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Speaker 1: Hey guys.

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Speaker 2: Today's show is sponsored by how oft them. It's like

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Speaker 2: Netflix or podcasts. With how Premium, you get exclusive access

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Speaker 2: to dozens of how original mini series, like The Mysterious

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Speaker 2: Secrets of Uncle Bertie's Batinarium, originally sound designed adventure comedy

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Speaker 2: starring Jamaine Clement from Flight of the Concord that sounds

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Speaker 2: like no podcast you've ever heard. Yeah, Access, Sorry, I'm.

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Speaker 1: A little scared.

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Speaker 2: We set up a separate record to do these ads,

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Speaker 2: and Sean, I think, is lost.

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Speaker 1: I left open the.

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Speaker 2: Door of the studio and he there's like a sort

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Speaker 2: of a muffin guy nearby.

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Speaker 1: He like works outside.

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Speaker 2: And he makes these muffins in a little car and

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Speaker 2: he cooks them out there. And the smell is something

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Speaker 2: that's always been very attractive to Sean while we're trying

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Speaker 2: to record, and I left the door open, and I

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Speaker 2: smell the muffins now, And so what I realize happened

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Speaker 2: is I think Sean went to sort of pursue the

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Speaker 2: muff guy. When that happens, the muffin guy tends to

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Speaker 2: sort of run away, and so what I'm sure is

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Speaker 2: happening is Sean is chasing the muffin guy down the street,

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Speaker 2: and I worry about because, like when he is really

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Speaker 2: hungry for savory muffin, really is what he likes is

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Speaker 2: the kind of grew yere and kale sorts of muffins,

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Speaker 2: because that's a that's breakfast for him.

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Speaker 1: He likes to say.

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Speaker 2: He will not be paying a lot of attention to

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Speaker 2: cars or traffic lights or anything.

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Speaker 1: And I worry that once.

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Speaker 2: They start honking at him, he'll get very disoriented and

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Speaker 2: maybe sort of, you know, do something crazy or.

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Speaker 1: I don't know.

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Speaker 2: But the podcast is the podcast is great. Or Uncle

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Speaker 2: Berty's Binarium is so good. You access it all on

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Speaker 2: your iPhone, your android phone on the web for four

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Speaker 2: ninety nine a month. Use the promo code Hollywood at

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Speaker 2: check out you get a full month free. That's at

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Speaker 2: how dot FM.

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Speaker 3: So Mayor Winningham calls me up and she wants some

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Speaker 3: help laying down a bed for a garden. She's seen

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Speaker 3: how nice my garden is, and she says, oh, well, you.

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Speaker 1: You know, help me.

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Speaker 3: I want to have some daffodils sod. So, okay, I

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Speaker 3: go over there and I got my little spade and

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Speaker 3: I'm written around and I hit something ding and it

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Speaker 3: is a human skull of ding though, yeah, ding a

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Speaker 3: human skull of a kid. And I go, Mayor, like,

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Speaker 3: this is a mess here, and she goes, just leave it,

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Speaker 3: just put it back, and I go, well, I can't

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Speaker 3: leave it.

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Speaker 1: Put it back. If you want to have daftils, we're going.

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Speaker 3: To need to get lower into the ground. So I

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Speaker 3: start to dig more. I mean there must have been

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Speaker 3: two hundred of these things. And she's going like, oh,

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Speaker 3: just it's no big deal. It's no big deal. And

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Speaker 3: it's and I'm like, no big deal. There's a mess

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Speaker 3: back here. I mean, this is a big mess. And

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Speaker 3: you want to have a garden, you know. Uh, it's

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Speaker 3: like you need to have the right sort of landscape

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Speaker 3: for it. It's just so frustrating, and you know, and

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Speaker 3: then I went to get more tools out of the

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Speaker 3: shed to sort of dig it up, and then there's

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Speaker 3: some kids in there and they're all pissed.

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Speaker 1: Off at me. You know, it's too bright.

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Speaker 3: They're like, let me out, like call my dad, you know.

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Speaker 3: And I was just like, this whole place is just

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Speaker 3: a wreck. Like you got to get your life together.

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Speaker 3: You want to have a garden. That's a reflection of

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Speaker 3: sort of your inner.

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Speaker 1: Life in a way.

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Speaker 3: You know, if you want that to blossom, you need

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Speaker 3: to clear it out. You need to clean it up.

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Speaker 2: And that clutter. If you have clutter, clutter inside, clutter outside.

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Speaker 3: Yes, that's right, and it's your thinking becomes clutter.

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Speaker 2: I could use those headbones for a series of scary aquariums.

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Speaker 2: I'm doing so if you still have those, because the

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Speaker 2: effect can sometimes be asquariums, yes, scars, yes, yes, a

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Speaker 2: squarium is a different thing. Yeahs a square aquarium. Yeah,

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Speaker 2: these are scary, and so they are scarioms. And sometimes

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Speaker 2: the fish swims.

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Speaker 3: You could have a squary a scarium, but go ahead, it.

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Speaker 2: Swims inside in the brain ahead, and then it becomes

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Speaker 2: the brains.

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Speaker 1: Oh no, the fish. It's like the guys a fish

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Speaker 1: brain and the guy's thinking like I should swim in

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Speaker 1: the water.

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Speaker 2: Hey, welcome to Hollywood book and it's had a guy

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Speaker 2: to kicking button dropping names in the red carpet lineback

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Speaker 2: hallways of this industry we call show.

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Speaker 1: Bib what up?

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Speaker 4: What up?

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Speaker 1: Biznatch?

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Speaker 2: And so somebody online was saying that we should talk

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Speaker 2: about teaser tacking me with tweets sliding into my dms.

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Speaker 1: They were saying they want to do the teaser Freezer.

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Speaker 3: They want to see us do one of this movie

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Speaker 3: Hardcore Henry. Great idea.

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Speaker 1: We thought, yes, and so the next step is to

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Speaker 1: go online.

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Speaker 3: And go and go into our secret library where we

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Speaker 3: have all the movies. Yes, because we always normally have

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Speaker 3: seen the whole movie first, and then we look at

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Speaker 3: the teaser.

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Speaker 1: That's just how I like to do it, so we'll

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Speaker 1: see what teaser is going to be good.

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Speaker 3: Yeah, Like I'm imagining what pieces I would use for

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Speaker 3: the teaser, and then a lot of times I'm like

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Speaker 3: they pick the right piece, and then sometimes I go

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Speaker 3: like not the right tes. Yeah. So we go to

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Speaker 3: watch this Hardcore Henry, and as we start watching it

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Speaker 3: at the beginning, it's very exciting because finally it's a

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Speaker 3: perspective I never seen before presented, which is my perspective.

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Speaker 1: I'm in the movie.

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Speaker 3: I don't remember filming this movie. I don't remember being

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Speaker 3: in it and being essentially the camera.

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Speaker 1: Yes.

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Speaker 2: The feeling I always have is like, so I can

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Speaker 2: see everything that you know, Like when I'm watching movie,

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Speaker 2: I'm like, this is me.

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Speaker 1: I'm looking at this and these are the other guys.

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Speaker 2: But sometimes it's me up there as well that I'm

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Speaker 2: looking at, which is impossible, confusing to me, takes me

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Speaker 2: out of it, and I can't see my own hands

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Speaker 2: very much.

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Speaker 1: Right.

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Speaker 3: And what I've also mentioned before when we watch Jersey Boys,

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Speaker 3: and this goes one step further is a lot of

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Speaker 3: movies are rude. They don't acknowledge me in any way. Yes,

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Speaker 3: And I'm always thinking like, can they not see that

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Speaker 3: I'm here, like seeing this movie?

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Speaker 2: Yes, like do they not know? And so now nice

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Speaker 2: we get a movie where it's me. I'm going around,

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Speaker 2: people are kissing me, yes, people are giving me stuff,

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Speaker 2: and I'm like, thanks.

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Speaker 3: They miss me, they're happy to see me. Yeah, they're

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Speaker 3: shaking my hand, and all of this is a positive.

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Speaker 1: Oh good, what.

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Speaker 3: A great idea. But then Hayes and I'm sorry if

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Speaker 3: you're at home and you don't want to hear any

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Speaker 3: bad language, but they fucked me, and I'll tell you why.

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Speaker 3: All of a sudden, they're tricking me.

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Speaker 1: Yeah.

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Speaker 3: One guy's trying to punch me, shooting at me. Another

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Speaker 3: guy's making me do something I don't want to do,

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Speaker 3: throw a grenade.

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Speaker 2: They're saying take this, And then suddenly it's your you

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Speaker 2: can see your own hand throwing, and you didn't even

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Speaker 2: want to do that.

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Speaker 3: So I'm sorry. Okay, you want to be nice. Put

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Speaker 3: me in the movie.

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Speaker 1: Great. I like that.

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Speaker 3: I've been in movies before and it's weird because I

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Speaker 3: have to look at me looking out at me. But

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Speaker 3: this I get to be in the movie and I

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Speaker 3: only see what I see. I don't see me except

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Speaker 3: for the parts of me that I can always see,

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Speaker 3: like my hand pieces, so.

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Speaker 2: Sometimes a little part of my nose. So when I

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Speaker 2: look at it too long, I get sick.

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Speaker 1: Oh yeah, and I crossed my eyes.

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Speaker 4: Whoa.

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Speaker 3: So then I'm thinking, Okay, this guy's being something nice.

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Speaker 3: But then they're not very nice because they tricked me

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Speaker 3: into doing some stuff that's mean and doing mean stuff

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Speaker 3: to me that I got to be there for. And

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Speaker 3: I don't remember signing on for any of this.

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Speaker 1: How is it you and me?

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Speaker 3: Oh, that's another question I had that I didn't want

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Speaker 3: to ask.

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Speaker 1: I was a movie. I was afraid to even mention it.

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Speaker 1: I almost threw up thinking about it.

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Speaker 3: Were we piggybacking the whole time? No, because there was

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Speaker 3: no set of hands above either.

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Speaker 1: No, I would have been able to see your sneakers is.

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Speaker 3: It was my arms flat at my side, and then

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Speaker 3: you're behind me with your hands sticking under my armpits

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Speaker 3: and we're like both in a trench coat or something,

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Speaker 3: maybe trying to get my head around that. I almost

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Speaker 3: threw up because we're watching it together, but we're both

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Speaker 3: seeing it's us in there doing it. It's definitely us,

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Speaker 3: and we both would want to get a kiss.

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Speaker 1: Seeing what's happening.

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Speaker 2: And yeah, and we are being kissed and feeling everything,

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Speaker 2: you know, feeling all these experiences as they're going on.

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Speaker 3: And while I am hardcore, my name actually not Henry.

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Speaker 3: So right off the bat they make mistake which I'm

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Speaker 3: willing to forgive if then later they're not having me.

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Speaker 1: Frigging pull the pit of a grenade and through it.

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Speaker 1: I would never do that.

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Speaker 2: Those things blow up once I pull, like I thought,

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Speaker 2: maybe I pulled the bid by accident, and then I

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Speaker 2: was like, okay, I do want to throw this. I

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Speaker 2: was like, you know, explaining everything as it happened, as

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Speaker 2: it happened, being like, oops, I did that by accident.

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Speaker 5: Oh.

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Speaker 3: There's a while where I was doing a lot of

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Speaker 3: work to justify their choices because.

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Speaker 2: I didn't know that was doing that, but sometimes stuff

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Speaker 2: will happen that I didn't intend to do.

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Speaker 1: Oh, I'm not perfect. I made mistakes. No, don't misunderstand.

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Speaker 3: I'm mistakes, but never big a mistake as these filmmakers

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Speaker 3: made when they actually had a guy who was gonna

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Speaker 3: love it, and then now he's pissed at them, And

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Speaker 3: let me tell you, maybe he's about to get hardcore

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Speaker 3: on some of them show up. Now, let's see what

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Speaker 3: I really looks like when I throw grenade.

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Speaker 2: And I don't understand when other people are watching it.

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Speaker 2: Are they seeing like our backs?

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Speaker 1: Why are they so interested? Yeah?

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Speaker 3: They must be seeing the back of me, which is

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Speaker 3: in the way of a lot of the stuff. That's

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Speaker 3: that's the most interesting part of the movie. I never

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Speaker 3: got why people play doom. Yeah, are they just seeing

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Speaker 3: the back of my head? Yeah, as I'm shooting these guys. Yeah,

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Speaker 3: they can't even see what I'm shooting at. That's not interesting.

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Speaker 3: So thanks to the suggestion, Twitter man, but no thanks,

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Speaker 3: you're freaking me. Got me pretty worked up?

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Speaker 1: Is Twitter? One guy? This is another I really.

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Speaker 3: Want to throw up when I try to think about

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Speaker 3: what this actually is. This is something that really makes

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Speaker 3: me almost throw up trying to get my head around

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Speaker 3: it because it's just too big an idea for me.

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Speaker 1: Because if it's not, I mean, like, who who is it?

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Speaker 3: If it's not one guy, who is it?

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Speaker 2: Because all the faces, some of them are I can

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Speaker 2: see it, sure, you know what I mean, Like I

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Speaker 2: really can't look at it.

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Speaker 1: But can they see it?

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Speaker 2: Well, what's going on? If I'm the one looking at it?

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Speaker 2: How can they be also looking at it?

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Speaker 3: No, because they're not seeing me looking at it. Are

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Speaker 3: they seeing in the back of my head looking at Twitter?

