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Speaker 1: This Q and A episode is presented by Hyundai. Welcome

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Speaker 1: to How Rude, Tannerdos.

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Speaker 2: I'm Andrea Barber and I'm Jody Sweeten, and we're back

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Speaker 2: with another Q and A episode presented by Hyundai. We

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Speaker 2: loved it so much the first time we had to

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Speaker 2: do it again.

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Speaker 1: Today, we'll have two fans join us on Zoom to

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Speaker 1: ask their full house questions. Then we'll answer even more

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Speaker 1: questions that fans have asked us on our how Rude

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Speaker 1: podcast Instagram.

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Speaker 2: And we can't wait to talk to even more of

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Speaker 2: our listeners, and thanks to Hyundai, we have another opportunity

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Speaker 2: to do so. All Right, yay, got it? Sarah's first,

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Speaker 2: Sarah's first?

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Speaker 1: Okay Sarah?

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Speaker 2: Hi, Sarah, Hi, Sarah.

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Speaker 1: Where are you from?

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Speaker 3: Minnesota?

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Speaker 1: Okay? Soda Hi?

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Speaker 3: I know I.

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Speaker 4: Always have that accent when I say it. I'm like Minnesota, Minnesota,

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Speaker 4: and I.

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Speaker 2: Can hear the I can hear that Minnesota accent a

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Speaker 2: little bit in everything that you say. I think.

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Speaker 1: But I love that because my family.

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Speaker 2: My family's from Iowa and and some Wisconsin, so there's

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Speaker 2: a lot a lot of that Midwest accent.

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Speaker 3: I love it so similar.

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Speaker 2: Drink are you drinking?

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Speaker 1: Pop with your supper.

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Speaker 3: Yeah right.

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Speaker 4: I usually say soda because I worked at a movie

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Speaker 4: theater in high school and they were like, you have

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Speaker 4: to say soda. You can't say pop, right, yeah, and

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Speaker 4: so it's like ingrained, yeah, but it's fine.

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Speaker 2: Well, Sarah, we are so glad that you're here today

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Speaker 2: on the show with us that thank you for joining.

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Speaker 2: I'm excited that you're here to ask us some questions.

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Speaker 3: Yes, yes, thank you for having me.

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Speaker 4: I just want to say that I told my husband

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Speaker 4: that I have not remembered a time in my life

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Speaker 4: without you guys. Oh. He's like, you guys are He's like,

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Speaker 4: you're weird. That's a weird thing to say. And I said, well,

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Speaker 4: not really, because you know, I have older siblings and

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Speaker 4: I was really I was young when the show came out.

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Speaker 4: It was like three, but I was like I always

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Speaker 4: remember watching it and reruns, and now I have a

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Speaker 4: nine year old and a six year old and they

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Speaker 4: watch it and.

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Speaker 3: They think I'm super cool for doing this.

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Speaker 1: By the way, Oh yeah, I love What are their names?

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Speaker 3: Natalie?

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Speaker 4: She's nine, and then I have Emily and she's six.

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Speaker 1: To go, hello Natalie, Emily. Yeah, I'm a big hug

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Speaker 1: from us. Definitely will.

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Speaker 3: They will be so excited.

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Speaker 2: Yes, and tell them to remember that their mom is cool. Uh.

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Speaker 2: You know, in like three or four years, will be

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Speaker 2: very hard for them to remember that, but mom always knows.

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Speaker 3: I'm already getting there with the nine year old. I

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Speaker 3: feel like sometimes it.

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Speaker 1: Starts yep, yep.

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Speaker 2: Well, Sarah, what what questions do you have for us today?

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Speaker 2: We are all ready to answer your deepest burning questions.

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Speaker 3: My first question has to do with the food.

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Speaker 4: I know that you guys and a lot of the

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Speaker 4: TV shows, especially from back then, were very like had

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Speaker 4: family meals and this and mat and where did this

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Speaker 4: food come from? Like obviously they weren't like actually making

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Speaker 4: the food and then like we cooked it oursels.

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Speaker 2: We were we were very busy during rehearsal and we

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Speaker 2: were like, hold on, we have to put this casse

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Speaker 2: role together and then yeah, right, and how you rose

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Speaker 2: to Turkey? Uh, they actually would make I mean some

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Speaker 2: of it was like you know that store bought or whatever,

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Speaker 2: and they do it. But sometimes there were trying to

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Speaker 2: remember do you remember the The Fuller House Thanksgiving episode.

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Speaker 4: Where you wanted to make the Thanksgiving meal? And then

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Speaker 4: DJ also didn't believe in you, and then she made

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Speaker 4: the Thanksgiving meal that yes, right, right for any of them.

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Speaker 1: I don't was that.

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Speaker 2: I was like, was that the storyline?

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Speaker 1: That's fascinating? I remember that.

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Speaker 2: I really remember that.

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Speaker 1: I was wait for that rewatch podcast.

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Speaker 2: We don't Yeah, we'll get there. I'm like, wow, God,

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Speaker 2: it's amazing.

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Speaker 1: What I guess I remember? Are you talking about the

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Speaker 1: one with the bit where like there were forty cast

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Speaker 1: members around one table. Yeah, I do remember that. Lots

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Speaker 1: of food that.

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Speaker 2: We had an actual food prep team that came in

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Speaker 2: because there was so much food. Okay, but they had

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Speaker 2: they brought like I think it was on I don't

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Speaker 2: know if it was on our set or like a

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Speaker 2: catering truck outside, but they had like a full setup

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Speaker 2: with food and food styling is like the is an

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Speaker 2: incredible job because most of what they used to make

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Speaker 2: food look really good on TV is inedible, like you're

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Speaker 2: covering it in glycerine and like things like that. You

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Speaker 2: can't like spring smoke on it and stuff like that.

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Speaker 2: But I do remember them doing some of that, but

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Speaker 2: a lot of times it was you know, well, maybe

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Speaker 2: that's why we had cold fried chicken all the time,

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Speaker 2: you didn't have to prep it. You could just throw

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Speaker 2: that in the fridge and call it a day.

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Speaker 1: Well, this was this was under the purview of the

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Speaker 1: props department, so it was our prop masters that would

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Speaker 1: assemble the food and they would usually tell us like, Okay,

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Speaker 1: here's the plate of donuts or whatever, but only this

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Speaker 1: one is edible. The other ones are like stale or

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Speaker 1: like JODI's side.

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Speaker 2: The other ones have been sitting there since rehearsal on Monday,

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Speaker 2: but these two donuts have been replaced throughout the.

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Speaker 1: Week, right, So that's a little trick.

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Speaker 3: Well, that was nice that they mentioned that.

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Speaker 1: Yeah, yeah, but they I mean, our prop guys were

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Speaker 1: always so great. I remember Steve Jared was our prop

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Speaker 1: guy on Fuller, and he would always ask us our preferences,

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Speaker 1: you know, like for preferences of flavor, whether we wanted

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Speaker 1: vanilla ice cream or chocolate ice cream, or if we

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Speaker 1: had any food allergies. And then towards the end of

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Speaker 1: the series, Steve would get a little crazy and he

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Speaker 1: would always like write little notes and put them like

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Speaker 1: in the bowls so that we could read them, or

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Speaker 1: if we had cereal bowls, he would make words out

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Speaker 1: of like the alpha bits. He would put like yeah, yeah, oh,

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Speaker 1: I don't know. He would put plaid for me because

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Speaker 1: we're both fans of the of the musical Forever Plaid.

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Speaker 1: So he would write plaid or hello or whatever, just

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Speaker 1: something to make a smile in the middle of a scene,

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Speaker 1: which was always so great. But yeah, they would put

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Speaker 1: on their put on their plastic gloves and assemble the

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Speaker 1: sandwiches or the whatever the scene required. I know, the

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Speaker 1: Uncle Monty scenes were difficult because of all the different

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Speaker 1: sub submarine sandwiches. That was a little tricky. Or any

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Speaker 1: food fight scenes oh oh yeah, yeah, like the blueberry

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Speaker 1: pie fighting of the food fight in the backyard. We

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Speaker 1: did one of those. But yeah, I know. The best.

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Speaker 1: The best is any sort of prepackaged snacks. We would

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Speaker 1: call them actor treats, yeah, because we would eat them

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Speaker 1: during rehearsal or in between takes. We're like, oh, yeah,

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Speaker 1: give me some of those crackers. Those are good, because

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Speaker 1: those weren't were a favorite.

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Speaker 2: Yeah yeah, oh yeah, we're good.

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Speaker 1: You're so good. The sea salt sprinkled on the little

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Speaker 1: almond thins.

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Speaker 2: But like I'm trying to remember, like it back in

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Speaker 2: the day and we didn't have I mean again, other

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Speaker 2: than the cold fried chicken. I mean, we would have

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Speaker 2: food occasionally, but I feel like I feel like there

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Speaker 2: was kind of far more effort put into Well. Maybe

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Speaker 2: also because we were adults on Fuller. I was like, wow,

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Speaker 2: they're actually asking us questions. But maybe that was because

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Speaker 2: we were you know, six on full House and they

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Speaker 2: were like, we're not going to consult the six year olds.

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Speaker 2: But yeah, it was you know, most of the time

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Speaker 2: it's relatively edible. Sometimes you're like this is this is

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Speaker 2: room temp and it's something that should either be hot

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Speaker 2: or cold, so that's not great, but never anything. They're

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Speaker 2: always very like, if it's something that could get you sick,

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Speaker 2: they're very cautious about that. Like they still follow all

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Speaker 2: restaurants like food, you know, prep and all that kind

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Speaker 2: of stuff.

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Speaker 1: But yeah, and as an actor, I don't I don't really.

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Speaker 1: You don't really eat a lot of it, Like you

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Speaker 1: don't want to. There's a timing thing where you have

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Speaker 1: to look like you're eating, but you don't want to

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Speaker 1: have food in your teeth when it comes to your line.

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Speaker 1: So there's a dance that you have to do between

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Speaker 1: like biting but not too much and then swallow by

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Speaker 1: the time you know the camera's on you for your line.

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Speaker 1: So I never really ate that much. I would just

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Speaker 1: nibble and kind of pretend because I didn't want food

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Speaker 1: sticking on my teeth.

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Speaker 2: Well, yeah, unless it's part of the joke where you're

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Speaker 2: supposed to be shoving food in your face. Eating on

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Speaker 2: television is never It never looks great.

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Speaker 4: You know.

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Speaker 2: I don't know if you've ever watched someone eat, but

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Speaker 2: it's usually not the most pleasant thing. You're like, I

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Speaker 2: don't want to see that. So yeah, it's it's not

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Speaker 2: something that we did a ton of.

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Speaker 1: But but yeah, the food.

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Speaker 2: Was was edible, and I don't remember any of us

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Speaker 2: ever getting food poisoning, So yeah, yeah, you're got sick.

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Speaker 1: It's a hard job. It's a very hard job, so

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Speaker 1: perhaps to props.

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Speaker 2: For especially hard when actors are eating all of the

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Speaker 2: things on the plate and they're trying to keep continuity,

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Speaker 2: and sometimes there would be something that was like you're like, ooh,

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Speaker 2: this is really good, and you'd keep eating it, and

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Speaker 2: then after every take you're like, I need ten more crackers.

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Speaker 2: But you know, like I'm really I ate all the grapes,

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Speaker 2: and they'd have to write.

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Speaker 1: And the same thing with liquids too, like at the

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Speaker 1: top of the scene has to match every time the

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Speaker 1: level of what you know, juice in the cup or whatever.

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Speaker 1: So if you're thirsty during the scene, you drink all

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Speaker 1: the juice the prop like, okay, we got to refill

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Speaker 1: to the exact amount. It's it's fascinating. It's so detail oriented.

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Speaker 1: You have to remember so many details and write down

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Speaker 1: everything about placement of food and where it was. And Steve,

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Speaker 1: Steve prop we called him Steve. His name is Steve Jared,

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Speaker 1: but we called him Steve Props. He would have what

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Speaker 1: was it like that little it was black light black

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Speaker 1: light marker, so he would mark where the plates where

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Speaker 1: he put the plates and the cups and the cutlery,

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Speaker 1: so he knew where how to match.

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Speaker 2: That at the top of and maybe just have a

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Speaker 2: small little black light flashlight and be able to find

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Speaker 2: the marks on the counter or the kitchen table or whatever.

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Speaker 1: So it's really cool.

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Speaker 3: It's cooling.

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Speaker 1: Did you have another question or was that the only one?

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Speaker 4: I did have one more that my girls wanted me

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Speaker 4: to ask, which what do you think that fans would

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Speaker 4: say is their favorite episode?

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Speaker 1: A full House secrews you.

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Speaker 3: Yeah, of course, especially the children love it.

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Speaker 2: Yeah, yeah, they love that one. It was it was great.

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Speaker 1: They were hit with the elementary set. Yeah. Favorite episode

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Speaker 1: of full House. The fans favorite episode of Full House.

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Speaker 4: Yes, the fans like, what do you think is the

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Speaker 4: most popular episode?

