WEBVTT - Weirdhouse Cinema: Jason Takes Manhattan

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<v Speaker 1>Welcome to Stuff to Blow your Mind production of My

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<v Speaker 1>Heart Radio. Hey, welcome to Weird House Cinema. This is

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<v Speaker 1>Rob Lamb and this is Joe McCormick. And uh, Rob,

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<v Speaker 1>we got one of your your famous calendar tie ins

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<v Speaker 1>today because today is a Friday, we are finally doing

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<v Speaker 1>a Friday movie. And uh, of of the original series,

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<v Speaker 1>what could we pick except Jason Takes Manhattan, the one

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<v Speaker 1>where Jason goes to New York years after the Muppets did. Now.

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<v Speaker 1>A lot of times on this show we dig up

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<v Speaker 1>obscure weirdness that not many people have ever seen. Uh

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<v Speaker 1>and sometimes the Sometimes we find the diamonds that are hidden,

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<v Speaker 1>you know, wonderful little gyms of movies that are that

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<v Speaker 1>are little known. Sometimes we find stuff that is not

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<v Speaker 1>so great but funny. In this series, we're going in

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<v Speaker 1>a very different direction because as weird as the Friday

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<v Speaker 1>the Thirteenth series is, and if you really like examine

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<v Speaker 1>the contents of the series, it is a bizarre phenomenon.

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<v Speaker 1>We should not forget that these movies were immensely popular.

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<v Speaker 1>These hockey mask horror movies made hundreds of millions of

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<v Speaker 1>dollars in total, which is a lot for a horror franchise,

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<v Speaker 1>And I believe until uh, maybe just recently, Friday, a

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<v Speaker 1>movie about a guy in a hockey mask who walks

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<v Speaker 1>around stabbing people, was the highest grossing horror franchise of

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<v Speaker 1>all time. And you know, Rob, you and I as

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<v Speaker 1>horror fans, probably have different types of movies we think

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<v Speaker 1>of when we consider the genre as an ideal what

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<v Speaker 1>is horror? Maybe some of your your favorite maybe the

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<v Speaker 1>classy or horror movies come to mind. But in the

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<v Speaker 1>general culture for decades from the eighties probably through the

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<v Speaker 1>two thousands, if you said horror as a genre, I

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<v Speaker 1>would say the average American would be more likely to

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<v Speaker 1>think of Friday the Thirteenth and Jason Vorhees than anything else. Yeah,

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<v Speaker 1>these movies were big money. Uh, they were everywhere. Um.

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<v Speaker 1>And and I think you know, to your point about

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<v Speaker 1>about weirdness, um, just as we have to remind ourselves

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<v Speaker 1>that that very popular things can still be very good,

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<v Speaker 1>very popular movies can still be quite weird in a

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<v Speaker 1>number of ways. And with these Friday the Thirteenth films

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<v Speaker 1>in particular, I think it's very easy to either absorb

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<v Speaker 1>them through pop culture or cable viewing and just allow

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<v Speaker 1>it all to be sort of refined down to just

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<v Speaker 1>the core scares, the kills in each film, sort of

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<v Speaker 1>physical incarnation of Jason Vorhees. But there's there's a load

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<v Speaker 1>of additional funky weirdness that absolutely should not be overlooked

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<v Speaker 1>in in many, if not all, of the films. Yeah,

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<v Speaker 1>So are the Friday the Thirteenth movies good? Uh? Not? Really?

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<v Speaker 1>Are they? Are they classy? Certainly? Not that I mean

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<v Speaker 1>they I think they meet the definition of tracksh by

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<v Speaker 1>by pretty much anybody's standard. But are they kind of

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<v Speaker 1>interesting to watch and talk about, especially when you think

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<v Speaker 1>about their place in the culture. Absolutely? Yeah. I The

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<v Speaker 1>thing about the Friday the Thirteen films is that I

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<v Speaker 1>grew up hearing about them from other kids, like an

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<v Speaker 1>elementary school. Though I didn't see them, but this is

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<v Speaker 1>one of the things that was talked about. Certain kids

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<v Speaker 1>had the lore, had the knowledge, and they would share

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<v Speaker 1>with the others. And and I do remember later catching

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<v Speaker 1>parts of them on late night TV during I guess

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<v Speaker 1>late elementary early middle school. My family lived in the

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<v Speaker 1>country for part of this, very close to a large

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<v Speaker 1>lake in fact, so so frankly these films um and

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<v Speaker 1>and they were all Crystal Lake episodes installments that I

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<v Speaker 1>was catching parts of it this this time. Uh, they

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<v Speaker 1>terrified me because Jason seemed very much like this creature

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<v Speaker 1>of the woods and the wilds that could potentially emerge

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<v Speaker 1>out of the dark at any moment, in the darkness

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<v Speaker 1>surrounding my house. Oh. Absolutely, he is one of the

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<v Speaker 1>He is a nature spirit. He you know, he is

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<v Speaker 1>born or he's like radigas the brown. He's like one

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<v Speaker 1>of these figures that belongs to the trees and the critters.

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<v Speaker 1>He's kind of a he's kind of a a murderous

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<v Speaker 1>tom bomba dill Um. So you know, I think that

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<v Speaker 1>maybe the my my childhood fear or in in certainly

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<v Speaker 1>maybe apprehensions concerning this character, Uh, maybe they've led over

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<v Speaker 1>into my adult life as well, because prior to this week,

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<v Speaker 1>the only Friday the thirteenth film that had actually set

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<v Speaker 1>down and watched from beginning to end was two thousand

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<v Speaker 1>one's Jason X, which of course is awesome obviously a

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<v Speaker 1>late franchise detour, and when you you picked Jason Takes Manhattan,

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<v Speaker 1>I was like, Okay, I'm definitely gonna watch this one obviously,

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<v Speaker 1>but since this one's also kind of a a detour

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<v Speaker 1>obviously styles itself as a detour. I was like, Okay,

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<v Speaker 1>I need to watch another one as well. The Blu

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<v Speaker 1>ray disc that I rented from Video Drome here in

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<v Speaker 1>Atlanta had Part seven The New Blood on it as well,

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<v Speaker 1>so I decided to give that one to go. So

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<v Speaker 1>I watched two Friday the Thirteenth films this week in

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<v Speaker 1>preparation for this discussion. I'm gonna go ahead and say

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<v Speaker 1>that I think Part seven is a better movie than

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<v Speaker 1>the one we're talking about today, pretty much, hands down.

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<v Speaker 1>But I think Part eight is a more appropriate pick

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<v Speaker 1>because of how bizarrely it upsets the formula while still

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<v Speaker 1>being incredibly predictable. Yeah. I really enjoyed both of them. Um.

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<v Speaker 1>I mean because New Blood you have Tina, the telekinetic

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<v Speaker 1>gal um, you know, whipon butt. Uh, you know the

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<v Speaker 1>final portion of the film anyway. Um, I think there's

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<v Speaker 1>some share DNA between these two films. Uh. But while

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<v Speaker 1>the first one was definitely a Crystal Lake movie, this

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<v Speaker 1>one takes us to Manhattan and well that's that's that's

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<v Speaker 1>the cell anyway, right. It sort of does. So one

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<v Speaker 1>of the famous things about Jason takes Manhattan is. I

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<v Speaker 1>was watching it with Rachel and she had a pretty

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<v Speaker 1>good one. She said, Uh, she sometimes calls it Jason

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<v Speaker 1>takes a long time to get to Manhattan, which, yeah,

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<v Speaker 1>you could also call it Jason takes boat. This movie

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<v Speaker 1>has something in common with Eliminators, which we did I

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<v Speaker 1>don't know, maybe a month or two ago. A movie

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<v Speaker 1>that you think is gonna be about a man droid,

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<v Speaker 1>a scientist, a mercenary, a ninja out there getting in

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<v Speaker 1>fights and stuff, and they do that a little bit.

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<v Speaker 1>But really what the movie mostly is is about a boat.

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<v Speaker 1>It's about a boat going up a river. And that's

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<v Speaker 1>the same thing here. You think Jason's gonna take Manhattan,

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<v Speaker 1>he gets there in the last fifteen minutes or so.

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<v Speaker 1>The rest of the movie is a boat. Yeah, but

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<v Speaker 1>the but the last fifteen minutes or so is really strong,

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<v Speaker 1>and when we'll get to that, well, I guess the

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<v Speaker 1>secondary critique is also when he gets to Manhattan, it's

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<v Speaker 1>mostly not actually Manhattan but Vancouver. Um. Yeah, yeah, the

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<v Speaker 1>there's a lot of Canadians to this film, and certainly

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<v Speaker 1>in the cast, so that'd be fun to tell talk

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<v Speaker 1>about in a bit. But but hey, we should slow

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<v Speaker 1>down here, because first of all, I'm not an expert

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<v Speaker 1>on this genre. I've only seen the three films and

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<v Speaker 1>then bits and pieces stitched together through my my childhood

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<v Speaker 1>cable viewing UM and also the audience out here, not

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<v Speaker 1>everyone out there really knows the full history, the full

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<v Speaker 1>mythos of Jason Vorhees, Joe, can you give us a

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<v Speaker 1>a previously on Friday walk through here? Oh? Yes I can.

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<v Speaker 1>Maybe I'll start with some some general thoughts and then

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<v Speaker 1>go movie by movie. So the first thing I would

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<v Speaker 1>say is that the Friday the Thirteenth series begins as

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<v Speaker 1>a rip off of Halloween, as basically all modern slasher

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<v Speaker 1>franchises too. So you had you had John Carpenter's Halloween,

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<v Speaker 1>which is actually a great movie, but it gave rise

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<v Speaker 1>to all of these copycat series which are about a

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<v Speaker 1>guy with a mask and a knife chasing people around,

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<v Speaker 1>usually usually young attractive people who are up to no

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<v Speaker 1>good at chasing them around and killing them one by one.

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<v Speaker 1>But most of these follow up series of major differences

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<v Speaker 1>from Halloween, one of which is that they're just generally

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<v Speaker 1>not as good as filmmaking products. You know that they

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<v Speaker 1>don't have that visual flare, but Another thing is that

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<v Speaker 1>when you watch Halloween, it is a great experience of

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<v Speaker 1>of heightened suspense. You know, It's it's like you you

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<v Speaker 1>are deeply worried for the fates of the characters and

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<v Speaker 1>you want them to escape Michael Myers, you know, he's

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<v Speaker 1>chasing them around, and you're on the edge of your seat.

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<v Speaker 1>This is less the case with the series that follow

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<v Speaker 1>where I would say the tension is notably lower, and

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<v Speaker 1>I would say most audience members are far going to

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<v Speaker 1>be far less concerned about the fates of the characters

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<v Speaker 1>who Jason is chasing around. You're just not that upset

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<v Speaker 1>when Wayne in this movie gets thrown into a circuit

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<v Speaker 1>board or whatever. Yeah. I mean, that's one of the

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<v Speaker 1>hallmarks of of of the franchise, isn't it That you

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<v Speaker 1>have certain types of victims. Uh. And we see this

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<v Speaker 1>beyond Friday their Cather as well. But there are characters

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<v Speaker 1>that were clearly either supposed to morbidly want Jay and

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<v Speaker 1>to kill Um or that we're less less concerned with.

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<v Speaker 1>You know, there's some they're definitely there's definitely some fodder

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<v Speaker 1>in any of these films. There are a number of

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<v Speaker 1>kills that have to you have to sort of get

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<v Speaker 1>them out of the way, hopefully creatively, before you move

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<v Speaker 1>on to your your final girl and some of the

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<v Speaker 1>the later survivors, right, and so that's another common element

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<v Speaker 1>of these slasher movies is they will usually have a

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<v Speaker 1>main character, often referred to in the literature as the

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<v Speaker 1>final Girl, who is typically a cut above the other

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<v Speaker 1>characters in terms of virtues, Like, whereas all of the

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<v Speaker 1>other characters are kind of dumb and mean and just

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<v Speaker 1>want to want to do bad, the final girl is

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<v Speaker 1>usually presented as more virtuous in some way. Yeah yeah,

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<v Speaker 1>because you almost inevitably have the bad girl earlier on

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<v Speaker 1>who gets Yeah wait, okay, so I should actually recap

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<v Speaker 1>the movies. So warning they're going to be spoilers for

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<v Speaker 1>about seven movies. Uh in a moment here, but uh,

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<v Speaker 1>I don't, I don't. I mean, are you really that

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<v Speaker 1>concerned about what happens at the end of the Friday

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<v Speaker 1>thirteenth movies? Okay? So the first movie establishes the premise

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<v Speaker 1>you have counselors at Camp Crystal Lake. This is a

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<v Speaker 1>summer camp on a lake. The counselors are pretty much

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<v Speaker 1>as always like, uh, young good looking people who like drugs,

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<v Speaker 1>and promiscuity. So throughout the first movie, these counselors are

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<v Speaker 1>attacked and killed by an unknown assailant, somebody who's whose

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<v Speaker 1>face is hidden. But then at the very end of

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<v Speaker 1>the movie, there's kind of a twist because you get

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<v Speaker 1>a little bit of Jason lore. There are stories of

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<v Speaker 1>a boy who drowned in the lake years ago, but

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<v Speaker 1>maybe he's still out there. But at the end of

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<v Speaker 1>the movie, the killer is actually revealed to be Mrs Vorhees,

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<v Speaker 1>played by an actress named Betsy Palmer, whose son Jason

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<v Speaker 1>drowned in the lake years ago because the camp counselors

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<v Speaker 1>were partying instead of paying attention when the children were swimming,

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<v Speaker 1>and so she's on a on a psychotic quest of revenge.

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<v Speaker 1>And at the end of the movie, Mrs Vorhees is

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<v Speaker 1>b headed by the final girl. And then we also

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<v Speaker 1>get that that scene right where Jason, the child mutant

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<v Speaker 1>or zombie like jumps out of the lake and pull

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<v Speaker 1>somebody out of a boat, right like this is a

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<v Speaker 1>This is a great sequence and is frequently referenced or

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<v Speaker 1>celebrated in Isolation online. So I think it's actually been

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<v Speaker 1>a while since I've seen the first movie, but I

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<v Speaker 1>think this is presented or at least perhaps interpreted as

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<v Speaker 1>a dream or a vision. So the final girl has

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<v Speaker 1>survived the ordeal, she cuts off the killer's head, and

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<v Speaker 1>then she's like floating in a boat on the lake,

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<v Speaker 1>and then there's this horrible vision of the kid popping

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<v Speaker 1>out of the lake at her. But I don't know

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<v Speaker 1>if that's I don't think it's supposed to be taken

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<v Speaker 1>as something that literally happens. Okay, but it's still It's

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<v Speaker 1>good going into our discussion of Jason Takes Manhattan, that

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<v Speaker 1>that dreams, hallucinations, visions are part of the franchise from

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<v Speaker 1>the get go, So what what what can you do?

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<v Speaker 1>In the second movie, the killer was beheaded at the

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<v Speaker 1>end of the first one. Well, actually second movie says

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<v Speaker 1>scratch all that Jason is not head. He is now

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<v Speaker 1>a grown man, and he runs around murdering camp counselors,

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<v Speaker 1>still in his a live state, wearing a bag over

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<v Speaker 1>his head, and he worships a shrine containing his mother's

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<v Speaker 1>severed head. From the first movie. It's got like candles

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<v Speaker 1>all around it. Oh wow, I don't think I've seen

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<v Speaker 1>this one, but this all sounds really solid, even if

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<v Speaker 1>Jason has not really finalized his his headwear situation just yet.

0:12:24.480 --> 0:12:26.640
<v Speaker 1>Oh yeah, so the hockey mask is not here yet.

0:12:26.679 --> 0:12:30.080
<v Speaker 1>It's a sack sack head for this one. Um, you know,

0:12:30.120 --> 0:12:32.880
<v Speaker 1>I'm gonna say in my personal taste, like the second

0:12:32.880 --> 0:12:36.640
<v Speaker 1>and third movies, I don't know if they're silly enough

0:12:36.840 --> 0:12:40.480
<v Speaker 1>to to achieve the maximum uh fun of this series.

0:12:40.600 --> 0:12:43.760
<v Speaker 1>Yet that happens more once it gets supernatural. We're not

0:12:43.840 --> 0:12:48.200
<v Speaker 1>there yet. So third movie, Jason's back. He runs around

0:12:48.280 --> 0:12:51.040
<v Speaker 1>murdering people hanging out at Crystal Lake. Except in this

0:12:51.120 --> 0:12:53.840
<v Speaker 1>movie he trades the bag over his head for a

0:12:53.840 --> 0:12:56.800
<v Speaker 1>hockey mask, which was I believe brought along to the

0:12:56.880 --> 0:12:58.720
<v Speaker 1>lake just by one of the characters. There's just like

0:12:58.760 --> 0:13:01.880
<v Speaker 1>a joker guy who's into practical jokes and pranks and

0:13:01.920 --> 0:13:04.800
<v Speaker 1>he brings along hockey mask. Jason is like, you wink,

0:13:04.840 --> 0:13:07.480
<v Speaker 1>I will take that, and he wears it for the

0:13:07.600 --> 0:13:10.040
<v Speaker 1>entire rest of the series. Well as we do. I

0:13:10.080 --> 0:13:12.160
<v Speaker 1>think we discussed this in one of our past Halloween

0:13:12.240 --> 0:13:14.360
<v Speaker 1>episodes of Stuff to Blow your mind that, like the

0:13:14.400 --> 0:13:16.920
<v Speaker 1>hockey masks is great on so many levels because it

0:13:17.000 --> 0:13:18.920
<v Speaker 1>kind of looks like a skull. It kind of looks

0:13:18.920 --> 0:13:22.079
<v Speaker 1>like a death's head. And I don't know if you

0:13:22.240 --> 0:13:24.120
<v Speaker 1>if you know the answer to this, but I've often wondered,

0:13:24.160 --> 0:13:26.839
<v Speaker 1>like where why did they switch to the hockey mask?

0:13:27.000 --> 0:13:30.440
<v Speaker 1>Like I wonder is it a response to The Road Warrior,

0:13:30.520 --> 0:13:34.360
<v Speaker 1>which features this villain name Lord Humongous who's super beefy

0:13:34.440 --> 0:13:38.200
<v Speaker 1>and wears a hockey mask. Um. I'm also aware that

0:13:38.200 --> 0:13:41.960
<v Speaker 1>there are some horror at the end exploitation predecessors involving

0:13:42.000 --> 0:13:45.560
<v Speaker 1>hockey mask Alone in the Dark, which is very interesting

0:13:45.559 --> 0:13:47.960
<v Speaker 1>looking film came out the same year as Part three.

0:13:48.320 --> 0:13:51.680
<v Speaker 1>But then there's also a non slasher exploitation film titled

0:13:51.679 --> 0:13:55.400
<v Speaker 1>Acts of Vengeance from seventy four that incorporated a hockey mask.

0:13:56.080 --> 0:14:00.000
<v Speaker 1>So I don't personally know like where this really came from.

0:14:00.160 --> 0:14:04.000
<v Speaker 1>I don't know either, Um, no idea really all right, Well,

0:14:04.280 --> 0:14:06.880
<v Speaker 1>any of you Friday to thirteenth buffs out there, who

0:14:07.679 --> 0:14:09.960
<v Speaker 1>if you have an answer or just a theory, certainly

0:14:10.040 --> 0:14:12.120
<v Speaker 1>right in and let us know. Oh oh, and I

0:14:12.160 --> 0:14:14.600
<v Speaker 1>forgot to mention a major feature of the third movie,

0:14:14.640 --> 0:14:18.000
<v Speaker 1>which is that it is Friday Part three D, so

0:14:18.080 --> 0:14:21.720
<v Speaker 1>it's in three D and there are glorious scenes of

0:14:21.800 --> 0:14:24.840
<v Speaker 1>people like holding a coffee mug out toward the camera,

0:14:25.040 --> 0:14:29.520
<v Speaker 1>or poking a clothes line, uh pole toward the camera,

0:14:30.040 --> 0:14:33.320
<v Speaker 1>or like popcorn popping out of a pot toward the camera.

0:14:33.440 --> 0:14:37.360
<v Speaker 1>It's it's riveting stuff anyway. So, uh, third movie, I

0:14:37.400 --> 0:14:39.280
<v Speaker 1>think at the end of this the final girl hits

0:14:39.320 --> 0:14:41.440
<v Speaker 1>him in the head with an axe. So Jason, is

0:14:41.480 --> 0:14:44.240
<v Speaker 1>he dead? Well, nope, he comes back in the fourth movie.

0:14:44.800 --> 0:14:49.040
<v Speaker 1>Uh mad slasher behavior continues, but this time Jason goes

0:14:49.200 --> 0:14:52.800
<v Speaker 1>up against a character named Tommy Jarvis, a child played

0:14:52.840 --> 0:14:56.080
<v Speaker 1>by Corey Feldman who his main character trait is he

0:14:56.200 --> 0:15:00.840
<v Speaker 1>enjoys making tom Savini monster masks. That's like Bobby and

0:15:00.920 --> 0:15:03.720
<v Speaker 1>so oh, and the fourth movie also has Crispin Glover

0:15:03.800 --> 0:15:07.120
<v Speaker 1>in it. But Jason just yeah, Jason just runs around

0:15:07.400 --> 0:15:10.760
<v Speaker 1>attacking misbehaving teens. And then at the end of the movie,

0:15:10.800 --> 0:15:14.160
<v Speaker 1>Corey Feldman uh whacks him in the head with a machete.

0:15:14.200 --> 0:15:17.280
<v Speaker 1>So he's dead, Okay, dead the end, But I mean

0:15:17.320 --> 0:15:19.120
<v Speaker 1>he's been whacked in the head with an axe before,

0:15:19.200 --> 0:15:21.640
<v Speaker 1>so I don't know what's different about this time. I

0:15:21.640 --> 0:15:23.400
<v Speaker 1>guess it's that you kind of see the machete like

0:15:23.480 --> 0:15:26.880
<v Speaker 1>chop off basically an entire half of his head. Okay,

0:15:26.960 --> 0:15:30.280
<v Speaker 1>so severe blow to the brain got you. Uh. The

0:15:30.320 --> 0:15:32.920
<v Speaker 1>fifth movie, Jason seems to be back and doing his

0:15:33.000 --> 0:15:37.000
<v Speaker 1>thing once again. Uh. This this movie features the adult,

0:15:37.160 --> 0:15:39.720
<v Speaker 1>the grown up version of Corey Feldman's character from the

0:15:39.720 --> 0:15:42.520
<v Speaker 1>previous movie. This is a guy named Tommy Jarvis. Uh.

0:15:42.560 --> 0:15:46.240
<v Speaker 1>So Jason is like chasing Tommy Jarvis and his new

0:15:46.280 --> 0:15:50.000
<v Speaker 1>friends around, terrorizing them. But in the end spoiler alert,

0:15:50.600 --> 0:15:53.480
<v Speaker 1>it turns out this is a movie about a copycat killer.

0:15:53.560 --> 0:15:57.680
<v Speaker 1>There is some complete rando named Roy who dresses up

0:15:57.760 --> 0:15:59.880
<v Speaker 1>like Jason, puts on a hockey mask, and he is

0:16:00.120 --> 0:16:02.320
<v Speaker 1>killer in this movie. Okay, I don't think I've seen

0:16:02.360 --> 0:16:04.600
<v Speaker 1>anything from this one, but that sounds like a huge letdown.

0:16:04.800 --> 0:16:08.560
<v Speaker 1>I don't know. Part five is I would say very funny.

0:16:08.680 --> 0:16:10.520
<v Speaker 1>I would say of all of them, it is one

0:16:10.560 --> 0:16:16.040
<v Speaker 1>of the trashy ist It feels this one feels really grimy. Um.

0:16:16.120 --> 0:16:18.400
<v Speaker 1>But but but after the fifth one, Okay, what do

0:16:18.440 --> 0:16:21.280
<v Speaker 1>you do now? So Jason got his head chopped in half.

