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Speaker 1: Cleverty, my peace, what did you think of that horrendous play?

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Speaker 2: Oh, my dear lord, Earl of Sandwich. I must tell

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Speaker 2: you that Shakespeare he is long in the tooth occasionally,

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Speaker 2: But my goodness, for this one Romeo and Juliet dastardly, dastardly.

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Speaker 1: I mean, if it wasn't for that fine Jane Bartholemew

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Speaker 1: who's playing Juliet, who has the finest buzzard the side

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Speaker 1: of London.

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Speaker 2: I do agree Jane is well carriaged, but the acting

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Speaker 2: it needs several more years.

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Speaker 1: Oh lord, look at those semens starving. I would give

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Speaker 1: them fivepence, but I have to spend it on air,

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Speaker 1: and I gave my wife, the bitch, the rest of

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Speaker 1: my money. You know I need an ale.

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Speaker 2: I'm quite thirsty. Misself piece looks, Oh there she is.

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Speaker 1: Her bosom is even better off stage, so plumped, so rosy,

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Speaker 1: so milky darth.

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Speaker 2: How it remind me of a winter pheasant gussied up

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Speaker 2: and inflate it.

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Speaker 1: H miss, oh mock lady of the theater. Would you

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Speaker 1: care to join me and my dear dear fellow peeps

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Speaker 1: into our coach. We are going for an ale? Well,

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Speaker 1: I suppose the girl just.

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Speaker 2: Get quite famished from being on stage all night. Dear,

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Speaker 2: good old of Sandwich.

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Speaker 1: So it's an evening, then come with us.

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Speaker 2: Oh, I suppose I'm to be sandwiched between the Earl

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Speaker 2: and his vassal.

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Speaker 1: Ah, here's a coach when we are going to the

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Speaker 1: White Stylow Tavern down codswell Way.

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Speaker 2: Tell you, sir, everybody in close the door. Oh this

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Speaker 2: birth On that performance was quite wresting.

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Speaker 1: Oh, thank you so much.

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Speaker 3: I learned to read old Body a year ago, and

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Speaker 3: I've been studying the Royal Shakespeare Theater and father told

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Speaker 3: me I would be a street urch and no, I said,

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Speaker 3: I'm an actress. I'm a lady of the theater.

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Speaker 2: Oh yes, well, very respectful.

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Speaker 1: There.

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Speaker 2: Would you like to see my new pocket watch, my

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Speaker 2: good lady.

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Speaker 1: Oh, I've never seen a pocket watch before.

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Speaker 2: Now look at this and see the hands how they

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Speaker 2: move around? You know?

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Speaker 1: Actually, Lady birth On On, you I actually have an

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Speaker 1: even older pocket watch if you would like to see. Oh,

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Speaker 1: I can't reach into my leggings. Would you mind getting

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Speaker 1: it out for me? Yes?

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Speaker 2: Oh, dear, that's not.

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Speaker 1: A pocket watch you're feeling. Oh my goodness, the clock

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Speaker 1: is Striking twelve.

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Speaker 2: How it ticks?

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Speaker 1: How it ticks me? Lord?

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Speaker 2: Who's that knocking at the door. It's all your friends.

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Speaker 2: You've filthy horse, your husband's gone, and you've got books

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Speaker 2: and a bottle of wine to kill. It's Hollywood, it's books,

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Speaker 2: it's gossip. I'm sure it's memoir. It's Martinis.

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Speaker 1: Celebrity Poop Club. Read it while it's hot.

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Speaker 2: Celebrity poop Club. Tell your secrets. We won't talk celebrity books.

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Speaker 1: No boys are a loud cleto say it loud and

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Speaker 1: cloud Celebrity book Club. Buzz me in, I brought the

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Speaker 1: queer voe Hellllo best friend, How darphin go merrily, merrily merrily?

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Speaker 1: It goes quite well for me. How does it go

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Speaker 1: for you?

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Speaker 3: Um?

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Speaker 2: Well, I've and better. I have seven boils on me face.

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Speaker 1: I can tell that doesn't look good. Have you tried beef?

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Speaker 2: Come?

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Speaker 1: Hey? Really good to see you, really good to see you.

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Speaker 1: Just sorry to all. It's about to get pretty like

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Speaker 1: ce List and like this episode, like.

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Speaker 2: Se is generous about to deal theater, girl up in here.

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Speaker 1: Big sweatshirts. This is hades Town, like Laptop stan Ley's Yeah,

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Speaker 1: no before like getting into the book, let's just here

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Speaker 1: we are to I heard office.

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Speaker 2: I just walked by a guy's desk and he had

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Speaker 2: like a massive bottle of no sugar hazelnut syrup on

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Speaker 2: the desk.

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Speaker 1: Like coffee mate or syrup.

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Speaker 2: Like straight up syrup that like Starbucks would have like

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Speaker 2: in the back. Oh my, that I think he's just

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Speaker 2: like pouring into his coffee throughout the day. Well, like

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Speaker 2: to do constant even more.

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Speaker 1: Because then you're watching yourself use it throughout.

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Speaker 2: Yeah, this year's supply of hazelnut syrup looks like the

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Speaker 2: bottle is about half spent.

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Speaker 1: Also speaking of indulgent man.

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Speaker 2: You guys, we took a journey this week, wild, an

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Speaker 2: absolutely wild journey. I am so glad we read this book.

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Speaker 1: As we said to each other, I actually do wish

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Speaker 1: like I had more time with it.

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Speaker 2: I mean I could keep reading this book for like

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Speaker 2: another month and like go back and like do it

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Speaker 2: over again and get even more because like.

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Speaker 1: And like a fine difference. There's so much.

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Speaker 2: Every age is so rich.

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Speaker 1: So full, so rich of history. It's been called one

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Speaker 1: of the best bedside books I think ever written. Oh

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Speaker 1: it's so bad side because you just pick it up

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Speaker 1: and you're like, here we go and you read an entry.

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Speaker 1: Ladies and gentlemen, who can we.

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Speaker 2: Be talking about one of the most famous diary of

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Speaker 2: all time, right up there with.

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Speaker 1: And Frank Elizabeth Gilbert.

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Speaker 2: And honestly way more interesting than a Frank Frankly and

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Speaker 2: you know, much like our last book we read gd

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Speaker 2: it's famous for writing book, which is cool. Although you

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Speaker 2: are he may know him from his work as an

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Speaker 2: admitry in the Royal Navy in London throughout the sixteen

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Speaker 2: sixties and later a member of Parliament from Harwell, Yes.

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Speaker 1: Queen, you may know him from basically being the voice

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Speaker 1: of the Stuart cabinet and the monarchy coming back into play.

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Speaker 2: That's right, we're talking now about none of the the

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Speaker 2: baddest of the Stuart Restoration.

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Speaker 1: Yeah, the horniest naval administer.

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Speaker 2: I know from seventeenth century England. None O. There, that's

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Speaker 2: Samuel Peeps and his book, The Diary of Samuel Peace.

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Speaker 2: Let's get right into it. So he's kind of like

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Speaker 2: the upper middle class guy who's like a bureaucrat who

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Speaker 2: like lives at the house of his lord and it

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Speaker 2: is still being kind of feudal seventeenth century England is

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Speaker 2: a time of great tumult. In sixteen forty eight, Charles

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Speaker 2: the First is deposed the Interperior call the Interregnum where

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Speaker 2: Oliver Cromwell Harram becomes the leader of England. They call

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Speaker 2: it the Protectorate, and they're like we're going to be

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Speaker 2: a republic, like we're done with the monarchy. But you know,

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Speaker 2: it's short lived, like many revolutions, it's sort of undone.

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Speaker 2: And in sixteen sixty, after Oliver Cromwell dies, things are

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Speaker 2: in kind of disarray and Charles the Second, who's Charles

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Speaker 2: the first son, who's been in exile in the Netherlands,

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Speaker 2: comes back, and basically that's right when Samuel Peep starts

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Speaker 2: this diary. He just happens started this darty in sixteen

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Speaker 2: sixty and so he keeps this diary for this decade

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Speaker 2: that is like insanely pivotal in British history, like start

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Speaker 2: of the Stuart Restoration, Great Fire of London, great Plague,

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Speaker 2: great Play, you know, the Dutch War. And then he's

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Speaker 2: also like this secretary who's high in the navy, and

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Speaker 2: so he's kind of like organizing the war.

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Speaker 1: He's doing so much like war admin and like sending

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Speaker 1: seamen their money and like also going on ships.

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Speaker 2: And what's cool is that he's like this middle class

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Speaker 2: kind of bureaucrack guy, but he is like, you know,

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Speaker 2: amongst the elite, and so he like knows the king

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Speaker 2: and he's like always that means the people, and like

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Speaker 2: he's seen all of this high society gossip.

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Speaker 1: Kind of like the Tina Brown. He's literally the Tina

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Speaker 1: but also literally is gossip girl.

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Speaker 2: But he's also like Forrest Gump, where it's just like

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Speaker 2: you're just at every like major event.

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Speaker 1: History, NASA man on the moon.

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Speaker 2: Right, and you're seeing it all happen, but then being like,

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Speaker 2: but I also wanted to fuck my wife's maid, like

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Speaker 2: while it's going down.

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Speaker 1: Let's talk about we read the modern.

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Speaker 2: Edition, yeah, and I will say, are you aware that

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Speaker 2: this book is a little ubraged, Yeah, which is that

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Speaker 2: we were literally the sex scenes are like dot dot dotted.

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Speaker 1: Yeah, And I'm so little like it's very unaware of

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Speaker 1: the sex scenes because I started watching this very like

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Speaker 1: on Roku TV BBC like movie about him, and it

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Speaker 1: starts off with him like fucking a woman while he's

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Speaker 1: in jail through the bars.

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Speaker 2: I don't remember.

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Speaker 1: That's exactly, That's what I'm saying. So I was already

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Speaker 1: like I've been in this book, and he is really

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Speaker 1: horny and we're obviously going to get into that, but

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Speaker 1: like he is never like saying like we.

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Speaker 2: Fucked, okay, talking about the sex thing for one second.

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Speaker 2: So this is when he's having an affair with Deb,

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Speaker 2: his wife's maid.

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Speaker 1: He's which all it was kind of customary.

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Speaker 2: Then yeah, and this is when he gets caught on

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Speaker 2: October twenty fifth, sixteen sixty eight. So home, into dinner,

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Speaker 2: and after dinner all the afternoon, got my wife and

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Speaker 2: boy to read to me. When he says boy, he

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Speaker 2: means his like male servant. And at night w Battilia

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Speaker 2: comes and SUPs with us, and after supper to have

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Speaker 2: my head combed by Deb. So Deb is the maid

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Speaker 2: and she's just like combing his hair after he takes

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Speaker 2: his wig off, which occasions the greatest sorrow to me

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Speaker 2: that I ever knew in this world for my wife

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Speaker 2: coming up suddenly did find me embrace seen the girl

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Speaker 2: dot dot dot. I was at a wonderful loss upon it,

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Speaker 2: and the girly also, so I looked it up. The

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Speaker 2: actual passage is and then like not like for like

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Speaker 2: ninth greater version, it was she did find me embracing

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Speaker 2: the girl with my main hand in her honey, stop, yeah,

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Speaker 2: see you?

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Speaker 1: And why honey? Yeah, I think it's fingers. I think

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Speaker 1: it's like four fingers.

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Speaker 2: I was gonna say three, but you might be right

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Speaker 2: on the four. Also, hands are smaller.

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Speaker 1: Get out of my history books. Can you also imagine

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Speaker 1: like how dirty his hands must have been. I mean,

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Speaker 1: I guess everything was better than everything was dirty, but

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Speaker 1: it was so like his hands were probably like steeped

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Speaker 1: in beef towel.

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Speaker 2: Yeah, and everything's covered in soot, and there's just like

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Speaker 2: fires everywhere and coal everywhere and like everything and just

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Speaker 2: like fish and you're just eating sardines with your hands.

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Speaker 1: Yeah, and he's been like, oh my poor deb did

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Speaker 1: come down with sickness. Okay, I am like now pissed

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Speaker 1: because almost every entry is like I laid in bed

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Speaker 1: with my wife, or he's like being horny for someone else.

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Speaker 2: Yeah, and you're like it's a lot. But he then

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Speaker 2: he talks a lot about kissing girls, and you're like,

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Speaker 2: just to kiss just a kid, and half the time

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Speaker 2: kissing is like so then I kissed his wife and

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Speaker 2: you're like, hah, so you're just kiss her on the cheek,

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Speaker 2: but then till me He's like, and I did see

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Speaker 2: a woman in the stairwell next to the King's quarters,

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Speaker 2: and I did go ahead and kiss her, thinking that

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Speaker 2: she was a woman of pleasure, and she did kiss me,

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Speaker 2: but we did only but kissing, and for that I

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Speaker 2: did feel guilty. And he stole back.

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Speaker 1: Office and he'll be like, if another man is there,

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Speaker 1: and if like the Lord of Sandwich is then he's

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Speaker 1: like and we all kissed merrily, and they're being so

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Speaker 1: Cortison hands doing square dances or whatever and like being

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Speaker 1: so dances. But then he'll be like, I walk down

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Speaker 1: a path, I saw a very attractive woman and I

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Speaker 1: walked back and he's being so like kind of like

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Speaker 1: shy and being so like her bosom was fun.

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Speaker 2: It's crazy because it's like, so they're like doing straight cruising,

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Speaker 2: like straight cold heterosexual cruising culture is alive and well

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Speaker 2: in sixteen sixties London.

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Speaker 1: Yeah, he's always like getting like dressed.

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Speaker 2: He's always getting dressed and like also like.

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Speaker 1: This this book is half of it is him just

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Speaker 1: being like, Okay, my wife says that lace collars drawn

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Speaker 1: to the back that are silk or in fashion.

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Speaker 2: So I need to go get her a lace collar

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Speaker 2: and I'm so pissed, and then drop fifty shillings at

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Speaker 2: the exchange. And he's always going to the exchange and

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Speaker 2: be like, ugh, drop more shillines and fucking gloves. But

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Speaker 2: then he's always been like, wait, I just got these

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Speaker 2: new pants and they're so fast.

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Speaker 1: Yeah, I know. It's like as he's in town, he's like, wait,

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Speaker 1: I got these stunning gloves.

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Speaker 2: I also love. It's insane to think about. He's always

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Speaker 2: talking about going to the office. No, I know what

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Speaker 2: it's like going to the office.

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Speaker 1: He's like ex executive, but it is this like fab

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Speaker 1: girl boss kind of way. Yeah, he's like has all

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Speaker 1: of his maids like dresses with but then they're dressing camp.

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Speaker 1: But he usually has a drink before the office.

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Speaker 2: Oh well, he has his morning draft.

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Speaker 1: Jarnie draft, which I guess I learned is because like

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Speaker 1: they couldn't really drink the water so that they would

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Speaker 1: all have kind of like light ales. Yes in the morning, right, nobody.

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Speaker 2: It's so girl busy because then it's like after the office,

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Speaker 2: then you do a full pub crawl. It's like he's

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Speaker 2: not so besotted by the affairs of the state. He's

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Speaker 2: still just like I'm making time for just like conversation

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Speaker 2: and friends like this is literally like one day after

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Speaker 2: work at noon Harry Ethel came to me and went

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Speaker 2: along with mister myloord by coach as far as Hasbury Court,

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Speaker 2: and then we sat him down and went to the clerks,

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Speaker 2: where we came a little too late, but in a closet.

