1 00:00:00,080 --> 00:00:03,880 Speaker 1: Hello, Avenger listeners, It's Steve Fishman and I'm really glad 2 00:00:03,880 --> 00:00:06,120 Speaker 1: you've tuned in. I hope you love this show as 3 00:00:06,200 --> 00:00:09,200 Speaker 1: much as we do. A quick word on an upcoming 4 00:00:09,280 --> 00:00:14,160 Speaker 1: bonus episode. We're doing a bonus with Miriam, the real Miriam. 5 00:00:14,440 --> 00:00:18,720 Speaker 1: We'll be asking her questions, your questions and getting answers. 6 00:00:19,040 --> 00:00:21,840 Speaker 1: She'll update us on what's going on in her world 7 00:00:21,880 --> 00:00:26,040 Speaker 1: and a lot has Please email your questions or thoughts 8 00:00:26,200 --> 00:00:32,840 Speaker 1: or comments too. Info at Orbitmedia dot fm. Oh and 9 00:00:33,120 --> 00:00:36,120 Speaker 1: Fisher Stevens can answer your questions too. He's our co 10 00:00:36,240 --> 00:00:39,639 Speaker 1: founder and resident Oscar winner. He's an actor you saw 11 00:00:39,680 --> 00:00:43,520 Speaker 1: him in Succession and director of actors like al Pacino 12 00:00:44,120 --> 00:00:48,760 Speaker 1: and Justin Timberlake. For Avenger, he directed Alexis Bledel, who 13 00:00:48,840 --> 00:00:52,720 Speaker 1: voices Miriam. If we're lucky, Alexis who was the star 14 00:00:52,760 --> 00:00:56,400 Speaker 1: of Gilmore Girls and Handmaid's Tale and is the daughter 15 00:00:56,440 --> 00:01:01,639 Speaker 1: of an Argentine. We'll chip in answers to so let 16 00:01:01,680 --> 00:01:05,600 Speaker 1: us know your thoughts and questions, hopes and prayers. Info 17 00:01:05,800 --> 00:01:11,920 Speaker 1: at Orbitmedia dot FM. Thanks, you're about to listen to 18 00:01:11,959 --> 00:01:15,680 Speaker 1: the second episode of Avenger. This is our new true 19 00:01:15,680 --> 00:01:19,679 Speaker 1: crime series. In season three of the burden. One thing 20 00:01:19,760 --> 00:01:22,920 Speaker 1: I want to mention this podcast took us a year 21 00:01:22,959 --> 00:01:26,560 Speaker 1: to get right. There's a ton of reporting behind every 22 00:01:26,640 --> 00:01:31,839 Speaker 1: podcast we do. In today's episode, which is called the Investigation, 23 00:01:32,560 --> 00:01:36,319 Speaker 1: an Italian journalist shows up at Miriam's doorstep and pulls 24 00:01:36,319 --> 00:01:39,880 Speaker 1: her into the investigation of her life in all senses 25 00:01:39,920 --> 00:01:44,360 Speaker 1: of that phrase. A quick word about subscriptions. If you 26 00:01:44,400 --> 00:01:48,240 Speaker 1: love ads, listen on. If you're not so keen on ads, 27 00:01:48,680 --> 00:01:53,040 Speaker 1: sign up for True Crime Clubhouse on Apple Podcasts. That's 28 00:01:53,040 --> 00:01:57,080 Speaker 1: our subscription channel. You'll get no ads, and also you 29 00:01:57,160 --> 00:02:01,360 Speaker 1: can binge the entire Avenger series. It's just two ninety 30 00:02:01,400 --> 00:02:01,960 Speaker 1: nine a month. 31 00:02:02,600 --> 00:02:07,800 Speaker 2: Thanks. Before we begin, please note that for this story 32 00:02:08,120 --> 00:02:11,200 Speaker 2: we interviewed Medium and everyone else for dozens of hours 33 00:02:11,240 --> 00:02:16,960 Speaker 2: in Spanish. We hired actors to voice their words in English. Also, 34 00:02:17,400 --> 00:02:30,120 Speaker 2: this episode contains sensitive content and it's intended for mature audiences. 35 00:02:30,120 --> 00:02:34,519 Speaker 2: Medium visits Giancadlo's apartment for the first time. It's two 36 00:02:34,520 --> 00:02:37,440 Speaker 2: thousand and seven. They had met several days earlier at 37 00:02:37,480 --> 00:02:40,920 Speaker 2: a cafe. This time he greets her with his very 38 00:02:40,960 --> 00:02:42,639 Speaker 2: own freshly brewed coffee. 39 00:02:43,200 --> 00:02:48,400 Speaker 3: His apartment was very small, a minuscule kitchen, a single 40 00:02:48,440 --> 00:02:51,919 Speaker 3: bathroom and just two rooms, a tiny living room and 41 00:02:52,080 --> 00:02:54,840 Speaker 3: a bedroom with a working desk next to his bed. 42 00:02:55,440 --> 00:02:59,480 Speaker 2: But Jiancarlo's apartment did have one nice perk and. 43 00:03:00,000 --> 00:03:02,799 Speaker 3: I must window with a gorgeous view of the city. 44 00:03:03,639 --> 00:03:11,000 Speaker 3: Sunsets were just stunning. We sat in his living room. 45 00:03:11,320 --> 00:03:15,960 Speaker 3: He had these old armchairs from the sixties, not very comfortable, 46 00:03:16,120 --> 00:03:19,600 Speaker 3: so kind of perfect. You didn't get too relaxed. 