1 00:00:01,720 --> 00:00:04,440 Speaker 1: And That's what You Really Missed with Jenna. 2 00:00:04,440 --> 00:00:07,280 Speaker 2: And Kevin an iHeartRadio. 3 00:00:06,519 --> 00:00:12,120 Speaker 1: Podcast Welcome to You and That's what You Really miss podcast. 4 00:00:13,280 --> 00:00:17,639 Speaker 1: Oh Okay, Season five, Episode nineteen. This is Old Dog 5 00:00:17,760 --> 00:00:22,280 Speaker 1: New Tricks. Hello, Chris Colfer, writer Chris Colfer. 6 00:00:22,920 --> 00:00:24,480 Speaker 2: That sounded like we had him on. We don't. 7 00:00:25,040 --> 00:00:27,640 Speaker 1: No, Sorry, sorry, it didn't mean to do that to 8 00:00:27,680 --> 00:00:34,360 Speaker 1: you all. Chris Colpher wrote this episode, and Chris has 9 00:00:34,360 --> 00:00:39,040 Speaker 1: been writing for forever prely this was not new, but 10 00:00:39,760 --> 00:00:44,440 Speaker 1: this is the first cast member ever to write an episode. 11 00:00:44,640 --> 00:00:45,360 Speaker 2: First and only. 12 00:00:45,800 --> 00:00:49,400 Speaker 1: Yeah, first and only. Let's go Chris. 13 00:00:49,720 --> 00:00:52,840 Speaker 2: Yeah, like he did it. And you know this, Chris, 14 00:00:52,840 --> 00:00:53,800 Speaker 2: this episode. 15 00:00:53,440 --> 00:00:59,800 Speaker 1: Is very Chris, very Chris, very very Chris. Let's get 16 00:00:59,840 --> 00:01:01,520 Speaker 1: through the stuff and we'll talk about it. 17 00:01:01,720 --> 00:01:02,000 Speaker 2: Okay. 18 00:01:02,000 --> 00:01:06,480 Speaker 1: So this aired on May sixth, twenty fourteen. Right, real 19 00:01:06,640 --> 00:01:13,000 Speaker 1: late birthday shows are normally like but we had a die? Right, 20 00:01:13,240 --> 00:01:19,800 Speaker 1: That's right, that's right. Shocking. Number one song happy again. 21 00:01:20,040 --> 00:01:23,000 Speaker 2: Get your money far ell jeez, someone poor like Pharrell. 22 00:01:23,040 --> 00:01:26,800 Speaker 2: It's nice you could make some money here. The number 23 00:01:26,800 --> 00:01:30,480 Speaker 2: one movie is The Amazing Spider Man two. It's the 24 00:01:30,520 --> 00:01:33,120 Speaker 2: Andrew Garfield m Stone spider Man. 25 00:01:33,520 --> 00:01:39,640 Speaker 1: Love a superhero film I saw this, Leah and Diana 26 00:01:39,880 --> 00:01:43,240 Speaker 1: and Glee News. On May fifth, attended the met Gala 27 00:01:43,680 --> 00:01:50,440 Speaker 1: when it was still Pretty Dresses at the Metropolitan Museum 28 00:01:50,440 --> 00:01:52,840 Speaker 1: of Art in New York City and the theme was 29 00:01:53,040 --> 00:01:58,280 Speaker 1: Charles James Beyond Fashion. How the Medcala has evolved from 30 00:01:58,480 --> 00:02:03,320 Speaker 1: the time when our people, We're going to it very different, 31 00:02:03,560 --> 00:02:04,360 Speaker 1: very very different. 32 00:02:05,400 --> 00:02:08,680 Speaker 2: On May sixth, Gale the music Old Dog You Tricks 33 00:02:08,680 --> 00:02:11,919 Speaker 2: EP was released, featured five tracks from the episode and 34 00:02:12,080 --> 00:02:14,160 Speaker 2: was released for digital download only. 35 00:02:14,600 --> 00:02:16,919 Speaker 1: And also on May sixth, the cast celebrated wrapping their 36 00:02:16,960 --> 00:02:21,880 Speaker 1: fifth season at the season five Rap Party. Don't remember that. 37 00:02:22,280 --> 00:02:23,799 Speaker 2: I don't remember going to that rap party. 38 00:02:24,880 --> 00:02:25,840 Speaker 1: Maybe we didn't. 39 00:02:26,080 --> 00:02:26,760 Speaker 2: Maybe we didn't. 40 00:02:27,840 --> 00:02:30,880 Speaker 1: Maybe we didn't. I probably didn't because I wasn't even 41 00:02:31,040 --> 00:02:32,440 Speaker 1: in the last episode. 42 00:02:32,639 --> 00:02:36,600 Speaker 2: Yeah you've I don't imagine you would have. You were probably. 43 00:02:38,160 --> 00:02:41,040 Speaker 1: No, no no. But if you told me where it was, 44 00:02:41,240 --> 00:02:43,560 Speaker 1: maybe I would have said I won. Okay. So this 45 00:02:43,680 --> 00:02:46,720 Speaker 1: was directed by Brad Beeker, the one with Bred Beaker 46 00:02:46,800 --> 00:02:49,440 Speaker 1: and like We Said, written by Chris Kulfer, with many 47 00:02:49,440 --> 00:02:54,040 Speaker 1: many special guest stars June Squib who Chris is still. 48 00:02:53,800 --> 00:02:57,200 Speaker 2: Friends with, Oscar nominee June Squib I mean, come on, 49 00:02:57,360 --> 00:03:01,000 Speaker 2: she was just coming off that really great movie with 50 00:03:01,200 --> 00:03:07,800 Speaker 2: Laura Dern I believe, and Billy d Williams and Tim Conway, 51 00:03:07,800 --> 00:03:13,840 Speaker 2: who are legends. The greatest part of doing this episode 52 00:03:14,440 --> 00:03:18,680 Speaker 2: was being at base Camp and talking with all these people, 53 00:03:18,720 --> 00:03:21,000 Speaker 2: not just them, but also the background actors who were 54 00:03:21,040 --> 00:03:27,600 Speaker 2: older these stories, because you know, Chris wrote it into 55 00:03:27,600 --> 00:03:29,240 Speaker 2: the episode that you know, these people have been working 56 00:03:29,240 --> 00:03:32,440 Speaker 2: in Hollywood forever, the retired Broadway stars whatever, but really 57 00:03:34,360 --> 00:03:36,840 Speaker 2: all of these people, including all the extras and everything, 58 00:03:37,440 --> 00:03:42,320 Speaker 2: had been working in Hollywood for decades. Like one girl 59 00:03:42,440 --> 00:03:48,360 Speaker 2: was saying she worked with Shirley Temple because god, oh 60 00:03:48,440 --> 00:03:51,480 Speaker 2: my god. And so sitting at base Camp was just 61 00:03:53,120 --> 00:03:58,760 Speaker 2: ungrateful because these people were around at the dawn of 62 00:03:59,040 --> 00:04:01,880 Speaker 2: you know, like the studios, right, all of that. So 63 00:04:01,920 --> 00:04:05,400 Speaker 2: they had and they weren't necessarily like hugely famous minus June, 64 00:04:05,440 --> 00:04:06,960 Speaker 2: Billy and Tim all the. 65 00:04:07,000 --> 00:04:09,520 Speaker 1: Other people golden age of Hollywood. 66 00:04:09,160 --> 00:04:14,280 Speaker 2: Right, and they were there and wow, wow, we're extras then, 67 00:04:14,480 --> 00:04:17,680 Speaker 2: and so yes, such characters. It was such a gift 68 00:04:17,720 --> 00:04:20,360 Speaker 2: and it's so Chris too. I feel like people say 69 00:04:20,400 --> 00:04:22,680 Speaker 2: that the two most difficult things to do, like don't 70 00:04:22,680 --> 00:04:23,560 Speaker 2: work with dogs. 71 00:04:23,320 --> 00:04:28,719 Speaker 1: Or old people, but it's also his two favorite things 72 00:04:28,720 --> 00:04:29,240 Speaker 1: in the world. 73 00:04:29,960 --> 00:04:35,760 Speaker 2: Correct and having the older people there was a tremendous gift. 74 00:04:35,960 --> 00:04:38,240 Speaker 2: I absolutely loved it. 75 00:04:38,360 --> 00:04:43,520 Speaker 1: And June, what what an American treasure? 76 00:04:45,760 --> 00:04:49,279 Speaker 2: I mean, so realamed so good and. 77 00:04:49,960 --> 00:04:52,359 Speaker 1: Yeah, I want to hear all about that. So the 78 00:04:52,440 --> 00:04:54,839 Speaker 1: songs in this episode start with i' Me Out with 79 00:04:54,920 --> 00:05:00,240 Speaker 1: You with Mercedes, Rachel and Sam at the Shelter. 80 00:05:01,040 --> 00:05:04,839 Speaker 2: Memory by Kurt and Maggie. 81 00:05:04,520 --> 00:05:07,479 Speaker 1: Where Wolls of London by Artie and Sam. 82 00:05:07,480 --> 00:05:10,200 Speaker 2: Lucky Star performed by Kurt and Maggie. 83 00:05:09,960 --> 00:05:13,120 Speaker 1: So Weird, and Take Me Home Tonight Rachel, Kurt, Sam 84 00:05:13,160 --> 00:05:15,920 Speaker 1: Blaine merceding Santana, Artie and Maggie. 85 00:05:16,120 --> 00:05:18,320 Speaker 2: Like we said, this is the first and only episode 86 00:05:18,320 --> 00:05:21,000 Speaker 2: to actually be written by a cast member, Chris Colfer. 87 00:05:21,240 --> 00:05:23,880 Speaker 1: Apparently, Chris was approached by Brad and was asked to 88 00:05:23,880 --> 00:05:26,000 Speaker 1: write this episode, and he noted he was given a 89 00:05:26,040 --> 00:05:28,440 Speaker 1: great deal of freedom in writing his script and his 90 00:05:28,520 --> 00:05:31,000 Speaker 1: only restrictions were that he couldn't break up with Blaine 91 00:05:31,160 --> 00:05:35,279 Speaker 1: and he couldn't kill anyone that's there, because you know, 92 00:05:35,960 --> 00:05:41,080 Speaker 1: Chris might have done one of those just for shitzing giggles, 93 00:05:41,160 --> 00:05:44,800 Speaker 1: you know, or both he did kill somebody, though no 94 00:05:46,720 --> 00:05:47,800 Speaker 1: story about that too. 95 00:05:48,480 --> 00:05:51,080 Speaker 2: He was also allowed to select the three songs used 96 00:05:51,120 --> 00:05:54,120 Speaker 2: for his character totally storyline. The other two songs are 97 00:05:54,120 --> 00:05:55,880 Speaker 2: selected by the rest of the show's writers. 