WEBVTT - SYSK’s Scare Your Pants Off (and Back On) Halloween Spooktacular

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<v Speaker 1>Welcome to Stuff You Should Know, a production of Five

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<v Speaker 1>Heart Radios How Stuff Works. Hello, and welcome to the podcast.

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<v Speaker 1>I'm Josh Scare the pants off you Clark, and there's

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<v Speaker 1>Charles Ghastly, Chuck Bryant and Jerry's floating out there somewhere

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<v Speaker 1>in the ether, which makes this Stuff you Should Know.

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<v Speaker 1>I thought you were going to say, Chuck, scare the

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<v Speaker 1>pants back on you Bryant. Oh, that's even better. Maybe

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<v Speaker 1>we should edit that in and say it again. But

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<v Speaker 1>with feeling. That's as much feeling as I can mustard

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<v Speaker 1>these days. Man. I'm with you, buddy, I'm with you,

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<v Speaker 1>but we're not here to talk about anything in the

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<v Speaker 1>world except scaring the pants off and then act on

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<v Speaker 1>people with our annual Halloween episode correct sir, So Chuck,

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<v Speaker 1>we come up with a couple of pretty good ones.

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<v Speaker 1>I would say this year, I'm in love with yours.

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<v Speaker 1>I think these are both really good. And I was

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<v Speaker 1>surprised to see Philip paid Dick had stuff in the

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<v Speaker 1>public domain. Well we read one of his last year.

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<v Speaker 1>Did yeah that the Hanging Man I think is what

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<v Speaker 1>it was called. It was very scary, very creepy, but

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<v Speaker 1>I think it was just last year that his stuff

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<v Speaker 1>first came in, which goes to show you how old

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<v Speaker 1>we are. I think it's not an age thing, right,

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<v Speaker 1>I think just certain ones were put in the public domain.

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<v Speaker 1>I feel like if they don't copyrighted after X number

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<v Speaker 1>of decades, automatically goes into the public domain. So yeah,

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<v Speaker 1>I think it's because we're old. Well, hats off to

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<v Speaker 1>Phil Dick for his great work. That's right, hats off

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<v Speaker 1>and pants off mics on. So you want to get

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<v Speaker 1>started with the Beyond the Door? Yeah, let's do it. Okay,

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<v Speaker 1>I'll take the part. How about that? It sounds wonderful.

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<v Speaker 1>Ladies and gentlemen, Please dim your lights, please um arouse

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<v Speaker 1>your sympathetic nervous systems, and prepared to hear Beyond the

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<v Speaker 1>Door by Philip K. Dick. Larry Thomas bought a cuckoo

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<v Speaker 1>clock for his wife, without knowing the price he would

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<v Speaker 1>have to pay. That night, at the dinner table, he

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<v Speaker 1>brought it out and set it down beside her plate.

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<v Speaker 1>Doris stared at it, her hand to her mouth. Oh

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<v Speaker 1>my god, what is it? She looked up at him,

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<v Speaker 1>bright eyed. Well open it. Doris tore the ribbon in

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<v Speaker 1>paper from the square package with her sharp nails, her

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<v Speaker 1>bosom rising and falling. Larry stood watching her as she

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<v Speaker 1>lifted the lid. He lit a cigarette and leaned against

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<v Speaker 1>the wall. A cuckoo clock, doors cried, a real old

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<v Speaker 1>cuckoo clock, like my mother had. She turned the clock

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<v Speaker 1>over and over, just like my mother had when Pete

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<v Speaker 1>was still alive. Her eyes sparkled with tears. It's made

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<v Speaker 1>in Germany, Larry said. After a moment, he added, Carl

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<v Speaker 1>got it for me wholesale. He knows some guy in

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<v Speaker 1>the clock business. Otherwise I wouldn't have He stopped. Doris

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<v Speaker 1>made a funny little sound. I mean, otherwise I wouldn't

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<v Speaker 1>have been able to afford it. He scowled. What's the

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<v Speaker 1>matter with you? You got your clock, haven't you. Isn't

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<v Speaker 1>that what you want? Doris sat holding onto the clock,

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<v Speaker 1>her fingers pressed against the brown wood well. Larry said,

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<v Speaker 1>what's the matter. He watched an amazement as she leaped

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<v Speaker 1>up and ran from the room, still clutching the clock.

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<v Speaker 1>He shook his head, never satisfied, they're all that way,

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<v Speaker 1>never get enough. He sat down at the table and

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<v Speaker 1>finished his meal. So I think we have a puts

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<v Speaker 1>on our hands. Chuck. Yeah, And I gotta say, I've

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<v Speaker 1>seen you with Humi and you're a wonderful husband. But

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<v Speaker 1>you played the part of your husband very well. Thank

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<v Speaker 1>you very much. I think from time to time you

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<v Speaker 1>might say I'm a natural. No, that was that was

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<v Speaker 1>well done. I don't I wonder what this guy's problem

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<v Speaker 1>is already. I'm guessing he's like a mid fifties average dude.

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<v Speaker 1>Not a very good gift giver. No, I mean, here's

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<v Speaker 1>a great gift. And let me just urinate all over.

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<v Speaker 1>Hold it still, so I don't mess. All right, you're ready,

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<v Speaker 1>I'm ready, Right, here we go. The cuckoo clock was

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<v Speaker 1>not very large. It was handmade, however, and there were

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<v Speaker 1>countless frets on it, little indentations and ornaments scored in

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<v Speaker 1>the soft wood. Doris sat on the bed, drying her

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<v Speaker 1>eyes and winding the clock. She set the hands by

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<v Speaker 1>her wristwatch. Presently, she carefully moved the hands to two

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<v Speaker 1>minutes of ten. She carried the clock over to the

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<v Speaker 1>dresser and propped it up. Then she sat waiting, her

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<v Speaker 1>hands twisted together in her lap, waiting for the cuckoo

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<v Speaker 1>to come out for the hour to strike. As she sat,

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<v Speaker 1>she thought about Larry and what he had said, and

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<v Speaker 1>what she had said too, for that matter, not that

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<v Speaker 1>she could be blamed for any of it. After all,

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<v Speaker 1>she couldn't keep listening to him forever without defending herself.

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<v Speaker 1>You had to blow your own trumpet in the world.

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<v Speaker 1>She touched her handkerchief to her eyes. Suddenly, Why did

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<v Speaker 1>he have to say that about getting it wholesale? Why

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<v Speaker 1>did he have to spoil it all? If he felt

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<v Speaker 1>that way, he needn't have got it in the first place.

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<v Speaker 1>She clenched her fists. He was so mean, so dang mean.

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<v Speaker 1>But she was glad that the little clock sitting there,

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<v Speaker 1>ticking to itself with its funny grilled edges in the door.

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<v Speaker 1>Inside the door was the cuckoo waiting to come out?

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<v Speaker 1>Was he listening his head cocked on one side, listening

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<v Speaker 1>to hear the clock strike so that he would know

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<v Speaker 1>to come out? Did he sleep between hours? Well, she

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<v Speaker 1>would soon see him, she could ask him, and she

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<v Speaker 1>would show the clock to Bob. He would love it.

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<v Speaker 1>Bob loved old things, even old stamps and buttons. He

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<v Speaker 1>liked to go with her to the stores. Of course,

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<v Speaker 1>it was a little awkward, but Larry had been staying

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<v Speaker 1>at the office so much, and that helped off. Only

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<v Speaker 1>Larry didn't call up sometimes too. There was a wir

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<v Speaker 1>the clock shuttered, and all at once the door opened.

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<v Speaker 1>The cuckoo came out, sliding swiftly. He paused and looked around, solemnly,

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<v Speaker 1>scrutinizing her, the room, the furniture. It was the first

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<v Speaker 1>time he had seen her, she realized, Smiling to herself

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<v Speaker 1>in pleasure, she stood up, coming toward him shyly. Go on,

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<v Speaker 1>she said, I'm waiting. The cuckoo opened his bill. He

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<v Speaker 1>worred and chirped quickly rhythmically. Then after a moment of contemplation,

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<v Speaker 1>he retired and the door snap shut. She was delighted.

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<v Speaker 1>She clapped her hands and spun in a little circle.

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<v Speaker 1>She five years old. I guess she's a tad dad.

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<v Speaker 1>I love it. He was marvelous, perfect, and the way

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<v Speaker 1>he had looked around, studying her, sizing her up. He

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<v Speaker 1>liked her. She was certain of it, and she of

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<v Speaker 1>course loved him at once completely. He was just what

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<v Speaker 1>she had hoped would come out of the little door.

