WEBVTT - Discovering Your Inner Resilience and Strength with Mark Nepo

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<v Speaker 1>I would say that the functional definition of faith not

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<v Speaker 1>faith in a system or religion, or a saint or

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<v Speaker 1>a sage, but faith in life itself is that, Yeah,

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<v Speaker 1>while I'm going through it, I'm going no, this is terrible,

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<v Speaker 1>anything to stop. But faith is that I will be

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<v Speaker 1>grateful for what will be revealed later.

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<v Speaker 2>Welcome to the one you feed throughout time. Great thinkers

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<v Speaker 2>have recognized the importance of the thoughts we have, quotes

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<v Speaker 2>like garbage in, garbage out, or you are what you think,

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<v Speaker 2>ring true. And yet for many of us, our thoughts

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<v Speaker 2>don't strengthen or empower us. We tend toward negativity, self pity, jealousy,

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<v Speaker 2>or fear. We see what we don't have instead of

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<v Speaker 2>what we do. We think things that hold us back

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<v Speaker 2>and dampen our spirit. But it's not just about thinking.

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<v Speaker 2>Our actions matter. It takes conscious, consistent, and creative effort

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<v Speaker 2>to make a life worth living. This podcast is about

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<v Speaker 2>how other people keep themselves moving in the right direction,

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<v Speaker 2>how they feed their good wolf.

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<v Speaker 3>Thanks for joining us. Our guest on this episode is

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<v Speaker 3>Mark Neppo, a poet and spiritual teacher who has taught

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<v Speaker 3>in the fields of poetry and spirituality for over fifty

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<v Speaker 3>years with over a million copies sold. Mark has moved

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<v Speaker 3>in inspired readers and seekers all over the world with

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<v Speaker 3>his number one New York Times bestseller, The Book of Awakening.

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<v Speaker 3>In twenty fifteen, Mark was given a Lifetime Achievement Award

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<v Speaker 3>by Age Nation. In twenty sixteen, he was named by

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<v Speaker 3>Watkins Mind, Body, Spirit as one of the one hundred

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<v Speaker 3>most spiritually Influential living people. He was also chosen as

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<v Speaker 3>one of owns Super Soul one hundred, a group of

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<v Speaker 3>inspired leaders using their gifts and voices to elevate humanity. Today,

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<v Speaker 3>Mark and Eric discuss his new book, Falling Down and

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<v Speaker 3>Getting Up, Discovering Your Inner Resilience and Strength.

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<v Speaker 4>Hi, Mark, Welcome to the show.

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<v Speaker 1>Oh, it's great to be back with you. Thanks for

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<v Speaker 1>having me.

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<v Speaker 4>Yeah, it's always such a pleasure to have you on.

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<v Speaker 4>I always find talking to you illuminating, and I find

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<v Speaker 4>reading your work, as I said beforehand, inspiring and comforting.

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<v Speaker 4>And today we're going to be discussing your book called

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<v Speaker 4>Falling Down and Getting Up, Discovering your Inner Resilience and Strength.

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<v Speaker 4>But before we get into that, let's start like we

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<v Speaker 4>always do with the Parable. In the Parable, there's a

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<v Speaker 4>grandparent who's talking with their grandchild, and they say, in life,

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<v Speaker 4>there are two wolves inside of us that are always

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<v Speaker 4>at battle.

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<v Speaker 1>What is a good.

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<v Speaker 4>Wolf which represents things like kindness and bravery and love,

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<v Speaker 4>and the other's a bad wolf, which represents things like

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<v Speaker 4>greed and hatred and fear. And the grandchild stops. They

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<v Speaker 4>think about it for a second and they look up

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<v Speaker 4>their grand They say, well, which one wins? And the

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<v Speaker 4>grandparent says, the one you feed. So I'd like to

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<v Speaker 4>start off by asking you what that parable means to

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<v Speaker 4>you in your life and in the work that you do.

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<v Speaker 1>Yeah, I love that parable, and I think it speaks

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<v Speaker 1>so much to the constant choice that is available to

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<v Speaker 1>each of us and to each generation. I think it

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<v Speaker 1>speaks in a lot of ways to where we are

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<v Speaker 1>right now. Let's talk for a second in societally and

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<v Speaker 1>then bring it down to the person. But you know,

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<v Speaker 1>in our age, it's such a strident time. We have

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<v Speaker 1>so many difficult polarizations, and I think that every generation

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<v Speaker 1>is really given the chance to answer that question and

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<v Speaker 1>to face these perennial choices between love and fear, between

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<v Speaker 1>pushing each other away or welcoming each other, and when

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<v Speaker 1>fear govern us, we're feeding the dark wolf, and we

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<v Speaker 1>can see that today. And when love governs us, and

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<v Speaker 1>great love and great suffering are the teachers that break

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<v Speaker 1>us open to say, oh my god, yes, it's more

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<v Speaker 1>than just me, help me, help me, Thank God, you're

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<v Speaker 1>not me. And so you know, like I actually was

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<v Speaker 1>thinking about this the other day, and your invitation here

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<v Speaker 1>framed some of these reflections. So you know, William Blake,

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<v Speaker 1>the wonderful mystic poet, in one of his famous you

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<v Speaker 1>know poems, he says, some are born to sweet delight,

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<v Speaker 1>some are born to endless night. You know, he says

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<v Speaker 1>in another place, some are born to endless yes, and

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<v Speaker 1>some are born to endless no. And once here, we

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<v Speaker 1>always have this choice, and we have these particular challenges.

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<v Speaker 1>But you know, in my parents' generation it was World

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<v Speaker 1>War two. Every age has its challenges that present us

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<v Speaker 1>with it's our turn. And so let me just finish

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<v Speaker 1>this by referring to something. You know. Just the other night,

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<v Speaker 1>Rachel Maddow had this wonderful juxtaposition which really speaks to this.

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<v Speaker 1>She was saying that of comparing two former presidents and

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<v Speaker 1>what they've done with their lives since leaving office, and she,

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<v Speaker 1>of course in the dark Wolf was referring to Trump

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<v Speaker 1>that all alone says everything, but she juxtaposed it with

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<v Speaker 1>feeding the other wolf in our terms. You know, she

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<v Speaker 1>didn't use that, but it fits here by referring to

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<v Speaker 1>Jimmy Carter, who just turned ninety nine. And when he

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<v Speaker 1>was ninety he was asked, do you have anything left

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<v Speaker 1>on your to do list? And he said, well, one thing.

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<v Speaker 1>He's been very involved with the CDC with Third World

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<v Speaker 1>worm based diseases, and he said, well, I hope in

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<v Speaker 1>my lifetime we can eradicate guinea disease. And when he

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<v Speaker 1>was ninety nine years ago, there was the World Health

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<v Speaker 1>Organization tracked three and a half million people who suffer

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<v Speaker 1>from this disease, and when he turned ninety nine last Sunday,

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<v Speaker 1>there were six cases left. Wow, which wolf do we feed?

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<v Speaker 1>Just an amazing contemporary example.

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<v Speaker 4>I love that. And you reference this idea of choice points,

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<v Speaker 4>and you talk about them sort of throughout the new book,

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<v Speaker 4>these ideas of choice points. You say that you know

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<v Speaker 4>we're always faced with these choices. You frame this up

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<v Speaker 4>from a big perspective, like a person in their life's work,

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<v Speaker 4>there's a choice there, right, But we're all faced with

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<v Speaker 4>countless choice points nearly every single day. How do you

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<v Speaker 4>think about choice points? And perhaps more on the nose,

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<v Speaker 4>how do you think about remembering that we are at

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<v Speaker 4>choice points because a lot of us are not making

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<v Speaker 4>a bad choice, because we compare two options and we go, oh, yes, well,

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<v Speaker 4>I'm going to be selfish and unkind, right, we don't

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<v Speaker 4>realize that we are necessarily facing a choice. We are

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<v Speaker 4>potentially so self immersed or just immersed in the day

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<v Speaker 4>to day business of life that we miss these choice points.

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<v Speaker 4>And yet life is almost nothing except an accumulation of

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<v Speaker 4>choices one direction or the other.

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<v Speaker 1>Yeah, let's talk about this in a way that gets

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<v Speaker 1>down to how we face every day. But let me

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<v Speaker 1>back up for a second and frame it with it

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<v Speaker 1>would be nice if there were ABC and how to do,

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<v Speaker 1>but there are, and being a human being, a spirit

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<v Speaker 1>and a body and time on earth, every choice point

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<v Speaker 1>is a practice, and so each of us is faced

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<v Speaker 1>with these how to practice how to return to what

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<v Speaker 1>I call the corridor of a liveness when the bumps

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<v Speaker 1>and obstacles of life throw us left or right. So

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<v Speaker 1>you know, when I was a boy, my father who

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<v Speaker 1>was a master woodworker, and he loved the sea. And

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<v Speaker 1>there was a boat he built, sailboat. And I spent

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<v Speaker 1>a lot of my youth on when I was eight

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<v Speaker 1>or nine. And this is one of these latent lessons

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<v Speaker 1>years later. But he would when we'd be in a

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<v Speaker 1>fog or something, he'd put me on the steering wheel

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<v Speaker 1>the tiller, and he'd say, Okay, I want you to

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<v Speaker 1>follow this thing on the compass, this direction. And I

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<v Speaker 1>remember being a little boy, and you know, even when

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<v Speaker 1>you're on course, that needle of the compass never stands still.

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<v Speaker 1>And years later, decades later, this is a powerful metaphor

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<v Speaker 1>for the practice of being authentically alive and facing these

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<v Speaker 1>choice points, because even when you're quote on course, the

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<v Speaker 1>work isn't over, because it's always a little to the left,

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<v Speaker 1>a little to the right. Oh today I close myself

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<v Speaker 1>off too much. Oh today I gave myself away. And

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<v Speaker 1>how do we steer back to that corridor of aliveness?

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<v Speaker 1>So all these choice points, and there are many more

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<v Speaker 1>than what I share of these are just what I've

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<v Speaker 1>been able to identify. Each invites a practice, and you're right,

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<v Speaker 1>we don't sit down and go yes, today I'm going

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<v Speaker 1>to be selfish. But we face these points and every day.

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<v Speaker 1>This is why it's so important, I feel, to follow

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<v Speaker 1>our heart and to be honest about our experience, because

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<v Speaker 1>following our heart leads us to be present, and that

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<v Speaker 1>helps us see things as they are, and then we

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<v Speaker 1>make better choices. So let me offer a and then

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<v Speaker 1>we'll get back down to what this looks like every day.

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<v Speaker 1>There's a great parable about two monks who they're told

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<v Speaker 1>if they studied long and hard, they'll be able to

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<v Speaker 1>have an appointment one day with Buddha at the top

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<v Speaker 1>of the mountain. So you know they want that, So

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<v Speaker 1>they're studying. They work great, right, and they say to

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<v Speaker 1>each other one day and I think we're ready. So

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<v Speaker 1>they begin to climb up the mountain, and halfway up

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<v Speaker 1>the mountain, one of them breaks his leg. So they

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<v Speaker 1>spend the night and the one who's you know, okay,

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<v Speaker 1>he helps him and he's totally intending in the morning

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<v Speaker 1>to make him comfortable, but keep his appointment with Buddha

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<v Speaker 1>at the top of the mountain. Well in the morning,

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<v Speaker 1>the one who broke his leg isn't doing so well.

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<v Speaker 1>He's got a fever. It's not so easy. It's not

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<v Speaker 1>just as simple as leaving him, and the parable stops

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<v Speaker 1>there and offers the question, which is a comparable to

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<v Speaker 1>which one will you feed? Which woe will you feed?

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<v Speaker 1>Is what would you do? And we all face this

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<v Speaker 1>choice every day. So when we have more people who

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<v Speaker 1>would leave their broken other to keep their appointment at

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<v Speaker 1>the top of the mountain, we have an age that

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<v Speaker 1>will engender cruelty. When we have more people who will

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<v Speaker 1>discover that tending their broken other is the summit, we

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<v Speaker 1>have an age that will engender compassion. And so every

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<v Speaker 1>one of us faces this choice every single day, and

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<v Speaker 1>what will we choose? And it doesn't matter what you

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<v Speaker 1>put on top of the mountain. You could put wealth, security, safety, family,

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<v Speaker 1>whatever you want, you enlightenment. When we insist on that

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<v Speaker 1>above the gifts and challenges that life gives us, we're

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<v Speaker 1>capable of cruelty, which raises a deeper One of the

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<v Speaker 1>choice points that I've come to understand is do we

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<v Speaker 1>work for what we want or do we work with

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<v Speaker 1>what we're given? And I have found in my life

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<v Speaker 1>at least there's nothing wrong with working for what you want. However,

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<v Speaker 1>we tend to deify that and make it some kind

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<v Speaker 1>of sacred thing when it's just what I saw and

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<v Speaker 1>thought would be good to work toward. And often I've

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<v Speaker 1>discovered that working for what I want becomes an apprenticeship

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<v Speaker 1>for working with what I've been given.

