WEBVTT - Avenger | 2. The Investigation

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<v Speaker 1>Hello, Avenger listeners, It's Steve Fishman and I'm really glad

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<v Speaker 1>you've tuned in. I hope you love this show as

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<v Speaker 1>much as we do. A quick word on an upcoming

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<v Speaker 1>bonus episode. We're doing a bonus with Miriam, the real Miriam.

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<v Speaker 1>We'll be asking her questions, your questions and getting answers.

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<v Speaker 1>She'll update us on what's going on in her world

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<v Speaker 1>and a lot has Please email your questions or thoughts

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<v Speaker 1>or comments too. Info at Orbitmedia dot fm. Oh and

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<v Speaker 1>Fisher Stevens can answer your questions too. He's our co

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<v Speaker 1>founder and resident Oscar winner. He's an actor you saw

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<v Speaker 1>him in Succession and director of actors like al Pacino

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<v Speaker 1>and Justin Timberlake. For Avenger, he directed Alexis Bledel, who

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<v Speaker 1>voices Miriam. If we're lucky, Alexis who was the star

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<v Speaker 1>of Gilmore Girls and Handmaid's Tale and is the daughter

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<v Speaker 1>of an Argentine. We'll chip in answers to so let

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<v Speaker 1>us know your thoughts and questions, hopes and prayers. Info

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<v Speaker 1>at Orbitmedia dot FM. Thanks, you're about to listen to

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<v Speaker 1>the second episode of Avenger. This is our new true

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<v Speaker 1>crime series. In season three of the burden. One thing

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<v Speaker 1>I want to mention this podcast took us a year

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<v Speaker 1>to get right. There's a ton of reporting behind every

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<v Speaker 1>podcast we do. In today's episode, which is called the Investigation,

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<v Speaker 1>an Italian journalist shows up at Miriam's doorstep and pulls

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<v Speaker 1>her into the investigation of her life in all senses

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<v Speaker 1>of that phrase. A quick word about subscriptions. If you

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<v Speaker 1>love ads, listen on. If you're not so keen on ads,

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<v Speaker 1>can binge the entire Avenger series. It's just two ninety

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<v Speaker 2>Thanks. Before we begin, please note that for this story

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<v Speaker 2>we interviewed Medium and everyone else for dozens of hours

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<v Speaker 2>in Spanish. We hired actors to voice their words in English. Also,

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<v Speaker 2>this episode contains sensitive content and it's intended for mature audiences.

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<v Speaker 2>Medium visits Giancadlo's apartment for the first time. It's two

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<v Speaker 2>thousand and seven. They had met several days earlier at

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<v Speaker 2>a cafe. This time he greets her with his very

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<v Speaker 2>own freshly brewed coffee.

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<v Speaker 3>His apartment was very small, a minuscule kitchen, a single

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<v Speaker 3>bathroom and just two rooms, a tiny living room and

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<v Speaker 3>a bedroom with a working desk next to his bed.

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<v Speaker 2>But Jiancarlo's apartment did have one nice perk and.

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<v Speaker 3>I must window with a gorgeous view of the city.

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<v Speaker 3>Sunsets were just stunning. We sat in his living room.

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<v Speaker 3>He had these old armchairs from the sixties, not very comfortable,

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<v Speaker 3>so kind of perfect. You didn't get too relaxed.

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<v Speaker 4>Medium was recommended to me by a fellow journalist. She

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<v Speaker 4>had the insider knowledge of a survivor, so I wanted

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<v Speaker 4>to know more about her.

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<v Speaker 2>And that's because Giancadlo really needs medium. When he first

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<v Speaker 2>arrived in Argentina, he came out of boredom looking for adventure.

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<v Speaker 4>I always say that I became a photographer because it

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<v Speaker 4>was the perfect excuse to go out and do something.

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<v Speaker 2>He soon found he had some relatives there and his

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<v Speaker 2>connection deepened.

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<v Speaker 4>Then I saw a movie about the dictatorship. It hit

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<v Speaker 4>me hard, the darkness and what he said about us

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<v Speaker 4>as human beings.