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<v Speaker 1>Doris went to the clock. She bent over the little door,

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<v Speaker 1>her lips close to the woods. Do you hear me?

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<v Speaker 1>She whispered. I think you're the most wonderful cuckoo in

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<v Speaker 1>the world. She paused, embarrassed. I hope you'll like it here.

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<v Speaker 1>Then she went downstairs again, slowly, her head high. Very nice, Chuck.

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<v Speaker 1>That was a great Doris. And I think I didn't

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<v Speaker 1>know where Doris is coming from. She's very likable at

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<v Speaker 1>this point. She's delighted by simple things, right. She does

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<v Speaker 1>little twirls and spins and stuff, which I mean, how

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<v Speaker 1>can you dislike that? You know? Okay, I'm picking up

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<v Speaker 1>again with moa. Larry and the cuckoo clock really never

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<v Speaker 1>got along well from the start. Doris said it was

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<v Speaker 1>because he didn't wind it right and it didn't like

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<v Speaker 1>being only half wound all the time. Larry turned the

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<v Speaker 1>job of winding over to her. The cuckoo came out

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<v Speaker 1>every quarter hour and ran the spring down without remorse,

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<v Speaker 1>and someone had to be ever after it winding it

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<v Speaker 1>up again. Doris did her best, but she forgot a

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<v Speaker 1>good deal of the time. Then Larry would throw his

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<v Speaker 1>newspaper down with an elaborate weary motion and stand up.

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<v Speaker 1>He would go into the dining room, where the clock

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<v Speaker 1>was mounted on the wall over the fireplace. He would

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<v Speaker 1>take the clock down, and making sure that he had

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<v Speaker 1>his thumb over the little door, he would wind it up.

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<v Speaker 1>Why do you put your thumb over the door, Doris asked,

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<v Speaker 1>Once you're supposed to? She raised an eyebrow. Are you sure?

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<v Speaker 1>I wonder if it isn't that you don't want him

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<v Speaker 1>to come out while you're standing so close? Why not?

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<v Speaker 1>Maybe you're afraid of him? Larry laughed. He put the

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<v Speaker 1>clock back on the wall and gingerly removed his thumb.

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<v Speaker 1>When Doris wasn't looking, he examined his thumb. There was

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<v Speaker 1>still a trace of the nick cut out of the

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<v Speaker 1>soft part of it. Who or what had pecked him? Oh, boy, chuck,

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<v Speaker 1>I think it's your turning. All right, it's getting eerie,

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<v Speaker 1>a little eerie. What's in the clock death? What's in

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<v Speaker 1>the clock death? All right? Here we go, okay. One

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<v Speaker 1>Saturday morning, when Larry was down at the office working

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<v Speaker 1>over some important special accounts, Bob Chambers came to the

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<v Speaker 1>front porch and rang the bell. Doris was taking a

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<v Speaker 1>quick shower. She'd dried herself and slipped into her robe.

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<v Speaker 1>When she opened the door, Bob stepped inside, grinning, Hi,

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<v Speaker 1>he said, looking around. It's all right, Larry's at the office. Fine.

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<v Speaker 1>Bob gazed at her slim legs below the hymn of

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<v Speaker 1>the robe. How nice you look today, she laughed, Be careful.

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<v Speaker 1>Maybe I shouldn't let you in. After all, it's getting naughty,

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<v Speaker 1>very naughty. They looked at one another, half amused, half frightened. Presently,

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<v Speaker 1>Bob said, if you want, i'll know. For God's sake,

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<v Speaker 1>She caught hold of his sleeve. Just get out of

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<v Speaker 1>the doorway so I can close it. Mrs Peters across

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<v Speaker 1>the street. You know. She closed the door, and I

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<v Speaker 1>want to show you something, she said, you haven't seen it.

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<v Speaker 1>He was interested, an antique or what she doesn't of course,

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<v Speaker 1>what else would it be. She took his arm, leading

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<v Speaker 1>him toward the dining room. You'll love it, Bobby, she stopped,

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<v Speaker 1>wide eyed. I hope you will. You must, you must

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<v Speaker 1>love it. It means so much to me. He means

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<v Speaker 1>so much. He Bob frowned. Who is he? Doris laughed, Oh,

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<v Speaker 1>you're jealous. Come on. A moment later, they stood before

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<v Speaker 1>the clock, looking up at it. He'll come out in

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<v Speaker 1>a few minutes. Wait until you see him. I know

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<v Speaker 1>you two will get along just fine. What does Larry

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<v Speaker 1>think of him? They don't like each other. Sometimes when

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<v Speaker 1>Larry's here, he won't come out. Larry gets mad if

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<v Speaker 1>he doesn't come out on time, he says, says what.

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<v Speaker 1>Doris looked down. He always says he's been robbed, even

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<v Speaker 1>if he did get it wholesale. She brightened. But I

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<v Speaker 1>know he won't come out because he doesn't like Larry.

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<v Speaker 1>When I'm here alone, he comes right out for me

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<v Speaker 1>every fifteen minutes, even though he really only has to

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<v Speaker 1>come out on the hour. She gazed up at the clock.

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<v Speaker 1>He comes out for me because he wants to we talk.

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<v Speaker 1>I tell him things. Of course, I'd like to have

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<v Speaker 1>him upstairs in my room, but it wouldn't be right.

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<v Speaker 1>There was a sound of footsteps on the porch. They

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<v Speaker 1>looked at each other horrified. Larry pushed the front door open, grunting.

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<v Speaker 1>He set his briefcase down and took off his hat.

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<v Speaker 1>Then he saw Bob for the first time. Chambers, I'll

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<v Speaker 1>be darned. His eyes narrowed. What are you doing here?

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<v Speaker 1>He came into the dining room. Doris drew her robe

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<v Speaker 1>around her hopelessly backing away. I uh, Bob began that

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<v Speaker 1>that is we uh. He broke off, glancing at Doris. Suddenly,

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<v Speaker 1>the clock began to were The cuckoo came rushing out,

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<v Speaker 1>bursting into sound. Larry moved toward him. Shut that din off,

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<v Speaker 1>he said. He raised his fist toward the clock. The

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<v Speaker 1>cuckoo snapped into silence and retreated. The door closed. That's better,

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<v Speaker 1>Larry studied, Doris and Job, standing mutely together. I came

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<v Speaker 1>over to look at the clock, Bob said. Doris told

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<v Speaker 1>me that it's a rare antique and that nuts. I

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<v Speaker 1>bought it myself. Larry walked up to him. Get out

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<v Speaker 1>of here, he turned the Doris YouTube and take that

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<v Speaker 1>dank clock with you, he paused, rubbing his chin. No,

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<v Speaker 1>leave the clock here. It's mine. I bought it and

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<v Speaker 1>paid for it. Is a such a classic Larry move,

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<v Speaker 1>I know. And if I had a dime for every time.

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<v Speaker 1>You know, one of Emily's boyfriends came over to look

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<v Speaker 1>at our antique clocks. Right, they're new and wholesale. Certainly

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<v Speaker 1>it's making sense to you, huh, I think, uh, yeah,

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<v Speaker 1>I know this story well. Um In thes that followed

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<v Speaker 1>after Doris left, Larry and the cuckoo clock got along

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<v Speaker 1>even worse than before. For one thing, the cuckoo stayed

0:14:07.480 --> 0:14:10.480
<v Speaker 1>inside most of the time, sometimes even at twelve o'clock,

0:14:10.600 --> 0:14:13.120
<v Speaker 1>when he should have been busiest, and if he did

0:14:13.160 --> 0:14:15.880
<v Speaker 1>come out at all, he usually spoke only once or twice,

0:14:16.360 --> 0:14:19.920
<v Speaker 1>never the correct number of times, and there was a sullen,

0:14:20.360 --> 0:14:23.880
<v Speaker 1>uncooperative tone in his voice, the jarring sound that made

0:14:23.920 --> 0:14:27.640
<v Speaker 1>Larry uneasy and a little angry. But he kept the

0:14:27.680 --> 0:14:30.480
<v Speaker 1>clock wound because the house was very still and quiet,

0:14:30.640 --> 0:14:32.760
<v Speaker 1>and it got on his nerves not to hear someone

0:14:32.840 --> 0:14:36.720
<v Speaker 1>running around talking and dropping things, And even the worrying

0:14:36.720 --> 0:14:39.760
<v Speaker 1>of a clock sounded good to him. But he didn't

0:14:39.760 --> 0:14:44.480
<v Speaker 1>like the cuckoo at all, and sometimes he spoke to him. Listen,

0:14:44.600 --> 0:14:47.120
<v Speaker 1>he said late one night, to the closed little door.

