WEBVTT - Sideshow 7: Collision Course

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<v Speaker 1>When Tom Thumb showed up on the scene in eighteen thirty,

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<v Speaker 1>there weren't too many places to go. Back then, there

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<v Speaker 1>were only twenty three miles of railroad track in the

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<v Speaker 1>whole country, so as you can imagine, getting anywhere was

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<v Speaker 1>pretty tough. This Tom Thumb, though, wasn't P. T. Barnum's

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<v Speaker 1>famous pint size protege that we've already discussed in an

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<v Speaker 1>earlier episode. This Tom was a tiny steam engine, one

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<v Speaker 1>of the first ever to be built in America. It

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<v Speaker 1>weighed less than one ton and made its inventor, the

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<v Speaker 1>industrialist Peter Cooper, very proud and very excited. The Tom

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<v Speaker 1>Thumb steam engine was under the ownership of the Baltimore

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<v Speaker 1>and Ohio Railroad, or the B and O for short.

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<v Speaker 1>On July four, eight Charles Carroll broke the first ground

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<v Speaker 1>at the lines official commissioning. At years old, he was

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<v Speaker 1>the last living signer of the Declaration of Independence. One

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<v Speaker 1>day in eighteen thirty, Peter Cooper decided he would take

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<v Speaker 1>Tom Thumb out for a spin on the tracks near Baltimore.

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<v Speaker 1>He was out in a rail yard when a horse

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<v Speaker 1>drawn train pulled up alongside him and challenged him to

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<v Speaker 1>a gentlemanly drag race. Peter's engine had been known to

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<v Speaker 1>clock speeds as high as fourteen miles per hour, and

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<v Speaker 1>he wanted to test its metal. The two men lined

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<v Speaker 1>up with each other, sitting in parallel on their respectful steeds.

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<v Speaker 1>Paused for a moment, and then we're off to the races.

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<v Speaker 1>Down the tracks, they surged at what must have felt

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<v Speaker 1>like breakneck speed, although it's more likely they barely broke

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<v Speaker 1>into the double digits. Peter and his tom Thumb effortlessly

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<v Speaker 1>took the lead, but it wouldn't last. One of the

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<v Speaker 1>trains belts had broken loose, and it slowly came to

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<v Speaker 1>a halt. But it wasn't over yet. You see. Peter

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<v Speaker 1>may have lost this battle, but he would end up

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<v Speaker 1>winning the war because he had impressed some important people

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<v Speaker 1>that day, people who would be making the big decisions

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<v Speaker 1>for the future of the train line. The tom Thumb

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<v Speaker 1>demonstrated promise through its raw power, and the executives decided

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<v Speaker 1>that they would convert their entire railroad to steam. Horse

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<v Speaker 1>drawn cars were out. Less than a century later, those

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<v Speaker 1>twenty three miles of train lines would multiply exponentially by

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<v Speaker 1>over one thousand times. In fact, at the railroad's peak

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<v Speaker 1>in nineteen eleven, enough track had been laid throughout the country.

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<v Speaker 1>That's hypothetically speaking, it equaled the distance from the Earth

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<v Speaker 1>to the Moon, with miles to spare. To say that

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<v Speaker 1>the train was one of the important technological innovations to

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<v Speaker 1>ever hit American shores would be an understatement. Railroads would

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<v Speaker 1>go on to upend almost everything about life at the time.

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<v Speaker 1>They changed the way we worked, traveled, and played, and

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<v Speaker 1>those who got to be up close to them, whether

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<v Speaker 1>to ride or just look, couldn't help but marvel at

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<v Speaker 1>what the future seemed to promise. The country would never

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<v Speaker 1>be the same. Trains were becoming a spectacle, celebrities in

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<v Speaker 1>their own right, and sometimes so were the people who

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<v Speaker 1>wrote them. I'm Aaron Manky and welcome to the side show.

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<v Speaker 1>It was only a matter of time before their wishes

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<v Speaker 1>would outgrow their hawthorn tree. Jenny and Eddie Ward were

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<v Speaker 1>young enough to remember, but also old enough to know

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<v Speaker 1>that life wasn't going to be easy. Their home life

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<v Speaker 1>was unstable and money was always tight. Plus there was

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<v Speaker 1>a rotating cast of father figures, with their mother always

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<v Speaker 1>searching for a reliable man that could afford them a

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<v Speaker 1>better existence. When Eddie was in third grade, he dropped

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<v Speaker 1>out of school and got a job. He had to

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<v Speaker 1>take care of his family after all. Jenny, a few

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<v Speaker 1>years younger, loved her brother mightily. He was her caretaker

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<v Speaker 1>and her best friend, and they were inseparable. Together they

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<v Speaker 1>could be unafraid of whatever life through at them. On

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<v Speaker 1>just about any day of the year, they could be

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<v Speaker 1>found climbing the limbs of their hawthorn tree. They were

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<v Speaker 1>happiest there. At one point, Jenny and Eddie strung up

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<v Speaker 1>a crude trap he's made of rope and a bar.

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<v Speaker 1>As a parent, I am terrified just thinking about it.

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<v Speaker 1>They played for hours at a time, swinging and jumping

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<v Speaker 1>through the air, always earth bound, yes, but attempting to

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<v Speaker 1>defy gravity, to test physics and fate. They loved it,

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<v Speaker 1>and you know what, they were good at it too.

