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Speaker 1: So since we're recapping the wedding episode, I was watching it,

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Speaker 1: I kept thinking about weddings and like, now that I'm older,

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Speaker 1: what I would do differently?

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Speaker 2: And I feel like, yeah, I mean so anyway, I

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Speaker 2: guess I just want to know, like, how would you

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Speaker 2: guys get married now?

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Speaker 3: Hm hmmm. Will's was small and intimate. You probably wouldn't

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Speaker 3: change much about yours.

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Speaker 4: I soon I talk about this. My wedding day was

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Speaker 4: like the greatest day of my life. I honestly, I

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Speaker 4: wouldn't I wouldn't change anything. The weather was perfect. You know, Danielle,

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Speaker 4: you were I still don't know why you didn't come.

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Speaker 3: I don't either. I don't remember what the situation was.

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Speaker 4: I don't remember what it was either. But Ryder, of

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Speaker 4: course was there, and it was a perfect day. It

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Speaker 4: was in this beautiful, beautiful place in you know, at

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Speaker 4: a vineyard, and it was a vineyard.

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Speaker 2: Yeah, the back was a vineyard. So we were like

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Speaker 2: in a little area. But then where you guys got

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Speaker 2: married was a vineyard behind you.

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Speaker 4: Yeah, And it used to be it was a place

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Speaker 4: called perfect size got to actually salt water, yeah, saltwater farms,

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Speaker 4: which used to be it was like an airport in

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Speaker 4: the thirties that they redid the hangars this beautiful vineyard

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Speaker 4: and the vineyard outside is just a perfect location. And

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Speaker 4: we had fifty five people there. The food was great,

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Speaker 4: the dancing was great. We had a bourbon bar, like

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Speaker 4: it couldn't it couldn't have been better. So and frankly, I,

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Speaker 4: you know, I when I take over the world, which

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Speaker 4: we talked about, nobody's gonna be able to get married

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Speaker 4: until they're in their late thirties anyway. So I was

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Speaker 4: forty when I got married, So I mean it's like

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Speaker 4: I wouldn't I think.

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Speaker 2: Being older is Yeah, You're wedding so much better righter.

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Speaker 4: Your wedding was pretty outstanding too, though, I mean it

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Speaker 4: was like an event that was this thing that was

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Speaker 4: it was more.

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Speaker 2: Like, yeah, it was more like a vacation for everybody

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Speaker 2: for you know, three days.

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Speaker 4: Yeah, but it was a cool It was also a

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Speaker 4: great combination of being an adult but also being a

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Speaker 4: kid again. Totally, it was really cool.

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Speaker 2: Yeahah, yeah, I probably would do the same thing. I

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Speaker 2: would just make it more comfortable for people Like I

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Speaker 2: was definitely asking a lot of like relatives and friends

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Speaker 2: from out of town to be like come stay at

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Speaker 2: a bunk at a cat and you know, at a

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Speaker 2: camp and we and not only that, but like we

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Speaker 2: had to do so much to prepare for it. We

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Speaker 2: had to like put lighting and bedding and all the

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Speaker 2: stuff in every cabin and it was so I was

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Speaker 2: stretched so thin, and I'm sure like my close friends

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Speaker 2: and family were also stretched thin, you know, like me,

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Speaker 2: And like now I would just be like, it is

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Speaker 2: worth whatever thousands of dollars to hire a couple assistants

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Speaker 2: or whatever to just be the people so you're not

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Speaker 2: asking your wedding party and all, because I just feel like,

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Speaker 2: oh my god, you know, much like this episode, it

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Speaker 2: stresses everybody out, and there's this level of obligation. Nobody

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Speaker 2: wants to say no to you. It doesn't matter how

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Speaker 2: nice you are. You don't have to be like a

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Speaker 2: bridezilla or a groomzilla. It's just the pressure you're under.

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Speaker 4: It sucks.

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Speaker 2: Man Like.

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Speaker 4: So there's three things I remember from your wedding so well.

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Speaker 4: First is I stayed at a hotel. I did not

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Speaker 4: stay in the bunks. And the first day that I

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Speaker 4: got there, everyone was like, really, you're staying in a hotel.

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Speaker 4: Come on, that's ridiculous. We're all bunking it. The second day,

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Speaker 4: everyone come up to me like, is the shower working

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Speaker 4: in your hotel? And can I go there and use it?

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Speaker 4: The second thing I remember more than anything, and it

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Speaker 4: was so perfectly right or strong and wedding was right

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Speaker 4: in the middle of your vows, A deer walked.

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Speaker 2: The baby deer literally walked in and we were.

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Speaker 4: Like looking around, like this has to be a joke.

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Speaker 4: They had to have released this, Yeah, and it was

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Speaker 4: perfect time released the deer.

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Speaker 2: It was. It was crazy photos. That's so cute.

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Speaker 4: And then ard was the music that night when when

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Speaker 4: they came and they played, you know, one of your

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Speaker 4: favorite bands at the time, Typhoon came. I'd never heard them.

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Speaker 4: They sit up on stage, it was freezing cold, and

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Speaker 4: no one cared and they started playing and everyone just

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Speaker 4: had the best time dancing and letting go. It was great,

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Speaker 4: so much fun.

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Speaker 2: Yeah, that was you didn't do the ropes course. We

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Speaker 2: did a ropes course.

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Speaker 4: I missed the ropes course.

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Speaker 2: We did have like one hundred plus.

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Speaker 4: I did a charades game. I did running charades. That

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Speaker 4: one I did, but yeah, it was. It was great.

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Speaker 2: And then Daniel, your wedding was was really pretty.

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Speaker 3: My wedding, I don't know how much. The only thing

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Speaker 3: I think I would change is there are some people

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Speaker 3: that were invited to my wedding who would not be

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Speaker 3: invited now totally, and it's there are also there were

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Speaker 3: people that were invited that I didn't really want to

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Speaker 3: invite even then, but I felt obligation to invite that.

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Speaker 3: Now it would be like no obligation here, get the

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Speaker 3: hell out.

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Speaker 5: The post pandemic. I feel like our wedding would be

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Speaker 5: maybe eight to ten people tops.

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Speaker 3: Three of them are on the zoom. No. I mean

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Speaker 3: it was small. It was an you know, the venue

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Speaker 3: that we picked was one hundred people, so there weren't

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Speaker 3: more than one hundred people there, but I could I

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Speaker 3: think there were probably about easily fifteen people that I

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Speaker 3: could have gotten rid of that. I would look at

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Speaker 3: the list now and be like out right. And then

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Speaker 3: the only other thing I would say is I love

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Speaker 3: that at my first wedding we had the in and

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Speaker 3: out truck. I would like to bring the in and

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Speaker 3: out truck to my wedding with Jensen. Do they do fries?

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Speaker 4: They don't do fries in the in and out truck. Right,

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Speaker 4: it's just the burgers.

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Speaker 3: It's so funny. I was just gonna ask Jensen.

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Speaker 5: I was.

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Speaker 4: I was.

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Speaker 5: I was working in catering.

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Speaker 6: There were frides, Jensen, babe, were there?

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Speaker 2: We got married the first time? Oh no, wait, that

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Speaker 2: wasn't you right?

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Speaker 3: I feel like we've been married to you forever.

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Speaker 5: You guys played great music. I remember that.

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Speaker 2: That's great.

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Speaker 4: Actually, Danielle, you know, one of the things I remember

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Speaker 4: from your wedding was how funny your vows were. You

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Speaker 4: and Jensen. The vows that you had were just people

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Speaker 4: were rolling listening to you guys talk to each other

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Speaker 4: because they was sweet and sentimental. But then there was

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Speaker 4: some jokes that were I think that's how Jen and

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Speaker 4: started we both hated Thailand, was how his vows started.

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Speaker 2: That was really funny.

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Speaker 3: That's right. Yes, right, everyone remembers our vows, which is

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Speaker 3: very fun Yeah. So I don't it's so funny that

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Speaker 3: for all three of us. I don't. There's really not

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Speaker 3: that much we would change, I think because at least

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Speaker 3: for me that being my second wedding, we knew ourselves

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Speaker 3: so well. Our weddings were very much tailored to who

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Speaker 3: we are as people.

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Speaker 2: It's when you're doing it for either a partner who's

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Speaker 2: being you know, has their own set of dreams or desires.

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Speaker 2: For your family, Yeah, you're trying to like appease your

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Speaker 2: parents and grandparents or whomever and like their vision of

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Speaker 2: what a wedding is, and like that's where you just

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Speaker 2: always and you know, unfortunately for a lot of people,

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Speaker 2: that's who's paying for the wedding, so you kind of

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Speaker 2: have to do that, you know. Like I felt very

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Speaker 2: fortunate that like Alex and I, I mean actually our

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Speaker 2: parents did help a little bit, but we just are

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Speaker 2: Our wedding was not expensive, so it was not like

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Speaker 2: that was not a concern. You know, we made it

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Speaker 2: out because we did a summer camp super cheap.

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Speaker 4: I'm so curious what our weddings would cost now because

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Speaker 4: Sue and I, even eight months in advance, are planning

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Speaker 4: my fiftieth birthday party and we're calling around to venues.

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Speaker 2: It's insane.

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Speaker 4: One place have we figured there's going to be about

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Speaker 4: two hundred and fifty people there, and one place if

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Speaker 4: we want to do an open bar for the five

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Speaker 4: or six hours for the two hundred and fifty people,

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Speaker 4: just the bar is twenty thousand dollars.

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Speaker 2: Yeah, and it's like two hundred and fifty people can drinks.

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Speaker 3: You don't need five or six hours of an open bar.

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Speaker 1: No.

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Speaker 4: We Also, I'm not paying more for my fiftieth birthday

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Speaker 4: party than I paid for my wedding. That's just I'm

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Speaker 4: not going to do it.

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Speaker 5: I think it's a little impossible to compare them, though,

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Speaker 5: ones from like two decades ago.

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Speaker 2: I know that's the one is how many people? Only

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Speaker 2: fifty people? You're fifty.

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Speaker 4: But it was also it was a destination wedding, so

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Speaker 4: I was including like flying in and doing all that

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Speaker 4: kind of stuff. But yeah, this is it's it's so

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Speaker 4: funny to get some of the prices where it's like,

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Speaker 4: I'm sorry, how much for a ratison somewhere?

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Speaker 3: Or like what, No, jenin Will has not been married

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Speaker 3: for two decades? You know you're about that. Yeah, I

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Speaker 3: was gonna say, you're about to have.

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Speaker 5: You Wow, only three years more than me and you

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Speaker 5: that's crazy. Yeah.

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Speaker 4: Ten we got married twenty sixteen and then but we've

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Speaker 4: been together, known each other since two thousand and play

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Speaker 4: together for fifteen years.

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Speaker 5: Yeah, Slockminster video, that's I remember that. Yeah, seems longer.

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Speaker 4: Yeah, right, exactly, doesn't it exactly? Exactly?

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Speaker 3: Oh god, I can't wait to hear more. I think

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Speaker 3: I think four hours is a max for an open bar,

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Speaker 3: and I also think do you need to do full

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Speaker 3: open bar?

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Speaker 2: Yeah, you could just provide beer and wine from everyone's

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Speaker 2: hand out. You could provide beer and wine and let

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Speaker 2: people buy cocktails.

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Speaker 3: Exactly, we'll see.

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Speaker 4: I want everybody to just come and have like a

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Speaker 4: fun time and the.

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Speaker 2: Punch bowls with rum in it, and it'll be like.

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Speaker 4: Just doesn't spike the punch bowl. That's not a bad idea.

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Speaker 2: Punch bowls that's a good really serves themselves.

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Speaker 3: Let me tell you what you do, that's exactly right.

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Speaker 3: You do one signature cocktail that's called prom punch, yes smart,

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Speaker 3: and that's free and beer and wine, and then if

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Speaker 3: somebody wants something else, they can get something else.

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Speaker 4: Oh yeah, all right, maybe I'm just going to do

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Speaker 4: but we're going to do food like we want to

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Speaker 4: do it, like it's going to be a prom, like

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Speaker 4: we want it to be like you're going to your prom.

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Speaker 3: So but not going to be sit down?

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Speaker 2: Right, Yeah, I.

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Speaker 3: Think it is going to be a sit down. What

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Speaker 3: kind of prom is this.

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Speaker 4: This is I've asked several people this and they all

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Speaker 4: said at their prom they had to sit down meal. Again,

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Speaker 4: I didn't go, so.

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Speaker 2: I don't know.

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Speaker 5: Yeah, we had one. We had one. I don't think

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Speaker 5: anyone eat though, I don't think anyone eat. I think

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Speaker 5: it was I remember.

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Speaker 3: I thought we went to dinner before.

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Speaker 2: Yeah, I thought everybody, that's why you get a limo,

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Speaker 2: you go to dinner. And I know nothing.

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Speaker 4: So that's what I thought too, But that's I didn't either.

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Speaker 4: But then I've been asking people and they're like, no,

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Speaker 4: we had to sit down meal at our prom.

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Speaker 5: Yeah, I think we did. Do I think we did do.

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Speaker 4: Send your your email sit Daniel Fisher, because I want

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Speaker 4: to find out if everyone sat down at the problem.

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Speaker 4: I don't remember because I wasn't there. Yeah, that's why

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Speaker 4: I have to throw my own.

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Speaker 5: If I don't, I'm going to come with pimples.

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Speaker 2: You better.

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Speaker 4: And if I don't win prom king at my own

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Speaker 4: damn prom, I'm going to have a serial. Well there's

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Speaker 4: gonna be some cool people.

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Speaker 3: I was going to say, I'll wear my prom dress

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Speaker 3: from nineteen ninety nine, but you know what, I'm excited

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Speaker 3: to have a brand new prom dress. I don't want

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Speaker 3: to wear that one. I want to wear a new one.

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Speaker 4: This is gonna be fun, like we're already planning it.

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Speaker 4: So this is gonna be a fun party.

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Speaker 3: Yeah, it's gonna be great. Yeah, writer, what are you

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Speaker 3: lost in thought thinking about which Fodor you're gonna.

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Speaker 2: Wear a tux? Do you wear a talks to the problem.

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Speaker 3: With tails or talks tails?

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Speaker 4: Do you have a prom kilt?

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Speaker 2: I can wear my kilt. I still have my graduation kilt.

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Speaker 3: Your graduation kilt.

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Speaker 4: Yeah, it's this is going to be It's going to

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Speaker 4: be a very fun night. That's all I can say

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Speaker 4: is I can't I really can't wait. It's going to

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Speaker 4: be like a year in the making of well it's

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Speaker 4: actually it's forty years then whatever it is from prom night.

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Speaker 4: Damn you people, but.

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Speaker 3: Good Welcome to Pod Meets World. I'm Daniel Fishel, I'm

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Speaker 3: rather strong, and I'm Wilforde. Today we are recapping season seven,

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Speaker 3: episode seven, It's About Time. It originally aired November fifth,

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Speaker 3: nineteen ninety nine. The synopsis, Corey and Tapanga are set

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Speaker 3: to finally tie the knot, but Sean's concerns for the

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Speaker 3: future of his friendship with Corey seemed to be derailing

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Speaker 3: the ceremony. It was directed by Jerry Levine, his second

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Speaker 3: of five Boy Meets World episodes, best known as Styles

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Speaker 3: from teen Wolf. He also played Philip Mack, the leader

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Speaker 3: of the cult, in season four's cult fiction. Boy Meets

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Speaker 3: World was the first TV show he directed, and he

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Speaker 3: went on to have a robust resume behind the camera

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Speaker 3: on shows like It's Always Sonny in Philadelphia, Everybody Hates

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Speaker 3: Chris and Hawaii five. Oh he did five?

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Speaker 4: I think I say this every time you say that

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Speaker 4: he did five episodes.

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Speaker 3: I don't remember. I feel the same way. This is

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Speaker 3: only two a five. He does three more this season.

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Speaker 2: And he quickly became yeah he was good. Yeah.

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Speaker 3: Wow. It was written by Patricia Carr and Lara Olsen.

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Speaker 3: This is a big episode, guys, This is uh, this

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Speaker 3: is pretty major. What do you guys remember about this

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Speaker 3: week much?

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Speaker 2: I remember hanging out with Jerry. Yeah do you remember that?

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Speaker 2: But no, watching it was I was pretty revelatory to

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Speaker 2: be like, oh, this is what happened. I mean I

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Speaker 2: knew because we've done bits about like some of the

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Speaker 2: stuff on stage where like I come in, I knew

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Speaker 2: that I made it about me, that Sean made it

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Speaker 2: about him, Like I knew that plot, but otherwise, no,

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Speaker 2: I didn't remember any of the jokes or any of

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Speaker 2: the bits or why we.

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Speaker 4: Remember playing multiple characters. I remember that. Remember at the end,

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Speaker 4: I remember it was just nothing was scripted. It was

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Speaker 4: just go right. So I remember that, and I remember

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Speaker 4: the whole storyline about Eric, you know, kind of hijacking

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Speaker 4: somebody else's wedding, but I didn't remember the actual specifics,

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Speaker 4: like everybody in sitting there in their underwear and all

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Speaker 4: that stuff. Like I didn't remember any of that stuff.

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Speaker 4: No memory of that. M you know.

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Speaker 3: I also don't really remember much about this week, so

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Speaker 3: weird because.