47 00:03:20,200 --> 00:03:23,760 Speaker 4: Medium was recommended to me by a fellow journalist. She 48 00:03:23,880 --> 00:03:27,360 Speaker 4: had the insider knowledge of a survivor, so I wanted 49 00:03:27,400 --> 00:03:28,720 Speaker 4: to know more about her. 50 00:03:29,400 --> 00:03:33,480 Speaker 2: And that's because Giancadlo really needs medium. When he first 51 00:03:33,560 --> 00:03:37,240 Speaker 2: arrived in Argentina, he came out of boredom looking for adventure. 52 00:03:38,000 --> 00:03:41,160 Speaker 4: I always say that I became a photographer because it 53 00:03:41,240 --> 00:03:44,080 Speaker 4: was the perfect excuse to go out and do something. 54 00:03:44,960 --> 00:03:47,560 Speaker 2: He soon found he had some relatives there and his 55 00:03:47,640 --> 00:03:48,960 Speaker 2: connection deepened. 56 00:03:49,480 --> 00:03:53,040 Speaker 4: Then I saw a movie about the dictatorship. It hit 57 00:03:53,080 --> 00:03:56,240 Speaker 4: me hard, the darkness and what he said about us 58 00:03:56,360 --> 00:03:57,640 Speaker 4: as human beings. 59 00:03:58,160 --> 00:04:01,240 Speaker 2: He decided to stay and he wanted to focus on 60 00:04:01,280 --> 00:04:05,119 Speaker 2: the hidden detention centers, photographing them, but he also knew 61 00:04:05,160 --> 00:04:08,920 Speaker 2: he needed help. That's how he found medium. Gian Cadlo 62 00:04:09,000 --> 00:04:12,400 Speaker 2: needs her to commit to an investigation. She will give 63 00:04:12,400 --> 00:04:16,640 Speaker 2: his work legitimacy and authenticity. And she's a well known 64 00:04:16,720 --> 00:04:20,440 Speaker 2: investigative reporter with access to more people in places than 65 00:04:20,520 --> 00:04:22,760 Speaker 2: any Italian photographer could ever hope for. 66 00:04:23,760 --> 00:04:27,559 Speaker 4: Medium was just perfect for me. I wanted this to work, 67 00:04:27,680 --> 00:04:31,479 Speaker 4: so all these questions, I thought of them like releasing 68 00:04:31,520 --> 00:04:34,320 Speaker 4: a mosquito right next to her here, just to see 69 00:04:34,320 --> 00:04:35,280 Speaker 4: how she would react. 70 00:04:36,600 --> 00:04:40,480 Speaker 2: He was prodding her, poking her, and knowing her to 71 00:04:40,520 --> 00:04:41,320 Speaker 2: get a reaction. 72 00:04:42,360 --> 00:04:45,279 Speaker 3: Gian Carlo said that if we were going to work together, 73 00:04:45,920 --> 00:04:48,680 Speaker 3: we had to know each other better. He was already 74 00:04:48,720 --> 00:04:52,159 Speaker 3: assuming that me showing up was me agreeing to work 75 00:04:52,200 --> 00:04:55,400 Speaker 3: with him. He pretended to care, telling me I didn't 76 00:04:55,440 --> 00:04:58,040 Speaker 3: have to answer his questions if I didn't want to, 77 00:04:58,440 --> 00:05:02,240 Speaker 3: But really he didn't care if they made me uncomfortable. 78 00:05:03,040 --> 00:05:05,880 Speaker 2: This is also a tactic on Jihan Cardlo's part. 79 00:05:06,400 --> 00:05:09,040 Speaker 4: I treated her like a person, not as a survivor, 80 00:05:09,720 --> 00:05:11,560 Speaker 4: with respect, but not too much. 81 00:05:12,560 --> 00:05:15,599 Speaker 2: Really. Giancarlo is as too. He's nice when he needs 82 00:05:15,640 --> 00:05:18,880 Speaker 2: to be, but he's after something. He needs to charm 83 00:05:18,920 --> 00:05:22,520 Speaker 2: her into joining the investigation and into trusting him with 84 00:05:22,600 --> 00:05:23,839 Speaker 2: the secrets of her past. 85 00:05:24,800 --> 00:05:29,640 Speaker 3: He wanted to know about my childhood, also about my anarchism, 86 00:05:30,200 --> 00:05:33,880 Speaker 3: my kidnapping, and how I had survived. It was question 87 00:05:34,000 --> 00:05:38,080 Speaker 3: after question. Honestly, I told him more about me than 88 00:05:38,120 --> 00:05:40,919 Speaker 3: he did about himself, and he just seemed to share 89 00:05:41,000 --> 00:05:45,480 Speaker 3: what was convenient for him. 90 00:05:45,760 --> 00:05:48,279 Speaker 4: I tell her that I grew up near an airport, 91 00:05:48,760 --> 00:05:51,080 Speaker 4: how my father used to be friends with a pilot, 92 00:05:51,680 --> 00:05:53,760 Speaker 4: so every Sunday it would take me to go to 93 00:05:53,800 --> 00:05:58,280 Speaker 4: look at airplanes. I remember being amazed, completely hypnotized by 94 00:05:58,279 --> 00:05:59,240 Speaker 4: the site. 95 00:05:59,400 --> 00:06:02,120 Speaker 2: He also pose to her a way to look at 96 00:06:02,120 --> 00:06:02,600 Speaker 2: the past. 97 00:06:03,160 --> 00:06:06,839 Speaker 4: Growing up in Rome, having access to places like the coliseum, 98 00:06:07,080 --> 00:06:09,120 Speaker 4: It's always been so easy for me to give a 99 00:06:09,240 --> 00:06:12,960 Speaker 4: soul to things and places. Rok will live longer than me, 100 00:06:13,480 --> 00:06:17,200 Speaker 4: it will stay, I will die, So I look at 101 00:06:17,240 --> 00:06:19,600 Speaker 4: objects and places like their witnesses. 