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Speaker 2: I'm gonna go, Car through the Kitchen?

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Speaker 1: Oh?

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Speaker 3: Favorite?

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Speaker 1: Yeah, I will say.

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Speaker 2: I think the Car through the Kitchen episode is the

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Speaker 2: one I hear about all the time, really, people of

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Speaker 2: various ages and generations, and they like that is always

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Speaker 2: the one.

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Speaker 1: They're like, I love that episode, I would say, And

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Speaker 1: I haven't seen it in a hot minute. But it's

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Speaker 1: the love letter episode, right, Rusty or somebody brings over

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Speaker 1: a love letter and it gets passed around. Yeah, yeah,

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Speaker 1: everyone thinks it's for them, but it's not. I remember

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Speaker 1: at the time thinking that was a very smart episode,

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Speaker 1: the way it was written in the Mister Rex and everything.

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Speaker 1: So and I remember hearing from fans too that they

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Speaker 1: love that too, but it's not inciting for kids, but

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Speaker 1: maybe fred the adults.

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Speaker 2: Well, wasn't Laurie saying too? It is based on a

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Speaker 2: movie that she did. Oh yeah, that's right, based on

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Speaker 2: a movie called The Love Letter, The Love Letter. Yeah, yeah, yeah,

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Speaker 2: so I think that's a i'd yeah, I'd say those two.

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Speaker 2: I'm trying to think of any others that are like that.

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Speaker 2: I always get comments on I guess in particular, I

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Speaker 2: hear about, you know, Stephanie crashing the car through the kitchen.

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Speaker 3: Well, yeah, of course, yes.

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Speaker 4: Well, my older daughter she also likes the one when

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Speaker 4: Stephanie and DJ are arguing over Danny's shirt and then

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Speaker 4: they put the big.

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Speaker 1: Hole right right, dad, Dad, he's our.

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Speaker 3: And you come up with the song.

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Speaker 1: Right right? Yeah, sister hyjinks Er, Yes, so funny.

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Speaker 3: Anything to ruin the satch is there.

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Speaker 5: They just think it's great.

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Speaker 2: You know, destruction is fun to watch as a kid.

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Speaker 2: You're like, oh, what's it? Yeah, I get it, which

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Speaker 2: was why we did those episodes because people found them hilarious.

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Speaker 1: Yeah, was that, Jody? Was that the episode where you

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Speaker 1: were hanging on the coat hook on the closet door

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Speaker 1: or was that a different episode? Am I mixing up episodes?

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Speaker 1: In Danny's room, I don't know, we haven't gotten to

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Speaker 1: that season.

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Speaker 3: His car in the kitchen.

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Speaker 2: Yeah, that's when.

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Speaker 4: She runs away to Becky's house and she goes to

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Speaker 4: Becky's closet to hide because it's okay, we've seen this

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Speaker 4: episode like fifty thousand times.

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Speaker 1: No, I'm glad you're here. You know more than we do.

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Speaker 2: I haven't thought about it probably since I've done it,

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Speaker 2: so yeah, I'm please inform ust. Yeah, so that's right.

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Speaker 2: It was at Becky's house and Jesse opened in the closet.

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Speaker 2: I remember because I had the blue that blue sweater

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Speaker 2: on that I crashed that I was in.

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Speaker 1: The accident with.

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Speaker 2: Yeah, that's it.

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Speaker 4: We're going to dance class right right away from home,

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Speaker 4: right right.

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Speaker 2: This is great.

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Speaker 1: We need we need fans on the show more often

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Speaker 1: because they know way more than we do about Yeah,

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Speaker 1: these episodes.

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Speaker 2: Well those are those were great questions. Sarah, thank you

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Speaker 2: so much for joining us today. We are so happy

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Speaker 2: to have our uh our fan ritos on the show.

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Speaker 1: Yeah, thank you.

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Speaker 3: You guys are fabulous. I love listening every week.

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Speaker 1: Thank you You're the best. Thanks Sarah, your family.

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Speaker 4: We said hi, I will I will tell them they'll

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Speaker 4: be so thrilled.

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Speaker 1: Awesome, awesome by Oh hi you are hi, Mark, Hi, Hi,

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Speaker 1: how are you good?

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Speaker 5: How are you guys?

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Speaker 1: We're doing well?

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Speaker 2: Great?

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Speaker 1: Wait, let us see your shirt.

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Speaker 5: Yeah, this shirt, it's it's the Cameo uh fan club shirt.

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Speaker 1: My celebrity is better than your celebrity with a picture

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Speaker 1: of my face. Yeah that's I mean, I love it.

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Speaker 1: Your loyalty is unmatched.

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Speaker 2: I feel like Andrey needs one now at.

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Speaker 5: This point, Hey, I can have made Yeah, I mean.

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Speaker 2: Right that way, next time we travel together, you can

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Speaker 2: wear a shirt with your own face on.

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Speaker 1: It instead of the Bob saggon, instead of the Bob

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Speaker 1: sagging one.

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Speaker 2: Well, that's a sweatshirt, So you can wear the T

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Speaker 2: shirt underneath the Bob Saggat shirt just in case, you know,

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Speaker 2: and and you never know, you might run into Mark.

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Speaker 1: Market. I met on Cameo a couple of years ago,

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Speaker 1: and he's just been such a wonderful supporter and a

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Speaker 1: great fan. And he's he always is commenting on our

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Speaker 1: how Rude podcast.

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Speaker 5: And yeah, I got the keepsake ornament from the.

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Speaker 1: Oh wait what is that? What is that? The world

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Speaker 1: is small? But Jody needs this.

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Speaker 5: This is this is the one and only keepsake ornament

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Speaker 5: for the fa Clumber for the podcast.

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Speaker 2: Is it?

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Speaker 1: What is it a radio?

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Speaker 2: It's a little radio for the podcast.

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Speaker 1: I love that the world is full.

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Speaker 3: We had one for your book too. If you recall look.

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Speaker 1: At what's so great? You could start your own merch

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Speaker 1: story out of your house. Yeah.

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Speaker 5: All one of the kind, all for fun, nothing, no money,

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Speaker 5: No money has exchanged hands.

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Speaker 2: Well, I love the dedication that that is so cute though.

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Speaker 2: I'm so honored we have our own we have our

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Speaker 2: own uh Christmas ornaments.

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Speaker 1: That's so cool. Well, Mark, officially, let's welcome you to

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Speaker 1: how tan Ritos. You're here, you made it.

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Speaker 3: I'm very glad to be here. This is really exciting.

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Speaker 1: Yay, that's awesome. I can't wait to hear your question. Yes,

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Speaker 1: all right, well.

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Speaker 5: I actually have one for both of you guys. Okay, good, Okay,

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Speaker 5: we'll start with the entry of course.

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Speaker 1: Yes, well, I mean on your face.

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Speaker 2: If you started with me, I'd be like, I'm sorry,

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Speaker 2: my face isn't on your shirt?

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Speaker 3: You should, all right.

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Speaker 5: So my question for Andrea is other than other than

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Speaker 5: being in every episode, how was it different for you

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Speaker 5: when you went from regular guest post star to a

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Speaker 5: series regular?

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Speaker 1: Yes on okay, yes on full House. You know I

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Speaker 1: was only supposed to be in a couple episodes that

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Speaker 1: first season, and then I ended up being in all

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Speaker 1: eight seasons, so I think it was. I think I

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Speaker 1: was recurring until season five and then I became Was

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Speaker 1: it season five? Maybe season four? I feel like it

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Speaker 1: was before that.

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Speaker 2: Well did you get well, when did you get a

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Speaker 2: title one season? You got a title card because that

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Speaker 2: parking when you went, Yeah, a title card in a parking.

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Speaker 1: Was it five?

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Speaker 2: I trust Mark on this one.

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Speaker 1: I know nothing. Definitely, Mark, I'm not wrong. We know nothing.

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Speaker 2: Well I'm I'm going to just say I am wrong

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Speaker 2: because you have her face on a shirt, so therefore

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Speaker 2: you know far more than I do.

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Speaker 1: And I was there, so so yeah, hey, that's okay.

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Speaker 1: So season five and this is all very I mean,

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Speaker 1: it's all contractual stuff. So but yeah, I got a

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Speaker 1: parking space, get a parking right in front of the

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Speaker 1: door of stage twenty four. Yeah, that was that was

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Speaker 1: a big deal to get a parking sp No longer

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Speaker 1: get it.

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Speaker 2: You no longer have to walk that long.

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Speaker 1: Yes, at Warner Brothers you have to walk like fifty

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Speaker 1: miles from the parking garage to get to stage twenty four.

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Speaker 1: But yeah, once you're a series regular, you get a

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Speaker 1: parking space right by the stage. So that was exciting.

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Speaker 1: I think I just loved being yeah in every episode

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Speaker 1: and being more a part of the storylines, you know,

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Speaker 1: getting to have my own storyline in the Sweet sixteen episode,

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Speaker 1: and just being featured in more storylines like what was

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Speaker 1: it the kim you gets drunk at the frat party?

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Speaker 1: You know, just just being more of a of a

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Speaker 1: main player was great. But I felt I felt a

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Speaker 1: bigger difference going from full House to Fuller House. And

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Speaker 1: I don't know if that's because I was one of

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Speaker 1: the three leads on Fuller House or because I was

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Speaker 1: an adult. I mean it might be a little fifty

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Speaker 1: to fifty. Yeah, probably fifty to fifty. But I just

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Speaker 1: felt like I had so much more agency as an

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Speaker 1: adult and so much more input into my character. And

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Speaker 1: I cared more too. You know, as a kid, you're

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Speaker 1: kind of just like a nineties robot. You just kind

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Speaker 1: of do what you're told, and you don't really have

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Speaker 1: a whole lot of investment in your character, at least

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Speaker 1: I didn't. But as an adult, I was just like, Yeah,

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Speaker 1: this is Kimmy Gibbler. She's got a legacy that, you know,

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Speaker 1: she has to live up to. So I cared about

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Speaker 1: the storylines, and if something didn't feel right, I spoke

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Speaker 1: up about it and fought hard for certain things. So

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00:18:33,880 --> 00:18:35,760
Speaker 1: I would say I felt more of a difference going

402
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Speaker 1: from full House to Fuller House and just feeling like,

403
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Speaker 1: you know, Kimmy finally made it, she finally moved into

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Speaker 1: the Tanner House like she always wanted to, and it

405
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Speaker 1: was just it was wonderful and I loved it. I

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Speaker 1: loved being more a part of the process and getting

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Speaker 1: to sit at the notes table. As kids, we never

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Speaker 1: got to sit at the notes table. That was just

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Speaker 1: for the adults, and so we Yeah, we sat at

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Speaker 1: the notes table after every run through and went, you know,

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Speaker 1: page by page, seen by scene and talked about jokes

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Speaker 1: that weren't working, or lines that didn't feel right, or

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Speaker 1: storylines that weren't working for us. An it was a

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Speaker 1: very collaborative process and I found so much fulfillment in that. Yeah,

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00:19:16,160 --> 00:19:18,639
Speaker 1: it was great. I loved it. I loved it. It

416
00:19:18,760 --> 00:19:22,320
Speaker 1: was a good moment for me, a very satisfying victory

417
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Speaker 1: for me to finally move into the house and be

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Speaker 1: one of the leads.

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Speaker 5: And you said that you were more at ease with

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Speaker 5: your outfit choices in Fuller House than you were.

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Speaker 3: In Full House.

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Speaker 1: Oh yeah, well I finally learned to speak up. Like

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Speaker 1: as a kid, I was just like, you know, if

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Speaker 1: I felt uncomfortable in something, I didn't I It's not

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Speaker 1: like I couldn't speak up. I just didn't have the

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Speaker 1: confidence to speak up. And so I just wore things

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Speaker 1: that made me feel even more uncomfortable than I already

428
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Speaker 1: felt as a teenage girl on TV. So in Fuller House,

429
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Speaker 1: we had just a great costumer. Mary Kate was or

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Speaker 1: not Mary Kate, Mary Kate. What's her last name, Killilea,

431
00:19:58,000 --> 00:20:02,200
Speaker 1: kill A Lea, that's right. She was just so creative

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00:20:02,359 --> 00:20:07,440
Speaker 1: and she she used Sarah Jessica Parker's Carrie Bradshaw as

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Speaker 1: sort of our muse for how we were gonna dress

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Speaker 1: Kimmy the modern day Kimmy Gibbler. And she was great.

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Speaker 1: She was like, you know, what do you like? What

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00:20:14,080 --> 00:20:16,600
Speaker 1: are you not like? What you know? What silhouettes are

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00:20:16,640 --> 00:20:17,919
Speaker 1: you a fan of? If you if you're not, And

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Speaker 1: she always said, I'm not going to put you in

439
00:20:19,440 --> 00:20:22,720
Speaker 1: anything that you're uncomfortable in. If you're even slightly uncomfortable

440
00:20:22,760 --> 00:20:25,320
Speaker 1: in it, it's out. And even if the producers are like, no,

441
00:20:25,400 --> 00:20:27,160
Speaker 1: she has to wear this because the joke has to work.