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Speaker 2: It seems like it's a big week. Yeah, you think

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Speaker 2: we'd remember something.

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Speaker 3: I know. I guess one thing I will say is

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Speaker 3: I do remember there being more. I was surprisingly actually emotional,

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Speaker 3: like the the toast that you give for you say

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Speaker 3: I'm his new best friend. I can tell that I,

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Speaker 3: Danielle am actually emotional looking at you writer.

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Speaker 2: Me too, durn Yourowls. I felt the same way your

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Speaker 2: vowels with Ben. I was like, wow, Danielle's really like

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Speaker 2: feeling a lot of feelings here. It was great. No,

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Speaker 2: I thought it was a good episode.

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Speaker 7: I was going to say, we have to talk about

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Speaker 7: whether we liked it or not, because I thought this

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Speaker 7: was a really good episode, really solid, and this is

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Speaker 7: the balance of like it being emotional but also being

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Speaker 7: wacky at times and fun and yeah, kind of this.

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Speaker 2: Is the best episode of season seven.

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Speaker 4: I agree say that because I agree.

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Speaker 2: I think, you know, yeah, I mean, I thought the

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Speaker 2: last episode was bonkers, but you know, like yeah, so

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Speaker 2: I feel good about like this is. You know, this

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Speaker 2: is a big high point of our show. They're getting married.

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Speaker 2: It's a big gang and I feel like they did

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Speaker 2: a pretty good job with the writing.

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Speaker 4: I thought I really liked the tone that they went.

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Speaker 4: Decided to go for it, because you could easily have

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Speaker 4: gone ridiculously sappy, over the top Corey and Tapanga married,

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Speaker 4: What's gonna happen? It's all dramatic and emotional, and instead

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Speaker 4: they kind of made it a farce, which I thought

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Speaker 4: was a really interesting way to go about it. And

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Speaker 4: I think they and we pulled it off. I really

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Speaker 4: it was a fun twenty two minutes. It seemed longer

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Speaker 4: than twenty two minutes. It seemed almost like a kind

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Speaker 4: of more of a jumbo episode. But I really enjoyed it.

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Speaker 3: I don't mind it. I at first thought in the

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Speaker 3: in the opening scene where I strangle you, I thought,

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Speaker 3: oh no, not at this, Like I didn't like that,

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Speaker 3: And I thought, if this is setting us up for

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Speaker 3: what the whole episode's going to be, and it's going

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Speaker 3: to be another Topanga is a you know, stressed Bridezilla

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Speaker 3: kind of a thing, or or if they even for

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Speaker 3: one millisecond, do am I going to say I do?

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Speaker 3: Or is he going back? I thought, if any of

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Speaker 3: that is going to be in this episode, I'm not

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Speaker 3: going to like it very much. But then it didn't stick.

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Speaker 3: It didn't stay that way. Even that opening scene where

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Speaker 3: I'm strangling you, I was at least other than the

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Speaker 3: physical non comedy, in my opinion, I liked that the

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Speaker 3: tone was more like Sean and we're going to have

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Speaker 3: a great day, right, We're going to have a good time,

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Speaker 3: instead of maybe some some other choices we could have made.

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Speaker 3: So yeah, overall, I really liked it.

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Speaker 2: I really wanted a tag of like Corey andt Banga,

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Speaker 2: like not necessarily post sex, but like a sweet moment

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Speaker 2: with just Cory and to Banga would have been really

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Speaker 2: nice because the fact that he's like keys to the

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Speaker 2: room and they run out.

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Speaker 4: I think though, if memory serves the sect, the next

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Speaker 4: episode picks up as a continuation. Yes, ok, okay, good

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Speaker 4: of them running into the room and then Eric being arrested.

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Speaker 2: Maybe even what I wanted is another montage set to

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Speaker 2: an art Garfuncle song. I don't know, like, I just

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Speaker 2: feel like we could have gone through the years a

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Speaker 2: little bit. It was just like, because I got I

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Speaker 2: didn't get emotional during the vows. I was like, these

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Speaker 2: are well written, well performed. It's so like, for the

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Speaker 2: first time, here's the chance to like be the most

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Speaker 2: Corey into Panga, and instead they go against it. It's

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Speaker 2: it doesn't feel it's not like we're meant to be together,

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Speaker 2: you've always been. It was like very like just this

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Speaker 2: is this is just bound to be and I love you.

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Speaker 4: So much the relationship.

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Speaker 2: Yes, it felt like great, oh my god. So yeah,

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Speaker 2: I was totally so. I kind of was rooting for

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Speaker 2: Corey to bank at the end of this episode.

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Speaker 4: But this is also we talked about it in the

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Speaker 4: episode where there it's the one where they're talking directly

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Speaker 4: to the camera where you think you're talking directly camera,

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Speaker 4: where it was like we just that's the Corey and

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Speaker 4: de Pang I wish I had seen for seven seasons.

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Speaker 4: And so it's a continuation of that version of this

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Speaker 4: couple where it's like they're both kind of neurotic but

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Speaker 4: in a funny way and they balance each other in

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Speaker 4: that way, and then there's the sweetness. There's no intensity,

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Speaker 4: it's more just like tongue in cheek, and so that worked,

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Speaker 4: and would would love to have seen that version of

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Speaker 4: Corey in Tapanga for seven years. So I agree with you.

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Speaker 4: I thought it was I thought it was great.

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Speaker 3: Jumping into our guest stars, we have John Bauma as

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Speaker 3: hotel manager. If he looks familiar to you, that's because

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Speaker 3: this is his second Boy Meets World episode as the

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Speaker 3: same character, a very rare occurrence for the show. He

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Speaker 3: played the scenes stealing hotel clerk in season's five Promises Promises,

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Speaker 3: and he's also appeared on Alias, Friends, Parks and Recreation,

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Speaker 3: and Grace and Frankie. Marsha Cross returns as Rhannon Lawrence,

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Speaker 3: the last incarnation of Tapega's mom. Similarly, Mark Herolic is

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Speaker 3: back as Jedediah Lawrence Topenga's revolving father, and then Willie

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Speaker 3: Garson also returns, but now as his third character on

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Speaker 3: Boy Meets World, the Minister. You may remember him from

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Speaker 3: season one as Leonard Spinelli, Allen's assistant at the market,

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Speaker 3: or as Mervin from the Wilderness Store. He was a

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Speaker 3: bit of a good luck charm for the show, even

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00:18:01,800 --> 00:18:04,480
Speaker 3: appearing later on in Girl Meets World. The well known

401
00:18:04,520 --> 00:18:06,720
Speaker 3: character actor was also known from his time on Sex

402
00:18:06,760 --> 00:18:09,520
Speaker 3: in the City, There's Something About Mary, Fever, Pitch, and

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Speaker 3: Freaky Friday. Tragically, Willie passed in twenty twenty one at

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Speaker 3: the age of fifty seven from cancer. I really do

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Speaker 3: wish that we could have had him on the.

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Speaker 2: Podcast, be a regular on the podcast. Yup? I mean

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Speaker 2: like yeah. We talked all the time, absolutely a lot,

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Speaker 2: especially even during Girl we talked a little.

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Speaker 3: I know, God, I remember.

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Speaker 4: That a very good. Only person in my entire career,

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Speaker 4: my mother has asked for a picture with Oh, was

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00:18:36,640 --> 00:18:38,840
Speaker 4: Willy the only one? Because she loves Sex in the City.

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00:18:38,880 --> 00:18:40,200
Speaker 4: Do you think do you think he'll take a picture

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Speaker 4: of me? I'm like, yes, Mom, I think he'll take

415
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Speaker 4: a picture of it.

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Speaker 3: That's so Sweett.

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Speaker 4: She absolutely loved him. Yep, great guy.

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Speaker 3: And then Jean Daynarski as mister Peterman. I have to

419
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Speaker 3: think he was cast on our show because he appeared

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Speaker 3: on two episodes of the Monkeys. But he was a

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00:18:55,080 --> 00:18:58,639
Speaker 3: very busy actor in movies like Earthquake, Duel and most

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00:18:58,680 --> 00:19:00,880
Speaker 3: notably Close Encounter of the Third Kind.

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Speaker 2: That's right, Oh my god.

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00:19:03,560 --> 00:19:07,000
Speaker 3: Yes on TV. You may have seen him on Star Trek,

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00:19:07,080 --> 00:19:15,359
Speaker 3: the Original Batman, X Files and Will mash Seinfeld. Is

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Speaker 3: he Mandelbaum Junior?

427
00:19:17,520 --> 00:19:23,199
Speaker 4: Yeah, so Mandelbam, Mandelbamb, Mandelbamb. He actually he played the

428
00:19:24,320 --> 00:19:28,280
Speaker 4: younger son of one of another characters. They keep getting older.

429
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Speaker 4: Is like my dad and you're dad. Yeah, I remember that.

430
00:19:32,960 --> 00:19:36,080
Speaker 3: Where's my dad? And they're like, your dad, your dad Mandel.

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Speaker 4: He's also the only person that should ever be cast

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Speaker 4: to play the Monopoly Guy. How much does he look

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Speaker 4: like the Monopoly Guy? It's amazing.

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Speaker 3: And some familiar faces to us but maybe new to you.

435
00:19:51,480 --> 00:19:57,080
Speaker 3: Michael Jacob's children appear at the wedding, David Jacobs as cousin,

436
00:19:57,440 --> 00:20:01,720
Speaker 3: Rachel Jacobs as the flower girl, and Josh Jacobs as

437
00:20:01,840 --> 00:20:03,240
Speaker 3: the ring bearer.

438
00:20:03,240 --> 00:20:06,399
Speaker 4: And at one point, he's just looking right at the

439
00:20:06,400 --> 00:20:10,240
Speaker 4: Cameron waving. It's like, all right, that's fine, just bring

440
00:20:10,280 --> 00:20:12,680
Speaker 4: your kids in, have them look out that. It's like, okay,

441
00:20:12,760 --> 00:20:15,479
Speaker 4: we'll just break the fourth wall. It's so weird.

442
00:20:15,720 --> 00:20:20,119
Speaker 3: It's the way they come out and flirt with It's like,

443
00:20:20,160 --> 00:20:22,679
Speaker 3: why why did the part they write on them for

444
00:20:22,720 --> 00:20:24,400
Speaker 3: them to flirt with adults?

445
00:20:24,880 --> 00:20:29,879
Speaker 2: Because it's a girl that's hot, very hot, calling over

446
00:20:30,040 --> 00:20:34,359
Speaker 2: Matt Lawrence to say you're hot. It's just like, what

447
00:20:34,359 --> 00:20:35,200
Speaker 2: what are we doing?

448
00:20:36,800 --> 00:20:36,879
Speaker 4: Well?

449
00:20:36,920 --> 00:20:39,399
Speaker 2: It's also just like I guess to me, the biggest

450
00:20:39,400 --> 00:20:41,359
Speaker 2: thing is like the betrayal of like you have an

451
00:20:41,400 --> 00:20:44,400
Speaker 2: opportunity to fill out the Topanga Corey universe a little

452
00:20:44,440 --> 00:20:46,800
Speaker 2: bit with like characters that we might but instead you

453
00:20:46,880 --> 00:20:49,480
Speaker 2: just give them these little one It's like, but who

454
00:20:49,520 --> 00:20:51,720
Speaker 2: would be the ring girl for Corey or the ring

455
00:20:51,800 --> 00:20:53,840
Speaker 2: bearer and who would be the you know, flower girl,

456
00:20:53,920 --> 00:20:58,840
Speaker 2: Like that's an opportunity for Morgan bit Morgan's friend. I

457
00:20:58,840 --> 00:21:01,040
Speaker 2: don't know a cousin that we have. But instead it's

458
00:21:01,080 --> 00:21:02,119
Speaker 2: just like one line, is.

459
00:21:02,080 --> 00:21:04,200
Speaker 3: It Alexandra Nikita could come back?

460
00:21:04,760 --> 00:21:05,120
Speaker 4: Come back?

461
00:21:05,440 --> 00:21:05,800
Speaker 2: Yeah?

462
00:21:05,840 --> 00:21:09,160
Speaker 4: How there's no hippies into Panga's side is the strangest

463
00:21:09,160 --> 00:21:10,640
Speaker 4: thing in the world. Yeah, it's very weird.

464
00:21:10,720 --> 00:21:10,800
Speaker 2: No.

465
00:21:11,960 --> 00:21:15,400
Speaker 3: Well, jumping into our recap, we start in the girl's apartment. Angela,

466
00:21:15,480 --> 00:21:17,720
Speaker 3: Rachel and Topanga's mom are helping the bride to be

467
00:21:17,880 --> 00:21:21,040
Speaker 3: with her hair and nails before the big day. Topanga's

468
00:21:21,040 --> 00:21:23,480
Speaker 3: mom compliments her daughter, She's going to be the most

469
00:21:23,560 --> 00:21:26,600
Speaker 3: beautiful bride to Panga response. I just want everything to

470
00:21:26,640 --> 00:21:29,480
Speaker 3: be perfect for Corey. I love him so much. This

471
00:21:29,600 --> 00:21:33,080
Speaker 3: day is just full of so much love. Set up,

472
00:21:33,160 --> 00:21:36,639
Speaker 3: set up, set up, set it up. On cue, Sean

473
00:21:36,760 --> 00:21:41,639
Speaker 3: bursts through the door. I hate him. He's a self centered, whining, demanding,

474
00:21:41,840 --> 00:21:47,240
Speaker 3: miserable little white boy. I thought that is so funny and.

475
00:21:47,040 --> 00:21:51,120
Speaker 2: Like just has had Like Shawn's never really expressed this, like, no,

476
00:21:51,240 --> 00:21:54,120
Speaker 2: it's nice to hear. Yeah, it's great because it's accurate.

477
00:21:54,400 --> 00:21:56,160
Speaker 4: He sees it too. He sees it too.

478
00:21:56,320 --> 00:21:58,560
Speaker 3: Yeah, man, is it funny though, that you call him

479
00:21:58,560 --> 00:22:03,160
Speaker 3: a white boy. Angela wonders what happened my brother? It's

480
00:22:03,359 --> 00:22:08,200
Speaker 3: so funny and mim mix Corey get the Texedos palm,

481
00:22:08,280 --> 00:22:10,360
Speaker 3: is my toes, tie the cans to the car. I'm

482
00:22:10,359 --> 00:22:13,719
Speaker 3: his best man, not a hamster to Pega still wonders,

483
00:22:13,760 --> 00:22:16,720
Speaker 3: but you got the tuxes right, Sean scowls. You two

484
00:22:16,800 --> 00:22:19,280
Speaker 3: deserve each other. He stomps over to the couch and

485
00:22:19,320 --> 00:22:22,359
Speaker 3: Angela follows close behind. She wants to know what's really wrong.

486
00:22:22,680 --> 00:22:25,399
Speaker 3: Sewn insists it's Corey. He has no idea what he

487
00:22:25,440 --> 00:22:27,560
Speaker 3: ever saw on him to Pega butts in with a

488
00:22:27,600 --> 00:22:30,639
Speaker 3: nervous smile. Shawn, see, this is my wedding day, and

489
00:22:30,680 --> 00:22:33,480
Speaker 3: I would really appreciate it if there wasn't any tension.

490
00:22:33,960 --> 00:22:37,320
Speaker 3: Sean stubbornly explains, if someone's abusing him, he's going to

491
00:22:37,400 --> 00:22:40,639
Speaker 3: lash out, and so to Pega grabs him by the

492
00:22:40,720 --> 00:22:44,439
Speaker 3: neck and pushes him into the door. No one's abusing anybody.

493
00:22:44,720 --> 00:22:48,040
Speaker 3: This is my wedding day. How dare you? The best man?

494
00:22:48,080 --> 00:22:50,720
Speaker 3: Cannot hate the groom? Sean asks for help as she

495
00:22:50,760 --> 00:22:52,560
Speaker 3: slams the back of his head into the wall. You're

496
00:22:52,560 --> 00:22:56,439
Speaker 3: going to ruin my wedding pictures. Rhiannon jumps in. Honey,

497
00:22:56,520 --> 00:22:59,280
Speaker 3: you're killing him. Sean gasps for air and looks to

498
00:22:59,320 --> 00:23:03,119
Speaker 3: the sky ahead. I'm coming down down.

499
00:23:03,680 --> 00:23:06,119
Speaker 4: This one one small thing I would have done, is

500
00:23:06,200 --> 00:23:09,199
Speaker 4: Angela right away? Going all right, what's this really about? Well?

501
00:23:09,280 --> 00:23:11,359
Speaker 4: Right now it's about the tuxedos and him being I

502
00:23:11,359 --> 00:23:13,320
Speaker 4: would have just moved that scene a little bit later.

503
00:23:13,960 --> 00:23:16,040
Speaker 4: I like that she's the one to ask what it's about,

504
00:23:16,040 --> 00:23:18,920
Speaker 4: but at this point it's it seems like it could

505
00:23:19,000 --> 00:23:22,280
Speaker 4: just be about the tuxedos, and he's running me ragged,

506
00:23:22,320 --> 00:23:23,360
Speaker 4: and that's where he comes in.

507
00:23:23,640 --> 00:23:26,320
Speaker 3: It's very telegraphing to the I mean not the telegraphing,

508
00:23:26,320 --> 00:23:28,800
Speaker 3: it's just directly telling the audience that this is about more.

