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Speaker 1: I listened to The Black Guy Who Tips podcast because

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Speaker 1: Rod and Karen are hot.

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Speaker 2: Who set a black man in Illuminati? Last time I checked,

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Speaker 2: that was the biggest racist party. Last time I checked,

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Speaker 2: he was racing with Marcus Garvey on the freeway to

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Speaker 2: Africa til I wrecked my artie. And I want everybody

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Speaker 2: to view my autopsies so y'all can see exactly what

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Speaker 2: a government has shot me.

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Speaker 3: No conspiracy. My fate is inevitaball.

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Speaker 2: They played musical chairs once some I'm on that pedestal frightening,

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Speaker 2: so fucking frightening enough to drive a man insane a

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Speaker 2: woman in saying the reason Lauryn Hill can't sing a

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Speaker 2: kirk co bang load that clipping this said bang the

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Speaker 2: drama at Brain gets crazy. Hey, welcome to the Black

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Speaker 2: Guy Tess podcast. Your host Rod ed hearing and we're

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Speaker 2: in the house on a Monday night. Mm hmmm, feeling

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Speaker 2: right and my shit is tight. Oh, you can find

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Speaker 2: us on iTunes. Just search the Black Guy Who Tips,

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Speaker 2: will come up. Leave us five star reviews. We'll appreciate

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Speaker 2: that same thing for Stitcher. If you make a nice

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Speaker 2: five star review, we'll read it on the show, regardless

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Speaker 2: of the content as long as the content is nice,

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Speaker 2: so I guess it does regard that. You can also

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Speaker 2: go to the blackoutics dot com, click on things, sign

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Speaker 2: up for stuff, come a premium listener, leave comments, voting

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Speaker 2: the post. A bunch of stuff you can do there

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Speaker 2: all helps the show out when you do that stuff.

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Speaker 2: The official weapon of the show is the T and

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Speaker 2: the unofficial sport at Bulletball Extreme. And it's just me

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Speaker 2: and Careen today, no sponsors. I say, we just go

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Speaker 2: ahead and get right into the show. Of course, the

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Speaker 2: biggest news that motherfucking Kendrick drop. Don't to pimp a

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Speaker 2: butterfly Kendrick lamars all I've been listening to all day.

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Speaker 2: If I get behind on your podcast in the next

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Speaker 2: week or so, don't be mad.

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Speaker 3: Blame Kendrick for dropping that straight.

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Speaker 2: Fire as always very deep album already. You know it's

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Speaker 2: more like a project. It's not like it's a concept album.

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Speaker 2: I can't wait to see the company and media that

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Speaker 2: goes along with this, because I would be surprised if,

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Speaker 2: you know, the videos and all that stuff don't start

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Speaker 2: having layers to it as well. I probably listened to

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Speaker 2: it about five, maybe six times so far. You know,

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Speaker 2: still marinate know some of it, but some of the

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Speaker 2: themes are just so obvious to me, and even some

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Speaker 2: of the stuff that's.

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Speaker 3: Kind of hidden down in there. It's just beautiful.

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Speaker 2: I do like the way that he mixed neo soul

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Speaker 2: with rap in a way that I haven't really experienced

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Speaker 2: it before. You know, I thought that his song with

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Speaker 2: Flying Lotus was a good like it gives you a

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Speaker 2: good indication of where his sound might go, but I

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Speaker 2: wasn't really sold on it.

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Speaker 3: But this album does this transition.

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Speaker 2: From almost like spoken word jazz to like a traditional

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Speaker 2: rap album by the end. But it just has this

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Speaker 2: really soul fulfilled you know, a lot of a lot

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Speaker 2: of funk, a lot of you know, a lot of

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Speaker 2: horn loops, a lot of instrumentation, jazz is trends.

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Speaker 3: I mean, like, I just love it, man. And then the.

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Speaker 2: Overall narrative of the album, which is all about black

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Speaker 2: self love and overcoming survivors guilt and being flawed and

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Speaker 2: like black people loving ourselves and getting our own shit together,

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Speaker 2: which I think is kind of a continuation of the

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Speaker 2: theme of Good Kid, Mass City and even Section eighty

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Speaker 2: to some extent because Kendrick's very much about black community

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Speaker 2: and us loving ourselves. I think now is a tough

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Speaker 2: time to have a message like that, because in the

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Speaker 2: wake of so much controversy racially and then police violence

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Speaker 2: against black people, a lot of people aren't ready to

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Speaker 2: hear anything that says black people can do anything better

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Speaker 2: because typically that is always a distraction.

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Speaker 3: From the fact that shit is fucked up for black people.

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Speaker 2: True, but I feel like Kendrick's not concerned with that,

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Speaker 2: and he's not trying to use.

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Speaker 3: It as a shield to say everything's okay.

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Speaker 2: Black people are their own enemies and they're the problem.

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Speaker 2: But I feel like people took him out of context

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Speaker 2: in that article ran with it, and this album, which

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Speaker 2: is his chosen art form, puts.

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Speaker 3: Everything back into context for me.

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Speaker 2: You know, especially when you go from the song you,

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Speaker 2: which is about self loathing him being in a hotel room,

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Speaker 2: you know about to you know, like, you know, talking

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Speaker 2: about his own thoughts of suicide and how he feels

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Speaker 2: like that he abandoned his hood and his mom and

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Speaker 2: all this shit because he's the one who's got the

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Speaker 2: had the talent quote unquote to make it out and

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Speaker 2: to you know, returning home on Mama You know to

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Speaker 2: Black of the Berry, which is, like I say, the

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Speaker 2: angriest song on here, like it's the height of his

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Speaker 2: his like like because he returns home and he's looking

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Speaker 2: at home like, man, we gotta do better. And then

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Speaker 2: on I I Think you know, And which is a

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Speaker 2: song I like the whole time. I think a lot

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Speaker 2: of people shit on that, like he's trying to blow up, dude,

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Speaker 2: what kind of song is this? I think I is

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Speaker 2: just that song about loving ourselves. And I think the

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Speaker 2: orders of the song on the album matter, just like

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Speaker 2: they did on all the other albums.

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Speaker 3: And I think that's kind of getting closer to.

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Speaker 2: The end of that of that character arc where where

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Speaker 2: Kendrick's like, now we have to learn to love ourselves

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Speaker 2: and then that is what will inspire us to continue on.

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Speaker 2: And of course the last track Mortal Man, when she

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Speaker 2: hits the fan are you still a fan?

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Speaker 3: With the whole interview that he does.

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Speaker 2: With Pac and how each song he's putting together, at

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Speaker 2: least in the beginning, he's putting together this question that

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Speaker 2: he's gonna ask Pac. This story he's gonna tell him,

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Speaker 2: and he's gonna ask this question. They're gonna do this interview.

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Speaker 2: Of course, the interview is like obviously an interview from

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Speaker 2: a long time ago with Tupac. I think it's from

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Speaker 2: like nineteen ninety four. But it's cool how he makes

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Speaker 2: it seem like they're having a conversation at the end,

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Speaker 2: and when he says we says the the butterfly caterpillar metaphor,

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Speaker 2: and then he asked Pac what's his thoughts on that?

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Speaker 3: And there's no answer. It just hit like it just

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Speaker 3: like hits you in.

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Speaker 2: The chest, like damn, that brother got taken out by

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Speaker 2: another brother, Like you know, that's not the police killing

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Speaker 2: Tupac or whatever, like that's stupid shit that led to

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Speaker 2: him dying. And it brings the whole album back home

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Speaker 2: to this idea of like, you know, we have to

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Speaker 2: not kill ourselves. We have to do better, you know

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Speaker 2: what I mean. And I don't think the album is

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Speaker 2: like do better because then the white Man or the

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Speaker 2: blah blah blah, it's just we have to do better

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Speaker 2: loving ourselves, because if we don't love us, nobody's gonna

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Speaker 2: love us. Like what are the only people that care

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Speaker 2: about ourselves? And the album's so full of self love

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Speaker 2: and it's tragic in a way, but it's it's beautiful

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Speaker 2: that way. So I love the album so far. I

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Speaker 2: know you just started. I mean it came out of midnight.

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Speaker 2: I listened to this shit like four times before I

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Speaker 2: went to bed.

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Speaker 4: Yeah, I had to be an adult and take my

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Speaker 4: ass to sleep, like I like, because the thing about

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Speaker 4: it is that, uh, because I was up, you know,

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Speaker 4: after the walking down and all that stuff, you know,

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Speaker 4: trying to wind down, and you know, twelve one o'clock

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Speaker 4: and all of a sudden, I just see kin you

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Speaker 4: Kinchuku cunch going up in the mind.

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Speaker 5: I know his album was coming out soon, but I

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Speaker 5: didn't know when, and I was like, oh, the album

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Speaker 5: must be out. And then Spotify.

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Speaker 4: Is the devil because I was like, oh, let me

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Speaker 4: go see if Spotify got it, cause you know, sometimes

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Speaker 4: shit come out and it don't immediately go on Spotify.

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Speaker 5: They might take a few days. Spotify was like, no,

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Speaker 5: you know you want this, and here's all of it?

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Speaker 5: So I say, yes, yes, please, Yeah.

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Speaker 4: So I uploaded all of it and then I stared

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Speaker 4: at it for one complete hour before I press play

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Speaker 4: and just took my ass to sleep because I was like, if.

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Speaker 3: I so you did press play?

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Speaker 2: No, no, no, no, oh, so you right, you stayed

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Speaker 2: at one hour and didn't breast play No.

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Speaker 4: I just watched all y'all go up and down the

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Speaker 4: timeline put at this.

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Speaker 5: If I did hit play, I had to stop it.

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Speaker 5: I stopped. I think I pressed and was like, oh, nope, dope, stop,

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Speaker 5: stop stop.

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Speaker 2: I honestly thought they were gonna I listened to it

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Speaker 2: so much last night because I honestly thought I would

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Speaker 2: wake up in the morning they were gonna take it down, right,

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Speaker 2: because it released a week before it's supposed to come out,

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Speaker 2: and Kendrick tweeted something that sounded like the Ship wasn't

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Speaker 2: supposed to have come out.

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Speaker 3: So I was like, well, let.

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Speaker 2: Me save all these songs to my hard drive because

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Speaker 2: I'm assuming I'm waking up in the morning Kendrick is gone, right.

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Speaker 4: And the thing about it is that it released on iTunes,

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Speaker 4: it released on Spotify.

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Speaker 5: iTunes had the clean version, Spotify had.

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Speaker 4: The real version, and it was one of those things

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Speaker 4: where people was partying and I was highly upset and

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Speaker 4: very mad and just felt like I was on goddamn

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Speaker 4: punishment because I was like, fuck, I gotta go to work,

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Speaker 4: because I was like, if I stay up. I knew

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Speaker 4: I was not going to go to work this morning

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Speaker 4: because I'd probably stay up to like two, three.

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Speaker 5: Four in the morning. You know, just listen listening to it.

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Speaker 4: It's called being responsible people being an adults suck at times,

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Speaker 4: and so for me, I listened to it while I

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Speaker 4: was at work, so not a whole lot of work

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Speaker 4: got done.

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Speaker 5: While I was actually on the job. I was I've only.

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Speaker 4: Listened to it straight through one time, and I know

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Speaker 4: tomorrow probably to do it over and over and over again.

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Speaker 4: The album from just one listening through is very emotional.

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Speaker 5: I went on an emotional roller coaster.

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Speaker 4: With him and through his thoughts and through his feelings

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Speaker 4: and through his emotions and through his struggles, and.

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Speaker 5: You know how his mind goes.

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Speaker 4: And from the first song, you immediately know that you're

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Speaker 4: gonna get something different, Like I was like, oh this,

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Speaker 4: this is not going to be the same thing, and.

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Speaker 3: That's very jazzy. I think.

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Speaker 2: Also, if you're looking for good kid mad City Park

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Speaker 2: to you're gonna be disappointed. But that's the kind of

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Speaker 2: progression that I prefer the artist that I'm a fan of,

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Speaker 2: Like Outcast albums don't sound alike to me. You know,

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Speaker 2: try call quest albums don't sound alike to me. I

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Speaker 2: like that where you can take me to a period

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Speaker 2: of that person's catalog and I'm just like, oh yeah,

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Speaker 2: that was this period of time for them, and then

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Speaker 2: their sound changed because they didn't want to do the

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Speaker 2: same thing. And the influences that he allowed onto this record,

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Speaker 2: you know from you know, D'Angelo as far as like

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Speaker 2: the sound George Clinton is actually on the album, but.

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Speaker 3: Loild is on the album.

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Speaker 2: Like you can just hear the neo soul shit, the

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Speaker 2: King Konta. You can feel like the James Brown in it,

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Speaker 2: you know, from the way that he does, the kind

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Speaker 2: of call and response thing, you know, with the how

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Speaker 2: on Revenge I'm Big Payback. I mean, James Brown is

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Speaker 2: like you know, I won't read you know that kind

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Speaker 2: of shit, Like you can you can hear it, and

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Speaker 2: it's just so beautiful, man. Like the dude just is

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Speaker 2: a thinker, man, and I'm a thinker. And this is

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Speaker 2: the kind of album for a person like me. I

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Speaker 2: don't think very much hip hop comes out that it

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Speaker 2: is for a person like me who is very much

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Speaker 2: into lyricism, very much into thoughtfulness, very much into getting

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Speaker 2: into the nuance and trying to figure out the direction

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Speaker 2: of stuff.

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Speaker 3: I think it'll take a long time.

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Speaker 2: For like a lot if if it all for a

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Speaker 2: lot of just casual listeners and a lot of people

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Speaker 2: that listen to like, well, I want to just have

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Speaker 2: good beats and I just want this.

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Speaker 3: Not that there aren't great beats on here.

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Speaker 2: The production is great, but I'm just saying for people

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Speaker 2: that want to go past that to just like, you know, like,

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Speaker 2: hey man, I'll just throw in this and all I

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Speaker 2: want to hear some beats. I feel like it might

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Speaker 2: not catch them, but it definitely caught me right away. True.

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Speaker 4: And I think for me, I like the fact that

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Speaker 4: it was different. I like the fact that it was

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Speaker 4: not the same. I like the fact that you can

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Speaker 4: tell Kendrick is a very creative like his mind is

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Speaker 4: very creative, and he was allowed to flourish because it's

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Speaker 4: rare that within such a short period of time you

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Speaker 4: come out with albums like he has, and each one

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Speaker 4: is very different, each one is very telling, each one

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Speaker 4: tells a story, and each one is from his heart

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Speaker 4: because and and and it's very rare for me speaking person,

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Speaker 4: it's very rare that somebody raps and you can.

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Speaker 5: Literally feel them through the words that they're saying.

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Speaker 4: Because one of the one particular song, because I say,

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Speaker 4: I haven't really got a chance to sit down and

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Speaker 4: learn that the titles and anything, but one particular song,

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Speaker 4: he was talking and you could just tell the pain

255
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Speaker 4: and that distrade in his voice and that he was

256
00:14:02,640 --> 00:14:06,319
Speaker 4: just in such a dark place and he clanked some

257
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Speaker 4: ice and like hit a bottle.

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Speaker 5: I was like, well, god, damn, next thing.

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Speaker 6: I know.

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Speaker 5: I was in tense because it was like, even.

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Speaker 2: Though it was that's you and that's the second verse

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Speaker 2: on you, when he's drunk, when the housekeeping lady comes by,

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Speaker 2: he doesn't answer because he's in there basically drunk and

264
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Speaker 2: thinking about you know, suicide and how weak he is

265
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Speaker 2: and survivor's guilt and how he left his hood behind

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Speaker 2: and all that shit.

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Speaker 3: Like, you know, it's it's a deep album.

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Speaker 2: I think most people are very you know, simple, Yes

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Speaker 2: they are. So it's just very much you know, you know,

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Speaker 2: people are just very like I want a hot take

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Speaker 2: and then I'm walking away from this album.

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Speaker 3: But I don't know, man, I love it.

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Speaker 4: He doesn't make, he doesn't Kendrick doesn't make. But like this,

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Speaker 4: can you make albums that you have to listen to

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Speaker 4: over and over and over and over again. And like

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Speaker 4: you said, a lot of people are very simple in

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Speaker 4: their music. And well, I'm not a bad thing out

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Speaker 4: of society.

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Speaker 3: Now.

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Speaker 2: You know how many people called him a coon because

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Speaker 2: of excerpt from a fucking interview, you know what I mean,

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Speaker 2: as if an interview is his chosen form of communication,

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Speaker 2: as if correct, as if you can't just go play

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Speaker 2: a fucking album and be like, oh well, that puts

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Speaker 2: a lot of this ship in context. You know, shame

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Speaker 2: on you, you know what I mean, Like it's that simple

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Speaker 2: to fall for that game, to to fall for the

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Speaker 2: for the for the okie dokee of like this nigga

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Speaker 2: don Lemon. Now it's like that, like that kind of

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Speaker 2: ship is just so see through, and but that's what

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Speaker 2: people want to do. You know, there was a picture

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Speaker 2: someone had a long time ago of It's a it's

293
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Speaker 2: a picture of Tupac as like a cartoon picture obviously

294
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Speaker 2: of Tupac.

295
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Speaker 3: Is like an adult and Kendrick as a kid.

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Speaker 2: And uh, the Kendrick is basically like looking at Tupac

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Speaker 2: almost as if, you know, like he's gonna walk over

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Speaker 2: to him or something like like almost when you put

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Speaker 2: your heads out and play paddy Cake or something right,

300
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Speaker 2: and then then the shadows they had these little crowns

301
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Speaker 2: on their shadows. And when I saw that picture, I

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Speaker 2: was like, man, because it came out before the.

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Speaker 3: Album, I was like, yeah, album.

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Speaker 2: Yeah, Now I understand there's a group of people that

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Speaker 2: are just pressed to be like Kendrick is Tupac, and

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Speaker 2: I don't see it that way. I think Kendrick is

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Speaker 2: actually better than Tupac, but I don't like, I don't

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Speaker 2: see it as like them, but I do see him

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Speaker 2: as being inspired by Tupac.

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Speaker 3: He said before he wants to be the mind that.

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Speaker 2: Tupac sparked, because Tupac said, I want to I might

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Speaker 2: not be the the person that changes the world, but

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Speaker 2: I want to spark the mind that changes the world.

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Speaker 2: So I can see the inspiration there. And like, that

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Speaker 2: picture just was so cool to me. And you know,

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00:16:47,280 --> 00:16:49,680
Speaker 2: I had a couple of people that were like, like

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Speaker 2: clowning the picture and shit, like niggas think he Tupac

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Speaker 2: and shit, Now maybe that's what people are arguing. I'm

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Speaker 2: not privy to that argument. I don't, but that I

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Speaker 2: think that's the kind of high take shit people want.

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Speaker 2: It's like when they come away from it like this

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Speaker 2: Nigga ain't no Tupac. It's like, well, if in the

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Speaker 2: context of my tweet which said hashtag to Pimp.

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Speaker 3: A Butterfly.

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Speaker 2: It it goes perfectly with the narrative of the album

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Speaker 2: because at the end he interviews Tupac, so like it's

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Speaker 2: but that's not a hot enough take because then you

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Speaker 2: would have had to listen to the album, right if

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Speaker 2: you would have had to understand, you know that you

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Speaker 2: need to put all those little phrases together into the

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Speaker 2: first question that he asked POC, which I actually listened

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Speaker 2: the album last night, and I actually like typed it

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Speaker 2: out on my Facebook page cause, you know, as I

334
00:17:38,200 --> 00:17:40,439
Speaker 2: was working, because I you know, I was like, let

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Speaker 2: me work if I'm gonna be in this office all night.

336
00:17:43,400 --> 00:17:45,040
Speaker 2: As I was working, you know, I was typing out

337
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Speaker 2: the phrases after each song and adding them up into

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Speaker 2: the whole like Stanza that he had before he asked

339
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Speaker 2: park that question, and it was like, you know that

340
00:17:56,560 --> 00:17:59,120
Speaker 2: shiit to me was so was so cool and thoughtful

341
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Speaker 2: and to be able to like take that picture and

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Speaker 2: be like damn, Yo, have a Webey Jeff moment where

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00:18:05,800 --> 00:18:08,080
Speaker 2: I'm like, Yo, this ship meant all this back then,

344
00:18:08,240 --> 00:18:11,760
Speaker 2: like that's dope, and instead you get nigga ain't no

345
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Speaker 2: tupac uh you know what I mean?

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Speaker 5: Right?

347
00:18:16,200 --> 00:18:19,080
Speaker 4: Stuff like that. It just irritates me because when it

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Speaker 4: comes to music one and this is just my personal

349
00:18:22,880 --> 00:18:25,520
Speaker 4: opinion about Kendrick, you know how you have some people

350
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Speaker 4: they're doing what they're meant to do, and I feel

351
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Speaker 4: like this is what he's meant to do, like this

352
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Speaker 4: is his thing.

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Speaker 2: And I can't wait. By the way, well he starts

354
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Speaker 2: doing these songs live, Oh it's man is jazzy instrumentation

355
00:18:40,359 --> 00:18:41,840
Speaker 2: and ship nigga, you know.

356
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Speaker 4: What he I won't go to a concert like like

357
00:18:44,359 --> 00:18:47,600
Speaker 4: that lived everybody say he's a he's awesome live, and.

358
00:18:48,080 --> 00:18:51,800
Speaker 2: I know this ship particularly live though, it's gonna because

359
00:18:51,840 --> 00:18:55,399
Speaker 2: it's got so much stuff that can like it's studio sound,

360
00:18:55,400 --> 00:18:58,639
Speaker 2: but it can be enhanced, like he could actually release

361
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Speaker 2: a live album.

362
00:18:59,600 --> 00:19:02,000
Speaker 3: Of this album, yes, and it would be dope.

363
00:19:02,119 --> 00:19:05,440
Speaker 2: Like the live version of I actually sounds better than

364
00:19:05,480 --> 00:19:08,280
Speaker 2: fucking I. Yes it does, and it don't even have

365
00:19:08,359 --> 00:19:11,240
Speaker 2: all the words on it, like no he skips parts.

366
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Speaker 2: He has a little interlou where he like addresses the

367
00:19:14,160 --> 00:19:15,840
Speaker 2: crowd in it like it's so dope.

368
00:19:16,880 --> 00:19:20,639
Speaker 4: Yeah, because I've heard I and what I heard it live,

369
00:19:20,720 --> 00:19:22,119
Speaker 4: I was like, oh my god, this sounds like a

370
00:19:22,160 --> 00:19:26,639
Speaker 4: completely different song, and just hearing it live, I was like,

371
00:19:26,640 --> 00:19:28,560
Speaker 4: I could have heard the whole album live, Like he

372
00:19:28,640 --> 00:19:30,879
Speaker 4: could have just get the whole album live like that

373
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Speaker 4: and I would have been satisfied.

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Speaker 3: I'll say this much though, the most.

375
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Speaker 2: The thing I'll take away from this album the most

376
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Speaker 2: is this is why I don't listen to niggas because

377
00:19:41,160 --> 00:19:43,560
Speaker 2: people would have had you thinking Kendrick Lamar hate black

378
00:19:43,600 --> 00:19:47,600
Speaker 2: people or that he resents being black or something like that.

379
00:19:48,359 --> 00:19:52,199
Speaker 2: And there ain't been an album in a minute that

380
00:19:52,359 --> 00:19:55,880
Speaker 2: love black people like this, you know what I mean,

381
00:19:56,000 --> 00:19:58,880
Speaker 2: Like on some real shit, this is an album that

382
00:20:00,040 --> 00:20:06,840
Speaker 2: it almost hearkens back to Watch the Throne, where like,

383
00:20:07,359 --> 00:20:09,400
Speaker 2: actually I would say it goes further. It goes one

384
00:20:09,440 --> 00:20:12,280
Speaker 2: step further than Watch the Throne. He wrapped this album

385
00:20:12,320 --> 00:20:15,480
Speaker 2: like no white person is ever going to hear it now.

386
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Speaker 2: I don't know. Obviously, white people love Kendrick and they're

387
00:20:17,960 --> 00:20:20,520
Speaker 2: gonna listen to it and they're gonna but it's like

388
00:20:20,640 --> 00:20:24,320
Speaker 2: it ain't for them, it's not for them, Like it's

389
00:20:24,480 --> 00:20:27,560
Speaker 2: just not it's he's not even thinking about white people

390
00:20:27,600 --> 00:20:28,959
Speaker 2: on this album, and I don't mean it.

391
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Speaker 3: It's like, yeah, fuck white people.

392
00:20:31,119 --> 00:20:33,680
Speaker 2: But just listening to it, you can hear that he's

393
00:20:33,680 --> 00:20:37,280
Speaker 2: not trying to explain anything to them. He's not trying

394
00:20:37,280 --> 00:20:40,560
Speaker 2: to He don't want to be respected by them. He

395
00:20:40,600 --> 00:20:43,480
Speaker 2: doesn't care if you're insulted by his topics. This is

396
00:20:43,520 --> 00:20:46,720
Speaker 2: an album strictly about the black experience and black love

397
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Speaker 2: and his experience in his life, and that shit is.

398
00:20:50,280 --> 00:20:53,480
Speaker 3: So dope, like complexion, you know what I mean.

399
00:20:53,600 --> 00:20:55,960
Speaker 2: Like sometimes I feel like people take a lot of

400
00:20:55,960 --> 00:20:58,240
Speaker 2: time to try try to sit down and explain shit

401
00:20:58,280 --> 00:21:01,520
Speaker 2: to the white audience, like this is what this means,

402
00:21:01,560 --> 00:21:03,800
Speaker 2: white people, and this is what that means, and can't

403
00:21:03,800 --> 00:21:06,040
Speaker 2: you understand that we just want to be people like you,

404
00:21:06,080 --> 00:21:09,360
Speaker 2: And like his shit was like, fuck them, let's talk

405
00:21:09,400 --> 00:21:11,720
Speaker 2: about us, Let's talk about our experience.

406
00:21:12,520 --> 00:21:16,000
Speaker 3: And I respect that shit so much, man, right.

407
00:21:16,040 --> 00:21:19,760
Speaker 5: Because our experience does matter. And it's just one of those.

408
00:21:19,600 --> 00:21:22,120
Speaker 4: Things where he was like why waste my time, water

409
00:21:22,240 --> 00:21:25,800
Speaker 4: and shit down, why waste my time trying to explain,

410
00:21:26,400 --> 00:21:30,040
Speaker 4: because it's just one of those things where our experiences.

411
00:21:29,320 --> 00:21:31,120
Speaker 5: Is a story, and our story.

412
00:21:30,880 --> 00:21:32,840
Speaker 4: Doesn't have to be diluted, it doesn't have to be

413
00:21:32,880 --> 00:21:37,040
Speaker 4: watered down, it doesn't have to be catered in a

414
00:21:37,080 --> 00:21:41,080
Speaker 4: certain way to people because other stories I told us unfiltered,

415
00:21:41,480 --> 00:21:43,520
Speaker 4: and that's not a problem with that. But for some reason,

416
00:21:43,560 --> 00:21:46,920
Speaker 4: when our stories I told unfiltered, just like we are,

417
00:21:47,040 --> 00:21:48,320
Speaker 4: it becomes a problem.

418
00:21:48,440 --> 00:21:51,280
Speaker 5: So then it's one of those things where you rarely.

419
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Speaker 4: Get people who just be like, look, this is my

420
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Speaker 4: motherfucking story from my perspective and my point of view.

421
00:21:57,080 --> 00:22:02,320
Speaker 2: Here you go, yeah, but yeah that and when you

422
00:22:02,359 --> 00:22:04,359
Speaker 2: put it all together, I think he even says it again,

423
00:22:04,400 --> 00:22:05,280
Speaker 2: I can probably play it.

424
00:22:05,320 --> 00:22:07,400
Speaker 3: He says it again in the last song with the Man.

425
00:22:08,119 --> 00:22:11,600
Speaker 2: But when you put everything together into that last question,

426
00:22:11,640 --> 00:22:13,440
Speaker 2: that first question asked Tupac.

427
00:22:13,160 --> 00:22:17,520
Speaker 7: When you say, like A using your influence the depression,

428
00:22:17,920 --> 00:22:20,120
Speaker 7: if nigga, let me ask this.

429
00:22:20,119 --> 00:22:20,800
Speaker 5: Question, nig.

430
00:22:28,520 --> 00:22:30,119
Speaker 2: Like, this is what I ended up typing out on

431
00:22:30,160 --> 00:22:35,560
Speaker 2: my Facebook page.

432
00:22:38,440 --> 00:22:44,000
Speaker 7: I remember you was conflicted, it's using your influence. Sometimes

433
00:22:44,000 --> 00:22:47,840
Speaker 7: I did the same Afuse in my power full of recentent,

434
00:22:48,840 --> 00:22:52,840
Speaker 7: the sentiment that turned into a deep depression, found myself

435
00:22:52,880 --> 00:22:57,000
Speaker 7: screaming in the hotel room. I didn't want to self destruct.