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<v Speaker 4>It's almost kind of both, and I'll talk about that

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<v Speaker 4>in a little while. Throughout the book, there's this idea

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<v Speaker 4>of a balance point or paradoxes, right, And I think

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<v Speaker 4>what you're describing there is that it's probably reality is

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<v Speaker 4>it's always a little bit of both.

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<v Speaker 1>Right.

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<v Speaker 4>You can't work for what you want without dealing with

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<v Speaker 4>the circumstances that you've been given. And often it's difficult

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<v Speaker 4>to deal with the circumstances you've been given if you

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<v Speaker 4>don't know what you want. And maybe i'll take the

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<v Speaker 4>word one out, but what you value, what's important? Yeah,

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<v Speaker 4>And so those things seem to be very, very correlated,

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<v Speaker 4>and I love that parable. It's a really interesting idea

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<v Speaker 4>because my guess is if somebody were to have played

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<v Speaker 4>it out, you know, and the guy left his other

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<v Speaker 4>and climbed up to the top of the mountain, the

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<v Speaker 4>Buddha would have said, sorry, you had studied hard and

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<v Speaker 4>you had an appointment with me, but you have just

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<v Speaker 4>lost it because you missed the point of everything you

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<v Speaker 4>just studied, you like, completely skipped it exactly exactly.

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<v Speaker 1>That does open it up beautifully as to what we value,

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<v Speaker 1>and so working for what we want can really be

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<v Speaker 1>seen as what are we aiming for? Realizing that what

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<v Speaker 1>we aim for is just kindling for what will come

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<v Speaker 1>into view, and we're true when we follow what is true.

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<v Speaker 1>So this is a historical story that's that exemplifies this

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<v Speaker 1>so powerfully. There was a monk by the name of

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<v Speaker 1>ted Sugan in Japan in the seventeen hundreds. Up till

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<v Speaker 1>that time, the talks of Buddha had not yet been

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<v Speaker 1>translated into Japanese, and he thought, as a young man, man,

0:14:02.679 --> 0:14:04.360
<v Speaker 1>I think this is what I was supposed to do.

0:14:04.960 --> 0:14:07.640
<v Speaker 1>And he had a friend who was an artist who

0:14:07.679 --> 0:14:10.520
<v Speaker 1>did woodblocks, and he said, look, I'm going to translate

0:14:10.720 --> 0:14:14.200
<v Speaker 1>the Dharma talks into Japanese and you can illustrate them

0:14:14.200 --> 0:14:17.360
<v Speaker 1>with your beautiful woodblock prints, and well along the way,

0:14:17.400 --> 0:14:19.960
<v Speaker 1>we'll beg alms in order to have enough money to

0:14:20.120 --> 0:14:24.080
<v Speaker 1>publish the holy text. So they started working. Took years,

0:14:24.640 --> 0:14:27.840
<v Speaker 1>and after eight or nine years, there was a flood

0:14:27.960 --> 0:14:32.400
<v Speaker 1>in northwest Japan where Tedsukin had grown up like you know,

0:14:32.560 --> 0:14:36.000
<v Speaker 1>like Katrina or something. So he gave all the money

0:14:36.000 --> 0:14:40.400
<v Speaker 1>away and they went back. They kept translating and working

0:14:40.480 --> 0:14:43.520
<v Speaker 1>on the woodblocks, and they saved money for another eight, nine,

0:14:43.600 --> 0:14:46.480
<v Speaker 1>ten years, and then there was a famine in another

0:14:46.520 --> 0:14:49.760
<v Speaker 1>part of Japan, and his heart had been broken open.

0:14:49.920 --> 0:14:51.960
<v Speaker 1>So he said, well, I didn't grow up there, but

0:14:52.000 --> 0:14:55.320
<v Speaker 1>what's the difference, gave all the money away, and after

0:14:55.480 --> 0:15:00.120
<v Speaker 1>twenty five years they finally did it. They published the

0:15:00.200 --> 0:15:04.760
<v Speaker 1>Dharma Talks in Japanese and today in Kyoto there is

0:15:04.840 --> 0:15:08.800
<v Speaker 1>one of those original texts underglass and the plaque reads.

0:15:09.680 --> 0:15:14.880
<v Speaker 1>In his lifetime, Tedsugan published three versions of the Holy Text,

0:15:15.880 --> 0:15:20.640
<v Speaker 1>only one is visible. Oh yeah, and so just like

0:15:20.760 --> 0:15:24.640
<v Speaker 1>you were saying about that parable, he got to do both.

0:15:24.720 --> 0:15:28.440
<v Speaker 1>He did eventually do what he quote aimed for or wanted.

0:15:29.080 --> 0:15:31.880
<v Speaker 1>But along the way, just like you imagined, if Buddha

0:15:31.920 --> 0:15:33.800
<v Speaker 1>had seen this guy at the top of the mountain,

0:15:33.880 --> 0:15:37.600
<v Speaker 1>no to translate Buddha's talks, he was supposed to live

0:15:37.640 --> 0:15:41.480
<v Speaker 1>with them, which he did by giving the money quwack twice.

0:15:42.040 --> 0:15:45.720
<v Speaker 4>That's a really beautiful story. I'd like to transition now

0:15:46.080 --> 0:15:51.240
<v Speaker 4>into more specifically the title of your book and the

0:15:51.320 --> 0:15:55.000
<v Speaker 4>main idea, which is falling down and getting up. You know,

0:15:55.200 --> 0:15:59.400
<v Speaker 4>I have had over the last several months probably more

0:16:00.040 --> 0:16:05.000
<v Speaker 4>emotional challenge and difficulty than I've had in easily a decade,

0:16:05.720 --> 0:16:06.840
<v Speaker 4>if not twenty years.

0:16:06.960 --> 0:16:07.880
<v Speaker 1>Maybe. Wow.

0:16:08.200 --> 0:16:11.600
<v Speaker 4>And it's so interesting because I've recorded five hundred these

0:16:11.640 --> 0:16:13.640
<v Speaker 4>interviews and we talk about this idea, pain is a

0:16:13.640 --> 0:16:17.320
<v Speaker 4>great teacher and suffering is the past, right, And yet

0:16:18.000 --> 0:16:22.960
<v Speaker 4>when you are deep in it, wow, is it really

0:16:23.040 --> 0:16:27.680
<v Speaker 4>something else? All these ideas about pain being a good teacher,

0:16:28.320 --> 0:16:31.480
<v Speaker 4>sometimes in my mind got swept away by anything to

0:16:31.520 --> 0:16:36.800
<v Speaker 4>make it stop, right, which luckily, my skills for dealing

0:16:36.840 --> 0:16:38.520
<v Speaker 4>with it are way different than I used to be,

0:16:38.520 --> 0:16:40.240
<v Speaker 4>because I mean, I used to be a heroin addict, right,

0:16:40.280 --> 0:16:43.680
<v Speaker 4>which is a pretty unskillful way to deal with pain.

0:16:44.080 --> 0:16:46.640
<v Speaker 4>But I just wanted to raise that to sort of

0:16:46.680 --> 0:16:49.720
<v Speaker 4>start with this idea. And as listeners hear this and

0:16:49.760 --> 0:16:51.520
<v Speaker 4>we go through it, and I think you would be

0:16:51.520 --> 0:16:55.760
<v Speaker 4>the first to say this. This is not a prescriptive

0:16:55.840 --> 0:16:58.840
<v Speaker 4>book like, oh well, okay, here's your four steps and

0:16:58.880 --> 0:17:01.920
<v Speaker 4>you won't feel pain. It really is about that part

0:17:01.960 --> 0:17:05.960
<v Speaker 4>of the process is having to go through the pain

0:17:06.640 --> 0:17:12.480
<v Speaker 4>and that that by its very nature is deeply, deeply unpleasant.

0:17:12.720 --> 0:17:15.480
<v Speaker 1>Yeah, so this opens up a whole, amazing and very

0:17:15.600 --> 0:17:18.879
<v Speaker 1>important terrain. So thank you. Before I get to the title,

0:17:19.200 --> 0:17:23.040
<v Speaker 1>let me speak to what you'd so beautifully open. And yes,

0:17:23.119 --> 0:17:24.800
<v Speaker 1>this is you know, none of my books and none

0:17:24.840 --> 0:17:28.280
<v Speaker 1>of my teaching are not prescriptive in any way. You know.

0:17:28.400 --> 0:17:30.840
<v Speaker 1>I like to say that when I share our examples,

0:17:30.880 --> 0:17:35.040
<v Speaker 1>not instructions. I'm just trying to figure it out like

0:17:35.119 --> 0:17:40.320
<v Speaker 1>everybody else. And wisdom is a support, not a shortcut.

0:17:40.400 --> 0:17:43.840
<v Speaker 1>You know, we can have this wonderful conversation. We'll get off,

0:17:44.160 --> 0:17:47.920
<v Speaker 1>I will go to take the garbage out trip at

0:17:47.960 --> 0:17:50.919
<v Speaker 1>the curb, forget everything we've talked about and have to

0:17:50.960 --> 0:17:54.760
<v Speaker 1>relearn it all again. And what else would we do?

0:17:56.480 --> 0:18:00.359
<v Speaker 1>So let's talk about you know, yes, while we're in it,

0:18:00.359 --> 0:18:04.520
<v Speaker 1>it's very difficult to be grateful for the teaching of

0:18:04.600 --> 0:18:07.840
<v Speaker 1>pain while you're in it, and that reality. We have

0:18:07.960 --> 0:18:12.439
<v Speaker 1>to feel the reality of what we go through. And

0:18:12.520 --> 0:18:17.520
<v Speaker 1>I would say that the functional definition of faith, not

0:18:17.680 --> 0:18:21.119
<v Speaker 1>faith in a system or religion or a saint or

0:18:21.160 --> 0:18:24.680
<v Speaker 1>a sage, but faith in life itself is that. Yeah,

0:18:24.960 --> 0:18:28.200
<v Speaker 1>while I'm going through it, I'm going, no, this is terrible,

0:18:28.720 --> 0:18:32.720
<v Speaker 1>anything to stop. But faith is that I will be

0:18:32.800 --> 0:18:37.280
<v Speaker 1>grateful for what will be revealed later. And you know,

0:18:37.520 --> 0:18:40.159
<v Speaker 1>so a couple of things to support that truth, that

0:18:40.520 --> 0:18:45.040
<v Speaker 1>very deep and harsh truth. And you know one is

0:18:45.320 --> 0:18:47.680
<v Speaker 1>and that'll lead me later I'll read a poem about that.

0:18:47.840 --> 0:18:51.720
<v Speaker 1>But you know one is that black Club. Hobvel he

0:18:51.960 --> 0:18:57.080
<v Speaker 1>was the first president of the Czech Republic when communism fell,

0:18:57.240 --> 0:18:59.240
<v Speaker 1>and he was a poet and a playwright, so he

0:18:59.280 --> 0:19:01.720
<v Speaker 1>was actually a poet president, a rare thing. And he

0:19:01.840 --> 0:19:05.000
<v Speaker 1>had this wonderful definition of hope. He said, Hope is

0:19:05.040 --> 0:19:08.560
<v Speaker 1>not the optimism that things will turn out well, but

0:19:08.680 --> 0:19:13.520
<v Speaker 1>the belief that no matter what happens, there will be meaning.

0:19:14.000 --> 0:19:20.159
<v Speaker 1>That's very helpful. That's very helpful. And so yes, pain

0:19:20.760 --> 0:19:24.439
<v Speaker 1>and fear, these things have to be moved through but

0:19:24.480 --> 0:19:28.000
<v Speaker 1>not obeyed. So one more thing to support this is

0:19:28.160 --> 0:19:33.240
<v Speaker 1>the great poet Rilka. He said, let everything happen, beauty

0:19:33.520 --> 0:19:39.240
<v Speaker 1>and terror, No one feeling is final. Keep going. And

0:19:39.320 --> 0:19:43.840
<v Speaker 1>it's very human our struggle. It's very understandable that we

0:19:43.880 --> 0:19:51.560
<v Speaker 1>can get stuck in pain, grief, sadness, confusion, but no

0:19:51.640 --> 0:19:55.480
<v Speaker 1>one feeling is final. Keep going, yeah, keep going.