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<v Speaker 2>He decided to stay and he wanted to focus on

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<v Speaker 2>the hidden detention centers, photographing them, but he also knew

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<v Speaker 2>he needed help. That's how he found medium. Gian Cadlo

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<v Speaker 2>needs her to commit to an investigation. She will give

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<v Speaker 2>his work legitimacy and authenticity. And she's a well known

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<v Speaker 2>investigative reporter with access to more people in places than

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<v Speaker 2>any Italian photographer could ever hope for.

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<v Speaker 4>Medium was just perfect for me. I wanted this to work,

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<v Speaker 4>so all these questions, I thought of them like releasing

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<v Speaker 4>a mosquito right next to her here, just to see

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<v Speaker 4>how she would react.

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<v Speaker 2>He was prodding her, poking her, and knowing her to

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<v Speaker 2>get a reaction.

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<v Speaker 3>Gian Carlo said that if we were going to work together,

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<v Speaker 3>we had to know each other better. He was already

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<v Speaker 3>assuming that me showing up was me agreeing to work

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<v Speaker 3>with him. He pretended to care, telling me I didn't

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<v Speaker 3>have to answer his questions if I didn't want to,

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<v Speaker 3>But really he didn't care if they made me uncomfortable.

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<v Speaker 2>This is also a tactic on Jihan Cardlo's part.

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<v Speaker 4>I treated her like a person, not as a survivor,

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<v Speaker 4>with respect, but not too much.

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<v Speaker 2>Really. Giancarlo is as too. He's nice when he needs

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<v Speaker 2>to be, but he's after something. He needs to charm

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<v Speaker 2>her into joining the investigation and into trusting him with

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<v Speaker 2>the secrets of her past.

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<v Speaker 3>He wanted to know about my childhood, also about my anarchism,

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<v Speaker 3>my kidnapping, and how I had survived. It was question

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<v Speaker 3>after question. Honestly, I told him more about me than

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<v Speaker 3>he did about himself, and he just seemed to share

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<v Speaker 3>what was convenient for him.

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<v Speaker 4>I tell her that I grew up near an airport,

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<v Speaker 4>how my father used to be friends with a pilot,

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<v Speaker 4>so every Sunday it would take me to go to

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<v Speaker 4>look at airplanes. I remember being amazed, completely hypnotized by

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<v Speaker 4>the site.

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<v Speaker 2>He also pose to her a way to look at

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<v Speaker 2>the past.

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<v Speaker 4>Growing up in Rome, having access to places like the coliseum,

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<v Speaker 4>It's always been so easy for me to give a

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<v Speaker 4>soul to things and places. Rok will live longer than me,

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<v Speaker 4>it will stay, I will die, So I look at

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<v Speaker 4>objects and places like their witnesses.

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<v Speaker 2>Jihangadlo tells her he wants to document Argentina's dictatorship through photographs,

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<v Speaker 2>a book that will show the victims, their faces, their

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<v Speaker 2>truths for all the world to see. And also he

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<v Speaker 2>wants to show the tools used to disappear people, like

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<v Speaker 2>the planes that flew the death flights. Jiangadlo has an

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<v Speaker 2>obsession about tracking down those planes, those witnesses to history.

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<v Speaker 3>I feel like our roles were reversed. Like he is

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<v Speaker 3>the young storyteller asking the big questions, but I am

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<v Speaker 3>the one that should be questioning him. That gives me

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<v Speaker 3>a lot of pause. But as I keep talking, my doubts,

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<v Speaker 3>my distrust start to disappear. He's so informal, so open,

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<v Speaker 3>so earnest, that I give in me the experienced investigative reporter.

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<v Speaker 3>I let myself get recruited by this Danito, this charming

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<v Speaker 3>Italian guy.

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<v Speaker 4>And from there I revealed my cooking and coffee making scales,

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<v Speaker 4>and it was like a switch. We start paving the

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<v Speaker 4>way for the investigation with lots of food, lots of pasta.

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<v Speaker 3>His house became a whole new universe for me. We

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<v Speaker 3>would alternate between my cigarettes and the ones he rolled

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<v Speaker 3>by hand, and that amazing coffee he Brew. We became

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<v Speaker 3>friends and developed, I would say a very intense relationship.

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<v Speaker 3>We decided to start looking for the planes together.