436
00:22:58,359 --> 00:23:00,240
Speaker 7: The evil Lucy's all around.

437
00:23:00,800 --> 00:23:02,480
Speaker 3: And all this shit. By the way, all this shit

438
00:23:02,760 --> 00:23:03,600
Speaker 3: is like.

439
00:23:03,680 --> 00:23:06,560
Speaker 2: Songs on the album, so like all the after every

440
00:23:06,560 --> 00:23:09,200
Speaker 2: two sentences, that's a song that was like, you're making

441
00:23:09,240 --> 00:23:12,840
Speaker 2: songs about all this shit. And I figured out last night, Lucy,

442
00:23:13,040 --> 00:23:16,960
Speaker 2: I believe it's lucifer like for evil, because that's every

443
00:23:17,000 --> 00:23:18,960
Speaker 2: time the firs the looseifer some type of temptation.

444
00:23:19,359 --> 00:23:24,720
Speaker 7: So so I went running for answers until I came home.

445
00:23:26,200 --> 00:23:30,600
Speaker 7: But that didn't stop survive as guilt, going back and forth,

446
00:23:30,640 --> 00:23:34,520
Speaker 7: trying to convince myself the stripes I earned or maybe

447
00:23:34,520 --> 00:23:38,320
Speaker 7: how a one my foundation was. But while my loved

448
00:23:38,320 --> 00:23:40,920
Speaker 7: ones was fighting a continuous war back in the city,

449
00:23:41,720 --> 00:23:45,000
Speaker 7: I was entering the new one, a war that was

450
00:23:45,040 --> 00:23:51,359
Speaker 7: based on apart time and discrimination. Maybe want to go

451
00:23:51,480 --> 00:23:53,639
Speaker 7: back to the city and tell the homies what I learned.

452
00:23:54,760 --> 00:23:56,320
Speaker 5: The word was respect.

453
00:23:57,880 --> 00:24:00,639
Speaker 7: Just because you wore a different game color than mind

454
00:24:01,560 --> 00:24:03,680
Speaker 7: doesn't mean I can't respect you as a black man

455
00:24:05,600 --> 00:24:07,920
Speaker 7: forgetting all the pain it hurt we caused each other

456
00:24:07,920 --> 00:24:13,320
Speaker 7: in these streets. If I respect you. We unified and

457
00:24:13,359 --> 00:24:17,240
Speaker 7: stopped the enemy from killing us. But I don't know.

458
00:24:19,000 --> 00:24:23,480
Speaker 5: I'm no mortal man. Maybe I'm just another nigga.

459
00:24:25,680 --> 00:24:25,880
Speaker 2: Shit.

460
00:24:25,960 --> 00:24:27,040
Speaker 3: And that's all I wrote.

461
00:24:27,800 --> 00:24:30,600
Speaker 7: I was gonna call it another nigga, but it ain't

462
00:24:30,640 --> 00:24:33,080
Speaker 7: really a poem. I just felt like it's something you

463
00:24:33,160 --> 00:24:36,320
Speaker 7: probably could relate to other than that. Now that I

464
00:24:36,359 --> 00:24:38,719
Speaker 7: finally got a chance to high let you, I always

465
00:24:38,720 --> 00:24:42,240
Speaker 7: wanted to ask you about a certain situation, about a metaphor.

466
00:24:42,320 --> 00:24:47,040
Speaker 7: Actually you spoke on the ground. What you mean by that,

467
00:24:47,119 --> 00:24:48,240
Speaker 7: what the ground represents.

468
00:24:50,200 --> 00:24:53,800
Speaker 2: The ground is gonna open up and swallow the evil, right,

469
00:24:54,320 --> 00:24:55,760
Speaker 2: That's how I see it. My word is boring.

470
00:24:55,800 --> 00:24:55,960
Speaker 3: Man.

471
00:24:56,000 --> 00:24:58,080
Speaker 2: My chest got so tight when I heard pop Voice.

472
00:24:58,280 --> 00:25:07,960
Speaker 2: I was like, I was like, I forgot I missed that, dude, Man,

473
00:25:08,440 --> 00:25:11,119
Speaker 2: I just forgot that how tragic that was when that happened.

474
00:25:12,240 --> 00:25:17,560
Speaker 2: But yeah, man, So anyway, you know, I think because

475
00:25:17,560 --> 00:25:20,080
Speaker 2: of the discussions that people have been having online and

476
00:25:20,119 --> 00:25:23,480
Speaker 2: the clashes and the trolling and the racism and ship

477
00:25:23,560 --> 00:25:26,159
Speaker 2: that we've been facing, I feel like when people just hear, like,

478
00:25:27,359 --> 00:25:30,960
Speaker 2: you know, just the idea of black people respecting each other,

479
00:25:33,560 --> 00:25:37,199
Speaker 2: of stopping gang violence, we immediately just go to, like, so,

480
00:25:37,280 --> 00:25:40,680
Speaker 2: what what about black on black crime? And I think

481
00:25:40,920 --> 00:25:43,040
Speaker 2: this is a person that's like, I don't give a

482
00:25:43,080 --> 00:25:46,280
Speaker 2: fuck what white people are saying, right, I don't even care,

483
00:25:46,520 --> 00:25:51,480
Speaker 2: like like, I only care about us, and you know,

484
00:25:52,680 --> 00:25:55,679
Speaker 2: like for us, I don't want us to ever have

485
00:25:55,720 --> 00:25:59,440
Speaker 2: a mentality where we think our lives are a throwaway period.

486
00:25:59,600 --> 00:26:02,560
Speaker 2: I'm not talking about because you know, he ships on police,

487
00:26:03,000 --> 00:26:08,200
Speaker 2: on this joint, he shits on my institutionalization, he ships

488
00:26:08,240 --> 00:26:11,639
Speaker 2: on massive carcerations. So it's not like he's like only

489
00:26:11,760 --> 00:26:13,640
Speaker 2: you know, black people don't have any issues that sapt

490
00:26:13,680 --> 00:26:16,359
Speaker 2: each other Like nah, He's like, this world is so

491
00:26:16,520 --> 00:26:19,600
Speaker 2: fucked up. We need but we can't afford to not

492
00:26:19,640 --> 00:26:21,480
Speaker 2: care about each other. Don't get lost in that not.

493
00:26:22,200 --> 00:26:23,959
Speaker 2: Like I said, I love it. I'm gonna keep listening.

494
00:26:24,280 --> 00:26:27,600
Speaker 2: Hopefully I'll find even more shit in it. But first

495
00:26:27,640 --> 00:26:30,680
Speaker 2: he listens through. Man, I'm blown away by this kid. Man,

496
00:26:31,119 --> 00:26:35,080
Speaker 2: it's amazing. He's an amazing talent. All right, let's talk

497
00:26:35,119 --> 00:26:42,240
Speaker 2: about some news man twenty years old accused of shooting

498
00:26:42,240 --> 00:26:44,119
Speaker 2: police officers at Ferguson protests.

499
00:26:45,000 --> 00:26:46,880
Speaker 5: Oh, is just that dude dipped.

500
00:26:48,240 --> 00:26:50,320
Speaker 4: Like shot one in the face another one at the

501
00:26:50,359 --> 00:26:52,960
Speaker 4: protest that they was letting out the other day.

502
00:26:55,920 --> 00:26:57,119
Speaker 3: Because that's what we need.

503
00:26:57,720 --> 00:27:02,560
Speaker 2: Thanks, buddy, appreciate you shooting the cops because I'm sure

504
00:27:02,560 --> 00:27:06,399
Speaker 2: they I'm sure they can't you know, can't wait to

505
00:27:06,480 --> 00:27:08,600
Speaker 2: be back into the community.

506
00:27:08,640 --> 00:27:11,440
Speaker 4: And I was so furious when I heard this because

507
00:27:11,480 --> 00:27:14,160
Speaker 4: I was like, I guarantee you, whoever did this, don't

508
00:27:14,240 --> 00:27:16,720
Speaker 4: have any goddamn thing to do with the protest story.

509
00:27:17,119 --> 00:27:19,040
Speaker 2: You know, they're gonna blame it on right, you know,

510
00:27:19,040 --> 00:27:20,960
Speaker 2: they're gonna blame it on the protests, and they're gonna

511
00:27:20,960 --> 00:27:24,159
Speaker 2: blame it, by extension, on black people because they always do.

512
00:27:24,359 --> 00:27:28,560
Speaker 2: Man like it always do. It's just a shady ass,

513
00:27:28,720 --> 00:27:32,359
Speaker 2: you know, happening. A man accused of shooting two officers

514
00:27:32,440 --> 00:27:35,880
Speaker 2: last week in Ferguson says he was not targeting police

515
00:27:36,080 --> 00:27:38,760
Speaker 2: or aiming at demonstrators at a late night protest.

516
00:27:39,080 --> 00:27:40,440
Speaker 5: Who was you talking to, Dan Dall?

517
00:27:40,600 --> 00:27:42,600
Speaker 2: I guess it's just a one in a million things

518
00:27:42,640 --> 00:27:46,560
Speaker 2: that he hit two police officers, right, his attorney said Monday,

519
00:27:46,760 --> 00:27:49,680
Speaker 2: as he entered counted an earlier police description of the crime.

520
00:27:50,119 --> 00:27:54,080
Speaker 2: Defense attorney Gerald Christmas also suggests the Saint Louis County

521
00:27:54,080 --> 00:27:57,639
Speaker 2: police may have used excessive force when arresting the suspect,

522
00:27:57,760 --> 00:28:02,360
Speaker 2: Jeffrey Williams, saying his clan had bruises on his back, shoulders,

523
00:28:02,400 --> 00:28:05,800
Speaker 2: face and a nod on his head. I mean, you

524
00:28:05,880 --> 00:28:09,680
Speaker 2: knew that was gonna happen. You shoot if you if

525
00:28:09,720 --> 00:28:13,240
Speaker 2: you get you get accused of shooting, even at.

526
00:28:13,119 --> 00:28:19,960
Speaker 4: Cops vicinity like one, I'm surprised he's a live black two.

527
00:28:20,160 --> 00:28:23,440
Speaker 2: I'm surprised, Uh he's alive because he's black.

528
00:28:24,320 --> 00:28:24,399
Speaker 8: Uh.

529
00:28:24,640 --> 00:28:28,639
Speaker 2: Police fokesman Brian Shelman has called the lawyer's allegations completely false,

530
00:28:28,960 --> 00:28:31,280
Speaker 2: adding that Williams had was seen by a nurse when

531
00:28:31,280 --> 00:28:35,200
Speaker 2: booked in the County jail, standard procedure for income and inmates.

532
00:28:35,240 --> 00:28:38,200
Speaker 2: I wouldn't be surprised they hit him anyway. The nurse

533
00:28:38,240 --> 00:28:41,600
Speaker 2: release Williams as fit for confinement. I mean, now, on

534
00:28:41,680 --> 00:28:43,520
Speaker 2: the one hand, I say that the only reason I

535
00:28:43,520 --> 00:28:48,280
Speaker 2: would be like maybe is uh, Ferguson police is under

536
00:28:48,320 --> 00:28:49,320
Speaker 2: such heat at this moment.

537
00:28:50,320 --> 00:28:51,040
Speaker 3: Maybe they're like.

538
00:28:51,480 --> 00:28:55,840
Speaker 2: Fuck, can't beat this, maga Like, but I would say,

539
00:28:56,200 --> 00:28:59,800
Speaker 2: with all the ship they've done, wouldn't be surprised if

540
00:28:59,800 --> 00:29:00,200
Speaker 2: they did.

541
00:29:00,600 --> 00:29:03,440
Speaker 3: If they was just like fucking what they gonna do well.

542
00:29:03,520 --> 00:29:06,600
Speaker 2: Williams is accused of shooting two officers Thursday outside Ferguson

543
00:29:06,680 --> 00:29:09,640
Speaker 2: Police station, which has been the scene of protests since

544
00:29:09,720 --> 00:29:14,040
Speaker 2: last summer's fatal shooting of eighteen year old Michael Brown. Williams, twenty,

545
00:29:14,320 --> 00:29:16,880
Speaker 2: appeared in court Monday night, one day after his arrest

546
00:29:16,920 --> 00:29:20,120
Speaker 2: on charges of feeling, assault on criminal action and a

547
00:29:20,120 --> 00:29:23,040
Speaker 2: weapons offense. His case was continued until March thirty.

548
00:29:23,080 --> 00:29:23,360
Speaker 3: First.

549
00:29:23,720 --> 00:29:25,840
Speaker 2: Christmas did not appear to brief hearing and say he

550
00:29:25,840 --> 00:29:29,920
Speaker 2: spoke to his client late Monday afternoon. This wasn't any

551
00:29:29,960 --> 00:29:32,240
Speaker 2: type of ambush shooting, Christmas said in an interview with

552
00:29:32,280 --> 00:29:36,200
Speaker 2: the AP, countering an earlier discrission by Saint Louis County

553
00:29:36,200 --> 00:29:39,960
Speaker 2: Police Chief John Bellmers to think, you're.

554
00:29:39,880 --> 00:29:42,320
Speaker 3: Right those officers were shot accidentally.

555
00:29:43,280 --> 00:29:47,280
Speaker 5: What are you target shooting at jet late at night?

556
00:29:47,720 --> 00:29:50,240
Speaker 3: The most pettiout part of me is like, so that's

557
00:29:50,240 --> 00:29:56,160
Speaker 3: how it feels on the most pettiest part of me.

558
00:29:56,360 --> 00:30:00,320
Speaker 3: It's just like, so, so, how do you like?

559
00:30:01,880 --> 00:30:02,440
Speaker 4: Ain't cool?

560
00:30:02,520 --> 00:30:03,800
Speaker 9: It's not a good feeling.

561
00:30:03,880 --> 00:30:07,080
Speaker 4: I claid, it ain't shot.

562
00:30:12,560 --> 00:30:13,840
Speaker 5: It is not a good feeling.

563
00:30:14,160 --> 00:30:15,160
Speaker 3: Not their own businesses.

564
00:30:16,120 --> 00:30:17,600
Speaker 5: I was like, you know, I just feel like fucking

565
00:30:17,640 --> 00:30:18,200
Speaker 5: with you today.

566
00:30:18,800 --> 00:30:23,200
Speaker 2: But I'm not gonna be petty, gonna be upstanding about this.

567
00:30:23,560 --> 00:30:24,920
Speaker 3: But the pettiest part of me is.

568
00:30:24,920 --> 00:30:30,120
Speaker 2: Like, well, well, well the chickens have come home, the

569
00:30:30,200 --> 00:30:31,120
Speaker 2: roots and all that shit.

570
00:30:31,600 --> 00:30:35,120
Speaker 5: My thing is this, They shot them so far. I mean,

571
00:30:35,160 --> 00:30:39,080
Speaker 5: he shot them from so far away, Like nigga, you

572
00:30:39,280 --> 00:30:41,760
Speaker 5: was miles away. I don't know how far away, but

573
00:30:41,920 --> 00:30:43,680
Speaker 5: you wentn't up the street and around the corner. Put

574
00:30:43,680 --> 00:30:50,280
Speaker 5: it like that, So well, okay, what were you aiming

575
00:30:50,320 --> 00:30:50,680
Speaker 5: for then?

576
00:30:51,400 --> 00:30:51,640
Speaker 2: Yeah?

577
00:30:51,920 --> 00:30:57,880
Speaker 3: Or you know, conspiracy? What if it wasn't him? Gotcha, pert?

578
00:30:58,880 --> 00:31:02,560
Speaker 2: But anyway, that's sad uh. Williams also told investigators that

579
00:31:02,800 --> 00:31:04,520
Speaker 2: he was not talking, but that a social was met

580
00:31:04,520 --> 00:31:08,360
Speaker 2: with skepticism. We're not sure we completely buy that part

581
00:31:08,400 --> 00:31:11,400
Speaker 2: of it, the prosecutor said. Christmas said he wasn't aware

582
00:31:11,440 --> 00:31:14,080
Speaker 2: of any details regarding the possible dispute that could have

583
00:31:14,080 --> 00:31:15,320
Speaker 2: preceded the shooting.

584
00:31:17,480 --> 00:31:19,960
Speaker 3: Mike Brown done in that.

585
00:31:20,000 --> 00:31:24,000
Speaker 2: Street, but Ferguson activist Dereck Robinson said Sunday that Williams

586
00:31:24,000 --> 00:31:25,680
Speaker 2: told him during the jail visit that he had been

587
00:31:25,760 --> 00:31:28,360
Speaker 2: robbed earlier in the day of the shooting, and returned

588
00:31:28,360 --> 00:31:32,800
Speaker 2: to the protest zone to retaliate. On Monday, Robertson referred

589
00:31:33,080 --> 00:31:37,800
Speaker 2: inquiries to Christmas and dude talking to the cops. Come on,

590
00:31:39,040 --> 00:31:41,040
Speaker 2: the shooting happened at it? Oh, well, no, he's probably

591
00:31:41,080 --> 00:31:44,320
Speaker 2: talking because he don't want them to be He don't

592
00:31:44,320 --> 00:31:46,480
Speaker 2: wanted to look like the protests are involved in anyway.

593
00:31:47,280 --> 00:31:49,600
Speaker 2: So he said it might be retaliation for a robbery,

594
00:31:50,600 --> 00:31:53,600
Speaker 2: and the cops didn't. He didn't mean to shoot the police.

595
00:31:54,400 --> 00:31:57,120
Speaker 2: The shooting happened as a demonstration began to break up.

596
00:31:57,200 --> 00:32:00,800
Speaker 2: The protests followed the resignation of city police chief Tom

597
00:32:00,880 --> 00:32:04,040
Speaker 2: Jackson in the wake of a Justice Department of report

598
00:32:04,040 --> 00:32:06,920
Speaker 2: that found wide spread racial bias in the city's police practices.

599
00:32:07,640 --> 00:32:09,960
Speaker 2: Christmas said his client was not a regular participant in

600
00:32:10,040 --> 00:32:13,920
Speaker 2: demonstrations outside the police station, echoing statements by protest leaders

601
00:32:13,920 --> 00:32:16,040
Speaker 2: who said they did not recognize Williams as one of

602
00:32:16,120 --> 00:32:18,880
Speaker 2: their own. Of course, that little strip has to come

603
00:32:18,880 --> 00:32:21,080
Speaker 2: to hang out spot, Christmas said, noting that the area

604
00:32:21,120 --> 00:32:23,040
Speaker 2: has attracted people besides demonstrators.

605
00:32:23,320 --> 00:32:25,600
Speaker 3: Williams is jailed on three hundred thousand dollars bond.

606
00:32:25,680 --> 00:32:28,440
Speaker 2: Christmas said his client is unemployed and expecting a child

607
00:32:28,440 --> 00:32:31,600
Speaker 2: with his girlfriend. On Monday, no one answered the door

608
00:32:32,720 --> 00:32:39,560
Speaker 2: Williams listed at his at his listed address, So I

609
00:32:39,560 --> 00:32:45,120
Speaker 2: don't know, man, I don't know, Doug. We'll see what

610
00:32:45,160 --> 00:32:47,760
Speaker 2: happens with that. I'm assuming more information will come out.

611
00:32:48,200 --> 00:32:51,840
Speaker 2: Like I really hate talking about these shootings and shit

612
00:32:52,160 --> 00:32:56,880
Speaker 2: in the early stages because so much can change so quick,

613
00:32:57,000 --> 00:33:00,960
Speaker 2: and you already know the evidence, and you already know

614
00:33:01,240 --> 00:33:05,239
Speaker 2: the media is gonna descend on people and bring out

615
00:33:05,320 --> 00:33:09,680
Speaker 2: all kinds of details and shit that may or may

616
00:33:09,720 --> 00:33:14,000
Speaker 2: not even be relevant to what happened. Yeah, so I

617
00:33:14,120 --> 00:33:16,680
Speaker 2: have to worry about that kind of shit. So you know,

618
00:33:16,920 --> 00:33:19,600
Speaker 2: like whenever it's a black person that just gets shot

619
00:33:19,640 --> 00:33:23,880
Speaker 2: and shit, I'm always like, uh, not covering this today,

620
00:33:24,040 --> 00:33:24,280
Speaker 2: you know what.

621
00:33:24,280 --> 00:33:26,240
Speaker 3: I mean, because I already know that you gotta.

622
00:33:26,080 --> 00:33:28,640
Speaker 2: Let like a fucking week or two go before you

623
00:33:28,720 --> 00:33:31,480
Speaker 2: can be like, this is what happened. Like last week,

624
00:33:32,240 --> 00:33:38,320
Speaker 2: Tony Robinson was shot and killed by police in Wisconsin,

625
00:33:39,200 --> 00:33:44,680
Speaker 2: and you know, he's a biracial kid, and you know,

626
00:33:44,800 --> 00:33:47,440
Speaker 2: his family came out and I think at one point

627
00:33:47,520 --> 00:33:50,120
Speaker 2: they were trying to say, like, you know, this isn't

628
00:33:50,120 --> 00:33:51,800
Speaker 2: about this isn't a black shooting.

629
00:33:51,880 --> 00:33:52,640
Speaker 3: Or white shooting.

630
00:33:53,240 --> 00:33:58,040
Speaker 2: You know, our kid is gone and he's biracial, so

631
00:33:59,040 --> 00:34:00,680
Speaker 2: you know this isn't just about race.

632
00:34:01,240 --> 00:34:01,440
Speaker 4: Now.

633
00:34:01,640 --> 00:34:04,840
Speaker 2: Obviously a lot of people objected to that, you know,

634
00:34:04,880 --> 00:34:06,000
Speaker 2: because like he was like.

635
00:34:06,000 --> 00:34:06,800
Speaker 3: A black man to me.

636
00:34:08,040 --> 00:34:11,360
Speaker 2: You know, yeah, he can't take that away from you know,

637
00:34:11,480 --> 00:34:12,520
Speaker 2: police forgy concern.

638
00:34:12,560 --> 00:34:16,080
Speaker 4: He your nigga, period, no matter how you feel like

639
00:34:16,200 --> 00:34:19,520
Speaker 4: you can say he biracial, and you can claim you're biracial,

640
00:34:19,600 --> 00:34:22,160
Speaker 4: but a lot of times it's beyond even what you.

641
00:34:22,200 --> 00:34:25,520
Speaker 5: Quote unquote call yourself. People look at you, what do

642
00:34:25,600 --> 00:34:26,280
Speaker 5: they see?

643
00:34:26,520 --> 00:34:28,200
Speaker 2: So you know, I think a lot of people tried

644
00:34:28,239 --> 00:34:31,560
Speaker 2: to be on some like yeah, it's that new black bullshit,

645
00:34:31,880 --> 00:34:35,960
Speaker 2: like motherfuckers thinking they better than all the black kids

646
00:34:36,000 --> 00:34:37,319
Speaker 2: that got shot and all this shit.

647
00:34:38,920 --> 00:34:42,960
Speaker 3: And my thing is, you know they grieving right, Like

648
00:34:42,960 --> 00:34:43,560
Speaker 3: it's just not.

649
00:34:43,760 --> 00:34:47,000
Speaker 2: The fucking time. Like I understand, on your timeline, on Twitter,

650
00:34:47,480 --> 00:34:51,600
Speaker 2: on your podcast, on your blog or radio show every day,

651
00:34:51,880 --> 00:34:55,279
Speaker 2: all the time seems like the appropriate time to you.

652
00:34:55,680 --> 00:34:58,000
Speaker 2: But for me, I was like, I'm not talking about

653
00:34:58,000 --> 00:35:01,520
Speaker 2: this fucking story because cause that should not be the

654
00:35:01,560 --> 00:35:07,759
Speaker 2: motherfucking story. Police shoot another unarmed black person. Why are

655
00:35:07,760 --> 00:35:10,239
Speaker 2: we sitting over here arguing over whether he's black or not,

656
00:35:11,360 --> 00:35:13,960
Speaker 2: or whether his family needs to say he's black or not.

657
00:35:14,960 --> 00:35:18,080
Speaker 2: That just seems like the exact wrong fucking thing to do.

658
00:35:18,440 --> 00:35:19,399
Speaker 3: Right, you know what I mean?

659
00:35:19,560 --> 00:35:22,279
Speaker 4: And they're justified and saying our child is did like

660
00:35:22,320 --> 00:35:26,279
Speaker 4: as far as their concerned, regardless of honestly, they could

661
00:35:26,320 --> 00:35:28,520
Speaker 4: get on the fucking TV and look in the camera

662
00:35:28,520 --> 00:35:28,799
Speaker 4: and go.

663
00:35:30,360 --> 00:35:34,040
Speaker 3: And I'm gonna be like they're grieving like nothing that

664
00:35:34,080 --> 00:35:36,320
Speaker 3: comes out of their mouth, I like, right.

665
00:35:36,160 --> 00:35:39,160
Speaker 2: Now at this point, nothing, I'm not holding them liable

666
00:35:39,239 --> 00:35:41,839
Speaker 2: for any fucking thing they say, you know, the same

667
00:35:41,880 --> 00:35:46,000
Speaker 2: way that when Mike brownparents were like burn his motherfucker down,

668
00:35:46,000 --> 00:35:48,120
Speaker 2: and people are like, we need to lock them up

669
00:35:48,160 --> 00:35:49,160
Speaker 2: for inciting the riot.

670
00:35:49,280 --> 00:35:52,360
Speaker 3: Like I was like, that's grief.

671
00:35:52,560 --> 00:35:55,319
Speaker 2: What I don't know. I don't know how to tell

672
00:35:55,360 --> 00:35:57,880
Speaker 2: somebody how to process their grief. And I'm definitely not

673
00:35:57,920 --> 00:36:00,279
Speaker 2: gonna sit here on my couch on a fact that

674
00:36:00,440 --> 00:36:03,279
Speaker 2: and judge him in that moment of weakness and be

675
00:36:03,440 --> 00:36:05,960
Speaker 2: like why didn't they do it the right way and

676
00:36:06,040 --> 00:36:08,239
Speaker 2: release a statement or type it like these tweets that

677
00:36:08,280 --> 00:36:11,720
Speaker 2: I'm putting out like no, it's just absolutely wrong.

678
00:36:11,800 --> 00:36:12,040
Speaker 10: Man.

679
00:36:13,360 --> 00:36:16,239
Speaker 2: Later on they went back and said, I mean, like

680
00:36:16,320 --> 00:36:20,120
Speaker 2: maybe even a day or two later. Turn which is

681
00:36:20,440 --> 00:36:23,080
Speaker 2: the boy's uncle. He said, I would also like it

682
00:36:23,200 --> 00:36:26,600
Speaker 2: to be clear of my nephew, Tony Terrell, not Tyrrell

683
00:36:27,360 --> 00:36:30,799
Speaker 2: Robinson Jr. Is a black man, and he and all

684
00:36:30,800 --> 00:36:33,879
Speaker 2: of his family identifies him as such. So people had

685
00:36:33,880 --> 00:36:36,160
Speaker 2: a big ass controversy over this, and I do I'm thinking,

686
00:36:36,200 --> 00:36:41,320
Speaker 2: is somebody dead? Like what, like, what are you arguing about?

687
00:36:41,400 --> 00:36:45,000
Speaker 4: I always look at it like that, regardless of who dies,

688
00:36:45,080 --> 00:36:47,920
Speaker 4: I'm looking like, this is somebody's child.

689
00:36:48,280 --> 00:36:50,120
Speaker 5: Somebody's child is gone.

690
00:36:50,239 --> 00:36:53,280
Speaker 2: And it's like, if you get selected in the fucking

691
00:36:54,440 --> 00:36:59,239
Speaker 2: Black Depth sweepstakes, you are supposed to immediately become a

692
00:36:59,400 --> 00:37:03,440
Speaker 2: spokesperson for blackness and an activist. And that is not life,

693
00:37:03,680 --> 00:37:06,240
Speaker 2: and that is not fair and it's a definite double

694
00:37:06,239 --> 00:37:09,200
Speaker 2: standing on black people and we definitely shouldn't do it

695
00:37:09,239 --> 00:37:12,440
Speaker 2: to ourselves. Correct. Well, all of a sudden, you know,

696
00:37:12,560 --> 00:37:15,800
Speaker 2: we expect Trayvon Martin's mom to become like a savvy

697
00:37:15,840 --> 00:37:21,680
Speaker 2: social media and public relations expert, you know what I mean? Like,

698
00:37:21,719 --> 00:37:26,160
Speaker 2: these aren't these are people that we're going to work lives? Yeah,

699
00:37:26,200 --> 00:37:28,800
Speaker 2: the day before this and now we're like, why haven't

700
00:37:28,840 --> 00:37:31,399
Speaker 2: you solved this issue in your life?

701
00:37:31,440 --> 00:37:32,520
Speaker 3: Why haven't you fixed that?