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Speaker 1: Mary Kate would go to bat for me and be like, Nope,

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00:20:29,960 --> 00:20:31,960
Speaker 1: she's not wearing that because she's not comfortable in it.

444
00:20:32,040 --> 00:20:35,359
Speaker 1: So yeah, yeah, no, I love the fashion and Fuller

445
00:20:35,359 --> 00:20:38,000
Speaker 1: House that was fantastic, and.

446
00:20:37,960 --> 00:20:41,720
Speaker 5: I noticed there was only one smelly feet reference in

447
00:20:41,800 --> 00:20:43,920
Speaker 5: Fuller House and then then we never heard from it again,

448
00:20:43,960 --> 00:20:46,240
Speaker 5: which I'm assuming is your choice, right, thank.

449
00:20:46,000 --> 00:20:49,359
Speaker 1: God, thank god. I hated that joke. It was just

450
00:20:49,400 --> 00:20:52,879
Speaker 1: so overused. It felt it was funny maybe the first

451
00:20:52,920 --> 00:20:55,399
Speaker 1: time they used it in Full House, but then the

452
00:20:55,440 --> 00:20:57,639
Speaker 1: writers are like, oh, that got a laugh, Let's use

453
00:20:57,680 --> 00:20:59,600
Speaker 1: it again and again and again and again, and I'm like, okay,

454
00:20:59,600 --> 00:21:02,439
Speaker 1: it's not funny the fiftieth time, guys. It's just lazy

455
00:21:02,440 --> 00:21:04,879
Speaker 1: writing at that point. And then I would have fans

456
00:21:04,920 --> 00:21:06,440
Speaker 1: on the street come up to me and say, don't

457
00:21:06,440 --> 00:21:08,919
Speaker 1: take your shoes off, and I'm like that's like do

458
00:21:08,960 --> 00:21:10,879
Speaker 1: your feet really I still get that question. Do your

459
00:21:10,880 --> 00:21:15,240
Speaker 1: feet stink? And I'm like no, right, forty seven years old,

460
00:21:15,359 --> 00:21:18,879
Speaker 1: I am a fan of hygiene, like it is important.

461
00:21:19,080 --> 00:21:22,399
Speaker 2: If I were you, I would never wear shoes again,

462
00:21:22,520 --> 00:21:26,080
Speaker 2: just to prove a point everywhere you go. Just be

463
00:21:26,200 --> 00:21:29,840
Speaker 2: like the dogs are out and they're fine. So you

464
00:21:29,840 --> 00:21:30,199
Speaker 2: know what I mean.

465
00:21:30,240 --> 00:21:32,320
Speaker 1: I said that to a fan one time. I'm like,

466
00:21:32,359 --> 00:21:34,320
Speaker 1: do you want to smell and find out? And they

467
00:21:34,320 --> 00:21:36,640
Speaker 1: were like no, and that shut them up real quick.

468
00:21:36,720 --> 00:21:39,520
Speaker 2: So, well, don't say that to everyone, because there's an

469
00:21:39,680 --> 00:21:41,640
Speaker 2: entire niche of the internet that would be like, yes

470
00:21:41,680 --> 00:21:43,320
Speaker 2: I do, and I will pay you money for it.

471
00:21:43,480 --> 00:21:46,160
Speaker 2: So be careful who you be careful who you asked

472
00:21:46,200 --> 00:21:46,600
Speaker 2: that question.

473
00:21:46,680 --> 00:21:51,560
Speaker 1: That's all I'm saying. It's all I'm saying. Noted, definitely noted. Yeah,

474
00:21:51,680 --> 00:21:54,080
Speaker 1: I'm glad they only used that joke once in the pilot.

475
00:21:54,080 --> 00:21:56,560
Speaker 1: A fuller and Yeah never came back.

476
00:21:56,640 --> 00:21:56,760
Speaker 2: They.

477
00:21:56,800 --> 00:21:58,119
Speaker 1: I am like, you guys are smarter than this. You

478
00:21:58,160 --> 00:22:01,560
Speaker 1: can come up with better jokes than this. Yeah, wasn't that.

479
00:22:01,680 --> 00:22:04,400
Speaker 2: Wasn't that the thing that knocked Steph back out of

480
00:22:04,440 --> 00:22:07,000
Speaker 2: her terrible British accent?

481
00:22:07,880 --> 00:22:09,680
Speaker 1: That's what knocked you back to you to your sense.

482
00:22:10,640 --> 00:22:12,720
Speaker 2: I'm so glad we just killed both of those jokes,

483
00:22:12,760 --> 00:22:13,240
Speaker 2: you know what I mean?

484
00:22:13,280 --> 00:22:14,160
Speaker 1: Like, there just.

485
00:22:16,040 --> 00:22:16,359
Speaker 2: Couldn't.

486
00:22:17,200 --> 00:22:20,400
Speaker 1: Yeah, yeah, it should have happened a few few scenes

487
00:22:20,400 --> 00:22:22,880
Speaker 1: earlier in that episode, but at least they got rid

488
00:22:22,880 --> 00:22:27,000
Speaker 1: of both. I think that one fell swoop. It's gone.

489
00:22:28,560 --> 00:22:30,000
Speaker 1: Love it. Great question, thanks Mark.

490
00:22:30,640 --> 00:22:34,680
Speaker 5: All right here and here's my question for Jody. It's

491
00:22:34,800 --> 00:22:38,560
Speaker 5: it's obvious that you had sarcasm down at an early age,

492
00:22:38,920 --> 00:22:41,960
Speaker 5: but how did you learn the sarcasm with somebody like

493
00:22:42,240 --> 00:22:44,320
Speaker 5: showing you how to be sarcastic or explaining to you,

494
00:22:44,440 --> 00:22:48,720
Speaker 5: or you just naturally just it's.

495
00:22:47,800 --> 00:22:50,960
Speaker 2: Just sort of how I communicate. I don't It's like

496
00:22:51,040 --> 00:22:55,520
Speaker 2: I really honestly don't. Even as a kid, like it

497
00:22:55,600 --> 00:22:58,960
Speaker 2: was I just found for me, sarcasm was like pointing

498
00:22:58,960 --> 00:23:01,359
Speaker 2: out the obvious and being like, no, no one's you

499
00:23:01,400 --> 00:23:04,080
Speaker 2: know what I mean? And so I found because I

500
00:23:04,160 --> 00:23:08,040
Speaker 2: always noticed things really quickly, sarcasm was kind of a

501
00:23:08,080 --> 00:23:10,720
Speaker 2: default for me because it was like, well, yeah, sure

502
00:23:10,720 --> 00:23:13,840
Speaker 2: we're gonna like I could just immediately point out the

503
00:23:13,920 --> 00:23:18,320
Speaker 2: thing that was wrong or silly or obvious and kind

504
00:23:18,320 --> 00:23:23,399
Speaker 2: of make fun of it. And it's also like I

505
00:23:23,640 --> 00:23:27,159
Speaker 2: think it's I don't know. I mean, my mom definitely,

506
00:23:27,280 --> 00:23:29,880
Speaker 2: I will give my mom credit, like she really when

507
00:23:29,920 --> 00:23:31,720
Speaker 2: I was a kid, you know, worked with me on

508
00:23:31,960 --> 00:23:33,760
Speaker 2: lines and doing all that kind of stuff. But I

509
00:23:33,960 --> 00:23:38,000
Speaker 2: just sort of picked it up and I think also

510
00:23:39,119 --> 00:23:42,439
Speaker 2: it was how like the guys kind of joked around

511
00:23:42,480 --> 00:23:47,320
Speaker 2: and communicated like sarcasm was just you know, it was

512
00:23:47,400 --> 00:23:49,040
Speaker 2: just kind of like everyone just sort of you know,

513
00:23:49,119 --> 00:23:50,800
Speaker 2: made fun of each other a little, and oh, yeah

514
00:23:50,800 --> 00:23:53,159
Speaker 2: that's the thing, you know. And I don't know, I

515
00:23:53,160 --> 00:23:57,120
Speaker 2: think I just that like it felt like the right

516
00:23:57,200 --> 00:24:01,520
Speaker 2: kind of humor to me, a little self deprecating a little,

517
00:24:01,800 --> 00:24:04,399
Speaker 2: like you know, poking fun at people and letting the

518
00:24:04,400 --> 00:24:09,760
Speaker 2: air out of the room a little. And and it's

519
00:24:09,840 --> 00:24:12,879
Speaker 2: just I mean, it's just such a part of you know,

520
00:24:13,640 --> 00:24:17,800
Speaker 2: who I am really, I mean, Andrew will attest its

521
00:24:18,320 --> 00:24:19,040
Speaker 2: just who I am.

522
00:24:19,160 --> 00:24:19,320
Speaker 4: I am.

523
00:24:19,520 --> 00:24:22,159
Speaker 2: I am just starcasic, and I don't even mean to be.

524
00:24:22,200 --> 00:24:23,960
Speaker 2: Sometimes people are like, wait, did you mean that? And

525
00:24:23,960 --> 00:24:26,119
Speaker 2: I'm like, no, that was that was a genuine emotion.

526
00:24:26,280 --> 00:24:30,840
Speaker 2: I've actually meant that. Yeah, no, I'm not being sarcastic,

527
00:24:32,200 --> 00:24:34,520
Speaker 2: but yeah, I I just I don't know, I picked

528
00:24:34,600 --> 00:24:36,280
Speaker 2: up on it. And I think also.

529
00:24:37,520 --> 00:24:41,359
Speaker 5: As a kid, I I I.

530
00:24:41,280 --> 00:24:48,240
Speaker 2: Understood timing and comedy in like this weirdly innate way,

531
00:24:49,080 --> 00:24:51,600
Speaker 2: like I knew it. Just there was like a feeling

532
00:24:51,640 --> 00:24:54,479
Speaker 2: of like just how long you give a joke a

533
00:24:54,520 --> 00:24:56,760
Speaker 2: breath and then you give it the punchline. And it

534
00:24:56,800 --> 00:25:00,520
Speaker 2: was like, even at five, I just felt like you

535
00:25:00,560 --> 00:25:04,680
Speaker 2: could just I just could feel how you were supposed

536
00:25:04,720 --> 00:25:07,159
Speaker 2: to let things kind of come up and then release

537
00:25:07,240 --> 00:25:11,639
Speaker 2: with a joke. And yeah, and it can't teach that.

538
00:25:11,840 --> 00:25:14,160
Speaker 1: It's and you can't teach it.

539
00:25:14,200 --> 00:25:18,040
Speaker 2: I really am. I'm grateful for that. And it's something

540
00:25:18,119 --> 00:25:21,359
Speaker 2: that you know, Bob and Dave always encourage him, were like,

541
00:25:21,400 --> 00:25:23,320
Speaker 2: you just have a great sense of timing and and

542
00:25:23,440 --> 00:25:27,040
Speaker 2: sense of humor and and yeah, I think you know,

543
00:25:27,119 --> 00:25:33,399
Speaker 2: my my sarcasm was u shaped by by Stephanie, by

544
00:25:33,520 --> 00:25:37,439
Speaker 2: by Bob and David John and and and was just

545
00:25:37,560 --> 00:25:40,960
Speaker 2: kind of also who I was in my natural sense

546
00:25:40,960 --> 00:25:45,680
Speaker 2: of humor and and observations of the world. So yeah,

547
00:25:45,800 --> 00:25:49,320
Speaker 2: I that I I now speak it fluently. It is

548
00:25:49,359 --> 00:25:52,199
Speaker 2: my first language. It's your language, and yeah it is.

549
00:25:52,320 --> 00:25:56,120
Speaker 2: It is my love language. And my children now use it,

550
00:25:56,359 --> 00:26:00,680
Speaker 2: uh really well, and which is both horrified and also

551
00:26:00,720 --> 00:26:04,360
Speaker 2: makes me really proud. So yeah, like I'll be like, hey,

552
00:26:04,400 --> 00:26:06,440
Speaker 2: what do you do And they'll be like, I'm knitting

553
00:26:06,480 --> 00:26:07,919
Speaker 2: a sweater. What does it look like I'm doing. I'm

554
00:26:07,920 --> 00:26:10,160
Speaker 2: pouring a glass of juice. And I'm like, oh, they've

555
00:26:10,200 --> 00:26:10,720
Speaker 2: done it, you know what.

556
00:26:10,720 --> 00:26:14,879
Speaker 1: I like, Oh, no, right, it's coming back. Yeah, would be.

557
00:26:15,000 --> 00:26:16,560
Speaker 2: The other day dead Pan looked at me and just

558
00:26:16,560 --> 00:26:19,720
Speaker 2: said something like, no, I'm doing this, and I was like,

559
00:26:22,160 --> 00:26:24,680
Speaker 2: smart ass, Yeah it was, but it was funny.

560
00:26:24,880 --> 00:26:27,639
Speaker 1: Can't argue with sarcasm when they get it from you,

561
00:26:27,640 --> 00:26:27,920
Speaker 1: you know.