0:14:47.400 --> 0:14:49.520
<v Speaker 1>I know you can hear me. I ought to give

0:14:49.560 --> 0:14:52.280
<v Speaker 1>you back to the Germans, back to the black forest.

0:14:52.720 --> 0:14:55.440
<v Speaker 1>He paced back and forth. I wonder what they're doing now,

0:14:55.720 --> 0:14:58.400
<v Speaker 1>the two of them, young punk, with his books and

0:14:58.440 --> 0:15:01.440
<v Speaker 1>his antiques. A man shouldn't be interested in antiques. That's

0:15:01.480 --> 0:15:05.520
<v Speaker 1>for women, he said, his jaw, isn't that right? The

0:15:05.640 --> 0:15:08.840
<v Speaker 1>clock said nothing. Larry walked up in front of it.

0:15:08.880 --> 0:15:12.800
<v Speaker 1>Isn't that right, he demanded. Don't you have anything to say?

0:15:13.160 --> 0:15:15.360
<v Speaker 1>He looked at the face of the clock. It was

0:15:15.400 --> 0:15:18.800
<v Speaker 1>almost eleven, just a few seconds before the hour. All right,

0:15:19.160 --> 0:15:21.640
<v Speaker 1>I'll wait until eleven. Then I want to hear what

0:15:21.720 --> 0:15:24.520
<v Speaker 1>you have to say. You've been pretty quiet the last

0:15:24.520 --> 0:15:27.720
<v Speaker 1>few weeks since she left, he grinned, Riley. Maybe you

0:15:27.760 --> 0:15:30.720
<v Speaker 1>don't like it here since she's gone, he scowled. While

0:15:30.760 --> 0:15:33.320
<v Speaker 1>I paid for you, and you're coming out, whether you

0:15:33.400 --> 0:15:37.520
<v Speaker 1>like it or not. You hear me. Eleven o'clock came

0:15:38.160 --> 0:15:40.560
<v Speaker 1>far off at the end of town. The great tower

0:15:40.640 --> 0:15:45.000
<v Speaker 1>clock boomed sleepily to itself, but the little door remained shut.

0:15:45.680 --> 0:15:49.360
<v Speaker 1>Nothing moved, The minute hand passed on, and the cuckoo

0:15:49.400 --> 0:15:53.000
<v Speaker 1>did not stir. It was someplace inside the clock, beyond

0:15:53.000 --> 0:15:56.600
<v Speaker 1>the door, silent and remote. All right, if that's the

0:15:56.640 --> 0:15:59.800
<v Speaker 1>way you feel, Larry murmured, his lips twisting. But it

0:15:59.880 --> 0:16:02.560
<v Speaker 1>is and fair. It's your job to come out. We

0:16:02.640 --> 0:16:05.040
<v Speaker 1>all have to do things we don't like. He went

0:16:05.120 --> 0:16:08.880
<v Speaker 1>unhappily into the kitchen and opened the great gleaming refrigerator.

0:16:09.520 --> 0:16:11.880
<v Speaker 1>As he poured himself a drink, he thought about the clock.

0:16:12.400 --> 0:16:15.160
<v Speaker 1>There was no doubt about it. The cuckoo should come

0:16:15.200 --> 0:16:18.440
<v Speaker 1>out doors or no. Doris. He had always liked her

0:16:18.520 --> 0:16:21.160
<v Speaker 1>from the very start. They had got along well, the

0:16:21.160 --> 0:16:24.720
<v Speaker 1>two of them. Probably he liked Bob too. Probably he

0:16:24.760 --> 0:16:27.120
<v Speaker 1>had seen enough of Bob to get to know him.

0:16:27.200 --> 0:16:29.840
<v Speaker 1>They would be quite happy together, Bob and Doris and

0:16:29.880 --> 0:16:33.880
<v Speaker 1>the cuckoo. Larry finished his drink. He opened the drawer

0:16:33.880 --> 0:16:36.440
<v Speaker 1>at the sink and took out the hammer. He carried

0:16:36.440 --> 0:16:39.600
<v Speaker 1>it carefully into the dining room. The clock was taking

0:16:39.600 --> 0:16:43.680
<v Speaker 1>gently to itself on the wall. Look, he said, waving

0:16:43.680 --> 0:16:46.120
<v Speaker 1>the hammock. You know what I have here. You know

0:16:46.160 --> 0:16:48.520
<v Speaker 1>what I'm gonna do with it. I'm gonna start on

0:16:48.640 --> 0:16:52.680
<v Speaker 1>you first, he smiled, Birds of a feather, that's what

0:16:52.840 --> 0:16:57.240
<v Speaker 1>you are, the three of you. Larry is losing it,

0:16:57.320 --> 0:17:01.280
<v Speaker 1>I think, Chuck. Yeah, that she split. Yeah, he kicked him.

0:17:01.320 --> 0:17:04.080
<v Speaker 1>He kicked her out with Chambers when he caught them.

0:17:04.080 --> 0:17:06.280
<v Speaker 1>And now he's just alone with his thoughts, drunk in

0:17:06.320 --> 0:17:09.440
<v Speaker 1>a hammer and uh, the cuckoo clock. That's really taking

0:17:09.520 --> 0:17:14.400
<v Speaker 1>him off. Like so many Germans. The room was silent.

0:17:15.200 --> 0:17:17.560
<v Speaker 1>Are you coming out or do I have to come

0:17:17.600 --> 0:17:20.600
<v Speaker 1>in and get you? The clock word a little. I

0:17:20.720 --> 0:17:23.159
<v Speaker 1>hear you in there. You've got a lot of talking

0:17:23.200 --> 0:17:25.879
<v Speaker 1>to do. Enough for the last three weeks, as I

0:17:25.960 --> 0:17:30.560
<v Speaker 1>figure it, you owe me. The door opened, the cuckoo

0:17:30.600 --> 0:17:35.520
<v Speaker 1>came out fast, straight at him. Larry was looking down,

0:17:35.640 --> 0:17:38.199
<v Speaker 1>his brow wrinkled and thought. He glanced up, and the

0:17:38.200 --> 0:17:42.920
<v Speaker 1>cuckoo caught him squarely in the up. Down He went

0:17:42.960 --> 0:17:45.840
<v Speaker 1>to hammer and share and everything, hitting the floor with

0:17:45.880 --> 0:17:49.680
<v Speaker 1>a tremendous crash. For a moment, the cuckoo paused, his

0:17:49.840 --> 0:17:53.600
<v Speaker 1>small body poised rigidly. Then it went back inside its house.

0:17:54.080 --> 0:17:57.560
<v Speaker 1>The door snapped tight shut after it. The man lay

0:17:57.600 --> 0:18:01.520
<v Speaker 1>on the floor, stretched out grotesque, his head bent over

0:18:01.560 --> 0:18:07.280
<v Speaker 1>to one side. Nothing moved horse. The room was completely silent, except,

0:18:07.400 --> 0:18:15.280
<v Speaker 1>of course, for the ticking of the clock. Did this

0:18:15.320 --> 0:18:19.720
<v Speaker 1>clock kill him? Did you read the story? I mean no,

0:18:19.920 --> 0:18:25.480
<v Speaker 1>I like to be surprised. Well, then wait for the rest, chuck,

0:18:25.520 --> 0:18:28.840
<v Speaker 1>and you take it from here? Do you read him

0:18:28.880 --> 0:18:33.960
<v Speaker 1>ahead of time? Oh? Man, I don't. They would like

0:18:34.040 --> 0:18:41.080
<v Speaker 1>to go in fresh like Castanza's dad. I see, Doris said,

0:18:41.119 --> 0:18:44.400
<v Speaker 1>her face tight. Bob put his arm around her, steadying her.

0:18:45.440 --> 0:18:48.560
<v Speaker 1>Doctor Bob said, can I ask you something? Of course,

0:18:48.880 --> 0:18:52.000
<v Speaker 1>the doctor said, is it very easy to break your

0:18:52.040 --> 0:18:55.640
<v Speaker 1>neck falling from so low a chair? It wasn't very

0:18:55.680 --> 0:18:58.119
<v Speaker 1>far to fall. I wonder if it might not have

0:18:58.119 --> 0:19:01.240
<v Speaker 1>been an accident. Is there an chance it might have

0:19:01.280 --> 0:19:06.240
<v Speaker 1>been suicide? The doctor rubbed his jaw. I never heard

0:19:06.280 --> 0:19:08.640
<v Speaker 1>of anyone committing suicide that way. It was an accident.

