1 00:00:00,280 --> 00:00:05,520 Speaker 1: It's nine O G one with Jenny Garth and Tory Spelling. 2 00:00:09,680 --> 00:00:11,280 Speaker 1: O MG, you. 3 00:00:11,280 --> 00:00:14,920 Speaker 2: Guys, today's the day we are back together. 4 00:00:15,200 --> 00:00:16,560 Speaker 3: I'm Jenny. 5 00:00:16,680 --> 00:00:19,120 Speaker 2: We have and we have Amy with us. But it's 6 00:00:19,160 --> 00:00:21,079 Speaker 2: so happy to We're so happy to have torin. 7 00:00:21,440 --> 00:00:24,840 Speaker 1: Thank you guys. Everyone missed you. 8 00:00:24,880 --> 00:00:25,960 Speaker 4: How are you doing, Tori? 9 00:00:26,480 --> 00:00:32,240 Speaker 3: We are hanging in, hanging in, getting by, but it 10 00:00:32,640 --> 00:00:34,720 Speaker 3: makes it being back, you guys. 11 00:00:35,600 --> 00:00:41,000 Speaker 5: Yes for the best episodes, Three. 12 00:00:40,840 --> 00:00:44,920 Speaker 2: Of Us Together against three Divas Together again, episode. 13 00:00:46,680 --> 00:00:48,599 Speaker 1: Amy A little bit. 14 00:00:49,400 --> 00:00:51,239 Speaker 4: I wanted to wait till the end, but it's just ten. 15 00:00:51,400 --> 00:00:54,280 Speaker 4: It's a ten. It's a ten, it's a ten plus plus. 16 00:00:54,280 --> 00:00:58,960 Speaker 2: Thanks for ruining the big reveal of our people. 17 00:00:58,680 --> 00:01:01,120 Speaker 5: Want to hear what you guys think, because that's what's 18 00:01:01,160 --> 00:01:02,240 Speaker 5: really gonna be interesting. 19 00:01:02,320 --> 00:01:06,640 Speaker 2: But I'm not on board with the time either, but 20 00:01:06,840 --> 00:01:09,759 Speaker 2: we'll get to that now. Oh my god, wait, let's 21 00:01:09,760 --> 00:01:12,319 Speaker 2: make still the start like this. Then you're like hyping 22 00:01:12,440 --> 00:01:13,679 Speaker 2: up so much there. 23 00:01:13,520 --> 00:01:16,880 Speaker 5: Were because everyone listening knows they've been waiting for divas like. 24 00:01:16,840 --> 00:01:20,200 Speaker 3: It really, Yes, that's a thing. It's a thing. 25 00:01:20,280 --> 00:01:22,520 Speaker 2: Okay, yeah, you guys, you guys, we're talking about episode 26 00:01:22,520 --> 00:01:23,039 Speaker 2: twenty seven. 27 00:01:23,160 --> 00:01:24,200 Speaker 1: Yes, it's called Divas. 28 00:01:24,280 --> 00:01:27,680 Speaker 2: It aired in April on April twentieth and nineteen ninety four. 29 00:01:27,720 --> 00:01:30,919 Speaker 6: Synopsis Claire comes for Brandon now that she's of age. 30 00:01:31,000 --> 00:01:34,120 Speaker 6: Dylan meets Suzanne's boyfriend for the first time. Steve tries 31 00:01:34,160 --> 00:01:36,920 Speaker 6: to make things right with his former accuser, Andrea has 32 00:01:36,959 --> 00:01:40,280 Speaker 6: a bad feeling. Donna and David are barking at each other, 33 00:01:40,319 --> 00:01:42,919 Speaker 6: and Brenda feels betrayed by Kelly once again. 34 00:01:43,560 --> 00:01:48,080 Speaker 1: Oh I love these synopsis by the way, beautifully done. 35 00:01:49,000 --> 00:01:50,760 Speaker 6: I want to find the person that was in charge 36 00:01:50,760 --> 00:01:53,720 Speaker 6: of writing synopsises for each episode. 37 00:01:53,760 --> 00:01:56,720 Speaker 5: Doesn't Lorraine write for the Lorain write the Lorraine right, 38 00:01:57,080 --> 00:01:58,280 Speaker 5: Lorraine writes these. 39 00:01:58,520 --> 00:02:04,640 Speaker 6: Wait, Lorraine writes the yes, stop it, you guys. I 40 00:02:04,680 --> 00:02:06,240 Speaker 6: never know that I thought this was like it. 41 00:02:06,240 --> 00:02:08,040 Speaker 4: Claire comes for Brandon now that. 42 00:02:08,000 --> 00:02:08,799 Speaker 1: She's of age. 43 00:02:09,240 --> 00:02:14,160 Speaker 7: Oh my god, they're so so b David and Donna 44 00:02:14,160 --> 00:02:17,320 Speaker 7: are barking. I literally, you guys thought it was like 45 00:02:17,400 --> 00:02:20,200 Speaker 7: I am dB, or like I did in the beginning too, 46 00:02:20,200 --> 00:02:23,120 Speaker 7: And then I learned, Lorraine, Bravo, they're amazing. 47 00:02:23,200 --> 00:02:23,840 Speaker 1: Yeah, okay, so. 48 00:02:23,919 --> 00:02:29,120 Speaker 2: Directed by David Semmel, written by Larry Mullen and Chip Johansson. Well, 49 00:02:30,320 --> 00:02:34,080 Speaker 2: this is the big the big auditioning for the play 50 00:02:34,120 --> 00:02:38,680 Speaker 2: episode the big Tennessee Williams debut of some major acting 51 00:02:39,560 --> 00:02:39,960 Speaker 2: going on. 52 00:02:40,040 --> 00:02:42,679 Speaker 5: I mean, there's so much to talk about. Do you 53 00:02:42,680 --> 00:02:46,000 Speaker 5: guys want to talk about that? That or Claire first? 54 00:02:46,280 --> 00:02:48,119 Speaker 5: It's like, let's talk about. 55 00:02:47,880 --> 00:02:50,080 Speaker 2: Claire first, because this is our first like not our 56 00:02:50,080 --> 00:02:52,040 Speaker 2: first episode, but this is our first, like when we 57 00:02:52,160 --> 00:02:53,760 Speaker 2: really see what Claire is all about. 58 00:02:55,320 --> 00:02:57,560 Speaker 3: The first version of Claire, the. 59 00:02:57,440 --> 00:03:00,880 Speaker 2: First exactly, the first version of Claire, because this is 60 00:03:00,960 --> 00:03:02,720 Speaker 2: not the Claire that moved into. 61 00:03:02,600 --> 00:03:07,200 Speaker 3: The beachfront for different This was like she was serving. 62 00:03:07,000 --> 00:03:10,400 Speaker 2: A purpose, like really coming in with an exclamation point. 63 00:03:10,560 --> 00:03:12,200 Speaker 5: Is I cannot wait to hear what you guys think 64 00:03:12,240 --> 00:03:17,560 Speaker 5: because it is so cringe in the most exceptionally amazing. 65 00:03:18,400 --> 00:03:21,760 Speaker 4: I can't get enough of it, even though you're like, oh. 66 00:03:21,720 --> 00:03:25,200 Speaker 2: God, it's what is it about Claire that you can't 67 00:03:25,240 --> 00:03:26,080 Speaker 2: get enough about it? 68 00:03:26,120 --> 00:03:29,239 Speaker 4: Like what almost how she's sort of just branded? 69 00:03:29,600 --> 00:03:31,520 Speaker 5: It's like, what I what I want to know about 70 00:03:31,520 --> 00:03:35,560 Speaker 5: Claire the real Claire is like was she serious or 71 00:03:35,680 --> 00:03:38,240 Speaker 5: was she sort of like this torture is Brandon so 72 00:03:38,400 --> 00:03:40,520 Speaker 5: much that I'm just leaning into it. Obviously she has 73 00:03:40,560 --> 00:03:42,800 Speaker 5: a crush on him. Great, but like, is she so 74 00:03:42,960 --> 00:03:43,920 Speaker 5: over the top with it? 75 00:03:43,960 --> 00:03:45,680 Speaker 4: I mean, who was doing? 76 00:03:47,280 --> 00:03:49,920 Speaker 2: It's fun because for her because of her dad, you know, 77 00:03:50,080 --> 00:03:53,760 Speaker 2: like he's sort of raining over them, and she's sneaking 78 00:03:53,760 --> 00:03:55,839 Speaker 2: behind his back. Like it feels like she's just having 79 00:03:55,840 --> 00:03:59,240 Speaker 2: a really good time torturing her dad. Probably, Yeah, I 80 00:03:59,240 --> 00:04:01,480 Speaker 2: feel like she's like this though, this is like her. 81 00:04:01,720 --> 00:04:04,800 Speaker 2: She's like Braddy in like the best way. 82 00:04:04,440 --> 00:04:08,760 Speaker 5: Yes, sassy, like even when she's in her like I 83 00:04:08,760 --> 00:04:10,600 Speaker 5: don't know if that's her school uniform with the like 84 00:04:10,760 --> 00:04:13,960 Speaker 5: tie and then she's so like like she's just like 85 00:04:14,440 --> 00:04:17,680 Speaker 5: literally behind her duds back, you know, like it it's 86 00:04:18,720 --> 00:04:22,600 Speaker 5: the hand cuff, just shows up at someone's house with 87 00:04:22,800 --> 00:04:24,279 Speaker 5: just their overnight back. 88 00:04:24,360 --> 00:04:30,920 Speaker 6: Like it's so crazy and awesome, so confident for high schooler. 89 00:04:31,920 --> 00:04:35,279 Speaker 2: I know, I love this character. Like I didn't really 90 00:04:35,600 --> 00:04:37,279 Speaker 2: know that this is how Claire came out. 91 00:04:37,800 --> 00:04:45,159 Speaker 4: You know, she's all will swep French kisses like everything 92 00:04:43,760 --> 00:04:47,360 Speaker 4: about and he kisses her in the end. 93 00:04:47,680 --> 00:04:51,280 Speaker 1: He ya, he likes her. 94 00:04:51,560 --> 00:04:54,360 Speaker 2: And every time we see him in Brandon liking someone, 95 00:04:54,440 --> 00:04:56,160 Speaker 2: I'm like, what about Emily? 