562
00:26:28,600 --> 00:26:30,840
Speaker 2: I know, as long as they're funny, I'll let it slide.

563
00:26:31,080 --> 00:26:33,160
Speaker 5: Yeah, and you can be secretly proud in the background.

564
00:26:33,200 --> 00:26:34,359
Speaker 1: It's true. It's true.

565
00:26:35,359 --> 00:26:37,600
Speaker 2: Mark, Thank you so much for asking those great questions.

566
00:26:37,600 --> 00:26:42,040
Speaker 2: And I'm just excited that you showed us that shirt

567
00:26:42,359 --> 00:26:45,000
Speaker 2: and the one of a kind ornaments.

568
00:26:44,640 --> 00:26:46,919
Speaker 1: And the ornament I know we would be calling you.

569
00:26:46,920 --> 00:26:48,760
Speaker 1: We're going to call you in December and ask you

570
00:26:48,800 --> 00:26:52,600
Speaker 1: to make cram. That's fantastic, so.

571
00:26:52,560 --> 00:26:58,639
Speaker 2: Creating, fantastic fan. I'm sorry I had to say that.

572
00:26:59,000 --> 00:26:59,560
Speaker 1: It's all good.

573
00:27:00,280 --> 00:27:02,000
Speaker 2: So Mark, thank you for joining us today.

574
00:27:02,000 --> 00:27:03,480
Speaker 1: We really appreciate it.

575
00:27:03,600 --> 00:27:04,800
Speaker 3: Thanks for having me. It was great.

576
00:27:04,920 --> 00:27:06,920
Speaker 1: Thanks, thank you, and thanks for being such a great

577
00:27:06,960 --> 00:27:10,520
Speaker 1: fan like you're just again so devoted and thanks for

578
00:27:10,560 --> 00:27:13,280
Speaker 1: loving our show, and thank you. Loving our podcast.

579
00:27:12,960 --> 00:27:13,959
Speaker 2: Really means a lot.

580
00:27:14,280 --> 00:27:14,920
Speaker 1: It really does.

581
00:27:15,160 --> 00:27:16,120
Speaker 5: Look forward to it every week.

582
00:27:16,160 --> 00:27:17,000
Speaker 3: It's awesome. Thanks.

583
00:27:18,200 --> 00:27:20,520
Speaker 5: It's a bright light in this world right now.

584
00:27:20,560 --> 00:27:23,280
Speaker 1: So oh, thank you. I appreciate that means a lot.

585
00:27:23,359 --> 00:27:24,280
Speaker 1: That really means a lot.

586
00:27:24,320 --> 00:27:26,800
Speaker 2: And I'm not even being sarcastic. That really does actually

587
00:27:26,840 --> 00:27:27,280
Speaker 2: mean a lot.

588
00:27:29,960 --> 00:27:34,320
Speaker 1: All right, Bye, Mark, Thanks Marks, Bye.

589
00:27:34,920 --> 00:27:39,000
Speaker 2: Great questions from our fan of Ritos, right man, so

590
00:27:39,080 --> 00:27:41,879
Speaker 2: many good questions. I love it and I love getting

591
00:27:41,880 --> 00:27:45,159
Speaker 2: to meet our fantos. They're so excited and like hearing

592
00:27:45,200 --> 00:27:47,800
Speaker 2: what the show means and has meant to people throughout

593
00:27:47,800 --> 00:27:50,720
Speaker 2: their lives is just well always warms my heart.

594
00:27:51,040 --> 00:27:52,920
Speaker 1: But I love it. This is something we didn't have

595
00:27:52,960 --> 00:27:55,320
Speaker 1: on the original show. We didn't have this sort of

596
00:27:55,640 --> 00:28:00,400
Speaker 1: interaction with fans with the technology social media zoom. So

597
00:28:00,440 --> 00:28:02,720
Speaker 1: it's great getting to meet them face to face and

598
00:28:03,119 --> 00:28:05,359
Speaker 1: hear what they're curious about and what they think. And

599
00:28:05,920 --> 00:28:06,640
Speaker 1: I just love it.

600
00:28:06,920 --> 00:28:09,879
Speaker 2: This episode is brought to you by Hyundai. Speaking of

601
00:28:09,880 --> 00:28:13,880
Speaker 2: things they're curious about, we did have some additional questions

602
00:28:14,000 --> 00:28:18,200
Speaker 2: from fans that came from our Instagram post, and if

603
00:28:18,200 --> 00:28:20,280
Speaker 2: you weren't following us on Instagram, make sure you're following

604
00:28:20,359 --> 00:28:24,159
Speaker 2: at how Rude Podcast because we do ask questions to

605
00:28:24,200 --> 00:28:26,399
Speaker 2: our fans on there. We love input. We post all

606
00:28:26,480 --> 00:28:28,880
Speaker 2: kinds of fun pictures and stuff that we've talked about

607
00:28:28,880 --> 00:28:29,680
Speaker 2: in episodes, but.

608
00:28:29,960 --> 00:28:31,800
Speaker 1: And we read your comments too, read them.

609
00:28:31,840 --> 00:28:36,880
Speaker 2: We read your comments, thus proving our point reading these questions.

610
00:28:37,840 --> 00:28:39,720
Speaker 1: Okay, first up.

611
00:28:40,040 --> 00:28:43,360
Speaker 2: We have a question about some of the serious subjects

612
00:28:43,400 --> 00:28:47,360
Speaker 2: that were in Full House. Oh. A fan asked, there

613
00:28:47,360 --> 00:28:49,960
Speaker 2: were a lot of serious subjects in Full House. Did

614
00:28:50,000 --> 00:28:52,960
Speaker 2: you talk with your parents about those subjects before filming

615
00:28:53,360 --> 00:28:55,719
Speaker 2: and how did you feel about those episodes while shooting,

616
00:28:57,160 --> 00:29:00,960
Speaker 2: such as peer pressure, bullying, missing a loved one, et cetera.

617
00:29:01,280 --> 00:29:03,880
Speaker 1: Yeah, Full House had some heavy topics, just even from

618
00:29:03,880 --> 00:29:05,960
Speaker 1: the pilot, starting with the death of the mom. You know,

619
00:29:06,080 --> 00:29:10,680
Speaker 1: that's a grief, that's a that's a huge topic. And

620
00:29:10,720 --> 00:29:13,000
Speaker 1: but we were pretty young, so I don't I.

621
00:29:12,960 --> 00:29:15,440
Speaker 2: Mean, there were definitely I think it was also it

622
00:29:15,480 --> 00:29:19,320
Speaker 2: was things that were relatively like age appropriate sort of,

623
00:29:19,520 --> 00:29:21,640
Speaker 2: so it was stuff that we had kind of already

624
00:29:22,120 --> 00:29:25,080
Speaker 2: maybe talk to our parents about. If it was you know,

625
00:29:25,120 --> 00:29:28,320
Speaker 2: if we know somebody that's being abused, or you know,

626
00:29:28,520 --> 00:29:30,520
Speaker 2: when to say something if a friend is in danger,

627
00:29:31,240 --> 00:29:35,120
Speaker 2: or you know, smoking or whatever, like, there were things

628
00:29:35,120 --> 00:29:38,080
Speaker 2: that were kind of coming up. I think in just natural,

629
00:29:38,360 --> 00:29:41,280
Speaker 2: you know, like our age of development, even like the

630
00:29:41,360 --> 00:29:44,880
Speaker 2: Kiddy Getting Drunk episode. You know, it's like we it

631
00:29:44,960 --> 00:29:45,480
Speaker 2: was kind.

632
00:29:45,280 --> 00:29:46,240
Speaker 1: Of all stuff that was.

633
00:29:48,080 --> 00:29:51,000
Speaker 2: Being talked about at that point in our lives anyway.

634
00:29:51,680 --> 00:29:54,040
Speaker 2: But yeah, I don't remember it being ever anything where

635
00:29:54,040 --> 00:29:55,760
Speaker 2: it was like, oh my god, this is a huge,

636
00:29:56,680 --> 00:29:58,800
Speaker 2: like new thing that we have that we have to

637
00:29:59,000 --> 00:30:01,000
Speaker 2: sort of broach or talk about. And I think because

638
00:30:01,040 --> 00:30:04,000
Speaker 2: it was a sitcom, it wasn't. We didn't go into

639
00:30:04,120 --> 00:30:06,520
Speaker 2: too many things right.

640
00:30:06,320 --> 00:30:08,280
Speaker 1: That were like heavy or needed.

641
00:30:08,040 --> 00:30:12,040
Speaker 2: An explanation before approaching them.

642
00:30:12,320 --> 00:30:15,560
Speaker 1: Yeah, it never felt too heavy. And I also felt like,

643
00:30:16,360 --> 00:30:20,120
Speaker 1: at least as a teenager on Full House, I mean,

644
00:30:20,120 --> 00:30:22,200
Speaker 1: we were playing pretend we were acting, so it was

645
00:30:22,480 --> 00:30:24,400
Speaker 1: just felt like we were putting on a play we weren't.

646
00:30:24,760 --> 00:30:27,520
Speaker 1: I didn't feel the weight of the responsibility of teaching

647
00:30:27,680 --> 00:30:30,600
Speaker 1: lessons to future generations as a kid. I didn't feel

648
00:30:30,640 --> 00:30:33,560
Speaker 1: that in Fuller House. I felt it as an adult.

649
00:30:33,560 --> 00:30:35,920
Speaker 1: I was like, Okay, we've got to tackle some serious

650
00:30:35,920 --> 00:30:38,400
Speaker 1: topics and we have to be responsible at how we

651
00:30:38,480 --> 00:30:41,000
Speaker 1: present it. But as a ten year old, as a

652
00:30:41,000 --> 00:30:43,360
Speaker 1: thirteen year old, like I was just like, what are

653
00:30:43,360 --> 00:30:46,240
Speaker 1: my lines? You know, the episode where I got drunk,

654
00:30:46,280 --> 00:30:47,680
Speaker 1: I was just like, how do I act drunk? Like,

655
00:30:48,560 --> 00:30:49,880
Speaker 1: how do I do this? How do I do this?

656
00:30:49,920 --> 00:30:51,760
Speaker 1: How do I make it funny but not make it

657
00:30:51,800 --> 00:30:53,640
Speaker 1: seem too over the top or you know. I was

658
00:30:53,680 --> 00:30:56,120
Speaker 1: revery concerned with the acting side of it then then

659
00:30:56,160 --> 00:30:59,080
Speaker 1: the message of it. And that's just because of my age,

660
00:30:59,440 --> 00:31:00,720
Speaker 1: you know, I was. It's just immature.

661
00:31:01,120 --> 00:31:04,760
Speaker 2: It's also like shooting a sitcom is more like a play,

662
00:31:04,880 --> 00:31:08,520
Speaker 2: Like it's sort of as opposed to like a movie

663
00:31:08,760 --> 00:31:11,880
Speaker 2: where it's like what they call single cam, which isn't

664
00:31:12,200 --> 00:31:15,840
Speaker 2: just a single cam. It's usually two cameras, but it's

665
00:31:15,920 --> 00:31:18,120
Speaker 2: a much more intimate way of shooting. You're in an

666
00:31:18,160 --> 00:31:20,960
Speaker 2: actual like three D space. You're you know, it's not

667
00:31:21,440 --> 00:31:25,240
Speaker 2: a sitcom set feels like a play. There's a camera

668
00:31:25,320 --> 00:31:27,400
Speaker 2: row and the audience is on one side and all

669
00:31:27,400 --> 00:31:30,000
Speaker 2: of the action happens on the other and it you know,

670
00:31:29,760 --> 00:31:37,040
Speaker 2: you're kind of in and out of that headspace, you

671
00:31:37,120 --> 00:31:40,200
Speaker 2: know what I mean. Like there's a lot more kind

672
00:31:40,240 --> 00:31:42,280
Speaker 2: of happening in between. And I find I think like

673
00:31:42,320 --> 00:31:46,760
Speaker 2: if you're covering heavier subject matter in like a drama

674
00:31:47,000 --> 00:31:50,080
Speaker 2: or a show, that's more geared towards that you're definitely

675
00:31:51,840 --> 00:31:54,560
Speaker 2: in that emotional space for a lot longer and a

676
00:31:54,560 --> 00:31:58,400
Speaker 2: lot deeper. So yeah, I don't think it was kind

677
00:31:58,400 --> 00:32:01,320
Speaker 2: of not quite as as much.

678
00:32:01,360 --> 00:32:02,600
Speaker 1: But and also, you.

679
00:32:02,560 --> 00:32:04,920
Speaker 2: Know, when you see the show put together in a

680
00:32:04,960 --> 00:32:08,680
Speaker 2: consecutive half hour, it hits different than when we're spending

681
00:32:09,120 --> 00:32:11,000
Speaker 2: four or five days during the week doing bits and

682
00:32:11,040 --> 00:32:11,880
Speaker 2: pieces here and there.