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<v Speaker 1>It's true that we're all products of our environment, but

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<v Speaker 1>one can't help but think that Jenny and Eddie had

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<v Speaker 1>appeared in the exact right place at the exact right time.

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<v Speaker 1>They were born in the last decade of the nineteenth

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<v Speaker 1>century in Bloomington, Illinois, a city whose legacy would become

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<v Speaker 1>inextricably linked with the world of the circus. Bloomingtons had

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<v Speaker 1>become aerial It's ground zero, just two decades after the

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<v Speaker 1>flying trapeeze first appeared in Europe. Jenny and Eddie's flying

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<v Speaker 1>trapeeze birthright was not one of heritage, but of proximity.

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<v Speaker 1>The history books tell us that a few years before

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<v Speaker 1>they were born, some local brothers had set up a

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<v Speaker 1>trapeeze in their barn, replicating the aerial acts that they

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<v Speaker 1>had seen when the circus wagons had passed through town.

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<v Speaker 1>They practiced their flips and tricks, much to the dismay

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<v Speaker 1>of their father, who sooner wished they joined the family's

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<v Speaker 1>confection or business than tempt death. But before long those

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<v Speaker 1>brothers had paying customers. People came to watch and eventually

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<v Speaker 1>to train. Want to be acrobats arrived from not just

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<v Speaker 1>all over the country, but all over the world. According

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<v Speaker 1>to one newspaper, the city became the capital of the

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<v Speaker 1>aerial Kingdom, making it impossible to visit a circus anywhere

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<v Speaker 1>without running into performers who hadn't done time there. By

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<v Speaker 1>nineteen oh three, Eddie and Jenny had graduated from their

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<v Speaker 1>tree and landed their first paying gig at a local fair.

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<v Speaker 1>It was a twenty mile train ride out of town,

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<v Speaker 1>but it felt a world away here under the big top.

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<v Speaker 1>They were reborn as the flying Wards. Their week long

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<v Speaker 1>contract was worth fifteen dollars, but they brought home so

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<v Speaker 1>much more. By passing around a hat to the enthusiastic audience,

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<v Speaker 1>they managed to collect the equivalent of over ten thousand

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<v Speaker 1>dollars in modern currency. The crowd had spoken, they were

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<v Speaker 1>a smash hit, and the siblings couldn't believe it. With that,

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<v Speaker 1>their professional career had begun. What Jenny and Eddie didn't

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<v Speaker 1>know at that moment was that they were on their

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<v Speaker 1>way not only to stardom, but to creating a circus

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<v Speaker 1>family dynasty. The world didn't know, it hungered for. It

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<v Speaker 1>was the golden age of the circus, and they were

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<v Speaker 1>right on time. The Trapeeze was going to be Jenny

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<v Speaker 1>and Eddie's ticket out of town. Countless shows were now

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<v Speaker 1>moving through the country by rail, including P. T. Barnum

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<v Speaker 1>and his entourage. The rail held their future. The following year,

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<v Speaker 1>the flying Wards appeared at the Atlanta Fair. In nineteen

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<v Speaker 1>o five, they were hired by a small amusement company.

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<v Speaker 1>The year After that, the Ringling Brothers circus got hold

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<v Speaker 1>of them before they jumped ship to join up with

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<v Speaker 1>the Van Amberg circus. By nineteen twelve, their ranks had

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<v Speaker 1>grown to include a rotating cast of friends and two

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<v Speaker 1>aerial artist spouses. Jenny married Alec Todd and Eddie married

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<v Speaker 1>Mamie Faye. Together they opened a training barn in Iowa,

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<v Speaker 1>and then another back home in Bloomington in nineteen fifteen.

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<v Speaker 1>But lest you think this was any old barn, think again.

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<v Speaker 1>That label doesn't quite do it justice. There's was a

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<v Speaker 1>structure built to mimic a circus tent, thirty eight feet

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<v Speaker 1>high with twenty two large windows that made the place

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<v Speaker 1>glow with light. In one of their most famous acts,

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<v Speaker 1>Jenny would hop on a trappies bar above Eddie's own bar,

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<v Speaker 1>who sat with his legs dangling forty ft above the ground.

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<v Speaker 1>From there, she would drop head first, deadweight like a corpse,

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<v Speaker 1>earthbound like a bomb, and he would catch her, of course,

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<v Speaker 1>but with his feet, all of this with no safety nets.

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<v Speaker 1>In nine Hampton magazine wrote up a profile about the Wards.

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<v Speaker 1>The reporter had teased Jenny she was as fearless as

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<v Speaker 1>a gladiator, but all wrapped up in more sinewy demure packaging.

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<v Speaker 1>Jenny told the reporter that she didn't see why she

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<v Speaker 1>would have anything to fear when performing, because she knew

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<v Speaker 1>that her brother would catch her because he had to.

