WEBVTT - It’s Another Fan-Filled Q&A!

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<v Speaker 1>This Q and A episode is presented by Hyundai. Welcome

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<v Speaker 1>to How Rude, Tannerdos.

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<v Speaker 2>I'm Andrea Barber and I'm Jody Sweeten, and we're back

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<v Speaker 2>with another Q and A episode presented by Hyundai. We

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<v Speaker 2>loved it so much the first time we had to

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<v Speaker 2>do it again.

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<v Speaker 1>Today, we'll have two fans join us on Zoom to

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<v Speaker 1>ask their full house questions. Then we'll answer even more

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<v Speaker 1>questions that fans have asked us on our how Rude

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<v Speaker 1>podcast Instagram.

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<v Speaker 2>And we can't wait to talk to even more of

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<v Speaker 2>our listeners, and thanks to Hyundai, we have another opportunity

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<v Speaker 2>to do so. All Right, yay, got it? Sarah's first,

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<v Speaker 2>Sarah's first?

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<v Speaker 1>Okay Sarah?

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<v Speaker 2>Hi, Sarah, Hi, Sarah.

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<v Speaker 1>Where are you from?

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<v Speaker 3>Minnesota?

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<v Speaker 1>Okay? Soda Hi?

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<v Speaker 3>I know I.

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<v Speaker 4>Always have that accent when I say it. I'm like Minnesota, Minnesota,

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<v Speaker 4>and I.

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<v Speaker 2>Can hear the I can hear that Minnesota accent a

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<v Speaker 2>little bit in everything that you say. I think.

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<v Speaker 1>But I love that because my family.

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<v Speaker 2>My family's from Iowa and and some Wisconsin, so there's

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<v Speaker 2>a lot a lot of that Midwest accent.

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<v Speaker 3>I love it so similar.

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<v Speaker 2>Drink are you drinking?

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<v Speaker 1>Pop with your supper.

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<v Speaker 3>Yeah right.

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<v Speaker 4>I usually say soda because I worked at a movie

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<v Speaker 4>theater in high school and they were like, you have

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<v Speaker 4>to say soda. You can't say pop, right, yeah, and

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<v Speaker 4>so it's like ingrained, yeah, but it's fine.

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<v Speaker 2>Well, Sarah, we are so glad that you're here today

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<v Speaker 2>on the show with us that thank you for joining.

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<v Speaker 2>I'm excited that you're here to ask us some questions.

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<v Speaker 3>Yes, yes, thank you for having me.

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<v Speaker 4>I just want to say that I told my husband

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<v Speaker 4>that I have not remembered a time in my life

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<v Speaker 4>without you guys. Oh. He's like, you guys are He's like,

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<v Speaker 4>you're weird. That's a weird thing to say. And I said, well,

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<v Speaker 4>not really, because you know, I have older siblings and

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<v Speaker 4>I was really I was young when the show came out.

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<v Speaker 4>It was like three, but I was like I always

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<v Speaker 4>remember watching it and reruns, and now I have a

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<v Speaker 4>nine year old and a six year old and they

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<v Speaker 4>watch it and.

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<v Speaker 3>They think I'm super cool for doing this.

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<v Speaker 1>By the way, Oh yeah, I love What are their names?

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<v Speaker 3>Natalie?

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<v Speaker 4>She's nine, and then I have Emily and she's six.

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<v Speaker 1>To go, hello Natalie, Emily. Yeah, I'm a big hug

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<v Speaker 1>from us. Definitely will.

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<v Speaker 3>They will be so excited.

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<v Speaker 2>Yes, and tell them to remember that their mom is cool. Uh.

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<v Speaker 2>You know, in like three or four years, will be

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<v Speaker 2>very hard for them to remember that, but mom always knows.

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<v Speaker 3>I'm already getting there with the nine year old. I

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<v Speaker 3>feel like sometimes it.

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<v Speaker 1>Starts yep, yep.

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<v Speaker 2>Well, Sarah, what what questions do you have for us today?

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<v Speaker 2>We are all ready to answer your deepest burning questions.

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<v Speaker 3>My first question has to do with the food.

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<v Speaker 4>I know that you guys and a lot of the

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<v Speaker 4>TV shows, especially from back then, were very like had

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<v Speaker 4>family meals and this and mat and where did this

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<v Speaker 4>food come from? Like obviously they weren't like actually making

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<v Speaker 4>the food and then like we cooked it oursels.

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<v Speaker 2>We were we were very busy during rehearsal and we

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<v Speaker 2>were like, hold on, we have to put this casse

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<v Speaker 2>role together and then yeah, right, and how you rose

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<v Speaker 2>to Turkey? Uh, they actually would make I mean some

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<v Speaker 2>of it was like you know that store bought or whatever,

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<v Speaker 2>and they do it. But sometimes there were trying to

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<v Speaker 2>remember do you remember the The Fuller House Thanksgiving episode.

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<v Speaker 4>Where you wanted to make the Thanksgiving meal? And then

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<v Speaker 4>DJ also didn't believe in you, and then she made

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<v Speaker 4>the Thanksgiving meal that yes, right, right for any of them.

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<v Speaker 1>I don't was that.

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<v Speaker 2>I was like, was that the storyline?

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<v Speaker 1>That's fascinating? I remember that.

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<v Speaker 2>I really remember that.

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<v Speaker 1>I was wait for that rewatch podcast.

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<v Speaker 2>We don't Yeah, we'll get there. I'm like, wow, God,

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<v Speaker 2>it's amazing.

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<v Speaker 1>What I guess I remember? Are you talking about the

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<v Speaker 1>one with the bit where like there were forty cast

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<v Speaker 1>members around one table. Yeah, I do remember that. Lots

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<v Speaker 1>of food that.

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<v Speaker 2>We had an actual food prep team that came in

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<v Speaker 2>because there was so much food. Okay, but they had

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<v Speaker 2>they brought like I think it was on I don't

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<v Speaker 2>know if it was on our set or like a

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<v Speaker 2>catering truck outside, but they had like a full setup

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<v Speaker 2>with food and food styling is like the is an

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<v Speaker 2>incredible job because most of what they used to make

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<v Speaker 2>food look really good on TV is inedible, like you're

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<v Speaker 2>covering it in glycerine and like things like that. You

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<v Speaker 2>can't like spring smoke on it and stuff like that.

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<v Speaker 2>But I do remember them doing some of that, but

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<v Speaker 2>a lot of times it was you know, well, maybe

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<v Speaker 2>that's why we had cold fried chicken all the time,

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<v Speaker 2>you didn't have to prep it. You could just throw

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<v Speaker 2>that in the fridge and call it a day.

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<v Speaker 1>Well, this was this was under the purview of the

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<v Speaker 1>props department, so it was our prop masters that would

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<v Speaker 1>assemble the food and they would usually tell us like, Okay,

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<v Speaker 1>here's the plate of donuts or whatever, but only this

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<v Speaker 1>one is edible. The other ones are like stale or

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<v Speaker 1>like JODI's side.

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<v Speaker 2>The other ones have been sitting there since rehearsal on Monday,

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<v Speaker 2>but these two donuts have been replaced throughout the.

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<v Speaker 1>Week, right, So that's a little trick.

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<v Speaker 3>Well, that was nice that they mentioned that.

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<v Speaker 1>Yeah, yeah, but they I mean, our prop guys were

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<v Speaker 1>always so great. I remember Steve Jared was our prop

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<v Speaker 1>guy on Fuller, and he would always ask us our preferences,

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<v Speaker 1>you know, like for preferences of flavor, whether we wanted

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<v Speaker 1>vanilla ice cream or chocolate ice cream, or if we

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<v Speaker 1>had any food allergies. And then towards the end of

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<v Speaker 1>the series, Steve would get a little crazy and he

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<v Speaker 1>would always like write little notes and put them like

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<v Speaker 1>in the bowls so that we could read them, or

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<v Speaker 1>if we had cereal bowls, he would make words out

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<v Speaker 1>of like the alpha bits. He would put like yeah, yeah, oh,

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<v Speaker 1>I don't know. He would put plaid for me because

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<v Speaker 1>we're both fans of the of the musical Forever Plaid.

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<v Speaker 1>So he would write plaid or hello or whatever, just

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<v Speaker 1>something to make a smile in the middle of a scene,

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<v Speaker 1>which was always so great. But yeah, they would put

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<v Speaker 1>on their put on their plastic gloves and assemble the

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<v Speaker 1>sandwiches or the whatever the scene required. I know, the

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<v Speaker 1>Uncle Monty scenes were difficult because of all the different

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<v Speaker 1>sub submarine sandwiches. That was a little tricky. Or any

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<v Speaker 1>food fight scenes oh oh yeah, yeah, like the blueberry

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<v Speaker 1>pie fighting of the food fight in the backyard. We

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<v Speaker 1>did one of those. But yeah, I know. The best.

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<v Speaker 1>The best is any sort of prepackaged snacks. We would

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<v Speaker 1>call them actor treats, yeah, because we would eat them

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<v Speaker 1>during rehearsal or in between takes. We're like, oh, yeah,

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<v Speaker 1>give me some of those crackers. Those are good, because

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<v Speaker 1>those weren't were a favorite.

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<v Speaker 2>Yeah yeah, oh yeah, we're good.

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<v Speaker 1>You're so good. The sea salt sprinkled on the little

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<v Speaker 1>almond thins.

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<v Speaker 2>But like I'm trying to remember, like it back in

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<v Speaker 2>the day and we didn't have I mean again, other

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<v Speaker 2>than the cold fried chicken. I mean, we would have

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<v Speaker 2>food occasionally, but I feel like I feel like there

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<v Speaker 2>was kind of far more effort put into Well. Maybe

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<v Speaker 2>also because we were adults on Fuller. I was like, wow,

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<v Speaker 2>they're actually asking us questions. But maybe that was because

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<v Speaker 2>we were you know, six on full House and they

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<v Speaker 2>were like, we're not going to consult the six year olds.

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<v Speaker 2>But yeah, it was you know, most of the time

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<v Speaker 2>it's relatively edible. Sometimes you're like this is this is

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<v Speaker 2>room temp and it's something that should either be hot

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<v Speaker 2>or cold, so that's not great, but never anything. They're

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<v Speaker 2>always very like, if it's something that could get you sick,

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<v Speaker 2>they're very cautious about that. Like they still follow all

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<v Speaker 2>restaurants like food, you know, prep and all that kind

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<v Speaker 2>of stuff.

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<v Speaker 1>But yeah, and as an actor, I don't I don't really.

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<v Speaker 1>You don't really eat a lot of it, Like you

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<v Speaker 1>don't want to. There's a timing thing where you have

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<v Speaker 1>to look like you're eating, but you don't want to

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<v Speaker 1>have food in your teeth when it comes to your line.

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<v Speaker 1>So there's a dance that you have to do between

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<v Speaker 1>like biting but not too much and then swallow by

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<v Speaker 1>the time you know the camera's on you for your line.

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<v Speaker 1>So I never really ate that much. I would just

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<v Speaker 1>nibble and kind of pretend because I didn't want food

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<v Speaker 1>sticking on my teeth.

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<v Speaker 2>Well, yeah, unless it's part of the joke where you're

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<v Speaker 2>supposed to be shoving food in your face. Eating on

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<v Speaker 2>television is never It never looks great.

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<v Speaker 4>You know.

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<v Speaker 2>I don't know if you've ever watched someone eat, but

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<v Speaker 2>it's usually not the most pleasant thing. You're like, I

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<v Speaker 2>don't want to see that. So yeah, it's it's not

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<v Speaker 2>something that we did a ton of.

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<v Speaker 1>But but yeah, the food.

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<v Speaker 2>Was was edible, and I don't remember any of us

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<v Speaker 2>ever getting food poisoning, So yeah, yeah, you're got sick.

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<v Speaker 1>It's a hard job. It's a very hard job, so

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<v Speaker 1>perhaps to props.

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<v Speaker 2>For especially hard when actors are eating all of the

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<v Speaker 2>things on the plate and they're trying to keep continuity,

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<v Speaker 2>and sometimes there would be something that was like you're like, ooh,

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<v Speaker 2>this is really good, and you'd keep eating it, and

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<v Speaker 2>then after every take you're like, I need ten more crackers.

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<v Speaker 2>But you know, like I'm really I ate all the grapes,

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<v Speaker 2>and they'd have to write.

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<v Speaker 1>And the same thing with liquids too, like at the

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<v Speaker 1>top of the scene has to match every time the

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<v Speaker 1>level of what you know, juice in the cup or whatever.

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<v Speaker 1>So if you're thirsty during the scene, you drink all

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<v Speaker 1>the juice the prop like, okay, we got to refill

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<v Speaker 1>to the exact amount. It's it's fascinating. It's so detail oriented.

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<v Speaker 1>You have to remember so many details and write down

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<v Speaker 1>everything about placement of food and where it was. And Steve,

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<v Speaker 1>Steve prop we called him Steve. His name is Steve Jared,

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<v Speaker 1>but we called him Steve Props. He would have what

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<v Speaker 1>was it like that little it was black light black

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<v Speaker 1>light marker, so he would mark where the plates where

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<v Speaker 1>he put the plates and the cups and the cutlery,

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<v Speaker 1>so he knew where how to match.

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<v Speaker 2>That at the top of and maybe just have a

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<v Speaker 2>small little black light flashlight and be able to find

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<v Speaker 2>the marks on the counter or the kitchen table or whatever.

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<v Speaker 1>So it's really cool.

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<v Speaker 3>It's cooling.

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<v Speaker 1>Did you have another question or was that the only one?

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<v Speaker 4>I did have one more that my girls wanted me

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<v Speaker 4>to ask, which what do you think that fans would

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<v Speaker 4>say is their favorite episode?

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<v Speaker 1>A full House secrews you.

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<v Speaker 3>Yeah, of course, especially the children love it.

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<v Speaker 2>Yeah, yeah, they love that one. It was it was great.

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<v Speaker 1>They were hit with the elementary set. Yeah. Favorite episode

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<v Speaker 1>of full House. The fans favorite episode of Full House.

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<v Speaker 4>Yes, the fans like, what do you think is the

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<v Speaker 4>most popular episode?

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<v Speaker 2>I'm gonna go, Car through the Kitchen?

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<v Speaker 1>Oh?

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<v Speaker 3>Favorite?

