WEBVTT - The Human Centipede

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<v Speaker 1>On the Dog Cast, the questions asked if movies have

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<v Speaker 1>women in um, are all their discussions just boyfriends and

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<v Speaker 1>husbands or do they have individualism the patriarchy? Zef In

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<v Speaker 1>best start changing it with the Bell Cast. Hey, Caitlin, Yeah, Jamie,

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<v Speaker 1>what was the last meal? You eight? I'm just asking, well,

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<v Speaker 1>it it doesn't matter because I threw it up after

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<v Speaker 1>watching this movie. Oh well, I just I was like, well,

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<v Speaker 1>we're two friends and we've been on vacation together, and

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<v Speaker 1>I just I was wondering what your last meal was here, wait,

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<v Speaker 1>let me let me try again. It was definitely not

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<v Speaker 1>someone else's poo pooh. Oh, what a disappointment. I was

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<v Speaker 1>really hoping it was going to be someone else's poop poo. Well, well,

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<v Speaker 1>egg on my face, uh and poopoo in my mouth.

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<v Speaker 1>I didn't realize, Um, why what what was your last meal? Jamie?

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<v Speaker 1>It was poop? It was it was it was, you know,

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<v Speaker 1>and depending on I think the beauty of and today

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<v Speaker 1>we are. We we thought, listen, like there's a lot

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<v Speaker 1>going on. It's just like a really stressful, heavy time,

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<v Speaker 1>and so we wanted to meet the moment with an

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<v Speaker 1>episode about I think one of the most politically impactful

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<v Speaker 1>pieces of I'll just go ahead and say art. Well,

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<v Speaker 1>not only that, I would call this this is not

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<v Speaker 1>only a feminist text. Oh yeah, I would say that

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<v Speaker 1>this is a feminist masterpiece. Oh yeah, I totally agree.

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<v Speaker 1>And so we wanted to like, we wanted to spotlight

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<v Speaker 1>great feminist art um, to just start April and to

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<v Speaker 1>to really just you know, I think it's like this

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<v Speaker 1>is a if we're talking about gigantic feminist watershed moments

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<v Speaker 1>in cinema. I'm shocked it took us almost five years

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<v Speaker 1>to get to the Human Snipede, which is what we're covering. Yeah,

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<v Speaker 1>and this is our probably most commonly requested episode. I

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<v Speaker 1>think it's requested at least fifteen hundred times at this point,

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<v Speaker 1>if not more. Um, the people are just gagging on

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<v Speaker 1>pooh for us to cover this movie and finally we're

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<v Speaker 1>here and we're doing it, so um, the time is now.

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<v Speaker 1>First of all, wanted to apologize that it's taken us

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<v Speaker 1>so long to cover it because the response, as you

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<v Speaker 1>were saying, Caitlin, it has been really overwhelming and I

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<v Speaker 1>feel like I'm getting two or three messages a day

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<v Speaker 1>to say to the point where people have figured out

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<v Speaker 1>what my home address are and they're sending me handwritten

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<v Speaker 1>letters being like where is it? Where is it? Where

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<v Speaker 1>is it? And so here it is. You know, it's

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<v Speaker 1>understandably it's going to be, you know, a really serious episode.

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<v Speaker 1>And but but I think that we're gonna have a

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<v Speaker 1>really really rich, fiber full conversation and it's just gonna

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<v Speaker 1>be a mouthful of fiber. I feel like in terms

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<v Speaker 1>of what the episode is gonna be, like, what's gonna

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<v Speaker 1>be you don't like to listen to? Yeah, so so

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<v Speaker 1>this is the back pedcast. It's a really serious podcast. Yeah,

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<v Speaker 1>I apologize for laughing. It's prior to what's going to

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<v Speaker 1>be such serious. It's not funny. Yeah, this is a

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<v Speaker 1>serious episode. Sometimes we do an episode on something, you know,

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<v Speaker 1>like National Treasure where we can just go and sometimes

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<v Speaker 1>we do something club or This is not one of

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<v Speaker 1>those episodes. This, this is going to generate some very

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<v Speaker 1>serious discourse. And I apologize for laughing because I was inappropriate.

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<v Speaker 1>We laugh. Humans laugh in response to fear, and human

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<v Speaker 1>centipede and human centipes um probably shouldn't laugh because their

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<v Speaker 1>mouth is full. They can't they can't laugh if they

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<v Speaker 1>laugh it's muffled. Um yeah, what if one of them,

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<v Speaker 1>one of them gets a cold and their nose gets

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<v Speaker 1>stuffed up? Do they just suffocate? I feel like we're

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<v Speaker 1>introduced with kind of a cat dog dilemma with this film.

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<v Speaker 1>But it's also just like what if there was a

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<v Speaker 1>third animal between I mean, I guess with the human centipee,

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<v Speaker 1>what separates a human centipede from a cat dog is

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<v Speaker 1>the third piece is the centerpiece, Because apparently if you

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<v Speaker 1>remove the center of the human centipede, all you have

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<v Speaker 1>is a hilarious children's TV show. Um. But but the center,

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<v Speaker 1>the center person, really is what elevates it to a

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<v Speaker 1>feminist text, right, Yes, because I don't know. I mean,

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<v Speaker 1>did we did you watch? Did you ever watch Cat Dog?

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<v Speaker 1>I didn't know. I was a big cat dog fan,

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<v Speaker 1>and and and fans of cat Dog and people who

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<v Speaker 1>don't give a shit about cat dog are well versed

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<v Speaker 1>in the argument in just the discussion of like where

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<v Speaker 1>does the peepee come from? Where is the poop? Who

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<v Speaker 1>come from? Does it come from the cat's mouth, does

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<v Speaker 1>it come from the dog's mouth? Does it come from

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<v Speaker 1>somewhere in the middle of the tube, And in the

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<v Speaker 1>cat dog because cat Dog is like a cat head

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<v Speaker 1>on one end and then a dog head on the

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<v Speaker 1>other end, and they're just sort of like both attached

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<v Speaker 1>at the abdomen kind of thing. Yeah, they're just it's

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<v Speaker 1>a long animal tube and there's a cat at one

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<v Speaker 1>and a dog on one end, and they're just, you know,

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<v Speaker 1>they're just simple links and they have a sweet relationship,

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<v Speaker 1>and they couldn't be more different. But they're on the

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<v Speaker 1>same tube. But um, pooping, as far as I know,

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<v Speaker 1>never comes up in the show, and and I think

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<v Speaker 1>that that's maybe intense textually intentional, but there are times

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<v Speaker 1>where okay, so in cat Dog, just to like ease

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<v Speaker 1>us into the discussion, where I believe and cat dog

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<v Speaker 1>heads please correct me if I'm wrong, I believe there

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<v Speaker 1>are instances or perhaps a whole episode where cat gets

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<v Speaker 1>hairballs and they come out of dogs mouth. So that's

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<v Speaker 1>extremely confusing because it's not like cats poop out hairballs,

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<v Speaker 1>they come out of their mouth, and so they're just

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<v Speaker 1>kind of operating on a separate, separate level. Well, Cat

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<v Speaker 1>Dog doesn't sound like it's medically accurate, which the human

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<v Speaker 1>centipede claims to be. And as jam you and I

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<v Speaker 1>are both doctors. We are, Yeah, we can confirm that

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<v Speaker 1>the human centipeate is medically accurate. Yes, this is if

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<v Speaker 1>if you were to do this, this is everyone would

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<v Speaker 1>look like the Joker, except their head is attached to

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<v Speaker 1>someone's butt. Um. That's exactly how it would go. And well,

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<v Speaker 1>by the way, I mean, if this is your first episode, welcome,

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<v Speaker 1>This is a really serious podcast that we started to

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<v Speaker 1>really start human discussions. And I feel like our podcast

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<v Speaker 1>is kind of a human centipete of ideas and in fact,

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<v Speaker 1>we've really we really just we started the podcast to

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<v Speaker 1>be able to talk about this episode. This is like

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<v Speaker 1>the grand what if this is our last episode? This

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<v Speaker 1>is the Grand Female? This is it. I feel like though,

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<v Speaker 1>if you do remember that that when you contacted me,

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<v Speaker 1>I mean I would say probably five years ago now

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<v Speaker 1>about to start discussing, you know, doing this show together.

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<v Speaker 1>This was I think it took up a good hour

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<v Speaker 1>of our discussion of like, well, this is obviously where

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<v Speaker 1>we're building too, or we we would want to build too,

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<v Speaker 1>but it would take at least four years, and we

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<v Speaker 1>need to build trust, and we need to build a

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<v Speaker 1>listener base because we want this message to get across

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<v Speaker 1>to as many mouths ear, but mouth really and as

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<v Speaker 1>we can depending on what side of the center, peter

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<v Speaker 1>On and some of us are on both sides, and

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<v Speaker 1>so it's just it's an exchange of like what is

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<v Speaker 1>a human centipete if not an exchange of ideas? You know,

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<v Speaker 1>um where you know it's this human said to beat

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<v Speaker 1>is a metaphor. And if you're in the center, oh

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<v Speaker 1>certainly it's the least comfortable place to be. But are

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<v Speaker 1>you not both giving and receiving ideas from your peers? Yes, yes,

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<v Speaker 1>and the answers yes, and you may in fact be

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<v Speaker 1>the ask girls as a result, uh the ba um yeah, even.

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<v Speaker 1>I mean, you know, I wish that this is a

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<v Speaker 1>really serious episode. I think it's really important to clarify

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<v Speaker 1>what this show is about. So on this podcast we

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<v Speaker 1>analyze movies, works of arts such as Human Centipede from

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<v Speaker 1>an intersectional feminist lens, using the Backtel test as a

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<v Speaker 1>jumping off point. And we've been you know, the test

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<v Speaker 1>has been evolving along like our rendition of the test

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<v Speaker 1>has been evolving along with the show these past many years,

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<v Speaker 1>to the point where I would like to propose the

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<v Speaker 1>newest rendition. I mean, what better episode do two people

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<v Speaker 1>of any marginalized gender poop into the mouth of one another.

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<v Speaker 1>I'm so glad you're saying this for at the end

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<v Speaker 1>question mark, right. I mean it's dialogue, I think really

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<v Speaker 1>notwithstanding because there there you are introduced with the problem

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<v Speaker 1>when you get to a certain part of this Human

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<v Speaker 1>Centipede of how on earth could we pass this test

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<v Speaker 1>if if our mouths are sown to our dear friends anuss.

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<v Speaker 1>But that's why I'm proposing this, because we don't want

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<v Speaker 1>to leave anyone out. Absolutely not. This test is inclusive,

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<v Speaker 1>and it you know, people who's who cannot communicate verbally

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<v Speaker 1>because their mouth has been sown to the anus of

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<v Speaker 1>some other person specific. Yeah, but you know it's it's

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<v Speaker 1>representation that we had failed to see on screen before

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<v Speaker 1>this movie. So this movie really sheds a light on

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<v Speaker 1>those people and they should be included in the in

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<v Speaker 1>this test. So I felt, I felt. I just want

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<v Speaker 1>to start by saying I felt represented in the Human

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<v Speaker 1>Centipede because I have been a clueless American white girl

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<v Speaker 1>on vacation with a friend stumbling around there. You have

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<v Speaker 1>been that friend at at at many points, and so

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<v Speaker 1>it's like, oh, what is the human centipede. If not,

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<v Speaker 1>you know, the worst case scenario of us on tour,

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<v Speaker 1>of us just stumbling around wherever we happened to be,

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<v Speaker 1>and if we got to the to the woods of

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<v Speaker 1>question Mark, Common Germany, this very well could have been us.

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<v Speaker 1>And so it's a cautionary tale in many ways as well. Um,

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<v Speaker 1>what was your what was your experience with this? And

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<v Speaker 1>I'd like to just call it a text. Um, I

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<v Speaker 1>don't want to, you know, use kind of a dismissive term.

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<v Speaker 1>It's not simply a movie. No, No, this this text this, uh,

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<v Speaker 1>this document this manifesto, it's what what isn't it? Did

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<v Speaker 1>you ever say documentary? Documentary? I was going to just

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<v Speaker 1>say document but I was like, whoo. But when you

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<v Speaker 1>think about it, it it could be maybe it is a documentary.

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<v Speaker 1>What if we just don't it's a documentary, we just

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<v Speaker 1>don't know it yet. Yeah, could be. So my relationship

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<v Speaker 1>with this, I remember when the trailers were circulating on

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<v Speaker 1>I think the internet, Like I didn't see the trailers

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<v Speaker 1>weren't you know, on television or in front of any

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<v Speaker 1>movie I was seeing in theaters. But okay, you're distancing

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<v Speaker 1>I feel you. I feel you're distancing yourself from the

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<v Speaker 1>human sense, and I'm sorry. Well, I saw the trailers

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<v Speaker 1>and I was living with I think I was living

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<v Speaker 1>with j T at the time. Word caught on about

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<v Speaker 1>this movie, and I remember, I remember the marketing. The

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<v Speaker 1>marketing was you know this. You get a sense of

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<v Speaker 1>what the movie was about based on the trailer, and

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<v Speaker 1>I remember the claims that it was medically accurate, and

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<v Speaker 1>I was like, well, not only that, but it looks

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<v Speaker 1>to me like it's the most feminist film ever made.

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<v Speaker 1>So I have to see this. This is like, really,

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<v Speaker 1>you know, an intersection of all of my interests, you know,

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<v Speaker 1>medical accuracy, poo pooh feminism. Poop poo feminism was I

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<v Speaker 1>think a big discussion in the late two thousand's. I

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<v Speaker 1>would qualify a lot of movies that came out in

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<v Speaker 1>the two thousands as poo poo feminism. Yeah, so we

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<v Speaker 1>we got ahold of it somehow, j He and I.

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<v Speaker 1>So I saw it in like I think it was

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<v Speaker 1>like or maybe eleven. I don't know. You were early,

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<v Speaker 1>you were really, I was an early viewer of this text.

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<v Speaker 1>It is true, and I loved it. I was like,

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<v Speaker 1>this is I feel I feel seen, I feel heard.

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<v Speaker 1>I haven't seen a movie this feminist in ever, so

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<v Speaker 1>it became one of my favorite movies of all time.

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<v Speaker 1>What about your TV? My history with Human Centipede was

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<v Speaker 1>I honestly wasn't sure even going into because I hadn't.

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<v Speaker 1>I feel like I have a habit in my life

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<v Speaker 1>depriving myself of joy, and so I hadn't seen this.

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<v Speaker 1>I had just been kind of like intentionally depriving myself

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<v Speaker 1>of this text for for years out of avoidance and

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<v Speaker 1>just not wanting to feel really great. Um. I honestly

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<v Speaker 1>wasn't sure in preparing for this episode if Human Centipede

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<v Speaker 1>was like an online joke that became a movie, or

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<v Speaker 1>if the movie came first and then it became an

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<v Speaker 1>online joke because I had not seen so I had

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<v Speaker 1>to go back and because you know how like I

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<v Speaker 1>kind of thought that it was it had gone in

0:15:21.400 --> 0:15:24.920
<v Speaker 1>the direction of slender Man, where like Human Centipede was

0:15:24.960 --> 0:15:29.600
<v Speaker 1>this online thing and then it became I p But

0:15:30.040 --> 0:15:32.080
<v Speaker 1>it turns out I was quite wrong. It came from

0:15:32.480 --> 0:15:36.960
<v Speaker 1>the mind of one genius and then Mr Tom six

0:15:37.280 --> 0:15:40.880
<v Speaker 1>Feminist Icons six. Yeah, I think we should up him

0:15:40.920 --> 0:15:44.680
<v Speaker 1>to seven. While we're at it. Um Tom six, who

0:15:44.760 --> 0:15:49.000
<v Speaker 1>is also I mean, I think fascinating is an applicable word.

0:15:49.640 --> 0:15:53.800
<v Speaker 1>Just who he is, um, the Tom six universe, um,

0:15:53.840 --> 0:15:56.200
<v Speaker 1>and how he got his money is fascinating to me.

0:15:56.240 --> 0:16:00.000
<v Speaker 1>We'll get to that. But yeah, I kind of thought

0:16:00.080 --> 0:16:04.120
<v Speaker 1>this was an Internet thing that became a cinematic text

0:16:04.280 --> 0:16:07.880
<v Speaker 1>and was I don't know if the phrase is pleasantly surprised,

0:16:08.160 --> 0:16:11.360
<v Speaker 1>but I was, you know, artistically intrigued that it was

0:16:11.400 --> 0:16:15.240
<v Speaker 1>in fact a single person's idea that I mean, most

0:16:15.240 --> 0:16:17.080
<v Speaker 1>of what I knew about the human centipede was just

0:16:17.160 --> 0:16:21.000
<v Speaker 1>like internet jokes, like because I feel like they, I

0:16:21.000 --> 0:16:24.480
<v Speaker 1>mean they you know EBB that they you know, wax

0:16:24.560 --> 0:16:27.360
<v Speaker 1>and Wayne like the moon. But human centipede jokes are

0:16:27.440 --> 0:16:31.720
<v Speaker 1>always around, and in fact, I think there should be

0:16:32.080 --> 0:16:35.400
<v Speaker 1>more of them. Let's get let's get to waxing folks.

0:16:35.480 --> 0:16:39.880
<v Speaker 1>We need more human centipede jokes. Going seriously. Um, yeah,

0:16:39.920 --> 0:16:43.440
<v Speaker 1>So this was my first time really taking it all in.

0:16:43.840 --> 0:16:47.280
<v Speaker 1>I felt I felt really center of the centipede. Um.

0:16:48.040 --> 0:16:50.560
<v Speaker 1>I was taking it in and I was letting it out,

0:16:50.600 --> 0:16:54.720
<v Speaker 1>you know. So it was an absolute pleasure to prepare

0:16:54.800 --> 0:17:04.320
<v Speaker 1>for this really important episode. I will say, what is okay,

0:17:04.320 --> 0:17:06.400
<v Speaker 1>this is maybe I don't want to like get ahead

0:17:06.400 --> 0:17:10.560
<v Speaker 1>of ourselves. But what is your favorite part of Humans

0:17:10.560 --> 0:17:13.960
<v Speaker 1>and Defeat, Like, what's your favorite theme? I do have

0:17:14.000 --> 0:17:19.159
<v Speaker 1>a favorite, like moment um. This feels like cheating, but

0:17:19.600 --> 0:17:23.359
<v Speaker 1>all of them, every scene I love. I love that

0:17:23.400 --> 0:17:26.000
<v Speaker 1>it's a tight I was honestly thrilled to be like, oh,

0:17:26.040 --> 0:17:28.640
<v Speaker 1>it's just an hour and a half. I was terrified

0:17:28.680 --> 0:17:31.679
<v Speaker 1>that it would be a second longer. My favorite moment

0:17:31.800 --> 0:17:35.480
<v Speaker 1>in the Human Centipede parentheses first sequence, by the way,

0:17:35.560 --> 0:17:37.520
<v Speaker 1>and you know we did not watch the other two.

0:17:38.280 --> 0:17:41.400
<v Speaker 1>I did consider it though, but I said, you know what,

0:17:41.440 --> 0:17:45.080
<v Speaker 1>I've felt enough joy for one week. I you need

0:17:45.160 --> 0:17:48.679
<v Speaker 1>things to look forward to, you know, especially especially in

0:17:48.720 --> 0:17:52.080
<v Speaker 1>this pandemic. It's not a binger. I mean, yeah, you

0:17:52.119 --> 0:17:55.680
<v Speaker 1>want to like prolong this as much as you can, exactly.