96 00:04:57,400 --> 00:04:59,920 Speaker 3: Where is she told promised. 97 00:04:59,720 --> 00:05:02,680 Speaker 2: You were waiting for her? You told her that and 98 00:05:02,760 --> 00:05:06,320 Speaker 2: now you know, here comes in a new flavor of that. 99 00:05:06,480 --> 00:05:10,200 Speaker 3: I actually he didn't eat Claire's face though, No, it was. 100 00:05:10,400 --> 00:05:13,080 Speaker 1: He tried to pull away, but he didn't. 101 00:05:13,120 --> 00:05:15,720 Speaker 5: It was such a good kiss because I think because 102 00:05:15,760 --> 00:05:18,080 Speaker 5: it wasn't so aggressive, he was sort of holding back 103 00:05:18,440 --> 00:05:21,920 Speaker 5: that I was a little like tingling from that kiss. 104 00:05:21,960 --> 00:05:22,400 Speaker 4: I was like. 105 00:05:25,360 --> 00:05:27,359 Speaker 3: I was kind of into it too. I'm not gonna 106 00:05:27,440 --> 00:05:28,159 Speaker 3: lie well. 107 00:05:28,200 --> 00:05:32,159 Speaker 6: I was like, I'm wondering if Jason Priestley the actor, 108 00:05:32,440 --> 00:05:35,039 Speaker 6: like this is the moment this girl is so sexy, 109 00:05:35,160 --> 00:05:37,839 Speaker 6: like she's so I would I would be like, Okay, 110 00:05:37,880 --> 00:05:40,560 Speaker 6: I probably shouldn't kiss her back as the character, but 111 00:05:40,640 --> 00:05:41,240 Speaker 6: I want to. 112 00:05:42,440 --> 00:05:43,880 Speaker 4: Yeah. 113 00:05:45,240 --> 00:05:47,080 Speaker 5: I think that's why that kiss is so good, because 114 00:05:47,120 --> 00:05:50,280 Speaker 5: you feel that like this is this is she's kind 115 00:05:50,279 --> 00:05:53,800 Speaker 5: of way too much and she's the chancellor's daughter. 116 00:05:53,880 --> 00:05:55,679 Speaker 4: But I like it, and it's. 117 00:05:55,520 --> 00:06:00,800 Speaker 2: Like, oh mm hmm, it's exciting. It's a good addition 118 00:06:00,920 --> 00:06:01,320 Speaker 2: for sure. 119 00:06:02,160 --> 00:06:03,320 Speaker 1: And at this. 120 00:06:03,480 --> 00:06:09,480 Speaker 2: Point, is Claire coming on for recurring or she. 121 00:06:08,760 --> 00:06:13,160 Speaker 5: She's recurring transcurring? I think still she's not. I think 122 00:06:13,279 --> 00:06:14,559 Speaker 5: she becomes a cast member. 123 00:06:14,640 --> 00:06:15,520 Speaker 1: She's guest starring. 124 00:06:15,560 --> 00:06:17,840 Speaker 6: Still, But good question, because doesn't it give you the 125 00:06:17,960 --> 00:06:21,440 Speaker 6: vibes like were they trying to like get people on 126 00:06:21,560 --> 00:06:24,480 Speaker 6: to see if they work to make a spin off 127 00:06:24,760 --> 00:06:26,640 Speaker 6: like a high school show since she's younger. 128 00:06:26,960 --> 00:06:27,840 Speaker 1: It didn't give me so. 129 00:06:27,839 --> 00:06:30,080 Speaker 2: Much the spinoff vibe because I wasn't really thinking about that. 130 00:06:30,120 --> 00:06:31,839 Speaker 2: But it just kind of feels like it's an audition 131 00:06:32,480 --> 00:06:36,080 Speaker 2: for becoming a regular. You know, how do they work? 132 00:06:36,320 --> 00:06:39,279 Speaker 6: How does because eventually they do what they do with 133 00:06:39,360 --> 00:06:41,720 Speaker 6: everyone they like, Like David was younger and now he's 134 00:06:41,760 --> 00:06:45,200 Speaker 6: not basically Claire. Eventually it's like we're the same age, 135 00:06:45,720 --> 00:06:49,120 Speaker 6: even though she's a right to the group to be 136 00:06:49,160 --> 00:06:50,040 Speaker 6: a part of the gang. 137 00:06:50,200 --> 00:06:52,279 Speaker 5: I also love that he has that conversation that Brandon 138 00:06:52,320 --> 00:06:54,960 Speaker 5: has a conversation with Dylan, because he sort of catches them. 139 00:06:55,200 --> 00:06:57,040 Speaker 5: I think it's almost like I can't remember if it's 140 00:06:57,040 --> 00:06:59,279 Speaker 5: behind the peach pit or wherever it was, and he 141 00:06:59,440 --> 00:07:00,960 Speaker 5: sort of ignored is like, oh. 142 00:07:00,839 --> 00:07:03,160 Speaker 4: This might be worse than Lucinda, and it's just like, 143 00:07:04,560 --> 00:07:04,919 Speaker 4: I don't know. 144 00:07:04,960 --> 00:07:08,760 Speaker 5: I was just so in on the whole thing, even 145 00:07:08,800 --> 00:07:12,880 Speaker 5: though it is so maybe it's cringey, but also you're like, I. 146 00:07:12,880 --> 00:07:14,239 Speaker 4: Wish I could do what she's doing. 147 00:07:15,240 --> 00:07:18,640 Speaker 3: Well. I never found that she's cringing at all. It 148 00:07:18,720 --> 00:07:21,480 Speaker 3: was like very like fifty shades of gray before it 149 00:07:21,520 --> 00:07:22,040 Speaker 3: was ever a. 150 00:07:22,000 --> 00:07:25,720 Speaker 4: Thing like oh yeah, yeah, I. 151 00:07:25,640 --> 00:07:28,000 Speaker 3: Wanted to watch more of it and. 152 00:07:28,040 --> 00:07:31,120 Speaker 1: More just I think it's the confidence that you're probably. 153 00:07:31,520 --> 00:07:33,480 Speaker 6: And just like I don't know, it's the first type 154 00:07:33,520 --> 00:07:35,720 Speaker 6: of girl. Like it wasn't a girl that was just 155 00:07:36,120 --> 00:07:39,760 Speaker 6: sexy and like in like she was outside the box sexy. 156 00:07:40,080 --> 00:07:40,920 Speaker 3: She had piissing. 157 00:07:41,200 --> 00:07:45,080 Speaker 6: She was like a little bit alternative and show that 158 00:07:45,120 --> 00:07:48,880 Speaker 6: a female could be like super engaging in like sexy 159 00:07:48,880 --> 00:07:52,160 Speaker 6: in that way rather than the like playmate way. 160 00:07:52,280 --> 00:07:53,239 Speaker 3: I guess, which. 161 00:07:53,280 --> 00:07:54,080 Speaker 4: That's a good point. 162 00:07:54,160 --> 00:07:56,920 Speaker 5: And I like that Brandon doesn't hook up with her 163 00:07:57,000 --> 00:07:59,840 Speaker 5: per se because that's what the jerky creepy is that. 164 00:07:59,800 --> 00:08:03,880 Speaker 1: Good to happen. Do those two characters get together. 165 00:08:05,200 --> 00:08:08,000 Speaker 4: I'm not it, I'm not, I remember, but there's more. 166 00:08:10,920 --> 00:08:14,120 Speaker 2: Well, well, I guess we'll wait. You know, I appreciate 167 00:08:14,160 --> 00:08:15,440 Speaker 2: you guys not spoiling it. 168 00:08:15,440 --> 00:08:18,320 Speaker 5: But I also like because like a dude that's with 169 00:08:18,400 --> 00:08:22,000 Speaker 5: this hot girl who obviously like wants him could have 170 00:08:22,040 --> 00:08:24,200 Speaker 5: gotten in the bed with her with their handcuffs, but 171 00:08:24,240 --> 00:08:29,000 Speaker 5: he's so like no, which makes the kind of thing 172 00:08:29,120 --> 00:08:31,080 Speaker 5: they have more likable. 173 00:08:31,200 --> 00:08:32,679 Speaker 4: I'm like, this is it? 174 00:08:32,400 --> 00:08:34,160 Speaker 1: And you're wondering, is he saying no? 175 00:08:34,240 --> 00:08:37,360 Speaker 2: Because it's the chancellor's daughter. The chancellor is like the 176 00:08:37,400 --> 00:08:40,800 Speaker 2: big principal, dean head of school, right. 177 00:08:41,400 --> 00:08:45,000 Speaker 6: Right, really good point. I wonder if no one else 178 00:08:45,040 --> 00:08:47,280 Speaker 6: would know, if there wasn't that element, if he would 179 00:08:47,320 --> 00:08:48,120 Speaker 6: have gone for huh? 180 00:08:48,640 --> 00:08:50,040 Speaker 1: Or is it because she's younger? 181 00:08:50,960 --> 00:08:51,160 Speaker 3: Right? 182 00:08:53,120 --> 00:08:55,600 Speaker 2: But she does make a point to say I'm not 183 00:08:55,720 --> 00:08:57,160 Speaker 2: jail baita any I like. 184 00:08:57,120 --> 00:08:59,360 Speaker 4: When she says, am I repulsive to you? 185 00:08:59,520 --> 00:09:03,079 Speaker 5: And he's and and he kind of in such a 186 00:09:03,200 --> 00:09:07,640 Speaker 5: cool sweet way says no, like that's not what it is. 187 00:09:09,400 --> 00:09:12,199 Speaker 5: And You're like you believe him. You're like, he's so conflating. 188 00:09:12,200 --> 00:09:14,480 Speaker 2: I know, I'm really curious what's gonna happen with these 189 00:09:14,520 --> 00:09:18,200 Speaker 2: two because I would be so disappointed in Brandon if 190 00:09:18,240 --> 00:09:20,600 Speaker 2: because he's like he's doing the right thing right now, 191 00:09:20,600 --> 00:09:21,040 Speaker 2: and I. 192 00:09:21,040 --> 00:09:23,079 Speaker 1: Like that about him with her. 193 00:09:23,200 --> 00:09:24,280 Speaker 3: But we today hook up. 194 00:09:24,160 --> 00:09:29,400 Speaker 6: Amy, everyone just tell us whisper it to us, Yeah, 195 00:09:29,440 --> 00:09:30,520 Speaker 6: there's more with her. 196 00:09:31,720 --> 00:09:34,480 Speaker 1: I know, it's just with his character. 