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Speaker 1: Wake gass. The Breakfast Club is Oh wait, got the

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Speaker 1: breakfast Club? Envy and Charlamne the voice of the culture.

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Speaker 1: Then I'm gonna come here when this thing.

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Speaker 2: See y'all different, y'all the coach, it's different. You know

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Speaker 2: what I'm saying, Like, y'all know what y'all talking about.

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Speaker 2: This is probably becoming the most prominent form for here problem.

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Speaker 3: Be here next to all of you guys. It's really

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Speaker 3: put it.

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Speaker 1: Put it in perspective.

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Speaker 2: The breakfast club bitches, wake up.

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Speaker 1: Ray right ray yo, Charlemagne, Chamsey, what up are we losing?

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Speaker 1: This is your time to get it off your chest.

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Speaker 1: I got an indoor pool.

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Speaker 4: Pool.

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Speaker 1: We want to hear from you on the breakfast club.

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Speaker 3: Get on the phone right now here, tell you what

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Speaker 3: it is we lie.

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Speaker 5: Oh no, no, I'm very like you know, like like

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Speaker 5: you talk. It's like my post talking to her, you like, look.

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Speaker 1: At somebody else on the car. Hello, Oh come, who

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Speaker 1: are you talking about?

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Speaker 2: My mother? Mother?

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Speaker 5: I'm a work.

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Speaker 6: I'm gonna work.

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Speaker 1: What your son and did? Why you why are you

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Speaker 1: beating about your son now?

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Speaker 5: Because you know where you were talking to the ass

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Speaker 5: and they act like they don't want they don't hear you.

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Speaker 5: They want to walk away when you're trying to yell

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Speaker 5: up the ass. How your son man, he's been teens.

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Speaker 1: Okay, you going anyway?

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Speaker 5: I'm trying to I know, I know trouble. We got kids.

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Speaker 5: But look I want to call because Charlamrane and you

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Speaker 5: and good.

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Speaker 2: Morning by the way, I'm buy good morning.

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Speaker 5: You know what I'm saying. Well, look, I've been following

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Speaker 5: you for a long time. Bro, No curs.

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Speaker 2: You gotta stop cursing.

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Speaker 5: Oh my my bay, Charlamne, Hey coming from you, you been.

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Speaker 7: Cursing all the time.

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Speaker 2: Nigga, I don't curse.

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Speaker 1: You cursed right now now.

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Speaker 2: That wasn't a curse.

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Speaker 1: Gad man gag.

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Speaker 5: Anyway, Look, hey, what I was calling that is, Look, Charlamrane,

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Speaker 5: I appreciate you talking about mental hers because I supposed

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Speaker 5: to you a long time ago and YA was comming

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Speaker 5: because I thought you was a militant, and you said,

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Speaker 5: what's up with trying your white pants and all that food?

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Speaker 5: Tell my about Curt Togain.

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Speaker 2: What does Dominicans wearing white jeans got to do with

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Speaker 2: mental health?

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Speaker 5: No? No, I was saying that when I called you

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Speaker 5: a one time. You was talking to me about that,

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Speaker 5: and I told you I would go through mental health problems.

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Speaker 5: And I appreciate you talking about it because I got

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Speaker 5: out the military, yes, and I didn't know how to

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Speaker 5: deal with it, and I went in a depression, and

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Speaker 5: listening to your show every day and made me open

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Speaker 5: my mind and seeking like I went to the VA.

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Speaker 5: You know they told me here aside catcher, I even

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Speaker 5: got hospitalized and everything. But I want to appreciate you

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Speaker 5: for talking about it because I know for us, especially

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Speaker 5: Spanish people and black people, we don't believe in that.

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Speaker 5: I know I did this so talking about you and.

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Speaker 2: I said, yes, sir, yes, sir.

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Speaker 5: Even though you told me you was gonna help me,

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Speaker 5: and then you change your number, I couldn't even get

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Speaker 5: in touch with you. But I appreciate that though, because

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Speaker 5: I'm where I'm at right now because you opened my mind.

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Speaker 2: Well, what you need me to do, brother, I'm gonna

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Speaker 2: get your email right now. I'm if you need me

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Speaker 2: to connect you with some people, I connect you with

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Speaker 2: some people.

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Speaker 1: I did change mine.

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Speaker 5: I'm good now.

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Speaker 1: I'm good now.

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Speaker 5: I'm good now because I went through it. Like I said,

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Speaker 5: I got my own therapy. Now like im throughing all

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Speaker 5: that stuff, and the VA played for it. But because

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Speaker 5: of that, like I'm one hundred percent to say with right,

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Speaker 5: so my kids go to school for college for free

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Speaker 5: and all that stuff and all that, I thank you

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Speaker 5: because sometimes I feel like God po people in somebody's life.

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Speaker 5: Even to give you a hint and listening to you

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Speaker 5: every day. After you got on my nerve about it,

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Speaker 5: I kind of open my mind.

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Speaker 2: You know what I'm saying, Hello, pace paces the nets

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Speaker 2: coming from U a brof you all.

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Speaker 1: Get it off your chest, pace Pacey.

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Speaker 7: I wanted to get off the fact that we can

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Speaker 7: change the course of the way these young black men

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Speaker 7: are doing things nowadays. Bro. Like they're killing each other

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Speaker 7: like there's no return. I mean, and I'm really thinking

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Speaker 7: about it, bro. These mothers are suffering, bro losing their

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Speaker 7: children on the daily bro. Like it's crazy. We're in

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Speaker 7: the war with ourselves. The music industry is delaying a

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Speaker 7: bad message to our communities. And I just wanted to

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Speaker 7: give a message out to the women out there that's

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Speaker 7: that's that's singlely taking care of their their young boys,

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Speaker 7: get to know their get to know their friends, and

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Speaker 7: it'd be more act in their schools and stuff. Like that.

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Speaker 7: You just just just to know what's going on in

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Speaker 7: your son's head can change the course of everything.

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Speaker 2: I agree with you. The only thing I disagree with

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Speaker 2: is the music industry because art is a reflection of

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Speaker 2: life and there's a lot of societal issues that we

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Speaker 2: got to deal with before we start blaming the music constry.

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Speaker 5: But you know that it has.

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Speaker 7: But listen, listen, the music industry is influencing our community

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Speaker 7: so crazy to the fact that everybody want to be

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Speaker 7: gang gang, everybody want to shoot shoot.

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Speaker 2: I think I think the music industry is influenced by

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Speaker 2: the community, you know what I mean, Like it starts,

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Speaker 2: It starts way deeper before somebody gets in the studio

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Speaker 2: and records the record.

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Speaker 1: No, I agree, but something to what he says.

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Speaker 8: You got a lot of people that are not about

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Speaker 8: that life, that rap about that life because they think

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Speaker 8: it's it's you know, it'll make them.

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Speaker 1: Successful, It glamorizes it, it makes them popular.

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Speaker 8: Because you got a lot of these kids that ain't

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Speaker 8: never shoot nobody, no gang, but when they see their

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Speaker 8: favorite rapper do it, they do it.

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Speaker 2: Yeah. Oh I agree, But I think they learn a

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Speaker 2: lot of that just in the street. Like you know

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Speaker 2: what I mean. I just think it's a lot of

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Speaker 2: societal issues we got to deal before we start blaming

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Speaker 2: artists and record lague.

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Speaker 1: I wouldn't blame the record industry, but I would.

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Speaker 8: I would definitely say it's these kids are heavily influenced

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Speaker 8: by a lot of the industry.

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Speaker 1: Hello, what's this? He was like this, swan, swan, whatever,

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Speaker 1: get it off your cheste.

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Speaker 9: I just learned to get my chest that I'm really

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Speaker 9: happy that I'm not working and whatnot. It's been kind

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Speaker 9: of slow for a little while. I got out a

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Speaker 9: prison in twentyd and nine, and man, the world is

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Speaker 9: not very time to expelling. I work at that construction company.

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Speaker 2: I'm a carpenter. Congratulations, Yeah, yeah, thank you.

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Speaker 5: Man.

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Speaker 9: Can I shout up? My fun was still in prison,

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Speaker 9: of course, man, James Manuel flipped roll with something. Keep

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Speaker 9: your head tight, man, anybody up there want to write

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Speaker 9: a fella? His number is twelve ninety nine thirty one,

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Speaker 9: James Manuel. Man, hit my dogs up. Man, he it's

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Speaker 9: lonely in there.

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Speaker 2: Yeah, but you can't be telling that man keep his

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Speaker 2: head tight while he's still in prison. Man, Come on, now,

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Speaker 2: you have to keep your head on whoa not keep

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Speaker 2: your head.

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Speaker 9: That homework that man. Yeah, man, it's the world. It's

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Speaker 9: hard on people who got out of prison. Man, tell

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Speaker 9: you that they like reabilitating you and get you ready

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Speaker 9: for society, but really that's not what they're doing.

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Speaker 2: That's right. It's not a correctional facility at all. I

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Speaker 2: don't even know why they call it a correctional facility

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Speaker 2: because they're not trying to correct nothing. That's right.

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Speaker 8: Get it off your chest eight undrink five A five

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Speaker 8: one oh five one. If you need to vent, hit

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Speaker 8: us up now. It's the Breakfast Club.

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Speaker 10: Good morning, the Breakfast Club. Wait, this is your time

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Speaker 10: to get it off your chest. Eight hundred and five

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Speaker 10: five one five one. We want to hear from you

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Speaker 10: on the Breakfast Club.

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Speaker 1: Hello.

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Speaker 4: Who's this is this?

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Speaker 7: Tracy?

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Speaker 1: Hey Tracy, good morning, Get it off your chest.

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Speaker 11: Mama, good morning. I don't have anything to get off

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Speaker 11: my chest.

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Speaker 9: I just wanted to say I love the Breakfast Club

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Speaker 9: and good morning.

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Speaker 2: Thank You'll be back so much.

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Speaker 9: Thank you have a good thing.

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Speaker 1: Hello.

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Speaker 11: Who's this Vius Morgan?

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Speaker 1: Hey Morgan, get it off your chest.

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Speaker 5: Man.

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Speaker 11: Last night at work, I work at a hotel and

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Speaker 11: they had a conference for flat Earth people real quick.

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Speaker 11: I was in the military for ten years two four

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Speaker 11: to twenty fourteen, drove submarines for the Navy. I want

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Speaker 11: everybody that's listening to me to hear me clear. The

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Speaker 11: world is not flack. I've been around the world six times.

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Speaker 11: I never fell off one. Also, space is real. I've

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Speaker 11: seen Tomahawk missiles go into space for around the world

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Speaker 11: come back down. Also, we're sending one hundred billion dollars

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Speaker 11: overseas because it's strategic that we cannot let them take

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Speaker 11: over certain plant areas. So if they do in the

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Speaker 11: long term, it's going to affect America. So I know

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Speaker 11: it sucks, and I wish I had an answer to

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Speaker 11: home with people when while we always spending all that money,

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Speaker 11: but we gotta overseas because if they get that oil,

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Speaker 11: get that gas, it's a wrap. I just want to

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Speaker 11: matter earth the word they flack, just stop it.

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Speaker 2: Yeah, you're not wrong about nothing you said. And it's

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Speaker 2: a damn shame that those things had to be said.

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Speaker 2: It's a damn shame that in twenty twenty four you

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Speaker 2: have to tell people that the world is not flat.

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Speaker 3: Have you'all d a anversation with a flatter person.

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Speaker 2: I don't talk to flat Earth.

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Speaker 3: It's like so serious, would they believe?

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Speaker 2: No, I don't talk. I got a couple of flat

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Speaker 2: earths in my life who I love genuinely and deally.

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Speaker 2: You know what I'm saying, and I don't. I don't

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Speaker 2: judge them for what they believe. But if they weren't

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Speaker 2: my family, I wouldn't talk to them. I don't talk

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Speaker 2: to flatter Earth. Hello, who's this?

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Speaker 5: What's going on? Breck Club family?

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Speaker 12: Jay spell Bound?

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Speaker 2: What's up? Brother fail Bound? What's happening?

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Speaker 1: Get it off your chest?

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Speaker 12: Man, I just want to say, Man, appreciate everything I'll

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Speaker 12: be doing out here. Man, I'm a long time listener,

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Speaker 12: first time caller. Charlamagne definitely got us motivated with all

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Speaker 12: the mental health stuff. Man, My man Prince Free said

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Speaker 12: he came up there to your event.

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Speaker 1: It's just blown away.

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Speaker 2: Oh the mental wealth expote. Yes, sir, yes, sir man.

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Speaker 12: You know he's really a big advocate on that.

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Speaker 7: Man.

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Speaker 12: He's got his musical play and then you know it's

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Speaker 12: keeps uffing from suicide and depression. So man, he's just.

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Speaker 5: All about it.

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Speaker 2: Man, tell us thank you for coming.

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Speaker 12: You got a lot you want to say, brother, but

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Speaker 12: you can't right now. But just let you know, man,

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Speaker 12: we're all here riding.

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Speaker 1: But you appreciate that.

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Speaker 4: Brother and Lord, don't let him bully you about Delaware.

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Speaker 12: You know I had to do that a lot of times, man,

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Speaker 12: but about seven five yo.

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Speaker 2: Don't don't ever, don't ever put me in Delaware in

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Speaker 2: the same.

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Speaker 3: You're not worried at all because I know how we coming.

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Speaker 2: We got, Guru, Why would you do that? Google from Delaware?

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Speaker 2: First place, girls from.

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Speaker 8: Boston, Missy Chris Brown, Trey Songs, jay Z's Google, Oh.

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Speaker 2: Jay Z Okay, Okay, sleut the Google, young Gus. We

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Speaker 2: gotta y'all gotta lead with that. Y'all gotta start leading

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Speaker 2: with this.

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Speaker 3: Busy Bones he plays for the Clippers now Tyland.

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Speaker 2: Busy Boom you know, boom boom boom boom Bone.

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Speaker 13: The basketball player. He's like, he's like one of the

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Speaker 13: most lit like new players.

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Speaker 2: I didn't know that. Let me look that up.

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Speaker 13: He was on the What's the Dinner team and then

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Speaker 13: he just went over to the Clippers.

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Speaker 2: We got a fine bone time, yes, okay.

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Speaker 3: Yeah, he's fired. When I get the budget. Finally, when

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Speaker 3: they give to me I'm gonna bring 'all, y'all have

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Speaker 3: a time, and y'all gonna come back here and tell

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Speaker 3: people y'all should have been in Delaware.

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Speaker 2: I would come for free, but I know you can

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Speaker 2: look at me like that cause I'm lying exactly.

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Speaker 8: Don't even do not All right, get it off your chest.

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Speaker 8: Eight hundred and five five, one oh five one. If

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Speaker 8: you need the vent phone lines to wide open. It's

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Speaker 8: the Breakfast Club.

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Speaker 1: Good morning, the Breakfast Club. Morning everybody.

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Speaker 8: It's DJ n V, Charlamagne, the gud We are the

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Speaker 8: Breakfast Club. We got a special guest in the building,

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Speaker 8: the Godess Janelle Monet.

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Speaker 1: Hi, welcome, Hello.

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Speaker 14: The Age of Pleasure, Yes, album comes out today.

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Speaker 2: There you go.

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Speaker 15: That's what we're in babies.

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Speaker 1: Why did you call it the Age of Pleasure?

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Speaker 15: Well, you know, I've had my age of anxiety.

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Speaker 14: I've had my age of depression, I had my age

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Speaker 14: of confusion, of imbalance, and you know, just realizing that

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Speaker 14: we'll never live in a world where you know, something

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Speaker 14: heavy won't be happening. You know, always problems will have

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Speaker 14: to solve, and even in the midst of that, you

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Speaker 14: have to find your joy. You have to actively find

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Speaker 14: your pleasure and in the words of Mauri's White from Earth,

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Speaker 14: Wind and Fire, if there ain't no beauty, make some beauty.

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Speaker 2: First of all, I want to congratulate you on having

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Speaker 2: a phenomenal body of work. And everything you just said

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Speaker 2: is exactly what I felt when I was listening to

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Speaker 2: the album. It's almost like the mentality is like Hakuna Matada,

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Speaker 2: like it's no stress over things, no need to have worries.

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Speaker 2: Let's just live in an age of pleasure. How did

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Speaker 2: you get there? Though?

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Speaker 15: Ooh?

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Speaker 14: How did I get there? I mean, I think life,

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Speaker 14: you know, and I'm still you know, still on a

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Speaker 14: journey as we all are. But I think I got

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Speaker 14: locked in with me, you know. And I think a

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Speaker 14: lot of times we look at it, especially as artists,

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Speaker 14: and things come to us and sometimes they don't, and

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Speaker 14: we look at things as like, oh, we failed or

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Speaker 14: we should be working much harder. We our happiness is

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Speaker 14: dependent on things that come to us, you know, good things,

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Speaker 14: great things. But internally I had to get locked in

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Speaker 14: with me. I had to get really locked in with

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Speaker 14: me and reprogramming my mind and exercising them muscle to

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Speaker 14: be yeah, to get to a point where my inner

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Speaker 14: voice what I was telling myself, all those things, the affirmations,

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Speaker 14: all of it just rewired.

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Speaker 15: I'm rewired right now. I feel like I'm on my

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Speaker 15: third life right now.

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Speaker 2: Wow.

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Speaker 8: Now you mentioned, you know, you have the age of depression,

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Speaker 8: the age of anxiety, the age of all those things.

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Speaker 8: You know, what got you out of those places? Was

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Speaker 8: it therapy? Was it just taking a break? Was it friends,

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Speaker 8: was it meditating? Was it you know, whatever, it may

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Speaker 8: be writing your book at the time. What got you

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Speaker 8: out of that anxiety and depression and some of those

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Speaker 8: negative places that you said.

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Speaker 14: Yeah, having to go back to the root, the root

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Speaker 14: of trauma. Usually when you're triggered by something, it's deeper,

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Speaker 14: you know. And I feel like everybody should have free therapy,

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Speaker 14: Like it should be free for everybody. We should be

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Speaker 14: paying therapists more. We should be paying teachers more, nurses

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Speaker 14: can go on and on and on. But I think

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Speaker 14: when it comes to mental health, being able to understand

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Speaker 14: why we're sort of going through life feeling sick mentally

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Speaker 14: or feeling like we're in a loop. I just remember

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Speaker 14: being in a loop a lot and making the same

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Speaker 14: stories up in my mind about things, and I got

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Speaker 14: an emotional support coach who is a friend and who

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Speaker 14: also like does amazing work, and she said, you're dealing

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Speaker 14: with some abandonment rejection issues.

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Speaker 15: I want you to.

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Speaker 14: Write down when you were little, Janelle, the first time

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Speaker 14: is somebody didn't show up for you. The first time

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Speaker 14: you felt let down, like write all these things down.

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Speaker 14: And I had to go back. And I think also,

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Speaker 14: you know, being in the pandemic, a lot of things

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Speaker 14: got canceled for me, so I had no choice but

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Speaker 14: to sort of, you know, stay home. And I had

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Speaker 14: a unique opportunity to go inward and to heal those

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Speaker 14: things and have and do all the work the dark

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Speaker 14: stuffy by myself, right, you know. So I think it's

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Speaker 14: a combination of that and then friends too, you know.

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Speaker 14: I just remember being out with friends, and so much

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Speaker 14: of my life I was always thinking about the future.

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Speaker 14: I was like, what's next, you know, just how like

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Speaker 14: when you had when you're a entrepreneur. You know, I

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Speaker 14: started out as an indie artist, so I always had

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Speaker 14: to sort of be the leader, you know. I'm like,

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Speaker 14: I can't afford to mess up, you know. And when

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Speaker 14: I would be our friends, I wouldn't be present, And

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Speaker 14: so I also had an opportunity to reconnect with my

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Speaker 14: friends and have them hold me accountable, like, yo, we here,

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Speaker 14: we're here, We're here, Like stay here with us, we

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Speaker 14: love you, Like everything is gonna be good, you can relax.

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Speaker 15: And I felt safe there. I found a safe space.

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Speaker 1: I just want to ask one thing about you, Sai.

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Speaker 1: Abandonment issues.

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Speaker 8: Right, how did you feel or what made you feel

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Speaker 8: that way? And the reason I asked is right, I

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Speaker 8: have six kids that have four daughters. Right, one of

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Speaker 8: my biggest fears is not to show up but something

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Speaker 8: that I might think is small that might mean the

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Speaker 8: world to them, you know, because you know, we are

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Speaker 8: in the industry where we do travel, we are on

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Speaker 8: the road, so you know, I'm just what bothered you

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Speaker 8: so much about abandonment? Was it something big, like, you know,

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Speaker 8: something that happening on Christmas? Or was it something like

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Speaker 8: I have my talent show and this person didn't come

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Speaker 8: and it made me feel a way?

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Speaker 1: So what was the abandonment issue? Well?

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Speaker 14: I think a lot of it and I've spoken about

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Speaker 14: this a lot, but so if you are watching right

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Speaker 14: now and you know me, but my father was an addict,

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Speaker 14: so him being sort of inconsistent in.

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Speaker 1: My life and.

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Speaker 14: Having to sort of navigate and if you've had family

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Speaker 14: close to you or a parent and as an addict,

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Speaker 14: then you know what I'm talking about.

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Speaker 16: You know.

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Speaker 14: That our relationship a lot of times was like where

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Speaker 14: I felt most abandoned and thank God, like he's clean,

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Speaker 14: he's sober. Now we're best friends, he's written a book,

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Speaker 14: he's like amazing.

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Speaker 15: But I think that inconsistency.

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Speaker 14: And I didn't know that because I was like, I

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Speaker 14: have my mom, I have all my aunties, I have

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Speaker 14: so much love around me. But just those moments of

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Speaker 14: just like you're showing you're not here, you're here now

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Speaker 14: you're in prison, You're not like okay, all right, really

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Speaker 14: inconsistent and that was like one of the first things

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Speaker 14: I think that when I started to write down things

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Speaker 14: that bothered, that affected me more than I knew.

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Speaker 8: Yeah, all right, we got more with Janail Money. When

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Speaker 8: we come back, don't move. It's the Breakfast Club, Good Morning,

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Speaker 8: the Breakfast Club.

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Speaker 1: Morning.

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Speaker 8: Everybody is DJ Envy Charlamagne the guy we are to

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Speaker 8: Breakfast Club. He's still kicking it with Janail monehi album

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Speaker 8: is out today, The Age of Pleasure.

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Speaker 2: Charlomagne, you said someone now My thought was dope. You

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Speaker 2: said I forgot what song it was when you said

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Speaker 2: you're no longer lead with ego, and I wanted to

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Speaker 2: ask you, what do you think the difference between ego

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Speaker 2: and confidences?

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Speaker 1: Ooh what song was that?

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Speaker 14: By the way, that was an Eyes for two. I've

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Speaker 14: told you all this since I came out, you know,

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Speaker 14: being an android. I'm ahead and I've been ahead, and

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Speaker 14: I've been trying to get It's like I'm actually back

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Speaker 14: having fun because I'm too far ahead. Yeah, I think ego,

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Speaker 14: oh m, I just believe in balance and all things.

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Speaker 14: And I think that there's an unhealthy version of ego

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Speaker 14: that like it doesn't allow you to have that vulnerability.

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Speaker 14: It doesn't allow you to really really connect on a

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Speaker 14: vulnerable level that is powerful, Like if you're sharing your

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Speaker 14: feelings and.

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Speaker 15: It blocks that.

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Speaker 14: It blocks you from really sharing your feelings and saying, hey,

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Speaker 14: I'm hurt or I need help or I was wrong.