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Speaker 3: Like when like if engineer Ryan goes to open up Twitter,

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Speaker 3: is he just seeing me like my fingers sort of

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Speaker 3: scrolling over something that he can't read.

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Speaker 1: Yes?

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Speaker 2: And if I put the phone down, Okay, so I'm

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Speaker 2: holding the phone, I'm looking at it, and I put

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Speaker 2: it in my backpack or something, is it still there?

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Speaker 1: Oh? God? If I'm not looking at it. Oh, I

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Speaker 1: throw up.

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Speaker 3: Three times a day trying to figure this out. I

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Speaker 3: turned my phone off, you know, and put it in

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Speaker 3: my backpack, and I go like, did Twitter fall asleep? Like?

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Speaker 3: Is it gonna be there when I get back right?

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Speaker 1: Or the phone? Is it?

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Speaker 6: Like?

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Speaker 2: If I'm like so like this pen for example, see

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Speaker 2: seeing your head now I could see it.

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Speaker 1: Put it down. Now I'm looking away.

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Speaker 2: Is it there, it's for me, it's there. Okay, now

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Speaker 2: you look away. Okay, is it there?

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Speaker 1: It's gone. It's gone, right, does it exist anymore? Now?

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Speaker 1: Look back and now it is.

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Speaker 3: Then somebody brought it back. Somebody put it back. But

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Speaker 3: it was gone for a little while, and somebody went

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Speaker 3: and got it and put it back.

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Speaker 1: And I'm thinking about this stuff makes me want to

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Speaker 1: throw up.

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Speaker 3: Oh god, all I do is throw up when I

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Speaker 3: think about this. So that was our court, Henry. We've

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Speaker 3: got a great guess for you, really cool somebody we've

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Speaker 3: wanted voluntarily to have such a.

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Speaker 2: Badass And it's just the most fun conversation with Adam Sachs,

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Speaker 2: who is a podcaster and like he's just.

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Speaker 1: Like I mostly think of him.

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Speaker 3: Yeah, I don't even think about his podcast as much

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Speaker 3: as like good body, like uh really like face, like

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Speaker 3: nice face, big hare yeah, and just like funny. But

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Speaker 3: he's not trying too hard and just cool.

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Speaker 2: Yes, so but I guess he's also in some ways

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Speaker 2: like our boss.

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Speaker 1: But even just saying that sounds like so crazy. Yeah,

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Speaker 1: But that's not why we have him.

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Speaker 3: So all right, well, enjoy some funny ads, I bet,

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Speaker 3: and then listen to Adam.

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Speaker 1: On Hollywood Handbook.

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Speaker 2: Hey, guys, want to tell you about the Harold Ramis

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Speaker 2: Film School, part of the Second City in Chicago. It's

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Speaker 2: the first film school in the world dedicated entirely to

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Speaker 2: comedic storytelling. It's a year long program that exposes students

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Speaker 2: to comedy theory, ins and nets, and film production, screenwriting

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Speaker 2: improv master seminars. Students have the opportunity to learn from

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Speaker 2: entertainment professionals at the top of their careers, and Harold

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Speaker 2: Ramis loved collaborate filmmaking using the improvisational skills he used

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Speaker 2: during this time at Second City.

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Speaker 3: Sorry, yeah, it's the It's the Harold Ramis Films Film School.

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Speaker 1: Film schools. So yeah. As I was reading this, I

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Speaker 1: was like, they know.

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Speaker 3: Well, so well, So what I'll say is, yeah, this

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Speaker 3: sounds great.

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Speaker 1: It's awesome, so awesome.

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Speaker 3: I think it's great, And I think the only thing.

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Speaker 1: It would I don't even know. You want to say

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Speaker 1: yes if they don't know, I don't want to be no,

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Speaker 1: one don't because they would be so sad. Yeah. Yeah,

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Speaker 1: killed the Messenger sort of. Uh so, uh.

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Speaker 3: All right, uh so the Harold Ramis Film School. It's

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Speaker 3: for anyone with a love for comedy and content creation.

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Speaker 3: It doesn't matter if you're just graduating high school looking

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Speaker 3: for a changing career. People all experience, levels of backgrounds

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Speaker 3: are courage to apply.

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Speaker 1: And I will say if you apply.

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Speaker 3: That even if the experience you have is not necessarily.

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Speaker 1: What you x, don't go. Don't go to meet anyone

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Speaker 1: a specific thing.

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Speaker 3: Yeah, just based on the even if you're don't. If

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Speaker 3: you're applying, apply because the program sounds good. Yes, not

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Speaker 3: necessarily based on.

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Speaker 2: The and go to meet entertainment professionals. Not a entertainment professional. Yes,

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Speaker 2: you know exactly.

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Speaker 1: And that's really just a great way to live your wife.

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Speaker 1: There's scholarships available.

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Speaker 3: You can visit their website Ramisfilm School dot com.

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Speaker 1: No, I mean, it's it sounds great, It.

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Speaker 3: Sounds really cool, and it's the and and the one

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Speaker 3: thing that I would just mention if you are.

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Speaker 1: Looking at this, or if you're the guy that made it,

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Speaker 1: just focus on the work.

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Speaker 3: So the second City is the alma mater of such

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Speaker 3: commedia greates is teena of Fable Murray, Steven Golbert Kern

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Speaker 3: as I know, guess remember Cecily Strong, Eddie Brian for

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Speaker 3: that's Bear.

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Speaker 2: And those are they're all great too, they yes, and

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Speaker 2: they have certain advantages.

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Speaker 1: M hm that Harold.

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Speaker 3: Ram Okay, like, yeah, we don't even have legendary filmmaker.

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Speaker 3: Truly hilarious, incredible and good to go to a school

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Speaker 3: that he would think is good.

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Speaker 2: Hey, guys, you know we love five four our club.

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00:16:47,360 --> 00:16:50,040
Speaker 2: They're an LA based brand. It's sixty dollars a month

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Speaker 2: and you get hooked up with all kinds of awesome

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Speaker 2: pieces for your wardrobe. For guys, you get him in

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Speaker 2: the mail so you don't have to pick out your

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Speaker 2: clothes at yourself, and it looks great. They've got proven

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Speaker 2: style authors leading the way. They provide styling advice, recommendations.

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Speaker 2: We have the clothes, we wear them. It's all kinds

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Speaker 2: we do. We do and they're great and means jackets

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Speaker 2: all this cool stuff.

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Speaker 3: And I wear them and I've been regrouping a little bit,

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Speaker 3: you know, and I like and I really like what

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Speaker 3: they're doing for what that is, which is like really

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Speaker 3: traditional clothes. Yeah, and you know, sort of at schoolboy

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Speaker 3: Shawn's Okay suits for badass toddlers.

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Speaker 1: Yeah, go ahead, you say, regrouping.

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Speaker 2: I mean, like, the last we heard of this, you

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Speaker 2: were selling you had started a company called Shawn's College Posters,

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Speaker 2: where you were selling off the posters that you had

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Speaker 2: made for all of your other businesses under the pretense

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Speaker 2: that they would look cool in a college dorm.

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Speaker 1: Great, and that's still something that we're doing.

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Speaker 2: But they don't have to be posters, I guess, but

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Speaker 2: that just seemed to me like kind of the end

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Speaker 2: of a business career.

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Speaker 1: Please, please.

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Speaker 3: We're always innovating, we're always evolving. And what I was

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Speaker 3: realizing and looking at some of the numbers is like,

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00:18:08,680 --> 00:18:11,120
Speaker 3: maybe thinking about these as posters is the wrong way

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Speaker 3: to look at them. What if we could do clothes,

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Speaker 3: and what if the clothes are maybe instead of you know,

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Speaker 3: when I wear these five four ones, people go like,

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00:18:18,560 --> 00:18:21,280
Speaker 3: those are great jeans, what a nice wash like and

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Speaker 3: they're you know, they're denim jeans, which we've seen before,

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Speaker 3: but they don't incorporate any poster elements into the material

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Speaker 3: of the jeans.

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Speaker 1: So you have made your posters into baby clothes.

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Speaker 3: They weren't big enough posters to make big boy pants,

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00:18:44,600 --> 00:18:52,119
Speaker 3: but uh, schoolboy Sean suits for betas toddlers is a

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00:18:52,160 --> 00:18:55,520
Speaker 3: great way for your kid to stand apart. Uh if

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Speaker 3: you are an adult and you just want to wear

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Speaker 3: like a nice jacket they you know, I wear an

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Speaker 3: eye jacket that they sent me and I really love it.

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Speaker 5: Uh.

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Speaker 1: But if you want your kid.

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Speaker 3: To maybe not have like sort of just a light

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00:19:10,119 --> 00:19:13,280
Speaker 3: jacket that goes with everything, but maybe something a little

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Speaker 3: more innovative, like a jacket made of posters that makes

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00:19:18,760 --> 00:19:20,880
Speaker 3: a pretty cool noise when you.

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Speaker 2: Move okay with five four every month you get a

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00:19:24,040 --> 00:19:28,200
Speaker 2: box of like accessories and pieces to help build your wardrobe.

383
00:19:28,520 --> 00:19:31,520
Speaker 2: And these clothes, you know, classic casual Forward makes. There

384
00:19:31,520 --> 00:19:34,240
Speaker 2: are different style profiles depending on what you want. Free shipping.

385
00:19:34,240 --> 00:19:37,520
Speaker 2: They delivered direct to your doorstep. You can also wear

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Speaker 2: these clothes outside in the rain. Is that something that

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00:19:39,840 --> 00:19:40,600
Speaker 2: with school.

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Speaker 3: Boy shunts that you I mean, yeah, you absolutely can

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Speaker 3: wear them in the rain. You would want it to

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Speaker 3: be the only thing you're wearing.

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Speaker 1: What else would you need to wear?

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Speaker 3: You probably need a full outfit, uh, you know, and

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00:19:53,359 --> 00:19:55,320
Speaker 3: whatever rain gear you want on top of it. But

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Speaker 3: you but you could have this on over like you

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Speaker 3: know a Robert Geller thing.

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Speaker 2: Okay, well that is no longer something they're doing. That

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00:20:06,800 --> 00:20:07,360
Speaker 2: was last month.

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Speaker 1: That was unth Okay, so what's what's this one there?

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Speaker 1: They have not mentioned this book.

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00:20:11,920 --> 00:20:14,680
Speaker 2: They don't have the guy promotions, Well, not a specific guy.

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00:20:14,680 --> 00:20:16,680
Speaker 2: It's just great for all you know, it's going to

402
00:20:16,720 --> 00:20:19,479
Speaker 2: be me. Uh so maybe school boy Shawn's working with

403
00:20:19,560 --> 00:20:22,120
Speaker 2: five to four. I'm open to it. I don't I mean,

404
00:20:22,160 --> 00:20:25,840
Speaker 2: wouldn't you know if that were happening? Well they maybe

405
00:20:26,160 --> 00:20:27,120
Speaker 2: we haven't reached term.

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Speaker 1: Yeah. Yeah.

407
00:20:30,400 --> 00:20:33,119
Speaker 2: You get great style that's on season, shorts and button

408
00:20:33,160 --> 00:20:34,840
Speaker 2: ups when you need them, jackets and jeans when.

409
00:20:34,720 --> 00:20:35,800
Speaker 1: It gets cold colder.

410
00:20:35,880 --> 00:20:37,639
Speaker 2: If you're curious how easy it really is, you go

411
00:20:37,640 --> 00:20:39,760
Speaker 2: to five four club dot com, use the promo code

412
00:20:39,760 --> 00:20:42,080
Speaker 2: handbook at sign up and get fifty percent off your

413
00:20:42,080 --> 00:20:42,800
Speaker 2: first package.

414
00:20:42,840 --> 00:20:45,160
Speaker 3: And when you're done with the club, like when you're

415
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Speaker 3: done with the poster pants, can they grip them off?

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Speaker 1: Okay? And then you can put them on the wall.

417
00:20:52,200 --> 00:20:54,960
Speaker 1: They can become a poster pig. You bo big, you boo.

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Speaker 2: It seems like after they were made into a full

419
00:20:57,200 --> 00:20:59,720
Speaker 2: suit it would be hard to return them.

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00:21:00,440 --> 00:21:02,680
Speaker 1: You rip them off and put him on the wall.

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00:21:02,840 --> 00:21:06,400
Speaker 2: Somebody's never heard of a collage. Go to five four

422
00:21:06,480 --> 00:21:10,000
Speaker 2: club dot com. Use a pro coat handbook fifty percent off.

423
00:21:15,560 --> 00:21:19,439
Speaker 2: So I'm going all over the party. I'm asking everyone like,

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00:21:19,440 --> 00:21:20,800
Speaker 2: have you seen this guy?

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Speaker 5: Like?

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00:21:21,200 --> 00:21:25,000
Speaker 1: Where is he? Where? Yeah? I bet uh you know.

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00:21:25,160 --> 00:21:26,320
Speaker 1: I'm getting madder.

428
00:21:26,040 --> 00:21:28,160
Speaker 3: And madder and matter, oh I've seen that.

429
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Speaker 2: And finally I find the bride and I'm like, have

430
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Speaker 2: you seen the guy who runs the photo booth right?