509
00:23:28,920 --> 00:23:30,919
Speaker 4: It's about something else right away, and it's like I

510
00:23:31,000 --> 00:23:32,560
Speaker 4: just would have pushed it just a little bit. I

511
00:23:32,560 --> 00:23:34,960
Speaker 4: will also say, and I've said this before in many episodes,

512
00:23:34,960 --> 00:23:38,639
Speaker 4: but sometimes it just jumps out. Trina is stunning in

513
00:23:38,680 --> 00:23:39,520
Speaker 4: this episode.

514
00:23:39,960 --> 00:23:40,960
Speaker 3: She looks so.

515
00:23:41,000 --> 00:23:42,600
Speaker 4: Good in this episode. It's amazing.

516
00:23:42,760 --> 00:23:46,520
Speaker 2: Yeah, Angela, I also like a big, really easy fix,

517
00:23:46,760 --> 00:23:50,879
Speaker 2: like because my first note, my first thing that I

518
00:23:50,920 --> 00:23:53,800
Speaker 2: wrote down was like Sean is really whiny, and he's

519
00:23:53,800 --> 00:23:55,800
Speaker 2: like he's sort of the Corey of this episode at

520
00:23:55,840 --> 00:23:59,760
Speaker 2: the beginning. It becomes less that, but I thought would

521
00:23:59,760 --> 00:24:02,800
Speaker 2: have been if there was like one thing that Corey

522
00:24:03,680 --> 00:24:08,040
Speaker 2: actually did, like forgot something, you know, like because as

523
00:24:08,040 --> 00:24:10,119
Speaker 2: it is, it's just he's annoying me and demanding, and

524
00:24:10,119 --> 00:24:12,960
Speaker 2: it's like, get over it, dude, like you know, whereas

525
00:24:12,960 --> 00:24:16,160
Speaker 2: if it's like he forgot Sean's birthday was two days

526
00:24:16,200 --> 00:24:18,159
Speaker 2: ago whatever and still hasn't acknowledged it, you know, like

527
00:24:18,240 --> 00:24:21,560
Speaker 2: something real and like concrete that Sean can point to

528
00:24:21,760 --> 00:24:25,359
Speaker 2: and be upset about, ridiculously upset about, like and you know,

529
00:24:25,640 --> 00:24:27,399
Speaker 2: pettily so, but as it is just kind of like

530
00:24:27,440 --> 00:24:30,280
Speaker 2: this generic complaint about Corey and it's like, well, that's

531
00:24:30,320 --> 00:24:33,000
Speaker 2: just Corey, dude, Like when did you really not see

532
00:24:33,000 --> 00:24:34,920
Speaker 2: this coming? Well?

533
00:24:34,920 --> 00:24:37,639
Speaker 3: And also as the best man, it is kind of

534
00:24:37,920 --> 00:24:39,359
Speaker 3: you do have a lot of your job.

535
00:24:39,440 --> 00:24:40,640
Speaker 2: You got a lot of stuff to do, a lot

536
00:24:40,640 --> 00:24:43,080
Speaker 2: of stuff as a thing, and Sean, by all accounts,

537
00:24:43,200 --> 00:24:46,560
Speaker 2: is excellent at getting done and you know, getting tuxedos,

538
00:24:46,600 --> 00:24:48,960
Speaker 2: getting He's he's the guy who could get deals and

539
00:24:49,000 --> 00:24:51,600
Speaker 2: do it so and also be very cool when Corey's

540
00:24:51,600 --> 00:24:53,400
Speaker 2: freaking out, He's always the one just kind of rolling

541
00:24:53,440 --> 00:24:55,320
Speaker 2: his eyes and being so I feel like this whole

542
00:24:55,359 --> 00:24:58,200
Speaker 2: conflict is set up poorly. It should actually be set

543
00:24:58,280 --> 00:25:01,159
Speaker 2: up with Sean's like taking abuse, taken abuse, taking abuse

544
00:25:01,200 --> 00:25:03,520
Speaker 2: and then snaps and why does he snap? And it

545
00:25:03,520 --> 00:25:05,560
Speaker 2: could be something very specific like oh, it's been a

546
00:25:05,600 --> 00:25:07,720
Speaker 2: year since my dad died and nobody's mentioned it, or

547
00:25:07,760 --> 00:25:09,560
Speaker 2: you know whatever it is right, and then it's like,

548
00:25:09,600 --> 00:25:11,200
Speaker 2: that's what I'm going to lose my friend because he

549
00:25:11,240 --> 00:25:11,960
Speaker 2: didn't do this thing.

550
00:25:12,080 --> 00:25:14,240
Speaker 3: It's indication preoccupied with himself.

551
00:25:14,359 --> 00:25:16,520
Speaker 2: Virus think, So now I can there's evidence that I'm

552
00:25:16,520 --> 00:25:18,240
Speaker 2: going to lose my friend in a real way. Instead

553
00:25:18,240 --> 00:25:20,520
Speaker 2: it's just Sean complaining away.

554
00:25:20,560 --> 00:25:22,400
Speaker 4: You could also do it from Corey's side to where

555
00:25:22,480 --> 00:25:26,399
Speaker 4: it's it's essentially Sean is doing everything perfectly, and it's like,

556
00:25:26,480 --> 00:25:27,240
Speaker 4: what about the tuxes?

557
00:25:27,280 --> 00:25:27,680
Speaker 1: Got him?

558
00:25:27,800 --> 00:25:30,120
Speaker 4: Yeah, but what about it? Got it? And then it's

559
00:25:30,119 --> 00:25:32,480
Speaker 4: with one small little thing, but what about this? And

560
00:25:32,480 --> 00:25:34,960
Speaker 4: then it's like what is your problem? And it's because

561
00:25:34,960 --> 00:25:37,400
Speaker 4: he keeps trying to push him away because they don't

562
00:25:37,400 --> 00:25:39,119
Speaker 4: get till that till later where he's like, why do

563
00:25:39,160 --> 00:25:40,800
Speaker 4: you think I've been sending you all over the place?

564
00:25:40,800 --> 00:25:42,160
Speaker 4: It's like whoh, I love that.

565
00:25:42,400 --> 00:25:44,760
Speaker 2: I love that st and we're like screaming and crying

566
00:25:44,760 --> 00:25:46,800
Speaker 2: at each other. I was like, this is great because

567
00:25:46,800 --> 00:25:48,840
Speaker 2: it's all you know, it's that classic, it's all finally

568
00:25:48,880 --> 00:25:50,919
Speaker 2: coming out. So I just yeah, I wish it had

569
00:25:50,960 --> 00:25:51,320
Speaker 2: been buried.

570
00:25:51,520 --> 00:25:54,320
Speaker 4: Sep could have been a little bit better. Yeah.

571
00:25:54,440 --> 00:25:56,919
Speaker 3: Angela reminds her that if she kills him, the best

572
00:25:56,920 --> 00:25:59,960
Speaker 3: man would be Eric. The idea of this replacement sinks

573
00:26:00,080 --> 00:26:02,439
Speaker 3: in and to Panga releases the hold. Sean falls to

574
00:26:02,480 --> 00:26:06,399
Speaker 3: the ground and tells Angela they're both psycho. Tapanga asks Sean,

575
00:26:06,520 --> 00:26:08,639
Speaker 3: how can there be anything wrong between you and Corey?

576
00:26:08,760 --> 00:26:11,159
Speaker 3: You love him more than I do. Rannon shoots a

577
00:26:11,160 --> 00:26:13,560
Speaker 3: look at her daughter and to Pega explains, it's true,

578
00:26:13,600 --> 00:26:16,440
Speaker 3: but I'm okay with it. As everyone returns to the kitchen,

579
00:26:16,480 --> 00:26:19,080
Speaker 3: Angela asks Sean what's wrong with Corey? And he complains,

580
00:26:19,119 --> 00:26:22,320
Speaker 3: our entire friendship has always been about him. How does

581
00:26:22,400 --> 00:26:25,840
Speaker 3: Corey feel? What is Corey thinking? Angela still doesn't believe

582
00:26:25,840 --> 00:26:28,720
Speaker 3: that's what it's really about, Shshean caves, you'd think on

583
00:26:28,760 --> 00:26:30,960
Speaker 3: his wedding day he'd realize how hard this is for me.

584
00:26:31,440 --> 00:26:34,199
Speaker 3: And with that, sad music plays and he storms out

585
00:26:34,240 --> 00:26:37,680
Speaker 3: of the apartment. And then we're in the Matthews living room,

586
00:26:37,800 --> 00:26:41,080
Speaker 3: now being turned into a wedding venue. Alan is moving

587
00:26:41,080 --> 00:26:43,800
Speaker 3: a floral arrangement and Corey is stressing where is his

588
00:26:43,880 --> 00:26:47,000
Speaker 3: best man, he's getting married in four hours. Eric trails

589
00:26:47,080 --> 00:26:50,240
Speaker 3: him repeatedly gloating it should have been me. Then Eric

590
00:26:50,240 --> 00:26:52,159
Speaker 3: decides now would be the perfect time to give his

591
00:26:52,160 --> 00:26:55,840
Speaker 3: little brother the pre wedding sex talk. Phoene, also in

592
00:26:55,880 --> 00:27:00,119
Speaker 3: preparation mode, utters goodie. As Eric sits Corey down, he

593
00:27:00,160 --> 00:27:02,720
Speaker 3: gives his mom a shout out, Take notes, mommy. Eric

594
00:27:02,760 --> 00:27:13,040
Speaker 3: Matthews is giving lesson in human boinging's funny funny words. Amy,

595
00:27:13,359 --> 00:27:16,000
Speaker 3: like much of the audience, covers her face and disbelief,

596
00:27:16,040 --> 00:27:20,159
Speaker 3: while Alan mimics the sentiment. Yet Eric persists lesson one

597
00:27:20,400 --> 00:27:23,240
Speaker 3: sex without love is empty and hollow. But then he

598
00:27:23,359 --> 00:27:25,520
Speaker 3: lights up and grabs his dad by the shoulder. And

599
00:27:25,560 --> 00:27:28,120
Speaker 3: that's just the way we men like it.

600
00:27:30,600 --> 00:27:33,639
Speaker 4: And then you see Rusty just make Rusty break. Yeah,

601
00:27:33,720 --> 00:27:35,440
Speaker 4: in the background, I'm just making I do that at

602
00:27:35,440 --> 00:27:37,640
Speaker 4: this point, what point matt and I are laughing during

603
00:27:37,680 --> 00:27:39,680
Speaker 4: the wedding. It's just in the background where just now

604
00:27:39,680 --> 00:27:40,600
Speaker 4: just make each other laugh.

605
00:27:40,680 --> 00:27:41,600
Speaker 2: We're just it's funny.

606
00:27:41,680 --> 00:27:44,160
Speaker 3: Yeah, crazy Pene tries to save the day. Eric, You're

607
00:27:44,160 --> 00:27:47,359
Speaker 3: completely missing the beauty of human sexuality. It's not just

608
00:27:47,400 --> 00:27:50,479
Speaker 3: a physical act, it's the intimacy between two people sharing

609
00:27:50,520 --> 00:27:55,359
Speaker 3: their souls. Eric counters maybe for old people. Phoene shakes

610
00:27:55,400 --> 00:27:57,800
Speaker 3: his head and calls them crazy before exiting the room.

611
00:27:58,040 --> 00:28:00,439
Speaker 3: Corey goes back to complaining about Sean. How hard can

612
00:28:00,520 --> 00:28:02,199
Speaker 3: it be to get the tuxes, the wedding cake, and

613
00:28:02,240 --> 00:28:05,480
Speaker 3: the rings. Eric whispers in his ear fire, Sean, you

614
00:28:05,560 --> 00:28:08,520
Speaker 3: know you want to. Amy stands up for Sean. You

615
00:28:08,600 --> 00:28:11,280
Speaker 3: too are best friends, and you're going to stay best friends.

616
00:28:11,680 --> 00:28:14,000
Speaker 3: Cory isn't so sure. Why is his best friend trying

617
00:28:14,000 --> 00:28:17,359
Speaker 3: to sabotage his wedding day? On cue, Sean enters carrying

618
00:28:17,359 --> 00:28:20,640
Speaker 3: a bag and cake box. Now I'm sabotaging your wedding day.

619
00:28:21,040 --> 00:28:23,520
Speaker 3: Corey asks about the tuxedos, and Sean huffs, I don't

620
00:28:23,520 --> 00:28:25,440
Speaker 3: have them yet. I've been tying tin cans to the

621
00:28:25,520 --> 00:28:28,760
Speaker 3: Volvo for the last hour. My fingers are bleeding. Corey

622
00:28:28,840 --> 00:28:31,800
Speaker 3: is confused. We don't have a Volvo, we have a Chevy.

623
00:28:32,119 --> 00:28:35,159
Speaker 3: Sean wonders, then, who has a Volvo. Phoene walks in

624
00:28:35,240 --> 00:28:38,400
Speaker 3: carrying a string of tin cans. Who's been tying cans

625
00:28:38,440 --> 00:28:42,000
Speaker 3: to my car? Sean says, oh, this is too much pressure.

626
00:28:42,400 --> 00:28:45,160
Speaker 3: Corey doesn't get it. What's going on here? Sean asks,

627
00:28:45,240 --> 00:28:46,920
Speaker 3: has it occurred to you that this is the last

628
00:28:46,960 --> 00:28:49,800
Speaker 3: day we're ever going to be Corey and Sean? You know,

629
00:28:50,440 --> 00:28:54,080
Speaker 3: Sean and Corey. For a few seconds, Corey is completely silent,

630
00:28:54,200 --> 00:28:58,360
Speaker 3: then glances down at the tin cans beans. You picked beans.

631
00:28:59,000 --> 00:29:01,800
Speaker 3: Sean wonders why that it's an issue? So Corey shouts, beans,

632
00:29:01,840 --> 00:29:05,400
Speaker 3: don't say eternal love and happiness. Eric pipes up, I

633
00:29:05,440 --> 00:29:07,920
Speaker 3: know what they say, such.

634
00:29:07,720 --> 00:29:09,440
Speaker 4: A bad joke, but it's actually made me laugh. I

635
00:29:09,480 --> 00:29:11,480
Speaker 4: don't know why I giggled. I was like, it's just

636
00:29:11,480 --> 00:29:14,640
Speaker 4: a twelve year old fart joke, and I giggled. I

637
00:29:14,720 --> 00:29:17,000
Speaker 4: couldn't help it.

638
00:29:16,720 --> 00:29:18,640
Speaker 3: What do beans say? What do you think?

639
00:29:18,720 --> 00:29:18,800
Speaker 7: Like?

640
00:29:18,840 --> 00:29:19,400
Speaker 3: What's the joke?

641
00:29:19,640 --> 00:29:22,120
Speaker 2: Just the joke is it makes you fart? Yeah, that's

642
00:29:22,120 --> 00:29:23,160
Speaker 2: what they say.

643
00:29:23,080 --> 00:29:27,600
Speaker 3: Got it? Okay. Sean is getting frustrated. He's trying to

644
00:29:27,640 --> 00:29:30,040
Speaker 3: talk to his best friend, but Corey insists he doesn't

645
00:29:30,040 --> 00:29:32,320
Speaker 3: want to talk about it right now. Instead, he wants

646
00:29:32,360 --> 00:29:34,280
Speaker 3: to know if Sean picked up the honeymoon tickets from

647
00:29:34,280 --> 00:29:35,120
Speaker 3: the travel agent.

648
00:29:35,680 --> 00:29:39,040
Speaker 4: And that's when I had a visceral reaction and just

649
00:29:39,200 --> 00:29:44,440
Speaker 4: was like the Honeymoon episode's coming up, and literally I

650
00:29:44,480 --> 00:29:46,760
Speaker 4: already started dreading the second I heard that. I was like,

651
00:29:46,800 --> 00:29:47,960
Speaker 4: oh God, it's coming.

652
00:29:48,400 --> 00:29:50,560
Speaker 2: If it's a favorite episode of it won't be.

653
00:29:50,920 --> 00:29:51,440
Speaker 4: It won't be.

654
00:29:51,800 --> 00:29:54,680
Speaker 3: Oh god, never going to happen. Oh god, Oh I

655
00:29:54,720 --> 00:29:55,520
Speaker 3: don't think you're in it.

656
00:29:57,000 --> 00:29:59,000
Speaker 2: I must be because I was in every episode. I

657
00:29:59,000 --> 00:29:59,880
Speaker 2: know I'm in.

658
00:30:00,000 --> 00:30:03,200
Speaker 4: Oh okay, maybe you're tight because I think by the

659
00:30:03,280 --> 00:30:06,360
Speaker 4: time we get to the island, it's just Corey Tapanga

660
00:30:06,520 --> 00:30:09,360
Speaker 4: and Eric yikes.

661
00:30:11,360 --> 00:30:15,640
Speaker 3: Alan tries to de escalate the situation, but Corey stops him. No, Dad, please,

662
00:30:15,800 --> 00:30:17,160
Speaker 3: I just want a guy who can pick up the

663
00:30:17,200 --> 00:30:20,040
Speaker 3: tuxedos and tie some cans together. I want a competent

664
00:30:20,160 --> 00:30:23,920
Speaker 3: best man, so Sean angrily responds, then get a new

665
00:30:23,960 --> 00:30:25,000
Speaker 3: one now.