683
00:32:11,920 --> 00:32:15,040
Speaker 1: And you know, true, and so much of sitcom writing

684
00:32:15,160 --> 00:32:17,920
Speaker 1: is about the comedic beats too, like the joke has

685
00:32:17,960 --> 00:32:20,920
Speaker 1: to work. So they're so concerned about the funny right

686
00:32:20,920 --> 00:32:22,560
Speaker 1: and making it work that when they do do this,

687
00:32:22,600 --> 00:32:25,120
Speaker 1: that's why the serious episodes are you know, few and

688
00:32:25,160 --> 00:32:29,120
Speaker 1: far between, because that's that's not common in Renci.

689
00:32:29,240 --> 00:32:30,960
Speaker 2: Well you don't want to you and it's you know,

690
00:32:31,000 --> 00:32:33,600
Speaker 2: you have to walk a very tight line of making

691
00:32:33,600 --> 00:32:35,120
Speaker 2: a serious episode funny.

692
00:32:35,560 --> 00:32:37,440
Speaker 1: Well yeah, that's yeah, a delicate balance.

693
00:32:37,840 --> 00:32:41,000
Speaker 2: Well, not everyone has my inappropriate sense of humor, which

694
00:32:41,040 --> 00:32:43,479
Speaker 2: I find most terribly dark things very funny.

695
00:32:44,720 --> 00:32:48,360
Speaker 1: Yeah, that was a good question. Next, Okay, Next we

696
00:32:48,480 --> 00:32:53,440
Speaker 1: have okay, full house. Full House was originally filmed at

697
00:32:53,480 --> 00:32:57,120
Speaker 1: Lorimar until nineteen ninety three, and then you all moved

698
00:32:57,160 --> 00:33:00,800
Speaker 1: to Warner Brothers. How were all the sets moved from

699
00:33:00,920 --> 00:33:02,080
Speaker 1: Lorimar to w.

700
00:33:02,240 --> 00:33:05,720
Speaker 2: B and Lorimar became Sony. By the way, for anyone

701
00:33:05,720 --> 00:33:07,560
Speaker 2: who's like, what is what is Lorimar?

702
00:33:07,720 --> 00:33:11,760
Speaker 1: It was, it's now it's now Sony Sony Studios. Yes,

703
00:33:12,680 --> 00:33:14,960
Speaker 1: but yeah, I don't that's a good question for transpo.

704
00:33:15,240 --> 00:33:20,360
Speaker 2: We loaded those sets up in our cars. Yeah, you know,

705
00:33:20,440 --> 00:33:23,160
Speaker 2: they're on wheels. We did lift them up there. So

706
00:33:23,240 --> 00:33:25,960
Speaker 2: it was you know, but it was going over the canyon.

707
00:33:26,080 --> 00:33:28,200
Speaker 2: Let me tell you it was from you know, the

708
00:33:28,240 --> 00:33:30,040
Speaker 2: west side to Burbank was a lot.

709
00:33:30,320 --> 00:33:33,200
Speaker 1: You know, four or five is the traffic.

710
00:33:33,880 --> 00:33:36,760
Speaker 2: No sets And it says the sets don't.

711
00:33:36,520 --> 00:33:37,760
Speaker 1: Look like they were rebuilt.

712
00:33:37,800 --> 00:33:41,560
Speaker 2: But that is the beauty of sets, is that in

713
00:33:41,640 --> 00:33:46,800
Speaker 2: between stuff, they would just take those walls down and

714
00:33:47,800 --> 00:33:51,120
Speaker 2: put them in set storage and bring them back.

715
00:33:51,920 --> 00:33:54,240
Speaker 1: It's a huge job. It's a huge task. I did

716
00:33:54,320 --> 00:33:57,600
Speaker 1: not envy the set designers at all, but yeah, they

717
00:33:57,600 --> 00:33:59,840
Speaker 1: would build them and taking it.

718
00:33:59,840 --> 00:34:03,360
Speaker 2: A part and then like having to rebuild it again.

719
00:34:03,760 --> 00:34:08,160
Speaker 2: And I wonder, it is interesting. I never quite thought

720
00:34:08,200 --> 00:34:14,040
Speaker 2: about the fact, like does the stuff move from Sony

721
00:34:14,440 --> 00:34:17,480
Speaker 2: to Warner Brothers, Like did we take did we actually

722
00:34:17,560 --> 00:34:20,719
Speaker 2: take the sets or did they rebuild the sets on

723
00:34:21,080 --> 00:34:22,160
Speaker 2: Warner Brothers?

724
00:34:22,719 --> 00:34:25,400
Speaker 1: You know what I mean, that's a great question, especially

725
00:34:25,560 --> 00:34:28,799
Speaker 1: a living room set, because that's two stories. It's very common.

726
00:34:28,600 --> 00:34:32,120
Speaker 2: Stories, but it's but it more so am I I'm like,

727
00:34:32,400 --> 00:34:36,040
Speaker 2: is it who owns the set stuff? Oh? Yeah, you

728
00:34:36,080 --> 00:34:38,160
Speaker 2: know what I mean? Like, do you take that from one?

729
00:34:38,680 --> 00:34:40,560
Speaker 2: I don't. I don't know. That's a that's a that's

730
00:34:40,560 --> 00:34:42,600
Speaker 2: a great question, like a set design question. Do you

731
00:34:42,680 --> 00:34:48,520
Speaker 2: take it from one lot to another because they're different entities?

732
00:34:48,960 --> 00:34:52,080
Speaker 1: Yeah, who owns it? That's a great question. I think

733
00:34:52,640 --> 00:34:56,359
Speaker 1: I know Bob Boyett owned the couch for many, many, many,

734
00:34:56,600 --> 00:34:58,879
Speaker 1: many many years. He had it in storage somewhere, right,

735
00:34:58,960 --> 00:35:00,640
Speaker 1: and then brought it out and then John's Damo stole

736
00:35:00,680 --> 00:35:04,200
Speaker 1: it at the end of Fullerhouse. But yeah, do you

737
00:35:04,239 --> 00:35:07,120
Speaker 1: remember when we were pitching Fuller House, like the year

738
00:35:07,239 --> 00:35:11,560
Speaker 1: that we sold Fuller House, Right, the blueprints for they

739
00:35:11,560 --> 00:35:14,120
Speaker 1: had just got rid of aid. They had just gotten

740
00:35:14,200 --> 00:35:14,600
Speaker 1: rid of them, so.

741
00:35:15,000 --> 00:35:17,719
Speaker 2: You're not gonna need these. Six months before the show

742
00:35:17,760 --> 00:35:19,680
Speaker 2: got picked up, they were like, we could get rid

743
00:35:19,719 --> 00:35:23,440
Speaker 2: of these old full House blueprints. They're never gonna bring, right,

744
00:35:23,440 --> 00:35:25,520
Speaker 2: And then six months later they're like, Hey, do you

745
00:35:25,520 --> 00:35:28,480
Speaker 2: ever have those blueprints that were and they were like

746
00:35:28,520 --> 00:35:29,600
Speaker 2: wait what Yeah, it.

747
00:35:29,520 --> 00:35:32,480
Speaker 1: Was so Jerry Dunn, our set, our set designer had

748
00:35:32,520 --> 00:35:35,879
Speaker 1: to watch hours and hours and hours of full house

749
00:35:35,880 --> 00:35:40,239
Speaker 1: footage to recreate those sets, and they and it looked identical.

750
00:35:40,320 --> 00:35:43,040
Speaker 1: Like it looked identical. Yeah, he did such a great job.

751
00:35:43,360 --> 00:35:45,640
Speaker 2: They did do a great job. But yeah, the sets,

752
00:35:45,719 --> 00:35:48,520
Speaker 2: I to be quite honest, I don't know if they

753
00:35:48,719 --> 00:35:52,560
Speaker 2: moved them as is or if they had to rebuild

754
00:35:52,600 --> 00:35:55,680
Speaker 2: them with a different set department. I'm not sure how

755
00:35:55,719 --> 00:35:56,440
Speaker 2: that works.

756
00:35:56,800 --> 00:35:58,719
Speaker 1: Yeah, I don't I don't know either. I know, like

757
00:35:59,160 --> 00:36:01,520
Speaker 1: some of the walls were like they could move some

758
00:36:01,560 --> 00:36:03,400
Speaker 1: of the walls to get the cameras in for a

759
00:36:03,560 --> 00:36:06,440
Speaker 1: closer shots. So I'm like, did they take each of

760
00:36:06,480 --> 00:36:09,600
Speaker 1: the three walls and put them on a truck or

761
00:36:09,640 --> 00:36:12,120
Speaker 1: and just take down all of the the decor. I

762
00:36:12,360 --> 00:36:12,920
Speaker 1: have no idea.

763
00:36:13,320 --> 00:36:15,360
Speaker 2: Yeah, I mean I've seen I see, you know, driving

764
00:36:15,360 --> 00:36:20,319
Speaker 2: around LA I see like sets driving you know, like

765
00:36:21,200 --> 00:36:23,200
Speaker 2: driving down on trucks and stuff. There are that I

766
00:36:23,200 --> 00:36:25,759
Speaker 2: do see sets being transported places. So maybe that's a

767
00:36:26,440 --> 00:36:29,080
Speaker 2: maybe it's possible. I don't know. That's an excellent question

768
00:36:29,560 --> 00:36:32,120
Speaker 2: to the fan that asked it. I now have more questions,

769
00:36:32,200 --> 00:36:35,000
Speaker 2: So I'm gonna need a follow up episode.

770
00:36:35,080 --> 00:36:37,320
Speaker 1: But we're yeah, we're gonna have to have a lunch

771
00:36:37,360 --> 00:36:39,040
Speaker 1: with Jeff or I don't even know who we would

772
00:36:39,040 --> 00:36:40,480
Speaker 1: Who would we ask that question?

773
00:36:41,920 --> 00:36:45,080
Speaker 2: Lynn Griffin, well from the full from the full House tables,

774
00:36:45,200 --> 00:36:48,799
Speaker 2: probably Jerry. Yeah, I don't know. I'm gonna I'm gonna

775
00:36:48,840 --> 00:36:52,400
Speaker 2: research this. I might and in fact build a replica

776
00:36:52,440 --> 00:36:55,080
Speaker 2: of all the sets in my backyard and see how

777
00:36:55,080 --> 00:36:58,280
Speaker 2: hard it is to move them just for my own edification.

778
00:36:58,840 --> 00:37:00,680
Speaker 1: Well they do. Do you still have the I have

779
00:37:00,800 --> 00:37:04,360
Speaker 1: the the three D model I had. Yeah, right here,

780
00:37:04,640 --> 00:37:05,840
Speaker 1: Kimmy Gibblers.

781
00:37:06,160 --> 00:37:10,319
Speaker 2: Oh yeah, I have the girls room. Oh and I

782
00:37:10,360 --> 00:37:14,240
Speaker 2: have stephan DJ's room, the hallway, and Jesse's room. Oh

783
00:37:14,280 --> 00:37:17,960
Speaker 2: so yeah, I had the living room too. Yeah, but

784
00:37:18,040 --> 00:37:22,040
Speaker 2: I had auctioned that one off someone I have for charity.

785
00:37:22,080 --> 00:37:24,800
Speaker 2: I auctioned that one off and it was really cool.

786
00:37:25,520 --> 00:37:28,359
Speaker 1: Yeah. And so our set designer would make these three

787
00:37:28,400 --> 00:37:31,000
Speaker 1: D models for every new set that they had, well

788
00:37:31,120 --> 00:37:33,080
Speaker 1: it was a playground or a classroom or whatever. He

789
00:37:33,120 --> 00:37:35,160
Speaker 1: would have to build these three D models forever, and

790
00:37:35,200 --> 00:37:37,480
Speaker 1: then it had to get approved by the producers and

791
00:37:37,560 --> 00:37:40,560
Speaker 1: network and everything. So yeah, he offered these to us

792
00:37:40,640 --> 00:37:43,279
Speaker 1: at the end of Firehouse, and so we kept them.

793
00:37:43,680 --> 00:37:46,680
Speaker 1: That's so cool piece of history right there, right, love it.

794
00:37:46,760 --> 00:37:48,719
Speaker 2: And in case the show cups back in thirty years,

795
00:37:48,719 --> 00:37:51,960
Speaker 2: at least we know we can rebuild those two rooms,

796
00:37:52,200 --> 00:37:53,879
Speaker 2: right only those two rooms only.

797
00:37:53,920 --> 00:37:55,640
Speaker 1: That's it, right room.

798
00:37:56,600 --> 00:37:58,440
Speaker 2: Yeah, yeah, you never know.

799
00:37:58,480 --> 00:38:00,120
Speaker 1: Kimmy's room and the girls room. That's where we'll.

800
00:38:04,000 --> 00:38:05,400
Speaker 2: All right, what do we have next?

801
00:38:05,520 --> 00:38:06,040
Speaker 1: Let's see.

802
00:38:07,160 --> 00:38:11,840
Speaker 2: Okay, if Full House had ever done a Freaky Friday

803
00:38:11,920 --> 00:38:17,120
Speaker 2: type episode, what character would you have wanted your character

804
00:38:17,160 --> 00:38:18,840
Speaker 2: to trade places with? And why?