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<v Speaker 2>From Orbit Media, I'm Andre Skawa Shadow. This is Avenger,

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<v Speaker 2>the story of Medium Lewin. Episode two, the investigation. Medium

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<v Speaker 2>arrives at Jiangado's apartment that first time with a lureful

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<v Speaker 2>Cilingo's book in hand. Silingo is the former Navy officer

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<v Speaker 2>you heard of in the last episode. Giancarlo had given

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<v Speaker 2>her that book on their first meeting at a cafe.

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<v Speaker 3>The day Giancarlo gave me the book, I got home,

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<v Speaker 3>put on some music, poured myself a glass of wine,

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<v Speaker 3>and spent the entire night reading and smoking.

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<v Speaker 2>Marlboroughs it sounds as if she's reading a romance novel,

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<v Speaker 2>except she isn't. Silingo's book is about death and planes.

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<v Speaker 2>It's a first person nareed, a confession by a man

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<v Speaker 2>who helped kill hundreds of people by tossing them out

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<v Speaker 2>of planes into the ocean.

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<v Speaker 3>Such a bizarre looking thing. This cover, it's salmon pink,

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<v Speaker 3>like the one they use for trashy romantic novels. Then

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<v Speaker 3>the title Porciannuca mas Forever never More with exclamation marks.

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<v Speaker 2>In his book, medium read for the first time an

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<v Speaker 2>account of a death flight from the point of view

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<v Speaker 2>of a murder. He writes about the thirteen prisoners inside

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<v Speaker 2>the plane. They're heavily sedated, lying on the floor. A

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<v Speaker 2>doctor opens this wooden box filled with syringes and injects

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<v Speaker 2>the prisoners with a second dose of tranquilizer Finande. That's

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<v Speaker 2>the actual audio of alol Fosilingo retelling his experience through

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<v Speaker 2>a television interview. The doctor gives them a powerful doze.

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<v Speaker 2>The corporal and Silingo are wearing gloves, and as soon

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<v Speaker 2>as the prisoners fall into a deep slumber, they start

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<v Speaker 2>undressing them, preparing them for the final step. Kao, Chicoho

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<v Speaker 2>and Choano. It suddenly one of the young corporals on

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<v Speaker 2>the plane. He says, this guy in his twenties started

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<v Speaker 2>sobbing when he realized what they were doing. That disrobing

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<v Speaker 2>the prisoners in the middle of the flight meant only

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<v Speaker 2>one thing. They took off their clothes to leave zero evidence,

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<v Speaker 2>to disappear them completely, no way to identify the bodies

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<v Speaker 2>if they ever floated to shore. Almost Maalintro Alban Silingo

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<v Speaker 2>says how the commander informed them when they were high

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<v Speaker 2>enough above the water and then gave the order to

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<v Speaker 2>shove the bodies out of the plane one by one.

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<v Speaker 2>Medium recalls a scene from the book and.

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<v Speaker 3>At one point Silingo slips and almost falls out of

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<v Speaker 3>the plane.

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<v Speaker 2>He almost tumbles out the rear cargo door. For the

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<v Speaker 2>next death flight. He attaches himself with a rope to

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<v Speaker 2>the inside of the plane's door, and I read.

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<v Speaker 3>The descriptions of people being injected with tranquil visers.

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<v Speaker 2>Medium had never come across such a vivid account of

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<v Speaker 2>the actual mechanics of this killing machine. In his book,

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<v Speaker 2>Silingo even recounted the procedure for preparing prisoners at the

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<v Speaker 2>detention center. Twenty five people, men and women were lined

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<v Speaker 2>up in the dark hallway of a basement. No one

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<v Speaker 2>said a word. A Junta officer put on loud music

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<v Speaker 2>and forced them to dance. Then the doctor injected them

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<v Speaker 2>with the first dose of tranquilizer. Little by little, the

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<v Speaker 2>injections began to have an effect. Their dancing slowed down,

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<v Speaker 2>Some leaned against the wall, others sat on the ground, and.

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<v Speaker 3>Then details of people being transferred on trucks and loaded

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<v Speaker 3>on planes.

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<v Speaker 2>It was all terrifying, But for Medium and Giancarlo the

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<v Speaker 2>book served another purpose. They find some clues.

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<v Speaker 3>Silingo literally lays out the specific models of the planes,

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<v Speaker 3>like the sky Van.

