21:34,120
Speaker 2: What are you doing talking? And he was just in

1663
01:21:34,160 --> 01:21:36,160
Speaker 2: the sewer, which he's got.

1664
01:21:36,360 --> 01:21:41,240
Speaker 1: He's literally sitting there with septic shock bleeding out of

1665
01:21:41,280 --> 01:21:44,200
Speaker 1: a bullet hole that definitely went through the center of

1666
01:21:44,240 --> 01:21:44,679
Speaker 1: his body.

1667
01:21:44,720 --> 01:21:47,040
Speaker 2: And then is somehow like I'm here to give you,

1668
01:21:47,040 --> 01:21:52,720
Speaker 2: you know, like nice job, Like cool guy. It was like,

1669
01:21:52,840 --> 01:21:59,679
Speaker 2: holy shit, this movie, Oh my god, I love that shit.

1670
01:21:59,760 --> 01:22:01,759
Speaker 2: It's it's so dumb, it's so dumb.

1671
01:22:01,800 --> 01:22:04,320
Speaker 4: This is like perfect movie to watch if you just

1672
01:22:04,360 --> 01:22:07,120
Speaker 4: want to watch something so that does not take itself

1673
01:22:07,160 --> 01:22:09,120
Speaker 4: seriously at all, Like.

1674
01:22:09,040 --> 01:22:10,519
Speaker 3: It is gorgeous in that way.

1675
01:22:10,560 --> 01:22:13,559
Speaker 4: But oh my god, the eighties were terrible and wonderful

1676
01:22:13,680 --> 01:22:15,400
Speaker 4: in so many ways.

1677
01:22:15,640 --> 01:22:18,759
Speaker 1: And the vibe is definitely just don't go beneath anything

1678
01:22:18,760 --> 01:22:21,000
Speaker 1: that you're standing on, just for just on GP.

1679
01:22:21,800 --> 01:22:24,560
Speaker 2: Whatever you find on there is not good completely.

1680
01:22:24,600 --> 01:22:26,200
Speaker 4: I mean, it's kind of the way that, like, I

1681
01:22:26,240 --> 01:22:30,400
Speaker 4: don't follow any bodega cat instagrams, like you know, they're

1682
01:22:30,439 --> 01:22:33,320
Speaker 4: just kind of like the bodega cats of Instagram because

1683
01:22:33,880 --> 01:22:36,679
Speaker 4: what people don't realize, I think most of the time

1684
01:22:37,240 --> 01:22:40,160
Speaker 4: is that yes, the cats are cute, but the cats

1685
01:22:40,240 --> 01:22:43,439
Speaker 4: are there to bare knuckle box the rats that are

1686
01:22:43,520 --> 01:22:44,759
Speaker 4: crawling through that building.

1687
01:22:45,080 --> 01:22:48,040
Speaker 2: They are on duty. They are not pets.

1688
01:22:49,080 --> 01:22:51,240
Speaker 4: And I don't need to be walking into my bodega

1689
01:22:51,360 --> 01:22:53,600
Speaker 4: thinking about rats right off the back because you have

1690
01:22:53,680 --> 01:22:55,839
Speaker 4: three cute ass cats patrolling the building.

1691
01:22:55,960 --> 01:22:58,800
Speaker 1: They are making it, you know, a place for us

1692
01:22:58,920 --> 01:23:01,920
Speaker 1: to get our things without vomiting all over the place.

1693
01:23:02,040 --> 01:23:05,280
Speaker 2: So exactly, so you know, just like keep underground underground.

1694
01:23:05,320 --> 01:23:06,080
Speaker 3: I'm cool with it.

1695
01:23:06,960 --> 01:23:08,880
Speaker 4: I don't ever feel like I need like I've never

1696
01:23:08,920 --> 01:23:12,960
Speaker 4: gone splunking. I don't feel like anything good is coming

1697
01:23:13,040 --> 01:23:15,919
Speaker 4: from me going beneath the earth for any reason.