0:16:21.680 --> 0:16:23.840
<v Speaker 1>We already did copycat in the previous movie. How are

0:16:23.840 --> 0:16:25.560
<v Speaker 1>we going to go for a sixth one time? To

0:16:25.600 --> 0:16:30.000
<v Speaker 1>introduce magic? So in films two through four, Jason was

0:16:30.080 --> 0:16:32.480
<v Speaker 1>just a human, just a mad slasher guy who was

0:16:32.600 --> 0:16:37.040
<v Speaker 1>surprisingly resilient to counterattack. Part six, the series goes supernatural.

0:16:37.120 --> 0:16:39.520
<v Speaker 1>Jason's body rises from the grave, he puts on the

0:16:39.560 --> 0:16:43.920
<v Speaker 1>hockey mask again, and he attacks adult Tommy Jarvis. And

0:16:44.040 --> 0:16:46.680
<v Speaker 1>so this movie ends with Tommy Jarvis doing some kind

0:16:46.680 --> 0:16:49.840
<v Speaker 1>of ritual where he changed Jason to a rock at

0:16:49.840 --> 0:16:53.080
<v Speaker 1>the bottom of Crystal Lake. Problem solved. There's a scene

0:16:53.080 --> 0:16:56.320
<v Speaker 1>in this movie where Jason attacks an RV, which is

0:16:56.640 --> 0:17:01.040
<v Speaker 1>uh interesting set piece. But another thing about this is

0:17:01.200 --> 0:17:06.440
<v Speaker 1>not only does the sixth movie introduce magic into the series,

0:17:06.840 --> 0:17:09.399
<v Speaker 1>I would say the sixth movie also is the first

0:17:09.440 --> 0:17:14.560
<v Speaker 1>to introduce a palpable sense of irony. Like the sixth

0:17:14.600 --> 0:17:17.800
<v Speaker 1>one is the first one that gets directly silly and

0:17:17.920 --> 0:17:23.320
<v Speaker 1>has sort of uh jokes about itself for the viewer. Okay,

0:17:23.359 --> 0:17:26.600
<v Speaker 1>so it's become Yeah, it's become a little bit funny

0:17:26.600 --> 0:17:29.720
<v Speaker 1>and play intentionally funny in places. And now we have

0:17:29.840 --> 0:17:33.000
<v Speaker 1>Jason as a revenant. Uh So, so really, when you

0:17:33.040 --> 0:17:35.800
<v Speaker 1>say the sixth movie is where we we finally arrive

0:17:35.960 --> 0:17:39.520
<v Speaker 1>at sort of the iconic Jason, yes, I would mostly

0:17:39.560 --> 0:17:41.320
<v Speaker 1>say that, though I think it needs one more element,

0:17:41.359 --> 0:17:44.840
<v Speaker 1>which is the actor playing Jason. The canonical Jason actor

0:17:45.480 --> 0:17:48.719
<v Speaker 1>Kane Hotter, actually doesn't show up till the seventh movie

0:17:48.840 --> 0:17:51.520
<v Speaker 1>in the series. So here we are at part seven

0:17:51.600 --> 0:17:54.879
<v Speaker 1>and the premises Whoops, a girl with psychic powers accidentally

0:17:54.920 --> 0:17:58.080
<v Speaker 1>causes undead Jason to escape his chain trap at the

0:17:58.119 --> 0:18:00.960
<v Speaker 1>bottom of the lake. He once again attacks the Sinful

0:18:01.000 --> 0:18:04.080
<v Speaker 1>Youth and the lake shore vicinity, until he is defeated

0:18:04.160 --> 0:18:07.920
<v Speaker 1>by the psychic powers of the final girl in this movie, Tina,

0:18:08.000 --> 0:18:10.919
<v Speaker 1>and by the ghost of a Father's Love. And at

0:18:10.920 --> 0:18:13.480
<v Speaker 1>the end of part seven he is yanked back under

0:18:13.520 --> 0:18:18.440
<v Speaker 1>the water by by the main characters dead Dad, and

0:18:18.520 --> 0:18:20.439
<v Speaker 1>he lies waiting there at the bottom of the lake

0:18:20.520 --> 0:18:23.320
<v Speaker 1>until the beginning of part eight. This movie ruled. I

0:18:23.359 --> 0:18:26.280
<v Speaker 1>loved it, especially loved Tina. It was just an absolute

0:18:26.320 --> 0:18:29.159
<v Speaker 1>pleasure to watch her hit Jason with something like a

0:18:29.240 --> 0:18:33.440
<v Speaker 1>dozen telekinetic home alons. You know, it's like nails flying

0:18:33.520 --> 0:18:36.280
<v Speaker 1>at him, wrapping him up in something like the making

0:18:36.320 --> 0:18:39.920
<v Speaker 1>the floor open up. Just I loved everything about uh

0:18:40.200 --> 0:18:43.879
<v Speaker 1>that whole showdown. She's hitting him with like like power lines.

0:18:44.240 --> 0:18:46.359
<v Speaker 1>Part seven also has so it's the first one with

0:18:46.440 --> 0:18:49.520
<v Speaker 1>Caine Hotter. We can talk more about the Jason body

0:18:49.520 --> 0:18:53.360
<v Speaker 1>actors in a bit, but Part seven also has really

0:18:53.480 --> 0:18:58.960
<v Speaker 1>solid human villains. A couple worth mentioning are most of

0:18:58.960 --> 0:19:02.840
<v Speaker 1>these movies have a character who's like the rich, mean girl.

0:19:03.520 --> 0:19:06.200
<v Speaker 1>In Part seven it's a character I think named Melissa

0:19:06.359 --> 0:19:11.720
<v Speaker 1>who is just uh, pricelessly cruel. Uh. And then also

0:19:12.040 --> 0:19:15.280
<v Speaker 1>there is another human villain who is played by Terry Kaiser.

0:19:15.640 --> 0:19:20.520
<v Speaker 1>He is Tina's evil, scheming psychiatrist. And uh so this

0:19:20.600 --> 0:19:24.080
<v Speaker 1>is the corpse from Weekend at Bernie's. But he's like

0:19:24.400 --> 0:19:29.000
<v Speaker 1>constantly like threatening and bullying the main character. Yeah. When

0:19:29.000 --> 0:19:32.480
<v Speaker 1>you first mentioned this, I thought you were saying metaphorically

0:19:32.840 --> 0:19:35.120
<v Speaker 1>that this is the the actor that is the guy

0:19:35.160 --> 0:19:37.760
<v Speaker 1>from Weekend at Bernie's. But yeah it is. It's Terry Kaiser.

0:19:38.600 --> 0:19:42.399
<v Speaker 1>Literally the body in that movie is the evil psychiatrist here. Yeah,

0:19:42.480 --> 0:19:43.879
<v Speaker 1>and I feel like this is a great This is

0:19:43.920 --> 0:19:46.239
<v Speaker 1>always a great formula for a horror movie when you

0:19:46.240 --> 0:19:50.760
<v Speaker 1>have your true like even supernatural or just super like

0:19:50.920 --> 0:19:55.000
<v Speaker 1>super humanly um evil character, but then you have your

0:19:55.040 --> 0:19:58.200
<v Speaker 1>more like real world villain who's operating within a system,

0:19:58.920 --> 0:20:01.560
<v Speaker 1>such as this guy. Well, yeah, this could. I mean,

0:20:01.600 --> 0:20:04.280
<v Speaker 1>this is one of those movie tropes of like the

0:20:04.640 --> 0:20:08.560
<v Speaker 1>evil scientists who you know. I guess he thinks he's

0:20:08.560 --> 0:20:10.840
<v Speaker 1>finally going to get tenure if he like drives this

0:20:10.840 --> 0:20:14.359
<v Speaker 1>girl mad and and makes her like use her telekinesis

0:20:14.400 --> 0:20:19.040
<v Speaker 1>to make the house explode. Yeah, so he's great, And yeah,

0:20:19.040 --> 0:20:20.879
<v Speaker 1>I just I love Tina. I think part of the

0:20:20.880 --> 0:20:23.320
<v Speaker 1>reason I love Tina is because you have your final

0:20:23.400 --> 0:20:27.440
<v Speaker 1>girl standing up to like fully standing up to Jason

0:20:27.800 --> 0:20:30.439
<v Speaker 1>and not just like you know, weakly hitting him with

0:20:30.520 --> 0:20:32.359
<v Speaker 1>something and then not having the courage to go over

0:20:32.400 --> 0:20:35.240
<v Speaker 1>and finish him off. Like she she goes for blood,

0:20:35.520 --> 0:20:38.800
<v Speaker 1>and she she just unleashes with her brain like she's

0:20:38.840 --> 0:20:41.920
<v Speaker 1>his brain power to overcome the darkness. And then, yeah,

0:20:42.160 --> 0:20:44.199
<v Speaker 1>like there's something empowering about that, you know. It's like

0:20:44.520 --> 0:20:46.199
<v Speaker 1>it takes me back to this idea of being a

0:20:46.280 --> 0:20:49.840
<v Speaker 1>child and being scared of these things and these ideas,

0:20:49.880 --> 0:20:52.399
<v Speaker 1>but also knowing that you could scream at them, you

0:20:52.440 --> 0:20:54.399
<v Speaker 1>know that you could raise your voice and in a

0:20:54.480 --> 0:20:58.280
<v Speaker 1>sense fight them with your brain. Um. So I've seen

0:20:58.359 --> 0:21:00.600
<v Speaker 1>parts of this before, and I remember loving the part

0:21:00.640 --> 0:21:03.120
<v Speaker 1>side scene, but I had no idea that the ending

0:21:03.160 --> 0:21:04.879
<v Speaker 1>was so bonkers. I had it in my mind that

0:21:04.920 --> 0:21:07.280
<v Speaker 1>she was probably going to defeat Jason by just uh,

0:21:07.280 --> 0:21:09.679
<v Speaker 1>you know, telekinetically wrapping him up in a chain and

0:21:10.000 --> 0:21:13.000
<v Speaker 1>blasting him off the wharf, that sort of thing. But

0:21:13.280 --> 0:21:17.560
<v Speaker 1>this whole scene where she uses her powers to resurrect

0:21:17.720 --> 0:21:21.240
<v Speaker 1>the uncorrupted body of her dead father from the bottom

0:21:21.280 --> 0:21:24.240
<v Speaker 1>of Crystal Lake to drag him back into the deaths

0:21:24.960 --> 0:21:27.480
<v Speaker 1>wearing a card again, Yes, still wearing a card again.

0:21:27.920 --> 0:21:39.679
<v Speaker 1>Absolutely bonkers. I love everything about it. Yeah, you know,

0:21:39.920 --> 0:21:43.399
<v Speaker 1>you mentioned the idea of defeating Jason with your mind,

0:21:43.560 --> 0:21:46.479
<v Speaker 1>and so, uh, now that we've laid out these movies,

0:21:46.560 --> 0:21:48.960
<v Speaker 1>I feel like there is a point I was wanting

0:21:48.960 --> 0:21:52.040
<v Speaker 1>to touch on about what, like, what are these movies for?

0:21:52.320 --> 0:21:54.840
<v Speaker 1>Why were they so popular? This is something like film

0:21:54.880 --> 0:21:57.080
<v Speaker 1>critics of the nineteen eighties would write about. You can

0:21:57.119 --> 0:22:00.000
<v Speaker 1>read articles of you know, Roger Ebert and everybody else

0:22:00.600 --> 0:22:02.840
<v Speaker 1>just saying like, I don't get it. I go and

0:22:02.880 --> 0:22:05.680
<v Speaker 1>watch these movies. I review them. They're terrible, And the

0:22:05.680 --> 0:22:09.800
<v Speaker 1>theaters are just packed with teenagers who are just shrieking

0:22:09.920 --> 0:22:13.800
<v Speaker 1>with delight about these movies. And they're selling god knows

0:22:13.800 --> 0:22:16.399
<v Speaker 1>how many tickets. They're making huge amounts of money, and

0:22:16.480 --> 0:22:20.720
<v Speaker 1>the teens love these movies. What is it? They're seeing

0:22:20.760 --> 0:22:24.440
<v Speaker 1>about this garbage and and thinking about it. I think

0:22:24.600 --> 0:22:28.239
<v Speaker 1>that these movies offer something kind of different than like

0:22:28.359 --> 0:22:32.399
<v Speaker 1>a traditional like a good horror movie in the traditionally

0:22:32.480 --> 0:22:36.119
<v Speaker 1>understood since does. Like so you watch Halloween or another

0:22:36.160 --> 0:22:40.000
<v Speaker 1>good horror movie, and you're you're feeling suspense, and you

0:22:40.040 --> 0:22:43.560
<v Speaker 1>get that endorphin rush and it's like an exciting experience

0:22:43.840 --> 0:22:45.480
<v Speaker 1>and you come out of it on the other side

0:22:45.560 --> 0:22:49.440
<v Speaker 1>and you're like, WHOA, okay, uh. But in these movies,

0:22:49.640 --> 0:22:53.119
<v Speaker 1>you never really reach that peak of like high suspense.

0:22:53.200 --> 0:22:55.440
<v Speaker 1>Like just the fact that it's a movie about ludicrous,

0:22:55.480 --> 0:23:00.320
<v Speaker 1>gratuitous violence but it's not really fully scary and you

0:23:00.359 --> 0:23:03.800
<v Speaker 1>can laugh at it. I think is empowering, especially when

0:23:03.800 --> 0:23:07.119
<v Speaker 1>you're like eighteen years old. I remember having that feeling

0:23:07.160 --> 0:23:12.280
<v Speaker 1>watching these movies around that age. Yeah. Yeah, and and

0:23:12.280 --> 0:23:13.439
<v Speaker 1>I do have to say, I don't want to go

0:23:13.440 --> 0:23:15.800
<v Speaker 1>on and on about this, but but turning on the

0:23:15.880 --> 0:23:19.199
<v Speaker 1>television late at night and just finding yourself within one

0:23:19.280 --> 0:23:22.880
<v Speaker 1>of these films, having no idea, ability to double check

0:23:22.960 --> 0:23:25.359
<v Speaker 1>to see if it is a Jason movie, just just

0:23:25.359 --> 0:23:27.480
<v Speaker 1>having to go with it and then seeing if he

0:23:27.520 --> 0:23:31.520
<v Speaker 1>shows up. There was something kind of weirdly voyeuristic and

0:23:31.520 --> 0:23:35.560
<v Speaker 1>and um and haunting about that experience. Alright, So that

0:23:35.600 --> 0:23:38.000
<v Speaker 1>sets us up for up for this film. We brought

0:23:38.080 --> 0:23:41.480
<v Speaker 1>everyone up to the level of Jason Takes Manhattan. We've

0:23:41.520 --> 0:23:44.360
<v Speaker 1>put you in a position where you can follow Jason

0:23:44.400 --> 0:23:47.560
<v Speaker 1>in his attempt to take Manhattan. And that's the elevator pitch.

0:23:47.680 --> 0:23:51.160
<v Speaker 1>It's Jason takes Manhattan. What more could be possibly want

0:23:51.240 --> 0:23:54.560
<v Speaker 1>to know? All right? For our for our our trailer here.

0:23:55.040 --> 0:23:57.320
<v Speaker 1>So this is actually one where I feel like we

0:23:57.359 --> 0:23:59.920
<v Speaker 1>need to describe the trailer because it doesn't completely translate

0:24:00.119 --> 0:24:02.800
<v Speaker 1>to audio only. So I'm gonna tell you what what

0:24:02.880 --> 0:24:06.520
<v Speaker 1>you would be seeing whilst you, you know, listen to this.

0:24:06.880 --> 0:24:09.920
<v Speaker 1>So we're gonna start with some some gentle you know,

0:24:10.119 --> 0:24:13.439
<v Speaker 1>New Yorky music, saxophone playing in there we see a

0:24:13.480 --> 0:24:16.800
<v Speaker 1>figure on the waterfront, back to the camera, gazing dreamily

0:24:17.160 --> 0:24:20.840
<v Speaker 1>at the island of Manhattan, resplendent in its glittering lights.

0:24:21.400 --> 0:24:26.439
<v Speaker 1>What dreams does this figure have? Broadway, Wall Street, Love, Fame,

0:24:26.720 --> 0:24:29.200
<v Speaker 1>a morning at the met and afternoon in Central Park.

0:24:29.920 --> 0:24:32.880
<v Speaker 1>Who can say? But we zoom in closer and then

0:24:32.880 --> 0:24:37.760
<v Speaker 1>the figure turns and it's Jason Vorhees hockey mask weapon

0:24:37.800 --> 0:24:41.479
<v Speaker 1>in hand, instantly cut the various New York City folks

0:24:41.520 --> 0:24:45.159
<v Speaker 1>screaming and recoiling and terror, and then we zoom in

0:24:45.240 --> 0:24:47.960
<v Speaker 1>again on the great Hockey Mask of death and judgment.

0:24:48.280 --> 0:24:51.280
<v Speaker 1>We got the camera goes into the dark eye of

0:24:51.359 --> 0:24:55.080
<v Speaker 1>the mask, and we get the title card Jason Takes Manhattan,

0:24:55.200 --> 0:24:58.400
<v Speaker 1>and some great voiceover from the voice of God himself,

0:24:58.600 --> 0:25:11.439
<v Speaker 1>Don Lafontaine Friday that the party Jason Takes Manhattan, now

0:25:12.040 --> 0:25:16.200
<v Speaker 1>New York has a new problem. It's great. You see,

0:25:16.240 --> 0:25:18.240
<v Speaker 1>like I think at one point you see somebody who

0:25:18.280 --> 0:25:21.399
<v Speaker 1>reads as a hot dog vendor, like throwing hot dogs

0:25:21.480 --> 0:25:23.960
<v Speaker 1>up in the air and terror, and I remembering that, right,

0:25:24.200 --> 0:25:26.119
<v Speaker 1>I think, so, yeah, it's a bunch of like like

0:25:26.200 --> 0:25:29.400
<v Speaker 1>you know, Jason p o V stuff, But it's great.

0:25:29.400 --> 0:25:32.879
<v Speaker 1>It's essentially just a teaser trailer, but it absolutely tells

0:25:32.880 --> 0:25:34.800
<v Speaker 1>you everything you need to know. You know. Also, in

0:25:34.880 --> 0:25:36.840
<v Speaker 1>terms of marketing for the movie, have you ever seen

0:25:36.880 --> 0:25:40.760
<v Speaker 1>that clip of Jason Vorhees as the guest on the

0:25:40.840 --> 0:25:45.120
<v Speaker 1>Arsenio Hall Show. Yes, it's it's really good. I think

0:25:45.119 --> 0:25:47.800
<v Speaker 1>it was promoting this movie right for Jason Takes Manhattan,

0:25:47.840 --> 0:25:50.920
<v Speaker 1>I believe so, yes, yeah, uh, and so it's not

0:25:51.040 --> 0:25:54.480
<v Speaker 1>like Kane Hotter as himself as the actor. Jason Vorhees

0:25:54.560 --> 0:25:58.199
<v Speaker 1>in character is the guest. Uh. And again again, I

0:25:58.240 --> 0:26:02.640
<v Speaker 1>think this speaks to like the surprisingly like mainstream level

0:26:02.680 --> 0:26:05.719
<v Speaker 1>popularity of these movies that like Jason would be booked

0:26:05.760 --> 0:26:09.320
<v Speaker 1>as a like late night talk show guest. But the

0:26:09.359 --> 0:26:12.640
<v Speaker 1>clip is worth looking up. Arsenio just like asks him questions.

0:26:12.680 --> 0:26:15.000
<v Speaker 1>I think he asks him like, why are you so angry?

0:26:15.040 --> 0:26:17.560
<v Speaker 1>And Jason of course says nothing in response. He just

0:26:17.600 --> 0:26:21.040
<v Speaker 1>sits in the chair holding an axe. Well, that is

0:26:21.080 --> 0:26:23.479
<v Speaker 1>a question to ask in a bit is Jason angry?

0:26:23.680 --> 0:26:26.800
<v Speaker 1>Is this even an appropriate question? Arsenio? I think that

0:26:26.920 --> 0:26:30.240
<v Speaker 1>varies by movie. All right, let's get into the humans

0:26:30.240 --> 0:26:32.840
<v Speaker 1>behind this thing. First of all, the director and writer

0:26:33.280 --> 0:26:37.639
<v Speaker 1>Rob Heddon born nineteen fifty four American director making his

0:26:37.720 --> 0:26:42.440
<v Speaker 1>feature film debut here, following a documentary about Terry Gilliams

0:26:42.440 --> 0:26:48.200
<v Speaker 1>Brazil and various episodes of Alfred Hitchcock Presents mcgiver and

0:26:49.040 --> 0:26:52.560
<v Speaker 1>weirdly enough, Friday thirteenth the series. Uh. Some listeners have

0:26:52.800 --> 0:26:55.560
<v Speaker 1>recommended this series to us. By the way, now, Friday

0:26:55.600 --> 0:26:58.560
<v Speaker 1>the thirteenth of the TV series was not about Jason

0:26:58.640 --> 0:27:02.919
<v Speaker 1>vores about what it was about, like an antique shop

0:27:03.000 --> 0:27:05.560
<v Speaker 1>that's old cursed items or something. Yeah, and they had

0:27:05.560 --> 0:27:08.800
<v Speaker 1>to go like reclaim them. It was episodic, but I

0:27:08.840 --> 0:27:11.520
<v Speaker 1>don't think I've ever actually watched an episode in full.

0:27:12.520 --> 0:27:15.720
<v Speaker 1>But it's it's its memory serves. It's very Canadian and

0:27:15.800 --> 0:27:18.399
<v Speaker 1>David Cronenberg directed one episode of it. You know, I

0:27:18.480 --> 0:27:20.920
<v Speaker 1>keep saying this, but someday on Weird House, We're gonna

0:27:20.920 --> 0:27:24.359
<v Speaker 1>have to come around to the TV show Freddie's Nightmares,

0:27:24.560 --> 0:27:29.160
<v Speaker 1>which was an episodic TV series not about Freddy Krueger,

0:27:29.280 --> 0:27:32.280
<v Speaker 1>but like hosted by Freddy Krueger, like they returned to

0:27:32.320 --> 0:27:35.760
<v Speaker 1>turn into the crypt Keeper. Yeah, yeah, I mean he's

0:27:35.760 --> 0:27:38.640
<v Speaker 1>a perfect I don't remember when it came out. Weirdly,

0:27:38.680 --> 0:27:40.399
<v Speaker 1>I wasn't a big Nightmare fan, and I was a

0:27:40.400 --> 0:27:43.000
<v Speaker 1>little afraid of those films too, But I was all

0:27:43.040 --> 0:27:45.200
<v Speaker 1>in on Freddie's Nightmares, you know, because here it was

0:27:45.200 --> 0:27:47.919
<v Speaker 1>was on TV. It was episodic, Uh you know, I

0:27:47.920 --> 0:27:50.120
<v Speaker 1>mean it was an it was an anthology series rather

0:27:50.560 --> 0:27:53.040
<v Speaker 1>and uh, and it also seemed like a great gig

0:27:53.080 --> 0:27:56.240
<v Speaker 1>for for Freddie, Like he's basically the crypt Keeper already

0:27:56.240 --> 0:27:59.040
<v Speaker 1>at that point. Uh. I don't understand why I didn't

0:27:59.040 --> 0:28:04.000
<v Speaker 1>go a million season Anyway, Rob Headen heading here, he's

0:28:04.080 --> 0:28:08.120
<v Speaker 1>he's mostly done TV and TV movies since Manhattan, including

0:28:08.240 --> 0:28:12.480
<v Speaker 1>Night Ride two thousand from the year and the movie

0:28:12.520 --> 0:28:15.880
<v Speaker 1>Alien Fury Countdown to Invasion from the Year two thousand,

0:28:16.000 --> 0:28:18.600
<v Speaker 1>which has one of the most boring movie posters I've

0:28:18.640 --> 0:28:23.959
<v Speaker 1>ever seen. So the director here, I think he's been

0:28:23.960 --> 0:28:26.480
<v Speaker 1>given a fair amount of grief over this film, but

0:28:26.560 --> 0:28:28.720
<v Speaker 1>some folks love that. It's kind of interesting to see

0:28:28.760 --> 0:28:31.399
<v Speaker 1>the see how polarized the reaction was, like, for instance,

0:28:31.440 --> 0:28:34.680
<v Speaker 1>just looking at some some of the major like critics

0:28:34.680 --> 0:28:36.920
<v Speaker 1>and commentators that I tend to look at. I don't

0:28:36.920 --> 0:28:40.080
<v Speaker 1>know what Ebert thought of it, but Leonard Malton loved it.