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<v Speaker 2>No one had dug into these details yet, including Medium,

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<v Speaker 2>one of Argentina's top journalists. The names and models of

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<v Speaker 2>the planes, they were all there overlooked for years. In

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<v Speaker 2>jian Cadlo's apartment, they work side by side. It's intimate.

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<v Speaker 2>The apartment is so small that Medium often spreads her

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<v Speaker 2>work on gian Cadlo's bed when there's no room on

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<v Speaker 2>his desk.

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<v Speaker 3>The fact I would spend my free, very limited time

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<v Speaker 3>working on this investigation, an investigation that's based on my

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<v Speaker 3>own story, it really motivated me, you know, and I

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<v Speaker 3>felt comfortable with Giancarlo, and he knew how to give back.

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<v Speaker 2>Jian Cadlo is a master multitasker, cooking amazing Italian dinners

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<v Speaker 2>while going over his findings from the day's work. It's

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<v Speaker 2>like the investigation into these hidden crimes is being fueled

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<v Speaker 2>by good food, coffee, and cigarettes.

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<v Speaker 3>We were like an actual couple. That's the type of

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<v Speaker 3>relationship we had, but without the sex. Like a good couple,

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<v Speaker 3>we understood each other, we had common goals, and we

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<v Speaker 3>had each other's backs.

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<v Speaker 2>Medium is older than Jiancardlo by a dozen years, but

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<v Speaker 2>they meet at a time when they're both going through

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<v Speaker 2>difficult moments in their personal lives.

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<v Speaker 3>We were both sort of broken, and I guess we

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<v Speaker 3>were each feeling a void with our relationship.

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<v Speaker 2>Medium's boyfriend had left her for a younger woman, and

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<v Speaker 2>Jiancadlo was going through his own difficulties. Little by little,

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<v Speaker 2>in between the investigation and the tangents where they went

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<v Speaker 2>on about their personal lives, they start to build trust

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<v Speaker 2>and the investigation starts gaining momentum. Now that they have

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<v Speaker 2>the names of the planes, they begin to learn more

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<v Speaker 2>about them.

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<v Speaker 3>These planes can dispose of their cargo in flight. For example,

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<v Speaker 3>the sky Van, which is a pretty small plane, has

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<v Speaker 3>a rather large rear door.

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<v Speaker 2>In this plane, the sky Van doesn't look like most

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<v Speaker 2>small planes. It's rectangular shaped with two propellers. It's nicknamed

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<v Speaker 2>the flying shoe Box. It also has this spacious cabin.

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<v Speaker 3>You would never say this is a beautiful plane. On

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<v Speaker 3>the contrary, it's horrible. It looks like a big bird

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<v Speaker 3>with a big beak and a giant belly.

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<v Speaker 2>And she becomes obsessed with the planes. They're possible smoking guns.

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<v Speaker 3>I was hooked and this suddenly changed the way I

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<v Speaker 3>saw Giancarlo from who does this foreigner think he is

0:15:36.760 --> 0:15:40.400
<v Speaker 3>asking all these questions to the sky might be riot,

0:15:40.480 --> 0:15:43.880
<v Speaker 3>it's an outsider, but it probably sees things we don't see.

0:15:44.800 --> 0:15:48.760
<v Speaker 2>But Giancarlo wasn't just a support for Medium. He doesn't

0:15:48.880 --> 0:15:52.080
<v Speaker 2>just have her back. He has his own agenda.

0:15:53.000 --> 0:15:58.560
<v Speaker 3>So he started asking me questions about the dictatorship, about

0:15:58.600 --> 0:16:00.000
<v Speaker 3>my time in captivity.

0:16:01.000 --> 0:16:04.240
<v Speaker 2>Medium knows what he's trying to get at, but she's

0:16:04.360 --> 0:16:09.160
<v Speaker 2>uneasy about her past. These are painful memories. She still

0:16:09.200 --> 0:16:12.080
<v Speaker 2>trusts Giancarlo, and she tells him about her kidnapping.