0:19:08.720 --> 0:19:13.600
<v Speaker 1>I'm positive I don't mean suicide. Bob murmured under his breath,

0:19:13.960 --> 0:19:16.240
<v Speaker 1>looking up at the clock on the wall. I meant

0:19:16.800 --> 0:19:27.159
<v Speaker 1>something else, but no one heard him. Beautiful Chuck Pravo

0:19:27.240 --> 0:19:30.280
<v Speaker 1>killed that man? It did? It didn't like that Guff.

0:19:30.359 --> 0:19:33.080
<v Speaker 1>I think the threat with the hammer is what really

0:19:33.119 --> 0:19:35.919
<v Speaker 1>pushed the cuckoo over the edge, so straight into the

0:19:35.920 --> 0:19:39.760
<v Speaker 1>brain through the orbital socket there, I guess, or else

0:19:39.840 --> 0:19:43.080
<v Speaker 1>it caught him so surprised that he threw himself back

0:19:43.119 --> 0:19:45.560
<v Speaker 1>off the chair and broke his neck on the floor.

0:19:46.080 --> 0:19:48.280
<v Speaker 1>Who knows the doctor is ever gonna find out? He's

0:19:48.320 --> 0:19:51.840
<v Speaker 1>clearly lazy. Yeah, this doctor doesn't care. The big question

0:19:51.960 --> 0:19:55.040
<v Speaker 1>is did Doris do a little twirl when she found

0:19:55.040 --> 0:19:57.239
<v Speaker 1>out that Larry had died and that the cuckoo had

0:19:57.320 --> 0:19:59.520
<v Speaker 1>killed him? And I think so, And I think Bob

0:19:59.520 --> 0:20:03.240
<v Speaker 1>should be free to quite honestly, I think Bob's gonna

0:20:03.280 --> 0:20:08.360
<v Speaker 1>be okay because the cuckoo is clearly a demon servant

0:20:08.480 --> 0:20:11.560
<v Speaker 1>of Doris, and if Doris is happy with Bob, then

0:20:12.080 --> 0:20:14.960
<v Speaker 1>Bob's in the right Bob needs to stay on doors

0:20:15.000 --> 0:20:19.080
<v Speaker 1>is good side or then yeah, he's in trouble. If not, alright,

0:20:19.240 --> 0:20:23.800
<v Speaker 1>good pick, good pick too. Oh yeah that was my pick. Thanks,

0:20:24.000 --> 0:20:26.000
<v Speaker 1>I appreciate it, and we're gonna do your pick, which

0:20:26.000 --> 0:20:28.200
<v Speaker 1>I've got to say, of the two, this is I mean,

0:20:28.240 --> 0:20:31.280
<v Speaker 1>this is just straight up great horror fiction. Yeah, this

0:20:31.320 --> 0:20:36.280
<v Speaker 1>is good stuff. This is from an author named m. R. James,

0:20:36.320 --> 0:20:40.199
<v Speaker 1>not Mr James, no Mr James, m R James, and

0:20:40.240 --> 0:20:43.800
<v Speaker 1>it's called Rats. And I hope everyone is joining this

0:20:44.240 --> 0:20:49.440
<v Speaker 1>add free episode per tradition, Yeah, per Halloween scary, scare

0:20:49.520 --> 0:20:52.040
<v Speaker 1>the pants off and then back on you traditions. Right.

0:20:52.200 --> 0:20:55.439
<v Speaker 1>We're not even gonna plug our book that's available for preorder. No,

0:20:55.720 --> 0:20:58.639
<v Speaker 1>I can't see us plugging stuff. You should know Colon

0:20:58.720 --> 0:21:02.399
<v Speaker 1>and Complete Companion mostly interesting things in an ad free

0:21:02.480 --> 0:21:05.600
<v Speaker 1>episode right now or the audio book since people are

0:21:05.600 --> 0:21:08.879
<v Speaker 1>listening to us reading. Yeah, yeah, that makes sense. But

0:21:08.920 --> 0:21:11.199
<v Speaker 1>we would never say something along the lines of like

0:21:11.600 --> 0:21:14.240
<v Speaker 1>It's available for pre order now everywhere you buy books,

0:21:14.240 --> 0:21:18.480
<v Speaker 1>and out in November. Right, Okay, I think we've killed

0:21:18.480 --> 0:21:21.960
<v Speaker 1>the spooky mood enough. Oh it was dead from the

0:21:21.960 --> 0:21:24.840
<v Speaker 1>beginning when we were laughing at Larry being such a jerk,

0:21:24.920 --> 0:21:27.439
<v Speaker 1>you know, all right, gather the kids around, everyone, and

0:21:27.520 --> 0:21:32.600
<v Speaker 1>here we go with rats by m R James. Shall

0:21:32.640 --> 0:21:35.000
<v Speaker 1>I start this one? I think so? Man, all right?

0:21:40.760 --> 0:21:43.360
<v Speaker 1>And if you was to walk through the bedrooms now,

0:21:43.640 --> 0:21:47.240
<v Speaker 1>you'd see the ragged, moldy bedcloths, a heaving and a

0:21:47.359 --> 0:21:51.000
<v Speaker 1>heaving like seas, and the heaving and to heaving with

0:21:51.040 --> 0:21:56.720
<v Speaker 1>what he says, why with the rats under him? It's

0:21:56.720 --> 0:21:59.240
<v Speaker 1>a good start, huh it is. It's a great start.

0:22:00.440 --> 0:22:03.320
<v Speaker 1>But was it with the rats? I ask, because in

0:22:03.359 --> 0:22:06.320
<v Speaker 1>another case it was not. I cannot put a date

0:22:06.359 --> 0:22:09.000
<v Speaker 1>to the story, but I was young when I heard it,

0:22:09.240 --> 0:22:12.520
<v Speaker 1>and the teller was old. It is an ill proportioned tale,

0:22:12.800 --> 0:22:16.240
<v Speaker 1>but that is my fault, not his. It happened in Suffolk,

0:22:16.520 --> 0:22:22.760
<v Speaker 1>near the coast, or however you pronounced Suffolk, in a

0:22:22.800 --> 0:22:25.440
<v Speaker 1>place where the road makes a sudden dip and then

0:22:25.480 --> 0:22:28.840
<v Speaker 1>a sudden rise as you go northward. At the top

0:22:28.840 --> 0:22:30.760
<v Speaker 1>of the rise stands a house on the left of

0:22:30.800 --> 0:22:33.920
<v Speaker 1>the road. It is a tall red brick house, narrow

0:22:33.960 --> 0:22:37.200
<v Speaker 1>for its height. Perhaps it was built about seventeen seventy.

0:22:37.680 --> 0:22:40.080
<v Speaker 1>The top of the front has a low triangular pediment

0:22:40.520 --> 0:22:43.600
<v Speaker 1>with a round window in the center. Behind it are

0:22:43.680 --> 0:22:47.320
<v Speaker 1>stables and offices in such garden as it has is

0:22:47.400 --> 0:22:51.800
<v Speaker 1>behind them. Scraggy Scotch firs are near it. An expanse

0:22:51.840 --> 0:22:55.760
<v Speaker 1>of gorse covered land stretches away from it. It commands

0:22:55.800 --> 0:22:58.120
<v Speaker 1>a view of the distant sea from the upper windows

0:22:58.160 --> 0:23:01.480
<v Speaker 1>of the front. A sign the post stands before the door,

0:23:01.840 --> 0:23:05.080
<v Speaker 1>or did so stand for though it was an inn

0:23:05.119 --> 0:23:08.159
<v Speaker 1>of repute once, I believe it is so no longer.

0:23:09.040 --> 0:23:12.280
<v Speaker 1>To this end came my acquaintance Mr. Thompson, when he

0:23:12.320 --> 0:23:14.880
<v Speaker 1>was a young man on a fine spring day, coming

0:23:14.920 --> 0:23:18.320
<v Speaker 1>from the University of Cambridge, and desirous of solitude and

0:23:18.400 --> 0:23:22.480
<v Speaker 1>tolerable quarters and time for reading. These he found for

0:23:22.520 --> 0:23:25.199
<v Speaker 1>the landlord and his wife had been in service and

0:23:25.240 --> 0:23:28.000
<v Speaker 1>could make a visitor comfortable, and there was no one

0:23:28.040 --> 0:23:30.520
<v Speaker 1>else staying in the inn. He had a large room

0:23:30.520 --> 0:23:32.760
<v Speaker 1>in the first floor, commanding the road and the view,

0:23:32.880 --> 0:23:36.679
<v Speaker 1>and if it faced east, why that could not be helped?