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Speaker 2: We had a very good dinner by mister Pinky's courtesy,

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Speaker 2: and after the night we had a pretty good singing

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Speaker 2: and one has it sung alone after the old fashion,

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Speaker 2: which was very much cried up, but I did not

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Speaker 2: like it. Thence we went to the Green Dragon on

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Speaker 2: Lambeth Hill, both the mister Pinky Smith Harrison Morris that

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Speaker 2: sang the bass, Shepley and I and now we're saying

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Speaker 2: all sorts of things, and I eventually with good success

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Speaker 2: upon things at first sight. And after that I played

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Speaker 2: on my flagiola and stayed there till nine o'clock. After that,

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Speaker 2: Shepley Harris said, and myself we went to Westminster on

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Speaker 2: foot and at the Golden Lion near charring Cross, we

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Speaker 2: went in and drank a pint of wine. It's like

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Speaker 2: you're going to one tavern, you're having dinner in a closet,

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Speaker 2: more ale, next tavern, next another wench more Ale, and.

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Speaker 1: It also shocks me more. I'm like, damn, like carriages

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Speaker 1: really are speeding up here because I'm like, you're actually

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Speaker 1: hitting up a lot of places. I feel like early

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Speaker 1: American history, they're always being like, oh, it took me

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Speaker 1: two days to get to the tavern home, and it's like,

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Speaker 1: I mean, London, it's a city, it's closer, but like

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Speaker 1: he's always like going by boat to like another bar

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Speaker 1: and then like hopping in a carriage to like another

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Speaker 1: lord's house. Then they're catching a play, then he's back home.

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Speaker 2: Yeah, I mean, I think that's the difference between like

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Speaker 2: more like village frontier suburban life versus like the central

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Speaker 2: core of London.

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Speaker 1: Like American suburbria started and like and he's being like

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Speaker 1: core city.

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Speaker 2: Like yeah no, it took like Paul Revere a long

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Speaker 2: time to ride to Lexington on a horse, but he's.

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Speaker 1: Like literally downtown.

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Speaker 2: He's like in downtown London and he's taking like a

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Speaker 2: boat like four blocks and.

293
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Speaker 1: Then it's like lock boat, which we need to bring back.

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Speaker 2: I know, and then he's walking three blocks around their

295
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Speaker 2: house and then like walking back across the bridge. It's

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Speaker 2: kind of like it's all pretty es central.

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Speaker 1: So let's get into his relationship with his wife. She's French,

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Speaker 1: and they have like kind of like the most just

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Speaker 1: like to this day, like modern but like accurate display

300
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Speaker 1: of a relationship, like.

301
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Speaker 2: It's the most normal relationship ever. It's actually kind of crazy.

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Speaker 1: Like here's this passage. This is by the way, right

303
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Speaker 1: before his brother dies. So to the change, and then's

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Speaker 1: home where my wife and I fell out about my

305
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Speaker 1: not being willing to have her gown laced, but we

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Speaker 1: lay out the same money and more in a plain

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Speaker 1: new one. At this she flounced away in a manner

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Speaker 1: I never saw her, noah, which I could ever endure.

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Speaker 1: So I away to the office, though she had dressed

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Speaker 1: herself to go see my lady sandwich.

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Speaker 2: She's so she buy.

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Speaker 1: And buy, Yeah, she buy and buying. A rage follows

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Speaker 1: me and coming to me tells me in a spiteful

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Speaker 1: manner that like a vixen, and with a look full

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Speaker 1: of rancor, that she would go and buy a new

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Speaker 1: one and lace it and make me pay for it

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Speaker 1: and then let me burn it if I would after

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Speaker 1: she had done it. So she went away in a fury,

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Speaker 1: and it's so classic fight where she's mad. But then

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Speaker 1: he's like, I'm mad because you're actually so mad. The

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Speaker 1: way you're mad about this gown is toxic. Yeah, and

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Speaker 1: now I'm mad about that.

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Speaker 2: It's like the fact that you flounced like that is

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Speaker 2: actually so toxic. And she's like, it's actually insane that

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Speaker 2: you would rather buy your new dress then pay for

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Speaker 2: me to get this dress laced, and he's just being like,

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Speaker 2: lacing is like a waste of funny.

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Speaker 1: It's also crazy. She actually like, this whole needs so

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Speaker 1: much money because you need to pay every time to

330
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Speaker 1: get your gown lace, which makes sense. It takes hours.

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Speaker 2: Yeah, I mean the amount of like up keep goes

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Speaker 2: into clothing. And it's interesting when you think about fast

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Speaker 2: fashion and the czars of today.

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Speaker 1: Instead of buying another shirt on sheen right, get a

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Speaker 1: gown laced, pay a local woman to lace your gown.

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Speaker 2: I do think that there's a happy medium, because it

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Speaker 2: does seem to me that the clothes need constant repairs

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Speaker 2: and it's just like the pants are being sewn by

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Speaker 2: one of the house wenches every single day.

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Speaker 1: But it's also the economy. Those wenches need jobs.

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Speaker 2: No, that's true. No, you're right, and from like a

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Speaker 2: Kinesian perspective, it makes sense, just like the wench has

343
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Speaker 2: got to be doing something, you know, if she's not

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Speaker 2: she's not sewing, then she's getting she's saying her deep Yeah.

345
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Speaker 1: So I learned a crazy thing about Charles and his

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Speaker 1: wife Catherine, Queen Catherine, who actually the public hated and

347
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Speaker 1: did little research myself because she was like Portuguese and

348
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Speaker 1: like was Catholic but converted.

349
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Speaker 2: He talks so much about the Portuguese the book. He

350
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Speaker 2: keeps being like they're so ugly and weird and their

351
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Speaker 2: town is gross, and like they don't make sense.

352
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Speaker 1: Because I was like, what's going on? Because he's being

353
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Speaker 1: so gossip even though he's always like fighting with his wife.

354
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Speaker 1: At the end of the day, there's so many like

355
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Speaker 1: cute paragraphs where he's being like, my wife and I

356
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Speaker 1: laid in bed and had so much discourse about.

357
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Speaker 2: Not yeah, no, they're having discourse about like life, ARTI theater,

358
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Speaker 2: like it's really.

359
00:18:16,840 --> 00:18:20,280
Speaker 1: Beautiful, politics, finance, and then he'll be like the king

360
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Speaker 1: does not like his wife and for she can bear

361
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Speaker 1: no children as well.

362
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Speaker 2: People hate when a queen can't bear a child. It's

363
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Speaker 2: really But the thing is people love Charles. He was

364
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Speaker 2: called the Mary King, and I think there was a

365
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Speaker 2: huge amount of joy at like the monarchy being restored.

366
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Speaker 1: But people were so happy about that, and I think

367
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Speaker 1: people just didn't get that she literally was just I mean.

368
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Speaker 2: Well, but she was sick girl. Remember how she's sick

369
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Speaker 2: for like she's the queen was possed because she's sick today.

370
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Speaker 1: Kay, Yeah, and everyone hates Megan.

371
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Speaker 2: It's like her name is also Catherine. That's crazy, yeah,

372
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Speaker 2: because she is hard sick for like hard six months.

373
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Speaker 2: And he's carrying on with like two different messages and

374
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Speaker 2: everyone's talking about and he's being kind of like he's

375
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Speaker 2: the King's being like a little bit obvious boots about it.

376
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Speaker 1: He's no get this. So her best friend was like

377
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Speaker 1: her maiden, and then he fired her maiden so he

378
00:19:17,800 --> 00:19:21,480
Speaker 1: could have his mistresses become her maiden, which Samuel Peeps

379
00:19:21,520 --> 00:19:24,640
Speaker 1: also does. Yeah, they're all being like so sister wife

380
00:19:24,640 --> 00:19:26,879
Speaker 1: and being like, well, obviously I'm gonna be fucking my

381
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Speaker 1: wife's maid because it just makes sense, like keep her around.

382
00:19:30,520 --> 00:19:33,920
Speaker 2: Yeah, it's just about domestic convenience. And also like if

383
00:19:33,920 --> 00:19:37,399
Speaker 2: she's on the payroll, then it's I mean, and it

384
00:19:37,800 --> 00:19:40,160
Speaker 2: is a little bit more like abusive power in this way,

385
00:19:40,359 --> 00:19:44,320
Speaker 2: but it's also bit more like, you know, fam keep

386
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Speaker 2: in the family and also pay women what they are owed.

387
00:19:47,480 --> 00:19:49,880
Speaker 2: Just to continue with the wife for a second, he's

388
00:19:49,920 --> 00:19:53,399
Speaker 2: always so mad at her for being messy, which is

389
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Speaker 2: the most normal relationship thing ever. I just like, there's

390
00:19:56,560 --> 00:19:59,120
Speaker 2: so many instants in the book. After dinner, my wife

391
00:19:59,119 --> 00:20:00,879
Speaker 2: went and fetch the little to us, which were very

392
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Speaker 2: pretty ones. After they were gone, I went up to

393
00:20:02,920 --> 00:20:06,359
Speaker 2: put my papers in order, and finding my wife's clothes

394
00:20:06,480 --> 00:20:10,080
Speaker 2: lie carelessly laid up. I was angry with her, which

395
00:20:10,160 --> 00:20:12,680
Speaker 2: I was troubled for. It's like this is always getting

396
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Speaker 2: mad and then feeling guilty about getting mad.

397
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Speaker 1: And this, by the way, is right after he did

398
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Speaker 1: buy her a new petticoat. It's like the way I've

399
00:20:20,640 --> 00:20:22,680
Speaker 1: been in this like fight where I feel like I'll

400
00:20:22,680 --> 00:20:27,160
Speaker 1: see Maya like buy a new like vintage like Sonia

401
00:20:27,280 --> 00:20:30,760
Speaker 1: riquel piece, and then I'll see it crumpled into her

402
00:20:30,840 --> 00:20:33,960
Speaker 1: drawer and I'm like, do you want to respect the clothing?

403
00:20:34,040 --> 00:20:39,120
Speaker 2: Or not okay wait when so after like she finds him,

404
00:20:39,200 --> 00:20:43,840
Speaker 2: like we're saying three or four deep in in the Maid,

405
00:20:44,080 --> 00:20:47,120
Speaker 2: she makes him fire the maid, which she does with

406
00:20:47,280 --> 00:20:50,320
Speaker 2: tears in his eyes, and it's like, wow, this is

407
00:20:50,520 --> 00:20:52,240
Speaker 2: so dramatic and.

408
00:20:52,320 --> 00:20:54,000
Speaker 1: You're streaming down.

409
00:20:54,800 --> 00:20:56,760
Speaker 2: You can't be our wench anymore.

410
00:20:57,040 --> 00:20:57,520
Speaker 3: You can't.

411
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Speaker 1: I'm sorry, you must go.

412
00:20:59,480 --> 00:21:01,439
Speaker 2: But then like right after he fires her, he like

413
00:21:01,520 --> 00:21:06,159
Speaker 2: goes and like tries to find her, and then he goes, so,

414
00:21:06,240 --> 00:21:08,080
Speaker 2: I could not be commanded by my reason, but I

415
00:21:08,160 --> 00:21:09,800
Speaker 2: must go this very night. And so by coach at

416
00:21:09,840 --> 00:21:12,800
Speaker 2: being out dark eye to her close by my tailors,

417
00:21:12,800 --> 00:21:14,600
Speaker 2: he like finds out where she's staying, which is by

418
00:21:14,600 --> 00:21:15,400
Speaker 2: his taylor's house.

419
00:21:15,520 --> 00:21:18,040
Speaker 1: She's like perfect and you get new liggings.

420
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Speaker 2: And she comes into the coach to me, and then

421
00:21:20,600 --> 00:21:22,720
Speaker 2: he writes a mix of French and English as like

422
00:21:22,760 --> 00:21:26,200
Speaker 2: a weird way of like concealing. He goes, and JA

423
00:21:26,320 --> 00:21:29,960
Speaker 2: did beze her? I did, nevertheless give her the best

424
00:21:29,960 --> 00:21:32,320
Speaker 2: counsel I could and beze.

425
00:21:32,200 --> 00:21:33,960
Speaker 1: Yeah, what does bezi make cin.

426
00:21:33,800 --> 00:21:36,160
Speaker 2: Beze means to kiss, but it also means to fuck,

427
00:21:36,480 --> 00:21:39,480
Speaker 2: So they fucked. They fucked. He's definitely four deep in

428
00:21:39,520 --> 00:21:42,520
Speaker 2: the uber like he's down.

429
00:21:42,359 --> 00:21:44,600
Speaker 1: And the coaches a clop clop, and he's like, why

430
00:21:44,600 --> 00:21:47,680
Speaker 1: don't you actually step outside. I'll pay the fare whatever

431
00:21:47,760 --> 00:21:51,640
Speaker 1: it is. Yeah, and he's like damn, I'm like so

432
00:21:51,680 --> 00:21:55,199
Speaker 1: sorry I fired you, but like one last tussle in

433
00:21:55,280 --> 00:21:55,760
Speaker 1: the uber.

434
00:21:55,840 --> 00:21:58,040
Speaker 2: No, but you know that he's getting a really bad

435
00:21:58,160 --> 00:22:00,400
Speaker 2: rating from the driver and.

436
00:22:00,320 --> 00:22:03,440
Speaker 1: Then everyone's like, dude, do not drive pep.

437
00:22:04,640 --> 00:22:08,240
Speaker 2: He's always getting so much honey juice all over my

438
00:22:08,320 --> 00:22:09,280
Speaker 2: appols and it's.

439
00:22:09,119 --> 00:22:12,840
Speaker 1: Like so much like petticoats are flying and he's like

440
00:22:12,880 --> 00:22:15,840
Speaker 1: getting under so many layers. And then like there must

441
00:22:15,840 --> 00:22:18,640
Speaker 1: have been such a business in the lacing and dressing

442
00:22:18,880 --> 00:22:20,520
Speaker 1: because they're always like fucking and.

443
00:22:20,480 --> 00:22:20,879
Speaker 2: Having to be.

444
00:22:23,080 --> 00:22:26,200
Speaker 1: Someone's been like pay me five pence and I'll lace

445
00:22:26,280 --> 00:22:27,399
Speaker 1: up your breches a get.

446
00:22:28,040 --> 00:22:29,679
Speaker 2: Know, and you have to like pay all these just

447
00:22:29,720 --> 00:22:33,080
Speaker 2: like freaky little beggars. You're like throwing Chillians left and

448
00:22:33,160 --> 00:22:48,040
Speaker 2: right to get relaced after you fucked new job.

449
00:22:48,920 --> 00:22:51,560
Speaker 1: I mean, honestly, their Marge was so sexy because he

450
00:22:51,680 --> 00:22:54,879
Speaker 1: hires a man to teach her how to dance, and

451
00:22:55,040 --> 00:22:57,800
Speaker 1: he's always hiring people in a very noble way, like

452
00:22:57,960 --> 00:22:58,560
Speaker 1: to tea.

453
00:22:59,680 --> 00:23:03,919
Speaker 2: Because she needs the class, she needs something to do.