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<v Speaker 1>Yeah, I will say.

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<v Speaker 2>I think the Car through the Kitchen episode is the

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<v Speaker 2>one I hear about all the time, really, people of

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<v Speaker 2>various ages and generations, and they like that is always

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<v Speaker 2>the one.

0:11:02.360 --> 0:11:05.640
<v Speaker 1>They're like, I love that episode, I would say, And

0:11:05.679 --> 0:11:08.040
<v Speaker 1>I haven't seen it in a hot minute. But it's

0:11:08.080 --> 0:11:12.360
<v Speaker 1>the love letter episode, right, Rusty or somebody brings over

0:11:12.400 --> 0:11:14.360
<v Speaker 1>a love letter and it gets passed around. Yeah, yeah,

0:11:14.480 --> 0:11:17.520
<v Speaker 1>everyone thinks it's for them, but it's not. I remember

0:11:17.520 --> 0:11:19.920
<v Speaker 1>at the time thinking that was a very smart episode,

0:11:19.960 --> 0:11:23.560
<v Speaker 1>the way it was written in the Mister Rex and everything.

0:11:23.679 --> 0:11:25.480
<v Speaker 1>So and I remember hearing from fans too that they

0:11:25.480 --> 0:11:28.280
<v Speaker 1>love that too, but it's not inciting for kids, but

0:11:28.360 --> 0:11:29.240
<v Speaker 1>maybe fred the adults.

0:11:29.240 --> 0:11:31.000
<v Speaker 2>Well, wasn't Laurie saying too? It is based on a

0:11:31.040 --> 0:11:33.480
<v Speaker 2>movie that she did. Oh yeah, that's right, based on

0:11:33.520 --> 0:11:36.719
<v Speaker 2>a movie called The Love Letter, The Love Letter. Yeah, yeah, yeah,

0:11:36.760 --> 0:11:39.880
<v Speaker 2>so I think that's a i'd yeah, I'd say those two.

0:11:39.880 --> 0:11:42.280
<v Speaker 2>I'm trying to think of any others that are like that.

0:11:42.360 --> 0:11:46.360
<v Speaker 2>I always get comments on I guess in particular, I

0:11:46.440 --> 0:11:48.800
<v Speaker 2>hear about, you know, Stephanie crashing the car through the kitchen.

0:11:48.880 --> 0:11:49.920
<v Speaker 3>Well, yeah, of course, yes.

0:11:50.320 --> 0:11:53.240
<v Speaker 4>Well, my older daughter she also likes the one when

0:11:54.120 --> 0:11:58.040
<v Speaker 4>Stephanie and DJ are arguing over Danny's shirt and then

0:11:58.080 --> 0:11:59.000
<v Speaker 4>they put the big.

0:11:58.800 --> 0:12:02.840
<v Speaker 1>Hole right right, dad, Dad, he's our.

0:12:04.280 --> 0:12:05.640
<v Speaker 3>And you come up with the song.

0:12:07.559 --> 0:12:13.600
<v Speaker 1>Right right? Yeah, sister hyjinks Er, Yes, so funny.

0:12:13.800 --> 0:12:15.640
<v Speaker 3>Anything to ruin the satch is there.

0:12:15.720 --> 0:12:16.679
<v Speaker 5>They just think it's great.

0:12:17.559 --> 0:12:20.280
<v Speaker 2>You know, destruction is fun to watch as a kid.

0:12:20.280 --> 0:12:22.920
<v Speaker 2>You're like, oh, what's it? Yeah, I get it, which

0:12:22.960 --> 0:12:27.520
<v Speaker 2>was why we did those episodes because people found them hilarious.

0:12:27.640 --> 0:12:30.360
<v Speaker 1>Yeah, was that, Jody? Was that the episode where you

0:12:30.440 --> 0:12:33.920
<v Speaker 1>were hanging on the coat hook on the closet door

0:12:34.000 --> 0:12:37.439
<v Speaker 1>or was that a different episode? Am I mixing up episodes?

0:12:37.440 --> 0:12:40.720
<v Speaker 1>In Danny's room, I don't know, we haven't gotten to

0:12:40.760 --> 0:12:41.120
<v Speaker 1>that season.

0:12:41.679 --> 0:12:42.840
<v Speaker 3>His car in the kitchen.

0:12:43.440 --> 0:12:44.560
<v Speaker 2>Yeah, that's when.

0:12:44.600 --> 0:12:47.800
<v Speaker 4>She runs away to Becky's house and she goes to

0:12:47.800 --> 0:12:51.640
<v Speaker 4>Becky's closet to hide because it's okay, we've seen this

0:12:51.720 --> 0:12:53.840
<v Speaker 4>episode like fifty thousand times.

0:12:53.880 --> 0:12:55.679
<v Speaker 1>No, I'm glad you're here. You know more than we do.

0:12:55.880 --> 0:12:58.520
<v Speaker 2>I haven't thought about it probably since I've done it,

0:12:58.600 --> 0:13:01.520
<v Speaker 2>so yeah, I'm please inform ust. Yeah, so that's right.

0:13:01.559 --> 0:13:04.079
<v Speaker 2>It was at Becky's house and Jesse opened in the closet.

0:13:04.200 --> 0:13:06.840
<v Speaker 2>I remember because I had the blue that blue sweater

0:13:06.920 --> 0:13:09.440
<v Speaker 2>on that I crashed that I was in.

0:13:09.600 --> 0:13:10.320
<v Speaker 1>The accident with.

0:13:10.480 --> 0:13:11.400
<v Speaker 2>Yeah, that's it.

0:13:11.520 --> 0:13:15.560
<v Speaker 4>We're going to dance class right right away from home,

0:13:15.800 --> 0:13:16.640
<v Speaker 4>right right.

0:13:17.080 --> 0:13:17.679
<v Speaker 2>This is great.

0:13:17.760 --> 0:13:20.400
<v Speaker 1>We need we need fans on the show more often

0:13:20.440 --> 0:13:22.680
<v Speaker 1>because they know way more than we do about Yeah,

0:13:22.920 --> 0:13:24.240
<v Speaker 1>these episodes.

0:13:24.440 --> 0:13:26.960
<v Speaker 2>Well those are those were great questions. Sarah, thank you

0:13:27.080 --> 0:13:29.800
<v Speaker 2>so much for joining us today. We are so happy

0:13:29.800 --> 0:13:31.959
<v Speaker 2>to have our uh our fan ritos on the show.

0:13:32.360 --> 0:13:33.120
<v Speaker 1>Yeah, thank you.

0:13:33.120 --> 0:13:35.800
<v Speaker 3>You guys are fabulous. I love listening every week.

0:13:36.400 --> 0:13:40.360
<v Speaker 1>Thank you You're the best. Thanks Sarah, your family.

0:13:40.440 --> 0:13:42.840
<v Speaker 4>We said hi, I will I will tell them they'll

0:13:42.880 --> 0:13:43.679
<v Speaker 4>be so thrilled.

0:13:43.880 --> 0:13:51.200
<v Speaker 1>Awesome, awesome by Oh hi you are hi, Mark, Hi, Hi,

0:13:52.480 --> 0:13:53.880
<v Speaker 1>how are you good?

0:13:53.920 --> 0:13:54.679
<v Speaker 5>How are you guys?

0:13:55.040 --> 0:13:55.880
<v Speaker 1>We're doing well?

0:13:55.920 --> 0:13:56.199
<v Speaker 2>Great?

0:13:56.520 --> 0:13:57.640
<v Speaker 1>Wait, let us see your shirt.

0:13:57.720 --> 0:14:03.120
<v Speaker 5>Yeah, this shirt, it's it's the Cameo uh fan club shirt.

0:14:03.640 --> 0:14:07.480
<v Speaker 1>My celebrity is better than your celebrity with a picture

0:14:07.520 --> 0:14:11.679
<v Speaker 1>of my face. Yeah that's I mean, I love it.

0:14:11.760 --> 0:14:13.559
<v Speaker 1>Your loyalty is unmatched.

0:14:15.160 --> 0:14:16.960
<v Speaker 2>I feel like Andrey needs one now at.

0:14:16.800 --> 0:14:20.480
<v Speaker 5>This point, Hey, I can have made Yeah, I mean.

0:14:20.440 --> 0:14:22.360
<v Speaker 2>Right that way, next time we travel together, you can

0:14:22.400 --> 0:14:23.840
<v Speaker 2>wear a shirt with your own face on.

0:14:23.800 --> 0:14:26.520
<v Speaker 1>It instead of the Bob saggon, instead of the Bob

0:14:26.520 --> 0:14:27.040
<v Speaker 1>sagging one.

0:14:27.080 --> 0:14:29.120
<v Speaker 2>Well, that's a sweatshirt, So you can wear the T

0:14:29.280 --> 0:14:32.200
<v Speaker 2>shirt underneath the Bob Saggat shirt just in case, you know,

0:14:32.920 --> 0:14:35.160
<v Speaker 2>and and you never know, you might run into Mark.

0:14:36.840 --> 0:14:38.720
<v Speaker 1>Market. I met on Cameo a couple of years ago,

0:14:38.880 --> 0:14:41.800
<v Speaker 1>and he's just been such a wonderful supporter and a

0:14:41.880 --> 0:14:45.000
<v Speaker 1>great fan. And he's he always is commenting on our

0:14:45.040 --> 0:14:46.119
<v Speaker 1>how Rude podcast.

0:14:46.240 --> 0:14:49.480
<v Speaker 5>And yeah, I got the keepsake ornament from the.

0:14:49.760 --> 0:14:52.320
<v Speaker 1>Oh wait what is that? What is that? The world

0:14:52.560 --> 0:14:57.200
<v Speaker 1>is small? But Jody needs this.

0:14:57.080 --> 0:14:59.480
<v Speaker 5>This is this is the one and only keepsake ornament

0:14:59.520 --> 0:15:01.640
<v Speaker 5>for the fa Clumber for the podcast.

0:15:02.480 --> 0:15:02.760
<v Speaker 2>Is it?

0:15:02.800 --> 0:15:03.800
<v Speaker 1>What is it a radio?

0:15:03.960 --> 0:15:05.760
<v Speaker 2>It's a little radio for the podcast.

0:15:07.160 --> 0:15:10.440
<v Speaker 1>I love that the world is full.

0:15:10.720 --> 0:15:13.760
<v Speaker 3>We had one for your book too. If you recall look.

0:15:13.560 --> 0:15:17.240
<v Speaker 1>At what's so great? You could start your own merch

0:15:17.320 --> 0:15:19.400
<v Speaker 1>story out of your house. Yeah.

0:15:20.600 --> 0:15:23.280
<v Speaker 5>All one of the kind, all for fun, nothing, no money,

0:15:23.360 --> 0:15:24.880
<v Speaker 5>No money has exchanged hands.

0:15:25.440 --> 0:15:28.760
<v Speaker 2>Well, I love the dedication that that is so cute though.

0:15:28.840 --> 0:15:31.240
<v Speaker 2>I'm so honored we have our own we have our

0:15:31.280 --> 0:15:33.880
<v Speaker 2>own uh Christmas ornaments.

0:15:34.240 --> 0:15:37.680
<v Speaker 1>That's so cool. Well, Mark, officially, let's welcome you to

0:15:37.720 --> 0:15:39.920
<v Speaker 1>how tan Ritos. You're here, you made it.

0:15:40.120 --> 0:15:42.200
<v Speaker 3>I'm very glad to be here. This is really exciting.

0:15:42.360 --> 0:15:45.840
<v Speaker 1>Yay, that's awesome. I can't wait to hear your question. Yes,

0:15:46.040 --> 0:15:46.640
<v Speaker 1>all right, well.

0:15:46.560 --> 0:15:49.880
<v Speaker 5>I actually have one for both of you guys. Okay, good, Okay,

0:15:49.880 --> 0:15:51.080
<v Speaker 5>we'll start with the entry of course.

0:15:51.280 --> 0:15:53.000
<v Speaker 1>Yes, well, I mean on your face.

0:15:54.800 --> 0:15:56.880
<v Speaker 2>If you started with me, I'd be like, I'm sorry,

0:15:57.160 --> 0:15:58.360
<v Speaker 2>my face isn't on your shirt?

0:15:58.720 --> 0:16:01.560
<v Speaker 3>You should, all right.

0:16:01.640 --> 0:16:05.080
<v Speaker 5>So my question for Andrea is other than other than

0:16:05.120 --> 0:16:08.080
<v Speaker 5>being in every episode, how was it different for you

0:16:08.160 --> 0:16:11.040
<v Speaker 5>when you went from regular guest post star to a

0:16:11.120 --> 0:16:11.920
<v Speaker 5>series regular?

0:16:12.440 --> 0:16:15.240
<v Speaker 1>Yes on okay, yes on full House. You know I

0:16:15.240 --> 0:16:16.960
<v Speaker 1>was only supposed to be in a couple episodes that

0:16:17.040 --> 0:16:19.600
<v Speaker 1>first season, and then I ended up being in all

0:16:19.640 --> 0:16:22.120
<v Speaker 1>eight seasons, so I think it was. I think I

0:16:22.160 --> 0:16:27.360
<v Speaker 1>was recurring until season five and then I became Was

0:16:27.400 --> 0:16:30.440
<v Speaker 1>it season five? Maybe season four? I feel like it

0:16:30.480 --> 0:16:31.800
<v Speaker 1>was before that.

0:16:32.240 --> 0:16:36.120
<v Speaker 2>Well did you get well, when did you get a

0:16:36.200 --> 0:16:38.760
<v Speaker 2>title one season? You got a title card because that

0:16:38.800 --> 0:16:41.440
<v Speaker 2>parking when you went, Yeah, a title card in a parking.

0:16:42.800 --> 0:16:43.440
<v Speaker 1>Was it five?

0:16:43.880 --> 0:16:45.160
<v Speaker 2>I trust Mark on this one.

0:16:45.160 --> 0:16:50.560
<v Speaker 1>I know nothing. Definitely, Mark, I'm not wrong. We know nothing.

0:16:50.880 --> 0:16:52.880
<v Speaker 2>Well I'm I'm going to just say I am wrong

0:16:53.080 --> 0:16:56.360
<v Speaker 2>because you have her face on a shirt, so therefore

0:16:56.560 --> 0:16:57.920
<v Speaker 2>you know far more than I do.