702
00:37:32,800 --> 00:37:34,920
Speaker 5: Right? Why don't? Why don't Why have you had social

703
00:37:34,960 --> 00:37:35,600
Speaker 5: media training?

704
00:37:35,680 --> 00:37:35,799
Speaker 7: Bit?

705
00:37:35,920 --> 00:37:38,000
Speaker 4: She ain't needs social media training, She was just going

706
00:37:38,040 --> 00:37:39,600
Speaker 4: to a nine to five just like you.

707
00:37:39,600 --> 00:37:41,839
Speaker 5: You gotta do you have somebody that teaches you how

708
00:37:41,840 --> 00:37:43,000
Speaker 5: to talk to the media?

709
00:37:43,120 --> 00:37:43,480
Speaker 3: Yeah?

710
00:37:43,520 --> 00:37:45,919
Speaker 2: So you know, And like I said, I haven't even

711
00:37:45,920 --> 00:37:49,120
Speaker 2: looked that much further into that joint because you know,

712
00:37:49,760 --> 00:37:52,880
Speaker 2: it's wonder's a lot of other podcasts that really do

713
00:37:52,960 --> 00:37:53,960
Speaker 2: a much better job of that.

714
00:37:54,040 --> 00:37:56,080
Speaker 3: In my opinion too, I don't want the show to

715
00:37:56,080 --> 00:37:58,640
Speaker 3: become the Black death Show where we correct do that.

716
00:37:58,800 --> 00:38:04,200
Speaker 2: But more importantly, I know more shit's gonna happen, you

717
00:38:04,200 --> 00:38:07,880
Speaker 2: know what I mean. Like that's like it's almost cynical

718
00:38:07,880 --> 00:38:10,000
Speaker 2: at this point where it's like someone dies and I'm

719
00:38:10,040 --> 00:38:13,520
Speaker 2: just like, we gotta go through the stages. First person

720
00:38:13,560 --> 00:38:17,279
Speaker 2: gets shot, Then we gotta go through the well what

721
00:38:17,360 --> 00:38:19,120
Speaker 2: were they doing to get themselves shot?

722
00:38:19,360 --> 00:38:19,800
Speaker 3: Correct?

723
00:38:20,280 --> 00:38:22,799
Speaker 2: Then we gotta go through well, actually, first we gotta

724
00:38:22,840 --> 00:38:26,840
Speaker 2: go through the you know police officers, you know, shooting

725
00:38:26,880 --> 00:38:28,640
Speaker 2: it's a black people think, gotta go through that, you

726
00:38:28,719 --> 00:38:29,239
Speaker 2: know what I mean.

727
00:38:29,600 --> 00:38:32,520
Speaker 3: Then it's was he innocent? You know what I mean?

728
00:38:32,600 --> 00:38:35,000
Speaker 2: Like, well that day he had he had parked in

729
00:38:35,040 --> 00:38:38,400
Speaker 2: a bad space. I don't know, guys. And then we

730
00:38:38,480 --> 00:38:40,520
Speaker 2: have to go through the you know, did he deserve

731
00:38:40,560 --> 00:38:43,360
Speaker 2: to die now? And if if he doesn't quote unquote

732
00:38:43,360 --> 00:38:46,400
Speaker 2: deserve to die because of something he was doing immediately,

733
00:38:46,760 --> 00:38:48,719
Speaker 2: then we go into his past when it's smoking weed?

734
00:38:48,760 --> 00:38:50,400
Speaker 3: What does social media pictures look like?

735
00:38:51,080 --> 00:38:54,200
Speaker 2: Did he uh? Did he ever get in trouble in

736
00:38:54,239 --> 00:38:54,800
Speaker 2: the past?

737
00:38:55,000 --> 00:38:55,680
Speaker 5: Uh?

738
00:38:56,000 --> 00:38:57,200
Speaker 3: Just a bunch of ship right.

739
00:38:58,040 --> 00:39:01,480
Speaker 2: Then you have the fun raising for the cops and

740
00:39:01,719 --> 00:39:04,760
Speaker 2: fund raiser for the family, and you got the TV

741
00:39:04,920 --> 00:39:07,680
Speaker 2: media circus and they bringing on motherfuckers to argue both

742
00:39:07,719 --> 00:39:08,640
Speaker 2: sides of death.

743
00:39:10,040 --> 00:39:11,839
Speaker 3: You know, you gotta have Don Lemmon come in.

744
00:39:11,920 --> 00:39:14,759
Speaker 2: Like it's just such a circus, and it feels like

745
00:39:15,600 --> 00:39:18,960
Speaker 2: every time someone dies it gets reset and it just

746
00:39:19,640 --> 00:39:23,160
Speaker 2: winds up and we just we're just doing it again.

747
00:39:23,560 --> 00:39:25,279
Speaker 5: And then if it goes to trial, you got to

748
00:39:25,320 --> 00:39:26,560
Speaker 5: go through it one old time.

749
00:39:26,960 --> 00:39:27,160
Speaker 3: Right.

750
00:39:27,480 --> 00:39:29,920
Speaker 2: It's like we've seen it so much that you know

751
00:39:29,960 --> 00:39:33,319
Speaker 2: there's a fatigue setting there. But more importantly, there's a

752
00:39:33,360 --> 00:39:38,160
Speaker 2: cynicism setting in, right, And in all these cases, each

753
00:39:38,200 --> 00:39:42,279
Speaker 2: one in my opinion while being part of a larger tapestry,

754
00:39:42,400 --> 00:39:46,160
Speaker 2: they're all unique. So I don't know what made police

755
00:39:46,200 --> 00:39:49,759
Speaker 2: officer X for the trigger on suspect X. And I

756
00:39:49,800 --> 00:39:53,160
Speaker 2: don't know if that's the exact same thing for suspect

757
00:39:53,200 --> 00:39:57,000
Speaker 2: why and police officers why. But you know, we have

758
00:39:57,120 --> 00:39:59,840
Speaker 2: to ask these questions because she is just so fucked

759
00:39:59,880 --> 00:40:02,359
Speaker 2: up right now, right right, Just.

760
00:40:02,239 --> 00:40:05,080
Speaker 4: Because the police officer pulls the trigger and she's a

761
00:40:05,400 --> 00:40:08,480
Speaker 4: black man, it doesn't automatically make him racist.

762
00:40:08,520 --> 00:40:11,359
Speaker 2: Right, Yeah, Yeah, there's a lot more to it than

763
00:40:11,520 --> 00:40:14,600
Speaker 2: just black and white every time. But I feel like

764
00:40:14,680 --> 00:40:16,920
Speaker 2: the size have been picked already, and the arguments have

765
00:40:17,000 --> 00:40:22,040
Speaker 2: been ongoing, especially online, for so long that that that

766
00:40:22,040 --> 00:40:23,680
Speaker 2: that we're at that point where as soon as the

767
00:40:23,680 --> 00:40:25,960
Speaker 2: trigger is pulled, as soon as we find out about it,

768
00:40:25,960 --> 00:40:28,480
Speaker 2: we're like, yeah, this, you know, that dude might as

769
00:40:28,520 --> 00:40:30,680
Speaker 2: well have been wearing a fucking clan hood like it

770
00:40:30,719 --> 00:40:31,520
Speaker 2: don't matter.

771
00:40:31,960 --> 00:40:34,520
Speaker 4: True, And and and I think for me, when it

772
00:40:34,560 --> 00:40:36,200
Speaker 4: comes to a lot of this stuff, a lot of

773
00:40:36,200 --> 00:40:38,719
Speaker 4: people have a tendency because they can into the into

774
00:40:38,760 --> 00:40:41,920
Speaker 4: the disastribation of a lot of this every single.

775
00:40:41,680 --> 00:40:46,520
Speaker 5: Time it happens, So a lot of times Uh, people

776
00:40:46,560 --> 00:40:46,799
Speaker 5: like me.

777
00:40:46,920 --> 00:40:49,879
Speaker 4: I care, care a lot about a lot of that ship,

778
00:40:50,640 --> 00:40:52,960
Speaker 4: but I tap out. And a lot of times when

779
00:40:53,000 --> 00:40:55,840
Speaker 4: you tap out and you just just do other things.

780
00:40:55,960 --> 00:40:59,440
Speaker 4: People that like you don't care about the calls and

781
00:40:59,440 --> 00:41:02,080
Speaker 4: and like that, And to me, that's some fucking annoying doing.

782
00:41:02,160 --> 00:41:04,840
Speaker 4: Every cycle, you know, people hit you up, Hey, you

783
00:41:04,880 --> 00:41:09,120
Speaker 4: got something to say? No, no, no, because that I

784
00:41:09,200 --> 00:41:12,040
Speaker 4: say is it's cycling and your heart can only take

785
00:41:12,120 --> 00:41:15,960
Speaker 4: so much, you know, So I care, but I care

786
00:41:16,080 --> 00:41:18,120
Speaker 4: to an extent because you will drive yourself.

787
00:41:19,000 --> 00:41:21,799
Speaker 3: I think that's everybody, really, you know what I mean.

788
00:41:21,920 --> 00:41:24,880
Speaker 2: You could even people that are embroad in this stuff

789
00:41:25,000 --> 00:41:28,600
Speaker 2: they daily on a daily basis. I think those people

790
00:41:28,640 --> 00:41:30,080
Speaker 2: will be the first ones to tell you that they

791
00:41:30,120 --> 00:41:33,520
Speaker 2: have to limit their concern to a certain level because

792
00:41:34,400 --> 00:41:37,720
Speaker 2: it's going to keep happening and it'll drive you crazy.

793
00:41:37,760 --> 00:41:40,280
Speaker 2: And if you're not superman, you can't stop it by yourself.

794
00:41:42,040 --> 00:41:44,680
Speaker 2: So even even that, you're gonna have to deal with it.

795
00:41:44,719 --> 00:41:48,200
Speaker 2: But you know, I just think we get caught up

796
00:41:48,239 --> 00:41:51,440
Speaker 2: in like the minutia of each situation. And like I

797
00:41:51,480 --> 00:41:53,720
Speaker 2: told somebody, man, I was reading some of this stuff

798
00:41:53,719 --> 00:41:55,720
Speaker 2: and I said, I feel like black people are turning

799
00:41:55,719 --> 00:42:00,160
Speaker 2: into we're turning into CSI like, we're turning into TI

800
00:42:00,160 --> 00:42:04,000
Speaker 2: I'm seen investigators because every time someone gets shot, we're like, Okay,

801
00:42:04,040 --> 00:42:06,600
Speaker 2: where was the weapon, what was the motive, what was

802
00:42:06,600 --> 00:42:08,840
Speaker 2: the police officer? What was his history? What is the

803
00:42:08,920 --> 00:42:12,080
Speaker 2: victim's history? What about that family? What city is it in?

804
00:42:12,160 --> 00:42:15,320
Speaker 2: What is the state municipality? And they're in a policing

805
00:42:15,440 --> 00:42:19,640
Speaker 2: enforcement record, like we are getting into like we're turning

806
00:42:19,640 --> 00:42:23,000
Speaker 2: into fucking like civil scientists and shit when it comes

807
00:42:23,040 --> 00:42:25,440
Speaker 2: to breaking down these shootings, and you know, it's just

808
00:42:25,520 --> 00:42:28,960
Speaker 2: it's it's just sad. It's just sad that we're that way.

809
00:42:29,000 --> 00:42:31,879
Speaker 2: But we have to be, you know what I mean,

810
00:42:32,560 --> 00:42:34,319
Speaker 2: Or put it like this. I'm not saying we have

811
00:42:34,440 --> 00:42:36,680
Speaker 2: to be. I just can't relate to the kind of

812
00:42:36,719 --> 00:42:40,319
Speaker 2: person that looks at this and just goes, there's nothing

813
00:42:40,320 --> 00:42:40,799
Speaker 2: to see here.

814
00:42:40,880 --> 00:42:41,879
Speaker 3: I don't know how you do it.

815
00:42:42,640 --> 00:42:45,239
Speaker 2: So so for the record, if we're not talking about

816
00:42:45,239 --> 00:42:48,520
Speaker 2: on the show, it's mostly because I like to wait

817
00:42:48,719 --> 00:42:51,200
Speaker 2: for these things to kind of gather more and more evidence.

818
00:42:51,680 --> 00:42:53,200
Speaker 2: I know a lot of people like to report these

819
00:42:53,200 --> 00:42:56,400
Speaker 2: things immediately and have a hot take, and I'm not

820
00:42:56,520 --> 00:42:57,640
Speaker 2: really that way.

821
00:42:57,680 --> 00:42:58,920
Speaker 3: About this kind of stuff.

822
00:43:00,200 --> 00:43:03,799
Speaker 2: I would much rather have all the evidence kind of

823
00:43:03,880 --> 00:43:08,239
Speaker 2: laid out or at least some of the like some

824
00:43:08,320 --> 00:43:10,759
Speaker 2: time past emotions kind of got down and didn't talk

825
00:43:10,800 --> 00:43:16,719
Speaker 2: about it, you know, because ultimately, man, it's like when

826
00:43:16,719 --> 00:43:18,840
Speaker 2: I hear this ship, I just immediately get upset.

827
00:43:18,920 --> 00:43:22,759
Speaker 3: So speaking of being upset.

828
00:43:23,080 --> 00:43:30,280
Speaker 2: Uh, Elaine Ellen Powell is a woman who is suing.

829
00:43:32,000 --> 00:43:34,640
Speaker 3: Uh her former employer.

830
00:43:34,920 --> 00:43:38,320
Speaker 2: And it's really gotten a big a lot of attention

831
00:43:38,520 --> 00:43:43,439
Speaker 2: because it's happening in Silicon Valley, which is mostly male

832
00:43:43,520 --> 00:43:47,799
Speaker 2: dominated world, a venture capital. You know, a lot of

833
00:43:47,840 --> 00:43:51,440
Speaker 2: tech startups, a lot of companies that become you know,

834
00:43:51,520 --> 00:43:55,080
Speaker 2: big deals come out of that area, and you know,

835
00:43:55,640 --> 00:44:00,279
Speaker 2: obviously mostly rich, white and male and young. Right, So

836
00:44:01,280 --> 00:44:04,719
Speaker 2: there's a lot of inner workings there socially and morally

837
00:44:04,880 --> 00:44:08,160
Speaker 2: that like, you know, that we don't really have an

838
00:44:08,239 --> 00:44:14,440
Speaker 2: eye into. We sometimes get an experience of figuring hearing

839
00:44:14,480 --> 00:44:18,640
Speaker 2: about the ship through like like kind of like secondhand.

840
00:44:18,719 --> 00:44:21,000
Speaker 3: Like how we look at how people treat.

841
00:44:22,600 --> 00:44:25,280
Speaker 2: The harassment on Twitter, and we're like, man, these people

842
00:44:25,320 --> 00:44:28,240
Speaker 2: have a real blind spot about how women and people

843
00:44:28,280 --> 00:44:29,520
Speaker 2: of color are treated on Twitter.

844
00:44:30,320 --> 00:44:31,319
Speaker 3: Correct, you know what I'm saying?

845
00:44:32,120 --> 00:44:35,160
Speaker 2: Issues right, they don't really have any tools designed for

846
00:44:35,239 --> 00:44:38,360
Speaker 2: helping people out and the importance of it right, and

847
00:44:38,719 --> 00:44:41,040
Speaker 2: that kind of gives you a clue into like their

848
00:44:41,080 --> 00:44:44,680
Speaker 2: mentality must not really be privy to these type.

849
00:44:44,480 --> 00:44:47,160
Speaker 5: Of issues, and that's what happened when you don't have diversity.

850
00:44:47,560 --> 00:44:50,160
Speaker 2: Well, her lawsuit is shedding a lot of light on that.

851
00:44:50,719 --> 00:44:55,200
Speaker 2: She's seeking sixteen million dollars from Clean Kliner and said

852
00:44:55,320 --> 00:44:57,319
Speaker 2: she was discriminated against while working there.

853
00:44:57,680 --> 00:45:00,400
Speaker 3: Kleiner has denied paths out againations.

854
00:45:00,480 --> 00:45:06,040
Speaker 2: Its lead attorney, Lynn hermel Was has repeatedly asserted that

855
00:45:06,080 --> 00:45:10,160
Speaker 2: Power didn't have necessary skills to become a successful venture capitalist.

856
00:45:10,480 --> 00:45:12,800
Speaker 2: The trials far from over, but here are some revelations

857
00:45:12,840 --> 00:45:17,440
Speaker 2: they've heard so far. The top VC firm partners make

858
00:45:17,480 --> 00:45:19,800
Speaker 2: a lot of money. They usually get a percentage of

859
00:45:19,840 --> 00:45:23,080
Speaker 2: the firm's net FREEK income, the profits left over after

860
00:45:23,160 --> 00:45:27,560
Speaker 2: operating expenses, and investors are paid sue big. Larry Cliner,

861
00:45:27,680 --> 00:45:31,480
Speaker 2: CFO testified that some partners made two to five times

862
00:45:31,480 --> 00:45:34,000
Speaker 2: more money as a general partner than a junior partner

863
00:45:34,080 --> 00:45:37,200
Speaker 2: like Power was Ellen Pale made about five hundred and

864
00:45:37,239 --> 00:45:40,440
Speaker 2: sixteen thousand dollars that Cliner in twenty eleven, but she

865
00:45:40,480 --> 00:45:42,480
Speaker 2: could have made as much as three million dollars a

866
00:45:42,560 --> 00:45:46,720
Speaker 2: year as a general partner. That lost net fee income

867
00:45:46,840 --> 00:45:50,920
Speaker 2: is part of why Power seeking sixteen million dollars in damages. Interestingly,

868
00:45:51,000 --> 00:45:53,760
Speaker 2: Power has made an investing part was made an investing

869
00:45:53,800 --> 00:45:56,280
Speaker 2: partner at Cliner, even though at least one partner.

870
00:45:56,239 --> 00:45:57,719
Speaker 3: Didn't think she'd be very good at it.

871
00:45:58,920 --> 00:46:01,840
Speaker 2: There was several hours of a locker room atmosphere on

872
00:46:01,880 --> 00:46:06,440
Speaker 2: a private jet trip with partner Ted Sleen and Dan Rosenwig,

873
00:46:06,760 --> 00:46:10,839
Speaker 2: the CEO of Shag, a Cliner investment. Rosenwig allegedly talked

874
00:46:10,840 --> 00:46:13,360
Speaker 2: about visiting the Playboy Mansion and wanted to go to

875
00:46:13,400 --> 00:46:17,040
Speaker 2: a Victoria's Secret show. Rosenwig also allegedly said he wanted

876
00:46:17,320 --> 00:46:22,279
Speaker 2: Yahoo CEO Marissa Meyer to join Shagg's board because she

877
00:46:22,480 --> 00:46:26,239
Speaker 2: was really hot, but Sleen didn't do much to rain

878
00:46:26,360 --> 00:46:27,319
Speaker 2: in Rosenwig.

879
00:46:27,840 --> 00:46:31,919
Speaker 3: I don't remember trying to stop it. He said, Yeah.

880
00:46:31,960 --> 00:46:33,279
Speaker 2: I think when we have a lot of money and

881
00:46:33,280 --> 00:46:35,560
Speaker 2: shit and you got a boys club, you just figured

882
00:46:35,560 --> 00:46:37,120
Speaker 2: that the women who are there just need to get

883
00:46:37,200 --> 00:46:37,600
Speaker 2: used to it.

884
00:46:38,440 --> 00:46:40,440
Speaker 3: So you want to talk about how hot the CEO

885
00:46:40,640 --> 00:46:42,839
Speaker 3: is and shit. You know, don't do it.

886
00:46:44,000 --> 00:46:48,200
Speaker 2: Another female partner testified she was a rassic cliner. Tray Asalo,

887
00:46:48,239 --> 00:46:51,840
Speaker 2: a former partner, testified to her sexual harassment complaints against

888
00:46:51,880 --> 00:46:57,239
Speaker 2: another former clienter partner, Ajeet Nazir or Nadri Vasalo Klaim.

889
00:46:57,320 --> 00:46:59,640
Speaker 2: Nadri had pursued her once in two thousand and nine

890
00:46:59,680 --> 00:47:01,640
Speaker 2: and again on a business trip in New York in

891
00:47:01,640 --> 00:47:06,080
Speaker 2: twenty eleven. Nazri allegedly promised to introduce Vasalo to someone

892
00:47:06,520 --> 00:47:08,799
Speaker 2: who would help her with one of her ventures at

893
00:47:08,800 --> 00:47:11,880
Speaker 2: a dinner, but that person never showed up. After the dinner,

894
00:47:11,960 --> 00:47:14,680
Speaker 2: Nasri showed up at her hotel room in the bathroom

895
00:47:14,800 --> 00:47:18,359
Speaker 2: in a bathrobe and slippers. I eventually pushed them out

896
00:47:18,400 --> 00:47:21,640
Speaker 2: and closed the door. Basalo testified. After an independent investigator

897
00:47:21,680 --> 00:47:28,759
Speaker 2: found Basalo's claims were justified, they fired the firm fired Nazri. Well,

898
00:47:28,840 --> 00:47:31,719
Speaker 2: I mean they did fire him. Women allegedly have a

899
00:47:31,760 --> 00:47:33,719
Speaker 2: harder time gett promoted. In two thousand and eight, Door

900
00:47:33,800 --> 00:47:37,280
Speaker 2: said on stage in a panel with Sequoia's Mike Morris

901
00:47:37,360 --> 00:47:40,600
Speaker 2: that the best tech entrepreneurs were usually white male nerves.

902
00:47:40,880 --> 00:47:43,840
Speaker 2: George conversation with Morris was played in court by Power's

903
00:47:43,840 --> 00:47:46,480
Speaker 2: attorney The implication was that Door had an implicit vise

904
00:47:46,520 --> 00:47:49,839
Speaker 2: against women, though he lamented the pathetic lack of women

905
00:47:49,880 --> 00:47:53,440
Speaker 2: in venture capital in his testimony, two former female partners

906
00:47:53,440 --> 00:47:56,680
Speaker 2: at Kleiner, Mary Meeker and Allen Lee, had a hard

907
00:47:56,680 --> 00:48:00,479
Speaker 2: time getting promoted than other men at the firm. Lee

908
00:48:00,520 --> 00:48:03,799
Speaker 2: never became a managing partner at Cliner and instead found

909
00:48:03,840 --> 00:48:04,760
Speaker 2: her own VC.

910
00:48:04,719 --> 00:48:08,359
Speaker 3: Firm founded her own VC firm, Cowboy Adventures.

911
00:48:09,360 --> 00:48:12,400
Speaker 2: Pal's attorney had also tried to imply that women words

912
00:48:12,440 --> 00:48:13,160
Speaker 2: through to Decliner.

913
00:48:13,880 --> 00:48:15,080
Speaker 3: Uh, she washed.

914
00:48:15,120 --> 00:48:19,759
Speaker 2: She another former partner organized and all make Cliner ski

915
00:48:19,880 --> 00:48:24,200
Speaker 2: trip to Veil, all male. That's the type of the

916
00:48:24,239 --> 00:48:26,640
Speaker 2: and they put me at all male Cliner ski trip

917
00:48:26,640 --> 00:48:28,839
Speaker 2: to Bail as well as dinner with our gore where

918
00:48:28,880 --> 00:48:30,000
Speaker 2: only men were invited.

919
00:48:31,080 --> 00:48:31,200
Speaker 11: Uh.

920
00:48:31,239 --> 00:48:33,120
Speaker 2: These stories may not be enough to prove the firm

921
00:48:33,200 --> 00:48:36,680
Speaker 2: discriminate against power. That required specific types of evidence, and

922
00:48:37,200 --> 00:48:39,600
Speaker 2: there were lots of other testimony by performance reviews that

923
00:48:39,680 --> 00:48:41,880
Speaker 2: may be more relevant, but they do shine a light

924
00:48:42,000 --> 00:48:43,879
Speaker 2: to the day to day struggle that many women face.

925
00:48:43,920 --> 00:48:49,560
Speaker 2: The traditionally mail downated business and industries like finance. This, Yeah,

926
00:48:49,800 --> 00:48:53,160
Speaker 2: this is just one of those things where I feel

927
00:48:53,200 --> 00:48:56,719
Speaker 2: like for most people it's like it's not going to

928
00:48:56,800 --> 00:48:57,919
Speaker 2: raise an eyebrow because they.

929
00:48:57,840 --> 00:49:01,719
Speaker 3: Just assume that it's like that anyway, you know.

930
00:49:01,840 --> 00:49:04,840
Speaker 2: And then and then even the women that make it

931
00:49:04,880 --> 00:49:08,120
Speaker 2: in that industry or make it the male dominating industries

932
00:49:08,640 --> 00:49:13,200
Speaker 2: typically have to have adopted the same attitudes towards women

933
00:49:13,320 --> 00:49:14,880
Speaker 2: as the male counter.

934
00:49:15,160 --> 00:49:17,520
Speaker 4: All right, because if you're really trying to move and

935
00:49:17,560 --> 00:49:19,399
Speaker 4: shake and change ship, they gonna get you up out

936
00:49:19,400 --> 00:49:21,800
Speaker 4: of there quick before you get any power.

937
00:49:22,000 --> 00:49:22,239
Speaker 3: Yeah.

938
00:49:22,640 --> 00:49:25,279
Speaker 2: I mean, we'll see what happens with that, because I

939
00:49:25,280 --> 00:49:27,239
Speaker 2: don't think the child over yet, but I.

940
00:49:27,200 --> 00:49:29,239
Speaker 5: Hope, I hope she gets every goddamn down.

941
00:49:29,760 --> 00:49:35,840
Speaker 2: Yeah, speaking of getting every goddamn dime, Brell and Robin

942
00:49:35,880 --> 00:49:37,720
Speaker 2: Thick had to come up off that money from Marvin

943
00:49:37,760 --> 00:49:42,279
Speaker 2: Gay and though did Marvin Gay family like kind of

944
00:49:42,320 --> 00:49:43,200
Speaker 2: get paid.

945
00:49:44,400 --> 00:49:46,399
Speaker 5: M hm, you not happy no more?

946
00:49:47,320 --> 00:49:49,160
Speaker 3: Yeah, because I'm broke.

947
00:49:52,480 --> 00:49:54,960
Speaker 5: Yeah, Jersey, I'll keep doing the Divorcee.

948
00:49:57,200 --> 00:50:00,719
Speaker 2: Which is funny because I remember the another try where

949
00:50:00,719 --> 00:50:02,640
Speaker 2: they talked about testimony and shit. It was kind of

950
00:50:02,640 --> 00:50:07,160
Speaker 2: funny that Pharrell was being like, yeah, Robert Thick basically

951
00:50:07,160 --> 00:50:08,279
Speaker 2: just put his name on the song.

952
00:50:08,320 --> 00:50:10,799
Speaker 3: He didn't actually have anything to do with it, and.

953
00:50:10,760 --> 00:50:12,759
Speaker 2: Robin Thick was like, yeah, that's right because he didn't

954
00:50:12,760 --> 00:50:16,319
Speaker 2: want to come off that money, like wow, but yeah,

955
00:50:16,360 --> 00:50:16,800
Speaker 2: they lost.

956
00:50:17,239 --> 00:50:20,960
Speaker 3: Seven point four million got awarded to Gay's family.

957
00:50:23,920 --> 00:50:27,200
Speaker 2: Blurr Lynes was the biggest hit in twenty thirteen and

958
00:50:27,440 --> 00:50:30,160
Speaker 2: it signed like Marvin Gaye nineteen seventy.

959
00:50:29,840 --> 00:50:31,319
Speaker 3: Seven hit Got to give it Up.

960
00:50:34,120 --> 00:50:38,279
Speaker 2: Gay's children sue the Singers in twenty thirteen and were

961
00:50:38,320 --> 00:50:40,600
Speaker 2: present when the verdict was read. No the Gate weptons

962
00:50:40,600 --> 00:50:42,319
Speaker 2: the verdict was being read and was hugged by her

963
00:50:42,360 --> 00:50:45,640
Speaker 2: atturning right now, I feel free, Non the Gate said after.

964
00:50:45,440 --> 00:50:47,719
Speaker 3: The verdict, free from Pharrell Winners and Robert.

965
00:50:47,440 --> 00:50:50,400
Speaker 2: Thick's changed and what they tried, what they tried to

966
00:50:50,520 --> 00:50:52,879
Speaker 2: keep on us, and the lies that were told.

967
00:50:53,080 --> 00:50:55,239
Speaker 4: Right cause the thing is like you probably had to

968
00:50:55,320 --> 00:50:57,279
Speaker 4: pay at the wazoo, but it had been cheaper to

969
00:50:57,280 --> 00:50:59,520
Speaker 4: pay for the rights didn't actually go through this lawsuit.