0:16:15.520 --> 0:16:18.960
<v Speaker 3>I'm at this bus stop in Buenos Aires and I'm

0:16:19.040 --> 0:16:23.320
<v Speaker 3>in survival mode. I start fighting back, screaming, you know,

0:16:23.600 --> 0:16:26.360
<v Speaker 3>yelling my name and my mother's phone number as loud

0:16:26.400 --> 0:16:29.080
<v Speaker 3>as I could, and people want to help me. But

0:16:29.280 --> 0:16:31.720
<v Speaker 3>then the men pull out their guns and they scare

0:16:31.840 --> 0:16:32.680
<v Speaker 3>everybody away.

0:16:33.560 --> 0:16:36.760
<v Speaker 2>It's May nineteen seventy seven, a year since the military

0:16:36.800 --> 0:16:39.560
<v Speaker 2>coup in Argentina. In a group of armed men and

0:16:39.680 --> 0:16:41.400
<v Speaker 2>playing clothes surround Medium.

0:16:42.360 --> 0:16:45.000
<v Speaker 3>Then they drag me into the back of the Ford

0:16:45.080 --> 0:16:50.200
<v Speaker 3>Falcon and they take off. They put a hood on me.

0:16:50.800 --> 0:16:54.680
<v Speaker 3>I could hear them talking through a radio, and they

0:16:54.800 --> 0:16:58.840
<v Speaker 3>start insulting me, calling me a bitch. They knew my name,

0:17:00.040 --> 0:17:03.800
<v Speaker 3>they knew exactly who I was, and there was clearly

0:17:04.000 --> 0:17:07.800
<v Speaker 3>a sort of perversed excitement inside that car.

0:17:13.600 --> 0:17:16.120
<v Speaker 2>She's blindfolded and forced out of the car.

0:17:17.040 --> 0:17:20.320
<v Speaker 3>They make me go up some stairs. They lead me

0:17:20.520 --> 0:17:25.520
<v Speaker 3>into a room, make me take off my clothes. Then

0:17:25.920 --> 0:17:28.960
<v Speaker 3>they tie me to a table with my hands and

0:17:29.200 --> 0:17:33.880
<v Speaker 3>feet crossed. They take off my blindfold, and I see

0:17:34.160 --> 0:17:39.480
<v Speaker 3>a guy with green eyes staring at me. He's balding,

0:17:39.880 --> 0:17:44.040
<v Speaker 3>probably in his thirties, and he says, Medium, look at me.

0:17:44.520 --> 0:17:48.760
<v Speaker 3>I'm responsible for your life and your death. As long

0:17:48.840 --> 0:17:51.879
<v Speaker 3>as you cooperate with us, nothing will happen to you.

0:17:53.600 --> 0:17:57.159
<v Speaker 2>Ten men standing there, just staring at Medium.

0:17:57.840 --> 0:18:00.639
<v Speaker 3>One of them talks right into my ear while holding

0:18:00.720 --> 0:18:05.320
<v Speaker 3>my hand and caressing my hair. Others start insulting me.

0:18:05.720 --> 0:18:08.560
<v Speaker 3>How many abortions did you have? How many men did

0:18:08.640 --> 0:18:11.720
<v Speaker 3>you sleep with? I start panicking, and while one guy

0:18:11.880 --> 0:18:15.320
<v Speaker 3>is trying to calm me down, another screaming at me,

0:18:15.440 --> 0:18:17.200
<v Speaker 3>and another starts fondling me.

0:18:18.119 --> 0:18:21.399
<v Speaker 2>One guy brings over a plastic bag and puts it

0:18:21.720 --> 0:18:26.159
<v Speaker 2>over Medium's head. When she starts to asphyxiate, he removes it.

0:18:26.760 --> 0:18:30.159
<v Speaker 3>I kept telling myself to stay calm. I knew they

0:18:30.359 --> 0:18:35.480
<v Speaker 3>just wanted information, so I focused on breathing, deep breath.

0:18:36.400 --> 0:18:41.119
<v Speaker 2>But it's not over. She sees an electric crod just.

0:18:41.440 --> 0:18:47.879
<v Speaker 3>The crackling sound itself, it was terrifying, and then the

0:18:48.040 --> 0:18:51.400
<v Speaker 3>electric shock. It was unbearable.

0:19:01.600 --> 0:19:06.240
<v Speaker 2>One afternoon, Giangadlo and Medium are in the apartment. There's

0:19:06.320 --> 0:19:11.080
<v Speaker 2>coffee cigarettes enrolled by Giancarlo. There's the big window with

0:19:11.160 --> 0:19:13.600
<v Speaker 2>that beautiful view of the city, the trees.