98 00:05:56,160 --> 00:05:58,360 Speaker 1: Okay, so, Chris said he was aiming for a classically 99 00:05:58,440 --> 00:06:00,920 Speaker 1: feel wanted to do a story about underdogs, as his 100 00:06:01,000 --> 00:06:03,320 Speaker 1: two favorite things in life are animals and old people, 101 00:06:03,680 --> 00:06:06,360 Speaker 1: and he made sure to include both in the script storyline. 102 00:06:06,440 --> 00:06:08,920 Speaker 2: This is the fifth episode not to feature any solos, 103 00:06:08,960 --> 00:06:11,280 Speaker 2: just group numbers and duets. The other four of Vitamin 104 00:06:11,360 --> 00:06:14,400 Speaker 2: D the first Time, I Do and Trio Great Epis. 105 00:06:15,640 --> 00:06:17,960 Speaker 1: This is the ninth time two duets are sung by 106 00:06:18,040 --> 00:06:20,440 Speaker 1: the same people in the same episode, so the others 107 00:06:20,480 --> 00:06:25,440 Speaker 1: are throwdown home duets, rumors, the first time, Big Brother, Love, Love, Love, 108 00:06:25,560 --> 00:06:26,520 Speaker 1: and Frenemies. 109 00:06:26,960 --> 00:06:29,200 Speaker 2: This is the fourth episode where all the main characters 110 00:06:29,240 --> 00:06:32,080 Speaker 2: present in the episode sing, the first being Power Madonna, 111 00:06:32,360 --> 00:06:34,599 Speaker 2: second being New New York, and the third being the 112 00:06:34,640 --> 00:06:35,520 Speaker 2: backup Plan. 113 00:06:36,040 --> 00:06:39,640 Speaker 1: And This episode features the last appearance of Santana in 114 00:06:39,760 --> 00:06:40,520 Speaker 1: season five. 115 00:06:41,440 --> 00:06:43,839 Speaker 2: This episode is also the only one to feature Santana 116 00:06:43,880 --> 00:06:46,440 Speaker 2: with blonde hair, although we saw Santana with blond highlights 117 00:06:46,480 --> 00:06:49,400 Speaker 2: and all or nothing, literally, like, I have a right up. 118 00:06:49,440 --> 00:06:51,679 Speaker 2: I thought she'd been wearing a wig for the last 119 00:06:51,720 --> 00:06:54,880 Speaker 2: several episodes because she had blonde hair. 120 00:06:55,520 --> 00:06:58,880 Speaker 1: You know what I think. I think you're right. Yeah, 121 00:06:58,960 --> 00:07:01,000 Speaker 1: I think you're right. I didn't want to bring it up, 122 00:07:01,160 --> 00:07:04,599 Speaker 1: but no, no, like that's what it is. That definitely 123 00:07:04,720 --> 00:07:06,800 Speaker 1: jogs the memory. And then when she shed the blonde 124 00:07:06,800 --> 00:07:09,880 Speaker 1: hair today in this episode, I was like, oh, there 125 00:07:09,920 --> 00:07:15,640 Speaker 1: she is. I totally forgotten about that. Yeah, Okay, this 126 00:07:15,840 --> 00:07:20,120 Speaker 1: is also last time Santana is present as a main character. 127 00:07:21,440 --> 00:07:25,480 Speaker 2: This is the last time Santana sings this season. So 128 00:07:25,920 --> 00:07:29,840 Speaker 2: this episode, Jenna, written by series Starkerscope for Rachel, attempts 129 00:07:29,840 --> 00:07:33,240 Speaker 2: to salvach your reputation among Broadway gossipers by hiring Santana 130 00:07:33,600 --> 00:07:36,840 Speaker 2: as her publicist and creating a charity for rescue animals. Meanwhile, 131 00:07:37,160 --> 00:07:39,400 Speaker 2: Kurt nabs a lead role in a retirement home production 132 00:07:39,520 --> 00:07:40,720 Speaker 2: of Peter Pan. 133 00:07:41,320 --> 00:07:46,800 Speaker 1: Okay, so Rachel is there's a gossip site that posts 134 00:07:46,920 --> 00:07:51,680 Speaker 1: an item about Rachel, and Santana is there, and Kurt's there, 135 00:07:51,760 --> 00:07:54,160 Speaker 1: and Santana's like, I know you need to do you 136 00:07:54,240 --> 00:07:56,480 Speaker 1: have to fix your image and you have to have 137 00:07:56,520 --> 00:07:59,880 Speaker 1: a cause and pap Arrozzi. 138 00:08:01,400 --> 00:08:02,480 Speaker 2: I've always been my cause. 139 00:08:03,360 --> 00:08:08,400 Speaker 1: Oh my god, so Rachel, and so they started charity, 140 00:08:08,840 --> 00:08:13,120 Speaker 1: and Santana like takes on the role as her being 141 00:08:13,160 --> 00:08:19,280 Speaker 1: her publicist for this moment, but that will semi evolve. 142 00:08:19,720 --> 00:08:22,920 Speaker 1: I think that's also like helps with tie together the 143 00:08:22,960 --> 00:08:25,800 Speaker 1: rest of this season where she's trying to find where 144 00:08:25,840 --> 00:08:28,360 Speaker 1: she kind of fits in in the New York scene, right. 145 00:08:28,640 --> 00:08:32,480 Speaker 2: Which is a very good idea for Santana and Naya. 146 00:08:32,600 --> 00:08:38,760 Speaker 1: Love it, yes, totally, Rachel. Rachel starts a Broadway Bitches 147 00:08:40,000 --> 00:08:42,760 Speaker 1: in support of dog adoption because she like went up 148 00:08:42,800 --> 00:08:44,880 Speaker 1: to the lady in the restaurant and like kind of 149 00:08:44,920 --> 00:08:48,280 Speaker 1: shames her for putting the dog in the in the carrier, 150 00:08:48,679 --> 00:08:51,600 Speaker 1: and you know, says that she's a surface animal blah 151 00:08:51,640 --> 00:08:53,800 Speaker 1: blah blah, which happened a lot in La in that 152 00:08:53,920 --> 00:08:56,360 Speaker 1: around that time, like every dog was like a very 153 00:08:56,480 --> 00:09:00,559 Speaker 1: much support an animal and like, and Leah has also 154 00:09:00,640 --> 00:09:04,640 Speaker 1: been like an advocate for horse drawn carriages, like ending 155 00:09:04,840 --> 00:09:08,360 Speaker 1: and banning the horse drawn carriages and working for Peta 156 00:09:09,640 --> 00:09:16,120 Speaker 1: throughout this this Glee time. Did you know that Broadway 157 00:09:17,000 --> 00:09:20,680 Speaker 1: Bitches is actually and I'm sure Chris knew this and 158 00:09:20,760 --> 00:09:24,920 Speaker 1: played on this there's Broadway Barks. So that's Bernette Peter's 159 00:09:25,600 --> 00:09:30,360 Speaker 1: nonprofit and she does this every year where in Schubert 160 00:09:30,440 --> 00:09:33,720 Speaker 1: Alley she hosts like big events and has all the 161 00:09:33,760 --> 00:09:37,000 Speaker 1: stars come out and tries to get all these dogs adopted. 162 00:09:38,000 --> 00:09:38,720 Speaker 2: That's so great. 163 00:09:39,120 --> 00:09:43,640 Speaker 1: Yeah, and there's dogs and there's things and it's Bernadette 164 00:09:43,720 --> 00:09:45,800 Speaker 1: so like of course, so I was like, oh wow, 165 00:09:45,840 --> 00:09:48,120 Speaker 1: this is totally a play on Broadway Mark. 166 00:09:48,600 --> 00:09:50,800 Speaker 2: I love that Chris is writing this and knowing when 167 00:09:50,840 --> 00:09:54,600 Speaker 2: like Nia is like you have snakes where there's like 168 00:09:54,640 --> 00:09:57,680 Speaker 2: some friendly things in there, you know, totally. 169 00:09:57,559 --> 00:10:00,160 Speaker 1: I mean there has to be right. He's so in 170 00:10:00,200 --> 00:10:03,120 Speaker 1: our world that like if he didn't, he would like 171 00:10:03,160 --> 00:10:04,840 Speaker 1: be where miss you know what I mean? Like he 172 00:10:04,960 --> 00:10:12,280 Speaker 1: had to. They end up at the dog shelter where 173 00:10:12,320 --> 00:10:19,440 Speaker 1: we do this first song. And what was the dog shelter? 174 00:10:20,040 --> 00:10:22,640 Speaker 1: Like where was it? Where did you shoot? What? What 175 00:10:22,800 --> 00:10:24,560 Speaker 1: was working like with all what was it like working 176 00:10:24,600 --> 00:10:26,680 Speaker 1: with all those dogs? Like tell me the whole thing. 177 00:10:27,280 --> 00:10:29,920 Speaker 1: It was right outside our stages. It was on the back. 178 00:10:30,520 --> 00:10:31,880 Speaker 2: It was in Fake New York's right in front of 179 00:10:31,880 --> 00:10:32,400 Speaker 2: the tin shed. 180 00:10:33,400 --> 00:10:36,319 Speaker 1: I for sure that was location. 181 00:10:36,960 --> 00:10:39,080 Speaker 2: No, on the back and you know, that very last 182 00:10:39,080 --> 00:10:41,679 Speaker 2: street where the tin shed was our original dance studio. 183 00:10:42,320 --> 00:10:45,840 Speaker 2: They built out this little dog run shelter. 184 00:10:46,480 --> 00:10:47,720 Speaker 1: Oh my god. 185 00:10:48,160 --> 00:10:51,200 Speaker 2: Yeah, those dogs were all so well behaved. I love 186 00:10:51,280 --> 00:10:53,840 Speaker 2: that they like they got the scraggly looking ones, but 187 00:10:53,840 --> 00:10:56,200 Speaker 2: they're all super trained, super nice. 188 00:10:57,200 --> 00:10:57,480 Speaker 1: Wow. 189 00:10:59,240 --> 00:11:02,040 Speaker 2: It was interesting because you obviously have to Shooting with 190 00:11:02,080 --> 00:11:04,600 Speaker 2: animals is difficult, and there were a lot of them, 191 00:11:04,720 --> 00:11:08,400 Speaker 2: but I just remember it being like a really nice 192 00:11:08,400 --> 00:11:13,640 Speaker 2: time with them, and that number was funny. I mean, 193 00:11:13,760 --> 00:11:16,840 Speaker 2: I I mess up the lip sync and the show. 194 00:11:17,800 --> 00:11:23,480 Speaker 2: I didn't really know what I was doing. Yeah, there's 195 00:11:23,520 --> 00:11:26,599 Speaker 2: a lot going on and so like there was a 196 00:11:26,640 --> 00:11:28,200 Speaker 2: lot of moving pieces the first time we worked with 197 00:11:28,200 --> 00:11:30,920 Speaker 2: animals like this, and like a lot so sweet. It 198 00:11:30,960 --> 00:11:32,160 Speaker 2: was so nice to have the animals. 