102 00:06:20,600 --> 00:06:25,120 Speaker 2: Jihangadlo tells her he wants to document Argentina's dictatorship through photographs, 103 00:06:26,080 --> 00:06:29,159 Speaker 2: a book that will show the victims, their faces, their 104 00:06:29,200 --> 00:06:33,159 Speaker 2: truths for all the world to see. And also he 105 00:06:33,200 --> 00:06:36,880 Speaker 2: wants to show the tools used to disappear people, like 106 00:06:36,920 --> 00:06:40,240 Speaker 2: the planes that flew the death flights. Jiangadlo has an 107 00:06:40,279 --> 00:06:44,880 Speaker 2: obsession about tracking down those planes, those witnesses to history. 108 00:06:45,360 --> 00:06:49,279 Speaker 3: I feel like our roles were reversed. Like he is 109 00:06:49,320 --> 00:06:52,600 Speaker 3: the young storyteller asking the big questions, but I am 110 00:06:52,640 --> 00:06:56,159 Speaker 3: the one that should be questioning him. That gives me 111 00:06:56,200 --> 00:07:01,000 Speaker 3: a lot of pause. But as I keep talking, my doubts, 112 00:07:01,360 --> 00:07:08,760 Speaker 3: my distrust start to disappear. He's so informal, so open, 113 00:07:09,440 --> 00:07:16,800 Speaker 3: so earnest, that I give in me the experienced investigative reporter. 114 00:07:17,560 --> 00:07:22,720 Speaker 3: I let myself get recruited by this Danito, this charming 115 00:07:22,840 --> 00:07:23,960 Speaker 3: Italian guy. 116 00:07:24,560 --> 00:07:27,840 Speaker 4: And from there I revealed my cooking and coffee making scales, 117 00:07:27,840 --> 00:07:30,320 Speaker 4: and it was like a switch. We start paving the 118 00:07:30,320 --> 00:07:33,760 Speaker 4: way for the investigation with lots of food, lots of pasta. 119 00:07:34,440 --> 00:07:37,760 Speaker 3: His house became a whole new universe for me. We 120 00:07:37,800 --> 00:07:40,760 Speaker 3: would alternate between my cigarettes and the ones he rolled 121 00:07:40,760 --> 00:07:45,280 Speaker 3: by hand, and that amazing coffee he Brew. We became 122 00:07:45,400 --> 00:07:49,760 Speaker 3: friends and developed, I would say a very intense relationship. 123 00:07:52,600 --> 00:07:56,280 Speaker 3: We decided to start looking for the planes together. 124 00:07:58,200 --> 00:08:02,400 Speaker 2: From Orbit Media, I'm Andre Skawa Shadow. This is Avenger, 125 00:08:02,840 --> 00:08:25,200 Speaker 2: the story of Medium Lewin. Episode two, the investigation. Medium 126 00:08:25,280 --> 00:08:28,680 Speaker 2: arrives at Jiangado's apartment that first time with a lureful 127 00:08:28,720 --> 00:08:32,680 Speaker 2: Cilingo's book in hand. Silingo is the former Navy officer 128 00:08:32,720 --> 00:08:35,960 Speaker 2: you heard of in the last episode. Giancarlo had given 129 00:08:36,000 --> 00:08:38,479 Speaker 2: her that book on their first meeting at a cafe. 130 00:08:40,280 --> 00:08:43,199 Speaker 3: The day Giancarlo gave me the book, I got home, 131 00:08:43,800 --> 00:08:46,720 Speaker 3: put on some music, poured myself a glass of wine, 132 00:08:46,760 --> 00:08:49,760 Speaker 3: and spent the entire night reading and smoking. 133 00:08:49,760 --> 00:08:53,400 Speaker 2: Marlboroughs it sounds as if she's reading a romance novel, 134 00:08:53,760 --> 00:08:57,720 Speaker 2: except she isn't. Silingo's book is about death and planes. 135 00:08:58,840 --> 00:09:01,959 Speaker 2: It's a first person nareed, a confession by a man 136 00:09:02,000 --> 00:09:05,120 Speaker 2: who helped kill hundreds of people by tossing them out 137 00:09:05,160 --> 00:09:06,679 Speaker 2: of planes into the ocean. 138 00:09:07,720 --> 00:09:11,960 Speaker 3: Such a bizarre looking thing. This cover, it's salmon pink, 139 00:09:12,080 --> 00:09:15,600 Speaker 3: like the one they use for trashy romantic novels. Then 140 00:09:15,920 --> 00:09:21,280 Speaker 3: the title Porciannuca mas Forever never More with exclamation marks. 