197 00:09:35,080 --> 00:09:37,679 Speaker 6: It's just really hard at this point to think of 198 00:09:37,720 --> 00:09:39,480 Speaker 6: her years later with Steve. 199 00:09:39,559 --> 00:09:43,200 Speaker 1: I just can't no, right me, I was thinking the 200 00:09:43,280 --> 00:09:43,839 Speaker 1: same thing. 201 00:09:43,960 --> 00:09:45,640 Speaker 3: That's where my mind goes Claire. 202 00:09:46,240 --> 00:09:49,280 Speaker 2: But maybe Steve's into some kinky I'm trying to like 203 00:09:49,400 --> 00:09:51,440 Speaker 2: he appreciates we. 204 00:09:51,440 --> 00:09:54,480 Speaker 1: Know that about him. Okay, let's talk. 205 00:09:54,520 --> 00:09:57,840 Speaker 2: Okay, we talked about Claire. It's exciting. We're gonna see 206 00:09:57,840 --> 00:09:59,920 Speaker 2: more of her. That's really good. But this was a 207 00:10:00,120 --> 00:10:06,560 Speaker 2: really big Brenda episode as opposed to last week Brenda 208 00:10:06,600 --> 00:10:10,040 Speaker 2: was barely in it, right, So this is a big 209 00:10:10,080 --> 00:10:13,360 Speaker 2: episode where Brenda is back and she looks amazing. I 210 00:10:13,440 --> 00:10:18,000 Speaker 2: remember just thinking during filming these scenes, like being so. 211 00:10:18,160 --> 00:10:21,000 Speaker 1: Like, oh my god, her hair, the clothes. 212 00:10:20,600 --> 00:10:23,560 Speaker 2: And everything that was going on with the Brenda character 213 00:10:23,679 --> 00:10:26,240 Speaker 2: was awesome, amazing. 214 00:10:25,800 --> 00:10:26,800 Speaker 1: And I really loved it. 215 00:10:27,400 --> 00:10:29,120 Speaker 4: She's so good in this life. 216 00:10:29,160 --> 00:10:33,520 Speaker 6: I'm assuming at this point it was everyone's knowledge that 217 00:10:33,559 --> 00:10:34,800 Speaker 6: she was leaving, like it's. 218 00:10:34,640 --> 00:10:35,560 Speaker 3: Just so the setup. 219 00:10:35,600 --> 00:10:37,400 Speaker 6: But before we were like, oh, she's kind of there, 220 00:10:37,480 --> 00:10:41,200 Speaker 6: lessening her part. She doesn't seem as engaged this one. 221 00:10:41,280 --> 00:10:45,400 Speaker 6: She's super engaged her part, super ignited. And it's talking 222 00:10:45,440 --> 00:10:47,880 Speaker 6: about like moving on, not feeling a part of everything. 223 00:10:48,320 --> 00:10:49,559 Speaker 3: We're talking about it now. 224 00:10:49,640 --> 00:10:53,079 Speaker 1: So and it's interesting too what Chuck Rosen said. 225 00:10:54,640 --> 00:10:58,880 Speaker 2: Told us recently about how these are the episodes where 226 00:11:00,600 --> 00:11:04,680 Speaker 2: Shannon seemed to be become more engaged and reconnected with 227 00:11:04,720 --> 00:11:08,520 Speaker 2: her character right before the end, which is just odd 228 00:11:08,559 --> 00:11:08,760 Speaker 2: to me. 229 00:11:09,280 --> 00:11:11,120 Speaker 5: Do you guys remember if she knew or did she 230 00:11:12,280 --> 00:11:14,080 Speaker 5: Maybe she didn't, maybe you all didn't. 231 00:11:14,200 --> 00:11:16,480 Speaker 4: Maybe she just was sort of troubled. 232 00:11:16,840 --> 00:11:18,600 Speaker 5: You remember she was like showing up late for work 233 00:11:18,640 --> 00:11:20,440 Speaker 5: and all those things, and then maybe she kind of was. 234 00:11:20,480 --> 00:11:23,400 Speaker 4: Ling a lot of personal Yeah, back invested again. 235 00:11:25,760 --> 00:11:26,160 Speaker 1: I don't know. 236 00:11:26,200 --> 00:11:29,760 Speaker 2: I mean this because I was kind of on the 237 00:11:29,760 --> 00:11:32,480 Speaker 2: fence whether I felt like she was really into this 238 00:11:32,520 --> 00:11:36,720 Speaker 2: storyline or if she was just doing it because it 239 00:11:36,800 --> 00:11:39,040 Speaker 2: was was. 240 00:11:39,000 --> 00:11:40,600 Speaker 4: Like on the page. 241 00:11:41,000 --> 00:11:43,800 Speaker 2: Yeah, I couldn't tell, like if she if she really 242 00:11:43,840 --> 00:11:50,200 Speaker 2: loved it, Like I could tell that the character of uh, 243 00:11:50,440 --> 00:11:56,440 Speaker 2: what's her name? Tracy Laura or as I Steve says, 244 00:11:56,640 --> 00:12:02,840 Speaker 2: Lara really bugs me. She you can tell she is 245 00:12:02,880 --> 00:12:07,120 Speaker 2: all in this is like her chance to shine. 246 00:12:07,240 --> 00:12:09,440 Speaker 1: Yeah, she's so good in this. 247 00:12:09,600 --> 00:12:14,360 Speaker 2: Like it's weird watching it back, but I remember working 248 00:12:14,400 --> 00:12:17,120 Speaker 2: with her and thinking, Wow, she makes such interesting choices 249 00:12:17,720 --> 00:12:21,000 Speaker 2: as an actress and she was giving who did she 250 00:12:21,120 --> 00:12:22,679 Speaker 2: remind me so much of you? 251 00:12:25,040 --> 00:12:26,760 Speaker 1: She looks my daughter's Like is that. 252 00:12:28,559 --> 00:12:29,280 Speaker 3: So talented. 253 00:12:29,320 --> 00:12:32,000 Speaker 6: I just can't still can't understand why they would cast 254 00:12:32,040 --> 00:12:34,800 Speaker 6: someone that would look so similar. 255 00:12:34,960 --> 00:12:38,520 Speaker 5: Like it's true, she's much better in these than the 256 00:12:38,559 --> 00:12:40,400 Speaker 5: previous sort of arc she had. 257 00:12:41,080 --> 00:12:43,320 Speaker 4: She still has something that's a little I don't know 258 00:12:43,320 --> 00:12:43,760 Speaker 4: what it is. 259 00:12:43,800 --> 00:12:45,800 Speaker 5: It's a little bit of like an affect or something 260 00:12:45,800 --> 00:12:48,520 Speaker 5: that's kind of like unique about her that sort of 261 00:12:48,600 --> 00:12:52,040 Speaker 5: was annoying before that. Now maybe because it's so cat 262 00:12:52,080 --> 00:12:53,800 Speaker 5: on a hot tin roofe oh. 263 00:12:54,120 --> 00:12:54,880 Speaker 1: I know what it is? 264 00:12:54,960 --> 00:12:57,319 Speaker 2: She reminds Her acting style reminds me so much of 265 00:12:57,400 --> 00:13:02,160 Speaker 2: Jessica Lang's act. So much internal and there's so much 266 00:13:02,240 --> 00:13:04,560 Speaker 2: before the words actually come out of her mouth. 267 00:13:04,600 --> 00:13:06,319 Speaker 1: There's so much internally going on with her. 268 00:13:06,679 --> 00:13:07,040 Speaker 7: I don't know. 269 00:13:07,040 --> 00:13:08,560 Speaker 5: I just really like, you know, when she's running that 270 00:13:08,640 --> 00:13:12,040 Speaker 5: scene with Steve and she's getting all clothes and I'm like. 271 00:13:12,360 --> 00:13:16,160 Speaker 4: Is she Laura? Is she the actress and the cat 272 00:13:16,200 --> 00:13:19,040 Speaker 4: on a hot time? What's like? Whatever? She would? She 273 00:13:19,040 --> 00:13:20,920 Speaker 4: sold me on it completely because I. 274 00:13:20,840 --> 00:13:24,640 Speaker 1: Was like, sold you right, Yeah, she's really convincing. I 275 00:13:24,679 --> 00:13:26,440 Speaker 1: think she should get the part one hundred. 276 00:13:26,920 --> 00:13:28,160 Speaker 3: No, I don't know who gets this part. 277 00:13:28,520 --> 00:13:35,840 Speaker 1: I don't either, but I want it to be her. 278 00:13:42,720 --> 00:13:44,680 Speaker 6: I just really wanted to see I want to see 279 00:13:44,720 --> 00:13:46,680 Speaker 6: you auditioning and seeing you do. 280 00:13:46,880 --> 00:13:49,000 Speaker 4: The I want to see all that. 281 00:13:49,000 --> 00:13:50,760 Speaker 3: That's what I wanted to see her so bad. 282 00:13:51,280 --> 00:13:53,560 Speaker 1: I don't want to see me doing what crawling across. 283 00:13:56,240 --> 00:13:58,440 Speaker 6: But going back to the brend of it all, I 284 00:13:58,480 --> 00:14:01,480 Speaker 6: hear you like, but I felt and I was thinking 285 00:14:01,520 --> 00:14:04,840 Speaker 6: the same thing there that she was into it for 286 00:14:04,880 --> 00:14:07,120 Speaker 6: some reason. You felt like she was and felt like 287 00:14:07,160 --> 00:14:09,360 Speaker 6: she was into it. Like it almost felt like they 288 00:14:09,400 --> 00:14:12,640 Speaker 6: said to her, you know, here's the where the storyline's going, 289 00:14:12,800 --> 00:14:14,000 Speaker 6: here's what's happening. 