0:17:56.080 --> 0:18:00.240
<v Speaker 1>My favorite moment in first sequence was when the so,

0:18:00.600 --> 0:18:02.879
<v Speaker 1>you know, the cops are a little too good in

0:18:02.880 --> 0:18:05.080
<v Speaker 1>this movie, right, I don't know what German cops are like,

0:18:05.080 --> 0:18:08.840
<v Speaker 1>but I can assume not great, right, But there is

0:18:08.880 --> 0:18:12.960
<v Speaker 1>a moment where when after the police have arrived, where

0:18:13.000 --> 0:18:16.959
<v Speaker 1>they're like, so you made the Human Centipede, right, and

0:18:17.000 --> 0:18:19.600
<v Speaker 1>he's like, no, no, I did not make the human

0:18:19.600 --> 0:18:23.879
<v Speaker 1>sent feed, but the human centipete cage is out. And

0:18:24.840 --> 0:18:28.160
<v Speaker 1>my favorite moment in the whole cinematic text is when

0:18:28.200 --> 0:18:30.600
<v Speaker 1>the cop is looking at the humans and human sentipet

0:18:30.680 --> 0:18:37.800
<v Speaker 1>cage and going, h what is this? But it's literally

0:18:37.880 --> 0:18:41.320
<v Speaker 1>the human centipete cage and it's just out there for anyone,

0:18:41.400 --> 0:18:45.239
<v Speaker 1>for anyone to stumble across. So, you know, I just

0:18:45.240 --> 0:18:47.480
<v Speaker 1>thought that that was a beautiful moment of I don't

0:18:47.520 --> 0:18:49.040
<v Speaker 1>I mean, I don't even know what I would call

0:18:49.119 --> 0:18:52.800
<v Speaker 1>you have to film degrees, what would you know? What

0:18:53.000 --> 0:18:56.200
<v Speaker 1>is that play there? What's going on there? Me? Is

0:18:56.240 --> 0:19:00.320
<v Speaker 1>it irony? Is it? It's a little bit, it's you know,

0:19:00.480 --> 0:19:03.360
<v Speaker 1>I would classify it as a number of things. It's um,

0:19:03.400 --> 0:19:09.360
<v Speaker 1>you know, it's perhaps foreshadowing. It's um, it's motif, it's

0:19:09.359 --> 0:19:12.959
<v Speaker 1>it's allegory, it's definitely Oh, there's a lot of metaphorically

0:19:13.040 --> 0:19:17.480
<v Speaker 1>on here. Yeah, um, you know, it's plant and payoff,

0:19:17.800 --> 0:19:19.760
<v Speaker 1>it's it's just a lot of it's a lot of

0:19:19.840 --> 0:19:24.280
<v Speaker 1>narrative devices all rolled into one. Because you know, this

0:19:24.400 --> 0:19:28.239
<v Speaker 1>is just a really masterfully written screenplay that is just

0:19:28.320 --> 0:19:31.600
<v Speaker 1>like making use of a lot of just like very

0:19:31.640 --> 0:19:36.480
<v Speaker 1>effective narrative devices. I totally agree. I mean, and I

0:19:36.880 --> 0:19:40.440
<v Speaker 1>had a fun like White Stripes moment trying to figure

0:19:40.480 --> 0:19:43.359
<v Speaker 1>out if Tom six and a Lot of six were

0:19:43.440 --> 0:19:48.959
<v Speaker 1>married or siblings. Oh, um, they are siblings, unlike the

0:19:48.960 --> 0:19:52.160
<v Speaker 1>White You. I always assumed the White Stripes were siblings,

0:19:52.160 --> 0:19:55.040
<v Speaker 1>but they were dating. This is quite the opposite, I see.

0:19:55.160 --> 0:19:57.359
<v Speaker 1>But yeah, I mean this is this isn't you know,

0:19:57.800 --> 0:20:02.680
<v Speaker 1>an oh to our piece, uh from from the six family,

0:20:02.960 --> 0:20:06.359
<v Speaker 1>which which is kind of fun down to the editing.

0:20:06.600 --> 0:20:09.440
<v Speaker 1>You know, Tom six was one of the credited editors,

0:20:09.480 --> 0:20:12.000
<v Speaker 1>of course, So I mean, when you have this brilliance

0:20:12.040 --> 0:20:15.439
<v Speaker 1>a concept, you have to be really protective of it.

0:20:15.480 --> 0:20:17.560
<v Speaker 1>I mean, you wouldn't want to get this wrong. You

0:20:17.560 --> 0:20:19.360
<v Speaker 1>don't want to put this in the hands of some

0:20:19.680 --> 0:20:23.880
<v Speaker 1>ya who who can't edit together the Human Centipede. Yeah,

0:20:23.880 --> 0:20:26.760
<v Speaker 1>I understand that he wanted to do that himself. Yeah,

0:20:28.080 --> 0:20:34.480
<v Speaker 1>a movie is so good that nonfeminine like misogynist icon.

0:20:35.320 --> 0:20:40.120
<v Speaker 1>Roger Ebert refused to give it any rating because it

0:20:40.200 --> 0:20:45.440
<v Speaker 1>was to quote unquote gross, which I think intentionally misses

0:20:45.560 --> 0:20:51.000
<v Speaker 1>the point. Yeah, gosh, Roger Ebert, don't get us started.

0:20:51.680 --> 0:20:54.720
<v Speaker 1>I already know we were not going to refuse to

0:20:54.720 --> 0:20:59.200
<v Speaker 1>give it a rating on our scale and cowards. I

0:20:59.240 --> 0:21:01.080
<v Speaker 1>already know what rating I'm going to give it, which

0:21:01.119 --> 0:21:04.120
<v Speaker 1>is obviously five nipples. Oh yeah, I don't see any

0:21:04.160 --> 0:21:05.919
<v Speaker 1>reason to hold back on what we're going to be

0:21:05.960 --> 0:21:08.480
<v Speaker 1>giving this movie. It's going to be five and well, actually,

0:21:08.520 --> 0:21:14.080
<v Speaker 1>actually the human centipede featured in this film has six nipples.

0:21:14.640 --> 0:21:17.399
<v Speaker 1>Oh that's true. Let's be included. Let's include every nipple.

0:21:17.720 --> 0:21:23.880
<v Speaker 1>So human snapede facts with Caitlin human sonapedes. At least

0:21:23.880 --> 0:21:26.720
<v Speaker 1>this I mean there. I mean again, I haven't seen

0:21:26.720 --> 0:21:31.440
<v Speaker 1>the sequels. I don't know if more centipedes get attached.

0:21:31.960 --> 0:21:37.840
<v Speaker 1>My understanding is, and I honestly didn't fully check, but

0:21:38.119 --> 0:21:41.320
<v Speaker 1>my understanding is that with each passing film, the centipede

0:21:41.359 --> 0:21:45.280
<v Speaker 1>gets the centipede gets longer, several times longer. Yeah, that

0:21:45.320 --> 0:21:48.960
<v Speaker 1>makes sense. So at least for um, what's this one

0:21:49.040 --> 0:21:52.199
<v Speaker 1>called first sequence? The third one? The third one may

0:21:52.200 --> 0:21:55.440
<v Speaker 1>in fact be as like scented like a full hundred.

0:21:55.480 --> 0:21:59.200
<v Speaker 1>I'm not totally sure, but they might have. Really, that's

0:21:59.240 --> 0:22:03.000
<v Speaker 1>where it was added. That's I mean heightening. If you

0:22:03.040 --> 0:22:09.200
<v Speaker 1>want to learn about heightening and storytelling, my gutwait really quick,

0:22:09.760 --> 0:22:12.600
<v Speaker 1>just go to the Wikipedia page for the Human Centipee

0:22:12.640 --> 0:22:15.760
<v Speaker 1>three and look at the poster and it might be

0:22:15.880 --> 0:22:23.840
<v Speaker 1>more than a hundred on god, that is so I

0:22:23.840 --> 0:22:28.600
<v Speaker 1>don't want to know anything else. This is so fucked up.

0:22:31.000 --> 0:22:34.440
<v Speaker 1>That's a lot of people. Uh so, yeah, safe to

0:22:34.480 --> 0:22:39.200
<v Speaker 1>say it gets longer than three. Um, but we did not,

0:22:39.560 --> 0:22:42.480
<v Speaker 1>We did not watch It looks like it just gets

0:22:42.520 --> 0:22:45.600
<v Speaker 1>longer with every movie. And I'm pretty sure based on

0:22:46.560 --> 0:22:49.600
<v Speaker 1>I consulted horror buff and friend of the cast Corey

0:22:49.680 --> 0:22:52.080
<v Speaker 1>Johnson about this because I was like, who, off the

0:22:52.119 --> 0:22:54.399
<v Speaker 1>top of my head, can I be certain has seen

0:22:54.480 --> 0:22:58.520
<v Speaker 1>all three Human Centipee movies and it is her? And

0:22:58.600 --> 0:23:02.520
<v Speaker 1>of course she said, um, she said, what what we

0:23:02.600 --> 0:23:05.679
<v Speaker 1>know already, which is that there is a message to

0:23:05.800 --> 0:23:10.280
<v Speaker 1>the first Human Centipede movie if what you sacrifice, and

0:23:10.359 --> 0:23:13.679
<v Speaker 1>that is a pretty short centipede. And as the centipede

0:23:13.680 --> 0:23:18.960
<v Speaker 1>gets longer, perhaps the powerful message gets smaller. You know,

0:23:18.960 --> 0:23:22.080
<v Speaker 1>it's a given take. So if you want a long centipede,

0:23:22.119 --> 0:23:24.840
<v Speaker 1>it has to be meaningless. If you have a short centipede,

0:23:25.040 --> 0:23:31.640
<v Speaker 1>you can have a powerful, tight react structure. Sure of course. Yeah.

0:23:31.880 --> 0:23:35.639
<v Speaker 1>So all that to say that the centipede featured in

0:23:35.680 --> 0:23:42.040
<v Speaker 1>this first film, this first work of art has six nipples. Therefore,

0:23:42.080 --> 0:23:47.440
<v Speaker 1>that is what I will be giving this movie. I wis, yes,

0:23:47.600 --> 0:23:54.840
<v Speaker 1>thank you, thank you so much. Um so, uh do

0:23:54.920 --> 0:23:57.600
<v Speaker 1>we need to talk about anything else before I recap

0:23:57.720 --> 0:24:02.080
<v Speaker 1>this brilliant narrative? Um? I don't think so. I mean

0:24:02.119 --> 0:24:04.120
<v Speaker 1>I think that you know, we we shouldn't hold back

0:24:04.160 --> 0:24:07.960
<v Speaker 1>any longer and really just like really, you know, release

0:24:12.680 --> 0:24:16.320
<v Speaker 1>like the information. Yeah, I'd love to um feed you

0:24:16.560 --> 0:24:20.560
<v Speaker 1>so to speak the recap Oh yes, please, please please

0:24:20.600 --> 0:24:23.200
<v Speaker 1>and iconic? How did that not end up on an

0:24:23.240 --> 0:24:28.360
<v Speaker 1>a f I list? Feed her, feed her, and if

0:24:28.359 --> 0:24:32.960
<v Speaker 1>you apply that to feed her knowledge, it becomes this

0:24:33.119 --> 0:24:36.800
<v Speaker 1>really powerful thing. It all depends on the direction you're

0:24:36.840 --> 0:24:42.240
<v Speaker 1>coming at it analytically. It's a brilliant film. Yeah, of course. Actually,

0:24:42.320 --> 0:24:44.800
<v Speaker 1>let's take a quick break first, you know, go to

0:24:44.880 --> 0:24:47.720
<v Speaker 1>the bathroom or whatever you need to do, and will

0:24:47.840 --> 0:24:58.600
<v Speaker 1>be right back. Okay. The Human Centipede first sequence opens

0:24:58.760 --> 0:25:04.199
<v Speaker 1>on a man. He is looking at some photos of

0:25:04.680 --> 0:25:08.960
<v Speaker 1>three dogs who are seen all kind of standing in

0:25:09.000 --> 0:25:12.080
<v Speaker 1>a single file line. They're in a row. They seem

0:25:12.160 --> 0:25:15.760
<v Speaker 1>to be sniffing each other's butts. We don't, but we

0:25:15.840 --> 0:25:19.399
<v Speaker 1>don't really might it be something more? And then we

0:25:19.440 --> 0:25:23.480
<v Speaker 1>see that same man approach a trucker who has pulled

0:25:23.480 --> 0:25:28.400
<v Speaker 1>off the road to take a poopoo, which is the first, um,

0:25:28.440 --> 0:25:31.840
<v Speaker 1>the first indication that that poopoo might be featured as

0:25:31.840 --> 0:25:34.199
<v Speaker 1>a motif in this film. I really thought that was

0:25:34.240 --> 0:25:37.960
<v Speaker 1>a tasteful introduction of what a prominent motif was going

0:25:38.040 --> 0:25:39.840
<v Speaker 1>to be, because then you go back and you watch

0:25:39.840 --> 0:25:43.240
<v Speaker 1>it later and you're like, oh my god, I mean again,

0:25:43.280 --> 0:25:47.720
<v Speaker 1>foreshadowing at its finest. Incredible stuff. Yeah, really really thoughtful.

0:25:49.000 --> 0:25:51.639
<v Speaker 1>So the man is seen approaching this uh, this truck

0:25:51.680 --> 0:25:55.280
<v Speaker 1>driver with a gun. Oh god, and we're like, oh.

0:25:55.359 --> 0:25:59.640
<v Speaker 1>Then we cut to two women, Lindsay and Jenny. They

0:26:00.080 --> 0:26:04.560
<v Speaker 1>are American tourists in Germany and they are heading to

0:26:04.640 --> 0:26:09.040
<v Speaker 1>a party but they get lost. Their car gets a

0:26:09.040 --> 0:26:12.879
<v Speaker 1>flat tire, they get out and walk through the middle

0:26:12.920 --> 0:26:17.040
<v Speaker 1>of the woods, which, really, it should be said, the

0:26:17.240 --> 0:26:21.760
<v Speaker 1>entire beginning of the movie between Lindsey and Jenny pretty

0:26:21.840 --> 0:26:25.400
<v Speaker 1>thoroughly passes the Bechdel test. They are talking to each

0:26:25.400 --> 0:26:27.919
<v Speaker 1>other about like do I want to go out? Do

0:26:27.960 --> 0:26:29.560
<v Speaker 1>I not want to go out? What do I want

0:26:29.560 --> 0:26:32.199
<v Speaker 1>to do? Oh my gosh, you know where we are No,

0:26:32.359 --> 0:26:38.040
<v Speaker 1>I don't. They're having really impactful conversations, and so I

0:26:38.040 --> 0:26:40.560
<v Speaker 1>feel like, also early on, you learned like, oh, this

0:26:40.680 --> 0:26:45.919
<v Speaker 1>is about women, this is about women, this is a

0:26:45.960 --> 0:26:51.800
<v Speaker 1>woman's story. This is an empowering story about female friendship. Yeah,

0:26:51.840 --> 0:26:55.200
<v Speaker 1>we see them interact a lot, and I honestly, I'm

0:26:55.320 --> 0:27:01.040
<v Speaker 1>genuinely very invested in their friendship, particularly with and we'll

0:27:01.080 --> 0:27:04.320
<v Speaker 1>get there, but like where their story goes, you know,

0:27:04.400 --> 0:27:06.960
<v Speaker 1>and where their story and I honestly I was not

0:27:07.119 --> 0:27:13.800
<v Speaker 1>prepared for where their story ends and how UM genuinely like, oh,

0:27:13.840 --> 0:27:17.560
<v Speaker 1>I'm sad I was going to feel at the end.

0:27:18.040 --> 0:27:20.919
<v Speaker 1>I value their friendship. They seemed to They seem to

0:27:20.920 --> 0:27:25.800
<v Speaker 1>be like really complimentary late two thousands, I like, I

0:27:25.880 --> 0:27:28.320
<v Speaker 1>like when I think it's Jenny Who's like, I'm wearing

0:27:28.359 --> 0:27:30.720
<v Speaker 1>shorts and high heels. I'm not getting out of the car.

0:27:30.880 --> 0:27:32.760
<v Speaker 1>And I was like, wow, that is what people were

0:27:32.800 --> 0:27:38.000
<v Speaker 1>saying in two thousand nine, you know it is. So

0:27:38.160 --> 0:27:40.880
<v Speaker 1>they're wandering through the woods. They're wandering through the woods,

0:27:41.040 --> 0:27:46.439
<v Speaker 1>and they eventually come upon a house. They knock on

0:27:46.440 --> 0:27:50.160
<v Speaker 1>the door, and who greets them, who opens the door?

0:27:50.320 --> 0:27:53.639
<v Speaker 1>But the man we saw at the beginning but we

0:27:53.760 --> 0:27:57.320
<v Speaker 1>forgot to mention that when they are stuck there, the

0:27:57.480 --> 0:28:02.040
<v Speaker 1>creepy guy pulls up and he hits on them, he

0:28:02.160 --> 0:28:05.400
<v Speaker 1>scares them. This is like plot relevant, so that by

0:28:05.400 --> 0:28:08.560
<v Speaker 1>the time they go into the woods, they are already

0:28:08.680 --> 0:28:13.320
<v Speaker 1>very anxiety written, they already feel really nervous, and so

0:28:13.359 --> 0:28:15.840
<v Speaker 1>I feel like you're given and I have some notes

0:28:15.880 --> 0:28:18.560
<v Speaker 1>about the way that seems to present it. But um,

0:28:18.640 --> 0:28:22.320
<v Speaker 1>they've already been kind of been made to feel unsafe

0:28:22.600 --> 0:28:26.240
<v Speaker 1>before they find this house, so they're already on like

0:28:26.480 --> 0:28:31.960
<v Speaker 1>ty alert. Yes, and this man opens the door, he

0:28:32.160 --> 0:28:35.159
<v Speaker 1>invites them in there, like, hey, can you call the

0:28:35.200 --> 0:28:38.560
<v Speaker 1>car company for us so that we can, you know,

0:28:38.840 --> 0:28:41.920
<v Speaker 1>hitch a ride out of here, And then he says

0:28:41.960 --> 0:28:44.360
<v Speaker 1>are you alone? Which is never a way to start

0:28:44.360 --> 0:28:49.040
<v Speaker 1>a conversation with the scariest looking person I've ever seen

0:28:49.080 --> 0:28:56.360
<v Speaker 1>in my life. Yes. Also, that actor's name is Dieter Laser,

0:28:56.880 --> 0:29:00.640
<v Speaker 1>which is also a very menacing name. Just everything. And

0:29:00.680 --> 0:29:02.600
<v Speaker 1>then the more I learned about the actor and his

0:29:02.720 --> 0:29:05.840
<v Speaker 1>conduct on set, I'm like, he just sounds like a scary,

0:29:05.880 --> 0:29:14.160
<v Speaker 1>scary guy. Yeah, we'll talk about Mr Lazer. It's probably

0:29:14.200 --> 0:29:18.920
<v Speaker 1>like Laser or or something. Please our German our German

0:29:19.400 --> 0:29:22.280
<v Speaker 1>listeners forgive us, but I just I was like, his

0:29:22.400 --> 0:29:25.000
<v Speaker 1>last name is Laser. He's scary. And then you look

0:29:25.080 --> 0:29:28.760
<v Speaker 1>up the facts about production and then everyone's like, no,

0:29:29.040 --> 0:29:36.560
<v Speaker 1>he was quite scary. Yep, everyone agrees. So he pretends

0:29:36.640 --> 0:29:40.360
<v Speaker 1>to call the car company for them, and then he

0:29:40.400 --> 0:29:42.800
<v Speaker 1>gives them both a glass of water which he has

0:29:43.000 --> 0:29:49.560
<v Speaker 1>drugged so the women lose consciousness. They wake up in

0:29:49.760 --> 0:29:54.760
<v Speaker 1>his basement tied to hospital beds. The trucker from earlier

0:29:54.920 --> 0:29:58.000
<v Speaker 1>is there as well, also tied to a bed, and

0:29:58.720 --> 0:30:04.920
<v Speaker 1>the man who Dr. Hyder, Yeah, Dr Hyder comes in

0:30:05.560 --> 0:30:08.480
<v Speaker 1>and he's like, he says to the truck driver that

0:30:08.520 --> 0:30:12.000
<v Speaker 1>he's not a match. We don't really know exactly what

0:30:12.040 --> 0:30:14.640
<v Speaker 1>he means, what context, but he kills the truck driver

0:30:14.840 --> 0:30:20.440
<v Speaker 1>while Lindsay and Jenny watch on in horror. What did

0:30:20.440 --> 0:30:23.040
<v Speaker 1>he mean when he said you are not a match?

0:30:23.400 --> 0:30:25.200
<v Speaker 1>Was there a reason that he wasn't a match? I

0:30:25.280 --> 0:30:29.640
<v Speaker 1>wasn't sure in text why precisely he wasn't a match?

0:30:29.800 --> 0:30:31.920
<v Speaker 1>What was I don't know if it was like a

0:30:31.960 --> 0:30:37.320
<v Speaker 1>blood type thing, oh, like literally a medical reason that

0:30:37.360 --> 0:30:40.080
<v Speaker 1>a human cent like all the human centipes have to have,

0:30:40.160 --> 0:30:45.280
<v Speaker 1>like viby blood types. I don't. Well, again, um, we

0:30:45.320 --> 0:30:48.280
<v Speaker 1>should know this since we are doctors women in stems.