0:28:40.120 --> 0:28:42.800
<v Speaker 1>I think he thought it was the best one yet. Meanwhile,

0:28:43.160 --> 0:28:47.880
<v Speaker 1>Michael Weldon Plectronic Film Chronicler, Uh, he's at least back

0:28:47.920 --> 0:28:49.600
<v Speaker 1>in the day. I don't know if his thoughts changed,

0:28:49.600 --> 0:28:51.480
<v Speaker 1>but he seemed to think this film was the worst

0:28:51.560 --> 0:28:54.880
<v Speaker 1>yet it was just a downward trajectory. So like, they

0:28:54.920 --> 0:28:58.960
<v Speaker 1>couldn't be more opposite in their evaluation of this film.

0:28:59.200 --> 0:29:02.000
<v Speaker 1>And I went into an expecting a disappointing step down

0:29:02.040 --> 0:29:04.280
<v Speaker 1>from New Blood because like Fresh on the Heels of

0:29:04.320 --> 0:29:06.720
<v Speaker 1>new Blood, new Blood was so good, but I was

0:29:06.760 --> 0:29:10.720
<v Speaker 1>still richly entertained throughout Jason Takes Manhattan. Yeah, it's difficult

0:29:10.760 --> 0:29:13.719
<v Speaker 1>to like, what is the scale or standard you're supposed

0:29:13.760 --> 0:29:17.520
<v Speaker 1>to use when judging how good a fridayte movie is.

0:29:18.160 --> 0:29:20.680
<v Speaker 1>I mean, none of these movies are what you would

0:29:20.720 --> 0:29:22.920
<v Speaker 1>think of as quote good. I would say maybe the

0:29:23.000 --> 0:29:25.760
<v Speaker 1>closest to that is like the first one, which you

0:29:25.800 --> 0:29:29.960
<v Speaker 1>could say, uh, sort of comes close to working as

0:29:30.000 --> 0:29:33.120
<v Speaker 1>an actual like suspense horror film. But the other ones

0:29:33.240 --> 0:29:35.959
<v Speaker 1>they clearly you know, they're extremely popular, they have some

0:29:36.040 --> 0:29:39.680
<v Speaker 1>kind of powerful entertainment value, So I would rank it

0:29:39.720 --> 0:29:43.720
<v Speaker 1>on like, um, just like how pleasurable is the experience

0:29:43.720 --> 0:29:46.440
<v Speaker 1>of watching it, regardless of what you might mark as

0:29:46.480 --> 0:29:49.680
<v Speaker 1>the I don't know a normal esthetic criteria by which

0:29:49.680 --> 0:29:54.560
<v Speaker 1>you would evaluate an act of storytelling or filmmaking. Yeah,

0:29:54.680 --> 0:29:57.000
<v Speaker 1>it's also interesting when you're doing with the franchise like

0:29:57.080 --> 0:30:00.320
<v Speaker 1>this that's that ends up going so long, you know,

0:30:00.360 --> 0:30:04.520
<v Speaker 1>for so long, and also has a lot of ups

0:30:04.520 --> 0:30:07.840
<v Speaker 1>and downs and changes film to film. Like really, off

0:30:07.880 --> 0:30:10.080
<v Speaker 1>the top of my head, there are very few things

0:30:10.120 --> 0:30:13.360
<v Speaker 1>I can compare it too, because like do Halloween films

0:30:13.400 --> 0:30:16.520
<v Speaker 1>really differ all that much, except for, of course the

0:30:16.520 --> 0:30:19.480
<v Speaker 1>brilliant Halloween three, which went off in a different direction.

0:30:20.040 --> 0:30:22.479
<v Speaker 1>Um wellt's think the first and the third one are

0:30:22.600 --> 0:30:25.120
<v Speaker 1>very different than all the others. Yeah, and then there's

0:30:25.120 --> 0:30:26.920
<v Speaker 1>a lot of a lot of sameness. Uh, you know

0:30:27.000 --> 0:30:30.280
<v Speaker 1>other franchises. It's about telling a cohesive story, like say,

0:30:30.360 --> 0:30:33.400
<v Speaker 1>you know Harry Potter films, which you know all are

0:30:33.640 --> 0:30:35.880
<v Speaker 1>within the same visual universe for the most part, and

0:30:36.000 --> 0:30:38.120
<v Speaker 1>or you know very much I set on the finish line,

0:30:38.320 --> 0:30:39.720
<v Speaker 1>like the only thing I can really think of to

0:30:39.720 --> 0:30:42.640
<v Speaker 1>compare it to would be James Bond films, where you know,

0:30:42.760 --> 0:30:46.040
<v Speaker 1>you're you're changing things up, You're you're moving to to

0:30:46.640 --> 0:30:49.800
<v Speaker 1>cash in on this trend, trying to go with the times, like, oh,

0:30:49.880 --> 0:30:52.440
<v Speaker 1>nobody's going to see Bond anymore. We better make it weirder,

0:30:52.920 --> 0:30:56.000
<v Speaker 1>um or send him to space. 'll send him to space.

0:30:56.000 --> 0:30:58.240
<v Speaker 1>And then like, oh, it's our Bond films. They got

0:30:58.280 --> 0:31:01.280
<v Speaker 1>too weird and too funny. Let's make it depressing again.

0:31:01.960 --> 0:31:06.720
<v Speaker 1>That's sort of thing. That's a very good comparison. I

0:31:07.120 --> 0:31:08.680
<v Speaker 1>don't think I would have thought of that, but that

0:31:08.680 --> 0:31:13.120
<v Speaker 1>that absolutely works. Jason and James Bond like iconic main characters,

0:31:13.840 --> 0:31:19.720
<v Speaker 1>very lucrative franchises of widely varying aesthetics and qualities from

0:31:19.720 --> 0:31:23.440
<v Speaker 1>film to film. Uh, though it's also very formulaic movies,

0:31:23.480 --> 0:31:25.520
<v Speaker 1>like you know all the beats that are gonna happen,

0:31:25.600 --> 0:31:28.000
<v Speaker 1>you know what the stock characters you're going to encounter.

0:31:28.080 --> 0:31:30.720
<v Speaker 1>Our's just a question of, like what is the sort

0:31:30.720 --> 0:31:35.040
<v Speaker 1>of slight dash of individual flavor introduced within those stock

0:31:35.120 --> 0:31:38.800
<v Speaker 1>characters each time? Uh? Yeah, yeah, I think that parallel

0:31:38.960 --> 0:31:42.280
<v Speaker 1>totally works. And so who is the Ian Fleming of

0:31:42.320 --> 0:31:47.480
<v Speaker 1>the Jason Vorhees universe. It's Victor Miller Born. Miller had

0:31:47.520 --> 0:31:49.400
<v Speaker 1>nothing to do with this film, but he wrote the

0:31:49.440 --> 0:31:52.840
<v Speaker 1>screenplay for the original Friday the thirteenth and nineteen eighty

0:31:53.000 --> 0:31:56.520
<v Speaker 1>and created the character Jason Vorhees, or at least the

0:31:56.600 --> 0:31:59.239
<v Speaker 1>sort of proto Jason Vorhees that would evolve into what

0:31:59.280 --> 0:32:02.400
<v Speaker 1>we have in this film. I think there are I

0:32:02.400 --> 0:32:04.520
<v Speaker 1>don't know to what extent they're ongoing, but there have

0:32:04.600 --> 0:32:08.120
<v Speaker 1>been recent major legal disputes over the the i p

0:32:08.360 --> 0:32:12.080
<v Speaker 1>of Jason, like who runs the character of Jason. Okay, well,

0:32:12.160 --> 0:32:16.320
<v Speaker 1>we'll look to the legal literature for the for the

0:32:16.440 --> 0:32:19.240
<v Speaker 1>legal answer on this, but he did write the screenplay

0:32:19.280 --> 0:32:21.680
<v Speaker 1>for the first film. Well, let's let's go to Jason, though,

0:32:21.720 --> 0:32:25.160
<v Speaker 1>because I mean as Jason takes Manhattan. His name is

0:32:25.160 --> 0:32:28.440
<v Speaker 1>in the title. Um. Who plays Jason in this? It's

0:32:28.520 --> 0:32:32.760
<v Speaker 1>Kine Hotter born nineteen fifty five, stunt man turned stunt

0:32:32.760 --> 0:32:36.320
<v Speaker 1>coordinator and actor with stunt and acting credits going back

0:32:36.360 --> 0:32:38.560
<v Speaker 1>into the nineteen seventies or at least like the late

0:32:38.640 --> 0:32:42.520
<v Speaker 1>nineteen seventies. Survived some severe upper body burns from a

0:32:42.560 --> 0:32:45.920
<v Speaker 1>fire stunt accident early in his career. Didn't start playing

0:32:46.000 --> 0:32:49.239
<v Speaker 1>Jason like we mentioned tell new Blood in, but then

0:32:49.280 --> 0:32:52.800
<v Speaker 1>subsequently appeared as him in three more Jason movies. But

0:32:52.840 --> 0:32:55.160
<v Speaker 1>before new Blood he had appeared as an actor in

0:32:55.200 --> 0:32:58.760
<v Speaker 1>such films as House to Alligator, in which he played

0:32:58.880 --> 0:33:02.320
<v Speaker 1>the alligator. On did Um he seems to have done

0:33:02.360 --> 0:33:05.040
<v Speaker 1>some stunt work and The Hills Have Eyes Part two,

0:33:05.360 --> 0:33:08.440
<v Speaker 1>and he also he got to play leather face. We've

0:33:08.440 --> 0:33:12.480
<v Speaker 1>got to do leatherface stunt work for Texas Chainsaw Massacre three.

0:33:12.920 --> 0:33:15.440
<v Speaker 1>And he technically it's a kind of a technicality, but

0:33:15.480 --> 0:33:18.360
<v Speaker 1>he played Freddie Krueger's gloved hand at the end of

0:33:18.480 --> 0:33:21.400
<v Speaker 1>Jason Goes to Hell. Oh Man for the person who

0:33:21.480 --> 0:33:24.760
<v Speaker 1>said part eight was the one we're talking about today

0:33:24.800 --> 0:33:27.040
<v Speaker 1>is the worst of the Friday series that they just

0:33:27.120 --> 0:33:29.480
<v Speaker 1>had to wait until the next movie, because Jason Goes

0:33:29.520 --> 0:33:32.280
<v Speaker 1>to Hell is part nine of the series, and I

0:33:32.320 --> 0:33:36.760
<v Speaker 1>think it is essentially unquestionable that that is the worst

0:33:36.800 --> 0:33:39.160
<v Speaker 1>film in the series, and not only that, one of

0:33:39.160 --> 0:33:42.200
<v Speaker 1>the worst movies I've ever seen. I remember the trailer

0:33:42.240 --> 0:33:44.440
<v Speaker 1>for it where I was like, finally we've had enough

0:33:44.440 --> 0:33:47.680
<v Speaker 1>of this Jason. A bounty team or you know, I

0:33:47.720 --> 0:33:50.880
<v Speaker 1>don't know, a swat team is going to take him out. Yeah,

0:33:50.880 --> 0:33:52.800
<v Speaker 1>it does have that movie does have a good bounty

0:33:52.920 --> 0:33:55.480
<v Speaker 1>hunter in it, but it is long. Sections of it

0:33:55.560 --> 0:33:58.640
<v Speaker 1>are just unwatchable. I think I've really only made it

0:33:58.680 --> 0:34:00.960
<v Speaker 1>through that movie one time. I think I've tried to

0:34:01.000 --> 0:34:03.840
<v Speaker 1>rewatch it from friends and we like stopped and he

0:34:03.880 --> 0:34:05.640
<v Speaker 1>doesn't even go to Hell, right, That's the thing that

0:34:06.960 --> 0:34:08.920
<v Speaker 1>arguable at the end of the movie. I think maybe

0:34:08.920 --> 0:34:11.240
<v Speaker 1>that's the idea of pulling the mask down into the ground.

0:34:11.280 --> 0:34:13.640
<v Speaker 1>You know, Freddie's hand comes up and pulls the mask down,

0:34:13.680 --> 0:34:15.879
<v Speaker 1>so it's like he is being pulled down to Hell

0:34:15.960 --> 0:34:20.560
<v Speaker 1>because Hell is underground. It's down there now. Kane Hodder's

0:34:20.600 --> 0:34:24.480
<v Speaker 1>portrayal of Jason is interesting because he's I think he

0:34:24.600 --> 0:34:28.160
<v Speaker 1>is considered by most Friday thirteen fans to be the

0:34:28.440 --> 0:34:32.719
<v Speaker 1>definitive Jason, Like, if there is a canonical Jason actor,

0:34:32.800 --> 0:34:35.239
<v Speaker 1>it's him. And yet he doesn't show up until the

0:34:35.400 --> 0:34:39.640
<v Speaker 1>seventh movie in the series. And again today's movie is

0:34:39.680 --> 0:34:42.239
<v Speaker 1>the eight, so this is only the second one he

0:34:42.360 --> 0:34:45.480
<v Speaker 1>was in. And uh and according to a making of

0:34:45.640 --> 0:34:48.680
<v Speaker 1>documentary I remember watching, he said at some point that

0:34:48.719 --> 0:34:51.560
<v Speaker 1>they originally weren't even planning on having him return because

0:34:51.600 --> 0:34:53.640
<v Speaker 1>they didn't know if he had any interest in doing it.

0:34:53.840 --> 0:34:57.320
<v Speaker 1>He had to actively like contact the producers and seek

0:34:57.320 --> 0:35:01.320
<v Speaker 1>out the opportunity to to play the part again. But anyway,

0:35:01.400 --> 0:35:04.319
<v Speaker 1>so you know, each actor to play Jason brings his

0:35:04.360 --> 0:35:07.880
<v Speaker 1>own flavor to the role. Jason never speaks, always totally silent,

0:35:08.239 --> 0:35:11.800
<v Speaker 1>so it's all in the body language. So some play Jason,

0:35:11.880 --> 0:35:15.479
<v Speaker 1>especially earlier on in like parts like three and four,

0:35:16.000 --> 0:35:20.200
<v Speaker 1>they play Jason is more kind of erratic, manic and unpredictable.

0:35:20.320 --> 0:35:24.000
<v Speaker 1>Uh and and later Jason's I think usually tend to

0:35:24.040 --> 0:35:28.680
<v Speaker 1>be more subdued in their motions. Kane Hodters Jason, in particular,

0:35:29.239 --> 0:35:31.359
<v Speaker 1>moves in a way that I would characterize as sort

0:35:31.400 --> 0:35:35.160
<v Speaker 1>of like a d personalized like removing a lot of

0:35:35.200 --> 0:35:40.399
<v Speaker 1>personality on purpose. There is a wrote smoothness and efficiency

0:35:40.520 --> 0:35:43.719
<v Speaker 1>to his movement that makes his Jason feel almost like

0:35:43.760 --> 0:35:48.480
<v Speaker 1>a robot or like a disembodied physical process, like to

0:35:48.560 --> 0:35:52.799
<v Speaker 1>the extent that this later Jason Vorhees is a person um.

0:35:52.920 --> 0:35:55.320
<v Speaker 1>Something about the body language makes it feel like, Okay,

0:35:55.360 --> 0:35:58.359
<v Speaker 1>he is not an evil murderer. This is more kind

0:35:58.360 --> 0:36:02.080
<v Speaker 1>of strictly business not personal. Uh you know, he's not

0:36:02.160 --> 0:36:06.200
<v Speaker 1>the mad slasher. He is a professional executioner doing his job.

0:36:06.280 --> 0:36:11.320
<v Speaker 1>He's at work. Yeah. Yeah. The body language here is great.

0:36:11.400 --> 0:36:13.440
<v Speaker 1>And in both of these films, which again both of

0:36:13.480 --> 0:36:17.520
<v Speaker 1>these have Kane as as Jason, and uh yeah, there's

0:36:17.520 --> 0:36:19.920
<v Speaker 1>so many nice little touches. I like it when Jason

0:36:20.000 --> 0:36:24.120
<v Speaker 1>is problem solving or and or determining how to kill somebody.

0:36:24.120 --> 0:36:25.760
<v Speaker 1>I guess that's one of the main problems he solved.

0:36:25.800 --> 0:36:27.960
<v Speaker 1>That's what he's good at. But sometimes he'll do that

0:36:28.080 --> 0:36:31.759
<v Speaker 1>head turn like a dog thinking about something, which is

0:36:31.960 --> 0:36:35.440
<v Speaker 1>quite effective. It gives you a sense of the the

0:36:35.719 --> 0:36:38.759
<v Speaker 1>the lethal wheels turning inside the head. There I gotta say,

0:36:38.760 --> 0:36:41.600
<v Speaker 1>the masked killer head turning beat that shows up in

0:36:41.640 --> 0:36:44.400
<v Speaker 1>a lot of movies, but that actually happens in the

0:36:44.400 --> 0:36:46.959
<v Speaker 1>original Halloween, And I wonder if it all traces back

0:36:46.960 --> 0:36:49.680
<v Speaker 1>to that they're all just copying Michael Myers, Like he

0:36:49.960 --> 0:36:53.360
<v Speaker 1>uh PJ Soul's boyfriend, Remember he like stabs him against

0:36:53.360 --> 0:36:55.160
<v Speaker 1>a wall and then he kind of turns his head

0:36:55.200 --> 0:37:00.600
<v Speaker 1>at him. Interesting, um so, but maybe another movies earlier,

0:37:00.600 --> 0:37:03.360
<v Speaker 1>I don't know. Okay, Well, uh, I try not to

0:37:03.400 --> 0:37:05.879
<v Speaker 1>get deeply invested in arguments over which actor has best

0:37:05.920 --> 0:37:09.040
<v Speaker 1>at any of these various horror franchise roles. But yeah,

0:37:09.040 --> 0:37:11.279
<v Speaker 1>I think Kine's work is great in this. He has

0:37:11.320 --> 0:37:15.400
<v Speaker 1>that that that's subdued physicality, like you mentioned. But I

0:37:15.440 --> 0:37:17.919
<v Speaker 1>also think his basic body shape and high are great

0:37:17.960 --> 0:37:22.319
<v Speaker 1>for the party six four thickly built, and I think

0:37:22.360 --> 0:37:23.960
<v Speaker 1>we really have to give a lot of credit to

0:37:23.960 --> 0:37:26.759
<v Speaker 1>the man's skull shape and size as well, Like there

0:37:26.960 --> 0:37:30.440
<v Speaker 1>you see so many shots of the back of Jason's

0:37:30.480 --> 0:37:34.280
<v Speaker 1>head and um and granted there's you know, decay makeup

0:37:34.360 --> 0:37:36.640
<v Speaker 1>going on there as well, because he's fully a revenant

0:37:36.640 --> 0:37:40.480
<v Speaker 1>at this point. But uh yeah, Kane Kane Holder has

0:37:40.480 --> 0:37:44.120
<v Speaker 1>that has that just fabulous skull shape, like it's undeniable.

0:37:44.280 --> 0:37:46.600
<v Speaker 1>You can tell it's his skull under there, And when

0:37:46.640 --> 0:37:49.920
<v Speaker 1>you see pictures of him out of the makeup, you're

0:37:49.960 --> 0:37:52.799
<v Speaker 1>still like, that's Jason Vorhees his skull. I can tell.

0:37:53.520 --> 0:37:55.840
<v Speaker 1>I've never had that thought, but okay, I see what

0:37:55.840 --> 0:38:01.359
<v Speaker 1>you're saying. It should you know, in the future, I

0:38:01.400 --> 0:38:04.160
<v Speaker 1>hope that that this goal will be preserved so that

0:38:04.239 --> 0:38:15.600
<v Speaker 1>we can all continue to to admire it. All right,

0:38:15.719 --> 0:38:18.440
<v Speaker 1>let's let's get into the rest of the cast here. Um.

0:38:18.520 --> 0:38:20.880
<v Speaker 1>First of all, we have our final girl. This is

0:38:21.000 --> 0:38:26.840
<v Speaker 1>Renny played by Jansen Daggett born nineteen nine and like,

0:38:27.000 --> 0:38:30.280
<v Speaker 1>Renny's no Tina, So she doesn't have telekinetic and psychic powers,

0:38:30.360 --> 0:38:32.960
<v Speaker 1>but she does have a kind of a spooky spirit

0:38:33.040 --> 0:38:37.920
<v Speaker 1>connection with Jason and keeps experiencing terrifying hallucinations. So in

0:38:38.040 --> 0:38:39.640
<v Speaker 1>a way you could see some you can see some

0:38:39.719 --> 0:38:43.560
<v Speaker 1>connections between Tina and Renny here. The actor dagg It

0:38:43.800 --> 0:38:46.120
<v Speaker 1>was also in a major league Back to the Miners,

0:38:46.440 --> 0:38:50.280
<v Speaker 1>the TV movie Project Alf, and she appeared on various

0:38:50.360 --> 0:38:53.960
<v Speaker 1>TV shows including Home Improvement. Uh, She's so, she's no Tina,

0:38:54.040 --> 0:38:57.480
<v Speaker 1>She's no large Park Lincoln. But she's good and this

0:38:57.640 --> 0:38:59.920
<v Speaker 1>was her first acting credit anyway, So like, I mean,

0:39:00.000 --> 0:39:03.239
<v Speaker 1>it's pretty great if you think of it along those lines. Now,

0:39:03.360 --> 0:39:06.040
<v Speaker 1>I think this movie was trying to recreate some of

0:39:06.080 --> 0:39:10.200
<v Speaker 1>the dynamic of having like an older male human villain,

0:39:10.520 --> 0:39:13.200
<v Speaker 1>like like Terry Kaiser in the previous movie, but in

0:39:13.320 --> 0:39:16.560
<v Speaker 1>this one, it's the school principal who is just a

0:39:17.040 --> 0:39:22.520
<v Speaker 1>strict mean man. Yes. Uh, Charles McCullough played by Peter

0:39:22.760 --> 0:39:25.719
<v Speaker 1>Mark Richmond, who really had like he just feels in

0:39:25.800 --> 0:39:29.960
<v Speaker 1>this movie like a walking talking uh CBS movie of

0:39:30.000 --> 0:39:33.239
<v Speaker 1>the Week or something. Um, he's pretty great. He was

0:39:33.320 --> 0:39:38.719
<v Speaker 1>born died in Um. Yeah, it definitely plays our our

0:39:39.200 --> 0:39:42.080
<v Speaker 1>human sub villain and uh and it's it's actually kind

0:39:42.080 --> 0:39:44.320
<v Speaker 1>of nicely put together his character because at first he

0:39:44.400 --> 0:39:46.959
<v Speaker 1>seems like just sort of the you know, the stick

0:39:47.000 --> 0:39:49.520
<v Speaker 1>in the mud authority figure. But then we learn more

0:39:49.560 --> 0:39:51.279
<v Speaker 1>and more about him and we're like, okay, yeah, he's

0:39:51.360 --> 0:39:56.320
<v Speaker 1>he's he's even worse. Um, but uh. Peter Mark Richmond

0:39:56.400 --> 0:39:58.640
<v Speaker 1>was a veteran actor of TV and screen. Some of

0:39:58.719 --> 0:40:02.239
<v Speaker 1>his bigger credits included nineteen sixties six is agent for

0:40:02.400 --> 0:40:07.560
<v Speaker 1>harm TV's Dynasty in the eighties and pretty much anything

0:40:07.600 --> 0:40:10.520
<v Speaker 1>you name from this time period, from the decades in

0:40:10.560 --> 0:40:12.960
<v Speaker 1>which he was active. He even pops up on the

0:40:13.080 --> 0:40:16.759
<v Speaker 1>original Twilight Zone in an episode titled The Fear from

0:40:16.840 --> 0:40:20.360
<v Speaker 1>nineteen sixty four, and he was also on Alfred Hitchcock Presents.