199 00:11:32,160 --> 00:11:34,960 Speaker 1: Though. Were you worried about the sound of the music 200 00:11:35,000 --> 00:11:37,120 Speaker 1: and the animals like getting nervous and all of that, 201 00:11:37,200 --> 00:11:39,520 Speaker 1: because I would have been like so hyper sensitive about 202 00:11:39,520 --> 00:11:39,760 Speaker 1: all of it. 203 00:11:40,360 --> 00:11:45,200 Speaker 2: I didn't because the people who bring these dogs at 204 00:11:45,200 --> 00:11:47,520 Speaker 2: the dog wranglers or whatever, they do this every day. 205 00:11:47,960 --> 00:11:52,760 Speaker 2: These dogs are trained and work regularly, and so I 206 00:11:52,880 --> 00:11:56,680 Speaker 2: just assumed if they're you know, showing up to I 207 00:11:56,679 --> 00:12:00,440 Speaker 2: would hope that they these dogs would be air to 208 00:12:00,480 --> 00:12:02,880 Speaker 2: hear music. I also don't remember. It could have been 209 00:12:02,880 --> 00:12:05,240 Speaker 2: a thing too where we played the music lower. I 210 00:12:05,280 --> 00:12:05,600 Speaker 2: don't know. 211 00:12:05,640 --> 00:12:09,080 Speaker 1: Sure, sure, sure, sure. Oh. I'm really sad that I 212 00:12:09,120 --> 00:12:10,800 Speaker 1: didn't get to work with dogs. 213 00:12:11,920 --> 00:12:14,040 Speaker 2: It was cute, especially the ones that we got to 214 00:12:14,080 --> 00:12:19,000 Speaker 2: see for several days, especially one Chord. You know, you 215 00:12:19,040 --> 00:12:21,400 Speaker 2: get attached to them and they're sure. 216 00:12:22,120 --> 00:12:25,480 Speaker 1: Sure if you didn't know, this, Chord is a dog 217 00:12:25,520 --> 00:12:27,040 Speaker 1: whisperer and a baby whisperer. 218 00:12:27,559 --> 00:12:30,040 Speaker 2: It's true, like he. 219 00:12:29,920 --> 00:12:34,520 Speaker 1: Would take Bear and literally hold him, and Bear was 220 00:12:34,559 --> 00:12:37,560 Speaker 1: like kind of frenetic in a lot of ways. And 221 00:12:37,600 --> 00:12:39,920 Speaker 1: he would take Bear and Bear would like lay in 222 00:12:40,000 --> 00:12:43,760 Speaker 1: his arms, and it was just the craziest thing I 223 00:12:43,760 --> 00:12:45,880 Speaker 1: would ever see. So this totally makes sense to me 224 00:12:45,920 --> 00:12:49,520 Speaker 1: that of course Chord, or of course Sam takes home 225 00:12:49,559 --> 00:12:52,560 Speaker 1: a dog. I loved by the way. I loved this 226 00:12:52,679 --> 00:12:54,160 Speaker 1: Mercedes Damn storyline. 227 00:12:54,240 --> 00:12:56,959 Speaker 2: I was just want to say this. I thought Chris 228 00:12:56,960 --> 00:12:59,200 Speaker 2: wrote the shit out of the story. I thought it 229 00:12:59,240 --> 00:13:02,200 Speaker 2: was really ground nice. They both had something juicier to 230 00:13:02,280 --> 00:13:07,400 Speaker 2: lean into that wasn't agreed, agreed the album agreed. It 231 00:13:07,520 --> 00:13:11,359 Speaker 2: was nice that it was real they're having real conversations, 232 00:13:11,360 --> 00:13:14,920 Speaker 2: the comedy of her walking in and finding so that 233 00:13:14,600 --> 00:13:18,040 Speaker 2: that he Sam pitches the Mercedes like, you know, at 234 00:13:18,080 --> 00:13:20,280 Speaker 2: the shelter, like I want to Chase talk home, and 235 00:13:20,320 --> 00:13:21,959 Speaker 2: Mercedes like, do not do it. I'm taking care of 236 00:13:22,000 --> 00:13:26,360 Speaker 2: you already, that's enough. She he does it anyway, and 237 00:13:26,440 --> 00:13:30,000 Speaker 2: Mercedes walks in to find Sam and already playing video games. 238 00:13:30,080 --> 00:13:34,439 Speaker 2: The dog has destroyed everything, and that whole scene is 239 00:13:34,559 --> 00:13:38,520 Speaker 2: so funny. I remember like sitting there, also sitting there 240 00:13:39,080 --> 00:13:41,960 Speaker 2: just being like an observer to those two and having 241 00:13:42,200 --> 00:13:46,359 Speaker 2: Amber come in and just do comedy was so satisfying. 242 00:13:46,679 --> 00:13:47,079 Speaker 1: Loved. 243 00:13:47,679 --> 00:13:54,480 Speaker 2: I so enjoyed just being present because also, like I 244 00:13:54,520 --> 00:13:56,480 Speaker 2: feel like Amber didn't get a lot of opportunity to 245 00:13:56,520 --> 00:13:58,959 Speaker 2: do what she was doing, walking in and out saying 246 00:13:59,000 --> 00:14:03,520 Speaker 2: these really funny lines. Yeah, and I the whole bits 247 00:14:03,679 --> 00:14:05,240 Speaker 2: of like so. 248 00:14:05,280 --> 00:14:09,600 Speaker 1: Funny, the fuaha and the shoe and the things you're 249 00:14:10,000 --> 00:14:12,720 Speaker 1: coming at. Oh yeah o who no, he's not eating 250 00:14:12,760 --> 00:14:15,640 Speaker 1: my hair. It was really funny, really well done. Like, 251 00:14:16,640 --> 00:14:19,360 Speaker 1: and I think christ and Amber also are so tight 252 00:14:19,640 --> 00:14:22,960 Speaker 1: that like he knows that she can do this and 253 00:14:23,000 --> 00:14:26,040 Speaker 1: like writes for how funny she is in real life, right, 254 00:14:26,640 --> 00:14:29,760 Speaker 1: Like Mercedes so different, and like she doesn't always get 255 00:14:29,920 --> 00:14:34,320 Speaker 1: the comedy storylines, so for her to like be able 256 00:14:34,360 --> 00:14:38,000 Speaker 1: to actually do this and like the physical comedy too 257 00:14:38,040 --> 00:14:40,200 Speaker 1: and all about it, it was just really really great, 258 00:14:40,520 --> 00:14:42,360 Speaker 1: and like you said, it was really grounded. Like I 259 00:14:42,440 --> 00:14:47,920 Speaker 1: really appreciated them watching, like watching their relationship evolve and 260 00:14:48,000 --> 00:14:51,200 Speaker 1: grow and learn and be stretched, and like it was 261 00:14:51,240 --> 00:14:55,640 Speaker 1: like a real conversation for them and insecurities for Sam, 262 00:14:55,760 --> 00:14:59,680 Speaker 1: and like Sam really like stepping up and I just 263 00:14:59,800 --> 00:15:03,680 Speaker 1: was like, like, go court, Like he really stepped into 264 00:15:03,760 --> 00:15:06,640 Speaker 1: his own in these final episodes, in these final seasons. 265 00:15:06,800 --> 00:15:10,000 Speaker 1: But like I just was like, god damn, Like he 266 00:15:10,160 --> 00:15:13,960 Speaker 1: really is such a strong player in this, in these 267 00:15:14,120 --> 00:15:18,000 Speaker 1: in these and like sometimes under a little underappreciated. I 268 00:15:18,000 --> 00:15:18,480 Speaker 1: think I. 269 00:15:18,440 --> 00:15:21,680 Speaker 2: Think so too. That monologue he had, I think Chris 270 00:15:21,720 --> 00:15:24,840 Speaker 2: writing that whole thing about you know, bringing up his 271 00:15:24,960 --> 00:15:27,120 Speaker 2: past from season two or three where he took care 272 00:15:27,120 --> 00:15:31,600 Speaker 2: of his family and you know, like you know, Sam 273 00:15:31,720 --> 00:15:34,000 Speaker 2: is like the goofy one doing impressions and all of 274 00:15:34,040 --> 00:15:34,920 Speaker 2: a sudden, he's. 275 00:15:34,760 --> 00:15:38,800 Speaker 1: Like how to be seen as a man? Yeah, exactly, 276 00:15:38,840 --> 00:15:41,240 Speaker 1: Like I want to take care of us and our family, 277 00:15:41,280 --> 00:15:42,760 Speaker 1: and I need you to see that. I can do 278 00:15:42,800 --> 00:15:45,320 Speaker 1: this and like, I'm not just this like kid who 279 00:15:45,400 --> 00:15:47,640 Speaker 1: you know, for he sometimes I forget appointments and things 280 00:15:47,720 --> 00:15:49,720 Speaker 1: like that, and like that kind of was Court a 281 00:15:49,760 --> 00:15:52,920 Speaker 1: little bit like where he sometimes he would like be 282 00:15:53,080 --> 00:15:56,680 Speaker 1: late or lose his wallet or lose something, and like 283 00:15:57,000 --> 00:16:00,000 Speaker 1: but he was so he's so brilliant in other ways. 284 00:16:00,080 --> 00:16:02,680 Speaker 1: Is that You're like, you can't see me in just 285 00:16:02,760 --> 00:16:06,280 Speaker 1: one light, right, No, he is dependable, like Chord, like 286 00:16:06,360 --> 00:16:09,200 Speaker 1: Sam is dependable, and he's like we're the good with 287 00:16:09,320 --> 00:16:11,720 Speaker 1: dogs and kids and like it's just it's crazy and 288 00:16:11,880 --> 00:16:13,880 Speaker 1: we was like, I don't know, but he did have 289 00:16:13,920 --> 00:16:16,320 Speaker 1: a like Cord also has a big family and he's 290 00:16:16,360 --> 00:16:18,160 Speaker 1: like a lot of women in his family and so 291 00:16:18,320 --> 00:16:24,080 Speaker 1: like it makes sense, right, like he's he knows this life. Yeah, 292 00:16:24,120 --> 00:16:26,280 Speaker 1: and I appreciate it. There's a maturity that he just 293 00:16:26,280 --> 00:16:28,800 Speaker 