141 00:09:23,240 --> 00:09:26,160 Speaker 2: In his book, medium read for the first time an 142 00:09:26,160 --> 00:09:28,520 Speaker 2: account of a death flight from the point of view 143 00:09:28,559 --> 00:09:38,320 Speaker 2: of a murder. He writes about the thirteen prisoners inside 144 00:09:38,360 --> 00:09:42,880 Speaker 2: the plane. They're heavily sedated, lying on the floor. A 145 00:09:42,960 --> 00:09:46,640 Speaker 2: doctor opens this wooden box filled with syringes and injects 146 00:09:46,679 --> 00:09:56,079 Speaker 2: the prisoners with a second dose of tranquilizer Finande. That's 147 00:09:56,120 --> 00:10:00,240 Speaker 2: the actual audio of alol Fosilingo retelling his experience through 148 00:10:00,280 --> 00:10:04,800 Speaker 2: a television interview. The doctor gives them a powerful doze. 149 00:10:05,679 --> 00:10:08,719 Speaker 2: The corporal and Silingo are wearing gloves, and as soon 150 00:10:08,720 --> 00:10:11,520 Speaker 2: as the prisoners fall into a deep slumber, they start 151 00:10:11,559 --> 00:10:17,560 Speaker 2: undressing them, preparing them for the final step. Kao, Chicoho 152 00:10:17,640 --> 00:10:27,400 Speaker 2: and Choano. It suddenly one of the young corporals on 153 00:10:27,400 --> 00:10:30,640 Speaker 2: the plane. He says, this guy in his twenties started 154 00:10:30,679 --> 00:10:34,160 Speaker 2: sobbing when he realized what they were doing. That disrobing 155 00:10:34,200 --> 00:10:36,880 Speaker 2: the prisoners in the middle of the flight meant only 156 00:10:36,960 --> 00:10:41,240 Speaker 2: one thing. They took off their clothes to leave zero evidence, 157 00:10:41,960 --> 00:10:45,920 Speaker 2: to disappear them completely, no way to identify the bodies 158 00:10:46,040 --> 00:11:07,960 Speaker 2: if they ever floated to shore. Almost Maalintro Alban Silingo 159 00:11:08,040 --> 00:11:10,360 Speaker 2: says how the commander informed them when they were high 160 00:11:10,440 --> 00:11:13,400 Speaker 2: enough above the water and then gave the order to 161 00:11:13,480 --> 00:11:16,880 Speaker 2: shove the bodies out of the plane one by one. 162 00:11:21,880 --> 00:11:24,720 Speaker 2: Medium recalls a scene from the book and. 163 00:11:24,840 --> 00:11:28,599 Speaker 3: At one point Silingo slips and almost falls out of 164 00:11:28,640 --> 00:11:29,120 Speaker 3: the plane. 165 00:11:30,160 --> 00:11:33,800 Speaker 2: He almost tumbles out the rear cargo door. For the 166 00:11:33,880 --> 00:11:36,880 Speaker 2: next death flight. He attaches himself with a rope to 167 00:11:37,000 --> 00:11:41,440 Speaker 2: the inside of the plane's door, and I read. 168 00:11:41,280 --> 00:11:45,160 Speaker 3: The descriptions of people being injected with tranquil visers. 169 00:11:46,040 --> 00:11:49,240 Speaker 2: Medium had never come across such a vivid account of 170 00:11:49,320 --> 00:11:52,520 Speaker 2: the actual mechanics of this killing machine. In his book, 171 00:11:52,800 --> 00:11:57,280 Speaker 2: Silingo even recounted the procedure for preparing prisoners at the 172 00:11:57,360 --> 00:12:02,000 Speaker 2: detention center. Twenty five people, men and women were lined 173 00:12:02,080 --> 00:12:04,959 Speaker 2: up in the dark hallway of a basement. No one 174 00:12:05,160 --> 00:12:09,280 Speaker 2: said a word. A Junta officer put on loud music 175 00:12:09,440 --> 00:12:13,600 Speaker 2: and forced them to dance. Then the doctor injected them 176 00:12:13,720 --> 00:12:17,760 Speaker 2: with the first dose of tranquilizer. Little by little, the 177 00:12:17,840 --> 00:12:21,800 Speaker 2: injections began to have an effect. Their dancing slowed down, 178 00:12:22,760 --> 00:12:27,360 Speaker 2: Some leaned against the wall, others sat on the ground, and. 179 00:12:27,520 --> 00:12:31,880 Speaker 3: Then details of people being transferred on trucks and loaded 180 00:12:31,960 --> 00:12:32,600 Speaker 3: on planes. 181 00:12:33,160 --> 00:12:37,400 Speaker 2: It was all terrifying, But for Medium and Giancarlo the 182 00:12:37,480 --> 00:12:40,520 Speaker 2: book served another purpose. They find some clues. 183 00:12:42,360 --> 00:12:46,120 Speaker 3: Silingo literally lays out the specific models of the planes, 184 00:12:46,720 --> 00:12:47,679 Speaker 3: like the sky Van. 185 00:12:50,360 --> 00:12:54,040 Speaker 2: No one had dug into these details yet, including Medium, 186 00:12:54,360 --> 00:12:58,520 Speaker 2: one of Argentina's top journalists. The names and models of 187 00:12:58,559 --> 00:13:08,760 Speaker 2: the planes, they were all there overlooked for years. In 188 00:13:08,880 --> 00:13:12,560 Speaker 2: jian Cadlo's apartment, they work side by side. It's intimate. 