431
00:21:35,119 --> 00:21:37,080
Speaker 2: And she's like, oh, I think he's over there by

432
00:21:37,080 --> 00:21:40,399
Speaker 2: those snacks, And so I walk over there and I

433
00:21:40,480 --> 00:21:47,160
Speaker 2: call her this guy. I'm like, hey, you piece of shit. Yeah,

434
00:21:47,240 --> 00:21:52,960
Speaker 2: your props suck your photo booth props suck shit, you

435
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Speaker 2: fucking idiot.

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Speaker 1: All you have you don't have the big lips, you

437
00:21:58,880 --> 00:22:01,560
Speaker 1: don't have the mustache. You must have the giant sunglasses.

438
00:22:01,640 --> 00:22:03,400
Speaker 1: He well, that's all he had.

439
00:22:03,440 --> 00:22:06,360
Speaker 2: And of course I bring my own because I need

440
00:22:06,359 --> 00:22:11,239
Speaker 2: ones with corrective lenses. He had the giant sunglasses, and

441
00:22:11,240 --> 00:22:13,480
Speaker 2: he had an inflatable guitar that wasn't even all the

442
00:22:13,480 --> 00:22:14,840
Speaker 2: way for. I had to blow it up myself, and

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Speaker 2: that's my first picture. So I get in there. I

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Speaker 2: embarrass myself because the first picture is me blowing up

445
00:22:21,000 --> 00:22:21,960
Speaker 2: this guitar.

446
00:22:21,800 --> 00:22:23,920
Speaker 1: And the next picture is you out of breath. Yeah.

447
00:22:23,920 --> 00:22:25,480
Speaker 2: So the next picture is me kind of wake it

448
00:22:25,600 --> 00:22:29,840
Speaker 2: up because I sort of knotted off a little bit

449
00:22:30,160 --> 00:22:31,840
Speaker 2: too hard for blowing dark because I'm trying to get

450
00:22:31,840 --> 00:22:34,240
Speaker 2: it done so fast time for the first picture.

451
00:22:34,440 --> 00:22:35,960
Speaker 1: And then so the second one is me kind of

452
00:22:36,000 --> 00:22:37,639
Speaker 1: waking up. Uh.

453
00:22:37,680 --> 00:22:39,320
Speaker 2: And the third one is me trying just trying to

454
00:22:39,480 --> 00:22:42,720
Speaker 2: put my find my sunglasses because once they're off, I

455
00:22:42,760 --> 00:22:45,520
Speaker 2: can't find them again because I need them to see. Yeah,

456
00:22:47,480 --> 00:22:51,639
Speaker 2: no big lips, no mustache, no uh word balloons, so

457
00:22:51,720 --> 00:22:53,159
Speaker 2: I can use my own creative phrase.

458
00:22:53,320 --> 00:22:56,040
Speaker 1: You have like a little derby? No funny hats.

459
00:22:57,920 --> 00:23:02,080
Speaker 3: I'm sorry, I'm just think I see maybe I'm not

460
00:23:02,240 --> 00:23:03,280
Speaker 3: phrasing the question right.

461
00:23:05,480 --> 00:23:07,440
Speaker 1: He didn't have a derby or he didn't have.

462
00:23:07,440 --> 00:23:09,600
Speaker 2: He didn't have a tiny dir hat, he didn't have

463
00:23:09,640 --> 00:23:11,840
Speaker 2: a cowboy, he didn't have a purple cowboy on it.

464
00:23:12,200 --> 00:23:15,160
Speaker 2: No a top hat, no ski hat with the little button,

465
00:23:15,359 --> 00:23:20,080
Speaker 2: No like Beanie with the pinwheeler. Oh yes, the propeller

466
00:23:20,119 --> 00:23:25,879
Speaker 2: at the top. No, believe me, I looked, trust me,

467
00:23:26,280 --> 00:23:27,200
Speaker 2: I looked.

468
00:23:27,560 --> 00:23:28,280
Speaker 1: Holy shit.

469
00:23:29,280 --> 00:23:32,320
Speaker 3: So what this stickless loser, say, I mean, you fucking

470
00:23:32,480 --> 00:23:33,600
Speaker 3: shook him up pretty good?

471
00:23:33,680 --> 00:23:38,520
Speaker 2: Then what happened? He pissed himself and just I made him,

472
00:23:38,520 --> 00:23:41,760
Speaker 2: I said, come with me. I took him into the

473
00:23:41,760 --> 00:23:46,520
Speaker 2: photo booth and yeah, I made Let's see how you

474
00:23:46,600 --> 00:23:48,360
Speaker 2: like it. You make him take pictures in there?

475
00:23:51,800 --> 00:23:54,400
Speaker 1: Yeah, I made him take pictures. Oh brutal.

476
00:23:54,640 --> 00:23:57,640
Speaker 3: Yeah, what a fitting punishment. I mean smashing the.

477
00:23:57,520 --> 00:24:00,480
Speaker 2: Cake at his face and the last one, Oh that's

478
00:24:00,520 --> 00:24:02,080
Speaker 2: a good pick, the big wedding cake.

479
00:24:02,560 --> 00:24:05,200
Speaker 3: Yeah, that's a good pick. But it's against his will,

480
00:24:06,480 --> 00:24:08,520
Speaker 3: which is what I like about it.

481
00:24:09,480 --> 00:24:13,240
Speaker 2: Hey, welcome to Hollywood, and I want to do this

482
00:24:13,320 --> 00:24:17,600
Speaker 2: good because of was here. Yeah, okay, you want me

483
00:24:17,640 --> 00:24:20,080
Speaker 2: to leave it for you, yes, and I and you

484
00:24:20,119 --> 00:24:21,400
Speaker 2: can have your thing, but you know.

485
00:24:21,359 --> 00:24:25,000
Speaker 1: This, I just want to do good my thing. Yeah.

486
00:24:25,280 --> 00:24:27,200
Speaker 2: Hey, welcome to Hollywood hand Book and stay guy to

487
00:24:27,320 --> 00:24:29,119
Speaker 2: kicking button, dropping names in the red carpet line back

488
00:24:29,119 --> 00:24:30,800
Speaker 2: always of this industry, we call showbiz.

489
00:24:30,960 --> 00:24:31,400
Speaker 1: What up?

490
00:24:31,440 --> 00:24:31,920
Speaker 3: What up?

491
00:24:33,080 --> 00:24:35,040
Speaker 1: But did you miss me? I said it?

492
00:24:35,320 --> 00:24:37,639
Speaker 2: And I'm haz and here Sean and we got a

493
00:24:37,800 --> 00:24:40,240
Speaker 2: real corker of a guests.

494
00:24:39,840 --> 00:24:41,880
Speaker 1: For Yesday, an awesome one.

495
00:24:42,119 --> 00:24:45,400
Speaker 3: And he's here and I mean, do we even need

496
00:24:45,440 --> 00:24:48,439
Speaker 3: to introduce this guy? He's such a big deal, but

497
00:24:49,040 --> 00:24:53,239
Speaker 3: we'll say his name anyway. Adam Sachs, the creator of

498
00:24:53,440 --> 00:24:59,360
Speaker 3: podcasts and the guy who made mid Roll a household name. Uh,

499
00:24:59,520 --> 00:25:02,960
Speaker 3: this is so such an honor. Adam, Hi, Adam, so

500
00:25:03,040 --> 00:25:03,639
Speaker 3: good to have you.

501
00:25:03,920 --> 00:25:06,200
Speaker 6: Hey, Hey, Sean, Hey Adam.

502
00:25:07,320 --> 00:25:08,800
Speaker 1: You know, it's so funny to have you here.

503
00:25:08,960 --> 00:25:11,280
Speaker 2: Is just like our friend because like, you know, sometimes

504
00:25:11,320 --> 00:25:13,159
Speaker 2: around the office, like you're kind of our boss, but

505
00:25:13,520 --> 00:25:14,919
Speaker 2: like here, you know, we're.

506
00:25:15,320 --> 00:25:18,040
Speaker 3: And I always it's weird to me in the opposite

507
00:25:18,040 --> 00:25:20,119
Speaker 3: way where it's like this guy's my boss. He's so

508
00:25:20,440 --> 00:25:22,800
Speaker 3: cool and fun to hang out with, and I just

509
00:25:22,880 --> 00:25:25,399
Speaker 3: am always like, oh, I would love to talk to him,

510
00:25:25,640 --> 00:25:27,560
Speaker 3: regardless of whether he's sort.

511
00:25:27,400 --> 00:25:31,440
Speaker 1: Of paying my bills. So thank you so much.

512
00:25:31,680 --> 00:25:34,200
Speaker 3: So I just think it's awesome we could finally work

513
00:25:34,240 --> 00:25:35,240
Speaker 3: this out and get you on.

514
00:25:35,840 --> 00:25:39,920
Speaker 2: We've always wanted to have you, yeah, and we've it's

515
00:25:40,000 --> 00:25:43,760
Speaker 2: just so fun. We thought to have you here and

516
00:25:43,840 --> 00:25:47,200
Speaker 2: just kind of watch how we do things and kind

517
00:25:47,200 --> 00:25:50,199
Speaker 2: of like see how a normal show goes, and like

518
00:25:50,359 --> 00:25:53,840
Speaker 2: just for you to like and then see who's valuable here.

519
00:25:53,960 --> 00:25:57,160
Speaker 1: This thing works, you know, not everybody.

520
00:25:57,400 --> 00:25:59,840
Speaker 3: He has a sort of well oiled machine. Some of

521
00:25:59,880 --> 00:26:03,399
Speaker 3: the shows need a little shove and ours kind of

522
00:26:03,480 --> 00:26:05,720
Speaker 3: just goes. And I mean, i'd say the other one

523
00:26:05,720 --> 00:26:08,760
Speaker 3: that I think is really good is Wolf Jen. I'm

524
00:26:08,760 --> 00:26:09,960
Speaker 3: telling but that.

525
00:26:10,119 --> 00:26:15,119
Speaker 2: I forget well, oh god, fucking cracky.

526
00:26:15,720 --> 00:26:17,879
Speaker 3: He's my boss, he's a friend. But it's also like

527
00:26:17,960 --> 00:26:21,520
Speaker 3: he's a celebrity. Like when I hear your voice, I'm

528
00:26:21,600 --> 00:26:25,800
Speaker 3: just like, get ready to laugh. Oh god, I laughed

529
00:26:25,800 --> 00:26:29,520
Speaker 3: my fucking tits off. Dude, it's blasting me to the moon.

530
00:26:29,600 --> 00:26:31,760
Speaker 1: Laughs. Wise, I love it some of.

531
00:26:31,720 --> 00:26:35,600
Speaker 2: The voices you do where it's like, what's your favorite impression?

532
00:26:36,040 --> 00:26:36,639
Speaker 1: Impression?

533
00:26:36,880 --> 00:26:39,840
Speaker 3: Oh yeah, well you tell me your favorite one to do,

534
00:26:40,200 --> 00:26:41,359
Speaker 3: because that's always interesting.

535
00:26:41,400 --> 00:26:43,239
Speaker 1: Brad, how do you get into it?

536
00:26:43,359 --> 00:26:48,200
Speaker 2: Yeah, Brad's so crazy, Brad.

537
00:26:48,240 --> 00:26:50,200
Speaker 3: And then I guess the cactus.

538
00:26:50,640 --> 00:26:52,199
Speaker 6: Oh yeah, there's this cactus I do.

539
00:26:52,440 --> 00:26:52,920
Speaker 1: Yeah.

540
00:26:52,960 --> 00:26:53,800
Speaker 6: You guys really listen.

541
00:26:53,960 --> 00:26:56,920
Speaker 3: Oh man, it busts me up. The only thing is

542
00:26:56,960 --> 00:26:58,520
Speaker 3: I don't know if I can listen while driving. I'm

543
00:26:58,520 --> 00:26:59,880
Speaker 3: scared of get an accident.

544
00:27:00,320 --> 00:27:02,960
Speaker 6: Wow. I'm really flattered you guys. Thank you so much,

545
00:27:02,960 --> 00:27:04,800
Speaker 6: and thanks for having me on the show. I think

546
00:27:04,840 --> 00:27:07,680
Speaker 6: you know I was a huge fan of your show

547
00:27:07,680 --> 00:27:10,000
Speaker 6: for a really long time. It was always when people

548
00:27:10,000 --> 00:27:12,800
Speaker 6: would ask me for sort of like a very under

549
00:27:12,840 --> 00:27:15,520
Speaker 6: the radar type of podcast that I like. This was

550
00:27:15,560 --> 00:27:17,840
Speaker 6: always one that and I would say, it's an acquired taste.

551
00:27:17,880 --> 00:27:20,359
Speaker 6: It's not for anyone, it's it's really just a show

552
00:27:20,400 --> 00:27:21,560
Speaker 6: that you know, some not.

553
00:27:21,520 --> 00:27:23,720
Speaker 1: For everyone, not for everyone, not for everyone, not for everybody.

554
00:27:24,160 --> 00:27:25,840
Speaker 6: Uh, this was always a show that I would I

555
00:27:25,840 --> 00:27:27,760
Speaker 6: would kind of reference as you know, as well.

556
00:27:28,400 --> 00:27:30,720
Speaker 2: The radar And you say, was I guess because now

557
00:27:30,800 --> 00:27:35,000
Speaker 2: it is hugely all over the radar.

558
00:27:34,840 --> 00:27:37,920
Speaker 1: Parting company and almost indispensable.

559
00:27:37,280 --> 00:27:41,480
Speaker 2: The ars beeping so crazily from well seeing us so much.