970
00:51:00,160 --> 00:51:02,880
Speaker 2: I feel like Robin think was the most stummiest of

971
00:51:02,960 --> 00:51:06,759
Speaker 2: the people because his whole thing was I just put

972
00:51:06,760 --> 00:51:11,080
Speaker 2: my name on it. You want right, You wanted to

973
00:51:11,120 --> 00:51:13,279
Speaker 2: get this, You wanted to get the credit right away, right,

974
00:51:13,320 --> 00:51:15,680
Speaker 2: you want the money, right. But when it's time to

975
00:51:15,719 --> 00:51:17,239
Speaker 2: pay up. It's like, I ain't had nothing to do

976
00:51:17,320 --> 00:51:20,759
Speaker 2: with this, y'all. Williams testified he crafted the song in

977
00:51:20,800 --> 00:51:22,240
Speaker 2: about an hour because.

978
00:51:22,040 --> 00:51:23,920
Speaker 5: He's like, I can't get y'all money and my wife's

979
00:51:23,920 --> 00:51:24,400
Speaker 5: money to you.

980
00:51:24,880 --> 00:51:27,879
Speaker 2: Williams testified that he crafted the song in about an hour.

981
00:51:27,920 --> 00:51:30,200
Speaker 2: In mid twenty twelve, he told jurors that while Gay's

982
00:51:30,280 --> 00:51:32,399
Speaker 2: music was part of the soundtrack of his youth, he.

983
00:51:32,360 --> 00:51:34,200
Speaker 3: Didn't use any of it In blurred lines.

984
00:51:35,200 --> 00:51:39,240
Speaker 2: Gay's lawyer Brandon Williams and thig liars who went beyond

985
00:51:39,239 --> 00:51:41,400
Speaker 2: trying to immulate the sound of the late nineteen seventies

986
00:51:41,440 --> 00:51:47,160
Speaker 2: music and copy got to give it up outright. I Mean,

987
00:51:47,440 --> 00:51:49,279
Speaker 2: it was one of those things where I could hear

988
00:51:49,320 --> 00:51:52,279
Speaker 2: it and I was like, I just remember, like I said,

989
00:51:52,320 --> 00:51:56,839
Speaker 2: I'm not a I'm not a music expert, but like

990
00:51:57,120 --> 00:52:00,000
Speaker 2: you could just hear it and be like the nigga

991
00:52:00,040 --> 00:52:00,840
Speaker 2: gonna lose that suit.

992
00:52:01,360 --> 00:52:03,400
Speaker 3: Yeah, everybody get up.

993
00:52:05,600 --> 00:52:08,120
Speaker 5: Yeah, basically exact same beat.

994
00:52:12,960 --> 00:52:26,080
Speaker 9: Y'all ain't gonna do this, and they got to give

995
00:52:26,120 --> 00:52:26,400
Speaker 9: it up.

996
00:52:33,520 --> 00:52:34,520
Speaker 5: What a five minutes songs?

997
00:52:39,440 --> 00:52:51,160
Speaker 3: H look at music, you.

998
00:52:51,160 --> 00:52:54,080
Speaker 2: Know, and maybe they subconsciously copied the baseline and all

999
00:52:54,120 --> 00:52:56,879
Speaker 2: that ship just but I'm thinking about it.

1000
00:52:56,880 --> 00:52:58,200
Speaker 5: It don't matter his family.

1001
00:52:58,800 --> 00:53:05,520
Speaker 2: Yeah, so, yeah, they won the fight. The album sold

1002
00:53:05,520 --> 00:53:08,360
Speaker 2: more than seven point three million copies in the US alone,

1003
00:53:09,239 --> 00:53:12,080
Speaker 2: earned the Grammy Award nomination, and netted Williams and Think

1004
00:53:12,160 --> 00:53:13,640
Speaker 2: more than five million dollars each.

1005
00:53:14,360 --> 00:53:15,040
Speaker 3: The case was a.

1006
00:53:14,960 --> 00:53:17,959
Speaker 2: Struggle between two of music's biggest names. Williams had sold

1007
00:53:17,960 --> 00:53:20,560
Speaker 2: more than one hundred million records worldwide during his career

1008
00:53:20,560 --> 00:53:23,719
Speaker 2: as a single slag producer, and Gay performed hit such

1009
00:53:23,719 --> 00:53:26,920
Speaker 2: a Sexual Healing and How Sweet it Is to Be

1010
00:53:27,040 --> 00:53:31,440
Speaker 2: Loved by You, which remained popular. During closing arguments, Bush

1011
00:53:31,640 --> 00:53:34,360
Speaker 2: accused Thinking Williams a line about how the song was created.

1012
00:53:34,719 --> 00:53:37,480
Speaker 2: He told jurors they could award Gay's children millions of

1013
00:53:37,480 --> 00:53:39,440
Speaker 2: dollars if they determined the copyright that got to give

1014
00:53:39,480 --> 00:53:42,720
Speaker 2: it up was in fringe. Howard King, led lead attorney

1015
00:53:42,719 --> 00:53:44,640
Speaker 2: for Williams and Think, so the panel that a verdict

1016
00:53:44,640 --> 00:53:46,680
Speaker 2: in favor of Gay's family would have a chilling effect

1017
00:53:46,719 --> 00:53:49,680
Speaker 2: on musicians who were trying to recreate a genre or

1018
00:53:49,680 --> 00:53:53,719
Speaker 2: homage to another artist's sound. King denied that there were

1019
00:53:53,719 --> 00:53:56,960
Speaker 2: any substantial similarities between Blurry Lines and the sheet music

1020
00:53:57,440 --> 00:54:02,680
Speaker 2: Gay submitted to obtain copyright protection. Williams forty one also

1021
00:54:02,800 --> 00:54:05,560
Speaker 2: signed the documents, stating that he didn't use any artists

1022
00:54:05,560 --> 00:54:08,480
Speaker 2: other artists working in music that will be responsible if

1023
00:54:08,480 --> 00:54:12,240
Speaker 2: a successful copyright claim was Frank raise. The trial focus

1024
00:54:12,320 --> 00:54:15,040
Speaker 2: on detailed analysis of chords and notes in both blurred

1025
00:54:15,080 --> 00:54:16,279
Speaker 2: lines and got to Give it Up.

1026
00:54:16,960 --> 00:54:19,120
Speaker 4: Yeah, just pay them people for the rights they got

1027
00:54:19,160 --> 00:54:22,880
Speaker 4: lass and say if I allow you pay me, you

1028
00:54:22,880 --> 00:54:24,399
Speaker 4: can do what you want to do the song.

1029
00:54:24,480 --> 00:54:25,520
Speaker 3: Once that happens.

1030
00:54:26,320 --> 00:54:29,960
Speaker 2: Yeah, And the way they got him was instead of

1031
00:54:30,920 --> 00:54:34,480
Speaker 2: playing the song got to give it Up, they play

1032
00:54:35,520 --> 00:54:41,480
Speaker 2: the sheet music version so that there's no there's no

1033
00:54:41,560 --> 00:54:44,040
Speaker 2: singing on top of it, because I think the singing

1034
00:54:44,080 --> 00:54:48,440
Speaker 2: is what throws people off, because it's like that, don't know,

1035
00:54:51,440 --> 00:54:53,640
Speaker 2: Like people hear that and they're like, oh, that's what's that?

1036
00:54:53,760 --> 00:54:54,799
Speaker 3: The same as.

1037
00:54:59,040 --> 00:55:02,080
Speaker 2: They look at this, Yeah, you just played the baseline.

1038
00:55:02,120 --> 00:55:03,799
Speaker 2: All of a sudden, it's like that's the same damn song.

1039
00:55:03,960 --> 00:55:07,000
Speaker 2: Yes it is, oh man, So yeah, they got they

1040
00:55:07,000 --> 00:55:09,160
Speaker 2: got hit up. Marvin Gale, of course, his daddy died

1041
00:55:09,200 --> 00:55:11,640
Speaker 2: April nineteen eighty four, lose his children to copyright to

1042
00:55:11,760 --> 00:55:13,640
Speaker 2: his music, and they.

1043
00:55:13,640 --> 00:55:17,600
Speaker 3: Just came up with the cause. It costs a lot

1044
00:55:17,680 --> 00:55:21,320
Speaker 3: less to settle and simple it correct.

1045
00:55:22,120 --> 00:55:24,480
Speaker 4: You wouldn't have been spending that much. You might even

1046
00:55:24,600 --> 00:55:29,480
Speaker 4: spent a million. Now you just between y'all is seven yep.

1047
00:55:32,120 --> 00:55:32,239
Speaker 8: Uh.

1048
00:55:32,320 --> 00:55:36,960
Speaker 2: The University of a Hot Oklahoma is being gonna possibly

1049
00:55:37,000 --> 00:55:39,560
Speaker 2: be sued by the essays.

1050
00:55:40,480 --> 00:55:48,360
Speaker 3: The racist frat. Uh yeah, can I can always do that?

1051
00:55:53,920 --> 00:55:56,399
Speaker 2: Boys in a newsroom with the exclusive new.

1052
00:55:56,320 --> 00:55:59,879
Speaker 1: Information somebody tonight we can tell you the local chapter

1053
00:56:00,120 --> 00:56:03,360
Speaker 1: Sigma out the UPSLNE plans to pursue legal action against

1054
00:56:03,400 --> 00:56:07,080
Speaker 1: the University of Oklahoma and possibly President David Born. The

1055
00:56:07,120 --> 00:56:10,439
Speaker 1: group has hired high profile attorney Stephen Jones to represent them.

1056
00:56:10,600 --> 00:56:13,160
Speaker 1: I spoke with Jones earlier. He says the group is

1057
00:56:13,160 --> 00:56:16,640
Speaker 1: outraged over President Born shutting down the fraternity house and

1058
00:56:16,680 --> 00:56:20,640
Speaker 1: branding all SAE members as racists and bigots. Jones says

1059
00:56:20,680 --> 00:56:23,399
Speaker 1: the two men have apologized sincerely for their remarks, and

1060
00:56:23,480 --> 00:56:26,399
Speaker 1: now the incident is being exploited. He said they lacked

1061
00:56:26,440 --> 00:56:28,560
Speaker 1: judgment in a social setting, but they should not be

1062
00:56:28,680 --> 00:56:31,359
Speaker 1: tarred and feathered as racist. Now the group is looking

1063
00:56:31,400 --> 00:56:33,799
Speaker 1: at all options as far as litigation. I told the

1064
00:56:33,800 --> 00:56:36,839
Speaker 1: decision to hire Jones came at an emergency meeting held

1065
00:56:36,840 --> 00:56:39,839
Speaker 1: by SAE members and alumni will continue to follow it.

1066
00:56:39,880 --> 00:56:44,640
Speaker 2: That's to you, all right, every thank you shouldn't be

1067
00:56:44,680 --> 00:56:49,239
Speaker 2: tarred and feathered as racist. I mean it's like they're

1068
00:56:49,280 --> 00:56:51,600
Speaker 2: tar babies. A baby is made of tar or something.

1069
00:56:51,640 --> 00:56:54,839
Speaker 3: You know what I mean? Can you know what.

1070
00:56:54,800 --> 00:56:58,759
Speaker 2: I like about it is once again, well, the only

1071
00:56:58,800 --> 00:57:02,480
Speaker 2: thing worse than being and racist is being called out

1072
00:57:02,520 --> 00:57:06,480
Speaker 2: for it. Correct, you know, like I can call them niggers,

1073
00:57:06,480 --> 00:57:08,840
Speaker 2: but I mean, you ain't got to call me racist

1074
00:57:08,880 --> 00:57:10,240
Speaker 2: for using the word niggers.

1075
00:57:11,200 --> 00:57:13,640
Speaker 3: You know the essay he really takes the brother.

1076
00:57:13,440 --> 00:57:17,120
Speaker 2: Out of brotherhood and puts the hood in there even more.

1077
00:57:17,120 --> 00:57:19,520
Speaker 2: They have no problem with the hood. It should just

1078
00:57:19,520 --> 00:57:23,800
Speaker 2: be hood hood because they like wearing hoods. But they

1079
00:57:23,800 --> 00:57:27,880
Speaker 2: don't like them brothers, you know what I mean. Yeah,

1080
00:57:27,920 --> 00:57:32,720
Speaker 2: it's amazing, honestly, Like I don't I don't understand how

1081
00:57:33,600 --> 00:57:35,600
Speaker 2: you had a well, no, I do understand how you

1082
00:57:35,600 --> 00:57:36,600
Speaker 2: had audacity to suit.

1083
00:57:37,800 --> 00:57:40,600
Speaker 3: You just don't get it correct.

1084
00:57:40,680 --> 00:57:44,240
Speaker 2: You're not used to anyone ever telling you no, you're wrong.

1085
00:57:46,120 --> 00:57:51,120
Speaker 5: So I hope they lose. It's dumb, so people get

1086
00:57:51,160 --> 00:57:52,320
Speaker 5: out raised and you sue.

1087
00:57:53,440 --> 00:57:59,000
Speaker 2: Yep, because hey, shouldn't be calling me racist but doing

1088
00:57:59,160 --> 00:58:02,200
Speaker 2: racist ship. So I say, hanging nigga from a tree

1089
00:58:02,880 --> 00:58:04,600
Speaker 2: and y'all think that made me racist?

1090
00:58:04,640 --> 00:58:07,120
Speaker 3: Wow? What kind of world is this?

1091
00:58:09,440 --> 00:58:09,760
Speaker 2: Yeah?

1092
00:58:09,840 --> 00:58:12,720
Speaker 4: What a white man came, became roam free and be

1093
00:58:12,920 --> 00:58:14,760
Speaker 4: racist without independence?

1094
00:58:15,720 --> 00:58:20,360
Speaker 2: After drinking, two Secret Service agents allegedly crashed their car

1095
00:58:20,520 --> 00:58:28,000
Speaker 2: into the White House barricades. About I thought we had

1096
00:58:28,200 --> 00:58:31,280
Speaker 2: the president's Secret Service details seen till seventeen six on

1097
00:58:31,320 --> 00:58:35,080
Speaker 2: this already, Like, what are the new dudes fucking up to?

1098
00:58:36,520 --> 00:58:39,840
Speaker 3: Sounds like watching him? What the fuck is happening? Secret

1099
00:58:39,920 --> 00:58:42,000
Speaker 3: Service dudes get fucked up?

1100
00:58:43,400 --> 00:58:45,760
Speaker 4: Like your whole job is to protect the president of

1101
00:58:45,800 --> 00:58:47,200
Speaker 4: the United States and you're like fuck it.

1102
00:58:48,520 --> 00:58:50,480
Speaker 2: Adding to what was becoming a long list of President

1103
00:58:50,560 --> 00:58:54,040
Speaker 2: Barack Obama Secret Service agents dropping the ball of behaving inappropriately,

1104
00:58:54,360 --> 00:58:57,720
Speaker 2: the Washington Post reporting that two senior agents Senior agents Wow,

1105
00:58:58,000 --> 00:59:00,920
Speaker 2: attended a party, consumed alcohol, and allegedly crashed their government

1106
00:59:00,920 --> 00:59:03,479
Speaker 2: car into security barricades that was positioned by the White

1107
00:59:03,480 --> 00:59:06,240
Speaker 2: House on March fourth. One of the agents is the

1108
00:59:06,240 --> 00:59:09,760
Speaker 2: top member of the President's security detail. Of the other

1109
00:59:09,800 --> 00:59:13,880
Speaker 2: Secret Service agents who were at the scene reportedly wanted

1110
00:59:13,920 --> 00:59:17,320
Speaker 2: to arrest the two agents and test their alcohol levels,

1111
00:59:17,360 --> 00:59:19,800
Speaker 2: but according to the Post support, they were told not

1112
00:59:19,880 --> 00:59:23,880
Speaker 2: to by superior on duty that night. Oh this job,

1113
00:59:24,040 --> 00:59:27,240
Speaker 2: trying to cover it up. Secret Service Director Joseph Clancy

1114
00:59:27,240 --> 00:59:29,439
Speaker 2: said that an investigation of the incident will take place

1115
00:59:29,440 --> 00:59:32,240
Speaker 2: and be led by the Department of Homeland Security Inspector General,

1116
00:59:32,880 --> 00:59:36,360
Speaker 2: given that the agents at the center of the investigation

1117
00:59:36,600 --> 00:59:39,760
Speaker 2: hold senior post. Clancy was just appointed to the job

1118
00:59:39,960 --> 00:59:42,800
Speaker 2: last month after his predecessor stepped down amid a string

1119
00:59:42,800 --> 00:59:45,680
Speaker 2: of embarrassing incidents that had the American public question in

1120
00:59:45,680 --> 00:59:48,360
Speaker 2: the Secret services intagrity and ability to protect the president.

1121
00:59:49,400 --> 00:59:52,040
Speaker 2: Only the president that has been threatened the most times

1122
00:59:52,280 --> 00:59:55,800
Speaker 2: ever in the history of predidate presidency. You add the

1123
00:59:55,880 --> 00:59:57,800
Speaker 2: rest of them together, even the ones that are dead

1124
00:59:58,040 --> 01:00:01,240
Speaker 2: and right, you will not get up to what Barack

1125
01:00:01,280 --> 01:00:05,400
Speaker 2: Obama's got. A spokesman for the Secret Service said that

1126
01:00:05,440 --> 01:00:08,000
Speaker 2: the agency will cooperate with the investigation of his conduct.

1127
01:00:08,120 --> 01:00:11,320
Speaker 2: Is identified, appropriate actual will be taken based on establishments

1128
01:00:11,360 --> 01:00:12,800
Speaker 2: and regulations.

1129
01:00:13,400 --> 01:00:15,160
Speaker 3: Man, you know what's funny is.

1130
01:00:15,200 --> 01:00:18,760
Speaker 2: Like back in the day, like part of the reason

1131
01:00:18,880 --> 01:00:21,920
Speaker 2: President Barack Obama is the most threatened president ever is

1132
01:00:21,920 --> 01:00:24,880
Speaker 2: because it's so much easier to do it now mm hm,

1133
01:00:25,560 --> 01:00:28,959
Speaker 2: because you know, back in the day, you really needed

1134
01:00:28,960 --> 01:00:31,840
Speaker 2: to hate the president to threaten, right, you had to

1135
01:00:31,840 --> 01:00:32,439
Speaker 2: get it ink.

1136
01:00:33,360 --> 01:00:36,160
Speaker 3: Matter of fact, you had to learn to read to

1137
01:00:36,280 --> 01:00:37,000
Speaker 3: write properly.

1138
01:00:37,120 --> 01:00:40,840
Speaker 2: Then you need to like ink cill and then you

1139
01:00:40,880 --> 01:00:44,439
Speaker 2: had to get the parchment, and you had to wait

1140
01:00:45,240 --> 01:00:48,440
Speaker 2: days for the dicey postal service to deliver it. Ah,

1141
01:00:49,000 --> 01:00:50,560
Speaker 2: hoping that it got there on time.

1142
01:00:51,080 --> 01:00:54,120
Speaker 5: Yes, and like get that three years later, talking.

1143
01:00:53,840 --> 01:00:57,480
Speaker 2: In old fashioned old English and shit, and like probably

1144
01:00:57,920 --> 01:01:03,200
Speaker 2: probably have probably the more polite death threats ever. You know,

1145
01:01:03,240 --> 01:01:05,520
Speaker 2: back then they didn't have all that like hey, motherfucker,

1146
01:01:05,560 --> 01:01:06,640
Speaker 2: I kill your ass.

1147
01:01:06,680 --> 01:01:08,680
Speaker 3: Like you know, it's a lot of like.

1148
01:01:09,600 --> 01:01:17,640
Speaker 2: Dearest, uh, dearest George Washington, Sincerely yours psycho. Yeah, I

1149
01:01:17,760 --> 01:01:20,680
Speaker 2: certainly hope the weather does not find you in good health.

1150
01:01:22,640 --> 01:01:26,280
Speaker 2: May your wooden teeth be as rotten to the core

1151
01:01:26,440 --> 01:01:28,080
Speaker 2: as your integrity.

1152
01:01:27,640 --> 01:01:31,920
Speaker 3: Sir, I do say, May your.

1153
01:01:31,800 --> 01:01:34,840
Speaker 5: Real heir be as white as that week that you will, sir.

1154
01:01:35,040 --> 01:01:39,920
Speaker 2: I shall challenge you to fisticuffs by the Delaware River.

1155
01:01:41,240 --> 01:01:44,160
Speaker 3: Designate the time I've designated the place.

1156
01:01:45,560 --> 01:01:55,480
Speaker 10: Oh, I know, good response, right, Martha, how is she

1157
01:01:55,560 --> 01:01:55,760
Speaker 10: doing that.

1158
01:01:55,880 --> 01:01:57,800
Speaker 3: I hope everything's follow her. You know, we don't talk

1159
01:01:57,840 --> 01:01:58,720
Speaker 3: bad about the mother.

1160
01:02:00,920 --> 01:02:05,920
Speaker 2: This Look, guys, were having some technical difficulties here. You

1161
01:02:05,960 --> 01:02:07,280
Speaker 2: may or may not have lost part of.

1162
01:02:07,240 --> 01:02:09,480
Speaker 3: This podcast, but we're gonna keep it rolling.

1163
01:02:11,480 --> 01:02:13,360
Speaker 2: Like we always do, and hopefully we can fix in

1164
01:02:13,440 --> 01:02:17,760
Speaker 2: the on the backside, Ye on the backside, Kathy Griffins

1165
01:02:17,840 --> 01:02:21,920
Speaker 2: leaving the fashion Police, Fach.

1166
01:02:21,840 --> 01:02:24,480
Speaker 3: Police losing more police than Ferguson.

1167
01:02:25,080 --> 01:02:27,320
Speaker 5: I ain't they though they wouldn't like flies.

1168
01:02:27,920 --> 01:02:30,439
Speaker 2: Yeah, And I think that the problem here is that

1169
01:02:30,600 --> 01:02:35,280
Speaker 2: Joan Rivers is gone right, Uh, Joan Rivers not because

1170
01:02:35,360 --> 01:02:38,400
Speaker 2: Jone Rivers is so fucking funny and all this shit. No,

1171
01:02:39,080 --> 01:02:43,800
Speaker 2: Kathy Griffin, Uh just came in at the wrong time

1172
01:02:43,880 --> 01:02:48,000
Speaker 2: in society. The only way to deliver a joke now,

1173
01:02:48,280 --> 01:02:50,920
Speaker 2: especially jokes about what people wearing, what they look like,

1174
01:02:50,960 --> 01:02:53,960
Speaker 2: and shit, you need to not give a fuck what

1175
01:02:54,000 --> 01:02:54,760
Speaker 2: they think.

1176
01:02:54,960 --> 01:02:58,040
Speaker 5: Right, because if you care, that's not the job for you.

1177
01:02:58,200 --> 01:03:00,440
Speaker 2: Like one of the things I love about Rivers and

1178
01:03:00,480 --> 01:03:01,880
Speaker 2: that and this is the thing I love about a

1179
01:03:01,880 --> 01:03:04,360
Speaker 2: lot of people that you know, the people I look

1180
01:03:04,440 --> 01:03:07,000
Speaker 2: up to that I think are funny are people that

1181
01:03:07,040 --> 01:03:10,400
Speaker 2: don't apologize for the fucking jokes, right, Like, I hate

1182
01:03:10,400 --> 01:03:12,760
Speaker 2: when people only apologize for a joke because it didn't

1183
01:03:13,160 --> 01:03:18,280
Speaker 2: land well, or because because it's popular to talk bad

1184
01:03:18,320 --> 01:03:21,439
Speaker 2: about them, But but they meant the joke, they thought

1185
01:03:21,480 --> 01:03:22,959
Speaker 2: it was funny when it came out of their mouth

1186
01:03:23,040 --> 01:03:25,600
Speaker 2: and it just didn't land or some people wrote a

1187
01:03:25,600 --> 01:03:30,120
Speaker 2: blog about it, and now you're apologizing, Like, no, not

1188
01:03:30,200 --> 01:03:30,520
Speaker 2: to mention.

1189
01:03:30,600 --> 01:03:33,280
Speaker 3: Those people never forgive you correct.

1190
01:03:32,880 --> 01:03:34,720
Speaker 5: No matter what you do, no matter how many times

1191
01:03:34,760 --> 01:03:36,520
Speaker 5: you apologize. So fuck Thelma.

1192
01:03:36,800 --> 01:03:38,320
Speaker 3: Yeah, you're wasting your time man.

1193
01:03:41,560 --> 01:03:47,120
Speaker 2: But it's sad though, because during the comments Juliana Ransick made,

1194
01:03:47,200 --> 01:03:52,720
Speaker 2: which was about the petulio smelling uh Zandiah, was like,

1195
01:03:52,760 --> 01:03:55,000
Speaker 2: the joke was that she spelled like chulliold because she

1196
01:03:55,040 --> 01:03:59,200
Speaker 2: had these big ass like dreadlocks and shit is just

1197
01:03:59,520 --> 01:04:02,960
Speaker 2: all that white people use on their dreadlocks and associated

1198
01:04:02,960 --> 01:04:05,200
Speaker 2: with hippies and shit, it's like to cover up the

1199
01:04:05,200 --> 01:04:07,400
Speaker 2: smell because like, in order for white hair to like

1200
01:04:07,480 --> 01:04:09,440
Speaker 2: matt up in the dreadlocks, typically you gotta get a

1201
01:04:09,480 --> 01:04:12,200
Speaker 2: little funky, get a little muck in there, and then

1202
01:04:12,240 --> 01:04:14,160
Speaker 2: you cover it up with the petuliol smell. And then

1203
01:04:14,200 --> 01:04:18,200
Speaker 2: people say, oh, petuliol stinks and white people smell like

1204
01:04:18,200 --> 01:04:19,840
Speaker 2: petulio that are hippies.

1205
01:04:19,880 --> 01:04:21,600
Speaker 3: And there's a bunch of jokes around that.

1206
01:04:22,000 --> 01:04:25,800
Speaker 2: Sometimes people say it about black people, but I that

1207
01:04:25,880 --> 01:04:30,240
Speaker 2: was one stereotype I had never heard of, really, and

1208
01:04:30,360 --> 01:04:34,800
Speaker 2: I think Juliana Ronsick wasn't really thinking of black people

1209
01:04:34,880 --> 01:04:35,160
Speaker 2: at all.

1210
01:04:35,200 --> 01:04:36,120
Speaker 3: What she made the joke.

1211
01:04:36,960 --> 01:04:39,120
Speaker 2: If anything, I'd say the add on the tag that

1212
01:04:39,200 --> 01:04:42,000
Speaker 2: Kathy Griffin said when she said in weed, you know,

1213
01:04:42,920 --> 01:04:44,440
Speaker 2: I thought they were both on the same page.

1214
01:04:44,440 --> 01:04:46,360
Speaker 3: It was she looks like a hippie.

1215
01:04:46,760 --> 01:04:49,920
Speaker 2: Now, zen Dire went put a post on Instagram that

1216
01:04:50,000 --> 01:04:53,320
Speaker 2: basically accused them of being racist and say, you know

1217
01:04:53,400 --> 01:04:55,240
Speaker 2: all these other people that had their hair like this,

1218
01:04:55,480 --> 01:04:57,280
Speaker 2: and this is stereotype you want to promote, and it's

1219
01:04:57,320 --> 01:04:57,960
Speaker 2: very hurtful.

1220
01:04:58,280 --> 01:05:00,880
Speaker 3: She accepted the apology because Juliette A.

1221
01:05:00,920 --> 01:05:05,040
Speaker 2: Ronsick did apologize, but then right after that, Kelly Osborne

1222
01:05:05,120 --> 01:05:08,880
Speaker 2: left ready to go. Yeah. That seemed like a person

1223
01:05:08,920 --> 01:05:09,920
Speaker 2: that was just tired of being there.

1224
01:05:10,400 --> 01:05:13,960
Speaker 5: Oh today, oh oh, if anything at happen today, I'm

1225
01:05:13,960 --> 01:05:14,640
Speaker 5: not the front though.

1226
01:05:14,960 --> 01:05:15,160
Speaker 2: Yeah.

1227
01:05:15,240 --> 01:05:18,640
Speaker 3: Kathy Griffin left and then that was it.

1228
01:05:18,720 --> 01:05:22,480
Speaker 2: You know, so how many people know the crow think

1229
01:05:22,560 --> 01:05:25,640
Speaker 2: abound like three or four, and then you know, Joan

1230
01:05:25,720 --> 01:05:29,439
Speaker 2: Rivers was to me, this just says Juliana Ronzick's probably

1231
01:05:29,480 --> 01:05:33,640
Speaker 2: hard to work with. But Joan Rivers would have made

1232
01:05:33,760 --> 01:05:37,280
Speaker 2: that same joke, if not further right, and would have

1233
01:05:37,320 --> 01:05:41,320
Speaker 2: been like, I don't give a fuck y'all like joking,

1234
01:05:42,200 --> 01:05:46,120
Speaker 2: like and that is something I respect so much, Like

1235
01:05:46,200 --> 01:05:48,200
Speaker 2: I don't really have a lot of respect for comedians

1236
01:05:48,240 --> 01:05:50,600
Speaker 2: that do all of him and how and to like

1237
01:05:51,360 --> 01:05:55,560
Speaker 2: just the popularity of it. Like even comedians that I

1238
01:05:55,680 --> 01:05:59,520
Speaker 2: vehemently disagree with the punchline and the methodology of their jokes,

1239
01:06:00,160 --> 01:06:02,920
Speaker 2: I like them more when they just go I was joking.