454
00:23:04,000 --> 00:23:06,040
Speaker 2: She's pattering around the fucking house. I can only re

455
00:23:06,160 --> 00:23:09,880
Speaker 2: upholster the fucking chambers, like so many times a year.

456
00:23:10,400 --> 00:23:12,040
Speaker 2: We need to teach her to sing.

457
00:23:12,080 --> 00:23:14,440
Speaker 1: Teach her to dance. And then he's always shopping, of course,

458
00:23:14,480 --> 00:23:16,080
Speaker 1: because it's like, I mean, I feel like he's so

459
00:23:16,440 --> 00:23:17,960
Speaker 1: us in that thing where it's like, Okay, you have

460
00:23:17,960 --> 00:23:21,960
Speaker 1: an appointment in Soho, you're doing one podcast in Chinatown,

461
00:23:22,000 --> 00:23:24,000
Speaker 1: and then you're like, well, I'm here, so why don't

462
00:23:24,040 --> 00:23:24,880
Speaker 1: I sure?

463
00:23:25,320 --> 00:23:28,399
Speaker 2: Yeah, literally my change, and she.

464
00:23:28,359 --> 00:23:31,200
Speaker 1: Yeah, so of course I'll like go into the glove store.

465
00:23:31,240 --> 00:23:33,800
Speaker 1: He buys her these globes and he's like, and I

466
00:23:33,840 --> 00:23:36,560
Speaker 1: assume that he meant like world globes, and he was like,

467
00:23:36,800 --> 00:23:39,480
Speaker 1: I think she had the mind to learn about them,

468
00:23:39,800 --> 00:23:43,520
Speaker 1: So I bought her globes and I can't wait to

469
00:23:43,600 --> 00:23:46,119
Speaker 1: teach her about them. But then with the dancing, he

470
00:23:46,200 --> 00:23:49,040
Speaker 1: hires a teacher and then it's literally so merry because

471
00:23:49,080 --> 00:23:49,840
Speaker 1: it's a hot guy.

472
00:23:49,920 --> 00:23:52,000
Speaker 2: No, and then he's like, wait, me thinks I should

473
00:23:52,000 --> 00:23:54,119
Speaker 2: not have hired this guy, and like they're being so

474
00:23:54,280 --> 00:23:56,119
Speaker 2: talking and one time he comes home and he's like

475
00:23:56,400 --> 00:23:59,359
Speaker 2: they weren't even dancing. They were just talking. Literally, they

476
00:23:59,359 --> 00:24:04,240
Speaker 2: were just scur scene. He's like, meddle me, but then

477
00:24:04,240 --> 00:24:06,879
Speaker 2: he admits it. He's like, but I he's turned on

478
00:24:06,960 --> 00:24:08,720
Speaker 2: by it. And he's also just like and I know

479
00:24:08,840 --> 00:24:13,200
Speaker 2: that I too am a bit naughty and perhaps have

480
00:24:13,320 --> 00:24:18,240
Speaker 2: elements of dishonesty that perhaps I have not shared, and

481
00:24:18,440 --> 00:24:21,440
Speaker 2: I shouldn't be so quick of judgment, which is so.

482
00:24:21,560 --> 00:24:24,480
Speaker 1: Modern of him, because I feel like, honestly, I feel

483
00:24:24,520 --> 00:24:26,919
Speaker 1: like it got more conservative in the eighteen hundreds to

484
00:24:26,960 --> 00:24:28,880
Speaker 1: be more like, well, I'm the man and I can

485
00:24:28,960 --> 00:24:31,720
Speaker 1: like go rustle about in petticoats. But he's like, no,

486
00:24:31,920 --> 00:24:35,320
Speaker 1: I get it, Like I'm so naughty with like every lady.

487
00:24:35,680 --> 00:24:37,960
Speaker 2: Yeah, of the house. And I do think that this

488
00:24:38,080 --> 00:24:41,560
Speaker 2: time was also like about like pleasure and like and

489
00:24:41,760 --> 00:24:45,160
Speaker 2: enjoyment and like there has been so much like back

490
00:24:45,200 --> 00:24:49,399
Speaker 2: and forth. The Protestant Reformation was like hugely tumultuous throughout

491
00:24:49,440 --> 00:24:51,520
Speaker 2: Europe and like the Anglician Church of its hard one

492
00:24:51,560 --> 00:24:52,960
Speaker 2: hundred years before. So when I was kind of this

493
00:24:53,040 --> 00:24:55,560
Speaker 2: mix above, but like Catholics were being like, Okay, we're

494
00:24:55,560 --> 00:24:57,600
Speaker 2: getting with the classics. It's like, but people are still

495
00:24:57,640 --> 00:25:00,200
Speaker 2: doing it. And Charles the san was like more tall.

496
00:25:00,359 --> 00:25:03,000
Speaker 1: Boats the way it mirrors today because this is the

497
00:25:03,000 --> 00:25:06,919
Speaker 1: time of also the plague, and I feel like it

498
00:25:07,040 --> 00:25:10,720
Speaker 1: was just like they're having their like twenty twenty two

499
00:25:10,800 --> 00:25:14,960
Speaker 1: when everyone like now became obsessed with like vodka Rigatonian

500
00:25:15,119 --> 00:25:19,120
Speaker 1: like yes and Martini's and pleasure and just like yes,

501
00:25:19,640 --> 00:25:22,520
Speaker 1: because it was we all want booths and like excess.

502
00:25:22,680 --> 00:25:26,399
Speaker 2: Yes, post pandemic people wanted excess because the plague happens

503
00:25:26,400 --> 00:25:29,159
Speaker 2: in sixteen sixty five or something like copper through this.

504
00:25:29,440 --> 00:25:31,199
Speaker 2: But then also you know, after the tumult of the

505
00:25:31,200 --> 00:25:34,199
Speaker 2: interregnum and then endless wars and.

506
00:25:34,480 --> 00:25:37,960
Speaker 1: There, I feel like they wanted the monarchy.

507
00:25:38,000 --> 00:25:40,720
Speaker 2: They're like, oh they did. Although there's an interesting passage.

508
00:25:40,800 --> 00:25:42,600
Speaker 2: So one of the things that's so crazy is he's

509
00:25:42,640 --> 00:25:44,520
Speaker 2: literally on the boat with the king coming back from

510
00:25:44,520 --> 00:25:46,160
Speaker 2: the Netherlands. He just happens to be on it.

511
00:25:46,160 --> 00:25:50,720
Speaker 1: It's like he's so casual guy about how he's hanging

512
00:25:50,760 --> 00:25:51,240
Speaker 1: with the king.

513
00:25:51,720 --> 00:25:56,240
Speaker 2: Yeah, he's like very chill, deeply chill. So like when

514
00:25:56,280 --> 00:26:00,000
Speaker 2: the king comes back, there is a lot of excitement

515
00:26:00,160 --> 00:26:03,320
Speaker 2: and everyone's having all of these like bonfires in the

516
00:26:03,359 --> 00:26:06,640
Speaker 2: city Great Joy all yesterday at London a night, more

517
00:26:06,680 --> 00:26:09,080
Speaker 2: bonfires than ever and ringing of bells and drinking of

518
00:26:09,080 --> 00:26:11,440
Speaker 2: the King's health upon their knees in the streets, which

519
00:26:11,560 --> 00:26:15,000
Speaker 2: methinks is a little too much. But everybody seems to

520
00:26:15,000 --> 00:26:18,040
Speaker 2: be very joyful in this business. He's like, everyone's been

521
00:26:18,080 --> 00:26:20,480
Speaker 2: a little bit too King Pilled, like, yes, the King

522
00:26:20,600 --> 00:26:22,800
Speaker 2: is back, but let's all just like calm down.

523
00:26:23,080 --> 00:26:26,160
Speaker 1: He's like, we don't need to have bonfires about the king,

524
00:26:26,359 --> 00:26:27,720
Speaker 1: like I've hung out with him.

525
00:26:28,000 --> 00:26:31,720
Speaker 2: And he also says, so they then dig up Oliver

526
00:26:31,840 --> 00:26:35,400
Speaker 2: Cromwell and put his literal rotting head on a spike

527
00:26:35,440 --> 00:26:39,000
Speaker 2: in front of Wismondster Abbey and it stays there for

528
00:26:39,080 --> 00:26:40,280
Speaker 2: twenty years.

529
00:26:40,920 --> 00:26:43,040
Speaker 1: No, and he's being like, and I got a message.

530
00:26:43,200 --> 00:26:45,040
Speaker 1: The limbs are beginning to smell.

531
00:26:45,320 --> 00:26:48,520
Speaker 2: It's like so gross and barbarican insane. And he also

532
00:26:48,640 --> 00:26:51,480
Speaker 2: he's like, I think this is too far, Like we don't,

533
00:26:51,760 --> 00:26:53,800
Speaker 2: and he says, he's like, you know, I think Oliver

534
00:26:53,880 --> 00:26:56,360
Speaker 2: Cromwell was a brave guy to like try to lead

535
00:26:56,480 --> 00:26:58,560
Speaker 2: England into a republic. I got it didn't work out,

536
00:26:58,600 --> 00:27:00,640
Speaker 2: but do we need to be so oh, King Pill

537
00:27:00,720 --> 00:27:02,320
Speaker 2: that we're like pulling him out of the ground, Like

538
00:27:02,320 --> 00:27:03,240
Speaker 2: that's crazy.

539
00:27:02,960 --> 00:27:04,760
Speaker 1: Because I feel like the way he sees the king,

540
00:27:04,880 --> 00:27:07,440
Speaker 1: like he's kind of talking about him like he is

541
00:27:07,520 --> 00:27:11,400
Speaker 1: like a dope friend, but he's kind of like, yeah,

542
00:27:11,400 --> 00:27:13,400
Speaker 1: he's also my friend. Like I don't know, he's not

543
00:27:13,440 --> 00:27:16,120
Speaker 1: doing anything like so amazing, No.

544
00:27:16,520 --> 00:27:19,040
Speaker 2: I mean he you know, he cares about order, he

545
00:27:19,119 --> 00:27:22,360
Speaker 2: cares about civility. He cares about like thinking the lords

546
00:27:22,359 --> 00:27:24,560
Speaker 2: of running well and like and like when.

547
00:27:24,440 --> 00:27:28,159
Speaker 1: He sees, you know, all these seamen begging and he

548
00:27:28,280 --> 00:27:31,440
Speaker 1: is being like, well, the government actually does oh each

549
00:27:31,480 --> 00:27:34,280
Speaker 1: of them twenty pounds. Yeah, and he's insulting the government

550
00:27:34,320 --> 00:27:35,879
Speaker 1: from not paying them. But he's also a little bit

551
00:27:35,920 --> 00:27:38,040
Speaker 1: like grossed out about like how begging they are.

552
00:27:38,160 --> 00:27:40,479
Speaker 2: Well, he's also kind of from a pr perspective, he

553
00:27:41,040 --> 00:27:42,879
Speaker 2: looks bad, yes, and he realized that he was like,

554
00:27:42,960 --> 00:27:46,960
Speaker 2: let's not be too like indulgent and excessive because it's

555
00:27:46,960 --> 00:27:50,160
Speaker 2: gonna give revolution vibes when everyone has like so many

556
00:27:50,320 --> 00:27:52,639
Speaker 2: debts and they're seeing the king in his court like

557
00:27:52,720 --> 00:27:55,280
Speaker 2: carry on like so em merrily, right.

558
00:27:55,160 --> 00:27:57,280
Speaker 1: And he's like, then they're gonna be so mad at us.

559
00:27:57,320 --> 00:28:00,159
Speaker 2: But also when he's on that boat, the part where

560
00:28:00,560 --> 00:28:05,520
Speaker 2: they're gazing upon other women out the window, very calm

561
00:28:05,520 --> 00:28:07,320
Speaker 2: again and I pretty well, but my head ached all day.

562
00:28:07,560 --> 00:28:09,720
Speaker 2: The lieutenant and I lay out of his window with

563
00:28:09,760 --> 00:28:12,080
Speaker 2: his glass looking at the women that were on board

564
00:28:12,119 --> 00:28:16,360
Speaker 2: the vessels nearby, being pretty handsome. The level of horniness

565
00:28:16,359 --> 00:28:20,520
Speaker 2: it requires to be on a ship looking through a

566
00:28:20,600 --> 00:28:25,479
Speaker 2: spyglass out of window at women on other ships, like

567
00:28:25,680 --> 00:28:28,800
Speaker 2: they're in full petticoats on the deck of another ship.

568
00:28:28,840 --> 00:28:29,760
Speaker 2: It's like, what are.

569
00:28:29,680 --> 00:28:34,359
Speaker 1: You you know, the sea is so rocket right, and

570
00:28:34,400 --> 00:28:38,160
Speaker 1: they're all like covered in so much like turkey blood.

571
00:28:37,920 --> 00:28:43,120
Speaker 2: Right, that's like turkey blood coated woman in petticoats so

572
00:28:43,160 --> 00:28:46,320
Speaker 2: far away on the deck of another shipping flock. How

573
00:28:46,360 --> 00:28:47,240
Speaker 2: well carriage?

574
00:28:47,440 --> 00:28:50,080
Speaker 1: She is like, there, aren't like you get so horny

575
00:28:50,120 --> 00:28:52,160
Speaker 1: in the army because you're just like all in your

576
00:28:52,200 --> 00:28:53,080
Speaker 1: little bunk.

577
00:28:52,920 --> 00:28:54,960
Speaker 2: And being at sea makes anyone horny.

578
00:28:55,080 --> 00:28:56,959
Speaker 1: Probably on the boat she was a little more like,

579
00:28:57,240 --> 00:28:58,200
Speaker 1: heave ho, don't you.

580
00:29:01,280 --> 00:29:01,480
Speaker 3: More?

581
00:29:01,680 --> 00:29:04,680
Speaker 2: Okay, wait, okay, now it makes more sense, Yeah, okay,

582
00:29:04,880 --> 00:29:06,040
Speaker 2: all right, carry on.

583
00:29:06,200 --> 00:29:09,160
Speaker 1: And he's okay, wait. He also he goes onto the ship.

584
00:29:09,280 --> 00:29:12,320
Speaker 1: It is also very like navel admin guy that like

585
00:29:12,440 --> 00:29:15,560
Speaker 1: finally gets to do something and he's being so like, ooh,

586
00:29:15,760 --> 00:29:18,240
Speaker 1: I get to go on the trip. Yeah, he like

587
00:29:18,600 --> 00:29:21,200
Speaker 1: writes his a state and writes his will and tells

588
00:29:21,320 --> 00:29:22,200
Speaker 1: his wife.

589
00:29:22,080 --> 00:29:23,920
Speaker 2: Right, your will every time you go on a boat,

590
00:29:23,960 --> 00:29:25,520
Speaker 2: because you never know.

591
00:29:27,040 --> 00:29:29,440
Speaker 1: I'm gonna start doing that. And he tells his wife

592
00:29:29,440 --> 00:29:32,760
Speaker 1: and he's been like and I was besotted and saddened

593
00:29:32,840 --> 00:29:36,200
Speaker 1: and she may never see me again. And then he

594
00:29:36,240 --> 00:29:38,200
Speaker 1: goes on the boat and he's like, I'm so happy

595
00:29:38,280 --> 00:29:40,560
Speaker 1: to like not be with this hoe and he basically

596
00:29:40,560 --> 00:29:43,000
Speaker 1: is like, I'm glad I don't have to think about

597
00:29:43,040 --> 00:29:45,880
Speaker 1: all of her bullshit like on the day today of

598
00:29:45,920 --> 00:29:48,479
Speaker 1: like if she wants her gowns laced or not.