1698
01:23:16,360 --> 01:23:16,719
Speaker 2: Listen.

1699
01:23:17,040 --> 01:23:19,439
Speaker 1: I went to Rock City once when I was like

1700
01:23:19,960 --> 01:23:22,479
Speaker 1: in my twenties, and I was nervous the entire time.

1701
01:23:22,720 --> 01:23:25,479
Speaker 1: I'm like, I'm just walking through a rock. I'm I

1702
01:23:25,520 --> 01:23:28,120
Speaker 1: don't even think I'm below anything, and I'm just freaking

1703
01:23:28,160 --> 01:23:28,599
Speaker 1: the fuck out.

1704
01:23:28,640 --> 01:23:29,439
Speaker 3: Too much? Can happen?

1705
01:23:29,640 --> 01:23:32,920
Speaker 4: That rock that's that's dangling in the at lakhma like

1706
01:23:33,240 --> 01:23:36,720
Speaker 4: over the walkway looks cool? So there's a fucking earthquake?

1707
01:23:36,880 --> 01:23:37,560
Speaker 2: Yeah?

1708
01:23:37,600 --> 01:23:44,160
Speaker 4: And then it is literally INDI energy, Well, we have

1709
01:23:44,240 --> 01:23:47,519
Speaker 4: a treat. I think we have a is it a treat? Oh?

1710
01:23:47,600 --> 01:23:49,679
Speaker 1: So I want So this is something that I thought

1711
01:23:49,840 --> 01:23:52,080
Speaker 1: was super interesting. I don't know if you know this,

1712
01:23:52,120 --> 01:23:54,160
Speaker 1: but did you know that the oscars are not in

1713
01:23:54,200 --> 01:23:55,080
Speaker 1: February this year?

1714
01:23:55,160 --> 01:23:57,280
Speaker 2: I read that they're in April.

1715
01:23:57,479 --> 01:24:00,400
Speaker 1: I think so because of the pandemic, right, which is

1716
01:24:00,439 --> 01:24:03,000
Speaker 1: so strange because it's like, you know, where I work,

1717
01:24:03,040 --> 01:24:05,599
Speaker 1: we do a lot with oscar month and so I'm

1718
01:24:05,880 --> 01:24:09,080
Speaker 1: so used to seeing it in February. And then on

1719
01:24:09,120 --> 01:24:11,240
Speaker 1: top of that, you know how you have that ramp

1720
01:24:11,320 --> 01:24:13,880
Speaker 1: up to the Oscars where it's like, you know, everybody's

1721
01:24:13,920 --> 01:24:16,640
Speaker 1: like see the movies before the you know, it's like

1722
01:24:16,760 --> 01:24:19,360
Speaker 1: this is gonna happen, like you gotta go watch all

1723
01:24:19,400 --> 01:24:20,839
Speaker 1: of the Oscar nominated stuff.

1724
01:24:20,880 --> 01:24:22,280
Speaker 2: And I didn't feel that this.

1725
01:24:22,320 --> 01:24:25,400
Speaker 1: Year, and I'm like, the balance has been upset and

1726
01:24:25,479 --> 01:24:27,720
Speaker 1: I don't know what's going on. Then I realized, Oh,

1727
01:24:27,760 --> 01:24:29,800
Speaker 1: because the Oscars are in April.

1728
01:24:29,560 --> 01:24:31,519
Speaker 4: Right, Because I'm a member of the Writers Guild, we

1729
01:24:31,600 --> 01:24:35,720
Speaker 4: start getting screeners usually like right before the end of December,

1730
01:24:36,080 --> 01:24:39,160
Speaker 4: and I've only gotten like two or three and therefore

1731
01:24:39,200 --> 01:24:42,120
Speaker 4: movies that are already on Netflix. So I'm like, what

1732
01:24:42,880 --> 01:24:44,800
Speaker 4: I already hate when they do that. But I'm like,

1733
01:24:44,880 --> 01:24:47,479
Speaker 4: is that all I'm getting this year? And also, yeah,

1734
01:24:47,479 --> 01:24:49,759
Speaker 4: but it's happening in April, so maybe I'll get more screeners.