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<v Speaker 1>But she admitted, without batting an eye, there was something

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<v Speaker 1>else that rattled her more than hurtling toward the ground. Ever,

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<v Speaker 1>could railroad tracks? Railroad tracks? Asked the reporter incredulously. It

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<v Speaker 1>seemed all things considered to be a very silly thing

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<v Speaker 1>to worry about. Jenny shot back. Who wouldn't be afraid

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<v Speaker 1>of a great, big engine? She always worried about the

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<v Speaker 1>chance that she wouldn't make it across, Perhaps her foot

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<v Speaker 1>would get stuck, or she would trip and fall with

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<v Speaker 1>no one there to catch her. It was as if

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<v Speaker 1>Jenny knew something, something that told her that, for all

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<v Speaker 1>her high flying and death defying acts, trains were the

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<v Speaker 1>thing she had to be afraid of. But for someone

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<v Speaker 1>who would go on to make her living being ferried

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<v Speaker 1>from one city to another aboard the iron horse, she

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<v Speaker 1>had to get used to it. But that nagging sense

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<v Speaker 1>of worry she felt it was almost as if she

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<v Speaker 1>knew this wouldn't end well. One of America's greatest technological

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<v Speaker 1>inventions had revolutionized mass entertainment. No, I'm not talking about

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<v Speaker 1>the television or even the radio. I'm still talking about

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<v Speaker 1>the railroad. Rail had made the country accessible in a

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<v Speaker 1>way it never had before, traversing prairies and mountain passes,

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<v Speaker 1>cutting through cities and into small towns alike. For decades,

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<v Speaker 1>showman and their entourages had been traveling by wagon. It

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<v Speaker 1>was slow and hard. Barnum himself had acquired a hundred

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<v Speaker 1>or so wagons to transport his show, plus a few

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<v Speaker 1>hundred horses to pull them. It was a grinding, hardly

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<v Speaker 1>profitable way to try to squeeze out a living. Just

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<v Speaker 1>weeks after the Transcontinental Railroad was completed in eighteen sixty nine,

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<v Speaker 1>a Wisconsin man took his two elephants and two camels

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<v Speaker 1>on tour from Nebraska to California. And these companies got

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<v Speaker 1>the process down to a science. Weeks ahead of a

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<v Speaker 1>circus performance, advertisements promoting the stars of the show would

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<v Speaker 1>appear in local newspapers and advertisements. No place in a

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<v Speaker 1>thirty mile radius of their next show was safe from big,

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<v Speaker 1>colorful postering. A glittering three mile parade was promised to

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<v Speaker 1>spectators who showed up, and that promise was usually kept.

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<v Speaker 1>For rural farming communities especially, the anticipation was palpable. They

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<v Speaker 1>knew that the biggest event of the whole year was

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<v Speaker 1>about to roll into town, and when the circus appeared,

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<v Speaker 1>everything else in their life just sort of stopped. In

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<v Speaker 1>the magazine, McClure's called the modern circus a kingdom on wheels,

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<v Speaker 1>a city that folds itself up like an umbrella. The

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<v Speaker 1>writer also wrote that quickly and swiftly, every night it

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<v Speaker 1>does the work of a Laddin's lamp, picking up in

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<v Speaker 1>its magical arms, theater, hotel, schoolroom, barracks, home, whisking them

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<v Speaker 1>all miles away, and setting them down before sunrise in

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<v Speaker 1>a new place, as if by magic. A parade of

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<v Speaker 1>exotic animals would appear at dawn and march down main street.

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<v Speaker 1>Townsfolk watched as canvas tents spring up like mushroom caps.

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<v Speaker 1>They could rub shoulders with tattooed ladies and dwarfs, the

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<v Speaker 1>painted likenesses of which stood twenty feet tall on wood

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<v Speaker 1>and canvas to announce their arrival. To say that the

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<v Speaker 1>circus was a spectacle was an understatement. They was here

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<v Speaker 1>that Americans were utterly transported to a world that at

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<v Speaker 1>that time existed only in stories and their imaginations. The

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<v Speaker 1>circus train made it real. It was a rolling fantasy,

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<v Speaker 1>a hulking dream machine that rolled into town under the

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<v Speaker 1>cover of night. That's how everyone would get around for

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<v Speaker 1>a good time too. It became standard business practice, so

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<v Speaker 1>in nineteen eighteen, the Flying Wards climbed onto the Haggenback

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<v Speaker 1>Wallace circus Train ready for their next tour. It was

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<v Speaker 1>an old school set of cars, all made of wood.

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<v Speaker 1>For Jenny and Eddie and their troop, it was familiar

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<v Speaker 1>and cozy. Their personal quarters of bare bones sleeper car

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<v Speaker 1>was full of bunks stacked two and three high. Overhead

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<v Speaker 1>oil lamps kept the cars glowing throughout the night. It

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<v Speaker 1>was a swaltering existence with the bodies of hundreds of

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<v Speaker 1>performers all stacked together in the summer air. But this

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<v Speaker 1>was what the Wards had worked so hard for. To them,

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<v Speaker 1>this circus train was home. Their show that season was

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<v Speaker 1>going to be a good one. They boasted and I

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<v Speaker 1>quote twenty five different acts advertising the presence of sixty aerialists,

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<v Speaker 1>sixty acrobats, sixty writers, fifty clowns and one hundred count them,

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<v Speaker 1>one hundred dancing girls. They also brought along seventy elephants,

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<v Speaker 1>eighty horse drawn wagons, twenty trick ponies, and a home