599
00:29:48,680 --> 00:29:51,240
Speaker 2: Okay, wait, so I want to mention that the patches.

600
00:29:51,560 --> 00:29:52,680
Speaker 1: Let's get into patches.

601
00:29:53,040 --> 00:29:56,440
Speaker 2: So apparently women of the day were wearing patches of

602
00:29:56,640 --> 00:30:00,560
Speaker 2: fabric on their face. Like little I was.

603
00:30:00,560 --> 00:30:02,480
Speaker 1: Shook by that because I was like, I've never seen

604
00:30:02,520 --> 00:30:05,160
Speaker 1: this in like a you know many of the point.

605
00:30:04,960 --> 00:30:07,320
Speaker 2: He was like he was like saying that it was hot,

606
00:30:07,440 --> 00:30:10,640
Speaker 2: and he was like and like the King's mistress did

607
00:30:10,680 --> 00:30:15,520
Speaker 2: look very well carriaged and becoming with her three patches, and.

608
00:30:15,440 --> 00:30:18,960
Speaker 1: It's like a sign of being like I'm ready to

609
00:30:19,040 --> 00:30:23,360
Speaker 1: be horny, right, it's flagging again. They're straight cruising doing.

610
00:30:23,320 --> 00:30:27,400
Speaker 2: Modern like bandana culture. Yeah, and like one on the

611
00:30:27,440 --> 00:30:29,920
Speaker 2: middle of the nose meant that you were like in

612
00:30:30,120 --> 00:30:33,760
Speaker 2: heat like and like it's a little bit like acne

613
00:30:33,760 --> 00:30:35,760
Speaker 2: patches today that gen Z is just.

614
00:30:35,920 --> 00:30:39,040
Speaker 1: Imagining it very be your a but also much more

615
00:30:39,080 --> 00:30:41,600
Speaker 1: like made of horse hair and like velvet because.

616
00:30:41,360 --> 00:30:43,440
Speaker 2: It's basically just like one little piece of velvet that

617
00:30:43,480 --> 00:30:46,240
Speaker 2: you're licking. It's probably silk, like definitely silk that you

618
00:30:46,280 --> 00:30:48,840
Speaker 2: put on because it's adhesive just with saliva.

619
00:30:49,600 --> 00:30:52,880
Speaker 1: We should go to get some silk patches. He's always

620
00:30:52,880 --> 00:30:55,480
Speaker 1: like learning about fashions from his wife and like some

621
00:30:55,600 --> 00:30:59,600
Speaker 1: he's into and some he's not. Yeah, like his wife

622
00:30:59,760 --> 00:31:03,360
Speaker 1: tell him that like this certain type of like neck

623
00:31:03,480 --> 00:31:06,720
Speaker 1: covering is really sexy, and he's being like, I hate it,

624
00:31:07,200 --> 00:31:11,040
Speaker 1: but like my wife likes it, so sure, I feel

625
00:31:11,040 --> 00:31:13,760
Speaker 1: like it's very how like big pants are in fashion

626
00:31:13,920 --> 00:31:16,239
Speaker 1: and it's so just like a horny guy being like

627
00:31:16,320 --> 00:31:18,480
Speaker 1: I don't want you to wear huge pants, but like

628
00:31:19,520 --> 00:31:20,120
Speaker 1: if it's in.

629
00:31:20,080 --> 00:31:23,360
Speaker 2: Fashion, sure, But then like six months later he's like, Okay,

630
00:31:23,600 --> 00:31:24,960
Speaker 2: actually he's.

631
00:31:24,640 --> 00:31:29,840
Speaker 1: Looking Yeah, he is just just has to get accustomed sometimes,

632
00:31:29,880 --> 00:31:33,360
Speaker 1: like to the styles of the day, and she's being like, no,

633
00:31:33,560 --> 00:31:38,360
Speaker 1: look like seriously, patches are in, scarfs are in like

634
00:31:38,640 --> 00:31:40,480
Speaker 1: perry golds are in.

635
00:31:40,400 --> 00:31:42,480
Speaker 2: And I need you to relace my gloves and give

636
00:31:42,520 --> 00:31:45,640
Speaker 2: me the seven shillings for it. And he's like, you

637
00:31:45,960 --> 00:31:50,000
Speaker 2: dastardly wretch, I'm going to the Dolphin tavern. Okay. This

638
00:31:50,080 --> 00:31:52,200
Speaker 2: is him just walking on the way to work one

639
00:31:52,240 --> 00:31:54,360
Speaker 2: day to my lord in the morning where I met

640
00:31:54,360 --> 00:31:56,040
Speaker 2: with Captain Cuttings, but my lord not being up and

641
00:31:56,080 --> 00:31:58,360
Speaker 2: went out to Charing Cross to see Major General Harrison

642
00:31:58,400 --> 00:32:01,560
Speaker 2: hanged drawn and courted, which was done there, he looking

643
00:32:01,600 --> 00:32:03,840
Speaker 2: as choful ast any man could do in that condition.

644
00:32:04,480 --> 00:32:06,520
Speaker 2: He was presently cut down and his head and heart

645
00:32:06,560 --> 00:32:09,160
Speaker 2: shone to the people, at which there was great shouts

646
00:32:09,160 --> 00:32:13,680
Speaker 2: of joy. It's just like the casualness of the public executioning.

647
00:32:14,040 --> 00:32:16,000
Speaker 2: And then like later when he's just like I paid

648
00:32:16,040 --> 00:32:18,520
Speaker 2: seven shillings so I get a good spot standing up

649
00:32:18,560 --> 00:32:20,920
Speaker 2: on like a cart to view this other hanging. And

650
00:32:20,960 --> 00:32:22,680
Speaker 2: it took like three hours to see the hanging.

651
00:32:22,800 --> 00:32:24,800
Speaker 1: No, and he's being so public concert about it, being

652
00:32:24,840 --> 00:32:27,440
Speaker 1: like no, and like I did go to like the

653
00:32:27,520 --> 00:32:30,719
Speaker 1: cup opening and then heard like someone was performing and

654
00:32:30,760 --> 00:32:32,040
Speaker 1: like the Killers performed.

655
00:32:32,120 --> 00:32:36,720
Speaker 2: It's absolutely barbaric, And it's like on the one hand

656
00:32:36,760 --> 00:32:38,920
Speaker 2: he is being like, no, we shouldn't have these heads

657
00:32:38,920 --> 00:32:41,480
Speaker 2: on a spike for like a year in this nasty

658
00:32:41,600 --> 00:32:43,480
Speaker 2: and like it's unnecessary. But then he's also just like

659
00:32:43,560 --> 00:32:45,320
Speaker 2: he's a man of the day. Yeah, girl, I'm going

660
00:32:45,360 --> 00:32:45,960
Speaker 2: in the execution.

661
00:32:46,200 --> 00:32:47,920
Speaker 1: Yeah, Like are you It's like, are you going to

662
00:32:47,920 --> 00:32:48,800
Speaker 1: be execution later?

663
00:32:49,160 --> 00:32:49,720
Speaker 2: My girl?

664
00:32:50,000 --> 00:32:51,560
Speaker 1: Execution tonight, Queen.

665
00:32:54,440 --> 00:32:55,960
Speaker 2: Hung John in quarter tonight, queen.

666
00:32:56,360 --> 00:32:59,360
Speaker 1: Okay, here's the only time I found. I don't know

667
00:32:59,400 --> 00:33:02,280
Speaker 1: if you found, because this book is heavy. That his

668
00:33:02,400 --> 00:33:06,760
Speaker 1: wife finally accuses him of like cheating too much, like

669
00:33:06,840 --> 00:33:09,080
Speaker 1: obviously it's a very donats, don't tell, and she knows

670
00:33:09,080 --> 00:33:12,520
Speaker 1: what's up, but it's with her chambermaid. And this is

671
00:33:12,560 --> 00:33:15,440
Speaker 1: on Sunday, Lord's Day, up into my chambers to settle

672
00:33:15,480 --> 00:33:18,800
Speaker 1: some accounts there and by down comes my wife to

673
00:33:18,840 --> 00:33:22,080
Speaker 1: me and her nightgown, and we begun calmly that upon

674
00:33:22,560 --> 00:33:25,960
Speaker 1: having money to lace her gown for second morning, she

675
00:33:26,000 --> 00:33:29,400
Speaker 1: would promise to wear white locks no more in my sight,

676
00:33:29,960 --> 00:33:33,800
Speaker 1: which I like a severe fool thinking not enough begun

677
00:33:33,840 --> 00:33:36,400
Speaker 1: to accept against and made her fly out to very

678
00:33:36,480 --> 00:33:39,840
Speaker 1: high terms and cry, and in her heat told me

679
00:33:39,880 --> 00:33:42,960
Speaker 1: of keeping company with missus Nip, saying that if I

680
00:33:43,000 --> 00:33:45,640
Speaker 1: would promise never to see her more of whom she

681
00:33:45,720 --> 00:33:48,920
Speaker 1: had more reason to suspect that I had hat four

682
00:33:49,080 --> 00:33:52,040
Speaker 1: of Pembleton, she would never wear white locks more. So

683
00:33:52,080 --> 00:33:54,560
Speaker 1: It's basically like he hates when she wears a wig

684
00:33:54,640 --> 00:33:58,680
Speaker 1: of white attached locks, and she's like, if you don't

685
00:33:58,840 --> 00:34:02,800
Speaker 1: fuck missus palmer Bolton anymore, I won't wear white locks.

686
00:34:03,720 --> 00:34:05,200
Speaker 1: I mean kind of a good deal.

687
00:34:05,720 --> 00:34:08,279
Speaker 2: No, I mean this is the politics of marriage in

688
00:34:08,320 --> 00:34:08,719
Speaker 2: the day.

689
00:34:08,840 --> 00:34:11,200
Speaker 1: And he's like it vexed me, but I knew to

690
00:34:11,400 --> 00:34:12,600
Speaker 1: shut my fat mouth.

691
00:34:12,760 --> 00:34:15,640
Speaker 2: Basically, he's just like, I'm getting a free pass here

692
00:34:15,760 --> 00:34:17,080
Speaker 2: and this is as good as gold.

693
00:34:17,520 --> 00:34:21,720
Speaker 1: So like she's just saying no more wigs.

694
00:34:21,320 --> 00:34:23,360
Speaker 2: And also the realities he knows he is going to

695
00:34:23,400 --> 00:34:24,520
Speaker 2: go see this nib again.

696
00:34:25,040 --> 00:34:27,359
Speaker 1: Yeah, he's definitely gonna see her. He's just like, I'll

697
00:34:27,360 --> 00:34:29,359
Speaker 1: just hide it a little bit more and just say yes,

698
00:34:29,440 --> 00:34:29,839
Speaker 1: I won't.

699
00:34:30,120 --> 00:34:33,600
Speaker 2: I love how this book is a diary that goes

700
00:34:33,600 --> 00:34:36,200
Speaker 2: here by year and day by day, day by day,

701
00:34:36,239 --> 00:34:40,080
Speaker 2: and you do and like he's constantly just being like, okay,

702
00:34:40,120 --> 00:34:42,600
Speaker 2: so now I have seven hundred and fifty pounds, but

703
00:34:42,680 --> 00:34:44,520
Speaker 2: I hope to one day have two thousand pounds, like

704
00:34:44,680 --> 00:34:46,960
Speaker 2: he is being this girl boss.

705
00:34:46,880 --> 00:34:49,480
Speaker 1: Because I think the book starts he has very much

706
00:34:49,520 --> 00:34:51,200
Speaker 1: more like two hundred pounds.

707
00:34:51,239 --> 00:34:53,319
Speaker 2: And then he has fifty seven hundred pounds by the end,

708
00:34:53,480 --> 00:34:55,760
Speaker 2: which I looked it up. That's one point four million

709
00:34:55,760 --> 00:34:56,400
Speaker 2: in today's term.

710
00:34:56,520 --> 00:34:57,440
Speaker 1: Okay, damn.

711
00:34:57,560 --> 00:34:59,920
Speaker 2: So he is like this middle class bier carap but

712
00:34:59,920 --> 00:35:01,600
Speaker 2: he he's basically rich by the end.

713
00:35:01,960 --> 00:35:03,560
Speaker 1: And I guess he takes a lot of bribes, which

714
00:35:03,600 --> 00:35:05,560
Speaker 1: I was kind of like getting catch during the book

715
00:35:05,560 --> 00:35:08,000
Speaker 1: because it's like so pounds this, and he's always meeting

716
00:35:08,040 --> 00:35:10,920
Speaker 1: up at a tavern and somebody giving him stuff.

717
00:35:10,640 --> 00:35:13,279
Speaker 2: Because people are always like getting hanged for robberies and

718
00:35:13,320 --> 00:35:15,880
Speaker 2: like random stuff and like deserting the army. But I

719
00:35:15,880 --> 00:35:17,440
Speaker 2: guess bribes was like more chill.

720
00:35:17,600 --> 00:35:20,280
Speaker 1: I think he's just like probably like at a tavern

721
00:35:20,400 --> 00:35:24,680
Speaker 1: and like another earl is like you take one hundred pounds, okay,

722
00:35:25,080 --> 00:35:28,160
Speaker 1: and then you let me go on this boat, and

723
00:35:28,200 --> 00:35:30,920
Speaker 1: he's probably like taking out his quill and doing something

724
00:35:31,320 --> 00:35:32,680
Speaker 1: quill life.

725
00:35:33,360 --> 00:35:35,520
Speaker 2: I just let when he starts sixteen sixty one. He

726
00:35:35,560 --> 00:35:37,600
Speaker 2: goes at the end of last in the beginning of

727
00:35:37,600 --> 00:35:39,680
Speaker 2: this year. I do live in one of the houses

728
00:35:39,719 --> 00:35:43,400
Speaker 2: belonging to the Navy Office as one of the principal officers.

729
00:35:43,600 --> 00:35:44,840
Speaker 2: And I've done it for a year and a half

730
00:35:44,920 --> 00:35:47,560
Speaker 2: after much of with work. Now I'm almost settled, my

731
00:35:47,680 --> 00:35:50,160
Speaker 2: family being myself, my wife, Jane, will Hugh or Wayneman

732
00:35:50,200 --> 00:35:51,640
Speaker 2: mccurley's brother also I left.

733
00:35:51,640 --> 00:35:55,160
Speaker 1: Who was he says, gurlyes like Gurly is.

734
00:35:54,960 --> 00:35:58,720
Speaker 2: Myself in constant good health and in my most handsome

735
00:35:58,760 --> 00:36:02,960
Speaker 2: and thriving condition. Blessed be Almighty God for it. He's

736
00:36:03,000 --> 00:36:05,080
Speaker 2: been so like this is my year.

737
00:36:05,160 --> 00:36:06,040
Speaker 1: Yeah, my house.

738
00:36:06,120 --> 00:36:06,200
Speaker 3: No.

739
00:36:06,320 --> 00:36:09,160
Speaker 1: Whenever he ends a year, like after Christmas, like he'll

740
00:36:09,200 --> 00:36:11,800
Speaker 1: be getting in a fight, and then like he swears

741
00:36:11,800 --> 00:36:15,200
Speaker 1: off drinking, like which is so dry January.