0:19:55.600 --> 0:19:57.680
<v Speaker 4>As you were saying that, I had a little bit

0:19:57.760 --> 0:20:01.600
<v Speaker 4>of a thought, which is that it is that ability

0:20:01.720 --> 0:20:06.919
<v Speaker 4>to see that there's a different future that could arrive.

0:20:07.880 --> 0:20:10.000
<v Speaker 4>That is part of what we're talking about here. And

0:20:10.080 --> 0:20:14.359
<v Speaker 4>my experience of pain is that it shuts down consciousness

0:20:14.960 --> 0:20:19.640
<v Speaker 4>and it shrinks consciousness, meaning that I notice almost always

0:20:19.680 --> 0:20:22.480
<v Speaker 4>with pain, and I've noticed this about my depression. It

0:20:22.600 --> 0:20:24.960
<v Speaker 4>tells me this is the way things are, this is

0:20:25.000 --> 0:20:27.119
<v Speaker 4>the way things are going to be. But there's this

0:20:27.359 --> 0:20:32.760
<v Speaker 4>shrinking down and it's that ability to expand back out

0:20:32.800 --> 0:20:35.919
<v Speaker 4>a little bit, to see like no feeling is final.

0:20:36.600 --> 0:20:40.080
<v Speaker 1>So this begs a story that an ancient Hindu story,

0:20:40.160 --> 0:20:43.520
<v Speaker 1>that that's the whole wisdom in it is the insight

0:20:43.600 --> 0:20:47.600
<v Speaker 1>you've just offered us. So let me tell that, and

0:20:47.040 --> 0:20:50.320
<v Speaker 1>we wear way to the title Falling Down and getting Up.

0:20:50.520 --> 0:20:54.440
<v Speaker 1>So this is an old Hindus teaching story, anonymous teaching story,

0:20:55.000 --> 0:20:58.800
<v Speaker 1>just about that very thing about contraction and expansion. And

0:20:58.840 --> 0:21:02.440
<v Speaker 1>this is a story about how we can meet fear

0:21:02.480 --> 0:21:06.040
<v Speaker 1>and pain. So there's a master and an apprentice always

0:21:06.760 --> 0:21:10.280
<v Speaker 1>and the truth is that the master finds this particular

0:21:10.280 --> 0:21:14.760
<v Speaker 1>apprentice very annoying because all he does is complain about life, complain,

0:21:14.960 --> 0:21:18.840
<v Speaker 1>play complain. So he says to the apprentice, get a

0:21:18.880 --> 0:21:21.560
<v Speaker 1>handful of salt, put it in a glass of water,

0:21:21.640 --> 0:21:26.040
<v Speaker 1>and bring it to me quietly. So he does. He

0:21:26.080 --> 0:21:28.919
<v Speaker 1>says to the apprentice, will drink. He drinks from the

0:21:29.000 --> 0:21:32.040
<v Speaker 1>glass where he spits it out. The Master says, what's

0:21:32.040 --> 0:21:35.840
<v Speaker 1>the matter. He says, it's bitter. He says, bring me

0:21:36.040 --> 0:21:40.280
<v Speaker 1>the same exact amount of salt and follow me quietly.

0:21:41.080 --> 0:21:44.040
<v Speaker 1>So the apprentice cuts a handful of salt. He follows

0:21:44.080 --> 0:21:46.879
<v Speaker 1>him quietly to a late The Master says, put it

0:21:46.920 --> 0:21:50.280
<v Speaker 1>in the lake. He does, He says, drink. He kneels down,

0:21:50.320 --> 0:21:53.720
<v Speaker 1>He scoops the water dribbles down his chin, and he

0:21:53.760 --> 0:21:56.560
<v Speaker 1>says well. Then the apprentice says it's fresh, and the

0:21:56.600 --> 0:21:59.440
<v Speaker 1>Master looks at him. He says, stop being a glass,

0:21:59.520 --> 0:22:03.159
<v Speaker 1>become a And so that story tells us just that

0:22:03.280 --> 0:22:06.840
<v Speaker 1>constriction you were talking about, that pain and fear, This

0:22:06.920 --> 0:22:10.320
<v Speaker 1>is how they say hello. They make us tighten, they

0:22:10.320 --> 0:22:14.240
<v Speaker 1>make us shrink. But just as we've talked about from

0:22:14.280 --> 0:22:17.480
<v Speaker 1>the very beginning, about which wolf do you feed, we

0:22:17.560 --> 0:22:21.400
<v Speaker 1>don't have to stay there. And so what's the difference

0:22:21.400 --> 0:22:23.320
<v Speaker 1>between being able to glass and being a lake. Well,

0:22:23.359 --> 0:22:26.920
<v Speaker 1>when we are faced with pain and fear, the practice

0:22:27.040 --> 0:22:33.000
<v Speaker 1>question is what practice is? Experiences and relationships help you

0:22:33.320 --> 0:22:37.400
<v Speaker 1>enlarge your sense of things when pain and fear make

0:22:37.480 --> 0:22:42.439
<v Speaker 1>you small. And so we will always be initially small,

0:22:42.520 --> 0:22:45.440
<v Speaker 1>because that's how pain and fear say hello. But it's

0:22:45.520 --> 0:22:48.840
<v Speaker 1>our job, and that's why conversations like we're having and

0:22:49.119 --> 0:22:53.280
<v Speaker 1>efforts to create our own personal practice so that the

0:22:53.320 --> 0:22:57.159
<v Speaker 1>next time we're not surprised by pain and fear, we

0:22:57.240 --> 0:23:00.600
<v Speaker 1>can say, Okay, what's in my toolbox? I call you

0:23:00.720 --> 0:23:02.879
<v Speaker 1>up because you're my friend. Do I listen to that

0:23:02.960 --> 0:23:05.879
<v Speaker 1>one piece of music that relaxes my art? Do I

0:23:06.000 --> 0:23:08.080
<v Speaker 1>just put my hands in the earth and garden? Do

0:23:08.240 --> 0:23:11.800
<v Speaker 1>I dance? What do I do that helps? Do I

0:23:11.840 --> 0:23:15.480
<v Speaker 1>read that one poem or passage that always returns me

0:23:16.000 --> 0:23:18.880
<v Speaker 1>to a deeper center? What are the things we can

0:23:18.960 --> 0:23:23.159
<v Speaker 1>turn to than enlarge our sense of things? So let

0:23:23.240 --> 0:23:26.480
<v Speaker 1>me share one other thing about this paradox of pain.

0:23:26.760 --> 0:23:29.720
<v Speaker 1>Then to the title, and that is you probably know

0:23:29.880 --> 0:23:33.840
<v Speaker 1>about the lettered Collen's wonderful song Hallelujah, And you know

0:23:33.880 --> 0:23:39.159
<v Speaker 1>he talks in there about the broken Hallelujah. And I

0:23:39.160 --> 0:23:42.160
<v Speaker 1>think This is profound that he's speaking to what we're

0:23:42.200 --> 0:23:45.320
<v Speaker 1>exploring here, and that is and the way that I

0:23:45.359 --> 0:23:48.240
<v Speaker 1>would understand this is to offer this image. If you're

0:23:48.240 --> 0:23:52.399
<v Speaker 1>on a raft at sea and a big wave comes

0:23:52.440 --> 0:23:55.960
<v Speaker 1>and smashes your raft and you're hanging on to the

0:23:56.000 --> 0:24:01.119
<v Speaker 1>remnants in the water. That's real, that's different, that's even

0:24:01.200 --> 0:24:06.840
<v Speaker 1>possibly tragic for you in that moment, and it doesn't

0:24:06.880 --> 0:24:10.920
<v Speaker 1>diminish the majesty of the sea and the broken Hallelujah

0:24:12.040 --> 0:24:14.960
<v Speaker 1>is how do we accept and work through the truth

0:24:15.040 --> 0:24:20.760
<v Speaker 1>of our situation without diminishing the miraculous resources of the

0:24:20.800 --> 0:24:24.359
<v Speaker 1>mystery of life, which is what's going to help us

0:24:24.400 --> 0:24:27.399
<v Speaker 1>get through that moment. And this actually speaks all the

0:24:27.440 --> 0:24:29.720
<v Speaker 1>way back. This is what the story of Job in

0:24:29.760 --> 0:24:33.720
<v Speaker 1>the Old Testament is about. A lot of modern religious

0:24:33.760 --> 0:24:39.440
<v Speaker 1>traditions kind of co opt his Hallelujah and say, oh,

0:24:39.480 --> 0:24:42.880
<v Speaker 1>praise God, everything's cool. No, that's not that's not what

0:24:42.960 --> 0:24:47.639
<v Speaker 1>he's saying. He's saying, Yeah, it does hurt, and life

0:24:47.680 --> 0:24:51.040
<v Speaker 1>is still magnificent, and he's going to throw you a

0:24:51.119 --> 0:24:54.560
<v Speaker 1>rope to get out of this. Both are true. Both

0:24:54.640 --> 0:24:57.959
<v Speaker 1>are true, and that's at the heart of the falling

0:24:58.000 --> 0:25:00.840
<v Speaker 1>down and getting up. So we're finally to the title.

0:25:01.200 --> 0:25:05.719
<v Speaker 1>But ye, well, the title actually comes from medieval monks.

0:25:05.760 --> 0:25:08.240
<v Speaker 1>When I asked how they practiced their faith, said by

0:25:08.280 --> 0:25:11.359
<v Speaker 1>falling down and getting up. I understand that I relate

0:25:11.440 --> 0:25:14.359
<v Speaker 1>to that, because you know, I don't believe in an

0:25:14.520 --> 0:25:17.920
<v Speaker 1>arrived state of enlightenment. And I'm not saying that's not possible.

0:25:18.000 --> 0:25:22.000
<v Speaker 1>Maybe Buddha or the Dalai Lama or somebody you know

0:25:22.680 --> 0:25:25.359
<v Speaker 1>was capable of that, but that's not been my experience

0:25:25.400 --> 0:25:29.040
<v Speaker 1>on earth. And that's why we need this practice of return.

0:25:29.760 --> 0:25:31.520
<v Speaker 1>When we fall down, we get up. And when I

0:25:31.600 --> 0:25:35.480
<v Speaker 1>learned about this, so there are other traditions speak about this.

0:25:35.520 --> 0:25:39.080
<v Speaker 1>In Japanese, there's a proverb that says fall down seven,

0:25:39.119 --> 0:25:41.159
<v Speaker 1>get up eight. And then it made me think of

0:25:41.200 --> 0:25:43.919
<v Speaker 1>my cancer journey, you know, and what part of my

0:25:44.000 --> 0:25:46.600
<v Speaker 1>cancer I had to remove from my back.

0:25:46.640 --> 0:25:49.719
<v Speaker 5>And I woke up feeling like I was thrown out

0:25:49.760 --> 0:25:54.479
<v Speaker 5>of a plane, and this kind but gruff nurse was

0:25:54.520 --> 0:25:58.040
<v Speaker 5>like hovering over me, like honestly, like within minutes when

0:25:58.080 --> 0:26:01.400
<v Speaker 5>I woke up and she said, we're gonna walk, get up,

0:26:01.800 --> 0:26:04.640
<v Speaker 5>and I was like, we're gonna walk.

0:26:05.000 --> 0:26:08.800
<v Speaker 1>You know, like the bathroom might as well have been China.

0:26:09.320 --> 0:26:13.000
<v Speaker 1>But then she tenderly said to me, two steps forward,

0:26:13.040 --> 0:26:16.520
<v Speaker 1>one step back, two steps forward, which is that same

0:26:16.640 --> 0:26:19.560
<v Speaker 1>falling down and getting up. And then I discovered when

0:26:19.560 --> 0:26:23.399
<v Speaker 1>I was working on this book, in the Hindu Upanishads,

0:26:23.440 --> 0:26:29.000
<v Speaker 1>which are the anonymous holy texts in Hindu literature and worldview,

0:26:29.920 --> 0:26:34.199
<v Speaker 1>there's this wonderful image they use of a caterpillar. And

0:26:34.240 --> 0:26:39.240
<v Speaker 1>now a caterpillar moves, It stretches out, and then it

0:26:39.280 --> 0:26:42.320
<v Speaker 1>goes back a little bit, bunches up, and then it

0:26:42.400 --> 0:26:45.840
<v Speaker 1>inches forward, and then it bunches up back, and then

0:26:45.880 --> 0:26:50.560
<v Speaker 1>it inches forward. And they say, this is what spiritual

0:26:50.600 --> 0:26:55.080
<v Speaker 1>growth is like, two steps forward, one step back, falling

0:26:55.200 --> 0:26:58.080
<v Speaker 1>down and getting up. And so no one signs up

0:26:58.119 --> 0:27:01.360
<v Speaker 1>for falling down, just like no one signs up for suffering.