1240
01:06:03,120 --> 01:06:05,360
Speaker 2: I'm not gonna fucking do the.

1241
01:06:05,360 --> 01:06:07,720
Speaker 3: Game with you. These are jokes.

1242
01:06:08,040 --> 01:06:10,640
Speaker 2: I tell things that aren't true for a living so

1243
01:06:10,720 --> 01:06:13,360
Speaker 2: that you can laugh. If you don't laugh, I understand,

1244
01:06:13,800 --> 01:06:16,240
Speaker 2: but that doesn't change the fact that I don't mean it,

1245
01:06:16,280 --> 01:06:19,960
Speaker 2: because it's a fucking joke, right, I like those people.

1246
01:06:20,120 --> 01:06:23,520
Speaker 2: I think Whitney Cummings did it one time when she

1247
01:06:23,560 --> 01:06:25,960
Speaker 2: made a joke about veterans and shit and then veterans

1248
01:06:26,000 --> 01:06:27,920
Speaker 2: all you need to apologize to the army and she's like.

1249
01:06:27,880 --> 01:06:31,720
Speaker 3: Fuck you no, Like it's a goddamn joke. You know.

1250
01:06:32,600 --> 01:06:35,040
Speaker 2: So Joan Rivers did it before she died, when she

1251
01:06:35,080 --> 01:06:38,200
Speaker 2: said the joke about Michelle Obama being a training and

1252
01:06:38,280 --> 01:06:40,040
Speaker 2: people was like, well, don't you want to apologize for that?

1253
01:06:40,120 --> 01:06:41,320
Speaker 3: She's like, no, it's a joke.

1254
01:06:42,480 --> 01:06:43,439
Speaker 2: And I'm like, I don't.

1255
01:06:43,520 --> 01:06:44,520
Speaker 3: Did I think Michelle?

1256
01:06:45,040 --> 01:06:47,640
Speaker 2: Of course not. That's a ridiculous joke. But it's a joke.

1257
01:06:47,680 --> 01:06:49,880
Speaker 2: And I'm so glad she didn't apologize. I'm tired of

1258
01:06:49,880 --> 01:06:52,960
Speaker 2: that shit. Don't apologize, you meant it, Just deal with

1259
01:06:53,000 --> 01:06:57,200
Speaker 2: the backlash. Yeah, And most of these people have insulated

1260
01:06:57,240 --> 01:06:59,080
Speaker 2: themselves in their careers to a point where even with

1261
01:06:59,160 --> 01:07:01,560
Speaker 2: people being mad as not gonna really affect them anyway.

1262
01:07:02,240 --> 01:07:04,280
Speaker 2: So you know, and like I said, I love John

1263
01:07:04,360 --> 01:07:05,360
Speaker 2: Rivers because of that.

1264
01:07:05,480 --> 01:07:05,680
Speaker 4: Man.

1265
01:07:06,320 --> 01:07:08,440
Speaker 2: You know, on the podcast, I made a bunch of

1266
01:07:08,440 --> 01:07:11,360
Speaker 2: fucked up jokes about her when she died, because that's

1267
01:07:11,400 --> 01:07:14,320
Speaker 2: what she would do, man, I would. And people swear

1268
01:07:14,360 --> 01:07:18,000
Speaker 2: that they like love and worship these type of comedians,

1269
01:07:18,000 --> 01:07:19,880
Speaker 2: but they don't. They don't. Man, at the end of

1270
01:07:19,920 --> 01:07:21,560
Speaker 2: the day, a lot of them still ship on these

1271
01:07:21,600 --> 01:07:25,560
Speaker 2: people and they don't really like, have any true respect

1272
01:07:25,600 --> 01:07:27,800
Speaker 2: for what they did. But I respect that she put

1273
01:07:27,800 --> 01:07:31,440
Speaker 2: herself on the line for these motherfucking jokes, and she would.

1274
01:07:31,280 --> 01:07:32,600
Speaker 3: Have said that shit about Zinadaia.

1275
01:07:32,720 --> 01:07:35,200
Speaker 2: I double fucking guarantee you she would have looked at

1276
01:07:35,200 --> 01:07:38,480
Speaker 2: you and said, fuck you, it was a joke the end,

1277
01:07:38,720 --> 01:07:42,320
Speaker 2: right like it wouldn't and the show would have kept going.

1278
01:07:42,440 --> 01:07:44,400
Speaker 2: The reason the show can't go right now, it has

1279
01:07:44,400 --> 01:07:47,880
Speaker 2: no integrity. Everyone's coming out apologizing every five minutes.

1280
01:07:48,240 --> 01:07:49,560
Speaker 5: Yeah, you can't have a show like that.

1281
01:07:49,640 --> 01:07:52,400
Speaker 4: When you're talking, criticize and fast people about fashion, you're

1282
01:07:52,400 --> 01:07:54,440
Speaker 4: gonna constantly be apologizing.

1283
01:07:54,920 --> 01:08:00,920
Speaker 2: Yeah, so she at least a statement on Twitter. Uh,

1284
01:08:01,360 --> 01:08:04,240
Speaker 2: because after the Buttuli Old Things said, I thought that

1285
01:08:04,320 --> 01:08:06,360
Speaker 2: I could bring my brand to human to fashion police,

1286
01:08:06,480 --> 01:08:08,640
Speaker 2: so that beautiful people and beautiful dresses could be teased

1287
01:08:08,680 --> 01:08:11,800
Speaker 2: and appropriate my brand of humor while unrepenting and unafraid.

1288
01:08:11,840 --> 01:08:13,080
Speaker 3: It's all about context.

1289
01:08:13,560 --> 01:08:16,120
Speaker 2: There's plenty to make fun of and pop culture without

1290
01:08:16,120 --> 01:08:20,200
Speaker 2: bringing people's bodies into it. Again, people context, Listen. I'm

1291
01:08:20,200 --> 01:08:23,000
Speaker 2: not a saint, I'm not. I'm a feminist and a

1292
01:08:23,120 --> 01:08:27,080
Speaker 2: girl who loves an offensive joke or a well time barb,

1293
01:08:27,120 --> 01:08:29,400
Speaker 2: and you will find plenty of my repertoire. But I

1294
01:08:29,439 --> 01:08:31,360
Speaker 2: do not want to use my comedy to contribute to

1295
01:08:31,360 --> 01:08:36,200
Speaker 2: a culture of unattainable perfectionism and intolerance towards and towards difference. Well,

1296
01:08:36,240 --> 01:08:38,960
Speaker 2: this is what you signed up for. What did you

1297
01:08:39,000 --> 01:08:41,680
Speaker 2: think the show was for? Fashion Police? There's gonna be

1298
01:08:41,720 --> 01:08:43,720
Speaker 2: a very inclusive show where you just sit around and

1299
01:08:43,760 --> 01:08:44,920
Speaker 2: talk good about people.

1300
01:08:45,439 --> 01:08:47,360
Speaker 3: Have you been on Twitter during? And first of all,

1301
01:08:47,400 --> 01:08:48,639
Speaker 3: with Twitter, we don't need fashion.

1302
01:08:48,439 --> 01:08:52,160
Speaker 2: Police anymore because people on Twitter gonna shit on y'all,

1303
01:08:52,160 --> 01:08:54,240
Speaker 2: shit on these people outfits way before y'all came a

1304
01:08:54,280 --> 01:08:58,160
Speaker 2: way better. But because Twitter ain't got to worry about

1305
01:08:58,479 --> 01:09:01,439
Speaker 2: losing their jobs over it, most Twitter people just go

1306
01:09:01,520 --> 01:09:03,679
Speaker 2: on there and be like so and so's a fat bitch,

1307
01:09:03,720 --> 01:09:07,080
Speaker 2: and You're like, Jesus Christ, you're like a garbageran bitch.

1308
01:09:07,120 --> 01:09:08,320
Speaker 3: You're like, good grief.

1309
01:09:09,360 --> 01:09:13,719
Speaker 2: I'm like, you kish your mother with that mouth. But uh,

1310
01:09:13,800 --> 01:09:16,200
Speaker 2: she said, after seven episodes of Fashion Police, I discovered

1311
01:09:16,200 --> 01:09:17,880
Speaker 2: that my style is not fit with the credit direction

1312
01:09:17,960 --> 01:09:19,320
Speaker 2: of the show and now it's.

1313
01:09:19,160 --> 01:09:19,800
Speaker 3: Time to move on.

1314
01:09:19,880 --> 01:09:22,760
Speaker 2: Yeah, because she needed to be the heavy hitter, the

1315
01:09:22,840 --> 01:09:26,439
Speaker 2: comedian that they bring in man or woman needs to

1316
01:09:26,439 --> 01:09:29,080
Speaker 2: be the one willing to take the swing and the

1317
01:09:29,160 --> 01:09:32,400
Speaker 2: hard joke and everyone else just kind of pals onto

1318
01:09:32,400 --> 01:09:35,000
Speaker 2: what they're saying already, and if anybody has a problem

1319
01:09:35,040 --> 01:09:37,479
Speaker 2: with it, you just go back to, well, it's John

1320
01:09:37,600 --> 01:09:41,240
Speaker 2: Rivers or it's so and so, and then we all go, yeah,

1321
01:09:41,280 --> 01:09:43,280
Speaker 2: I guess you can't say shit about that, right right?

1322
01:09:44,120 --> 01:09:45,720
Speaker 2: Uh you know, I think would be good at it.

1323
01:09:45,840 --> 01:09:49,160
Speaker 2: Joe McHale, Oh, you be excellent at it because Joe

1324
01:09:49,240 --> 01:09:50,240
Speaker 2: McKell don't give a fuck.

1325
01:09:50,720 --> 01:09:53,200
Speaker 5: He gets zero fucks about what y'all got to say.

1326
01:09:53,520 --> 01:09:56,080
Speaker 2: He'll he talk mean about people pretty much every week

1327
01:09:56,120 --> 01:09:57,200
Speaker 2: for thirty minutes live.

1328
01:09:58,160 --> 01:10:00,000
Speaker 5: And I should be good at it.

1329
01:10:00,720 --> 01:10:01,760
Speaker 3: Yeah, Daniel to should be.

1330
01:10:01,760 --> 01:10:06,440
Speaker 2: They can't get damn, they can't get Damn. I should

1331
01:10:06,600 --> 01:10:09,280
Speaker 2: make way too much money to fuck with them.

1332
01:10:09,640 --> 01:10:12,080
Speaker 5: Oh no, no, no, Yeah, he'll never sign up for it.

1333
01:10:12,160 --> 01:10:14,320
Speaker 2: But Jael mckel is on e That's the only reason

1334
01:10:14,360 --> 01:10:15,800
Speaker 2: I'm saying maybe they could get him to do it,

1335
01:10:16,520 --> 01:10:20,880
Speaker 2: because uh yeah, Dale and Dale. Tosh's jokes to me

1336
01:10:21,200 --> 01:10:25,680
Speaker 2: aren't really celebrity jokes as much as they're like, like,

1337
01:10:25,760 --> 01:10:28,120
Speaker 2: he's good at race humor and shit like that and

1338
01:10:28,360 --> 01:10:30,679
Speaker 2: gender and shit like looking like the bully when he's

1339
01:10:31,200 --> 01:10:33,519
Speaker 2: making himself look stupid, But I don't know.

1340
01:10:33,600 --> 01:10:35,439
Speaker 3: Man, Joe McKell would be great at this.

1341
01:10:35,560 --> 01:10:37,639
Speaker 4: He would actually be great. It would be a simple

1342
01:10:37,760 --> 01:10:39,360
Speaker 4: shift though for him. I could see him doing it

1343
01:10:39,439 --> 01:10:40,679
Speaker 4: and having a plus.

1344
01:10:40,720 --> 01:10:43,840
Speaker 2: Tosh got ding once and apologized. I'll never forget that

1345
01:10:43,840 --> 01:10:47,400
Speaker 2: that rape joke they he apologized for because he an't

1346
01:10:47,400 --> 01:10:48,040
Speaker 2: want to lose a show.

1347
01:10:48,439 --> 01:10:48,839
Speaker 3: Correct.

1348
01:10:48,920 --> 01:10:51,479
Speaker 2: I'm not saying I don't understand, but it's you know,

1349
01:10:51,720 --> 01:10:53,120
Speaker 2: whenever it happens, I'm always like.

1350
01:10:53,160 --> 01:10:55,200
Speaker 3: Yeah, you didn't really believe in that material.

1351
01:10:54,840 --> 01:10:57,400
Speaker 2: And I don't never defend it, like you never catch

1352
01:10:57,439 --> 01:10:59,080
Speaker 2: me defending the motherfucker that back.

1353
01:10:58,920 --> 01:11:01,040
Speaker 3: Pedals on their own material, and I don't say it.

1354
01:11:02,960 --> 01:11:03,960
Speaker 3: So yeah, man, she.

1355
01:11:04,160 --> 01:11:08,679
Speaker 2: Uh also put on what is this Twitter?

1356
01:11:08,800 --> 01:11:11,400
Speaker 3: How did she get this many characters in a tweet?

1357
01:11:11,800 --> 01:11:14,519
Speaker 3: Jesus Christ? Anyway, she says she got twit longo.

1358
01:11:14,640 --> 01:11:14,840
Speaker 4: Yeah.

1359
01:11:14,920 --> 01:11:18,719
Speaker 3: Let me introduce myself. Yeah, how My name is Kathy Griffin.

1360
01:11:18,720 --> 01:11:21,240
Speaker 2: I'm fifty four, have written and started starting twenty three

1361
01:11:21,280 --> 01:11:24,320
Speaker 2: comedy stand up, stand up comedy specials, have two Emmys

1362
01:11:24,320 --> 01:11:26,280
Speaker 2: of Grammy in New York Times number one best seller.

1363
01:11:26,360 --> 01:11:27,599
Speaker 3: Decades of activism for the.

1364
01:11:27,600 --> 01:11:31,799
Speaker 2: LGBT community have performed for the troops in Afghanistan and Iraq,

1365
01:11:32,120 --> 01:11:34,760
Speaker 2: among many other things. When I chose to step into

1366
01:11:34,760 --> 01:11:37,599
Speaker 2: the shoes of a loved friend, Joan Rivers's fashion police,

1367
01:11:37,880 --> 01:11:40,240
Speaker 2: I was thrilled to continue her legacy as a woman

1368
01:11:40,320 --> 01:11:42,120
Speaker 2: being brash and the centric on television.

1369
01:11:42,439 --> 01:11:44,320
Speaker 3: I'm a freedom love and female.

1370
01:11:43,880 --> 01:11:46,240
Speaker 2: And gay rights activist who loves to find the funny

1371
01:11:46,240 --> 01:11:49,479
Speaker 2: in all people attitudes, beliefs, and appearances, but only when

1372
01:11:49,479 --> 01:11:52,280
Speaker 2: the contacts permits intelligent humor. I thought that I could

1373
01:11:52,280 --> 01:11:54,040
Speaker 2: bring my brain to humor, to fashion belief so that

1374
01:11:54,080 --> 01:11:58,400
Speaker 2: the beautiful people in beautiful dresses could be teased when appropriate. Yeah, already,

1375
01:11:58,479 --> 01:12:02,080
Speaker 2: right there, I'm kind of tapping out because I don't

1376
01:12:02,080 --> 01:12:05,439
Speaker 2: even like this idea of well, we're gonna pick on

1377
01:12:05,800 --> 01:12:08,920
Speaker 2: the people that we think need to be taken down

1378
01:12:08,920 --> 01:12:13,519
Speaker 2: a peg. So it's like, Okay, Gwyneth Paltrow will talk

1379
01:12:13,560 --> 01:12:17,000
Speaker 2: bad about her, but lapetero nuango, we're not gonna make

1380
01:12:17,000 --> 01:12:21,240
Speaker 2: a joke because we all know obviously she you know,

1381
01:12:21,520 --> 01:12:25,160
Speaker 2: in a condescending, almost patronizing way. We can't make a

1382
01:12:25,240 --> 01:12:29,519
Speaker 2: joke about her because she's not traditionally beautiful. So already

1383
01:12:29,560 --> 01:12:32,200
Speaker 2: you're picking favorites, even like by telling me who you

1384
01:12:32,240 --> 01:12:34,640
Speaker 2: won't make a joke about. You're already saying, well, that

1385
01:12:34,680 --> 01:12:38,759
Speaker 2: person's fact, that person's black, that person's gay, that person

1386
01:12:38,800 --> 01:12:42,360
Speaker 2: you know, which is like, that's not really unrepented on

1387
01:12:42,520 --> 01:12:47,680
Speaker 2: unafraid comedy. You know, then don't do it, Kensel, the

1388
01:12:47,680 --> 01:12:48,719
Speaker 2: whole show just don't.

1389
01:12:48,560 --> 01:12:51,639
Speaker 5: Do probably what they need to do.

1390
01:12:52,400 --> 01:12:59,559
Speaker 2: Yeah. So anyway, so she won't be doing it, which,

1391
01:12:59,680 --> 01:13:01,679
Speaker 2: you know, like I said, it sounds like she realized

1392
01:13:01,720 --> 01:13:05,519
Speaker 2: that it was the trappings of what can go wrong there.

1393
01:13:05,720 --> 01:13:08,400
Speaker 3: And it's a lot of work, nothing right.

1394
01:13:08,400 --> 01:13:10,720
Speaker 4: And if you're not willing to just stand by what

1395
01:13:10,800 --> 01:13:12,120
Speaker 4: you said, it ain't for you.

1396
01:13:12,520 --> 01:13:15,120
Speaker 3: Yeah, and it's really just time has passed for that ship.

1397
01:13:16,200 --> 01:13:19,360
Speaker 2: Uh Powdered alcohol has gotten a green light from the FEDS.

1398
01:13:20,520 --> 01:13:24,960
Speaker 2: Alcohol back, Baby. I can't wait. Where do I find some?

1399
01:13:25,400 --> 01:13:27,640
Speaker 2: I don't want none that goes to the ABC sto.

1400
01:13:27,720 --> 01:13:29,960
Speaker 2: I can't wait to start snorting my alcohol like a

1401
01:13:30,000 --> 01:13:30,639
Speaker 2: real man.

1402
01:13:31,800 --> 01:13:33,920
Speaker 5: I don't want none of that. You can't stir it

1403
01:13:33,960 --> 01:13:36,200
Speaker 5: in and mix it in like some Goodies powder.

1404
01:13:36,800 --> 01:13:39,040
Speaker 3: They said they hope they have to sell. Come have

1405
01:13:39,160 --> 01:13:40,720
Speaker 3: it for sale this summer.

1406
01:13:42,000 --> 01:13:44,880
Speaker 2: The food of his product in an email early Wednesday morning.

1407
01:13:45,000 --> 01:13:46,760
Speaker 2: You know it, but wasn't me to live at for

1408
01:13:46,840 --> 01:13:51,759
Speaker 2: the comment? Yeah, man, I'm ready, let's do it. Tiger

1409
01:13:52,640 --> 01:13:58,120
Speaker 2: has confirmed his relationship with Kylie Jenner and the cutest

1410
01:13:58,120 --> 01:14:00,840
Speaker 2: way possible via.

1411
01:14:00,120 --> 01:14:03,160
Speaker 5: The police arrest has god damn grown ass.

1412
01:14:03,640 --> 01:14:06,439
Speaker 2: He vot certain things catch your eye, but only a

1413
01:14:06,439 --> 01:14:10,800
Speaker 2: few capture the heart. It's a picture Kylie Jenner, to

1414
01:14:10,880 --> 01:14:13,880
Speaker 2: which I say, uh, why aren't the police capturing your ass?

1415
01:14:14,000 --> 01:14:14,240
Speaker 3: Right?

1416
01:14:16,080 --> 01:14:18,080
Speaker 2: A lot of people like, how you gonna say this?

1417
01:14:18,760 --> 01:14:21,719
Speaker 2: You know how you're gonna say this is bad or whatever.

1418
01:14:21,760 --> 01:14:25,240
Speaker 2: It's like, uh, because she a kid and it's illegal, right,

1419
01:14:26,000 --> 01:14:27,280
Speaker 2: you know the law?

1420
01:14:27,920 --> 01:14:28,519
Speaker 3: Pretty cut?

1421
01:14:28,680 --> 01:14:30,639
Speaker 5: How you feel the law says it's wrong?

1422
01:14:31,280 --> 01:14:36,360
Speaker 3: Yeah, see, pretty cut and dry. You a kid and

1423
01:14:36,400 --> 01:14:37,040
Speaker 3: this illegal?

1424
01:14:37,120 --> 01:14:37,400
Speaker 7: Dog?

1425
01:14:37,640 --> 01:14:39,760
Speaker 2: I mean, she a kid and it's illegal. Not to

1426
01:14:39,800 --> 01:14:43,840
Speaker 2: mention just being fucking twenty five dating a seventeen year old.

1427
01:14:44,080 --> 01:14:46,800
Speaker 4: The maturity of a twenty five year old is completely

1428
01:14:46,840 --> 01:14:49,080
Speaker 4: different than the maturity of a seventeen.

1429
01:14:49,160 --> 01:14:54,000
Speaker 2: I just can't even picture bringing around when I'm twenty five,

1430
01:14:54,040 --> 01:14:56,439
Speaker 2: bringing a seventeen year old around my friends, Like, let's go.

1431
01:14:56,439 --> 01:15:00,320
Speaker 5: Out, nigga, what that you can't drink? You can't you

1432
01:15:00,400 --> 01:15:01,160
Speaker 5: can't do nothing.

1433
01:15:02,040 --> 01:15:05,280
Speaker 2: Facebook has removed a feeling fat emoticon under pressure from

1434
01:15:05,320 --> 01:15:13,200
Speaker 2: online activists. You used to could put you know, how

1435
01:15:13,240 --> 01:15:15,799
Speaker 2: it says how you feeling. You used to put feeling

1436
01:15:15,800 --> 01:15:18,519
Speaker 2: and then pick a smiley and one of them was fat,

1437
01:15:19,800 --> 01:15:23,920
Speaker 2: And online activists said, nah, that shit ain't cool. So

1438
01:15:24,080 --> 01:15:27,679
Speaker 2: Facebook took it off. Now I do like the Facebook

1439
01:15:27,720 --> 01:15:31,000
Speaker 2: is one of the more forward thinking people about their platform.

1440
01:15:31,120 --> 01:15:33,639
Speaker 2: I really wish Twitter would take a fucking hint from that,

1441
01:15:34,280 --> 01:15:36,400
Speaker 2: because I do think it pays to be proactive and

1442
01:15:36,439 --> 01:15:39,040
Speaker 2: listening to people. Sometimes I think they air on the

1443
01:15:39,040 --> 01:15:42,080
Speaker 2: side of caution. Yes, and you know, maybe this is

1444
01:15:42,120 --> 01:15:43,680
Speaker 2: one of those those kinds.

1445
01:15:44,720 --> 01:15:46,280
Speaker 5: This wasn't important, but.

1446
01:15:46,280 --> 01:15:48,760
Speaker 2: People you know, posted pictures said fat is not a

1447
01:15:48,800 --> 01:15:54,479
Speaker 2: feeling and stuff like that. It gathered more than sixteen

1448
01:15:54,560 --> 01:15:59,000
Speaker 2: thousand signatures. It's been among the lengthy list of feelings

1449
01:15:59,000 --> 01:16:01,519
Speaker 2: and activities that use to provide with updating the statuses,

1450
01:16:01,560 --> 01:16:03,760
Speaker 2: along with feeling blessed.

1451
01:16:03,439 --> 01:16:05,559
Speaker 3: Love, drunk, you know, stuff like that.

1452
01:16:06,800 --> 01:16:11,760
Speaker 2: So the company removed it, and so on said I

1453
01:16:11,840 --> 01:16:14,120
Speaker 2: feel so happy that I've helped eliminate one form of

1454
01:16:14,160 --> 01:16:16,400
Speaker 2: body shaming hatred on the internet.

1455
01:16:17,000 --> 01:16:18,639
Speaker 3: I'll just say this as a fat person.

1456
01:16:18,720 --> 01:16:22,120
Speaker 2: I don't feel like that's hatred or body shaming for someone.

1457
01:16:22,800 --> 01:16:25,800
Speaker 2: Like when like if I have a friend that like

1458
01:16:27,080 --> 01:16:29,680
Speaker 2: ate a whole bunch of food or they're hungry and

1459
01:16:29,680 --> 01:16:31,599
Speaker 2: they're like, oh my inner fat boys said I need

1460
01:16:31,600 --> 01:16:34,240
Speaker 2: them fries. I don't go, what the fuck did you

1461
01:16:34,280 --> 01:16:39,440
Speaker 2: just say to me? Only we can say that word skinny.

1462
01:16:39,200 --> 01:16:40,360
Speaker 5: Man, you know what I mean?

1463
01:16:40,479 --> 01:16:41,160
Speaker 3: Like, I don't.

1464
01:16:41,960 --> 01:16:44,160
Speaker 2: I don't have that hang up particularly, but I can

1465
01:16:44,320 --> 01:16:47,200
Speaker 2: understand some people, do you know, have eating disorders?

1466
01:16:48,880 --> 01:16:51,680
Speaker 5: Yeah, eating disorders aren't called fat.

1467
01:16:52,080 --> 01:16:54,280
Speaker 2: Yeah, but you know, but there's eating disorders where people

1468
01:16:54,280 --> 01:16:57,479
Speaker 2: think they're fat when they're not, like bolimia, and that's true. Uh,

1469
01:16:57,840 --> 01:17:01,800
Speaker 2: you know, being antiretic and shit like that. I mean,

1470
01:17:02,000 --> 01:17:04,959
Speaker 2: that's the fight that people want to fight. And Facebook

1471
01:17:04,960 --> 01:17:07,439
Speaker 2: took it down. Then they took it down. But I'll

1472
01:17:07,439 --> 01:17:11,479
Speaker 2: just say, personally, I would never feel that way, you

1473
01:17:11,560 --> 01:17:12,080
Speaker 2: know what I mean?

1474
01:17:12,920 --> 01:17:15,040
Speaker 4: Yeah, you put like this, if you want to fight

1475
01:17:15,120 --> 01:17:18,479
Speaker 4: to fight, don't allow them to make fan pages for

1476
01:17:18,520 --> 01:17:23,439
Speaker 4: fut bollshit like you know how oh dude that shot

1477
01:17:23,520 --> 01:17:26,360
Speaker 4: up Virginia Tech. How did somebody create a Facebook page

1478
01:17:26,400 --> 01:17:29,120
Speaker 4: for him? And you know, every time something happens. Wh

1479
01:17:29,120 --> 01:17:32,360
Speaker 4: people make the most ridiculous Facebook pages and you call

1480
01:17:32,439 --> 01:17:34,680
Speaker 4: and you do the thing on Facebook and Facebook like, oh,

1481
01:17:34,720 --> 01:17:35,200
Speaker 4: nothing wrong.

1482
01:17:35,320 --> 01:17:36,439
Speaker 5: Protest that bullshit?

1483
01:17:36,640 --> 01:17:39,040
Speaker 2: Well, I think some of them do protest those things. Also,

1484
01:17:39,080 --> 01:17:42,120
Speaker 2: they put feeling stuffed. You can still use that. It's

1485
01:17:42,120 --> 01:17:46,200
Speaker 2: still has the same like the fat emoji, but feeling stuffed, uh,

1486
01:17:46,320 --> 01:17:48,960
Speaker 2: and feeling ugly you can still do that one. So

1487
01:17:49,760 --> 01:17:51,599
Speaker 2: I'm sure that's the next one people will take down.

1488
01:17:51,880 --> 01:17:52,040
Speaker 6: Right.

1489
01:17:52,120 --> 01:17:54,439
Speaker 5: What about the preefing the sense that nobody in the

1490
01:17:54,439 --> 01:17:55,240
Speaker 5: world is ugly?

1491
01:17:56,200 --> 01:17:59,440
Speaker 3: Yeah, I understand, Karen. You sound pretty upset about Itamn.

1492
01:18:00,360 --> 01:18:00,720
Speaker 2: What now?

1493
01:18:00,720 --> 01:18:03,920
Speaker 3: What bothered you about it? M hmm? What bothers you

1494
01:18:03,960 --> 01:18:04,360
Speaker 3: about it?

1495
01:18:04,880 --> 01:18:05,040
Speaker 5: Oh?