742
00:36:15,560 --> 00:36:17,440
Speaker 2: Every year he's always.

743
00:36:17,200 --> 00:36:20,160
Speaker 1: Being like, I woke up sick and the maid who

744
00:36:20,160 --> 00:36:22,880
Speaker 1: I'm fucking, I had to bring like a bathtub, and

745
00:36:22,920 --> 00:36:24,920
Speaker 1: so I was vomiting so much, and he's like it

746
00:36:25,040 --> 00:36:30,160
Speaker 1: was probably from the drink I had tonight. And he's like,

747
00:36:30,400 --> 00:36:32,440
Speaker 1: I made myself a vow and I need to keep

748
00:36:32,480 --> 00:36:35,000
Speaker 1: to my vows. But then he'll be like, well, but

749
00:36:35,040 --> 00:36:38,440
Speaker 1: then I did meet like Earl of like Quaddle two,

750
00:36:38,800 --> 00:36:42,000
Speaker 1: like at the Lord's Tallow tavern, and like we did

751
00:36:42,040 --> 00:36:44,840
Speaker 1: have beers. But sometimes he's been like they were actually

752
00:36:44,880 --> 00:36:46,600
Speaker 1: wasted and like I only had a drink.

753
00:36:46,840 --> 00:36:49,279
Speaker 2: No, and he's like being so judgmenttal and then be like,

754
00:36:49,280 --> 00:36:51,799
Speaker 2: oh but then my head ached the next day. There

755
00:36:51,800 --> 00:36:53,160
Speaker 2: at that one time he goes to dinner, he's like

756
00:36:53,400 --> 00:36:55,319
Speaker 2: and I could not believe that I had but not

757
00:36:55,480 --> 00:36:57,719
Speaker 2: one sip of wine the entire dinner.

758
00:36:58,320 --> 00:36:59,920
Speaker 1: No, he's like proud of himself.

759
00:37:00,040 --> 00:37:01,439
Speaker 2: But it's like that happens once.

760
00:37:01,640 --> 00:37:04,160
Speaker 1: No, it's very I was like, damn relate when you're

761
00:37:04,239 --> 00:37:07,080
Speaker 1: just being so like, oh yeah, I'm actually good Seltzer.

762
00:37:07,160 --> 00:37:12,399
Speaker 2: Thanks at night home and found my wife come home

763
00:37:12,440 --> 00:37:15,040
Speaker 2: and among other things, she hath got her teeth new

764
00:37:15,080 --> 00:37:18,160
Speaker 2: done by Laroche and R and D. No'm pretty handsome

765
00:37:18,200 --> 00:37:20,319
Speaker 2: and I was much pleased with it, so to bed

766
00:37:21,719 --> 00:37:22,120
Speaker 2: just like.

767
00:37:22,080 --> 00:37:25,000
Speaker 1: He's like, damn, your teeth aren't so fucked up anymore.

768
00:37:25,280 --> 00:37:30,000
Speaker 2: She got bed. She got these new teeth from roams amazing.

769
00:37:32,920 --> 00:37:35,760
Speaker 2: She was looking hot. Honestly, she was handsome as fuck.

770
00:37:35,960 --> 00:37:39,359
Speaker 1: Okay, so when he like witnesses the great fire, and

771
00:37:39,400 --> 00:37:42,680
Speaker 1: he is like really sad about it, and he's being like, oh,

772
00:37:42,719 --> 00:37:45,040
Speaker 1: and like everyone was dying, and he goes. So we

773
00:37:45,040 --> 00:37:46,959
Speaker 1: were forced to begin to pack up our own goods

774
00:37:47,000 --> 00:37:50,040
Speaker 1: and prepare for the removal. And did by moonshine carry

775
00:37:50,239 --> 00:37:52,640
Speaker 1: much of my goods into the garden. And I looked

776
00:37:52,640 --> 00:37:54,600
Speaker 1: this up and it was just like he was being

777
00:37:54,640 --> 00:37:57,200
Speaker 1: so fab and like burying all of his fine cheeses

778
00:37:57,280 --> 00:38:00,239
Speaker 1: during the fire. And he was like, by daylight three

779
00:38:00,360 --> 00:38:02,920
Speaker 1: hundred houses in London had fallen.

780
00:38:03,160 --> 00:38:05,680
Speaker 2: This part's insane, so they'll be at not knowing how

781
00:38:05,680 --> 00:38:07,200
Speaker 2: to remove his wine, did dig a pit in the

782
00:38:07,239 --> 00:38:09,040
Speaker 2: garden and laid it in there, And I took the

783
00:38:09,040 --> 00:38:11,040
Speaker 2: opportunity of laying all the papers of my office that

784
00:38:11,040 --> 00:38:13,200
Speaker 2: I could not otherwise dispose of. And in the evening

785
00:38:13,239 --> 00:38:15,719
Speaker 2: so w penn and I did dig another and pour

786
00:38:15,800 --> 00:38:19,359
Speaker 2: our wine in it, and I my parmesan cheese as

787
00:38:19,400 --> 00:38:23,480
Speaker 2: well as my wine and some other things. Burying cheese during.

788
00:38:23,239 --> 00:38:27,400
Speaker 1: A fire me just like burying your like parmesan and wine.

789
00:38:27,640 --> 00:38:31,080
Speaker 2: You know, the fire is absolutely devastating.

790
00:38:31,200 --> 00:38:34,920
Speaker 1: He has empathy and he is like, oh, I did

791
00:38:35,080 --> 00:38:40,160
Speaker 1: go to bed sad yeah, but I'm also bearing it.

792
00:38:40,160 --> 00:38:42,279
Speaker 2: Brought him to tears to see all of London a flame.

793
00:38:42,360 --> 00:38:45,480
Speaker 2: What I thought was also really interesting is he literally

794
00:38:46,080 --> 00:38:49,560
Speaker 2: tells the King like he's like running to the palace

795
00:38:49,680 --> 00:38:52,480
Speaker 2: and he's like at Whitehall and he's like, girl, we

796
00:38:52,520 --> 00:38:55,839
Speaker 2: need to actually take down all these houses because for

797
00:38:55,880 --> 00:38:57,359
Speaker 2: those of you who don't know, most of the houses

798
00:38:57,400 --> 00:39:00,759
Speaker 2: were thatched roofs okay that goes out like okay, yat

799
00:39:00,920 --> 00:39:05,400
Speaker 2: and a fire okay, it's insanely combustible match lit. And

800
00:39:05,440 --> 00:39:06,960
Speaker 2: so he goes to the King and he's like, girl,

801
00:39:07,000 --> 00:39:08,719
Speaker 2: we need to pull these down. And then the King

802
00:39:08,760 --> 00:39:10,640
Speaker 2: commanded me to go to my Lord Mayor for him

803
00:39:10,640 --> 00:39:12,480
Speaker 2: and command him to spare no houses, but to pull

804
00:39:12,560 --> 00:39:15,440
Speaker 2: down before the fire every way tell him. So he

805
00:39:15,600 --> 00:39:18,520
Speaker 2: was like, you're right, girl, Like he was actually like

806
00:39:18,680 --> 00:39:21,839
Speaker 2: helping stop the fire and like pad the King's ear.

807
00:39:22,160 --> 00:39:24,960
Speaker 1: No, he wasn't being so like I'm just drinking and

808
00:39:25,000 --> 00:39:28,120
Speaker 1: like writing random papers and letters like he was running

809
00:39:28,160 --> 00:39:29,080
Speaker 1: about town. He was.

810
00:39:29,400 --> 00:39:31,080
Speaker 2: And I have to say, like, one thing I live

811
00:39:31,120 --> 00:39:34,799
Speaker 2: with this diary is it's so like he has such

812
00:39:34,840 --> 00:39:38,280
Speaker 2: a curiosity about the world and an interest in people,

813
00:39:38,760 --> 00:39:40,480
Speaker 2: and it's like there's so much is his.

814
00:39:40,520 --> 00:39:41,360
Speaker 1: Interest in people.

815
00:39:41,719 --> 00:39:44,680
Speaker 2: There's so much plot. He's always like talking about everyone

816
00:39:44,760 --> 00:39:49,120
Speaker 2: in the town. Like when I have kept the diary.

817
00:39:49,040 --> 00:39:50,560
Speaker 1: It's so funny because I was going to ask you,

818
00:39:50,600 --> 00:39:53,040
Speaker 1: I wonder not to read anything, but what have your

819
00:39:53,080 --> 00:39:53,719
Speaker 1: diaries been?

820
00:39:53,880 --> 00:39:55,600
Speaker 2: Like I actually kept the diary recently when I was

821
00:39:55,640 --> 00:39:58,560
Speaker 2: traveling in Europe and and I was being like so

822
00:39:58,800 --> 00:40:02,560
Speaker 2: girl and like bottomless at the airport obviously like stop

823
00:40:02,600 --> 00:40:06,640
Speaker 2: doing the trip, but I was being like pretty like

824
00:40:06,800 --> 00:40:09,600
Speaker 2: I'm a writer and like, you know, doing kind of like.

825
00:40:09,920 --> 00:40:11,120
Speaker 1: Be more diddian about it.

826
00:40:11,160 --> 00:40:13,160
Speaker 2: I was being more diddian and like as I sit

827
00:40:13,280 --> 00:40:16,160
Speaker 2: on the train as we cross the border into Hungry

828
00:40:16,440 --> 00:40:20,680
Speaker 2: and I'm like writing like floor descriptions of like the vegetation,

829
00:40:21,000 --> 00:40:23,640
Speaker 2: and then like and you can see the crumbling tower

830
00:40:23,680 --> 00:40:26,200
Speaker 2: blocks of the Soviet regime, and then.

831
00:40:26,120 --> 00:40:29,399
Speaker 1: Like, oh, how I sip my espresso Soviet.

832
00:40:29,400 --> 00:40:31,799
Speaker 2: And I'm talking about, you know, my own insecurities and

833
00:40:31,840 --> 00:40:35,440
Speaker 2: my relationship. It's pretty introspective. It's very like giving main

834
00:40:35,520 --> 00:40:38,719
Speaker 2: character energy. Yeah, and like I'm not being like so

835
00:40:38,920 --> 00:40:41,600
Speaker 2: talking about every person I meet and like the more

836
00:40:41,640 --> 00:40:44,400
Speaker 2: plot stuff that happens, unless it's like sexploits, which I

837
00:40:44,400 --> 00:40:45,080
Speaker 2: do write down.

838
00:40:45,520 --> 00:40:47,840
Speaker 1: You're like, well, if other people are having sex with me,

839
00:40:47,880 --> 00:40:49,959
Speaker 1: I'll write it down, Yes, right. What I loved about

840
00:40:49,960 --> 00:40:53,160
Speaker 1: this is like, no, I'm sure that diary is amazing public.

841
00:40:53,040 --> 00:40:54,919
Speaker 2: But I'm just saying like I'm being like a more

842
00:40:55,040 --> 00:40:56,920
Speaker 2: like narcissistic, introspective quirdo.

843
00:40:57,120 --> 00:41:01,080
Speaker 1: He really is like a diarist of like his time, of.

844
00:41:01,000 --> 00:41:03,160
Speaker 2: His times and like all the stuff that's going on.

845
00:41:03,239 --> 00:41:04,600
Speaker 2: He just has this realless curiosity.

846
00:41:04,640 --> 00:41:07,040
Speaker 1: But it is kind of this more sexy British way

847
00:41:07,040 --> 00:41:09,160
Speaker 1: where it's a mix where he is being introspective still

848
00:41:09,160 --> 00:41:11,400
Speaker 1: and be like, m my wife is vexed, but it

849
00:41:11,440 --> 00:41:14,319
Speaker 1: will be mixed with like wrote the paper, put out

850
00:41:14,360 --> 00:41:15,520
Speaker 1: the roof fire.

851
00:41:15,600 --> 00:41:18,320
Speaker 2: Yeah, but it's one sentence of being like I felt

852
00:41:18,320 --> 00:41:22,040
Speaker 2: bad about yelling at him. I'm like, I would be

853
00:41:22,080 --> 00:41:25,000
Speaker 2: writing three paragraphs just like. And I do wonder if

854
00:41:25,040 --> 00:41:27,360
Speaker 2: this dynamic that I find again and again and my

855
00:41:27,400 --> 00:41:30,080
Speaker 2: relationships comes back to my childhood and you know.

856
00:41:30,200 --> 00:41:33,840
Speaker 1: Like and maybe the gloves actually symbolize my father. But

857
00:41:33,880 --> 00:41:35,719
Speaker 1: at the same time, I will say I feel like

858
00:41:35,800 --> 00:41:38,880
Speaker 1: his style of diary when they uncovered that in the

859
00:41:38,880 --> 00:41:42,279
Speaker 1: eighteen hundreds was so new. So I feel like the

860
00:41:42,320 --> 00:41:46,160
Speaker 1: way you're writing in many most write a diary happens

861
00:41:46,200 --> 00:41:49,120
Speaker 1: because he did this, Like you see, it's possible not

862
00:41:49,280 --> 00:41:51,319
Speaker 1: to just be like we cross the Allegheny River.

863
00:41:51,640 --> 00:41:54,520
Speaker 2: Yes, because I'm also writing as someone like who has

864
00:41:54,600 --> 00:41:59,640
Speaker 2: like read one book by Don't and is like writing

865
00:41:59,680 --> 00:42:01,759
Speaker 2: kind of for an audience in a way, whereas he's

866
00:42:01,840 --> 00:42:04,920
Speaker 2: not really writing for an audience, like he one day

867
00:42:04,960 --> 00:42:06,680
Speaker 2: thinks that someone's gonna read his diary, but he doesn't

868
00:42:06,680 --> 00:42:08,000
Speaker 2: think it's gonna happen in his lifetime.

869
00:42:08,200 --> 00:42:11,920
Speaker 1: No, And I feel like I've written diaries, yeah, like

870
00:42:12,000 --> 00:42:15,640
Speaker 1: in the past of either just like so much like

871
00:42:15,880 --> 00:42:19,080
Speaker 1: scribble and emotion and it's much more teen diary and

872
00:42:19,120 --> 00:42:19,560
Speaker 1: angst and.

873
00:42:21,040 --> 00:42:21,440
Speaker 2: Lyrics.

874
00:42:21,680 --> 00:42:24,000
Speaker 1: Yeah, and they're way more like lyrics mixed in with

875
00:42:24,160 --> 00:42:26,319
Speaker 1: just like I don't know why she thinks that, and

876
00:42:26,360 --> 00:42:28,560
Speaker 1: like will I ever be this cool? Like and it's

877
00:42:28,600 --> 00:42:32,879
Speaker 1: not being like today was September eleventh, yeah, or it's

878
00:42:32,920 --> 00:42:38,440
Speaker 1: being like Trump hassassinated golf course I bought a coat, yeah,

879
00:42:39,920 --> 00:42:41,840
Speaker 1: like we should be. I mean I feel like my

880
00:42:41,920 --> 00:42:45,799
Speaker 1: Twitter is being more that and like Twitter stuff and

881
00:42:45,840 --> 00:42:49,920
Speaker 1: they will publish that, and they published little observations. No,

882
00:42:50,239 --> 00:42:52,280
Speaker 1: I am inspired, and I do want to be more

883
00:42:52,400 --> 00:42:56,719
Speaker 1: like giving one thing that happened to me, one emotional thing.