290 00:14:14,080 --> 00:14:18,040 Speaker 3: And she was like happy, yeah, but I don't know. 291 00:14:19,720 --> 00:14:22,800 Speaker 5: Yeah. To me, she sold this whole episode, Like this 292 00:14:22,880 --> 00:14:25,880 Speaker 5: episode is great because of all the storylines, and I'm 293 00:14:25,920 --> 00:14:28,400 Speaker 5: obsessed with Claire and I love how it's sort of 294 00:14:28,520 --> 00:14:32,160 Speaker 5: again making it's a little bit Kelly versus Brenda, which 295 00:14:33,320 --> 00:14:36,480 Speaker 5: I'm sorry to say, I do like there's something about 296 00:14:36,520 --> 00:14:38,239 Speaker 5: that that's so kind of compelling. 297 00:14:39,000 --> 00:14:42,120 Speaker 4: But Charny, do you like it makes this episode a ten? 298 00:14:42,520 --> 00:14:46,160 Speaker 5: Like she is so awesome in it, and even her 299 00:14:46,360 --> 00:14:48,960 Speaker 5: like acting in the flirting with Roy and loving him 300 00:14:49,000 --> 00:14:53,360 Speaker 5: and even the weird how Cindy's so discouraging, You're like writing. 301 00:14:52,800 --> 00:14:55,040 Speaker 3: Yeah, why er she. 302 00:14:57,560 --> 00:14:59,280 Speaker 1: Very it's not like her at all. 303 00:14:59,320 --> 00:15:03,120 Speaker 4: And she looks like beyond beyond in this episode, like 304 00:15:03,160 --> 00:15:06,640 Speaker 4: she looks so amazing that you're just like, wait. 305 00:15:06,520 --> 00:15:09,760 Speaker 1: But what about here she is? Here's Brenda going for 306 00:15:09,800 --> 00:15:11,480 Speaker 1: another older man like. 307 00:15:11,520 --> 00:15:19,520 Speaker 2: Clockwork and he Roy Randolphe creepy, creepy. 308 00:15:18,800 --> 00:15:22,640 Speaker 3: Creepers, what do you mean she's gone for worse? 309 00:15:24,400 --> 00:15:27,280 Speaker 2: Definitely, But the minute he opened his mouth with that accent, 310 00:15:27,280 --> 00:15:28,440 Speaker 2: I was and just how he's. 311 00:15:28,280 --> 00:15:31,280 Speaker 4: All googling her at the coffee stand or not. 312 00:15:31,360 --> 00:15:38,800 Speaker 2: Googling, googling, googling googling for googling, ogling, what is it? 313 00:15:39,840 --> 00:15:45,160 Speaker 5: He was checking her out from afar like he's cool 314 00:15:45,320 --> 00:15:46,000 Speaker 5: but a. 315 00:15:46,040 --> 00:15:49,240 Speaker 3: Teenage played like a magician or something not like well, and. 316 00:15:49,200 --> 00:15:52,000 Speaker 5: They acknowledge that he's like a total pig right like 317 00:15:52,000 --> 00:15:55,520 Speaker 5: because either one of the actors, one of them auditioning 318 00:15:55,600 --> 00:15:58,640 Speaker 5: even says that he's so notorious. 319 00:15:58,000 --> 00:16:03,320 Speaker 2: For this, for going with him leading gross and the 320 00:16:03,360 --> 00:16:08,440 Speaker 2: way he clocks Kelly come in, he does he's like 321 00:16:08,480 --> 00:16:10,400 Speaker 2: he like smells her or something. 322 00:16:10,400 --> 00:16:11,240 Speaker 1: It's weird. 323 00:16:11,880 --> 00:16:14,600 Speaker 5: And then I love the end to me, the end 324 00:16:14,640 --> 00:16:18,680 Speaker 5: is why I was like blows because it's so dramatic 325 00:16:18,720 --> 00:16:22,440 Speaker 5: and Laura's a little mean, like fully. 326 00:16:22,160 --> 00:16:25,240 Speaker 4: Like, oh if you have friends like that? Like she's yeah, 327 00:16:25,240 --> 00:16:27,960 Speaker 4: wait what you say, Oh, she's a share That's what 328 00:16:28,000 --> 00:16:31,800 Speaker 4: she is. It's like she wants to make this. 329 00:16:33,960 --> 00:16:37,000 Speaker 2: Like you know, which I I love this character for 330 00:16:37,040 --> 00:16:39,640 Speaker 2: that very reason, like I want somebody to come in 331 00:16:39,680 --> 00:16:41,440 Speaker 2: and do this, because. 332 00:16:41,120 --> 00:16:43,040 Speaker 1: That's how young people are. 333 00:16:43,160 --> 00:16:45,600 Speaker 2: They're just sometimes there's those bad eggs and they just 334 00:16:45,640 --> 00:16:48,360 Speaker 2: want to cause problems for everybody around them when they're 335 00:16:48,440 --> 00:16:50,160 Speaker 2: not getting what they think they doesn't. 336 00:16:50,760 --> 00:16:57,400 Speaker 5: That's Randa told you to audition, like if we're really yeah, 337 00:16:57,400 --> 00:16:58,480 Speaker 5: but she. 338 00:16:58,040 --> 00:16:59,920 Speaker 2: She thought that Kelly, was you an audition for like 339 00:17:00,080 --> 00:17:04,320 Speaker 2: the you know, like the extra guys. 340 00:17:05,119 --> 00:17:09,400 Speaker 6: Right, that's Kelly didn't do to that's what you intended 341 00:17:09,440 --> 00:17:13,120 Speaker 6: to do. It wasn't like yeah, I think so help 342 00:17:13,119 --> 00:17:14,320 Speaker 6: but if he saw something. 343 00:17:14,040 --> 00:17:17,000 Speaker 4: Else exactly to exactly have you guys. 344 00:17:16,960 --> 00:17:20,199 Speaker 5: Were I'm afraid of what have you never gone in 345 00:17:20,280 --> 00:17:22,480 Speaker 5: for a part and gotten another part? 346 00:17:22,920 --> 00:17:23,120 Speaker 3: Yes? 347 00:17:24,720 --> 00:17:28,239 Speaker 6: And it happens all the time, but I guess technically, well, 348 00:17:28,280 --> 00:17:29,440 Speaker 6: we'll have to see what happens. 349 00:17:30,200 --> 00:17:31,560 Speaker 1: We just Kelly get the part. 350 00:17:32,400 --> 00:17:33,960 Speaker 3: I don't know Brenda get the part. 351 00:17:34,160 --> 00:17:34,920 Speaker 1: What happened. 352 00:17:36,359 --> 00:17:39,560 Speaker 4: I'm just fuzzy on what happened. 353 00:17:39,600 --> 00:17:41,960 Speaker 6: If Kelly got the part, I feel like she would 354 00:17:42,000 --> 00:17:43,760 Speaker 6: turn it down because it's not what she wants to 355 00:17:43,800 --> 00:17:44,320 Speaker 6: do in life. 356 00:17:44,520 --> 00:17:46,800 Speaker 1: No, it's is what I thinking the same thing. 357 00:17:46,840 --> 00:17:49,160 Speaker 2: If she were to be offered the part, Kelly would 358 00:17:49,280 --> 00:17:49,720 Speaker 2: back out. 359 00:17:51,080 --> 00:17:52,120 Speaker 4: You guys, go for it. 360 00:17:53,400 --> 00:17:53,959 Speaker 1: That's not her. 361 00:17:54,280 --> 00:17:56,520 Speaker 3: Look at Amy's face. That's not what's going to happen. 362 00:17:57,200 --> 00:17:59,680 Speaker 5: No, I'm just I'm being poker faced about a lot 363 00:17:59,680 --> 00:18:00,840 Speaker 5: of things I don't want to be. 364 00:18:02,760 --> 00:18:04,239 Speaker 4: I do spoilers. 365 00:18:05,520 --> 00:18:08,359 Speaker 6: Well, you need to turn your camera off because I 366 00:18:08,400 --> 00:18:10,760 Speaker 6: need to see what I mean. Yeah, I could tell 367 00:18:10,840 --> 00:18:11,720 Speaker 6: something's happening. 368 00:18:12,359 --> 00:18:14,640 Speaker 4: I mean, okay, but in real life, if Kelly got 369 00:18:14,680 --> 00:18:15,320 Speaker 4: the part. 370 00:18:16,000 --> 00:18:19,680 Speaker 8: If Kelly gets the part and Brenda's her understudy, the 371 00:18:20,000 --> 00:18:22,560 Speaker 8: story of Brenda's life, she always like gets cuts and 372 00:18:22,640 --> 00:18:25,480 Speaker 8: they're like, oh my god, well. 373 00:18:25,320 --> 00:18:26,680 Speaker 3: And here's my thing. Literally. 374 00:18:26,920 --> 00:18:29,400 Speaker 4: Okay, So this is the hypocrisy, right, Okay. 375 00:18:29,520 --> 00:18:34,200 Speaker 5: So Brenda is all so in a dither over Kelly 376 00:18:34,280 --> 00:18:38,480 Speaker 5: allegedly having cappuccino with Roy, but yet Brenda had no 377 00:18:38,560 --> 00:18:41,400 Speaker 5: problem being flirty, flirty, flirty with him at the at 378 00:18:41,400 --> 00:18:45,879 Speaker 5: the coffee stand exactly we're all out for ourselves exactly. 379 00:18:46,640 --> 00:18:49,520 Speaker 3: Yeah mm, because. 380 00:18:49,760 --> 00:18:52,280 Speaker 2: Did you guys feel like there was a weird vibes 381 00:18:52,320 --> 00:18:55,400 Speaker 2: between Dylan and Brenda though in that scene and kind 382 00:18:55,440 --> 00:18:58,320 Speaker 2: of the very top of the show where she runs 383 00:18:58,359 --> 00:19:01,040 Speaker 2: into him at the bookstore, library or whatever. Oh, but 384 00:19:01,200 --> 00:19:03,159 Speaker 2: which by the way, was highly entertaining when she was 385 00:19:03,200 --> 00:19:05,560 Speaker 2: looking at all the newspapers and like that, what's that 386 00:19:05,600 --> 00:19:07,840 Speaker 2: machine where you look up information on the Oh? 387 00:19:07,920 --> 00:19:11,240 Speaker 5: Yeah, I literally wrote this is the stalking, this is 388 00:19:11,280 --> 00:19:13,879 Speaker 5: the cyber stalking of the nineties, because she's. 389 00:19:13,760 --> 00:19:17,040 Speaker 6: Wait, that doesn't exist anymore. You can look at machines. 