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<v Speaker 1>and nagerie of other exotic creatures. That's a lot of numbers,

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<v Speaker 1>but you get the picture. The Wards and Company arrived

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<v Speaker 1>in Michigan City, Indiana, on June one, nineteen eighteen, to

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<v Speaker 1>give a charity performance at the Indiana State Penitentiary. All

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<v Speaker 1>things considered, this was going to be a light and

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<v Speaker 1>leisurely performance, and it was an afternoon show, one that

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<v Speaker 1>would give them enough time to wrap up with daylight

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<v Speaker 1>left to burn. As the cars finished loading, they would

0:13:41.000 --> 0:13:43.760
<v Speaker 1>head off in stages. The first section of the train

0:13:43.840 --> 0:13:46.319
<v Speaker 1>to leave the station at one am, was full of animals,

0:13:46.320 --> 0:13:50.760
<v Speaker 1>their handlers, and six sleeper cars. The second, comprised mostly

0:13:50.800 --> 0:13:54.640
<v Speaker 1>of performers, was slated to leave at two thirty am.

0:13:54.679 --> 0:13:57.640
<v Speaker 1>After a long day, the performers all settled in for

0:13:57.679 --> 0:14:02.120
<v Speaker 1>the night. Eddie and Mamie together, Jenny and Alec nearby,

0:14:02.240 --> 0:14:05.160
<v Speaker 1>the family and single women carriages were towards the front.

0:14:05.480 --> 0:14:08.360
<v Speaker 1>The married acts were sandwiched in the middle, the single

0:14:08.400 --> 0:14:11.480
<v Speaker 1>men roustabouts and trainers all pulled up the rear of

0:14:11.480 --> 0:14:15.720
<v Speaker 1>the train. The engine rumbled to life. The passengers felt

0:14:15.720 --> 0:14:18.640
<v Speaker 1>the jolt as their cars began to roll, and turned

0:14:18.720 --> 0:14:21.560
<v Speaker 1>their heads to the windows. The town sailed by like

0:14:21.600 --> 0:14:24.520
<v Speaker 1>a silent movie screen. It wouldn't be long now until

0:14:24.560 --> 0:14:27.160
<v Speaker 1>their next stop, which would be early enough to see

0:14:27.200 --> 0:14:30.320
<v Speaker 1>the first light of dawn. The train rattled and shook

0:14:30.360 --> 0:14:33.320
<v Speaker 1>across the night. It was creaky at its joints, but

0:14:33.440 --> 0:14:36.760
<v Speaker 1>did its passengers a surface. It rocked them to sleep.

0:14:37.520 --> 0:14:40.080
<v Speaker 1>Little did they know that this night would be the

0:14:40.160 --> 0:14:44.240
<v Speaker 1>last for many on board. Some, in fact, would never

0:14:44.360 --> 0:15:00.320
<v Speaker 1>wake up again. Alonso, Sergeant, was on a collision horse,

0:15:00.680 --> 0:15:04.720
<v Speaker 1>and he had no idea. Often one never does. We

0:15:04.800 --> 0:15:08.080
<v Speaker 1>spend our lives hurtling toward the future. Are minutes ticking

0:15:08.160 --> 0:15:11.640
<v Speaker 1>on at our seconds winding down, And sometimes it's only

0:15:11.640 --> 0:15:14.120
<v Speaker 1>when we're forced to come to an abrupt stopped do

0:15:14.200 --> 0:15:18.200
<v Speaker 1>we realize that we might be out of time. Alonso,

0:15:18.440 --> 0:15:21.960
<v Speaker 1>the train engineer at the throttle of engine of the

0:15:22.000 --> 0:15:25.800
<v Speaker 1>Michigan Central Line, hadn't gotten much rest in the past day.

0:15:26.320 --> 0:15:29.120
<v Speaker 1>He was tired. He closed his cab window to save

0:15:29.200 --> 0:15:32.480
<v Speaker 1>himself from the night's chill. He knew these tracks, and

0:15:32.560 --> 0:15:35.640
<v Speaker 1>he knew his job, and he closed his eyes just

0:15:35.800 --> 0:15:38.480
<v Speaker 1>for a few moments. Of course, Alonso knew that he

0:15:38.520 --> 0:15:41.120
<v Speaker 1>didn't have long to go now, but what he missed

0:15:41.160 --> 0:15:44.560
<v Speaker 1>were the two caution signals, and instead of slowing down,

0:15:45.280 --> 0:15:49.600
<v Speaker 1>he sped up. Up ahead was the Hagenbach Wallace circus

0:15:49.640 --> 0:15:53.760
<v Speaker 1>train with the mechanical issue brakeman Oscar tim was walking

0:15:53.800 --> 0:15:57.040
<v Speaker 1>the rail, taking stock of the situation. They were just

0:15:57.200 --> 0:16:01.840
<v Speaker 1>five miles from their destination of Hammond, Indie Enna. Suddenly,

0:16:01.880 --> 0:16:05.320
<v Speaker 1>Oscar heard something he shouldn't have, the smooth rumble of

0:16:05.360 --> 0:16:08.360
<v Speaker 1>the tracks, and then saw something that shocked him, a

0:16:08.440 --> 0:16:11.800
<v Speaker 1>huge plume of smoke and the headlights of an oncoming train,

0:16:12.200 --> 0:16:15.200
<v Speaker 1>one that seemed to have no intention of slowing down.