0:40:21.360 --> 0:40:24.080
<v Speaker 1>All right, then we have some of the other Basically

0:40:24.120 --> 0:40:26.480
<v Speaker 1>we're into the victims for most of the other characters

0:40:26.520 --> 0:40:30.439
<v Speaker 1>we're gonna mention here. We have Sean Robertson. I guess

0:40:30.520 --> 0:40:33.040
<v Speaker 1>he's he's sort of the boyfriend, the good the good guy.

0:40:33.560 --> 0:40:36.920
<v Speaker 1>He is the final girl's boyfriend, the character who in

0:40:37.080 --> 0:40:40.200
<v Speaker 1>part seven, this was the guy who was the quote

0:40:40.200 --> 0:40:44.480
<v Speaker 1>teenager who was like thirty five years old. Yeah, that's

0:40:44.480 --> 0:40:47.600
<v Speaker 1>another thing I love about these films, like like old teens.

0:40:48.000 --> 0:40:50.080
<v Speaker 1>It's maybe not as pronounced as some of the like

0:40:50.239 --> 0:40:54.160
<v Speaker 1>nineteen fifties movies, which really pushed the boundaries of what

0:40:54.320 --> 0:40:56.960
<v Speaker 1>you could buy as a teenager on the screen. But yeah,

0:40:57.000 --> 0:40:59.800
<v Speaker 1>there are plenty of folks in this movie and and

0:41:00.000 --> 0:41:02.319
<v Speaker 1>in New Blood where you're like, these are teenagers. These

0:41:02.440 --> 0:41:04.239
<v Speaker 1>these people were at least in their late twenties, if not.

0:41:04.280 --> 0:41:07.760
<v Speaker 1>These these movies are full of people who are supposed

0:41:07.760 --> 0:41:11.200
<v Speaker 1>to be eighteen, but they're actually thirty two. In a

0:41:11.320 --> 0:41:14.360
<v Speaker 1>weird way. That also kind of sanitized the whole process

0:41:14.400 --> 0:41:17.120
<v Speaker 1>of watching them all killed, because it's like, these aren't

0:41:17.160 --> 0:41:20.600
<v Speaker 1>really teenagers. These these are grown people. Not to say

0:41:20.680 --> 0:41:22.279
<v Speaker 1>that teenagers are not growing, you know what I mean,

0:41:22.360 --> 0:41:27.120
<v Speaker 1>though these are actors. Yeah, I agree it it makes

0:41:27.200 --> 0:41:30.600
<v Speaker 1>the movies better, It makes them easier to enjoy. Uh,

0:41:31.040 --> 0:41:33.560
<v Speaker 1>it adds to the layer of absurdity, but it also

0:41:33.960 --> 0:41:36.399
<v Speaker 1>uh yeah, yeah, you don't have to feel as bad.

0:41:36.880 --> 0:41:39.440
<v Speaker 1>So the actor here, Reeves had a long run on

0:41:39.480 --> 0:41:41.840
<v Speaker 1>such TV shows as General Hospital, The Young and the

0:41:41.920 --> 0:41:45.759
<v Speaker 1>Restless in Nashville, Born in n and I believe still active. Um,

0:41:45.960 --> 0:41:48.120
<v Speaker 1>we'll get back to more victims here in just a second.

0:41:48.239 --> 0:41:53.000
<v Speaker 1>But we have a wonderful crazy deck Hand and um

0:41:53.440 --> 0:41:56.719
<v Speaker 1>and and doom speaker in this Uh he's credited as

0:41:56.840 --> 0:41:59.279
<v Speaker 1>deck Hand. Oh okay, he doesn't have a name. No,

0:41:59.600 --> 0:42:02.759
<v Speaker 1>unless his name is deck Hand, I don't know that

0:42:02.960 --> 0:42:05.920
<v Speaker 1>his credit is dead cand So he just keeps showing

0:42:06.080 --> 0:42:10.279
<v Speaker 1>up and sometimes it really like annoying places where he's

0:42:10.360 --> 0:42:13.960
<v Speaker 1>just like, by the way, you're all gonna die, Jason

0:42:14.080 --> 0:42:16.400
<v Speaker 1>Bred He's just returning from the grave, and you were

0:42:16.760 --> 0:42:18.759
<v Speaker 1>you were filling me in. This is a throwback to

0:42:18.920 --> 0:42:21.600
<v Speaker 1>another character, right right, there's a character in the first

0:42:21.640 --> 0:42:24.560
<v Speaker 1>couple of movies known I think his name is Crazy Ralph,

0:42:25.280 --> 0:42:27.839
<v Speaker 1>and all he does is he runs up to people

0:42:27.920 --> 0:42:31.600
<v Speaker 1>and he goes, you're all doomed, that camp has a

0:42:31.680 --> 0:42:36.359
<v Speaker 1>death curse. It's Camp blood. And then somebody will be like, yeah, Ralph,

0:42:36.440 --> 0:42:39.879
<v Speaker 1>get out of here, and so it happens over and over.

0:42:40.760 --> 0:42:44.439
<v Speaker 1>I think he gets killed by Jason in the second movie. Yeah,

0:42:44.920 --> 0:42:47.520
<v Speaker 1>so this is exactly the same character. He even kind

0:42:47.520 --> 0:42:51.320
<v Speaker 1>of looks like him. Yeah, it's like there's almost Simpsons

0:42:51.400 --> 0:42:54.160
<v Speaker 1>parody um energy to him. In fact, I feel like

0:42:54.280 --> 0:42:56.879
<v Speaker 1>there are a number of parallels between I guess later

0:42:57.719 --> 0:43:01.200
<v Speaker 1>parodies on The Simpsons and this movie, including in the

0:43:01.800 --> 0:43:06.120
<v Speaker 1>Treehouse of Horror episode. Uh well, it's the whole episode

0:43:06.160 --> 0:43:09.360
<v Speaker 1>where groundskeeper Willie keeps coming to warn people about the

0:43:09.440 --> 0:43:12.000
<v Speaker 1>evil and then falls over with an axe in his back.

0:43:12.360 --> 0:43:18.480
<v Speaker 1>That is how this character dies in this film. So anyway,

0:43:18.520 --> 0:43:21.200
<v Speaker 1>he's a lot of fun. Played by the character actor

0:43:21.520 --> 0:43:27.400
<v Speaker 1>Um alex Da kun Born. Um worked quite a bit

0:43:27.960 --> 0:43:31.320
<v Speaker 1>and even very recently, such shows as The Chilling Adventures

0:43:31.360 --> 0:43:34.440
<v Speaker 1>of Sabrina The X Files. I don't know if you

0:43:34.640 --> 0:43:36.759
<v Speaker 1>remember this guy from popping up in different roles on

0:43:36.840 --> 0:43:39.680
<v Speaker 1>The X Files. Oh no, I don't know who because

0:43:40.400 --> 0:43:43.560
<v Speaker 1>uh supernatural and he was. He was in a fun

0:43:43.640 --> 0:43:46.680
<v Speaker 1>episode of the nineties Outer Limits series that I've seen

0:43:47.120 --> 0:43:50.440
<v Speaker 1>titled Alien Shop which kind of terrible title, but it's

0:43:50.440 --> 0:43:53.840
<v Speaker 1>a really heavy handed mortality story in which an alien

0:43:53.920 --> 0:43:57.680
<v Speaker 1>shopkeeper messes with people's lives through magical item sales. And

0:43:57.760 --> 0:44:01.640
<v Speaker 1>he's he's the shopkeeper. Uh. Um, So a lot of

0:44:01.760 --> 0:44:05.319
<v Speaker 1>Canadian actors um, as well as just anybody doing TV

0:44:05.480 --> 0:44:07.400
<v Speaker 1>during the nine he showed up on the Outer Limits.

0:44:07.800 --> 0:44:09.719
<v Speaker 1>Uh so it's no surprise that this guy did a

0:44:09.719 --> 0:44:12.840
<v Speaker 1>lot of Canadian TV as well, not only out of Limits,

0:44:12.920 --> 0:44:14.640
<v Speaker 1>but he also popped up on a show called Danger

0:44:14.760 --> 0:44:17.880
<v Speaker 1>Bay that I remember watching as a kid. And imagine

0:44:17.920 --> 0:44:21.080
<v Speaker 1>if there there any Canadian listeners out there who around

0:44:21.160 --> 0:44:23.879
<v Speaker 1>my age, you no doubt remember Danger Bay as well.

0:44:24.239 --> 0:44:29.399
<v Speaker 1>I do not know Danger Bay not Canadian enough, why

0:44:29.440 --> 0:44:32.880
<v Speaker 1>would you? Alright, So some other victims here. We have

0:44:33.000 --> 0:44:36.759
<v Speaker 1>the character Susie played by Tiffany Paulson. Um. She wanted

0:44:36.800 --> 0:44:39.120
<v Speaker 1>to become a writer, producer and director. But I think

0:44:39.160 --> 0:44:42.200
<v Speaker 1>this is one of her main film roles. She's in

0:44:42.239 --> 0:44:44.400
<v Speaker 1>the boat at the beginning, not the first, not the

0:44:44.480 --> 0:44:48.480
<v Speaker 1>second boat, the first boat. All right. Then we have Gordon. Yeah,

0:44:48.960 --> 0:44:51.640
<v Speaker 1>as a movie of many boats, there's Gordon Curry who

0:44:51.680 --> 0:44:55.560
<v Speaker 1>plays Miles Wolf. Which character was this? Uh? He's well,

0:44:55.640 --> 0:44:58.000
<v Speaker 1>so he's the blonde guy with the mop cut and

0:44:58.080 --> 0:45:01.280
<v Speaker 1>the surfer vibe. He is to be friends with Sean

0:45:01.480 --> 0:45:04.400
<v Speaker 1>the boyfriend. I'm gonna come back to him when we

0:45:04.760 --> 0:45:07.279
<v Speaker 1>explained some of the characters in a bit. Okay, Well,

0:45:07.320 --> 0:45:09.560
<v Speaker 1>he was born in nineteen sixty five. Other credits include

0:45:09.560 --> 0:45:15.200
<v Speaker 1>puppet Master four and five, Laser Hawk um uh, that

0:45:15.320 --> 0:45:18.080
<v Speaker 1>has Mark Hamill in it. Uh. And also he was

0:45:18.160 --> 0:45:21.560
<v Speaker 1>in three Left Behind movies in which he plays this

0:45:21.719 --> 0:45:26.080
<v Speaker 1>character what is it? Nicola Carpathia, Nicolai Carpathia. He plays

0:45:26.120 --> 0:45:31.000
<v Speaker 1>the anti Christ in these Christian apocalypse movies. Nice. Um.

0:45:31.200 --> 0:45:33.880
<v Speaker 1>On TV, he pops up in such shows as Highlander,

0:45:34.000 --> 0:45:37.520
<v Speaker 1>The Raven, This was the Highlander, the TV series spinoff.

0:45:38.239 --> 0:45:42.000
<v Speaker 1>He's on Forever Night and the nineties Outer Limits series.

0:45:42.080 --> 0:45:45.560
<v Speaker 1>So a lot of your sort of nineties syndicated cable

0:45:45.840 --> 0:45:50.640
<v Speaker 1>Canadian filmed TV shows. All right. Then we have Saffron

0:45:50.719 --> 0:45:55.080
<v Speaker 1>Henderson playing j j uh Born five. This is our

0:45:55.320 --> 0:45:59.320
<v Speaker 1>fun rocker character. Rachel always comments that she's really impressed

0:45:59.360 --> 0:46:02.400
<v Speaker 1>by this girl's hair. Um, but yeah, she's a rocker.

0:46:02.600 --> 0:46:05.920
<v Speaker 1>She she plays a Flying V electric guitar, the Hot

0:46:06.040 --> 0:46:10.040
<v Speaker 1>Pink Flying V, and she's just jamming out constantly until

0:46:10.520 --> 0:46:12.560
<v Speaker 1>Jason wax her in the head with her own guitar.

0:46:13.200 --> 0:46:17.040
<v Speaker 1>I love how she goes into like the the grimy

0:46:17.120 --> 0:46:20.960
<v Speaker 1>industrial inner workings of the ship to jam out, because

0:46:21.040 --> 0:46:22.520
<v Speaker 1>this is the kind of place that you would jam

0:46:22.640 --> 0:46:25.359
<v Speaker 1>out in a music video. Even though nobody's filming her,

0:46:27.920 --> 0:46:32.760
<v Speaker 1>the sound in there must be awful. But Henderson's interesting

0:46:32.760 --> 0:46:36.200
<v Speaker 1>because almost exclusively a voice actor, often for the English

0:46:36.280 --> 0:46:39.040
<v Speaker 1>dubs of different anime titles, many of which were huge

0:46:39.320 --> 0:46:43.120
<v Speaker 1>names and anime. But she also, weirdly enough, pops up

0:46:43.560 --> 0:46:46.800
<v Speaker 1>in The Fly too. This is the sequel to the

0:46:46.840 --> 0:46:52.160
<v Speaker 1>David Cronenberg Fly movie. She plays Veronica Quaif, the character

0:46:52.239 --> 0:46:55.560
<v Speaker 1>that was played by Gina Davis ian Cronenberg's The Fly,

0:46:56.400 --> 0:46:58.359
<v Speaker 1>though in this film it's a very small part because

0:46:58.440 --> 0:47:00.960
<v Speaker 1>basically like the Killer, but they need her in the

0:47:01.280 --> 0:47:03.800
<v Speaker 1>series in the movie just a little bit, and so

0:47:04.280 --> 0:47:08.040
<v Speaker 1>Henderson steps in to play the part. Huh. I guess

0:47:08.120 --> 0:47:10.880
<v Speaker 1>she looks a tad bit like Gina Davis. I can

0:47:10.960 --> 0:47:14.880
<v Speaker 1>see that. Yeah, the fly to um, that's a that's

0:47:14.920 --> 0:47:16.880
<v Speaker 1>a tough one to recommend. There's a lot of monster

0:47:17.000 --> 0:47:22.439
<v Speaker 1>action in it, all right. Martin Cummins plays Wayne, which

0:47:22.480 --> 0:47:25.560
<v Speaker 1>one was Wayne? I think he is the nerd of

0:47:25.680 --> 0:47:29.120
<v Speaker 1>the movie. He's the a V club guy. Okay, alright, yeah,

0:47:29.360 --> 0:47:31.360
<v Speaker 1>you gotta have your nerd and new blood. It was

0:47:31.480 --> 0:47:36.239
<v Speaker 1>a very annoying would be sci fi writer and this

0:47:36.440 --> 0:47:41.120
<v Speaker 1>one it's a less annoying would be videographer. Okay. So

0:47:41.600 --> 0:47:45.239
<v Speaker 1>this actor, Cummins born sixty nine, plays the mayor of Riverdale,

0:47:45.360 --> 0:47:47.560
<v Speaker 1>if that means anything to any of you. But he

0:47:47.600 --> 0:47:49.560
<v Speaker 1>did a fair amount of TV over the years, including

0:47:49.640 --> 0:47:52.279
<v Speaker 1>two episodes of the nineties Outer Limits, neither of which

0:47:52.360 --> 0:47:54.880
<v Speaker 1>have I seen. And he also pops up on Highlander

0:47:55.000 --> 0:48:00.520
<v Speaker 1>the series and Danger Bay. So strong Canadian presence here

0:48:00.600 --> 0:48:03.880
<v Speaker 1>from Cummins. Oh and then we have, uh, we have

0:48:04.120 --> 0:48:06.960
<v Speaker 1>an actor by the name of Vincent Craig Duprey or

0:48:07.120 --> 0:48:11.279
<v Speaker 1>VC Duprey dupri rather uh, and he plays the character

0:48:11.440 --> 0:48:16.240
<v Speaker 1>Julius um So. This actor is known for South Central

0:48:16.360 --> 0:48:18.360
<v Speaker 1>He pops up here and there. He did one episode

0:48:18.400 --> 0:48:21.960
<v Speaker 1>of Fredday's Nightmares, which we just mentioned, so it kind

0:48:22.000 --> 0:48:25.040
<v Speaker 1>of makes him a two franchise actor here. Yeah, he's

0:48:25.080 --> 0:48:27.719
<v Speaker 1>the jock character in this movie. And whereas usually I

0:48:27.800 --> 0:48:30.879
<v Speaker 1>think the jock character is more of a human villain

0:48:31.000 --> 0:48:35.439
<v Speaker 1>or bully. Uh, he's like a more likable jock character. Yeah, yeah,

0:48:35.520 --> 0:48:39.200
<v Speaker 1>I agree. Oh and here's here's what you know. This

0:48:39.280 --> 0:48:42.239
<v Speaker 1>is kind of the Crispin Glover factor where occasionally you'll

0:48:42.239 --> 0:48:43.840
<v Speaker 1>have an actor show up in one of these films

0:48:43.880 --> 0:48:46.800
<v Speaker 1>that goes on to do much bigger things. Because we

0:48:46.960 --> 0:48:50.479
<v Speaker 1>have Kelly Who in this who plays Eva wanton Abbi.

0:48:51.160 --> 0:48:55.000
<v Speaker 1>Uh so she was born night American actor of Chinese,

0:48:55.040 --> 0:48:59.520
<v Speaker 1>English and Hawaiian ancestry, and uh yeah, Kelly Who is wonderful.

0:48:59.640 --> 0:49:04.000
<v Speaker 1>This is uh this is her first film role if

0:49:04.200 --> 0:49:07.800
<v Speaker 1>I remember correctly, following some TV work. But one of

0:49:07.880 --> 0:49:10.080
<v Speaker 1>her biggest roles and the one I think of instantly

0:49:10.239 --> 0:49:13.000
<v Speaker 1>is her turn as Lady death Strike in two thousand

0:49:13.080 --> 0:49:16.279
<v Speaker 1>threes X two X Men United. She has those long,

0:49:16.880 --> 0:49:20.600
<v Speaker 1>uh you know, adamantium fingernails and she has an extended

0:49:20.680 --> 0:49:23.320
<v Speaker 1>fight scene with Wolverine. She's sort of like the the

0:49:23.440 --> 0:49:27.000
<v Speaker 1>evil counterpart to Wolverine. I think she I'm trying. Doesn't

0:49:27.040 --> 0:49:30.280
<v Speaker 1>she only get killed by getting like adamantium like liquid

0:49:30.400 --> 0:49:35.000
<v Speaker 1>metal injected into her blood stream or something? I think? So? Yeah. Uh,

0:49:35.400 --> 0:49:37.160
<v Speaker 1>this is always one of my favorite X Men characters.

0:49:37.200 --> 0:49:39.400
<v Speaker 1>I remember liking this character a lot when it popped

0:49:39.480 --> 0:49:42.040
<v Speaker 1>up on the cartoon back in the day. But Kelly

0:49:42.080 --> 0:49:44.800
<v Speaker 1>who also pops up another film. She plays the Sorceress

0:49:44.880 --> 0:49:47.759
<v Speaker 1>and the two thousand two films The Scorpion King. This

0:49:47.920 --> 0:49:50.880
<v Speaker 1>was The Sword and Sandals, the Mummy spin off, starring

0:49:50.960 --> 0:49:55.160
<v Speaker 1>a far less experience of the rock I saw that

0:49:55.239 --> 0:49:59.759
<v Speaker 1>in theaters. That was That was ninety minutes. Now here's

0:49:59.800 --> 0:50:04.080
<v Speaker 1>a on little factoid. Uh. Kelly who also has voiced

0:50:04.440 --> 0:50:10.440
<v Speaker 1>the Mortal Kombat character Devora in both Mortal Kombat games

0:50:10.560 --> 0:50:13.719
<v Speaker 1>that have featured that character. This is a weird kind

0:50:13.760 --> 0:50:17.080
<v Speaker 1>of cronin berg ee insect woman character. So she gets

0:50:17.120 --> 0:50:21.239
<v Speaker 1>to do a cool female monster voice, which you know,

0:50:21.320 --> 0:50:23.279
<v Speaker 1>there's a fine art two and she does a great job.

0:50:23.719 --> 0:50:27.080
<v Speaker 1>But the crazy thing is that, Uh. In two thousand

0:50:27.160 --> 0:50:31.880
<v Speaker 1>fifteen Mortal Kombat X, Jason Vorhees was a downloadable character,

0:50:32.360 --> 0:50:36.480
<v Speaker 1>so you could actually have Divora fight Jason in that

0:50:36.880 --> 0:50:39.480
<v Speaker 1>video game. Oh so it's with this, I guess be

0:50:39.600 --> 0:50:43.160
<v Speaker 1>a sort of digital reunion of Kelly hu and Kane Hotter. Yeah,

0:50:44.040 --> 0:50:46.520
<v Speaker 1>all right, And finally, a note on the music. Fred

0:50:46.760 --> 0:50:49.719
<v Speaker 1>Mullen did the music. Mullin's work is fine here, but

0:50:49.880 --> 0:50:54.480
<v Speaker 1>obviously he's no Harry met Fredini, who composed the original

0:50:54.600 --> 0:50:57.600
<v Speaker 1>Friday the Thirteenth score, as well as the just absolutely

0:50:57.680 --> 0:51:00.799
<v Speaker 1>excellent Friday the Thirteenth Part three theme song, which became

0:51:00.880 --> 0:51:04.480
<v Speaker 1>a legitimate disco hit in two. If you have not

0:51:04.640 --> 0:51:07.160
<v Speaker 1>heard it, go listen to it. It's a great track.

0:51:07.480 --> 0:51:09.360
<v Speaker 1>I'll throw it on the blog post for this episode

0:51:09.360 --> 0:51:12.120
<v Speaker 1>at smood to music dot com. Do you remember this track, Joe?

0:51:12.600 --> 0:51:15.200
<v Speaker 1>I feel like you've sent it the Part three songs,

0:51:15.200 --> 0:51:17.719
<v Speaker 1>You've sent it to you before, but I don't remember. Oh.