390 00:19:16,720 --> 00:19:20,040 Speaker 1: Yeah, what is that a fit? It's you know that. 391 00:19:20,000 --> 00:19:24,159 Speaker 2: Machine because it was all on the film or whatever. 392 00:19:24,680 --> 00:19:26,600 Speaker 5: But now that would have been like going home on 393 00:19:26,640 --> 00:19:31,560 Speaker 5: your laptop and being like Roy Randolph, Roy Randolph Randolph 394 00:19:31,640 --> 00:19:31,960 Speaker 5: and the. 395 00:19:31,920 --> 00:19:37,200 Speaker 2: Girl she had to xerox copy newspapers archives of the live. 396 00:19:37,280 --> 00:19:41,080 Speaker 4: Work for it was just fully like vetting all the time. 397 00:19:41,119 --> 00:19:45,560 Speaker 4: We say, ninety style, that's what everybody does. On the interview. 398 00:19:45,600 --> 00:19:48,520 Speaker 4: They're like, what's this guy, who's the idea? 399 00:19:48,720 --> 00:19:51,240 Speaker 3: And how much time we waste doing stuff like that? 400 00:19:51,320 --> 00:19:54,159 Speaker 6: Like you had to make an appointment like nine two 401 00:19:53,960 --> 00:19:56,280 Speaker 6: o was a was appointment television back then because it 402 00:19:56,359 --> 00:19:58,520 Speaker 6: was on once a week. You couldn't just binge watch 403 00:19:58,560 --> 00:20:00,840 Speaker 6: like you can now a shows same thing there. You 404 00:20:00,840 --> 00:20:02,520 Speaker 6: had to make an appointment, go to the library, be 405 00:20:02,640 --> 00:20:04,919 Speaker 6: precise so you weren't just like randomly going down a 406 00:20:05,000 --> 00:20:06,920 Speaker 6: rabbit hole at night, which I do often. 407 00:20:07,040 --> 00:20:11,120 Speaker 2: You had to use like the Dewey decimal cards, the 408 00:20:11,160 --> 00:20:14,240 Speaker 2: cards that the alphabatage and how many nights have we 409 00:20:14,320 --> 00:20:16,000 Speaker 2: wasted together on text? 410 00:20:16,040 --> 00:20:18,240 Speaker 6: Not together but texting each other going oh my god, 411 00:20:18,280 --> 00:20:20,520 Speaker 6: I just went here and do it like a rabbit 412 00:20:20,520 --> 00:20:22,600 Speaker 6: hole a people this person to that person. 413 00:20:23,680 --> 00:20:26,600 Speaker 5: Suddenly you're like, why am I waking up my ex 414 00:20:26,800 --> 00:20:31,560 Speaker 5: boyfriend's sisters, cousins hairstylist. 415 00:20:32,040 --> 00:20:36,080 Speaker 2: So Dory is infamous for rabbit holing, but she has 416 00:20:36,160 --> 00:20:41,000 Speaker 2: gotten me more into it, honestly. And my husband is like, right, 417 00:20:42,680 --> 00:20:45,560 Speaker 2: you guys love to do your library deep. 418 00:20:45,720 --> 00:20:46,320 Speaker 3: He goes deep. 419 00:20:46,680 --> 00:20:48,719 Speaker 5: The worst though, is when it slips out and you're like, 420 00:20:48,840 --> 00:20:50,399 Speaker 5: you bumm into someone you don't even know, and you're like, 421 00:20:50,400 --> 00:20:52,240 Speaker 5: how was your twip yip to Mexico? 422 00:20:53,200 --> 00:20:55,240 Speaker 1: You know way too much about it speaking of a. 423 00:20:55,359 --> 00:20:58,800 Speaker 5: Little trivia you guys, Okay, I don't know if anyone 424 00:20:58,840 --> 00:20:59,359 Speaker 5: spotted this. 425 00:20:59,800 --> 00:21:04,040 Speaker 4: But one of the guys that auditions, do you guys. 426 00:21:03,840 --> 00:21:08,000 Speaker 5: Know so one of the bad guy, the one that's 427 00:21:08,160 --> 00:21:09,239 Speaker 5: so do you know who that is? 428 00:21:09,680 --> 00:21:09,800 Speaker 3: No? 429 00:21:10,680 --> 00:21:13,480 Speaker 5: So, that is an actor named Ryan Hurst. I knew 430 00:21:13,520 --> 00:21:17,440 Speaker 5: it immediately. Who was huge And remember the. 431 00:21:17,400 --> 00:21:18,399 Speaker 1: Titans reaching for her? 432 00:21:18,800 --> 00:21:19,800 Speaker 4: Remember the Titans. 433 00:21:20,160 --> 00:21:23,199 Speaker 5: He was Jerry Betire. He's like the main dude. And 434 00:21:23,280 --> 00:21:24,440 Speaker 5: remember the Titans and that guy. 435 00:21:24,520 --> 00:21:26,240 Speaker 3: I don't know what Remember the Titans is. 436 00:21:26,520 --> 00:21:27,800 Speaker 1: I don't even know what that is. 437 00:21:27,960 --> 00:21:28,880 Speaker 3: You cannot tell why? 438 00:21:28,960 --> 00:21:31,120 Speaker 1: Okay, fine, I think that's a movie, A good movie 439 00:21:31,119 --> 00:21:32,040 Speaker 1: about Yes. 440 00:21:31,920 --> 00:21:34,040 Speaker 4: It's Denzel. It's an amazing movie. 441 00:21:34,440 --> 00:21:36,679 Speaker 5: I need to watch that ran and I think this 442 00:21:36,800 --> 00:21:39,320 Speaker 5: is like either the first or second thing he'd ever done. 443 00:21:39,400 --> 00:21:43,639 Speaker 4: And he went on he was and he's dead this guys, 444 00:21:43,680 --> 00:21:44,639 Speaker 4: you guys he is. 445 00:21:45,200 --> 00:21:49,400 Speaker 5: He's He played such a gnarly guy on Walking Dead but. 446 00:21:49,359 --> 00:21:51,480 Speaker 3: Like he oh, I like Walking Dead? Who was he 447 00:21:51,520 --> 00:21:51,720 Speaker 3: in that? 448 00:21:51,960 --> 00:21:53,879 Speaker 5: He was one of the remember the creepy people that 449 00:21:53,920 --> 00:21:58,760 Speaker 5: work there, the Dead, the zombie masks. They got it 450 00:21:58,800 --> 00:22:03,199 Speaker 5: through the zombies because they or the mass of the walkers. 451 00:22:03,400 --> 00:22:06,000 Speaker 5: But he was in remember the Times, He's like the 452 00:22:06,040 --> 00:22:06,720 Speaker 5: main dude. 453 00:22:07,200 --> 00:22:08,560 Speaker 3: Oh, sons of answer. 454 00:22:08,640 --> 00:22:12,560 Speaker 2: Nobody else, nobody else noticed any kind of like, oh no, 455 00:22:12,800 --> 00:22:16,320 Speaker 2: we between Brenda and Dylan, I just felt like they 456 00:22:16,359 --> 00:22:21,440 Speaker 2: were super disconnected, whereas before that we were still kind 457 00:22:21,440 --> 00:22:23,520 Speaker 2: of rooting for them to be together in a weird way, 458 00:22:23,560 --> 00:22:25,920 Speaker 2: like whenever they would have scenes together just felt right right. 459 00:22:26,040 --> 00:22:28,960 Speaker 2: So this one just felt like very by the numbers 460 00:22:28,960 --> 00:22:30,560 Speaker 2: and let's get the styles. 461 00:22:30,960 --> 00:22:32,719 Speaker 3: Something was going on behind the scenes that day. 462 00:22:32,760 --> 00:22:32,879 Speaker 5: Then. 463 00:22:33,000 --> 00:22:36,240 Speaker 2: I always wonder when those scenes where you I can 464 00:22:36,320 --> 00:22:39,080 Speaker 2: feel the discomfort between the lines. 465 00:22:38,800 --> 00:22:42,040 Speaker 5: Wow, well that's interesting because to who knows Jenny, you 466 00:22:42,119 --> 00:22:44,800 Speaker 5: might be onto something because she was so thriving in 467 00:22:44,880 --> 00:22:46,680 Speaker 5: the rest of this episode, you know what I mean? 468 00:22:46,720 --> 00:22:49,439 Speaker 5: That like firing on all cylinders that if you notice that, 469 00:22:49,560 --> 00:22:52,320 Speaker 5: maybe there was behind the scenes sort of angst. 470 00:22:52,640 --> 00:22:55,960 Speaker 6: Remember we noticed that once recently with a scene with 471 00:22:56,040 --> 00:22:58,120 Speaker 6: Brandon Brandon and we. 472 00:22:58,080 --> 00:22:59,399 Speaker 3: Were like, mmm, something going on. 473 00:22:59,480 --> 00:23:01,480 Speaker 2: And I noticed again in a scene with Brandon in 474 00:23:01,560 --> 00:23:04,159 Speaker 2: the same episode where they have a little scene and 475 00:23:04,200 --> 00:23:08,520 Speaker 2: it just didn't feel rooted in anything. It just felt like, 476 00:23:08,680 --> 00:23:11,560 Speaker 2: let's get this out of the way, or I hate 477 00:23:11,560 --> 00:23:14,880 Speaker 2: this dialogue, let's do as quickly as possible, which I. 478 00:23:14,880 --> 00:23:18,399 Speaker 5: Know there's nothing to hate about this dialogue this whole episode. 479 00:23:18,520 --> 00:23:21,880 Speaker 5: Is he even says, oh my god, doesn't Brandon even 480 00:23:21,880 --> 00:23:23,120 Speaker 5: say it's a little gnarly? 