189 00:13:13,120 --> 00:13:16,400 Speaker 2: The apartment is so small that Medium often spreads her 190 00:13:16,480 --> 00:13:18,800 Speaker 2: work on gian Cadlo's bed when there's no room on 191 00:13:18,880 --> 00:13:19,320 Speaker 2: his desk. 192 00:13:20,520 --> 00:13:24,360 Speaker 3: The fact I would spend my free, very limited time 193 00:13:24,840 --> 00:13:29,240 Speaker 3: working on this investigation, an investigation that's based on my 194 00:13:29,440 --> 00:13:33,559 Speaker 3: own story, it really motivated me, you know, and I 195 00:13:33,760 --> 00:13:38,040 Speaker 3: felt comfortable with Giancarlo, and he knew how to give back. 196 00:13:40,000 --> 00:13:44,600 Speaker 2: Jian Cadlo is a master multitasker, cooking amazing Italian dinners 197 00:13:44,760 --> 00:13:48,120 Speaker 2: while going over his findings from the day's work. It's 198 00:13:48,160 --> 00:13:51,440 Speaker 2: like the investigation into these hidden crimes is being fueled 199 00:13:51,440 --> 00:13:53,960 Speaker 2: by good food, coffee, and cigarettes. 200 00:13:56,640 --> 00:13:59,880 Speaker 3: We were like an actual couple. That's the type of 201 00:14:00,120 --> 00:14:04,640 Speaker 3: relationship we had, but without the sex. Like a good couple, 202 00:14:04,920 --> 00:14:08,280 Speaker 3: we understood each other, we had common goals, and we 203 00:14:08,400 --> 00:14:09,480 Speaker 3: had each other's backs. 204 00:14:10,200 --> 00:14:13,719 Speaker 2: Medium is older than Jiancardlo by a dozen years, but 205 00:14:13,840 --> 00:14:15,760 Speaker 2: they meet at a time when they're both going through 206 00:14:15,800 --> 00:14:18,000 Speaker 2: difficult moments in their personal lives. 207 00:14:18,480 --> 00:14:22,920 Speaker 3: We were both sort of broken, and I guess we 208 00:14:23,080 --> 00:14:25,720 Speaker 3: were each feeling a void with our relationship. 209 00:14:26,320 --> 00:14:29,080 Speaker 2: Medium's boyfriend had left her for a younger woman, and 210 00:14:29,240 --> 00:14:33,040 Speaker 2: Jiancadlo was going through his own difficulties. Little by little, 211 00:14:33,360 --> 00:14:36,160 Speaker 2: in between the investigation and the tangents where they went 212 00:14:36,200 --> 00:14:39,200 Speaker 2: on about their personal lives, they start to build trust 213 00:14:39,880 --> 00:14:44,160 Speaker 2: and the investigation starts gaining momentum. Now that they have 214 00:14:44,240 --> 00:14:46,880 Speaker 2: the names of the planes, they begin to learn more 215 00:14:46,920 --> 00:14:47,360 Speaker 2: about them. 216 00:14:50,400 --> 00:14:55,280 Speaker 3: These planes can dispose of their cargo in flight. For example, 217 00:14:55,600 --> 00:14:58,560 Speaker 3: the sky Van, which is a pretty small plane, has 218 00:14:58,640 --> 00:15:00,360 Speaker 3: a rather large rear door. 219 00:15:00,960 --> 00:15:04,080 Speaker 2: In this plane, the sky Van doesn't look like most 220 00:15:04,080 --> 00:15:09,080 Speaker 2: small planes. It's rectangular shaped with two propellers. It's nicknamed 221 00:15:09,160 --> 00:15:12,680 Speaker 2: the flying shoe Box. It also has this spacious cabin. 222 00:15:13,240 --> 00:15:16,440 Speaker 3: You would never say this is a beautiful plane. On 223 00:15:16,600 --> 00:15:20,720 Speaker 3: the contrary, it's horrible. It looks like a big bird 224 00:15:20,880 --> 00:15:23,280 Speaker 3: with a big beak and a giant belly. 225 00:15:23,880 --> 00:15:28,840 Speaker 2: And she becomes obsessed with the planes. They're possible smoking guns. 226 00:15:29,440 --> 00:15:32,680 Speaker 3: I was hooked and this suddenly changed the way I 227 00:15:32,720 --> 00:15:36,400 Speaker 3: saw Giancarlo from who does this foreigner think he is 228 00:15:36,760 --> 00:15:40,400 Speaker 3: asking all these questions to the sky might be riot, 229 00:15:40,480 --> 00:15:43,880 Speaker 3: it's an outsider, but it probably sees things we don't see. 230 00:15:44,800 --> 00:15:48,760 Speaker 2: But Giancarlo wasn't just a support for Medium. He doesn't 231 00:15:48,880 --> 00:15:52,080 Speaker 2: just have her back. He has his own agenda. 232 00:15:53,000 --> 00:15:58,560 Speaker 3: So he started asking me questions about the dictatorship, about 233 00:15:58,600 --> 00:16:00,000 Speaker 3: my time in captivity. 234 00:16:01,000 --> 00:16:04,240 Speaker 2: Medium knows what he's trying to get at, but she's 235 00:16:04,360 --> 00:16:09,160 Speaker 2: uneasy about her past. These are painful memories. She still 236 00:16:09,200 --> 00:16:12,080 Speaker 2: trusts Giancarlo, and she tells him about her kidnapping. 237 00:16:15,520 --> 00:16:18,960 Speaker 3: I'm at this bus stop in Buenos Aires and I'm 238 00:16:19,040 --> 00:16:23,320 Speaker 3: in survival mode. I start fighting back, screaming, you know, 239 00:16:23,600 --> 00:16:26,360 Speaker 3: yelling my name and my mother's phone number as loud 240 00:16:26,400 --> 00:16:29,080 Speaker 3: as I could, and people want to help me. But 241 00:16:29,280 --> 00:16:31,720 Speaker 3: then the men pull out their guns and they scare 242 00:16:31,840 --> 00:16:32,680 Speaker 3: everybody away. 243 00:16:33,560 --> 00:16:36,760 Speaker 2: It's May nineteen seventy seven, a year since the military 244 00:16:36,800 --> 00:16:39,560 Speaker 2: coup in Argentina. In a group of armed men and 245 00:16:39,680 --> 00:16:41,400 Speaker 2: playing clothes surround Medium. 