0:51:17.800 --> 0:51:19.800
<v Speaker 1>It's just it's it's got a little funkiness to it,

0:51:19.920 --> 0:51:22.440
<v Speaker 1>a little simthiness to it. It's it's great. You can

0:51:22.600 --> 0:51:26.879
<v Speaker 1>you can definitely imagine uh guys dancing to it uh

0:51:27.239 --> 0:51:31.560
<v Speaker 1>at the disco in two. Okay, but anyway, Fred Mullen

0:51:32.200 --> 0:51:35.720
<v Speaker 1>he worked throughout the eighties and nineties, especially composing scores

0:51:35.800 --> 0:51:39.200
<v Speaker 1>for New Blood Uh. Though I understand new Blood also

0:51:39.320 --> 0:51:42.919
<v Speaker 1>reused music from previous Friday films, but he also worked

0:51:42.920 --> 0:51:46.640
<v Speaker 1>on Friday thirteenth the series, two episodes of the Outer

0:51:46.760 --> 0:51:50.560
<v Speaker 1>Limit series, and something like eighteen episodes of Tech War. Oh,

0:51:50.760 --> 0:51:56.279
<v Speaker 1>the Shatner authored series. Yes, quote unquote author. Yeah, the

0:51:56.400 --> 0:51:59.239
<v Speaker 1>children will have to learn about tech War one day. Yes,

0:52:00.760 --> 0:52:03.279
<v Speaker 1>all right, let's get into the plot of Jason Takes

0:52:03.400 --> 0:52:06.640
<v Speaker 1>Manhattan as it is. I mean, these movies tend to

0:52:06.719 --> 0:52:09.320
<v Speaker 1>be very light on plots, so we're not going to

0:52:09.400 --> 0:52:11.440
<v Speaker 1>try to do a scene by scene recap. I think

0:52:11.480 --> 0:52:13.800
<v Speaker 1>this is one of the ones where we might zoom

0:52:13.840 --> 0:52:16.920
<v Speaker 1>in on some particular parts, and we must zoom in

0:52:17.560 --> 0:52:20.279
<v Speaker 1>almost to the molecular level on the very opening of

0:52:20.360 --> 0:52:24.840
<v Speaker 1>this movie, which is genuinely hilarious U. I think, especially

0:52:25.320 --> 0:52:27.840
<v Speaker 1>if you've seen the other movies, because the opening of

0:52:27.960 --> 0:52:31.080
<v Speaker 1>this one is so unlike the opening of any other

0:52:31.560 --> 0:52:34.800
<v Speaker 1>Jason movie. It starts with you just fade in on

0:52:35.120 --> 0:52:37.960
<v Speaker 1>footage of the New York City skyline after dusk, so

0:52:38.200 --> 0:52:41.480
<v Speaker 1>you're over the Brooklyn Bridge or one of the bridges

0:52:41.520 --> 0:52:44.120
<v Speaker 1>into Manhattan. I don't know which one. Got car headlights

0:52:44.200 --> 0:52:49.239
<v Speaker 1>creeping creeping along and there's this eighties perm rock just

0:52:49.520 --> 0:52:52.640
<v Speaker 1>chugging in the background, like, uh, you know that sound

0:52:52.680 --> 0:52:55.719
<v Speaker 1>where there is way too much chorus and reverb on everything,

0:52:55.880 --> 0:52:59.360
<v Speaker 1>including the drums. And then you get a random voice

0:52:59.440 --> 0:53:01.880
<v Speaker 1>coming onto narrate. I think we find out that this

0:53:02.080 --> 0:53:05.239
<v Speaker 1>is the voice of a radio DJ, but it's just

0:53:05.360 --> 0:53:08.560
<v Speaker 1>speaking over the song with no explanation at the beginning.

0:53:09.200 --> 0:53:11.160
<v Speaker 1>And I had to make a transcript of exactly what

0:53:11.280 --> 0:53:15.160
<v Speaker 1>it says because this is just too good. He says exactly,

0:53:16.040 --> 0:53:20.920
<v Speaker 1>It's like this. We live in claustrophobia, a land of

0:53:21.080 --> 0:53:26.600
<v Speaker 1>steel and concrete, trapped by dark waters. There's no escape,

0:53:27.480 --> 0:53:30.920
<v Speaker 1>nor do we want it. We've come to thrive on

0:53:31.040 --> 0:53:35.480
<v Speaker 1>it and each other. You can't get the adrenaline pumping

0:53:35.600 --> 0:53:40.680
<v Speaker 1>without the terror. Good people. I love this town. The

0:53:41.239 --> 0:53:44.520
<v Speaker 1>number of like just like the feeling of non sequitur,

0:53:45.200 --> 0:53:50.040
<v Speaker 1>the pronoun antecedent confusion. There's no escape, nor do we

0:53:50.200 --> 0:53:53.120
<v Speaker 1>want it. We've come to thrive on it. Escape I

0:53:53.400 --> 0:53:56.040
<v Speaker 1>don't even know. I love too how this is like

0:53:56.120 --> 0:53:59.120
<v Speaker 1>the voice of the dark barred of New York City,

0:54:00.080 --> 0:54:02.960
<v Speaker 1>the guy who who is totally fine living in the city,

0:54:03.040 --> 0:54:05.080
<v Speaker 1>as depicted in this movie. And you know, sort of

0:54:05.120 --> 0:54:09.239
<v Speaker 1>adjacent hell city New York City films. And yet it's

0:54:09.320 --> 0:54:12.200
<v Speaker 1>totally redundant because this is not a film that is

0:54:12.280 --> 0:54:15.640
<v Speaker 1>it all concerned or interested in what it's like to

0:54:15.719 --> 0:54:19.120
<v Speaker 1>live in New York City. Not really, people are. They

0:54:19.160 --> 0:54:21.440
<v Speaker 1>don't factor into the plot really at all. Well, I

0:54:21.480 --> 0:54:23.640
<v Speaker 1>would say that the movie follows the ethos that was

0:54:23.760 --> 0:54:25.359
<v Speaker 1>very common at the time. In fact, I would say

0:54:25.400 --> 0:54:28.200
<v Speaker 1>this is almost ubiquitous of films of the late nineteen

0:54:28.280 --> 0:54:32.400
<v Speaker 1>eighties that would depict New York City as an almost

0:54:33.000 --> 0:54:38.840
<v Speaker 1>fantasy level hellish environment. Um, they're like, uh in this movie,

0:54:39.440 --> 0:54:42.200
<v Speaker 1>as soon as the characters arrive in New York City,

0:54:42.280 --> 0:54:46.000
<v Speaker 1>they are immediately attacked by a heavy metal band and

0:54:46.640 --> 0:54:48.640
<v Speaker 1>then uh. And then there's a part where they like

0:54:48.760 --> 0:54:52.000
<v Speaker 1>flee and Jason is chasing them around and they like

0:54:52.120 --> 0:54:54.560
<v Speaker 1>flee into a diner and they're like a maniac is

0:54:54.640 --> 0:54:57.320
<v Speaker 1>trying to kill us, and the waitress just goes welcomed

0:54:57.320 --> 0:55:01.439
<v Speaker 1>to New York. Yeah. Yeah, just this feeling that any

0:55:01.520 --> 0:55:04.960
<v Speaker 1>people who actually live here are just lost, unknowable souls

0:55:05.320 --> 0:55:08.880
<v Speaker 1>who are just so desynthitized to violence, just so dead

0:55:09.040 --> 0:55:12.040
<v Speaker 1>to emotion. That and most they're going to say something

0:55:12.120 --> 0:55:14.399
<v Speaker 1>rude to you, and they might help you if it's

0:55:14.440 --> 0:55:17.800
<v Speaker 1>their job, right, And so in the further ence of this,

0:55:18.000 --> 0:55:21.320
<v Speaker 1>the credit sequence here goes on to introduce you to

0:55:21.480 --> 0:55:25.120
<v Speaker 1>the concept of New York. So after the monologue finishes,

0:55:25.280 --> 0:55:28.400
<v Speaker 1>you get the song keeps like the They turn up

0:55:28.400 --> 0:55:30.520
<v Speaker 1>the volume on that song that's been chugging the perm

0:55:30.640 --> 0:55:34.479
<v Speaker 1>rock and it opens with the most nineteen eighties perm

0:55:34.560 --> 0:55:38.720
<v Speaker 1>rock lyric ever. The line is fallen Angel into the Street.

0:55:39.280 --> 0:55:43.239
<v Speaker 1>The song is called the Darkest Side of Night. But

0:55:43.480 --> 0:55:46.200
<v Speaker 1>so the yeah after this, the the opening credit is

0:55:46.239 --> 0:55:48.600
<v Speaker 1>a montage that is supposed to introduce you to the

0:55:48.719 --> 0:55:52.400
<v Speaker 1>concept of New York, a mystical land somewhere east of

0:55:52.480 --> 0:55:58.680
<v Speaker 1>a shy characterized almost entirely by crime car headlights and uh,

0:55:58.880 --> 0:56:02.279
<v Speaker 1>poisonous chemical Yes, And so I want a catalog in

0:56:02.400 --> 0:56:04.680
<v Speaker 1>detail everything we see in these opening credits. So the

0:56:04.719 --> 0:56:07.160
<v Speaker 1>first thing is we see Times Square with the light

0:56:07.239 --> 0:56:10.319
<v Speaker 1>up billboards bearing the Batman logo. I think this would

0:56:10.320 --> 0:56:12.920
<v Speaker 1>have been for the first Tim Burton movie. We get

0:56:13.000 --> 0:56:17.400
<v Speaker 1>Coca Cola, Sony, camel cigarettes, all kinds of stuff like that,

0:56:18.080 --> 0:56:21.279
<v Speaker 1>and then we see punks loitering in Times Square, one

0:56:21.320 --> 0:56:25.799
<v Speaker 1>of which has a mohawk and they're smoking cigarettes ominously. Yeah,

0:56:25.880 --> 0:56:27.799
<v Speaker 1>you gotta have a mohawk. And you know, I also

0:56:27.960 --> 0:56:30.680
<v Speaker 1>love these shots of Times Square because if you've been

0:56:30.719 --> 0:56:33.879
<v Speaker 1>to Times Square over the last you know, ten years,

0:56:33.920 --> 0:56:36.319
<v Speaker 1>at least you know that it is. It is hell

0:56:36.440 --> 0:56:40.360
<v Speaker 1>on Earth. It is like a neon, uh, like garbage zone,

0:56:41.360 --> 0:56:44.520
<v Speaker 1>you know what. It's just so overwhelming. Uh, you wonder

0:56:44.600 --> 0:56:47.759
<v Speaker 1>why you have come here. Um, it's just a lot.

0:56:48.120 --> 0:56:50.680
<v Speaker 1>And so these shots you see of Times Square in

0:56:50.760 --> 0:56:53.200
<v Speaker 1>this film, they're not quite like I guess we're at

0:56:53.239 --> 0:56:55.239
<v Speaker 1>this period in time where it's not quite the old

0:56:55.360 --> 0:56:58.320
<v Speaker 1>days of Times Square, but it's a very subdued Time Square.

0:56:58.600 --> 0:57:00.440
<v Speaker 1>Like I found myself thinking I would go to this

0:57:00.560 --> 0:57:04.280
<v Speaker 1>Times Square looks like it would not just completely destroy

0:57:04.440 --> 0:57:07.400
<v Speaker 1>me on a on a sensory crowd level. No, No,

0:57:07.480 --> 0:57:10.080
<v Speaker 1>it's almost deserted. In fact, there are very few people

0:57:10.160 --> 0:57:14.960
<v Speaker 1>there except for a few punks. Yeah, there's no Elmos anything,

0:57:15.360 --> 0:57:20.840
<v Speaker 1>There's no Yeah. So, oh my god, imagine if if

0:57:20.880 --> 0:57:23.360
<v Speaker 1>Elmos had been there and we could have had that showdown,

0:57:23.480 --> 0:57:26.800
<v Speaker 1>like at least a stair down between generic Elmo cost

0:57:26.920 --> 0:57:30.400
<v Speaker 1>him dude. Yeah, there should be a movie where Jason

0:57:30.480 --> 0:57:33.840
<v Speaker 1>goes to Times Square now and so he like, there's

0:57:33.880 --> 0:57:35.960
<v Speaker 1>like a guy in a Superman suit there and they

0:57:36.000 --> 0:57:40.640
<v Speaker 1>square off. Yeah, maybe he clavers that naked cowboy guy.

0:57:41.480 --> 0:57:46.760
<v Speaker 1>Jason runs into some minions. Oh man chases somebody through

0:57:46.760 --> 0:57:48.960
<v Speaker 1>the min m store. Yeah, it would be great, it

0:57:49.000 --> 0:58:00.320
<v Speaker 1>would be great. But anyway, after this, so any more

0:58:00.360 --> 0:58:02.360
<v Speaker 1>sites to show us? So? Uh, they show us a

0:58:02.400 --> 0:58:06.000
<v Speaker 1>bunch of garbage filled alleyways emitting just clouds of steam,

0:58:06.280 --> 0:58:08.840
<v Speaker 1>with a wall that has been spray painted with the

0:58:08.920 --> 0:58:12.800
<v Speaker 1>word gang. I think the full phrase is I don't

0:58:12.840 --> 0:58:15.440
<v Speaker 1>remember the name of the gang, but it's like ex

0:58:15.800 --> 0:58:20.400
<v Speaker 1>gang rules, very plausible graffiti. And then we see a

0:58:20.440 --> 0:58:25.600
<v Speaker 1>filthy manhole with its cover popped open, also just billowing steam. Uh.

0:58:25.720 --> 0:58:27.760
<v Speaker 1>It makes me think about that chapter in Moby Dick

0:58:27.920 --> 0:58:33.000
<v Speaker 1>that's just all about chowder. Yeah. The New York City

0:58:33.160 --> 0:58:36.600
<v Speaker 1>underground is absolutely key to this sort of mythology of

0:58:36.680 --> 0:58:39.360
<v Speaker 1>the city because for starters, the real life New York

0:58:39.400 --> 0:58:42.520
<v Speaker 1>City underground is beyond fascinating and I love reading about it,

0:58:42.600 --> 0:58:45.919
<v Speaker 1>I love traveling through it. But the New York City

0:58:46.080 --> 0:58:48.720
<v Speaker 1>underground of pulp fiction and horror cinema is a place

0:58:48.760 --> 0:58:53.440
<v Speaker 1>where you encounter Chud's and ancient Chinese demons, toxic waste,

0:58:53.840 --> 0:58:57.680
<v Speaker 1>Vietnam that cannibals, and just so much more rivers of slime.

0:58:58.560 --> 0:59:01.480
<v Speaker 1>Toxic waste is quite troll to this movie's vision of

0:59:01.560 --> 0:59:05.280
<v Speaker 1>New York. The lifeblood of the city is toxic waste,

0:59:05.320 --> 0:59:09.280
<v Speaker 1>and it's veins frequently just flood with toxic waste. Yeah,

0:59:09.360 --> 0:59:12.400
<v Speaker 1>we've later learned there's like a tide of toxic waste,

0:59:12.440 --> 0:59:16.720
<v Speaker 1>Like there's an ecosystem of toxic waste underneath this toxic city.

0:59:17.280 --> 0:59:19.360
<v Speaker 1>Let's see. We see in the opening credits a man

0:59:19.440 --> 0:59:22.880
<v Speaker 1>in a business suit walking down like a mile long, dark,

0:59:23.000 --> 0:59:26.920
<v Speaker 1>steamy alleyway and he's just suddenly like beaten and robbed

0:59:27.080 --> 0:59:30.840
<v Speaker 1>by more heavy metal criminals. Uh, and they're wearing like

0:59:30.920 --> 0:59:34.680
<v Speaker 1>jean jackets, they've got long hair instead of mohawks. And

0:59:34.800 --> 0:59:37.840
<v Speaker 1>so the guys from from Metallica like remove the money

0:59:38.000 --> 0:59:40.439
<v Speaker 1>from the guy's wallet and they throw the wallet into

0:59:40.520 --> 0:59:43.120
<v Speaker 1>what appears to be an open barrel of toxic waste

0:59:43.200 --> 0:59:45.960
<v Speaker 1>with a wet rat crawling around on top. Oh, man,

0:59:46.000 --> 0:59:48.200
<v Speaker 1>I love this whole thing because, first of all, man

0:59:48.320 --> 0:59:50.960
<v Speaker 1>taking a shortcut that no rational man of his station

0:59:51.040 --> 0:59:54.920
<v Speaker 1>would take instantly set up on by youths. And then yea,

0:59:55.040 --> 0:59:58.680
<v Speaker 1>this this barrel with the rat. I love that the

0:59:58.840 --> 1:00:01.080
<v Speaker 1>wallet goes into the barrel, the rat comes up, and

1:00:01.160 --> 1:00:04.120
<v Speaker 1>then we just linger on this rat for what seems

1:00:04.160 --> 1:00:09.200
<v Speaker 1>like forever and a long time. Yeah, bear at shot.

1:00:09.400 --> 1:00:13.320
<v Speaker 1>The wear the barrel here will become very important later on. Yes, uh.

1:00:13.400 --> 1:00:15.480
<v Speaker 1>And then suddenly we're inside. We see a dinner with

1:00:15.560 --> 1:00:19.600
<v Speaker 1>a jukebox assigned advertising chocolate milk for thirty cents and uh.

1:00:20.000 --> 1:00:22.400
<v Speaker 1>A lady at the counter gets a coffee refill, but

1:00:22.520 --> 1:00:25.160
<v Speaker 1>she seems dissatisfied, like she keeps pointing at her cup

1:00:25.480 --> 1:00:28.840
<v Speaker 1>as if to indicate no more, fill it till it overflows.

1:00:29.000 --> 1:00:31.360
<v Speaker 1>But the server just walks away. And I think this

1:00:31.520 --> 1:00:33.640
<v Speaker 1>is the same server who will later say welcome to

1:00:33.720 --> 1:00:37.560
<v Speaker 1>New York about the murderer. Uh. We see subway stations

1:00:37.600 --> 1:00:40.120
<v Speaker 1>with escalators covered in graffiti that looks like it was

1:00:40.200 --> 1:00:43.560
<v Speaker 1>all applied on the same day. People sitting on a

1:00:43.640 --> 1:00:46.440
<v Speaker 1>subway car, but they are being filmed from the floor

1:00:46.680 --> 1:00:51.440
<v Speaker 1>looking up. Interesting cinematography choice. Yeah, just more lost souls,

1:00:52.120 --> 1:00:56.320
<v Speaker 1>more like punks and heavy metal rockers doing uh, doing

1:00:56.440 --> 1:00:59.320
<v Speaker 1>drugs in the alley ways. They're like holding needles up

1:00:59.360 --> 1:01:02.320
<v Speaker 1>to the light so that they form a syringe silhouette,

1:01:02.840 --> 1:01:05.760
<v Speaker 1>and then just like squirting some jet of yellow green

1:01:05.920 --> 1:01:08.760
<v Speaker 1>liquid into the air that sparkles in a lamp beam.

1:01:08.920 --> 1:01:11.840
<v Speaker 1>It's possible this is mountain dew, yeah, or or it's

1:01:11.880 --> 1:01:15.080
<v Speaker 1>the ouze from the teenage Mutant Ninja Turtles. Oh the

1:01:15.160 --> 1:01:18.480
<v Speaker 1>ouze yeah. Oh. And then finally the statue of Liberty.

1:01:18.560 --> 1:01:23.160
<v Speaker 1>Baby show us the statue, the promise, the promise of

1:01:23.240 --> 1:01:25.480
<v Speaker 1>New York City. You know, we haven't gotten there yet.

1:01:25.520 --> 1:01:29.000
<v Speaker 1>But there's a hilarious moment early in this film where Sean,

1:01:29.200 --> 1:01:32.760
<v Speaker 1>the boyfriend, gives Renny, the final girl, a gift and

1:01:32.800 --> 1:01:34.600
<v Speaker 1>they're on the boat. They haven't gotten to New York.

1:01:34.720 --> 1:01:37.120
<v Speaker 1>They just got on the boat. She opens the gift

1:01:37.200 --> 1:01:40.080
<v Speaker 1>up and it's like a jewelry case and inside is

1:01:40.160 --> 1:01:43.240
<v Speaker 1>a necklace with the statue of Liberty on it. But

1:01:43.320 --> 1:01:45.160
<v Speaker 1>they haven't gotten to New York yet. It's like a

1:01:45.400 --> 1:01:47.520
<v Speaker 1>it's like a trinket you would buy on the street

1:01:47.600 --> 1:01:52.520
<v Speaker 1>in New York. But they're on the way. So New

1:01:52.600 --> 1:01:55.760
<v Speaker 1>York has been established heavily. And in fact, this whole

1:01:55.960 --> 1:02:00.560
<v Speaker 1>sequence kind of reeks of producers or somebody saying, hey,

1:02:01.040 --> 1:02:03.040
<v Speaker 1>we were put in Manhattan in the title. Is there

1:02:03.040 --> 1:02:04.920
<v Speaker 1>any way you could put some Manhattan at the top

1:02:05.000 --> 1:02:08.200
<v Speaker 1>of the picture so the people, because people aren't going

1:02:08.240 --> 1:02:11.360
<v Speaker 1>to see it again for over an hour. Yeah? Uh yeah.

1:02:11.400 --> 1:02:13.800
<v Speaker 1>And in fact, I think probably the only thing in

1:02:13.960 --> 1:02:17.040
<v Speaker 1>that opening sequence that is actually Manhattan is the shot

1:02:17.080 --> 1:02:19.040
<v Speaker 1>of Times Square and the shot of the Statue of Liberty.

1:02:19.080 --> 1:02:22.040
<v Speaker 1>I think the rest is probably a Vancouver once again.

1:02:22.680 --> 1:02:25.400
<v Speaker 1>Oh but then so anyway, we get a nice non

1:02:25.520 --> 1:02:29.560
<v Speaker 1>diagetic to diagetic music transition where that song The Darkest

1:02:29.720 --> 1:02:33.360
<v Speaker 1>Side of Night is suddenly playing on in a totally

1:02:33.400 --> 1:02:35.200
<v Speaker 1>different place. So like you're at New York and the

1:02:35.280 --> 1:02:37.840
<v Speaker 1>camera dips under the water, and then it re emerges

1:02:37.880 --> 1:02:40.720
<v Speaker 1>from the water and you're at Camp Crystal Lake. Uh,

1:02:40.800 --> 1:02:43.560
<v Speaker 1>and the music transitions to music coming out of a

1:02:43.840 --> 1:02:47.400
<v Speaker 1>radio on a boat. It's like a cabin cruiser that's

1:02:47.480 --> 1:02:51.160
<v Speaker 1>floating in Crystal Lake. Did you notice what the radio

1:02:51.320 --> 1:02:54.439
<v Speaker 1>DJ was saying when it did that transition. The only

1:02:54.480 --> 1:02:56.440
<v Speaker 1>thing I remember is that like this one goes out

1:02:56.520 --> 1:02:59.240
<v Speaker 1>to something to do with Crystal Lake, Like he references

1:02:59.280 --> 1:03:02.240
<v Speaker 1>Crystal Lake in it, which and immediately made me wonder, well,

1:03:02.280 --> 1:03:04.840
<v Speaker 1>where is Crystal Lake. I've never, I never. It's kind

1:03:04.840 --> 1:03:07.560
<v Speaker 1>of like Springfield in the sentence like does it is

1:03:07.600 --> 1:03:10.560
<v Speaker 1>it anywhere? Is it just generically somewhere in the US.

1:03:11.120 --> 1:03:13.400
<v Speaker 1>This is so weird. I made a transcript of it too.

1:03:13.560 --> 1:03:16.680
<v Speaker 1>So the DJ says, you've been listening to W G

1:03:16.840 --> 1:03:20.800
<v Speaker 1>A Z the Electricity of Manhattan. This request is going

1:03:20.880 --> 1:03:23.960
<v Speaker 1>out all the way to Crystal Lake. The senior class

1:03:24.040 --> 1:03:27.760
<v Speaker 1>of lake View High they'll be graduating on the thirteen

1:03:27.960 --> 1:03:30.520
<v Speaker 1>of this month, and we wish them the best of

1:03:30.640 --> 1:03:34.400
<v Speaker 1>luck and success when they come to visit our seductive city.

1:03:34.920 --> 1:03:37.840
<v Speaker 1>Our lure is a great one, dear friends, but beware

1:03:38.240 --> 1:03:44.520
<v Speaker 1>the city of lights casts many shadows. Indeed. So this

1:03:44.760 --> 1:03:49.480
<v Speaker 1>is a New York based radio DJ interrupting the darkest

1:03:49.520 --> 1:03:52.200
<v Speaker 1>side of night to give an on air shout out

1:03:52.360 --> 1:03:56.280
<v Speaker 1>to a random class of a graduating high school graduating

1:03:56.320 --> 1:03:59.360
<v Speaker 1>high school seniors from somewhere else who are going to

1:03:59.440 --> 1:04:05.520
<v Speaker 1>be visiting New York in a few days. Okay, perfectly sensible. Yeah,

1:04:06.640 --> 1:04:09.080
<v Speaker 1>but as to the location of Crystal like, yeah, this

1:04:09.200 --> 1:04:11.280
<v Speaker 1>is something that I think is not consistent throughout the

1:04:11.360 --> 1:04:14.640
<v Speaker 1>films in this movie. Again, it's obvious they're like when

1:04:14.720 --> 1:04:17.120
<v Speaker 1>they're in the port leaving in a bit there in

1:04:17.200 --> 1:04:21.480
<v Speaker 1>the Pacific Northwest. It's obviously the Northwest, but other movies

1:04:21.560 --> 1:04:24.360
<v Speaker 1>that have established the location of Crystal Lake, I think

1:04:24.400 --> 1:04:27.480
<v Speaker 1>it's supposed to be somewhere in New Jersey. That would

1:04:27.520 --> 1:04:30.720
<v Speaker 1>make sense wherever they're leaving from, whether it's Vancouver or

1:04:30.840 --> 1:04:34.200
<v Speaker 1>New Jersey. In either case, does it make sense that

1:04:34.320 --> 1:04:39.760
<v Speaker 1>they would take a boat to New York a voyage

1:04:39.840 --> 1:04:42.880
<v Speaker 1>by sea for a class trip to New York. I

1:04:42.920 --> 1:04:44.320
<v Speaker 1>guess it's the only way to get him there, Like,

1:04:44.400 --> 1:04:46.480
<v Speaker 1>you can't have a bus trip. How's Jason going to

1:04:46.560 --> 1:04:49.440
<v Speaker 1>get it? Stow away on the bus? It's like, oh, well,

1:04:49.480 --> 1:04:53.200
<v Speaker 1>the bathroom has been out of order for the entire drive. Sorry, guys.