0:27:02.640 --> 0:27:05.000
<v Speaker 1>But if we back up enough, you know, it's like gravity.

0:27:05.080 --> 0:27:07.959
<v Speaker 1>You can't escape gravity. You have to live with it,

0:27:08.320 --> 0:27:11.080
<v Speaker 1>live through it. And so when we back up enough,

0:27:11.720 --> 0:27:15.919
<v Speaker 1>falling down and getting up as a dance across our lifetime,

0:27:15.960 --> 0:27:19.480
<v Speaker 1>and we have to learn what that dance is for

0:27:19.560 --> 0:27:41.560
<v Speaker 1>each of us.

0:27:47.000 --> 0:27:49.520
<v Speaker 4>I wanted to talk about an idea that weaves its

0:27:49.600 --> 0:27:51.439
<v Speaker 4>way through a lot of what you just said. And

0:27:51.480 --> 0:27:53.800
<v Speaker 4>it's this idea of I don't know if I'll call

0:27:53.840 --> 0:27:58.520
<v Speaker 4>it balance or both, and thinking or paradoxes. They're all

0:27:58.760 --> 0:28:01.879
<v Speaker 4>similar ways of talking about the same thing, but throughout

0:28:01.920 --> 0:28:04.720
<v Speaker 4>the book you are contrasting that our job is to

0:28:04.920 --> 0:28:07.840
<v Speaker 4>not do either or I'm just going to read like

0:28:07.880 --> 0:28:10.440
<v Speaker 4>four or five that I came across as I was going, right,

0:28:10.760 --> 0:28:13.560
<v Speaker 4>we want to be grounded but not buried, lifted but

0:28:13.640 --> 0:28:16.959
<v Speaker 4>not removed. We don't want to resist or collude with

0:28:17.000 --> 0:28:19.320
<v Speaker 4>our pain. We don't want to drown in our grief,

0:28:19.359 --> 0:28:21.800
<v Speaker 4>but we also don't want to run from it, you know,

0:28:22.000 --> 0:28:25.040
<v Speaker 4>we want to see what's possible while accepting what is right.

0:28:25.080 --> 0:28:29.720
<v Speaker 4>There's all of this sort of doing both, And as

0:28:29.720 --> 0:28:31.879
<v Speaker 4>I was saying earlier about like when you're in pain,

0:28:32.480 --> 0:28:34.000
<v Speaker 4>you know, there is a big part of you that

0:28:34.119 --> 0:28:37.240
<v Speaker 4>just says, make it go away. But my experience has

0:28:37.280 --> 0:28:40.120
<v Speaker 4>been that there's also it, and it may only be

0:28:40.200 --> 0:28:42.960
<v Speaker 4>a teensy little bit of me and other moments, it's

0:28:43.000 --> 0:28:48.240
<v Speaker 4>a bigger part of me that can look to the future,

0:28:48.840 --> 0:28:52.080
<v Speaker 4>that can understand that all the most difficult times in

0:28:52.120 --> 0:28:54.280
<v Speaker 4>my life have led to greater wisdom and a more

0:28:54.320 --> 0:28:58.960
<v Speaker 4>open heart and that doing that, you know, finding that balance.

0:28:59.000 --> 0:29:00.720
<v Speaker 4>And my experience is when I and a lot of pain,

0:29:00.800 --> 0:29:03.000
<v Speaker 4>that my balance is not to drown in the pain.

0:29:03.040 --> 0:29:06.240
<v Speaker 4>It's not to lose sight of the fact that better

0:29:06.280 --> 0:29:09.480
<v Speaker 4>things can come. But I think this is always our challenge,

0:29:09.520 --> 0:29:12.000
<v Speaker 4>is trying to sort of thread that needle between those

0:29:12.040 --> 0:29:14.560
<v Speaker 4>two different things. And I just as I was reading

0:29:14.600 --> 0:29:16.640
<v Speaker 4>your book, I just kept seeing it kind of again,

0:29:16.920 --> 0:29:18.560
<v Speaker 4>yeah again.

0:29:18.480 --> 0:29:20.880
<v Speaker 1>Yeah, that's absolutely that. That has been one of the

0:29:20.920 --> 0:29:23.280
<v Speaker 1>great lessons in the book for me. And you know,

0:29:23.720 --> 0:29:28.440
<v Speaker 1>these books are for me at this but there I

0:29:28.600 --> 0:29:31.600
<v Speaker 1>listen and take notes, and the book is the trail

0:29:31.680 --> 0:29:35.720
<v Speaker 1>of that inquiry, and what surfaces if I'm true becomes

0:29:35.760 --> 0:29:38.040
<v Speaker 1>my teacher that I keep learning with. And this is

0:29:38.040 --> 0:29:42.680
<v Speaker 1>definitely one of the central lessons here which invites practice

0:29:42.800 --> 0:29:46.120
<v Speaker 1>all the time. Practice. And it's not the sense of, oh,

0:29:46.760 --> 0:29:51.000
<v Speaker 1>avoid the extremes, to stay in the middle. Now, No,

0:29:51.360 --> 0:29:56.200
<v Speaker 1>we're human, we will bouce, we will become a glass,

0:29:56.560 --> 0:29:59.040
<v Speaker 1>and then we have to become a lake. We will,

0:29:59.600 --> 0:30:02.280
<v Speaker 1>you know, fall too far to one side. That's the

0:30:02.320 --> 0:30:06.040
<v Speaker 1>course correction of the compass, you know. And the practice

0:30:06.080 --> 0:30:10.920
<v Speaker 1>is living and the work of self awareness is recognizing

0:30:11.200 --> 0:30:13.760
<v Speaker 1>when we're a little too far this way and a

0:30:13.760 --> 0:30:17.720
<v Speaker 1>little too far that way, without judgment, but with discernment,

0:30:18.080 --> 0:30:23.000
<v Speaker 1>so we can get back in that corridor of aliveness. This,

0:30:23.320 --> 0:30:27.760
<v Speaker 1>I think is the ongoing practice of being awake and

0:30:27.840 --> 0:30:31.040
<v Speaker 1>alive with an open heart. And there's probably more choice

0:30:31.040 --> 0:30:33.960
<v Speaker 1>points than what you know I've discovered, and one you know,

0:30:34.080 --> 0:30:38.160
<v Speaker 1>one relational one that's always there. You know, we all

0:30:38.200 --> 0:30:42.280
<v Speaker 1>work hard to open our heart so that we can

0:30:42.360 --> 0:30:46.600
<v Speaker 1>speak in authentic relationship with life and each other. And

0:30:46.640 --> 0:30:49.880
<v Speaker 1>then when we get there, nobody knows how to do this.

0:30:49.880 --> 0:30:52.840
<v Speaker 1>This is the art of being sensitive. And all we

0:30:52.880 --> 0:30:55.640
<v Speaker 1>can do with all of these choice points is compare notes,

0:30:56.480 --> 0:31:00.400
<v Speaker 1>compare notes. And so one of the perennial kind of

0:31:00.680 --> 0:31:04.480
<v Speaker 1>choice points is so you and I are friends and

0:31:04.520 --> 0:31:07.320
<v Speaker 1>you're going through a hard time, and I'm there for you,

0:31:08.200 --> 0:31:12.960
<v Speaker 1>and because my heart's open, I can easily become your pain.

0:31:13.680 --> 0:31:15.959
<v Speaker 1>And then I go, that's the one extreme, and I

0:31:16.000 --> 0:31:21.560
<v Speaker 1>lose myself in your pain, okay, And then I go, WHOA,

0:31:21.600 --> 0:31:23.400
<v Speaker 1>I didn't know what it was going to be like that. Well,

0:31:23.480 --> 0:31:25.680
<v Speaker 1>I don't I need to sign up for this. And

0:31:25.720 --> 0:31:27.360
<v Speaker 1>now we go to the other extreme, and now we

0:31:27.440 --> 0:31:30.560
<v Speaker 1>build a wall and we say no, I'm not going there,

0:31:31.640 --> 0:31:36.240
<v Speaker 1>and neither extreme. These are just like working for what

0:31:36.280 --> 0:31:39.200
<v Speaker 1>we want as an apprenticeship for what we're given. Falling

0:31:39.240 --> 0:31:43.480
<v Speaker 1>into either extreme is an apprenticeship for what I would

0:31:43.560 --> 0:31:48.240
<v Speaker 1>say is mature compassion. How do I learn, and I'm

0:31:48.320 --> 0:31:50.400
<v Speaker 1>learning this, I don't know how to do it. How

0:31:50.440 --> 0:31:56.160
<v Speaker 1>do I learn to have porest boundaries to be who

0:31:56.240 --> 0:32:00.720
<v Speaker 1>I am and to stay in it with you without

0:32:00.760 --> 0:32:04.880
<v Speaker 1>losing who I am and without creating a wall, without

0:32:04.920 --> 0:32:08.960
<v Speaker 1>cutting it all. And this is the work and the

0:32:09.080 --> 0:32:12.640
<v Speaker 1>art of being sensitive. This is what we sorely need

0:32:12.720 --> 0:32:13.400
<v Speaker 1>in our time.

0:32:13.920 --> 0:32:17.240
<v Speaker 4>I love that phrase porous boundaries because it does speak

0:32:17.280 --> 0:32:20.560
<v Speaker 4>to yeah, that boundaries do need to be set, but

0:32:20.600 --> 0:32:23.160
<v Speaker 4>it can't become a wall. And as you were talking,

0:32:23.200 --> 0:32:27.000
<v Speaker 4>I was also thinking about the fluid nature of boundaries.

0:32:27.040 --> 0:32:28.920
<v Speaker 4>As we've sort of talked about the fact that we're

0:32:28.920 --> 0:32:31.040
<v Speaker 4>going to move from here to there, from here to

0:32:31.160 --> 0:32:34.200
<v Speaker 4>there in all these things, our boundaries need to be

0:32:34.240 --> 0:32:37.680
<v Speaker 4>able to move also, right, if they get fixed in place,

0:32:38.360 --> 0:32:43.400
<v Speaker 4>then we're unable to make that shift from being grounded

0:32:43.440 --> 0:32:46.240
<v Speaker 4>but not buried, or pick any of those examples I gave. Right,

0:32:46.280 --> 0:32:49.480
<v Speaker 4>there's flexibility that we always need. And I often think

0:32:49.520 --> 0:32:53.160
<v Speaker 4>when we talk about boundaries in the psychological world, we

0:32:53.240 --> 0:32:57.000
<v Speaker 4>often don't talk about that fact that a boundary needs

0:32:57.080 --> 0:33:01.400
<v Speaker 4>to be probably reconsidered sem I frequently to see does

0:33:01.440 --> 0:33:02.280
<v Speaker 4>it still serve me?

0:33:02.640 --> 0:33:04.800
<v Speaker 1>And so there's a couple of things about that that's

0:33:04.800 --> 0:33:08.320
<v Speaker 1>so true and so important, which is again, it shows

0:33:08.400 --> 0:33:12.200
<v Speaker 1>us that while we'd like to arrive at something that

0:33:12.360 --> 0:33:15.040
<v Speaker 1>can be instructive, that we can turn and say, okay,

0:33:15.320 --> 0:33:19.800
<v Speaker 1>it's this, No, it needs to be reassessed and reinhabited

0:33:19.840 --> 0:33:24.240
<v Speaker 1>every day, every day. And this speaks to the real

0:33:24.280 --> 0:33:27.400
<v Speaker 1>work of intimacy. You know my wife, Susan, she's a potter.

0:33:27.720 --> 0:33:32.000
<v Speaker 1>We've been together twenty nine years, and you know I

0:33:32.160 --> 0:33:35.080
<v Speaker 1>know her so well that I could finish her sentences.

0:33:35.440 --> 0:33:39.280
<v Speaker 1>You know I don't, not for the obvious reasons, but

0:33:39.440 --> 0:33:44.280
<v Speaker 1>because after all this time, we both need to stay

0:33:44.520 --> 0:33:48.560
<v Speaker 1>in waking up every day and going who are you today?

0:33:49.080 --> 0:33:52.800
<v Speaker 1>You're a constantly evolving being and while I know you

0:33:52.880 --> 0:33:56.800
<v Speaker 1>so well, do you still believe in what you believe in?