805
00:38:19,840 --> 00:38:26,399
Speaker 1: Ooh, good question. I've never actually thought about that before. Well,

806
00:38:26,440 --> 00:38:29,359
Speaker 1: back in the Full House days, I would have wanted

807
00:38:29,360 --> 00:38:32,520
Speaker 1: to be DJ because she was you know, because I

808
00:38:32,560 --> 00:38:34,800
Speaker 1: was Kimmy Gibbler. I was the oddball that everyone hated

809
00:38:34,920 --> 00:38:36,960
Speaker 1: and it looked weird and everybody made fun of me.

810
00:38:37,000 --> 00:38:39,040
Speaker 1: So I wanted to be the cool kid that wore

811
00:38:39,040 --> 00:38:41,120
Speaker 1: the cute clothes and had the cute boyfriend and that

812
00:38:41,200 --> 00:38:44,440
Speaker 1: was admired by fans across the world. So I probably

813
00:38:44,440 --> 00:38:47,960
Speaker 1: would have picked Djack back in Full House. But if

814
00:38:48,000 --> 00:38:50,640
Speaker 1: I were doing it today, I think it'd be really

815
00:38:50,640 --> 00:38:54,360
Speaker 1: funny to trade places with Danny Tanner and just like

816
00:38:54,440 --> 00:38:56,920
Speaker 1: Kimmy would just make a mess me. Can you imagine

817
00:38:56,920 --> 00:39:01,160
Speaker 1: like the Gibbler, the Gibbler influence on the the Tanner House,

818
00:39:01,239 --> 00:39:03,400
Speaker 1: she would just fill that place with junk.

819
00:39:03,560 --> 00:39:05,480
Speaker 2: Right, it would drive him crazy.

820
00:39:06,000 --> 00:39:07,640
Speaker 1: So that's a good one.

821
00:39:07,680 --> 00:39:11,520
Speaker 2: I like that. Who would I trade places with? If

822
00:39:11,560 --> 00:39:14,480
Speaker 2: full House ever did it? I know?

823
00:39:14,840 --> 00:39:15,560
Speaker 1: Okay, who who?

824
00:39:17,040 --> 00:39:25,520
Speaker 2: Rattail Ripper? I would be skiing in Tahoe and singing

825
00:39:25,560 --> 00:39:28,040
Speaker 2: doo wop in the living room. That's it, you know,

826
00:39:28,120 --> 00:39:28,879
Speaker 2: a magical.

827
00:39:28,600 --> 00:39:31,240
Speaker 1: Stuff would be like, this is the life, this is great.

828
00:39:31,320 --> 00:39:33,719
Speaker 2: I'm a musician. I just got a snap and have

829
00:39:33,800 --> 00:39:34,720
Speaker 2: a weird little hairdoo.

830
00:39:35,120 --> 00:39:37,360
Speaker 1: Yeah, you need a mullet and a rat tail and

831
00:39:37,760 --> 00:39:41,080
Speaker 1: uh and you can already sing. So that's this is plausive. Yes,

832
00:39:41,160 --> 00:39:41,480
Speaker 1: this is so.

833
00:39:41,800 --> 00:39:46,680
Speaker 2: But now, how would Rattail Ripper fit as Stephanie. I

834
00:39:46,719 --> 00:39:47,080
Speaker 2: don't that.

835
00:39:47,239 --> 00:39:49,759
Speaker 1: I don't know, like in a Freaky Friday swap? Yeah,

836
00:39:49,800 --> 00:39:51,719
Speaker 1: because he never talked, so we don't know if he

837
00:39:51,840 --> 00:39:55,360
Speaker 1: had that that flare for sarcasm and the barbs.

838
00:39:55,480 --> 00:39:57,480
Speaker 2: Yeah, I mean he had a flare, but I don't

839
00:39:57,480 --> 00:39:58,640
Speaker 2: know if it was for sarcasm.

840
00:39:59,640 --> 00:40:00,680
Speaker 1: He does only had a flair.

841
00:40:00,960 --> 00:40:04,080
Speaker 2: Yeah, he was. That's my stupid, ridiculous answer.

842
00:40:04,560 --> 00:40:07,239
Speaker 1: I love. Yeah, that's not ridiculous. That's actually really great.

843
00:40:07,560 --> 00:40:09,640
Speaker 2: Yeah, that's it. That's that was the first thing that

844
00:40:09,640 --> 00:40:12,919
Speaker 2: popped into my mind was maybe even just the rat tail,

845
00:40:13,320 --> 00:40:16,799
Speaker 2: Like if I could just become that, you know.

846
00:40:16,840 --> 00:40:19,759
Speaker 1: Straight places with the with the Sea Pappy, with the

847
00:40:19,800 --> 00:40:22,440
Speaker 1: Mariner and just stand and stare at people the.

848
00:40:22,400 --> 00:40:26,799
Speaker 2: Whole the whole time, that make some sort of Edgar

849
00:40:26,840 --> 00:40:29,160
Speaker 2: Allan Poe poem, you know what I mean, where it's

850
00:40:29,280 --> 00:40:32,759
Speaker 2: like and then it just called the Sea Pappy and

851
00:40:32,800 --> 00:40:36,680
Speaker 2: it's like, you know this whatever, it's some Edgar Allan

852
00:40:36,760 --> 00:40:40,960
Speaker 2: Poe poem about someone that slowly becomes wooden and stands

853
00:40:40,960 --> 00:40:43,319
Speaker 2: on a pedestal eyeing their family and they don't.

854
00:40:43,640 --> 00:40:46,160
Speaker 1: Yeah, yeah, this is great. Let's do this.

855
00:40:46,800 --> 00:40:49,400
Speaker 2: Now I'm brittish. God. Now I'm building up an entire

856
00:40:49,480 --> 00:40:51,960
Speaker 2: fan fiction story about the Sea Pappy and his origin

857
00:40:52,000 --> 00:40:52,319
Speaker 2: and who.

858
00:40:52,280 --> 00:40:52,799
Speaker 1: He really is.

859
00:40:52,840 --> 00:40:55,279
Speaker 2: So uh, I'll be back with that next time.

860
00:40:55,640 --> 00:40:59,560
Speaker 1: I love it. The Sea Pappy and the right titles.

861
00:40:59,600 --> 00:41:02,560
Speaker 1: They need their title credits. They were fast. Okay, so

862
00:41:02,680 --> 00:41:07,200
Speaker 1: next we have another question, did you did any of

863
00:41:07,239 --> 00:41:11,160
Speaker 1: you keep and rewar any of the wardrobe from the show?

864
00:41:12,360 --> 00:41:16,239
Speaker 1: I did well for me, that's easy. No, no, and no.

865
00:41:17,120 --> 00:41:19,800
Speaker 1: I couldn't get I didn't get away and I couldn't

866
00:41:19,800 --> 00:41:22,399
Speaker 1: get away from my wardrobe fast enough. But you did

867
00:41:22,440 --> 00:41:25,319
Speaker 1: you keep your your wardrobe? I kept some of it.

868
00:41:25,560 --> 00:41:25,759
Speaker 5: Uh.

869
00:41:25,800 --> 00:41:28,520
Speaker 2: They at the end of each season they would kind

870
00:41:28,600 --> 00:41:31,560
Speaker 2: of let me go through and be like, is there

871
00:41:31,600 --> 00:41:35,400
Speaker 2: any stuff that you want? Because back in the day,

872
00:41:35,600 --> 00:41:37,440
Speaker 2: I think we could take some of it, Like they

873
00:41:37,440 --> 00:41:40,600
Speaker 2: didn't keep as much of the kids stuff because we.

874
00:41:40,480 --> 00:41:41,680
Speaker 1: Were always growing out of it.

875
00:41:41,880 --> 00:41:44,840
Speaker 2: Right, But but I know on like on Fuller House,

876
00:41:45,400 --> 00:41:50,279
Speaker 2: it all goes back to costume storage. Yeah, but pay

877
00:41:50,320 --> 00:41:52,440
Speaker 2: it right, They're like it belongs to them. So maybe

878
00:41:52,440 --> 00:41:54,920
Speaker 2: I don't know. Maybe we were just stealing clothes. I

879
00:41:54,960 --> 00:41:57,719
Speaker 2: don't know, but I did take some of them. I

880
00:41:57,760 --> 00:42:03,360
Speaker 2: seem to remember quite a few, like prairie dress boot

881
00:42:03,520 --> 00:42:07,799
Speaker 2: combos that I took in the early nineties when that

882
00:42:07,880 --> 00:42:10,840
Speaker 2: was a thing. And I think I actually may have

883
00:42:11,000 --> 00:42:15,839
Speaker 2: even worn some of Steph's clothes on the covers of

884
00:42:15,880 --> 00:42:19,080
Speaker 2: some of the Stephanie books. Oh yeah, okay, so okay,

885
00:42:19,080 --> 00:42:21,400
Speaker 2: but yeah, I did they're like, not a ton of stuff,

886
00:42:22,040 --> 00:42:25,080
Speaker 2: but a few things. And I think when I was

887
00:42:25,120 --> 00:42:27,879
Speaker 2: even younger, I definitely had a few of those three

888
00:42:27,960 --> 00:42:30,960
Speaker 2: D sweaters that my mom was like, yeah, we'll take

889
00:42:30,960 --> 00:42:31,480
Speaker 2: those with us.

890
00:42:31,640 --> 00:42:34,440
Speaker 1: Those are the Scottie dogs. Yeah, collection of Scottie Dogs.

891
00:42:34,560 --> 00:42:36,320
Speaker 2: Yeah, yeah, tons.

892
00:42:36,719 --> 00:42:40,280
Speaker 1: Did you keep the iconic outfit from the telethon dance

893
00:42:40,400 --> 00:42:42,480
Speaker 1: that you did with Jimmy?

894
00:42:42,520 --> 00:42:45,799
Speaker 2: And I know, and I wish I did. I wish

895
00:42:45,880 --> 00:42:48,680
Speaker 2: I had that sweater and those blue leggings.

896
00:42:48,840 --> 00:42:49,560
Speaker 1: Blue leggings.

897
00:42:49,640 --> 00:42:54,280
Speaker 2: Yes, I looked like a like a muppet with stick legs,

898
00:42:54,320 --> 00:42:58,960
Speaker 2: you know what I mean, just like curly ridiculous. I

899
00:42:59,000 --> 00:43:03,160
Speaker 2: love it right, blue spandex and just a sweater with

900
00:43:04,239 --> 00:43:06,960
Speaker 2: I don't even know people on it, yarn hanging on.

901
00:43:07,120 --> 00:43:07,719
Speaker 2: I was so.

902
00:43:09,480 --> 00:43:12,920
Speaker 1: Fabulous. It's so glory fabulous. It's so glorious. And Adam

903
00:43:12,960 --> 00:43:15,399
Speaker 1: hagen Boo, who played Jimmy Gibbler, was such a good

904
00:43:15,400 --> 00:43:18,240
Speaker 1: sport to wear it in Are you kidding?

905
00:43:18,280 --> 00:43:21,440
Speaker 2: He was thrilled. If you know Adam Hagenboo, he was like,

906
00:43:21,760 --> 00:43:24,640
Speaker 2: let's get weird and let's do it like he I

907
00:43:24,800 --> 00:43:25,399
Speaker 2: love him.

908
00:43:26,360 --> 00:43:28,040
Speaker 1: He is so hilarious.

909
00:43:28,080 --> 00:43:32,360
Speaker 2: And he was one and very on board and it

910
00:43:32,400 --> 00:43:32,759
Speaker 2: was great.

911
00:43:33,440 --> 00:43:34,839
Speaker 1: Great. No, I wish I did have that.

912
00:43:34,920 --> 00:43:38,719
Speaker 2: I wish I did have that, because I would certainly

913
00:43:38,760 --> 00:43:43,120
Speaker 2: try and squeeze myself back into it at this point.

914
00:43:43,200 --> 00:43:45,279
Speaker 2: Would just be like like that would be like I

915
00:43:45,320 --> 00:43:47,480
Speaker 2: could put it on my arm, you know what I mean,

916
00:43:47,600 --> 00:43:49,360
Speaker 2: Like it's not even gonna get over my calf.

917
00:43:49,719 --> 00:43:52,800
Speaker 1: Yeah. Oh man, all right, what do we have up next?

918
00:43:53,280 --> 00:43:56,799
Speaker 2: Let's see we have all right here we go? If

919
00:43:56,840 --> 00:44:00,400
Speaker 2: you got another season for the show, how would you

920
00:44:00,440 --> 00:44:02,920
Speaker 2: guys want to wrap it up? And why?

921
00:44:03,280 --> 00:44:06,879
Speaker 1: Oh so like a ninth season of Full House. That's

922
00:44:06,920 --> 00:44:08,480
Speaker 1: what we're we're talking about here.