0:23:36.920 --> 0:23:42.000
<v Speaker 1>The house was well built and warm, very nice, thank you,

0:23:42.080 --> 0:23:47.080
<v Speaker 1>and mar James knows how to set things, doesn't me? Okay.

0:23:50.960 --> 0:23:54.639
<v Speaker 1>He spent very tranquil and uneventful days, working all the

0:23:54.680 --> 0:23:58.760
<v Speaker 1>morning and afternoon, perambulation of the country round, a little

0:23:58.800 --> 0:24:01.560
<v Speaker 1>conversation with country company or the people of the inn

0:24:01.560 --> 0:24:04.720
<v Speaker 1>in the evening over the then fashionable drink of brandy

0:24:04.720 --> 0:24:07.800
<v Speaker 1>and water, a little more reading and writing, and bed,

0:24:08.359 --> 0:24:10.760
<v Speaker 1>and he would have been content that this should continue

0:24:10.840 --> 0:24:13.680
<v Speaker 1>for the full month he had at his disposal. So

0:24:13.720 --> 0:24:16.560
<v Speaker 1>well was his work progressing, and so fine was the

0:24:16.600 --> 0:24:19.159
<v Speaker 1>April of that year, which I have reason to believe

0:24:19.320 --> 0:24:22.600
<v Speaker 1>was that which Orlando Whistlecraft chronicles in his weather record

0:24:22.680 --> 0:24:25.440
<v Speaker 1>as the charming year, which, by the way, I looked

0:24:25.440 --> 0:24:32.439
<v Speaker 1>that up, and that would be. One of his walks

0:24:32.480 --> 0:24:34.960
<v Speaker 1>took him along the Northern road, which stands high and

0:24:35.000 --> 0:24:38.400
<v Speaker 1>traverses a wide common called the Heath. On the bright

0:24:38.440 --> 0:24:41.400
<v Speaker 1>afternoon when he first chose this direction, his eye caught

0:24:41.400 --> 0:24:43.960
<v Speaker 1>a white object some hundreds of yards to the left

0:24:43.960 --> 0:24:46.400
<v Speaker 1>of the road, and he felt it necessary to make

0:24:46.440 --> 0:24:49.480
<v Speaker 1>sure what this might be. It was not long before

0:24:49.480 --> 0:24:51.760
<v Speaker 1>he was standing by it, and he found himself looking

0:24:51.760 --> 0:24:55.159
<v Speaker 1>at a square block of white stone, fashioned somewhat like

0:24:55.200 --> 0:24:57.399
<v Speaker 1>the base of a pillar with a square hole in

0:24:57.400 --> 0:25:00.800
<v Speaker 1>the upper surface, Just such another you might see this

0:25:00.880 --> 0:25:04.359
<v Speaker 1>day on Thetford Heath. After taking stock of it, he

0:25:04.440 --> 0:25:07.320
<v Speaker 1>contemplated for a few minutes the view, which offered a

0:25:07.400 --> 0:25:10.600
<v Speaker 1>church tower or two, some red roofs of cottages and

0:25:10.680 --> 0:25:13.560
<v Speaker 1>windows winking in the sun, and the expanse of sea,

0:25:14.160 --> 0:25:17.359
<v Speaker 1>also with an occasional wink and gleam upon it. And

0:25:17.359 --> 0:25:21.359
<v Speaker 1>so pursued his way, Let me keep going, keep going.

0:25:23.000 --> 0:25:25.720
<v Speaker 1>In the desultory evening talk in the bar, he asked

0:25:25.760 --> 0:25:28.680
<v Speaker 1>why the white stone was there on the common, an

0:25:28.680 --> 0:25:32.640
<v Speaker 1>old fashioned thing, that is, said the landlord, Mr Betts.

0:25:33.040 --> 0:25:36.000
<v Speaker 1>Way was none of us alive when that was put there,

0:25:36.680 --> 0:25:40.920
<v Speaker 1>that's right, said another. It stands pretty high, said Mr Thompson.

0:25:41.280 --> 0:25:43.080
<v Speaker 1>I dare say a sea mark was on it some

0:25:43.160 --> 0:25:47.160
<v Speaker 1>time back. Yes, Mr Betts agreed. I have heard they

0:25:47.200 --> 0:25:50.480
<v Speaker 1>could see it from the boats. But or ever there was,

0:25:50.760 --> 0:25:54.680
<v Speaker 1>it fell to bits this long time. Good job too,

0:25:54.960 --> 0:25:58.280
<v Speaker 1>said a third townt lucky mark by what the old

0:25:58.320 --> 0:26:00.960
<v Speaker 1>men used to serve. Not look you for the fish,

0:26:01.000 --> 0:26:05.160
<v Speaker 1>and I mean just sorry, Why ever not, said Thompson. Well,

0:26:05.200 --> 0:26:08.640
<v Speaker 1>our never stray morself was the answer. But they had

0:26:08.680 --> 0:26:12.480
<v Speaker 1>some funny what I mean, peculiar them old chaps, and

0:26:12.520 --> 0:26:15.760
<v Speaker 1>I shouldn't wonder but what they made away with theirselves.

0:26:16.720 --> 0:26:19.400
<v Speaker 1>And then Thompson said, can everyone stop eating beef stew

0:26:19.400 --> 0:26:23.960
<v Speaker 1>while they're talking? I do have beef stew in my

0:26:24.160 --> 0:26:28.879
<v Speaker 1>in my mouth right now, busted, man, they're kind of

0:26:28.920 --> 0:26:34.720
<v Speaker 1>a funny bunch. Let me finish this one part. It

0:26:34.840 --> 0:26:37.720
<v Speaker 1>was impossible to get anything clearer than this, I guess

0:26:37.720 --> 0:26:41.640
<v Speaker 1>because the beefs too. The company, never very voluble, fell silent,

0:26:41.960 --> 0:26:44.680
<v Speaker 1>and when next someone spoke, it was a village affairs

0:26:44.680 --> 0:26:50.919
<v Speaker 1>and crops. Mr Betts was the speaker. All right, I

0:26:51.000 --> 0:26:54.159
<v Speaker 1>love this story man, m R James draws you into

0:26:54.200 --> 0:26:57.400
<v Speaker 1>it like plus also that that sounds like a very

0:26:57.440 --> 0:27:00.840
<v Speaker 1>nice way to spend a month in fine weather, eating writing,

0:27:01.119 --> 0:27:06.679
<v Speaker 1>walking around the countryside bed. That just sounds eating beef stew. Ye,

0:27:08.720 --> 0:27:12.159
<v Speaker 1>great accents. I've been waiting years for that. I wonder

0:27:12.280 --> 0:27:16.399
<v Speaker 1>if that was a a Suffolk one, Sure like it

0:27:16.480 --> 0:27:22.240
<v Speaker 1>did on Suffolk. Suffolks do not every day did Thompson

0:27:22.359 --> 0:27:26.080
<v Speaker 1>consult his health by taking a country walk. One very

0:27:26.119 --> 0:27:29.440
<v Speaker 1>fine afternoon found him busily writing at three o'clock. Then

0:27:29.560 --> 0:27:32.639
<v Speaker 1>he stretched himself and rose and walked out of his

0:27:32.760 --> 0:27:36.760
<v Speaker 1>room into the passage. Facing him was another room, then

0:27:36.880 --> 0:27:40.040
<v Speaker 1>the stairhead, then two more rooms, and one looking out

0:27:40.119 --> 0:27:42.560
<v Speaker 1>to the back, the other to the south. At the

0:27:42.640 --> 0:27:45.000
<v Speaker 1>south end of the passage was a window to which

0:27:45.040 --> 0:27:48.480
<v Speaker 1>he went, considering with himself that it was rather a

0:27:48.560 --> 0:27:52.800
<v Speaker 1>shame to waste such a fine afternoon. However, work was paramount.