0:33:56.960 --> 0:34:01.520
<v Speaker 1>Has it changed? What matters to you now? And that's

0:34:01.560 --> 0:34:06.160
<v Speaker 1>the question or the invitation that allows the boundaries to

0:34:06.280 --> 0:34:09.080
<v Speaker 1>be remade every day, and in nature, there's a great

0:34:09.120 --> 0:34:12.319
<v Speaker 1>example of this, and this is birds. We all know

0:34:12.400 --> 0:34:15.239
<v Speaker 1>that birds sing at the first sign of light. Well,

0:34:15.239 --> 0:34:19.279
<v Speaker 1>that's individually, and that's a great metaphor for in order

0:34:19.320 --> 0:34:21.239
<v Speaker 1>to be who you are in the world, you have

0:34:21.320 --> 0:34:24.800
<v Speaker 1>to sing at your first contact with light every day.

0:34:25.320 --> 0:34:28.319
<v Speaker 1>But what I learned later, which is so powerful and

0:34:28.360 --> 0:34:31.840
<v Speaker 1>what we're talking about, is the birds as a community,

0:34:33.120 --> 0:34:39.719
<v Speaker 1>they remap their territories every day based on hearing each

0:34:39.760 --> 0:34:43.719
<v Speaker 1>other sing at the first side of light. So if

0:34:43.760 --> 0:34:49.120
<v Speaker 1>you don't voice your individuality, your soul, if you don't

0:34:49.160 --> 0:34:52.799
<v Speaker 1>show up every day, well then it's like you're not

0:34:52.960 --> 0:34:54.960
<v Speaker 1>there and the rest of the birds go, oh, I

0:34:55.000 --> 0:34:59.680
<v Speaker 1>guess that space is up prograbs. So based on hearing

0:34:59.800 --> 0:35:03.719
<v Speaker 1>you be you and you're hearing me be me, then

0:35:04.200 --> 0:35:08.919
<v Speaker 1>you know, the birds remap their territories and their community

0:35:09.239 --> 0:35:13.160
<v Speaker 1>every single day. The map stays current. That's a great

0:35:13.239 --> 0:35:17.759
<v Speaker 1>metaphor for what we're talking about and how voicing the

0:35:17.880 --> 0:35:21.440
<v Speaker 1>truth of our experience allows each of us to show

0:35:21.520 --> 0:35:25.480
<v Speaker 1>up and now every day we go, oh, this is

0:35:25.560 --> 0:35:27.440
<v Speaker 1>the terrain of our relationship.

0:35:27.760 --> 0:35:30.120
<v Speaker 4>Yeah, that makes me think of something I'm working on

0:35:30.200 --> 0:35:34.680
<v Speaker 4>a project to reinterpret the Dowday Ching and create a

0:35:35.239 --> 0:35:38.800
<v Speaker 4>bunch of tutorials and questions, sort of a guided journey

0:35:38.800 --> 0:35:39.120
<v Speaker 4>through it.

0:35:39.160 --> 0:35:39.960
<v Speaker 1>Oh, it's wonderful.

0:35:40.360 --> 0:35:43.120
<v Speaker 4>I have an enormous number of translations of the Dowdy

0:35:43.239 --> 0:35:45.080
<v Speaker 4>Ching in the other room. I joke that I may

0:35:45.400 --> 0:35:47.879
<v Speaker 4>may be like the fifth largest collection of Dowdy Ching

0:35:47.960 --> 0:35:50.759
<v Speaker 4>translations in the US at this point. But one of

0:35:50.800 --> 0:35:54.279
<v Speaker 4>them I'm reading and it's called a philosophical interpretation, and

0:35:54.320 --> 0:35:56.359
<v Speaker 4>they talk about something that I really love, And they

0:35:56.400 --> 0:36:00.759
<v Speaker 4>talk about how every moment is a combination of the

0:36:01.080 --> 0:36:07.440
<v Speaker 4>possibility for novelty with a significant continuation of what came before.

0:36:08.040 --> 0:36:08.279
<v Speaker 1>Right.

0:36:08.440 --> 0:36:11.040
<v Speaker 4>You sometimes hear people be like, every moment is brand new,

0:36:11.080 --> 0:36:13.920
<v Speaker 4>and I'm like, well, not exactly. I mean, it's not

0:36:14.080 --> 0:36:17.000
<v Speaker 4>exactly brand new, because a lot of what came before

0:36:17.120 --> 0:36:19.400
<v Speaker 4>carries into the moment. But on the other hand, to

0:36:19.440 --> 0:36:22.120
<v Speaker 4>say that, like, this moment is only a feature of

0:36:22.160 --> 0:36:25.040
<v Speaker 4>what came before, it is reductive. Well yeah, And I

0:36:25.080 --> 0:36:27.280
<v Speaker 4>love the way they thought of that, how it's really

0:36:27.760 --> 0:36:30.480
<v Speaker 4>that every moment has both those things in it. And

0:36:30.480 --> 0:36:32.799
<v Speaker 4>I think that speaks to what you're talking about with

0:36:32.920 --> 0:36:36.360
<v Speaker 4>your wife. There is a significant portion of view and

0:36:36.480 --> 0:36:39.640
<v Speaker 4>her relationship. That tells you you know what she thinks,

0:36:39.680 --> 0:36:43.000
<v Speaker 4>you know what she believes. There's support and intimacy in that,

0:36:43.560 --> 0:36:46.520
<v Speaker 4>and there's an opportunity for freshness, and you have to

0:36:46.560 --> 0:36:47.319
<v Speaker 4>turn your eye to that.

0:36:47.560 --> 0:36:50.720
<v Speaker 1>Yeah. Absolutely, And I've come to believe that there isn't

0:36:50.760 --> 0:36:56.640
<v Speaker 1>anything new, but what's new is how each individual soul.

0:36:58.040 --> 0:37:02.000
<v Speaker 1>It's our turn to encounter it. I don't resonate so

0:37:02.080 --> 0:37:04.799
<v Speaker 1>much when, oh, this is a new consciousness, this is

0:37:04.840 --> 0:37:08.279
<v Speaker 1>a new No. You know, we tend to have this

0:37:08.440 --> 0:37:11.719
<v Speaker 1>myth that because we're modern, we're at the top of

0:37:11.760 --> 0:37:17.080
<v Speaker 1>the mountain, and I kind of think history is horizontal.

0:37:17.160 --> 0:37:19.880
<v Speaker 1>We're all the same six inches from heaven in the gutter,

0:37:20.040 --> 0:37:23.279
<v Speaker 1>you know, we just have more tools and toys, but

0:37:23.400 --> 0:37:28.160
<v Speaker 1>that prehistoric people were just as deep and just as

0:37:28.440 --> 0:37:32.160
<v Speaker 1>troubled and in wonder as we are. So I've come

0:37:32.239 --> 0:37:38.239
<v Speaker 1>to believe more in incarnation rather than progress. Yeah, so

0:37:38.320 --> 0:37:40.680
<v Speaker 1>focus on one of those choice points you lifted up

0:37:40.719 --> 0:37:46.600
<v Speaker 1>about being grounded but not ground down. And so you

0:37:46.680 --> 0:37:52.640
<v Speaker 1>know the wheel of life that never stops, and throughout

0:37:52.719 --> 0:37:57.520
<v Speaker 1>history we have whole philosophies that freeze the wheel at

0:37:57.520 --> 0:38:00.960
<v Speaker 1>a certain place. You know, if you're free on the top,

0:38:01.640 --> 0:38:06.279
<v Speaker 1>we have idealism and everything's wonderful, and let's transcend out

0:38:06.400 --> 0:38:09.040
<v Speaker 1>here and don't worry about the rest of it. And

0:38:09.120 --> 0:38:12.319
<v Speaker 1>if you freeze it on the bottom, now you've got niolism.

0:38:12.680 --> 0:38:15.880
<v Speaker 1>It all sucks and what are you talking about? It's terrible.

0:38:16.680 --> 0:38:19.160
<v Speaker 1>And you know, one of the teachers in the last

0:38:19.160 --> 0:38:21.160
<v Speaker 1>ten to fifteen years in my life has been the

0:38:21.200 --> 0:38:24.960
<v Speaker 1>paradox that all things are true. All things are not

0:38:25.120 --> 0:38:27.840
<v Speaker 1>fair or just, but all things are true. And the

0:38:27.920 --> 0:38:32.080
<v Speaker 1>heart is asked to stay open enough to absorb that

0:38:32.200 --> 0:38:36.560
<v Speaker 1>paradox until it becomes our teacher. And so this has

0:38:36.640 --> 0:38:40.640
<v Speaker 1>led me to this notion that every life has the

0:38:40.760 --> 0:38:44.600
<v Speaker 1>lift of the miracle of life, and every life has

0:38:44.760 --> 0:38:51.520
<v Speaker 1>the gravity and possibility of tragedy in any given moment,

0:38:52.840 --> 0:38:57.040
<v Speaker 1>and all of that is true. And we are challenged.

0:38:57.080 --> 0:39:01.319
<v Speaker 1>If all we do is stay with being ground and

0:39:01.360 --> 0:39:02.760
<v Speaker 1>we will be ground down.

0:39:03.640 --> 0:39:04.160
<v Speaker 4>Yeah.

0:39:04.520 --> 0:39:07.080
<v Speaker 1>But if all we do is turn away from the

0:39:07.160 --> 0:39:10.319
<v Speaker 1>difficulty and the pain, then we're going to float. We

0:39:10.480 --> 0:39:14.719
<v Speaker 1>will barely be tethered to life. And the challenge for

0:39:14.800 --> 0:39:18.680
<v Speaker 1>each of us is how to let those two things

0:39:18.840 --> 0:39:24.120
<v Speaker 1>walk in our heart so that we're grounded but not

0:39:24.239 --> 0:39:27.560
<v Speaker 1>ground down and that we're lifted, but that we don't

0:39:27.680 --> 0:39:31.040
<v Speaker 1>float away. And so this raises what I would say,

0:39:31.160 --> 0:39:33.839
<v Speaker 1>which helped me understand that the real purpose of art,

0:39:34.440 --> 0:39:38.879
<v Speaker 1>in any art form, is to marry what is with

0:39:38.920 --> 0:39:42.279
<v Speaker 1>what can be. And then again, if all you do

0:39:42.320 --> 0:39:45.760
<v Speaker 1>is see what is, then you're going to be lost,

0:39:46.360 --> 0:39:49.520
<v Speaker 1>any one of us will be lost in the endless

0:39:49.840 --> 0:39:53.239
<v Speaker 1>pain of being here. But if all you do is say,

0:39:53.239 --> 0:39:58.399
<v Speaker 1>with what can be, you float away in endless possibility.

0:39:58.480 --> 0:40:02.640
<v Speaker 1>That's not really relevant. And so you know, like the

0:40:03.080 --> 0:40:08.439
<v Speaker 1>power of metaphor, the power of writing is twofold. One

0:40:08.600 --> 0:40:11.880
<v Speaker 1>is just what we're saying to show what is possible

0:40:12.440 --> 0:40:16.239
<v Speaker 1>and to bring what's invisible into view, and the other

0:40:16.320 --> 0:40:20.400
<v Speaker 1>is to bear witness to what is. You know. Pablo Naruna,

0:40:20.480 --> 0:40:24.400
<v Speaker 1>the great Chilean poet in the nineteen thirties, he was

0:40:24.440 --> 0:40:27.440
<v Speaker 1>in Spain during the Civil War. There he saw a

0:40:27.480 --> 0:40:30.160
<v Speaker 1>lot of horrible things, and he has a line in

0:40:30.239 --> 0:40:33.440
<v Speaker 1>all of his he was one of the great makers

0:40:33.440 --> 0:40:36.239
<v Speaker 1>of metaphor. Is a line one of his poems there

0:40:36.239 --> 0:40:39.359
<v Speaker 1>where he says, the blood of children on the sidewalk

0:40:39.480 --> 0:40:43.719
<v Speaker 1>is like the blood of children on a sidewalk. And

0:40:43.800 --> 0:40:48.040
<v Speaker 1>with those two lines he's saying, Yeah, use metaphor to

0:40:48.200 --> 0:40:52.160
<v Speaker 1>show things that can't be seen. But when you see

0:40:52.160 --> 0:40:56.439
<v Speaker 1>what is, say what is? If you use metaphor, there

0:40:56.560 --> 0:40:59.919
<v Speaker 1>you're distancing. No, the blood of children on a side

0:41:00.120 --> 0:41:02.680
<v Speaker 1>walk is like just what it is, man, the blood

0:41:02.719 --> 0:41:06.120
<v Speaker 1>of children on a sidewalk. Don't look away, don't look away.

0:41:06.160 --> 0:41:10.040
<v Speaker 1>And the so there again where this mix of how

0:41:10.080 --> 0:41:14.560
<v Speaker 1>do we not turn from life and not run from life?