0:19:14.320 --> 0:19:19.080
<v Speaker 3>We were reading and carefully rereading every detail, looking for

0:19:19.240 --> 0:19:21.040
<v Speaker 3>clues that would lead to the plains.

0:19:22.200 --> 0:19:26.960
<v Speaker 2>But Giancarlo has more questions. Things he has to know,

0:19:27.800 --> 0:19:31.119
<v Speaker 2>no matter how rude or painful the questions are to Medium,

0:19:32.080 --> 0:19:34.920
<v Speaker 2>did Medium know about the death flights? What she was

0:19:34.960 --> 0:19:35.679
<v Speaker 2>in captivity?

0:19:36.760 --> 0:19:40.879
<v Speaker 4>Some details about people being transferred came up, So I

0:19:41.040 --> 0:19:44.359
<v Speaker 4>asked her, did you have any idea that this was

0:19:44.520 --> 0:19:46.040
<v Speaker 4>happening while you were in captivity?

0:19:47.160 --> 0:19:50.960
<v Speaker 2>This is a delicate moment. That first day of her captivity,

0:19:51.359 --> 0:19:54.200
<v Speaker 2>that Green Night official had told Medium that she must

0:19:54.240 --> 0:19:59.240
<v Speaker 2>cooperate or die. So what did cooperation entail?

0:20:00.119 --> 0:20:02.720
<v Speaker 3>I mean? As prisoners of the junta, we had no

0:20:03.000 --> 0:20:06.720
<v Speaker 3>official knowledge of the death flights? Well, we weren't sure

0:20:06.880 --> 0:20:08.359
<v Speaker 3>they were real. We didn't know.

0:20:09.440 --> 0:20:14.880
<v Speaker 2>But Jiancarlo presses Medium, So when exactly did you first

0:20:14.960 --> 0:20:18.399
<v Speaker 2>hear or suspect about people being thrown from planes?

0:20:18.440 --> 0:20:24.320
<v Speaker 3>Into the sea. Every Wednesday, they transferred prisoners to what

0:20:24.480 --> 0:20:29.240
<v Speaker 3>they claimed was a medical facility in Patagonia. That's where

0:20:29.520 --> 0:20:34.080
<v Speaker 3>they would be reformed, and then eventually they were told

0:20:34.640 --> 0:20:40.560
<v Speaker 3>they would be reintegrated to society. Later, we saw their

0:20:40.680 --> 0:20:46.119
<v Speaker 3>shoes and their shirts pants. We wondered what actually had

0:20:46.200 --> 0:20:51.520
<v Speaker 3>happened to them. When we asked, our captors told us

0:20:51.600 --> 0:20:55.200
<v Speaker 3>they had to change clothes. But one day a prisoner

0:20:55.280 --> 0:20:59.920
<v Speaker 3>came back. He was taken by mistake. When they returned him,

0:21:00.240 --> 0:21:03.000
<v Speaker 3>he was sedated, and while in and out of consciousness,

0:21:03.080 --> 0:21:08.080
<v Speaker 3>he told us what he saw. He said they gave

0:21:08.200 --> 0:21:11.640
<v Speaker 3>them some sort of injection and loaded them into trucks.

0:21:12.600 --> 0:21:15.640
<v Speaker 3>They all started feeling dizzy, but he stayed conscious enough.

0:21:16.080 --> 0:21:19.760
<v Speaker 3>He said he saw the tarmac and the big cargo plane.

0:21:20.440 --> 0:21:24.280
<v Speaker 3>He was telling us something we were not mentally prepared

0:21:24.359 --> 0:21:24.680
<v Speaker 3>to hear.

0:21:25.720 --> 0:21:29.719
<v Speaker 4>So you did know about the death flights.