1:04:53.480 --> 1:04:55.280
<v Speaker 1>And it turns out it's got Jason four he's in it,

1:04:55.400 --> 1:04:57.720
<v Speaker 1>or Jason's clinging to the top of the van, like

1:04:57.800 --> 1:05:00.200
<v Speaker 1>this is just ultimately the way that he would try. Well,

1:05:00.240 --> 1:05:03.960
<v Speaker 1>I guess. But so in these movies where Jason has

1:05:03.960 --> 1:05:06.000
<v Speaker 1>become undead, you gotta have like a sort of waken

1:05:06.080 --> 1:05:08.960
<v Speaker 1>him up scene. You gotta defrost him somehow. So in

1:05:09.160 --> 1:05:11.640
<v Speaker 1>this movie, the way it happens is this yacht on

1:05:11.800 --> 1:05:15.120
<v Speaker 1>the lake is occupied by a couple from that graduating class.

1:05:15.200 --> 1:05:17.760
<v Speaker 1>Like they they respond to the radio DJ they're like, hey,

1:05:17.880 --> 1:05:20.960
<v Speaker 1>that's us and uh so it's a boy and a

1:05:21.000 --> 1:05:23.800
<v Speaker 1>girl who are generally up to no good. And the

1:05:23.880 --> 1:05:26.800
<v Speaker 1>guy pretty early on dives into a big lore dump.

1:05:26.920 --> 1:05:29.240
<v Speaker 1>He's like, gee, it's kind of spooky that we are

1:05:29.280 --> 1:05:31.600
<v Speaker 1>floating right next to that camp where all those people

1:05:31.680 --> 1:05:35.400
<v Speaker 1>were murdered. Uh and he he just explains all the

1:05:35.480 --> 1:05:37.000
<v Speaker 1>lord he's like, Jason was of what you know, he

1:05:37.040 --> 1:05:38.560
<v Speaker 1>doesn't the stuff we talked about at the beginning of

1:05:38.640 --> 1:05:41.840
<v Speaker 1>this episode. And then he ends up by saying that

1:05:41.920 --> 1:05:44.720
<v Speaker 1>guy is dead now somewhere at the bottom of this lake.

1:05:45.280 --> 1:05:48.120
<v Speaker 1>And meanwhile, their boat anchor, we're seeing it just it's

1:05:48.240 --> 1:05:52.080
<v Speaker 1>dragging across a power cable and bringing it into contact

1:05:52.200 --> 1:05:55.600
<v Speaker 1>with Jason's chain bound body, and then it starts rubbing

1:05:55.600 --> 1:05:59.960
<v Speaker 1>against the rock, sparks fly and whoops, electricity brings Jason

1:06:00.040 --> 1:06:02.400
<v Speaker 1>back to life, just like a Frankenstein. I love it.

1:06:02.640 --> 1:06:05.240
<v Speaker 1>They also happened to have a hockey mask on board

1:06:05.280 --> 1:06:08.120
<v Speaker 1>the boat, so he got d masked at the end

1:06:08.160 --> 1:06:10.320
<v Speaker 1>of the previous movie, but he gets a new mask

1:06:10.760 --> 1:06:13.800
<v Speaker 1>just because they have one. It's very lucky. Yeah. Yeah,

1:06:13.800 --> 1:06:15.920
<v Speaker 1>I mean I guess this is up north there, They're

1:06:15.920 --> 1:06:19.160
<v Speaker 1>gonna have more hockey around in general, so maybe it's

1:06:19.160 --> 1:06:21.280
<v Speaker 1>a little easier to come by. So yeah, he gets

1:06:21.440 --> 1:06:24.400
<v Speaker 1>uh electrified into life. He comes up on the boat,

1:06:24.440 --> 1:06:26.400
<v Speaker 1>of course he he He kills the two people on

1:06:26.480 --> 1:06:28.640
<v Speaker 1>the boat with like a harpoon gun. I don't know

1:06:28.720 --> 1:06:31.480
<v Speaker 1>why they even have that, but it's there and he

1:06:31.560 --> 1:06:33.840
<v Speaker 1>does it. And when we first see Jason in this movie,

1:06:34.440 --> 1:06:37.040
<v Speaker 1>I gotta say this, of the entire series, I think

1:06:37.080 --> 1:06:39.760
<v Speaker 1>it's got to be by far the wettest to Jason.

1:06:39.960 --> 1:06:44.840
<v Speaker 1>This is a generally slimy, almost mucus drench to Jason.

1:06:45.320 --> 1:06:48.680
<v Speaker 1>Yoh yeah, Like he's just dripping in necro slime. And

1:06:48.800 --> 1:06:52.160
<v Speaker 1>if if he's been somewhere sometimes their characters like like,

1:06:52.200 --> 1:06:54.160
<v Speaker 1>why is there a hole punched in this door? And

1:06:54.240 --> 1:06:58.080
<v Speaker 1>the hole is dripping this slime? Um. It's a what's

1:06:58.080 --> 1:07:01.160
<v Speaker 1>a wonderful touch? And you know it it matches up

1:07:01.200 --> 1:07:03.600
<v Speaker 1>with the way his skin looks, which it looks like that,

1:07:03.920 --> 1:07:07.720
<v Speaker 1>you know, his hand could just de glove at any moment. Yeah,

1:07:08.080 --> 1:07:10.960
<v Speaker 1>but okay, so Jason's woken back up. He's killed people

1:07:11.000 --> 1:07:12.960
<v Speaker 1>on a boat, he's just on this boat. How's he

1:07:13.000 --> 1:07:15.560
<v Speaker 1>gonna get to Manhattan. Well, here's where the premise comes in.

1:07:16.560 --> 1:07:20.960
<v Speaker 1>And this is the premise. We follow the aforementioned graduating

1:07:21.040 --> 1:07:24.160
<v Speaker 1>class of high school seniors as they go on their

1:07:24.200 --> 1:07:27.920
<v Speaker 1>graduation trip, which is apparently getting on what looks like

1:07:28.520 --> 1:07:31.360
<v Speaker 1>I'm no expert in ships, but this does not look

1:07:31.400 --> 1:07:33.160
<v Speaker 1>to me like a cruise ship. This looks like a

1:07:33.320 --> 1:07:36.720
<v Speaker 1>cargo ship of some kind getting on, like a dirty

1:07:36.920 --> 1:07:40.320
<v Speaker 1>cargo ship, departing from somewhere that looks like the Pacific

1:07:40.440 --> 1:07:43.880
<v Speaker 1>Northwest and traveling by boat to New York. It reminds

1:07:43.920 --> 1:07:46.400
<v Speaker 1>me of the boat in Shock Waves a bit, and

1:07:46.560 --> 1:07:48.960
<v Speaker 1>that it does not look attractive to venture upon. It

1:07:49.000 --> 1:07:50.880
<v Speaker 1>does not look like a boat anyone would want to

1:07:51.440 --> 1:07:54.720
<v Speaker 1>travel on recreationally. But then also, yeah, we have all

1:07:54.760 --> 1:07:57.040
<v Speaker 1>these shots of the interior of the ship where it's

1:07:57.080 --> 1:08:01.520
<v Speaker 1>like the Titanic in there, like the bowel with the Titanic. Yeah,

1:08:02.040 --> 1:08:06.440
<v Speaker 1>it's called the Lazarus. Nice. So here I guess we

1:08:06.560 --> 1:08:08.920
<v Speaker 1>meet a couple of the main characters. So we meet Renny,

1:08:09.080 --> 1:08:11.520
<v Speaker 1>the final girl of the movie. She's played very just

1:08:11.800 --> 1:08:14.200
<v Speaker 1>straight down the middle. She is she is a nice person.

1:08:14.400 --> 1:08:16.720
<v Speaker 1>She is smart, she has a cute dog, and don't

1:08:16.760 --> 1:08:18.840
<v Speaker 1>worry that the dog is not harmed in this film.

1:08:19.120 --> 1:08:21.240
<v Speaker 1>The dog just disappears for most of the movie. And

1:08:21.320 --> 1:08:23.519
<v Speaker 1>then at the end, after Jason has defeated, the dog

1:08:23.640 --> 1:08:26.439
<v Speaker 1>comes running up to them and they're just like, oh, hey, buddy,

1:08:27.520 --> 1:08:30.519
<v Speaker 1>that the ending I absolutely love because yeah, at that point,

1:08:30.600 --> 1:08:33.840
<v Speaker 1>I mean, no real spoilers here, but Jason has killed

1:08:34.000 --> 1:08:37.560
<v Speaker 1>everybody but these two kids, Um, it's been just a

1:08:37.640 --> 1:08:41.760
<v Speaker 1>traumatic night of just murder and death and doom and

1:08:41.880 --> 1:08:44.160
<v Speaker 1>running for your life. But then they encounter the dog

1:08:44.560 --> 1:08:47.200
<v Speaker 1>and they're like, oh, it's great. And then they just

1:08:47.320 --> 1:08:50.160
<v Speaker 1>go off into the city like they're they're just on

1:08:50.280 --> 1:08:53.559
<v Speaker 1>vacation and like everyone or most of the people they knew,

1:08:53.880 --> 1:08:56.680
<v Speaker 1>did not just all die violently. Yeah, I think do

1:08:56.800 --> 1:08:58.680
<v Speaker 1>they go get a hot dog or something? You get

1:08:58.680 --> 1:09:00.080
<v Speaker 1>a hot dog? And they walked through the park that

1:09:00.160 --> 1:09:02.960
<v Speaker 1>sort of thing. Um, well we're finally in New York,

1:09:03.439 --> 1:09:06.519
<v Speaker 1>um and uh. But so it's Renny in the car,

1:09:06.720 --> 1:09:09.800
<v Speaker 1>along with another character named Mrs Van Duson, who is

1:09:09.920 --> 1:09:13.719
<v Speaker 1>a kind and nurturing teacher who just repeatedly tells Renny

1:09:13.800 --> 1:09:16.960
<v Speaker 1>that she is so smart and so special. She explodes

1:09:17.080 --> 1:09:21.120
<v Speaker 1>later in the movie. Yeah, played by Barbara Bingham, by

1:09:21.160 --> 1:09:24.800
<v Speaker 1>the way. Yeah, so they introduced them in this the

1:09:24.840 --> 1:09:27.719
<v Speaker 1>scene where they're like sitting in a car, and it's

1:09:27.800 --> 1:09:31.920
<v Speaker 1>so like the first like seventeen minutes of this movie

1:09:31.960 --> 1:09:35.160
<v Speaker 1>where there's like all these exposition lines. It's like almost

1:09:35.280 --> 1:09:38.960
<v Speaker 1>every single line like clangs in some weird way that

1:09:39.120 --> 1:09:42.960
<v Speaker 1>feels wrong, and you're like, huh. But so they they

1:09:43.280 --> 1:09:46.559
<v Speaker 1>introduced these two characters. And the first thing Ms. Van

1:09:46.640 --> 1:09:49.680
<v Speaker 1>Duson does is she like gives Renny a gift. She

1:09:49.920 --> 1:09:53.360
<v Speaker 1>opens up a box and inside it's like a fountain pen.

1:09:54.120 --> 1:09:57.920
<v Speaker 1>And the teacher says, Stephen King supposedly used it in

1:09:58.080 --> 1:10:04.000
<v Speaker 1>high school. I love it. Stephen King's holy pen, a

1:10:04.120 --> 1:10:08.720
<v Speaker 1>holy relic, supposedly used it. Really, how did she acquire it?

1:10:08.800 --> 1:10:10.599
<v Speaker 1>I don't know. Why is she giving it to Renny?

1:10:10.680 --> 1:10:12.800
<v Speaker 1>I don't know is Renny a writer? If so, that

1:10:13.000 --> 1:10:17.479
<v Speaker 1>is not not ever divulged. Yeah, yeah, but I love

1:10:17.600 --> 1:10:21.759
<v Speaker 1>that this holy artifact is is implanted into the picture.

1:10:22.479 --> 1:10:25.639
<v Speaker 1>It's it's interesting too because new Blood, the previous picture,

1:10:25.720 --> 1:10:30.519
<v Speaker 1>you know, is often summarized as being Carrie versus Jason yea,

1:10:30.720 --> 1:10:35.679
<v Speaker 1>which I mean loosely so, but anyway, yeah, here Stephen

1:10:35.760 --> 1:10:37.640
<v Speaker 1>King's pen and it will come up again. And then

1:10:37.720 --> 1:10:40.400
<v Speaker 1>immediately Ms. Van Deusen is like, You're the best student

1:10:40.479 --> 1:10:43.880
<v Speaker 1>I've ever had. You're so brave and strong, you are

1:10:43.920 --> 1:10:49.599
<v Speaker 1>going to survive this film. Vote of confidence. But meanwhile,

1:10:49.960 --> 1:10:53.200
<v Speaker 1>remember that boat Jason boarded in the previous scene. Uh,

1:10:53.600 --> 1:10:55.920
<v Speaker 1>here it is. Suddenly it appears to be floating in

1:10:55.960 --> 1:10:58.959
<v Speaker 1>the harbor next to the big passenger ship, the Lazarus,

1:10:59.320 --> 1:11:01.280
<v Speaker 1>and we see Jason like pop up out of the

1:11:01.360 --> 1:11:03.960
<v Speaker 1>water and begin to climb onto the second boat, the

1:11:04.000 --> 1:11:06.280
<v Speaker 1>boat bound for New York. And here we come to

1:11:07.439 --> 1:11:10.719
<v Speaker 1>a long running argument between my Friday the thirteenth enjoying

1:11:10.800 --> 1:11:14.320
<v Speaker 1>friends and I, And the question is this, does Jason

1:11:14.680 --> 1:11:17.560
<v Speaker 1>drive the boat? Does he drive the first boat to

1:11:17.640 --> 1:11:21.040
<v Speaker 1>the other boat, or does he merely remain on the

1:11:21.120 --> 1:11:24.320
<v Speaker 1>boat while it, I guess, drifts downstream to the harbor

1:11:25.120 --> 1:11:27.600
<v Speaker 1>if the ladder, does he stand the whole time or

1:11:27.680 --> 1:11:31.479
<v Speaker 1>does he sit while the boat is drifting. I have

1:11:31.600 --> 1:11:34.120
<v Speaker 1>long been of the opinion that, yeah, Jason drives that boat.

1:11:34.200 --> 1:11:36.840
<v Speaker 1>He's like work in the throttle, he's steering, he's driving.

1:11:37.040 --> 1:11:40.040
<v Speaker 1>We never see either way, so it's it's up to interpretation.

1:11:40.120 --> 1:11:43.360
<v Speaker 1>But a good friend of mine always insists Jason does

1:11:43.439 --> 1:11:45.960
<v Speaker 1>not drive the boat. He just thinks it doesn't work.

1:11:46.640 --> 1:11:49.479
<v Speaker 1>That's it reminds me of the whole Does Indiana Jones

1:11:50.000 --> 1:11:53.640
<v Speaker 1>climb into the U boat or does he cling to

1:11:53.680 --> 1:11:57.679
<v Speaker 1>the U boat for the entire journey part of Rated

1:11:57.800 --> 1:12:00.880
<v Speaker 1>Lost start on this one. I'm edge brought. I brought

1:12:00.960 --> 1:12:02.719
<v Speaker 1>it up because I got to think about it whilst

1:12:02.760 --> 1:12:05.840
<v Speaker 1>watching the picture. I think, on one hand, this is

1:12:05.960 --> 1:12:10.799
<v Speaker 1>essentially a Dracula Demeter situation. You know, Dracula kills everyone

1:12:10.960 --> 1:12:14.720
<v Speaker 1>aboard the Demeter and it continues to deliver him to

1:12:14.840 --> 1:12:17.720
<v Speaker 1>his destination. Uh. And of course the ship, you know,

1:12:17.880 --> 1:12:21.800
<v Speaker 1>rolls up everyone's dead on board. Uh. But Dracula does

1:12:21.840 --> 1:12:24.800
<v Speaker 1>not pilot that vessel. Um. You know, it's just kind

1:12:24.840 --> 1:12:26.960
<v Speaker 1>of like it delivers him there, and you know, through

1:12:27.080 --> 1:12:30.600
<v Speaker 1>dark magic and destiny and so forth. Um. So on

1:12:30.720 --> 1:12:32.320
<v Speaker 1>one hand, I feel like that's got to be what's

1:12:32.320 --> 1:12:34.479
<v Speaker 1>going on here. But on the other hand, Jason can

1:12:34.720 --> 1:12:38.080
<v Speaker 1>use tools and machines. He does so sometimes to kill people.

1:12:38.680 --> 1:12:40.960
<v Speaker 1>And while water is part of his prison, he can

1:12:41.000 --> 1:12:43.600
<v Speaker 1>also clearly get around on water, and he's not handicapped

1:12:43.640 --> 1:12:47.639
<v Speaker 1>by it in like a vampire since so I guess

1:12:47.680 --> 1:12:49.680
<v Speaker 1>he could drive it. But then also this comes back

1:12:49.720 --> 1:12:52.599
<v Speaker 1>to why does Jason want or need to travel anywhere.

1:12:52.840 --> 1:12:55.320
<v Speaker 1>He's been very local up till now, and suddenly he's

1:12:55.320 --> 1:12:57.479
<v Speaker 1>going to go to New York or he's gonna check

1:12:57.520 --> 1:13:00.599
<v Speaker 1>out this boat. I don't know. Yeah, and mean, so far,

1:13:00.880 --> 1:13:04.519
<v Speaker 1>Jason has been almost like uh, like a like a

1:13:04.640 --> 1:13:08.439
<v Speaker 1>century robot that protects a particular location. So it's like

1:13:08.520 --> 1:13:11.280
<v Speaker 1>you come into his territory and then he will do

1:13:11.439 --> 1:13:15.080
<v Speaker 1>violence against you. He's not like going out elsewhere until

1:13:15.160 --> 1:13:17.680
<v Speaker 1>this movie. I guess it's supposed to be like a

1:13:17.760 --> 1:13:22.479
<v Speaker 1>situation of he's an accidental stowaway or he's he's drawn

1:13:22.600 --> 1:13:25.080
<v Speaker 1>in by the fact that Renny has this weird connection

1:13:25.200 --> 1:13:28.439
<v Speaker 1>with him, like with at least with some aspects of him.

1:13:28.479 --> 1:13:30.720
<v Speaker 1>It gets kind of weird with the various hallucinations she

1:13:30.880 --> 1:13:35.960
<v Speaker 1>has a young zombie mutant Jason um some very nice

1:13:36.280 --> 1:13:39.879
<v Speaker 1>hallucination sequences. By the way, there are some very artistic

1:13:40.240 --> 1:13:43.799
<v Speaker 1>sequences in this film dealing with her flashbacks and visions

1:13:43.840 --> 1:13:47.400
<v Speaker 1>and hallucinations that I don't think it enough credit. Okay,

1:13:47.640 --> 1:13:49.320
<v Speaker 1>so we're not gonna explain the whole plot, but we

1:13:49.320 --> 1:13:51.880
<v Speaker 1>should at least mention who some of the main characters are.

1:13:52.040 --> 1:13:54.320
<v Speaker 1>So you got Renny, and you've got miss van Duson

1:13:54.520 --> 1:13:57.120
<v Speaker 1>and they're getting on the boat, then I would say

1:13:57.200 --> 1:13:59.880
<v Speaker 1>you've got Sean. Sean is the pretty boy again. He

1:14:00.040 --> 1:14:02.960
<v Speaker 1>fills the role of the final girl's love interest. He

1:14:03.160 --> 1:14:08.040
<v Speaker 1>is handsome, heroic, and otherwise devoid of personality traits. They

1:14:08.160 --> 1:14:11.080
<v Speaker 1>tried to fill in some character shading on this one

1:14:11.240 --> 1:14:14.080
<v Speaker 1>with one of the most ludicrous connections they could have

1:14:14.160 --> 1:14:19.280
<v Speaker 1>come up with. Sean's father happens to be the captain

1:14:19.560 --> 1:14:22.040
<v Speaker 1>of the ship that they are all riding to New York,

1:14:22.720 --> 1:14:26.000
<v Speaker 1>and Sean is a great disappointment to his father, who,

1:14:26.040 --> 1:14:28.000
<v Speaker 1>by the way, kind of looks like l Ron Hubbard

1:14:28.080 --> 1:14:32.360
<v Speaker 1>in his sea captain outfit. Because Sean, Sean is a

1:14:32.400 --> 1:14:36.680
<v Speaker 1>disappointment because he is a failure at being a boat captain. Uh,

1:14:36.880 --> 1:14:38.519
<v Speaker 1>He's like, I guess his dad wants him to be

1:14:38.600 --> 1:14:41.200
<v Speaker 1>a boat captain as well, and Sean like forgets to

1:14:41.280 --> 1:14:45.320
<v Speaker 1>do the international maritime signal when they're going underway and stuff.

1:14:45.640 --> 1:14:48.439
<v Speaker 1>All right, So that's Sean, and Sean will redeem himself

1:14:48.600 --> 1:14:52.599
<v Speaker 1>later on in my eyes anyway. Oh okay, I can't

1:14:52.640 --> 1:14:55.840
<v Speaker 1>wait to hear it. Okay, So we also got like

1:14:55.960 --> 1:14:59.800
<v Speaker 1>the principal guy, Mr McCulloch, who is a strict and

1:15:00.040 --> 1:15:04.120
<v Speaker 1>overbearing either teacher or principal. He happens to be chaperoning

1:15:04.240 --> 1:15:12.720
<v Speaker 1>this senior trip. His interests include scolding, shouting, finger wagging, warning, hectoring, excoriating,

1:15:12.840 --> 1:15:17.240
<v Speaker 1>and naysaying. He's like a combination of Principal Skinner and

1:15:17.439 --> 1:15:21.559
<v Speaker 1>Robert Stack from Unsolved Mysteries. Yeah, and like I said,

1:15:21.680 --> 1:15:25.080
<v Speaker 1>this is a character that initially seems unlikable and is

1:15:25.160 --> 1:15:27.080
<v Speaker 1>just a stick in the mud and is the authority

1:15:27.120 --> 1:15:29.719
<v Speaker 1>figure to the teens. But also we get additional wrinkles

1:15:29.800 --> 1:15:31.960
<v Speaker 1>later on where we learned that he is maybe a

1:15:32.040 --> 1:15:35.799
<v Speaker 1>little slow to say, hey, teenage student, put your clothing

1:15:35.840 --> 1:15:38.599
<v Speaker 1>back on. And also he is the type of uncle

1:15:38.640 --> 1:15:40.920
<v Speaker 1>who will just push you into the lake to help

1:15:41.000 --> 1:15:43.160
<v Speaker 1>you learn how to swim, even though there there may

1:15:43.200 --> 1:15:46.040
<v Speaker 1>be like undead monster children down there somewhere. Yeah. So,

1:15:46.640 --> 1:15:51.080
<v Speaker 1>so Rennie's like character flaw is that she's afraid of

1:15:51.120 --> 1:15:54.840
<v Speaker 1>the water. Uh. Yeah, And and we learned in a

1:15:54.920 --> 1:15:57.400
<v Speaker 1>flashback later on, I think when Rennie is staring at

1:15:57.479 --> 1:16:00.200
<v Speaker 1>us puddle in the street, or maybe it's all of

1:16:00.280 --> 1:16:03.200
<v Speaker 1>gasoline after a car explode. God, yes, it's after the

1:16:03.439 --> 1:16:06.559
<v Speaker 1>car explode. This is one of the many wonderfully shot

1:16:06.680 --> 1:16:09.280
<v Speaker 1>like this is like a beautiful moment in this film.