0:16:58.880 --> 0:17:02.160
<v Speaker 1>And I was there, so so yeah, hey, that's okay.

0:17:02.240 --> 0:17:05.159
<v Speaker 1>So season five and this is all very I mean,

0:17:05.160 --> 0:17:08.480
<v Speaker 1>it's all contractual stuff. So but yeah, I got a

0:17:08.480 --> 0:17:10.439
<v Speaker 1>parking space, get a parking right in front of the

0:17:10.480 --> 0:17:13.399
<v Speaker 1>door of stage twenty four. Yeah, that was that was

0:17:13.560 --> 0:17:15.440
<v Speaker 1>a big deal to get a parking sp No longer

0:17:15.600 --> 0:17:15.800
<v Speaker 1>get it.

0:17:15.920 --> 0:17:18.520
<v Speaker 2>You no longer have to walk that long.

0:17:18.800 --> 0:17:21.439
<v Speaker 1>Yes, at Warner Brothers you have to walk like fifty

0:17:21.480 --> 0:17:24.240
<v Speaker 1>miles from the parking garage to get to stage twenty four.

0:17:24.280 --> 0:17:26.359
<v Speaker 1>But yeah, once you're a series regular, you get a

0:17:26.359 --> 0:17:28.720
<v Speaker 1>parking space right by the stage. So that was exciting.

0:17:30.440 --> 0:17:32.600
<v Speaker 1>I think I just loved being yeah in every episode

0:17:32.640 --> 0:17:35.639
<v Speaker 1>and being more a part of the storylines, you know,

0:17:35.680 --> 0:17:39.240
<v Speaker 1>getting to have my own storyline in the Sweet sixteen episode,

0:17:39.920 --> 0:17:43.399
<v Speaker 1>and just being featured in more storylines like what was

0:17:43.440 --> 0:17:45.760
<v Speaker 1>it the kim you gets drunk at the frat party?

0:17:46.040 --> 0:17:48.119
<v Speaker 1>You know, just just being more of a of a

0:17:48.160 --> 0:17:51.000
<v Speaker 1>main player was great. But I felt I felt a

0:17:51.040 --> 0:17:56.040
<v Speaker 1>bigger difference going from full House to Fuller House. And

0:17:56.080 --> 0:17:57.800
<v Speaker 1>I don't know if that's because I was one of

0:17:57.800 --> 0:18:00.320
<v Speaker 1>the three leads on Fuller House or because I was

0:18:00.320 --> 0:18:02.480
<v Speaker 1>an adult. I mean it might be a little fifty

0:18:02.480 --> 0:18:05.359
<v Speaker 1>to fifty. Yeah, probably fifty to fifty. But I just

0:18:05.359 --> 0:18:07.879
<v Speaker 1>felt like I had so much more agency as an

0:18:07.920 --> 0:18:10.879
<v Speaker 1>adult and so much more input into my character. And

0:18:10.880 --> 0:18:12.959
<v Speaker 1>I cared more too. You know, as a kid, you're

0:18:13.040 --> 0:18:14.719
<v Speaker 1>kind of just like a nineties robot. You just kind

0:18:14.760 --> 0:18:17.560
<v Speaker 1>of do what you're told, and you don't really have

0:18:17.640 --> 0:18:20.720
<v Speaker 1>a whole lot of investment in your character, at least

0:18:20.760 --> 0:18:22.840
<v Speaker 1>I didn't. But as an adult, I was just like, Yeah,

0:18:22.840 --> 0:18:25.000
<v Speaker 1>this is Kimmy Gibbler. She's got a legacy that, you know,

0:18:25.040 --> 0:18:26.920
<v Speaker 1>she has to live up to. So I cared about

0:18:26.920 --> 0:18:29.359
<v Speaker 1>the storylines, and if something didn't feel right, I spoke

0:18:29.440 --> 0:18:33.680
<v Speaker 1>up about it and fought hard for certain things. So

0:18:33.880 --> 0:18:35.760
<v Speaker 1>I would say I felt more of a difference going

0:18:36.040 --> 0:18:39.320
<v Speaker 1>from full House to Fuller House and just feeling like,

0:18:39.359 --> 0:18:41.760
<v Speaker 1>you know, Kimmy finally made it, she finally moved into

0:18:41.800 --> 0:18:45.560
<v Speaker 1>the Tanner House like she always wanted to, and it

0:18:45.600 --> 0:18:48.080
<v Speaker 1>was just it was wonderful and I loved it. I

0:18:48.119 --> 0:18:50.760
<v Speaker 1>loved being more a part of the process and getting

0:18:50.760 --> 0:18:53.280
<v Speaker 1>to sit at the notes table. As kids, we never

0:18:53.359 --> 0:18:55.560
<v Speaker 1>got to sit at the notes table. That was just

0:18:55.600 --> 0:18:58.680
<v Speaker 1>for the adults, and so we Yeah, we sat at

0:18:58.680 --> 0:19:01.760
<v Speaker 1>the notes table after every run through and went, you know,

0:19:01.800 --> 0:19:04.760
<v Speaker 1>page by page, seen by scene and talked about jokes

0:19:04.760 --> 0:19:06.920
<v Speaker 1>that weren't working, or lines that didn't feel right, or

0:19:06.960 --> 0:19:10.239
<v Speaker 1>storylines that weren't working for us. An it was a

0:19:10.400 --> 0:19:16.120
<v Speaker 1>very collaborative process and I found so much fulfillment in that. Yeah,

0:19:16.160 --> 0:19:18.639
<v Speaker 1>it was great. I loved it. I loved it. It

0:19:18.760 --> 0:19:22.320
<v Speaker 1>was a good moment for me, a very satisfying victory

0:19:22.400 --> 0:19:24.480
<v Speaker 1>for me to finally move into the house and be

0:19:24.600 --> 0:19:25.320
<v Speaker 1>one of the leads.

0:19:25.600 --> 0:19:27.479
<v Speaker 5>And you said that you were more at ease with

0:19:27.520 --> 0:19:30.040
<v Speaker 5>your outfit choices in Fuller House than you were.

0:19:29.960 --> 0:19:30.520
<v Speaker 3>In Full House.

0:19:30.600 --> 0:19:32.439
<v Speaker 1>Oh yeah, well I finally learned to speak up. Like

0:19:32.480 --> 0:19:34.399
<v Speaker 1>as a kid, I was just like, you know, if

0:19:34.440 --> 0:19:37.959
<v Speaker 1>I felt uncomfortable in something, I didn't I It's not

0:19:38.000 --> 0:19:40.159
<v Speaker 1>like I couldn't speak up. I just didn't have the

0:19:40.240 --> 0:19:42.760
<v Speaker 1>confidence to speak up. And so I just wore things

0:19:42.760 --> 0:19:45.560
<v Speaker 1>that made me feel even more uncomfortable than I already

0:19:45.600 --> 0:19:50.840
<v Speaker 1>felt as a teenage girl on TV. So in Fuller House,

0:19:51.280 --> 0:19:54.159
<v Speaker 1>we had just a great costumer. Mary Kate was or

0:19:54.240 --> 0:19:57.680
<v Speaker 1>not Mary Kate, Mary Kate. What's her last name, Killilea,

0:19:58.000 --> 0:20:02.200
<v Speaker 1>kill A Lea, that's right. She was just so creative

0:20:02.359 --> 0:20:07.440
<v Speaker 1>and she she used Sarah Jessica Parker's Carrie Bradshaw as

0:20:07.480 --> 0:20:09.680
<v Speaker 1>sort of our muse for how we were gonna dress

0:20:09.720 --> 0:20:12.840
<v Speaker 1>Kimmy the modern day Kimmy Gibbler. And she was great.

0:20:12.880 --> 0:20:14.040
<v Speaker 1>She was like, you know, what do you like? What

0:20:14.080 --> 0:20:16.600
<v Speaker 1>are you not like? What you know? What silhouettes are

0:20:16.640 --> 0:20:17.919
<v Speaker 1>you a fan of? If you if you're not, And

0:20:17.920 --> 0:20:19.359
<v Speaker 1>she always said, I'm not going to put you in

0:20:19.440 --> 0:20:22.720
<v Speaker 1>anything that you're uncomfortable in. If you're even slightly uncomfortable

0:20:22.760 --> 0:20:25.320
<v Speaker 1>in it, it's out. And even if the producers are like, no,

0:20:25.400 --> 0:20:27.160
<v Speaker 1>she has to wear this because the joke has to work.

0:20:27.280 --> 0:20:29.600
<v Speaker 1>Mary Kate would go to bat for me and be like, Nope,

0:20:29.960 --> 0:20:31.960
<v Speaker 1>she's not wearing that because she's not comfortable in it.

0:20:32.040 --> 0:20:35.359
<v Speaker 1>So yeah, yeah, no, I love the fashion and Fuller

0:20:35.359 --> 0:20:38.000
<v Speaker 1>House that was fantastic, and.

0:20:37.960 --> 0:20:41.720
<v Speaker 5>I noticed there was only one smelly feet reference in

0:20:41.800 --> 0:20:43.920
<v Speaker 5>Fuller House and then then we never heard from it again,

0:20:43.960 --> 0:20:46.240
<v Speaker 5>which I'm assuming is your choice, right, thank.

0:20:46.000 --> 0:20:49.359
<v Speaker 1>God, thank god. I hated that joke. It was just

0:20:49.400 --> 0:20:52.879
<v Speaker 1>so overused. It felt it was funny maybe the first

0:20:52.920 --> 0:20:55.399
<v Speaker 1>time they used it in Full House, but then the

0:20:55.440 --> 0:20:57.639
<v Speaker 1>writers are like, oh, that got a laugh, Let's use

0:20:57.680 --> 0:20:59.600
<v Speaker 1>it again and again and again and again, and I'm like, okay,

0:20:59.600 --> 0:21:02.439
<v Speaker 1>it's not funny the fiftieth time, guys. It's just lazy

0:21:02.440 --> 0:21:04.879
<v Speaker 1>writing at that point. And then I would have fans

0:21:04.920 --> 0:21:06.440
<v Speaker 1>on the street come up to me and say, don't

0:21:06.440 --> 0:21:08.919
<v Speaker 1>take your shoes off, and I'm like that's like do

0:21:08.960 --> 0:21:10.879
<v Speaker 1>your feet really I still get that question. Do your

0:21:10.880 --> 0:21:15.240
<v Speaker 1>feet stink? And I'm like no, right, forty seven years old,

0:21:15.359 --> 0:21:18.879
<v Speaker 1>I am a fan of hygiene, like it is important.

0:21:19.080 --> 0:21:22.399
<v Speaker 2>If I were you, I would never wear shoes again,

0:21:22.520 --> 0:21:26.080
<v Speaker 2>just to prove a point everywhere you go. Just be

0:21:26.200 --> 0:21:29.840
<v Speaker 2>like the dogs are out and they're fine. So you

0:21:29.840 --> 0:21:30.199
<v Speaker 2>know what I mean.

0:21:30.240 --> 0:21:32.320
<v Speaker 1>I said that to a fan one time. I'm like,

0:21:32.359 --> 0:21:34.320
<v Speaker 1>do you want to smell and find out? And they

0:21:34.320 --> 0:21:36.640
<v Speaker 1>were like no, and that shut them up real quick.

0:21:36.720 --> 0:21:39.520
<v Speaker 2>So, well, don't say that to everyone, because there's an

0:21:39.680 --> 0:21:41.640
<v Speaker 2>entire niche of the internet that would be like, yes

0:21:41.680 --> 0:21:43.320
<v Speaker 2>I do, and I will pay you money for it.

0:21:43.480 --> 0:21:46.160
<v Speaker 2>So be careful who you be careful who you asked

0:21:46.200 --> 0:21:46.600
<v Speaker 2>that question.

0:21:46.680 --> 0:21:51.560
<v Speaker 1>That's all I'm saying. It's all I'm saying. Noted, definitely noted. Yeah,

0:21:51.680 --> 0:21:54.080
<v Speaker 1>I'm glad they only used that joke once in the pilot.

0:21:54.080 --> 0:21:56.560
<v Speaker 1>A fuller and Yeah never came back.

0:21:56.640 --> 0:21:56.760
<v Speaker 2>They.

0:21:56.800 --> 0:21:58.119
<v Speaker 1>I am like, you guys are smarter than this. You

0:21:58.160 --> 0:22:01.560
<v Speaker 1>can come up with better jokes than this. Yeah, wasn't that.

0:22:01.680 --> 0:22:04.400
<v Speaker 2>Wasn't that the thing that knocked Steph back out of

0:22:04.440 --> 0:22:07.000
<v Speaker 2>her terrible British accent?

0:22:07.880 --> 0:22:09.680
<v Speaker 1>That's what knocked you back to you to your sense.

0:22:10.640 --> 0:22:12.720
<v Speaker 2>I'm so glad we just killed both of those jokes,

0:22:12.760 --> 0:22:13.240
<v Speaker 2>you know what I mean?

0:22:13.280 --> 0:22:14.160
<v Speaker 1>Like, there just.

0:22:16.040 --> 0:22:16.359
<v Speaker 2>Couldn't.

0:22:17.200 --> 0:22:20.400
<v Speaker 1>Yeah, yeah, it should have happened a few few scenes

0:22:20.400 --> 0:22:22.880
<v Speaker 1>earlier in that episode, but at least they got rid

0:22:22.880 --> 0:22:27.000
<v Speaker 1>of both. I think that one fell swoop. It's gone.

0:22:28.560 --> 0:22:30.000
<v Speaker 1>Love it. Great question, thanks Mark.

0:22:30.640 --> 0:22:34.680
<v Speaker 5>All right here and here's my question for Jody. It's

0:22:34.800 --> 0:22:38.560
<v Speaker 5>it's obvious that you had sarcasm down at an early age,

0:22:38.920 --> 0:22:41.960
<v Speaker 5>but how did you learn the sarcasm with somebody like

0:22:42.240 --> 0:22:44.320
<v Speaker 5>showing you how to be sarcastic or explaining to you,

0:22:44.440 --> 0:22:48.720
<v Speaker 5>or you just naturally just it's.