0:30:50.160 --> 0:30:53.200
<v Speaker 1>If you're a gay human centipide, do the blood types

0:30:53.280 --> 0:30:56.440
<v Speaker 1>need to be vibe are? Like there are certain pre

0:30:56.480 --> 0:31:01.040
<v Speaker 1>existing conditions that disqualify you from participation eating. I wonder

0:31:01.080 --> 0:31:03.120
<v Speaker 1>what it would be. Yeah, I mean I know that

0:31:03.160 --> 0:31:07.200
<v Speaker 1>like if you're getting a an organ transplant, for example,

0:31:07.760 --> 0:31:11.200
<v Speaker 1>you have to like make sure that there's some kind

0:31:11.240 --> 0:31:13.040
<v Speaker 1>of and again I don't know if it's blood type

0:31:13.080 --> 0:31:17.120
<v Speaker 1>match or some other just sort of like compatibility thing. Um,

0:31:17.160 --> 0:31:18.800
<v Speaker 1>but yeah, my guess was there there was like a

0:31:18.840 --> 0:31:23.360
<v Speaker 1>medical reason that the truck driver could not participate and

0:31:23.480 --> 0:31:28.440
<v Speaker 1>he had to go. It was nothing personal, but you've

0:31:28.440 --> 0:31:33.239
<v Speaker 1>been said to be it's never personal. That's and I

0:31:33.280 --> 0:31:37.920
<v Speaker 1>love that that's a major theme in this movie. Um,

0:31:38.360 --> 0:31:42.240
<v Speaker 1>it's important to remember that sometimes the fate that the

0:31:42.240 --> 0:31:48.000
<v Speaker 1>truck driver suffers is uh far less bad than like

0:31:48.480 --> 0:31:50.600
<v Speaker 1>the fate he would have suffered if he had. Yeah,

0:31:50.680 --> 0:31:53.000
<v Speaker 1>I think we would all agree we would rather just

0:31:53.000 --> 0:31:57.080
<v Speaker 1>just die. So he kind of gets off easy. Yeah,

0:31:57.360 --> 0:32:01.240
<v Speaker 1>he gets let off the hook, but we still but

0:32:02.200 --> 0:32:06.640
<v Speaker 1>we still need I'm sorry, did you say but I'm sorry.

0:32:06.640 --> 0:32:08.680
<v Speaker 1>I was trying to hit the t hard so that

0:32:09.400 --> 0:32:11.080
<v Speaker 1>it would be implied that there were two of them.

0:32:11.640 --> 0:32:18.240
<v Speaker 1>Um but lead one more but to make a human centipede.

0:32:20.360 --> 0:32:25.880
<v Speaker 1>And that's when Dr Hyder comes home with a new man,

0:32:26.320 --> 0:32:31.440
<v Speaker 1>cut Serro, who he has abducted, and then he explains

0:32:31.760 --> 0:32:35.840
<v Speaker 1>to all of them what he plans to do. So

0:32:35.880 --> 0:32:38.400
<v Speaker 1>the thing with him is he is a retired surgeon

0:32:39.080 --> 0:32:44.720
<v Speaker 1>who used to specialize in separating conjoined twins. Right, he

0:32:44.840 --> 0:32:50.000
<v Speaker 1>uses a dismissive and very dated term that we're not

0:32:50.040 --> 0:32:52.840
<v Speaker 1>even going to repeat here, but yes, conjoined twins is

0:32:52.840 --> 0:32:55.200
<v Speaker 1>the is the correct term to use. One of the

0:32:55.360 --> 0:33:02.120
<v Speaker 1>few mistakes um this otherwise perfect movie. Yes. Um So,

0:33:02.160 --> 0:33:06.320
<v Speaker 1>now that he is retired, he has kind of refocused

0:33:06.520 --> 0:33:12.440
<v Speaker 1>his efforts and takes his surgical expertise and pivot applies

0:33:12.520 --> 0:33:15.880
<v Speaker 1>it to He's pivoting, he's having a second he's having honestly,

0:33:15.960 --> 0:33:19.880
<v Speaker 1>like my my dad just retired and he's kind of

0:33:19.920 --> 0:33:22.320
<v Speaker 1>looking for a second act. And so I kind of

0:33:22.360 --> 0:33:24.640
<v Speaker 1>want to show him this movie as a kind of

0:33:24.680 --> 0:33:29.160
<v Speaker 1>aspirational thing of like, oh, you already have applicable skills,

0:33:29.280 --> 0:33:31.080
<v Speaker 1>you just need to find your second act. You know,

0:33:31.240 --> 0:33:34.720
<v Speaker 1>and so you know that the doctor's really decided on

0:33:34.840 --> 0:33:38.520
<v Speaker 1>what his second act is going to be, which is

0:33:38.640 --> 0:33:44.920
<v Speaker 1>that he now is obsessed with surgically joining people together

0:33:45.240 --> 0:33:48.160
<v Speaker 1>but a very particular way, in a very particular way.

0:33:48.280 --> 0:33:51.720
<v Speaker 1>And what he is going to do is attach these

0:33:52.000 --> 0:33:59.360
<v Speaker 1>three people together, mouth to anus in a chain, forming

0:33:59.800 --> 0:34:07.120
<v Speaker 1>the iconic human centipede the feminist psychon. And so with

0:34:07.240 --> 0:34:11.680
<v Speaker 1>the three I feel like with the three person human centipede,

0:34:11.760 --> 0:34:15.520
<v Speaker 1>you really do have um, you know, everyone's role is

0:34:15.600 --> 0:34:19.080
<v Speaker 1>quite different, and you know, the longer the centipede gets,

0:34:19.120 --> 0:34:23.000
<v Speaker 1>the more kind of like central, Like if you're reaching

0:34:23.280 --> 0:34:26.399
<v Speaker 1>human centipee three, which that I don't know what goes

0:34:26.440 --> 0:34:28.840
<v Speaker 1>on in that movie, but there's like five people in

0:34:28.920 --> 0:34:33.320
<v Speaker 1>that chain. That's like four parts of the human centipede.

0:34:33.320 --> 0:34:36.440
<v Speaker 1>They could fucking unionize at that point. But in this point,

0:34:36.760 --> 0:34:40.040
<v Speaker 1>but it's like if you just have three people, there's

0:34:40.080 --> 0:34:44.799
<v Speaker 1>one person who's uniquely suffering as a part of the centipede,

0:34:45.040 --> 0:34:49.520
<v Speaker 1>and then you also have an appointed mouthpiece, right, the

0:34:49.560 --> 0:34:52.480
<v Speaker 1>only person whose mouth is available that is then the

0:34:52.520 --> 0:34:58.640
<v Speaker 1>head of the chew chew, the head of the the

0:34:58.680 --> 0:35:03.560
<v Speaker 1>poo poo train, the poopoo. Yeah, he doesn't and the

0:35:03.880 --> 0:35:10.320
<v Speaker 1>one who eats from the bowl, etcetera. So Dr Hyder

0:35:10.440 --> 0:35:14.520
<v Speaker 1>starts to prep them for surgery, but Lindsay manages to

0:35:14.680 --> 0:35:18.799
<v Speaker 1>escape her restraints, but he finds her again and he

0:35:18.840 --> 0:35:22.480
<v Speaker 1>says he's going to punish her by putting her in

0:35:22.640 --> 0:35:26.480
<v Speaker 1>the middle of the centipede. I found this sequence to

0:35:26.520 --> 0:35:30.520
<v Speaker 1>be very compelling. We see Lindsay acting with a lot

0:35:30.760 --> 0:35:34.959
<v Speaker 1>of um she's taking a lot of initiative, she has

0:35:35.000 --> 0:35:38.640
<v Speaker 1>a lot of agency. She's fighting for her life and

0:35:38.760 --> 0:35:43.200
<v Speaker 1>her friend's life, and she's really like going up against

0:35:43.239 --> 0:35:45.480
<v Speaker 1>the oppressor. I on it, I mean going I had

0:35:45.480 --> 0:35:49.280
<v Speaker 1>a lot of now I find to be ridiculous negative

0:35:49.320 --> 0:35:53.120
<v Speaker 1>assumptions going into this. But right at the top, we

0:35:53.239 --> 0:35:58.160
<v Speaker 1>see you know, like a highly motivated female character being like,

0:35:58.239 --> 0:36:01.759
<v Speaker 1>you know, what some think about this human centipede just

0:36:01.840 --> 0:36:05.440
<v Speaker 1>doesn't sound right to me, and I don't want to participate.

0:36:05.480 --> 0:36:07.840
<v Speaker 1>And she, you know, she she fights, and she also

0:36:07.880 --> 0:36:11.800
<v Speaker 1>fights for her friend. And I genuinely thought that sequence

0:36:12.000 --> 0:36:16.680
<v Speaker 1>was very like exciting is not the right word, but

0:36:16.719 --> 0:36:19.760
<v Speaker 1>I was on the edge of my seat. Sure, thrilling,

0:36:19.800 --> 0:36:23.520
<v Speaker 1>It's thrilling, And like you said, we see a woman

0:36:23.640 --> 0:36:27.759
<v Speaker 1>having agency. We see a woman like just taking the

0:36:27.800 --> 0:36:32.160
<v Speaker 1>information that's been provided to her and thinking critically about

0:36:32.200 --> 0:36:36.320
<v Speaker 1>it and like thinking about what she should do next,

0:36:36.560 --> 0:36:39.560
<v Speaker 1>so you know, she's using her brain. It's all pretty

0:36:39.680 --> 0:36:43.520
<v Speaker 1>I mean in all series, Like everything Lindsay and Jenny

0:36:43.600 --> 0:36:46.840
<v Speaker 1>do in like the first act of the movie more

0:36:47.000 --> 0:36:51.040
<v Speaker 1>or less make sense to me, as like tourists who

0:36:51.080 --> 0:36:54.960
<v Speaker 1>are panicking and we have just been scared by someone

0:36:55.000 --> 0:36:57.839
<v Speaker 1>who was aggressively hitting on them. It seems like like

0:36:57.920 --> 0:37:02.440
<v Speaker 1>wanted to assault them. There's only one house. They're like

0:37:02.719 --> 0:37:06.759
<v Speaker 1>communicating with each other silently as this creepy guy is

0:37:06.800 --> 0:37:11.279
<v Speaker 1>making them drinks. They're like, it's just like it's I

0:37:11.280 --> 0:37:14.120
<v Speaker 1>don't know, like there I was, I was like, oh,

0:37:14.160 --> 0:37:16.480
<v Speaker 1>you know, I'm glad that a Lana six was in

0:37:16.480 --> 0:37:19.120
<v Speaker 1>the room because I feel like these women, given the

0:37:19.200 --> 0:37:22.800
<v Speaker 1>horrific circumstances they're being thrown into, like it didn't seem

0:37:22.920 --> 0:37:26.759
<v Speaker 1>completely like in the way that most horror and like

0:37:27.040 --> 0:37:30.600
<v Speaker 1>especially like Gore movies, will introduce female characters as like

0:37:31.080 --> 0:37:35.799
<v Speaker 1>completely irrationally trusting of people. They don't really seem that way.

0:37:35.840 --> 0:37:37.919
<v Speaker 1>They just are like this is the option, and we're

0:37:37.960 --> 0:37:43.040
<v Speaker 1>still very freaked out, and like let's see what happens. Yeah,

0:37:43.080 --> 0:37:47.120
<v Speaker 1>I would, I mean not to criticize this perfect film,

0:37:47.239 --> 0:37:51.040
<v Speaker 1>but I know I I say this with a lot

0:37:51.080 --> 0:37:54.560
<v Speaker 1>of caution, But um, well, I see what you're saying,

0:37:54.640 --> 0:37:59.279
<v Speaker 1>and I think they're characterized maybe a little bit. I

0:37:59.280 --> 0:38:01.479
<v Speaker 1>don't want to say I don't want to say better.

0:38:01.520 --> 0:38:04.600
<v Speaker 1>I don't Also, I'm just like, when do we drop

0:38:04.680 --> 0:38:11.000
<v Speaker 1>the bit? But a bit sorry, I'm so sorry. Um.

0:38:11.040 --> 0:38:15.160
<v Speaker 1>There were still like choices that they made that I

0:38:15.239 --> 0:38:19.360
<v Speaker 1>was like, oh, these are female characters written by a

0:38:19.400 --> 0:38:23.640
<v Speaker 1>male horror writer, like which I had a point to

0:38:24.000 --> 0:38:27.080
<v Speaker 1>where I got like, oh, this is the line where

0:38:27.320 --> 0:38:29.920
<v Speaker 1>this has like lost I mean, and that is like

0:38:29.960 --> 0:38:32.239
<v Speaker 1>a trope of the genre or whatever, But like, what

0:38:32.280 --> 0:38:34.759
<v Speaker 1>was the choice for you where you're like, I'm no

0:38:34.840 --> 0:38:39.879
<v Speaker 1>longer like feeling connected to this this character's logic, I mean,

0:38:40.440 --> 0:38:43.680
<v Speaker 1>just like them getting out of the car. My thing

0:38:43.840 --> 0:38:47.560
<v Speaker 1>was them leaving the road. I could see them getting

0:38:47.560 --> 0:38:50.399
<v Speaker 1>out of the car if the car wasn't going to move,

0:38:50.840 --> 0:38:55.040
<v Speaker 1>but them leaving the main road to me made very

0:38:55.120 --> 0:38:57.480
<v Speaker 1>little sense. I was just like that, wouldn't you just

0:38:57.520 --> 0:39:00.799
<v Speaker 1>follow the road back to the town you came from? Ultimately,

0:39:01.080 --> 0:39:05.319
<v Speaker 1>and then like hope someone passed. Um. The other thing

0:39:05.440 --> 0:39:08.480
<v Speaker 1>is like, it's not a great idea, but you can

0:39:08.600 --> 0:39:14.680
<v Speaker 1>drive slowly with one flat tire for some amount of distance.

0:39:14.800 --> 0:39:17.439
<v Speaker 1>You could turn around, Like you could turn around. That's true.

0:39:17.520 --> 0:39:19.719
<v Speaker 1>I also don't have a driver's license, so I'm just like,

0:39:19.760 --> 0:39:22.600
<v Speaker 1>maybe you can't do that, but like it's not great

0:39:22.719 --> 0:39:25.160
<v Speaker 1>and it's gonna like mess things up a bit in

0:39:25.400 --> 0:39:28.279
<v Speaker 1>the car probably, But like the fact that they get

0:39:28.280 --> 0:39:31.440
<v Speaker 1>out of the car and then yeah, go immediately into

0:39:31.560 --> 0:39:35.200
<v Speaker 1>the woods. Going into the woods, I was just like, on, like,

0:39:36.160 --> 0:39:38.680
<v Speaker 1>it would make sense to me if they like we're like, oh,

0:39:38.760 --> 0:39:41.279
<v Speaker 1>I know something is here, but clearly they don't. They

0:39:41.280 --> 0:39:44.439
<v Speaker 1>have no idea where they were, so they get lost immediately. Yeah.

0:39:44.680 --> 0:39:47.719
<v Speaker 1>I can't imagine myself, especially in a country I know

0:39:47.800 --> 0:39:49.799
<v Speaker 1>nothing about and I don't speak the language, and all

0:39:49.800 --> 0:39:52.960
<v Speaker 1>this stuff like wandering into the woods does seem like

0:39:53.560 --> 0:39:58.359
<v Speaker 1>begging to die. Um, so in that way, and then

0:39:58.440 --> 0:40:01.880
<v Speaker 1>even if you can suspend your believe through that, because

0:40:01.880 --> 0:40:04.520
<v Speaker 1>then I like challenged myself, I'm like, Okay, what if

0:40:04.560 --> 0:40:08.279
<v Speaker 1>I what if I could get myself to the doctor's house? Right?

0:40:09.280 --> 0:40:12.480
<v Speaker 1>I Also I find it really I don't know, maybe

0:40:12.480 --> 0:40:16.600
<v Speaker 1>if you're like truly, I was kind of of two

0:40:16.680 --> 0:40:21.520
<v Speaker 1>minds of this. I don't think in one as an

0:40:21.560 --> 0:40:24.479
<v Speaker 1>adult that knows better. I don't think that I would

0:40:24.480 --> 0:40:27.880
<v Speaker 1>have accepted a glass of water from a total stranger

0:40:28.840 --> 0:40:32.000
<v Speaker 1>without watching them pour it. Like I feel like there's

0:40:32.000 --> 0:40:34.520
<v Speaker 1>a world where I could have been, like, I really

0:40:34.560 --> 0:40:37.160
<v Speaker 1>need water, I've been wandering around the fucking woods for

0:40:37.200 --> 0:40:39.960
<v Speaker 1>an hour, but let me see you just pour it

0:40:40.000 --> 0:40:43.360
<v Speaker 1>from the sink, you know, or something like that, because

0:40:43.440 --> 0:40:49.160
<v Speaker 1>he's just roofying literally everyone who walks in the door. Um.

0:40:49.320 --> 0:40:52.680
<v Speaker 1>But but I also could see and I don't know

0:40:52.719 --> 0:40:55.719
<v Speaker 1>how hard our King Tom six is thinking about this.

0:40:56.080 --> 0:40:58.799
<v Speaker 1>I also feel like when I was younger, which I

0:40:58.840 --> 0:41:01.240
<v Speaker 1>think that I don't know how out old these characters

0:41:01.239 --> 0:41:04.919
<v Speaker 1>are supposed to be, like anywhere between nineteen and thirty five,

0:41:05.000 --> 0:41:09.280
<v Speaker 1>I have no idea. I'm assuming college right early twenties.

0:41:09.440 --> 0:41:13.160
<v Speaker 1>When I was younger, I can see myself wanting to

0:41:13.200 --> 0:41:15.960
<v Speaker 1>watch someone prepare my drink and maybe being a little

0:41:16.000 --> 0:41:20.920
<v Speaker 1>too anxious to ask. And so, but I also am like,

0:41:21.239 --> 0:41:25.760
<v Speaker 1>how hard is Tom six thinking about this? Probably probably

0:41:25.800 --> 0:41:30.480
<v Speaker 1>no disrespect to our our king, but very possibly zero percent.

0:41:31.400 --> 0:41:32.960
<v Speaker 1>But I've had I don't know, have you ever had

0:41:32.960 --> 0:41:35.600
<v Speaker 1>a moment like that where someone offers you a drink

0:41:35.680 --> 0:41:41.120
<v Speaker 1>and I immediately always when like a stranger at all,

0:41:41.160 --> 0:41:44.680
<v Speaker 1>but particularly a stranger who is a man, forers me

0:41:44.719 --> 0:41:47.919
<v Speaker 1>a drink. I if I want to accept, I need

0:41:47.960 --> 0:41:50.919
<v Speaker 1>to know that I am watching it be prepared, just

0:41:51.040 --> 0:41:55.280
<v Speaker 1>because of the experience of knowing better. But I also

0:41:55.480 --> 0:41:56.960
<v Speaker 1>was an age at one point where I would have

0:41:56.960 --> 0:42:00.279
<v Speaker 1>been too nervous to advocate for myself up in that

0:42:00.320 --> 0:42:04.759
<v Speaker 1>way for sure. I mean, yeah, I definitely didn't always

0:42:05.280 --> 0:42:09.080
<v Speaker 1>insist on watching or it just insist on today I

0:42:09.120 --> 0:42:12.920
<v Speaker 1>would like, I would just be like, I'll make it myself. Thanks.

0:42:14.040 --> 0:42:15.560
<v Speaker 1>I would even go so far as to be like,

0:42:15.719 --> 0:42:18.040
<v Speaker 1>let's make them together. I'll come to the kitchen with you,

0:42:18.160 --> 0:42:22.959
<v Speaker 1>like so that there's nothing funky going on. And but

0:42:23.040 --> 0:42:26.160
<v Speaker 1>you know, as as a as a teenager, I can't

0:42:26.280 --> 0:42:27.880
<v Speaker 1>I you know, I don't know that I would have

0:42:27.960 --> 0:42:30.360
<v Speaker 1>had the because I truly, at this point in my

0:42:30.400 --> 0:42:33.760
<v Speaker 1>life don't give a funk. I just want to um live.