884
00:42:56,760 --> 00:43:00,359
Speaker 2: And then one like topic event of national importance, and

885
00:43:00,360 --> 00:43:02,319
Speaker 2: then one of local importance.

886
00:43:01,920 --> 00:43:06,520
Speaker 1: Exactly local politics, national politics, shopping culture. I guess that's

887
00:43:06,560 --> 00:43:08,000
Speaker 1: what the vip unch is.

888
00:43:08,640 --> 00:43:11,640
Speaker 2: One thing that struck me is how we've mentioned about

889
00:43:11,680 --> 00:43:15,200
Speaker 2: how similar his daily life is to our daily lives. Now.

890
00:43:15,239 --> 00:43:17,120
Speaker 2: He's like going to the office and getting into fights

891
00:43:17,120 --> 00:43:19,200
Speaker 2: with his wife, goes to a play, goes to a bar,

892
00:43:19,400 --> 00:43:23,279
Speaker 2: goes home and like has so many is hung over

893
00:43:23,360 --> 00:43:27,360
Speaker 2: the next day, like anxiety about money, counting this money

894
00:43:28,000 --> 00:43:29,920
Speaker 2: like and gets up, goes to work, do it all

895
00:43:29,960 --> 00:43:33,680
Speaker 2: over again. But one thing that struck me is that

896
00:43:33,880 --> 00:43:37,160
Speaker 2: I feel like we are actually much more isolated in

897
00:43:37,200 --> 00:43:38,160
Speaker 2: our lives now.

898
00:43:38,160 --> 00:43:41,080
Speaker 1: Yeah, because he is like doing this thing where he's

899
00:43:41,200 --> 00:43:43,640
Speaker 1: much more going to the town and like you're just

900
00:43:43,640 --> 00:43:45,960
Speaker 1: going into the tavern where it's like, yeah, we may

901
00:43:46,120 --> 00:43:50,520
Speaker 1: like go to you know, jeans and you're seeing people

902
00:43:50,560 --> 00:43:52,920
Speaker 1: you run into, but just kind of more of a daily.

903
00:43:53,840 --> 00:43:56,360
Speaker 2: And every element of your life than had more people.

904
00:43:56,360 --> 00:43:58,200
Speaker 2: It's like they have seven winches at home, their middle

905
00:43:58,239 --> 00:44:00,839
Speaker 2: class family but they have all these servants. People used

906
00:44:00,880 --> 00:44:03,759
Speaker 2: to have servants styling. Like he's getting his haircut and

907
00:44:03,800 --> 00:44:05,880
Speaker 2: like shaved, like every week at the barber's, but like

908
00:44:06,080 --> 00:44:07,640
Speaker 2: he also at one point goes to the barber to

909
00:44:07,680 --> 00:44:09,719
Speaker 2: get a tie put on, to get a cravat because

910
00:44:09,760 --> 00:44:10,120
Speaker 2: he's like.

911
00:44:10,120 --> 00:44:12,560
Speaker 1: Well again, they need everything tied in the count's lace.

912
00:44:12,719 --> 00:44:12,839
Speaker 2: Right.

913
00:44:12,840 --> 00:44:14,960
Speaker 1: It's like, what if our lives were so much more

914
00:44:15,000 --> 00:44:18,040
Speaker 1: social where I was, you know, hiring someone to come

915
00:44:18,080 --> 00:44:20,440
Speaker 1: over to dress me, yes, which is kind of our

916
00:44:20,520 --> 00:44:23,880
Speaker 1: modern days being should I wear this?

917
00:44:24,040 --> 00:44:26,440
Speaker 2: We have the group chat, thank god. But I do

918
00:44:26,560 --> 00:44:28,239
Speaker 2: just think we are so even in a city like

919
00:44:28,239 --> 00:44:30,080
Speaker 2: New York and millions of people, it is so easy

920
00:44:30,120 --> 00:44:32,560
Speaker 2: to go an entire day without ever having a meaningful

921
00:44:32,600 --> 00:44:35,200
Speaker 2: interaction with anyone. We go to the gym, we scan

922
00:44:35,320 --> 00:44:39,759
Speaker 2: our little barcode headphones on. You know, it's like we're

923
00:44:39,760 --> 00:44:42,439
Speaker 2: not knowing the butcher. Okay, we're throwing it in our car.

924
00:44:43,120 --> 00:44:45,200
Speaker 2: It's like we use the electric razor at home. We're

925
00:44:45,200 --> 00:44:49,840
Speaker 2: not going to the barber I have. I'm not having

926
00:44:49,880 --> 00:44:53,720
Speaker 2: a mourning draft with my locals and discussing the matters

927
00:44:53,719 --> 00:44:54,160
Speaker 2: of stage.

928
00:44:54,239 --> 00:44:56,319
Speaker 1: Well, I don't know. I feel like coffee mob is

929
00:44:56,400 --> 00:44:58,719
Speaker 1: so morning draft and I am like running into a

930
00:44:58,719 --> 00:45:01,480
Speaker 1: guy I see there every day and he's being so like, yeah,

931
00:45:01,520 --> 00:45:04,239
Speaker 1: I actually like, maybe do want to move back to Cambridge?

932
00:45:04,280 --> 00:45:07,719
Speaker 2: But you're not talking about affairs of state with him,

933
00:45:07,760 --> 00:45:09,160
Speaker 2: and that's the problem.

934
00:45:09,719 --> 00:45:12,480
Speaker 1: But I think that's enough to talk about the affairs

935
00:45:12,520 --> 00:45:15,520
Speaker 1: of state of the culture of Cambridge sometimes, yeah.

936
00:45:15,320 --> 00:45:18,160
Speaker 2: A little bit. Okay, you have your college I am.

937
00:45:18,440 --> 00:45:20,000
Speaker 2: I guess it's like I go to a coffee shop

938
00:45:20,040 --> 00:45:21,520
Speaker 2: and it's like I say hi to the breest or whatever,

939
00:45:21,600 --> 00:45:25,359
Speaker 2: and like, I'm not woon girl, give you. It gives

940
00:45:25,360 --> 00:45:27,800
Speaker 2: me the gen Z heart with the hands thing and.

941
00:45:27,680 --> 00:45:31,320
Speaker 1: I anyway, you should hire a houseboy that you beaten

942
00:45:31,560 --> 00:45:34,440
Speaker 1: like to dress That's what I'm saying. I think you

943
00:45:34,520 --> 00:45:35,240
Speaker 1: want a dresser.

944
00:45:35,680 --> 00:45:36,920
Speaker 2: Six home wenches.

945
00:45:37,600 --> 00:45:39,880
Speaker 1: You're like, here's the thing with so much more social

946
00:45:39,920 --> 00:45:43,319
Speaker 1: with the wenches. Okay, what happened to that?

947
00:45:43,960 --> 00:45:47,560
Speaker 2: I just miss all the life or could we have

948
00:45:47,640 --> 00:45:50,719
Speaker 2: like neighborhood wenches, Like I don't need six bunches in

949
00:45:50,760 --> 00:45:53,800
Speaker 2: my apartment because it's a railroad. Ultimately, you want.

950
00:45:53,640 --> 00:45:56,360
Speaker 1: Them like classic upstairs downstairs. You want them all to

951
00:45:56,440 --> 00:45:59,960
Speaker 1: be like in like bunk beds in a shared railroad.

952
00:46:01,600 --> 00:46:04,520
Speaker 2: One house on the block should be the Wench house.

953
00:46:05,360 --> 00:46:06,480
Speaker 2: And then like we are.

954
00:46:06,400 --> 00:46:08,280
Speaker 1: Six gay guys and it's like a hype house.

955
00:46:08,480 --> 00:46:11,000
Speaker 2: It's like a hype house of gay wenches. They each

956
00:46:11,040 --> 00:46:13,360
Speaker 2: have their own apartment that's like as big as my apartment,

957
00:46:13,600 --> 00:46:15,800
Speaker 2: but like they're just coming to the other like they're cleaning,

958
00:46:15,920 --> 00:46:17,840
Speaker 2: and but like I'm seeing them and like I'm fucking

959
00:46:17,840 --> 00:46:19,600
Speaker 2: one of the wenches. You know what I.

960
00:46:19,600 --> 00:46:22,759
Speaker 1: Also love about, Yes, I'm gonna get you a wench

961
00:46:22,800 --> 00:46:26,720
Speaker 1: for Christmas is the amount of like theater he does see.

962
00:46:26,880 --> 00:46:29,560
Speaker 1: And I think we've like made theater thing only like

963
00:46:29,840 --> 00:46:32,920
Speaker 1: women and like gay guys like and it's like, yeah,

964
00:46:33,040 --> 00:46:36,279
Speaker 1: it's become this like more faggot coded girl thing to do.

965
00:46:37,520 --> 00:46:39,759
Speaker 1: I mean, I guess like comedy is so like straight guy.

966
00:46:39,800 --> 00:46:41,680
Speaker 1: But my wife and I to the puppet play in

967
00:46:41,719 --> 00:46:44,520
Speaker 1: Covenant Garden, which I saw the other day, and indeed

968
00:46:44,520 --> 00:46:47,120
Speaker 1: it is very pleasant here among the fiddlers. I first

969
00:46:47,200 --> 00:46:49,440
Speaker 1: saw Dyl Simer played it on sticks, knocking up the

970
00:46:49,480 --> 00:46:52,000
Speaker 1: strings and is very pretty. And he's seeing a puppet

971
00:46:52,000 --> 00:46:54,200
Speaker 1: show for the second time and giving it a review.

972
00:46:54,400 --> 00:46:57,040
Speaker 2: Yeah, and now we would not be like uh, I

973
00:46:57,160 --> 00:46:58,680
Speaker 2: just saw this puppet show last.

974
00:46:58,680 --> 00:47:01,160
Speaker 1: Yeah, and he's like, but I will to my wife again.

975
00:47:01,640 --> 00:47:03,880
Speaker 2: And I like that. He has like, you know, a

976
00:47:04,200 --> 00:47:06,839
Speaker 2: critique of everything he sees, and he's always like, well,

977
00:47:06,880 --> 00:47:10,080
Speaker 2: the acting was bad, the writing was okay, Falstaff was good,

978
00:47:10,120 --> 00:47:11,680
Speaker 2: but everyone else sucked.

979
00:47:11,719 --> 00:47:13,759
Speaker 1: Which we have to get to one of the best

980
00:47:13,800 --> 00:47:16,439
Speaker 1: lines of all time in the book. And he goes, well,

981
00:47:17,040 --> 00:47:22,160
Speaker 1: I just saw Midsummer's Night Dream. It was dreadful. It's

982
00:47:22,200 --> 00:47:24,799
Speaker 1: like you never hear someone in the past actually being

983
00:47:24,960 --> 00:47:28,520
Speaker 1: like that Shakespeare play sucked. Like all we hear is

984
00:47:28,560 --> 00:47:31,560
Speaker 1: respect for Shakespeare, I know. And I was like, we

985
00:47:31,640 --> 00:47:34,120
Speaker 1: actually just talked about like maybe seeing a random production

986
00:47:34,200 --> 00:47:34,680
Speaker 1: that you're.

987
00:47:34,520 --> 00:47:38,040
Speaker 2: Like, it's actually like, like Shakespeare died not that long before,

988
00:47:38,200 --> 00:47:40,279
Speaker 2: so it's still just being like, yeah, we can talk

989
00:47:40,320 --> 00:47:43,640
Speaker 2: shit about it. We don't have to have the person

990
00:47:43,680 --> 00:47:45,439
Speaker 2: who ever lived like some are good.

991
00:47:45,520 --> 00:47:48,120
Speaker 1: He's like, yeah, I saw The New Joker. I actually

992
00:47:48,440 --> 00:47:49,319
Speaker 1: wasn't that into it.

993
00:47:49,480 --> 00:47:51,759
Speaker 2: Wait, you remember the part where also woman spits on

994
00:47:51,840 --> 00:47:53,719
Speaker 2: him by accident. But then he was like, but she

995
00:47:53,840 --> 00:47:55,920
Speaker 2: was hot, right, but she.

996
00:47:55,920 --> 00:47:58,440
Speaker 1: Was attractive and I did enjoy a spit.

997
00:47:58,680 --> 00:48:01,120
Speaker 2: Here we go. I went to mister Cruz, and then

998
00:48:01,200 --> 00:48:03,680
Speaker 2: to the theater where I saw again the lost Lady,

999
00:48:03,840 --> 00:48:06,480
Speaker 2: which do now Okay, he's ex seen things multiple times

1000
00:48:06,760 --> 00:48:09,040
Speaker 2: which do now please me better than before. And here

1001
00:48:09,160 --> 00:48:11,200
Speaker 2: I sitting behind in a dark place a lady spit

1002
00:48:11,239 --> 00:48:14,120
Speaker 2: backward upon me by mistake not seeing me, but after

1003
00:48:14,239 --> 00:48:16,440
Speaker 2: seeing her to be very pretty lady. I was not

1004
00:48:16,520 --> 00:48:20,600
Speaker 2: troubled at it at all. It's like, you are kinky

1005
00:48:20,719 --> 00:48:23,520
Speaker 2: boot E is kinky boot I guess we should maybe

1006
00:48:23,520 --> 00:48:26,840
Speaker 2: get to the plague quickly. Yeah, it is so Covid.

1007
00:48:26,640 --> 00:48:29,000
Speaker 1: And all the rich people are going to the country

1008
00:48:29,400 --> 00:48:30,600
Speaker 1: and he talks about all.

1009
00:48:30,480 --> 00:48:33,280
Speaker 2: These people and fleeing in their coaches, in their coach

1010
00:48:33,480 --> 00:48:35,319
Speaker 2: in the country, and like when it starts, he's like,

1011
00:48:35,360 --> 00:48:37,799
Speaker 2: so the plague is kind of in Amsterdam, and we're

1012
00:48:37,800 --> 00:48:39,480
Speaker 2: a little worried, and we're like, are we quarantining the

1013
00:48:39,560 --> 00:48:42,439
Speaker 2: depth chips? And it's like it's literally verbating the same

1014
00:48:42,480 --> 00:48:45,360
Speaker 2: thing that happened, or we're being like boo, here's a

1015
00:48:45,440 --> 00:48:48,200
Speaker 2: case and there's something going down in Wuhan. Where is that?

1016
00:48:48,280 --> 00:48:49,920
Speaker 2: And then like you're reading these stories or being like

1017
00:48:49,960 --> 00:48:51,399
Speaker 2: it's crazy and everyone's like.

1018
00:48:51,320 --> 00:48:54,120
Speaker 1: You shows and then you're like Huh, there's one case

1019
00:48:54,160 --> 00:48:58,480
Speaker 1: in Philly, and then yeah, everyone Insley is getting in

1020
00:48:58,520 --> 00:49:01,239
Speaker 1: their coaches and like buying new coaches in out of

1021
00:49:01,239 --> 00:49:01,720
Speaker 1: their country.