923
00:44:09,360 --> 00:44:13,880
Speaker 2: I mean, I guess I'm going to assume that because

924
00:44:15,200 --> 00:44:18,960
Speaker 2: this is a full House rewatch Clouse podcast, right right, right, Okay,

925
00:44:19,840 --> 00:44:22,879
Speaker 2: we had a ninth season where did we leave off?

926
00:44:22,920 --> 00:44:27,720
Speaker 1: Michelle fell off a horse, Michelle's in a coma that terrible,

927
00:44:27,840 --> 00:44:31,760
Speaker 1: terrible finale. So I think for season nine, I would

928
00:44:31,760 --> 00:44:35,680
Speaker 1: want to see Kimmy and DJ go to college, right

929
00:44:36,000 --> 00:44:39,120
Speaker 1: because I think we were seniors in high school, graduated eight,

930
00:44:39,200 --> 00:44:42,759
Speaker 1: so we would go to college and there would be

931
00:44:42,760 --> 00:44:44,799
Speaker 1: shenanigans at college. I don't know, but Jim, you only

932
00:44:44,800 --> 00:44:46,920
Speaker 1: got into Clown College, So I don't know if they

933
00:44:46,920 --> 00:44:49,000
Speaker 1: would have ended up at the same college. Kimmy would

934
00:44:49,040 --> 00:44:50,359
Speaker 1: have found her way, She would have found her way,

935
00:44:50,400 --> 00:44:53,719
Speaker 1: would have found her California University or whatever wherever DJ went.

936
00:44:54,280 --> 00:44:59,399
Speaker 1: I also would be curious to see if they would

937
00:44:59,440 --> 00:45:02,440
Speaker 1: have married off all of the guys on the show, Like, so,

938
00:45:02,600 --> 00:45:07,640
Speaker 1: Jesse married Becky, but what if Danny had married Vicky and.

939
00:45:07,480 --> 00:45:09,839
Speaker 2: Joey broke up before the end of the show, did.

940
00:45:09,760 --> 00:45:12,800
Speaker 1: Which I hated. Yeah, I thought they should have stayed together.

941
00:45:12,840 --> 00:45:16,640
Speaker 1: I loved her. I loved them together. Do you disagree?

942
00:45:16,920 --> 00:45:18,120
Speaker 1: I see a look on your face.

943
00:45:20,160 --> 00:45:25,879
Speaker 2: Well, I think Bob didn't love that relationship, but true.

944
00:45:26,480 --> 00:45:28,880
Speaker 1: Yeah, but the fans did. The fans loved that relationship.

945
00:45:28,880 --> 00:45:30,640
Speaker 1: Fans did. Yeah.

946
00:45:30,719 --> 00:45:33,040
Speaker 2: I think maybe I would have seen, like Dan, I

947
00:45:33,080 --> 00:45:37,400
Speaker 2: feel like that would have been kind of like a completion,

948
00:45:37,719 --> 00:45:40,200
Speaker 2: you know what I mean. Likedj is off to college,

949
00:45:40,480 --> 00:45:44,800
Speaker 2: Danny has remarried, and maybe that's when we see Jesse

950
00:45:44,880 --> 00:45:48,640
Speaker 2: and Becky move out right and Joey moved like I

951
00:45:48,680 --> 00:45:53,560
Speaker 2: feel like the final season would have been kind of

952
00:45:53,600 --> 00:45:58,240
Speaker 2: everybody buttoning up what was next for them, and and

953
00:45:58,520 --> 00:46:03,360
Speaker 2: the winding down of the need for these three guys

954
00:46:03,440 --> 00:46:05,640
Speaker 2: to have moved in with these three girls, Like at

955
00:46:05,640 --> 00:46:08,520
Speaker 2: that point, it's that's kind of the next step is that,

956
00:46:08,600 --> 00:46:11,120
Speaker 2: you know, everyone's dispersing. So I think that would have

957
00:46:11,200 --> 00:46:14,200
Speaker 2: been what I would have liked to have seen in

958
00:46:14,200 --> 00:46:17,160
Speaker 2: in the ninth season of Full House.

959
00:46:17,880 --> 00:46:21,160
Speaker 1: It would have been a tidier ending, for sure than

960
00:46:21,239 --> 00:46:23,200
Speaker 1: the amnesia horse coma.

961
00:46:23,880 --> 00:46:27,880
Speaker 2: Few I didn't realize you said horse and I was like, wow, no.

962
00:46:28,680 --> 00:46:31,959
Speaker 1: I that was season one Jesse.

963
00:46:32,360 --> 00:46:38,920
Speaker 2: Yeah, yeah, the horse is all over the place. Uh no,

964
00:46:41,800 --> 00:46:44,960
Speaker 2: uh yeah, I think that's what I Yeah, that's what

965
00:46:44,960 --> 00:46:48,319
Speaker 2: I would have seen. Or we just the entire ninth

966
00:46:48,360 --> 00:46:54,040
Speaker 2: season is a dream sequence of Michelle and she just

967
00:46:54,160 --> 00:46:55,680
Speaker 2: wakes up at the end of it, but it's like

968
00:46:55,719 --> 00:46:56,439
Speaker 2: ten years later.

969
00:46:56,960 --> 00:47:01,239
Speaker 1: Oh oh okay, so it's like a flash forward or

970
00:47:01,320 --> 00:47:02,359
Speaker 1: uh yeah.

971
00:47:02,440 --> 00:47:05,759
Speaker 2: Like the end, like the last episode is just like

972
00:47:05,880 --> 00:47:08,280
Speaker 2: Michelle wakes up, like you know, you got it, dude,

973
00:47:08,280 --> 00:47:09,799
Speaker 2: And she wakes up and then we just see she's

974
00:47:09,800 --> 00:47:12,959
Speaker 2: an adult and like yeah, and we're like whoa, my god,

975
00:47:12,960 --> 00:47:14,120
Speaker 2: she's lost ten years of her life.

976
00:47:14,640 --> 00:47:17,120
Speaker 1: Like yeah, just maybe that's kind of that's a little dark.

977
00:47:17,200 --> 00:47:19,560
Speaker 2: Yeah, that's yeah, that's pretty see again, this is why,

978
00:47:19,560 --> 00:47:24,200
Speaker 2: this is why I don't watch sitcoms, because it's like

979
00:47:24,560 --> 00:47:26,760
Speaker 2: you a turn of dark. Really, then they died?

980
00:47:29,080 --> 00:47:30,240
Speaker 1: What if none of this was really?

981
00:47:30,280 --> 00:47:30,560
Speaker 4: What if?

982
00:47:30,719 --> 00:47:32,960
Speaker 2: What if it was all in their imagination?

983
00:47:33,160 --> 00:47:33,279
Speaker 4: Right?

984
00:47:33,360 --> 00:47:35,759
Speaker 2: Yeah? And I get a little weird with things, but

985
00:47:36,400 --> 00:47:37,960
Speaker 2: that track, that's how I would like to see it.

986
00:47:38,440 --> 00:47:41,239
Speaker 1: Well, we're onto our last question, our last question. Yes,

987
00:47:42,640 --> 00:47:45,799
Speaker 1: did the producers ever ask you for input on your

988
00:47:45,880 --> 00:47:50,200
Speaker 1: characters or any storylines when you were younger and do

989
00:47:50,239 --> 00:47:53,400
Speaker 1: you wish your character had a certain storyline on the show.

990
00:47:54,320 --> 00:47:57,880
Speaker 2: They they asked me some things like in regards to

991
00:47:58,080 --> 00:48:00,480
Speaker 2: like stuff dancing and things like that, Like that was

992
00:48:00,600 --> 00:48:06,520
Speaker 2: all stuff that they that they included because that was

993
00:48:06,560 --> 00:48:08,279
Speaker 2: stuff that was actually going on with me. That was

994
00:48:08,320 --> 00:48:11,600
Speaker 2: stuff like Jeff kind of mined for in my real life.

995
00:48:11,719 --> 00:48:16,160
Speaker 2: But again, because Kimmy was almost like a caricature, it

996
00:48:16,239 --> 00:48:19,839
Speaker 2: was very hard for you to play anything real that

997
00:48:19,920 --> 00:48:22,240
Speaker 2: was happening in your life because Kimmy sort of didn't

998
00:48:23,360 --> 00:48:25,480
Speaker 2: have that dimensionality.

999
00:48:24,760 --> 00:48:26,960
Speaker 1: To her, right, she didn't have that depth to her.

1000
00:48:27,120 --> 00:48:29,239
Speaker 1: So yeah, I think that's the difference is that I

1001
00:48:29,400 --> 00:48:32,400
Speaker 1: was the comic relief, so you don't really need you

1002
00:48:32,440 --> 00:48:35,600
Speaker 1: don't really need input on storylines for that. The only

1003
00:48:36,040 --> 00:48:38,480
Speaker 1: time I asked me was the Telethon episode. Again, going

1004
00:48:38,480 --> 00:48:40,200
Speaker 1: back to the Telethon episode, they said do you have

1005
00:48:40,200 --> 00:48:43,719
Speaker 1: any special skills? And I said, well, I can ride

1006
00:48:43,719 --> 00:48:47,200
Speaker 1: a unicycle and Jeff was like what, yeah, and I'm like, yeah.

1007
00:48:47,200 --> 00:48:49,360
Speaker 1: My mother thought it was a good idea one summer

1008
00:48:49,400 --> 00:48:52,880
Speaker 1: to put me in unicycle class for a summer activity.

1009
00:48:53,560 --> 00:48:54,400
Speaker 1: And he was thrilled.

1010
00:48:54,400 --> 00:48:56,160
Speaker 2: He was like, we're going to write this into the show.

1011
00:48:56,280 --> 00:49:00,200
Speaker 1: You can ride a unicycle. So really it really did

1012
00:49:00,239 --> 00:49:00,640
Speaker 1: pay off.

1013
00:49:00,960 --> 00:49:03,080
Speaker 2: It did. I'm so glad that your mom put you

1014
00:49:03,120 --> 00:49:07,319
Speaker 2: in that unicycle class because I thought it was amazing. Like,

1015
00:49:07,480 --> 00:49:09,480
Speaker 2: riding a unicycle is super hard.

1016
00:49:09,840 --> 00:49:11,920
Speaker 1: It is, Oh, it's yeah, it takes it takes a

1017
00:49:11,920 --> 00:49:14,520
Speaker 1: whole it's a lot of Yeah, it's a lot of

1018
00:49:14,520 --> 00:49:17,880
Speaker 1: corner balance, a lot of confidence. You can't you can't be,

1019
00:49:18,080 --> 00:49:20,920
Speaker 1: you can't hesitate. If you're going to get on a unicycle.

1020
00:49:20,960 --> 00:49:22,080
Speaker 1: You gotta just go for it.

1021
00:49:22,200 --> 00:49:25,320
Speaker 2: Yeah no, yeah, not not anymore. I couldn't.

1022
00:49:26,040 --> 00:49:26,160
Speaker 3: You know.

1023
00:49:26,200 --> 00:49:29,239
Speaker 1: I recently got that unicycle back. It was it's been

1024
00:49:29,239 --> 00:49:32,680
Speaker 1: in my parents' garage for thirty something years and my

1025
00:49:32,760 --> 00:49:35,120
Speaker 1: brother now lives. My brother Justin lives in that house now.

1026
00:49:35,120 --> 00:49:37,000
Speaker 1: And he was like, we're cleaning out the garage. Do

1027
00:49:37,040 --> 00:49:39,080
Speaker 1: you want this unicycle? And I was like, yes, yes,

1028
00:49:39,120 --> 00:49:40,200
Speaker 1: I give it back to me.

1029
00:49:40,400 --> 00:49:43,160
Speaker 2: So I haven't Now You're going to spend this summer

1030
00:49:43,320 --> 00:49:45,040
Speaker 2: relearning how to ride the unicycle.

1031
00:49:45,320 --> 00:49:46,120
Speaker 1: That's what I'm doing.

1032
00:49:46,239 --> 00:49:49,440
Speaker 2: Yep, I can't wait. I'm there videoing all of it.

1033
00:49:50,080 --> 00:49:53,000
Speaker 2: So yeah, especially a special episode of how Rude, special

1034
00:49:53,040 --> 00:49:57,560
Speaker 2: episode of Howard tan Rito's Aby does the unicycle again?

1035
00:49:57,600 --> 00:50:00,479
Speaker 1: Abe breaks her leg in a twist, A b breaks

1036
00:50:00,520 --> 00:50:02,759
Speaker 1: her Like not, Jodie, We will will, Pad will be.

1037
00:50:02,920 --> 00:50:05,719
Speaker 2: You'll be very well padded and maybe we can get

1038
00:50:05,719 --> 00:50:08,440
Speaker 2: a unicycle that's not super tall so that the distance

1039
00:50:08,440 --> 00:50:10,120
Speaker 2: between you and the ground isn't as bad.

1040
00:50:10,400 --> 00:50:12,200
Speaker 1: Okay, that's in, you know, because.