1:16:10.080 --> 1:16:13.599
<v Speaker 1>Um that I was captivated by m okay. Uh. Well,

1:16:13.760 --> 1:16:15.560
<v Speaker 1>she does look into a puddle and she has a

1:16:15.640 --> 1:16:19.120
<v Speaker 1>memory of when uh this guy, oh, who we also

1:16:19.160 --> 1:16:22.880
<v Speaker 1>find out is her uncle and guardian. Yeah, she's looking

1:16:22.920 --> 1:16:25.519
<v Speaker 1>into the flaming puddle and then we see something's moving

1:16:25.560 --> 1:16:28.160
<v Speaker 1>across the puddle. What is it? Is it a tiny boat?

1:16:28.560 --> 1:16:31.560
<v Speaker 1>And it is like the yeah, the memory that the

1:16:32.240 --> 1:16:34.360
<v Speaker 1>that the wide shot of the boat on the lake

1:16:34.479 --> 1:16:38.400
<v Speaker 1>on Crystal Lake, but like superimposed or whatever within the

1:16:38.520 --> 1:16:43.040
<v Speaker 1>flaming puddle, and everything's very soft focus because it's a flashback,

1:16:43.160 --> 1:16:46.080
<v Speaker 1>and it's like her as a kid and her her

1:16:46.400 --> 1:16:49.680
<v Speaker 1>mean vice principal uncle is like, you're going to learn

1:16:49.760 --> 1:16:51.360
<v Speaker 1>to swim, and the way that will happen is I

1:16:51.400 --> 1:16:53.880
<v Speaker 1>will shove you into the water and command you to swim.

1:16:54.479 --> 1:16:57.920
<v Speaker 1>And she's like, no, I can't swim, and he's like, swim, swim,

1:16:58.080 --> 1:17:02.759
<v Speaker 1>you can do it. Oh, but the principal here, he Also,

1:17:03.240 --> 1:17:06.600
<v Speaker 1>he's the guy who once people start concluding that the

1:17:06.920 --> 1:17:09.920
<v Speaker 1>murders are being committed by Jason Vorhees, just like the

1:17:10.120 --> 1:17:12.800
<v Speaker 1>in the old stories, this guy is the doubter who

1:17:12.880 --> 1:17:16.080
<v Speaker 1>must be punished for his skepticism. Most of the Jason

1:17:16.160 --> 1:17:19.519
<v Speaker 1>movies have some form of this. Somebody's like, Jason Vorhees

1:17:19.600 --> 1:17:22.320
<v Speaker 1>is dead. You know, you're being ridiculous. He can't be

1:17:22.479 --> 1:17:25.000
<v Speaker 1>behind this, and then a couple of scenes later, Jason

1:17:25.360 --> 1:17:35.920
<v Speaker 1>cuts them in half of the saw or something. So

1:17:36.080 --> 1:17:39.080
<v Speaker 1>let's see who are the other major characters among the

1:17:39.360 --> 1:17:42.519
<v Speaker 1>mini victims. There's there's Julius. As we said, he's kind

1:17:42.520 --> 1:17:45.040
<v Speaker 1>of the jock character, but he's not the standard jock bully.

1:17:45.479 --> 1:17:48.599
<v Speaker 1>He's more of a a sort of likable, brash hero.

1:17:48.880 --> 1:17:51.360
<v Speaker 1>He's a boxer in training. We see him doing a

1:17:51.520 --> 1:17:55.920
<v Speaker 1>boxing scene. There's like a boxing ring on this boat. Uh.

1:17:56.040 --> 1:17:59.120
<v Speaker 1>And there's a scene where once they figure out Jason's

1:17:59.160 --> 1:18:03.400
<v Speaker 1>murdering everybody. Um, Mr McCulloch is like, everyone do what

1:18:03.600 --> 1:18:09.160
<v Speaker 1>I say, and Julius says, no schools out and he

1:18:09.240 --> 1:18:12.880
<v Speaker 1>has a stupendous boxing match with Jason on the roof

1:18:12.960 --> 1:18:15.400
<v Speaker 1>of a nondescript building. I think In an earlier draft

1:18:15.439 --> 1:18:17.000
<v Speaker 1>of the script, this was going to take place at

1:18:17.040 --> 1:18:19.959
<v Speaker 1>Madison Square Garden. Oh, it's a it is a wonderful

1:18:20.160 --> 1:18:23.439
<v Speaker 1>fight sequence because, yeah, he stands up to Jason. He

1:18:23.520 --> 1:18:27.240
<v Speaker 1>starts throwing punches. He's connecting with these punches. Jason staggering

1:18:27.320 --> 1:18:30.920
<v Speaker 1>a bit. He's working Jason towards the edge of the roof,

1:18:31.400 --> 1:18:34.120
<v Speaker 1>and you know, and you know what's gonna happen. You know,

1:18:34.280 --> 1:18:36.439
<v Speaker 1>he's not gonna get a knockout on Jason, or if

1:18:36.479 --> 1:18:38.599
<v Speaker 1>he does, Jason's gonna get up and stab him or something.

1:18:38.920 --> 1:18:41.200
<v Speaker 1>So you know, this isn't gonna work. But but for

1:18:41.280 --> 1:18:45.280
<v Speaker 1>a minute, there's hope. But then he's he wears himself out,

1:18:45.439 --> 1:18:48.200
<v Speaker 1>just wears himself out punching on Jason, and then out

1:18:48.280 --> 1:18:51.559
<v Speaker 1>of breath, he he's he dares Jason to give him

1:18:51.640 --> 1:18:54.040
<v Speaker 1>a shot. He's like, give me your best shot. Jason

1:18:54.560 --> 1:18:58.719
<v Speaker 1>rears back, punches his head completely off, which goes flying

1:18:58.800 --> 1:19:01.800
<v Speaker 1>off the roof of the building into a dumpster. And

1:19:01.840 --> 1:19:04.960
<v Speaker 1>then we get rolling headcam. Did you know they like

1:19:05.160 --> 1:19:08.160
<v Speaker 1>they have like a tumbling camera shot. It's from the

1:19:08.240 --> 1:19:10.280
<v Speaker 1>point of view of the rolling head. Yeah, I think

1:19:10.320 --> 1:19:14.880
<v Speaker 1>they took that from Polanski's Macbeth. I think we had

1:19:14.880 --> 1:19:16.680
<v Speaker 1>a rolling head shot. There is a there's there is

1:19:16.720 --> 1:19:20.240
<v Speaker 1>a decapitated head p o V in that movie. Maybe

1:19:20.280 --> 1:19:23.599
<v Speaker 1>there's some connection. Let's see, there's some other characters. There's

1:19:23.840 --> 1:19:25.880
<v Speaker 1>there's the mean girl in movie like this, you gotta

1:19:25.880 --> 1:19:28.519
<v Speaker 1>have the mean girl. I think the character's name is Tamara.

1:19:29.120 --> 1:19:31.360
<v Speaker 1>Uh So a lot of these movies have a character

1:19:31.840 --> 1:19:34.519
<v Speaker 1>like in part seven, I think the one she's named Melissa.

1:19:35.040 --> 1:19:37.600
<v Speaker 1>This is basically a blonde girl who is implied to

1:19:37.720 --> 1:19:40.280
<v Speaker 1>be from a rich family who's at the top of

1:19:40.320 --> 1:19:43.320
<v Speaker 1>the social pyramid, who bullies everyone of a of a

1:19:43.439 --> 1:19:47.400
<v Speaker 1>lesser station in that social pyramid. Uh usually including doing

1:19:47.479 --> 1:19:50.240
<v Speaker 1>some kind of mean prank or diss on the final girl.

1:19:50.880 --> 1:19:54.679
<v Speaker 1>Tamera also does the drugs though, and she she shoves

1:19:55.000 --> 1:19:57.839
<v Speaker 1>Renny off the side of the boat for no reason,

1:19:57.960 --> 1:20:01.519
<v Speaker 1>like really just like oops, whoops, shoves her into the water,

1:20:02.280 --> 1:20:04.720
<v Speaker 1>though she was on the drugs at the time. Yes,

1:20:05.320 --> 1:20:08.280
<v Speaker 1>speaking of the drugs, you also have Tamora's friend Eva.

1:20:08.439 --> 1:20:10.600
<v Speaker 1>This is the one played by Kelly who who is

1:20:10.720 --> 1:20:14.720
<v Speaker 1>like the nicer, cool girl. She's best friends with the

1:20:14.800 --> 1:20:19.160
<v Speaker 1>evil rich girl. There's one part where the mean girl

1:20:19.280 --> 1:20:22.920
<v Speaker 1>is like, um hey, let's do illegal drugs, and Eva

1:20:23.040 --> 1:20:24.800
<v Speaker 1>is like, I don't know what if I lose my

1:20:25.000 --> 1:20:30.559
<v Speaker 1>science scholarship. Yeah. Yeah, she seems like a good character.

1:20:30.680 --> 1:20:33.720
<v Speaker 1>I thought she is. She is doomed by association. You

1:20:33.800 --> 1:20:36.120
<v Speaker 1>got Wayne, this is the geek of the movie. This

1:20:36.280 --> 1:20:38.280
<v Speaker 1>is the a V Club guy. He's running around with

1:20:38.320 --> 1:20:44.000
<v Speaker 1>a video camera. Actually predating the creation of the found

1:20:44.080 --> 1:20:47.080
<v Speaker 1>footage movie. This is a movie where a character in

1:20:47.160 --> 1:20:51.000
<v Speaker 1>a life or death scenario is still filming everything. Yeah. Yeah,

1:20:51.240 --> 1:20:53.000
<v Speaker 1>I thought about that a little bit. Yeah, it's like, oh,

1:20:53.080 --> 1:20:55.080
<v Speaker 1>this is this is kind of like this would be

1:20:55.120 --> 1:20:58.960
<v Speaker 1>the whole movie later on annoyingly. Um so maybe that

1:20:59.080 --> 1:21:01.320
<v Speaker 1>was one of the reasons it. I was increasingly in

1:21:01.400 --> 1:21:05.040
<v Speaker 1>favor of this character's death. We already mentioned Miles because

1:21:05.120 --> 1:21:07.160
<v Speaker 1>this is the guy played by Gordon Curry who's in

1:21:07.200 --> 1:21:10.559
<v Speaker 1>the Left Behind movies, but also I wanted to mention

1:21:10.640 --> 1:21:12.840
<v Speaker 1>a few things about him, even though he is not

1:21:13.000 --> 1:21:15.519
<v Speaker 1>a very notable character. In fact, I don't know if

1:21:15.560 --> 1:21:18.639
<v Speaker 1>he has any lines that remain in the final cut.

1:21:18.720 --> 1:21:21.120
<v Speaker 1>He's just standing around. Maybe he's a couple. Yeah, he's

1:21:21.200 --> 1:21:24.560
<v Speaker 1>so unnotable that I had him. I had his his

1:21:24.760 --> 1:21:28.720
<v Speaker 1>character misattributed in the notes here. I was thinking this

1:21:28.880 --> 1:21:31.080
<v Speaker 1>actor must be the guy who plays the video game.

1:21:31.120 --> 1:21:33.679
<v Speaker 1>I don't know, I added backwards, it's easy to blend

1:21:33.720 --> 1:21:36.120
<v Speaker 1>these characters together. Well, I wanted to mention a couple

1:21:36.160 --> 1:21:38.240
<v Speaker 1>of things about him. One is that when we first

1:21:38.280 --> 1:21:40.920
<v Speaker 1>see him, he's in like the pilots I don't know

1:21:41.000 --> 1:21:42.760
<v Speaker 1>what you call it, the pilot's room, the place where

1:21:42.800 --> 1:21:45.840
<v Speaker 1>you pilot the ship. He's standing there with Shawn and

1:21:45.960 --> 1:21:49.960
<v Speaker 1>Shawn's dad, dressed up in the captain's uniform. Uh. And

1:21:50.360 --> 1:21:52.360
<v Speaker 1>uh he appeared and in the scene he appears to

1:21:52.439 --> 1:21:55.080
<v Speaker 1>be wearing a sweatshirt with a picture of the Titanic

1:21:55.200 --> 1:21:58.840
<v Speaker 1>on it. And also there's a deleted scene that you

1:21:58.880 --> 1:22:01.040
<v Speaker 1>can watch. You got the low ray of this. Uh.

1:22:01.160 --> 1:22:04.320
<v Speaker 1>This when we very first meet this character. Uh. Captain

1:22:04.400 --> 1:22:07.720
<v Speaker 1>Daddy here says some hilarious line to It's hard to

1:22:07.800 --> 1:22:13.360
<v Speaker 1>capture the exact awkwardness of it, but it is something like, hello, Miles,

1:22:13.600 --> 1:22:18.160
<v Speaker 1>congratulations on winning second place on that intramural diving competition.

1:22:18.600 --> 1:22:20.360
<v Speaker 1>What do you say Once we're out on the ocean

1:22:20.400 --> 1:22:22.600
<v Speaker 1>and I cut the engines, throw anchor and let you

1:22:22.720 --> 1:22:25.519
<v Speaker 1>take a few dives off the back Yeah, that's that's

1:22:25.560 --> 1:22:28.639
<v Speaker 1>something you do. Yeah. Yeah, and uh I I can't

1:22:28.680 --> 1:22:30.920
<v Speaker 1>imagine why they cut that moment out. But then yeah,

1:22:30.960 --> 1:22:33.800
<v Speaker 1>and then I think blond guy is just like whoa

1:22:33.920 --> 1:22:37.519
<v Speaker 1>bodacious Yeah. Captain the actor playing Captain Daddy in this

1:22:37.880 --> 1:22:40.599
<v Speaker 1>uh is he has some some other line. There's one

1:22:40.680 --> 1:22:43.240
<v Speaker 1>where he's talking to I don't know his like first

1:22:43.360 --> 1:22:45.960
<v Speaker 1>night or something, asking him about his kid and how

1:22:46.000 --> 1:22:48.600
<v Speaker 1>old his kid is, and he's like eighteen months. And

1:22:48.640 --> 1:22:52.519
<v Speaker 1>then with like just such this earnest delivery, Captain Daddy

1:22:52.600 --> 1:22:55.559
<v Speaker 1>says hell of an age or something like that. Uh,

1:22:55.920 --> 1:22:58.000
<v Speaker 1>and it was, but it was like so earnestly delivered.

1:22:58.040 --> 1:22:59.840
<v Speaker 1>I was thinking to myself, is it it was? Was

1:23:00.040 --> 1:23:02.000
<v Speaker 1>eighteen month? Really a hell of an age? I don't know.

1:23:02.200 --> 1:23:03.920
<v Speaker 1>I don't know if it really was. I'm not sure

1:23:03.920 --> 1:23:05.680
<v Speaker 1>I would have been didn't didn't. I mean, this is

1:23:05.720 --> 1:23:10.439
<v Speaker 1>all relative, but I was I was quizzing. I was

1:23:10.680 --> 1:23:14.000
<v Speaker 1>quizzing myself over that proclamation. Okay, so you got all

1:23:14.040 --> 1:23:16.320
<v Speaker 1>the people on the boat, Jason gets on the boat,

1:23:16.400 --> 1:23:18.880
<v Speaker 1>the boat departs. After that, there is not a whole

1:23:18.960 --> 1:23:21.679
<v Speaker 1>lot of plot. Rather, there are just the standard mechanics

1:23:21.720 --> 1:23:24.600
<v Speaker 1>of a Friday and movie with some location twists. So

1:23:25.200 --> 1:23:28.160
<v Speaker 1>Jason murders basically everybody on the boat one by one.

1:23:28.439 --> 1:23:30.960
<v Speaker 1>This is the majority of the movie. Then the boat

1:23:31.040 --> 1:23:35.599
<v Speaker 1>starts exploding. Then the remaining survivors at the time, which

1:23:35.720 --> 1:23:40.120
<v Speaker 1>is Renny, Sean, Mr. McCulloch, Mrs Van Duson, and Julius

1:23:40.280 --> 1:23:43.439
<v Speaker 1>and the dog. The dog's okay. They take a rowboat

1:23:43.560 --> 1:23:46.479
<v Speaker 1>the rest of the way to Vancouver or I mean

1:23:46.560 --> 1:23:49.519
<v Speaker 1>New York. They see the Statue of Liberty and they cheer.

1:23:50.160 --> 1:23:53.120
<v Speaker 1>Then they like go up to a dock, and the

1:23:53.320 --> 1:23:56.160
<v Speaker 1>moment they arrive in New York, like literally as they're

1:23:56.240 --> 1:23:59.360
<v Speaker 1>leaving the dock, they are attacked by a heavy metal band. Uh.

1:24:00.000 --> 1:24:02.360
<v Speaker 1>And then Jason chases them around New York for like

1:24:02.439 --> 1:24:06.439
<v Speaker 1>fifteen minutes and kills everybody except Renny and Sean. And

1:24:06.600 --> 1:24:09.680
<v Speaker 1>then in a final twist, Jason is defeated when he

1:24:09.840 --> 1:24:12.400
<v Speaker 1>follows them into the sewer. The sewer, we're told by

1:24:12.400 --> 1:24:16.120
<v Speaker 1>a sewer worker, floods every night at midnight with toxic waste.

1:24:17.000 --> 1:24:20.080
<v Speaker 1>The clock strokes midnight, Jason is hit by toxic waste.

1:24:20.120 --> 1:24:22.560
<v Speaker 1>Renny and Shawn avoided by climbing up a ladder, and

1:24:22.640 --> 1:24:26.519
<v Speaker 1>then the toxic waste turns Jason back into a child

1:24:26.760 --> 1:24:31.519
<v Speaker 1>version of himself. Well, um, I have some thoughts on this.

1:24:31.760 --> 1:24:34.200
<v Speaker 1>So we're talking about a little bit about this off Mike,

1:24:34.760 --> 1:24:41.040
<v Speaker 1>because yes, the flood of toxic waste moves in, destroys Jason,

1:24:41.120 --> 1:24:43.760
<v Speaker 1>and then when she looks down, she sees him as

1:24:43.800 --> 1:24:46.880
<v Speaker 1>a child again. Now, my interpretation of this is that

1:24:47.120 --> 1:24:50.720
<v Speaker 1>Jason is actually just um sludge at this point. He's

1:24:50.800 --> 1:24:54.880
<v Speaker 1>toxic sludge like floating in the shape of Adjason in

1:24:54.960 --> 1:25:00.320
<v Speaker 1>the water. But via her weird hallucinogenic connection with ghost

1:25:00.400 --> 1:25:03.439
<v Speaker 1>kid Jason, which has established several times in the movie

1:25:03.520 --> 1:25:08.760
<v Speaker 1>with some really at times I think, very creative hallucination sequences. Um,

1:25:09.360 --> 1:25:12.919
<v Speaker 1>she sees the child, That's what she sees there instead

1:25:13.080 --> 1:25:16.479
<v Speaker 1>of of the sludge. It's like she sees Jason the

1:25:16.640 --> 1:25:21.200
<v Speaker 1>child finally at peace, finally uh you know actually, and

1:25:21.320 --> 1:25:23.720
<v Speaker 1>so he's sleeping, but he's sleeping the eternal sleep of

1:25:23.960 --> 1:25:27.200
<v Speaker 1>of of true death. But I mean, this is a

1:25:27.240 --> 1:25:30.519
<v Speaker 1>movie with magic in it, so it could be he

1:25:30.800 --> 1:25:33.320
<v Speaker 1>was turned into a straight up child. Uh, and the

1:25:33.479 --> 1:25:35.559
<v Speaker 1>child is floating now in the sewers of New York.

1:25:35.960 --> 1:25:42.000
<v Speaker 1>It invites interpretational like this film is like taxi driver. Um, okay, oh,

1:25:42.120 --> 1:25:44.120
<v Speaker 1>let's see, let's see, let's see. What else did I

1:25:44.360 --> 1:25:48.080
<v Speaker 1>want to so? Um? I love that the new Even

1:25:48.200 --> 1:25:49.880
<v Speaker 1>you spend so much time on the boat, it feels

1:25:49.920 --> 1:25:51.600
<v Speaker 1>like you're always going to be on the boat. And

1:25:51.640 --> 1:25:53.879
<v Speaker 1>then when you do finally get to New York. Despite

1:25:53.920 --> 1:25:55.880
<v Speaker 1>the fact that this was the selling point of the movie,

1:25:56.280 --> 1:25:59.519
<v Speaker 1>it weird. It weirdly feels like bonus movie. It's like

1:26:00.800 --> 1:26:03.560
<v Speaker 1>it was an interesting feeling, even though again this was

1:26:03.640 --> 1:26:06.360
<v Speaker 1>what we were sold in the teaser trailers that it

1:26:06.439 --> 1:26:08.600
<v Speaker 1>was gonna be Jason in New York. Right before you

1:26:08.680 --> 1:26:10.840
<v Speaker 1>logged on here, Rob Seth and I were talking about it,

1:26:10.920 --> 1:26:13.439
<v Speaker 1>and Seth suggested that the movie could be called Jason

1:26:13.520 --> 1:26:18.360
<v Speaker 1>Still Cruising. That would be good because it is mostly boat. Yeah,

1:26:18.880 --> 1:26:21.600
<v Speaker 1>it is. It's kind of like I mentioned Dracula and

1:26:21.920 --> 1:26:26.000
<v Speaker 1>the Demeter earlier. Again, the section where Dracula is on

1:26:26.439 --> 1:26:28.599
<v Speaker 1>the boat is just a small portion of the novel,

1:26:29.040 --> 1:26:32.280
<v Speaker 1>a great portion, that is, you know, given adequate amount

1:26:32.280 --> 1:26:35.800
<v Speaker 1>of time and space in the novel. Um But then again,

1:26:35.880 --> 1:26:39.600
<v Speaker 1>the novel is not titled Dracula Goes to England, so

1:26:39.800 --> 1:26:42.880
<v Speaker 1>or Dracula takes England or whatever. So it's it's like

1:26:43.040 --> 1:26:46.120
<v Speaker 1>it's different in that regard as well, but there's at

1:26:46.160 --> 1:26:47.920
<v Speaker 1>least well, I think there's a movie project in the

1:26:48.040 --> 1:26:51.200
<v Speaker 1>works called like the Last Voyage of the Demeter that

1:26:51.400 --> 1:26:54.080
<v Speaker 1>is going to be like, okay, that one section of

1:26:54.120 --> 1:26:57.799
<v Speaker 1>the novel as a full blown motion picture. What happened

1:26:57.840 --> 1:27:02.599
<v Speaker 1>on the boat that that that transported Dracula to England?

1:27:03.040 --> 1:27:05.040
<v Speaker 1>How did all those people die? What's all sorts of

1:27:05.120 --> 1:27:07.680
<v Speaker 1>horrible things occurred? And to a certain extent, you could

1:27:07.680 --> 1:27:09.560
<v Speaker 1>almost look like, look at this movie like that, like

1:27:09.640 --> 1:27:11.680
<v Speaker 1>this movie is trying to fill in a gap that

1:27:11.760 --> 1:27:16.560
<v Speaker 1>nobody wanted filled in just yet. This is interesting comparing

1:27:17.080 --> 1:27:19.800
<v Speaker 1>Uh Jason Takes Manhattan to Dracula, there are a lot

1:27:19.880 --> 1:27:22.000
<v Speaker 1>of parallels. I mean, they're both a movie about a

1:27:22.080 --> 1:27:25.280
<v Speaker 1>sort of monster that is the that is the master

1:27:25.600 --> 1:27:28.760
<v Speaker 1>of its own rural domain. It is out somewhere far

1:27:28.880 --> 1:27:31.599
<v Speaker 1>from the city, and it's even tied to the soil

1:27:32.120 --> 1:27:34.719
<v Speaker 1>of that location. Yes, yes, it's tied to the soil.