0:42:35.000 --> 0:42:37.960
<v Speaker 1>H But what I would probably do if I was

0:42:38.120 --> 0:42:42.239
<v Speaker 1>even in like my earlier more naive days or like

0:42:42.320 --> 0:42:45.239
<v Speaker 1>days of just like not being able to advocate for

0:42:45.280 --> 0:42:48.480
<v Speaker 1>myself or like speak up or like you know, just

0:42:48.560 --> 0:42:50.680
<v Speaker 1>be like fuck you, I'm making my own drink or

0:42:50.719 --> 0:42:54.560
<v Speaker 1>whatever I would say. Now I would I would accept

0:42:54.640 --> 0:42:57.160
<v Speaker 1>a drink, but just not touch it. I just would

0:42:57.160 --> 0:43:00.080
<v Speaker 1>not drink it. Yeah, I've done that too. I the

0:43:00.080 --> 0:43:03.000
<v Speaker 1>the part of that scene that I genuinely felt like, oh,

0:43:03.160 --> 0:43:05.839
<v Speaker 1>that is definitely kind of a thing that I recognized,

0:43:06.000 --> 0:43:08.359
<v Speaker 1>like in myself and when I was younger, and like

0:43:08.400 --> 0:43:12.360
<v Speaker 1>in college of like when the guy is being really

0:43:12.719 --> 0:43:15.640
<v Speaker 1>weird and then he leaves the room and then immediately

0:43:15.680 --> 0:43:17.480
<v Speaker 1>you turn to your friend and you're like what is

0:43:17.520 --> 0:43:20.520
<v Speaker 1>going on? Like that, I was like, oh, I've done

0:43:20.520 --> 0:43:22.919
<v Speaker 1>that five hundred times. And then the second he walks

0:43:22.920 --> 0:43:26.359
<v Speaker 1>back in, you're like like nothing to see here. I

0:43:26.400 --> 0:43:30.120
<v Speaker 1>feel this is so normal for me. Um well. I

0:43:30.160 --> 0:43:32.920
<v Speaker 1>also don't think I would have gone in the house

0:43:34.200 --> 0:43:36.920
<v Speaker 1>like and I understand it. It's like it's raining, you know,

0:43:36.920 --> 0:43:38.440
<v Speaker 1>they probably want to get out of the rain. That's

0:43:38.440 --> 0:43:40.360
<v Speaker 1>the thing is like I the fact that they added

0:43:40.360 --> 0:43:42.279
<v Speaker 1>the rain and the night. I think I would have

0:43:42.320 --> 0:43:44.640
<v Speaker 1>like knocked on the door and asked to use the phone,

0:43:44.920 --> 0:43:47.880
<v Speaker 1>but then like stayed outside on the stoop and like

0:43:48.040 --> 0:43:51.120
<v Speaker 1>not actually gone inside the house. And I also wondered.

0:43:51.200 --> 0:43:54.520
<v Speaker 1>I was like, is there some sort of and again

0:43:54.640 --> 0:43:57.319
<v Speaker 1>I don't know what I mean. We can't and we

0:43:57.400 --> 0:44:01.279
<v Speaker 1>can't put ourselves in the mind of a genius artist Tom.

0:44:01.440 --> 0:44:04.920
<v Speaker 1>We can't really know the mind from which the idea

0:44:05.000 --> 0:44:09.400
<v Speaker 1>for a Big Brother came is like Tom six thought

0:44:09.440 --> 0:44:13.600
<v Speaker 1>of Big Brother. So he's just he's just did you

0:44:13.640 --> 0:44:16.640
<v Speaker 1>know that? I did not? Oh my god. So that

0:44:16.760 --> 0:44:20.960
<v Speaker 1>is where Tom six Is money comes from. He was

0:44:21.040 --> 0:44:25.400
<v Speaker 1>an original director on the Dutch reality TV series Big Brother,

0:44:25.440 --> 0:44:29.759
<v Speaker 1>which apparently was the first incarnation of Big Brother that

0:44:29.960 --> 0:44:34.080
<v Speaker 1>obviously became an international phenomenon. So he was like into

0:44:34.160 --> 0:44:39.640
<v Speaker 1>some like some stuff, you know, and some like low

0:44:39.760 --> 0:44:44.680
<v Speaker 1>key torture, um pre human sense. I'm not seeing that

0:44:44.719 --> 0:44:47.759
<v Speaker 1>on his IMDb. Oh, it's in the first sentence. He

0:44:47.920 --> 0:44:50.880
<v Speaker 1>was six was an original director on his it's on

0:44:50.960 --> 0:44:54.920
<v Speaker 1>his uh Wikipedia's Wikipedia six was an original director of

0:44:55.000 --> 0:44:57.600
<v Speaker 1>Dutch reality TV series Big Brother, which has since become

0:44:57.600 --> 0:45:02.000
<v Speaker 1>an international franchise. So that's how he um established himself

0:45:02.000 --> 0:45:05.880
<v Speaker 1>and got you know, some credibility was by the survey

0:45:06.040 --> 0:45:10.919
<v Speaker 1>the abuse of surveillance TV show of of a generation.

0:45:12.000 --> 0:45:16.040
<v Speaker 1>Uh So there you go. I guess this is all

0:45:16.080 --> 0:45:20.359
<v Speaker 1>to say that, yeah, some choices were made to have

0:45:21.040 --> 0:45:25.600
<v Speaker 1>the women in the movie behave in a way that

0:45:25.640 --> 0:45:29.920
<v Speaker 1>I think was pretty indicative that those characters were written

0:45:29.920 --> 0:45:33.880
<v Speaker 1>by someone who UM does not really understand what it

0:45:34.040 --> 0:45:36.880
<v Speaker 1>is to be a woman who has to move about

0:45:37.040 --> 0:45:40.759
<v Speaker 1>the world and the danger we are often in and

0:45:40.920 --> 0:45:44.600
<v Speaker 1>the amount of on guard we always have to be

0:45:44.600 --> 0:45:47.719
<v Speaker 1>because a lot of men put us in danger and

0:45:47.960 --> 0:45:50.560
<v Speaker 1>make us feel unsafe. But I would say I would

0:45:50.560 --> 0:45:53.360
<v Speaker 1>say that, like, given I mean, and in this genre,

0:45:53.440 --> 0:45:55.919
<v Speaker 1>there's so many brilliant women who work in the horror

0:45:56.000 --> 0:46:00.239
<v Speaker 1>genre that UM would have executed this more realistically. But

0:46:00.320 --> 0:46:02.960
<v Speaker 1>in terms of like horror movies that I'm familiar with,

0:46:03.040 --> 0:46:06.920
<v Speaker 1>which are mostly like American horror movies that are probably

0:46:06.920 --> 0:46:09.960
<v Speaker 1>not great and we're released to wide audiences, Lindsay and

0:46:10.040 --> 0:46:16.160
<v Speaker 1>Jenny navigate the situation more realistically than a lot of

0:46:16.200 --> 0:46:18.799
<v Speaker 1>whole horror movies I've seen, where they're never just like

0:46:19.200 --> 0:46:22.440
<v Speaker 1>wandering into a room just to be like what's in here,

0:46:22.640 --> 0:46:24.880
<v Speaker 1>which I feel like is what we get a lot.

0:46:25.040 --> 0:46:28.520
<v Speaker 1>So it's a little more grounded UM. And also it's

0:46:28.560 --> 0:46:31.040
<v Speaker 1>you know, it's a it's a it's a and I

0:46:31.040 --> 0:46:33.399
<v Speaker 1>mean no disrespect, it's a B horror movie. So it's

0:46:33.440 --> 0:46:38.040
<v Speaker 1>like certain things just need to happen. But yeah, I'm

0:46:38.120 --> 0:46:41.719
<v Speaker 1>a but but yeah, So the bar we're comparing this

0:46:41.840 --> 0:46:47.359
<v Speaker 1>up against is so unbelievably low. Why would you say that?

0:46:47.680 --> 0:46:52.320
<v Speaker 1>Calen the bit? I mean bit, Well, I'm what I'm

0:46:52.360 --> 0:46:59.040
<v Speaker 1>saying that this movie rises far above the bar. Like

0:46:59.120 --> 0:47:02.840
<v Speaker 1>women are acting not completely the way a real woman would,

0:47:02.840 --> 0:47:06.640
<v Speaker 1>but they're not acting so unlike you would in that

0:47:06.719 --> 0:47:10.000
<v Speaker 1>situation that you're like, I have no I feel nothing

0:47:10.040 --> 0:47:12.120
<v Speaker 1>about this, you know, where it's like there were little

0:47:12.160 --> 0:47:14.719
<v Speaker 1>moments whereas like oh I got that, Oh I got that.

0:47:14.800 --> 0:47:18.040
<v Speaker 1>Oh I would never do that, but maybe, like maybe

0:47:18.080 --> 0:47:21.319
<v Speaker 1>someone I know might in some situation do that, you know,

0:47:21.480 --> 0:47:24.120
<v Speaker 1>Like it didn't feel so off the wall that it

0:47:24.200 --> 0:47:28.839
<v Speaker 1>was like completely in any case there they end up

0:47:28.880 --> 0:47:36.680
<v Speaker 1>participating in a human centipede. Yeah, voluntarily, they don't. Well

0:47:36.680 --> 0:47:38.719
<v Speaker 1>that's the other thing. I'm like, Okay, in in the

0:47:38.760 --> 0:47:41.319
<v Speaker 1>worst case scenario of the script, what if they're like,

0:47:42.440 --> 0:47:44.720
<v Speaker 1>pitch this to me and he's like okay, so here's

0:47:44.760 --> 0:47:50.520
<v Speaker 1>my idea. They're like okay, um, I guess like they

0:47:50.600 --> 0:47:53.279
<v Speaker 1>do not they do not consent to be a part

0:47:53.280 --> 0:47:57.839
<v Speaker 1>of the human centipede. That would not be realistic, No

0:47:57.880 --> 0:48:03.320
<v Speaker 1>one concerns. So so we we've got some realism represented

0:48:03.360 --> 0:48:08.640
<v Speaker 1>on screen here. It is it's realism. Um okay. So

0:48:08.760 --> 0:48:13.120
<v Speaker 1>let's see where were we in the recap? So dr

0:48:13.200 --> 0:48:18.080
<v Speaker 1>hyder okay. So he explains his plan, Lindsay tries to escape.

0:48:18.920 --> 0:48:20.920
<v Speaker 1>He's like, I'm going to punish you by putting you

0:48:20.960 --> 0:48:24.640
<v Speaker 1>in the middle. They have a bit of us scuffle.

0:48:24.719 --> 0:48:28.920
<v Speaker 1>She ends up in his swimming pool. I think he

0:48:29.160 --> 0:48:33.200
<v Speaker 1>thinks that she has drowned, so he walks away. He

0:48:33.320 --> 0:48:36.759
<v Speaker 1>clearly does not know what his own swimming pool is like,

0:48:36.920 --> 0:48:39.880
<v Speaker 1>because she literally just like pushes up that Because I

0:48:39.920 --> 0:48:41.799
<v Speaker 1>was kind of wondering that when he's like, I'm going

0:48:41.840 --> 0:48:43.799
<v Speaker 1>to trap you, I'm like, I'm pretty sure those kind

0:48:43.800 --> 0:48:45.719
<v Speaker 1>of things you just kind of push up a little bit,

0:48:45.840 --> 0:48:50.839
<v Speaker 1>and then you have breathing room, which is she's fine. Yes.

0:48:51.760 --> 0:48:55.319
<v Speaker 1>So he goes away and Lindsey takes this opportunity to

0:48:55.480 --> 0:49:00.200
<v Speaker 1>go back down and try to save Jenny. So she's

0:49:00.360 --> 0:49:04.360
<v Speaker 1>dragging Jenny, who I think is unconscious, up the stairs,

0:49:04.400 --> 0:49:07.640
<v Speaker 1>out of the basement, out of the house. But oh.

0:49:07.880 --> 0:49:12.640
<v Speaker 1>Dr Hyder finds them and shoots Lindsay with a tranquilizer.

0:49:12.760 --> 0:49:16.799
<v Speaker 1>There's a lot of moments in Human Centipede. Truly, Yes,

0:49:17.440 --> 0:49:21.960
<v Speaker 1>I mean this again. This movie accomplishes many things. Feminism,

0:49:22.600 --> 0:49:26.240
<v Speaker 1>oh moments. Um it is. It's a very it's an

0:49:26.360 --> 0:49:33.120
<v Speaker 1>effective horror movie. It makes you feel horrified. Yes, yeah,

0:49:34.040 --> 0:49:37.560
<v Speaker 1>yes so um so. Then he performs the surgery, making

0:49:37.560 --> 0:49:42.640
<v Speaker 1>them into a human centipede with Cutsuro in the front,

0:49:43.480 --> 0:49:47.400
<v Speaker 1>Lindsay in the middle, and Jenny in the back. Lindsay

0:49:47.400 --> 0:49:50.520
<v Speaker 1>in the middle as punishment for trying to escape, right,

0:49:51.160 --> 0:49:55.800
<v Speaker 1>and Dr Hyder loves his creation. It's his little pet.

0:49:56.280 --> 0:50:01.000
<v Speaker 1>He makes them walk around the yard. He take picks,

0:50:01.040 --> 0:50:04.319
<v Speaker 1>he takes pictures the kennel. There's a kennel. He makes

0:50:04.360 --> 0:50:07.719
<v Speaker 1>Cut Sorrow eat out of a dog food dish. It's

0:50:07.719 --> 0:50:13.200
<v Speaker 1>all very fucked up. It's extremely fucked up. And then

0:50:13.200 --> 0:50:21.920
<v Speaker 1>eventually Cuts Sorrow goes poo poo into Lindsay's mouth, which

0:50:22.040 --> 0:50:27.839
<v Speaker 1>then you have to imagine the trickle down effect does go.

0:50:28.160 --> 0:50:33.640
<v Speaker 1>It's like economics. It's like that economics thing that never works,

0:50:33.680 --> 0:50:36.880
<v Speaker 1>but in the driggle down system may not work in

0:50:36.920 --> 0:50:39.680
<v Speaker 1>the American economy, but in the human centipede it is

0:50:39.760 --> 0:50:45.000
<v Speaker 1>extremely effective. Um, and so it does it does all. Well,

0:50:45.000 --> 0:50:48.839
<v Speaker 1>that's a question I had because again this movie, if

0:50:48.880 --> 0:50:51.360
<v Speaker 1>if if a woman poo poos into the mouth of

0:50:51.400 --> 0:50:55.600
<v Speaker 1>another woman, it passes the Picktel tests, especially if they're

0:50:55.640 --> 0:50:59.680
<v Speaker 1>holding hands because they're freshly exactly. But I don't know

0:50:59.719 --> 0:51:02.080
<v Speaker 1>if that ever ends up happening in this movie, because

0:51:02.160 --> 0:51:04.520
<v Speaker 1>at one point Dr Hyder is doing a check up

0:51:04.600 --> 0:51:07.200
<v Speaker 1>on all of them and he's like, cut Sero, you're

0:51:07.520 --> 0:51:10.640
<v Speaker 1>you look great, You're you're healthy. Is a human centipede

0:51:12.360 --> 0:51:15.279
<v Speaker 1>To Lindsay, he says, you're constipated. She doesn't want to

0:51:15.280 --> 0:51:17.840
<v Speaker 1>poop in her friend's mouth. She doesn't. Yeah, she's like

0:51:17.960 --> 0:51:20.680
<v Speaker 1>holding it in like this. I don't know this woman,

0:51:22.640 --> 0:51:25.759
<v Speaker 1>so I guess she'll understand. I don't know. I mean like,

0:51:25.800 --> 0:51:28.600
<v Speaker 1>I'm not going to run it cuts from cut Sero's perspective.

0:51:28.600 --> 0:51:30.000
<v Speaker 1>He's like, I'm not going to run into her. I

0:51:30.000 --> 0:51:34.479
<v Speaker 1>don't know her. Whereas Lindsay and Jenny, if Lindsay poop

0:51:34.480 --> 0:51:37.440
<v Speaker 1>who is into Jenny's mouth, they have to drive home together,

0:51:37.560 --> 0:51:40.600
<v Speaker 1>Whereas cut Sero is like, I can just go, you know,

0:51:40.800 --> 0:51:43.600
<v Speaker 1>you have no idea where where I'm going. So it's

0:51:43.640 --> 0:51:45.239
<v Speaker 1>not a big deal. It is kind of like a

0:51:45.280 --> 0:51:51.200
<v Speaker 1>one night stand thing versus a long term relationship. Sure, exactly. Yeah.

0:51:51.520 --> 0:51:55.759
<v Speaker 1>Also worth mentioning that cut Serro does not speak English, um,

0:51:55.840 --> 0:51:59.520
<v Speaker 1>he speaks Japanese, so he is unable to communicate with

0:51:59.680 --> 0:52:04.160
<v Speaker 1>both the Doctor Hyder or the two women. And also

0:52:04.560 --> 0:52:07.880
<v Speaker 1>like it's another way in which Dr Hyder kind of

0:52:07.920 --> 0:52:10.040
<v Speaker 1>has the upper hand because it seems like when he

0:52:10.080 --> 0:52:11.759
<v Speaker 1>does not want the women to know what's going on,

0:52:11.880 --> 0:52:14.160
<v Speaker 1>he speaks in German, and when he does want the

0:52:14.160 --> 0:52:16.240
<v Speaker 1>women to know what's going on, he speaks in English

0:52:16.280 --> 0:52:18.360
<v Speaker 1>in a way that they can understand him. But Catsro

0:52:18.640 --> 0:52:24.280
<v Speaker 1>is kind of like uniquely isolated in this way. Yeah, yeah,

0:52:24.440 --> 0:52:28.880
<v Speaker 1>and so yeah, the check up happens, and then Jenny

0:52:28.960 --> 0:52:31.799
<v Speaker 1>seems to be very ill. She she's not taking well

0:52:31.920 --> 0:52:34.640
<v Speaker 1>to the human so ton apede. Well, she's starving operation

0:52:34.640 --> 0:52:38.080
<v Speaker 1>no one's giving her poop poo, She's starving. She her

0:52:38.239 --> 0:52:41.920
<v Speaker 1>her mouth's incisions are infected. Uh, and it seems like

0:52:41.960 --> 0:52:47.040
<v Speaker 1>she's dying. Then two detectives show up to Dr Hyder's

0:52:47.080 --> 0:52:51.400
<v Speaker 1>house and asks if he knows anything about some people

0:52:51.440 --> 0:52:54.239
<v Speaker 1>who have gone missing. Then my favorite moment in the

0:52:54.320 --> 0:52:58.360
<v Speaker 1>movie where they see the humans Hanne Kennel and the

0:52:58.440 --> 0:53:01.440
<v Speaker 1>detective I think we're supposedly that is the smarter detective

0:53:01.600 --> 0:53:04.960
<v Speaker 1>in that he is not the detective who immediately becomes roofied.

0:53:06.200 --> 0:53:10.879
<v Speaker 1>He is like, so what is this for? It's so

0:53:10.960 --> 0:53:12.840
<v Speaker 1>funny to me when he looks at the humans that

0:53:12.920 --> 0:53:14.759
<v Speaker 1>to be the cage and it's like, are you sure

0:53:14.800 --> 0:53:18.440
<v Speaker 1>you don't know anything about these people who have gone? Meanwhile,

0:53:18.560 --> 0:53:23.120
<v Speaker 1>Dr Hyder is acting, he's acting out, he really is yelling.

0:53:23.640 --> 0:53:29.000
<v Speaker 1>He's really banking on them being roofied soon based on

0:53:29.120 --> 0:53:35.279
<v Speaker 1>his behavior, right. Um. Dr Hyder then goes back down

0:53:35.320 --> 0:53:39.120
<v Speaker 1>to the basement and he's like, okay, new plan. Jenny's

0:53:39.160 --> 0:53:42.440
<v Speaker 1>about to die, so she'll get removed from the human centipede,

0:53:42.440 --> 0:53:45.480
<v Speaker 1>but I'm going to add two more people, these detectives

0:53:45.480 --> 0:53:49.520
<v Speaker 1>who are upstairs. But before that happens, the detectives leave

0:53:50.080 --> 0:53:52.880
<v Speaker 1>because they need to go. They said this is another

0:53:52.960 --> 0:53:55.600
<v Speaker 1>thing that I was like, Oh, this is genuinely like

0:53:56.400 --> 0:53:59.160
<v Speaker 1>sort of a funny trace where they're like, we really

0:53:59.160 --> 0:54:01.120
<v Speaker 1>want to inspect the house and he's like, well, you're

0:54:01.160 --> 0:54:04.800
<v Speaker 1>gonna have to get a search warrant and they're like, Okay,

0:54:04.800 --> 0:54:07.720
<v Speaker 1>we'll be back in twenty minutes. And in the twenty

0:54:07.760 --> 0:54:10.839
<v Speaker 1>minutes things really go off the rails inside the Human

0:54:10.920 --> 0:54:17.239
<v Speaker 1>Centipete house truly, because Cut zero, Lindsay and Jenny use

0:54:17.360 --> 0:54:21.480
<v Speaker 1>this as a distraction to attack the doctor and kind

0:54:21.480 --> 0:54:24.839
<v Speaker 1>of incapacitate him. Cut Soro really like he I think

0:54:24.880 --> 0:54:29.600
<v Speaker 1>gives him like too brutal, like debilitating wounds. Yes. And

0:54:29.600 --> 0:54:32.760
<v Speaker 1>then so they're using this opportunity to try to escape,

0:54:33.520 --> 0:54:36.400
<v Speaker 1>but the doctors like right, he's you know, dragging himself

0:54:36.480 --> 0:54:39.840
<v Speaker 1>right behind them, and it seems like they're trapped and

0:54:39.840 --> 0:54:43.400
<v Speaker 1>they have no way out. So cut zero kills himself,

0:54:44.280 --> 0:54:50.440
<v Speaker 1>not before making uh Shakespearean monologue where we'll talk about this,

0:54:50.480 --> 0:54:54.320
<v Speaker 1>but like cutzero, we know we I mean, it's another

0:54:54.440 --> 0:54:55.920
<v Speaker 1>I feel like we've done a lot of these movies

0:54:55.960 --> 0:54:59.360
<v Speaker 1>recently where you know nothing really about any of the

0:54:59.440 --> 0:55:01.919
<v Speaker 1>character is in terms of other than like who knows

0:55:01.960 --> 0:55:03.919
<v Speaker 1>each other and who doesn't. I think you, I would

0:55:03.960 --> 0:55:07.879
<v Speaker 1>argue you most you know most about the doctor at

0:55:07.920 --> 0:55:10.480
<v Speaker 1>this point, because you really don't know anything about the

0:55:10.480 --> 0:55:13.919
<v Speaker 1>girls other than their American and friends, and you know

0:55:14.560 --> 0:55:18.480
<v Speaker 1>nothing about kut Serro other than he has been plucked,

0:55:19.000 --> 0:55:21.759
<v Speaker 1>you know, out of his car. And then he like

0:55:22.360 --> 0:55:26.279
<v Speaker 1>gives this this like soliloquy at the end where he's like,

0:55:26.480 --> 0:55:30.680
<v Speaker 1>I've lived a sinful life. I have lived selfishly. I

0:55:30.800 --> 0:55:34.680
<v Speaker 1>abandoned my child. And you're like, cat Sero, what is

0:55:34.760 --> 0:55:37.600
<v Speaker 1>going on? And then and then he's dead, and it's

0:55:37.640 --> 0:55:40.080
<v Speaker 1>just like you learn everything you're ever going to learn

0:55:40.120 --> 0:55:42.759
<v Speaker 1>about this character at the like three seconds before he does,

0:55:42.840 --> 0:55:47.680
<v Speaker 1>and it's like, right, what that was, we'll talk about it.