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Speaker 14: It stops us from apologizing, It stops us from being

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Speaker 14: held accountable. It blocks our growth. You know, if it's unhealthy.

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Speaker 14: I think being confident, I mean it's balancing all things.

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Speaker 14: You can be confident, overly confident about being a beginner.

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Speaker 14: I always say this, like, don't be afraid to be

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Speaker 14: a beginner. I think that the conflict happens when you

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Speaker 14: think you know more than you do and you're in

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Speaker 14: fact a beginner, and you sold yourself that dream that

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Speaker 14: I know what I'm doing, I got it together, and

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Speaker 14: in fact you don't.

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Speaker 8: When you say beginning, is it you meaning starting over

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Speaker 8: or trying something new to try?

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Speaker 14: Yeah, yeah, yeah, like and not even just acting or

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Speaker 14: something like that. But like if you ain't studied, you

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Speaker 14: may not ace the test, you know what I'm saying, Like,

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Speaker 14: being confident without doing the work is not it? Like

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Speaker 14: you can be confident though if I know I practiced,

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Speaker 14: I show I've shown I've done the work to get

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Speaker 14: my performance together, Like I know I'm gonna go on

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Speaker 14: this stage and I'm gonna kill it like that, Like

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Speaker 14: that's a different level thing because you've done the work.

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Speaker 14: But when you actually don't even have the experience and

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Speaker 14: you're confident for no reason, I mean, sometimes it can work.

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Speaker 14: You can pull So I don't know, I needed you

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Speaker 14: know what. I think I'm prematurely answering this question. This

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Speaker 14: is a really good question. I'll think about it.

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Speaker 2: I can't wait to hear an answer. I only have

443
00:19:21,960 --> 00:19:25,560
Speaker 2: eyes for two is a very system I think destroying record.

444
00:19:25,600 --> 00:19:29,440
Speaker 2: You know people are you should only have eyes for one.

445
00:19:31,800 --> 00:19:32,320
Speaker 15: That's right.

446
00:19:32,800 --> 00:19:34,239
Speaker 2: I love it. I want people to hear it.

447
00:19:34,720 --> 00:19:35,360
Speaker 15: I can't wait.

448
00:19:35,520 --> 00:19:39,479
Speaker 2: That's sounding joint like it's the second and last year.

449
00:19:41,800 --> 00:19:43,440
Speaker 15: I love it. It's so pretty.

450
00:19:43,480 --> 00:19:46,240
Speaker 14: I remember when I was recording it and just wanting

451
00:19:46,480 --> 00:19:50,360
Speaker 14: wanting people to like. I imagine everybody like whining whining

452
00:19:50,560 --> 00:19:53,840
Speaker 14: to it, and you're meeting somebody that night at the party.

453
00:19:53,880 --> 00:19:56,400
Speaker 14: That's the that's the part of the party where two complete,

454
00:19:56,520 --> 00:20:00,439
Speaker 14: three complete strangers are just like super open the director.

455
00:20:00,440 --> 00:20:01,719
Speaker 2: I don't know if I can love it so much

456
00:20:01,720 --> 00:20:06,520
Speaker 2: in front of my wife what she was going to

457
00:20:06,560 --> 00:20:07,360
Speaker 2: say about it, that's all?

458
00:20:07,960 --> 00:20:08,720
Speaker 15: Did she listen to it?

459
00:20:08,880 --> 00:20:09,800
Speaker 16: Not because I got it?

460
00:20:10,080 --> 00:20:10,359
Speaker 15: Okay?

461
00:20:10,880 --> 00:20:15,800
Speaker 14: I mean, can we get into these collaborations. Who is

462
00:20:15,960 --> 00:20:18,760
Speaker 14: just phenomenal? We have a song called phenomenal together. I

463
00:20:18,840 --> 00:20:22,280
Speaker 14: love her al Maray on the rush Nia Long, who

464
00:20:22,800 --> 00:20:24,960
Speaker 14: has always been my crush. One of the reasons why

465
00:20:25,160 --> 00:20:28,440
Speaker 14: what I got confident though, and in just being like

466
00:20:28,920 --> 00:20:31,639
Speaker 14: I'm about to free free the nipples because Along told

467
00:20:31,680 --> 00:20:32,040
Speaker 14: me I had.

468
00:20:32,000 --> 00:20:35,359
Speaker 1: Pretty That's the reason why.

469
00:20:35,480 --> 00:20:41,800
Speaker 14: So that's it, that's it, Like, tell me, what are

470
00:20:41,840 --> 00:20:45,040
Speaker 14: you going to say? Like that's the confidence I needed.

471
00:20:45,200 --> 00:20:45,760
Speaker 1: I didn't.

472
00:20:45,920 --> 00:20:47,520
Speaker 15: I was like, Oh, that's it, that's it.

473
00:20:48,200 --> 00:20:50,680
Speaker 14: Because she came to the house and we were recording

474
00:20:51,160 --> 00:20:53,800
Speaker 14: our song the Rush together, and I showed her some

475
00:20:53,880 --> 00:20:55,960
Speaker 14: of the press photos and she was like, oh, no,

476
00:20:56,200 --> 00:20:57,560
Speaker 14: you need to go with that photo.

477
00:20:58,880 --> 00:20:59,400
Speaker 1: The water. Yeah.

478
00:20:59,520 --> 00:21:03,119
Speaker 15: She was like, that's it. You got some pretty go

479
00:21:03,240 --> 00:21:05,520
Speaker 15: ahead and that's not even watching an interview, and I

480
00:21:05,560 --> 00:21:06,159
Speaker 15: want to rewind you.

481
00:21:08,119 --> 00:21:12,560
Speaker 14: I don't need any more affirmation. And then Grace Jones,

482
00:21:12,680 --> 00:21:15,080
Speaker 14: who also was on the project, came over. This is

483
00:21:15,080 --> 00:21:16,600
Speaker 14: who I was hanging out with when I was making

484
00:21:16,640 --> 00:21:19,760
Speaker 14: the record. I showed her stuff. She was like, go, baby,

485
00:21:19,960 --> 00:21:21,040
Speaker 14: do it, do it?

486
00:21:21,359 --> 00:21:21,600
Speaker 2: Do it?

487
00:21:21,840 --> 00:21:22,800
Speaker 1: Do it done?

488
00:21:23,280 --> 00:21:26,920
Speaker 14: Like that that is the level of just that's the

489
00:21:27,000 --> 00:21:30,520
Speaker 14: affirmation that I need. Like she's been a free asthma,

490
00:21:30,960 --> 00:21:33,440
Speaker 14: you know, like she she's done this, you know, in

491
00:21:33,560 --> 00:21:36,240
Speaker 14: her own way. So she's been an inspiration for me

492
00:21:36,280 --> 00:21:37,840
Speaker 14: and I'm so happy she's on the project.

493
00:21:38,080 --> 00:21:40,240
Speaker 1: All Right, well, we appreciate you for joining us. Anytime

494
00:21:40,280 --> 00:21:41,600
Speaker 1: you in town, you know, you can come on up.

495
00:21:43,080 --> 00:21:44,840
Speaker 1: And yes, this is a safe space for you. So

496
00:21:44,880 --> 00:21:47,000
Speaker 1: whatever you want to come, we love you and appreciate that.

497
00:21:47,080 --> 00:21:49,879
Speaker 15: I appreciate y'all. Thank you so much, and happy pride,

498
00:21:50,600 --> 00:21:52,680
Speaker 15: I must say. And let me ask you a question.

499
00:21:53,040 --> 00:21:55,920
Speaker 14: How are you guys showing up for as allies for

500
00:21:56,000 --> 00:21:57,600
Speaker 14: the LGBTQUI plus community.

501
00:21:57,640 --> 00:22:00,359
Speaker 2: If you listen to this show every day, you would

502
00:22:00,440 --> 00:22:09,119
Speaker 2: know they call us husbandsands gay husband. I love it

503
00:22:09,720 --> 00:22:10,120
Speaker 2: every day.

504
00:22:12,560 --> 00:22:16,120
Speaker 15: Well, that's good. I love it gusbands. That's really cute.

505
00:22:16,240 --> 00:22:16,639
Speaker 5: I love it.

506
00:22:16,800 --> 00:22:19,040
Speaker 2: Tell us we're pushing an agenda all the time. That's

507
00:22:19,040 --> 00:22:19,600
Speaker 2: what they tell us.

508
00:22:19,960 --> 00:22:22,680
Speaker 15: Yes, wow, okay, that's what I guess.

509
00:22:22,720 --> 00:22:25,600
Speaker 2: That's what it's called when you just embrace it everything.

510
00:22:25,720 --> 00:22:28,480
Speaker 14: It's so interesting how people think like being gay, or

511
00:22:28,560 --> 00:22:31,560
Speaker 14: being friends, or being non binary, being queer.

512
00:22:31,880 --> 00:22:34,080
Speaker 15: Like it's on some new like we just made up.

513
00:22:34,200 --> 00:22:34,639
Speaker 15: That's the thing.

514
00:22:34,720 --> 00:22:36,200
Speaker 14: You just got to be patient people. They have to

515
00:22:36,359 --> 00:22:39,040
Speaker 14: they have to educate themselves, and there's so much information

516
00:22:39,119 --> 00:22:40,480
Speaker 14: out here. Get educated, you know.

517
00:22:40,600 --> 00:22:42,480
Speaker 2: I feel like what we what we describe to do

518
00:22:42,560 --> 00:22:46,879
Speaker 2: here is create spaces for all black voices. And what

519
00:22:47,000 --> 00:22:49,480
Speaker 2: I realized is regardless of who comes up here like

520
00:22:49,600 --> 00:22:54,680
Speaker 2: it can be you know. Jason Lee b. Scott playing

521
00:22:54,720 --> 00:22:57,600
Speaker 2: when roll Lebron whoever it is, if they're from the

522
00:22:57,800 --> 00:23:00,080
Speaker 2: l g B t Q I a community, somebody is

523
00:23:00,160 --> 00:23:03,080
Speaker 2: going to have criticism, you know, yeah, and so that's

524
00:23:03,160 --> 00:23:06,680
Speaker 2: just what it is. I use your privilege to combat prejudice.

525
00:23:06,320 --> 00:23:07,120
Speaker 15: Absolutely well.

526
00:23:09,040 --> 00:23:09,320
Speaker 16: Right now.

527
00:23:11,440 --> 00:23:14,600
Speaker 14: And I'm not shaving my underarms. I've seen the comments.

528
00:23:15,440 --> 00:23:18,080
Speaker 14: They will not be shaved. You will get into it.

529
00:23:18,359 --> 00:23:19,040
Speaker 1: Is there a reason why?

530
00:23:19,560 --> 00:23:19,879
Speaker 15: I don't know.

531
00:23:19,880 --> 00:23:23,200
Speaker 1: I just felt like saying that, Okay, okay, it's a

532
00:23:23,200 --> 00:23:27,960
Speaker 1: breakfast cloth. Good morning everybody, and Charlamagne the guy. We

533
00:23:28,040 --> 00:23:29,080
Speaker 1: are the breakfast club.

534
00:23:29,119 --> 00:23:31,840
Speaker 8: If you're just joining us, we're talking about something that

535
00:23:31,880 --> 00:23:33,480
Speaker 8: came out of Charlamagne's Donkey course.

536
00:23:33,640 --> 00:23:36,280
Speaker 2: Well, yeah, we were talking about this guy who pulled

537
00:23:36,280 --> 00:23:38,920
Speaker 2: a gun on another guy. I don't know if it

538
00:23:39,040 --> 00:23:40,800
Speaker 2: was like another guy a girl, but pulled a gun

539
00:23:40,880 --> 00:23:43,399
Speaker 2: on the person because the person was about to spoil

540
00:23:43,480 --> 00:23:46,720
Speaker 2: Top Gun the movie for him, which got us talking

541
00:23:46,800 --> 00:23:50,199
Speaker 2: about you know, when you're binge watching something with your

542
00:23:50,200 --> 00:23:51,000
Speaker 2: significant other.

543
00:23:51,160 --> 00:23:51,480
Speaker 1: Correct.

544
00:23:51,600 --> 00:23:54,600
Speaker 2: I feel like the rules for binge watching are if

545
00:23:54,680 --> 00:23:57,639
Speaker 2: you and a person start a series together, right, you

546
00:23:57,720 --> 00:24:00,880
Speaker 2: and your significant other starter series together, y'all cannot watch

547
00:24:00,960 --> 00:24:03,919
Speaker 2: episodes without each other. If you start together, you got

548
00:24:04,000 --> 00:24:07,080
Speaker 2: to finish together. But Envy says that if a person

549
00:24:07,240 --> 00:24:11,120
Speaker 2: falls asleep, if you are your significant other falls asleep

550
00:24:11,200 --> 00:24:14,879
Speaker 2: while watching, then the person has to stop the movie

551
00:24:15,119 --> 00:24:16,320
Speaker 2: or stop the TV show.

552
00:24:16,800 --> 00:24:20,080
Speaker 1: Hell no, yes, no, yes, no, it's like just like

553
00:24:20,200 --> 00:24:22,000
Speaker 1: Game of Thrones. Right. Game of Thrones is something me

554
00:24:22,040 --> 00:24:23,040
Speaker 1: and my wife love.

555
00:24:23,119 --> 00:24:23,199
Speaker 5: Right.

556
00:24:23,280 --> 00:24:25,080
Speaker 8: We caught on to it a little late, but we

557
00:24:25,280 --> 00:24:28,120
Speaker 8: watched like three four episodes right at nighttime. We would

558
00:24:28,119 --> 00:24:30,359
Speaker 8: go to sleep at midnight one am. Problem is I

559
00:24:30,440 --> 00:24:31,680
Speaker 8: got to get up at four o'clock to do the

560
00:24:31,720 --> 00:24:35,399
Speaker 8: breakfast club. So if I fall asleep, that's your dumbass. No,

561
00:24:35,640 --> 00:24:37,480
Speaker 8: she would pause it and then we would continue the

562
00:24:37,560 --> 00:24:38,800
Speaker 8: next night when I got back home.

563
00:24:38,880 --> 00:24:41,200
Speaker 2: You fall asleep, then when you get free time, you

564
00:24:41,359 --> 00:24:41,760
Speaker 2: catch up.

565
00:24:42,000 --> 00:24:43,080
Speaker 1: I ain't got no free time.

566
00:24:43,480 --> 00:24:45,080
Speaker 8: We got six kids. There's no free time. When we

567
00:24:45,160 --> 00:24:47,200
Speaker 8: go to stupid night, we start watching the game.

568
00:24:47,520 --> 00:24:48,119
Speaker 1: That's what it is.

569
00:24:48,240 --> 00:24:49,200
Speaker 2: No, nobody does that.

570
00:24:49,400 --> 00:24:51,760
Speaker 8: If the White Walkers came and my wife found out

571
00:24:51,760 --> 00:24:53,480
Speaker 8: that the White Walkers came before me, there'll be a

572
00:24:53,520 --> 00:24:56,320
Speaker 8: prime in the house. No, if the Dragon came and

573
00:24:56,680 --> 00:24:58,760
Speaker 8: my wife knew the dragon came before me, it is gonna.

574
00:24:58,560 --> 00:24:58,880
Speaker 1: Be a problem.

575
00:24:58,880 --> 00:25:01,280
Speaker 2: By the way, this is the most This is so selfish.

576
00:25:02,000 --> 00:25:04,040
Speaker 2: It is so selfish in you to know that you're

577
00:25:04,040 --> 00:25:06,000
Speaker 2: about to be tired. You know you're tired.

578
00:25:06,040 --> 00:25:06,280
Speaker 6: I don't know.

579
00:25:06,320 --> 00:25:09,480
Speaker 2: I'm so when you start, when you start watching the show,

580
00:25:09,840 --> 00:25:11,760
Speaker 2: you start watching the show knowing you're tired, and then

581
00:25:11,760 --> 00:25:15,160
Speaker 2: you fall asleep, and now your wife, who also has

582
00:25:15,200 --> 00:25:17,920
Speaker 2: six kids, who's with the kids majority of the time,

583
00:25:18,320 --> 00:25:20,320
Speaker 2: has to pause it and can't have her moment of

584
00:25:20,400 --> 00:25:21,080
Speaker 2: joy and pleasure.

585
00:25:21,240 --> 00:25:22,040
Speaker 1: I don't know. I'm tired.

586
00:25:22,080 --> 00:25:23,920
Speaker 8: When I'm tired, I just fall asleep. And there's so

587
00:25:24,040 --> 00:25:26,400
Speaker 8: many other things that she will watch that I don't

588
00:25:26,400 --> 00:25:30,280
Speaker 8: want to watch. The Bachelor, The Bachelor, Red, the Golden Bachelor,

589
00:25:30,640 --> 00:25:33,200
Speaker 8: the Housewives of Brooklyn.

590
00:25:33,000 --> 00:25:36,800
Speaker 1: Manhattan, Oh Seed, And we'll tell you all these other

591
00:25:36,840 --> 00:25:37,680
Speaker 1: shows that she could watch.

592
00:25:38,640 --> 00:25:40,200
Speaker 2: She can speak for gear. But I don't think she

593
00:25:40,359 --> 00:25:42,280
Speaker 2: likes this. I don't think she likes this. I don't

594
00:25:42,320 --> 00:25:43,119
Speaker 2: I don't think she likes this.

595
00:25:43,520 --> 00:25:44,119
Speaker 1: She gets a little tight.

596
00:25:44,240 --> 00:25:46,240
Speaker 2: Don't want to see this. Don't wait ten years to

597
00:25:46,280 --> 00:25:51,600
Speaker 2: find out that she don't like this. Okay, I'm just saying,

598
00:25:51,680 --> 00:25:53,880
Speaker 2: we read your book. Don't wait ten years to find

599
00:25:53,880 --> 00:25:55,639
Speaker 2: out that she really don't like this and she's been

600
00:25:55,680 --> 00:25:56,600
Speaker 2: faking it the whole time.

601
00:25:56,720 --> 00:25:57,080
Speaker 1: Shut up?

602
00:25:58,760 --> 00:25:59,080
Speaker 2: Goodness?

603
00:25:59,520 --> 00:26:00,119
Speaker 1: Hello, who's this?

604
00:26:00,680 --> 00:26:01,960
Speaker 5: That's her chaulfriend Jersey?

605
00:26:02,000 --> 00:26:02,480
Speaker 2: How you doing?

606
00:26:02,600 --> 00:26:02,800
Speaker 16: HER's?

607
00:26:02,840 --> 00:26:03,119
Speaker 7: What up?

608
00:26:03,359 --> 00:26:04,200
Speaker 1: What's going on? Brother?

609
00:26:04,520 --> 00:26:04,680
Speaker 5: Doing?

610
00:26:04,720 --> 00:26:05,000
Speaker 2: All right?

611
00:26:05,080 --> 00:26:08,280
Speaker 8: How are you you watching a flick with your wife

612
00:26:08,640 --> 00:26:10,480
Speaker 8: or your wife or you or your man, whatever it is,

613
00:26:10,960 --> 00:26:12,560
Speaker 8: and that person falls asleep?

614
00:26:12,600 --> 00:26:13,320
Speaker 1: What do you do herschel?

615
00:26:13,600 --> 00:26:14,359
Speaker 11: I'm pausing it?

616
00:26:15,080 --> 00:26:17,639
Speaker 4: Wow, invested waiting for her, I'm putting it off the

617
00:26:17,680 --> 00:26:19,760
Speaker 4: pause and we watched her together, unless I'm mad at her.

618
00:26:20,240 --> 00:26:22,359
Speaker 2: If I'm mad at her, I'm gonna let it play out.

619
00:26:22,400 --> 00:26:24,640
Speaker 2: If you have to rewatch without me or hirsht. You've

620
00:26:24,760 --> 00:26:27,159
Speaker 2: never done that in your life. Nobody does that?

621
00:26:27,920 --> 00:26:28,480
Speaker 1: Said, he does that?

622
00:26:28,600 --> 00:26:29,360
Speaker 2: That's not a thing.

623
00:26:29,560 --> 00:26:29,960
Speaker 1: Yes, it is.

624
00:26:30,160 --> 00:26:32,800
Speaker 2: No, it's not that. No, I don't believe you.

625
00:26:33,000 --> 00:26:35,160
Speaker 12: You know how many episodes of the Walking there she missed?

626
00:26:35,359 --> 00:26:37,479
Speaker 2: What do you mean my wife missed so many episodes

627
00:26:37,520 --> 00:26:38,760
Speaker 2: of the Walking? Then you gotta go back.

628
00:26:38,680 --> 00:26:41,280
Speaker 11: Three or four episodes to rewatch because she fell asleep.

629
00:26:41,520 --> 00:26:43,800
Speaker 2: But that's on her. No, you gotta go back and

630
00:26:43,840 --> 00:26:44,760
Speaker 2: watch that on her time.

631
00:26:44,880 --> 00:26:47,560
Speaker 8: Now he pauses that. Now what Herschel said, is absolutely true.

632
00:26:47,760 --> 00:26:49,200
Speaker 8: If me and the wife is are you and I

633
00:26:49,320 --> 00:26:51,560
Speaker 8: act like I won't see see her sleeping, and I'll

634
00:26:51,600 --> 00:26:54,359
Speaker 8: let it go. But if we are good, no, I

635
00:26:54,480 --> 00:26:55,320
Speaker 8: pause it and I wait for.

636
00:26:55,359 --> 00:26:55,840
Speaker 1: The next day.

637
00:26:55,960 --> 00:26:57,600
Speaker 2: Nobody does this, Bro, This ain't real. Hello?

638
00:26:57,680 --> 00:26:58,000
Speaker 1: Who's this?

639
00:26:58,640 --> 00:26:58,800
Speaker 5: Yeah?

640
00:26:58,920 --> 00:27:01,879
Speaker 2: This Chemo? What what's up? Brother Jesus Christ? Chemo?

641
00:27:02,920 --> 00:27:03,480
Speaker 7: What's going on?

642
00:27:05,119 --> 00:27:05,280
Speaker 5: Man?

643
00:27:06,359 --> 00:27:09,520
Speaker 8: You and your girl Keemo watching something to flick a series?

644
00:27:09,920 --> 00:27:10,800
Speaker 8: She falls asleep?

645
00:27:10,840 --> 00:27:11,399
Speaker 1: You pausing it?

646
00:27:11,680 --> 00:27:13,480
Speaker 6: I mean, if I notice that she is asleep, I'm

647
00:27:13,480 --> 00:27:15,679
Speaker 6: definitely gonna positive you know what I'm saying. And if

648
00:27:15,720 --> 00:27:17,479
Speaker 6: I don't notice that, I'm I'm gonna rewatch it when

649
00:27:17,520 --> 00:27:17,960
Speaker 6: you get up.

650
00:27:18,280 --> 00:27:20,120
Speaker 8: See, so you're gonna pause it because you're gonna show

651
00:27:20,119 --> 00:27:21,040
Speaker 8: a little respect because y'all.

652
00:27:21,080 --> 00:27:23,480
Speaker 1: Y'all, y'all both in on the on the series, correct.

653
00:27:23,720 --> 00:27:25,959
Speaker 6: I mean, of course, if y'all invested in something, man,

654
00:27:26,000 --> 00:27:28,880
Speaker 6: y'all gotta do it together. Man, if especially y'all started together.

655
00:27:28,960 --> 00:27:30,760
Speaker 2: Can I ask you a question? Has this ever happened

656
00:27:30,800 --> 00:27:30,960
Speaker 2: to you?