666
00:30:25,040 --> 00:30:26,760
Speaker 4: In all fairness, I don't mean to be a jerk,

667
00:30:26,800 --> 00:30:28,560
Speaker 4: but in all fairness, if you're four hours from the

668
00:30:28,560 --> 00:30:32,720
Speaker 4: wedding and you still haven't gotten the tuxedos, Like, how

669
00:30:32,720 --> 00:30:35,200
Speaker 4: do you not have the tuxedos two weeks beforehand? And

670
00:30:35,280 --> 00:30:37,160
Speaker 4: you shouldn't be doing all this the last three hours

671
00:30:37,200 --> 00:30:37,880
Speaker 4: before the wedding?

672
00:30:38,040 --> 00:30:40,200
Speaker 3: Well, I mean, if you're renting tuxedos, don't you have

673
00:30:40,280 --> 00:30:41,840
Speaker 3: like seventy two hours or something?

674
00:30:42,000 --> 00:30:44,160
Speaker 4: You can't get a little longer than that because they're

675
00:30:44,200 --> 00:30:46,040
Speaker 4: fitted and they're everything, and then you pick them up.

676
00:30:46,080 --> 00:30:48,440
Speaker 4: I mean, it's kind of it's not four hours before.

677
00:30:48,880 --> 00:30:51,800
Speaker 3: Yeah, so, and why are you picking up the tickets

678
00:30:51,880 --> 00:30:53,920
Speaker 3: from the travel agent on the day of the wedding.

679
00:30:54,080 --> 00:30:56,640
Speaker 3: This seems one like you're his assistant and two like

680
00:30:56,960 --> 00:30:57,920
Speaker 3: just bad organization.

681
00:30:58,040 --> 00:30:59,000
Speaker 2: Yeah, nobody's helping.

682
00:30:59,240 --> 00:31:01,800
Speaker 4: It's you can't have Jack, can't go and he's your brother.

683
00:31:02,120 --> 00:31:04,160
Speaker 4: Can't have you go and tie something to the car

684
00:31:04,200 --> 00:31:05,719
Speaker 4: while somebody else picks up the tuxes.

685
00:31:05,760 --> 00:31:07,400
Speaker 2: Like nothing, Yeah, I know.

686
00:31:08,360 --> 00:31:10,480
Speaker 3: As Sean leaves the room and Corey forces him to

687
00:31:10,520 --> 00:31:14,640
Speaker 3: confirm his suggestion, Eric squirms with excitement. He rushes over

688
00:31:14,720 --> 00:31:16,800
Speaker 3: to his brother and points out that Sean has folded

689
00:31:16,880 --> 00:31:19,400
Speaker 3: under the pressure. I'll go pick up the tuxedos. I'll

690
00:31:19,400 --> 00:31:22,120
Speaker 3: tie the cans to the subaru. It's all taken care of.

691
00:31:22,800 --> 00:31:25,520
Speaker 3: Eric rushes outside and Corey offers Sean the roll of

692
00:31:25,520 --> 00:31:27,520
Speaker 3: an usher, but he doesn't want to be an usher.

693
00:31:27,800 --> 00:31:30,280
Speaker 3: So Corey asks, do you want to walk Nana Boo

694
00:31:30,280 --> 00:31:33,200
Speaker 3: boo down the aisle? Sean doesn't want to walk Nana

695
00:31:33,240 --> 00:31:35,200
Speaker 3: Booboo anywhere.

696
00:31:37,000 --> 00:31:39,640
Speaker 2: Booboo references. Do we have fun play it's just a

697
00:31:39,760 --> 00:31:42,680
Speaker 2: funny sound, yeah, to say four or five.

698
00:31:42,920 --> 00:31:43,680
Speaker 1: I mean.

699
00:31:44,880 --> 00:31:46,880
Speaker 3: It's and I don't know why that was so funny

700
00:31:46,880 --> 00:31:49,520
Speaker 3: to me. I don't want to walk Nana boo boo

701
00:31:49,680 --> 00:31:54,040
Speaker 3: anywhere anywhere. Corey's at a loss. Then what does he

702
00:31:54,120 --> 00:31:56,960
Speaker 3: want to do? Sean answers, I don't want to do anything.

703
00:31:57,280 --> 00:31:59,920
Speaker 3: Corey scoffs, you don't want to do anything at my wedding,

704
00:32:00,160 --> 00:32:03,520
Speaker 3: and Sean finally shouts, I'm not going to your wedding.

705
00:32:04,160 --> 00:32:06,800
Speaker 3: He storms out, as Corey yells at him, fine, then

706
00:32:06,880 --> 00:32:09,920
Speaker 3: don't go. We have a tense commercial break, and then

707
00:32:10,000 --> 00:32:12,640
Speaker 3: we returned to the Matthews living room. Alan, Feenie, and

708
00:32:12,680 --> 00:32:15,280
Speaker 3: Cory are now all standing around and white tank tops,

709
00:32:15,320 --> 00:32:19,200
Speaker 3: boxers and high socks with garters waiting for their tuxes.

710
00:32:19,800 --> 00:32:22,720
Speaker 3: Corey paces the room impatiently, and Jack walks in wearing

711
00:32:22,800 --> 00:32:26,800
Speaker 3: the same get up. The inmates scream like horror movie

712
00:32:26,880 --> 00:32:28,800
Speaker 3: victims at the sight of this time.

713
00:32:29,000 --> 00:32:32,840
Speaker 4: Matt Lawrence walking in, whoh hey, I will say this.

714
00:32:32,960 --> 00:32:35,360
Speaker 4: He pulled it off. He pulled it off. That look,

715
00:32:35,440 --> 00:32:36,920
Speaker 4: my friend, God.

716
00:32:36,840 --> 00:32:38,960
Speaker 3: I mean, there's really not any look he can't pull off.

717
00:32:39,000 --> 00:32:42,000
Speaker 3: So I just spoke to Sean and I'm sure he'll

718
00:32:42,000 --> 00:32:43,960
Speaker 3: forgive you if you just give him a call. Corey

719
00:32:44,000 --> 00:32:47,240
Speaker 3: spits back, Sean can kiss my groom tocas in hell.

720
00:32:48,480 --> 00:32:52,960
Speaker 3: Then Eric enters, notably in a tuxedo, bragging mirror mirror

721
00:32:53,040 --> 00:32:55,680
Speaker 3: on the wall. Who's the best best man of all?

722
00:32:56,280 --> 00:33:00,280
Speaker 3: He responds back with the return of Cartman voice. You

723
00:33:00,320 --> 00:33:04,640
Speaker 3: are Eric, you are Oh my gosh, the amount of

724
00:33:05,000 --> 00:33:08,880
Speaker 3: just imitations you're doing of other characters Cartman and then

725
00:33:08,960 --> 00:33:10,160
Speaker 3: Father of the Bride.

726
00:33:10,320 --> 00:33:13,080
Speaker 4: Yep later Yeah, at this point I think I'm just

727
00:33:13,720 --> 00:33:14,400
Speaker 4: we're just playing.

728
00:33:14,800 --> 00:33:18,560
Speaker 3: Yeah, Feoeney bursts his bubble. Hey, moron, where are the tuxedos?

729
00:33:19,040 --> 00:33:23,080
Speaker 3: Eric confidently explains they're in the limo. Alan asks what limo,

730
00:33:23,200 --> 00:33:25,920
Speaker 3: and Eric reveals the limo that's taking us to Corey's wedding.

731
00:33:26,160 --> 00:33:28,160
Speaker 3: You didn't think I'd let them get married in this dump,

732
00:33:28,200 --> 00:33:32,080
Speaker 3: did you? Amy is terrified? What did Eric do? Eric

733
00:33:32,120 --> 00:33:34,400
Speaker 3: cuts her off, No time, We're on a schedule. The

734
00:33:34,400 --> 00:33:36,120
Speaker 3: girls are already on their way, so we got to

735
00:33:36,160 --> 00:33:36,680
Speaker 3: move people.

736
00:33:37,000 --> 00:33:39,320
Speaker 2: I mean, this is crazy. Can you imagine the day

737
00:33:39,360 --> 00:33:42,920
Speaker 2: of switching locations? And like the idea that they had

738
00:33:43,000 --> 00:33:46,120
Speaker 2: decorated the Matthew's house with folding chairs, and like that's

739
00:33:46,120 --> 00:33:49,000
Speaker 2: pretty much it is. Is just insane. Yeah, like, how

740
00:33:49,000 --> 00:33:52,320
Speaker 2: does everybody who has an invitation to go to the hotel?

741
00:33:52,440 --> 00:33:55,760
Speaker 3: Like there's no logic at all, there's no actual like

742
00:33:55,920 --> 00:33:57,280
Speaker 3: how to really pull this off?

743
00:33:57,760 --> 00:34:01,120
Speaker 4: Email? He emailed everyone, right, it was a hotmail account

744
00:34:01,120 --> 00:34:02,640
Speaker 4: at the time, and I think he emailed everyone.

745
00:34:05,240 --> 00:34:08,560
Speaker 3: The guys remind Eric they're almost naked, but Eric doesn't care.

746
00:34:08,680 --> 00:34:10,600
Speaker 3: He turns into a drill sergeant. We got to move,

747
00:34:10,640 --> 00:34:15,000
Speaker 3: peopball move beepall Feoene walks out and Eric notes nice legs.

748
00:34:15,400 --> 00:34:18,080
Speaker 3: Corey boasts, tell Sean, my new best man just got

749
00:34:18,080 --> 00:34:21,360
Speaker 3: me a limo. Jack asks before or after the groom

750
00:34:21,440 --> 00:34:24,000
Speaker 3: took us in. Hell. Alan stops on his way out

751
00:34:24,000 --> 00:34:26,840
Speaker 3: and asks Eric, is this going to be very very bad?

752
00:34:27,120 --> 00:34:28,520
Speaker 3: He shrugs, we'll see.

753
00:34:29,640 --> 00:34:33,400
Speaker 4: Hell. Everyone just goes too. Yeah, we're the entire location.

754
00:34:33,920 --> 00:34:34,600
Speaker 2: Yeah, let's go.

755
00:34:34,800 --> 00:34:36,399
Speaker 3: Let's just trust you and no one.

756
00:34:36,320 --> 00:34:37,040
Speaker 4: Locks the door behind.

757
00:34:37,040 --> 00:34:39,359
Speaker 2: That's the other thing I noticed. It's very unsafe. Put

758
00:34:39,360 --> 00:34:40,719
Speaker 2: a sign for all the guests that are going to

759
00:34:40,719 --> 00:34:41,120
Speaker 2: show up.

760
00:34:41,600 --> 00:34:43,120
Speaker 4: Yeah something, here's where we're going.

761
00:34:43,320 --> 00:34:46,120
Speaker 3: Yeah, we're at this hotel, and now we're at the

762
00:34:46,160 --> 00:34:49,799
Speaker 3: exterior of the Philadelphia Victorian Hotel. Everyone now black tie

763
00:34:49,880 --> 00:34:53,760
Speaker 3: ready enters the elegant banquet room in Awe Hotel. Staff

764
00:34:53,840 --> 00:34:57,440
Speaker 3: run around completing the floral arrangements. Jack grins, this is

765
00:34:57,480 --> 00:35:01,280
Speaker 3: an Eric thing. Then his tone changes. He nervously remembers,

766
00:35:01,640 --> 00:35:04,839
Speaker 3: this is an Eric thing. Alan is concerned. I'm not

767
00:35:04,880 --> 00:35:08,160
Speaker 3: paying for this. Eric condescendingly asks his dad. You never

768
00:35:08,200 --> 00:35:10,000
Speaker 3: made any real money, did you.

769
00:35:10,400 --> 00:35:13,600
Speaker 4: I remember when we first the very first take, the

770
00:35:13,600 --> 00:35:17,839
Speaker 4: whole audience went ooh, like, what a thing is saying

771
00:35:17,880 --> 00:35:25,080
Speaker 4: you're dead? That is Eric, who's like sleeping on people's

772
00:35:25,080 --> 00:35:28,000
Speaker 4: couches is just but yeah, I'll never forget that. The

773
00:35:28,040 --> 00:35:29,719
Speaker 4: first time I said it, and then Rusty, I think

774
00:35:29,719 --> 00:35:31,680
Speaker 4: we even broke because the rest of you are like, oh, they.

775
00:35:31,560 --> 00:35:32,600
Speaker 5: Didn't, they didn't.

776
00:35:33,040 --> 00:35:34,719
Speaker 2: They kept it in so we didn't change it.

777
00:35:34,800 --> 00:35:36,839
Speaker 4: Huh, yeah, enough didn't change the line. But oh yeah.

778
00:35:36,840 --> 00:35:38,680
Speaker 4: The first time they heard it, inmates did not.

779
00:35:38,640 --> 00:35:40,640
Speaker 2: Like it's funny. I wonder if you delivered it differently.

780
00:35:41,120 --> 00:35:43,279
Speaker 4: I don't know, honestly, don't remember, but yeah, it was.

781
00:35:43,800 --> 00:35:45,520
Speaker 4: But it was one of those times where it's like, Oh,

782
00:35:45,680 --> 00:35:46,120
Speaker 4: that was.

783
00:35:46,040 --> 00:35:48,360
Speaker 2: First remarkable how much Eric can get away with do

784
00:35:48,400 --> 00:35:50,280
Speaker 2: you know what I mean? Because his heart's already always

785
00:35:50,280 --> 00:35:52,359
Speaker 2: in the right place, so he can say the meanest thing,

786
00:35:52,920 --> 00:35:55,120
Speaker 2: but it never comes across as mean.

787
00:35:55,200 --> 00:35:58,040
Speaker 4: Really, if he's saying with a lilt, people people like it.

788
00:35:58,120 --> 00:35:59,760
Speaker 4: Yeah right, it's so funny.

789
00:36:00,160 --> 00:36:03,000
Speaker 3: Uh, Alan quips No, but I had you, so I'm

790
00:36:03,000 --> 00:36:06,399
Speaker 3: twice cursed. Amy cuts to the chase. What's the deal here?

791
00:36:06,719 --> 00:36:08,920
Speaker 3: Eric explains, this is the most important day in my

792
00:36:08,920 --> 00:36:11,279
Speaker 3: little brother's life, and I came through, so you can

793
00:36:11,360 --> 00:36:13,600
Speaker 3: either have a great time or be all cynical and

794
00:36:13,640 --> 00:36:16,720
Speaker 3: think something fishy's going on. Then the hotel manager appears

795
00:36:16,719 --> 00:36:20,080
Speaker 3: behind Eric and asks, is everything to your satisfaction? Mister Peterman?

796
00:36:20,560 --> 00:36:24,280
Speaker 3: Eric confidently responds, indeed it is, mister Peterman. The manager

797
00:36:24,320 --> 00:36:26,360
Speaker 3: insists to let him know if anything is needed, and

798
00:36:26,400 --> 00:36:29,759
Speaker 3: then Eric shows him away. Everyone approaches Eric or this

799
00:36:29,880 --> 00:36:32,920
Speaker 3: mister Peterman and stares at him. Eric asks, why are

800
00:36:32,960 --> 00:36:35,960
Speaker 3: you all looking at me? Then we're in the bridal suite.

801
00:36:36,040 --> 00:36:38,680
Speaker 3: To Panga, wearing her veil and a robe, nervously asks

802
00:36:38,680 --> 00:36:41,279
Speaker 3: her bridesmaids, do you think anything's gonna change after I

803
00:36:41,280 --> 00:36:44,040
Speaker 3: get married. Angela and Rachel are now wedding ready, and

804
00:36:44,080 --> 00:36:47,279
Speaker 3: Angela insists, no, nothing is going to change, just because

805
00:36:47,320 --> 00:36:49,839
Speaker 3: you're moving out and setting up house and you're gonna

806
00:36:49,840 --> 00:36:52,400
Speaker 3: be with Corey all the time and maybe have kids someday.

807
00:36:52,960 --> 00:36:55,799
Speaker 3: Then the realization hits her, gosh, I'm never gonna see

808
00:36:55,800 --> 00:36:58,720
Speaker 3: you again, am I. They hug as the audience aws

809
00:36:59,239 --> 00:37:01,399
Speaker 3: to Panga asks do you want me to call it off?

810
00:37:01,920 --> 00:37:05,000
Speaker 3: Angela responds, I want you to be happy, and Tapanga

811
00:37:05,080 --> 00:37:07,600
Speaker 3: tell's are I want you to be happy too, and

812
00:37:07,640 --> 00:37:10,520
Speaker 3: they embrace each other. I assume that call it off

813
00:37:10,520 --> 00:37:12,279
Speaker 3: thing was a joke, but there are no laughs and

814
00:37:12,320 --> 00:37:13,680
Speaker 3: everyone responded earnestly.

815
00:37:13,760 --> 00:37:16,440
Speaker 2: So yeah, but this is nice to have a scene with,

816
00:37:16,719 --> 00:37:19,480
Speaker 2: you know. Yes to Panga's POV and her friendships, I

817
00:37:19,480 --> 00:37:21,080
Speaker 2: wish there was a little more meat to it, like

818
00:37:21,120 --> 00:37:24,400
Speaker 2: a little more like what is Angela's character actually? Like

819
00:37:24,440 --> 00:37:27,440
Speaker 2: what is Rachel's character actually? Because instead it's just very generic.