560
00:27:41,720 --> 00:27:43,040
Speaker 1: Yeah, I was.

561
00:27:43,080 --> 00:27:45,280
Speaker 6: You know, I was really delighted when I got the

562
00:27:45,320 --> 00:27:47,960
Speaker 6: email to be on the show. And really I was surprised,

563
00:27:48,040 --> 00:27:51,280
Speaker 6: you know, I thought, honestly, I was delighted because I

564
00:27:51,320 --> 00:27:52,360
Speaker 6: you know, like I said, I was a big fan

565
00:27:52,400 --> 00:27:55,320
Speaker 6: of the show, but surprised a little bit because I thought,

566
00:27:55,400 --> 00:27:57,960
Speaker 6: we're have you guys been doing the show? Just kind

567
00:27:57,960 --> 00:28:00,880
Speaker 6: of like did you take a big break? I thought maybe? Well,

568
00:28:00,920 --> 00:28:03,320
Speaker 6: I thought, I don't know, I I don't know how

569
00:28:03,320 --> 00:28:04,720
Speaker 6: to I don't I want to say it. I don't

570
00:28:04,800 --> 00:28:06,480
Speaker 6: offend you guys, but I thought that you were one

571
00:28:06,480 --> 00:28:10,560
Speaker 6: of the wolf pop shows. Maybe that got Chris Bannon

572
00:28:10,600 --> 00:28:12,000
Speaker 6: had a he had a good ephe mism. He called

573
00:28:12,040 --> 00:28:14,159
Speaker 6: it sunset. I thought that maybe this was one of

574
00:28:14,200 --> 00:28:14,800
Speaker 6: those shows.

575
00:28:14,960 --> 00:28:16,520
Speaker 1: Oh oh, that's right.

576
00:28:16,600 --> 00:28:19,800
Speaker 3: They did just get rid of a bunch of wolf

577
00:28:19,800 --> 00:28:21,000
Speaker 3: pop shows right before.

578
00:28:21,160 --> 00:28:24,879
Speaker 1: Right, that's coincidental timing. You know that we have You

579
00:28:24,880 --> 00:28:25,679
Speaker 1: didn't get an email.

580
00:28:25,800 --> 00:28:27,879
Speaker 3: We have the boss Man on, who we love and

581
00:28:27,920 --> 00:28:31,600
Speaker 3: have always wanted on, right, you know, right after the

582
00:28:31,800 --> 00:28:34,360
Speaker 3: some of the wolf pop shows got you know they're

583
00:28:34,400 --> 00:28:35,240
Speaker 3: walking papers.

584
00:28:37,800 --> 00:28:40,960
Speaker 1: Well you know, uh, no, we were. We were part

585
00:28:41,000 --> 00:28:41,200
Speaker 1: of that.

586
00:28:41,520 --> 00:28:43,880
Speaker 3: It's a natural fit where pop culture. But we do

587
00:28:43,920 --> 00:28:45,080
Speaker 3: so much more, don't you think?

588
00:28:45,120 --> 00:28:47,680
Speaker 2: His yeak, And I don't think trying to remember if

589
00:28:47,680 --> 00:28:50,840
Speaker 2: I got an email. Can you see whether emails you

590
00:28:50,880 --> 00:28:54,080
Speaker 2: send have been read or not? No, I know we

591
00:28:54,120 --> 00:28:54,840
Speaker 2: didn't get one.

592
00:28:55,040 --> 00:28:57,400
Speaker 1: We did not. We definitely never received it. No, we

593
00:28:57,440 --> 00:28:59,080
Speaker 1: didn't receive it. We didn't read any.

594
00:28:59,680 --> 00:29:02,760
Speaker 6: Probably mail you got, Yeah, I'm probably I would have.

595
00:29:02,840 --> 00:29:04,520
Speaker 6: If you've been doing the show this whole time, then

596
00:29:04,560 --> 00:29:05,720
Speaker 6: you probably didn't get the email.

597
00:29:05,840 --> 00:29:09,680
Speaker 3: I'd remember getting an email from you. I would read.

598
00:29:09,520 --> 00:29:13,840
Speaker 1: That here, let me look at it for sure, I would.

599
00:29:14,080 --> 00:29:18,360
Speaker 3: I would tell my assistant, Yeah, give me, give me

600
00:29:18,440 --> 00:29:20,479
Speaker 3: that one, you take a break.

601
00:29:20,800 --> 00:29:22,720
Speaker 6: Would it wouldn't have come from me? If that's it

602
00:29:22,760 --> 00:29:24,360
Speaker 6: would have come from from Chris.

603
00:29:24,040 --> 00:29:26,600
Speaker 2: Probably then I might not have seen it. Yeah, I

604
00:29:26,680 --> 00:29:30,320
Speaker 2: might not have that one. Can he see whether his

605
00:29:30,680 --> 00:29:34,520
Speaker 2: emails are read? Like when when somebody else opens you

606
00:29:34,520 --> 00:29:34,920
Speaker 2: don't know.

607
00:29:35,520 --> 00:29:40,040
Speaker 3: His stuff, his stuff, my spam that's in my junk folder.

608
00:29:40,240 --> 00:29:43,680
Speaker 3: Just because his name to me sounds sort of like

609
00:29:43,680 --> 00:29:44,680
Speaker 3: a porno.

610
00:29:44,440 --> 00:29:47,800
Speaker 6: Name, Yeah, yeah, he probably didn't get it.

611
00:29:48,080 --> 00:29:51,760
Speaker 2: Yeah, so I might not have gotten yogurt, like when

612
00:29:51,840 --> 00:29:53,000
Speaker 2: you have to use for a movie.

613
00:29:53,240 --> 00:29:55,240
Speaker 1: It sounds like the Hulk's brother.

614
00:29:58,480 --> 00:30:01,320
Speaker 3: So, so should we say his last name?

615
00:30:01,440 --> 00:30:04,320
Speaker 1: Since we're saying this, we have only called them Chris, right,

616
00:30:04,360 --> 00:30:06,760
Speaker 1: Oh I heard I heard it Chris Bannon.

617
00:30:06,880 --> 00:30:09,440
Speaker 2: Okay, anyway, that wasn't the mistake, and we just keep

618
00:30:09,520 --> 00:30:10,240
Speaker 2: doing the show.

619
00:30:10,600 --> 00:30:11,520
Speaker 1: I'm glad. I'm glad to hear.

620
00:30:11,640 --> 00:30:14,440
Speaker 6: Like I said, big fan, Yeah, I a big fan

621
00:30:14,480 --> 00:30:15,480
Speaker 6: of what you guys do.

622
00:30:15,840 --> 00:30:16,800
Speaker 1: So so great.

623
00:30:16,880 --> 00:30:20,080
Speaker 2: Then now that a lot of these shows have been

624
00:30:21,000 --> 00:30:24,800
Speaker 2: launched in the space, uh huh, that you can see

625
00:30:24,840 --> 00:30:28,320
Speaker 2: our show and feel like, wasn't it so great that

626
00:30:28,400 --> 00:30:30,160
Speaker 2: you didn't cancel us?

627
00:30:30,600 --> 00:30:32,360
Speaker 1: And that we should be the ones that keep going

628
00:30:32,360 --> 00:30:34,360
Speaker 1: for a long time and that that makes sense.

629
00:30:34,440 --> 00:30:36,760
Speaker 3: And now it's sort of like, you know how sometimes

630
00:30:36,800 --> 00:30:42,600
Speaker 3: it's easier to playpool once your opponent has cleared a

631
00:30:42,600 --> 00:30:45,520
Speaker 3: lot of their balls off the table. You know, maybe

632
00:30:45,560 --> 00:30:47,800
Speaker 3: you're losing, but you've got a clearer shot to make

633
00:30:47,800 --> 00:30:50,760
Speaker 3: a run. And I think that some of those shows

634
00:30:50,800 --> 00:30:55,040
Speaker 3: were maybe the stripes, but Hayes and I are rock solid.

635
00:30:55,560 --> 00:31:00,400
Speaker 3: Uh So it feels like now you can really get

636
00:31:00,400 --> 00:31:02,640
Speaker 3: a clean look at us and see, oh, these guys

637
00:31:02,680 --> 00:31:06,160
Speaker 3: were made for really having support.

638
00:31:07,440 --> 00:31:09,440
Speaker 1: So let's do I guess we'll just do the tour.

639
00:31:09,960 --> 00:31:13,040
Speaker 2: Yeah, these are the microphones. We are very careful with these.

640
00:31:14,360 --> 00:31:18,080
Speaker 3: Hayes has never smit, slammed one or smashed one around.

641
00:31:17,760 --> 00:31:19,880
Speaker 1: And anger or otherwise. They're expensive.

642
00:31:19,920 --> 00:31:21,720
Speaker 6: I know that. I get the I get the budgets,

643
00:31:21,720 --> 00:31:24,200
Speaker 6: and I see great. We had to replace a microphone.

644
00:31:24,960 --> 00:31:26,040
Speaker 6: I think it was last month.

645
00:31:26,520 --> 00:31:29,080
Speaker 2: I heard something about that. I heard somebody was getting

646
00:31:29,120 --> 00:31:30,680
Speaker 2: angry about something being racist.

647
00:31:31,880 --> 00:31:34,560
Speaker 1: That's what I heard. That's it, and that's all I'll said.

648
00:31:35,320 --> 00:31:37,400
Speaker 2: I heard. It was like a major part of the

649
00:31:37,440 --> 00:31:41,040
Speaker 2: show was decided, and I heard it wasn't even about

650
00:31:41,520 --> 00:31:43,120
Speaker 2: They were mad that something was racist.

651
00:31:43,240 --> 00:31:45,160
Speaker 1: They were mad that figure out whether.

652
00:31:45,120 --> 00:31:46,720
Speaker 2: No, no, I heard they were mad that it wasn't

653
00:31:46,960 --> 00:31:49,560
Speaker 2: it wasn't race. They wanted everything to be racist.

654
00:31:49,720 --> 00:31:52,560
Speaker 6: Yes, like that say it ended in a smashed microphone

655
00:31:52,600 --> 00:31:56,160
Speaker 6: and these things, these puppies are not cheap. The way

656
00:31:56,160 --> 00:31:58,800
Speaker 6: you're treating that microphone over there, just with so much I'm.

657
00:31:58,640 --> 00:32:02,320
Speaker 1: Holding it so gently. Yeah, yeah, it doesn't fly away

658
00:32:02,400 --> 00:32:02,680
Speaker 1: on me.

659
00:32:02,880 --> 00:32:05,840
Speaker 3: I cradle mine and I used to train birds, so

660
00:32:05,880 --> 00:32:07,960
Speaker 3: I know how to be very gentle with things like that,

661
00:32:08,080 --> 00:32:10,480
Speaker 3: really appreciate, and I trained them to.

662
00:32:12,560 --> 00:32:16,320
Speaker 1: So this is the tissue box.

663
00:32:17,400 --> 00:32:22,600
Speaker 3: If you have a big sneeze to do, or even

664
00:32:22,600 --> 00:32:24,880
Speaker 3: if you just spill something, or if you want to

665
00:32:24,920 --> 00:32:27,920
Speaker 3: just take some for your car for later. It's almost

666
00:32:28,000 --> 00:32:30,160
Speaker 3: full and there's plenty there for you.

667
00:32:30,760 --> 00:32:32,720
Speaker 1: There's a water bottle.

668
00:32:32,480 --> 00:32:34,680
Speaker 3: And then there's a few scattered cups, but you don't

669
00:32:34,720 --> 00:32:37,360
Speaker 3: really feel comfortable drinking out of any of them because it's.

670
00:32:37,160 --> 00:32:38,640
Speaker 1: Not clear if they've been used.

671
00:32:39,560 --> 00:32:41,240
Speaker 6: Uh yeah, no, I know.

672
00:32:41,360 --> 00:32:41,600
Speaker 1: I do.

673
00:32:41,640 --> 00:32:43,200
Speaker 6: The wolf then in here, So like a lot of

674
00:32:43,200 --> 00:32:44,040
Speaker 6: the stuff that you're telling me is.

675
00:32:44,160 --> 00:32:48,400
Speaker 1: That's in here, that's in here, I'm in the chair

676
00:32:48,520 --> 00:32:50,280
Speaker 1: where Brad was.

677
00:32:51,280 --> 00:32:55,680
Speaker 3: Holy fuck man, Oh that's intense.

678
00:32:55,840 --> 00:32:57,800
Speaker 6: Yeah, so that well, we can keep doing the tour though,

679
00:32:57,840 --> 00:32:59,840
Speaker 6: but just know that a lot of this is a

680
00:32:59,840 --> 00:33:00,400
Speaker 6: lot of it.

681
00:33:00,440 --> 00:33:02,840
Speaker 1: You know, but have you ever seen it through Hayes's eyes?

682
00:33:02,960 --> 00:33:05,080
Speaker 6: No, that's the that's that part's interesting.

683
00:33:05,360 --> 00:33:08,160
Speaker 2: We were coming into sort of the engineer Ryan's zone

684
00:33:09,240 --> 00:33:09,760
Speaker 2: of the table.

685
00:33:09,800 --> 00:33:10,880
Speaker 6: I'd love to hear more about that.