0:27:52.920 --> 0:27:55.600
<v Speaker 1>Just at the moment he thought he would just take

0:27:55.680 --> 0:27:58.120
<v Speaker 1>five minutes off and go back to it, and those

0:27:58.200 --> 0:28:00.960
<v Speaker 1>five minutes he would employ the betsy, as could not

0:28:01.080 --> 0:28:04.920
<v Speaker 1>possibly object to looking at the other rooms in the passage,

0:28:05.000 --> 0:28:08.359
<v Speaker 1>which he had never seen. Nobody at all, it seemed,

0:28:08.440 --> 0:28:12.560
<v Speaker 1>was indoors, probably as it was market day, they were

0:28:12.600 --> 0:28:15.440
<v Speaker 1>all gone to the town except perhaps a maid in

0:28:15.480 --> 0:28:18.480
<v Speaker 1>the bar. Very still the house was, and the sun

0:28:18.560 --> 0:28:22.520
<v Speaker 1>shone really hot. Early flies buzzed in the window panes.

0:28:23.240 --> 0:28:28.760
<v Speaker 1>So he explored. The room facing his own was undistinguished

0:28:29.080 --> 0:28:33.720
<v Speaker 1>except for an old print of Bury Saint Edmund's. The

0:28:33.840 --> 0:28:35.800
<v Speaker 1>two next to him on his side of the passage

0:28:36.160 --> 0:28:40.160
<v Speaker 1>were gay and clean, with one window apiece, whereas his

0:28:40.360 --> 0:28:45.040
<v Speaker 1>had two remained. In the southwest room opposite to the last,

0:28:45.080 --> 0:28:48.920
<v Speaker 1>which he had entered. This was locked, but Thompson was

0:28:48.960 --> 0:28:53.680
<v Speaker 1>in a mood of quite indefensible curiosity, and feeling confident

0:28:53.840 --> 0:28:56.320
<v Speaker 1>that there could be no damaging secrets in a place

0:28:56.720 --> 0:28:59.560
<v Speaker 1>so easily got at, he proceeded to fetch the key

0:28:59.640 --> 0:29:02.000
<v Speaker 1>of his own room, and when that did not answer,

0:29:02.360 --> 0:29:05.360
<v Speaker 1>to collect the keys of the other three. It sounds

0:29:05.400 --> 0:29:06.600
<v Speaker 1>like he's doing a lot of work to get in there.

0:29:06.640 --> 0:29:09.240
<v Speaker 1>To me, he really wants to see what's in that room.

0:29:10.160 --> 0:29:12.440
<v Speaker 1>One of them fitted, and he opened the door. The

0:29:12.560 --> 0:29:16.160
<v Speaker 1>room had two windows looking south and west, so it

0:29:16.360 --> 0:29:18.600
<v Speaker 1>was as bright and the sun as hot upon it

0:29:18.720 --> 0:29:23.040
<v Speaker 1>as could be. Here there was no carpet, but bare boards,

0:29:23.240 --> 0:29:26.880
<v Speaker 1>no pictures, no washing stand, only a bed in the

0:29:27.000 --> 0:29:31.280
<v Speaker 1>farther corner, an iron bed with mattress and bolster, covered

0:29:31.320 --> 0:29:35.240
<v Speaker 1>with a bluish check counterpane. This featureless room, as you

0:29:35.280 --> 0:29:38.280
<v Speaker 1>can well imagine, And yet there was something that made

0:29:38.320 --> 0:29:43.280
<v Speaker 1>Thompson close the door very quickly and yet quietly behind him,

0:29:43.840 --> 0:29:47.520
<v Speaker 1>and lean against the window sill in the passage, actually

0:29:47.640 --> 0:29:51.800
<v Speaker 1>quivering all over. It was this that under the counterpane

0:29:51.920 --> 0:29:56.680
<v Speaker 1>someone lay, and not only lay, but stirred that it

0:29:56.840 --> 0:30:00.760
<v Speaker 1>was some one and not something was certain because the

0:30:00.800 --> 0:30:03.920
<v Speaker 1>shape of the head was unmistakable on the bolster, and

0:30:04.080 --> 0:30:07.200
<v Speaker 1>yet it was all covered. And no one lies with

0:30:07.360 --> 0:30:10.840
<v Speaker 1>covered head but a dead person. And this was not dead,

0:30:11.240 --> 0:30:23.480
<v Speaker 1>not truly dead for it heaved and shivered. Who I know? Counterpain?

0:30:23.560 --> 0:30:26.080
<v Speaker 1>By the ways a bedspread? So he saw something laying

0:30:26.280 --> 0:30:29.720
<v Speaker 1>covered under a bedspread on the bed. Do you guys

0:30:29.760 --> 0:30:32.280
<v Speaker 1>not have a counter pain? Or we know what a

0:30:32.320 --> 0:30:35.280
<v Speaker 1>counterpain was? Sure, we got counterpains in all of our

0:30:35.320 --> 0:30:37.640
<v Speaker 1>beds I had. Well, we do too, but we don't

0:30:37.680 --> 0:30:41.040
<v Speaker 1>call him counterpains because we're not nineteenth century briads. Weird.

0:30:41.640 --> 0:30:49.800
<v Speaker 1>What do you call him? Um? Bedspreads, blankets, beds, bedspread? Yeah, bedspread? Interesting,

0:30:50.480 --> 0:30:52.880
<v Speaker 1>you've never heard bedspread? Or you don't call him bed spreads.

0:30:53.160 --> 0:30:56.160
<v Speaker 1>I call him counterpains. Yeah, but bedspreads a lot, a

0:30:56.240 --> 0:31:00.760
<v Speaker 1>lot fun? Or to stay because it rhymes, because that's right?

0:31:02.120 --> 0:31:07.080
<v Speaker 1>Was that counterpaint? Do you want me to start ahead?

0:31:07.560 --> 0:31:11.280
<v Speaker 1>Where'd you leave off? I left off at? Shivered? Heaved

0:31:11.320 --> 0:31:20.160
<v Speaker 1>and shivered. This dead thing under the counterpane. Okay. If

0:31:20.200 --> 0:31:22.400
<v Speaker 1>he had seen these things in dusk or by the

0:31:22.520 --> 0:31:25.920
<v Speaker 1>light of a flickering candle, Thompson could have comforted himself

0:31:26.040 --> 0:31:30.400
<v Speaker 1>and talked of fancy on this bright day, that was impossible.

0:31:31.160 --> 0:31:34.080
<v Speaker 1>What was to be done? First, locked the door at

0:31:34.160 --> 0:31:39.920
<v Speaker 1>all costs. Very gingerly, he approached it, and, bending down, listened,

0:31:40.240 --> 0:31:43.600
<v Speaker 1>holding his breath. Perhaps there might be a sound of

0:31:43.640 --> 0:31:49.120
<v Speaker 1>heavy breathing in a prosaic explanation. There was absolute silence.

0:31:50.680 --> 0:31:53.320
<v Speaker 1>But as with a rather tremulous hand, he put the

0:31:53.400 --> 0:31:56.800
<v Speaker 1>key into the hole and turned it. It rattled, and

0:31:56.920 --> 0:31:59.600
<v Speaker 1>on the instant a stumbling, patting tread was heard coming

0:31:59.640 --> 0:32:02.920
<v Speaker 1>towards door. Thompson fled like a rabbit to his room

0:32:03.280 --> 0:32:06.360
<v Speaker 1>and locked himself in futile enough he knew it was

0:32:06.680 --> 0:32:09.800
<v Speaker 1>would doors and locks be any obstacle to what he suspected?

0:32:10.480 --> 0:32:12.160
<v Speaker 1>But it was all he could think of at the moment,

0:32:12.440 --> 0:32:15.320
<v Speaker 1>And in fact nothing happened. Only there was a time

0:32:15.360 --> 0:32:18.680
<v Speaker 1>of acute suspense, followed by a misery of doubt as

0:32:18.720 --> 0:32:21.640
<v Speaker 1>to what to do. The impulse, of course, was to

0:32:21.680 --> 0:32:24.440
<v Speaker 1>slip away as soon as possible from a house which

0:32:24.480 --> 0:32:27.520
<v Speaker 1>contained such an inmate. But only the day before he

0:32:27.640 --> 0:32:29.360
<v Speaker 1>had said he should be staying for at least a

0:32:29.400 --> 0:32:32.280
<v Speaker 1>week more, And how if he changed his plans could

0:32:32.320 --> 0:32:34.960
<v Speaker 1>he avoid the suspicion of having pried into places where

0:32:35.000 --> 0:32:38.960
<v Speaker 1>he certainly had no business. Moreover, either the bets is

0:32:39.000 --> 0:32:41.360
<v Speaker 1>knew all about the inmate and yet did not leave

0:32:41.400 --> 0:32:44.719
<v Speaker 1>the house, or knew nothing, which equally meant that there

0:32:44.840 --> 0:32:47.600
<v Speaker 1>was nothing to be afraid of, or knew just enough

0:32:47.760 --> 0:32:50.120
<v Speaker 1>to make them shut up the room, but not enough

0:32:50.200 --> 0:32:53.360
<v Speaker 1>to weigh on their spirits. In any of these cases,

0:32:53.680 --> 0:32:56.520
<v Speaker 1>it seemed that not much was to be feared, and certainly,

0:32:56.640 --> 0:32:59.000
<v Speaker 1>so far as he had no sort of ugly experience,

0:33:00.080 --> 0:33:02.840
<v Speaker 1>the whole the line of least resistance was to stay.