1735
01:24:49,800 --> 01:24:50,200
Speaker 3: I don't know.

1736
01:24:50,240 --> 01:24:53,679
Speaker 1: But I'm also curious too, like do you have any

1737
01:24:53,720 --> 01:24:56,640
Speaker 1: idea like who, Like it doesn't feel like there was

1738
01:24:56,760 --> 01:24:59,320
Speaker 1: anything going on but the pandemic for the past year

1739
01:24:59,360 --> 01:25:02,680
Speaker 1: that I'm like, who would even be nominated for a performance?

1740
01:25:02,760 --> 01:25:05,559
Speaker 1: Like who is around to be an like a best

1741
01:25:05,600 --> 01:25:07,919
Speaker 1: actor right now? Like I can't I can't even imagine

1742
01:25:07,960 --> 01:25:10,360
Speaker 1: I can't even what movies came out, ye, no one.

1743
01:25:10,360 --> 01:25:14,040
Speaker 1: Who is Paula ticking to be the Oscar winning lead actor?

1744
01:25:14,080 --> 01:25:16,360
Speaker 2: I guess I don't know. It feels so weird to

1745
01:25:16,360 --> 01:25:17,240
Speaker 2: not have oscars.

1746
01:25:17,600 --> 01:25:19,280
Speaker 4: Yeah, I know, it feels it feels very shirt and

1747
01:25:19,320 --> 01:25:22,000
Speaker 4: I you know, I like watching Oscars with people, and

1748
01:25:22,040 --> 01:25:23,759
Speaker 4: you know, even if we're not doing like the big party,

1749
01:25:23,920 --> 01:25:26,000
Speaker 4: you know, it's something to talk about. It's like a

1750
01:25:26,040 --> 01:25:28,639
Speaker 4: shared event that like it or not, we all kind

1751
01:25:28,640 --> 01:25:31,960
Speaker 4: of tend to participate in out of curiosity.

1752
01:25:32,040 --> 01:25:34,439
Speaker 1: So does your grandma like care about that kind of stuff?

1753
01:25:34,479 --> 01:25:36,839
Speaker 1: That she care about the Oscars at all? I'm assuming

1754
01:25:36,920 --> 01:25:39,479
Speaker 1: not because she's like into horror movies, but who knows.

1755
01:25:39,520 --> 01:25:40,080
Speaker 2: I don't know.

1756
01:25:40,600 --> 01:25:46,280
Speaker 4: She's got opinions about the Oscars. She treats the Oscars

1757
01:25:46,680 --> 01:25:49,439
Speaker 4: like she watches football as well. She treats it like

1758
01:25:49,520 --> 01:25:55,120
Speaker 4: a sport football, tennis. She pays attention to everyone, even

1759
01:25:55,160 --> 01:25:58,160
Speaker 4: if she hasn't seen the movie. She has her opinions

1760
01:25:58,160 --> 01:26:00,560
Speaker 4: of who she likes and that that's enough for it.

1761
01:26:00,640 --> 01:26:03,559
Speaker 4: Like she gets a vibe and she's like, all right,

1762
01:26:04,280 --> 01:26:05,240
Speaker 4: I'd be okay if they won.

1763
01:26:05,479 --> 01:26:06,799
Speaker 3: And I'm like, have you seen this movie?

1764
01:26:06,960 --> 01:26:09,040
Speaker 2: No, but I like that.

1765
01:26:08,960 --> 01:26:12,800
Speaker 4: Dress or I like that shoe, or I like the

1766
01:26:12,800 --> 01:26:15,120
Speaker 4: way that I like that clip, Like she didn't take

1767
01:26:15,160 --> 01:26:16,040
Speaker 4: any shit from anybody.

1768
01:26:16,080 --> 01:26:18,280
Speaker 3: I want her to win. Treats it like a sport.