0:21:30.840 --> 0:21:35.080
<v Speaker 3>Like I said, we didn't really know for sure, and

0:21:35.160 --> 0:21:38.280
<v Speaker 3>we didn't want to believe it. We chose to be

0:21:38.640 --> 0:21:43.200
<v Speaker 3>in denial. It made living in those horrible conditions a

0:21:43.280 --> 0:21:47.520
<v Speaker 3>little bit less horrible. It's like a survival mechanism. It's

0:21:47.640 --> 0:21:50.800
<v Speaker 3>like a patient with terminal cancer. They know they're going

0:21:50.920 --> 0:21:53.760
<v Speaker 3>to die, but they latch onto every little bit of

0:21:53.880 --> 0:21:57.760
<v Speaker 3>hope they can find. They're not constantly thinking about how

0:21:57.960 --> 0:22:01.600
<v Speaker 3>they're going to die, so they'll try anything to stay alive.

0:22:02.680 --> 0:22:07.040
<v Speaker 2>Giancarlo is quiet. He's a good listener in his apartment.

0:22:07.359 --> 0:22:09.600
<v Speaker 2>It's getting late, I can say.

0:22:10.040 --> 0:22:14.119
<v Speaker 3>One of the things that hurts the most is not

0:22:14.359 --> 0:22:20.440
<v Speaker 3>having closure around the deaths of my friends. It always

0:22:20.760 --> 0:22:29.440
<v Speaker 3>leads me to ask myself, why did I survive? The

0:22:29.560 --> 0:22:32.920
<v Speaker 3>truth is, I don't think I'll ever be able to

0:22:33.080 --> 0:22:37.760
<v Speaker 3>answer that question. But now I feel like this investigation

0:22:37.960 --> 0:22:41.720
<v Speaker 3>could help me understand that a little better, and it

0:22:41.800 --> 0:22:45.679
<v Speaker 3>could help bring those who murdered so many people to justice.

0:22:53.080 --> 0:22:57.680
<v Speaker 2>Weeks after her kidnapping in nineteen seventy seven, medium sits

0:22:57.720 --> 0:23:02.440
<v Speaker 2>in a small, dirty, makeshift cell. There's a door with

0:23:02.560 --> 0:23:06.080
<v Speaker 2>a few small holes to let oxygen in, but she

0:23:06.359 --> 0:23:07.320
<v Speaker 2>isn't really there.

0:23:08.320 --> 0:23:11.600
<v Speaker 3>I would often imagine I was remodeling my dream apartment

0:23:12.600 --> 0:23:17.400
<v Speaker 3>inside my grandmother's building. I had always dreamed of moving

0:23:17.480 --> 0:23:18.480
<v Speaker 3>into that apartment with.

0:23:18.600 --> 0:23:22.359
<v Speaker 2>One juan Is Davis, the activists she had fallen in

0:23:22.440 --> 0:23:25.639
<v Speaker 2>love with in episode one. They had just been married

0:23:25.960 --> 0:23:40.520
<v Speaker 2>and gone underground not long before the coup, the daydreaming

0:23:40.720 --> 0:23:44.320
<v Speaker 2>is cut short. The torture has stopped, but her captors

0:23:44.520 --> 0:23:49.040
<v Speaker 2>grill her constantly. They want information about her comrades. They

0:23:49.119 --> 0:23:51.240
<v Speaker 2>make her call the safe house, to which she reported

0:23:51.320 --> 0:23:53.639
<v Speaker 2>every day when she was underground.

0:23:53.760 --> 0:23:57.879
<v Speaker 3>Nobody would want to talk to me. I had obviously

0:23:58.040 --> 0:24:01.920
<v Speaker 3>missed my daily check ins for weeks, so every time

0:24:02.160 --> 0:24:05.440
<v Speaker 3>I called they answered, but they knew I was compromised,

0:24:05.480 --> 0:24:07.240
<v Speaker 3>and they just ended the call.

0:24:08.119 --> 0:24:10.880
<v Speaker 2>But every day they brought a phone to her cell.

0:24:12.000 --> 0:24:15.840
<v Speaker 3>Every day, they insisted. Every day they brought the phone,

0:24:16.640 --> 0:24:19.560
<v Speaker 3>and I told them it was pointless to keep calling.

0:24:21.040 --> 0:24:24.399
<v Speaker 3>But one day, out of the blue, the person that

0:24:24.560 --> 0:24:27.399
<v Speaker 3>picked up the phone at the safe house answered my

0:24:27.480 --> 0:24:29.480
<v Speaker 3>call with a code for a meeting.