0:22:47.800 --> 0:22:50.960
<v Speaker 2>Just sort of how I communicate. I don't It's like

0:22:51.040 --> 0:22:55.520
<v Speaker 2>I really honestly don't. Even as a kid, like it

0:22:55.600 --> 0:22:58.960
<v Speaker 2>was I just found for me, sarcasm was like pointing

0:22:58.960 --> 0:23:01.359
<v Speaker 2>out the obvious and being like, no, no one's you

0:23:01.400 --> 0:23:04.080
<v Speaker 2>know what I mean? And so I found because I

0:23:04.160 --> 0:23:08.040
<v Speaker 2>always noticed things really quickly, sarcasm was kind of a

0:23:08.080 --> 0:23:10.720
<v Speaker 2>default for me because it was like, well, yeah, sure

0:23:10.720 --> 0:23:13.840
<v Speaker 2>we're gonna like I could just immediately point out the

0:23:13.920 --> 0:23:18.320
<v Speaker 2>thing that was wrong or silly or obvious and kind

0:23:18.320 --> 0:23:23.399
<v Speaker 2>of make fun of it. And it's also like I

0:23:23.640 --> 0:23:27.159
<v Speaker 2>think it's I don't know. I mean, my mom definitely,

0:23:27.280 --> 0:23:29.880
<v Speaker 2>I will give my mom credit, like she really when

0:23:29.920 --> 0:23:31.720
<v Speaker 2>I was a kid, you know, worked with me on

0:23:31.960 --> 0:23:33.760
<v Speaker 2>lines and doing all that kind of stuff. But I

0:23:33.960 --> 0:23:38.000
<v Speaker 2>just sort of picked it up and I think also

0:23:39.119 --> 0:23:42.439
<v Speaker 2>it was how like the guys kind of joked around

0:23:42.480 --> 0:23:47.320
<v Speaker 2>and communicated like sarcasm was just you know, it was

0:23:47.400 --> 0:23:49.040
<v Speaker 2>just kind of like everyone just sort of you know,

0:23:49.119 --> 0:23:50.800
<v Speaker 2>made fun of each other a little, and oh, yeah

0:23:50.800 --> 0:23:53.159
<v Speaker 2>that's the thing, you know. And I don't know, I

0:23:53.160 --> 0:23:57.120
<v Speaker 2>think I just that like it felt like the right

0:23:57.200 --> 0:24:01.520
<v Speaker 2>kind of humor to me, a little self deprecating a little,

0:24:01.800 --> 0:24:04.399
<v Speaker 2>like you know, poking fun at people and letting the

0:24:04.400 --> 0:24:09.760
<v Speaker 2>air out of the room a little. And and it's

0:24:09.840 --> 0:24:12.879
<v Speaker 2>just I mean, it's just such a part of you know,

0:24:13.640 --> 0:24:17.800
<v Speaker 2>who I am really, I mean, Andrew will attest its

0:24:18.320 --> 0:24:19.040
<v Speaker 2>just who I am.

0:24:19.160 --> 0:24:19.320
<v Speaker 4>I am.

0:24:19.520 --> 0:24:22.159
<v Speaker 2>I am just starcasic, and I don't even mean to be.

0:24:22.200 --> 0:24:23.960
<v Speaker 2>Sometimes people are like, wait, did you mean that? And

0:24:23.960 --> 0:24:26.119
<v Speaker 2>I'm like, no, that was that was a genuine emotion.

0:24:26.280 --> 0:24:30.840
<v Speaker 2>I've actually meant that. Yeah, no, I'm not being sarcastic,

0:24:32.200 --> 0:24:34.520
<v Speaker 2>but yeah, I I just I don't know, I picked

0:24:34.600 --> 0:24:36.280
<v Speaker 2>up on it. And I think also.

0:24:37.520 --> 0:24:41.359
<v Speaker 5>As a kid, I I I.

0:24:41.280 --> 0:24:48.240
<v Speaker 2>Understood timing and comedy in like this weirdly innate way,

0:24:49.080 --> 0:24:51.600
<v Speaker 2>like I knew it. Just there was like a feeling

0:24:51.640 --> 0:24:54.479
<v Speaker 2>of like just how long you give a joke a

0:24:54.520 --> 0:24:56.760
<v Speaker 2>breath and then you give it the punchline. And it

0:24:56.800 --> 0:25:00.520
<v Speaker 2>was like, even at five, I just felt like you

0:25:00.560 --> 0:25:04.680
<v Speaker 2>could just I just could feel how you were supposed

0:25:04.720 --> 0:25:07.159
<v Speaker 2>to let things kind of come up and then release

0:25:07.240 --> 0:25:11.639
<v Speaker 2>with a joke. And yeah, and it can't teach that.

0:25:11.840 --> 0:25:14.160
<v Speaker 1>It's and you can't teach it.

0:25:14.200 --> 0:25:18.040
<v Speaker 2>I really am. I'm grateful for that. And it's something

0:25:18.119 --> 0:25:21.359
<v Speaker 2>that you know, Bob and Dave always encourage him, were like,

0:25:21.400 --> 0:25:23.320
<v Speaker 2>you just have a great sense of timing and and

0:25:23.440 --> 0:25:27.040
<v Speaker 2>sense of humor and and yeah, I think you know,

0:25:27.119 --> 0:25:33.399
<v Speaker 2>my my sarcasm was u shaped by by Stephanie, by

0:25:33.520 --> 0:25:37.439
<v Speaker 2>by Bob and David John and and and was just

0:25:37.560 --> 0:25:40.960
<v Speaker 2>kind of also who I was in my natural sense

0:25:40.960 --> 0:25:45.680
<v Speaker 2>of humor and and observations of the world. So yeah,

0:25:45.800 --> 0:25:49.320
<v Speaker 2>I that I I now speak it fluently. It is

0:25:49.359 --> 0:25:52.199
<v Speaker 2>my first language. It's your language, and yeah it is.

0:25:52.320 --> 0:25:56.120
<v Speaker 2>It is my love language. And my children now use it,

0:25:56.359 --> 0:26:00.680
<v Speaker 2>uh really well, and which is both horrified and also

0:26:00.720 --> 0:26:04.360
<v Speaker 2>makes me really proud. So yeah, like I'll be like, hey,

0:26:04.400 --> 0:26:06.440
<v Speaker 2>what do you do And they'll be like, I'm knitting

0:26:06.480 --> 0:26:07.919
<v Speaker 2>a sweater. What does it look like I'm doing. I'm

0:26:07.920 --> 0:26:10.160
<v Speaker 2>pouring a glass of juice. And I'm like, oh, they've

0:26:10.200 --> 0:26:10.720
<v Speaker 2>done it, you know what.

0:26:10.720 --> 0:26:14.879
<v Speaker 1>I like, Oh, no, right, it's coming back. Yeah, would be.

0:26:15.000 --> 0:26:16.560
<v Speaker 2>The other day dead Pan looked at me and just

0:26:16.560 --> 0:26:19.720
<v Speaker 2>said something like, no, I'm doing this, and I was like,

0:26:22.160 --> 0:26:24.680
<v Speaker 2>smart ass, Yeah it was, but it was funny.

0:26:24.880 --> 0:26:27.639
<v Speaker 1>Can't argue with sarcasm when they get it from you,

0:26:27.640 --> 0:26:27.920
<v Speaker 1>you know.

0:26:28.600 --> 0:26:30.840
<v Speaker 2>I know, as long as they're funny, I'll let it slide.

0:26:31.080 --> 0:26:33.160
<v Speaker 5>Yeah, and you can be secretly proud in the background.

0:26:33.200 --> 0:26:34.359
<v Speaker 1>It's true. It's true.

0:26:35.359 --> 0:26:37.600
<v Speaker 2>Mark, Thank you so much for asking those great questions.

0:26:37.600 --> 0:26:42.040
<v Speaker 2>And I'm just excited that you showed us that shirt

0:26:42.359 --> 0:26:45.000
<v Speaker 2>and the one of a kind ornaments.

0:26:44.640 --> 0:26:46.919
<v Speaker 1>And the ornament I know we would be calling you.

0:26:46.920 --> 0:26:48.760
<v Speaker 1>We're going to call you in December and ask you

0:26:48.800 --> 0:26:52.600
<v Speaker 1>to make cram. That's fantastic, so.

0:26:52.560 --> 0:26:58.639
<v Speaker 2>Creating, fantastic fan. I'm sorry I had to say that.

0:26:59.000 --> 0:26:59.560
<v Speaker 1>It's all good.

0:27:00.280 --> 0:27:02.000
<v Speaker 2>So Mark, thank you for joining us today.

0:27:02.000 --> 0:27:03.480
<v Speaker 1>We really appreciate it.

0:27:03.600 --> 0:27:04.800
<v Speaker 3>Thanks for having me. It was great.

0:27:04.920 --> 0:27:06.920
<v Speaker 1>Thanks, thank you, and thanks for being such a great

0:27:06.960 --> 0:27:10.520
<v Speaker 1>fan like you're just again so devoted and thanks for

0:27:10.560 --> 0:27:13.280
<v Speaker 1>loving our show, and thank you. Loving our podcast.

0:27:12.960 --> 0:27:13.959
<v Speaker 2>Really means a lot.

0:27:14.280 --> 0:27:14.920
<v Speaker 1>It really does.

0:27:15.160 --> 0:27:16.120
<v Speaker 5>Look forward to it every week.

0:27:16.160 --> 0:27:17.000
<v Speaker 3>It's awesome. Thanks.

0:27:18.200 --> 0:27:20.520
<v Speaker 5>It's a bright light in this world right now.

0:27:20.560 --> 0:27:23.280
<v Speaker 1>So oh, thank you. I appreciate that means a lot.

0:27:23.359 --> 0:27:24.280
<v Speaker 1>That really means a lot.

0:27:24.320 --> 0:27:26.800
<v Speaker 2>And I'm not even being sarcastic. That really does actually

0:27:26.840 --> 0:27:27.280
<v Speaker 2>mean a lot.

0:27:29.960 --> 0:27:34.320
<v Speaker 1>All right, Bye, Mark, Thanks Marks, Bye.

0:27:34.920 --> 0:27:39.000
<v Speaker 2>Great questions from our fan of Ritos, right man, so

0:27:39.080 --> 0:27:41.879
<v Speaker 2>many good questions. I love it and I love getting

0:27:41.880 --> 0:27:45.159
<v Speaker 2>to meet our fantos. They're so excited and like hearing

0:27:45.200 --> 0:27:47.800
<v Speaker 2>what the show means and has meant to people throughout

0:27:47.800 --> 0:27:50.720
<v Speaker 2>their lives is just well always warms my heart.

0:27:51.040 --> 0:27:52.920
<v Speaker 1>But I love it. This is something we didn't have

0:27:52.960 --> 0:27:55.320
<v Speaker 1>on the original show. We didn't have this sort of

0:27:55.640 --> 0:28:00.400
<v Speaker 1>interaction with fans with the technology social media zoom. So

0:28:00.440 --> 0:28:02.720
<v Speaker 1>it's great getting to meet them face to face and

0:28:03.119 --> 0:28:05.359
<v Speaker 1>hear what they're curious about and what they think. And

0:28:05.920 --> 0:28:06.640
<v Speaker 1>I just love it.

0:28:06.920 --> 0:28:09.879
<v Speaker 2>This episode is brought to you by Hyundai. Speaking of

0:28:09.880 --> 0:28:13.880
<v Speaker 2>things they're curious about, we did have some additional questions

0:28:14.000 --> 0:28:18.200
<v Speaker 2>from fans that came from our Instagram post, and if

0:28:18.200 --> 0:28:20.280
<v Speaker 2>you weren't following us on Instagram, make sure you're following

0:28:20.359 --> 0:28:24.159
<v Speaker 2>at how Rude Podcast because we do ask questions to

0:28:24.200 --> 0:28:26.399
<v Speaker 2>our fans on there. We love input. We post all

0:28:26.480 --> 0:28:28.880
<v Speaker 2>kinds of fun pictures and stuff that we've talked about

0:28:28.880 --> 0:28:29.680
<v Speaker 2>in episodes, but.

0:28:29.960 --> 0:28:31.800
<v Speaker 1>And we read your comments too, read them.

0:28:31.840 --> 0:28:36.880
<v Speaker 2>We read your comments, thus proving our point reading these questions.

0:28:37.840 --> 0:28:39.720
<v Speaker 1>Okay, first up.

0:28:40.040 --> 0:28:43.360
<v Speaker 2>We have a question about some of the serious subjects

0:28:43.400 --> 0:28:47.360
<v Speaker 2>that were in Full House. Oh. A fan asked, there

0:28:47.360 --> 0:28:49.960
<v Speaker 2>were a lot of serious subjects in Full House. Did

0:28:50.000 --> 0:28:52.960
<v Speaker 2>you talk with your parents about those subjects before filming

0:28:53.360 --> 0:28:55.719
<v Speaker 2>and how did you feel about those episodes while shooting,

0:28:57.160 --> 0:29:00.960
<v Speaker 2>such as peer pressure, bullying, missing a loved one, et cetera.

0:29:01.280 --> 0:29:03.880
<v Speaker 1>Yeah, Full House had some heavy topics, just even from

0:29:03.880 --> 0:29:05.960
<v Speaker 1>the pilot, starting with the death of the mom. You know,

0:29:06.080 --> 0:29:10.680
<v Speaker 1>that's a grief, that's a that's a huge topic. And

0:29:10.720 --> 0:29:13.000
<v Speaker 1>but we were pretty young, so I don't I.

0:29:12.960 --> 0:29:15.440
<v Speaker 2>Mean, there were definitely I think it was also it

0:29:15.480 --> 0:29:19.320
<v Speaker 2>was things that were relatively like age appropriate sort of,

0:29:19.520 --> 0:29:21.640
<v Speaker 2>so it was stuff that we had kind of already

0:29:22.120 --> 0:29:25.080
<v Speaker 2>maybe talk to our parents about. If it was you know,

0:29:25.120 --> 0:29:28.320
<v Speaker 2>if we know somebody that's being abused, or you know,

0:29:28.520 --> 0:29:30.520
<v Speaker 2>when to say something if a friend is in danger,

0:29:31.240 --> 0:29:35.120
<v Speaker 2>or you know, smoking or whatever, like, there were things

0:29:35.120 --> 0:29:38.080
<v Speaker 2>that were kind of coming up. I think in just natural,

0:29:38.360 --> 0:29:41.280
<v Speaker 2>you know, like our age of development, even like the

0:29:41.360 --> 0:29:44.880
<v Speaker 2>Kiddy Getting Drunk episode. You know, it's like we it

0:29:44.960 --> 0:29:45.480
<v Speaker 2>was kind.