0:16:16.400 --> 0:16:18.880
<v Speaker 1>Part of the circus car was on the transition rail,

0:16:19.080 --> 0:16:20.920
<v Speaker 1>but the rest of it was still on the main line,

0:16:21.160 --> 0:16:24.840
<v Speaker 1>directly in the path of this billowing beast. Oscar grabbed

0:16:24.840 --> 0:16:28.040
<v Speaker 1>an emergency flare and took off toward Alonso Sergeant's train.

0:16:28.720 --> 0:16:32.680
<v Speaker 1>Oscar screamed he waved frantically, but Alonso couldn't hear him.

0:16:32.920 --> 0:16:35.600
<v Speaker 1>His window was closed, after all, and so he never

0:16:35.680 --> 0:16:38.760
<v Speaker 1>noticed when Oscar threw his burning flare at him. It

0:16:38.840 --> 0:16:44.240
<v Speaker 1>bounced off engine as the train sped onward. The few

0:16:44.240 --> 0:16:47.880
<v Speaker 1>who also saw this train coming watched Oscar's efforts in vain.

0:16:48.240 --> 0:16:51.120
<v Speaker 1>In a moment of sheer terror that we can only imagine,

0:16:51.240 --> 0:16:53.360
<v Speaker 1>they could do nothing but jump out of the way

0:16:53.480 --> 0:16:57.600
<v Speaker 1>as one fifty tons of steel hurtled straight towards them.

0:16:58.360 --> 0:17:00.920
<v Speaker 1>For the witnesses, we can imagine that time slowed down

0:17:00.960 --> 0:17:04.760
<v Speaker 1>in the seconds before impact, stretching and warping to fit

0:17:04.840 --> 0:17:08.360
<v Speaker 1>the full shape of the situation's horror. All the trainmen

0:17:08.400 --> 0:17:10.879
<v Speaker 1>could do now was wait and pray that the folks

0:17:10.920 --> 0:17:15.199
<v Speaker 1>inside the train cars were asleep and dreaming. And with that,

0:17:15.560 --> 0:17:19.879
<v Speaker 1>Alonso's steam engine made contact with the circus train. It

0:17:20.000 --> 0:17:23.600
<v Speaker 1>plowed into the caboose's steel frame, the air exploding with

0:17:23.680 --> 0:17:27.080
<v Speaker 1>gnashing roars and the tearing of steel. The engine's cow

0:17:27.160 --> 0:17:31.360
<v Speaker 1>catcher created a plowing, rolling effect, effectively mashing the circus

0:17:31.400 --> 0:17:35.560
<v Speaker 1>train into a snowball of twisted metal and sparks. The

0:17:35.640 --> 0:17:38.240
<v Speaker 1>next car beyond the caboose was one of the sleeper cars.

0:17:38.600 --> 0:17:41.760
<v Speaker 1>In an instant, a tidal wave of metal smashed through

0:17:41.800 --> 0:17:46.720
<v Speaker 1>the old wooden car. It shattered like glass, timber, splinters everywhere,

0:17:46.760 --> 0:17:50.879
<v Speaker 1>the walls coming down while smashed kerosene lamps pitched riders

0:17:50.920 --> 0:17:54.920
<v Speaker 1>into darkness. Those sleeping were sucked up in the undertow

0:17:55.000 --> 0:17:59.000
<v Speaker 1>of debris, living breathing bodies being dragged forwards as the

0:17:59.040 --> 0:18:02.639
<v Speaker 1>engine tore through the next passenger car, and then the next,

0:18:03.080 --> 0:18:07.000
<v Speaker 1>and then finally one last one before slowing down. It

0:18:07.040 --> 0:18:10.560
<v Speaker 1>was suddenly quiet for a moment, and then came the screams.

0:18:11.119 --> 0:18:15.760
<v Speaker 1>A moment later, the train began to burn. When Mamie

0:18:15.800 --> 0:18:18.680
<v Speaker 1>Ward came to she was upside down and folded into

0:18:18.680 --> 0:18:21.240
<v Speaker 1>a pocket in the wreckage. With the sound of Eddie

0:18:21.359 --> 0:18:24.439
<v Speaker 1>yelling for her from outside, she freed herself and climbed

0:18:24.480 --> 0:18:27.080
<v Speaker 1>to the top of the mountain of carnage. It was,

0:18:27.240 --> 0:18:31.840
<v Speaker 1>according to her, as tall as a telephone pole. Eddie,

0:18:31.840 --> 0:18:34.320
<v Speaker 1>who had been thrown from the wreck went back to help.

0:18:34.680 --> 0:18:38.600
<v Speaker 1>There were hundreds of people on that train. Survivors started digging,

0:18:38.720 --> 0:18:41.600
<v Speaker 1>pulling friends and family from the wreckage. They got to

0:18:41.640 --> 0:18:45.800
<v Speaker 1>work excavating frantically, following sounds of wailing and the smell

0:18:45.960 --> 0:18:49.760
<v Speaker 1>of burning flesh. But the smolder grew and the fire

0:18:49.800 --> 0:18:53.160
<v Speaker 1>turned into an inferno. The local fire departments were even

0:18:53.200 --> 0:18:56.480
<v Speaker 1>called in, but with few water sources nearby, there wasn't

0:18:56.560 --> 0:19:00.520
<v Speaker 1>much they could do. One newspaper later reported that the

0:19:00.640 --> 0:19:05.280
<v Speaker 1>task of identifying the dead and seriously injured was almost hopeless.