820
00:37:27,560 --> 00:37:28,280
Speaker 2: But it's nice.

821
00:37:28,480 --> 00:37:32,080
Speaker 4: It's also friendships. It's friendship because if you watch it again,

822
00:37:32,120 --> 00:37:35,840
Speaker 4: it's just and Angela talking and then Rachel at the

823
00:37:35,920 --> 00:37:38,480
Speaker 4: end like and I'm here too, and like throwing their

824
00:37:38,560 --> 00:37:40,640
Speaker 4: arms around like oh geez.

825
00:37:41,320 --> 00:37:44,760
Speaker 2: It's yeah, I wish, I just wish that Angela's character

826
00:37:44,800 --> 00:37:46,839
Speaker 2: had a little bit more to do here, you know,

827
00:37:47,000 --> 00:37:48,840
Speaker 2: or yeah.

828
00:37:48,440 --> 00:37:51,840
Speaker 4: I would say, hot take, of the entire series of

829
00:37:51,880 --> 00:37:55,960
Speaker 4: Boy Mets World, you could argue the most underutilized character

830
00:37:56,000 --> 00:37:58,759
Speaker 4: that I want to know more about is Angela. Yeah,

831
00:37:59,719 --> 00:38:02,319
Speaker 4: because and there's plenty of candidates for Hey, I'd love

832
00:38:02,360 --> 00:38:04,200
Speaker 4: to know more about this character, but I think she'd

833
00:38:04,239 --> 00:38:06,759
Speaker 4: be at the top of especially you know, you find

834
00:38:06,760 --> 00:38:08,880
Speaker 4: out that her dad's in the military and what happened

835
00:38:08,920 --> 00:38:11,600
Speaker 4: with her family. There's want so much, yeah, so much

836
00:38:11,600 --> 00:38:13,880
Speaker 4: to mine there that I think, looking back, that's the

837
00:38:13,960 --> 00:38:15,240
Speaker 4: character I would like to have seen.

838
00:38:15,080 --> 00:38:16,759
Speaker 2: More, and there were not you know, when they had

839
00:38:16,760 --> 00:38:19,600
Speaker 2: the like Corey in her episode where it's like we're

840
00:38:19,640 --> 00:38:22,160
Speaker 2: going to have our own friendship. Yeah, but then also like, yeah,

841
00:38:22,600 --> 00:38:25,840
Speaker 2: no real meet between her and Topanga, which is that

842
00:38:26,320 --> 00:38:27,800
Speaker 2: should be really important.

843
00:38:27,640 --> 00:38:31,120
Speaker 4: And I'm sorry, but seeing Sean at one point like

844
00:38:31,640 --> 00:38:34,319
Speaker 4: bringing her family, like like building out her family more

845
00:38:34,360 --> 00:38:37,160
Speaker 4: and doing a scene where it's Sean in a you know,

846
00:38:37,280 --> 00:38:40,160
Speaker 4: at home with an entire black family and the cultural differences.

847
00:38:40,200 --> 00:38:42,759
Speaker 4: I mean, there's so much to mine there that is

848
00:38:43,640 --> 00:38:46,040
Speaker 4: a learning moment but also comedy moments. I mean, there's

849
00:38:46,120 --> 00:38:48,440
Speaker 4: so much you could have done there that could have

850
00:38:48,520 --> 00:38:50,640
Speaker 4: been a really interesting way to go about it, but

851
00:38:50,760 --> 00:38:51,800
Speaker 4: it just never happened.

852
00:38:52,600 --> 00:38:56,400
Speaker 3: Yeah. Yeah, the potential for her character, it was definitely

853
00:38:56,480 --> 00:39:01,239
Speaker 3: laid out that she is incredibly important not only in

854
00:39:01,280 --> 00:39:05,160
Speaker 3: Shawn's life, but into Panga's life. And yet it's just

855
00:39:05,200 --> 00:39:08,319
Speaker 3: because we are told it. Yep, she's important to me,

856
00:39:08,520 --> 00:39:12,879
Speaker 3: but like, you don't actually show us this relationship, show

857
00:39:13,000 --> 00:39:16,080
Speaker 3: us her family, show us her how Yeah. Yeah, very

858
00:39:16,640 --> 00:39:17,840
Speaker 3: underutilized for sure.

859
00:39:17,960 --> 00:39:21,880
Speaker 4: Do you think there's any possibility that one of the

860
00:39:21,880 --> 00:39:24,920
Speaker 4: reasons they didn't do it is because there is a

861
00:39:25,000 --> 00:39:28,080
Speaker 4: real chance that people would start to care way more

862
00:39:28,120 --> 00:39:31,400
Speaker 4: about Sean and Angela than they did Corey into Panga.

863
00:39:33,280 --> 00:39:34,960
Speaker 2: I mean, but they dedicate a lot of time to

864
00:39:35,000 --> 00:39:37,920
Speaker 2: Sean and Angela. Think about it. Season six was like

865
00:39:38,680 --> 00:39:41,279
Speaker 2: a lot of the two or three episodes I would say,

866
00:39:41,280 --> 00:39:43,000
Speaker 2: where the arc of the episode is about breaking up

867
00:39:43,040 --> 00:39:45,839
Speaker 2: getting back together. So I don't know if they were

868
00:39:45,880 --> 00:39:48,400
Speaker 2: afraid of that. I think they just didn't, you know,

869
00:39:48,480 --> 00:39:51,600
Speaker 2: even in those episodes, it's just like I love you,

870
00:39:51,680 --> 00:39:53,600
Speaker 2: I miss you, I can't be with you you know,

871
00:39:53,600 --> 00:39:55,879
Speaker 2: it's all about like Shawn's issues. It's not about like

872
00:39:56,960 --> 00:39:59,359
Speaker 2: who she is as a person or what she's you know,

873
00:39:59,600 --> 00:40:01,919
Speaker 2: it's just always kind of well, I guess the last

874
00:40:01,920 --> 00:40:04,960
Speaker 2: episode with her dad, it's about her being scared.

875
00:40:05,000 --> 00:40:08,200
Speaker 3: And I think if they spent too much time on

876
00:40:08,440 --> 00:40:09,880
Speaker 3: now that you're saying that will if they spend too

877
00:40:09,960 --> 00:40:14,200
Speaker 3: much time on Angela's character, wouldn't it really feel like

878
00:40:14,640 --> 00:40:17,440
Speaker 3: the boy of Boy Meets World was definitely Sean at

879
00:40:17,440 --> 00:40:17,880
Speaker 3: this point?

880
00:40:18,360 --> 00:40:21,279
Speaker 4: Maybe that's what I'm saying, Like he's also a more

881
00:40:21,320 --> 00:40:24,640
Speaker 4: likable character than Corey, and so you wonder if it's

882
00:40:24,840 --> 00:40:27,000
Speaker 4: it would have just they're like, we can't you We're

883
00:40:27,080 --> 00:40:29,920
Speaker 4: essentially giving the entire show to Sean and then by

884
00:40:29,920 --> 00:40:32,000
Speaker 4: extension to Sean and Angela as almost to Corey and

885
00:40:32,000 --> 00:40:34,239
Speaker 4: t Banga, And I wonder if it's just too much

886
00:40:34,239 --> 00:40:35,560
Speaker 4: of a focal shift.

887
00:40:35,800 --> 00:40:40,799
Speaker 2: For another thing that could really because they made the

888
00:40:40,800 --> 00:40:45,080
Speaker 2: decision to not address race, it kind of the ability

889
00:40:44,440 --> 00:40:48,480
Speaker 2: to develop her character, because you can't without acknowledging it

890
00:40:48,480 --> 00:40:51,400
Speaker 2: at a certain point, you know. And I think that

891
00:40:51,760 --> 00:40:53,960
Speaker 2: probably every pitch that went down the road of like

892
00:40:54,040 --> 00:40:57,160
Speaker 2: let's get to know Angela's home life was like exactly

893
00:40:57,160 --> 00:40:59,440
Speaker 2: what you said, will, Like, Sean is a white guy

894
00:40:59,480 --> 00:41:01,719
Speaker 2: and they're all black family, Like, what would that be like?

895
00:41:01,880 --> 00:41:03,960
Speaker 2: And you can't not address it? I don't think. But

896
00:41:04,040 --> 00:41:05,840
Speaker 2: then again we never address it and they reverse, so

897
00:41:05,960 --> 00:41:06,880
Speaker 2: I don't right, you know.

898
00:41:19,840 --> 00:41:22,200
Speaker 3: Well, Rachel joins in for a group hug, I want

899
00:41:22,239 --> 00:41:25,880
Speaker 3: you to be happy. Three. Angela shouts you're getting married today,

900
00:41:26,120 --> 00:41:29,120
Speaker 3: and the girls all squeal in excitement. And then back

901
00:41:29,120 --> 00:41:31,719
Speaker 3: in the ballroom, a three piece orchestra plays classical music

902
00:41:31,760 --> 00:41:35,080
Speaker 3: and Corey stands at the altar as efficient Willie Garson enters.

903
00:41:35,560 --> 00:41:38,360
Speaker 3: Then the groomsmen and bridesmaids make their way down the aisle,

904
00:41:38,440 --> 00:41:42,360
Speaker 3: starting with Jack and Rachel, then Feenian Morgan, then Angela

905
00:41:42,440 --> 00:41:46,480
Speaker 3: and Eric excluding Sean, and then Michael Jacob's kids as

906
00:41:46,600 --> 00:41:50,200
Speaker 3: ring bearer and flower girl. Do we recognize anyone else

907
00:41:50,239 --> 00:41:51,280
Speaker 3: in the audience.

908
00:41:51,840 --> 00:41:55,120
Speaker 4: I was looking for. I saw Sarah Stalkers the back

909
00:41:55,160 --> 00:41:58,320
Speaker 4: of her head, but I didn't actually see the Stalker family, Okay,

910
00:41:58,520 --> 00:42:01,719
Speaker 4: and I know they're on I think if you're looking,

911
00:42:01,719 --> 00:42:03,239
Speaker 4: according to Pang, I think they're on the right side.

912
00:42:03,280 --> 00:42:04,799
Speaker 2: Some reason, I thought they were in the front row.

913
00:42:05,480 --> 00:42:06,920
Speaker 3: I thought they were too, and I do.

914
00:42:07,080 --> 00:42:08,279
Speaker 2: Actually see them this time.

915
00:42:08,719 --> 00:42:12,839
Speaker 3: There are three people in the front row, really as

916
00:42:12,840 --> 00:42:15,160
Speaker 3: close to camera as you can get that I'm like,

917
00:42:15,480 --> 00:42:18,960
Speaker 3: I don't think they were stalkers, but they are very

918
00:42:18,960 --> 00:42:24,240
Speaker 3: clearly hand selected. They're somewhat important too, But I don't

919
00:42:24,280 --> 00:42:24,799
Speaker 3: But I don't know.

920
00:42:25,080 --> 00:42:27,279
Speaker 4: Yeah, but no, I didn't. That would have been the

921
00:42:27,280 --> 00:42:29,080
Speaker 4: only people I recognized were the Sheer family, and I

922
00:42:29,120 --> 00:42:30,359
Speaker 4: didn't recognize anybody else.

923
00:42:30,400 --> 00:42:32,920
Speaker 3: Okay. Once the flower girl makes it to the altar,

924
00:42:33,000 --> 00:42:35,360
Speaker 3: she points at Jack and ushers him over. She confidently

925
00:42:35,400 --> 00:42:40,200
Speaker 3: tells him you are very hot. The audience boots and hollers,

926
00:42:40,200 --> 00:42:44,200
Speaker 3: and Jack uncomfortably whispers thanks, then walks her to her position.

927
00:42:44,880 --> 00:42:47,600
Speaker 3: Now concern to Eric approaches the ring bear. Hey, where

928
00:42:47,600 --> 00:42:50,560
Speaker 3: are the rings? The little boy responds, that's your job, slick.

929
00:42:50,680 --> 00:42:53,160
Speaker 3: I'm just here to look cute. Then he waves to

930
00:42:53,239 --> 00:42:55,319
Speaker 3: the yellings. Studio audio just.

931
00:42:55,280 --> 00:42:57,120
Speaker 4: Turns of waves. They're like, all right, let's keep it in.

932
00:42:57,280 --> 00:43:01,479
Speaker 4: We're fine. He's waving to the camera. You're good.

933
00:43:02,440 --> 00:43:05,720
Speaker 3: Now they have sad cards. Eric lets out a nervous

934
00:43:05,800 --> 00:43:09,160
Speaker 3: laugh and assures Corey that everything's fine. Angela pulls Eric

935
00:43:09,200 --> 00:43:11,960
Speaker 3: to the side you forgot the rings, didn't you? He admits, yes,

936
00:43:12,040 --> 00:43:14,879
Speaker 3: but I remember my underwear. Angela begins to walk away,

937
00:43:14,880 --> 00:43:17,400
Speaker 3: but Eric grabs her arm and gasps, oh, I didn't.

938
00:43:17,560 --> 00:43:18,160
Speaker 4: No, I didn't.

939
00:43:19,760 --> 00:43:22,080
Speaker 3: He takes his place as best man, just as the

940
00:43:22,080 --> 00:43:24,480
Speaker 3: bridal March begins to play. When you said that, By

941
00:43:24,480 --> 00:43:26,560
Speaker 3: the way, the first thing I thought was what superhero

942
00:43:26,680 --> 00:43:28,800
Speaker 3: I as you wearing. I was like, Oh, I'm confusing.

943
00:43:29,239 --> 00:43:32,400
Speaker 4: Did you forget to wear your Spider Man's today? What

944
00:43:32,480 --> 00:43:33,839
Speaker 4: I would wear to a wedding? It's a former?

945
00:43:34,040 --> 00:43:34,480
Speaker 5: Did you wear?

946
00:43:34,680 --> 00:43:35,880
Speaker 3: What did you wear at your wedding?

947
00:43:36,040 --> 00:43:38,439
Speaker 4: I think I wore a big like adult underwear. Yeah,

948
00:43:38,480 --> 00:43:41,279
Speaker 4: like big boy pants. Yeah. Oh I think I did.

949
00:43:41,440 --> 00:43:42,000
Speaker 4: I think I do.

950
00:43:42,719 --> 00:43:45,560
Speaker 3: Everyone stands and looks toward to Panga, who's standing next

951
00:43:45,600 --> 00:43:49,160
Speaker 3: to her third dad. She's wearing a beautiful off the shoulder,

952
00:43:49,239 --> 00:43:52,160
Speaker 3: long sleeve dress, and Corey beams at her. She smiles

953
00:43:52,200 --> 00:43:54,840
Speaker 3: back as she and Jededia begin their descent down the aisle.

954
00:43:55,120 --> 00:43:57,040
Speaker 3: When they get to the altar, her father reaches a

955
00:43:57,040 --> 00:43:59,239
Speaker 3: hand out for Corey, who steps down and takes it.

956
00:43:59,560 --> 00:44:02,840
Speaker 3: Jededid kisses Topanga's hand and unites it with Corey's. He

957
00:44:02,960 --> 00:44:04,880
Speaker 3: tells them to be good to each other, and the

958
00:44:04,880 --> 00:44:08,440
Speaker 3: camera cuts to an affected rhiannon Jedediah takes his seat

959
00:44:08,480 --> 00:44:10,400
Speaker 3: and Corey and Tapanga look at each other lovingly.

960
00:44:11,080 --> 00:44:13,040
Speaker 4: It should have been all three fathers. You should have

961
00:44:13,080 --> 00:44:18,200
Speaker 4: had just for giving away all three just one way

962
00:44:18,320 --> 00:44:20,000
Speaker 4: third away, the next, the next third.

963
00:44:21,160 --> 00:44:21,319
Speaker 2: You know.

964
00:44:21,360 --> 00:44:25,480
Speaker 4: That's actually what happened at my wedding. Yeah, Sue has

965
00:44:25,520 --> 00:44:27,440
Speaker 4: three brothers, so they each walked her a third of

966
00:44:27,480 --> 00:44:29,799
Speaker 4: the way down the aisle, which is cool. But yeah,

967
00:44:29,840 --> 00:44:33,799
Speaker 4: but just not even mentioning it. Just the three dads there,

968
00:44:34,040 --> 00:44:35,240
Speaker 4: the greatest thing in the world.

969
00:44:36,560 --> 00:44:39,200
Speaker 3: To Panga beams and asks him, We've waited for this

970
00:44:39,280 --> 00:44:42,439
Speaker 3: moment all our lives. What are you thinking. Corey takes

971
00:44:42,440 --> 00:44:45,600
Speaker 3: a deep breath. I can't believe Sean's not here to

972
00:44:45,640 --> 00:44:47,640
Speaker 3: Pega tears up. I love you.

973
00:44:47,560 --> 00:44:48,600
Speaker 4: Too, great moment.

974
00:44:48,760 --> 00:44:53,040
Speaker 2: That was a very very again talking past each other,

975
00:44:53,560 --> 00:44:56,520
Speaker 2: this is this is just hearing what they want to hear,

976
00:44:56,600 --> 00:44:58,880
Speaker 2: saying what they want to say. They're not listening to

977
00:44:58,920 --> 00:45:00,680
Speaker 2: each other at all. It's a a joke.