657
00:27:31,320 --> 00:27:33,520
Speaker 6: One hundred percent? Like I mean, I've definitely been on

658
00:27:33,600 --> 00:27:35,960
Speaker 6: the on the on the receiving and of it. I've

659
00:27:35,960 --> 00:27:38,399
Speaker 6: been the one to fall asleep and be like, damn

660
00:27:38,600 --> 00:27:39,520
Speaker 6: you watch it without me?

661
00:27:40,560 --> 00:27:42,920
Speaker 2: You be like, yeah, because you fell asleep. No, that's

662
00:27:42,960 --> 00:27:44,199
Speaker 2: not right, but that but.

663
00:27:44,400 --> 00:27:45,880
Speaker 7: But it's not it's still not right.

664
00:27:45,920 --> 00:27:46,680
Speaker 2: It's principles.

665
00:27:46,720 --> 00:27:48,000
Speaker 6: You know what I'm saying. It's principal to it.

666
00:27:48,080 --> 00:27:49,399
Speaker 1: Like, you can't do that.

667
00:27:49,720 --> 00:27:51,240
Speaker 2: I disagree. Hello, who's this?

668
00:27:53,320 --> 00:27:55,879
Speaker 8: Hey Joanna from Astown? Now you and your man or

669
00:27:55,920 --> 00:27:57,560
Speaker 8: you and your girl whatever, you're into a watch and

670
00:27:57,600 --> 00:28:01,159
Speaker 8: all flick? Yes, so you been falls asleep? Now is

671
00:28:01,200 --> 00:28:04,000
Speaker 8: something that you're into? Game of Thrones or whatever it

672
00:28:04,080 --> 00:28:06,320
Speaker 8: may be. You're both excited. He falls asleep?

673
00:28:06,359 --> 00:28:08,960
Speaker 1: What you're doing? I'd be like, hey, babe, you're awake?

674
00:28:09,440 --> 00:28:10,600
Speaker 8: Yeah, yeah, yeah, I'm awake.

675
00:28:10,680 --> 00:28:12,520
Speaker 1: All right, here some more time.

676
00:28:12,400 --> 00:28:13,119
Speaker 5: A couple moments.

677
00:28:13,240 --> 00:28:15,000
Speaker 1: So you're watching it without him? That's what it sounds like.

678
00:28:15,359 --> 00:28:16,520
Speaker 7: Yep, you snooze, you lose.

679
00:28:16,560 --> 00:28:17,560
Speaker 12: I'm continuing to watch it.

680
00:28:17,840 --> 00:28:18,920
Speaker 2: And by the way, I want you to know. You

681
00:28:19,000 --> 00:28:21,240
Speaker 2: the first woman to call it here and uh, you know,

682
00:28:21,560 --> 00:28:23,440
Speaker 2: like like most things in life, it's the women with

683
00:28:23,560 --> 00:28:25,400
Speaker 2: the sense because all the men is lying talking about

684
00:28:25,400 --> 00:28:28,000
Speaker 2: they gonna pause the movie and watch it later. No,

685
00:28:28,119 --> 00:28:30,040
Speaker 2: you're not. Nobody does that.

686
00:28:30,600 --> 00:28:33,920
Speaker 1: Yes, Hey, Donald, good morning. You call it from Houston, Texas.

687
00:28:34,720 --> 00:28:36,480
Speaker 1: Sound another age town on the line. All right, so

688
00:28:37,000 --> 00:28:38,120
Speaker 1: you and your man y'all.

689
00:28:38,000 --> 00:28:40,320
Speaker 8: Watching the series. You were super duper excited. I've been

690
00:28:40,400 --> 00:28:43,840
Speaker 8: talking about it. He falls asleep, you pause it for him, right.

691
00:28:44,200 --> 00:28:46,280
Speaker 6: I paused this for him just to be like, are

692
00:28:46,360 --> 00:28:46,920
Speaker 6: you asleep?

693
00:28:46,960 --> 00:28:47,360
Speaker 7: Asleep?

694
00:28:47,560 --> 00:28:49,680
Speaker 6: And then when I find out he's actually asleep, I'm

695
00:28:49,760 --> 00:28:50,400
Speaker 6: keeping them going.

696
00:28:50,640 --> 00:28:51,120
Speaker 2: That's right.

697
00:28:51,320 --> 00:28:51,520
Speaker 14: Damn.

698
00:28:52,160 --> 00:28:54,480
Speaker 2: By the way, once again, this is why women should

699
00:28:54,480 --> 00:28:56,720
Speaker 2: be in control of everything, because y'all got good old

700
00:28:56,760 --> 00:28:59,800
Speaker 2: fashioned common sense. Nobody is pars men do things that

701
00:29:00,200 --> 00:29:03,040
Speaker 2: sound good. Nobody does that in real life. I'm gonna

702
00:29:03,040 --> 00:29:04,960
Speaker 2: pause it and I'm gonna wait till my wife wakes up.

703
00:29:05,160 --> 00:29:05,600
Speaker 1: No, you're not.

704
00:29:06,240 --> 00:29:07,000
Speaker 2: Nobody doesn't.

705
00:29:07,640 --> 00:29:08,800
Speaker 3: You would never. You would never.

706
00:29:09,000 --> 00:29:10,920
Speaker 2: Nobody's does that. And by the way, that happens to

707
00:29:11,000 --> 00:29:13,840
Speaker 2: me all the time. That just happened to me this weekend.

708
00:29:13,960 --> 00:29:15,960
Speaker 2: Fell asleep. We watching, you know, and guess what we

709
00:29:16,080 --> 00:29:17,560
Speaker 2: was watching? Harlem Nights.

710
00:29:18,320 --> 00:29:20,760
Speaker 1: That something different? You have seen thirteen.

711
00:29:21,600 --> 00:29:21,800
Speaker 5: It's not.

712
00:29:22,120 --> 00:29:25,000
Speaker 2: It's no because I'm we rewatch movies sometimes because you

713
00:29:25,040 --> 00:29:27,600
Speaker 2: get a different You've seen Hall Them Knights before. It's

714
00:29:27,640 --> 00:29:30,640
Speaker 2: not the first time, forty five year old eyes and understanding.

715
00:29:30,760 --> 00:29:33,000
Speaker 2: So it's a different ballgame. But guess what, I fell

716
00:29:33,040 --> 00:29:36,720
Speaker 2: asleep and I didn't wake up upset. I actually I

717
00:29:36,840 --> 00:29:38,480
Speaker 2: expect that to happen at this point in my life.

718
00:29:38,520 --> 00:29:40,360
Speaker 1: You've seen Hall of Nights thirteen thousand times.

719
00:29:40,400 --> 00:29:42,800
Speaker 2: This happened to Mess, This happened to me with movies.

720
00:29:42,800 --> 00:29:43,480
Speaker 2: I've never seen.

721
00:29:43,560 --> 00:29:44,640
Speaker 1: Shoot You in the Piccato yet.

722
00:29:44,680 --> 00:29:47,200
Speaker 2: Like the first time we watched Dayclone Tyrone, I fell

723
00:29:47,280 --> 00:29:49,120
Speaker 2: asleep and when I woke up my wife we was

724
00:29:49,120 --> 00:29:50,560
Speaker 2: talking about how good it was. Guess what I did?

725
00:29:50,600 --> 00:29:51,080
Speaker 1: I just watched.

726
00:29:51,120 --> 00:29:52,400
Speaker 2: We watched it again the next night.

727
00:29:52,880 --> 00:29:54,400
Speaker 1: Alex, good morning, Yo?

728
00:29:54,520 --> 00:29:54,800
Speaker 2: What up?

729
00:29:55,120 --> 00:29:55,960
Speaker 1: Alex? What are you call it?

730
00:29:56,000 --> 00:29:57,400
Speaker 5: From Wisconsin?

731
00:29:57,880 --> 00:29:58,160
Speaker 1: Okay?

732
00:29:58,200 --> 00:30:01,760
Speaker 8: Wisconsin? Now, h you watching a movie with your significant other?

733
00:30:01,800 --> 00:30:04,360
Speaker 8: They fall asleep pausing it or you're gonna keep watching.

734
00:30:04,680 --> 00:30:07,640
Speaker 5: I mean, it depends on the situation. Because sometimes my

735
00:30:08,360 --> 00:30:12,040
Speaker 5: said be falling asleep mid episode, and I just continue

736
00:30:12,080 --> 00:30:12,840
Speaker 5: watching that episode.

737
00:30:12,840 --> 00:30:15,040
Speaker 12: But I'll turn it off after that episode.

738
00:30:15,600 --> 00:30:18,480
Speaker 2: And then I'll wait, I'll turn it off after that episode.

739
00:30:18,560 --> 00:30:21,240
Speaker 8: As you should watch the one episode and then the

740
00:30:21,320 --> 00:30:23,360
Speaker 8: rest you'll catch up later with them exactly.

741
00:30:23,480 --> 00:30:24,440
Speaker 5: And then there's the top way.

742
00:30:24,720 --> 00:30:27,120
Speaker 12: We both watch it together and all that's surprised, like

743
00:30:27,160 --> 00:30:27,640
Speaker 12: I didn't.

744
00:30:27,440 --> 00:30:28,200
Speaker 9: Watch it last night.

745
00:30:29,200 --> 00:30:30,000
Speaker 2: Don't do that out?

746
00:30:31,680 --> 00:30:32,400
Speaker 1: Hello, who's this?

747
00:30:33,240 --> 00:30:33,440
Speaker 5: Hey?

748
00:30:34,160 --> 00:30:35,360
Speaker 1: What what's up? Brother?

749
00:30:35,560 --> 00:30:35,720
Speaker 2: Now?

750
00:30:36,080 --> 00:30:39,120
Speaker 8: You watch it afflick with wifey? She falls asleep? You

751
00:30:39,200 --> 00:30:40,920
Speaker 8: stopping it and go wait till tomorrow?

752
00:30:41,000 --> 00:30:41,560
Speaker 1: Or what you doing?

753
00:30:42,040 --> 00:30:43,760
Speaker 5: No, it's just pretty much just like if you go

754
00:30:43,840 --> 00:30:45,920
Speaker 5: out to a movie. You can't ready to go to

755
00:30:46,000 --> 00:30:48,200
Speaker 5: the movie. If you sleep in the movie here.

756
00:30:48,120 --> 00:30:51,280
Speaker 2: Then it's yeah, what you're gonna do? Walk out the movie? Hey, baby,

757
00:30:51,320 --> 00:30:52,640
Speaker 2: you sleeping? Let's leave the movie?

758
00:30:52,680 --> 00:30:55,360
Speaker 1: Theater is different. This is the two You can't pause

759
00:30:55,440 --> 00:30:56,000
Speaker 1: the movie theater.

760
00:30:56,440 --> 00:30:58,200
Speaker 5: Yeah, you can't pause the movie, but why are you

761
00:30:58,280 --> 00:30:59,680
Speaker 5: expected the movie?

762
00:31:01,440 --> 00:31:03,640
Speaker 2: I agree with you wholeheartedly. And the two women who

763
00:31:03,680 --> 00:31:05,680
Speaker 2: called up here make the most sense because they said

764
00:31:06,040 --> 00:31:08,880
Speaker 2: you paused to say baby, you up and we all

765
00:31:09,040 --> 00:31:11,200
Speaker 2: lie and be like yeah, yeah, yeah, yeah, why do

766
00:31:11,360 --> 00:31:11,760
Speaker 2: men do that?

767
00:31:12,280 --> 00:31:14,440
Speaker 1: Lie with you? I ain't sleeping. I'm just resting my

768
00:31:14,480 --> 00:31:19,840
Speaker 1: eyes for a second. I'm just dozing. No, I'm sleeping. Hello, Donnie, yo, yo, Donnie?

769
00:31:19,880 --> 00:31:20,120
Speaker 16: What up?

770
00:31:20,160 --> 00:31:20,240
Speaker 7: Now?

771
00:31:20,280 --> 00:31:21,520
Speaker 1: You're watching a flick with wifey?

772
00:31:21,640 --> 00:31:21,760
Speaker 16: Right?

773
00:31:22,320 --> 00:31:22,520
Speaker 5: Yeah?

774
00:31:22,640 --> 00:31:25,040
Speaker 8: She falls asleep now? It's a flick that y'all both

775
00:31:25,120 --> 00:31:27,040
Speaker 8: love could be. What's what's the flick, y'all both love?

776
00:31:27,800 --> 00:31:30,360
Speaker 5: I'm gonna have to tell you I am legend.

777
00:31:30,840 --> 00:31:34,360
Speaker 1: Okay, all right, all right, but y'all seen it? All right?

778
00:31:34,400 --> 00:31:35,840
Speaker 8: Well, all right, we're going I am legend. I'm sure

779
00:31:35,880 --> 00:31:39,160
Speaker 8: y'all seen it already. But the movie you know your wife,

780
00:31:39,200 --> 00:31:39,760
Speaker 8: he falls asleep?

781
00:31:39,800 --> 00:31:41,240
Speaker 1: Do you pause this? Say, let's finish it the ball.

782
00:31:41,680 --> 00:31:42,800
Speaker 5: I ain't gonna hold y'all.

783
00:31:43,360 --> 00:31:46,120
Speaker 4: It's over for bro, She's gonna have to catch up.

784
00:31:46,280 --> 00:31:49,960
Speaker 2: That's right. I don't know who these people are lying.

785
00:31:50,600 --> 00:31:52,920
Speaker 4: Yeah, this this is my thing. It's like, let's say

786
00:31:53,080 --> 00:31:55,800
Speaker 4: we go to the movie. Oh boy, I fall asleep

787
00:31:56,000 --> 00:31:58,240
Speaker 4: in the movie theater. Are we gonna go back and

788
00:31:58,320 --> 00:31:58,960
Speaker 4: watch it again?

789
00:31:59,080 --> 00:32:00,920
Speaker 1: You can't pause the movie in a movie theater.

790
00:32:01,800 --> 00:32:04,760
Speaker 4: You can't, right, It's to me, it's the same concept

791
00:32:05,000 --> 00:32:07,440
Speaker 4: if you fall asleep because whip I wake you up

792
00:32:07,480 --> 00:32:08,160
Speaker 4: and you fall asleep.

793
00:32:08,160 --> 00:32:11,120
Speaker 2: Agin, I'm gonna keep waking you up. That's right. Now

794
00:32:11,160 --> 00:32:13,720
Speaker 2: you're messing up. Now, you're messing up my movie experience.

795
00:32:14,480 --> 00:32:16,840
Speaker 1: Oh boy, all right, thank you, brother. What's the marrow

796
00:32:16,880 --> 00:32:17,240
Speaker 1: of the story?

797
00:32:17,360 --> 00:32:20,400
Speaker 2: Charlamagne the marvel of the story is y'all gotta stop

798
00:32:20,480 --> 00:32:24,040
Speaker 2: lying about stupid stuff. Don't nobody pause? No damn movie

799
00:32:24,440 --> 00:32:28,080
Speaker 2: when they're significant other falls asleep and stops watching it

800
00:32:28,120 --> 00:32:30,000
Speaker 2: and watching it wat start watching it again when they

801
00:32:30,040 --> 00:32:32,120
Speaker 2: wake up. Nobody does that. We do that in my house.

802
00:32:32,200 --> 00:32:32,600
Speaker 1: No, you don't.

803
00:32:33,120 --> 00:32:34,160
Speaker 2: That's never happened. I don't believe you.

804
00:32:34,520 --> 00:32:36,760
Speaker 8: All right, Well gets the Breakfast Club. Good morning, the

805
00:32:36,960 --> 00:32:38,120
Speaker 8: Breakfast Club.

806
00:32:40,480 --> 00:32:43,600
Speaker 1: Morning. Everybody's DJ MV Charlamagne the guy.

807
00:32:43,680 --> 00:32:46,120
Speaker 8: We are the Breakfast Club, Laura La Rosa, our special

808
00:32:46,200 --> 00:32:48,560
Speaker 8: guest host is here, and we got a special guest

809
00:32:48,600 --> 00:32:49,440
Speaker 8: in the building, my.

810
00:32:49,520 --> 00:32:51,080
Speaker 2: Good brother partisan Fontaine.

811
00:32:51,240 --> 00:32:53,000
Speaker 1: Party said, Party, thank y'all.

812
00:32:52,880 --> 00:32:55,480
Speaker 2: For having me. How you feeling this morning?

813
00:32:55,520 --> 00:32:55,680
Speaker 7: Man?

814
00:32:55,800 --> 00:32:58,720
Speaker 2: You put out sex tape. I'm always on you about

815
00:32:58,720 --> 00:32:59,520
Speaker 2: putting music out.

816
00:32:59,760 --> 00:33:00,560
Speaker 1: You never do.

817
00:33:00,720 --> 00:33:02,360
Speaker 2: You finally give us this. I guess you call it

818
00:33:02,440 --> 00:33:05,320
Speaker 2: the EP sex tape. And it feels like, at least

819
00:33:05,360 --> 00:33:08,600
Speaker 2: the first half of it is about you being broken hard.

820
00:33:09,000 --> 00:33:11,880
Speaker 2: It feels like that, So it feels what inspired that.

821
00:33:13,560 --> 00:33:15,640
Speaker 16: It's really like, it's a bunch of records that I've

822
00:33:15,760 --> 00:33:17,360
Speaker 16: made over Tom, you know what I'm saying, and just

823
00:33:17,400 --> 00:33:20,920
Speaker 16: put together. That was our whole process of just wanting

824
00:33:20,960 --> 00:33:23,200
Speaker 16: to get something out and I've been trying to perfect

825
00:33:23,240 --> 00:33:24,720
Speaker 16: it and waiting for the right time and all of this,

826
00:33:25,000 --> 00:33:26,760
Speaker 16: so we kind of just like, yo, it's what we got.

827
00:33:26,840 --> 00:33:27,400
Speaker 2: We're going with this.

828
00:33:28,400 --> 00:33:30,560
Speaker 16: Timing is just God's thing. I guess you know what

829
00:33:30,560 --> 00:33:30,920
Speaker 16: I'm saying.

830
00:33:30,920 --> 00:33:32,800
Speaker 2: But I don't believe that these songs were the songs

831
00:33:32,840 --> 00:33:35,320
Speaker 2: you're sitting around show me love you've been sitting on.

832
00:33:35,640 --> 00:33:37,040
Speaker 16: I had that for what I got. I got a

833
00:33:37,120 --> 00:33:39,239
Speaker 16: video for it so I can show you to day

834
00:33:39,280 --> 00:33:41,360
Speaker 16: to the video. But like I said, these are all

835
00:33:41,440 --> 00:33:44,280
Speaker 16: things I've I've felt at a time, so they all

836
00:33:44,360 --> 00:33:45,520
Speaker 16: real songs, and they all real to me.

837
00:33:45,800 --> 00:33:47,880
Speaker 1: How are you doing, though? How are you doing? Brother?

838
00:33:48,480 --> 00:33:49,560
Speaker 2: I feel like you know what I'm saying.

839
00:33:49,600 --> 00:33:52,040
Speaker 16: I'm I'm happy to be in a space where I

840
00:33:52,120 --> 00:33:54,160
Speaker 16: am releasing music, you know what I'm saying, being creative

841
00:33:54,200 --> 00:33:56,800
Speaker 16: and and just put myself out to the world again.

842
00:33:57,040 --> 00:33:58,920
Speaker 2: Why is that? Why are you afraid to put out music?

843
00:33:59,160 --> 00:34:00,920
Speaker 2: But you're on a very dope part is I've been

844
00:34:01,160 --> 00:34:03,000
Speaker 2: rocking with Party for a long time before you even

845
00:34:03,040 --> 00:34:05,200
Speaker 2: had a deal or anything. Why are you afraid to

846
00:34:05,240 --> 00:34:05,800
Speaker 2: put out music?

847
00:34:06,120 --> 00:34:06,240
Speaker 5: You know?

848
00:34:06,320 --> 00:34:06,600
Speaker 3: I don't.

849
00:34:06,720 --> 00:34:09,320
Speaker 16: I don't know exactly what I can attribute it to.

850
00:34:09,840 --> 00:34:11,480
Speaker 16: I don't know if I say afraid, But it's just

851
00:34:11,640 --> 00:34:14,320
Speaker 16: like I'm a I'm a bit of a perfectionist, you

852
00:34:14,360 --> 00:34:17,279
Speaker 16: know what I'm saying. I like to tweak and care

853
00:34:17,360 --> 00:34:19,480
Speaker 16: even even this project right now, like we ad to

854
00:34:19,719 --> 00:34:22,399
Speaker 16: uh we had the eleventh hour and I'm still making

855
00:34:22,520 --> 00:34:24,040
Speaker 16: changes and whatnot, you know what i mean. Like that's

856
00:34:24,160 --> 00:34:26,839
Speaker 16: just just part of my uh my process. But uh,

857
00:34:27,320 --> 00:34:29,319
Speaker 16: I had to really force myself to do it. I'm

858
00:34:29,320 --> 00:34:31,120
Speaker 16: an overthinker of a little bit, you know what I'm saying.

859
00:34:31,239 --> 00:34:34,520
Speaker 16: I've been Uh, I've been the receiver of scrutiny on

860
00:34:35,160 --> 00:34:37,560
Speaker 16: several things. So I'm like, I like you were less

861
00:34:37,600 --> 00:34:40,279
Speaker 16: gun shy before you had a deal. Absolutely I had.

862
00:34:40,200 --> 00:34:40,800
Speaker 2: Nothing to lose.

863
00:34:42,719 --> 00:34:43,200
Speaker 1: To get a deal.

864
00:34:43,320 --> 00:34:44,560
Speaker 16: I had to get out there, you know what I'm saying,

865
00:34:44,680 --> 00:34:46,200
Speaker 16: Like I gotta I gotta make something. And this was

866
00:34:46,280 --> 00:34:48,800
Speaker 16: just me expressing myself, you know what I'm saying. And

867
00:34:48,960 --> 00:34:52,080
Speaker 16: now it's like at this level expressing yourself, you can

868
00:34:52,120 --> 00:34:54,160
Speaker 16: get you. Ridiculed can get you. You know what I'm saying.

869
00:34:54,360 --> 00:34:55,640
Speaker 16: I say that, you know what I mean. So it's

870
00:34:55,640 --> 00:34:57,920
Speaker 16: a little it's a little different of a creative process.

871
00:34:57,960 --> 00:34:59,600
Speaker 1: Sometimes, does this make it difficult for you?

872
00:34:59,680 --> 00:35:03,640
Speaker 8: Because you know you've released projects before and usually when

873
00:35:03,640 --> 00:35:06,560
Speaker 8: you do interview is in this In this album, you're

874
00:35:06,560 --> 00:35:08,880
Speaker 8: more emotional, You're talking about feelings. So is it difficult

875
00:35:08,880 --> 00:35:11,080
Speaker 8: for you to do interviews now and to talk about feelings,

876
00:35:11,520 --> 00:35:13,319
Speaker 8: especially where you came from and how you came up

877
00:35:13,320 --> 00:35:13,920
Speaker 8: in this industry.