1022
00:49:01,800 --> 00:49:05,359
Speaker 2: Everyone fleet Manhattan, although it's insane, is at some point

1023
00:49:05,360 --> 00:49:08,520
Speaker 2: he says there was seven thousand people a week dying

1024
00:49:08,560 --> 00:49:11,279
Speaker 2: in London, which is more than was ever dying a

1025
00:49:11,320 --> 00:49:13,759
Speaker 2: week in New York City during the height of COVID.

1026
00:49:13,800 --> 00:49:18,360
Speaker 1: Imagine how crazy that was in London in sixteen sixteen crazy.

1027
00:49:18,520 --> 00:49:20,120
Speaker 2: And he's talking about just like.

1028
00:49:20,120 --> 00:49:22,960
Speaker 1: You're walking by and its people with toils.

1029
00:49:22,760 --> 00:49:25,839
Speaker 2: Like a dye where the smell must have been horrendous,

1030
00:49:26,200 --> 00:49:29,520
Speaker 2: but like, were you so tolerant? You know, yeah, everything

1031
00:49:29,600 --> 00:49:30,400
Speaker 2: smelled bad.

1032
00:49:31,040 --> 00:49:33,920
Speaker 1: Because it's like everything smelled so bad, but like truly

1033
00:49:34,000 --> 00:49:36,719
Speaker 1: like seven thousand bodies probably like rotting, and then they

1034
00:49:36,760 --> 00:49:39,800
Speaker 1: were burning them and that's more people burning them, and

1035
00:49:39,800 --> 00:49:41,919
Speaker 1: then then they're coming up to you being that give

1036
00:49:42,040 --> 00:49:46,120
Speaker 1: me bread, give me and you'll like stay away.

1037
00:49:47,000 --> 00:49:49,279
Speaker 2: And then it's like they were like not even having

1038
00:49:49,360 --> 00:49:51,279
Speaker 2: enough room in the cemeteries to bury the bodies, which

1039
00:49:51,280 --> 00:49:53,600
Speaker 2: you could like pay more to be buried in one

1040
00:49:53,640 --> 00:49:54,520
Speaker 2: of the cemeteries.

1041
00:49:54,640 --> 00:49:56,320
Speaker 1: That's probably what he was taking bribes.

1042
00:49:56,120 --> 00:49:59,600
Speaker 2: For be like, fine, I'll bury your wife in the cemetery.

1043
00:49:59,800 --> 00:50:01,560
Speaker 2: But he was also being like it is shady that

1044
00:50:01,560 --> 00:50:03,640
Speaker 2: they're saying that they're not going to bury everyone.

1045
00:50:03,560 --> 00:50:05,680
Speaker 1: Because he does have respect for the dead.

1046
00:50:05,960 --> 00:50:08,359
Speaker 2: But I do think it's actually quite well of him

1047
00:50:08,440 --> 00:50:09,680
Speaker 2: that he doesn't flee.

1048
00:50:09,960 --> 00:50:11,600
Speaker 1: I was gonna say he doesn't. He's like, well, and

1049
00:50:11,680 --> 00:50:14,520
Speaker 1: another cabbage went and lady of this goes, and he

1050
00:50:14,640 --> 00:50:18,560
Speaker 1: stays with his wife and they just kind of like

1051
00:50:19,000 --> 00:50:22,600
Speaker 1: hunker down, and he doesn't flee to their He doesn't

1052
00:50:22,600 --> 00:50:26,480
Speaker 1: actually have country house. He's like always like visiting.

1053
00:50:26,960 --> 00:50:29,959
Speaker 2: Because he is ultimately like so the lord, and he's

1054
00:50:30,000 --> 00:50:33,400
Speaker 2: always like obsessed with his lord, and it's just like,

1055
00:50:33,520 --> 00:50:36,480
Speaker 2: can you like stop sucking your bosses like slash landlord's

1056
00:50:36,520 --> 00:50:37,640
Speaker 2: dick like so much.

1057
00:50:38,080 --> 00:50:39,960
Speaker 1: Your sub lord. Yeah, it's like he's more obsessed with

1058
00:50:39,960 --> 00:50:41,360
Speaker 1: his lord than he is the king.

1059
00:50:41,800 --> 00:50:44,720
Speaker 2: Yeah. He thinks his lord is like so smart, so noble,

1060
00:50:44,840 --> 00:50:46,279
Speaker 2: like so respectub me.

1061
00:50:46,280 --> 00:50:49,120
Speaker 1: Maybe because the king is like further away, so he's

1062
00:50:49,200 --> 00:50:51,880
Speaker 1: like can be more critical. But the Lord, he like

1063
00:50:51,920 --> 00:50:53,640
Speaker 1: really does have to like suck his dick and like

1064
00:50:53,680 --> 00:50:55,200
Speaker 1: go dancing with and like eat musty.

1065
00:50:55,280 --> 00:50:57,239
Speaker 2: Yeah, and I wonder how much of that is. So

1066
00:50:57,280 --> 00:51:01,680
Speaker 2: it's like if anyone ever did find the diary, it

1067
00:51:01,719 --> 00:51:05,200
Speaker 2: would actually be worse to be talking shit of imagine

1068
00:51:05,239 --> 00:51:07,520
Speaker 2: the Lord than about the King.

1069
00:51:07,880 --> 00:51:09,800
Speaker 1: Like the Lord would be like you're fired.

1070
00:51:10,120 --> 00:51:11,880
Speaker 2: Yeah, and then it's like he would literally have nowhere

1071
00:51:11,880 --> 00:51:12,200
Speaker 2: to live.

1072
00:51:12,640 --> 00:51:14,680
Speaker 1: But he has shit on the Lord here.

1073
00:51:15,280 --> 00:51:18,000
Speaker 2: So right, because the Lord's having an affair, but also

1074
00:51:18,040 --> 00:51:20,160
Speaker 2: the Lord's like wife is having an affair.

1075
00:51:20,239 --> 00:51:22,040
Speaker 1: Yeah, because he's always been like, well, then I also

1076
00:51:22,160 --> 00:51:24,719
Speaker 1: kissed the Lady of Sandwich. Yeah, and then he's been

1077
00:51:24,760 --> 00:51:27,839
Speaker 1: like she was my lady of Sandwich. You're my lady

1078
00:51:27,920 --> 00:51:31,880
Speaker 1: of Sandwich. I don't know. They're all like Polly at

1079
00:51:31,880 --> 00:51:33,000
Speaker 1: the end of the day. Wait.

1080
00:51:33,080 --> 00:51:39,479
Speaker 2: I love this scene where he describes a butterface dined

1081
00:51:39,520 --> 00:51:41,680
Speaker 2: at home and busy again after dinner, and then abroad

1082
00:51:41,680 --> 00:51:44,040
Speaker 2: by water to Westminster Hall, where I walked till the

1083
00:51:44,080 --> 00:51:46,120
Speaker 2: evening and then out. The first time I effa was

1084
00:51:46,160 --> 00:51:49,160
Speaker 2: abroad with Doll Lane to the dog tavern and there

1085
00:51:49,239 --> 00:51:52,240
Speaker 2: drank with her A bad face but good bodied girly.

1086
00:51:53,520 --> 00:51:56,920
Speaker 1: No, he's a horrible face, good body.

1087
00:51:57,320 --> 00:52:00,719
Speaker 2: Wait when he says well carriaged, he means like that's

1088
00:52:00,760 --> 00:52:01,520
Speaker 2: what I was thinking.

1089
00:52:01,600 --> 00:52:04,759
Speaker 1: He means like garage donk. Well it also because the

1090
00:52:04,760 --> 00:52:07,520
Speaker 1: Betty coats are making the be donk even bigger.

1091
00:52:07,680 --> 00:52:09,440
Speaker 2: There's so much like so how can you tell z it?

1092
00:52:09,520 --> 00:52:13,520
Speaker 1: Because the way the bustle moves rocking, it's like making

1093
00:52:13,560 --> 00:52:18,759
Speaker 1: everyone looks a lot right, like those are as like

1094
00:52:18,840 --> 00:52:19,520
Speaker 1: being pushed.

1095
00:52:20,719 --> 00:52:23,800
Speaker 2: Ok, we didn't talk about the thing where.

1096
00:52:23,600 --> 00:52:26,560
Speaker 1: He kisses the mummy again knk.

1097
00:52:27,040 --> 00:52:30,160
Speaker 2: He's okay. Ecromeniac all right, he is an ecromaniac. Basically,

1098
00:52:30,160 --> 00:52:32,319
Speaker 2: he's just like in a crypt at Westminster Abbey and

1099
00:52:32,360 --> 00:52:35,319
Speaker 2: there's just like the Queen Catherine of Valois who has

1100
00:52:35,360 --> 00:52:39,240
Speaker 2: been entombed for like two hundred years, and he goes,

1101
00:52:39,280 --> 00:52:41,120
Speaker 2: I had the upper part of her body in my hands,

1102
00:52:41,120 --> 00:52:43,040
Speaker 2: but I did kiss her mouth, reflecting upon it that

1103
00:52:43,080 --> 00:52:45,760
Speaker 2: I did kiss a queen, and that this was my birthday,

1104
00:52:45,840 --> 00:52:48,319
Speaker 2: thirty six years old, that I did first kiss a queen.

1105
00:52:48,480 --> 00:52:50,960
Speaker 1: Wait, and by the way, he is thirty six and

1106
00:52:51,080 --> 00:52:53,520
Speaker 1: just being like, you know what I've done a lot. Yeah,

1107
00:52:53,600 --> 00:52:56,000
Speaker 1: I've kissed a queen. I have twenty seven hundred pounds

1108
00:52:56,600 --> 00:53:01,240
Speaker 1: saw Shakespeare this year, hated it into boet on seat.

1109
00:53:01,280 --> 00:53:03,560
Speaker 1: I gotta feel like we're at the same place he is,

1110
00:53:03,800 --> 00:53:04,800
Speaker 1: I know, I think.

1111
00:53:05,000 --> 00:53:08,080
Speaker 2: Because it's like we're not known, but he's not like

1112
00:53:08,200 --> 00:53:12,279
Speaker 2: super famous beyond like just his job, like within his

1113
00:53:12,440 --> 00:53:14,000
Speaker 2: like professional circles, but like.

1114
00:53:14,000 --> 00:53:16,000
Speaker 1: He's running into people at plays and people are like,

1115
00:53:16,000 --> 00:53:17,600
Speaker 1: oh my god, I just saw your things.

1116
00:53:17,800 --> 00:53:20,480
Speaker 2: Yeah, and people like, oh my god, you just testified

1117
00:53:20,600 --> 00:53:22,279
Speaker 2: like a parliament or whatever, like that was good.

1118
00:53:22,360 --> 00:53:24,920
Speaker 1: That was cool, And like you know, they're like inviting

1119
00:53:25,000 --> 00:53:26,160
Speaker 1: him to dinner and we're.

1120
00:53:25,960 --> 00:53:29,279
Speaker 2: Doing like kookie stuff like you know that we can

1121
00:53:29,280 --> 00:53:30,520
Speaker 2: write home about like.

1122
00:53:31,040 --> 00:53:33,440
Speaker 1: Literally yeah, and it's like that's the thing. He was

1123
00:53:33,480 --> 00:53:35,799
Speaker 1: writing this, not because he was getting a published. Like

1124
00:53:35,920 --> 00:53:39,239
Speaker 1: right again, our diary may be found in two hundred.

1125
00:53:39,000 --> 00:53:40,520
Speaker 2: Years, right, So that's why we need to be more.

1126
00:53:40,600 --> 00:53:41,760
Speaker 2: Trump's assassinated today.

1127
00:53:42,239 --> 00:53:46,600
Speaker 1: Yes, got a sandwich. It was good. Mutton was bad,

1128
00:53:47,239 --> 00:54:01,000
Speaker 1: wife was mad. The segments segment what does she eat?

1129
00:54:01,040 --> 00:54:03,000
Speaker 1: What does she how does she live?

1130
00:54:03,280 --> 00:54:06,319
Speaker 2: I mean we've discussed a lot about what does she eat?

1131
00:54:06,320 --> 00:54:08,600
Speaker 1: I think it's it's ale in the morning.

1132
00:54:08,680 --> 00:54:11,839
Speaker 2: Yeah, because that's the water of the day and you're

1133
00:54:11,880 --> 00:54:14,759
Speaker 2: moving to win so much a lot of fun. He

1134
00:54:14,920 --> 00:54:17,360
Speaker 2: is definitely having like three squares a day because I

1135
00:54:17,360 --> 00:54:20,560
Speaker 2: feel like sometimes he even goes home for lunch from

1136
00:54:20,600 --> 00:54:23,000
Speaker 2: the office, but then it's like also hitting up a

1137
00:54:23,000 --> 00:54:25,800
Speaker 2: tabin for some goose. And then it's like always doing supper.

1138
00:54:25,960 --> 00:54:29,240
Speaker 2: He's never missing supper. Sometimes after he gets home from

1139
00:54:29,520 --> 00:54:30,160
Speaker 2: another supper.

1140
00:54:30,360 --> 00:54:32,960
Speaker 1: Yeah two, because like maybe he'll do like go to

1141
00:54:33,000 --> 00:54:34,799
Speaker 1: a tavern. It's kind of like apps and he's being

1142
00:54:34,840 --> 00:54:36,960
Speaker 1: a little more like sliders about it.

1143
00:54:37,120 --> 00:54:40,240
Speaker 2: I do want to I feel like he was classic

1144
00:54:40,440 --> 00:54:43,960
Speaker 2: like thin until he was forty two and then like

1145
00:54:44,160 --> 00:54:45,840
Speaker 2: got a little bit jubby.

1146
00:54:46,000 --> 00:54:49,160
Speaker 1: To me, this face though, is also so like skinny

1147
00:54:49,200 --> 00:54:51,600
Speaker 1: fat guy. Oh yeah, you know what I mean. Like

1148
00:54:51,680 --> 00:54:54,640
Speaker 1: I feel like he's not eating anything in the morning ale,

1149
00:54:55,000 --> 00:54:56,360
Speaker 1: it's just kind of like puffy.

1150
00:54:56,760 --> 00:54:59,200
Speaker 2: You don't think he's having some just like the hardest

1151
00:54:59,280 --> 00:55:00,960
Speaker 2: bread you've ever had.

1152
00:55:01,040 --> 00:55:03,400
Speaker 1: It may be like the hardest bread in the entire world.

1153
00:55:04,200 --> 00:55:06,200
Speaker 1: But sometimes he's running off and he's like, I didn't

1154
00:55:06,200 --> 00:55:08,000
Speaker 1: have time, and then he's like starving.

1155
00:55:08,120 --> 00:55:10,400
Speaker 2: The bread has been adulterated with chalk.

1156
00:55:11,840 --> 00:55:18,800
Speaker 1: Chalk bread. He's doing chalk bread. And then like lunch

1157
00:55:19,000 --> 00:55:25,279
Speaker 1: is like marrow goose Mutton, and the night is a

1158
00:55:25,280 --> 00:55:30,640
Speaker 1: little more lobster. Mutton was much lobster, which was interesting

1159
00:55:30,680 --> 00:55:32,640
Speaker 1: because then lobster fell out of fashion.

1160
00:55:32,480 --> 00:55:35,600
Speaker 2: Because lobster used to be a poor man's food, and

1161
00:55:35,640 --> 00:55:38,200
Speaker 2: then they rebranded it as luxury, which is crazy.