0:33:08.240 --> 0:33:09.640
<v Speaker 1>You know, all this guy had to do is go

0:33:09.720 --> 0:33:12.920
<v Speaker 1>downstairs and say, you know what, change of plans, I'm

0:33:12.960 --> 0:33:17.680
<v Speaker 1>gonna be moving on, great house? So long? Three yeah,

0:33:18.680 --> 0:33:22.120
<v Speaker 1>three stars, or maybe two now yeah. Or he could

0:33:22.160 --> 0:33:24.480
<v Speaker 1>have just run right out of the place and down

0:33:24.560 --> 0:33:27.120
<v Speaker 1>to the sea and swam away. It's a good point too,

0:33:28.040 --> 0:33:29.440
<v Speaker 1>you want to keep going? Or shall I pick up?

0:33:29.760 --> 0:33:34.920
<v Speaker 1>I think it's your turn, right. Well, he stayed out

0:33:34.960 --> 0:33:38.120
<v Speaker 1>as weak because he was so dumb he couldn't think

0:33:38.160 --> 0:33:42.680
<v Speaker 1>of a good excuse to leave. Nothing took him past

0:33:42.760 --> 0:33:46.200
<v Speaker 1>that door, and often he would pause in a quiet

0:33:46.200 --> 0:33:48.480
<v Speaker 1>hour of the day or night in the passage, and listen,

0:33:48.880 --> 0:33:53.600
<v Speaker 1>and listen, no sound whatsoever issued from that direction. You

0:33:53.720 --> 0:33:56.680
<v Speaker 1>might have thought that Thompson would have made some attempt

0:33:56.720 --> 0:34:00.760
<v Speaker 1>at ferreting out stories connected with the end, hardly perhaps

0:34:00.880 --> 0:34:04.360
<v Speaker 1>from bets, but from the parson of the parish, or

0:34:04.640 --> 0:34:07.400
<v Speaker 1>old people in the village, or the stew eaters at

0:34:07.440 --> 0:34:11.520
<v Speaker 1>the bar. But no. The reticence which commonly falls on

0:34:11.640 --> 0:34:15.200
<v Speaker 1>people who have strange experiences and believe in them, was

0:34:15.360 --> 0:34:19.120
<v Speaker 1>upon him. Nevertheless, as the end of his day drew near,

0:34:19.600 --> 0:34:22.239
<v Speaker 1>his yearning after some kind of explanation grew more and

0:34:22.320 --> 0:34:26.000
<v Speaker 1>more acute. On his solitary walks, he persisted in planning

0:34:26.040 --> 0:34:29.760
<v Speaker 1>out some way the least obtrusive of getting another daylight

0:34:29.800 --> 0:34:33.000
<v Speaker 1>glimpse into that room, and eventually arrived at this scheme.

0:34:33.719 --> 0:34:36.280
<v Speaker 1>He would leave by an afternoon train about four o'clock,

0:34:36.880 --> 0:34:39.239
<v Speaker 1>when his fly was waiting and his luggage on it,

0:34:39.840 --> 0:34:43.320
<v Speaker 1>he would make one lass expedition upstairs to look around

0:34:44.080 --> 0:34:46.880
<v Speaker 1>his own room and see if anything was left unpacked,

0:34:46.920 --> 0:34:50.600
<v Speaker 1>and then, with that key which he had contrived to oil,

0:34:51.080 --> 0:34:54.239
<v Speaker 1>as if that made any difference, the door should once

0:34:54.320 --> 0:34:58.160
<v Speaker 1>more be opened for a moment and shut so it

0:34:58.280 --> 0:35:01.640
<v Speaker 1>worked out, the bill was paid. The consequent small talk

0:35:01.840 --> 0:35:05.440
<v Speaker 1>gone through while the fly was loaded. And it flies

0:35:05.520 --> 0:35:08.520
<v Speaker 1>like an uber is that right, basically? Or a lift

0:35:10.200 --> 0:35:17.799
<v Speaker 1>or a black taxi, all driven by legal employees, regardless

0:35:17.840 --> 0:35:21.800
<v Speaker 1>of how you feel about that, Yes, well compensated legal employees.

0:35:24.120 --> 0:35:26.800
<v Speaker 1>Pleasant part of the country, been very comfortable thanks to

0:35:26.840 --> 0:35:30.240
<v Speaker 1>you and miss Betts. Hope to come back soon sometime

0:35:31.040 --> 0:35:34.440
<v Speaker 1>on one side. On the other, very glad you found satisfaction, sir,

0:35:34.560 --> 0:35:37.400
<v Speaker 1>done our best, always glad to have your good word,

0:35:38.040 --> 0:35:40.359
<v Speaker 1>very much favored. We've been with the weather to be sure.

0:35:41.560 --> 0:35:44.799
<v Speaker 1>This accents over the maybe a little irish and there.

0:35:45.200 --> 0:35:47.000
<v Speaker 1>I'm not sure what happened. I think you just slipped

0:35:47.040 --> 0:35:51.680
<v Speaker 1>into oscar wild. Then I'll just take a look upstairs

0:35:51.800 --> 0:35:53.840
<v Speaker 1>in case I've left a book or something out. No,

0:35:54.120 --> 0:35:56.560
<v Speaker 1>don't trouble, I'll be back in a minute. And as

0:35:56.640 --> 0:35:59.520
<v Speaker 1>noiselessly as possible, he stole to the door and opened it.

0:36:00.200 --> 0:36:03.360
<v Speaker 1>The shattering of the illusion, he almost laughed out loud.

0:36:04.520 --> 0:36:09.200
<v Speaker 1>The l o l nearly propped, or you might say,

0:36:09.280 --> 0:36:12.680
<v Speaker 1>sitting on the edge of the bed, was nothing in

0:36:12.760 --> 0:36:16.080
<v Speaker 1>the round world but a scarecrow, a scarecrow out of

0:36:16.120 --> 0:36:19.719
<v Speaker 1>the garden, of course, dumped into the deserted room. Yes,

0:36:20.320 --> 0:36:24.800
<v Speaker 1>but here amusements ceased? Has scarecrows bare bony feet? Do

0:36:24.960 --> 0:36:29.240
<v Speaker 1>their heads lull onto their shoulders? Have they iron collars

0:36:29.280 --> 0:36:31.960
<v Speaker 1>and links of chain about their necks? Can they get

0:36:32.040 --> 0:36:35.080
<v Speaker 1>up and move? If never? So stiffly across the floor

0:36:35.440 --> 0:36:38.560
<v Speaker 1>with wagging head and arms close at their sides, and

0:36:38.760 --> 0:36:47.040
<v Speaker 1>shiver all right, bring us home. The answer to that

0:36:47.239 --> 0:36:49.320
<v Speaker 1>is no, by the way, scared, No, can't do that.

0:36:49.960 --> 0:36:52.360
<v Speaker 1>Be a haunted scarecrow. But still you don't want to

0:36:52.400 --> 0:36:56.920
<v Speaker 1>mess with one of those either. The slam of the

0:36:57.000 --> 0:37:00.520
<v Speaker 1>door the dash to the stairhead to leap downstairs were

0:37:00.600 --> 0:37:04.680
<v Speaker 1>followed by a faint awaking Thompson saw Bets standing over

0:37:04.800 --> 0:37:07.600
<v Speaker 1>him with the brandy bottle in a very reproachful face.