878
00:35:14,640 --> 00:35:17,400
Speaker 16: I'm happy that. I'm happy that I'm having to get

879
00:35:17,440 --> 00:35:18,920
Speaker 16: comfortable with it, you know what I'm saying. Like it's

880
00:35:18,920 --> 00:35:23,040
Speaker 16: definitely a thing that's new to me, expressing vulnerability, how

881
00:35:23,120 --> 00:35:25,440
Speaker 16: I'm really feeling, you know what I'm saying. I like

882
00:35:25,520 --> 00:35:26,719
Speaker 16: to play quiet, like you know what I'm saying. I

883
00:35:26,719 --> 00:35:28,880
Speaker 16: don't share too much of my personal life, even on

884
00:35:29,000 --> 00:35:30,359
Speaker 16: social media, like you know what I mean. I don't

885
00:35:30,360 --> 00:35:31,960
Speaker 16: do I don't do too I don't even promote my

886
00:35:32,000 --> 00:35:33,359
Speaker 16: own a lot of the time, you know what I'm saying.

887
00:35:33,400 --> 00:35:35,000
Speaker 16: I just like, yo, here, go to music, y'all tell

888
00:35:35,000 --> 00:35:35,600
Speaker 16: me what y'all think.

889
00:35:35,600 --> 00:35:36,040
Speaker 2: You know what I mean.

890
00:35:36,120 --> 00:35:38,719
Speaker 16: But but I'm trying to get comfortable with, uh, with

891
00:35:38,960 --> 00:35:41,560
Speaker 16: just being more out there and expressing myself and telling

892
00:35:41,600 --> 00:35:42,279
Speaker 16: people how I feel.

893
00:35:42,480 --> 00:35:44,360
Speaker 2: Is it imposter syndrome, because you know, the first project

894
00:35:44,400 --> 00:35:46,400
Speaker 2: that put me on too, you was not supposed to

895
00:35:46,800 --> 00:35:48,799
Speaker 2: not supposed to be I supposed to be here. That's tough,

896
00:35:48,840 --> 00:35:51,839
Speaker 2: That's what I is. So what did that title mean then,

897
00:35:51,920 --> 00:35:53,759
Speaker 2: and what does it mean to you now when you

898
00:35:53,880 --> 00:35:54,080
Speaker 2: hear that?

899
00:35:54,239 --> 00:35:56,759
Speaker 16: I still I still, I still think it stands the same,

900
00:35:56,840 --> 00:35:58,839
Speaker 16: you know what I mean? At that time in my life,

901
00:35:59,160 --> 00:36:00,600
Speaker 16: not supposed to be here. I was in the hood.

902
00:36:00,600 --> 00:36:02,000
Speaker 16: I felt like I was so talented, you know what

903
00:36:02,000 --> 00:36:04,880
Speaker 16: I mean. I'm like, Yo, there's no way all this talent,

904
00:36:04,960 --> 00:36:07,160
Speaker 16: all this music, all this drift, I'm supposed to be

905
00:36:07,200 --> 00:36:08,719
Speaker 16: in the hood. And I felt like it rang true,

906
00:36:08,840 --> 00:36:11,400
Speaker 16: not just for me, but for everybody that was in Newburgh,

907
00:36:11,440 --> 00:36:12,719
Speaker 16: Like you know what I'm saying, in that area of

908
00:36:12,840 --> 00:36:15,359
Speaker 16: upstate New York. I felt like, Yo, I know that's

909
00:36:15,440 --> 00:36:17,719
Speaker 16: nice at ball that's not getting that same look. You

910
00:36:17,719 --> 00:36:19,120
Speaker 16: know what I'm saying. I know other things that can

911
00:36:19,200 --> 00:36:20,600
Speaker 16: do this and that and the third and we just

912
00:36:20,719 --> 00:36:22,839
Speaker 16: wasn't getting our looks. So I just felt like there

913
00:36:22,920 --> 00:36:24,759
Speaker 16: was no way I was supposed to be stuck in

914
00:36:24,840 --> 00:36:25,280
Speaker 16: that position.

915
00:36:25,560 --> 00:36:27,120
Speaker 2: So that was the name of it. And you was

916
00:36:27,239 --> 00:36:29,400
Speaker 2: right then, what I'm talking about, like even now, do

917
00:36:29,480 --> 00:36:31,359
Speaker 2: you feel like you're not supposed to be here? There's

918
00:36:31,360 --> 00:36:34,360
Speaker 2: some type of syndrome. You know, made a lot of

919
00:36:34,400 --> 00:36:36,040
Speaker 2: money writing for people stuff like that.

920
00:36:36,400 --> 00:36:38,160
Speaker 16: I feel like I am supposed to be here. But

921
00:36:38,239 --> 00:36:41,400
Speaker 16: I feel like I'm not one that always boasts myself

922
00:36:41,520 --> 00:36:43,160
Speaker 16: up like I did this, I did that, you know

923
00:36:43,200 --> 00:36:44,840
Speaker 16: what I'm saying. So I'm always been the person of

924
00:36:44,920 --> 00:36:46,640
Speaker 16: a Let somebody else do it, like, you know, like

925
00:36:46,800 --> 00:36:49,040
Speaker 16: let them tell your accolades, let them like yo, naw,

926
00:36:49,120 --> 00:36:50,520
Speaker 16: you come up here, you know what I mean. Like,

927
00:36:50,960 --> 00:36:53,960
Speaker 16: so I've never been one to like just boast myself

928
00:36:54,040 --> 00:36:56,960
Speaker 16: to the forefront or take that. So I guess if

929
00:36:57,000 --> 00:37:00,560
Speaker 16: that's in that impostive syndrome laying you.

930
00:37:00,600 --> 00:37:01,840
Speaker 2: Got a lot of plaques, you wrote a lot a

931
00:37:01,920 --> 00:37:02,480
Speaker 2: lot of plaques.

932
00:37:02,800 --> 00:37:04,560
Speaker 16: Yo, that's why I'm back. Just pop my you know

933
00:37:04,600 --> 00:37:06,439
Speaker 16: what I'm saying. Like it's like, if not, who's gonna

934
00:37:06,440 --> 00:37:08,040
Speaker 16: pop it for you? But you you know what I'm saying.

935
00:37:08,040 --> 00:37:10,440
Speaker 16: So it's like, now just being more true to myself

936
00:37:10,560 --> 00:37:12,600
Speaker 16: is like damn, dide accomplish a lot, And now I

937
00:37:12,640 --> 00:37:14,399
Speaker 16: feel the need to because now I see people act

938
00:37:14,520 --> 00:37:16,319
Speaker 16: like I don't got this like, you know what I'm saying,

939
00:37:16,360 --> 00:37:18,279
Speaker 16: we never did this, we never did it. I'm out here,

940
00:37:18,360 --> 00:37:19,920
Speaker 16: I've been out here. I'm great at what I do.

941
00:37:19,960 --> 00:37:21,160
Speaker 16: You know what I'm saying, I do it well. So

942
00:37:21,239 --> 00:37:22,800
Speaker 16: I feel like now's the time I really got to

943
00:37:22,880 --> 00:37:23,880
Speaker 16: just show that and talk about it.

944
00:37:23,880 --> 00:37:25,920
Speaker 2: You wrote all the hits. I remember when Party posted

945
00:37:26,560 --> 00:37:29,560
Speaker 2: be Careful before we heard cofy on it day it's

946
00:37:29,600 --> 00:37:31,840
Speaker 2: him Rappings sounding crazy.

947
00:37:32,000 --> 00:37:34,360
Speaker 16: First off, she heard the song and she's like, I

948
00:37:34,440 --> 00:37:36,320
Speaker 16: need this. You know what I'm saying, I I'm taking this.

949
00:37:36,719 --> 00:37:38,359
Speaker 16: She did her thing to it, flipped it around, all

950
00:37:38,400 --> 00:37:40,799
Speaker 16: of that. But at the time that song was I'm

951
00:37:40,880 --> 00:37:43,480
Speaker 16: like writing it from the perspective of a girl for me,

952
00:37:43,560 --> 00:37:45,760
Speaker 16: and my verse was going to be like my response,

953
00:37:45,880 --> 00:37:48,320
Speaker 16: But you know, she took it and made it like multi.

954
00:37:48,239 --> 00:37:48,920
Speaker 2: Million dollar hit.

955
00:37:49,080 --> 00:37:51,719
Speaker 13: But it's crazy because a as a as a woman

956
00:37:51,760 --> 00:37:53,320
Speaker 13: who's listening to your music. A lot of times I

957
00:37:53,400 --> 00:37:57,120
Speaker 13: feel like I hear you telling like women, I'm a gym,

958
00:37:57,440 --> 00:37:58,040
Speaker 13: don't lose me.

959
00:37:58,120 --> 00:37:58,759
Speaker 3: I'm here for you.

960
00:37:59,160 --> 00:38:00,839
Speaker 13: But in real life, if you're saying that, you don't

961
00:38:00,880 --> 00:38:02,759
Speaker 13: even feel that way about a lot of your accomplishments,

962
00:38:02,880 --> 00:38:05,040
Speaker 13: Like why how is it like a whole different person

963
00:38:05,080 --> 00:38:09,160
Speaker 13: when you're the artist party versus in person writer presenting

964
00:38:09,200 --> 00:38:09,920
Speaker 13: your accolades.

965
00:38:10,000 --> 00:38:13,160
Speaker 16: CARTI, because in your music you get to you know,

966
00:38:13,280 --> 00:38:14,880
Speaker 16: get to pop your ship, you get to explain, you

967
00:38:14,960 --> 00:38:17,719
Speaker 16: get to tell your side of the story. You get

968
00:38:17,760 --> 00:38:19,759
Speaker 16: to be yourself, you know what I'm saying, and put

969
00:38:19,800 --> 00:38:22,120
Speaker 16: out to the universe what you that you need to like.

970
00:38:22,200 --> 00:38:23,759
Speaker 16: And I'm like, I'm a person that likes to let

971
00:38:23,800 --> 00:38:25,840
Speaker 16: my uh my work speak for myself. You know what

972
00:38:25,840 --> 00:38:30,279
Speaker 16: I'm saying, speak for yourself. So if I'm braggado to music,

973
00:38:30,320 --> 00:38:32,640
Speaker 16: I get to be chilling person. You know what I'm saying. Y,

974
00:38:32,840 --> 00:38:33,520
Speaker 16: you know what I'm.

975
00:38:33,920 --> 00:38:35,359
Speaker 8: I was as, do you want to be an artist

976
00:38:35,480 --> 00:38:37,799
Speaker 8: or do you prefer to write behind the scenes?

977
00:38:37,880 --> 00:38:40,399
Speaker 16: No, listen, I've never ever I told this before. I've

978
00:38:40,480 --> 00:38:42,840
Speaker 16: never ever intended to be a writer, Like, you know

979
00:38:42,880 --> 00:38:45,120
Speaker 16: what I'm saying. I don't consider myself a writer to

980
00:38:45,239 --> 00:38:47,719
Speaker 16: this day. Like I've really just helped out people I

981
00:38:48,440 --> 00:38:50,200
Speaker 16: like or people that I'm friends with, you know what

982
00:38:50,239 --> 00:38:51,840
Speaker 16: I'm saying. It's not like I'm in a studio with

983
00:38:51,920 --> 00:38:54,200
Speaker 16: people all day cooking up records. Like Yo, this is

984
00:38:54,239 --> 00:38:56,640
Speaker 16: for such that's not me. I'm making music for myself

985
00:38:56,719 --> 00:38:58,640
Speaker 16: most of the time. And if there's somebody that I

986
00:38:58,760 --> 00:39:02,080
Speaker 16: respect or somebody that just wants my taste, my opinion

987
00:39:02,120 --> 00:39:03,399
Speaker 16: on something, I feel like that's more.

988
00:39:03,960 --> 00:39:04,080
Speaker 2: Uh.

989
00:39:04,760 --> 00:39:07,319
Speaker 16: The laying it is is like no taste. His beat

990
00:39:07,360 --> 00:39:09,719
Speaker 16: selection is impeccable. He's witty, you know what I'm saying.

991
00:39:09,760 --> 00:39:12,560
Speaker 16: So people went that around when they're created it, so

992
00:39:13,360 --> 00:39:15,120
Speaker 16: I'll be happy to help when it's when it's somebody

993
00:39:15,160 --> 00:39:15,400
Speaker 16: I like.

994
00:39:15,520 --> 00:39:19,600
Speaker 2: I remember being being somewhere with Kanye, and Kanye was like, man, man,

995
00:39:20,200 --> 00:39:22,520
Speaker 2: yo man, that Cardi line man when she said, Uh,

996
00:39:22,960 --> 00:39:24,640
Speaker 2: I'm about to I'm about to run out of Gucci.

997
00:39:25,239 --> 00:39:28,640
Speaker 2: Too many hangers something on the line. I got to

998
00:39:28,680 --> 00:39:30,560
Speaker 2: stay out of Gucci. I'm finna run out of there,

999
00:39:30,719 --> 00:39:32,360
Speaker 2: and he was like, I need to work with Party.

1000
00:39:32,400 --> 00:39:33,879
Speaker 2: I didn't even I thought he was talking about Party

1001
00:39:33,920 --> 00:39:35,719
Speaker 2: next door. It didn't dawn on me he was talking

1002
00:39:35,719 --> 00:39:42,080
Speaker 2: about Party man. Like at this time, he like, I

1003
00:39:42,239 --> 00:39:45,160
Speaker 2: know that nigga. You know that nigga? So you ended

1004
00:39:45,239 --> 00:39:48,040
Speaker 2: up in Wisconsin absolute writing for Kanye?

1005
00:39:48,120 --> 00:39:50,680
Speaker 16: Then yeah, yeah, we put them together out there too.

1006
00:39:51,320 --> 00:39:52,759
Speaker 2: So Kanye, Cardy, who else?

1007
00:39:54,440 --> 00:39:54,840
Speaker 16: Beyonce?

1008
00:39:56,800 --> 00:39:59,440
Speaker 2: I didn't know that one. Yeah, Like that's what I mean.

1009
00:39:59,520 --> 00:40:01,440
Speaker 16: So it's like when people like you're a writer and

1010
00:40:01,719 --> 00:40:03,719
Speaker 16: I say, I don't just be out here just writing

1011
00:40:03,760 --> 00:40:06,080
Speaker 16: for anybody's like look who I look who I work with?

1012
00:40:06,480 --> 00:40:07,680
Speaker 16: You know what I'm saying, Like, I'm not about to

1013
00:40:07,760 --> 00:40:08,480
Speaker 16: just be out here just.

1014
00:40:08,719 --> 00:40:09,720
Speaker 2: On the Renaissance album.

1015
00:40:09,960 --> 00:40:12,160
Speaker 16: Oh no, no, no, no, no, no, something else. But

1016
00:40:12,800 --> 00:40:15,239
Speaker 16: had come out anytime anytime He's like, you ask you

1017
00:40:15,280 --> 00:40:20,640
Speaker 16: too many questions? Anytime you could anytime you get to

1018
00:40:20,680 --> 00:40:22,480
Speaker 16: work with Beyonce. You know what I'm saying. I love

1019
00:40:22,560 --> 00:40:24,920
Speaker 16: that opportunity. I was so glad that she even you know,

1020
00:40:25,120 --> 00:40:28,799
Speaker 16: considered my taste and in my opinion on putting something together.

1021
00:40:28,920 --> 00:40:30,040
Speaker 1: So how did that call come in?

1022
00:40:31,840 --> 00:40:34,359
Speaker 16: Hey, Beyonce, he wants to do something? You got any

1023
00:40:34,440 --> 00:40:34,960
Speaker 16: ideas for this?

1024
00:40:35,840 --> 00:40:36,759
Speaker 1: Who called your phone?

1025
00:40:36,800 --> 00:40:36,880
Speaker 11: Bro?

1026
00:40:37,040 --> 00:40:37,440
Speaker 1: Was it whole?

1027
00:40:37,719 --> 00:40:38,400
Speaker 5: Was it be was?

1028
00:40:39,160 --> 00:40:41,320
Speaker 16: And it was one of those things where I'm like whatever,

1029
00:40:41,440 --> 00:40:43,799
Speaker 16: you know what I'm saying, like, yeah, whatever, phone, Yeah,

1030
00:40:43,960 --> 00:40:45,920
Speaker 16: you know what I mean. But then I heard the Instagram.

1031
00:40:45,960 --> 00:40:48,960
Speaker 16: I'm like, nah, this could be something. This this is

1032
00:40:49,000 --> 00:40:52,480
Speaker 16: probably gonn this is probably gonna materialize into something. You

1033
00:40:52,600 --> 00:40:55,399
Speaker 16: drop everything and run right to the studio. I think

1034
00:40:55,440 --> 00:40:56,279
Speaker 16: I did you know what I'm saying.

1035
00:40:56,280 --> 00:40:57,000
Speaker 2: I was in the crib.

1036
00:40:57,080 --> 00:40:59,080
Speaker 16: I was in the crib and when I got the call,

1037
00:40:59,200 --> 00:41:00,800
Speaker 16: so I did. I started it right away. Are you

1038
00:41:00,840 --> 00:41:03,040
Speaker 16: allowed to talk about this? What what I'm talking abou

1039
00:41:03,080 --> 00:41:03,239
Speaker 16: right now?

1040
00:41:03,320 --> 00:41:03,480
Speaker 7: Yeah?

1041
00:41:04,040 --> 00:41:06,520
Speaker 2: I think sign getting no letters or not? Like this

1042
00:41:06,760 --> 00:41:07,160
Speaker 2: is it out?

1043
00:41:07,440 --> 00:41:07,640
Speaker 5: Yeah?

1044
00:41:08,480 --> 00:41:10,600
Speaker 2: It came out. Okay, okay, okay. I'm just thinking maybe

1045
00:41:10,640 --> 00:41:12,200
Speaker 2: another Houston hot he could block it now.

1046
00:41:13,160 --> 00:41:14,080
Speaker 1: I don't know. I don't know.

1047
00:41:14,160 --> 00:41:14,800
Speaker 2: I'm just asking.

1048
00:41:14,880 --> 00:41:17,560
Speaker 1: I don't know. We got more with partisan Fontaine when

1049
00:41:17,600 --> 00:41:19,600
Speaker 1: we come back. Don't move. It's the breakfast Club. Good

1050
00:41:19,600 --> 00:41:20,319
Speaker 1: morning morning.

1051
00:41:20,360 --> 00:41:23,440
Speaker 8: Everybody is DJ Envy Charlamagne to gud we are the

1052
00:41:23,520 --> 00:41:24,239
Speaker 8: breakfast Club.

1053
00:41:24,280 --> 00:41:26,680
Speaker 1: We're still kicking it with Partisan Fontaine, Charlomae.

1054
00:41:26,840 --> 00:41:29,080
Speaker 2: Now, don't show me love, you say putting ointment on

1055
00:41:29,239 --> 00:41:33,120
Speaker 2: scars that you got way before me. Powerful line. Talk

1056
00:41:33,120 --> 00:41:33,960
Speaker 2: to me about that line.

1057
00:41:34,200 --> 00:41:36,879
Speaker 16: When you when you get into relationships with some people,

1058
00:41:36,960 --> 00:41:38,880
Speaker 16: like sometimes there are things they've been through that are

1059
00:41:39,200 --> 00:41:41,800
Speaker 16: traumatic to them, like you know, and you gotta you

1060
00:41:41,880 --> 00:41:43,400
Speaker 16: gotta kind of maneuver around.

1061
00:41:43,200 --> 00:41:44,240
Speaker 2: That, like sore spots.

1062
00:41:44,239 --> 00:41:46,239
Speaker 16: Since of the spots, you try to show them that

1063
00:41:46,360 --> 00:41:48,960
Speaker 16: those things are are not issues for you, or you

1064
00:41:49,120 --> 00:41:51,479
Speaker 16: try to just help them heal through through those things.

1065
00:41:51,719 --> 00:41:54,400
Speaker 16: So can you help somebody here if you're not yourself

1066
00:41:54,840 --> 00:41:57,640
Speaker 16: on a journey of healing, If you're not yourself healed,

1067
00:41:57,800 --> 00:41:59,719
Speaker 16: yeah healed, are on a journey of hell. I mean

1068
00:41:59,760 --> 00:42:02,080
Speaker 16: I feel like that's a common mistake that people try

1069
00:42:02,120 --> 00:42:03,640
Speaker 16: to make. I mean, you know what I'm saying, trying

1070
00:42:03,680 --> 00:42:05,920
Speaker 16: to heal somebody, trying to fix somebody, you know what

1071
00:42:05,960 --> 00:42:09,279
Speaker 16: I mean. It's a common thing that we try. But

1072
00:42:09,960 --> 00:42:13,560
Speaker 16: I think as people, we just try to help others

1073
00:42:13,600 --> 00:42:15,920
Speaker 16: along on our journeys at whatever spot they are.

1074
00:42:16,120 --> 00:42:17,720
Speaker 2: That's why I hear on a lot of these songs,

1075
00:42:17,800 --> 00:42:19,799
Speaker 2: you know, especially on like Run Run Run, you said

1076
00:42:20,160 --> 00:42:23,000
Speaker 2: you're not ready for love, and so it made me think, well, damn,

1077
00:42:23,000 --> 00:42:26,080
Speaker 2: if party not on a journey of healing, and if

1078
00:42:26,120 --> 00:42:27,879
Speaker 2: he's not ready for love, how can he be mad

1079
00:42:27,920 --> 00:42:29,719
Speaker 2: at a woman who's not ready yet?

1080
00:42:30,160 --> 00:42:33,879
Speaker 16: I mean, at that time, it was like, Damn, I'm

1081
00:42:33,960 --> 00:42:34,680
Speaker 16: not ready for love.

1082
00:42:34,760 --> 00:42:35,359
Speaker 2: Maybe i've been.

1083
00:42:35,719 --> 00:42:38,800
Speaker 16: I've just been through something that now makes me unable

1084
00:42:38,880 --> 00:42:40,640
Speaker 16: to be ready to give the love that I know

1085
00:42:41,000 --> 00:42:43,040
Speaker 16: I can or love at my highest potential. You know what,

1086
00:42:43,040 --> 00:42:45,640
Speaker 16: I'm saying, so I feel like that was that message

1087
00:42:45,680 --> 00:42:48,200
Speaker 16: at that time. So now you did the record the

1088
00:42:48,360 --> 00:42:52,239
Speaker 16: person I did. What made you release that record? Why

1089
00:42:52,280 --> 00:42:53,640
Speaker 16: did you feel like you had to do that record?

1090
00:42:53,920 --> 00:42:56,719
Speaker 16: I just felt like I wanted to give some context

1091
00:42:56,960 --> 00:43:00,000
Speaker 16: to the things that have been put out about myself.

1092
00:43:00,400 --> 00:43:02,400
Speaker 2: You know, I felt like that was just necessary. Was

1093
00:43:02,440 --> 00:43:04,920
Speaker 2: that really about you? When she said she called her

1094
00:43:05,000 --> 00:43:07,440
Speaker 2: man getting in her bed, was that about you? I

1095
00:43:07,480 --> 00:43:09,120
Speaker 2: didn't know if that was about you or she was

1096
00:43:09,200 --> 00:43:13,240
Speaker 2: just rapping. It's a it's a loose interpretation of events.

1097
00:43:13,880 --> 00:43:15,680
Speaker 3: Make it tight for us, Like we want to understand

1098
00:43:16,160 --> 00:43:18,680
Speaker 3: because when you say you walked into your man getting

1099
00:43:18,880 --> 00:43:19,560
Speaker 3: in the bed.

1100
00:43:20,480 --> 00:43:21,760
Speaker 16: Sound that sounds very specific.

1101
00:43:22,080 --> 00:43:24,040
Speaker 3: I'm envisioning her walking in and going off on.

1102
00:43:24,080 --> 00:43:26,239
Speaker 16: Shorty and this and this is why I was like,

1103
00:43:26,360 --> 00:43:28,120
Speaker 16: this is absolutely not the case. And that's why I

1104
00:43:28,200 --> 00:43:30,560
Speaker 16: felt like a record like the person needed to happen.