0:29:45.280 --> 0:29:46.240
<v Speaker 1>Of all stuff that was.

0:29:48.080 --> 0:29:51.000
<v Speaker 2>Being talked about at that point in our lives anyway.

0:29:51.680 --> 0:29:54.040
<v Speaker 2>But yeah, I don't remember it being ever anything where

0:29:54.040 --> 0:29:55.760
<v Speaker 2>it was like, oh my god, this is a huge,

0:29:56.680 --> 0:29:58.800
<v Speaker 2>like new thing that we have that we have to

0:29:59.000 --> 0:30:01.000
<v Speaker 2>sort of broach or talk about. And I think because

0:30:01.040 --> 0:30:04.000
<v Speaker 2>it was a sitcom, it wasn't. We didn't go into

0:30:04.120 --> 0:30:06.520
<v Speaker 2>too many things right.

0:30:06.320 --> 0:30:08.280
<v Speaker 1>That were like heavy or needed.

0:30:08.040 --> 0:30:12.040
<v Speaker 2>An explanation before approaching them.

0:30:12.320 --> 0:30:15.560
<v Speaker 1>Yeah, it never felt too heavy. And I also felt like,

0:30:16.360 --> 0:30:20.120
<v Speaker 1>at least as a teenager on Full House, I mean,

0:30:20.120 --> 0:30:22.200
<v Speaker 1>we were playing pretend we were acting, so it was

0:30:22.480 --> 0:30:24.400
<v Speaker 1>just felt like we were putting on a play we weren't.

0:30:24.760 --> 0:30:27.520
<v Speaker 1>I didn't feel the weight of the responsibility of teaching

0:30:27.680 --> 0:30:30.600
<v Speaker 1>lessons to future generations as a kid. I didn't feel

0:30:30.640 --> 0:30:33.560
<v Speaker 1>that in Fuller House. I felt it as an adult.

0:30:33.560 --> 0:30:35.920
<v Speaker 1>I was like, Okay, we've got to tackle some serious

0:30:35.920 --> 0:30:38.400
<v Speaker 1>topics and we have to be responsible at how we

0:30:38.480 --> 0:30:41.000
<v Speaker 1>present it. But as a ten year old, as a

0:30:41.000 --> 0:30:43.360
<v Speaker 1>thirteen year old, like I was just like, what are

0:30:43.360 --> 0:30:46.240
<v Speaker 1>my lines? You know, the episode where I got drunk,

0:30:46.280 --> 0:30:47.680
<v Speaker 1>I was just like, how do I act drunk? Like,

0:30:48.560 --> 0:30:49.880
<v Speaker 1>how do I do this? How do I do this?

0:30:49.920 --> 0:30:51.760
<v Speaker 1>How do I make it funny but not make it

0:30:51.800 --> 0:30:53.640
<v Speaker 1>seem too over the top or you know. I was

0:30:53.680 --> 0:30:56.120
<v Speaker 1>revery concerned with the acting side of it then then

0:30:56.160 --> 0:30:59.080
<v Speaker 1>the message of it. And that's just because of my age,

0:30:59.440 --> 0:31:00.720
<v Speaker 1>you know, I was. It's just immature.

0:31:01.120 --> 0:31:04.760
<v Speaker 2>It's also like shooting a sitcom is more like a play,

0:31:04.880 --> 0:31:08.520
<v Speaker 2>Like it's sort of as opposed to like a movie

0:31:08.760 --> 0:31:11.880
<v Speaker 2>where it's like what they call single cam, which isn't

0:31:12.200 --> 0:31:15.840
<v Speaker 2>just a single cam. It's usually two cameras, but it's

0:31:15.920 --> 0:31:18.120
<v Speaker 2>a much more intimate way of shooting. You're in an

0:31:18.160 --> 0:31:20.960
<v Speaker 2>actual like three D space. You're you know, it's not

0:31:21.440 --> 0:31:25.240
<v Speaker 2>a sitcom set feels like a play. There's a camera

0:31:25.320 --> 0:31:27.400
<v Speaker 2>row and the audience is on one side and all

0:31:27.400 --> 0:31:30.000
<v Speaker 2>of the action happens on the other and it you know,

0:31:29.760 --> 0:31:37.040
<v Speaker 2>you're kind of in and out of that headspace, you

0:31:37.120 --> 0:31:40.200
<v Speaker 2>know what I mean. Like there's a lot more kind

0:31:40.240 --> 0:31:42.280
<v Speaker 2>of happening in between. And I find I think like

0:31:42.320 --> 0:31:46.760
<v Speaker 2>if you're covering heavier subject matter in like a drama

0:31:47.000 --> 0:31:50.080
<v Speaker 2>or a show, that's more geared towards that you're definitely

0:31:51.840 --> 0:31:54.560
<v Speaker 2>in that emotional space for a lot longer and a

0:31:54.560 --> 0:31:58.400
<v Speaker 2>lot deeper. So yeah, I don't think it was kind

0:31:58.400 --> 0:32:01.320
<v Speaker 2>of not quite as as much.

0:32:01.360 --> 0:32:02.600
<v Speaker 1>But and also, you.

0:32:02.560 --> 0:32:04.920
<v Speaker 2>Know, when you see the show put together in a

0:32:04.960 --> 0:32:08.680
<v Speaker 2>consecutive half hour, it hits different than when we're spending

0:32:09.120 --> 0:32:11.000
<v Speaker 2>four or five days during the week doing bits and

0:32:11.040 --> 0:32:11.880
<v Speaker 2>pieces here and there.

0:32:11.920 --> 0:32:15.040
<v Speaker 1>And you know, true, and so much of sitcom writing

0:32:15.160 --> 0:32:17.920
<v Speaker 1>is about the comedic beats too, like the joke has

0:32:17.960 --> 0:32:20.920
<v Speaker 1>to work. So they're so concerned about the funny right

0:32:20.920 --> 0:32:22.560
<v Speaker 1>and making it work that when they do do this,

0:32:22.600 --> 0:32:25.120
<v Speaker 1>that's why the serious episodes are you know, few and

0:32:25.160 --> 0:32:29.120
<v Speaker 1>far between, because that's that's not common in Renci.

0:32:29.240 --> 0:32:30.960
<v Speaker 2>Well you don't want to you and it's you know,

0:32:31.000 --> 0:32:33.600
<v Speaker 2>you have to walk a very tight line of making

0:32:33.600 --> 0:32:35.120
<v Speaker 2>a serious episode funny.

0:32:35.560 --> 0:32:37.440
<v Speaker 1>Well yeah, that's yeah, a delicate balance.

0:32:37.840 --> 0:32:41.000
<v Speaker 2>Well, not everyone has my inappropriate sense of humor, which

0:32:41.040 --> 0:32:43.479
<v Speaker 2>I find most terribly dark things very funny.

0:32:44.720 --> 0:32:48.360
<v Speaker 1>Yeah, that was a good question. Next, Okay, Next we

0:32:48.480 --> 0:32:53.440
<v Speaker 1>have okay, full house. Full House was originally filmed at

0:32:53.480 --> 0:32:57.120
<v Speaker 1>Lorimar until nineteen ninety three, and then you all moved

0:32:57.160 --> 0:33:00.800
<v Speaker 1>to Warner Brothers. How were all the sets moved from

0:33:00.920 --> 0:33:02.080
<v Speaker 1>Lorimar to w.

0:33:02.240 --> 0:33:05.720
<v Speaker 2>B and Lorimar became Sony. By the way, for anyone

0:33:05.720 --> 0:33:07.560
<v Speaker 2>who's like, what is what is Lorimar?

0:33:07.720 --> 0:33:11.760
<v Speaker 1>It was, it's now it's now Sony Sony Studios. Yes,

0:33:12.680 --> 0:33:14.960
<v Speaker 1>but yeah, I don't that's a good question for transpo.

0:33:15.240 --> 0:33:20.360
<v Speaker 2>We loaded those sets up in our cars. Yeah, you know,

0:33:20.440 --> 0:33:23.160
<v Speaker 2>they're on wheels. We did lift them up there. So

0:33:23.240 --> 0:33:25.960
<v Speaker 2>it was you know, but it was going over the canyon.

0:33:26.080 --> 0:33:28.200
<v Speaker 2>Let me tell you it was from you know, the

0:33:28.240 --> 0:33:30.040
<v Speaker 2>west side to Burbank was a lot.

0:33:30.320 --> 0:33:33.200
<v Speaker 1>You know, four or five is the traffic.

0:33:33.880 --> 0:33:36.760
<v Speaker 2>No sets And it says the sets don't.

0:33:36.520 --> 0:33:37.760
<v Speaker 1>Look like they were rebuilt.

0:33:37.800 --> 0:33:41.560
<v Speaker 2>But that is the beauty of sets, is that in

0:33:41.640 --> 0:33:46.800
<v Speaker 2>between stuff, they would just take those walls down and

0:33:47.800 --> 0:33:51.120
<v Speaker 2>put them in set storage and bring them back.

0:33:51.920 --> 0:33:54.240
<v Speaker 1>It's a huge job. It's a huge task. I did

0:33:54.320 --> 0:33:57.600
<v Speaker 1>not envy the set designers at all, but yeah, they

0:33:57.600 --> 0:33:59.840
<v Speaker 1>would build them and taking it.

0:33:59.840 --> 0:34:03.360
<v Speaker 2>A part and then like having to rebuild it again.

0:34:03.760 --> 0:34:08.160
<v Speaker 2>And I wonder, it is interesting. I never quite thought

0:34:08.200 --> 0:34:14.040
<v Speaker 2>about the fact, like does the stuff move from Sony

0:34:14.440 --> 0:34:17.480
<v Speaker 2>to Warner Brothers, Like did we take did we actually

0:34:17.560 --> 0:34:20.719
<v Speaker 2>take the sets or did they rebuild the sets on

0:34:21.080 --> 0:34:22.160
<v Speaker 2>Warner Brothers?

0:34:22.719 --> 0:34:25.400
<v Speaker 1>You know what I mean, that's a great question, especially

0:34:25.560 --> 0:34:28.799
<v Speaker 1>a living room set, because that's two stories. It's very common.

0:34:28.600 --> 0:34:32.120
<v Speaker 2>Stories, but it's but it more so am I I'm like,

0:34:32.400 --> 0:34:36.040
<v Speaker 2>is it who owns the set stuff? Oh? Yeah, you

0:34:36.080 --> 0:34:38.160
<v Speaker 2>know what I mean? Like, do you take that from one?

0:34:38.680 --> 0:34:40.560
<v Speaker 2>I don't. I don't know. That's a that's a that's

0:34:40.560 --> 0:34:42.600
<v Speaker 2>a great question, like a set design question. Do you

0:34:42.680 --> 0:34:48.520
<v Speaker 2>take it from one lot to another because they're different entities?

0:34:48.960 --> 0:34:52.080
<v Speaker 1>Yeah, who owns it? That's a great question. I think

0:34:52.640 --> 0:34:56.359
<v Speaker 1>I know Bob Boyett owned the couch for many, many, many,

0:34:56.600 --> 0:34:58.879
<v Speaker 1>many many years. He had it in storage somewhere, right,

0:34:58.960 --> 0:35:00.640
<v Speaker 1>and then brought it out and then John's Damo stole

0:35:00.680 --> 0:35:04.200
<v Speaker 1>it at the end of Fullerhouse. But yeah, do you

0:35:04.239 --> 0:35:07.120
<v Speaker 1>remember when we were pitching Fuller House, like the year

0:35:07.239 --> 0:35:11.560
<v Speaker 1>that we sold Fuller House, Right, the blueprints for they

0:35:11.560 --> 0:35:14.120
<v Speaker 1>had just got rid of aid. They had just gotten

0:35:14.200 --> 0:35:14.600
<v Speaker 1>rid of them, so.

0:35:15.000 --> 0:35:17.719
<v Speaker 2>You're not gonna need these. Six months before the show

0:35:17.760 --> 0:35:19.680
<v Speaker 2>got picked up, they were like, we could get rid

0:35:19.719 --> 0:35:23.440
<v Speaker 2>of these old full House blueprints. They're never gonna bring, right,

0:35:23.440 --> 0:35:25.520
<v Speaker 2>And then six months later they're like, Hey, do you

0:35:25.520 --> 0:35:28.480
<v Speaker 2>ever have those blueprints that were and they were like

0:35:28.520 --> 0:35:29.600
<v Speaker 2>wait what Yeah, it.

0:35:29.520 --> 0:35:32.480
<v Speaker 1>Was so Jerry Dunn, our set, our set designer had

0:35:32.520 --> 0:35:35.879
<v Speaker 1>to watch hours and hours and hours of full house

0:35:35.880 --> 0:35:40.239
<v Speaker 1>footage to recreate those sets, and they and it looked identical.

0:35:40.320 --> 0:35:43.040
<v Speaker 1>Like it looked identical. Yeah, he did such a great job.

0:35:43.360 --> 0:35:45.640
<v Speaker 2>They did do a great job. But yeah, the sets,

0:35:45.719 --> 0:35:48.520
<v Speaker 2>I to be quite honest, I don't know if they

0:35:48.719 --> 0:35:52.560
<v Speaker 2>moved them as is or if they had to rebuild

0:35:52.600 --> 0:35:55.680
<v Speaker 2>them with a different set department. I'm not sure how

0:35:55.719 --> 0:35:56.440
<v Speaker 2>that works.

0:35:56.800 --> 0:35:58.719
<v Speaker 1>Yeah, I don't I don't know either. I know, like

0:35:59.160 --> 0:36:01.520
<v Speaker 1>some of the walls were like they could move some

0:36:01.560 --> 0:36:03.400
<v Speaker 1>of the walls to get the cameras in for a

0:36:03.560 --> 0:36:06.440
<v Speaker 1>closer shots. So I'm like, did they take each of

0:36:06.480 --> 0:36:09.600
<v Speaker 1>the three walls and put them on a truck or

0:36:09.640 --> 0:36:12.120
<v Speaker 1>and just take down all of the the decor. I

0:36:12.360 --> 0:36:12.920
<v Speaker 1>have no idea.