1496
01:18:05,120 --> 01:18:08,040
Speaker 4: What bothers me is that there's other things you can

1497
01:18:08,160 --> 01:18:09,919
Speaker 4: fight other than the morticons on Facebook.

1498
01:18:09,960 --> 01:18:11,640
Speaker 2: But it's not either or you can fight all that

1499
01:18:11,680 --> 01:18:13,120
Speaker 2: shit at the same time if you want to.

1500
01:18:13,320 --> 01:18:16,599
Speaker 5: That's true. I just think it's dumb. I'm sorry.

1501
01:18:16,680 --> 01:18:17,120
Speaker 3: There you go.

1502
01:18:17,520 --> 01:18:19,479
Speaker 2: That's fine. That's I you can get to the bottom

1503
01:18:19,479 --> 01:18:23,000
Speaker 2: of it. You just think it's stupid, right, that's fine.

1504
01:18:24,360 --> 01:18:26,799
Speaker 2: I mean sixteen is to me, it was only sixteen

1505
01:18:26,840 --> 01:18:28,200
Speaker 2: thousand satures, which.

1506
01:18:28,040 --> 01:18:30,400
Speaker 4: Is a dropping a bucket compared to the billions of

1507
01:18:30,439 --> 01:18:32,040
Speaker 4: people that they don't Facebook.

1508
01:18:32,080 --> 01:18:35,120
Speaker 2: Yeah, they could have just said fuck y'all, but uh

1509
01:18:35,800 --> 01:18:39,519
Speaker 2: they didn't. Man, they went ahead and said, uh, let's

1510
01:18:39,520 --> 01:18:44,439
Speaker 2: go ahead and do it. Let's see. Sugar Knight said

1511
01:18:44,479 --> 01:18:47,800
Speaker 2: he blind from glaucoma as complicateds of his diabetes, and

1512
01:18:47,800 --> 01:18:54,160
Speaker 2: that's why he ran them people over. Po what pop

1513
01:18:54,320 --> 01:18:54,560
Speaker 2: on me?

1514
01:18:54,680 --> 01:18:54,880
Speaker 10: Dad?

1515
01:18:55,120 --> 01:18:56,720
Speaker 3: What they got to do with Sugar Knight?

1516
01:18:57,000 --> 01:18:58,400
Speaker 5: Then she said she was nig blind.

1517
01:19:05,479 --> 01:19:07,440
Speaker 3: She did, yes, she did.

1518
01:19:09,760 --> 01:19:10,679
Speaker 2: Legally blind.

1519
01:19:10,880 --> 01:19:12,439
Speaker 3: That's true, that is true.

1520
01:19:13,280 --> 01:19:17,599
Speaker 2: Uh so he said he said he couldn't see him. Man,

1521
01:19:17,760 --> 01:19:20,320
Speaker 2: So that's why you accurately ran over both of them.

1522
01:19:21,080 --> 01:19:22,320
Speaker 5: Surprise, I remember that.

1523
01:19:24,840 --> 01:19:28,639
Speaker 2: My wife is a cheater and spray painted on urda

1524
01:19:28,760 --> 01:19:29,920
Speaker 2: home that caught fire.

1525
01:19:32,800 --> 01:19:34,760
Speaker 3: Then the man got arrested.

1526
01:19:38,280 --> 01:19:38,719
Speaker 5: This house.

1527
01:19:38,800 --> 01:19:40,320
Speaker 3: Oh wait, this could be Guess the race?

1528
01:19:40,360 --> 01:19:42,759
Speaker 2: What am I doing? I didn't even realize that they

1529
01:19:42,800 --> 01:19:45,479
Speaker 2: added a picture for the culprit. Now at the time

1530
01:19:45,520 --> 01:19:47,439
Speaker 2: they didn't have a picture. We'll save that for Guess

1531
01:19:47,439 --> 01:19:51,719
Speaker 2: the Race one day. All right, let's see what else happened?

1532
01:19:53,520 --> 01:19:54,840
Speaker 2: Said anything else I wanted to cover?

1533
01:19:56,120 --> 01:19:56,720
Speaker 3: Oh yeah, that.

1534
01:19:56,960 --> 01:19:59,360
Speaker 2: Was actually a couple of things I wanted to cover.

1535
01:20:04,600 --> 01:20:06,799
Speaker 2: Terrence Howard wants to say the N word on Empire.

1536
01:20:06,840 --> 01:20:11,760
Speaker 2: To Roger p Henson said no, which is funny because

1537
01:20:11,760 --> 01:20:14,280
Speaker 2: they already said faggot and Taraji p Henson was the

1538
01:20:14,280 --> 01:20:15,599
Speaker 2: one who said it right.

1539
01:20:16,120 --> 01:20:17,600
Speaker 5: They said they say negroes.

1540
01:20:21,320 --> 01:20:24,120
Speaker 3: Yeah, yeah, he said negroes. But that's not the same.

1541
01:20:24,160 --> 01:20:25,919
Speaker 3: I don't think it's even close correct.

1542
01:20:26,280 --> 01:20:26,439
Speaker 4: Uh.

1543
01:20:26,560 --> 01:20:28,800
Speaker 2: Empire has proved to be an envelope pusher with both

1544
01:20:28,840 --> 01:20:31,400
Speaker 2: storylines that clue on theophobia and mental health. Show does'

1545
01:20:31,479 --> 01:20:33,719
Speaker 2: kip a beefing address appoint of issues in the black community,

1546
01:20:33,720 --> 01:20:35,880
Speaker 2: but one actor says the show is not authentic enough

1547
01:20:36,160 --> 01:20:38,920
Speaker 2: and the language it uses. Terrence Howard, who plays Lucia's line,

1548
01:20:39,280 --> 01:20:42,439
Speaker 2: feels that to become even more genuine, Empire needs to

1549
01:20:42,479 --> 01:20:45,680
Speaker 2: cut out some of the political correctness regarding the N word,

1550
01:20:46,160 --> 01:20:48,479
Speaker 2: and the interview with Entertainment Weekly, the actor gave it

1551
01:20:48,520 --> 01:20:51,519
Speaker 2: offense of using the N word. If we start getting silly,

1552
01:20:51,600 --> 01:20:54,800
Speaker 2: if we start playing the people's fancies, then we don't

1553
01:20:54,840 --> 01:20:57,559
Speaker 2: deserve to be where we are. It's a big pressure

1554
01:20:57,840 --> 01:21:00,200
Speaker 2: because I want to be a truth sayer. I want

1555
01:21:00,240 --> 01:21:01,920
Speaker 2: to raise the bar. I want to get rid of

1556
01:21:01,960 --> 01:21:07,320
Speaker 2: this fucked up word. Called PC already. This stupid.

1557
01:21:09,120 --> 01:21:10,719
Speaker 3: Fucked up word called PC.

1558
01:21:10,960 --> 01:21:16,080
Speaker 2: PC stands for something, sir, political correct, and it's more than.

1559
01:21:18,200 --> 01:21:20,599
Speaker 5: Right and it's more than one word person computer, Sir.

1560
01:21:21,120 --> 01:21:23,880
Speaker 2: I think it's a gate for bigotry because as long

1561
01:21:23,880 --> 01:21:26,439
Speaker 2: as you're politically correct, you can say anything you want,

1562
01:21:26,439 --> 01:21:30,880
Speaker 2: but feel some way what feel some way different? I'm

1563
01:21:30,880 --> 01:21:32,960
Speaker 2: mad they don't want to say nigga on the show.

1564
01:21:33,000 --> 01:21:35,759
Speaker 2: He could tell you. Why is TV showing something different

1565
01:21:35,760 --> 01:21:38,000
Speaker 2: from the reality of the world. Why is that thing

1566
01:21:38,120 --> 01:21:41,639
Speaker 2: called censorship that stop people from here and every day talk?

1567
01:21:41,880 --> 01:21:45,200
Speaker 2: We use nigga every day. It's become part of a conversation.

1568
01:21:45,600 --> 01:21:47,120
Speaker 2: Why aren't we using it on the show?

1569
01:21:48,479 --> 01:21:48,840
Speaker 3: Not ever?

1570
01:21:49,000 --> 01:21:50,559
Speaker 5: Because of the time frame you come on?

1571
01:21:51,640 --> 01:21:56,160
Speaker 4: Yeah, because it's not on HBO bro, right, Cinemax.

1572
01:21:56,320 --> 01:21:58,200
Speaker 2: Yeah, just be happy you get in the checks.

1573
01:21:58,240 --> 01:21:58,360
Speaker 3: Bro.

1574
01:22:00,040 --> 01:22:04,760
Speaker 2: Everyone agrees, not everyone agrees with Yeah, he gonna fuck

1575
01:22:04,840 --> 01:22:07,720
Speaker 2: up this is what see, that's how he lost iron Man, right,

1576
01:22:08,880 --> 01:22:09,639
Speaker 2: like you just had.

1577
01:22:09,560 --> 01:22:12,400
Speaker 3: To fuck it up, fuck up a good thing? Like

1578
01:22:12,439 --> 01:22:14,880
Speaker 3: I know the cast like nigga shut up?

1579
01:22:15,479 --> 01:22:17,800
Speaker 2: Right, we say nigga off camera all the time?

1580
01:22:18,080 --> 01:22:20,120
Speaker 5: There was like can y'all kill his character and get

1581
01:22:20,120 --> 01:22:22,440
Speaker 5: somebody else to take his place.

1582
01:22:22,800 --> 01:22:24,800
Speaker 2: Like, I mean, don't he got a LS? Can we

1583
01:22:24,840 --> 01:22:29,000
Speaker 2: speed up his als process? Yeah, bringing Denzel or something.

1584
01:22:31,000 --> 01:22:33,760
Speaker 2: I know how the makeup artists can't wait so they

1585
01:22:33,760 --> 01:22:36,840
Speaker 2: can stop having seven types of weed for his heir, right.

1586
01:22:38,280 --> 01:22:40,680
Speaker 5: Niz put Loosey's line, I'm all the way in.

1587
01:22:41,600 --> 01:22:42,080
Speaker 3: Uh.

1588
01:22:42,800 --> 01:22:43,040
Speaker 10: Yeah.

1589
01:22:43,400 --> 01:22:45,840
Speaker 2: The sinners include David Rambo, who's a writer and co

1590
01:22:45,880 --> 01:22:48,920
Speaker 2: executive producer of the show. The interview with TMZ, Rambo

1591
01:22:49,040 --> 01:22:51,920
Speaker 2: said that a white writer has no business decided whether

1592
01:22:51,960 --> 01:22:54,719
Speaker 2: the N word should be used. Lee Daniel also seems

1593
01:22:54,720 --> 01:22:56,240
Speaker 2: to think the word has no place on the show.

1594
01:22:56,320 --> 01:22:58,160
Speaker 2: Last year, Dane said the word would not be used

1595
01:22:58,200 --> 01:23:01,320
Speaker 2: on the show because of its negativity. Joining in against

1596
01:23:01,320 --> 01:23:03,479
Speaker 2: the N word on the show, it's to Roger p Henson,

1597
01:23:03,880 --> 01:23:08,479
Speaker 2: who plays uh who plays Cookie Lion. They caught up

1598
01:23:08,520 --> 01:23:15,840
Speaker 2: with the actress over the weekend on TMZ.

1599
01:23:16,120 --> 01:23:16,679
Speaker 9: How you doing?

1600
01:23:17,360 --> 01:23:17,479
Speaker 3: Hey?

1601
01:23:17,479 --> 01:23:19,160
Speaker 5: Do you think the show should use the N word

1602
01:23:19,200 --> 01:23:20,160
Speaker 5: to be more authentic?

1603
01:23:26,080 --> 01:23:26,439
Speaker 2: There you go?

1604
01:23:27,000 --> 01:23:29,479
Speaker 3: Sweet short, sweetened too motherfucking point.

1605
01:23:32,479 --> 01:23:37,400
Speaker 2: But yeah, I you know, I don't think they need

1606
01:23:37,439 --> 01:23:39,640
Speaker 2: to use it necessarily for this show. I think they

1607
01:23:39,760 --> 01:23:43,479
Speaker 2: because they've already established so much popularity without it, and

1608
01:23:43,520 --> 01:23:46,360
Speaker 2: because of what the channel that's on.

1609
01:23:46,520 --> 01:23:48,840
Speaker 3: I mean, that would be some my president and ship. Uh.

1610
01:23:48,880 --> 01:23:50,880
Speaker 3: They had a poll on TMZ in ninety two percent

1611
01:23:50,920 --> 01:23:51,679
Speaker 3: of the people said.

1612
01:23:51,520 --> 01:23:52,120
Speaker 2: Don't use it.

1613
01:23:53,920 --> 01:23:57,519
Speaker 3: So I don't know, uh.

1614
01:23:57,200 --> 01:24:00,639
Speaker 2: But yeah, Terrence Howard, just trying to ruin something good, right,

1615
01:24:02,040 --> 01:24:02,599
Speaker 2: can't help.

1616
01:24:02,479 --> 01:24:04,720
Speaker 5: Themself and slowly die from your al.

1617
01:24:05,000 --> 01:24:09,240
Speaker 2: Yeah, just just just stop shaking for a second. Brother, Now,

1618
01:24:09,280 --> 01:24:11,799
Speaker 2: this is something that you know, I typically would reserve

1619
01:24:11,880 --> 01:24:13,760
Speaker 2: something like this for the nerd Off, but I want

1620
01:24:13,840 --> 01:24:16,920
Speaker 2: to talk about it here. I'm sure we'll be doing

1621
01:24:16,920 --> 01:24:18,479
Speaker 2: a nerd off soon, but I want to talk about

1622
01:24:18,520 --> 01:24:21,480
Speaker 2: this here anyway.

1623
01:24:21,800 --> 01:24:27,080
Speaker 3: D C Comics did a variant cover cover for.

1624
01:24:29,640 --> 01:24:33,800
Speaker 2: Batgirl. A variant cover is not the cover that is

1625
01:24:33,840 --> 01:24:38,679
Speaker 2: going to be on the actual comic book, but it'll

1626
01:24:38,720 --> 01:24:41,160
Speaker 2: be like on certain off issues that you can pay

1627
01:24:41,200 --> 01:24:43,760
Speaker 2: more for that can collective editions, like.

1628
01:24:43,680 --> 01:24:47,280
Speaker 5: A special edition, like a special cover design.

1629
01:24:47,600 --> 01:24:49,960
Speaker 2: Yeah, like we're only going to make fourteen of these,

1630
01:24:50,080 --> 01:24:54,920
Speaker 2: so you know, people will start collecting the people want

1631
01:24:54,920 --> 01:24:57,160
Speaker 2: to see them and ship like that. Okay, and they're

1632
01:24:57,200 --> 01:25:00,880
Speaker 2: worth more yeah, okay, yeah, times are worth more.

1633
01:25:00,920 --> 01:25:02,080
Speaker 3: I put the picture up there.

1634
01:25:02,600 --> 01:25:05,280
Speaker 2: Now. What it is is that Barbara Gordon, who is

1635
01:25:05,320 --> 01:25:09,800
Speaker 2: Commissioner Gordon Gordon's daughter when she was backgirl back in

1636
01:25:09,840 --> 01:25:11,840
Speaker 2: the day, she got shot in the back. She gets

1637
01:25:11,840 --> 01:25:14,799
Speaker 2: paralyzed in this book called The Killing Joke in nineteen

1638
01:25:14,840 --> 01:25:16,840
Speaker 2: eighty eight. I used to own this. I might still

1639
01:25:16,880 --> 01:25:22,000
Speaker 2: own it. And you know, it's one of the sickest stories.

1640
01:25:22,800 --> 01:25:26,560
Speaker 2: Like Joker shows up at her house, shoots her in

1641
01:25:26,640 --> 01:25:31,160
Speaker 2: the back, take pictures of her naked. Oh, then he

1642
01:25:31,560 --> 01:25:35,519
Speaker 2: takes Commissioner Gordon, kidnaps him, forces him to go through

1643
01:25:36,240 --> 01:25:41,120
Speaker 2: like amusement park, like one of those rides where it's

1644
01:25:41,160 --> 01:25:43,479
Speaker 2: not quite a roller coaster, but you just it kind

1645
01:25:43,479 --> 01:25:46,240
Speaker 2: of like takes you through the theme park and you know,

1646
01:25:46,320 --> 01:25:48,439
Speaker 2: like a hundred house or something and things pop out

1647
01:25:48,439 --> 01:25:50,439
Speaker 2: at you and shit, And it was full of pictures

1648
01:25:50,479 --> 01:25:52,280
Speaker 2: of his daughter, you know.

1649
01:25:52,920 --> 01:25:55,679
Speaker 3: Naked and bleeding and in pain.

1650
01:25:56,560 --> 01:25:59,360
Speaker 2: And he basically tried to drive Gordon crazy and at

1651
01:25:59,400 --> 01:26:01,479
Speaker 2: the end he out of gives Gordon a gun. He's like,

1652
01:26:02,120 --> 01:26:04,680
Speaker 2: you know, kill me, basically, because his whole point was

1653
01:26:04,720 --> 01:26:07,240
Speaker 2: I'm going to prove that you can turn a good

1654
01:26:07,320 --> 01:26:11,599
Speaker 2: man into what I am, which is insane and evil.

1655
01:26:12,280 --> 01:26:15,200
Speaker 2: And you know, it was all about would Batman be

1656
01:26:15,320 --> 01:26:19,280
Speaker 2: there in time to stop him. Okay, but of course

1657
01:26:19,360 --> 01:26:22,240
Speaker 2: Gordon doesn't become as crazy as Joker and doesn't kill

1658
01:26:22,320 --> 01:26:26,880
Speaker 2: him because nobody ever kills Joker, and and then you know,

1659
01:26:27,040 --> 01:26:30,680
Speaker 2: story ends. But Barbara's paralyzed, and she remained paralyzed for

1660
01:26:30,680 --> 01:26:33,200
Speaker 2: a long time. She becomes Oracle, which a lot of

1661
01:26:33,200 --> 01:26:35,599
Speaker 2: people know her as, you know, like the brains behind Batman,

1662
01:26:35,680 --> 01:26:38,120
Speaker 2: the person that gives them all the you know, hey,

1663
01:26:38,200 --> 01:26:41,720
Speaker 2: this is here, you know these, here's the location of this,

1664
01:26:41,920 --> 01:26:46,640
Speaker 2: here's the technical aspect of that. And while she, you know,

1665
01:26:46,680 --> 01:26:52,320
Speaker 2: it's also still competent at you know, like technical aspects

1666
01:26:52,360 --> 01:26:54,320
Speaker 2: and helping out the team. You know, she's still in

1667
01:26:54,320 --> 01:26:57,760
Speaker 2: a wheel chair for all these years, and eventually, over

1668
01:26:57,960 --> 01:27:00,720
Speaker 2: like I think the last couple of years since they

1669
01:27:00,800 --> 01:27:04,000
Speaker 2: relaunched the title, she regained her ability to walk. And

1670
01:27:04,040 --> 01:27:06,320
Speaker 2: now she's back to being Backgirl in the costume again.

1671
01:27:06,479 --> 01:27:08,840
Speaker 2: And now I don't know why she's still so young,

1672
01:27:08,920 --> 01:27:10,880
Speaker 2: like she's in college right now and all this shit,

1673
01:27:10,920 --> 01:27:14,559
Speaker 2: But I don't care, right the point being, I've been

1674
01:27:14,600 --> 01:27:17,880
Speaker 2: reading it Backgirl for a long time. I've been reading it,

1675
01:27:18,000 --> 01:27:20,960
Speaker 2: especially since the New fifty two. It's been excellent, one

1676
01:27:20,960 --> 01:27:22,160
Speaker 2: of my favorites. Backgirl.

1677
01:27:22,280 --> 01:27:24,680
Speaker 5: It sounds like fifty two whatever. That series is just

1678
01:27:24,760 --> 01:27:26,120
Speaker 5: a reboot of a lot of this stuff.

1679
01:27:26,200 --> 01:27:29,720
Speaker 2: Yeah, yeah, Like they rebooted basically everything in DC. They

1680
01:27:29,720 --> 01:27:35,400
Speaker 2: started off at zero. So I really enjoy the character.

1681
01:27:35,600 --> 01:27:40,960
Speaker 2: And the character is a lot of it about uh,

1682
01:27:42,360 --> 01:27:48,000
Speaker 2: kind of like reclaiming your power, like learning to you

1683
01:27:48,000 --> 01:27:50,760
Speaker 2: know and figuratively and literally learning to walk again and

1684
01:27:50,800 --> 01:27:53,559
Speaker 2: then becoming this badass action crime fighter person again and

1685
01:27:53,600 --> 01:27:54,600
Speaker 2: all this stuff.

1686
01:27:54,920 --> 01:27:56,400
Speaker 3: And it's cool, you know.

1687
01:27:56,720 --> 01:28:01,960
Speaker 2: And over the years, you know, Joker has been around

1688
01:28:02,000 --> 01:28:05,080
Speaker 2: in these comics and stuff like that. The Joker also

1689
01:28:05,360 --> 01:28:08,200
Speaker 2: fucked up Jason Todd at one point beat him with

1690
01:28:08,200 --> 01:28:11,439
Speaker 2: a crow bar and oh, you know, and he be

1691
01:28:11,479 --> 01:28:14,639
Speaker 2: came the Red Robin and all this stuff. So there's

1692
01:28:14,680 --> 01:28:17,400
Speaker 2: a lot of violence with Joker and all this stuff,

1693
01:28:17,439 --> 01:28:21,639
Speaker 2: and he's the crazy wild Card. But they put this

1694
01:28:21,720 --> 01:28:24,320
Speaker 2: cover out and the cover is him with his arm

1695
01:28:24,360 --> 01:28:29,320
Speaker 2: around Barbara holding a gun. Her eyes are just filled

1696
01:28:29,320 --> 01:28:33,040
Speaker 2: with terror. There's like tears coming down. He's taking his

1697
01:28:33,080 --> 01:28:36,720
Speaker 2: finger and smearing like some red pain or blood on

1698
01:28:36,840 --> 01:28:38,840
Speaker 2: her mouth to look like a Joker smile, and it

1699
01:28:38,920 --> 01:28:43,320
Speaker 2: is terrifying, you know, what I mean. You know, it

1700
01:28:43,439 --> 01:28:49,160
Speaker 2: is terrifying, but you basically end up seeing that, you know,

1701
01:28:49,320 --> 01:28:52,120
Speaker 2: she's taken back to this spot. And the difference with

1702
01:28:53,240 --> 01:28:56,920
Speaker 2: Jason Todd like because people were like, well, yeah, that's

1703
01:28:56,960 --> 01:28:58,760
Speaker 2: the worst moment and they're just trying to do a

1704
01:28:58,760 --> 01:29:01,640
Speaker 2: comic book. The very like play on this differ was

1705
01:29:01,680 --> 01:29:04,880
Speaker 2: with Jason times that Jason TI has his own combook too,

1706
01:29:04,920 --> 01:29:07,400
Speaker 2: Red Hood and Outlaws. They would never do a cover

1707
01:29:07,520 --> 01:29:09,400
Speaker 2: like this. They would never do a cover where he

1708
01:29:09,520 --> 01:29:13,320
Speaker 2: was crying and Joker was holding the crow bar and

1709
01:29:13,400 --> 01:29:15,640
Speaker 2: he was, you know it, smearing blood all over him

1710
01:29:15,720 --> 01:29:16,040
Speaker 2: or some.

1711
01:29:15,920 --> 01:29:18,600
Speaker 3: Shit like that. Like, I feel like part of this

1712
01:29:18,800 --> 01:29:20,519
Speaker 3: is the fact that she's a woman, you know what

1713
01:29:20,600 --> 01:29:23,400
Speaker 3: I mean. And I don't know how anyone.

1714
01:29:23,040 --> 01:29:27,280
Speaker 2: Can look at I don't know how anybody can look

1715
01:29:27,320 --> 01:29:31,840
Speaker 2: at this cover and not think that, you know, it's

1716
01:29:31,920 --> 01:29:33,200
Speaker 2: because she's a woman.

1717
01:29:33,240 --> 01:29:36,920
Speaker 5: That is just like right, that power he has over her. Yeah,

1718
01:29:37,120 --> 01:29:39,160
Speaker 5: so that's what you're displaying.

1719
01:29:39,920 --> 01:29:44,200
Speaker 2: Yeah, like especially when you have like, uh, you know,

1720
01:29:44,280 --> 01:29:48,000
Speaker 2: when you have like someone holding you or like that.

1721
01:29:50,240 --> 01:29:54,960
Speaker 3: So I'm saying Tim became Red Hood.

1722
01:29:55,400 --> 01:29:58,240
Speaker 2: I guess Wikipedia got it wrong and me too, because

1723
01:29:58,280 --> 01:30:01,000
Speaker 2: I mean Jason Tom came to Red Hood. From my understanding,

1724
01:30:02,240 --> 01:30:04,839
Speaker 2: I'll let y'all look, I'm put this Lincoln Chat, y'all,

1725
01:30:04,920 --> 01:30:09,160
Speaker 2: y'all go through this. I'm pretty sure the red Hood

1726
01:30:09,360 --> 01:30:13,400
Speaker 2: was pretty sure was Jason Todd. I don't now. I'm

1727
01:30:13,400 --> 01:30:15,639
Speaker 2: getting into a nerd off on this shit. I gotta

1728
01:30:15,680 --> 01:30:18,519
Speaker 2: look it up, you know, I don't know.

1729
01:30:20,600 --> 01:30:22,000
Speaker 3: In two thousand and five, under.

1730
01:30:21,800 --> 01:30:24,840
Speaker 2: The Red Hood story arc, character is resurrected. Eventually we're

1731
01:30:24,840 --> 01:30:27,120
Speaker 2: coming the second character take up the red Hood alias

1732
01:30:27,200 --> 01:30:31,080
Speaker 2: yeah Jason Todd. Okay, man, I got sidetracked, Sorry, y'all,

1733
01:30:31,640 --> 01:30:35,200
Speaker 2: but yeah, so Jason Todd. They don't do this with him,

1734
01:30:35,840 --> 01:30:38,120
Speaker 2: and that is the most iconic moment for that character.

1735
01:30:38,760 --> 01:30:41,160
Speaker 3: But we don't keep going back to it.

1736
01:30:41,400 --> 01:30:44,599
Speaker 2: And I feel like with Barbara Gordon, we're always brought

1737
01:30:44,640 --> 01:30:46,559
Speaker 2: back to this. No matter how high the character gets,

1738
01:30:46,560 --> 01:30:49,759
Speaker 2: no matter how independent she gets, no matter how strong

1739
01:30:49,840 --> 01:30:53,519
Speaker 2: she becomes, we always had to be brought back low

1740
01:30:53,600 --> 01:30:55,559
Speaker 2: to this moment where she was strip naked.

1741
01:30:55,920 --> 01:30:58,880
Speaker 3: Pictures are taking care of her or taken of her, and.

1742
01:30:59,200 --> 01:31:01,320
Speaker 2: Honestly, it's the Joker, Like all you gotta do is

1743
01:31:01,360 --> 01:31:03,960
Speaker 2: put the Joker on the cover.

1744
01:31:03,880 --> 01:31:05,800
Speaker 3: And we know what it is itself.

1745
01:31:05,960 --> 01:31:09,200
Speaker 2: Yeah, but like and I you know, maybe people feel

1746
01:31:09,240 --> 01:31:10,840
Speaker 2: like I'm being too sensitive or something, but.

1747
01:31:11,080 --> 01:31:13,280
Speaker 3: When I see this picture of her, it just kind.

1748
01:31:13,120 --> 01:31:15,400
Speaker 2: Of strikes of like taking a shot at her for

1749
01:31:15,520 --> 01:31:18,080
Speaker 2: being a woman, because they don't do this to the

1750
01:31:18,120 --> 01:31:23,120
Speaker 2: other heroes in this genre of the Batman books, even

1751
01:31:23,120 --> 01:31:26,800
Speaker 2: though they've had similar tragedies with Joker, you know, like

1752
01:31:26,880 --> 01:31:29,600
Speaker 2: it's not like it's almost like they just want to

1753
01:31:29,640 --> 01:31:33,280
Speaker 2: remind you, like she's a little scared girl. She's gonna

1754
01:31:33,280 --> 01:31:35,080
Speaker 2: be scared. She's gonna turn to a little punk because

1755
01:31:35,120 --> 01:31:38,760
Speaker 2: he's around guys. Like that's how like she's back to

1756
01:31:38,800 --> 01:31:42,200
Speaker 2: being just a victim again. And I don't like it. Man,

1757
01:31:42,560 --> 01:31:47,640
Speaker 2: you know, I don't think that they have to do this.