1105
00:43:30,840 --> 00:43:32,960
Speaker 8: So he went the clear of how you feel like

1106
00:43:33,040 --> 00:43:35,080
Speaker 8: the social media in the industry was looking at you,

1107
00:43:35,440 --> 00:43:36,839
Speaker 8: I wasn't at one time.

1108
00:43:37,440 --> 00:43:40,839
Speaker 16: Just everything I h with that with that one line,

1109
00:43:40,880 --> 00:43:42,200
Speaker 16: a lot of people are like, oh, it's one line.

1110
00:43:42,320 --> 00:43:44,839
Speaker 16: One line. That one line like made people not want

1111
00:43:44,880 --> 00:43:46,360
Speaker 16: to interview me, like you know what I'm saying, Like

1112
00:43:46,640 --> 00:43:49,040
Speaker 16: what like this is proud of me saying anything, making

1113
00:43:49,040 --> 00:43:51,719
Speaker 16: any song. I'm like, oh, now he's this, he's that,

1114
00:43:51,840 --> 00:43:54,399
Speaker 16: you know what I'm saying. My whole I've never y'all

1115
00:43:54,440 --> 00:43:55,879
Speaker 16: know me, y'all know me for a long time. I've

1116
00:43:55,920 --> 00:43:58,680
Speaker 16: never been a bad person, never been painted any type

1117
00:43:58,719 --> 00:44:01,360
Speaker 16: of way in at all, Like you know what I'm saying. Like,

1118
00:44:01,680 --> 00:44:04,160
Speaker 16: so that that one, it hurt me personally, and then

1119
00:44:04,400 --> 00:44:06,480
Speaker 16: to it it like tarnished my image. You tarnished my

1120
00:44:06,600 --> 00:44:08,680
Speaker 16: you know what I'm saying? What was as a person?

1121
00:44:08,920 --> 00:44:11,400
Speaker 8: One line that you did said that I think all

1122
00:44:11,520 --> 00:44:13,359
Speaker 8: men out there felt was when you said you found

1123
00:44:13,360 --> 00:44:15,040
Speaker 8: out a lot of stuff that was going on through

1124
00:44:15,120 --> 00:44:17,440
Speaker 8: social media. So how did y'all deal with that? Because

1125
00:44:17,520 --> 00:44:19,840
Speaker 8: even during that time, y'all still stay strong? So how

1126
00:44:19,920 --> 00:44:21,759
Speaker 8: did y'all deal with that? Because it has to be

1127
00:44:21,920 --> 00:44:24,880
Speaker 8: hard to find out something about your partner or anybody

1128
00:44:25,000 --> 00:44:26,480
Speaker 8: on social or not face to face.

1129
00:44:26,520 --> 00:44:26,880
Speaker 1: You know what I mean.

1130
00:44:27,160 --> 00:44:29,879
Speaker 16: I mean, you and somebody you love you, you find

1131
00:44:29,920 --> 00:44:31,359
Speaker 16: a lot of endurance, Like you know what I'm saying,

1132
00:44:31,400 --> 00:44:33,319
Speaker 16: You go through things, Yeah, I.

1133
00:44:33,320 --> 00:44:35,480
Speaker 2: Mean on sexy and conceited. You said a girl could

1134
00:44:35,520 --> 00:44:36,680
Speaker 2: stab you when you wouldn't leave.

1135
00:44:37,120 --> 00:44:39,480
Speaker 16: So if someone can do something like that, if that's

1136
00:44:39,520 --> 00:44:41,440
Speaker 16: the type of times you know what I'm saying, Like

1137
00:44:41,480 --> 00:44:43,440
Speaker 16: I've been in toxic relationships. It's like, you know what

1138
00:44:43,440 --> 00:44:45,719
Speaker 16: I'm saying, if we bonded, and we bonded whatever.

1139
00:44:45,600 --> 00:44:49,279
Speaker 2: But traumas, what's your sign? I'm a Capricorn, So so

1140
00:44:49,400 --> 00:44:51,440
Speaker 2: my point by saying that is, you know if somebody

1141
00:44:51,920 --> 00:44:53,520
Speaker 2: and I know you was just exaggerating when you say

1142
00:44:53,520 --> 00:44:55,480
Speaker 2: somebody couldtab you and you wouldn't leave. Basically you're saying

1143
00:44:55,480 --> 00:44:58,200
Speaker 2: you're willing to make things work through anything. You know

1144
00:44:58,200 --> 00:45:01,160
Speaker 2: what I'm saying. We liked that that, so you could

1145
00:45:01,239 --> 00:45:03,239
Speaker 2: make it even if you did hear about her and

1146
00:45:03,360 --> 00:45:05,759
Speaker 2: other people speaking of Megan, you could you could work

1147
00:45:05,800 --> 00:45:07,360
Speaker 2: through that, right if you love it.

1148
00:45:07,920 --> 00:45:10,759
Speaker 16: I don't think it's ever been an issue about who

1149
00:45:10,880 --> 00:45:13,360
Speaker 16: she's been with or any or any partner, like you

1150
00:45:13,360 --> 00:45:14,640
Speaker 16: know what I'm saying. I don't think that's something for

1151
00:45:15,320 --> 00:45:18,239
Speaker 16: people to judge, like who you've been with, But I

1152
00:45:18,320 --> 00:45:21,239
Speaker 16: think something to be judged is honesty, you know what

1153
00:45:21,280 --> 00:45:21,640
Speaker 16: I'm saying.

1154
00:45:22,040 --> 00:45:23,879
Speaker 2: In a relationship, I think that's not going to be judged.

1155
00:45:24,160 --> 00:45:26,120
Speaker 8: And that's the one thing that was surprised because you

1156
00:45:26,120 --> 00:45:28,359
Speaker 8: don't speak much on social media. It's all about the music.

1157
00:45:28,480 --> 00:45:30,480
Speaker 8: So at one time you was ready to go to war, right,

1158
00:45:30,600 --> 00:45:33,200
Speaker 8: ready to to knuckle up with whoever it was, and

1159
00:45:33,480 --> 00:45:35,759
Speaker 8: because you believe something, and then you found out that

1160
00:45:35,880 --> 00:45:37,520
Speaker 8: what you believe wasn't the truth.

1161
00:45:37,560 --> 00:45:38,400
Speaker 1: So how was that dealt with?

1162
00:45:38,400 --> 00:45:40,200
Speaker 8: Because you you were ready to fight whoever right as

1163
00:45:40,239 --> 00:45:42,759
Speaker 8: you should, your girl, your your fiance, somebody was thinking

1164
00:45:42,800 --> 00:45:44,520
Speaker 8: about you said you were going to pick out a ring,

1165
00:45:44,840 --> 00:45:45,520
Speaker 8: and they sound.

1166
00:45:45,360 --> 00:45:47,120
Speaker 2: Like you listened to the song. I listen to the album.

1167
00:45:47,719 --> 00:45:49,640
Speaker 2: You know. I like that.

1168
00:45:49,719 --> 00:45:51,399
Speaker 16: I like that and I appreciate that because I feel

1169
00:45:51,480 --> 00:45:53,840
Speaker 16: like when I see a lot of comments, so I

1170
00:45:53,920 --> 00:45:55,840
Speaker 16: get a lot of questions, I'm like, yo, did you

1171
00:45:55,960 --> 00:45:57,520
Speaker 16: listen to this? Like you know what I'm saying, I've

1172
00:45:57,560 --> 00:46:00,520
Speaker 16: said spoke, I spoke my piece. I said what I'm saying. Like,

1173
00:46:01,120 --> 00:46:03,279
Speaker 16: I've never been one to want to come in and

1174
00:46:03,400 --> 00:46:06,720
Speaker 16: address a bunch of stuff, especially not anything this personal.

1175
00:46:06,880 --> 00:46:09,920
Speaker 16: This like this serious to me on you know what

1176
00:46:09,960 --> 00:46:12,520
Speaker 16: I'm saying in a uh, It's like, yeah, you know

1177
00:46:12,560 --> 00:46:14,040
Speaker 16: what I'm saying. And that's not my body. You know

1178
00:46:14,040 --> 00:46:15,560
Speaker 16: what I'm saying. I barely talk about my own music,

1179
00:46:15,600 --> 00:46:17,480
Speaker 16: which I which I want people to here. You barely

1180
00:46:17,520 --> 00:46:18,120
Speaker 16: put out music.

1181
00:46:18,400 --> 00:46:21,560
Speaker 1: Shut up, man, time to put music.

1182
00:46:21,719 --> 00:46:22,520
Speaker 2: I guess here.

1183
00:46:22,560 --> 00:46:24,840
Speaker 16: Sex tape is out now make sure, And I mean

1184
00:46:24,920 --> 00:46:28,560
Speaker 16: sex tape just brings more questions them by that name.

1185
00:46:29,000 --> 00:46:29,320
Speaker 1: I don't know.

1186
00:46:29,480 --> 00:46:31,720
Speaker 16: Sex is one of my topics that I go to often.

1187
00:46:31,800 --> 00:46:34,200
Speaker 16: You know what I'm saying. It's especially in the music.

1188
00:46:34,520 --> 00:46:35,680
Speaker 3: There's a lot of things you can do with the

1189
00:46:35,719 --> 00:46:36,440
Speaker 3: word sex though.

1190
00:46:36,600 --> 00:46:38,640
Speaker 13: And then I mean, you know, right now, everybody's having

1191
00:46:38,640 --> 00:46:41,160
Speaker 13: a conversation about you, Meg Tory, Lanez and then you

1192
00:46:41,320 --> 00:46:42,520
Speaker 13: drop something you name it sex tape.

1193
00:46:42,520 --> 00:46:42,759
Speaker 1: People.

1194
00:46:42,800 --> 00:46:44,200
Speaker 13: I feel like a lot of people look at this

1195
00:46:44,280 --> 00:46:47,080
Speaker 13: as like you're leaning into what's happening or what's what's

1196
00:46:47,120 --> 00:46:47,800
Speaker 13: the conversation is?

1197
00:46:48,760 --> 00:46:49,759
Speaker 16: Like, you know what I'm saying, it's one of those

1198
00:46:49,800 --> 00:46:50,839
Speaker 16: damn if you do, damn if you don't.

1199
00:46:50,840 --> 00:46:51,759
Speaker 3: If you leaning in, it's fine.

1200
00:46:52,320 --> 00:46:54,440
Speaker 16: But I promise you I have my title picked and

1201
00:46:54,520 --> 00:46:56,040
Speaker 16: I thought, I'm like, yo, boom, all right, let's just

1202
00:46:56,120 --> 00:46:58,040
Speaker 16: drop off the s because you know what I'm saying,

1203
00:46:58,040 --> 00:47:01,160
Speaker 16: it might be too uh might be too raunchy to

1204
00:47:01,360 --> 00:47:04,160
Speaker 16: explicit boom. But now it's X tape. Oh, now it's

1205
00:47:04,239 --> 00:47:06,480
Speaker 16: definitely about such and you's.

1206
00:47:06,160 --> 00:47:07,080
Speaker 3: Gonna go X tape.

1207
00:47:07,719 --> 00:47:13,040
Speaker 16: That was my abbreciation. That was that like, but listen now,

1208
00:47:14,440 --> 00:47:15,799
Speaker 16: and that's still a problem, you know what I mean.

1209
00:47:16,120 --> 00:47:17,640
Speaker 16: So I couldn't avoid it either way. You know, it's

1210
00:47:17,640 --> 00:47:19,480
Speaker 16: supposed to be X taped. No, it's supposed to be

1211
00:47:19,600 --> 00:47:20,120
Speaker 16: sex tape.

1212
00:47:21,080 --> 00:47:23,840
Speaker 2: Supposed to be And that's cute, you say, alfraidle and

1213
00:47:24,000 --> 00:47:26,560
Speaker 2: mistakes the only thing holes know how to make.

1214
00:47:31,480 --> 00:47:33,239
Speaker 3: They could do spaghetti, baked chicken, they could do a

1215
00:47:33,280 --> 00:47:33,680
Speaker 3: couple of bits.

1216
00:47:39,560 --> 00:47:41,520
Speaker 16: But then the mistakes thought if you ask them, if

1217
00:47:41,560 --> 00:47:43,040
Speaker 16: you asked them to make something, you get. You know

1218
00:47:43,080 --> 00:47:45,440
Speaker 16: what I'm saying. If she if she one level up,

1219
00:47:45,480 --> 00:47:46,960
Speaker 16: she's gonna throw into salmon. You know what I'm saying,

1220
00:47:46,960 --> 00:47:48,240
Speaker 16: she might throw make a little salmon.

1221
00:47:49,040 --> 00:47:53,839
Speaker 2: It's my medium in the air fire. No, and then

1222
00:47:53,920 --> 00:47:57,200
Speaker 2: another part, you say, I love you girl like Andrew Tate.

1223
00:47:57,600 --> 00:48:01,000
Speaker 2: Andrew Tate don't really love the women, you know, No, I.

1224
00:48:01,000 --> 00:48:03,000
Speaker 16: Don't know the interview I saw he was talking about

1225
00:48:03,000 --> 00:48:04,600
Speaker 16: how you love You know what I'm saying. He wanted

1226
00:48:04,880 --> 00:48:06,160
Speaker 16: a woman and all that I thought he was.

1227
00:48:06,440 --> 00:48:09,040
Speaker 3: You talking about Andrew Tate the online.

1228
00:48:08,719 --> 00:48:11,640
Speaker 1: Yes, how did you one hundred millionaire billionaire?

1229
00:48:11,640 --> 00:48:12,200
Speaker 3: I got party.

1230
00:48:12,280 --> 00:48:14,680
Speaker 13: I'm starting to feel like there's a little bit of like,

1231
00:48:14,920 --> 00:48:17,200
Speaker 13: you know what you're doing, because it ain't no way

1232
00:48:17,239 --> 00:48:18,319
Speaker 13: you thought that man loved women.

1233
00:48:18,920 --> 00:48:20,279
Speaker 16: You think Andrew Tate don't love women.

1234
00:48:20,640 --> 00:48:22,560
Speaker 3: He has some serious issues on how he shows it

1235
00:48:22,640 --> 00:48:23,600
Speaker 3: and how he speaks on it.

1236
00:48:24,080 --> 00:48:26,120
Speaker 16: I don't know everything more man doing his life. The

1237
00:48:26,200 --> 00:48:29,200
Speaker 16: interview that I saw, I'm like, love women. I understand

1238
00:48:29,239 --> 00:48:31,040
Speaker 16: that boom. You know what I'm saying in the studio

1239
00:48:31,040 --> 00:48:31,560
Speaker 16: of making line.

1240
00:48:31,560 --> 00:48:33,520
Speaker 2: It was a line. Now I clip that with people

1241
00:48:33,760 --> 00:48:36,839
Speaker 2: that will say online run from men who like Andrew Tate.

1242
00:48:37,360 --> 00:48:39,560
Speaker 2: That's what women did. I ocous say I like Andrew Tate.

1243
00:48:39,640 --> 00:48:41,279
Speaker 2: I just said, you know what I'm saying, I love

1244
00:48:41,320 --> 00:48:41,840
Speaker 2: you girl.

1245
00:48:41,800 --> 00:48:44,040
Speaker 3: Like I just I put Andrew Tate into Google. You want.

1246
00:48:44,040 --> 00:48:46,480
Speaker 13: Of the first three things that came up danger, they

1247
00:48:46,520 --> 00:48:49,480
Speaker 13: talked about the his trafficking case.

1248
00:48:51,000 --> 00:49:03,440
Speaker 16: Jesus Christ, let me, let me let me like yo yo.

1249
00:49:03,520 --> 00:49:07,319
Speaker 16: Why are you scared to put out music? This is why,

1250
00:49:07,520 --> 00:49:11,440
Speaker 16: this is why you're a rap Andrew Tape. This is

1251
00:49:11,520 --> 00:49:17,120
Speaker 16: why music now, But now like my stream of consciousness.

1252
00:49:17,320 --> 00:49:19,920
Speaker 3: Now I have to go back and be like, you

1253
00:49:19,960 --> 00:49:21,960
Speaker 3: know what I'm saying, like when a line that makes

1254
00:49:21,960 --> 00:49:24,239
Speaker 3: it makes sense, like just run with plate. That's it.

1255
00:49:25,080 --> 00:49:28,360
Speaker 2: The next line of CBS be open late like I

1256
00:49:28,480 --> 00:49:30,239
Speaker 2: have to do with anything. You know what I'm saying.

1257
00:49:31,719 --> 00:49:39,040
Speaker 8: Nothings what you a CBS see.

1258
00:49:39,120 --> 00:49:39,719
Speaker 2: You know what I'm saying.

1259
00:49:39,760 --> 00:49:41,799
Speaker 16: But boom, that's artistic, right, you know what I'm saying

1260
00:49:41,840 --> 00:49:42,400
Speaker 16: like you can.

1261
00:49:42,840 --> 00:49:43,200
Speaker 5: I don't know.

1262
00:49:43,440 --> 00:49:46,279
Speaker 16: I'm just don't don't read it too Muchington, I'm just

1263
00:49:46,880 --> 00:49:47,400
Speaker 16: just a jokes.

1264
00:49:48,000 --> 00:49:48,600
Speaker 2: I want more.

1265
00:49:48,600 --> 00:49:50,520
Speaker 1: We got more with Partisan Fontaine. When we come back,

1266
00:49:50,560 --> 00:49:51,319
Speaker 1: it's the Breakfast Club.

1267
00:49:51,360 --> 00:49:53,880
Speaker 8: Good morning you woting everybody at c j M V.

1268
00:49:54,080 --> 00:49:56,360
Speaker 8: Charlamage the guy we are the Breakfast Club. Lauren the

1269
00:49:56,400 --> 00:49:58,680
Speaker 8: Rosa is here, our guest host who We're still kicking

1270
00:49:58,680 --> 00:50:00,879
Speaker 8: it with Partisan Fontein and his album or his EP

1271
00:50:01,040 --> 00:50:02,279
Speaker 8: sex tape is out right now.

1272
00:50:03,200 --> 00:50:04,800
Speaker 2: Do you feel like you rushed to put this project

1273
00:50:04,880 --> 00:50:07,319
Speaker 2: out just because to your point, you don't like people

1274
00:50:07,480 --> 00:50:09,720
Speaker 2: talking about you. So when you put out the record

1275
00:50:09,719 --> 00:50:11,960
Speaker 2: about Meg, it was so much backlash. He was like, man,

1276
00:50:12,040 --> 00:50:13,640
Speaker 2: let me change the conversation a little bit.

1277
00:50:14,080 --> 00:50:17,120
Speaker 16: Nah, this this, this project was coming. It was already slated,

1278
00:50:17,160 --> 00:50:18,799
Speaker 16: and you know what I'm saying, it was already coming,

1279
00:50:18,880 --> 00:50:23,080
Speaker 16: and uh, it just time was that the person song

1280
00:50:23,640 --> 00:50:26,200
Speaker 16: took time away from me prepping the project. You know

1281
00:50:26,239 --> 00:50:27,600
Speaker 16: what I'm saying. That was just a one off. It's

1282
00:50:27,640 --> 00:50:31,279
Speaker 16: not on the project because it wasn't for that, you

1283
00:50:31,320 --> 00:50:31,799
Speaker 16: know what I'm saying.

1284
00:50:31,800 --> 00:50:32,560
Speaker 2: I didn't. I didn't.

1285
00:50:32,600 --> 00:50:34,879
Speaker 16: I never wanted this to be like, Yo, I'm about

1286
00:50:34,920 --> 00:50:38,360
Speaker 16: to capitalize on this. I just felt like I needed

1287
00:50:38,480 --> 00:50:40,680
Speaker 16: I needed to, Uh, I need to put it out

1288
00:50:40,760 --> 00:50:42,239
Speaker 16: there so people could hear me, like you know what

1289
00:50:42,239 --> 00:50:44,400
Speaker 16: I'm saying. And I didn't want it to be the

1290
00:50:44,560 --> 00:50:47,160
Speaker 16: talking point of my creativity. I didn't want you know

1291
00:50:47,200 --> 00:50:48,920
Speaker 16: what I'm saying. That's a side note. I had to

1292
00:50:49,000 --> 00:50:51,359
Speaker 16: do that for myself. But this is what I want

1293
00:50:51,400 --> 00:50:53,600
Speaker 16: you to focus on. This is what's important to me.

1294
00:50:53,800 --> 00:50:57,000
Speaker 3: So what happened? Why did y'all break up? I mean,

1295
00:50:57,000 --> 00:51:00,600
Speaker 3: because he's never like directly answered the question why.

1296
00:51:00,520 --> 00:51:02,520
Speaker 16: Did we break up? There's a there's a there's a

1297
00:51:02,640 --> 00:51:05,759
Speaker 16: laundry list of reasons that could have caused us to

1298
00:51:05,880 --> 00:51:06,960
Speaker 16: be apart, and I.

1299
00:51:06,920 --> 00:51:08,239
Speaker 2: Don't want you to give any of them. Because you

1300
00:51:08,280 --> 00:51:09,239
Speaker 2: still love that young lady.

1301
00:51:09,520 --> 00:51:11,840
Speaker 13: That was my next question, because on your project it

1302
00:51:11,960 --> 00:51:13,719
Speaker 13: sounds like no. On the person, it sounds like you

1303
00:51:13,800 --> 00:51:14,200
Speaker 13: still love it.

1304
00:51:14,280 --> 00:51:16,640
Speaker 2: You you definitely love Listen.

1305
00:51:16,719 --> 00:51:19,399
Speaker 16: I'm a person that doesn't that believes love doesn't go away,

1306
00:51:19,440 --> 00:51:21,160
Speaker 16: it changes, you know what I'm saying. Like, and I've

1307
00:51:21,200 --> 00:51:23,080
Speaker 16: always and that's another thing I've stated, like Yo, I

1308
00:51:23,160 --> 00:51:24,839
Speaker 16: always went well for her, Like you know what I'm saying.

1309
00:51:25,040 --> 00:51:27,319
Speaker 16: I'm not a person that wants bad for her. I'm

1310
00:51:27,360 --> 00:51:29,640
Speaker 16: not out here calling her all types of such and such.

1311
00:51:30,400 --> 00:51:32,960
Speaker 16: I've never I've never even discussed some of the things

1312
00:51:33,000 --> 00:51:35,600
Speaker 16: on that song with my closest friends, like you know

1313
00:51:35,640 --> 00:51:37,680
Speaker 16: what I'm saying. So when the song came, people's like, Yo,

1314
00:51:39,040 --> 00:51:40,359
Speaker 16: that this You know what I'm saying.

1315
00:51:40,400 --> 00:51:40,680
Speaker 2: I don't.

1316
00:51:41,040 --> 00:51:44,160
Speaker 16: I never ever, once ever talked bad about her to anyone,

1317
00:51:44,239 --> 00:51:46,600
Speaker 16: not even you know what I mean. Like, I'll do

1318
00:51:46,680 --> 00:51:48,480
Speaker 16: wish the best? Would you do with the ring? And

1319
00:51:48,600 --> 00:51:51,279
Speaker 16: you said that you picked that a ring from Greg Ruth, Greg,

1320
00:51:51,360 --> 00:51:53,759
Speaker 16: that's our god. He didn't say he bought just don't

1321
00:51:53,760 --> 00:51:55,440
Speaker 16: know if he actually got the Did you buy it?