0:36:13.320 --> 0:36:15.360
<v Speaker 2>Yeah, I mean I've seen I see, you know, driving

0:36:15.360 --> 0:36:20.319
<v Speaker 2>around LA I see like sets driving you know, like

0:36:21.200 --> 0:36:23.200
<v Speaker 2>driving down on trucks and stuff. There are that I

0:36:23.200 --> 0:36:25.759
<v Speaker 2>do see sets being transported places. So maybe that's a

0:36:26.440 --> 0:36:29.080
<v Speaker 2>maybe it's possible. I don't know. That's an excellent question

0:36:29.560 --> 0:36:32.120
<v Speaker 2>to the fan that asked it. I now have more questions,

0:36:32.200 --> 0:36:35.000
<v Speaker 2>So I'm gonna need a follow up episode.

0:36:35.080 --> 0:36:37.320
<v Speaker 1>But we're yeah, we're gonna have to have a lunch

0:36:37.360 --> 0:36:39.040
<v Speaker 1>with Jeff or I don't even know who we would

0:36:39.040 --> 0:36:40.480
<v Speaker 1>Who would we ask that question?

0:36:41.920 --> 0:36:45.080
<v Speaker 2>Lynn Griffin, well from the full from the full House tables,

0:36:45.200 --> 0:36:48.799
<v Speaker 2>probably Jerry. Yeah, I don't know. I'm gonna I'm gonna

0:36:48.840 --> 0:36:52.400
<v Speaker 2>research this. I might and in fact build a replica

0:36:52.440 --> 0:36:55.080
<v Speaker 2>of all the sets in my backyard and see how

0:36:55.080 --> 0:36:58.280
<v Speaker 2>hard it is to move them just for my own edification.

0:36:58.840 --> 0:37:00.680
<v Speaker 1>Well they do. Do you still have the I have

0:37:00.800 --> 0:37:04.360
<v Speaker 1>the the three D model I had. Yeah, right here,

0:37:04.640 --> 0:37:05.840
<v Speaker 1>Kimmy Gibblers.

0:37:06.160 --> 0:37:10.319
<v Speaker 2>Oh yeah, I have the girls room. Oh and I

0:37:10.360 --> 0:37:14.240
<v Speaker 2>have stephan DJ's room, the hallway, and Jesse's room. Oh

0:37:14.280 --> 0:37:17.960
<v Speaker 2>so yeah, I had the living room too. Yeah, but

0:37:18.040 --> 0:37:22.040
<v Speaker 2>I had auctioned that one off someone I have for charity.

0:37:22.080 --> 0:37:24.800
<v Speaker 2>I auctioned that one off and it was really cool.

0:37:25.520 --> 0:37:28.359
<v Speaker 1>Yeah. And so our set designer would make these three

0:37:28.400 --> 0:37:31.000
<v Speaker 1>D models for every new set that they had, well

0:37:31.120 --> 0:37:33.080
<v Speaker 1>it was a playground or a classroom or whatever. He

0:37:33.120 --> 0:37:35.160
<v Speaker 1>would have to build these three D models forever, and

0:37:35.200 --> 0:37:37.480
<v Speaker 1>then it had to get approved by the producers and

0:37:37.560 --> 0:37:40.560
<v Speaker 1>network and everything. So yeah, he offered these to us

0:37:40.640 --> 0:37:43.279
<v Speaker 1>at the end of Firehouse, and so we kept them.

0:37:43.680 --> 0:37:46.680
<v Speaker 1>That's so cool piece of history right there, right, love it.

0:37:46.760 --> 0:37:48.719
<v Speaker 2>And in case the show cups back in thirty years,

0:37:48.719 --> 0:37:51.960
<v Speaker 2>at least we know we can rebuild those two rooms,

0:37:52.200 --> 0:37:53.879
<v Speaker 2>right only those two rooms only.

0:37:53.920 --> 0:37:55.640
<v Speaker 1>That's it, right room.

0:37:56.600 --> 0:37:58.440
<v Speaker 2>Yeah, yeah, you never know.

0:37:58.480 --> 0:38:00.120
<v Speaker 1>Kimmy's room and the girls room. That's where we'll.

0:38:04.000 --> 0:38:05.400
<v Speaker 2>All right, what do we have next?

0:38:05.520 --> 0:38:06.040
<v Speaker 1>Let's see.

0:38:07.160 --> 0:38:11.840
<v Speaker 2>Okay, if Full House had ever done a Freaky Friday

0:38:11.920 --> 0:38:17.120
<v Speaker 2>type episode, what character would you have wanted your character

0:38:17.160 --> 0:38:18.840
<v Speaker 2>to trade places with? And why?

0:38:19.840 --> 0:38:26.399
<v Speaker 1>Ooh, good question. I've never actually thought about that before. Well,

0:38:26.440 --> 0:38:29.359
<v Speaker 1>back in the Full House days, I would have wanted

0:38:29.360 --> 0:38:32.520
<v Speaker 1>to be DJ because she was you know, because I

0:38:32.560 --> 0:38:34.800
<v Speaker 1>was Kimmy Gibbler. I was the oddball that everyone hated

0:38:34.920 --> 0:38:36.960
<v Speaker 1>and it looked weird and everybody made fun of me.

0:38:37.000 --> 0:38:39.040
<v Speaker 1>So I wanted to be the cool kid that wore

0:38:39.040 --> 0:38:41.120
<v Speaker 1>the cute clothes and had the cute boyfriend and that

0:38:41.200 --> 0:38:44.440
<v Speaker 1>was admired by fans across the world. So I probably

0:38:44.440 --> 0:38:47.960
<v Speaker 1>would have picked Djack back in Full House. But if

0:38:48.000 --> 0:38:50.640
<v Speaker 1>I were doing it today, I think it'd be really

0:38:50.640 --> 0:38:54.360
<v Speaker 1>funny to trade places with Danny Tanner and just like

0:38:54.440 --> 0:38:56.920
<v Speaker 1>Kimmy would just make a mess me. Can you imagine

0:38:56.920 --> 0:39:01.160
<v Speaker 1>like the Gibbler, the Gibbler influence on the the Tanner House,

0:39:01.239 --> 0:39:03.400
<v Speaker 1>she would just fill that place with junk.

0:39:03.560 --> 0:39:05.480
<v Speaker 2>Right, it would drive him crazy.

0:39:06.000 --> 0:39:07.640
<v Speaker 1>So that's a good one.

0:39:07.680 --> 0:39:11.520
<v Speaker 2>I like that. Who would I trade places with? If

0:39:11.560 --> 0:39:14.480
<v Speaker 2>full House ever did it? I know?

0:39:14.840 --> 0:39:15.560
<v Speaker 1>Okay, who who?

0:39:17.040 --> 0:39:25.520
<v Speaker 2>Rattail Ripper? I would be skiing in Tahoe and singing

0:39:25.560 --> 0:39:28.040
<v Speaker 2>doo wop in the living room. That's it, you know,

0:39:28.120 --> 0:39:28.879
<v Speaker 2>a magical.

0:39:28.600 --> 0:39:31.240
<v Speaker 1>Stuff would be like, this is the life, this is great.

0:39:31.320 --> 0:39:33.719
<v Speaker 2>I'm a musician. I just got a snap and have

0:39:33.800 --> 0:39:34.720
<v Speaker 2>a weird little hairdoo.

0:39:35.120 --> 0:39:37.360
<v Speaker 1>Yeah, you need a mullet and a rat tail and

0:39:37.760 --> 0:39:41.080
<v Speaker 1>uh and you can already sing. So that's this is plausive. Yes,

0:39:41.160 --> 0:39:41.480
<v Speaker 1>this is so.

0:39:41.800 --> 0:39:46.680
<v Speaker 2>But now, how would Rattail Ripper fit as Stephanie. I

0:39:46.719 --> 0:39:47.080
<v Speaker 2>don't that.

0:39:47.239 --> 0:39:49.759
<v Speaker 1>I don't know, like in a Freaky Friday swap? Yeah,

0:39:49.800 --> 0:39:51.719
<v Speaker 1>because he never talked, so we don't know if he

0:39:51.840 --> 0:39:55.360
<v Speaker 1>had that that flare for sarcasm and the barbs.

0:39:55.480 --> 0:39:57.480
<v Speaker 2>Yeah, I mean he had a flare, but I don't

0:39:57.480 --> 0:39:58.640
<v Speaker 2>know if it was for sarcasm.

0:39:59.640 --> 0:40:00.680
<v Speaker 1>He does only had a flair.

0:40:00.960 --> 0:40:04.080
<v Speaker 2>Yeah, he was. That's my stupid, ridiculous answer.

0:40:04.560 --> 0:40:07.239
<v Speaker 1>I love. Yeah, that's not ridiculous. That's actually really great.

0:40:07.560 --> 0:40:09.640
<v Speaker 2>Yeah, that's it. That's that was the first thing that

0:40:09.640 --> 0:40:12.919
<v Speaker 2>popped into my mind was maybe even just the rat tail,

0:40:13.320 --> 0:40:16.799
<v Speaker 2>Like if I could just become that, you know.

0:40:16.840 --> 0:40:19.759
<v Speaker 1>Straight places with the with the Sea Pappy, with the

0:40:19.800 --> 0:40:22.440
<v Speaker 1>Mariner and just stand and stare at people the.

0:40:22.400 --> 0:40:26.799
<v Speaker 2>Whole the whole time, that make some sort of Edgar

0:40:26.840 --> 0:40:29.160
<v Speaker 2>Allan Poe poem, you know what I mean, where it's

0:40:29.280 --> 0:40:32.759
<v Speaker 2>like and then it just called the Sea Pappy and

0:40:32.800 --> 0:40:36.680
<v Speaker 2>it's like, you know this whatever, it's some Edgar Allan

0:40:36.760 --> 0:40:40.960
<v Speaker 2>Poe poem about someone that slowly becomes wooden and stands

0:40:40.960 --> 0:40:43.319
<v Speaker 2>on a pedestal eyeing their family and they don't.

0:40:43.640 --> 0:40:46.160
<v Speaker 1>Yeah, yeah, this is great. Let's do this.

0:40:46.800 --> 0:40:49.400
<v Speaker 2>Now I'm brittish. God. Now I'm building up an entire

0:40:49.480 --> 0:40:51.960
<v Speaker 2>fan fiction story about the Sea Pappy and his origin

0:40:52.000 --> 0:40:52.319
<v Speaker 2>and who.

0:40:52.280 --> 0:40:52.799
<v Speaker 1>He really is.

0:40:52.840 --> 0:40:55.279
<v Speaker 2>So uh, I'll be back with that next time.

0:40:55.640 --> 0:40:59.560
<v Speaker 1>I love it. The Sea Pappy and the right titles.

0:40:59.600 --> 0:41:02.560
<v Speaker 1>They need their title credits. They were fast. Okay, so

0:41:02.680 --> 0:41:07.200
<v Speaker 1>next we have another question, did you did any of

0:41:07.239 --> 0:41:11.160
<v Speaker 1>you keep and rewar any of the wardrobe from the show?

0:41:12.360 --> 0:41:16.239
<v Speaker 1>I did well for me, that's easy. No, no, and no.

0:41:17.120 --> 0:41:19.800
<v Speaker 1>I couldn't get I didn't get away and I couldn't

0:41:19.800 --> 0:41:22.399
<v Speaker 1>get away from my wardrobe fast enough. But you did

0:41:22.440 --> 0:41:25.319
<v Speaker 1>you keep your your wardrobe? I kept some of it.

0:41:25.560 --> 0:41:25.759
<v Speaker 5>Uh.

0:41:25.800 --> 0:41:28.520
<v Speaker 2>They at the end of each season they would kind

0:41:28.600 --> 0:41:31.560
<v Speaker 2>of let me go through and be like, is there

0:41:31.600 --> 0:41:35.400
<v Speaker 2>any stuff that you want? Because back in the day,

0:41:35.600 --> 0:41:37.440
<v Speaker 2>I think we could take some of it, Like they

0:41:37.440 --> 0:41:40.600
<v Speaker 2>didn't keep as much of the kids stuff because we.

0:41:40.480 --> 0:41:41.680
<v Speaker 1>Were always growing out of it.

0:41:41.880 --> 0:41:44.840
<v Speaker 2>Right, But but I know on like on Fuller House,

0:41:45.400 --> 0:41:50.279
<v Speaker 2>it all goes back to costume storage. Yeah, but pay

0:41:50.320 --> 0:41:52.440
<v Speaker 2>it right, They're like it belongs to them. So maybe

0:41:52.440 --> 0:41:54.920
<v Speaker 2>I don't know. Maybe we were just stealing clothes. I

0:41:54.960 --> 0:41:57.719
<v Speaker 2>don't know, but I did take some of them. I

0:41:57.760 --> 0:42:03.360
<v Speaker 2>seem to remember quite a few, like prairie dress boot

0:42:03.520 --> 0:42:07.799
<v Speaker 2>combos that I took in the early nineties when that

0:42:07.880 --> 0:42:10.840
<v Speaker 2>was a thing. And I think I actually may have

0:42:11.000 --> 0:42:15.839
<v Speaker 2>even worn some of Steph's clothes on the covers of

0:42:15.880 --> 0:42:19.080
<v Speaker 2>some of the Stephanie books. Oh yeah, okay, so okay,

0:42:19.080 --> 0:42:21.400
<v Speaker 2>but yeah, I did they're like, not a ton of stuff,

0:42:22.040 --> 0:42:25.080
<v Speaker 2>but a few things. And I think when I was

0:42:25.120 --> 0:42:27.879
<v Speaker 2>even younger, I definitely had a few of those three

0:42:27.960 --> 0:42:30.960
<v Speaker 2>D sweaters that my mom was like, yeah, we'll take

0:42:30.960 --> 0:42:31.480
<v Speaker 2>those with us.

0:42:31.640 --> 0:42:34.440
<v Speaker 1>Those are the Scottie dogs. Yeah, collection of Scottie Dogs.

0:42:34.560 --> 0:42:36.320
<v Speaker 2>Yeah, yeah, tons.

0:42:36.719 --> 0:42:40.280
<v Speaker 1>Did you keep the iconic outfit from the telethon dance

0:42:40.400 --> 0:42:42.480
<v Speaker 1>that you did with Jimmy?