1769
01:26:18,520 --> 01:26:22,200
Speaker 1: But that's truly how it comes down to sometimes, Like

1770
01:26:22,360 --> 01:26:23,880
Speaker 1: to me, it's just sort of like, yeah, we can

1771
01:26:23,920 --> 01:26:26,439
Speaker 1: talk all we want about like the performance and like

1772
01:26:26,479 --> 01:26:27,880
Speaker 1: the art and all this stuff, but really it does

1773
01:26:27,880 --> 01:26:30,320
Speaker 1: come down like like, at least in our minds, we're like,

1774
01:26:30,640 --> 01:26:33,840
Speaker 1: it's the shoe, it's the gloves, it's the swag, it's

1775
01:26:33,920 --> 01:26:35,960
Speaker 1: the it's.

1776
01:26:34,640 --> 01:26:39,360
Speaker 4: The face, it's the attitude, it's the like the interviews, like, yeah,

1777
01:26:39,400 --> 01:26:42,080
Speaker 4: are you a real human being who can portray something?

1778
01:26:42,240 --> 01:26:44,080
Speaker 3: But she has opinions. I was very.

1779
01:26:44,040 --> 01:26:47,040
Speaker 4: Lucky, I guess it's six or seven years ago now

1780
01:26:47,080 --> 01:26:50,720
Speaker 4: to catch some of those opinions on tape. This is

1781
01:26:50,840 --> 01:26:55,240
Speaker 4: back around the time when Ley Miz came out and

1782
01:26:56,680 --> 01:26:58,400
Speaker 4: you got it, folks were bringing my grandma back.

1783
01:26:58,680 --> 01:27:01,559
Speaker 2: Yes, play it right now. I'm dying to hear it.

1784
01:27:02,160 --> 01:27:04,120
Speaker 2: Who are you trying to tell me about? I don't

1785
01:27:04,160 --> 01:27:06,479
Speaker 2: know what his name, I can't think of it.

1786
01:27:06,600 --> 01:27:10,200
Speaker 10: I'm oh, I had loves my thought, But how did

1787
01:27:10,200 --> 01:27:11,160
Speaker 10: you describe.

1788
01:27:10,720 --> 01:27:12,439
Speaker 3: Them good looking?

1789
01:27:13,560 --> 01:27:14,519
Speaker 2: Okay, they're good looking.

1790
01:27:14,720 --> 01:27:15,840
Speaker 5: He is good looking.

1791
01:27:16,320 --> 01:27:20,320
Speaker 10: He was in this picture where all these people that

1792
01:27:20,439 --> 01:27:24,760
Speaker 10: were from that could do weird things and stuff. They

1793
01:27:24,760 --> 01:27:29,679
Speaker 10: were good people, but they were in this He usually

1794
01:27:29,760 --> 01:27:34,040
Speaker 10: has those nails to come out, the steel nails to

1795
01:27:34,200 --> 01:27:34,599
Speaker 10: come out.

1796
01:27:34,680 --> 01:27:41,880
Speaker 4: When he said, Boren Wooveren, Yes, you justin.

1797
01:27:42,280 --> 01:27:45,519
Speaker 2: Yeah, that's him. So he should be nominated for an oscar.

1798
01:27:45,920 --> 01:27:47,400
Speaker 10: And what's his name?

1799
01:27:47,479 --> 01:27:54,400
Speaker 2: The other one, Russell Russell Crowe? Yes, for what same picture?

1800
01:27:54,760 --> 01:27:56,639
Speaker 2: What was the movie? The name miss Reel.

1801
01:27:57,320 --> 01:27:58,360
Speaker 6: It just came out.

1802
01:27:58,520 --> 01:28:03,599
Speaker 10: Yeah, and it's a good story. If the picture is

1803
01:28:03,640 --> 01:28:07,839
Speaker 10: as good as they say, that is a good picture.

1804
01:28:09,439 --> 01:28:09,840
Speaker 2: I agree.