246 00:16:42,360 --> 00:16:45,000 Speaker 3: Then they drag me into the back of the Ford 247 00:16:45,080 --> 00:16:50,200 Speaker 3: Falcon and they take off. They put a hood on me. 248 00:16:50,800 --> 00:16:54,680 Speaker 3: I could hear them talking through a radio, and they 249 00:16:54,800 --> 00:16:58,840 Speaker 3: start insulting me, calling me a bitch. They knew my name, 250 00:17:00,040 --> 00:17:03,800 Speaker 3: they knew exactly who I was, and there was clearly 251 00:17:04,000 --> 00:17:07,800 Speaker 3: a sort of perversed excitement inside that car. 252 00:17:13,600 --> 00:17:16,120 Speaker 2: She's blindfolded and forced out of the car. 253 00:17:17,040 --> 00:17:20,320 Speaker 3: They make me go up some stairs. They lead me 254 00:17:20,520 --> 00:17:25,520 Speaker 3: into a room, make me take off my clothes. Then 255 00:17:25,920 --> 00:17:28,960 Speaker 3: they tie me to a table with my hands and 256 00:17:29,200 --> 00:17:33,880 Speaker 3: feet crossed. They take off my blindfold, and I see 257 00:17:34,160 --> 00:17:39,480 Speaker 3: a guy with green eyes staring at me. He's balding, 258 00:17:39,880 --> 00:17:44,040 Speaker 3: probably in his thirties, and he says, Medium, look at me. 259 00:17:44,520 --> 00:17:48,760 Speaker 3: I'm responsible for your life and your death. As long 260 00:17:48,840 --> 00:17:51,879 Speaker 3: as you cooperate with us, nothing will happen to you. 261 00:17:53,600 --> 00:17:57,159 Speaker 2: Ten men standing there, just staring at Medium. 262 00:17:57,840 --> 00:18:00,639 Speaker 3: One of them talks right into my ear while holding 263 00:18:00,720 --> 00:18:05,320 Speaker 3: my hand and caressing my hair. Others start insulting me. 264 00:18:05,720 --> 00:18:08,560 Speaker 3: How many abortions did you have? How many men did 265 00:18:08,640 --> 00:18:11,720 Speaker 3: you sleep with? I start panicking, and while one guy 266 00:18:11,880 --> 00:18:15,320 Speaker 3: is trying to calm me down, another screaming at me, 267 00:18:15,440 --> 00:18:17,200 Speaker 3: and another starts fondling me. 268 00:18:18,119 --> 00:18:21,399 Speaker 2: One guy brings over a plastic bag and puts it 269 00:18:21,720 --> 00:18:26,159 Speaker 2: over Medium's head. When she starts to asphyxiate, he removes it. 270 00:18:26,760 --> 00:18:30,159 Speaker 3: I kept telling myself to stay calm. I knew they 271 00:18:30,359 --> 00:18:35,480 Speaker 3: just wanted information, so I focused on breathing, deep breath. 272 00:18:36,400 --> 00:18:41,119 Speaker 2: But it's not over. She sees an electric crod just. 273 00:18:41,440 --> 00:18:47,879 Speaker 3: The crackling sound itself, it was terrifying, and then the 274 00:18:48,040 --> 00:18:51,400 Speaker 3: electric shock. It was unbearable. 275 00:19:01,600 --> 00:19:06,240 Speaker 2: One afternoon, Giangadlo and Medium are in the apartment. There's 276 00:19:06,320 --> 00:19:11,080 Speaker 2: coffee cigarettes enrolled by Giancarlo. There's the big window with 277 00:19:11,160 --> 00:19:13,600 Speaker 2: that beautiful view of the city, the trees. 278 00:19:14,320 --> 00:19:19,080 Speaker 3: We were reading and carefully rereading every detail, looking for 279 00:19:19,240 --> 00:19:21,040 Speaker 3: clues that would lead to the plains. 280 00:19:22,200 --> 00:19:26,960 Speaker 2: But Giancarlo has more questions. Things he has to know, 281 00:19:27,800 --> 00:19:31,119 Speaker 2: no matter how rude or painful the questions are to Medium, 282 00:19:32,080 --> 00:19:34,920 Speaker 2: did Medium know about the death flights? What she was 283 00:19:34,960 --> 00:19:35,679 Speaker 2: in captivity? 284 00:19:36,760 --> 00:19:40,879 Speaker 4: Some details about people being transferred came up, So I 285 00:19:41,040 --> 00:19:44,359 Speaker 4: asked her, did you have any idea that this was 286 00:19:44,520 --> 00:19:46,040 Speaker 4: happening while you were in captivity? 287 00:19:47,160 --> 00:19:50,960 Speaker 2: This is a delicate moment. That first day of her captivity, 288 00:19:51,359 --> 00:19:54,200 Speaker 2: that Green Night official had told Medium that she must 289 00:19:54,240 --> 00:19:59,240 Speaker 2: cooperate or die. So what did cooperation entail? 