1: doesn't show all the time, like he doesn't show all 294 00:16:28,840 --> 00:16:30,360 Speaker 1: of his cards, you know. 295 00:16:30,800 --> 00:16:33,360 Speaker 2: I also like the storyline. I think this is important 296 00:16:33,440 --> 00:16:37,240 Speaker 2: that Chris put this in here too, where people adopt 297 00:16:37,280 --> 00:16:39,960 Speaker 2: a dog on a whim because it's cute and you 298 00:16:40,000 --> 00:16:42,800 Speaker 2: think in the moment it's going to be great. And 299 00:16:43,920 --> 00:16:47,080 Speaker 2: even though Coord you know, stepped up or Sam's already 300 00:16:47,200 --> 00:16:50,200 Speaker 2: stepped up to train the dog and take responsibility for 301 00:16:50,240 --> 00:16:53,120 Speaker 2: the dog. I like that that they didn't, just like 302 00:16:53,280 --> 00:16:57,520 Speaker 2: Mercedes didn't just concede yes, she was like, I understand that, 303 00:16:58,000 --> 00:17:01,280 Speaker 2: and it's complicated, it's messy. I think it's but it's 304 00:17:01,280 --> 00:17:03,960 Speaker 2: more important to show and ultimately it's like, you don't 305 00:17:04,000 --> 00:17:06,040 Speaker 2: have to bring it back to the shelter, but it 306 00:17:06,119 --> 00:17:08,560 Speaker 2: is now your responsibility to find it safe home for it. 307 00:17:08,960 --> 00:17:11,080 Speaker 1: And that was like the actually the adult thing to do, 308 00:17:11,359 --> 00:17:15,240 Speaker 1: Like they made the adult decision that together. It showed 309 00:17:15,280 --> 00:17:17,960 Speaker 1: that he could be a man and step up and 310 00:17:18,000 --> 00:17:20,120 Speaker 1: make that decision and give up the dog and realize 311 00:17:20,119 --> 00:17:23,119 Speaker 1: that like their schedules just don't allow for it. So 312 00:17:23,600 --> 00:17:27,600 Speaker 1: it was really no, really mature storyline, really really great, 313 00:17:27,880 --> 00:17:30,560 Speaker 1: my favorite one by far, and it just. 314 00:17:30,560 --> 00:17:33,400 Speaker 2: Kept getting better each time there was another Mercedes Sam 315 00:17:33,480 --> 00:17:36,840 Speaker 2: scene in this episode, it just got loved, deeper and 316 00:17:36,880 --> 00:17:37,679 Speaker 2: more complex. 317 00:17:38,840 --> 00:17:41,600 Speaker 1: But also, can we talk about wear Wolves of London 318 00:17:41,640 --> 00:17:45,400 Speaker 1: When Sam's like, I'm going to train McConaughey and you're 319 00:17:45,440 --> 00:17:48,720 Speaker 1: the psychic training McConaughey, and you guys sing the shit 320 00:17:48,800 --> 00:17:53,399 Speaker 1: out of that song. You were running like a dog 321 00:17:53,840 --> 00:17:55,359 Speaker 1: all over this song. 322 00:17:55,920 --> 00:18:00,400 Speaker 2: That song is insane. I had never heard that song before. What, Yeah, 323 00:18:00,440 --> 00:18:01,240 Speaker 2: I didn't know that song. 324 00:18:01,400 --> 00:18:03,480 Speaker 1: I love that song. You sound great by the way 325 00:18:04,320 --> 00:18:09,239 Speaker 1: you're running everywhere. I'm sure that you were literally so 326 00:18:09,280 --> 00:18:12,280 Speaker 1: annoyed in cursing Luke, but like it was great. It 327 00:18:12,359 --> 00:18:14,159 Speaker 1: was really great. I love that song. 328 00:18:14,600 --> 00:18:19,479 Speaker 2: Now at this point, I really enjoyed just trying to 329 00:18:19,560 --> 00:18:22,639 Speaker 2: figure out how to make these songs happen. I wanted 330 00:18:22,640 --> 00:18:25,919 Speaker 2: to match Luke's guide vocal as much. 331 00:18:25,840 --> 00:18:27,840 Speaker 1: As a challenge it was. 332 00:18:27,920 --> 00:18:30,080 Speaker 2: And I think, you know, I think I said it 333 00:18:30,119 --> 00:18:32,600 Speaker 2: last season. I think he got my voice to like 334 00:18:32,640 --> 00:18:35,080 Speaker 2: the peak that it's ever been got, and I think 335 00:18:35,119 --> 00:18:37,280 Speaker 2: at this point it was like the most athletic it 336 00:18:37,280 --> 00:18:42,919 Speaker 2: had ever been, and so totally it was really fun. 337 00:18:43,000 --> 00:18:45,119 Speaker 2: I mean, I think it was really to be singing 338 00:18:45,280 --> 00:18:47,600 Speaker 2: like that hard and then just casually like going through 339 00:18:47,640 --> 00:18:50,560 Speaker 2: this dog park and like filming him and it's really funny. 340 00:18:51,320 --> 00:18:54,160 Speaker 2: But I did enjoy recording. 341 00:19:02,960 --> 00:19:05,919 Speaker 1: I think the song choices for this episode are are 342 00:19:06,040 --> 00:19:09,680 Speaker 1: little like I wouldn't peg Chris to put these in, 343 00:19:09,760 --> 00:19:12,639 Speaker 1: but now it made sense knowing that the writers had 344 00:19:12,720 --> 00:19:14,520 Speaker 1: input on it, and then Chris was able to pick 345 00:19:14,520 --> 00:19:17,359 Speaker 1: the ones that he sang, So it makes sense because 346 00:19:17,359 --> 00:19:19,880 Speaker 1: I would not have had him choose these, but they 347 00:19:19,960 --> 00:19:22,200 Speaker 1: worked and I liked them, and I thought it gave 348 00:19:22,400 --> 00:19:25,080 Speaker 1: it a nice contrast to like everything else that was 349 00:19:25,119 --> 00:19:28,560 Speaker 1: going on. So this whole dog thing is happening. But 350 00:19:28,640 --> 00:19:34,200 Speaker 1: then Kurt also is feeling like he has he's trying 351 00:19:34,240 --> 00:19:36,679 Speaker 1: to find his identity, which is funny because just a 352 00:19:36,680 --> 00:19:39,760 Speaker 1: few episodes Kurt felt like he was fitting in YadA 353 00:19:39,760 --> 00:19:43,639 Speaker 1: and Blaine was having an identity crisis. So it's funny 354 00:19:43,680 --> 00:19:47,399 Speaker 1: to see him now like he's other people are running 355 00:19:47,480 --> 00:19:51,840 Speaker 1: faster in the race, and everybody's kind of got their 356 00:19:51,880 --> 00:19:55,680 Speaker 1: own thing going on, and he's He meets Maggie at 357 00:19:55,920 --> 00:20:02,280 Speaker 1: the restaurant, the famous June scrib and she's like a 358 00:20:02,400 --> 00:20:06,560 Speaker 1: legendary Broadway like a Broadway star with a big flop musical. 359 00:20:06,760 --> 00:20:11,200 Speaker 1: She's famous. And she's at the Lexington Home for Retired Performers, 360 00:20:11,800 --> 00:20:15,080 Speaker 1: which was brilliant on Chris's part. Do you make this 361 00:20:15,160 --> 00:20:19,840 Speaker 1: an old home for retired performers? It's so sweet right 362 00:20:19,880 --> 00:20:23,680 Speaker 1: up Chris's alley. None of this surprises me. It actually 363 00:20:24,240 --> 00:20:28,160 Speaker 1: just is very on brand, and it's the cues thing 364 00:20:28,160 --> 00:20:30,320 Speaker 1: ever so he goes and he makes friends with the 365 00:20:30,359 --> 00:20:33,240 Speaker 1: baggie and she invites him to go see a rehearsal 366 00:20:33,240 --> 00:20:37,560 Speaker 1: with Peter Pan. Okay, so note, do you remember where 367 00:20:37,600 --> 00:20:39,359 Speaker 1: this story of Peter Pan came from? 368 00:20:41,119 --> 00:20:42,760 Speaker 2: Did she do Peter Pan when he was young? 369 00:20:43,720 --> 00:20:49,480 Speaker 1: He did? But when in our version of this, in 370 00:20:49,560 --> 00:20:56,840 Speaker 1: Chris's episode when the who dies in the in the harness, 371 00:20:56,880 --> 00:21:02,159 Speaker 1: what's her name? One of one of the the residence 372 00:21:02,280 --> 00:21:06,920 Speaker 1: of the home is Peter Pan and comes through the window. 373 00:21:07,560 --> 00:21:12,880 Speaker 1: But the que happens and nobody comes through and this 374 00:21:13,000 --> 00:21:21,760 Speaker 1: resident has croaked. So Debbie is now non and they 375 00:21:21,760 --> 00:21:24,679 Speaker 1: don't have pere Pan anymore. Now I'm going back to 376 00:21:24,720 --> 00:21:30,560 Speaker 1: this because when Kristin Chanawi was with us on the show, 377 00:21:30,960 --> 00:21:34,840 Speaker 1: very early on, Chris and I were ecstatic, I mean 378 00:21:35,320 --> 00:21:40,160 Speaker 1: beyond ecstatic. Ecstatic is an understatement, it's true. We were 379 00:21:40,880 --> 00:21:43,240 Speaker 1: so excited and Kristin would like we would sit down 380 00:21:43,280 --> 00:21:45,600 Speaker 1: and we like, tell us stories, share with us. She 381 00:21:45,720 --> 00:21:50,280 Speaker 1: was like, obviously the niceness we know this now she 382 00:21:50,400 --> 00:21:52,280 Speaker 1: shared with us. One of the first things that she 383 00:21:52,359 --> 00:21:54,639 Speaker 1: told this was this Peter Pan story. When she was 384 00:21:54,800 --> 00:21:58,440 Speaker 1: Peter Pan and she was doing a matinee. There's a 385 00:21:58,480 --> 00:22:01,520 Speaker 1: lot of kids in the audience, and she you know, 386 00:22:01,920 --> 00:22:05,359 Speaker 1: it's I'm flying and the windows are supposed to open, 387 00:22:06,119 --> 00:22:08,760 Speaker 1: and she comes through on a harness and she flies 388 00:22:08,800 --> 00:22:14,520 Speaker 1: through the audience. The