978
00:45:00,520 --> 00:45:03,520
Speaker 3: But it's the same, is is it a joke?

979
00:45:03,760 --> 00:45:06,120
Speaker 2: Yeah, no, it's yeah.

980
00:45:06,160 --> 00:45:08,640
Speaker 3: They approached the officiant hand in hand and he begins

981
00:45:08,719 --> 00:45:11,920
Speaker 3: the ceremony. He's proud to be here at the wedding

982
00:45:12,040 --> 00:45:16,520
Speaker 3: of Myra and Harold to Panga and Corey are confused,

983
00:45:16,560 --> 00:45:19,279
Speaker 3: and Eric pops up into the shot, urging everyone to

984
00:45:19,400 --> 00:45:22,279
Speaker 3: just keep going. The Efficiant hands things over to the

985
00:45:22,280 --> 00:45:25,760
Speaker 3: mother of the groom, a missus Florence Peterman, to perform

986
00:45:25,800 --> 00:45:26,240
Speaker 3: a song.

987
00:45:26,800 --> 00:45:29,680
Speaker 4: I love how then she gets up like that was

988
00:45:29,719 --> 00:45:32,960
Speaker 4: the plan the whole time, So Florence Peters Peterman was

989
00:45:33,000 --> 00:45:34,280
Speaker 4: gonna sing.

990
00:45:34,560 --> 00:45:37,600
Speaker 2: I will say, the name joke is overdone. Like I

991
00:45:37,600 --> 00:45:39,040
Speaker 2: think it should have just been the mother of the

992
00:45:39,320 --> 00:45:40,640
Speaker 2: you know, this should just be the mother to the

993
00:45:41,360 --> 00:45:43,480
Speaker 2: exactly or whatever it wants to say, mother the groom.

994
00:45:43,640 --> 00:45:46,480
Speaker 2: And just like because they hit it, like you doing

995
00:45:46,480 --> 00:45:49,560
Speaker 2: the mister Peterman joke was great because you call yourself

996
00:45:49,600 --> 00:45:51,840
Speaker 2: mister or you call him mister Peterman, right right, But

997
00:45:51,880 --> 00:45:54,160
Speaker 2: then we do it like five more times before the end,

998
00:45:54,160 --> 00:45:55,720
Speaker 2: and it's like everyone knows what's happening.

999
00:45:55,840 --> 00:45:58,680
Speaker 4: So she did they tell her when she walked in,

1000
00:45:58,880 --> 00:45:59,919
Speaker 4: you're gonna sing a song.

1001
00:46:00,520 --> 00:46:03,120
Speaker 3: The thing that I think they I think they they

1002
00:46:03,719 --> 00:46:06,120
Speaker 3: I think it's supposed to be that she was always

1003
00:46:06,160 --> 00:46:08,600
Speaker 3: going to sing a song at Corey and Tapega's wedding,

1004
00:46:08,800 --> 00:46:11,680
Speaker 3: which is why she's not caught off guard. Right but

1005
00:46:11,800 --> 00:46:14,440
Speaker 3: now there, but but now it would almost seem as

1006
00:46:14,440 --> 00:46:16,640
Speaker 3: though she's like, wait, they got my name wrong?

1007
00:46:17,760 --> 00:46:20,840
Speaker 4: Yeah, but then was Florence Peters and Peterman? Was she

1008
00:46:20,960 --> 00:46:22,200
Speaker 4: supposed to sing at that wedding?

1009
00:46:22,239 --> 00:46:23,080
Speaker 3: It's also going to sing?

1010
00:46:23,160 --> 00:46:26,319
Speaker 4: Yeah, Okay, it's a lot. Yeah, I agree. You don't

1011
00:46:26,320 --> 00:46:28,800
Speaker 4: need you to need the joke there yet. Just yeah.

1012
00:46:28,920 --> 00:46:31,080
Speaker 3: Amy takes her spont next to the orchestra and blows

1013
00:46:31,080 --> 00:46:33,319
Speaker 3: a kiss to the couple. She starts to sing I

1014
00:46:33,360 --> 00:46:36,000
Speaker 3: Love you truly, and then Sean walks in, wearing his

1015
00:46:36,040 --> 00:46:38,600
Speaker 3: tuxedo and making a bee line to Corey. He reaches

1016
00:46:38,640 --> 00:46:41,040
Speaker 3: into his pocket. Here, you're going to need these rings.

1017
00:46:41,239 --> 00:46:44,160
Speaker 3: Cory grins, I knew you'd come. Shawn assures him he

1018
00:46:44,160 --> 00:46:48,279
Speaker 3: wouldn't miss this. Cory apologizes for everything, and Sean nods, yeah,

1019
00:46:48,320 --> 00:46:50,120
Speaker 3: you should be, but we'll talk about it after you

1020
00:46:50,120 --> 00:46:52,759
Speaker 3: get back from the honeymoon. Okay. Sean goes to take

1021
00:46:52,800 --> 00:46:55,279
Speaker 3: his place with the groomsmen, but Corey is confused. Wait

1022
00:46:55,320 --> 00:46:58,080
Speaker 3: a minute, what do you mean I should be? Sean

1023
00:46:58,120 --> 00:47:01,360
Speaker 3: reminds him he's been a jerk and blames his poor

1024
00:47:01,440 --> 00:47:04,040
Speaker 3: best man skills and trying to sabotage his wedding day.

1025
00:47:04,320 --> 00:47:07,440
Speaker 3: Sean calls that ridiculous. If I wanted to sabotage your

1026
00:47:07,440 --> 00:47:10,920
Speaker 3: wedding day, I do this. Amy continues to sing as

1027
00:47:10,960 --> 00:47:14,520
Speaker 3: Corey straightens his tucks and laughs, you do not want

1028
00:47:14,520 --> 00:47:16,799
Speaker 3: to do that. Then he turns his back to Sean

1029
00:47:16,880 --> 00:47:21,440
Speaker 3: and points get him to Panga. Sewn shouts, I mean,

1030
00:47:21,800 --> 00:47:23,320
Speaker 3: get him it's also.

1031
00:47:23,120 --> 00:47:25,359
Speaker 4: But it's the position that he's in his back. Turn

1032
00:47:25,440 --> 00:47:27,440
Speaker 4: get him to Haga like it was.

1033
00:47:29,160 --> 00:47:40,520
Speaker 2: Like a.

1034
00:47:37,719 --> 00:47:40,239
Speaker 3: Sean shouts, you know what, I shouldn't have even come here,

1035
00:47:40,400 --> 00:47:43,400
Speaker 3: have a wonderful life, jerk. As he walks away, Corey

1036
00:47:43,440 --> 00:47:53,400
Speaker 3: screams after him. You two trailer trash.

1037
00:47:50,239 --> 00:47:54,160
Speaker 4: Great cut. It's because it's like only the thing your

1038
00:47:54,200 --> 00:47:56,279
Speaker 4: best friend can say to you that he's never said

1039
00:47:56,280 --> 00:47:58,279
Speaker 4: to you before. He's been holding it in reserve, and

1040
00:47:58,320 --> 00:47:59,120
Speaker 4: it's just like and.

1041
00:48:00,000 --> 00:48:03,440
Speaker 2: Sason one, it's season one reference because you know, so

1042
00:48:03,480 --> 00:48:06,440
Speaker 2: it's like the perfect joke because it's it's an insult

1043
00:48:06,800 --> 00:48:10,160
Speaker 2: that connects to how we met Sean basically, like that

1044
00:48:10,320 --> 00:48:13,200
Speaker 2: was the you know, the Christmas episode about the basketball

1045
00:48:13,320 --> 00:48:15,600
Speaker 2: and like the gift, you know, it was about Sean

1046
00:48:15,640 --> 00:48:18,640
Speaker 2: being poor, and it was about Sean and Corey having

1047
00:48:18,840 --> 00:48:22,440
Speaker 2: not understanding that and misunderstanding how to deal with that.

1048
00:48:22,920 --> 00:48:25,360
Speaker 2: Was like the it's like the foundation of the friendship

1049
00:48:25,360 --> 00:48:27,759
Speaker 2: that we've seen developed, you know, and it's like it's

1050
00:48:27,880 --> 00:48:30,080
Speaker 2: such a good callback to make that the like the

1051
00:48:30,480 --> 00:48:31,360
Speaker 2: under the belt.

1052
00:48:31,120 --> 00:48:35,840
Speaker 3: Move so painful though, like it's of all the things

1053
00:48:36,040 --> 00:48:36,600
Speaker 3: I would.

1054
00:48:36,400 --> 00:48:39,680
Speaker 4: Be like, no, great, what would now do you think

1055
00:48:39,719 --> 00:48:42,120
Speaker 4: Sean should have had a deeper cut than like something

1056
00:48:42,160 --> 00:48:45,200
Speaker 4: like it's like Corey elevated it. What would Sean's equivalent

1057
00:48:45,320 --> 00:48:49,760
Speaker 4: of trailer trash bend for Corey instead of just jerk? Yeah,

1058
00:48:50,040 --> 00:48:51,960
Speaker 4: maybe that's no, But I think the point is that,

1059
00:48:52,080 --> 00:48:55,560
Speaker 4: like once you said trailer trash, like all bets are off.

1060
00:48:55,600 --> 00:48:59,839
Speaker 4: Oh yeah, and now we can just physically assault when

1061
00:49:00,120 --> 00:49:03,040
Speaker 4: the scream and cry and yell and like it's all good,

1062
00:49:03,160 --> 00:49:05,479
Speaker 4: Like you know, it's like it's just you need something

1063
00:49:05,480 --> 00:49:06,920
Speaker 4: to rip it open. And then the fact that you

1064
00:49:06,960 --> 00:49:09,400
Speaker 4: get to jump in there with the joke, it's perfect

1065
00:49:09,480 --> 00:49:11,160
Speaker 4: because it softens it immediately.

1066
00:49:11,520 --> 00:49:15,440
Speaker 3: Yeah, I know without that though, it's pretty it's right,

1067
00:49:15,719 --> 00:49:19,840
Speaker 3: but yes, immediately then it makes our shock, Yeah, but

1068
00:49:20,040 --> 00:49:21,759
Speaker 3: Eric lets out a miniac will laugh.

1069
00:49:22,000 --> 00:49:28,040
Speaker 2: Josh Shawn's bored see, and it's because Eric can't be mean.

1070
00:49:28,880 --> 00:49:31,359
Speaker 2: It's like perfect because it's like it's exactly what Matt

1071
00:49:31,400 --> 00:49:33,200
Speaker 2: Johnson talked about when he came on, is that like

1072
00:49:33,600 --> 00:49:36,520
Speaker 2: you're so lovable that you can say something like that, yeah,

1073
00:49:36,520 --> 00:49:39,239
Speaker 2: And it softens. It even helped Corey because otherwise Corey

1074
00:49:39,280 --> 00:49:42,000
Speaker 2: could be for saying this, you know, but as it is, like,

1075
00:49:42,520 --> 00:49:44,040
Speaker 2: we just love it, We just want to laugh.

1076
00:49:44,560 --> 00:49:45,280
Speaker 4: God, it's funny.

1077
00:49:46,120 --> 00:49:49,600
Speaker 3: The tension is undeniable, and Sean screams in anger and

1078
00:49:49,719 --> 00:49:53,240
Speaker 3: runs towards Corey like braveheart. As he jumps on the groom,

1079
00:49:53,360 --> 00:49:55,279
Speaker 3: all the groomsmen try to pull them apart, while the

1080
00:49:55,280 --> 00:49:58,000
Speaker 3: women watch it unfold in horror, and Corey yells, this

1081
00:49:58,080 --> 00:50:02,400
Speaker 3: is my wedding day. Meanwhile, Eric calmly praises the efficient.

1082
00:50:02,600 --> 00:50:04,879
Speaker 3: You're doing great. Just try not to use the word

1083
00:50:04,920 --> 00:50:08,399
Speaker 3: Peterman anymore. All right, Sean shouts at Corey as he's

1084
00:50:08,400 --> 00:50:10,120
Speaker 3: held back. He doesn't care that we're not going to

1085
00:50:10,200 --> 00:50:12,960
Speaker 3: be best friends anymore. Cory asks why do you keep

1086
00:50:13,040 --> 00:50:16,120
Speaker 3: saying that? And Sean yells back, because you won't talk

1087
00:50:16,160 --> 00:50:19,160
Speaker 3: about it. Cory screams, I don't want to talk about it.

1088
00:50:19,239 --> 00:50:22,080
Speaker 3: Why do you think I've been sending you everywhere? They

1089
00:50:22,120 --> 00:50:25,080
Speaker 3: both start to cry, and Sean demands we have to

1090
00:50:25,160 --> 00:50:29,080
Speaker 3: talk about it. Then Corey completely breaks down. I don't

1091
00:50:29,120 --> 00:50:34,600
Speaker 3: want to just hysterictle. Sean stomps his foot. We have to,

1092
00:50:35,680 --> 00:50:41,160
Speaker 3: and emotionally exhausted, Cory asks, such a.

1093
00:50:41,160 --> 00:50:44,920
Speaker 4: Good this might be one of my favorite Corey Sean

1094
00:50:45,000 --> 00:50:49,000
Speaker 4: scenes in the entire series. It's just just the two

1095
00:50:49,120 --> 00:50:52,319
Speaker 4: of you going on each other and going, like the

1096
00:50:52,360 --> 00:50:55,440
Speaker 4: regression of where you start and where you end up

1097
00:50:55,560 --> 00:50:56,080
Speaker 4: is so.

1098
00:50:56,280 --> 00:51:00,440
Speaker 2: Good and it makes this dynamic. Wasn't around then I

1099
00:51:00,560 --> 00:51:03,719
Speaker 2: really bump because we miss this is fun, miss fun

1100
00:51:03,880 --> 00:51:04,799
Speaker 2: stuff and like.

1101
00:51:05,080 --> 00:51:05,640
Speaker 4: That was great.

1102
00:51:06,239 --> 00:51:09,560
Speaker 3: Yeah, Still tearing up, Sean explains, after you get married,

1103
00:51:09,600 --> 00:51:11,440
Speaker 3: things are going to be different, and I don't have

1104
00:51:11,480 --> 00:51:13,960
Speaker 3: a lot of friends, you know. Defeated, he takes a

1105
00:51:13,960 --> 00:51:18,720
Speaker 3: seat at the altar reminder the entire wedding, including the bride,

1106
00:51:18,760 --> 00:51:25,000
Speaker 3: is watching the unfold silently. Corey joins him and admits,

1107
00:51:25,120 --> 00:51:27,160
Speaker 3: I don't know what's gonna happen. What do you want

1108
00:51:27,160 --> 00:51:31,120
Speaker 3: me to do? Sean says, I don't know do you

1109
00:51:31,239 --> 00:51:32,080
Speaker 3: really like her?

1110
00:51:32,520 --> 00:51:35,759
Speaker 4: Oh? Great, great beat, because he just takes its two

1111
00:51:35,840 --> 00:51:38,560
Speaker 4: kids sitting there on the playground, and you take that

1112
00:51:38,640 --> 00:51:41,200
Speaker 4: moment and then you're just like, do you really like her?

1113
00:51:41,280 --> 00:51:44,239
Speaker 4: It was so earnest and oh it was just this

1114
00:51:44,320 --> 00:51:45,160
Speaker 4: scene is so good.

1115
00:51:45,239 --> 00:51:46,960
Speaker 2: It's a great scene. Yeah, it's so fun.

1116
00:51:47,400 --> 00:51:51,279
Speaker 3: The audience laughs, and Corey immaturely smiles, Yeah, I really do.

1117
00:51:52,000 --> 00:51:55,239
Speaker 3: Sean asks you sure. Tapanka has now joined them and

1118
00:51:55,280 --> 00:52:00,360
Speaker 3: crouches down to tell Sean how understanding she's been. Really

1119
00:52:00,400 --> 00:52:05,600
Speaker 3: think I've been very taller and tear Shawn nods, okay,

1120
00:52:06,160 --> 00:52:09,480
Speaker 3: marry her. As Topanga returns to her position, Corey asks,

1121
00:52:09,680 --> 00:52:14,239
Speaker 3: you're giving me your blessing. Sean says, yeah, well, we

1122
00:52:14,320 --> 00:52:18,360
Speaker 3: got to grow up sometime, and then they kiss. Just kidding,

1123
00:52:23,400 --> 00:52:26,239
Speaker 3: wouldn't have been shocking. I don't know he knows about time.

1124
00:52:40,480 --> 00:52:43,680
Speaker 3: The ceremony now continues. Topanga has started vows at the

1125
00:52:43,760 --> 00:52:46,759
Speaker 3: now resumed ceremony. She admits she never thought this day

1126
00:52:46,800 --> 00:52:49,840
Speaker 3: would come, but he did, or that love could survive

1127
00:52:49,920 --> 00:52:52,560
Speaker 3: everything they put it through, but he was always strong

1128
00:52:52,719 --> 00:52:56,080
Speaker 3: and always sure. Then the camera flips around and she's

1129
00:52:56,120 --> 00:52:58,640
Speaker 3: talking to Corey and Sean now arm in arm with

1130
00:52:58,800 --> 00:53:02,160
Speaker 3: matching huge smile. Corey turns to Sean, I have to

1131
00:53:02,160 --> 00:53:05,000
Speaker 3: talk to her now, okay. Sean tells him to go ahead,

1132
00:53:05,000 --> 00:53:06,800
Speaker 3: and then leaves the two of them alone at the altar.