1322
00:51:55,800 --> 00:51:57,040
Speaker 16: Did you buy it or did you pick it up?

1323
00:51:57,480 --> 00:52:00,759
Speaker 16: The money has been allotted for something different now, But

1324
00:52:01,239 --> 00:52:04,160
Speaker 16: you said she lied to you about something? What did

1325
00:52:04,239 --> 00:52:05,760
Speaker 16: she lie about what you was talking about earlier?

1326
00:52:06,440 --> 00:52:09,600
Speaker 2: Because when you buy a ring and you're about to propose, right,

1327
00:52:10,280 --> 00:52:12,160
Speaker 2: so you found out she lied about something and that

1328
00:52:12,239 --> 00:52:13,160
Speaker 2: made you change your mind.

1329
00:52:13,600 --> 00:52:17,200
Speaker 16: I felt like I felt like it made me definitely

1330
00:52:17,239 --> 00:52:19,640
Speaker 16: half the second guess where we was at, you know

1331
00:52:19,680 --> 00:52:21,800
Speaker 16: what I mean at that time? Like it took it,

1332
00:52:22,120 --> 00:52:23,600
Speaker 16: it did, it did damage, you know what I'm saying,

1333
00:52:23,680 --> 00:52:27,000
Speaker 16: Like internal, I don't know if it made us break apart,

1334
00:52:27,080 --> 00:52:29,319
Speaker 16: but it was just like it definitely took a blow

1335
00:52:29,360 --> 00:52:29,520
Speaker 16: to me.

1336
00:52:29,760 --> 00:52:30,560
Speaker 1: Could you love again?

1337
00:52:30,719 --> 00:52:33,840
Speaker 2: Could you trust again? Absolutely? I think I'm open to

1338
00:52:34,120 --> 00:52:36,080
Speaker 2: to love him. Can you tell every girl you loved him?

1339
00:52:36,400 --> 00:52:39,560
Speaker 2: That guy? You my girlfriend? We gonna you that guy?

1340
00:52:39,640 --> 00:52:42,120
Speaker 16: Absolutely not. It's hard for me to like really like

1341
00:52:43,280 --> 00:52:45,520
Speaker 16: vibe consistently with a person, you know what I'm saying, Like,

1342
00:52:46,320 --> 00:52:48,560
Speaker 16: so I'm not that I love you that No, it's

1343
00:52:48,600 --> 00:52:48,840
Speaker 16: not me.

1344
00:52:49,120 --> 00:52:51,080
Speaker 2: It's not me at all. Are you a person that

1345
00:52:51,280 --> 00:52:53,480
Speaker 2: has to wear the pants in the relationship because you

1346
00:52:53,560 --> 00:52:57,600
Speaker 2: got feminist tattooed across you? But on the I forgot

1347
00:52:57,640 --> 00:52:59,520
Speaker 2: what record is on the album? You said only one

1348
00:53:00,120 --> 00:53:05,600
Speaker 2: relationship and I got it. First of all? Pause, what

1349
00:53:05,680 --> 00:53:10,800
Speaker 2: does that mean? You said that? Just a good line.

1350
00:53:11,000 --> 00:53:12,920
Speaker 16: You can either cry about it or you've a wine punt.

1351
00:53:12,960 --> 00:53:17,360
Speaker 2: You know what I'm saying this is this is what

1352
00:53:17,480 --> 00:53:18,279
Speaker 2: does that mean for you?

1353
00:53:18,440 --> 00:53:18,600
Speaker 1: Though?

1354
00:53:18,760 --> 00:53:20,920
Speaker 2: It's just like it's just like that sounds like very much.

1355
00:53:21,000 --> 00:53:22,720
Speaker 2: I'm the man. What I say goals?

1356
00:53:23,400 --> 00:53:26,319
Speaker 16: I don't know, and some sometimes in your relationship, man,

1357
00:53:26,400 --> 00:53:27,680
Speaker 16: you have to be the man. Bro, you have to

1358
00:53:27,719 --> 00:53:31,680
Speaker 16: be the feminist tattoos stomach. Yes, absolutely, I'm a man

1359
00:53:31,719 --> 00:53:33,600
Speaker 16: that's a feminist. You don't think so you don't think

1360
00:53:33,640 --> 00:53:34,200
Speaker 16: that's possible.

1361
00:53:34,719 --> 00:53:36,840
Speaker 2: Yeah, because I got four daughters, so it's like and

1362
00:53:36,960 --> 00:53:38,480
Speaker 2: I regardless.

1363
00:53:38,000 --> 00:53:40,879
Speaker 16: And I have one that I love. Yeah, absolutely, that's

1364
00:53:40,880 --> 00:53:43,000
Speaker 16: what I'm saying. So I'm very much a man. I'm

1365
00:53:43,080 --> 00:53:44,880
Speaker 16: very much a feminist. I don't think the two have to,

1366
00:53:45,440 --> 00:53:46,320
Speaker 16: you know, be at odds.

1367
00:53:46,719 --> 00:53:50,280
Speaker 3: So y'all gonna talk ever again, you you're very careful

1368
00:53:50,320 --> 00:53:50,880
Speaker 3: what your words.

1369
00:53:50,760 --> 00:53:52,160
Speaker 1: About I think or spoke?

1370
00:53:52,360 --> 00:53:55,960
Speaker 3: Have you Magan spoke? Would you be open to that?

1371
00:53:57,640 --> 00:54:01,200
Speaker 16: I don't know what the conversation would be about, you know,

1372
00:54:01,360 --> 00:54:02,000
Speaker 16: I don't I don't know.

1373
00:54:02,239 --> 00:54:03,959
Speaker 1: We see Nellie and Shani's been the block.

1374
00:54:04,600 --> 00:54:07,040
Speaker 16: I don't I don't foresee. I don't foresee that, but

1375
00:54:07,160 --> 00:54:08,120
Speaker 16: you know what I do see?

1376
00:54:08,239 --> 00:54:09,439
Speaker 2: What's that? Yeah?

1377
00:54:09,800 --> 00:54:15,160
Speaker 16: It's on everything you know is on Spotify, on Apple Music.

1378
00:54:15,280 --> 00:54:17,000
Speaker 16: Matter of fact, I'm the first person to ever have

1379
00:54:17,160 --> 00:54:18,719
Speaker 16: his sex tape uploaded to Apple Music?

1380
00:54:18,760 --> 00:54:19,160
Speaker 2: Do you know that?

1381
00:54:19,640 --> 00:54:19,839
Speaker 16: Yeah?

1382
00:54:20,080 --> 00:54:22,759
Speaker 2: Yeah? And Spotify. I mean that is interesting. I do

1383
00:54:22,920 --> 00:54:25,759
Speaker 2: wander because I can see the frustration and I know

1384
00:54:25,840 --> 00:54:26,920
Speaker 2: it's got to be hard to go out here and

1385
00:54:26,920 --> 00:54:28,960
Speaker 2: from the project and everybody asking you about you want

1386
00:54:29,000 --> 00:54:31,000
Speaker 2: to talk about this? If I guess this is my

1387
00:54:31,120 --> 00:54:33,799
Speaker 2: last question about that the person record, because you talked

1388
00:54:33,800 --> 00:54:35,759
Speaker 2: about a lot of the trauma that she's been through.

1389
00:54:36,080 --> 00:54:38,200
Speaker 2: You say she needs to do work on herself. If

1390
00:54:38,239 --> 00:54:40,240
Speaker 2: you knew that she had been through all these traumas

1391
00:54:40,600 --> 00:54:42,279
Speaker 2: that she needs to deal with, why make a song

1392
00:54:42,320 --> 00:54:42,680
Speaker 2: about it?

1393
00:54:42,800 --> 00:54:42,840
Speaker 7: Like?

1394
00:54:42,880 --> 00:54:45,320
Speaker 2: Why put more salt in the wound? So to speak?

1395
00:54:45,719 --> 00:54:46,480
Speaker 2: What that record was going?

1396
00:54:46,560 --> 00:54:47,400
Speaker 1: That would a gaslight?

1397
00:54:47,840 --> 00:54:52,120
Speaker 2: Mm hmm. Already need like she's not the bell of

1398
00:54:52,160 --> 00:54:54,160
Speaker 2: the ball on social media. Social media, it makes her

1399
00:54:54,440 --> 00:54:55,280
Speaker 2: more of a villain.

1400
00:54:55,040 --> 00:54:57,600
Speaker 3: Than especially after a song where she talks about not

1401
00:54:57,719 --> 00:54:58,480
Speaker 3: wanting to be here.

1402
00:54:58,680 --> 00:55:01,040
Speaker 2: Is that what is that what y'all pulled away from

1403
00:55:01,080 --> 00:55:01,319
Speaker 2: the song?

1404
00:55:01,480 --> 00:55:01,680
Speaker 9: Yeah?

1405
00:55:01,920 --> 00:55:03,440
Speaker 2: Is that what you pulled away from the song?

1406
00:55:03,480 --> 00:55:04,600
Speaker 16: Honestly, honestly, that is one of.

1407
00:55:04,600 --> 00:55:06,120
Speaker 2: The things I pulled away from the song because cause

1408
00:55:06,440 --> 00:55:08,359
Speaker 2: being that I know you and I know how you move,

1409
00:55:08,680 --> 00:55:11,120
Speaker 2: I'm like, well, damn, why would party do this at

1410
00:55:11,160 --> 00:55:12,640
Speaker 2: a time Like I didn't pull it for you just

1411
00:55:12,719 --> 00:55:14,279
Speaker 2: said she just talked about how she wanted to kill

1412
00:55:14,320 --> 00:55:17,160
Speaker 2: herself and all types of other things like why had

1413
00:55:17,239 --> 00:55:17,680
Speaker 2: fuel to it?

1414
00:55:17,719 --> 00:55:19,000
Speaker 1: But I pulled it as he was trying to clear

1415
00:55:19,080 --> 00:55:20,239
Speaker 1: his name. That's what I pulled.

1416
00:55:21,080 --> 00:55:23,719
Speaker 3: I hurt people. I pulled both of y'all. Have y'all

1417
00:55:23,760 --> 00:55:24,960
Speaker 3: own hurt from people?

1418
00:55:25,040 --> 00:55:25,399
Speaker 2: Hurt people?

1419
00:55:25,520 --> 00:55:27,480
Speaker 13: No, not that like I meant, hurt people like them too,

1420
00:55:27,560 --> 00:55:29,080
Speaker 13: both of them. I think that both of y'all have

1421
00:55:29,360 --> 00:55:32,400
Speaker 13: y'all were both very publicly hurt and there's still some

1422
00:55:32,520 --> 00:55:34,040
Speaker 13: of that there. That's why asks with y'all, would you

1423
00:55:34,040 --> 00:55:35,880
Speaker 13: ever be open to having a conversation with her? But

1424
00:55:36,000 --> 00:55:39,000
Speaker 13: I just felt like because again going back to what

1425
00:55:39,040 --> 00:55:42,280
Speaker 13: I said earlier, because of what how like I myself,

1426
00:55:42,360 --> 00:55:44,400
Speaker 13: I this my first as a fan, looked at you

1427
00:55:44,520 --> 00:55:47,840
Speaker 13: as the protect black woman person. It's just like you

1428
00:55:47,920 --> 00:55:49,600
Speaker 13: can get that lick back, but like is it even

1429
00:55:49,640 --> 00:55:51,200
Speaker 13: really a lick? Like does that even stick?

1430
00:55:51,280 --> 00:55:57,359
Speaker 2: For real? Did you cheat? Party? That's all people gonna

1431
00:55:57,400 --> 00:56:01,080
Speaker 2: keep asking you over and over until you know, until

1432
00:56:01,080 --> 00:56:03,040
Speaker 2: we give him. I gave an answer.

1433
00:56:03,160 --> 00:56:03,800
Speaker 3: You didn't.

1434
00:56:03,920 --> 00:56:04,520
Speaker 2: You did cheat?

1435
00:56:05,000 --> 00:56:07,920
Speaker 16: Listen to you? You said you said, you said you

1436
00:56:08,040 --> 00:56:09,759
Speaker 16: listened to the song. It's entirety you're sitting there.

1437
00:56:09,960 --> 00:56:10,879
Speaker 3: You got to go back again.

1438
00:56:10,920 --> 00:56:12,680
Speaker 1: What context he was? He said he would never cheat.

1439
00:56:12,680 --> 00:56:16,040
Speaker 16: First, damn context clues. I've put this in the it's

1440
00:56:16,160 --> 00:56:17,239
Speaker 16: in there, like you know what I'm saying.

1441
00:56:17,480 --> 00:56:20,839
Speaker 13: Read, I've said this, boy, how are you reading now

1442
00:56:20,920 --> 00:56:23,360
Speaker 13: with the Are you still like people been sing you

1443
00:56:23,440 --> 00:56:26,760
Speaker 13: with the Jada Kingdom and that whole thing you smiling?

1444
00:56:27,000 --> 00:56:29,520
Speaker 3: Is that a you blessing? Is that a relationship?

1445
00:56:29,640 --> 00:56:29,800
Speaker 7: Or like?

1446
00:56:29,840 --> 00:56:30,280
Speaker 15: How?

1447
00:56:30,520 --> 00:56:32,880
Speaker 3: Because how are you dealing with a whole new person

1448
00:56:32,960 --> 00:56:35,080
Speaker 3: and you don't seem kind of like close off or

1449
00:56:35,160 --> 00:56:36,239
Speaker 3: like done with what you've been through?

1450
00:56:37,160 --> 00:56:39,680
Speaker 16: Listen, this is so, this is this is why social

1451
00:56:39,760 --> 00:56:43,040
Speaker 16: media is like an illusion, right, Like this song comes

1452
00:56:43,080 --> 00:56:45,480
Speaker 16: out and now it's brand new again. You got to

1453
00:56:45,520 --> 00:56:47,719
Speaker 16: think about how long we have been separated? You know

1454
00:56:47,760 --> 00:56:50,800
Speaker 16: what I'm saying you've seen other people like months and

1455
00:56:50,880 --> 00:56:51,279
Speaker 16: months ago.

1456
00:56:51,360 --> 00:56:53,520
Speaker 2: You know what I mean, Like this is not new, Like.

1457
00:56:53,560 --> 00:56:59,239
Speaker 16: I've been through this process of healing. I've done my all, right,

1458
00:56:59,360 --> 00:57:02,120
Speaker 16: this is the my reality. This is we've gone separate.

1459
00:57:02,160 --> 00:57:04,120
Speaker 16: You know what I'm saying, I've done and taking that time.

1460
00:57:04,960 --> 00:57:06,800
Speaker 16: I guess social media makes it look like it was

1461
00:57:07,160 --> 00:57:07,360
Speaker 16: like this.

1462
00:57:07,640 --> 00:57:09,520
Speaker 8: That's the part that sucks because when we've seen it.

1463
00:57:09,880 --> 00:57:11,319
Speaker 8: You know, of course you see the pictures with when

1464
00:57:11,400 --> 00:57:13,399
Speaker 8: she was with the football player, it was like, damn,

1465
00:57:13,440 --> 00:57:16,000
Speaker 8: she cheating on party. But y'all was finished by then.

1466
00:57:16,920 --> 00:57:18,360
Speaker 2: I'll be honest with You're just worse than ETHI.

1467
00:57:18,400 --> 00:57:18,520
Speaker 7: Bro.

1468
00:57:23,560 --> 00:57:25,360
Speaker 2: I listened like once or twice because I didn't want

1469
00:57:25,360 --> 00:57:27,360
Speaker 2: to hear you like that. This is bad. Bro. You

1470
00:57:27,440 --> 00:57:29,000
Speaker 2: say on the record that she can hit up your

1471
00:57:29,040 --> 00:57:31,520
Speaker 2: mom for anything. I don't think your mom would proved

1472
00:57:31,520 --> 00:57:33,760
Speaker 2: this record. Remember when jay Z made did you ask me?

1473
00:57:34,280 --> 00:57:36,560
Speaker 2: Jay Z made super Ugly? He said his mom told

1474
00:57:36,600 --> 00:57:38,480
Speaker 2: him like, yo, you went too far. I think if

1475
00:57:38,520 --> 00:57:39,960
Speaker 2: she heard that she say this. What did your mom

1476
00:57:40,000 --> 00:57:42,600
Speaker 2: think about this record? I don't know because I know I.

1477
00:57:42,640 --> 00:57:45,920
Speaker 16: Know she didn't appreciate the line that was said about me.

1478
00:57:45,960 --> 00:57:48,760
Speaker 16: I know she didn't appreciate that, especially with somebody that

1479
00:57:49,200 --> 00:57:49,920
Speaker 16: she was speaking to.

1480
00:57:50,480 --> 00:57:51,600
Speaker 1: Does your mom still speak to her?

1481
00:57:51,680 --> 00:57:53,800
Speaker 3: They were still speaking around the time to the song drop.

1482
00:57:55,320 --> 00:57:57,800
Speaker 16: I don't think around the time drop, but like not

1483
00:57:57,920 --> 00:57:59,640
Speaker 16: too not too far removed, you know what I mean?

1484
00:58:00,040 --> 00:58:02,360
Speaker 16: What song you want to help your album anyway? What's

1485
00:58:02,360 --> 00:58:03,080
Speaker 16: your favorite one on that?

1486
00:58:03,320 --> 00:58:05,080
Speaker 2: What's just sexy? You can seed it? That's the one,

1487
00:58:05,120 --> 00:58:07,880
Speaker 2: that's the one, sexty you can seated. That's our guy,

1488
00:58:07,960 --> 00:58:10,840
Speaker 2: sexty in conceited bought on Dfontaine sex tape out this

1489
00:58:10,960 --> 00:58:11,640
Speaker 2: Friday party.

1490
00:58:11,680 --> 00:58:13,840
Speaker 1: We appreciate you for joining us, brother, Thank you, thank you.

1491
00:58:14,080 --> 00:58:15,720
Speaker 1: It's the Breakfast Club. Good morning.

1492
00:58:17,320 --> 00:58:18,720
Speaker 5: Time you get.

1493
00:58:22,320 --> 00:58:29,680
Speaker 2: You are, I'm a fat and all that shit around

1494
00:58:29,720 --> 00:58:30,080
Speaker 2: your eyes.

1495
00:58:30,240 --> 00:58:32,720
Speaker 1: They want this man to dog the blows man, wait

1496
00:58:33,560 --> 00:58:35,480
Speaker 1: to top the gloves to make a.

1497
00:58:35,520 --> 00:58:37,360
Speaker 2: Judgment of who was going to be on the Donkey

1498
00:58:37,440 --> 00:58:40,520
Speaker 2: of the Day. They chose you the Breakfast Club.

1499
00:58:40,600 --> 00:58:42,400
Speaker 1: Bitch you Who's donkey of the day today?

1500
00:58:43,360 --> 00:58:43,560
Speaker 5: Wow?

1501
00:58:44,480 --> 00:58:46,600
Speaker 2: Donkey of Today goes to a thirty year old Connecticut

1502
00:58:46,680 --> 00:58:49,840
Speaker 2: man named Kobe Parker. Now Kobe Parker called police at

1503
00:58:49,840 --> 00:58:53,320
Speaker 2: around eight eighteen pm to report his child missing from

1504
00:58:53,360 --> 00:58:57,520
Speaker 2: his car parked outside Price Chopper supermarket in Connecticut, already

1505
00:58:57,560 --> 00:58:59,640
Speaker 2: told police he had gone into the store and left

1506
00:58:59,720 --> 00:59:01,960
Speaker 2: the child in his vehicle, but the child was missing

1507
00:59:02,400 --> 00:59:04,439
Speaker 2: when he came back. Now, before we even get into

1508
00:59:04,440 --> 00:59:06,680
Speaker 2: the details of the story, I feel like he could

1509
00:59:06,720 --> 00:59:09,280
Speaker 2: get the biggest he hall for simply leaving his child

1510
00:59:09,320 --> 00:59:11,800
Speaker 2: in the car. Okay, I don't know why parents would

1511
00:59:11,800 --> 00:59:14,919
Speaker 2: still be leaving their children in the car under any circumstances.

1512
00:59:15,000 --> 00:59:17,280
Speaker 2: There is absolutely zero reason for you to leave your

1513
00:59:17,320 --> 00:59:19,760
Speaker 2: little child in a car. We've seen enough examples of

1514
00:59:19,840 --> 00:59:22,560
Speaker 2: kids dying from he'd exhaust, he dishausted. We've seen enough

1515
00:59:22,600 --> 00:59:25,120
Speaker 2: examples of kids being kidnapped. Like, your child is not

1516
00:59:25,200 --> 00:59:27,320
Speaker 2: a pet, bro That's why I hate when people call

1517
00:59:27,360 --> 00:59:30,000
Speaker 2: their pets kids, because if you had actual kids, you

1518
00:59:30,040 --> 00:59:31,560
Speaker 2: would know the difference, all right, If you don't let

1519
00:59:31,600 --> 00:59:35,000
Speaker 2: your child outside the peete, and you shouldn't, even though

1520
00:59:35,120 --> 00:59:37,480
Speaker 2: people do, leave your child in the car while you're

1521
00:59:37,520 --> 00:59:39,280
Speaker 2: running the store. Real quick, Now, the story gets way

1522
00:59:39,360 --> 00:59:41,720
Speaker 2: stupider than this, because it turns out the child was

1523
00:59:41,800 --> 00:59:44,640
Speaker 2: indeed missing, but not because of a kidnapping, but because

1524
00:59:44,640 --> 00:59:48,360
Speaker 2: of a good old fashioned thing called parental neglect. Let's

1525
00:59:48,360 --> 00:59:50,400
Speaker 2: go to WTNH News eight for the report. Please.

1526
00:59:50,680 --> 00:59:53,720
Speaker 17: Lasha Rushavano reported his child went missing from his car

1527
00:59:53,920 --> 00:59:57,680
Speaker 17: while he was inside the Mansfield Price Chopper, Pelicia.

1528
00:59:57,720 --> 01:00:00,360
Speaker 2: It turns out that thirty year old Kobe Parker actually left.

1529
01:00:00,320 --> 01:00:03,440
Speaker 17: A child home alone and only thought the child was

1530
01:00:03,560 --> 01:00:06,440
Speaker 17: with him. At last conducted a search around the store.

1531
01:00:06,880 --> 01:00:10,320
Speaker 17: That's when they sent officers to Parker's house. They found

1532
01:00:10,320 --> 01:00:10,960
Speaker 17: the child there.

1533
01:00:11,120 --> 01:00:11,440
Speaker 2: Fine.

1534
01:00:12,040 --> 01:00:14,840
Speaker 17: Police say Parker failed a sobriety test. The child was

1535
01:00:14,880 --> 01:00:16,960
Speaker 17: placed in custody of a family member.

1536
01:00:17,480 --> 01:00:19,640
Speaker 2: Failed a sobriety test. That man was high. Okay, I

1537
01:00:19,720 --> 01:00:21,439
Speaker 2: knew this man was high before I even heard the story.