481 00:23:24,119 --> 00:23:25,040 Speaker 4: Did you guys catch that? 482 00:23:25,119 --> 00:23:27,879 Speaker 5: I think when he's talking about Claire, I think he 483 00:23:27,920 --> 00:23:30,240 Speaker 5: even says it's a little gnarly gnarly? 484 00:23:30,640 --> 00:23:31,280 Speaker 3: You like that one? 485 00:23:31,359 --> 00:23:31,520 Speaker 2: Yes? 486 00:23:31,720 --> 00:23:34,800 Speaker 4: And did you guys notice when Steve says, Jay, Dave. 487 00:23:34,600 --> 00:23:40,440 Speaker 5: And Conan, Oh, come on, you know he's all Jay Dave, Conan, 488 00:23:40,880 --> 00:23:41,560 Speaker 5: Ted Copple. 489 00:23:41,960 --> 00:23:42,480 Speaker 4: I don't even know. 490 00:23:43,119 --> 00:23:45,920 Speaker 1: Oh, yes, I was like, what is he talking about? 491 00:23:46,920 --> 00:23:47,080 Speaker 8: Who? 492 00:23:48,520 --> 00:23:48,760 Speaker 2: I know? 493 00:23:48,920 --> 00:23:52,959 Speaker 5: Dave Letterman Man, Ohbrian and then Ted Copple. They were 494 00:23:53,000 --> 00:23:56,000 Speaker 5: all on late night at that time in the nineties. 495 00:23:57,200 --> 00:23:59,440 Speaker 1: I don't know. I was I couldn't help cut. 496 00:23:59,520 --> 00:24:03,840 Speaker 2: I just would the shorts, those denim kneelink shorts. 497 00:24:03,880 --> 00:24:06,080 Speaker 1: I couldn't listen to anything he was saying. 498 00:24:06,640 --> 00:24:08,639 Speaker 3: Nothing with the sneakers, with the songs. 499 00:24:10,280 --> 00:24:12,679 Speaker 6: And it wasn't just denim on denim, like because that 500 00:24:12,680 --> 00:24:13,880 Speaker 6: can be done the right way. 501 00:24:14,080 --> 00:24:14,680 Speaker 3: It was those. 502 00:24:15,000 --> 00:24:18,400 Speaker 6: It was by stitching on those shorts that it was. 503 00:24:18,359 --> 00:24:20,720 Speaker 5: Just it was so bad and Brandon had his classes 504 00:24:20,800 --> 00:24:23,760 Speaker 5: on so he looked so good and cool. 505 00:24:24,040 --> 00:24:25,359 Speaker 1: Us so bad. 506 00:24:25,880 --> 00:24:30,960 Speaker 2: But also sadly, you cannot just barge into a room 507 00:24:31,280 --> 00:24:33,720 Speaker 2: like the way he thinks he hears screaming and he 508 00:24:34,200 --> 00:24:35,400 Speaker 2: just busts in the door. 509 00:24:36,359 --> 00:24:40,359 Speaker 1: Okay, is that he's not He's not on Sharknado back then. 510 00:24:40,960 --> 00:24:42,000 Speaker 3: But he always wanted to be. 511 00:24:54,800 --> 00:24:57,520 Speaker 4: Did you guys notice this? So you know when Brandon 512 00:24:57,640 --> 00:25:00,960 Speaker 4: is in the Chancellor's office, Chancellor Arnold's offic and Claire 513 00:25:01,040 --> 00:25:04,040 Speaker 4: walks in, did you notice what he did that was 514 00:25:04,240 --> 00:25:05,280 Speaker 4: so well mannered? 515 00:25:06,400 --> 00:25:06,440 Speaker 2: No? 516 00:25:06,840 --> 00:25:07,520 Speaker 4: He stood. 517 00:25:08,160 --> 00:25:11,480 Speaker 5: So she walks in and the Chancellor's like, oh you 518 00:25:11,560 --> 00:25:14,560 Speaker 5: remember my daughter, Claire, and he did stands. 519 00:25:14,240 --> 00:25:15,800 Speaker 4: Like so well mannered. 520 00:25:15,880 --> 00:25:19,640 Speaker 2: I was like, wow, now I'm gonna expect that from 521 00:25:19,760 --> 00:25:22,480 Speaker 2: every man when you walk in a room. The men 522 00:25:22,720 --> 00:25:23,600 Speaker 2: should all stand up. 523 00:25:24,200 --> 00:25:26,240 Speaker 4: No, wait, what do you guys think about Andrea in 524 00:25:26,359 --> 00:25:27,160 Speaker 4: this episode? 525 00:25:27,520 --> 00:25:32,000 Speaker 1: She okay, whoa, she's so big. 526 00:25:32,320 --> 00:25:35,920 Speaker 2: The pregnancy is the longest pregnancy ever, first of all, 527 00:25:36,400 --> 00:25:39,920 Speaker 2: and second of all, is that her real tummy when 528 00:25:39,920 --> 00:25:40,920 Speaker 2: she's getting sonograms? 529 00:25:40,960 --> 00:25:41,800 Speaker 4: Oh that's a great question. 530 00:25:41,920 --> 00:25:46,160 Speaker 1: It looks so real, look real, and it looks so uncomfortable. 531 00:25:47,160 --> 00:25:49,520 Speaker 1: It's it's like as big as. 532 00:25:49,520 --> 00:25:52,680 Speaker 4: Her They were being a little There's a lot of 533 00:25:52,760 --> 00:25:53,840 Speaker 4: pregnancy shaming in this. 534 00:25:54,000 --> 00:25:57,399 Speaker 5: I'm not gonna lie like it's a little rough and 535 00:25:57,480 --> 00:26:00,480 Speaker 5: a lot of people have a bone to pick because 536 00:26:00,520 --> 00:26:03,440 Speaker 5: when she tries on Jackie's clothes, she's trying it over 537 00:26:03,560 --> 00:26:05,040 Speaker 5: like a full sweat outfit. 538 00:26:05,440 --> 00:26:08,159 Speaker 1: Yeah that doesn't count. She should have taken off the 539 00:26:08,320 --> 00:26:10,560 Speaker 1: one layer to get to the real body. 540 00:26:10,800 --> 00:26:13,800 Speaker 2: Yeah, but I felt like now she's getting all like 541 00:26:13,920 --> 00:26:16,800 Speaker 2: self conschy about her baby weight when as in the 542 00:26:16,880 --> 00:26:19,080 Speaker 2: last episode. But then again, that's how it is with 543 00:26:19,160 --> 00:26:21,280 Speaker 2: the pregnancy. Like one second, you're fine with yourself in 544 00:26:21,359 --> 00:26:23,400 Speaker 2: the second, next second you're crying about your weight. 545 00:26:23,600 --> 00:26:26,480 Speaker 4: She's carried her life that you're losing something's wrong with 546 00:26:26,560 --> 00:26:27,120 Speaker 4: the baby? 547 00:26:28,240 --> 00:26:31,160 Speaker 1: Yeah, what's this feeling she has? And does it? Does 548 00:26:31,240 --> 00:26:31,680 Speaker 1: it why? 549 00:26:31,960 --> 00:26:34,720 Speaker 2: And does it come to something like is there something 550 00:26:34,760 --> 00:26:38,600 Speaker 2: wrong with the baby or the pregnant what amy? 551 00:26:39,200 --> 00:26:43,560 Speaker 1: Because they make they're making that she's got an instinct. 552 00:26:43,760 --> 00:26:44,080 Speaker 3: Uh huh. 553 00:26:46,600 --> 00:26:48,159 Speaker 1: I'm feeling terrible for her. 554 00:26:48,480 --> 00:26:51,640 Speaker 6: You know, we we love a good pregnancy storyline because 555 00:26:51,640 --> 00:26:52,440 Speaker 6: we love pregnancy. 556 00:26:52,560 --> 00:26:57,640 Speaker 3: But I was I skipped so literally fast forward through 557 00:26:57,680 --> 00:26:59,680 Speaker 3: part of it. Her storyline going. 558 00:26:59,560 --> 00:27:04,200 Speaker 5: On for but yes, quickly talk about the boyfriend. You know, 559 00:27:06,160 --> 00:27:08,920 Speaker 5: Dylan's sisters, Mom's boy. 560 00:27:09,400 --> 00:27:11,919 Speaker 4: Why, oh it's important, it's very. 561 00:27:13,800 --> 00:27:14,639 Speaker 3: And I don't want to watch it. 562 00:27:14,800 --> 00:27:17,720 Speaker 2: Sorry, all the well, all of a sudden, now back 563 00:27:17,800 --> 00:27:22,080 Speaker 2: to Erica's back. Whereas last week the lady didn't work. 564 00:27:22,000 --> 00:27:23,800 Speaker 4: At the Peach pits, Suzanne, she's back. 565 00:27:24,280 --> 00:27:27,040 Speaker 2: Suzanne didn't work at the Peach but now she's back. Like, 566 00:27:27,119 --> 00:27:29,160 Speaker 2: it's so inconsistent for me that I'm having trouble. 567 00:27:29,240 --> 00:27:31,600 Speaker 6: Did you That storyline just bores me? But is it 568 00:27:31,680 --> 00:27:33,040 Speaker 6: that the inconsistency? 569 00:27:33,200 --> 00:27:33,440 Speaker 8: Maybe? 570 00:27:33,960 --> 00:27:36,120 Speaker 3: Yes, I was in at first, but you'd. 571 00:27:35,960 --> 00:27:37,200 Speaker 4: Be annoyed by it. 572 00:27:38,000 --> 00:27:39,719 Speaker 1: I liked it when he almost got run over by 573 00:27:39,720 --> 00:27:42,120 Speaker 1: a bus, though, and Dylan saved him. That was exciting. 574 00:27:42,200 --> 00:27:43,280 Speaker 4: Why did that happen? 