686
00:33:12,080 --> 00:33:16,160
Speaker 7: If you aren't thinking about cutting costs, yeah, I don't know,

687
00:33:16,720 --> 00:33:18,800
Speaker 7: like if you have like a last one in, first

688
00:33:18,840 --> 00:33:24,800
Speaker 7: one out policy, right, I mean the thing is if

689
00:33:24,800 --> 00:33:27,480
Speaker 7: it's if it comes down to need to make the

690
00:33:27,480 --> 00:33:29,520
Speaker 7: show a little bit cheaper, we can do We can

691
00:33:29,560 --> 00:33:30,720
Speaker 7: take turns doing this.

692
00:33:31,080 --> 00:33:32,760
Speaker 1: You guys need you guys know how to do the board.

693
00:33:33,080 --> 00:33:35,840
Speaker 3: I believe we can have to be able to do

694
00:33:35,880 --> 00:33:39,360
Speaker 3: it based on who I've seen do it. That has

695
00:33:39,480 --> 00:33:42,560
Speaker 3: to be within my realm of ability.

696
00:33:42,560 --> 00:33:44,600
Speaker 1: Or at least half of it. I am positive I

697
00:33:44,640 --> 00:33:45,280
Speaker 1: can do half.

698
00:33:45,280 --> 00:33:47,560
Speaker 3: If I team up with Hayes. There's very little we

699
00:33:47,600 --> 00:33:48,640
Speaker 3: can't tackle.

700
00:33:48,800 --> 00:33:51,400
Speaker 6: So you guys, so you you have more resources than

701
00:33:51,440 --> 00:33:51,720
Speaker 6: you need.

702
00:33:51,760 --> 00:33:52,720
Speaker 1: It sounds like right now.

703
00:33:52,640 --> 00:33:57,880
Speaker 3: To No, that's no, no, no, okay, wow, misunderstanding and this,

704
00:33:57,880 --> 00:33:59,680
Speaker 3: this gig was bound to happen.

705
00:34:00,480 --> 00:34:02,600
Speaker 1: You met people from different worlds like this.

706
00:34:02,800 --> 00:34:06,480
Speaker 3: You the business efficiencies here in me the podcasting world.

707
00:34:08,000 --> 00:34:10,200
Speaker 1: But uh no, it's not that.

708
00:34:11,560 --> 00:34:14,160
Speaker 2: I would say right now, we have two microphones here

709
00:34:14,160 --> 00:34:17,240
Speaker 2: that we're not using. So in that sense, we could

710
00:34:17,600 --> 00:34:19,080
Speaker 2: sell these microphones for.

711
00:34:19,880 --> 00:34:22,040
Speaker 6: Maybe rent them out during your sessions when we yes.

712
00:34:21,920 --> 00:34:24,880
Speaker 1: Rent them out something like that. Yes, that could be interesting.

713
00:34:25,000 --> 00:34:29,359
Speaker 2: Build a chamber to do microphone a second podcast simultaneously at.

714
00:34:29,280 --> 00:34:32,000
Speaker 3: The same exact time that I'm recording on this microphone.

715
00:34:32,280 --> 00:34:36,719
Speaker 3: Maybe uh you know Leabine or something somebody like that

716
00:34:37,120 --> 00:34:41,839
Speaker 3: is on this microphone here, just sounding off about you know,

717
00:34:41,960 --> 00:34:44,600
Speaker 3: projects that are coming up. You don't want to jinx it,

718
00:34:44,719 --> 00:34:47,160
Speaker 3: but it could be really big for him.

719
00:34:47,160 --> 00:34:48,080
Speaker 1: I mean anything.

720
00:34:48,640 --> 00:34:55,040
Speaker 3: Uh so, Yeah, there's opportunities here, definitely. Back to Ryan,

721
00:34:55,800 --> 00:34:59,240
Speaker 3: how do I feel about him? Is there a dress

722
00:34:59,320 --> 00:35:02,839
Speaker 3: code of any mind or have we thought about instituting one?

723
00:35:02,920 --> 00:35:05,160
Speaker 6: We haven't. You know, We've always been sort of a startup,

724
00:35:05,520 --> 00:35:08,839
Speaker 6: you know, we like people to feel comfortable. Yeah here

725
00:35:08,840 --> 00:35:12,279
Speaker 6: it works, so no, there there hasn't been. Why are

726
00:35:12,320 --> 00:35:13,600
Speaker 6: you offended by anyone's.

727
00:35:13,280 --> 00:35:17,320
Speaker 2: Close I think we could potentially sell some of brand's

728
00:35:17,320 --> 00:35:19,239
Speaker 2: clothes in terms of.

729
00:35:19,280 --> 00:35:22,560
Speaker 3: In terms of cutting costs efficiencies that we have here. Yeah,

730
00:35:22,600 --> 00:35:25,080
Speaker 3: whatever our profit is like outfitting.

731
00:35:25,520 --> 00:35:27,000
Speaker 6: Do you do you guys think that we outfit the

732
00:35:27,040 --> 00:35:29,160
Speaker 6: engineers like they when they get a uniform when they

733
00:35:29,200 --> 00:35:29,520
Speaker 6: show up.

734
00:35:29,719 --> 00:35:31,800
Speaker 2: No, but I think it could work in the opposite direction,

735
00:35:31,920 --> 00:35:35,520
Speaker 2: where you seize there, you own their quo, the.

736
00:35:35,400 --> 00:35:38,000
Speaker 1: Outfit them, because honestly, even.

737
00:35:37,840 --> 00:35:40,359
Speaker 3: If you just donated his clothes to like a good

738
00:35:40,400 --> 00:35:44,440
Speaker 3: Will and you didn't get that becomes a right off,

739
00:35:45,040 --> 00:35:49,160
Speaker 3: that becomes a right off. Yeah, and that can be

740
00:35:49,280 --> 00:35:49,760
Speaker 3: very helpful.

741
00:35:49,840 --> 00:35:52,960
Speaker 2: And you could say that they were more valuable because

742
00:35:52,960 --> 00:35:54,319
Speaker 2: they are kind of collectors.

743
00:35:54,640 --> 00:35:56,400
Speaker 1: They've been in the pieces. Yeah, they've been in the

744
00:35:56,520 --> 00:35:59,000
Speaker 1: room where you do your show. Yeah.

745
00:35:59,040 --> 00:36:01,279
Speaker 3: Yeah, I mean this is yeah, this is like a

746
00:36:01,320 --> 00:36:02,480
Speaker 3: wolf Den shirt.

747
00:36:03,239 --> 00:36:04,720
Speaker 6: It's really cool to sit with fins.

748
00:36:05,200 --> 00:36:06,240
Speaker 1: I appreciate it, guys.

749
00:36:06,440 --> 00:36:10,200
Speaker 3: Yeah, I'm just blown away. I guess I never really

750
00:36:10,239 --> 00:36:15,200
Speaker 3: knew much about the business side of podcasting, so for me,

751
00:36:15,600 --> 00:36:16,160
Speaker 3: I didn't need.

752
00:36:16,080 --> 00:36:16,880
Speaker 1: The window into that.

753
00:36:17,440 --> 00:36:21,600
Speaker 3: Wow, and how funny it is too. I'm just like, okay,

754
00:36:21,760 --> 00:36:24,399
Speaker 3: double whammy. I'm like laughing, and then I go like, ah,

755
00:36:24,640 --> 00:36:27,239
Speaker 3: sudd of a bitch, I just learned something. But I

756
00:36:27,280 --> 00:36:28,120
Speaker 3: was just tuning in.

757
00:36:28,080 --> 00:36:28,800
Speaker 1: To have fun.

758
00:36:29,239 --> 00:36:30,440
Speaker 6: Oh, I really appreciate it.

759
00:36:30,440 --> 00:36:32,240
Speaker 2: And that's the thing is how much we've always respected

760
00:36:32,239 --> 00:36:34,479
Speaker 2: you and thought you were so cool and not ever

761
00:36:34,880 --> 00:36:38,520
Speaker 2: said anything about you that would ever make you mad.

762
00:36:38,960 --> 00:36:41,719
Speaker 3: Well, and I would say that we respected you so

763
00:36:41,800 --> 00:36:44,400
Speaker 3: much that we were almost a little intimidated. And if

764
00:36:44,400 --> 00:36:46,600
Speaker 3: it's ever seemed like we're sort of standing in the

765
00:36:46,600 --> 00:36:49,000
Speaker 3: corner just snickering about you, or.

766
00:36:49,640 --> 00:36:51,400
Speaker 6: Well you tazzed me that one time.

767
00:36:51,440 --> 00:36:54,000
Speaker 3: That we are tazzing out on you, that that a

768
00:36:54,000 --> 00:36:57,600
Speaker 3: lot of that comes from our own insecurities, And isn't

769
00:36:57,640 --> 00:36:59,319
Speaker 3: that relatable and forgivable?

770
00:37:00,719 --> 00:37:02,799
Speaker 6: Yeah, he was getting I guess I got the wrong

771
00:37:02,800 --> 00:37:05,200
Speaker 6: idea about you, guys. I thought that maybe you you

772
00:37:05,520 --> 00:37:07,520
Speaker 6: kind of saw me as the man because I'm your boss.

773
00:37:07,760 --> 00:37:12,719
Speaker 1: I do. Oh yeah, you demand all right, but.

774
00:37:12,760 --> 00:37:15,560
Speaker 6: Not in the sort of like, oh, he's an evil dictator.

775
00:37:15,800 --> 00:37:17,959
Speaker 6: That's what I kind of just got that vibe from you, guys.

776
00:37:18,160 --> 00:37:20,279
Speaker 3: No man, an evil dictator.

777
00:37:20,440 --> 00:37:22,840
Speaker 1: No man, And that's what No.

778
00:37:23,360 --> 00:37:26,520
Speaker 3: I think that what you're mistaking maybe is.

779
00:37:28,680 --> 00:37:29,560
Speaker 1: You got it wrong.

780
00:37:30,560 --> 00:37:34,839
Speaker 3: You know, let's talk about Ryan again. Just as long

781
00:37:34,880 --> 00:37:36,080
Speaker 3: as we're doing the tour.

782
00:37:37,600 --> 00:37:40,040
Speaker 2: Cody has I'll be The mistake I think is that

783
00:37:40,920 --> 00:37:45,440
Speaker 2: Cody has a trick he does called the Dictator, Yes,

784
00:37:45,760 --> 00:37:46,880
Speaker 2: and involves a potato.

785
00:37:48,520 --> 00:37:50,920
Speaker 1: Yeah. I mean you've seen this?

786
00:37:51,160 --> 00:37:53,560
Speaker 6: Yeah, no, I had. Maybe, Well that's keep it.

787
00:37:53,719 --> 00:37:55,840
Speaker 1: That's an inefficiency I think.

788
00:37:55,520 --> 00:37:58,640
Speaker 3: If you haven't. Yeah, if you haven't seen his dictator.

789
00:38:00,160 --> 00:38:02,080
Speaker 6: We do have a Yeah, we have kind of like

790
00:38:02,120 --> 00:38:05,239
Speaker 6: a quarterly checking. I have a quarterly checking coming up

791
00:38:05,239 --> 00:38:06,600
Speaker 6: with Cody, So maybe that would be a good time

792
00:38:06,600 --> 00:38:06,960
Speaker 6: to see it.

793
00:38:07,040 --> 00:38:11,359
Speaker 3: Can I a word of advice, no sour cream if

794
00:38:11,600 --> 00:38:13,920
Speaker 3: if he has you order one. No sour cream.

795
00:38:14,120 --> 00:38:16,360
Speaker 2: Huh yeah, all right, thank you, because he will do

796
00:38:16,560 --> 00:38:20,120
Speaker 2: come in and say like, hey, get some sour cream.

797
00:38:20,640 --> 00:38:23,040
Speaker 1: And that I'd be like, yeah, that is a trick.

798
00:38:23,160 --> 00:38:25,239
Speaker 3: Okay, yeah, he wants some sour cream and then he

799
00:38:25,320 --> 00:38:27,839
Speaker 3: goes go like because I the first time I asked

800
00:38:27,840 --> 00:38:29,839
Speaker 3: for one with the works, just because I didn't know.

801
00:38:31,640 --> 00:38:36,360
Speaker 1: What was coming for me. Anyway, Yeah, you were you

802
00:38:36,400 --> 00:38:37,400
Speaker 1: were saying Ryan.

803
00:38:37,360 --> 00:38:40,239
Speaker 3: Yeah, oh, Ryan, he gotta wear those glasses or we

804
00:38:40,280 --> 00:38:42,400
Speaker 3: could just get rid of those or maybe you know,

805
00:38:42,440 --> 00:38:44,520
Speaker 3: if we find somebody with the same prescription.

806
00:38:44,440 --> 00:38:47,879
Speaker 2: They appear and disappear basically every time I look over

807
00:38:47,920 --> 00:38:50,560
Speaker 2: at him, at the alternates where the glasses are there,

808
00:38:50,680 --> 00:38:53,600
Speaker 2: the glasses are gone. Then maybe he could just wear

809
00:38:54,000 --> 00:38:54,879
Speaker 2: one side of them.

810
00:38:54,920 --> 00:38:56,640
Speaker 6: If that's Yeah, I don't really know how the board

811
00:38:56,640 --> 00:38:58,360
Speaker 6: works to be perfectly honest, but I don't know that

812
00:38:58,400 --> 00:39:01,480
Speaker 6: you need, you know, depth perception sure to make it work.