0:41:15.160 --> 0:41:18.120
<v Speaker 4>Yeah, that line you know what is with what can

0:41:18.239 --> 0:41:20.680
<v Speaker 4>be is a way of saying what I was pointing

0:41:20.680 --> 0:41:23.960
<v Speaker 4>to in that philosophical interpretation of the dow Right. Yes,

0:41:24.160 --> 0:41:26.640
<v Speaker 4>you know there is what is, and there is the

0:41:26.680 --> 0:41:32.560
<v Speaker 4>possibility of something different, and those things coexist within each moment.

0:41:32.960 --> 0:41:36.040
<v Speaker 4>And the Rudas story there is is heartbreaking. And because

0:41:36.400 --> 0:41:39.760
<v Speaker 4>you're right, any metaphor there would be a diluting of

0:41:40.800 --> 0:41:42.920
<v Speaker 4>a carrying you away from.

0:41:42.800 --> 0:41:45.080
<v Speaker 1>Where I was a young man, and I was going

0:41:45.120 --> 0:41:48.319
<v Speaker 1>to New York City and doing open mic readings, you

0:41:48.360 --> 0:41:52.200
<v Speaker 1>know where all young poets they'll take five minutes or whatever.

0:41:52.239 --> 0:41:55.200
<v Speaker 1>And I was in the village at the bar cafe

0:41:55.239 --> 0:41:57.279
<v Speaker 1>where it was going to take place, and poets were

0:41:57.280 --> 0:42:00.279
<v Speaker 1>winding up in it, and a guy came came in,

0:42:00.560 --> 0:42:04.440
<v Speaker 1>running in saying, oh my god, I just saw a mugging,

0:42:04.480 --> 0:42:07.399
<v Speaker 1>and I stopped and wrote a poem about it, and

0:42:07.520 --> 0:42:11.520
<v Speaker 1>somewhat across the bar yelled out, yeah, sure beats stopping

0:42:11.560 --> 0:42:16.040
<v Speaker 1>the mugging. And even then, like, what is the proper

0:42:16.200 --> 0:42:21.720
<v Speaker 1>role of art? Is to help us be here now?

0:42:21.920 --> 0:42:26.520
<v Speaker 1>As Robin Dass said, be here now, not to distance

0:42:26.680 --> 0:42:30.520
<v Speaker 1>us from life, but to bring us closer to life.

0:42:31.440 --> 0:42:35.759
<v Speaker 1>There's a wonderful story that very powerful about Nietzsche, the

0:42:35.760 --> 0:42:41.000
<v Speaker 1>philosopher Nietzsche about this. So Nietzsche, as you know, I mean, I,

0:42:41.120 --> 0:42:42.880
<v Speaker 1>like all of us. In college, I read a lot

0:42:42.920 --> 0:42:45.200
<v Speaker 1>of Nietzsche, and I didn't resonate a lot with a

0:42:45.200 --> 0:42:47.920
<v Speaker 1>lot of it, with all of his Superman and bending

0:42:48.000 --> 0:42:51.359
<v Speaker 1>of the will and all this stuff. Well, later on

0:42:51.440 --> 0:42:53.680
<v Speaker 1>in life, you know, I ran across a quote of

0:42:53.760 --> 0:42:57.960
<v Speaker 1>his that was totally different from all of that. And

0:42:58.000 --> 0:43:00.760
<v Speaker 1>it was this quote, which I think is an anthem

0:43:00.800 --> 0:43:03.319
<v Speaker 1>of our day today. Actually, he said I want to

0:43:03.360 --> 0:43:07.120
<v Speaker 1>see what is necessary as beautiful, so I can be

0:43:07.160 --> 0:43:09.920
<v Speaker 1>one of those who makes things beautiful. I was very

0:43:09.960 --> 0:43:12.920
<v Speaker 1>moved by that much, but then I thought, like, man,

0:43:12.960 --> 0:43:15.960
<v Speaker 1>that's different for him, and then I realized, you know what,

0:43:16.040 --> 0:43:19.759
<v Speaker 1>I don't really know anything about his life, and there's

0:43:19.800 --> 0:43:22.720
<v Speaker 1>always a story behind the story. So I started looking,

0:43:23.640 --> 0:43:26.520
<v Speaker 1>and sure enough it turned out that Nietzsche lived to

0:43:26.560 --> 0:43:30.480
<v Speaker 1>be fifty five, and around the age of forty four

0:43:30.600 --> 0:43:36.080
<v Speaker 1>he had this transformative experience, and everything he wrote afterwards

0:43:36.160 --> 0:43:40.080
<v Speaker 1>was different. And this saying about that I just quoted

0:43:40.200 --> 0:43:43.040
<v Speaker 1>came from after this. So this is the incident that happened.

0:43:43.960 --> 0:43:47.040
<v Speaker 1>He was in an apartment off a piazza in tour

0:43:47.120 --> 0:43:50.520
<v Speaker 1>in Italy, on the second floor, and one morning he

0:43:50.520 --> 0:43:54.640
<v Speaker 1>heard somebody whipping a horse out in the piazza. So

0:43:54.680 --> 0:43:56.600
<v Speaker 1>he leaned his head out the window and he said, hey,

0:43:56.640 --> 0:44:00.319
<v Speaker 1>stop whipping that horse, what's the matter with you. Then,

0:44:00.320 --> 0:44:03.359
<v Speaker 1>of course the guy said, hey, it's my horse. Who

0:44:03.440 --> 0:44:06.840
<v Speaker 1>are you? I'll do what I want, you know, And

0:44:06.880 --> 0:44:12.440
<v Speaker 1>it cracked Nietzsche and he ran down into the piazza,

0:44:13.160 --> 0:44:15.640
<v Speaker 1>arguing with this guy who kept whipping the horse, And

0:44:15.719 --> 0:44:22.040
<v Speaker 1>finally Nietzsche stepped between the whip and the whip and

0:44:22.080 --> 0:44:24.160
<v Speaker 1>he threw his arms around the neck of the horn.

0:44:26.680 --> 0:44:31.680
<v Speaker 1>And he was never the same. Now in the world

0:44:31.680 --> 0:44:35.760
<v Speaker 1>of philosophy, all those people who invested in his early work,

0:44:37.000 --> 0:44:40.200
<v Speaker 1>they literally write and say forget the guy had a breakdown,

0:44:40.320 --> 0:44:45.160
<v Speaker 1>forget about it, disregard everything that came after. But the

0:44:45.200 --> 0:44:50.959
<v Speaker 1>mystic Maya Baba, who was a contemporary hindiumistic, he wrote, no, no, no, no, no,

0:44:51.719 --> 0:44:55.200
<v Speaker 1>forget everything that came before. That was his moment of

0:44:55.239 --> 0:45:00.760
<v Speaker 1>transformation into a deeper understanding of the union deal life

0:45:00.760 --> 0:45:03.840
<v Speaker 1>and that we are here in it. I feel like

0:45:03.960 --> 0:45:08.440
<v Speaker 1>for all his brilliance of mind, which was not a

0:45:08.480 --> 0:45:14.040
<v Speaker 1>wrong turn but an apprenticeship, for that moment when he

0:45:14.160 --> 0:45:18.040
<v Speaker 1>threw his arms around the horse, that was the poem

0:45:18.080 --> 0:45:20.080
<v Speaker 1>of his life. Wow.

0:45:21.080 --> 0:45:24.759
<v Speaker 4>Wow, Yeah, that's a really powerful story. That is a

0:45:24.800 --> 0:45:29.480
<v Speaker 4>really powerful story, and it speaks to that we can

0:45:29.560 --> 0:45:32.640
<v Speaker 4>be broken open by compassion.

0:45:32.400 --> 0:45:36.920
<v Speaker 1>Absolutely and that while we have to face everything we

0:45:37.000 --> 0:45:40.640
<v Speaker 1>go through, we are more than what has done to us.

0:46:01.960 --> 0:46:04.839
<v Speaker 4>Does meditating feel like a chore, another to do list,

0:46:04.880 --> 0:46:07.560
<v Speaker 4>item to check off, or perhaps it's even fallen off

0:46:07.560 --> 0:46:11.040
<v Speaker 4>the list entirely? If you sense that meditating regularly would

0:46:11.120 --> 0:46:14.200
<v Speaker 4>benefit you, but you struggle to find a sustainable place

0:46:14.239 --> 0:46:16.640
<v Speaker 4>for it in your schedule, I can help. There are

0:46:16.719 --> 0:46:21.120
<v Speaker 4>reasons people struggle with creating and maintaining a meditation practice.

0:46:21.200 --> 0:46:24.000
<v Speaker 4>And it isn't because meditation isn't right for them. In

0:46:24.080 --> 0:46:26.640
<v Speaker 4>my free guide the top five reasons you can't seem

0:46:26.640 --> 0:46:29.200
<v Speaker 4>to stick with a meditation practice and how to build

0:46:29.200 --> 0:46:31.440
<v Speaker 4>one that lasts, I teach you why it can be

0:46:31.440 --> 0:46:34.239
<v Speaker 4>a struggle to build a meditation practice that lasts, and

0:46:34.280 --> 0:46:36.839
<v Speaker 4>the small fixes that can have a big impact when

0:46:36.840 --> 0:46:38.520
<v Speaker 4>it comes to getting you where you want to be

0:46:38.600 --> 0:46:41.919
<v Speaker 4>with meditating regularly. Go to oneufeed dot net and sign

0:46:42.000 --> 0:46:44.799
<v Speaker 4>up for this free guide right on our homepage. So

0:46:44.960 --> 0:46:49.000
<v Speaker 4>let's change a slightly different direction here. So we've talked

0:46:49.000 --> 0:46:53.120
<v Speaker 4>about this idea of striking the balance or holding both

0:46:53.160 --> 0:46:56.080
<v Speaker 4>extremes or paradoxes that we just talked about grounded but

0:46:56.320 --> 0:47:01.640
<v Speaker 4>not buried. Another is this idea of waiting. It shows

0:47:01.760 --> 0:47:05.080
<v Speaker 4>up again and again in the book. Also you say

0:47:05.120 --> 0:47:08.000
<v Speaker 4>our challenge is to wait with courage until the aspects

0:47:08.040 --> 0:47:11.400
<v Speaker 4>of life beyond our understanding come into view. The answer

0:47:11.440 --> 0:47:14.160
<v Speaker 4>to perceive chaos is not to impose some form of order,

0:47:14.200 --> 0:47:16.719
<v Speaker 4>but to wait long enough for the inherent order to

0:47:16.719 --> 0:47:19.120
<v Speaker 4>show itself. One more time, I could pull up a

0:47:19.160 --> 0:47:22.400
<v Speaker 4>few more, but in this falling down and getting back up,

0:47:22.440 --> 0:47:26.040
<v Speaker 4>it appears that waiting in patience is a pretty key.

0:47:26.000 --> 0:47:29.320
<v Speaker 1>Element, absolutely, and I think it's one of the things.

0:47:29.320 --> 0:47:31.880
<v Speaker 1>You know, that there's a paradox here that we're a

0:47:31.960 --> 0:47:35.480
<v Speaker 1>human being, and the human in us is terribly impatient,

0:47:36.640 --> 0:47:40.279
<v Speaker 1>and the being in us is infinitely patient. And our

0:47:40.480 --> 0:47:44.319
<v Speaker 1>challenge is to listen more to our being in that

0:47:44.400 --> 0:47:47.839
<v Speaker 1>regard than our humanness, because you know, the world is

0:47:48.000 --> 0:47:53.719
<v Speaker 1>so rapid, and with technology is amazingly more rapid, right,

0:47:54.840 --> 0:47:59.399
<v Speaker 1>and yet things that matter still take time, and so

0:47:59.480 --> 0:48:03.360
<v Speaker 1>we have to work extra hard to counter the speed

0:48:03.440 --> 0:48:08.600
<v Speaker 1>of our age, to counter the speed of our age.

0:48:08.719 --> 0:48:11.600
<v Speaker 1>And so you know, I mean, I remember before email,

0:48:12.080 --> 0:48:15.000
<v Speaker 1>this is a journal in London, a Sufi journal that published

0:48:15.000 --> 0:48:18.239
<v Speaker 1>my work for thirty years. And in the beginning, of course,

0:48:18.280 --> 0:48:22.560
<v Speaker 1>you know, I was sending envelopes. Mailing it over across

0:48:22.600 --> 0:48:24.920
<v Speaker 1>the Atlantic would take three weeks. Then it would take

0:48:24.920 --> 0:48:27.400
<v Speaker 1>another few weeks to hear back from the editor. And

0:48:27.480 --> 0:48:31.040
<v Speaker 1>then email came along. What's this thing? Email? And I

0:48:31.120 --> 0:48:34.960
<v Speaker 1>hit a button and twenty minutes later I'm hearing from

0:48:34.960 --> 0:48:38.839
<v Speaker 1>the editor in London. And now if I text you

0:48:38.880 --> 0:48:41.920
<v Speaker 1>and you don't answer me in thirty seconds, I'm offended.