290 00:20:00,119 --> 00:20:02,720 Speaker 3: I mean? As prisoners of the junta, we had no 291 00:20:03,000 --> 00:20:06,720 Speaker 3: official knowledge of the death flights? Well, we weren't sure 292 00:20:06,880 --> 00:20:08,359 Speaker 3: they were real. We didn't know. 293 00:20:09,440 --> 00:20:14,880 Speaker 2: But Jiancarlo presses Medium, So when exactly did you first 294 00:20:14,960 --> 00:20:18,399 Speaker 2: hear or suspect about people being thrown from planes? 295 00:20:18,440 --> 00:20:24,320 Speaker 3: Into the sea. Every Wednesday, they transferred prisoners to what 296 00:20:24,480 --> 00:20:29,240 Speaker 3: they claimed was a medical facility in Patagonia. That's where 297 00:20:29,520 --> 00:20:34,080 Speaker 3: they would be reformed, and then eventually they were told 298 00:20:34,640 --> 00:20:40,560 Speaker 3: they would be reintegrated to society. Later, we saw their 299 00:20:40,680 --> 00:20:46,119 Speaker 3: shoes and their shirts pants. We wondered what actually had 300 00:20:46,200 --> 00:20:51,520 Speaker 3: happened to them. When we asked, our captors told us 301 00:20:51,600 --> 00:20:55,200 Speaker 3: they had to change clothes. But one day a prisoner 302 00:20:55,280 --> 00:20:59,920 Speaker 3: came back. He was taken by mistake. When they returned him, 303 00:21:00,240 --> 00:21:03,000 Speaker 3: he was sedated, and while in and out of consciousness, 304 00:21:03,080 --> 00:21:08,080 Speaker 3: he told us what he saw. He said they gave 305 00:21:08,200 --> 00:21:11,640 Speaker 3: them some sort of injection and loaded them into trucks. 306 00:21:12,600 --> 00:21:15,640 Speaker 3: They all started feeling dizzy, but he stayed conscious enough. 307 00:21:16,080 --> 00:21:19,760 Speaker 3: He said he saw the tarmac and the big cargo plane. 308 00:21:20,440 --> 00:21:24,280 Speaker 3: He was telling us something we were not mentally prepared 309 00:21:24,359 --> 00:21:24,680 Speaker 3: to hear. 310 00:21:25,720 --> 00:21:29,719 Speaker 4: So you did know about the death flights. 311 00:21:30,840 --> 00:21:35,080 Speaker 3: Like I said, we didn't really know for sure, and 312 00:21:35,160 --> 00:21:38,280 Speaker 3: we didn't want to believe it. We chose to be 313 00:21:38,640 --> 00:21:43,200 Speaker 3: in denial. It made living in those horrible conditions a 314 00:21:43,280 --> 00:21:47,520 Speaker 3: little bit less horrible. It's like a survival mechanism. It's 315 00:21:47,640 --> 00:21:50,800 Speaker 3: like a patient with terminal cancer. They know they're going 316 00:21:50,920 --> 00:21:53,760 Speaker 3: to die, but they latch onto every little bit of 317 00:21:53,880 --> 00:21:57,760 Speaker 3: hope they can find. They're not constantly thinking about how 318 00:21:57,960 --> 00:22:01,600 Speaker 3: they're going to die, so they'll try anything to stay alive. 319 00:22:02,680 --> 00:22:07,040 Speaker 2: Giancarlo is quiet. He's a good listener in his apartment. 320 00:22:07,359 --> 00:22:09,600 Speaker 2: It's getting late, I can say. 321 00:22:10,040 --> 00:22:14,119 Speaker 3: One of the things that hurts the most is not 322 00:22:14,359 --> 00:22:20,440 Speaker 3: having closure around the deaths of my friends. It always 323 00:22:20,760 --> 00:22:29,440 Speaker 3: leads me to ask myself, why did I survive? The 324 00:22:29,560 --> 00:22:32,920 Speaker 3: truth is, I don't think I'll ever be able to 325 00:22:33,080 --> 00:22:37,760 Speaker 3: answer that question. But now I feel like this investigation 326 00:22:37,960 --> 00:22:41,720 Speaker 3: could help me understand that a little better, and it 327 00:22:41,800 --> 00:22:45,679 Speaker 3: could help bring those who murdered so many people to justice. 328 00:22:53,080 --> 00:22:57,680 Speaker 2: Weeks after her kidnapping in nineteen seventy seven, medium sits 329 00:22:57,720 --> 00:23:02,440 Speaker 2: in a small, dirty, makeshift cell. There's a door with 330 00:23:02,560 --> 00:23:06,080 Speaker 2: a few small holes to let oxygen in, but she 331 00:23:06,359 --> 00:23:07,320 Speaker 2: isn't really there. 332 00:23:08,320 --> 00:23:11,600 Speaker 3: I would often imagine I was remodeling my dream apartment 333 00:23:12,600 --> 00:23:17,400 Speaker 3: inside my grandmother's building. I had always dreamed of moving 334 00:23:17,480 --> 00:23:18,480 Speaker 3: into that apartment with. 335 00:23:18,600 --> 00:23:22,359 Speaker 2: One juan Is Davis, the activists she had fallen in 336 00:23:22,440 --> 00:23:25,639 Speaker 2: love with in episode one. They had just been married 337 00:23:25,960 --> 00:23:40,520 Speaker 2: and gone underground not long before the coup, the daydreaming 338 00:23:40,720 --> 00:23:44,320 Speaker 2: is cut short. The torture has stopped, but her captors 339 00:23:44,520 --> 00:23:49,040 Speaker 2: grill her constantly. They want information about her comrades. They 340 00:23:49,119 --> 00:23:51,240 Speaker 2: make her call the safe house, to which she reported 341 00:23:51,320 --> 00:23:53,639 Speaker 2: every day when she was underground. 