1133
00:53:07,400 --> 00:53:09,799
Speaker 3: Corey starts his vows by explaining that ever since he

1134
00:53:09,880 --> 00:53:12,560
Speaker 3: was young, he never understood anything about the world or

1135
00:53:12,560 --> 00:53:14,880
Speaker 3: his life. The only thing that ever made sense to

1136
00:53:14,960 --> 00:53:17,919
Speaker 3: him was Topanga and how he felt about her. It's

1137
00:53:17,920 --> 00:53:20,319
Speaker 3: all he's ever known, and that's enough for the rest

1138
00:53:20,320 --> 00:53:22,759
Speaker 3: of his life. She looks at him teary eyed, and

1139
00:53:22,800 --> 00:53:26,560
Speaker 3: he asks, are we gonna get married? She laughs, yeah,

1140
00:53:26,880 --> 00:53:29,640
Speaker 3: we are. He reaches into his jacket and pulls out

1141
00:53:29,680 --> 00:53:32,200
Speaker 3: the rings. He places one on her finger and says,

1142
00:53:32,400 --> 00:53:36,000
Speaker 3: I love you, Topanga. She responds, I love you too, Corey.

1143
00:53:36,600 --> 00:53:39,040
Speaker 3: Alan and Amy tear up as they watch this unfold,

1144
00:53:39,120 --> 00:53:41,600
Speaker 3: and Corey and Tapanga turned to the officiant to finish

1145
00:53:41,600 --> 00:53:44,719
Speaker 3: the ceremony. He continues, finally asking if they take one

1146
00:53:44,760 --> 00:53:47,879
Speaker 3: another as husband and wife, and they agree, I do

1147
00:53:48,480 --> 00:53:51,680
Speaker 3: so by the power vested and Willie Garson and the

1148
00:53:51,719 --> 00:53:56,359
Speaker 3: Commonwealth of Pennsylvania. He pronounces them husband and wife. They

1149
00:53:56,440 --> 00:53:59,200
Speaker 3: kiss as the inmates cheer like the Phillies just won

1150
00:53:59,280 --> 00:54:03,600
Speaker 3: the world series. The offician declares, ladies and gentlemen, I

1151
00:54:03,680 --> 00:54:07,000
Speaker 3: present to you, for the first time ever, mister and

1152
00:54:07,080 --> 00:54:11,960
Speaker 3: missus Harold Peterman. Everyone including the newly married couple, freeze

1153
00:54:11,960 --> 00:54:15,040
Speaker 3: in confusion, but Eric encourages everyone to applaud, insisting it's

1154
00:54:15,120 --> 00:54:19,360
Speaker 3: okay Harold. The wedding guests all stand up and applauds

1155
00:54:19,400 --> 00:54:21,640
Speaker 3: Corey into Panga, hug and kiss each other. Now as

1156
00:54:21,760 --> 00:54:22,279
Speaker 3: husband and.

1157
00:54:22,239 --> 00:54:25,560
Speaker 4: Wife now pointing out the obvious here, probably not a

1158
00:54:25,640 --> 00:54:26,680
Speaker 4: legally binding marriage.

1159
00:54:26,920 --> 00:54:34,359
Speaker 3: I would imagine that. No, just saying marriage certificate, it's

1160
00:54:34,360 --> 00:54:35,920
Speaker 3: not going to be their names on it, just.

1161
00:54:35,960 --> 00:54:38,920
Speaker 2: Saying yeah, I would have saved all the Peterman jokes

1162
00:54:39,000 --> 00:54:40,440
Speaker 2: until then, do you know what I mean? Like that

1163
00:54:40,520 --> 00:54:42,120
Speaker 2: could have been a bigger everybody as it is. It's like,

1164
00:54:42,120 --> 00:54:44,360
Speaker 2: all right, we know this one's going, but man, I

1165
00:54:44,480 --> 00:54:46,279
Speaker 2: was feeling so good, like I was just like I

1166
00:54:46,360 --> 00:54:49,480
Speaker 2: was stoked on this whole. See. I think this part

1167
00:54:49,520 --> 00:54:51,520
Speaker 2: of the episode is just us at our best.

1168
00:54:52,480 --> 00:54:55,960
Speaker 3: I agree, I know this part's really nice. Now at

1169
00:54:56,000 --> 00:54:58,839
Speaker 3: the reception, couples are slow dancing and Rachel is stuck

1170
00:54:58,920 --> 00:55:01,400
Speaker 3: with a young cousin in who is another son of

1171
00:55:01,480 --> 00:55:04,719
Speaker 3: Michael Jacob's. The boy confidently says, maybe we can go

1172
00:55:04,840 --> 00:55:08,080
Speaker 3: somewhere later. The audience is wild about the idea of

1173
00:55:08,200 --> 00:55:11,239
Speaker 3: scamming with a pre pubescent boy, but Rachel begs a

1174
00:55:11,320 --> 00:55:13,640
Speaker 3: nearby Foene for help. He taps the boy on the

1175
00:55:13,640 --> 00:55:16,520
Speaker 3: shoulder and tells him to scram Zippy, taking his spot

1176
00:55:16,600 --> 00:55:18,600
Speaker 3: on the dance floor. Amy and his.

1177
00:55:18,640 --> 00:55:21,239
Speaker 4: Wife, by the way, not doesn't doesn't join him at

1178
00:55:21,280 --> 00:55:23,520
Speaker 4: the wedding. She's not invited, okay, just curious he didn't

1179
00:55:23,520 --> 00:55:25,720
Speaker 4: get a plus, he hates her after.

1180
00:55:25,640 --> 00:55:27,720
Speaker 3: The way she treated her during the Stewart trial.

1181
00:55:28,080 --> 00:55:33,280
Speaker 4: She does invite after Stuart Nice.

1182
00:55:33,600 --> 00:55:35,600
Speaker 3: Amy and Allan are also dancing and agree that this

1183
00:55:35,760 --> 00:55:38,279
Speaker 3: was an amazing wedding. Amy wonders how Eric could have

1184
00:55:38,320 --> 00:55:40,080
Speaker 3: ever pulled it off. They didn't get it with the

1185
00:55:40,080 --> 00:55:43,040
Speaker 3: fifty name jokes. I mean, it's pretty clear it's somebody

1186
00:55:43,080 --> 00:55:43,560
Speaker 3: else's wedding.

1187
00:55:43,760 --> 00:55:44,320
Speaker 4: Nobody got it.

1188
00:55:44,960 --> 00:55:47,319
Speaker 3: Alan explains that's the first thing I'll ask him when

1189
00:55:47,320 --> 00:55:50,239
Speaker 3: I visit him in Attica. Then they cut into Corey

1190
00:55:50,239 --> 00:55:53,359
Speaker 3: into Panga's dance trading partners and eliciting more owz from

1191
00:55:53,400 --> 00:55:56,239
Speaker 3: the audience. Amy tells her son that she's proud of him,

1192
00:55:56,320 --> 00:55:58,480
Speaker 3: and even though he's a married man, he's still there,

1193
00:55:58,520 --> 00:55:59,040
Speaker 3: little boy.

1194
00:55:59,640 --> 00:56:01,040
Speaker 4: I have to I have to say, I had to

1195
00:56:01,080 --> 00:56:02,680
Speaker 4: point out this is one thing I've started to notice

1196
00:56:02,719 --> 00:56:05,359
Speaker 4: in the last few episodes. Have you noticed Rusty's doing

1197
00:56:05,400 --> 00:56:08,560
Speaker 4: a thing now where he's just loudly hitting the last

1198
00:56:08,600 --> 00:56:09,520
Speaker 4: word of every joke.

1199
00:56:11,800 --> 00:56:12,560
Speaker 2: No better had you?

1200
00:56:12,719 --> 00:56:16,000
Speaker 4: So I'm twice cursed and you know, yeah, I'll see

1201
00:56:16,040 --> 00:56:18,840
Speaker 4: him in Attica. It's like he's just it's that's the

1202
00:56:18,960 --> 00:56:19,560
Speaker 4: Rusty go to.

1203
00:56:21,080 --> 00:56:21,920
Speaker 2: Wi't be Rusty.

1204
00:56:22,280 --> 00:56:24,520
Speaker 4: He's sitting the last word of every joke like as

1205
00:56:24,560 --> 00:56:25,560
Speaker 4: hard as he possibly can.

1206
00:56:25,680 --> 00:56:26,160
Speaker 2: It's great.

1207
00:56:26,440 --> 00:56:31,800
Speaker 3: Oh that's funny. Alan, on the other hand, tells Tapanga

1208
00:56:31,920 --> 00:56:35,000
Speaker 3: when he makes you nuts, you call me to Penga smiles,

1209
00:56:35,560 --> 00:56:46,480
Speaker 3: thanks Dad, Dad number four. Then Sean clinks his champagne

1210
00:56:46,520 --> 00:56:48,760
Speaker 3: flute while standing on a chair. He'd like to propose

1211
00:56:48,840 --> 00:56:49,200
Speaker 3: a toast.

1212
00:56:49,640 --> 00:56:53,040
Speaker 2: He began standing on the chair. Seemed really weird, didn't

1213
00:56:53,040 --> 00:56:55,279
Speaker 2: it seem weird to you guys. I'm standing on a

1214
00:56:55,360 --> 00:56:56,480
Speaker 2: cushion on the chair.

1215
00:56:56,719 --> 00:56:59,359
Speaker 4: I know it's a fry chair. You got the expensive one.

1216
00:57:00,080 --> 00:57:01,280
Speaker 3: Those are Chavari chairs.

1217
00:57:01,560 --> 00:57:03,880
Speaker 2: They are, aren't They know the Chavar.

1218
00:57:04,800 --> 00:57:06,759
Speaker 4: That just meant I thought, oh, maybe you're right, maybe

1219
00:57:06,800 --> 00:57:08,400
Speaker 4: those are the fully draped ones of those of the

1220
00:57:08,440 --> 00:57:09,200
Speaker 4: Shafari chairs.

1221
00:57:11,280 --> 00:57:13,120
Speaker 2: I don't I was just looking at and going like,

1222
00:57:13,239 --> 00:57:13,719
Speaker 2: why am I?

1223
00:57:14,360 --> 00:57:15,120
Speaker 3: Why do you have to stand?

1224
00:57:15,200 --> 00:57:17,520
Speaker 2: Why stand class at all? And then why am I?

1225
00:57:17,760 --> 00:57:20,600
Speaker 2: You know, like I just kept thinking about footprints on

1226
00:57:20,680 --> 00:57:22,200
Speaker 2: the white cushion.

1227
00:57:23,080 --> 00:57:26,440
Speaker 4: Yeah, wait, I wrote Safari chair. That's a different thing.

1228
00:57:27,880 --> 00:57:29,720
Speaker 3: C h I V A R I.

1229
00:57:30,560 --> 00:57:31,920
Speaker 4: Scabies just came up.

1230
00:57:33,600 --> 00:57:35,720
Speaker 2: It's important. Stuff. Got to get to the bottom of this.

1231
00:57:36,360 --> 00:57:37,120
Speaker 4: No, I want to know what that.

1232
00:57:37,200 --> 00:57:38,600
Speaker 2: I've never heard this word in my life. I don't

1233
00:57:38,600 --> 00:57:38,720
Speaker 2: know what.

1234
00:57:39,000 --> 00:57:41,760
Speaker 4: They're like the wedding chairs their wedding It's like, do

1235
00:57:41,800 --> 00:57:42,840
Speaker 4: you want the Chavarry chair.

1236
00:57:43,400 --> 00:57:46,080
Speaker 3: This is a Chavari chair. This that's why I'm saying.

1237
00:57:46,160 --> 00:57:48,920
Speaker 3: It's not a draped thing. It's these These are Chavarry chair.

1238
00:57:49,040 --> 00:57:49,280
Speaker 2: That's what.

1239
00:57:49,360 --> 00:57:51,000
Speaker 4: That's what the chair that they had with little.

1240
00:57:52,760 --> 00:57:54,640
Speaker 2: Yeah cushions.

1241
00:57:54,640 --> 00:57:58,000
Speaker 3: Okay, yeah, you're right, He begins, this is for Harold

1242
00:57:58,080 --> 00:57:59,480
Speaker 3: and Myra. What's up with that?

1243
00:57:59,720 --> 00:57:59,880
Speaker 5: Eric?

1244
00:58:00,520 --> 00:58:03,400
Speaker 3: Eric suspiciously responds nothing, just talk fast, all right, and

1245
00:58:03,480 --> 00:58:06,760
Speaker 3: he walks off. Sean continues his speech. I may not

1246
00:58:06,880 --> 00:58:08,919
Speaker 3: be the best man, but I am the best friend.

1247
00:58:09,240 --> 00:58:11,720
Speaker 3: They've been best friends their whole lives, and the wedding

1248
00:58:11,760 --> 00:58:13,880
Speaker 3: has been hard for him because he knows they won't

1249
00:58:13,920 --> 00:58:17,520
Speaker 3: be best friends forever. Things are changing between us. Things

1250
00:58:17,560 --> 00:58:20,000
Speaker 3: have always been changing. We've had to deal with life

1251
00:58:20,360 --> 00:58:24,200
Speaker 3: and death and feeni. But no matter what they've always faced,

1252
00:58:24,280 --> 00:58:27,240
Speaker 3: they've always faced it together. Deep down, they both know

1253
00:58:27,400 --> 00:58:30,000
Speaker 3: they won't be best friends anymore, and that's the way

1254
00:58:30,080 --> 00:58:33,760
Speaker 3: it should be. He declares a toast to Topanga, Corey's

1255
00:58:33,840 --> 00:58:38,480
Speaker 3: wife and new best friend. His voice cracks. Take care

1256
00:58:38,520 --> 00:58:41,680
Speaker 3: of him, okay now crying, she promises that she will.

1257
00:58:42,000 --> 00:58:45,240
Speaker 3: He gives familiar advice. When he makes you nuts, call me.

1258
00:58:46,040 --> 00:58:49,240
Speaker 3: They share a big hug, and Sean announces to Corey

1259
00:58:49,320 --> 00:58:53,760
Speaker 3: and Topanga. The crowd raises their glasses to Corey and Topanga,

1260
00:58:54,360 --> 00:58:57,720
Speaker 3: and I was like, really, Danielle was fully emotional.

1261
00:58:57,880 --> 00:58:59,000
Speaker 5: It was great.

1262
00:58:59,200 --> 00:59:00,640
Speaker 2: Yeah, it was great.

1263
00:59:00,920 --> 00:59:03,800
Speaker 4: And moments like this works so much better when the

1264
00:59:04,040 --> 00:59:08,440
Speaker 4: entire episode isn't melodramatic exactly, when you exactly comedy and

1265
00:59:08,680 --> 00:59:11,080
Speaker 4: wackiness than these just land harder.

1266
00:59:11,640 --> 00:59:15,240
Speaker 2: Yeah, yeah, and you have it in the unexpected times, right, Yeah,

1267
00:59:15,360 --> 00:59:17,400
Speaker 2: Sean wasn't supposed to give a speech. It wasn't, you know,

1268
00:59:17,640 --> 00:59:19,800
Speaker 2: but like it's yeah, and like I said, the vows

1269
00:59:19,800 --> 00:59:22,240
Speaker 2: were so understated in a nice way that it's like,

1270
00:59:22,360 --> 00:59:24,760
Speaker 2: oh right, yeah, it's good. Good episode.

1271
00:59:25,360 --> 00:59:27,680
Speaker 3: Eric is up next. Now, I'd like to give my

1272
00:59:27,800 --> 00:59:29,880
Speaker 3: gift to my little brother and new sister in law.

1273
00:59:30,160 --> 00:59:32,960
Speaker 3: Tapanga insists the wedding was more than enough, and Eric

1274
00:59:33,040 --> 00:59:34,320
Speaker 3: agrees it was, wasn't it?

1275
00:59:34,600 --> 00:59:37,040
Speaker 4: And they should They missed a joke there because Eric

1276
00:59:37,080 --> 00:59:39,320
Speaker 4: always screws up relationships like I do in my real life,

1277
00:59:39,480 --> 00:59:41,160
Speaker 4: So it should have been like to my brother and

1278
00:59:41,240 --> 00:59:45,040
Speaker 4: new stepdaughter, you know, something along those, because I always

1279
00:59:45,080 --> 00:59:47,120
Speaker 4: do that with my son in law. I'm always like

1280
00:59:47,240 --> 00:59:48,920
Speaker 4: my step son, like, damn it, that's not what he is.

1281
00:59:49,280 --> 00:59:50,520
Speaker 4: So yeah, that kind of thing.

1282
00:59:50,640 --> 00:59:54,120
Speaker 3: Yeah, but he still has one more trick up his leave.

1283
00:59:54,560 --> 00:59:56,440
Speaker 3: He holds a key to the honeymoon suite in the

1284
00:59:56,440 --> 01:00:00,360
Speaker 3: Philadelphia Victoria Hotel, so that after this, before where Eric

1285
01:00:00,400 --> 01:00:02,720
Speaker 3: can even finish his words, Corey grabs the key into

1286
01:00:02,760 --> 01:00:03,760
Speaker 3: Panga yells.