575 00:27:44,480 --> 00:27:48,439 Speaker 2: Therefore they wanted to like have them bond like they 576 00:27:48,960 --> 00:27:51,960 Speaker 2: that this. I don't know because I think I don't know, 577 00:27:52,200 --> 00:27:53,680 Speaker 2: but I think Keven's going to be a bad guy 578 00:27:53,720 --> 00:27:56,000 Speaker 2: because anybody that has a mustache like that is usually 579 00:27:56,040 --> 00:27:56,520 Speaker 2: a bad guy. 580 00:27:57,200 --> 00:28:01,639 Speaker 3: And so he looks like a seventies star, not what 581 00:28:01,800 --> 00:28:04,560 Speaker 3: I get. I think is seventy's porn Like it roses 582 00:28:04,640 --> 00:28:04,879 Speaker 3: me out. 583 00:28:05,640 --> 00:28:08,520 Speaker 2: But did he plan to get almost run over by 584 00:28:08,560 --> 00:28:12,200 Speaker 2: the bus so that he could solidify that relationship, that 585 00:28:12,359 --> 00:28:13,359 Speaker 2: bond that he can. 586 00:28:13,320 --> 00:28:16,480 Speaker 4: Have Jenny, are you telling me not? And then I thought, like, 587 00:28:16,560 --> 00:28:20,960 Speaker 4: how do you plan up almost you don't know what's coming. 588 00:28:21,400 --> 00:28:23,280 Speaker 3: Truthfully, I don't know what's coming. 589 00:28:23,400 --> 00:28:24,840 Speaker 1: I do not know what's going. 590 00:28:24,920 --> 00:28:27,080 Speaker 6: Okay, So for both of you, the fact that he 591 00:28:27,160 --> 00:28:29,119 Speaker 6: takes all his money or something that's crazy that you 592 00:28:29,200 --> 00:28:30,160 Speaker 6: don't remember. 593 00:28:29,840 --> 00:28:31,240 Speaker 4: Fact that you're both calling this stuff. 594 00:28:31,240 --> 00:28:33,800 Speaker 3: I don't care about it back then and you don't remember. 595 00:28:34,160 --> 00:28:37,160 Speaker 4: You guys are really good, You're really doing good. 596 00:28:37,320 --> 00:28:40,400 Speaker 1: Because I love it that you and I can both 597 00:28:40,600 --> 00:28:42,480 Speaker 1: just I don't care about this. 598 00:28:42,560 --> 00:28:44,680 Speaker 2: I know we're lying, are so bored, like we say 599 00:28:44,760 --> 00:28:47,320 Speaker 2: things that it's the truth for us, and really sorry 600 00:28:47,360 --> 00:28:48,520 Speaker 2: if it disappoints people. 601 00:28:48,640 --> 00:28:50,240 Speaker 1: But I find it funny. 602 00:28:53,480 --> 00:28:56,160 Speaker 2: I'm sure like Chuck Rosen didn't find it funny when 603 00:28:56,160 --> 00:28:59,480 Speaker 2: we were trashing the sixties episode about how much we 604 00:28:59,600 --> 00:29:03,800 Speaker 2: hated it. But this is, yeah, this is a part 605 00:29:03,840 --> 00:29:06,040 Speaker 2: of the show that we're it doesn't really we don't 606 00:29:06,040 --> 00:29:08,240 Speaker 2: relate to it. And I think that as viewers that's 607 00:29:08,280 --> 00:29:11,360 Speaker 2: okay for us to admit, like, we can't relate to 608 00:29:11,440 --> 00:29:15,400 Speaker 2: this pregnancy, We can't relate to this weird guy with a. 609 00:29:15,480 --> 00:29:18,560 Speaker 1: Mustache, and what's going to happen with them? Also, what 610 00:29:18,840 --> 00:29:20,000 Speaker 1: pool our Brenda. 611 00:29:20,960 --> 00:29:24,520 Speaker 4: Across the street because she's house sitting. She's house sitting. 612 00:29:26,080 --> 00:29:26,800 Speaker 2: I actually. 613 00:29:28,080 --> 00:29:30,760 Speaker 4: Getting full elevens because they're going on a trip with 614 00:29:30,840 --> 00:29:33,440 Speaker 4: the Walshes and Jim looks chunky and plaid. 615 00:29:34,680 --> 00:29:37,400 Speaker 3: Do you remember that? Oh god, his whole thing. 616 00:29:41,160 --> 00:29:42,160 Speaker 4: Did you guys notice this? 617 00:29:42,680 --> 00:29:46,520 Speaker 5: Which maybe only meant something to me, but so I 618 00:29:46,640 --> 00:29:50,000 Speaker 5: think when Claire is leaving for school and she says, 619 00:29:50,080 --> 00:29:53,320 Speaker 5: I was saved by the bell for me, I was like, oh, foreshadowing? 620 00:29:55,360 --> 00:29:57,360 Speaker 2: Why because no one's ever said saved by the bell 621 00:29:57,400 --> 00:29:59,920 Speaker 2: without referencing saved by the bell the TV show. 622 00:30:00,800 --> 00:30:02,440 Speaker 3: Come on, right, it came. 623 00:30:02,560 --> 00:30:06,000 Speaker 6: It can't irritate me right from a real Now they 624 00:30:06,080 --> 00:30:08,440 Speaker 6: were foreshadow Oh maybe they were. Do you think they 625 00:30:08,520 --> 00:30:10,880 Speaker 6: put it in because at that time Brian was dating 626 00:30:10,920 --> 00:30:11,800 Speaker 6: Tiffany in real life. 627 00:30:13,400 --> 00:30:16,600 Speaker 1: Oh well, if they did that, then shadow is strong. 628 00:30:17,240 --> 00:30:19,080 Speaker 3: No, not to more shadowing like she was coming on 629 00:30:19,200 --> 00:30:22,320 Speaker 3: the show like that in real life friend like. 630 00:30:24,160 --> 00:30:25,880 Speaker 1: Because okay, we're not going to go to that character 631 00:30:25,960 --> 00:30:26,520 Speaker 1: yet because she isn't. 632 00:30:26,560 --> 00:30:27,280 Speaker 4: Can we talk about this? 633 00:30:27,600 --> 00:30:28,480 Speaker 1: Okay, I'm just not right. 634 00:30:28,600 --> 00:30:30,800 Speaker 5: Did you guys notice Jenny, did you notice you did 635 00:30:30,880 --> 00:30:34,360 Speaker 5: something super subtle but kind of kind of awesome kind 636 00:30:34,440 --> 00:30:38,800 Speaker 5: of so basically you're all having your fake sorority meeting, 637 00:30:39,400 --> 00:30:45,520 Speaker 5: and uh, I think Erica says where's Dylan, and Brenda's like, 638 00:30:45,720 --> 00:30:47,840 Speaker 5: he's at the library getting books or whatever. 639 00:30:47,960 --> 00:30:48,920 Speaker 4: Somehow she knows. 640 00:30:49,200 --> 00:30:54,520 Speaker 2: Oh, in my look, I noticed, because even though Kelly's all, 641 00:30:54,640 --> 00:30:57,080 Speaker 2: let's be friends and I'm putting it all behind me, 642 00:30:57,600 --> 00:31:00,360 Speaker 2: anytime she gets triggered like that, it's just like, you 643 00:31:00,440 --> 00:31:01,040 Speaker 2: can't hide it. 644 00:31:01,120 --> 00:31:03,240 Speaker 3: I can't wait to do the louck. What was the luck? 645 00:31:03,480 --> 00:31:05,680 Speaker 1: She just looked at her like, why the do you 646 00:31:05,840 --> 00:31:06,840 Speaker 1: know what he's where? 647 00:31:06,880 --> 00:31:07,200 Speaker 2: He is? 648 00:31:08,280 --> 00:31:09,760 Speaker 1: Like, why don't I know where he is? 649 00:31:12,800 --> 00:31:13,640 Speaker 3: He was irritated. 650 00:31:13,720 --> 00:31:16,480 Speaker 4: So glad you caught it because I was like, oh wait. 651 00:31:17,680 --> 00:31:18,760 Speaker 1: I want to talk about the dog. 652 00:31:19,000 --> 00:31:21,640 Speaker 2: But first of all, what isn't it weird to anyone else? 653 00:31:21,760 --> 00:31:23,520 Speaker 2: At the end of that scene, right before he almost 654 00:31:23,520 --> 00:31:25,760 Speaker 2: gets run over by the bus, when Dylan and keV 655 00:31:25,840 --> 00:31:28,360 Speaker 2: get up and they just they're like, let's go surfing 656 00:31:28,440 --> 00:31:30,120 Speaker 2: right now. They get up, they don't even say goodbye 657 00:31:30,160 --> 00:31:32,719 Speaker 2: to the lady. That's what I'm going to say. Her 658 00:31:32,800 --> 00:31:38,040 Speaker 2: name is the lady, but I can't remember, but yeah, 659 00:31:38,120 --> 00:31:39,600 Speaker 2: it was just weird. I want to talk about the 660 00:31:39,640 --> 00:31:41,080 Speaker 2: dog peeing though, because. 661 00:31:40,920 --> 00:31:44,640 Speaker 3: I think, oh God, why why would got me going? 662 00:31:44,800 --> 00:31:46,440 Speaker 3: Why would you like to talk about the dog peing? 663 00:31:46,920 --> 00:31:50,800 Speaker 2: Because the dog Okay, I have completely I don't even 664 00:31:50,840 --> 00:31:54,160 Speaker 2: remember filming anything with Rocky or Rocky Too, or anybody 665 00:31:54,240 --> 00:31:54,800 Speaker 2: named Rocky. 666 00:31:55,240 --> 00:31:56,840 Speaker 1: I don't remember there being a dog on the show. 667 00:31:57,040 --> 00:31:59,240 Speaker 2: But you had the cutest puppy who I pointed out 668 00:31:59,280 --> 00:32:01,200 Speaker 2: while you were gone. You guys look alike, you know 669 00:32:01,240 --> 00:32:03,000 Speaker 2: how when you look like your dog, like I look 670 00:32:03,320 --> 00:32:05,880 Speaker 2: like my dog's Sandy, you look like Rocky too. 671 00:32:06,000 --> 00:32:06,840 Speaker 1: And it's the cutest thing. 