813
00:39:01,560 --> 00:39:02,600
Speaker 1: Wouldn't seem like it.

814
00:39:02,719 --> 00:39:04,840
Speaker 2: Yeah, it could be interesting to have a guy who's

815
00:39:04,880 --> 00:39:07,280
Speaker 2: just kind of feeling around, you know, like, could probably

816
00:39:07,280 --> 00:39:08,680
Speaker 2: be actually better at engine.

817
00:39:08,480 --> 00:39:11,000
Speaker 1: Right thing about Stevie Wonder.

818
00:39:10,680 --> 00:39:13,640
Speaker 2: Yes, and this is just sort of feeling around for

819
00:39:13,719 --> 00:39:16,720
Speaker 2: the sound the vibrations in this wonderful table.

820
00:39:17,360 --> 00:39:24,040
Speaker 3: Yeah, it might actually increase his focus. Okay, we mentioned Cody, Uh,

821
00:39:25,120 --> 00:39:27,719
Speaker 3: how about his clothes. What do you think we could

822
00:39:27,760 --> 00:39:29,560
Speaker 3: get for him his clothes?

823
00:39:29,880 --> 00:39:32,480
Speaker 1: I think the government might pay you to dispose of the.

824
00:39:32,800 --> 00:39:37,080
Speaker 6: Yeah, we've got it write off on Ryan's cloths and glasses. Yes,

825
00:39:37,160 --> 00:39:39,120
Speaker 6: and then some sort of some sort of.

826
00:39:39,120 --> 00:39:45,680
Speaker 3: Incoming waste disposal fee for Cody's clothes. He's like, I mean,

827
00:39:45,760 --> 00:39:48,520
Speaker 3: it makes me think of the Imagined Dragons song radio Active,

828
00:39:50,400 --> 00:39:50,719
Speaker 3: you know.

829
00:39:51,520 --> 00:39:53,399
Speaker 6: A lot of stuff makes you think of you guys

830
00:39:53,440 --> 00:39:55,839
Speaker 6: are pretty good business minds. It turns out I thought

831
00:39:55,880 --> 00:39:57,640
Speaker 6: you were from listening.

832
00:39:57,239 --> 00:40:06,960
Speaker 5: To you, yes all credit oh the wolf aspect to us,

833
00:40:07,040 --> 00:40:09,680
Speaker 5: it's such a natural fit and such a great home.

834
00:40:10,200 --> 00:40:13,640
Speaker 5: And I just when I start to see that there

835
00:40:13,640 --> 00:40:16,880
Speaker 5: are these sort of corners cut and that some of

836
00:40:16,920 --> 00:40:20,200
Speaker 5: the people are getting shipped off, I just go like, oh, well,

837
00:40:20,280 --> 00:40:24,040
Speaker 5: I hope you would never view a Haze as someone disposable,

838
00:40:24,040 --> 00:40:26,000
Speaker 5: because to me, he's just not right.

839
00:40:26,040 --> 00:40:28,200
Speaker 2: And why, Like, I honestly think it's weird that I

840
00:40:28,200 --> 00:40:31,799
Speaker 2: would even be mentioned as somebody disposable, as like the

841
00:40:31,840 --> 00:40:34,879
Speaker 2: primary host of the show, I mean, without me, there

842
00:40:34,960 --> 00:40:39,800
Speaker 2: is nothing like driving this thing forward, you know, like who.

843
00:40:40,320 --> 00:40:42,480
Speaker 3: It's a great point. It's a great point. And what

844
00:40:42,600 --> 00:40:44,160
Speaker 3: is this thing to drive forward?

845
00:40:44,200 --> 00:40:44,840
Speaker 1: If not for me?

846
00:40:45,239 --> 00:40:49,600
Speaker 3: You know, you can't drive nothing forward. Just be somebody driving,

847
00:40:49,800 --> 00:40:55,279
Speaker 3: you know. Imagine an empty car. You want stuff in

848
00:40:55,320 --> 00:40:57,880
Speaker 3: the car and I'm in there, Well, imagine bag of grocery.

849
00:40:57,880 --> 00:40:59,799
Speaker 2: Stuff's just the bag of grocer is just sitting in

850
00:40:59,840 --> 00:41:02,279
Speaker 2: the parking lot, yes, in the back of the car.

851
00:41:02,360 --> 00:41:06,480
Speaker 3: And then if you're gonna need it, uh huh, yeah,

852
00:41:06,520 --> 00:41:09,680
Speaker 3: oh right, So okay, So what I'm.

853
00:41:09,480 --> 00:41:14,399
Speaker 6: Hearing here is uh huh uh Hayes drives the show

854
00:41:14,480 --> 00:41:16,360
Speaker 6: because it's it's important for me to really know everybody's

855
00:41:16,440 --> 00:41:19,200
Speaker 6: role at at Scripts, they make sure that, you know,

856
00:41:19,280 --> 00:41:22,040
Speaker 6: if I'm kind of I'm running the ship which includes

857
00:41:22,080 --> 00:41:24,520
Speaker 6: your car and you know that, yeah it's scripts. I

858
00:41:24,520 --> 00:41:28,200
Speaker 6: need to really understand what is everybody contributing, so like that,

859
00:41:28,280 --> 00:41:31,160
Speaker 6: So here I'm now yeah they are. So I'm hearing

860
00:41:31,200 --> 00:41:33,600
Speaker 6: now that Hayes is the one who's really driving the show.

861
00:41:34,040 --> 00:41:38,640
Speaker 8: Well, at the same time, it's like I almost feel like, uh, okay,

862
00:41:38,640 --> 00:41:40,719
Speaker 8: so if you are looking at a canoe, it kind

863
00:41:40,719 --> 00:41:42,640
Speaker 8: of looks like the guy in front's doing all the paddling,

864
00:41:42,680 --> 00:41:44,799
Speaker 8: but actually like the guy back is steering.

865
00:41:45,400 --> 00:41:48,440
Speaker 3: So just because he's like driving the show doesn't mean

866
00:41:48,480 --> 00:41:49,759
Speaker 3: he's like providing the show.

867
00:41:49,840 --> 00:41:51,560
Speaker 2: With any guy, well, I can be the driver and

868
00:41:51,640 --> 00:41:54,200
Speaker 2: also some of the growthries as well. I'm the some

869
00:41:54,320 --> 00:41:57,480
Speaker 2: of the more healthy stuff, the celery and you know,

870
00:41:57,600 --> 00:41:58,040
Speaker 2: things like that.

871
00:41:58,080 --> 00:42:00,600
Speaker 1: Would you need to bounce out those so you okay, Well,

872
00:42:00,600 --> 00:42:03,480
Speaker 1: good luck for Celary.

873
00:42:03,680 --> 00:42:07,759
Speaker 3: You know people they like the peeps, uh and and

874
00:42:07,760 --> 00:42:09,040
Speaker 3: and to tell Scripts.

875
00:42:08,800 --> 00:42:10,920
Speaker 1: That as well. And there. What are they asking? How

876
00:42:10,960 --> 00:42:11,880
Speaker 1: often are they asking? Well?

877
00:42:11,880 --> 00:42:13,600
Speaker 6: They want to know things like you know, I'm gonna

878
00:42:13,600 --> 00:42:15,200
Speaker 6: need to tell them sort of what are your weaknesses?

879
00:42:16,120 --> 00:42:16,279
Speaker 5: Oh?

880
00:42:16,560 --> 00:42:20,719
Speaker 1: Okay, can you stand through my ankles? Your ankles? Yeah?

881
00:42:21,800 --> 00:42:28,760
Speaker 2: Okay, and hayes, my weakness I think is I'm too brave?

882
00:42:29,080 --> 00:42:33,959
Speaker 3: I actually, can I say that one?

883
00:42:35,160 --> 00:42:36,200
Speaker 6: You want to be the too brave?

884
00:42:36,360 --> 00:42:36,720
Speaker 1: Yes?

885
00:42:37,000 --> 00:42:40,480
Speaker 6: Okay, okay, So now I have different way he took yours.

886
00:42:40,560 --> 00:42:41,120
Speaker 1: Okay.

887
00:42:41,560 --> 00:42:47,240
Speaker 2: Uh, my weakness I think sometimes get a little cold

888
00:42:47,280 --> 00:42:47,680
Speaker 2: in here.

889
00:42:48,040 --> 00:42:48,319
Speaker 1: All right.

890
00:42:48,360 --> 00:42:52,399
Speaker 6: So so you've gone from ankles to too brave. Now, Haze,

891
00:42:52,440 --> 00:42:54,680
Speaker 6: you've gone from too brave to arms too cold?

892
00:42:54,880 --> 00:42:58,280
Speaker 1: Yes, but I make it work. Uh.

893
00:42:58,600 --> 00:43:04,840
Speaker 3: Now, you were mentioning some shoe stuff to me before

894
00:43:04,840 --> 00:43:08,200
Speaker 3: we came in, Just some changes being made on the

895
00:43:08,200 --> 00:43:08,719
Speaker 3: shoe wall.

896
00:43:08,800 --> 00:43:09,000
Speaker 1: Yeah.

897
00:43:09,040 --> 00:43:11,200
Speaker 6: So you know, here's the thing, like we are. We

898
00:43:11,239 --> 00:43:13,560
Speaker 6: have cut some shows you've had to.

899
00:43:13,600 --> 00:43:15,560
Speaker 1: Which would seem like there's now.

900
00:43:15,440 --> 00:43:19,239
Speaker 6: More, but we're adding kind of you're bringing it more. Yeah,

901
00:43:19,280 --> 00:43:21,040
Speaker 6: I don't want to say better, but like we're adding

902
00:43:21,480 --> 00:43:26,440
Speaker 6: adding new shows, probably bigger and better types of shows. Okay,

903
00:43:26,880 --> 00:43:29,279
Speaker 6: And so we've had to consolidate. You know, we're running

904
00:43:29,280 --> 00:43:31,920
Speaker 6: out of space on the shoe wall. So I know,

905
00:43:32,600 --> 00:43:34,600
Speaker 6: I know you guys aren't thrilled that you have to

906
00:43:35,640 --> 00:43:38,600
Speaker 6: share a shoe amongst the two of you, but I

907
00:43:38,920 --> 00:43:39,360
Speaker 6: I've had it.

908
00:43:39,480 --> 00:43:41,719
Speaker 1: Never bothered me. It hasn't. I don't even know if

909
00:43:41,719 --> 00:43:42,239
Speaker 1: it's come up.

910
00:43:42,719 --> 00:43:45,160
Speaker 6: Okay, well, I'm gonna need you to share a shoe

911
00:43:45,200 --> 00:43:46,480
Speaker 6: with another podcast now too.

912
00:43:50,160 --> 00:43:54,359
Speaker 9: And so the one shoe, well that's a little worse,

913
00:43:55,760 --> 00:43:59,000
Speaker 9: you guys, I'm gonna need you to take the inside

914
00:43:59,040 --> 00:44:01,560
Speaker 9: of the shoe.

915
00:44:06,040 --> 00:44:06,759
Speaker 1: Okay.

916
00:44:07,080 --> 00:44:11,680
Speaker 3: So, uh so there's this shoe open up or something

917
00:44:11,760 --> 00:44:13,520
Speaker 3: so you can at least like split it open.

918
00:44:13,920 --> 00:44:15,880
Speaker 6: It doesn't it doesn't you.

919
00:44:15,360 --> 00:44:17,759
Speaker 3: You almost need a flashlight I guess to really see

920
00:44:17,800 --> 00:44:20,080
Speaker 3: because it's up on the wall, so it's not like

921
00:44:20,120 --> 00:44:21,759
Speaker 3: you can hold it and look inside.

922
00:44:22,200 --> 00:44:25,399
Speaker 2: Do we know who's getting the outside of the Yeah?

923
00:44:25,440 --> 00:44:30,480
Speaker 6: Omfg, So they're going to be the outside, but you

924
00:44:30,600 --> 00:44:33,960
Speaker 6: have people. We can try to position it so that

925
00:44:34,000 --> 00:44:36,760
Speaker 6: people can sort of crane their their heads.

926
00:44:37,920 --> 00:44:42,839
Speaker 1: Right so that they have access. Yeah, maybe secret shoe.

927
00:44:42,960 --> 00:44:46,160
Speaker 3: I might leave a mirror around so that people can

928
00:44:46,239 --> 00:44:50,359
Speaker 3: kind of try to get that angle. And then in

929
00:44:50,440 --> 00:44:53,400
Speaker 3: terms of you said you were going to put.

930
00:44:53,280 --> 00:45:00,200
Speaker 1: Up a third who charted plaque from well two le and.

931
00:45:04,000 --> 00:45:06,000
Speaker 6: I got this space on the wall in my office

932
00:45:06,000 --> 00:45:08,160
Speaker 6: and I only have the one who charted thing in

933
00:45:08,200 --> 00:45:12,320
Speaker 6: my office. Yeah, and so yeah, so you're gonna important

934
00:45:12,320 --> 00:45:14,120
Speaker 6: to Coolop's very important to the network.

935
00:45:14,560 --> 00:45:15,319
Speaker 1: Don't I know it?

936
00:45:15,640 --> 00:45:18,919
Speaker 3: But I noticed that cool Op is doing this other

937
00:45:19,239 --> 00:45:21,680
Speaker 3: show thing, this SISO thing.

938
00:45:21,840 --> 00:45:23,400
Speaker 1: Doesn't that feel like it's.