1:27:34.760 --> 1:27:38.200
<v Speaker 1>And then makes a journey by sea to the metropolitan

1:27:38.320 --> 1:27:41.680
<v Speaker 1>center and uh and arrives where there is you know,

1:27:41.840 --> 1:27:45.600
<v Speaker 1>great population density and modernity and technology and comes in

1:27:45.720 --> 1:27:49.519
<v Speaker 1>collision with all these things. Okay, yeah, this is a

1:27:49.560 --> 1:27:53.479
<v Speaker 1>good Dracula is Jason takes Manhattan. I like it. Um.

1:27:54.080 --> 1:27:56.640
<v Speaker 1>Now you mentioned major center of population. That's one of

1:27:56.680 --> 1:27:58.960
<v Speaker 1>the reasons I love when they initially show up in

1:27:59.040 --> 1:28:02.720
<v Speaker 1>New York because it seems almost completely depopulated at first.

1:28:02.960 --> 1:28:05.479
<v Speaker 1>This is the largest city in the US, and Manhattan

1:28:05.600 --> 1:28:09.160
<v Speaker 1>Island is a major center of population, and yet there's

1:28:09.240 --> 1:28:14.120
<v Speaker 1>virtually nobody there. It's it's only violent criminals. Yeah, you

1:28:14.200 --> 1:28:18.040
<v Speaker 1>expect to see snake pliskin wandering around back there is something. Yeah,

1:28:18.400 --> 1:28:22.120
<v Speaker 1>I found it interesting that McCulloch dies in that what

1:28:22.240 --> 1:28:24.160
<v Speaker 1>I think is the same barrel of sludge that had

1:28:24.200 --> 1:28:27.599
<v Speaker 1>the rat in it from earlier. Uh, Jason just dumps

1:28:27.680 --> 1:28:30.080
<v Speaker 1>him over and drowns him, pushes his feet down into it.

1:28:30.479 --> 1:28:34.880
<v Speaker 1>He kills him with the dip from Roger Rabbit. It's like,

1:28:35.040 --> 1:28:37.920
<v Speaker 1>you know, he's the judge. Yeah. Yeah, And meanwhile he's

1:28:37.960 --> 1:28:42.960
<v Speaker 1>down there going in current b Jayson warries. We we

1:28:43.080 --> 1:28:46.120
<v Speaker 1>get subway tunnel action, which instantly, I mean, you put

1:28:46.160 --> 1:28:48.719
<v Speaker 1>a monster in a subway and I'm there, I'm committed

1:28:48.720 --> 1:28:51.759
<v Speaker 1>to the picture. And this is this the action sequence

1:28:51.840 --> 1:28:56.760
<v Speaker 1>to where Sean totally redeems himself, jumps at at like

1:28:56.960 --> 1:29:01.560
<v Speaker 1>leaps at Jason and administers a lying bulldog like a

1:29:01.680 --> 1:29:05.720
<v Speaker 1>flying headlock head driver like he's a Steiner brother coming

1:29:05.760 --> 1:29:09.439
<v Speaker 1>off the top rope and drives Jason head first into

1:29:09.520 --> 1:29:13.360
<v Speaker 1>the third rail electrocuting. I want to hear the math

1:29:13.479 --> 1:29:16.880
<v Speaker 1>promo for that. It was fabulous. I loved it. I

1:29:16.960 --> 1:29:20.000
<v Speaker 1>had to watch it twice. Um so, yeah, they battle

1:29:20.040 --> 1:29:22.519
<v Speaker 1>down there, they come out into Times Square and all

1:29:22.600 --> 1:29:25.960
<v Speaker 1>there's this glorious moment where we had established punks in

1:29:26.080 --> 1:29:29.880
<v Speaker 1>Times Square earlier, same punks are there again, listening to

1:29:30.000 --> 1:29:32.120
<v Speaker 1>rap music. They have rap music playing on their um

1:29:32.880 --> 1:29:36.360
<v Speaker 1>their boom box, and Jason comes by. He's after our

1:29:36.400 --> 1:29:39.800
<v Speaker 1>main characters, but he has time to to violently kick

1:29:39.880 --> 1:29:42.680
<v Speaker 1>over their boom box. They do not react well to this,

1:29:42.840 --> 1:29:44.760
<v Speaker 1>and they're like, they're like hey man, They're like, you know,

1:29:44.840 --> 1:29:47.880
<v Speaker 1>stepping to Jason. Jason just turns around. He doesn't have

1:29:47.960 --> 1:29:49.519
<v Speaker 1>time to kill them all. He's suddenly in an area

1:29:49.560 --> 1:29:52.160
<v Speaker 1>where they're just this is a new situation for Jason, right,

1:29:52.400 --> 1:29:54.439
<v Speaker 1>there are too many people to kill all of them.

1:29:54.680 --> 1:29:57.800
<v Speaker 1>He has to leave some behind. But to to get

1:29:57.880 --> 1:30:00.719
<v Speaker 1>rid of the punks. He just turns around, actually lifts

1:30:00.800 --> 1:30:03.880
<v Speaker 1>up his mask. We don't see anything. He's facing away

1:30:03.920 --> 1:30:06.040
<v Speaker 1>from the camera, but they all just run away in fear.

1:30:07.040 --> 1:30:09.880
<v Speaker 1>Wonderful moment. Loved this moment, but we don't. Yeah, so

1:30:10.120 --> 1:30:12.080
<v Speaker 1>it's it's great because in this movie, we haven't seen

1:30:12.160 --> 1:30:13.840
<v Speaker 1>what his face design is going to look like yet,

1:30:13.880 --> 1:30:16.439
<v Speaker 1>so we're we're enticed. We're like, how scary is it

1:30:16.479 --> 1:30:20.880
<v Speaker 1>gonna be? And oh boy, the reveal is so underwhelming. Yeah,

1:30:21.120 --> 1:30:23.639
<v Speaker 1>especially coming off of New Blood, because in New Blood

1:30:23.800 --> 1:30:27.240
<v Speaker 1>the reveal is horrifying. They do a great job of like, oh,

1:30:27.280 --> 1:30:30.200
<v Speaker 1>you've ripped off his mask and it's not you know,

1:30:30.320 --> 1:30:32.800
<v Speaker 1>it's it's the thing is I guess sometimes in these

1:30:32.880 --> 1:30:35.760
<v Speaker 1>films it's like Jason is supposed to be kind of

1:30:35.960 --> 1:30:39.360
<v Speaker 1>awkward and disfigured underneath. Like it comes back to the

1:30:39.400 --> 1:30:42.840
<v Speaker 1>basic hard trope, what does removing the mask do? Are

1:30:42.960 --> 1:30:45.680
<v Speaker 1>you like, are you revealing like the shame or the

1:30:45.760 --> 1:30:50.400
<v Speaker 1>weakness of the individual. Are you unleashing the monster even more?

1:30:51.000 --> 1:30:53.840
<v Speaker 1>And in New Blood it was definitely a release of

1:30:53.880 --> 1:30:58.120
<v Speaker 1>the monster because this this this grizzled and disfigured and

1:30:58.320 --> 1:31:01.559
<v Speaker 1>rotting face of a rev It is just just terrifying

1:31:01.640 --> 1:31:04.280
<v Speaker 1>to it to behold. In this movie, I feel like

1:31:04.360 --> 1:31:07.280
<v Speaker 1>we take a step backwards and we get more into

1:31:07.439 --> 1:31:11.960
<v Speaker 1>the Let's reveal the like the awkward dirtiness of the

1:31:12.200 --> 1:31:15.080
<v Speaker 1>of the Revenant. Let's take away some of his strength

1:31:15.200 --> 1:31:17.880
<v Speaker 1>by unmasking him. Yeah, his face in this movie is

1:31:17.920 --> 1:31:21.920
<v Speaker 1>kind of cute. He's almost like a slimy gray muppet. Yeah,

1:31:22.040 --> 1:31:23.640
<v Speaker 1>he has kind of a muppet qualities, kind of like

1:31:24.960 --> 1:31:28.200
<v Speaker 1>kind of a sensibility when in the face is revealed.

1:31:28.240 --> 1:31:32.599
<v Speaker 1>After Um, I believe, she picks up a bucket that's

1:31:32.720 --> 1:31:37.920
<v Speaker 1>labeled toxic waste right down in the sewers, because they

1:31:37.960 --> 1:31:41.000
<v Speaker 1>end up going into the sewers down the Chud territory. Yeah,

1:31:41.080 --> 1:31:43.400
<v Speaker 1>throws it in his face and it starts steaming, and

1:31:43.479 --> 1:31:46.840
<v Speaker 1>the mask comes off, and there's his there's there's the

1:31:47.200 --> 1:31:50.760
<v Speaker 1>face of Jason, and Jason takes Manhattan. It looks and

1:31:51.200 --> 1:31:53.840
<v Speaker 1>while it looks a little dirty at first, I will

1:31:53.960 --> 1:31:56.320
<v Speaker 1>say that as we proceed and we see him like

1:31:56.400 --> 1:31:59.640
<v Speaker 1>shambling down the tunnel after them, Um, I didn't look

1:31:59.680 --> 1:32:02.360
<v Speaker 1>as to me. So, Yeah, in this tunnel, they're they're

1:32:02.400 --> 1:32:04.679
<v Speaker 1>trying to escape Jason. They've come up out of the subway,

1:32:04.760 --> 1:32:06.840
<v Speaker 1>he chases them. They're in Times Square. This is the

1:32:06.920 --> 1:32:09.680
<v Speaker 1>actually shot in Times Square. I think there's like one

1:32:09.800 --> 1:32:12.519
<v Speaker 1>or two scenes actually shot in New York. This was

1:32:12.640 --> 1:32:14.240
<v Speaker 1>really Times Square. I guess they had to get the

1:32:14.320 --> 1:32:17.120
<v Speaker 1>crowds to the side, like behind the barricades to clear

1:32:17.120 --> 1:32:19.160
<v Speaker 1>it out for Jason. And and there are great stories

1:32:19.200 --> 1:32:21.400
<v Speaker 1>of when they were filming this, like it did draw crowds.

1:32:21.439 --> 1:32:25.479
<v Speaker 1>People were really excited to see Jason shooting in Times Square,

1:32:25.560 --> 1:32:27.320
<v Speaker 1>and you know, they were all waving to him and

1:32:27.360 --> 1:32:30.040
<v Speaker 1>blowing him kisses and stuff. And but yeah, after this,

1:32:30.160 --> 1:32:32.400
<v Speaker 1>they run into a diner. Somebody's trying to kill us.

1:32:32.479 --> 1:32:34.080
<v Speaker 1>Welcome to New York. They run out the back of

1:32:34.120 --> 1:32:37.240
<v Speaker 1>the diner. They run down into the sewers. They meet

1:32:37.280 --> 1:32:40.320
<v Speaker 1>a sewer worker who's like, we've got to get out

1:32:40.360 --> 1:32:42.960
<v Speaker 1>of here. The sewers flood with toxic waste every night

1:32:43.040 --> 1:32:45.800
<v Speaker 1>at midnight. And then Jason hits that guy with a

1:32:45.840 --> 1:32:48.800
<v Speaker 1>wrench and then she throws toxic waste in his face,

1:32:49.080 --> 1:32:52.000
<v Speaker 1>and then the floods come and and that's it. Yeah,

1:32:52.479 --> 1:32:56.600
<v Speaker 1>it's a it's a it's a magical ending. But the

1:32:56.680 --> 1:32:58.400
<v Speaker 1>dog is okay. They come up out of the sewer,

1:32:58.720 --> 1:33:00.960
<v Speaker 1>They're like, Oh, everything's okay now, and then the dog

1:33:01.080 --> 1:33:04.400
<v Speaker 1>runs up to them and it's happily ever after. M hmm,

1:33:05.240 --> 1:33:07.680
<v Speaker 1>or is it because here's another read? This is this

1:33:07.840 --> 1:33:10.040
<v Speaker 1>is this is kind of a radical read on the picture.

1:33:10.560 --> 1:33:14.680
<v Speaker 1>What if they died in the tunnel with Jason, they

1:33:14.760 --> 1:33:18.200
<v Speaker 1>were dissolved as well, and when they emerge, they are

1:33:18.240 --> 1:33:20.920
<v Speaker 1>emerging into the afterlife. That's why they're suddenly okay and

1:33:21.000 --> 1:33:23.640
<v Speaker 1>New York isn't threatening anymore, and the dog is the

1:33:24.760 --> 1:33:28.360
<v Speaker 1>psychopomp that's gonna guide them the rest of the way

1:33:29.000 --> 1:33:32.360
<v Speaker 1>so they can continue to traverse the risk and terrors

1:33:32.439 --> 1:33:35.240
<v Speaker 1>of the afterlife. Well, what does the monologue say at

1:33:35.280 --> 1:33:42.240
<v Speaker 1>the beginning? There is no escape, nor do we want it. Uh,

1:33:42.400 --> 1:33:45.120
<v Speaker 1>those New Yorkers, you know it's weird. I'm just looking

1:33:45.200 --> 1:33:47.599
<v Speaker 1>at our page of all all of the weird house

1:33:47.600 --> 1:33:49.760
<v Speaker 1>cinema movies we've done, and I got to say that

1:33:50.439 --> 1:33:53.519
<v Speaker 1>I really enjoyed this episode and that Jason Takes Manhattan

1:33:53.600 --> 1:33:57.960
<v Speaker 1>is simultaneously one of the most mainstream movies we've ever

1:33:58.080 --> 1:34:02.920
<v Speaker 1>done and one of the stupidest. Oh yeah, it's so good.

1:34:03.560 --> 1:34:06.640
<v Speaker 1>Jason Takes Manhattan. Uh, And and it is it is

1:34:06.720 --> 1:34:10.200
<v Speaker 1>tooken for sure. Uh So if you want to see

1:34:10.280 --> 1:34:13.080
<v Speaker 1>Jason Takes Manhattan, I mean, for starters, there's a very

1:34:13.080 --> 1:34:15.479
<v Speaker 1>good chance you've seen it already. But if you haven't,

1:34:15.560 --> 1:34:17.000
<v Speaker 1>if you managed to get through most of your life

1:34:17.040 --> 1:34:20.400
<v Speaker 1>without watching it, beginning to end like like I had,

1:34:20.960 --> 1:34:24.360
<v Speaker 1>it is widely available obviously. Um. I can't speak to streaming,

1:34:24.400 --> 1:34:27.639
<v Speaker 1>and I have a friend of mine who recently decided

1:34:27.640 --> 1:34:29.599
<v Speaker 1>he was gonna watch all the Friday the thirteenth movies,

1:34:29.640 --> 1:34:31.880
<v Speaker 1>and he was going through other franchises as well, and

1:34:32.000 --> 1:34:33.960
<v Speaker 1>it was kind of having to play hop scotch from

1:34:34.000 --> 1:34:36.880
<v Speaker 1>one streaming site to another to watch them all. So

1:34:37.040 --> 1:34:39.599
<v Speaker 1>I'm not sure exactly where how you need to stream

1:34:39.640 --> 1:34:43.760
<v Speaker 1>this movie right now, but it's widely available as physical media. Uh.

1:34:44.160 --> 1:34:47.720
<v Speaker 1>They've put out I think multiple special blue ray can collections.

1:34:48.080 --> 1:34:51.040
<v Speaker 1>I rented a disc at Video Drome off of I

1:34:51.080 --> 1:34:55.000
<v Speaker 1>think the the Friday eight movie collection, which I quite

1:34:55.080 --> 1:34:57.400
<v Speaker 1>liked because again I got to watch to Jason movies

1:34:57.720 --> 1:34:59.639
<v Speaker 1>for the price of one. A little bit of trivia

1:34:59.720 --> 1:35:02.000
<v Speaker 1>going back to part seven the New Blood, did you

1:35:02.080 --> 1:35:05.400
<v Speaker 1>know that this is only one of the possible scripts

1:35:05.439 --> 1:35:08.799
<v Speaker 1>that could have become Friday the thirteenth, Part eight. Another

1:35:08.920 --> 1:35:13.040
<v Speaker 1>option was going to have the Tina character, the psychic

1:35:13.760 --> 1:35:17.519
<v Speaker 1>girl from part seven, return and do battle with Jason again. Well,

1:35:17.720 --> 1:35:20.200
<v Speaker 1>I mean that sounds like a winning concept as well. Uh,

1:35:20.640 --> 1:35:24.160
<v Speaker 1>but I wouldn't have wanted a world in which Jason

1:35:24.200 --> 1:35:27.920
<v Speaker 1>takes Manhattan. Doesn't happen though, But Tina was a great character.

1:35:27.960 --> 1:35:29.760
<v Speaker 1>I would have loved to have seen her again. Oh,

1:35:29.880 --> 1:35:31.479
<v Speaker 1>you could have combined them. I mean, it could have

1:35:31.520 --> 1:35:34.960
<v Speaker 1>been Tina's graduating class, so she's a psychic, she's on

1:35:35.040 --> 1:35:36.840
<v Speaker 1>the boat and the Jason gets on the boat the

1:35:36.920 --> 1:35:40.720
<v Speaker 1>gold Manhattan. It could have worked. Yeah, Or then the

1:35:40.760 --> 1:35:43.439
<v Speaker 1>one after this where they send out the bounty hunters

1:35:43.479 --> 1:35:48.680
<v Speaker 1>to to bring him down. If that had been conceptualized differently, Um,

1:35:49.360 --> 1:35:50.840
<v Speaker 1>you know, you could have had a Tina be the

1:35:50.880 --> 1:35:52.200
<v Speaker 1>go to, like, who are you going to go to

1:35:52.720 --> 1:35:55.040
<v Speaker 1>to take Jason down? Go to somebody who has not

1:35:55.160 --> 1:35:59.519
<v Speaker 1>only survived him, but overcome him with inhuman powers, do

1:35:59.520 --> 1:36:01.479
<v Speaker 1>you want to hear? Or one other alternate idea for

1:36:01.560 --> 1:36:05.800
<v Speaker 1>Jason A it was going to be that the hunk

1:36:06.080 --> 1:36:09.160
<v Speaker 1>from part seven. Actually it turns out that part seven

1:36:09.280 --> 1:36:13.479
<v Speaker 1>was a dream and he was the real Killer. What, Well,

1:36:13.560 --> 1:36:16.040
<v Speaker 1>that's that's awful. I'm glad they didn't do that. Can

1:36:16.080 --> 1:36:18.799
<v Speaker 1>you imagine that if you transition from Hunk to Jason,

1:36:20.320 --> 1:36:24.879
<v Speaker 1>I mean, Jason is is he is a physical specimen

1:36:24.920 --> 1:36:27.639
<v Speaker 1>to be sure. All right, well, we're gonna go ahead

1:36:27.640 --> 1:36:30.320
<v Speaker 1>and close it out right there, but we'd love to

1:36:30.360 --> 1:36:32.640
<v Speaker 1>hear from everyone out there. What are your thoughts on

1:36:32.800 --> 1:36:37.280
<v Speaker 1>Jason Takes Manhattan or The Friday the Thirteenth franchise in general,

1:36:37.360 --> 1:36:40.800
<v Speaker 1>any of the specific movies we mentioned in this episode.

1:36:41.439 --> 1:36:43.120
<v Speaker 1>Let us know, we'd love to hear from you. What

1:36:43.160 --> 1:36:45.400
<v Speaker 1>do you think about this film's depiction of New York City?

1:36:46.040 --> 1:36:49.559
<v Speaker 1>New Yorker's uh tourists to the City of New York

1:36:50.040 --> 1:36:52.400
<v Speaker 1>certainly chime in as well. Oh yeah, I can't believe

1:36:52.439 --> 1:36:54.080
<v Speaker 1>they didn't end it with Jason buying a bunch of

1:36:54.200 --> 1:36:58.840
<v Speaker 1>Yankees gear and it's just decked out, head out Yankee stuff.

1:36:59.240 --> 1:37:02.120
<v Speaker 1>That's the thing. There's so much stuff with that. There's

1:37:02.160 --> 1:37:05.479
<v Speaker 1>so many ideas that you could have pitched for Jason

1:37:05.560 --> 1:37:08.920
<v Speaker 1>spending let's saying, an entire films length within the city

1:37:08.960 --> 1:37:11.320
<v Speaker 1>of Manhattan. There's so many directions to have gone into.

1:37:11.720 --> 1:37:13.840
<v Speaker 1>You could do a whole film series just about about

1:37:13.920 --> 1:37:17.120
<v Speaker 1>Jason in Manhattan. But well, in earlier plans for this

1:37:17.240 --> 1:37:19.040
<v Speaker 1>movie they did want that. I mean, he was gonna

1:37:19.080 --> 1:37:20.840
<v Speaker 1>go to go to Madison Square Garden, go to the

1:37:20.880 --> 1:37:23.360
<v Speaker 1>Statue of Liberty, all that. They just didn't have the budget. Yeah,

1:37:23.720 --> 1:37:26.120
<v Speaker 1>kept getting scaled back more and more boat less and

1:37:26.240 --> 1:37:29.080
<v Speaker 1>less New York. Well there you go. But in the

1:37:29.240 --> 1:37:32.680
<v Speaker 1>end I was pretty pleased with it. So hey have yeah.

1:37:32.680 --> 1:37:34.840
<v Speaker 1>If you want to check out other episodes of Weird

1:37:34.920 --> 1:37:37.320
<v Speaker 1>House Cinema, we published it every Friday, and the Stuff

1:37:37.360 --> 1:37:41.400
<v Speaker 1>to Blow your Mind podcast feed were primarily a science podcast,

1:37:41.600 --> 1:37:43.880
<v Speaker 1>but on Friday's we put most of that aside and

1:37:43.920 --> 1:37:46.800
<v Speaker 1>we just talked about a weird film. Again. I'll blog

1:37:46.880 --> 1:37:48.680
<v Speaker 1>this up at some new to music dot com And

1:37:48.760 --> 1:37:51.439
<v Speaker 1>also we have a letterbox that's l E T T

1:37:51.560 --> 1:37:54.200
<v Speaker 1>E R b o x D dot com account or

1:37:54.280 --> 1:37:57.679
<v Speaker 1>user name is weird House and I update that as well,

1:37:58.160 --> 1:38:01.080
<v Speaker 1>adding the films that we have cover word and sometimes

1:38:01.160 --> 1:38:04.559
<v Speaker 1>will cover to that list, so you can also get

1:38:04.600 --> 1:38:07.599
<v Speaker 1>a nice visual representation of what we've done so far.

1:38:08.080 --> 1:38:11.080
<v Speaker 1>Huge thanks as always to our excellent audio producer Seth

1:38:11.200 --> 1:38:13.519
<v Speaker 1>Nicholas Johnson. If you would like to get in touch

1:38:13.600 --> 1:38:15.960
<v Speaker 1>with us with feedback on this episode or any other,

1:38:16.080 --> 1:38:18.599
<v Speaker 1>to suggest topic for the future, or just to say hello.

1:38:18.680 --> 1:38:21.559
<v Speaker 1>You can email us at contact at stuff to Blow

1:38:21.600 --> 1:38:31.439
<v Speaker 1>Your Mind dot com Stuff to Blow Your Mind's production

1:38:31.520 --> 1:38:34.240
<v Speaker 1>of I Heart Radio. For more podcasts for my heart Radio,

1:38:34.479 --> 1:38:37.120
<v Speaker 1>visit the i heart Radio app, Apple Podcasts, or wherever

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<v Speaker 1>you listen to your favorite shows.