windows didn't open, and Kristin bangs 389 00:22:15,000 --> 00:22:21,520 Speaker 1: flat into the windows, goes limp passes out in the harness, 390 00:22:22,200 --> 00:22:27,119 Speaker 1: and in the audience you hear, Mommy, Peter Pan's dead. 391 00:22:29,400 --> 00:22:34,920 Speaker 1: So this happened to Kristin. I just forgot about this. 392 00:22:35,840 --> 00:22:38,360 Speaker 1: Chris and I on the floor laughing. This is the 393 00:22:38,400 --> 00:22:41,840 Speaker 1: funniest story we've ever heard. It will to this day 394 00:22:42,080 --> 00:22:44,440 Speaker 1: still make me feel my pants the way she tells it. 395 00:22:46,280 --> 00:22:51,080 Speaker 1: But Chris put it in the episode and I was 396 00:22:51,080 --> 00:22:56,440 Speaker 1: watching and I was like, oh my god, I totally 397 00:22:56,640 --> 00:22:59,280 Speaker 1: forgot because I had never really seen this episode all 398 00:22:59,320 --> 00:23:02,080 Speaker 1: the way through. But I was like, I was just 399 00:23:02,200 --> 00:23:05,240 Speaker 1: a slow clapping for Chris at this point because that 400 00:23:05,480 --> 00:23:09,399 Speaker 1: is unvulnerable and it makes sense. It's like that story 401 00:23:09,400 --> 00:23:13,000 Speaker 1: deserves to be told over and over again, in every 402 00:23:13,040 --> 00:23:17,800 Speaker 1: in every way. So Debbie our version, yes, yes, so 403 00:23:17,880 --> 00:23:24,680 Speaker 1: Debbie and our vision it's doesn't make it. And so 404 00:23:24,840 --> 00:23:27,760 Speaker 1: they need Peter Pan and they have He says he'll 405 00:23:27,800 --> 00:23:33,680 Speaker 1: do it if there's no rules in there. They they 406 00:23:33,680 --> 00:23:37,119 Speaker 1: have him audition because they have standards, of course, and 407 00:23:37,160 --> 00:23:41,399 Speaker 1: he sings memory, of course, brings Chris sings Memory, and 408 00:23:41,440 --> 00:23:44,280 Speaker 1: then of course June sings with him, because why wouldn't she. 409 00:23:45,520 --> 00:23:46,480 Speaker 1: This is the sweetest thing. 410 00:23:46,520 --> 00:23:49,199 Speaker 2: I have such a soft spot for the storyline. I 411 00:23:49,280 --> 00:23:52,960 Speaker 2: really enjoyed the storyline, and also it's nice to see, like, 412 00:23:55,160 --> 00:23:59,320 Speaker 2: I don't want to be projecting here, but I think 413 00:23:59,400 --> 00:24:02,320 Speaker 2: a lot of christ storyline, for better or for worse, 414 00:24:03,040 --> 00:24:06,480 Speaker 2: since Blaine has been around, has been about Blaine. Yeah, 415 00:24:07,320 --> 00:24:10,320 Speaker 2: and I think, you know, maybe part of his point. 416 00:24:10,400 --> 00:24:13,280 Speaker 2: He did not tell me this part of his point, 417 00:24:13,680 --> 00:24:16,359 Speaker 2: but this storyline is like he has more to offer, 418 00:24:16,400 --> 00:24:18,240 Speaker 2: he has more to give, and he's given so much 419 00:24:18,240 --> 00:24:23,320 Speaker 2: to the show. Yes, and seeing this be the storyline 420 00:24:23,359 --> 00:24:27,639 Speaker 2: he picks out for himself and highlighting these older actors 421 00:24:28,240 --> 00:24:32,320 Speaker 2: who are icons was really beautiful and you could see 422 00:24:32,320 --> 00:24:34,600 Speaker 2: like his eyes light up and how healthy he is 423 00:24:34,640 --> 00:24:37,199 Speaker 2: to be singing a duet with June and you have 424 00:24:37,840 --> 00:24:40,120 Speaker 2: legends like Billy Dee and. 425 00:24:40,040 --> 00:24:46,200 Speaker 1: Tim Conray and a television icon I can't even and his. 426 00:24:46,480 --> 00:24:49,080 Speaker 2: Granddaughter and a daughter came to set, and it was 427 00:24:49,119 --> 00:24:51,920 Speaker 2: so nice to have them there but their TV royalty. 428 00:24:52,440 --> 00:24:55,560 Speaker 1: No, for sure. I love that. I wonder if Chris 429 00:24:55,560 --> 00:24:58,080 Speaker 1: had anything to do with the casting or if he 430 00:24:58,119 --> 00:25:01,280 Speaker 1: had met June like at this point point like for 431 00:25:01,359 --> 00:25:08,119 Speaker 1: the show. I think it's really honestly, like I just 432 00:25:08,400 --> 00:25:14,280 Speaker 1: respect him for bringing in the people who we owe 433 00:25:14,359 --> 00:25:16,239 Speaker 1: all of this too, you know what I mean. We 434 00:25:16,320 --> 00:25:19,879 Speaker 1: owe our careers and the way that team, the TV 435 00:25:20,080 --> 00:25:25,600 Speaker 1: and Hollywood were formed. They were like a formative part 436 00:25:25,640 --> 00:25:29,119 Speaker 1: of it and so and there are legends and icons 437 00:25:29,160 --> 00:25:34,040 Speaker 1: and so I just kudos to Chris. And also like Chris, 438 00:25:34,080 --> 00:25:36,760 Speaker 1: I remember being like when he was in high school, 439 00:25:36,760 --> 00:25:38,560 Speaker 1: he was like friends with the lunch ladies, Like he 440 00:25:38,640 --> 00:25:41,720 Speaker 1: wasn't friends with kids in school. So like this makes 441 00:25:41,840 --> 00:25:44,000 Speaker 1: total sense to me. And I also have a soft 442 00:25:44,040 --> 00:25:46,920 Speaker 1: spot for it because we know Chris. Like I'm trying 443 00:25:47,000 --> 00:25:49,520 Speaker 1: to watch this episode as a fan and a viewer 444 00:25:49,520 --> 00:25:52,199 Speaker 1: who doesn't know Chris the way we know him, and 445 00:25:52,280 --> 00:25:55,040 Speaker 1: I'm trying to also watch it and go, oh, I 446 00:25:55,119 --> 00:25:58,360 Speaker 1: know that's Chris. That makes sense to me this because 447 00:25:58,920 --> 00:26:00,760 Speaker 1: I think for this episode, but there were parts of 448 00:26:00,800 --> 00:26:03,560 Speaker 1: it that were very Chris centric that I was like, 449 00:26:03,640 --> 00:26:05,679 Speaker 1: I don't know that I would have watched this and 450 00:26:05,720 --> 00:26:07,840 Speaker 1: Glee and had and it would have made sense to me. 451 00:26:07,960 --> 00:26:10,560 Speaker 1: But because I know Chris so well, this was this 452 00:26:10,680 --> 00:26:13,520 Speaker 1: made sense to me. But I will say the second 453 00:26:13,640 --> 00:26:16,359 Speaker 1: like third fourth act of the show itself and the 454 00:26:16,400 --> 00:26:19,200 Speaker 1: writing of it, it all came together. It did. 455 00:26:19,400 --> 00:26:23,679 Speaker 2: I liked all the different storylines. I liked fit what 456 00:26:23,720 --> 00:26:25,280 Speaker 2: everybody was going through at the time. 457 00:26:25,480 --> 00:26:29,600 Speaker 1: It was satisating. The end felt like oldly where you 458 00:26:29,680 --> 00:26:34,600 Speaker 1: get that payoff, Like everybody learned their lesson and things 459 00:26:34,640 --> 00:26:37,960 Speaker 1: got resolved and like, you know, all you needed was 460 00:26:38,000 --> 00:26:40,280 Speaker 1: that slow ballad music we have, Like you know what 461 00:26:40,280 --> 00:26:44,120 Speaker 1: I mean, Like that's it was satisfying. Anyways, really looking to. 462 00:26:44,320 --> 00:26:47,639 Speaker 2: Do the right thing, go find go to find Maggie's 463 00:26:48,920 --> 00:26:52,520 Speaker 2: daughter and figure out why they don't have a relationship. 464 00:26:52,680 --> 00:26:54,520 Speaker 1: Very very great big. 465 00:26:55,280 --> 00:26:58,919 Speaker 2: So I messaged Chris as I was watching the episode 466 00:26:58,920 --> 00:27:01,800 Speaker 2: because I was really enjoying it. I really enjoyed this episode, 467 00:27:02,080 --> 00:27:06,640 Speaker 2: and I just asked for him to share his thoughts. 468 00:27:06,920 --> 00:27:09,119 Speaker 2: Oh my gosh, so here he is. 469 00:27:09,760 --> 00:27:09,960 Speaker 1: Hi. 470 00:27:11,119 --> 00:27:13,520 Speaker 3: So that was a really really special episode for me 471 00:27:13,680 --> 00:27:16,879 Speaker 3: because I obviously I got to write it, but I 472 00:27:16,880 --> 00:27:19,679 Speaker 3: also got to work with Tim Conway and Billy d 473 00:27:19,760 --> 00:27:23,560 Speaker 3: Williams and I met June's Squib on that episode, and 474 00:27:23,960 --> 00:27:26,200 Speaker 3: she and I have been close friends ever since. 475 00:27:27,119 --> 00:27:30,399 Speaker 1: But my absolute favorite memory was. 476 00:27:30,320 --> 00:27:32,719 Speaker 4: From the day that we shot the Lucky Star number, 477 00:27:33,560 --> 00:27:35,600 Speaker 4: because I got to be Peter Pan and I got 478 00:27:35,680 --> 00:27:38,880 Speaker 4: to do flips through the air and fly all over 479 00:27:38,920 --> 00:27:42,000 Speaker 4: the place and that was a blast. But while we 480 00:27:42,000 --> 00:27:45,240 Speaker 4: were shooting it, Brooke and the stuntman got really really 481 00:27:45,280 --> 00:27:49,280 Speaker 4: worried that I might collide with June Squib who was 482 00:27:49,440 --> 00:27:52,320 Speaker 4: dancing below me, who was in I think who was 483 00:27:52,359 --> 00:27:55,560 Speaker 4: in her mid or late eighties at the time, and 484 00:27:55,640 --> 00:27:58,960 Speaker 4: so everyone was really really worried about it, except for June, 485 00:27:59,040 --> 00:28:01,919 Speaker 4: who had no worries whatsoever. And I'll never forget her 486 00:28:02,000 --> 00:28:04,720 Speaker 4: looking at them dead in the eye and saying, this 487 00:28:04,800 --> 00:28:07,400 Speaker 4: isn't the first time I've dodged a boy in a harness. 