0:48:44.480 --> 0:48:48.080
<v Speaker 1>And so you counter that with the fact that okay,

0:48:48.520 --> 0:48:52.799
<v Speaker 1>with twenty four to seven news cycle, and that we're

0:48:52.840 --> 0:48:58.360
<v Speaker 1>seeing things instantly, which has its merits, but also it

0:48:58.560 --> 0:49:03.400
<v Speaker 1>doesn't give us time for reflection before we react. So

0:49:03.480 --> 0:49:07.640
<v Speaker 1>you counter this with the fact that when Lincoln gave

0:49:07.719 --> 0:49:12.480
<v Speaker 1>his second inaugural speech, and which had the phrase the

0:49:12.520 --> 0:49:15.320
<v Speaker 1>better angels of our nature, which has become so prevalent

0:49:15.320 --> 0:49:20.520
<v Speaker 1>and wonderfully so, he hand wrote that after he delivered it,

0:49:20.520 --> 0:49:27.200
<v Speaker 1>it was hand copied by scribes in Washington, and the

0:49:27.239 --> 0:49:29.600
<v Speaker 1>way it was shared it was sent out to the

0:49:29.640 --> 0:49:35.200
<v Speaker 1>rest of the country by Pony expressed. It took three

0:49:35.239 --> 0:49:41.359
<v Speaker 1>weeks after he read that for it to arrive in Sacramento, California.

0:49:42.560 --> 0:49:44.400
<v Speaker 1>So even if you are upset with it and you

0:49:44.480 --> 0:49:48.760
<v Speaker 1>didn't agree with it, built in time to reflect before

0:49:48.800 --> 0:49:53.879
<v Speaker 1>you react, and we don't have that, you know, John

0:49:53.920 --> 0:49:59.600
<v Speaker 1>Milton wonderfully said in Enlicitus, you know those who wait

0:49:59.680 --> 0:50:04.640
<v Speaker 1>allso so serve. Those who wait also serve. And there

0:50:04.800 --> 0:50:08.960
<v Speaker 1>is this for us to understand and to absorb and

0:50:09.000 --> 0:50:13.239
<v Speaker 1>to integrate and to embody takes time. And so a

0:50:13.280 --> 0:50:17.359
<v Speaker 1>great image or metaphor for this is before we had

0:50:17.360 --> 0:50:21.160
<v Speaker 1>our cell phones and we could take twenty pictures in

0:50:21.480 --> 0:50:25.200
<v Speaker 1>ten seconds and they'd all come out looking fantastic. Well,

0:50:25.360 --> 0:50:30.920
<v Speaker 1>you know that early photographers Ansel Adams carried ten by

0:50:31.040 --> 0:50:35.719
<v Speaker 1>twelve metal plates. Each one was a film, and then

0:50:35.760 --> 0:50:38.520
<v Speaker 1>he would wait to get whatever if he could catch it.

0:50:39.200 --> 0:50:42.840
<v Speaker 1>But then he'd go back down the mountain and he'd

0:50:42.880 --> 0:50:48.560
<v Speaker 1>put that plate in chemicals in a dark room, and

0:50:48.600 --> 0:50:55.080
<v Speaker 1>then you had to wait for the image to immerg Well,

0:50:55.120 --> 0:50:59.960
<v Speaker 1>that's a great metaphor for the heart and the mind,

0:51:00.719 --> 0:51:06.360
<v Speaker 1>and insights from our experience take time to emerge, and

0:51:06.440 --> 0:51:11.040
<v Speaker 1>because of the speed of our age, we often impatiently.

0:51:11.800 --> 0:51:15.760
<v Speaker 1>We leave the dark room of our mind and heart

0:51:16.080 --> 0:51:19.279
<v Speaker 1>say well, I get there's nothing there. I guess I'm not.

0:51:19.320 --> 0:51:22.480
<v Speaker 1>I gotta go, And then just as we close the door,

0:51:23.680 --> 0:51:29.359
<v Speaker 1>the insight emerges as we've left. So it does beg

0:51:29.480 --> 0:51:35.480
<v Speaker 1>us to have the courage to wait for order, for harmony,

0:51:36.360 --> 0:51:44.000
<v Speaker 1>for things to start to make sense. That sense develops

0:51:44.040 --> 0:51:51.000
<v Speaker 1>over time. There is revelation instantaneous, but things often take

0:51:51.120 --> 0:51:54.520
<v Speaker 1>time to emerge and to make sense.

0:51:55.120 --> 0:51:57.920
<v Speaker 4>Yeah, and I think you couple our modern you know,

0:51:57.960 --> 0:52:01.160
<v Speaker 4>everything speeds up in our ability to weight decreases, and

0:52:01.200 --> 0:52:04.359
<v Speaker 4>you couple that with when you're in the midst of difficulty,

0:52:04.400 --> 0:52:08.799
<v Speaker 4>there's a natural impatience for the pain to cease, or

0:52:09.000 --> 0:52:14.560
<v Speaker 4>there's a natural impatience because uncertainty can be difficult to

0:52:14.680 --> 0:52:17.480
<v Speaker 4>live in. So you've got both those things. You've got

0:52:17.520 --> 0:52:21.480
<v Speaker 4>all these different factors that you are working against. I've

0:52:21.520 --> 0:52:23.279
<v Speaker 4>read one of those lines and I went over it

0:52:23.280 --> 0:52:25.719
<v Speaker 4>pretty quickly to make the point about waiting. But I

0:52:25.760 --> 0:52:27.920
<v Speaker 4>wanted to ask you a question that's inherent in one

0:52:27.960 --> 0:52:30.560
<v Speaker 4>of them, And you said, when afraid we cast the

0:52:30.560 --> 0:52:34.920
<v Speaker 4>world as an untenable and fearful place, rather than working

0:52:35.000 --> 0:52:39.360
<v Speaker 4>with our incapacity to meet experience beyond our fear. What

0:52:39.520 --> 0:52:43.080
<v Speaker 4>does that mean, to work with our incapacity to meet

0:52:43.160 --> 0:52:44.640
<v Speaker 4>experience beyond fear.

0:52:45.080 --> 0:52:47.200
<v Speaker 1>Yeah, so let me let me go all the way back.

0:52:47.360 --> 0:52:52.000
<v Speaker 1>That's one iteration of something that I came to understand

0:52:52.080 --> 0:52:54.720
<v Speaker 1>which went all the way back to a real transfer

0:52:55.000 --> 0:52:58.120
<v Speaker 1>moment for me during my cancer journey. And that was

0:52:58.160 --> 0:53:01.440
<v Speaker 1>at a few weeks after having rib removed in my back,

0:53:02.160 --> 0:53:04.319
<v Speaker 1>was in New York City and I had my first

0:53:04.440 --> 0:53:09.280
<v Speaker 1>chemo treatment, which was horribly bought, and the only medicine

0:53:09.280 --> 0:53:15.759
<v Speaker 1>I was given to combat nausea afterwards was oral. So

0:53:15.800 --> 0:53:19.759
<v Speaker 1>I couldn't keep it down. So I was with my

0:53:19.880 --> 0:53:22.000
<v Speaker 1>former wife and a dear old friend. The three of

0:53:22.040 --> 0:53:24.400
<v Speaker 1>us were in a holiday and outside of New York City,

0:53:24.760 --> 0:53:27.759
<v Speaker 1>and I started to get sick every twenty minutes, and

0:53:27.800 --> 0:53:31.560
<v Speaker 1>which was doubly hard because the scar where the rib

0:53:31.600 --> 0:53:35.080
<v Speaker 1>had just been removed. And we kept thinking this camp possibly,

0:53:35.320 --> 0:53:37.560
<v Speaker 1>and this ca you know, kill on like this, it

0:53:37.600 --> 0:53:40.520
<v Speaker 1>has to end, and then it would keep happening, and

0:53:40.600 --> 0:53:42.880
<v Speaker 1>of course we were afraid. I was in pain, it

0:53:42.960 --> 0:53:45.600
<v Speaker 1>was terrible, and didn't know what was going to happen next.

0:53:46.880 --> 0:53:49.160
<v Speaker 1>And finally we went to the emergency room, but it

0:53:49.239 --> 0:53:52.400
<v Speaker 1>wasn't until almost dawned, and there I was on the

0:53:52.440 --> 0:53:58.919
<v Speaker 1>Florida holiday and slumped over, afraid, in pain and not

0:53:59.000 --> 0:54:03.160
<v Speaker 1>threny wisdom on my part, but because I was exhausted,

0:54:03.280 --> 0:54:08.239
<v Speaker 1>beyond any pattern of thinking I had used up to

0:54:08.280 --> 0:54:13.880
<v Speaker 1>that point. It occurred to me, as the sun was

0:54:13.880 --> 0:54:19.040
<v Speaker 1>coming up that while this is true for me, somewhere

0:54:19.080 --> 0:54:24.560
<v Speaker 1>nearby a baby's being born, and somewhere nearby a couple's

0:54:24.560 --> 0:54:29.319
<v Speaker 1>making love for the first time, and somewhere nearby an

0:54:29.400 --> 0:54:33.840
<v Speaker 1>adult parent an adult child, or speaking for the first

0:54:33.840 --> 0:54:38.320
<v Speaker 1>time after months of conflict and so I was thrown

0:54:38.360 --> 0:54:42.480
<v Speaker 1>into this mysterious truth that to be broken is not

0:54:42.520 --> 0:54:47.560
<v Speaker 1>to see all things as broken, and reflecting on that,

0:54:48.840 --> 0:54:51.200
<v Speaker 1>you know, I've spent years reflecting on them. It opened

0:54:51.200 --> 0:54:55.040
<v Speaker 1>in that moment. Just as it's natural for our humanness

0:54:55.040 --> 0:54:59.120
<v Speaker 1>to be impatient, there's another thing that we do as

0:54:59.160 --> 0:55:02.600
<v Speaker 1>human beings. It's natural that's not always helpful, very seldom

0:55:02.680 --> 0:55:08.520
<v Speaker 1>is helpful, and that is we extrapolate our experience into

0:55:08.600 --> 0:55:12.520
<v Speaker 1>a worldview. So if I'm afraid, I make the world

0:55:12.520 --> 0:55:16.680
<v Speaker 1>a fearful place. If I'm broken, the world's a broken place.

0:55:17.680 --> 0:55:21.239
<v Speaker 1>If things are confusing, the world's a confusing place. It

0:55:21.280 --> 0:55:27.040
<v Speaker 1>doesn't make sense. But the healing comes from the diversity

0:55:27.120 --> 0:55:30.440
<v Speaker 1>of life. And again, this is one of those extremes.

0:55:30.440 --> 0:55:34.640
<v Speaker 1>So I tend to make things all about me and

0:55:34.760 --> 0:55:38.760
<v Speaker 1>paint the world in that color. If I'm in trouble,

0:55:38.840 --> 0:55:41.439
<v Speaker 1>the world is full of trouble. Man, It's just a mess.

0:55:41.480 --> 0:55:44.440
<v Speaker 1>There's no way out. And then when I discover that

0:55:44.520 --> 0:55:46.680
<v Speaker 1>it's more than just me, then we tend to do

0:55:46.719 --> 0:55:48.960
<v Speaker 1>the other extreme. Well, I guess what I'm going through

0:55:49.040 --> 0:55:53.520
<v Speaker 1>is insignificant. And again, Bill, all things are true. What

0:55:53.680 --> 0:55:56.279
<v Speaker 1>I was going through, I was still terrified. I was

0:55:56.320 --> 0:55:58.200
<v Speaker 1>still didn't know what was going to happen next. I

0:55:58.280 --> 0:56:03.680
<v Speaker 1>was still in pain. But thank god, a baby was

0:56:03.680 --> 0:56:08.879
<v Speaker 1>being born and a couple was making love. Because it's

0:56:08.960 --> 0:56:13.120
<v Speaker 1>more than just me, and it's the resources of the

0:56:13.160 --> 0:56:15.200
<v Speaker 1>mystery of life. This is part of the broke of

0:56:15.239 --> 0:56:20.160
<v Speaker 1>Hallelujah we were talking about earlier, that yes, I have

0:56:20.239 --> 0:56:25.960
<v Speaker 1>to experience what I'm going through, and it's not just

0:56:26.719 --> 0:56:32.160
<v Speaker 1>what I'm going through. So there's an example here. In

0:56:32.200 --> 0:56:38.080
<v Speaker 1>the sixteen hundreds, there was a samurai warrior name of Masahide.