939
00:45:23,239 --> 00:45:27,600
Speaker 3: Not really helping scripts in the same way.

940
00:45:27,640 --> 00:45:29,920
Speaker 1: That's the most sponsor of the network.

941
00:45:30,000 --> 00:45:33,359
Speaker 3: They are great, Okay, so then that's good.

942
00:45:33,600 --> 00:45:35,960
Speaker 2: I love it honestly, And I'm a subscriber, and I

943
00:45:36,040 --> 00:45:37,600
Speaker 2: used the code, and I use the code.

944
00:45:38,360 --> 00:45:40,359
Speaker 1: It's show so funny. No, it's not about that. It's

945
00:45:40,360 --> 00:45:40,799
Speaker 1: not about that.

946
00:45:40,880 --> 00:45:43,080
Speaker 3: It's just like, is she gonna have time to really

947
00:45:43,120 --> 00:45:46,160
Speaker 3: commit to the studio whereas a guy like a Hayes

948
00:45:46,280 --> 00:45:48,319
Speaker 3: or even more so maybe a Sean doesn't have a

949
00:45:48,360 --> 00:45:50,240
Speaker 3: SISO show or anything.

950
00:45:50,360 --> 00:45:52,399
Speaker 2: And she also said stuff, honestly, and I can't remember

951
00:45:52,400 --> 00:45:54,680
Speaker 2: who she was talking about, but sometime after Jeff Aleric

952
00:45:54,960 --> 00:45:57,680
Speaker 2: left and she she did say that she was going

953
00:45:57,760 --> 00:45:59,560
Speaker 2: to pound the new guy so he was flat as

954
00:45:59,560 --> 00:45:59,960
Speaker 2: a pancake.

955
00:46:00,920 --> 00:46:02,920
Speaker 1: Yeah, And I don't, honestly don't know who she was

956
00:46:02,920 --> 00:46:03,560
Speaker 1: talking about it.

957
00:46:03,800 --> 00:46:07,760
Speaker 3: She was it was this noise with her fist into

958
00:46:07,800 --> 00:46:11,320
Speaker 3: her palm. And she did say when he least suspects it,

959
00:46:11,360 --> 00:46:13,359
Speaker 3: as soon as he really lets his guard die.

960
00:46:13,400 --> 00:46:14,359
Speaker 6: I haven't gotten that yet.

961
00:46:14,440 --> 00:46:16,040
Speaker 2: I don't know who she I honestly don't. It could

962
00:46:16,040 --> 00:46:18,280
Speaker 2: have been she was talking about Chris Banyanry or something.

963
00:46:18,920 --> 00:46:21,920
Speaker 3: Yeah, she she could have been talking about Chris.

964
00:46:23,560 --> 00:46:26,239
Speaker 6: She brought me this. She brought me another, you know,

965
00:46:26,360 --> 00:46:29,200
Speaker 6: signed poster with who charted on it.

966
00:46:29,320 --> 00:46:31,840
Speaker 1: She got a poster. Oh that's good, so good, What

967
00:46:31,960 --> 00:46:34,640
Speaker 1: a great way to decorate. Yeah.

968
00:46:34,680 --> 00:46:37,000
Speaker 6: Well, see, here's the thing, like at the network, we want,

969
00:46:37,600 --> 00:46:39,879
Speaker 6: even though we have to sort of contend with people's time,

970
00:46:39,920 --> 00:46:42,960
Speaker 6: we want people who are you know, who's whose career

971
00:46:43,040 --> 00:46:47,600
Speaker 6: is on a trajectory, yeah, upward. Yeah, so we're kind

972
00:46:47,600 --> 00:46:49,360
Speaker 6: of willing to sacrifice the bird.

973
00:46:49,320 --> 00:46:53,560
Speaker 2: Or sideways kind of just stand yeah, or reliable maybe

974
00:46:53,560 --> 00:46:56,120
Speaker 2: if it's hold and stale, you know, because you walk

975
00:46:56,200 --> 00:46:57,880
Speaker 2: up for a little while, you're gonna start uffing and

976
00:46:57,960 --> 00:46:58,640
Speaker 2: puffing pretty soon.

977
00:46:58,840 --> 00:47:00,720
Speaker 1: Yeah, nice ground.

978
00:47:00,800 --> 00:47:02,960
Speaker 3: Yeah, if you kind of hold still, you'll have plenty

979
00:47:02,960 --> 00:47:03,560
Speaker 3: of energy.

980
00:47:04,000 --> 00:47:05,719
Speaker 1: You know, you're not wasting all this.

981
00:47:06,640 --> 00:47:11,279
Speaker 6: Breath so is that well that what I tell the

982
00:47:11,280 --> 00:47:13,279
Speaker 6: folks that scripts that that sort of you guys are

983
00:47:13,280 --> 00:47:14,240
Speaker 6: sort of steady staters.

984
00:47:16,800 --> 00:47:18,960
Speaker 3: Or sometimes what can be good is if you want

985
00:47:18,960 --> 00:47:21,120
Speaker 3: to get a running start, is you kind of back

986
00:47:21,239 --> 00:47:22,920
Speaker 3: up a little bit so that you got a lot

987
00:47:22,960 --> 00:47:25,880
Speaker 3: of runway to take off and career wise, I feel

988
00:47:25,880 --> 00:47:28,439
Speaker 3: like that's been a bit of my strategy just this year,

989
00:47:28,920 --> 00:47:32,400
Speaker 3: is I want to make sure to be able to

990
00:47:32,440 --> 00:47:35,000
Speaker 3: build up enough speed to really take off.

991
00:47:35,080 --> 00:47:37,839
Speaker 6: So literally you're pushing the spring down.

992
00:47:38,040 --> 00:47:41,040
Speaker 3: Yeah, and so I have had to, you know, slide

993
00:47:41,120 --> 00:47:43,200
Speaker 3: back a little bit, and I actually think it's a

994
00:47:43,200 --> 00:47:43,640
Speaker 3: good thing.

995
00:47:45,120 --> 00:47:48,239
Speaker 2: You literally have to go backwards to go forwards. For

996
00:47:48,400 --> 00:47:52,279
Speaker 2: certain toy cars, if you if you know physics, you

997
00:47:52,320 --> 00:47:53,680
Speaker 2: have to go. You have to drag it back and

998
00:47:53,719 --> 00:47:56,000
Speaker 2: go and then boy is going to speed off.

999
00:47:56,040 --> 00:48:00,000
Speaker 3: So think about a slingshot. Consider the slingshot if you will,

1000
00:48:00,800 --> 00:48:03,280
Speaker 3: you know, or even a trebu sha.

1001
00:48:04,680 --> 00:48:07,440
Speaker 1: These are devices. Sure you can just push it forwards.

1002
00:48:07,760 --> 00:48:11,239
Speaker 2: It's not gonna it goes, it's not gonna bonk anyone very.

1003
00:48:12,040 --> 00:48:15,040
Speaker 3: Yeah, Goliath will pound you in the meantime.

1004
00:48:15,960 --> 00:48:21,160
Speaker 6: So, okay, I've been taking that. Well, it sounds like.

1005
00:48:21,280 --> 00:48:22,720
Speaker 1: You can we see those notes?

1006
00:48:23,160 --> 00:48:23,560
Speaker 6: Sure?

1007
00:48:24,360 --> 00:48:29,120
Speaker 1: Okay, okay, okay, A funny drawing.

1008
00:48:30,360 --> 00:48:31,880
Speaker 6: I've only been half paying attention.

1009
00:48:32,280 --> 00:48:39,120
Speaker 1: Yeah, no, I see is that it's a recipe for porridge.

1010
00:48:41,480 --> 00:48:42,160
Speaker 1: It looks good.

1011
00:48:42,520 --> 00:48:47,480
Speaker 2: Yeah, okay, it's it's got a raising yeah, you know,

1012
00:48:47,600 --> 00:48:48,359
Speaker 2: one big one.

1013
00:48:49,480 --> 00:48:53,279
Speaker 3: Okay. And then this is a poem. I suppose you

1014
00:48:53,320 --> 00:48:57,600
Speaker 3: don't want me to read this. Okay, I'll just give

1015
00:48:57,600 --> 00:48:58,279
Speaker 3: you the first line.

1016
00:48:58,400 --> 00:49:00,279
Speaker 6: Maybe just read a little, but not the whole thing.

1017
00:49:00,360 --> 00:49:13,080
Speaker 1: Please out loud. I mean I was reading. I don't know,

1018
00:49:13,280 --> 00:49:13,759
Speaker 1: I know it.

1019
00:49:13,800 --> 00:49:16,879
Speaker 6: If you want to read it to haze, you can, Okay.

1020
00:49:19,280 --> 00:49:30,040
Speaker 3: Shark Week, oh man? I mean, is there a better

1021
00:49:30,120 --> 00:49:33,920
Speaker 3: week on TV? Ya?

1022
00:49:34,000 --> 00:49:41,000
Speaker 1: Kasha? That's really nice ad of that. Thank you that

1023
00:49:41,000 --> 00:49:46,040
Speaker 1: that was very thoughtful. It has rich layers.

1024
00:49:46,239 --> 00:49:50,160
Speaker 3: Oh yeah for me, I feel like I made me

1025
00:49:50,200 --> 00:49:53,919
Speaker 3: think about my dad honestly. Yeah, it made me think

1026
00:49:53,920 --> 00:50:02,520
Speaker 3: about sailing mm hmm, just because there's sharks in the wall. Yeah,

1027
00:50:02,760 --> 00:50:05,400
Speaker 3: and the sale kind of looked like a fin on

1028
00:50:05,480 --> 00:50:07,279
Speaker 3: the boat, so.

1029
00:50:08,760 --> 00:50:10,640
Speaker 6: Just kind of shifting gears a little. Why am I

1030
00:50:10,800 --> 00:50:11,640
Speaker 6: Why did you guys want me.

1031
00:50:11,640 --> 00:50:13,360
Speaker 1: On the show? On the show? Why what are you

1032
00:50:13,440 --> 00:50:13,799
Speaker 1: doing here?

1033
00:50:14,160 --> 00:50:16,759
Speaker 6: Like I said, you know, been a big fan, and.

1034
00:50:17,280 --> 00:50:22,920
Speaker 3: I guess just like any excuse to hang it's been Yeah.

1035
00:50:22,760 --> 00:50:25,080
Speaker 2: And we know, like honestly, now you mentioned I did

1036
00:50:25,160 --> 00:50:27,200
Speaker 2: think about this, but did notice that like none of

1037
00:50:27,200 --> 00:50:31,759
Speaker 2: the other shows, especially the ones that got she can't

1038
00:50:31,800 --> 00:50:34,560
Speaker 2: have had you as a guest.

1039
00:50:34,840 --> 00:50:36,960
Speaker 3: Yeah, that does make sense actually.

1040
00:50:36,760 --> 00:50:39,680
Speaker 2: Which I think was honestly super fucked up of that,

1041
00:50:40,080 --> 00:50:42,560
Speaker 2: and I was on. If they weren't already cancel, I

1042
00:50:42,560 --> 00:50:43,719
Speaker 2: would do it again right now?

1043
00:50:44,560 --> 00:50:47,680
Speaker 6: Do you guys listen to spontaneanation uh spawned?

1044
00:50:47,880 --> 00:50:48,120
Speaker 1: Yeah?

1045
00:50:48,239 --> 00:50:49,239
Speaker 6: Yeah, I was on that show.

1046
00:50:49,680 --> 00:50:52,799
Speaker 3: Okay, Yeah, and that one is selling.

1047
00:50:52,560 --> 00:50:53,600
Speaker 1: A lot of love right now.

1048
00:50:54,280 --> 00:50:58,120
Speaker 3: Yes, yeah, it's full of as and this is perhaps

1049
00:50:58,200 --> 00:50:59,280
Speaker 3: going to launch a new.

1050
00:50:59,160 --> 00:51:03,560
Speaker 1: Logo that's like a old scroll. Yeah. Oh does it

1051
00:51:03,600 --> 00:51:06,360
Speaker 1: have a new logo? Yeah, it's like a treasure map.

1052
00:51:06,800 --> 00:51:07,400
Speaker 1: I guess.

1053
00:51:08,840 --> 00:51:13,800
Speaker 6: I'm not saying that like I'm saying that my presence

1054
00:51:13,880 --> 00:51:17,799
Speaker 6: there was you know, made the audience bigger. I'm not

1055
00:51:17,800 --> 00:51:20,359
Speaker 6: saying it didn't either. But what I'm saying is that,

1056
00:51:20,800 --> 00:51:22,920
Speaker 6: you know, the gesture that you're talking about, Hayes, of

1057
00:51:22,960 --> 00:51:28,000
Speaker 6: having me on it has led directly or indirectly to

1058
00:51:28,239 --> 00:51:30,520
Speaker 6: just a lot of you know, our salespeople are really

1059
00:51:30,520 --> 00:51:31,480
Speaker 6: focused on that show.

1060
00:51:32,000 --> 00:51:32,360
Speaker 1: Hmmm.

1061
00:51:33,080 --> 00:51:36,239
Speaker 2: Oh great, Well that's honestly not even something that that

1062
00:51:36,400 --> 00:51:37,200
Speaker 2: you guys heard about.

1063
00:51:37,320 --> 00:51:39,000
Speaker 1: Oh, yes, sales side of it.