0:42:42.520 --> 0:42:45.799
<v Speaker 2>And I know, and I wish I did. I wish

0:42:45.880 --> 0:42:48.680
<v Speaker 2>I had that sweater and those blue leggings.

0:42:48.840 --> 0:42:49.560
<v Speaker 1>Blue leggings.

0:42:49.640 --> 0:42:54.280
<v Speaker 2>Yes, I looked like a like a muppet with stick legs,

0:42:54.320 --> 0:42:58.960
<v Speaker 2>you know what I mean, just like curly ridiculous. I

0:42:59.000 --> 0:43:03.160
<v Speaker 2>love it right, blue spandex and just a sweater with

0:43:04.239 --> 0:43:06.960
<v Speaker 2>I don't even know people on it, yarn hanging on.

0:43:07.120 --> 0:43:07.719
<v Speaker 2>I was so.

0:43:09.480 --> 0:43:12.920
<v Speaker 1>Fabulous. It's so glory fabulous. It's so glorious. And Adam

0:43:12.960 --> 0:43:15.399
<v Speaker 1>hagen Boo, who played Jimmy Gibbler, was such a good

0:43:15.400 --> 0:43:18.240
<v Speaker 1>sport to wear it in Are you kidding?

0:43:18.280 --> 0:43:21.440
<v Speaker 2>He was thrilled. If you know Adam Hagenboo, he was like,

0:43:21.760 --> 0:43:24.640
<v Speaker 2>let's get weird and let's do it like he I

0:43:24.800 --> 0:43:25.399
<v Speaker 2>love him.

0:43:26.360 --> 0:43:28.040
<v Speaker 1>He is so hilarious.

0:43:28.080 --> 0:43:32.360
<v Speaker 2>And he was one and very on board and it

0:43:32.400 --> 0:43:32.759
<v Speaker 2>was great.

0:43:33.440 --> 0:43:34.839
<v Speaker 1>Great. No, I wish I did have that.

0:43:34.920 --> 0:43:38.719
<v Speaker 2>I wish I did have that, because I would certainly

0:43:38.760 --> 0:43:43.120
<v Speaker 2>try and squeeze myself back into it at this point.

0:43:43.200 --> 0:43:45.279
<v Speaker 2>Would just be like like that would be like I

0:43:45.320 --> 0:43:47.480
<v Speaker 2>could put it on my arm, you know what I mean,

0:43:47.600 --> 0:43:49.360
<v Speaker 2>Like it's not even gonna get over my calf.

0:43:49.719 --> 0:43:52.800
<v Speaker 1>Yeah. Oh man, all right, what do we have up next?

0:43:53.280 --> 0:43:56.799
<v Speaker 2>Let's see we have all right here we go? If

0:43:56.840 --> 0:44:00.400
<v Speaker 2>you got another season for the show, how would you

0:44:00.440 --> 0:44:02.920
<v Speaker 2>guys want to wrap it up? And why?

0:44:03.280 --> 0:44:06.879
<v Speaker 1>Oh so like a ninth season of Full House. That's

0:44:06.920 --> 0:44:08.480
<v Speaker 1>what we're we're talking about here.

0:44:09.360 --> 0:44:13.880
<v Speaker 2>I mean, I guess I'm going to assume that because

0:44:15.200 --> 0:44:18.960
<v Speaker 2>this is a full House rewatch Clouse podcast, right right, right, Okay,

0:44:19.840 --> 0:44:22.879
<v Speaker 2>we had a ninth season where did we leave off?

0:44:22.920 --> 0:44:27.720
<v Speaker 1>Michelle fell off a horse, Michelle's in a coma that terrible,

0:44:27.840 --> 0:44:31.760
<v Speaker 1>terrible finale. So I think for season nine, I would

0:44:31.760 --> 0:44:35.680
<v Speaker 1>want to see Kimmy and DJ go to college, right

0:44:36.000 --> 0:44:39.120
<v Speaker 1>because I think we were seniors in high school, graduated eight,

0:44:39.200 --> 0:44:42.759
<v Speaker 1>so we would go to college and there would be

0:44:42.760 --> 0:44:44.799
<v Speaker 1>shenanigans at college. I don't know, but Jim, you only

0:44:44.800 --> 0:44:46.920
<v Speaker 1>got into Clown College, So I don't know if they

0:44:46.920 --> 0:44:49.000
<v Speaker 1>would have ended up at the same college. Kimmy would

0:44:49.040 --> 0:44:50.359
<v Speaker 1>have found her way, She would have found her way,

0:44:50.400 --> 0:44:53.719
<v Speaker 1>would have found her California University or whatever wherever DJ went.

0:44:54.280 --> 0:44:59.399
<v Speaker 1>I also would be curious to see if they would

0:44:59.440 --> 0:45:02.440
<v Speaker 1>have married off all of the guys on the show, Like, so,

0:45:02.600 --> 0:45:07.640
<v Speaker 1>Jesse married Becky, but what if Danny had married Vicky and.

0:45:07.480 --> 0:45:09.839
<v Speaker 2>Joey broke up before the end of the show, did.

0:45:09.760 --> 0:45:12.800
<v Speaker 1>Which I hated. Yeah, I thought they should have stayed together.

0:45:12.840 --> 0:45:16.640
<v Speaker 1>I loved her. I loved them together. Do you disagree?

0:45:16.920 --> 0:45:18.120
<v Speaker 1>I see a look on your face.

0:45:20.160 --> 0:45:25.879
<v Speaker 2>Well, I think Bob didn't love that relationship, but true.

0:45:26.480 --> 0:45:28.880
<v Speaker 1>Yeah, but the fans did. The fans loved that relationship.

0:45:28.880 --> 0:45:30.640
<v Speaker 1>Fans did. Yeah.

0:45:30.719 --> 0:45:33.040
<v Speaker 2>I think maybe I would have seen, like Dan, I

0:45:33.080 --> 0:45:37.400
<v Speaker 2>feel like that would have been kind of like a completion,

0:45:37.719 --> 0:45:40.200
<v Speaker 2>you know what I mean. Likedj is off to college,

0:45:40.480 --> 0:45:44.800
<v Speaker 2>Danny has remarried, and maybe that's when we see Jesse

0:45:44.880 --> 0:45:48.640
<v Speaker 2>and Becky move out right and Joey moved like I

0:45:48.680 --> 0:45:53.560
<v Speaker 2>feel like the final season would have been kind of

0:45:53.600 --> 0:45:58.240
<v Speaker 2>everybody buttoning up what was next for them, and and

0:45:58.520 --> 0:46:03.360
<v Speaker 2>the winding down of the need for these three guys

0:46:03.440 --> 0:46:05.640
<v Speaker 2>to have moved in with these three girls, Like at

0:46:05.640 --> 0:46:08.520
<v Speaker 2>that point, it's that's kind of the next step is that,

0:46:08.600 --> 0:46:11.120
<v Speaker 2>you know, everyone's dispersing. So I think that would have

0:46:11.200 --> 0:46:14.200
<v Speaker 2>been what I would have liked to have seen in

0:46:14.200 --> 0:46:17.160
<v Speaker 2>in the ninth season of Full House.

0:46:17.880 --> 0:46:21.160
<v Speaker 1>It would have been a tidier ending, for sure than

0:46:21.239 --> 0:46:23.200
<v Speaker 1>the amnesia horse coma.

0:46:23.880 --> 0:46:27.880
<v Speaker 2>Few I didn't realize you said horse and I was like, wow, no.

0:46:28.680 --> 0:46:31.959
<v Speaker 1>I that was season one Jesse.

0:46:32.360 --> 0:46:38.920
<v Speaker 2>Yeah, yeah, the horse is all over the place. Uh no,

0:46:41.800 --> 0:46:44.960
<v Speaker 2>uh yeah, I think that's what I Yeah, that's what

0:46:44.960 --> 0:46:48.319
<v Speaker 2>I would have seen. Or we just the entire ninth

0:46:48.360 --> 0:46:54.040
<v Speaker 2>season is a dream sequence of Michelle and she just

0:46:54.160 --> 0:46:55.680
<v Speaker 2>wakes up at the end of it, but it's like

0:46:55.719 --> 0:46:56.439
<v Speaker 2>ten years later.

0:46:56.960 --> 0:47:01.239
<v Speaker 1>Oh oh okay, so it's like a flash forward or

0:47:01.320 --> 0:47:02.359
<v Speaker 1>uh yeah.

0:47:02.440 --> 0:47:05.759
<v Speaker 2>Like the end, like the last episode is just like

0:47:05.880 --> 0:47:08.280
<v Speaker 2>Michelle wakes up, like you know, you got it, dude,

0:47:08.280 --> 0:47:09.799
<v Speaker 2>And she wakes up and then we just see she's

0:47:09.800 --> 0:47:12.959
<v Speaker 2>an adult and like yeah, and we're like whoa, my god,

0:47:12.960 --> 0:47:14.120
<v Speaker 2>she's lost ten years of her life.

0:47:14.640 --> 0:47:17.120
<v Speaker 1>Like yeah, just maybe that's kind of that's a little dark.

0:47:17.200 --> 0:47:19.560
<v Speaker 2>Yeah, that's yeah, that's pretty see again, this is why,

0:47:19.560 --> 0:47:24.200
<v Speaker 2>this is why I don't watch sitcoms, because it's like

0:47:24.560 --> 0:47:26.760
<v Speaker 2>you a turn of dark. Really, then they died?

0:47:29.080 --> 0:47:30.240
<v Speaker 1>What if none of this was really?

0:47:30.280 --> 0:47:30.560
<v Speaker 4>What if?

0:47:30.719 --> 0:47:32.960
<v Speaker 2>What if it was all in their imagination?

0:47:33.160 --> 0:47:33.279
<v Speaker 4>Right?

0:47:33.360 --> 0:47:35.759
<v Speaker 2>Yeah? And I get a little weird with things, but

0:47:36.400 --> 0:47:37.960
<v Speaker 2>that track, that's how I would like to see it.

0:47:38.440 --> 0:47:41.239
<v Speaker 1>Well, we're onto our last question, our last question. Yes,

0:47:42.640 --> 0:47:45.799
<v Speaker 1>did the producers ever ask you for input on your

0:47:45.880 --> 0:47:50.200
<v Speaker 1>characters or any storylines when you were younger and do

0:47:50.239 --> 0:47:53.400
<v Speaker 1>you wish your character had a certain storyline on the show.

0:47:54.320 --> 0:47:57.880
<v Speaker 2>They they asked me some things like in regards to

0:47:58.080 --> 0:48:00.480
<v Speaker 2>like stuff dancing and things like that, Like that was

0:48:00.600 --> 0:48:06.520
<v Speaker 2>all stuff that they that they included because that was

0:48:06.560 --> 0:48:08.279
<v Speaker 2>stuff that was actually going on with me. That was

0:48:08.320 --> 0:48:11.600
<v Speaker 2>stuff like Jeff kind of mined for in my real life.

0:48:11.719 --> 0:48:16.160
<v Speaker 2>But again, because Kimmy was almost like a caricature, it

0:48:16.239 --> 0:48:19.839
<v Speaker 2>was very hard for you to play anything real that

0:48:19.920 --> 0:48:22.240
<v Speaker 2>was happening in your life because Kimmy sort of didn't

0:48:23.360 --> 0:48:25.480
<v Speaker 2>have that dimensionality.

0:48:24.760 --> 0:48:26.960
<v Speaker 1>To her, right, she didn't have that depth to her.

0:48:27.120 --> 0:48:29.239
<v Speaker 1>So yeah, I think that's the difference is that I

0:48:29.400 --> 0:48:32.400
<v Speaker 1>was the comic relief, so you don't really need you

0:48:32.440 --> 0:48:35.600
<v Speaker 1>don't really need input on storylines for that. The only

0:48:36.040 --> 0:48:38.480
<v Speaker 1>time I asked me was the Telethon episode. Again, going

0:48:38.480 --> 0:48:40.200
<v Speaker 1>back to the Telethon episode, they said do you have

0:48:40.200 --> 0:48:43.719
<v Speaker 1>any special skills? And I said, well, I can ride

0:48:43.719 --> 0:48:47.200
<v Speaker 1>a unicycle and Jeff was like what, yeah, and I'm like, yeah.

0:48:47.200 --> 0:48:49.360
<v Speaker 1>My mother thought it was a good idea one summer

0:48:49.400 --> 0:48:52.880
<v Speaker 1>to put me in unicycle class for a summer activity.

0:48:53.560 --> 0:48:54.400
<v Speaker 1>And he was thrilled.

0:48:54.400 --> 0:48:56.160
<v Speaker 2>He was like, we're going to write this into the show.

0:48:56.280 --> 0:49:00.200
<v Speaker 1>You can ride a unicycle. So really it really did

0:49:00.239 --> 0:49:00.640
<v Speaker 1>pay off.

0:49:00.960 --> 0:49:03.080
<v Speaker 2>It did. I'm so glad that your mom put you

0:49:03.120 --> 0:49:07.319
<v Speaker 2>in that unicycle class because I thought it was amazing. Like,

0:49:07.480 --> 0:49:09.480
<v Speaker 2>riding a unicycle is super hard.

0:49:09.840 --> 0:49:11.920
<v Speaker 1>It is, Oh, it's yeah, it takes it takes a

0:49:11.920 --> 0:49:14.520
<v Speaker 1>whole it's a lot of Yeah, it's a lot of

0:49:14.520 --> 0:49:17.880
<v Speaker 1>corner balance, a lot of confidence. You can't you can't be,

0:49:18.080 --> 0:49:20.920
<v Speaker 1>you can't hesitate. If you're going to get on a unicycle.

0:49:20.960 --> 0:49:22.080
<v Speaker 1>You gotta just go for it.

0:49:22.200 --> 0:49:25.320
<v Speaker 2>Yeah no, yeah, not not anymore. I couldn't.

0:49:26.040 --> 0:49:26.160
<v Speaker 3>You know.

0:49:26.200 --> 0:49:29.239
<v Speaker 1>I recently got that unicycle back. It was it's been

0:49:29.239 --> 0:49:32.680
<v Speaker 1>in my parents' garage for thirty something years and my

0:49:32.760 --> 0:49:35.120
<v Speaker 1>brother now lives. My brother Justin lives in that house now.