1805
01:28:09,840 --> 01:28:12,679
Speaker 10: It was really When I was younger, I saw it,

1806
01:28:12,840 --> 01:28:15,519
Speaker 10: you know, or read the story or they did it

1807
01:28:15,600 --> 01:28:16,240
Speaker 10: in a movie.

1808
01:28:16,400 --> 01:28:18,599
Speaker 2: I loved it. You want to go see it?

1809
01:28:19,640 --> 01:28:21,320
Speaker 10: Nah, I don't have to go see it.

1810
01:28:22,400 --> 01:28:28,760
Speaker 4: But the guy with the steel nails, yeah, isn't that.

1811
01:28:29,200 --> 01:28:31,120
Speaker 2: They come flying out when he.

1812
01:28:33,360 --> 01:28:37,960
Speaker 10: Blo blo, they come blying up the nails when he's mad.

1813
01:28:40,800 --> 01:28:40,960
Speaker 4: Oh.

1814
01:28:41,040 --> 01:28:43,840
Speaker 2: I think he's good looking. And Russell Carl too.

1815
01:28:44,080 --> 01:28:47,519
Speaker 10: And this is all musical, you know the picture they sing,

1816
01:28:47,800 --> 01:28:51,439
Speaker 10: they sing life they say, Russell Carl holds his own

1817
01:28:51,520 --> 01:28:54,200
Speaker 10: When he sings, he sounds like a frog.

1818
01:28:55,320 --> 01:28:57,960
Speaker 2: Did you see it here? What's it? Good's good?

1819
01:28:58,320 --> 01:28:59,240
Speaker 10: Yeah?

1820
01:28:59,360 --> 01:29:03,719
Speaker 2: Who do you think? I think you, Jacobe should win? Yeah?

1821
01:29:04,160 --> 01:29:05,440
Speaker 11: I like you.

1822
01:29:04,600 --> 01:29:06,599
Speaker 2: Your Grandma is amazing.

1823
01:29:06,680 --> 01:29:08,880
Speaker 1: I was just like, I know, it's been a while

1824
01:29:08,960 --> 01:29:11,960
Speaker 1: since we've had her on, but like, oh my god,

1825
01:29:12,120 --> 01:29:14,839
Speaker 1: any time she drops in is gold.

1826
01:29:15,080 --> 01:29:18,120
Speaker 2: Look, I thank you, thank you for sharing that with us.

1827
01:29:18,120 --> 01:29:18,880
Speaker 2: That's so awesome.

1828
01:29:18,960 --> 01:29:21,760
Speaker 4: I am so happy to do so we'll bring her

1829
01:29:21,760 --> 01:29:24,800
Speaker 4: back again. I mean, like I said, the opinions are NonStop.

1830
01:29:25,040 --> 01:29:27,040
Speaker 4: I try to be I'm trying to be sensitive now

1831
01:29:27,080 --> 01:29:29,960
Speaker 4: to like, you know, she's eighty eight, she gets tired, quicker,

1832
01:29:30,479 --> 01:29:34,120
Speaker 4: always want to keep it ethical, but she is a maniac.

1833
01:29:34,479 --> 01:29:36,880
Speaker 3: I just have to let the tape roll, and I do.

1834
01:29:37,520 --> 01:29:39,240
Speaker 4: And I'm going to be so grateful to have this

1835
01:29:39,320 --> 01:29:41,880
Speaker 4: in ten years, but I'm really excited to have it now.

1836
01:29:42,000 --> 01:29:43,599
Speaker 2: Oh my god, we love her so much.

1837
01:29:44,439 --> 01:29:48,160
Speaker 1: Well, I think that concludes another episode.

1838
01:29:48,760 --> 01:29:50,920
Speaker 2: This was so fun this week.

1839
01:29:51,000 --> 01:29:55,519
Speaker 1: I'm so happy to have Steven and have Grandma and

1840
01:29:55,680 --> 01:29:57,719
Speaker 1: just talk about these hilarious movies.