488 00:28:08,520 --> 00:28:10,000 Speaker 4: And I fell in love with her in that moment 489 00:28:10,040 --> 00:28:11,320 Speaker 4: and been in love with her ever since. 490 00:28:18,280 --> 00:28:21,800 Speaker 2: It was those types of comments all day from that 491 00:28:22,640 --> 00:28:27,000 Speaker 2: God brilliant. Also, as a friend of Chris and fan 492 00:28:27,400 --> 00:28:31,080 Speaker 2: of Chris, sitting there watching him fly through the air, 493 00:28:31,280 --> 00:28:36,000 Speaker 2: we were not acting when our faces were smiling that 494 00:28:36,160 --> 00:28:39,800 Speaker 2: hard because you know how for him. 495 00:28:39,800 --> 00:28:43,040 Speaker 1: Yeah, yeah, yeah, yes, and he was so good at it, 496 00:28:43,160 --> 00:28:46,760 Speaker 1: so good of course you write that in you know 497 00:28:46,800 --> 00:28:48,840 Speaker 1: what I mean, like that. 498 00:28:48,640 --> 00:28:52,360 Speaker 2: It was so impressive, and it was just, you know, 499 00:28:52,560 --> 00:28:54,560 Speaker 2: at the end of a emotionally at the end of 500 00:28:54,560 --> 00:28:57,280 Speaker 2: a really hard year, hard season. 501 00:28:59,080 --> 00:28:59,760 Speaker 1: To have. 502 00:29:01,480 --> 00:29:05,800 Speaker 2: Like see one of your friends just finally enjoy work again, 503 00:29:06,560 --> 00:29:10,280 Speaker 2: you know, yeah, and yeah, get to do something he's 504 00:29:10,360 --> 00:29:13,640 Speaker 2: really good at and he brought all these great actors around. 505 00:29:13,880 --> 00:29:18,200 Speaker 2: It was it was really beautiful to watch. I thought 506 00:29:18,200 --> 00:29:19,520 Speaker 2: it was really really beautiful. 507 00:29:19,600 --> 00:29:24,440 Speaker 1: I also thought the storyline, the intertwining of the benefit 508 00:29:24,520 --> 00:29:28,720 Speaker 1: for Rachel and the benefit for and Kurt's performance when 509 00:29:28,760 --> 00:29:33,760 Speaker 1: he asks them to support him and show up and 510 00:29:34,240 --> 00:29:37,320 Speaker 1: Rachel's like obviously in my events that night, like I 511 00:29:37,520 --> 00:29:39,560 Speaker 1: don't you see what I'm doing, and He's like, I'm 512 00:29:39,560 --> 00:29:45,720 Speaker 1: always there for you, and then him actually lending the 513 00:29:45,760 --> 00:29:48,840 Speaker 1: olive branch and reaching out and apologizing to her and 514 00:29:48,880 --> 00:29:54,400 Speaker 1: saying like I I see what you're doing and I 515 00:29:54,920 --> 00:29:57,120 Speaker 1: know that and I love you anyway, and of course 516 00:29:57,160 --> 00:29:59,520 Speaker 1: like I hope your event goes really well, and then 517 00:29:59,600 --> 00:30:03,400 Speaker 1: her like sitting in the audience like, oh god, it 518 00:30:03,440 --> 00:30:05,160 Speaker 1: was so good. 519 00:30:05,640 --> 00:30:06,720 Speaker 2: It was needed though. 520 00:30:07,200 --> 00:30:09,320 Speaker 1: I really did I didn't see it going that way 521 00:30:09,320 --> 00:30:12,320 Speaker 1: and I really didn't think so. And when you were 522 00:30:12,360 --> 00:30:17,280 Speaker 1: all there, I was like, that's really sweet, like so sweet. 523 00:30:17,920 --> 00:30:22,880 Speaker 2: We need it because Rachel's been sort of insane nightly yes, yeah, unbearable, 524 00:30:23,440 --> 00:30:26,480 Speaker 2: like mean, like she's been doing really questionable things. 525 00:30:26,800 --> 00:30:29,440 Speaker 1: And Kurt is the one who helped her, and Santana 526 00:30:29,520 --> 00:30:32,000 Speaker 1: stepping in is the understudy, which was crazy, but still 527 00:30:32,160 --> 00:30:35,080 Speaker 1: like he was like, I'll help you save your. 528 00:30:35,000 --> 00:30:39,080 Speaker 2: Job, your career, and so I really like that. 529 00:30:39,360 --> 00:30:41,040 Speaker 1: And then you guys doing take Me Home Tonight and 530 00:30:41,040 --> 00:30:43,720 Speaker 1: you're dancing with June Squid, Like what the hell, Kevin, 531 00:30:44,080 --> 00:30:48,720 Speaker 1: I don't that day it's the cutest thing. Ever, that day. 532 00:30:52,240 --> 00:30:53,320 Speaker 2: It was complicated. 533 00:30:56,480 --> 00:30:59,160 Speaker 1: How was shooting like a musical number with all those 534 00:30:59,240 --> 00:31:00,640 Speaker 1: legends that like did they just. 535 00:31:00,680 --> 00:31:03,760 Speaker 2: Catch it or was it hard? Are you kidding me? 536 00:31:04,360 --> 00:31:09,000 Speaker 2: They were just and great. Yes, they were like doing 537 00:31:09,040 --> 00:31:13,760 Speaker 2: their own thing. I think Brooke choreographed obviously, so it 538 00:31:13,880 --> 00:31:17,280 Speaker 2: was good for everyone in regardless of age. 539 00:31:18,080 --> 00:31:19,880 Speaker 1: It's also like you have to let them do their 540 00:31:19,920 --> 00:31:22,920 Speaker 1: thing because it's so endearing and cute that like it 541 00:31:22,960 --> 00:31:25,400 Speaker 1: doesn't matter what the moves are, Like I would watch 542 00:31:25,480 --> 00:31:28,040 Speaker 1: them literally stare at a paper like at a paper 543 00:31:28,040 --> 00:31:29,760 Speaker 1: bag like correct doesn't matter. 544 00:31:29,960 --> 00:31:31,440 Speaker 2: There's one part of the dance where I got to 545 00:31:31,520 --> 00:31:33,120 Speaker 2: dance with June. There's like one shot of. 546 00:31:33,080 --> 00:31:37,120 Speaker 1: It and I was so heavy. That's the cutest thing. 547 00:31:40,160 --> 00:31:44,000 Speaker 2: And you know they it's you know, they're not like us. 548 00:31:44,040 --> 00:31:47,440 Speaker 2: We could be spoiled sometimes and not act professionals sometimes. 549 00:31:48,400 --> 00:31:51,640 Speaker 2: Never that will never happen with them. And Tim Conway 550 00:31:52,600 --> 00:31:55,400 Speaker 2: is such a brilliant comedic actor. He was improving and 551 00:31:55,560 --> 00:31:57,880 Speaker 2: every time he did it, he did it. It was 552 00:31:58,080 --> 00:31:58,840 Speaker 2: so funny. 553 00:31:59,520 --> 00:32:02,400 Speaker 1: It was so they didn't so great. 554 00:32:02,920 --> 00:32:05,000 Speaker 2: God, oh we were dying. 555 00:32:05,160 --> 00:32:08,520 Speaker 1: That's the spinoff. It's the hot is the home? I 556 00:32:08,600 --> 00:32:13,480 Speaker 1: know it's the Lexington Home there it is. Uh. I 557 00:32:13,520 --> 00:32:18,120 Speaker 1: also want to talk about this scene where Rachel Santana 558 00:32:18,200 --> 00:32:20,760 Speaker 1: sets up the photo op where the populace is going 559 00:32:20,800 --> 00:32:23,240 Speaker 1: to happen to be there. So were you there for 560 00:32:23,400 --> 00:32:26,360 Speaker 1: the dogs and all that? Were you there for that scene, because, 561 00:32:26,880 --> 00:32:28,760 Speaker 1: oh my god. 562 00:32:28,720 --> 00:32:31,360 Speaker 2: I don't believe so. I think because the dogs stuff, 563 00:32:31,360 --> 00:32:34,560 Speaker 2: we were only brought in for like reactions. 564 00:32:33,760 --> 00:32:35,040 Speaker 1: Just on the other side of the street. 565 00:32:35,440 --> 00:32:37,880 Speaker 2: The dogs are complicated. It's a lot of logistics. There's 566 00:32:37,920 --> 00:32:42,360 Speaker 2: a stunt person. I loved that. 567 00:32:42,240 --> 00:32:48,120 Speaker 1: Scene, Santana's reaction to all of it, everybody's reactions, honestly, 568 00:32:48,240 --> 00:32:52,960 Speaker 1: like just the cuts of your faces were so so funny. 569 00:32:53,880 --> 00:32:57,080 Speaker 1: It's one of my favorite things in the whole episode 570 00:32:57,120 --> 00:32:59,520 Speaker 1: was just the reactions of all of you guys, and 571 00:32:59,520 --> 00:33:03,040 Speaker 1: and I with her hands for her mouth. 572 00:33:04,360 --> 00:33:10,479 Speaker 2: So I also enjoyed when Rachel is like, quote unquote 573 00:33:10,480 --> 00:33:14,680 Speaker 2: being famous. Yeah, anytime she thinks she's famous. Lead is 574 00:33:14,720 --> 00:33:17,360 Speaker 2: such a good job. Yes, Yet the comedy, the physical 575 00:33:17,360 --> 00:33:20,200 Speaker 2: comedy is so good. It's really good. No, no, it's 576 00:33:20,240 --> 00:33:21,840 Speaker 2: really good. 577 00:33:22,640 --> 00:33:26,320 Speaker 1: Kudos to Chris. I really love this. Like there was 578 00:33:26,600 --> 00:33:29,920 Speaker 1: there was the comedy, the physical comedy. There were the dogs, 579 00:33:29,960 --> 00:33:34,240 Speaker 1: there were the amazing icons, there were great songs. There 580 00:33:34,320 --> 00:33:37,480 Speaker 1: was the whole like just the home and like all 581 00:33:37,520 --> 00:33:40,800 Speaker 1: of those actors. There was also just like the payoff 582 00:33:40,840 --> 00:33:43,640 Speaker 1: of Clara and the daughter with you know, June's daughter, 583 00:33:43,880 --> 00:33:49,000 Speaker 1: her Maggie's daughter, and like, yes, I I it had everything. 