1538
01:00:21,480 --> 01:00:23,600
Speaker 2: The news report said he failed a sobriety test. He

1539
01:00:23,680 --> 01:00:25,840
Speaker 2: probably was drinking too. But this man was operating on

1540
01:00:25,920 --> 01:00:28,520
Speaker 2: at least a forty to sixty milligram edible. Okay, I

1541
01:00:28,640 --> 01:00:30,200
Speaker 2: know edible. Actually, when I hear it, I hadn't been

1542
01:00:30,240 --> 01:00:32,720
Speaker 2: high off of edible. Scrolling through Instagram looking for my

1543
01:00:32,800 --> 01:00:35,720
Speaker 2: phone and I only got one phone. Okay, speaking of phone,

1544
01:00:35,760 --> 01:00:37,280
Speaker 2: some of y'all care about your phones more than you

1545
01:00:37,360 --> 01:00:39,560
Speaker 2: care about your kids. Okay, before you leave your house,

1546
01:00:39,680 --> 01:00:42,640
Speaker 2: you're checking for your keys, wilet, phone, we need to

1547
01:00:42,680 --> 01:00:46,200
Speaker 2: add kids to that. Kids keys wilet phone. It's like

1548
01:00:46,280 --> 01:00:50,160
Speaker 2: the heads, shoulders, knees in tosknes in toes, kids keys though,

1549
01:00:50,200 --> 01:00:54,000
Speaker 2: wilet phone, wilet phone. We will lose our minds if

1550
01:00:54,040 --> 01:00:56,120
Speaker 2: we leave home without our phones. Before we get in

1551
01:00:56,160 --> 01:00:57,400
Speaker 2: the call, we check it for it in God for

1552
01:00:57,440 --> 01:00:59,040
Speaker 2: a bit. We drive a little bit and then go

1553
01:00:59,120 --> 01:01:00,400
Speaker 2: to our phone and make a call to go to

1554
01:01:00,480 --> 01:01:02,000
Speaker 2: our phone and turn the music on. If we don't

1555
01:01:02,000 --> 01:01:04,880
Speaker 2: feel our phones, we will stop everything and run back

1556
01:01:04,920 --> 01:01:07,360
Speaker 2: to the house. This man Kobe did not feel that

1557
01:01:07,400 --> 01:01:10,760
Speaker 2: way about his own flesh and blood. Now I understand

1558
01:01:10,880 --> 01:01:13,760
Speaker 2: possibly being high enough that you forgot the kid at home,

1559
01:01:13,960 --> 01:01:17,080
Speaker 2: But you were so high you actually thought you put

1560
01:01:17,120 --> 01:01:20,680
Speaker 2: the kid in the car, scrapped them up. Probably turned

1561
01:01:20,680 --> 01:01:23,440
Speaker 2: on revolting children from Matilda the musical, singing along with

1562
01:01:23,520 --> 01:01:27,040
Speaker 2: the child, we are revolting children, living and revolting times.

1563
01:01:27,200 --> 01:01:30,400
Speaker 2: You got out the car okay in your mind, thinking

1564
01:01:30,480 --> 01:01:33,160
Speaker 2: you'll be right back, probably cracked the window in all,

1565
01:01:33,680 --> 01:01:36,040
Speaker 2: told the child you was gonna get them something and everything,

1566
01:01:36,240 --> 01:01:38,240
Speaker 2: and then came back to the car and thought the

1567
01:01:38,400 --> 01:01:43,400
Speaker 2: child that was never there had been kidnapped. Glasses. I

1568
01:01:43,480 --> 01:01:45,920
Speaker 2: think he on the sharm that you used to serve. Okay,

1569
01:01:46,720 --> 01:01:48,560
Speaker 2: this sounded like pee wee sherman to me? Does this

1570
01:01:48,600 --> 01:01:50,280
Speaker 2: sound like sharm used to do the U glasses?

1571
01:01:50,600 --> 01:01:50,640
Speaker 16: No?

1572
01:01:50,880 --> 01:01:52,640
Speaker 2: No, something else is wrong with him.

1573
01:01:52,760 --> 01:01:54,919
Speaker 1: I don't think people, even on sharm forget their chess.

1574
01:01:55,120 --> 01:01:56,680
Speaker 1: They just don't forget their chairs. Damn.

1575
01:01:58,120 --> 01:02:00,800
Speaker 2: Always remember, man, children may forget what you say, but

1576
01:02:00,880 --> 01:02:03,680
Speaker 2: they will never forget how you made them feel, especially

1577
01:02:04,040 --> 01:02:06,720
Speaker 2: when you forget them. Please let me Ma give Kobe

1578
01:02:06,800 --> 01:02:08,240
Speaker 2: Parker the biggest he hall.

1579
01:02:08,400 --> 01:02:09,800
Speaker 4: He haw he ha.

1580
01:02:10,440 --> 01:02:11,720
Speaker 1: You stupid motherfuck?

1581
01:02:11,880 --> 01:02:16,320
Speaker 2: Are you dumb? All right? Look, it's a relief he

1582
01:02:16,360 --> 01:02:18,840
Speaker 2: wasn't kidnapped, But man, leaving the kid at the house,

1583
01:02:19,320 --> 01:02:21,560
Speaker 2: that might have been worse. I know y'all watch home

1584
01:02:21,600 --> 01:02:23,880
Speaker 2: alone and think kids can handle themselves and never adult

1585
01:02:23,920 --> 01:02:25,560
Speaker 2: turn around. But this ain't a movie.

1586
01:02:25,640 --> 01:02:27,680
Speaker 3: Dun Have y'all ever did that.

1587
01:02:28,480 --> 01:02:30,000
Speaker 1: I know the kids at home.

1588
01:02:30,120 --> 01:02:32,320
Speaker 13: Your first kid, Like I always am scared that when

1589
01:02:32,320 --> 01:02:33,919
Speaker 13: I have my first kid, I might forget like, okay,

1590
01:02:33,960 --> 01:02:35,640
Speaker 13: I have the kid and leave the kids somewhere.

1591
01:02:35,680 --> 01:02:37,240
Speaker 2: I guess you're doing. I guess you're leaving your kid

1592
01:02:37,280 --> 01:02:38,600
Speaker 2: on top of the car driving off.

1593
01:02:39,080 --> 01:02:41,080
Speaker 3: That's one of my fears, like the car seat, like

1594
01:02:41,240 --> 01:02:43,000
Speaker 3: just because I don't know, you're moving so fast and

1595
01:02:43,040 --> 01:02:43,360
Speaker 3: it's new.

1596
01:02:43,560 --> 01:02:43,600
Speaker 5: No.

1597
01:02:43,840 --> 01:02:46,120
Speaker 3: I used to double check my niece like, okay, she's here.

1598
01:02:46,280 --> 01:02:48,840
Speaker 2: I think you're gonna know, especially you, you're gonna carry

1599
01:02:48,880 --> 01:02:50,520
Speaker 2: it for nine months, push it out. You're not gonna

1600
01:02:50,520 --> 01:02:53,480
Speaker 2: forget that double check. Trust definitely something only a man

1601
01:02:53,520 --> 01:02:56,520
Speaker 2: will do. That's never done it.

1602
01:02:56,600 --> 01:02:57,480
Speaker 1: I'm super sensitive.

1603
01:02:57,520 --> 01:02:59,000
Speaker 8: Like even when my kids are sleeping, I'm the one

1604
01:02:59,040 --> 01:03:00,800
Speaker 8: that looks to see if they chest is moving after

1605
01:03:00,840 --> 01:03:03,600
Speaker 8: actually breathing at night at times, Yeah, I do that

1606
01:03:03,640 --> 01:03:05,400
Speaker 8: all the time. Same thing when I'm driving in the car.

1607
01:03:05,560 --> 01:03:08,320
Speaker 8: Make sure like I'm very, very extra when it comes

1608
01:03:08,320 --> 01:03:08,840
Speaker 8: to the kids.

1609
01:03:09,040 --> 01:03:09,680
Speaker 3: That's good to know.

1610
01:03:10,040 --> 01:03:13,440
Speaker 2: We are revolting children living in revolting times.

1611
01:03:23,560 --> 01:03:27,440
Speaker 1: Et. We'll see them all pie Et the Breakfast Club,

1612
01:03:29,760 --> 01:03:31,720
Speaker 1: Good morning. Everybody is dj.

1613
01:03:32,000 --> 01:03:34,439
Speaker 8: En v Charlamagne, the guy we are the Breakfast Club

1614
01:03:34,560 --> 01:03:36,280
Speaker 8: was still kicking it with Rich Paul. He has a

1615
01:03:36,360 --> 01:03:38,800
Speaker 8: new book Luckily out right now. You know him as

1616
01:03:39,120 --> 01:03:42,240
Speaker 8: the agent to Lebron James, Anthony Davis and so many more.

1617
01:03:42,400 --> 01:03:45,480
Speaker 2: Charlomagne podcast Why You Disrespect Michael Jordan Like that on

1618
01:03:45,560 --> 01:03:46,280
Speaker 2: the podcast.

1619
01:03:46,000 --> 01:03:47,320
Speaker 1: I didn't disrespect Michael Jordan.

1620
01:03:47,440 --> 01:03:49,720
Speaker 2: You said that. He you said bron is Platinum and

1621
01:03:49,960 --> 01:03:52,040
Speaker 2: Michael go Like damn.

1622
01:03:52,040 --> 01:03:55,520
Speaker 1: I said for me, because the way I'm looking at

1623
01:03:55,600 --> 01:03:57,680
Speaker 1: it is you never respected Michael Jordan too.

1624
01:03:57,720 --> 01:03:58,479
Speaker 2: You said that in the book.

1625
01:03:58,600 --> 01:04:03,800
Speaker 1: I did not see. I did not say that. That's right,

1626
01:04:04,160 --> 01:04:05,000
Speaker 1: but you're not gonna do that.

1627
01:04:05,200 --> 01:04:07,240
Speaker 2: You said you said you respected him on the court,

1628
01:04:07,320 --> 01:04:09,160
Speaker 2: but off the court he wasn't for the culture, basically

1629
01:04:09,240 --> 01:04:09,720
Speaker 2: is what you said.

1630
01:04:09,720 --> 01:04:11,800
Speaker 1: No, I said I respected him on the court, of course,

1631
01:04:11,880 --> 01:04:16,880
Speaker 1: but there was no touch. Michael Jordan was a different

1632
01:04:16,960 --> 01:04:17,959
Speaker 1: guy off the court.

1633
01:04:18,120 --> 01:04:18,240
Speaker 4: You know.

1634
01:04:18,320 --> 01:04:21,800
Speaker 1: I had several examples of Michael Jordan off the court, right,

1635
01:04:21,920 --> 01:04:24,200
Speaker 1: So that's not a slight to me. I love Michael Jordan,

1636
01:04:24,960 --> 01:04:28,000
Speaker 1: by the way, every shoe until like after fourteen, because

1637
01:04:28,040 --> 01:04:30,920
Speaker 1: it started getting a little weird every game I used

1638
01:04:30,920 --> 01:04:32,720
Speaker 1: to watch the commercials. Wouldn't even shay I was a

1639
01:04:32,760 --> 01:04:33,320
Speaker 1: Michael Jordan.

1640
01:04:34,120 --> 01:04:36,080
Speaker 2: Everything you said about Jordan in the book, I understood

1641
01:04:36,120 --> 01:04:36,880
Speaker 2: exactly what you mean.

1642
01:04:37,040 --> 01:04:41,560
Speaker 1: Yeah, but that's my thing. So like I was more culturally, yeah,

1643
01:04:42,000 --> 01:04:43,680
Speaker 1: but but okay, So when you think about a guy

1644
01:04:43,760 --> 01:04:46,960
Speaker 1: like Alan Iverson, imagine if Alan Iverson had a rich Paul.

1645
01:04:48,360 --> 01:04:51,520
Speaker 1: You see what I'm saying. It's a different dynamic because

1646
01:04:52,720 --> 01:04:55,960
Speaker 1: I understand him. I understand culture, and I know what

1647
01:04:56,120 --> 01:04:59,920
Speaker 1: those braids and what that armsleeve did, and I understand

1648
01:05:00,480 --> 01:05:03,160
Speaker 1: the business that that that didn't necessarily go with Rebound.

1649
01:05:03,520 --> 01:05:05,920
Speaker 2: Who you were talking with back then, Nike? Did Nike?

1650
01:05:05,960 --> 01:05:07,520
Speaker 2: You understand it because he was there. It's not like

1651
01:05:07,560 --> 01:05:08,919
Speaker 2: I'm sure Nike you offer of him something.

1652
01:05:09,120 --> 01:05:12,360
Speaker 1: Alan Iverson knew what his agent total. You can spend it,

1653
01:05:12,440 --> 01:05:14,400
Speaker 1: hire which way you want to spend it. And if

1654
01:05:14,440 --> 01:05:17,680
Speaker 1: you don't know culture, how many pairs of sneakers you

1655
01:05:17,760 --> 01:05:18,920
Speaker 1: think his agent bought.

1656
01:05:18,880 --> 01:05:20,680
Speaker 2: Alan ivers I don't know, but I know I bought

1657
01:05:20,680 --> 01:05:22,840
Speaker 2: a bunch of the man I'm just saying, prior.

1658
01:05:22,680 --> 01:05:24,520
Speaker 1: To Alan Iverson, how many pairs of sneakers you think

1659
01:05:24,600 --> 01:05:27,240
Speaker 1: is agent probably bought? Now his agent?

1660
01:05:27,320 --> 01:05:29,080
Speaker 2: Oh yeah, probably not exactly.

1661
01:05:29,280 --> 01:05:31,160
Speaker 1: So how could you How could you do a shoe

1662
01:05:31,200 --> 01:05:33,240
Speaker 1: deal for me? And you don't because you're gonna get

1663
01:05:33,400 --> 01:05:36,880
Speaker 1: very few guys that can actually move product. Everybody have

1664
01:05:36,960 --> 01:05:40,320
Speaker 1: a signature shoe cannot move product. So that's just for

1665
01:05:40,400 --> 01:05:42,760
Speaker 1: your ego. When you have a signature shoe, to go

1666
01:05:43,040 --> 01:05:45,800
Speaker 1: is to build a signature business. There's been very few

1667
01:05:45,880 --> 01:05:48,400
Speaker 1: guys that can build a signature business.

1668
01:05:48,440 --> 01:05:48,800
Speaker 2: That's true.

1669
01:05:49,120 --> 01:05:52,120
Speaker 1: My thing is, you can't help me make that decision.

1670
01:05:52,760 --> 01:05:56,040
Speaker 1: Now you can help ninety nine point nine percent of

1671
01:05:56,160 --> 01:05:59,439
Speaker 1: the players make a decision on a shoe deal because

1672
01:05:59,440 --> 01:06:01,680
Speaker 1: it's just He's simple. If you don't care about the brand,

1673
01:06:01,760 --> 01:06:03,840
Speaker 1: pretty much, most guys don't on to where who's paying

1674
01:06:03,880 --> 01:06:06,160
Speaker 1: the most money. It's only gonna work while I'm playing.

1675
01:06:06,480 --> 01:06:09,600
Speaker 1: But if you're an Alan Iverson, that ain't what you need.

1676
01:06:09,920 --> 01:06:15,720
Speaker 1: You need somebody that understands culture, understands cool, understands product.

1677
01:06:15,960 --> 01:06:18,520
Speaker 1: You get what I'm saying, because you have the opportunity

1678
01:06:19,000 --> 01:06:22,520
Speaker 1: to build a business that can have sustainability in the

1679
01:06:22,560 --> 01:06:26,000
Speaker 1: marketplace much longer than you play.

1680
01:06:26,920 --> 01:06:28,600
Speaker 2: Let's go back to the Platinum Antlas thing though.

1681
01:06:28,960 --> 01:06:31,720
Speaker 1: No, Okay, So all I'm saying is that's just for me.

1682
01:06:31,920 --> 01:06:37,200
Speaker 1: I think people people oftentimes want you to think how

1683
01:06:37,280 --> 01:06:41,200
Speaker 1: they think for whatever reason. Obviously we know MJ's a

1684
01:06:41,280 --> 01:06:42,360
Speaker 1: goat of his era.

1685
01:06:42,920 --> 01:06:45,920
Speaker 2: No, he's the goat of his era. He's the goat

1686
01:06:46,080 --> 01:06:47,080
Speaker 2: rich It's okay.

1687
01:06:47,320 --> 01:06:50,959
Speaker 1: Of listen, you can't compare errors, man like you can't

1688
01:06:51,000 --> 01:06:53,439
Speaker 1: fallt MJ. For the era he played in. You can't

1689
01:06:53,480 --> 01:06:55,919
Speaker 1: fault Lebron for the air he played in. You can't

1690
01:06:55,960 --> 01:07:00,000
Speaker 1: fault Steph Curry for changing Steph Curry changed the game

1691
01:07:00,240 --> 01:07:03,040
Speaker 1: of basketball in the way it's played. My coach Frank

1692
01:07:03,160 --> 01:07:06,480
Speaker 1: Novak or coach j May rest in peace with Glenville,

1693
01:07:06,560 --> 01:07:09,840
Speaker 1: legendary coach. If you stepped across half court and shot

1694
01:07:10,080 --> 01:07:14,000
Speaker 1: a forty foot jumper, that's a bad shot. Steph Curry

1695
01:07:14,080 --> 01:07:17,320
Speaker 1: turned a bad shot into a great shot for Steph Curry,

1696
01:07:17,920 --> 01:07:20,360
Speaker 1: not for everybody. You know what I'm saying. We can

1697
01:07:20,560 --> 01:07:23,560
Speaker 1: knock those things. And again, when you talk about the

1698
01:07:23,960 --> 01:07:27,360
Speaker 1: Jordan Lebron, everybody gonna have their own opinion. You're you're

1699
01:07:27,440 --> 01:07:30,400
Speaker 1: entired to that. Michael Jordan was the best guy ever

1700
01:07:30,480 --> 01:07:33,760
Speaker 1: seen played a game of basketball until twenty years of Lebron.

1701
01:07:33,880 --> 01:07:36,000
Speaker 1: Me saying twenty years of Lebron, that's not a knock.

1702
01:07:36,200 --> 01:07:38,959
Speaker 1: Lebron could also play with Mike. I think Lebron would

1703
01:07:39,000 --> 01:07:41,400
Speaker 1: have been just as good in Mike's era.

1704
01:07:41,600 --> 01:07:44,640
Speaker 2: Do you think people will ever fully appreciate le Bron? No,

1705
01:07:44,840 --> 01:07:47,840
Speaker 2: if we keep comparing him to Michael Jordan, that's my thing.

1706
01:07:48,120 --> 01:07:51,760
Speaker 1: Lebron was the first person that did things how he

1707
01:07:51,960 --> 01:07:54,600
Speaker 1: wanted to do it, unapologetically. They wanted him to do

1708
01:07:54,720 --> 01:07:56,680
Speaker 1: everything like Mike. Well, I don't have to do that.

1709
01:07:56,960 --> 01:07:58,160
Speaker 1: That shouldn't be a knock on me.

1710
01:07:58,800 --> 01:08:01,400
Speaker 2: Good marketing, though, be like Mike. Everybody wanted to be

1711
01:08:01,520 --> 01:08:01,840
Speaker 2: like Mike.

1712
01:08:02,080 --> 01:08:04,360
Speaker 1: Yeah, but you know, everybody wanted to be like Mike.

1713
01:08:04,400 --> 01:08:04,880
Speaker 5: That was a great.

1714
01:08:04,920 --> 01:08:08,160
Speaker 2: That was a great you know when you think about himself.

1715
01:08:09,400 --> 01:08:10,280
Speaker 1: But when you think about that.

1716
01:08:10,560 --> 01:08:12,640
Speaker 2: It shot hurts you that bad man you beat Cleveland

1717
01:08:12,680 --> 01:08:13,280
Speaker 2: in the playoffs.

1718
01:08:13,520 --> 01:08:16,960
Speaker 1: No, I actually no, I was actually a Mike fan.

1719
01:08:17,200 --> 01:08:19,240
Speaker 1: I was actually I'm still a Mike fan. I talked

1720
01:08:19,280 --> 01:08:21,360
Speaker 1: to Mike all the time, like it's not that's not

1721
01:08:21,479 --> 01:08:21,800
Speaker 1: a thing.

1722
01:08:21,880 --> 01:08:23,639
Speaker 2: Do y'all argue about who's better him?

1723
01:08:24,080 --> 01:08:25,960
Speaker 1: We had we go on the base about different things.

1724
01:08:26,000 --> 01:08:27,840
Speaker 1: I got the utmost respect for Mike. We're gonna rebate

1725
01:08:27,960 --> 01:08:31,760
Speaker 1: debates about different things. But I'm also a truth like,

1726
01:08:31,840 --> 01:08:34,680
Speaker 1: I don't sugarcoat things. And I'm never gonna get in

1727
01:08:34,720 --> 01:08:37,240
Speaker 1: the room. It could be Jay Z in here and

1728
01:08:37,360 --> 01:08:39,960
Speaker 1: Mike in here, and and then here comes Charlotte Man

1729
01:08:40,360 --> 01:08:42,120
Speaker 1: and I act like I don't know you, or I

1730
01:08:42,240 --> 01:08:44,000
Speaker 1: start talking different. I'm not gonna get to New York

1731
01:08:44,040 --> 01:08:45,640
Speaker 1: and start talking like I'm from New York.

1732
01:08:45,680 --> 01:08:45,920
Speaker 2: I don't.

1733
01:08:46,080 --> 01:08:47,880
Speaker 1: We don't play that where I'm from. So it don't

1734
01:08:47,920 --> 01:08:49,840
Speaker 1: matter who it is on the other end, If I

1735
01:08:49,960 --> 01:08:52,880
Speaker 1: believe something, that's what I believe, it's not a slight

1736
01:08:53,000 --> 01:08:56,160
Speaker 1: to anybody. I think Mike's to go. I also think

1737
01:08:56,320 --> 01:08:56,920
Speaker 1: Lebron's to go.

1738
01:08:57,080 --> 01:08:57,680
Speaker 2: I agree with that.

1739
01:08:58,000 --> 01:09:02,160
Speaker 1: I think the antlers are a little different for different reasons.

1740
01:09:02,280 --> 01:09:04,519
Speaker 1: That has nothing to do with the game of basketball, though.

1741
01:09:05,200 --> 01:09:07,840
Speaker 1: The great business ball players all time, my top five

1742
01:09:08,000 --> 01:09:12,000
Speaker 1: all time, Top five of all time, Bron, Mike. I mean,

1743
01:09:12,040 --> 01:09:14,519
Speaker 1: I gotta put Steph in there now because step at three,

1744
01:09:15,040 --> 01:09:17,800
Speaker 1: not in no particular I'm doing positions, Okay, Okay, yeah,

1745
01:09:18,080 --> 01:09:21,360
Speaker 1: I got I gotta put Kobe in there too. You

1746
01:09:21,400 --> 01:09:23,000
Speaker 1: got to think about no, No, I'm just saying I

1747
01:09:23,040 --> 01:09:23,960
Speaker 1: gotta put Kobe in there.

1748
01:09:24,120 --> 01:09:24,280
Speaker 2: Four.

1749
01:09:24,360 --> 01:09:27,800
Speaker 1: You got one more four? Magic shack? You go nah,

1750
01:09:27,840 --> 01:09:29,920
Speaker 1: because I already got my point guard and I rock

1751
01:09:30,000 --> 01:09:32,640
Speaker 1: with magic. But I mean, you know I would go

1752
01:09:32,760 --> 01:09:35,080
Speaker 1: shock shack. Yeah, I would probably go shack. But you

1753
01:09:35,160 --> 01:09:38,040
Speaker 1: know I don't do top five. That's my team that

1754
01:09:38,160 --> 01:09:40,760
Speaker 1: nobody can beat. That's my team. But then when you

1755
01:09:40,880 --> 01:09:44,080
Speaker 1: talk about just great players. Kevin Durant's a great player.

1756
01:09:44,720 --> 01:09:47,320
Speaker 1: Despite what anybody has to say. The league is full

1757
01:09:47,360 --> 01:09:49,840
Speaker 1: of great players right now. Giannis is a great player.