0:24:36.400 --> 0:24:42.720
<v Speaker 2>In the next episode, Argentina is chosen to host the

0:24:42.760 --> 0:24:46.159
<v Speaker 2>World Cup, the biggest sports event out there, right in

0:24:46.280 --> 0:24:49.760
<v Speaker 2>the middle of the repression, with the entire world watching.

0:24:50.359 --> 0:24:55.359
<v Speaker 3>The stadium was just blocks away. I felt helpless. It

0:24:55.520 --> 0:25:00.280
<v Speaker 3>was painful because the World Cup blinded all argent Times

0:25:00.280 --> 0:25:05.240
<v Speaker 3>from what was happening, and we the disappeared. We were

0:25:05.280 --> 0:25:07.679
<v Speaker 3>the number one victims of that blindness.

0:25:18.160 --> 0:25:22.200
<v Speaker 2>From Orbit Media, This is Avenger, the story of Medium

0:25:22.280 --> 0:25:27.320
<v Speaker 2>Lewin I'm Your Host and senior producer Andrescavacheo. The series

0:25:27.600 --> 0:25:31.600
<v Speaker 2>was produced by Seguielrodrie Sandino and edited by Monica Campbell.

0:25:32.280 --> 0:25:37.200
<v Speaker 2>Original score Nicolas Pachela, mixing and mastering Christopher Hoff and

0:25:37.320 --> 0:25:43.600
<v Speaker 2>Austin Smith. Assistant producers Andres Feschtenholz and Eleanna Gillespie, FactCheck

0:25:43.840 --> 0:25:49.119
<v Speaker 2>Alejandro Marinelli and Leonardos Canoni. Legal review Nil Rossini. Casting

0:25:49.200 --> 0:25:53.879
<v Speaker 2>director Paula Gammon was The executive producers from Orbit Media

0:25:54.200 --> 0:25:58.920
<v Speaker 2>are Steve Fishman Fisher Stevens, Marcy Wiseman, and Katie Springer.

0:25:59.560 --> 0:26:04.240
<v Speaker 2>The voice actors in Avenger include Alexis Bledel, Asmidium Lewin

0:26:04.760 --> 0:26:08.760
<v Speaker 2>Fulvio de la Volta as Giancarlo Serraudo, Gonzalo Vargas as

0:26:08.880 --> 0:26:13.520
<v Speaker 2>Endrique Pinedo, Edgardo Manono Castro as Bruno Vain, and Tom

0:26:13.600 --> 0:26:18.600
<v Speaker 2>Schubert as Carlos, Marcos, Miliana and Gustavo. This podcast was

0:26:18.680 --> 0:26:23.360
<v Speaker 2>produced in association with Sonoto. The Sonoto executive producers are

0:26:23.440 --> 0:26:27.920
<v Speaker 2>Camilla Victoriano, Joshua Weinstein, and Jasmine Romelo. The rest of

0:26:27.960 --> 0:26:32.560
<v Speaker 2>the Sonota production team includes senior producer Carmel Gratol, editor

0:26:32.720 --> 0:26:38.760
<v Speaker 2>Rodrigo Cresco producer Paloma Navarro, Nicoletti, Evelyn Orive, Marianna Cornello,

0:26:39.240 --> 0:26:44.760
<v Speaker 2>Sara Mota, Manuel Parra, Hanna Baram and Tasha Sanloval. Special

0:26:44.840 --> 0:26:48.440
<v Speaker 2>thanks to Radio and CASA and Pomeranec Recording Studios in

0:26:48.480 --> 0:26:52.639
<v Speaker 2>Buenos Aires, and to Medium Lewin and Giancarlo Serraudo for

0:26:52.800 --> 0:26:55.320
<v Speaker 2>letting us tell their story. Thank you for listening.

0:27:19.160 --> 0:27:22.720
<v Speaker 1>A quick word about subscriptions. If you love ads, listen on.

0:27:23.359 --> 0:27:25.879
<v Speaker 1>If you're not so keen on ads, sign up for

0:27:25.960 --> 0:27:32.639
<v Speaker 1>True Crime Clubhouse on Apple Podcasts no Ads and also bingeability.

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<v Speaker 1>You can hear the entire Avenger series all at once.

0:27:37.200 --> 0:27:38.680
<v Speaker 1>It's just two ninety nine a month.