584 00:33:49,280 --> 00:33:52,200 Speaker 1: It have everything I was hoping for and more, and 585 00:33:52,280 --> 00:33:55,920 Speaker 1: I'm really I was obviously, like we know, Chris is 586 00:33:56,920 --> 00:34:00,840 Speaker 1: multifaceted and so talented and like a twenty time New 587 00:34:00,920 --> 00:34:04,040 Speaker 1: York Times bestseller, but like just to see him also 588 00:34:04,160 --> 00:34:07,800 Speaker 1: tap into like the Glee writing was like, it's just 589 00:34:07,840 --> 00:34:13,040 Speaker 1: so impressive. It's truly so impressive, and I'm I hats 590 00:34:13,040 --> 00:34:14,759 Speaker 1: off to him, I will say. 591 00:34:15,440 --> 00:34:19,839 Speaker 2: So we were still doing six day weeks here and 592 00:34:20,080 --> 00:34:22,280 Speaker 2: it was not ideal and it was probably my fault 593 00:34:22,800 --> 00:34:29,560 Speaker 2: still from doing that movie. And it was during Coachella. 594 00:34:30,640 --> 00:34:31,400 Speaker 1: Oh god. 595 00:34:32,400 --> 00:34:34,680 Speaker 2: You know there were some people who were like you 596 00:34:34,800 --> 00:34:37,759 Speaker 2: wanted to go. We're like, you know, I would rather 597 00:34:37,760 --> 00:34:39,920 Speaker 2: be a Coachella right now, and they were missing it 598 00:34:39,960 --> 00:34:43,239 Speaker 2: because they had to do it. There's like funny things 599 00:34:43,239 --> 00:34:44,319 Speaker 2: like that that happened along the way. 600 00:34:44,320 --> 00:34:47,080 Speaker 1: We're like, no, this is the job, Like yeah, well 601 00:34:47,160 --> 00:34:48,960 Speaker 1: we all were like that because like it was so 602 00:34:49,120 --> 00:34:52,120 Speaker 1: many years of missing out on things that like of 603 00:34:52,200 --> 00:34:54,440 Speaker 1: course were like the idiots that are like in the 604 00:34:54,440 --> 00:34:57,080 Speaker 1: best job in the whole world, in the biggest show 605 00:34:57,120 --> 00:35:00,560 Speaker 1: on TV, that are like I missing Coachella, Like that's 606 00:35:00,600 --> 00:35:01,640 Speaker 1: of course who we were. 607 00:35:02,320 --> 00:35:04,680 Speaker 2: That's what happened one day where someone went to go 608 00:35:04,719 --> 00:35:08,480 Speaker 2: tell a Friday night and then they added a Saturday 609 00:35:08,920 --> 00:35:12,680 Speaker 2: and I won't name me, but they had to drive 610 00:35:12,760 --> 00:35:18,920 Speaker 2: back Saturday morning, like early early, and then we shot 611 00:35:18,960 --> 00:35:22,080 Speaker 2: all day it was. And we we shot like you know, 612 00:35:22,120 --> 00:35:26,200 Speaker 2: like the worlds of London, downtown LA where they built 613 00:35:26,239 --> 00:35:28,880 Speaker 2: this you know, like fake dog park thing in a 614 00:35:28,920 --> 00:35:31,480 Speaker 2: parking lot. Oh my god, so we were. We were 615 00:35:31,480 --> 00:35:35,000 Speaker 2: all over the place. It was a funny, interesting time. 616 00:35:43,960 --> 00:35:48,520 Speaker 1: Well, let's greet some performances, because that's pretty much the episode. 617 00:35:48,520 --> 00:35:49,920 Speaker 1: And there's only one laughed. I heard this. 618 00:35:50,640 --> 00:35:53,840 Speaker 2: I would like to point out that I don't think 619 00:35:54,400 --> 00:35:57,200 Speaker 2: I understood how great this episode was and we were 620 00:35:57,239 --> 00:35:57,719 Speaker 2: shooting it. 621 00:35:58,400 --> 00:36:01,960 Speaker 1: Mm hmmm. I don't think I had also heard like 622 00:36:02,239 --> 00:36:06,319 Speaker 1: about I'd been hearing through the gravevine obviously through all 623 00:36:06,360 --> 00:36:10,000 Speaker 1: of you guys, how chaotic, how crazy the last few 624 00:36:10,040 --> 00:36:13,400 Speaker 1: episodes were you especially because you were going back and 625 00:36:13,440 --> 00:36:16,560 Speaker 1: forth from East Coast to West coast working saturdays doing 626 00:36:16,760 --> 00:36:20,120 Speaker 1: do you know, two big things? Filming two big things? 627 00:36:20,719 --> 00:36:24,479 Speaker 1: And I remember hearing like it is chaos on set, 628 00:36:24,680 --> 00:36:27,160 Speaker 1: like chaotic, there's a lot happening. 629 00:36:27,960 --> 00:36:31,319 Speaker 2: It was like the wheels had fully come off. It 630 00:36:31,400 --> 00:36:34,840 Speaker 2: was so chaotic. Every day was like how are we 631 00:36:34,880 --> 00:36:35,640 Speaker 2: going to get through this? 632 00:36:36,040 --> 00:36:39,239 Speaker 1: And I felt bad because, like for Chris, like you 633 00:36:39,280 --> 00:36:41,080 Speaker 1: don't want it to be that way. You wanted to 634 00:36:41,120 --> 00:36:43,360 Speaker 1: be a wonderful experience, which it sounds like it was 635 00:36:43,360 --> 00:36:45,960 Speaker 1: from his side of things, like whatever. You know, he 636 00:36:46,040 --> 00:36:47,640 Speaker 1: was having a blasting. He wasn't in some of those 637 00:36:47,640 --> 00:36:50,480 Speaker 1: other things, which is right exactly. He was at the 638 00:36:50,920 --> 00:36:55,520 Speaker 1: home with all the really wonderful old people, and I 639 00:36:55,520 --> 00:36:58,840 Speaker 1: didn't appreciate it. I didn't appreciate it. I also hadn't 640 00:36:58,880 --> 00:37:01,440 Speaker 1: like fully seen the whole thing till now obviously we 641 00:37:01,520 --> 00:37:07,600 Speaker 1: know this, but like he I really like, this was great. 642 00:37:07,960 --> 00:37:11,279 Speaker 1: This was a great episode. At first, I was like, 643 00:37:11,320 --> 00:37:14,760 Speaker 1: I don't fully understand like where this is all going. 644 00:37:14,960 --> 00:37:17,160 Speaker 1: At first, I was like, is this just like Chris 645 00:37:17,200 --> 00:37:19,520 Speaker 1: writing what he wants to write about, which like he 646 00:37:19,560 --> 00:37:22,759 Speaker 1: should in some ways, but like the second half was 647 00:37:22,800 --> 00:37:24,759 Speaker 1: like a huge payoff for all of it for me. 648 00:37:26,600 --> 00:37:30,560 Speaker 2: I have an embarrassing confession. Okay, I think because I 649 00:37:30,600 --> 00:37:36,320 Speaker 2: was like going back and forth doing movie and these episodes, 650 00:37:36,480 --> 00:37:40,480 Speaker 2: I think I stopped reading the full scripts. I stopped 651 00:37:40,520 --> 00:37:45,760 Speaker 2: reading these full scripts seasons ago. Kevin, I didn't, I did. 652 00:37:47,640 --> 00:37:51,520 Speaker 2: I didn't, But I remember distinctly from this episode watching 653 00:37:51,600 --> 00:37:56,440 Speaker 2: him fly around, I'm like, what's going on this episode? 654 00:37:56,640 --> 00:37:59,480 Speaker 2: Like I didn't know. I didn't know that storyline at all. 655 00:38:00,239 --> 00:38:02,080 Speaker 2: I only knew from like what was scheduled and I 656 00:38:02,080 --> 00:38:05,160 Speaker 2: could put the pieces together and too funny, But I 657 00:38:05,160 --> 00:38:08,920 Speaker 2: think I was just it's senioritis. Is really charge you 658 00:38:08,960 --> 00:38:12,759 Speaker 2: guys for sure? Sorry, Okay, great some performances. I'm out 659 00:38:12,760 --> 00:38:21,640 Speaker 2: with you A minus A minus, memory A minus A minus. 660 00:38:21,760 --> 00:38:24,239 Speaker 1: Where was in London? Ay? 661 00:38:25,600 --> 00:38:28,319 Speaker 2: I give it an are. 662 00:38:27,280 --> 00:38:31,960 Speaker 1: Given an Lucky Star A plus plus? Take me home 663 00:38:32,000 --> 00:38:35,359 Speaker 1: Tonight A plus A. I give you any plus because 664 00:38:35,400 --> 00:38:37,759 Speaker 1: of like the circumstances surrounding like all of it. 665 00:38:37,840 --> 00:38:40,919 Speaker 2: I also I loved the I thought it was sort 666 00:38:40,960 --> 00:38:44,719 Speaker 2: of like a not in a wink to you know. 667 00:38:44,880 --> 00:38:47,480 Speaker 2: John Mayer always said you always had your guitar with 668 00:38:47,560 --> 00:38:50,000 Speaker 2: you eighty percent of the time. Like the transitions into 669 00:38:50,120 --> 00:38:54,480 Speaker 2: music was really funny. Yes, totally like ultra convenient, which 670 00:38:54,520 --> 00:38:57,640 Speaker 2: I thought it was totally old tongue in cheek. And 671 00:38:58,440 --> 00:39:00,359 Speaker 2: I loved Lucky Star in the middle of your pan. 672 00:39:02,000 --> 00:39:04,680 Speaker 1: At first, I was like no, I was like, what 673 00:39:04,920 --> 00:39:07,120 Speaker 1: is happening? Why would they do this? And then I 674 00:39:07,320 --> 00:39:09,680 Speaker 1: was like they all put their sunglasses on and Chris 675 00:39:09,840 --> 00:39:11,600 Speaker 1: was living his best life, and I was like, you 676 00:39:11,680 --> 00:39:15,520 Speaker 1: know what I live. We've done We've done crazier things 677 00:39:15,600 --> 00:39:20,719 Speaker 1: on the show, right, you know, down for this. It 678 00:39:20,840 --> 00:39:22,759 Speaker 1: was so good, It was so good. Yeah, I was 679 00:39:22,800 --> 00:39:28,280 Speaker 1: here for it. Okay, let's do some tardy days scringe moments. 