0:49:35.120 --> 0:49:37.000
<v Speaker 1>And he was like, we're cleaning out the garage. Do

0:49:37.040 --> 0:49:39.080
<v Speaker 1>you want this unicycle? And I was like, yes, yes,

0:49:39.120 --> 0:49:40.200
<v Speaker 1>I give it back to me.

0:49:40.400 --> 0:49:43.160
<v Speaker 2>So I haven't Now You're going to spend this summer

0:49:43.320 --> 0:49:45.040
<v Speaker 2>relearning how to ride the unicycle.

0:49:45.320 --> 0:49:46.120
<v Speaker 1>That's what I'm doing.

0:49:46.239 --> 0:49:49.440
<v Speaker 2>Yep, I can't wait. I'm there videoing all of it.

0:49:50.080 --> 0:49:53.000
<v Speaker 2>So yeah, especially a special episode of how Rude, special

0:49:53.040 --> 0:49:57.560
<v Speaker 2>episode of Howard tan Rito's Aby does the unicycle again?

0:49:57.600 --> 0:50:00.479
<v Speaker 1>Abe breaks her leg in a twist, A b breaks

0:50:00.520 --> 0:50:02.759
<v Speaker 1>her Like not, Jodie, We will will, Pad will be.

0:50:02.920 --> 0:50:05.719
<v Speaker 2>You'll be very well padded and maybe we can get

0:50:05.719 --> 0:50:08.440
<v Speaker 2>a unicycle that's not super tall so that the distance

0:50:08.440 --> 0:50:10.120
<v Speaker 2>between you and the ground isn't as bad.

0:50:10.400 --> 0:50:12.200
<v Speaker 1>Okay, that's in, you know, because.

0:50:12.000 --> 0:50:13.880
<v Speaker 2>That's really what at a certain age, you go, I

0:50:13.920 --> 0:50:17.080
<v Speaker 2>can't fall that far without he's seriously damaging things when

0:50:17.080 --> 0:50:18.360
<v Speaker 2>you're kidding bounce.

0:50:18.719 --> 0:50:21.280
<v Speaker 1>But yeah, yeah, I know, I'm a I'm a forty

0:50:21.320 --> 0:50:23.319
<v Speaker 1>seven year old woman. My bones are a little more

0:50:23.320 --> 0:50:24.839
<v Speaker 1>brittle now than they have the.

0:50:24.760 --> 0:50:26.040
<v Speaker 2>Bones for it anymore.

0:50:26.160 --> 0:50:30.960
<v Speaker 1>Yeah. Yeah, as far as as far as certain any storylines,

0:50:31.000 --> 0:50:34.879
<v Speaker 1>I wish I had had. I mean I always say

0:50:34.880 --> 0:50:37.200
<v Speaker 1>I wish I had more of like the Sweet Sixteen

0:50:37.320 --> 0:50:39.720
<v Speaker 1>where I got to show emotion, like a different dimension

0:50:39.760 --> 0:50:41.239
<v Speaker 1>to Kimmy. I always wish I had more of those.

0:50:41.400 --> 0:50:44.560
<v Speaker 1>But I also wish she had like more of a

0:50:44.640 --> 0:50:47.480
<v Speaker 1>long term boyfriend like DJ had Steve Right and I

0:50:47.520 --> 0:50:49.800
<v Speaker 1>had I had Dwayne for a few whatever. You know,

0:50:49.880 --> 0:50:51.360
<v Speaker 1>I hadn't aid you.

0:50:51.360 --> 0:50:53.320
<v Speaker 2>Could have had with Kimmy Gibler's boyfriend.

0:50:53.440 --> 0:50:55.759
<v Speaker 1>I wish he had lasted more seasons. Like I wish

0:50:55.760 --> 0:50:59.239
<v Speaker 1>I'd had Dane as a permanent boyfriend for like two

0:50:59.360 --> 0:51:01.319
<v Speaker 1>or three seasons. That would have been That would have been great.

0:51:01.320 --> 0:51:04.399
<v Speaker 1>We would have had so much fun with those two characters. So, yeah,

0:51:04.520 --> 0:51:06.720
<v Speaker 1>you got to pay those recurring characters more. So that's probably.

0:51:07.040 --> 0:51:08.840
<v Speaker 2>Yeah, more people you started adding into the game. We

0:51:08.880 --> 0:51:11.200
<v Speaker 2>already had seventeen thousand people in the cast, and.

0:51:11.239 --> 0:51:13.239
<v Speaker 1>The house was very full. Yeah, the house was full.

0:51:13.600 --> 0:51:16.719
<v Speaker 2>With no more right, no more room, with no more room,

0:51:17.000 --> 0:51:21.759
<v Speaker 2>not even for sort of temporary people. Yeah, it's just nothing. Yeah,

0:51:21.800 --> 0:51:23.520
<v Speaker 2>we had to get rid of Vicky. She was just

0:51:23.640 --> 0:51:25.759
<v Speaker 2>one person too many. Yeah, that was it.

0:51:26.360 --> 0:51:28.360
<v Speaker 1>She had to go. So yeah, I'm trying.

0:51:28.200 --> 0:51:30.239
<v Speaker 2>To think of any storylines that I wish Steph would

0:51:30.239 --> 0:51:32.759
<v Speaker 2>have had. I kind of like aft. I feel like

0:51:32.960 --> 0:51:36.319
<v Speaker 2>after well, no, we had we had Gia. I was

0:51:36.320 --> 0:51:39.399
<v Speaker 2>like Steph always kind of like friend hopped a little bit, but.

0:51:39.400 --> 0:51:40.840
<v Speaker 1>Oh yeah, you needed a Kimmy gibbler.

0:51:41.200 --> 0:51:43.759
<v Speaker 2>I did need a Kimmy gibbler. Well, after Harry betrayed me?

0:51:45.280 --> 0:51:45.800
<v Speaker 1>How rude?

0:51:45.920 --> 0:51:46.319
<v Speaker 2>Give him?

0:51:47.680 --> 0:51:48.200
<v Speaker 1>Seriously?

0:51:50.320 --> 0:51:52.560
<v Speaker 2>Yeah, I feel like it was a while until Steph,

0:51:52.800 --> 0:51:55.719
<v Speaker 2>until Steph found Gia. And even when Steph found Gia,

0:51:55.800 --> 0:51:58.440
<v Speaker 2>that wasn't a great influence.

0:51:58.480 --> 0:51:59.959
<v Speaker 1>Wasn't nobody was thrilled.

0:52:00.520 --> 0:52:02.520
<v Speaker 2>Uh, Steph was because she was like, this is gonna

0:52:02.520 --> 0:52:02.839
<v Speaker 2>be fun.

0:52:03.480 --> 0:52:07.160
<v Speaker 1>But were you wait when the show ended, was Stephanie

0:52:07.239 --> 0:52:10.040
<v Speaker 1>in middle school or starting high school?

0:52:10.280 --> 0:52:14.359
<v Speaker 2>Step was in Well, I was in eighth grade, so

0:52:14.680 --> 0:52:15.399
<v Speaker 2>we were in eighth I.

0:52:15.280 --> 0:52:17.720
<v Speaker 1>Think, yeah, so that's middle like ending middle school.

0:52:17.800 --> 0:52:20.719
<v Speaker 2>I think I was because on the show I was

0:52:21.120 --> 0:52:23.200
<v Speaker 2>what grade I actually would have been, So I think

0:52:23.200 --> 0:52:25.560
<v Speaker 2>on the show I was in seventh grade, so middle Yeah,

0:52:25.600 --> 0:52:26.200
<v Speaker 2>middle school?

0:52:26.640 --> 0:52:29.040
<v Speaker 1>Okay, So we didn't get to see Stephanie in her

0:52:29.120 --> 0:52:29.880
<v Speaker 1>high school years.

0:52:30.160 --> 0:52:32.439
<v Speaker 2>No, we did not. Yeah, stephan her high school years

0:52:32.440 --> 0:52:33.880
<v Speaker 2>would have been kind of interesting.

0:52:33.960 --> 0:52:36.719
<v Speaker 1>But did you did you have a boyfriend on that?

0:52:36.760 --> 0:52:38.719
<v Speaker 1>I don't think you ever really had a boyfriend on

0:52:38.760 --> 0:52:41.360
<v Speaker 1>the show. That would have been there.

0:52:41.400 --> 0:52:46.319
<v Speaker 2>Was uh, there was Brett, Brett, the Brett in the

0:52:46.400 --> 0:52:52.040
<v Speaker 2>baseball episode where I had to uh pitch and strike

0:52:52.120 --> 0:52:52.760
<v Speaker 2>him out.

0:52:53.040 --> 0:52:55.239
<v Speaker 1>Oh I don't remember this episode. Oh yeah, where I.

0:52:55.239 --> 0:52:57.680
<v Speaker 2>Had learned to become a pitcher in like two weeks

0:52:57.680 --> 0:52:59.320
<v Speaker 2>and they were like, hey, guess what, Steph's going to

0:52:59.360 --> 0:53:00.359
<v Speaker 2>be a picture now, and I was like.

0:53:00.320 --> 0:53:03.880
<v Speaker 1>Cool, that's worse than the guitar, right.

0:53:03.760 --> 0:53:05.359
<v Speaker 2>So you might have you might as well have had

0:53:05.400 --> 0:53:08.920
<v Speaker 2>me pitching and playing guitar at the same time. But

0:53:09.320 --> 0:53:12.520
<v Speaker 2>at least I am like a little tiny bit athletic,

0:53:12.920 --> 0:53:15.200
<v Speaker 2>so like I sort of was able to pick up

0:53:15.200 --> 0:53:16.440
<v Speaker 2>on it. And it wasn't like I had to be

0:53:16.480 --> 0:53:18.520
<v Speaker 2>a pro or anything. I was, you know, an eight

0:53:18.600 --> 0:53:21.399
<v Speaker 2>year old baseball player or ten or whatever. But yeah,

0:53:21.440 --> 0:53:24.319
<v Speaker 2>I do I remember wearing my little giant's outfit and

0:53:24.320 --> 0:53:25.920
<v Speaker 2>having to strike out Brett, my boyfriend.

0:53:26.160 --> 0:53:29.040
<v Speaker 1>Oh, I can't wait to see that one.

0:53:30.480 --> 0:53:33.440
<v Speaker 2>But yeah, no, I think that I think those I

0:53:33.440 --> 0:53:35.640
<v Speaker 2>think I don't know what the question was, It's what

0:53:35.680 --> 0:53:37.520
<v Speaker 2>I think. I don't remember what the question was that

0:53:37.560 --> 0:53:39.560
<v Speaker 2>we've now. Yeah, all I can think is Brett Brett,

0:53:39.600 --> 0:53:42.240
<v Speaker 2>Brett Brett, because that was one thing that that Steph

0:53:42.280 --> 0:53:43.840
<v Speaker 2>did I know.

0:53:43.960 --> 0:53:44.920
<v Speaker 1>But yeah, that's what it is.

0:53:44.960 --> 0:53:47.359
<v Speaker 2>I've I've now. I'm like, oh, I've reached the one

0:53:47.400 --> 0:53:49.919
<v Speaker 2>hour mark. My brain is like I'm done. I left.

0:53:50.280 --> 0:53:54.440
<v Speaker 1>So yes, but these were great questions. Like our fans

0:53:54.440 --> 0:53:56.320
<v Speaker 1>always deliver the best questions.

0:53:56.640 --> 0:53:58.560
<v Speaker 2>How much thought they put into the questions. They're always

0:53:58.560 --> 0:54:02.920
<v Speaker 2>really interesting and much more in depth questions then I

0:54:02.920 --> 0:54:05.200
<v Speaker 2>would even think to ask. So I appreciate different.

0:54:05.200 --> 0:54:07.400
<v Speaker 1>They're not the same questions we get at every media.

0:54:07.680 --> 0:54:10.399
<v Speaker 2>No, no, they're not different questions I love and they yeah,

0:54:10.440 --> 0:54:12.040
<v Speaker 2>and they definitely make me think.

0:54:12.680 --> 0:54:16.000
<v Speaker 1>So well done, Fantos.

0:54:15.560 --> 0:54:19.560
<v Speaker 2>Well done, Fantos. Thank you so much for joining us

0:54:19.640 --> 0:54:22.520
<v Speaker 2>for another fun episode. This one was our fun Q

0:54:22.600 --> 0:54:25.200
<v Speaker 2>and a episode brought to you by Hyundai and we

0:54:25.360 --> 0:54:27.200
<v Speaker 2>love our fan Ritos, so thank you for joining us

0:54:27.239 --> 0:54:29.200
<v Speaker 2>for another episode. If you want to follow us in

0:54:29.239 --> 0:54:31.440
<v Speaker 2>the meantime on Instagram, you can check us out at

0:54:31.480 --> 0:54:34.279
<v Speaker 2>how Rude podcast. You can also email us at how

0:54:34.440 --> 0:54:37.719
<v Speaker 2>Rudepodcast at gmail dot com, and then, of course make

0:54:37.719 --> 0:54:39.879
<v Speaker 2>sure you're liking and subscribing to the podcast where you're

0:54:39.880 --> 0:54:41.360
<v Speaker 2>listening to it so that you can get all the

0:54:41.360 --> 0:54:44.240
<v Speaker 2>newest episodes as soon as they get released every week.

0:54:44.560 --> 0:54:48.319
<v Speaker 2>So thank you everybody for your fabulous questions. There will

0:54:48.320 --> 0:54:50.239
<v Speaker 2>be more coming up, so make sure you're following us

0:54:50.239 --> 0:54:52.400
<v Speaker 2>and emailing us your questions so that you can get

0:54:52.440 --> 0:54:56.080
<v Speaker 2>them in for next time. And remember, everybody, the world

0:54:56.200 --> 0:54:58.160
<v Speaker 2>is small, but the house is full.

0:55:00.040 --> 0:55:02.399
<v Speaker 1>Nailed it, and it sounds it sounds better, it sounds

0:55:02.480 --> 0:55:04.279
<v Speaker 1>right again. Everything is right in the world again.

0:55:04.360 --> 0:55:06.279
<v Speaker 2>Okay, that was just a weird little time warp that

0:55:06.280 --> 0:55:06.759
<v Speaker 2>we went into.

0:55:06.840 --> 0:55:09.160
<v Speaker 1>Yeah, yeah, you're back on track, so.

0:55:10.680 --> 0:55:14.279
<v Speaker 2>Well that's not saying much. Yay.