1841
01:29:58,200 --> 01:30:01,680
Speaker 2: Do you want to give the listeners the movies for

1842
01:30:01,720 --> 01:30:02,599
Speaker 2: next week? Yes?

1843
01:30:02,640 --> 01:30:05,560
Speaker 4: You're gonna have to guess the theme. But the movies

1844
01:30:05,880 --> 01:30:10,559
Speaker 4: are Ganja and Hess from nineteen seventy three and Losing

1845
01:30:10,760 --> 01:30:16,040
Speaker 4: Ground from nineteen eighty two. And listen, our socials are great.

1846
01:30:16,160 --> 01:30:19,000
Speaker 4: If you're not following us on Instagram and Twitter, you

1847
01:30:19,080 --> 01:30:22,360
Speaker 4: are truly missing out, So follow us. Continue the conversation

1848
01:30:22,479 --> 01:30:26,200
Speaker 4: over there. I tend to be on Instagram more than Twitter.

1849
01:30:26,280 --> 01:30:28,400
Speaker 2: I can't say we either of us are super into

1850
01:30:28,439 --> 01:30:31,120
Speaker 2: Twitter right now, but tarn is definitely there.

1851
01:30:31,200 --> 01:30:34,880
Speaker 1: Yes, but also too, We're definitely posting that Stephen King

1852
01:30:34,920 --> 01:30:38,760
Speaker 1: commercial just because my pain is your pain, bitch, Like,

1853
01:30:38,840 --> 01:30:39,479
Speaker 1: this is what's.

1854
01:30:39,280 --> 01:30:39,760
Speaker 2: Going to happen.

1855
01:30:39,800 --> 01:30:42,599
Speaker 3: We're sharing this, We're sharing the trauma. This is how

1856
01:30:42,640 --> 01:30:43,080
Speaker 3: we heal.

1857
01:30:44,520 --> 01:30:45,400
Speaker 2: It is how we heal.

1858
01:30:46,000 --> 01:30:49,760
Speaker 4: Well follow us at I saw pod on Twitter and Instagram,

1859
01:30:50,120 --> 01:30:53,439
Speaker 4: or you can email us your theme ideas, not your

1860
01:30:53,479 --> 01:30:57,800
Speaker 4: movie suggestions, but your theme ideas at I Saw what

1861
01:30:57,840 --> 01:30:59,480
Speaker 4: you did Pod at Gmail.

1862
01:30:59,760 --> 01:31:00,519
Speaker 2: Thanks so much.

1863
01:31:00,560 --> 01:31:05,320
Speaker 1: Everybody, watch your ass when you're on the toilet, things

1864
01:31:05,320 --> 01:31:06,040
Speaker 1: of that nature.

1865
01:31:06,439 --> 01:31:09,240
Speaker 4: Watch your ass is how we're ending every show.

1866
01:31:11,240 --> 01:31:18,960
Speaker 2: See you guys next week, come by.

1867
01:31:19,960 --> 01:31:22,360
Speaker 4: This has been an exactly right production. Our producer is

1868
01:31:22,400 --> 01:31:25,920
Speaker 4: Laura Elizabeth Brown. Our engineer is Anialie Nelson. Our social

1869
01:31:25,920 --> 01:31:29,680
Speaker 4: media assistant is Tarreen Maza. Our theme songs by Tom Bryfogel,

1870
01:31:29,880 --> 01:31:33,360
Speaker 4: artwork by Garrett Ross. Our executive producers are Georgia Hardstark,

1871
01:31:33,479 --> 01:31:36,280
Speaker 4: Karen Colgareth and Daniell Kramer. You can follow us on

1872
01:31:36,320 --> 01:31:39,519
Speaker 4: Instagram and Twitter at I saw pod, and as always,

1873
01:31:39,560 --> 01:31:43,879
Speaker 4: please listen, subscribe, and leave us a review on Apple podcast, Stitcher,

1874
01:31:44,040 --> 01:31:45,120
Speaker 4: or wherever you listen