0:55:47.719 --> 0:55:51.360
<v Speaker 1>But I was like, oh my god, cat Sero, and

0:55:51.400 --> 0:55:53.359
<v Speaker 1>no one can understand what he is doing. I mean

0:55:53.400 --> 0:55:56.400
<v Speaker 1>we can as an audience because we are given the subtitles.

0:55:56.600 --> 0:56:00.520
<v Speaker 1>We're given the subtitles, but it's like the centipee nor

0:56:00.600 --> 0:56:05.080
<v Speaker 1>the doctor can understand this like very tragic thing he's

0:56:05.120 --> 0:56:09.600
<v Speaker 1>just told us. It made me sad. Yeah, everyone in

0:56:09.600 --> 0:56:16.600
<v Speaker 1>the human centipede deserved better, I'll say it. I'd even

0:56:16.600 --> 0:56:19.040
<v Speaker 1>go so far as to say they didn't deserve to

0:56:19.440 --> 0:56:22.919
<v Speaker 1>be made into a human centipede. But that's just me,

0:56:23.320 --> 0:56:26.560
<v Speaker 1>I just me, I agree. And something that made me

0:56:26.600 --> 0:56:30.440
<v Speaker 1>really particularly sad about Catzera's speeches that he didn't seem

0:56:30.480 --> 0:56:33.440
<v Speaker 1>to feel that way he seemed to feel like, well,

0:56:33.520 --> 0:56:36.000
<v Speaker 1>because of all this ship that I've done in my

0:56:36.080 --> 0:56:38.680
<v Speaker 1>life that is bad, and I have like done these

0:56:38.680 --> 0:56:41.360
<v Speaker 1>things that were that I feel a lot of guilt about.

0:56:42.120 --> 0:56:45.000
<v Speaker 1>I guess this is my come uppance. I guess I

0:56:45.080 --> 0:56:48.839
<v Speaker 1>just had. And he's like, I'm but and I love genuinely.

0:56:48.960 --> 0:56:52.160
<v Speaker 1>I was moved when he said, but I am still

0:56:52.400 --> 0:56:56.880
<v Speaker 1>a human being, and you're like, yeah, there's nothing you

0:56:57.000 --> 0:57:00.239
<v Speaker 1>can do that would be so bad, so us to

0:57:00.320 --> 0:57:03.360
<v Speaker 1>deserve being a human centipede? Really, I mean, certainly not

0:57:03.440 --> 0:57:06.319
<v Speaker 1>what he's describing. He's it sounds like he's certainly made

0:57:06.360 --> 0:57:12.959
<v Speaker 1>big mistakes in his life regrets, but not a human centipede, greed, sin.

0:57:13.520 --> 0:57:16.760
<v Speaker 1>It's just it was I was moved by that speech.

0:57:16.800 --> 0:57:25.040
<v Speaker 1>Oh my god, same heavy indeed. Um. So the movie

0:57:25.080 --> 0:57:31.800
<v Speaker 1>is almost over. The detectives come back and they discover

0:57:32.160 --> 0:57:35.960
<v Speaker 1>the human centipede. They are there, they don't know what

0:57:36.120 --> 0:57:40.160
<v Speaker 1>they this is out of their pay grade. Then there's

0:57:40.200 --> 0:57:44.240
<v Speaker 1>like a scuffle between them and Dr Hyder where they

0:57:44.240 --> 0:57:47.840
<v Speaker 1>both the detectives and Dr Hyder are shot and killed

0:57:47.920 --> 0:57:52.320
<v Speaker 1>or killed in some way, and then Jenny dies. So

0:57:53.200 --> 0:57:57.120
<v Speaker 1>Lindsay is in the middle still alive, but with two

0:57:57.240 --> 0:58:00.720
<v Speaker 1>dead people on either side of her, and she's like

0:58:00.960 --> 0:58:04.880
<v Speaker 1>sobbing and there's no one to help, and she's her

0:58:05.000 --> 0:58:08.880
<v Speaker 1>life has been. She's in a human centipede. And that

0:58:09.120 --> 0:58:11.680
<v Speaker 1>is how all the movie ends. I mean, it's it's

0:58:11.720 --> 0:58:16.680
<v Speaker 1>safe to say that she's fucked. You know, she's more

0:58:16.760 --> 0:58:20.040
<v Speaker 1>or less fucked, is is what you could really say

0:58:20.040 --> 0:58:24.360
<v Speaker 1>about her situation. Let I was shocked that that's where

0:58:24.400 --> 0:58:26.360
<v Speaker 1>it ends. I guess, let's take a break. Let's take

0:58:26.400 --> 0:58:36.640
<v Speaker 1>a break. We'll come right back and we're back. Yes,

0:58:38.200 --> 0:58:42.800
<v Speaker 1>all right, well, um we I mean during the recap

0:58:42.840 --> 0:58:45.800
<v Speaker 1>we talked a fair amount about the relationship between the

0:58:45.840 --> 0:58:50.760
<v Speaker 1>two female characters in this movie. You know, I don't

0:58:50.800 --> 0:58:53.680
<v Speaker 1>think it's a perfectly written relationship. I think that it

0:58:53.840 --> 0:58:58.439
<v Speaker 1>is in terms of, like, if we're going this genre specifically,

0:58:58.640 --> 0:59:04.440
<v Speaker 1>it's not the word. And I felt like, I don't know,

0:59:04.520 --> 0:59:07.520
<v Speaker 1>most of my feelings about this movie get into like

0:59:07.720 --> 0:59:11.400
<v Speaker 1>the themes surrounding the doctor. Yeah, so I don't know.

0:59:11.440 --> 0:59:13.800
<v Speaker 1>I guess, let's do you have any other kind of

0:59:13.840 --> 0:59:18.480
<v Speaker 1>observations about how the women in this movie are treated

0:59:18.480 --> 0:59:21.920
<v Speaker 1>outside of becoming a human centipede? Of course? Right? Um?

0:59:21.960 --> 0:59:26.040
<v Speaker 1>As far as like character development goes, Yeah, I just

0:59:26.080 --> 0:59:30.400
<v Speaker 1>don't think a lot of time is spent characterizing them.

0:59:30.400 --> 0:59:32.560
<v Speaker 1>In fact, I don't even know if I could. I

0:59:32.600 --> 0:59:36.160
<v Speaker 1>could not tell the difference between the two women for

0:59:36.240 --> 0:59:40.680
<v Speaker 1>a long time. I knew curly hair, straight hair, That's

0:59:40.840 --> 0:59:44.800
<v Speaker 1>what I knew. And I also I it felt like

0:59:45.360 --> 0:59:48.000
<v Speaker 1>kind of early you found out like, oh, Linda is

0:59:48.040 --> 0:59:50.800
<v Speaker 1>our final girl, because she is the one making an

0:59:50.840 --> 0:59:54.200
<v Speaker 1>active effort to escape, which I genuinely do appreciate in

0:59:54.280 --> 0:59:58.200
<v Speaker 1>this genre because sometimes it's just like nope, like everyone

0:59:58.280 --> 1:00:01.920
<v Speaker 1>here just doesn't have like any sort of judgment skills,

1:00:02.080 --> 1:00:04.240
<v Speaker 1>and they'll do anything, and they're not going to try

1:00:04.280 --> 1:00:06.400
<v Speaker 1>to escape, and they're going to be very passive, and

1:00:07.240 --> 1:00:09.720
<v Speaker 1>Lindsay is kind of immediately established as the person who

1:00:09.720 --> 1:00:12.520
<v Speaker 1>will be active. I feel like it would have been

1:00:12.560 --> 1:00:15.600
<v Speaker 1>maybe cooler to see them both participating in this effort.

1:00:16.440 --> 1:00:20.480
<v Speaker 1>But Jenny is like unconscious for most of the time,

1:00:20.920 --> 1:00:23.680
<v Speaker 1>like most of Act two and three, it seems like

1:00:23.720 --> 1:00:27.160
<v Speaker 1>she was like drugged maybe harder, Like it seems like

1:00:27.160 --> 1:00:31.000
<v Speaker 1>like the drugs like affected her maybe more than it

1:00:31.080 --> 1:00:33.560
<v Speaker 1>did Lindsay. That's what it seemed like, because she's like

1:00:33.640 --> 1:00:38.040
<v Speaker 1>knocked out a lot. I don't know, I appreciated their friendship.

1:00:38.160 --> 1:00:40.920
<v Speaker 1>I was like, like at the end when Jenny died,

1:00:41.520 --> 1:00:44.400
<v Speaker 1>I don't know why I didn't see it coming, but

1:00:44.480 --> 1:00:46.800
<v Speaker 1>when Jenny died, and because there is kind of this

1:00:46.920 --> 1:00:51.800
<v Speaker 1>like repeated shot of like when things are the most

1:00:51.960 --> 1:00:55.600
<v Speaker 1>fucked up with the Human Centipede, Jenny and Lindsay will

1:00:55.640 --> 1:00:58.680
<v Speaker 1>hold each other's hands as if to say, Wow, this

1:00:58.760 --> 1:01:02.600
<v Speaker 1>is really fucked up, that's what. But it was like,

1:01:02.680 --> 1:01:05.880
<v Speaker 1>I really thought that that was like a nice touch

1:01:06.000 --> 1:01:08.680
<v Speaker 1>to connect these characters because they're the only characters in

1:01:08.720 --> 1:01:12.320
<v Speaker 1>these scenes that know each other and have any history together,

1:01:12.360 --> 1:01:17.720
<v Speaker 1>and like having god having a female friendship at the

1:01:17.800 --> 1:01:21.880
<v Speaker 1>center of the Human Centipede. I just I thought it

1:01:21.960 --> 1:01:24.400
<v Speaker 1>was nice that they that you kind of got that

1:01:24.440 --> 1:01:28.439
<v Speaker 1>repeated connection between them just to even remind the audience like, oh, yeah,

1:01:28.480 --> 1:01:31.400
<v Speaker 1>these women like really know and love each other and

1:01:32.080 --> 1:01:35.480
<v Speaker 1>what's happening to them. And so so by the time

1:01:35.480 --> 1:01:37.960
<v Speaker 1>that Jenny died at the end, I genuinely did feel

1:01:38.000 --> 1:01:42.360
<v Speaker 1>like really like I don't know, given what, and we'll

1:01:42.360 --> 1:01:44.040
<v Speaker 1>talk about kind of the behind the scenes stuff, but

1:01:44.080 --> 1:01:49.040
<v Speaker 1>I thought that the actors in this movie given truly

1:01:49.120 --> 1:01:54.520
<v Speaker 1>impossible material did pretty well of like communicating their arc.

1:01:54.760 --> 1:01:59.200
<v Speaker 1>And I think that like Jenny and Lindsay had like

1:01:59.320 --> 1:02:02.520
<v Speaker 1>clearly commu indicated what their arc was as friends and

1:02:02.720 --> 1:02:06.360
<v Speaker 1>human centipies. I think that cut Serro like given truly

1:02:06.400 --> 1:02:09.480
<v Speaker 1>nothing until the end, Like you just, I thought that

1:02:09.520 --> 1:02:12.120
<v Speaker 1>the actors in this movie did that really made a

1:02:12.200 --> 1:02:16.920
<v Speaker 1>meal of of the poop poo, because because I was

1:02:17.000 --> 1:02:20.520
<v Speaker 1>genuinely like like that that whole scene at the end

1:02:20.680 --> 1:02:24.800
<v Speaker 1>where cutzero is like gives his like parting monologue and

1:02:24.840 --> 1:02:28.120
<v Speaker 1>you're like what and then he and then and then

1:02:28.280 --> 1:02:33.200
<v Speaker 1>immediately after Jenny dies and the doctor, which we'll talk

1:02:33.240 --> 1:02:37.080
<v Speaker 1>about him, but he's like the scariest villain of all time,

1:02:37.280 --> 1:02:40.640
<v Speaker 1>and like you did feel like I don't know, I

1:02:40.680 --> 1:02:43.160
<v Speaker 1>guess that my only my not my only note. But

1:02:43.240 --> 1:02:45.400
<v Speaker 1>like Lindsay and Jenny sort of seemed to be on

1:02:45.520 --> 1:02:48.640
<v Speaker 1>like they weren't on really separate arcs. They were kind

1:02:48.680 --> 1:02:52.680
<v Speaker 1>of a unique character like you were describing, And I

1:02:52.760 --> 1:02:55.520
<v Speaker 1>kind of wish that you got more from the two

1:02:55.560 --> 1:02:59.000
<v Speaker 1>because there was space for that. Yeah, I think their

1:02:59.040 --> 1:03:01.560
<v Speaker 1>characters could have been like differentiated a bit more. I

1:03:01.600 --> 1:03:06.720
<v Speaker 1>couldn't really get a sense of a distinct personality from

1:03:06.760 --> 1:03:08.680
<v Speaker 1>either of them, or they just sort of seemed to

1:03:08.720 --> 1:03:12.480
<v Speaker 1>be kind of like two characters with the same personality,

1:03:12.720 --> 1:03:16.440
<v Speaker 1>which was barely developed in the first place. It seemed

1:03:16.440 --> 1:03:18.880
<v Speaker 1>to kind of come down to like and and in

1:03:18.920 --> 1:03:21.680
<v Speaker 1>a way that I could really distinguish particularly but like

1:03:22.480 --> 1:03:25.280
<v Speaker 1>Lindsay is the strong one for some reason, and Jenny

1:03:25.400 --> 1:03:27.360
<v Speaker 1>is the weak one for some reason. But if you

1:03:27.400 --> 1:03:30.440
<v Speaker 1>were asked to decide who was who in the establishing scene,

1:03:30.520 --> 1:03:32.840
<v Speaker 1>it would be basically impossible. You're like, they're kind of

1:03:32.840 --> 1:03:36.720
<v Speaker 1>acting exactly the same. Why would one behave one way

1:03:36.800 --> 1:03:38.520
<v Speaker 1>or over the other. So yeah, I think they do

1:03:38.600 --> 1:03:44.280
<v Speaker 1>kind of form this unique character. They also are the

1:03:44.280 --> 1:03:48.560
<v Speaker 1>ones the only ones that have to eat poop um,

1:03:48.600 --> 1:03:50.920
<v Speaker 1>so there is that the way only women eat poop

1:03:50.960 --> 1:03:54.560
<v Speaker 1>and human centipede one. And I mean, I mean, just

1:03:54.600 --> 1:03:58.440
<v Speaker 1>thinking about the behind the scenes production, like these actors

1:03:58.480 --> 1:04:01.240
<v Speaker 1>on this set, it also means that this this writer

1:04:01.960 --> 1:04:07.160
<v Speaker 1>wrote a movie where two women actors have to have

1:04:07.240 --> 1:04:11.600
<v Speaker 1>their faces in someone's ass and their topless. Also the

1:04:11.800 --> 1:04:14.959
<v Speaker 1>entire movie. Yes, uh huh, So let's talk a little

1:04:14.960 --> 1:04:16.919
<v Speaker 1>bit because we I know we both read this. There

1:04:17.200 --> 1:04:21.520
<v Speaker 1>was I I feel like every like camp or like

1:04:21.760 --> 1:04:26.000
<v Speaker 1>niche movie we covered, there is some sort of extremely

1:04:26.080 --> 1:04:29.640
<v Speaker 1>useful oral history that's been done. And I love this trend.

1:04:29.680 --> 1:04:31.600
<v Speaker 1>I hope it keeps up. This one is from Vulture

1:04:32.040 --> 1:04:34.840
<v Speaker 1>was put together by Kenny hurt zog Um. We're going

1:04:34.920 --> 1:04:36.880
<v Speaker 1>to be pulling from the first one because I was like,

1:04:36.960 --> 1:04:41.480
<v Speaker 1>I just cannot interact with other movies in this series.

1:04:41.560 --> 1:04:44.200
<v Speaker 1>But but there is a lot like with a movie

1:04:44.240 --> 1:04:47.479
<v Speaker 1>like this, particularly where you're like, this is the most

1:04:47.560 --> 1:04:50.400
<v Speaker 1>fucked up thing you could Like, this is truly Tom

1:04:50.480 --> 1:04:53.400
<v Speaker 1>six saying what's the most fucked up thing I could

1:04:53.440 --> 1:04:55.840
<v Speaker 1>think of? And then I'll make a movie of it.

1:04:55.920 --> 1:04:59.720
<v Speaker 1>And I feel like when you are doing that, it

1:04:59.880 --> 1:05:02.840
<v Speaker 1>is is like a responsibility of the creator to be

1:05:02.960 --> 1:05:05.960
<v Speaker 1>very careful and be very deliberate with how you're treating

1:05:06.400 --> 1:05:09.440
<v Speaker 1>your cast and your crew who you are, you know,

1:05:09.640 --> 1:05:12.480
<v Speaker 1>like paying to execute your vision. But you have to

1:05:12.520 --> 1:05:16.560
<v Speaker 1>treat people honestly and in good faith. And so I

1:05:16.600 --> 1:05:20.560
<v Speaker 1>went into this thing being like, I hope that Tom

1:05:20.600 --> 1:05:24.400
<v Speaker 1>six was very upfront about like this is what this is.

1:05:24.680 --> 1:05:26.360
<v Speaker 1>If it's really foxed up and you don't want to

1:05:26.400 --> 1:05:28.640
<v Speaker 1>do it, that's totally fine, don't do it. But this

1:05:28.720 --> 1:05:32.040
<v Speaker 1>is what it is. It does not sound like that

1:05:32.320 --> 1:05:35.800
<v Speaker 1>is the way that it went. But first I wanted

1:05:35.840 --> 1:05:38.400
<v Speaker 1>to just mention as just kind of a way of discussing,

1:05:38.440 --> 1:05:42.200
<v Speaker 1>Like I do think that there is a point to

1:05:42.320 --> 1:05:44.680
<v Speaker 1>the first human centipede. It sounds like there's not to

1:05:44.760 --> 1:05:47.680
<v Speaker 1>the other ones. But like the way that Tom six

1:05:47.880 --> 1:05:53.440
<v Speaker 1>described his conceiving of the worst thing everyone now knows

1:05:53.560 --> 1:05:58.080
<v Speaker 1>for some reason, like from one man's mind, everyone's nightmare

1:05:58.200 --> 1:06:02.040
<v Speaker 1>forever was that it sounds like it came from two places.

1:06:02.120 --> 1:06:04.480
<v Speaker 1>And I have a longer but like, let's talk about

1:06:04.520 --> 1:06:06.760
<v Speaker 1>the protection. But he started, he started by saying, like,

1:06:07.520 --> 1:06:10.200
<v Speaker 1>you know, what is the worst I mean, it seems

1:06:10.200 --> 1:06:12.520
<v Speaker 1>like he was what's the worst crime I could think of?