1287
01:00:03,520 --> 01:00:08,320
Speaker 2: Bye because he's horny and get a guy. Corey went

1288
01:00:08,400 --> 01:00:10,200
Speaker 2: a virgin for twenty years.

1289
01:00:10,360 --> 01:00:11,120
Speaker 4: What do you expect?

1290
01:00:12,200 --> 01:00:14,080
Speaker 3: They run them out of the room, and this audience

1291
01:00:14,160 --> 01:00:17,840
Speaker 3: continues their horny ways. Everyone toasts them leaving, and Eric

1292
01:00:17,960 --> 01:00:20,960
Speaker 3: returns to his table. Jack finally asks the question we've

1293
01:00:21,000 --> 01:00:23,800
Speaker 3: all been dying to ask, How did Eric accomplish this?

1294
01:00:24,080 --> 01:00:27,560
Speaker 3: Angela needs to know too. Eric braggs it was child's play.

1295
01:00:27,840 --> 01:00:29,320
Speaker 3: He went to go pick up the tuxes and he

1296
01:00:29,360 --> 01:00:32,000
Speaker 3: saw them setting up for this hoity toity Peterman wedding.

1297
01:00:32,360 --> 01:00:36,760
Speaker 3: Rachel cuts in, you mean the disposable diaper Peterman's. Eric nods,

1298
01:00:36,800 --> 01:00:38,880
Speaker 3: and Rachel adds their wedding is the social event of

1299
01:00:38,920 --> 01:00:41,919
Speaker 3: the year. Eric explains, yeah, well, now, what's notice?

1300
01:00:41,960 --> 01:00:44,720
Speaker 2: So they've heard the name Peterman like sixteen times and

1301
01:00:44,800 --> 01:00:46,880
Speaker 2: this is just now decided that they know.

1302
01:00:46,920 --> 01:00:49,160
Speaker 4: What they and they apparently they all know it well

1303
01:00:49,280 --> 01:00:52,280
Speaker 4: enough to know that their business is disposable diapers and

1304
01:00:52,440 --> 01:00:54,880
Speaker 4: the wedding is the social event of the year, right right?

1305
01:00:55,040 --> 01:00:57,439
Speaker 2: It never never never heard to them when they said

1306
01:00:57,480 --> 01:00:59,760
Speaker 2: Howard and Myra the nope.

1307
01:01:00,240 --> 01:01:02,600
Speaker 3: Yeah, a terrified Jack needs to know what he did.

1308
01:01:02,920 --> 01:01:05,200
Speaker 3: Eric casually reveals he went to the payphone and called

1309
01:01:05,240 --> 01:01:07,240
Speaker 3: the operator to talk to the hotel, and while he

1310
01:01:07,400 --> 01:01:10,560
Speaker 3: was waiting, he noticed some schmutz on the receiver, possibly

1311
01:01:10,640 --> 01:01:16,000
Speaker 3: dried vomit or gum. It tasted more like gum. Jack

1312
01:01:16,080 --> 01:01:18,400
Speaker 3: can't handle this, get on with the story, so Eric

1313
01:01:18,480 --> 01:01:21,560
Speaker 3: smugly continues. I told the hotel I was EJ. Peterman,

1314
01:01:21,640 --> 01:01:23,960
Speaker 3: and I had to get my daughter married sooner because

1315
01:01:23,960 --> 01:01:24,640
Speaker 3: she was pregnant.

1316
01:01:25,320 --> 01:01:27,040
Speaker 4: Hours sooner, three hours sooner.

1317
01:01:29,720 --> 01:01:31,680
Speaker 3: So drink out, guys, because it's gonna hit the fan

1318
01:01:31,760 --> 01:01:35,240
Speaker 3: in about two seconds. Jack can't believe this. What kind

1319
01:01:35,280 --> 01:01:38,680
Speaker 3: of hotel moron would fall for something so stupid. Eric

1320
01:01:38,720 --> 01:01:41,560
Speaker 3: looks around the room and points to someone him. The

1321
01:01:41,680 --> 01:01:45,000
Speaker 3: camera shows a guy who looks just like Eric, but

1322
01:01:45,120 --> 01:01:50,439
Speaker 3: with a tiny mustache, so tiny mustache. Eric walks over

1323
01:01:50,560 --> 01:01:53,680
Speaker 3: to normal Eric and asks if everything's satisfactory in an

1324
01:01:53,720 --> 01:01:56,920
Speaker 3: accent that is somewhere between German and skeletor.

1325
01:01:57,440 --> 01:02:00,000
Speaker 4: Yeah, don't even know what I'm doing at the time.

1326
01:02:00,840 --> 01:02:03,200
Speaker 4: Do you ever think quite satisfactor, mister Petman? It was

1327
01:02:03,280 --> 01:02:05,680
Speaker 4: just like this. It's just no, there's no real thing

1328
01:02:05,760 --> 01:02:07,360
Speaker 4: to it. It's just an accent.

1329
01:02:08,880 --> 01:02:11,800
Speaker 2: It's like I thought maybe you were doing remember the

1330
01:02:11,960 --> 01:02:12,880
Speaker 2: war assistant.

1331
01:02:13,280 --> 01:02:18,160
Speaker 4: Oh no, that's Hans. Hans is totally gentleman. But don't

1332
01:02:18,200 --> 01:02:21,280
Speaker 4: you remember we'd always go this is my humviye, no dinks,

1333
01:02:21,360 --> 01:02:24,320
Speaker 4: danks and scratches, I'll have you right, that's what I thought.

1334
01:02:24,400 --> 01:02:29,760
Speaker 4: Maybe no, mister Peterman, he's from a small country no

1335
01:02:29,760 --> 01:02:30,200
Speaker 4: one's heard of.

1336
01:02:30,480 --> 01:02:33,280
Speaker 2: Okay, No, we brought up Hans on this podcast before

1337
01:02:33,360 --> 01:02:35,560
Speaker 2: because was he on the show at one point?

1338
01:02:35,960 --> 01:02:38,160
Speaker 3: Like he was like, oh, we were just trying to

1339
01:02:38,280 --> 01:02:39,439
Speaker 3: name wardrobe people.

1340
01:02:40,400 --> 01:02:42,560
Speaker 2: Okay. I thought for some reason he like walked through

1341
01:02:42,560 --> 01:02:44,040
Speaker 2: the show or it was an extra. We're like, it's

1342
01:02:44,080 --> 01:02:45,800
Speaker 2: hants and but he was only with us for like

1343
01:02:45,880 --> 01:02:48,040
Speaker 2: one half a season or yeah, something like that. But

1344
01:02:48,160 --> 01:02:52,880
Speaker 2: he was he was I assuming he didn't like it, Yeah,

1345
01:02:55,080 --> 01:02:58,520
Speaker 2: mocking him. No, he was just he just had this

1346
01:02:58,680 --> 01:03:04,120
Speaker 2: part in the los I'm seeing you now. Yeah, all right,

1347
01:03:04,160 --> 01:03:09,080
Speaker 2: so you're just doing some French, German Spanish accent.

1348
01:03:09,240 --> 01:03:11,600
Speaker 4: Yeah, it's a weird, just kind of like where the

1349
01:03:11,640 --> 01:03:13,479
Speaker 4: hell is this guy from kind of thing. Yeah.

1350
01:03:14,360 --> 01:03:18,080
Speaker 3: Eric responds quite satisfactory and compliments his tight ship and

1351
01:03:18,160 --> 01:03:20,920
Speaker 3: good looks. Then an older man in a suit appears,

1352
01:03:20,960 --> 01:03:23,320
Speaker 3: flanked by other older men in suits and one with

1353
01:03:23,400 --> 01:03:24,800
Speaker 3: a white handlebar mustache.

1354
01:03:25,040 --> 01:03:27,120
Speaker 4: And he told me that if I landed on boardwalk,

1355
01:03:27,120 --> 01:03:30,000
Speaker 4: I owed him fourteen hundred dollars for the hotel. He

1356
01:03:30,160 --> 01:03:31,680
Speaker 4: looks so much like the monopoly guy.

1357
01:03:32,120 --> 01:03:34,920
Speaker 3: What the hell is going on here? Eric knows he's

1358
01:03:34,960 --> 01:03:37,760
Speaker 3: cooked and quickly exits the room. The old man eyes

1359
01:03:37,880 --> 01:03:41,480
Speaker 3: down Eric's twin with fire in his eyes. I'm EJ.

1360
01:03:41,840 --> 01:03:42,440
Speaker 2: Peterman.

1361
01:03:43,160 --> 01:03:46,360
Speaker 3: Allen realizes Party's over, isn't it? HEJ continues, and I

1362
01:03:46,480 --> 01:03:48,800
Speaker 3: demand to know what the hell is going on here?

1363
01:03:49,400 --> 01:03:51,800
Speaker 3: Eric agrees with his dad, Oh yeah, it's over. Then

1364
01:03:51,840 --> 01:03:55,200
Speaker 3: he whistles and shouts run like how and all the

1365
01:03:55,360 --> 01:03:57,000
Speaker 3: guests flee at once.

1366
01:03:58,560 --> 01:03:59,000
Speaker 2: Amazing.

1367
01:04:00,520 --> 01:04:02,760
Speaker 3: Then we're in the tag. We're still in the ballroom.

1368
01:04:02,920 --> 01:04:06,200
Speaker 3: Tiny mustached Eric, now with an even more ridiculous accent,

1369
01:04:06,320 --> 01:04:08,560
Speaker 3: is trying to explain to mister Peterman that there was

1370
01:04:08,760 --> 01:04:12,080
Speaker 3: a wedding, and the old man growls, I know there

1371
01:04:12,240 --> 01:04:15,320
Speaker 3: was a wedding, but it was not my wedding. The

1372
01:04:15,440 --> 01:04:18,720
Speaker 3: part German, part Bronze and Pinchot in Beverly Hills. Cop

1373
01:04:18,840 --> 01:04:22,240
Speaker 3: Joppelganger tries to explain himself, but EJ doesn't want to

1374
01:04:22,280 --> 01:04:24,720
Speaker 3: hear it. They're yelling over one another, and EJ claims

1375
01:04:24,760 --> 01:04:27,720
Speaker 3: he's going to have a heart attack. Tiny mustache Eric

1376
01:04:27,840 --> 01:04:30,600
Speaker 3: ridicules mister Peterman's ascot and says he won't even pick

1377
01:04:30,680 --> 01:04:32,919
Speaker 3: up after him if he has a heart attack. EJ

1378
01:04:33,080 --> 01:04:35,680
Speaker 3: demands to see the manager and hotel Eric shrugs, go

1379
01:04:35,840 --> 01:04:38,680
Speaker 3: see the manager. He's a skimpy guy who doesn't tip.

1380
01:04:40,360 --> 01:04:41,640
Speaker 2: Yes, this is all ad libs.

1381
01:04:41,760 --> 01:04:43,560
Speaker 4: I was also trying to make fun of Michael a

1382
01:04:43,600 --> 01:04:45,360
Speaker 4: little bit there at the end, like in a joking way.

1383
01:04:45,400 --> 01:04:47,080
Speaker 4: I was trying to make a Michael Jacob's joke about

1384
01:04:47,240 --> 01:04:50,120
Speaker 4: he's the skinny little guy who never tips. Was I

1385
01:04:50,320 --> 01:04:52,360
Speaker 4: was like, I was thinking of Michael. I was trying

1386
01:04:52,400 --> 01:04:53,800
Speaker 4: to give him a little shot, like I went out

1387
01:04:53,800 --> 01:04:55,800
Speaker 4: to him like that was about you. At the end,

1388
01:04:55,840 --> 01:04:56,920
Speaker 4: He's like, oh, okay, I get it.

1389
01:05:00,040 --> 01:05:03,960
Speaker 3: Oh gosh, guys. The next episode, season seven, episode eight,

1390
01:05:04,080 --> 01:05:06,200
Speaker 3: is called the Honeymooners.

1391
01:05:06,240 --> 01:05:08,680
Speaker 4: I don't think we should see it to skip it.

1392
01:05:10,920 --> 01:05:12,600
Speaker 5: Is it might not go somewhere.

1393
01:05:13,680 --> 01:05:16,360
Speaker 4: What do you mean we're arrested. It starts right at

1394
01:05:16,400 --> 01:05:19,520
Speaker 4: the hotel that I remember, ok because because they're about

1395
01:05:19,560 --> 01:05:22,720
Speaker 4: to be he's stealing the room and they're about to,

1396
01:05:23,000 --> 01:05:25,960
Speaker 4: you know, finally have sex, and there's a knock in

1397
01:05:26,040 --> 01:05:29,320
Speaker 4: the door because I remember one of somebody, the guy

1398
01:05:29,360 --> 01:05:31,480
Speaker 4: who plays the cop, was married to somebody on the

1399
01:05:31,520 --> 01:05:33,320
Speaker 4: show at the time, and he and I talked for

1400
01:05:33,360 --> 01:05:36,240
Speaker 4: a while. But Eric is like in handcuffs and Corey

1401
01:05:36,280 --> 01:05:37,560
Speaker 4: and to panger A dragged out of the room. So

1402
01:05:37,680 --> 01:05:40,280
Speaker 4: I don't know if that's still the honeymoon episode, but

1403
01:05:40,440 --> 01:05:40,880
Speaker 4: it must be.

1404
01:05:40,960 --> 01:05:43,240
Speaker 3: If it's called the Honeymoon, it's called the Honeymooners.

1405
01:05:43,280 --> 01:05:44,880
Speaker 4: I just know I end up as a coconut, and

1406
01:05:45,040 --> 01:05:46,600
Speaker 4: that's the funniest part of the episode.

1407
01:05:46,680 --> 01:05:47,960
Speaker 2: You're getting cooked.

1408
01:05:49,000 --> 01:05:51,000
Speaker 3: That's all I remember is that you're getting cooked in a.

1409
01:05:53,040 --> 01:05:53,240
Speaker 2: Well.

1410
01:05:53,480 --> 01:05:57,200
Speaker 3: I'm happy. I'm really pleasantly surprised at how much we

1411
01:05:57,400 --> 01:06:02,200
Speaker 3: liked this wedding episode. I'm gonna carry this feeling in show.

1412
01:06:02,320 --> 01:06:03,880
Speaker 2: Did we get picked up from the back nine? Like

1413
01:06:04,040 --> 01:06:04,600
Speaker 2: right after this.

1414
01:06:06,160 --> 01:06:08,120
Speaker 4: I'm dying to talk to somebody about when they knew

1415
01:06:08,560 --> 01:06:10,080
Speaker 4: because I'm curious when when.

1416
01:06:10,000 --> 01:06:11,720
Speaker 2: They knew it was, because I feel like this episode

1417
01:06:11,840 --> 01:06:16,360
Speaker 2: really delivered. And yeah, probably as a sweeps week episode

1418
01:06:16,480 --> 01:06:17,560
Speaker 2: was good, good, a hit.

1419
01:06:17,640 --> 01:06:18,920
Speaker 4: You know, the last episode.

1420
01:06:18,920 --> 01:06:21,160
Speaker 2: In this episode, I would be like, Ah, this show

1421
01:06:21,520 --> 01:06:23,480
Speaker 2: can still go on. You know, it doesn't have to end.

1422
01:06:25,160 --> 01:06:27,040
Speaker 3: Well, thank you all for joining us with for this

1423
01:06:27,160 --> 01:06:29,400
Speaker 3: episode of podmeets World as always. You can follow us

1424
01:06:29,440 --> 01:06:31,880
Speaker 3: on Instagram Pod Meets World Show. You can send us

1425
01:06:31,920 --> 01:06:34,560
Speaker 3: your emails pod Meets World Show at gmail dot com.

1426
01:06:34,880 --> 01:06:36,440
Speaker 3: And we've got merch.

1427
01:06:37,080 --> 01:06:39,040
Speaker 4: Why don't we just skip the Honeymoon episode, pretend we

1428
01:06:39,120 --> 01:06:39,600
Speaker 4: never shot it.

1429
01:06:39,960 --> 01:06:46,480
Speaker 3: Merch Pod Meets Worldshows dot Com will sent this out.

1430
01:06:47,520 --> 01:06:51,320
Speaker 4: We love you all, pod dismissed. Pod Meets World is

1431
01:06:51,400 --> 01:06:54,800
Speaker 4: nheart podcast producer and hosted by Danielle Fischel, Wilfredell and

1432
01:06:54,960 --> 01:06:59,160
Speaker 4: Ryder Strong executive producers, Jensenkarp and Amy Sugarman, Executive in

1433
01:06:59,240 --> 01:07:03,880
Speaker 4: charge of production, Danielle Romo, producer and editor, Tara sudbachsch producer,

1434
01:07:04,000 --> 01:07:07,200
Speaker 4: Maddy Moore, engineer and Boy Meets World super fan Easton Allen.

1435
01:07:07,440 --> 01:07:09,560
Speaker 4: Our theme song is by Kyle Morton of Typhoon and

1436
01:07:09,640 --> 01:07:12,040
Speaker 4: you can follow us on Instagram at podmets World Show

1437
01:07:12,360 --> 01:07:15,080
Speaker 4: or email us at Podmets Worldshow at gmail dot com