1162
00:55:39,400 --> 00:55:42,200
Speaker 1: Yeah, and they're like rats of the Sea.

1163
00:55:42,440 --> 00:55:45,920
Speaker 2: Can't wait till they rebrand Tilapia's luxury in ten years.

1164
00:55:45,440 --> 00:55:47,280
Speaker 2: No more lobster crab.

1165
00:55:48,360 --> 00:55:50,560
Speaker 1: We're having like talapia mac and cheese.

1166
00:55:50,560 --> 00:55:53,279
Speaker 2: Right, and it's like road and you see it on

1167
00:55:53,320 --> 00:55:55,120
Speaker 2: the menu and it's like market price.

1168
00:55:57,000 --> 00:55:58,359
Speaker 1: MP Talaia.

1169
00:55:59,800 --> 00:56:01,480
Speaker 2: I do you feel like there's that one point where

1170
00:56:01,480 --> 00:56:04,000
Speaker 2: he says he went to someone's estate and like he's

1171
00:56:04,120 --> 00:56:06,120
Speaker 2: on orange for the first time, and I'm like, okay,

1172
00:56:06,120 --> 00:56:08,160
Speaker 2: I feel like they're wanting for citrus over there.

1173
00:56:08,200 --> 00:56:10,120
Speaker 1: Yeah there was no acid up in there.

1174
00:56:10,239 --> 00:56:13,279
Speaker 2: Yeah they need it for I'm sure they had like plenty.

1175
00:56:13,040 --> 00:56:15,719
Speaker 1: Of salt potatoes.

1176
00:56:15,719 --> 00:56:18,439
Speaker 2: Also britches, gloves, silks, velvet.

1177
00:56:18,200 --> 00:56:22,080
Speaker 1: Silks, amazing pocket watches. He's a watch guy like Rolex,

1178
00:56:22,320 --> 00:56:27,000
Speaker 1: let's go vintage. And then he does get wigs.

1179
00:56:27,360 --> 00:56:29,040
Speaker 2: Yeah, there's that point where he's like I had to

1180
00:56:29,040 --> 00:56:30,840
Speaker 2: go to my barbers to pick out all the gnats

1181
00:56:30,840 --> 00:56:33,120
Speaker 2: from my wig and there's all this like I mean,

1182
00:56:33,320 --> 00:56:35,240
Speaker 2: everything's nasty. There's like larvae in your.

1183
00:56:35,120 --> 00:56:38,680
Speaker 1: Hair when someone's like pulling your wig and it's like disgusting.

1184
00:56:38,880 --> 00:56:41,279
Speaker 1: But yeah, he loves clothes and he loves silks and like.

1185
00:56:41,440 --> 00:56:43,439
Speaker 2: And so how do they live? I actually think they

1186
00:56:43,480 --> 00:56:46,520
Speaker 2: are very like silk brocades on the wall and like

1187
00:56:46,640 --> 00:56:50,400
Speaker 2: they are little silk couches. And they're doing the house

1188
00:56:50,480 --> 00:56:52,200
Speaker 2: every year because you got to give the wife something

1189
00:56:52,200 --> 00:56:52,440
Speaker 2: to do.

1190
00:56:52,600 --> 00:56:55,000
Speaker 1: So it's like and I think she's choosing like new

1191
00:56:55,320 --> 00:56:56,920
Speaker 1: gorgeous curtains.

1192
00:56:57,280 --> 00:56:58,960
Speaker 2: Yeah, and they're doing hugest bed.

1193
00:56:59,000 --> 00:57:01,480
Speaker 1: And I also think like by the bed, like a

1194
00:57:01,560 --> 00:57:03,719
Speaker 1: few nights a week is like a huge basin full

1195
00:57:03,760 --> 00:57:04,240
Speaker 1: of vomit.

1196
00:57:05,160 --> 00:57:07,719
Speaker 2: For sure, at least once a week he's vomiting in

1197
00:57:07,760 --> 00:57:08,160
Speaker 2: the basement.

1198
00:57:08,200 --> 00:57:10,759
Speaker 1: And then there are so many like mirrors because like

1199
00:57:10,800 --> 00:57:11,719
Speaker 1: in dressing.

1200
00:57:11,440 --> 00:57:13,920
Speaker 2: Rooms they're small mirrors.

1201
00:57:13,680 --> 00:57:15,839
Speaker 1: And she's like turning side beside being like how does

1202
00:57:15,880 --> 00:57:16,560
Speaker 1: my bustle look?

1203
00:57:16,640 --> 00:57:18,880
Speaker 2: At one point he does go get his portrait done

1204
00:57:19,560 --> 00:57:20,880
Speaker 2: and he's like, oh, I feel like it's not gonna

1205
00:57:20,880 --> 00:57:21,280
Speaker 2: look like me.

1206
00:57:22,320 --> 00:57:24,320
Speaker 1: He's being actually so you with like a painting.

1207
00:57:24,080 --> 00:57:25,720
Speaker 2: With a pain of himself and.

1208
00:57:26,960 --> 00:57:29,480
Speaker 1: Just back to like drinking. Is it like a copper

1209
00:57:29,520 --> 00:57:32,960
Speaker 1: goblet copper for wine and maybe ten for ale.

1210
00:57:33,360 --> 00:57:34,960
Speaker 2: I feel like he's way too much of a drunk

1211
00:57:35,000 --> 00:57:37,000
Speaker 2: to like be getting a different glass.

1212
00:57:37,360 --> 00:57:38,520
Speaker 1: Okay, it's just one coup.

1213
00:57:38,600 --> 00:57:42,040
Speaker 2: It's kind of grabb and go. Yeah, like or he's

1214
00:57:42,040 --> 00:57:44,560
Speaker 2: so Stanley cup about it, where he's walking around with

1215
00:57:44,560 --> 00:57:47,520
Speaker 2: his big mug all day, like going from tavern to tavern,

1216
00:57:47,640 --> 00:57:48,840
Speaker 2: just like filler.

1217
00:57:48,600 --> 00:57:54,000
Speaker 1: Up, putting so many like nastiest charms on it.

1218
00:57:55,480 --> 00:57:58,480
Speaker 2: And like having the little like black patches the coach.

1219
00:57:59,760 --> 00:58:01,840
Speaker 1: Everyone's putting their big steins in there.

1220
00:58:01,840 --> 00:58:05,880
Speaker 2: It's jingle jangle, jingle jangle while you're like four fingers

1221
00:58:05,920 --> 00:58:10,040
Speaker 2: deep in a wench. I mean, okay, wait, who.

1222
00:58:10,160 --> 00:58:13,200
Speaker 1: Are you in the book? I kind of feel like

1223
00:58:13,360 --> 00:58:16,240
Speaker 1: we're both kind of peeps in this way because.

1224
00:58:15,960 --> 00:58:18,560
Speaker 2: We are both getting into fights with our wives about

1225
00:58:18,600 --> 00:58:20,280
Speaker 2: like them leaving clothes places.

1226
00:58:20,520 --> 00:58:23,040
Speaker 1: Yeah, but then like I'm being like Maya, like you

1227
00:58:23,040 --> 00:58:24,560
Speaker 1: bought too much stuff in the real real and then

1228
00:58:24,600 --> 00:58:26,800
Speaker 1: I'm going to talent and getting so many new shoes

1229
00:58:26,840 --> 00:58:30,680
Speaker 1: and so many shirts. Yeah, I'm like projecting my shoppaholicism.

1230
00:58:31,240 --> 00:58:34,280
Speaker 2: Yeah, and like my my wife has always been like

1231
00:58:34,520 --> 00:58:36,600
Speaker 2: what about this, like house in the Catskills and being

1232
00:58:36,640 --> 00:58:43,200
Speaker 2: like with what Monday buys Diesels shirt. So yeah, we're

1233
00:58:43,320 --> 00:58:47,000
Speaker 2: both peeps in this way for sure, but then also

1234
00:58:47,040 --> 00:58:49,280
Speaker 2: we're just like gossip being at court too.

1235
00:58:49,560 --> 00:58:52,600
Speaker 1: Definitely like Cortissans in the court and like also like

1236
00:58:52,920 --> 00:58:55,760
Speaker 1: maybe like I'm in like a play that he's being

1237
00:58:55,840 --> 00:58:59,640
Speaker 1: like that was bad and I'm being so and I'm

1238
00:58:59,680 --> 00:59:00,560
Speaker 1: just like a beggar.

1239
00:59:01,760 --> 00:59:06,959
Speaker 2: I honestly give this book five Yeah, literally like five

1240
00:59:07,000 --> 00:59:08,920
Speaker 2: boils out of five coach.

1241
00:59:08,720 --> 00:59:13,640
Speaker 1: Ubers with Stanley's out of five, Like this is unreal.

1242
00:59:13,680 --> 00:59:18,400
Speaker 1: It's the switch literally like this walk so every diary

1243
00:59:18,440 --> 00:59:19,520
Speaker 1: published diary could rock.

1244
00:59:19,680 --> 00:59:25,720
Speaker 2: It is one of them, densest every like it takes Bridge, yeah,

1245
00:59:25,760 --> 00:59:27,960
Speaker 2: because every single page has so much in.

1246
00:59:27,960 --> 00:59:30,040
Speaker 1: It, so much history, but it's so many jokes.

1247
00:59:30,120 --> 00:59:32,760
Speaker 2: Yeah, and it's just funny. It's hilarious and it's so

1248
00:59:33,080 --> 00:59:35,640
Speaker 2: deep and you get to see history happening. But he

1249
00:59:35,800 --> 00:59:38,640
Speaker 2: like is like we said, it's like he's not this

1250
00:59:38,760 --> 00:59:41,720
Speaker 2: self indulgent bitch with his writing. It's like he's just

1251
00:59:41,720 --> 00:59:44,040
Speaker 2: giving you plot plot plot plot plot.

1252
00:59:43,840 --> 00:59:48,040
Speaker 1: Here it go bang him out anyway, everyone, Bedside Book. Okay,

1253
00:59:48,640 --> 00:59:51,000
Speaker 1: that's what's perfect is you can just open to an

1254
00:59:51,160 --> 00:59:53,560
Speaker 1: entry and be like, oh, he took the coach to

1255
00:59:53,600 --> 00:59:56,040
Speaker 1: Saint James Theater, like you don't have to like start

1256
00:59:56,080 --> 00:59:59,720
Speaker 1: from beginning to end. Okay, guys, well, tally ho.

1257
01:00:00,320 --> 01:00:07,840
Speaker 2: Tally, My carriage is here best best. It was dark

1258
01:00:07,880 --> 01:00:10,760
Speaker 2: before I could get home, and I land at churchyard stairs, where,

1259
01:00:10,840 --> 01:00:13,160
Speaker 2: to my great trouble, I met a dead corpse of

1260
01:00:13,200 --> 01:00:18,000
Speaker 2: the plague. The corpse sadly was our producer Darby Masters.

1261
01:00:18,280 --> 01:00:20,400
Speaker 2: May she rest in peace. But I thank god I

1262
01:00:20,520 --> 01:00:22,120
Speaker 2: was not too much disturbed by it.

1263
01:00:22,400 --> 01:00:24,480
Speaker 1: Well, when I woke up this morning, I actually had

1264
01:00:24,480 --> 01:00:27,640
Speaker 1: a pot of chocolate ready made for my morning draft

1265
01:00:27,680 --> 01:00:31,160
Speaker 1: and I shared it with our supervising producer Abu Zafar.

1266
01:00:32,200 --> 01:00:35,680
Speaker 1: He actually got quite sick from the chocolate, and he

1267
01:00:35,760 --> 01:00:38,200
Speaker 1: didn't die, but he was down with a high high

1268
01:00:38,240 --> 01:00:40,600
Speaker 1: fever for a couple of days and came right back

1269
01:00:40,640 --> 01:00:43,240
Speaker 1: at it. A good glass of ale cured him. Never

1270
01:00:43,360 --> 01:00:44,040
Speaker 1: chocolate again.

1271
01:00:45,000 --> 01:00:46,720
Speaker 2: I do hope that he can continue on in his

1272
01:00:46,760 --> 01:00:51,840
Speaker 2: marriage with Lord Chancellor's daughter Henrietta. A fine carriage, young

1273
01:00:51,920 --> 01:00:52,720
Speaker 2: girlly she is.

1274
01:00:53,680 --> 01:00:57,120
Speaker 1: This brigade of celebrity book Club was executive produced by

1275
01:00:57,120 --> 01:00:59,440
Speaker 1: none other then Queen Christina.

1276
01:00:59,640 --> 01:01:05,160
Speaker 2: Everytt our music was composed by the right Honorable Stephen

1277
01:01:05,160 --> 01:01:08,120
Speaker 2: Phillips Host who for many many years lived in a

1278
01:01:08,280 --> 01:01:11,920
Speaker 2: very very very small cabin, not very well appointed, but

1279
01:01:12,040 --> 01:01:15,760
Speaker 2: was a tremendous talent. Sadly he died of gout and

1280
01:01:15,920 --> 01:01:17,480
Speaker 2: no amount of pigeon could save it.

1281
01:01:17,960 --> 01:01:21,640
Speaker 1: Actually shocking because he died was only one pence, so

1282
01:01:21,680 --> 01:01:23,760
Speaker 1: how did he get out? He spent all of his

1283
01:01:23,960 --> 01:01:29,480
Speaker 1: money a liver, nail and cheese where which brings me.

1284
01:01:29,720 --> 01:01:32,280
Speaker 1: I had my portrait done the other day by one

1285
01:01:32,800 --> 01:01:35,520
Speaker 1: Sir Teddy Blaz. I actually had to pay him twenty

1286
01:01:35,600 --> 01:01:37,520
Speaker 1: pence and then my wife said, well, what on I

1287
01:01:37,600 --> 01:01:41,240
Speaker 1: have a portrait? And I said, oh, you old wench okay,

1288
01:01:41,280 --> 01:01:43,520
Speaker 1: I'll get you a portrait anyway. He is very fine.

1289
01:01:43,560 --> 01:01:47,200
Speaker 1: Find him in town on corner to Studio five on

1290
01:01:47,320 --> 01:01:48,080
Speaker 1: Cromwell Street.

1291
01:01:48,320 --> 01:01:53,959
Speaker 2: Our previous arrangement at the Royal Navy was endeavored with

1292
01:01:54,160 --> 01:01:56,640
Speaker 2: one prologue project, so of course we had quite a

1293
01:01:56,720 --> 01:02:02,360
Speaker 2: row of a shillians and we decided to part ways

1294
01:02:02,440 --> 01:02:06,640
Speaker 2: on amicable terms, for which I wish him all the

1295
01:02:06,680 --> 01:02:10,200
Speaker 2: best in his travels to the embassy in Tangier.

1296
01:02:10,520 --> 01:02:14,000
Speaker 1: Now, if you ought to give us a shilling or

1297
01:02:14,000 --> 01:02:17,600
Speaker 1: two We wouldn't mind because the kingdom is falling. I'll

1298
01:02:17,640 --> 01:02:20,360
Speaker 1: be honest. So do go to Patreon dot com, sash

1299
01:02:20,400 --> 01:02:23,040
Speaker 1: CBC's pardon and you will hear. You'll get more letters

1300
01:02:23,040 --> 01:02:24,680
Speaker 1: from us, these much more well.

1301
01:02:24,720 --> 01:02:27,400
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