1:06:12.600 --> 1:06:15.560
<v Speaker 1>And how would I punish it? And so what he

1:06:15.680 --> 1:06:19.000
<v Speaker 1>thought of was child sex abuse and what is the

1:06:19.040 --> 1:06:22.200
<v Speaker 1>worst way to punish a child sex abuser? Something akin

1:06:22.280 --> 1:06:25.040
<v Speaker 1>to a human centipede? And so that is kind of

1:06:25.080 --> 1:06:28.640
<v Speaker 1>where this idea comes from. And then it seems like,

1:06:29.280 --> 1:06:31.560
<v Speaker 1>and I have other stuff here too, but like it

1:06:31.640 --> 1:06:35.600
<v Speaker 1>seems like where he goes is building out this like

1:06:35.800 --> 1:06:39.720
<v Speaker 1>Nazi doctor character and kind of taking it in this

1:06:39.880 --> 1:06:45.080
<v Speaker 1>different historical direction to create this uniquely cruel punishment. But

1:06:45.120 --> 1:06:48.800
<v Speaker 1>the difference with the human centipede is that the people

1:06:48.840 --> 1:06:50.920
<v Speaker 1>who are forced to be a human centipede are not

1:06:51.080 --> 1:06:55.880
<v Speaker 1>child sex abusers. They're just people who this doctor perceives

1:06:55.920 --> 1:07:02.560
<v Speaker 1>to be vulnerable. So and on top of that, I

1:07:02.600 --> 1:07:08.680
<v Speaker 1>read the writer, director Tom six, saw some television program

1:07:08.680 --> 1:07:12.320
<v Speaker 1>about like a child sex abuser and was like, Oh,

1:07:12.360 --> 1:07:16.400
<v Speaker 1>what's the worst possible punishment for them? I know, stitching

1:07:16.520 --> 1:07:21.120
<v Speaker 1>his mouth to the anus of a quote fat truck driver.

1:07:21.440 --> 1:07:25.240
<v Speaker 1>So it's already like extremely insensitive things to do. And

1:07:25.280 --> 1:07:27.880
<v Speaker 1>I didn't even want to repeat that because I'm like, fine, well,

1:07:27.960 --> 1:07:30.960
<v Speaker 1>I don't want to give that air. Like I understand

1:07:31.000 --> 1:07:35.080
<v Speaker 1>the idea he's communicating, but I found it interesting that

1:07:35.160 --> 1:07:40.600
<v Speaker 1>he took that idea but then applied it to innocent people,

1:07:40.920 --> 1:07:43.479
<v Speaker 1>Like it sounds like it was conceived as like, what's

1:07:43.520 --> 1:07:46.200
<v Speaker 1>the worst punishment for the worst crime you can think of?

1:07:46.480 --> 1:07:48.160
<v Speaker 1>And then was like, but then the way his script

1:07:48.240 --> 1:07:52.320
<v Speaker 1>works out, it's three not just innocent people, but three

1:07:52.960 --> 1:07:57.680
<v Speaker 1>marginalized and uniquely vulnerable people in this situation. Um, and

1:07:57.720 --> 1:08:00.280
<v Speaker 1>he's like putting language barriers in front of people, and

1:08:00.960 --> 1:08:06.920
<v Speaker 1>you know, through doctor, what's his name doctor scary. You know,

1:08:07.120 --> 1:08:13.959
<v Speaker 1>like he is like this wealthy white guy who intentionally

1:08:14.040 --> 1:08:19.799
<v Speaker 1>victimizes two women and a Japanese man who he holds

1:08:19.800 --> 1:08:23.400
<v Speaker 1>a lot of power over, whether it's a control, and

1:08:23.479 --> 1:08:26.360
<v Speaker 1>how he speaks to them and how he treats them physically,

1:08:26.800 --> 1:08:29.479
<v Speaker 1>and it just seems like he's intentionally choosing people that

1:08:29.840 --> 1:08:33.639
<v Speaker 1>he perceives to be as weaker than him. And even

1:08:33.760 --> 1:08:36.000
<v Speaker 1>if you you know, apply that lotgic to the trucker

1:08:36.080 --> 1:08:39.559
<v Speaker 1>from the beginning, who's another white guy, but a white

1:08:39.560 --> 1:08:42.759
<v Speaker 1>guy who who doesn't have money, and uh it comes

1:08:42.760 --> 1:08:45.240
<v Speaker 1>from a lower class, and it's like he, you know,

1:08:45.320 --> 1:08:49.439
<v Speaker 1>the doctor is very intentionally choosing people that he used

1:08:49.520 --> 1:08:54.000
<v Speaker 1>to be whatever I mean, like weaker than him or

1:08:54.040 --> 1:08:57.559
<v Speaker 1>I felt like that was like an intentional choice writing wise, Yeah,

1:08:57.600 --> 1:09:02.719
<v Speaker 1>and then, like you mentioned, the rector was trying to

1:09:02.800 --> 1:09:06.840
<v Speaker 1>draw a parallel between like the events of this movie

1:09:07.560 --> 1:09:11.120
<v Speaker 1>and then like medical experiments that were being carried out

1:09:11.160 --> 1:09:16.000
<v Speaker 1>by Nazi doctors in Nazi Germany, and like that's where

1:09:16.000 --> 1:09:18.080
<v Speaker 1>part of the inspiration of this movie came from. Where

1:09:18.120 --> 1:09:22.360
<v Speaker 1>he's like drawing this parallel and I guess like attempting

1:09:22.439 --> 1:09:30.439
<v Speaker 1>to comment on like Nazism and fascism. Yeah, I mean

1:09:30.880 --> 1:09:32.720
<v Speaker 1>I can speak to that a little bit. That's as

1:09:32.800 --> 1:09:36.439
<v Speaker 1>close as I could get to feeling like this movie

1:09:36.600 --> 1:09:40.720
<v Speaker 1>was trying to say something. You know, it's like, does

1:09:40.760 --> 1:09:45.880
<v Speaker 1>it make the point very effectively? Almost definitely not. But

1:09:45.880 --> 1:09:48.800
<v Speaker 1>but in terms of like creating, so it's like his

1:09:48.960 --> 1:09:52.720
<v Speaker 1>two intentions are definitely in conflict because his first thing

1:09:52.800 --> 1:09:54.280
<v Speaker 1>was what we just talked about, where it was like,

1:09:55.280 --> 1:09:57.760
<v Speaker 1>you know, if there were no rules, how would you

1:09:57.800 --> 1:10:00.960
<v Speaker 1>punish the most vile crime you can think of? And

1:10:01.040 --> 1:10:03.479
<v Speaker 1>he doesn't do that in this Instead he goes this

1:10:03.520 --> 1:10:07.280
<v Speaker 1>other direction of like creating this I mean, I think

1:10:07.439 --> 1:10:12.040
<v Speaker 1>very clearly coded Nazi doctor. He's they're literally in Germany

1:10:12.640 --> 1:10:17.440
<v Speaker 1>and you're brought into this man's house, and like it's

1:10:17.520 --> 1:10:20.680
<v Speaker 1>not a sensitive portrayal of anything, but there is I

1:10:20.720 --> 1:10:25.200
<v Speaker 1>mean in terms of like reflecting any sort of realism.

1:10:25.280 --> 1:10:27.679
<v Speaker 1>It's like, I don't even want to go too deep

1:10:27.720 --> 1:10:30.680
<v Speaker 1>into it, but there there, of course is a very

1:10:30.720 --> 1:10:36.720
<v Speaker 1>traceable and underreported and not taught in mainstream education history

1:10:36.800 --> 1:10:42.840
<v Speaker 1>of medical experimentation on marginalized people's and so this particular

1:10:43.680 --> 1:10:46.639
<v Speaker 1>doctor is commenting it seems to be like on Nazi doctors,

1:10:46.680 --> 1:10:50.080
<v Speaker 1>and there were a ton of Jewish people who were

1:10:50.120 --> 1:10:54.320
<v Speaker 1>medically experimented on without their consent, against their will. Some

1:10:54.400 --> 1:10:57.480
<v Speaker 1>were murdered as a result. And this is an extremely

1:10:58.160 --> 1:11:00.439
<v Speaker 1>I mean at this point, well document did, but not

1:11:00.560 --> 1:11:04.240
<v Speaker 1>commonly discussed thing. And there's a great book about it

1:11:04.280 --> 1:11:07.200
<v Speaker 1>that we can link in the description called the Nazi

1:11:07.280 --> 1:11:11.240
<v Speaker 1>Doctor's Medical Killing and the Psychology of Genocide. That there's

1:11:11.320 --> 1:11:15.000
<v Speaker 1>many you know, there's many commonly held medical practices today

1:11:15.080 --> 1:11:20.520
<v Speaker 1>that were achieved because of these really brutal and murderous

1:11:20.840 --> 1:11:24.360
<v Speaker 1>doctors from from the twentieth century. And it also applies

1:11:24.880 --> 1:11:29.280
<v Speaker 1>to um black Americans very often. There's this there's the

1:11:29.439 --> 1:11:34.120
<v Speaker 1>Tuskegee um syphilis experiment that we can also link to.

1:11:34.240 --> 1:11:37.400
<v Speaker 1>It's I mean, really and and then there's of course

1:11:37.680 --> 1:11:40.200
<v Speaker 1>the issue of I think that it's intentional that women

1:11:40.800 --> 1:11:46.520
<v Speaker 1>are here um in in this uh in this human centipede.

1:11:47.360 --> 1:11:50.880
<v Speaker 1>Uh not just because they're this is so common to

1:11:50.960 --> 1:11:55.480
<v Speaker 1>the genre of victimizing women, but also because medical experimentation

1:11:55.600 --> 1:11:59.719
<v Speaker 1>also targe like very often targets women without their consent.

1:12:00.120 --> 1:12:03.160
<v Speaker 1>And I think that it's this is like the furthest

1:12:03.160 --> 1:12:06.240
<v Speaker 1>thing from the human centipede, but I was reminded of

1:12:06.280 --> 1:12:09.479
<v Speaker 1>the story of Henrietta Lacks. There was like a movie

1:12:09.520 --> 1:12:11.639
<v Speaker 1>about it a couple of years ago that obrah wasn't

1:12:11.680 --> 1:12:16.200
<v Speaker 1>But m Henrietta Lacks was a um someone who eventually

1:12:16.200 --> 1:12:20.040
<v Speaker 1>died of cancer, whose cancer cells were studied without her

1:12:20.080 --> 1:12:25.000
<v Speaker 1>consent to create uh you know, just strides forward in

1:12:25.080 --> 1:12:27.720
<v Speaker 1>the field that have saved millions of life since. But

1:12:28.439 --> 1:12:32.200
<v Speaker 1>this was a black woman who's you know, a part

1:12:32.240 --> 1:12:34.320
<v Speaker 1>of her body was taken from her without her consent,

1:12:34.360 --> 1:12:37.040
<v Speaker 1>and her family was never compensated. She was never asked,

1:12:37.080 --> 1:12:42.080
<v Speaker 1>And this is like a serious issue in the medical community,

1:12:42.200 --> 1:12:44.479
<v Speaker 1>and it's like, you know, we're we're not the best

1:12:44.520 --> 1:12:46.400
<v Speaker 1>qualified people to talk about it, but it is like

1:12:46.800 --> 1:12:52.120
<v Speaker 1>a very real thing that's going on. Does the human

1:12:52.280 --> 1:12:57.320
<v Speaker 1>said depeede? No, No, But I I did find it

1:12:57.400 --> 1:13:00.800
<v Speaker 1>at least I guess that. I I'm like working with

1:13:00.840 --> 1:13:04.840
<v Speaker 1>a with a yardstick of like more than I expected.

1:13:05.680 --> 1:13:09.960
<v Speaker 1>UM like that it even attempts to kind of touch

1:13:10.040 --> 1:13:12.920
<v Speaker 1>on something like this, because I honestly went into this

1:13:12.960 --> 1:13:16.040
<v Speaker 1>movie thinking like they just want to do the grossest

1:13:16.120 --> 1:13:18.559
<v Speaker 1>thing they can think of and make me watch it,

1:13:18.960 --> 1:13:22.240
<v Speaker 1>which is what they do as well. But but there

1:13:22.320 --> 1:13:25.800
<v Speaker 1>was also like at least some level of cognizance in

1:13:25.920 --> 1:13:29.280
<v Speaker 1>terms of how the characters were curated. I'm not saying

1:13:29.320 --> 1:13:31.920
<v Speaker 1>it's good. I'm just saying it's more intentional than I

1:13:31.960 --> 1:13:37.479
<v Speaker 1>thought it would be. Yes, I can't argue with that,

1:13:37.760 --> 1:13:41.960
<v Speaker 1>but it's again it's a matter of like intention versus

1:13:42.439 --> 1:13:47.600
<v Speaker 1>what actually ends up happening on screen. Like, well, I

1:13:47.640 --> 1:13:49.880
<v Speaker 1>feel like it's I do think that, Like I don't

1:13:49.920 --> 1:13:52.960
<v Speaker 1>know that the human centipedes trying to say anything. It's

1:13:52.960 --> 1:13:56.800
<v Speaker 1>like it's referencing more than I thought it was. Sure, sure, sure,

1:13:57.000 --> 1:14:00.400
<v Speaker 1>because ultimately I don't know that Tom six is like

1:14:01.160 --> 1:14:05.360
<v Speaker 1>there is some grand takeaway you should be unless he's

1:14:05.520 --> 1:14:08.920
<v Speaker 1>really just like off in this other zone. I don't

1:14:08.920 --> 1:14:12.320
<v Speaker 1>even recognize, Like I don't know that he's being like

1:14:12.439 --> 1:14:14.880
<v Speaker 1>and you're going to take away this huge it's really

1:14:14.880 --> 1:14:18.000
<v Speaker 1>going to make you think. But he's just like referencing

1:14:18.040 --> 1:14:21.599
<v Speaker 1>more things than I I thought he was just gonna

1:14:21.600 --> 1:14:24.160
<v Speaker 1>be like mouths a butt, it's going to be ninety minutes,

1:14:24.200 --> 1:14:26.360
<v Speaker 1>you're gonna watch it or you're not going to, which

1:14:26.360 --> 1:14:27.880
<v Speaker 1>is true to an extent, But like he's he is

1:14:27.920 --> 1:14:32.639
<v Speaker 1>referencing some stuff that I was like, I mean, it's

1:14:32.680 --> 1:14:36.640
<v Speaker 1>not saying anything, but it is referencing things where I

1:14:36.640 --> 1:14:38.840
<v Speaker 1>don't know what the intention is here. I mean honestly, like,

1:14:40.200 --> 1:14:43.960
<v Speaker 1>it doesn't it's it's it's interest. Interesting is a very

1:14:43.960 --> 1:14:47.040
<v Speaker 1>generous way to describe it. But like in this oral history,

1:14:47.439 --> 1:14:51.000
<v Speaker 1>I feel like it seems like Tom Sticks was being

1:14:51.000 --> 1:14:53.160
<v Speaker 1>asked what his intention is over and over and over

1:14:53.520 --> 1:14:55.719
<v Speaker 1>and he is not really able to answer the question.

1:14:55.960 --> 1:14:58.639
<v Speaker 1>He's able to like list things he was thinking about,

1:14:59.160 --> 1:15:02.320
<v Speaker 1>and he's able to things that he's referencing, but he's

1:15:02.360 --> 1:15:05.160
<v Speaker 1>not really able to tell you, like this is the point.

1:15:05.200 --> 1:15:09.240
<v Speaker 1>I think the point is it's fucking gross. Like yeah, ultimately,

1:15:09.240 --> 1:15:13.760
<v Speaker 1>I think that is the point. I don't know. Yes, um,

1:15:13.800 --> 1:15:16.200
<v Speaker 1>I want to talk a little bit about like the

1:15:16.200 --> 1:15:19.920
<v Speaker 1>production of it. Yes, Yeah, let's go, let's go through

1:15:19.960 --> 1:15:22.360
<v Speaker 1>that a little more because this, um, there's a lot

1:15:22.680 --> 1:15:27.280
<v Speaker 1>to to chew on with this oral history. Yeah, so

1:15:27.479 --> 1:15:30.519
<v Speaker 1>because it seems like it was presented very disingenuously to

1:15:30.680 --> 1:15:35.439
<v Speaker 1>the actors and the production in general. Yeah, I did

1:15:35.560 --> 1:15:39.559
<v Speaker 1>read I think this is mentioned in the oral history

1:15:39.640 --> 1:15:42.240
<v Speaker 1>that um, because I'm pulling information from both of that

1:15:42.320 --> 1:15:46.720
<v Speaker 1>and UM our favorite scholarly journal Wikipedia. UM. But like

1:15:46.760 --> 1:15:50.479
<v Speaker 1>a lot of actors who came in to read for

1:15:50.640 --> 1:15:55.160
<v Speaker 1>the roles of like Lindsay or Jenny or cuts, We're like,

1:15:55.640 --> 1:15:58.160
<v Speaker 1>this is what this movie is. Fuck no, and then

1:15:58.160 --> 1:16:00.439
<v Speaker 1>they like stormed out of the audition kind of things.

1:16:00.479 --> 1:16:04.559
<v Speaker 1>So there was some transparency, But like, I do think

1:16:04.720 --> 1:16:07.000
<v Speaker 1>that it seems like it is like kind of bizarre

1:16:07.040 --> 1:16:09.439
<v Speaker 1>to me that you could get all the way into

1:16:09.520 --> 1:16:13.000
<v Speaker 1>the like that's I guess something that It's like, I

1:16:13.000 --> 1:16:16.200
<v Speaker 1>don't know that I've ever Maybe this isn't totally true,

1:16:16.320 --> 1:16:18.040
<v Speaker 1>but I don't know that I've ever gone into an

1:16:18.040 --> 1:16:23.439
<v Speaker 1>audition room for something that is like that much with

1:16:23.800 --> 1:16:26.400
<v Speaker 1>having no idea until I'm already in the room with

1:16:26.520 --> 1:16:29.920
<v Speaker 1>the director. You know, Like that even seems kind of

1:16:30.000 --> 1:16:34.120
<v Speaker 1>like sketchy. Um that you could get all the way

1:16:34.160 --> 1:16:37.639
<v Speaker 1>into an audition before realizing what a human centipede is.

1:16:37.800 --> 1:16:41.400
<v Speaker 1>You know, they should be more upfront about Yeah, I

1:16:41.439 --> 1:16:46.040
<v Speaker 1>did read that. Um. Before the actors signed onto the project,

1:16:46.280 --> 1:16:50.120
<v Speaker 1>they were given an outline of the script or an

1:16:50.120 --> 1:16:54.120
<v Speaker 1>outline of the storyboard, rather than a full script, so

1:16:54.200 --> 1:16:59.080
<v Speaker 1>they didn't fully know exactly what like specific scenes they

1:16:59.080 --> 1:17:00.840
<v Speaker 1>were going to have to be doing out that they

1:17:00.840 --> 1:17:05.960
<v Speaker 1>were given sketches of how this centipede would look, so

1:17:06.000 --> 1:17:09.320
<v Speaker 1>they at least know, well, that's not not that part.

1:17:10.200 --> 1:17:15.080
<v Speaker 1>My favorite cursed quote from from this was Ashlyn Jenny,

1:17:15.240 --> 1:17:19.880
<v Speaker 1>who played Jenny. The way that her manager framed it

1:17:19.920 --> 1:17:23.519
<v Speaker 1>to her when she was asked to audition was hey,

1:17:23.600 --> 1:17:27.400
<v Speaker 1>would you like to audition for this controversial European film.

1:17:27.600 --> 1:17:31.000
<v Speaker 1>I'm like, oh my god, could you like frame the

1:17:31.080 --> 1:17:35.439
<v Speaker 1>human centipede in a less honest way than I mean,

1:17:35.479 --> 1:17:38.720
<v Speaker 1>it is technically a controversial European film, but that's not

1:17:38.800 --> 1:17:42.280
<v Speaker 1>what I think of, no, when I think of yeah.