0:56:38.200 --> 0:56:40.800
<v Speaker 1>After a long career, he gave up his sword. He

0:56:40.920 --> 0:56:44.400
<v Speaker 1>put it down and went to apprentice with the master

0:56:44.520 --> 0:56:48.600
<v Speaker 1>poet Basho. Now I would have loved to interview that guy.

0:56:49.360 --> 0:56:55.640
<v Speaker 1>Like what happened right well, The one high coup that

0:56:55.719 --> 0:57:01.560
<v Speaker 1>he is famous for goes like this, my barn having

0:57:01.640 --> 0:57:05.440
<v Speaker 1>burned to the ground, I can now see the moon

0:57:05.760 --> 0:57:13.120
<v Speaker 1>more completely. My barn having burned to the ground, I

0:57:13.160 --> 0:57:15.560
<v Speaker 1>can now see the moon more completely. And I think

0:57:15.600 --> 0:57:18.440
<v Speaker 1>in those three lines is what we're talking about, is

0:57:18.440 --> 0:57:21.480
<v Speaker 1>another way to open up the wisdom, the paradox that

0:57:21.880 --> 0:57:25.680
<v Speaker 1>there's no escaping the pain we're in, there's no jumping

0:57:25.720 --> 0:57:28.960
<v Speaker 1>over the loss of the barn burning down. That's real,

0:57:29.920 --> 0:57:34.160
<v Speaker 1>that's truth. There's a lesson and a learning and a

0:57:34.240 --> 0:57:41.040
<v Speaker 1>transformation that comes from that. And now that it's burned out,

0:57:41.040 --> 0:57:44.360
<v Speaker 1>I had no idea this fastness was here. Oh my god,

0:57:45.520 --> 0:57:51.720
<v Speaker 1>Oh my God. Both are true. So rather than painting

0:57:51.760 --> 0:57:55.120
<v Speaker 1>the world with all of my fear, how do I

0:57:55.240 --> 0:58:02.600
<v Speaker 1>work with my fear to move in to what's beyond

0:58:02.640 --> 0:58:06.640
<v Speaker 1>it and under it and through it, not denying it,

0:58:06.880 --> 0:58:11.560
<v Speaker 1>not jumping over it, not minimizing it, but by feeling it.

0:58:11.640 --> 0:58:14.680
<v Speaker 1>And this opens up a deeper thing. Eric, I guess

0:58:14.760 --> 0:58:17.360
<v Speaker 1>what I would call a law of spiritual physics that

0:58:17.440 --> 0:58:20.280
<v Speaker 1>I think I've been working with my whole life and

0:58:20.800 --> 0:58:24.280
<v Speaker 1>feeling and understanding, and that is that it's only through

0:58:25.400 --> 0:58:34.360
<v Speaker 1>the thoroughness of our authenticity that we become hollow conduits

0:58:34.360 --> 0:58:41.920
<v Speaker 1>for the entire mystery of life. So by processing my experience,

0:58:42.600 --> 0:58:47.040
<v Speaker 1>I'm able to understand and receive your experience. This is

0:58:47.080 --> 0:58:49.200
<v Speaker 1>at the heart of all compassion, because if I'm not

0:58:49.480 --> 0:58:53.080
<v Speaker 1>processed and I'm blocked, I can't receive you or other life.

0:58:54.200 --> 0:59:01.560
<v Speaker 1>So this becomes it's only by opening ourselves. So if

0:59:01.600 --> 0:59:04.600
<v Speaker 1>I feel the truth of who I am to the

0:59:04.640 --> 0:59:08.640
<v Speaker 1>bottom of my personality. I trip into the well of

0:59:08.840 --> 0:59:14.120
<v Speaker 1>all personality. Yeah, having our gifts of our consciousness, we

0:59:14.160 --> 0:59:20.000
<v Speaker 1>can This goes back to transcending. I can conceptualize it.

0:59:21.280 --> 0:59:24.600
<v Speaker 1>That's not living it. That's not living it. Then the

0:59:24.640 --> 0:59:28.800
<v Speaker 1>only way to all of life is through the individual

0:59:28.920 --> 0:59:32.600
<v Speaker 1>inlet of the truth of our individual life. And that's

0:59:32.640 --> 0:59:35.880
<v Speaker 1>another reason to work through our pain.

0:59:37.280 --> 0:59:40.200
<v Speaker 4>So there's one last line I'd like to talk about

0:59:40.280 --> 0:59:43.360
<v Speaker 4>before we run out of time, And you say, each

0:59:43.400 --> 0:59:47.040
<v Speaker 4>of us is gifted and desperate, and the great battle

0:59:47.120 --> 0:59:51.640
<v Speaker 4>is to dive through our desperation into our gift. This

0:59:51.720 --> 0:59:54.720
<v Speaker 4>is the journey of the native self to pass by

0:59:54.760 --> 0:59:59.040
<v Speaker 4>the dragon, and most of all, to stop being the dragon.

1:00:00.120 --> 1:00:02.720
<v Speaker 4>Expand upon any part of that that you like, because

1:00:02.760 --> 1:00:04.200
<v Speaker 4>the whole thing is tremendous.

1:00:05.320 --> 1:00:08.560
<v Speaker 1>Oh, thank you, thank you. Well. I think this has

1:00:08.600 --> 1:00:11.680
<v Speaker 1>to do with, you know, the sense that each of

1:00:11.760 --> 1:00:15.720
<v Speaker 1>us has a gift, and each of us has a

1:00:15.760 --> 1:00:19.280
<v Speaker 1>cloud we have to work through to be who we

1:00:19.320 --> 1:00:22.440
<v Speaker 1>are everywhere. So you know, one of the this is

1:00:22.440 --> 1:00:26.480
<v Speaker 1>another metaphor, and that helps us see both sides of this.

1:00:26.640 --> 1:00:29.880
<v Speaker 1>You know, when we're under cloud cover and it's rainy,

1:00:30.400 --> 1:00:36.000
<v Speaker 1>that experience is real, and sun's still shining above the cloud.

1:00:36.080 --> 1:00:39.400
<v Speaker 1>The sun hasn't gone anywhere. Both are true, and again

1:00:39.480 --> 1:00:43.760
<v Speaker 1>we can be helplessly optimistic and say, oh, well, don't

1:00:43.760 --> 1:00:46.240
<v Speaker 1>worry about that. Don't worry about it, the Sun's there.

1:00:47.280 --> 1:00:50.560
<v Speaker 1>The other is true too. We can be trapped in

1:00:50.640 --> 1:00:55.440
<v Speaker 1>the cloud cover of our desperation, of our lack of worth,

1:00:55.840 --> 1:00:58.480
<v Speaker 1>of our not knowing where we are or how we

1:00:58.560 --> 1:01:01.880
<v Speaker 1>relate to everything and finding our place in the world,

1:01:01.960 --> 1:01:05.240
<v Speaker 1>and that keeps us from our gifts. And so we

1:01:05.400 --> 1:01:11.080
<v Speaker 1>often have to outweight the cloud cover of our desperation,

1:01:11.560 --> 1:01:15.920
<v Speaker 1>of our inferiority, of our lack of work, so that

1:01:16.080 --> 1:01:20.320
<v Speaker 1>we can stand directly in the light by which we

1:01:20.360 --> 1:01:24.080
<v Speaker 1>will discover our gifts. And then the purpose of discovering

1:01:24.120 --> 1:01:27.680
<v Speaker 1>our gifts is to make use of that. So I

1:01:27.840 --> 1:01:31.000
<v Speaker 1>learned to open my eyes in order to see. I

1:01:31.080 --> 1:01:33.439
<v Speaker 1>learned to open my heart in order to love. If

1:01:33.440 --> 1:01:36.480
<v Speaker 1>I don't see once I open my eyes, what's the point?

1:01:36.800 --> 1:01:39.439
<v Speaker 1>And if I don't love once I open my heart,

1:01:40.280 --> 1:01:45.720
<v Speaker 1>why And so often in our desperation we would play

1:01:45.720 --> 1:01:49.160
<v Speaker 1>the victim. And so there's a dragon, there's a villain

1:01:50.160 --> 1:01:52.520
<v Speaker 1>there where we think the only way to get out

1:01:52.560 --> 1:01:55.920
<v Speaker 1>of our desperation is to become the hero. No, the

1:01:55.920 --> 1:01:58.120
<v Speaker 1>only way to get out of our desperation is to

1:01:58.240 --> 1:02:04.600
<v Speaker 1>outwait the cloud cover, so we can be neither a

1:02:04.680 --> 1:02:09.920
<v Speaker 1>hero or a villain. So stop looking for dragons and

1:02:10.000 --> 1:02:13.040
<v Speaker 1>stop being the dragon, you know, if we don't. I mean,

1:02:13.440 --> 1:02:16.080
<v Speaker 1>this is one of the ways to understand Trump as

1:02:16.160 --> 1:02:18.640
<v Speaker 1>an arc type of kind of the you know, the

1:02:18.680 --> 1:02:21.360
<v Speaker 1>way there was the Frankenstein monster. Trump is like the

1:02:21.400 --> 1:02:26.720
<v Speaker 1>monster that was created out of narcissism Oka and yeah,

1:02:26.960 --> 1:02:31.040
<v Speaker 1>so you know, he doesn't know how to feel any

1:02:31.120 --> 1:02:35.200
<v Speaker 1>sense of worth or sense of being who he truly is.

1:02:35.280 --> 1:02:38.600
<v Speaker 1>So you know, he's become a dragon that needs to

1:02:38.720 --> 1:02:43.680
<v Speaker 1>eat and burn and break everything in its path. Because

1:02:44.600 --> 1:02:49.960
<v Speaker 1>another kind of stark spiritual truth is that violence is

1:02:50.000 --> 1:02:53.560
<v Speaker 1>the last desperate attempt to feel they need to feel

1:02:53.600 --> 1:02:57.960
<v Speaker 1>doesn't go away. And if we become so encapsulated and

1:02:58.080 --> 1:03:05.000
<v Speaker 1>in in walled and insulated from life, including from our

1:03:05.040 --> 1:03:09.080
<v Speaker 1>ability to feel and be sensitive, then it comes out sideways.

1:03:09.680 --> 1:03:11.760
<v Speaker 1>It comes out as violence. It comes out you know.

1:03:11.800 --> 1:03:17.360
<v Speaker 1>I mean you see the plethora of violent films, Well,

1:03:17.480 --> 1:03:20.960
<v Speaker 1>when you look at it and when you get past

1:03:20.960 --> 1:03:25.800
<v Speaker 1>the violence, what is happening. People are literally opening up

1:03:25.840 --> 1:03:30.040
<v Speaker 1>other people because they can't open up with their mind

1:03:30.120 --> 1:03:36.320
<v Speaker 1>and their heart. They're physically obsessed with opening others up.

1:03:36.520 --> 1:03:38.880
<v Speaker 1>But it's all through violence. But the need to open

1:03:39.480 --> 1:03:40.600
<v Speaker 1>hasn't gone anywhere.

1:03:41.080 --> 1:03:43.400
<v Speaker 4>Well, I think that is a great place for us

1:03:43.480 --> 1:03:46.160
<v Speaker 4>to wrap up. Mark, it is always such a pleasure.

1:03:46.480 --> 1:03:49.040
<v Speaker 4>You and I are going to continue in a post

1:03:49.120 --> 1:03:51.600
<v Speaker 4>show conversation where you're going to read a couple of

1:03:51.680 --> 1:03:55.600
<v Speaker 4>poems that amplify and expand upon what we've been talking

1:03:55.600 --> 1:03:58.600
<v Speaker 4>about here. Listeners may not know that that's another of

1:03:58.640 --> 1:04:03.200
<v Speaker 4>your big vocations, as you are an outstanding poet and listeners,

1:04:03.240 --> 1:04:06.000
<v Speaker 4>if you'd like access to that and many other post

1:04:06.040 --> 1:04:10.560
<v Speaker 4>show conversations, AD free episodes and the pleasure of supporting

1:04:10.600 --> 1:04:12.320
<v Speaker 4>something that means a lot to you, go to one

1:04:12.360 --> 1:04:15.280
<v Speaker 4>you Feed dot net slash join and become part of

1:04:15.280 --> 1:04:18.440
<v Speaker 4>our community. Mark, thank you so much. Like I said,

1:04:18.520 --> 1:04:19.320
<v Speaker 4>always a pleasure.

1:04:19.560 --> 1:04:30.880
<v Speaker 1>Oh thank you, Eric jud Juy.

1:04:38.000 --> 1:04:40.600
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