0:19:05.640 --> 0:19:08.440
<v Speaker 1>Not only were many of the bodies burned so badly

0:19:08.480 --> 0:19:12.560
<v Speaker 1>that recognition was impossible, but practically everyone on the train

0:19:12.760 --> 0:19:16.480
<v Speaker 1>was killed or hurt. The injured and dying were laid

0:19:16.520 --> 0:19:19.399
<v Speaker 1>on the ground next to the tracks. Morticians with their

0:19:19.440 --> 0:19:22.800
<v Speaker 1>horse drawn wagons stood by, making quick work of loading

0:19:22.840 --> 0:19:28.399
<v Speaker 1>the unidentifiable corpses and taking them away. Altogether, eight six

0:19:28.400 --> 0:19:31.400
<v Speaker 1>people died and over one hundred and twenty were injured.

0:19:31.840 --> 0:19:33.800
<v Speaker 1>The sun rose that day on a new world for

0:19:33.920 --> 0:19:36.760
<v Speaker 1>many of the Circus trains passengers, the ones who were

0:19:36.840 --> 0:19:39.400
<v Speaker 1>left behind to pick up the pieces of that fateful

0:19:39.440 --> 0:19:42.320
<v Speaker 1>summer night. Eddie was hailed as a hero by the

0:19:42.359 --> 0:19:45.240
<v Speaker 1>local papers. He had gone back into the wreckage time

0:19:45.280 --> 0:19:48.760
<v Speaker 1>and again, helping who he could, while clearly looking for

0:19:48.840 --> 0:19:53.159
<v Speaker 1>someone in particular. Just before he collapsed from exhaustion, he

0:19:53.280 --> 0:19:57.399
<v Speaker 1>succeeded and stepped out of the wreckage carrying something. It

0:19:57.520 --> 0:20:00.960
<v Speaker 1>was the lifeless body of his beloved sister Jenny. He

0:20:01.040 --> 0:20:14.639
<v Speaker 1>hadn't been there to catch her and now she was gone.

0:20:17.720 --> 0:20:20.800
<v Speaker 1>Jenny's final train ride took her home to Bloomington's, and

0:20:20.920 --> 0:20:23.960
<v Speaker 1>there where it all started. She was late to rest.

0:20:24.880 --> 0:20:29.320
<v Speaker 1>Eddie would never recover. On June, just a few days

0:20:29.359 --> 0:20:32.560
<v Speaker 1>after the accident, the caskets of fifty six train wreck

0:20:32.640 --> 0:20:35.480
<v Speaker 1>victims were buried in a common grave at Showman's Rest

0:20:35.560 --> 0:20:39.640
<v Speaker 1>Cemetery in Forest Hills, Illinois. Only thirteen of them had

0:20:39.640 --> 0:20:44.440
<v Speaker 1>been identified. The rest were charred beyond recognition. If you

0:20:44.480 --> 0:20:46.720
<v Speaker 1>were to visit there today, you'd find that many of

0:20:46.760 --> 0:20:50.040
<v Speaker 1>the headstones in that plot are inscribed with unknown male

0:20:50.359 --> 0:20:53.600
<v Speaker 1>and unknown female, But if you look closely enough, you'll

0:20:53.600 --> 0:20:56.800
<v Speaker 1>be able to find more affectionate names, such as Baldy

0:20:57.160 --> 0:21:01.880
<v Speaker 1>Smiley and four horse Driver. Ever since, Showman's Rest has

0:21:01.920 --> 0:21:05.040
<v Speaker 1>become the final resting place for hundreds of circus folk,

0:21:05.280 --> 0:21:10.440
<v Speaker 1>from roustabouts to owners and everyone in between. Some neighbors

0:21:10.440 --> 0:21:12.720
<v Speaker 1>claim that they can hear the sounds of phantom elephants

0:21:12.760 --> 0:21:15.800
<v Speaker 1>at night, but as the records show, no elephants were

0:21:15.920 --> 0:21:18.920
<v Speaker 1>actually buried there. I suppose we'll just have to chalk

0:21:18.920 --> 0:21:23.240
<v Speaker 1>it up to the zoo nearby. Oh and almost unbelievably,

0:21:23.520 --> 0:21:28.800
<v Speaker 1>the Hagenbach Wallace Circus only canceled to performances. Assistance came

0:21:28.840 --> 0:21:31.760
<v Speaker 1>from the Ringleing Brothers and Barnum and Bailey Circus in

0:21:31.800 --> 0:21:36.720
<v Speaker 1>the form of equipment, animals, and performers. Survivors of the

0:21:36.720 --> 0:21:40.159
<v Speaker 1>wreck were able to perform once again, because even in

0:21:40.200 --> 0:21:44.120
<v Speaker 1>the face of extraordinary tragedy, it seems the show must

0:21:44.160 --> 0:21:52.520
<v Speaker 1>go on. In a world where many of us spent