1758
01:31:47,840 --> 01:31:51,639
Speaker 2: And I think because some people say, hey, man, take

1759
01:31:51,680 --> 01:31:54,880
Speaker 2: this cover off, and they did, I feel like that's

1760
01:31:54,960 --> 01:31:58,280
Speaker 2: proven correct, even and the artists themselves, the artists who

1761
01:31:58,320 --> 01:32:03,720
Speaker 2: drew it, said please take it down. Yeah, He's like,

1762
01:32:03,800 --> 01:32:06,240
Speaker 2: take it down, Like, I didn't make it. My intention

1763
01:32:06,439 --> 01:32:09,080
Speaker 2: was not for people to be upset about this or

1764
01:32:09,160 --> 01:32:12,719
Speaker 2: hurt for this. He's not saying the art is terrible.

1765
01:32:12,960 --> 01:32:16,720
Speaker 2: I'm not saying, uh, you know whatever, But.

1766
01:32:16,760 --> 01:32:19,000
Speaker 3: I feel like it's not really his fault.

1767
01:32:19,040 --> 01:32:21,240
Speaker 2: The creative team behind this should have been like no,

1768
01:32:22,520 --> 01:32:24,880
Speaker 2: because that's not they pay picture of our hero that

1769
01:32:24,960 --> 01:32:29,680
Speaker 2: we want. And it's funny because people that listen to

1770
01:32:29,720 --> 01:32:32,240
Speaker 2: our shows, I would say, are pretty savvy about race

1771
01:32:33,160 --> 01:32:37,320
Speaker 2: and most other issues too, but the intersection between race

1772
01:32:37,360 --> 01:32:41,760
Speaker 2: and gender or just the idea that you know, you

1773
01:32:41,840 --> 01:32:44,040
Speaker 2: can't take some of those same principles and put it

1774
01:32:44,080 --> 01:32:47,080
Speaker 2: towards this. It's funny to me because I see a couple,

1775
01:32:47,240 --> 01:32:49,479
Speaker 2: you know, some black people that are like, well, I mean,

1776
01:32:49,520 --> 01:32:50,240
Speaker 2: it's just a cover.

1777
01:32:50,760 --> 01:32:52,519
Speaker 3: Just it's not like it's the main cover and shit

1778
01:32:52,640 --> 01:32:52,880
Speaker 3: like that.

1779
01:32:52,920 --> 01:32:55,320
Speaker 2: But it's like, nah, you know, we had the Spider

1780
01:32:55,400 --> 01:32:58,880
Speaker 2: Woman covered controversy with the throng shit all up in

1781
01:32:58,880 --> 01:32:59,320
Speaker 2: her ass.

1782
01:32:59,320 --> 01:33:02,479
Speaker 5: Looking now, you don't see no dudes with right.

1783
01:33:02,560 --> 01:33:07,040
Speaker 2: And my point is it never happens the other way.

1784
01:33:07,120 --> 01:33:09,519
Speaker 2: And I think that that is that is something to

1785
01:33:09,600 --> 01:33:13,559
Speaker 2: be said about that it never happens the other way,

1786
01:33:13,680 --> 01:33:17,599
Speaker 2: and if we can't acknowledge that, then we're killing ourselves.

1787
01:33:17,760 --> 01:33:19,760
Speaker 4: Right and and for me too, and and not and

1788
01:33:19,800 --> 01:33:24,120
Speaker 4: not to get off topic, even the way certain characters

1789
01:33:24,120 --> 01:33:27,080
Speaker 4: are just drawn period. Have you ever seen a male

1790
01:33:27,160 --> 01:33:30,160
Speaker 4: character with his dick oversize, right.

1791
01:33:30,240 --> 01:33:32,960
Speaker 2: Yeah, they're not gonna draw like like Spider Man might

1792
01:33:33,000 --> 01:33:34,720
Speaker 2: have spandex on all the time. They're not gonna buy

1793
01:33:34,720 --> 01:33:37,360
Speaker 2: a big ass dick print right in the cover of

1794
01:33:37,400 --> 01:33:41,400
Speaker 2: the fucking issue. They're never gonna do that. So you know,

1795
01:33:41,560 --> 01:33:46,599
Speaker 2: I you know, personally, man, I feel like I'm glad

1796
01:33:46,640 --> 01:33:51,559
Speaker 2: they did it. I'm glad it's gone. I don't think

1797
01:33:51,560 --> 01:33:53,680
Speaker 2: it's the most important issue in the world and all

1798
01:33:53,720 --> 01:33:57,240
Speaker 2: the ship. But if you're doing this partially because your

1799
01:33:57,280 --> 01:33:59,679
Speaker 2: whole thing is look, we want to cater the female fans.

1800
01:33:59,720 --> 01:34:01,599
Speaker 2: We want to get women in the reading comic books.

1801
01:34:01,720 --> 01:34:03,960
Speaker 2: You want to encourage this shit that you can't keep

1802
01:34:03,960 --> 01:34:07,080
Speaker 2: bringing this character back to this correct, you know, we

1803
01:34:07,160 --> 01:34:10,080
Speaker 2: can't keep bringing this character back to the Joker standing

1804
01:34:10,120 --> 01:34:15,240
Speaker 2: over her limp body and shit like that, Like every

1805
01:34:15,240 --> 01:34:17,799
Speaker 2: moment can't be her crying with the joke in the background.

1806
01:34:18,320 --> 01:34:20,560
Speaker 2: I'll put an article up. It's on Comic Book Resources

1807
01:34:20,600 --> 01:34:24,000
Speaker 2: dot com and the name of the article was the

1808
01:34:24,080 --> 01:34:27,519
Speaker 2: Mission to Continued Abuse of Barbara Gordon, DC's Backgirl and

1809
01:34:27,520 --> 01:34:31,760
Speaker 2: a Publisher's Spine. It was only put up five hours ago,

1810
01:34:32,320 --> 01:34:33,840
Speaker 2: but I'll put a link to it in the chat.

1811
01:34:33,880 --> 01:34:35,760
Speaker 3: I loved it. It was an excellent red It was an

1812
01:34:35,760 --> 01:34:36,720
Speaker 3: excellent read man.

1813
01:34:37,680 --> 01:34:37,880
Speaker 12: You know.

1814
01:34:39,640 --> 01:34:41,519
Speaker 2: So it's you know, and like I said, it's to me,

1815
01:34:41,600 --> 01:34:46,160
Speaker 2: it's about trying to victimize this person back to this

1816
01:34:46,200 --> 01:34:48,599
Speaker 2: one moment. And I get that it's an iconic moment,

1817
01:34:49,040 --> 01:34:51,360
Speaker 2: but there's a way to do it without you know,

1818
01:34:52,880 --> 01:34:55,920
Speaker 2: having to make it so fucking creepy. You know, her

1819
01:34:56,000 --> 01:34:58,080
Speaker 2: crying and shit, it's like you take the hero out

1820
01:34:58,120 --> 01:35:00,479
Speaker 2: of her just to be like, look at her. She's

1821
01:35:00,479 --> 01:35:02,639
Speaker 2: back to she's back to being a little.

1822
01:35:02,439 --> 01:35:08,679
Speaker 5: Girl, back to being a victim again. And and from just.

1823
01:35:08,600 --> 01:35:10,160
Speaker 4: A little bit that I know about a lot of

1824
01:35:10,160 --> 01:35:15,160
Speaker 4: these storylines, like she was strong, she constantly fought, you know.

1825
01:35:15,360 --> 01:35:19,080
Speaker 4: So it's just one of those things where, uh, you

1826
01:35:19,160 --> 01:35:22,719
Speaker 4: can tell this story and tell it in multiple ways,

1827
01:35:22,760 --> 01:35:24,200
Speaker 4: like as long as the story is good, you know,

1828
01:35:24,280 --> 01:35:26,479
Speaker 4: I don't have a problem with that. It's just the

1829
01:35:26,520 --> 01:35:30,160
Speaker 4: fact that, uh, you, like you say, if something like

1830
01:35:30,240 --> 01:35:34,280
Speaker 4: say terrible happens to a dude, you don't see him constantly,

1831
01:35:34,439 --> 01:35:37,080
Speaker 4: like you said, across the front of something over and

1832
01:35:37,080 --> 01:35:37,960
Speaker 4: over and over again.

1833
01:35:38,120 --> 01:35:41,680
Speaker 2: Yep. Most of the time, when we want, like I

1834
01:35:41,720 --> 01:35:44,719
Speaker 2: think you just can't deny what comic books are, which

1835
01:35:44,760 --> 01:35:48,960
Speaker 2: is a lot of placating to our ideals and wanting

1836
01:35:49,000 --> 01:35:52,400
Speaker 2: to be heroes correct, And you can't take that out

1837
01:35:52,439 --> 01:35:56,559
Speaker 2: the same way that if every Louke Cage cover had

1838
01:35:56,640 --> 01:36:02,120
Speaker 2: him doing some stereotypical quote quote black stuff, we will

1839
01:36:02,280 --> 01:36:05,840
Speaker 2: eventually somebody would say something, that's what happened here to me,

1840
01:36:06,240 --> 01:36:09,439
Speaker 2: Like it's not rocket science if the.

1841
01:36:09,439 --> 01:36:10,320
Speaker 3: Cover has.

1842
01:36:11,600 --> 01:36:15,120
Speaker 2: You know, Luke Cage like drinking kool aid watermelon, and

1843
01:36:15,160 --> 01:36:17,280
Speaker 2: then the next time has him eating fried chicken, and

1844
01:36:17,320 --> 01:36:19,880
Speaker 2: then the next time has him smoking a Newport, and

1845
01:36:19,880 --> 01:36:23,120
Speaker 2: then the next time, like, people are eventually gonna be like, look, man, y'all,

1846
01:36:23,160 --> 01:36:25,880
Speaker 2: don't do this shit with other people. What's going on, right,

1847
01:36:26,439 --> 01:36:28,120
Speaker 2: you know? And I feel like this is like a

1848
01:36:28,200 --> 01:36:31,120
Speaker 2: turning point for Backgirl, especially if you read the comic,

1849
01:36:31,320 --> 01:36:34,479
Speaker 2: which most people probably aren't, so they only know this

1850
01:36:34,520 --> 01:36:35,599
Speaker 2: one moment of back Girl.

1851
01:36:35,640 --> 01:36:37,320
Speaker 3: Anyway, if you read.

1852
01:36:37,120 --> 01:36:39,400
Speaker 2: The comic, this shit is the furthest shit from what's

1853
01:36:39,400 --> 01:36:42,679
Speaker 2: going on in that book, and it's the furtheres shit

1854
01:36:42,720 --> 01:36:46,200
Speaker 2: from where she's at as a character. So it's really

1855
01:36:46,720 --> 01:36:50,760
Speaker 2: condescending there, you know, a bit misogynistic to take the

1856
01:36:50,840 --> 01:36:55,080
Speaker 2: character back to this one suffering point over and over

1857
01:36:55,520 --> 01:36:58,040
Speaker 2: and over again to revictimize her.

1858
01:36:58,160 --> 01:36:59,400
Speaker 5: You know, that's the whole point.

1859
01:36:59,640 --> 01:37:01,080
Speaker 3: So I you know, like.

1860
01:37:01,000 --> 01:37:03,960
Speaker 2: I said, and I'm not typically a person that's really

1861
01:37:05,000 --> 01:37:07,800
Speaker 2: hardcore on that kind of shit, but you know, I

1862
01:37:07,840 --> 01:37:10,200
Speaker 2: feel like the good guys weren't getting that cover taken down.

1863
01:37:10,439 --> 01:37:11,960
Speaker 3: It really it really was a.

1864
01:37:11,880 --> 01:37:16,880
Speaker 2: Bad look, man. And like I said, I I don't

1865
01:37:16,880 --> 01:37:18,960
Speaker 2: I don't think they would do any male character that way.

1866
01:37:19,479 --> 01:37:19,759
Speaker 5: Never.

1867
01:37:20,560 --> 01:37:23,720
Speaker 4: And they've had males that go through tragic stuff over

1868
01:37:23,760 --> 01:37:27,639
Speaker 4: and over again, but you never see them if they're

1869
01:37:27,680 --> 01:37:29,639
Speaker 4: on the cover with somebody that Dave.

1870
01:37:29,640 --> 01:37:34,599
Speaker 2: Had, uh, like Baine broke Batman's back, right, But but

1871
01:37:34,760 --> 01:37:40,599
Speaker 2: you'll never see a cover with Bain like like holding

1872
01:37:40,640 --> 01:37:44,800
Speaker 2: Batman and Batman crying and shit like that, like one

1873
01:37:44,920 --> 01:37:45,759
Speaker 2: arm around Batman.

1874
01:37:45,880 --> 01:37:48,920
Speaker 3: You'll never see that shit, right, So.

1875
01:37:48,880 --> 01:37:52,880
Speaker 4: Ban standing over him, terrified as he cowers on the ground.

1876
01:37:53,040 --> 01:37:54,000
Speaker 5: You're not gonna see that.

1877
01:37:54,160 --> 01:37:54,559
Speaker 11: Yeah.

1878
01:37:54,800 --> 01:37:58,679
Speaker 2: Yeah, So I don't know, man, I mean, at least

1879
01:37:58,720 --> 01:38:02,360
Speaker 2: not repetitively. It's it's twenty fifteen. This story happened at

1880
01:38:02,439 --> 01:38:04,280
Speaker 2: nineteen what did you say, eighty four or some shit,

1881
01:38:04,720 --> 01:38:08,320
Speaker 2: nineteen eighty eight some twenty some years ago. Yet not now.

1882
01:38:08,400 --> 01:38:11,000
Speaker 2: You wouldn't see it covered with Baine and Batman crying

1883
01:38:11,040 --> 01:38:15,040
Speaker 2: like a little bit on the front now like you like,

1884
01:38:15,400 --> 01:38:17,720
Speaker 2: at some point we move on, you know, same thing

1885
01:38:17,760 --> 01:38:21,400
Speaker 2: for Red Robins, so I mean Red Hood, So I

1886
01:38:21,640 --> 01:38:27,840
Speaker 2: don't think so man, all right, dog, uh, let's go

1887
01:38:27,960 --> 01:38:31,800
Speaker 2: to our segments. We've chit chatted enough and I gotta

1888
01:38:32,080 --> 01:38:33,639
Speaker 2: fix all this shit post anyway.

1889
01:38:34,400 --> 01:38:34,519
Speaker 6: Uh.

1890
01:38:35,760 --> 01:38:38,160
Speaker 2: I think we pretty much did fuck it with black people.

1891
01:38:38,320 --> 01:38:40,360
Speaker 5: Oh yeah, yeah, yeah, yeah that was covered today.

1892
01:38:40,520 --> 01:38:48,560
Speaker 2: Yeah. I feel like I was fucking with definitely shit.

1893
01:38:51,280 --> 01:38:52,240
Speaker 2: You know, I'm looking.

1894
01:38:57,560 --> 01:39:00,479
Speaker 10: At like you just tipped down, don't.

1895
01:39:02,760 --> 01:39:15,679
Speaker 12: You gotta here a boelve ball guadag calls. We don't

1896
01:39:15,720 --> 01:39:17,040
Speaker 12: call him, do no more or nothing.

1897
01:39:17,080 --> 01:39:20,240
Speaker 2: We come five star, five star gither. That's a five

1898
01:39:20,320 --> 01:39:23,360
Speaker 2: star slick. That's some fis forty five, that's that new

1899
01:39:23,680 --> 01:39:24,360
Speaker 2: l six.

1900
01:39:25,080 --> 01:39:27,680
Speaker 12: Get a half fix might even playing alright, And the

1901
01:39:27,800 --> 01:39:32,840
Speaker 12: way he give it to messer sting, I'm.

1902
01:39:32,720 --> 01:39:35,200
Speaker 2: So super high high do not you know we'll not

1903
01:39:35,320 --> 01:39:35,680
Speaker 2: keep up.

1904
01:39:35,760 --> 01:39:37,439
Speaker 12: Unlet's see it's five dollar pat.

1905
01:39:37,680 --> 01:39:38,639
Speaker 5: That's a beat.

1906
01:39:39,280 --> 01:39:40,680
Speaker 3: There's a strong said she loves me.

1907
01:39:40,800 --> 01:39:42,360
Speaker 2: Not you know you're not yet I want to be

1908
01:39:42,600 --> 01:39:43,320
Speaker 2: just love man.

1909
01:39:43,520 --> 01:39:43,800
Speaker 6: If you.

1910
01:39:45,479 --> 01:39:47,719
Speaker 12: Get on the beat to we can find the five

1911
01:39:47,760 --> 01:39:51,200
Speaker 12: star till you can your five star bitch and some

1912
01:39:51,360 --> 01:39:53,439
Speaker 12: five stars, just some five star.

1913
01:39:53,800 --> 01:39:59,240
Speaker 2: All Right, I guess let the chat room pick today. Okay,

1914
01:39:59,320 --> 01:40:01,360
Speaker 2: chat room, I'll be number one?

1915
01:40:01,560 --> 01:40:02,880
Speaker 3: Are you knowingly Daily?

1916
01:40:02,960 --> 01:40:07,360
Speaker 2: The deadbeat the deadbeat enabler by at Novah Giovanni, who's

1917
01:40:07,400 --> 01:40:10,920
Speaker 2: been on the show before Finding Love on the world

1918
01:40:11,000 --> 01:40:16,160
Speaker 2: Wide Web, It's number two, Number three nads groupie sex Teal.

1919
01:40:17,520 --> 01:40:20,400
Speaker 2: Number four group of Tales thanks to Waka Floka. I

1920
01:40:20,520 --> 01:40:26,200
Speaker 2: met Young Joey Best sex Ever. And let's do number

1921
01:40:26,320 --> 01:40:30,520
Speaker 2: five group of Tales. I met Trey Songs at Club Perfections.

1922
01:40:31,200 --> 01:40:34,920
Speaker 2: Oh lord, so y'all go one through five and we'll

1923
01:40:35,120 --> 01:40:40,960
Speaker 2: tally up the votes here. Yeah, Karen, you keep the h.

1924
01:40:42,560 --> 01:40:45,479
Speaker 3: You keep the the detractor, and I'll play some of

1925
01:40:45,560 --> 01:40:46,400
Speaker 3: this thinking music.

1926
01:41:03,960 --> 01:41:04,920
Speaker 5: Look like four?

1927
01:41:05,000 --> 01:41:05,280
Speaker 3: Got it?

1928
01:41:05,800 --> 01:41:09,160
Speaker 2: Number four? Alright, let's go to number four, which is

1929
01:41:10,640 --> 01:41:14,080
Speaker 2: a group of sex Tales. Group of Tales thanks to

1930
01:41:14,560 --> 01:41:19,920
Speaker 2: Walker Flocker, I met Young Joey, Best sex Ever. Let

1931
01:41:20,000 --> 01:41:22,280
Speaker 2: me put Young Joey's picture in the chat so you

1932
01:41:22,320 --> 01:41:25,519
Speaker 2: guys can see the companying picture with an article. Now

1933
01:41:25,600 --> 01:41:25,840
Speaker 2: I know.

1934
01:41:25,880 --> 01:41:28,240
Speaker 5: Whoer Flocker is. I do not know who the fuck

1935
01:41:28,280 --> 01:41:28,839
Speaker 5: a younger.

1936
01:41:28,680 --> 01:41:30,160
Speaker 3: Joey is Young Joey.

1937
01:41:30,240 --> 01:41:36,479
Speaker 2: I didn't say younger Joy, young Joey. I don't know

1938
01:41:36,600 --> 01:41:41,400
Speaker 2: if that's on Spotify. Let me see, uh young Homies

1939
01:41:41,640 --> 01:41:42,719
Speaker 2: artist young Joey.

1940
01:41:44,000 --> 01:41:44,720
Speaker 3: Nope, I don't know.

1941
01:41:44,920 --> 01:41:46,640
Speaker 2: Maybe he's not an artist. Let's see what's going on

1942
01:41:46,760 --> 01:41:51,439
Speaker 2: with this uh and the uh the article. It's a

1943
01:41:51,479 --> 01:41:53,920
Speaker 2: short one. I don't know who young Joey is after

1944
01:41:54,000 --> 01:41:56,240
Speaker 2: reading this, should I I mean, hey boo, nah, let

1945
01:41:56,320 --> 01:41:58,759
Speaker 2: me quit. He's a family man, L O L disclaim

1946
01:41:58,760 --> 01:42:00,840
Speaker 2: a group of tales I submitted by this We cannot

1947
01:42:00,880 --> 01:42:03,120
Speaker 2: confirm one hundred percent accuracy of any story posting.

1948
01:42:03,400 --> 01:42:04,479
Speaker 5: You kid, when you read that.

1949
01:42:05,120 --> 01:42:07,960
Speaker 2: Back in October twenty twelve, Waka Floka and his family

1950
01:42:08,040 --> 01:42:11,040
Speaker 2: had the Triple F Tour in San Diego. There was

1951
01:42:11,080 --> 01:42:13,600
Speaker 2: a rapper by the name of Young Joey in BSM,

1952
01:42:14,040 --> 01:42:16,960
Speaker 2: who was Walker, who was Walker's blood cousin from New York.

1953
01:42:17,320 --> 01:42:20,200
Speaker 2: This man was beyond sexy. I tell you, I did

1954
01:42:20,320 --> 01:42:22,519
Speaker 2: not know who he was at first, but he approached

1955
01:42:22,520 --> 01:42:24,040
Speaker 2: me and invited me to his room, and for.

1956
01:42:24,120 --> 01:42:28,160
Speaker 3: Some reason I said yes. Not for some reason, Oh,

1957
01:42:28,439 --> 01:42:30,439
Speaker 3: what kind of groovy is this? Is this even a

1958
01:42:30,520 --> 01:42:32,639
Speaker 3: groovy tale? Are you a groovy of someone you don't

1959
01:42:32,680 --> 01:42:36,000
Speaker 3: know who they are? That seemed like groovy?

1960
01:42:36,040 --> 01:42:36,760
Speaker 7: One on one? Right?

1961
01:42:36,960 --> 01:42:37,680
Speaker 4: Like right?

1962
01:42:38,000 --> 01:42:40,000
Speaker 2: How can you be a groovy for a random ass

1963
01:42:40,120 --> 01:42:43,680
Speaker 2: no name, nigga, I don't know who you are, but

1964
01:42:43,760 --> 01:42:45,160
Speaker 2: I'm a groovy for you now.

1965
01:42:46,680 --> 01:42:46,960
Speaker 9: Works.

1966
01:42:47,160 --> 01:42:48,720
Speaker 2: I go up to his room and from there it

1967
01:42:48,840 --> 01:42:51,479
Speaker 2: got crazy. He just started rubbing on my pussy, then

1968
01:42:51,600 --> 01:42:54,400
Speaker 2: telling me to bend over. Oh, he was just holding

1969
01:42:54,479 --> 01:42:57,760
Speaker 2: me tight. It felt so good. This man takes out

1970
01:42:57,800 --> 01:43:00,760
Speaker 2: his dicking. Oh my god, this motherfucker was too big.

1971
01:43:01,600 --> 01:43:04,320
Speaker 2: He put that thing in me and I fell in

1972
01:43:04,439 --> 01:43:07,400
Speaker 2: love with it. My pussy made him come way too fast,

1973
01:43:07,720 --> 01:43:10,120
Speaker 2: so he went for another round ten minutes later, and

1974
01:43:10,200 --> 01:43:13,280
Speaker 2: I fell in love. Best sex ever in my life.

1975
01:43:13,360 --> 01:43:17,080
Speaker 2: He then rolled around and fell his ass right to sleep.

1976
01:43:18,040 --> 01:43:20,519
Speaker 2: I felt like I accomplished something. He isn't well known,

1977
01:43:20,600 --> 01:43:23,160
Speaker 2: but he is sexy. The sad thing about it is

1978
01:43:23,360 --> 01:43:25,599
Speaker 2: that he has a beautiful girl. I mean, this bitch

1979
01:43:25,760 --> 01:43:28,439
Speaker 2: is bad. Even when she was pregnant, she was bad,

1980
01:43:28,520 --> 01:43:30,599
Speaker 2: and a lot of females don't look so good when

1981
01:43:30,640 --> 01:43:34,200
Speaker 2: they are pregnant. But anyways, he has beautiful family. He

1982
01:43:34,400 --> 01:43:37,240
Speaker 2: really just cheated on her. If I had knew that's

1983
01:43:37,360 --> 01:43:40,040
Speaker 2: what he had at home, I would not have done

1984
01:43:40,120 --> 01:43:42,720
Speaker 2: what we did that night. But damn.

1985
01:43:44,960 --> 01:43:49,080
Speaker 3: Comments. Nolla says, girl, lool, you're a groupie.

1986
01:43:49,080 --> 01:43:52,360
Speaker 2: You could have did better and fucked someone like, let's

1987
01:43:52,360 --> 01:43:56,240
Speaker 2: say Waka Flocker, right, but you here fucking the third

1988
01:43:56,280 --> 01:44:04,240
Speaker 2: string on the tour. Theson who the person who ain't

1989
01:44:04,320 --> 01:44:06,960
Speaker 2: nobody but cool related to your favorite artists.

1990
01:44:08,600 --> 01:44:12,120
Speaker 3: Less Supernova says Ithead. I don't know, Naylor.

1991
01:44:13,000 --> 01:44:14,840
Speaker 2: She did say it was good, and you know that

1992
01:44:14,960 --> 01:44:19,280
Speaker 2: Trump's about everything. Naylor goes back and says, I'm happy

1993
01:44:19,320 --> 01:44:21,000
Speaker 2: it was good, but it ain't nothing to brag about.

1994
01:44:21,160 --> 01:44:21,519
Speaker 12: Lol.

1995
01:44:22,040 --> 01:44:23,960
Speaker 2: Towny Baby says, I don't know because I heard that

1996
01:44:24,200 --> 01:44:26,439
Speaker 2: some things about Walker that will make me still clear

1997
01:44:26,600 --> 01:44:29,120
Speaker 2: that and from his pick, he isn't that bad looking,

1998
01:44:29,200 --> 01:44:31,280
Speaker 2: but there are holes in the story, so I'm over

1999
01:44:31,400 --> 01:44:31,880
Speaker 2: her for that.

2000
01:44:32,360 --> 01:44:35,000
Speaker 3: But he looked good, and she said sex was top notch.

2001
01:44:36,479 --> 01:44:40,000
Speaker 2: Black Butterfly says, rolling on the floor laughing at my

2002
01:44:40,200 --> 01:44:42,200
Speaker 2: pussy made him come way too fast.

2003
01:44:42,720 --> 01:44:43,160
Speaker 4: Ha ha ha.

2004
01:44:44,360 --> 01:44:47,479
Speaker 2: Phoenix says, wait, so no one noticed she looked at

2005
01:44:47,520 --> 01:44:49,760
Speaker 2: it after he already had put it in poured it out.

2006
01:44:49,960 --> 01:44:52,080
Speaker 3: Definitely a young group of tail shaking my head.

2007
01:44:52,720 --> 01:44:55,920
Speaker 2: But Black Butterfly says, laugh mind South Nope at Phoenix

2008
01:44:55,960 --> 01:45:00,680
Speaker 2: didn't even notice that. Ali in Wonderland says uh. She

2009
01:45:00,880 --> 01:45:03,679
Speaker 2: said if she knew he had a family, she wouldn't

2010
01:45:03,720 --> 01:45:06,760
Speaker 2: have done it. Yes, you would have host stopped the snannigans.

2011
01:45:08,320 --> 01:45:10,920
Speaker 2: Miss you can never get enough says he is sexy,

2012
01:45:11,000 --> 01:45:15,439
Speaker 2: though desil Rae says, I felt like I accomplished something.

2013
01:45:15,640 --> 01:45:16,360
Speaker 3: What the fuck?

2014
01:45:19,360 --> 01:45:24,240
Speaker 2: Mickey says everyone everybody has a weakness. Nichole says, laughing,

2015
01:45:24,280 --> 01:45:27,840
Speaker 2: my ass off and my pussy made him come fast dead.

2016
01:45:28,040 --> 01:45:33,799
Speaker 3: But real talk, Harpo, who this man? His addiction?

2017
01:45:34,000 --> 01:45:37,519
Speaker 2: Says No, Phoenix, she said she ran, she looked at.

2018
01:45:37,520 --> 01:45:38,640
Speaker 3: It, then he put it in.

2019
01:45:39,240 --> 01:45:43,920
Speaker 2: Nonetheless, the issue was entertaining, and so Luscious just says, hmmm,

2020
01:45:46,320 --> 01:45:51,320
Speaker 2: she's above all y'all pettiness. Guys. Okay, so lushies ain't

2021
01:45:51,360 --> 01:45:54,759
Speaker 2: got time for y'all bullshit. But back to the song,

2022
01:45:55,720 --> 01:45:56,599
Speaker 2: what's my thing?

2023
01:46:00,520 --> 01:46:01,120
Speaker 6: Fast off?

2024
01:46:02,560 --> 01:46:03,160
Speaker 2: You got it?

2025
01:46:03,320 --> 01:46:06,720
Speaker 3: I do great a ship for the British nigga walking.