342 00:23:53,760 --> 00:23:57,879 Speaker 3: Nobody would want to talk to me. I had obviously 343 00:23:58,040 --> 00:24:01,920 Speaker 3: missed my daily check ins for weeks, so every time 344 00:24:02,160 --> 00:24:05,440 Speaker 3: I called they answered, but they knew I was compromised, 345 00:24:05,480 --> 00:24:07,240 Speaker 3: and they just ended the call. 346 00:24:08,119 --> 00:24:10,880 Speaker 2: But every day they brought a phone to her cell. 347 00:24:12,000 --> 00:24:15,840 Speaker 3: Every day, they insisted. Every day they brought the phone, 348 00:24:16,640 --> 00:24:19,560 Speaker 3: and I told them it was pointless to keep calling. 349 00:24:21,040 --> 00:24:24,399 Speaker 3: But one day, out of the blue, the person that 350 00:24:24,560 --> 00:24:27,399 Speaker 3: picked up the phone at the safe house answered my 351 00:24:27,480 --> 00:24:29,480 Speaker 3: call with a code for a meeting. 352 00:24:36,400 --> 00:24:42,720 Speaker 2: In the next episode, Argentina is chosen to host the 353 00:24:42,760 --> 00:24:46,159 Speaker 2: World Cup, the biggest sports event out there, right in 354 00:24:46,280 --> 00:24:49,760 Speaker 2: the middle of the repression, with the entire world watching. 355 00:24:50,359 --> 00:24:55,359 Speaker 3: The stadium was just blocks away. I felt helpless. It 356 00:24:55,520 --> 00:25:00,280 Speaker 3: was painful because the World Cup blinded all argent Times 357 00:25:00,280 --> 00:25:05,240 Speaker 3: from what was happening, and we the disappeared. We were 358 00:25:05,280 --> 00:25:07,679 Speaker 3: the number one victims of that blindness. 359 00:25:18,160 --> 00:25:22,200 Speaker 2: From Orbit Media, This is Avenger, the story of Medium 360 00:25:22,280 --> 00:25:27,320 Speaker 2: Lewin I'm Your Host and senior producer Andrescavacheo. The series 361 00:25:27,600 --> 00:25:31,600 Speaker 2: was produced by Seguielrodrie Sandino and edited by Monica Campbell. 362 00:25:32,280 --> 00:25:37,200 Speaker 2: Original score Nicolas Pachela, mixing and mastering Christopher Hoff and 363 00:25:37,320 --> 00:25:43,600 Speaker 2: Austin Smith. Assistant producers Andres Feschtenholz and Eleanna Gillespie, FactCheck 364 00:25:43,840 --> 00:25:49,119 Speaker 2: Alejandro Marinelli and Leonardos Canoni. Legal review Nil Rossini. Casting 365 00:25:49,200 --> 00:25:53,879 Speaker 2: director Paula Gammon was The executive producers from Orbit Media 366 00:25:54,200 --> 00:25:58,920 Speaker 2: are Steve Fishman Fisher Stevens, Marcy Wiseman, and Katie Springer. 367 00:25:59,560 --> 00:26:04,240 Speaker 2: The voice actors in Avenger include Alexis Bledel, Asmidium Lewin 368 00:26:04,760 --> 00:26:08,760 Speaker 2: Fulvio de la Volta as Giancarlo Serraudo, Gonzalo Vargas as 369 00:26:08,880 --> 00:26:13,520 Speaker 2: Endrique Pinedo, Edgardo Manono Castro as Bruno Vain, and Tom 370 00:26:13,600 --> 00:26:18,600 Speaker 2: Schubert as Carlos, Marcos, Miliana and Gustavo. This podcast was 371 00:26:18,680 --> 00:26:23,360 Speaker 2: produced in association with Sonoto. The Sonoto executive producers are 372 00:26:23,440 --> 00:26:27,920 Speaker 2: Camilla Victoriano, Joshua Weinstein, and Jasmine Romelo. The rest of 373 00:26:27,960 --> 00:26:32,560 Speaker 2: the Sonota production team includes senior producer Carmel Gratol, editor 374 00:26:32,720 --> 00:26:38,760 Speaker 2: Rodrigo Cresco producer Paloma Navarro, Nicoletti, Evelyn Orive, Marianna Cornello, 375 00:26:39,240 --> 00:26:44,760 Speaker 2: Sara Mota, Manuel Parra, Hanna Baram and Tasha Sanloval. Special 376 00:26:44,840 --> 00:26:48,440 Speaker 2: thanks to Radio and CASA and Pomeranec Recording Studios in 377 00:26:48,480 --> 00:26:52,639 Speaker 2: Buenos Aires, and to Medium Lewin and Giancarlo Serraudo for 378 00:26:52,800 --> 00:26:55,320 Speaker 2: letting us tell their story. Thank you for listening. 379 00:27:19,160 --> 00:27:22,720 Speaker 1: A quick word about subscriptions. If you love ads, listen on. 380 00:27:23,359 --> 00:27:25,879 Speaker 1: If you're not so keen on ads, sign up for 381 00:27:25,960 --> 00:27:32,639 Speaker 1: True Crime Clubhouse on Apple Podcasts no Ads and also bingeability. 382 00:27:33,000 --> 00:27:36,600 Speaker 1: You can hear the entire Avenger series all at once. 383 00:27:37,200 --> 00:27:38,680 Speaker 1: It's just two ninety nine a month.