0:21:52.600 --> 0:21:55.000
<v Speaker 1>a lot of time at home during the pandemic, it's

0:21:55.000 --> 0:21:57.760
<v Speaker 1>amazing to imagine the ways will travel and the things

0:21:57.800 --> 0:22:00.360
<v Speaker 1>will see in the years ahead. The way we move,

0:22:00.560 --> 0:22:03.439
<v Speaker 1>the where, the how, and with whom. All of it

0:22:03.520 --> 0:22:07.320
<v Speaker 1>gives shape to our lives in truly meaningful ways. But

0:22:07.400 --> 0:22:10.000
<v Speaker 1>we're not done just yet. Stick around through this brief

0:22:10.040 --> 0:22:12.840
<v Speaker 1>sponsor break to hear one more tale about the side

0:22:12.840 --> 0:22:17.320
<v Speaker 1>show and maybe find some inspiration for your next road trip.

0:22:22.440 --> 0:22:24.560
<v Speaker 1>It's hard to say if he ever knew it, but

0:22:24.720 --> 0:22:28.760
<v Speaker 1>one of the quite literally biggest celebrities in the world

0:22:29.280 --> 0:22:34.199
<v Speaker 1>was so unanimously loved. His beginnings were quiet and his

0:22:34.280 --> 0:22:37.560
<v Speaker 1>life was good, but that all changed when his mother

0:22:37.800 --> 0:22:42.199
<v Speaker 1>was shot and killed. He was kidnapped from Sudan and

0:22:42.280 --> 0:22:45.440
<v Speaker 1>forced to walk hundreds of miles before being taken by

0:22:45.480 --> 0:22:49.119
<v Speaker 1>boat to Paris, where he was brought to the Jordan Duplont.

0:22:50.200 --> 0:22:53.240
<v Speaker 1>It was France's botanical garden, a jewel in the eyes

0:22:53.280 --> 0:22:57.639
<v Speaker 1>of biologists working to understand the secrets of the natural world.

0:23:00.560 --> 0:23:05.720
<v Speaker 1>His life there, well, it was pretty bleak. His transfer

0:23:05.760 --> 0:23:09.919
<v Speaker 1>was eventually negotiated in the form of a trade. He

0:23:10.000 --> 0:23:13.000
<v Speaker 1>would go to the London Zoo in exchange for a rhino,

0:23:13.280 --> 0:23:16.920
<v Speaker 1>a jackal, two eagles, a pair of dingos, a possum

0:23:17.040 --> 0:23:22.200
<v Speaker 1>and a kangaroo. There, Jumbo the elephant would become a star.

0:23:24.080 --> 0:23:27.080
<v Speaker 1>Even though he was a smaller African elephant. The calf

0:23:27.119 --> 0:23:30.720
<v Speaker 1>would grow to a hearty twelve feet tall, and they're

0:23:30.920 --> 0:23:35.640
<v Speaker 1>under the watchful eye of his caretaker, Matthew Scott, Jumbo flourished.

0:23:36.080 --> 0:23:39.280
<v Speaker 1>He was sweet, and he was gentle, and within a

0:23:39.320 --> 0:23:43.040
<v Speaker 1>few years he was giving writhes to children, including those

0:23:43.080 --> 0:23:47.160
<v Speaker 1>of Queen Victoria, a boy named Winston Churchill, and if

0:23:47.200 --> 0:23:51.119
<v Speaker 1>the legends are true, even a young f dr. The

0:23:51.240 --> 0:23:54.440
<v Speaker 1>public loved him and they came to visit him by

0:23:54.480 --> 0:24:02.399
<v Speaker 1>the tens of thousands. But this situation wasn't built to last.

0:24:03.119 --> 0:24:06.359
<v Speaker 1>At around age twenty, the beginning of the teenage years

0:24:06.359 --> 0:24:10.159
<v Speaker 1>of an elephant if you will, he began acting moody

0:24:10.440 --> 0:24:13.000
<v Speaker 1>p t. Barnum caught wind of this and offered to

0:24:13.040 --> 0:24:17.919
<v Speaker 1>take Jumbo to America. After much protest from tens of

0:24:18.040 --> 0:24:22.520
<v Speaker 1>thousands of Londoners and from Queen Victoria herself, Jumbo once

0:24:22.560 --> 0:24:26.199
<v Speaker 1>again boarded a ship and set sail west towards his

0:24:26.280 --> 0:24:32.920
<v Speaker 1>new home. Barnum, ever, the opportunist, was able to conjure

0:24:32.920 --> 0:24:37.080
<v Speaker 1>a crowd for Jumbo's arrival. According to some sources, it

0:24:37.280 --> 0:24:40.320
<v Speaker 1>was the largest crowd New York City had ever seen.

0:24:41.920 --> 0:24:45.520
<v Speaker 1>Before long, Barnum had made Jumbo an even bigger star.

0:24:46.400 --> 0:24:49.400
<v Speaker 1>He became the face of many products and a household name.