672 00:32:07,960 --> 00:32:12,640 Speaker 2: But I love it that this is foreshadowing, unintentional foreshadowing, 673 00:32:12,720 --> 00:32:16,400 Speaker 2: the way you are training the dog to pee on 674 00:32:16,440 --> 00:32:18,800 Speaker 2: the peepee pads, but he never pee's on any peepee pads. 675 00:32:19,840 --> 00:32:22,400 Speaker 2: This is how you actually train your real dogs. 676 00:32:22,480 --> 00:32:28,640 Speaker 6: I have never attempted to train any of my dogss No, 677 00:32:29,000 --> 00:32:29,920 Speaker 6: that's kind of true. 678 00:32:29,960 --> 00:32:32,240 Speaker 2: But you have gone to the trouble putting peepee pads 679 00:32:32,280 --> 00:32:33,840 Speaker 2: down on the ground for them to just kind of 680 00:32:34,160 --> 00:32:36,760 Speaker 2: walk around or maybe lay down on. But they've never 681 00:32:36,840 --> 00:32:37,960 Speaker 2: once peete on any of them. 682 00:32:38,680 --> 00:32:42,600 Speaker 6: Okay, So what she's referring to is when we became 683 00:32:42,760 --> 00:32:45,280 Speaker 6: actual roommates when we filmed BH nine or two and 684 00:32:45,360 --> 00:32:48,120 Speaker 6: oh and we were roommates in Vancouver. 685 00:32:48,320 --> 00:32:49,560 Speaker 3: And my dog. 686 00:32:49,800 --> 00:32:51,840 Speaker 6: We both had our dogs there who were best friends 687 00:32:52,000 --> 00:32:57,480 Speaker 6: as well, and I did put peepee pads down for 688 00:32:57,760 --> 00:33:00,560 Speaker 6: him to pee on, and you it was only till 689 00:33:00,600 --> 00:33:02,720 Speaker 6: you run it to my attention that they were still 690 00:33:02,800 --> 00:33:04,719 Speaker 6: dry a week later that I was like, oh, yeah, yes, 691 00:33:04,800 --> 00:33:05,200 Speaker 6: that's weird. 692 00:33:05,560 --> 00:33:07,800 Speaker 1: You were like, what's the problem, I have peepee? Because 693 00:33:07,840 --> 00:33:09,680 Speaker 1: I was like, you need to walk your dog, you 694 00:33:09,720 --> 00:33:12,000 Speaker 1: need to take it out for walks. We can pee. 695 00:33:12,760 --> 00:33:15,040 Speaker 1: And I ended up taking the dog out for walks 696 00:33:15,080 --> 00:33:18,280 Speaker 1: all the time. See, you were like, what's the problem. 697 00:33:18,800 --> 00:33:21,120 Speaker 1: There's peepee pads down, there's a problem. And I was like, 698 00:33:21,240 --> 00:33:22,840 Speaker 1: look at these paper pads, there's. 699 00:33:22,640 --> 00:33:25,320 Speaker 3: No people literally picked them up and she's like their 700 00:33:25,480 --> 00:33:29,520 Speaker 3: bone dry And I was like I didn't even notice. 701 00:33:32,360 --> 00:33:34,960 Speaker 1: So this maybe last so hard. The dog peeing and 702 00:33:35,280 --> 00:33:39,800 Speaker 1: the trading techniques that you and share, it's so cute. 703 00:33:40,000 --> 00:33:42,000 Speaker 4: One more can I throw out one more little leg? 704 00:33:42,320 --> 00:33:42,520 Speaker 2: Huh? 705 00:33:42,880 --> 00:33:46,720 Speaker 4: That's weird. Why would Brandon sleep on the couch? 706 00:33:46,880 --> 00:33:49,160 Speaker 5: I get the Claire's in his bed, But why wouldn't 707 00:33:49,200 --> 00:33:52,040 Speaker 5: he sleep in Brenda's room or Jim and Cindy's room, Like. 708 00:33:52,040 --> 00:33:54,080 Speaker 4: Why would he sleep on the couch He's not allowed 709 00:33:54,120 --> 00:33:54,560 Speaker 4: to sleep in there. 710 00:33:54,600 --> 00:33:56,400 Speaker 1: I think he wanted to be downstairs. 711 00:33:55,960 --> 00:33:56,640 Speaker 4: Away from her. 712 00:33:56,760 --> 00:33:59,520 Speaker 1: Okay, yeah, ushed. 713 00:33:59,320 --> 00:34:02,480 Speaker 2: To the bed. Okay, So did you guys have any 714 00:34:02,520 --> 00:34:09,000 Speaker 2: standout fashion moments besides the jeans? Just everybody wearing everything 715 00:34:09,120 --> 00:34:11,759 Speaker 2: boots and baby doll dresses is my favorite era of 716 00:34:11,880 --> 00:34:13,320 Speaker 2: all time, and everybody's wearing that. 717 00:34:14,719 --> 00:34:14,919 Speaker 3: Yeah. 718 00:34:15,040 --> 00:34:16,560 Speaker 1: For me, it's just any favorite. 719 00:34:16,360 --> 00:34:19,480 Speaker 5: Looks so awesome in this episode that I'm just like 720 00:34:19,600 --> 00:34:21,200 Speaker 5: her hair, there's everything about her. 721 00:34:21,239 --> 00:34:26,440 Speaker 6: I'm like, I mean, she's been looking awesome, but it 722 00:34:26,600 --> 00:34:29,800 Speaker 6: was more like it was a little softer before. 723 00:34:30,480 --> 00:34:34,040 Speaker 3: I mean, now, like, what are you doing? 724 00:34:36,160 --> 00:34:36,200 Speaker 2: What? 725 00:34:36,480 --> 00:34:38,000 Speaker 1: Anybody have any favorite line? 726 00:34:38,160 --> 00:34:38,359 Speaker 3: Yeah? 727 00:34:38,640 --> 00:34:42,280 Speaker 4: Gnarly, gnarly and everything Claire says, every. 728 00:34:42,280 --> 00:34:44,240 Speaker 3: Single everything. 729 00:34:45,239 --> 00:34:50,719 Speaker 6: Awesome and her dancing and her looks and her profile. 730 00:34:51,680 --> 00:34:57,160 Speaker 4: She's handcuffed in the bedroom and he's ault state the 731 00:34:57,280 --> 00:34:58,839 Speaker 4: whole thing with them, the two of them. 732 00:34:59,200 --> 00:35:03,480 Speaker 2: Claire's bat like did she pray with Like, yeah, that 733 00:35:03,640 --> 00:35:04,919 Speaker 2: teddy she re wearing prey. 734 00:35:05,760 --> 00:35:08,520 Speaker 5: She brought her boombox, her giant boombox, and she gets 735 00:35:08,560 --> 00:35:10,840 Speaker 5: it out and puts those headphones on and is dancing 736 00:35:10,880 --> 00:35:15,800 Speaker 5: all sex. It's just like, I just how did she 737 00:35:16,160 --> 00:35:18,840 Speaker 5: like Kathleen Robertson read that script and go like I 738 00:35:18,920 --> 00:35:22,200 Speaker 5: can do this. I would have been like, I cannot 739 00:35:22,719 --> 00:35:23,080 Speaker 5: do this. 740 00:35:26,520 --> 00:35:27,920 Speaker 1: That's why you didn't get the party. 741 00:35:28,640 --> 00:35:29,080 Speaker 4: I love her. 742 00:35:30,480 --> 00:35:33,720 Speaker 2: Oh well, well, I can't wait to see what happens 743 00:35:33,760 --> 00:35:38,560 Speaker 2: next week's apart. I don't know, but X next week 744 00:35:38,640 --> 00:35:40,919 Speaker 2: is episode twenty eight. You guys, it's called Acting Out. 745 00:35:41,640 --> 00:35:46,879 Speaker 4: It's the most amazing. They left us so hanged. 746 00:35:47,000 --> 00:35:47,480 Speaker 8: How do you know? 747 00:35:47,680 --> 00:35:52,000 Speaker 1: I'm saying, who's my god? 748 00:35:52,080 --> 00:35:54,399 Speaker 3: And just like if you have friends, it's down to five, 749 00:35:54,600 --> 00:35:55,520 Speaker 3: So who are the other two? 750 00:35:55,640 --> 00:35:55,759 Speaker 2: Then? 751 00:35:57,840 --> 00:36:02,279 Speaker 3: Did two randos? Doesn't her? Should have only sand to three? 752 00:36:02,360 --> 00:36:03,200 Speaker 1: It's three of us. 753 00:36:03,280 --> 00:36:04,360 Speaker 3: Oh my gosh, I can't. 754 00:36:04,200 --> 00:36:08,560 Speaker 1: Wait to see. Oh my god, I'm so so so 755 00:36:08,840 --> 00:36:11,520 Speaker 1: happy you're back and your girls are all together again. 756 00:36:11,600 --> 00:36:16,000 Speaker 4: The the divas A Oh my god, we know you 757 00:36:16,080 --> 00:36:19,040 Speaker 4: get ten plus plus. This is one of my favorites. Favorites, favorites. 758 00:36:19,800 --> 00:36:22,799 Speaker 3: You don't have your displace, so I'm out of our house, 759 00:36:22,840 --> 00:36:23,520 Speaker 3: so I do not have my. 760 00:36:25,800 --> 00:36:33,000 Speaker 1: Okay, go oh my god? What sevens wrong with you? 761 00:36:33,200 --> 00:36:33,359 Speaker 8: Too? 762 00:36:34,160 --> 00:36:34,480 Speaker 3: A lot? 763 00:36:36,160 --> 00:36:38,320 Speaker 4: How do you even possibly give this a seven? 764 00:36:38,800 --> 00:36:41,640 Speaker 6: This is like, you know why I give it a seven? 765 00:36:42,400 --> 00:36:46,920 Speaker 6: I fault them for the their B, C, D storylines. 766 00:36:47,320 --> 00:36:49,280 Speaker 6: Maybe if they had just kept it with the storyline 767 00:36:49,320 --> 00:36:51,680 Speaker 6: we wanted to see, which is with the diva is 768 00:36:51,800 --> 00:36:55,680 Speaker 6: like I would also Claire, oh and Claire. Okay, so 769 00:36:55,760 --> 00:36:58,320 Speaker 6: the A and B storyline totally in. Everything else is 770 00:36:58,480 --> 00:37:00,680 Speaker 6: sprinkled throughout lesson the score. 771 00:37:00,760 --> 00:37:03,520 Speaker 1: Sorry, m yeah, are you up there? 772 00:37:03,560 --> 00:37:06,640 Speaker 4: You have it? People respectfully disagree. It's just awesome. 773 00:37:08,680 --> 00:37:10,719 Speaker 1: We love you guys, have a great week. We'll see 774 00:37:10,719 --> 00:37:11,359 Speaker 1: you next time.