1:17:42.400 --> 1:17:44.920
<v Speaker 1>And then I was also curious because I was like,

1:17:45.160 --> 1:17:49.679
<v Speaker 1>how safe were these actors? How much discomfort were they

1:17:49.760 --> 1:17:54.240
<v Speaker 1>in on like physically, emotionally, mentally, you know, I just

1:17:54.360 --> 1:17:56.439
<v Speaker 1>I had to feel. I was just like, I was

1:17:56.479 --> 1:18:00.559
<v Speaker 1>so worried that I would learn the condition on set

1:18:00.600 --> 1:18:03.679
<v Speaker 1>were like really unpleasant and toxic, and to some degree

1:18:03.720 --> 1:18:11.080
<v Speaker 1>they were. And regarding Dieter later Dieter Laser Mr laser Um,

1:18:11.120 --> 1:18:12.960
<v Speaker 1>I mean, he sounds like when he was in method

1:18:13.080 --> 1:18:16.679
<v Speaker 1>zone he was like full Tom Hardy as Matt mac full,

1:18:16.840 --> 1:18:19.760
<v Speaker 1>like like any man doing method. It sounds like he

1:18:19.840 --> 1:18:23.519
<v Speaker 1>was behaving and as scary and kind of like in

1:18:23.560 --> 1:18:25.599
<v Speaker 1>that same way where it's like, oh, well, he's an artist,

1:18:25.680 --> 1:18:28.080
<v Speaker 1>so he's allowed to treat you like ship while you're

1:18:28.080 --> 1:18:30.479
<v Speaker 1>at work, like that ship that we've talked about a

1:18:30.520 --> 1:18:33.840
<v Speaker 1>million times that we like fucking hate. Yeah. Yeah, he

1:18:33.960 --> 1:18:37.920
<v Speaker 1>was screaming at the other actors. He was like refusing

1:18:37.960 --> 1:18:42.440
<v Speaker 1>to talk to them like between takes to like preserve

1:18:42.640 --> 1:18:47.400
<v Speaker 1>the level you know, the whatever. Who even knows, But um, yeah,

1:18:47.400 --> 1:18:49.799
<v Speaker 1>so he was being a real piece of ship on set.

1:18:50.160 --> 1:18:55.080
<v Speaker 1>It seems like the human Centipede itself, the three were, um,

1:18:55.120 --> 1:18:59.200
<v Speaker 1>there was some solidarity within the Centipede. Yeah, and I

1:18:59.640 --> 1:19:04.880
<v Speaker 1>where and that they were given like massages at the

1:19:05.040 --> 1:19:08.040
<v Speaker 1>end of the of each shooting day because of like

1:19:08.080 --> 1:19:12.719
<v Speaker 1>the uncomfortable positions they had to maintain, and there were robes.

1:19:12.800 --> 1:19:15.320
<v Speaker 1>There was like some because that was honestly, like I

1:19:15.439 --> 1:19:17.439
<v Speaker 1>was just like, oh, is there are they being given

1:19:17.720 --> 1:19:21.240
<v Speaker 1>for such an obviously uncomfortable position for an actor to

1:19:21.280 --> 1:19:24.200
<v Speaker 1>have to be in? Were they given the correct amount

1:19:24.240 --> 1:19:27.640
<v Speaker 1>of like you know, layers between each other and like

1:19:27.720 --> 1:19:31.719
<v Speaker 1>was there there was some of that? It seems like yeah,

1:19:31.960 --> 1:19:34.479
<v Speaker 1>ultimately it's so low budget that. I'm like, I just

1:19:34.560 --> 1:19:37.599
<v Speaker 1>find it hard to believe that it was totally above board.

1:19:37.960 --> 1:19:41.240
<v Speaker 1>And there's also a few creepy quotes in there where

1:19:41.960 --> 1:19:45.240
<v Speaker 1>the actor who played cats Sero said something kind of

1:19:45.280 --> 1:19:49.400
<v Speaker 1>creepy in the in the Oral History where he's like,

1:19:49.479 --> 1:19:51.800
<v Speaker 1>I did a skype audition and Tom was like, just

1:19:51.840 --> 1:19:54.360
<v Speaker 1>to let you know, these two beautiful girls's face are

1:19:54.360 --> 1:19:56.720
<v Speaker 1>going to be attached to your ass. I was like,

1:19:57.080 --> 1:20:00.240
<v Speaker 1>you're a genius, and it's like, well, that's not the

1:20:00.280 --> 1:20:03.040
<v Speaker 1>best vibe to be like that doesn't make me feel

1:20:03.040 --> 1:20:06.080
<v Speaker 1>particularly good about the conditions that these these women were

1:20:06.160 --> 1:20:12.120
<v Speaker 1>brought into. Uh, we weren't there. Here's something we're bravely

1:20:12.160 --> 1:20:17.720
<v Speaker 1>gonna admit we weren't on the set of The Human Centipede. Um.

1:20:17.760 --> 1:20:19.720
<v Speaker 1>I don't know. I guess it's like falls into this

1:20:19.800 --> 1:20:22.040
<v Speaker 1>gray area where it's like it doesn't seem like it

1:20:22.120 --> 1:20:26.200
<v Speaker 1>was completely I most most of where I felt like

1:20:26.320 --> 1:20:29.400
<v Speaker 1>uncomfortable was the pre production stuff from like, you have

1:20:29.479 --> 1:20:32.679
<v Speaker 1>to be super fucking straightforward about what you're signing people

1:20:32.760 --> 1:20:36.320
<v Speaker 1>up for, Tom six, you can't be like coy about

1:20:36.720 --> 1:20:40.840
<v Speaker 1>the Human Centipede, which he was very coy about it

1:20:41.080 --> 1:20:44.679
<v Speaker 1>to at least to some degree that the cast as

1:20:44.680 --> 1:20:48.880
<v Speaker 1>well as financiers. Um, did you read this story? I

1:20:48.880 --> 1:20:51.680
<v Speaker 1>don't care about that. That's kind of funny, but that's

1:20:51.720 --> 1:20:54.599
<v Speaker 1>just funny. Where he was just like, yeah, it's about

1:20:55.280 --> 1:20:58.160
<v Speaker 1>a surgeon who conjoins people, but he left out the

1:20:58.200 --> 1:21:00.880
<v Speaker 1>part where it was like a mouth to anus. Just

1:21:01.000 --> 1:21:03.840
<v Speaker 1>didn't say where I feel like that in the on

1:21:03.920 --> 1:21:08.040
<v Speaker 1>the financier part, that's hilarious, but on the actor part,

1:21:08.200 --> 1:21:10.280
<v Speaker 1>it's really on though, Like if you want to build

1:21:10.680 --> 1:21:13.120
<v Speaker 1>trust with people and you want them to not like

1:21:13.920 --> 1:21:16.840
<v Speaker 1>sue the ship out of you lately like later on,

1:21:17.040 --> 1:21:20.519
<v Speaker 1>then you know you've you've got to be It bothered

1:21:20.560 --> 1:21:22.560
<v Speaker 1>me that it sounds like he would be he was

1:21:22.600 --> 1:21:26.479
<v Speaker 1>being a little coy about that, because it's like, well,

1:21:26.479 --> 1:21:28.760
<v Speaker 1>what do you stand to gain other than this like

1:21:28.920 --> 1:21:33.720
<v Speaker 1>weird power upper hand over these relatively I mean like

1:21:34.040 --> 1:21:37.040
<v Speaker 1>actors that had experience, but we're not famous and you

1:21:37.040 --> 1:21:42.960
<v Speaker 1>would imagine not famous enough to have more power than him, essentially,

1:21:43.120 --> 1:21:49.200
<v Speaker 1>Like it just made me uncomfortable. Yeah, I don't think

1:21:49.280 --> 1:21:53.479
<v Speaker 1>that Tom six is a very I mean, he is

1:21:53.560 --> 1:21:58.240
<v Speaker 1>quoted as saying that he gets quote a rash from

1:21:58.280 --> 1:22:03.280
<v Speaker 1>too much political correctives. So he's not a woke guy.

1:22:03.360 --> 1:22:07.600
<v Speaker 1>I mean, the human fucking centipede, Like he is not

1:22:09.560 --> 1:22:13.599
<v Speaker 1>not awoke guy. I mean, I'm just like, okay, even

1:22:13.640 --> 1:22:16.120
<v Speaker 1>if you're not politically aligned with me, like you have

1:22:16.200 --> 1:22:20.320
<v Speaker 1>to treat your actors ethically, you know, like that is

1:22:20.439 --> 1:22:23.479
<v Speaker 1>there is a very low bar you need to clear,

1:22:23.560 --> 1:22:25.719
<v Speaker 1>and it just didn't seem like at least it seems

1:22:25.760 --> 1:22:29.000
<v Speaker 1>like at least once the movie was in production, that

1:22:29.160 --> 1:22:33.360
<v Speaker 1>there was some care taken um, but in pre production,

1:22:33.600 --> 1:22:36.439
<v Speaker 1>and also it's just I don't know. I never I

1:22:36.479 --> 1:22:38.719
<v Speaker 1>never know what to think because it's like so often

1:22:38.760 --> 1:22:41.519
<v Speaker 1>when actors say like, oh, I'm fine, it's just because

1:22:41.560 --> 1:22:44.240
<v Speaker 1>they want to just they just wanted to be over

1:22:45.040 --> 1:22:47.280
<v Speaker 1>um and not because they're actually fine, but they're like, well,

1:22:47.320 --> 1:22:49.400
<v Speaker 1>I don't want to prolong the problem, like I don't

1:22:49.400 --> 1:22:53.320
<v Speaker 1>want to prolong this by saying I'm uncomfortable. I mean,

1:22:53.439 --> 1:22:57.280
<v Speaker 1>especially you know women or actors of color, like who

1:22:57.400 --> 1:23:00.559
<v Speaker 1>don't want to which the whole human centipede is right,

1:23:00.600 --> 1:23:03.160
<v Speaker 1>and they don't want to appear difficult because you know,

1:23:03.200 --> 1:23:05.799
<v Speaker 1>if they get a reputation, they won't get cast in things,

1:23:06.040 --> 1:23:11.599
<v Speaker 1>so they have to just kind of tolerate whatever abuse

1:23:12.479 --> 1:23:16.400
<v Speaker 1>it dealt to them on set. So I meanwhile, the

1:23:16.720 --> 1:23:19.880
<v Speaker 1>the you know, the main white guys going method and

1:23:19.960 --> 1:23:22.120
<v Speaker 1>screaming at everybody, and so it's like there is a

1:23:22.320 --> 1:23:29.880
<v Speaker 1>clear differentiation of power, yes the set. I also just

1:23:29.880 --> 1:23:31.599
<v Speaker 1>want to be clear. I mean in terms of like

1:23:31.760 --> 1:23:36.160
<v Speaker 1>the medical experimentation and Nazi doctor stuff, there's just like

1:23:36.200 --> 1:23:39.840
<v Speaker 1>our show is not equipped to fully unpack all of that.

1:23:39.880 --> 1:23:42.960
<v Speaker 1>I tried to acknowledge that I think that that's what's

1:23:42.960 --> 1:23:46.760
<v Speaker 1>being referenced here, which is not. It just wasn't my

1:23:46.840 --> 1:23:49.200
<v Speaker 1>understanding of what this movie was that I didn't even

1:23:49.200 --> 1:23:52.240
<v Speaker 1>think it was going to attempt to reference anything. And

1:23:52.360 --> 1:23:55.240
<v Speaker 1>the way that it does, I mean it's like, ultimately

1:23:55.560 --> 1:23:58.840
<v Speaker 1>this movie doesn't accomplish anything. But I don't think that

1:23:58.920 --> 1:24:03.120
<v Speaker 1>anyone was like shocked by that. I don't know. I

1:24:03.200 --> 1:24:05.920
<v Speaker 1>found there was a fun friend of the cast, Karina

1:24:06.000 --> 1:24:10.080
<v Speaker 1>Longworth quote in that that I wanted to share just

1:24:10.120 --> 1:24:12.519
<v Speaker 1>because like she she was I think this was like

1:24:12.600 --> 1:24:16.000
<v Speaker 1>pre podcast and she was a full time film reviewer

1:24:16.080 --> 1:24:19.919
<v Speaker 1>at this time. But what she said was the reaction

1:24:19.960 --> 1:24:22.760
<v Speaker 1>I had of wanting to throw up is a visceral thing,

1:24:23.080 --> 1:24:24.960
<v Speaker 1>and the movie showed a certain kind of skill in

1:24:25.000 --> 1:24:27.720
<v Speaker 1>getting that reaction out of me for what it was.

1:24:27.880 --> 1:24:31.160
<v Speaker 1>The Human Centipede was perfect. And it's like, I feel

1:24:31.160 --> 1:24:35.280
<v Speaker 1>like that's like the true theme of the Human Centipede

1:24:35.320 --> 1:24:39.479
<v Speaker 1>is that it's fucking the grossest thing that anyone has

1:24:39.479 --> 1:24:44.120
<v Speaker 1>ever thought of in their entire life. But the but there,

1:24:44.160 --> 1:24:47.519
<v Speaker 1>but the but but within that, they are like putting

1:24:47.600 --> 1:24:52.920
<v Speaker 1>some historical context and they are putting two women women

1:24:53.160 --> 1:24:57.639
<v Speaker 1>and an Asian man in the Human Centipede exclusively, and

1:24:57.680 --> 1:25:00.840
<v Speaker 1>there is like I don't I mean, it's like it

1:25:00.880 --> 1:25:02.800
<v Speaker 1>doesn't really matter if Tom six doesn't want to talk

1:25:02.800 --> 1:25:05.599
<v Speaker 1>about the politics of what he's doing. What he's doing,

1:25:06.400 --> 1:25:11.760
<v Speaker 1>his his choices are intentional here, you know. Yeah. Um,

1:25:11.800 --> 1:25:15.320
<v Speaker 1>just a little bit about the inclusion of the character

1:25:15.400 --> 1:25:21.280
<v Speaker 1>of cut Serro, who is played by a Hiro Kitamura,

1:25:21.680 --> 1:25:25.240
<v Speaker 1>who's been in a bunch of like a bunch of

1:25:25.640 --> 1:25:28.880
<v Speaker 1>I was going through his filmography and like, this actor

1:25:28.920 --> 1:25:33.479
<v Speaker 1>has been in a lot of wild movies. Um, what

1:25:33.640 --> 1:25:38.240
<v Speaker 1>I was reading about that character is basically cut Serro

1:25:38.439 --> 1:25:44.559
<v Speaker 1>was included simply to create a language barrier between him

1:25:44.760 --> 1:25:49.800
<v Speaker 1>and like the two women and also the doctor. So

1:25:49.880 --> 1:25:53.200
<v Speaker 1>basically you get an inclusion of an Asian character. But

1:25:53.280 --> 1:25:58.519
<v Speaker 1>it's only for that reason, which again is not the

1:25:58.600 --> 1:26:05.439
<v Speaker 1>inclusion that where hoping for in film. Well absolutely no,

1:26:05.560 --> 1:26:10.400
<v Speaker 1>absolutely not like the like no question mark either. It

1:26:10.439 --> 1:26:13.800
<v Speaker 1>absolutely isn't. And I mean it takes longer, I guess

1:26:13.800 --> 1:26:15.680
<v Speaker 1>than I expected in The Human Sent to Be for

1:26:15.720 --> 1:26:18.240
<v Speaker 1>someone to die. But the first person who dies is

1:26:18.280 --> 1:26:21.240
<v Speaker 1>the only non white person in the cast is the

1:26:21.240 --> 1:26:24.479
<v Speaker 1>first person to die. Um, everyone, you know, it's it's

1:26:24.560 --> 1:26:27.360
<v Speaker 1>kind of a Rohan Dominoes. But I feel like that

1:26:27.360 --> 1:26:31.040
<v Speaker 1>that keeps with that classic horror trope of a white

1:26:31.040 --> 1:26:32.920
<v Speaker 1>person is never the first person to die in a

1:26:32.960 --> 1:26:35.840
<v Speaker 1>horror movie or in a thriller gore movie like this,

1:26:35.960 --> 1:26:38.800
<v Speaker 1>and the Humans Sent to Be kind of upholds that.

1:26:39.160 --> 1:26:42.080
<v Speaker 1>I mean, unless you're you're including the truck driver who

1:26:42.160 --> 1:26:46.080
<v Speaker 1>was killed first. I guess I guess I meant, like,

1:26:46.120 --> 1:26:49.280
<v Speaker 1>of the cast that we know, I don't I don't

1:26:49.280 --> 1:26:55.519
<v Speaker 1>even know what the truck driver's name was. Um, but yeah,

1:26:55.680 --> 1:26:59.880
<v Speaker 1>I mean I think that it's I would be curious.

1:27:00.000 --> 1:27:02.080
<v Speaker 1>I guess I'm like, I don't know if I really

1:27:02.120 --> 1:27:03.920
<v Speaker 1>want to know what anyone who was in the Human

1:27:04.000 --> 1:27:07.640
<v Speaker 1>Centipede what's on their mind right now? Maybe not, but

1:27:07.640 --> 1:27:10.760
<v Speaker 1>but you know, I I think that it's I think

1:27:10.760 --> 1:27:13.680
<v Speaker 1>it just shows like, uh that that seems like a

1:27:13.720 --> 1:27:17.679
<v Speaker 1>Tom six problem of like just so like, oh, well,

1:27:17.920 --> 1:27:20.360
<v Speaker 1>I need to introduce an obstacle and what is the

1:27:20.400 --> 1:27:24.320
<v Speaker 1>way I can do this? And it's just so do

1:27:24.320 --> 1:27:27.559
<v Speaker 1>you know what I mean? Like, it's just so like

1:27:28.080 --> 1:27:32.760
<v Speaker 1>white guy brain to be like, oh this would be oh,

1:27:32.800 --> 1:27:35.800
<v Speaker 1>this is perfect because it's it's it's not like intentional

1:27:35.840 --> 1:27:39.920
<v Speaker 1>inclusion in any way, shape or form. And it seems

1:27:39.920 --> 1:27:43.160
<v Speaker 1>like he's choosing people that the doctor would feel comfortable

1:27:43.240 --> 1:27:47.120
<v Speaker 1>victimizing too, which introduces this whole other layer of fucked

1:27:47.160 --> 1:27:51.080
<v Speaker 1>up inness, right and then and again I'm I'm pulling

1:27:51.080 --> 1:27:57.639
<v Speaker 1>from Wikipedia here, but hit it. It's says cut Cerro's

1:27:57.880 --> 1:28:02.559
<v Speaker 1>position in the Centipede being like the first one sets

1:28:02.600 --> 1:28:06.960
<v Speaker 1>up the opportunity for the doctor and the male victim

1:28:07.040 --> 1:28:10.120
<v Speaker 1>of the centipede to fight towards the climax of the

1:28:10.160 --> 1:28:14.759
<v Speaker 1>film end quote, which reads to me like Tom six

1:28:14.840 --> 1:28:20.439
<v Speaker 1>couldn't envision a scenario in which a woman would fight

1:28:20.720 --> 1:28:25.120
<v Speaker 1>a man. Okay, I thought that was an interesting choice

1:28:25.200 --> 1:28:29.400
<v Speaker 1>to that Catzerro is at the front of that, Like,

1:28:29.880 --> 1:28:32.240
<v Speaker 1>I guess I saw that going to directions, and I

1:28:32.280 --> 1:28:34.519
<v Speaker 1>always I'm kind of assuming that Tom Sex is going

1:28:34.560 --> 1:28:38.639
<v Speaker 1>in the less well thought out direction, which is that yeah,

1:28:38.720 --> 1:28:42.000
<v Speaker 1>like he's just like, oh, well, I want a woman

1:28:42.160 --> 1:28:44.640
<v Speaker 1>at the front. She'll just be yelling and screaming all

1:28:44.720 --> 1:28:50.280
<v Speaker 1>day like, and which is It's it's frustrating because it's

1:28:50.320 --> 1:28:53.720
<v Speaker 1>like Lindsay, you know, we've been introduced to Lindsia' is like, oh,

1:28:53.800 --> 1:28:56.320
<v Speaker 1>this is the you know, this is our female character

1:28:56.400 --> 1:28:58.680
<v Speaker 1>that we're kind of like rooting for. It seems like

1:28:58.720 --> 1:29:01.040
<v Speaker 1>she kind of has the smart and the ability and

1:29:01.680 --> 1:29:05.120
<v Speaker 1>you know, like know how to get out of this situation.

1:29:05.200 --> 1:29:09.000
<v Speaker 1>But then she is punished, and then after she's punished,

1:29:09.280 --> 1:29:12.400
<v Speaker 1>she kind of disappears like there's not really anything she

1:29:12.479 --> 1:29:15.719
<v Speaker 1>does after that that is like, oh, there's that scrappy Lindsay.

1:29:15.720 --> 1:29:17.880
<v Speaker 1>We knew from the beginning who got out of the situation,

1:29:18.040 --> 1:29:20.639
<v Speaker 1>and it seems I mean, I guess it's like if

1:29:20.640 --> 1:29:24.760
<v Speaker 1>this were a real life situation, maybe, but it's like,

1:29:24.840 --> 1:29:26.960
<v Speaker 1>in terms of plot, it doesn't even really make a

1:29:27.000 --> 1:29:29.320
<v Speaker 1>ton of sense to me that you would establish this

1:29:29.439 --> 1:29:33.280
<v Speaker 1>kind of like this female character with agency, have her

1:29:33.320 --> 1:29:35.680
<v Speaker 1>be punished and then have kind of nothing happened after that.