0:24:49.440 --> 0:24:55.000
<v Speaker 1>At that the term Jumbo became synonymous with giants. Together,

0:24:55.240 --> 0:24:58.680
<v Speaker 1>they logged tens of thousands of miles on the circus train,

0:24:59.119 --> 0:25:05.280
<v Speaker 1>breaking a ten records everywhere they went. But all good

0:25:05.280 --> 0:25:08.800
<v Speaker 1>things must come to an end, it seems. In September,

0:25:10.320 --> 0:25:13.200
<v Speaker 1>as Jumbo and his entourage were loading into a circus

0:25:13.200 --> 0:25:17.240
<v Speaker 1>train after a show, an unscheduled train came barreling down

0:25:17.240 --> 0:25:21.840
<v Speaker 1>the tracks and t boned the friendly giant. Jumbo perished

0:25:22.000 --> 0:25:27.199
<v Speaker 1>within minutes. But if you think that would be the

0:25:27.280 --> 0:25:31.720
<v Speaker 1>end of his story, you're dead wrong. As you've seen

0:25:31.760 --> 0:25:35.280
<v Speaker 1>by now, Barnam and his cronies never let an untimely

0:25:35.359 --> 0:25:40.040
<v Speaker 1>death get in the way of good business. Nope, quite

0:25:40.119 --> 0:25:45.080
<v Speaker 1>the opposite. They saw death as yet another money making opportunity,

0:25:45.359 --> 0:25:49.440
<v Speaker 1>one that certainly wasn't going to slow them down. Barnum,

0:25:49.560 --> 0:25:57.080
<v Speaker 1>you see, had a taxidermist on call. The taxidermist made

0:25:57.160 --> 0:26:01.479
<v Speaker 1>quick work of Jumbo, disarticulating his keleton and rebuilding it,

0:26:01.680 --> 0:26:05.560
<v Speaker 1>as well as stuffing his hide. Just shy of a miracle,

0:26:05.880 --> 0:26:08.840
<v Speaker 1>the modern day version of multiplying bread and fishes for

0:26:08.880 --> 0:26:13.680
<v Speaker 1>the masses, if you will. Barnum now had two Jumbos

0:26:13.680 --> 0:26:19.159
<v Speaker 1>for his audience. Stuffed Jumbo traveled by train to Tufts University,

0:26:19.480 --> 0:26:26.240
<v Speaker 1>a Barnum beneficiary. He was large, cumbersome, and totally immobile.

0:26:27.320 --> 0:26:30.679
<v Speaker 1>It said. It took many horses and over fifty people

0:26:30.840 --> 0:26:34.360
<v Speaker 1>to get him up the hill, and once they got there,

0:26:34.760 --> 0:26:37.600
<v Speaker 1>it was easier to get the good natured volunteers to

0:26:37.800 --> 0:26:42.200
<v Speaker 1>disassemble the university stone doorway than to get him inside

0:26:42.280 --> 0:26:47.320
<v Speaker 1>by any other alternative. And it's here Jumbo, to point oh,

0:26:47.400 --> 0:26:51.240
<v Speaker 1>would stay for decades, once again becoming a beloved mascot

0:26:51.320 --> 0:26:57.040
<v Speaker 1>to an adoring crowd, but it seems one last tragedy

0:26:57.200 --> 0:27:03.560
<v Speaker 1>would befall him. In the spring of n an electrical

0:27:03.600 --> 0:27:08.480
<v Speaker 1>fire broke out, burning Jumbo's building to the ground. Barely

0:27:08.600 --> 0:27:13.359
<v Speaker 1>anything was left of his stuffed mortal remains. A quick

0:27:13.400 --> 0:27:16.240
<v Speaker 1>thinking employee was able to save some of his remains, though,

0:27:16.920 --> 0:27:19.119
<v Speaker 1>and if you're up for it, you can still go

0:27:19.200 --> 0:27:23.040
<v Speaker 1>see them. Today. He sits on a shelf there Tufts

0:27:23.080 --> 0:27:27.160
<v Speaker 1>University in the athletic director's office. Rumor has it it's

0:27:27.200 --> 0:27:29.760
<v Speaker 1>considered good luck to say hello to him before a game,

0:27:30.520 --> 0:27:35.200
<v Speaker 1>but he's certainly easy to miss because all that's left

0:27:35.200 --> 0:27:39.880
<v Speaker 1>of Jumbo. Today's ash collected in a small glass jar

0:27:40.840 --> 0:27:49.120
<v Speaker 1>that was once used for Crunchy Peanut Butter. Side show

0:27:49.200 --> 0:27:52.760
<v Speaker 1>was written by Robin Miniter with narration by me Aaron Manky.

0:27:53.200 --> 0:27:56.520
<v Speaker 1>Research for the series was by Robin Minater, Taylor Haggard Dorn,

0:27:56.640 --> 0:28:01.000
<v Speaker 1>and Sam Alberty, with production assistance from Josh Thay, Jesse Funk,

0:28:01.280 --> 0:28:04.720
<v Speaker 1>Alex Williams, and Matt Frederick. Grim and Mile Presents was

0:28:04.760 --> 0:28:07.680
<v Speaker 1>created in partnership with I Heart Radio. You can learn

0:28:07.720 --> 0:28:10.159
<v Speaker 1>more about this show and everything else from Grim and

0:28:10.200 --> 0:28:13.520
<v Speaker 1>mild Over at Grim and mild Dot com and as

0:28:13.560 --> 0:28:47.160
<v Speaker 1>always thanks for listening. M