1041
00:50:12,000 --> 00:50:13,880
Speaker 2: That's really what at a certain age, you go, I

1042
00:50:13,920 --> 00:50:17,080
Speaker 2: can't fall that far without he's seriously damaging things when

1043
00:50:17,080 --> 00:50:18,360
Speaker 2: you're kidding bounce.

1044
00:50:18,719 --> 00:50:21,280
Speaker 1: But yeah, yeah, I know, I'm a I'm a forty

1045
00:50:21,320 --> 00:50:23,319
Speaker 1: seven year old woman. My bones are a little more

1046
00:50:23,320 --> 00:50:24,839
Speaker 1: brittle now than they have the.

1047
00:50:24,760 --> 00:50:26,040
Speaker 2: Bones for it anymore.

1048
00:50:26,160 --> 00:50:30,960
Speaker 1: Yeah. Yeah, as far as as far as certain any storylines,

1049
00:50:31,000 --> 00:50:34,879
Speaker 1: I wish I had had. I mean I always say

1050
00:50:34,880 --> 00:50:37,200
Speaker 1: I wish I had more of like the Sweet Sixteen

1051
00:50:37,320 --> 00:50:39,720
Speaker 1: where I got to show emotion, like a different dimension

1052
00:50:39,760 --> 00:50:41,239
Speaker 1: to Kimmy. I always wish I had more of those.

1053
00:50:41,400 --> 00:50:44,560
Speaker 1: But I also wish she had like more of a

1054
00:50:44,640 --> 00:50:47,480
Speaker 1: long term boyfriend like DJ had Steve Right and I

1055
00:50:47,520 --> 00:50:49,800
Speaker 1: had I had Dwayne for a few whatever. You know,

1056
00:50:49,880 --> 00:50:51,360
Speaker 1: I hadn't aid you.

1057
00:50:51,360 --> 00:50:53,320
Speaker 2: Could have had with Kimmy Gibler's boyfriend.

1058
00:50:53,440 --> 00:50:55,759
Speaker 1: I wish he had lasted more seasons. Like I wish

1059
00:50:55,760 --> 00:50:59,239
Speaker 1: I'd had Dane as a permanent boyfriend for like two

1060
00:50:59,360 --> 00:51:01,319
Speaker 1: or three seasons. That would have been That would have been great.

1061
00:51:01,320 --> 00:51:04,399
Speaker 1: We would have had so much fun with those two characters. So, yeah,

1062
00:51:04,520 --> 00:51:06,720
Speaker 1: you got to pay those recurring characters more. So that's probably.

1063
00:51:07,040 --> 00:51:08,840
Speaker 2: Yeah, more people you started adding into the game. We

1064
00:51:08,880 --> 00:51:11,200
Speaker 2: already had seventeen thousand people in the cast, and.

1065
00:51:11,239 --> 00:51:13,239
Speaker 1: The house was very full. Yeah, the house was full.

1066
00:51:13,600 --> 00:51:16,719
Speaker 2: With no more right, no more room, with no more room,

1067
00:51:17,000 --> 00:51:21,759
Speaker 2: not even for sort of temporary people. Yeah, it's just nothing. Yeah,

1068
00:51:21,800 --> 00:51:23,520
Speaker 2: we had to get rid of Vicky. She was just

1069
00:51:23,640 --> 00:51:25,759
Speaker 2: one person too many. Yeah, that was it.

1070
00:51:26,360 --> 00:51:28,360
Speaker 1: She had to go. So yeah, I'm trying.

1071
00:51:28,200 --> 00:51:30,239
Speaker 2: To think of any storylines that I wish Steph would

1072
00:51:30,239 --> 00:51:32,759
Speaker 2: have had. I kind of like aft. I feel like

1073
00:51:32,960 --> 00:51:36,319
Speaker 2: after well, no, we had we had Gia. I was

1074
00:51:36,320 --> 00:51:39,399
Speaker 2: like Steph always kind of like friend hopped a little bit, but.

1075
00:51:39,400 --> 00:51:40,840
Speaker 1: Oh yeah, you needed a Kimmy gibbler.

1076
00:51:41,200 --> 00:51:43,759
Speaker 2: I did need a Kimmy gibbler. Well, after Harry betrayed me?

1077
00:51:45,280 --> 00:51:45,800
Speaker 1: How rude?

1078
00:51:45,920 --> 00:51:46,319
Speaker 2: Give him?

1079
00:51:47,680 --> 00:51:48,200
Speaker 1: Seriously?

1080
00:51:50,320 --> 00:51:52,560
Speaker 2: Yeah, I feel like it was a while until Steph,

1081
00:51:52,800 --> 00:51:55,719
Speaker 2: until Steph found Gia. And even when Steph found Gia,

1082
00:51:55,800 --> 00:51:58,440
Speaker 2: that wasn't a great influence.

1083
00:51:58,480 --> 00:51:59,959
Speaker 1: Wasn't nobody was thrilled.

1084
00:52:00,520 --> 00:52:02,520
Speaker 2: Uh, Steph was because she was like, this is gonna

1085
00:52:02,520 --> 00:52:02,839
Speaker 2: be fun.

1086
00:52:03,480 --> 00:52:07,160
Speaker 1: But were you wait when the show ended, was Stephanie

1087
00:52:07,239 --> 00:52:10,040
Speaker 1: in middle school or starting high school?

1088
00:52:10,280 --> 00:52:14,359
Speaker 2: Step was in Well, I was in eighth grade, so

1089
00:52:14,680 --> 00:52:15,399
Speaker 2: we were in eighth I.

1090
00:52:15,280 --> 00:52:17,720
Speaker 1: Think, yeah, so that's middle like ending middle school.

1091
00:52:17,800 --> 00:52:20,719
Speaker 2: I think I was because on the show I was

1092
00:52:21,120 --> 00:52:23,200
Speaker 2: what grade I actually would have been, So I think

1093
00:52:23,200 --> 00:52:25,560
Speaker 2: on the show I was in seventh grade, so middle Yeah,

1094
00:52:25,600 --> 00:52:26,200
Speaker 2: middle school?

1095
00:52:26,640 --> 00:52:29,040
Speaker 1: Okay, So we didn't get to see Stephanie in her

1096
00:52:29,120 --> 00:52:29,880
Speaker 1: high school years.

1097
00:52:30,160 --> 00:52:32,439
Speaker 2: No, we did not. Yeah, stephan her high school years

1098
00:52:32,440 --> 00:52:33,880
Speaker 2: would have been kind of interesting.

1099
00:52:33,960 --> 00:52:36,719
Speaker 1: But did you did you have a boyfriend on that?

1100
00:52:36,760 --> 00:52:38,719
Speaker 1: I don't think you ever really had a boyfriend on

1101
00:52:38,760 --> 00:52:41,360
Speaker 1: the show. That would have been there.

1102
00:52:41,400 --> 00:52:46,319
Speaker 2: Was uh, there was Brett, Brett, the Brett in the

1103
00:52:46,400 --> 00:52:52,040
Speaker 2: baseball episode where I had to uh pitch and strike

1104
00:52:52,120 --> 00:52:52,760
Speaker 2: him out.

1105
00:52:53,040 --> 00:52:55,239
Speaker 1: Oh I don't remember this episode. Oh yeah, where I.

1106
00:52:55,239 --> 00:52:57,680
Speaker 2: Had learned to become a pitcher in like two weeks

1107
00:52:57,680 --> 00:52:59,320
Speaker 2: and they were like, hey, guess what, Steph's going to

1108
00:52:59,360 --> 00:53:00,359
Speaker 2: be a picture now, and I was like.

1109
00:53:00,320 --> 00:53:03,880
Speaker 1: Cool, that's worse than the guitar, right.

1110
00:53:03,760 --> 00:53:05,359
Speaker 2: So you might have you might as well have had

1111
00:53:05,400 --> 00:53:08,920
Speaker 2: me pitching and playing guitar at the same time. But

1112
00:53:09,320 --> 00:53:12,520
Speaker 2: at least I am like a little tiny bit athletic,

1113
00:53:12,920 --> 00:53:15,200
Speaker 2: so like I sort of was able to pick up

1114
00:53:15,200 --> 00:53:16,440
Speaker 2: on it. And it wasn't like I had to be

1115
00:53:16,480 --> 00:53:18,520
Speaker 2: a pro or anything. I was, you know, an eight

1116
00:53:18,600 --> 00:53:21,399
Speaker 2: year old baseball player or ten or whatever. But yeah,

1117
00:53:21,440 --> 00:53:24,319
Speaker 2: I do I remember wearing my little giant's outfit and

1118
00:53:24,320 --> 00:53:25,920
Speaker 2: having to strike out Brett, my boyfriend.

1119
00:53:26,160 --> 00:53:29,040
Speaker 1: Oh, I can't wait to see that one.

1120
00:53:30,480 --> 00:53:33,440
Speaker 2: But yeah, no, I think that I think those I

1121
00:53:33,440 --> 00:53:35,640
Speaker 2: think I don't know what the question was, It's what

1122
00:53:35,680 --> 00:53:37,520
Speaker 2: I think. I don't remember what the question was that

1123
00:53:37,560 --> 00:53:39,560
Speaker 2: we've now. Yeah, all I can think is Brett Brett,

1124
00:53:39,600 --> 00:53:42,240
Speaker 2: Brett Brett, because that was one thing that that Steph

1125
00:53:42,280 --> 00:53:43,840
Speaker 2: did I know.

1126
00:53:43,960 --> 00:53:44,920
Speaker 1: But yeah, that's what it is.

1127
00:53:44,960 --> 00:53:47,359
Speaker 2: I've I've now. I'm like, oh, I've reached the one

1128
00:53:47,400 --> 00:53:49,919
Speaker 2: hour mark. My brain is like I'm done. I left.

1129
00:53:50,280 --> 00:53:54,440
Speaker 1: So yes, but these were great questions. Like our fans

1130
00:53:54,440 --> 00:53:56,320
Speaker 1: always deliver the best questions.

1131
00:53:56,640 --> 00:53:58,560
Speaker 2: How much thought they put into the questions. They're always

1132
00:53:58,560 --> 00:54:02,920
Speaker 2: really interesting and much more in depth questions then I

1133
00:54:02,920 --> 00:54:05,200
Speaker 2: would even think to ask. So I appreciate different.

1134
00:54:05,200 --> 00:54:07,400
Speaker 1: They're not the same questions we get at every media.

1135
00:54:07,680 --> 00:54:10,399
Speaker 2: No, no, they're not different questions I love and they yeah,

1136
00:54:10,440 --> 00:54:12,040
Speaker 2: and they definitely make me think.

1137
00:54:12,680 --> 00:54:16,000
Speaker 1: So well done, Fantos.

1138
00:54:15,560 --> 00:54:19,560
Speaker 2: Well done, Fantos. Thank you so much for joining us

1139
00:54:19,640 --> 00:54:22,520
Speaker 2: for another fun episode. This one was our fun Q

1140
00:54:22,600 --> 00:54:25,200
Speaker 2: and a episode brought to you by Hyundai and we

1141
00:54:25,360 --> 00:54:27,200
Speaker 2: love our fan Ritos, so thank you for joining us

1142
00:54:27,239 --> 00:54:29,200
Speaker 2: for another episode. If you want to follow us in

1143
00:54:29,239 --> 00:54:31,440
Speaker 2: the meantime on Instagram, you can check us out at

1144
00:54:31,480 --> 00:54:34,279
Speaker 2: how Rude podcast. You can also email us at how

1145
00:54:34,440 --> 00:54:37,719
Speaker 2: Rudepodcast at gmail dot com, and then, of course make

1146
00:54:37,719 --> 00:54:39,879
Speaker 2: sure you're liking and subscribing to the podcast where you're

1147
00:54:39,880 --> 00:54:41,360
Speaker 2: listening to it so that you can get all the

1148
00:54:41,360 --> 00:54:44,240
Speaker 2: newest episodes as soon as they get released every week.

1149
00:54:44,560 --> 00:54:48,319
Speaker 2: So thank you everybody for your fabulous questions. There will

1150
00:54:48,320 --> 00:54:50,239
Speaker 2: be more coming up, so make sure you're following us

1151
00:54:50,239 --> 00:54:52,400
Speaker 2: and emailing us your questions so that you can get

1152
00:54:52,440 --> 00:54:56,080
Speaker 2: them in for next time. And remember, everybody, the world

1153
00:54:56,200 --> 00:54:58,160
Speaker 2: is small, but the house is full.

1154
00:55:00,040 --> 00:55:02,399
Speaker 1: Nailed it, and it sounds it sounds better, it sounds

1155
00:55:02,480 --> 00:55:04,279
Speaker 1: right again. Everything is right in the world again.

1156
00:55:04,360 --> 00:55:06,279
Speaker 2: Okay, that was just a weird little time warp that

1157
00:55:06,280 --> 00:55:06,759
Speaker 2: we went into.

1158
00:55:06,840 --> 00:55:09,160
Speaker 1: Yeah, yeah, you're back on track, so.

1159
00:55:10,680 --> 00:55:14,279
Speaker 2: Well that's not saying much. Yay.