1:29:36.479 --> 1:29:40.120
<v Speaker 1>It seems like a there was so much set up

1:29:40.200 --> 1:29:42.160
<v Speaker 1>that like a lot of the setup I didn't even

1:29:42.200 --> 1:29:45.559
<v Speaker 1>dislike that. I was like, oh, okay, but then she

1:29:45.600 --> 1:29:47.760
<v Speaker 1>doesn't do anything. For there's the movie she's stuck in

1:29:47.800 --> 1:29:51.840
<v Speaker 1>the middle of, which is like, realistically, I guess probably

1:29:51.840 --> 1:29:53.840
<v Speaker 1>what would happen, But in terms of like a three

1:29:53.960 --> 1:29:57.000
<v Speaker 1>X structure, it's like I was assuming someone was gonna

1:29:57.200 --> 1:30:00.400
<v Speaker 1>unso themselves, or like something was going to happen been,

1:30:00.520 --> 1:30:03.600
<v Speaker 1>or like they would find a way to like communicate

1:30:03.680 --> 1:30:08.200
<v Speaker 1>with Kutzero, or like there was just the I guess

1:30:08.200 --> 1:30:11.920
<v Speaker 1>it's like foolish of me to be like the human

1:30:11.960 --> 1:30:16.000
<v Speaker 1>said to be was so disempowered. But like, but I

1:30:16.120 --> 1:30:19.320
<v Speaker 1>just thought, because you are, like the doctor is so

1:30:19.640 --> 1:30:24.000
<v Speaker 1>intentionally creating this so that they can't possibly communicate with

1:30:24.040 --> 1:30:26.400
<v Speaker 1>each other, because it does seem like that's the other

1:30:27.160 --> 1:30:29.160
<v Speaker 1>That was the thing that I was like, Oh, maybe

1:30:29.240 --> 1:30:32.759
<v Speaker 1>he's trying to do that by introducing the only person

1:30:32.760 --> 1:30:35.439
<v Speaker 1>who can speak no one can understand what they're saying

1:30:36.080 --> 1:30:38.599
<v Speaker 1>because like Katzero is the only person in the room

1:30:38.600 --> 1:30:41.840
<v Speaker 1>who speaks Japanese, and I'm like, maybe that was his

1:30:42.040 --> 1:30:44.400
<v Speaker 1>but like I don't even really want to give Tom

1:30:44.479 --> 1:30:48.320
<v Speaker 1>six that much credit. I just like, I just wish

1:30:48.360 --> 1:30:50.240
<v Speaker 1>that the human said to be had been able to

1:30:50.240 --> 1:30:52.759
<v Speaker 1>communicate or like there had been some sort of moment

1:30:52.840 --> 1:30:56.360
<v Speaker 1>other than because I mean, and and it was exciting

1:30:56.360 --> 1:30:59.200
<v Speaker 1>to see katzero stab the doctor and ship like that.

1:30:59.280 --> 1:31:02.760
<v Speaker 1>Like that was and he is our only non white

1:31:02.800 --> 1:31:04.960
<v Speaker 1>character in the entire fucking movies. So I'm like, I'm

1:31:05.000 --> 1:31:08.519
<v Speaker 1>glad that he had those moments of agency and like

1:31:08.600 --> 1:31:11.200
<v Speaker 1>taking charge of the situation, But I would have rather

1:31:11.280 --> 1:31:14.640
<v Speaker 1>have seen that with them like working together, you know,

1:31:14.800 --> 1:31:18.519
<v Speaker 1>or like connecting, because it's so it makes it even

1:31:18.720 --> 1:31:23.400
<v Speaker 1>more upsetting when cuts Cerro makes this like tragic speech

1:31:23.439 --> 1:31:25.840
<v Speaker 1>at the end that no one can understand and just

1:31:26.040 --> 1:31:28.760
<v Speaker 1>no one ever gets to know him, and then he

1:31:28.960 --> 1:31:34.120
<v Speaker 1>does like it's show that what are you trying to

1:31:34.200 --> 1:31:38.920
<v Speaker 1>say with that? Tom Sex said so fucking depressing? It's like, yeah, like,

1:31:39.000 --> 1:31:41.120
<v Speaker 1>I mean, and I just don't believe that Tom six

1:31:41.240 --> 1:31:42.840
<v Speaker 1>is actually trying to say anything with that. I think

1:31:42.880 --> 1:31:44.400
<v Speaker 1>he's just like, well, he's at the front of the

1:31:44.439 --> 1:31:47.479
<v Speaker 1>human see what do you want? Like, but yeah, I mean,

1:31:48.320 --> 1:31:54.240
<v Speaker 1>he's written a script and made a movie where the protagonists,

1:31:54.360 --> 1:31:58.320
<v Speaker 1>who is a woman loses all of her agency half

1:31:58.439 --> 1:32:00.880
<v Speaker 1>at the midpoint of the movie and then doesn't she's

1:32:00.880 --> 1:32:03.880
<v Speaker 1>not even the protagonist by the end, Right, who is

1:32:03.880 --> 1:32:07.040
<v Speaker 1>the protective Like, is there one like it? The doc

1:32:07.240 --> 1:32:10.840
<v Speaker 1>is right, the doctor? I mean, the movie starts to

1:32:10.880 --> 1:32:15.439
<v Speaker 1>focus so much on the doctor, especially post surgery, because

1:32:15.800 --> 1:32:18.840
<v Speaker 1>that's what happens when you sew people's mouths to other

1:32:18.880 --> 1:32:24.280
<v Speaker 1>people's anuses. They can't talk anymore too much. Like then

1:32:24.560 --> 1:32:27.519
<v Speaker 1>the movie focuses on the doctor and kind of like

1:32:27.560 --> 1:32:29.559
<v Speaker 1>what he's up to It not that we're rooting for him,

1:32:29.600 --> 1:32:33.679
<v Speaker 1>but like it's such a weird writing choice. It is. Yeah,

1:32:33.760 --> 1:32:35.559
<v Speaker 1>Like I feel like it does get into the like

1:32:35.920 --> 1:32:37.760
<v Speaker 1>factor of and I don't want to like let Tom

1:32:37.840 --> 1:32:40.320
<v Speaker 1>sis off the hook in anyway here because he's making

1:32:40.360 --> 1:32:44.120
<v Speaker 1>a lot of racist and misogynist choices in kind of

1:32:44.160 --> 1:32:48.800
<v Speaker 1>like like he's referencing this clear racism and misogyny that

1:32:48.880 --> 1:32:51.479
<v Speaker 1>this doctor has, but he's not really like it's not

1:32:51.520 --> 1:32:54.360
<v Speaker 1>going anywhere, So it's kind of right, he's just racism

1:32:54.400 --> 1:32:57.759
<v Speaker 1>and misogyny that's happening on screen that isn't going anywhere.

1:32:58.800 --> 1:33:03.280
<v Speaker 1>But like I just kept waiting for like well, Lindsay's

1:33:03.320 --> 1:33:06.280
<v Speaker 1>got like Lindsay's going to find a pen, you know,

1:33:06.400 --> 1:33:09.280
<v Speaker 1>like someone's going to find a way of communicating with

1:33:09.400 --> 1:33:12.280
<v Speaker 1>somebody they're going to be able to. Like it's just

1:33:12.680 --> 1:33:14.080
<v Speaker 1>I don't know, I feel like I'm trying to think

1:33:14.080 --> 1:33:16.240
<v Speaker 1>of like another movie example where this happens. But it's

1:33:16.240 --> 1:33:20.160
<v Speaker 1>like characters with language barriers find ways to communicate with

1:33:20.200 --> 1:33:24.120
<v Speaker 1>each other in other movies and in life, you know.

1:33:24.280 --> 1:33:26.800
<v Speaker 1>And it's like I just thought that that was going

1:33:26.840 --> 1:33:29.679
<v Speaker 1>to happen at some point, Like I thought that it

1:33:29.720 --> 1:33:32.759
<v Speaker 1>was like, Okay, so we have this like pretty sizeable

1:33:32.840 --> 1:33:35.280
<v Speaker 1>language barrier between these characters. That's why it's going to

1:33:35.400 --> 1:33:40.040
<v Speaker 1>be all the more like Wow, when they managed the

1:33:40.080 --> 1:33:43.280
<v Speaker 1>bigger obstacle to write and then they're going to manage

1:33:43.320 --> 1:33:44.960
<v Speaker 1>to overcome it, and the doctor is going to be

1:33:45.080 --> 1:33:47.519
<v Speaker 1>shocked and like it's going to be really exciting. But

1:33:47.560 --> 1:33:51.599
<v Speaker 1>then they just they just don't and they just stay

1:33:51.640 --> 1:33:54.400
<v Speaker 1>a human centipiece. And Jenny. I mean, it's like, if

1:33:54.439 --> 1:33:58.080
<v Speaker 1>you think Lindsay disappears, where does Jenny go, Like she

1:33:58.360 --> 1:34:02.439
<v Speaker 1>just is dying the entire your movie. She's just dying.

1:34:03.080 --> 1:34:07.280
<v Speaker 1>Now that we fully dropped the bit um it's such

1:34:07.320 --> 1:34:14.840
<v Speaker 1>a It is a bummer because it's like because he

1:34:15.040 --> 1:34:19.600
<v Speaker 1>said it is, because it's like we're given, you know,

1:34:19.720 --> 1:34:24.200
<v Speaker 1>three characters that it could possibly it would still be disgusting,

1:34:24.640 --> 1:34:26.560
<v Speaker 1>but like it would be interesting if they found a

1:34:26.600 --> 1:34:28.880
<v Speaker 1>way to communicate with each other and like make a

1:34:28.920 --> 1:34:32.479
<v Speaker 1>plan instead of just like a lot of movie passing

1:34:32.520 --> 1:34:35.519
<v Speaker 1>and then katzero being like, um, so we should get

1:34:35.560 --> 1:34:37.680
<v Speaker 1>out of here right like, because that's kind of all

1:34:37.720 --> 1:34:41.920
<v Speaker 1>that happened, and it makes sense that he would, you know,

1:34:42.640 --> 1:34:44.760
<v Speaker 1>want to get out of there. But it's just like

1:34:45.439 --> 1:34:51.800
<v Speaker 1>the entire caboose is just really disempowered in that good

1:34:54.720 --> 1:34:59.360
<v Speaker 1>So glad we're talking about this. Yeah, so I guess

1:34:59.360 --> 1:35:02.040
<v Speaker 1>now that now that we have dropped the bit um

1:35:02.080 --> 1:35:05.200
<v Speaker 1>a little peek behind the curtain, this was, Um, I

1:35:05.240 --> 1:35:08.240
<v Speaker 1>thought it would be a very very funny April Fools

1:35:08.280 --> 1:35:10.320
<v Speaker 1>joke if we cover I thought we should do the

1:35:10.320 --> 1:35:14.240
<v Speaker 1>Snyder cut, but that's four hours long, so this is

1:35:14.280 --> 1:35:19.679
<v Speaker 1>actually the lesser of many evils that we pitched. So um, yeah,

1:35:19.840 --> 1:35:23.400
<v Speaker 1>happy April Fool, Stay everybody. Yeah, let's wrap this up.

1:35:23.439 --> 1:35:26.559
<v Speaker 1>I need to go, Doe, I need to go absolutely die.

1:35:28.200 --> 1:35:30.760
<v Speaker 1>Um was there other stuff that kind of stuck out

1:35:30.760 --> 1:35:37.240
<v Speaker 1>to you. I don't think so. Yeah, I think that

1:35:37.400 --> 1:35:41.880
<v Speaker 1>this movie references one or two interesting points, but it

1:35:41.920 --> 1:35:44.080
<v Speaker 1>doesn't make a point about any of them. It just

1:35:44.160 --> 1:35:46.719
<v Speaker 1>kind of like if you did have a pre existing

1:35:46.800 --> 1:35:53.160
<v Speaker 1>knowledge of deeply cruel medical experiments, maybe your brain would

1:35:53.160 --> 1:35:55.679
<v Speaker 1>be pained at a few points in this movie of like, oh,

1:35:55.800 --> 1:35:58.160
<v Speaker 1>I think that that's what they're referencing there, but it's

1:35:58.200 --> 1:36:00.720
<v Speaker 1>not going anywhere, and so you are just kind of

1:36:00.760 --> 1:36:08.679
<v Speaker 1>seeing the cruelest possible punishment inflicted onto three innocent people

1:36:08.920 --> 1:36:11.120
<v Speaker 1>I just to meet. The saddest part of the movie

1:36:11.240 --> 1:36:14.160
<v Speaker 1>is when we learn I mean, we end up kind

1:36:14.200 --> 1:36:15.800
<v Speaker 1>of by the end of the movie learning more about

1:36:15.800 --> 1:36:19.000
<v Speaker 1>cutzero than we know about the I mean, at least

1:36:19.080 --> 1:36:22.200
<v Speaker 1>Lindsay and Jenny, because he just kind of like tells

1:36:22.280 --> 1:36:25.760
<v Speaker 1>his life story in his dying breath and but his

1:36:25.840 --> 1:36:29.080
<v Speaker 1>whole like I've done all this fucked up stuff, but

1:36:29.560 --> 1:36:32.960
<v Speaker 1>human Centipede, really it just seems like a bit much.

1:36:33.200 --> 1:36:35.559
<v Speaker 1>And then he dies and you're just like, oh my god,

1:36:35.680 --> 1:36:39.799
<v Speaker 1>I feel the same way. I mean, it's like implying

1:36:39.840 --> 1:36:42.000
<v Speaker 1>that he might deserve it. I'm like cut Thoro, there's

1:36:42.080 --> 1:36:45.320
<v Speaker 1>just like no way that you deserve. You were just

1:36:45.400 --> 1:36:50.840
<v Speaker 1>on vacation. Yeah. The best horror movies, at least for me,

1:36:51.720 --> 1:36:55.800
<v Speaker 1>are ones that are like clearly allegorical or have some

1:36:55.880 --> 1:37:00.120
<v Speaker 1>kind of social commentary or something. In this movie is

1:37:00.160 --> 1:37:04.160
<v Speaker 1>just devoid of that. I think it's like starts in

1:37:04.240 --> 1:37:07.639
<v Speaker 1>an interesting place and then and then takes the hard

1:37:07.800 --> 1:37:13.760
<v Speaker 1>left into just simply being the human centipede. Um, which

1:37:13.800 --> 1:37:17.320
<v Speaker 1>is a shame because it would I mean, like theoretically,

1:37:17.400 --> 1:37:21.240
<v Speaker 1>it would be pretty fucking incredible if a like really

1:37:21.320 --> 1:37:24.880
<v Speaker 1>skilled writer was able to turn this disgusting thing into

1:37:24.960 --> 1:37:29.040
<v Speaker 1>an interesting conversation. Um, but it's kind of a nonstarter

1:37:29.160 --> 1:37:31.080
<v Speaker 1>to talk about here because that's just like kind of

1:37:31.080 --> 1:37:39.240
<v Speaker 1>not what happened. So, um, I give it six nipples,

1:37:39.240 --> 1:37:46.160
<v Speaker 1>and it does pass the Bactel test, not even lying. Absolutely. Yeah, um,

1:37:46.560 --> 1:37:53.560
<v Speaker 1>I give it six centipede legs, which is the equivalent

1:37:54.080 --> 1:37:59.200
<v Speaker 1>of zero nipples. Wait, you're I thought we were No,

1:37:59.360 --> 1:38:04.840
<v Speaker 1>We're gonna give okay six sorry, six nipples. I can't

1:38:04.880 --> 1:38:07.320
<v Speaker 1>believe you bailed. I can't believe you bailed on me

1:38:07.479 --> 1:38:08.920
<v Speaker 1>like that. You know what that's gonna look like on

1:38:08.960 --> 1:38:14.160
<v Speaker 1>the Wikipedia chaos. Yeah, but I can't have I cannot

1:38:14.200 --> 1:38:17.200
<v Speaker 1>in good conscious have one of our highest rated movies

1:38:17.960 --> 1:38:23.320
<v Speaker 1>be The Human Centipede. That's so funny, that's so funny.

1:38:23.640 --> 1:38:26.400
<v Speaker 1>I want I want history to look back on this

1:38:26.439 --> 1:38:29.160
<v Speaker 1>show and then and then, because all that means is

1:38:29.160 --> 1:38:31.040
<v Speaker 1>they have to go back and listen to this episode

1:38:31.120 --> 1:38:33.120
<v Speaker 1>and look at the date of release and be like,

1:38:33.520 --> 1:38:41.280
<v Speaker 1>oh my gosh, I'm giving it. Okay, I guess like

1:38:42.479 --> 1:38:48.679
<v Speaker 1>I give it six nipples parentheses as a little joke. Okay,

1:38:48.720 --> 1:38:50.719
<v Speaker 1>And I don't want to give a real rating because

1:38:50.720 --> 1:38:54.639
<v Speaker 1>I don't want to think about this movie for another second. Okay, Um, ditto,

1:38:55.120 --> 1:38:59.679
<v Speaker 1>I'll do the same thing. Whoever is editing the Wikipedia page,

1:38:59.760 --> 1:39:02.320
<v Speaker 1>make sure to say parent disease as a little joke,

1:39:03.680 --> 1:39:08.000
<v Speaker 1>and then we're good to go. Well, I guess that's

1:39:08.040 --> 1:39:13.800
<v Speaker 1>it for the Human Centipede episode. Oh yeah, I mean

1:39:13.840 --> 1:39:15.840
<v Speaker 1>I guess. In terms of behind the scenes, it was

1:39:16.080 --> 1:39:21.760
<v Speaker 1>literally all Tom six and occasionally his sister. So you know,

1:39:21.920 --> 1:39:24.080
<v Speaker 1>there was a woman at the top of production, but

1:39:24.800 --> 1:39:28.719
<v Speaker 1>she was from a cursed bloodline. She was from Tom's

1:39:29.120 --> 1:39:34.080
<v Speaker 1>Tom six sister. Um, so we hope you enjoyed this. Yeah,

1:39:34.080 --> 1:39:36.720
<v Speaker 1>you're welcome everyone. You know, I know that this is

1:39:36.760 --> 1:39:39.080
<v Speaker 1>a really that there was a high demand for this

1:39:39.320 --> 1:39:42.639
<v Speaker 1>and people and and hey, if you want an episode

1:39:42.680 --> 1:39:46.280
<v Speaker 1>on the Snyder Cut. Um, you know, I was. I

1:39:46.320 --> 1:39:47.960
<v Speaker 1>thought that was funny until I found out it was

1:39:48.000 --> 1:39:50.680
<v Speaker 1>four hours long? Is it really four hours long? It's

1:39:50.840 --> 1:39:54.519
<v Speaker 1>literally four hours like jokes, four hours long, and it's

1:39:54.560 --> 1:39:56.800
<v Speaker 1>supposed to be like just as bad but in a

1:39:56.880 --> 1:40:02.280
<v Speaker 1>totally different way. Okay, So, um, you know this is

1:40:02.280 --> 1:40:09.200
<v Speaker 1>what you get. Okay, April fool, gotcha he he joke, joke.

1:40:09.360 --> 1:40:14.040
<v Speaker 1>We're still inside, so everything's great. And we hope you're well.

1:40:14.160 --> 1:40:17.000
<v Speaker 1>We hope you're safe, and we hope you're making good

1:40:17.120 --> 1:40:21.360
<v Speaker 1>choices and um and we and we love you, We

1:40:21.439 --> 1:40:25.679
<v Speaker 1>love you so much. And aper fools fell on a Thursday.

1:40:25.720 --> 1:40:28.200
<v Speaker 1>You left us with no choice. We had to, we

1:40:28.280 --> 1:40:32.719
<v Speaker 1>had to, and you know the usual stuff social media,

1:40:33.160 --> 1:40:37.240
<v Speaker 1>our Matreon, give us, you know, give us six nipples

1:40:37.280 --> 1:40:42.240
<v Speaker 1>on iTunes or Apple podcasts or whatever. Honestly, if you've

1:40:42.240 --> 1:40:43.960
<v Speaker 1>made it to the end of this episode, it would

1:40:44.040 --> 1:40:48.080
<v Speaker 1>mean so much to simply give us, uh five stars

1:40:48.080 --> 1:40:51.120
<v Speaker 1>on iTunes. It always helps because occasionally we get a

1:40:51.120 --> 1:40:54.759
<v Speaker 1>wave of m R A s and it and it's stressful. Yeah, please,

1:40:55.120 --> 1:41:00.000
<v Speaker 1>So please dilute their low ratings by giving us five nipples.

1:41:00.920 --> 1:41:04.360
<v Speaker 1>And um we'll be back with more soon. More to come,

1:41:04.720 --> 1:41:07.000
<v Speaker 1>all right, um bye bye bye