2026
01:46:06,600 --> 01:46:10,160
Speaker 11: And just the remake Sinners still looking at four fire

2027
01:46:10,240 --> 01:46:13,960
Speaker 11: Start chick, I'm gonna kiss the Wilcom fire Stark Chi

2028
01:46:15,720 --> 01:46:20,519
Speaker 11: machine now said, no sucking real niggachine never fucking bustles

2029
01:46:20,760 --> 01:46:23,720
Speaker 11: the coffee your children, and you really don't excite the

2030
01:46:23,760 --> 01:46:28,400
Speaker 11: old maintenance up say the whole little fire eight with

2031
01:46:28,520 --> 01:46:29,720
Speaker 11: the School of Deep Sea.

2032
01:46:29,960 --> 01:46:34,360
Speaker 6: All right, Uh, now that is time for some guests

2033
01:46:34,479 --> 01:46:40,040
Speaker 6: the Rays last. Right, it's guest the race time. Now,

2034
01:46:40,240 --> 01:46:44,280
Speaker 6: that is time for some guests the Rays last ride.

2035
01:46:44,320 --> 01:46:49,040
Speaker 6: It's Gust the race time. That's right, it's time for

2036
01:46:49,479 --> 01:46:52,479
Speaker 6: Gus the Race, the number one game show going across

2037
01:46:52,479 --> 01:46:53,200
Speaker 6: all the podcasts.

2038
01:46:53,240 --> 01:46:55,120
Speaker 2: Now, we read the play news article from all over

2039
01:46:55,200 --> 01:46:57,920
Speaker 2: the globe, and we asked our contests today the chat

2040
01:46:58,000 --> 01:47:03,080
Speaker 2: room to guests, huh, race send the chat room's racist,

2041
01:47:03,439 --> 01:47:10,599
Speaker 2: very very racist. Let's see how did that get in there?

2042
01:47:11,960 --> 01:47:13,120
Speaker 2: That is not what I'm meant to do.

2043
01:47:13,520 --> 01:47:23,200
Speaker 3: All right, here's one firefighters facing a fire. Oh wait,

2044
01:47:23,320 --> 01:47:24,240
Speaker 3: firefighters are.

2045
01:47:24,160 --> 01:47:29,400
Speaker 2: Facing the sack, which means getting fired for taking selfie

2046
01:47:29,479 --> 01:47:37,760
Speaker 2: in front of a building where seventeen people died. Oh inside,

2047
01:47:38,280 --> 01:47:40,800
Speaker 2: two firefighters could be looking for new jobs after taking

2048
01:47:40,840 --> 01:47:43,800
Speaker 2: this picture. Inside, seventeen people were killed as the blaze

2049
01:47:43,840 --> 01:47:48,200
Speaker 2: ripped through the shopping center Ilia Bivkove thirty and.

2050
01:47:49,800 --> 01:47:51,879
Speaker 3: Rostall Wait Rostis Live.

2051
01:47:52,479 --> 01:47:55,960
Speaker 2: Kre Love twenty eight were called to the scene, where

2052
01:47:56,280 --> 01:48:00,800
Speaker 2: another fifty five people were seriously injured, including two police

2053
01:48:00,840 --> 01:48:04,120
Speaker 2: officers and two other emergency workers. The fire started in

2054
01:48:04,200 --> 01:48:07,280
Speaker 2: a cafe next door to the shops at center in Kazan,

2055
01:48:07,400 --> 01:48:08,040
Speaker 2: Central Russia.

2056
01:48:08,080 --> 01:48:09,360
Speaker 3: Before it spreading, next door.

2057
01:48:09,600 --> 01:48:12,400
Speaker 5: Thought this was a good idea clock right.

2058
01:48:12,800 --> 01:48:16,760
Speaker 2: The picture was updated to upload it to Russia's version

2059
01:48:16,800 --> 01:48:24,280
Speaker 2: of Facebook, uh Yegor to Kara uh Tokoroyev wrote, christ

2060
01:48:24,400 --> 01:48:27,080
Speaker 2: people are dying in there, and these men are smiling

2061
01:48:27,120 --> 01:48:30,400
Speaker 2: and taking photos. They are there to save lives.

2062
01:48:31,439 --> 01:48:31,600
Speaker 1: You know.

2063
01:48:31,640 --> 01:48:32,720
Speaker 3: When they took the picture, that was like.

2064
01:48:32,760 --> 01:48:37,160
Speaker 2: We're gonna get all the bitches. All bitches love firefighters,

2065
01:48:37,200 --> 01:48:38,639
Speaker 2: and this is what the action is. Baby.

2066
01:48:39,600 --> 01:48:40,640
Speaker 6: I'm dying.

2067
01:48:42,840 --> 01:48:45,439
Speaker 5: Burning the lines the leg.

2068
01:48:45,920 --> 01:48:47,880
Speaker 2: Right, hold on, hold on, I gotta get the focus right.

2069
01:48:49,000 --> 01:48:53,000
Speaker 2: Ulana Cooper on this no no no filter, no filter.

2070
01:48:53,720 --> 01:48:57,320
Speaker 2: Vetlana capital Stina wrote, it makes me sick to think

2071
01:48:57,400 --> 01:48:59,760
Speaker 2: that while those poor people were burning to death, these

2072
01:48:59,800 --> 01:49:02,000
Speaker 2: two were treating as some sort of joke. Shame on

2073
01:49:02,160 --> 01:49:04,840
Speaker 2: them now, I thought to say that looking into the

2074
01:49:04,880 --> 01:49:09,000
Speaker 2: photos that may take disciplinary steps. I will tell you this.

2075
01:49:10,320 --> 01:49:12,360
Speaker 2: Don't we all get sick of our jobs? I mean

2076
01:49:12,400 --> 01:49:15,400
Speaker 2: the mundane stuff? Who has it taken a work self

2077
01:49:15,439 --> 01:49:19,880
Speaker 2: here at some point, Well, get into it. Maybe you'll

2078
01:49:19,920 --> 01:49:23,080
Speaker 2: see that. You'll see it's not so bad. Most of

2079
01:49:23,080 --> 01:49:25,920
Speaker 2: the emergency workers called to the scene did their job

2080
01:49:26,080 --> 01:49:29,920
Speaker 2: confidently and efficiently. These two are not characteristic of those

2081
01:49:29,960 --> 01:49:34,040
Speaker 2: who work hard every day, tirelessly saving lives. I guess

2082
01:49:34,120 --> 01:49:39,880
Speaker 2: the race of Ilia viv call be called, and I

2083
01:49:40,000 --> 01:49:42,640
Speaker 2: mean by cough and Ristof's live.

2084
01:49:42,840 --> 01:49:43,479
Speaker 3: Cry live.

2085
01:49:43,920 --> 01:49:46,080
Speaker 2: All right, let's see what everybody thinks in the chat room.

2086
01:49:46,600 --> 01:49:51,120
Speaker 2: A white Russian and not the good kind white says

2087
01:49:51,160 --> 01:49:57,639
Speaker 2: recognized taste zangief and even drago rescut to the white.

2088
01:49:58,880 --> 01:50:03,920
Speaker 2: All right, So looks like that's the guesses white or

2089
01:50:04,120 --> 01:50:08,320
Speaker 2: they white? So their names are okay? If Russia beard

2090
01:50:09,000 --> 01:50:13,880
Speaker 2: in Russia Beard grows you white? Oh lord, the correct name,

2091
01:50:14,040 --> 01:50:23,040
Speaker 2: correct assa is white. I'll put that picture in the.

2092
01:50:23,080 --> 01:50:25,320
Speaker 5: Chat Oh that picture.

2093
01:50:26,040 --> 01:50:30,439
Speaker 2: These niggas took a selfiet a fucking fire like it is.

2094
01:50:30,640 --> 01:50:35,000
Speaker 5: Literally you can see the fire in the background, like the.

2095
01:50:35,120 --> 01:50:40,639
Speaker 2: Fire is in the doors, right dog, the fucking swag

2096
01:50:40,760 --> 01:50:44,400
Speaker 2: dacity like, I'm taking it past audacity. I'm taking it

2097
01:50:44,479 --> 01:50:49,120
Speaker 2: past swag, the swag dacity to even think of some

2098
01:50:49,240 --> 01:50:52,160
Speaker 2: ship like that, right, And you have other.

2099
01:50:52,080 --> 01:50:53,840
Speaker 4: People down are huggling trying to figure out what the

2100
01:50:53,880 --> 01:50:56,400
Speaker 4: fuck we need to do, and y'all talking about you know.

2101
01:50:56,439 --> 01:50:58,280
Speaker 5: What, let's take a picture.

2102
01:50:58,760 --> 01:50:59,880
Speaker 3: Yeah wow.

2103
01:51:02,320 --> 01:51:06,240
Speaker 2: Chicago man has been arrested after allegedly raping a woman

2104
01:51:06,320 --> 01:51:11,879
Speaker 2: he met online and her friend. Oh and then lecturing

2105
01:51:12,000 --> 01:51:21,960
Speaker 2: them about prostituting themselves. Okay, you know, y'all shouldn't have

2106
01:51:21,960 --> 01:51:28,679
Speaker 2: did this, right. Jonathan Ferguson was charged Thursday with armed

2107
01:51:28,760 --> 01:51:33,040
Speaker 2: robbery and aggravated criminal assault with a weapon. He was dick.

2108
01:51:33,600 --> 01:51:36,160
Speaker 2: He was ordered held on two hundred and fifty thousand

2109
01:51:36,160 --> 01:51:38,280
Speaker 2: dollars bomb. No, I'm gonna say you had a real weapon.

2110
01:51:38,040 --> 01:51:41,280
Speaker 5: Too, Yes, since dick was a weapon, also charging with that.

2111
01:51:41,960 --> 01:51:46,240
Speaker 2: Boll that's the rape part. The alleged assaults said I

2112
01:51:46,360 --> 01:51:49,040
Speaker 2: said to have occurred over New Year's weekend, when three

2113
01:51:49,080 --> 01:51:52,960
Speaker 2: Milwaukee women were celebrating at the Chicago hotel. Ferguson's accused

2114
01:51:53,000 --> 01:51:55,599
Speaker 2: of answering an ad on backpage dot com for one

2115
01:51:55,640 --> 01:51:58,519
Speaker 2: of the women offering sexual services. Had asked the twenty

2116
01:51:58,520 --> 01:52:00,120
Speaker 2: two year old woman to meet him at an adress

2117
01:52:00,280 --> 01:52:02,680
Speaker 2: to report notes, but she riuded the address. She was

2118
01:52:02,680 --> 01:52:05,320
Speaker 2: allegedly raped at gunpoint and forced to call her friends,

2119
01:52:05,600 --> 01:52:08,599
Speaker 2: who were waiting in the car outside. After allegedly assaulting

2120
01:52:08,640 --> 01:52:12,720
Speaker 2: a second woman, Ferguson reportedly lecture all three women that

2121
01:52:12,840 --> 01:52:17,320
Speaker 2: bragged about his supposedly murderous week. Guess the race of

2122
01:52:17,520 --> 01:52:24,320
Speaker 2: Jonathan Ferguson. Uh, rape rapist and rape counselor? Like, what

2123
01:52:24,439 --> 01:52:26,320
Speaker 2: the fuck is I don't even know what the second

2124
01:52:26,320 --> 01:52:29,559
Speaker 2: part of that is? Like it was a scared straight

2125
01:52:30,160 --> 01:52:34,360
Speaker 2: but with rape Chicago, that's the land of ape roaches Obama.

2126
01:52:34,479 --> 01:52:37,360
Speaker 3: Black musics of a shop, says White.

2127
01:52:40,320 --> 01:52:44,839
Speaker 2: Doctor Manning want to be lecturer about prostitution, Damon, says Zanna.

2128
01:52:45,400 --> 01:52:46,800
Speaker 3: White says Joe Spacely.

2129
01:52:48,040 --> 01:52:48,160
Speaker 6: Uh.

2130
01:52:48,479 --> 01:52:53,800
Speaker 2: Color of Derreck Rose's future Black said Caz always, says

2131
01:52:53,840 --> 01:52:57,800
Speaker 2: Bill Cosey, hucksbans do will prodigy. Uh hmm, I'm gonna

2132
01:52:57,840 --> 01:53:00,200
Speaker 2: go with black. Couldn't afford a nice hotel, Black free

2133
01:53:00,240 --> 01:53:03,000
Speaker 2: Dahmin's first cousin. Man. Everybody split over this one. The

2134
01:53:03,120 --> 01:53:05,880
Speaker 2: correct answer is and many of you got it black,

2135
01:53:14,840 --> 01:53:29,840
Speaker 2: some of you did miss it. It's gonna start touring

2136
01:53:29,960 --> 01:53:34,160
Speaker 2: doing rape lectures at colleges. Now, yeah, Yeah, you're gonna

2137
01:53:34,200 --> 01:53:35,920
Speaker 2: start doing rape lectures at colleges now.

2138
01:53:37,400 --> 01:53:37,599
Speaker 3: Yeah.

2139
01:53:37,640 --> 01:53:40,120
Speaker 2: I just came here to talk about you. Now look

2140
01:53:40,200 --> 01:53:45,639
Speaker 2: to your left, then look to your right. One out

2141
01:53:45,720 --> 01:53:50,120
Speaker 2: of every two of y'all gonna get right, ah, and

2142
01:53:50,200 --> 01:53:53,200
Speaker 2: it's gonna be by me. Close the doors, close the doors,

2143
01:53:54,040 --> 01:53:57,559
Speaker 2: and this a hands on lecture right here, y'all. Y'all

2144
01:53:57,600 --> 01:54:01,599
Speaker 2: about to learn some lessons today. Y'all gonna learn today,

2145
01:54:02,160 --> 01:54:07,040
Speaker 2: good grief, audacity. Right then he confessed the more crimes

2146
01:54:07,080 --> 01:54:08,840
Speaker 2: I killed from people to y'all, I want to go

2147
01:54:08,880 --> 01:54:09,559
Speaker 2: to super jail.

2148
01:54:09,800 --> 01:54:12,280
Speaker 5: You spent all the years in the jail, all of them.

2149
01:54:12,400 --> 01:54:14,639
Speaker 2: By the way, you guys are free to go and leave.

2150
01:54:14,800 --> 01:54:18,439
Speaker 2: And here's a self of of my face, a signed

2151
01:54:18,479 --> 01:54:18,880
Speaker 2: to your phone.

2152
01:54:18,920 --> 01:54:20,240
Speaker 5: What's youall know about sending it to your phone?

2153
01:54:20,520 --> 01:54:23,960
Speaker 2: I love jail. I love it. And ex con who

2154
01:54:24,120 --> 01:54:27,760
Speaker 2: just finished a fifteen year robbery sentence, has admitted that

2155
01:54:27,880 --> 01:54:31,240
Speaker 2: he robbed the same New Jersey shoe store as the

2156
01:54:31,400 --> 01:54:33,280
Speaker 2: same clerk was behind the counter.

2157
01:54:33,720 --> 01:54:39,720
Speaker 3: Oh you're kidding me, prosecutor say.

2158
01:54:39,920 --> 01:54:42,560
Speaker 2: Forty one year old Christopher Miller robbed the Stride Right

2159
01:54:42,720 --> 01:54:46,080
Speaker 2: store in Toms River in March twenty fourteen, a day

2160
01:54:46,120 --> 01:54:48,480
Speaker 2: after he was released from prison after finishing his jail

2161
01:54:48,600 --> 01:54:51,560
Speaker 2: term for the first robbery. Police saint Miller made off

2162
01:54:51,600 --> 01:54:53,680
Speaker 2: with three hundred and eighty nine dollars and fled on

2163
01:54:53,800 --> 01:54:55,560
Speaker 2: foot with the employee's cell phones.

2164
01:54:55,720 --> 01:54:57,920
Speaker 5: Three and eighty nine damn dollars.

2165
01:54:58,680 --> 01:55:02,000
Speaker 2: The clerk has been notified about Miller's release and identified

2166
01:55:02,040 --> 01:55:05,080
Speaker 2: the suet suspect as the same person who rode the

2167
01:55:05,120 --> 01:55:08,560
Speaker 2: store in nineteen ninety nine. Milliclely the guilty the second

2168
01:55:08,600 --> 01:55:11,120
Speaker 2: degree robbery on Monday, faced the prison term of ten

2169
01:55:11,160 --> 01:55:14,160
Speaker 2: to twenty years in prison, and when he sent uced

2170
01:55:14,200 --> 01:55:14,520
Speaker 2: in May.

2171
01:55:15,960 --> 01:55:18,400
Speaker 4: So they were already on alert that, you know, because

2172
01:55:18,400 --> 01:55:20,320
Speaker 4: they probably because it was a crime. So they was like, hey,

2173
01:55:20,480 --> 01:55:24,360
Speaker 4: just let y'all know he's getting released. You're probably thinking, well,

2174
01:55:24,400 --> 01:55:25,560
Speaker 4: I never see him again.

2175
01:55:26,120 --> 01:55:31,480
Speaker 5: Oh okay, you want some you rob me again? Do

2176
01:55:31,640 --> 01:55:32,720
Speaker 5: you know I'm the same person.

2177
01:55:33,600 --> 01:55:35,720
Speaker 3: Maybe they put on some weight, you know, maybe they

2178
01:55:35,760 --> 01:55:37,360
Speaker 3: look different. I don't know.

2179
01:55:37,640 --> 01:55:39,400
Speaker 5: Hey, yeah, fifteen years a pretty long time.

2180
01:55:39,680 --> 01:55:43,880
Speaker 2: Yeah, could have been anything. Nobody guessing the ricks. Now

2181
01:55:44,080 --> 01:55:47,680
Speaker 2: what's going on here is everybody? Let me make sure

2182
01:55:47,720 --> 01:55:50,440
Speaker 2: that the internet's still Yeah, the internet is still working.

2183
01:55:50,480 --> 01:55:51,920
Speaker 2: I don't know what's going on with to guests, A

2184
01:55:52,040 --> 01:55:52,760
Speaker 2: ya slow.

2185
01:55:53,080 --> 01:55:56,520
Speaker 3: What an idiot black black winding.

2186
01:55:56,320 --> 01:55:59,760
Speaker 2: Them New Kd's come in though, black main black crab

2187
01:56:00,040 --> 01:56:04,200
Speaker 2: nebul little mall rat couldn't help it because she got that.

2188
01:56:05,120 --> 01:56:12,520
Speaker 2: She got that new Jay's black Dave Jah Jiggaboo supervillain,

2189
01:56:12,920 --> 01:56:16,640
Speaker 2: black bootleg Jay's black damn bro. There is a footlock

2190
01:56:16,720 --> 01:56:19,720
Speaker 2: of black. I asked for air force ones black.

2191
01:56:20,280 --> 01:56:24,000
Speaker 3: Well, the correct answer is, and you guys all missed it.

2192
01:56:24,480 --> 01:56:25,960
Speaker 3: It is white.

2193
01:56:31,560 --> 01:56:32,880
Speaker 5: Somebody guess white.

2194
01:56:36,400 --> 01:56:36,520
Speaker 3: Too?

2195
01:56:36,560 --> 01:56:44,640
Speaker 2: Wait you all get those booths, beyonna gotta guess into let.

2196
01:56:44,680 --> 01:56:49,720
Speaker 2: I'm sorry, guys, very sick, very rather very strict, but

2197
01:56:49,880 --> 01:56:52,600
Speaker 2: you got it right, sweetie. Uh no, you don't get

2198
01:56:52,640 --> 01:56:56,160
Speaker 2: any chairs. You got it wrong, steady wrong, steady alongs

2199
01:56:56,200 --> 01:57:03,280
Speaker 2: what I'll say. Let's see so uh let's go to

2200
01:57:03,360 --> 01:57:06,400
Speaker 2: the bonus round here and maybe Dianna can actually guess

2201
01:57:06,440 --> 01:57:23,160
Speaker 2: some time this time. Okay, race, that's right, this bonus

2202
01:57:23,240 --> 01:57:25,320
Speaker 2: round against the race, so everything's worth double the points,

2203
01:57:25,400 --> 01:57:28,400
Speaker 2: double the racism. So far, people are mostly one for

2204
01:57:28,520 --> 01:57:31,160
Speaker 2: one one, I mean two and one because they missed

2205
01:57:31,200 --> 01:57:33,600
Speaker 2: that last joint. But let's see what they can do

2206
01:57:33,680 --> 01:57:41,760
Speaker 2: on this last one. Let's see ah here one uh

2207
01:57:42,040 --> 01:57:46,760
Speaker 2: Green Acres, Florida. Green Acres is the place to be.

2208
01:57:48,080 --> 01:57:51,600
Speaker 2: A woman told Belice that she was nude on a

2209
01:57:51,680 --> 01:57:55,040
Speaker 2: bench outside of Duck and Donuts as part of a

2210
01:57:55,160 --> 01:57:59,520
Speaker 2: pledge for a dance troop, Oh Florida, a dance troop.

2211
01:58:00,000 --> 01:58:02,760
Speaker 2: Green Naggers Police were called to the Dunck and Donuts

2212
01:58:03,400 --> 01:58:08,360
Speaker 2: at nine pm Sunday. Officers said when they arrived, Schakarra Martin,

2213
01:58:08,480 --> 01:58:11,520
Speaker 2: thirty two, was sitting on a bench in front of

2214
01:58:11,720 --> 01:58:14,000
Speaker 2: the establishment can completely naked.

2215
01:58:14,640 --> 01:58:15,320
Speaker 3: Corner Officers.

2216
01:58:15,360 --> 01:58:18,600
Speaker 2: Martin apologized and stated that she came to Duck and

2217
01:58:18,680 --> 01:58:21,960
Speaker 2: Donuts naked on the dell. The dare was part of

2218
01:58:22,000 --> 01:58:23,520
Speaker 2: a pledge for a dance troop.

2219
01:58:24,120 --> 01:58:24,680
Speaker 3: According to the.

2220
01:58:24,720 --> 01:58:28,080
Speaker 2: Onlookers, the woman was offered clothing multiple times and refused.

2221
01:58:28,640 --> 01:58:31,879
Speaker 2: Martin was arrested by Greenaggas Police on an indecent exposure

2222
01:58:31,960 --> 01:58:34,560
Speaker 2: charge book and they released the Palm Beach count of jail.

2223
01:58:35,280 --> 01:58:38,760
Speaker 3: Guess the race of Schakara Martin.

2224
01:58:39,040 --> 01:58:41,480
Speaker 5: Everybody in chack goddamn dance troop?

2225
01:58:41,640 --> 01:58:42,480
Speaker 3: A dance troup?

2226
01:58:42,560 --> 01:58:43,120
Speaker 2: What the fuck?

2227
01:58:43,320 --> 01:58:43,480
Speaker 3: Ray?

2228
01:58:43,560 --> 01:58:44,560
Speaker 5: What kind of dance troop?

2229
01:58:44,720 --> 01:58:44,880
Speaker 3: Is this?

2230
01:58:45,320 --> 01:58:47,600
Speaker 2: How long was she thirty two or some shit like, yeah,

2231
01:58:47,680 --> 01:58:51,040
Speaker 2: thirty two years old? Who pledges to a dance troop

2232
01:58:51,120 --> 01:58:51,840
Speaker 2: at thirty two?

2233
01:58:52,560 --> 01:58:54,560
Speaker 5: I have no idea. I think it's.

2234
01:58:56,520 --> 01:58:57,760
Speaker 3: Okay, all right, Well.

2235
01:58:57,960 --> 01:59:00,280
Speaker 2: I've got a little delay, all right, she could at

2236
01:59:00,360 --> 01:59:02,400
Speaker 2: least with the Krispy Kreme black.

2237
01:59:04,680 --> 01:59:04,920
Speaker 6: One.

2238
01:59:04,960 --> 01:59:06,840
Speaker 3: Who's gonna catch ammonia? Black?

2239
01:59:07,760 --> 01:59:09,480
Speaker 2: So you think you can be naked in front of

2240
01:59:09,520 --> 01:59:11,360
Speaker 2: a doughnut shop and no cops show up?

2241
01:59:11,480 --> 01:59:13,280
Speaker 3: Dan's troop Equal Magic City Black?

2242
01:59:13,920 --> 01:59:19,200
Speaker 2: My line name is Neutitude Black, Double Dog Dare you

2243
01:59:19,360 --> 01:59:21,640
Speaker 2: to show them Double D's Black sorority?

2244
01:59:21,720 --> 01:59:24,160
Speaker 3: Sister Gone Wild, Stomp the yard?

2245
01:59:24,360 --> 01:59:29,560
Speaker 2: Black wants to be in the Wiz Black and black

2246
01:59:29,840 --> 01:59:33,680
Speaker 2: the correct ansa is and all of you got it black.

2247
01:59:45,440 --> 01:59:47,400
Speaker 2: I think it was the name Sheikar that gave it away.

2248
01:59:48,040 --> 01:59:53,080
Speaker 3: You see your picture? Oh my mm hmmm.

2249
01:59:54,280 --> 01:59:55,240
Speaker 5: It's a lot going on.

2250
01:59:56,200 --> 01:59:58,040
Speaker 2: What's going on the side of her face? They're like

2251
01:59:58,080 --> 01:59:58,480
Speaker 2: a scar?

2252
01:59:58,960 --> 01:59:59,560
Speaker 6: What is the word?

2253
01:59:59,640 --> 02:00:04,280
Speaker 3: I what's up with her? Is that an eyelashes?

2254
02:00:04,360 --> 02:00:08,000
Speaker 5: I don't know, Big Bird do her eyelashes? What's happening here?

2255
02:00:08,840 --> 02:00:09,080
Speaker 3: Yeah?

2256
02:00:09,480 --> 02:00:11,720
Speaker 2: I feel like, no, that's nothing for Leff because she

2257
02:00:11,760 --> 02:00:13,800
Speaker 2: looks like a mister potato head or something.

2258
02:00:14,160 --> 02:00:15,920
Speaker 5: I don't know. She don't even look real.

2259
02:00:16,400 --> 02:00:17,760
Speaker 2: Yeah, I mean.

2260
02:00:19,520 --> 02:00:21,400
Speaker 5: You do like a mister potato like. You just just

2261
02:00:21,600 --> 02:00:23,720
Speaker 5: rearrange your face around and make something brand new.

2262
02:00:23,920 --> 02:00:26,960
Speaker 3: You get better naked people at Dunkle at Christy Kream.

2263
02:00:27,000 --> 02:00:27,520
Speaker 2: I'm sure of it.

2264
02:00:28,560 --> 02:00:30,240
Speaker 3: I bet you you do, because they be hot.

2265
02:00:30,320 --> 02:00:31,120
Speaker 5: And now you know what.

2266
02:00:33,640 --> 02:00:35,440
Speaker 2: Make dad some donuts.

2267
02:00:37,520 --> 02:00:39,600
Speaker 3: Talk about sore ratchetness.

2268
02:01:00,680 --> 02:01:04,960
Speaker 2: All right, suspect the raced it in a cold case

2269
02:01:05,120 --> 02:01:08,400
Speaker 2: involving a Samurai sword for accused of and.

2270
02:01:08,480 --> 02:01:11,400
Speaker 8: Murder that took place almost seven years ago. Twenty news

2271
02:01:11,480 --> 02:01:13,839
Speaker 8: was in court today is twenty two year old Ismael

2272
02:01:13,960 --> 02:01:17,040
Speaker 8: Rodriguez was arranged on a murder charge after a forty

2273
02:01:17,080 --> 02:01:19,960
Speaker 8: four year old amberto Brenda's of Holyoke was killed in

2274
02:01:20,040 --> 02:01:22,880
Speaker 8: two thousand and eight. Brenda's dyed from a stab wound

2275
02:01:22,960 --> 02:01:25,600
Speaker 8: in his Holyoke apartment on June first, two thousand and eight.

2276
02:01:27,880 --> 02:01:30,520
Speaker 2: There you go. Took him forever, but they finally got

2277
02:01:30,640 --> 02:01:35,840
Speaker 2: him a cold case murder solved. Glad they got his

2278
02:01:36,000 --> 02:01:38,320
Speaker 2: ass off the streets. All right, guys, we'll be back

2279
02:01:38,920 --> 02:01:42,520
Speaker 2: tomorrow after I fixed this podcast. Staying up till two

2280
02:01:42,560 --> 02:01:45,640
Speaker 2: and three in the morning. Yes, because the technical difficulties.

2281
02:01:45,840 --> 02:01:48,160
Speaker 2: Thank you so much, Chat Room, everybody hung in there

2282
02:01:48,200 --> 02:01:51,800
Speaker 2: and hung out with us. We really appreciate you, guys,

2283
02:01:52,120 --> 02:01:56,160
Speaker 2: and we'll see you guys tomorrow. Until then, I love you.

2284
02:01:57,280 --> 02:01:57,840
Speaker 5: I love you too,