1064
00:51:39,080 --> 00:51:41,160
Speaker 3: I mean, I you know, I know so little about

1065
00:51:41,160 --> 00:51:44,760
Speaker 3: the business side of podcasting, but you you listen.

1066
00:51:45,640 --> 00:51:46,880
Speaker 1: Yes, no, I do.

1067
00:51:47,040 --> 00:51:50,120
Speaker 3: But I feel like even then, I'm only scratching the surface,

1068
00:51:50,280 --> 00:51:52,000
Speaker 3: Like it just feels like that's a show.

1069
00:51:51,760 --> 00:51:53,719
Speaker 6: That would you guys want to want to be on

1070
00:51:53,840 --> 00:51:54,320
Speaker 6: the Wolf.

1071
00:51:54,480 --> 00:51:54,960
Speaker 1: The World Den?

1072
00:51:55,160 --> 00:51:59,200
Speaker 3: Oh gosh, well, what day are you thinking?

1073
00:52:00,800 --> 00:52:03,719
Speaker 1: I don't pretty say any day?

1074
00:52:04,560 --> 00:52:08,959
Speaker 2: Oh no, don't, don't say what were you gonna I.

1075
00:52:08,880 --> 00:52:11,480
Speaker 6: Was gonna say, I'm flexible, but maybe early early next

1076
00:52:12,719 --> 00:52:13,320
Speaker 6: next week.

1077
00:52:13,400 --> 00:52:14,640
Speaker 1: That's so bad for you.

1078
00:52:16,040 --> 00:52:18,080
Speaker 6: I could do late, I could do later in the week.

1079
00:52:18,360 --> 00:52:21,560
Speaker 1: Oh gosh, I'm gonna be really sick.

1080
00:52:22,840 --> 00:52:27,400
Speaker 3: Yeah, alright, I'm gonna be stuck in traffic.

1081
00:52:28,560 --> 00:52:30,840
Speaker 1: We should do a quick popcorn gallery.

1082
00:52:30,840 --> 00:52:33,759
Speaker 2: We have all these questions, Adam, So we'll sing the

1083
00:52:33,800 --> 00:52:36,040
Speaker 2: song and I'll do the I'll sing and then you

1084
00:52:36,120 --> 00:52:38,200
Speaker 2: do the bag We haven't done it for a while,

1085
00:52:38,239 --> 00:52:39,759
Speaker 2: but special guests the.

1086
00:52:39,800 --> 00:52:44,160
Speaker 1: Popcorn It's time and the popcorn gallery segment and do

1087
00:52:44,200 --> 00:52:44,719
Speaker 1: the bag.

1088
00:52:47,320 --> 00:52:58,200
Speaker 3: Geryes movies and movies there we get up closer gallery.

1089
00:52:56,960 --> 00:52:58,040
Speaker 1: And I found it.

1090
00:53:01,120 --> 00:53:05,920
Speaker 2: And here's the first question from Mike, and Mike says,

1091
00:53:06,960 --> 00:53:10,000
Speaker 2: what's uh. Don't you think this show right now is

1092
00:53:10,760 --> 00:53:13,800
Speaker 2: so good and it's gotta keep being on.

1093
00:53:15,760 --> 00:53:18,960
Speaker 6: I yeah, it's a really good show. You know, we

1094
00:53:19,000 --> 00:53:24,719
Speaker 6: always say here at mid role, nobody is irreplaceable or indispensable, So.

1095
00:53:25,480 --> 00:53:30,240
Speaker 1: That comes up that much. You always say wow.

1096
00:53:30,680 --> 00:53:34,760
Speaker 3: I would say, even if that's a motto of the company, wouldn't.

1097
00:53:34,360 --> 00:53:40,080
Speaker 6: Be that yeah wow. But yeah, no, I I you know,

1098
00:53:40,120 --> 00:53:43,880
Speaker 6: I like you guys a lot. I'm having sat here

1099
00:53:43,880 --> 00:53:45,279
Speaker 6: for a little while. I am thrilled that your show

1100
00:53:45,680 --> 00:53:48,800
Speaker 6: is still here. That that. I don't know if you

1101
00:53:48,840 --> 00:53:49,560
Speaker 6: didn't get the email.

1102
00:53:49,640 --> 00:53:54,120
Speaker 3: I don't know what happened with the emails, like systems off.

1103
00:53:54,239 --> 00:53:56,719
Speaker 3: I don't think we've cracked it with email. I think

1104
00:53:56,800 --> 00:53:58,680
Speaker 3: there's going to be something else. It's like when we

1105
00:53:58,719 --> 00:54:02,120
Speaker 3: were listening tracks or something and it.

1106
00:54:02,120 --> 00:54:04,759
Speaker 1: Was like we haven't found CDs yet.

1107
00:54:05,280 --> 00:54:07,960
Speaker 6: Either way, I'm happy that you guys are still around.

1108
00:54:09,480 --> 00:54:09,680
Speaker 3: Yeah.

1109
00:54:11,280 --> 00:54:18,080
Speaker 6: Well, you know, we're trying to build a diverse network.

1110
00:54:19,719 --> 00:54:26,840
Speaker 2: Big shows get more diverse than yeah and Sean, Yeah,

1111
00:54:27,960 --> 00:54:30,080
Speaker 2: of course, is one eighth Native America.

1112
00:54:30,160 --> 00:54:31,640
Speaker 1: Oh gosh, yeah canah?

1113
00:54:32,880 --> 00:54:35,520
Speaker 6: Yeah, So I guess the answer is I'm really happy

1114
00:54:35,520 --> 00:54:37,520
Speaker 6: that you guys are are still here with us today.

1115
00:54:38,760 --> 00:54:42,239
Speaker 1: Great, that's that sounds conclusive to answer for Mike. And

1116
00:54:43,080 --> 00:54:44,920
Speaker 1: that's the whole popcorn gallery.

1117
00:54:45,080 --> 00:54:48,239
Speaker 3: And thanks for tuning in again, and please do rate

1118
00:54:48,360 --> 00:54:53,319
Speaker 3: us on iTunes, subscribe to wolf Den and go to

1119
00:54:53,360 --> 00:54:57,400
Speaker 3: the bathroom, you know, and with the commercial break when

1120
00:54:57,440 --> 00:55:00,160
Speaker 3: you're watching TV, you don't want to miss any of

1121
00:55:00,160 --> 00:55:00,600
Speaker 3: that show.

1122
00:55:01,080 --> 00:55:03,200
Speaker 1: So, uh, what.

1123
00:55:03,239 --> 00:55:06,400
Speaker 2: Else say is I probably wants to do the buye Okay, Adam,

1124
00:55:06,520 --> 00:55:07,200
Speaker 2: go for it?

1125
00:55:07,520 --> 00:55:09,200
Speaker 6: What do I do?

1126
00:55:09,239 --> 00:55:14,479
Speaker 1: You just say? Say bye bye? Yeah right.

1127
00:55:15,080 --> 00:55:17,840
Speaker 2: Thanks again to five four Clothing for sponsoring today's episode.

1128
00:55:17,920 --> 00:55:20,279
Speaker 2: Five four Clothing is the sixty dollars a month high

1129
00:55:20,360 --> 00:55:23,080
Speaker 2: end clothing membership that will provide you with stylish clothes

1130
00:55:23,160 --> 00:55:25,200
Speaker 2: that are bound to make you stand out in the crowd.

1131
00:55:25,239 --> 00:55:27,879
Speaker 3: Hey, if I could, if I could real quick, Okay,

1132
00:55:27,960 --> 00:55:28,960
Speaker 3: can I just tag something on?

1133
00:55:29,160 --> 00:55:30,880
Speaker 1: Yes, this is just two post rolls that you can

1134
00:55:30,920 --> 00:55:31,600
Speaker 1: do whatever you want.

1135
00:55:31,680 --> 00:55:36,279
Speaker 3: Okay, So just so for school buysh on suits for

1136
00:55:36,280 --> 00:55:38,399
Speaker 3: about us Toddler's one thing I do want to say,

1137
00:55:38,520 --> 00:55:40,680
Speaker 3: I guess because there is so much writing on the

1138
00:55:40,680 --> 00:55:41,799
Speaker 3: posters themselves.

1139
00:55:41,920 --> 00:55:43,240
Speaker 1: That are the clothes.

1140
00:55:43,960 --> 00:55:48,680
Speaker 3: We the warning labels that we also printed on there

1141
00:55:48,719 --> 00:55:50,880
Speaker 3: are not necessarily getting read.

1142
00:55:52,320 --> 00:55:52,360
Speaker 1: That.

1143
00:55:52,880 --> 00:55:56,000
Speaker 3: You know, use your head if you buy them. Posters

1144
00:55:56,040 --> 00:55:57,040
Speaker 3: are very flammable.

1145
00:55:57,680 --> 00:56:02,360
Speaker 2: H Well, these are baby selling this to little babies

1146
00:56:03,160 --> 00:56:03,879
Speaker 2: to use their ad.

1147
00:56:05,200 --> 00:56:05,680
Speaker 5: Yeah.

1148
00:56:05,760 --> 00:56:11,040
Speaker 3: I mean toddlers aren't babies. They're toddling around, so so

1149
00:56:11,480 --> 00:56:15,160
Speaker 3: you know, they're very flammable. This material, in particular, more

1150
00:56:15,200 --> 00:56:19,719
Speaker 3: flammable than most. So do not let them get near

1151
00:56:20,440 --> 00:56:24,080
Speaker 3: anything staticky that could create some kind of spark.

1152
00:56:24,600 --> 00:56:24,719
Speaker 4: Uh.

1153
00:56:24,880 --> 00:56:27,640
Speaker 3: Don't let them eat winter green lifesavers and crunch them

1154
00:56:27,680 --> 00:56:30,800
Speaker 3: in the dark. Don't let them do anything that would

1155
00:56:31,280 --> 00:56:34,440
Speaker 3: really even don't let them be in like a hot car,

1156
00:56:34,960 --> 00:56:38,359
Speaker 3: because sometimes the sun coming through the glass can react

1157
00:56:38,360 --> 00:56:40,799
Speaker 3: badly with the material. And I think just because there

1158
00:56:40,920 --> 00:56:43,719
Speaker 3: was so much writing on the posters, people weren't able

1159
00:56:43,760 --> 00:56:46,719
Speaker 3: to read that. So I want to say it here

1160
00:56:46,760 --> 00:56:48,799
Speaker 3: as sort of a disclaimer. Get five to four. If

1161
00:56:48,840 --> 00:56:51,080
Speaker 3: you're grown up you want good clothes, great, you'll look great.

1162
00:56:51,600 --> 00:56:53,959
Speaker 3: If you want your kid to really be set apart

1163
00:56:53,960 --> 00:56:56,840
Speaker 3: and have people be like, holy shit, it's fucking poster clothes.

1164
00:56:57,680 --> 00:56:59,080
Speaker 1: Do that you know come to me.

1165
00:57:00,680 --> 00:57:03,239
Speaker 3: We are still in business, but don't we don't want

1166
00:57:03,480 --> 00:57:04,320
Speaker 3: them burning.

1167
00:57:04,680 --> 00:57:06,719
Speaker 2: Go to five four club dot com. Use a promo

1168
00:57:06,760 --> 00:57:09,360
Speaker 2: code handbook at sign up for fifty percent off of

1169
00:57:09,400 --> 00:57:11,080
Speaker 2: your first package.

1170
00:57:11,600 --> 00:57:14,240
Speaker 4: Hi guys, Danielle Schneider Here Aileen.

1171
00:57:14,680 --> 00:57:15,520
Speaker 1: Don't it be good?

1172
00:57:15,760 --> 00:57:19,160
Speaker 4: As you know, Casey Wilson and I are obsessed with

1173
00:57:19,280 --> 00:57:21,960
Speaker 4: all the Real Housewives. Leen would be the cheapest best

1174
00:57:22,000 --> 00:57:24,040
Speaker 4: game because you could give her clares and she would

1175
00:57:24,040 --> 00:57:27,680
Speaker 4: think it's Cardia. So that's why we started Bitch Sessh,

1176
00:57:27,760 --> 00:57:30,600
Speaker 4: a Real Housewives breakdown show, and we've got some really

1177
00:57:30,600 --> 00:57:33,960
Speaker 4: exciting news. Starting this week, we're going to cover the

1178
00:57:34,000 --> 00:57:37,040
Speaker 4: brand new season of Real Housewives of New York City.

1179
00:57:37,120 --> 00:57:38,720
Speaker 3: Yes you Breaka here tonight.

1180
00:57:39,040 --> 00:57:44,400
Speaker 4: Maybe she is bitches, So look for new episodes every

1181
00:57:44,440 --> 00:57:47,840
Speaker 4: Thursday morning. Bitch Sessh is coming to the Big Apple

1182
00:57:48,160 --> 00:57:49,120
Speaker 4: only on EWEL.

1183
00:57:49,320 --> 00:57:51,560
Speaker 2: On this podcast, I'll admit you come off like a

1184
00:57:51,600 --> 00:58:02,840
Speaker 2: little nasty. Hollywood Handbook is brought to you by Wolf

1185
00:58:02,920 --> 00:58:06,640
Speaker 2: Cool Productions, a subsidiary of Calvin Hibbs.

1186
00:58:07,200 --> 00:58:10,800
Speaker 1: Our Baby

1187
00:58:13,680 --> 00:58:13,720
Speaker 3: H