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Speaker 1: Okay, Tanya has talked about the invisible string for many

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Speaker 1: many years. Here, now what's in the training report.

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Speaker 2: I'm such a believer in the invisible string, which is

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Speaker 2: I think why it's my favorite Taylor Swift song.

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Speaker 1: Which means you're tied to someone but you don't know it. Yes,

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Speaker 1: like you can't see the string, but if you could,

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Speaker 1: you'd see it. Yeah.

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Speaker 2: It's like tying you to this person before you ever

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Speaker 2: met them. And we all know that Travis Kelce plays

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Speaker 2: for the Kansas City Chiefs. And it turns out that

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Speaker 2: Taylor has had a connection to the Kansas City Chiefs

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Speaker 2: even before dating Travis Kelce aka the Invisible String. So

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Speaker 2: Cameron Saunders is Taylor's backup dancer. He's the one that

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Speaker 2: screams out like ever during the song we are never

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Speaker 2: ever getting back together. So his brother, his name is

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Speaker 2: Colin Saunders, and he is a former defensive tackle for.

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Speaker 3: The Chiefs.

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Speaker 1: So cold you're saying a string tied this all together, Yes.

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Speaker 3: That is their invisible string.

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Speaker 2: So her backup dancer has a brother who played for

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Speaker 2: the Kansas City Chiefs, but he played from twenty nineteen

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Speaker 2: to twenty twenty two.

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Speaker 1: So the string's kind of crooked, isn't it like all

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Speaker 1: over the place, isn't it? String supposed to be directly

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Speaker 1: to Travis?

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Speaker 3: No, no, no, there's no direct string.

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Speaker 2: A string bends, a string curves, a string moves.

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Speaker 1: It's string doesn't have to go all the way to Travis. Correct.

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Speaker 3: So now he plays for the New Orleans Saints.

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Speaker 1: My definitely a string will because all the way to

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Speaker 1: the person. Yeah, it needs to come to Travis.

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Speaker 3: You guys, that is trying to Travis.

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Speaker 2: That guy played on the Kansas City Chiefs with Travis.

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Speaker 1: Kelsey at the same time.

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Speaker 3: Yes, okay, how much closer do you need?

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Speaker 1: Why don't he say twenty nineteen three? Yeah, I guess

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Speaker 1: you're right. I get yeah, that's pretty close. She is right.

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Speaker 1: I mean, I'll give you the twenty twenty two to

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Speaker 1: the twenty two and then she has the song twenty two.

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Speaker 3: That's another little tie in.

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Speaker 1: See, the world cannot handle this going ever wrong.

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Speaker 2: You know that the world cannot can handle this, so

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Speaker 2: invested in this.

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Speaker 1: Relationship like the world, I mean, economies can't handle it.

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Speaker 1: The economies can't handle it. They need to go the

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Speaker 1: distance or else. Oh my gosh, that'll be a whole

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Speaker 1: other level. Can you imagine the next door is the

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Speaker 1: wedding bells eras that would be That would be be

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Speaker 1: like the only thing could transcend this would be that, yes,

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Speaker 1: honestly be America's royal wedding.

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Speaker 3: She would have a whole bridal era, Oh my.

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Speaker 1: Gosh, which would be a whole nother generation and level

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Speaker 1: of excitement. You guys, I won't be able to handle it.

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Speaker 1: And you have to wear a bridle gown to the

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Speaker 1: movie that would be made of the era, Oh my god. Concert.

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Speaker 3: Yeah, and everybody always wants to wear their wedding dresses again, right.

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Speaker 1: I mean you'll have yours then, right, and to use

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Speaker 1: it again. Vacuum sealed since twenty fourteen, So time to

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Speaker 1: take them. Put me out any planning meetings going on?

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Speaker 3: Uh no, my parents get back in a couple of

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Speaker 3: weeks though. Then we start.

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Speaker 1: Your parents have been gone since July. Wow, literally for

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Speaker 1: their retirement. Yeah.

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Speaker 2: They want because they're from Serbia and so they want

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Speaker 2: to kind of like all of our family lives in Serbia,

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Speaker 2: so they want to spend equal time there and equal

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Speaker 2: time here.

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Speaker 1: I'm all four of them enjoying every moment together. Yeah,