0:37:08.040 --> 0:37:11.359
<v Speaker 1>You shouldn't have, Dune shout, really you shouldn't. It ain't

0:37:11.360 --> 0:37:13.600
<v Speaker 1>a kind of white to act by persons has done

0:37:13.640 --> 0:37:16.759
<v Speaker 1>the best they could for you. Thompson heard words of

0:37:16.800 --> 0:37:19.040
<v Speaker 1>this kind, but what he said in reply he did

0:37:19.120 --> 0:37:22.560
<v Speaker 1>not know. Mr Betts, and perhaps even more Mrs Betts

0:37:22.840 --> 0:37:26.279
<v Speaker 1>found it hard to accept his apologies and his assurances

0:37:26.560 --> 0:37:28.600
<v Speaker 1>that he would say no word that could damage the

0:37:28.680 --> 0:37:33.200
<v Speaker 1>good name of the house. However, they were accepted. Since

0:37:33.280 --> 0:37:35.760
<v Speaker 1>the train could not now be caught, it was arranged

0:37:35.800 --> 0:37:38.719
<v Speaker 1>that Thompson should be driven to the town to sleep there,

0:37:39.760 --> 0:37:43.279
<v Speaker 1>which personally I find a highly sensible plan. Should have

0:37:43.360 --> 0:37:47.080
<v Speaker 1>done it a week ago. That's right before he went.

0:37:47.280 --> 0:37:50.200
<v Speaker 1>The bets has told him what little they knew. They

0:37:50.360 --> 0:37:53.120
<v Speaker 1>say he was a landlord here a long time back

0:37:53.360 --> 0:37:55.879
<v Speaker 1>and was in with the highwaymen that had their beat

0:37:55.960 --> 0:37:58.839
<v Speaker 1>around the east. That's how he came by his end.

0:37:59.239 --> 0:38:01.960
<v Speaker 1>Hunging chain means, they say, up where you see that

0:38:02.200 --> 0:38:06.399
<v Speaker 1>stone where the gallows stood in. Yes, the fishermen made

0:38:06.440 --> 0:38:09.120
<v Speaker 1>away with that, I believe because they see it out

0:38:09.200 --> 0:38:11.600
<v Speaker 1>at seat and it keep the fish off according to

0:38:11.719 --> 0:38:14.959
<v Speaker 1>their idea. Yes, we add the account from the people

0:38:15.040 --> 0:38:17.840
<v Speaker 1>that add the house before we come. You keep that

0:38:18.000 --> 0:38:20.560
<v Speaker 1>room shut up, they says. But don't move the bed

0:38:20.600 --> 0:38:23.920
<v Speaker 1>out and you'll find there won't be no trouble, and

0:38:24.120 --> 0:38:27.120
<v Speaker 1>no more there has been, not once. He haven't come

0:38:27.160 --> 0:38:30.000
<v Speaker 1>out into the house though what he may do now,

0:38:30.160 --> 0:38:33.560
<v Speaker 1>there ain't no saying. Anyway, you're the first I know

0:38:34.200 --> 0:38:37.120
<v Speaker 1>on that's seen him since we've been here. I never

0:38:37.200 --> 0:38:40.279
<v Speaker 1>set eyes on him myself, nor don't want. And ever

0:38:40.400 --> 0:38:42.960
<v Speaker 1>since we made the servants rooms in the stapling, we

0:38:43.080 --> 0:38:46.560
<v Speaker 1>ain't add no difficulty that way. Only I do hope, sir,

0:38:46.840 --> 0:38:49.960
<v Speaker 1>and you'll keep a close tongue considering our house. Do

0:38:50.160 --> 0:38:54.799
<v Speaker 1>get talked about with more to this effect, And mind

0:38:54.840 --> 0:38:58.719
<v Speaker 1>that yelp review right, that's right, that's Funny's saying, basically

0:38:58.840 --> 0:39:01.799
<v Speaker 1>pretty much, I think you should take his home, since

0:39:01.800 --> 0:39:06.920
<v Speaker 1>it's your story. The promise of silence was kept for

0:39:07.000 --> 0:39:10.000
<v Speaker 1>many years. The occasion of my hearing the story at

0:39:10.080 --> 0:39:13.879
<v Speaker 1>last was this that when Mr Thompson came to stay

0:39:13.960 --> 0:39:16.759
<v Speaker 1>with my father, it fell to me to show him

0:39:16.840 --> 0:39:19.400
<v Speaker 1>to his room, and instead of letting me open the

0:39:19.440 --> 0:39:22.960
<v Speaker 1>door for him, he stepped forward and threw it open himself,

0:39:23.520 --> 0:39:26.680
<v Speaker 1>and then for some moments stood in the doorway, holding

0:39:26.800 --> 0:39:30.759
<v Speaker 1>up his candle and looking narrowly into the interior. Then

0:39:31.239 --> 0:39:34.880
<v Speaker 1>he seemed to recollect himself and said, I beg your pardon.

0:39:35.640 --> 0:39:38.600
<v Speaker 1>Very absurd, but I can't out doing that for a

0:39:38.680 --> 0:39:44.400
<v Speaker 1>particular reason. But that reason was I heard some days afterwards,

0:39:45.239 --> 0:39:53.840
<v Speaker 1>and you have heard now, m beautiful. So this guy's

0:39:53.840 --> 0:39:55.960
<v Speaker 1>scarred for life. He just can't walk into a room anymore.

0:39:56.040 --> 0:39:58.600
<v Speaker 1>Like a normal person. Yeah, of course not. He's seemed

0:39:58.640 --> 0:40:02.719
<v Speaker 1>like a long dead former owner of a house he

0:40:02.880 --> 0:40:05.000
<v Speaker 1>was staying and who's now chained by the neck to

0:40:05.080 --> 0:40:09.040
<v Speaker 1>a bed and still I guess, moving around hiding under bedspreads.

0:40:09.440 --> 0:40:11.360
<v Speaker 1>And they bought it knowing this right, because they were like,

0:40:11.400 --> 0:40:13.960
<v Speaker 1>don't worry about it, it's not a problem, basically. Yeah,

0:40:14.000 --> 0:40:16.200
<v Speaker 1>that's what they were saying, is that the former owners said,

0:40:16.360 --> 0:40:18.000
<v Speaker 1>you know, as long as you keep the room shut

0:40:18.080 --> 0:40:20.160
<v Speaker 1>and don't move the bed, you won't have any trouble

0:40:20.239 --> 0:40:23.560
<v Speaker 1>from the undead former owner who was hung for being

0:40:23.680 --> 0:40:27.279
<v Speaker 1>a highway robber. And for God's sakes, don't put a

0:40:27.760 --> 0:40:30.640
<v Speaker 1>couple of dead bolt locks on this thing or a

0:40:30.760 --> 0:40:34.880
<v Speaker 1>pad lock. Yeah, just a little tiny key that anybody

0:40:34.960 --> 0:40:38.719
<v Speaker 1>can come by. I love the story stuff. Yeah. And

0:40:38.760 --> 0:40:40.480
<v Speaker 1>if you liked either of these stories but you hated

0:40:40.480 --> 0:40:43.120
<v Speaker 1>our accents or whatever, go read them yourself. They're both online,

0:40:43.200 --> 0:40:46.000
<v Speaker 1>both our public domain. There's Beyond the Door by Philip K.

0:40:46.160 --> 0:40:50.200
<v Speaker 1>Dick and Rats by M. R. James and um, both

0:40:50.280 --> 0:40:52.919
<v Speaker 1>of them have a bunch of great little stories, don't

0:40:52.960 --> 0:40:55.960
<v Speaker 1>they chuck. Yeah, And in fact, there are far superior

0:40:56.080 --> 0:40:59.680
<v Speaker 1>readings on YouTube of these as well. Oh you want

0:40:59.719 --> 0:41:02.480
<v Speaker 1>to check goes out? Yeah? Yeah, if they don't have

0:41:02.640 --> 0:41:07.800
<v Speaker 1>our accents though, I'll tell you that. Nope, they're stew free. Well, everybody,

0:41:08.120 --> 0:41:11.920
<v Speaker 1>Hopefully the pants have been scared back onto you so

0:41:12.160 --> 0:41:15.680
<v Speaker 1>you're decent when trigger treaters come to your house. If

0:41:15.760 --> 0:41:18.319
<v Speaker 1>we're even doing that this year, who knows. But regardless

0:41:18.360 --> 0:41:21.160
<v Speaker 1>of how Halloween goes, have a safe and happy and

0:41:21.320 --> 0:41:26.320
<v Speaker 1>super great frightful Halloween, right, Chuck, That's right, Happy Halloween. Everybody.

0:41:39.320 --> 0:41:41.480
<v Speaker 1>Stuff You Should Know is a production of iHeart Radio's

0:41:41.480 --> 0:41:44.040
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