1758
01:09:50,200 --> 01:09:53,200
Speaker 1: You know Damian Lillard. People try to get on a

1759
01:09:53,240 --> 01:09:56,280
Speaker 1: guy like a d but there's no better basketball player.

1760
01:09:56,320 --> 01:09:59,200
Speaker 1: When you talk about Anthony Davis when he's playing the

1761
01:09:59,240 --> 01:10:03,160
Speaker 1: game of basketball level, he's unbelievable. But these young guys today,

1762
01:10:03,200 --> 01:10:05,320
Speaker 1: you look at what Jason Tatum, I mean, all these

1763
01:10:05,400 --> 01:10:08,160
Speaker 1: and I have the guys that I represent, the young

1764
01:10:08,200 --> 01:10:12,479
Speaker 1: guys that I represent. We got dogs Man Garland, Maxie John,

1765
01:10:12,680 --> 01:10:17,080
Speaker 1: John tay Trey, you know, Miles Bridges is back, Zach Lavine,

1766
01:10:17,200 --> 01:10:19,360
Speaker 1: Darrin Fox in the world.

1767
01:10:23,120 --> 01:10:29,960
Speaker 2: Just maybe what was the dude named Drew Rosenhouse. Maybe

1768
01:10:30,040 --> 01:10:30,920
Speaker 2: a little bit, but not.

1769
01:10:32,840 --> 01:10:36,400
Speaker 1: Because you understand, like I'm appreciative of my guys, You're

1770
01:10:36,439 --> 01:10:38,080
Speaker 1: only as strong as the guys allow you to be.

1771
01:10:38,479 --> 01:10:40,600
Speaker 1: You know, the way I go about and we go

1772
01:10:40,680 --> 01:10:43,160
Speaker 1: about our business as a company, it's just different. We

1773
01:10:43,240 --> 01:10:44,519
Speaker 1: know I'm not I know I'm not gonna be able

1774
01:10:44,520 --> 01:10:46,960
Speaker 1: to represent every player, every family. Don't want to hear

1775
01:10:47,000 --> 01:10:49,360
Speaker 1: the truth when you're in a meeting, and at the

1776
01:10:49,439 --> 01:10:53,040
Speaker 1: same time, you know, you still got parents that believe

1777
01:10:53,120 --> 01:10:56,559
Speaker 1: in the so called establishment, and you still got people

1778
01:10:56,640 --> 01:10:59,560
Speaker 1: that are defined by their business card. I don't. I

1779
01:10:59,600 --> 01:11:02,680
Speaker 1: don't care a business card because I define a business card.

1780
01:11:02,680 --> 01:11:03,800
Speaker 1: It's a difference, you know.

1781
01:11:04,240 --> 01:11:06,000
Speaker 8: All right, we got more with Rich Paul when we

1782
01:11:06,200 --> 01:11:08,280
Speaker 8: come back. His book Lucky Meat is out right now.

1783
01:11:08,320 --> 01:11:11,479
Speaker 8: It's the Breakfast Club. Good morning, the Breakfast Club.

1784
01:11:13,720 --> 01:11:17,320
Speaker 1: Only everybody is DJ MV Charlamagne, the guy we are.

1785
01:11:17,400 --> 01:11:19,639
Speaker 1: The Breakfast Club was still kicking him with Rich Paul.

1786
01:11:19,680 --> 01:11:21,760
Speaker 1: He has a new book, Lucky Meet out right now.

1787
01:11:21,880 --> 01:11:24,839
Speaker 8: You know him as the agent to Lebron, James, Anthony

1788
01:11:24,960 --> 01:11:26,880
Speaker 8: Davis and so many more. When the league tried to

1789
01:11:26,920 --> 01:11:28,920
Speaker 8: box you out, how difficult was that because at one

1790
01:11:28,960 --> 01:11:31,960
Speaker 8: time they tried to change the rich the Rich Paul

1791
01:11:32,000 --> 01:11:33,560
Speaker 8: rule where you had to go to school and this,

1792
01:11:33,640 --> 01:11:35,080
Speaker 8: that and the other. When they tried to box you out,

1793
01:11:35,400 --> 01:11:37,000
Speaker 8: break that down, a couple of things happened.

1794
01:11:37,120 --> 01:11:39,400
Speaker 1: So when I first got in the business, the first

1795
01:11:39,479 --> 01:11:42,000
Speaker 1: thing there was an article written on me that tried

1796
01:11:42,080 --> 01:11:46,559
Speaker 1: to basically stuck my growth or stop me from being

1797
01:11:46,640 --> 01:11:49,960
Speaker 1: put in position to even represent players. That was done

1798
01:11:50,080 --> 01:11:53,240
Speaker 1: strategically coming from a place I once was, and they

1799
01:11:53,320 --> 01:11:55,640
Speaker 1: tried to do that. A couple people did. That was

1800
01:11:55,760 --> 01:11:58,599
Speaker 1: one thing that many people skip over and don't even

1801
01:11:58,680 --> 01:12:00,560
Speaker 1: know about. And so I had to go through this

1802
01:12:00,640 --> 01:12:04,200
Speaker 1: whole thing, the NC DOUBLEA investigating me all that found nothing,

1803
01:12:04,479 --> 01:12:07,920
Speaker 1: but the young man lost its eligibility, which was bad.

1804
01:12:08,000 --> 01:12:12,880
Speaker 1: It really cost him. But that came from somebody strategically

1805
01:12:13,320 --> 01:12:16,240
Speaker 1: targeting me to try to do that number one, And

1806
01:12:16,320 --> 01:12:19,120
Speaker 1: at the time when the article was written, it was like, damn,

1807
01:12:19,160 --> 01:12:21,320
Speaker 1: you got them to write this article about me that

1808
01:12:21,439 --> 01:12:24,160
Speaker 1: you know not true. That really pissed me off. And

1809
01:12:24,320 --> 01:12:26,920
Speaker 1: then from there the rule from the NC DOUBLEA that

1810
01:12:27,040 --> 01:12:30,040
Speaker 1: became the Rich Paul rule that said agents had to

1811
01:12:30,120 --> 01:12:33,040
Speaker 1: have a college degree to be able to represent people

1812
01:12:33,120 --> 01:12:35,960
Speaker 1: that are testing the water, meaning that I'm not sure

1813
01:12:36,000 --> 01:12:37,519
Speaker 1: if I'm a pro or not, and I want to

1814
01:12:37,560 --> 01:12:40,559
Speaker 1: keep my eligibility. Well, I don't really represent guys that's

1815
01:12:40,560 --> 01:12:42,800
Speaker 1: testing the water anyway. So I really wasn't focused on that.

1816
01:12:43,040 --> 01:12:44,920
Speaker 1: But at the same time, when I thought about it

1817
01:12:45,160 --> 01:12:46,680
Speaker 1: a little bit more, I'm like, damn, this is not

1818
01:12:46,760 --> 01:12:49,080
Speaker 1: even about me per se, because I'm already over the

1819
01:12:49,160 --> 01:12:52,280
Speaker 1: hell in terms of I made on another side, it's

1820
01:12:52,280 --> 01:12:55,040
Speaker 1: nothing that could really do to me. This is about

1821
01:12:55,280 --> 01:12:58,760
Speaker 1: people come behind me, right, and so they're trying to

1822
01:12:59,360 --> 01:13:01,640
Speaker 1: stop that. And that's when I wrote the opt ed.

1823
01:13:02,400 --> 01:13:04,160
Speaker 1: It took six days from the take it down or

1824
01:13:04,200 --> 01:13:06,880
Speaker 1: whatever it was like, they totally removed it because that

1825
01:13:07,080 --> 01:13:08,000
Speaker 1: was BS.

1826
01:13:07,920 --> 01:13:09,320
Speaker 2: And it was clear and blatant.

1827
01:13:09,320 --> 01:13:10,759
Speaker 1: Didn't know that, Yeah, it was blatant.

1828
01:13:10,840 --> 01:13:13,360
Speaker 2: Yeah, Now I know. Books are always you know, great

1829
01:13:13,439 --> 01:13:16,160
Speaker 2: first steps, first steps in the journey of healing. So

1830
01:13:16,240 --> 01:13:17,880
Speaker 2: what are you doing to unpack some of the trauma

1831
01:13:18,080 --> 01:13:20,080
Speaker 2: that you experienced throughout your life? Right in?

1832
01:13:20,120 --> 01:13:21,760
Speaker 1: This book was very therapeutic for me.

1833
01:13:21,880 --> 01:13:22,040
Speaker 2: Man.

1834
01:13:22,160 --> 01:13:24,599
Speaker 1: I needed that. I needed that because, you know, as

1835
01:13:24,600 --> 01:13:27,120
Speaker 1: a kid, I bottled so much and I didn't know

1836
01:13:27,200 --> 01:13:28,839
Speaker 1: anything about talking to a therapist.

1837
01:13:29,200 --> 01:13:29,639
Speaker 2: Back then.

1838
01:13:29,920 --> 01:13:32,280
Speaker 1: You know, the therapist was like guy with a fifth

1839
01:13:32,280 --> 01:13:35,320
Speaker 1: of rolls in his hand. He drunk, you talk, you know.

1840
01:13:35,760 --> 01:13:38,760
Speaker 1: But today I'm in a much different space. And that's

1841
01:13:38,840 --> 01:13:41,240
Speaker 1: why I felt it was kind of like four things

1842
01:13:41,680 --> 01:13:44,760
Speaker 1: motivation the book. I think it was important to get

1843
01:13:44,800 --> 01:13:49,200
Speaker 1: people perspective and perception, and then to allow people to

1844
01:13:49,560 --> 01:13:53,000
Speaker 1: walk with you through your journey and these experiences because

1845
01:13:53,280 --> 01:13:57,559
Speaker 1: we have shared experiences despite race, gender, whatever the case

1846
01:13:57,640 --> 01:14:00,360
Speaker 1: may be. Background wherever you came from. There's a chapter

1847
01:14:00,439 --> 01:14:02,880
Speaker 1: in this book that you share an experience with me

1848
01:14:03,000 --> 01:14:05,800
Speaker 1: in some shape form of fast for sure, and for

1849
01:14:06,000 --> 01:14:08,880
Speaker 1: some people most chapters in this books you're gonna share

1850
01:14:08,880 --> 01:14:11,600
Speaker 1: and experience and experience with me. So the timing of

1851
01:14:11,680 --> 01:14:14,559
Speaker 1: it just felt right. And anything I do is gutting heart, man,

1852
01:14:14,840 --> 01:14:17,120
Speaker 1: you know. And just like me and Lebron's texting the

1853
01:14:17,160 --> 01:14:18,960
Speaker 1: other day and I was like, man, I really want

1854
01:14:19,000 --> 01:14:22,240
Speaker 1: to get the artist to do like a self destruction

1855
01:14:22,520 --> 01:14:25,280
Speaker 1: or all the same gang type song because it's just

1856
01:14:25,560 --> 01:14:28,720
Speaker 1: what's happening today with our youth, just just so much

1857
01:14:29,040 --> 01:14:32,400
Speaker 1: careless killing. And I don't knock the music in terms

1858
01:14:32,439 --> 01:14:35,519
Speaker 1: of sharing your story, but it's just to a point

1859
01:14:35,560 --> 01:14:38,360
Speaker 1: to where we need a different message. And that's not

1860
01:14:38,520 --> 01:14:40,760
Speaker 1: to not be cool and not to be relatable and

1861
01:14:40,840 --> 01:14:43,280
Speaker 1: all that. I know the relatability thing, but it's also

1862
01:14:43,479 --> 01:14:46,840
Speaker 1: relatable to tell somebody what you're doing, why you're doing it,

1863
01:14:47,320 --> 01:14:49,320
Speaker 1: and why not to do it as well, because that's

1864
01:14:49,360 --> 01:14:51,200
Speaker 1: what we grew up on, you know what I'm saying,

1865
01:14:51,240 --> 01:14:53,160
Speaker 1: Like change is cool to cop, but more important it

1866
01:14:53,200 --> 01:14:55,960
Speaker 1: is lawyers fees. That's how it is now, That's how

1867
01:14:56,000 --> 01:14:58,640
Speaker 1: it always be I never changed. It's always me, you know,

1868
01:14:58,760 --> 01:15:01,360
Speaker 1: like I can't expect you to be Jay and I don't.

1869
01:15:01,520 --> 01:15:04,880
Speaker 1: But at the same time, there's a balance, right, But

1870
01:15:05,040 --> 01:15:07,639
Speaker 1: we need that we need because it's just crazy. That's

1871
01:15:07,920 --> 01:15:10,200
Speaker 1: what's going on, you know right now. It's not even

1872
01:15:10,240 --> 01:15:12,560
Speaker 1: about no money. You know this, And there's there's a

1873
01:15:12,720 --> 01:15:14,920
Speaker 1: there's a chapter in the book, remember I talk about

1874
01:15:14,920 --> 01:15:18,040
Speaker 1: the kid who said, well, that's why your mom smoke crack.

1875
01:15:18,160 --> 01:15:21,400
Speaker 2: Right and used to snap crazy, And then when they

1876
01:15:21,600 --> 01:15:24,680
Speaker 2: do that, you get frozen. N how to navigate through that, right?

1877
01:15:24,720 --> 01:15:27,439
Speaker 1: And today it's hard for kids to do that because

1878
01:15:27,479 --> 01:15:31,640
Speaker 1: social media is observer's paradox. And so if me and

1879
01:15:31,720 --> 01:15:33,720
Speaker 1: you got into it that school and we was in

1880
01:15:33,800 --> 01:15:36,400
Speaker 1: the bathroom, but Envy was the only one that's seen us.

1881
01:15:36,560 --> 01:15:38,519
Speaker 1: You know, it's like, well, I want to know you

1882
01:15:38,600 --> 01:15:41,320
Speaker 1: say you want Well, m the only one that's seen us.

1883
01:15:41,560 --> 01:15:43,559
Speaker 1: Maybe he want to comment on it. Maybe he don't.

1884
01:15:43,680 --> 01:15:45,599
Speaker 2: I think would have been teasing Envy. I just feel

1885
01:15:45,640 --> 01:15:47,080
Speaker 2: like that. I feel like I feel like he got

1886
01:15:47,160 --> 01:15:47,920
Speaker 2: to give you light skinned.

1887
01:15:48,400 --> 01:15:51,000
Speaker 1: Yeah, you gotta you gotta relax on V with the

1888
01:15:51,120 --> 01:15:56,479
Speaker 1: last kids. Relax Richard. You know, I support envy back

1889
01:15:56,520 --> 01:15:58,200
Speaker 1: in the day when they did a lot for us

1890
01:15:58,280 --> 01:16:01,800
Speaker 1: in the in the culture, like you gotta relaculous. But

1891
01:16:02,240 --> 01:16:04,920
Speaker 1: what I will say is just like but today, anything

1892
01:16:05,040 --> 01:16:07,320
Speaker 1: you do, if a kid don't get a like they

1893
01:16:07,400 --> 01:16:09,560
Speaker 1: take the picture down or enough, like you know, and

1894
01:16:09,640 --> 01:16:12,360
Speaker 1: then now it's about comments that people are making and

1895
01:16:12,479 --> 01:16:16,599
Speaker 1: it's calls in this retaliation and you're losing the kid

1896
01:16:16,920 --> 01:16:19,000
Speaker 1: prior to so I look at it. I'm saying, like

1897
01:16:19,120 --> 01:16:21,360
Speaker 1: you got to be able to get there, like these

1898
01:16:21,439 --> 01:16:24,479
Speaker 1: kids not even allowing themselves to get there to where

1899
01:16:24,560 --> 01:16:26,719
Speaker 1: you know, we all did crazy stuff when you're young,

1900
01:16:27,240 --> 01:16:30,120
Speaker 1: but like who you are today, how you perceive life

1901
01:16:30,200 --> 01:16:31,960
Speaker 1: and you know, your family and different things like that

1902
01:16:32,120 --> 01:16:33,720
Speaker 1: your job. When you look back on some of the

1903
01:16:33,800 --> 01:16:35,360
Speaker 1: things you did when you was young, like and that

1904
01:16:35,439 --> 01:16:38,360
Speaker 1: was stupid. That was really stupid, you know. And so

1905
01:16:38,560 --> 01:16:40,599
Speaker 1: but they're not even getting a chance to look back.

1906
01:16:40,680 --> 01:16:43,000
Speaker 1: They want to do it. They want to it's a

1907
01:16:43,080 --> 01:16:44,800
Speaker 1: cloud thing and it's and it's a it's just a

1908
01:16:44,840 --> 01:16:45,760
Speaker 1: weird place right now.

1909
01:16:46,320 --> 01:16:50,320
Speaker 2: East side of Cleveland. Yeah, Edmonton, Yeah, one twenty fifth.

1910
01:16:50,240 --> 01:16:53,679
Speaker 1: Edmonton is like the to the exact Google map boom origin.

1911
01:16:53,920 --> 01:16:56,960
Speaker 1: But Glendale community in Saint Clair's where I'm is, where

1912
01:16:57,000 --> 01:16:57,360
Speaker 1: I'm from.

1913
01:16:57,600 --> 01:17:00,200
Speaker 2: How does the Dell fare in those environments? I took

1914
01:17:00,200 --> 01:17:02,120
Speaker 2: her there really? Hell yeah?

1915
01:17:03,560 --> 01:17:03,760
Speaker 5: Yeah?

1916
01:17:03,920 --> 01:17:07,559
Speaker 1: What did she say? By the way, it's list hundred

1917
01:17:07,600 --> 01:17:10,360
Speaker 1: percent one hundred percent. And by the way, you know,

1918
01:17:10,439 --> 01:17:16,680
Speaker 1: we're pulling up and I got security right in the

1919
01:17:16,800 --> 01:17:19,640
Speaker 1: Cleveland police everybody. So I'm pulling up to houses. You

1920
01:17:19,720 --> 01:17:22,000
Speaker 1: know what it looks like when we when we're pulling up,

1921
01:17:22,280 --> 01:17:25,000
Speaker 1: you know, all black trucks. The President of the town,

1922
01:17:26,840 --> 01:17:31,600
Speaker 1: they think the President's town. Yeah, so you know it

1923
01:17:31,720 --> 01:17:34,840
Speaker 1: starts spreading throughout the neighborhood like man, like you can't

1924
01:17:34,840 --> 01:17:36,639
Speaker 1: you got to give us a heads up or something

1925
01:17:37,560 --> 01:17:41,240
Speaker 1: pulling up like that. But no, we went to the

1926
01:17:41,320 --> 01:17:44,120
Speaker 1: hood thoughs No, for sure. My family is my family, bro,

1927
01:17:44,320 --> 01:17:46,160
Speaker 1: I don't you know in the book and when you

1928
01:17:46,320 --> 01:17:48,479
Speaker 1: in Cleveland, all we all we saw was Cleveland. So

1929
01:17:48,840 --> 01:17:50,680
Speaker 1: no matter how far I go in life, I take

1930
01:17:50,720 --> 01:17:53,759
Speaker 1: Cleveland with me because I couldn't be me without Cleveland,

1931
01:17:53,800 --> 01:17:56,040
Speaker 1: and not just Saint Clair, all of Cleveland, you know,

1932
01:17:56,160 --> 01:17:57,880
Speaker 1: up the way down the way Crosstown.

1933
01:17:58,080 --> 01:18:01,240
Speaker 2: Like this is a letter to Cleveland. It really.

1934
01:18:01,560 --> 01:18:03,320
Speaker 1: It really raised me and it'd be hard for me

1935
01:18:03,400 --> 01:18:06,479
Speaker 1: to be who I am without the way I grew up.

1936
01:18:06,479 --> 01:18:09,599
Speaker 1: And I really appreciate the guys in the dice House

1937
01:18:09,720 --> 01:18:12,160
Speaker 1: that raised me, you know, all of them, you know,

1938
01:18:12,280 --> 01:18:16,120
Speaker 1: Little Mos and Texas and Wings and and my uncle Lance,

1939
01:18:16,200 --> 01:18:16,960
Speaker 1: my uncle Warren.

1940
01:18:17,160 --> 01:18:19,400
Speaker 2: You know I did the hood embracing Adele when you

1941
01:18:19,479 --> 01:18:21,360
Speaker 2: had her out there. They loved it, you know.

1942
01:18:21,840 --> 01:18:22,600
Speaker 1: Yeah, they rock with it.

1943
01:18:22,680 --> 01:18:24,760
Speaker 2: Yeah, that's some legendary rock with it.

1944
01:18:25,160 --> 01:18:27,360
Speaker 1: Yeah, they looked at me. They rock with it because

1945
01:18:27,560 --> 01:18:30,000
Speaker 1: that's part of me. It's hard to date me and

1946
01:18:30,120 --> 01:18:32,800
Speaker 1: then I'm not me that that that'll never happen. I'm

1947
01:18:32,840 --> 01:18:35,560
Speaker 1: not changing for nobody. I had Jake to send the

1948
01:18:35,640 --> 01:18:38,240
Speaker 1: Hoods one one day during the tour. This was like five,

1949
01:18:38,680 --> 01:18:40,960
Speaker 1: and he came out and where am I? This guys

1950
01:18:41,000 --> 01:18:41,760
Speaker 1: at where this guys?

1951
01:18:41,800 --> 01:18:41,840
Speaker 5: That?

1952
01:18:41,960 --> 01:18:42,680
Speaker 2: Where my where?

1953
01:18:42,760 --> 01:18:43,360
Speaker 1: My Saint Clair?

1954
01:18:43,760 --> 01:18:43,920
Speaker 5: Is that?

1955
01:18:44,040 --> 01:18:44,639
Speaker 1: You know what I'm saying?

1956
01:18:45,360 --> 01:18:46,200
Speaker 2: They grew up in Marson.

1957
01:18:46,800 --> 01:18:48,880
Speaker 1: No, no, no, I understand that you said. You said that.

1958
01:18:49,120 --> 01:18:51,479
Speaker 1: I'm just saying in terms of just me being me,

1959
01:18:51,600 --> 01:18:53,479
Speaker 1: But no, they love it. They love it for sure.

1960
01:18:54,160 --> 01:18:57,920
Speaker 1: Life is good. Charlo Man, you as her husband, Life

1961
01:18:58,040 --> 01:18:59,920
Speaker 1: is very good, don't you know?

1962
01:19:00,320 --> 01:19:00,880
Speaker 2: Life is good.

1963
01:19:02,880 --> 01:19:04,680
Speaker 1: The book is out today. Lucky me.

1964
01:19:04,960 --> 01:19:06,960
Speaker 2: It's Rich Paul's the breakfast cream.

1965
01:19:07,240 --> 01:19:11,040
Speaker 1: Good morning morning, everybody's ej enz.

1966
01:19:11,560 --> 01:19:14,000
Speaker 8: Charlomagne the god. We are the breakfast club. Now you

1967
01:19:14,040 --> 01:19:14,680
Speaker 8: got a positive No.

1968
01:19:14,760 --> 01:19:17,519
Speaker 2: Charlemagne, I do have a positive note, man. The positive

1969
01:19:17,560 --> 01:19:20,519
Speaker 2: note is simple. Pay attention to your patterns. Okay, the

1970
01:19:20,560 --> 01:19:22,320
Speaker 2: way you learn to survive may not be the way

1971
01:19:22,320 --> 01:19:25,439
Speaker 2: you want to continue to live. Heal and shift breakfast

1972
01:19:25,479 --> 01:19:27,639
Speaker 2: clubites you don't finish for y'all done,