680 00:39:31,040 --> 00:39:33,040 Speaker 1: I didn't have a lot, to be honest story, No, no, 681 00:39:33,160 --> 00:39:36,080 Speaker 1: there there weren't a lot, go Chris, I had. 682 00:39:36,360 --> 00:39:40,320 Speaker 2: I had a question when Sam says something about Mercedes 683 00:39:40,360 --> 00:39:44,080 Speaker 2: weird Indian hair, and I was like, I wonder mean 684 00:39:44,920 --> 00:39:49,200 Speaker 2: well because they would buy Indian hair, oh like wigs 685 00:39:49,239 --> 00:39:52,600 Speaker 2: and things like, oh, I'm it's not something, but I 686 00:39:52,680 --> 00:39:56,680 Speaker 2: have a feeling Chris and Amber would never let that 687 00:39:56,800 --> 00:39:59,239 Speaker 2: fly unless he, like God checked with Amber. 688 00:39:59,320 --> 00:40:03,200 Speaker 1: Totally totally, So that's my okay, got it? 689 00:40:03,440 --> 00:40:06,319 Speaker 2: I did chuckle. That was like, I don't know if 690 00:40:06,320 --> 00:40:07,280 Speaker 2: I should beat chucklate. 691 00:40:09,760 --> 00:40:16,480 Speaker 1: Best dance move Chris on the Harness. Nothing comes close. 692 00:40:17,080 --> 00:40:18,200 Speaker 1: It's like so many flips. 693 00:40:18,760 --> 00:40:22,440 Speaker 2: Best song Chris and the Harness, Lucky Star, Lucky Star. 694 00:40:22,640 --> 00:40:28,520 Speaker 1: Yeah, best problem is my prop the Harness. I mean 695 00:40:28,600 --> 00:40:31,959 Speaker 1: there were a lot like the dog and Kanae eating 696 00:40:32,040 --> 00:40:39,279 Speaker 1: all the stuff in Mercedes house and then uh the headshots, 697 00:40:40,040 --> 00:40:43,800 Speaker 1: the like panned back from the person to the headshots, 698 00:40:44,080 --> 00:40:45,879 Speaker 1: like this is the cutest thing I've ever seen. 699 00:40:46,440 --> 00:40:48,440 Speaker 2: Wait, you know what we didn't talk about is when 700 00:40:48,440 --> 00:40:51,640 Speaker 2: they're doing Lucky Star and there's little kid versions of them. 701 00:40:52,680 --> 00:40:55,920 Speaker 1: Oh god, it was so good. I also gave like 702 00:40:56,280 --> 00:41:00,239 Speaker 1: lend to like the the number and like I and 703 00:41:00,360 --> 00:41:03,040 Speaker 1: also like they're stars. They're all stars. 704 00:41:03,640 --> 00:41:07,160 Speaker 2: I have goosebumps. It was so cool, sweet to see 705 00:41:07,400 --> 00:41:09,200 Speaker 2: like the youthful joy in them and you cut to 706 00:41:09,360 --> 00:41:11,239 Speaker 2: like them as a little kid and like here they are, 707 00:41:11,520 --> 00:41:14,200 Speaker 2: you know, seventy years later, eighty years later? 708 00:41:15,360 --> 00:41:16,000 Speaker 1: Oh god. 709 00:41:17,040 --> 00:41:18,680 Speaker 2: Also the set, the Peter Pan set. 710 00:41:19,280 --> 00:41:24,439 Speaker 1: Great. Where was that they just built that? Yeah? 711 00:41:25,320 --> 00:41:26,880 Speaker 2: I think it was on one of the extra stages. 712 00:41:27,239 --> 00:41:30,239 Speaker 1: Always impressed, but I think it's somewhere else. 713 00:41:30,360 --> 00:41:38,320 Speaker 2: Okay, it might have been where the Nada Dance studio was. 714 00:41:38,440 --> 00:41:39,200 Speaker 1: That would make sense. 715 00:41:39,520 --> 00:41:40,880 Speaker 2: That might have been torn down. I don't know if 716 00:41:40,880 --> 00:41:43,759 Speaker 2: it's in the next episode, but that might be. Or 717 00:41:43,840 --> 00:41:47,040 Speaker 2: do we use that again with Shirley McLain. I don't know. 718 00:41:47,520 --> 00:41:53,239 Speaker 5: They find out the best line. Oh, there's a lot, 719 00:41:53,800 --> 00:41:56,919 Speaker 5: there's a lot actually, Oh god. You know we didn't 720 00:41:56,920 --> 00:42:00,560 Speaker 5: talk about was that scene with Rachel the three like 721 00:42:00,680 --> 00:42:05,560 Speaker 5: a dog oh bye, and then Santana comes up and 722 00:42:05,600 --> 00:42:08,560 Speaker 5: defends her with those people are trying to adopt the dog. 723 00:42:10,680 --> 00:42:11,680 Speaker 2: You got to get out of here. 724 00:42:12,120 --> 00:42:16,839 Speaker 1: Not so redeeming, Not so redeeming. Marty's First of all, 725 00:42:16,920 --> 00:42:20,200 Speaker 1: we only have two rules. One remember your teeth and 726 00:42:20,360 --> 00:42:22,840 Speaker 1: two don't mix up your an eyepills to your day pills. 727 00:42:23,040 --> 00:42:25,319 Speaker 1: It's simple. It's really good. 728 00:42:26,040 --> 00:42:29,439 Speaker 2: I know this is awful, But when Satanic goes, don't 729 00:42:29,480 --> 00:42:30,760 Speaker 2: listen to her, look at her shoes. 730 00:42:33,520 --> 00:42:35,920 Speaker 1: It was like the one thing after that scene that 731 00:42:35,960 --> 00:42:44,160 Speaker 1: I was like, okay, performance, MVP, Come on Christ. 732 00:42:44,360 --> 00:42:49,680 Speaker 2: June Chris and June Chris wrote and starred in this episode. 733 00:42:50,560 --> 00:42:53,680 Speaker 2: That buys you MVP for a long time. It's weird 734 00:42:53,760 --> 00:42:57,320 Speaker 2: that we have one episode left in this season, Like, 735 00:42:57,440 --> 00:42:58,160 Speaker 2: how did that happen? 736 00:42:58,360 --> 00:42:59,279 Speaker 1: How is this the second to. 737 00:42:59,400 --> 00:43:04,239 Speaker 2: This episode wild Ship we found on TikTok. This may 738 00:43:04,320 --> 00:43:08,879 Speaker 2: be the greatest one yet. WHOA there was a Glee 739 00:43:09,000 --> 00:43:16,880 Speaker 2: themed drag show. Josh Dom posted this and said I 740 00:43:16,960 --> 00:43:19,239 Speaker 2: saw a Glee themed drag show and it helped my 741 00:43:20,440 --> 00:43:24,879 Speaker 2: queer fifteen year old self produced by the incredible at 742 00:43:25,120 --> 00:43:29,040 Speaker 2: her h e er r, Oh my god, it's unbelievable. 743 00:43:29,080 --> 00:43:32,120 Speaker 2: They do all of us. The scene with mister Shoe 744 00:43:33,000 --> 00:43:36,879 Speaker 2: and Sue and the job they put on for mister 745 00:43:37,000 --> 00:43:45,440 Speaker 2: shoe is it's unbelievable, Like they do this costume production. Yes, wow, 746 00:43:45,880 --> 00:43:48,040 Speaker 2: wow wow, Like I can't believe it. They do the 747 00:43:48,080 --> 00:43:52,520 Speaker 2: loser like me with the confetti in the Slurpee cups. Oh, 748 00:43:52,560 --> 00:43:53,080 Speaker 2: they're all. 749 00:43:52,960 --> 00:43:55,680 Speaker 1: Wait like blue hair for wow, this is crazy. 750 00:43:55,960 --> 00:43:56,800 Speaker 2: I want to see this. 751 00:43:59,280 --> 00:44:01,000 Speaker 1: I do you take? Can me take me there? 752 00:44:01,120 --> 00:44:01,160 Speaker 3: Like? 753 00:44:01,280 --> 00:44:05,719 Speaker 2: This is absolutely insane. Honestly, this looks like our first 754 00:44:05,760 --> 00:44:10,640 Speaker 2: tour dream life, Like how good is that? I? Like, 755 00:44:10,719 --> 00:44:12,480 Speaker 2: I don't have enough compliments. I need to find these 756 00:44:12,480 --> 00:44:16,319 Speaker 2: people and you to go see this show, like where 757 00:44:16,480 --> 00:44:23,360 Speaker 2: is this show? Where is this show? Her puts a 758 00:44:23,400 --> 00:44:26,959 Speaker 2: lot of Glee, pretty ser and hosts of the iconic 759 00:44:27,000 --> 00:44:30,719 Speaker 2: silly drag shows Glee on sale. Now, well let's go. 760 00:44:31,120 --> 00:44:32,040 Speaker 2: I'm going to find her. 761 00:44:33,040 --> 00:44:36,759 Speaker 1: Okay, we'll go look and watch this TikTok because you guys, 762 00:44:36,840 --> 00:44:37,440 Speaker 1: you gotta see it. 763 00:44:37,600 --> 00:44:40,200 Speaker 2: It's brilliant. Comment and tell them how much you love them. 764 00:44:40,680 --> 00:44:41,400 Speaker 2: It's in London. 765 00:44:41,520 --> 00:44:43,840 Speaker 1: I have to go, Oh my god, you're going on 766 00:44:44,040 --> 00:44:47,400 Speaker 1: May first. You're going, Oh god, I have to go. 767 00:44:48,200 --> 00:44:56,800 Speaker 2: Oh they're doing ret Row. She better do too. Oh god, Okay, 768 00:44:56,960 --> 00:44:58,759 Speaker 2: I know exactly where this is. Sorry, I've got a 769 00:44:58,800 --> 00:45:03,319 Speaker 2: soundtracked all right, you guys. That is Old On New 770 00:45:03,360 --> 00:45:07,120 Speaker 2: Tricks and that is Chris Call for his episode. Rounds 771 00:45:07,120 --> 00:45:10,440 Speaker 2: of applause for Chris Call for everybody, Thanks for joining us. 772 00:45:11,400 --> 00:45:16,399 Speaker 2: Next week is the finale, so finale of season five, 773 00:45:16,880 --> 00:45:19,680 Speaker 2: so come on back and that's what you really missed. 774 00:45:20,320 --> 00:45:23,400 Speaker 2: Thanks for listening, and follow us on Instagram at and 775 00:45:23,560 --> 00:45:25,759 Speaker 2: that's what you really miss pod. Make sure to write 776 00:45:25,840 --> 00:45:28,080 Speaker 2: us a review and leave us five stars. See you 777 00:45:28,120 --> 00:45:28,480 Speaker 2: next time.